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Speaker 1: Transmittinges Alsca. Welcome to Tuesday Show, Morris Studio. All right,

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Speaker 1: let's go around the room. He played easy Trivia for

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Speaker 1: Lunchbox and ended up winning, and it really bothers him

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Speaker 1: that his hair is thinning. Here is Eddie. Everybody? Hey,

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Speaker 1: so I gotta tell you.

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Speaker 2: Abby came on last week and talked about a show

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Speaker 2: that she saw.

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Speaker 1: She recommended it. I was like, that sounds cool. I

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Speaker 1: checked it out.

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Speaker 2: It's called eleven twenty two sixty three honey two. It's

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Speaker 2: like the date I guess John Kennedy was assassinated.

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Speaker 1: Yes, and it is awesome. I got, man, what a

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Speaker 1: good recommendation.

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Speaker 2: I'm five episodes in out of eight, I think, And dude,

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Speaker 2: I can't stop watching it.

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Speaker 1: My platform it's on Hulu. But here's the deal. It's

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Speaker 1: not like on a front page of Hulu. You gotta

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Speaker 1: search it out. The numbers are hard to remember that.

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Speaker 3: I know eleven two sixty three.

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Speaker 2: Honey too, and it's eleven dot twenty two dot sixty three.

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Speaker 3: Yeah, that's how dates are written.

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Speaker 1: Oh, thank got her. Actually, how did you find the show?

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Speaker 4: How someone called in and suggested it? Yeah? But it's

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Speaker 4: also based on Stephen King's novel.

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Speaker 1: So he wrote a book about it. Yeah, got it?

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Speaker 1: And you finish it?

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Speaker 4: Oh? Yeah, I finished it in like one day.

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Speaker 5: Is it new?

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Speaker 1: Yeah, it's new.

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Speaker 4: It's in twenty sixteen. That's why I don't know how

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Speaker 4: we haven't heard of it. It came out. It came

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Speaker 4: on Hulu in twenty sixteen.

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Speaker 1: I don't think Hulu existed in twenty six did really well,

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Speaker 1: that's why I couldn't find it in the arch it is, yeah,

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Speaker 1: twenty sixteen.

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Speaker 2: Hey, well then you know what? Bring it back to life?

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Speaker 2: It's so good and James Franco's in it. Forgot about

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Speaker 2: that guy? He was crazy I canceled.

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Speaker 5: Yeah, he did twenty sixteen student No, So what do

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Speaker 5: we do with shows like.

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Speaker 1: Well, I think it's before they were canceled.

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Speaker 3: Yeah, it's okay.

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Speaker 1: Move Sometimes it's hard for him to let things go,

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Speaker 1: like his car he should have traded in years ago.

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Speaker 1: Here's lunch by guys.

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Speaker 6: We went to the Saint Jude thing this past weekend

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Speaker 6: and I just wanted to say, I never thought Scuba

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Speaker 6: would be that guy.

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Speaker 7: But Scuba is that too school? Cool for school guy?

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Speaker 6: We had the costume contest and it's a whole party up,

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Speaker 6: dressed up?

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Speaker 1: But were you?

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Speaker 6: I was a fat, overweight security guard, like a lazy

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Speaker 6: security guard, you know, like you.

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Speaker 7: Go somewhere and you're like, that's security guard. What are

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Speaker 7: they gonna do?

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Speaker 6: So my you know, my belly's hanging out, my butt's

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Speaker 6: hanging out, and you make up the costume or no,

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Speaker 6: it's some I bought hilarious. It's called shabby security guy.

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Speaker 6: And so we all show up to go to the

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Speaker 6: party and everybody's dressed up, scuba just in a Halloween

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Speaker 6: T shirt.

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Speaker 7: He goes, I'm an adult. I don't wear costumes.

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Speaker 6: Oh, And it's like, dude, this is a how malloween party?

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Speaker 1: Why are you too cool for school kids too?

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Speaker 8: By the way, Like why yeah, why, well I haven't

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Speaker 8: worn a Halloween costume and I don't even know how long.

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Speaker 8: That's why I wore a Halloween hornit trying to forget

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Speaker 8: that would still be fine?

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Speaker 1: What Halloween horror nights?

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Speaker 6: He went to a cut in house one time and

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Speaker 6: he bought a T shirt from it and that was

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Speaker 6: his costume.

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Speaker 1: But it's like, dude, did you feel ridiculous dressing up?

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Speaker 1: I don't know.

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Speaker 8: I've just never I think the last time I dressed

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Speaker 8: up probably when I was eleven twelve.

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Speaker 1: It's has been a very long time.

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Speaker 8: And just haven't you have Halloween based trauma family trauma

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Speaker 8: and any holiday that and is surely so, I just

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Speaker 8: don't really pay at holiday.

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Speaker 1: And that's what you dressed as trauma trauma exactly.

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Speaker 7: I mean it was just like over here.

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Speaker 1: Yeah, I'll side the lunchbox a little bit on this,

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Speaker 1: Like if everybody's dressing U if you kind of need

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Speaker 1: to dress up, I.

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Speaker 7: Just go to good Will and grab up, you know, cowboy.

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Speaker 1: Hat, Hey, be a fat security guard.

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Speaker 7: Hey, people loved myle fit man.

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Speaker 1: It was all right, thank you, lunchbox. Amy. She may

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Speaker 1: not be very good at driving, but when she's not

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Speaker 1: on the road, she's definitely thriving. Here's Amy.

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Speaker 5: So I did a double feature movie night with the

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Speaker 5: kids and it was so much fun. We even had

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Speaker 5: a little intermission where we refilled on snacks.

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Speaker 1: And in between movies or each movie in between.

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Speaker 5: In between, so like we started the movie with some

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Speaker 5: snacks and then I had like a great slush Sonic

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Speaker 5: drinks delivered to the house for intermission. And they thought

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Speaker 5: they I was the coolest mom in the world, like

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Speaker 5: in between the.

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Speaker 1: Movies, did they think that or did you think they

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Speaker 1: think that? Well?

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Speaker 3: I felt that way.

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Speaker 7: Yeah.

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Speaker 3: I felt like I was being really cool.

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Speaker 5: And we watched My Spy first, which is such a

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Speaker 5: cute movie.

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Speaker 3: I love it.

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Speaker 1: It's got up kids.

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Speaker 3: No, it's like this the Rock kind of type character.

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Speaker 1: But it's Dave Patista, oh Bautista, Okay.

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Speaker 5: Yeah, yeah, So he's this hardened CIA agent guy that

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Speaker 5: isn't ruin it. I'm not okay, I would just say

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Speaker 5: because I just ate it. And there's him, and then

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Speaker 5: there's this cute girl nine year old.

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Speaker 1: And what would you rate it? Oh? Four out of

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Speaker 1: five okay?

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Speaker 5: And then the other one was Elemental the It's the

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Speaker 5: and the Pixar one where there's all the earth, there's earth,

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Speaker 5: fire water.

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Speaker 1: The Elements when the Elements movie. Oh yeah, we watched that.

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Speaker 3: What'd you think of it?

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Speaker 1: I didn't I didn't make a mess. What do you

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Speaker 1: think of it? We gave it.

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Speaker 5: I don't know if maybe we were just a little

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Speaker 5: more tired at this point coming down, but I gave

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Speaker 5: it three out of five because I felt like my

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Speaker 5: skids it up next to My Spy was a little

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Speaker 5: difficult because that one.

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Speaker 3: Was so cute.

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Speaker 1: Okay, cool, double features tough though, that's a that's a

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Speaker 1: long time. I agree, I thought. I I mean, if

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Speaker 1: I watch two football games out by the middle of

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Speaker 1: that second and I'm a little bit like, do I

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Speaker 1: even value myself as a human, I just feel gross

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Speaker 1: And but good for you. You had slushes and kids were happy. Yeah, popcorn,

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Speaker 1: It's like what that story said yesterday. Divorce parents spend

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Speaker 1: more time like trying to make sure they connect with

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Speaker 1: their kids than sometimes parents that are together because they

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Speaker 1: felt like, well, the kids here, anyway, we'll connect some point, right,

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Speaker 1: Look at that?

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Speaker 9: Yeah, look at you all right? Ray, go ahead from

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Speaker 9: Mountain Pine, Arkansas. His football team is on a little

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Speaker 9: bit of a skid. He's about to flip his lid.

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Speaker 9: Bobby Bones, thank you very much. I do want to

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Speaker 9: talk about the iPhone for a second. We're all iphonners

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Speaker 9: rights in here.

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Speaker 7: Yeah.

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Speaker 1: So, a newly discovered glitch and this would drive me

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Speaker 1: absolutely crazy. Is making people late for work. People are

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Speaker 1: noticing their phones are randomly shutting off in the middle

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Speaker 1: of the night. Uh oh, that is why I'd be

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Speaker 1: so upset. That would mess me up for sure. When

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Speaker 1: the phone is off, the alarm isn't on, so the

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Speaker 1: alarm won't wake them up. So people have been late

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Speaker 1: for work, people have been gone all over you know,

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Speaker 1: go on my phone to shut off, which leads to

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Speaker 1: my thing because that story is from lad Bible. I

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Speaker 1: still I don't have the new iPhone. I have probably

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Speaker 1: two iPhones back. My screen's cracked. I can't find one

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Speaker 1: in because I'm only going to get to one that

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Speaker 1: has the most like storage, because we had a lot

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Speaker 1: of videos stuff put on them. But my phone sucks now.

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Speaker 1: It's like when they trade and went to a new model,

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Speaker 1: it freezes exactly. I was never the person that believed

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Speaker 1: that was part of it, but it's like there's a

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Speaker 1: destroy button they pushed.

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Speaker 2: Did you see the text that I try to sent

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Speaker 2: you and you were like, what did you get scammed?

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Speaker 10: The same thing?

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Speaker 1: I can't send pictures to anyone. Oh yeah, that sounds

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Speaker 1: a file that looks like he was trying to send

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Speaker 1: a trojan horse into my phone and steal everything. And

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Speaker 1: I said, hey, do I need to open this? He

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Speaker 1: was just a picture. I deleted it. I never saw

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Speaker 1: what it was.

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Speaker 2: It was just a picture. And I think they're doing

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Speaker 2: that with me too. I'm like, I'm not I don't

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Speaker 2: want any phone.

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Speaker 1: Well, so I would say you could probably use this

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Speaker 1: excuse even if it didn't happen for the next week

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Speaker 1: to all of our listeners. Just say your iPhone went

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Speaker 1: out and find me here. No, not here, but find

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Speaker 1: the story Lincoln. Send it to your boss, be like,

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Speaker 1: this is what's happening. So so all right, thank you guys.

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Speaker 1: Let's get the show started now. Appreciate you being here.

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Speaker 1: Coming up, Shannandoah. We love Shanandoah. If I had two

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Speaker 1: dozen roses in a little life, they're coming in. We'll

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Speaker 1: hang out with them in a little bit. Let's open

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Speaker 1: up the mail bag.

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Speaker 8: Can you send the mail and reading all the air

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Speaker 8: to get something we call Bobby's mail bag.

