1 00:00:01,040 --> 00:00:15,120 Speaker 1: Welcome back, Welcome to monday's show, Morning Studio Morning. First 2 00:00:15,120 --> 00:00:19,080 Speaker 1: of all, a big sincere thank you for everybody who 3 00:00:19,239 --> 00:00:22,959 Speaker 1: joined in and became a partner in Hope for Saint Jude. 4 00:00:23,120 --> 00:00:25,880 Speaker 1: You are, and you have been, and you will continue 5 00:00:26,320 --> 00:00:29,960 Speaker 1: to be such an instrumental part of what we do 6 00:00:30,000 --> 00:00:32,280 Speaker 1: every single day and part of saving a bunch of 7 00:00:32,320 --> 00:00:34,919 Speaker 1: kids lives. So thank you very very much. We do 8 00:00:34,960 --> 00:00:37,120 Speaker 1: it once a year. Our goal is to make it 9 00:00:37,120 --> 00:00:39,320 Speaker 1: as easy as possible for that hospital to run, so 10 00:00:39,400 --> 00:00:43,919 Speaker 1: kids from all over the country can get help, can 11 00:00:43,920 --> 00:00:47,400 Speaker 1: have their life saved, so hospitals wherever you live are 12 00:00:47,440 --> 00:00:49,920 Speaker 1: able to get and use the research this Saint Jude is, 13 00:00:51,120 --> 00:00:53,680 Speaker 1: you know, doing and finding and sharing and so thank you. 14 00:00:53,720 --> 00:00:55,600 Speaker 1: I'll say it, thank you, thank you, thank you for 15 00:00:55,680 --> 00:00:57,600 Speaker 1: becoming a partner in Hope. So glad you're here. I 16 00:00:57,640 --> 00:00:59,920 Speaker 1: wanted to do a voicemail from Sammy and Richmond, Virginia. 17 00:01:00,040 --> 00:01:02,680 Speaker 1: Here you go, Morning Studio. My office is having a 18 00:01:02,680 --> 00:01:06,280 Speaker 1: white elephant, so I'm wondering what's the show's recommendation for 19 00:01:06,640 --> 00:01:11,240 Speaker 1: gifts under twenty dollars? Thanks you great gifts under twenty 20 00:01:11,240 --> 00:01:14,720 Speaker 1: bucks two ten dollars lottery tickets that's cool. Or four 21 00:01:14,800 --> 00:01:19,040 Speaker 1: or five dollars lottery tickets because it's fun. There's a 22 00:01:19,160 --> 00:01:24,000 Speaker 1: chance to win way more and twenty bucks. It's mostly 23 00:01:24,040 --> 00:01:26,919 Speaker 1: just novelty things anyway, but that's something that you literally 24 00:01:26,959 --> 00:01:29,200 Speaker 1: actually can have, and it can be more than a 25 00:01:29,240 --> 00:01:32,959 Speaker 1: novelty when you win a million. Yeah, nothing says white 26 00:01:33,000 --> 00:01:36,160 Speaker 1: elephant like winning a million dollars. That's perfect. Yeah, so 27 00:01:36,160 --> 00:01:37,760 Speaker 1: I would say that anything else you want to say, 28 00:01:38,080 --> 00:01:39,840 Speaker 1: I'm trying to think of white Elephant. Is it supposed 29 00:01:39,840 --> 00:01:42,319 Speaker 1: to be a practical, fun gift or is it supposed 30 00:01:42,319 --> 00:01:44,520 Speaker 1: to be like something you don't want less than twenty bucks? 31 00:01:44,880 --> 00:01:47,640 Speaker 1: Toilet paper? How much I was thinking our books? Twenty 32 00:01:47,680 --> 00:01:49,920 Speaker 1: bucks you can get home for less than twenty that's good. 33 00:01:50,000 --> 00:01:52,960 Speaker 1: Or Stanley the Dog first day school? Oo ooh good one. 34 00:01:53,200 --> 00:01:55,720 Speaker 1: Get it on Amazon that'll get passed around. This is 35 00:01:55,760 --> 00:02:03,240 Speaker 1: from Emma in Massachusetts. Oh let's go. I love your show. 36 00:02:03,320 --> 00:02:05,440 Speaker 1: I listened to it any chance I can get and 37 00:02:05,440 --> 00:02:07,960 Speaker 1: I'm so glad you got to hear it me too, Emma, 38 00:02:08,120 --> 00:02:11,320 Speaker 1: thank you for sending it. Here's Patrick and Austin wondering 39 00:02:11,360 --> 00:02:15,560 Speaker 1: when the one the draft Frinde they coming back. Jerkin 40 00:02:15,720 --> 00:02:18,959 Speaker 1: hope listening to a Monday show's talking about the girl 41 00:02:18,960 --> 00:02:21,720 Speaker 1: fries food snacks, and i'd be cool to here when 42 00:02:21,800 --> 00:02:24,480 Speaker 1: we might be having some drafts coming back for you. Patrick, 43 00:02:24,520 --> 00:02:27,160 Speaker 1: we'll do a draft this week. Oh cool. We've given 44 00:02:27,160 --> 00:02:28,360 Speaker 1: it a break for a little bit, but we'll do 45 00:02:28,400 --> 00:02:31,080 Speaker 1: a draft this week. And then finally from Emerson in 46 00:02:31,120 --> 00:02:38,400 Speaker 1: North Carolina. Why Santon Ninja because he wears a black belt. Bye, nice, 47 00:02:38,960 --> 00:02:41,280 Speaker 1: we're back. Thank you everybody. Let's get started here Bobby 48 00:02:41,320 --> 00:02:45,160 Speaker 1: Bones Show. It's so Bobby Bones Show interviews. In case 49 00:02:45,240 --> 00:02:47,840 Speaker 1: you didn't know, all right, their name is four King 50 00:02:47,880 --> 00:02:52,160 Speaker 1: and Country. They've won four Grammy Awards. They're awesome. Tonight 51 00:02:52,320 --> 00:02:57,080 Speaker 1: a CMT Crossroads Christmas for King and Country, Brelan, Chrissy Metz, 52 00:02:57,160 --> 00:03:00,400 Speaker 1: Natalie Grant, Rebecca Saint James, their sister're all going to 53 00:03:00,440 --> 00:03:03,320 Speaker 1: perform CMT nine pm Central. They are here, though, and 54 00:03:03,400 --> 00:03:05,720 Speaker 1: not because of that show, not because of their Grammys, 55 00:03:05,720 --> 00:03:07,600 Speaker 1: but because of Eddie and his wife. No boy, and 56 00:03:07,639 --> 00:03:10,639 Speaker 1: they got tickets. Then they said, never mind, we don't 57 00:03:10,639 --> 00:03:12,760 Speaker 1: need the tickets, even though we're sold. It's a whole situation. 58 00:03:13,120 --> 00:03:15,480 Speaker 1: They are here, they are amazing. Let's go down and 59 00:03:15,520 --> 00:03:19,120 Speaker 1: talk with for King and Country on the Bobby Bones 60 00:03:19,160 --> 00:03:22,320 Speaker 1: Show now from Kenyon's Country. Well, the way you guys 61 00:03:22,360 --> 00:03:25,880 Speaker 1: got here at Lolan conventional, I will admit, because first 62 00:03:25,880 --> 00:03:29,160 Speaker 1: of all, you never invited us. Bobby Amy's invited us before. 63 00:03:29,200 --> 00:03:32,840 Speaker 1: That's true. Yeah, that's me. That's not me anyway. So 64 00:03:35,320 --> 00:03:38,760 Speaker 1: also we're we like, know your family, and if we're 65 00:03:38,760 --> 00:03:40,640 Speaker 1: just having you in Willy Nilly every day, they're like, well, 66 00:03:40,680 --> 00:03:43,600 Speaker 1: that's like some sort of nepotism to show. Yeah. And 67 00:03:43,640 --> 00:03:47,920 Speaker 1: also our last name is small Bone. You know, you've 68 00:03:47,960 --> 00:03:51,120 Speaker 1: got to keep the bones separated exactly, which is why 69 00:03:51,160 --> 00:03:54,000 Speaker 1: we also don't have matt On. Yeah I heard you 70 00:03:54,120 --> 00:03:55,840 Speaker 1: did have Matta know what's what? We don't, but he 71 00:03:55,920 --> 00:03:58,040 Speaker 1: text in all the time and he's on the air 72 00:03:58,040 --> 00:04:00,840 Speaker 1: in different ways. Yeah, I just talk about him. Yes, okay, 73 00:04:00,880 --> 00:04:03,680 Speaker 1: I like my pastor. Yeah, that was gonna be like 74 00:04:03,680 --> 00:04:06,600 Speaker 1: we've got a problem here. Yeah. So here's what happened. 75 00:04:06,920 --> 00:04:08,960 Speaker 1: You have millions of fans all over the world, and 76 00:04:09,000 --> 00:04:11,440 Speaker 1: two of them are Eddie and his wife, Right, Eddie, 77 00:04:11,640 --> 00:04:13,840 Speaker 1: that's right, And your wife wanted to go to the show. 78 00:04:13,960 --> 00:04:16,000 Speaker 1: She said, is there any way you can get us 79 00:04:16,000 --> 00:04:19,320 Speaker 1: tickets to go see the band for Christmas concert. I'm like, well, look, 80 00:04:19,360 --> 00:04:20,960 Speaker 1: I look on the calendar. I'm like, they're coming to 81 00:04:21,040 --> 00:04:23,400 Speaker 1: the opera. That we can do this, So what better 82 00:04:23,400 --> 00:04:26,680 Speaker 1: to ask Amy? Since she knows you guys. She's like, oh, Amy, 83 00:04:26,680 --> 00:04:28,760 Speaker 1: can you look mee with some tickets? And so she does, 84 00:04:28,920 --> 00:04:32,599 Speaker 1: and Amy, there's no small feet to get tickets the world. 85 00:04:32,839 --> 00:04:35,360 Speaker 1: This is like getting Taylor Swift tickets right to see them, 86 00:04:35,480 --> 00:04:37,800 Speaker 1: I know, but the site crashes basically when you try 87 00:04:37,800 --> 00:04:40,400 Speaker 1: to get tickets to freaking country, right, So yeah, send 88 00:04:40,440 --> 00:04:42,560 Speaker 1: off a note, no problem, I get a text back. 89 00:04:42,720 --> 00:04:45,680 Speaker 1: We'll call under Eddie's name night of ready to go. 90 00:04:45,800 --> 00:04:48,200 Speaker 1: I send Eddie a note and he's like, oh my gosh, amazing, 91 00:04:48,279 --> 00:04:50,640 Speaker 1: thank you. Well, then turns out I guess Eddie's going 92 00:04:50,680 --> 00:04:52,520 Speaker 1: to be out of town the night of the show. 93 00:04:52,720 --> 00:04:58,200 Speaker 1: So then we have to awkwardly be like, okay, sorry, 94 00:04:58,279 --> 00:05:00,279 Speaker 1: yeah exactly, I knew it. You probably s the whole 95 00:05:00,320 --> 00:05:02,479 Speaker 1: night going. I bet to hate us because well we 96 00:05:02,520 --> 00:05:09,279 Speaker 1: called up the pretty personal yeah right and so, which 97 00:05:09,440 --> 00:05:11,599 Speaker 1: which I'm so glad it worked out that way because 98 00:05:11,640 --> 00:05:14,600 Speaker 1: now I feel like we get a very intimate performance 99 00:05:14,640 --> 00:05:17,320 Speaker 1: from them. I'm still embarrassed, but that's okay. Soon. So 100 00:05:17,320 --> 00:05:18,600 Speaker 1: we got a couple of things we're gonna do here 101 00:05:18,600 --> 00:05:20,320 Speaker 1: with for King and Country. We're gonna do a Christmas 102 00:05:20,360 --> 00:05:22,000 Speaker 1: song and then we're gonna do an original. And first, 103 00:05:22,080 --> 00:05:25,240 Speaker 1: let me say just you guys are awesome just musically, sonically, 104 00:05:25,600 --> 00:05:27,400 Speaker 1: what you're able to do, how big you're able to sound, 105 00:05:27,640 --> 00:05:32,600 Speaker 1: just just a plus. So I want to compliment you there. Awesome. Secondly, 106 00:05:33,160 --> 00:05:34,560 Speaker 1: you know both of you have my hair at different 107 00:05:34,560 --> 00:05:37,239 Speaker 1: stages of my life. I'm just gonna say that so true. 108 00:05:37,760 --> 00:05:40,560 Speaker 1: So maybe we could You could be our brother h yeah, 109 00:05:40,600 --> 00:05:44,039 Speaker 1: I could. I just your funny accent me yeah, or 110 00:05:44,120 --> 00:05:46,799 Speaker 1: you know you can you do my accent? Of course 111 00:05:46,800 --> 00:05:49,160 Speaker 1: I can that. Hey, this is Bobby Bones. This is 112 00:05:49,200 --> 00:05:51,520 Speaker 1: the Bobby Bones Show with for King and Country. Thanks 113 00:05:51,520 --> 00:05:54,760 Speaker 1: for being here. That sounds so normal, It almost sounds 114 00:05:55,160 --> 00:05:58,239 Speaker 1: not hillbilly enough, but that's so that's such an American. 