1 00:00:01,040 --> 00:00:04,320 Speaker 1: Welcome to episode thirteen. It's Eddie and I kind of 2 00:00:04,320 --> 00:00:06,480 Speaker 1: catch it up on music for this week. By the way, 3 00:00:06,559 --> 00:00:09,320 Speaker 1: check out Eddie on The Sore Loser's podcast. There it is. 4 00:00:09,440 --> 00:00:11,719 Speaker 1: It's pretty good. There's your plug. Pretty proud of my podcast. 5 00:00:13,039 --> 00:00:16,319 Speaker 1: New music out this week include Jason al Dean his 6 00:00:16,400 --> 00:00:20,720 Speaker 1: record Number nine. It includes his hits we Back Back, 7 00:00:20,960 --> 00:00:24,200 Speaker 1: We're Back Back. Let me say this, When you read 8 00:00:24,200 --> 00:00:26,880 Speaker 1: the title of that song, you're like, what is this 9 00:00:27,120 --> 00:00:31,120 Speaker 1: We're back? Yeah, but it is a pretty catchy song 10 00:00:31,600 --> 00:00:34,600 Speaker 1: because I find myself he came in on the show 11 00:00:34,640 --> 00:00:37,920 Speaker 1: the other day and I like Jason. Took a while 12 00:00:38,040 --> 00:00:41,879 Speaker 1: for me to connect with Jason because he's just a 13 00:00:41,880 --> 00:00:44,040 Speaker 1: pretty quiet guy. He's a quiet guy, and you would think, 14 00:00:44,080 --> 00:00:46,240 Speaker 1: if you didn't know him, that he's Jason Now. I 15 00:00:46,320 --> 00:00:48,320 Speaker 1: just thinks he's like a b A. But he's not. 16 00:00:48,400 --> 00:00:51,240 Speaker 1: He's just a quiet guy. Because he's so famous and successful, 17 00:00:51,280 --> 00:00:54,960 Speaker 1: you think yeah, but it's not. It. The mixture of 18 00:00:55,040 --> 00:00:58,520 Speaker 1: success and his quietness makes you go, everybody's a jerk, 19 00:00:58,920 --> 00:01:02,640 Speaker 1: but he's actually not. Um. But he left and for 20 00:01:02,680 --> 00:01:04,759 Speaker 1: like the next hour I was just singing we Back, 21 00:01:04,880 --> 00:01:08,040 Speaker 1: we Back in the his m O. Catchy songs. Uh 22 00:01:08,280 --> 00:01:10,720 Speaker 1: is m O two is he writes a bunch of songs, 23 00:01:10,760 --> 00:01:12,399 Speaker 1: but he doesn't. He never ends up cutting them. He 24 00:01:12,480 --> 00:01:14,520 Speaker 1: just finds better songs and then it puts them on 25 00:01:14,520 --> 00:01:16,120 Speaker 1: the record where he m Kenney Chest and you're a 26 00:01:16,160 --> 00:01:18,920 Speaker 1: lot of liking. They are known for going out and 27 00:01:19,000 --> 00:01:20,760 Speaker 1: just finding the best songs period, and most of the 28 00:01:20,800 --> 00:01:24,000 Speaker 1: records aren't songs they wrote. It's pretty cool, so blame 29 00:01:24,040 --> 00:01:31,480 Speaker 1: it on you. From Jason Aldan and I don't drink anymore, 30 00:01:36,040 --> 00:01:40,760 Speaker 1: it was I like Aldans ballads more than I like 31 00:01:40,920 --> 00:01:43,520 Speaker 1: his up tempost. It's a side I don't think a 32 00:01:43,520 --> 00:01:46,040 Speaker 1: lot of people really see unless you go into those albums. Yeah, 33 00:01:46,080 --> 00:01:48,640 Speaker 1: because we're used to hear in the dirt dirtort. Do 34 00:01:48,720 --> 00:01:51,640 Speaker 1: you have a favorite Aldin slow song? M M? I 35 00:01:51,680 --> 00:01:55,840 Speaker 1: do like Flyover States? Is that slow? I think it's kind? 36 00:01:56,440 --> 00:01:57,920 Speaker 1: Is that a mid time I guess it's not. It's 37 00:01:57,920 --> 00:01:59,600 Speaker 1: not a ballad, it's not like a love song or anything, 38 00:01:59,600 --> 00:02:03,200 Speaker 1: but yeah, I'm mid mid tempo Aldane song. No Pyro, 39 00:02:04,600 --> 00:02:08,880 Speaker 1: you know Piro's funny description Pyro needed for this one, 40 00:02:09,480 --> 00:02:11,919 Speaker 1: So I would say this is a mid tempo sure, Okay, 41 00:02:12,520 --> 00:02:14,880 Speaker 1: my favorite is him and Kelly Clarkson Don't You Want 42 00:02:14,880 --> 00:02:17,560 Speaker 1: to Stay? Don't what you want to Stay? And we 43 00:02:17,560 --> 00:02:21,200 Speaker 1: were over at Kiss in Austin, just still doing pop 44 00:02:21,240 --> 00:02:23,919 Speaker 1: and this song came out and I was like, God, damn, 45 00:02:24,000 --> 00:02:26,640 Speaker 1: this is great and I love Kelly Clarkson. I didn't 46 00:02:26,680 --> 00:02:28,960 Speaker 1: know much about Jason, not because when he popped, I 47 00:02:29,120 --> 00:02:32,040 Speaker 1: checked out a country so so did I. I spent 48 00:02:32,120 --> 00:02:35,160 Speaker 1: all my life was to country music. And then about 49 00:02:35,320 --> 00:02:39,440 Speaker 1: two thousand two, that's about right, we just talked about this. 50 00:02:39,639 --> 00:02:42,360 Speaker 1: I was like, you know, I'm pretty focused in my 51 00:02:42,440 --> 00:02:46,560 Speaker 1: new world of pop and hip hop and alternative. I'm 52 00:02:46,560 --> 00:02:48,680 Speaker 1: just gonna check out. And I didn't much love where 53 00:02:48,680 --> 00:02:53,120 Speaker 1: it was going. But I remember hearing certain songs like 54 00:02:54,160 --> 00:02:57,919 Speaker 1: UM with Keith Urban's Um on the front porch. Just 55 00:02:58,320 --> 00:02:59,960 Speaker 1: it's hard for me to catch anything when to play. 56 00:03:00,080 --> 00:03:02,000 Speaker 1: I mean, there were certain songs that I remember hearing 57 00:03:02,000 --> 00:03:04,960 Speaker 1: because they were so big, but I'm with you. I 58 00:03:05,040 --> 00:03:10,040 Speaker 1: checked out to Gary Allen that every Storm Run Runs 59 00:03:10,040 --> 00:03:12,799 Speaker 1: out of Rain. That was one that I would play 60 00:03:12,840 --> 00:03:14,320 Speaker 1: because I would find a real good country stuff and 61 00:03:14,360 --> 00:03:17,639 Speaker 1: played on the pop station some of the Dirk stuff. 62 00:03:17,680 --> 00:03:19,560 Speaker 1: But yeah, when that Jason out, that's what introduced me 63 00:03:19,600 --> 00:03:22,880 Speaker 1: to Jason Aldean? What's him and Kelly Clarkson doing? Don't 64 00:03:22,919 --> 00:03:25,079 Speaker 1: You Want All Day Here? And I was like, oh, 65 00:03:25,120 --> 00:03:27,560 Speaker 1: that's pretty cool. And then I remember watching an Awards 66 00:03:27,560 --> 00:03:31,239 Speaker 1: show on seeing Jason Aldean and ludicrous do dirt wrote 67 00:03:31,240 --> 00:03:36,400 Speaker 1: anthem miss that. Yeah, it's interesting. Um, but again I 68 00:03:36,480 --> 00:03:39,360 Speaker 1: like Jason. His new record nine is out this week. 69 00:03:39,680 --> 00:03:42,480 Speaker 1: The new cold Play album is out, which again I've 70 00:03:42,480 --> 00:03:46,080 Speaker 1: never stopped loving Coldplay. Have you heard it? I've heard orphans. 71 00:03:47,080 --> 00:03:49,280 Speaker 1: I got a text from my sister this morning saying 72 00:03:49,400 --> 00:03:52,320 Speaker 1: you must check it out. It's so good. Okay, Coldplay 73 00:03:52,400 --> 00:03:54,960 Speaker 1: has their eighth album. It's a double album. But let 74 00:03:54,960 --> 00:03:56,680 Speaker 1: me say this, it's almost we're in the world of 75 00:03:56,720 --> 00:04:00,920 Speaker 1: double albums. Aren't even double albums anymore because you're not 76 00:04:00,960 --> 00:04:03,160 Speaker 1: buying a CD. You're streaming it. So it's just it's 77 00:04:03,160 --> 00:04:06,360 Speaker 1: like one, just a long album. It's like Al Dean's nine. 78 00:04:06,400 --> 00:04:08,360 Speaker 1: There's sixteen songs on it. He could call that a 79 00:04:08,400 --> 00:04:12,560 Speaker 1: double album, but because most people are buying CDs, it's 80 00:04:12,560 --> 00:04:14,640 Speaker 1: just a bunch of music more so than a double album. 81 00:04:14,960 --> 00:04:17,480 Speaker 1: When Ed Sheeron puts out twenty two songs, he doesn't 82 00:04:17,480 --> 00:04:19,799 Speaker 1: call that a double album, doesn't Mike, it's an album. 83 00:04:19,839 --> 00:04:23,440 Speaker 1: It's interesting that, I mean, I guess because it's two 84 00:04:23,480 --> 00:04:26,320 Speaker 1: different splits in the middle of the coal Play record. 85 00:04:26,680 --> 00:04:29,680 Speaker 1: Because the first half is called Sunrise and the second 86 00:04:29,720 --> 00:04:32,640 Speaker 1: half is called Sunset. That's why it's a double album. 87 00:04:33,400 --> 00:04:35,479 Speaker 1: I guess. They're pretty deep, so they've got to have 88 00:04:35,560 --> 00:04:39,520 Speaker 1: that concept thing going. So here's a song called Arabesque 89 00:04:39,680 --> 00:04:50,760 Speaker 1: from the Sunrise half. H And here is probably from 90 00:04:50,760 --> 00:04:52,200 Speaker 1: the side of the record that I like the most, 91 00:04:52,240 --> 00:04:59,719 Speaker 1: the Sunset. Here is Cry Cry Cry. That's cool due 92 00:04:59,720 --> 00:05:06,279 Speaker 1: different and sound. I'm happing to get that on the planet. 