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Speaker 1: Yeah, hello, Bobby Bones. I heard you recently. You got

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Speaker 1: on Amy's friend's boyfriend to defend himself, who was accused

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Speaker 1: of spending all day watching Pirates of the Caribbean and

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Speaker 1: Looney Tunes instead of working. I have a similar situation,

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Speaker 1: except there is no misunderstanding. My boyfriend is obsessed with

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Speaker 1: the show Blue. For those who don't know, it's an

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Speaker 1: animated show about an adventurous Blue healer puppy named Blue

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Speaker 1: who lives with the mom, dad, and sister. The thing

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Speaker 1: is we don't have kids. It started when he saw

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Speaker 1: on TikTok that adults enjoyed the show too, and he

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Speaker 1: watched every episode on Disney Plus. He also follows the

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Speaker 1: show on Instagram and is planning on buying the Blue

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Speaker 1: video game that comes out next month. He's not hurting anyone.

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Speaker 1: There are worse things that you can be into. But

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Speaker 1: I'm worried he's reverting to his childhood How to have

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Speaker 1: a conversation with my thirty year old boyfriend. That's a

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Speaker 1: turnoff that he is obsessed with a show made for kids.

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Speaker 1: Signed girlfriend of an adult Blue fan Get them Bones. Well,

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Speaker 1: I think if this manifests itself into like Blue role play,

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Speaker 1: that's a different and that the plus pop should stop.

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Speaker 1: It's okay right now. If he just likes Blue the cartooner,

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Speaker 1: he's watching it. It's not hurting anything, and it's not

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Speaker 1: like he is losing time with you because he has

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Speaker 1: to go sneak off and watch Blue. Then it's okay.

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Speaker 1: It really is okay. You may not be comfortable with that.

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Speaker 1: You may be turned off. By it. It could be

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Speaker 1: even an ick. But still there's nothing wrong with what

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Speaker 1: he's doing. Just watch him, Just watch them more. Make

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Speaker 1: sure it doesn't get worse. You know, just see what's up.

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Speaker 1: See if it's a gateway drug.

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Speaker 5: You know, your recent breakthrough in therapy, remember about the.

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Speaker 1: Reason breakthrough is. My therapist says, Hey, you're doing a

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Speaker 1: lot of stuff now for work that you enjoyed, because

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Speaker 1: you're finding things where you could feel like a kid.

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Speaker 1: You never get to feel like a kid.

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Speaker 5: Yeah, like with too much access, like that's your your

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Speaker 5: your fun football show, but also now part of your career.

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Speaker 3: Maybe this is him.

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Speaker 5: Something from his childhood is connected to this, and he's

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Speaker 5: connecting with.

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Speaker 3: His inner child.

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Speaker 1: And my statement is let him be. Paul McCartney said

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Speaker 1: her best, let him be, Let him be, Let him be,

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Speaker 1: and then ultimately you're not still watch his internet history.

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Speaker 1: Let him be.

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Speaker 5: If she's not ultimately attracted to it and she can't

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Speaker 5: get over it, then I don't know to say, yeah.

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Speaker 1: It's fine, people watch the Simpsons, SpongeBob. I love the Simpsons,

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Speaker 1: adult but still cartoon sponge of awesome. Yeah it's great,

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Speaker 1: Blueie whatever.

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Speaker 2: I don't want, but a lot of these cartoons to

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Speaker 2: have some humor for adults in there, because a lot

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Speaker 2: of parents have to watch this with their kids.

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Speaker 7: Yeah, Blue is funny, has adult entertainment.

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Speaker 1: It's in It's Buss's wife.

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Speaker 7: No no, no, no.

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Speaker 6: But my kids like Blue, and so I watch Blue

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Speaker 6: and there is actual funny stuff.

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Speaker 7: Thee like real life. There we go. But if you

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Speaker 7: don't have kids, you should be watching.

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Speaker 1: Oh well, and maybe it's his relaxing show. They doesn't

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Speaker 1: have to think too much. I don't know. I'm just saying,

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Speaker 1: let them do it. And it's like you find other

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Speaker 1: weird stuff and then move away. If this is all

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Speaker 1: it is, you're good. All right, thank you. Close up

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Speaker 1: the mail bag.

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Speaker 11: We got your game mail and land on the air.

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Speaker 6: Now let's find the clothes Bobby's mail bag.

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Speaker 1: Yeah, so Bobby Bones Show interviews. In case you didn't know,

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Speaker 1: we're a big Shanandoagh show. Love Shannandoah Church on Cumberland Road.

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Speaker 1: Let me do the Church. Nineteen eighty nine does number

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Speaker 1: one for them two dozen roses. If I had nineteen

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Speaker 1: eighty nine number one for them Sunday and the Out,

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Speaker 1: I can almosteer my mama preve I got so many

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Speaker 1: number ones. But they're coming in now. Let's talk to

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Speaker 1: them here. They are Marty and Mike from Shenandoah on

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Speaker 1: the Bobby Bones Show. Now this is cool for us,

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Speaker 1: specially when we get to bring in, you know, musical

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Speaker 1: influences legends here. You don't come in yelling roll Tide.

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Speaker 1: Come in, Come in and sit down over here. Come in,

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Speaker 1: yell and roll tide. Come in to my house and

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Speaker 1: pee on the floor. That's what just happened there.

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Speaker 11: Yes, she wore that for us today.

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Speaker 1: You know, no wear it every day. But I'm also

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Speaker 1: jealous that you get to yell roll tid. I don't

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Speaker 1: want to yell roll Tide, but I'm jealous that you

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Speaker 1: guys have ye No, I refuse you.

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Speaker 10: Good.

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Speaker 1: Yeah, come on in. Hey, everybody good to see Hello. Yeah,

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Speaker 1: I have a seat over here. Everything's great. Do you

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Speaker 1: have yours? Hey, you didn't yell roll Tide. We appreciate that.

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Speaker 11: You see these guys.

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Speaker 1: Mike comes in and starts yelling roll Tide immediately.

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Speaker 11: Well, I saw your shirt from through the glass window

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Speaker 11: over there.

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Speaker 1: So yeah, you can't miss it, big and Red. So

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Speaker 1: how are we doing?

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Speaker 11: Good man? About you?

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Speaker 1: Yeah? Go to the microphone. Right then, Mary, right there

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Speaker 1: behind you, right at your butt. There it is back again,

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Speaker 1: looking better than ever. So I got the.

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Speaker 11: Hey, I was just looking at a picture of us

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Speaker 11: last time we did this show. I bet you we've

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Speaker 11: lost two hundred pounds between the two of us.

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Speaker 1: Seriously, you too, Yes, yeah, we using the mic you

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Speaker 1: gotta use you got talking to Mike we on the.

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Speaker 11: Air, Mars You're say, I'm sorry, yeah, it's commercial commercial.

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Speaker 1: Yeah, yeah, I'm sorry about that. Sorry, folks, I forgot that.

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Speaker 1: Now it's like charming and hilarious.

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Speaker 12: Oh actually I thought we weread a commercial, but no.

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Speaker 12: In the green room, Mike said two hundred and fifty,

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Speaker 12: and I thought that sounded more like it. I've lost

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Speaker 12: one hundred and thirty seven.

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Speaker 11: I've lost seventy three.

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Speaker 12: Really, yeah, sixty three just going in the wrong.

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Speaker 10: Direction, bro.

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Speaker 1: And how do you feel?

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Speaker 10: Oh, I feel fantastic.

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Speaker 1: Would you consider it, Marty? Would you consider your haircut

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Speaker 1: still to be a mullet?

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Speaker 12: Well, you know, I'll be honest with you. I don't

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Speaker 12: know that that that I ever had a mullet.

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Speaker 1: But it's long like a Okay, it's not short. Maybe

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Speaker 1: it's not short. Enough on top, but it definitely goes back.

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Speaker 1: You could pin it and do a little ponytail. I

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Speaker 1: have not seen maybe would you say that.

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Speaker 5: I see it was mulletsh to me all vibes, but

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Speaker 5: it's definitely mulleinish, mulletish.

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Speaker 1: Like you said, you got basically same haircut. Yeah, pretty much,

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Speaker 1: and you guys have it. That's what I like though. Yeah,

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Speaker 1: it's great, We're not you're not being anything. You aren't

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Speaker 1: you know it barber?

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Speaker 12: Yeah, I mean the same gale that cuts my hair today,

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Speaker 12: same gal to cut my hair years ago.

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Speaker 11: Wow, Well you know you went to you went to

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Speaker 11: a time there, marb where you had it all cut

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Speaker 11: off short.

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Speaker 1: You guys real hair.

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Speaker 11: Yeah, yeah, you don't pullet If.

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Speaker 1: You do that, people think my ha's fake all the time.

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Speaker 1: I got grab it and be like yeah yeah yeah.

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Speaker 1: So Shanado is here, which, by the way, let's let's

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Speaker 1: talk new for a second. I got a bunch stuff

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Speaker 1: talk about, but let's do this because I want to

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Speaker 1: play the song first. Obviously, we love two Dozen Roses

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Speaker 1: nineteen eighty nine, the original. If I could cry a

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Speaker 1: little harder and get a little less sleep, bad night

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Speaker 1: love it but then you guys did it again, but

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Speaker 1: you did it with Luke Comb's How did this whole

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Speaker 1: thing come about? And how did you get Luke on it?

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Speaker 12: We started getting uh a text from people going, hey, man,

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Speaker 12: if you said me and Luke Comb's doing two dozen roses.

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Speaker 1: Was already covering it, yeah in the show.

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Speaker 12: Yeah, And to be honest with you, it, uh two

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Speaker 12: dozen Roses has become so popular. We knew before too

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Speaker 12: long somebody was gonna somebody was going to.

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Speaker 1: Redo it and just cover it. But somebody was going

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Speaker 1: to cover it, and.

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Speaker 12: Before it was all old with, you know, then we

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Speaker 12: would lose it, you know, I mean, that's what happens.

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Speaker 1: So you did it?

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Speaker 12: Yeah, yeah, So so we just figured, man, look let's

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Speaker 12: let's see if Luke won't want to do it. So

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Speaker 12: I started texting Luke back and forth and we started

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Speaker 12: the dialogue and and before it was all over with,

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Speaker 12: that's that's what happened. He got in the studio and

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Speaker 12: we kind of followed up.

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Speaker 8: It's time for the good news.

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Speaker 5: Did you know there's a Guinness World Record for being

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Speaker 5: the longest social studies teacher ever, like having a career

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Speaker 5: in that field.

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Speaker 1: No, that's gotta be really all though. Huh.

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Speaker 5: Well, Paul Durrett's he's been awarded the Guinness World Record

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Speaker 5: for his fifty three year teaching career for social studies specifically.

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Speaker 1: I think mister Tollison had that much. He just didn't

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Speaker 1: probably go to this. Yeah, that's socials. I mean that's great.

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Speaker 1: Fifty years and anything, especially teaching. It's awesome. Miss Chilison

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Speaker 1: was my soci studies teacher. Keith. Oh I saw Keith.