115 00:05:58,480 --> 00:06:00,680 Speaker 1: As a kid in Australia, do you grow doing American 116 00:06:00,720 --> 00:06:03,520 Speaker 1: accents as a joke? We see how we get all 117 00:06:03,520 --> 00:06:07,160 Speaker 1: your movies and stuff. So really, because you know, Australia 118 00:06:07,200 --> 00:06:09,360 Speaker 1: has always been a little bit about like the kind 119 00:06:09,400 --> 00:06:12,400 Speaker 1: of the younger brother that looks up to America, So 120 00:06:12,440 --> 00:06:15,080 Speaker 1: you don't really want to be like America because you're 121 00:06:15,120 --> 00:06:17,760 Speaker 1: kind of actually jealous of America if that makes sense. Well, 122 00:06:17,760 --> 00:06:20,680 Speaker 1: in America we always do like kangaroo and boomerang jokes. 123 00:06:20,800 --> 00:06:26,120 Speaker 1: Yeah you know, we're like, oh you know, we're aware. 124 00:06:25,120 --> 00:06:29,479 Speaker 1: Thank you. Okay, So here's what we're gonna do. We're 125 00:06:29,480 --> 00:06:32,080 Speaker 1: gonna do a Christmas song first, and then I want 126 00:06:32,080 --> 00:06:34,120 Speaker 1: to get into a little more you guys, but here 127 00:06:34,240 --> 00:06:36,400 Speaker 1: is for King and Country and what are you guys? Look, 128 00:06:36,440 --> 00:06:38,599 Speaker 1: what are you guys gonna do here? We're gonna play 129 00:06:38,640 --> 00:06:42,279 Speaker 1: a song for Eddie's wife because this is the song 130 00:06:42,320 --> 00:06:44,479 Speaker 1: that she probably wanted to see, right Eddie, this is 131 00:06:44,520 --> 00:06:46,839 Speaker 1: the one. This is the one. Yes, and this is 132 00:06:46,880 --> 00:06:49,159 Speaker 1: gonna be uh this is the little drummer boy, god 133 00:06:49,160 --> 00:06:51,520 Speaker 1: will it is? It is the one. And I just 134 00:06:51,560 --> 00:06:53,360 Speaker 1: want to set the record straight if you're just listening 135 00:06:53,360 --> 00:06:57,640 Speaker 1: and not watching, we have set a world record on 136 00:06:57,680 --> 00:07:01,480 Speaker 1: your stage right three people on stage. Yeah, it's amazing. 137 00:07:01,520 --> 00:07:03,520 Speaker 1: The stage is like side of a nickel, but somehow 138 00:07:03,680 --> 00:07:05,240 Speaker 1: they're standing on top of each other. This is why 139 00:07:05,279 --> 00:07:07,760 Speaker 1: New York City did skyscrapers. Actually, so you get more 140 00:07:07,760 --> 00:07:10,560 Speaker 1: people on high that's true. Well, and here's the other 141 00:07:10,600 --> 00:07:14,200 Speaker 1: thing live. We're in elevators. So the next time we're 142 00:07:14,200 --> 00:07:16,840 Speaker 1: going to have to bring the elevators. Wait what we're in. 143 00:07:17,000 --> 00:07:20,360 Speaker 1: We're in We go up like fifty feet elevators. It's 144 00:07:20,360 --> 00:07:22,880 Speaker 1: like the Australian version of circus to late. Yeah. Yeah, 145 00:07:22,920 --> 00:07:25,720 Speaker 1: your shows, you do that really yeah, yeah, we take 146 00:07:25,760 --> 00:07:31,360 Speaker 1: out a really big right. Here they are King and 147 00:07:31,440 --> 00:07:36,840 Speaker 1: Country on the Bobby Bone Show. On the Bobby Bones Show. 148 00:07:36,920 --> 00:07:39,960 Speaker 1: Now for King's Country. Hey, Joel, you and Luke were 149 00:07:40,000 --> 00:07:43,920 Speaker 1: playing together since since how old? Well, it depends on 150 00:07:43,920 --> 00:07:45,600 Speaker 1: how you look at it. So our sisters sort of 151 00:07:45,600 --> 00:07:50,480 Speaker 1: a gospel Christian artist, and dad managed her needed cheap labor. 152 00:07:50,640 --> 00:07:52,960 Speaker 1: We all homeschooled. The sorry had five sons, and so 153 00:07:53,000 --> 00:07:56,120 Speaker 1: we became the road crew and incidentally started doing background 154 00:07:56,160 --> 00:07:59,080 Speaker 1: vocals together at some point for her or for other 155 00:07:59,120 --> 00:08:01,880 Speaker 1: folks for her, okay, for her exclusively. We were very 156 00:08:02,040 --> 00:08:05,080 Speaker 1: good enough to do it for other people's family as 157 00:08:05,080 --> 00:08:08,000 Speaker 1: a family deal, and then we didn't get on in 158 00:08:08,080 --> 00:08:10,800 Speaker 1: our teenagers. You know, he's my younger brother, grew taller 159 00:08:10,800 --> 00:08:13,120 Speaker 1: than me. It's better sportsman, all the things that an 160 00:08:13,120 --> 00:08:17,880 Speaker 1: older brother really dislikes to on his aco in basketball match, 161 00:08:17,960 --> 00:08:19,360 Speaker 1: and he felt sorry for me and I felt sorry 162 00:08:19,360 --> 00:08:21,560 Speaker 1: for him. When we started band. How tall are you? 163 00:08:21,760 --> 00:08:23,680 Speaker 1: I'm about six four six four six five? I mean 164 00:08:23,720 --> 00:08:26,360 Speaker 1: you were to cut your hair? What are you five 165 00:08:26,480 --> 00:08:29,120 Speaker 1: nine with the hair cut? The hair? Five nine? Maybe? Yeah? Okay? 166 00:08:29,320 --> 00:08:33,440 Speaker 1: You know what Samson got weaker? Yeah? I brought up yeah, yeah, 167 00:08:33,480 --> 00:08:35,920 Speaker 1: and so when does well? I'm assuming too. You guys 168 00:08:35,960 --> 00:08:38,120 Speaker 1: had a bunch of names before freaking in Country. Since 169 00:08:38,120 --> 00:08:40,439 Speaker 1: you've been together so long, what were those if you'd 170 00:08:40,520 --> 00:08:43,600 Speaker 1: had other names, what were they? Please? Bad ones? Yeah, 171 00:08:43,640 --> 00:08:45,160 Speaker 1: we had a lot of bad ones. I mean at 172 00:08:45,200 --> 00:08:46,679 Speaker 1: first we would do the whole like we're not going 173 00:08:46,720 --> 00:08:49,320 Speaker 1: to leave this coffee shop until we find a name. 174 00:08:49,960 --> 00:08:53,120 Speaker 1: And usually we walked out with John Luke Joel. He's Luke. 175 00:08:53,120 --> 00:08:54,520 Speaker 1: We're gonna be called Joel like he's sort of Dan 176 00:08:54,600 --> 00:08:58,160 Speaker 1: and Shade Joe. Joel had another great one Austeraville. That 177 00:08:58,200 --> 00:09:00,320 Speaker 1: was Wine. That was one because the makeup of it's 178 00:09:00,360 --> 00:09:05,120 Speaker 1: Australia to Nashville, people called nashville Ville. I didn't stay 179 00:09:05,120 --> 00:09:07,319 Speaker 1: with that one, and literally we did it. We did 180 00:09:07,320 --> 00:09:09,800 Speaker 1: a show in Australia with that name. And Australians are 181 00:09:09,840 --> 00:09:13,480 Speaker 1: pretty fourth right in their opinions, and we would. We 182 00:09:13,480 --> 00:09:16,559 Speaker 1: were doing a festival and people came up and they're like, yeah, mate, um, 183 00:09:16,600 --> 00:09:18,800 Speaker 1: I don't even know how to say your name. So 184 00:09:18,840 --> 00:09:22,240 Speaker 1: we actually reverted back to Joelia. At the festival. We're like, 185 00:09:22,240 --> 00:09:25,400 Speaker 1: all right, guess and when did for King and Country 186 00:09:25,760 --> 00:09:28,240 Speaker 1: come up? And I'm assuming it's for a king who 187 00:09:28,280 --> 00:09:30,400 Speaker 1: is Jesus, I'm just assuming. I don't know this is 188 00:09:30,440 --> 00:09:33,560 Speaker 1: that what it is? Well, it's sort of there's a 189 00:09:33,559 --> 00:09:35,880 Speaker 1: British if you ever watched like oh it's not never mind, 190 00:09:35,880 --> 00:09:38,440 Speaker 1: I'm wrong down to an abbey, there's sort of this 191 00:09:38,480 --> 00:09:41,640 Speaker 1: British mantra that they would always chant going into battle. 192 00:09:41,679 --> 00:09:44,400 Speaker 1: They would say, oh fork like Zazu says line kings 193 00:09:44,400 --> 00:09:49,440 Speaker 1: like oh forget, I don't want very merry interview, um 194 00:09:49,480 --> 00:09:52,199 Speaker 1: and uh he. So we kind of thought, well that's 195 00:09:52,200 --> 00:09:54,559 Speaker 1: a cool phrase. And then I think there's that great 196 00:09:54,559 --> 00:09:57,920 Speaker 1: overtone of like why do we do music? Like you said, 197 00:09:57,960 --> 00:10:01,360 Speaker 1: like god people country, you know? And so for King 198 00:10:01,400 --> 00:10:04,040 Speaker 1: and Country was it in a coffee shop. We're not 199 00:10:04,120 --> 00:10:05,920 Speaker 1: leaving the cop and that's what you don't know. So 200 00:10:06,080 --> 00:10:08,200 Speaker 1: Joel come into the studio one day, I mean this 201 00:10:08,280 --> 00:10:11,320 Speaker 1: was twelve years ago or so, and he come in 202 00:10:11,320 --> 00:10:13,400 Speaker 1: with the name All the King's Men, which was a 203 00:10:13,400 --> 00:10:15,440 Speaker 1: cool name. That is a cool name. Uh, And our 204 00:10:15,480 --> 00:10:17,800 Speaker 1: producer at the time spun around and he said, oh no, no, 205 00:10:17,880 --> 00:10:19,719 Speaker 1: what about the what about for king and country? You 206 00:10:19,760 --> 00:10:22,000 Speaker 1: know the old British mantra that they used to chant 207 00:10:22,040 --> 00:10:24,120 Speaker 1: before going into battle. And we'd always wanted something that 208 00:10:24,280 --> 00:10:26,480 Speaker 1: felt like it had purpose, it felt like it had 209 00:10:26,480 --> 00:10:28,439 Speaker 1: media just wasn't like just a just a cool name, 210 00:10:28,480 --> 00:10:30,439 Speaker 1: you know what I mean. And I think we kind 211 00:10:30,440 --> 00:10:31,720 Speaker 1: of both looked at each other at that time. The 212 00:10:31,720 --> 00:10:34,240 Speaker 1: other big thing was it was available on MySpace. Yeah 213 00:10:35,280 --> 00:10:38,240 Speaker 1: remember that ten years ago? Yeah? Yeah, yeah, Look what's 214 00:10:38,280 --> 00:10:41,720 Speaker 1: the CMT Crossroads Christmas that you guys are doing? Like, 215 00:10:42,080 --> 00:10:47,640 Speaker 1: what exactly does that entail? This sort of thing? Okay, okay, 216 00:10:47,679 --> 00:10:50,480 Speaker 1: that's because always there are other artists to come in. Yeah, 217 00:10:50,520 --> 00:10:54,360 Speaker 1: so who's we love them? Chrissy Matts who was on 218 00:10:54,400 --> 00:10:56,240 Speaker 1: this is us and it's a great singer. So they 219 00:10:56,280 --> 00:10:58,120 Speaker 1: come in and sing songs with you. Are they doing 220 00:10:58,160 --> 00:11:01,600 Speaker 1: your songs? Yeah? Well kind of Christmas songs aren't really 221 00:11:01,600 --> 00:11:06,000 Speaker 1: our songs, but our versions of Christ on the public domain. 