93 00:05:06,279 --> 00:05:07,839 Speaker 1: A few minutes we head down to do the show. 94 00:05:08,360 --> 00:05:13,400 Speaker 1: That pretty good. Who's right up your alley down, Come 95 00:05:13,440 --> 00:05:18,320 Speaker 1: on a candle light, Slow, make Me Cry? And even 96 00:05:18,320 --> 00:05:22,479 Speaker 1: the song is titled Cry Cry Cry, that's cool. I 97 00:05:22,600 --> 00:05:25,560 Speaker 1: just did a cold Play ride on a peloton. What 98 00:05:25,720 --> 00:05:28,560 Speaker 1: is that? Very slow? And well they don't they have 99 00:05:28,640 --> 00:05:30,599 Speaker 1: those anthem songs. Sure, and they're like, let's do a 100 00:05:30,600 --> 00:05:33,839 Speaker 1: cold Play writer She's like, all right, everybody, are you ready? 101 00:05:34,000 --> 00:05:37,960 Speaker 1: And yeah, are you high? Yeah, let's start the ride 102 00:05:38,880 --> 00:05:43,040 Speaker 1: when you try And I'm like, what, okay, We're gonna 103 00:05:43,040 --> 00:05:48,880 Speaker 1: start slow and guys like bad, like the worst. But 104 00:05:48,920 --> 00:05:51,520 Speaker 1: then it kicks in later, way later. I guess that's 105 00:05:51,560 --> 00:05:53,560 Speaker 1: good for a ride. But it should if they do that, 106 00:05:53,600 --> 00:05:58,239 Speaker 1: I should. God, yeah, But you're right. It's a really 107 00:05:58,279 --> 00:06:01,600 Speaker 1: cool thing. It's a great, cool, all down song. When 108 00:06:01,680 --> 00:06:04,280 Speaker 1: I had done the Soul Cycle, because I'll go to 109 00:06:04,320 --> 00:06:08,480 Speaker 1: Soul Cycle in Austin. They'll play that and you've already 110 00:06:08,480 --> 00:06:11,839 Speaker 1: done forty minutes of the class and they started, and 111 00:06:11,880 --> 00:06:13,440 Speaker 1: you're at the end of the class anyway, and then 112 00:06:13,440 --> 00:06:15,920 Speaker 1: it says no no no no no no, no no no, 113 00:06:16,160 --> 00:06:17,680 Speaker 1: and you kind of get back up again. And it's 114 00:06:17,680 --> 00:06:21,440 Speaker 1: a pretty emotional moment if you've if you're emotional and 115 00:06:21,480 --> 00:06:24,080 Speaker 1: that sort of. But Um Copley has a new record 116 00:06:24,080 --> 00:06:28,360 Speaker 1: out today. There it is thank you to Nash has 117 00:06:28,400 --> 00:06:29,880 Speaker 1: a record. Did I do you have to one? Starts 118 00:06:29,880 --> 00:06:34,840 Speaker 1: with her? Yeah, he I do. Remember she was a 119 00:06:34,880 --> 00:06:37,640 Speaker 1: good dancer, best on the show. It was kicked off 120 00:06:37,640 --> 00:06:40,400 Speaker 1: like week three or four because she didn't put herself 121 00:06:40,440 --> 00:06:43,000 Speaker 1: out there enough. Now what is she? She's just a 122 00:06:43,000 --> 00:06:45,400 Speaker 1: pop artist, Mike, what is to Nase? Yeah, it's a 123 00:06:45,400 --> 00:06:49,479 Speaker 1: pop artist. She has guests including g Easy and Miss Banks. 124 00:06:50,760 --> 00:06:54,479 Speaker 1: Um At last from actor Luke Evans. What what I 125 00:06:54,520 --> 00:06:57,920 Speaker 1: know him for? He's on Fast and Furious six. I 126 00:06:57,960 --> 00:06:59,359 Speaker 1: don't know what that is. I never saw it. You 127 00:06:59,360 --> 00:07:02,760 Speaker 1: never saw that. Uh Hi, beck has a new record 128 00:07:04,520 --> 00:07:06,719 Speaker 1: and Beck has I was reading a story about Becky 129 00:07:06,800 --> 00:07:12,520 Speaker 1: has disavowed the Church of Scientology. Two things. One always 130 00:07:12,560 --> 00:07:15,800 Speaker 1: a big statement to disavow a church too. Didn't know 131 00:07:15,840 --> 00:07:18,040 Speaker 1: it was in scientology. I did. And I feel like 132 00:07:18,440 --> 00:07:20,760 Speaker 1: man with him being gone, I mean they're out of people. 133 00:07:20,960 --> 00:07:23,560 Speaker 1: They're not pretty close to I mean a celebrity status 134 00:07:23,560 --> 00:07:25,520 Speaker 1: people because I mean Tom Cruise is probably stilling it. 135 00:07:25,560 --> 00:07:28,680 Speaker 1: But Travolta, isn't it right, Yeah, Travolta. But beck was 136 00:07:28,720 --> 00:07:31,040 Speaker 1: a big one, really Yeah. I remember him when he 137 00:07:31,080 --> 00:07:33,720 Speaker 1: talked a lot about scientology and interviews, um hyperspace the 138 00:07:33,760 --> 00:07:37,560 Speaker 1: name of the record. I like a lot of Becking. 139 00:07:37,640 --> 00:07:39,960 Speaker 1: He goes in a lot of different places. Sometimes I'm 140 00:07:40,000 --> 00:07:41,560 Speaker 1: not a big fan of what he doesn't. I love 141 00:07:41,600 --> 00:07:44,760 Speaker 1: what he does. He's very experimental. Um, but I can 142 00:07:44,800 --> 00:07:46,760 Speaker 1: respect that. Like I'll always check it out because I 143 00:07:46,840 --> 00:07:49,200 Speaker 1: might love it or I might hate it, but I 144 00:07:49,200 --> 00:07:51,200 Speaker 1: know I feel a way about it. And if there's 145 00:07:51,200 --> 00:07:52,720 Speaker 1: an artist I think that may have something that I'm 146 00:07:52,720 --> 00:07:57,040 Speaker 1: really passionate about. I'll check it out. There's Die Waiting 147 00:07:57,080 --> 00:08:08,560 Speaker 1: with Sky Farra. If the record has a lot of electronic, 148 00:08:09,040 --> 00:08:10,880 Speaker 1: not for me. I like Beck that was just in 149 00:08:10,920 --> 00:08:13,200 Speaker 1: general or just with that, No, just in general. Don't 150 00:08:13,240 --> 00:08:16,240 Speaker 1: like the Coldplay electronic and stuff. I'm like, this is 151 00:08:16,240 --> 00:08:19,640 Speaker 1: not my style anyway. I like it when Beck did 152 00:08:19,640 --> 00:08:22,040 Speaker 1: that whole like country acoustic. Yeah, me too, see changes 153 00:08:22,280 --> 00:08:24,120 Speaker 1: that was a great one changed something like that. It 154 00:08:24,200 --> 00:08:25,880 Speaker 1: also liked in his white rapper days back in the 155 00:08:25,920 --> 00:08:29,000 Speaker 1: day when we were those are those are my back picks. 156 00:08:29,480 --> 00:08:34,600 Speaker 1: The Frozen two soundtrack is out. Weezer what It's funny? Yeah, 157 00:08:34,600 --> 00:08:38,160 Speaker 1: because Weezer's on that, I'm talking about it. Weezer has 158 00:08:38,360 --> 00:08:59,920 Speaker 1: lost in the woods like good when I'm I'm a 159 00:09:00,000 --> 00:09:05,720 Speaker 1: Weezer fans. You know. Rivers Cuomo is between Rivers Cuomo 160 00:09:05,760 --> 00:09:08,840 Speaker 1: and Buddy Holly have really influenced me, going, Oh, geeks 161 00:09:08,840 --> 00:09:11,120 Speaker 1: can be cool if they just embrace their nerdiness, which 162 00:09:11,120 --> 00:09:13,000 Speaker 1: is really why I wear my glasses. I mean that 163 00:09:13,120 --> 00:09:14,880 Speaker 1: was for me when I was blind. It was like, 164 00:09:14,880 --> 00:09:17,480 Speaker 1: oh crap, I gotta wear glasses. Anybody cool wear glasses. 165 00:09:17,960 --> 00:09:22,360 Speaker 1: Love Buddy Holly and he was dead but love Weezer, 166 00:09:22,679 --> 00:09:24,240 Speaker 1: and I was like, man, those are the guys. And 167 00:09:24,320 --> 00:09:26,960 Speaker 1: so I really modeled because I was just a skinny, 168 00:09:27,000 --> 00:09:29,800 Speaker 1: dorky white guy it was. And now I'm a skinny 169 00:09:30,080 --> 00:09:33,280 Speaker 1: white man. I'm a white, skinny work of white man. Um. 170 00:09:33,920 --> 00:09:36,120 Speaker 1: The interesting thing about Weezer is, you know on their 171 00:09:36,920 --> 00:09:38,720 Speaker 1: on the Red album, do you know what that one 172 00:09:38,760 --> 00:09:41,200 Speaker 1: was called? Well, so I'll just call the Red album. 173 00:09:41,240 --> 00:09:42,920 Speaker 1: Have you ever seen the front of it before? Just 174 00:09:42,920 --> 00:09:45,600 Speaker 1: said them and it's red, okay, so every all different colors. 175 00:09:45,640 --> 00:09:48,199 Speaker 1: That one is actually not named the Red album. Do 176 00:09:48,200 --> 00:09:50,599 Speaker 1: you know what it's called? Pork and beans? Pork and 177 00:09:50,640 --> 00:09:53,719 Speaker 1: beans as a song. I don't know the album then 178 00:09:53,920 --> 00:09:56,040 Speaker 1: I thought it was called working Bean. On that record 179 00:09:56,400 --> 00:09:58,560 Speaker 1: is the only record where he tried to write like 180 00:09:58,720 --> 00:10:02,559 Speaker 1: songs about him and it was trash, and so he's 181 00:10:02,600 --> 00:10:04,200 Speaker 1: like not doing it again. So when he writes his songs, 182 00:10:04,240 --> 00:10:05,880 Speaker 1: he just writes random, weird lines and then sticks them 183 00:10:05,880 --> 00:10:08,440 Speaker 1: all together and then builds them into like super pop melodies. 184 00:10:08,480 --> 00:10:11,800 Speaker 1: It's like an Excel spreadsheet, right, Yeah, he just writes 185 00:10:11,880 --> 00:10:14,560 Speaker 1: random things. What songs will we know off that album? 186 00:10:14,880 --> 00:10:18,679 Speaker 1: Um scorcho, Yes, okay, because I do remember hearing the 187 00:10:18,679 --> 00:10:21,960 Speaker 1: story about him writing that about what about his wife? 188 00:10:22,000 --> 00:10:25,040 Speaker 1: That's about him? Yeah, him and his wife. Um so, 189 00:10:26,000 --> 00:10:29,480 Speaker 1: and then after that it was it's like, screw it. 190 00:10:29,480 --> 00:10:35,480 Speaker 1: I'm just gonna do uh, you know, songs about random 191 00:10:35,520 --> 00:10:38,600 Speaker 1: things as a fan, because I mean, we are here, 192 00:10:38,640 --> 00:10:41,920 Speaker 1: we go, here, we go up, hold on, let me 193 00:10:41,960 --> 00:10:43,599 Speaker 1: go back. I don't think Scoro was on that, No, 194 00:10:43,679 --> 00:10:46,360 Speaker 1: it wasn't. Don't look up red album, look up hold on? 195 00:10:46,800 --> 00:10:50,040 Speaker 1: Maybe his pink album. But you guys, also, I'm blind. 