WEBVTT - How TV Weathercasters Work

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<v Speaker 1>Welcome to Stuff you Should Know, a production of iHeartRadio.

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<v Speaker 2>Hey, and welcome to the podcast. I'm Josh Chip Clark.

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<v Speaker 2>There's Charles w Wayne Action Bryant, and there's Jerry the

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<v Speaker 2>Weather rolland and put the three of us together, you've

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<v Speaker 2>got yourself the weather team of Stuff you should Know.

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<v Speaker 1>That's right. This is a kind of a fun one

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<v Speaker 1>that Dave Ruse helped us out with. Yeah, you commissioned

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<v Speaker 1>did a great job. Weather people, that's right, weathercasters, broadcast meteorologists.

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<v Speaker 1>We're talking about not just meteorologists in general. That's a

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<v Speaker 1>this is a very specific subset of meteorologists. They're meteorologists

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<v Speaker 1>who are on TV presenting the weather TV weather people. Yeah,

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<v Speaker 1>this is Ken Cook.

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<v Speaker 2>Oh I forgot about Ken Cook.

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<v Speaker 1>Oh my gosh, dude, he's still around.

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<v Speaker 2>Really.

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<v Speaker 1>Yeah, And that's kind of the fun thing that you

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<v Speaker 1>will see partially in this episode. And if you just

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<v Speaker 1>are from a city that has local news, which is

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<v Speaker 1>to say everywhere, right, if you if you get a

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<v Speaker 1>gig like this and you want to and you don't

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<v Speaker 1>do anything wrong, sure like the idea from the weather,

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<v Speaker 1>from the from the TV station is that they will

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<v Speaker 1>have you for thirty years if you will stay on,

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<v Speaker 1>because that's what they're after. They're after a someone that

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<v Speaker 1>the local audience bonds with, they trust, they know and

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<v Speaker 1>love you. Just these jobs don't go away unless you're

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<v Speaker 1>just not any good at it for some reason. But

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<v Speaker 1>if you lock in, like if you're like a Dallas

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<v Speaker 1>Rains or a Ken Cook and you lock into your

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<v Speaker 1>job as the local weather personality, you're set for life

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<v Speaker 1>as long as you don't screw it up.

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<v Speaker 2>Yeah, which, interestingly, like a little corollary to that, Chuck,

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<v Speaker 2>is that that that low turnover makes the jobs really compare.

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<v Speaker 2>Oh sure, I read that TV weather people are not

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<v Speaker 2>friends with the other channels weather people really. Yeah, it's

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<v Speaker 2>super competitive from what I heard, which is strange because

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<v Speaker 2>when you think of the TV weather person they're like

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<v Speaker 2>the friendliest, nicest person in the whole group.

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<v Speaker 1>Yeah, it's like the gang fight and Anchorman in the Alley.

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<v Speaker 2>Yeah, and as we'll see, Anchorman, as hilarious as it was,

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<v Speaker 2>was also incredibly accurate.

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<v Speaker 1>Yeah. Absolutely, So we're talking.

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<v Speaker 2>About weathercasters, broadcast meteorologists, TV weather personalities. I'm going to

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<v Speaker 2>give those examples every time. No, And there's a really

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<v Speaker 2>long standing joke that says, what other profession could you

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<v Speaker 2>be wrong half of the time and still get paid

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<v Speaker 2>a million dollars?

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<v Speaker 1>Yeah?

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<v Speaker 2>Yeah, put around a very, very long time. And it

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<v Speaker 2>kind of underscores just how people typically think of the

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<v Speaker 2>weather person. They remember when the weather person gets it

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<v Speaker 2>wrong a lot of times, but whether people are Do

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<v Speaker 2>you remember we talked about how incredibly stressful a court

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<v Speaker 2>stenographer's job must be. I think the weather person on

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<v Speaker 2>TV might have a job that's equally stressful to that.

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<v Speaker 2>You think, let's talk about the components of the weather

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<v Speaker 2>person's job, Chuck.

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<v Speaker 1>I think it looks like a good gig. And in

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<v Speaker 1>fact I wanted for a very brief time. And I've

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<v Speaker 1>mentioned this before aspired not aspired, that's overshooting it. Thought

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<v Speaker 1>briefly in college about trying to be a weather person.

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<v Speaker 1>I don't because I was into meteorology. As I mentioned before,

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<v Speaker 1>I used to watch the Weather Channel with my best

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<v Speaker 1>friend Rat in high school. Yeah, while we hung out,

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<v Speaker 1>and I took a weather and climate course in college,

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<v Speaker 1>and that further reinforced that. I was like, this is

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<v Speaker 1>really cool. And I was a pre journalism major I

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<v Speaker 1>was in. I wanted to be I thought I wanted

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<v Speaker 1>to be like a broadcast news kind of reporter type.

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<v Speaker 1>But I thought no one, And this was, you know,

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<v Speaker 1>eight nineteen year old Tack. I was like, nobody's trying

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<v Speaker 1>to be a weather person these days because it's so uncool,

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<v Speaker 1>like that would probably be a pretty easy gig to get. Yeah,

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<v Speaker 1>not to little dude.

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<v Speaker 2>And there's so much work to it too. So first

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<v Speaker 2>of all, not everyone's a meteorologist. And this is a

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<v Speaker 2>big boat of contention among the meteorologists who do present

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<v Speaker 2>on TV.

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<v Speaker 1>Yeah, most of them are now, but not all of them.

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<v Speaker 2>Yes, but from what I saw, by most, that means

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<v Speaker 2>slightly over fifty percent. Oh really, Yeah, it's not like

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<v Speaker 2>the vast majority from what I've seen, I.

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<v Speaker 1>Guess I'm thinking most major cities. But yeah, you're right,

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<v Speaker 1>I guess sure. Sheboygan doesn't have a meteorologist.

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<v Speaker 2>I think if you are an actual meteorologist on TV,

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<v Speaker 2>you command more money and probably a little more respect,

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<v Speaker 2>who knows, of course, But while you're while you're working. So,

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<v Speaker 2>say you are a meteorologist, okay, so you have to

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<v Speaker 2>have an understanding of how the weather works. You have

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<v Speaker 2>to understand how you can communicate that understanding to the public.

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<v Speaker 2>In an understandable way, So understanding all around you have

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<v Speaker 2>to have. It's a good personnel, Like you can't be

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<v Speaker 2>like me some dark smow. You know, you have to

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<v Speaker 2>be nice and people people want to like you, and

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<v Speaker 2>so you got to be likable in return. You also

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<v Speaker 2>have to have like a lot of poise because you're

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<v Speaker 2>up there on live TV. Don't forget, all of this

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<v Speaker 2>is live And one of the things I didn't know

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<v Speaker 2>about weather people they don't have a script. And if

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<v Speaker 2>you ever watch a weather person deliver their spiel in

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<v Speaker 2>a couple of minutes, most of the time they do

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<v Speaker 2>not mess up. They don't have to correct themselves. They

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<v Speaker 2>don't like like accidentally say half of a word. They're like,

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<v Speaker 2>they're like the opposite of us.

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<v Speaker 1>Right.

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<v Speaker 2>They do not screw up, and sometimes they do, of course,

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<v Speaker 2>but most of the time it right. So the fact

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<v Speaker 2>that they're they know what they're talking about. They're getting

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<v Speaker 2>it across in a logical manner that's spread out in

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<v Speaker 2>like some understandable way that you can follow that makes

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<v Speaker 2>sense on live TV, while manipulating images on a green

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<v Speaker 2>screen that they can't see except for monitors on either side,

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<v Speaker 2>while also just being fun and chipper and doing it

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<v Speaker 2>all within your time limit. That's I say that that

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<v Speaker 2>is a high stress, really admirable job.

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<v Speaker 1>Okay, here's what I say. That's your take. My take.

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<v Speaker 1>Admirable for sure, high stress for week one, and then

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<v Speaker 1>I think you're on cruise control. Okay, next thirty five years.

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<v Speaker 2>Maybe not week one, but I see what you mean.

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<v Speaker 1>Sure, And I'm not saying again, not saying that they're

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<v Speaker 1>not doing a good job or whatever. But I bet

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<v Speaker 1>you once they had that down, it's it's a pretty

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<v Speaker 1>great job. Sure, that's not super stressful. All right, that's

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<v Speaker 1>just my guess. Yeah, I no, you won me over

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<v Speaker 1>to your side. I'm usually my opinion is almost always correct,

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<v Speaker 1>but it was. Let's go back in time, though, to

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<v Speaker 1>eighteen seventy went a very sort of mind the mental

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<v Speaker 1>thing happened in the United States weatherwise. It's when the

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<v Speaker 1>National Weather Service was founded, and they from the get

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<v Speaker 1>go said, here's our mission. We're going to collect data

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<v Speaker 1>from all over the country from these weather stations. We're

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<v Speaker 1>going to send it out on the telegraph and people

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<v Speaker 1>can put it in newspapers if they want. And that's

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<v Speaker 1>just what happened. Starting in the eighteen eighties with New

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<v Speaker 1>York World, they started putting their own local weather forecast

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<v Speaker 1>on the front page. And then it took another cheese

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<v Speaker 1>probably fifty years or so, maybe not quite before a

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<v Speaker 1>paper would do the national weather and that would of

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<v Speaker 1>course be the New York Times did a national weather map.

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<v Speaker 2>Yeah, and so weather's always basically been associated with news,

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<v Speaker 2>like right from the get go. And as news has

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<v Speaker 2>evolved in the way that news is delivered, the weather's

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<v Speaker 2>evolved alongside it. So when the news made the jump

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<v Speaker 2>to radio, weather was right there basically from the outside.

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<v Speaker 2>And there was a guy named Jimmy Fiddler and he

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<v Speaker 2>was out of WLBC and Munchie Indiana and uh.

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<v Speaker 1>Munchie Monsey's Munsy.

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<v Speaker 2>If it were Italian, it'd be Munchie.

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<v Speaker 1>Oh, I love Munchie. We should go.

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<v Speaker 2>Okay, it is Monsy. I know that because it's not

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<v Speaker 2>that far from Toledo. So thank you for corre.

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<v Speaker 1>Apologize about my asthma throat too. If people think I'm dying,

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<v Speaker 1>I'm not. It's just a pollen season, dude.

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<v Speaker 2>It is so bad up here, it's crazy.

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<v Speaker 1>Yeah, it's really bad.

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<v Speaker 2>Yeah, three thousands we're talking about people, Is that the

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<v Speaker 2>level is high.

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<v Speaker 1>Yes, yeah, because usually I don't get it too bad.

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<v Speaker 1>But I've been wheezy and asthmatic for like six weeks plus.

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<v Speaker 2>There's also the nice little bonus of it being cold,

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<v Speaker 2>super cold, like it's February cold here right now, and

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<v Speaker 2>it's not like it was cold on one day. It's

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<v Speaker 2>set in cold. I don't know what's going on.

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<v Speaker 1>Yeah, uh. And I should also point out that laughing

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<v Speaker 1>uh triggers like that asthma, wheeze and cough.

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<v Speaker 2>Well, I'll try to be funny. I'm not making any promise.

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<v Speaker 1>I know. I'm trying to contain my laugh because if not, I'll.

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<v Speaker 2>Go I would find that satisfying.

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<v Speaker 1>All right, try and kill me, Okay.

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<v Speaker 2>So anyway, he was out of WLBC in Muncie, Indiana,

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<v Speaker 2>and he's known as basically the first weatherman, the guy

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<v Speaker 2>who created the what we saw as the weatherman and

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<v Speaker 2>eventually weather person all the way back in the nineteen thirties.