222 00:11:06,080 --> 00:11:08,839 Speaker 1: That's right exactly. Um. Yeah, So they come in and 223 00:11:09,040 --> 00:11:11,280 Speaker 1: you know, they're singing these renditions that you know, we've created, 224 00:11:11,320 --> 00:11:13,680 Speaker 1: and and they sing along with us. It was quite 225 00:11:14,480 --> 00:11:16,760 Speaker 1: fascinating though, because they all had to learn these songs 226 00:11:17,160 --> 00:11:19,760 Speaker 1: very very quickly, so to their to their credit, it 227 00:11:19,800 --> 00:11:22,480 Speaker 1: turned out really great. Do you guys keep up prompter 228 00:11:22,520 --> 00:11:24,760 Speaker 1: for Christmas songs? You don't mess up the words? Luke should? 229 00:11:25,520 --> 00:11:29,600 Speaker 1: I probably should, but I don't, I will says, although 230 00:11:29,720 --> 00:11:31,520 Speaker 1: I've had a lot of because we're right in the 231 00:11:31,559 --> 00:11:34,360 Speaker 1: middle of an American Christmas, so we've had I've had 232 00:11:34,440 --> 00:11:37,360 Speaker 1: quite a few fumbles. The problem with Christmas songs is 233 00:11:37,400 --> 00:11:39,839 Speaker 1: you do sing them every year, but there's eleven months 234 00:11:39,880 --> 00:11:42,719 Speaker 1: in between the tacks. There's like nine verses in all 235 00:11:42,720 --> 00:11:45,440 Speaker 1: of things, well versus they all sort of have the 236 00:11:45,480 --> 00:11:47,200 Speaker 1: same in so you just sort of people do the 237 00:11:47,240 --> 00:11:49,040 Speaker 1: same thing that you do, which is you just pick 238 00:11:49,080 --> 00:11:51,320 Speaker 1: your favorite verses and that becomes the song. Right if 239 00:11:51,440 --> 00:11:53,000 Speaker 1: so again, just do it again. And then if you're 240 00:11:53,040 --> 00:11:56,440 Speaker 1: into grandparents, you know, church, you're never going to know 241 00:11:56,480 --> 00:11:59,240 Speaker 1: the verses that they get into you there. That's definitely true. 242 00:11:59,280 --> 00:12:02,400 Speaker 1: The cmpt C towards Christmas. Is that in Nashville? Yeah, okay, 243 00:12:02,400 --> 00:12:06,040 Speaker 1: out of the factory. Okay, So on the twelfth, that's 244 00:12:06,240 --> 00:12:08,600 Speaker 1: where you can go there. But then the Christmas show 245 00:12:08,880 --> 00:12:11,679 Speaker 1: you got Indianapolis and the fifteenth Fort Wayne on the sixteenth, 246 00:12:11,760 --> 00:12:14,800 Speaker 1: Grand Rapids on the seventeenth, the two opera shows. The 247 00:12:14,840 --> 00:12:17,439 Speaker 1: global what's the global live stream? Is that at a place? 248 00:12:18,000 --> 00:12:20,640 Speaker 1: It's the opera show? Oh, it just has global live stream, 249 00:12:20,679 --> 00:12:24,640 Speaker 1: Like we wanted to make it feel really big. Go 250 00:12:24,920 --> 00:12:26,800 Speaker 1: watch this show. I'm gonna have to go to one 251 00:12:26,800 --> 00:12:29,320 Speaker 1: of these shows for King and Country dot com for 252 00:12:29,400 --> 00:12:32,160 Speaker 1: this a Drummer Boy Christmas. And then they are on 253 00:12:32,200 --> 00:12:34,160 Speaker 1: the road all of next year, which I mentioned a 254 00:12:34,160 --> 00:12:36,880 Speaker 1: little earlier. When your last name is small Bone, my 255 00:12:36,960 --> 00:12:40,760 Speaker 1: name is bone, Bones Bones. Did you ever consider the 256 00:12:40,800 --> 00:12:43,640 Speaker 1: small Bones as a band name? Would you come to 257 00:12:43,679 --> 00:12:46,720 Speaker 1: a show with the band name small Bones? You know 258 00:12:46,760 --> 00:12:50,959 Speaker 1: who did consider it? Matt Hales Aquilung considered it. He 259 00:12:51,040 --> 00:12:53,439 Speaker 1: was very serious about it because he was we were 260 00:12:53,440 --> 00:12:55,760 Speaker 1: developing sort of the band with him as sort of 261 00:12:55,800 --> 00:12:58,280 Speaker 1: guiding us through it um and he was like, you 262 00:12:58,320 --> 00:13:02,640 Speaker 1: should just be called small Bones or small Bone. Yeah, singular. 263 00:13:03,160 --> 00:13:05,880 Speaker 1: We we opted to not because of all of the 264 00:13:06,080 --> 00:13:09,880 Speaker 1: I probably had a domina bone world. Yeah, well inuendo, yeah, 265 00:13:09,920 --> 00:13:12,080 Speaker 1: we homeschooled for a reason with that last night, got it? 266 00:13:12,080 --> 00:13:14,880 Speaker 1: You know what I mean? Amy knows another small bone. 267 00:13:15,080 --> 00:13:17,360 Speaker 1: What's the situation there with that guy? Who's that our 268 00:13:17,480 --> 00:13:27,080 Speaker 1: dad's brother's son. Wait, he's your cousin, you know? Yeah, 269 00:13:27,240 --> 00:13:29,880 Speaker 1: everybody kind of looks like y'all look similar like Bobby. 270 00:13:29,880 --> 00:13:33,280 Speaker 1: You've said they look like people, Matt, Yes, he'll be. 271 00:13:33,400 --> 00:13:35,520 Speaker 1: He was at the grocery store literally the other day 272 00:13:35,520 --> 00:13:38,480 Speaker 1: and he told me that someone said, or are you 273 00:13:38,679 --> 00:13:42,240 Speaker 1: Bobby Bones? And he's like, because I mean small bone. 274 00:13:42,320 --> 00:13:43,880 Speaker 1: Sometimes they just hear the bone part and then they 275 00:13:43,880 --> 00:13:45,600 Speaker 1: see the glasses and the hair and they think it's 276 00:13:46,760 --> 00:13:49,320 Speaker 1: very thick accent. Yes, I also thought he was your 277 00:13:49,320 --> 00:13:53,640 Speaker 1: brother because the last name. Yeah, genetic. The genetic pool 278 00:13:53,720 --> 00:13:55,880 Speaker 1: is pretty the seven kids in our families. Who did 279 00:13:55,880 --> 00:13:59,840 Speaker 1: I meet on an airplane? Wise? Me? That wasn't the Southwest? 280 00:14:00,160 --> 00:14:01,760 Speaker 1: Yeah it was me. You're so much better looking now, 281 00:14:01,840 --> 00:14:05,280 Speaker 1: josh Ka, thank you. Yes, the little mustache, that's all 282 00:14:05,280 --> 00:14:08,280 Speaker 1: I'm there. And I was like, man, but now he's matured. 283 00:14:08,520 --> 00:14:10,520 Speaker 1: That was you sitting behind me on that fly. We talked. 284 00:14:10,760 --> 00:14:13,000 Speaker 1: You were super nice, La. I didn't know you were 285 00:14:13,000 --> 00:14:14,640 Speaker 1: actually in the band. I didn't know you're one of 286 00:14:14,679 --> 00:14:16,280 Speaker 1: the two. Did you think he was a crew guy? 287 00:14:16,720 --> 00:14:18,640 Speaker 1: He kind of? Did you know? You were very kind 288 00:14:18,760 --> 00:14:23,080 Speaker 1: to the crew guys. I thought maybe maybe it's a 289 00:14:23,080 --> 00:14:28,360 Speaker 1: whole get up, the scarf, the mustache, the greasy back hair. Yeah, 290 00:14:28,920 --> 00:14:32,080 Speaker 1: Amy's Amy's. That was a good and a good experience here. 291 00:14:32,120 --> 00:14:34,640 Speaker 1: We talked a lot. I was like, yeah, I was 292 00:14:34,640 --> 00:14:37,360 Speaker 1: like that guy who does merge for for King and Country. 293 00:14:37,360 --> 00:14:39,920 Speaker 1: Are we going to the well? You know you were 294 00:14:39,920 --> 00:14:42,800 Speaker 1: going out to the show. Yeah, I don't know. I 295 00:14:42,880 --> 00:14:46,280 Speaker 1: was probably doing something cool. You know you'd missed you flying. 296 00:14:46,360 --> 00:14:49,160 Speaker 1: I remember because I remember going This guys is awesome. 297 00:14:49,200 --> 00:14:52,800 Speaker 1: He's on the Southwest flight Like, nah, the other private 298 00:14:52,800 --> 00:14:55,120 Speaker 1: thing got canceled and yeah you're making that up. Okay, 299 00:14:55,160 --> 00:14:57,920 Speaker 1: look for King and Country they are here and they're 300 00:14:57,960 --> 00:14:59,720 Speaker 1: gonna perform. What are we gonna do? Let's do one 301 00:14:59,880 --> 00:15:02,120 Speaker 1: like your songs that you that you like. I don't 302 00:15:02,160 --> 00:15:03,400 Speaker 1: know what do you have for me? I don't know. 303 00:15:03,400 --> 00:15:05,040 Speaker 1: I just threw this on your last minute. No, it's 304 00:15:05,080 --> 00:15:07,320 Speaker 1: all good. We're gonna play a song called love me 305 00:15:07,760 --> 00:15:11,480 Speaker 1: like I am and uh featuring if it's the if, 306 00:15:11,480 --> 00:15:13,960 Speaker 1: if it's the recorded version. Yeah, she's not with us today. 