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Speaker 1: I don't know what's gotten into Drake, and I applauded,

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Speaker 1: I'm a fan of it. But he got a bravado

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Speaker 1: to say, I don't even respect your punching power. I

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Speaker 1: don't even respect what you got on your shoulders. He

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Speaker 1: ain't got nothing. This is how Drake looking. If you

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Speaker 1: ask me, you dig what I'm saying. And I think, Kendrick,

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Speaker 1: you gotta be careful. I told y'all last time, what

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Speaker 1: did I say? Drake is gonna come out and say

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Speaker 1: what I don't You're not really a gang banger. That's

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Speaker 1: not really a thing. That's somebody else thinking. You just cloaking,

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Speaker 1: cloaking yourself behind these gang bangers that you be around

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Speaker 1: because you're from the West Coast. Now, I ain't saying

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Speaker 1: you a city, but you ain't a pow rule I think.

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Speaker 1: And told y'all that was Drake's angle. And then what

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Speaker 1: did Drake do? He went and utilized some AI and

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Speaker 1: this is what he came over. Does Rose again? You

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Speaker 1: can see them my odds again. For those unaware, you're

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Speaker 1: gonna hear Drake voice, You're gonna hear Snoop voice. Let

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Speaker 1: me not assume that everyone is up today. As it

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Speaker 1: pertains to what artificial intelligence is doing to artistry, and

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Speaker 1: it's doing to rap, and it's doing the hip hop,

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Speaker 1: and it's also gonna do the all genres of music.

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Speaker 1: Let me not be naive and think, because I have

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Speaker 1: a little bit of information about it that is widespread,

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Speaker 1: you're gonna listen to a voice that sounds like Tupac,

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Speaker 1: but it's actually Drake. Drake brings to the forefront that

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Speaker 1: he freestyled this whole thing, but it's more than that

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Speaker 1: that he did with this. He's robbing Kendrick of talking

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Speaker 1: points of angles. And if anybody understands angles, it's Drake. Why,

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Speaker 1: Because he's in gratiated with battle rap. He's trying to

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Speaker 1: rob him of them angles and get in his head.

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Speaker 1: I really don't know Kendrick's background, right, but I can

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Speaker 1: say with confidence that Drake is a fan of battle rapping.

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Speaker 1: So what you're gonna see is some of these battle

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Speaker 1: rap technics he's leaving Kendrick no choice. Kendrick doesn't have

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Speaker 1: a choice in the matter at this point. If you're

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Speaker 1: asking someone, if you're asking me, what I think is

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Speaker 1: happening with media and it's nasty work. But what you're

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Speaker 1: watching is media try to be a part of this

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Speaker 1: thing that we call hip hop this moment. If DJ

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Speaker 1: Academics is really a DJ, I think he will take

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Speaker 1: that is disrespect knowing that that's really a who Kid exclusive.

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Speaker 1: That's not a DJ academic exclusive as it pertains to

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Speaker 1: the Big Three. In media, we saw Adam kind of

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Speaker 1: go at Joe Budden call him a perkhead, and I

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Speaker 1: ain't had no problem with the Top three. You know,

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Speaker 1: your list is your list. It depends on what you

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Speaker 1: want to listen to. The only thing I said was

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Speaker 1: that everybody on the Top three each soul. Nah, they're some.

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Speaker 1: It's for sale now.

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Speaker 2: Niggas want tonew on me to death, exactly my man, Lord,

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Speaker 2: my loans, old loan, new loan.

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Speaker 1: Okay, okay, option it's up there and stuck that n

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Speaker 1: when it's up there, Man, it's stuck there. Shut up?

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Speaker 1: Does she following them over? Then others were play with

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Speaker 1: man and get gone their own. I can't believe we

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Speaker 1: just went on the phone. I want to welcome everybody's

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Speaker 1: up there podcast. I go buy big loans. You know

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Speaker 1: exactly where you at? What a time to be alive?

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Speaker 1: What a time to be alive for each and every

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Speaker 1: person that ever clicked on something with it Up There

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Speaker 1: Podcast from the center of my soul. I want to

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Speaker 1: thank you with everything God got. Let's get the business

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Speaker 1: out the way. Episode brought to you by Prize Picks.

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Speaker 1: It is the number one sports fantasy app in North America.

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Speaker 1: one thousand dollars. You win one hundred times your money.

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Speaker 1: It's more about more or less. It is not about

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Speaker 1: betting on the game. And so if you're someone who

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Speaker 1: is a strategic individual, and my customer base usually is

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Speaker 1: when they are interested in the things that I speak about,

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Speaker 1: you mak and get yourself over there and make something happen.

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Speaker 1: Either way, it's up there podcast. Use our code IUTP

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Speaker 1: get you right in the building again. You're dealing with

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Speaker 1: a lot. There's a lot going on in the game.

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Speaker 1: I am the Minister of the culture, Big Loan. I

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Speaker 1: thank you again, because Hey, I've been able to change

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Speaker 1: my life. I enjoy speaking to the I enjoy speaking

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Speaker 1: to people of all walks of life from all around

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Speaker 1: the world and all these interesting different individuals. It's really

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Speaker 1: a dream job for me. But let's get into the

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Speaker 1: meat and potatoes of what's been going on in our culture.

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Speaker 1: As of today, Kendrick Lamar and Drake are both in

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Speaker 1: the ring. Kendrick has been hit now going on three times,

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Speaker 1: and he hasn't throw a punch back. And so what

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Speaker 1: I'm looking for is Kendrick to come out swinging. What

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Speaker 1: we have now is a scenario where Drake better be

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Speaker 1: careful because he can't throw a knockout punch. I don't

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Speaker 1: know what's gotten into Drake, and I applauded, I'm a

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Speaker 1: fan of it, but he got a bravado to say,

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Speaker 1: I don't even respect your punching power. I don't even

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Speaker 1: respect what you got on your shoulders. Nigga, you ain't

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Speaker 1: got nothing. This is how Drake looking. If you ask me,

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Speaker 1: Drake pushing a mean line. Man, Drake pushing a mean

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Speaker 1: line right now? You dig what I'm saying. And I think, Kendrick,

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Speaker 1: you gotta be careful. I told y'all last time, what

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Speaker 1: did I say? Drake is gonna come out and say

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Speaker 1: what I don't. You're not really a gang banger. That's

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Speaker 1: not really your thing, that's somebody else thing. You just

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Speaker 1: cloaking you're cloaking yourself behind these gang bang of niggas

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Speaker 1: that you be around because you're from the West Coast. Now,

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Speaker 1: I ain't saying you a pussy, but you ain't a

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Speaker 1: po rule. Now I ain't saying you a coward, but

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Speaker 1: you ain't a crip. You dig what I'm saying. So

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Speaker 1: I think and told y'all that was Drake's angle. And

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Speaker 1: then what did Drake do? He went and utilized some

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Speaker 1: AI and this is what he came.

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Speaker 3: Up with, Kluti Dons rods again.

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Speaker 1: You can see the odds again for those Unawell, you're

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Speaker 1: gonna hear Drake voice, You're gonna hear Snoop voice. Let

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Speaker 1: me not assume that everyone is up today as it

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Speaker 1: pertains to what artificial intelligence is doing to artistry, and

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Speaker 1: it's doing to rap, and it's doing the hip hop,

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Speaker 1: and it's also gonna do the all genres of music.

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Speaker 1: Let me not be naive and think because I have

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Speaker 1: a little bit of information about it that is widespread,

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Speaker 1: So let me explain to you what you're listening to.

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Speaker 1: You're gonna listen to a voice that sounds like Tupac,

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Speaker 1: but it's actually Drake. Drake brings to the forefront that

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Speaker 1: he freestyled this whole thing. But it's more than that

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Speaker 1: that he did with this. He's robbing Kendrick of talking

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Speaker 1: points of angles. And if anybody understands angles, it's Drake.

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Speaker 1: Why because he's in gratiated with battle rap, so he

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Speaker 1: knows we both can rap. We both got massive fans.

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Speaker 1: We need to focus on the angles. And he's making this.

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Speaker 1: He's making this a hell in a sale match. Some

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Speaker 1: of the shit he doing and how he poking the bell,

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Speaker 1: he making this a hell in a sale match. You

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Speaker 1: dig what I'm saying. What can bring chairs out, tables,

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Speaker 1: nothings may run from the back and jump in right,

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Speaker 1: it's all kind of They can happen, but you gotta

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Speaker 1: pay attention. Again, this is a song that is freestyle

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Speaker 1: according to Drake with artificial intelligence. You're about to hear Tupac,

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Speaker 1: but it ain't about park Park is just for the

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Speaker 1: shock value. What you really need to pay attention to

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Speaker 1: is again, he's robbing them of angles. I spoke about

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Speaker 1: last week that yo, and he's effective in his own right.

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Speaker 1: But what they're doing to Kendrick is they're robbing them

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Speaker 1: of angles. They're robbing them on Shock Factor, The White

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Speaker 1: Boy the Nose, he Rick Ross unloaded three or four

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Speaker 1: angles at Drake and so now some of that shock

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Speaker 1: comes off with Kendrick, and I know Kendrick that want

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Speaker 1: to be well put together when he come out. And

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Speaker 1: it's getting hard and harder to mode these other talking

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Speaker 1: because they they letting you in. And I know it's

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Speaker 1: from Joe Budden podcast. Is speaking the Symbol. That's who

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Speaker 1: I'm speaking to. It ain't having no whole bunch of

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Speaker 1: contexts like that. He's speaking with Symbol, and Symbol is

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Speaker 1: an that understands rap. He's a rappers rapper, so he

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Speaker 1: understands some of these things, right. And so when you

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Speaker 1: hear Drake respond to what he's saying on Joe Butden

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Speaker 1: podcast from his source, I truly, I'm almost certain it

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Speaker 1: comes from Symbol. But continue to listen to this record.

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Speaker 1: Interesting times in hip hop, pay attention.

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Speaker 3: We need y'all the West Coast sad. Yeah, ain't greaty

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Speaker 3: your name, It's some hip hop history.

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Speaker 4: And you deal with this visiously.

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Speaker 1: You seem a little nervous.

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Speaker 3: About all the publicity or this Canadian lights kidding dot.

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Speaker 3: We even know the baby West Coast Victory man. Call

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Speaker 3: him a bit for me, talk about him like and

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Speaker 3: yull girls, that's a kid for me. Heard it on

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Speaker 3: the Button podcast. It's gotta be true. They taught me

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Speaker 3: Spirit of MOCKA belly is a nob and a nigga

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Speaker 3: on the five foot five, So.

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Speaker 1: It's gotta be you.

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Speaker 3: I would beat the whole fucking dame. It was me

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Speaker 3: and stoop Dog have my fucking shirt off in the

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Speaker 3: House of Blues.

