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Speaker 1: I sound really nice and at least I have a

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Speaker 1: voice today yesterday, not no, nothing.

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Speaker 2: Just because of your sinus.

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Speaker 3: Yeah, it was the sinus, the ears, everything.

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Speaker 2: It's all. Yeah, it's a nasal drip. This is a

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Speaker 2: great way to start the.

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Speaker 1: Show though, yet again with your welcome back Sweeden.

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Speaker 3: Welcome back to the U.

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Speaker 1: S A.

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Speaker 2: And thank you.

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Speaker 1: And I made it in, so there's a plus. Yeah.

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Speaker 3: Happy, that's happy to see you. Happy you're here. How

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Speaker 3: was Europe? Tell me it highlights your losh.

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Speaker 1: It was. It was amazing. We my mom and I.

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Speaker 2: Had the best time.

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Speaker 1: But it was you know, she hasn't traveled, she hasn't

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Speaker 1: been in an airport in probably fifteen years. Wow, okay,

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Speaker 1: she has never traveled internationally.

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Speaker 2: Okay.

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Speaker 3: And we found out about.

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Speaker 1: Halfway to the lounge at LAX that her walking issues

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Speaker 1: were a little more pronounced than she even expected. So

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Speaker 1: she was like, oh my, she has arthritis in her back,

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Speaker 1: her knees. She was like, oh my back, my niece,

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Speaker 1: this is here. And I was like, all right, it's

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Speaker 1: you know. And then minutes later I itched my ear

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Speaker 1: and lost all hearing in my left ear for the

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Speaker 1: remainder of the trip.

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Speaker 3: So what.

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Speaker 1: Let me tell you. The first two hours I was

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Speaker 1: just sitting there like, oh please please, let this not

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Speaker 1: be awful. And it turned out to be anything. But

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Speaker 1: we had the best time.

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Speaker 3: We were.

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Speaker 1: We started in London, which of course we started in

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Speaker 1: London and get there for the eightieth anniversary of v

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Speaker 1: E Day.

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Speaker 3: And we're staying down.

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Speaker 1: In like near kind of near Trafalgar Square and like

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Speaker 1: off the Thames, and you know, at the Royal horse

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Speaker 1: Guards Hotel, which was lovely, and every street is shut down, right,

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Speaker 1: and that was we got in.

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Speaker 3: That was the day we got in.

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Speaker 1: They were practicing the parade, so you could still they

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Speaker 1: like taxi cabs.

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Speaker 2: Were getting in and blah bla blah.

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Speaker 1: The day of the parade is the day we were

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Speaker 1: leaving and trying to get a cab to the airport.

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Speaker 2: Oh no mission and so I was like, oh boy.

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Speaker 3: Yeah I was.

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Speaker 1: That was you know, one of our first hurdles. But

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Speaker 1: we made it out of London. We saw I saw

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Speaker 1: the Tower of London. I did audio guide after audio guide,

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Speaker 1: I read every black I could find.

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Speaker 3: History.

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Speaker 1: Oh, I was in my history nerdom all the way.

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Speaker 1: And then yeah, we went to we went to Cornwall

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Speaker 1: and stayed in Penzance, took the train to Penzance.

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Speaker 3: Yeah, did you of the train? Okay, I'm going to

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Speaker 3: ask a few did you drive?

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Speaker 1: I did at one point for about three days. Uh so, Yeah.

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Speaker 1: We took the train to Penzance and stayed there and

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Speaker 1: then had a driving tour of Cornwall, which was amazing.

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Speaker 1: If you've never seen the Menac Theater, which is carved

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Speaker 1: into the side of the cliff and it was done

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Speaker 1: by this like older woman by hand in like the twenties,

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Speaker 1: it's mind blowing and they do productions there all the

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Speaker 1: time and the backdrop is like the ocean and it's

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Speaker 1: just incredible. Anyway, we did that, we drove around then

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Speaker 1: uh then to the train again, which you know me mom,

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Speaker 1: the train, luggage stairs, Oh.

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Speaker 2: All of it all super fun.

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Speaker 3: It's it's a full contact sport like I you know,

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Speaker 3: I was like, oh, I'm kind of bummed.

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Speaker 1: I'm not going to get to work out, so don't worry.

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Speaker 1: I got not only my steps in but my my

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Speaker 1: weightlifting you.

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Speaker 3: Know, upper body.

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Speaker 2: Yeah.

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Speaker 1: But we made on the train and then uh, from

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Speaker 1: there we went and we went to Oxford and that

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Speaker 1: was where we picked up a rental car and I

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Speaker 1: drove in England successfully. I did it was there was

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Speaker 1: only only literally the first turn out of the like

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Speaker 1: the hurts rent a car made it right into the

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Speaker 1: right lane, you know what I mean, like just into

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Speaker 1: the thing. And my mom was like, I think you're.

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Speaker 3: Supposed to be I was like, no, oh, go yeah, yeah, yeah, yeah, yeah.

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Speaker 1: You're right. That my mom, to her credit, she she

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Speaker 1: gets a point for being right. I had to admit

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Speaker 1: it and I will admit it publicly on this podcast

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Speaker 1: because she told me not to use my phone GPS,

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Speaker 1: that everything she had read said the phone GPS is

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Speaker 1: different from the car GPS and it will not work

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Speaker 1: as well.

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Speaker 3: Oh I wouldn't even have thought of that, go Janis.

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Speaker 1: So this was because she had nine months to read

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Speaker 1: everything right right, a thing she had also said. I

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Speaker 1: also know you have to have everything all your liquids

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Speaker 1: did a baggy. I was like, Mom, we haven't done

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Speaker 1: that for like ten years. She was like, no, it's

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Speaker 1: said on the airth So I was like, so, I

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Speaker 1: was a little skeptical of some of the advice she

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Speaker 1: was getting on her Facebook groups.

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Speaker 3: Right now, pardon me, you know what I mean?

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Speaker 1: Haarbeit for me to say that Facebook is ever a

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Speaker 1: source of unreliable information, but I had my questions. So anyway,

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Speaker 1: we're at We drived a Stonehenge okay, oh cool, which

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Speaker 1: was so amazing.

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Speaker 3: Oh I bet list man.

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Speaker 1: Just and we didn't hit one day of rain our

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Speaker 1: entire trip. It was blue skies and like sixty eight

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Speaker 1: to seventy two degrees was incredible, gorgeous. We packed sweaters

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Speaker 1: and I was like, this sucks, but it was just

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Speaker 1: the most beautiful trip.

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Speaker 2: We stayed in these little inns.

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Speaker 1: We went to the Cotswolds, but Stonehenge we was where

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Speaker 1: my mom won because it sent us around around about

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Speaker 1: three different times to a road that was very obviously closed,

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Speaker 1: and every no matter what route I picked, it kept

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Speaker 1: sending us that way. So my mom was just in

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Speaker 1: the you know, passenger seat, like, well, maybe.

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Speaker 2: We should try the car sat nav.

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Speaker 1: And I was like, okay, you know what, fine, Like whatefs,

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Speaker 1: you know what I'm thinking, Like, because we got in

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Speaker 1: this argument. Mom, it's the same navigation. It's that, you know,

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Speaker 1: because I'm doing Apple car play. She was like, why

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Speaker 1: don't you try just the map? I did that lo

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Speaker 1: and behold, we got right the hell out of there.

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Speaker 1: So I gave her. I said, okay, you.

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Speaker 3: Were you were right. She gets this one, and she's

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Speaker 3: so good at sane I'm right without actually saying I'm

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Speaker 3: right right.

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Speaker 1: She's right exactly exactly. So anyway, we did that.

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Speaker 3: I drove.

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Speaker 2: I didn't scare us too bad.

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Speaker 1: It was a little like mister Toad's wild ride on

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Speaker 1: those back country roads. But I, luckily I have a

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Speaker 1: pretty good sense of space and distance, so there are

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Speaker 1: times my mom was like, oh my god.

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Speaker 3: I was like, now we got this. Yeah, you have

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Speaker 3: a healthy amount of confidence and lack of fear when

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Speaker 3: you drive, because I've been in the passenger seat when

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Speaker 3: you drive.

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Speaker 2: At least in America.

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Speaker 3: And I'm like, oh, oh, oh, oh, okay.

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Speaker 1: Well you went with me. We drove to Vegas, so

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Speaker 1: that's a whole other experience. That's the open road, you know,

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Speaker 1: practically the autumn. But but yeah, wait I did. I

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Speaker 1: drove us around and then yeah, we went Penzance, We

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Speaker 1: went to Cornwall, and then we eventually we took the

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Speaker 1: train up to Scotland and went to Edinburgh and up

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Speaker 1: to Inverness and we had the most amazing Scottish driver

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Speaker 1: for three days and tour guide his It was just

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Speaker 1: me and my mom and Jerry McMullen and he showed

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Speaker 1: up in his kilt and it just and knew everything,

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Speaker 1: all of the history everything. So if anyone out there

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Speaker 1: is ever going to Scotland, look up Carnegie Tours. Jerry

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Speaker 1: McMullen in ed you will not be disappointed. It was

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Speaker 1: left and I learned so much. It was an amazing trip.

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Speaker 1: It was an amazing trip. We made it when the

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Speaker 1: day we were flying home, my mom got was also

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Speaker 1: sick and we had a connecting flight in O'Hare and

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Speaker 1: it was the day that the tornadoes and storms were coming.

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Speaker 2: Oh no, so I longest day.

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Speaker 1: I may tell you planes, trains and automobiles on this trip.

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Speaker 1: And I at several points in our connecting flight just

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Speaker 1: said just go and she was like, I don't want

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Speaker 1: to leave you alone. I was like, if you don't

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Speaker 1: leave us alone, you don't leave me alone. We're not

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Speaker 1: going to make this flight. And so I just would

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Speaker 1: send her because it you know, it took her a

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Speaker 1: while with her cane and stuff. So it was we

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Speaker 1: were the last people on the connecting flight. Oh man,

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Speaker 1: running in I'm sweating with two like like personal you know,

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Speaker 1: like carry bags and our carry ons.

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Speaker 2: Oh man, we did it, but we did it.

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Speaker 3: We did it.

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Speaker 1: And poor mama was sick, and I got her home

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Speaker 1: and taking care of her.

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Speaker 3: Driver picked her up.

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Speaker 1: And she and that was it. And then she got

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Speaker 1: home and she's still very, very sick. And my dad

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Speaker 1: is sick as well. And then I got sick and

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Speaker 1: I just slept for three days. I would sleep like

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Speaker 1: fourteen hours.

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Speaker 3: So well, it's worth it, man, worth it for them?

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Speaker 2: What attrition and shifts, so much history.

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Speaker 1: I've scene a beauty. I just I want to move

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Speaker 1: to Scotland and raise sheep.

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Speaker 3: I don't know. It's did you see your Shetland pony

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Speaker 3: or what was it? Shetland cow?

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Speaker 2: The Highland cows?

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Speaker 3: So I did.

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Speaker 1: Now there are the mini like Shetland cows, which is

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Speaker 1: not what we saw because those are up in Shetland,

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Speaker 1: which is farther north and apparently very hard to get

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Speaker 1: to and involves boats in addition to plaine strains and automobile.

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Speaker 1: So I was like, we's a commitment. It's a commitment,

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Speaker 1: and it's very rugged terrain. And I could just rugged

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Speaker 1: was not what we were trying to do. And so

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Speaker 1: so I did get to see highland cows though, and

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Speaker 1: highland cows are the ones that are just really furry

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Speaker 1: and look like they have a beetles or no more

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Speaker 1: of a justin bieber, like a very haircut. Yeah, and

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Speaker 1: they're super furry and they're adorable and they but they

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Speaker 1: are the size of regular cows and they have very

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Speaker 1: large horns. So I did not get to pet one pet. No,

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Speaker 1: it's not a petting zoo unless you really, you know,

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Speaker 1: are up for becoming a rodeo clan that day.

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Speaker 3: And I didn't need.

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Speaker 1: To keep it safe. Keep saying keep it safe. And

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Speaker 1: then yeah, it was amazing. I mean, I my my

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Speaker 1: mom and I had fish and chips several times. It

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Speaker 1: was amazing. We had something called culon skink, which is

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Speaker 1: I know what what, don't call me that?

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Speaker 2: No, it was, yeah, it's that's illegal.

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Speaker 1: In fifty four states.

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Speaker 3: Well, a skink is isn't skink.

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Speaker 2: It's so it's basically it's like a fish, like a fish.

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Speaker 1: It's kind of like our clam chowder, but with smoked haddock.

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Speaker 2: It's no, it's so delicious. Hat part sounds good, but

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Speaker 2: not the you don't like, Well, there's no clams in it.

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Speaker 1: It's but it's like the consistency of like New England

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Speaker 1: clam chowder with potatoes and yeah, so good. Yeah had

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Speaker 1: that I tried Hagis actually really liked it, really liked

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Speaker 1: the black pudding.

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Speaker 3: Wow. Okay, see there you go.

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Speaker 2: Yeah there.

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Speaker 3: Did you try a traditional English breakfast too?

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Speaker 1: With the traditional English mescal eats full English is all

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Speaker 1: the time?

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Speaker 2: Yeah, yeah, he makes them at home.

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Speaker 1: But anyway, Yeah, it's uh, it was an amazing trip.

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Speaker 2: I'm so glad I went.

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Speaker 3: I'm so happy for you.

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Speaker 1: Aside from all of the beauty and everything, uh, my

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Speaker 1: trip with my mom, I think that'll be one of

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Speaker 1: the most like special trips that we will ever get

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Speaker 1: to take. Yeah, and I just I like I was

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Speaker 1: at her beck and call before you know, I was

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Speaker 1: like just the trying to anticipate anything she might need,

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Speaker 1: anything that might she might worry about or you know,

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Speaker 1: because she worries.

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Speaker 3: We know that about Janice.

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Speaker 1: Yes, she's so I was like, Okay, if I were

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Speaker 1: worrying about things, right, so I would be like, no,

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Speaker 1: I already called the hotel or I did this blah

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Speaker 1: blah blah.

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Speaker 2: So it was just a really special trip.

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Speaker 3: And I had an amazing time with my mom and.

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Speaker 1: We had some really cute pictures and fun and we

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Speaker 1: did not uh, we did not kill each other.

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Speaker 2: We survived it.

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Speaker 3: Look at that, right, I think it wasn't until the last.

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Speaker 1: Day where like I think just because of the chaos

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Speaker 1: of flying home and everything that was. You know, I'm

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Speaker 1: getting texts that are like, your flight's going to be delayed,

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Speaker 1: and I'm not telling her. I'm just like.

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Speaker 2: You need to know, basis.

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Speaker 1: But yeah, other than that, that was and she was

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Speaker 1: sick and I was frands so but you know, we

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Speaker 1: we did a really great trip, you didn't I got

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Speaker 1: to see some really cool stuff and oh.

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Speaker 3: No, she's going to remember that for the rest of

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Speaker 3: her life. There's such special memories. When I lived over

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Speaker 3: there for a year to do my master's. The last month,

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Speaker 3: my husband at the time, Jeremy, he had to fly

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Speaker 3: back to the US, so I was going to be

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Speaker 3: alone and I was newly pregnant with Tate. Came over

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Speaker 3: to England to York where we were living, and she

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Speaker 3: and I lived together for my last month of the program.

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Speaker 3: She was helping me through morning sickness. Nice stuff. But

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Speaker 3: we would like walk to the grocery store and walk

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Speaker 3: home with our groceries. So I just I get it

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Speaker 3: being in a country with your mom. It's like there's

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Speaker 3: just nothing like it.

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Speaker 1: Yeah, and especially now, you know, having kids and and

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Speaker 1: just in life being busy and crazy, and you know,

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Speaker 1: we I don't get to see him as often and

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Speaker 1: we don't get to you know. And this was this

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Speaker 1: was like the big blowout trip of her lifetime that

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Speaker 1: she's always wanted to do. So I was I felt

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Speaker 1: really honored that I got to do that with her

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Speaker 1: and for her.

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Speaker 3: So I am so happy for Janice. Yay, what wonderful memories.

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Speaker 1: We just got to figure out Mescal's UK citizenship and.

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Speaker 2: Uh oh off to Scotland we go. Yeah, there we go.

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Speaker 1: Yes, Yeah, that's the parachute plan right now, and start

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Speaker 1: establishing my residency over there.

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Speaker 2: Now, you know, a couple of cows.

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Speaker 3: Or two, Yeah, you could live in a yurt with

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Speaker 3: a couple of cows.

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Speaker 2: I'm just going to go for the nable villager.

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Speaker 3: Just take it.

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Speaker 1: Back to just the Saxons, you know what I mean,

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Speaker 1: like not even a pre tutor. Let's just go like

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Speaker 1: like Roman invasion of England.

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Speaker 2: Let's yes, Yeah, that's it.

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Speaker 1: I'm not showering.

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Speaker 3: Anymore, living off the land. No, just forget it technology

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Speaker 3: because because I know how to.

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Speaker 1: Do any of that, so it's going to work out

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Speaker 1: really well. We can all be witches. Yes, Oh, speaking

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Speaker 1: of witches, I did go to several. I mean we

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Speaker 1: went to Stonehenge, but then in Scotland we also went

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Speaker 1: to another group of what are called standing stones, and

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Speaker 1: it was incredible. And these ones you could get up

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Speaker 1: and touch and be amongst them and in them, because

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Speaker 1: you know, Stonehenge they only do it now I think

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Speaker 1: twice a year for for uh Lunar for equinox ceremonies,

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Speaker 1: which are stonehenges.

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Speaker 2: For anyway, we had little.

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Speaker 1: Divining rods and I saw these people with them. I

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Speaker 1: didn't have them, you know, like the little metal things.

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Speaker 1: And I was like, oh this is Look at these tourists,

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Speaker 1: you know, as I'm paying a tourist and because you know,

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Speaker 1: they get off the bus and and we're like, oh

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Speaker 1: you know, we had our like they just hear come

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Speaker 1: the Highland cattle.

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Speaker 2: And so anyway, I watched this lady like.

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Speaker 1: Walk in between the one set of stones and this

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Speaker 1: other stone that's on the outer circle and literally they

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Speaker 1: just the two things go whoo and they're like it

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00:16:05,880 --> 00:16:08,000
Speaker 1: was like, I mean.

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Speaker 3: Like they flipped to either side.

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Speaker 1: Oh, and I was like this ladies doing Look, I

328
00:16:16,280 --> 00:16:18,360
Speaker 1: can go for woolo, but I am a healthy skeptic

329
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Speaker 1: and I love.

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Speaker 2: Science as you should be.

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Speaker 3: Yes.

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Speaker 1: Yes, I was like, this is I don't know. So

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00:16:22,720 --> 00:16:24,440
Speaker 1: she's like, hey, you want to try, and I was like, okay,

334
00:16:24,480 --> 00:16:25,880
Speaker 1: I'll get it a try. So I like, you know,

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00:16:25,960 --> 00:16:28,280
Speaker 1: lightly hold them in my hand or whatever. As I

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00:16:28,320 --> 00:16:32,280
Speaker 1: get to the point where she was standing, when they sad,

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00:16:32,680 --> 00:16:36,680
Speaker 1: it was like they vibrated in your hand and all

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Speaker 1: of a sudden they just you feel It's like when

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00:16:39,360 --> 00:16:41,480
Speaker 1: you put two ends of a magnet together and you

340
00:16:41,480 --> 00:16:43,640
Speaker 1: can feel that slight pressure.

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Speaker 3: That's exactly what you feel. Oh no, it's really cool.

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00:16:47,240 --> 00:16:52,200
Speaker 1: Because you're like, this is there's something that they knew

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Speaker 1: something different here and I don't know you know what

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00:16:55,160 --> 00:16:59,200
Speaker 1: it is, but like it's it's literally there's some sort of.

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Speaker 3: Magnet there and you know, some sort of energy. Yeah

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Speaker 3: it was, but it was.

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Speaker 1: Really cool and it was cool to be like get

348
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Speaker 1: up amongst them and Stonehenge is much bigger than I

349
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Speaker 1: thought I.

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Speaker 3: Was gonna ask, like, yeah, what they's like.

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Speaker 1: Sixteen feet tall, twenty feet tall? Okay, I think the

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Speaker 1: tallest one is, like yeah, oh yeah there. I thought

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Speaker 1: they would be like door six feet yeah, door height

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Speaker 1: maybe you know what I mean? Like, oh that's good. No,

355
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Speaker 1: they're big, They're giant. Yeah, which makes it all the

356
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Speaker 1: more impressive.

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Speaker 2: Yeah, super impressive.

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Speaker 1: Yep.

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Speaker 2: Anyways, you wonder how did they how.

360
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Speaker 3: Did they how did they do it? How did they

361
00:17:34,440 --> 00:17:35,119
Speaker 3: build it? How did they?

362
00:17:35,400 --> 00:17:37,440
Speaker 1: I listened to all of the audio tour. My mom

363
00:17:37,520 --> 00:17:40,440
Speaker 1: was not interested, but I was like she basically I

364
00:17:40,480 --> 00:17:42,439
Speaker 1: would get the audio tour for everywhere we went, and

365
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Speaker 1: I was like, do you want it?

366
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Speaker 2: She was like no, you'll just tell.

367
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Speaker 3: Me what it is.

368
00:17:45,920 --> 00:17:47,080
Speaker 2: You are the audio tour.

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00:17:47,400 --> 00:17:49,320
Speaker 3: She was like, why do I need an audio tour?