307 00:15:14,240 --> 00:15:17,400 Speaker 1: Featuring Jordan Spark. So we had a really lovely quite 308 00:15:17,400 --> 00:15:21,440 Speaker 1: something like Jordan, are you watch Um? No, we had 309 00:15:21,480 --> 00:15:24,760 Speaker 1: this lovely moment where we enjoy doing features here and 310 00:15:24,800 --> 00:15:28,880 Speaker 1: there and um, we're kind of cold called. Jordan and 311 00:15:29,000 --> 00:15:31,600 Speaker 1: her brothers a supporter of the band, and so I 312 00:15:31,640 --> 00:15:35,560 Speaker 1: think he's a real champion, Like your wife was like, hey, 313 00:15:35,800 --> 00:15:38,240 Speaker 1: you should actually really do this, sister, And she's just 314 00:15:38,280 --> 00:15:40,560 Speaker 1: a awesome human. This thing you have over here, it's 315 00:15:40,560 --> 00:15:43,520 Speaker 1: a keyboard, looks like also a what do you it's 316 00:15:43,520 --> 00:15:46,440 Speaker 1: a harmonium. It's like an Indian drone instrument. You get 317 00:15:46,480 --> 00:15:49,040 Speaker 1: him any baper about three hundred dollars the handmake them? 318 00:15:49,120 --> 00:15:51,360 Speaker 1: Can you do it with everybody else playing? Just to 319 00:15:51,400 --> 00:15:53,880 Speaker 1: show people what it sounds like? What's that thing? The 320 00:15:54,120 --> 00:16:02,560 Speaker 1: accordion sounds that's awesome, it's amazing. Yeah, okay, well here 321 00:16:02,560 --> 00:16:07,840 Speaker 1: they are my new favorite band. Oh yeah, true. And 322 00:16:08,000 --> 00:16:10,160 Speaker 1: Chris Tomlin, I would like, I'm going to be a 323 00:16:10,200 --> 00:16:12,600 Speaker 1: little selfish for a second for my son Stevenson. Since 324 00:16:12,600 --> 00:16:15,120 Speaker 1: the Christmas song was dedicated to Eddie's wife. Can you 325 00:16:15,160 --> 00:16:17,280 Speaker 1: all just dedicate this one to Stevenson because he's your 326 00:16:17,360 --> 00:16:20,480 Speaker 1: number one for yes, so, and I'm gonna play it 327 00:16:20,520 --> 00:16:25,720 Speaker 1: for him because he's in school. Yeah, Stevenson on behalf 328 00:16:25,720 --> 00:16:28,280 Speaker 1: of Luke and me and thinking of you lady up here, 329 00:16:28,680 --> 00:16:32,040 Speaker 1: who's thinking of you this morning? With this song love 330 00:16:32,120 --> 00:16:34,920 Speaker 1: me like I am. Merry Christmas to you, my friend. 331 00:16:36,440 --> 00:16:43,320 Speaker 1: For country guys, you guys are awesome. And when you 332 00:16:43,360 --> 00:16:47,880 Speaker 1: have the last name, you gotta overcome who new dang 333 00:16:48,040 --> 00:16:50,160 Speaker 1: that is that? It's just so good. I'm gonna try 334 00:16:50,160 --> 00:16:52,200 Speaker 1: to come to a show Holy Moly for King and 335 00:16:52,280 --> 00:16:54,760 Speaker 1: Country dot Com and go go get tickets for the 336 00:16:54,800 --> 00:16:56,760 Speaker 1: Christmas show a drummer Boy Christmas and they're gonna be 337 00:16:56,800 --> 00:16:59,040 Speaker 1: touring all over next year as well. When I was 338 00:16:59,080 --> 00:17:02,280 Speaker 1: growing up, Jarza Clay Ever heard of him? I haven't 339 00:17:02,280 --> 00:17:04,560 Speaker 1: heard of them. Did you guys grow listening to Christian 340 00:17:04,600 --> 00:17:07,000 Speaker 1: music only or did you get secular music as well? 341 00:17:07,680 --> 00:17:09,879 Speaker 1: We got a little bit of both. Our parents were no. 342 00:17:10,160 --> 00:17:11,719 Speaker 1: I will say this. When we would go to like 343 00:17:11,800 --> 00:17:13,719 Speaker 1: go out and drive and my oldest brother or one 344 00:17:13,720 --> 00:17:16,679 Speaker 1: of my brothers could drive the car on the radio. 345 00:17:16,760 --> 00:17:19,000 Speaker 1: You did want to change the dial back to the 346 00:17:19,080 --> 00:17:21,439 Speaker 1: Christian station because if mom and dad came in, they 347 00:17:21,480 --> 00:17:23,639 Speaker 1: may comment on it. But there was there was freedom. 348 00:17:23,720 --> 00:17:25,240 Speaker 1: We were allowed to We were allowed to listen to 349 00:17:25,240 --> 00:17:27,200 Speaker 1: both the newsboys. Ever heard of him. I heard of 350 00:17:27,240 --> 00:17:30,560 Speaker 1: him switch foot kind of on the line, a little 351 00:17:30,600 --> 00:17:34,119 Speaker 1: bit of of Yeah, that was an influential little bit 352 00:17:34,119 --> 00:17:37,320 Speaker 1: of because Joel mentioned I told my a cl playing 353 00:17:37,320 --> 00:17:40,919 Speaker 1: basketball and I kind of was, you know, wanting to 354 00:17:40,920 --> 00:17:43,119 Speaker 1: figure out what was next for me, if that makes sense. 355 00:17:43,160 --> 00:17:46,120 Speaker 1: Sports was my thing up until that point. And as 356 00:17:46,160 --> 00:17:48,560 Speaker 1: I was rehabbing my knee, they had just released their 357 00:17:48,560 --> 00:17:50,680 Speaker 1: album The Beautiful Letdown, and I remember asking, you know, 358 00:17:50,760 --> 00:17:52,639 Speaker 1: thinking to myself, I wonder if I could write songs 359 00:17:53,920 --> 00:17:57,800 Speaker 1: that mean as much to me, uh like their music 360 00:17:57,840 --> 00:18:00,400 Speaker 1: does to me. That's interesting that you because for me 361 00:18:00,760 --> 00:18:02,639 Speaker 1: and I don't do music. I do comedy music, but 362 00:18:02,640 --> 00:18:04,520 Speaker 1: not the same as you guys obviously where you guys 363 00:18:04,520 --> 00:18:07,880 Speaker 1: are good. Um. But the first artist that ever spoke 364 00:18:07,960 --> 00:18:11,680 Speaker 1: to me writing you'd hear a song and you go, oh, 365 00:18:11,760 --> 00:18:13,399 Speaker 1: oh wait a minute, like I feel like they're speaking 366 00:18:13,400 --> 00:18:15,000 Speaker 1: for me and to me, Yeah, And it was for me. 367 00:18:15,040 --> 00:18:19,800 Speaker 1: It was John Mayer around my age sensibility somewhat similar. 368 00:18:20,440 --> 00:18:23,040 Speaker 1: It was switch switch what for you? Switch what for me? Yeah? 369 00:18:23,040 --> 00:18:24,919 Speaker 1: Because I mean, you know, I've heard it said that, 370 00:18:24,960 --> 00:18:27,720 Speaker 1: you know, an honest job is to to to be 371 00:18:27,800 --> 00:18:30,560 Speaker 1: a poet in some cases, to articulate what another cannot. 372 00:18:31,080 --> 00:18:32,680 Speaker 1: And if you give that too, I mean, if you 373 00:18:32,720 --> 00:18:35,960 Speaker 1: give them that song, then that that song becomes this song. 374 00:18:36,560 --> 00:18:38,800 Speaker 1: And then in return, I think, because if you're writing 375 00:18:38,840 --> 00:18:40,600 Speaker 1: those songs from your heart, you know, and it means 376 00:18:40,600 --> 00:18:43,760 Speaker 1: something to you. When somebody responds to that song, I 377 00:18:43,800 --> 00:18:46,359 Speaker 1: think it inherently makes you feel less lonely, you know, 378 00:18:46,440 --> 00:18:48,879 Speaker 1: And that's the gift of music to me. I saw Carmen, 379 00:18:49,200 --> 00:18:53,239 Speaker 1: I've heard of Wow. Yeah, funny funny side note. We've 380 00:18:53,280 --> 00:18:56,240 Speaker 1: we've been actually working on a feature film that is 381 00:18:56,920 --> 00:19:01,600 Speaker 1: circles around out immigrant family, particularly a mom six kids. 382 00:19:01,640 --> 00:19:04,560 Speaker 1: It's the nineties film. It's ultimately a story about our 383 00:19:04,640 --> 00:19:07,680 Speaker 1: parents coming from Australia to America and the triumphs and 384 00:19:08,359 --> 00:19:11,639 Speaker 1: tragedies that happened along the way. And Carmen is actually 385 00:19:11,640 --> 00:19:14,920 Speaker 1: one of the reasons why here the oldest lounge singer 386 00:19:15,000 --> 00:19:19,080 Speaker 1: Italian standing stallion Carmen. Yeah, he offered a job to 387 00:19:19,160 --> 00:19:21,320 Speaker 1: dad over here. This is a real story or this 388 00:19:21,400 --> 00:19:24,800 Speaker 1: is a real story real Actually we just filmed it 389 00:19:25,040 --> 00:19:27,400 Speaker 1: like three weeks ago. We just finished filming. We were 390 00:19:27,440 --> 00:19:30,399 Speaker 1: in Louisville for like two months filming. I've been to 391 00:19:30,440 --> 00:19:32,280 Speaker 1: a couple of Carmen shows. They are on experience, but 392 00:19:32,320 --> 00:19:35,240 Speaker 1: the experience, for sure, it's almost like those uh those 393 00:19:35,560 --> 00:19:37,760 Speaker 1: flipping around at one am and you see that on 394 00:19:37,800 --> 00:19:39,760 Speaker 1: the channel and people all that. I mean, that was 395 00:19:39,800 --> 00:19:42,160 Speaker 1: the Carmen show. It was. It was big and you're 396 00:19:42,200 --> 00:19:44,800 Speaker 1: like what it was a wow wow moment for me. Yeah, 397 00:19:45,359 --> 00:19:48,000 Speaker 1: but what you guys do just it's a plus. I mean, 398 00:19:48,400 --> 00:19:50,159 Speaker 1: I don't know. I just wasn't expecting it to be 399 00:19:50,200 --> 00:19:52,600 Speaker 1: so moved by this, and I really was all seriousness. 400 00:19:52,720 --> 00:19:54,919 Speaker 1: You guys are great. You're not the same person anyone 401 00:19:54,880 --> 00:19:57,120 Speaker 1: in the Southwest flight. That's all I'm gonna say. It's 402 00:19:57,160 --> 00:20:01,040 Speaker 1: not the same. I'm glad we're improving, you know. I 403 00:20:01,080 --> 00:20:03,080 Speaker 1: will say this, but boy, can this guy sell some shirts? 404 00:20:03,720 --> 00:20:05,440 Speaker 1: I thought it was the merch guy for freaking a country. 405 00:20:05,480 --> 00:20:07,920 Speaker 1: What do I what do I know? Yes, Bobby today 406 00:20:08,040 --> 00:20:10,600 Speaker 1: has on like a khaki sweater with a black shirt 407 00:20:10,640 --> 00:20:14,280 Speaker 1: and like literally, y'all's whole vibe is khaki and black. Um, 408 00:20:14,400 --> 00:20:15,960 Speaker 1: so I feel like you could fit right in today. 409 00:20:16,920 --> 00:20:19,639 Speaker 1: Is that is that pre planned? Is a group text 410 00:20:19,760 --> 00:20:22,440 Speaker 1: or y'all just like since that? Oh the whole group? Yeah, 411 00:20:22,480 --> 00:20:25,240 Speaker 1: this was actually way usually pretty uniform, but this was 412 00:20:25,280 --> 00:20:27,399 Speaker 1: pretty limber. Today. We were like, yeah, I go cash, 413 00:20:27,440 --> 00:20:29,919 Speaker 1: you'll go casual. But y'all, if you want to come 414 00:20:29,960 --> 00:20:31,239 Speaker 1: show up when then they can do all right, I mean, 415 00:20:31,280 --> 00:20:34,480 Speaker 1: if whoever wants show again, it's been, there's been, there's 416 00:20:34,480 --> 00:20:38,719 Speaker 1: been discussions. You know. It's funny the more detailed that 417 00:20:38,760 --> 00:20:43,240 Speaker 1: you get, the more accidental coincidences happened like this when 418 00:20:43,240 --> 00:20:45,280 Speaker 1: you don't get detailed because they kind of know, well, 419 00:20:45,320 --> 00:20:47,119 Speaker 1: they've said in the past, we should show up looking 420 00:20:47,160 --> 00:20:48,600 Speaker 1: like this, so you know, here we are. Do you 421 00:20:48,600 --> 00:20:51,280 Speaker 1: still play ball? I mean I tried to do good, 422 00:20:51,320 --> 00:20:54,120 Speaker 1: but yeah, does your leg hurt when it gets cold? No? No, 423 00:20:54,640 --> 00:20:57,120 Speaker 1: I didn't do any I just did strictly the ACL 424 00:20:57,160 --> 00:20:59,399 Speaker 1: so I didn't do all the other meniscus and all 425 00:20:59,440 --> 00:21:01,280 Speaker 1: the other easiness that can take place. So for the 426 00:21:01,320 --> 00:21:04,800 Speaker 1: most part, they just took the patella tendon stuck it 427 00:21:04,880 --> 00:21:06,360 Speaker 1: back in there, and I'm for the most part it goes. 428 00:21:07,000 --> 00:21:09,440 Speaker 1: My dog just had that, the bulldog. It's the worst. 