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<v Speaker 1>Yeah, and that's sort of the more personality driven weather reporter. Yeah.

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<v Speaker 1>As we'll see you know, well we can talk about

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<v Speaker 1>it right now. Actually, as we'll see if TV, as

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<v Speaker 1>TV became a thing that sort of came and went

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<v Speaker 1>over the years until it firmly established itself as like

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<v Speaker 1>whether people should be probably just a little more personality plus.

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<v Speaker 1>But he was also the first human to be on

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<v Speaker 1>the television reporting the weather. TV in the late nineteen

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<v Speaker 1>thirties and early forties was not a very big deal,

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<v Speaker 1>only about and it's hard to find good numbers, but

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<v Speaker 1>they found a stat that said about six thousand TV

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<v Speaker 1>sets nationwide man after the war, that became in less

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<v Speaker 1>than a decade close to ten million TV sets. So crazy,

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<v Speaker 1>that's when that boom happened. But he old Jimmie phil

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<v Speaker 1>almost At Fielder Fiddler went on TV in Cincinnata either

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<v Speaker 1>in nineteen thirty nine or nineteen forty as the first

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<v Speaker 1>human TV weatherman.

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<v Speaker 2>Yes, and I'm glad that you Caveat did that with

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<v Speaker 2>human because a lot of people were like, oh no,

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<v Speaker 2>the first weather person of all time was Wooly Lamb,

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<v Speaker 2>a cartoon character a Lamb. He didn't catch that from

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<v Speaker 2>the name. Who was just a total shill for Botany

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<v Speaker 2>wrinkle proof ties. Botany, I take it is the same

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<v Speaker 2>as the Botany five hundred company that outfitted guys like

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<v Speaker 2>Rod Serling and all of them in the.

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<v Speaker 1>Fifties oh, nice looking suits.

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<v Speaker 2>So Wooly had a goal that was that preceded every forecast.

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<v Speaker 2>And I have not heard this, but I guarantee, just

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<v Speaker 2>from reading it, I can recreate it.

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<v Speaker 1>You ready, that's it.

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<v Speaker 2>It's hot, it's cold, it's rain, it's fair. Way, I

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<v Speaker 2>already screwed it up. Hold on, let me try again

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<v Speaker 2>one and it too. It's hot, it's cold, it's rain,

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<v Speaker 2>it's fair. It's all mixed up together. But eyes Botany's

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<v Speaker 2>Wooly lamp predict tomorrow's weather.

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<v Speaker 1>I think that you nailed it.

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<v Speaker 2>That's the only way you could thank you.

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<v Speaker 1>Or what was the star search? Four and three quarter stars?

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<v Speaker 2>Yeah, that's right. I forgot about that.

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<v Speaker 1>Wooly lamb though was a full year or more after uh, Fiddler,

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<v Speaker 1>So I don't see why the date is under dispute.

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<v Speaker 1>So I don't care. That's probably just the internet thing.

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<v Speaker 2>Yeah, I don't know if Fiddler was considered a big

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<v Speaker 2>liar or something because they date says that there's no

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<v Speaker 2>archival footage of it. But if he said that, he did.

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<v Speaker 1>Well just because they didn't cord that stuff back then.

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<v Speaker 2>Right exactly? Remember in our sitcoms episode, they didn't start

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<v Speaker 2>recording until the late forties early fifties. Maybe it was

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<v Speaker 2>just live, not even live to tape, right, But the

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<v Speaker 2>fact that he's saying he did it, I don't see

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<v Speaker 2>why they would be like, no, you're lying. It was

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<v Speaker 2>really Wooly Lamb.

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<v Speaker 1>Yeah, it was in his obituary, so I'll go with that.

0:12:19.960 --> 0:12:22.280
<v Speaker 2>But there was one other thing that Jimmy Fiddler did

0:12:22.320 --> 0:12:25.120
<v Speaker 2>that created the persona of the TV weather man in

0:12:25.160 --> 0:12:29.400
<v Speaker 2>addition to that whole you know that the personality that

0:12:29.440 --> 0:12:33.400
<v Speaker 2>you were talking about. He took weather data from all

0:12:33.400 --> 0:12:37.280
<v Speaker 2>different sorts of places and put it together and interpreted

0:12:37.320 --> 0:12:39.160
<v Speaker 2>it in a way that he could then present it

0:12:39.200 --> 0:12:44.160
<v Speaker 2>to the public who would then know what the weather

0:12:44.280 --> 0:12:46.120
<v Speaker 2>was going to be like tomorrow or the day after.

0:12:47.040 --> 0:12:49.839
<v Speaker 2>That was Jimmy Fiddler who created that.

0:12:49.840 --> 0:12:52.559
<v Speaker 1>That's right, and that set the standard.

0:12:52.760 --> 0:12:55.240
<v Speaker 2>It did, and Wooly Lamb kind of set a weird

0:12:55.280 --> 0:12:57.640
<v Speaker 2>standard too in the post war years, right.

0:12:58.240 --> 0:13:01.080
<v Speaker 1>Uh, I don't know about this what happened.

0:13:01.440 --> 0:13:04.400
<v Speaker 2>Oh well, so Wooly Lamb. So imagine a cartoon Lamb

0:13:04.520 --> 0:13:06.920
<v Speaker 2>as your weather person on your local TV station.

0:13:07.400 --> 0:13:08.280
<v Speaker 1>I've got I'm there.

0:13:08.559 --> 0:13:12.800
<v Speaker 2>Kind of weird. There was a period in the late

0:13:12.880 --> 0:13:17.360
<v Speaker 2>forties early fifties where that would kind of be a

0:13:17.480 --> 0:13:20.600
<v Speaker 2>fairly normal thing. Or in addition to cartoon lambs, there

0:13:20.600 --> 0:13:21.320
<v Speaker 2>were puppits.

0:13:21.440 --> 0:13:22.440
<v Speaker 1>Yeah, yeah, I get what you mean.

0:13:22.679 --> 0:13:27.040
<v Speaker 2>There were other cartoons. There were there were all clowns,

0:13:27.040 --> 0:13:30.040
<v Speaker 2>all sorts of just weird stuff, rhyming guys like we'll

0:13:30.040 --> 0:13:33.040
<v Speaker 2>talk about a little bit of that. But Wooly Lamb

0:13:33.040 --> 0:13:35.920
<v Speaker 2>and Jimmy Fidler really set the stage for whether people

0:13:35.920 --> 0:13:38.520
<v Speaker 2>would come. And I think, Chuck, I have just set

0:13:38.559 --> 0:14:00.559
<v Speaker 2>the stage for our first at break well done.

0:14:08.160 --> 0:14:11.719
<v Speaker 1>All right, So I mentioned before TV's booming post war,

0:14:12.440 --> 0:14:14.560
<v Speaker 1>close to ten million TV sets in the end of

0:14:14.559 --> 0:14:17.480
<v Speaker 1>the nineteen forties. By that time, they had about seventy

0:14:18.040 --> 0:14:22.280
<v Speaker 1>local TV stations, which you know, doesn't sound like a

0:14:22.280 --> 0:14:25.680
<v Speaker 1>lot compared to today, but obviously you know your major

0:14:25.680 --> 0:14:27.560
<v Speaker 1>cities are going to have them, and it took a

0:14:27.560 --> 0:14:31.800
<v Speaker 1>long time. And we'll talk about when the FCC broke

0:14:31.840 --> 0:14:34.000
<v Speaker 1>things up and allowed more than one per city as well.

0:14:34.280 --> 0:14:37.720
<v Speaker 1>So a little bit. But in the forties, this is

0:14:38.040 --> 0:14:40.120
<v Speaker 1>where I was talking about sort of personality plus kind

0:14:40.120 --> 0:14:42.800
<v Speaker 1>of coming and going. There were a couple kinds of

0:14:43.280 --> 0:14:48.000
<v Speaker 1>weather forecasters on television when it first started really rolling

0:14:48.000 --> 0:14:52.480
<v Speaker 1>out postwar, and that was the really sort of dry kind.

0:14:53.720 --> 0:14:56.960
<v Speaker 1>Some of these people were former there were veterans from

0:14:57.000 --> 0:14:59.760
<v Speaker 1>the military who knew about the weather from you know,

0:14:59.840 --> 0:15:03.800
<v Speaker 1>do that in the military. Sometimes they were just really

0:15:04.000 --> 0:15:07.600
<v Speaker 1>stuffy science types. Sometimes they were not science people at all,

0:15:07.640 --> 0:15:10.040
<v Speaker 1>and they were just stuffy, but they were just kind

0:15:10.080 --> 0:15:13.360
<v Speaker 1>of boring. But if you you know, like I said

0:15:13.560 --> 0:15:15.880
<v Speaker 1>at the beginning, you could lock into a job even

0:15:15.920 --> 0:15:19.240
<v Speaker 1>back then, right and have it through the nineteen sixties

0:15:19.240 --> 0:15:23.280
<v Speaker 1>and into the seventies. And that happened in a few occasions, right. Yeah.

0:15:23.320 --> 0:15:27.200
<v Speaker 2>There was a guy the chief meteorologist at WTP in Washington,

0:15:27.280 --> 0:15:31.680
<v Speaker 2>D C. Lewis Allen, and he was there for many decades.

0:15:31.720 --> 0:15:34.880
<v Speaker 2>I'm not sure when he retired, but he was around

0:15:34.960 --> 0:15:36.840
<v Speaker 2>for a very long time. There's people still alive that

0:15:36.960 --> 0:15:39.840
<v Speaker 2>remember him as their weather man, right, yeah, And he

0:15:40.080 --> 0:15:45.359
<v Speaker 2>was really well known. He was an incredibly accomplished meteorologist.

0:15:45.560 --> 0:15:47.800
<v Speaker 2>But he was also a pretty good little drawer, and

0:15:47.880 --> 0:15:51.400
<v Speaker 2>so he would draw in like what the next day's

0:15:51.440 --> 0:15:53.360
<v Speaker 2>weather was going to be like he called it a woodle,

0:15:53.440 --> 0:15:57.560
<v Speaker 2>a weather doodle. And I've seen from the research, if

0:15:57.600 --> 0:16:00.160
<v Speaker 2>you have a little thing like that or a good

0:16:00.200 --> 0:16:03.080
<v Speaker 2>sign off for something. Yeah, oh yeah, I mean talk

0:16:03.120 --> 0:16:06.360
<v Speaker 2>about endearing the public to you, that's all. It takes

0:16:06.360 --> 0:16:06.880
<v Speaker 2>a woodle.

0:16:07.240 --> 0:16:13.640
<v Speaker 1>Yeah, go screw yourself, San Diego. Yeah. Clint Yule was

0:16:13.680 --> 0:16:17.160
<v Speaker 1>another one. He became known nationally as mister Weather because

0:16:17.200 --> 0:16:21.080
<v Speaker 1>he became the first national deliver of weather in the

0:16:21.160 --> 0:16:24.360
<v Speaker 1>late nineteen forties when he debuted on the Camel News

0:16:24.400 --> 0:16:29.640
<v Speaker 1>Caravan on NBC. Camel Cigarettes of course sponsored that, and

0:16:29.720 --> 0:16:33.560
<v Speaker 1>he worked out of Chicago, but kind of invented a

0:16:33.600 --> 0:16:38.040
<v Speaker 1>system that would become the green screen later by putting

0:16:38.360 --> 0:16:41.520
<v Speaker 1>a map, a Rand McNally map of the United States,

0:16:41.960 --> 0:16:45.880
<v Speaker 1>under plexiglass and then drawing on it with a race marker,

0:16:46.400 --> 0:16:49.640
<v Speaker 1>and he would you know, draw you know, like weather

0:16:49.720 --> 0:16:53.200
<v Speaker 1>fronts and rain and dry weather and stuff like that.

