WEBVTT - Not Lost Chat: Wild Sugar (Cheryl Strayed)

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<v Speaker 1>Pushkin. The other week, I was being pre interviewed for

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<v Speaker 1>a chat with podcast Playlist with Leah Simone Bowen, a

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<v Speaker 1>CBC show that features yes podcasts, and a pre interview

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<v Speaker 1>is what some sophisticated shows do. They talk with a

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<v Speaker 1>guest before they record the conversation, so everyone has an

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<v Speaker 1>idea of what's going on. You will not be surprised

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<v Speaker 1>to learn that we don't conduct pre interviews here on

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<v Speaker 1>not Lost Chat. So I was being pre interviewed and

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<v Speaker 1>the producer asked me who my favorite travel writers were,

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<v Speaker 1>and my mind went completely blank. The name Nabokov jumped

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<v Speaker 1>in my head, but as far as I know, he

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<v Speaker 1>never really wrote about travel. And then I found myself saying, MFK. Fisher,

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<v Speaker 1>but she was a food writer who did write about

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<v Speaker 1>France and California, but not really on the nose. Then

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<v Speaker 1>said something like, well, I don't really distinguish between what

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<v Speaker 1>types of things people write about. I just have favorite

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<v Speaker 1>writers something Millie Mouth like that, and for a moment

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<v Speaker 1>I realized how hard it is to be on the

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<v Speaker 1>other side of questions. It's funny when I interview someone,

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<v Speaker 1>I often think they just have to answer questions. They

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<v Speaker 1>don't have to think of questions, they don't have to

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<v Speaker 1>fake laugh that it's much easier on that side. But

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<v Speaker 1>that actually isn't really the case, and this pre interview

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<v Speaker 1>reminded me of that. So I lumbered through it all

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<v Speaker 1>and at the end the producer said something sassy like, well,

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<v Speaker 1>at least now you have an idea of what you're

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<v Speaker 1>going to be asked when we're conducting the interview, or

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<v Speaker 1>something like that. Then later in the day, as I

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<v Speaker 1>was coming home from work, walking through the park that

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<v Speaker 1>separates my apartment from the subway, a book title popped

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<v Speaker 1>into my head. Black Lamb and Gray Falcon by Rebecca West.

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<v Speaker 1>This book which was written in nineteen thirty seven, when

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<v Speaker 1>Europe was descending into war and terror. It's this hulking

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<v Speaker 1>book about the former Yugoslavia, a place I've spent a

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<v Speaker 1>lot of time in, and the addition I have is

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<v Speaker 1>one thousand, one hundred and fifty pages long. It's the

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<v Speaker 1>size of a cornerstone of a mausoleum, which is appropriate

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<v Speaker 1>because you will kill yourself if you lug it around

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<v Speaker 1>on your travel for weeks on end, as I have.

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<v Speaker 1>If you were to drop it on your foot, you

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<v Speaker 1>would break your foot and lose any deposit you had

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<v Speaker 1>on your Airbnb. It's a real backbreaker. It is considered

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<v Speaker 1>rightly one of the best travel logs ever written. Rebecca

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<v Speaker 1>West herself was a towering journalist and cultural critic who

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<v Speaker 1>is also known for covering the Norremberg Trials for The

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<v Speaker 1>New Yorker and her type of writing in this book,

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<v Speaker 1>which it wasn't just a personal journey she traveled with

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<v Speaker 1>her husband, It wasn't just a dry history, it wasn't

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<v Speaker 1>just for portage, but it was her applying her prodigious

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<v Speaker 1>mind as she moved through this foreign land, trying to

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<v Speaker 1>understand something about human beings. And as it would turn out,

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<v Speaker 1>it became a document that gave just insight into this

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<v Speaker 1>moment in Europe before everything changed. So as pleased with myself,

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<v Speaker 1>I was like, great, when i sit for the actual

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<v Speaker 1>interview with podcast playlist, I'm going to name drop this

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<v Speaker 1>fantastic author, hit people to this cool book which maybe

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<v Speaker 1>they haven't heard of, helped raise the profile of this

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<v Speaker 1>wonderful author. And then when I sat down for the show,

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<v Speaker 1>I was never asked the question. I was asked about

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<v Speaker 1>the favorite places I visited. I was asked about Eddison Greer.

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<v Speaker 1>All perfectly fine, pleasant conversation, honored to be on the show,

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<v Speaker 1>but I felt like I was a suitor left holding

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<v Speaker 1>a bouquet of flowers behind my back with no opportunity

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<v Speaker 1>to present them until now Rebecca West, Ladies and gentlemen investigate.

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<v Speaker 1>And if she was alive today, I would have her

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<v Speaker 1>on this series, but she's not so Instead, this week

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<v Speaker 1>I've invited another fantastic female travel writer on the show,

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<v Speaker 1>Sheryl Straight, who walked one thousand miles up the Pacific

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<v Speaker 1>Coast Trail and wrote a book called Wild. We'll have

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<v Speaker 1>a conversation with her and then she'll also her etiquette

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<v Speaker 1>questions when Not Lost gets back. Welcome back to Not

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<v Speaker 1>Lost Chat, my series of conversations with fellow travelers. I'm

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<v Speaker 1>Brendan Francis, Newnham, and today I am talking with author

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<v Speaker 1>Cheryl Strade and conveniently for us, for me, Chryl's creative

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<v Speaker 1>life can be organized into two distinct categories that happened

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<v Speaker 1>to perfectly align with this show. The first is life advisor.

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<v Speaker 1>Charles spent years as an advice calumnist for online literary

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<v Speaker 1>magazine The Rumpus, where she answered questions anonymously in a

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<v Speaker 1>column called Deer Sugar, and then in twenty twelve, she

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<v Speaker 1>compiled some of her advice into a book of essays

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<v Speaker 1>called Tiny Beautiful Things, which became a bestseller and is

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<v Speaker 1>now being adapted into a TV show for Hulu. So

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<v Speaker 1>what I'm trying to say is Cheryl is a ringer

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<v Speaker 1>for our travel etiquette segment, which will be coming up

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<v Speaker 1>later in the show. But the main reason I wanted

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<v Speaker 1>to speak with Cheryl is because of her other creative identity,

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<v Speaker 1>that of travel memoirist. I think that's a word. A

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<v Speaker 1>few months before she published that collection of essays, she

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<v Speaker 1>published a book called Wild, which is about a year

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<v Speaker 1>in her early twenties when charl lost her mother to

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<v Speaker 1>lung cancer, divorced her first husband, started using heroin, and

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<v Speaker 1>then to get away from it all, she decides to

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<v Speaker 1>hike more than a thousand miles alone on the Pacific

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<v Speaker 1>Coast Trail. It makes the premise of not Last Season

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<v Speaker 1>one Like You Know, Elmo Travels Across Town Why became

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<v Speaker 1>a huge bestseller and a hit movie starring Reese Witherspoon,

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<v Speaker 1>and hiking the PCT and writing about it was a

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<v Speaker 1>journey of self discovery for chryl. So the first thing

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<v Speaker 1>I asked her when I met up with her was,

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<v Speaker 1>why do some of us have this impulse to just

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<v Speaker 1>start moving when big things happen to us. It's such

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<v Speaker 1>a great question. There are so many layers of answers

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<v Speaker 1>that I have to it. I think the first one

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<v Speaker 1>is just a very sometimes a very simple and kind

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<v Speaker 1>of surface impulse, which is to flee, to say, I

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<v Speaker 1>need to escape this, this sorrow or this situation or

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<v Speaker 1>this scene that I associate with things that hurt me.