429 00:21:09,640 --> 00:21:11,240 Speaker 1: That's what he said. Yeah, well he went like this, 430 00:21:11,520 --> 00:21:14,160 Speaker 1: Oh that was it, but I think that's what he said. Yes, 431 00:21:14,240 --> 00:21:16,320 Speaker 1: the worst. Okay, look for King of Country. You guys 432 00:21:16,359 --> 00:21:19,400 Speaker 1: go watch him. Um, Eddie, I'm sorry your wife, Yeah, 433 00:21:19,520 --> 00:21:22,280 Speaker 1: really let him down. Hey, you know what, what what 434 00:21:22,359 --> 00:21:24,520 Speaker 1: day are you going to Texas? Every day? Apparently that 435 00:21:24,520 --> 00:21:26,080 Speaker 1: you guys are here, of all the days we're gonna 436 00:21:26,080 --> 00:21:29,160 Speaker 1: be gone, I think we're leaving the day before. There's 437 00:21:29,240 --> 00:21:33,280 Speaker 1: nothing that you could do two days is this? We've 438 00:21:33,280 --> 00:21:35,920 Speaker 1: made such a song and dance about this. We have 439 00:21:35,920 --> 00:21:40,159 Speaker 1: other shows. What if we flew you to another show? Well, 440 00:21:40,280 --> 00:21:42,040 Speaker 1: probably wouldn't be pleased with that because then he wouldn't 441 00:21:42,040 --> 00:21:44,640 Speaker 1: be here. Well, here's the thing. We have another guy 442 00:21:44,640 --> 00:21:47,560 Speaker 1: in our shown him Lunchbox, who like milks artists for 443 00:21:47,600 --> 00:21:54,040 Speaker 1: free stuff constantly, and so I just feel like he's 444 00:21:54,080 --> 00:21:57,879 Speaker 1: runned it for everyone. Where Eddie, would you want them 445 00:21:57,880 --> 00:22:00,440 Speaker 1: to fly you somewhere? I mean it'd be awesome, but guys, 446 00:22:00,480 --> 00:22:02,400 Speaker 1: don't go out of your way, do your tour do 447 00:22:02,440 --> 00:22:04,440 Speaker 1: all that. Hey, well, you guys are wanna be around 448 00:22:04,440 --> 00:22:07,840 Speaker 1: for a while. We don't know that. Yeah, I know 449 00:22:07,920 --> 00:22:10,360 Speaker 1: that this is it man, this is the last two 450 00:22:10,520 --> 00:22:15,200 Speaker 1: Okay for King and does any everything it's forking and country. 451 00:22:15,240 --> 00:22:20,000 Speaker 1: Oh yeah, especially when you read it that one King 452 00:22:20,119 --> 00:22:22,320 Speaker 1: and People magazine still thinks about a country band, which 453 00:22:22,359 --> 00:22:27,959 Speaker 1: is awesome. The country Oh do you feel like awesome? 454 00:22:28,000 --> 00:22:30,560 Speaker 1: Did you feel like they cover you more? I I 455 00:22:30,680 --> 00:22:32,560 Speaker 1: kind of like it. I just think it's I think 456 00:22:32,600 --> 00:22:35,520 Speaker 1: the more kind of blurred lines you can create in 457 00:22:35,680 --> 00:22:39,680 Speaker 1: genres and collaborations. And we're in Nashville. Yeah, that's also 458 00:22:39,680 --> 00:22:41,479 Speaker 1: what you guys do sonically, if I can say so. There, 459 00:22:41,600 --> 00:22:46,800 Speaker 1: it's all an amazing blurred line. Yeah, between the instrumentation, 460 00:22:46,880 --> 00:22:48,520 Speaker 1: the message, the vote. I mean it's all you wouldn't 461 00:22:48,520 --> 00:22:51,960 Speaker 1: know what genre it is because it kind of is universal. Well, 462 00:22:51,960 --> 00:22:54,000 Speaker 1: I sort of. I kind of love about this country 463 00:22:54,080 --> 00:22:57,239 Speaker 1: is you have enough of a like a framework for 464 00:22:57,280 --> 00:22:59,960 Speaker 1: people to sort of rise in certain genres. But then 465 00:23:00,000 --> 00:23:03,000 Speaker 1: and I feel like with shows like yours, with streaming 466 00:23:03,000 --> 00:23:06,040 Speaker 1: platforms and whatnot, you're able to actually sort of branch 467 00:23:06,119 --> 00:23:07,879 Speaker 1: out further because I mean they write love songs, we 468 00:23:08,000 --> 00:23:10,640 Speaker 1: write life songs and god songs and Christmas songs. It's 469 00:23:10,680 --> 00:23:14,920 Speaker 1: all in there. But um, it's really Christian radio, particularly 470 00:23:14,920 --> 00:23:16,680 Speaker 1: early on, was like they were the ones and still 471 00:23:16,680 --> 00:23:19,480 Speaker 1: are the ones that have sort of helped us rise, 472 00:23:19,520 --> 00:23:21,280 Speaker 1: which has been beautiful. If I wanted you guys to 473 00:23:21,280 --> 00:23:25,800 Speaker 1: play my Christmas party, what's that cost a lot of money? 474 00:23:25,680 --> 00:23:28,680 Speaker 1: The whole man, well, everybody but the guy with the 475 00:23:28,720 --> 00:23:34,240 Speaker 1: bass jealous. He's got it. He's got it perfectly. It's 476 00:23:34,240 --> 00:23:36,160 Speaker 1: like perfect brown to blind and I'm like, dang, that's 477 00:23:36,240 --> 00:23:37,959 Speaker 1: I'm jealous of that, and it doesn't make you feel good, 478 00:23:38,000 --> 00:23:41,760 Speaker 1: So I want him to stay away because it's too perfect. Yes, 479 00:23:42,200 --> 00:23:44,080 Speaker 1: I hear there. For King of Country, Thank you guys, 480 00:23:45,359 --> 00:23:53,040 Speaker 1: It's time for the good news. Adam Atkinson works at 481 00:23:53,080 --> 00:23:55,560 Speaker 1: home depot in Tennessee, and he's at work and he's 482 00:23:55,600 --> 00:23:57,560 Speaker 1: kind of looking through the shelves stocking some items, and 483 00:23:57,560 --> 00:24:00,000 Speaker 1: he goes, what is this. He pulls out an envelope 484 00:24:00,160 --> 00:24:03,240 Speaker 1: that was left on the shelf with seven hundred dollars 485 00:24:03,320 --> 00:24:06,080 Speaker 1: of cash inside the envelope. So he turns it into 486 00:24:06,080 --> 00:24:07,919 Speaker 1: the manager. The manager says, I'm not gonna do anything. 487 00:24:08,119 --> 00:24:10,159 Speaker 1: He's gonna keep it here. If anybody claims it for 488 00:24:10,240 --> 00:24:11,680 Speaker 1: the rest of the day, we'll give it to him. 489 00:24:11,680 --> 00:24:14,280 Speaker 1: They have to describe exactly what's in there. No one 490 00:24:14,400 --> 00:24:16,520 Speaker 1: claimed the money, so she says, okay, what do I do. 491 00:24:16,960 --> 00:24:19,240 Speaker 1: Let's put this on social media. I'm just gonna say 492 00:24:19,240 --> 00:24:21,880 Speaker 1: I found an envelope. It described the envelope, not gonna 493 00:24:21,880 --> 00:24:24,000 Speaker 1: say what's in it and see if anyone responds. Well, 494 00:24:24,160 --> 00:24:28,080 Speaker 1: somebody's season said, hey, my business partner lost seven hundred dollars. 495 00:24:28,160 --> 00:24:29,760 Speaker 1: I wonder if he was at home depot. So he 496 00:24:29,760 --> 00:24:32,200 Speaker 1: calls him up, Hey, did you lose seven hundred dollars? Like, yeah, 497 00:24:32,240 --> 00:24:34,399 Speaker 1: it's at home depot. So he goes and claims it. 498 00:24:34,560 --> 00:24:38,800 Speaker 1: He got his money back. That's good, that's awesome. I 499 00:24:38,840 --> 00:24:41,800 Speaker 1: just man letting that out of my sight. I'm always like, 500 00:24:41,840 --> 00:24:44,800 Speaker 1: how does someone they have twenty thousand dollars for a 501 00:24:44,840 --> 00:24:46,800 Speaker 1: house they've been saving up their whole life, and it 502 00:24:46,920 --> 00:24:49,159 Speaker 1: was just in a you know, a shoebox, and they 503 00:24:49,280 --> 00:24:51,640 Speaker 1: left the shoebox in the uber. I don't I would 504 00:24:51,680 --> 00:24:53,720 Speaker 1: never stop looking at that thing. Yeah, I'd be scared 505 00:24:53,760 --> 00:24:55,240 Speaker 1: to death. He probably just had it. He say, oh, 506 00:24:55,280 --> 00:24:56,840 Speaker 1: look there's some oil, and he puts set it down 507 00:24:56,840 --> 00:24:58,760 Speaker 1: for a second, check the oil out, and then his left. 508 00:24:58,920 --> 00:25:00,840 Speaker 1: I had to get cash for something recently, and I 509 00:25:00,880 --> 00:25:02,680 Speaker 1: was owner of those bank envelopes, like I had to 510 00:25:02,720 --> 00:25:05,040 Speaker 1: go to the bank pick it up, and then I 511 00:25:05,119 --> 00:25:07,000 Speaker 1: was nervous my kids were going to get into it. 512 00:25:07,119 --> 00:25:10,080 Speaker 1: So I hit it in a shoe in my closet, 513 00:25:10,160 --> 00:25:14,320 Speaker 1: in a boot, and within like less than forty eight hours, 514 00:25:14,320 --> 00:25:18,480 Speaker 1: I forgot where I put it. Yeah, I remember, finally, 515 00:25:18,520 --> 00:25:19,880 Speaker 1: but you did find it. Well, there was a woman 516 00:25:19,880 --> 00:25:21,919 Speaker 1: who wanted a lottery ticket. She had a larger at 517 00:25:21,920 --> 00:25:23,520 Speaker 1: one ten thousand dollars. She can find it and was 518 00:25:23,520 --> 00:25:25,000 Speaker 1: getting closer and closer to the end. We had to 519 00:25:25,040 --> 00:25:28,000 Speaker 1: cash it in, and she had torn her house apart 520 00:25:28,160 --> 00:25:31,359 Speaker 1: completely multiple times, and then finally she found it in 521 00:25:31,400 --> 00:25:33,399 Speaker 1: a shoe as well. She had hid in the shoe 522 00:25:33,920 --> 00:25:36,320 Speaker 1: my dad after he moved out because he left when 523 00:25:36,320 --> 00:25:38,320 Speaker 1: I was like nine, and my mom was cleaning out 524 00:25:38,320 --> 00:25:40,280 Speaker 1: the garage later and she found a glove like a 525 00:25:40,320 --> 00:25:43,160 Speaker 1: gardening glove. She found five hundred dollars cash stuck in there. 