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Speaker 1: Hey, you gotta fuck this nigga. Girl.

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Speaker 3: You gotta get a juice. All that shit about learning tattoos,

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Speaker 3: he's not a music that's Jeff's off for real.

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Speaker 1: Thubs.

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Speaker 3: You gotta be You gotta leave his motherfucker broken and

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Speaker 3: bruise before we really.

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Speaker 1: Lose who you are. You see, he's trying to rob

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Speaker 1: him up them angles and get in his head. I

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Speaker 1: really don't know Kendrick's background, right, but I can say

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Speaker 1: with confidence that Drake is a fan of battle rapping.

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Speaker 1: So what you're gonna see is some of these battle

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Speaker 1: rap tactics, some of these battle rap tactics that Kendrick

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Speaker 1: is gonna have to deal with. And this becomes tedious,

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Speaker 1: but it's effective, and Drake knows is effective because he's

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Speaker 1: been next to those guys that go up on the

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Speaker 1: stage and do that for real. He just happened to

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Speaker 1: be the big call on the lot, you know, so

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Speaker 1: he got all the bells and whistles and all the

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Speaker 1: resources at his fingertip. And so Kendrick gotta deal with

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Speaker 1: like this. But I told y'all that he was gonna

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Speaker 1: tell him, Yo, you sure you, I'll let for a

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Speaker 1: thread and all that. You sure that's you? You sure

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Speaker 1: that's what you want? Are we positive that that's your background?

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Speaker 1: Are we positive that you are someone that will jump

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Speaker 1: in the can do some of these things? Are we

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Speaker 1: positive that if it go down, that you won't run

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Speaker 1: out of this bill? And I think Drake gonna try

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Speaker 1: to poke holes in that. Let's continue the smoke now,

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Speaker 1: seeing you busy for the smoke, I'm gonna live.

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Speaker 4: If you got confuse now.

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Speaker 1: You're about to get this shit another week fall back,

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Speaker 1: So hold girl, but running up something I would have refused.

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Speaker 1: Funny street relationships. She not in your shoes.

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Speaker 3: You're supposed to be the books, man. Go do what

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Speaker 3: you do unless it's is a moment that you tell

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Speaker 3: us it's not really you in that case, there's nothing

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Speaker 3: left to say. I just passed the snows here.

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Speaker 4: What the fuck you really got to do?

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Speaker 5: Passed you to torch at the House of Blues.

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Speaker 4: And now you got to do some dirty work.

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Speaker 1: You know how to move right right?

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Speaker 5: I know you've never been to jail or with jumpsuits

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Speaker 5: and shower shoots, never shot nobody, never stabbed nobody, never

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Speaker 5: did nothing, Violet, and know when it's the homiestad empower you.

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Speaker 5: But still you gotta show this fucking our hostballs on

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Speaker 5: the western. Now's the time to really make a power move,

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Speaker 5: because right now it's looking like you're writing out the game,

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Speaker 5: playing on how to mose, how to bark up the

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Speaker 5: wrong tree and then get your head popped in the

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Speaker 5: Pride of room world is watching this chest game, but

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Speaker 5: on you out of moves Dot. You know the vog

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Speaker 5: never fucking out at Jules, But right now a scene

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Speaker 5: like you post it up without a clue of what

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Speaker 5: the fuck you about to do?

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Speaker 1: Yeah, that's the truth.

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Speaker 6: I'm definitely about to come around the land gang and

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Speaker 6: let my fucking fowl move. Shitting on you niggas from

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Speaker 6: a whole different altitude, high up in.

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Speaker 1: The sky like I'm howard used.

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Speaker 6: The first one really only took me an hour or two.

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Speaker 6: The next one is really about to bring out the

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Speaker 6: cowardin you. But now we got to wait a fucking

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Speaker 6: week because tell a Swift, it's your new top and

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Speaker 6: if you about to drop, she gotta approve. This girl

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Speaker 6: really about to make you act like you not in

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Speaker 6: a few she telling me your schedule with an you

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Speaker 6: out of the loop? Hey, are you corporate industry puppets?

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Speaker 1: I'm not in the mood.

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Speaker 6: I love it when you niggas talk loose like I'm

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Speaker 6: not in the room. Since like that, your tone changed

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Speaker 6: a little. You not as enthused. How were you not

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Speaker 6: in the booth? It feel like you kind of removed.

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Speaker 6: You're trying to let this shit die down. Na, not

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Speaker 6: this time, nigga, you following through? I guess you need

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Speaker 6: another week to figure.

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Speaker 1: Out how to improve. What the fuck is taking so long?

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Speaker 1: We waiting on you. The rest of y'all are definitely involved.

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Speaker 1: Y'all getting it.

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Speaker 6: Too, as soon as you getting the courage to drop.

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Speaker 1: I'm out on the loose.

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Speaker 6: On the loose, yeah, shout out to Taylor Swift. Biggest

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Speaker 6: game set in the music game, right now you know

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Speaker 6: I moved my album when she dropped.

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Speaker 1: I said that already.

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Speaker 6: You know she about a million I'm doing million rock

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Speaker 6: on your head, Tide will. She got a whole pg

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Speaker 6: lang on music like that, and y'all say challenge, y'all,

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Speaker 6: But it's quiet for the weekend.

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Speaker 1: Like I know you're in that ny apartment.

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Speaker 6: You struggling right now, I know it. And then no

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Speaker 6: pad doing lyrical gymnastics. My boy, you better have a

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Speaker 6: motherfucking quint Tumple Entendre on that shit. Some shit I

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Speaker 6: don't even understand, Like shit better be crazy.

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Speaker 1: You're waiting on you. Yeah, the utilization of AI in

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Speaker 1: this scenario has to be applauded. I do see some

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Speaker 1: people giving pushback on it, saying that Yo Park didn't

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Speaker 1: say that you shouldn't utilize his voice that way. Maybe

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Speaker 1: Kendrick addresses that in the song, and again he's he

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Speaker 1: keeps loading Kendrick up and not in a good way,

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Speaker 1: but he's putting more and more on his plate and

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Speaker 1: building expectation. You better have a triple entundra in there.

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Speaker 1: I know this seems like a harmless statement on the

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Speaker 1: end of a song, but fifty sixty percent of fans

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Speaker 1: of sheep. And so when you hear something like that,

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Speaker 1: what you're doing is you raising the bar. You raising

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Speaker 1: the bar, and you're trying to make it hard and

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Speaker 1: harder for him to be able to reach what what

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Speaker 1: you were expecting for him to deliver, and so what

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Speaker 1: I expect Drake to do it as soon as he dropped.

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Speaker 1: I expect Drake to Yo. I wish he would have

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Speaker 1: given more an a Ventor door. You know what I'm saying,

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Speaker 1: he ain't. You know what I'm saying, is that what

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Speaker 1: you had in store? You know what I'm saying, he

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Speaker 1: gonna he gonna try to play off? Yo, Man, this ain't.

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Speaker 1: They didn't all let waiting for that, right? I can

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Speaker 1: see that angle coming. Boy, Drake gotta be careful if

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Speaker 1: they play on that angle that Joe Budden and put

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Speaker 1: out about the Mike Jackson thing. That's very interesting angle

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Speaker 1: right there. I didn't even think about that. I do

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Speaker 1: want to say this before I even moved to Joe

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Speaker 1: Budden and Rick Ross in that hole. Why this beef

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Speaker 1: kicked off thing, that Michael Jackson angle gets different, that

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Speaker 1: one can hurt. I think that one can really really

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Speaker 1: cause him damage and I think he's really leaving Kendrick

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Speaker 1: no choice but to go for the jugular, like he's

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Speaker 1: leaving Kendrick no choice. Kendrick doesn't have a choice in

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Speaker 1: the matter at this point. If you're asking something, if

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Speaker 1: you're asking me, you know Drake is outside, man, Like, Yo,

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Speaker 1: let's do this. Come with this shit. You ain't even

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Speaker 1: signed nowhere for real, You ain't no major for real,

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Speaker 1: no more nigg This is how he seem to be

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Speaker 1: playing with him, like he don't even respect his punch.

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Speaker 1: I remember seeing may what they in the ring, some

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Speaker 1: of them dudes, and he dancing around like damn then

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Speaker 1: like he playing, he laughing at them, And this is

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Speaker 1: what it's seeming like. And he's and that's what he

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Speaker 1: wants to convey. He wants to put out there that, Yo,

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Speaker 1: I'm playing with my fool. You ever seen a dog.

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Speaker 1: I'm kicking this shit around. You ever seen a dog

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Speaker 1: take you and gave him something He don't want you

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Speaker 1: to take it, But he justing with it right now.

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Speaker 1: He keep picking it up, putting it back down, and

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Speaker 1: playing with my fool. You dig what I'm saying, because

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Speaker 1: this motherfucker already did. He just don't know it, so

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Speaker 1: what I'm saying, so take some time to deal with

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Speaker 1: the angle that Joe Budden podcast put out about cracking

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Speaker 1: some sort of cold about why this quote unquote my

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Speaker 1: word to be raped. Roy Rumble started right, let's pay

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Speaker 1: attention to this clip.

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Speaker 4: Participate in the big money.

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Speaker 7: But I made it or help expedite this, and I'm

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Speaker 7: sure I did some on the arm for the love

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Speaker 7: my man's business over the years, regardless of it was

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Speaker 7: music or whatever.

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Speaker 2: Drake gotta make the call because Tims is not clearing.

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Speaker 2: What does Drake do with epic business? What does Drake

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Speaker 2: have to do with epic business? I don't give a

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Speaker 2: if he apply with Tim. Somebody from Epics should have

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Speaker 2: been able to get this clear. Pay the bag no

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Speaker 2: matter what it costs. Drake got a call and say, hey,

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Speaker 2: Tams clear that, but we only clearing it if I

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Speaker 2: have a verse on it.

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Speaker 4: Like what are y'all saying?

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Speaker 8: Yo?

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Speaker 1: Like there is no more running around this issue, yo.

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Speaker 9: This That's why I said it is deeper than just

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Speaker 9: another walking around girls. It's not about that. That might

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Speaker 9: just be some added insult to whatever, but yo, let

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Speaker 9: me ask.

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Speaker 2: You if you drink in an instance, and they call

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Speaker 2: you and say, Yo, we need some help getting the

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Speaker 2: clearance from Tims.

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Speaker 1: Who called me.

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Speaker 2: I don't know whoever's heading up the project, right, anybody here,

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Speaker 2: somebody call you?

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Speaker 1: Let me be clear too, right, because I don't watch

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Speaker 1: I don't watch this as much as as we used

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Speaker 1: to pay attention to what they had going on. So

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Speaker 1: I don't know what this conversation is about. Seems to

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Speaker 1: be about teams and trying to get a record clear

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Speaker 1: than Drake made a phone call and somehow from that

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Speaker 1: phone call he owns all the music and the music business.