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Speaker 1: He tied what yeah, wow me a generation below. He

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Speaker 1: ended up teaching my sister. I tell my sister's kids.

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Speaker 1: He was there for a long time. I'm not even

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Speaker 1: he still maybe teaching. I don't know. He used to

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Speaker 1: do a thing where he would It's funny because he

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Speaker 1: was just like a quirky guy, but a good teacher.

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Speaker 1: But he was scratched his ear, let's say, was scratching

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Speaker 1: his left ear. He wouldn't do it on purpose. He'd

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Speaker 1: scratch his left ear with his right arm and go

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Speaker 1: over his head and scratch it. No, he did that

382
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Speaker 1: on purpose. No, And then he'd did nothing but her

383
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Speaker 1: tie his shoe. He'd put his shoe up in the

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Speaker 1: chair to tie it and then tie the one on

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Speaker 1: the ground, Miss Chilison man, mister Tollison man. But what's

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Speaker 1: his guy's name again?

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Speaker 3: Paul Durrett's.

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Speaker 5: He's seventy six years old and he started teaching social stuf.

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Speaker 3: Is it Woodland Middle School?

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Speaker 1: Did he break someone's record? Did he said it? Because

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Speaker 1: he made it?

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Speaker 5: He made it up in nineteen seventy, nineteen seventies.

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Speaker 3: Listen, I don't know.

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Speaker 1: If he took that's great. I love it. He talks from.

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Speaker 3: Someone but pretty cool.

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Speaker 5: I mean he says, keep working on what you love

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Speaker 5: to do in life, keep at it.

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Speaker 1: I agree with that. It's a good man there, all right,

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Speaker 1: shout out mister Tollison. All right, that's what it's all about.

400
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Speaker 1: That was telling me something good on the Bobby Bone Show.

401
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Speaker 1: Now what song you think gets to the biggest crowd singing,

402
00:16:34,080 --> 00:16:38,520
Speaker 1: chanting reaction church on Cumberland Road Roses? Oh he does?

403
00:16:38,600 --> 00:16:40,240
Speaker 1: Oh yeah, that easy, huney.

404
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Speaker 11: They singing from the beginning to the end too. They

405
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Speaker 11: don't just sing the choruses.

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Speaker 5: Is it?

407
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Speaker 1: Because though that song is a little slower and you

408
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Speaker 1: can hear words more.

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Speaker 4: Is that?

410
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Speaker 1: But you know, I don't know. I guess this is

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Speaker 1: my answer. So I wanted that to be the answer.

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Speaker 1: Cumberland Road, Yeah road, Yeah, that's the one they do

413
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Speaker 1: that whoa.

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Speaker 11: Very loudly.

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Speaker 1: Where do you play Cumberland Road in your set?

416
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Speaker 11: Last last song we do two dozen roads is right

417
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Speaker 11: in front of it. Oh yeah, leave it with a bang?

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Speaker 1: What do you start with? What's first song?

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Speaker 11: Next to you? Next to me?

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Speaker 1: Dang?

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Speaker 11: Oh, I'd rather be next to you.

422
00:17:17,520 --> 00:17:19,200
Speaker 1: Next to me. You can annoying people sing your songs

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Speaker 1: back to you like that. It's awesome. No like us now,

424
00:17:23,200 --> 00:17:25,239
Speaker 1: not even asking you questions. We're just singing songs at you.

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Speaker 11: Yeah, that's pretty cool.

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00:17:26,800 --> 00:17:28,080
Speaker 1: Yeah, you know what I like at the end of

427
00:17:28,119 --> 00:17:29,919
Speaker 1: the song where it goes there ain't no place it.

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Speaker 1: I'd rather be.

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Speaker 4: Next to you.

430
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Speaker 10: Next to me.

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Speaker 1: That's our part. I like that one too. Big harmony

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Speaker 1: there all right? They are doing everybody.

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Speaker 13: I thank you.

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Speaker 1: Hey, so you guys are torn like crazy. We've always

435
00:17:44,359 --> 00:17:47,600
Speaker 1: toured like I hear you. But again you're still touring

436
00:17:47,640 --> 00:17:51,240
Speaker 1: like crazy. You have like fifty more dates this year.

437
00:17:51,320 --> 00:17:53,399
Speaker 1: I was looking or something like that, like why do

438
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Speaker 1: you feel more comfortable on the road than at home?

439
00:17:56,000 --> 00:17:56,879
Speaker 10: Now? You know what?

440
00:17:56,920 --> 00:18:00,720
Speaker 12: She's really kind of Man, this thing, there's things just

441
00:18:00,760 --> 00:18:03,080
Speaker 12: really you know, taking off. You know, I'd left the

442
00:18:03,119 --> 00:18:05,800
Speaker 12: band for about seventeen years, and then when I came back,

443
00:18:07,640 --> 00:18:09,280
Speaker 12: you know, I figured if we was going to do it,

444
00:18:09,680 --> 00:18:11,680
Speaker 12: you know, when me and Mike talked about, you know,

445
00:18:11,720 --> 00:18:13,480
Speaker 12: putting the wheels back on this thing, we were going

446
00:18:13,560 --> 00:18:13,960
Speaker 12: to do it.

447
00:18:14,080 --> 00:18:14,240
Speaker 1: You know.

448
00:18:14,320 --> 00:18:16,720
Speaker 10: Let's if we hadn't.

449
00:18:16,560 --> 00:18:19,320
Speaker 12: Said everything we wanted to say, and we wanted to

450
00:18:19,400 --> 00:18:22,640
Speaker 12: make sure that that that we got the music out

451
00:18:22,640 --> 00:18:24,639
Speaker 12: there and put on the shows that we wanted to

452
00:18:24,680 --> 00:18:26,960
Speaker 12: don then man, let's let's do everything in the world

453
00:18:26,960 --> 00:18:28,119
Speaker 12: we can to make that happen.

454
00:18:28,560 --> 00:18:29,359
Speaker 1: Why'd you gut to stop?

455
00:18:30,400 --> 00:18:32,000
Speaker 10: Well, I mean they didn't stop.

456
00:18:32,040 --> 00:18:35,040
Speaker 1: I mean I left, but but you know, all of

457
00:18:35,080 --> 00:18:37,680
Speaker 1: you together, are you guys? So why did you guys

458
00:18:37,720 --> 00:18:39,080
Speaker 1: stop for a while? Why did you stop? Marty?

459
00:18:39,320 --> 00:18:42,560
Speaker 12: Well, I'll be honest with you. I think I honestly too.

460
00:18:42,680 --> 00:18:45,880
Speaker 12: I think a lot of mine was burnt out, you know, man,

461
00:18:46,119 --> 00:18:48,320
Speaker 12: I mean you think we were working a lot now,

462
00:18:48,520 --> 00:18:50,200
Speaker 12: I mean we were like mercenaries.

463
00:18:50,640 --> 00:18:52,920
Speaker 11: We've still got T shirts that I survived. Three hundred

464
00:18:52,920 --> 00:18:54,560
Speaker 11: and ten days was shing the door. The first year

465
00:18:54,600 --> 00:18:56,399
Speaker 11: we were out, we did three hundred and ten days

466
00:18:56,480 --> 00:18:58,600
Speaker 11: away from home, not that many shows, but we were,

467
00:18:59,280 --> 00:19:00,240
Speaker 11: say we're on.

468
00:19:00,280 --> 00:19:02,720
Speaker 1: The SAM It's travel day. Is still out on the road.

469
00:19:03,119 --> 00:19:04,200
Speaker 10: Yeah, yeah, sure is.

470
00:19:04,960 --> 00:19:08,200
Speaker 12: And uh, you know, man, after about after about ten

471
00:19:08,240 --> 00:19:09,879
Speaker 12: or eleven years of that, I mean that, you know,

472
00:19:09,960 --> 00:19:10,800
Speaker 12: it was just enough.

473
00:19:11,640 --> 00:19:13,360
Speaker 10: It was enough for me, you know, it was kind

474
00:19:13,359 --> 00:19:14,320
Speaker 10: of kind of burn out.

475
00:19:14,520 --> 00:19:17,119
Speaker 1: And then why get back in? Did you miss it?

476
00:19:17,240 --> 00:19:20,560
Speaker 1: You miss Mike Mike's caress away?

477
00:19:22,880 --> 00:19:23,639
Speaker 7: Not really.

478
00:19:25,240 --> 00:19:26,280
Speaker 10: Now you don't tell you the truth.

479
00:19:26,640 --> 00:19:28,760
Speaker 12: You know, I had a had a little bluegrass band

480
00:19:28,800 --> 00:19:32,040
Speaker 12: and and you know, my brother Tim and I had

481
00:19:32,040 --> 00:19:35,160
Speaker 12: did the Butterfly Kisses thing, uh for a little bit,

482
00:19:35,240 --> 00:19:39,199
Speaker 12: and and uh, you know we just uh what do.

483
00:19:39,200 --> 00:19:43,240
Speaker 1: You mean a butterfly kisses thing? Bob Carlisle song Butterfly Kisses?

484
00:19:43,280 --> 00:19:44,800
Speaker 12: Yeah, my brother Tim and I, you know, we had

485
00:19:44,840 --> 00:19:46,159
Speaker 12: it out. In fact, we were the one who got

486
00:19:46,160 --> 00:19:49,520
Speaker 12: the Grammy on it. Wait what Yeah butterfly.

487
00:19:49,119 --> 00:19:53,160
Speaker 1: Kisna butterfu Yeah yeah. Bot Carlisle sang it. But I'm

488
00:19:53,160 --> 00:19:54,439
Speaker 1: gonna be ignorant here and I'm okay.

489
00:19:54,600 --> 00:19:57,440
Speaker 10: It was the country the country version got the Grammy.

490
00:19:57,600 --> 00:20:00,879
Speaker 1: Really Yeah, good for you guys, sucker, we say no

491
00:20:00,960 --> 00:20:03,440
Speaker 1: country you know what I mean saying that.

492
00:20:03,760 --> 00:20:06,440
Speaker 12: So anyway, so it was in ninety seven, I think

493
00:20:06,840 --> 00:20:10,000
Speaker 12: ninety seven. But anyway, the thing about it is is,

494
00:20:10,520 --> 00:20:15,680
Speaker 12: uh uh, you know, we had talked about several years

495
00:20:15,720 --> 00:20:17,959
Speaker 12: before then, you know, putting the wheels back on it,

496
00:20:18,000 --> 00:20:20,600
Speaker 12: you know, but we just we just didn't feel like

497
00:20:20,640 --> 00:20:21,640
Speaker 12: the timing was right.

498
00:20:21,880 --> 00:20:25,720
Speaker 1: Did you feel like, with the overwhelming resurgence and popularity

499
00:20:25,720 --> 00:20:29,160
Speaker 1: of nineties country that when you guys hit and went

500
00:20:29,200 --> 00:20:31,439
Speaker 1: back out again, that it was the audience was going

501
00:20:31,520 --> 00:20:32,200
Speaker 1: to be there for you.