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<v Speaker 1>I need to get out of here, get out of dodge,

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<v Speaker 1>as they say, right, we know that like when we

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<v Speaker 1>go venture out to parts unknown and to places that

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<v Speaker 1>maybe we feel kind of like an outsider or that

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<v Speaker 1>feel foreign to us, or we feel challenged in some

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<v Speaker 1>way because we aren't at home, we aren't in the

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<v Speaker 1>comfort zone. We know that in those plays we're going

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<v Speaker 1>to get what we most need at those moments where

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<v Speaker 1>we feel lost or traumatized or adrift, and that is

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<v Speaker 1>a deeper understanding of who we are and what the

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<v Speaker 1>world is in our place in it. You know, when

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<v Speaker 1>we step outside that comfort zone literally, which we do

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<v Speaker 1>every time we travel, we have an opportunity to see

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<v Speaker 1>ourselves more clearly and the world more deeply. And do

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<v Speaker 1>you think that comes from Is it that we are

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<v Speaker 1>away from our kind of patterns and the culture that

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<v Speaker 1>has defined us, or is it also we're away from

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<v Speaker 1>other people who kind of know us and have a

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<v Speaker 1>certain framework for processing us. I think it's both. You know,

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<v Speaker 1>the pattern thing is real. A pattern is essentially a habit,

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<v Speaker 1>and travel shakes us out of that literally from everything

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<v Speaker 1>from very often the food we eat, to the landscape

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<v Speaker 1>we see when we look out the window or when

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<v Speaker 1>we go on a hike, to in the case of

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<v Speaker 1>foreign travel, even the language that we hear. Right, it's

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<v Speaker 1>just everything is different and it has a way of

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<v Speaker 1>waking us up because we have been broken out of

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<v Speaker 1>that pattern. But I think something you say about being

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<v Speaker 1>different too because you're away from the people who know

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<v Speaker 1>you is really powerful as well, because, of course the

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<v Speaker 1>people who know you, they're wonderful people. They love you,

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<v Speaker 1>and very often some of them, but we are very

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<v Speaker 1>often we rely on them to actually to know us,

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<v Speaker 1>to be known as a wonderful feeling. It makes us

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<v Speaker 1>feel secure and treasured and yes, sometimes awful. But you know. Generally,

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<v Speaker 1>the people we know make us feel known, right, and

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<v Speaker 1>that's a good feeling, but that can also turn, you know,

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<v Speaker 1>on itself, and we realize that sometimes the people we

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<v Speaker 1>know are the people who have in some ways defined

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<v Speaker 1>us in ways that we no longer find accurate, or

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<v Speaker 1>sometimes that we even no longer want to be accurate.

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<v Speaker 1>For example, when I went alone on my Pacific Crest

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<v Speaker 1>Trail hike in the summer of nineteen ninety five, part

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<v Speaker 1>of it was getting away from this sort of group

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<v Speaker 1>of twenty somethings i'd sort of been hanging out with.

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<v Speaker 1>And I don't blame them for any of the self

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<v Speaker 1>destructive behavior I was doing at that time, drinking too much,

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<v Speaker 1>being wildly promiscuous, using heroin, you know, I don't put

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<v Speaker 1>any of that on the people I was around. And

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<v Speaker 1>yet those people were doing those things with me, and

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<v Speaker 1>they saw me as part of them, and I was like,

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<v Speaker 1>this isn't me, you know, this is not my life.

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<v Speaker 1>And part of my decision to adventure away and go

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<v Speaker 1>hike on the PCT was just saying like, I'm gonna

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<v Speaker 1>be different. I'm gonna put myself in different company. Now,

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<v Speaker 1>the company I put myself in was my own in

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<v Speaker 1>the wilderness. Yeah, but you know, a similar thing can happen.

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<v Speaker 1>If I had had more money, I just would have

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<v Speaker 1>gone to Paris or something. So you hiked the trail

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<v Speaker 1>in nineteen ninety five when you were twenty seven, and

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<v Speaker 1>you published your memoir some years later when you're forty three.

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<v Speaker 1>I'm wondering which was more of a demarcation point in

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<v Speaker 1>your life, the hike or writing the book and having

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<v Speaker 1>it be published. Well, without question, the hike, you know,

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<v Speaker 1>in my life was the demarcation point, you know. I

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<v Speaker 1>began the trail honestly, really really at the lowest point

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<v Speaker 1>in my life, really just feeling like what is my

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<v Speaker 1>purpose and who have I become? And what is my meaning?

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<v Speaker 1>And I didn't remember how strong I was. I didn't

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<v Speaker 1>remember how brave I was. I didn't know how I

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<v Speaker 1>was going to make good on my dreams of becoming

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<v Speaker 1>a writer, you know. And on the course of that trip,

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<v Speaker 1>as I walked step by step, I sort of taught

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<v Speaker 1>myself the answers to all those questions. I taught myself, Oh, yeah,

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<v Speaker 1>you are strong, and not because you're like, you know,

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<v Speaker 1>so victorious or grand or triumphant, it's because you decide

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<v Speaker 1>to keep going step by step even when it hurts.

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<v Speaker 1>And so, you know, when I got back finished my hike,

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<v Speaker 1>I then you know, went onward in my life in

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<v Speaker 1>a way that was different. And of course writing the

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<v Speaker 1>book was really powerful because it was like I got

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<v Speaker 1>to look back and essentially like I had to you know,

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<v Speaker 1>I had to tell the story and find the meaning

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<v Speaker 1>in the story, the meaning that wasn't just about my life,

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<v Speaker 1>but about what it means to be human. And so

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<v Speaker 1>of course that was also a very emotional journey. You know,

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<v Speaker 1>I learned a lot, but it didn't change my life

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<v Speaker 1>in the way that the hike itself did. Am I

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<v Speaker 1>missing out? Like there was an era where I did

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<v Speaker 1>some I worked at Elisa National Park, I did do

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<v Speaker 1>some out back hiking. I did encounter a bear, but

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<v Speaker 1>I'm kind of good with that. Like like I'm like,

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<v Speaker 1>I'm happy to look at the stars in the desert,

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<v Speaker 1>but then I like would like a martini at the

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<v Speaker 1>palms in so I can be missing out of some

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<v Speaker 1>fundamental life moments if I just kind of skip out

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<v Speaker 1>on the great outdoors from here. Yes, yes, damn yes

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<v Speaker 1>you are. I mean, though I have to say it

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<v Speaker 1>like I feel, I feel for you because I'm really

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<v Speaker 1>glad I did it when I was young, because it's

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<v Speaker 1>a lot easier. I mean, that's what That's what I've

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<v Speaker 1>amazed as me, Brendan. I'd like look back at that

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<v Speaker 1>t and I'm like, I slept every night, you know,

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<v Speaker 1>on the ground, just on the hard ground, right, you know.

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<v Speaker 1>Now it's like, Okay, I got to have a tech

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<v Speaker 1>repedic bed and like four pillows in the suit of

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<v Speaker 1>a certain arrangement and a sleep mask. You know, it's

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<v Speaker 1>just amazing how rough and tumble I was. But but

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<v Speaker 1>here's the deal with that. And I think that this

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<v Speaker 1>is a larger truth about travel is that, you know,

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<v Speaker 1>maybe it's doing what I did and sleeping in the

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<v Speaker 1>dirt in the wilderness for days on end, and really

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<v Speaker 1>being in a situation where you know, there were no

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<v Speaker 1>luxuries at all. The extreme, you know, let's put it

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<v Speaker 1>this way. When I would when I would come to

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<v Speaker 1>you know, those those campgrounds in the woods where there's

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<v Speaker 1>like an out house. If I came to a campground

0:14:09.596 --> 0:14:12.476
<v Speaker 1>that had an outhouse like which in normal life most

0:14:12.476 --> 0:14:14.796
<v Speaker 1>people are really repulsed by, I felt like I was

0:14:14.836 --> 0:14:17.236
<v Speaker 1>like the Queen of England because I got to actually sit,

0:14:17.996 --> 0:14:21.956
<v Speaker 1>you know, instead of squatting in the dirt, which I

0:14:21.996 --> 0:14:24.836
<v Speaker 1>normally did. But you know, I think that that being

0:14:25.596 --> 0:14:32.316
<v Speaker 1>really uncomfortable almost always is a really great teacher for us.