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Speaker 1: This is a very interesting narrative what I I think

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Speaker 1: it's happening with media and it's nasty work. But what

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Speaker 1: you're watching is media try to be a part of

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Speaker 1: this thing that we call hip hop this moment. And

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Speaker 1: part of me gets it because I'm newly in this

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Speaker 1: content world, and so I'm saying, damn, I kind of

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Speaker 1: understand that they want to be a part of history.

359
00:19:18,840 --> 00:19:21,400
Speaker 1: You know. They see academics get on the Drake song,

360
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Speaker 1: and it's like dudes are trying to craft them narratives

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Speaker 1: and create moments that will incorporate well on the end

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Speaker 1: of a song or on one of these superstars Instagram.

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Speaker 1: I even saw back in the day when Chief Keith

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Speaker 1: had put some on one of those songs and niggas

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Speaker 1: said Chief Keith this and Chief Keith that. Right. This

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Speaker 1: was a moment where because Chief Keith was already in gaming,

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Speaker 1: he had got wind of that clip and put it

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Speaker 1: on his song. Now we're dealing with people from the

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Speaker 1: media perspective trying to craft and incorporate themselves in this

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Speaker 1: beef and war, and it is nasty. It feels nasty

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Speaker 1: to me. I understand the hustle, and I understand want

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Speaker 1: to be a part of this moment, but it's starting

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Speaker 1: to feel nasty when people are scratching a car to

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Speaker 1: try to find a way to be a part of

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Speaker 1: this this moment. I think organically, if it's happens, it happens,

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Speaker 1: respect the process. But you're seeing clout chasing on behalf

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Speaker 1: of a battle that's just at the forefront of popping off. Again,

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Speaker 1: we don't know what they're speaking about, but if we

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Speaker 1: go off what we're listening to, it seems to be

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Speaker 1: that Tims had a record that no one could get cleared.

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Speaker 1: That record needed to be cleared. Drake made a phone

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Speaker 1: call and said it can only be cleared if I'm

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Speaker 1: on it now, if I deal with that by itself. Yo,

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Speaker 1: If I make the phone call and I need to

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Speaker 1: be on it, let me be on it if I

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Speaker 1: want to be on it. If not, I don't make

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Speaker 1: the phone call. Why am I using my phone call

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Speaker 1: for something I'm not a part of anyway? Maybe that's

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Speaker 1: the thinking behind that. You see what I'm saying. Let's

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Speaker 1: listen some more.

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Speaker 2: Let's say you ain't it ain't your man, you don't

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Speaker 2: got no real relationship with them.

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Speaker 1: I ain't say it with your man.

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Speaker 2: Y'all.

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Speaker 4: Y'all might not be beefing, but you're just not nobody.

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Speaker 2: The person that called me, we don't have a beef,

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Speaker 2: but what you're calling me about there's something there. Person

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Speaker 2: call you because they got the relationship with you. They

399
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Speaker 2: know you can make shit happen that they are having

400
00:21:20,480 --> 00:21:23,560
Speaker 2: a problem me and you beefing. Ice called you and said, yo,

401
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Speaker 2: because you do this off the strength of me. I

402
00:21:25,520 --> 00:21:28,479
Speaker 2: know you don't fuck with ish, but I'm gonna get

403
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Speaker 2: paid from this and mean a lot to me if

404
00:21:30,320 --> 00:21:32,719
Speaker 2: you would do X, Y and Z for me. Oh

405
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Speaker 2: So my answer is either no, or yes, it's cleared.

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Speaker 2: I'm not beefing about that. I'm beefing about I'll clear

407
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Speaker 2: it if I'm on it. You wouldn't say that. You

408
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Speaker 2: wouldn't say that, or I wouldn't say that. Real why

409
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Speaker 2: would I say that?

410
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Speaker 9: That type of pattern starts to build up the animosity

411
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Speaker 9: that mother could start to have once they realize, oh, that's.

412
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Speaker 4: The movement you on just in the industry has too

413
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Speaker 4: much to say in my career choices.

414
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Speaker 2: Yeah, and my labels and how my label is handling

415
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Speaker 2: me especially.

416
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Speaker 9: I mean, you're doing the business the way that they

417
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Speaker 9: do the business to you. You are now a part

418
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Speaker 9: of the business that we hate dealing with.

419
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Speaker 2: I did that in Miami, I did it in Houston,

420
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Speaker 2: I did it in Atlanta, I did it in l A,

421
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Speaker 2: I did it in London, I did it over.

422
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Speaker 1: I didn't.

423
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Speaker 2: Oh, and that's outside of every new artist I'm doing

424
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Speaker 2: this with. That's outside of my own classics and slaps.

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Speaker 4: No, let's do it because that changed a lot right there.

426
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Speaker 9: Ross alliance over there now with him and Meek ship

427
00:22:37,359 --> 00:22:40,280
Speaker 9: just came off of there, off the Gamma ship, so

428
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Speaker 9: they don't.

429
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Speaker 4: Don't have a hand and that ship it could be

430
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Speaker 4: you don't have the ship.

431
00:22:44,240 --> 00:22:46,200
Speaker 1: You're saying that truth, he probably don't have his hand

432
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Speaker 1: in that ship.

433
00:22:46,760 --> 00:22:49,840
Speaker 2: So that's what it sounds like, because because at the

434
00:22:49,960 --> 00:22:51,720
Speaker 2: same time, that's where sexy Red is.

435
00:22:53,040 --> 00:22:57,280
Speaker 4: So it's not like you can't make it seem I'm

436
00:22:57,320 --> 00:23:01,680
Speaker 4: not fucking with that because of that that I say that,

437
00:23:02,800 --> 00:23:09,800
Speaker 4: that's true, yere Drake Man, that's what I was really thinking.

438
00:23:10,040 --> 00:23:11,879
Speaker 2: Because if you think about it, when he was in

439
00:23:11,960 --> 00:23:15,720
Speaker 2: the renegotiation, remember he told Remember he told him, tell Larry,

440
00:23:15,760 --> 00:23:17,400
Speaker 2: I need a slice of that apple pie. So guess

441
00:23:17,400 --> 00:23:19,840
Speaker 2: what I'm gonna do. I'm gonna sit here on this

442
00:23:20,000 --> 00:23:23,119
Speaker 2: couch with Sexy Red and I'm gonna run it up

443
00:23:23,200 --> 00:23:24,119
Speaker 2: for my own brand.

444
00:23:24,200 --> 00:23:24,560
Speaker 4: Of course.

445
00:23:24,880 --> 00:23:29,040
Speaker 1: But we know that well, I know I said that right.

446
00:23:31,040 --> 00:23:34,040
Speaker 4: Of course, he's not getting paid or incentivized. Nigga, Please

447
00:23:34,040 --> 00:23:34,880
Speaker 4: don't know what you're talking about.

448
00:23:35,960 --> 00:23:37,240
Speaker 1: And that's and that's smartness. That could be.

449
00:23:38,160 --> 00:23:41,000
Speaker 4: That's not good, that's smart that's his own ship.

450
00:23:41,240 --> 00:23:43,719
Speaker 1: All right, let's unpack some of that, yo, let's take

451
00:23:43,760 --> 00:23:45,680
Speaker 1: a break from the show. This episode is brought to

452
00:23:45,680 --> 00:23:48,639
Speaker 1: you by Prize Picks, the number one daily fantasy sports

453
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454
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455
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458
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459
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460
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461
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Speaker 10: You and me.

462
00:24:11,880 --> 00:24:13,800
Speaker 1: Man, listen, pick up when I'm putting down in this

463
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Speaker 1: episode that brought to you by Prize Pigs. All you

464
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465
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467
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Speaker 5: You ran with.

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470
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471
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472
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473
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Speaker 1: nothing bigger than this applane. It's up there. Let's get

474
00:24:45,320 --> 00:24:50,160
Speaker 1: back to the show. Number one. Let's deal with Drake

475
00:24:50,240 --> 00:24:54,240
Speaker 1: and Sexy Red. Right. This is what people who had

476
00:24:54,280 --> 00:24:58,199
Speaker 1: these conversations do often on podcasts. They mix two arguments together.

477
00:24:58,880 --> 00:25:03,200
Speaker 1: Drake and Sexy rid Ed isn't indicative of Drake and

478
00:25:03,320 --> 00:25:05,879
Speaker 1: the rest of the field. Want to be clear on that.

479
00:25:06,080 --> 00:25:09,760
Speaker 1: But Drake and Sexy Reds relationship, I'm not sure what

480
00:25:09,920 --> 00:25:12,880
Speaker 1: the findings on that. I believe the jury is still out,

481
00:25:13,280 --> 00:25:16,520
Speaker 1: but there's an interesting relationship there, just to say the least,

482
00:25:17,000 --> 00:25:19,520
Speaker 1: and to leave it because I don't have any evidence,

483
00:25:19,880 --> 00:25:22,280
Speaker 1: but I do want to separate those two from the

484
00:25:22,320 --> 00:25:25,680
Speaker 1: rest of the field as it pertains to Drake and

485
00:25:25,760 --> 00:25:28,800
Speaker 1: his business dealings with the rest of these artists that

486
00:25:28,960 --> 00:25:32,920
Speaker 1: we have in mind. This is not an opinion that

487
00:25:33,119 --> 00:25:35,879
Speaker 1: is new to the Joe Budden podcast. This is actually

488
00:25:36,000 --> 00:25:39,920
Speaker 1: something that's been shuffled around for quite some time, and

489
00:25:40,040 --> 00:25:42,000
Speaker 1: so when I heard it in the heat of this moment,

490
00:25:42,320 --> 00:25:44,280
Speaker 1: really didn't know how to take it because it had

491
00:25:44,440 --> 00:25:48,320
Speaker 1: never got any legs, right, so people must never believe it,

492
00:25:48,600 --> 00:25:51,800
Speaker 1: or maybe it was just pushed on the back burner.

493
00:25:51,840 --> 00:25:54,920
Speaker 1: I'm not sure, but I never truly bought into that.

