WEBVTT - Live at LA Talks with Tig Notaro

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<v Speaker 1>Hello, SNAFU listeners. Ed Helms here. I mean, who else

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<v Speaker 1>is it going to be? I'm the host, this is

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<v Speaker 1>my podcast, So yeah, it's Ed Helms And I've got

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<v Speaker 1>another really fun surprise for you this week. I'm sharing

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<v Speaker 1>the live recording of one of my favorite stops on

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<v Speaker 1>last year's book tour, where I was essentially roasted to

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<v Speaker 1>a crisp by the one and only Tig Notaro.

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<v Speaker 2>Now, Tig isn't just a.

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<v Speaker 1>Brilliant comedian, actor, writer, and podcast host. She's also a

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<v Speaker 1>longtime friend. We go way back, and I've always admired

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<v Speaker 1>her completely singular comedic voice. She has this magical rhythm

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<v Speaker 1>to her delivery, like a deceptively gentle slow burn style

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<v Speaker 1>to her jokes, and then these punchlines that just hit

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<v Speaker 1>you in the gut so hard she can leave a

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<v Speaker 1>massive audience doubled over without out ever raising her voice.

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<v Speaker 1>You've probably seen her in her Netflix stand up special

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<v Speaker 1>Happy to Be Here, or her TV series One Mississippi,

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<v Speaker 1>or stealing entire scenes in shows like Star Trek, Discovery,

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<v Speaker 1>The Office, or perhaps even the movie that Tig and

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<v Speaker 1>I did together called Together Together. Now sharing the stage

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<v Speaker 1>with Tig at La Live Talks was an absolute blast.

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<v Speaker 1>We dug into the stories from my book, SNAFU, The

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<v Speaker 1>Definitive Guide to History's Greatest screw Ups, talked about the

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<v Speaker 1>research and production process for the book, and even tossed

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<v Speaker 1>around a few bold predictions for the future. So listen

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<v Speaker 1>in and don't forget. You can order the book or

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<v Speaker 1>the audiobook at Snafu, dashbook dot com or wherever you

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<v Speaker 1>get your books. So sit back and enjoy my conversation

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<v Speaker 1>with the incredible tig Notaro.

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<v Speaker 2>Could you guys give us a minute. We're gonna just

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<v Speaker 2>catch up.

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<v Speaker 3>I didn't see you there. Do you know when I

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<v Speaker 3>get started on the questions that I printed out?

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<v Speaker 4>Do I know what when I should get started on this?

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<v Speaker 3>Like?

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<v Speaker 4>Should we just chat casually for a minute.

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<v Speaker 2>I feel like that's appropriate.

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<v Speaker 1>Okay, some casual chatter and then honestly, don't ever get

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<v Speaker 1>to this stuff.

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<v Speaker 4>Okay, all right, that's.

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<v Speaker 2>The get Let's get real, let's get under the hood.

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<v Speaker 4>Let's get real real fast.

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<v Speaker 3>Yeah, like, what's on my pants?

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<v Speaker 2>Yeah?

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<v Speaker 3>I realized on my way here tonight that I had

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<v Speaker 3>a stain on my pants, and.

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<v Speaker 1>I just asked backstage if she knows what's on her pants.

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<v Speaker 3>She doesn't know, but I did decide would be the

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<v Speaker 3>name of a really good talk show or game show.

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<v Speaker 2>Game show?

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<v Speaker 4>Yes, what on your pants?

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<v Speaker 3>Crowd goes mild, great, Well, what's on your pants?

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<v Speaker 2>So much?

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<v Speaker 1>I've been wearing these pants basically every day for the

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<v Speaker 1>last eight days.

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<v Speaker 2>This is the last stop on my book tour.

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<v Speaker 4>Congrats, thank you, and.

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<v Speaker 2>Thank you Tig for doing this and being here.

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<v Speaker 4>It is my pleasure. I'll go anywhere for you, my dear.

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<v Speaker 2>Well, fantastic. All the way to Culver City.

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<v Speaker 4>That's right to the straight area of town.

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<v Speaker 2>Yeah.

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<v Speaker 4>Should we get started?

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<v Speaker 2>Why don't I ask you all the questions?

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<v Speaker 4>Absolutely?

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<v Speaker 1>How much did you love my book?

