1 00:00:03,040 --> 00:00:05,200 Speaker 1: All right, Welcome to episode twenty three The Bobby Cash 2 00:00:06,360 --> 00:00:09,040 Speaker 1: Our guest this week guest producer Ready from the very 3 00:00:09,080 --> 00:00:16,520 Speaker 1: popular Bobby Bone Show and award winning band The Raging Idiots. Hello, Wady, 4 00:00:16,520 --> 00:00:19,239 Speaker 1: Welcome to the studio. This is awesome. And he's never 5 00:00:19,239 --> 00:00:21,919 Speaker 1: been to the house before. Eddie text me, I don't 6 00:00:21,920 --> 00:00:23,920 Speaker 1: even know my address. Eddie text me was, hey, what's 7 00:00:23,920 --> 00:00:26,119 Speaker 1: your address? I was like, I don't know, dude. Is 8 00:00:26,120 --> 00:00:29,200 Speaker 1: that really? You don't know your addressle like Mike had 9 00:00:29,240 --> 00:00:31,360 Speaker 1: to give me. I don't know my zip code. I 10 00:00:31,400 --> 00:00:34,720 Speaker 1: don't know anything, dude, Dude. I like the place. It's nice. 11 00:00:35,440 --> 00:00:39,600 Speaker 1: I don't know my mailing address. Um uh yeah, it's 12 00:00:39,600 --> 00:00:43,440 Speaker 1: it's a it's a nice place. Thanks. When I grew up, 13 00:00:43,440 --> 00:00:46,640 Speaker 1: I want a place like this. It's like Mario Brothers 14 00:00:46,800 --> 00:00:52,000 Speaker 1: because there are three levels, or it's a lot of 15 00:00:52,680 --> 00:00:56,080 Speaker 1: climbing because there aren't stairs. It's all just ladders to 16 00:00:56,080 --> 00:00:58,760 Speaker 1: get to the next floor. We were thinking though, because 17 00:00:58,840 --> 00:01:00,560 Speaker 1: Dusty has to go up now stairs all the time, 18 00:01:00,560 --> 00:01:02,680 Speaker 1: because he just runs up and down the three levels 19 00:01:02,680 --> 00:01:05,320 Speaker 1: of the house that we have. I have to find 20 00:01:05,360 --> 00:01:10,200 Speaker 1: somebody to build ramps down every staircase, like carpeted ramps 21 00:01:10,200 --> 00:01:12,920 Speaker 1: so he doesn't slide down them, and I think it's 22 00:01:13,040 --> 00:01:15,920 Speaker 1: easier on his legs. He's thirteen now, so I don't 23 00:01:15,920 --> 00:01:19,360 Speaker 1: falling down the stairs. No, but and he doesn't even 24 00:01:19,400 --> 00:01:21,880 Speaker 1: not like him yet he gets tired going up and 25 00:01:21,920 --> 00:01:23,400 Speaker 1: down them all the time. I thought having a backyard 26 00:01:23,440 --> 00:01:25,119 Speaker 1: was gonna be crazy for him. But it's just the stairs. 27 00:01:25,160 --> 00:01:27,959 Speaker 1: He just gets tired. But again in the next year, 28 00:01:28,560 --> 00:01:31,080 Speaker 1: as his body deteriorates as he is an old man, 29 00:01:31,280 --> 00:01:33,280 Speaker 1: I'm going to have to have some some kind of 30 00:01:33,360 --> 00:01:37,640 Speaker 1: stare thing built. Can you do that me? You can? 31 00:01:37,680 --> 00:01:39,919 Speaker 1: Why because I built stuff? Because you can do build 32 00:01:39,959 --> 00:01:42,200 Speaker 1: anything or break into or break into any dude, I 33 00:01:42,240 --> 00:01:46,199 Speaker 1: can break into things. He goes, yeah, I can build things, 34 00:01:46,280 --> 00:01:49,200 Speaker 1: break into things. I can fix my car. And he 35 00:01:49,280 --> 00:01:51,200 Speaker 1: can take a credit card to get into any door. 36 00:01:51,760 --> 00:01:54,880 Speaker 1: Not any door. I've never seen you not get into 37 00:01:54,880 --> 00:01:57,200 Speaker 1: a door with a credit card. It's weird, dude. My 38 00:01:57,280 --> 00:02:00,320 Speaker 1: dad used to have this, uh Swiss army knife and 39 00:02:00,440 --> 00:02:03,600 Speaker 1: he would be able to open our car doors with 40 00:02:03,760 --> 00:02:06,480 Speaker 1: just that little knife. Is it because the car door 41 00:02:06,560 --> 00:02:08,720 Speaker 1: was so old or because your dad was so gifted 42 00:02:08,720 --> 00:02:11,000 Speaker 1: with Swiss army Because there are two because there are 43 00:02:11,000 --> 00:02:12,440 Speaker 1: old cars that we had that I think a butter 44 00:02:12,480 --> 00:02:14,560 Speaker 1: knife could have started the car. Yeah, and I think 45 00:02:14,639 --> 00:02:16,839 Speaker 1: did start the car. Yeah. I mean this was back 46 00:02:16,840 --> 00:02:19,240 Speaker 1: like in the nineties, so I mean I guess like 47 00:02:19,320 --> 00:02:21,639 Speaker 1: he's just he was just good at the nineties. That 48 00:02:21,760 --> 00:02:25,119 Speaker 1: was his tool. Let's do this. Let's talk about Blue 49 00:02:25,160 --> 00:02:27,520 Speaker 1: Apron for a second. For less than ten dollars per meal, 50 00:02:27,560 --> 00:02:31,280 Speaker 1: Blue Apron deliver seasonal recipes along with preportioned ingredients to 51 00:02:31,320 --> 00:02:33,760 Speaker 1: make the lustious home cooking meals. And Blue Apron knows 52 00:02:33,919 --> 00:02:37,119 Speaker 1: when you cook with great ingredients, you make in incredible meals. 53 00:02:37,200 --> 00:02:41,120 Speaker 1: So they use ranchers and fisheries and suppliers and they'll 54 00:02:41,120 --> 00:02:42,720 Speaker 1: send it right to your house. It's box. You have 55 00:02:42,720 --> 00:02:44,480 Speaker 1: a good boy, apron um No. I tried to get 56 00:02:44,560 --> 00:02:48,640 Speaker 1: Lunchbox the Blue Apron for his wedding anniversary, but he 57 00:02:48,639 --> 00:02:50,960 Speaker 1: said it wasn't a good gift. Try to give him 58 00:02:50,960 --> 00:02:53,480 Speaker 1: like a whole year's supply of blue I know, I 59 00:02:53,480 --> 00:02:55,320 Speaker 1: was gonna pay for it, and that was my gift. Oh, 60 00:02:55,360 --> 00:02:57,520 Speaker 1: but since he already buys it, he doesn't even get 61 00:02:57,520 --> 00:02:59,239 Speaker 1: it free. Like GE's the show. Every time he still 62 00:02:59,280 --> 00:03:03,880 Speaker 1: pays for it of course. Yeah, yeah, she'd probably work 63 00:03:03,960 --> 00:03:06,000 Speaker 1: on that. Um. You can check out this week's menu. 64 00:03:06,000 --> 00:03:08,320 Speaker 1: You get the first three meals for free with free 65 00:03:08,360 --> 00:03:11,360 Speaker 1: shipping by going to Blue Apron dot Com slash Bobby 66 00:03:11,520 --> 00:03:15,400 Speaker 1: Mills Meals Meals Due. I'm I've listened to all these 67 00:03:15,440 --> 00:03:19,079 Speaker 1: Bobby casts Bobby meals. You struggle with that Mills No, no, no, 68 00:03:19,200 --> 00:03:20,800 Speaker 1: I say it how I say it, and I struggle 69 00:03:20,800 --> 00:03:22,959 Speaker 1: with having to change it. You guys want me to 70 00:03:23,000 --> 00:03:28,400 Speaker 1: be somebody I'm not. Yes, you do me U. Blue 71 00:03:28,440 --> 00:03:31,440 Speaker 1: Apron dot Com slash Bobby Meals you love how get 72 00:03:31,440 --> 00:03:33,760 Speaker 1: a fields and taste Blue Apron dot Com slash Bobby 73 00:03:33,800 --> 00:03:36,360 Speaker 1: Meals Blue Apron a better way to cook? But type 74 00:03:36,400 --> 00:03:40,280 Speaker 1: that Blue Apron dot Com slash Bobby meals No, I'm trying. 75 00:03:40,840 --> 00:03:44,680 Speaker 1: Here's the big disconnect amongst our show is we come 76 00:03:44,720 --> 00:03:47,680 Speaker 1: from a lot of places, but all of us met 77 00:03:47,720 --> 00:03:51,000 Speaker 1: in Texas, all the main cast we've been together for 78 00:03:51,080 --> 00:03:55,760 Speaker 1: years and years and years, and Texas as much as 79 00:03:55,960 --> 00:03:58,080 Speaker 1: I love Austin, I was like a home to me 80 00:03:58,120 --> 00:04:00,440 Speaker 1: and I still live there and they're building that's a 81 00:04:00,520 --> 00:04:04,400 Speaker 1: crazy studio, which is awesome because and be there more like, 82 00:04:04,600 --> 00:04:06,280 Speaker 1: please build a studio because I live there and I 83 00:04:06,320 --> 00:04:08,920 Speaker 1: want to be there more. For like two years, they've 84 00:04:08,960 --> 00:04:12,760 Speaker 1: been promising and finally they're doing it. So but the 85 00:04:12,800 --> 00:04:17,840 Speaker 1: thing is, Texas is not the South. There is a difference. 86 00:04:17,960 --> 00:04:22,480 Speaker 1: Texas Texas, absolutely, and so whenever we say things like meals, 87 00:04:22,520 --> 00:04:27,960 Speaker 1: that's my southern accent, that's Arkansas, yes, and Texas is 88 00:04:28,240 --> 00:04:32,080 Speaker 1: a different accent. So it is Oklahoma the South, yeah, 89 00:04:32,160 --> 00:04:35,359 Speaker 1: parts of it. Man, So it's just Texas, Texas, Texas, 90 00:04:35,480 --> 00:04:39,000 Speaker 1: own Country, Texas and New Mexico, Arizona. It's kind of 91 00:04:39,000 --> 00:04:42,279 Speaker 1: like the Southwest. That's it's it's very much so. But 92 00:04:42,360 --> 00:04:44,160 Speaker 1: Austin is different than all the rest of Texas too, 93 00:04:44,839 --> 00:04:48,920 Speaker 1: because the rest of Texas is like Austin is its own, 94 00:04:49,080 --> 00:04:53,279 Speaker 1: almost its own republican itself because nothing else is like Austin. 95 00:04:53,320 --> 00:04:54,640 Speaker 1: And then you go down to San Antonio and it 96 00:04:54,680 --> 00:04:57,800 Speaker 1: becomes more Mexico. You go to the east and it's 97 00:04:57,960 --> 00:05:03,960 Speaker 1: like like Pine country, cowboys, oil builds. You go up north, 98 00:05:04,400 --> 00:05:07,799 Speaker 1: Texas is well, it's so big though, it's huge, huge, 99 00:05:07,800 --> 00:05:10,359 Speaker 1: and that's what I grew up in, like Texas being huge. 100 00:05:10,400 --> 00:05:13,000 Speaker 1: So traveling once we moved up here, it's like whoa, 101 00:05:13,040 --> 00:05:15,720 Speaker 1: I can go to Kentucky and I can go to 102 00:05:15,080 --> 00:05:18,720 Speaker 1: uh Yeah, Like that's crazy that we can drive to 103 00:05:18,720 --> 00:05:21,719 Speaker 1: another state in less than like four hours. Another one 104 00:05:21,760 --> 00:05:24,359 Speaker 1: of my points, as you're wearing a knit cap on 105 00:05:24,400 --> 00:05:27,080 Speaker 1: your head, as you would call it a beanie. Now, 106 00:05:27,400 --> 00:05:30,359 Speaker 1: I grew up calling it a toboggan. And when I 107 00:05:30,400 --> 00:05:34,359 Speaker 1: moved to austin twenty one two, I was told, hey, stupid, 108 00:05:34,800 --> 00:05:38,520 Speaker 1: that's not called a toboggan. It's called a beanie Texans. 109 00:05:39,000 --> 00:05:44,159 Speaker 1: So I when in Rome, started calling it a beanie, 110 00:05:44,160 --> 00:05:48,039 Speaker 1: but never felt right really, so you changed, well because 111 00:05:48,160 --> 00:05:49,720 Speaker 1: just because I didn't want to start. I don't want 112 00:05:49,839 --> 00:05:51,400 Speaker 1: to have to explain myself, right, That's the way I 113 00:05:51,480 --> 00:05:54,840 Speaker 1: am with people that say guacamole guac like it's not 114 00:05:54,880 --> 00:05:58,479 Speaker 1: guaka's guaca. More like you guys say guests okay, so 115 00:05:58,680 --> 00:06:02,200 Speaker 1: and it's gistl Like no, that's just like that's an accent. 116 00:06:03,240 --> 00:06:05,800 Speaker 1: So that's a different not a different word point. It's 117 00:06:05,839 --> 00:06:08,719 Speaker 1: not a whole. But in Arkansas we said cheese dip. 118 00:06:08,839 --> 00:06:12,599 Speaker 1: That's terrible that I agree with. But no, here's the difference, 119 00:06:12,640 --> 00:06:16,400 Speaker 1: so too again, difference in Arkansas. Growing up, it literally 120 00:06:16,440 --> 00:06:18,400 Speaker 1: was cheese dip. It was just melted cheese. It wasn't 121 00:06:18,640 --> 00:06:21,320 Speaker 1: so you would get like craft slices and melted. My 122 00:06:21,320 --> 00:06:23,680 Speaker 1: grandma would take velvita or we take government cheese. Come 123 00:06:23,680 --> 00:06:25,440 Speaker 1: in the box and you have melted and then we 124 00:06:25,520 --> 00:06:29,479 Speaker 1: just take chips. That literally was cheese dip. And that's 125 00:06:29,480 --> 00:06:31,000 Speaker 1: what a lot of Arkansas had because it's not like 126 00:06:31,000 --> 00:06:32,760 Speaker 1: there's a lot of great Mexican food there. And I 127 00:06:32,800 --> 00:06:37,440 Speaker 1: moved to Texas and it was Queso. So for me, 128 00:06:37,520 --> 00:06:40,239 Speaker 1: it was just struggled knowing there was a difference. Listen, 129 00:06:40,279 --> 00:06:42,880 Speaker 1: I changed, I fit in do you call do you 130 00:06:42,880 --> 00:06:48,000 Speaker 1: called guacamo and guawk? Mm hmmm, I don't. I don't know. 131 00:06:48,720 --> 00:06:52,440 Speaker 1: That's one of those you say that. I don't think 132 00:06:52,440 --> 00:06:56,440 Speaker 1: I call it guacamole. It's just too many. I will 133 00:06:56,520 --> 00:07:03,400 Speaker 1: have a side of guaco mooley, please, guango moley? Can 134 00:07:03,400 --> 00:07:08,840 Speaker 1: I get some guaco? Yeah? Just because I really don't know. 135 00:07:08,920 --> 00:07:11,560 Speaker 1: Another thing is that I would like my step dad 136 00:07:11,560 --> 00:07:13,920 Speaker 1: would say. I would say, hey, what's the state that 137 00:07:13,960 --> 00:07:16,520 Speaker 1: looks like a boot? What's the state looks like a boot? 138 00:07:16,520 --> 00:07:19,840 Speaker 1: The state in America looks like a boot? That was easy? Idaho, No, no, no, 139 00:07:20,240 --> 00:07:22,960 Speaker 1: that's more like a sideways Bryan Pan you know a 140 00:07:23,080 --> 00:07:25,280 Speaker 1: boot it's down below Arkansas. I'm just you know what 141 00:07:25,320 --> 00:07:32,920 Speaker 1: it it's not a trivia question, No baton rouge. Louisiana Louisiana. Right, 142 00:07:33,120 --> 00:07:34,800 Speaker 1: like my stead dad who's on the show quite often, 143 00:07:35,120 --> 00:07:37,520 Speaker 1: does not call it. That called the Louisiana in Arkansas. 144 00:07:37,560 --> 00:07:40,760 Speaker 1: You called Louisiana Louisiana Saturday night. Right. And another thing 145 00:07:40,840 --> 00:07:42,320 Speaker 1: is there's the state with all the s is in 146 00:07:42,360 --> 00:07:47,680 Speaker 1: it Mississippi Mississippi. Right, That's not how we set it 147 00:07:47,680 --> 00:07:50,640 Speaker 1: growing up. And does Mississippi Mississippi. It's like you cut 148 00:07:50,680 --> 00:07:54,480 Speaker 1: a hole, it's off of it instead of Mississippi. It 149 00:07:54,640 --> 00:07:56,960 Speaker 1: was Mississippi. Were gonna go down to We'll go to 150 00:07:56,960 --> 00:07:59,160 Speaker 1: the boats and gamble like we go to you know, 151 00:07:59,360 --> 00:08:02,880 Speaker 1: like Charles or that's in that's in Louisiana, Louisiana. Where 152 00:08:02,920 --> 00:08:06,400 Speaker 1: were the we're the boats in Mississippi? Uh? Where were 153 00:08:06,440 --> 00:08:09,600 Speaker 1: the boat Missisippi? Yeah, but we wouldn't go that far. 154 00:08:10,880 --> 00:08:13,800 Speaker 1: Where were the boats in Mississippi? Uh? Most of the 155 00:08:13,840 --> 00:08:19,640 Speaker 1: time we would go to uh not because we go 156 00:08:19,680 --> 00:08:22,920 Speaker 1: through southern Arkias. I've been so long as gamble, dude, 157 00:08:23,560 --> 00:08:26,120 Speaker 1: remember you used to gamble so much. But we would 158 00:08:26,120 --> 00:08:28,160 Speaker 1: go to Tree Reports. Where we go, Yeah, we go 159 00:08:28,240 --> 00:08:30,960 Speaker 1: to the boats in Shreveport, and then let me go 160 00:08:31,000 --> 00:08:36,560 Speaker 1: to Scotty that you can call Scotty now in that Shreeport, Louisiana. Okay, okay, Yeah, 161 00:08:36,960 --> 00:08:43,320 Speaker 1: we used to go to Cashata, Louisiana like Charles, Louisiana Treeport. Um, dude, 162 00:08:43,600 --> 00:08:47,160 Speaker 1: Scotty and his family are big. They like to the boats. 163 00:08:47,160 --> 00:08:50,079 Speaker 1: And you know what it knows about Scotty and your 164 00:08:50,120 --> 00:08:56,000 Speaker 1: set down. They both say, um, do what do what? 165 00:08:55,840 --> 00:08:59,679 Speaker 1: Do what? That's like, yeah, excuse me? Do what what? 166 00:09:01,120 --> 00:09:05,560 Speaker 1: But that's okay. Hey, we're on the air recording something 167 00:09:05,640 --> 00:09:07,840 Speaker 1: right now. So I just got a question for you. Uh, 168 00:09:08,080 --> 00:09:11,239 Speaker 1: when you guys would go to the boats in Missisipi, 169 00:09:11,240 --> 00:09:16,400 Speaker 1: where would you guys go? Tunica? Tunica? Yeah, that's the way. 170 00:09:16,640 --> 00:09:22,199 Speaker 1: But when we would go, we'd mostly go to Streport, Louisiana. Right. 171 00:09:22,520 --> 00:09:24,880 Speaker 1: Scotty moved to Kansas City, by the way. What Yeah, 172 00:09:24,880 --> 00:09:29,520 Speaker 1: he loves Scott didn't know that. That's Eddie by the way, 173 00:09:29,600 --> 00:09:36,440 Speaker 1: yelling at you. Yeah all right, anyway, that's all all right. 174 00:09:36,480 --> 00:09:41,319 Speaker 1: See that boy by Scotty a man of very few words, 175 00:09:41,400 --> 00:09:44,040 Speaker 1: very few words. Scott is my neighbor going up. Scotty 176 00:09:44,040 --> 00:09:46,240 Speaker 1: and I have state friends since Scott used to beat 177 00:09:46,280 --> 00:09:48,319 Speaker 1: me up when as a kid. Really yeah, because it 178 00:09:48,480 --> 00:09:50,600 Speaker 1: for fun. Two years older than me when you're in 179 00:09:50,720 --> 00:09:55,120 Speaker 1: high school, in elementary school, he was your bully. Hell yeah, yeah, yeah, 180 00:09:55,120 --> 00:09:58,839 Speaker 1: for a long time. Yeah yeah, told me this story. No, 181 00:09:58,960 --> 00:10:00,640 Speaker 1: he lived next door and he was two years older 182 00:10:00,640 --> 00:10:04,080 Speaker 1: than me. And when you're in fourth grade, in sixth grade, 183 00:10:04,480 --> 00:10:07,439 Speaker 1: that's a significant difference. So Scotty beat the crap out 184 00:10:07,440 --> 00:10:09,920 Speaker 1: of me, right, But you guys are like best buds now, like, yeah, 185 00:10:09,920 --> 00:10:12,800 Speaker 1: you grow into it. Wow. Yeah, and we had a 186 00:10:12,840 --> 00:10:14,720 Speaker 1: lot of similarities. We go ahead and fish. And if 187 00:10:14,760 --> 00:10:16,600 Speaker 1: you fought today, who would win? I kill him. He's 188 00:10:16,679 --> 00:10:18,280 Speaker 1: much bigger than I. I would kill him because I'm 189 00:10:18,280 --> 00:10:21,080 Speaker 1: a good shape. I mean, he may get a couple 190 00:10:21,080 --> 00:10:25,480 Speaker 1: of punches. But the reason I would win many fights 191 00:10:25,520 --> 00:10:27,400 Speaker 1: with people in my age now is not because I'm 192 00:10:27,400 --> 00:10:30,240 Speaker 1: a good fighter, but because I'm in a good shape 193 00:10:30,240 --> 00:10:32,400 Speaker 1: and fighting takes a lot of energy. Yes, you've said 194 00:10:32,400 --> 00:10:35,120 Speaker 1: that about me, I'll kill you. Yeah, I mean we 195 00:10:35,160 --> 00:10:38,840 Speaker 1: should try something. You would probably, But here's the thing too, 196 00:10:38,080 --> 00:10:41,079 Speaker 1: I'm you're not even scraping. That would be on the 197 00:10:41,120 --> 00:10:43,680 Speaker 1: golf course and he would say something. I'd be like, 198 00:10:43,679 --> 00:10:45,640 Speaker 1: don't don't mind up. I would tackle you and I'm 199 00:10:45,679 --> 00:10:48,080 Speaker 1: going to tackle Eddie like he was a freaking punching bag. 200 00:10:48,080 --> 00:10:50,440 Speaker 1: You were just sitting up. Sometimes I would just kind 201 00:10:50,440 --> 00:10:55,120 Speaker 1: of fall before you even know. We were out. This 202 00:10:55,160 --> 00:10:57,760 Speaker 1: weekend we were playing we only have here's the thing 203 00:10:57,760 --> 00:11:00,640 Speaker 1: with the raging Idiots. Eddie and I are pretty much 204 00:11:00,720 --> 00:11:03,800 Speaker 1: done after these last two shows. Depending on when you 205 00:11:03,840 --> 00:11:05,160 Speaker 1: hear this, we have a couple of shows left, one 206 00:11:05,160 --> 00:11:08,800 Speaker 1: in Vegas, one in Albuquerque, and I thought then we 207 00:11:08,800 --> 00:11:11,800 Speaker 1: were going to retire and just calling it a day. 208 00:11:11,880 --> 00:11:18,240 Speaker 1: But then Stage Coach. Stage Coach called and said, would 209 00:11:18,240 --> 00:11:20,280 Speaker 1: you guys come play Stage Coach and they have this 210 00:11:20,440 --> 00:11:22,640 Speaker 1: is the main stage where the big Axe play the 211 00:11:22,679 --> 00:11:24,920 Speaker 1: huge acts, and they were like, you can play early 212 00:11:25,040 --> 00:11:26,439 Speaker 1: in the day on the big stage, or you can 213 00:11:26,480 --> 00:11:30,040 Speaker 1: close out the small stage. And if we're gonna go, 214 00:11:30,160 --> 00:11:31,920 Speaker 1: we might as well because we'll we'll never go to 215 00:11:31,880 --> 00:11:33,719 Speaker 1: that again in our life, probably because it's just so 216 00:11:33,800 --> 00:11:36,480 Speaker 1: far and we see all that anyway. Here, it'd be 217 00:11:36,480 --> 00:11:39,920 Speaker 1: like traveling to Japan to watch an episode of friends 218 00:11:39,960 --> 00:11:42,560 Speaker 1: on CAP I get to watch in our bedroom. Why 219 00:11:42,559 --> 00:11:44,400 Speaker 1: would go to Japan to do it? So? Why would 220 00:11:44,440 --> 00:11:46,440 Speaker 1: I fly out to California to watch all the country 221 00:11:46,480 --> 00:11:49,920 Speaker 1: acts every day? But it is supposedly a cool experience. 