370
00:17:49,400 --> 00:17:51,280
Speaker 1: And like with my cane and the thing, I can't

371
00:17:51,320 --> 00:17:51,760
Speaker 1: I can't.

372
00:17:51,560 --> 00:17:53,080
Speaker 3: Deal with though, that just give me the highlights.

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Speaker 1: I was like, okay, so yeah it was. I learned

374
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Speaker 1: a lot, but I won't go into a complete dissertation

375
00:18:02,400 --> 00:18:04,200
Speaker 1: on Stonehenge right now.

376
00:18:04,560 --> 00:18:05,880
Speaker 2: We can save it for another day.

377
00:18:05,960 --> 00:18:06,520
Speaker 3: Like that'll be.

378
00:18:09,200 --> 00:18:15,520
Speaker 1: Is Neolithic rock formations and what they meant to? Uh,

379
00:18:15,680 --> 00:18:18,720
Speaker 1: you know, you know what iron age humans.

380
00:18:18,880 --> 00:18:21,280
Speaker 3: There's a niche for that, Like people would tune in

381
00:18:21,320 --> 00:18:24,639
Speaker 3: and totally listen to that and be like, hey, I

382
00:18:24,680 --> 00:18:26,159
Speaker 3: mean I would rude style.

383
00:18:26,280 --> 00:18:30,199
Speaker 1: Let's just discuss how rude style history, how rud history.

384
00:18:30,240 --> 00:18:30,679
Speaker 2: There we go.

385
00:18:31,400 --> 00:18:33,240
Speaker 1: What did I just got a thumbs up on my

386
00:18:33,920 --> 00:18:34,399
Speaker 1: I don't know.

387
00:18:34,520 --> 00:18:38,119
Speaker 3: Did you update your zoom? Whoa?

388
00:18:38,600 --> 00:18:42,920
Speaker 1: Now I'm getting fireworksworks? What did I do? You must have.

389
00:18:42,840 --> 00:18:44,439
Speaker 3: Done an update? How come I'm not?

390
00:18:44,720 --> 00:18:48,240
Speaker 1: I I guess if I was, like, I come like

391
00:18:48,800 --> 00:18:50,320
Speaker 1: from England and my computer.

392
00:18:50,040 --> 00:18:54,680
Speaker 3: Is happy to see me. Fireworks were celebrating. Yes you're back.

393
00:18:54,880 --> 00:18:58,320
Speaker 1: I'm honored. Yes, I'm honored. Thanks you guys, thanks for

394
00:18:58,359 --> 00:19:00,560
Speaker 1: letting me go out on the longest tangent ever and

395
00:19:00,720 --> 00:19:03,200
Speaker 1: recount my trip. It's been eighteen minutes and people want

396
00:19:03,240 --> 00:19:04,720
Speaker 1: me to shut the hell up so that we can get.

397
00:19:04,680 --> 00:19:06,520
Speaker 2: To the point. No, I could not wait. Don't ever

398
00:19:06,560 --> 00:19:07,320
Speaker 2: get to the point, you guy.

399
00:19:07,400 --> 00:19:09,880
Speaker 3: You never point. No, it's either we can talk about

400
00:19:09,920 --> 00:19:14,320
Speaker 3: this or roosters or menopause. Like I will did send you?

401
00:19:14,400 --> 00:19:16,399
Speaker 1: I didn't. I think I tried to send you. I

402
00:19:16,440 --> 00:19:20,240
Speaker 1: was out somewhere and I saw there was a small

403
00:19:20,280 --> 00:19:24,679
Speaker 1: storefront in Penzance called cock soup and I took a

404
00:19:24,720 --> 00:19:26,840
Speaker 1: picture of it for you. No excuse me, it was

405
00:19:26,840 --> 00:19:30,040
Speaker 1: not in Penzance. It was it was literally like a

406
00:19:30,119 --> 00:19:32,439
Speaker 1: soup somewhere that we saw in like a small market,

407
00:19:32,520 --> 00:19:34,480
Speaker 1: and I took a picture of it for you. I

408
00:19:34,480 --> 00:19:36,320
Speaker 1: should have bought it, but I had no room in

409
00:19:36,320 --> 00:19:38,040
Speaker 1: my suitcase for even what I had to wear.

410
00:19:39,280 --> 00:19:40,120
Speaker 2: But yeah, they do.

411
00:19:40,240 --> 00:19:44,000
Speaker 1: They they have cock soup in in England. So you're

412
00:19:44,000 --> 00:19:49,680
Speaker 1: welcome and now you can, you know, let your.

413
00:19:48,840 --> 00:19:50,680
Speaker 2: Next door cock.

414
00:19:51,240 --> 00:19:53,399
Speaker 3: I can have my soup and listen to the rooster

415
00:19:53,560 --> 00:19:54,680
Speaker 3: and it's all very much.

416
00:19:54,800 --> 00:19:56,200
Speaker 2: I wonder if if there's.

417
00:19:57,800 --> 00:20:02,480
Speaker 1: I almost said, I wonder if there's in the soup, Jody,

418
00:20:02,760 --> 00:20:06,159
Speaker 1: what because I met, like rooster, I want is there?

419
00:20:08,320 --> 00:20:11,280
Speaker 1: I was like, it's actually, you know, I want to

420
00:20:11,560 --> 00:20:14,359
Speaker 1: rooster in this in the because would that be weird

421
00:20:14,400 --> 00:20:16,320
Speaker 1: to be like eating a bowl of soup and staring

422
00:20:16,359 --> 00:20:17,879
Speaker 1: at the one next door. I feel like you'd be

423
00:20:17,920 --> 00:20:18,720
Speaker 1: slightly menacing.

424
00:20:19,119 --> 00:20:24,200
Speaker 3: Yeah, that's giving off vibes that I don't want to

425
00:20:24,280 --> 00:20:24,760
Speaker 3: give off.

426
00:20:24,840 --> 00:20:27,600
Speaker 1: So, I mean, you did talk about him waking up

427
00:20:27,600 --> 00:20:29,840
Speaker 1: in the morning. I'm just saying this equal bowl of

428
00:20:29,840 --> 00:20:32,959
Speaker 1: soup by the window. You might be surprised my breakfast

429
00:20:33,040 --> 00:20:36,440
Speaker 1: cock sitting in the window and be like see this, Yeah,

430
00:20:36,640 --> 00:20:37,440
Speaker 1: you see what's coming.

431
00:20:38,960 --> 00:20:41,080
Speaker 2: A little mild threats, that's all.

432
00:20:41,560 --> 00:20:47,320
Speaker 1: Yeah, just you know, quietly threatening small barnyard animals next door.

433
00:20:47,760 --> 00:20:48,720
Speaker 3: Yeah, it's fine.

434
00:20:49,680 --> 00:20:50,320
Speaker 1: Well, thank you for.

435
00:20:50,320 --> 00:20:51,080
Speaker 3: Joining us today.

436
00:20:51,119 --> 00:20:54,800
Speaker 1: Everyone. You know what I haven't done. It's like, I

437
00:20:54,800 --> 00:20:56,880
Speaker 1: haven't done this in two weeks. And I'm like so

438
00:20:56,920 --> 00:20:59,560
Speaker 1: excited to be an idiot because I had to be

439
00:20:59,600 --> 00:21:00,560
Speaker 1: so responsible.

440
00:21:01,280 --> 00:21:05,119
Speaker 3: Yeah, that's right, you had to be a grown up

441
00:21:05,119 --> 00:21:06,480
Speaker 3: for you.

442
00:21:06,560 --> 00:21:08,879
Speaker 1: Just let it out, you know, just let it And

443
00:21:08,920 --> 00:21:10,760
Speaker 1: I even I got to see my scal in Edinburgh

444
00:21:10,800 --> 00:21:13,240
Speaker 1: because he was in the UK at the same time

445
00:21:13,240 --> 00:21:15,320
Speaker 1: for a soccer game. So if you come over and

446
00:21:15,320 --> 00:21:18,520
Speaker 1: have dinner with us in Edinburgh for the evening and yeah,

447
00:21:18,600 --> 00:21:21,080
Speaker 1: and then he and I went on a graveyard tour.

448
00:21:21,000 --> 00:21:23,360
Speaker 2: So that was what a what a date night?

449
00:21:23,480 --> 00:21:23,760
Speaker 3: Okay?

450
00:21:23,840 --> 00:21:25,399
Speaker 1: Well he know he was like, I know you babe,

451
00:21:25,440 --> 00:21:27,440
Speaker 1: you you wanted to do something I feels. I was like, yes,

452
00:21:27,480 --> 00:21:30,119
Speaker 1: I do you want to go through carrying on ground?

453
00:21:30,160 --> 00:21:30,360
Speaker 3: Yeah?

454
00:21:30,440 --> 00:21:33,560
Speaker 2: I hang out in old cemeteries. I just is that

455
00:21:33,920 --> 00:21:34,400
Speaker 2: ly like.

456
00:21:34,359 --> 00:21:36,200
Speaker 3: You can just I guess they're the only ones.

457
00:21:36,280 --> 00:21:38,280
Speaker 2: Yeah, that's the truth, you know.

458
00:21:39,040 --> 00:21:41,720
Speaker 3: Okay, hang out with people just to do you talk

459
00:21:41,800 --> 00:21:44,320
Speaker 3: to them or you just walk around? Oh okay, of

460
00:21:44,320 --> 00:21:47,639
Speaker 3: course they do. Hang my guys, you don't forever.

461
00:21:47,680 --> 00:21:49,600
Speaker 1: They'll let you know if you have like the D Day,

462
00:21:49,640 --> 00:21:51,720
Speaker 1: lots more those thing they have food trucks and everything

463
00:21:51,720 --> 00:21:54,680
Speaker 1: and all sit down with friends around the little graves

464
00:21:54,680 --> 00:21:56,080
Speaker 1: and be like, Hi, do you mind if we eat

465
00:21:56,080 --> 00:21:58,600
Speaker 1: with you tonight? And we'll you know, leave a little

466
00:21:58,600 --> 00:21:59,280
Speaker 1: offering for him.

467
00:21:59,520 --> 00:22:01,720
Speaker 3: Okay, So I like that. I do like that.

468
00:22:02,200 --> 00:22:04,560
Speaker 2: Okay, my next date night is going to be a cemetery.

469
00:22:05,320 --> 00:22:07,640
Speaker 1: Let's don't tempt me with a good time.

470
00:22:09,840 --> 00:22:15,480
Speaker 3: Your house with a gosh and a shovel. I'm a

471
00:22:15,560 --> 00:22:19,400
Speaker 3: grave robbing than that. But it's taking it a step too.

472
00:22:19,440 --> 00:22:23,920
Speaker 1: Maybe a Wiji board, yeah, speaking of Ouiji boards shot

473
00:22:24,080 --> 00:22:27,479
Speaker 1: the show. I don't know, Oisi boards have nothing.

474
00:22:28,320 --> 00:22:40,200
Speaker 3: It works, so it works. Yeah, Hey there, faner Ritos.

475
00:22:40,320 --> 00:22:43,040
Speaker 3: We have a very exciting announcement to make.

476
00:22:43,560 --> 00:22:46,600
Speaker 1: We are hosting a live event on June fifth at

477
00:22:46,600 --> 00:22:49,639
Speaker 1: the iHeartRadio Theater in Burbank, California.

478
00:22:49,680 --> 00:22:53,520
Speaker 3: And it is not just any live event, oh no,

479
00:22:53,760 --> 00:22:57,240
Speaker 3: in honor of Jesse and Becky's wedding in season four.

480
00:22:57,640 --> 00:23:00,280
Speaker 3: Not only will this event be wedding themed, we will

481
00:23:00,320 --> 00:23:03,880
Speaker 3: also have John Stamos and Laurie Laughlin joining us.

482
00:23:04,760 --> 00:23:07,520
Speaker 1: This is amazing. Plus we have a few special guests

483
00:23:07,520 --> 00:23:10,080
Speaker 1: who will be making an appearance as well. Trust us,

484
00:23:10,640 --> 00:23:13,880
Speaker 1: it is going to be the vow renewal of the season,

485
00:23:14,440 --> 00:23:15,800
Speaker 1: of the year.

486
00:23:16,040 --> 00:23:19,480
Speaker 3: Okay, We've never done anything like this. I'm so exciting.

487
00:23:19,920 --> 00:23:21,640
Speaker 1: I don't know what's going to happen. If you listen

488
00:23:21,680 --> 00:23:24,160
Speaker 1: to this podcast, you know you don't either, so.

489
00:23:25,600 --> 00:23:28,480
Speaker 3: But we promise it will be entertaining. You can buy tickets.

490
00:23:28,520 --> 00:23:31,600
Speaker 3: Click the link in our Instagram bio how Rude Podcast

491
00:23:31,840 --> 00:23:32,440
Speaker 3: to purchase.

492
00:23:32,840 --> 00:23:35,760
Speaker 1: We can't wait to see you guys there. So dress

493
00:23:35,760 --> 00:23:39,080
Speaker 1: in your best wedding attire on June fifth, and we

494
00:23:39,160 --> 00:23:42,600
Speaker 1: will see you at Jesse and Becky's power renewal. Yay,

495
00:23:43,160 --> 00:23:47,439
Speaker 1: Welcome back to Howard Dan Ritos. I'm Andrea Barber, I

496
00:23:47,480 --> 00:23:52,679
Speaker 1: am Jody Sweeten, and we are so glad that you

497
00:23:52,720 --> 00:23:54,320
Speaker 1: are Jody Sweeten. Uh.

498
00:23:54,560 --> 00:23:59,880
Speaker 3: Today we're discussing finally, Season four, episode twenty three, Joey

499
00:24:00,200 --> 00:24:02,000
Speaker 3: goes Hollywood.

500
00:24:02,920 --> 00:24:06,159
Speaker 2: Another Joey, Another Joey Story Like a Joey Story.

501
00:24:06,640 --> 00:24:10,320
Speaker 3: It originally aired March twenty ninth, nineteen ninety one, and

502
00:24:10,359 --> 00:24:13,480
Speaker 3: it goes a little something like this. When Joey leaves

503
00:24:13,480 --> 00:24:16,679
Speaker 3: for Los Angeles to begin filming his new television series

504
00:24:16,720 --> 00:24:20,080
Speaker 3: with two prolific actors, the rest of the Tanner family

505
00:24:20,160 --> 00:24:21,760
Speaker 3: decides to join him.

506
00:24:22,200 --> 00:24:22,840
Speaker 2: Sure they do.

507
00:24:23,400 --> 00:24:26,240
Speaker 3: It's it's like, it's like this is going on location,

508
00:24:26,400 --> 00:24:31,320
Speaker 3: but not like you were traveling from San Francisco to Rollywood,

509
00:24:31,359 --> 00:24:34,000
Speaker 3: even though we were taking the thing in Hollywood. So yeah,

510
00:24:34,280 --> 00:24:37,320
Speaker 3: missed opportunity for a field trip here. It was directed

511
00:24:37,320 --> 00:24:40,960
Speaker 3: by Joelswick, It was written by Leslie Ray and David

512
00:24:41,119 --> 00:24:46,320
Speaker 3: steven Simon. And we have two very very very famous

513
00:24:46,359 --> 00:24:50,960
Speaker 3: guest stars, Frankie Avalon and Annette Food of Celloo.

514
00:24:51,760 --> 00:24:53,600
Speaker 1: My mom was so excited when they were on the show.

515
00:24:53,680 --> 00:24:56,399
Speaker 3: Oh yeah, my parents too. Yeah. And just like in

516
00:24:56,440 --> 00:24:58,359
Speaker 3: the show, you know that for us we.

517
00:24:58,240 --> 00:25:02,840
Speaker 1: Were like like, oh who are Yeah, yeah, I'm embarrassed

518
00:25:02,840 --> 00:25:05,560
Speaker 1: about Basically, it would be like the Brittany and Justin.

519
00:25:05,480 --> 00:25:06,040
Speaker 2: Of their day.

520
00:25:06,400 --> 00:25:09,560
Speaker 3: Yeah, oh totally, That's exactly who it was. Yeah, it

521
00:25:09,680 --> 00:25:12,959
Speaker 3: was like America's couple. But yeah they yeah, they were

522
00:25:13,240 --> 00:25:17,159
Speaker 3: the couple. Yes, so you know them best from the

523
00:25:17,240 --> 00:25:21,280
Speaker 3: nineteen sixty three film Beach Party and its numerous sequels.

524
00:25:22,680 --> 00:25:25,720
Speaker 3: Frankie is still actively touring and performing. He'll be in

525
00:25:25,840 --> 00:25:27,760
Speaker 3: Vegas this weekend because he.

526
00:25:27,760 --> 00:25:31,840
Speaker 2: Will, Yes, he will. And it still sounds great.

527
00:25:32,200 --> 00:25:36,800
Speaker 3: Oh yeah, No, he's very well preserved and just his.

528
00:25:36,800 --> 00:25:39,160
Speaker 1: Voice though, you know, he's got it rather he sing

529
00:25:39,240 --> 00:25:41,199
Speaker 1: some rather high notes in some of those songs Venus

530
00:25:41,240 --> 00:25:41,720
Speaker 1: and Church.

531
00:25:42,200 --> 00:25:43,200
Speaker 2: Yeah, I'm doing pretty well.

532
00:25:43,440 --> 00:25:49,600
Speaker 3: He's fantastic. And then Annette Funicello. She debuted as a Mouseketeer,

533
00:25:49,680 --> 00:25:53,320
Speaker 3: as Danny says in the episode, and she was diagnosed

534
00:25:53,320 --> 00:25:56,720
Speaker 3: with multiple sclerosis in nineteen eighty three, but didn't announce

535
00:25:56,720 --> 00:26:01,120
Speaker 3: it until nineteen ninety two, a year after this episode. Yeah,

536
00:26:01,840 --> 00:26:05,800
Speaker 3: and she sadly passed away in thirteen. So I did

537
00:26:05,920 --> 00:26:09,159
Speaker 3: notice that in the show, like they either have her

538
00:26:09,240 --> 00:26:11,800
Speaker 3: kind of sitting or leaning up or like something to

539
00:26:11,840 --> 00:26:15,600
Speaker 3: grab onto. It's just kind of like those those early signs.

540
00:26:16,119 --> 00:26:17,879
Speaker 1: Right, well, I mean, gosh, at that point it had

541
00:26:17,920 --> 00:26:21,560
Speaker 1: been over ten years. So yeah, you know, I'm sure

542
00:26:21,560 --> 00:26:25,600
Speaker 1: that I'm sure that she was working really hard to

543
00:26:25,880 --> 00:26:30,400
Speaker 1: keep it as quiet as possible, which is Yeah, that's

544
00:26:30,840 --> 00:26:33,240
Speaker 1: really hard, but it was. But she was so lovely

545
00:26:33,400 --> 00:26:34,440
Speaker 1: and sweet and great.

546
00:26:34,600 --> 00:26:38,199
Speaker 3: Yeah, she was just the quintessential Mouseketeer just right.

547
00:26:38,520 --> 00:26:42,040
Speaker 1: And she was watching like still a Disney star at

548
00:26:42,080 --> 00:26:44,199
Speaker 1: like and just the both of them the smile.

549
00:26:44,359 --> 00:26:46,600
Speaker 3: But yeah, oh they have got that. It's like you

550
00:26:46,640 --> 00:26:48,800
Speaker 3: can't teach that stuff. It's like you either got it

551
00:26:48,880 --> 00:26:51,400
Speaker 3: or they've got it. Rove with her.

552
00:26:51,480 --> 00:26:53,119
Speaker 1: I was like, oh, yeah, you were a child actor,

553
00:26:53,160 --> 00:26:53,520
Speaker 1: you know how.

554
00:26:53,760 --> 00:26:56,159
Speaker 3: Just it's like you can't take you can take the

555
00:26:56,240 --> 00:26:58,040
Speaker 3: child actor out of the studio, but you can't take

556
00:26:58,119 --> 00:27:04,040
Speaker 3: the Hollywood out of the so oh oh and fun fact,

557
00:27:04,080 --> 00:27:07,560
Speaker 3: both Frankie and Annette reunited in nineteen eighty seven four

558
00:27:07,920 --> 00:27:12,440
Speaker 3: Back to the Beach, also starring Lori Lachlan. So yes,

559
00:27:12,800 --> 00:27:15,840
Speaker 3: amazing like a little reunion them.

560
00:27:15,920 --> 00:27:19,040
Speaker 1: Beach Blanket Bingo Reunion momentw those.

561
00:27:18,880 --> 00:27:23,479
Speaker 3: Were great movies. Loved it. And next we have Sean

562
00:27:24,080 --> 00:27:31,520
Speaker 3: Aura Ingja Men as Sean Southwick. That's a lot of

563
00:27:31,600 --> 00:27:36,199
Speaker 3: consonants all in one. Uh that is one line. She

564
00:27:36,320 --> 00:27:39,520
Speaker 3: was married to Larry King for twenty two years and

565
00:27:39,560 --> 00:27:41,560
Speaker 3: they have two They had two children together.

566
00:27:42,960 --> 00:27:45,439
Speaker 1: Is this did she is she the last one that

567
00:27:45,480 --> 00:27:49,520
Speaker 1: they had two kids together, didn't they Yes, yeah, but stiled.

568
00:27:49,119 --> 00:27:52,560
Speaker 3: For divorce three times. But technically they were married at

569
00:27:52,560 --> 00:27:55,800
Speaker 3: the time of his passing, so she's the legal widow

570
00:27:56,240 --> 00:27:59,120
Speaker 3: of Larry King. I think they were kind of wait,

571
00:27:59,160 --> 00:28:00,480
Speaker 3: why are you not or nothing?

