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Speaker 1: Hey, Sabrina.

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Speaker 2: Yes, how many movies do you think have been created

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Speaker 2: where it's switching places?

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Speaker 3: Oh my gosh, I mean I think we'd at least

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Speaker 3: be in the hundreds, don't you think?

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Speaker 4: I don't know.

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Speaker 2: By the way, I have no answer to that. It's

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Speaker 2: not like I haven't set up where I'm like, it's

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Speaker 2: fifty eight.

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Speaker 1: I don't know. It just seems like there's lots.

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Speaker 3: Yeah, I mean I think there's over one hundred over

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Speaker 3: a hotiday, right.

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Speaker 5: It doesn't seem like, you know, but in most of them.

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Speaker 3: Again, although it's not reinventing the wheel, if they can

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Speaker 3: do it in a way that like is entertaining, I'll

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Speaker 3: take it.

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Speaker 5: And I also enjoy.

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Speaker 3: Because of like acting experience, and you know, knowing how

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Speaker 3: hard it is to do something like that, I give

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Speaker 3: the actors props.

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Speaker 2: Yeah, absolutely, so pitching one few quickly right now? Okay,

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Speaker 2: it's two podcasts hosts that switch places. So I become

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Speaker 2: a young mom of two kids who has to do

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Speaker 2: dancing recitals and all that kind of stuff, and you

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Speaker 2: become the kind of like no kids, fun loving fifty

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Speaker 2: year old guy just kind of roam in the world

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Speaker 2: having fun.

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Speaker 3: What do you think, Well, that's like my every Wednesday daydream.

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Speaker 1: Will?

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Speaker 5: Is that what it is like on Wednesdays? What does

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Speaker 5: Will do.

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Speaker 1: Right now?

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Speaker 5: Am I doing sweating profusely? No makeup house Wednesdays?

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Speaker 2: Every day, every day, two to four snap time. Everyone

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Speaker 2: knows that that's how it should be.

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Speaker 1: Welcome back to.

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Speaker 2: Magical Rewind, the show that makes you want to grab

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Speaker 2: your friends, your PJS and your popcorn and go back

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Speaker 2: to a time when all the houses are smart wave

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Speaker 2: tsunamis and I could sleep an extra three hours a day.

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Speaker 1: I'm Wilfordell and.

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Speaker 5: I'm Sabrina Brian.

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Speaker 1: You better work girl. Yeah, there it is. No, I'm

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Speaker 1: glad you did it. No, that's what I'm so glad

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Speaker 1: you did it.

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Speaker 2: Because this week we are diving into the world of

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Speaker 2: high fashion body doubles and the origin of a pop star. Yeah,

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Speaker 2: actually it's technically a pop movie star. Well, we'll get

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Speaker 2: into it. It's two thousands wonderful world of Disney Entry

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Speaker 2: model behavior. This movie, premiered on March twelve, two thousand,

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Speaker 2: was based on the book titled Janine and Alex Alex

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Speaker 2: and Janine by Michael A. Graubart. I hope I'm saying

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Speaker 2: that right. Michael Gaubart Levin. Levin has been called the

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Speaker 2: Michael Jordan of ghost writers. Get this, having written, edited,

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Speaker 2: or published more than one thousand books over thirty five years.

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Speaker 1: Oh that's a thousand people year over thirty five years.

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Speaker 2: He's built a twenty million dollar consultation business and appeared

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Speaker 2: on TV shows like Shark Tank as a guest entrepreneur.

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Speaker 2: The guy is the guru of the written word. Truly amazing,

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Speaker 2: and here he is with an entry into the universe

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Speaker 2: of d coms.

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Speaker 1: He has done it all.

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Speaker 2: This was filmed in the Disney Channel Capital to the North. Yes,

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Speaker 2: our wonderful neighbors to.

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Speaker 5: The north, Oh Canada.

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Speaker 2: Oh Canada. Go smell one of their twenty dollars bills.

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Speaker 2: They smell like maple syrup. I'm not even making that

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Speaker 2: up and that's true, Swear to god. Many people have

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Speaker 2: called this gender bending comedy a cross between the Parent

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Speaker 2: Trap and Freaky Friday.

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Speaker 1: So I don't know. We can call it Parent.

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Speaker 2: Friday, Freaky Wednesday, Freaky Trap, but in reality it is

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Speaker 2: a modernized take on the classic Prince and the Popper story,

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Speaker 2: and it still gets talked about quite a bit years later.

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Speaker 2: But that's really because of its soundtrack and very impressive

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Speaker 2: cast where we get yet another actor playing two different characters.

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Speaker 2: We've seen this a lot. I feel like we've been

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Speaker 2: doing a lot of these a lot lately. We just

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Speaker 2: did me too, the other me. You did that last time.

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Speaker 2: Me too is a movement. The other me is an

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Speaker 2: Andy Lawrence movement. That's what it was. So it was

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Speaker 2: the other me, I think, is the one we were

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Speaker 2: looking for.

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Speaker 5: Or so you didn't just call me out Jim It

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Speaker 5: all right?

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Speaker 1: Sorry?

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Speaker 5: What's the other one we did? We did another one.

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Speaker 1: We've done a bunch of these, lots of people characters.

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Speaker 6: Yes.

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Speaker 2: While we will get into Justin Timberlake and his role

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Speaker 2: in this film soon, let's first talk music itself, most

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Speaker 2: notably the song here we Go One More Time by

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Speaker 2: end Sync.

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Speaker 1: Thank you very much.

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Speaker 5: This you better stop it.

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Speaker 1: This was my in sync people.

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Speaker 2: This is when they used to sing for our Disney

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Speaker 2: This is one of the songs they would sing over

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Speaker 2: and over and over again for us at all the

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Speaker 2: Disney events. Yes, wow, it appear to this as well

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Speaker 2: as what I would argue is one of the songs

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Speaker 2: that it is impossible including for people like me, who

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Speaker 2: couldn't dance if our lives depended on it? Not to

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Speaker 2: move and shake to it is Walking on Sunshine but

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Speaker 2: by Katrina and the Waves. Every time it's on, you

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Speaker 2: just got to move your feet. Plus entries from the

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Speaker 2: Rhythmics and switch Foot also very notable additions for a

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Speaker 2: d com. It is very music heavy, but I would

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Speaker 2: like to focus specifically on a girl group that I

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Speaker 2: have a history with, because not only do they have

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Speaker 2: four songs on this soundtrack.

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Speaker 1: They also show up in the movie It's Nobody's Angel,

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Speaker 1: a Disney signed act that if you're a Boy Meets

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Speaker 1: World fan, they're known as the Waitresses. Sean runs into

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Speaker 1: during his senior road trip in what was truly a

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Speaker 1: that crazy episode of Boy Meets World that we of

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Speaker 1: course did on Pod Mets World. As a fellow girl

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Speaker 1: band or Sabrina, Had you ever heard of Nobody's Angel

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Speaker 1: or worked with them or any of that kind of stuff.

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Speaker 3: Never worked with them, but for sure had their like single.

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Speaker 3: At least for sure this was my I mean, I

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Speaker 3: loved pop groups. I love the girl ones, the boy ones,

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Speaker 3: the ones with girls and boys like.

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Speaker 5: The pop groups were it. It was awesome, So I.

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Speaker 2: Can only think of one with both girls and boys.

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Speaker 2: Can you think of more than one?

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Speaker 1: I can only think of one. I think I could

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Speaker 1: S Club seven. Okay, my club ain't no party like

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Speaker 1: an S club party. Of course, I'm sucking.

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Speaker 5: The hell out of me today.

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Speaker 3: I know these songs come on, Yes, I mean, well,

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Speaker 3: that's the only one I can think of. But there

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Speaker 3: was definitely more as the time went on. There was,

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Speaker 3: like I said, there was just pop groups coming out.

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Speaker 2: Yeah, it was pop groups, pop group time, million.

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Speaker 3: Girl groups, a million boy groups. It just was that

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Speaker 3: that was this era for sure.

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Speaker 2: Were you ever in another pop group other than the

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Speaker 2: Cheetah Girls? Did you ever worry we ever in another

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Speaker 2: girl group? Would you ever go to start another girl

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Speaker 2: I was.

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Speaker 3: There was one of the agents within the group that

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Speaker 3: had gotten four or five of us, or no, five

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Speaker 3: or five, around five or six of us.

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Speaker 5: But it was a girl and guy group. But it

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Speaker 5: was all made out of dancers.

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Speaker 3: We got together, did a meeting, we had a rehearsal,

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Speaker 3: we met with the producer, and then nothing.

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Speaker 1: What was the name of the band? Did you even

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Speaker 1: have a name?

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Speaker 5: I don't even think we had a band.

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Speaker 2: No.

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Speaker 3: It was kind of like there was a core of

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Speaker 3: us and we couldn't find the others, and then it

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Speaker 3: kind of just never went anywhere.

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Speaker 1: All right. I would like to propose the name Sabrina,

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Speaker 1: and the nobody's that's why.

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Speaker 2: That's the name I'm gonna pick, and it is now Kennon,

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Speaker 2: thank you very much. Rotten Tomatoes has this movie sitting

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Speaker 2: at sixty five percent, which all things considered, is actually

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Speaker 2: pretty okay. I'll take a d com in the sixty

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Speaker 2: to seventy percent range any day. Hell, in this day

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Speaker 2: and age, I'll take a Marvel.

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Speaker 1: Movie at sixty five percent. So that's just the way

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Speaker 1: it is.

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Speaker 2: This film has one of my absolute favorite movie tropes

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Speaker 2: of all time.

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Speaker 1: Is the best thing ever.

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Speaker 2: It works every time because it's so stupid it doesn't

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Speaker 2: actually ever work, which is when an extraordinarily attractive actress

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Speaker 2: is dressed up as a nerd by giving.

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Speaker 1: Her glasses and putting her hair up. Yep, that's it.

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Speaker 2: So at some point she can just take off those

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Speaker 2: glasses and let her hair down and oh my god,

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Speaker 2: she was gorgeous all the time.

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Speaker 1: Whaa wow, we didn't see that.

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Speaker 2: She was actually a ten Are you kidding me? Come on,

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Speaker 2: it is just pure not cinema. I absolutely love it.

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Speaker 2: And here we get a double whammy because the hot

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Speaker 2: girl and the nerd girl are played by this Yes,

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Speaker 2: that's right, but before we get into that, you can

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Speaker 2: watch model behavior right now.

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Speaker 1: But for the first time.

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Speaker 2: Ever, we had to get a little creative, and we

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Speaker 2: talked about this on the last podcast where Tara producer

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Speaker 2: Tara suited up in a stealth suit and we had

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Speaker 2: to break into the CIA Disney building much the same

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Speaker 2: way as Tom Cruise in a mission possible where if

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Speaker 2: she touched the floor everything.

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Speaker 1: Would have been over.

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Speaker 2: Had a harness and a rope, and she came down

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Speaker 2: and she was able to sneak off in a fire truck. Yes,

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Speaker 2: through rigorous research and intense navigation from said produce Atara,

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Speaker 2: we found a way to watch it.

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Speaker 1: Through the Internet archive. That's right.

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Speaker 2: This movie is so forgotten that we had to go

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Speaker 2: back in time with a site that makes.

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Speaker 1: Sure things don't get lost forever. It's crazy.

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Speaker 2: So we'll be putting the link that we used in

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Speaker 2: the show notes and on our Instagram so you can

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Speaker 2: go and watch it now before we get.

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Speaker 1: Into it or after. Either way, it's going to ruin

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Speaker 1: the Tour, the World Tour. Yeah, that's right, but to.

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Speaker 5: Be to give you a little bit of a side

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Speaker 5: barter disclaimer.

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Speaker 3: When you pull it up, there's a weird image on it.

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Speaker 1: It looks like Freddy Krueger.

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Speaker 3: It looks like Freddy Krueger. So I'm like, uh, did

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Speaker 3: they just give me the wrong link? And oh no,

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Speaker 3: and no it's the movie. I got a little worried

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Speaker 3: at first.

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Speaker 2: It is not the best quality, We'll be honest with you.

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Speaker 2: Watch it on the smallest screen, if you can watch

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Speaker 2: it on.

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Speaker 5: The watch made me more nervous about it than it

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Speaker 5: actually was.

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Speaker 2: It wasn't too bad, but it's like watching something on

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Speaker 2: the youtubes where it's like, Okay, this is ripped from TV.

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Speaker 2: It doesn't look great, but you get the gist of

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Speaker 2: what's going on totally. And I ask you this every

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Speaker 2: week because we're supposed to. It's part of our contract.

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Speaker 2: Had you heard of this movie before?

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Speaker 5: I had seen it once?

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Speaker 1: You've seen this before once? Yes?

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Speaker 3: You know ginormous fan of in Sync like ginormous, So

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Speaker 3: anything any of them ever did outside of their group,

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Speaker 3: I would watch. But I wasn't like a giant like

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Speaker 3: are giant fan lots of our producers giant fans. There

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Speaker 3: wasn't a movie I watched over and over again, but

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Speaker 3: I liked it. I remember liking it, but wasn't I

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Speaker 3: guess at the age demo to be obsessed with it

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Speaker 3: the way I think there are a lot of our

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Speaker 3: fans are going to be nostalgic and obsessed about this one.

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Speaker 1: Well.

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Speaker 2: I talked to produce again, you watch it over and over. Yeah,

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Speaker 2: She's like, you watched this movie over and over and over.

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Speaker 3: Again, you can rewatching it. I was like, Oh, this

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Speaker 3: was this movie was probably giant, giant.

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Speaker 2: Oh, I'm sure knock knock, who's there. I never heard

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Speaker 2: of this movie before it came. Now, let's remodel your

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Speaker 2: mirror and look into your own eyes. It's time for

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Speaker 2: the synopsis. When shy, awkward Alex Burrows dreams of escaping

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Speaker 2: her ordinary teenage life, she discovers that she looks exactly

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Speaker 2: like glamorous teen supermodel Jeanine Adams. After the two girls

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Speaker 2: switch places, Alex is thrust into the cutthroat world of fashion,

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Speaker 2: while Janine experiences normal high school life, leading both to

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Speaker 2: discover who they really are and what truly met. This

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Speaker 2: movie was directed by Mark Rossman. He had directed a

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Speaker 2: wonderful World of Disney movie called Time Flyer early in

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Speaker 2: his career, and would go on to direct a very

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Speaker 2: few decoms, including the often referenced Life Size with Lindsay

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Speaker 2: Lohan and Tire Banks. He has some other big titles

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Speaker 2: on his resume, including A Cinderella Story The Perfect Man,

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Speaker 2: both with Hillary Duff, which makes sense because he directed

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Speaker 2: a lot of The Lizzie McGuire Show too. It also

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Speaker 2: kind of awesome that Rossman began his career with a

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Speaker 2: genre B movie, the nineteen eighty two slasher The House

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Speaker 2: on Sorority Row, so certainly a fun career trajectory. Now

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Speaker 2: let's get into the very impressive cast. Maggie Lawson stars

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Speaker 2: in this movie as Alex Burrows and Jannine Adams, pulling

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Speaker 2: off the dcom double duty, something we just recently saw

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Speaker 2: in Andy Lawrence's Me Too.

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Speaker 1: I'm kidding, that's what Sabrina calls it. It is the

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Speaker 1: other Me.

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Speaker 2: Lawson is best known as Juliette in Psych, but has

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Speaker 2: been acting since she was a kid, even appearing on

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Speaker 2: Boy Metsworld some other shows you've seen her on as

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Speaker 2: a kid, Step by Step Home Improvement, Party of Five,

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Speaker 2: and Felicity. But as she grew up, she continued to

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Speaker 2: work and work and work, and work and work. She's

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Speaker 2: seen in films like Pleasantville, Gamer and a bunch of

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Speaker 2: popular Christmas movies and TV shows like Two and a

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Speaker 2: Half Men, Party of Five, and The Ranch. She is

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Speaker 2: also incredibly talented and a very very nice person. Next up,

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Speaker 2: and I think we're forced to put her in the

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Speaker 2: Dabney Reynolds chair. It's TV host Hall of Famer Kathy

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Speaker 2: Lee Gifford as Deirdre.

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Speaker 1: From nineteen eighty.

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Speaker 2: Five to two thousand, she was the host of Live

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Speaker 2: with Regis and Kathie Lee.

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Speaker 1: I hope I did the exclamation point.

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Speaker 2: Proud there a staple of daytime TV that even I

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Speaker 2: was on that revolutionized the timesplot I will never forget.

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Speaker 1: I walked out and Reis looked at me and went, wow,

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Speaker 1: look at the stars in this kid's eyes. It was

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Speaker 1: the greatest entrance I've ever had.

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Speaker 5: It's true, you still have them? Will you still have you?

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Speaker 1: Thank you, those wide eye stars.

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Speaker 2: She is now part of another massive TV program, co

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Speaker 2: hosting the fourth hour of NBC's Today Show alongside Hoda.

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Speaker 2: She's been nominated for eleven Daytime Emmy nominations, winning one.

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Speaker 1: But she has done it all.

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Speaker 2: She's a singer and actress, a host, a spokesperson, and

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Speaker 2: a great talk show guest too. She's a legend. And

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Speaker 2: her son Cody is in this movie as well. He

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Speaker 2: plays Max Adams and is a terrible, terrible actor. Then

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Speaker 2: making his film debut, It Is Justin Timberlake as Jason

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Speaker 2: Justin Timberlake, became famous as a founding member of the

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Speaker 2: legendary boy band n Sinc.

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Speaker 1: I Think is how you pronounce it?

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Speaker 2: Sink n Sync, always the Golden Boys standout heart throb

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Speaker 2: of the five members. He eventually put together a very

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Speaker 2: impressive solo career and a pivot to Hollywood. He appeared

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Speaker 2: in the true crime drama Alpha Dog, The Social Network,

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Speaker 2: Friends with Benefits, and Palmer, but is now best known

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Speaker 2: as the voice of Branch and the Trolls movies. Also

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Speaker 2: worth noting, he is a Hall of Fame SNL host.

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Speaker 2: I'm not even gonna ask, because you've already told me

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Speaker 2: you're clearly Was he your favorite of the end Sinkers? Ah?

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Speaker 5: No, Do you know what's crazy?

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Speaker 3: I was thinking about that as I was watching the movie.

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Speaker 3: Then thinking about it, you know, over the last couple

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Speaker 3: of days, I wasn't really a giant fan of any

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Speaker 3: of them, particularly individually.

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Speaker 5: I didn't have a crush on end any of them.

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Speaker 3: I didn't think any of them were like so gorgeous

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Speaker 3: except for now my homie Joey Fatone.

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Speaker 5: You know you're the best. But at the time, I.

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Speaker 3: Really legitimately didn't have that for in Sync. What I

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Speaker 3: loved about in Sync isse I thought they were phenomenal,

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Speaker 3: and I thought they were so talented. Their songs were

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Speaker 3: so good, their music videos were so creative. I thought

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Speaker 3: they were the best boy band out there, absolutely hands down.

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Speaker 3: But I was realizing that watching this movie. I think

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Speaker 3: I always kind of thought like, oh, yeah, I'm sure

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Speaker 3: I had a crush. I never had a crush on

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Speaker 3: any of them, which is weird.

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Speaker 1: Do you hear a crush on growing up?

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Speaker 5: Jesse from Full House?

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Speaker 1: Okay?

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Speaker 5: Stand out?

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Speaker 1: There you go. So you're a John Stamos fan?

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Speaker 6: Yeah?

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Speaker 5: Huge.

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Speaker 3: He just posted something about him singing in Japan and

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Speaker 3: I was like, oh man, how much is it to

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Speaker 3: get to jam?

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Speaker 1: Wow?

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Speaker 6: Wow?

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Speaker 1: How many yen are you going.

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Speaker 3: To spend to go over and see this guy, I would, Okay,

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Speaker 3: but yeah, I guess, yeah, I know.

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Speaker 5: I don't feel like I had to see from.

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Speaker 1: Full house is a perfectly acceptable answer. Okay.

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Speaker 2: By the way, I saw Backstreet Boy Sphere again. I've

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Speaker 2: talked about it. It's such a phenomenal show, and I

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Speaker 2: got to we asked them, you know, hey, do you

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Speaker 2: think n Sink should do this? What would it take

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Speaker 2: to get them back together? And just the idea of

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Speaker 2: and sinc it sphere would be phenomenal. I mean, they

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Speaker 2: would sell it out every night, just like Backshit Boys

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Speaker 2: did because they it's a.

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Speaker 1: Great venue in a great band. They really were.

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Speaker 2: And I mentioned these girls earlier, but Boy and Podmets

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Speaker 2: World fans will recognize Nobody's angel playing themselves. The girl

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Speaker 2: group was signed by Disney Records and were placed all

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Speaker 2: over their programming in an attempt to blow them up,

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Speaker 2: including a somewhat strange episode of Boy Meets World back

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Speaker 2: set in a diner. If this is another example of

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Speaker 2: the studio's attempted synergy, even if unfortunately it failed in

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Speaker 2: the end, and this movie runs, oh oh, it's a

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Speaker 2: wonderful dish that I want to suckle at the teat

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Speaker 2: of it runs eighty five minutes. Love it guys, not

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Speaker 2: ninety but close enough and most importantly short enough.

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Speaker 1: You know what they say under ninety and that is findy.

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Speaker 2: No one actually says that, And I'm embarrassed that I

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Speaker 2: just did, and I just want you all to know

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Speaker 2: that I apologize.

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Speaker 1: And the movie has three writers.

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Speaker 2: First up, we have David Koukoff and Matt Rushkau, a

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Speaker 2: writing team that didn't really have a ton of credits, but.

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Speaker 1: They are heavy on the d coms, and they wrote

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Speaker 1: a little.

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Speaker 2: Film called hh, Double hockey Sticks, the movie starring the

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Speaker 2: beautiful Matt Lawrence and.

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Speaker 5: Newbody No No No I.

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Speaker 1: Was in it too.

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Speaker 2: They also wrote Mister Had Mistress Switching Goals and the

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Speaker 2: ABC family film with my pal Christi Cars from Romano

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Speaker 2: called Campus Confidential. Then we have Michael Levine or Levine,

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Speaker 2: and this is his only writing credit. This is another

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Speaker 2: one of those situations we've talked about a number of

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Speaker 2: times where someone had the idea and they were paired

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Speaker 2: off with somebody that Disney trusted. Happens all the time,

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Speaker 2: and so it's almost the fallball. So let's get a

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Speaker 2: guy to like you by lying about your identity let's

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Speaker 2: get into model behavior. We open at a house party

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Speaker 2: and we experience it from behind a camquarder. Remember those people.

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Speaker 2: People are dancing, couples are making out, and sweater vests

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Speaker 2: are worn by all. We meet Alex, who Sharon the

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Speaker 2: videographer has found locked in a bedroom. Alex is dweebee.

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Speaker 2: You can tell because she has glasses. So is Sharon,

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Speaker 2: who's also wearing glasses, and their hair.