222 00:11:49,920 --> 00:11:52,160 Speaker 1: So we chose to play later in the day on 223 00:11:52,200 --> 00:11:54,840 Speaker 1: the smaller stage. But we planned to not playing your 224 00:11:54,840 --> 00:11:56,920 Speaker 1: reging IDEO shows next year at all. Were gonna call. 225 00:11:57,000 --> 00:11:59,679 Speaker 1: We were actually gonna wrap it up, and so we're 226 00:11:59,679 --> 00:12:01,720 Speaker 1: doing that show. But now the people know, I'm getting 227 00:12:01,720 --> 00:12:04,000 Speaker 1: requests that crazy to do him next year. Hey, the 228 00:12:04,040 --> 00:12:07,040 Speaker 1: money is good, We'll do anything that's not. No, that's 229 00:12:07,080 --> 00:12:11,160 Speaker 1: my slogan. That's my slogan for governor. I'll do any 230 00:12:11,200 --> 00:12:16,200 Speaker 1: act for money. Dude, that's gonna that's gonna get you 231 00:12:16,280 --> 00:12:21,240 Speaker 1: the governor. I have to raise money, I'll do I'll 232 00:12:21,280 --> 00:12:25,599 Speaker 1: do any act for money. I think it's crazy that 233 00:12:25,640 --> 00:12:28,880 Speaker 1: the governor of Arkansas or by the way, I tweeted 234 00:12:29,000 --> 00:12:30,840 Speaker 1: him and I thought it was a need. He tweeted 235 00:12:30,840 --> 00:12:32,520 Speaker 1: me back. First of all, someone from like a press 236 00:12:32,559 --> 00:12:34,640 Speaker 1: course something saw it. He's done pretty close to seven 237 00:12:34,760 --> 00:12:37,120 Speaker 1: year old man. And I'm sure he's not reading he's 238 00:12:37,160 --> 00:12:39,959 Speaker 1: not my Twitter. I don't know he's on Twitter. Probably not, 239 00:12:40,040 --> 00:12:44,640 Speaker 1: but he's probably not reading my tweets, and so I 240 00:12:44,679 --> 00:12:46,480 Speaker 1: didn't even put him in the first tweet. I ended 241 00:12:46,520 --> 00:12:49,440 Speaker 1: up putting them more later and somebody said, hey, Governor 242 00:12:49,480 --> 00:12:53,080 Speaker 1: Hudson respond back, and he did, or someone in his 243 00:12:53,080 --> 00:12:56,640 Speaker 1: team did, regardless. The next morning he called the request 244 00:12:56,679 --> 00:13:00,520 Speaker 1: line the governor of Arkansas. That's crazy to me. To me, 245 00:13:00,559 --> 00:13:01,880 Speaker 1: that's a big deal. I don't know if governors are 246 00:13:01,920 --> 00:13:04,240 Speaker 1: big deals to other people. I don't know if growing 247 00:13:04,280 --> 00:13:06,599 Speaker 1: up to the governor of to us, the governor was 248 00:13:06,640 --> 00:13:09,000 Speaker 1: big because Bill Clinton was our governor, you know that 249 00:13:09,080 --> 00:13:12,199 Speaker 1: being the president. Mike huck could be was our governor 250 00:13:12,480 --> 00:13:14,839 Speaker 1: and he ended up running for president and being a 251 00:13:14,840 --> 00:13:17,400 Speaker 1: big national figure. So the governor was always a big 252 00:13:17,440 --> 00:13:20,960 Speaker 1: deal of Arkansas. And so you know, I said, hey, 253 00:13:21,520 --> 00:13:23,760 Speaker 1: I'm going to run. I really am serious about writing 254 00:13:23,760 --> 00:13:25,240 Speaker 1: a political office. I know you are. I know I 255 00:13:25,280 --> 00:13:27,439 Speaker 1: can see it in your eyes. You're serious. It's scary. 256 00:13:27,480 --> 00:13:30,079 Speaker 1: Are you messing with me? No? No, it's scary because 257 00:13:30,120 --> 00:13:32,360 Speaker 1: I know how serious you are and it and it 258 00:13:32,440 --> 00:13:35,360 Speaker 1: scares me because that means that you're gonna put all 259 00:13:35,400 --> 00:13:38,800 Speaker 1: your attention on that when this time comes. And then 260 00:13:40,200 --> 00:13:42,439 Speaker 1: it's probably and then that's it's it for me. No, 261 00:13:42,440 --> 00:13:45,320 Speaker 1: no, no no, it's not that unless I've become the consultant 262 00:13:45,360 --> 00:13:48,920 Speaker 1: of you how you can go and do digital stuff 263 00:13:48,920 --> 00:13:54,880 Speaker 1: and take pictures. Thanks, But I don't it. I don't 264 00:13:54,880 --> 00:13:56,360 Speaker 1: know what I want to do it because I and 265 00:13:56,400 --> 00:13:57,959 Speaker 1: I've talked on the podcast before, like I want to 266 00:13:57,960 --> 00:14:00,480 Speaker 1: give the presidency a run, and so if I'm gonna 267 00:14:00,480 --> 00:14:03,120 Speaker 1: do the governor thing, I probably need to do it 268 00:14:03,160 --> 00:14:04,679 Speaker 1: in the next eight or nine years. And one thing 269 00:14:04,679 --> 00:14:06,960 Speaker 1: you allway said about the presidency is that you kind 270 00:14:06,960 --> 00:14:09,200 Speaker 1: of feel like you need to be young while you're 271 00:14:09,679 --> 00:14:11,679 Speaker 1: going to be the president. I think that there should 272 00:14:11,679 --> 00:14:14,079 Speaker 1: be an age limit, not on the bottom side of 273 00:14:14,080 --> 00:14:17,160 Speaker 1: the presidency, on the top side, because I think if 274 00:14:17,160 --> 00:14:19,080 Speaker 1: you if you're over sixty five, you shouldn't be able 275 00:14:19,080 --> 00:14:21,280 Speaker 1: to run president. Like, let's just go and cut that. 276 00:14:21,800 --> 00:14:26,000 Speaker 1: You shouldn't be because because you're just not thinking straight. 277 00:14:26,080 --> 00:14:28,360 Speaker 1: Two things. One, you're you're just too old. You're probably 278 00:14:28,720 --> 00:14:30,840 Speaker 1: know and you're probably not in touch with and it's 279 00:14:30,840 --> 00:14:32,800 Speaker 1: not that you are. Right then, but let's stay in 280 00:14:32,880 --> 00:14:34,640 Speaker 1: four years and then if you if you have a 281 00:14:34,680 --> 00:14:37,040 Speaker 1: decent termament for you, you go eight years. So here 282 00:14:37,080 --> 00:14:39,000 Speaker 1: you are, you're sixty five, you get in at sixty 283 00:14:39,040 --> 00:14:41,840 Speaker 1: six or seventy four. A seventy four year old making 284 00:14:41,880 --> 00:14:45,520 Speaker 1: a lot of decisions on everyday Americans. Most of them 285 00:14:45,560 --> 00:14:48,160 Speaker 1: are way below seventy four. It's just weird because in 286 00:14:48,240 --> 00:14:50,560 Speaker 1: history we look at the presidents and they look really 287 00:14:50,760 --> 00:14:52,360 Speaker 1: but that's the thing with our country. We get so 288 00:14:52,440 --> 00:14:56,840 Speaker 1: stuck into these patterns, in these traditions that we think 289 00:14:56,880 --> 00:14:59,280 Speaker 1: we have to stay with it forever. So instead of 290 00:14:59,280 --> 00:15:03,080 Speaker 1: there being it being thirty five whatever the minimum age 291 00:15:03,080 --> 00:15:06,040 Speaker 1: is ruin the president, there shouldn't be a We should 292 00:15:06,040 --> 00:15:08,840 Speaker 1: just have a law in America that says you're an adult. 293 00:15:09,280 --> 00:15:11,680 Speaker 1: That's it, period, and you get all the adult things, 294 00:15:11,720 --> 00:15:15,000 Speaker 1: all the adult options. So eighteen year old president, If 295 00:15:15,040 --> 00:15:18,120 Speaker 1: you're eighteen and you want to run for president and 296 00:15:18,160 --> 00:15:19,640 Speaker 1: you want to serve in war, and you want to 297 00:15:19,640 --> 00:15:21,800 Speaker 1: buy alcohol and you want to buy a cigarettes and 298 00:15:21,840 --> 00:15:24,680 Speaker 1: you want to gamble, if eighteen is the adult age, 299 00:15:24,720 --> 00:15:27,440 Speaker 1: then it's just the adult age now. But we voted 300 00:15:27,440 --> 00:15:31,000 Speaker 1: an eighteen year old and probably well we vote a 301 00:15:31,200 --> 00:15:33,840 Speaker 1: seventy eight year old Hillary Clinton, and no, probably not 302 00:15:33,880 --> 00:15:36,480 Speaker 1: because she's too old. Um, I mean she didn't win 303 00:15:36,480 --> 00:15:41,200 Speaker 1: at seventy probably probably either, but because in reality it's 304 00:15:41,280 --> 00:15:42,760 Speaker 1: kind of the same thing. An eighteen year old and 305 00:15:42,760 --> 00:15:45,200 Speaker 1: a seventy eight year old. Like absolutely that that was 306 00:15:45,240 --> 00:15:47,280 Speaker 1: my point, and at least with an eighteen year old 307 00:15:47,280 --> 00:15:49,560 Speaker 1: they can grow positively into it. Now, eighteen year old 308 00:15:49,600 --> 00:15:53,560 Speaker 1: will never get elect it that we won't because they're 309 00:15:53,600 --> 00:15:55,840 Speaker 1: not smart. But what if one comes along that it 310 00:15:55,920 --> 00:15:59,240 Speaker 1: is eleven year old to graduate college right, and they 311 00:15:59,320 --> 00:16:01,760 Speaker 1: get to go to m I T because they at 312 00:16:01,760 --> 00:16:04,480 Speaker 1: eleven are smarter than people at forty. What if someone 313 00:16:04,520 --> 00:16:07,800 Speaker 1: comes along who's nine years old and they really are 314 00:16:07,840 --> 00:16:10,040 Speaker 1: at a level then none of us were even close 315 00:16:10,080 --> 00:16:12,800 Speaker 1: to a thirty I mean, should they not be a consideration? 316 00:16:12,920 --> 00:16:15,000 Speaker 1: Do we have to wait until the thirty five? Again, 317 00:16:15,040 --> 00:16:18,560 Speaker 1: it's point one percent, there's not even a chance. But 318 00:16:18,640 --> 00:16:20,600 Speaker 1: I do hate that there's an age element on the 319 00:16:20,640 --> 00:16:23,600 Speaker 1: young side and not the old side. I just feel 320 00:16:23,640 --> 00:16:26,000 Speaker 1: like me mentally, I'm never gonna be there, Like I'm 321 00:16:26,000 --> 00:16:28,200 Speaker 1: never gonna look at an eighteen year old candidate or 322 00:16:28,240 --> 00:16:29,880 Speaker 1: a nineteen year old candidate in bait and say, but 323 00:16:29,960 --> 00:16:31,440 Speaker 1: did you ever think you look at a reality show 324 00:16:31,440 --> 00:16:34,480 Speaker 1: host and go that president? No, that's my point. Until 325 00:16:34,520 --> 00:16:37,720 Speaker 1: it happens, you don't know. You just don't know. And 326 00:16:37,760 --> 00:16:39,520 Speaker 1: that's why I think that I don't think I can 327 00:16:39,600 --> 00:16:41,560 Speaker 1: win the presidency, but I think I have a shot 328 00:16:41,600 --> 00:16:44,480 Speaker 1: at it. I think if any anyone they can get 329 00:16:44,480 --> 00:16:46,640 Speaker 1: to that point of running is in the race. And 330 00:16:47,080 --> 00:16:49,920 Speaker 1: the whole key to being governor or president. Just get 331 00:16:49,920 --> 00:16:52,400 Speaker 1: in the race and then see what shakes out and happens. 332 00:16:52,560 --> 00:16:56,040 Speaker 1: So you think if you make it too you know, 333 00:16:56,200 --> 00:16:59,160 Speaker 1: the election, Like if you're a candidate, I think if 334 00:16:59,160 --> 00:17:01,960 Speaker 1: our candidate in two years, in two years, you think 335 00:17:02,040 --> 00:17:04,480 Speaker 1: that if you don't get the presidency, if you don't 336 00:17:04,480 --> 00:17:09,280 Speaker 1: get it first governor, Like, how far will you have 337 00:17:09,359 --> 00:17:11,399 Speaker 1: to get for you to think that you made it. 338 00:17:11,560 --> 00:17:14,119 Speaker 1: I did enough, I got I tried hard enough. You 339 00:17:14,200 --> 00:17:16,520 Speaker 1: know I would have winning. Just keep you just keep going. Yeah, 340 00:17:16,520 --> 00:17:18,439 Speaker 1: I don't think it's running and I probably won't win 341 00:17:18,480 --> 00:17:19,879 Speaker 1: the first time. If I run in two and a 342 00:17:19,920 --> 00:17:21,399 Speaker 1: half years, I probably don't think I'm gonna run do 343 00:17:21,400 --> 00:17:22,920 Speaker 1: it half years, by the way, there's a chance I 344 00:17:23,000 --> 00:17:27,359 Speaker 1: put it, not a high chance. But let's say I 345 00:17:27,400 --> 00:17:29,359 Speaker 1: have two and half years on this contract left with 346 00:17:30,040 --> 00:17:32,440 Speaker 1: my heart and I hope to god, I signed another one. 347 00:17:32,520 --> 00:17:34,719 Speaker 1: I love it here, I love the show, I love 348 00:17:35,240 --> 00:17:37,280 Speaker 1: the listeners. But if they say, hey, listen, we're gonna 349 00:17:37,280 --> 00:17:39,560 Speaker 1: go in a different direction instead of going over one 350 00:17:39,560 --> 00:17:40,720 Speaker 1: of these other companies I want to hire me, I 351 00:17:40,760 --> 00:17:43,520 Speaker 1: would probably just step out and go. That makes sense. 352 00:17:43,720 --> 00:17:45,800 Speaker 1: I think I just want to run for politics and 353 00:17:45,920 --> 00:17:48,240 Speaker 1: change my course of my life. And I don't say 354 00:17:48,240 --> 00:17:51,760 Speaker 1: this jokingly. Um, and I don't have a party. I 355 00:17:51,800 --> 00:17:55,399 Speaker 1: really don't have a party. And because I never felt 356 00:17:56,359 --> 00:17:58,280 Speaker 1: I felt that, and I know you eventually you have 357 00:17:58,359 --> 00:18:00,480 Speaker 1: to get one if you want the money. That's the problem. Yes, 358 00:18:00,520 --> 00:18:05,200 Speaker 1: to get donors and they want supporters and because that's all, 359 00:18:05,720 --> 00:18:09,480 Speaker 1: and you have to have a platform. Yes, this has 360 00:18:09,520 --> 00:18:14,440 Speaker 1: showed us that. Unfortunately it doesn't matter now there aren't 361 00:18:14,440 --> 00:18:17,000 Speaker 1: any rules. Someone just broke all the rules. Love them 362 00:18:17,080 --> 00:18:19,000 Speaker 1: or hate him what He just broke all the rules 363 00:18:19,040 --> 00:18:20,520 Speaker 1: and has shown you that you can break the rules 364 00:18:20,560 --> 00:18:23,600 Speaker 1: and still win. Sure. Well, I'm just saying in past, 365 00:18:23,840 --> 00:18:29,160 Speaker 1: like the Independent, you don't because but this Donald Trump 366 00:18:29,200 --> 00:18:31,360 Speaker 1: is not a real Republican, right, He's debinitely not a Democrat. 367 00:18:31,400 --> 00:18:33,399 Speaker 1: He used to be. He used to be a Democrat. 368 00:18:33,440 --> 00:18:35,840 Speaker 1: He's had like three political parties. I think he just 369 00:18:35,880 --> 00:18:38,639 Speaker 1: found the leads past path through resistance and design and 370 00:18:38,760 --> 00:18:43,399 Speaker 1: went for it, and so's he and I don't either. 371 00:18:43,520 --> 00:18:46,400 Speaker 1: And I'm on both sides with the different issues. Mostly 372 00:18:46,480 --> 00:18:50,200 Speaker 1: on the social side, I would say, Eileen liberal, not all, 373 00:18:50,240 --> 00:18:55,879 Speaker 1: but most on the yes. Like if I have zero 374 00:18:56,000 --> 00:18:58,440 Speaker 1: problem with gay rights, I think if you want to 375 00:18:58,520 --> 00:19:04,480 Speaker 1: be gay, dan gay, kiss gay, gay gay gay, that's 376 00:19:04,480 --> 00:19:06,600 Speaker 1: just gay it up. I love it. I can't get 377 00:19:06,680 --> 00:19:08,760 Speaker 1: enough of it. I do think people should leve their lives. 378 00:19:08,760 --> 00:19:11,280 Speaker 1: And who am I am I judging you gay away? 379 00:19:11,600 --> 00:19:15,800 Speaker 1: You welcome, buddy, I'm looking at you want to um. 380 00:19:15,840 --> 00:19:20,639 Speaker 1: And so that being said, uh, you know, I also 381 00:19:20,720 --> 00:19:23,679 Speaker 1: have guns and think you people should be able to 382 00:19:23,720 --> 00:19:27,320 Speaker 1: have guns, and I don't think they should have bulletproof vests. 383 00:19:27,920 --> 00:19:30,440 Speaker 1: But I just I'm not on one side on anything. 384 00:19:31,080 --> 00:19:33,800 Speaker 1: And but but I say, uh, socially, I lean on 385 00:19:33,880 --> 00:19:36,800 Speaker 1: the liberal side. Not all of me is liberal on 386 00:19:36,800 --> 00:19:39,359 Speaker 1: the social side. But then on the fiscal side, like 387 00:19:39,440 --> 00:19:41,560 Speaker 1: the money part of it. I grew up really poor 388 00:19:42,640 --> 00:19:46,320 Speaker 1: and I've made to this point. I've been pretty successful 389 00:19:46,680 --> 00:19:51,240 Speaker 1: by myself. And it's like man government. You know, I 390 00:19:51,280 --> 00:19:54,000 Speaker 1: did a lot of work and I struggle for many 391 00:19:54,040 --> 00:19:55,240 Speaker 1: years to get to why I'm down, and you're trying 392 00:19:55,240 --> 00:20:00,240 Speaker 1: to take like almost everything. So I also would be 393 00:20:00,280 --> 00:20:02,840 Speaker 1: a Republican if you looked at me from how government 394 00:20:02,880 --> 00:20:06,159 Speaker 1: comes into our lives and works in our paychecks. And 395 00:20:07,480 --> 00:20:09,480 Speaker 1: so I don't have a party, I don't have anyone 396 00:20:09,480 --> 00:20:11,600 Speaker 1: that I identify with. But at the same time, I'm 397 00:20:11,640 --> 00:20:15,440 Speaker 1: still for programs to help because I was on those programs. 398 00:20:16,280 --> 00:20:18,760 Speaker 1: If it wasn't for as we mentioned earlier, government cheese 399 00:20:19,040 --> 00:20:21,920 Speaker 1: and that the joke people used, I had that if 400 00:20:21,920 --> 00:20:25,480 Speaker 1: it wasn't for welfare, I had that someone like me 401 00:20:25,480 --> 00:20:28,560 Speaker 1: wouldn't anyway, I'm going to run for probits. I don't 402 00:20:28,560 --> 00:20:32,480 Speaker 1: know when. And if they said, hey, you know, we're 403 00:20:32,560 --> 00:20:35,800 Speaker 1: considering maybe not even having your show anymore, or we 404 00:20:35,800 --> 00:20:36,800 Speaker 1: wanted to take a pack up, but like you know, 405 00:20:36,800 --> 00:20:38,080 Speaker 1: I'm good. I'm just gonna go run for office, I 406 00:20:38,080 --> 00:20:40,080 Speaker 1: could be completely content and happy with it. But if 407 00:20:40,080 --> 00:20:44,360 Speaker 1: they do offer, you would love it. I love Yes, 408 00:20:45,160 --> 00:20:46,639 Speaker 1: it's not a red new it would be a new contract. 409 00:20:47,119 --> 00:20:49,880 Speaker 1: I love it here. I do not want to leave. 410 00:20:50,119 --> 00:20:52,760 Speaker 1: But if the option was this, and let me tell you, 411 00:20:52,920 --> 00:20:55,199 Speaker 1: there have been other companies, other platforms that are come said, hey, 412 00:20:55,200 --> 00:20:56,639 Speaker 1: when your contract, that would love to hire you. I 413 00:20:56,680 --> 00:20:58,800 Speaker 1: don't think I'm gonna do that. I want to go 414 00:20:59,000 --> 00:21:01,600 Speaker 1: and rump for office if I don't do this. This 415 00:21:01,640 --> 00:21:05,199 Speaker 1: is my home. I've been with I Heart Radio. The 416 00:21:05,240 --> 00:21:07,639 Speaker 1: company's changed the name, but since I was twenty one 417 00:21:07,760 --> 00:21:12,480 Speaker 1: years old, fifteen years and through big changes, and I've 418 00:21:12,520 --> 00:21:14,800 Speaker 1: always loved it. And people will give it a hard time, 419 00:21:14,840 --> 00:21:17,480 Speaker 1: but they've always been so great to me. And Bob Pittman, 420 00:21:17,480 --> 00:21:21,920 Speaker 1: our CEO, has been the greatest to me, and Rod 421 00:21:22,000 --> 00:21:24,360 Speaker 1: and Tom, all these guys have been I have nothing 422 00:21:24,440 --> 00:21:28,240 Speaker 1: bad to say. At times it's so it's so rare, 423 00:21:28,520 --> 00:21:32,119 Speaker 1: and at times it's so big that sometimes you get lost. 424 00:21:32,760 --> 00:21:35,280 Speaker 1: The benefits of working for a big company are that 425 00:21:35,760 --> 00:21:39,920 Speaker 1: if you're successful, you're really successful. But if you're not, 426 00:21:40,960 --> 00:21:43,840 Speaker 1: then you can get lost in the shuffle. And you know, 427 00:21:43,880 --> 00:21:46,080 Speaker 1: when we first came over, and this will get back 428 00:21:46,080 --> 00:21:47,360 Speaker 1: to a story about you and I, but we first 429 00:21:47,359 --> 00:21:50,480 Speaker 1: came over to Nashville, a lot of people were upset 430 00:21:50,520 --> 00:21:53,240 Speaker 1: with me because there had never been a nationally syndicated 431 00:21:53,240 --> 00:21:56,200 Speaker 1: morning showing country in the format ever ever. So here 432 00:21:56,240 --> 00:21:59,119 Speaker 1: I am this guy who people just go okay, here's 433 00:21:59,119 --> 00:22:01,840 Speaker 1: this guy go, here's this guy coming from hip hop 434 00:22:01,880 --> 00:22:05,040 Speaker 1: coming over to take the country. He but he ain't 435 00:22:05,040 --> 00:22:07,040 Speaker 1: even old enough to drup for president. He's trying to 436 00:22:07,080 --> 00:22:12,000 Speaker 1: do and so they don't know. They don't anything about me, 437 00:22:12,160 --> 00:22:14,000 Speaker 1: right that they really don't. They just know what's on 438 00:22:14,119 --> 00:22:18,879 Speaker 1: the service. So here I come over here and what 439 00:22:19,000 --> 00:22:22,199 Speaker 1: sucks was it's business. It's not me. I didn't go, Hey, 440 00:22:22,240 --> 00:22:24,240 Speaker 1: I'd like to take over the jobs of a d people. 