502
00:20:32,240 --> 00:20:34,359
Speaker 12: No, you know, to be honest, we were so ignorant

503
00:20:34,400 --> 00:20:36,520
Speaker 12: to that at that point. No, we didn't have a

504
00:20:36,520 --> 00:20:38,879
Speaker 12: clue in the world what nineties music meant at that time.

505
00:20:39,720 --> 00:20:42,200
Speaker 12: I mean, we really seriously didn't. That was nine years ago.

506
00:20:42,240 --> 00:20:46,240
Speaker 12: We had no idea that what nineties music meant whatsoever.

507
00:20:46,320 --> 00:20:49,119
Speaker 12: I mean, we just we just felt like, you know,

508
00:20:49,160 --> 00:20:51,480
Speaker 12: they was still something to say, and we believe we

509
00:20:51,480 --> 00:20:53,440
Speaker 12: could say it that there was another tune out there

510
00:20:53,480 --> 00:20:57,880
Speaker 12: that we could cut, you know, that that would be

511
00:20:58,480 --> 00:21:01,440
Speaker 12: you know, uh, a smash.

512
00:21:01,520 --> 00:21:03,480
Speaker 10: And we're in the studio right now.

513
00:21:03,840 --> 00:21:06,120
Speaker 12: Well, we've actually finished up with waiting on a couple

514
00:21:06,160 --> 00:21:08,640
Speaker 12: of vocals to be done.

515
00:21:09,320 --> 00:21:11,040
Speaker 10: We just cut a killer with Alison.

516
00:21:10,720 --> 00:21:13,200
Speaker 1: Kraus somewhere in the vicinity of the heart.

517
00:21:13,280 --> 00:21:16,720
Speaker 12: Oh no, no, this is a brand new yeah, and

518
00:21:16,800 --> 00:21:20,040
Speaker 12: I mean it's just I mean it will it will absolutely.

519
00:21:20,600 --> 00:21:21,399
Speaker 10: Rail the Lumber.

520
00:21:21,640 --> 00:21:23,320
Speaker 1: I don't know what that means, Marty, rail the Lumber.

521
00:21:23,600 --> 00:21:25,720
Speaker 10: That means it's it's feels.

522
00:21:25,400 --> 00:21:26,439
Speaker 3: Like it hurts.

523
00:21:26,480 --> 00:21:33,320
Speaker 1: I think it's yeah, like make you emotional killer what

524
00:21:33,359 --> 00:21:33,600
Speaker 1: I mean.

525
00:21:34,080 --> 00:21:36,400
Speaker 12: Yeah, it's it's very much. It's it's a love song.

526
00:21:36,480 --> 00:21:38,360
Speaker 12: I mean it really is. I mean it's a it's

527
00:21:38,400 --> 00:21:42,120
Speaker 12: another it's another vicinity of the heart and and uh

528
00:21:42,240 --> 00:21:44,320
Speaker 12: I want to be loved like that all all together

529
00:21:44,359 --> 00:21:47,280
Speaker 12: in one, you know. And it's just I mean, it's

530
00:21:47,280 --> 00:21:49,320
Speaker 12: just got a lot of it's good.

531
00:21:49,600 --> 00:21:51,680
Speaker 3: It's a good tune.

532
00:21:51,920 --> 00:21:55,600
Speaker 10: Well, you know, I don't know when it's coming out.

533
00:21:55,760 --> 00:21:57,520
Speaker 12: I have no idea And do it like ten seconds

534
00:21:57,560 --> 00:22:00,199
Speaker 12: of course, yeah, and no single like ten seconds now,

535
00:22:00,240 --> 00:22:00,760
Speaker 12: I can't do that.

536
00:22:00,920 --> 00:22:03,280
Speaker 1: Okay, See he's not he's not giving it to us here. Okay,

537
00:22:03,320 --> 00:22:05,160
Speaker 1: that's okay. You don't go jail or what music jail.

538
00:22:06,400 --> 00:22:10,480
Speaker 1: I've been there. They' fun. So, speaking of Rail and Lumber,

539
00:22:11,040 --> 00:22:14,560
Speaker 1: if Bubby can dance railed my lumber? Is that he's

540
00:22:14,600 --> 00:22:15,960
Speaker 1: it railed?

541
00:22:16,200 --> 00:22:16,800
Speaker 7: Yeah, I don't know.

542
00:22:17,119 --> 00:22:19,879
Speaker 12: I don't think that railing lumber is what that is.

543
00:22:20,119 --> 00:22:22,240
Speaker 12: And that's really actually not vulgar at all. It's just

544
00:22:22,320 --> 00:22:25,920
Speaker 12: means it's bringing the timber. You know, it's exactly bringing

545
00:22:26,000 --> 00:22:27,200
Speaker 12: in the mail, carrying the mask.

546
00:22:27,240 --> 00:22:31,840
Speaker 1: Absolutely my timber. Yeah, you know you got it. You

547
00:22:31,880 --> 00:22:33,600
Speaker 1: can dance? I can too.

548
00:22:33,800 --> 00:22:34,040
Speaker 10: Yeah.

549
00:22:34,359 --> 00:22:36,399
Speaker 1: Do you heard like that song? Heck you?

550
00:22:36,400 --> 00:22:37,119
Speaker 7: How are you kidding me?

551
00:22:37,359 --> 00:22:37,679
Speaker 1: Do not?

552
00:22:38,320 --> 00:22:38,520
Speaker 5: You know?

553
00:22:38,600 --> 00:22:41,520
Speaker 11: Man Marty wrote this song with Bob mcdille, of course.

554
00:22:41,320 --> 00:22:42,840
Speaker 1: Yeah, Well why would I not like that song? I

555
00:22:42,880 --> 00:22:48,160
Speaker 1: love that on TV ordered that Yeah, and see that's

556
00:22:48,200 --> 00:22:48,960
Speaker 1: that's one of the reasons.

557
00:22:49,000 --> 00:22:49,600
Speaker 10: That's you.

558
00:22:50,560 --> 00:22:53,159
Speaker 11: I think that's the tempo too, that's it.

559
00:22:53,240 --> 00:22:56,280
Speaker 1: Yeah, I got it, you got it? Go ahead, Fescher

560
00:22:56,320 --> 00:22:58,160
Speaker 1: story there, bubble can dance anyway.

561
00:22:58,200 --> 00:23:02,840
Speaker 12: That the tempo on that it's.

562
00:23:01,000 --> 00:23:02,480
Speaker 1: It's it's four on the floor.

563
00:23:02,560 --> 00:23:07,080
Speaker 12: It's that, it's that addictive beat that it's that underlying

564
00:23:07,119 --> 00:23:09,320
Speaker 12: thing that people get. And you know when you did

565
00:23:09,359 --> 00:23:12,240
Speaker 12: that that, I mean, that's that's what That's what attracts

566
00:23:12,240 --> 00:23:12,639
Speaker 12: a lot.

567
00:23:12,520 --> 00:23:14,000
Speaker 10: Of people to tempo songs.

568
00:23:14,080 --> 00:23:16,520
Speaker 11: You know, that song almost didn't get written why we

569
00:23:16,800 --> 00:23:19,199
Speaker 11: we were actually writing with Bob mcdeal. We'd written all

570
00:23:19,240 --> 00:23:21,520
Speaker 11: afternoon with Bob. We had to leave that afternoon going

571
00:23:21,520 --> 00:23:23,800
Speaker 11: somewhere on the road. We had to catch the bus,

572
00:23:24,400 --> 00:23:28,040
Speaker 11: and we'd been writing all afternoon and hadn't hit on anything,

573
00:23:28,400 --> 00:23:31,199
Speaker 11: and uh, Bob, we'd already put our guitars in the

574
00:23:31,240 --> 00:23:33,719
Speaker 11: cases and getting ready to go. And Bob say, hey, man,

575
00:23:33,880 --> 00:23:35,840
Speaker 11: you guys came out of muscle shows and the bars

576
00:23:35,880 --> 00:23:38,640
Speaker 11: down there. He said, I've been seeing on on these

577
00:23:38,840 --> 00:23:41,800
Speaker 11: country music TV shows people doing all these line dances

578
00:23:41,840 --> 00:23:44,400
Speaker 11: and stuff like that. He said, are people really doing

579
00:23:44,440 --> 00:23:47,440
Speaker 11: that in these bars? And I just said, I don't

580
00:23:47,480 --> 00:23:49,520
Speaker 11: know how they're doing it everywhere else, Bob. But you know,

581
00:23:49,800 --> 00:23:51,760
Speaker 11: the place we weread there was two guys and I

582
00:23:51,760 --> 00:23:53,960
Speaker 11: can't remember. One of them's name was Buddy something, and

583
00:23:54,280 --> 00:23:56,359
Speaker 11: the other guy I can't remember. But they always they

584
00:23:56,440 --> 00:23:58,320
Speaker 11: knew how to do all the they knew how to

585
00:23:58,400 --> 00:24:00,000
Speaker 11: twirl the girls they get out there on the damn

586
00:24:00,119 --> 00:24:02,040
Speaker 11: for it. They could, you know, do all the dance.

587
00:24:02,040 --> 00:24:04,960
Speaker 11: It wasn't lying dances, but anyway, you know, there would

588
00:24:05,080 --> 00:24:07,360
Speaker 11: be girls literally standing on the side of the stage

589
00:24:07,640 --> 00:24:10,280
Speaker 11: waiting for the song to be over so they could

590
00:24:10,320 --> 00:24:12,560
Speaker 11: go out and get them to dance with them. And

591
00:24:12,640 --> 00:24:15,000
Speaker 11: so anyway, Bob said, well that's that's pretty interesting. He said,

592
00:24:15,080 --> 00:24:16,479
Speaker 11: let me run to the restroom real quick and then

593
00:24:16,520 --> 00:24:18,600
Speaker 11: we'll go. So he goes to the bathroom and he

594
00:24:18,640 --> 00:24:20,680
Speaker 11: comes back in and said, hey, you know what, I

595
00:24:20,800 --> 00:24:22,840
Speaker 11: got an idea on what you were just saying about

596
00:24:22,840 --> 00:24:25,720
Speaker 11: that those two guys. He said, I got a song title,

597
00:24:25,880 --> 00:24:27,080
Speaker 11: and we said what is it? And he said, if

598
00:24:27,119 --> 00:24:28,960
Speaker 11: Bubba can dance, I can too. And he said, we'll

599
00:24:28,960 --> 00:24:31,600
Speaker 11: make those guys beat Bubba. And so we got our

600
00:24:31,600 --> 00:24:34,199
Speaker 11: guitars out and we wrote the first, first and chorus

601
00:24:34,800 --> 00:24:37,080
Speaker 11: and had to go and then Bob wrote the last

602
00:24:37,160 --> 00:24:38,000
Speaker 11: verse by hisself.

603
00:24:38,119 --> 00:24:41,280
Speaker 1: But I mean he gave me, he gave me confidence.

604
00:24:41,480 --> 00:24:43,640
Speaker 11: I mean, if you know, if he hadn't asked question.