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Speaker 1: Isn't long and flowy. Nerds.

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Speaker 2: Sharon says that the so ridiculous, but it's true, these

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Speaker 2: two incredibly beautiful.

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Speaker 1: Girls that are the nerds of the school. Yes, Sharon says.

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Speaker 2: The target is in the living room and she's talking

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Speaker 2: about cutie Eric Singer, a hunk that barely knows Alex exists.

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Speaker 2: But the fallball is in two weeks and she needs

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Speaker 2: a date. Sharon acts as the perfect type woman, telling

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Speaker 2: her she's funny and cool and the next fresh face

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Speaker 2: in the fashion industry. The speech gives her bestie enough

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Speaker 2: confidence to leave the bathroom and boom, she bumps literally

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Speaker 2: right into Eric's singer. But before she can say anything

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Speaker 2: other than well, hello.

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Speaker 1: Her pager goes off.

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Speaker 2: Yes, oh so comforting, welcome back to Pager's magical rewind

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00:18:12,000 --> 00:18:16,000
Speaker 2: always happy to see you return. Instinctially, she tells Eric

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Speaker 2: it's her mom and dad, then quickly corrects herself it's

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Speaker 2: someone else's mom and dad. Eric wants to know one thing, though,

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Speaker 2: can she please move? He needs to go to the bathroom,

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Speaker 2: and to add insult to injury, some cool girls saw

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Speaker 2: the whole thing go down and call her a bag lady.

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Speaker 2: Alex leaves the party, thinking her sad, sack nerd life

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Speaker 2: will never change cause again glasses, she doesn't have much

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Speaker 2: of a life ahead of her. When she returns home,

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Speaker 2: she's startled by the bright light of her little brother's camcorder.

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Speaker 2: There's cam quarters all over this movie two. In the

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Speaker 2: first ninety seconds. He's busting her for missing curfew. Wants upstairs.

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Speaker 2: Her dad expresses his disappointment because she's too tired for

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Speaker 2: school and work. She helps him with catering. She admits

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00:18:54,200 --> 00:18:57,200
Speaker 2: she's now the junior class spinster and closes herself off

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Speaker 2: in her bedroom. Now in bed, she looks at the

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Speaker 2: new you have teen Flair, which I'm sure was suposed

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Speaker 2: to be teen beat or teen people. She dreams of

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Speaker 2: a life like the cover girl being a supermodel would

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00:19:06,560 --> 00:19:08,920
Speaker 2: just be the best. As she falls asleep, we cut

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Speaker 2: to that beautiful cover girl, Janine Adams, trying to order

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Speaker 2: some greasy Chinese food from her house, which by the way,

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00:19:14,359 --> 00:19:17,800
Speaker 2: has a car inside of it. She's interrupted by her mom, Deirdre,

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Speaker 2: disappointed that she's ordering fattening foods, she takes the phone

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Speaker 2: away and orders her steam broccoli. Yes, it is return

434
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Speaker 2: to that fan favorite, another reoccurring theme of d COM's

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00:19:27,200 --> 00:19:30,560
Speaker 2: weight issues and eating disorders for young women. These are

436
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Speaker 2: just so common in the media at the time. Yep, Well,

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Speaker 2: we'll get into that.

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Speaker 1: We get a mention of Star sixty nine here too, Sabrina,

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Speaker 1: do you remember.

440
00:19:38,440 --> 00:19:39,679
Speaker 5: How that was?

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Speaker 3: I was like Star sixty nine on my Sabrina seeds like, oh,

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Speaker 3: that used to be the best thing you could do

443
00:19:46,880 --> 00:19:51,119
Speaker 3: on a phone line, A landline, people, a land line

444
00:19:51,960 --> 00:19:53,679
Speaker 3: the call killer.

445
00:19:53,960 --> 00:19:57,320
Speaker 2: Yes, Janine is set off to do a face mask

446
00:19:57,320 --> 00:19:59,840
Speaker 2: and we established that she has a real mamager type

447
00:19:59,840 --> 00:20:02,679
Speaker 2: with Kathy Lee Gifford. Also, Jeanne's little brother, played by

448
00:20:02,760 --> 00:20:05,159
Speaker 2: Kathy Lee's son, booked a photoshoot that will send them

449
00:20:05,200 --> 00:20:07,800
Speaker 2: off to Aruba for two weeks, leaving Jeanine home alone.

450
00:20:07,840 --> 00:20:10,080
Speaker 2: She's clearly excited to be away from the pressures of

451
00:20:10,119 --> 00:20:13,160
Speaker 2: her stage mom. Now in bed, she sees herself on TV.

452
00:20:13,359 --> 00:20:15,680
Speaker 2: It's a House of Fashion magazine show all about how

453
00:20:15,680 --> 00:20:18,440
Speaker 2: she's taking the fashion world by storm, and she's gotten

454
00:20:18,440 --> 00:20:22,639
Speaker 2: the attention of fellow team model Hatty and lothario Jason Sharp.

455
00:20:23,880 --> 00:20:25,560
Speaker 1: Okay, bear with me.

456
00:20:25,840 --> 00:20:28,320
Speaker 2: This does not excite Jeanine, who quickly changes the channel

457
00:20:28,359 --> 00:20:30,199
Speaker 2: to the Food Network. It's about baking cakes and she

458
00:20:30,240 --> 00:20:32,240
Speaker 2: loves it. Cooking seems to be a real passion. But

459
00:20:32,240 --> 00:20:35,280
Speaker 2: as soon as she's experiencing joy, Deirja yells at her

460
00:20:35,359 --> 00:20:41,560
Speaker 2: lights out House of Fashion more like House Arrest. Okay,

461
00:20:42,960 --> 00:20:47,639
Speaker 2: can anyone, especially back in the day, name a male

462
00:20:48,280 --> 00:20:49,720
Speaker 2: seventeen year old supermodel.

463
00:20:50,920 --> 00:20:54,040
Speaker 1: Was there even such a thing? Did that exist?

464
00:20:54,680 --> 00:20:54,920
Speaker 5: Yes?

465
00:20:55,040 --> 00:21:00,600
Speaker 3: I think Ashton Kutcher was reason after Runway at walking

466
00:21:00,600 --> 00:21:03,600
Speaker 3: the Runway at seventeen, Riley Smith.

467
00:21:03,800 --> 00:21:06,200
Speaker 5: Yes, Riley Smith talked about it. He was a model.

468
00:21:06,320 --> 00:21:09,040
Speaker 5: He was like York runway model, right, he.

469
00:21:09,040 --> 00:21:11,880
Speaker 2: Might have been walking. But nobody knew Ashton Kutcher back

470
00:21:11,920 --> 00:21:14,000
Speaker 2: in the day as a model. Nobody knew Ashton Kutcher

471
00:21:14,080 --> 00:21:15,560
Speaker 2: until he was on He was an actress.

472
00:21:15,600 --> 00:21:18,480
Speaker 5: Oh, I see what There wasn't a famous teen.

473
00:21:18,480 --> 00:21:19,640
Speaker 1: Model that was a guy?

474
00:21:19,840 --> 00:21:20,119
Speaker 4: Yeah?

475
00:21:20,480 --> 00:21:24,480
Speaker 2: Yeah, I mean when they said that the famous teen supermodel,

476
00:21:24,480 --> 00:21:25,440
Speaker 2: and like that's not a thing.

477
00:21:25,480 --> 00:21:26,680
Speaker 1: You're making up a category.

478
00:21:26,920 --> 00:21:29,120
Speaker 5: Yeah, And why couldn't have he just been a pop star?

479
00:21:29,320 --> 00:21:29,560
Speaker 1: Right?

480
00:21:29,680 --> 00:21:30,679
Speaker 5: Like he like he was?

481
00:21:31,000 --> 00:21:35,280
Speaker 2: Why couldn't he been Musten Stimberlake? Like why why would

482
00:21:35,320 --> 00:21:38,240
Speaker 2: they named Mustin Musten?

483
00:21:38,359 --> 00:21:38,840
Speaker 6: Great name.

484
00:21:39,000 --> 00:21:40,840
Speaker 2: I get a kid, now that's his name. It's gonna

485
00:21:40,840 --> 00:21:45,280
Speaker 2: be little Mustin girl or boy. This is the Mustiest exactly,

486
00:21:45,960 --> 00:21:47,400
Speaker 2: this is my son Musten.

487
00:21:47,720 --> 00:21:50,240
Speaker 1: I love it. I love it. Okay, Yeah, I just didn't.

488
00:21:50,240 --> 00:21:51,159
Speaker 1: It didn't make any sense to me.

489
00:21:51,160 --> 00:21:53,200
Speaker 5: But any Yeah, no, that's true. That's a good point

490
00:21:53,280 --> 00:21:54,000
Speaker 5: because that's.

491
00:21:53,880 --> 00:21:55,160
Speaker 1: Making a pop star. It didn't.

492
00:21:55,200 --> 00:21:57,879
Speaker 2: Yeah, there's no such thing as a male teen supermodel.

493
00:21:57,920 --> 00:21:58,840
Speaker 2: It's not a category.

494
00:21:58,920 --> 00:21:59,120
Speaker 6: Yeah.

495
00:21:59,160 --> 00:22:01,840
Speaker 1: Make him, there's so much Make must In an actor.

496
00:22:02,200 --> 00:22:02,400
Speaker 3: Yeah.

497
00:22:02,920 --> 00:22:05,080
Speaker 1: The next morning, we are back at Alex's house.

498
00:22:05,119 --> 00:22:07,520
Speaker 2: She tries to get her dad to look at her sketches,

499
00:22:07,560 --> 00:22:10,440
Speaker 2: but he's busy working on the catering job, which of course.

500
00:22:10,200 --> 00:22:11,119
Speaker 1: She's dressed to help at.

501
00:22:11,440 --> 00:22:13,720
Speaker 2: Alex also announces she's on a diet because we can't

502
00:22:13,760 --> 00:22:16,760
Speaker 2: just have one female character unhealthily mentioning her weight. But

503
00:22:16,800 --> 00:22:19,919
Speaker 2: we need to also Alex got some mail. It's a

504
00:22:20,000 --> 00:22:22,800
Speaker 2: letter from the Fashion Institute's summer program. They're coming in

505
00:22:22,800 --> 00:22:25,159
Speaker 2: two weeks to do a home interview, and ladies and gentlemen,

506
00:22:25,520 --> 00:22:28,720
Speaker 2: we might have new inductees to the Bad decom Parents Club,

507
00:22:28,800 --> 00:22:32,200
Speaker 2: as her dad barely cares and her mom suggests quote

508
00:22:32,280 --> 00:22:35,760
Speaker 2: unquote newer clothes for when the school official visits. Oh boy,

509
00:22:36,480 --> 00:22:39,200
Speaker 2: do I have your approval? Sabrina? Do you think they're

510
00:22:39,240 --> 00:22:42,520
Speaker 2: They're not quite the worst, but they still kind of

511
00:22:42,560 --> 00:22:43,600
Speaker 2: suck on both sides.

512
00:22:44,080 --> 00:22:48,600
Speaker 3: Yes, I mean absolutely this dad is and I get it.

513
00:22:48,680 --> 00:22:52,639
Speaker 3: I didn't have parents that had a business growing up

514
00:22:52,720 --> 00:22:57,119
Speaker 3: that I had any opportunity to participate in, right, So

515
00:22:57,480 --> 00:23:01,560
Speaker 3: I don't Okay, I must imagine we watched the movie

516
00:23:01,600 --> 00:23:04,480
Speaker 3: with the Indian restaurant that she was a server at,

517
00:23:04,520 --> 00:23:07,760
Speaker 3: So I assume when that kind of happens, like you

518
00:23:07,760 --> 00:23:10,680
Speaker 3: have a family business that your kids could actually participate

519
00:23:10,760 --> 00:23:14,840
Speaker 3: in help. But the idea of that becoming more than

520
00:23:15,000 --> 00:23:18,359
Speaker 3: any other thing like this just seems like too much,

521
00:23:18,440 --> 00:23:20,520
Speaker 3: Like you're putting on too much for your young kid,

522
00:23:20,560 --> 00:23:23,160
Speaker 3: who should have the opportunity to be a kid, whether

523
00:23:23,240 --> 00:23:25,480
Speaker 3: or not they take on this business, Like, why are

524
00:23:25,560 --> 00:23:27,560
Speaker 3: you making those kinds of decisions when they're.

525
00:23:27,440 --> 00:23:30,679
Speaker 2: That's Susan third fourteen, Susan worked in her family business,

526
00:23:30,720 --> 00:23:33,359
Speaker 2: but they always she was a cheerleader and they you know,

527
00:23:33,840 --> 00:23:36,439
Speaker 2: she always had a life, but she also worked in

528
00:23:36,440 --> 00:23:37,119
Speaker 2: the family business.

529
00:23:37,160 --> 00:23:38,879
Speaker 1: Everybody did, so it was the same kind of thing.

530
00:23:38,920 --> 00:23:41,159
Speaker 2: But it wasn't like you can't go out and have

531
00:23:41,200 --> 00:23:44,720
Speaker 2: a life because at sixteen, you're responsible for keeping my

532
00:23:44,760 --> 00:23:46,359
Speaker 2: business afloat, right, And he.

533
00:23:46,400 --> 00:23:48,600
Speaker 3: Also is talking about her being like a big CEO,

534
00:23:48,720 --> 00:23:51,359
Speaker 3: which is great. I think goals are good, just putting

535
00:23:51,359 --> 00:23:54,399
Speaker 3: those goals out there, having your kids drive for something.

536
00:23:54,480 --> 00:23:57,360
Speaker 3: But at the same time, like once you graduate high

537
00:23:57,359 --> 00:24:00,280
Speaker 3: school in college, that is your life, you know, a

538
00:24:00,400 --> 00:24:01,200
Speaker 3: career and.

539
00:24:01,080 --> 00:24:04,240
Speaker 5: Doing whatever those decisions are. Let your kids be kids

540
00:24:04,280 --> 00:24:06,520
Speaker 5: for a minute. I instantly was like, oh, I hate this.

541
00:24:06,600 --> 00:24:09,639
Speaker 3: And then of course, you know, it's hard to to

542
00:24:09,840 --> 00:24:13,480
Speaker 3: not understand that this is a typical crazy stage mom.

543
00:24:13,800 --> 00:24:16,919
Speaker 2: Oh yeah, this is this is I've met people like this.

544
00:24:17,000 --> 00:24:19,439
Speaker 2: I mean, this is not it's not a caricature.

545
00:24:19,560 --> 00:24:23,240
Speaker 3: There's no and this is a huge reason why I

546
00:24:23,280 --> 00:24:25,639
Speaker 3: would also part of a reason why I would want

547
00:24:25,680 --> 00:24:27,800
Speaker 3: to pull back from putting Monroe in because I would

548
00:24:27,800 --> 00:24:30,359
Speaker 3: never want anyone to think that that would be because

549
00:24:30,400 --> 00:24:33,560
Speaker 3: of something that maybe I didn't fulfill within my career.

550
00:24:33,840 --> 00:24:36,440
Speaker 3: So now I'm having my kid do it. No, No,

551
00:24:36,960 --> 00:24:39,040
Speaker 3: she's gonna have to pull me by my hair to.

552
00:24:39,000 --> 00:24:41,040
Speaker 1: Get which is what I had to do with my parents,

553
00:24:41,400 --> 00:24:42,000
Speaker 1: which is what I.

554
00:24:43,440 --> 00:24:46,520
Speaker 5: For years. It took me like two almost three years.

555
00:24:46,560 --> 00:24:48,680
Speaker 3: So if she wants to do it, she's gonna have

556
00:24:48,720 --> 00:24:50,480
Speaker 3: to really show me that this is what she wants.

557
00:24:50,520 --> 00:24:53,160
Speaker 5: Otherwise, like, yep, we're going to find a new dream.

558
00:24:53,119 --> 00:24:55,680
Speaker 2: Crazy as long as her as long as the dream

559
00:24:55,720 --> 00:24:57,480
Speaker 2: is also yours, that'll be fine, of.

560
00:24:57,400 --> 00:25:01,040
Speaker 5: Course, as long as as long as.

561
00:25:00,320 --> 00:25:02,200
Speaker 2: You are gonna build model trains for the rest of

562
00:25:02,240 --> 00:25:05,399
Speaker 2: your life. We are now back with Janine, who is

563
00:25:05,480 --> 00:25:07,840
Speaker 2: busy being an elite model, yelling at a manicurist and

564
00:25:07,880 --> 00:25:10,640
Speaker 2: screaming for a latte. This is when we meet Monique,

565
00:25:10,680 --> 00:25:13,520
Speaker 2: her assistant, a meager Scooby Doo film a looking girl

566
00:25:13,560 --> 00:25:16,439
Speaker 2: who likes to keep her schedule. Deirdre is on her

567
00:25:16,480 --> 00:25:18,760
Speaker 2: way out, sad she's going to miss her daughter's first

568
00:25:18,800 --> 00:25:20,800
Speaker 2: book launch, but suggests would be good for her career

569
00:25:21,119 --> 00:25:24,480
Speaker 2: to date that heart throt Jason Sharp, So she's also

570
00:25:24,560 --> 00:25:27,560
Speaker 2: trying to pimper out to Jason, but Janine isn't hearing it.

571
00:25:27,680 --> 00:25:30,440
Speaker 2: Deirdre explains when she was a model, she did everything

572
00:25:30,480 --> 00:25:32,600
Speaker 2: her handler told her to do because they know what

573
00:25:32,600 --> 00:25:34,880
Speaker 2: they're talking about. And with that, Deirdre and little brother

574
00:25:34,960 --> 00:25:37,880
Speaker 2: Max finally leave the star model home alone. We also

575
00:25:38,000 --> 00:25:40,400
Speaker 2: got an offensive word in the scene, something we would

576
00:25:40,480 --> 00:25:42,680
Speaker 2: never hear in a Disney movie now, really any movie.

577
00:25:42,760 --> 00:25:45,359
Speaker 2: She calls him dm word, which nobody says anymore, and

578
00:25:45,400 --> 00:25:47,800
Speaker 2: it's just a good example how some words just aren't

579
00:25:47,840 --> 00:25:48,399
Speaker 2: used anymore.

580
00:25:48,400 --> 00:25:50,080
Speaker 1: And we move on. Hey, we don't judge it. It

581
00:25:50,160 --> 00:25:52,200
Speaker 1: was of the time, but it hits the.

582
00:25:52,160 --> 00:25:54,040
Speaker 2: Ear weird when you hear it now, and that's exactly

583
00:25:54,119 --> 00:25:54,840
Speaker 2: how it should do.

584
00:26:01,720 --> 00:26:01,960
Speaker 6: Now.

585
00:26:02,000 --> 00:26:04,320
Speaker 2: Over at Alex's catering gig, she is hard at work

586
00:26:04,359 --> 00:26:07,440
Speaker 2: but still looking dorky. Then it's revealed that she's not

587
00:26:07,480 --> 00:26:10,520
Speaker 2: just catering but the Janite Adams book launch. Yes, our

588
00:26:10,520 --> 00:26:14,000
Speaker 2: two characters are intersecting everybody at the art places.

589
00:26:14,760 --> 00:26:17,000
Speaker 1: Here we go bout to go down.

590
00:26:17,720 --> 00:26:19,919
Speaker 2: Janine pulls up in a limo to tons of adoring

591
00:26:19,960 --> 00:26:23,080
Speaker 2: fans and paparazzi, but instead of signing autographs, assistant Monique

592
00:26:23,119 --> 00:26:27,200
Speaker 2: just stamps photos as they pass. Yes, Janine is a diva.

593
00:26:27,760 --> 00:26:29,960
Speaker 2: Now inside the party, she's talking to a reporter, trying

594
00:26:29,960 --> 00:26:32,560
Speaker 2: her hardest to seem excited about the new coffee table book,

595
00:26:32,800 --> 00:26:36,280
Speaker 2: but she's drawn in by a gorgeous and glorious smell. Yes,

596
00:26:36,440 --> 00:26:39,680
Speaker 2: smells can be gorgeous too. It's the orders being passed

597
00:26:39,680 --> 00:26:42,360
Speaker 2: around by Alex, and now Jeanine rushes over to take

598
00:26:42,400 --> 00:26:44,960
Speaker 2: a piece from Alex's plate, but as she takes a bite,

599
00:26:44,960 --> 00:26:48,280
Speaker 2: something more important has stolen her attention. It's Alex, who,

600
00:26:48,359 --> 00:26:51,800
Speaker 2: in the process accidentally drops her plate on Jeanine, dumping

601
00:26:51,840 --> 00:26:54,640
Speaker 2: finger foods all over her. Alex knows this is bad,

602
00:26:54,640 --> 00:26:57,399
Speaker 2: but Janina's bothered. She's more focused on how familiar the

603
00:26:57,440 --> 00:27:00,760
Speaker 2: waitress looks. It's almost uncanny, and so the model pulls

604
00:27:00,760 --> 00:27:03,600
Speaker 2: the waitress into the less crowded bathroom. Now in a

605
00:27:03,640 --> 00:27:06,280
Speaker 2: much more private setting, Jeanine pulls off Alex's chef hat

606
00:27:06,280 --> 00:27:08,679
Speaker 2: and comments on their similarities. They look in the mirror

607
00:27:08,680 --> 00:27:10,480
Speaker 2: and we get a very cool two shot where one

608
00:27:10,520 --> 00:27:13,600
Speaker 2: Maggie Lawson pulls the glasses off another Maggie Lawson, and

609
00:27:13,640 --> 00:27:14,639
Speaker 2: it might have just been the.

610
00:27:17,119 --> 00:27:19,440
Speaker 1: Quality of the rip that.

611
00:27:19,400 --> 00:27:21,679
Speaker 2: I was watching where it was really kind of degragated

612
00:27:21,720 --> 00:27:22,480
Speaker 2: and didn't look great.

613
00:27:22,520 --> 00:27:24,120
Speaker 1: But this looked pretty damn good.

614
00:27:24,240 --> 00:27:27,120
Speaker 5: It did, it really did. I went, Oh, I mean,

615
00:27:27,640 --> 00:27:28,359
Speaker 5: I was shocked.

616
00:27:28,400 --> 00:27:31,640
Speaker 3: I guess I don't know what year it was that

617
00:27:31,680 --> 00:27:34,840
Speaker 3: this was actually able to be like correctly.

618
00:27:34,400 --> 00:27:37,199
Speaker 2: Done, seamless right, but it seamless to do this in

619
00:27:37,240 --> 00:27:38,919
Speaker 2: a movie like this in two thousand.

620
00:27:39,720 --> 00:27:41,320
Speaker 1: I thought the looked great.

621
00:27:41,760 --> 00:27:44,520
Speaker 2: Yeah, I thought, sure the effects in this movie, which

622
00:27:44,560 --> 00:27:46,919
Speaker 2: again there weren't a ton of them, and they did that.