0:14:32.316 --> 0:14:35.636
<v Speaker 1>The times that we have to endure, the times that

0:14:35.676 --> 0:14:38.076
<v Speaker 1>we have to suffer, the times that we have to

0:14:38.156 --> 0:14:41.556
<v Speaker 1>keep going even when it hurts, those are the times

0:14:41.756 --> 0:14:44.556
<v Speaker 1>that build us and that make us that I think

0:14:44.596 --> 0:14:47.676
<v Speaker 1>deep in any trip, and of course, you know, my

0:14:47.756 --> 0:14:50.036
<v Speaker 1>hike in the PCT was one end of the spectrum,

0:14:50.116 --> 0:14:53.956
<v Speaker 1>like quite quite difficult, but even just little things like

0:14:54.076 --> 0:14:57.556
<v Speaker 1>last summer, my husband and I we went to Europe

0:14:57.556 --> 0:14:59.956
<v Speaker 1>for seven weeks and we had this whole trip like

0:15:00.196 --> 0:15:04.076
<v Speaker 1>planned from France to Wales to Greece to you know,

0:15:04.116 --> 0:15:06.996
<v Speaker 1>all through all through central Europe and you know, up

0:15:07.036 --> 0:15:08.676
<v Speaker 1>the Danube and all of these things. We were doing

0:15:08.716 --> 0:15:11.516
<v Speaker 1>all these things, and our bags never made it with

0:15:11.636 --> 0:15:16.516
<v Speaker 1>us and we got COVID. So it was like, Okay,

0:15:17.596 --> 0:15:20.796
<v Speaker 1>this isn't fun, this is hard, and we are uncomfortable

0:15:20.996 --> 0:15:24.476
<v Speaker 1>and in a foreign place. And it reminded me of

0:15:24.556 --> 0:15:27.156
<v Speaker 1>some of those lessons I learned on the PCT, that

0:15:27.196 --> 0:15:31.276
<v Speaker 1>those are the things that sometimes make the trip more interesting. Yeah,

0:15:31.316 --> 0:15:33.756
<v Speaker 1>I mean, maybe I shouldn't say this as the host

0:15:33.796 --> 0:15:35.956
<v Speaker 1>of a travel show, but it's also you can just

0:15:35.996 --> 0:15:39.676
<v Speaker 1>live in New York. You can endure great difficulty every

0:15:39.756 --> 0:15:43.516
<v Speaker 1>day and see the worst of humanity and still you know,

0:15:43.756 --> 0:15:47.556
<v Speaker 1>get stronger hopefully. Question Mark. Absolutely, you know, I think

0:15:47.596 --> 0:15:51.716
<v Speaker 1>that there is no city more like the wilderness the

0:15:51.836 --> 0:15:55.756
<v Speaker 1>New York City. I remember very clearly feeling that way

0:15:55.796 --> 0:15:57.636
<v Speaker 1>about it. You know, every time I go to New

0:15:57.716 --> 0:15:59.516
<v Speaker 1>York City, it's like, this is like the wilderness because

0:15:59.516 --> 0:16:04.716
<v Speaker 1>it's just so it's everything. It's it's everything, and you're

0:16:04.716 --> 0:16:08.276
<v Speaker 1>both very connected and very alone, just like you are

0:16:08.276 --> 0:16:11.076
<v Speaker 1>on the wilderness. Um so, so yeah, we're talking about

0:16:11.076 --> 0:16:13.916
<v Speaker 1>wild You. Then, you know your book Tiny Beautiful Things,

0:16:13.996 --> 0:16:16.396
<v Speaker 1>your column Dear Sugar, which you now do a sub

0:16:16.436 --> 0:16:19.756
<v Speaker 1>stack called Deer Sugar. It's now Tiny Beautiful Things, which

0:16:19.796 --> 0:16:22.436
<v Speaker 1>is a collection from some of the early days of

0:16:22.836 --> 0:16:25.756
<v Speaker 1>your advice column, is now being turned into a TV show.

0:16:25.836 --> 0:16:29.716
<v Speaker 1>And just read Sorrying Catherine Han like, holy cow, yes,

0:16:29.796 --> 0:16:33.476
<v Speaker 1>would could you picked the better person? That's incredible? Well,

0:16:33.476 --> 0:16:35.596
<v Speaker 1>my question is do people ever ask you questions about

0:16:35.716 --> 0:16:37.876
<v Speaker 1>journeys or traveling? Oh that as you do this in

0:16:37.956 --> 0:16:41.276
<v Speaker 1>all sorts of forms. That's interesting. You know. In the

0:16:41.476 --> 0:16:44.956
<v Speaker 1>in the intervening years, Steve Almond den I had a

0:16:44.996 --> 0:16:48.196
<v Speaker 1>podcast called Deer Sugars and it's an advice podcast. People

0:16:48.196 --> 0:16:51.156
<v Speaker 1>wrote us letters and one thing that came up very often,

0:16:51.836 --> 0:16:53.756
<v Speaker 1>I mean more than you would gas around it. It's

0:16:53.796 --> 0:16:59.236
<v Speaker 1>like people are really conflicted about, um, location, like should

0:16:59.276 --> 0:17:01.996
<v Speaker 1>I move. There was this one woman I'll never forget

0:17:01.996 --> 0:17:05.396
<v Speaker 1>on the podcast. She went to Paris and met some

0:17:05.476 --> 0:17:08.396
<v Speaker 1>like fabulous man and she was like, we fell in

0:17:08.436 --> 0:17:11.196
<v Speaker 1>love and to Paris and be with him. And I

0:17:11.276 --> 0:17:15.676
<v Speaker 1>was like, of course you should. And Steve was like, oh,

0:17:15.716 --> 0:17:17.396
<v Speaker 1>you know, be careful in this and that. The other

0:17:17.476 --> 0:17:20.316
<v Speaker 1>thing I'm like, I'm like, no, go, go go, and um,

0:17:20.556 --> 0:17:22.596
<v Speaker 1>you know, I remember to a letter from somebody who

0:17:22.636 --> 0:17:25.036
<v Speaker 1>met some hot Italian young man on the beach and

0:17:25.116 --> 0:17:27.796
<v Speaker 1>data fling and I don't remember what she was asking

0:17:27.836 --> 0:17:30.676
<v Speaker 1>about it, but I was always like, I'm always on

0:17:30.716 --> 0:17:36.676
<v Speaker 1>the side of taking risks that involve venturing out, you know,

0:17:36.796 --> 0:17:39.076
<v Speaker 1>And I do think that it is something that a

0:17:39.076 --> 0:17:41.556
<v Speaker 1>lot of people grapple with. And another thing that I

0:17:41.636 --> 0:17:43.876
<v Speaker 1>know has come up for people sometimes is like you know,

0:17:44.036 --> 0:17:47.076
<v Speaker 1>is travel a good investment. Is this a good way

0:17:47.076 --> 0:17:49.796
<v Speaker 1>to spend your money? Or should you be practical? Like

0:17:50.156 --> 0:17:52.396
<v Speaker 1>I could put you know, ten thousand dollars in this

0:17:52.556 --> 0:17:56.036
<v Speaker 1>savings account that I will have in my retirement, or

0:17:56.076 --> 0:17:58.956
<v Speaker 1>I can take ten thousand dollars you know, to Kenya

0:17:59.036 --> 0:18:01.876
<v Speaker 1>and I'll just tell you I've always been the person

0:18:01.916 --> 0:18:05.796
<v Speaker 1>who will say go to Kenya. Definitely, absolutely definite. I

0:18:05.836 --> 0:18:08.396
<v Speaker 1>feel like as I when I was younger, you know,

0:18:08.516 --> 0:18:12.396
<v Speaker 1>corrupted by you know, Jack Carowake, etc. I was running

0:18:12.396 --> 0:18:14.676
<v Speaker 1>around the Gamaniac. But now as I'm older, it's even

0:18:14.716 --> 0:18:17.036
<v Speaker 1>more I'm feeling more urgency to see everything I can

0:18:17.116 --> 0:18:20.196
<v Speaker 1>and and kind of not not because I feel like

0:18:20.276 --> 0:18:22.196
<v Speaker 1>I'm going to miss out, but because I just know

0:18:22.916 --> 0:18:25.636
<v Speaker 1>that I want to experience all, you know, all the things,

0:18:25.716 --> 0:18:28.156
<v Speaker 1>and that our time is a little more limited than

0:18:28.196 --> 0:18:30.476
<v Speaker 1>maybe we think when we're in our twenties. I see

0:18:30.516 --> 0:18:32.396
<v Speaker 1>it the same way like I can tell that you're

0:18:32.476 --> 0:18:36.116
<v Speaker 1>really a kindred spirit when it comes to this way

0:18:36.156 --> 0:18:38.476
<v Speaker 1>of thinking, is I do I actually do think of