605
00:24:43,440 --> 00:24:45,639
Speaker 1: I feel like I can too. You know, one of

606
00:24:45,680 --> 00:24:47,399
Speaker 1: my idiot friends is doing something. It's not even just

607
00:24:47,400 --> 00:24:49,399
Speaker 1: about dancing. Like if one of my buddies can do,

608
00:24:49,440 --> 00:24:51,560
Speaker 1: why can't I not try it? You guys don't even

609
00:24:51,600 --> 00:24:53,240
Speaker 1: know what you motivated. I wouldn't be here without that song.

610
00:24:55,040 --> 00:24:58,920
Speaker 12: Well, you know it. It's funny how things had things

611
00:24:58,920 --> 00:25:02,120
Speaker 12: turned about it just kind of him. You know how

612
00:25:02,160 --> 00:25:03,639
Speaker 12: you want to handle anything in life?

613
00:25:03,680 --> 00:25:07,120
Speaker 1: I reckon and even Russe and lumber freaking go to town

614
00:25:07,640 --> 00:25:10,800
Speaker 1: real the lumber Mike, how's it? How's how's it? How's it?

615
00:25:11,200 --> 00:25:12,440
Speaker 1: He's druma coming good?

616
00:25:12,520 --> 00:25:14,280
Speaker 11: That is Bob me and you said a d debuts man, I.

617
00:25:14,280 --> 00:25:15,240
Speaker 1: Love I don't know what that means.

618
00:25:15,680 --> 00:25:16,399
Speaker 11: It's a brand.

619
00:25:16,560 --> 00:25:17,560
Speaker 1: Oh is that a good brand?

620
00:25:17,640 --> 00:25:18,119
Speaker 10: I love him?

621
00:25:18,160 --> 00:25:21,639
Speaker 11: Yeah, that's that's cats me ow And again, well you

622
00:25:21,720 --> 00:25:22,600
Speaker 11: never heard of cats mew?

623
00:25:22,720 --> 00:25:25,920
Speaker 1: Does that mean like it's they're the best? Yeah? Got it,

624
00:25:25,960 --> 00:25:26,800
Speaker 1: got it, got it.

625
00:25:27,119 --> 00:25:30,480
Speaker 12: So we're going ahead to bring y'all a book of

626
00:25:30,520 --> 00:25:32,040
Speaker 12: Shannado is Yeah.

627
00:25:32,320 --> 00:25:34,040
Speaker 1: Do you ever wonder if we would have named our

628
00:25:34,040 --> 00:25:37,400
Speaker 1: band something different, people would have an easier time spelling it? Probably?

629
00:25:37,560 --> 00:25:39,760
Speaker 11: Yeah, I've seen it spelled every week. Can be spelled

630
00:25:40,160 --> 00:25:41,120
Speaker 11: on the Marquee too.

631
00:25:41,200 --> 00:25:44,080
Speaker 12: I mean what's really good is when somebody goes to, hey,

632
00:25:44,320 --> 00:25:47,760
Speaker 12: uh you, Sho, can you tell me where Shannon's at?

633
00:25:48,119 --> 00:25:51,840
Speaker 11: Oh? Yeah, Sho. Yeah that we still we still get that.

634
00:25:51,840 --> 00:25:53,280
Speaker 11: People will knock on the door of the bus and

635
00:25:53,280 --> 00:25:54,520
Speaker 11: it's Shannon up there, and I.

636
00:25:54,480 --> 00:25:56,960
Speaker 10: Wanted I want to talk Shannon ted he knows.

637
00:25:56,760 --> 00:26:01,560
Speaker 1: Me and Shannon's a dude obviously. Yeah, you guys, uh

638
00:26:01,920 --> 00:26:05,560
Speaker 1: muscle shawls. Growing up with that music culture around you,

639
00:26:05,560 --> 00:26:08,760
Speaker 1: you you can you like hear that old blues like

640
00:26:08,760 --> 00:26:11,520
Speaker 1: in your recordings from like the nineties, like that did

641
00:26:11,359 --> 00:26:13,320
Speaker 1: did any of that rub off into your country music?

642
00:26:13,680 --> 00:26:13,879
Speaker 1: You know?

643
00:26:13,920 --> 00:26:17,320
Speaker 12: I think, uh one of the one of the greatest things,

644
00:26:17,600 --> 00:26:19,720
Speaker 12: uh that when we started doing what we were doing.

645
00:26:20,760 --> 00:26:23,920
Speaker 12: You know, Jim Seals came from a background of of

646
00:26:23,920 --> 00:26:26,960
Speaker 12: of rock and roll and and and real soulful stuff.

647
00:26:27,000 --> 00:26:31,720
Speaker 12: You know, Staying came from a jazz perspective. In Ralph

648
00:26:31,920 --> 00:26:35,160
Speaker 12: was as well, and in Memphis Delta Blues and and

649
00:26:35,280 --> 00:26:39,199
Speaker 12: uh coming out of bluegrass. Mike and myself, Uh, you know,

650
00:26:39,240 --> 00:26:43,040
Speaker 12: we grew up around bluegrass music and and uh a

651
00:26:43,040 --> 00:26:46,200
Speaker 12: lot of the soul that was in bluegrass music, uh,

652
00:26:46,320 --> 00:26:49,880
Speaker 12: you know it, it really it really helped a lot.

653
00:26:50,160 --> 00:26:52,679
Speaker 12: And and I think it kind of that there was

654
00:26:52,720 --> 00:26:55,359
Speaker 12: a like a forging of of of a lot of

655
00:26:55,400 --> 00:26:58,119
Speaker 12: that that was all put together, that that came together.

656
00:26:58,520 --> 00:27:03,440
Speaker 12: It's kind of like the uh the Man of Constant

657
00:27:03,520 --> 00:27:08,080
Speaker 12: Sorrow cut, you know, man, you know it sounds like

658
00:27:08,160 --> 00:27:10,080
Speaker 12: right off the press of Ralph and.

659
00:27:10,040 --> 00:27:17,400
Speaker 10: Carter Stanley a man concon sorrow.

660
00:27:18,960 --> 00:27:22,400
Speaker 12: You know, and it's just you know where people actually

661
00:27:22,720 --> 00:27:25,840
Speaker 12: you know, they they heard the hurt and what they

662
00:27:25,840 --> 00:27:28,560
Speaker 12: were singing about. And of course up through the Appalachia,

663
00:27:29,400 --> 00:27:31,560
Speaker 12: you know, that's that there was a lot of that

664
00:27:31,560 --> 00:27:33,399
Speaker 12: that that went on. There's a lot of coal mining

665
00:27:33,440 --> 00:27:36,560
Speaker 12: that went on and not safe coal mining and then

666
00:27:36,640 --> 00:27:39,720
Speaker 12: just a hard way of living and uh and people

667
00:27:39,760 --> 00:27:41,879
Speaker 12: took to that and it meant a lot to them.

668
00:27:41,920 --> 00:27:44,720
Speaker 12: And when people would write songs that would be local

669
00:27:44,800 --> 00:27:46,959
Speaker 12: songs that were there that just for people to listen to.

670
00:27:47,000 --> 00:27:49,720
Speaker 12: They didn't do it for any industry. The stuff that

671
00:27:49,720 --> 00:27:52,000
Speaker 12: they would write was you know, they were singing to

672
00:27:52,040 --> 00:27:54,920
Speaker 12: one another because it you know, everybody identified with it.

673
00:27:55,359 --> 00:27:57,679
Speaker 12: Everybody knew what they were talking about. It was like parables.

674
00:27:58,880 --> 00:28:01,600
Speaker 1: You know, whenever I hear you talk about bluegrass and

675
00:28:01,600 --> 00:28:03,360
Speaker 1: you can tell me I'm completely wrong. But the lick,

676
00:28:03,920 --> 00:28:05,720
Speaker 1: you know, don't church I come on the road like

677
00:28:05,880 --> 00:28:09,000
Speaker 1: it's almost like a blue grassy lick. And the guitar

678
00:28:09,080 --> 00:28:14,040
Speaker 1: part there because it's so fast. You know, any of

679
00:28:14,040 --> 00:28:18,119
Speaker 1: that bluegrass experience affect your guitar playing with some of

680
00:28:18,119 --> 00:28:20,359
Speaker 1: the way you play guitar, will it does?

681
00:28:20,920 --> 00:28:22,960
Speaker 12: I mean, Jim and Mike would always make fun that

682
00:28:23,680 --> 00:28:26,040
Speaker 12: the way that I would play rhythm. But you know

683
00:28:26,080 --> 00:28:27,919
Speaker 12: that the only way I knew how to play rhythm

684
00:28:27,960 --> 00:28:30,159
Speaker 12: was to keep time, you know. And it may not

685
00:28:30,200 --> 00:28:33,239
Speaker 12: be on the stroke that where they felt like it

686
00:28:33,280 --> 00:28:35,280
Speaker 12: needed to be, but you know, I just kind of

687
00:28:35,280 --> 00:28:38,360
Speaker 12: felt like it, you know. And and for some tunes

688
00:28:38,760 --> 00:28:41,640
Speaker 12: it didn't fit, you know, but to me it did.

689
00:28:41,960 --> 00:28:45,120
Speaker 1: You know, like Sunday in the South didn't fit. Maybe

690
00:28:45,480 --> 00:28:47,680
Speaker 1: no Sunday in the South fit. Well, well I'm wrong.

691
00:28:47,720 --> 00:28:50,680
Speaker 1: I'm wrong again, I'm stupid. Go ahead and go right.

692
00:28:50,760 --> 00:28:53,360
Speaker 1: Know they are Shannon and Doah. I've been here and

693
00:28:53,360 --> 00:28:57,360
Speaker 1: they've been a really great guess so quickly you guys

694
00:28:57,360 --> 00:28:59,920
Speaker 1: have I'm gonna just promote these shows real quick. Get

695
00:29:00,040 --> 00:29:05,080
Speaker 1: tickets at Shannandoah band dot com. But Georgia, Tennessee, Midland, Texas, Clinton, Tennessee,

696
00:29:05,160 --> 00:29:07,800
Speaker 1: Bowling Green, Kentucky. I would spend money to go watch

697
00:29:07,840 --> 00:29:09,760
Speaker 1: you guys, and we don't get no, no, no, I'm

698
00:29:09,760 --> 00:29:12,600
Speaker 1: not giving you money now. If you need a loan,

699
00:29:12,720 --> 00:29:15,360
Speaker 1: we can talk interest rates. But but it's like, you

700
00:29:15,400 --> 00:29:17,680
Speaker 1: guys are awesome and you were a big part of

701
00:29:18,720 --> 00:29:21,320
Speaker 1: me musically growing up. But you're also still good now

702
00:29:21,520 --> 00:29:23,120
Speaker 1: and that's what's really cool to see you guys out

703
00:29:23,160 --> 00:29:26,520
Speaker 1: still like performing at a level that's just fun to

704
00:29:26,680 --> 00:29:28,160
Speaker 1: like you guys in Brooks and done. Like I can

705
00:29:28,160 --> 00:29:30,600
Speaker 1: see both of you guys perform and feel like I'm

706
00:29:30,640 --> 00:29:32,760
Speaker 1: still there but also enjoy what's happening now.