623
00:27:47,000 --> 00:27:49,119
Speaker 2: The way they did it was not only great, but

624
00:27:49,480 --> 00:27:53,959
Speaker 2: you have to shout out the very subtle differences. Some

625
00:27:54,000 --> 00:27:55,879
Speaker 2: of them were big differences, but then she did very

626
00:27:55,960 --> 00:27:58,760
Speaker 2: subtle differences that Maggie Lawson did between the two characters

627
00:27:59,080 --> 00:28:01,760
Speaker 2: where even when they were on screen and not speaking,

628
00:28:01,840 --> 00:28:03,400
Speaker 2: when they did the split screen, you.

629
00:28:03,840 --> 00:28:04,560
Speaker 1: Who was who.

630
00:28:04,960 --> 00:28:07,560
Speaker 5: It's so true and that is just.

631
00:28:07,840 --> 00:28:09,720
Speaker 1: Down to Maggie laws and us.

632
00:28:09,800 --> 00:28:11,720
Speaker 2: If go back and look at some of her other stuff,

633
00:28:12,000 --> 00:28:16,560
Speaker 2: she is a very good and horribly underrated actress, especially

634
00:28:16,600 --> 00:28:20,359
Speaker 2: back in the day. Maggie very very talent, and you

635
00:28:20,400 --> 00:28:21,320
Speaker 2: could see it in this.

636
00:28:22,359 --> 00:28:24,040
Speaker 1: She's one of her was stunning.

637
00:28:24,080 --> 00:28:28,640
Speaker 2: The other head glasses not stunning obviously, Sabrina glasses.

638
00:28:28,119 --> 00:28:34,160
Speaker 1: Sabrina glasses in a ponytail, Sabrina nerd.

639
00:28:34,440 --> 00:28:37,880
Speaker 5: We're just glasses and one of them in glasses.

640
00:28:37,880 --> 00:28:39,600
Speaker 1: She's a ten, Maggie lo ten.

641
00:28:39,800 --> 00:28:42,280
Speaker 2: No matter what what she is, My god, that's why

642
00:28:42,320 --> 00:28:43,920
Speaker 2: it's like, oh God, she's got glasses.

643
00:28:43,960 --> 00:28:48,640
Speaker 1: She's a nerd. Anyway, Yes, she's a very very good actress. Anyway.

644
00:28:48,760 --> 00:28:51,160
Speaker 2: Janine is convinced that with just a little help, they

645
00:28:51,200 --> 00:28:53,760
Speaker 2: could be twins. So Janine wants to know everything about

646
00:28:53,800 --> 00:28:55,680
Speaker 2: being a commoner. She asked what it's like eating in

647
00:28:55,680 --> 00:28:58,360
Speaker 2: a cafeteria or going to school. Jeanine can't stay out

648
00:28:58,400 --> 00:29:00,320
Speaker 2: past ten. All of her friends are twenty years older

649
00:29:00,360 --> 00:29:03,240
Speaker 2: than her, and she can only eat ice. And that's

650
00:29:03,240 --> 00:29:05,840
Speaker 2: when it happens. Janine wants to trade places with Alex.

651
00:29:06,320 --> 00:29:08,800
Speaker 2: Monique knocks on the bathroom door. She's looking for Janine,

652
00:29:08,840 --> 00:29:11,320
Speaker 2: and Alex's dad is in the kitchen needing his daughter's help.

653
00:29:11,680 --> 00:29:14,080
Speaker 2: But in the bathroom, Alex can't believe this is a

654
00:29:14,080 --> 00:29:16,720
Speaker 2: real opportunity. But with Janine's mom out of town for

655
00:29:16,760 --> 00:29:19,280
Speaker 2: two weeks. It could just work out. They'll switch for

656
00:29:19,320 --> 00:29:21,560
Speaker 2: a week and just trade the key stats of their lives,

657
00:29:21,640 --> 00:29:23,040
Speaker 2: and so then we have a deal.

658
00:29:23,360 --> 00:29:24,320
Speaker 1: Deal struck people.

659
00:29:24,640 --> 00:29:27,880
Speaker 2: The girl's trade clothes and lives obviously, and we have

660
00:29:27,960 --> 00:29:30,440
Speaker 2: the plot of our movie with a Nobody's Angel song.

661
00:29:31,280 --> 00:29:34,240
Speaker 2: Here's where I was like, wait a second, just hold

662
00:29:34,560 --> 00:29:38,719
Speaker 2: the phone, my peeps. They're there for like maybe fifteen

663
00:29:38,800 --> 00:29:43,560
Speaker 2: or twenty seconds. Yes, they know nothing about each other's lives.

664
00:29:43,920 --> 00:29:47,880
Speaker 5: This is going to go bad so quickly. How do

665
00:29:48,000 --> 00:29:50,479
Speaker 5: they how do they like?

666
00:29:50,880 --> 00:29:53,560
Speaker 3: And it's not even during a time where I could

667
00:29:53,640 --> 00:29:55,760
Speaker 3: quickly get out my phone and be like, okay, well,

668
00:29:56,080 --> 00:29:59,400
Speaker 3: here's what my dad looks like. He's here's my mom's right,

669
00:29:59,440 --> 00:30:02,440
Speaker 3: here's the here's my whole family. Here's let me out.

670
00:30:02,480 --> 00:30:05,280
Speaker 3: What's your phone number? Let me text you my address

671
00:30:05,320 --> 00:30:07,520
Speaker 3: so you can always get to the house. Here's my

672
00:30:07,680 --> 00:30:10,720
Speaker 3: school schedule, Like, there's a bunch of crap that needs

673
00:30:10,720 --> 00:30:11,520
Speaker 3: to be exchanged.

674
00:30:11,560 --> 00:30:15,240
Speaker 2: Here's here's here's what. Oh geez, I have a photo

675
00:30:15,280 --> 00:30:18,440
Speaker 2: shoot on Tuesday, mankle take care of all your stuff.

676
00:30:18,760 --> 00:30:19,560
Speaker 1: It's like they just.

677
00:30:19,520 --> 00:30:23,200
Speaker 2: Go, let's trade clothes. Okay, bye, are you insane. Oh,

678
00:30:24,080 --> 00:30:25,560
Speaker 2: this is where they needed to raise me.

679
00:30:25,680 --> 00:30:28,680
Speaker 3: But truly, no, but this is exactly well. No, I

680
00:30:28,680 --> 00:30:30,520
Speaker 3: guess they sat down and had lunch. I know what

681
00:30:30,600 --> 00:30:32,600
Speaker 3: movie you're talking about now, I can't remember the name

682
00:30:32,640 --> 00:30:34,920
Speaker 3: of it. She was a brunette. She one was a

683
00:30:34,960 --> 00:30:38,000
Speaker 3: skater girl. The other one was from when I had

684
00:30:38,000 --> 00:30:39,760
Speaker 3: an accent. She was from like London.

685
00:30:40,120 --> 00:30:41,360
Speaker 5: Friend of me, friend of me.

686
00:30:41,480 --> 00:30:43,680
Speaker 1: Friend of enemy. Yes, yes, at least they sat down

687
00:30:43,680 --> 00:30:44,080
Speaker 1: and they.

688
00:30:43,960 --> 00:30:48,000
Speaker 3: Exchanged and like a lunch that made sense. You cannot

689
00:30:48,040 --> 00:30:50,880
Speaker 3: tell me a bathroom visit was long enough for.

690
00:30:52,600 --> 00:30:53,000
Speaker 1: Yes.

691
00:30:53,320 --> 00:30:59,120
Speaker 2: Is It's like you're not You've literally exchanged no information

692
00:30:59,160 --> 00:30:59,840
Speaker 2: about your lives.

693
00:30:59,840 --> 00:31:01,960
Speaker 1: You just traded clothes.

694
00:31:01,880 --> 00:31:06,840
Speaker 2: And lives, and just like go, like, how do they

695
00:31:06,920 --> 00:31:09,160
Speaker 2: not say, like, here's what we're gonna do. We're gonna oh,

696
00:31:09,240 --> 00:31:10,920
Speaker 2: oh my god, we have to do this. We're gonna

697
00:31:10,920 --> 00:31:14,240
Speaker 2: meet tomorrow. They should have met at exactly the same

698
00:31:14,280 --> 00:31:16,600
Speaker 2: place they meet at to trade lives.

699
00:31:17,080 --> 00:31:19,040
Speaker 1: Is the same place they meet to trade back.

700
00:31:19,800 --> 00:31:22,880
Speaker 2: So in front of the school, six am, we're gonna

701
00:31:22,880 --> 00:31:25,440
Speaker 2: meet tomorrow, and they meet, and whether you see the

702
00:31:25,480 --> 00:31:27,320
Speaker 2: scene or you don't see the scene, you at least

703
00:31:27,360 --> 00:31:29,640
Speaker 2: allude to the fact that you're learning some shit about the.

704
00:31:29,560 --> 00:31:30,840
Speaker 5: Other person, right this.

705
00:31:31,280 --> 00:31:33,640
Speaker 1: Yeah, that was the part to me where I was like, wait.

706
00:31:33,880 --> 00:31:37,280
Speaker 5: Oh what God, you're just what You're.

707
00:31:37,240 --> 00:31:40,840
Speaker 1: Just walking out and now you're that's it.

708
00:31:41,200 --> 00:31:43,480
Speaker 2: So yeah, that that and again, this is not I

709
00:31:43,480 --> 00:31:44,560
Speaker 2: did not dislike this movie.

710
00:31:44,600 --> 00:31:46,280
Speaker 1: This is not a bad movie. There's a lot about this.

711
00:31:46,200 --> 00:31:49,280
Speaker 5: Movie that was really cute. You have to wait a minute.

712
00:31:49,600 --> 00:31:52,600
Speaker 2: Yeah, and I don't mind suspending some disbelief, Like, let

713
00:31:52,680 --> 00:31:55,280
Speaker 2: me suspend some belief here a little bit. That's fine, Yes,

714
00:31:55,320 --> 00:31:57,920
Speaker 2: but dude, give me some bullet points of who you are.

715
00:31:58,440 --> 00:32:01,520
Speaker 5: Yes, this isn't a epic thing like.

716
00:32:01,560 --> 00:32:03,360
Speaker 1: This was a big This was a big what if?

717
00:32:03,640 --> 00:32:03,960
Speaker 5: What if?

718
00:32:04,000 --> 00:32:04,280
Speaker 1: What if?

719
00:32:04,320 --> 00:32:08,400
Speaker 5: What if you were like actually allergic to something? Yes, exactly,

720
00:32:09,000 --> 00:32:11,000
Speaker 5: you know something?

721
00:32:11,160 --> 00:32:14,719
Speaker 2: Yeah, by the way, yeah, yeah it's I I'm allergic.

722
00:32:14,800 --> 00:32:17,760
Speaker 2: I'm horribly allergic to peanuts or shellfish or something. You

723
00:32:17,880 --> 00:32:20,680
Speaker 2: gotta learn something about each other. So this, to me

724
00:32:20,800 --> 00:32:24,480
Speaker 2: was a big, big hole in the When I explained

725
00:32:24,480 --> 00:32:28,280
Speaker 2: that last night to producer Tara, she got instantly offended

726
00:32:28,800 --> 00:32:33,040
Speaker 2: and no, but she also said, apparently it's the same

727
00:32:33,040 --> 00:32:35,120
Speaker 2: way in Freaky Friday, in the parent Trap.

728
00:32:34,960 --> 00:32:37,600
Speaker 1: Like they just switched ship up, and don't don't explain

729
00:32:37,640 --> 00:32:38,120
Speaker 1: it to each other?

730
00:32:38,240 --> 00:32:41,160
Speaker 3: No, because in the parent trap, don't they don't they

731
00:32:41,160 --> 00:32:43,840
Speaker 3: explain it. In the parent trap they live together and

732
00:32:43,880 --> 00:32:46,560
Speaker 3: they're they give each other. They're like quizzing each other.

733
00:32:46,640 --> 00:32:50,760
Speaker 5: I'm like, there you go, Like, where what's my Wednesday schedule?

734
00:32:50,800 --> 00:32:51,840
Speaker 5: They do a whole quiz thing.

735
00:32:52,120 --> 00:32:57,200
Speaker 2: See quiz thing, producer Tara quiz thing. Anyway, well, there

736
00:32:57,240 --> 00:32:59,840
Speaker 2: we go. The girls return to the party knowing literally

737
00:32:59,840 --> 00:33:00,720
Speaker 2: not think about each other.

738
00:33:00,760 --> 00:33:02,240
Speaker 1: Now in totally different situations.

739
00:33:02,440 --> 00:33:05,720
Speaker 2: Janine quickly returns to serving while Alex is signing autographs,

740
00:33:05,720 --> 00:33:09,160
Speaker 2: something the model doesn't normally do, but she does know.

741
00:33:10,440 --> 00:33:13,320
Speaker 2: Jeanine enter night at Alex's house, and at this point

742
00:33:13,360 --> 00:33:15,320
Speaker 2: I think this might just be a crime. Could you

743
00:33:15,360 --> 00:33:17,280
Speaker 2: be arrested for just pretending to be someone else? She's

744
00:33:17,280 --> 00:33:19,280
Speaker 2: not lying to the entire family and entering their home.

745
00:33:20,240 --> 00:33:23,240
Speaker 2: These two must look exactly the same if their dad

746
00:33:23,280 --> 00:33:24,920
Speaker 2: can't notice any difference.

747
00:33:25,200 --> 00:33:27,440
Speaker 3: But then there's another question, and this is one of

748
00:33:27,440 --> 00:33:29,520
Speaker 3: the things that they didn't the in front of me

749
00:33:29,600 --> 00:33:32,800
Speaker 3: is I remember us talking about that. They didn't say, hey,

750
00:33:33,560 --> 00:33:37,240
Speaker 3: you look exactly like me, which one of our parents

751
00:33:37,320 --> 00:33:40,080
Speaker 3: had a ronde do in another bathroom.

752
00:33:40,320 --> 00:33:43,320
Speaker 5: Yep, and then the mom was pregnant with for nine months?

753
00:33:43,360 --> 00:33:44,520
Speaker 5: Like what, who's who?

754
00:33:44,680 --> 00:33:44,960
Speaker 1: Where?

755
00:33:45,000 --> 00:33:47,400
Speaker 5: We got to get on top of this giant lie

756
00:33:47,400 --> 00:33:49,880
Speaker 5: that we've been living for sixteen.

757
00:33:49,520 --> 00:33:51,680
Speaker 2: Years because one of us was given away a birth

758
00:33:51,760 --> 00:33:53,040
Speaker 2: Do you have half medallion?

759
00:33:53,080 --> 00:33:55,200
Speaker 1: Do I have the other half of them? Antallion? To

760
00:33:55,240 --> 00:33:56,080
Speaker 1: connect things like that.

761
00:33:56,080 --> 00:33:59,400
Speaker 5: And that was the parent trap thing, like oh you

762
00:33:59,560 --> 00:34:00,160
Speaker 5: got it?

763
00:34:00,280 --> 00:34:04,080
Speaker 3: Like you clearly we have to talk about the fact

764
00:34:04,080 --> 00:34:05,480
Speaker 3: that we are clearly twins.

765
00:34:05,800 --> 00:34:07,440
Speaker 1: There's people that look like other people.

766
00:34:07,560 --> 00:34:10,400
Speaker 2: You see that all the time, but identically like that,

767
00:34:10,680 --> 00:34:12,279
Speaker 2: you're related, You're real.

768
00:34:12,560 --> 00:34:15,160
Speaker 3: People will come and talk to me about looking like

769
00:34:15,360 --> 00:34:17,960
Speaker 3: Sean Johnson or sometimes I get Mariah Carrey, but if

770
00:34:17,960 --> 00:34:20,680
Speaker 3: I stood next to them, you would clearly see that

771
00:34:20,680 --> 00:34:21,319
Speaker 3: we were there.

772
00:34:21,360 --> 00:34:22,239
Speaker 1: You're not the same PAVO.

773
00:34:22,400 --> 00:34:26,319
Speaker 2: Yes, Yes, somebody in those families, Yeah, was a cheater, cheater,

774
00:34:26,400 --> 00:34:27,000
Speaker 2: compulsive eater.

775
00:34:27,120 --> 00:34:27,640
Speaker 6: That's yes.

776
00:34:27,760 --> 00:34:30,960
Speaker 3: Way, That's where I'd be like, who who are we

777
00:34:31,080 --> 00:34:31,400
Speaker 3: mad at?

778
00:34:31,560 --> 00:34:31,640
Speaker 4: Ye?

779
00:34:31,760 --> 00:34:33,520
Speaker 3: We're mad at both of our parents. Is it my

780
00:34:33,640 --> 00:34:36,000
Speaker 3: mom and your dad or is it my dad and

781
00:34:36,040 --> 00:34:36,399
Speaker 3: your mom?

782
00:34:36,680 --> 00:34:40,040
Speaker 2: Somebody did something because we're we're literally identical, but one.

783
00:34:39,880 --> 00:34:41,280
Speaker 1: Of them has glasses.

784
00:34:42,719 --> 00:34:45,200
Speaker 2: Back in the city, Alex is wowed by the bright

785
00:34:45,280 --> 00:34:46,960
Speaker 2: lights and Monique's constant working.

786
00:34:47,800 --> 00:34:49,680
Speaker 1: She thinks she could get used to this new life.

787
00:34:49,760 --> 00:34:52,080
Speaker 2: The next morning, Jeanine wakes up in Alex's modest home

788
00:34:52,120 --> 00:34:54,280
Speaker 2: and tries on a more basic off the rack clothing

789
00:34:54,280 --> 00:34:57,080
Speaker 2: from the closet all to the very familiar and wonderful

790
00:34:57,120 --> 00:35:01,000
Speaker 2: toe tapping walking on sunshine. Meanwhile, is loving her new

791
00:35:01,000 --> 00:35:03,920
Speaker 2: posh digs, but is interrupted by Monique. It's time for

792
00:35:03,960 --> 00:35:07,200
Speaker 2: her alfalfa wheat grass shake, and her trusty assistant is

793
00:35:07,239 --> 00:35:09,600
Speaker 2: already surprised that her boss now wants to do things

794
00:35:09,960 --> 00:35:14,200
Speaker 2: by herself. It's a new independent Janine. And at Alex's house,

795
00:35:14,280 --> 00:35:16,719
Speaker 2: Janina arrives downstairs just in time for family breakfast and

796
00:35:16,719 --> 00:35:19,240
Speaker 2: exclaims it's just like the fifties, which is really funny.

797
00:35:19,440 --> 00:35:21,960
Speaker 2: A plate of bacon, eggs and pancakes. She couldn't be

798
00:35:21,960 --> 00:35:25,600
Speaker 2: more excited until it's yanked from her right. She's on

799
00:35:25,760 --> 00:35:28,439
Speaker 2: a self imposed diet. That's right, poor Janine can't catch

800
00:35:28,440 --> 00:35:31,600
Speaker 2: a break, and every dcom family is giving their.

801
00:35:31,600 --> 00:35:33,840
Speaker 1: Daughter generational body issues, thank you very much.

802
00:35:34,040 --> 00:35:37,040
Speaker 2: But she talks to her, but she talks her back

803
00:35:37,080 --> 00:35:39,560
Speaker 2: into the big breakfast, and she loves it, even if

804
00:35:39,600 --> 00:35:42,359
Speaker 2: her little brother feels like something is weird. And now

805
00:35:42,440 --> 00:35:44,759
Speaker 2: back at high school, Janine surveys the scene and takes

806
00:35:44,800 --> 00:35:47,760
Speaker 2: in something she never experienced. Co Ed's walking to class,

807
00:35:47,920 --> 00:35:50,720
Speaker 2: hippie's playing hacky sack, and a rock and roll dude

808
00:35:50,800 --> 00:35:52,920
Speaker 2: playing electric guitar in the quad.

809
00:35:53,360 --> 00:35:58,120
Speaker 3: Okay, okay, I mean maybe we need to take a

810
00:35:58,160 --> 00:35:59,279
Speaker 3: hole on Instagram.

811
00:35:59,600 --> 00:36:02,000
Speaker 5: That was not a normal thing at my high school.

812
00:36:02,200 --> 00:36:04,040
Speaker 1: You didn't have a rock and roll quad high school?

813
00:36:04,440 --> 00:36:08,239
Speaker 3: No, I mean there was bands that would play in

814
00:36:08,280 --> 00:36:11,839
Speaker 3: the quad during like lunch or something like that, but like,

815
00:36:11,920 --> 00:36:13,000
Speaker 3: no one was sitting.

816
00:36:12,719 --> 00:36:14,600
Speaker 5: Out on the front lawn of the of the.

817
00:36:15,520 --> 00:36:17,320
Speaker 1: Playing an electric guitar.

818
00:36:17,520 --> 00:36:17,600
Speaker 6: No.

819
00:36:17,920 --> 00:36:20,120
Speaker 3: Maybe, though, I would love to know. And if people

820
00:36:20,160 --> 00:36:22,040
Speaker 3: have that, tell us on the ig.

821
00:36:22,239 --> 00:36:23,719
Speaker 1: Hit us up. Let us know if you were.

822
00:36:25,160 --> 00:36:25,440
Speaker 3: School.

823
00:36:25,520 --> 00:36:31,360
Speaker 2: Yeah, exactly that geez crazy. Sharon joins Janine before walking in.

824
00:36:31,400 --> 00:36:33,279
Speaker 2: They have an awkward exchange about Eric Singer and the

825
00:36:33,320 --> 00:36:35,800
Speaker 2: infamous move moment from earlier. By the way, she doesn't

826
00:36:35,840 --> 00:36:37,520
Speaker 2: know her friend's name until she looks down and sees

827
00:36:37,560 --> 00:36:39,560
Speaker 2: it on her bag. Ken would have been good information

828
00:36:39,560 --> 00:36:42,080
Speaker 2: to have before they left the bathroom, an interaction and

829
00:36:42,160 --> 00:36:45,920
Speaker 2: social disaster. Alex didn't obviously tell her about the move moment.

830
00:36:46,440 --> 00:36:48,840
Speaker 2: Once in the hallways, Janine can't help herself. She's flirting

831
00:36:48,840 --> 00:36:52,000
Speaker 2: with all the cute boys. Sharon is mortified they're dorks,

832
00:36:52,520 --> 00:36:57,840
Speaker 2: not hotty hot hotty hot hots. Come on, yes, you

833
00:36:57,920 --> 00:37:01,280
Speaker 2: got glasses and your hair is up. No your place, Janine.

834
00:37:01,560 --> 00:37:03,520
Speaker 2: But Janine won't accept her new status as a social

835
00:37:03,520 --> 00:37:06,000
Speaker 2: outcast and even cheeses it up for a yearbook photo.

836
00:37:06,480 --> 00:37:08,760
Speaker 1: But the good times come to a screeching halt when.