196 00:10:50,040 --> 00:10:53,760 Speaker 1: I'm color blind. That's quite hard on Instagram today. I've 197 00:10:53,800 --> 00:10:55,559 Speaker 1: had a kid who got color on glass started crying. 198 00:10:55,640 --> 00:10:58,679 Speaker 1: Oh yeah, it shook me a little bit. Yeah. So 199 00:10:58,720 --> 00:11:02,720 Speaker 1: when the album was Curton, yeah, okay, and maybe it 200 00:11:02,760 --> 00:11:04,959 Speaker 1: was pink. I don't know what color it was. Maybe 201 00:11:05,000 --> 00:11:06,719 Speaker 1: I just think pink. No it wasn't. It was kind 202 00:11:06,720 --> 00:11:08,240 Speaker 1: of white and black. Here you go. Yeah, there was 203 00:11:08,280 --> 00:11:14,720 Speaker 1: like a pink on that. Um. I hate using the 204 00:11:14,760 --> 00:11:16,520 Speaker 1: color blind excuse, but I'm going to on that one. 205 00:11:16,760 --> 00:11:19,280 Speaker 1: But yeah, this was the record where l Scorto was 206 00:11:19,320 --> 00:11:23,480 Speaker 1: on their pink Triangle. Anyway, they get a song on 207 00:11:23,520 --> 00:11:26,080 Speaker 1: the do you Do You Like It? That they're on 208 00:11:26,120 --> 00:11:29,720 Speaker 1: a Disney sounds. I love it, but I mean as 209 00:11:29,760 --> 00:11:31,640 Speaker 1: a fan I like your band, I don't care I 210 00:11:31,640 --> 00:11:33,280 Speaker 1: love it. I don't gonnare if John Marizon it be. 211 00:11:33,280 --> 00:11:35,040 Speaker 1: Putting on new music gives me a new chance to 212 00:11:35,080 --> 00:11:37,400 Speaker 1: say if I like it. More songs means more opportunities 213 00:11:37,440 --> 00:11:40,760 Speaker 1: for me to probably like something. Everybody, every favorite artist 214 00:11:40,800 --> 00:11:42,800 Speaker 1: that have doesn't put out everything I love anymore. Those 215 00:11:42,840 --> 00:11:45,520 Speaker 1: days are done. John may pass On, it was just okay. Recently, 216 00:11:46,000 --> 00:11:48,600 Speaker 1: I was like, yeah, okay, I listen back to it much. 217 00:11:48,960 --> 00:11:50,600 Speaker 1: But the back in the day though, where you kind 218 00:11:50,600 --> 00:11:53,440 Speaker 1: of whatever they came out with you loved. Yes, my 219 00:11:53,480 --> 00:11:55,000 Speaker 1: heart would just tell me that. It's like you're like 220 00:11:55,200 --> 00:11:56,800 Speaker 1: you build up a movie everybody and you go together 221 00:11:56,840 --> 00:11:58,040 Speaker 1: and you have to like it because you're the one 222 00:11:58,080 --> 00:11:59,959 Speaker 1: that got everybody to go. That's what it would feel like. 223 00:12:00,080 --> 00:12:02,920 Speaker 1: Get that. Um. But now I'm like, but now we're 224 00:12:02,920 --> 00:12:05,160 Speaker 1: gonna be more selective about it, and it's like, you don't. 225 00:12:05,160 --> 00:12:07,120 Speaker 1: I don't have to love everything, but the more they 226 00:12:07,120 --> 00:12:09,680 Speaker 1: put out, the odds are I'm gonna love something. I 227 00:12:09,679 --> 00:12:11,920 Speaker 1: think that's kind of my mind set with artists putting 228 00:12:11,920 --> 00:12:14,880 Speaker 1: out new music. Kasey Musgrave's on the Frozen two has 229 00:12:14,960 --> 00:12:21,080 Speaker 1: All Is Found Lost? It sounds great. That's really good 230 00:12:21,200 --> 00:12:24,640 Speaker 1: style to you compared this little bit too Civil Wars. 231 00:12:25,120 --> 00:12:27,320 Speaker 1: Oh yeah, that's how he played function. Yeah, it sounds 232 00:12:27,360 --> 00:12:29,439 Speaker 1: a bit Civil Wars issue, which, by the way, Joy 233 00:12:29,480 --> 00:12:32,040 Speaker 1: Williams somboed it for a Grammy. You guys. Yeah, it's 234 00:12:32,040 --> 00:12:36,959 Speaker 1: freaking awesome. Yeah, from Leonard Cohen. It's an album out, 235 00:12:37,080 --> 00:12:40,760 Speaker 1: fifteenth record. Let's see who cares? I have some other 236 00:12:40,800 --> 00:12:43,800 Speaker 1: people here I don't care about. By the way, Hallelujah 237 00:12:44,000 --> 00:12:47,120 Speaker 1: times too. Scary Pool Party has a new album. Do 238 00:12:47,160 --> 00:12:49,800 Speaker 1: you know who's Scary Pool Party is? It's Alejandro for 239 00:12:49,840 --> 00:12:51,680 Speaker 1: American Idol, the guy who's doing all the originals the 240 00:12:51,679 --> 00:12:54,360 Speaker 1: whole time. Really is that his band? No, that's his name, 241 00:12:55,120 --> 00:12:56,880 Speaker 1: that's like his artist. He's going under that name that 242 00:12:57,040 --> 00:13:00,000 Speaker 1: he was doing before American Idol. Did he know that? Alejandro? Yeah? 243 00:13:00,320 --> 00:13:09,520 Speaker 1: And so here is Millennial Love, which I think he 244 00:13:09,600 --> 00:13:11,439 Speaker 1: may have played this on Idol he did, yeah, yeah, 245 00:13:11,480 --> 00:13:12,920 Speaker 1: but in a weird different way. But he was like 246 00:13:13,200 --> 00:13:15,839 Speaker 1: bringing DJ tables to the whole thing. They were just 247 00:13:15,920 --> 00:13:17,240 Speaker 1: kind of like, hey, dude, you differently do whatever you 248 00:13:17,240 --> 00:13:20,480 Speaker 1: want how successful was his was was he before idle 249 00:13:20,559 --> 00:13:23,960 Speaker 1: with this? With this project? It was just played little 250 00:13:23,960 --> 00:13:26,200 Speaker 1: bars here and there. I think he had played like 251 00:13:26,280 --> 00:13:28,360 Speaker 1: bass or somebody had toured in a band that was 252 00:13:28,400 --> 00:13:31,480 Speaker 1: playing small clubs, but he really wasn't. But I don't 253 00:13:31,480 --> 00:13:33,160 Speaker 1: think that he was trying to do that though. I 254 00:13:33,160 --> 00:13:35,040 Speaker 1: think he was just like the guy that was going 255 00:13:35,040 --> 00:13:37,280 Speaker 1: to his room and nobody taught him how to play guitar. 256 00:13:37,320 --> 00:13:41,160 Speaker 1: So he played this really like odd awesome style. There's 257 00:13:41,160 --> 00:13:43,720 Speaker 1: real fingerings. Seeing that on TV pretty strange. And it 258 00:13:43,760 --> 00:13:45,680 Speaker 1: wasn't that someone showed him that. That's how he learned 259 00:13:45,679 --> 00:13:47,160 Speaker 1: how to play it, So to him that was natural. 260 00:13:47,240 --> 00:13:50,160 Speaker 1: Did you say that Ben Harper saw him and said, well, 261 00:13:50,160 --> 00:13:52,400 Speaker 1: I've never seen anything like that before, Ben Harper. He 262 00:13:52,400 --> 00:13:55,280 Speaker 1: wanted to Ben Harper's guitar store because he lives. He's 263 00:13:55,320 --> 00:13:58,440 Speaker 1: up there in that part of California, and Ben Harper 264 00:13:58,440 --> 00:13:59,880 Speaker 1: would happen to be there and what came out and 265 00:13:59,920 --> 00:14:01,920 Speaker 1: was like, I've never seen anything like this before, and 266 00:14:01,960 --> 00:14:04,040 Speaker 1: then remembered him and it came back into American with 267 00:14:04,120 --> 00:14:07,880 Speaker 1: him from someone that also has their own unique style 268 00:14:07,920 --> 00:14:11,640 Speaker 1: of playing new songs out a little big town has 269 00:14:11,640 --> 00:14:19,000 Speaker 1: a song called Sugarcoat. There you go. My friend to 270 00:14:19,280 --> 00:14:23,120 Speaker 1: actually produced the song, which was pretty cool. Maggie Rodgers 271 00:14:23,240 --> 00:14:25,800 Speaker 1: has a song called I Love You for a Long Time, 272 00:14:32,960 --> 00:14:35,840 Speaker 1: and this song from Harry Styles. I had to google 273 00:14:36,080 --> 00:14:40,200 Speaker 1: no no Shazam because it was playing like well, I 274 00:14:40,240 --> 00:14:41,560 Speaker 1: was listening now. I don't know that I loved it. 275 00:14:41,600 --> 00:14:43,280 Speaker 1: I didn't hate it, but I didn't. I was like, 276 00:14:43,760 --> 00:14:46,680 Speaker 1: is he saying watermelon sugar? That's what I thought he 277 00:14:46,680 --> 00:14:49,200 Speaker 1: was was Harry Styles. No, I didn't know who it was. 278 00:14:49,400 --> 00:14:53,200 Speaker 1: Who's talking about what sounds like watermelon sugar? And let 279 00:14:53,200 --> 00:14:55,680 Speaker 1: me just hit the button. So here's the song. Tell 280 00:14:55,720 --> 00:15:11,520 Speaker 1: me what you think you're saying? Evening it's someone dudn't 281 00:15:11,640 --> 00:15:27,480 Speaker 1: water read. I don't know watermelon sugar? Watermelon sugar? Do 282 00:15:27,520 --> 00:15:29,920 Speaker 1: you think that's what he said? What else would have 283 00:15:29,960 --> 00:15:35,040 Speaker 1: you saying the name of the song is watermelon sugar? Okaye? Like, 284 00:15:35,040 --> 00:15:38,000 Speaker 1: there's no way somebody's singing watermelon sugar. That sounds like 285 00:15:38,000 --> 00:15:41,320 Speaker 1: watermelon sugar? And hurt again. Watermelon jugar was like, sugar up, 286 00:15:42,760 --> 00:15:46,040 Speaker 1: want a man with sugar? Okay? To me? Something like 287 00:15:46,080 --> 00:15:50,160 Speaker 1: let me let me listen to it again. A sugar up. 288 00:15:50,760 --> 00:15:54,680 Speaker 1: I want a million sugar. Let me, let me listen 289 00:15:54,680 --> 00:15:57,600 Speaker 1: to it one more time. I want a lot of sugar. 