707
00:29:32,880 --> 00:29:35,959
Speaker 12: Well, you know the thing that we always try to do, Bobby,

708
00:29:36,000 --> 00:29:38,320
Speaker 12: and we've always tried to do it. You know, look,

709
00:29:38,840 --> 00:29:40,360
Speaker 12: you know, people to spend a little bit of money

710
00:29:40,400 --> 00:29:43,720
Speaker 12: to come see us, and we appreciate that, and you know,

711
00:29:43,760 --> 00:29:46,200
Speaker 12: I actually would you know, we were hired to entertain people,

712
00:29:47,120 --> 00:29:49,320
Speaker 12: and we like it when folks you know, sing and

713
00:29:49,720 --> 00:29:52,440
Speaker 12: they sing along and have a good time and clap

714
00:29:52,480 --> 00:29:54,480
Speaker 12: their hands and hoop holler and that kind of stuff.

715
00:29:55,480 --> 00:29:57,680
Speaker 12: And if we can get them, if we can get

716
00:29:57,680 --> 00:29:59,960
Speaker 12: them to that spot and people, you know, really enjoy

717
00:30:00,080 --> 00:30:03,080
Speaker 12: themselves and they sing along and at the end of

718
00:30:03,120 --> 00:30:06,000
Speaker 12: the evening, whether it's ninety minutes or two hours, depending

719
00:30:06,000 --> 00:30:08,760
Speaker 12: on however long we play, but at the end of

720
00:30:08,760 --> 00:30:11,640
Speaker 12: that ninety minutes or two hours, uh, at the end

721
00:30:11,720 --> 00:30:13,320
Speaker 12: of the evening, they feel like they were a part

722
00:30:13,360 --> 00:30:15,080
Speaker 12: of a show instead of just sitting and witnessing.

723
00:30:15,160 --> 00:30:17,480
Speaker 10: Won You know, look, I've been.

724
00:30:17,320 --> 00:30:19,560
Speaker 12: To shows that I that I actually liked a lot,

725
00:30:20,680 --> 00:30:22,920
Speaker 12: but uh, there wasn't a whole lot of entertainment in it.

726
00:30:23,520 --> 00:30:24,840
Speaker 10: You know who I went to go see.

727
00:30:24,840 --> 00:30:26,440
Speaker 12: They did what I wanted them to do and I

728
00:30:26,480 --> 00:30:28,840
Speaker 12: and I enjoyed it, but there wasn't a lot of

729
00:30:28,960 --> 00:30:32,440
Speaker 12: entertainment in it, you know. And that's that that's their groove,

730
00:30:32,480 --> 00:30:34,320
Speaker 12: that's you know, that's that's the way they do it.

731
00:30:35,080 --> 00:30:36,600
Speaker 12: But you know, as far as what we do, it's

732
00:30:36,640 --> 00:30:39,480
Speaker 12: it's real high energy and and uh we try to

733
00:30:39,520 --> 00:30:41,600
Speaker 12: get folks involved in what we're doing, like I say,

734
00:30:41,640 --> 00:30:44,640
Speaker 12: and uh man, we love it when people do. And

735
00:30:44,640 --> 00:30:48,680
Speaker 12: and uh we've been it's been coming away pretty good

736
00:30:48,680 --> 00:30:51,760
Speaker 12: here of late. You know, the crowds have gotten absolutely humongous,

737
00:30:52,360 --> 00:30:55,240
Speaker 12: and uh, you know, we just brother, we're still chasing

738
00:30:55,240 --> 00:30:57,240
Speaker 12: the dream. It's what we're doing. We're still railing the

739
00:30:57,280 --> 00:31:00,760
Speaker 12: lumber right now. Know what you're doing.

740
00:31:01,760 --> 00:31:08,200
Speaker 1: I go o, oh, no, you're not. You're not doing

741
00:31:08,200 --> 00:31:14,640
Speaker 1: it right. Oh that's better, that's better than I never

742
00:31:14,720 --> 00:31:19,240
Speaker 1: knew love miss Huh know that song? I don't I'm

743
00:31:19,240 --> 00:31:20,040
Speaker 1: singing your song.

744
00:31:20,840 --> 00:31:21,360
Speaker 3: That's not mean.

745
00:31:21,560 --> 00:31:22,360
Speaker 1: Yeah, it's it is.

746
00:31:23,360 --> 00:31:24,520
Speaker 10: You didn't give me much to go on.

747
00:31:24,560 --> 00:31:27,560
Speaker 1: You get to give to the church on the Cumberlin

748
00:31:27,680 --> 00:31:30,200
Speaker 1: ro bom boum bound give her that one.

749
00:31:30,280 --> 00:31:33,040
Speaker 12: Yeah, we've been rocking all night, but don't you know

750
00:31:33,280 --> 00:31:34,640
Speaker 12: you've got to get me to.

751
00:31:34,440 --> 00:31:36,560
Speaker 10: The church on the Cumberland rue.

752
00:31:36,480 --> 00:31:40,520
Speaker 1: Bam Now now I wrote that one, me and Jimmy

753
00:31:40,520 --> 00:31:44,920
Speaker 1: Dickey nineteen sixty four. Look, everybody go Washingna. Do I

754
00:31:44,960 --> 00:31:46,680
Speaker 1: love these guys. That's why I can sit here and

755
00:31:46,680 --> 00:31:48,760
Speaker 1: give them a hard time because I enjoy their music

756
00:31:48,760 --> 00:31:50,920
Speaker 1: but also enjoy them as people. What I want to

757
00:31:50,920 --> 00:31:53,520
Speaker 1: say before we leave here is one check out the

758
00:31:53,560 --> 00:31:54,960
Speaker 1: new song. We can't wait for the new music. You

759
00:31:55,000 --> 00:31:57,680
Speaker 1: let us know when it's done. I will back in,

760
00:31:58,440 --> 00:32:02,280
Speaker 1: you know, ninety two thousands whatever. I have friends that

761
00:32:02,360 --> 00:32:05,480
Speaker 1: I have really healthy rivalries with that I am like,

762
00:32:05,560 --> 00:32:09,040
Speaker 1: that's like, that's my dude. But I'm also like, we're rivals,

763
00:32:09,120 --> 00:32:11,800
Speaker 1: we're competing. Do you have any rivalries or any country artists.

764
00:32:12,680 --> 00:32:14,800
Speaker 10: I don't know that we temperate your peers.

765
00:32:17,160 --> 00:32:19,800
Speaker 12: Well, I was thinking, and I was too, you know,

766
00:32:20,440 --> 00:32:22,880
Speaker 12: you know, I think the good thing about what we've

767
00:32:22,880 --> 00:32:24,880
Speaker 12: been able to do is you know, we we we

768
00:32:24,960 --> 00:32:27,440
Speaker 12: just always seem to have a good relationship with you know,

769
00:32:27,480 --> 00:32:28,720
Speaker 12: with everybody.

770
00:32:28,280 --> 00:32:29,880
Speaker 1: Little Texas. Everyone to fight those.

771
00:32:29,720 --> 00:32:32,120
Speaker 11: Guys, we used to beat their butts every day.

772
00:32:32,120 --> 00:32:36,840
Speaker 1: But I'm talking about just kidding. Hey, look the revival

773
00:32:36,880 --> 00:32:39,520
Speaker 1: tour Shannado a band dot com. Get that new music done.

774
00:32:39,560 --> 00:32:41,880
Speaker 1: Let us know you guys go to these shows.

775
00:32:41,880 --> 00:32:44,680
Speaker 12: I wasn't kidding about that. When we get when we

776
00:32:44,720 --> 00:32:46,479
Speaker 12: get it done, I personally bring it.

777
00:32:46,560 --> 00:32:48,320
Speaker 5: Well, you know ya, I know I said you were

778
00:32:48,320 --> 00:32:50,200
Speaker 5: playing in Midland. You say that was a date, right?

779
00:32:51,040 --> 00:32:51,520
Speaker 7: Yes?

780
00:32:52,000 --> 00:32:56,480
Speaker 5: Okay, So anytime I hear you know, Mama knows, you

781
00:32:56,560 --> 00:32:59,840
Speaker 5: knows your son that I sometimes I don't know.

782
00:32:59,840 --> 00:33:02,520
Speaker 1: There's cause I sang perfectly to them. They didn't know it, right.

783
00:33:03,040 --> 00:33:05,040
Speaker 5: That's one of my favorite songs ever.

784
00:33:05,400 --> 00:33:06,440
Speaker 4: And what it.

785
00:33:08,200 --> 00:33:08,960
Speaker 10: Mama nos?

786
00:33:09,160 --> 00:33:11,480
Speaker 5: Yes, And anytime I hear it, it takes me right

787
00:33:11,520 --> 00:33:15,440
Speaker 5: back to middl and Odessa, to Big Daddy's Catfish and Chicken,

788
00:33:15,440 --> 00:33:17,880
Speaker 5: because I went there for spring break one year and

789
00:33:18,400 --> 00:33:21,080
Speaker 5: I worked like I just was a hostess. And that's

790
00:33:21,080 --> 00:33:22,840
Speaker 5: where I go every single time in my mind whenever

791
00:33:22,880 --> 00:33:23,280
Speaker 5: I hear it.

792
00:33:24,040 --> 00:33:25,360
Speaker 11: Music's funny like that you.

793
00:33:27,080 --> 00:33:28,760
Speaker 1: Pack and you're railing lumber before you even know it.

794
00:33:29,600 --> 00:33:32,080
Speaker 12: I think you pressed would, honest, And Trudy said it

795
00:33:32,120 --> 00:33:36,040
Speaker 12: best a song remembers when yeah it could. It literally

796
00:33:36,080 --> 00:33:38,560
Speaker 12: can can transform and take you back to places that

797
00:33:38,600 --> 00:33:41,560
Speaker 12: you never never thought it would And all of a

798
00:33:41,560 --> 00:33:43,840
Speaker 12: sudden you hear something and bam, you're right in the

799
00:33:43,840 --> 00:33:45,160
Speaker 12: same even the same.

800
00:33:44,960 --> 00:33:46,320
Speaker 3: Smell, smell the hushpuppies.

801
00:33:46,360 --> 00:33:49,120
Speaker 10: Yeah, that's what I'm saying, even the same smell. You know.

802
00:33:49,440 --> 00:33:52,000
Speaker 1: Set up to have some chicken fingers right there. I

803
00:33:52,120 --> 00:33:55,760
Speaker 1: love just have some lunch right now. Yeah. So here's

804
00:33:55,760 --> 00:33:57,480
Speaker 1: the thing. Set me up. I'm going to play a

805
00:33:57,560 --> 00:33:59,800
Speaker 1: Church on Cumberland Road. Tell me a story. What when

806
00:33:59,800 --> 00:34:01,480
Speaker 1: I they tell me a story about Church on Cuming

807
00:34:01,600 --> 00:34:05,560
Speaker 1: Road the song performing it? What story comes to mind? First?

808
00:34:06,360 --> 00:34:06,640
Speaker 10: Why on?