837
00:37:08,600 --> 00:37:11,720
Speaker 2: This cool girls in the school, led by Eric Singer's girlfriend,

838
00:37:11,800 --> 00:37:14,799
Speaker 2: bully her, causing Janine to focus on something completely new

839
00:37:14,880 --> 00:37:18,040
Speaker 2: during her time as Alex. Speaking of Alex, she's ready

840
00:37:18,040 --> 00:37:20,600
Speaker 2: for her first swimsuit modeling session as Janine.

841
00:37:20,719 --> 00:37:23,200
Speaker 1: Again, would have been nice to you had a photoshoot, Worth.

842
00:37:23,040 --> 00:37:25,520
Speaker 2: Noting the photographer is weirdo with an eyepatch, making her

843
00:37:25,560 --> 00:37:29,960
Speaker 2: even more uncomfortable. I think eyepatches can be used as

844
00:37:30,000 --> 00:37:32,040
Speaker 2: by photographers they keep one eye, but then you're supposed

845
00:37:32,080 --> 00:37:33,560
Speaker 2: to use that eye in the camera lens, which he

846
00:37:33,560 --> 00:37:33,960
Speaker 2: doesn't do.

847
00:37:34,120 --> 00:37:39,600
Speaker 3: So it's just yeah, but didn't he look a lot

848
00:37:39,680 --> 00:37:41,880
Speaker 3: like the the villains.

849
00:37:41,920 --> 00:37:47,120
Speaker 5: Yeah, just saw just so much like him from me

850
00:37:47,160 --> 00:37:48,240
Speaker 5: too weird.

851
00:37:48,360 --> 00:37:50,239
Speaker 3: I was like, wait, wait a minute, wait a minute,

852
00:37:50,280 --> 00:37:54,120
Speaker 3: looking at my information, going no, it's a different actor, different, but.

853
00:37:54,120 --> 00:37:56,200
Speaker 1: Looked just like him, very similar vibes.

854
00:37:57,239 --> 00:37:58,360
Speaker 5: Now, see it's funny.

855
00:37:58,440 --> 00:38:03,560
Speaker 1: I like, those two guys look alike but are not identical.

856
00:38:03,080 --> 00:38:05,239
Speaker 3: How but they look so much alike that if they

857
00:38:05,239 --> 00:38:09,279
Speaker 3: were standing next like, not knowing them, I would maybe.

858
00:38:09,360 --> 00:38:12,000
Speaker 2: Still be able to tell them a part. Sabrina is

859
00:38:12,080 --> 00:38:14,440
Speaker 2: still be able to tell them a part Sabrina. You'd

860
00:38:14,480 --> 00:38:16,880
Speaker 2: at least know it was two different dudes, you could tell.

861
00:38:17,080 --> 00:38:19,160
Speaker 2: You might not know who was who, but you'd know

862
00:38:19,239 --> 00:38:20,320
Speaker 2: it was two different dudes.

863
00:38:20,440 --> 00:38:24,360
Speaker 5: Yes, well, and their family certainly would. Yeah.

864
00:38:24,400 --> 00:38:27,240
Speaker 2: So as he tries to take photos, Alex covers herself,

865
00:38:27,320 --> 00:38:29,319
Speaker 2: hides behind the plants, and withers away as the picts

866
00:38:29,360 --> 00:38:33,160
Speaker 2: are taken, making eyepatch Man both angry and kind of stimulated.

867
00:38:33,800 --> 00:38:34,399
Speaker 1: Yet it's cool.

868
00:38:34,520 --> 00:38:36,759
Speaker 2: Janina's in history class trying to sharpen a pencil at

869
00:38:36,760 --> 00:38:39,560
Speaker 2: her desk. When the teacher wonders why she's not paying attention,

870
00:38:39,920 --> 00:38:42,880
Speaker 2: Janine responds like a real frankly telling the teacher to

871
00:38:42,880 --> 00:38:45,760
Speaker 2: do her tax funded job, and her classmates are impressed,

872
00:38:45,800 --> 00:38:47,440
Speaker 2: and somehow that didn't get her in any trouble, which

873
00:38:47,480 --> 00:38:48,000
Speaker 2: I found weird.

874
00:38:48,040 --> 00:38:49,960
Speaker 5: How did she not get attention from that?

875
00:38:50,400 --> 00:38:53,240
Speaker 1: I don't know, and I would have given her attention.

876
00:38:53,360 --> 00:38:56,080
Speaker 3: Yes, And it's a look into this like these like

877
00:38:56,840 --> 00:39:02,400
Speaker 3: ough just entitled little teen like yep, oh gosh.

878
00:39:02,239 --> 00:39:02,879
Speaker 1: Share the worst.

879
00:39:02,880 --> 00:39:04,399
Speaker 2: By the way, have you noticed you're not twenty six

880
00:39:04,440 --> 00:39:06,280
Speaker 2: minutes into the film and we've had less than maybe

881
00:39:06,320 --> 00:39:07,960
Speaker 2: five seconds now.

882
00:39:08,000 --> 00:39:11,600
Speaker 3: I was going, I thought, I remember justin having an

883
00:39:11,640 --> 00:39:16,319
Speaker 3: actual part. Is he just like a you know, like,

884
00:39:16,520 --> 00:39:18,960
Speaker 3: is he not actually gonna be in this movie acting?

885
00:39:19,520 --> 00:39:21,439
Speaker 5: Oh my gosh, I guess I don't remember much about

886
00:39:21,440 --> 00:39:22,600
Speaker 5: this movie.

887
00:39:22,560 --> 00:39:22,920
Speaker 1: But you do.

888
00:39:23,080 --> 00:39:24,920
Speaker 2: That's that's why we had to literally had to go

889
00:39:25,000 --> 00:39:26,320
Speaker 2: to the wayback machine to find it.

890
00:39:26,880 --> 00:39:27,600
Speaker 1: Yeah.

891
00:39:27,680 --> 00:39:29,560
Speaker 2: Back in the city, Alex and Monique are walking to

892
00:39:29,560 --> 00:39:31,560
Speaker 2: the New York streets when she's alerted of her monthly

893
00:39:31,680 --> 00:39:34,200
Speaker 2: credit at department stores, just so people can see her

894
00:39:34,200 --> 00:39:35,160
Speaker 2: shopping in these places.

895
00:39:35,200 --> 00:39:38,080
Speaker 1: It is a girl's dream. And then it happens everyone.

896
00:39:38,360 --> 00:39:42,040
Speaker 2: Oh, it happens people. We get to dip bar toes

897
00:39:42,280 --> 00:39:43,600
Speaker 2: in the Lake of Timber.

898
00:39:44,160 --> 00:39:45,600
Speaker 1: It is heart throb.

899
00:39:45,520 --> 00:39:47,680
Speaker 2: Jason Sharp walking out of a building, spotting who he

900
00:39:47,719 --> 00:39:50,840
Speaker 2: believes is Janine. He quickly apologizes for a recent interview

901
00:39:50,840 --> 00:39:53,040
Speaker 2: where he implied he made out with her a shoot

902
00:39:53,200 --> 00:39:55,880
Speaker 2: and swears he'll make it up to her. He quote

903
00:39:55,960 --> 00:39:59,240
Speaker 2: has to book and jumps into a limo. But unlike Janine,

904
00:39:59,280 --> 00:40:02,360
Speaker 2: Alex is in hook line and Sinker for a little

905
00:40:02,480 --> 00:40:07,279
Speaker 2: male modeled, supermodeled teenage supermodel action, which isn't a thing.

906
00:40:08,800 --> 00:40:11,520
Speaker 2: It's lunchtime at school and Janina Monique take their seats

907
00:40:11,560 --> 00:40:14,719
Speaker 2: at the nerd table cause glasses watching Alex and his

908
00:40:14,760 --> 00:40:17,799
Speaker 2: popular girlfriend from afar, but Janine has an idea. She

909
00:40:17,880 --> 00:40:19,760
Speaker 2: makes her way over to the cool table and decides

910
00:40:19,800 --> 00:40:23,680
Speaker 2: to oh boy, wait for it, pour milk on the

911
00:40:23,680 --> 00:40:26,880
Speaker 2: head of his girlfriend, again, not getting into any trouble whatsoever.

912
00:40:27,040 --> 00:40:29,680
Speaker 2: Eric thinks it's hilarious, but this has started a war,

913
00:40:29,880 --> 00:40:32,200
Speaker 2: especially because she's lactose intolerant.

914
00:40:32,880 --> 00:40:34,000
Speaker 5: That's weird.

915
00:40:34,520 --> 00:40:37,920
Speaker 1: It's it's just I'm lacked. Well, I put it in

916
00:40:37,960 --> 00:40:39,319
Speaker 1: your head so you'll be all right.

917
00:40:39,480 --> 00:40:41,480
Speaker 3: Well I didn't pour it down your mouth, so I

918
00:40:41,520 --> 00:40:45,640
Speaker 3: think you're gonna get okay, you're fine. Also, what teenage

919
00:40:45,640 --> 00:40:51,200
Speaker 3: girl gets fool? Who is fully done, gets a glass

920
00:40:51,239 --> 00:40:55,760
Speaker 3: of anything pulled poured over her head and doesn't lunch

921
00:40:55,800 --> 00:40:58,000
Speaker 3: for the jugular Are you kiddy?

922
00:40:58,600 --> 00:40:59,600
Speaker 5: Are you kidding me?

923
00:41:00,440 --> 00:41:04,759
Speaker 3: Ever a situation, especially in high school, in front of everyone,

924
00:41:04,920 --> 00:41:07,239
Speaker 3: and you just pour something and they let you pour

925
00:41:07,920 --> 00:41:09,359
Speaker 3: a giant glass of.

926
00:41:09,280 --> 00:41:11,720
Speaker 5: It, yep, and nothing happens.

927
00:41:11,800 --> 00:41:14,880
Speaker 1: Nope, no fight, no trouble from the school.

928
00:41:15,200 --> 00:41:18,279
Speaker 5: No, I mean, and her best friends are right there too.

929
00:41:18,440 --> 00:41:20,640
Speaker 1: Yeah, No, nobody does anything. Nobody does anything.

930
00:41:20,920 --> 00:41:21,719
Speaker 5: What's happening?

931
00:41:21,880 --> 00:41:24,160
Speaker 1: I don't know what a world? But now we are

932
00:41:24,200 --> 00:41:24,920
Speaker 1: back with Alex.

933
00:41:24,960 --> 00:41:27,839
Speaker 2: She's visibly in a new very cool clothes and has

934
00:41:27,840 --> 00:41:30,280
Speaker 2: decided to walk in sight see instead of taking the limo,

935
00:41:30,640 --> 00:41:33,840
Speaker 2: a move Janine would never have done back in the suburbs.

936
00:41:33,920 --> 00:41:37,200
Speaker 2: Alex has cooked her family breakfast, finally able to enjoy

937
00:41:37,239 --> 00:41:40,120
Speaker 2: that love of culinary arts, and she's excited to help

938
00:41:40,560 --> 00:41:43,759
Speaker 2: quote unquote dad with this catering job. And like all

939
00:41:43,760 --> 00:41:46,200
Speaker 2: good nineties two thousands decoms, the New York Girls have

940
00:41:46,280 --> 00:41:50,840
Speaker 2: decided to roller blade. Yes, Monique is nervous. Settle injured themselves,

941
00:41:50,880 --> 00:41:53,200
Speaker 2: and she's starting to realize how much stress her job

942
00:41:53,239 --> 00:41:56,360
Speaker 2: and Janine can create, So Alex decides to change the

943
00:41:56,440 --> 00:41:59,840
Speaker 2: dynamic and let Monique know that she's appreciated something you

944
00:41:59,840 --> 00:42:03,160
Speaker 2: can assume isn't done much. And now when Janine walks

945
00:42:03,200 --> 00:42:05,640
Speaker 2: the halls of the school, things have changed. Boys are

946
00:42:05,640 --> 00:42:08,680
Speaker 2: the one saying hi, and Jason apologizes for his earlier behavior.

947
00:42:08,880 --> 00:42:11,440
Speaker 2: He promises he'll never ask her to move again, then

948
00:42:11,520 --> 00:42:12,960
Speaker 2: ask her out for Saturday night.

949
00:42:13,040 --> 00:42:14,040
Speaker 1: But the girls are supposed to.

950
00:42:14,040 --> 00:42:17,160
Speaker 2: Switch their identities back on Friday, so Janine hopes to

951
00:42:17,200 --> 00:42:20,800
Speaker 2: move everything back a week back at Janine's Now, Jason

952
00:42:20,800 --> 00:42:23,520
Speaker 2: Sharp has sent flowers and he also wants a date

953
00:42:23,560 --> 00:42:25,600
Speaker 2: on Saturday, so the two girls get on the phone

954
00:42:25,600 --> 00:42:27,840
Speaker 2: and decide to have one more week of swapping. And

955
00:42:27,880 --> 00:42:29,759
Speaker 2: these were like my favorite scenes where she's on the

956
00:42:29,760 --> 00:42:33,080
Speaker 2: phone with herself because she plays them differently and it works.

957
00:42:34,600 --> 00:42:37,200
Speaker 2: But the deal has only one caveat this swapping deal,

958
00:42:37,360 --> 00:42:40,400
Speaker 2: Alex can't let Jason Sharp anywhere near her. But the

959
00:42:40,440 --> 00:42:44,279
Speaker 2: real bad news is Alex's little brother overhears everything done

960
00:42:44,360 --> 00:42:48,000
Speaker 2: dun Dune. But Alex doesn't follow the one caveat, so

961
00:42:48,040 --> 00:42:51,600
Speaker 2: we cut to Alex's date with Justin Timberlake aka Jason Sharp.

962
00:42:51,960 --> 00:42:54,680
Speaker 2: He has big bougie plans at a fancy restaurant, and

963
00:42:54,719 --> 00:42:57,279
Speaker 2: at the same time, Eric pulls up and restored, Now,

964
00:42:57,360 --> 00:42:59,600
Speaker 2: I love you, producer Jensen, but you wrote Firebird it

965
00:42:59,640 --> 00:43:00,399
Speaker 2: is not my friend.

966
00:43:00,400 --> 00:43:02,360
Speaker 1: That is a trans am to get who.

967
00:43:02,239 --> 00:43:05,440
Speaker 2: He thinks is Alex. And though she expects a very

968
00:43:05,440 --> 00:43:08,120
Speaker 2: typical teen date of mini golf in the movies, Eric has.

969
00:43:07,960 --> 00:43:10,799
Speaker 1: Done the unthinkable. But before we get into that, let's

970
00:43:10,840 --> 00:43:13,120
Speaker 1: get this out of the way. The two girls are wearing.

971
00:43:12,840 --> 00:43:17,319
Speaker 2: The exact same outfits, not planned, just a twist of

972
00:43:17,320 --> 00:43:20,680
Speaker 2: fate apparently, or at least enough of hish as I

973
00:43:20,719 --> 00:43:24,440
Speaker 2: said that right, enough of ish samely to make it work.

974
00:43:24,960 --> 00:43:26,120
Speaker 1: That's not the only coincidence.

975
00:43:26,120 --> 00:43:28,239
Speaker 2: By the way, Eric has also reserved a table at

976
00:43:28,280 --> 00:43:31,480
Speaker 2: the very same exclusive fancy restaurant that Jason Sharp mentioned.

977
00:43:31,760 --> 00:43:34,720
Speaker 2: It would seem like a quote unquote totally rad gesture,

978
00:43:35,080 --> 00:43:38,000
Speaker 2: but Janine wanted something more normy. But we know this

979
00:43:38,040 --> 00:43:40,800
Speaker 2: whole thing is going to be a problem, especially because

980
00:43:40,840 --> 00:43:43,719
Speaker 2: Alex's little brother is falling close behind with his camcorder.

981
00:43:43,800 --> 00:43:45,120
Speaker 1: What are you giggling at spring now?

982
00:43:46,080 --> 00:43:47,920
Speaker 5: What Normy?

983
00:43:49,920 --> 00:43:53,560
Speaker 1: What is there to be? A Normy? A civilian bro

984
00:43:53,680 --> 00:43:56,400
Speaker 1: and norms, a civilian bro.

985
00:43:56,520 --> 00:43:57,440
Speaker 3: A norms.

986
00:43:57,600 --> 00:44:00,200
Speaker 5: Oh my gosh, where are we in the two?

987
00:44:01,400 --> 00:44:04,000
Speaker 1: I think so, I hope so.

988
00:44:05,480 --> 00:44:07,720
Speaker 2: Now inside the fancy restaurant, which we have to admit

989
00:44:07,800 --> 00:44:10,800
Speaker 2: is very beautiful. It's decorated like a Greek church. Jason

990
00:44:10,840 --> 00:44:13,439
Speaker 2: and Alex arrive and don't have a reservation, but it's

991
00:44:13,440 --> 00:44:15,800
Speaker 2: no problem. The famous couple is rushed to a VIP

992
00:44:16,000 --> 00:44:19,680
Speaker 2: table just as the transam arrives at the valet, to

993
00:44:19,760 --> 00:44:23,120
Speaker 2: no fanfare or paparazzi, a new feeling for Janine, and

994
00:44:23,200 --> 00:44:25,280
Speaker 2: when Eric is his name to the host, his reservation

995
00:44:25,400 --> 00:44:29,319
Speaker 2: is eh, Nope, wrong, not found. Janine tries to step in,

996
00:44:29,440 --> 00:44:31,120
Speaker 2: she knows the mayor d by name, but he says

997
00:44:31,160 --> 00:44:34,360
Speaker 2: they only have tables for special people, not a doweepy

998
00:44:34,440 --> 00:44:37,160
Speaker 2: girl in glasses. They're forced to leave, but Eric has

999
00:44:37,200 --> 00:44:39,520
Speaker 2: a plan. He says he has some connections around the

1000
00:44:39,560 --> 00:44:42,239
Speaker 2: back of the restaurant. While inside, Alex and Jason's state

1001
00:44:42,320 --> 00:44:45,120
Speaker 2: is moving along. Jason swears his playboy reputation is just

1002
00:44:45,160 --> 00:44:48,440
Speaker 2: a tabloid lie and is actually saving his modeling money

1003
00:44:48,440 --> 00:44:49,320
Speaker 2: to go to grad.

1004
00:44:49,120 --> 00:44:51,400
Speaker 1: School for astronomy. Yeah, that sounds like a line.

1005
00:44:51,719 --> 00:44:54,520
Speaker 2: He mentions there's a meteor shower later that night and

1006
00:44:54,560 --> 00:44:55,880
Speaker 2: he wants to take her to see it, which is

1007
00:44:55,920 --> 00:44:58,120
Speaker 2: exactly something a player would say, Yeah you want to

1008
00:44:58,200 --> 00:44:59,919
Speaker 2: Hey babe, you want to come see my meteor show?

1009
00:45:00,360 --> 00:45:02,960
Speaker 1: Uh huh.

1010
00:45:03,040 --> 00:45:06,000
Speaker 3: I think this was, by the way, Justin's best scene.

1011
00:45:06,480 --> 00:45:08,160
Speaker 3: He was very charming in this scene.

1012
00:45:08,280 --> 00:45:11,920
Speaker 2: Well, Justin was clearly still trying to find himself as

1013
00:45:11,960 --> 00:45:12,360
Speaker 2: an actor.

1014
00:45:12,600 --> 00:45:14,880
Speaker 5: Yes, but I think this was his best scene.

1015
00:45:14,920 --> 00:45:18,520
Speaker 2: I do yeah, because again while again he's finding his

1016
00:45:18,600 --> 00:45:19,960
Speaker 2: way figuring out what to do.

1017
00:45:20,160 --> 00:45:21,799
Speaker 1: Go watch Alpha Dog. He's great.

1018
00:45:22,000 --> 00:45:24,640
Speaker 2: I mean he's yeah, Social Network really good, but Alpha

1019
00:45:24,680 --> 00:45:27,200
Speaker 2: Dog he kills it. That was a very intense movie

1020
00:45:27,239 --> 00:45:28,879
Speaker 2: to watch, and he's really really good.

1021
00:45:29,960 --> 00:45:32,160
Speaker 1: And now in the back has promised. Eric did have

1022
00:45:32,239 --> 00:45:32,720
Speaker 1: a connection.

1023
00:45:33,000 --> 00:45:35,520
Speaker 2: His dad works on the weight staff and he's snuck

1024
00:45:35,600 --> 00:45:38,240
Speaker 2: in a table for the couple in the way back

1025
00:45:38,400 --> 00:45:38,680
Speaker 2: near the.

1026
00:45:38,719 --> 00:45:39,680
Speaker 1: Kitchen and the bathroom.

1027
00:45:39,760 --> 00:45:42,200
Speaker 2: Is very cute, And just as everyone is getting comfortable,

1028
00:45:42,239 --> 00:45:45,560
Speaker 2: Alex's brother arrives, cam quorder in hand. Apparently nobody notices

1029
00:45:45,600 --> 00:45:48,040
Speaker 2: this kid with the giant cam quarterer in the restaurant,

1030
00:45:48,040 --> 00:45:49,680
Speaker 2: but he's just it's.

1031
00:45:49,960 --> 00:45:51,920
Speaker 1: It's not surreptitiously. Were your phone where you can do

1032
00:45:51,960 --> 00:45:52,400
Speaker 1: this anymore?

1033
00:45:52,440 --> 00:45:55,120
Speaker 5: Back in the days like over the shoulder, like.

1034
00:45:56,680 --> 00:45:58,680
Speaker 2: He's like the guy holding the cords behind him, like

1035
00:45:58,719 --> 00:46:00,839
Speaker 2: old school is smoking a cigar. It's like, you need

1036
00:46:00,880 --> 00:46:04,239
Speaker 2: a crew when you've got that kind of cam quorder anymore. Sure, Yeah,

1037
00:46:04,280 --> 00:46:07,000
Speaker 2: so nobody notices that he's there, but he notices that

1038
00:46:07,040 --> 00:46:09,280
Speaker 2: both Jeanine and Alex are there, and that's odd.

1039
00:46:09,320 --> 00:46:12,280
Speaker 1: But again, even her brother can't tell the difference between

1040
00:46:12,280 --> 00:46:15,680
Speaker 1: the two of them. And then, guys, we enter what

1041
00:46:15,800 --> 00:46:17,840
Speaker 1: is truly one of the most ridiculous.

1042
00:46:17,360 --> 00:46:20,160
Speaker 2: Scenes in dcom history, and I'm not sure anything will

1043
00:46:20,200 --> 00:46:23,520
Speaker 2: ever beat it. Both Jeanine and Alex go to the bathroom,

1044
00:46:23,640 --> 00:46:27,960
Speaker 2: still unaware of each other's presence, and coincidentally, the mirror

1045
00:46:28,280 --> 00:46:31,279
Speaker 2: in the bathroom is being remodeled. Now we know that

1046
00:46:31,320 --> 00:46:35,440
Speaker 2: because there's a giant printed sign that says mirror being remodeled.

1047
00:46:36,680 --> 00:46:40,680
Speaker 2: That's right, the mirror, not the bathroom, is being remodeled.