494
00:25:55,480 --> 00:25:58,639
Speaker 1: I do buy into Drake having a different kind of

495
00:25:58,760 --> 00:26:01,920
Speaker 1: deal than most of the rest of the field. But

496
00:26:02,040 --> 00:26:06,480
Speaker 1: I don't bite into the fact that he owns everyone

497
00:26:06,560 --> 00:26:09,760
Speaker 1: else's contract. I just don't. That's just a reach for

498
00:26:09,920 --> 00:26:13,159
Speaker 1: me now on a podcast that speaks as often as

499
00:26:13,240 --> 00:26:16,680
Speaker 1: Joe Butden, you got to find a way to talk,

500
00:26:16,800 --> 00:26:21,320
Speaker 1: and so you may find yourself manufacturing certain narratives to

501
00:26:21,480 --> 00:26:24,760
Speaker 1: meet certain quotas. I don't know if that's the case

502
00:26:24,840 --> 00:26:27,160
Speaker 1: in this scenario, but what I will say is Rick

503
00:26:27,280 --> 00:26:30,920
Speaker 1: Ross responded and said that one hundred percent wrong. Rick

504
00:26:31,040 --> 00:26:34,680
Speaker 1: Ross said Minion's opinions as it pertains to the response

505
00:26:34,760 --> 00:26:39,120
Speaker 1: to Joe Buden and it's soliloquy that we'll watch now.

506
00:26:39,240 --> 00:26:41,680
Speaker 1: I do give those guys the grace to have this

507
00:26:41,880 --> 00:26:44,639
Speaker 1: kind of conversation because that's what part and casting is.

508
00:26:45,240 --> 00:26:48,000
Speaker 1: It's getting out there and trying to have his dance

509
00:26:48,080 --> 00:26:51,480
Speaker 1: about what information is out there and what it could be.

510
00:26:52,200 --> 00:26:54,320
Speaker 1: None of us are right, even if we are right,

511
00:26:54,440 --> 00:26:57,040
Speaker 1: because we're saying it before we had the information and

512
00:26:57,160 --> 00:27:00,720
Speaker 1: knowing his participation, dig know what I'm saying. So you

513
00:27:00,920 --> 00:27:04,840
Speaker 1: have grace to be able to have those conversations. But

514
00:27:04,960 --> 00:27:07,280
Speaker 1: I do want to push back on it, you know,

515
00:27:07,400 --> 00:27:09,920
Speaker 1: I want to push back as part of the media

516
00:27:09,960 --> 00:27:12,119
Speaker 1: and say, yo, I don't agree with that. I believe

517
00:27:12,200 --> 00:27:14,920
Speaker 1: that Drake to have a different deal, but I don't

518
00:27:15,000 --> 00:27:19,400
Speaker 1: believe him to be in cooperation with everyone else's contract

519
00:27:19,480 --> 00:27:24,360
Speaker 1: in the market that's of any notoriety. Of course, we're

520
00:27:24,400 --> 00:27:27,480
Speaker 1: not talking about every artist that's lying up and down

521
00:27:27,560 --> 00:27:31,400
Speaker 1: every roster, but those that are of notoriety, in particular

522
00:27:31,520 --> 00:27:34,879
Speaker 1: ones you saw him do business with. It seems like

523
00:27:34,920 --> 00:27:37,639
Speaker 1: they're trying to push out a narrative that he is

524
00:27:37,720 --> 00:27:41,200
Speaker 1: in ownership of some percentage. But Rick Ross did push

525
00:27:41,320 --> 00:27:43,400
Speaker 1: back on that. I want to place that out there,

526
00:27:43,560 --> 00:27:44,440
Speaker 1: pay attention.

527
00:27:44,320 --> 00:27:46,440
Speaker 4: Partner whatever, or Drake got a piece and then we

528
00:27:46,560 --> 00:27:48,160
Speaker 4: run it. We running it up and everything.

529
00:27:48,960 --> 00:27:53,240
Speaker 2: A few years ago, I supposed to act act kind

530
00:27:53,280 --> 00:27:54,640
Speaker 2: of knows about this a little bit.

531
00:27:56,400 --> 00:27:57,840
Speaker 1: Larry a few years ago.

532
00:27:57,720 --> 00:28:01,359
Speaker 2: When he was trying to figure his move out after

533
00:28:01,520 --> 00:28:03,199
Speaker 2: whatever happened with him and Apple that.

534
00:28:03,440 --> 00:28:04,480
Speaker 4: Is above my pig Rid.

535
00:28:06,040 --> 00:28:12,919
Speaker 2: His plan was to go find the Avengers, like his words,

536
00:28:13,440 --> 00:28:17,200
Speaker 2: specifically at the lunch table me and him, I want

537
00:28:17,240 --> 00:28:22,200
Speaker 2: to go find the Avengers and create a content, a

538
00:28:22,359 --> 00:28:27,360
Speaker 2: new content mega house that nobody can fuck with, right,

539
00:28:28,440 --> 00:28:31,440
Speaker 2: so it'll stay there for h No I didn't think

540
00:28:31,480 --> 00:28:32,199
Speaker 2: that was that was.

541
00:28:32,400 --> 00:28:36,280
Speaker 4: Whose thor who knows.

542
00:28:36,359 --> 00:28:41,720
Speaker 2: But what I'm saying is, but even if it's not Drake, right,

543
00:28:42,600 --> 00:28:47,800
Speaker 2: just listen to that plan. If you're one of the

544
00:28:47,840 --> 00:28:51,240
Speaker 2: people that he comes to, depending on how powerful you

545
00:28:51,360 --> 00:28:55,080
Speaker 2: are or how hot you are, how you negotiate, is

546
00:28:55,120 --> 00:29:00,400
Speaker 2: gonna come is gonna I'm not shocked an inequity that's

547
00:29:00,480 --> 00:29:03,120
Speaker 2: happening now. If you're sexy Red and you say that,

548
00:29:03,600 --> 00:29:06,000
Speaker 2: no bit, shut up. If you Rick Ross and you

549
00:29:06,040 --> 00:29:08,200
Speaker 2: say that, If you French Montana, if you and you

550
00:29:08,320 --> 00:29:10,640
Speaker 2: say that and you say that, I think I might

551
00:29:10,680 --> 00:29:12,560
Speaker 2: have said, I gotta answer you. I got you might

552
00:29:13,040 --> 00:29:16,560
Speaker 2: If you're saying an adventure one person you would be

553
00:29:16,640 --> 00:29:20,400
Speaker 2: willing to give one person that you're gonna give maybe half.

554
00:29:20,200 --> 00:29:22,320
Speaker 4: Of this ship to thirty something.

555
00:29:23,320 --> 00:29:26,200
Speaker 9: Stick with your end up being a Nick Curio the

556
00:29:26,240 --> 00:29:28,800
Speaker 9: whole situation, and make all that ship work for Larry.

557
00:29:28,600 --> 00:29:29,640
Speaker 4: Drake O Summer Gamma.

558
00:29:29,720 --> 00:29:31,479
Speaker 2: I think Drake would be ironn So I'm looking at

559
00:29:31,480 --> 00:29:34,560
Speaker 2: who's get your analogy. I think Larry would be and

560
00:29:34,920 --> 00:29:36,720
Speaker 2: I think you and I think I think Drake would

561
00:29:36,720 --> 00:29:40,040
Speaker 2: be ironing. So this is this is who's currently Gamma, right,

562
00:29:40,080 --> 00:29:46,400
Speaker 2: now and then I'll give you the subs of subsidiaries too, Snoop, Rick, Ross, Usher,

563
00:29:46,920 --> 00:29:53,960
Speaker 2: Sexy Red, French, Montana, d Smoke. Subsidiaries are MMG, death Row,

564
00:29:55,200 --> 00:29:56,640
Speaker 2: and it says Mega in open Shift.

565
00:29:56,720 --> 00:29:57,680
Speaker 4: I'm not familiar with them.

566
00:29:58,240 --> 00:29:59,960
Speaker 9: But then I feel like Drake would have already care

567
00:30:00,080 --> 00:30:01,800
Speaker 9: gonna say listen, I can't.

568
00:30:03,000 --> 00:30:05,239
Speaker 1: All right, So it sounds like that they have now

569
00:30:05,360 --> 00:30:08,720
Speaker 1: shrunk their argument down to gamble, which I can't speak

570
00:30:08,760 --> 00:30:10,920
Speaker 1: to that. At first they were saying that Epic and

571
00:30:11,040 --> 00:30:13,760
Speaker 1: all of these record labels, like he had ownership in

572
00:30:13,880 --> 00:30:18,160
Speaker 1: the labels. Now they saying gamble because of the relationship

573
00:30:18,200 --> 00:30:21,280
Speaker 1: with sixy Red and how he moves with them. I mean,

574
00:30:21,360 --> 00:30:24,959
Speaker 1: I don't know that's off the table for right now.

575
00:30:25,080 --> 00:30:27,520
Speaker 1: My word to be he's wrong about that. And to

576
00:30:27,640 --> 00:30:31,640
Speaker 1: further notice, I need some more information, some palatable information.

577
00:30:32,560 --> 00:30:34,880
Speaker 1: But I do like how podcasts are able to have

578
00:30:35,040 --> 00:30:39,200
Speaker 1: these conversations. Let's deal with the Big three conversation. We've

579
00:30:39,280 --> 00:30:43,240
Speaker 1: heard rumblings of Big three in media. It's an interesting conversation.

580
00:30:43,440 --> 00:30:45,720
Speaker 1: We're not going to negate what these people have went

581
00:30:45,840 --> 00:30:49,160
Speaker 1: and what they've been able to do. We heard names

582
00:30:49,200 --> 00:30:51,920
Speaker 1: get thrown around I think Adam twenty two said it's

583
00:30:52,040 --> 00:30:57,280
Speaker 1: him acting Vlad. I think Ax said he's right, it

584
00:30:57,480 --> 00:31:00,360
Speaker 1: is him acting Vlad. I think Buttons say it is

585
00:31:00,440 --> 00:31:03,280
Speaker 1: him and act right. In these conversations, they really don't

586
00:31:03,320 --> 00:31:07,640
Speaker 1: have any legs because they're irrelevant and they're inappropriate, especially

587
00:31:07,720 --> 00:31:10,720
Speaker 1: for some of the people that's having them. But we're

588
00:31:10,880 --> 00:31:13,600
Speaker 1: entertaining today. We have a podcast and we'll get out

589
00:31:13,640 --> 00:31:16,400
Speaker 1: of here shortly after we talk about this in the

590
00:31:16,520 --> 00:31:20,280
Speaker 1: NBA Young Boys situation. But let's flush it out. Let's

591
00:31:20,400 --> 00:31:23,440
Speaker 1: unpack the conversation of the Big three in media. I

592
00:31:23,480 --> 00:31:27,000
Speaker 1: don't have any personal issue with anyone. I acknowledge what's

593
00:31:27,080 --> 00:31:30,480
Speaker 1: been brought to the market and what's extracted from the

594
00:31:30,640 --> 00:31:33,280
Speaker 1: market as well. I think some people forget about what

595
00:31:33,440 --> 00:31:36,880
Speaker 1: people are taking from us and installing in us. I