0:18:38.516 --> 0:18:42.876
<v Speaker 1>it as an investment, you know that, like travel has

0:18:42.996 --> 0:18:48.196
<v Speaker 1>really improved, like it's it's improved my well being. I

0:18:48.196 --> 0:18:50.636
<v Speaker 1>think I'm a better writer because of travel. I think

0:18:50.636 --> 0:18:52.796
<v Speaker 1>I'm a better person because of travel. I think I'm

0:18:52.796 --> 0:18:55.836
<v Speaker 1>a better parent because of travel. And you know, it

0:18:55.876 --> 0:19:00.036
<v Speaker 1>doesn't feel like just like vacation. You know, usually it's

0:19:00.116 --> 0:19:03.636
<v Speaker 1>about having some kind of adventure or having some kind

0:19:03.676 --> 0:19:06.996
<v Speaker 1>of going on a journey that's about something deeper than

0:19:07.636 --> 0:19:09.876
<v Speaker 1>just seeing the sights and and I believe in that

0:19:10.156 --> 0:19:12.636
<v Speaker 1>something that maybe everyone knows and thinks about this with you,

0:19:12.676 --> 0:19:15.636
<v Speaker 1>but I didn't realize until I was revisiting your work.

0:19:16.076 --> 0:19:19.116
<v Speaker 1>And forgive me for being such a ding that, but

0:19:19.236 --> 0:19:22.676
<v Speaker 1>um strayed is your You chose that name, that's right,

0:19:23.076 --> 0:19:25.916
<v Speaker 1>which to me, like again, for maybe there's even people

0:19:25.996 --> 0:19:28.116
<v Speaker 1>encounter you with tiny beautiful things and just assume that

0:19:28.116 --> 0:19:30.396
<v Speaker 1>your god given name. Can you remind us why you

0:19:30.516 --> 0:19:34.196
<v Speaker 1>chose it? Yeah? So I was born Cheryl Nyland. My

0:19:34.596 --> 0:19:36.916
<v Speaker 1>father's last name was Nyland, and that's what I was

0:19:36.956 --> 0:19:40.396
<v Speaker 1>as a kid. And I got married just like scandalously young,

0:19:40.956 --> 0:19:43.916
<v Speaker 1>no regrets in terms of like, I absolutely loved my

0:19:43.956 --> 0:19:46.076
<v Speaker 1>first husband, so that was good. But you know, we

0:19:46.076 --> 0:19:49.516
<v Speaker 1>were just young in love and you know, for reasons

0:19:49.596 --> 0:19:53.076
<v Speaker 1>that are really crazy and useful, we decided to get married.

0:19:53.076 --> 0:19:55.116
<v Speaker 1>We should have just fitting each other's boyfriend and girlfriend.

0:19:55.156 --> 0:19:56.596
<v Speaker 1>But we decided to get married and we took on

0:19:56.636 --> 0:19:58.796
<v Speaker 1>each other's names because we were like, we're going to

0:19:58.876 --> 0:20:00.996
<v Speaker 1>be really feminist about it, and I'm going to take

0:20:00.996 --> 0:20:02.236
<v Speaker 1>on your name, and you're gonna take a mine, and

0:20:02.236 --> 0:20:04.876
<v Speaker 1>we're gonna have this really long name that was Nyland

0:20:04.916 --> 0:20:09.236
<v Speaker 1>litig Well. And so when we got divorced, when I

0:20:09.276 --> 0:20:12.996
<v Speaker 1>was like twenty five, I knew that I didn't want

0:20:12.996 --> 0:20:15.156
<v Speaker 1>to go back to being Cheryl n Island. I was

0:20:15.316 --> 0:20:17.476
<v Speaker 1>estranged for my dad since I was a young child.

0:20:17.516 --> 0:20:19.836
<v Speaker 1>He was, you know, not a great dad. He was

0:20:19.876 --> 0:20:22.076
<v Speaker 1>abusive and just not a good force in my life.

0:20:22.436 --> 0:20:24.756
<v Speaker 1>And I knew I couldn't drag around this long hyphenated

0:20:24.836 --> 0:20:27.956
<v Speaker 1>name from my marriage. And of course I'm a writer,

0:20:28.236 --> 0:20:31.756
<v Speaker 1>you know, I'm somebody who thinks a lot about words

0:20:31.756 --> 0:20:34.156
<v Speaker 1>and a lot about language. And so, and my mom

0:20:34.236 --> 0:20:36.316
<v Speaker 1>was dead. I was really an orphan. I didn't have

0:20:36.356 --> 0:20:38.316
<v Speaker 1>a father, I didn't have a mother, I didn't have

0:20:38.476 --> 0:20:42.676
<v Speaker 1>really anything except my own life. And I knew that

0:20:43.236 --> 0:20:46.076
<v Speaker 1>I needed to move into this new life with a

0:20:46.156 --> 0:20:49.716
<v Speaker 1>word that would be that would become mine, that would

0:20:49.756 --> 0:20:52.556
<v Speaker 1>be become my true name. I spent a lot of

0:20:52.556 --> 0:20:55.236
<v Speaker 1>time thinking about it wasn't just some sort of spontaneous thing.

0:20:55.756 --> 0:20:59.156
<v Speaker 1>I really thought about different words that might define or

0:20:59.156 --> 0:21:02.276
<v Speaker 1>communicate to myself in the world who I was. And

0:21:02.316 --> 0:21:06.516
<v Speaker 1>I came upon this word strade, and I loved the

0:21:06.596 --> 0:21:08.796
<v Speaker 1>meaning of it. You know, it really is somebody who

0:21:09.276 --> 0:21:14.036
<v Speaker 1>who moves through the world, motherless and fatherless, somebody who

0:21:14.276 --> 0:21:18.156
<v Speaker 1>strays off the regular path and finds their way. I

0:21:18.196 --> 0:21:19.756
<v Speaker 1>think a lot of people hear that word straight and

0:21:19.796 --> 0:21:22.156
<v Speaker 1>they think like, I was somebody who's lost, And for me,

0:21:22.276 --> 0:21:25.156
<v Speaker 1>I think it's really somebody who sort of has to

0:21:25.196 --> 0:21:27.956
<v Speaker 1>blaze their own trail. And when my husband and I

0:21:27.996 --> 0:21:30.716
<v Speaker 1>got divorced, just on the divorce paperwork, you could write

0:21:30.756 --> 0:21:32.996
<v Speaker 1>in this form my name after this divorce will be

0:21:33.716 --> 0:21:37.076
<v Speaker 1>and I just wrote Cheryl Straight, and that's who I,

0:21:37.956 --> 0:21:41.196
<v Speaker 1>you know, became. And what's so funny and interesting to me, Brendon,

0:21:41.236 --> 0:21:44.156
<v Speaker 1>as so many people who ask about the name, We're like, well, Straight,

0:21:44.276 --> 0:21:46.636
<v Speaker 1>isn't your real name? And it's like it is. It's

0:21:46.876 --> 0:21:49.076
<v Speaker 1>It's the realist name I've ever had, you know, Like

0:21:49.116 --> 0:21:51.436
<v Speaker 1>when women get married and take on their husband's name,

0:21:51.476 --> 0:21:54.836
<v Speaker 1>like nobody says like, well, that's not your real name. Yeah.

0:21:54.876 --> 0:21:58.116
<v Speaker 1>I particularly like how the words strayed, you know. I

0:21:58.156 --> 0:22:01.996
<v Speaker 1>think initially the connotation people think, yeah, something like a

0:22:02.036 --> 0:22:05.516
<v Speaker 1>stray cat, it's something abandoned, But there's a much broader

0:22:05.556 --> 0:22:08.436
<v Speaker 1>definition about someone who kind of goes off the beaten path,

0:22:09.276 --> 0:22:11.316
<v Speaker 1>fears away. And I like how you own that and

0:22:11.356 --> 0:22:14.876
<v Speaker 1>then by the force of your success, that word is

0:22:14.916 --> 0:22:19.916
<v Speaker 1>in every bookstore. You know, it's one movie screen, you know,

0:22:19.996 --> 0:22:22.196
<v Speaker 1>like you you really you took it and made it

0:22:22.276 --> 0:22:26.876
<v Speaker 1>your own. Love that my name is a sentence. I

0:22:26.996 --> 0:22:28.876
<v Speaker 1>love that. I love that. I'm going to have to

0:22:28.876 --> 0:22:31.436
<v Speaker 1>think about what my name would be if I were

0:22:31.556 --> 0:22:35.956
<v Speaker 1>to name myself, it would probably be something like Brendan Knapps,

0:22:36.316 --> 0:22:38.916
<v Speaker 1>Brendan Snacks. I'm gonna I'm gonna need to workshop it.