441 00:22:25,240 --> 00:22:27,399 Speaker 1: But if morning germs weren't performing to a certain level 442 00:22:27,440 --> 00:22:29,240 Speaker 1: and they were making too much money, or there are 443 00:22:29,240 --> 00:22:31,480 Speaker 1: a lot of these things. They had to make business decisions, 444 00:22:31,560 --> 00:22:34,040 Speaker 1: and there's what's to find somebody and put them in 445 00:22:34,080 --> 00:22:37,359 Speaker 1: the spot and whomever it was, because it wasn't me. 446 00:22:38,040 --> 00:22:39,720 Speaker 1: I didn't even know the shop existed, by the way, 447 00:22:39,920 --> 00:22:41,960 Speaker 1: until it was offered to me. I didn't know it 448 00:22:42,040 --> 00:22:44,480 Speaker 1: existed really, And then I was like, of course I 449 00:22:44,560 --> 00:22:46,880 Speaker 1: picked this after I knew because they gave me options. 450 00:22:47,440 --> 00:22:50,880 Speaker 1: Do you wanna stay in graw syndication and taught fourty 451 00:22:50,920 --> 00:22:52,800 Speaker 1: do you want to go and do alternative in l A. 452 00:22:53,119 --> 00:22:54,280 Speaker 1: Do you want to do? I was like, I want 453 00:22:54,280 --> 00:22:55,800 Speaker 1: to go do comedy, move to national and New Country 454 00:22:55,800 --> 00:22:58,640 Speaker 1: because that's where my long term future that's most comfortable. 455 00:22:59,000 --> 00:23:03,280 Speaker 1: And so um yeah, if everybody man basically no, I do. 456 00:23:03,359 --> 00:23:06,320 Speaker 1: I remember that start to when when that was happening, 457 00:23:06,320 --> 00:23:08,200 Speaker 1: when you know, you would gain them, we would gain 458 00:23:08,240 --> 00:23:10,480 Speaker 1: a market or whatever, and that we would find out 459 00:23:10,560 --> 00:23:14,679 Speaker 1: that a show that already existed got moved or at 460 00:23:14,760 --> 00:23:17,240 Speaker 1: first it was forty dude, I remember, you would struggle 461 00:23:17,280 --> 00:23:20,560 Speaker 1: with that. It feels terrible, man, like these guys they're 462 00:23:20,560 --> 00:23:22,080 Speaker 1: not gonna have a job, or they got or they 463 00:23:22,119 --> 00:23:25,840 Speaker 1: got moving afternoon afternoons or whatever. And that was okayish 464 00:23:26,040 --> 00:23:28,240 Speaker 1: because they didn't get cut. And the company that I 465 00:23:28,280 --> 00:23:30,280 Speaker 1: worked for now so much better about that. Back in 466 00:23:30,320 --> 00:23:33,040 Speaker 1: the day, under a different regimen, they was like cut, 467 00:23:33,080 --> 00:23:35,800 Speaker 1: good bye, piece out and you know what, that's still business. 468 00:23:35,840 --> 00:23:39,440 Speaker 1: Sure it is in business about hugs and kisses. Um. 469 00:23:39,520 --> 00:23:42,639 Speaker 1: But now with the company, they really nourished talent. And 470 00:23:42,680 --> 00:23:44,680 Speaker 1: if if they're you know, radio people to the hate 471 00:23:44,720 --> 00:23:46,879 Speaker 1: I Heart Radio, it's because they don't work for I Radio. 472 00:23:47,440 --> 00:23:51,159 Speaker 1: That's really that's true. Um. But now it's most of 473 00:23:51,160 --> 00:23:52,639 Speaker 1: the time, a lot of the times, if it's a 474 00:23:52,680 --> 00:23:53,959 Speaker 1: show that's been there for a while, they moved them 475 00:23:54,000 --> 00:23:55,520 Speaker 1: to the afternoons, they still get to their full show. 476 00:23:55,960 --> 00:23:58,400 Speaker 1: A matter of fact, I'd love to do afternoons. Oh dude, 477 00:23:58,400 --> 00:24:00,919 Speaker 1: can you imagine coming in waking up a normal hour. 478 00:24:00,960 --> 00:24:03,320 Speaker 1: I'm gonna end updying early because the schedule, for sure, 479 00:24:03,320 --> 00:24:06,399 Speaker 1: you've gotten ears taken off of It's like you've been 480 00:24:06,400 --> 00:24:11,359 Speaker 1: doing this since you were what. Yeah, I compare myself 481 00:24:11,400 --> 00:24:13,520 Speaker 1: to an NFL football player, which is hits to the head. 482 00:24:13,960 --> 00:24:16,399 Speaker 1: You're gonna die early. You're just taking hits to the head. 483 00:24:16,440 --> 00:24:18,040 Speaker 1: Know what you're doing. You're gonna have some fun right now, 484 00:24:18,119 --> 00:24:20,080 Speaker 1: but you're gonna die early. Problem is, I'm not even 485 00:24:20,080 --> 00:24:24,040 Speaker 1: having that much fun right now. Problem, but I hate it. 486 00:24:24,080 --> 00:24:25,800 Speaker 1: I hate waking Number three, am Are you still tired 487 00:24:25,840 --> 00:24:27,520 Speaker 1: all the time? All the time? I'm all the time, 488 00:24:28,320 --> 00:24:33,439 Speaker 1: And part of me doing like eighty jobs is that one. 489 00:24:33,880 --> 00:24:35,919 Speaker 1: I just have to continue to prove I don't suck 490 00:24:36,640 --> 00:24:41,879 Speaker 1: and to listen there, Uh, let me let me time 491 00:24:42,000 --> 00:24:44,720 Speaker 1: shape this and let me person and shade this. I 492 00:24:44,760 --> 00:24:48,520 Speaker 1: got a buddy of mine, Okay, he went to a concert. 493 00:24:49,520 --> 00:24:51,480 Speaker 1: It's been like eight months ago, and I feel like 494 00:24:51,520 --> 00:24:53,840 Speaker 1: you can tell the story now. And this concert is 495 00:24:53,880 --> 00:24:55,760 Speaker 1: up in the Northeast. He ran into a program director 496 00:24:55,800 --> 00:24:59,960 Speaker 1: for another station that isn't an I Heeart radio station, 497 00:25:00,000 --> 00:25:02,040 Speaker 1: and I'm on stations outside of my Heart Radio too, 498 00:25:02,640 --> 00:25:05,480 Speaker 1: but that I'm not on the station and I'm not 499 00:25:05,520 --> 00:25:08,680 Speaker 1: in the city. And he's like, hey, you know Bobby 500 00:25:08,680 --> 00:25:11,000 Speaker 1: Bones right, and my friend is head but the other 501 00:25:11,040 --> 00:25:15,439 Speaker 1: guy was drunk, really drunk. He's like, yeah, it's like 502 00:25:15,440 --> 00:25:17,280 Speaker 1: one of my good buds in the programs I'll do. 503 00:25:17,320 --> 00:25:19,719 Speaker 1: I'll do a LaunchBox voice as the as the program 504 00:25:19,880 --> 00:25:24,640 Speaker 1: d he was. I hate that guy. He's like, why 505 00:25:25,040 --> 00:25:29,720 Speaker 1: he he just comes into our format, like like he 506 00:25:29,760 --> 00:25:32,280 Speaker 1: knows everybody. I've been trying to be friends with Kenny 507 00:25:32,359 --> 00:25:35,959 Speaker 1: Chesny for four years and he comes in and all 508 00:25:35,960 --> 00:25:37,960 Speaker 1: of a sudden, him and Kenny your buddies, and he's 509 00:25:38,000 --> 00:25:41,000 Speaker 1: like calling him and stuff that's horse blank and my 510 00:25:41,040 --> 00:25:45,440 Speaker 1: buddy's like no, But I think if you knew him, 511 00:25:45,520 --> 00:25:48,280 Speaker 1: you would understand one who he isn't when he comes 512 00:25:48,280 --> 00:25:52,520 Speaker 1: from and two that really there isn't anyone that works 513 00:25:52,640 --> 00:25:58,520 Speaker 1: harder at having a diversified portfolio. And and he's like, 514 00:25:58,800 --> 00:26:01,520 Speaker 1: I hate him. He's a real Nobody likes him. He's like, 515 00:26:01,560 --> 00:26:07,879 Speaker 1: who else you say nobody who else. Yeah, Kenny probably 516 00:26:07,880 --> 00:26:11,080 Speaker 1: just fights it so he can get it. I remember that. 517 00:26:11,520 --> 00:26:14,159 Speaker 1: The thing about Eddie and I, we were Eddie was 518 00:26:14,400 --> 00:26:18,040 Speaker 1: my TV producer for that's how we met. Yes, we met, 519 00:26:18,119 --> 00:26:19,800 Speaker 1: And it wasn't even like we bumped into each other, 520 00:26:19,800 --> 00:26:21,800 Speaker 1: like you were literally working in the TV station. Yeah, 521 00:26:21,880 --> 00:26:25,199 Speaker 1: and they assigned us together because you were you're kind 522 00:26:25,200 --> 00:26:29,600 Speaker 1: of working on your intro to talent TV talent. Oh. 523 00:26:29,680 --> 00:26:31,879 Speaker 1: I've done news for a bit out of college and 524 00:26:31,880 --> 00:26:34,240 Speaker 1: I hated it. And I didn't college, but I didn't 525 00:26:34,240 --> 00:26:36,200 Speaker 1: do it anywhere else. Yeah, and I would do local 526 00:26:36,320 --> 00:26:39,199 Speaker 1: little thing for like Fox and the Local. But I 527 00:26:39,240 --> 00:26:41,080 Speaker 1: was like, I want to do it every something every day. Yeah. 528 00:26:41,080 --> 00:26:43,280 Speaker 1: And this was like a music station and and you 529 00:26:43,320 --> 00:26:46,240 Speaker 1: had auditioned and they did and they picked you, and 530 00:26:46,280 --> 00:26:48,000 Speaker 1: then they kind of teamed us up to work together 531 00:26:48,400 --> 00:26:50,600 Speaker 1: and we did a music TV show we did every 532 00:26:50,680 --> 00:26:53,960 Speaker 1: day every day. We shot at eleven am on the 533 00:26:54,040 --> 00:26:56,600 Speaker 1: roof top for after your morning show. I would labor 534 00:26:56,640 --> 00:26:58,920 Speaker 1: adio and go over to the TV station and Eddie 535 00:26:58,960 --> 00:27:00,240 Speaker 1: and I would work. And then from that we did 536 00:27:00,280 --> 00:27:02,960 Speaker 1: a late night talk show for a while and um, 537 00:27:03,400 --> 00:27:06,360 Speaker 1: then that ended. Eddie and I got fired, except Eddie 538 00:27:06,400 --> 00:27:08,520 Speaker 1: got fired, I haven't. I still haven't been fired this day. 539 00:27:08,920 --> 00:27:11,439 Speaker 1: They never still get money from no, no, no. The 540 00:27:11,480 --> 00:27:14,640 Speaker 1: only way, the only way that I knew that I 541 00:27:14,680 --> 00:27:17,679 Speaker 1: was not working anymore when Eddie calling goes, hey, I 542 00:27:17,680 --> 00:27:19,639 Speaker 1: got fired. I think they closed the station and I 543 00:27:19,680 --> 00:27:22,119 Speaker 1: was like really, I was like, yeah, I'm gona on 544 00:27:22,119 --> 00:27:23,439 Speaker 1: in front of the job and I was like what 545 00:27:23,480 --> 00:27:25,520 Speaker 1: do I do? Goes, I don't know. I was like 546 00:27:25,640 --> 00:27:28,320 Speaker 1: I don't know either. So no one ever called me 547 00:27:28,320 --> 00:27:31,120 Speaker 1: from the TV station ever. It was a weird shutdown. 548 00:27:31,200 --> 00:27:32,919 Speaker 1: They had just kind of called us in one day 549 00:27:32,960 --> 00:27:34,680 Speaker 1: and was like, all right, we're setting down. That's it. 550 00:27:34,680 --> 00:27:36,520 Speaker 1: It was like a network that was trying and didn't 551 00:27:36,520 --> 00:27:38,760 Speaker 1: make it. Yeah. They had a bunch of investors, and 552 00:27:38,800 --> 00:27:41,520 Speaker 1: I remember they were like maybe seven or eight solid 553 00:27:41,560 --> 00:27:44,240 Speaker 1: investors that were putting money into this this project, a 554 00:27:44,240 --> 00:27:46,760 Speaker 1: lot of Dell money, a lot of Dell money, and 555 00:27:46,760 --> 00:27:49,320 Speaker 1: and they had kind of showed signs of like slowly 556 00:27:49,400 --> 00:27:51,639 Speaker 1: a couple of investors pulling out. So we kind of 557 00:27:51,640 --> 00:27:53,920 Speaker 1: had an idea. But when the when that stuff happens, 558 00:27:54,200 --> 00:27:56,080 Speaker 1: the day that it happens, and they come call you 559 00:27:56,119 --> 00:27:58,520 Speaker 1: in and say, like that's what your job's done. Dude. 560 00:27:59,240 --> 00:28:01,200 Speaker 1: Well that's a crazy you feeling like what do you do? 561 00:28:01,960 --> 00:28:04,119 Speaker 1: Like I did not prepare for this. I don't know 562 00:28:04,160 --> 00:28:07,640 Speaker 1: what to do, and you you had a job. This 563 00:28:07,680 --> 00:28:09,600 Speaker 1: is your side. That was your side, gig. So that 564 00:28:09,680 --> 00:28:12,320 Speaker 1: was scary. And I had just I had just I 565 00:28:12,320 --> 00:28:15,879 Speaker 1: guess Junior, my eight year old now was one. Then 566 00:28:16,200 --> 00:28:17,760 Speaker 1: I remember Eddie coming out to me. We were on 567 00:28:17,800 --> 00:28:20,240 Speaker 1: the rooftop and he goes, uh, my wat's pregnant. I 568 00:28:20,280 --> 00:28:23,520 Speaker 1: was like, what the What I said to I was like, 569 00:28:24,240 --> 00:28:26,240 Speaker 1: you can never have a kid. You're not going to 570 00:28:26,359 --> 00:28:29,760 Speaker 1: ever be a good dad. That's what I thought too. 571 00:28:29,800 --> 00:28:32,199 Speaker 1: And I remember the drive home when she told me like, 572 00:28:32,240 --> 00:28:34,159 Speaker 1: come home, I got something to tell you, and I 573 00:28:34,240 --> 00:28:37,679 Speaker 1: knew what it was. Uh, And that drive home, it 574 00:28:37,800 --> 00:28:40,360 Speaker 1: was like in my head like you know those movies 575 00:28:40,400 --> 00:28:43,640 Speaker 1: where someone's drowning and they like start flashing back their 576 00:28:43,640 --> 00:28:46,760 Speaker 1: whole life. Yeah, it was like that. But I was 577 00:28:46,760 --> 00:28:50,320 Speaker 1: looking forward, so I knew exactly what she was gonna 578 00:28:50,320 --> 00:28:53,920 Speaker 1: tell me and so um, but it was like looking 579 00:28:53,960 --> 00:28:56,160 Speaker 1: forward though, and I saw my life just like going 580 00:28:56,200 --> 00:29:00,239 Speaker 1: from like you know, young dude, you think to like 581 00:29:00,840 --> 00:29:05,560 Speaker 1: little League to like changing diapers to just my whole everything, 582 00:29:05,600 --> 00:29:09,560 Speaker 1: to me pulling my pants up to my chest, going 583 00:29:09,560 --> 00:29:14,320 Speaker 1: to home depot. So she called me and said, hey, 584 00:29:14,440 --> 00:29:18,720 Speaker 1: so I I think you need to come home. I 585 00:29:18,720 --> 00:29:22,360 Speaker 1: took a test. Oh so you she gave you the test. 586 00:29:23,000 --> 00:29:25,200 Speaker 1: So she basically told you she did without telling me. 587 00:29:25,360 --> 00:29:28,920 Speaker 1: What if the testso was not, then we would go 588 00:29:28,960 --> 00:29:32,960 Speaker 1: get some of the champagne. No, no, no, no no, I'm saying, like, 589 00:29:33,000 --> 00:29:34,960 Speaker 1: what if it was like an AIDS test? Oh God, 590 00:29:35,000 --> 00:29:38,920 Speaker 1: why would you say that. No, I'm just saying I 591 00:29:38,920 --> 00:29:42,040 Speaker 1: don't think she can I took an AIDS test. Coming. 592 00:29:42,520 --> 00:29:45,240 Speaker 1: But all I'm saying is if all she said was test, 593 00:29:45,760 --> 00:29:49,440 Speaker 1: my brain works different than yours. Yes, you're you're a 594 00:29:49,520 --> 00:29:52,600 Speaker 1: very positive person, and you're like I was like, come 595 00:29:52,720 --> 00:29:56,800 Speaker 1: and take a test and it for me. I'm like, no, 596 00:29:57,240 --> 00:30:01,080 Speaker 1: it was no. No, she already talked about, you know, 597 00:30:01,160 --> 00:30:04,240 Speaker 1: being late and all that stuff. I had an idea, alright, 598 00:30:04,280 --> 00:30:07,960 Speaker 1: So I'm just telling you that's what's wrong with me. 599 00:30:08,120 --> 00:30:11,680 Speaker 1: My brain it always goes to the bad part. If 600 00:30:11,720 --> 00:30:14,040 Speaker 1: there's the crevice and negativity in my brain, it finds it. 601 00:30:14,080 --> 00:30:15,320 Speaker 1: I've worked in the last year and a half, a 602 00:30:15,400 --> 00:30:17,400 Speaker 1: change in that two years and really pointing it in 603 00:30:17,480 --> 00:30:19,680 Speaker 1: a positive direction the time. I can get that way, 604 00:30:19,760 --> 00:30:22,440 Speaker 1: but sometimes I just go back and I wasn't that bad. 605 00:30:22,480 --> 00:30:25,720 Speaker 1: But I mean dark spots. I go to a dark spots. 606 00:30:26,080 --> 00:30:27,560 Speaker 1: So you thought that I was gonna be a bad 607 00:30:27,600 --> 00:30:29,000 Speaker 1: dad as soon as you know, it was just you 608 00:30:29,040 --> 00:30:31,720 Speaker 1: were just nuts. I was wasn't ready for that. Yeah, 609 00:30:31,760 --> 00:30:33,680 Speaker 1: I mean, but who is no one? That's the thing 610 00:30:34,360 --> 00:30:36,480 Speaker 1: from everybody that I talked to. Because I don't have kids, 611 00:30:36,600 --> 00:30:41,040 Speaker 1: You're not mentally ready, emotionally ready, financially ready, ever. So 612 00:30:41,840 --> 00:30:44,640 Speaker 1: it's been it's been years and years for me to 613 00:30:44,680 --> 00:30:46,880 Speaker 1: realize that. But I love it. Man, It's the best 614 00:30:46,920 --> 00:30:49,440 Speaker 1: thing in the whole world. It's crazy. The Eddie Juniors 615 00:30:49,480 --> 00:30:52,600 Speaker 1: eight about to be nine. I just remember the day 616 00:30:52,720 --> 00:30:54,680 Speaker 1: you walked up to me and said, my wife's pregnantly, 617 00:30:54,760 --> 00:30:59,040 Speaker 1: Like you gotta be kidding. Now I know you, And 618 00:30:59,080 --> 00:31:02,240 Speaker 1: now you've got two kids. That's crazy. And one of 619 00:31:02,280 --> 00:31:06,640 Speaker 1: them was in Austin born And then I was there 620 00:31:06,640 --> 00:31:10,160 Speaker 1: at the hospital. I forget the baby. I watched Junior 621 00:31:10,800 --> 00:31:13,480 Speaker 1: and I and I came to deliver, came to deliver 622 00:31:13,560 --> 00:31:16,080 Speaker 1: the baby. Yeah, I was in there when they rolled 623 00:31:16,120 --> 00:31:18,360 Speaker 1: at his wife and with the new baby, and I 624 00:31:18,400 --> 00:31:20,719 Speaker 1: asked if you wanted to hold him, and you're like, nope, 625 00:31:20,760 --> 00:31:23,200 Speaker 1: I'm out. It's I'm gonna tell you why, the same 626 00:31:23,200 --> 00:31:25,760 Speaker 1: reason I don't hold fine pieces of art or expensive 627 00:31:25,760 --> 00:31:29,320 Speaker 1: watches because you want to buy them. Nope, Because what 628 00:31:29,360 --> 00:31:30,959 Speaker 1: if the one person chance I drop the thing? An 629 00:31:31,520 --> 00:31:33,880 Speaker 1: that's true, I would kill you anywhere that like, I 630 00:31:33,920 --> 00:31:36,800 Speaker 1: don't want to talk aunt, Like what am I gonna do? 631 00:31:36,800 --> 00:31:39,520 Speaker 1: I'm like, oh, that's cute, and it really would be cute, 632 00:31:39,640 --> 00:31:43,440 Speaker 1: but what if anything happens wrong? It's on me insurance 633 00:31:43,440 --> 00:31:48,600 Speaker 1: purpose from the national anthem? Ye, the national anthem. It's 634 00:31:48,600 --> 00:31:52,040 Speaker 1: a no win. Nobody remembered you saying it. And if 635 00:31:52,040 --> 00:31:54,479 Speaker 1: you do good, okay, cool, get out of the way, 636 00:31:54,520 --> 00:31:55,880 Speaker 1: let's let the game start. Thank you for that. But 637 00:31:55,920 --> 00:31:58,040 Speaker 1: if you do bad, it's all over the internet and 638 00:31:58,040 --> 00:32:00,320 Speaker 1: it's like, this is the worst human number O win. 639 00:32:01,280 --> 00:32:03,040 Speaker 1: So if they were asked us to do the national anthem, 640 00:32:03,040 --> 00:32:05,640 Speaker 1: we say no, oh yeah, mostly because if we can't 641 00:32:05,640 --> 00:32:10,000 Speaker 1: sing yes, that's like you're going to be bad. I 642 00:32:10,080 --> 00:32:12,720 Speaker 1: wonder if we're the worst singers to ever turn it 643 00:32:12,760 --> 00:32:15,719 Speaker 1: into quite the enterprise with the raging idiots. Probably it's 644 00:32:15,720 --> 00:32:21,040 Speaker 1: probably us in Chase Rice. Huh no, dang, Maybe. I 645 00:32:21,040 --> 00:32:24,400 Speaker 1: mean that guy's fine, but he you know, he he's 646 00:32:24,440 --> 00:32:26,480 Speaker 1: you know, good looking dude. You know, it's not like 647 00:32:26,520 --> 00:32:28,480 Speaker 1: he's gonna be Vocalist of the Year and he plays 648 00:32:28,520 --> 00:32:30,840 Speaker 1: cruise and everything's all right. Yeah, but he doesn't go 649 00:32:30,920 --> 00:32:31,960 Speaker 1: up there and act like he's trying to be the 650 00:32:31,960 --> 00:32:34,120 Speaker 1: best singer. Right Listen. What I've learned about any sort 651 00:32:34,160 --> 00:32:37,880 Speaker 1: of performing is it's just confidence. And you know, now 652 00:32:38,000 --> 00:32:41,280 Speaker 1: I'm a confident person on stage anyway. But you know 653 00:32:41,280 --> 00:32:43,520 Speaker 1: who I learned like musical confidence from and not worry 654 00:32:43,600 --> 00:32:45,960 Speaker 1: messing up is Lindsay because she'd be like, who, nobody's 655 00:32:45,960 --> 00:32:49,520 Speaker 1: paying attention anyway if you mess It's true. I remember 656 00:32:49,520 --> 00:32:51,320 Speaker 1: at the beginning when we were playing, we'd mess up 657 00:32:51,360 --> 00:32:53,520 Speaker 1: and we'd make a deal out like I'd look at 658 00:32:53,560 --> 00:32:57,480 Speaker 1: you or you look at me, come on, man, And 659 00:32:57,480 --> 00:33:00,400 Speaker 1: it was just Eddie and I were playing restaurants. It's 660 00:33:00,440 --> 00:33:02,440 Speaker 1: like a little awkward for people to watch that, but 661 00:33:03,040 --> 00:33:08,000 Speaker 1: we would call each other out, like on stage on 662 00:33:08,720 --> 00:33:10,240 Speaker 1: our two parodies that we and the rest of it. 663 00:33:10,680 --> 00:33:12,800 Speaker 1: I remember we might Austin once, like we played for 664 00:33:12,800 --> 00:33:15,200 Speaker 1: like three they wouldn't let us stop playing. They just 665 00:33:15,240 --> 00:33:18,440 Speaker 1: didn't stop us. And it was and it's not that 666 00:33:18,560 --> 00:33:20,440 Speaker 1: we knew. This is like three years ago and man 667 00:33:20,520 --> 00:33:24,240 Speaker 1: first started and this isn't this is the first cardination 668 00:33:24,280 --> 00:33:27,200 Speaker 1: of the band. Now, I'm gonna say we're really good 669 00:33:27,640 --> 00:33:30,960 Speaker 1: because we surround ourselves with fantastic people. If there's a 670 00:33:31,040 --> 00:33:33,760 Speaker 1: raging idiot show, I would tell people now. And I asked, 671 00:33:33,800 --> 00:33:36,200 Speaker 1: I tell our bosses, come come. You used to would 672 00:33:36,200 --> 00:33:38,240 Speaker 1: be like stay away. Now it's like come because you're 673 00:33:38,240 --> 00:33:40,160 Speaker 1: gonna be blown away because we know how to do 674 00:33:40,200 --> 00:33:44,240 Speaker 1: a show now and neither one of us have. And 675 00:33:44,320 --> 00:33:45,800 Speaker 1: by the way that I say, I don't have lead 676 00:33:45,800 --> 00:33:48,200 Speaker 1: singer disease, I don't have to sing even have the song. 677 00:33:48,320 --> 00:33:50,120 Speaker 1: I don't care. As long as people having fun, I 678 00:33:50,120 --> 00:33:53,920 Speaker 1: don't care. But Eddie was impossible to get him to sing, period. 