526 00:25:43,240 --> 00:25:45,600 Speaker 1: He had hit it from his gambling days and she 527 00:25:45,720 --> 00:25:51,359 Speaker 1: kept it. That's unique glove, Edie, good story, that is 528 00:25:51,400 --> 00:25:54,240 Speaker 1: what it's all about. That was tell me something good 529 00:25:56,240 --> 00:25:58,760 Speaker 1: right game time. Mike D has created a game. What's 530 00:25:58,760 --> 00:26:02,000 Speaker 1: it called? Is it a hall Christmas movie? So you're 531 00:26:02,000 --> 00:26:04,280 Speaker 1: gonna give us. I'll give you a title and description 532 00:26:04,280 --> 00:26:05,760 Speaker 1: of a movie. You tell me if it's real or 533 00:26:05,760 --> 00:26:08,320 Speaker 1: if I made it up? Now, these are hard now 534 00:26:08,359 --> 00:26:11,479 Speaker 1: because they make all kinds of movies now about everything. Now, 535 00:26:11,560 --> 00:26:13,440 Speaker 1: it's gonna give us three of them, and if there's 536 00:26:13,480 --> 00:26:15,320 Speaker 1: a tie, we'll go sudden death. Okay, all right, give 537 00:26:15,400 --> 00:26:17,159 Speaker 1: us the person of mine. It is called fall La 538 00:26:17,280 --> 00:26:20,680 Speaker 1: La Fallen in Love is about Rebecca and Bryce, who 539 00:26:20,760 --> 00:26:24,080 Speaker 1: joined a Christmas carollers group. They bond over their passion 540 00:26:24,160 --> 00:26:26,560 Speaker 1: for music and quickly fall in love, but just days 541 00:26:26,600 --> 00:26:31,239 Speaker 1: before Christmas, Rebecca discovers Bryce's hidden past. Is it a 542 00:26:31,320 --> 00:26:36,439 Speaker 1: Hallmark Christmas movie? Hidden past? What's it called? Again? Falla 543 00:26:36,520 --> 00:26:41,240 Speaker 1: La fallen in love? Fa La la la la la. 544 00:26:42,320 --> 00:26:46,560 Speaker 1: I mean that works. Say it again, Mike, Falla La 545 00:26:46,640 --> 00:26:50,040 Speaker 1: la la fallen in love. Yeah, give us that plot again. Though. 546 00:26:50,240 --> 00:26:53,840 Speaker 1: Rebecca and Bryce meat after joining a group of Christmas carollers. 547 00:26:54,080 --> 00:26:56,360 Speaker 1: They bond over their passion of music and quickly fall 548 00:26:56,359 --> 00:27:00,320 Speaker 1: in love, but just days before Christmas, Rebecca discovers Bryce's past. 549 00:27:01,960 --> 00:27:07,560 Speaker 1: I'm I'm okay, I'm gonna go fake. Sounds too dark, 550 00:27:08,280 --> 00:27:10,600 Speaker 1: hidden past. I don't see a lot about it. I 551 00:27:10,600 --> 00:27:12,320 Speaker 1: don't see a lot of those in the Holiday mark 552 00:27:12,440 --> 00:27:17,000 Speaker 1: the movie preview. She's probably right, Amy, I'm not real, Eddie. 553 00:27:17,720 --> 00:27:19,880 Speaker 1: It sounds crazy, but I'm gonna go with yes, it's real. 554 00:27:20,119 --> 00:27:24,600 Speaker 1: So we got two fakes, one reel. Mike, what it is? Fake? 555 00:27:24,680 --> 00:27:27,960 Speaker 1: Made it up? That title got me, man, that's a 556 00:27:28,000 --> 00:27:36,640 Speaker 1: good title for a movie. Fa la, yeah la. Next up, 557 00:27:36,680 --> 00:27:41,080 Speaker 1: Mikey A Cozy Christmas In a Real Estate Executive, Erica 558 00:27:41,240 --> 00:27:44,120 Speaker 1: travels to Alaska during Christmas time to acquire a bed 559 00:27:44,160 --> 00:27:46,880 Speaker 1: and breakfast, only to discover that it is owned by 560 00:27:46,920 --> 00:27:49,920 Speaker 1: her ex. While there, she finds herself falling in love 561 00:27:49,960 --> 00:27:57,639 Speaker 1: with the town and quite possibly him. Her ex didn't 562 00:27:59,080 --> 00:28:03,080 Speaker 1: called Hey Cozy Christmas in a Real Estate Executive. Erica 563 00:28:03,160 --> 00:28:06,000 Speaker 1: travels to Alaska during Christmas time to acquire a bed 564 00:28:06,000 --> 00:28:08,640 Speaker 1: and breakfast, only to discover that it is owned by 565 00:28:08,680 --> 00:28:11,680 Speaker 1: her ex. While there, she finds herself falling in love 566 00:28:11,720 --> 00:28:16,520 Speaker 1: with the town and quite possibly him. I mean, I 567 00:28:16,600 --> 00:28:18,600 Speaker 1: have watched that one's a little too that's a close one. 568 00:28:18,800 --> 00:28:24,520 Speaker 1: I watched this before, but not with an X and Alaska. 569 00:28:24,880 --> 00:28:29,200 Speaker 1: But you know, the formula is the same. I mean, yeah, 570 00:28:29,200 --> 00:28:38,480 Speaker 1: I'm okay, I'm in I go real, real, I have 571 00:28:38,560 --> 00:28:42,360 Speaker 1: real because it just seems someone the X part throws 572 00:28:42,400 --> 00:28:45,040 Speaker 1: me off, yes, but other than that, it all seems 573 00:28:45,080 --> 00:28:48,480 Speaker 1: like the formula. I say, real, Mike, it is real. Yeah. 574 00:28:49,400 --> 00:28:51,240 Speaker 1: I haven't checked that one out. That one sounds good. 575 00:28:51,800 --> 00:28:53,960 Speaker 1: I want to check out Falla La La La fall 576 00:28:54,120 --> 00:28:57,000 Speaker 1: in Love. Yeah, I should write that one. All right, Mike, 577 00:28:57,120 --> 00:28:59,480 Speaker 1: give us one more, all right. This one is called 578 00:28:59,640 --> 00:29:06,160 Speaker 1: rest grinch Faces. These titles are great. Lisa is the 579 00:29:06,200 --> 00:29:08,960 Speaker 1: CEO of a financial company, and she realizes she has 580 00:29:08,960 --> 00:29:11,680 Speaker 1: the reputation of not being the warmest to her employees 581 00:29:11,760 --> 00:29:14,600 Speaker 1: around the holidays. She embarks on a journey to spread 582 00:29:14,640 --> 00:29:17,120 Speaker 1: Christmas cheer around the office for the first time ever. 583 00:29:20,280 --> 00:29:24,200 Speaker 1: That's good. Resting grinch Face is hilarious. It's real good. 584 00:29:24,240 --> 00:29:36,600 Speaker 1: It's like something Mike would ride. Yeah, I'm in Ammy 585 00:29:36,600 --> 00:29:40,240 Speaker 1: and I have the lead by one. Yeah, anybody have Well. Look, 586 00:29:41,120 --> 00:29:43,200 Speaker 1: I didn't even hear the description of the movie because 587 00:29:43,280 --> 00:29:46,360 Speaker 1: that title I know is fake. There's no way a 588 00:29:46,400 --> 00:29:50,040 Speaker 1: boardroom of Hallmark people would be like, Yes, Resting grinch Face, 589 00:29:50,200 --> 00:29:58,880 Speaker 1: It's sometimes say it's fake, fake, fake, Mike, it is fake, Eddie. 590 00:29:58,920 --> 00:30:02,440 Speaker 1: You've been eliminated Amy and I go sudden death. Mike, 591 00:30:02,440 --> 00:30:04,200 Speaker 1: give us another one, all right? This one is called 592 00:30:04,200 --> 00:30:07,240 Speaker 1: the Most Colorful Time of the Year. Ryan is an 593 00:30:07,240 --> 00:30:10,840 Speaker 1: elementary school teacher who learns that he is color blind. Michelle, 594 00:30:10,920 --> 00:30:14,560 Speaker 1: an optometrist and mother at one of his students, helps 595 00:30:14,600 --> 00:30:17,200 Speaker 1: bring color into his life just in time for the holidays. 596 00:30:18,360 --> 00:30:22,400 Speaker 1: Is that abe or something Mike made up? But I'm 597 00:30:23,680 --> 00:30:31,280 Speaker 1: I'm man one, two three, Okay, there will be a winner, Mike, 598 00:30:31,760 --> 00:30:38,680 Speaker 1: what is it? It is real? It is real? And 599 00:30:38,800 --> 00:30:47,360 Speaker 1: what's it called the most Colorful time of the year? Oh, 600 00:30:47,520 --> 00:30:50,000 Speaker 1: Merry Christmas? To me? This is why he doesn't play games. 601 00:30:50,000 --> 00:30:52,880 Speaker 1: He wins everything I held on time for that one. 602 00:30:53,520 --> 00:30:58,840 Speaker 1: Rest in grinch face, though, that's a great was Daniel 603 00:30:58,960 --> 00:31:03,240 Speaker 1: in love? Text is on the phone, Daniel, what's up, buddy? 604 00:31:03,280 --> 00:31:04,800 Speaker 1: I'll just call him because a couple of days ago 605 00:31:04,960 --> 00:31:06,880 Speaker 1: I heard on the podcast where all you guys were 606 00:31:06,920 --> 00:31:10,160 Speaker 1: talking about Baby's movie role and trying to find out 607 00:31:10,160 --> 00:31:12,600 Speaker 1: how much she made. But Eddie won't say how much 608 00:31:12,600 --> 00:31:14,960 Speaker 1: he's making on his reels. That's right, Eddie was all 609 00:31:15,000 --> 00:31:17,320 Speaker 1: about Amy need to tell us, Amy need to tell us, 610 00:31:17,720 --> 00:31:19,160 Speaker 1: But then you won't tell us how much you're making 611 00:31:19,160 --> 00:31:21,680 Speaker 1: on your Instagram reels. I think that people that are 612 00:31:21,720 --> 00:31:23,920 Speaker 1: on Instagram, Yeah, I think so. Like well, listen, like 613 00:31:23,960 --> 00:31:26,400 Speaker 1: people on Instagram, they make money on their reels, so 614 00:31:26,440 --> 00:31:28,800 Speaker 1: they have an idea. We're not actors, like how many 615 00:31:28,840 --> 00:31:31,080 Speaker 1: actors are they're out there. We want to know how 616 00:31:31,160 --> 00:31:32,800 Speaker 1: much you get paid when you go to Hollywood, and 617 00:31:32,840 --> 00:31:34,320 Speaker 1: we want to know how much you're making on your reel. 618 00:31:34,640 --> 00:31:37,920 Speaker 1: It's not It's really not that important. Man. If one says, 619 00:31:37,960 --> 00:31:41,320 Speaker 1: the other will say no. Oh I was gonna say yes, 620 00:31:41,360 --> 00:31:44,000 Speaker 1: but okay, okay, we'll say what are you making? I 621 00:31:44,160 --> 00:31:45,880 Speaker 1: see the thing with Eddie though, is I don't think 622 00:31:45,880 --> 00:31:48,040 Speaker 1: he's making as much as he proclaims to make. You 623 00:31:48,080 --> 00:31:50,680 Speaker 1: don't know that. That's my theory on it. He doesn't 624 00:31:50,720 --> 00:31:55,040 Speaker 1: want to say okay, I made because he takes up 625 00:31:55,080 --> 00:31:58,560 Speaker 1: so much time and it's annoying how he records everything. Yes, 626 00:31:59,000 --> 00:32:00,480 Speaker 1: I think he blows it up up and makes it 627 00:32:00,480 --> 00:32:01,880 Speaker 1: seem like it's a big deal and now he's going 628 00:32:01,920 --> 00:32:04,200 Speaker 1: to be outed for like not really making that much money. 