0:22:39.436 --> 0:22:42.116
<v Speaker 1>In the meantime, we're gonna take a quick break. But

0:22:42.236 --> 0:22:44.636
<v Speaker 1>when I come back, hopefully you will help me answer

0:22:44.636 --> 0:23:04.196
<v Speaker 1>some travel questions. Stick around. Welcome back to Not Lost

0:23:04.236 --> 0:23:07.756
<v Speaker 1>Chat Today. My guest is writer Chryl Straight and Chryl

0:23:08.156 --> 0:23:10.916
<v Speaker 1>on this show, like my old show, which you also visited,

0:23:11.236 --> 0:23:14.956
<v Speaker 1>we solicit etiquette questions, travel etiquette questions, and when I

0:23:15.036 --> 0:23:17.556
<v Speaker 1>initially decided to talk with you, I wasn't going to

0:23:17.836 --> 0:23:21.436
<v Speaker 1>ask you to answer questions, but when people found out

0:23:21.476 --> 0:23:24.236
<v Speaker 1>I was talking with you, they immediately started giving me questions.

0:23:24.316 --> 0:23:26.756
<v Speaker 1>So I'd like to run some of these value if

0:23:26.756 --> 0:23:31.316
<v Speaker 1>that's okay, okay real? I mean, yeah, I'm an advice columnist.

0:23:31.316 --> 0:23:33.396
<v Speaker 1>You know you are, no, I know, but I thought,

0:23:33.436 --> 0:23:35.476
<v Speaker 1>you know, sometimes it's like the comedian at dinner and

0:23:35.476 --> 0:23:38.396
<v Speaker 1>you're like, be funny. All right. So I have a

0:23:38.436 --> 0:23:41.836
<v Speaker 1>few questions from in house here at pushkin them out.

0:23:42.476 --> 0:23:45.756
<v Speaker 1>This first one I really I like, and I'm meager

0:23:45.796 --> 0:23:49.396
<v Speaker 1>to hear your answer. The question comes from Jordan, and

0:23:49.676 --> 0:23:52.636
<v Speaker 1>Jordan writes, how do you know in a moment you

0:23:52.716 --> 0:23:56.356
<v Speaker 1>experience in your travels is worth writing down? What's different

0:23:56.356 --> 0:23:59.796
<v Speaker 1>about it that makes it worth remembering? Well, I think

0:23:59.796 --> 0:24:02.356
<v Speaker 1>there's a They're really a couple stages to writing, and

0:24:02.836 --> 0:24:05.276
<v Speaker 1>the first one is I think you should write everything down.

0:24:05.436 --> 0:24:07.676
<v Speaker 1>I think you should write down everything you're thinking and feeling,

0:24:07.716 --> 0:24:11.316
<v Speaker 1>and the small things, the little gestures, the person sitting

0:24:11.396 --> 0:24:14.156
<v Speaker 1>next to you in the cafe, the kind of ice

0:24:14.156 --> 0:24:17.436
<v Speaker 1>cream you're eating. All of those details are what make

0:24:17.596 --> 0:24:21.676
<v Speaker 1>a really rich portrait. One thing I'm doing, Brendan, that's

0:24:21.716 --> 0:24:24.836
<v Speaker 1>been so interesting to me is I just decided to

0:24:24.876 --> 0:24:27.396
<v Speaker 1>transcribe all my journals. So I used to keep a

0:24:27.476 --> 0:24:31.436
<v Speaker 1>journal pretty religiously from about the age of nineteen until

0:24:32.196 --> 0:24:34.716
<v Speaker 1>my late thirties, kind of forty ish, and so I have, like,

0:24:35.436 --> 0:24:38.876
<v Speaker 1>you know, like really two decades of journals, and just

0:24:38.996 --> 0:24:41.676
<v Speaker 1>I'm sitting there in front of my computer and I'm

0:24:41.676 --> 0:24:44.396
<v Speaker 1>transcribing them. I'm just typing into a word document everything

0:24:44.436 --> 0:24:49.116
<v Speaker 1>I wrote. And at nineteen I got married, Like I

0:24:49.156 --> 0:24:52.196
<v Speaker 1>got married a month before my twentieth birthday, and my

0:24:52.716 --> 0:24:55.916
<v Speaker 1>ex husband and I we went to Ireland. We'd had

0:24:55.996 --> 0:24:59.276
<v Speaker 1>these like student work visas, and I got a job

0:24:59.276 --> 0:25:02.236
<v Speaker 1>in a vegetarian cafe in Dublin. And it was nineteen

0:25:02.276 --> 0:25:06.396
<v Speaker 1>eighty eight. And I have these journals and it's been

0:25:06.516 --> 0:25:10.516
<v Speaker 1>so amazing to transcribe them. And I'm so glad that

0:25:10.556 --> 0:25:13.196
<v Speaker 1>I that I took my own advice, the advice I'm

0:25:13.196 --> 0:25:15.996
<v Speaker 1>giving Jordan, which is just write everything down, you know,

0:25:16.076 --> 0:25:19.356
<v Speaker 1>take note, make a make a word portrait, you know,

0:25:19.436 --> 0:25:22.356
<v Speaker 1>as often as you can, about not just what you

0:25:22.436 --> 0:25:25.556
<v Speaker 1>see and smell and hear, about what you're feeling, what

0:25:25.636 --> 0:25:29.116
<v Speaker 1>you're thinking, what's making you happy, what's making you sad?

0:25:29.156 --> 0:25:31.796
<v Speaker 1>What are you remembering about home? You know, everything you

0:25:31.836 --> 0:25:35.556
<v Speaker 1>can put it on the page, because it later becomes

0:25:35.596 --> 0:25:38.036
<v Speaker 1>a treasure if you're a writer, like you're like, how

0:25:38.076 --> 0:25:41.036
<v Speaker 1>does this experience of this young woman for the first

0:25:41.036 --> 0:25:43.356
<v Speaker 1>time in a foreign country, how does that tell a

0:25:43.436 --> 0:25:46.636
<v Speaker 1>more universal story? And then you start to make, you know,

0:25:46.916 --> 0:25:49.716
<v Speaker 1>decisions about like what's the most interesting or what's what

0:25:49.796 --> 0:25:52.156
<v Speaker 1>are the universal threads. That's what I always look for

0:25:52.356 --> 0:25:55.956
<v Speaker 1>in writing, Like, for example, in Wild, the point of

0:25:55.996 --> 0:25:59.356
<v Speaker 1>Wild isn't like I'm such an interesting person because I

0:25:59.396 --> 0:26:03.876
<v Speaker 1>walked a really long way on this wilderness trail. You know. Really,

0:26:04.116 --> 0:26:06.516
<v Speaker 1>I think the reason that Wild resonates with so many

0:26:06.556 --> 0:26:09.676
<v Speaker 1>people is I told a deep story about what does

0:26:09.716 --> 0:26:13.276
<v Speaker 1>it mean like to have to bear the unbearable, like

0:26:13.516 --> 0:26:16.636
<v Speaker 1>to carry that heavy backpacks for that very drugged terrain,

0:26:17.236 --> 0:26:19.556
<v Speaker 1>and I had to keep moving forward even when it hurt.

0:26:19.876 --> 0:26:22.996
<v Speaker 1>And it's a deeper story about not just my journey,

0:26:23.036 --> 0:26:27.596
<v Speaker 1>but what journey means. Journey is all about figuring out

0:26:27.836 --> 0:26:29.916
<v Speaker 1>how you can do what you think you can't do.