572
00:28:00,520 --> 00:28:04,359
Speaker 1: I didn't say anything, doesn't say anything that you were judging.

573
00:28:05,880 --> 00:28:08,919
Speaker 2: I wouldn't do that. Judge nothing.

574
00:28:09,440 --> 00:28:12,280
Speaker 3: We jud no, especially when it comes to marriage's divorces, like,

575
00:28:12,320 --> 00:28:14,879
Speaker 3: I don't know. I was just like, damn. She was

576
00:28:14,920 --> 00:28:15,480
Speaker 3: smart about it.

577
00:28:15,520 --> 00:28:19,639
Speaker 1: No, yeah, anyway.

578
00:28:19,480 --> 00:28:23,280
Speaker 3: Very smart. She's She also did a smattering of appearances

579
00:28:23,280 --> 00:28:26,320
Speaker 3: on Night Writer Benson, Simon and Simon and Who's the

580
00:28:26,359 --> 00:28:32,680
Speaker 3: Boss So fantastic. Then we have Bob Purlow as Bob Purlow.

581
00:28:32,960 --> 00:28:37,440
Speaker 3: He's our warm up guy. Yeah, and he's a fantastic comedian. Hilarious. Ah,

582
00:28:37,680 --> 00:28:41,360
Speaker 3: he's really, He's really fantastic. He's also a writer. He

583
00:28:41,480 --> 00:28:45,280
Speaker 3: wrote for Who's the Boss, Mister Belvedere and Laverne and Shirley,

584
00:28:45,400 --> 00:28:47,520
Speaker 3: and he was on another. He was played an announcer

585
00:28:47,640 --> 00:28:50,200
Speaker 3: on Full House I think season one, so he's been

586
00:28:50,280 --> 00:28:53,760
Speaker 3: seen before. Yeah, yeah, yeah, kind of a recurring announcer,

587
00:28:54,080 --> 00:28:54,840
Speaker 3: warm up person.

588
00:28:55,000 --> 00:28:59,560
Speaker 1: He is the Debbie Gregory of the show announcers. He's

589
00:28:59,600 --> 00:29:02,640
Speaker 1: just gonna keeps coming back as multiple show announcers at

590
00:29:02,640 --> 00:29:03,360
Speaker 1: different places.

591
00:29:04,080 --> 00:29:05,440
Speaker 2: Totally yep, yep.

592
00:29:06,360 --> 00:29:06,640
Speaker 1: Uh.

593
00:29:06,680 --> 00:29:08,800
Speaker 3: And then, last, but certainly not least, we have Michelle

594
00:29:08,840 --> 00:29:12,760
Speaker 3: Smith and Cindy Pass as Laker Girl number one and

595
00:29:12,880 --> 00:29:13,440
Speaker 3: number two.

596
00:29:14,920 --> 00:29:17,160
Speaker 1: I decided who got one and who got to Yeah,

597
00:29:17,160 --> 00:29:17,760
Speaker 1: I don't.

598
00:29:17,520 --> 00:29:20,640
Speaker 3: Know, Yeah, I don't know how.

599
00:29:20,680 --> 00:29:23,480
Speaker 2: It must have been negotiated by their their agents.

600
00:29:23,520 --> 00:29:26,640
Speaker 3: I don't know. Yeah. Well, but here's the weird thing.

601
00:29:26,680 --> 00:29:29,560
Speaker 3: I looked them up. I don't know if they were

602
00:29:29,600 --> 00:29:32,960
Speaker 3: actually late. They're not credited as being actual Laker girls

603
00:29:33,000 --> 00:29:36,640
Speaker 3: like I looked them up on Lakers History Lakers website.

604
00:29:36,720 --> 00:29:42,520
Speaker 3: I lied to Jeff right there was a dancer that

605
00:29:42,600 --> 00:29:45,720
Speaker 3: had appeared in several things as a dancer in Maybe

606
00:29:45,720 --> 00:29:46,280
Speaker 3: they were.

607
00:29:46,360 --> 00:29:49,320
Speaker 1: U B string Laker girls, you know what I mean.

608
00:29:49,520 --> 00:29:55,080
Speaker 1: Maybe they were the like if somebody, uh gets Nancy Kerrigan,

609
00:29:55,360 --> 00:29:55,960
Speaker 1: you know what I mean.

610
00:29:56,560 --> 00:29:58,120
Speaker 2: Fill in somebody.

611
00:30:00,400 --> 00:30:04,920
Speaker 1: The Laker girls under the Laker Girl understudies, right right,

612
00:30:04,960 --> 00:30:07,800
Speaker 1: That's what I got for setting off careers.

613
00:30:10,680 --> 00:30:11,120
Speaker 2: Anyways.

614
00:30:11,240 --> 00:30:13,960
Speaker 3: Uh yeah, So many guest stars this week, very exciting.

615
00:30:14,840 --> 00:30:18,000
Speaker 3: We start with the teaser in Michelle's room, Michelle tells

616
00:30:18,080 --> 00:30:19,200
Speaker 3: Jesse it's puppet time.

617
00:30:19,720 --> 00:30:20,880
Speaker 2: I love a good puppet show.

618
00:30:22,000 --> 00:30:25,280
Speaker 3: This is right up your alley, yep. But Jesse doesn't

619
00:30:25,600 --> 00:30:28,200
Speaker 3: really like this idea, so Michelle gives him puppy dog

620
00:30:28,320 --> 00:30:31,680
Speaker 3: eyes and says, I would do it for you. Jesse

621
00:30:31,800 --> 00:30:35,320
Speaker 3: congratulates her on her very first guilt trip or first,

622
00:30:35,960 --> 00:30:38,400
Speaker 3: but this is like at least the third or fourth

623
00:30:38,920 --> 00:30:39,360
Speaker 3: or twelve.

624
00:30:39,480 --> 00:30:42,080
Speaker 1: She's been perfecting.

625
00:30:41,680 --> 00:30:44,440
Speaker 3: This for a while with jesseelse, want him to move

626
00:30:44,560 --> 00:30:45,720
Speaker 3: back in? Right?

627
00:30:45,880 --> 00:30:48,520
Speaker 2: That was the ultimate guilt trip? Is like, yeah, Teddy

628
00:30:48,560 --> 00:30:49,200
Speaker 2: Bear saw, he.

629
00:30:49,280 --> 00:30:52,280
Speaker 1: Won't do puppet show, but he will sacrifice his entire

630
00:30:52,440 --> 00:30:54,240
Speaker 1: newly went life, right right?

631
00:30:54,480 --> 00:30:59,480
Speaker 3: Come on? So Michelle continues to pout until Jesse finally

632
00:30:59,520 --> 00:31:02,360
Speaker 3: gives in. He places a chipmunk puppet on his hand.

633
00:31:02,480 --> 00:31:07,080
Speaker 1: I think it's actually a beaver, but whatever beaver, yeahs chipmunk,

634
00:31:07,080 --> 00:31:07,360
Speaker 1: but it is.

635
00:31:07,440 --> 00:31:07,880
Speaker 2: It's a beaver.

636
00:31:07,960 --> 00:31:11,360
Speaker 1: It's got two very pronounced front teeth and a and

637
00:31:11,480 --> 00:31:13,000
Speaker 1: a non squirrel looking head.

638
00:31:13,760 --> 00:31:15,800
Speaker 3: Oh so the squirrel. Yeah, the squirrel doesn't have the

639
00:31:16,280 --> 00:31:19,000
Speaker 3: prominent teeth, does it the beaver?

640
00:31:19,960 --> 00:31:21,120
Speaker 2: Squirrel from right?

641
00:31:23,800 --> 00:31:23,960
Speaker 3: Yeah?

642
00:31:23,960 --> 00:31:24,080
Speaker 1: I know.

643
00:31:24,800 --> 00:31:29,800
Speaker 3: Let's let's not get into like squirrel atmolishy, he'd easily

644
00:31:29,880 --> 00:31:31,280
Speaker 3: go off on another thirty minutes.

645
00:31:32,320 --> 00:31:34,040
Speaker 1: I've listened to a podcast about it.

646
00:31:34,080 --> 00:31:35,600
Speaker 2: I'm sure okay.

647
00:31:36,320 --> 00:31:40,960
Speaker 3: Anyways, so he's got the chipmunk slash beaver puppet and

648
00:31:41,080 --> 00:31:45,080
Speaker 3: Michelle has the lion puppet. She growls and says, I'm

649
00:31:45,120 --> 00:31:49,480
Speaker 3: gonna get you chipmunk. Jesse is much less enthused. He

650
00:31:49,680 --> 00:31:52,720
Speaker 3: blandly states, oh no, oh no, be nice to me,

651
00:31:52,960 --> 00:31:56,240
Speaker 3: Be nice to me, and Michelle is not satisfied with

652
00:31:56,320 --> 00:32:00,000
Speaker 3: this performance. She reminds him that a chipmunk sounds squeak.

653
00:32:01,160 --> 00:32:03,440
Speaker 3: Jesse tries his line again, but Michelle tells him to

654
00:32:03,480 --> 00:32:04,640
Speaker 3: be even squeakier.

655
00:32:04,920 --> 00:32:05,880
Speaker 2: Stepped on dog toy.

656
00:32:07,000 --> 00:32:10,720
Speaker 3: It totally sounds like it. Uh So he tries again,

657
00:32:10,880 --> 00:32:13,880
Speaker 3: and that's when DJ walks in, telling Jesse that dinner's ready.

658
00:32:14,320 --> 00:32:18,400
Speaker 3: Jesse responds in his squeaky voice. Coming, Michelle suggests to

659
00:32:18,520 --> 00:32:21,840
Speaker 3: her uncle, you stay in practice, I'll go eat. He

660
00:32:21,960 --> 00:32:24,280
Speaker 3: picks her up and falls onto the bed, tickling her

661
00:32:24,480 --> 00:32:31,840
Speaker 3: in response, all right, short and sweet yep, that'll yeah.

662
00:32:31,960 --> 00:32:32,719
Speaker 2: What more do you need?

663
00:32:34,000 --> 00:32:36,200
Speaker 3: Next? In the girl's room, Kimmy and DJ are seated

664
00:32:36,240 --> 00:32:39,719
Speaker 3: at the table doing homework. Kimmy is not so slyly

665
00:32:39,880 --> 00:32:43,600
Speaker 3: copying DJ's entire paper. So DJ tells her to stop.

666
00:32:44,360 --> 00:32:47,320
Speaker 3: Kimmy questions, what makes you think I'm copying you? And

667
00:32:47,400 --> 00:32:49,720
Speaker 3: DJ proves it by picking up her paper and reading

668
00:32:49,760 --> 00:32:53,920
Speaker 3: the title aloud What America Means to Me by DJ Tanner.

669
00:32:55,160 --> 00:32:58,560
Speaker 3: Then Steph comes trudging in. She announces, I am sick

670
00:32:58,600 --> 00:33:03,800
Speaker 3: of Stephanie. Kim Me nods I know the feeling. Steff

671
00:33:03,920 --> 00:33:07,600
Speaker 3: rolls her eyes, clarifying that she meant her name. She

672
00:33:07,680 --> 00:33:09,920
Speaker 3: goes on to explain that some kid at school called

673
00:33:09,960 --> 00:33:12,840
Speaker 3: her step on me and the whole class started going

674
00:33:12,880 --> 00:33:16,000
Speaker 3: along with it. Oh the step on Me episode.

675
00:33:17,600 --> 00:33:21,520
Speaker 1: Yeah, yeah, because nobody called me step on me after that.

676
00:33:21,640 --> 00:33:23,760
Speaker 1: I'll tell you that much. Yeah, I know that didn't

677
00:33:23,800 --> 00:33:26,920
Speaker 1: get that wasn't my name? You get old. No, no,

678
00:33:27,280 --> 00:33:30,120
Speaker 1: I didn't actually live this in my life and want

679
00:33:30,160 --> 00:33:31,360
Speaker 1: to change my name to don.

680
00:33:33,400 --> 00:33:35,520
Speaker 3: Your poor thing. You had to deal with the teasing

681
00:33:35,600 --> 00:33:39,080
Speaker 3: and this isn't even your name, Like that's the crazy part.

682
00:33:39,480 --> 00:33:41,600
Speaker 1: Yeah, but kids will make fun of anything, but at

683
00:33:41,640 --> 00:33:43,280
Speaker 1: the time you don't know that. I mean, look, we

684
00:33:43,400 --> 00:33:46,320
Speaker 1: were in the same boat. It was easy. Yeah, No,

685
00:33:46,640 --> 00:33:49,200
Speaker 1: it was very, very, very different. I will still punch

686
00:33:49,280 --> 00:33:50,640
Speaker 1: somebody in the mouth that they called me step on me.

687
00:33:50,680 --> 00:33:55,200
Speaker 3: No, I'm kidding, okay, challenge challenge response, I can't help it.

688
00:33:55,600 --> 00:33:59,360
Speaker 3: The Pavlovian Steph doesn't know how this caught on so fast.

689
00:33:59,560 --> 00:34:01,560
Speaker 3: She turned her back, and sure enough we see a

690
00:34:01,600 --> 00:34:03,960
Speaker 3: piece of paper that has been taped to her back

691
00:34:04,280 --> 00:34:07,920
Speaker 3: and it reads step on me. Kimmy grabs the paper

692
00:34:08,000 --> 00:34:10,239
Speaker 3: and shows it to her. Steph snatches it out of

693
00:34:10,280 --> 00:34:13,480
Speaker 3: her hands and says, how rude. Apparently this is her

694
00:34:13,560 --> 00:34:16,560
Speaker 3: last straw. Steph decides she's going to change her name

695
00:34:16,600 --> 00:34:20,000
Speaker 3: to something cool, and Kimmy offers, well, how about an

696
00:34:20,040 --> 00:34:22,439
Speaker 3: Indian name like little pain in neck.

697
00:34:23,160 --> 00:34:23,919
Speaker 2: That's a great joke.

698
00:34:26,280 --> 00:34:27,120
Speaker 3: Yeah, this was awkward.

699
00:34:27,200 --> 00:34:31,440
Speaker 1: Sorry, sorry, guys, we would like to preemptibly apologize to

700
00:34:31,480 --> 00:34:33,439
Speaker 1: the indigenous community for this coming joke.

701
00:34:33,600 --> 00:34:36,560
Speaker 3: It was we were children.

702
00:34:36,600 --> 00:34:38,200
Speaker 2: Please don't hate us, okay.

703
00:34:38,960 --> 00:34:41,720
Speaker 3: Steph smirks before snapping back, If we're going with Indian

704
00:34:41,840 --> 00:34:45,600
Speaker 3: names that would make you big hole in head, then,

705
00:34:45,719 --> 00:34:50,719
Speaker 3: Danny Watterson, I do like that one. It's she was

706
00:34:50,760 --> 00:34:53,120
Speaker 3: our role, you know, Stephanie was definitely on like a

707
00:34:53,200 --> 00:34:58,000
Speaker 3: frenemy role in this is hilarious scene. So then Danny

708
00:34:58,000 --> 00:35:00,080
Speaker 3: walks in. He's laughing at a piece of paper that

709
00:35:00,120 --> 00:35:02,719
Speaker 3: he's holding, and he continues to laugh as he tells DJ,

710
00:35:03,600 --> 00:35:05,840
Speaker 3: your phone bell is so funny this month, I just

711
00:35:06,000 --> 00:35:08,360
Speaker 3: had to share it with you. He explains that the

712
00:35:08,480 --> 00:35:12,240
Speaker 3: funniest part is a fifty six dollars call to Tokyo.

713
00:35:13,040 --> 00:35:16,200
Speaker 3: His smile quickly transforms into a frown as he tells

714
00:35:16,280 --> 00:35:20,319
Speaker 3: his daughter to explain herself. DJ insists she didn't make

715
00:35:20,360 --> 00:35:23,200
Speaker 3: a call to Tokyo. Danny nods and makes his way

716
00:35:23,200 --> 00:35:26,600
Speaker 3: over to Stephanie, who immediately throws Kimmy under the bus. Yes,

717
00:35:27,760 --> 00:35:29,879
Speaker 3: but you know what, it's a great just blame Kimmy

718
00:35:29,960 --> 00:35:32,640
Speaker 3: for everything, the hole in the wall, the calls to Japan,

719
00:35:33,040 --> 00:35:33,919
Speaker 3: like they.

720
00:35:33,800 --> 00:35:37,440
Speaker 1: Can like you any less, you know, right, even if

721
00:35:37,480 --> 00:35:40,040
Speaker 1: they tell you do not show up. You're coming over anyway.

722
00:35:40,120 --> 00:35:42,920
Speaker 1: So it says, Yeah, what's the harm if I just

723
00:35:43,120 --> 00:35:44,880
Speaker 1: blame and everything on her. I thought it was a

724
00:35:44,920 --> 00:35:46,120
Speaker 1: great I thought it was a great idea.

725
00:35:46,880 --> 00:35:50,520
Speaker 3: But Kimmy insists, I did not make that call. I've

726
00:35:50,640 --> 00:35:54,480
Speaker 3: never been so insulted in all my life. Stephanie argues, yes,

727
00:35:54,560 --> 00:35:56,480
Speaker 3: you have. I just nailed you with that hole in

728
00:35:56,560 --> 00:35:59,239
Speaker 3: the head joke. Don't you remember, of course not. You

729
00:35:59,320 --> 00:36:03,719
Speaker 3: got a big hole in your head. You're like doing

730
00:36:03,800 --> 00:36:06,520
Speaker 3: a tight ten. Yeah, yeah, yeah, I was doing it.

731
00:36:06,719 --> 00:36:08,719
Speaker 3: It was uh yeah, it was great.

732
00:36:09,000 --> 00:36:12,200
Speaker 2: It was I tell myself, Yeah, I don't know who

733
00:36:12,280 --> 00:36:12,520
Speaker 2: I was.

734
00:36:12,719 --> 00:36:13,640
Speaker 3: I was, who are you?

735
00:36:14,400 --> 00:36:16,040
Speaker 1: I don't know who I was channeling in.

736
00:36:16,120 --> 00:36:17,239
Speaker 2: That moment, But yeah, I don't know.

737
00:36:18,239 --> 00:36:21,000
Speaker 3: So Kimmy starts to angrily pack her things. She tells

738
00:36:21,040 --> 00:36:23,200
Speaker 3: Steph as soon as I think of a comeback, I'm

739
00:36:23,239 --> 00:36:26,440
Speaker 3: coming back, and Steph lets out a sigh. Well, then

740
00:36:26,480 --> 00:36:30,000
Speaker 3: I guess this is goodbye forever. She bursts into more laughter,

741
00:36:30,120 --> 00:36:35,120
Speaker 3: exclaiming that's three in a row. I kill myself. It's

742
00:36:35,239 --> 00:36:40,080
Speaker 3: very entertained. She's entertaining herself. Man. Oh yeah. So then

743
00:36:40,160 --> 00:36:43,000
Speaker 3: Joey nonchalantly walks in and tells them, oh, I'm just

744
00:36:43,080 --> 00:36:45,960
Speaker 3: going to LA for a couple of hours. He walks out,

745
00:36:46,040 --> 00:36:48,480
Speaker 3: and everyone follows after him to see what is going on.

746
00:36:49,560 --> 00:36:52,319
Speaker 3: After they leave, Michelle sneaks into the girls room without

747
00:36:52,360 --> 00:36:56,000
Speaker 3: anyone noticing. She makes a bline for DJ's phone and

748
00:36:56,120 --> 00:36:59,359
Speaker 3: starts to press on random numbers as she sings row

749
00:36:59,560 --> 00:37:02,520
Speaker 3: row Row your boat. A woman on the other line

750
00:37:02,560 --> 00:37:07,200
Speaker 3: answers Moshi Moshi. Michelle responds, Miko son, Moshi, Moshi. Dude.

751
00:37:08,000 --> 00:37:11,120
Speaker 3: The woman recognizes Michelle's voice, and Michelle catches her up

752
00:37:11,160 --> 00:37:14,320
Speaker 3: on her latest accomplishment. She can count to one hundred,

753
00:37:14,920 --> 00:37:19,360
Speaker 3: so she starts to count one, two, three and casually

754
00:37:19,480 --> 00:37:22,040
Speaker 3: lays back on DJ's pillow without a care in the world.

755
00:37:23,680 --> 00:37:24,560
Speaker 3: Nko is a very.

756
00:37:24,520 --> 00:37:27,680
Speaker 1: Patient person because if a child from another country called

757
00:37:27,719 --> 00:37:29,840
Speaker 1: me in a language that I didn't speak and started

758
00:37:29,920 --> 00:37:31,080
Speaker 1: counting to one hundred, I.

759
00:37:31,440 --> 00:37:33,640
Speaker 3: Know, Miko, it's just you know what, I bet Miko

760
00:37:33,840 --> 00:37:36,640
Speaker 3: is another like four year old across the you know. Yeah,

761
00:37:36,760 --> 00:37:39,560
Speaker 3: maybe he's a four year old who's also left alone,

762
00:37:39,680 --> 00:37:43,160
Speaker 3: and that's why he's answering a virtual friend. Yeah, so

763
00:37:43,520 --> 00:37:45,799
Speaker 3: I think this is why this is the The two

764
00:37:45,840 --> 00:37:48,680
Speaker 3: four year olds are meeting in this little phone date

765
00:37:49,200 --> 00:37:50,120
Speaker 3: to entertain themselves.