679 00:33:54,600 --> 00:33:57,880 Speaker 1: And you're the actual good singer. Well yes, but because 680 00:33:58,080 --> 00:34:01,000 Speaker 1: I played guitar and I didn't want to sing. That 681 00:34:01,080 --> 00:34:02,640 Speaker 1: was your job when it was just us. But I 682 00:34:02,640 --> 00:34:04,600 Speaker 1: didn't care, but I would get it. I was like, Eddie, 683 00:34:04,600 --> 00:34:07,120 Speaker 1: I have no issue. What do you sing? A matter 684 00:34:07,120 --> 00:34:09,040 Speaker 1: of fact, please sing? No, I get it. But it 685 00:34:09,120 --> 00:34:11,200 Speaker 1: just felt like if I was gonna sing and play guitar, 686 00:34:11,239 --> 00:34:12,719 Speaker 1: then you were just gonna stand there. And I was good. 687 00:34:12,760 --> 00:34:14,839 Speaker 1: I was fine with that though. I felt like, to me, 688 00:34:14,880 --> 00:34:17,759 Speaker 1: it's like the radio show. I don't have to be 689 00:34:17,760 --> 00:34:20,040 Speaker 1: the person. All the stories are about a matter of fact. 690 00:34:20,080 --> 00:34:21,799 Speaker 1: I like it. Whenever Amy's got great stuff, youve got 691 00:34:21,840 --> 00:34:25,959 Speaker 1: great stuff I have. I don't have host disease where 692 00:34:26,000 --> 00:34:29,239 Speaker 1: everything's got to be about me, because actually I like 693 00:34:29,440 --> 00:34:31,279 Speaker 1: for someone else to have drama. Me just comment on it. 694 00:34:31,880 --> 00:34:36,799 Speaker 1: That's kind of my favorite thing to do. So that's yeah, 695 00:34:36,840 --> 00:34:39,239 Speaker 1: that's the weird thing about the Raging Idiots. And we 696 00:34:39,239 --> 00:34:42,640 Speaker 1: played Tampa this last weekend and three thousand people packed 697 00:34:42,680 --> 00:34:45,239 Speaker 1: and it was a fantastic show. And the weirdest thing is, 698 00:34:45,400 --> 00:34:47,160 Speaker 1: I know every show they're going to get on Instagram 699 00:34:47,239 --> 00:34:49,400 Speaker 1: be like, m I don't know if that's worth the money, 700 00:34:49,560 --> 00:34:51,680 Speaker 1: but they're like, that was the greatst show ever. And 701 00:34:51,680 --> 00:34:54,120 Speaker 1: I'm stunned by it. Still me too, I really am. 702 00:34:54,200 --> 00:34:56,880 Speaker 1: And I think it's so cool to hear people still 703 00:34:56,960 --> 00:34:59,160 Speaker 1: that haven't seen the show say like, yeah, I wonder 704 00:34:59,200 --> 00:35:01,839 Speaker 1: what that's about. I just don't get it. I don't 705 00:35:01,840 --> 00:35:04,160 Speaker 1: get what you guys do really, and then you listen 706 00:35:04,160 --> 00:35:06,080 Speaker 1: to them after the show and they're just like, Okay, 707 00:35:06,080 --> 00:35:07,920 Speaker 1: I get it. Or the husbands that come with the 708 00:35:07,920 --> 00:35:10,279 Speaker 1: watch that's my favorite, and they're like, hey, I don't 709 00:35:10,280 --> 00:35:12,000 Speaker 1: even want to be here. Look what people before the 710 00:35:12,000 --> 00:35:13,400 Speaker 1: show would be like, I don't even want to be here. 711 00:35:13,440 --> 00:35:15,200 Speaker 1: And you can tell she drugged the husband with her. Oh, Mike, 712 00:35:15,200 --> 00:35:17,640 Speaker 1: it's obvious. There's just like they're they're bitter, and by 713 00:35:17,680 --> 00:35:19,719 Speaker 1: the end of it, he's a bigger fan than she was. 714 00:35:19,760 --> 00:35:23,759 Speaker 1: That he's like, you'll tweet us, and I don't know 715 00:35:23,800 --> 00:35:25,800 Speaker 1: who you guys were. I love never listen to the 716 00:35:25,880 --> 00:35:30,200 Speaker 1: radio show. Loved it. Um that that's fun. It's been 717 00:35:30,200 --> 00:35:32,279 Speaker 1: a fun run. Do you have Do you have fun? Not? 718 00:35:32,719 --> 00:35:35,440 Speaker 1: Not so much anymore. Really, it's okay, I just am not. 719 00:35:35,920 --> 00:35:37,959 Speaker 1: I will say this. I haven't proved the singer about 720 00:35:39,040 --> 00:35:41,200 Speaker 1: for sure. It's just a It's like anything else. You 721 00:35:41,280 --> 00:35:42,840 Speaker 1: just practice. You're doing it over and over and over. 722 00:35:42,880 --> 00:35:45,239 Speaker 1: You're gonna get better because at first I had no 723 00:35:45,280 --> 00:35:48,320 Speaker 1: idea how to sing, and now I've hit the wall 724 00:35:48,480 --> 00:35:50,839 Speaker 1: of how good I can sing. But I have more 725 00:35:50,880 --> 00:35:53,640 Speaker 1: confidence and I kind of know spots where I'm good 726 00:35:53,880 --> 00:35:56,040 Speaker 1: and when to back off and not going to hit 727 00:35:56,120 --> 00:35:57,680 Speaker 1: it and what songs not to do and to give 728 00:35:57,719 --> 00:36:02,239 Speaker 1: over to, you know, Lindsay or Natalie. Are you um? Yeah, 729 00:36:02,440 --> 00:36:04,760 Speaker 1: it's fun. It's it's funny because we don't talk about 730 00:36:04,760 --> 00:36:07,120 Speaker 1: this stuff like you and I never talked about like, hey, 731 00:36:07,200 --> 00:36:09,480 Speaker 1: how was that show? Like did you never do we don't. 732 00:36:09,800 --> 00:36:11,239 Speaker 1: We just we just kind of do it and then 733 00:36:11,360 --> 00:36:13,920 Speaker 1: we move on. Yeah, it's like okay, But but it's 734 00:36:13,920 --> 00:36:16,000 Speaker 1: interesting because I, like, I've always wanted to know, like 735 00:36:16,040 --> 00:36:19,160 Speaker 1: you're still having fun, You're still tired, You're tired, I'm 736 00:36:19,200 --> 00:36:22,440 Speaker 1: over it over Yeah. I was excited about these last 737 00:36:22,520 --> 00:36:26,200 Speaker 1: four shows because they were fun shows. I couldn't wait 738 00:36:26,200 --> 00:36:28,560 Speaker 1: for that. This second leg of the Florida run, like 739 00:36:28,560 --> 00:36:30,000 Speaker 1: the Tampa show was been, I knew it was gonna 740 00:36:30,000 --> 00:36:32,360 Speaker 1: be awesome. I can't wait too. Albuquerque. That's gonna be 741 00:36:32,360 --> 00:36:35,720 Speaker 1: fun because it's so like crazy. It means the people 742 00:36:35,760 --> 00:36:39,239 Speaker 1: that are passionate, and so that's gonna be fun. The 743 00:36:39,320 --> 00:36:41,520 Speaker 1: Vegas is fun because people in Vegas they just turn 744 00:36:41,600 --> 00:36:44,239 Speaker 1: out like crazy. They do. If the people are like 745 00:36:44,320 --> 00:36:46,319 Speaker 1: if there's a ton of people that want to come, 746 00:36:46,840 --> 00:36:49,319 Speaker 1: I'm pumped about it. If it's a struggle and there's 747 00:36:49,360 --> 00:36:53,320 Speaker 1: like people, boy, how jaded are we? There are artists 748 00:36:53,320 --> 00:36:56,120 Speaker 1: that would kill people, I know, but we we just 749 00:36:56,280 --> 00:36:58,560 Speaker 1: it's like a ball and it's been a weird snowball. 750 00:36:58,760 --> 00:37:01,120 Speaker 1: It's been a weird snowball. And when it's when it 751 00:37:01,200 --> 00:37:03,080 Speaker 1: gets smaller, you're just like, wait, what's happening. It's like, 752 00:37:03,160 --> 00:37:06,719 Speaker 1: I didn't do this to be an artist. So if 753 00:37:06,719 --> 00:37:08,880 Speaker 1: we're gonna go backward, I was gonna back out. But 754 00:37:09,440 --> 00:37:12,719 Speaker 1: I've become tired and the whole and I like our 755 00:37:12,760 --> 00:37:14,799 Speaker 1: band a lot, but it's just a lot of people. 756 00:37:14,880 --> 00:37:16,400 Speaker 1: It is a lot of people, and I haven't to 757 00:37:16,400 --> 00:37:19,080 Speaker 1: manage a lot of people. Dude. It's just crazy because 758 00:37:19,120 --> 00:37:21,360 Speaker 1: we've really just started with three of us, you, me 759 00:37:21,560 --> 00:37:24,400 Speaker 1: and just just me and you was on the stage 760 00:37:24,560 --> 00:37:26,279 Speaker 1: yeah yeah, I just mean on the road now, and 761 00:37:26,320 --> 00:37:29,239 Speaker 1: then Justin would drive us around yeah, and honest to God, 762 00:37:29,239 --> 00:37:31,200 Speaker 1: and went to Tampa. I looked at the amount of 763 00:37:31,239 --> 00:37:37,320 Speaker 1: people that are with us the deep like an entourage 764 00:37:37,520 --> 00:37:42,200 Speaker 1: fifteen because it was Eddie and I, Natalie Stove all 765 00:37:42,520 --> 00:37:46,120 Speaker 1: in Nikita that's the front four, and Brandon Ray was 766 00:37:46,160 --> 00:37:49,160 Speaker 1: playing guitar and singing too. So there's five are drummer 767 00:37:49,280 --> 00:37:53,960 Speaker 1: Matha Brown, our bassist Ryan Their seven our background singer 768 00:37:54,040 --> 00:37:56,760 Speaker 1: a mod again, we're just our trainer is just everybody 769 00:37:56,880 --> 00:38:00,359 Speaker 1: like these are all our friends who like, hey, come 770 00:38:00,360 --> 00:38:02,279 Speaker 1: out on the road, let's make a show. There's eight. 771 00:38:02,680 --> 00:38:05,640 Speaker 1: Just in the suit is nine Tim head of security 772 00:38:05,800 --> 00:38:10,440 Speaker 1: is ten Y Forest, My manager is eleven. Zach who 773 00:38:10,520 --> 00:38:15,680 Speaker 1: was doing video videography was twelve. Mike might signs again. 774 00:38:15,760 --> 00:38:19,840 Speaker 1: Just a friend who lives in Dallas becomes It was thirteen. 775 00:38:20,760 --> 00:38:24,959 Speaker 1: Who else was there? I think that's it's we're forgetting people. 776 00:38:24,960 --> 00:38:27,880 Speaker 1: Because there were fifteen people with us, Yes, because I 777 00:38:27,960 --> 00:38:29,960 Speaker 1: counted them. I was like, we're filth. What you counted 778 00:38:30,040 --> 00:38:33,400 Speaker 1: us too? I think soles. There were a lot of us, 779 00:38:34,280 --> 00:38:36,600 Speaker 1: and so I think for me, it's like the sound 780 00:38:36,680 --> 00:38:42,040 Speaker 1: checks for an hour long Yeah, you don't what Friday's. 781 00:38:42,080 --> 00:38:44,000 Speaker 1: Fridays are hard. You wake up at three am, you 782 00:38:44,000 --> 00:38:45,640 Speaker 1: don't get a bed to one and you don't recover, 783 00:38:45,960 --> 00:38:48,400 Speaker 1: and Saturday night you're doing it too, and Sunday to 784 00:38:48,440 --> 00:38:50,960 Speaker 1: travel day and you're back on the air. I mean basically, 785 00:38:51,000 --> 00:38:54,000 Speaker 1: it's like twenty eight days on in two days off. 786 00:38:54,120 --> 00:38:57,640 Speaker 1: It's weird because I've always dreamt of this, Like, but 787 00:38:57,680 --> 00:38:59,920 Speaker 1: you dremped up without doing a radio show all morning, correct, 788 00:39:00,239 --> 00:39:02,640 Speaker 1: got treat of it, not having a full time job. 789 00:39:02,960 --> 00:39:06,120 Speaker 1: It's been but but I'm not complaining because that's why 790 00:39:06,239 --> 00:39:08,640 Speaker 1: we do it, why we're able to do it. And 791 00:39:08,760 --> 00:39:11,880 Speaker 1: I love them both as much, like they're just love 792 00:39:11,920 --> 00:39:14,520 Speaker 1: the radio show more you do. I love the radio 793 00:39:14,560 --> 00:39:16,760 Speaker 1: show the most. I love doing stand up a close second, 794 00:39:17,640 --> 00:39:20,400 Speaker 1: and then yeah, but the raging idiot stuff, it was 795 00:39:20,520 --> 00:39:22,879 Speaker 1: just something that came out of nowhere. I just got bigger, bigger, bigger. 796 00:39:22,920 --> 00:39:24,920 Speaker 1: But what I love about raging Idiots is that on 797 00:39:25,000 --> 00:39:28,960 Speaker 1: the radio show, we talk and people listen, but we 798 00:39:29,000 --> 00:39:32,600 Speaker 1: don't see them raging idiots. We get to meet and 799 00:39:32,719 --> 00:39:34,800 Speaker 1: see the people that we talked to every morning, and 800 00:39:34,880 --> 00:39:38,000 Speaker 1: to have them like come back and say, hey, you know, 801 00:39:38,160 --> 00:39:39,560 Speaker 1: like I loved it when you said this, or I 802 00:39:39,640 --> 00:39:42,040 Speaker 1: love it that you're always about this or whatever, like 803 00:39:42,160 --> 00:39:44,200 Speaker 1: that's cool because I remember the first time that happened. 804 00:39:44,520 --> 00:39:46,680 Speaker 1: I didn't even realize We're flying across the country to 805 00:39:47,600 --> 00:39:50,759 Speaker 1: show and they're real people to listen to the show. 806 00:39:51,040 --> 00:39:53,080 Speaker 1: That's been a really great part of it because again, 807 00:39:53,120 --> 00:39:54,640 Speaker 1: it put you. When you go back in the studio 808 00:39:54,680 --> 00:39:56,839 Speaker 1: Monday morning, you know who you're doing, Realize it's it's 809 00:39:56,880 --> 00:39:59,200 Speaker 1: real faces instead of just walking in out of the studio. 810 00:39:59,280 --> 00:40:01,439 Speaker 1: I love that. That's been a big part of it. Yes, 811 00:40:02,680 --> 00:40:04,560 Speaker 1: but yeah, I'm ready for a break. And that's why 812 00:40:04,640 --> 00:40:06,640 Speaker 1: next year we were gonna, I say break as I 813 00:40:06,680 --> 00:40:08,799 Speaker 1: go on a full stand up tour. Yeah, dude, you're 814 00:40:08,800 --> 00:40:10,920 Speaker 1: about to get January through. But but then there's no 815 00:40:11,000 --> 00:40:14,319 Speaker 1: sound check. I don't have a band, and I don't 816 00:40:14,320 --> 00:40:16,600 Speaker 1: have to you know, band members to pay. I mean, 817 00:40:16,640 --> 00:40:19,279 Speaker 1: it's just so much less and I find more satisfaction 818 00:40:19,360 --> 00:40:21,840 Speaker 1: in that because there's not a ceiling for me in 819 00:40:21,920 --> 00:40:25,399 Speaker 1: stand up. I'm growing, I'm writing, I don't have to sing. 820 00:40:25,800 --> 00:40:27,719 Speaker 1: I can tell jokes and come up with things, and 821 00:40:28,000 --> 00:40:30,279 Speaker 1: that's what I'm much better at. So anyway, all that, 822 00:40:30,719 --> 00:40:32,839 Speaker 1: I don't know how we get in that layer. But um, 823 00:40:33,200 --> 00:40:34,759 Speaker 1: I can remember Eddie and I've been on the golf 824 00:40:34,800 --> 00:40:39,399 Speaker 1: course in Austin. I was like, hey, dude, um, I'm 825 00:40:39,400 --> 00:40:42,959 Speaker 1: gonna move to Nashville. I'm gonna do a show, national show, 826 00:40:43,760 --> 00:40:45,920 Speaker 1: and we're gonna go do country and Eddie and I 827 00:40:46,120 --> 00:40:49,160 Speaker 1: what our thing was even before this, we would drive 828 00:40:49,239 --> 00:40:52,680 Speaker 1: rapid on iHeart Radio or back then Pandora. People still 829 00:40:52,680 --> 00:40:56,399 Speaker 1: live in to Pandora. I never hear I don't really 830 00:40:56,480 --> 00:40:59,680 Speaker 1: anybody even talk about Pandora anymore. Um and if they're 831 00:40:59,719 --> 00:41:04,840 Speaker 1: if listen to Pandora, shout out. But um, before I 832 00:41:05,000 --> 00:41:07,279 Speaker 1: Heart was big, it was even Pandora, and we would 833 00:41:07,320 --> 00:41:09,640 Speaker 1: put it on the nineties country station. We played name 834 00:41:09,680 --> 00:41:14,600 Speaker 1: that tune, all golf, all for four because that was 835 00:41:15,320 --> 00:41:17,800 Speaker 1: our favorite kind of music, like the nineties and early 836 00:41:17,880 --> 00:41:20,480 Speaker 1: two thousand country. And to be quite honest with you, 837 00:41:21,440 --> 00:41:26,400 Speaker 1: that phase of like two thousand five to two thousand twelve, 838 00:41:26,520 --> 00:41:29,400 Speaker 1: we were like, this kind of sucks. I just didn't 839 00:41:29,440 --> 00:41:33,279 Speaker 1: know it. So we have you know, mostly we knew 840 00:41:33,320 --> 00:41:35,640 Speaker 1: the good, good stuff and the huge stuff, but it 841 00:41:35,760 --> 00:41:40,399 Speaker 1: just wasn't our cup of tea. And so like most people, 842 00:41:40,440 --> 00:41:44,480 Speaker 1: our age, our glory days was that nineties two thousand. Yeah, 843 00:41:44,680 --> 00:41:48,640 Speaker 1: the Garden mcgrals even like the Sawyer Brown said that 844 00:41:48,719 --> 00:41:51,000 Speaker 1: weren't as big, but had you know, a few big 845 00:41:51,080 --> 00:41:54,880 Speaker 1: hits all of that. Right, So we read, you know, 846 00:41:54,880 --> 00:41:56,239 Speaker 1: we're in the golf course one day and don't let's 847 00:41:56,239 --> 00:41:59,480 Speaker 1: not say what song it is, what and I was like, 848 00:41:59,520 --> 00:42:01,040 Speaker 1: I really want to do this because I feel like 849 00:42:01,080 --> 00:42:05,560 Speaker 1: I can influence a format, and so we go. And 850 00:42:06,080 --> 00:42:08,240 Speaker 1: growing up in Arkansas, that's what we had was country. 851 00:42:08,400 --> 00:42:10,799 Speaker 1: It was an alternative kid too, but and hip hop 852 00:42:10,880 --> 00:42:13,440 Speaker 1: kid later on in my day, like high school day. 853 00:42:13,840 --> 00:42:15,400 Speaker 1: But we were listening to the song and it was 854 00:42:15,440 --> 00:42:17,520 Speaker 1: on the Big NINETYA in Nashville, and we're like, this 855 00:42:17,640 --> 00:42:20,480 Speaker 1: song sucks. We can't move to Nashville and do this 856 00:42:20,520 --> 00:42:22,520 Speaker 1: because the songs sucks so bad. I remember thinking like, 857 00:42:22,640 --> 00:42:24,279 Speaker 1: how are how are you going to do that? I 858 00:42:24,320 --> 00:42:26,040 Speaker 1: don't I didn't know, and for a minute I thought 859 00:42:26,040 --> 00:42:28,160 Speaker 1: about not doing it because the song sucks so bad. 860 00:42:28,239 --> 00:42:32,160 Speaker 1: It was played on radio and I was like, Eddie, 861 00:42:32,960 --> 00:42:35,680 Speaker 1: I don't know. I don't know right now. And to 862 00:42:35,800 --> 00:42:38,879 Speaker 1: be fair, that song I don't hear no never never 863 00:42:39,080 --> 00:42:41,120 Speaker 1: just never gets. But it is by a big artist. Now, yeah, 864 00:42:41,200 --> 00:42:43,359 Speaker 1: it's a big artist that everyone knows. But this song 865 00:42:44,560 --> 00:42:46,959 Speaker 1: and this artist now is it makes really good music, 866 00:42:47,600 --> 00:42:50,279 Speaker 1: which is ironic. Yeah, it makes really good music. And 867 00:42:50,840 --> 00:42:52,320 Speaker 1: you can guess we're not gonna answer you yes or no. 868 00:42:52,400 --> 00:42:55,600 Speaker 1: I see your wills turning. Who would you think it was? 869 00:42:56,239 --> 00:42:57,759 Speaker 1: That's by by saying that you don't have a guess 870 00:42:57,800 --> 00:43:01,520 Speaker 1: a song because you want to know the song. No, um, 871 00:43:02,480 --> 00:43:05,160 Speaker 1: We're good to say no, but so you can't guess 872 00:43:05,200 --> 00:43:06,879 Speaker 1: anymore because if it is yes, we're not gonna say. 873 00:43:07,160 --> 00:43:08,360 Speaker 1: But there was a song and it was playing. We 874 00:43:08,400 --> 00:43:11,280 Speaker 1: were listening to my heart. We were playing the University 875 00:43:11,280 --> 00:43:16,640 Speaker 1: of Texas golf course. No no, no, we were in Yeah. 876 00:43:16,680 --> 00:43:18,160 Speaker 1: We were great rock man. I used to play golf 877 00:43:18,280 --> 00:43:20,279 Speaker 1: is crazy every day, so every day. I haven't played 878 00:43:20,320 --> 00:43:22,719 Speaker 1: in years now, But that's when I had time back 879 00:43:22,719 --> 00:43:24,440 Speaker 1: in the day. And if we didn't have time, we 880 00:43:24,520 --> 00:43:28,080 Speaker 1: made time. Eddie would leave work and live ab shooting 881 00:43:28,080 --> 00:43:32,480 Speaker 1: news and be like, gotta go cover nine homicides, see 882 00:43:32,480 --> 00:43:35,200 Speaker 1: you in four hours, come back. It was a non story, 883 00:43:35,239 --> 00:43:39,680 Speaker 1: guess fake um. But we heard this song and we 884 00:43:39,760 --> 00:43:41,520 Speaker 1: were like, this is terrible. I don't know if I 885 00:43:41,560 --> 00:43:43,360 Speaker 1: can do it. And we talked about it for a 886 00:43:43,440 --> 00:43:47,759 Speaker 1: bit and we were to listen, and it was like, 887 00:43:47,880 --> 00:43:51,279 Speaker 1: let's just go and see if we can kind of 888 00:43:52,040 --> 00:43:55,560 Speaker 1: be part of how the direction it's going while keeping 889 00:43:55,640 --> 00:43:59,719 Speaker 1: it somewhat the same. And because even I know and 890 00:44:00,040 --> 00:44:01,919 Speaker 1: people that annoy me the most are the people they're 891 00:44:01,920 --> 00:44:04,480 Speaker 1: like well that any country, just because it's said every 892 00:44:05,080 --> 00:44:08,880 Speaker 1: single generation of music. And there are things that I 893 00:44:08,920 --> 00:44:13,080 Speaker 1: don't understand. They're like money. I don't know anything about money, right, no, 894 00:44:13,360 --> 00:44:16,080 Speaker 1: nothing anything. I grow poor, don't. I have people now 895 00:44:16,200 --> 00:44:17,960 Speaker 1: that I just trust and they know what they're with 896 00:44:18,040 --> 00:44:21,360 Speaker 1: with all money and so. But people also, you know, 897 00:44:21,440 --> 00:44:23,560 Speaker 1: they'll be talking about money. But but I'm making a 898 00:44:23,600 --> 00:44:26,640 Speaker 1: comment like, well that's stupid. Really, I don't know anything. 