0:26:31.236 --> 0:26:33.676
<v Speaker 1>My problem, which I have every day of my life

0:26:33.876 --> 0:26:38.236
<v Speaker 1>and certainly when I'm in traveling, is I wake up

0:26:38.276 --> 0:26:41.236
<v Speaker 1>in the morning and I'm like, I want to have

0:26:41.276 --> 0:26:44.276
<v Speaker 1>a coffee. Maybe I want to exercise, maybe I want

0:26:44.276 --> 0:26:46.476
<v Speaker 1>to run, Maybe I want to experience this, like, oh,

0:26:46.476 --> 0:26:48.796
<v Speaker 1>I want to watch the sunrise over this thing. Maybe

0:26:48.796 --> 0:26:52.316
<v Speaker 1>I donna. When do you write like like this this

0:26:52.436 --> 0:26:54.796
<v Speaker 1>idea of like write everything down? It's like what, I'm

0:26:54.836 --> 0:26:58.356
<v Speaker 1>too busy living like and I don't have a good memory.

0:26:58.436 --> 0:27:01.316
<v Speaker 1>My brain is a sieve, and so yeah, when do

0:27:01.396 --> 0:27:03.796
<v Speaker 1>you write? Well? I think that in both life and

0:27:04.076 --> 0:27:06.796
<v Speaker 1>and maybe especially in travel, you know, where you feel

0:27:06.796 --> 0:27:08.516
<v Speaker 1>sort of like I'm here to do all these different

0:27:08.516 --> 0:27:11.276
<v Speaker 1>things and see all the different things. Part of experiencing

0:27:11.996 --> 0:27:15.036
<v Speaker 1>a place and part of living. I think a balanced

0:27:15.036 --> 0:27:20.196
<v Speaker 1>in healthy life is having time for you know, contemplation

0:27:20.396 --> 0:27:23.796
<v Speaker 1>and reflection and you know, to me, I mean honestly,

0:27:24.316 --> 0:27:26.716
<v Speaker 1>one of my absolutely favorite things to do when I

0:27:26.756 --> 0:27:30.916
<v Speaker 1>travel is, you know, wander around the city or the

0:27:30.956 --> 0:27:33.516
<v Speaker 1>town or the village or whatever and just find a

0:27:33.596 --> 0:27:37.476
<v Speaker 1>place to sit and write, you know, whether it be

0:27:37.516 --> 0:27:41.596
<v Speaker 1>a cafe or a bar, or a mountainside or a

0:27:41.636 --> 0:27:45.396
<v Speaker 1>stone wall, you know, in some little funky part of town.

0:27:45.556 --> 0:27:48.276
<v Speaker 1>You know, just take those ten minutes to just jot

0:27:48.316 --> 0:27:51.196
<v Speaker 1>down what you're thinking, and you know, of course in life.

0:27:51.996 --> 0:27:54.516
<v Speaker 1>For me, in a strange way, it's actually harder for

0:27:54.556 --> 0:27:56.476
<v Speaker 1>me to do in life than when I'm traveling, because

0:27:56.476 --> 0:27:58.636
<v Speaker 1>I do try to make that kind of contemplative space

0:27:58.716 --> 0:28:01.996
<v Speaker 1>part of the trip. But in life, yeah, you just

0:28:02.076 --> 0:28:04.316
<v Speaker 1>you actually have to make the same commitment to that

0:28:04.396 --> 0:28:06.676
<v Speaker 1>as you do to everything else. If you decide that

0:28:06.716 --> 0:28:10.036
<v Speaker 1>you want to be somebody who exercises most days, you

0:28:10.156 --> 0:28:12.076
<v Speaker 1>exercise most days. And if you decide do you want

0:28:12.076 --> 0:28:14.316
<v Speaker 1>to be somebody who writes most days, you write most days.

0:28:15.596 --> 0:28:21.836
<v Speaker 1>Oh man, oh man, listen, way easier south than um. Okay.

0:28:21.876 --> 0:28:25.436
<v Speaker 1>This next question comes from Anna, and Anna asks what

0:28:25.556 --> 0:28:28.356
<v Speaker 1>are the best shoes to bring on a non hiking trip?

0:28:29.236 --> 0:28:31.396
<v Speaker 1>Do you just suck it up and wear ugly yet

0:28:31.436 --> 0:28:35.236
<v Speaker 1>comfy sneakers at a chic European museum? What if it rains?

0:28:36.356 --> 0:28:39.116
<v Speaker 1>I love this intersection of the practical and the not

0:28:39.236 --> 0:28:42.076
<v Speaker 1>so practical. Oh my goodness, this and this is such

0:28:42.916 --> 0:28:46.276
<v Speaker 1>a really hard question. So Anna, like, I absolutely one

0:28:46.356 --> 0:28:49.276
<v Speaker 1>hundred percent feel this question, and I have lived through

0:28:49.316 --> 0:28:53.236
<v Speaker 1>it for many years now. Because it is especially for women,

0:28:53.276 --> 0:28:55.316
<v Speaker 1>I will say, you know, we do have to make

0:28:55.356 --> 0:28:58.996
<v Speaker 1>this choice very often between you know, real comfort and

0:28:59.516 --> 0:29:02.996
<v Speaker 1>looking at least somewhat decent, you know, and cool and

0:29:03.236 --> 0:29:06.116
<v Speaker 1>you know, cute with whatever outfort we're wearing. But I've

0:29:06.196 --> 0:29:09.316
<v Speaker 1>I've solidly landed on this truth, and I've learned earned

0:29:09.356 --> 0:29:13.196
<v Speaker 1>it the hard way. Anyone who's read Wild knows how

0:29:13.276 --> 0:29:15.716
<v Speaker 1>much I have struggled with shoes and what a price

0:29:15.756 --> 0:29:18.596
<v Speaker 1>I've hate for it, losing my tone nails. Is that,

0:29:19.236 --> 0:29:23.596
<v Speaker 1>you know, comfort really matters a lot, because of course,

0:29:23.676 --> 0:29:27.196
<v Speaker 1>you can go to that museum and you won't be

0:29:27.236 --> 0:29:30.116
<v Speaker 1>able to focus on the art if all you're thinking

0:29:30.116 --> 0:29:32.916
<v Speaker 1>about is how much your feet are killing you. So often,

0:29:33.076 --> 0:29:36.836
<v Speaker 1>the most impressive person of all is the person who

0:29:36.916 --> 0:29:40.636
<v Speaker 1>doesn't conform, who doesn't look like they wore those shoes

0:29:40.676 --> 0:29:42.956
<v Speaker 1>because they want you to think that they look cute.

0:29:43.596 --> 0:29:46.116
<v Speaker 1>They wore those shoes because that's what they feel good.

0:29:46.276 --> 0:29:48.836
<v Speaker 1>And to me, like that's the best look of all

0:29:48.836 --> 0:29:51.756
<v Speaker 1>when you see somebody who's really like comfortable in their

0:29:51.756 --> 0:29:55.836
<v Speaker 1>body and at ease and able to move in a

0:29:55.916 --> 0:29:59.036
<v Speaker 1>way that makes them feel good, And it begins with

0:29:59.076 --> 0:30:01.556
<v Speaker 1>the shoes. So go in the direction of comfort and

0:30:01.676 --> 0:30:04.116
<v Speaker 1>own it all the way and until you look like

0:30:04.356 --> 0:30:07.196
<v Speaker 1>the coolest woman in the room. Here's another move. How

0:30:07.196 --> 0:30:09.516
<v Speaker 1>about a middleway, which is I've done this. You could

0:30:09.556 --> 0:30:12.636
<v Speaker 1>go to a vintage store like you could buy Probably

0:30:12.636 --> 0:30:16.356
<v Speaker 1>you don't have to travel with sexy footwear necessarily or

0:30:16.356 --> 0:30:18.276
<v Speaker 1>good footwear, but if you're going to a very fancy

0:30:18.316 --> 0:30:20.716
<v Speaker 1>meal or invited in some event where it's dress up,

0:30:21.196 --> 0:30:24.396
<v Speaker 1>you know, I love going through vintage stores and like

0:30:25.076 --> 0:30:28.316
<v Speaker 1>Rome or other places, and you can maybe quickly assemble

0:30:28.676 --> 0:30:31.516
<v Speaker 1>a kind of glamorous outfit that you maybe wouldn't feel

0:30:31.516 --> 0:30:34.396
<v Speaker 1>bad leaving behind. Sure. I mean one thing I did