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<v Speaker 3>I loved it so much that when I had time,

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<v Speaker 3>I read parts of it amazing.

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<v Speaker 2>Yes, read the excerpts, the blurbs.

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<v Speaker 4>No, I read way more than that.

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<v Speaker 2>Cool.

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<v Speaker 3>Yes, but we'll get into that all right. What else

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<v Speaker 3>do you want to ask me? Where'd you grow up?

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<v Speaker 3>Mississippi and Texas? But I feel like you probably knew

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<v Speaker 3>some of that.

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<v Speaker 2>I know, but this is for them. Oh, I'm okay,

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<v Speaker 2>I'm just yeah.

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<v Speaker 3>I forgot that I wasn't just here to talk to

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<v Speaker 3>my friend ed Mississippi.

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<v Speaker 2>And Texas, and I'm from Georgia, Georgia.

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<v Speaker 1>We're bringing it real southern some we're just bringing some

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<v Speaker 1>Southern vibes.

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<v Speaker 5>Yeah to California, which is that's right, that's what we do.

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<v Speaker 5>I'm out of questions. You're out already out time out.

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<v Speaker 2>Yeah, because you didn't even read anything on that.

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<v Speaker 4>Well, I realized this was my grocery list.

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<v Speaker 2>For Gilson's.

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<v Speaker 4>Ham. That's not true.

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<v Speaker 3>Can I tell you, speaking of Mississippi, my cousin who

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<v Speaker 3>is a grown woman twenty nine married, has a child

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<v Speaker 3>a couple of years ago, and she's not And I

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<v Speaker 3>know people here Mississippi, and you picture whatever you're picturing.

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<v Speaker 3>There are civilized areas and people. My family is one

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<v Speaker 3>of them. My cousin went to college, she went to

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<v Speaker 3>business school. Found out a couple of years ago. Ham

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<v Speaker 3>is not an animal. She thought, like chicken and fish,

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<v Speaker 3>there were hams running around.

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<v Speaker 2>They don't teach that in business school.

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<v Speaker 1>No where does she go to this business school in Mississippi?

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<v Speaker 4>No, in New Orleans?

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<v Speaker 2>Okay?

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<v Speaker 1>Yeah, so uh, that is one of the few meats

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<v Speaker 1>that has like multiple names, ham, bacon.

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<v Speaker 2>There are all these things that aren't.

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<v Speaker 1>What it is too well, also pig, pork, ham pork, bacon, pig.

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<v Speaker 4>What'd you say that's not a pig?

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<v Speaker 2>But it is. It is not a cow. Also, her

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<v Speaker 2>point is that it's not right.

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<v Speaker 3>I was going to say, are you from Mississippi? All right, Well,

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<v Speaker 3>let's get in to these questions.

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<v Speaker 2>All right, Yeah, I'm an onion. Just start peeling the layers. Okay,

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<v Speaker 2>it's going to get real.

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<v Speaker 4>All right.

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<v Speaker 3>If it's going to get real, then tell us a

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<v Speaker 3>little bit about why you chose to write this companion

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<v Speaker 3>book for the snaff Fou podcast? What spawned your interest?

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<v Speaker 3>What a great question.

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<v Speaker 4>In this time, I'm I'm a slow delivery.

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<v Speaker 3>I'm still asking the question spawned your interest in this

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<v Speaker 3>type of history project in the first place?

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<v Speaker 1>That feels like a question you wrote. You use words

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<v Speaker 1>like spawned in a lot of rates.

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<v Speaker 4>Snafo.

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<v Speaker 1>Yeah, I always say snaff every time we talk on

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<v Speaker 1>the phone. You're like this, what spawned this? What spawned

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<v Speaker 1>what spawned this? Snaffo? Basically, everybody does a podcast, including you.

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<v Speaker 4>Yep, it's called Handsome Check it out.

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<v Speaker 2>Check it out.

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<v Speaker 1>And there's so many great podcasts out there, and a

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<v Speaker 1>lot of them are just interviews kind of style. Shows

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<v Speaker 1>which I love, and I was consuming a ton of

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<v Speaker 1>these shows as a fan, and I was like, do

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<v Speaker 1>I fit into this podcast space somewhere?

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<v Speaker 2>And if I do, what does it look like.