766
00:37:50,160 --> 00:37:52,279
Speaker 1: So they're then thus setting us up for why we

767
00:37:52,360 --> 00:37:54,759
Speaker 1: go to Tokyo in fuller house even though Michelle's not

768
00:37:54,800 --> 00:37:56,520
Speaker 1: there looking for her.

769
00:37:56,680 --> 00:37:58,279
Speaker 2: That's what it is in motion.

770
00:37:58,680 --> 00:38:01,400
Speaker 3: Great, why didn't we need to rewrite there? Let's go

771
00:38:01,560 --> 00:38:06,319
Speaker 3: reshoot right now. I love it. So next in Joey's room,

772
00:38:07,280 --> 00:38:09,880
Speaker 3: we continue Joey packs for his short trip. As the

773
00:38:09,960 --> 00:38:13,560
Speaker 3: family inquires about this trip to LA he tells them

774
00:38:13,600 --> 00:38:16,040
Speaker 3: he simply has a craving for those honey roasted peanuts

775
00:38:16,080 --> 00:38:19,359
Speaker 3: that they give you on the plane. Danny obviously isn't

776
00:38:19,360 --> 00:38:22,120
Speaker 3: buying this, considering he wouldn't fly to LA for one

777
00:38:22,320 --> 00:38:26,160
Speaker 3: measly bag of peanuts. Joey counters, I get another bag.

778
00:38:26,239 --> 00:38:29,239
Speaker 3: On the way back, the girls start to hound him,

779
00:38:29,800 --> 00:38:32,600
Speaker 3: asking why is he going, And while they were distracted,

780
00:38:32,680 --> 00:38:34,720
Speaker 3: Michelle is still county to one hundred to her friend

781
00:38:34,840 --> 00:38:38,759
Speaker 3: in Tokyo. She's already in the thirties, but she accidentally

782
00:38:38,840 --> 00:38:41,880
Speaker 3: skips number thirty seven, so she decides to start all

783
00:38:41,960 --> 00:38:47,600
Speaker 3: over again. That's that fifty six dollars is going right, right,

784
00:38:47,920 --> 00:38:49,360
Speaker 3: So it's not getting chat.

785
00:38:49,600 --> 00:38:52,239
Speaker 1: It's like call me after nine when you know long

786
00:38:52,320 --> 00:38:57,920
Speaker 1: distance is free? Yeah, it's everyone everyone under like thirty

787
00:38:57,960 --> 00:38:59,640
Speaker 1: five is like long long distance?

788
00:38:59,719 --> 00:39:01,200
Speaker 3: What's they're like long distance? What's that?

789
00:39:01,280 --> 00:39:03,399
Speaker 2: Why don't you just text him? Why don't you sap them?

790
00:39:03,440 --> 00:39:07,080
Speaker 3: And we're like, uh yeah. So next in the living room,

791
00:39:07,520 --> 00:39:10,040
Speaker 3: Danny and the girls are chasing Joey down the stairs,

792
00:39:10,200 --> 00:39:13,600
Speaker 3: still asking him for answers. Jesse and Becky appear in

793
00:39:13,640 --> 00:39:16,799
Speaker 3: the living room, asking what's going on. Danny tells them

794
00:39:16,840 --> 00:39:18,759
Speaker 3: that Joey's trying to make a run for it, so

795
00:39:18,880 --> 00:39:21,480
Speaker 3: Jesse barricades himself in front of the door to prevent

796
00:39:21,600 --> 00:39:25,240
Speaker 3: him from leaving. But then Jesse realizes he doesn't actually

797
00:39:25,360 --> 00:39:28,600
Speaker 3: know what's going on, so dj explains Joey said he's

798
00:39:28,640 --> 00:39:32,480
Speaker 3: flying to La to get honey roasted peanuts. Joey sighs,

799
00:39:32,760 --> 00:39:34,960
Speaker 3: do you guys have to know everything about my life?

800
00:39:35,560 --> 00:39:39,439
Speaker 3: They all nod and say yes in unison. Come on, Joey.

801
00:39:39,680 --> 00:39:41,440
Speaker 3: That's the codependency of the Tanner family.

802
00:39:42,560 --> 00:39:44,839
Speaker 1: This is the most codependent family ever, because they all

803
00:39:44,920 --> 00:39:47,200
Speaker 1: come running and they're like, what's happening? There's a discussions

804
00:39:47,239 --> 00:39:47,759
Speaker 1: what are we doing?

805
00:39:47,840 --> 00:39:48,359
Speaker 2: What are we doing?

806
00:39:48,800 --> 00:39:53,040
Speaker 1: Right? Secondly, did he think that anyone was gonna buy

807
00:39:53,160 --> 00:39:54,120
Speaker 1: the peanut excuse?

808
00:39:54,480 --> 00:39:54,840
Speaker 3: Is? He? Like?

809
00:39:55,000 --> 00:39:56,960
Speaker 1: Oh god, I can't believe that didn't work.

810
00:39:57,680 --> 00:39:58,600
Speaker 3: They'd leave me alone.

811
00:39:58,880 --> 00:40:01,399
Speaker 1: So I then don't announce it to be like I'm

812
00:40:01,440 --> 00:40:02,120
Speaker 1: going to the mall.

813
00:40:02,520 --> 00:40:05,840
Speaker 3: Wait for a few hours, come back. None, none the

814
00:40:05,880 --> 00:40:10,080
Speaker 3: wiser say you're going for a long, long ride around town. Whatever.

815
00:40:10,200 --> 00:40:13,600
Speaker 2: Yeah, you didn't have to this was like, it's gonna

816
00:40:13,640 --> 00:40:14,680
Speaker 2: take me a while there.

817
00:40:14,920 --> 00:40:16,160
Speaker 3: Yeah, yeah, I know.

818
00:40:16,320 --> 00:40:20,960
Speaker 2: It's he goes alone in this house Michelle, except she's

819
00:40:21,000 --> 00:40:22,520
Speaker 2: the only one that she's still up.

820
00:40:22,800 --> 00:40:25,480
Speaker 3: Talking to Mika. Maybe she it's my choice me.

821
00:40:25,640 --> 00:40:27,560
Speaker 2: She's like, people are together all the time.

822
00:40:27,960 --> 00:40:30,120
Speaker 3: Oh, you know what, that's an interesting take. I never

823
00:40:30,200 --> 00:40:33,480
Speaker 3: thought of that. It's Michelle's choice to be alone all

824
00:40:33,560 --> 00:40:36,280
Speaker 3: the time. I don't blame her. I need some serious

825
00:40:36,520 --> 00:40:41,719
Speaker 3: solitude time in that house. So Joey finally admits he's

826
00:40:41,800 --> 00:40:44,800
Speaker 3: going to Hollywood to audition for a TV pilot for

827
00:40:44,920 --> 00:40:49,719
Speaker 3: a new situation comedy. Obviously, they all cheer him on

828
00:40:49,880 --> 00:40:51,799
Speaker 3: because this is very exciting news.

829
00:40:52,560 --> 00:40:55,160
Speaker 1: But Joey, you ever just have you ever actually heard

830
00:40:55,200 --> 00:40:57,799
Speaker 1: someone call it a situation comedy other than someone who

831
00:40:57,960 --> 00:41:04,080
Speaker 1: is explained I was like, because I was like, maybe

832
00:41:04,200 --> 00:41:05,400
Speaker 1: maybe they did call it situation.

833
00:41:05,440 --> 00:41:06,239
Speaker 3: I was like, no, it's always been.

834
00:41:06,280 --> 00:41:09,160
Speaker 2: It's a sitcoms always in sitcom it is, yeah, sort

835
00:41:09,160 --> 00:41:11,080
Speaker 2: of portmanteau of yeah, okay.

836
00:41:11,200 --> 00:41:16,000
Speaker 3: Yeah, No, I don't nobody uses situational situational comedy anymore. No,

837
00:41:16,200 --> 00:41:18,239
Speaker 3: it's just sick. We don't we don't have time for

838
00:41:18,360 --> 00:41:25,320
Speaker 3: those long shorten it to sitcom, so Joey is frustrated.

839
00:41:25,560 --> 00:41:27,960
Speaker 3: He tells them this is exactly why he wanted to

840
00:41:28,000 --> 00:41:30,440
Speaker 3: keep it a secret. Chances are he won't get it

841
00:41:30,560 --> 00:41:34,400
Speaker 3: and it'll cause disappointment for everyone, And after weighing those odds,

842
00:41:34,480 --> 00:41:37,880
Speaker 3: he wonders, why am I even going? He walks over

843
00:41:37,920 --> 00:41:40,840
Speaker 3: to the couch and everyone follows him. Danny speaks up,

844
00:41:41,120 --> 00:41:44,240
Speaker 3: where your family, there's no pressure, and then he asks

845
00:41:44,320 --> 00:41:47,440
Speaker 3: Joey what the new show is about. Joey tells them

846
00:41:47,560 --> 00:41:50,800
Speaker 3: Frankie Evalon and Annette Funicello are starring in it, and

847
00:41:51,000 --> 00:41:54,560
Speaker 3: Danny is instantly starstruck. I love her. I got to

848
00:41:54,600 --> 00:41:56,920
Speaker 3: meet her. Yo, you got to get this part. But hey,

849
00:41:57,080 --> 00:42:01,280
Speaker 3: no pressure. Becky chimes in, this is so exciting. Frankie

850
00:42:01,280 --> 00:42:05,359
Speaker 3: and Annette DJ awkwardly asks who are they, and Joey

851
00:42:05,440 --> 00:42:07,880
Speaker 3: tells the girls they're the stars of all those classic

852
00:42:08,000 --> 00:42:12,160
Speaker 3: beach party movies, Remember DJ and stuff? Say no, so

853
00:42:12,280 --> 00:42:14,960
Speaker 3: Jesse takes a different approach. Frankie had all those hits

854
00:42:15,080 --> 00:42:19,800
Speaker 3: like Venus and A DEEDI Dina remember those again. Girls

855
00:42:19,840 --> 00:42:22,920
Speaker 3: have no clue what they're talking about. Becky tells them

856
00:42:22,960 --> 00:42:26,720
Speaker 3: Annette did all those peanut butter commercials and instantly Djay

857
00:42:26,719 --> 00:42:29,520
Speaker 3: and stuff know exactly who she's referring to.

858
00:42:30,280 --> 00:42:32,520
Speaker 1: And I have this moment so often now these days,

859
00:42:33,200 --> 00:42:35,120
Speaker 1: just so where you were like, do you know that guy?

860
00:42:35,200 --> 00:42:39,440
Speaker 3: And they're like, oh, yep, no, Tho's were great commercials,

861
00:42:39,440 --> 00:42:44,800
Speaker 3: Skippy delicious, so uh oh. Danny explains that Annette was

862
00:42:44,920 --> 00:42:48,399
Speaker 3: also one of the original Mouseketeers. He begs Joey when

863
00:42:48,480 --> 00:42:51,359
Speaker 3: you meet her, tell her. Danny Tanner says, hello, she'll

864
00:42:51,400 --> 00:42:53,279
Speaker 3: remember me. I sent her a fan letter back in

865
00:42:53,360 --> 00:42:56,800
Speaker 3: nineteen sixty eight. Joey tells him there's no way, but

866
00:42:56,920 --> 00:42:59,719
Speaker 3: Danny insists I wrote her a seven page letter and

867
00:42:59,800 --> 00:43:04,560
Speaker 3: I sprinkled it with my favorite scent, lemon pledge. Joey

868
00:43:04,640 --> 00:43:07,640
Speaker 3: clarifies he was talking about the part he's probably not

869
00:43:07,719 --> 00:43:10,399
Speaker 3: gonna get it. Jesse tries to cheer him up, telling

870
00:43:10,480 --> 00:43:11,840
Speaker 3: him he's gotta think positive.

871
00:43:12,320 --> 00:43:14,440
Speaker 1: Yeah, you're a part of this household. You literally and

872
00:43:14,880 --> 00:43:16,960
Speaker 1: will get anything that you just think about.

873
00:43:17,440 --> 00:43:20,560
Speaker 3: Right, this house is all about toxic positivity, things just

874
00:43:20,640 --> 00:43:22,360
Speaker 3: working out, even toxic positivity.

875
00:43:22,360 --> 00:43:25,880
Speaker 1: They're like, just you're gonna get the show, just like

876
00:43:26,040 --> 00:43:27,839
Speaker 1: everyone in this house is gonna get what they want.

877
00:43:28,360 --> 00:43:30,279
Speaker 3: Right. Yes, the Tanners are at the center of the

878
00:43:30,440 --> 00:43:34,239
Speaker 3: universe and they always get thinks always work out for them.

879
00:43:35,480 --> 00:43:38,680
Speaker 3: Uh so, Jesse points out into the distance and tells

880
00:43:38,760 --> 00:43:41,640
Speaker 3: Joey to picture it. He's the biggest star in America.

881
00:43:42,120 --> 00:43:44,960
Speaker 3: The Joey Gladstone Show has just gone to number one.

882
00:43:45,520 --> 00:43:48,120
Speaker 3: He comes home after making four hundred million people laugh.

883
00:43:49,080 --> 00:43:51,200
Speaker 3: The camera zoom's in on Joey's face, and we begin

884
00:43:51,960 --> 00:43:56,279
Speaker 3: a dream sequence. O gotta read them sequence. It's been

885
00:43:56,320 --> 00:43:58,239
Speaker 3: a hot minute, so uh here we go.

886
00:43:59,160 --> 00:44:01,440
Speaker 1: Don't let there be any giant Michelle's please, don't look

887
00:44:01,840 --> 00:44:02,200
Speaker 1: a giant.

888
00:44:02,239 --> 00:44:08,320
Speaker 3: Michelle's no, fish eye lenses, no giant, Michelle's yes, no.

889
00:44:08,480 --> 00:44:10,800
Speaker 3: This dream sequence takes place in the hallway. There's a

890
00:44:10,880 --> 00:44:13,480
Speaker 3: red carpet up there, and Michelle stands on it to

891
00:44:13,560 --> 00:44:17,799
Speaker 3: announce he's coming. He's coming. The entire family lines up

892
00:44:17,880 --> 00:44:20,040
Speaker 3: on either side of the red carpet, still wearing the

893
00:44:20,080 --> 00:44:24,399
Speaker 3: same clothes from the present day, and excitedly whispering about Joey.

894
00:44:25,120 --> 00:44:30,480
Speaker 3: Michelle dramatically shouts He's Joey. A fog machine, a bright

895
00:44:30,600 --> 00:44:34,640
Speaker 3: spotlight and loud music enhance his entrance as the family

896
00:44:34,920 --> 00:44:40,120
Speaker 3: cheers for him. He is sporting sunglasses indoors tight leather pants,

897
00:44:40,600 --> 00:44:41,919
Speaker 3: which's so Dave.

898
00:44:42,160 --> 00:44:44,960
Speaker 1: Oh, Dave is just such a fan of tight leather pants.

899
00:44:44,960 --> 00:44:45,759
Speaker 3: Oh you know what I mean.

900
00:44:47,200 --> 00:44:49,800
Speaker 2: So I'm sweating just thinking about this.

901
00:44:51,040 --> 00:44:54,319
Speaker 3: He's wearing a bright yellow bomber that says big TV

902
00:44:54,520 --> 00:44:57,319
Speaker 3: Star on the front and some gold chains to tie

903
00:44:57,360 --> 00:45:01,000
Speaker 3: it all together. It's quite the look. Thanks the adoring

904
00:45:01,040 --> 00:45:03,960
Speaker 3: crowd and tells them to cut it out. They erupt

905
00:45:04,000 --> 00:45:06,879
Speaker 3: into laughter at the classic catchphrase, and Jesse pushes open

906
00:45:06,960 --> 00:45:09,120
Speaker 3: the door to Joey's room, which has a big gold

907
00:45:09,239 --> 00:45:13,080
Speaker 3: star hung on it. Inside, two Laker girls meet Joey

908
00:45:13,120 --> 00:45:19,040
Speaker 3: at two four Laker girls full Laker girls unconfirmed. They

909
00:45:19,120 --> 00:45:21,480
Speaker 3: walk him too the center of the room before performing

910
00:45:21,600 --> 00:45:26,279
Speaker 3: a personalized cheer for him. Danny breathlessly asks are these

911
00:45:26,400 --> 00:45:32,319
Speaker 3: really Laker girls, and Joey boasts really not. No, don't

912
00:45:32,360 --> 00:45:36,040
Speaker 3: tell Danny and don't tell Jeff Right, Joey says, at

913
00:45:36,120 --> 00:45:38,680
Speaker 3: Laker games they're Laker girls. The rest of the time,

914
00:45:39,000 --> 00:45:42,399
Speaker 3: they're Joey girls. The girls each give him a kiss

915
00:45:42,400 --> 00:45:44,839
Speaker 3: on the cheek, and Joey playfully tells them to hit

916
00:45:44,880 --> 00:45:48,960
Speaker 3: the showers, which sends them running off Becky turns to

917
00:45:49,080 --> 00:45:52,919
Speaker 3: Joey in awe, you're the funniest man in America. Joey

918
00:45:52,960 --> 00:45:56,160
Speaker 3: waves her off, No, I'm not, and the family erupts

919
00:45:56,200 --> 00:46:01,560
Speaker 3: into laughter again. Then Kimmy pops out from under Joey's vanity.

920
00:46:03,440 --> 00:46:06,600
Speaker 3: So this was so bizarre. She runs up to him

921
00:46:06,640 --> 00:46:09,440
Speaker 3: with a camera strapped around her neck as she squeals,

922
00:46:09,600 --> 00:46:11,120
Speaker 3: it's Joey Gladstone.

923
00:46:11,560 --> 00:46:14,680
Speaker 1: There's just there's an old school memory. A camera strapped

924
00:46:14,680 --> 00:46:16,080
Speaker 1: around your neck. Right.

925
00:46:16,680 --> 00:46:19,239
Speaker 3: I don't remember this bit at all, Like I was

926
00:46:19,360 --> 00:46:22,759
Speaker 3: shocked to see my here in me. It's me, and

927
00:46:22,880 --> 00:46:26,680
Speaker 3: I'm acting unhinged. So Joey runs to the back of

928
00:46:26,719 --> 00:46:29,560
Speaker 3: the room, saying no pictures please. Yet, he takes the

929
00:46:29,600 --> 00:46:32,399
Speaker 3: sailor's cap off his mannequin and places it on his head.

930
00:46:32,800 --> 00:46:36,279
Speaker 3: He tells Kimmy, okay, maybe just one. He stands next

931
00:46:36,320 --> 00:46:38,439
Speaker 3: to a giant picture of himself and strikes a pose.

932
00:46:38,880 --> 00:46:41,920
Speaker 3: Kimmy snaps the picture before running up to him screaming, Joey,

933
00:46:42,080 --> 00:46:46,040
Speaker 3: I love you. She starts kissing his neck, so he

934
00:46:46,160 --> 00:46:48,680
Speaker 3: calls for security. This is so awkward.

935
00:46:49,000 --> 00:46:49,800
Speaker 1: It was strange.

936
00:46:50,120 --> 00:46:52,960
Speaker 3: I went, oh, gee, I was fourteen whatever I was. Yeah,

937
00:46:53,040 --> 00:46:55,719
Speaker 3: I was just it was just yeah, it was just

938
00:46:55,800 --> 00:46:56,160
Speaker 3: a weird.

939
00:46:56,800 --> 00:46:59,560
Speaker 1: You could have still grabbed around Oh my god, you know,

940
00:46:59,719 --> 00:47:02,040
Speaker 1: like whatever, like lost it. But yeah, I was like,

941
00:47:02,120 --> 00:47:04,680
Speaker 1: well we didn't. That was a thing that we did.

942
00:47:04,760 --> 00:47:08,680
Speaker 1: But yeah, look we had two the fake Laker girls

943
00:47:09,040 --> 00:47:11,440
Speaker 1: that just ran off into the fourth wall like nothing,

944
00:47:11,520 --> 00:47:12,320
Speaker 1: and it doesn't.

945
00:47:12,080 --> 00:47:14,480
Speaker 3: Have to make sense. Is a dream definitely doesn't make care.

946
00:47:15,760 --> 00:47:18,759
Speaker 3: So security comes and snatches Kimmy off of Joey and

947
00:47:18,880 --> 00:47:20,680
Speaker 3: carries her out of the room with ease.

948
00:47:21,080 --> 00:47:24,040
Speaker 1: No, wait, he was actually one of the guards on set,

949
00:47:24,200 --> 00:47:27,319
Speaker 1: wasn't he? Or so he was somebody's body bodyguard John.

950
00:47:27,760 --> 00:47:30,840
Speaker 3: He looked familiar, So yeah, I think he.

951
00:47:30,960 --> 00:47:34,120
Speaker 1: Might have worked done personal security for John or maybe

952
00:47:34,239 --> 00:47:41,280
Speaker 1: for the studio for maybe or wherever, yeah, Sony or whatever.

953
00:47:42,560 --> 00:47:43,680
Speaker 3: But yeah, he looked familiar.

954
00:47:43,719 --> 00:47:46,640
Speaker 1: He didn't he definitely, I definitely think he was either

955
00:47:46,719 --> 00:47:49,960
Speaker 1: John's personal security or was our on stage security.