1048
00:46:44,320 --> 00:46:48,680
Speaker 2: The perfect So this creates one large sink with sinks

1049
00:46:48,719 --> 00:46:52,240
Speaker 2: on both sides, not divided by a mirror. It's worth stating,

1050
00:46:52,320 --> 00:46:53,800
Speaker 2: as far as I know, there's no bathroom in the

1051
00:46:53,840 --> 00:46:54,799
Speaker 2: world that's designed like this.

1052
00:46:54,840 --> 00:46:56,000
Speaker 1: Have you ever seen a bathroom like.

1053
00:46:55,960 --> 00:46:59,600
Speaker 3: This where there's yeah, there is like a center section

1054
00:46:59,800 --> 00:47:01,080
Speaker 3: and yes, and it's.

1055
00:47:00,880 --> 00:47:02,000
Speaker 1: Divided by a mirror.

1056
00:47:02,400 --> 00:47:04,920
Speaker 6: Yes, yeah, in one room.

1057
00:47:05,719 --> 00:47:09,640
Speaker 3: Yeah, yes, yes, I didn't think anything weird of that.

1058
00:47:09,880 --> 00:47:12,120
Speaker 6: I'm saying. It's kind of like a vanity where on

1059
00:47:12,239 --> 00:47:14,520
Speaker 6: both sides there's is a mirror.

1060
00:47:14,719 --> 00:47:17,399
Speaker 5: Yeah, there's sinks and there's a mirror that's like.

1061
00:47:19,400 --> 00:47:22,759
Speaker 6: This is inside of like a rest in a bath

1062
00:47:22,840 --> 00:47:24,080
Speaker 6: like a wrest in a bathroom.

1063
00:47:24,480 --> 00:47:24,680
Speaker 1: Yeah.

1064
00:47:24,719 --> 00:47:27,120
Speaker 6: I mean, have you ever seen them remodel just the mirror.

1065
00:47:27,880 --> 00:47:31,080
Speaker 3: I have never seen them remodeled just the mirror. I

1066
00:47:31,080 --> 00:47:33,759
Speaker 3: think if the mirror was like broken, they'd probably.

1067
00:47:33,600 --> 00:47:38,440
Speaker 2: You never called Doug's mirror remodeling. They're very famous, weirdly enough. Yeah,

1068
00:47:38,560 --> 00:47:42,319
Speaker 2: So now Janine enters a stall as Alex exits one

1069
00:47:42,360 --> 00:47:44,359
Speaker 2: to wash her hands, passing like ships in the night.

1070
00:47:44,400 --> 00:47:49,040
Speaker 1: And again the most insane scene because then.

1071
00:47:48,960 --> 00:47:51,720
Speaker 2: Janine exits and starts washing her hands on the other side,

1072
00:47:51,760 --> 00:47:54,600
Speaker 2: but Alex doesn't see her until they're looking at each

1073
00:47:54,600 --> 00:47:58,520
Speaker 2: other through where the mirror would be. But they're doing

1074
00:47:58,560 --> 00:48:01,799
Speaker 2: the exact same thing at the exact same time, so

1075
00:48:01,960 --> 00:48:05,560
Speaker 2: even they can't tell the difference between themselves.

1076
00:48:09,239 --> 00:48:13,320
Speaker 3: What would mean and one of them clearly becomes left

1077
00:48:13,320 --> 00:48:16,480
Speaker 3: handed instead of right handed, because you know what I mean,

1078
00:48:17,040 --> 00:48:19,640
Speaker 3: you're mirrored. If you're if you're gonna go touch something

1079
00:48:20,360 --> 00:48:22,120
Speaker 3: and you're right handed, you're going with your right You're

1080
00:48:22,160 --> 00:48:23,240
Speaker 3: not gonna go with your left.

1081
00:48:23,280 --> 00:48:26,040
Speaker 6: No, they did, Yeah, to remind you, they had to

1082
00:48:26,120 --> 00:48:29,280
Speaker 6: dress the same in order for this to work, to pull.

1083
00:48:29,160 --> 00:48:31,319
Speaker 2: This off, because one scarf in the wrong way and

1084
00:48:31,320 --> 00:48:36,480
Speaker 2: everything's different. So yeah, there gotta be actual DNA twins

1085
00:48:36,480 --> 00:48:37,560
Speaker 2: at this point, not clone.

1086
00:48:37,640 --> 00:48:42,239
Speaker 6: Have you ever seen another person and thought, hey, that's me. No?

1087
00:48:42,520 --> 00:48:44,600
Speaker 1: Once, one time with Brad Pitt.

1088
00:48:46,640 --> 00:48:47,080
Speaker 6: That was it.

1089
00:48:47,120 --> 00:48:48,759
Speaker 2: One time I was like, is that me? And then

1090
00:48:48,760 --> 00:48:51,879
Speaker 2: I'm like, oh wait, Brad Pitt's abs. Yeah, but no,

1091
00:48:52,040 --> 00:48:55,040
Speaker 2: of course not. And they're like doing the mirror thing.

1092
00:48:55,280 --> 00:48:57,279
Speaker 2: But how would you not go like that? I mean,

1093
00:48:57,280 --> 00:48:59,000
Speaker 2: it's it was weird.

1094
00:48:59,239 --> 00:49:01,400
Speaker 6: It was It was because you have to buy the

1095
00:49:01,440 --> 00:49:03,799
Speaker 6: conceit that they not only look like each other, they

1096
00:49:03,800 --> 00:49:06,480
Speaker 6: have the same instincts, which at this correct is a

1097
00:49:06,600 --> 00:49:08,000
Speaker 6: very tough pill to swallow.

1098
00:49:08,680 --> 00:49:11,560
Speaker 2: Well, they've switched for a week at this point, so

1099
00:49:11,680 --> 00:49:14,400
Speaker 2: now it's it's it's crazy.

1100
00:49:14,440 --> 00:49:17,360
Speaker 3: Well, and the idea that they wouldn't be blinking, or

1101
00:49:17,360 --> 00:49:20,080
Speaker 3: that they even just blinking together, right, I mean that

1102
00:49:20,120 --> 00:49:22,239
Speaker 3: would be the first. The easiest thing to go is

1103
00:49:22,280 --> 00:49:23,399
Speaker 3: like that person just bleak.

1104
00:49:23,520 --> 00:49:25,279
Speaker 6: They even both do the fake out.

1105
00:49:25,400 --> 00:49:27,799
Speaker 1: They both yes, they both do Yeah.

1106
00:49:27,920 --> 00:49:29,600
Speaker 6: They go to look down and then look up quick.

1107
00:49:30,239 --> 00:49:33,040
Speaker 3: This kind of stuff, though, is like the fun comedy

1108
00:49:33,080 --> 00:49:33,640
Speaker 3: of Disney.

1109
00:49:33,840 --> 00:49:36,279
Speaker 1: Like that, I was, okay, I.

1110
00:49:36,200 --> 00:49:38,040
Speaker 6: Will buy into the Disney of it all. The one

1111
00:49:38,040 --> 00:49:40,480
Speaker 6: thing I can't buy into is a remodeled mirror.

1112
00:49:40,600 --> 00:49:43,919
Speaker 5: It's so the remodeled mill so crazy.

1113
00:49:44,480 --> 00:49:47,640
Speaker 6: It's so insane to put that premise in there that

1114
00:49:47,719 --> 00:49:48,960
Speaker 6: I can't buy the rest.

1115
00:49:48,800 --> 00:49:51,160
Speaker 1: But I can buy the way it's it's such an

1116
00:49:51,200 --> 00:49:51,960
Speaker 1: insane premise.

1117
00:49:52,000 --> 00:49:55,880
Speaker 2: They had to write a literally at a note that says.

1118
00:49:57,120 --> 00:50:00,480
Speaker 6: Mirror remodeling on computer paper from a word document.

1119
00:50:02,160 --> 00:50:04,200
Speaker 5: So weird, so weird.

1120
00:50:04,600 --> 00:50:06,640
Speaker 1: It was pretty great. Yeah.

1121
00:50:06,719 --> 00:50:09,440
Speaker 2: So eventually, crazily enough, they do fall out of sync,

1122
00:50:09,520 --> 00:50:12,080
Speaker 2: only realizing they're two different people when they try to

1123
00:50:12,080 --> 00:50:15,200
Speaker 2: touch the non existent mirror that's being remodeled and they

1124
00:50:15,200 --> 00:50:17,280
Speaker 2: graize each other's hands and ladies and gentlemen.

1125
00:50:18,080 --> 00:50:20,440
Speaker 1: That crazy thing I think we've ever seen on the decree.

1126
00:50:20,680 --> 00:50:27,719
Speaker 1: It's it's up there. Sure, yeah, it's nuts.

1127
00:50:30,719 --> 00:50:33,160
Speaker 2: The girls realize the predicament, both angry to hear that

1128
00:50:33,160 --> 00:50:35,759
Speaker 2: they're on dates for different reasons. Janine leaves to deal

1129
00:50:35,800 --> 00:50:38,239
Speaker 2: with Jason and immediately attacks the male model, calling the

1130
00:50:38,280 --> 00:50:40,920
Speaker 2: date his publicity stunt and turning on a dime in

1131
00:50:40,960 --> 00:50:41,359
Speaker 2: his mind.

1132
00:50:41,640 --> 00:50:43,680
Speaker 1: He swears it's not, but she doesn't believe him.

1133
00:50:43,760 --> 00:50:46,480
Speaker 2: Now a rich brat, she insults Alex food order and

1134
00:50:46,640 --> 00:50:50,279
Speaker 2: yells at a waitress nice. Meanwhile, Alex finds Eric in

1135
00:50:50,480 --> 00:50:52,840
Speaker 2: the back of the place and she delivers her own attitude.

1136
00:50:52,880 --> 00:50:55,399
Speaker 2: She wants to know why now he's totally cool going

1137
00:50:55,400 --> 00:50:58,440
Speaker 2: out with her. He admits she seemed more confident and interesting.

1138
00:50:58,719 --> 00:51:02,400
Speaker 2: Fair but event but everything is interrupted when she realizes

1139
00:51:02,440 --> 00:51:06,400
Speaker 2: she's eating what Janine ordered cow's brains. You know, like

1140
00:51:06,560 --> 00:51:11,840
Speaker 2: most teenagers order in a restaurant on dates. What sixteen

1141
00:51:11,880 --> 00:51:15,600
Speaker 2: year old orders cow's brains, especially one who loves cooking

1142
00:51:15,680 --> 00:51:17,560
Speaker 2: like her. I mean, I get awfuls kind of a thing.

1143
00:51:17,600 --> 00:51:21,520
Speaker 2: But why no, no, that just nobody make it. You

1144
00:51:21,520 --> 00:51:23,600
Speaker 2: know what you do, you make it either caviar or

1145
00:51:23,719 --> 00:51:27,040
Speaker 2: s cargo. It's like you make it nails or something.

1146
00:51:27,400 --> 00:51:30,799
Speaker 2: She's no sixteen year old, ever, is going to order

1147
00:51:31,160 --> 00:51:31,880
Speaker 2: cow's brains.

1148
00:51:32,200 --> 00:51:35,520
Speaker 1: It's just not work. Yeah, this we need to rewrite.

1149
00:51:35,560 --> 00:51:36,880
Speaker 1: I'll rewrite it. It's gonna be fine. We've got some

1150
00:51:36,920 --> 00:51:37,600
Speaker 1: stuff we gotta do.

1151
00:51:39,560 --> 00:51:41,520
Speaker 2: She gags her way to the bathroom, of course, where

1152
00:51:41,560 --> 00:51:44,560
Speaker 2: Alex has also returned to the mirrorless sinks. They switch

1153
00:51:44,600 --> 00:51:47,239
Speaker 2: back identities, trading dates and confusing the men they're with

1154
00:51:47,320 --> 00:51:50,399
Speaker 2: once again, but the most important detail, Alex's brother gets

1155
00:51:50,440 --> 00:51:52,160
Speaker 2: the entire trade off on camera.

1156
00:51:52,440 --> 00:51:54,000
Speaker 1: They are busted.

1157
00:51:54,600 --> 00:51:56,680
Speaker 2: Back at their tables, Jeanine and Eric decide to ditch

1158
00:51:56,719 --> 00:51:59,880
Speaker 2: the restaurant and have a fun go Krt montage. Oh,

1159
00:52:00,239 --> 00:52:02,520
Speaker 2: if there's anything better than a montage, it's a go

1160
00:52:02,760 --> 00:52:06,040
Speaker 2: kart montage. I throw you back to the original Karate Kid.

1161
00:52:06,160 --> 00:52:08,239
Speaker 2: Oh god, it's the best it. Maybe just want to

1162
00:52:08,280 --> 00:52:12,880
Speaker 2: go everywhere that they went well, alexplains everything not a

1163
00:52:12,960 --> 00:52:15,000
Speaker 2: joke on being bipolar.

1164
00:52:14,640 --> 00:52:17,759
Speaker 1: Not even kidding. I'm just gonna let that one go.

1165
00:52:18,040 --> 00:52:20,640
Speaker 2: Later that night, Alex and Jason do actually check out

1166
00:52:20,640 --> 00:52:22,919
Speaker 2: the meteor shower. So it wasn't euphemism for anything else.

1167
00:52:23,440 --> 00:52:25,080
Speaker 2: It wasn't a smooth move for him to get some.

1168
00:52:25,400 --> 00:52:28,400
Speaker 2: He admits he likes that she acts like a normal teenager.

1169
00:52:28,480 --> 00:52:30,480
Speaker 2: He envies it, and in a very soft voice, he

1170
00:52:30,480 --> 00:52:32,520
Speaker 2: said he would never run away from her. And then

1171
00:52:32,840 --> 00:52:34,160
Speaker 2: they kiss.

1172
00:52:34,680 --> 00:52:36,920
Speaker 5: So maybe it was a great kiss.

1173
00:52:36,960 --> 00:52:39,760
Speaker 1: Maybe she's checking out his meteor shower.

1174
00:52:39,800 --> 00:52:43,840
Speaker 2: Maybe it worked smooth justin Timberlake, not enough O's and smooth.

1175
00:52:45,120 --> 00:52:49,279
Speaker 2: Back in the trans am with Eric Janina Mitch, she

1176
00:52:49,320 --> 00:52:51,080
Speaker 2: had one of the most fun nights of her life.

1177
00:52:51,120 --> 00:52:53,319
Speaker 2: She's just so excited she found someone who accepts her

1178
00:52:53,360 --> 00:52:55,719
Speaker 2: for who she is. He calls her my girl, and

1179
00:52:55,760 --> 00:52:57,840
Speaker 2: she likes the sound of that so much so that

1180
00:52:58,000 --> 00:52:59,600
Speaker 2: they also kiss.

1181
00:53:00,239 --> 00:53:01,440
Speaker 1: No meteor shower intended.

1182
00:53:01,560 --> 00:53:04,440
Speaker 2: So she's making out with every guy in this movie

1183
00:53:04,440 --> 00:53:06,839
Speaker 2: because she's playing multiple characters. I think we talked about

1184
00:53:06,840 --> 00:53:08,680
Speaker 2: this on Podmey's World. I think she was like justin

1185
00:53:08,680 --> 00:53:10,960
Speaker 2: Timberlake's first on screen kiss or something like that.

1186
00:53:11,000 --> 00:53:15,040
Speaker 3: But oh yeah, oh wow, that's a pretty good trophy

1187
00:53:15,080 --> 00:53:15,759
Speaker 3: to have, right.

1188
00:53:17,239 --> 00:53:19,480
Speaker 1: That's a mirror ball, I'll say. Let me tell you.

1189
00:53:21,040 --> 00:53:25,919
Speaker 2: Right once, Jeanine is back in the house, her dad

1190
00:53:25,960 --> 00:53:28,320
Speaker 2: quote unquote is waiting for her. She missed a catering

1191
00:53:28,320 --> 00:53:30,360
Speaker 2: event that Alex promised to help at. He is not

1192
00:53:30,520 --> 00:53:33,560
Speaker 2: happy and he grounds her, and Alex's brother is ready

1193
00:53:33,560 --> 00:53:36,000
Speaker 2: to expose his sister and the cover girl.

1194
00:53:36,360 --> 00:53:37,880
Speaker 1: But that's not it.

1195
00:53:37,960 --> 00:53:40,839
Speaker 2: Back at Jeanine's place, Alex returns to see Deirdre has

1196
00:53:40,840 --> 00:53:41,759
Speaker 2: come home a week early.

1197
00:53:41,960 --> 00:53:44,000
Speaker 1: Uh oh, Kathy Lee Gifford.

1198
00:53:44,520 --> 00:53:47,120
Speaker 2: The next morning, Alex is awoken at five am by Deirdre.

1199
00:53:47,280 --> 00:53:49,480
Speaker 2: Somebody named Jake is on his way, and Jake ends

1200
00:53:49,560 --> 00:53:53,480
Speaker 2: up being a cameo. It's Jake Steinfeld, a famous fitness

1201
00:53:53,600 --> 00:53:56,439
Speaker 2: entrepreneur of the eighties and ninety who sold Body by

1202
00:53:56,560 --> 00:54:00,040
Speaker 2: Jake VHS tapes promising a routine to get people in shape.

1203
00:54:00,120 --> 00:54:02,520
Speaker 2: He was the original, and then it became Billy Blank.

1204
00:54:02,560 --> 00:54:04,600
Speaker 2: It was like all these kind of I think Richard

1205
00:54:04,640 --> 00:54:06,520
Speaker 2: Simmons was the first, but then Jake Steinfeld.

1206
00:54:06,760 --> 00:54:07,720
Speaker 1: Yeah.

1207
00:54:07,760 --> 00:54:10,719
Speaker 2: Also small note here he is the uncle of Hailey Steinfeld.

1208
00:54:11,239 --> 00:54:13,439
Speaker 2: So the idea here is that Jeanine is so rich

1209
00:54:13,480 --> 00:54:15,319
Speaker 2: she is the most famous trainer in the world, giving

1210
00:54:15,360 --> 00:54:18,719
Speaker 2: her house calls. Alex can't believe it. Geane is back

1211
00:54:18,719 --> 00:54:21,040
Speaker 2: in class talking to Sharon about her punishment. She's not

1212
00:54:21,120 --> 00:54:23,319
Speaker 2: bothered by it. She uses her cell phone to call Eric,

1213
00:54:23,520 --> 00:54:26,600
Speaker 2: who picks up just a few desks away. Ignoring the grounding,

1214
00:54:26,640 --> 00:54:29,560
Speaker 2: she sets a date for that night, disrupting the entire class,

1215
00:54:29,600 --> 00:54:31,920
Speaker 2: again being a total smartest to the teacher. And finally,

1216
00:54:32,040 --> 00:54:35,160
Speaker 2: this time she is in trouble and sent to detention

1217
00:54:35,840 --> 00:54:38,319
Speaker 2: in the form of cleaning up the girl's locker room

1218
00:54:38,400 --> 00:54:41,720
Speaker 2: as a towel monitor. All right, at least there's some repercussions.

1219
00:54:42,160 --> 00:54:48,640
Speaker 3: But what I would rather have gotten suspended than having

1220
00:54:48,719 --> 00:54:49,200
Speaker 3: to do this.

1221
00:54:49,360 --> 00:54:52,880
Speaker 5: She no gloves, She had no gloves.

1222
00:54:52,960 --> 00:54:55,640
Speaker 1: This was so sanitary.

1223
00:54:56,080 --> 00:54:58,320
Speaker 3: Oh my gosh, I would have died. This would have

1224
00:54:58,360 --> 00:54:59,000
Speaker 3: been I would.

1225
00:54:58,840 --> 00:55:02,239
Speaker 5: Have Can't you argue, then everybody's clean schools.

1226
00:55:02,400 --> 00:55:04,640
Speaker 1: But everybody's clean coming out of the shower, so the

1227
00:55:04,680 --> 00:55:05,440
Speaker 1: towels are clean.

1228
00:55:06,320 --> 00:55:10,719
Speaker 3: No, you're still like exfoliating and wiping off and just

1229
00:55:10,880 --> 00:55:14,399
Speaker 3: like you're putting them in all the places like h No,

1230
00:55:14,920 --> 00:55:19,800
Speaker 3: I am not picking up anyone's towels without gloves, a hairnut,

1231
00:55:20,120 --> 00:55:21,320
Speaker 3: a whole body suit.

1232
00:55:21,360 --> 00:55:24,000
Speaker 5: I am not doing any of that. This is ridiculous.

1233
00:55:24,040 --> 00:55:26,640
Speaker 5: That is that was a horrible type of punishment.

1234
00:55:26,680 --> 00:55:28,680
Speaker 1: Okay, I have a weird question I'm going to ask you.

1235
00:55:28,800 --> 00:55:30,600
Speaker 2: I ask you to take this question as I'm going

1236
00:55:30,680 --> 00:55:32,760
Speaker 2: to ask it, and not the way it's going to sound.

1237
00:55:33,280 --> 00:55:34,600
Speaker 1: Okay, I think it was different.

1238
00:55:34,680 --> 00:55:36,799
Speaker 2: Did you shower in high school during the day. Did

1239
00:55:36,840 --> 00:55:40,399
Speaker 2: you shower during school at school? No, okay, we didn't either.

1240
00:55:40,719 --> 00:55:43,440
Speaker 2: So in all these high school movies, in high school tropes,

1241
00:55:43,480 --> 00:55:44,600
Speaker 2: all these people are showering.

1242
00:55:44,640 --> 00:55:46,240
Speaker 1: We never showered during high school.

1243
00:55:46,239 --> 00:55:49,560
Speaker 3: The only kids that showered that I ever knew of

1244
00:55:49,640 --> 00:55:53,080
Speaker 3: in high school were like diving water pool, the ones

1245
00:55:53,080 --> 00:55:56,439
Speaker 3: that were in the pool because they would have early morning.

1246
00:55:56,120 --> 00:55:58,680
Speaker 2: Practices, okay, and we didn't have a pool in our

1247
00:55:58,719 --> 00:56:00,000
Speaker 2: in our high school, we didn't have any.

1248
00:56:00,440 --> 00:56:03,719
Speaker 3: Those were the only ones that ever that I know

1249
00:56:03,840 --> 00:56:06,200
Speaker 3: of ever, that ever showered. I don't even think the

1250
00:56:06,200 --> 00:56:08,560
Speaker 3: football players would go in the shower after practice.

1251
00:56:08,760 --> 00:56:12,080
Speaker 2: Nobody shot a car and go home exactly whowerwer nobody.

1252
00:56:12,080 --> 00:56:14,160
Speaker 2: So that's such a trope where everybody in high school

1253
00:56:14,160 --> 00:56:16,120
Speaker 2: is showering, and nobody showered in our high school.

1254
00:56:16,200 --> 00:56:19,359
Speaker 1: No, I'm glad to know it wasn't just me. Okay, right, yeah, No.

1255
00:56:19,440 --> 00:56:22,239
Speaker 5: I never did that, nor did I. I mean, you

1256
00:56:22,320 --> 00:56:22,919
Speaker 5: go home, if.