290 00:15:58,000 --> 00:15:59,480 Speaker 1: Sometimes you mix it up and I was like, no way, 291 00:15:59,480 --> 00:16:02,920 Speaker 1: that's water alon sugar, watermelon sugar. And Harry Styleso got 292 00:16:02,920 --> 00:16:04,400 Speaker 1: the whole look now he looks like Elton John in 293 00:16:04,400 --> 00:16:07,800 Speaker 1: the seventies, the high waisted pants, the whole thing. A 294 00:16:07,840 --> 00:16:11,320 Speaker 1: cold dude. I don't know if he's cold dude or not, 295 00:16:11,600 --> 00:16:14,080 Speaker 1: as far as I don't know who built this image 296 00:16:14,080 --> 00:16:15,920 Speaker 1: of him, but I like this. Yeah, I mean, he 297 00:16:16,000 --> 00:16:18,440 Speaker 1: does seem like a legit artist. They have positioned to 298 00:16:18,480 --> 00:16:20,040 Speaker 1: him to seem like a legit artist. I don't know 299 00:16:20,040 --> 00:16:22,640 Speaker 1: how good he really is or not. Obviously can sing. 300 00:16:22,680 --> 00:16:24,400 Speaker 1: You don't do one of those singing reality shows and 301 00:16:24,480 --> 00:16:27,480 Speaker 1: not be really good. Um. So, uh, that's new music 302 00:16:27,480 --> 00:16:35,200 Speaker 1: out this week. You're gonna check it out, all right. 303 00:16:35,240 --> 00:16:37,000 Speaker 1: So what we're gonna do now is talking about the 304 00:16:37,040 --> 00:16:40,640 Speaker 1: Grammys that are coming up and do some predictions here. Um, 305 00:16:40,720 --> 00:16:42,560 Speaker 1: we're gonna do a few of the categories. And I'm 306 00:16:42,560 --> 00:16:44,480 Speaker 1: gonna be honest with you. Some of these artists I 307 00:16:44,480 --> 00:16:48,120 Speaker 1: do not know. And so if I mispronounced the artist, sorry, 308 00:16:48,200 --> 00:16:51,560 Speaker 1: I'm telling you right now. I don't know everybody in respect. Yeah, 309 00:16:51,600 --> 00:16:53,240 Speaker 1: I just don't know the name. I don't keep up 310 00:16:53,280 --> 00:16:56,320 Speaker 1: with everything like I used to. But we can do 311 00:16:56,640 --> 00:16:59,720 Speaker 1: country Grammys. This is the best country song there are five, 312 00:17:00,080 --> 00:17:03,640 Speaker 1: love for it. Bring my Flowers now, Tanya Tucker, bring 313 00:17:03,760 --> 00:17:11,680 Speaker 1: my flowers now while I'm living, I won't need you 314 00:17:13,480 --> 00:17:21,800 Speaker 1: and I'm going. Ashley McBride, girl going nowhere, Come do 315 00:17:22,119 --> 00:17:29,680 Speaker 1: give the bare They sit and it exactly Miranda Lambert. 316 00:17:29,680 --> 00:17:35,320 Speaker 1: It all comes out on the water. Eric Hurt some 317 00:17:35,520 --> 00:17:43,240 Speaker 1: of it. So you learn, Dan and Chase speechless. Those 318 00:17:43,240 --> 00:17:45,320 Speaker 1: are your five songs. Here's the thing about the Grammys. 319 00:17:46,720 --> 00:17:49,840 Speaker 1: It is political, but it's way more cool guy too. 320 00:17:50,720 --> 00:17:54,040 Speaker 1: Like they picked some of the most random stuff, and 321 00:17:54,280 --> 00:17:56,000 Speaker 1: if you're in with the Grammys, you tend to do 322 00:17:56,080 --> 00:17:59,440 Speaker 1: better too. So very political on that side, but they 323 00:17:59,480 --> 00:18:02,240 Speaker 1: often pick the most random stuff because that's the hoity 324 00:18:02,240 --> 00:18:06,040 Speaker 1: toity award. It is a very interesting selection that they picked. 325 00:18:08,160 --> 00:18:13,280 Speaker 1: Who wins. I would think that maybe Ashley McBride would win. 326 00:18:13,440 --> 00:18:15,560 Speaker 1: She's got a thing going right now. I think her 327 00:18:15,600 --> 00:18:17,760 Speaker 1: style is cool. I think the Grammys liked that style 328 00:18:17,880 --> 00:18:21,480 Speaker 1: and she she fits in our in our format too. 329 00:18:21,520 --> 00:18:24,560 Speaker 1: So I think she's the winner. I think that that 330 00:18:24,760 --> 00:18:28,320 Speaker 1: Tanya Tucker is very cool guy. Grammy. Well, by the way, 331 00:18:28,359 --> 00:18:31,080 Speaker 1: that's a great song too. It is a good song. 332 00:18:31,200 --> 00:18:33,960 Speaker 1: All these all these songs are wonderful, and it's cool 333 00:18:33,960 --> 00:18:36,880 Speaker 1: that she's back like that she's back, and I mean 334 00:18:36,880 --> 00:18:39,320 Speaker 1: we listen to her in the nineties and she's a contender. 335 00:18:39,359 --> 00:18:41,680 Speaker 1: That's cool to me. And Brandy Carlisle produced a record, 336 00:18:41,680 --> 00:18:44,560 Speaker 1: and Shooter Jennings too, I believe, and and Brandy's very grammy. 337 00:18:44,560 --> 00:18:47,760 Speaker 1: Brandy won the Grammy last year, So I think that's 338 00:18:47,800 --> 00:18:52,480 Speaker 1: the cool guys song. The Poppas song is Dana chet Speechless, 339 00:18:53,800 --> 00:18:56,680 Speaker 1: and then Miranda's right there too. On the popas side 340 00:18:56,680 --> 00:18:58,840 Speaker 1: of the Grammy songs, I think the one with the 341 00:18:58,880 --> 00:19:07,119 Speaker 1: perfect mix of cool guy and like contemporary is Ashley McBride. Okay, 342 00:19:07,160 --> 00:19:09,280 Speaker 1: I though you're gonna go Rick Church wouldn't be my pick, 343 00:19:10,000 --> 00:19:14,400 Speaker 1: but if I'm predicting, there's just enough cool person where 344 00:19:14,480 --> 00:19:18,879 Speaker 1: like the hipster music nerd can like Asha McBride and 345 00:19:18,920 --> 00:19:21,640 Speaker 1: not feel like they're being shame and also the contemporary 346 00:19:21,640 --> 00:19:26,320 Speaker 1: person can go I like Ashton McBride too, so uh, 347 00:19:26,400 --> 00:19:28,439 Speaker 1: Asher mcbridan, Rick Church have the same management as well. 348 00:19:28,880 --> 00:19:33,240 Speaker 1: I didn't know that Church, Uh, Brothers, Osborne, Ashton McBride 349 00:19:34,320 --> 00:19:37,320 Speaker 1: all same management. Do you feel like being in country music? 350 00:19:37,359 --> 00:19:38,919 Speaker 1: You feel like it's kind of hard to get a 351 00:19:38,960 --> 00:19:42,440 Speaker 1: good grip on what everyone else in the country thinks, 352 00:19:42,560 --> 00:19:45,000 Speaker 1: other genres think about country music and who would win 353 00:19:45,040 --> 00:19:48,360 Speaker 1: something like this, Like because the Grammy Committee is I mean, 354 00:19:48,359 --> 00:19:52,000 Speaker 1: they're all, yeah, so I'm a Grammy voter, and you're 355 00:19:52,040 --> 00:19:54,840 Speaker 1: talking like people from South America, people, I mean, people 356 00:19:54,840 --> 00:19:57,000 Speaker 1: from all over the world. Well, here's what happens, mostly 357 00:19:57,440 --> 00:19:59,920 Speaker 1: from my experience, is that people that don't know, don't 358 00:20:00,040 --> 00:20:02,600 Speaker 1: of care, and don't vote, really don't put the time 359 00:20:02,600 --> 00:20:04,720 Speaker 1: into it. Even the voting. They they're like, you have 360 00:20:04,760 --> 00:20:06,760 Speaker 1: to vote an X amount of categories and you just go, well, 361 00:20:06,800 --> 00:20:10,520 Speaker 1: here's the ones I know in the restaurants, like yeah 362 00:20:10,920 --> 00:20:13,760 Speaker 1: and so yes. But I would say the same thing 363 00:20:13,760 --> 00:20:15,800 Speaker 1: about hip hop. I would say same thing about any 364 00:20:15,880 --> 00:20:20,119 Speaker 1: genre is that unless you're in it, you really don't know. 365 00:20:20,240 --> 00:20:23,320 Speaker 1: Like when big baby, who's the baby baby, what's his name? 366 00:20:23,400 --> 00:20:28,399 Speaker 1: My baby, the biggest, the biggest guy, I don't know, 367 00:20:28,480 --> 00:20:30,840 Speaker 1: crap a bottom because I'm not over there, right, there's 368 00:20:30,840 --> 00:20:33,600 Speaker 1: a lot of that in all the formats. Um but yeah, 369 00:20:33,640 --> 00:20:36,240 Speaker 1: I think a bit. But I think the Grammys will 370 00:20:36,280 --> 00:20:40,520 Speaker 1: also look and see there's also a narrative happening behind 371 00:20:40,520 --> 00:20:42,960 Speaker 1: the scenes with them too, people that the cool guys 372 00:20:42,960 --> 00:20:46,600 Speaker 1: want to see when like Dana Shay probably should win, 373 00:20:46,680 --> 00:20:49,120 Speaker 1: but they won't because they're two pop and too contemporary. 