956
00:47:50,480 --> 00:47:52,960
Speaker 3: Yeah. I agree with that, because, yeah, he looked familiar

957
00:47:53,160 --> 00:47:54,799
Speaker 3: and he did a great job. You should have gotten

958
00:47:54,800 --> 00:47:56,320
Speaker 3: a credit. He didn't have a line. They should have

959
00:47:56,360 --> 00:47:58,720
Speaker 3: given me a line and a credit. Then the phone rings,

960
00:47:59,080 --> 00:48:02,160
Speaker 3: Danny answers Joey's room, his eyes go wide as he

961
00:48:02,200 --> 00:48:05,839
Speaker 3: tells everyone's oh my god, it's Julia Roberts. The entire

962
00:48:05,920 --> 00:48:08,399
Speaker 3: family gathers onto the bed to listen in on the call.

963
00:48:09,040 --> 00:48:13,000
Speaker 3: Joey answers, Hello, pretty woman, dinner tonight in Paris? Hey,

964
00:48:13,120 --> 00:48:17,320
Speaker 3: why not? I'm in the mood for French fries. The

965
00:48:17,400 --> 00:48:20,560
Speaker 3: family bursts into laughter at the cheesy joke. Is this

966
00:48:20,680 --> 00:48:21,880
Speaker 3: where the show jumps the shark?

967
00:48:22,080 --> 00:48:22,120
Speaker 1: Like?

968
00:48:22,239 --> 00:48:25,480
Speaker 3: This is just what I kept asking myself the whole

969
00:48:25,520 --> 00:48:26,280
Speaker 3: dream sequence.

970
00:48:26,400 --> 00:48:29,400
Speaker 1: Well it's but again, I'm like, oh, it's a Joey episode,

971
00:48:29,719 --> 00:48:32,080
Speaker 1: I know, and it's supposed to be that the jokes

972
00:48:32,080 --> 00:48:34,560
Speaker 1: are terrible and that we're just like, oh, sort of

973
00:48:34,719 --> 00:48:35,799
Speaker 1: laughing at him, you know.

974
00:48:36,480 --> 00:48:40,120
Speaker 3: Yeah, I just you think he's endlessly funny, even though

975
00:48:40,480 --> 00:48:42,600
Speaker 3: this is not funny. But yeah, right right?

976
00:48:42,680 --> 00:48:44,920
Speaker 2: It was like some elected officials.

977
00:48:46,000 --> 00:48:46,040
Speaker 1: Was.

978
00:48:47,280 --> 00:48:50,560
Speaker 3: It did have the cheese factor turned up to a ten,

979
00:48:51,239 --> 00:48:55,240
Speaker 3: and so I was like, oh, yeah. So Jesse approaches

980
00:48:55,320 --> 00:48:58,200
Speaker 3: Joey and admits you're my hero. You've got the greatest

981
00:48:58,239 --> 00:49:00,720
Speaker 3: hair I've ever seen. I want to have hair like yours.

982
00:49:01,480 --> 00:49:03,680
Speaker 3: But then Jesse snaps out of it and asks, why

983
00:49:03,719 --> 00:49:07,560
Speaker 3: am I saying this? Joey reminds him it's because it's

984
00:49:07,760 --> 00:49:11,279
Speaker 3: my fantasy Jess. Then he calls for Nelson, the security guard,

985
00:49:11,440 --> 00:49:14,759
Speaker 3: to come snatch Jesse away. Nelson picks him up and

986
00:49:14,800 --> 00:49:17,040
Speaker 3: carries him out of the room as Jesse pleads watch

987
00:49:17,160 --> 00:49:21,040
Speaker 3: the hair the hair. Michelle tells Joey, You're as funny

988
00:49:21,040 --> 00:49:24,480
Speaker 3: as bugs Bunny. Joey gives her a knowing smile, and

989
00:49:24,560 --> 00:49:26,520
Speaker 3: then we start to fade out of the dream sequence

990
00:49:26,560 --> 00:49:29,520
Speaker 3: as Michelle's words echo in his ears.

991
00:49:30,560 --> 00:49:32,800
Speaker 1: You know, I had to think, wouldn't it be a

992
00:49:32,880 --> 00:49:37,640
Speaker 1: bummer to have your dream sequence of yourself still not

993
00:49:37,840 --> 00:49:38,280
Speaker 1: be funny?

994
00:49:39,040 --> 00:49:41,239
Speaker 3: I know, right? You know what I mean? Painful?

995
00:49:41,960 --> 00:49:43,880
Speaker 2: Make yourself like brilliant?

996
00:49:44,000 --> 00:49:46,160
Speaker 3: You know right now this was almost like they were

997
00:49:46,200 --> 00:49:49,640
Speaker 3: making fun of the dream sequence is making fun of Joey.

998
00:49:49,800 --> 00:49:52,440
Speaker 1: It just yeah, because maybe it's because Joey has, you know,

999
00:49:52,640 --> 00:49:53,600
Speaker 1: very low self esteem.

1000
00:49:53,960 --> 00:49:56,319
Speaker 3: He definitely needs to talk to a therapist, he needs

1001
00:49:56,400 --> 00:50:01,680
Speaker 3: to work. Where's Michelle? So we're back to reality In

1002
00:50:01,800 --> 00:50:06,120
Speaker 3: the living room, Joey is beaming after this incredible dream sequence,

1003
00:50:06,239 --> 00:50:09,920
Speaker 3: repeating Michelle's words about I'm as funny as bugs Bunny.

1004
00:50:10,800 --> 00:50:13,319
Speaker 3: He frantically tells the family, I gotta get to La.

1005
00:50:13,719 --> 00:50:15,520
Speaker 3: When the Laker girls get out of the shower, tell

1006
00:50:15,560 --> 00:50:18,919
Speaker 3: them I'll be right back. Everyone shoots him a puzzled look,

1007
00:50:19,640 --> 00:50:21,320
Speaker 3: but Joey begins to rush out of the house and

1008
00:50:21,360 --> 00:50:23,680
Speaker 3: they all wish him good luck. Right before he leaves,

1009
00:50:23,719 --> 00:50:27,240
Speaker 3: Michelle walks into the room and asks, what's going on, goes.

1010
00:50:27,160 --> 00:50:29,640
Speaker 2: I've been out of the room for the whole time.

1011
00:50:29,960 --> 00:50:31,720
Speaker 3: Yeah, she's been talking to Miko Soltons.

1012
00:50:31,719 --> 00:50:32,040
Speaker 1: That's right.

1013
00:50:32,080 --> 00:50:33,400
Speaker 2: She's been on the phone to Tokyo.

1014
00:50:33,400 --> 00:50:34,719
Speaker 3: That's right. She had to get to her while to

1015
00:50:34,760 --> 00:50:37,160
Speaker 3: get to one hundred because she kept skipping thirty sevens.

1016
00:50:37,200 --> 00:50:42,600
Speaker 3: So Stephanie explains where Joey's going to Hollywood, So say goodbye,

1017
00:50:43,120 --> 00:50:47,040
Speaker 3: and Michelle cheerfully says sayonara, and Joey repeats it back

1018
00:50:47,080 --> 00:50:50,760
Speaker 3: before leaving. The rest of the family follows Joey outside,

1019
00:50:51,320 --> 00:50:56,760
Speaker 3: but Danny turns to Michelle with suspicion. He repeats, sayonara, Michelle,

1020
00:50:56,840 --> 00:51:04,200
Speaker 3: did you call Tokyo? And Michelle shouts, Hi, Daddy's son. Well, Danny,

1021
00:51:04,440 --> 00:51:06,359
Speaker 3: he put two and two together. That's what he's been

1022
00:51:06,440 --> 00:51:07,160
Speaker 3: calling Japan.

1023
00:51:07,640 --> 00:51:09,200
Speaker 2: Do you think this is what made.

1024
00:51:11,120 --> 00:51:14,920
Speaker 1: Japanese fans so excited about the moment. This was the moment,

1025
00:51:15,000 --> 00:51:17,359
Speaker 1: I'm sure, because I bet they were like, oh, yes,

1026
00:51:17,520 --> 00:51:20,520
Speaker 1: this is exactly how I love to show. It's meant

1027
00:51:20,560 --> 00:51:20,800
Speaker 1: to be.

1028
00:51:21,719 --> 00:51:23,800
Speaker 3: I don't know, but I wonder if we were this

1029
00:51:24,000 --> 00:51:27,440
Speaker 3: popular in Japan at this point in season four.

1030
00:51:27,920 --> 00:51:31,040
Speaker 2: Because there's syndicated maybe that.

1031
00:51:31,080 --> 00:51:33,600
Speaker 3: Would have been after season that would be after season four.

1032
00:51:33,719 --> 00:51:37,320
Speaker 1: I would just like to think that we manifested Tokyo

1033
00:51:37,800 --> 00:51:38,719
Speaker 1: all these years ago.

1034
00:51:39,040 --> 00:51:42,000
Speaker 3: Yeah, because it's mentioned several times in the original series.

1035
00:51:42,120 --> 00:51:45,719
Speaker 3: We go there in the fuller series, So yeah, this

1036
00:51:45,880 --> 00:51:50,120
Speaker 3: is us manifesting it right here. Amazing. The next in

1037
00:51:50,200 --> 00:51:52,920
Speaker 3: the kitchen, Michelle is drawing at her little table when

1038
00:51:53,000 --> 00:51:56,080
Speaker 3: Danny walks over. He gives her a different phone and explains,

1039
00:51:56,480 --> 00:51:58,719
Speaker 3: from now on, if you want to call Tokyo, you

1040
00:51:58,800 --> 00:52:01,880
Speaker 3: can make a pretend call on this pretend phone, and

1041
00:52:01,960 --> 00:52:05,680
Speaker 3: I'll be happy to pay the pretend bills. Okay, except

1042
00:52:05,719 --> 00:52:07,040
Speaker 3: it looks like a real phone. It's not like a

1043
00:52:07,080 --> 00:52:08,000
Speaker 3: Fisher Price phone.

1044
00:52:08,040 --> 00:52:10,880
Speaker 1: It looks like he just unplugged a phone somewhere in

1045
00:52:10,960 --> 00:52:14,359
Speaker 1: the house and was like, here have this pretend phone.

1046
00:52:14,360 --> 00:52:16,560
Speaker 1: Here's your pretend phone that looks like a real phone.

1047
00:52:16,680 --> 00:52:18,080
Speaker 1: But that's not confusing, right.

1048
00:52:18,200 --> 00:52:20,680
Speaker 3: The poor child doesn't even get a toy phone, Like,

1049
00:52:20,760 --> 00:52:22,280
Speaker 3: come on, like, buy her some toys.

1050
00:52:23,400 --> 00:52:26,560
Speaker 1: She's been left alone for hours. They'd be like, I

1051
00:52:26,600 --> 00:52:28,200
Speaker 1: don't know, pick up that screw off the floor.

1052
00:52:28,239 --> 00:52:30,040
Speaker 2: See what she does with it. You know, here's a

1053
00:52:30,160 --> 00:52:34,919
Speaker 2: rusty nail. Yeah, here's a bag filled with sawdust and joy.

1054
00:52:38,560 --> 00:52:41,000
Speaker 3: So Michelle gives him a thumbs up. You got it, dude,

1055
00:52:41,600 --> 00:52:44,080
Speaker 3: and then Becky walks in and asks if Joey's back.

1056
00:52:44,520 --> 00:52:47,200
Speaker 3: Jesse says no, but he shows off the special cake

1057
00:52:47,239 --> 00:52:50,120
Speaker 3: he made for Joey. Once he hits the cake reads

1058
00:52:50,200 --> 00:52:53,560
Speaker 3: congrats Joey, and Becky admits, well, that's sweet, but what

1059
00:52:53,640 --> 00:52:56,280
Speaker 3: if he doesn't get the part. Jesse's got it covered.

1060
00:52:56,800 --> 00:52:59,360
Speaker 3: He explains that if he would simply remove some of

1061
00:52:59,400 --> 00:53:06,000
Speaker 3: the wording so the cake would say rats Joey. Pretty smart. Yeah. Meanwhile,

1062
00:53:06,360 --> 00:53:08,800
Speaker 3: Michelle is pretending to talk to her friend from Tokyo

1063
00:53:08,960 --> 00:53:11,800
Speaker 3: on her new phone. When she receives no response on

1064
00:53:11,880 --> 00:53:14,240
Speaker 3: the other end, she realizes this is nuts.

1065
00:53:14,480 --> 00:53:17,480
Speaker 2: I'm talking to myself, yeah, which.

1066
00:53:17,360 --> 00:53:19,439
Speaker 1: Is what she was trying to avoid all the time.

1067
00:53:20,520 --> 00:53:22,480
Speaker 1: You know, She's like, God, my family's not gonnaalk me.

1068
00:53:22,560 --> 00:53:25,360
Speaker 1: I'm gonna call somebody in another country, like they took away.

1069
00:53:25,239 --> 00:53:27,800
Speaker 3: The one person that would talk to her now, Like

1070
00:53:27,960 --> 00:53:31,880
Speaker 3: she's just yeah, talking to herself, this poor child. So

1071
00:53:32,040 --> 00:53:34,799
Speaker 3: Jesse calls out to steph to tell her dinner's ready,

1072
00:53:35,719 --> 00:53:38,440
Speaker 3: but DJ chimes in, I think you guys ought to

1073
00:53:38,480 --> 00:53:42,239
Speaker 3: know that Stephanie's not Stephanie anymore. She decided to change

1074
00:53:42,280 --> 00:53:47,160
Speaker 3: her name. DJ calls out for Dawn instead, and that's

1075
00:53:47,200 --> 00:53:52,360
Speaker 3: when we hear a familiar voice. Yeall coming, Danny questions Dawn,

1076
00:53:53,320 --> 00:53:56,440
Speaker 3: and the former Stephanie boasts, it's got a lovely ring

1077
00:53:56,600 --> 00:53:57,360
Speaker 3: to it, don't you.

1078
00:53:57,400 --> 00:54:01,960
Speaker 1: Think, just swaning into the room.

1079
00:54:02,640 --> 00:54:07,239
Speaker 3: Yeah, your physical embodiment of this name is so yeah.

1080
00:54:07,480 --> 00:54:09,600
Speaker 3: I just I fully enjoyed this.

1081
00:54:09,840 --> 00:54:12,080
Speaker 1: I just needed like a kaftan and it was, you know,

1082
00:54:15,880 --> 00:54:16,799
Speaker 1: Don definitely.

1083
00:54:16,520 --> 00:54:19,759
Speaker 3: Wore a cape. Danny asks, well, what's wrong with her

1084
00:54:19,800 --> 00:54:23,719
Speaker 3: real name? And Don winces no offense, But how can

1085
00:54:23,800 --> 00:54:29,040
Speaker 3: you compare Stephanie to down? She glides towards the table

1086
00:54:29,080 --> 00:54:31,320
Speaker 3: with newfound happiness at the name change.

1087
00:54:32,480 --> 00:54:34,200
Speaker 1: Did you ever have a name that you wished was

1088
00:54:34,239 --> 00:54:37,040
Speaker 1: your name instead of Andrea? Like, did you have a

1089
00:54:37,080 --> 00:54:38,799
Speaker 1: favorite You're like oh, I wish.

1090
00:54:40,239 --> 00:54:43,239
Speaker 3: No, I don't think I did. Did you ever you did? Oh?

1091
00:54:43,280 --> 00:54:44,399
Speaker 3: I did? I did?

1092
00:54:44,800 --> 00:54:48,319
Speaker 1: It was either Serena or Sabrina, either one of those,

1093
00:54:48,360 --> 00:54:50,680
Speaker 1: but I leaned more like if I was a princess,

1094
00:54:50,800 --> 00:54:51,920
Speaker 1: I was always Princess Serena.

1095
00:54:53,160 --> 00:54:57,200
Speaker 3: Yeah, Princess Serena. I'm going to call you Serena Serena

1096
00:54:57,239 --> 00:55:01,520
Speaker 3: Sweden from now. Oh boy.

1097
00:55:03,680 --> 00:55:03,719
Speaker 1: So.

1098
00:55:03,880 --> 00:55:07,640
Speaker 3: Then Joey bursts through the door and asks Everyone asks

1099
00:55:07,640 --> 00:55:09,960
Speaker 3: about his audition. He tells them he doesn't know if

1100
00:55:10,000 --> 00:55:12,560
Speaker 3: he got the part yet, so Jesse asks how did

1101
00:55:12,600 --> 00:55:15,879
Speaker 3: it go? Joey can't hide his grin. I don't want

1102
00:55:15,880 --> 00:55:17,920
Speaker 3: to pat myself on the back or toot my own horn,

1103
00:55:18,040 --> 00:55:21,440
Speaker 3: but he does just that, imitates a trumpet while patting

1104
00:55:21,520 --> 00:55:24,600
Speaker 3: his back to brag about his performance. Then the phone

1105
00:55:24,640 --> 00:55:27,880
Speaker 3: rings and Joey realizes it could be his agent. He

1106
00:55:28,000 --> 00:55:31,200
Speaker 3: quickly answers Michelle's fake phone and calls out for his agent,

1107
00:55:31,280 --> 00:55:32,000
Speaker 3: but no one's there.

1108
00:55:32,440 --> 00:55:37,680
Speaker 1: Ah, that's why Michelle got a fake phone, right, It's.

1109
00:55:37,600 --> 00:55:38,920
Speaker 2: The whole damn reason for this.

1110
00:55:40,480 --> 00:55:43,160
Speaker 3: After way too much time has passed, Danny finally gives

1111
00:55:43,239 --> 00:55:45,840
Speaker 3: Joey a heads up that the phone is pretend This

1112
00:55:46,000 --> 00:55:48,919
Speaker 3: means Michelle has had enough time to answer the real phone.

1113
00:55:49,680 --> 00:55:54,080
Speaker 3: She talks to Joey to talk to somebody, anyone will listen.

1114
00:55:55,200 --> 00:55:57,560
Speaker 3: She talks to Joey's agent and says, Hi, Eddie, I

1115
00:55:57,719 --> 00:55:59,080
Speaker 3: can count a hundred.

1116
00:56:00,000 --> 00:56:01,760
Speaker 2: She just wants to show off for counting skills.

1117
00:56:01,960 --> 00:56:02,359
Speaker 3: She does.

1118
00:56:02,640 --> 00:56:04,320
Speaker 2: She's got a practice, She's doing her homework.

1119
00:56:05,120 --> 00:56:07,440
Speaker 3: She starts to count again, but Joey quickly cuts her

1120
00:56:07,520 --> 00:56:11,160
Speaker 3: off and asks his agent what's going on. After a

1121
00:56:11,200 --> 00:56:14,040
Speaker 3: suspenseful moment of him and his agent talking back and forth,

1122
00:56:14,160 --> 00:56:17,960
Speaker 3: he hangs up and everyone asks what happened. Joey quietly

1123
00:56:18,000 --> 00:56:20,719
Speaker 3: walks up to all of them before announcing I got

1124
00:56:20,760 --> 00:56:25,160
Speaker 3: the part. They all cheer for him. Joey is in disbelief.

1125
00:56:25,840 --> 00:56:27,800
Speaker 3: I'm gonna be on a show with Frankie and Annette.

1126
00:56:28,160 --> 00:56:30,799
Speaker 3: We're all going to Hollywood. You guys are gonna see

1127
00:56:30,840 --> 00:56:32,040
Speaker 3: me shoot the pilot.

1128
00:56:32,800 --> 00:56:33,560
Speaker 1: Wooo.

1129
00:56:34,480 --> 00:56:36,239
Speaker 3: Of course, of course the whole family has to go.

1130
00:56:38,239 --> 00:56:38,640
Speaker 1: Hollywood.

1131
00:56:40,280 --> 00:56:40,719
Speaker 3: We are.

1132
00:56:42,640 --> 00:56:48,839
Speaker 1: Right for tickets can wake up San Francisco jobs, These

1133
00:56:49,040 --> 00:56:53,640
Speaker 1: jobs transportation, plane tickets details. Yeah, Michelle will be there

1134
00:56:53,680 --> 00:56:55,520
Speaker 1: to hold down the fort. It's fine, totally.

1135
00:56:55,600 --> 00:57:05,600
Speaker 3: Yeah, she'll run the house. So next, we're on the

1136
00:57:05,640 --> 00:57:08,839
Speaker 3: Hollywood set, which is our actual sound stage, ye, which

1137
00:57:08,920 --> 00:57:11,759
Speaker 3: is just so like core memories for you. Right.

1138
00:57:11,880 --> 00:57:15,920
Speaker 1: I can smell those walls, the like wheels, chicken wire

1139
00:57:16,120 --> 00:57:19,520
Speaker 1: over there, like thick padding of those things that have

1140
00:57:19,600 --> 00:57:23,400
Speaker 1: been there for like nine hundred years have the ghosts

1141
00:57:23,440 --> 00:57:26,600
Speaker 1: of old studio actors in them.

1142
00:57:27,160 --> 00:57:30,640
Speaker 3: Yeah, it's so dusty and all the lumber and yeah,

1143
00:57:30,760 --> 00:57:33,080
Speaker 3: this was it was. It's a joy to see the

1144
00:57:33,120 --> 00:57:35,040
Speaker 3: behind the scenes. Literally, they were like, oh, it looks

1145
00:57:35,080 --> 00:57:36,120
Speaker 3: like crap. God, I love it.

1146
00:57:36,240 --> 00:57:36,760
Speaker 1: Yeah, I love it.

1147
00:57:36,840 --> 00:57:40,720
Speaker 3: I know it's like home for us. So Joey is

1148
00:57:40,760 --> 00:57:44,080
Speaker 3: backstage in a bathrobe when the whole family swarms him and.

1149
00:57:44,120 --> 00:57:45,200
Speaker 2: Asks for his autograph.