0:16:53.240 --> 0:16:55.960
<v Speaker 1>He would draw words on it. Then it moved to color.

0:16:56.000 --> 0:16:58.840
<v Speaker 1>He made those color markers and he was the first

0:16:58.840 --> 0:17:01.600
<v Speaker 1>sort of national do to come around.

0:17:02.480 --> 0:17:05.960
<v Speaker 2>One little tidbit about Clint Yule, that Ram McNally map.

0:17:06.000 --> 0:17:07.320
<v Speaker 2>He had to bring it from homes.

0:17:07.840 --> 0:17:08.359
<v Speaker 1>Yeah, it was his.

0:17:09.080 --> 0:17:10.280
<v Speaker 2>It's hilarious.

0:17:10.400 --> 0:17:13.240
<v Speaker 1>They didn't cover it. I mentioned the two types of

0:17:13.240 --> 0:17:16.160
<v Speaker 1>weather people. This was sort of into the nineteen fifties,

0:17:17.040 --> 0:17:18.359
<v Speaker 1>so I guess it was three types. You had your

0:17:18.400 --> 0:17:20.359
<v Speaker 1>sort of dry types, but in the fifties they really

0:17:20.359 --> 0:17:23.200
<v Speaker 1>wanted to spice it up, and that's when you got

0:17:23.240 --> 0:17:27.680
<v Speaker 1>either your wacky men, like you mentioned the rhyming weatherman

0:17:27.720 --> 0:17:30.879
<v Speaker 1>that was out of Billiams out of Nashville, or people

0:17:30.880 --> 0:17:36.320
<v Speaker 1>that had puppets. Willard Scott was very famous weatherman his

0:17:36.480 --> 0:17:39.800
<v Speaker 1>entire career, but had always been pretty wacky, and was

0:17:40.160 --> 0:17:42.600
<v Speaker 1>Bozo the Clown on TV before that, and was Ronald

0:17:42.680 --> 0:17:45.560
<v Speaker 1>McDonald and TV commercials before that, I think the first

0:17:45.640 --> 0:17:49.840
<v Speaker 1>Ronald McDonald. Yeah, but you had those wacky types, these

0:17:49.960 --> 0:17:53.439
<v Speaker 1>weird men trying to inject a little entertainment into the

0:17:53.480 --> 0:17:56.439
<v Speaker 1>news weather. And then you had what were known men

0:17:56.600 --> 0:17:59.720
<v Speaker 1>as weather girls, which was hey, let's get in a

0:17:59.800 --> 0:18:02.200
<v Speaker 1>track a young woman. Let's put her in a nice,

0:18:02.240 --> 0:18:06.119
<v Speaker 1>fashionable outfit. Who cares if she knows meteorology, Let's just

0:18:06.160 --> 0:18:07.320
<v Speaker 1>put her on her TV screen.

0:18:07.800 --> 0:18:11.200
<v Speaker 2>Yeah, And the first weather girl was Carol Reid at

0:18:11.320 --> 0:18:14.679
<v Speaker 2>WCBS in New York and they brought her on to

0:18:14.720 --> 0:18:18.280
<v Speaker 2>go head to head with the weatherman tex Antoine at WNBC.

0:18:18.840 --> 0:18:20.960
<v Speaker 2>And the reason why was because it's like you said,

0:18:21.000 --> 0:18:24.760
<v Speaker 2>the FCC opened up competition in nineteen fifty two for

0:18:24.920 --> 0:18:28.120
<v Speaker 2>TV licenses, So that's where we got more than one

0:18:28.400 --> 0:18:31.360
<v Speaker 2>local TV station. Yeah, so all of a sudden there

0:18:31.440 --> 0:18:34.440
<v Speaker 2>was that competition, and they figured out, well, people don't

0:18:34.480 --> 0:18:36.480
<v Speaker 2>really take the weather all that seriously. It's not like

0:18:37.080 --> 0:18:39.800
<v Speaker 2>crime or something like that. Let's use that to kind

0:18:39.840 --> 0:18:43.400
<v Speaker 2>of gain viewers by just being a little wacky. So

0:18:43.600 --> 0:18:47.160
<v Speaker 2>tex Antoine he had a cartoon named Uncle Webby and

0:18:47.320 --> 0:18:51.280
<v Speaker 2>he would blame Uncle Webby the Weather Bureau if he

0:18:51.400 --> 0:18:54.240
<v Speaker 2>got it wrong, it was Uncle Webby's fault and it

0:18:54.280 --> 0:18:57.919
<v Speaker 2>was kind of like a gruff sidechick. And he was

0:18:57.960 --> 0:19:01.879
<v Speaker 2>extraordinarily popular. So they brought Kyl Reid on as an

0:19:01.920 --> 0:19:04.520
<v Speaker 2>attractive twenty six year old who didn't have any training

0:19:04.560 --> 0:19:09.760
<v Speaker 2>in meteorology, right, but she was very likable. She had

0:19:09.760 --> 0:19:12.320
<v Speaker 2>a good smile and she had a good sign off.

0:19:12.280 --> 0:19:14.920
<v Speaker 1>Chuck, I'm going to give it to you. You can't

0:19:15.400 --> 0:19:19.840
<v Speaker 1>you can't not take this. Have a happy, have a happy,

0:19:19.920 --> 0:19:20.760
<v Speaker 1>that's very nice.

0:19:20.920 --> 0:19:23.440
<v Speaker 2>Yeah, so she kicked off the whole weather girls thing.

0:19:23.640 --> 0:19:27.439
<v Speaker 1>Oh yeah, there was another one named Ginger Stanley. She

0:19:27.480 --> 0:19:30.679
<v Speaker 1>would sometimes get in her bathing suit and get in

0:19:30.720 --> 0:19:32.800
<v Speaker 1>a tank of water on the CBS Morning Show to

0:19:32.800 --> 0:19:36.160
<v Speaker 1>deliver the weather. Yeah. Another one, and this is hard

0:19:36.160 --> 0:19:39.840
<v Speaker 1>to believe. They had in lingerie in bed Yeah, in

0:19:39.960 --> 0:19:43.240
<v Speaker 1>nineteen fifty two, I know, which imagine the lingerie then

0:19:43.400 --> 0:19:45.920
<v Speaker 1>was just some head to toe Yeah, I had to toe,

0:19:46.400 --> 0:19:49.560
<v Speaker 1>you know, gown that just looks sort of silky to

0:19:49.600 --> 0:19:50.640
<v Speaker 1>the touch would be my guest.

0:19:50.800 --> 0:19:51.159
<v Speaker 2>Sure.

0:19:52.840 --> 0:19:55.520
<v Speaker 1>And then you had the fact that it was a

0:19:55.600 --> 0:19:59.399
<v Speaker 1>legit entree point though if you wanted to do serious news,

0:19:59.440 --> 0:20:01.800
<v Speaker 1>so you would just get in. However you could, like

0:20:01.880 --> 0:20:05.560
<v Speaker 1>Diane Sawyer was one of these quote unquote weather girls

0:20:05.680 --> 0:20:10.400
<v Speaker 1>in Louisville, and they said take those glasses off, hin, Yeah.

0:20:10.160 --> 0:20:13.040
<v Speaker 2>And then seldom make passes at girls who are glasses.

0:20:12.680 --> 0:20:17.640
<v Speaker 1>You looked too smart. And Roquel Welch was in fact

0:20:17.640 --> 0:20:20.200
<v Speaker 1>in San Diego and she was the sun up weather girl.

0:20:20.480 --> 0:20:23.040
<v Speaker 2>Fact to the podcast, Roquel Welch at the time was

0:20:23.080 --> 0:20:24.359
<v Speaker 2>known as Raquel.

0:20:24.000 --> 0:20:29.400
<v Speaker 1>Tahata Yeah, which means lime tree. Oh does it? Yeah,

0:20:29.480 --> 0:20:30.479
<v Speaker 1>Roquel lime tree.

0:20:30.680 --> 0:20:33.720
<v Speaker 2>That's also Raquel means squeeze.

0:20:33.920 --> 0:20:35.439
<v Speaker 1>And Welch means grape juice.

0:20:35.960 --> 0:20:39.680
<v Speaker 2>Wow. I'm all I'm starting to see the pattern now.

0:20:41.400 --> 0:20:44.399
<v Speaker 1>I think in the nineteen sixty one was sort of

0:20:44.440 --> 0:20:48.800
<v Speaker 1>the apex of the weather girl phenomenon, when they had

0:20:49.359 --> 0:20:54.960
<v Speaker 1>four hundred and sixty six TV stations nationwide in about

0:20:55.000 --> 0:20:59.240
<v Speaker 1>three quarters of them were using weather girls. And that's,

0:20:59.280 --> 0:21:02.679
<v Speaker 1>you know, generally not the case anymore. When you see

0:21:03.000 --> 0:21:06.120
<v Speaker 1>a woman that is the local meteorologist, and at least

0:21:06.160 --> 0:21:09.960
<v Speaker 1>in a big city, chances are she has her meteorology degree, yes,

0:21:10.119 --> 0:21:11.240
<v Speaker 1>and a certified as well.

0:21:11.359 --> 0:21:14.200
<v Speaker 2>It's definitely not a novelty or like they're using sex

0:21:14.200 --> 0:21:16.840
<v Speaker 2>appeal to get people to watch the weather. That's not

0:21:16.880 --> 0:21:20.760
<v Speaker 2>what they're ostensibly doing any longer. But what I found

0:21:20.800 --> 0:21:25.400
<v Speaker 2>interesting was that Tarol Reid, who started the weather girl era,

0:21:26.119 --> 0:21:29.000
<v Speaker 2>also ended it when she was let go in nineteen

0:21:29.240 --> 0:21:33.239
<v Speaker 2>sixty four. I believe that's considered the end of the

0:21:33.240 --> 0:21:36.080
<v Speaker 2>weather girl era too. And the reason that the weather

0:21:36.119 --> 0:21:39.040
<v Speaker 2>girl era came to an end is because the pendulum,

0:21:39.160 --> 0:21:42.560
<v Speaker 2>which had started with stuffy academics and then swung to

0:21:43.040 --> 0:21:46.560
<v Speaker 2>women in lingerie in bed giving the weather, yeah, we

0:21:46.720 --> 0:21:48.960
<v Speaker 2>started to swing back the other way where the actual

0:21:49.040 --> 0:21:52.240
<v Speaker 2>like legitimate meteorologists are like, hey, what we're doing is

0:21:52.240 --> 0:21:54.560
<v Speaker 2>actually kind of important and it's not as easy as

0:21:54.560 --> 0:21:57.760
<v Speaker 2>you guys think. So we want a little more respect,

0:21:58.000 --> 0:22:00.399
<v Speaker 2>and so to help kind of give them back, the

0:22:00.920 --> 0:22:05.320
<v Speaker 2>American Meteorological Society and the National Weather Association started coming

0:22:05.359 --> 0:22:09.560
<v Speaker 2>up with certifications and seal of approval, seals of approval

0:22:10.320 --> 0:22:14.600
<v Speaker 2>that I, like a legit meteorologist on TV who was

0:22:14.640 --> 0:22:18.119
<v Speaker 2>doing good work, could get and basically use as like

0:22:18.400 --> 0:22:19.320
<v Speaker 2>a bona fide.