899 00:44:27,440 --> 00:44:29,160 Speaker 1: When someone goes out in country, I go, okay, well 900 00:44:29,280 --> 00:44:31,680 Speaker 1: they're stupid about that. Like money, they don't understand that 901 00:44:31,920 --> 00:44:34,719 Speaker 1: if it stayed the same, it would die because if 902 00:44:34,760 --> 00:44:37,520 Speaker 1: it stayed exactly the same, if people were like, well 903 00:44:37,719 --> 00:44:39,960 Speaker 1: I like my country, like Merle and I like my 904 00:44:40,360 --> 00:44:42,800 Speaker 1: if it stayed exactly like that, it would be like 905 00:44:42,880 --> 00:44:45,200 Speaker 1: the sawmill in my town. My town is dying because 906 00:44:45,200 --> 00:44:47,800 Speaker 1: the sawmill is dead. And eventually people age out of it, 907 00:44:48,160 --> 00:44:50,480 Speaker 1: and people would age out of the format, and they 908 00:44:50,480 --> 00:44:52,359 Speaker 1: would the same people like that nobody knew would come 909 00:44:52,360 --> 00:44:55,439 Speaker 1: into would be very few. Nothing is regional anymore in music, 910 00:44:55,920 --> 00:44:58,320 Speaker 1: and the reason the country was so regional in that 911 00:44:58,440 --> 00:45:02,960 Speaker 1: southeast and the California side was because there wasn't the 912 00:45:03,040 --> 00:45:06,800 Speaker 1: ability to get it out. And it's weird to me 913 00:45:06,880 --> 00:45:09,879 Speaker 1: that older people struggle with this because I would think 914 00:45:09,960 --> 00:45:13,279 Speaker 1: that they would. They would have have experienced all the 915 00:45:13,400 --> 00:45:17,479 Speaker 1: changes in music before and seen it like cash and cash, 916 00:45:18,000 --> 00:45:21,440 Speaker 1: like all of the Beatles, even even the seventies stuff, 917 00:45:21,440 --> 00:45:24,279 Speaker 1: the Zeppelin. Yes, everything had to evolve to become what 918 00:45:24,360 --> 00:45:26,840 Speaker 1: it is today. We even had to experience hair metal 919 00:45:27,520 --> 00:45:31,759 Speaker 1: as not even as as pop pop music for things 920 00:45:31,800 --> 00:45:33,600 Speaker 1: to change, and grunge had to come in. And like, 921 00:45:33,920 --> 00:45:36,560 Speaker 1: so when people go well that in country, I automatically 922 00:45:36,760 --> 00:45:40,040 Speaker 1: think they're dumb about that subject. They may be brilliant 923 00:45:40,040 --> 00:45:41,759 Speaker 1: about something else. I only have money, and I'm like, well, 924 00:45:41,800 --> 00:45:43,400 Speaker 1: that's stupid. I would you invest in that I have 925 00:45:43,480 --> 00:45:47,560 Speaker 1: no idea talking about and something and someone I can 926 00:45:47,640 --> 00:45:50,160 Speaker 1: look at me and go, Okay, you're really stupid about this. 927 00:45:50,440 --> 00:45:51,600 Speaker 1: And maybe I don't think I am at the time, 928 00:45:51,640 --> 00:45:54,279 Speaker 1: but I am right. And so when we will go 929 00:45:54,360 --> 00:45:55,719 Speaker 1: with that in country, I go, Okay, you're just not 930 00:45:56,120 --> 00:46:01,120 Speaker 1: intelligent on how popular cult your works. And if you 931 00:46:01,200 --> 00:46:04,400 Speaker 1: want country music to die as a format, then it 932 00:46:04,680 --> 00:46:06,640 Speaker 1: will stay the same. I do know what they're saying, 933 00:46:06,719 --> 00:46:09,440 Speaker 1: though they're the one that they don't enjoy the direction 934 00:46:09,480 --> 00:46:11,520 Speaker 1: it's going. Correct, there are sometimes I don't enjoy the 935 00:46:11,600 --> 00:46:14,239 Speaker 1: direction it's going, and I'm like, this sucks. Even on 936 00:46:14,280 --> 00:46:16,200 Speaker 1: the air now, some of the stuff we play sucks. 937 00:46:16,920 --> 00:46:21,760 Speaker 1: But I also understand that the market dictates the format, 938 00:46:22,760 --> 00:46:25,160 Speaker 1: and that's just a business part of it. If you 939 00:46:25,239 --> 00:46:29,480 Speaker 1: want to hear someone play an acoustic guitar in a 940 00:46:29,560 --> 00:46:33,000 Speaker 1: barn with the cowboy hat, you can find that. And 941 00:46:33,080 --> 00:46:35,880 Speaker 1: if you want Willie Nelson, go listen to Willie Nelson. 942 00:46:36,640 --> 00:46:38,839 Speaker 1: If you want Merle, there's a ton of Morral out there, 943 00:46:38,880 --> 00:46:41,719 Speaker 1: you can have a download. Somebody told me I don't 944 00:46:41,719 --> 00:46:43,799 Speaker 1: even remember who it was, but that we were talking 945 00:46:43,840 --> 00:46:45,960 Speaker 1: about the raging idiots and I was talking about how 946 00:46:46,040 --> 00:46:48,000 Speaker 1: bad we are and I don't know how we've got 947 00:46:48,160 --> 00:46:51,640 Speaker 1: this record deal? Were how we were, yeah, and and 948 00:46:51,800 --> 00:46:53,520 Speaker 1: how we got the record deal and all that, And 949 00:46:53,600 --> 00:46:56,080 Speaker 1: I remember them telling me specifically, that's the beauty of 950 00:46:56,719 --> 00:47:00,319 Speaker 1: this format is that there is room for every thing. 951 00:47:00,920 --> 00:47:04,080 Speaker 1: Like it's not about you think you're bad, but obviously 952 00:47:04,160 --> 00:47:06,520 Speaker 1: you're good because people are listening. There's something that was 953 00:47:06,560 --> 00:47:09,160 Speaker 1: something that resonates, right, And so they were just saying 954 00:47:09,239 --> 00:47:12,200 Speaker 1: that's the beauty of it that like some people may 955 00:47:12,239 --> 00:47:15,200 Speaker 1: not like it, but somebody does. And that's the beauty 956 00:47:15,239 --> 00:47:17,239 Speaker 1: of it. There's a room, so much room, and you 957 00:47:17,280 --> 00:47:18,920 Speaker 1: don't think of it because then I think you made 958 00:47:18,960 --> 00:47:23,480 Speaker 1: a comparison one time about like they're being room. Oh 959 00:47:23,600 --> 00:47:27,120 Speaker 1: what I said, we're on the road. I said country 960 00:47:27,200 --> 00:47:31,640 Speaker 1: music is turning into Top forty. Not musically because Sophifortic 961 00:47:31,760 --> 00:47:35,160 Speaker 1: changes to always soft, is always changing boy bands, hair metal, 962 00:47:35,640 --> 00:47:39,839 Speaker 1: hip hop, head his top sometimes countries country big time, right, 963 00:47:39,960 --> 00:47:42,480 Speaker 1: So what I said was country is turning into kind 964 00:47:42,480 --> 00:47:46,320 Speaker 1: of a hits country format, meaning you're gonna have the 965 00:47:46,400 --> 00:47:48,839 Speaker 1: top couple of traditional artists, You're gonna have the top 966 00:47:48,920 --> 00:47:52,160 Speaker 1: couple new age. This sucks. That really is kind of catchy, 967 00:47:52,480 --> 00:47:55,840 Speaker 1: you know, pop sounding country music artists. You're gonna have 968 00:47:55,880 --> 00:47:58,279 Speaker 1: the top kind of like bluesy country artists like this. 969 00:47:58,719 --> 00:48:00,160 Speaker 1: And that's what The country format is going to be 970 00:48:00,200 --> 00:48:04,480 Speaker 1: a bunch of sub formats and the main country format 971 00:48:04,560 --> 00:48:06,319 Speaker 1: is going to be the winner of all the sub 972 00:48:06,400 --> 00:48:09,439 Speaker 1: formats at the time. But there will be room for everything, yes, 973 00:48:09,560 --> 00:48:12,640 Speaker 1: and they'll be breakouts and they'll be sub formats. You've 974 00:48:12,640 --> 00:48:15,560 Speaker 1: are you already seeing that with these older formats like 975 00:48:15,680 --> 00:48:18,960 Speaker 1: Cumulus has Nash stations that are not old people. You 976 00:48:19,040 --> 00:48:20,839 Speaker 1: know that we like the nineties people and they're old. 977 00:48:20,880 --> 00:48:24,040 Speaker 1: Now we've even started stuff the icon, you know stuff, 978 00:48:24,360 --> 00:48:27,000 Speaker 1: So you're seeing sub formats. But anytime you hear someone 979 00:48:27,080 --> 00:48:29,600 Speaker 1: go without any country, just realize they're an idiot about 980 00:48:29,640 --> 00:48:33,280 Speaker 1: music and they are really hoping the format dies because 981 00:48:33,360 --> 00:48:35,080 Speaker 1: you know what, it's not the country maybe that you're 982 00:48:35,160 --> 00:48:37,000 Speaker 1: used to. But just because you're not used to it 983 00:48:37,080 --> 00:48:39,440 Speaker 1: doesn't mean you're right. And if I had to understand it, 984 00:48:39,480 --> 00:48:42,120 Speaker 1: but myself too, just because it doesn't mean it's not 985 00:48:42,160 --> 00:48:43,919 Speaker 1: it doesn't mean it's a universal truth. Because I feel 986 00:48:43,920 --> 00:48:46,800 Speaker 1: a way about That's how we started. That's changed thinking 987 00:48:46,840 --> 00:48:49,080 Speaker 1: that way with country. Before we got here, we had 988 00:48:49,440 --> 00:48:51,680 Speaker 1: oh yeah, we were like this sucks because we're had 989 00:48:51,800 --> 00:48:54,040 Speaker 1: no idea. And now this this is not shando, We're 990 00:48:54,080 --> 00:48:56,920 Speaker 1: out come on. Now I love it. Now I'm like 991 00:48:57,040 --> 00:49:00,160 Speaker 1: choosing country music over other genres. Yeah, me too, six 992 00:49:00,800 --> 00:49:02,920 Speaker 1: the time. Some of it really sucks and some of 993 00:49:02,960 --> 00:49:07,160 Speaker 1: the artists are really awful people. But but but only 994 00:49:07,239 --> 00:49:10,520 Speaker 1: we know that that's true. But there are some really 995 00:49:10,600 --> 00:49:14,240 Speaker 1: good people to but yeah, some of them are real dicks. 996 00:49:16,200 --> 00:49:18,440 Speaker 1: Did I like this radio show. Oh the thing is, 997 00:49:18,480 --> 00:49:20,359 Speaker 1: our bosses don't even listen to this. I can say 998 00:49:20,360 --> 00:49:23,160 Speaker 1: whatever I want, like people, nobody listens. I mean our 999 00:49:23,200 --> 00:49:28,000 Speaker 1: listeners listen. It is in my house, it is you 1000 00:49:28,120 --> 00:49:32,200 Speaker 1: shut that mouth, so sorry, but yeah, nobody especially I 1001 00:49:32,239 --> 00:49:37,560 Speaker 1: want you to get like more than minutes. No Bostons. 1002 00:49:38,120 --> 00:49:40,959 Speaker 1: But that's the point where they just draw. They dropped 1003 00:49:40,960 --> 00:49:42,920 Speaker 1: it like eight or nine. But let's say that they're 1004 00:49:42,960 --> 00:49:45,920 Speaker 1: on a run or something, you know, let's do what 1005 00:49:46,000 --> 00:49:51,399 Speaker 1: are talking about the mother. Let me tell you about 1006 00:49:51,400 --> 00:49:54,080 Speaker 1: this guy. We were out we're playing in Tamba this 1007 00:49:54,160 --> 00:49:58,240 Speaker 1: last weekend and Brandon Ray, who's done one of these before. 1008 00:49:58,480 --> 00:50:02,040 Speaker 1: And let me tell you that guy can sing his 1009 00:50:02,120 --> 00:50:05,120 Speaker 1: butt off. He doesn't have a deal yet, and I 1010 00:50:05,200 --> 00:50:07,919 Speaker 1: think it's he's got to find kind of a song. 1011 00:50:08,080 --> 00:50:10,840 Speaker 1: Everybody needs a song, and so he doesn't have a 1012 00:50:10,920 --> 00:50:14,240 Speaker 1: deal yet. But when it just comes to singing and playing, 1013 00:50:15,120 --> 00:50:18,840 Speaker 1: the dude's phenomenal. He's got, you know, taking on a 1014 00:50:18,920 --> 00:50:21,799 Speaker 1: crowd and like grabbing him and just getting him sing 1015 00:50:21,920 --> 00:50:24,399 Speaker 1: every word to a song. That's hard and he's good 1016 00:50:24,440 --> 00:50:26,920 Speaker 1: at that. He and you should listen back if you 1017 00:50:26,960 --> 00:50:29,799 Speaker 1: haven't listened to the Brandon Ray Bobby cast like he's 1018 00:50:29,960 --> 00:50:34,279 Speaker 1: really really good and so he's also someone I didn't 1019 00:50:34,280 --> 00:50:36,719 Speaker 1: think I would like. That's funny you say that, because 1020 00:50:36,719 --> 00:50:38,600 Speaker 1: I didn't like him at all. For about thirty minutes. 1021 00:50:38,680 --> 00:50:40,080 Speaker 1: I was like, I'm never gonna like this guy with 1022 00:50:40,200 --> 00:50:43,640 Speaker 1: hair Jael and Jeane Jackets and and I was like, 1023 00:50:44,160 --> 00:50:45,839 Speaker 1: this is not the kind of guy I would Wow, 1024 00:50:45,960 --> 00:50:48,080 Speaker 1: I'm in love with you is He's one of my 1025 00:50:48,120 --> 00:50:51,719 Speaker 1: favorite people in the world. It's like text with I 1026 00:50:51,760 --> 00:50:58,120 Speaker 1: don't basically you Lindsay am Brandon Amy less and less 1027 00:50:59,000 --> 00:51:02,760 Speaker 1: um brand because she has she's always on like Haiti 1028 00:51:02,960 --> 00:51:07,520 Speaker 1: or some third world country health or um. But yeah, 1029 00:51:08,160 --> 00:51:10,640 Speaker 1: so anyway, love Brandon. This is a story. So we're 1030 00:51:10,680 --> 00:51:13,400 Speaker 1: on stage and Brandon Ray's run this Alan Jackson T 1031 00:51:13,520 --> 00:51:17,400 Speaker 1: shirt last weekend. He was so proud like he was 1032 00:51:18,000 --> 00:51:21,640 Speaker 1: and I don't know why, but Brandon was like, Okay, 1033 00:51:21,680 --> 00:51:23,640 Speaker 1: everybody in the crowd, and remember there are three thousand 1034 00:51:23,680 --> 00:51:27,279 Speaker 1: people in this theater and there aren't screens. No, it's 1035 00:51:27,320 --> 00:51:29,239 Speaker 1: just the stage. It's just the stage. So if you're 1036 00:51:29,360 --> 00:51:31,960 Speaker 1: back but behind Road twenty, you're probably not gonna see 1037 00:51:31,960 --> 00:51:33,520 Speaker 1: a shirt anyway. If you're in the upper deck, probably 1038 00:51:33,520 --> 00:51:35,719 Speaker 1: not seeing a shirt and he's he's doing a song 1039 00:51:35,800 --> 00:51:38,120 Speaker 1: and you introduced him. I was like, anyway, I wanna 1040 00:51:38,239 --> 00:51:41,000 Speaker 1: wanna one of my friends have been playing guitar. Here 1041 00:51:41,040 --> 00:51:42,800 Speaker 1: he has Brandon Ray, and Brandon Ray is kind of 1042 00:51:42,880 --> 00:51:45,480 Speaker 1: like the upper cut, like we've been killing them, right, 1043 00:51:45,480 --> 00:51:47,120 Speaker 1: We've having so much fun during the show that Brendan 1044 00:51:47,200 --> 00:51:51,160 Speaker 1: just kills them and sings his brains out right and 1045 00:51:51,239 --> 00:51:53,120 Speaker 1: he's like, do you like my Alan Jackson shirt? And 1046 00:51:53,160 --> 00:51:58,520 Speaker 1: then cauds like yeah. It's like who looks Alan Jackson? 1047 00:51:59,040 --> 00:52:02,600 Speaker 1: And they're like yeah. And then he goes, I got lost, 1048 00:52:02,640 --> 00:52:05,239 Speaker 1: so aforia and then he hits it and all of 1049 00:52:05,239 --> 00:52:11,719 Speaker 1: a sudden, this starts to play and we're like why 1050 00:52:11,880 --> 00:52:15,360 Speaker 1: is bon Job playing? We're like what? And I'm like, Brandon, 1051 00:52:16,320 --> 00:52:19,640 Speaker 1: I said, you gotta stopped. Stopped at music for a second. Stopped. 1052 00:52:19,800 --> 00:52:22,320 Speaker 1: I was like, Brandon, stop playing for a second. It's like, 1053 00:52:22,400 --> 00:52:25,879 Speaker 1: give what's up? I said, you can't get people going 1054 00:52:25,920 --> 00:52:31,839 Speaker 1: by who loves Allen Jackson and then play bon Jobi. Yeah, 1055 00:52:32,040 --> 00:52:35,040 Speaker 1: And he said, but they like it. Let's let him 1056 00:52:35,080 --> 00:52:38,319 Speaker 1: vote who they like more or like no, First of all, 1057 00:52:38,360 --> 00:52:41,440 Speaker 1: we don't want to crowd to vote for or against 1058 00:52:41,480 --> 00:52:45,040 Speaker 1: Alan Jackson's job. We just don't want that. What is 1059 00:52:45,040 --> 00:52:50,279 Speaker 1: there to have fun? So I say it, we're in 1060 00:52:50,360 --> 00:52:52,240 Speaker 1: Florida too. I'm like, they're tired of voting in Florida. 1061 00:52:52,640 --> 00:52:54,359 Speaker 1: You know. I feel like no one got that joke. 1062 00:52:54,760 --> 00:52:56,600 Speaker 1: You know, it was in the I got it. It 1063 00:52:56,719 --> 00:52:58,759 Speaker 1: wasn't even stand up comedy now, it wasn't. It was 1064 00:52:58,840 --> 00:53:01,480 Speaker 1: just the show, right. And so he plays a song 1065 00:53:01,600 --> 00:53:06,680 Speaker 1: and he kills it and the crowd singing everywhere, and 1066 00:53:06,719 --> 00:53:07,960 Speaker 1: then at the end, I'm like, dude, you gotta play 1067 00:53:07,960 --> 00:53:10,520 Speaker 1: Allen Jackson now, just so people don't get angry. And 1068 00:53:10,600 --> 00:53:13,520 Speaker 1: so we played Chattahoochie. We try to play Chattahogie. We tried. 1069 00:53:13,600 --> 00:53:16,680 Speaker 1: We played Chattahoochie and like a really low key because 1070 00:53:16,719 --> 00:53:18,840 Speaker 1: we didn't We've never done that song before. So he 1071 00:53:18,880 --> 00:53:25,799 Speaker 1: starts singing. It's just like this is terrible and show. 1072 00:53:25,880 --> 00:53:29,719 Speaker 1: It was like, what's Alan Jackson? Yeah, there's a little 1073 00:53:29,719 --> 00:53:32,200 Speaker 1: song by the Beatles. We're like, wait, what the you 1074 00:53:32,280 --> 00:53:35,719 Speaker 1: all see my shirt? Do you see it? Was like, row, 1075 00:53:36,160 --> 00:53:38,960 Speaker 1: I don't see it. This is Alan Jackson. Do you 1076 00:53:39,040 --> 00:53:42,319 Speaker 1: love him? Let me hear you say, yeah, all right, 1077 00:53:42,360 --> 00:53:44,600 Speaker 1: here's a little something now up in my favorite band Lit. 1078 00:53:47,000 --> 00:53:50,800 Speaker 1: That That that that that that Lit is awesome. Do 1079 00:53:50,840 --> 00:53:54,399 Speaker 1: you remember our long, our long argument over Lit? Yeah, 1080 00:53:54,680 --> 00:53:58,759 Speaker 1: over my head, I'm in over my head. Yeah, but 1081 00:53:58,760 --> 00:54:01,720 Speaker 1: you're singing some for you one. I'm singing Lit. Okay, 1082 00:54:02,000 --> 00:54:05,239 Speaker 1: do you have it? Play it ten years from now. 1083 00:54:05,400 --> 00:54:07,319 Speaker 1: There's not something to settle. They both have a song 1084 00:54:07,400 --> 00:54:09,759 Speaker 1: called over my but the song I was singing was 1085 00:54:09,880 --> 00:54:11,760 Speaker 1: LIT about the song I was singing with some forty 1086 00:54:11,800 --> 00:54:13,840 Speaker 1: one and we're like, who sings over my Head? And 1087 00:54:13,840 --> 00:54:15,239 Speaker 1: we got a huge fight over it. I think we 1088 00:54:15,320 --> 00:54:16,920 Speaker 1: agreed to disagree on that one. But no, no, no, 1089 00:54:17,040 --> 00:54:19,759 Speaker 1: they both have a song. I know, I know. Do 1090 00:54:19,840 --> 00:54:23,200 Speaker 1: you do you argue a lot everyone? No? No, no, 1091 00:54:23,920 --> 00:54:26,439 Speaker 1: if people want me to, I do. I get paid 1092 00:54:26,440 --> 00:54:28,480 Speaker 1: to argue, So I don't care. I got you. I don't. 1093 00:54:28,600 --> 00:54:32,000 Speaker 1: I can get nothing to say. Okay, and Lindsay and 1094 00:54:32,080 --> 00:54:35,080 Speaker 1: I talk a lot about music, and it's never argument though, 1095 00:54:35,280 --> 00:54:38,720 Speaker 1: it's just discussion. Yeah, because that was a long argument. 1096 00:54:38,760 --> 00:54:41,920 Speaker 1: That but there was my arguments. There is no argument 1097 00:54:42,440 --> 00:54:44,319 Speaker 1: because they both have a song called over my Head. 1098 00:54:44,480 --> 00:54:48,200 Speaker 1: My argument was I was right, no, because because I 1099 00:54:48,280 --> 00:54:52,080 Speaker 1: originally sang the LIT version and then you said, nice, dude, 1100 00:54:52,200 --> 00:54:53,960 Speaker 1: some forty one song. I'm like, no, it's lit. You 1101 00:54:54,000 --> 00:55:01,479 Speaker 1: didn't sing it very well. Then I'm man over my head. Yeah, 1102 00:55:01,800 --> 00:55:04,560 Speaker 1: see no, still it sounds like lit to me. Here's 1103 00:55:04,640 --> 00:55:10,000 Speaker 1: let's screen. I don't need the screen. Turn that around. 