1257
00:56:22,840 --> 00:56:24,440
Speaker 1: You practice after school, you go home and then you

1258
00:56:24,480 --> 00:56:25,040
Speaker 1: shower after that.

1259
00:56:25,320 --> 00:56:27,319
Speaker 3: I stayed at dorms during the summer when I was

1260
00:56:27,320 --> 00:56:30,080
Speaker 3: teaching like summer camps for dance, and like that was

1261
00:56:30,120 --> 00:56:32,239
Speaker 3: the most it was, and I kept my amount of

1262
00:56:32,239 --> 00:56:34,920
Speaker 3: camps to a minimum because I could not the shower

1263
00:56:35,000 --> 00:56:39,880
Speaker 3: thing in the dorms with sandals.

1264
00:56:38,280 --> 00:56:41,320
Speaker 1: Like, are you a bit of a German phobe? It

1265
00:56:41,320 --> 00:56:41,960
Speaker 1: seems like maybe you're.

1266
00:56:42,200 --> 00:56:44,520
Speaker 3: I'm not a I don't think that I am. But

1267
00:56:44,560 --> 00:56:46,400
Speaker 3: when it comes to stuff like that, it is just

1268
00:56:46,440 --> 00:56:46,960
Speaker 3: a no for me.

1269
00:56:47,239 --> 00:56:49,479
Speaker 1: That's a no for me, Doug, that's a no for me, Doug.

1270
00:56:49,680 --> 00:56:50,799
Speaker 5: No, not doing it.

1271
00:56:51,239 --> 00:56:52,759
Speaker 1: And now we are on what feels like the other

1272
00:56:52,840 --> 00:56:53,439
Speaker 1: side of the world.

1273
00:56:53,560 --> 00:56:56,000
Speaker 2: Alex is at a runway show with her mom about

1274
00:56:56,040 --> 00:56:58,000
Speaker 2: to walk on the catwalk in a one of a

1275
00:56:58,080 --> 00:57:00,879
Speaker 2: kind dress, a ten thousand dollars a piece for the night.

1276
00:57:01,239 --> 00:57:03,480
Speaker 2: We get another Niche cameo here in the form of

1277
00:57:03,480 --> 00:57:06,800
Speaker 2: Sweenish model Vendalla Thomason. In real life, she graced the

1278
00:57:06,840 --> 00:57:10,520
Speaker 2: Sports Illustrated Swimsuitish You cover and pages of Vogue and Cosmopolitan,

1279
00:57:10,800 --> 00:57:13,160
Speaker 2: but also appeared in the Batman and Robin movie The

1280
00:57:13,200 --> 00:57:15,920
Speaker 2: Parent Trap End Muppets Tonight. In this movie, though she's

1281
00:57:15,920 --> 00:57:19,200
Speaker 2: apparently friends with Janine and Alex is very starstruck by her,

1282
00:57:19,400 --> 00:57:22,600
Speaker 2: causing Deetr to be very confused. Something feels off to

1283
00:57:22,640 --> 00:57:25,520
Speaker 2: her and so she blames a possible binge of peanut

1284
00:57:25,560 --> 00:57:26,640
Speaker 2: butter cups.

1285
00:57:26,840 --> 00:57:29,960
Speaker 1: Yes, let's get back to the eating problems.

1286
00:57:30,000 --> 00:57:32,080
Speaker 2: Sent off to the catwalk, Alex is blinded by the

1287
00:57:32,120 --> 00:57:34,720
Speaker 2: cameras and awkwardly rips the dress, bumps into another model,

1288
00:57:34,760 --> 00:57:37,160
Speaker 2: and is instantly fired by the designer. I thought, now

1289
00:57:37,200 --> 00:57:38,920
Speaker 2: I understand this is where things have to go wrong.

1290
00:57:39,080 --> 00:57:40,280
Speaker 2: I thought they're going to rip off part of the

1291
00:57:40,360 --> 00:57:41,800
Speaker 2: dress and it was going to make her look even better,

1292
00:57:41,800 --> 00:57:43,400
Speaker 2: and she was gonna look totally cool walking on the cow.

1293
00:57:43,600 --> 00:57:45,720
Speaker 1: No, not the thing. She she fucks it up for everybody.

1294
00:57:46,680 --> 00:57:47,320
Speaker 1: It's true.

1295
00:57:47,440 --> 00:57:50,160
Speaker 2: The next day really made dress by apparently, Yeah, have

1296
00:57:50,200 --> 00:57:52,400
Speaker 2: you bump into somebody? The bottom rips off and that's

1297
00:57:52,480 --> 00:57:53,640
Speaker 2: ten thousand dollars?

1298
00:57:53,800 --> 00:57:54,520
Speaker 1: Are you kidding?

1299
00:57:54,800 --> 00:57:55,440
Speaker 5: Or I thought it was?

1300
00:57:55,520 --> 00:57:55,680
Speaker 4: Yeah?

1301
00:57:55,720 --> 00:57:57,480
Speaker 3: I thought it was gonna look like you were you right?

1302
00:57:57,560 --> 00:57:59,200
Speaker 3: Like a tear away, like a yeah, And.

1303
00:57:59,200 --> 00:58:00,960
Speaker 1: All of a sudden she's a this cool thing and

1304
00:58:01,040 --> 00:58:02,440
Speaker 1: like nope.

1305
00:58:02,480 --> 00:58:04,760
Speaker 5: And having the time of her life. Yes, why aren't

1306
00:58:04,800 --> 00:58:06,440
Speaker 5: you excited? This is so cool?

1307
00:58:06,640 --> 00:58:07,840
Speaker 1: But apparently not.

1308
00:58:08,480 --> 00:58:10,640
Speaker 2: The next day, Janine returns home to find her mom

1309
00:58:10,680 --> 00:58:13,480
Speaker 2: and an admissions officer from the fashion institute chatting the

1310
00:58:13,560 --> 00:58:16,360
Speaker 2: lady wants to see the prospective student's portfolio, so Jeanine

1311
00:58:16,400 --> 00:58:20,440
Speaker 2: runs upstairs but only finds a stack of messy, unfinished collages.

1312
00:58:20,720 --> 00:58:23,400
Speaker 2: It was a big failure and she's basically rejected right

1313
00:58:23,440 --> 00:58:26,439
Speaker 2: on the spot and now fired from Janine's big runway show.

1314
00:58:26,480 --> 00:58:28,960
Speaker 2: Monik alert to Alex that her brother, Josh now going

1315
00:58:29,000 --> 00:58:31,600
Speaker 2: by the name Josh the Informant, has arrived.

1316
00:58:31,920 --> 00:58:34,600
Speaker 1: He wants to talk blackmail. He's ready to go to.

1317
00:58:34,600 --> 00:58:37,600
Speaker 2: The media unless he's paid fifty thousand dollars or if

1318
00:58:37,640 --> 00:58:40,240
Speaker 2: she calls Jason Sharp to take her to the fall

1319
00:58:40,320 --> 00:58:42,920
Speaker 2: Ball What why?

1320
00:58:43,440 --> 00:58:46,520
Speaker 1: Why would he do that? Am I missing something? What's

1321
00:58:46,600 --> 00:58:46,960
Speaker 1: going on?

1322
00:58:48,120 --> 00:58:50,320
Speaker 2: Does he just want to meet Jason Sharp? This didn't

1323
00:58:50,320 --> 00:58:52,800
Speaker 2: make any sense. Is he just so she'd be embarrassed?

1324
00:58:52,800 --> 00:58:52,840
Speaker 3: Like?

1325
00:58:52,880 --> 00:58:53,800
Speaker 1: I didn't get this.

1326
00:58:53,840 --> 00:58:58,040
Speaker 2: Right, fifty grand I get But the rationale of like,

1327
00:58:58,080 --> 00:58:59,960
Speaker 2: wait what and the idea.

1328
00:58:59,680 --> 00:59:03,040
Speaker 3: Of he loves to see his older sister get in trouble, Okay,

1329
00:59:03,160 --> 00:59:04,000
Speaker 3: that makes sense.

1330
00:59:03,760 --> 00:59:06,760
Speaker 2: That that's on brand for Disney and Little Brothers. Totally

1331
00:59:06,840 --> 00:59:07,439
Speaker 2: understand that.

1332
00:59:08,040 --> 00:59:10,920
Speaker 5: But this aspect that deals with Jason Sharp just is

1333
00:59:11,080 --> 00:59:12,040
Speaker 5: like so weird.

1334
00:59:12,160 --> 00:59:13,880
Speaker 1: Yeah, agreed, very bizarre.

1335
00:59:14,040 --> 00:59:17,680
Speaker 2: Yeah, I didn't understand that either, but anyway, She's quick

1336
00:59:17,680 --> 00:59:19,440
Speaker 2: to pick up the phone to call Jason and set

1337
00:59:19,520 --> 00:59:21,360
Speaker 2: up a rendezvous for that night, which I guess is

1338
00:59:21,440 --> 00:59:24,120
Speaker 2: much easier than paying fifty thousand dollars. And when Alex

1339
00:59:24,160 --> 00:59:26,120
Speaker 2: and Jason do meet up, he asked her to come

1340
00:59:26,160 --> 00:59:28,880
Speaker 2: to Paris with him for a modeling gig. They're both sixteen,

1341
00:59:28,920 --> 00:59:31,280
Speaker 2: time to fly off to Paris, but she interrupts him

1342
00:59:31,280 --> 00:59:33,520
Speaker 2: with the truth. She is not who she thinks she is.

1343
00:59:33,600 --> 00:59:35,800
Speaker 2: She puts her hair up and reveals her glasses.

1344
00:59:36,440 --> 00:59:41,080
Speaker 1: She's a nerd. People. It was just I love how

1345
00:59:41,080 --> 00:59:41,840
Speaker 1: that was her answer.

1346
00:59:41,880 --> 00:59:44,040
Speaker 2: She puts up her hair, puts on the glasses and

1347
00:59:44,080 --> 00:59:46,320
Speaker 2: looks at him like, look look at me now, and

1348
00:59:46,480 --> 00:59:49,080
Speaker 2: I love I wanted him to go like, what are

1349
00:59:49,120 --> 00:59:51,680
Speaker 2: you doing? Like now, you just look like you're super

1350
00:59:51,720 --> 00:59:53,400
Speaker 2: hot with your hair up and glasses. Yeah?

1351
00:59:53,600 --> 00:59:53,880
Speaker 5: Are you?

1352
00:59:54,040 --> 00:59:54,160
Speaker 4: Like?

1353
00:59:54,840 --> 00:59:57,400
Speaker 5: Are you giving me dirty teacher vibe? That's what's going on?

1354
00:59:57,680 --> 01:00:01,600
Speaker 2: What's because I'm into it? Bro, what's happened? But it's fine? Yes,

1355
01:00:01,640 --> 01:00:05,800
Speaker 2: I will stay after class. Missus naughty, Like, what the

1356
01:00:05,840 --> 01:00:10,600
Speaker 2: hell is happening? Yeah, but she's a nerd. He, of course,

1357
01:00:10,840 --> 01:00:13,600
Speaker 2: being a human, doesn't see the difference, which is hilarious

1358
01:00:13,600 --> 01:00:16,240
Speaker 2: because he's the only person to not be completely bamboozled.

1359
01:00:16,640 --> 01:00:19,000
Speaker 2: She hands him the Blackmail VHS tape and says it'll

1360
01:00:19,000 --> 01:00:21,440
Speaker 2: explain everything. They share one last kiss, which now kind

1361
01:00:21,440 --> 01:00:23,280
Speaker 2: of feels like assault because she's not who she says,

1362
01:00:23,560 --> 01:00:27,400
Speaker 2: and mid smooch, Eric arrives. Ooh and now because she's

1363
01:00:27,440 --> 01:00:30,240
Speaker 2: wearing glasses and her hair is up, Alex is cheating

1364
01:00:30,280 --> 01:00:30,680
Speaker 2: on him.

1365
01:00:31,040 --> 01:00:32,000
Speaker 1: It's hard to keep up.

1366
01:00:32,120 --> 01:00:32,360
Speaker 6: I know.

1367
01:00:33,080 --> 01:00:35,240
Speaker 2: Jason is also mad, and amongst all the drama, he

1368
01:00:35,280 --> 01:00:36,520
Speaker 2: storms off to what's up?

1369
01:00:36,600 --> 01:00:37,560
Speaker 5: Oh my kay? Okay?

1370
01:00:37,720 --> 01:00:41,000
Speaker 3: First of all, first of all, why did she set

1371
01:00:41,080 --> 01:00:43,800
Speaker 3: up this meeting only to just give him the tape?

1372
01:00:44,760 --> 01:00:48,280
Speaker 5: Like, I'm not who you think I am? Here's the

1373
01:00:48,320 --> 01:00:49,800
Speaker 5: tape to explain? Are you kidding?

1374
01:00:49,840 --> 01:00:50,000
Speaker 1: Even?

1375
01:00:50,120 --> 01:00:54,120
Speaker 3: Like, no, listen, this is what happened. Yes, my brother,

1376
01:00:54,200 --> 01:00:55,400
Speaker 3: my brother has this tape.

1377
01:00:55,440 --> 01:00:57,280
Speaker 5: He wants to. He wants like tell him what the

1378
01:00:57,280 --> 01:00:57,920
Speaker 5: brother's like.

1379
01:00:58,440 --> 01:00:58,880
Speaker 1: What happens?

1380
01:00:59,000 --> 01:00:59,560
Speaker 3: Explain it?

1381
01:01:00,000 --> 01:01:06,000
Speaker 5: Explain it? Also, where the hell does Eric come from?

1382
01:01:07,560 --> 01:01:12,320
Speaker 3: Why are you out walking and the high school on

1383
01:01:12,400 --> 01:01:14,360
Speaker 3: at nine point thirty at night?

1384
01:01:14,520 --> 01:01:14,760
Speaker 1: Eric?

1385
01:01:14,800 --> 01:01:17,280
Speaker 5: What are you doing? You shouldn't be here? Why are

1386
01:01:17,320 --> 01:01:18,560
Speaker 5: you just walking around?

1387
01:01:18,720 --> 01:01:22,760
Speaker 3: And yes, somebody a little bit of heads up that

1388
01:01:22,800 --> 01:01:24,840
Speaker 3: you're coming behind me because I might have turned around

1389
01:01:24,880 --> 01:01:25,520
Speaker 3: and swung.

1390
01:01:25,280 --> 01:01:28,040
Speaker 1: It, yeah, or pepper sprayed you or something.

1391
01:01:28,720 --> 01:01:32,240
Speaker 2: And it's also like here, I want to explain everything

1392
01:01:32,240 --> 01:01:32,920
Speaker 2: that happened.

1393
01:01:33,400 --> 01:01:34,280
Speaker 1: You need a VCR?

1394
01:01:37,440 --> 01:01:39,280
Speaker 5: Do you have one in the limo? I was assuming

1395
01:01:39,320 --> 01:01:40,120
Speaker 5: you had one in your.

1396
01:01:40,040 --> 01:01:42,200
Speaker 2: TV and a VCR to figure out exact because I

1397
01:01:42,200 --> 01:01:42,680
Speaker 2: don't want to.

1398
01:01:42,600 --> 01:01:44,520
Speaker 3: Explain it to you because I can't use my words

1399
01:01:44,520 --> 01:01:49,160
Speaker 3: and do this. This scene was very like what happening,

1400
01:01:49,400 --> 01:01:52,200
Speaker 3: very old gosh, Okay, all right, I'm gonna get through

1401
01:01:52,240 --> 01:01:56,280
Speaker 3: it because I got to support the jtlay.

1402
01:01:55,400 --> 01:01:57,920
Speaker 2: I get you, I get you. And now the girls

1403
01:01:57,960 --> 01:02:00,200
Speaker 2: they have to face the truth. Alex is not only

1404
01:02:00,200 --> 01:02:03,040
Speaker 2: in the dream school, and Eric has left her, Janine

1405
01:02:03,080 --> 01:02:06,200
Speaker 2: lost her biggest modeling job, and Jason hates her. Also,

1406
01:02:06,600 --> 01:02:08,640
Speaker 2: Alex's brother knows the truth, and they're gonna have to

1407
01:02:08,640 --> 01:02:11,480
Speaker 2: plan his demise. There's only one thing left to do,

1408
01:02:12,080 --> 01:02:14,439
Speaker 2: switch back for good and we get a sad song

1409
01:02:14,480 --> 01:02:16,520
Speaker 2: as the exchange takes place the following morning in front

1410
01:02:16,520 --> 01:02:19,440
Speaker 2: of the high school. It's a hilarious scene as they

1411
01:02:19,600 --> 01:02:23,760
Speaker 2: just trade the glasses and the hair rubber band. That's

1412
01:02:23,800 --> 01:02:26,080
Speaker 2: the entirety of the difference than hug and walk away

1413
01:02:26,080 --> 01:02:29,360
Speaker 2: from each other, heads hung low. Literally, she just hands

1414
01:02:29,360 --> 01:02:33,120
Speaker 2: her her glasses and a hair clip and they walk away.

1415
01:02:33,840 --> 01:02:35,160
Speaker 2: Did they need to meet up for.

1416
01:02:35,160 --> 01:02:39,480
Speaker 3: That, No, because we haven't even addressed the fact that

1417
01:02:39,760 --> 01:02:43,880
Speaker 3: if Alex needs glasses, why can she see when she's

1418
01:02:43,920 --> 01:02:44,640
Speaker 3: being Janine.

1419
01:02:45,200 --> 01:02:47,160
Speaker 1: Oh, that's like, yeah, that's like ninth on the list.

1420
01:02:47,360 --> 01:02:52,080
Speaker 2: I know, it's it's seriously, it's yes, there's like did she.

1421
01:02:52,040 --> 01:02:54,240
Speaker 5: Have glasses with her so that when she needed to

1422
01:02:54,280 --> 01:02:57,240
Speaker 5: actually see she did? And she just as walked probably.

1423
01:02:56,960 --> 01:02:58,240
Speaker 1: Maybe contact.

1424
01:02:59,280 --> 01:03:00,720
Speaker 5: Contact Yeah you dry?

1425
01:03:01,280 --> 01:03:04,800
Speaker 3: Yes, you shouldn't be driving, shouldn't be doing like okay.

1426
01:03:04,600 --> 01:03:05,120
Speaker 6: Yeah, all right.

1427
01:03:05,320 --> 01:03:05,720
Speaker 1: Anyway.

1428
01:03:05,840 --> 01:03:08,160
Speaker 2: Later that day, Jeanine is back to bossing Munique around

1429
01:03:08,160 --> 01:03:10,160
Speaker 2: while getting a manicure, and Alex is back to her

1430
01:03:10,200 --> 01:03:13,000
Speaker 2: family breakfast. She finds out she's been grounded and has

1431
01:03:13,040 --> 01:03:15,800
Speaker 2: a catering job. That Saturday night, she's back off to school,

1432
01:03:15,800 --> 01:03:18,240
Speaker 2: and Jeanine has returned to modeling for that photographer with

1433
01:03:18,280 --> 01:03:21,360
Speaker 2: the crazy eye patch, but he's disappointed in what he sees.

1434
01:03:21,440 --> 01:03:24,160
Speaker 1: He wants that shy and vulnerable, demure kind of.

1435
01:03:24,240 --> 01:03:26,600
Speaker 2: Jeanine that he saw last week, but we all know

1436
01:03:26,760 --> 01:03:30,600
Speaker 2: that was just Alex, who somebody please replace my mirror.

1437
01:03:31,640 --> 01:03:34,200
Speaker 2: Deirdre arrives to announce that she's convinced that designer to

1438
01:03:34,200 --> 01:03:36,640
Speaker 2: take her back on a trial basis, but nothing feels

1439
01:03:36,680 --> 01:03:39,080
Speaker 2: the same anymore. Her mom blames it on exhaustion and

1440
01:03:39,120 --> 01:03:42,160
Speaker 2: probably peanut butter cups, but the truth is she misses

1441
01:03:42,400 --> 01:03:45,200
Speaker 2: Eric and back at high school the fall ball, an

1442
01:03:45,200 --> 01:03:47,880
Speaker 2: event that's barely been talked about, you know, but now

1443
01:03:48,080 --> 01:03:50,120
Speaker 2: is the key to this film and is only a

1444
01:03:50,160 --> 01:03:53,040
Speaker 2: couple of days away. Things just aren't looking good though

1445
01:03:53,120 --> 01:03:57,240
Speaker 2: everyone hates Alex, but she has an idea. Back at

1446
01:03:57,280 --> 01:04:00,000
Speaker 2: Jeanne's plush apartment, though she's put on a sexy dress

1447
01:04:00,120 --> 01:04:02,400
Speaker 2: and told her mom she isn't going to a modeling mixer,

1448
01:04:02,600 --> 01:04:04,120
Speaker 2: she's finally standing up for herself.

1449
01:04:04,320 --> 01:04:05,280
Speaker 1: She's decided to go.

1450
01:04:05,160 --> 01:04:08,000
Speaker 2: To a high school fall ball to tell the great

1451
01:04:08,040 --> 01:04:09,680
Speaker 2: guy she fell for the truth.

1452
01:04:10,120 --> 01:04:11,960
Speaker 1: Deirdre that maybe should just give him another tape.

1453
01:04:12,080 --> 01:04:14,640
Speaker 2: Deirdre doesn't know what to say as her daughter walks

1454
01:04:14,720 --> 01:04:17,440
Speaker 2: right out the front door. Back at Alex's, she decides

1455
01:04:17,480 --> 01:04:19,800
Speaker 2: to go and fight for Jason. She convinces her little

1456
01:04:19,840 --> 01:04:21,920
Speaker 2: brother to keep the secret between them, but calls Jason

1457
01:04:21,920 --> 01:04:23,600
Speaker 2: and finds out he's gone to Paris for the week

1458
01:04:23,680 --> 01:04:26,480
Speaker 2: after all. Yeah, of course he's the most famous teen

1459
01:04:26,600 --> 01:04:28,280
Speaker 2: supermodel male superman.

1460
01:04:28,320 --> 01:04:28,880
Speaker 1: It's not a thing.

1461
01:04:29,880 --> 01:04:32,040
Speaker 2: At the Fallball, Ganine arrives in a taxi and make

1462
01:04:32,040 --> 01:04:34,440
Speaker 2: sure her glasses are on before she enters, you know,

1463
01:04:34,560 --> 01:04:37,080
Speaker 2: because she's a nerd like Alex. And inside lo and

1464
01:04:37,160 --> 01:04:41,280
Speaker 2: behold girl group Nobody's Angel is performing. They are actually

1465
01:04:41,280 --> 01:04:43,360
Speaker 2: just dancing without microphones, which is kind of a weird

1466
01:04:43,360 --> 01:04:45,040
Speaker 2: way to perform at a high school dance, but hey,

1467
01:04:45,040 --> 01:04:48,040
Speaker 2: that's what it is. Janine makes a b line for Eric,

1468
01:04:48,080 --> 01:04:50,920
Speaker 2: but is checked by his date, the most vocal of

1469
01:04:51,000 --> 01:04:51,880
Speaker 2: the mean girls.