809
00:34:06,720 --> 00:34:09,080
Speaker 12: A judge told me if the T and N viewers

810
00:34:09,080 --> 00:34:14,440
Speaker 12: a Choice Viewers Choice Awards, we'd had that and uh

811
00:34:14,880 --> 00:34:18,800
Speaker 12: and then we we'd had I think, uh two dozen

812
00:34:18,880 --> 00:34:23,319
Speaker 12: rowses Sunday and said, anyway, so we were performing and

813
00:34:23,360 --> 00:34:25,520
Speaker 12: she said, you know, are y'all y'all gonna do two dozen?

814
00:34:25,680 --> 00:34:27,320
Speaker 12: I mean Church on Coming Road? And I said, no,

815
00:34:27,560 --> 00:34:29,480
Speaker 12: I think we're going to do Uh, I want to

816
00:34:29,480 --> 00:34:31,840
Speaker 12: be loved like that, she goes. You know, Church on

817
00:34:31,920 --> 00:34:34,319
Speaker 12: Coming Road was pitched to us. We you know, we

818
00:34:34,360 --> 00:34:36,840
Speaker 12: knew that wasn't for us, and I thought to myself, No,

819
00:34:37,400 --> 00:34:40,880
Speaker 12: that don't sound like a judge tune to me anyway,

820
00:34:41,040 --> 00:34:43,080
Speaker 12: I said, Man, I'm glad y'all passed on it.

821
00:34:43,480 --> 00:34:45,080
Speaker 1: You know that's crazy.

822
00:34:45,160 --> 00:34:48,480
Speaker 12: Yeah, I mean that seriously that I'll think of that sometimes.

823
00:34:48,480 --> 00:34:50,240
Speaker 12: And that's that's what that's what comes to mind.

824
00:34:50,880 --> 00:34:53,799
Speaker 1: And what about next to you next to me? What

825
00:34:53,800 --> 00:34:55,319
Speaker 1: what comes to mind when I say next to you

826
00:34:55,360 --> 00:34:58,200
Speaker 1: next to me? What's what story or idea or memory?

827
00:34:58,480 --> 00:35:00,640
Speaker 12: Well, I know that we never had a it'll in

828
00:35:00,719 --> 00:35:03,520
Speaker 12: the band up until that point. And uh, you know,

829
00:35:03,560 --> 00:35:07,759
Speaker 12: coming out of bluegrass music, you know, I thought, you know, uh, man,

830
00:35:07,800 --> 00:35:10,560
Speaker 12: and sure would be nice. My daddy was a fiddle player, man,

831
00:35:10,680 --> 00:35:17,839
Speaker 12: sure would be nice if we had. And plus Mark

832
00:35:17,840 --> 00:35:21,479
Speaker 12: O'Connor fiddled it, and man Son he could you know.

833
00:35:21,680 --> 00:35:25,080
Speaker 1: He he he can carry the mail too. Anyway.

834
00:35:25,080 --> 00:35:26,560
Speaker 12: But you know, by the time we got done with

835
00:35:26,600 --> 00:35:28,480
Speaker 12: that and you hear all the fiddle licks on it, man,

836
00:35:28,520 --> 00:35:31,600
Speaker 12: it was just man, you think, man, surely the goodness man,

837
00:35:31,680 --> 00:35:33,439
Speaker 12: this is you know the songs already there.

838
00:35:33,480 --> 00:35:35,520
Speaker 10: The fiddle just kind of kinda put the ice in

839
00:35:35,600 --> 00:35:36,080
Speaker 10: on the cake.

840
00:35:36,719 --> 00:35:40,520
Speaker 1: I don't always like icing that cake. I liked. I like, Yeah,

841
00:35:41,040 --> 00:35:43,200
Speaker 1: I'm super good to see you guys, see us soon.

842
00:35:43,680 --> 00:35:50,640
Speaker 1: Keep killing that. We love you and hey, we appreciate you. Yeah.

843
00:35:50,760 --> 00:35:54,320
Speaker 1: Here's a voicemail from last night of the night before Bobby.

844
00:35:54,719 --> 00:35:58,160
Speaker 13: I just want to say thank you. I'm an idiot

845
00:35:58,200 --> 00:36:00,279
Speaker 13: and my I dragged my husband to because you know,

846
00:36:00,600 --> 00:36:02,919
Speaker 13: Friday night, to go to your show, only to find

847
00:36:02,960 --> 00:36:05,920
Speaker 13: out that we were a week early. We'll see show.

848
00:36:06,120 --> 00:36:08,279
Speaker 13: Instead of going to your show, we deid to stand,

849
00:36:08,360 --> 00:36:11,839
Speaker 13: gambled some and I won five hundred dollars thanks to you.

850
00:36:12,200 --> 00:36:14,439
Speaker 13: I'm a big winner. I wouldn't have gambled other right.

851
00:36:14,440 --> 00:36:16,200
Speaker 1: That's funny. I will not take credit for that because

852
00:36:16,239 --> 00:36:18,520
Speaker 1: if anybody else said, they probably gonna lose. I don't

853
00:36:18,560 --> 00:36:19,680
Speaker 1: want to take credit because I dont want to take

854
00:36:19,680 --> 00:36:21,879
Speaker 1: blame if it happened the other way. Correct. But yeah,

855
00:36:22,040 --> 00:36:24,279
Speaker 1: the show is Friday night and Tulsa. It's sold out.

856
00:36:24,280 --> 00:36:26,279
Speaker 1: There are no tickets left. But that's hilarious. They went

857
00:36:26,320 --> 00:36:30,720
Speaker 1: a week early. What way off that? Yeah, that's way

858
00:36:30,760 --> 00:36:33,080
Speaker 1: off Thank you, though, Lluie looking forward to that show.

859
00:36:33,160 --> 00:36:35,120
Speaker 1: We'll be in Louisville coming up to in the next

860
00:36:35,160 --> 00:36:36,920
Speaker 1: month or so. That's really the only show you can

861
00:36:36,920 --> 00:36:38,480
Speaker 1: buy tickets through. The rest are sold out, but I

862
00:36:38,480 --> 00:36:41,760
Speaker 1: appreciate that. All right, let's do a morning corny voicemail

863
00:36:41,760 --> 00:36:43,120
Speaker 1: from Jennifer in Oklahoma City?

864
00:36:43,320 --> 00:36:50,760
Speaker 13: What happened when you touch Dwayne Johnson? But rock Bottom?

865
00:36:50,920 --> 00:36:54,400
Speaker 1: Okay, it's pretty good, pile of stories.

866
00:36:54,560 --> 00:36:56,239
Speaker 5: Okay, there's a pilot and I don't know if he's

867
00:36:56,280 --> 00:36:58,120
Speaker 5: genius or this is a waste of time, but he

868
00:36:58,239 --> 00:37:01,160
Speaker 5: founded something called dial ap pilot it and it gives

869
00:37:01,200 --> 00:37:03,879
Speaker 5: nervous passengers a chance to book a fifteen minute call

870
00:37:03,920 --> 00:37:05,360
Speaker 5: with him and he calms their nerves.

871
00:37:05,760 --> 00:37:06,719
Speaker 1: That is amazing.

872
00:37:07,000 --> 00:37:07,760
Speaker 10: While he's flying.

873
00:37:07,880 --> 00:37:09,879
Speaker 1: No, I don't think he's flying. I hope not, because

874
00:37:09,920 --> 00:37:11,440
Speaker 1: that is not as amazing little bit.

875
00:37:12,320 --> 00:37:15,920
Speaker 5: But he assures that's great. Ninety nine cents a minute

876
00:37:16,239 --> 00:37:17,320
Speaker 5: is very safe.

877
00:37:17,480 --> 00:37:19,759
Speaker 1: Five dollars a call? What are charging I'm trying to

878
00:37:19,800 --> 00:37:20,839
Speaker 1: call right now. That's why I'm asking.

879
00:37:20,880 --> 00:37:21,520
Speaker 3: I don't know the cost.

880
00:37:21,520 --> 00:37:24,520
Speaker 5: You don't have to google dial a pilot and he

881
00:37:24,600 --> 00:37:27,600
Speaker 5: says that if you want to, you know, not feel

882
00:37:27,840 --> 00:37:30,200
Speaker 5: like a lot of movement in the plane, sit at

883
00:37:30,200 --> 00:37:30,560
Speaker 5: the wing.

884
00:37:30,600 --> 00:37:31,480
Speaker 3: We've heard that before.

885
00:37:31,560 --> 00:37:33,400
Speaker 1: Why don't we just get him on the show? Can

886
00:37:33,440 --> 00:37:35,279
Speaker 1: we call dial a pilot put this guy on. We'd

887
00:37:35,320 --> 00:37:35,960
Speaker 1: have to pay for that.

888
00:37:36,080 --> 00:37:36,960
Speaker 3: His name's Kyle.

889
00:37:38,239 --> 00:37:40,800
Speaker 1: Each call is fifteen minutes long and cost fifty dollars.

890
00:37:41,200 --> 00:37:41,520
Speaker 8: Wow.

891
00:37:41,560 --> 00:37:43,279
Speaker 1: Hey, but here's the thing. Well, we don't want to pay.

892
00:37:43,400 --> 00:37:45,680
Speaker 1: It's promotion. Yeah, we'll get it for free. I would

893
00:37:45,719 --> 00:37:47,080
Speaker 1: love to talk to this guy. I think this is

894
00:37:47,080 --> 00:37:49,680
Speaker 1: a great idea. Okay, we go cool. Yeah, what else?

895
00:37:49,800 --> 00:37:52,080
Speaker 5: Well, he said, try to get a window seat to

896
00:37:52,160 --> 00:37:55,400
Speaker 5: keep your eyes on the horizon, especially during takeoff.

897
00:37:55,520 --> 00:37:57,160
Speaker 3: So, I don't know, I just thought it was super

898
00:37:57,160 --> 00:37:57,560
Speaker 3: cool of him.

899
00:37:57,600 --> 00:37:59,440
Speaker 5: And I also saw this poll speaking of flying, the

900
00:37:59,440 --> 00:38:01,959
Speaker 5: worst thing you can do on a plane the worst.

901
00:38:01,840 --> 00:38:03,919
Speaker 1: In the bathroom. Yeah, that's probably what's No, that's.

902
00:38:03,840 --> 00:38:04,320
Speaker 3: Not the worst.

903
00:38:05,440 --> 00:38:09,200
Speaker 5: Nope, it's any personal grooming, like if you clip your fingernails,

904
00:38:09,719 --> 00:38:10,560
Speaker 5: like that's what people say.

905
00:38:10,560 --> 00:38:11,879
Speaker 1: It's the worst for everybody else.

906
00:38:11,960 --> 00:38:16,040
Speaker 5: Yeah, yeah, yeah, yeah, so clipping nails, painting nails, anything.

907
00:38:15,719 --> 00:38:19,280
Speaker 1: Eating tuna onions, yeah, I mean there's a lot of eatings.

908
00:38:19,280 --> 00:38:20,239
Speaker 1: The smells that are bad.

909
00:38:20,320 --> 00:38:22,640
Speaker 3: Yeah, Okay, so we're all trying, baby, They won't.