596
00:31:37,000 --> 00:31:40,520
Speaker 1: think they don't really pay attention. Nonetheless, I'm comfortable with

597
00:31:40,640 --> 00:31:44,000
Speaker 1: where I land. That you see backpedaling right now coming

598
00:31:44,040 --> 00:31:47,760
Speaker 1: from academics on what he said about Joe Budden, because

599
00:31:47,760 --> 00:31:50,240
Speaker 1: at first he said, Yo, Adam is right, Joe's not

600
00:31:50,360 --> 00:31:54,080
Speaker 1: in the Big three platforms. I think that was disrespectful

601
00:31:54,120 --> 00:31:56,080
Speaker 1: if you ask me. But I don't know. Maybe there's

602
00:31:56,120 --> 00:31:58,920
Speaker 1: a weird takeover that Adam and Act is about to

603
00:31:59,000 --> 00:32:01,720
Speaker 1: try to do. As a p I don't know what's happening,

604
00:32:02,120 --> 00:32:04,680
Speaker 1: but there's some weird energy and as it pertains the

605
00:32:04,800 --> 00:32:08,440
Speaker 1: Joe Budden's name and top platforms, right, it's some kind

606
00:32:08,440 --> 00:32:10,640
Speaker 1: of way. They don't let them creep into that conversation,

607
00:32:11,200 --> 00:32:14,520
Speaker 1: even though some would argue that the hip hop commentary

608
00:32:14,640 --> 00:32:17,480
Speaker 1: on that side does move culture, right, you got to

609
00:32:17,520 --> 00:32:21,120
Speaker 1: pay attention to the narratives that's being pushed out. Pay

610
00:32:21,160 --> 00:32:23,800
Speaker 1: attention to the narratives being pushed out. All of these

611
00:32:23,880 --> 00:32:27,280
Speaker 1: guys make a lot of money, and I believe when

612
00:32:27,280 --> 00:32:29,880
Speaker 1: they talk about money in the game, it separates it

613
00:32:30,480 --> 00:32:32,760
Speaker 1: and it separates you. And we got a level of

614
00:32:32,840 --> 00:32:35,640
Speaker 1: respect for business on this side. But there's some information

615
00:32:35,760 --> 00:32:38,360
Speaker 1: that needs to be placed next to how that money

616
00:32:38,480 --> 00:32:41,560
Speaker 1: is being made. The Big Three in media, I see

617
00:32:41,600 --> 00:32:45,240
Speaker 1: them turning into ponds and the Rooks right in front

618
00:32:45,280 --> 00:32:49,520
Speaker 1: of it, they turning into ponds. Drake could talk to

619
00:32:49,600 --> 00:32:51,640
Speaker 1: a nigga on a DM and they'll talk about it

620
00:32:51,720 --> 00:32:53,880
Speaker 1: for three hours. I ain't never seen nothing like it.

621
00:32:55,320 --> 00:32:57,640
Speaker 1: I ain't never seen nothing like it, And I didn't

622
00:32:57,680 --> 00:33:00,440
Speaker 1: have no problem with the top three. You know, your

623
00:33:00,520 --> 00:33:02,560
Speaker 1: list is your list. It depends on what you want

624
00:33:02,600 --> 00:33:06,040
Speaker 1: to listen to. The only thing I said was that

625
00:33:06,200 --> 00:33:11,480
Speaker 1: everybody on the top three eat sold puss it. Nah,

626
00:33:11,560 --> 00:33:14,960
Speaker 1: they're eat some pussy as for sale. You dig what

627
00:33:15,080 --> 00:33:17,240
Speaker 1: I'm saying, So I don't have the cat. I guess.

628
00:33:17,480 --> 00:33:19,200
Speaker 1: You know, to be in the top three of hip

629
00:33:19,200 --> 00:33:21,880
Speaker 1: hop media, you gotta eat push it it take like

630
00:33:22,040 --> 00:33:26,800
Speaker 1: me a sporn. You dig what I'm saying because you

631
00:33:26,920 --> 00:33:29,320
Speaker 1: gotta eat soul puss it, man. You know what I'm saying.

632
00:33:29,920 --> 00:33:33,520
Speaker 1: You gotta you dig. But you know what was interesting

633
00:33:33,600 --> 00:33:36,640
Speaker 1: for me is I seen about two or three weeks

634
00:33:36,680 --> 00:33:40,000
Speaker 1: ago Rod Wave had an incident and I watched DJ

635
00:33:40,080 --> 00:33:42,720
Speaker 1: Academics report on it, and he was wrong and that

636
00:33:42,840 --> 00:33:44,800
Speaker 1: was something that can affect his life. He called it

637
00:33:44,920 --> 00:33:48,200
Speaker 1: crashed out on camera, rod Wave shooting it up, and

638
00:33:48,320 --> 00:33:50,440
Speaker 1: you got stuff to live for and all of this,

639
00:33:50,800 --> 00:33:53,400
Speaker 1: those charges end up getting dropped. The video had three

640
00:33:53,480 --> 00:33:55,840
Speaker 1: hundred and fifty thousand views. He didn't take that down

641
00:33:55,880 --> 00:33:59,480
Speaker 1: because that's some money. I ain't taking that down. I

642
00:33:59,600 --> 00:34:03,560
Speaker 1: make it of that, even if it creates a narrative

643
00:34:03,600 --> 00:34:06,640
Speaker 1: that you some dude out here is crashing out and

644
00:34:06,760 --> 00:34:10,200
Speaker 1: shooting up parking lots. You know, from my site, from

645
00:34:10,280 --> 00:34:13,600
Speaker 1: where I stand, it looks like there's a value on

646
00:34:13,880 --> 00:34:17,759
Speaker 1: fishing in trouble waters. You know, I do believe Actor

647
00:34:17,840 --> 00:34:20,239
Speaker 1: is in a golden moment right now. He's being fed

648
00:34:20,280 --> 00:34:25,000
Speaker 1: in information. He's being positioned as someone that Drake is

649
00:34:25,080 --> 00:34:28,560
Speaker 1: breaking records through. If DJ Academics is really a DJ,

650
00:34:28,880 --> 00:34:31,920
Speaker 1: I think he would take that is disrespect knowing that

651
00:34:32,080 --> 00:34:34,919
Speaker 1: that's really a who Kid exclusive. That's not a DJ

652
00:34:35,000 --> 00:34:40,319
Speaker 1: academic exclusive. That is not a DJ academic exclusive. It's

653
00:34:40,320 --> 00:34:42,719
Speaker 1: a who Kid exclusive, and that's why you hear his

654
00:34:43,560 --> 00:34:47,000
Speaker 1: tag on it. I think it's unfortunate that maybe I'm

655
00:34:47,040 --> 00:34:49,040
Speaker 1: the one to point that out, but out of respect

656
00:34:49,080 --> 00:34:53,000
Speaker 1: for the DJ culture, out of respect for that real culture.

657
00:34:53,000 --> 00:34:55,360
Speaker 1: It's like, Yo, I believe act to be someone to

658
00:34:55,440 --> 00:34:59,359
Speaker 1: help service that record, but that's really a DJ who

659
00:34:59,520 --> 00:35:04,320
Speaker 1: kid And out of respect for the DJ community and culture,

660
00:35:04,360 --> 00:35:06,800
Speaker 1: I just think it's important that I help you understand

661
00:35:06,880 --> 00:35:11,120
Speaker 1: that Academics may have been hired or in position to

662
00:35:11,160 --> 00:35:14,279
Speaker 1: help service that record, but as it pertains to it

663
00:35:14,440 --> 00:35:17,200
Speaker 1: being Who's exclusive, it says that at the beginning of

664
00:35:17,280 --> 00:35:21,200
Speaker 1: the record, it clearly says who Kid, that's a who

665
00:35:21,320 --> 00:35:24,200
Speaker 1: Kid exclusive. You see fifty cent involved, that's a who

666
00:35:24,360 --> 00:35:28,200
Speaker 1: Kid exclusive. Even without fifty cent involvement, it literally has

667
00:35:28,239 --> 00:35:32,000
Speaker 1: its tag on the front of it. Now academics involvement

668
00:35:32,080 --> 00:35:34,399
Speaker 1: in the record comes at the end. He literally has

669
00:35:34,520 --> 00:35:36,759
Speaker 1: his voice placed on the record by one of the

670
00:35:36,800 --> 00:35:40,120
Speaker 1: biggest artists ever in the world. There's something nobody gonna

671
00:35:40,120 --> 00:35:43,399
Speaker 1: be able to take from him, right, And so that's

672
00:35:43,440 --> 00:35:47,160
Speaker 1: a place that Drake put him in. But as it

673
00:35:47,239 --> 00:35:50,080
Speaker 1: pertains to who record that is, I just want to

674
00:35:50,120 --> 00:35:53,400
Speaker 1: be clear out of respect for the DJ community, and

675
00:35:53,520 --> 00:35:57,359
Speaker 1: I thought DJ Academics was a DJ, so it's unfortunate

676
00:35:57,520 --> 00:36:01,920
Speaker 1: that he's not respecting the real DJ community. It's like, bro,

677
00:36:02,080 --> 00:36:04,279
Speaker 1: you know that's a who is say who Kid? When

678
00:36:04,320 --> 00:36:06,319
Speaker 1: you just like if it's say Clue, I don't give

679
00:36:06,320 --> 00:36:09,720
Speaker 1: a fuck what DJ played. If it's a DJ drummer

680
00:36:09,960 --> 00:36:15,440
Speaker 1: Gangster Grills, that's a Gangster Grills joint, I don't care

681
00:36:15,520 --> 00:36:18,319
Speaker 1: when you got it. You see what I'm saying. I'm

682
00:36:18,400 --> 00:36:20,759
Speaker 1: just putting you up on some game. But it's great

683
00:36:20,920 --> 00:36:23,920
Speaker 1: marketing and narrative and perspective that they pushing out on

684
00:36:24,040 --> 00:36:26,239
Speaker 1: the public. But you gotta know what to pick up

685
00:36:26,280 --> 00:36:29,320
Speaker 1: and what to put down. It's a difference as it

686
00:36:29,400 --> 00:36:32,280
Speaker 1: pertains to the Big three D media. We saw Adam

687
00:36:33,120 --> 00:36:35,360
Speaker 1: kind of go at Joe Budden, call him a perkhead

688
00:36:35,440 --> 00:36:39,400
Speaker 1: and put his YouTube numbers up against Joe Budden's YouTube

689
00:36:39,480 --> 00:36:41,799
Speaker 1: numbers and said, Joe Budden is running a chop shop.

690
00:36:42,040 --> 00:36:45,200
Speaker 1: I think that's an interesting metaphor for Adam to you

691
00:36:45,480 --> 00:36:48,520
Speaker 1: seeing that he's someone that literally is running people in

692
00:36:48,719 --> 00:36:53,040
Speaker 1: and out of that building, in and off of that show.