374 00:20:49,640 --> 00:20:52,080 Speaker 1: That's just that's my opinion. I'm gonna pick actual McBride 375 00:20:52,080 --> 00:20:54,760 Speaker 1: with you. She's the perfect mix for that category. What 376 00:20:54,800 --> 00:20:56,679 Speaker 1: about the connection you were saying with If you're in 377 00:20:56,680 --> 00:21:00,720 Speaker 1: with the Grammys like Brandy Carlyle, that help. Tucker definitely 378 00:21:00,720 --> 00:21:03,600 Speaker 1: helps because most everybody knows that Brandy is part of 379 00:21:03,640 --> 00:21:06,480 Speaker 1: that record. I can tell you my experience whenever Our 380 00:21:06,560 --> 00:21:09,160 Speaker 1: Kids record was put on the first ballot at the Grammys, 381 00:21:09,480 --> 00:21:11,119 Speaker 1: they were like, you're not gonna win your first year 382 00:21:11,160 --> 00:21:12,720 Speaker 1: doing it. You don't know enough people at the Grammy. 383 00:21:12,760 --> 00:21:14,879 Speaker 1: You're not even gonna get to the next round. And 384 00:21:14,920 --> 00:21:16,600 Speaker 1: I was like, I was like, wait, what they're like, 385 00:21:16,640 --> 00:21:19,879 Speaker 1: unless you're super famous and that you're undeniable like Lizzo, 386 00:21:20,560 --> 00:21:22,280 Speaker 1: that they're not gonna put you through unless you have 387 00:21:22,320 --> 00:21:25,160 Speaker 1: a history with them or somebody on your team as 388 00:21:25,160 --> 00:21:27,120 Speaker 1: a history with them, so that doesn't give the Tania 389 00:21:27,160 --> 00:21:30,359 Speaker 1: Tucker spot a bump. But I'm with you. I think 390 00:21:31,840 --> 00:21:35,960 Speaker 1: the coolest and most contemporary middle ground is Ashley McBride. 391 00:21:36,600 --> 00:21:40,120 Speaker 1: By the way, all these are deserving. We're not talking 392 00:21:40,200 --> 00:21:42,160 Speaker 1: bad about any of these songs that we're gonna talk about, 393 00:21:42,280 --> 00:21:43,680 Speaker 1: but just because we kind of walk off of it 394 00:21:43,720 --> 00:21:47,920 Speaker 1: pretty quick, um just means in this conversation, it's not wonderful. 395 00:21:48,440 --> 00:21:53,680 Speaker 1: Best country album Eric Church Desperate Man? What can I say? 396 00:21:54,280 --> 00:21:58,880 Speaker 1: You love this album Desperate Remain? You know? And I'm 397 00:21:58,880 --> 00:22:02,439 Speaker 1: a quiet Eric Church guy because I respect real Eric 398 00:22:02,520 --> 00:22:05,320 Speaker 1: Church guys so much. It's like real real fans. Yeah. 399 00:22:05,520 --> 00:22:07,040 Speaker 1: And when I say Church guy, could be a guy 400 00:22:07,119 --> 00:22:08,879 Speaker 1: or girl, but like Eric Church guy, it's just that 401 00:22:08,960 --> 00:22:12,280 Speaker 1: die hard fan. It's so, you know, I don't want 402 00:22:12,280 --> 00:22:13,720 Speaker 1: the fact that I like to listen to Eric Church 403 00:22:13,760 --> 00:22:16,160 Speaker 1: because I can't claim to be one of the hardcores 404 00:22:16,480 --> 00:22:20,000 Speaker 1: because he's got some really hardcore people. Um. Raven McIntyre 405 00:22:20,080 --> 00:22:28,000 Speaker 1: is stronger than the Truth Sound, prist Lands have, Interstate Gospel, 406 00:22:29,359 --> 00:22:35,239 Speaker 1: Almost Read has Center Point Road, and Tanya Tucker has 407 00:22:35,280 --> 00:22:38,919 Speaker 1: while I'm living my flowers. Now I'm gonna have to 408 00:22:38,920 --> 00:22:41,280 Speaker 1: download this song though, because it is all you with 409 00:22:41,320 --> 00:22:46,720 Speaker 1: two nominations great, Oh no, she has more coming. Don't worry. 410 00:22:46,760 --> 00:22:50,080 Speaker 1: I don't worry some more. We're not done. Best Country Album, Eddie. 411 00:22:50,600 --> 00:22:52,600 Speaker 1: I feel kind of a cop out on this one 412 00:22:52,640 --> 00:22:55,160 Speaker 1: because I don't listen to albums. I guess the only 413 00:22:55,160 --> 00:22:57,360 Speaker 1: way that I would I would really, folks, don't that's 414 00:22:57,359 --> 00:22:59,080 Speaker 1: not a cop out. I would judge it maybe a 415 00:22:59,080 --> 00:23:01,600 Speaker 1: little bit by who has the most hits off the 416 00:23:01,600 --> 00:23:06,000 Speaker 1: album I'll good Thomas Rhett m hm. Well, I think 417 00:23:06,000 --> 00:23:08,600 Speaker 1: this is either the Tanya Tucker the time for her 418 00:23:08,640 --> 00:23:11,359 Speaker 1: to hit it because BRANDI produced the whole album Brandy 419 00:23:11,359 --> 00:23:15,280 Speaker 1: and Shooter, or Eric Church is up there too, and 420 00:23:15,359 --> 00:23:17,119 Speaker 1: you you you've been talking about that album since it 421 00:23:17,160 --> 00:23:19,879 Speaker 1: came out. Well and everyone has. The Album of the 422 00:23:19,960 --> 00:23:23,080 Speaker 1: Year this year was given to Marin Good Album. I 423 00:23:23,200 --> 00:23:26,520 Speaker 1: voted for Church and I probably I'm probably send the 424 00:23:26,600 --> 00:23:28,640 Speaker 1: Church a little bit more than Mary and they're good albums. 425 00:23:29,119 --> 00:23:34,400 Speaker 1: Um listen a list of the Thomas short record bot 426 00:23:34,840 --> 00:23:37,400 Speaker 1: more than the other two. But I just think he's 427 00:23:37,720 --> 00:23:39,919 Speaker 1: too pop to probably win this thing unless he can 428 00:23:39,960 --> 00:23:41,600 Speaker 1: get some kind of voting block. So who are you 429 00:23:41,600 --> 00:23:45,320 Speaker 1: going with? Tanya Tucker. All right, I'll go to Tanya 430 00:23:45,320 --> 00:23:48,240 Speaker 1: Tucker on this one. I just I can't see Rebo 431 00:23:48,320 --> 00:23:55,680 Speaker 1: winning it or pistol Ani's, but I think Rhett, Eric 432 00:23:55,720 --> 00:23:57,679 Speaker 1: Church and Tanya Tucker could could win it. And I 433 00:23:57,760 --> 00:23:59,360 Speaker 1: just if I winning doesn't mean it's not good enough. 434 00:23:59,359 --> 00:24:02,359 Speaker 1: It means right, voting, block the right people have to 435 00:24:02,400 --> 00:24:04,760 Speaker 1: line up and vote for you, make calls, you know 436 00:24:04,840 --> 00:24:07,000 Speaker 1: who's produced the record. That's all a part of this, 437 00:24:07,000 --> 00:24:08,840 Speaker 1: this this thing, right and out of all this good 438 00:24:08,920 --> 00:24:11,000 Speaker 1: music with somebody's gonna win, you gotta pick a winner. 439 00:24:11,680 --> 00:24:15,240 Speaker 1: Best Country Solo Performance. I don't really know what this means. 440 00:24:15,359 --> 00:24:17,920 Speaker 1: By the way, solo performance is it just them playing 441 00:24:17,920 --> 00:24:22,080 Speaker 1: with nothing else? Can you define? What? Is it? Just 442 00:24:22,520 --> 00:24:26,160 Speaker 1: a song that a solo artist does? I believe it's 443 00:24:26,200 --> 00:24:29,240 Speaker 1: just a song from the solo artist. So bands can't 444 00:24:29,240 --> 00:24:32,720 Speaker 1: be put in their category, so then they have duo 445 00:24:32,800 --> 00:24:38,119 Speaker 1: or group. Okay, so it's just an artist award a 446 00:24:38,160 --> 00:24:41,119 Speaker 1: single solo artist songs. Here are there any bands on 447 00:24:41,119 --> 00:24:42,719 Speaker 1: the list. I think it should have to be just 448 00:24:42,800 --> 00:24:45,600 Speaker 1: them singing with one their only their instrument. We should 449 00:24:45,640 --> 00:24:48,560 Speaker 1: make this a little harder because it doesn't so who 450 00:24:48,600 --> 00:24:50,520 Speaker 1: would win something like who would be nominated for something 451 00:24:50,520 --> 00:24:53,480 Speaker 1: like that, just them in their instrument Chris Chris Stapleton, 452 00:24:53,680 --> 00:24:59,400 Speaker 1: Stapleton Church Yeah, oh yeah, Um, who could just play 453 00:24:59,400 --> 00:25:04,119 Speaker 1: acoustic once and and crush it? Um like they have 454 00:25:04,160 --> 00:25:06,679 Speaker 1: to play their own instruments thinking about that, have to 455 00:25:06,760 --> 00:25:11,399 Speaker 1: sing and play their own instrument Oh, Keith Urban talking 456 00:25:11,400 --> 00:25:15,360 Speaker 1: about it would dominate this this category. Yeah, but you're not. Also, 457 00:25:15,359 --> 00:25:17,800 Speaker 1: you're not looking for the best instrument instrumentalist. Yeah, but 458 00:25:17,880 --> 00:25:20,720 Speaker 1: I mean he is the best, one of the best instrumentalists, 459 00:25:20,720 --> 00:25:22,639 Speaker 1: and he can sing. Put him up there by himself 460 00:25:22,640 --> 00:25:27,240 Speaker 1: with a guitar. The winner. I think Ashena McBride's pretty 461 00:25:27,280 --> 00:25:30,040 Speaker 1: solid play acoustic because she's so big and bold and 462 00:25:30,040 --> 00:25:32,960 Speaker 1: her voice is so big, you know. Um okay, best 463 00:25:33,000 --> 00:25:40,359 Speaker 1: country solo performance, Um, Tyler Childers all your manly, ma 464 00:25:40,600 --> 00:26:01,320 Speaker 1: on down, you're bounding. Actually McBride girl going No, I 465 00:26:01,359 --> 00:26:02,919 Speaker 1: didn't even notice she was. I didn't look at it. 466 00:26:03,000 --> 00:26:12,000 Speaker 1: Here Willie Nelson, Ride me back home, Ride me back 467 00:26:12,040 --> 00:26:17,520 Speaker 1: home to a little much better place. It's cool to 468 00:26:17,520 --> 00:26:19,159 Speaker 1: see that picture of you and Willie at the c 469 00:26:19,320 --> 00:26:22,200 Speaker 1: M as he's struggling. Very cool moment. But yeah, I 470 00:26:22,240 --> 00:26:25,560 Speaker 1: did I mean I did see that. He's just I 471 00:26:25,600 --> 00:26:30,639 Speaker 1: know he's been dealing with them breathing problems, but and 472 00:26:30,760 --> 00:26:32,760 Speaker 1: I saw it firsthand and it just didn't it didn't 473 00:26:32,800 --> 00:26:39,320 Speaker 1: look good. No, Blake Shelton, God's Country, Danya Tucker, bring 474 00:26:39,400 --> 00:26:43,680 Speaker 1: my flowers, now, flowers. There's your other one, your other 475 00:26:43,720 --> 00:26:49,440 Speaker 1: Changa Tucking. Oh there's more. You saw Blake one on 476 00:26:49,520 --> 00:26:53,720 Speaker 1: one guitar. What was that like? Oh, I went to 477 00:26:53,760 --> 00:26:57,000 Speaker 1: his ranch? Are you talking about? I mean really good. 478 00:26:57,960 --> 00:27:00,800 Speaker 1: Blake sinks really high to Blake's want of those deceiving 479 00:27:00,880 --> 00:27:02,600 Speaker 1: singers that you don't know is a really good singer 480 00:27:02,640 --> 00:27:05,200 Speaker 1: because he does so much other stuff. It's like, I 481 00:27:05,200 --> 00:27:08,320 Speaker 1: would compared to Tim McGraw because when McGraw comes in 482 00:27:08,359 --> 00:27:11,960 Speaker 1: and sings heat, when he sings it's so high. Yeah, yeah, 483 00:27:11,960 --> 00:27:14,640 Speaker 1: you can really sing high. And with Blake too. Blake 484 00:27:14,680 --> 00:27:16,320 Speaker 1: gets up there pretty high and you're like, oh wow, 485 00:27:16,359 --> 00:27:18,320 Speaker 1: you forget because he's funny and he's on the voice. 486 00:27:18,680 --> 00:27:22,119 Speaker 1: And both those guys don't talk high. They have regular, normal, 487 00:27:22,200 --> 00:27:24,520 Speaker 1: deep voices. And listen to Blake sing God's Country here, 488 00:27:24,560 --> 00:27:30,959 Speaker 1: This is a clip of that's on again. I mean, 489 00:27:31,000 --> 00:27:35,160 Speaker 1: he's going at it this I baptized and holy water 490 00:27:35,280 --> 00:27:39,960 Speaker 1: and shine with the dog and you go ahead. The 491 00:27:40,080 --> 00:27:43,480 Speaker 1: best country solo performance, the Cool Award would probably go 492 00:27:43,520 --> 00:27:48,760 Speaker 1: to Tyler Childers. I don't know him. I've heard of him, Kentucky, 493 00:27:49,680 --> 00:27:51,720 Speaker 1: UM a lot of people American. I don't sing him. 494 00:27:52,520 --> 00:27:53,960 Speaker 1: He's good. I mean, like, you know, he's one of 495 00:27:54,000 --> 00:27:56,160 Speaker 1: those guys that preaches on real country. But I feel 496 00:27:56,160 --> 00:27:58,320 Speaker 1: like anybody that preaches the real country isn't real touchy 497 00:27:58,359 --> 00:28:01,679 Speaker 1: because country, real country doesn't talk about how country they are. 498 00:28:01,960 --> 00:28:03,840 Speaker 1: Real countries like a good fight. It's a great point. 499 00:28:04,040 --> 00:28:05,680 Speaker 1: A good fighter doesn't talking about how you can beat 500 00:28:05,720 --> 00:28:08,159 Speaker 1: people up. A good fighter just does his own business 501 00:28:08,240 --> 00:28:11,360 Speaker 1: and be a good golfer, doesn't go I'm a scratch golfer. 502 00:28:11,880 --> 00:28:15,239 Speaker 1: He just doesn't deal. And he is real country, by 503 00:28:15,240 --> 00:28:18,639 Speaker 1: the way. But there's a lot of people that I 504 00:28:18,640 --> 00:28:20,600 Speaker 1: consider they grew up real country and play real country 505 00:28:20,640 --> 00:28:22,439 Speaker 1: that also infused a bunch of pop elements in their 506 00:28:22,520 --> 00:28:25,480 Speaker 1: music too. But anybody that talks about how real country 507 00:28:25,480 --> 00:28:26,880 Speaker 1: they are, I just roll my eyes at because people 508 00:28:26,880 --> 00:28:28,159 Speaker 1: that are real country don't have to talk about how 509 00:28:28,200 --> 00:28:30,000 Speaker 1: real country they are. But I do like his music. 510 00:28:30,240 --> 00:28:32,520 Speaker 1: I'm gonna go with Willie Nelson. I'm gonna go Willie 511 00:28:32,520 --> 00:28:34,680 Speaker 1: because I love Willie and I think that it's time 512 00:28:34,720 --> 00:28:36,600 Speaker 1: to give him a Grammy. I don't know, I don't 513 00:28:36,600 --> 00:28:37,760 Speaker 1: have one. I don't know if he doesn't have one 514 00:28:37,840 --> 00:28:41,040 Speaker 1: or not, but you have looked that up. I'm gonna 515 00:28:41,160 --> 00:28:42,800 Speaker 1: you know, I'm gonna go against everything I've ever said. 516 00:28:42,840 --> 00:28:44,840 Speaker 1: I think Blake Shelton is gonna win this one. Wow, 517 00:28:45,520 --> 00:28:52,800 Speaker 1: that God's Country is just a massive song, massive song. Yeah. Uh, 518 00:28:52,920 --> 00:28:56,800 Speaker 1: Devin Dawson. I think Devin Dawson maybe hardy to Yeah, 519 00:28:56,880 --> 00:28:59,800 Speaker 1: hardy hard write this, I think. And Willie Nelson has 520 00:28:59,880 --> 00:29:03,200 Speaker 1: not Grammys. Yeah, we'll give him another one. Double ditch 521 00:29:03,240 --> 00:29:09,800 Speaker 1: it Best Country performance by a duo or group, Brand 522 00:29:09,800 --> 00:29:13,480 Speaker 1: New Man Brooks and Done. Luke Coma, Oh I love this. 523 00:29:13,480 --> 00:29:15,720 Speaker 1: This is why they did the whole reboot record. It 524 00:29:15,880 --> 00:29:18,520 Speaker 1: was Luke Combs in this song and they were like, 525 00:29:18,520 --> 00:29:20,800 Speaker 1: oh this is cool. Would get everybody the whole record. 526 00:29:21,520 --> 00:29:26,640 Speaker 1: Brother's Osborne, I don't remember me before you, Dan and 527 00:29:26,720 --> 00:29:33,000 Speaker 1: Jay Speachless A Little Big Town, the Daughter and your 528 00:29:33,240 --> 00:29:39,800 Speaker 1: Marion Morris and Brandy Carlyle comment did they win because 529 00:29:39,840 --> 00:29:42,440 Speaker 1: Brandy's on that song? I mean I think so. I'm 530 00:29:42,480 --> 00:29:44,440 Speaker 1: really brand crazy. I think so too. I think they 531 00:29:44,440 --> 00:29:47,120 Speaker 1: win just because Brandy's on that song. And I love 532 00:29:47,160 --> 00:29:50,320 Speaker 1: Brandy Carlisle, Love Brandy Carlisle, but there's a lot of 533 00:29:50,440 --> 00:29:53,560 Speaker 1: for sure, the Grammy loves Brandy Carlisle. Yeah, and she 534 00:29:53,720 --> 00:29:57,480 Speaker 1: fits what the Grammy's like to do you know? Yeah, 535 00:29:57,560 --> 00:30:00,560 Speaker 1: I'm with you. Uh, okay, there you go. Let me 536 00:30:01,280 --> 00:30:03,560 Speaker 1: we all rolled through for these other things. Real quick 537 00:30:04,520 --> 00:30:08,280 Speaker 1: Album of the Year, Bonaver Lanta, del Rey, Billie Eilish, 538 00:30:08,320 --> 00:30:12,000 Speaker 1: Ariana Gran Date, Her Little nos X, Lizzo, Vampire Weekend. 539 00:30:12,760 --> 00:30:17,240 Speaker 1: I mean, I mean she's dominating right now. It'll be 540 00:30:17,400 --> 00:30:23,479 Speaker 1: Lizzo or somebody that's super weird like Bonaver Lizza just 541 00:30:23,720 --> 00:30:25,560 Speaker 1: shot out of a cannon this year. Oh do you 542 00:30:25,600 --> 00:30:30,040 Speaker 1: have these clips? I love this yellow giving you a second? 543 00:30:30,280 --> 00:30:31,880 Speaker 1: How do I pronout? How do you pronounce this? Mike 544 00:30:31,880 --> 00:30:38,280 Speaker 1: b love like pronouncing it dude as Mike, just to 545 00:30:38,280 --> 00:30:43,120 Speaker 1: make sure not bon Iver. You know what however you want? 546 00:30:43,160 --> 00:30:45,280 Speaker 1: He's not American. I think blame it on the accent. 547 00:30:45,360 --> 00:30:48,800 Speaker 1: I love this dude's music. Let's go over the song 548 00:30:48,880 --> 00:30:51,760 Speaker 1: of the Year. Why are some of these yellowness? I'm 549 00:30:51,760 --> 00:30:53,719 Speaker 1: not Mike. I printed that before I put all that's 550 00:30:53,720 --> 00:30:56,080 Speaker 1: who he voted for. Oh that's why I didn't throw 551 00:30:56,160 --> 00:30:59,840 Speaker 1: those other ones. Let's do Song of the Year Lady Gaga, 552 00:31:00,440 --> 00:31:06,760 Speaker 1: always remember us this way. From the movie Ukstar Was Born, 553 00:31:07,680 --> 00:31:10,440 Speaker 1: Lorter McKenna wrote, there, I like country lady guy got 554 00:31:10,440 --> 00:31:12,959 Speaker 1: more than any other Lady guy got. I do Country 555 00:31:13,000 --> 00:31:16,480 Speaker 1: Gaga because she was this this. All the music is 556 00:31:16,480 --> 00:31:19,880 Speaker 1: great from this and even when she did not Joe Lean. 557 00:31:20,000 --> 00:31:23,000 Speaker 1: But what was the song that she did with Hilary 558 00:31:23,080 --> 00:31:25,680 Speaker 1: Lendy think background but she wore the big hat. Maybe 559 00:31:25,680 --> 00:31:29,360 Speaker 1: the record was called don't record it was Yeah, I 560 00:31:29,440 --> 00:31:33,320 Speaker 1: like country Lady Gaga. Um, so that's up for Song 561 00:31:33,360 --> 00:31:41,800 Speaker 1: of the Year. Billie Eilish, Bad Guy in the Magnet Enough, 