1470
01:04:52,080 --> 01:04:53,160
Speaker 1: Oh no, And.

1471
01:04:53,040 --> 01:04:55,640
Speaker 2: That's when the real Alex arrives, just as her mom

1472
01:04:55,680 --> 01:04:58,520
Speaker 2: realizes it's three pillows in her bed back at home.

1473
01:04:59,000 --> 01:05:01,240
Speaker 2: But at the dance, Nobody His Angel finally finishes a

1474
01:05:01,400 --> 01:05:03,640
Speaker 2: very long song and it's time to announce the King

1475
01:05:03,680 --> 01:05:06,600
Speaker 2: and Queen of the Fall Ball. The winners are Eric

1476
01:05:06,880 --> 01:05:10,200
Speaker 2: and his mean girl date Mindy. Both Janine and Alex

1477
01:05:10,240 --> 01:05:12,680
Speaker 2: feel defeated at the ball, even though I don't think

1478
01:05:12,720 --> 01:05:13,520
Speaker 2: any of them thought.

1479
01:05:13,320 --> 01:05:13,920
Speaker 6: They were gonna win.

1480
01:05:14,040 --> 01:05:16,320
Speaker 2: Wanted to win whatever, didn't even know there were kings

1481
01:05:16,320 --> 01:05:19,920
Speaker 2: and queens. It was literally never ever mentioned. And that's

1482
01:05:19,960 --> 01:05:24,040
Speaker 2: when both their families and Jason arrive. He's not in

1483
01:05:24,080 --> 01:05:26,560
Speaker 2: Paris after all, and watch the tape and somehow knows

1484
01:05:26,640 --> 01:05:29,720
Speaker 2: the fall ball will be where he should find her.

1485
01:05:30,360 --> 01:05:31,400
Speaker 1: Somehow he knew.

1486
01:05:31,160 --> 01:05:35,120
Speaker 5: That never explained, and Sync knows to go.

1487
01:05:35,120 --> 01:05:38,200
Speaker 2: There, okay, and then the two girls bump into each other.

1488
01:05:38,480 --> 01:05:40,840
Speaker 2: The student body sees it all and is terrified are

1489
01:05:40,880 --> 01:05:46,240
Speaker 2: they seeing double eh? And now we have all their families, Jason, Eric,

1490
01:05:46,280 --> 01:05:49,240
Speaker 2: the lookalike girls, and even Jeanine's modeling little brother all

1491
01:05:49,280 --> 01:05:52,240
Speaker 2: in one spot. Janine grabs the microphone that nobody's angel

1492
01:05:52,240 --> 01:05:54,520
Speaker 2: couldn't even have themselves, and she reveals everything.

1493
01:05:54,560 --> 01:05:56,120
Speaker 1: They've switched identities.

1494
01:05:56,360 --> 01:05:58,800
Speaker 2: They apologize to their families and admit they finally learned

1495
01:05:58,840 --> 01:06:01,360
Speaker 2: how to be happy as themselves. Everyone is touched by

1496
01:06:01,360 --> 01:06:04,440
Speaker 2: the admission, and Deirdre finally gives up being a strict momager.

1497
01:06:04,640 --> 01:06:06,320
Speaker 1: Jeanine's little brother even quits modeling.

1498
01:06:06,360 --> 01:06:08,360
Speaker 2: He's going to be an agent and luckily not an actor,

1499
01:06:08,400 --> 01:06:10,920
Speaker 2: because Kathy Lee's son is terrible in this movie.

1500
01:06:11,720 --> 01:06:14,439
Speaker 1: He's a little kid, but he's not particularly good.

1501
01:06:15,240 --> 01:06:17,720
Speaker 5: No, he wasn't. He was a cute kidd.

1502
01:06:20,520 --> 01:06:25,400
Speaker 2: But and there's one last thing to do. Alex apologizes

1503
01:06:25,440 --> 01:06:27,880
Speaker 2: to Jason. She knows he's leaving for Paris and has

1504
01:06:27,880 --> 01:06:29,800
Speaker 2: bigger and better things to do than hang around with her,

1505
01:06:29,920 --> 01:06:33,440
Speaker 2: but he asks her for one thing, a dance. The

1506
01:06:33,440 --> 01:06:36,040
Speaker 2: student body erupts an applause, and Eric also ditches his

1507
01:06:36,080 --> 01:06:39,080
Speaker 2: mean girl for Alex, after which they should have cut

1508
01:06:39,320 --> 01:06:42,800
Speaker 2: It makes him look like such a dingus when he's like,

1509
01:06:42,840 --> 01:06:46,720
Speaker 2: wait a minute, I was dating Jeanine Adams a date.

1510
01:06:47,760 --> 01:06:49,000
Speaker 1: Just shut up, dude.

1511
01:06:49,920 --> 01:06:51,960
Speaker 2: That's like after that, why would she ever want to

1512
01:06:52,000 --> 01:06:59,160
Speaker 2: be with him? Because now she knows.

1513
01:06:54,280 --> 01:06:57,840
Speaker 5: He should have looked at her and been like, so

1514
01:06:57,920 --> 01:06:58,960
Speaker 5: you didn't cheat on me?

1515
01:06:59,200 --> 01:07:01,120
Speaker 1: Or why did you like me? There's something?

1516
01:07:01,320 --> 01:07:03,280
Speaker 5: Yes, okay, got it.

1517
01:07:04,240 --> 01:07:06,360
Speaker 1: I was doubt with Janine out of yikes.

1518
01:07:06,680 --> 01:07:09,400
Speaker 5: Even the dad we had a supermodel in our house.

1519
01:07:09,480 --> 01:07:14,320
Speaker 1: Yeah what did he mean by that? Very cool?

1520
01:07:14,560 --> 01:07:16,920
Speaker 5: Now, no one's gonna come over to our house, you creep.

1521
01:07:17,000 --> 01:07:19,040
Speaker 1: Yeah, very very strange.

1522
01:07:19,440 --> 01:07:21,880
Speaker 2: Our two painfully mismatched couple stakes at the dance Lord,

1523
01:07:22,080 --> 01:07:24,880
Speaker 2: joined by Deirdre and her own son, a high schooler

1524
01:07:24,920 --> 01:07:28,600
Speaker 2: creepily dances with Alex's little brother, which is weird weird,

1525
01:07:28,640 --> 01:07:31,120
Speaker 2: and Monique hangs on to Tony the limo driver, which

1526
01:07:31,160 --> 01:07:33,240
Speaker 2: was cute. They all bust and move to another Nobody's

1527
01:07:33,280 --> 01:07:36,320
Speaker 2: Angel song, this time with microphones. Alex and Jeanine take

1528
01:07:36,320 --> 01:07:39,120
Speaker 2: a yearbook photo together, giving us two Maggie Lawson's arm

1529
01:07:39,120 --> 01:07:42,600
Speaker 2: in arm and that's our movie where literally nothing was resolved.

1530
01:07:42,840 --> 01:07:46,560
Speaker 2: She never apologizes to Sharon, her friend. They never resolve

1531
01:07:46,600 --> 01:07:49,920
Speaker 2: anything with any of the guys. It's it's like nothing

1532
01:07:50,120 --> 01:07:53,920
Speaker 2: is kind of it's it just ends. And then because

1533
01:07:53,920 --> 01:07:56,280
Speaker 2: of the way it's ripped, it literally just ends, like

1534
01:07:56,320 --> 01:07:59,320
Speaker 2: it just stops the movie and you're like, oh, oh, apparently.

1535
01:07:58,920 --> 01:07:59,440
Speaker 1: That's the end.

1536
01:08:00,160 --> 01:08:02,959
Speaker 3: Yeah, Like the credits aren't even like normal credit.

1537
01:08:03,080 --> 01:08:05,800
Speaker 2: It's just like yes, and again, this wasn't we sound

1538
01:08:05,840 --> 01:08:07,800
Speaker 2: like we're shredding it. It wasn't a bad man. There's just

1539
01:08:07,840 --> 01:08:10,360
Speaker 2: a ton of holes in it. That was like, wait,

1540
01:08:10,520 --> 01:08:11,080
Speaker 2: why what.

1541
01:08:11,080 --> 01:08:15,680
Speaker 3: There No matter what, no matter how much you pick

1542
01:08:15,720 --> 01:08:19,360
Speaker 3: it apart as you're watching it, you could absolutely hundred

1543
01:08:19,640 --> 01:08:25,400
Speaker 3: percent how the demo of that time a Tara god totally,

1544
01:08:25,960 --> 01:08:30,000
Speaker 3: all of them were obsessed. It had so many of

1545
01:08:30,040 --> 01:08:32,000
Speaker 3: the must needed qualities to.

1546
01:08:32,000 --> 01:08:35,799
Speaker 5: Be that of the like totally era of the two thousand.

1547
01:08:36,040 --> 01:08:38,880
Speaker 2: I totally get it, but of course we can't. We

1548
01:08:38,920 --> 01:08:40,840
Speaker 2: don't watch it like that all the time. Now, watch

1549
01:08:40,880 --> 01:08:42,519
Speaker 2: it like it's a movie, and as a movie, it's

1550
01:08:42,560 --> 01:08:47,000
Speaker 2: got some giant, gaping moon size holes in it that.

1551
01:08:47,800 --> 01:08:50,240
Speaker 1: Yeah, it just needed it needed a little polish.

1552
01:08:50,320 --> 01:08:58,960
Speaker 2: Yeah, let's see what other people thought about it, and.

1553
01:08:59,000 --> 01:09:02,280
Speaker 1: Let's do some real review. I've got the five star

1554
01:09:02,360 --> 01:09:02,679
Speaker 1: this week.

1555
01:09:02,720 --> 01:09:05,679
Speaker 2: I'm very happy this is five stars from Shoon Lee

1556
01:09:06,040 --> 01:09:08,800
Speaker 2: who said this movie was great and Jesse Nielsen did

1557
01:09:08,840 --> 01:09:11,080
Speaker 2: an awesome job and was extremely cute.

1558
01:09:12,000 --> 01:09:13,040
Speaker 1: Who's Jesse Nielsen?

1559
01:09:13,520 --> 01:09:14,559
Speaker 5: I don't know what.

1560
01:09:15,760 --> 01:09:17,439
Speaker 1: I'm guessing that was maybe Eric.

1561
01:09:19,160 --> 01:09:19,680
Speaker 4: I loved it.

1562
01:09:19,640 --> 01:09:22,120
Speaker 6: Because I didn't know who was. I mean, that's almost

1563
01:09:22,160 --> 01:09:22,720
Speaker 6: part of it for.

1564
01:09:22,680 --> 01:09:25,479
Speaker 2: Me, is just like this, Yeah, I think that might

1565
01:09:25,520 --> 01:09:28,599
Speaker 2: be Eric, but we'll have to see. And was extremely cute.

1566
01:09:28,880 --> 01:09:31,800
Speaker 2: People lay off Cody Gifford, he's like super young. Yes,

1567
01:09:31,880 --> 01:09:34,200
Speaker 2: I know, as MAXI did a terrible job, but hey,

1568
01:09:34,479 --> 01:09:35,719
Speaker 2: at least the kid tried.

1569
01:09:36,160 --> 01:09:38,120
Speaker 1: Kathy Lee was barely tolerable.

1570
01:09:38,360 --> 01:09:40,479
Speaker 2: But how can you pay attention to the acting when

1571
01:09:40,520 --> 01:09:42,760
Speaker 2: there were such cute guys in the movie. I was

1572
01:09:42,800 --> 01:09:45,719
Speaker 2: totally concentrating on the guys, not the acting.

1573
01:09:46,320 --> 01:09:50,839
Speaker 1: Five stars. There you go, there you go. Best love it, Sabrina,

1574
01:09:50,920 --> 01:09:52,360
Speaker 1: You've got the one star this week? What do you

1575
01:09:52,400 --> 01:09:53,080
Speaker 1: got I do.

1576
01:09:53,280 --> 01:09:59,000
Speaker 3: From our friend nummig a named person given a one star?

1577
01:09:59,320 --> 01:10:01,759
Speaker 5: Come on? What's with this twin stuff?

1578
01:10:02,720 --> 01:10:06,880
Speaker 1: Okay? Great and to the point damage.

1579
01:10:06,600 --> 01:10:09,400
Speaker 5: Trying to be twins? But alrighty, you very exactly.

1580
01:10:09,439 --> 01:10:11,400
Speaker 1: They weren't trying to be twins. You didn't get the movie,

1581
01:10:11,439 --> 01:10:12,360
Speaker 1: thank you, unamad.

1582
01:10:12,760 --> 01:10:14,320
Speaker 2: All right, we are, of course coming to our favorite

1583
01:10:14,360 --> 01:10:16,519
Speaker 2: portion of the program, I should say Sabrina's favorite portion

1584
01:10:16,560 --> 01:10:19,400
Speaker 2: of the program. That is when producer Jensen tries to

1585
01:10:19,400 --> 01:10:23,120
Speaker 2: make us look stupid. And this week our feature game

1586
01:10:23,280 --> 01:10:28,280
Speaker 2: is called boy Band Bingo. To celebrate Justin Timberlake's first

1587
01:10:28,280 --> 01:10:30,160
Speaker 2: movie being a d com, we are taking it back

1588
01:10:30,200 --> 01:10:33,000
Speaker 2: to Y two k t RL say that five times fast.

1589
01:10:33,200 --> 01:10:35,599
Speaker 2: We will be given a boy band and four possible

1590
01:10:35,640 --> 01:10:38,000
Speaker 2: song titles. We have to guess which one is fake

1591
01:10:38,040 --> 01:10:40,360
Speaker 2: from the choices. If you get this wrong, Sabrina, because

1592
01:10:40,400 --> 01:10:43,040
Speaker 2: I know none of them, three out of five wins.

1593
01:10:43,640 --> 01:10:44,320
Speaker 6: Here we go.

1594
01:10:44,680 --> 01:10:45,400
Speaker 1: We're starting with.

1595
01:10:45,560 --> 01:10:48,759
Speaker 5: Lee, but you know who's gonna win, hands down, Lisa.

1596
01:10:48,840 --> 01:10:51,080
Speaker 1: Oh, they've already won. Our producers have already won this.

1597
01:10:51,840 --> 01:10:52,240
Speaker 1: I'm taking.

1598
01:10:52,280 --> 01:10:55,360
Speaker 2: Mikayla has already won, Producer Tar has already won. Producer

1599
01:10:55,439 --> 01:10:56,360
Speaker 2: Jensen's already won.

1600
01:10:56,439 --> 01:11:01,320
Speaker 1: Here we Go, I know is backstreet Boy is now?

1601
01:11:01,360 --> 01:11:01,479
Speaker 6: Here?

1602
01:11:01,479 --> 01:11:02,880
Speaker 1: Are song titles? Which one's real?

1603
01:11:03,439 --> 01:11:08,479
Speaker 2: Lay down besides me? If you stay, love me now

1604
01:11:09,160 --> 01:11:17,519
Speaker 2: or Let's have a party. I'm gonna say, love me

1605
01:11:17,720 --> 01:11:21,120
Speaker 2: Now is the fake one?

1606
01:11:21,680 --> 01:11:24,240
Speaker 6: Wow? One for one? Love me Now is the fake one?

1607
01:11:24,560 --> 01:11:27,720
Speaker 1: Ah wow? Okay, gee, that's the only one. I'm gonna

1608
01:11:27,720 --> 01:11:29,439
Speaker 1: get number two? End sync?

1609
01:11:30,360 --> 01:11:36,240
Speaker 2: Is it falling my Sweetie, trash in the camp or

1610
01:11:36,360 --> 01:11:39,960
Speaker 2: some dreams you go first?

1611
01:11:40,040 --> 01:11:41,920
Speaker 5: Oh is my sweetie?

1612
01:11:42,400 --> 01:11:49,599
Speaker 4: I'm gonna say falling, it's my sweetie. Oh wow, she's

1613
01:11:49,840 --> 01:11:55,520
Speaker 4: sure too? Ninety eight degrees? Is it because of you?

1614
01:11:55,560 --> 01:11:58,000
Speaker 4: Never let go? Invisible Man?

1615
01:11:58,400 --> 01:11:59,519
Speaker 1: Or hold Me Close?

1616
01:12:02,080 --> 01:12:03,719
Speaker 5: I'm gonna go with hold me Close.

1617
01:12:03,760 --> 01:12:05,080
Speaker 1: I'm gonna say it's because of you?

1618
01:12:05,439 --> 01:12:07,200
Speaker 6: What is happening? It told me close?

1619
01:12:07,479 --> 01:12:11,760
Speaker 1: Oh she's she was in a band, she was in.

1620
01:12:11,760 --> 01:12:16,960
Speaker 3: A goodand no and I honestly in sync's the only one.

1621
01:12:17,000 --> 01:12:19,759
Speaker 3: But I don't even know those three songs.

1622
01:12:20,240 --> 01:12:22,639
Speaker 2: I guess I'm not backing any of these songs yet,

1623
01:12:22,680 --> 01:12:24,200
Speaker 2: and I know end sinking Backstreet.

1624
01:12:23,840 --> 01:12:25,479
Speaker 1: Boys, nice guys. I don't know any of these songs.

1625
01:12:26,240 --> 01:12:32,840
Speaker 2: Number four, Oh Town, is it? We fit together? American Game?

1626
01:12:33,640 --> 01:12:37,000
Speaker 2: I showed her or single Most Lady.

1627
01:12:38,840 --> 01:12:41,400
Speaker 1: I showed, So you're picking.

1628
01:12:43,120 --> 01:12:45,720
Speaker 5: I'm gonna go with that because if that is an actual.

1629
01:12:45,439 --> 01:12:47,719
Speaker 1: Song, I normal.

1630
01:12:47,720 --> 01:12:49,800
Speaker 2: I'm gonna play against type and I'm gonna pick what

1631
01:12:49,880 --> 01:12:51,640
Speaker 2: Sabrina did because she's killing it, So I'll go with

1632
01:12:51,760 --> 01:12:55,280
Speaker 2: I showed her with Sabrina dog it's single most Lady.

1633
01:12:56,200 --> 01:12:58,400
Speaker 5: Oh that was yeah, Single Most Lady?

1634
01:12:58,560 --> 01:13:01,519
Speaker 1: Well, okay, will get you still won right? You still

1635
01:13:01,560 --> 01:13:01,920
Speaker 1: got three?

1636
01:13:02,080 --> 01:13:02,679
Speaker 6: She got three?

1637
01:13:03,080 --> 01:13:03,559
Speaker 1: All right?

1638
01:13:03,680 --> 01:13:07,400
Speaker 2: Then the Jonas Brothers, is it infatuation? Keep it real?

1639
01:13:07,920 --> 01:13:11,960
Speaker 2: Slide the remix or Australia.

1640
01:13:12,920 --> 01:13:17,240
Speaker 3: Wait is Slide the remix like the Chachas Slide Remix?

1641
01:13:17,320 --> 01:13:18,280
Speaker 3: Is that what you're trying to say?

1642
01:13:18,479 --> 01:13:21,719
Speaker 6: All I know is title is slide Parentheses is the remix?

1643
01:13:22,439 --> 01:13:24,400
Speaker 5: Okay, I'm gonna go keep it real.

1644
01:13:24,439 --> 01:13:26,640
Speaker 2: I'm gonna say it's infatuation because he hasn't done the

1645
01:13:26,680 --> 01:13:27,360
Speaker 2: first one yet.

1646
01:13:28,240 --> 01:13:28,960
Speaker 6: Slide remix?

1647
01:13:29,520 --> 01:13:44,360
Speaker 2: Ah, God, they did your congratulations can we do some sabrinases.

1648
01:13:47,040 --> 01:13:49,439
Speaker 5: We can. We did quite a bit of them while

1649
01:13:49,439 --> 01:13:52,439
Speaker 5: we were going so many good things. I'm gonna start

1650
01:13:52,479 --> 01:13:52,880
Speaker 5: it off.

1651
01:13:52,760 --> 01:13:56,000
Speaker 3: With a question, so I know you we got called

1652
01:13:56,040 --> 01:13:58,640
Speaker 3: out for what the car actually was.

1653
01:13:58,680 --> 01:14:00,479
Speaker 5: What was it again a Mazda No, No.

1654
01:14:01,520 --> 01:14:02,879
Speaker 1: Producer Jensen had a Firebird.

1655
01:14:02,920 --> 01:14:05,479
Speaker 5: It was actually a transam, a trans aam. What did

1656
01:14:05,479 --> 01:14:06,160
Speaker 5: you think of the car?

1657
01:14:07,320 --> 01:14:07,600
Speaker 1: Did you?

1658
01:14:08,880 --> 01:14:10,639
Speaker 5: But I was like, oh, that's kind of cool.

1659
01:14:10,640 --> 01:14:12,680
Speaker 3: But then when she looked at it, like ugh, I

1660
01:14:12,760 --> 01:14:16,559
Speaker 3: was like, it wasn't I didn't understand it was it

1661
01:14:16,560 --> 01:14:18,640
Speaker 3: because it wasn't a cool car or I mean, we

1662
01:14:18,680 --> 01:14:19,360
Speaker 3: didn't want a Limo.

1663
01:14:19,560 --> 01:14:23,599
Speaker 2: The dude's rocking in og transam. That's that's an amazing car.

1664
01:14:24,160 --> 01:14:25,519
Speaker 5: Okay, all right, okay.

1665
01:14:26,520 --> 01:14:27,120
Speaker 4: And then.

1666
01:14:28,800 --> 01:14:33,479
Speaker 3: The next one was we tight briefly touched on it

1667
01:14:33,560 --> 01:14:38,080
Speaker 3: as far as her brother being in the restaurant with

1668
01:14:38,120 --> 01:14:40,599
Speaker 3: the camera, But how did he get there? And now

1669
01:14:40,680 --> 01:14:42,840
Speaker 3: this is another kind of question for you, because I

1670
01:14:43,640 --> 01:14:45,639
Speaker 3: there was no way for me when I was younger,

1671
01:14:45,680 --> 01:14:48,400
Speaker 3: for me to get into like La right the city

1672
01:14:48,520 --> 01:14:49,800
Speaker 3: out of the suburbs.

1673
01:14:49,800 --> 01:14:50,799
Speaker 5: But I know in New.

1674
01:14:50,720 --> 01:14:54,360
Speaker 3: York, like that's a different situation when you're at when

1675
01:14:54,400 --> 01:14:56,679
Speaker 3: you live on the suburbs closer? Is that a way

1676
01:14:56,760 --> 01:14:59,160
Speaker 3: like he could actually have gone there by himself?

1677
01:14:59,640 --> 01:15:02,960
Speaker 1: I mean, yes, he could have taken public transport.