693
00:36:53,320 --> 00:36:56,320
Speaker 1: Dudes is threatening to sue niggas is getting right. So

694
00:36:56,480 --> 00:36:58,920
Speaker 1: it's a lot going on to be calling the Joe

695
00:36:59,000 --> 00:37:02,040
Speaker 1: Budon podcast chop shop. They've been kind of in the

696
00:37:02,120 --> 00:37:04,920
Speaker 1: same position for the last couple of years, So I

697
00:37:05,000 --> 00:37:08,120
Speaker 1: think even your position to start going at it with him,

698
00:37:08,400 --> 00:37:11,160
Speaker 1: what is it grounded then if it's positioned in that way,

699
00:37:11,960 --> 00:37:16,879
Speaker 1: because I think it's dishonest, especially for somebody that has

700
00:37:16,920 --> 00:37:19,560
Speaker 1: had to flush the whole crew the same way Joe did.

701
00:37:19,960 --> 00:37:22,759
Speaker 1: And I think reasonably if you put him side by side,

702
00:37:22,800 --> 00:37:25,439
Speaker 1: you're like, yo, we both flushed the crew. It both

703
00:37:25,600 --> 00:37:28,560
Speaker 1: kind of got messy. They both have this messy element

704
00:37:28,680 --> 00:37:31,960
Speaker 1: to the platforms. I think Adam twenty two seems a

705
00:37:32,000 --> 00:37:36,120
Speaker 1: little more dangerous because he has gang bangers around, and

706
00:37:36,440 --> 00:37:38,799
Speaker 1: I believe some politics that happened in a way where

707
00:37:39,280 --> 00:37:42,680
Speaker 1: whoever's in position to protect the place has to fall

708
00:37:42,840 --> 00:37:47,480
Speaker 1: back and let let somebody handle what they need to handle.

709
00:37:48,120 --> 00:37:51,239
Speaker 1: These dudes making money. But as it pertains the big

710
00:37:51,320 --> 00:37:54,320
Speaker 1: three year o, everybody got they list. These guys are powerful,

711
00:37:54,400 --> 00:37:57,680
Speaker 1: these guys got big platforms. We salute everybody in the game.

712
00:37:58,120 --> 00:38:01,000
Speaker 1: Ain't no hating coming from us, right, We're gonna be okay.

713
00:38:01,120 --> 00:38:04,360
Speaker 1: We're here for the long haul. We can handle this

714
00:38:04,560 --> 00:38:06,919
Speaker 1: thing from here on that, you know, from whatever y'all

715
00:38:07,040 --> 00:38:10,040
Speaker 1: left over, We'll take it warming up and put it

716
00:38:10,120 --> 00:38:12,200
Speaker 1: out there for the people. Dig what I'm saying. We

717
00:38:12,239 --> 00:38:15,200
Speaker 1: don't need no help. NBA Young Boy has now been

718
00:38:15,360 --> 00:38:21,120
Speaker 1: arrested for what fees are calling running a prescription drug ring. Now,

719
00:38:21,440 --> 00:38:24,360
Speaker 1: at the time of this video, all we know is

720
00:38:24,480 --> 00:38:29,480
Speaker 1: if he has sixty three charges and there's a lot

721
00:38:29,560 --> 00:38:33,560
Speaker 1: of crimes of legs that he's committed. Let's listen to

722
00:38:33,719 --> 00:38:37,799
Speaker 1: what the news has presented in Utah as to why

723
00:38:37,920 --> 00:38:41,440
Speaker 1: the rapper Cantrell, better known as NBA Young Boy, has

724
00:38:41,520 --> 00:38:43,680
Speaker 1: been arrested. There's dozens of charges.

725
00:38:44,760 --> 00:38:47,040
Speaker 10: As we have reported, Mark that he was taken into

726
00:38:47,080 --> 00:38:50,839
Speaker 10: custody in Cash County accused of organizing fraudulent drug prescriptions

727
00:38:51,200 --> 00:38:55,560
Speaker 10: at Utah Pharmacies legally noticed Kent Trell Golden has been

728
00:38:55,680 --> 00:38:59,520
Speaker 10: on house arrest in Utah since twenty twenty one. R. L.

729
00:38:59,560 --> 00:39:02,200
Speaker 10: Harris a live tonight after speaking with one of those

730
00:39:02,320 --> 00:39:04,120
Speaker 10: targeted businesses, Ril.

731
00:39:06,000 --> 00:39:08,640
Speaker 8: Yeah, Well, one pharmacist I spoke with, said they thankfully

732
00:39:09,160 --> 00:39:12,160
Speaker 8: didn't fulfill that order as they noticed some red flags,

733
00:39:12,400 --> 00:39:16,320
Speaker 8: but unfortunately others weren't so lucky. Now tonight, the young celebrity,

734
00:39:16,400 --> 00:39:20,040
Speaker 8: who already had a criminal history, now faces more than

735
00:39:20,120 --> 00:39:25,160
Speaker 8: sixty related charges too this alleged scheme. Pharmacy owner Eric

736
00:39:25,239 --> 00:39:27,880
Speaker 8: Stewart says hearing news have an arrest and the frauding

737
00:39:28,000 --> 00:39:30,640
Speaker 8: investigation involving his business was a relief.

738
00:39:30,760 --> 00:39:30,880
Speaker 7: You know.

739
00:39:30,920 --> 00:39:34,080
Speaker 11: I'm just happy that they were able to connect the dots.

740
00:39:34,239 --> 00:39:37,200
Speaker 8: Last September, Stuart says his team at Reads Pharmacy and

741
00:39:37,280 --> 00:39:39,840
Speaker 8: Hiram got a call from someone claiming to be a

742
00:39:39,960 --> 00:39:43,120
Speaker 8: doctor needing to fill a prescription, something he called the

743
00:39:43,239 --> 00:39:44,160
Speaker 8: first red flag.

744
00:39:44,360 --> 00:39:47,280
Speaker 11: Usually don't get a doctor calling in a call serve themselves,

745
00:39:47,360 --> 00:39:49,560
Speaker 11: that'll be like a nurse or something. But then just

746
00:39:49,640 --> 00:39:53,440
Speaker 11: their medical terminology was off, the quantities, the way they

747
00:39:54,080 --> 00:39:57,799
Speaker 11: pronounced the things, everything was suspicious.

748
00:39:58,040 --> 00:40:02,440
Speaker 8: Like Stuart's case arrest documents were multiple other pharmacies across Utah.

749
00:40:02,560 --> 00:40:06,200
Speaker 8: We're targeted too. According to investigators, Callers linked to Young

750
00:40:06,280 --> 00:40:08,759
Speaker 8: Boy would call in prescriptions using the name of a

751
00:40:08,840 --> 00:40:12,000
Speaker 8: real doctor and provo in some cases, but giving fake

752
00:40:12,120 --> 00:40:15,680
Speaker 8: patient information. Individuals would then pick up the order from pharmacies,

753
00:40:15,920 --> 00:40:17,720
Speaker 8: mainly promethicine and coding.

754
00:40:18,000 --> 00:40:20,600
Speaker 11: These medications they are trying to get are regulated, and

755
00:40:20,680 --> 00:40:25,319
Speaker 11: so throwing a chink in the I guess process can

756
00:40:25,400 --> 00:40:30,400
Speaker 11: really disrupt potential opportunities to get the medication you actually need.

757
00:40:30,520 --> 00:40:33,600
Speaker 8: Weaver County Sheriff's teams help take Golden into custody with

758
00:40:33,760 --> 00:40:35,520
Speaker 8: federal partners just yesterday.

759
00:40:35,760 --> 00:40:38,480
Speaker 11: We believe this to be several more months of work

760
00:40:38,560 --> 00:40:38,920
Speaker 11: for US.

761
00:40:39,200 --> 00:40:43,040
Speaker 8: Efforts local business owners like Stewart appreciate, but when.

762
00:40:42,920 --> 00:40:45,799
Speaker 11: It's on a bigger scale like this, it's more concerning, right,

763
00:40:46,560 --> 00:40:50,239
Speaker 11: because they're pretty persistent, and I mean, it's just a

764
00:40:50,320 --> 00:40:52,800
Speaker 11: big disruption to us, and it's what just a headache

765
00:40:52,840 --> 00:40:53,640
Speaker 11: press up to do with.

766
00:40:54,239 --> 00:40:57,080
Speaker 1: I was talking to my part another other day. You know,

767
00:40:57,480 --> 00:40:59,840
Speaker 1: I'm having home boards the people that I know in

768
00:41:00,040 --> 00:41:03,840
Speaker 1: the neighborhood going through things. You know, you know some

769
00:41:04,120 --> 00:41:06,560
Speaker 1: of them at war, you know, some of them nursing

770
00:41:06,600 --> 00:41:10,040
Speaker 1: theyself back to health. You know, I'm having people that's

771
00:41:10,080 --> 00:41:13,040
Speaker 1: out there in the field. And I was talking to

772
00:41:13,120 --> 00:41:15,160
Speaker 1: one of my player partners the other day and I

773
00:41:15,320 --> 00:41:17,440
Speaker 1: was telling them, like a lot of the people in

774
00:41:17,560 --> 00:41:23,279
Speaker 1: the street, they'll be waiting on the police. They the

775
00:41:23,640 --> 00:41:25,680
Speaker 1: only people that don't know that they waiting on the

776
00:41:25,760 --> 00:41:28,360
Speaker 1: police to pick them up. I had a homeboy that

777
00:41:28,520 --> 00:41:33,200
Speaker 1: was involved in a shooting and he had a warrant,

778
00:41:33,480 --> 00:41:36,480
Speaker 1: and he kind of knew he had a warrant, so

779
00:41:36,760 --> 00:41:39,000
Speaker 1: the police was bad as bed. For those of y'all

780
00:41:39,080 --> 00:41:41,280
Speaker 1: that's ever had a warrant and been to the hospital,

781
00:41:42,640 --> 00:41:46,520
Speaker 1: thank god, I've never been in that scenario. But what

782
00:41:46,680 --> 00:41:49,840
Speaker 1: they say is that you don't get access to the phone,

783
00:41:49,880 --> 00:41:51,960
Speaker 1: you really can't move, and the police is kind of

784
00:41:52,000 --> 00:41:54,600
Speaker 1: really by your door, by your bedside, right because they

785
00:41:54,680 --> 00:41:56,640
Speaker 1: gonna take you into custod as soon as you nurse

786
00:41:56,760 --> 00:42:02,360
Speaker 1: back to health. While he was in the beds, the

787
00:42:02,480 --> 00:42:04,160
Speaker 1: police was there for a minute and all of a