0:30:34.636 --> 0:30:37.196
<v Speaker 1>last summer. I was in Europe for this like seven

0:30:37.236 --> 0:30:40.076
<v Speaker 1>week trip that included all these different things, like everything

0:30:40.156 --> 0:30:43.836
<v Speaker 1>from hiking in whales to going to like a really fancy,

0:30:44.836 --> 0:30:48.556
<v Speaker 1>very you know, Hollywood party in Greece, I mean really

0:30:48.596 --> 0:30:51.356
<v Speaker 1>really well dressed people. And I was like, listen, I'm

0:30:51.356 --> 0:30:53.316
<v Speaker 1>not going to be able to like compete with that

0:30:53.516 --> 0:30:56.116
<v Speaker 1>or where you know, stilettos or you know it wasn't

0:30:56.156 --> 0:30:58.556
<v Speaker 1>interested in that, but I do need something to wear

0:30:58.836 --> 0:31:02.156
<v Speaker 1>with dresses. And I did exactly what you suggested. I mean,

0:31:02.276 --> 0:31:05.756
<v Speaker 1>it's like, okay, I'll buy a pair of like kind

0:31:05.756 --> 0:31:08.356
<v Speaker 1>of fancy flip flops when I'm actually in this beach

0:31:08.396 --> 0:31:10.836
<v Speaker 1>town that I'm going to on this island, right, and

0:31:10.996 --> 0:31:13.516
<v Speaker 1>you can like have that look. It's not fancy, but

0:31:13.556 --> 0:31:16.436
<v Speaker 1>it's a little less clunky than the big comfy, you know,

0:31:16.716 --> 0:31:19.436
<v Speaker 1>sneakers that you might wear all day long at the museum.

0:31:19.836 --> 0:31:23.716
<v Speaker 1>So switch it up, switch it up. The only danger

0:31:23.796 --> 0:31:26.796
<v Speaker 1>there is I've made the mistake. I had my luggage

0:31:26.836 --> 0:31:30.956
<v Speaker 1>lost in Portugal this summer, and you find yourself at

0:31:30.956 --> 0:31:33.276
<v Speaker 1>a Benetton, and you can end up buying like a

0:31:33.316 --> 0:31:36.236
<v Speaker 1>mock turtleneck sleeveless shirt like you, I end up looking

0:31:36.316 --> 0:31:39.676
<v Speaker 1>like this euro like this euro club kid, which is

0:31:39.716 --> 0:31:42.836
<v Speaker 1>definitely not my default look. So you got to be careful.

0:31:42.876 --> 0:31:45.996
<v Speaker 1>You might go, yeah, yeah, I made a similar mistake.

0:31:46.036 --> 0:31:49.276
<v Speaker 1>I bought like a very bright green kind of like

0:31:49.556 --> 0:31:52.076
<v Speaker 1>mumu sort of dress, you know how they always have

0:31:52.116 --> 0:31:55.556
<v Speaker 1>those in like beat places. And then I saw photographs

0:31:55.596 --> 0:31:58.196
<v Speaker 1>of myself and I was like, WHOA what was I thinking?

0:31:58.676 --> 0:32:03.276
<v Speaker 1>I just I know, all right, I've one last question.

0:32:03.476 --> 0:32:06.396
<v Speaker 1>This question comes from Leah, and I think you're uniquely

0:32:06.396 --> 0:32:09.876
<v Speaker 1>suited to answer it, and the question is what types

0:32:09.916 --> 0:32:13.236
<v Speaker 1>of books are best to bring on vacation. That's a

0:32:13.356 --> 0:32:17.556
<v Speaker 1>great one. That's a great one. You know. It also

0:32:17.596 --> 0:32:21.756
<v Speaker 1>makes me smile because when I was hiking the trail

0:32:21.756 --> 0:32:23.756
<v Speaker 1>at first of all, books were like my only companion

0:32:23.836 --> 0:32:26.756
<v Speaker 1>because I very often would go days without seeing another person.

0:32:26.796 --> 0:32:29.676
<v Speaker 1>So books really really were important. They were like my

0:32:29.756 --> 0:32:33.236
<v Speaker 1>only portal into somebody else's mind, you know, other than

0:32:33.316 --> 0:32:36.876
<v Speaker 1>my own. And because I was a backpacker and carrying

0:32:36.916 --> 0:32:39.236
<v Speaker 1>the weight of one book at a time, as I

0:32:39.276 --> 0:32:41.756
<v Speaker 1>read most of the books, I would just burn them,

0:32:41.836 --> 0:32:45.156
<v Speaker 1>which just seemed like so sacrilegious, you know, as somebody

0:32:45.196 --> 0:32:47.596
<v Speaker 1>who loves books. It was like, yeah, I'm just going

0:32:47.636 --> 0:32:49.196
<v Speaker 1>to light this book on fire and burn it. But

0:32:49.236 --> 0:32:51.036
<v Speaker 1>I didn't want to carry the pages, so I did that.

0:32:51.316 --> 0:32:53.076
<v Speaker 1>And at the end of Wild I have this list,

0:32:53.116 --> 0:32:55.596
<v Speaker 1>you know, the books I burned on the PCT. And

0:32:55.716 --> 0:32:58.356
<v Speaker 1>so many people have asked me like, did you really

0:32:58.396 --> 0:33:01.356
<v Speaker 1>think you know really hard about which books to bring?

0:33:01.396 --> 0:33:04.196
<v Speaker 1>And what's funny is I didn't. I just really like

0:33:04.356 --> 0:33:08.116
<v Speaker 1>walked along my bookshelf and grabbed various books from it

0:33:08.156 --> 0:33:10.876
<v Speaker 1>that I had and had never read and had been

0:33:10.876 --> 0:33:12.676
<v Speaker 1>meaning to read and put them in each of my

0:33:12.756 --> 0:33:17.356
<v Speaker 1>resupply boxes. And resupply boxes are basically packages friends would

0:33:17.356 --> 0:33:19.996
<v Speaker 1>send you at different points in your trip. I loved

0:33:20.036 --> 0:33:21.956
<v Speaker 1>every book I read on the PCD, and there was

0:33:21.996 --> 0:33:27.236
<v Speaker 1>something really cool about serendipity of just saying, you know,

0:33:27.836 --> 0:33:31.476
<v Speaker 1>I have never gotten around to reading William Faulkner's As

0:33:31.516 --> 0:33:33.956
<v Speaker 1>I Lay Dying, and I put it into one of

0:33:33.956 --> 0:33:36.516
<v Speaker 1>my boxes and it became one of my favorite books.

0:33:36.956 --> 0:33:41.436
<v Speaker 1>There's also sometimes, you know, it's really cool to curate

0:33:41.476 --> 0:33:44.116
<v Speaker 1>a list of books that like are in some way

0:33:44.476 --> 0:33:46.916
<v Speaker 1>about the place you're visiting, or set in the place

0:33:46.956 --> 0:33:49.756
<v Speaker 1>you're visiting, or written by people who are from the

0:33:49.756 --> 0:33:53.036
<v Speaker 1>place you're traveling to. And that can be really cool too,

0:33:53.076 --> 0:33:57.436
<v Speaker 1>to actually try to deepen the lived experience you're having

0:33:57.716 --> 0:34:01.956
<v Speaker 1>by reading books about it as well. I went to

0:34:02.036 --> 0:34:05.636
<v Speaker 1>Iceland a couple of years ago, and I had never

0:34:05.756 --> 0:34:08.316
<v Speaker 1>read the literature of the country, and I found this

0:34:08.396 --> 0:34:11.756
<v Speaker 1>novel called miss Iceland by this author who I absolutely love.