1678
01:15:03,600 --> 01:15:07,200
Speaker 3: I guess, Okay, all right, well they should really work

1679
01:15:07,200 --> 01:15:10,000
Speaker 3: on that. There should be rules like how old.

1680
01:15:09,800 --> 01:15:12,559
Speaker 5: You got to be to travel alone on that stuff?

1681
01:15:12,560 --> 01:15:15,160
Speaker 5: That's crazy? Okay? But anyway, that was kind of like

1682
01:15:15,200 --> 01:15:17,519
Speaker 5: how is he even there? Like how did they didn't show?

1683
01:15:17,800 --> 01:15:19,960
Speaker 3: I mean, I guess it's not one hundred percent needed,

1684
01:15:19,960 --> 01:15:22,920
Speaker 3: but a little extreme that he'd be there by himself,

1685
01:15:23,200 --> 01:15:23,400
Speaker 3: you know.

1686
01:15:24,920 --> 01:15:33,000
Speaker 7: And then uh, the the when Eric comes and sees

1687
01:15:33,400 --> 01:15:38,320
Speaker 7: who he thinks is Alex kissing, he can be nothing

1688
01:15:38,360 --> 01:15:42,639
Speaker 7: called besides justin timber right, of course, obviously when he's.

1689
01:15:42,680 --> 01:15:46,120
Speaker 3: When he sees who he thinks Alex is kissing justin Timberlake,

1690
01:15:46,200 --> 01:15:48,680
Speaker 3: he says, I had the best giggle and I had

1691
01:15:48,760 --> 01:15:51,080
Speaker 3: to pause because it was one of those uncontrollable I

1692
01:15:51,160 --> 01:15:52,960
Speaker 3: could I could stop.

1693
01:15:54,240 --> 01:15:57,240
Speaker 5: He says, who's he? And in my head, I'm like,

1694
01:15:57,280 --> 01:15:57,760
Speaker 5: it's Justin?

1695
01:16:00,200 --> 01:16:02,920
Speaker 2: Is he supposed to be also the most famous supermodel

1696
01:16:02,920 --> 01:16:03,599
Speaker 2: that's ever seen?

1697
01:16:03,680 --> 01:16:05,080
Speaker 1: Supermodeled? Yes?

1698
01:16:05,520 --> 01:16:11,280
Speaker 2: But in my end, what do you live under a rock?

1699
01:16:11,320 --> 01:16:11,479
Speaker 4: Come?

1700
01:16:11,520 --> 01:16:16,040
Speaker 3: On and seeping up it myself because he is just

1701
01:16:16,120 --> 01:16:17,599
Speaker 3: one of the most like.

1702
01:16:17,960 --> 01:16:20,880
Speaker 5: Famous faces of our time. He really is, like you

1703
01:16:20,920 --> 01:16:24,640
Speaker 5: can't and not know who he is. It's hard for

1704
01:16:24,720 --> 01:16:26,400
Speaker 5: him to even be called a character's name.

1705
01:16:26,920 --> 01:16:30,639
Speaker 3: Okay, Next we go to after they did the huge

1706
01:16:30,720 --> 01:16:34,160
Speaker 3: switch of the ponytail holder and the glasses, and we

1707
01:16:34,240 --> 01:16:35,400
Speaker 3: go into that montage.

1708
01:16:35,439 --> 01:16:38,920
Speaker 5: Now, that bontage song.

1709
01:16:39,640 --> 01:16:42,080
Speaker 1: Do you remember what it was?

1710
01:16:41,160 --> 01:16:41,839
Speaker 4: I don't.

1711
01:16:43,320 --> 01:16:43,559
Speaker 1: Song.

1712
01:16:44,120 --> 01:16:46,680
Speaker 3: I don't know if it's a nobody's angel song. I

1713
01:16:46,720 --> 01:16:50,559
Speaker 3: hope it's just a random one because I could not

1714
01:16:50,640 --> 01:16:54,280
Speaker 3: get over the only lyrics in that entire.

1715
01:16:54,120 --> 01:16:56,280
Speaker 5: Song, and they played it for a while.

1716
01:16:56,360 --> 01:17:02,360
Speaker 3: Was da da da Da Da da da.

1717
01:17:03,439 --> 01:17:04,240
Speaker 5: There's no word.

1718
01:17:04,360 --> 01:17:07,680
Speaker 3: I don't even remember that Da da da dada, Like,

1719
01:17:07,840 --> 01:17:10,439
Speaker 3: go back and watch it, because it's the craziest song.

1720
01:17:10,520 --> 01:17:14,200
Speaker 3: Like it never goes into a chorus. There's no bridge,

1721
01:17:14,400 --> 01:17:16,479
Speaker 3: there's no nothing, And I get it. There's no they're

1722
01:17:16,520 --> 01:17:17,280
Speaker 3: not trying to have.

1723
01:17:17,200 --> 01:17:19,800
Speaker 5: A song that's explaining, you know, like what we see

1724
01:17:19,800 --> 01:17:20,400
Speaker 5: in d coms.

1725
01:17:20,439 --> 01:17:24,040
Speaker 3: Now, that's fine, but it's like they did it to

1726
01:17:24,120 --> 01:17:26,440
Speaker 3: a sample track of some sort that they found.

1727
01:17:26,160 --> 01:17:28,639
Speaker 5: That they knew the melody, but they never put words

1728
01:17:28,680 --> 01:17:28,920
Speaker 5: to it.

1729
01:17:28,920 --> 01:17:29,760
Speaker 1: It was they just.

1730
01:17:31,200 --> 01:17:33,160
Speaker 5: They just da da da the whole time. It might

1731
01:17:33,200 --> 01:17:38,599
Speaker 5: have been it might have been all right.

1732
01:17:38,960 --> 01:17:41,600
Speaker 3: And then reversing back to a little bit because we

1733
01:17:41,640 --> 01:17:43,960
Speaker 3: did talk about this, but didn't talk about what I

1734
01:17:44,160 --> 01:17:45,559
Speaker 3: was thinking about during the scene.

1735
01:17:45,560 --> 01:17:47,280
Speaker 5: And it's when Alex.

1736
01:17:46,960 --> 01:17:50,120
Speaker 3: Is being Jeanine and she's at that photo shoot and

1737
01:17:50,160 --> 01:17:54,599
Speaker 3: it's a bathing suit photo shoot with a bathing suit

1738
01:17:54,720 --> 01:17:57,240
Speaker 3: that does not look like a bathing suit. This is

1739
01:17:57,320 --> 01:18:01,559
Speaker 3: a full blown lingerie nude cut. Like she looked naked

1740
01:18:01,680 --> 01:18:02,240
Speaker 3: for sure.

1741
01:18:03,360 --> 01:18:07,800
Speaker 5: I was like, she's supposed to be sixteen, Yes, she's

1742
01:18:08,000 --> 01:18:10,200
Speaker 5: so young. This was like a oh my god, I

1743
01:18:10,240 --> 01:18:11,519
Speaker 5: can't believe this happened on Disney.

1744
01:18:11,600 --> 01:18:13,000
Speaker 1: Yeah, that's it.

1745
01:18:12,880 --> 01:18:13,960
Speaker 5: Guys, that's what I got.

1746
01:18:14,040 --> 01:18:18,000
Speaker 3: Controversy calling out the guy who doesn't know justin Timberlake,

1747
01:18:18,120 --> 01:18:19,240
Speaker 3: Ada Da song.

1748
01:18:19,360 --> 01:18:19,800
Speaker 6: I love it.

1749
01:18:19,840 --> 01:18:24,760
Speaker 2: Speaking of controversy, I owe producer Jensen an apology. I

1750
01:18:24,840 --> 01:18:28,440
Speaker 2: do because a Pontiac trans am is a high performance

1751
01:18:28,600 --> 01:18:33,880
Speaker 2: version of a Pontiac fire technically right, We're both right.

1752
01:18:34,040 --> 01:18:37,000
Speaker 2: Technically yes, that was it is a trans am, but

1753
01:18:37,040 --> 01:18:39,160
Speaker 2: it's also a firebirds man.

1754
01:18:39,320 --> 01:18:43,120
Speaker 3: I waslding that tight too, in case I lost the

1755
01:18:43,160 --> 01:18:45,280
Speaker 3: game to be like, well, but you actually put the

1756
01:18:45,320 --> 01:18:48,439
Speaker 3: wrong car down, so I get Actually, I.

1757
01:18:48,360 --> 01:18:50,560
Speaker 6: Do think I saw the logo on the side of

1758
01:18:50,600 --> 01:18:52,200
Speaker 6: the car, and I think it was a Firebird logo.

1759
01:18:52,080 --> 01:18:55,920
Speaker 2: So yeah, the trans am is the high performance version

1760
01:18:55,960 --> 01:18:57,479
Speaker 2: of that. They came in gold and black. They had

1761
01:18:57,479 --> 01:18:59,639
Speaker 2: those sick wheels and it had the big Firebird transam

1762
01:18:59,720 --> 01:19:00,360
Speaker 2: thing on the front.

1763
01:19:00,520 --> 01:19:03,640
Speaker 1: But yes, technically Firebird is correct, so there you go.

1764
01:19:03,760 --> 01:19:04,080
Speaker 6: Love it.

1765
01:19:04,400 --> 01:19:07,479
Speaker 2: Well, yes, it is now time to rate our film,

1766
01:19:07,640 --> 01:19:10,599
Speaker 2: and I think, Sabrina, you go first this time because

1767
01:19:10,600 --> 01:19:12,320
Speaker 2: I think I rated first last time.

1768
01:19:12,840 --> 01:19:15,240
Speaker 1: What do you pick our options?

1769
01:19:15,280 --> 01:19:15,439
Speaker 4: Right?

1770
01:19:15,760 --> 01:19:18,280
Speaker 1: Well? One to ten.

1771
01:19:19,040 --> 01:19:21,880
Speaker 5: Okay, just this time though, ten the best?

1772
01:19:22,560 --> 01:19:24,680
Speaker 1: Yes? Okay? Do we want to do?

1773
01:19:24,920 --> 01:19:27,000
Speaker 2: One out of one being the worst, ten being the

1774
01:19:27,000 --> 01:19:36,280
Speaker 2: best of Nobody's angels, generational body issues, nah kidding? One

1775
01:19:36,280 --> 01:19:39,040
Speaker 2: out of ten, Sabrina and the Nobody's one out of ten,

1776
01:19:39,400 --> 01:19:43,400
Speaker 2: generational body issues, restored firebirds, which turned out to be correct,

1777
01:19:43,640 --> 01:19:47,240
Speaker 2: high school electric guitar players, one out of ten, photographers

1778
01:19:47,240 --> 01:19:51,280
Speaker 2: with an eyepatch, Greek church restaurants one out of ten,

1779
01:19:51,560 --> 01:19:56,760
Speaker 2: mirrorless bathrooms smooth justin Timberlakes, or one out of ten.

1780
01:19:57,000 --> 01:19:59,120
Speaker 1: Hailey Steinfeld uncles. Which one would you like to do?

1781
01:19:59,520 --> 01:20:01,000
Speaker 5: It's your to pick this one.

1782
01:20:01,120 --> 01:20:02,120
Speaker 1: It is then I.

1783
01:20:02,000 --> 01:20:06,400
Speaker 2: Would like to do smooth justin Timberlakes. Now we have

1784
01:20:06,479 --> 01:20:07,400
Speaker 2: to so you go first.

1785
01:20:07,400 --> 01:20:07,840
Speaker 6: What do you got?

1786
01:20:08,240 --> 01:20:09,360
Speaker 5: All right, I'll go first.

1787
01:20:09,360 --> 01:20:14,759
Speaker 3: So again, I I remember watching this like one time

1788
01:20:15,040 --> 01:20:17,120
Speaker 3: at during the time, liking it.

1789
01:20:17,960 --> 01:20:20,320
Speaker 5: Watching it back, I'm.

1790
01:20:20,280 --> 01:20:23,760
Speaker 3: Within the crowd that this nostalgic kind of stuff with

1791
01:20:23,800 --> 01:20:27,479
Speaker 3: these movies. We just recently watched another one with Catherine

1792
01:20:27,520 --> 01:20:31,879
Speaker 3: Heigel that this was the kind of movie that I craved.

1793
01:20:32,000 --> 01:20:36,000
Speaker 5: It was the perfect rom calm, the perfect like sibling

1794
01:20:36,439 --> 01:20:38,320
Speaker 5: or you know kind of rivalry.

1795
01:20:38,479 --> 01:20:42,040
Speaker 3: You know, high school drama always ends in some type

1796
01:20:42,040 --> 01:20:45,320
Speaker 3: of prom always there for that, Like you know, I

1797
01:20:45,400 --> 01:20:48,720
Speaker 3: loved so many aspects. Yes, there were holes, but not

1798
01:20:48,920 --> 01:20:51,200
Speaker 3: they weren't big enough for me to completely just push

1799
01:20:51,240 --> 01:20:52,040
Speaker 3: this to the side.

1800
01:20:52,160 --> 01:20:54,400
Speaker 5: I did like it. It was a fun and easy

1801
01:20:54,439 --> 01:20:59,120
Speaker 5: watch for me, and I recommend it. JT didn't hit

1802
01:20:59,160 --> 01:21:02,719
Speaker 5: it on the mark one percent, but he was not bad.

1803
01:21:02,920 --> 01:21:04,000
Speaker 5: We've seen you.

1804
01:21:03,960 --> 01:21:10,479
Speaker 3: Know, finding a waying his way, and he's adorable in it.

1805
01:21:10,680 --> 01:21:13,960
Speaker 5: She just shines. I just it made me the whole time.

1806
01:21:13,960 --> 01:21:15,559
Speaker 5: I was going, oh yeah, she was in that one movie.

1807
01:21:15,600 --> 01:21:16,439
Speaker 5: Oh yeah, she was in this.

1808
01:21:16,720 --> 01:21:20,800
Speaker 3: She's so good. Maggie's just like unreal. So I'm I'm

1809
01:21:20,800 --> 01:21:22,080
Speaker 3: gonna give this a solid eight.

1810
01:21:22,439 --> 01:21:26,600
Speaker 2: Eight Wow, just wow, Okay, you you are rating it

1811
01:21:26,680 --> 01:21:27,400
Speaker 2: higher than I am.

1812
01:21:27,520 --> 01:21:31,839
Speaker 1: Again, I I liked this movie. It was fine. Uh

1813
01:21:32,120 --> 01:21:35,719
Speaker 1: Maggie lost in his was great. She was she was great, nomenal.

1814
01:21:35,960 --> 01:21:40,520
Speaker 2: This the script needed some work again, there were gaping, gaping.

1815
01:21:40,160 --> 01:21:40,640
Speaker 6: Holes in this.

1816
01:21:40,920 --> 01:21:43,840
Speaker 2: She never apologizes or makes up with her best friend.

1817
01:21:44,200 --> 01:21:47,960
Speaker 3: She they had kind of just tumbles and flat lively.

1818
01:21:48,320 --> 01:21:49,839
Speaker 1: The movie just ended.

1819
01:21:50,280 --> 01:21:53,559
Speaker 2: They don't explain anything to each other about who they are.

1820
01:21:53,720 --> 01:21:55,960
Speaker 1: I mean, pretty massive kind of holes this.

1821
01:21:56,160 --> 01:21:59,240
Speaker 2: Some of the acting is not good in this movie.

1822
01:21:59,520 --> 01:22:03,160
Speaker 2: I think think honestly, the audience score and the Rotten

1823
01:22:03,160 --> 01:22:06,320
Speaker 2: Tomato score is right on the dot with sixty five

1824
01:22:06,960 --> 01:22:11,080
Speaker 2: or a six point five smooth justin Timberlakes. I could

1825
01:22:11,080 --> 01:22:13,240
Speaker 2: go a soft seven, but I think six point five

1826
01:22:13,280 --> 01:22:16,679
Speaker 2: is about where this This ends. This movie without Maggie

1827
01:22:16,720 --> 01:22:20,519
Speaker 2: Lawson would have been a four because the storyline again

1828
01:22:21,040 --> 01:22:23,479
Speaker 2: it's there. There is no such thing as a teen

1829
01:22:23,520 --> 01:22:25,560
Speaker 2: male supermodel.

1830
01:22:25,120 --> 01:22:27,920
Speaker 3: And something they could have bumped it up with is

1831
01:22:28,120 --> 01:22:31,599
Speaker 3: like not have nobody's angel, but like in sync at

1832
01:22:31,600 --> 01:22:32,360
Speaker 3: the end that.

1833
01:22:32,479 --> 01:22:36,759
Speaker 5: Seems like a duck. Make him make him an actual

1834
01:22:37,000 --> 01:22:38,439
Speaker 5: over the channel at the time.

1835
01:22:38,560 --> 01:22:42,479
Speaker 1: Yeah, so it was Again, this was not a bad movie.

1836
01:22:42,520 --> 01:22:42,720
Speaker 1: It is.

1837
01:22:42,880 --> 01:22:45,400
Speaker 2: You're right, it is an easy watch. It's eighty five minutes.

1838
01:22:45,439 --> 01:22:47,360
Speaker 2: It's by no means a bad movie. But if you're

1839
01:22:47,360 --> 01:22:49,280
Speaker 2: watching it as a movie, which is what I'm doing,

1840
01:22:49,880 --> 01:22:52,880
Speaker 2: story wise, this this movie needed some work.

1841
01:22:52,920 --> 01:22:54,799
Speaker 1: Again, Maggie Laws, I get great.

1842
01:22:54,800 --> 01:22:57,120
Speaker 3: I get stuck in the nostalgia of it. I know

1843
01:22:57,120 --> 01:22:59,960
Speaker 3: which which time I can't help it. I no nostalgia

1844
01:23:00,120 --> 01:23:03,559
Speaker 3: for so many of our fans that like can't look

1845
01:23:03,680 --> 01:23:07,120
Speaker 3: past anything but what the time of where they were

1846
01:23:07,160 --> 01:23:10,000
Speaker 3: when these movies came out, which I just I'm stuck

1847
01:23:10,040 --> 01:23:11,320
Speaker 3: there with these type I.

1848
01:23:11,240 --> 01:23:14,400
Speaker 2: Do not at all. Yep, I don't have that at all.

1849
01:23:14,439 --> 01:23:18,040
Speaker 2: So I'm just as a movie, it needed a quickly rite.

1850
01:23:18,080 --> 01:23:20,160
Speaker 2: But again it is. It is worth a watch, It

1851
01:23:20,240 --> 01:23:25,200
Speaker 2: definitely is. Our next movie is a very true classic. Yes,

1852
01:23:25,280 --> 01:23:27,360
Speaker 2: it is the first.

1853
01:23:27,360 --> 01:23:29,599
Speaker 1: Dcom ever technically, that's right.

1854
01:23:29,640 --> 01:23:33,519
Speaker 2: We're prepping for spooky season with nineteen ninety seven's under Wraps,

1855
01:23:33,880 --> 01:23:36,080
Speaker 2: the original that started at all, at least started this

1856
01:23:36,280 --> 01:23:39,120
Speaker 2: version of the dcoms we know about Zook Disney and

1857
01:23:39,160 --> 01:23:41,160
Speaker 2: all the other wonderful world of Disneys and magical world

1858
01:23:41,160 --> 01:23:43,320
Speaker 2: of Disney's and everything, But the actual dcom that we

1859
01:23:43,360 --> 01:23:46,120
Speaker 2: know and love started with this one in nineteen ninety seven.

1860
01:23:46,120 --> 01:23:48,880
Speaker 2: That's right under wraps, and you can bet your last

1861
01:23:48,920 --> 01:23:51,479
Speaker 2: dollar that it is on Disney Plus ready to stream.

1862
01:23:51,640 --> 01:23:53,839
Speaker 1: So check it out and get prepped for a new recap.

1863
01:23:53,920 --> 01:23:59,240
Speaker 3: But oh, people, we have people and all the time,

1864
01:23:59,240 --> 01:24:00,559
Speaker 3: but we got some bed.

1865
01:24:00,920 --> 01:24:03,240
Speaker 1: We did it, and by we I mean.

1866
01:24:03,160 --> 01:24:06,080
Speaker 5: Our producers, our producers before we enter that too.

1867
01:24:06,160 --> 01:24:08,840
Speaker 2: And we are sitting down with two Disney legends together. Yes,

1868
01:24:09,040 --> 01:24:12,320
Speaker 2: it's Ali and aj. They are coming on the show,

1869
01:24:12,360 --> 01:24:15,479
Speaker 2: the impressive pop rock duo that got their start starring

1870
01:24:15,520 --> 01:24:18,759
Speaker 2: in cow Bells, recording songs for Ice Princess and opening

1871
01:24:18,760 --> 01:24:21,360
Speaker 2: for the Cheetah Girls. We are honored that they took

1872
01:24:21,400 --> 01:24:22,960
Speaker 2: the time to chat with us. So here's a little

1873
01:24:22,960 --> 01:24:24,519
Speaker 2: sneak peek of what you're in for.

1874
01:24:26,560 --> 01:24:28,800
Speaker 8: We had a really close friend that was working on

1875
01:24:28,840 --> 01:24:31,320
Speaker 8: Phil in the Future, who I mean he's been now

1876
01:24:31,360 --> 01:24:34,360
Speaker 8: a friend ever since. We adore him, who developed the

1877
01:24:34,360 --> 01:24:37,880
Speaker 8: movie for us and basically wrote the outline and then

1878
01:24:38,200 --> 01:24:40,680
Speaker 8: Stu Kreeger ended up taking over the script, but it

1879
01:24:40,720 --> 01:24:42,640
Speaker 8: was always Ali and I, like, we didn't audition on

1880
01:24:42,720 --> 01:24:44,200
Speaker 8: a set up story, like, hey, it's going to be

1881
01:24:44,240 --> 01:24:46,360
Speaker 8: two rules that work on a dairy farm, you know,

1882
01:24:46,400 --> 01:24:49,040
Speaker 8: who are struggling with the ins and outs of taking

1883
01:24:49,080 --> 01:24:51,320
Speaker 8: over their this business, trying to save it.

1884
01:24:51,680 --> 01:24:53,799
Speaker 5: Yeah, and the struggle of you know, being brats.

1885
01:24:56,120 --> 01:24:58,000
Speaker 1: That was fun and it is a big one. Everyone

1886
01:24:58,120 --> 01:24:59,080
Speaker 1: don't miss it.

1887
01:24:59,520 --> 01:25:01,960
Speaker 2: All you got to do is search Magical Rewind wherever

1888
01:25:02,000 --> 01:25:04,959
Speaker 2: you get your podcasts and subscribe to our dedicated audio feed.

1889
01:25:04,920 --> 01:25:07,880
Speaker 1: And for more of the informacione.

1890
01:25:08,000 --> 01:25:10,920
Speaker 2: You can follow us at Magical Rewind Pod on the

1891
01:25:10,960 --> 01:25:11,920
Speaker 2: Instagram Machine.

1892
01:25:12,600 --> 01:25:26,080
Speaker 5: Bye everybody, Bye,