562 00:31:42,840 --> 00:31:47,240 Speaker 1: Danya Tucker bring my flowers there, Song of the Year, 563 00:31:48,680 --> 00:32:00,040 Speaker 1: Her Hard Place, Taylor Swift, Lover Lanta del rey A 564 00:32:00,400 --> 00:32:08,840 Speaker 1: Norma Eiffing rock Well Little censored, the title censored, Laura's 565 00:32:09,040 --> 00:32:12,120 Speaker 1: Paul I was gonna be Louis Capaldi. I need somebody, 566 00:32:13,440 --> 00:32:22,440 Speaker 1: like somebody, somebody, somebody, it's easy to see and Lizz 567 00:32:23,080 --> 00:32:29,520 Speaker 1: Hurt got right. Don't as a lot ready A lot 568 00:32:29,520 --> 00:32:31,600 Speaker 1: of those options there do you remember back like twenty 569 00:32:31,600 --> 00:32:33,600 Speaker 1: minutes ago, I started with Lady Gaga. Okay, No, I 570 00:32:33,600 --> 00:32:36,120 Speaker 1: mean I go to Lizzo just because I feel like 571 00:32:36,120 --> 00:32:38,040 Speaker 1: it's going to be the year Lizzo carries out like 572 00:32:38,320 --> 00:32:41,120 Speaker 1: a bunch of awards Best New Artists. Do you have 573 00:32:41,120 --> 00:32:44,280 Speaker 1: any Black Pumas. They're from Austin apparently, Okay, so, I 574 00:32:44,320 --> 00:32:50,640 Speaker 1: don't know that. I don't know about this either. What 575 00:32:50,800 --> 00:32:53,400 Speaker 1: I like black Pumas. I think it sounds like from 576 00:32:53,440 --> 00:32:57,239 Speaker 1: this Cuffle one song. I would like black Pomas. They 577 00:32:57,320 --> 00:32:59,120 Speaker 1: probably have a big band, huh. I think it's just 578 00:32:59,160 --> 00:33:01,440 Speaker 1: two dudes to guys, two main guys. They may have 579 00:33:01,480 --> 00:33:03,360 Speaker 1: like a backing band, but the main guys with two 580 00:33:03,440 --> 00:33:07,240 Speaker 1: dudes still check them out on the Best of Artist 581 00:33:07,240 --> 00:33:15,280 Speaker 1: Black Pumas, Billie Eilish, Little Nozack, don't don't you Lizzo 582 00:33:15,920 --> 00:33:24,600 Speaker 1: right so got him? Maggie Rogers Rosalia. I don't know, 583 00:33:24,640 --> 00:33:27,560 Speaker 1: but I love it. Not for me. Do you like 584 00:33:27,640 --> 00:33:31,600 Speaker 1: that your la? I guess it's in my blood. I 585 00:33:31,640 --> 00:33:35,560 Speaker 1: just love this stuff. Is somebody called Tanking the Bengas nice. 586 00:33:37,000 --> 00:33:43,720 Speaker 1: Do you know what this is? Mike, I don't know, Yola. 587 00:33:44,520 --> 00:33:46,520 Speaker 1: There are four artists on that. I've never heard of 588 00:33:48,000 --> 00:33:52,200 Speaker 1: black Pumas Rosalia taking the Bengas and Yola I'm not 589 00:33:52,240 --> 00:33:55,760 Speaker 1: even acting, not even never heard of him. But that 590 00:33:55,800 --> 00:33:58,600 Speaker 1: shows you what the Grammys are looking for. And I'm 591 00:33:58,600 --> 00:34:01,520 Speaker 1: not saying they're not awesome, but I do love that 592 00:34:01,560 --> 00:34:05,120 Speaker 1: there's an awesome van in there. Uh do you think 593 00:34:05,120 --> 00:34:07,840 Speaker 1: Best New Artists could could be Lila's X because it 594 00:34:07,880 --> 00:34:11,000 Speaker 1: was just so revolutionary. But Maggie Rodgers is the cool 595 00:34:11,440 --> 00:34:16,719 Speaker 1: pop girl? Yeah, for sure, pop Ankle obviously, Lizzo, Eddie, 596 00:34:16,719 --> 00:34:20,000 Speaker 1: make your pick. Lizzo takes another one. I'm gonna go 597 00:34:20,120 --> 00:34:22,799 Speaker 1: not for Best New Artist. I'm gonna go Best New Artist. 598 00:34:24,360 --> 00:34:27,279 Speaker 1: Maggie Rodgers. There it is down. That's they That's that's like. 599 00:34:27,280 --> 00:34:29,640 Speaker 1: I'm like, I'm committing to something that's a hot take. 600 00:34:29,680 --> 00:34:32,520 Speaker 1: I like it. I just think that she is like 601 00:34:32,640 --> 00:34:36,600 Speaker 1: the intellectuals pop star. How you feel like that comparison, Mike, 602 00:34:36,640 --> 00:34:39,759 Speaker 1: that's a pretty good comparison. She's the intellectuals pop star. 603 00:34:40,640 --> 00:34:44,000 Speaker 1: Music News this week Luke holmbs earns number one record 604 00:34:44,239 --> 00:34:46,000 Speaker 1: and by the way, he had a number one country record, 605 00:34:46,000 --> 00:34:47,680 Speaker 1: but this is the first time he's ever had the 606 00:34:47,800 --> 00:34:50,600 Speaker 1: number one all genre record. That's awesome. The big differ. 607 00:34:51,680 --> 00:34:55,280 Speaker 1: So Luke holmbs number one record hundred seventy two thousand copies. 608 00:34:56,760 --> 00:35:01,040 Speaker 1: Let's see here, Number two post malow Own still still 609 00:35:01,160 --> 00:35:03,359 Speaker 1: huh Yeah. This is my these favorite artists of all times. 610 00:35:03,760 --> 00:35:06,400 Speaker 1: It's been like top three for the last since it 611 00:35:06,480 --> 00:35:09,319 Speaker 1: came out. Hollywood Bleeding for post Melons number two and 612 00:35:09,520 --> 00:35:15,200 Speaker 1: a Young Boy Too? Is there a a m boy one? Yeah? No, wait, wait, 613 00:35:15,239 --> 00:35:18,040 Speaker 1: which was his name? The name is the young His 614 00:35:18,120 --> 00:35:20,440 Speaker 1: name is young Boy Never Broke Again. I get confused 615 00:35:20,480 --> 00:35:23,560 Speaker 1: with some of these artists too. Which what's the name name? Okay, 616 00:35:23,560 --> 00:35:26,160 Speaker 1: his name name? I guess this young boy Never Broken Again? 617 00:35:26,480 --> 00:35:29,040 Speaker 1: All right? His mom gave him two middle names, never 618 00:35:29,120 --> 00:35:33,680 Speaker 1: end broke. So it's weird, it's dope. They're like, hey, 619 00:35:33,680 --> 00:35:36,799 Speaker 1: the again family is coming over for dinner. So it's 620 00:35:36,840 --> 00:35:38,879 Speaker 1: the boy with the two middle names. Oh you mean 621 00:35:38,920 --> 00:35:45,279 Speaker 1: young Boy Never Broken Again? He's welcome. And six. You 622 00:35:45,719 --> 00:35:49,480 Speaker 1: know these stupid songs from TikTok. When you play that, 623 00:35:49,560 --> 00:35:53,319 Speaker 1: I go I've heard that on TikTok. Young Boy Never 624 00:35:53,320 --> 00:35:56,640 Speaker 1: Broke Again is the number three with a Young Boy too? Um? 625 00:35:56,800 --> 00:35:58,760 Speaker 1: Did you see the cold Play story about them touring 626 00:35:59,040 --> 00:36:01,280 Speaker 1: came out this week. They're not gonna tour anymore because 627 00:36:01,440 --> 00:36:04,440 Speaker 1: until they can figure out how to tour carbon neutral, 628 00:36:04,760 --> 00:36:08,200 Speaker 1: they're not going to tour. What is just they're trying 629 00:36:08,239 --> 00:36:11,920 Speaker 1: to not pollute basically okay, basically you're the owl. Give 630 00:36:11,920 --> 00:36:15,640 Speaker 1: a hoot, don't pollute. Wow, Coldplay is breaking from touring 631 00:36:15,719 --> 00:36:18,360 Speaker 1: until they can be environmentally friendly. The whole story with 632 00:36:18,440 --> 00:36:21,480 Speaker 1: Chris Martin was, so we're gonna take take time over 633 00:36:21,480 --> 00:36:25,320 Speaker 1: the next couple of years, and not only to be sustainable, 634 00:36:25,320 --> 00:36:27,000 Speaker 1: where everything they're putting out this bad. They will do 635 00:36:27,000 --> 00:36:30,080 Speaker 1: something good, make it even that's carbon neutral, but to 636 00:36:30,239 --> 00:36:33,200 Speaker 1: also be actively beneficial and to figure that out. How 637 00:36:33,280 --> 00:36:36,280 Speaker 1: lucky of them to be able to do something like that, 638 00:36:36,680 --> 00:36:38,759 Speaker 1: I mean, they they're just good. They're able to do 639 00:36:38,840 --> 00:36:40,799 Speaker 1: something like that. Most artists like we have to tour. 640 00:36:40,920 --> 00:36:44,120 Speaker 1: I'm sorry rich right now, so rich. They're able to 641 00:36:44,120 --> 00:36:46,399 Speaker 1: do something like that and they do care to the care. 642 00:36:47,160 --> 00:36:49,560 Speaker 1: They do care, but they're able to care and they 643 00:36:49,560 --> 00:36:53,000 Speaker 1: can just keep making money too. Yes, Coldplay has that 644 00:36:53,040 --> 00:36:55,320 Speaker 1: new album out, DAG. I thought they were coming to Nashville. 