629 00:32:04,320 --> 00:32:06,640 Speaker 1: And I think Amy's embarrassed to say how much she's 630 00:32:06,680 --> 00:32:09,720 Speaker 1: making in Hollywood because it's a lot of money. Why 631 00:32:09,720 --> 00:32:14,120 Speaker 1: don't you guys, Why don't you guys both text me 632 00:32:14,480 --> 00:32:17,800 Speaker 1: what you made? Okay? Uh? Do you want me to 633 00:32:17,800 --> 00:32:20,280 Speaker 1: text you what I made so far? Yeah? You're my reels? Yeah? 634 00:32:20,560 --> 00:32:22,400 Speaker 1: And how so far? About how long have you been 635 00:32:22,400 --> 00:32:25,200 Speaker 1: doing yet? Like? How long is it? Man? There's no stipulations? Well, 636 00:32:25,480 --> 00:32:27,520 Speaker 1: I need to know mine was a one day job. 637 00:32:27,680 --> 00:32:29,680 Speaker 1: In his he's if he If it's a lot, it 638 00:32:29,760 --> 00:32:31,920 Speaker 1: might be the last year. Now I play a song, 639 00:32:32,160 --> 00:32:33,720 Speaker 1: will come back from the song. I don't want to 640 00:32:33,760 --> 00:32:36,440 Speaker 1: talk about it. Let me crunch the number it well, 641 00:32:36,480 --> 00:32:38,200 Speaker 1: I mean, well, would we send it to you? And 642 00:32:38,200 --> 00:32:41,000 Speaker 1: then what you and then I hold you know what 643 00:32:41,080 --> 00:32:46,920 Speaker 1: I mean? Oh? You forgot? Okay, I guess it wasn't 644 00:32:46,920 --> 00:32:50,400 Speaker 1: that much. Okay, texted to me. I will hold the 645 00:32:50,480 --> 00:32:52,720 Speaker 1: keys and then if you both agree after the song, 646 00:32:52,760 --> 00:32:55,560 Speaker 1: I'll release it. And if you don't, I won't love it. Okay, 647 00:32:55,600 --> 00:32:58,360 Speaker 1: obviously I don't even remember yours. Let me play this 648 00:32:58,520 --> 00:33:01,080 Speaker 1: will come back? How much Eddie made on Instagram reels? 649 00:33:01,280 --> 00:33:03,520 Speaker 1: How much Amy made do in the movie Holiday Harmony. 650 00:33:04,080 --> 00:33:10,240 Speaker 1: One day of work she said, state your case, like 651 00:33:10,320 --> 00:33:12,000 Speaker 1: which part. I have a lot of feelings about this 652 00:33:12,320 --> 00:33:14,480 Speaker 1: before I have the number, so like, I don't like 653 00:33:14,600 --> 00:33:18,440 Speaker 1: revealing certain things like this to me. I know, yes, 654 00:33:18,520 --> 00:33:21,120 Speaker 1: I had to fly in to Hollywood and it was 655 00:33:21,120 --> 00:33:23,400 Speaker 1: this whole thing and it was a fourteen hour dawn set, 656 00:33:23,720 --> 00:33:26,280 Speaker 1: but still just like a lot of money, and I'm 657 00:33:26,360 --> 00:33:28,960 Speaker 1: very grateful for it. But I'm just sensitive fact that 658 00:33:28,960 --> 00:33:31,120 Speaker 1: that was a really cool opportunity for me. And I 659 00:33:31,160 --> 00:33:35,200 Speaker 1: don't want anybody to be like, oh, look at that's 660 00:33:35,200 --> 00:33:37,000 Speaker 1: what I think in my head, Like, I don't you 661 00:33:37,040 --> 00:33:40,400 Speaker 1: don't want to brag. Yes, if anyone new to the show, 662 00:33:40,720 --> 00:33:44,360 Speaker 1: I got an email going, hey, so we need somebody 663 00:33:44,360 --> 00:33:46,600 Speaker 1: to walk on this role. You think Amy wod go out? 664 00:33:46,600 --> 00:33:48,840 Speaker 1: I said, yes, she didn't know how much money they 665 00:33:48,880 --> 00:33:50,640 Speaker 1: were going to pay her. I would have done it 666 00:33:50,640 --> 00:33:52,720 Speaker 1: for free. I don't say that. I don't say that. 667 00:33:52,760 --> 00:33:56,080 Speaker 1: Oh just kidding. But I have the number. And then 668 00:33:56,160 --> 00:33:58,640 Speaker 1: Eddie has been doing reels and he keeps hiding how 669 00:33:58,720 --> 00:34:01,120 Speaker 1: much money he's been making from real y'all been asking 670 00:34:01,200 --> 00:34:03,080 Speaker 1: over and over, and I had that number. You know 671 00:34:03,120 --> 00:34:05,680 Speaker 1: what I'm saying, it's none of your business, but I 672 00:34:05,760 --> 00:34:08,279 Speaker 1: had them both and you guys have agreed to say 673 00:34:08,280 --> 00:34:11,200 Speaker 1: them if the other person would say yeah. So mine 674 00:34:11,280 --> 00:34:13,279 Speaker 1: was the total. So I had a sag. There's like 675 00:34:13,520 --> 00:34:16,359 Speaker 1: sag regulations. But then what I didn't know is there's 676 00:34:16,480 --> 00:34:19,680 Speaker 1: kind of overtime and then also the meal penalties when 677 00:34:19,680 --> 00:34:21,640 Speaker 1: I didn't get to eat on time. So that's what 678 00:34:21,719 --> 00:34:24,600 Speaker 1: I added up to. What's funny, bones is that I'm 679 00:34:24,640 --> 00:34:29,359 Speaker 1: thinking Amy's is like crazy. I mean, I'm thinking, like, oh, 680 00:34:29,480 --> 00:34:33,279 Speaker 1: close to a mill? What are you hollywoods? I mean 681 00:34:35,680 --> 00:34:37,759 Speaker 1: for a bathroom scene? I said, short of a mill, 682 00:34:38,520 --> 00:34:41,400 Speaker 1: and it was I saw it, by the way, and Amy, 683 00:34:41,520 --> 00:34:43,680 Speaker 1: that's there was more than a bathroom scene. There was 684 00:34:43,719 --> 00:34:46,480 Speaker 1: a lot of talking, a lot more lines than I thought. Also, 685 00:34:46,760 --> 00:34:50,319 Speaker 1: it was a partnership with our company. So it's like 686 00:34:50,719 --> 00:34:53,040 Speaker 1: the main character even says your name, like, oh, Amy 687 00:34:53,080 --> 00:34:55,520 Speaker 1: says this. Amy says that. Okay, so you're gonna put 688 00:34:55,520 --> 00:34:57,440 Speaker 1: it at picking number, though, Eddie, what do you think 689 00:34:57,480 --> 00:34:59,160 Speaker 1: it is how much she may do in the movie, Well, 690 00:34:59,200 --> 00:35:01,000 Speaker 1: I'm based on your Actually I have to go lower 691 00:35:01,040 --> 00:35:03,719 Speaker 1: than a mill. Well, that was just a stupid thing 692 00:35:03,760 --> 00:35:07,360 Speaker 1: to say. It's so ridiculous, Like, so let's go with 693 00:35:09,000 --> 00:35:13,080 Speaker 1: one hundred thousand, okay, and then Amy Eddie's been annoying 694 00:35:13,120 --> 00:35:15,520 Speaker 1: us with his shooting of Instagram reels and talking to 695 00:35:15,560 --> 00:35:17,440 Speaker 1: how much he's getting paid. How much do you think 696 00:35:17,440 --> 00:35:21,879 Speaker 1: he's made overall? She's counting, Well, I'm trying to think 697 00:35:21,880 --> 00:35:23,960 Speaker 1: of how long he's been doing it, and then how 698 00:35:23,960 --> 00:35:26,239 Speaker 1: many reels has he put up. We also got into 699 00:35:26,239 --> 00:35:27,960 Speaker 1: the fight of a couple and a few. A couple's two, 700 00:35:28,000 --> 00:35:31,880 Speaker 1: a fews three, Yes, that's the definition. Yeah, A couple 701 00:35:32,120 --> 00:35:34,960 Speaker 1: is two, a few it's three. I thought a few 702 00:35:35,080 --> 00:35:37,359 Speaker 1: is like three or more, could be five, could be six, 703 00:35:37,440 --> 00:35:40,680 Speaker 1: but ten isn't a few. Ten is ten, but a 704 00:35:40,719 --> 00:35:42,600 Speaker 1: few is three. Ten is a lot. This is what 705 00:35:42,680 --> 00:35:46,880 Speaker 1: we do off air. Okay, go ahead, okay, okay, okay, okay. 706 00:35:47,120 --> 00:35:49,759 Speaker 1: I'd say in total, the whole time he's been on 707 00:35:50,680 --> 00:35:53,560 Speaker 1: maybe five hundred bucks. That's the whole That's a lot 708 00:35:53,560 --> 00:35:55,600 Speaker 1: of work that he's put into that though, and he 709 00:35:55,680 --> 00:35:57,760 Speaker 1: doesn't want to release it because maybe it's four hundred. 710 00:35:57,760 --> 00:36:00,839 Speaker 1: He's annoyed us for one hundred thousand dollars, but it's 711 00:36:00,840 --> 00:36:02,879 Speaker 1: gonna be less than that, Yeah, I mean maybe even 712 00:36:02,920 --> 00:36:06,040 Speaker 1: three fifty. Well, I will say Amy for a total 713 00:36:06,160 --> 00:36:10,520 Speaker 1: role was paid five thousand dollars. You're revealing that's it. 714 00:36:10,640 --> 00:36:14,120 Speaker 1: Five thousand, that's not it. That's a lot of money, Eddie. Guys, 715 00:36:14,120 --> 00:36:16,160 Speaker 1: I picture a million. Let's be I'm bringing it back 716 00:36:16,160 --> 00:36:19,799 Speaker 1: down to five. Okay, okay, wow, I mean that's pretty cool. 717 00:36:19,800 --> 00:36:23,000 Speaker 1: I mean one day Anson, like, I think back to 718 00:36:23,040 --> 00:36:25,200 Speaker 1: a time I didn't when I first started this show, 719 00:36:25,320 --> 00:36:28,239 Speaker 1: I didn't even make that in like a year, a 720 00:36:28,320 --> 00:36:30,759 Speaker 1: couple of months. But Amy, like Clooney in them, they 721 00:36:30,800 --> 00:36:35,320 Speaker 1: make so much money. I had no prior acting experience. Again, 722 00:36:35,320 --> 00:36:37,839 Speaker 1: it was a thing with iHeart, like I went in, 723 00:36:38,160 --> 00:36:40,640 Speaker 1: they trusted me with that role. Again, I would have 724 00:36:40,640 --> 00:36:43,719 Speaker 1: done it for free. Eddie has made Yeah, we don't 725 00:36:43,719 --> 00:36:45,080 Speaker 1: have to talk about it. Is he lying? Is it 726 00:36:45,160 --> 00:36:50,640 Speaker 1: two hundred twenty thousand? Nope? I know I'm lying. Like, 727 00:36:50,880 --> 00:36:53,120 Speaker 1: if that's the case, then I am doing reels all. 728 00:36:53,760 --> 00:36:59,200 Speaker 1: Eddie has made six hundred and seventy five dollars. Oh wow, Okay, Hey, 729 00:36:59,239 --> 00:37:02,319 Speaker 1: that's chilly. He's like once a week okay, but over 730 00:37:02,520 --> 00:37:04,239 Speaker 1: a span of how long, So you've made one hundred 731 00:37:04,280 --> 00:37:07,480 Speaker 1: dollars a month? Yeah, I'll take it. So back this 732 00:37:07,520 --> 00:37:10,120 Speaker 1: summer he was acting like he was. He's acting like 733 00:37:10,160 --> 00:37:12,640 Speaker 1: he's making millions for bringing you in. Knowing all of 734 00:37:12,680 --> 00:37:13,920 Speaker 1: us so much. He was like, as you have no 735 00:37:14,000 --> 00:37:16,560 Speaker 1: damage money, I'm making one hundred dollars a month? Did 736 00:37:16,600 --> 00:37:19,400 Speaker 1: you think of me more? Eddie's I knew it be 737 00:37:19,440 --> 00:37:22,080 Speaker 1: exactly that amount. Amy, it makes sense. It's a legit 738 00:37:22,120 --> 00:37:24,560 Speaker 1: movie that they put on a streaming service. I would say, yes, 739 00:37:24,600 --> 00:37:26,279 Speaker 1: five thousand is probably where I put it out. He 740 00:37:26,320 --> 00:37:29,160 Speaker 1: may feel better, Yeah, Hey, does Amy get what do 741 00:37:29,160 --> 00:37:32,560 Speaker 1: you call real? No, because it's on a streamer if 742 00:37:32,600 --> 00:37:34,800 Speaker 1: you were airing again in other places they are putting 743 00:37:34,800 --> 00:37:38,320 Speaker 1: it on DVD though. Okay, so'll get a nickname and 744 00:37:38,400 --> 00:37:40,880 Speaker 1: it'll come in a time machine from nineteen ninety seven. 