0:22:19.720 --> 0:22:21.879
<v Speaker 1>Yeah, like why did I go to college and study

0:22:21.920 --> 0:22:24.119
<v Speaker 1>this and work on training my hair part for the

0:22:24.200 --> 0:22:28.200
<v Speaker 1>past fifteen years? Yeah, and put all this money into

0:22:28.280 --> 0:22:31.480
<v Speaker 1>hair spray If I can't get on TV because there's

0:22:31.520 --> 0:22:33.200
<v Speaker 1>a lady in our lingerie in bed.

0:22:33.440 --> 0:22:35.720
<v Speaker 2>You know, I'm in the process of training my hair part.

0:22:36.160 --> 0:22:40.680
<v Speaker 2>My hairdresser, Michael something, get it over. Yeah, he thought

0:22:40.720 --> 0:22:42.359
<v Speaker 2>it was over way too close to my ears, So

0:22:42.359 --> 0:22:45.120
<v Speaker 2>he's moving a little closer towards the crown of my head.

0:22:46.359 --> 0:22:49.480
<v Speaker 2>Very interesting, It is interesting, and it's actually kind of

0:22:49.520 --> 0:22:53.159
<v Speaker 2>a rough transition period because my hair wants to go

0:22:53.320 --> 0:22:55.760
<v Speaker 2>back down, but I've got to go back up this way,

0:22:56.280 --> 0:22:59.119
<v Speaker 2>and it doesn't always want to do that. I constantly

0:22:59.200 --> 0:23:02.800
<v Speaker 2>run my stuff my fingers, so my stupid hair it's awful.

0:23:02.960 --> 0:23:06.199
<v Speaker 2>And they by doing that because it's been cold lately,

0:23:06.520 --> 0:23:09.320
<v Speaker 2>it creates a lot of static, so it just ends

0:23:09.359 --> 0:23:12.520
<v Speaker 2>up like stuck to my foreheaded one large mass, and

0:23:12.640 --> 0:23:15.600
<v Speaker 2>I end up with a helmet head ironically looking like

0:23:15.720 --> 0:23:17.639
<v Speaker 2>a nineteen seventies weather person.

0:23:18.560 --> 0:23:22.399
<v Speaker 1>I my hair, I've been getting it cut on the

0:23:22.440 --> 0:23:25.880
<v Speaker 1>sides and in the back, and I just I've been

0:23:25.880 --> 0:23:28.160
<v Speaker 1>doing all kinds of crazy hair stuff since the pandemic.

0:23:28.240 --> 0:23:31.760
<v Speaker 1>But what I realized is, I think what I'm subconsciously

0:23:31.800 --> 0:23:35.080
<v Speaker 1>going for is the haircut I had in high school

0:23:36.320 --> 0:23:38.480
<v Speaker 1>was when I had like the long, all one link,

0:23:38.560 --> 0:23:41.439
<v Speaker 1>the bangs skater cut and kind of shaved up on

0:23:41.480 --> 0:23:45.560
<v Speaker 1>the sides and in the back. I'm getting there, can't

0:23:45.680 --> 0:23:49.320
<v Speaker 1>quite envision that. I'll send you a picture of well,

0:23:49.320 --> 0:23:53.920
<v Speaker 1>I'll say you with bags for real, well not bangs,

0:23:53.960 --> 0:23:55.760
<v Speaker 1>like combed straight down on my forehead.

0:23:56.000 --> 0:23:59.000
<v Speaker 2>So now like Anthony Keatus's current haircut, time.

0:23:58.880 --> 0:24:01.400
<v Speaker 1>Of thing, no no no no, no, no no, I'm swooping

0:24:01.400 --> 0:24:04.320
<v Speaker 1>it up and over like always. But it's just sort

0:24:04.359 --> 0:24:06.600
<v Speaker 1>of that all one linked sort of thing.

0:24:07.760 --> 0:24:08.919
<v Speaker 2>I'm still having trouble.

0:24:09.680 --> 0:24:12.080
<v Speaker 1>I'll see you on tour soon, okay, and we can

0:24:12.119 --> 0:24:13.920
<v Speaker 1>talk about each other's hair in the green room.

0:24:14.200 --> 0:24:17.119
<v Speaker 2>Okay, So let's move on beyond our hair, right, because

0:24:17.240 --> 0:24:21.800
<v Speaker 2>we're coming to another pivotal watershed moment in TV weather

0:24:21.920 --> 0:24:22.760
<v Speaker 2>people history.

0:24:23.119 --> 0:24:27.320
<v Speaker 1>Yeah, we're coming to the Anchorman years. This was, like

0:24:27.359 --> 0:24:29.080
<v Speaker 1>you said, that movie was true in a lot of ways.

0:24:29.119 --> 0:24:32.040
<v Speaker 1>And in the nineteen sixties, sort of the late sixties,

0:24:32.560 --> 0:24:37.399
<v Speaker 1>WABC in New York said, all right, you know, the

0:24:37.440 --> 0:24:40.320
<v Speaker 1>news had always been sort of a serious affair, like

0:24:40.359 --> 0:24:41.800
<v Speaker 1>when you think of national news, you think of like

0:24:41.880 --> 0:24:46.320
<v Speaker 1>the Walter Cronkites and stuff like that. Was it wasn't

0:24:46.359 --> 0:24:48.800
<v Speaker 1>like the news as we know it today even locally.

0:24:49.400 --> 0:24:52.040
<v Speaker 1>And WABC in New York said, you know what, let's

0:24:52.800 --> 0:24:56.000
<v Speaker 1>let's transform our newscast and have a little more fun

0:24:56.040 --> 0:24:59.479
<v Speaker 1>with it. It was called happy Talker, Happy News, and

0:24:59.680 --> 0:25:03.360
<v Speaker 1>we'll this news team will have two very personable anchors,

0:25:03.680 --> 0:25:07.119
<v Speaker 1>Like everyone's got to be personality. Plus, now everyone's got

0:25:07.160 --> 0:25:09.200
<v Speaker 1>to kind of joke around as you go to commercial

0:25:09.760 --> 0:25:13.120
<v Speaker 1>or maybe the weather man even or the sportsperson interjects

0:25:14.560 --> 0:25:17.800
<v Speaker 1>from you know, the side when they're talking a news story.

0:25:17.840 --> 0:25:20.200
<v Speaker 1>Obviously not you know, if it's like a really serious story,

0:25:20.200 --> 0:25:22.600
<v Speaker 1>they don't come in and joke. But if it's the

0:25:22.640 --> 0:25:25.880
<v Speaker 1>cat stuck in the tree and the little old lady

0:25:25.880 --> 0:25:28.399
<v Speaker 1>who scaled it to get it down. Everybody in the

0:25:28.400 --> 0:25:31.879
<v Speaker 1>newsroom is now this one big fun group, laughing and

0:25:31.960 --> 0:25:32.760
<v Speaker 1>joking about it.

0:25:33.240 --> 0:25:36.560
<v Speaker 2>Right, And the goal is to make the viewer think

0:25:36.600 --> 0:25:39.800
<v Speaker 2>that they're watching like a group of friends who hang

0:25:39.880 --> 0:25:43.359
<v Speaker 2>out like off hours and stuff like that too, right, yeah,

0:25:43.400 --> 0:25:46.800
<v Speaker 2>like Anchorman, exactly right, Like that was the thing. Like

0:25:46.800 --> 0:25:49.119
<v Speaker 2>in Anchorman, they actually did that, and they were I

0:25:49.119 --> 0:25:53.080
<v Speaker 2>didn't realize it, but they were parodying happy talk, happy news.

0:25:53.880 --> 0:25:56.840
<v Speaker 2>And there was a news manager specifically named al Primo

0:25:56.920 --> 0:26:00.000
<v Speaker 2>who's brought into WABC to get ratings up, who's credit

0:26:00.320 --> 0:26:03.680
<v Speaker 2>was coming up with that format, and within a decade,

0:26:04.080 --> 0:26:09.000
<v Speaker 2>every single TV station still today has the happy talk format.

0:26:09.840 --> 0:26:14.240
<v Speaker 2>So the weather person factors into this, because Chuck, they

0:26:15.800 --> 0:26:18.400
<v Speaker 2>had to have their own personality, and they went back

0:26:18.400 --> 0:26:22.960
<v Speaker 2>to basically Jimmy Fiddler's personality and adopted that permanently as

0:26:23.000 --> 0:26:28.560
<v Speaker 2>this happy, peppy, science y type. In fact, a lot

0:26:28.600 --> 0:26:33.240
<v Speaker 2>of whether people, especially like local stations and smaller markets,

0:26:33.600 --> 0:26:37.159
<v Speaker 2>are called upon to basically explain science stuff sometimes like

0:26:37.240 --> 0:26:40.680
<v Speaker 2>they're just the in house egghead basically, right.

0:26:41.000 --> 0:26:43.439
<v Speaker 1>Yeah, and the only person on staff of the science

0:26:43.440 --> 0:26:44.480
<v Speaker 1>degree probably.

0:26:44.440 --> 0:26:47.399
<v Speaker 2>Right, so there was one thing that really kind of

0:26:47.440 --> 0:26:49.760
<v Speaker 2>also happened from the happy talk format aside from it

0:26:49.840 --> 0:26:54.119
<v Speaker 2>just existing. Tex Antoine, who I mentioned, he was brought

0:26:54.119 --> 0:26:57.760
<v Speaker 2>on to WNBC in the fifties and gave everybody else

0:26:57.760 --> 0:27:02.440
<v Speaker 2>a run for their money. He got canceled long before

0:27:02.480 --> 0:27:06.680
<v Speaker 2>anybody ever even thought of the word canceled. But he

0:27:07.200 --> 0:27:11.800
<v Speaker 2>as part of his happy talk spiel, he would often

0:27:11.920 --> 0:27:15.440
<v Speaker 2>like make funny comments on news stories, and I think

0:27:15.520 --> 0:27:21.920
<v Speaker 2>it became so ingrained in his his pattern that he

0:27:21.960 --> 0:27:24.880
<v Speaker 2>didn't always stop and think what he was saying. And

0:27:24.920 --> 0:27:27.119
<v Speaker 2>this is definitely a case of that.

0:27:27.760 --> 0:27:30.640
<v Speaker 1>Yeah, so he got he got he got fired kind

0:27:30.640 --> 0:27:31.840
<v Speaker 1>of immediately, I think.

0:27:32.119 --> 0:27:35.439
<v Speaker 2>Yeah, from what I saw for sure, And there were

0:27:35.480 --> 0:27:37.120
<v Speaker 2>a lot of people stepped up to try to bring

0:27:37.200 --> 0:27:39.080
<v Speaker 2>him back or whatever they were like. No, Don was

0:27:39.080 --> 0:27:40.960
<v Speaker 2>definitely over the line.

0:27:41.119 --> 0:27:44.040
<v Speaker 1>All right, should we take a break, Yes, all right,

0:27:44.119 --> 0:27:47.280
<v Speaker 1>let's take a break and we will talk about uh, well,

0:27:47.480 --> 0:27:49.199
<v Speaker 1>let's talk more about weather people right after this.