1104 00:55:10,239 --> 00:55:12,400 Speaker 1: This is called over my head and this is a 1105 00:55:12,440 --> 00:55:14,000 Speaker 1: song that I know, and you're singing over my head. 1106 00:55:16,120 --> 00:55:17,759 Speaker 1: One thing that Eddie when we did it's the longest 1107 00:55:17,760 --> 00:55:19,600 Speaker 1: because of music too. We did that was how we 1108 00:55:19,680 --> 00:55:22,600 Speaker 1: fell in love. You're a favorite band, Pearl Jam. Pearl 1109 00:55:22,719 --> 00:55:25,719 Speaker 1: Jam my favorite band. Since let's do this. Let's do 1110 00:55:25,960 --> 00:55:28,759 Speaker 1: non country in the country. Okay, favorite, let's go stay 1111 00:55:28,800 --> 00:55:30,920 Speaker 1: out of country. Don't put anybody County into your country. 1112 00:55:31,360 --> 00:55:35,799 Speaker 1: Top three artists non country go Pearl Jam Number one one, 1113 00:55:35,880 --> 00:55:40,800 Speaker 1: Pearl Jam. Okay, that's kind of a song that's not 1114 00:55:40,840 --> 00:55:42,600 Speaker 1: been in their songs. But but I mean, I'm not 1115 00:55:42,640 --> 00:55:44,880 Speaker 1: one of those guys that like says like, oh, I 1116 00:55:44,920 --> 00:55:47,040 Speaker 1: like Pearl Jam, and I only like the song that 1117 00:55:47,120 --> 00:55:49,200 Speaker 1: you don't know. I like them all like better Man 1118 00:55:49,320 --> 00:55:51,880 Speaker 1: is probably my favorite Pearl Jam song. That's my favorite program. 1119 00:55:52,000 --> 00:55:54,359 Speaker 1: I'll see, that's why we dated. I mean better Man, 1120 00:55:54,360 --> 00:55:59,440 Speaker 1: it's awesome, dude. It was on Vertigo Hytology and Boggs 1121 00:55:59,480 --> 00:56:05,279 Speaker 1: was on by Bugs Bugs. Better Man funny story, Dude, dude, 1122 00:56:05,320 --> 00:56:07,160 Speaker 1: this is a dude. We're like, I love geeking out 1123 00:56:07,200 --> 00:56:08,839 Speaker 1: over this stuff and my kids hate it, my wife 1124 00:56:08,880 --> 00:56:11,440 Speaker 1: hates it, but this is what I do. Better Man 1125 00:56:11,560 --> 00:56:14,480 Speaker 1: was written by Eddie Eddie Vetter who's the lead singer 1126 00:56:14,480 --> 00:56:17,440 Speaker 1: of Pearl Jam in his first band, Temple Dog. No 1127 00:56:18,000 --> 00:56:20,640 Speaker 1: before then it was called bad Radio. Do you know 1128 00:56:20,719 --> 00:56:24,279 Speaker 1: Temple Dog was Pearl Jam without Eddie Vetter? You don't 1129 00:56:24,280 --> 00:56:27,480 Speaker 1: know that. It's like Pearl Jam with the Chris Cornell 1130 00:56:27,800 --> 00:56:31,799 Speaker 1: and Sound Garden drummer. You know that? Yeah, you go ahead. Yeah. 1131 00:56:31,880 --> 00:56:33,879 Speaker 1: So it was a song that he had written way 1132 00:56:34,080 --> 00:56:37,440 Speaker 1: before Pearl Jam and three albums in which is Vitology. 1133 00:56:37,680 --> 00:56:39,600 Speaker 1: He's just like, I got this old song, like we 1134 00:56:39,680 --> 00:56:41,719 Speaker 1: could bring it back. This was the only one of 1135 00:56:41,800 --> 00:56:44,640 Speaker 1: Vitology that made any difference for people. They did win 1136 00:56:44,680 --> 00:56:50,240 Speaker 1: a Grammy though for last Exit, I think or dropped 1137 00:56:50,239 --> 00:56:52,960 Speaker 1: the kneed. Is there a song called what's this song called? 1138 00:56:52,960 --> 00:56:54,839 Speaker 1: They they want a Grammy? It was like a pitty 1139 00:56:54,880 --> 00:56:57,279 Speaker 1: Grammy because of an album they put up before. Because 1140 00:56:57,719 --> 00:56:59,799 Speaker 1: oh they had put up like great albums like ten 1141 00:57:00,160 --> 00:57:02,400 Speaker 1: Versus with all these awesome songs in it. I mean 1142 00:57:02,520 --> 00:57:06,400 Speaker 1: last Exit was on It's not last anyway, it doesn't 1143 00:57:06,400 --> 00:57:08,399 Speaker 1: matter because the record as a whole wasn't that good. 1144 00:57:09,680 --> 00:57:12,279 Speaker 1: Spin the Black Circle and and everyone was just like, 1145 00:57:12,480 --> 00:57:16,240 Speaker 1: what is that song? And that was their first and 1146 00:57:16,320 --> 00:57:18,800 Speaker 1: only Grammy and they were just like for a record 1147 00:57:18,880 --> 00:57:22,360 Speaker 1: that really wasn't anything. I love better Man Now Better 1148 00:57:22,400 --> 00:57:26,680 Speaker 1: Man is my favorite song. Alright, that's favorite. Um, I'll 1149 00:57:26,720 --> 00:57:30,640 Speaker 1: go Bob Dylan, what a thing to say? Why Bob 1150 00:57:30,760 --> 00:57:34,040 Speaker 1: Dylan sucks to you? Bob Dylan's Bob Dylan to me 1151 00:57:34,160 --> 00:57:40,160 Speaker 1: is Tupac, and you in Tupac sucks. Tupac culturally humongous, 1152 00:57:40,800 --> 00:57:43,880 Speaker 1: made such a difference culturally, uh Now, and I like 1153 00:57:43,920 --> 00:57:46,720 Speaker 1: Tupac's music better and Bob Dylan stuffs. I just Bob 1154 00:57:46,800 --> 00:57:49,480 Speaker 1: Dylan mused sonically. I'm not into Bolved. I haven't read 1155 00:57:49,520 --> 00:57:51,880 Speaker 1: his book. I love Bob Dylan's story, and I love 1156 00:57:51,960 --> 00:57:53,640 Speaker 1: the fact that what Bob Dylan did the culture of 1157 00:57:53,760 --> 00:57:55,840 Speaker 1: music and how he changed and he went from unplugged 1158 00:57:55,840 --> 00:57:58,120 Speaker 1: to plug now. But he hated his gut So interesting 1159 00:57:58,160 --> 00:57:59,880 Speaker 1: to me, yes, all of it so in his music. 1160 00:58:00,200 --> 00:58:02,240 Speaker 1: I have National Skyline, like I have the record, the record, 1161 00:58:02,280 --> 00:58:05,440 Speaker 1: record record. To me, I just am not into the 1162 00:58:05,520 --> 00:58:08,480 Speaker 1: music A Bob Dyland. Yeah, I love that stuff, and 1163 00:58:08,520 --> 00:58:11,720 Speaker 1: I love his older stuff. This this folk stuff that 1164 00:58:11,880 --> 00:58:14,080 Speaker 1: like he did like before. This is one of the 1165 00:58:14,120 --> 00:58:16,960 Speaker 1: stuff that I like. Like I like the hits these 1166 00:58:17,000 --> 00:58:26,760 Speaker 1: were Rolling Stone nil Zine, Like, I'm such a poser 1167 00:58:26,800 --> 00:58:28,880 Speaker 1: with Bob Dylan that this is what this is not 1168 00:58:28,920 --> 00:58:32,280 Speaker 1: even what you like, Like I like Na Na Knocking 1169 00:58:32,400 --> 00:58:36,560 Speaker 1: on Heavens do. Yeah, that's older. And also I like 1170 00:58:36,720 --> 00:58:38,920 Speaker 1: him acoustically doing like, don't think twice. It's all right, 1171 00:58:39,120 --> 00:58:41,920 Speaker 1: that's why you're cool. No, I'm not. That's just what 1172 00:58:42,040 --> 00:58:45,320 Speaker 1: I like. I say cool as a compliment. You're cool 1173 00:58:45,320 --> 00:58:47,040 Speaker 1: because you I don't think. I don't think you call 1174 00:58:47,120 --> 00:58:50,240 Speaker 1: people cool as if you're a genuine Bob Dylan fan. 1175 00:58:50,680 --> 00:58:55,880 Speaker 1: You're cool as you know. I can the kind of delians. 1176 00:58:57,680 --> 00:59:01,200 Speaker 1: I do think that's cool because you you Bob Dylan's music. 1177 00:59:01,320 --> 00:59:03,000 Speaker 1: And I love the fact that I live in Nashville 1178 00:59:03,040 --> 00:59:05,280 Speaker 1: now and I you know, he spends so much time 1179 00:59:05,320 --> 00:59:07,800 Speaker 1: here and he changed the sound here. I'm not into it, 1180 00:59:08,120 --> 00:59:10,080 Speaker 1: all right, I get it. I get it, and I 1181 00:59:10,160 --> 00:59:12,400 Speaker 1: think a lot of people are gives Bob Dylan a 1182 00:59:12,440 --> 00:59:14,600 Speaker 1: bad name. A lot of people are posers, they give 1183 00:59:14,640 --> 00:59:16,720 Speaker 1: Bob Dylan a bad name. Like I love Bob Dylan, 1184 00:59:16,960 --> 00:59:19,280 Speaker 1: and I'm like, hmmm, Nama song is not a hit, 1185 00:59:20,520 --> 00:59:25,280 Speaker 1: how about the times they are changing? Now? Still hit? 1186 00:59:26,120 --> 00:59:29,760 Speaker 1: So I respect that you're a Bob Dylan, a literal Bobdylon. 1187 00:59:30,480 --> 00:59:32,920 Speaker 1: Now I'm a fan of what Bob Dylan did culturally 1188 00:59:33,960 --> 00:59:38,040 Speaker 1: and again changed a lot everything Like, but I get 1189 00:59:38,080 --> 00:59:39,440 Speaker 1: his music. To me, this isn't that big of a deal. 1190 00:59:39,960 --> 00:59:45,080 Speaker 1: It's like Mozart, like awesome, Awesome does not suck. Change 1191 00:59:45,120 --> 00:59:49,040 Speaker 1: the game doesn't suck, just not into it. Understand the 1192 00:59:49,160 --> 00:59:52,040 Speaker 1: importance Tupac. I likes music a little better than I 1193 00:59:52,160 --> 00:59:54,160 Speaker 1: do the other than the other guys. But Tupac culturally 1194 00:59:54,240 --> 00:59:57,120 Speaker 1: was a big deal and he changed the game. So um, 1195 00:59:57,440 --> 00:59:59,320 Speaker 1: Bob Dylan to me is Tupac. Okay, okay, what else? 1196 00:59:59,360 --> 01:00:03,480 Speaker 1: I'm gonna give you a number three? And that's Jimmy Buffett. Now. Now, 1197 01:00:04,200 --> 01:00:08,439 Speaker 1: now he could be considered country, but he because Margaritaville 1198 01:00:08,560 --> 01:00:10,720 Speaker 1: was kind of like a Nashville hit. But he's not country. 1199 01:00:10,960 --> 01:00:13,560 Speaker 1: But Jimmy Buffett, and these are all like change, these 1200 01:00:13,600 --> 01:00:16,600 Speaker 1: are all periods in my life too, Like this was 1201 01:00:16,760 --> 01:00:21,360 Speaker 1: huge for me. Oh, just all Jimmy Buffett stuff because 1202 01:00:21,400 --> 01:00:23,360 Speaker 1: I lived kind of by the beach a little bit 1203 01:00:23,440 --> 01:00:26,280 Speaker 1: and that was like my beach phase. All the music. 1204 01:00:26,360 --> 01:00:30,480 Speaker 1: I love Water pave Water. Yeah that's fair, and but 1205 01:00:30,680 --> 01:00:32,640 Speaker 1: you love Buffett. But Eddie and I went. I took 1206 01:00:32,720 --> 01:00:35,000 Speaker 1: Eddie to watch Jimmy Bufet a charity event once and 1207 01:00:35,120 --> 01:00:37,240 Speaker 1: it was probably wander people there and Eddie to the 1208 01:00:37,240 --> 01:00:39,000 Speaker 1: top of the rod. I was like, I'm so bored, dude. 1209 01:00:39,000 --> 01:00:41,680 Speaker 1: I was like front row just jamming every song, and 1210 01:00:41,760 --> 01:00:44,600 Speaker 1: I'm and here's the Jimmy Buffett story. So I've actually 1211 01:00:45,040 --> 01:00:47,600 Speaker 1: met and hung out with Jimmy Buffett. Like I don't like, 1212 01:00:47,680 --> 01:00:49,600 Speaker 1: I don't like this story on a personal level. I 1213 01:00:49,720 --> 01:00:52,320 Speaker 1: actually hate this story. And he's super kind, and I 1214 01:00:53,000 --> 01:00:55,120 Speaker 1: I don't justslike Jimmy Buffett. I don't just like Bob Dylan. 1215 01:00:55,160 --> 01:00:57,120 Speaker 1: But I'm saying, as far as like big fans go, 1216 01:00:57,320 --> 01:01:01,800 Speaker 1: I'm not if their music, Like I like he's Burgerdi 1217 01:01:03,120 --> 01:01:06,000 Speaker 1: Like that's fun to me, but I wouldn't rest it myself. 1218 01:01:06,280 --> 01:01:09,640 Speaker 1: Come on, but I went and I met Bob Dylan. No, no, no, 1219 01:01:10,440 --> 01:01:14,480 Speaker 1: that would have been cool and super kind, and was 1220 01:01:14,560 --> 01:01:17,920 Speaker 1: wearing I see this hold on, this is like pulling 1221 01:01:17,960 --> 01:01:22,040 Speaker 1: the veil like, this is like revealing the veil behind. Yes, 1222 01:01:22,160 --> 01:01:24,520 Speaker 1: I don't like this. You don't run the wizard. You're 1223 01:01:24,600 --> 01:01:26,880 Speaker 1: ruining the wizard here. But it's just kind of something 1224 01:01:26,960 --> 01:01:28,160 Speaker 1: that you told me once. And I was like, I 1225 01:01:28,240 --> 01:01:31,160 Speaker 1: didn't want to know that. So I went and Jimmy 1226 01:01:31,800 --> 01:01:33,880 Speaker 1: a friend and I and I a friend who knows 1227 01:01:34,000 --> 01:01:36,160 Speaker 1: Jimmy was like, let's go hang out a tear hanging 1228 01:01:36,160 --> 01:01:39,200 Speaker 1: out back and he was in his hotel and we 1229 01:01:39,480 --> 01:01:41,680 Speaker 1: hung out like an hour and just chit chatting. And 1230 01:01:41,960 --> 01:01:45,320 Speaker 1: he was wearing pretty much a suit and a button 1231 01:01:45,400 --> 01:01:49,600 Speaker 1: up shirt and nice shoes. And my buddy was like, 1232 01:01:50,000 --> 01:01:52,280 Speaker 1: I rarely see you like in these kind of clothes. 1233 01:01:52,280 --> 01:01:53,720 Speaker 1: He goes, Oh, we're the clothes all the time. I 1234 01:01:53,800 --> 01:01:55,440 Speaker 1: just put that stupid crap. I want to go on stage. 1235 01:01:55,960 --> 01:01:58,560 Speaker 1: And Eddie hated at the story, was like what he 1236 01:01:58,680 --> 01:02:04,520 Speaker 1: wasn't wearing flip flops and I eat sponge cake. Sponge 1237 01:02:04,560 --> 01:02:11,040 Speaker 1: cake with Margarito, dude, that's so heartbreaking. He was really nice, yes, 1238 01:02:11,200 --> 01:02:14,360 Speaker 1: and that matter. He's really rich and stuff, and like 1239 01:02:14,480 --> 01:02:17,280 Speaker 1: I jimm buffet Networth, I get it, I get it. 1240 01:02:17,360 --> 01:02:20,120 Speaker 1: It's just Jimmy buff net Worth over under a hundred million, 1241 01:02:20,680 --> 01:02:24,840 Speaker 1: a hundred million, a hundred million, a hundred million over 1242 01:02:25,320 --> 01:02:28,560 Speaker 1: I think over to go over Jimmy Buffett Networth going 1243 01:02:28,600 --> 01:02:32,400 Speaker 1: to Mike d R producer not too much, but over you. Oh, 1244 01:02:32,560 --> 01:02:34,000 Speaker 1: I say it is that close to half a billion? 1245 01:02:35,120 --> 01:02:37,880 Speaker 1: Just guessing that's a lot of money what he got 1246 01:02:37,960 --> 01:02:45,760 Speaker 1: Mike d Jimmy Buffett Networth on Google is right, he's 1247 01:02:45,800 --> 01:02:49,400 Speaker 1: almost at half a bill Yeah, not half a billion, 1248 01:02:49,480 --> 01:02:53,080 Speaker 1: not a bill a bi billion dude? That what? And god, 1249 01:02:53,120 --> 01:02:55,400 Speaker 1: that's crazy. He's got all those restaurants too, I guess, 1250 01:02:55,480 --> 01:02:58,200 Speaker 1: and beers and and probably stuff. We have no idea. 1251 01:02:58,800 --> 01:03:01,200 Speaker 1: You're right about rich people. They investment. The most great 1252 01:03:01,240 --> 01:03:03,680 Speaker 1: people are rich because they're smart or because when their 1253 01:03:03,720 --> 01:03:05,600 Speaker 1: parents get much money, they also gave them people that 1254 01:03:05,680 --> 01:03:07,800 Speaker 1: were smart and so they had money all kinds of 1255 01:03:07,920 --> 01:03:10,280 Speaker 1: the Ashton cut. Your Airbnb story was interesting. He was 1256 01:03:10,320 --> 01:03:13,680 Speaker 1: talking about how he stayed an airbnb fright, But then 1257 01:03:13,680 --> 01:03:15,480 Speaker 1: you realize he's also on a huge investor of it. 1258 01:03:15,520 --> 01:03:18,560 Speaker 1: That's why he's talking about it right now, a trickery. Yeah, 1259 01:03:19,080 --> 01:03:24,880 Speaker 1: he's smart. Smart guys. My top three artists Moti Country. 1260 01:03:25,360 --> 01:03:27,959 Speaker 1: Do you know my number one? John Mayor? Oh yeah, 1261 01:03:29,240 --> 01:03:32,240 Speaker 1: I mean it's not even close. It's just it's just 1262 01:03:32,520 --> 01:03:35,120 Speaker 1: John Mayer. It's just John may just John Mayor. And 1263 01:03:35,240 --> 01:03:38,880 Speaker 1: this Continuum album is my favorite. Just it's just John 1264 01:03:38,920 --> 01:03:41,320 Speaker 1: Mayor and anyone that goes you know what, my favorit 1265 01:03:41,360 --> 01:03:43,760 Speaker 1: John Mayor song is Your Body Is in Wonderland. I'm like, okay, 1266 01:03:43,760 --> 01:03:46,400 Speaker 1: you're not John Mayrathan, because no, real John Mayrathan. This 1267 01:03:46,480 --> 01:03:48,040 Speaker 1: is the jam turned this up. I'm not saying this 1268 01:03:48,080 --> 01:03:51,000 Speaker 1: is not the jam. When I think John Mayer, I 1269 01:03:51,080 --> 01:04:00,320 Speaker 1: think this. Okay, So it's your Bob Dylan. We have guys. 1270 01:04:02,160 --> 01:04:05,720 Speaker 1: This is the first artist in my lifetime that I 1271 01:04:05,840 --> 01:04:09,480 Speaker 1: felt like was actually speaking to me through songs. Ever, 1272 01:04:10,000 --> 01:04:11,960 Speaker 1: I like, just no, not, no, not Your Body is 1273 01:04:11,960 --> 01:04:14,880 Speaker 1: in Wonderland. That's not stupid. I thought it was coming 1274 01:04:14,920 --> 01:04:18,400 Speaker 1: to came out, and that that's what. Never, it never 1275 01:04:18,520 --> 01:04:22,280 Speaker 1: touches my ears unless you're like pa, never, so you 1276 01:04:22,400 --> 01:04:25,120 Speaker 1: never listen to it alone. Never. Never. I'll put on 1277 01:04:25,440 --> 01:04:28,600 Speaker 1: lots of stuff. But he's a couple of years older 1278 01:04:28,640 --> 01:04:30,440 Speaker 1: than I am, but he would like say things and 1279 01:04:30,520 --> 01:04:33,280 Speaker 1: I would be like, wow, like that's my that's me, 1280 01:04:33,400 --> 01:04:35,400 Speaker 1: that's what I say, that's my inner of voice talking. 1281 01:04:35,760 --> 01:04:38,280 Speaker 1: That was the first time music ever felt like me 1282 01:04:38,440 --> 01:04:42,200 Speaker 1: speaking ever, and it was weird. And that's why I 1283 01:04:42,200 --> 01:04:45,200 Speaker 1: stopped this train my favorite song. It's because it's like 1284 01:04:45,400 --> 01:04:47,640 Speaker 1: the whole song is about stop this training. I want 1285 01:04:47,640 --> 01:04:49,600 Speaker 1: to get off, like life's going too fast, you know, 1286 01:04:49,640 --> 01:04:51,120 Speaker 1: I don't want it to don't want to get any older. 1287 01:04:51,400 --> 01:04:53,280 Speaker 1: He's like, I'm so scared of getting older. I'm only 1288 01:04:53,360 --> 01:04:55,840 Speaker 1: good at being young. And I was like, oh my god, 1289 01:04:56,120 --> 01:04:58,880 Speaker 1: that was me because forever, from twenty one to twenty eight, 1290 01:04:58,960 --> 01:05:01,400 Speaker 1: I was like this pheno. I'm radio guy who was 1291 01:05:01,640 --> 01:05:03,720 Speaker 1: doing things that people didn't do. And and again now 1292 01:05:03,760 --> 01:05:07,439 Speaker 1: I'm still younger than nine percent of people at this level. 1293 01:05:07,800 --> 01:05:11,760 Speaker 1: But still but I'm not I'm just kidding. Uh just no, 1294 01:05:11,920 --> 01:05:15,400 Speaker 1: I don't think so. The only weird thing is it's 1295 01:05:15,400 --> 01:05:17,320 Speaker 1: not weird for me. I can have kids to I'm 1296 01:05:17,360 --> 01:05:20,320 Speaker 1: seventy and I'll have kids. But it's like if I 1297 01:05:20,440 --> 01:05:24,160 Speaker 1: get to be and I don't have any kids, right, 1298 01:05:24,480 --> 01:05:26,880 Speaker 1: but I'm like, you know, I want kids. I can't 1299 01:05:26,920 --> 01:05:30,320 Speaker 1: find a fifty year old female to have kids, so 1300 01:05:30,400 --> 01:05:31,880 Speaker 1: I guess I gotta go get a twenty two year 1301 01:05:31,880 --> 01:05:34,120 Speaker 1: old Yeah, and that's just what you have to do. Unfortunately, 1302 01:05:34,320 --> 01:05:38,520 Speaker 1: its yeah, but and again and hopefully by then, and 1303 01:05:38,560 --> 01:05:40,720 Speaker 1: I'm in a great relationship now hopefully it works out. 1304 01:05:40,840 --> 01:05:42,280 Speaker 1: And I'm not even scared of talking about it in 1305 01:05:42,360 --> 01:05:44,720 Speaker 1: that way. But um, that's the only thing that's weird 1306 01:05:44,760 --> 01:05:46,280 Speaker 1: to me. And then if I'm the fifth year old 1307 01:05:46,280 --> 01:05:47,760 Speaker 1: guy with the twenty six year old girlfriend, then I'm 1308 01:05:47,800 --> 01:05:50,000 Speaker 1: a creeper. But all I want a baby, right, that's 1309 01:05:50,040 --> 01:05:51,600 Speaker 1: all you want. I mean, I'm just trying to have 1310 01:05:51,640 --> 01:05:56,040 Speaker 1: a baby, you know, it's all might right, Mike d Yes, 1311 01:05:56,800 --> 01:05:59,480 Speaker 1: all right. Uh. My second favorite artists not Country of 1312 01:05:59,480 --> 01:06:03,400 Speaker 1: all time. I'll go Food Fighters, although I've seen them 1313 01:06:03,440 --> 01:06:05,600 Speaker 1: more times than anybody else except for John here No. Yeah, 1314 01:06:05,680 --> 01:06:08,000 Speaker 1: kind of Grows, yeah for sure. Kind of Crows for sure, 1315 01:06:08,520 --> 01:06:11,120 Speaker 1: for sure. And I have a mutual love for County Grows, 1316 01:06:12,400 --> 01:06:14,520 Speaker 1: except mind is just a little more mutual because I 1317 01:06:14,640 --> 01:06:16,840 Speaker 1: kept up with them while you quit. Oh yeah you 1318 01:06:16,920 --> 01:06:19,200 Speaker 1: did you know? You were stuff? Eddie and I went 1319 01:06:20,080 --> 01:06:23,160 Speaker 1: and we watched Count of Crows and for seventy of 1320 01:06:23,160 --> 01:06:24,960 Speaker 1: the show. We sing every word every song. We did that. 1321 01:06:25,280 --> 01:06:27,400 Speaker 1: Even their tour manager was like, guys, he was like, 1322 01:06:27,520 --> 01:06:30,000 Speaker 1: I've been watching you all. He was like, you really are, 1323 01:06:30,160 --> 01:06:33,240 Speaker 1: because well, here's what happened. So the tour manager comes 1324 01:06:33,320 --> 01:06:36,480 Speaker 1: over and he says, hey, I was told because my 1325 01:06:36,760 --> 01:06:41,080 Speaker 1: manager knows it owns part of the County Crows management, right, 1326 01:06:41,520 --> 01:06:42,800 Speaker 1: And so it comes up and goes, hey, I stuff, 1327 01:06:42,840 --> 01:06:44,200 Speaker 1: you guys want to go meet the man? Be cool? 1328 01:06:44,200 --> 01:06:45,960 Speaker 1: You guys to go meet count of Crows afterwards? And 1329 01:06:46,040 --> 01:06:47,840 Speaker 1: I was like, I never want to meet my heroes. 