910
00:38:22,440 --> 00:38:24,680
Speaker 1: Stop trying, that's for sure, baby.

911
00:38:24,760 --> 00:38:27,120
Speaker 5: Yes, we're all trying to get a better night's sleep.

912
00:38:27,280 --> 00:38:32,320
Speaker 5: And the latest sleep hack trending on TikTok is called

913
00:38:32,600 --> 00:38:34,560
Speaker 5: like lettuce water and you drink.

914
00:38:34,440 --> 00:38:35,000
Speaker 3: It before bed.

915
00:38:35,320 --> 00:38:37,720
Speaker 1: Just pople messing with you, guys, is that it's literally

916
00:38:37,760 --> 00:38:38,480
Speaker 1: just people messing with it.

917
00:38:38,719 --> 00:38:41,800
Speaker 5: Sounds disgusting, but people swear by it. All you have

918
00:38:41,880 --> 00:38:44,120
Speaker 5: to do is boil water, add romaine lettuce to it

919
00:38:44,160 --> 00:38:45,680
Speaker 5: and let it steep for ten minutes and then you

920
00:38:45,800 --> 00:38:46,520
Speaker 5: drink the liquid.

921
00:38:47,480 --> 00:38:51,279
Speaker 1: So let us there's no hard try America the one

922
00:38:51,280 --> 00:38:52,560
Speaker 1: that put this out.

923
00:38:52,719 --> 00:38:55,280
Speaker 3: Yeah, okay, yeah, I'm pretty gross.

924
00:38:55,400 --> 00:38:58,520
Speaker 5: So Rebo was on Watch What Happens Lide with Andy

925
00:38:58,600 --> 00:39:01,759
Speaker 5: Cohen and he did a game with her called textual

926
00:39:01,840 --> 00:39:04,319
Speaker 5: Behavior where you go through like your text messages, what

927
00:39:04,320 --> 00:39:06,440
Speaker 5: it's like to communicate with people, and Dolly Pardon came

928
00:39:06,520 --> 00:39:09,160
Speaker 5: up and she said, oh, yeah, no, Dolly doesn't text.

929
00:39:09,320 --> 00:39:12,000
Speaker 1: Dolly does not tixt, she does not does she email her?

930
00:39:12,680 --> 00:39:12,839
Speaker 13: No?

931
00:39:13,280 --> 00:39:15,880
Speaker 1: Really no, So you only can get a hold of

932
00:39:15,880 --> 00:39:21,839
Speaker 1: her on the landline. Facts? Wow, facts? Really you can

933
00:39:21,960 --> 00:39:23,000
Speaker 1: only fax her.

934
00:39:23,120 --> 00:39:25,359
Speaker 12: I don't have her telephone number, and I asked Kenny

935
00:39:25,440 --> 00:39:26,759
Speaker 12: Rogers one time, I said, do you.

936
00:39:26,719 --> 00:39:30,960
Speaker 1: Have Dollary's number? I can vouch that you can't call Dolly.

937
00:39:31,160 --> 00:39:33,560
Speaker 1: Really you can. You can send a fact to Dolly's

938
00:39:33,960 --> 00:39:35,640
Speaker 1: fax machine. I don't even know if it's in her house,

939
00:39:36,239 --> 00:39:39,719
Speaker 1: or you can call Dolly's people. They were, they were

940
00:39:39,840 --> 00:39:41,799
Speaker 1: joking about the facts. No, no, no, no, not at all.

941
00:39:42,120 --> 00:39:44,360
Speaker 1: That's fret. She still has a fact machine at her house.

942
00:39:44,200 --> 00:39:45,759
Speaker 5: And I kind of picture it like I think she

943
00:39:46,600 --> 00:39:49,000
Speaker 5: seems like the types that would like handwritten stuff and

944
00:39:49,000 --> 00:39:50,799
Speaker 5: she can handwrite it out and fax it on over.

945
00:39:50,960 --> 00:39:53,319
Speaker 1: No, you just type it and facts it. Oh you

946
00:39:53,400 --> 00:39:56,879
Speaker 1: hit no, listen, that's just that's that's supposedly what word

947
00:39:56,920 --> 00:39:58,920
Speaker 1: on the street. She still has a fax machine, that's

948
00:39:58,920 --> 00:40:01,000
Speaker 1: what she uses. You just write Allie called me and

949
00:40:01,040 --> 00:40:04,960
Speaker 1: the facts. But she won't call you. It's like Bill Mary.

950
00:40:04,960 --> 00:40:06,520
Speaker 1: You can't get hold of him. There's just one phone.

951
00:40:06,800 --> 00:40:09,239
Speaker 1: So you call and you leave a message and then

952
00:40:09,320 --> 00:40:11,960
Speaker 1: maybe he hears it, maybe he doesn't. Oh have you

953
00:40:11,960 --> 00:40:12,440
Speaker 1: not heard that?

954
00:40:12,600 --> 00:40:12,799
Speaker 3: No?

955
00:40:13,440 --> 00:40:14,799
Speaker 1: Yeah, you can't get hold of Bill Mary. Just leave

956
00:40:14,800 --> 00:40:17,000
Speaker 1: a message. This random number. That's so cool.

957
00:40:17,000 --> 00:40:19,040
Speaker 3: I wish I had that you can, you can start

958
00:40:19,080 --> 00:40:19,360
Speaker 3: doing that.

959
00:40:19,520 --> 00:40:21,400
Speaker 1: I kind of do it is my own number.

960
00:40:21,640 --> 00:40:22,920
Speaker 3: That's my pile.

961
00:40:23,840 --> 00:40:27,160
Speaker 1: That was Amy's pile of stories. It's time for the

962
00:40:27,200 --> 00:40:27,680
Speaker 1: good news.

963
00:40:28,239 --> 00:40:28,399
Speaker 9: Much.

964
00:40:32,920 --> 00:40:36,080
Speaker 6: Angela lives in Pittsburgh and has some disabilities that makes

965
00:40:36,120 --> 00:40:37,920
Speaker 6: it hard for her to take care of her yard,

966
00:40:38,239 --> 00:40:40,360
Speaker 6: and so the weeds are getting out of control. In

967
00:40:40,400 --> 00:40:43,200
Speaker 6: the city of Pittsburgh kept giving her a fine. Hey,

968
00:40:43,520 --> 00:40:47,320
Speaker 6: gotta maintain your yard. Another fine, another fine, and she's.

969
00:40:47,160 --> 00:40:50,160
Speaker 7: Like, look, I can't do it. I'm disabled. So she

970
00:40:50,280 --> 00:40:53,080
Speaker 7: finally went to the news and the news did a story.

971
00:40:53,080 --> 00:40:55,040
Speaker 7: It was like, oh, this lady keeps getting fine. Look

972
00:40:55,040 --> 00:40:56,640
Speaker 7: at her yard. She needs help.

973
00:40:56,960 --> 00:40:59,680
Speaker 6: And people in the community they came out and they

974
00:40:59,719 --> 00:41:02,800
Speaker 6: help and they cleaned up her entire yard, boom, cutting

975
00:41:02,800 --> 00:41:06,520
Speaker 6: the grass, ripping out the weeds, redoing everything.

976
00:41:06,760 --> 00:41:08,399
Speaker 1: It's nice, nice in the news to do that too.

977
00:41:08,520 --> 00:41:09,919
Speaker 1: When you worked at the news, Eddy, would you guys

978
00:41:09,960 --> 00:41:12,960
Speaker 1: look for good news stories ever? Yeah? Always like as

979
00:41:12,960 --> 00:41:16,279
Speaker 1: a like to balance out. Yeah, I mean the new station.

980
00:41:16,400 --> 00:41:18,319
Speaker 1: I worked at news at Austin at the time.

981
00:41:18,400 --> 00:41:21,319
Speaker 2: It was all about positive news more than more than

982
00:41:21,400 --> 00:41:23,200
Speaker 2: like the bad bad news. Of course, if there was

983
00:41:23,200 --> 00:41:25,040
Speaker 2: like a car accident, a bad one, we'd have to

984
00:41:25,040 --> 00:41:27,279
Speaker 2: cover it. But yeah, we would, dude. We did news

985
00:41:27,280 --> 00:41:29,120
Speaker 2: stories on like trees all the time, Like look at

986
00:41:29,120 --> 00:41:30,880
Speaker 2: this tree. It's one hundred and fifty years old.

987
00:41:30,960 --> 00:41:32,880
Speaker 1: When you wreck the news Dan, are you covering a

988
00:41:32,880 --> 00:41:33,560
Speaker 1: positive story?

989
00:41:33,760 --> 00:41:33,920
Speaker 7: No?

990
00:41:34,840 --> 00:41:37,120
Speaker 1: Uh, I've wrecked the newsman coming back from lunch.

991
00:41:39,120 --> 00:41:40,520
Speaker 7: So you took the newsman to lunch?

992
00:41:40,600 --> 00:41:43,080
Speaker 1: Yeah? Man, I lived in the Newsman. That was my car.

993
00:41:43,360 --> 00:41:44,799
Speaker 1: That was like a cop, you know, like always in

994
00:41:44,800 --> 00:41:45,759
Speaker 1: the you want to like a cop, but.

995
00:41:47,280 --> 00:41:48,160
Speaker 3: Night uh huh.

996
00:41:48,239 --> 00:41:49,960
Speaker 2: Yeah, man, I could go play golf with Bobby in

997
00:41:50,000 --> 00:41:53,040
Speaker 2: the news band. I guess they thought that the golf

998
00:41:53,040 --> 00:41:54,760
Speaker 2: course the news was covering something there, huh.

999
00:41:54,800 --> 00:41:56,360
Speaker 1: And so so we're trying to wave you out, like

1000
00:41:56,480 --> 00:41:58,319
Speaker 1: it's clear, it's clear than you pulled out, someone held you.

1001
00:41:58,400 --> 00:41:58,600
Speaker 10: Yeah.

1002
00:41:58,640 --> 00:42:00,560
Speaker 2: I was in the middle lane turning left and there

1003
00:42:00,560 --> 00:42:03,480
Speaker 2: were two lanes you know that coming ongoing traffic or whatever,

1004
00:42:03,600 --> 00:42:06,120
Speaker 2: and somebody said, hey, you're good to go, and somebody

1005
00:42:06,239 --> 00:42:08,560
Speaker 2: was on the lane coming boom t bone me if.

1006
00:42:08,520 --> 00:42:10,239
Speaker 1: I'd have been the car that said go ahead and go,

1007
00:42:10,280 --> 00:42:13,000
Speaker 1: I dropped I out out of there. Oh yeah they did. Yeah,

1008
00:42:13,000 --> 00:42:15,319
Speaker 1: they didn't stick around when they were gone. Well, that's

1009
00:42:15,320 --> 00:42:18,600
Speaker 1: a great story though. Love it. Appreciate that everybody stepping

1010
00:42:18,640 --> 00:42:20,279
Speaker 1: up for the neighbors. That's cool. That's what it's all about.

1011
00:42:20,880 --> 00:42:22,399
Speaker 1: That was telling me something good.