0:28:02.280 --> 0:28:18.320
<v Speaker 2>Stop stop stop stop stop, Okay, Chuck. So, one thing

0:28:18.520 --> 0:28:20.560
<v Speaker 2>that we've kind of been tracking here is this kind

0:28:20.560 --> 0:28:25.320
<v Speaker 2>of evolutionless progression of delivering the weather on TV. And

0:28:25.440 --> 0:28:28.119
<v Speaker 2>one of the big technological advances was the launch of

0:28:28.160 --> 0:28:32.840
<v Speaker 2>the Goes one geostationary satellite over the US back in

0:28:32.920 --> 0:28:38.880
<v Speaker 2>nineteen seventy five. Because now we had serious av that

0:28:38.960 --> 0:28:41.600
<v Speaker 2>the weather people didn't have before. You could string together

0:28:41.720 --> 0:28:45.719
<v Speaker 2>these pictures taken every half hour of cloud formations and

0:28:45.760 --> 0:28:48.840
<v Speaker 2>basically do like a flip book on TV and show

0:28:48.880 --> 0:28:51.959
<v Speaker 2>people the clouds moving across the United States. And if

0:28:52.000 --> 0:28:55.960
<v Speaker 2>you watch today, that the cloud movement that just keeps

0:28:56.000 --> 0:28:59.840
<v Speaker 2>resetting over and over again, you know during the this

0:29:00.280 --> 0:29:03.680
<v Speaker 2>like one specific part of the weather task. Yeah, that's

0:29:03.720 --> 0:29:06.800
<v Speaker 2>the exact same thing. It's probably not coming from Goes

0:29:06.840 --> 0:29:10.000
<v Speaker 2>one anymore. It might be, but it's definitely in that

0:29:10.200 --> 0:29:12.320
<v Speaker 2>the legacy of the Goes one satellite.

0:29:12.640 --> 0:29:14.480
<v Speaker 1>Oh yeah. And if you're watching the news in the

0:29:14.480 --> 0:29:16.760
<v Speaker 1>mid seventies and all of a sudden you see a

0:29:16.840 --> 0:29:19.920
<v Speaker 1>front literally moving for the first time, like you're pretty

0:29:19.960 --> 0:29:22.760
<v Speaker 1>knocked out, it was a big deal. People really loved it.

0:29:23.520 --> 0:29:26.440
<v Speaker 1>The green screen comes along in the eighties. That's what

0:29:26.480 --> 0:29:29.800
<v Speaker 1>you mentioned earlier. When you are standing in front of

0:29:29.800 --> 0:29:32.120
<v Speaker 1>a green screen, and maybe we should do like a

0:29:32.160 --> 0:29:34.120
<v Speaker 1>short stuff on chroma key technology.

0:29:34.320 --> 0:29:36.240
<v Speaker 2>All right, we should do it in front of a

0:29:36.240 --> 0:29:36.840
<v Speaker 2>green screen.

0:29:37.040 --> 0:29:40.680
<v Speaker 1>We should we've done stuff in front of green screens before. Yeah,

0:29:40.840 --> 0:29:44.680
<v Speaker 1>lots sure, but yeah, they're standing there, they're looking off

0:29:44.840 --> 0:29:48.880
<v Speaker 1>screen at monitors, they're pointing, you know, you know, it

0:29:48.920 --> 0:29:53.400
<v Speaker 1>takes a little time to learn how to master pointing

0:29:53.400 --> 0:29:57.280
<v Speaker 1>at a blank screen and lining it up correctly so

0:29:57.360 --> 0:30:00.920
<v Speaker 1>you're pointing at you know, Kansas City and not ames

0:30:00.960 --> 0:30:05.520
<v Speaker 1>Iowa by accident. Doppler comes along as sort of the

0:30:05.560 --> 0:30:10.080
<v Speaker 1>next big thing or next rad next generation radar that

0:30:10.200 --> 0:30:13.960
<v Speaker 1>was in the early nineties and another big game changer

0:30:14.920 --> 0:30:16.960
<v Speaker 1>as far as you know, just more in depth and

0:30:17.000 --> 0:30:21.240
<v Speaker 1>detailed weather forecasting and also how to like you know,

0:30:21.320 --> 0:30:23.440
<v Speaker 1>broadcast it for people's eyeballs.

0:30:23.160 --> 0:30:25.640
<v Speaker 2>Right, yeah, because you could see into the storm. Now

0:30:25.720 --> 0:30:28.760
<v Speaker 2>you could talk about the precipitation like inside the storm.

0:30:28.800 --> 0:30:31.800
<v Speaker 2>It was really I mean, next generation.

0:30:31.920 --> 0:30:35.040
<v Speaker 1>Next gen athlete titled. So then we get to the

0:30:35.320 --> 0:30:37.920
<v Speaker 1>big question which a lot of people may wonder, is

0:30:37.960 --> 0:30:42.440
<v Speaker 1>like do these people, I know they have meteorology degrees,

0:30:42.480 --> 0:30:47.120
<v Speaker 1>but a lot of times do But do they come

0:30:47.200 --> 0:30:49.400
<v Speaker 1>up with their own forecasts or do they just get

0:30:49.720 --> 0:30:53.800
<v Speaker 1>a print out of the national weather forecast and read

0:30:53.800 --> 0:30:56.040
<v Speaker 1>it on the air and move their hands around a

0:30:56.080 --> 0:31:00.920
<v Speaker 1>screen and it's a little bit of both. Sure, they

0:31:00.920 --> 0:31:04.320
<v Speaker 1>get all of their weather basically data wise from the

0:31:04.400 --> 0:31:10.240
<v Speaker 1>National Weather Service and from the NOAA. Why not, that's

0:31:10.240 --> 0:31:12.280
<v Speaker 1>where it all lives. That's where you're going to get

0:31:12.280 --> 0:31:14.120
<v Speaker 1>the most accurate stuff. They're not going to be stubborn

0:31:14.120 --> 0:31:15.760
<v Speaker 1>and be like, well I don't want to use this stuff.

0:31:16.520 --> 0:31:20.400
<v Speaker 1>They all use it. But they are like generally people

0:31:20.400 --> 0:31:22.840
<v Speaker 1>that have lived in this place for a while or

0:31:22.960 --> 0:31:26.800
<v Speaker 1>you know, after the gain experience, they also gain weather experience.

0:31:26.840 --> 0:31:30.320
<v Speaker 1>And you might hear a local person say like, you know,

0:31:30.440 --> 0:31:32.680
<v Speaker 1>this front is coming through, but you know, as we've

0:31:32.680 --> 0:31:35.280
<v Speaker 1>seen before in Atlanta, like in you know, eight years

0:31:35.280 --> 0:31:36.960
<v Speaker 1>ago when we had this happen, when we thought that

0:31:37.040 --> 0:31:40.440
<v Speaker 1>was going to happen. Like their experience in their their

0:31:40.480 --> 0:31:43.640
<v Speaker 1>sort of color commentary is their own, and it very

0:31:43.720 --> 0:31:45.400
<v Speaker 1>much comes into play and is relevant.

0:31:46.160 --> 0:31:49.160
<v Speaker 2>My understanding too, is that they're taking this data from

0:31:49.560 --> 0:31:53.960
<v Speaker 2>the Weather Service and NOAH that they provide and having

0:31:54.000 --> 0:31:58.320
<v Speaker 2>to interpret it themselves, analyze it, interpret it, and then

0:32:00.040 --> 0:32:04.840
<v Speaker 2>and then I guess broadcasted in an understandable way. Right,

0:32:04.880 --> 0:32:06.720
<v Speaker 2>So it's not like the Weather Service or no It

0:32:06.840 --> 0:32:10.280
<v Speaker 2>just sends out like, hey you can here's here's format

0:32:10.320 --> 0:32:12.720
<v Speaker 2>a if you want to be spicy today, here's when

0:32:12.720 --> 0:32:14.840
<v Speaker 2>that's a little edgy. Is nothing like that.

0:32:14.920 --> 0:32:16.760
<v Speaker 1>It's not written for broadcast now, right.

0:32:16.600 --> 0:32:19.040
<v Speaker 2>So even if you don't have a meteorological degree, you

0:32:19.120 --> 0:32:22.160
<v Speaker 2>have to understand how to read and interpret that kind

0:32:22.160 --> 0:32:24.600
<v Speaker 2>of data. And I don't think it's so arcane that

0:32:24.720 --> 0:32:29.000
<v Speaker 2>like no like the sigma characters used repeatedly or anything

0:32:29.080 --> 0:32:31.440
<v Speaker 2>like that. I think you can make heads or tails

0:32:31.440 --> 0:32:33.880
<v Speaker 2>of it because it's free and open to the public. Right,

0:32:33.880 --> 0:32:38.239
<v Speaker 2>it's available to everybody. But there's no purpose in not

0:32:38.560 --> 0:32:41.280
<v Speaker 2>using that information. That's what everybody does. It's what they've

0:32:41.280 --> 0:32:43.680
<v Speaker 2>been doing since eighteen seventy and it's one of those

0:32:43.720 --> 0:32:45.920
<v Speaker 2>if it ain't broke, don't fix it. Yeah, And at

0:32:45.920 --> 0:32:48.160
<v Speaker 2>the same time, there's a lot of work that they

0:32:48.160 --> 0:32:51.240
<v Speaker 2>have to put into putting this the puzzle pieces together

0:32:51.520 --> 0:32:52.800
<v Speaker 2>and giving a clear picture.

0:32:53.400 --> 0:32:57.280
<v Speaker 1>Absolutely, if you're doing the morning news, you are showing

0:32:57.360 --> 0:33:00.280
<v Speaker 1>up to work at like three point thirty four in

0:33:00.320 --> 0:33:03.680
<v Speaker 1>the morning, depending on what time your first broadcast is. Yeah,

0:33:03.720 --> 0:33:06.240
<v Speaker 1>some of those first local news broadcasts are you know,

0:33:06.280 --> 0:33:09.240
<v Speaker 1>four thirty five AM. And they got to be there

0:33:09.400 --> 0:33:12.440
<v Speaker 1>and know what's going on and look fresh and be

0:33:12.520 --> 0:33:15.320
<v Speaker 1>ready to go get those morning eyebags.

0:33:15.360 --> 0:33:19.880
<v Speaker 2>Calm down right the speaking of that, chuck, They a

0:33:19.880 --> 0:33:21.880
<v Speaker 2>lot of most of them do their own hair and makeup,

0:33:21.920 --> 0:33:23.440
<v Speaker 2>unless you're in a really big city.

0:33:24.000 --> 0:33:26.800
<v Speaker 1>Oh really, Yeah, was there a poll?

0:33:28.280 --> 0:33:30.360
<v Speaker 2>No, Actually, I've read I should probably shout it out.

0:33:30.520 --> 0:33:36.400
<v Speaker 2>I read a post from tropicalweather dot net. Could not,

0:33:36.440 --> 0:33:38.560
<v Speaker 2>for the life of me find out who wrote that.

0:33:38.680 --> 0:33:42.600
<v Speaker 2>But they were clearly like a former TV weather caster,

0:33:43.320 --> 0:33:45.400
<v Speaker 2>and they talked about, you know, day in the life

0:33:45.440 --> 0:33:47.560
<v Speaker 2>of a weather caster. And one of those things was

0:33:47.640 --> 0:33:50.640
<v Speaker 2>like they're like a one person show, Like they do

0:33:51.160 --> 0:33:53.400
<v Speaker 2>almost all their own stuff unless they're in a really

0:33:53.480 --> 0:33:54.840
<v Speaker 2>large market. Yeah.