1150
00:57:45,600 --> 00:57:49,400
Speaker 3: He jokingly says no autographs, please, and Jesse mutters, oh,

1151
00:57:49,640 --> 00:57:53,440
Speaker 3: how soon they forget the little people. Joey caves and

1152
00:57:53,560 --> 00:57:55,520
Speaker 3: takes each of their books to sign, but then he

1153
00:57:55,640 --> 00:57:59,160
Speaker 3: jokingly asks what are your names again? Before they get

1154
00:57:59,200 --> 00:58:02,560
Speaker 3: caught up in his new found stardom. And Nette Funicello

1155
00:58:02,840 --> 00:58:05,680
Speaker 3: walks by, Danny gasps at the sight of her and

1156
00:58:05,840 --> 00:58:08,640
Speaker 3: admits she looks just as beautiful as she did on

1157
00:58:08,720 --> 00:58:12,479
Speaker 3: The Mickey Mouse Club. Michelle's eyes go wide that lady

1158
00:58:12,560 --> 00:58:15,640
Speaker 3: knows Mickey Mouse. She asks Joey for her book back

1159
00:58:15,760 --> 00:58:18,640
Speaker 3: and takes it right over to Anette. She asks the

1160
00:58:18,680 --> 00:58:23,200
Speaker 3: famous actress, excuse me, are you Annette Funny Jello, and

1161
00:58:23,240 --> 00:58:28,960
Speaker 3: Annette grins something like that, Hi, sweetheart. Danny nervously walks

1162
00:58:29,040 --> 00:58:32,200
Speaker 3: up to his daughter and explains Miss Funuchello is getting

1163
00:58:32,200 --> 00:58:34,560
Speaker 3: ready for the show, so you can't bother her right now.

1164
00:58:35,240 --> 00:58:38,160
Speaker 3: He pushes Michelle back towards the family, but apparently his

1165
00:58:38,320 --> 00:58:40,440
Speaker 3: rules don't apply to him, and he extends a hand

1166
00:58:40,480 --> 00:58:42,520
Speaker 3: out to Annette and says, it's so nice to meet you.

1167
00:58:43,520 --> 00:58:45,919
Speaker 3: He gushes, I've loved you ever since the first time

1168
00:58:45,960 --> 00:58:50,000
Speaker 3: I saw you go, Annette, and Annette reacts her old

1169
00:58:50,040 --> 00:58:53,400
Speaker 3: Mickey Mouse Club introduction to show him exactly how it's done,

1170
00:58:53,760 --> 00:58:56,320
Speaker 3: and Danny copies her, but adds his own name to

1171
00:58:56,360 --> 00:58:56,720
Speaker 3: the mix.

1172
00:58:57,120 --> 00:58:59,720
Speaker 2: Danny, so much game, so much game.

1173
00:59:01,600 --> 00:59:03,760
Speaker 3: It was a cute bit like it was cute, but

1174
00:59:04,080 --> 00:59:06,240
Speaker 3: very cute. Enjoyed watching a Nett do her thing. It's

1175
00:59:06,840 --> 00:59:11,320
Speaker 3: She's just magical. So he gets flustered and he introduces

1176
00:59:11,360 --> 00:59:14,360
Speaker 3: himself by his full name, Danny Tanner, and sure enough,

1177
00:59:14,400 --> 00:59:18,000
Speaker 3: Annette remembers exactly who he is she'd never forget his

1178
00:59:18,200 --> 00:59:22,600
Speaker 3: lemon pledge scented fan letter. Danny grins from ear to ear.

1179
00:59:22,840 --> 00:59:25,840
Speaker 3: I knew you'd remember me. She admits it was the

1180
00:59:25,920 --> 00:59:28,800
Speaker 3: only time a fan offered to clean my house, and

1181
00:59:28,920 --> 00:59:30,680
Speaker 3: he tells her that the offer still stands.

1182
00:59:31,320 --> 00:59:32,160
Speaker 2: That's even creepier.

1183
00:59:35,280 --> 00:59:38,240
Speaker 3: Yeah, yeah, it is crapy clean your house.

1184
00:59:38,320 --> 00:59:40,560
Speaker 2: Excuse me, right, I don't think I want.

1185
00:59:40,440 --> 00:59:43,200
Speaker 3: You in my under you know, I don't.

1186
00:59:43,040 --> 00:59:44,720
Speaker 1: Need I don't even need you taking out my trash.

1187
00:59:44,840 --> 00:59:47,480
Speaker 3: Really creepy.

1188
00:59:47,600 --> 00:59:50,440
Speaker 2: It's okay, it's you know, the joke got to work.

1189
00:59:50,560 --> 00:59:51,720
Speaker 3: I mean, the joke work.

1190
00:59:51,800 --> 00:59:53,919
Speaker 1: Poor Annette doesn't have a dressing room, you know, because

1191
00:59:53,960 --> 00:59:56,080
Speaker 1: it's such a low budget show. They're all just floating

1192
00:59:56,080 --> 00:59:57,880
Speaker 1: around backstage and bath hobes.

1193
00:59:58,120 --> 01:00:01,760
Speaker 3: So yeah, let's give this woman some like her agent

1194
01:00:01,800 --> 01:00:05,600
Speaker 3: did not negotiate a dressing room to that contract. So

1195
01:00:05,760 --> 01:00:09,280
Speaker 3: Jesse and Becky are watching Danny's awkward interaction, and Becky

1196
01:00:09,360 --> 01:00:13,360
Speaker 3: pokes fun at him for being so starstruck. But then

1197
01:00:13,480 --> 01:00:16,720
Speaker 3: Frankie Avalon appears and Becky quickly eats her words. She

1198
01:00:17,000 --> 01:00:19,920
Speaker 3: screams at the sight of him and tells the famous actor,

1199
01:00:20,080 --> 01:00:24,480
Speaker 3: mister Avalon, you are so cute. She's frazzled and accidentally

1200
01:00:24,520 --> 01:00:28,280
Speaker 3: introduces herself as Jesse and points to her husband, Rebecca

1201
01:00:28,640 --> 01:00:32,120
Speaker 3: that's standing next to her. Jesse casually pulls frank to

1202
01:00:32,240 --> 01:00:35,640
Speaker 3: the side and asks that they speak mono a mono.

1203
01:00:36,360 --> 01:00:39,400
Speaker 3: Mister Avalon happily asks what can I do for you, Rebecca.

1204
01:00:40,600 --> 01:00:43,120
Speaker 3: Jesse brushes this off and asks, how do you keep

1205
01:00:43,160 --> 01:00:46,960
Speaker 3: your hair so shiny and manageable? And Frankie spills his

1206
01:00:47,040 --> 01:00:52,120
Speaker 3: secret he always conditions with avocados. Jesse gaps, me too,

1207
01:00:52,280 --> 01:00:54,160
Speaker 3: me too, and once in a while, I put in

1208
01:00:54,280 --> 01:00:57,320
Speaker 3: a little mayonnaise. Frankie advises you ought to try a

1209
01:00:57,360 --> 01:01:01,840
Speaker 3: little lime juice and cilantro. Jesse asks if that restores

1210
01:01:01,880 --> 01:01:05,160
Speaker 3: the pH balance and Frankie grins nope, but it makes

1211
01:01:05,200 --> 01:01:09,680
Speaker 3: a great dip. This is just does anybody really do this?

1212
01:01:09,840 --> 01:01:10,520
Speaker 3: Like do avacant?

1213
01:01:10,640 --> 01:01:13,240
Speaker 1: I was literally thinking, was like, can you imagine if

1214
01:01:13,320 --> 01:01:17,439
Speaker 1: you were backstage and one guy is offering to clean

1215
01:01:17,520 --> 01:01:21,520
Speaker 1: your house, which he did years ago after sending a

1216
01:01:21,640 --> 01:01:25,480
Speaker 1: cleaning product soaked letter to you, Yes, and then he's like,

1217
01:01:25,560 --> 01:01:25,840
Speaker 1: I'll do.

1218
01:01:25,920 --> 01:01:27,680
Speaker 3: It now, and You're like, I don't know.

1219
01:01:28,280 --> 01:01:32,240
Speaker 1: And then this other guy's like what's's to do with

1220
01:01:32,320 --> 01:01:32,800
Speaker 1: your hair?

1221
01:01:33,200 --> 01:01:34,960
Speaker 3: Hey, tell me how you candish your hair?

1222
01:01:35,120 --> 01:01:42,040
Speaker 1: Well, yeah, I'd be like, wow, this is a security security,

1223
01:01:42,360 --> 01:01:43,240
Speaker 1: there's no security.

1224
01:01:43,400 --> 01:01:46,480
Speaker 3: There's no dressing rooms. Yes, low budget there's no security,

1225
01:01:46,560 --> 01:01:50,160
Speaker 3: No dressing rooms, Nope, just chicken wire. Yeah, that's it.

1226
01:01:51,400 --> 01:01:54,280
Speaker 3: So Joey decides it's time for him to interrupt. He

1227
01:01:54,400 --> 01:01:59,920
Speaker 3: introduces Frankie Annette to the girls, DJ, Michelle and the farm.

1228
01:02:00,120 --> 01:02:05,840
Speaker 3: Stephanie introduces herself as Dawn Dawn Ariel Tanner. Kind of

1229
01:02:05,840 --> 01:02:06,400
Speaker 3: a great name.

1230
01:02:06,600 --> 01:02:09,720
Speaker 1: You know, I love me some little mermaid. I was

1231
01:02:09,800 --> 01:02:12,479
Speaker 1: not sad at the aerial one. Yeah, they might even

1232
01:02:12,520 --> 01:02:13,040
Speaker 1: let me pick it.

1233
01:02:13,280 --> 01:02:17,960
Speaker 3: Who knows. A crew member calls for the actors to

1234
01:02:18,000 --> 01:02:21,520
Speaker 3: get into place, and the actors disperse, but Danny holds

1235
01:02:21,560 --> 01:02:24,360
Speaker 3: Frankie Annette back and asks if I could just trouble

1236
01:02:24,400 --> 01:02:28,280
Speaker 3: you for one picture. Frankie nods, sure, no problem. He

1237
01:02:28,400 --> 01:02:30,960
Speaker 3: poses for the camera, but Danny clarifies that he'll be

1238
01:02:31,240 --> 01:02:35,640
Speaker 3: the one taking the picture of him and Annette. Unfortunately,

1239
01:02:35,640 --> 01:02:38,040
Speaker 3: I can relate to this. This has happened to me

1240
01:02:38,120 --> 01:02:41,800
Speaker 3: too before. And so next we are on the actual

1241
01:02:41,840 --> 01:02:44,720
Speaker 3: set of surfs up. There's lots of sand, we see

1242
01:02:44,760 --> 01:02:48,040
Speaker 3: a studio audience. We see Bob Purlow, the actual warm

1243
01:02:48,160 --> 01:02:51,320
Speaker 3: up guy for Full House, and he introduces the live

1244
01:02:51,400 --> 01:02:54,600
Speaker 3: studio audience to this new show starring Frankie Avalon and

1245
01:02:54,640 --> 01:03:00,680
Speaker 3: Annett Foinchello and newcomer Joey Gladstone. So this a separate

1246
01:03:00,840 --> 01:03:03,000
Speaker 3: down stage or did they just clear out.

1247
01:03:03,240 --> 01:03:05,400
Speaker 1: This was we probably it was probably a pre tape

1248
01:03:05,480 --> 01:03:07,880
Speaker 1: day and we just put extras in it, you know

1249
01:03:07,920 --> 01:03:08,160
Speaker 1: what I mean?

1250
01:03:08,200 --> 01:03:11,880
Speaker 2: Because there because uh, it looked like it.

1251
01:03:11,920 --> 01:03:14,000
Speaker 3: Was where the kitchen set should be. Did they build this.

1252
01:03:15,440 --> 01:03:17,680
Speaker 1: Because remember that was always the that was like the

1253
01:03:17,760 --> 01:03:20,280
Speaker 1: swing set area every week, so there was like the

1254
01:03:20,360 --> 01:03:22,520
Speaker 1: kitchen and then there was always the blank space next

1255
01:03:22,560 --> 01:03:24,920
Speaker 1: door that was either it was the attic, it was

1256
01:03:25,160 --> 01:03:30,440
Speaker 1: either the basically whatever the swing set you know, was

1257
01:03:30,600 --> 01:03:33,320
Speaker 1: for that week, whatever we extra we needed. So this

1258
01:03:33,480 --> 01:03:35,680
Speaker 1: was this was yeah, because I remember it went like

1259
01:03:36,080 --> 01:03:40,680
Speaker 1: Michelle's room. It was like almost like an l like that.

1260
01:03:40,840 --> 01:03:42,200
Speaker 1: And then the swing set was kind of down the

1261
01:03:42,320 --> 01:03:45,320
Speaker 1: end and this was like the far end of the audience.

1262
01:03:45,120 --> 01:03:48,840
Speaker 3: The far the far far end. Yes, okay, okay, so yeah,

1263
01:03:48,840 --> 01:03:50,720
Speaker 3: I know this was did they have to get release

1264
01:03:50,800 --> 01:03:51,600
Speaker 3: forms from the audience?

1265
01:03:52,360 --> 01:03:55,200
Speaker 1: Questions extras because they were too into it and nobody

1266
01:03:55,280 --> 01:03:58,200
Speaker 1: was looking directly at the camera. Yeah right, I was

1267
01:03:58,240 --> 01:04:00,760
Speaker 1: in the audience, beca, get the camera up there too.

1268
01:04:00,880 --> 01:04:03,160
Speaker 1: You had to have cameras up above, you had it. Yeah,

1269
01:04:03,360 --> 01:04:05,880
Speaker 1: was This was a pre tape moment, so it must

1270
01:04:05,920 --> 01:04:09,840
Speaker 1: have been background, background, background audience.

1271
01:04:10,160 --> 01:04:13,120
Speaker 3: Okay, well they did great, they did. They were there.

1272
01:04:14,600 --> 01:04:16,960
Speaker 2: I think they did an excellent job.

1273
01:04:18,040 --> 01:04:20,680
Speaker 3: The Tanners all give a standing ovation at the mention

1274
01:04:20,800 --> 01:04:23,840
Speaker 3: of Joey's name, and Bob Purlow jokes, well, you can

1275
01:04:23,880 --> 01:04:25,560
Speaker 3: always tell where the family's sitting.

1276
01:04:26,040 --> 01:04:30,640
Speaker 2: Where this family is sitting, Yeah, for sure. Not quiet.

1277
01:04:31,440 --> 01:04:34,400
Speaker 3: Then the show starts. The set is beach themed and

1278
01:04:34,520 --> 01:04:37,760
Speaker 3: a Nette is the first to walk out. She's wearing

1279
01:04:37,920 --> 01:04:45,200
Speaker 3: heels in this sand bless bless. Oh yeah, so that

1280
01:04:45,320 --> 01:04:49,720
Speaker 3: sounds awful. And she's got if she's already having mobile Yes,

1281
01:04:49,880 --> 01:04:54,160
Speaker 3: I give this woman so like flat, no sand, just

1282
01:04:54,280 --> 01:04:57,800
Speaker 3: a stable, stable platform to stand on, or give her

1283
01:04:57,800 --> 01:04:58,360
Speaker 3: a chair.

1284
01:04:58,320 --> 01:04:58,480
Speaker 1: You know.

1285
01:04:59,760 --> 01:05:03,320
Speaker 3: So Frankie shows up and he's carrying you know.

1286
01:05:03,480 --> 01:05:05,840
Speaker 1: Something, Yeah, put her a little a little loud that.

1287
01:05:06,920 --> 01:05:08,760
Speaker 3: I didn't mean that to sound mean, that's not what

1288
01:05:08,840 --> 01:05:10,920
Speaker 3: I meant. What doesn't sound mean, that would be a

1289
01:05:10,960 --> 01:05:13,840
Speaker 3: cute moment with Frankie, like pulling her like a little

1290
01:05:13,920 --> 01:05:16,000
Speaker 3: like a little meat cute, a little date or something,

1291
01:05:16,040 --> 01:05:18,200
Speaker 3: I don't know whatever. Frankie comes out. He's got a

1292
01:05:18,320 --> 01:05:21,800
Speaker 3: large surfboard he can't fit through the door. Uh. Frankie

1293
01:05:21,800 --> 01:05:24,640
Speaker 3: Annette's plan is to entertain all of the beach goers

1294
01:05:24,760 --> 01:05:27,320
Speaker 3: at this fun new spot, but they need to get

1295
01:05:27,360 --> 01:05:29,720
Speaker 3: the people out of the water first, so Frankie yells

1296
01:05:29,800 --> 01:05:33,320
Speaker 3: shark and that does the trick. Soon enough, they have

1297
01:05:33,360 --> 01:05:36,680
Speaker 3: an entire audience at their disposal. They start off by

1298
01:05:36,680 --> 01:05:39,240
Speaker 3: singing a duet of who Put the Bomb? And the

1299
01:05:39,360 --> 01:05:40,400
Speaker 3: crowd is loving it.

1300
01:05:40,680 --> 01:05:43,320
Speaker 2: This was a great moment, want.

1301
01:05:45,040 --> 01:05:46,000
Speaker 3: So cute?

1302
01:05:46,600 --> 01:05:46,920
Speaker 1: This is?

1303
01:05:47,040 --> 01:05:51,240
Speaker 3: This was really giving me lots of energy During the performance,

1304
01:05:51,360 --> 01:05:54,240
Speaker 3: Joey runs into the crowd wearing a Hawaiian shirt, a

1305
01:05:54,360 --> 01:05:58,000
Speaker 3: safari hat, and carrying a mail bag. He waves his

1306
01:05:58,080 --> 01:06:01,200
Speaker 3: hands frantically to get everyone's attention and yells, hey.

1307
01:06:01,160 --> 01:06:04,800
Speaker 2: Beach buddies, surfs up. The crowd is ecstatic.

1308
01:06:05,120 --> 01:06:08,320
Speaker 3: They all storm back towards the water, trampling Joey on

1309
01:06:08,360 --> 01:06:11,760
Speaker 3: the way out. He's pancaked into the sand, and when

1310
01:06:11,840 --> 01:06:15,160
Speaker 3: Michelle sees this, she worriedly shouts, Joey, are you okay?

1311
01:06:16,760 --> 01:06:19,720
Speaker 3: The director yells cut, and Joey assures her it's okay,

1312
01:06:19,880 --> 01:06:22,600
Speaker 3: I'm just acting, and Michelle yells back at the top

1313
01:06:22,680 --> 01:06:24,080
Speaker 3: of her lungs, just checking.

1314
01:06:25,280 --> 01:06:28,200
Speaker 1: She must be sitting somewhere far away from Danny in

1315
01:06:28,240 --> 01:06:30,560
Speaker 1: the audience, because he doesn't really seem to say anything

1316
01:06:30,600 --> 01:06:30,960
Speaker 1: about her.

1317
01:06:31,440 --> 01:06:36,880
Speaker 3: Yeah, she's I'm not with He's just like, I don't

1318
01:06:36,920 --> 01:06:40,160
Speaker 3: know her. She came along like she We're not with her.

1319
01:06:40,600 --> 01:06:41,760
Speaker 2: Yeah, I don't know how she got here.

1320
01:06:44,600 --> 01:06:46,960
Speaker 3: So the director announces that they'll be taking it from

1321
01:06:47,040 --> 01:06:49,960
Speaker 3: Joey's face in the sand, which he couldn't be more

1322
01:06:50,080 --> 01:06:54,160
Speaker 3: ecstatic about. Once they're rolling again, Annette and Frankie stomp

1323
01:06:54,280 --> 01:06:57,760
Speaker 3: up to Joey also known as Flip in this pilot,

1324
01:06:58,480 --> 01:07:01,280
Speaker 3: and they scold him for clearing out all of their customers.

1325
01:07:01,960 --> 01:07:04,720
Speaker 3: Flip apologizes and hands a letter to Frankie that may

1326
01:07:05,000 --> 01:07:07,520
Speaker 3: make him feel better. In fact, it's a letter from

1327
01:07:07,520 --> 01:07:10,080
Speaker 3: the Beach Boys. They want Frankie an Annette to be

1328
01:07:10,200 --> 01:07:11,680
Speaker 3: part of their Hawaii show.

1329
01:07:11,920 --> 01:07:14,200
Speaker 2: I thought for sure a beach Boy was coming out, right?

1330
01:07:15,760 --> 01:07:16,600
Speaker 1: Is this no?

1331
01:07:17,240 --> 01:07:22,360
Speaker 3: That would have been a crossover of all crossovers. Annette

1332
01:07:22,480 --> 01:07:24,840
Speaker 3: glances at the letter and asks Flip if he read it.

1333
01:07:25,360 --> 01:07:28,360
Speaker 3: He mindlessly admits, well, most of it. I had some

1334
01:07:28,480 --> 01:07:31,400
Speaker 3: help with the big words. But Frankie is a static.

1335
01:07:31,600 --> 01:07:33,240
Speaker 3: He proudly declares.

1336
01:07:33,200 --> 01:07:36,080
Speaker 2: The big kahunah serfs again, cow a bunga.

1337
01:07:36,880 --> 01:07:39,560
Speaker 3: Annette reminds Frankie that he's grown up now and begs

1338
01:07:39,640 --> 01:07:42,720
Speaker 3: him to stop saying cow bunga. I'm with you, Annette.

1339
01:07:44,200 --> 01:07:44,800
Speaker 2: Solidarity.