745 00:37:44,200 --> 00:37:47,520 Speaker 1: You're Amy's pile of stories. The most googled artists of 746 00:37:47,560 --> 00:37:51,760 Speaker 1: twenty twenty two are Taylor Swift, Harry Styles, and Kanye West. 747 00:37:52,440 --> 00:37:55,520 Speaker 1: Mm yeah the Kanye stuff not good? Yeah, different reasons. 748 00:37:55,840 --> 00:37:59,040 Speaker 1: They had the highest average monthly searches with over two 749 00:37:59,160 --> 00:38:02,840 Speaker 1: million eats. Not surprised at all three of them. I 750 00:38:02,880 --> 00:38:08,400 Speaker 1: guess Harry Styles massive, but usually it's some sort of controversy. 751 00:38:09,160 --> 00:38:11,680 Speaker 1: And then Taylor's just the most famous person ever Harry 752 00:38:11,760 --> 00:38:14,640 Speaker 1: was in that movie. He had his tour. Yeah, Morgan 753 00:38:14,680 --> 00:38:16,720 Speaker 1: Wallen's not up there though I don't know his country, 754 00:38:16,719 --> 00:38:18,920 Speaker 1: and that's considered niche. It's a lot of folks, but 755 00:38:19,040 --> 00:38:21,960 Speaker 1: he broke a ton of records, So where is he 756 00:38:22,000 --> 00:38:23,360 Speaker 1: on the list is to say I only have the 757 00:38:23,400 --> 00:38:25,759 Speaker 1: top ten and none of them are country. Okay, all right? 758 00:38:25,760 --> 00:38:29,000 Speaker 1: What else? Remember quiet quitting? We talked about that. It's 759 00:38:29,000 --> 00:38:30,719 Speaker 1: when you just start slacking off at your job a 760 00:38:30,760 --> 00:38:32,719 Speaker 1: little bit, your way of just being like, Okay, I'm 761 00:38:32,760 --> 00:38:34,760 Speaker 1: kind of quitting, but I'm still here. Yeah, this show 762 00:38:34,800 --> 00:38:36,799 Speaker 1: is ahead of that. I's been doing us. That's what 763 00:38:36,880 --> 00:38:43,439 Speaker 1: two quietly? All right? Well, there's a new version called 764 00:38:43,560 --> 00:38:46,919 Speaker 1: quiet promotion. It's it's when your boss gives you more 765 00:38:47,080 --> 00:38:51,040 Speaker 1: and more to do, but no actual promotion. That happens 766 00:38:51,080 --> 00:38:55,239 Speaker 1: all the time? Here does it? Does it all the time, 767 00:38:55,640 --> 00:38:59,120 Speaker 1: constantly trying to make your life easier? All right? What else? Okay, 768 00:38:59,120 --> 00:39:02,520 Speaker 1: there's an online involving Cole Swindell that's a little different 769 00:39:02,560 --> 00:39:05,640 Speaker 1: than the ones in the past. This one, some guy 770 00:39:05,760 --> 00:39:08,760 Speaker 1: was pretending to be Cole and talking to these other dudes, 771 00:39:09,120 --> 00:39:12,520 Speaker 1: and he gave him his address and was like, hey, yeah, yeah, permission, 772 00:39:12,520 --> 00:39:14,840 Speaker 1: it's unlocked. You can go inside the house and no problem. 773 00:39:15,120 --> 00:39:17,680 Speaker 1: All good. So the guys show up and then a 774 00:39:17,760 --> 00:39:21,359 Speaker 1: call is made for an active burglary. The police show 775 00:39:21,440 --> 00:39:22,640 Speaker 1: up and they're like, no, no, no, we're here to 776 00:39:22,640 --> 00:39:25,200 Speaker 1: see our friend Cole Swindell's he gave us the address. 777 00:39:25,280 --> 00:39:29,320 Speaker 1: All good and is total scam kind of like swatting. 778 00:39:29,600 --> 00:39:33,399 Speaker 1: But Cole swind Delling, let me get this straight. Cole 779 00:39:33,440 --> 00:39:37,840 Speaker 1: Swindell said, come to my house. Yeah, here's where the 780 00:39:37,880 --> 00:39:43,880 Speaker 1: key is. Yeah, okay, because they're fans, they did. They 781 00:39:43,920 --> 00:39:45,919 Speaker 1: thought they were friend. No, I know why they did. 782 00:39:46,120 --> 00:39:48,000 Speaker 1: But what's the point of the scammer sent him to 783 00:39:48,040 --> 00:39:49,600 Speaker 1: a random place? Well, I think it's a joke on 784 00:39:49,640 --> 00:39:52,759 Speaker 1: the guys, right, Yeah, I feel as though it's it's 785 00:39:52,800 --> 00:39:54,920 Speaker 1: like the swatting when you call the swat team to 786 00:39:54,960 --> 00:39:58,640 Speaker 1: someone's house. It's like huh, which is not appropriate. It's 787 00:39:58,640 --> 00:40:01,319 Speaker 1: a huge waste of resources. People could die. But also 788 00:40:01,360 --> 00:40:03,480 Speaker 1: these people could have died. They think an active burglary 789 00:40:03,600 --> 00:40:05,719 Speaker 1: is taking place. They think Colston Dalla's inviding him to 790 00:40:05,760 --> 00:40:09,799 Speaker 1: the house. Yeah. Remember I did this to Amy where 791 00:40:09,840 --> 00:40:11,879 Speaker 1: we were supposed to like send Amy. It was when 792 00:40:11,880 --> 00:40:13,480 Speaker 1: I first moved here. Amy didn't know where I lived, 793 00:40:13,480 --> 00:40:15,000 Speaker 1: so I gave her a fake address to go check 794 00:40:15,000 --> 00:40:17,840 Speaker 1: out my house. Listened, y'all made me drive around in 795 00:40:17,960 --> 00:40:21,440 Speaker 1: rate yards because Lunchbox and Eddie were saying, my yard's best. No, 796 00:40:21,520 --> 00:40:23,120 Speaker 1: my yard's the best yard of the month. I don't 797 00:40:23,120 --> 00:40:26,440 Speaker 1: remember this. I do because there was a huge waste 798 00:40:26,440 --> 00:40:28,799 Speaker 1: of my time. So I lived close to Lunchbox at 799 00:40:28,840 --> 00:40:30,440 Speaker 1: the time, so it's easy to go check out his yard. 800 00:40:30,480 --> 00:40:32,480 Speaker 1: And I was like, wow, okay, not bad. And then 801 00:40:32,640 --> 00:40:35,359 Speaker 1: Eddie far away, he sends me to the other end 802 00:40:35,360 --> 00:40:37,800 Speaker 1: of the earth to go look at the house. But 803 00:40:37,920 --> 00:40:39,879 Speaker 1: I have to go in the backyard, and I think 804 00:40:39,880 --> 00:40:43,799 Speaker 1: I have permission, and I am snooping around and checking out. 805 00:40:43,840 --> 00:40:46,319 Speaker 1: Oh my god, there's a little fountain back here, and 806 00:40:46,480 --> 00:40:50,120 Speaker 1: oh yes, hey, and this house was nice, right, And 807 00:40:50,160 --> 00:40:51,880 Speaker 1: then I come to work the next day and I 808 00:40:51,920 --> 00:40:54,680 Speaker 1: give my report and Eddie's like, Amy, I have something 809 00:40:54,719 --> 00:40:56,600 Speaker 1: to tell you, and I said what and he said, 810 00:40:56,719 --> 00:41:00,959 Speaker 1: that's not my house. That's hilarious, and then too, dude, 811 00:41:01,000 --> 00:41:03,719 Speaker 1: that's so funny. Yeah, it was hilarious. I mean, it 812 00:41:03,760 --> 00:41:05,920 Speaker 1: could have ended the other way, but it didn't. It 813 00:41:05,960 --> 00:41:08,279 Speaker 1: did not so what a bit. It was long, No, 814 00:41:08,400 --> 00:41:10,520 Speaker 1: I mean literally the house was forty minutes from my house. 815 00:41:10,640 --> 00:41:12,920 Speaker 1: But how nice. That also is funny. You sent her 816 00:41:12,960 --> 00:41:14,920 Speaker 1: far away, You sent her far away, and then you 817 00:41:14,920 --> 00:41:17,920 Speaker 1: sent her into someone else's yard. I don't know. That's 818 00:41:17,920 --> 00:41:21,239 Speaker 1: a great one, man. Thank you. Yeah? Amy, Yeah, what 819 00:41:21,440 --> 00:41:23,680 Speaker 1: is this the pile? I forget it is? Okay, maybe 820 00:41:23,719 --> 00:41:27,880 Speaker 1: that's my pile. That was Amy's pile of stories. It's 821 00:41:27,920 --> 00:41:35,200 Speaker 1: time for the good news. It's a good one. Baylor 822 00:41:35,320 --> 00:41:38,680 Speaker 1: sophomore Lauren Bercino attended a gathering of her fellow volleyball 823 00:41:38,680 --> 00:41:41,600 Speaker 1: players at their coach's house. They were watching the Brackett 824 00:41:41,680 --> 00:41:44,640 Speaker 1: selection for the tournament, the nc Double A Volleyball tournament, 825 00:41:45,360 --> 00:41:47,320 Speaker 1: and so they're all around and they did a white 826 00:41:47,400 --> 00:41:49,600 Speaker 1: elephant gift exchange wherever it brings a gift, and it 827 00:41:49,600 --> 00:41:52,000 Speaker 1: all gets oh, I'll take that, or I'll go and 828 00:41:52,239 --> 00:41:55,960 Speaker 1: pick from the pile, And so Lauren is seen unwrapping 829 00:41:56,000 --> 00:41:58,920 Speaker 1: a couple of gifts which can get taken away by 830 00:41:58,920 --> 00:42:00,680 Speaker 1: the rules. So you have some cool and someone's like, 831 00:42:00,680 --> 00:42:05,000 Speaker 1: I'd rather have that. Then Lauren gets Okay, I'm gonna 832 00:42:05,000 --> 00:42:06,520 Speaker 1: go and I'm gonna grat this she opens it up 833 00:42:07,000 --> 00:42:10,520 Speaker 1: and baboom, she gets a scholarship. They had tried to 834 00:42:10,600 --> 00:42:13,200 Speaker 1: strategically planet. So she got the box, that opened it 835 00:42:13,280 --> 00:42:15,520 Speaker 1: up and it said you just have a full scholarship. Wow. 836 00:42:16,640 --> 00:42:18,719 Speaker 1: And then it got taken away. No, she got to 837 00:42:18,800 --> 00:42:21,239 Speaker 1: keep it. The paper stated that Lauren's getting a full 838 00:42:21,239 --> 00:42:23,439 Speaker 1: scholarship for the fall, spring, and summer semester. She broke 839 00:42:23,480 --> 00:42:26,399 Speaker 1: down the whole room started cheering. Tuition at Baylor it's 840 00:42:26,400 --> 00:42:28,759 Speaker 1: like fifty thousand bucks a year. She was having to 841 00:42:28,800 --> 00:42:30,680 Speaker 1: pay it herself. But now you know, they always do 842 00:42:30,719 --> 00:42:32,560 Speaker 1: these big scholarship and now it was like anybody's like, ahh, 843 00:42:32,760 --> 00:42:34,880 Speaker 1: that's how she got hers. That's so cool, that's awesome. One. 844 00:42:34,880 --> 00:42:37,480 Speaker 1: That's what's all about. Right there, that was tell me 845 00:42:37,560 --> 00:42:38,080 Speaker 1: something good.