0:33:54.880 --> 0:33:56.480
<v Speaker 1>I mean, if you're in a small market, you don't

0:33:56.480 --> 0:33:59.200
<v Speaker 1>have a weather team of like five or six people

0:33:59.760 --> 0:34:02.320
<v Speaker 1>put all this stuff together for you. You're like, you

0:34:02.360 --> 0:34:05.880
<v Speaker 1>know how to work the software, the graphics software, You're

0:34:06.120 --> 0:34:08.000
<v Speaker 1>like you said you are, You're you're doing it on

0:34:08.040 --> 0:34:10.399
<v Speaker 1>your own. Basically, if you're in a bigger city, then

0:34:10.560 --> 0:34:12.600
<v Speaker 1>you're gonna have like your weather team and stuff like that,

0:34:12.960 --> 0:34:15.640
<v Speaker 1>and especially if you get to the tippy top of

0:34:15.760 --> 0:34:18.879
<v Speaker 1>like a Dallas Rains. I mentioned him a couple of times.

0:34:18.920 --> 0:34:20.680
<v Speaker 1>He's the La Gui forever he may still be for

0:34:20.760 --> 0:34:21.080
<v Speaker 1>all I.

0:34:21.040 --> 0:34:23.239
<v Speaker 2>Know, what about storm fields.

0:34:23.680 --> 0:34:26.719
<v Speaker 1>Yeah, Like, if you're sort of a weather celebrity and

0:34:26.760 --> 0:34:30.480
<v Speaker 1>a big market, then I'm sure that you've got hair

0:34:30.520 --> 0:34:32.520
<v Speaker 1>and makeup and you've got people putting together all your

0:34:32.520 --> 0:34:36.480
<v Speaker 1>stuff for you generally, right. But you know, otherwise you're

0:34:36.520 --> 0:34:41.120
<v Speaker 1>kind of in the trenches doing the hard work. You you,

0:34:41.120 --> 0:34:43.040
<v Speaker 1>you know, you probably don't go on to the field

0:34:43.080 --> 0:34:46.440
<v Speaker 1>as much if you're in a big city, but if

0:34:46.480 --> 0:34:49.640
<v Speaker 1>you're the small market person, you're probably still the one

0:34:49.640 --> 0:34:51.640
<v Speaker 1>that's standing out in the rain at times during a

0:34:51.640 --> 0:34:52.160
<v Speaker 1>big storm.

0:34:52.719 --> 0:34:55.239
<v Speaker 2>Yeah. One of the other things, too, is when you're

0:34:55.320 --> 0:34:58.360
<v Speaker 2>when you get this picture of the weather together, it's

0:34:58.400 --> 0:35:01.560
<v Speaker 2>like four in the morning, you have to brief the

0:35:01.640 --> 0:35:04.680
<v Speaker 2>news manager on whether any of the weather warrant any

0:35:04.719 --> 0:35:07.799
<v Speaker 2>news coverage, which I hadn't thought about, but that's totally true.

0:35:07.800 --> 0:35:11.120
<v Speaker 2>I mean, sometimes the weather makes the news, and that's

0:35:11.400 --> 0:35:15.520
<v Speaker 2>from coordinating with the news manager and the weather caster.

0:35:15.760 --> 0:35:19.880
<v Speaker 1>You mean, like additional like it's a news story, yes, yeah, yeah.

0:35:19.920 --> 0:35:22.279
<v Speaker 2>And then so in addition to just all of the

0:35:22.320 --> 0:35:25.600
<v Speaker 2>weather stuff, there's a lot of things that weathercasters cover

0:35:25.719 --> 0:35:28.319
<v Speaker 2>that we don't that don't really have anything to do

0:35:28.400 --> 0:35:30.359
<v Speaker 2>with the weather, but we still expect the weather caster

0:35:30.480 --> 0:35:35.080
<v Speaker 2>to give it to us celestial events, pollen counts, fishing

0:35:35.120 --> 0:35:38.799
<v Speaker 2>forecasts of course, all sorts of that stuff. Like if

0:35:38.800 --> 0:35:41.280
<v Speaker 2>you think about it, not really part of the weather.

0:35:41.520 --> 0:35:45.439
<v Speaker 2>And in fact, that tropicalweather dot net really dryly put

0:35:45.480 --> 0:35:50.320
<v Speaker 2>it that the public relates astrological events to weather, considering

0:35:50.360 --> 0:35:51.680
<v Speaker 2>that it is viewed in the sky.

0:35:52.480 --> 0:35:53.680
<v Speaker 1>Yeah, it is. It.

0:35:53.680 --> 0:35:56.080
<v Speaker 2>It's kind of true. We all kind of think of

0:35:56.120 --> 0:35:59.319
<v Speaker 2>that as weather, but really not a lot to do

0:35:59.440 --> 0:36:01.319
<v Speaker 2>with weather. But the weather people have to look that

0:36:01.440 --> 0:36:03.879
<v Speaker 2>up to They have to research local events to put

0:36:03.880 --> 0:36:07.359
<v Speaker 2>the weather in context, like is the big May Day

0:36:07.520 --> 0:36:09.160
<v Speaker 2>parade gonna get rained out?

0:36:09.360 --> 0:36:10.560
<v Speaker 1>Of course, like that kind of thing.

0:36:10.600 --> 0:36:13.160
<v Speaker 2>So it digs the weather, makes it personal and important

0:36:13.160 --> 0:36:15.799
<v Speaker 2>to you by saying, like this thing you're going to

0:36:15.920 --> 0:36:18.279
<v Speaker 2>may or may not get rained out, and the weather

0:36:18.320 --> 0:36:20.520
<v Speaker 2>person has to know all of that stuff.

0:36:20.960 --> 0:36:25.480
<v Speaker 1>Yeah. Absolutely. When they're not in the studio and doing

0:36:25.560 --> 0:36:30.399
<v Speaker 1>weather stuff, they're usually pretty active in the community. You're

0:36:30.400 --> 0:36:32.400
<v Speaker 1>not going to find like a local TV weather person

0:36:32.440 --> 0:36:35.400
<v Speaker 1>that's just like a shut in off hours and doesn't

0:36:35.440 --> 0:36:38.600
<v Speaker 1>get involved. I think they're very much expected and it's

0:36:38.600 --> 0:36:41.719
<v Speaker 1>good for their brand obviously, to get out in the community,

0:36:41.880 --> 0:36:47.000
<v Speaker 1>to be the guest judge at the Chicken Wing Flaning, which,

0:36:47.080 --> 0:36:49.560
<v Speaker 1>by the way, I'm doing coming up soon. Oh really

0:36:49.600 --> 0:36:52.080
<v Speaker 1>in Atlanta. I'm a celebrity judge for the Kirkwood Wing

0:36:52.080 --> 0:36:53.879
<v Speaker 1>Flaning Wow in May.

0:36:54.160 --> 0:36:54.879
<v Speaker 2>Best of luck.

0:36:55.239 --> 0:36:57.120
<v Speaker 1>So if anyone wants to come down there and heckle me,

0:36:57.440 --> 0:37:01.640
<v Speaker 1>feel free visit a elementary schools and go talk about

0:37:01.640 --> 0:37:05.120
<v Speaker 1>weather stuff there. And like I said, you're your own brand,

0:37:05.320 --> 0:37:10.680
<v Speaker 1>so it will behoove you to to build your brand,

0:37:10.840 --> 0:37:13.960
<v Speaker 1>and you do that through social media. So yeah, chances

0:37:14.000 --> 0:37:17.880
<v Speaker 1>are you got a big or hopefully a big Instagram following,

0:37:18.000 --> 0:37:20.640
<v Speaker 1>or you're on Twitter or whatever, like you know, just

0:37:20.680 --> 0:37:23.600
<v Speaker 1>like any other on air personality, you want your name

0:37:23.640 --> 0:37:24.239
<v Speaker 1>to be out there.

0:37:24.760 --> 0:37:26.680
<v Speaker 2>Okay, So you got up and got to work at

0:37:26.680 --> 0:37:29.440
<v Speaker 2>three point thirty. You took all of the tea leaves

0:37:29.440 --> 0:37:32.120
<v Speaker 2>from the NASA Weather Service and Noah put them together

0:37:32.160 --> 0:37:35.480
<v Speaker 2>into a picture that you can share with people. You've

0:37:35.680 --> 0:37:40.320
<v Speaker 2>made literal pictures of this stuff as graphics. You probably

0:37:40.400 --> 0:37:43.120
<v Speaker 2>in between the morning news and say the new News

0:37:43.120 --> 0:37:47.200
<v Speaker 2>if you're doing both of those, you taped a broadcast

0:37:47.360 --> 0:37:51.520
<v Speaker 2>for the website. You had to tweet the whole time

0:37:51.600 --> 0:37:54.080
<v Speaker 2>to try to build your social media following. And then

0:37:54.080 --> 0:37:56.120
<v Speaker 2>after work you had to go into an elementary school

0:37:56.120 --> 0:37:58.759
<v Speaker 2>and give a talk about weather and then go home, eat,

0:37:58.920 --> 0:38:01.040
<v Speaker 2>go to bit and then get up the next morning

0:38:01.280 --> 0:38:04.479
<v Speaker 2>at I don't know, two forty five or three. That's

0:38:04.520 --> 0:38:05.840
<v Speaker 2>the life of a weather person.

0:38:05.920 --> 0:38:07.239
<v Speaker 1>No, you go to the local fern bar.

0:38:07.840 --> 0:38:11.319
<v Speaker 2>Okay, yeah that's true. That's probably you could fit that

0:38:11.400 --> 0:38:13.799
<v Speaker 2>in there somewhere. You could fit a Harvey wallbanger at too, and.

0:38:14.080 --> 0:38:15.839
<v Speaker 1>Yeah that's what you do in the seventies. But yeah,

0:38:15.960 --> 0:38:18.719
<v Speaker 1>it's a it's a tough job. I mean, you lost

0:38:18.800 --> 0:38:20.560
<v Speaker 1>me at two forty five in the morning.

0:38:20.680 --> 0:38:23.359
<v Speaker 2>No doubt. And then also there's I mean, unless you're

0:38:23.360 --> 0:38:25.359
<v Speaker 2>at the top of the heap, they're gonna tell you

0:38:25.520 --> 0:38:29.200
<v Speaker 2>need to work on the fourth July, on Christmas, on Thanksgiving,

0:38:29.360 --> 0:38:32.719
<v Speaker 2>like and I saw one of the ways again to

0:38:32.880 --> 0:38:34.960
<v Speaker 2>from tropical weather dot net. If you want to get

0:38:34.960 --> 0:38:37.000
<v Speaker 2>your foot in the door, basically say I will be

0:38:37.080 --> 0:38:40.359
<v Speaker 2>the guy that works on Christmas and Thanksgiving and just

0:38:40.480 --> 0:38:43.160
<v Speaker 2>give me on TV. Let me show everybody what I've got.

0:38:43.320 --> 0:38:46.680
<v Speaker 2>I got five thousand followers on Twitter, give me a shot.

0:38:46.920 --> 0:38:49.200
<v Speaker 1>Give me afraid, not afraid to stand in front of

0:38:49.200 --> 0:38:49.720
<v Speaker 1>a tornado.

0:38:50.480 --> 0:38:53.480
<v Speaker 2>Right, that's another one too. I mean standing in storms is,

0:38:53.600 --> 0:38:55.600
<v Speaker 2>like you said, it's a real hazard of the job,

0:38:55.640 --> 0:38:58.520
<v Speaker 2>but they kind of, depending on who you are, you

0:38:58.640 --> 0:38:59.560
<v Speaker 2>kind of have to do it.