645 00:36:56,040 --> 00:36:57,799 Speaker 1: Um only if they can they can get on a 646 00:36:57,800 --> 00:37:03,280 Speaker 1: pedal boat figure something out. With the run the Hamster 647 00:37:03,280 --> 00:37:07,120 Speaker 1: will underneath them in I'll figure something out. Motley Crue 648 00:37:07,120 --> 00:37:08,920 Speaker 1: is getting back together and touring with Deaf Leppard and 649 00:37:08,920 --> 00:37:11,799 Speaker 1: Poison next year. Would you go to that? But you 650 00:37:11,840 --> 00:37:14,479 Speaker 1: know there's you know, there's a big group of people 651 00:37:14,520 --> 00:37:18,680 Speaker 1: that would Can you imagine a big group of people cool? 652 00:37:18,680 --> 00:37:23,319 Speaker 1: Here is gonna be on? Man? Yeah, I don't know 653 00:37:23,360 --> 00:37:25,640 Speaker 1: if that's for me. I used to love going seeing 654 00:37:25,640 --> 00:37:27,560 Speaker 1: like Eddie, we're just one generation away from Oh. I 655 00:37:27,600 --> 00:37:30,799 Speaker 1: know this because because I love these bands. In ten 656 00:37:30,880 --> 00:37:33,160 Speaker 1: years they're gonna be some idiots on a podcast going 657 00:37:33,640 --> 00:37:36,600 Speaker 1: Can you believe somebody's going to watch the Food Fighters 658 00:37:36,640 --> 00:37:46,239 Speaker 1: and Pearl Jam with Ben Folds and Loving Life. So yeah, 659 00:37:46,239 --> 00:37:48,399 Speaker 1: they're heading out. They I think Motley Crue had signed 660 00:37:48,400 --> 00:37:50,319 Speaker 1: a contract to say they would never tour Mike's head 661 00:37:50,360 --> 00:37:52,720 Speaker 1: Story here and there. They're not going to tour anymore, 662 00:37:52,960 --> 00:37:55,560 Speaker 1: tour that one up and so. But but they're back. 663 00:37:55,640 --> 00:37:57,440 Speaker 1: They must make a lot of money because a lot 664 00:37:57,520 --> 00:38:00,439 Speaker 1: of their fans then now are probably I mean they've 665 00:38:00,480 --> 00:38:03,799 Speaker 1: got money now. All the doctors and lawyers come out 666 00:38:04,360 --> 00:38:10,800 Speaker 1: have a time of their life. Back at two thousand fourteen, 667 00:38:11,040 --> 00:38:13,040 Speaker 1: Nikki six said The only way they would avoid that 668 00:38:13,080 --> 00:38:15,480 Speaker 1: agreement they all signed would be all four members to agree. 669 00:38:15,760 --> 00:38:17,600 Speaker 1: I meaning the contract was they weren't going to do 670 00:38:17,680 --> 00:38:20,680 Speaker 1: Montley Crue without all the money Crewe. So they're not 671 00:38:20,680 --> 00:38:22,360 Speaker 1: gonna go out and just do Vince Nil leading a 672 00:38:22,360 --> 00:38:26,120 Speaker 1: group people called money crue them. So they signed the 673 00:38:26,160 --> 00:38:31,440 Speaker 1: agreement and all four of them are back though, so right, 674 00:38:31,800 --> 00:38:35,680 Speaker 1: maybe we shouldn't go. I'm almost positive all four of 675 00:38:35,680 --> 00:38:37,440 Speaker 1: them back. That's a part of the agreement. Molly Crew 676 00:38:37,480 --> 00:38:40,440 Speaker 1: embarked in the Failwell Tour, which they they would never 677 00:38:40,440 --> 00:38:44,680 Speaker 1: tour again. They're going on tour, yeah, with Death and Sodrinken, 678 00:38:44,760 --> 00:38:50,799 Speaker 1: Leopard Um and some who else poison. You saw Death 679 00:38:50,840 --> 00:38:53,319 Speaker 1: Leopard at Heart Festival. Did did you kind of peak 680 00:38:53,360 --> 00:38:56,359 Speaker 1: while you're working? I'm glad that they played like four 681 00:38:56,400 --> 00:39:00,560 Speaker 1: songs okay one they looked tired. I'm in when it 682 00:39:00,640 --> 00:39:03,520 Speaker 1: was over. And when you get to that age, it 683 00:39:03,600 --> 00:39:05,359 Speaker 1: was like your uncle Hoss back in a pickup game 684 00:39:05,360 --> 00:39:08,920 Speaker 1: real quick and it's great, great for like three possessions 685 00:39:09,640 --> 00:39:11,560 Speaker 1: the ball. Yeah, it's like, oh wow, back in a 686 00:39:11,680 --> 00:39:16,080 Speaker 1: day he good um. And then Kanye West called himself 687 00:39:16,120 --> 00:39:19,439 Speaker 1: the greatest artist that God has ever created. I don't 688 00:39:19,480 --> 00:39:21,400 Speaker 1: mind that. I mean, you can say whatever he wants. 689 00:39:21,520 --> 00:39:24,920 Speaker 1: And how do we know he's wrong? He can't. You can't. 690 00:39:25,000 --> 00:39:26,759 Speaker 1: You can't. And if he believes it, then it's right 691 00:39:26,800 --> 00:39:33,080 Speaker 1: to him. Yes to art is everyone can define what 692 00:39:33,120 --> 00:39:35,640 Speaker 1: they feel is the greatest in their mind. Like my 693 00:39:35,719 --> 00:39:40,960 Speaker 1: favorite artist of all time, John Mayor. Mm hmm. I'd 694 00:39:41,000 --> 00:39:47,280 Speaker 1: probably go, what's the guy who paints those pictures? Banks 695 00:39:47,520 --> 00:39:50,080 Speaker 1: thank you? You ever see X of the Gift Shop 696 00:39:50,280 --> 00:39:53,800 Speaker 1: documentary about Banksy? He's one who paints all that's in 697 00:39:53,880 --> 00:39:57,200 Speaker 1: the art. Yeah, his graffiti goes like millions of dollars 698 00:39:57,640 --> 00:40:01,279 Speaker 1: and that they think he's the guy I from the 699 00:40:01,680 --> 00:40:08,960 Speaker 1: lead singer from a band called Explode. He'll look it up. No, 700 00:40:09,719 --> 00:40:12,920 Speaker 1: but they did a massive attack, massive attack. How do 701 00:40:12,960 --> 00:40:15,359 Speaker 1: you should watch Exit of the Games on Netflix? Yeah, 702 00:40:15,400 --> 00:40:17,279 Speaker 1: but you're about ten movies behind. You have to watch 703 00:40:17,320 --> 00:40:19,560 Speaker 1: eight miles a lot of movies to the job. You've 704 00:40:19,560 --> 00:40:22,319 Speaker 1: got a lot to do. Remember the Titans somewhere in there. 705 00:40:23,040 --> 00:40:25,759 Speaker 1: You can hold off on that one. Okay, that's good, 706 00:40:25,960 --> 00:40:28,399 Speaker 1: but you watch out with your kids though. Yeah, that's 707 00:40:28,400 --> 00:40:29,840 Speaker 1: when you can bring your son in a once and 708 00:40:29,880 --> 00:40:33,200 Speaker 1: it's on a Disney Plus or yeah, Disney Plus. Um, 709 00:40:33,239 --> 00:40:36,000 Speaker 1: all right, I think that's it. I appreciate everybody hanging 710 00:40:36,040 --> 00:40:38,400 Speaker 1: out and sitting with us on a new music podcast. 711 00:40:38,480 --> 00:40:42,120 Speaker 1: It's funny geek out again anything Eddie you'ld like to say, no, no, 712 00:40:42,280 --> 00:40:45,640 Speaker 1: just um, I'm again man. I'm pumping Austin bands and 713 00:40:45,680 --> 00:40:48,960 Speaker 1: the Grammys. So I'm gonna listen to the Coldplay record 714 00:40:49,400 --> 00:40:54,360 Speaker 1: most Sunset first, and then I'm gonna listen to Is 715 00:40:54,360 --> 00:40:58,040 Speaker 1: that that order? Though Sunrise comes first, doesn't it? I 716 00:40:58,080 --> 00:41:01,360 Speaker 1: go Sunset? All right, it's up to you Dark before 717 00:41:01,400 --> 00:41:06,040 Speaker 1: the Dawn. Thanks for checking us out. I check out 718 00:41:06,120 --> 00:41:09,200 Speaker 1: Eddie's podcast that he does with Ray and Lunchbox called 719 00:41:09,200 --> 00:41:11,399 Speaker 1: These Sore Losers Like Sports. I encourage you to check 720 00:41:11,440 --> 00:41:14,799 Speaker 1: that out. Um. This is the Bobby Cast and Mike 721 00:41:14,880 --> 00:41:18,080 Speaker 1: D's movie podcast will be up soon, very soon. Yeah, 722 00:41:18,200 --> 00:41:20,359 Speaker 1: before the end of the year. Mike. I still want 723 00:41:20,360 --> 00:41:23,880 Speaker 1: to know what Mikey thinks about James Dean coming back 724 00:41:23,920 --> 00:41:28,120 Speaker 1: to the movies c G. I version, yes, you will. Yeah. 725 00:41:28,160 --> 00:41:31,839 Speaker 1: Are you doing then talking about that? Right? M hmm. 726 00:41:32,560 --> 00:41:35,319 Speaker 1: It's it's all the controversial in Hollywood, and not all 727 00:41:35,360 --> 00:41:40,240 Speaker 1: of them. There's some other bad stuff I read that stuff. 728 00:41:40,239 --> 00:41:41,680 Speaker 1: That's a lot of the actors talking about it. But 729 00:41:41,719 --> 00:41:43,239 Speaker 1: they're gonna do that anyway. You know what that is 730 00:41:44,000 --> 00:41:45,320 Speaker 1: when we talked about it on the radio show. You 731 00:41:45,360 --> 00:41:47,440 Speaker 1: know what it is when you you digitalize and make 732 00:41:47,480 --> 00:41:50,799 Speaker 1: it look real. Do you know what it's called, Mike, 733 00:41:50,960 --> 00:41:52,960 Speaker 1: deep fake we were talking about. Oh yes, you did 734 00:41:52,960 --> 00:41:55,440 Speaker 1: talk about name on Reddit. And they can make anybody 735 00:41:55,440 --> 00:41:57,040 Speaker 1: look like they're doing which is fine and all, but 736 00:41:57,080 --> 00:41:58,719 Speaker 1: there has to be a law about it. Okay, but 737 00:41:58,719 --> 00:42:01,120 Speaker 1: they're gonna bring all actors back, I know, which isn't fair. 738 00:42:01,400 --> 00:42:03,520 Speaker 1: My favorite is when they put other actors in different 739 00:42:03,520 --> 00:42:07,880 Speaker 1: scenes in deep fags. They'll put like Adam Sandler, you 740 00:42:07,920 --> 00:42:10,920 Speaker 1: think it's funny Bobby died and they did that to him, 741 00:42:10,960 --> 00:42:13,920 Speaker 1: I would be pissed, Yeah, but would you really be awesome? 742 00:42:14,920 --> 00:42:16,840 Speaker 1: Kind of be awesome though he'd be like he bobbly 743 00:42:16,840 --> 00:42:19,480 Speaker 1: wouldn't want that. Alright, Alright, thank you guys for listening. 744 00:42:19,760 --> 00:42:21,520 Speaker 1: Tell your friends about his tag us on answer story. 745 00:42:21,520 --> 00:42:22,960 Speaker 1: If you post this and think it's funny, Eddie, think 746 00:42:22,960 --> 00:42:24,280 Speaker 1: about all right, Bye you guys,