0:34:11.756 --> 0:34:14.236
<v Speaker 1>And I'm not going to say her name because I

0:34:14.356 --> 0:34:16.596
<v Speaker 1>just don't know how to pronounce it, but it's called

0:34:16.636 --> 0:34:20.236
<v Speaker 1>miss Iceland, and it's just this really wonderful novel set

0:34:20.236 --> 0:34:22.956
<v Speaker 1>in Iceland and many decades ago. But it's like it

0:34:23.036 --> 0:34:26.076
<v Speaker 1>gave me a sense of the country and the place

0:34:26.196 --> 0:34:31.036
<v Speaker 1>and the sensibility that that deepened my experience. Then when

0:34:31.036 --> 0:34:33.316
<v Speaker 1>I got to Iceland, I kept remembering this, this main

0:34:33.396 --> 0:34:36.916
<v Speaker 1>character in the novel, and you know, she worked at

0:34:36.916 --> 0:34:39.676
<v Speaker 1>this hotel in Rekuveck, and and I like, I walked

0:34:39.676 --> 0:34:41.996
<v Speaker 1>by these historic hotels and I'd think, oh, that that's

0:34:41.996 --> 0:34:44.636
<v Speaker 1>like where the character worked, like and there was something

0:34:44.676 --> 0:34:48.796
<v Speaker 1>that felt really wonderful about going to the country having

0:34:48.836 --> 0:34:51.836
<v Speaker 1>read something that was set there, written by somebody who

0:34:52.156 --> 0:34:57.476
<v Speaker 1>is from there. Yeah, it's like knowing if that And

0:34:57.596 --> 0:35:00.076
<v Speaker 1>you know, I think books, yeah, you know, never, I

0:35:00.076 --> 0:35:03.916
<v Speaker 1>mean I would never think of traveling anywhere without a book,

0:35:04.076 --> 0:35:07.476
<v Speaker 1>because when you have a book, you always have a companion.

0:35:07.956 --> 0:35:11.316
<v Speaker 1>I think that that can be really grounding to have

0:35:11.556 --> 0:35:14.516
<v Speaker 1>just like that sort of touchstone of a story that

0:35:14.556 --> 0:35:20.276
<v Speaker 1>you're involved in while you're also in this new world. Well,

0:35:20.276 --> 0:35:22.516
<v Speaker 1>I think the books you took in wild there were

0:35:22.556 --> 0:35:24.996
<v Speaker 1>literary works, and I think there's a lot to be

0:35:24.996 --> 0:35:28.076
<v Speaker 1>said for a beach read or getting some genre reading in.

0:35:28.516 --> 0:35:31.156
<v Speaker 1>But I do think I will often bring like I

0:35:31.196 --> 0:35:36.476
<v Speaker 1>feel like I've only read Nabokov, like On Vacation or

0:35:37.316 --> 0:35:40.196
<v Speaker 1>Cheam Salt or some of these kind of heavier hitters

0:35:40.236 --> 0:35:43.276
<v Speaker 1>because sometimes it's harder for me to crack open and

0:35:43.316 --> 0:35:45.876
<v Speaker 1>get in there. But if it's the one English language

0:35:45.876 --> 0:35:48.836
<v Speaker 1>book you have in your pack, you're gonna really kind

0:35:48.876 --> 0:35:51.156
<v Speaker 1>of steep in it in a way that you maybe

0:35:51.156 --> 0:35:53.556
<v Speaker 1>wouldn't if it's just you're reading it on the sub

0:35:53.676 --> 0:35:55.916
<v Speaker 1>I agree. I don't like the whole idea that a

0:35:55.996 --> 0:35:58.276
<v Speaker 1>beach read is like a light reader. I go for

0:35:58.356 --> 0:36:02.116
<v Speaker 1>the heavy books because also when you're on a trip,

0:36:02.196 --> 0:36:04.876
<v Speaker 1>you often have more hours than in the day two read,

0:36:04.916 --> 0:36:08.636
<v Speaker 1>so you can sink in m Chrystade, thank you so

0:36:08.716 --> 0:36:11.356
<v Speaker 1>much for chatting with me. I'm excited to check out

0:36:11.876 --> 0:36:13.956
<v Speaker 1>your show when it comes out on Hulu, and I'm

0:36:13.996 --> 0:36:16.796
<v Speaker 1>excited to share this with my audience. Thank you so

0:36:16.876 --> 0:36:19.396
<v Speaker 1>much for taking Thank you. It was really a pleasure

0:36:19.556 --> 0:36:21.996
<v Speaker 1>to talk to you. And I have to say it

0:36:22.476 --> 0:36:32.676
<v Speaker 1>happy trails. That was Sheryl Straid. The Tiny Beautiful Things

0:36:32.676 --> 0:36:35.516
<v Speaker 1>TV show will be out on Hulu this spring, and

0:36:35.636 --> 0:36:37.996
<v Speaker 1>if you haven't read Wild or haven't looked at it

0:36:38.036 --> 0:36:40.076
<v Speaker 1>in a while, I encourage you to go back. It

0:36:40.236 --> 0:36:43.916
<v Speaker 1>is a luck grittier than I remembered. It is a

0:36:43.916 --> 0:36:47.596
<v Speaker 1>pretty good read that confirms my decision not to go

0:36:48.156 --> 0:36:55.076
<v Speaker 1>into the great outdoors anymore. So that's it for this

0:36:55.236 --> 0:36:58.276
<v Speaker 1>edition of That Lost Chat. If you have travel questions

0:36:58.316 --> 0:37:00.556
<v Speaker 1>that you want answered in a future episode, we got

0:37:00.556 --> 0:37:03.036
<v Speaker 1>one more left for this series. Please email them to

0:37:03.076 --> 0:37:06.236
<v Speaker 1>me at not Lost at Pushkin dot fm or Pingey

0:37:06.356 --> 0:37:10.436
<v Speaker 1>at bf snacks on Twitter. Not Lost Chat is produced

0:37:10.436 --> 0:37:13.716
<v Speaker 1>by Jordan Bailly, who, as we all know, travels a

0:37:13.756 --> 0:37:16.756
<v Speaker 1>lot more than me. In fact, she's heading to CDMX

0:37:16.836 --> 0:37:19.796
<v Speaker 1>in just a couple of weeks. The show is written

0:37:19.876 --> 0:37:23.556
<v Speaker 1>and hosted by me Brendan Francis Nunham. Booking assistance came

0:37:23.596 --> 0:37:27.276
<v Speaker 1>from Laura Morgan. This episode was edited by Julia Barton

0:37:27.476 --> 0:37:31.196
<v Speaker 1>with assistance from Managing producer Jacob Smith. Our mix engineer

0:37:31.196 --> 0:37:35.196
<v Speaker 1>and co producer is the brilliant and wonderful Sarah Brugure.

0:37:36.036 --> 0:37:38.756
<v Speaker 1>Not Lost as a co production of Pushkin Industries, Topic

0:37:38.796 --> 0:37:43.316
<v Speaker 1>Studios and iHeartMedia. It was developed at Topic Studios. Executive

0:37:43.316 --> 0:37:47.916
<v Speaker 1>producers include me Brendan Francis Nunham, Christy Gressman, Maria Zuckerman,

0:37:48.116 --> 0:37:51.036
<v Speaker 1>Lisa line Gang and Latom Malade. And if you enjoy

0:37:51.076 --> 0:37:53.196
<v Speaker 1>what you here, please tell a friend, make a commented

0:37:53.196 --> 0:37:57.516
<v Speaker 1>Apple podcast, spread the word. It's all greatly appreciated, and

0:37:57.996 --> 0:38:00.636
<v Speaker 1>as ever, if your inboxes lonely, sign up for the

0:38:00.636 --> 0:38:05.076
<v Speaker 1>Pushkin newsletter at Pushkin dot fm, slash newsletter. If you'd

0:38:05.076 --> 0:38:07.436
<v Speaker 1>like to listen to more Pushkin podcast and there's some

0:38:07.476 --> 0:38:10.396
<v Speaker 1>great stuff happening, we got deep cover. You can go

0:38:10.436 --> 0:38:12.356
<v Speaker 1>back in time and listen to Death of an Artist,

0:38:12.396 --> 0:38:15.116
<v Speaker 1>which is a fantastic show, lots of good stuff, Loudest

0:38:15.156 --> 0:38:16.956
<v Speaker 1>Girl in the World, Story of the Week. You can

0:38:16.996 --> 0:38:19.996
<v Speaker 1>listen and find them on the iHeartRadio app, Apple Podcast

0:38:20.396 --> 0:38:25.396
<v Speaker 1>or wherever you listen to podcast. That's it for this episode.

0:38:25.796 --> 0:38:27.596
<v Speaker 1>Thank you for listening to the end. Bo