0:39:00.160 --> 0:39:04.360
<v Speaker 1>Yeah, And that's become a more of a thing. And

0:39:04.400 --> 0:39:07.040
<v Speaker 1>I think in the last like twenty years or so,

0:39:07.880 --> 0:39:09.759
<v Speaker 1>Like I remember watching the Weather Channel the eighties, and

0:39:09.760 --> 0:39:13.000
<v Speaker 1>I don't remember seeing a ton of that, but people

0:39:13.040 --> 0:39:16.399
<v Speaker 1>watch the Weather Channel now to see what's the guy's name,

0:39:16.480 --> 0:39:20.920
<v Speaker 1>Jim Canty, Yeah, Jim Cantoorre. You know, is this the

0:39:20.920 --> 0:39:22.919
<v Speaker 1>one where he's going to be swept out to see

0:39:23.040 --> 0:39:23.239
<v Speaker 1>or not?

0:39:23.960 --> 0:39:24.160
<v Speaker 2>Yeah?

0:39:24.200 --> 0:39:24.600
<v Speaker 1>The one.

0:39:25.160 --> 0:39:27.839
<v Speaker 2>Dave linked to a clip of Hurricane Ian and Jim

0:39:27.880 --> 0:39:31.040
<v Speaker 2>Cantoreian hanging on to us like a street sign. Yeah,

0:39:31.280 --> 0:39:34.480
<v Speaker 2>and behind him is like a stop sign that's been

0:39:34.520 --> 0:39:37.760
<v Speaker 2>bent at the base and it's just flipping back and forth.

0:39:38.160 --> 0:39:41.120
<v Speaker 2>And if that thing swung, it would chop Jim cantore

0:39:41.200 --> 0:39:43.560
<v Speaker 2>right in half. Like those things are heavy and they

0:39:43.560 --> 0:39:47.040
<v Speaker 2>can be sharp at high speeds, So it is definitely dangerous.

0:39:47.239 --> 0:39:49.960
<v Speaker 2>But you said that it was from the maybe the

0:39:50.800 --> 0:39:54.000
<v Speaker 2>nineties or something that they started going out in the weather. Apparently,

0:39:54.080 --> 0:39:57.279
<v Speaker 2>Dan Rathers credited as one of the first reporters to

0:39:57.360 --> 0:40:00.919
<v Speaker 2>go out in a hurricane Hurricane Carla eighteen sixty one,

0:40:01.200 --> 0:40:03.719
<v Speaker 2>when he was just a little cub reporter at KHO

0:40:03.880 --> 0:40:06.680
<v Speaker 2>You and Houston, and he went out and showed moves

0:40:06.800 --> 0:40:09.480
<v Speaker 2>like Alan the hurricane and kind of set that trend

0:40:09.800 --> 0:40:11.800
<v Speaker 2>that I guess. I think you're right. It wasn't something

0:40:11.840 --> 0:40:14.919
<v Speaker 2>that you would see until later on after the Weather

0:40:15.000 --> 0:40:16.520
<v Speaker 2>Channel really kind of got into it.

0:40:16.800 --> 0:40:18.359
<v Speaker 1>Yeah, I mean I feel like it became a little

0:40:18.400 --> 0:40:21.080
<v Speaker 1>more like the storm chasy thing kind of cult holle

0:40:21.160 --> 0:40:26.160
<v Speaker 1>More Weather Channel, Bill Paxton and Helen Hunt, Which is funny.

0:40:26.200 --> 0:40:28.640
<v Speaker 1>I know I said this before, but Emily loves Twister

0:40:29.960 --> 0:40:32.840
<v Speaker 1>and it is just so not her thing. And my

0:40:33.239 --> 0:40:35.239
<v Speaker 1>joke that I've used over and over over the years

0:40:35.239 --> 0:40:38.320
<v Speaker 1>when people talk about Emily's taste of movies is Emily

0:40:38.400 --> 0:40:41.520
<v Speaker 1>likes two types of movies, small indie dramas and Twister.

0:40:42.600 --> 0:40:43.959
<v Speaker 2>Liking Twister is so high.

0:40:43.960 --> 0:40:47.640
<v Speaker 1>Oh though it is Ohio now that I think about it,

0:40:47.680 --> 0:40:49.680
<v Speaker 1>And she was obsessed with tornadoes growing up because of

0:40:49.760 --> 0:40:53.640
<v Speaker 1>Sohio for sure. But yeah, the Weather Channel came around

0:40:53.680 --> 0:40:57.440
<v Speaker 1>in eighty two so I had never thought about it.

0:40:57.440 --> 0:40:59.080
<v Speaker 1>When I was watching it in like eighty eight, it

0:40:59.160 --> 0:41:03.719
<v Speaker 1>was still pretty new. John Coleman was the was the

0:41:03.760 --> 0:41:07.000
<v Speaker 1>brainchild behind it. He got to start in the seventies

0:41:07.600 --> 0:41:11.560
<v Speaker 1>and eventually was the weather person for Good Morning America.

0:41:12.360 --> 0:41:14.920
<v Speaker 1>And he was one of the ones that was like,

0:41:15.000 --> 0:41:18.560
<v Speaker 1>you know, people want to watch people. They don't tune

0:41:18.560 --> 0:41:20.040
<v Speaker 1>in for the weather. They tune in to watch the

0:41:20.080 --> 0:41:23.640
<v Speaker 1>weather person, which is just sort of true and sort

0:41:23.680 --> 0:41:23.840
<v Speaker 1>of not.

0:41:24.239 --> 0:41:26.440
<v Speaker 2>Yeah, I guess it depends on the weather person really

0:41:26.480 --> 0:41:27.200
<v Speaker 2>if you think about it.

0:41:27.239 --> 0:41:30.040
<v Speaker 1>But they also want to hear the weather, right, right.

0:41:30.320 --> 0:41:33.480
<v Speaker 2>Although you know, I have something to confess. I have

0:41:33.520 --> 0:41:37.880
<v Speaker 2>trouble paying attention and focusing sometimes. Okay, I don't think

0:41:38.160 --> 0:41:41.560
<v Speaker 2>in the history of my entire life, I've ever absorbed

0:41:41.600 --> 0:41:45.399
<v Speaker 2>a weather report ever. Really, I'll watch the whole thing

0:41:45.440 --> 0:41:47.040
<v Speaker 2>and at the end I'll be like, I have no

0:41:47.120 --> 0:41:50.720
<v Speaker 2>idea what the weather's going to be tomorrow. Every single time.

0:41:51.120 --> 0:41:55.800
<v Speaker 1>I haven't watched a weather report in a long time.

0:41:56.000 --> 0:41:58.920
<v Speaker 2>I watch local and national news almost every night, so

0:41:59.280 --> 0:42:00.759
<v Speaker 2>it happens almost every day.

0:42:00.880 --> 0:42:03.600
<v Speaker 1>That's yeah, I haven't watched local news since in probably

0:42:03.640 --> 0:42:04.520
<v Speaker 1>twenty something years.

0:42:04.760 --> 0:42:06.120
<v Speaker 2>Oh, you're missing out, buddy.

0:42:06.600 --> 0:42:12.720
<v Speaker 1>I'm not into it TV before eight pm. Well except

0:42:12.760 --> 0:42:13.760
<v Speaker 1>for Jeopardy.

0:42:14.080 --> 0:42:16.879
<v Speaker 2>Okay that's seven thirty so yeah, still.

0:42:16.760 --> 0:42:19.440
<v Speaker 1>But then it goes back off at eight so usually

0:42:19.520 --> 0:42:20.520
<v Speaker 1>until nine.

0:42:20.760 --> 0:42:21.040
<v Speaker 2>Does it?

0:42:21.080 --> 0:42:21.360
<v Speaker 1>Really?

0:42:21.400 --> 0:42:24.960
<v Speaker 2>There's that hour of power where you're just sitting there meditating.

0:42:25.280 --> 0:42:27.840
<v Speaker 1>No, that's when uh, that's when bedtime for Ruby happens.

0:42:27.840 --> 0:42:29.680
<v Speaker 1>So you can't screen on KIT. She'll just be like,

0:42:30.040 --> 0:42:32.839
<v Speaker 1>must watch, right, I don't care.

0:42:33.360 --> 0:42:36.640
<v Speaker 2>I want to watch how the Equalizer ends tonight.

0:42:36.840 --> 0:42:40.000
<v Speaker 1>Oh dude, she'll watch. She was watching the stupid ads

0:42:40.040 --> 0:42:42.080
<v Speaker 1>on the gas pump the other day from the car.

0:42:42.400 --> 0:42:43.120
<v Speaker 2>Oh my god.

0:42:43.480 --> 0:42:44.640
<v Speaker 1>I was like, this is sick.

0:42:45.120 --> 0:42:47.640
<v Speaker 2>Yeah, that's a problem, Chuck. You got a problem on

0:42:47.640 --> 0:42:48.400
<v Speaker 2>your hands there.

0:42:48.280 --> 0:42:49.480
<v Speaker 1>And she said, screw you, dad.

0:42:50.160 --> 0:42:54.040
<v Speaker 2>So well there's your other problem too. That and Emily

0:42:54.120 --> 0:42:56.759
<v Speaker 2>loving Twister. You got a lot of problems.

0:42:57.160 --> 0:43:01.040
<v Speaker 1>That's right. But you know what's not one the weather?

0:43:01.680 --> 0:43:05.719
<v Speaker 1>Because I use my weather apps. That's how I ingest

0:43:05.760 --> 0:43:10.200
<v Speaker 1>the weather. I guess I'm like a gen z because

0:43:10.239 --> 0:43:15.080
<v Speaker 1>they've done research, Pew research, even the best research, and

0:43:15.120 --> 0:43:18.400
<v Speaker 1>they found this, forty two percent of people over sixty

0:43:18.440 --> 0:43:23.720
<v Speaker 1>five still follow the local news very closely and fifty

0:43:23.800 --> 0:43:27.560
<v Speaker 1>one percent of that group of people get their local

0:43:27.600 --> 0:43:30.520
<v Speaker 1>news from local TV broadcasts. Sure, if you go to

0:43:30.640 --> 0:43:34.160
<v Speaker 1>under thirty, it drops down to fifteen percent follow the

0:43:34.160 --> 0:43:37.279
<v Speaker 1>local news very closely, and twenty six percent prefer to

0:43:37.280 --> 0:43:39.760
<v Speaker 1>get their news from TV.

0:43:40.760 --> 0:43:43.360
<v Speaker 2>Right, so sixty percent of that group like diet it

0:43:43.360 --> 0:43:44.680
<v Speaker 2>from online.

0:43:44.920 --> 0:43:46.640
<v Speaker 1>Yeah, I mean, I'm I want to see who that

0:43:46.680 --> 0:43:50.360
<v Speaker 1>fifteen percent of twenty something says is following the local

0:43:50.360 --> 0:43:51.840
<v Speaker 1>news very closely on television.

0:43:51.920 --> 0:43:53.520
<v Speaker 2>I think it's like a retro kind of thing. They

0:43:53.560 --> 0:43:56.440
<v Speaker 2>also read letters by hand and stuff like that. Maybe

0:43:56.440 --> 0:43:59.359
<v Speaker 2>that's it, that's my guess. But so you could make

0:43:59.400 --> 0:44:02.040
<v Speaker 2>a pretty good point that the TV weather caster is like,

0:44:02.560 --> 0:44:06.239
<v Speaker 2>you know, a walking dinosaur. They're they're doomed, right, Nah.