788
00:42:04,160 --> 00:42:08,000
Speaker 1: sudden they left out. Nothing's materialized from it. But what

789
00:42:08,160 --> 00:42:11,279
Speaker 1: I'm getting from it is that there's probably investigation going on,

790
00:42:11,480 --> 00:42:14,600
Speaker 1: because when you're in a scenario, you gotta remember these

791
00:42:14,640 --> 00:42:19,040
Speaker 1: people to sit back and investigate. Oh damn, we ain't

792
00:42:19,080 --> 00:42:21,319
Speaker 1: know nothing about this. This is our first peek at

793
00:42:21,440 --> 00:42:24,240
Speaker 1: over here. Damn this what he had. We been wondering

794
00:42:24,320 --> 00:42:27,200
Speaker 1: where they was at fall back. Don't nobody charge, nobody,

795
00:42:28,400 --> 00:42:32,160
Speaker 1: get away from them. And so when I saw NBA

796
00:42:32,320 --> 00:42:36,160
Speaker 1: young boy take that picture with them zagnacs, if you

797
00:42:36,239 --> 00:42:38,600
Speaker 1: paid attention to the timeline, they called him in the

798
00:42:38,680 --> 00:42:40,680
Speaker 1: court like a week or two after that, maybe a

799
00:42:40,800 --> 00:42:43,640
Speaker 1: month after that, and they requested, man, you gotta stop

800
00:42:43,719 --> 00:42:46,960
Speaker 1: taking these drugs. And then they presented some pushback like no,

801
00:42:47,239 --> 00:42:49,719
Speaker 1: why would I stop taking some drugs? If you've been

802
00:42:49,800 --> 00:42:52,400
Speaker 1: following me, I always tell you we search for information,

803
00:42:52,520 --> 00:42:56,360
Speaker 1: and there's a lot of information in questions, not in

804
00:42:56,560 --> 00:43:00,319
Speaker 1: answers and questions. That's information. And so when the question

805
00:43:00,560 --> 00:43:03,000
Speaker 1: is why you taking these pills? That tells me what

806
00:43:03,840 --> 00:43:08,200
Speaker 1: they don't think they legit. Something about them is putting

807
00:43:08,239 --> 00:43:11,040
Speaker 1: them in a position of where they can even question it.

808
00:43:11,360 --> 00:43:14,160
Speaker 1: Because if I'm operating in the confines of the law,

809
00:43:14,480 --> 00:43:17,000
Speaker 1: and I have went to a doctor that has an NPI,

810
00:43:17,160 --> 00:43:20,400
Speaker 1: that that is practicing under the law and positioning me

811
00:43:20,560 --> 00:43:22,759
Speaker 1: to be in a position to get it. How can

812
00:43:22,840 --> 00:43:27,120
Speaker 1: they say something. They wouldn't say anything because they couldn't

813
00:43:27,120 --> 00:43:30,320
Speaker 1: say anything. So the mere fact that they said something

814
00:43:30,640 --> 00:43:33,960
Speaker 1: should tell you what they probably had reason to believe

815
00:43:34,080 --> 00:43:38,000
Speaker 1: that either they wasn't prescribed to you. You got them fraudulently.

816
00:43:38,120 --> 00:43:40,840
Speaker 1: Something's up with the prescription. He told them no and

817
00:43:41,000 --> 00:43:44,720
Speaker 1: kept and kept taking them. I was interested in the picture.

818
00:43:44,800 --> 00:43:46,960
Speaker 1: What was the picture for? What did it prove? What

819
00:43:47,120 --> 00:43:49,240
Speaker 1: did it do? Was it a cry for help? Because

820
00:43:49,280 --> 00:43:52,040
Speaker 1: when you listen to what these people just said, it

821
00:43:52,160 --> 00:43:55,759
Speaker 1: sounded like you dealing with a super problem that's on

822
00:43:55,880 --> 00:43:59,800
Speaker 1: this young man hand. Well, he's addicted. He's addicted in

823
00:43:59,840 --> 00:44:02,600
Speaker 1: a way where he's doing it hisself. I don't even

824
00:44:02,680 --> 00:44:06,480
Speaker 1: want to split this shit. And only those of you

825
00:44:06,640 --> 00:44:09,719
Speaker 1: that been down through there know about this here, you

826
00:44:09,800 --> 00:44:11,960
Speaker 1: don't even want to split. I'mna go, nigga. You will

827
00:44:12,040 --> 00:44:16,120
Speaker 1: see DMX in my city at the trap, God rest

828
00:44:16,200 --> 00:44:19,239
Speaker 1: his soul. But anybody in my town, no, I ain't lying.

829
00:44:19,800 --> 00:44:24,160
Speaker 1: You'll walk in the trap and see DMX because you

830
00:44:24,200 --> 00:44:27,320
Speaker 1: don't even want to center nigga. It's too much going on.

831
00:44:27,640 --> 00:44:29,839
Speaker 1: Half of the game is once they get it, take

832
00:44:29,920 --> 00:44:32,640
Speaker 1: something from it, even though they being paid, and then

833
00:44:32,800 --> 00:44:35,360
Speaker 1: hit you with it. It's just too much involved in it.

834
00:44:35,440 --> 00:44:38,000
Speaker 1: You only get that information being in the street. So

835
00:44:38,280 --> 00:44:42,080
Speaker 1: niggas show up theyself when they addict it. Now for

836
00:44:42,160 --> 00:44:44,600
Speaker 1: them to say he making the phone called by hisself,

837
00:44:46,360 --> 00:44:49,239
Speaker 1: I said, damn, that's deep. So when you look into it,

838
00:44:50,200 --> 00:44:52,440
Speaker 1: they say the reason they got on them is because

839
00:44:53,160 --> 00:44:55,279
Speaker 1: two or three different things. I'll try to speak to

840
00:44:55,360 --> 00:44:58,160
Speaker 1: two of them, one being his accent. I'm gonna sit

841
00:44:58,239 --> 00:44:59,880
Speaker 1: that to the side for a second and deal with

842
00:45:00,239 --> 00:45:04,600
Speaker 1: just how they were picking up a prescription in his vehicle,

843
00:45:04,960 --> 00:45:08,240
Speaker 1: and so they pulled that vehicle over and had plenty

844
00:45:08,239 --> 00:45:10,760
Speaker 1: of prescriptions in there, and they had just got sloppy

845
00:45:10,840 --> 00:45:13,600
Speaker 1: with it. You see what I'm saying. When they pulled

846
00:45:13,640 --> 00:45:16,480
Speaker 1: this call in, it belonged to him. Now, oh now

847
00:45:16,560 --> 00:45:19,399
Speaker 1: this is two and two now starting to make sense.

848
00:45:19,520 --> 00:45:22,080
Speaker 1: Now on the other side, for them to continue to

849
00:45:22,680 --> 00:45:25,719
Speaker 1: be front facing saying that it was his accent that

850
00:45:25,880 --> 00:45:29,280
Speaker 1: drew attention, I'm not sure. I'm comfortable with how that feels,

851
00:45:30,880 --> 00:45:34,000
Speaker 1: because they can easily be somebody that is from New

852
00:45:34,200 --> 00:45:37,480
Speaker 1: Orleans that is a doctor. Now, to say that a

853
00:45:37,600 --> 00:45:40,080
Speaker 1: doctor usually doesn't call for that kind of thing, that's

854
00:45:40,160 --> 00:45:42,400
Speaker 1: one thing. But for them to blatantly be coming out

855
00:45:42,480 --> 00:45:45,320
Speaker 1: and saying, because of that accent, I know that that

856
00:45:45,560 --> 00:45:49,400
Speaker 1: isn't a doctor. I believe that's kind of that feel nasty.

857
00:45:50,200 --> 00:45:54,160
Speaker 1: That really feels nasty to me, and they continue to

858
00:45:54,239 --> 00:45:56,719
Speaker 1: say it. It's like, yo, because of that accent. We

859
00:45:56,880 --> 00:46:01,000
Speaker 1: heard them say ask, we heard him say acts instead

860
00:46:01,040 --> 00:46:04,200
Speaker 1: of ask. And so when we heard that, we knew, man,

861
00:46:04,280 --> 00:46:07,960
Speaker 1: that ain't no doctor. I'm gonna call the FBI about that.

862
00:46:08,480 --> 00:46:12,800
Speaker 1: I'm gonna refuse the prescription about that. And the fortunate

863
00:46:12,920 --> 00:46:15,800
Speaker 1: thing that these pharmacists have, they have the right to

864
00:46:16,080 --> 00:46:19,400
Speaker 1: say no at this particular pharmacy, we're not gonna do it,

865
00:46:19,960 --> 00:46:22,399
Speaker 1: and then they'll call the doctor. Now, when they called

866
00:46:22,440 --> 00:46:24,600
Speaker 1: the doctor and the doctor said that ain't no good,

867
00:46:24,719 --> 00:46:28,440
Speaker 1: that ain't us, that's what a problem was, and that

868
00:46:28,600 --> 00:46:31,759
Speaker 1: starts the investigation. And now for him to have all

869
00:46:31,840 --> 00:46:35,279
Speaker 1: that shit allegedly in the house, that ties all of

870
00:46:35,360 --> 00:46:38,480
Speaker 1: that to the scenario that they're painting I think he's

871
00:46:38,480 --> 00:46:41,160
Speaker 1: gonna have trouble wiggling out. Now, it's a big house.

872
00:46:41,560 --> 00:46:45,440
Speaker 1: You're on house arrest, and you're supposed to report the

873
00:46:45,520 --> 00:46:48,360
Speaker 1: people that come there, and so if it ain't but

874
00:46:48,440 --> 00:46:50,520
Speaker 1: one or two people, then we find in this kind

875
00:46:50,560 --> 00:46:53,200
Speaker 1: of shit, it ain't really nobody else to put it on.

876
00:46:55,520 --> 00:46:58,320
Speaker 1: And it's a gun in here, you got security, but

877
00:46:58,400 --> 00:47:01,279
Speaker 1: then it's another gun in here. You know what I'm saying.

878
00:47:01,320 --> 00:47:03,920
Speaker 1: It's like it's gonna be rough on him. He may

879
00:47:04,000 --> 00:47:06,840
Speaker 1: have to lay it down, he may be finna have

880
00:47:06,920 --> 00:47:09,880
Speaker 1: to lay it down. But it clearly seems to be

881
00:47:10,120 --> 00:47:13,520
Speaker 1: some abusing the drugs there. You know. I was talking

882
00:47:13,600 --> 00:47:17,480
Speaker 1: to my homeboys the other day about the journey of

883
00:47:17,600 --> 00:47:21,359
Speaker 1: getting off opios, and man, one thing you hear all

884
00:47:21,440 --> 00:47:23,560
Speaker 1: across the board is that journey is one of the

885
00:47:23,680 --> 00:47:28,520
Speaker 1: hardest journeys of people lives, and a lot of these

886
00:47:28,640 --> 00:47:32,440
Speaker 1: individuals that got on these through doctors and getting off

887
00:47:32,560 --> 00:47:34,880
Speaker 1: of them are one of the hardest things in their lives.