1330 01:06:47,880 --> 01:06:49,760 Speaker 1: You never want to him too. I was like, I'm good, 1331 01:06:50,720 --> 01:06:53,040 Speaker 1: it wouldn't matter. I still want to want to meet him. Right, 1332 01:06:53,600 --> 01:06:55,280 Speaker 1: And I met John Mayron. You know what I'm good 1333 01:06:55,840 --> 01:06:59,880 Speaker 1: like when the experience weren't pleasurable, and but I'm cool 1334 01:06:59,880 --> 01:07:03,400 Speaker 1: with that. I can separate them. I can absolutely separate weird. 1335 01:07:03,440 --> 01:07:05,680 Speaker 1: It's weird to meet people in their work environment. And 1336 01:07:05,720 --> 01:07:08,080 Speaker 1: it's also weird to meet people because you love them 1337 01:07:08,120 --> 01:07:09,400 Speaker 1: for something and you don't want to dislike them for 1338 01:07:09,480 --> 01:07:11,240 Speaker 1: something else because it makes you dislike over that too. 1339 01:07:12,360 --> 01:07:15,040 Speaker 1: So Eddie, now are it's kind of singing every song 1340 01:07:15,080 --> 01:07:17,000 Speaker 1: and therebody. This is from my last record. I was like, 1341 01:07:17,000 --> 01:07:19,280 Speaker 1: I'm gonna get a beer and I said, they're just 1342 01:07:19,400 --> 01:07:23,320 Speaker 1: sing away. I know, you know, but kind of crowds. 1343 01:07:23,400 --> 01:07:28,439 Speaker 1: My second favorite. Ah, it's your third. Now food Fighters 1344 01:07:28,440 --> 01:07:32,640 Speaker 1: are probably four? Is it something close to Food Fighters? No? 1345 01:07:33,200 --> 01:07:35,800 Speaker 1: Not really, but I love food Fighters and Chili Peppers 1346 01:07:35,840 --> 01:07:38,800 Speaker 1: and that stage of my life. Um no, no, no, 1347 01:07:38,920 --> 01:07:43,240 Speaker 1: no no, um oh A SA Bass there it is 1348 01:07:44,160 --> 01:07:49,600 Speaker 1: all that I sold sign I opened up my side. 1349 01:07:50,040 --> 01:07:51,640 Speaker 1: All that makes me think it was Nikita. Are they 1350 01:07:51,720 --> 01:07:54,920 Speaker 1: from Australia? I don't know. I have no idea how 1351 01:07:54,960 --> 01:07:58,760 Speaker 1: would know all that A SA Bass see where they're 1352 01:07:58,800 --> 01:08:01,440 Speaker 1: from the Netherlands are all? They're probably not from Australia. Dude, 1353 01:08:01,440 --> 01:08:03,720 Speaker 1: if you if you nail the Netherlands, that's crazy. I 1354 01:08:03,760 --> 01:08:08,240 Speaker 1: haven't thought about them forever. Yeah, I mean A seven bass. Yeah, 1355 01:08:08,320 --> 01:08:10,680 Speaker 1: but they're amazing. They remember when they came out, you 1356 01:08:10,720 --> 01:08:12,720 Speaker 1: know what ASA Bass got me into that. Remember when 1357 01:08:12,720 --> 01:08:15,360 Speaker 1: they would do those Columbia house by a t D 1358 01:08:15,480 --> 01:08:20,000 Speaker 1: for pennies and Bass was in that Sweden so close, 1359 01:08:20,080 --> 01:08:23,559 Speaker 1: same area. Yeah, it's not going Nashville, but you mean 1360 01:08:24,000 --> 01:08:27,520 Speaker 1: to be fair, you covered a lot Australia or Australia. 1361 01:08:27,520 --> 01:08:29,519 Speaker 1: I just did that because Nikita, I would have guessed 1362 01:08:29,520 --> 01:08:31,519 Speaker 1: the Netherlands that like, if I was betting money, I'd 1363 01:08:31,600 --> 01:08:34,240 Speaker 1: went Netherlands because that was my I've read this book 1364 01:08:34,240 --> 01:08:37,120 Speaker 1: called Blank. It's about your gut and how smarter than 1365 01:08:37,160 --> 01:08:39,360 Speaker 1: your brain and what when you get a gut feeling 1366 01:08:39,400 --> 01:08:42,360 Speaker 1: and gut reaction. It's really all your brain and chemical 1367 01:08:42,439 --> 01:08:45,639 Speaker 1: all working really quickly. True all the books fantastic. Really 1368 01:08:45,640 --> 01:08:48,519 Speaker 1: it's called gut. It's called blink. But it's about the 1369 01:08:48,560 --> 01:08:50,479 Speaker 1: feeling you get your gut and how most of the 1370 01:08:50,520 --> 01:08:53,599 Speaker 1: time stronger than your brain. And your gut reaction isn't 1371 01:08:53,680 --> 01:08:56,040 Speaker 1: something in your gut, it's your brain doing it quickly 1372 01:08:56,200 --> 01:09:00,960 Speaker 1: and precisely. Weird. Yeah, it's cool. Uh No, go ahead, okay, one, 1373 01:09:01,640 --> 01:09:04,160 Speaker 1: give me give me a hint a single person, and 1374 01:09:04,840 --> 01:09:08,200 Speaker 1: aside from Garth Brooks in studio, it's my second favorite 1375 01:09:08,640 --> 01:09:10,439 Speaker 1: live performance thing I've ever done in my whole life 1376 01:09:11,800 --> 01:09:17,880 Speaker 1: in a radio environment. What on earth, Billy Ray says, 1377 01:09:20,720 --> 01:09:24,960 Speaker 1: give me another hint? Uh, known for an instrument, but 1378 01:09:25,040 --> 01:09:29,639 Speaker 1: not a guitar. What on earth do you know who 1379 01:09:29,640 --> 01:09:32,240 Speaker 1: it is? Mike? You do? I wonder where your mike's 1380 01:09:32,280 --> 01:09:34,560 Speaker 1: not working? Mike, do you know you on three? I 1381 01:09:34,560 --> 01:09:37,240 Speaker 1: have the push buttons? Oh you know four, I'll turned 1382 01:09:37,280 --> 01:09:39,680 Speaker 1: you down a long time ago. And he's been in 1383 01:09:39,760 --> 01:09:44,400 Speaker 1: our studio. Uh not not here, not here? Not here? Yeah, 1384 01:09:44,520 --> 01:09:48,479 Speaker 1: not here in Naturville. Oh ben Folds gott got it? 1385 01:09:48,880 --> 01:09:50,840 Speaker 1: Have you seen him here? Like have you met him? No? 1386 01:09:51,120 --> 01:09:52,760 Speaker 1: And you know there was a funny bit. So ben 1387 01:09:52,800 --> 01:09:55,439 Speaker 1: Folds is my third favorite art and I love Ben Folds, 1388 01:09:55,479 --> 01:09:57,920 Speaker 1: and I mean I could play you a hundred been 1389 01:09:57,960 --> 01:10:00,080 Speaker 1: Fold songs that I just think are fantastic. Like you 1390 01:10:00,200 --> 01:10:02,920 Speaker 1: like ben Folds five or loved him? What did you 1391 01:10:03,000 --> 01:10:07,680 Speaker 1: like better? Uh? It's it's like what kid do you like? 1392 01:10:10,080 --> 01:10:12,639 Speaker 1: That's the real answer. I like ben Folds and obviously 1393 01:10:12,800 --> 01:10:16,360 Speaker 1: he was the main even in like the force behind 1394 01:10:16,640 --> 01:10:18,720 Speaker 1: it was different kind of music. Yeah, he takes it 1395 01:10:18,800 --> 01:10:20,720 Speaker 1: down a notch at times with ben Folds, and I 1396 01:10:20,840 --> 01:10:24,120 Speaker 1: like that, like sad stuff. But ben Folds has been Folds, 1397 01:10:25,160 --> 01:10:26,920 Speaker 1: so I just think he was doing the same thing 1398 01:10:26,960 --> 01:10:28,439 Speaker 1: that Ben Folds five was, Like I'm trying to pay 1399 01:10:28,479 --> 01:10:31,760 Speaker 1: to other people for the same stuff. But if there 1400 01:10:31,760 --> 01:10:34,560 Speaker 1: were only three members, or was there three members of 1401 01:10:34,560 --> 01:10:39,840 Speaker 1: the Ben Folds five, so um, Ben Folds came into 1402 01:10:39,920 --> 01:10:44,200 Speaker 1: the studio and play whatever song I wanted that and 1403 01:10:44,280 --> 01:10:46,760 Speaker 1: I wasn't whatever about that. He said, I'll play for 1404 01:10:46,760 --> 01:10:48,200 Speaker 1: an hour. To him, I said, like, I got a cold, 1405 01:10:48,200 --> 01:10:50,880 Speaker 1: so I'll play like the first minute of any song 1406 01:10:51,000 --> 01:10:52,400 Speaker 1: you want. And he didn't know how a super fan, 1407 01:10:52,760 --> 01:10:54,400 Speaker 1: so I was calling album track. It was like any 1408 01:10:54,439 --> 01:10:57,640 Speaker 1: weights and he was like, okay, what a song? You 1409 01:10:57,800 --> 01:11:09,560 Speaker 1: got it? All the dog freaked out. So anyways, anyways, anyways, 1410 01:11:11,000 --> 01:11:12,840 Speaker 1: so you have been fauld to start and if food 1411 01:11:12,840 --> 01:11:17,200 Speaker 1: Fighters I love Yeah, I love them so much. If 1412 01:11:17,280 --> 01:11:19,720 Speaker 1: you go to country country, now, are we doing it 1413 01:11:20,160 --> 01:11:24,680 Speaker 1: current for all time all time? Okay? Well, and that's 1414 01:11:24,720 --> 01:11:26,640 Speaker 1: hard to do a three of all time. I'll go 1415 01:11:27,040 --> 01:11:30,280 Speaker 1: first because Garth Brooks is my favorite. Yes, I have 1416 01:11:30,360 --> 01:11:33,720 Speaker 1: said had a hundred thousand times and so um there's 1417 01:11:33,760 --> 01:11:35,559 Speaker 1: not even any Garth Brooks shore on my on my screen, 1418 01:11:35,680 --> 01:11:38,400 Speaker 1: but my favorite Garth Brooks songs. If tomorrow never comes, 1419 01:11:38,960 --> 01:11:43,360 Speaker 1: so Garth Brooks, boy, then it gets tough. It's really 1420 01:11:43,400 --> 01:11:45,400 Speaker 1: hard if you're doing all time, I mean, because that's 1421 01:11:45,439 --> 01:11:49,840 Speaker 1: including the greats, the legends and think about and it's 1422 01:11:49,840 --> 01:11:52,439 Speaker 1: such a poser thing to say Johnny Cash, it is, 1423 01:11:52,560 --> 01:11:55,800 Speaker 1: but if you truly like it, it's I'm not I'm 1424 01:11:55,840 --> 01:11:59,760 Speaker 1: not gonna say it. I respect it and I have 1425 01:12:00,000 --> 01:12:02,560 Speaker 1: it all and I have records and be cuts and 1426 01:12:03,040 --> 01:12:05,000 Speaker 1: I have all of it because my grandma made me 1427 01:12:05,040 --> 01:12:06,920 Speaker 1: listen to it. Because he's from Arkansas. That's a big 1428 01:12:06,960 --> 01:12:08,840 Speaker 1: deal here from Arkansas. Other people from Arkansas are a 1429 01:12:08,960 --> 01:12:13,599 Speaker 1: big deal to you, John Daily, Johnny Cash, Brooks, Robinson. 1430 01:12:13,800 --> 01:12:15,360 Speaker 1: I can go through the people of Arkansas that got 1431 01:12:15,400 --> 01:12:19,479 Speaker 1: out and it's like that those are huge deals to us. 1432 01:12:20,120 --> 01:12:22,200 Speaker 1: And so my grandma talking about Jhnny Cash being protested 1433 01:12:22,240 --> 01:12:25,400 Speaker 1: because he wasn't country and he was rock con roll 1434 01:12:25,479 --> 01:12:28,200 Speaker 1: and people were like that any country and and it 1435 01:12:28,320 --> 01:12:30,920 Speaker 1: was just crazy to her because even to her, I 1436 01:12:31,000 --> 01:12:32,200 Speaker 1: was like, yeah, that's kind of rock con roll. But 1437 01:12:32,200 --> 01:12:35,679 Speaker 1: he's from Arkansas, so he's obviously country. That being said, 1438 01:12:35,920 --> 01:12:37,519 Speaker 1: I'm just not gonna put it there. So I'm gonna 1439 01:12:37,560 --> 01:12:41,679 Speaker 1: go Garth Brooks, and then I'm probably gonna go Randy 1440 01:12:41,720 --> 01:12:47,559 Speaker 1: Travis because of my grandma, because a lot of Randy 1441 01:12:47,600 --> 01:12:50,559 Speaker 1: Trap that was probably her favorite artist that wasn't Johnny 1442 01:12:50,600 --> 01:12:53,479 Speaker 1: Cash because it's from Arkansas. So it was digging up Bones. 1443 01:12:53,720 --> 01:12:57,240 Speaker 1: It was you know, Deeper in the Hall or Forever 1444 01:12:57,320 --> 01:13:01,760 Speaker 1: and ever. Amen, that's not I mean, they're talking about 1445 01:13:01,760 --> 01:13:07,400 Speaker 1: Grandma so much. I sit it on the table and 1446 01:13:07,560 --> 01:13:12,479 Speaker 1: I talked to it too. Four I read some Oh 1447 01:13:12,600 --> 01:13:14,920 Speaker 1: my goodness, this is like, you know, you get that feeling. 1448 01:13:15,280 --> 01:13:18,080 Speaker 1: I read this book once it's called it's not it's 1449 01:13:18,120 --> 01:13:20,479 Speaker 1: not right, it's okay, or something like that. It's all right, 1450 01:13:20,520 --> 01:13:23,280 Speaker 1: it's okay. My therapist to me, I forgot the name 1451 01:13:23,320 --> 01:13:26,800 Speaker 1: of it. But it's like whenever you hear something that 1452 01:13:28,040 --> 01:13:31,880 Speaker 1: trigger something as a kid, for that split second, it's 1453 01:13:31,920 --> 01:13:34,360 Speaker 1: the same exact emotion and feeling you had when you 1454 01:13:34,400 --> 01:13:36,280 Speaker 1: were a kid, because your brain works and it's that 1455 01:13:36,400 --> 01:13:38,719 Speaker 1: same put that the same chemical that did from that time. 1456 01:13:39,000 --> 01:13:41,040 Speaker 1: That's so cool to me. So when I hear digging 1457 01:13:41,040 --> 01:13:42,599 Speaker 1: at Bones, I think of sitting at my table learning 1458 01:13:42,760 --> 01:13:44,280 Speaker 1: pay around me with my grandma and she would play 1459 01:13:44,320 --> 01:13:49,680 Speaker 1: Rainy Travis oh Man. Yeah and so yeah. And on 1460 01:13:50,000 --> 01:13:52,519 Speaker 1: the other hand, I mean all that, I love that. 1461 01:13:52,680 --> 01:13:54,840 Speaker 1: And sometimes I'll take nights and just do that with 1462 01:13:55,000 --> 01:13:57,439 Speaker 1: my with my player and listen to old songs just 1463 01:13:57,479 --> 01:14:01,800 Speaker 1: so I can have those memories again. Count the reason. Yeah, man, 1464 01:14:02,280 --> 01:14:08,120 Speaker 1: I could stay with you. Crazy. Ne reminds me of 1465 01:14:08,200 --> 01:14:11,760 Speaker 1: like my dad had jukebox that he bought when we 1466 01:14:11,800 --> 01:14:15,160 Speaker 1: were younger, and all these records were in there, and 1467 01:14:15,320 --> 01:14:17,519 Speaker 1: like I didn't know half the songs, but we just 1468 01:14:17,600 --> 01:14:22,439 Speaker 1: pushed numbers and whatever played played. Oh it's crazy, man, 1469 01:14:22,800 --> 01:14:25,719 Speaker 1: makes me kind of like said my third favorite country 1470 01:14:25,840 --> 01:14:28,479 Speaker 1: artist and happy. My grandma raised me, so it was 1471 01:14:28,520 --> 01:14:33,080 Speaker 1: crazy to think about her. Um probably lindsay l get out, 1472 01:14:33,439 --> 01:14:40,040 Speaker 1: stop it, come on, what's wrong with it? Things change? Okay, 1473 01:14:40,040 --> 01:14:49,800 Speaker 1: you're going all time? Times break down in the middle 1474 01:14:49,880 --> 01:14:54,400 Speaker 1: of nowhere, another lots around? Man, all right, can't do 1475 01:14:54,479 --> 01:15:03,280 Speaker 1: my list? U one all time? Right? A man? When 1476 01:15:03,360 --> 01:15:05,280 Speaker 1: it gets to third, because I didn't, I didnt think 1477 01:15:05,280 --> 01:15:10,920 Speaker 1: about sports, you're talking third. I love the Travis Trip. 1478 01:15:11,040 --> 01:15:12,240 Speaker 1: I got a bad taste in my mouth with the 1479 01:15:12,240 --> 01:15:15,360 Speaker 1: current Travis Trip. And people say he's a real dick too. 1480 01:15:15,840 --> 01:15:17,920 Speaker 1: We're not talking about them, I know. And that's why 1481 01:15:17,960 --> 01:15:20,760 Speaker 1: it's hard for me to say this, because notoriously he's 1482 01:15:20,800 --> 01:15:22,720 Speaker 1: apparently not a good person. I don't know that. I 1483 01:15:22,760 --> 01:15:24,200 Speaker 1: got in a fight with him on Twitter, a huge one. 1484 01:15:24,240 --> 01:15:26,360 Speaker 1: He saw that. I saw that crazy fight, and so 1485 01:15:27,200 --> 01:15:30,120 Speaker 1: I don't know. I don't have a good but people 1486 01:15:30,160 --> 01:15:32,200 Speaker 1: are like, you know why. You know, he wasn't invited 1487 01:15:32,200 --> 01:15:33,880 Speaker 1: at the c m A fiftith anniversary. If you noticed 1488 01:15:33,920 --> 01:15:36,200 Speaker 1: he wasn't there, he had a huge deal. He mean, 1489 01:15:36,600 --> 01:15:38,720 Speaker 1: Travis Trip might be my third favorite country artists of 1490 01:15:38,720 --> 01:15:41,200 Speaker 1: all time. And I canceled him something. I talked about 1491 01:15:41,200 --> 01:15:43,200 Speaker 1: it here. I canceled him on our show after our 1492 01:15:43,240 --> 01:15:45,080 Speaker 1: Twitter fight. I just silently said, hey, I know you're 1493 01:15:45,080 --> 01:15:47,000 Speaker 1: coming in, but I'm gonna not have you in. That's 1494 01:15:47,000 --> 01:15:53,479 Speaker 1: awkward business, but it would have been awkward. And so 1495 01:15:54,320 --> 01:15:58,240 Speaker 1: but you know what, probably Travis Trip at number three. Wow, 1496 01:15:59,080 --> 01:16:02,759 Speaker 1: that's dude. I think that's cool. That's separation of person 1497 01:16:03,680 --> 01:16:06,120 Speaker 1: and music because this is the music that we're talking about. 1498 01:16:06,200 --> 01:16:07,920 Speaker 1: And you know what, Travis Trip wasn't country back then. 1499 01:16:08,160 --> 01:16:10,680 Speaker 1: He wasn't rock and roll, was he really? He did 1500 01:16:10,760 --> 01:16:13,200 Speaker 1: songs with the Eagles, but when the Eagles weren't really 1501 01:16:13,240 --> 01:16:16,800 Speaker 1: considered country, take it easy when he did a whole yeah, 1502 01:16:17,280 --> 01:16:20,120 Speaker 1: I mean he did. Uh, let's see Travis Trip. Well, 1503 01:16:20,160 --> 01:16:22,120 Speaker 1: obviously it's great to be a live as quarter called hibody, 1504 01:16:22,120 --> 01:16:25,360 Speaker 1: who guys, I mean truck to your country club? I 1505 01:16:25,439 --> 01:16:28,519 Speaker 1: mean all of that, but I'm gonna be Oh dude, 1506 01:16:28,800 --> 01:16:32,680 Speaker 1: I'm gonna be somebody one of these days. I'm going 1507 01:16:32,760 --> 01:16:35,639 Speaker 1: to break these chips. That was a jam to take 1508 01:16:35,680 --> 01:16:39,800 Speaker 1: it easy. Man, got so many big songs, um, but yeah, 1509 01:16:39,880 --> 01:16:41,439 Speaker 1: he was considered a little too rock and roll at 1510 01:16:41,479 --> 01:16:46,880 Speaker 1: the time. Interesting, which is crazy. I haven't heard I 1511 01:16:46,880 --> 01:16:50,000 Speaker 1: haven't even thought about this song in a while. I'm 1512 01:16:50,080 --> 01:16:54,639 Speaker 1: the leaders guitar on the hard side of time. God, 1513 01:16:54,640 --> 01:16:57,560 Speaker 1: I'm gonna be somebody so good. I don't even know 1514 01:16:57,600 --> 01:16:59,800 Speaker 1: if I wrote these songs because now half of say 1515 01:16:59,840 --> 01:17:02,080 Speaker 1: half the artist don't write their own songs. Yeah, I 1516 01:17:02,200 --> 01:17:04,560 Speaker 1: remember when I found out that like George Straight or 1517 01:17:04,720 --> 01:17:07,280 Speaker 1: a lot of garth stuff, he didn't write and and 1518 01:17:07,400 --> 01:17:09,160 Speaker 1: hardly any of George Straight steft did he right, I 1519 01:17:09,200 --> 01:17:12,720 Speaker 1: mean maybe like two songs where it was for me 1520 01:17:12,880 --> 01:17:15,120 Speaker 1: the moment that I realized that country artist didn't write 1521 01:17:15,120 --> 01:17:16,840 Speaker 1: their songs because you just expect people to write their 1522 01:17:16,880 --> 01:17:20,880 Speaker 1: songs was seeing Miranda Lambert on the c M as 1523 01:17:20,920 --> 01:17:22,479 Speaker 1: before we came to the format in the house that 1524 01:17:22,520 --> 01:17:24,280 Speaker 1: built me one for Song of the Year, and she 1525 01:17:24,320 --> 01:17:27,160 Speaker 1: didn't go get the award and somebody else did. Sounds 1526 01:17:27,200 --> 01:17:30,200 Speaker 1: like wait, Miranda Lambert, it's about her house. How did 1527 01:17:30,240 --> 01:17:32,800 Speaker 1: she not write a song about her house? But she 1528 01:17:32,880 --> 01:17:35,280 Speaker 1: didn't write it, she had, I mean someone gave it. 1529 01:17:35,400 --> 01:17:37,320 Speaker 1: You know. That was definitely eye opening for me too, 1530 01:17:37,720 --> 01:17:39,680 Speaker 1: and like I drive your truck, Lee Bryce. When we 1531 01:17:39,720 --> 01:17:42,160 Speaker 1: first got over here, I was like, oh, because Lee Newson. 