0:44:06.840 --> 0:44:09.080
<v Speaker 2>The thing is, no, you're right. The thing is is

0:44:09.560 --> 0:44:13.120
<v Speaker 2>if the Pew also did another poll where they asked

0:44:13.160 --> 0:44:16.000
<v Speaker 2>people like, what's the what's the most important part of

0:44:16.040 --> 0:44:20.400
<v Speaker 2>a local newscast, and everybody seventy percent of people said

0:44:20.480 --> 0:44:20.880
<v Speaker 2>the weather.

0:44:21.400 --> 0:44:22.280
<v Speaker 1>Yeah, it topped.

0:44:22.360 --> 0:44:26.160
<v Speaker 2>Crime. Sports was second to last, just above restaurants, clubs,

0:44:26.200 --> 0:44:31.400
<v Speaker 2>and bars, which I found really surprising. But because they

0:44:31.440 --> 0:44:35.480
<v Speaker 2>treat this sports department like they're just gods or something, Yeah,

0:44:35.520 --> 0:44:39.440
<v Speaker 2>so the weather person. As long as there's local news,

0:44:39.560 --> 0:44:41.800
<v Speaker 2>there's going to be weather people because they're the bright

0:44:42.320 --> 0:44:45.400
<v Speaker 2>shining star of the whole thing as far as the

0:44:45.480 --> 0:44:48.880
<v Speaker 2>viewing public goes, even if they're not particularly portrayed or

0:44:48.920 --> 0:44:52.000
<v Speaker 2>treated that way. Although it feels like in recent years

0:44:52.040 --> 0:44:55.120
<v Speaker 2>like they've started to really kind of spotlight the weather

0:44:55.160 --> 0:44:57.080
<v Speaker 2>person a little more and how smart they are and

0:44:57.160 --> 0:44:59.759
<v Speaker 2>reliable and how great their family thinks they are, like

0:45:00.120 --> 0:45:00.439
<v Speaker 2>the thing.

0:45:01.080 --> 0:45:03.000
<v Speaker 1>Yeah, and you know, I bet they had the same

0:45:03.000 --> 0:45:06.200
<v Speaker 1>fears just about local news period once national news became

0:45:06.200 --> 0:45:09.360
<v Speaker 1>a thing on TV. Yeah, and it'll always be around

0:45:09.440 --> 0:45:14.800
<v Speaker 1>because people I just think people like, uh, I like

0:45:15.080 --> 0:45:18.040
<v Speaker 1>that it's still on. I don't watch it, but I

0:45:18.080 --> 0:45:20.279
<v Speaker 1>love that. I mean the TV was on in a

0:45:20.719 --> 0:45:22.120
<v Speaker 1>restaurant I was at the night and that's where I

0:45:22.120 --> 0:45:25.359
<v Speaker 1>saw Ken Cook was still around. Yeah, like wow, look

0:45:25.400 --> 0:45:26.279
<v Speaker 1>at him still going.

0:45:26.600 --> 0:45:27.040
<v Speaker 2>Yeah.

0:45:27.080 --> 0:45:29.759
<v Speaker 1>And Jeff Hellndry used to be the sports guy. I

0:45:29.760 --> 0:45:31.120
<v Speaker 1>think he's an anchor now.

0:45:31.920 --> 0:45:35.000
<v Speaker 2>But that's the thing. I mean, like you can not

0:45:35.800 --> 0:45:38.320
<v Speaker 2>you know, participate or take part in something and still

0:45:38.360 --> 0:45:42.960
<v Speaker 2>be bummed if it isn't around anymore, you know. Yeah,

0:45:43.000 --> 0:45:48.280
<v Speaker 2>So there's another kind of route that some weather casters

0:45:48.320 --> 0:45:51.520
<v Speaker 2>are taking to wrap all this up, and that is

0:45:51.520 --> 0:45:55.040
<v Speaker 2>to basically interpret the weather as far as like climate

0:45:55.120 --> 0:45:58.160
<v Speaker 2>change goes. Yeah, and Dave put it really perfectly that

0:45:58.239 --> 0:46:02.400
<v Speaker 2>they're they're evolving into basic a science reporter who doesn't

0:46:02.440 --> 0:46:06.480
<v Speaker 2>just forecast the weather, but puts it into context, particularly

0:46:06.560 --> 0:46:09.839
<v Speaker 2>these days, in the context of climate change. Yeah, and

0:46:10.040 --> 0:46:13.000
<v Speaker 2>that's that's a pretty good new direction for them to

0:46:13.040 --> 0:46:15.040
<v Speaker 2>go in. It makes a lot of sense. And talk

0:46:15.080 --> 0:46:16.560
<v Speaker 2>about making yourself relevant.

0:46:17.160 --> 0:46:19.600
<v Speaker 1>Yeah, well, I mean, depending on what city you live in,

0:46:19.600 --> 0:46:23.880
<v Speaker 1>that's probably welcome or not welcome. I did see John Coleman.

0:46:23.920 --> 0:46:26.160
<v Speaker 1>I was looking trying to find clips of him on

0:46:26.560 --> 0:46:29.600
<v Speaker 1>YouTube and there was one I couldn't find out what

0:46:29.680 --> 0:46:32.040
<v Speaker 1>year it was, but one where they he did a

0:46:32.080 --> 0:46:35.840
<v Speaker 1>full segment poo pooing climate change basically in the data.

0:46:36.360 --> 0:46:38.839
<v Speaker 1>Oh yeah, yeah, I thought it was pretty interesting, the.

0:46:38.800 --> 0:46:42.879
<v Speaker 2>Guy who founded the Weather Channel. Yeah, okay, oh Man,

0:46:42.920 --> 0:46:45.080
<v Speaker 2>that reminds me. There's a book called Merchants of Doubt

0:46:45.080 --> 0:46:48.239
<v Speaker 2>I think I've talked about before, and it's like, it's

0:46:48.400 --> 0:46:52.200
<v Speaker 2>really unnerving. It's about stuff like that. It's about people

0:46:52.200 --> 0:46:54.400
<v Speaker 2>who don't I'm not accusing John Coleman to this, but

0:46:54.440 --> 0:46:58.360
<v Speaker 2>it's about scientists who are basically paid by huge companies

0:46:58.400 --> 0:47:03.120
<v Speaker 2>to so out among the public about whether the science

0:47:03.160 --> 0:47:06.440
<v Speaker 2>mind things like climate change or tobacco causing cancer was

0:47:06.480 --> 0:47:09.319
<v Speaker 2>actually legitimate or not and really set the world back

0:47:10.160 --> 0:47:12.560
<v Speaker 2>in all sorts of really evil ways. It's really tough

0:47:12.560 --> 0:47:12.919
<v Speaker 2>to read.

0:47:13.880 --> 0:47:14.960
<v Speaker 1>Hmm sounds fun.

0:47:15.360 --> 0:47:17.640
<v Speaker 2>Yeah, really that was a weird way to end this episode,

0:47:17.680 --> 0:47:18.880
<v Speaker 2>but that's how we're gonna end it.

0:47:19.160 --> 0:47:21.040
<v Speaker 1>Yeah, I got nothing else, all right.

0:47:20.960 --> 0:47:23.000
<v Speaker 2>Well, so Chuck said he's got nothing else. Everybody. That

0:47:23.080 --> 0:47:24.279
<v Speaker 2>means the time for listener mail.

0:47:26.880 --> 0:47:29.000
<v Speaker 1>This is about Dolly Parton. We had a fun recent

0:47:29.040 --> 0:47:35.480
<v Speaker 1>episode on Dolly her majesty and this is from John

0:47:36.480 --> 0:47:40.440
<v Speaker 1>Pizeric who lives in Japan. Hey, guys, want to chime

0:47:40.480 --> 0:47:43.680
<v Speaker 1>in with a fun Dolly Parton fact to just show

0:47:43.680 --> 0:47:46.759
<v Speaker 1>how she's become incorporated in all sorts of cultures. I've

0:47:46.760 --> 0:47:50.160
<v Speaker 1>included a picture for reference. But in dental school, when

0:47:50.160 --> 0:47:52.800
<v Speaker 1>you learn to do fillings, we use a thin metal

0:47:52.840 --> 0:47:56.120
<v Speaker 1>band to help shape the fillings for the tooth. However,

0:47:56.160 --> 0:47:59.640
<v Speaker 1>sometimes a feeling would be particularly deep or large, and

0:48:00.000 --> 0:48:02.040
<v Speaker 1>stead of using the standard type one band, you would

0:48:02.080 --> 0:48:04.480
<v Speaker 1>need to use a type two band. To help students

0:48:04.520 --> 0:48:06.719
<v Speaker 1>remember what the Type two band looks like. They were

0:48:06.760 --> 0:48:10.640
<v Speaker 1>effectionally known as the Dolly Parton band because of the

0:48:10.719 --> 0:48:14.839
<v Speaker 1>bust like appearance she became famous for. And he's showing

0:48:14.880 --> 0:48:17.600
<v Speaker 1>me these little bands in one. One just looks like

0:48:17.640 --> 0:48:21.560
<v Speaker 1>a sort of a bent popsicle stick, like a boomerang

0:48:21.719 --> 0:48:25.520
<v Speaker 1>shaped popsicle stick. And one looks like a boomerang popsicle

0:48:25.600 --> 0:48:31.960
<v Speaker 1>stick with boobs where the boomerang meets in the center. Yeah.

0:48:32.000 --> 0:48:34.000
<v Speaker 1>I canly check that out, so that must be what

0:48:34.040 --> 0:48:36.000
<v Speaker 1>he's talking about. I know Chuck has had his fair

0:48:36.000 --> 0:48:39.080
<v Speaker 1>share of dental experience, would almost guarantee that most Dennis

0:48:39.160 --> 0:48:40.839
<v Speaker 1>know the reference. If you were to bring this up,

0:48:41.480 --> 0:48:43.319
<v Speaker 1>probably I'm going to do that, John, just so you know.

0:48:44.680 --> 0:48:46.160
<v Speaker 1>Thank you for all you do. I wish my trip

0:48:46.200 --> 0:48:49.080
<v Speaker 1>to DC from Japan was able to coincide with your show,

0:48:49.480 --> 0:48:51.080
<v Speaker 1>but a glass is not the case.

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<v Speaker 2>So sorry, John, Yeah, sorry about that.

0:48:52.920 --> 0:48:53.160
<v Speaker 1>John.

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<v Speaker 2>Well, thanks for a great email though. We appreciate that.

0:48:56.080 --> 0:48:58.840
<v Speaker 2>We always love learning new weird things, and that was

0:48:58.880 --> 0:48:59.719
<v Speaker 2>a new weird.

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<v Speaker 1>Thing for all right, Chuck, new for me.

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<v Speaker 2>If you want to get in touch with this, like

0:49:04.760 --> 0:49:06.799
<v Speaker 2>John did, send us an email. Send it off to

0:49:06.840 --> 0:49:11.879
<v Speaker 2>stuff Podcasts at iHeartRadio dot com.

0:49:12.840 --> 0:49:15.719
<v Speaker 1>Stuff you Should Know is a production of iHeartRadio. For

0:49:15.800 --> 0:49:19.960
<v Speaker 1>more podcasts my heart Radio, visit the iHeartRadio app, Apple Podcasts,

0:49:20.080 --> 0:49:21.920
<v Speaker 1>or wherever you listen to your favorite shows.