1340
01:07:45,440 --> 01:07:48,080
Speaker 3: Then she asks Frankie who would run the restaurant while

1341
01:07:48,080 --> 01:07:51,040
Speaker 3: they're gone, and Flip answers, duh, I could do it.

1342
01:07:51,920 --> 01:07:55,520
Speaker 3: Frankie and Nett are obviously hesitant to allow this, but

1343
01:07:55,680 --> 01:07:58,160
Speaker 3: Flip places a towel over his arm and pretends to

1344
01:07:58,200 --> 01:08:02,840
Speaker 3: be a fine dining waiter monsieur dude. He tries his

1345
01:08:02,920 --> 01:08:06,080
Speaker 3: best to be professional, but his surfer voice gets the

1346
01:08:06,160 --> 01:08:09,440
Speaker 3: best of him. Frankie holds Flip's mail bag and asks,

1347
01:08:09,640 --> 01:08:12,400
Speaker 3: don't you have to deliver these letters? And Flip shakes

1348
01:08:12,440 --> 01:08:15,680
Speaker 3: his head. Nah, I could just mail him. So is

1349
01:08:15,720 --> 01:08:19,000
Speaker 3: he a mailman or like a what? Yes, he's a

1350
01:08:19,080 --> 01:08:22,280
Speaker 3: mailman who's not delivering mail and is now going to

1351
01:08:22,400 --> 01:08:22,840
Speaker 3: run the.

1352
01:08:24,320 --> 01:08:25,759
Speaker 1: Yes, it's a sitcom.

1353
01:08:25,880 --> 01:08:28,519
Speaker 3: Remember trying to make.

1354
01:08:28,560 --> 01:08:32,000
Speaker 1: Questioning the storyline of this show, of this fake show

1355
01:08:32,640 --> 01:08:36,920
Speaker 1: of a is the storyline of our show?

1356
01:08:39,479 --> 01:08:43,160
Speaker 3: So yeah, telling me why am I questioning this?

1357
01:08:43,760 --> 01:08:47,000
Speaker 1: Yeah? Yeah, So he's basically, yes, he is a he's

1358
01:08:47,040 --> 01:08:51,519
Speaker 1: a terrible male delivery guy who is not very bright

1359
01:08:51,840 --> 01:08:56,080
Speaker 1: and bright flips burgers and stuff, which is surprising to

1360
01:08:56,200 --> 01:08:58,000
Speaker 1: make him a mailman if he can't read.

1361
01:08:59,080 --> 01:09:03,600
Speaker 2: Right, it's none of this really, you know what.

1362
01:09:03,640 --> 01:09:05,400
Speaker 1: Maybe they're on a small island. There's not you know,

1363
01:09:05,560 --> 01:09:07,400
Speaker 1: slim pickens. There's not really a lot of people to

1364
01:09:07,479 --> 01:09:07,920
Speaker 1: do the job.

1365
01:09:08,280 --> 01:09:11,519
Speaker 3: Yeah, it's a rural route, you.

1366
01:09:11,560 --> 01:09:14,320
Speaker 2: Know, lots to come and go, not anybody there who's

1367
01:09:14,439 --> 01:09:15,120
Speaker 2: there every day.

1368
01:09:15,200 --> 01:09:18,040
Speaker 3: But this guy is, he's there, he's he's ready to

1369
01:09:18,200 --> 01:09:23,240
Speaker 3: make some burgers. So Andette decides they should give Flip

1370
01:09:23,280 --> 01:09:27,360
Speaker 3: a chance, after all, what could go wrong? On cue,

1371
01:09:27,720 --> 01:09:30,040
Speaker 3: we see a bunch of smoke appear behind Flip and

1372
01:09:30,120 --> 01:09:33,200
Speaker 3: his face sours as he asks, do you guys smell

1373
01:09:33,240 --> 01:09:36,960
Speaker 3: something burning? Frankie points out that he's sitting on the grill.

1374
01:09:37,600 --> 01:09:38,439
Speaker 2: Flip is shocked.

1375
01:09:38,760 --> 01:09:42,920
Speaker 3: Well, then that would explain the searing pain. Yeah. He

1376
01:09:43,040 --> 01:09:45,679
Speaker 3: runs away from the grill and jumps but first into

1377
01:09:45,760 --> 01:09:47,760
Speaker 3: the sand to ease his pain.

1378
01:09:48,160 --> 01:09:49,840
Speaker 1: Dave had too much fun with this. You can see

1379
01:09:49,880 --> 01:09:53,040
Speaker 1: his face. You were like, oh god, you know that.

1380
01:09:53,200 --> 01:09:55,679
Speaker 3: They you know that. Joel was just like Dave.

1381
01:09:56,240 --> 01:09:59,920
Speaker 1: Yeah, it again, just performing for Bob.

1382
01:10:00,200 --> 01:10:00,600
Speaker 3: That was it.

1383
01:10:01,560 --> 01:10:02,880
Speaker 1: Nobody else needed to be in the room.

1384
01:10:03,000 --> 01:10:06,080
Speaker 2: Dave was just trying to make Bob laugh.

1385
01:10:06,280 --> 01:10:09,080
Speaker 3: Yeah, trying to make Bob break right, and you wanted

1386
01:10:09,120 --> 01:10:11,680
Speaker 3: to do it over and over again, pulling focus from

1387
01:10:11,760 --> 01:10:16,519
Speaker 3: everything else in the scene, right, Yes, uh so, Frankie

1388
01:10:16,520 --> 01:10:20,000
Speaker 3: Annette watch him with concern. But Flip is as happy

1389
01:10:20,000 --> 01:10:23,560
Speaker 3: as a clam as he says, look totally radical.

1390
01:10:23,240 --> 01:10:23,960
Speaker 2: Rump roast.

1391
01:10:25,120 --> 01:10:27,360
Speaker 3: Something's wrong with Flip, I Flip.

1392
01:10:27,800 --> 01:10:28,680
Speaker 2: There's too much going on.

1393
01:10:28,920 --> 01:10:32,000
Speaker 3: There's too many personality traits here.

1394
01:10:33,000 --> 01:10:35,280
Speaker 1: Apparently has that disease to worry. You can't feel pain,

1395
01:10:35,720 --> 01:10:39,400
Speaker 1: it's like that, like that the novakate movie that just

1396
01:10:39,439 --> 01:10:39,800
Speaker 1: came out.

1397
01:10:39,920 --> 01:10:42,040
Speaker 3: There's a Novak movie that just came out called Novac.

1398
01:10:42,320 --> 01:10:43,720
Speaker 1: He plays a guy who can't feel pain.

1399
01:10:44,080 --> 01:10:47,439
Speaker 3: Oh that's interesting. I want to I want to watch it.

1400
01:10:47,640 --> 01:10:49,360
Speaker 3: I would like to not feel pain. That would be

1401
01:10:49,960 --> 01:10:52,320
Speaker 3: or maybe that's signing up for a whole lot of that's.

1402
01:10:52,360 --> 01:10:55,000
Speaker 2: Yeah, it's yeah, it's not It's not great because then you.

1403
01:10:55,040 --> 01:10:57,520
Speaker 3: Can like burn you can get like third degree burned.

1404
01:10:57,280 --> 01:11:00,160
Speaker 1: And you could be like flip and sit your it's

1405
01:11:00,240 --> 01:11:01,840
Speaker 1: on a burner and not know it.

1406
01:11:02,240 --> 01:11:04,479
Speaker 3: Yeah, that's true, that's true. Okay, so maybe I don't

1407
01:11:04,479 --> 01:11:07,040
Speaker 3: want this. I don't want this skill. Next, in the

1408
01:11:07,120 --> 01:11:11,080
Speaker 3: living room, Danny walks in and he finds down slumped

1409
01:11:11,080 --> 01:11:14,080
Speaker 3: on the couch. He tells her, I thought we should

1410
01:11:14,080 --> 01:11:16,000
Speaker 3: have a little talk before we go down to the

1411
01:11:16,120 --> 01:11:19,400
Speaker 3: Federal Bureau of Name Changes and legally change your name.

1412
01:11:20,280 --> 01:11:23,000
Speaker 3: He clarifies, are you absolutely sure you never want to

1413
01:11:23,040 --> 01:11:27,360
Speaker 3: be Stephanie again? And she nods with certainty. Absolutely. The

1414
01:11:27,439 --> 01:11:31,240
Speaker 3: kids don't call me step on me anymore. Danny wonders

1415
01:11:31,280 --> 01:11:32,960
Speaker 3: what she'll do when they start making fun of her

1416
01:11:33,040 --> 01:11:35,880
Speaker 3: new name, but don doesn't believe that they could make

1417
01:11:35,920 --> 01:11:39,559
Speaker 3: fun of a name as beautiful as hers. On the spot,

1418
01:11:39,720 --> 01:11:41,639
Speaker 3: Danny's able to come up with a handful of things.

1419
01:11:42,000 --> 01:11:46,000
Speaker 3: Maybe they could call you Donald Duck or Donner and blitzen,

1420
01:11:46,600 --> 01:11:50,880
Speaker 3: or they could just crowd around you and sing, don no,

1421
01:11:54,200 --> 01:11:54,720
Speaker 3: that's what it is.

1422
01:11:54,800 --> 01:11:56,080
Speaker 2: I'm like, what's the I mean?

1423
01:11:56,120 --> 01:11:59,479
Speaker 1: You could Yeah, I don't know.

1424
01:11:59,600 --> 01:12:03,639
Speaker 3: Whatever. Yeah, all of it, all of it applies. Dawn

1425
01:12:03,840 --> 01:12:06,600
Speaker 3: interrupts his singing to admit, now that I think about it,

1426
01:12:07,120 --> 01:12:11,000
Speaker 3: I'll stick with Stephanie. Tanny responds, Oh good, I was

1427
01:12:11,040 --> 01:12:15,880
Speaker 3: hoping that thought would dawn on you. She gives him

1428
01:12:15,920 --> 01:12:17,840
Speaker 3: a look and he throws his hands in the air. Sorry,

1429
01:12:18,000 --> 01:12:21,479
Speaker 3: I'm all Dawn now, Like, now it's just bad Joe,

1430
01:12:21,560 --> 01:12:23,240
Speaker 3: It's just bad Daddy. Now.

1431
01:12:23,840 --> 01:12:27,439
Speaker 1: Now we just left the day with his butt in

1432
01:12:27,520 --> 01:12:32,479
Speaker 1: the sand. No, but I I will say, like when

1433
01:12:32,600 --> 01:12:34,559
Speaker 1: Danny's like, are you sure because here's all the other

1434
01:12:34,680 --> 01:12:37,880
Speaker 1: crappy names they're gonna call you, like, wow, Yeah, I

1435
01:12:37,920 --> 01:12:40,120
Speaker 1: mean he's not wrong. He's not He's not wrong, and

1436
01:12:40,240 --> 01:12:41,920
Speaker 1: be like they're gonna make fun of every name.

1437
01:12:42,080 --> 01:12:44,519
Speaker 3: But yep, yeah, the point was taken.

1438
01:12:44,680 --> 01:12:47,080
Speaker 2: But yeah, he didn't. He didn't hold back. He was

1439
01:12:47,160 --> 01:12:50,640
Speaker 2: just like, here the litany of ways to make Dawn like,

1440
01:12:50,720 --> 01:12:52,559
Speaker 2: I've been thinking about this, hold on, I've got notes.

1441
01:12:52,680 --> 01:12:56,240
Speaker 3: Yeah. So Joey comes running down the stairs and asks

1442
01:12:56,360 --> 01:12:59,800
Speaker 3: Danny to turn on the TV. Apparently Hollywood Insider is

1443
01:12:59,840 --> 01:13:02,240
Speaker 3: doing in a segment on surfs Up and they're gonna

1444
01:13:02,240 --> 01:13:05,120
Speaker 3: find out if it'll be a new series Wow.

1445
01:13:05,080 --> 01:13:06,479
Speaker 1: That's a way to find out if it's a new

1446
01:13:06,560 --> 01:13:07,080
Speaker 1: series or not.

1447
01:13:07,520 --> 01:13:08,400
Speaker 3: Right, what happened to you?

1448
01:13:08,479 --> 01:13:11,439
Speaker 1: Well, obviously nobody has agents if they don't have dressing rooms.

1449
01:13:11,600 --> 01:13:13,559
Speaker 3: So this is how they have to get the news

1450
01:13:13,560 --> 01:13:14,920
Speaker 3: out to the cat They have to get it from

1451
01:13:14,960 --> 01:13:17,080
Speaker 3: the media because yeah, they don't have agents, they don't

1452
01:13:17,080 --> 01:13:17,840
Speaker 3: have dressing rooms.

1453
01:13:18,400 --> 01:13:19,920
Speaker 1: Leaks on this show, you know what I mean? It

1454
01:13:20,080 --> 01:13:22,040
Speaker 1: was like it was like Game of Thrones level, Like

1455
01:13:22,120 --> 01:13:24,280
Speaker 1: they couldn't they had to have fake scripts. It was

1456
01:13:24,400 --> 01:13:27,599
Speaker 1: wild wow, and let anybody know what they were doing.

1457
01:13:28,040 --> 01:13:30,639
Speaker 3: So the entire family gathers on the couch to watch

1458
01:13:30,720 --> 01:13:34,200
Speaker 3: the segment, and sure enough it's confirmed that Surfs Up

1459
01:13:34,360 --> 01:13:37,960
Speaker 3: will be on the fall schedule, and everyone is so excited.

1460
01:13:39,000 --> 01:13:42,720
Speaker 3: But following the success of The Simpsons, the network is

1461
01:13:42,880 --> 01:13:45,600
Speaker 3: changing surfs Up from a half hour sitcom to a

1462
01:13:45,680 --> 01:13:49,919
Speaker 3: half hour cartoon. Joey will now be a surfing kangaroo.

1463
01:13:50,680 --> 01:13:52,520
Speaker 3: Everyone's size with disappointment.

1464
01:13:53,240 --> 01:13:55,400
Speaker 1: Who would have thought the Simpsons in full house would

1465
01:13:55,439 --> 01:13:56,040
Speaker 1: stick around?

1466
01:13:56,120 --> 01:13:58,920
Speaker 3: You know, yes, we're still talking about these two shows.

1467
01:13:58,960 --> 01:14:00,880
Speaker 1: I mean, the Simpsons deaf has this speed by I

1468
01:14:00,880 --> 01:14:02,320
Speaker 1: don't know, twenty seven odds.

1469
01:14:02,080 --> 01:14:05,000
Speaker 2: Seasons or so but sure, sure, still it was the fun.

1470
01:14:05,120 --> 01:14:08,400
Speaker 3: I was like, oh yeah, yeah, staying power right there.

1471
01:14:10,000 --> 01:14:12,839
Speaker 3: So then it's announced that the three main cast members

1472
01:14:12,880 --> 01:14:16,599
Speaker 3: will be doing the voices of the cartoons, and everyone

1473
01:14:16,720 --> 01:14:21,040
Speaker 3: is happy again. Michelle notices the fluctuating moods of her

1474
01:14:21,120 --> 01:14:24,920
Speaker 3: family members and asks what's going on. Joey explains, all

1475
01:14:25,000 --> 01:14:27,519
Speaker 3: my life, I've wanted to be a cartoon, and now

1476
01:14:27,720 --> 01:14:30,160
Speaker 3: I am a cartoon. I'm going to be the voice

1477
01:14:30,160 --> 01:14:33,920
Speaker 3: of Flip the surfing Kangaroo. But then his face fills

1478
01:14:33,960 --> 01:14:36,960
Speaker 3: with worry. There's one problem. I don't do a voice

1479
01:14:37,160 --> 01:14:38,439
Speaker 3: of a surfing kangaroo.

1480
01:14:39,360 --> 01:14:41,880
Speaker 1: Why couldn't Flip's voice be the surfing kangaroo voice?

1481
01:14:41,920 --> 01:14:42,679
Speaker 2: This was my question?

1482
01:14:43,400 --> 01:14:46,439
Speaker 3: He does he does voice like, we can't get him

1483
01:14:46,479 --> 01:14:47,639
Speaker 3: to stop doing voices.

1484
01:14:47,720 --> 01:14:49,639
Speaker 1: I don't do a voice of a surfing kangaroo.

1485
01:14:52,000 --> 01:14:53,519
Speaker 3: What why? Now? Like? Why?

1486
01:14:53,640 --> 01:14:57,200
Speaker 1: Right? Well, he's gotta go study several surfing kangaroos and

1487
01:14:57,280 --> 01:14:59,439
Speaker 1: make sure that it sounds credible. You know what I mean,

1488
01:14:59,760 --> 01:15:01,680
Speaker 1: it's got a match. You don't want to have a

1489
01:15:01,720 --> 01:15:03,120
Speaker 1: bad surfing kangaroo accident.

1490
01:15:03,640 --> 01:15:04,600
Speaker 3: We want acality.

1491
01:15:04,680 --> 01:15:04,920
Speaker 1: People.

1492
01:15:05,280 --> 01:15:06,280
Speaker 2: Yeah, people will.

1493
01:15:06,160 --> 01:15:06,840
Speaker 1: Shred you for that.

1494
01:15:07,000 --> 01:15:09,880
Speaker 2: It'll be like the Oscars and that, you know, the

1495
01:15:09,920 --> 01:15:14,280
Speaker 2: brutallest movie. Like, yeah, it's just to fix.

1496
01:15:14,160 --> 01:15:14,639
Speaker 1: It with AI.

1497
01:15:15,160 --> 01:15:19,120
Speaker 3: Oh my goodness. So Jesse gives him the simple idea

1498
01:15:19,240 --> 01:15:23,000
Speaker 3: to combine his Woodchuck character with his surfer voice and

1499
01:15:23,080 --> 01:15:27,680
Speaker 3: an add an Australian accent if we need it. This

1500
01:15:28,280 --> 01:15:29,040
Speaker 3: is what's been missing.

1501
01:15:29,080 --> 01:15:34,560
Speaker 1: But I will say this is so impressive, you know

1502
01:15:34,600 --> 01:15:38,640
Speaker 1: what I mean, the layers of voice, Like it's the

1503
01:15:39,080 --> 01:15:45,640
Speaker 1: surfer lingo, the Australian accent and mister Woodchuck's voice. It's

1504
01:15:45,680 --> 01:15:49,120
Speaker 1: impress a lot going on, just mentally to change to

1505
01:15:49,320 --> 01:15:51,479
Speaker 1: do all of that, yeah, you know.

1506
01:15:51,840 --> 01:15:52,519
Speaker 3: Oh yeah Dave.

1507
01:15:52,600 --> 01:15:54,559
Speaker 2: And Dave does it brilliantly like he I.

1508
01:15:54,600 --> 01:15:57,400
Speaker 1: Mean liberally it's like oh and you're like, yep, that's check.

1509
01:15:57,400 --> 01:15:59,400
Speaker 2: It's all the boxes, that checks all the boxes.

1510
01:15:59,439 --> 01:15:59,800
Speaker 1: He did it.

1511
01:16:00,000 --> 01:16:03,960
Speaker 3: And then he rolls right into Popeye Bullwinkle Foghorn just

1512
01:16:04,240 --> 01:16:06,120
Speaker 3: and everyone disperses because.

1513
01:16:05,880 --> 01:16:08,040
Speaker 2: Their games has been so much fun.

1514
01:16:08,120 --> 01:16:11,519
Speaker 1: When he was a kid in class, right, so much

1515
01:16:11,840 --> 01:16:14,559
Speaker 1: everybody for oh yeah, the teachers loved him.

1516
01:16:16,360 --> 01:16:19,160
Speaker 3: So Danny is the only one that stays because he's

1517
01:16:19,200 --> 01:16:21,920
Speaker 3: trying to turn Joey off with his remote and that

1518
01:16:22,160 --> 01:16:29,920
Speaker 3: is our show. We did it right, another Joey episode.

1519
01:16:31,240 --> 01:16:33,680
Speaker 3: You know what, these are all running together for me.

1520
01:16:33,840 --> 01:16:36,040
Speaker 3: This is like the Star Search episode.

1521
01:16:36,120 --> 01:16:36,719
Speaker 1: They didn't.

1522
01:16:38,000 --> 01:16:39,800
Speaker 3: Thought when it was joe goes to Hollywood, I was like,

1523
01:16:40,280 --> 01:16:41,200
Speaker 3: where's Ed mcmade?

1524
01:16:41,920 --> 01:16:43,360
Speaker 2: I was like, we did that the Star Search?

1525
01:16:43,479 --> 01:16:43,720
Speaker 1: What was that?

1526
01:16:43,880 --> 01:16:46,880
Speaker 3: Joey goes to Florida and what was we did Star Search?

1527
01:16:47,000 --> 01:16:50,240
Speaker 3: We did Wayne Newton in Vegas again, so he could

1528
01:16:50,280 --> 01:16:52,040
Speaker 3: do like some sort of performance.

1529
01:16:52,040 --> 01:16:53,920
Speaker 1: So I think, you know, you'd think he'd be more

1530
01:16:54,000 --> 01:16:57,280
Speaker 1: successful than living in the the way he's living.

1531
01:16:57,960 --> 01:16:58,519
Speaker 3: He's got it.

1532
01:16:58,600 --> 01:17:01,479
Speaker 1: He's got a TV show, he's opening for Wayne Newton,

1533
01:17:02,080 --> 01:17:03,519
Speaker 1: He's been on Star Search.

1534
01:17:07,720 --> 01:17:10,280
Speaker 3: Yeah, going to do his own set. He should have

1535
01:17:10,400 --> 01:17:12,040
Speaker 3: his own residency in Vegas.