1532 01:17:42,200 --> 01:17:44,240 Speaker 1: It was like, no, not only the Lee not write it. 1533 01:17:44,600 --> 01:17:46,559 Speaker 1: And I'm friends of the person who did write Jesse Alexander, 1534 01:17:46,600 --> 01:17:48,680 Speaker 1: one of the writers. She also wrote the Climb of 1535 01:17:48,720 --> 01:17:50,800 Speaker 1: Miley's IRUs, one of the A c M board together 1536 01:17:50,960 --> 01:17:54,400 Speaker 1: was the whole different subject, but um let he was. 1537 01:17:54,439 --> 01:17:57,280 Speaker 1: It was actually offered a Drek's first and Drek's turned 1538 01:17:57,280 --> 01:17:59,479 Speaker 1: it down. That's I can totally see him doing that 1539 01:17:59,600 --> 01:18:02,760 Speaker 1: song too. Oh yeah, right, because it's almost got the 1540 01:18:02,760 --> 01:18:05,320 Speaker 1: same as as I Hold On And it was such 1541 01:18:05,360 --> 01:18:06,840 Speaker 1: a big song that it would have made Dark's a 1542 01:18:06,840 --> 01:18:09,519 Speaker 1: superstar faster and Dark is just not getting into superstar territory, 1543 01:18:09,760 --> 01:18:11,800 Speaker 1: and it made him a superstar a lot faster. Didn't 1544 01:18:11,840 --> 01:18:13,679 Speaker 1: quite work out for Lee because he doesn't have superstar 1545 01:18:13,800 --> 01:18:16,280 Speaker 1: quality about him. It's hard to see Dirk's as like 1546 01:18:16,640 --> 01:18:19,160 Speaker 1: barely getting there because I feel like he's been grinding 1547 01:18:19,320 --> 01:18:24,160 Speaker 1: so for so long because he has sixteen years and 1548 01:18:24,240 --> 01:18:26,760 Speaker 1: he's got tons of number ones, but he doesn't have 1549 01:18:27,080 --> 01:18:29,600 Speaker 1: he hasn't he does now and now he's boy's on 1550 01:18:29,640 --> 01:18:32,000 Speaker 1: the cusp of that A A A when you're playing 1551 01:18:32,040 --> 01:18:35,040 Speaker 1: arenas like Bridge Stone and Nashville, that's it. And I 1552 01:18:35,160 --> 01:18:37,640 Speaker 1: like Dark's a lot and he's found his sound and 1553 01:18:37,720 --> 01:18:40,360 Speaker 1: his style. He found it. It's awesome because he's a 1554 01:18:40,400 --> 01:18:42,559 Speaker 1: good guy. But if Dark would had I drive your 1555 01:18:42,600 --> 01:18:45,519 Speaker 1: truck like Lee doesn't. I don't mean he worries the 1556 01:18:45,560 --> 01:18:48,800 Speaker 1: hat backward. I mean he's like a chubby er at Church, 1557 01:18:48,960 --> 01:18:51,720 Speaker 1: just not as good man the chief. You're comparing him 1558 01:18:51,720 --> 01:18:53,320 Speaker 1: to the Chief, I said, not as good. Eric Church 1559 01:18:53,400 --> 01:18:56,120 Speaker 1: is really good and the only reason Eric Church can 1560 01:18:56,200 --> 01:18:59,479 Speaker 1: be quiet and be mysterious because he's so breaking good 1561 01:19:00,680 --> 01:19:02,320 Speaker 1: all the all. Was surprised to be doing the halftime show, 1562 01:19:02,320 --> 01:19:04,400 Speaker 1: and you'll probably here this after Thanksgiving. I didn't think 1563 01:19:04,400 --> 01:19:06,040 Speaker 1: that was a little the Cowboys game. I thought it 1564 01:19:06,080 --> 01:19:08,200 Speaker 1: was a little hokey for him to do a halftime show, 1565 01:19:08,439 --> 01:19:11,479 Speaker 1: not for anybody else but Feric Church. Let's see how 1566 01:19:11,560 --> 01:19:13,040 Speaker 1: he does it, though I hope he does it in 1567 01:19:13,120 --> 01:19:16,800 Speaker 1: a box. You don't see him in the box. Yeah, 1568 01:19:16,920 --> 01:19:19,040 Speaker 1: because Eric Church is the guy puts out a does 1569 01:19:19,080 --> 01:19:21,400 Speaker 1: a whole concert tour, but no opener. Yeah. But he 1570 01:19:21,479 --> 01:19:24,040 Speaker 1: may be changing because now he's doing furniture commercials and stuff. 1571 01:19:24,040 --> 01:19:26,120 Speaker 1: He's got his own furniture line. That's true, you know 1572 01:19:26,160 --> 01:19:29,960 Speaker 1: what I mean. It's cheaper, lazy boy. He's coming out 1573 01:19:30,000 --> 01:19:32,640 Speaker 1: of the box alright. Top three country artists of all 1574 01:19:32,640 --> 01:19:35,920 Speaker 1: time alright, Number one Garth for sure life change there yeah, 1575 01:19:36,120 --> 01:19:39,559 Speaker 1: and number two George really over Tim, Yeah over Tim, 1576 01:19:39,600 --> 01:19:42,280 Speaker 1: because well, George is just a big part of me 1577 01:19:42,360 --> 01:19:44,479 Speaker 1: growing up. Whether I liked it or not, it's just 1578 01:19:44,640 --> 01:19:48,040 Speaker 1: what everyone played and what everyone liked. Quintessential George Strait 1579 01:19:48,120 --> 01:19:53,679 Speaker 1: song for you, ocean front property. I got some ocean 1580 01:19:53,840 --> 01:19:59,519 Speaker 1: front property zone. Yeah, that's a good one. I mean, George, 1581 01:19:59,640 --> 01:20:01,559 Speaker 1: there was just so much. And I remember my brother 1582 01:20:01,600 --> 01:20:03,800 Speaker 1: and I would work in like fields and stuff and 1583 01:20:03,960 --> 01:20:07,160 Speaker 1: like um the ranch, and my brother Wood just blaired 1584 01:20:07,200 --> 01:20:10,640 Speaker 1: George straight all day long, and it's like that's when 1585 01:20:10,680 --> 01:20:13,320 Speaker 1: you talk about memories. I was like George Straight bashing 1586 01:20:13,400 --> 01:20:16,400 Speaker 1: country radio a couple days ago and the news it 1587 01:20:16,520 --> 01:20:18,400 Speaker 1: was him and Jamie Johnson. They wrote a song together 1588 01:20:18,479 --> 01:20:20,559 Speaker 1: that was about given the finger to minute country radio. 1589 01:20:20,680 --> 01:20:23,160 Speaker 1: It was like what Jamie Johnson does, right, Yeah, he's 1590 01:20:23,160 --> 01:20:26,599 Speaker 1: a nut um like he bashes. Yeah, he's his thing. 1591 01:20:27,040 --> 01:20:29,320 Speaker 1: Good for him, and he's a great artist as far 1592 01:20:29,360 --> 01:20:31,280 Speaker 1: as an artist, but you have to be a great artist, 1593 01:20:31,320 --> 01:20:33,160 Speaker 1: and you've got to either be smart yourself on how 1594 01:20:33,200 --> 01:20:36,439 Speaker 1: to strategize or have people that strategize for you to 1595 01:20:36,560 --> 01:20:39,240 Speaker 1: do both, like you have to do have it and 1596 01:20:39,360 --> 01:20:40,760 Speaker 1: he's I don't, I don't. I think he lacks on 1597 01:20:40,840 --> 01:20:44,320 Speaker 1: the other side because he's great, saying a great artist, wonderful, right, 1598 01:20:44,400 --> 01:20:47,759 Speaker 1: I mean, he just it's not easy to be around 1599 01:20:48,479 --> 01:20:52,000 Speaker 1: from all the indicators and there are many of them, 1600 01:20:52,280 --> 01:20:54,840 Speaker 1: but don't know him personally. But George teamed up so 1601 01:20:54,880 --> 01:20:56,519 Speaker 1: they did a song together. Was not agether George put 1602 01:20:56,560 --> 01:20:58,920 Speaker 1: it out and I like, George has been super nice 1603 01:20:58,920 --> 01:21:00,960 Speaker 1: to me. I met him him. But they were like, 1604 01:21:01,000 --> 01:21:02,640 Speaker 1: this is the middle finger to couch radio because they 1605 01:21:02,640 --> 01:21:05,200 Speaker 1: won't play us, And great if you feel that way, 1606 01:21:05,240 --> 01:21:08,840 Speaker 1: that's fine. Um. However, then I hear a commercial for 1607 01:21:08,920 --> 01:21:11,200 Speaker 1: George straight on count radio asking people to buy his record, 1608 01:21:11,400 --> 01:21:12,960 Speaker 1: and I'm like, wait, I thought got radio sucked, but 1609 01:21:13,000 --> 01:21:15,200 Speaker 1: now you gotta use it. To sell your record. Yeah, 1610 01:21:15,720 --> 01:21:18,240 Speaker 1: like anybody, let's let's stay on the same path here. 1611 01:21:18,880 --> 01:21:21,800 Speaker 1: That is kind of weird. COUNTR Radio sucks and on 1612 01:21:21,840 --> 01:21:23,280 Speaker 1: our show was like, hey, it's George stryd to got 1613 01:21:23,280 --> 01:21:25,519 Speaker 1: a new double album out now, And I'm like, no, no, no, no, 1614 01:21:25,920 --> 01:21:28,519 Speaker 1: you just said it is sucked. So maybe there's a 1615 01:21:28,520 --> 01:21:30,000 Speaker 1: difference between what he has to do and what he 1616 01:21:30,120 --> 01:21:33,120 Speaker 1: really want. You need a team around you, and George 1617 01:21:33,200 --> 01:21:35,840 Speaker 1: is in his sixties now, his team can guide him 1618 01:21:36,760 --> 01:21:40,479 Speaker 1: and it. Yeah, and that's interesting because at his age, 1619 01:21:40,640 --> 01:21:44,880 Speaker 1: you know, he's really not two hands on, is he. Um. 1620 01:21:44,960 --> 01:21:47,400 Speaker 1: I think when you're that successful, you just expect that 1621 01:21:47,479 --> 01:21:49,760 Speaker 1: regardless because you've been successful for so long. I think 1622 01:21:49,800 --> 01:21:51,800 Speaker 1: you saw this with Garth. Last record that nobody played 1623 01:21:52,520 --> 01:21:54,519 Speaker 1: was that. Garth was surprised. He's like, well, I can't 1624 01:21:54,560 --> 01:21:57,559 Speaker 1: just come back and people care. Nope, you can't. You're 1625 01:21:57,560 --> 01:21:59,120 Speaker 1: a legend to us and we will always love you 1626 01:21:59,200 --> 01:22:00,560 Speaker 1: for it, and you're gonna sell shows out and you 1627 01:22:00,600 --> 01:22:04,120 Speaker 1: are the man. You're a legend. You are Mickey Mantle, yes, 1628 01:22:04,360 --> 01:22:09,960 Speaker 1: but but you're not Mike Trout. Wow, that hadn't been 1629 01:22:10,000 --> 01:22:11,920 Speaker 1: really hard for I think Sony came back and he 1630 01:22:12,160 --> 01:22:15,920 Speaker 1: knewed up his sound and knewed up a lot of things, 1631 01:22:15,960 --> 01:22:17,960 Speaker 1: not all things, because you're not Garth. It's a weird 1632 01:22:18,040 --> 01:22:20,400 Speaker 1: line to walk, but you know, George Star like radio 1633 01:22:20,520 --> 01:22:23,120 Speaker 1: middle Finger, but please, I'm gonna go on radio. Please 1634 01:22:23,120 --> 01:22:26,719 Speaker 1: buy my record. So the hypocrisy, there's a little something. 1635 01:22:27,280 --> 01:22:30,080 Speaker 1: But I enjoyed George straight as a person. He's always 1636 01:22:30,120 --> 01:22:32,640 Speaker 1: been very kind to me. Uh and number three and 1637 01:22:32,720 --> 01:22:36,000 Speaker 1: then the still relevant legend Tim McGraw, which by the way, 1638 01:22:36,040 --> 01:22:38,200 Speaker 1: does not get the credit for being a legend. Nope, 1639 01:22:38,439 --> 01:22:45,080 Speaker 1: and relevant like he humbling kind, like that's such a 1640 01:22:45,240 --> 01:22:48,680 Speaker 1: strong song today today, and he's saying he didn't write it, 1641 01:22:48,920 --> 01:22:50,519 Speaker 1: but he's saying it and he's not. He doesn't lions 1642 01:22:50,520 --> 01:22:53,720 Speaker 1: he wrote it, like Laurie McKenna wrote, isn't who I've 1643 01:22:53,760 --> 01:22:55,840 Speaker 1: become great friends with that she wrote girl Crushed and 1644 01:22:56,400 --> 01:22:58,680 Speaker 1: is just a fantastic writer. But he can still put 1645 01:22:58,680 --> 01:23:02,080 Speaker 1: out songs and they on today issues. You can do 1646 01:23:02,160 --> 01:23:03,800 Speaker 1: that one. I mean, we go back a few years 1647 01:23:03,840 --> 01:23:06,479 Speaker 1: to hot I don't care when he puts on the records. 1648 01:23:07,320 --> 01:23:10,880 Speaker 1: When we were kids, McGraw was huge, like Indian Outlaw, 1649 01:23:11,000 --> 01:23:13,120 Speaker 1: Don't take the Girl, I remember listening to the radio 1650 01:23:13,240 --> 01:23:16,760 Speaker 1: like sixth grade. But Chesney the same way. So we're 1651 01:23:16,800 --> 01:23:18,719 Speaker 1: gonna if we're gonna put them to Him and Chesney 1652 01:23:18,720 --> 01:23:20,920 Speaker 1: are both legends that are still relevant. And that's a 1653 01:23:21,000 --> 01:23:24,320 Speaker 1: weird hard place that didn't Chesney's growing on me because 1654 01:23:24,400 --> 01:23:26,640 Speaker 1: I just wouldn't listen to a lot of Chesney growing up. 1655 01:23:28,680 --> 01:23:31,120 Speaker 1: His beach sound loses me a bit because I'm not 1656 01:23:31,200 --> 01:23:35,160 Speaker 1: a beach person, you know. And it's not a beach person. 1657 01:23:35,320 --> 01:23:38,599 Speaker 1: You're more of a treat person, you know. I'm more 1658 01:23:38,640 --> 01:23:42,479 Speaker 1: of a well now, more of a WiFi person, if 1659 01:23:42,479 --> 01:23:46,040 Speaker 1: I'm being honest. Yeah, it's a really different beach. Let's 1660 01:23:46,040 --> 01:23:48,920 Speaker 1: just keep it. I just want to be on my computer, 1661 01:23:49,080 --> 01:23:52,360 Speaker 1: on my laptop on Twitter and but but that knew 1662 01:23:52,800 --> 01:23:56,120 Speaker 1: Pink and and Kenny's song is fantastic. I was talking 1663 01:23:56,160 --> 01:23:59,680 Speaker 1: to Kenny and the mics weren't on, and he was like, 1664 01:24:00,280 --> 01:24:02,760 Speaker 1: I said, hey, crazy, huh like the success of this 1665 01:24:02,800 --> 01:24:04,200 Speaker 1: song because it was going to Hot a C and 1666 01:24:04,240 --> 01:24:10,439 Speaker 1: still is, which is a contemporary radio um so. And 1667 01:24:10,520 --> 01:24:12,080 Speaker 1: I was like, congrat that's all they hit the top 1668 01:24:12,120 --> 01:24:13,439 Speaker 1: four you in Hot a C. And he was like, 1669 01:24:13,840 --> 01:24:17,559 Speaker 1: it's crazy because this song has given me another seven years. 1670 01:24:18,280 --> 01:24:19,960 Speaker 1: They're like, what do you mean? He goes, well, because kids, now, 1671 01:24:20,640 --> 01:24:22,320 Speaker 1: what do they care about Kenny Cheseny? They goes, My 1672 01:24:22,400 --> 01:24:25,559 Speaker 1: contacts are aging out too, and you know the younger 1673 01:24:25,640 --> 01:24:29,560 Speaker 1: people there are thirty eight. He goes, however, because this 1674 01:24:29,640 --> 01:24:32,040 Speaker 1: song is so cool. You have twenty five year old 1675 01:24:32,120 --> 01:24:33,960 Speaker 1: listening and going, I love that song and then get 1676 01:24:34,000 --> 01:24:35,639 Speaker 1: into here, going back here some of the older stuff, 1677 01:24:36,840 --> 01:24:38,720 Speaker 1: and that song was so big. Give him eight years, 1678 01:24:38,800 --> 01:24:41,880 Speaker 1: eight more years of being relevant. So true, you don't 1679 01:24:41,880 --> 01:24:43,559 Speaker 1: think about that stuff. And that's got to be hard 1680 01:24:43,640 --> 01:24:44,920 Speaker 1: for a lot of artists when they get to that 1681 01:24:45,000 --> 01:24:47,559 Speaker 1: point of their careers where they're not as relevant as 1682 01:24:47,640 --> 01:24:50,720 Speaker 1: they were. You just need good direction. You have to 1683 01:24:50,800 --> 01:24:55,960 Speaker 1: have good direction once you can't tell yourself anymore. Politicians 1684 01:24:56,000 --> 01:24:57,960 Speaker 1: have good direction, The good ones do, because do you 1685 01:24:58,000 --> 01:24:59,600 Speaker 1: think they know how to use Twitter on Instagram? And 1686 01:24:59,680 --> 01:25:01,760 Speaker 1: do you think Governor market I was really messaging me. No. 1687 01:25:01,840 --> 01:25:05,280 Speaker 1: We had a great person on his team that he hired, 1688 01:25:05,479 --> 01:25:09,080 Speaker 1: that watched that saw and went back around anyway. It 1689 01:25:09,120 --> 01:25:12,800 Speaker 1: might be how long we end this will probably long, huh, 1690 01:25:13,200 --> 01:25:16,360 Speaker 1: but go another hour we probably could. It was your 1691 01:25:16,360 --> 01:25:22,840 Speaker 1: favor who's your favorite? Jazz artist Miles Davis. Yeah, that 1692 01:25:23,000 --> 01:25:27,200 Speaker 1: it was good. All right, we're gonna go. Uh, We're done. 1693 01:25:27,280 --> 01:25:29,960 Speaker 1: That was fun. Yeah, it's fun. Right, Can we do 1694 01:25:29,960 --> 01:25:32,599 Speaker 1: it again next week? Why don't I just be your 1695 01:25:32,600 --> 01:25:35,880 Speaker 1: feeling when people can't come? Like like, I was a 1696 01:25:36,000 --> 01:25:37,960 Speaker 1: little bummed. Just I'm not to bring this up, you know, 1697 01:25:38,160 --> 01:25:40,200 Speaker 1: last minute or anything before we leave, but I was 1698 01:25:40,280 --> 01:25:42,439 Speaker 1: just a little hurt when you asked me to do 1699 01:25:42,520 --> 01:25:47,120 Speaker 1: it last time and then pass go ahead long ad 1700 01:25:47,120 --> 01:25:50,320 Speaker 1: to talk before you go over time, okay, and and 1701 01:25:50,600 --> 01:25:53,080 Speaker 1: and so you know you had invited me and then 1702 01:25:53,479 --> 01:25:56,000 Speaker 1: like not even thirty seconds later, you're like canceled. Sorry, 1703 01:25:56,720 --> 01:25:59,000 Speaker 1: that's not what I said. You did. I said, Eddie, 1704 01:25:59,120 --> 01:26:02,400 Speaker 1: do you want to do the Bobby Cast? Send past? 1705 01:26:02,439 --> 01:26:04,120 Speaker 1: Like I said, Hey, I'm in town kind of the 1706 01:26:04,160 --> 01:26:07,439 Speaker 1: Bobby Cast. I'm not kidding you. I'm gonna say the 1707 01:26:07,479 --> 01:26:09,760 Speaker 1: word literally and I don't use the word literally within 1708 01:26:09,840 --> 01:26:12,600 Speaker 1: a minute. I got it, and it probably earlier than that, 1709 01:26:12,640 --> 01:26:15,200 Speaker 1: but literally within a minute past. Eric. It's because I 1710 01:26:15,240 --> 01:26:16,479 Speaker 1: want to come to the Boby Everybody wants to the 1711 01:26:16,479 --> 01:26:18,240 Speaker 1: Boby Cast now, and I'm just trying to hold some 1712 01:26:18,280 --> 01:26:20,880 Speaker 1: of them off, Like if Marion Moore's asked me three 1713 01:26:20,920 --> 01:26:23,120 Speaker 1: times to come on this yes, and I'm like, let's 1714 01:26:23,160 --> 01:26:25,240 Speaker 1: hold off a minute because Edie's got to come. Ed 1715 01:26:25,320 --> 01:26:28,240 Speaker 1: He's gotta go first. Thank you. Appreciate that. Appreciate that. 1716 01:26:28,600 --> 01:26:32,679 Speaker 1: Mostly it's because the superstars come on the radio show 1717 01:26:33,640 --> 01:26:36,920 Speaker 1: for now and the behind the scenes that is here 1718 01:26:37,760 --> 01:26:39,760 Speaker 1: and and that's what I want this to be. Well, 1719 01:26:39,960 --> 01:26:41,360 Speaker 1: I was going to say that I did listen to 1720 01:26:41,400 --> 01:26:44,040 Speaker 1: the past lay one and it's really really good. And 1721 01:26:44,160 --> 01:26:45,960 Speaker 1: Eddie listen. He goes running at night like a moral 1722 01:26:45,960 --> 01:26:47,880 Speaker 1: and then wonders why he's so tired in the morning 1723 01:26:48,880 --> 01:26:50,640 Speaker 1: running at ten pm. My wife thinks, I'm gonna get 1724 01:26:50,680 --> 01:26:53,400 Speaker 1: hit by a car. You are because you are I 1725 01:26:53,479 --> 01:26:56,240 Speaker 1: have blinky lights. Okay, that doesn't mean they're not going 1726 01:26:56,320 --> 01:27:01,040 Speaker 1: to hit you. That's force Field. Eddie on all the 1727 01:27:01,360 --> 01:27:06,720 Speaker 1: Socials is at producer ready right everything, Um, Mike d 1728 01:27:07,000 --> 01:27:09,960 Speaker 1: is at Mike d stro d e E s t 1729 01:27:10,400 --> 01:27:13,320 Speaker 1: r oh, Mike d store at m d strow on Instagram, Twitter, Snapchat. 1730 01:27:13,880 --> 01:27:15,920 Speaker 1: Thank you guys for hanging out. This is Bobby cast. 1731 01:27:16,160 --> 01:27:18,360 Speaker 1: This is gonna be a popular one, is it? Yeah? 1732 01:27:18,479 --> 01:27:24,000 Speaker 1: Because people like it. Whenever show people come in they're 1733 01:27:24,120 --> 01:27:26,400 Speaker 1: different kinds of likes and levels. Like they love the 1734 01:27:26,520 --> 01:27:29,760 Speaker 1: Lindsay one. Oh yeah, I listened to that one. That 1735 01:27:29,880 --> 01:27:31,680 Speaker 1: was that was long because it's like this one, you 1736 01:27:31,720 --> 01:27:33,880 Speaker 1: just you just have so much talk about and but 1737 01:27:34,000 --> 01:27:36,600 Speaker 1: people love the Caitlin Smith one. Another good one. And 1738 01:27:36,680 --> 01:27:38,800 Speaker 1: again Caitlin I really know each other. But she was 1739 01:27:38,920 --> 01:27:41,280 Speaker 1: very interesting in her story was super interesting. But people 1740 01:27:41,320 --> 01:27:44,679 Speaker 1: love the Amy one. You know, it's just it's not whatever, 1741 01:27:44,720 --> 01:27:53,639 Speaker 1: who cares cares? What episode? This? Wow, that's it, Thank 1742 01:27:53,680 --> 01:27:56,960 Speaker 1: you for listening. Had a bunch of clips you already 1743 01:27:56,960 --> 01:27:58,640 Speaker 1: put up. I never played any of them. Oh I 1744 01:27:58,720 --> 01:28:01,680 Speaker 1: had my uncle's songs. I like the guy that the 1745 01:28:01,920 --> 01:28:06,080 Speaker 1: winning songs, but I had oh same man. No no, no, 1746 01:28:06,200 --> 01:28:09,240 Speaker 1: I had another uncle that oh another okay boy, but 1747 01:28:09,600 --> 01:28:11,599 Speaker 1: all Eddie every city we go to to play Raging, 1748 01:28:12,479 --> 01:28:14,160 Speaker 1: and we go all around the country. We've been to 1749 01:28:14,200 --> 01:28:16,360 Speaker 1: all corners and Eddie's always good uncle there. You all 1750 01:28:16,400 --> 01:28:19,160 Speaker 1: think I'm joking, But my mom had thirteen brothers and sisters, 1751 01:28:19,240 --> 01:28:21,479 Speaker 1: so yeah, like shout out Leroy, who was our last 1752 01:28:23,000 --> 01:28:27,519 Speaker 1: by who came to our show, and uh, a few 1753 01:28:27,560 --> 01:28:30,000 Speaker 1: weeks prior to that, it was like, oh my dear Louise, 1754 01:28:30,080 --> 01:28:32,960 Speaker 1: my uncle Louise and his son. I hadn't seen him 1755 01:28:32,960 --> 01:28:36,559 Speaker 1: in like twenty years. Like they go hard, they go hard, 1756 01:28:39,120 --> 01:28:41,120 Speaker 1: all right, Thank you guys for hanging up Eddie. Thanks 1757 01:28:41,160 --> 01:28:42,439 Speaker 1: man alright