888
00:47:34,920 --> 00:47:39,239
Speaker 1: They spoke the depression on getting off of them. One

889
00:47:39,280 --> 00:47:42,640
Speaker 1: of my homeboys is like, man, I made fifteen grand,

890
00:47:43,160 --> 00:47:46,280
Speaker 1: I made nine grand or some shit, and I still

891
00:47:46,520 --> 00:47:50,840
Speaker 1: just in the house just feeling bad about myself. You

892
00:47:50,960 --> 00:47:53,520
Speaker 1: say you get over it, but there was a scenario

893
00:47:53,640 --> 00:47:57,719
Speaker 1: where he felt that. But the dude needs some help.

894
00:47:57,800 --> 00:47:57,960
Speaker 7: Man.

895
00:47:58,760 --> 00:48:00,480
Speaker 1: You know what I'm saying. When you take a picture

896
00:48:00,600 --> 00:48:04,000
Speaker 1: like that on federal papers, out on a monitor on

897
00:48:04,120 --> 00:48:07,960
Speaker 1: house arrest, yeah, you probably need some help. You know

898
00:48:07,960 --> 00:48:11,280
Speaker 1: what I mean. You ain't ready for this kind of battle.

899
00:48:11,320 --> 00:48:13,880
Speaker 1: These federal people got you in because they got you

900
00:48:13,960 --> 00:48:18,759
Speaker 1: with a mental mayhem battle. They trying to whoop on you.

901
00:48:19,360 --> 00:48:22,640
Speaker 1: They trying to mentally beat you up right, So if

902
00:48:22,680 --> 00:48:25,200
Speaker 1: you ain't mentally strong dealing with the fizz, it's gonna

903
00:48:25,200 --> 00:48:28,600
Speaker 1: be a problem break you down. I keep telling y'all,

904
00:48:28,719 --> 00:48:31,239
Speaker 1: isolation is still like jail. I don't give a fuck

905
00:48:31,280 --> 00:48:34,759
Speaker 1: it because it's a house in the hills. Isolation is

906
00:48:34,840 --> 00:48:38,160
Speaker 1: still like jail. You don't get around it because you

907
00:48:38,280 --> 00:48:42,680
Speaker 1: got money. The human universal law is in effect. You

908
00:48:42,719 --> 00:48:45,320
Speaker 1: supposed to feel things when you do things like this.

909
00:48:45,600 --> 00:48:49,319
Speaker 1: Universal law. Go up, come down, universal law, The sun

910
00:48:49,440 --> 00:48:54,120
Speaker 1: must rise. All things will work in the good favor

911
00:48:54,200 --> 00:48:57,960
Speaker 1: of those that love the Lord. You dig what I'm saying.

912
00:48:58,920 --> 00:49:02,279
Speaker 1: It's universal law. Now. I believe them to go and

913
00:49:02,360 --> 00:49:04,759
Speaker 1: pull the phone calls from these pharmacies. How far do

914
00:49:04,880 --> 00:49:07,560
Speaker 1: they go back? Can they prove that's him on the call?

915
00:49:08,200 --> 00:49:10,480
Speaker 1: Can they prove what a call came from? They have

916
00:49:10,680 --> 00:49:13,479
Speaker 1: his cell phone, They allegedly said he tried to break

917
00:49:13,560 --> 00:49:16,080
Speaker 1: it or had told them to break it when they asked,

918
00:49:16,120 --> 00:49:18,279
Speaker 1: can they get entry to it? Right? So there's a

919
00:49:18,360 --> 00:49:21,920
Speaker 1: scenario that young boys placed himself in. Now it's gonna

920
00:49:21,920 --> 00:49:24,279
Speaker 1: be hard to bag out of this one. Now are

921
00:49:24,360 --> 00:49:27,680
Speaker 1: they reaching saying he's running a drug ring? In my opinion, yes,

922
00:49:28,040 --> 00:49:29,960
Speaker 1: I think you're dealing with a young dude that's just

923
00:49:30,080 --> 00:49:32,759
Speaker 1: trying to feed his He trying to feed what he

924
00:49:32,960 --> 00:49:35,839
Speaker 1: got going on, feed his addiction. I'm in the house

925
00:49:35,880 --> 00:49:39,120
Speaker 1: twenty four hours a day. I'm trying to stay high. Hi,

926
00:49:39,320 --> 00:49:41,880
Speaker 1: stay high. I'm in the house all day. I'm staying

927
00:49:42,040 --> 00:49:45,279
Speaker 1: bullet all day long. So I think he's feeding his

928
00:49:45,440 --> 00:49:48,239
Speaker 1: addiction and they're placing it as a drug ring. Now,

929
00:49:48,600 --> 00:49:52,680
Speaker 1: a drug ring could be when you go to multiple places,

930
00:49:52,840 --> 00:49:56,000
Speaker 1: states or otherwise to try to get drugs, and that's

931
00:49:56,120 --> 00:49:58,760
Speaker 1: maybe where they got him at. He'll have good lawyers.

932
00:49:58,800 --> 00:50:00,439
Speaker 1: They gonna have to try to look at and see

933
00:50:00,480 --> 00:50:04,000
Speaker 1: what exactly what we're looking at. I particularly didn't like

934
00:50:04,080 --> 00:50:07,000
Speaker 1: the vernacular being a part of the conversation that someone

935
00:50:07,080 --> 00:50:10,080
Speaker 1: with a Southern dialect. I don't appreciate the fact that

936
00:50:10,239 --> 00:50:13,080
Speaker 1: we say that yo, hey, because he called and we

937
00:50:13,239 --> 00:50:16,400
Speaker 1: heard him use a certain vernacular, we knew that that

938
00:50:16,680 --> 00:50:19,960
Speaker 1: wasn't a doctor or that didn't come from a doctor's office.

939
00:50:20,239 --> 00:50:22,160
Speaker 1: I believe hip hop to be one of the most

940
00:50:22,239 --> 00:50:27,080
Speaker 1: powerful marketing vehicles that this world has ever experienced. And

941
00:50:27,200 --> 00:50:29,960
Speaker 1: I think the downplay hip hop and act like he

942
00:50:30,080 --> 00:50:33,040
Speaker 1: can't live on the cutting edge of the medical industry,

943
00:50:33,440 --> 00:50:35,840
Speaker 1: I would believe that to be a problem. And so

944
00:50:36,040 --> 00:50:38,880
Speaker 1: for white people, black people, and all people that may

945
00:50:38,920 --> 00:50:41,080
Speaker 1: hear the sound of my voice, I want to let

946
00:50:41,160 --> 00:50:44,120
Speaker 1: you know that it's at least one person that's pushing

947
00:50:44,280 --> 00:50:47,000
Speaker 1: back on just because he sounded like he from the

948
00:50:47,160 --> 00:50:50,200
Speaker 1: South and maybe be from New Orleans or maybe be

949
00:50:50,320 --> 00:50:52,920
Speaker 1: a part of hip hop culture, that he could have

950
00:50:53,120 --> 00:50:56,880
Speaker 1: been a doctor. Unfortunately he wasn't and he was lying.

951
00:50:56,920 --> 00:51:02,000
Speaker 1: Whoever that may have been knowing this participation, I don't

952
00:51:02,080 --> 00:51:04,120
Speaker 1: know who was on the phone, but I know if

953
00:51:04,160 --> 00:51:06,400
Speaker 1: they're saying that it wasn't a doctor and it's been

954
00:51:06,440 --> 00:51:08,760
Speaker 1: a lige that they've reached out to the doctor's office,

955
00:51:08,800 --> 00:51:11,239
Speaker 1: and it wasn't that doctor. I think it's safe to

956
00:51:11,320 --> 00:51:15,320
Speaker 1: say that it wasn't a doctor. But whoever it was,

957
00:51:16,640 --> 00:51:21,719
Speaker 1: I don't think just because the Southern dialect is presented

958
00:51:21,800 --> 00:51:25,279
Speaker 1: on that call, in my opinion, is enough. It's enough

959
00:51:25,360 --> 00:51:28,560
Speaker 1: to reject the business. That's a whole nother conversation. Look,

960
00:51:28,680 --> 00:51:31,960
Speaker 1: drug ring, whatever they got, the fez one it, whoever's

961
00:51:32,040 --> 00:51:34,160
Speaker 1: on it. They gotta deal with the cars that they

962
00:51:34,280 --> 00:51:38,319
Speaker 1: put on the table. My thing is this, respect all

963
00:51:38,400 --> 00:51:42,200
Speaker 1: walks of life, and they go for anybody. I see y'all.

964
00:51:42,239 --> 00:51:44,880
Speaker 1: Next time, it's up there podcast Here one of these

965
00:51:44,960 --> 00:51:47,080
Speaker 1: boxes to see the last one, the next one to

966
00:51:47,160 --> 00:51:49,200
Speaker 1: see one of the interviews. Here one of these boxes.

967
00:51:50,440 --> 00:51:52,960
Speaker 1: Come to patreon dot com. It's up that podcast to

968
00:51:53,040 --> 00:51:56,160
Speaker 1: see the full version. Because of YouTube, y'all get it.

969
00:51:56,239 --> 00:51:58,320
Speaker 1: Y'all get a petted version because you know some of

970
00:51:58,360 --> 00:52:00,479
Speaker 1: them songs and some of the things I have to play.

971
00:52:00,960 --> 00:52:03,920
Speaker 1: You can't really see it, but salute everybody on YouTube.

972
00:52:03,960 --> 00:52:06,959
Speaker 1: Come to Patreon, vibe with the players. I got merch

973
00:52:07,080 --> 00:52:09,160
Speaker 1: coming real soon. Be on the look out. Go to

974
00:52:09,280 --> 00:52:13,360
Speaker 1: prize picks, use my code IUTP make sure you pumping

975
00:52:13,480 --> 00:52:17,800
Speaker 1: that it's up there podcast. In every podcast conversation without

976
00:52:17,920 --> 00:52:20,279
Speaker 1: y'alld like, ain't nothing. It don't matter how many, It

977
00:52:20,360 --> 00:52:24,160
Speaker 1: don't matter how many. Without y'all, ain't nothing. Bigg's up

978
00:52:24,200 --> 00:52:26,839
Speaker 1: there podcast. I love who loved me. I'm gonna see

979
00:52:26,880 --> 00:52:29,560
Speaker 1: y'all next conversation. It's love. It's love.