1536
01:17:12,160 --> 01:17:12,720
Speaker 2: You know why not?

1537
01:17:13,200 --> 01:17:15,559
Speaker 3: Seriously, I has got some serious street cred.

1538
01:17:15,680 --> 01:17:20,120
Speaker 1: But you know that's why he doesn't have a residency

1539
01:17:20,200 --> 01:17:22,000
Speaker 1: because Frank Hamill was like, you're not taking it out

1540
01:17:22,040 --> 01:17:27,120
Speaker 1: of my cold dead hands, literally right exactly exactly.

1541
01:17:27,640 --> 01:17:30,400
Speaker 2: Well, that was a that was an adventure.

1542
01:17:30,680 --> 01:17:32,920
Speaker 3: I was it was okay, it wasn't terrible. I didn't

1543
01:17:32,960 --> 01:17:33,320
Speaker 3: hate it.

1544
01:17:33,720 --> 01:17:36,360
Speaker 1: But it was again, No, it wasn't It wasn't like

1545
01:17:36,560 --> 01:17:37,600
Speaker 1: painful to watch it.

1546
01:17:37,760 --> 01:17:41,920
Speaker 3: Was just like, oh, and I hate that.

1547
01:17:42,160 --> 01:17:44,840
Speaker 2: I hate that Joey's episodes keep not.

1548
01:17:46,520 --> 01:17:50,360
Speaker 3: Yeah, they just keep recycling the same types of storylines.

1549
01:17:50,560 --> 01:17:53,640
Speaker 3: There's no like progression of this character. He's stuck in

1550
01:17:53,760 --> 01:17:57,600
Speaker 3: these voices, trying to make his career happen, trying to

1551
01:17:57,680 --> 01:18:00,760
Speaker 3: find love and shaking out like you know, it's like

1552
01:18:00,840 --> 01:18:06,400
Speaker 3: he's almost famous, like all of these scenarios. Yeah, it's

1553
01:18:06,439 --> 01:18:08,519
Speaker 3: season four, Come on, It's time to give Joey some

1554
01:18:08,640 --> 01:18:11,960
Speaker 3: meat some meaty, a meaty storyline.

1555
01:18:11,520 --> 01:18:15,200
Speaker 1: Like he ever does until the last episode, like second

1556
01:18:15,280 --> 01:18:18,760
Speaker 1: to last episode of Fuller House rights the scene with

1557
01:18:18,800 --> 01:18:20,960
Speaker 1: you that's like, oh, I know that only time that

1558
01:18:21,040 --> 01:18:22,320
Speaker 1: Joey ever gets to have a moment.

1559
01:18:22,439 --> 01:18:24,760
Speaker 3: Yeah, yeah, that was a sweet scene. I did love that.

1560
01:18:24,800 --> 01:18:26,960
Speaker 3: That was a great scene. Felt we're very redeeming. That

1561
01:18:27,120 --> 01:18:30,080
Speaker 3: was a great scene. But yeah, Dave does a great

1562
01:18:30,160 --> 01:18:31,320
Speaker 3: job with the storylines.

1563
01:18:31,439 --> 01:18:34,519
Speaker 1: Yeah, Dave is amazing at voices and they're great. I

1564
01:18:34,760 --> 01:18:39,719
Speaker 1: just feel like Joey, uh, it's a it's a situation comedy.

1565
01:18:39,800 --> 01:18:42,600
Speaker 2: What am I expecting? You know, it's he needs to

1566
01:18:42,680 --> 01:18:47,080
Speaker 2: have higher stakes problems or I don't know, but this

1567
01:18:47,240 --> 01:18:50,280
Speaker 2: is the thing of of you know, I forget what

1568
01:18:50,360 --> 01:18:50,840
Speaker 2: it's called.

1569
01:18:50,880 --> 01:18:55,599
Speaker 1: But like you, a sitcom is basically all low stakes

1570
01:18:55,680 --> 01:18:57,640
Speaker 1: problems that you know are going to be resolved. So

1571
01:18:57,720 --> 01:19:01,479
Speaker 1: there's nothing you ever in here like worry some about it.

1572
01:19:01,640 --> 01:19:03,600
Speaker 1: You know it's gonna work out. And the steaks are

1573
01:19:03,640 --> 01:19:07,439
Speaker 1: relatively like no one's no one's you know, gonna die

1574
01:19:07,680 --> 01:19:12,960
Speaker 1: like you know right, yeah, it's like yeah, you know,

1575
01:19:13,160 --> 01:19:15,160
Speaker 1: oh no, the washing machine overflowed.

1576
01:19:16,760 --> 01:19:19,920
Speaker 3: He dropped a ring down the seat, right right, Ye,

1577
01:19:20,479 --> 01:19:25,720
Speaker 3: silly problems. Well, I still feel unfulfilled. You have liked

1578
01:19:25,760 --> 01:19:26,120
Speaker 3: it better.

1579
01:19:26,320 --> 01:19:29,799
Speaker 1: Well the Star Search one Joey did have the conflict

1580
01:19:29,840 --> 01:19:30,400
Speaker 1: with his dad.

1581
01:19:31,880 --> 01:19:34,439
Speaker 3: No that wait was it that one? Or was yes?

1582
01:19:34,560 --> 01:19:36,320
Speaker 3: The dad and Star Search? Or was the dad and

1583
01:19:36,400 --> 01:19:41,160
Speaker 3: Wayne Newton? I don't remember. It all blends together, the

1584
01:19:41,280 --> 01:19:44,000
Speaker 3: colonel with the colonel. I remember the backstage in the

1585
01:19:44,080 --> 01:19:47,600
Speaker 3: dressing room. He had a dressing room that time. I

1586
01:19:47,680 --> 01:19:47,960
Speaker 3: don't know.

1587
01:19:48,400 --> 01:19:51,560
Speaker 2: I thought it was star Wayne Newton. Thank god we

1588
01:19:51,600 --> 01:19:52,120
Speaker 2: have a producer.

1589
01:19:52,240 --> 01:19:54,760
Speaker 3: Yeah, Wayne Newton, That's what it was, Wayne Newton. See

1590
01:19:55,040 --> 01:19:58,560
Speaker 3: they all blend together. Well, yeah, I mean it's you know,

1591
01:19:59,800 --> 01:20:02,439
Speaker 3: for only so many things you can write for. There's

1592
01:20:02,439 --> 01:20:05,320
Speaker 3: a lot of cast members to write for. And uh, sure,

1593
01:20:05,439 --> 01:20:07,920
Speaker 3: Joey's getting the short end of the stick. I don't

1594
01:20:08,040 --> 01:20:11,759
Speaker 3: like it. I'll accept it, true all of his voices

1595
01:20:12,320 --> 01:20:15,439
Speaker 3: and he does, yeah, and he doesn't. Well, he's getting

1596
01:20:15,520 --> 01:20:17,080
Speaker 3: kind of one note. I need something else.

1597
01:20:17,600 --> 01:20:21,120
Speaker 1: Yeah, you know maybe I think also in the interim,

1598
01:20:21,320 --> 01:20:27,680
Speaker 1: I think TV has just gotten more layered and the

1599
01:20:27,760 --> 01:20:29,080
Speaker 1: steaks are a little you know what I mean, Like

1600
01:20:29,680 --> 01:20:33,640
Speaker 1: we expect higher stakes more like shows now even sitcoms

1601
01:20:33,920 --> 01:20:36,559
Speaker 1: are a little EDGI or different whatever. So I think

1602
01:20:36,640 --> 01:20:39,240
Speaker 1: sometimes I'm like, I have to remember, like this was

1603
01:20:39,439 --> 01:20:45,240
Speaker 1: early nineties, like late eighties sitcom that was peak cheese balls.

1604
01:20:45,560 --> 01:20:47,960
Speaker 3: Yeah, we don't do as many filler episode. There's no

1605
01:20:48,080 --> 01:20:52,240
Speaker 3: filler episodes anymore. It's like thirteen if that's it. So

1606
01:20:52,400 --> 01:20:55,080
Speaker 3: this would be considered like a filler episode. Yeah, from

1607
01:20:55,080 --> 01:20:56,599
Speaker 3: week to week, right totally.

1608
01:20:56,760 --> 01:20:58,720
Speaker 1: So yeah, maybe that's a filler. I mean, this was

1609
01:20:58,760 --> 01:20:59,920
Speaker 1: a Net and Frankie.

1610
01:21:00,120 --> 01:21:00,960
Speaker 3: You know that's true.

1611
01:21:01,040 --> 01:21:04,519
Speaker 1: Yeah, that's not the red truckloads of sand you know

1612
01:21:05,320 --> 01:21:08,759
Speaker 1: all about this. Sand does not come in and out easily.

1613
01:21:09,040 --> 01:21:10,360
Speaker 3: So we had a big budget for this.

1614
01:21:10,840 --> 01:21:12,920
Speaker 1: We had a big sand budget, but a very small

1615
01:21:13,200 --> 01:21:14,719
Speaker 1: dressing room set budget.

1616
01:21:15,640 --> 01:21:19,280
Speaker 3: Do you remember meeting Frankie and Annette, I don't I

1617
01:21:19,400 --> 01:21:20,759
Speaker 3: was vaguely, vaguely.

1618
01:21:20,840 --> 01:21:23,400
Speaker 1: I just remember them being very sweet and very like

1619
01:21:23,560 --> 01:21:26,240
Speaker 1: professional and on it and and lovely to work with,

1620
01:21:27,800 --> 01:21:30,360
Speaker 1: and that my mom was excited because you know that

1621
01:21:30,479 --> 01:21:31,840
Speaker 1: was her generation, that.

1622
01:21:31,920 --> 01:21:35,200
Speaker 3: Was the generation. Yeah, no, that's what just from afar.

1623
01:21:35,360 --> 01:21:38,479
Speaker 3: I remember them being very professional. They're just like, yeah,

1624
01:21:38,560 --> 01:21:41,360
Speaker 3: like sitcom actors, just classic sitcom actors who just they

1625
01:21:41,400 --> 01:21:44,599
Speaker 3: can turn it on in an instant. They've got stage

1626
01:21:44,640 --> 01:21:48,160
Speaker 3: presents for days, yea. And they were lovely, just they lovely,

1627
01:21:48,600 --> 01:21:49,320
Speaker 3: lovely to watch.

1628
01:21:49,760 --> 01:21:52,920
Speaker 1: I'm speaking of watching things do you have and everywhere.

1629
01:21:52,600 --> 01:21:54,599
Speaker 3: You look, I probably have the same one you do. Yeah,

1630
01:21:54,640 --> 01:21:56,200
Speaker 3: we had to say that's okay, that's all right. The

1631
01:21:56,479 --> 01:22:01,560
Speaker 3: the the the crew, the stage Yeah, stage editor is

1632
01:22:01,880 --> 01:22:04,160
Speaker 3: our real was our real life stage manager.

1633
01:22:04,400 --> 01:22:09,280
Speaker 1: He Richie yah Keith has been he's he's been a

1634
01:22:09,360 --> 01:22:15,479
Speaker 1: stage manager on several shows in real life. But I

1635
01:22:15,600 --> 01:22:19,080
Speaker 1: mean on episodes of Full House. I think there were

1636
01:22:19,080 --> 01:22:21,960
Speaker 1: a couple of times that he's been seen before.

1637
01:22:22,680 --> 01:22:25,640
Speaker 3: We've seen him in the horror episodes, that's right. I

1638
01:22:25,720 --> 01:22:29,439
Speaker 3: saw him in another one I can't remember, and when

1639
01:22:29,479 --> 01:22:32,719
Speaker 3: he was counting down did you have like a visceral?

1640
01:22:34,080 --> 01:22:35,599
Speaker 2: Absolutely too.

1641
01:22:35,880 --> 01:22:38,160
Speaker 3: Yeah, and you're like, oh, I know, I was like

1642
01:22:38,240 --> 01:22:41,840
Speaker 3: standing out attentions and I'm ready. Yeah. I instantly was

1643
01:22:41,880 --> 01:22:44,599
Speaker 3: like do I know my line? Yeah, Like that brought

1644
01:22:44,720 --> 01:22:47,439
Speaker 3: me right back here. He is boys counting down.

1645
01:22:47,840 --> 01:22:49,719
Speaker 1: Yeah, that was like core memory.

1646
01:22:50,200 --> 01:22:52,360
Speaker 3: Yeah, that was so cool. That's a good that's a

1647
01:22:52,400 --> 01:22:53,519
Speaker 3: good everywhere look.

1648
01:22:54,120 --> 01:22:58,040
Speaker 1: At and I will say he took much joy in

1649
01:22:59,040 --> 01:23:02,120
Speaker 1: in shoving day his face into the sand. You can

1650
01:23:02,240 --> 01:23:05,080
Speaker 1: tell he was just like harder than it needs to Sure,

1651
01:23:05,560 --> 01:23:08,280
Speaker 1: I'm sure it was like after all Day and Dave

1652
01:23:08,320 --> 01:23:09,160
Speaker 1: with his butt in the sand.

1653
01:23:09,479 --> 01:23:11,160
Speaker 3: He was like, yeah, just do it.

1654
01:23:11,680 --> 01:23:16,360
Speaker 1: It's like just portra the patient, patient patient. Yeah, to

1655
01:23:16,520 --> 01:23:18,479
Speaker 1: be a first ad like that, you have to. He's

1656
01:23:18,520 --> 01:23:20,840
Speaker 1: got Joel in one ear right and then you know

1657
01:23:21,200 --> 01:23:21,679
Speaker 1: these two.

1658
01:23:22,360 --> 01:23:25,519
Speaker 2: Yea a thankless job. Get no dogs sand.

1659
01:23:27,600 --> 01:23:27,800
Speaker 3: Yeah.

1660
01:23:29,040 --> 01:23:31,240
Speaker 2: That was but that was my only everywhere you look,

1661
01:23:31,360 --> 01:23:31,920
Speaker 2: that was all I had.

1662
01:23:31,960 --> 01:23:33,680
Speaker 3: That was my only That was my only one. But

1663
01:23:34,320 --> 01:23:35,720
Speaker 3: I was looking at the audience, But I think that

1664
01:23:35,760 --> 01:23:37,120
Speaker 3: you're right they were all background because.

1665
01:23:36,920 --> 01:23:38,559
Speaker 1: I didn't backround and I didn'tee any of our family

1666
01:23:38,680 --> 01:23:41,479
Speaker 1: or any Yeah. No, it wasn't a fun one. Because

1667
01:23:41,479 --> 01:23:43,800
Speaker 1: I think our family was like, we we know what

1668
01:23:44,000 --> 01:23:45,760
Speaker 1: being stuck in an audience is, Like, we don't want

1669
01:23:45,800 --> 01:23:46,599
Speaker 1: to do that on camera.

1670
01:23:47,080 --> 01:23:47,760
Speaker 2: No, that's not fun.

1671
01:23:48,040 --> 01:23:50,360
Speaker 3: Like everyone's like, oh, that'd be fun. No, no, actually

1672
01:23:50,520 --> 01:23:53,200
Speaker 3: not first a couple of hours maybe, but by hours.

1673
01:23:53,280 --> 01:23:58,800
Speaker 1: The first fifteen minutes really after that it's a little boring. Yeah, repetitive,

1674
01:23:58,880 --> 01:24:01,280
Speaker 1: but well, I can't believe we're almost done with the

1675
01:24:01,400 --> 01:24:03,639
Speaker 1: season four. We have one more episodes to go, which

1676
01:24:03,760 --> 01:24:05,880
Speaker 1: is season four episode twenty four.

1677
01:24:06,080 --> 01:24:07,360
Speaker 2: Girls just want to have fun.

1678
01:24:07,720 --> 01:24:09,280
Speaker 3: We've got no we go to twenty six.

1679
01:24:09,560 --> 01:24:10,120
Speaker 1: Oh, that's right.

1680
01:24:10,960 --> 01:24:12,040
Speaker 3: Six in this season.

1681
01:24:12,160 --> 01:24:12,719
Speaker 1: It's okay.

1682
01:24:13,439 --> 01:24:15,000
Speaker 2: Three, we have three more to go.

1683
01:24:15,120 --> 01:24:19,000
Speaker 3: That's okay. Which I'm surprised they didn't end the season

1684
01:24:19,080 --> 01:24:21,040
Speaker 3: with the wedding. Oh oh, I know how they end

1685
01:24:21,080 --> 01:24:25,200
Speaker 3: the season. It just occurred to me. I don't so well,

1686
01:24:25,320 --> 01:24:28,439
Speaker 3: I don't spoil it, spoil it, but I was just thinking,

1687
01:24:28,600 --> 01:24:31,120
Speaker 3: why was the wedding in the middle of the season.

1688
01:24:31,280 --> 01:24:33,439
Speaker 3: Why wasn't it at the end? I have a feeling,

1689
01:24:33,520 --> 01:24:33,760
Speaker 3: I know.

1690
01:24:35,880 --> 01:24:39,920
Speaker 2: Because of the baby that was Oh my god, you

1691
01:24:39,960 --> 01:24:40,360
Speaker 2: spoiled it.

1692
01:24:40,600 --> 01:24:46,360
Speaker 3: There's gonna be babies. God, what I get baby spread?

1693
01:24:46,520 --> 01:24:49,800
Speaker 2: They get pregnant when boys there.

1694
01:24:50,080 --> 01:24:55,559
Speaker 3: Yes, I know, sorry folks, I spoiled it all.

1695
01:24:57,200 --> 01:24:58,160
Speaker 2: Oh boy.

1696
01:24:58,320 --> 01:25:01,360
Speaker 3: Well uh well everyone, I'm so glad to be back.

1697
01:25:01,400 --> 01:25:03,799
Speaker 1: I'm glad to be back doing this podcast.

1698
01:25:04,280 --> 01:25:04,680
Speaker 3: I love you.

1699
01:25:05,000 --> 01:25:06,160
Speaker 2: I love you, Fana Ritos.

1700
01:25:06,560 --> 01:25:07,439
Speaker 3: Thank you for tuning in.

1701
01:25:07,960 --> 01:25:10,759
Speaker 1: And if you want to get more behind the scenes

1702
01:25:10,760 --> 01:25:13,280
Speaker 1: stuff and fun things about the podcast, make sure you're

1703
01:25:13,320 --> 01:25:16,600
Speaker 1: following us on Instagram at how Rude podcast, or you

1704
01:25:16,680 --> 01:25:18,320
Speaker 1: can send us an email for one of our fun

1705
01:25:18,800 --> 01:25:22,479
Speaker 1: fan question episodes at how Rude tanner Rito's at gmail

1706
01:25:22,520 --> 01:25:24,679
Speaker 1: dot com. Look, how easily just right off the tongue,

1707
01:25:25,200 --> 01:25:27,280
Speaker 1: right off the tongue, just like you us. Come everything

1708
01:25:27,280 --> 01:25:30,360
Speaker 1: else up now here we go to. Yes, make sure

1709
01:25:30,360 --> 01:25:33,479
Speaker 1: you're also checking out our merch shop, which is how

1710
01:25:33,640 --> 01:25:35,120
Speaker 1: Rude Merch dot com.

1711
01:25:35,920 --> 01:25:38,160
Speaker 2: And we're going to have some fun things up there.

1712
01:25:38,640 --> 01:25:39,599
Speaker 2: Oh yeah, we're also.

1713
01:25:39,439 --> 01:25:41,479
Speaker 1: Going to have some some new merch coming up.

1714
01:25:41,680 --> 01:25:45,880
Speaker 3: We have special edition merch, limited edition merch. Yeah, it'll

1715
01:25:45,880 --> 01:25:46,200
Speaker 3: be sure.

1716
01:25:46,240 --> 01:25:47,360
Speaker 2: We just screenlighted it.

1717
01:25:47,560 --> 01:25:50,479
Speaker 3: Wait yesterday, like some very excited, very excited, very.

1718
01:25:50,439 --> 01:25:55,360
Speaker 1: Excited, and uh yeah, so great news, great show, love it.

1719
01:25:55,760 --> 01:26:00,360
Speaker 1: So glad to see you. Ab yeah, like strivee to

1720
01:26:00,400 --> 01:26:03,599
Speaker 1: the podcast, wherever you're listening to it. I think that's

1721
01:26:03,720 --> 01:26:06,240
Speaker 1: that's all that. That's all the business. That's all the business,

1722
01:26:06,920 --> 01:26:07,479
Speaker 1: all the business.

1723
01:26:07,600 --> 01:26:08,280
Speaker 3: Now just give us.

1724
01:26:09,600 --> 01:26:13,639
Speaker 2: Remember the world is small, but the house is full

1725
01:26:14,720 --> 01:26:15,160
Speaker 2: of sand.

1726
01:26:17,120 --> 01:26:17,400
Speaker 3: Sand.

1727
01:26:17,960 --> 01:26:19,320
Speaker 1: You're never gonna get all that sand out.

1728
01:26:19,520 --> 01:26:22,520
Speaker 2: You're gonna find sand in that stage.

1729
01:26:22,760 --> 01:26:25,400
Speaker 3: Yeah, decades the top, it's under your.

1730
01:26:26,600 --> 01:26:29,559
Speaker 1: It's in places you don't want sand unless your flip

1731
01:26:29,800 --> 01:26:33,720
Speaker 1: and just let your butt on fire. Anyway, I am

1732
01:26:33,800 --> 01:26:36,200
Speaker 1: not a fan of sand, all right, guys, Well okay,

1733
01:26:36,680 --> 01:26:37,599
Speaker 1: bye bye,