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<v Speaker 1>I didn't really want to do an interview show because

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<v Speaker 1>I felt like there were just so many of them

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<v Speaker 1>out there. It's like, well, history is a fun thing

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<v Speaker 1>that I've always love to just kind of go down

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<v Speaker 1>these little rabbit holes of looking into stuff. Our show,

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<v Speaker 1>this show, Rutherford Falls, was very kind of history oriented.

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<v Speaker 1>I played an historian with who owned a museum in

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<v Speaker 1>that show, and I just it's, yeah, it was something

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<v Speaker 1>that that felt very organic to me. But then it's like, well,

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<v Speaker 1>what's I still wanted to be funny, and then it

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<v Speaker 1>was like, well, what's funny in history? The snaffoos, the

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<v Speaker 1>car crashes of history that we can't turn away from,

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<v Speaker 1>those will be fun, Like, that'll be a fun thing.

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<v Speaker 2>To do a podcast about.

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<v Speaker 1>So we partnered with the great people at Film Nation

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<v Speaker 1>and their podcast department and.

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<v Speaker 2>Set to work on this thing.

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<v Speaker 1>And it just turned into a really intense project with

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<v Speaker 1>deep research and heavy audio production.

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<v Speaker 4>And were you expecting that the deep research?

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<v Speaker 1>It did not account for that the first season I

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<v Speaker 1>think we were very ambitious, but it worked, like it

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<v Speaker 1>really clicked and we kind of figured out got a

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<v Speaker 1>rhythm on to how to do this anyway. The the

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<v Speaker 1>in doing all that research, you just accumulate basically like

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<v Speaker 1>a pile of these crazy stories, and some of them

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<v Speaker 1>don't warrant like the full podcast treatment, Like it's just

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<v Speaker 1>it doesn't have quite as much material there, but it's

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<v Speaker 1>still really funny or interesting. And those those just started

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<v Speaker 1>to pile up and it was like, all right, this

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<v Speaker 1>is this is fodder for a book. Yeah, it's like

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<v Speaker 1>it's all right here. It's just sort of like quick.

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<v Speaker 1>Each chapter is a different snafoo, so it's not nearly

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<v Speaker 1>as deep a dive, and the stories are just kind

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<v Speaker 1>of quick and fun and easy. It's which is part

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<v Speaker 1>of what makes this book such a fantastic gift for

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<v Speaker 1>Mother's Day or Father's Day. You can pick it up

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<v Speaker 1>and just go anywhere and find a five to ten

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<v Speaker 1>page little fun story. It's basically a book of short stories.

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<v Speaker 1>There's thirty one snafoos in there. You can it's a

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<v Speaker 1>great beach read. It's perfect for your nightstand. You can

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<v Speaker 1>read it in the bathroom.

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<v Speaker 2>Really, yes, yeah, you know.

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<v Speaker 4>Of people that have read it in the bathroom.

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<v Speaker 2>I'm just saying you can.

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<v Speaker 1>I haven't asked people, but I have been told that

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<v Speaker 1>it gets things moving. That one chapter is equivalent to

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<v Speaker 1>nine grams of fiber.

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<v Speaker 3>So would it be the longest enema ever given?

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<v Speaker 2>Yeah?

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<v Speaker 1>So there is a chapter about the ever Given, which

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<v Speaker 1>is a container ship that was wedged in the Suez Canal.

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<v Speaker 2>That's one of the more recent ones that you might remember.

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<v Speaker 4>And yeah, I learned.

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<v Speaker 3>I didn't realize this until I was doing my semi

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<v Speaker 3>deep dive on the book. That snaffoo stands for situation

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<v Speaker 3>normal all.

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<v Speaker 1>Fucked?

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<v Speaker 3>Uh right, Yeah, you can see you can also you think, well,

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<v Speaker 3>if if what you silently said is what I think

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<v Speaker 3>you said, then yeah, I think you're right.

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<v Speaker 4>Are you guys? Okay with me saying the F word.

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<v Speaker 2>Fucked?

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<v Speaker 3>But you can also put fouled up. That's how you

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<v Speaker 3>kind of clean it up.

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<v Speaker 2>Oh okay.

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<v Speaker 5>Yeah.

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<v Speaker 3>I also learned that, not from your book or podcast,

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<v Speaker 3>but when I was researching Snaffoo.

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<v Speaker 4>Yeah, snaffoos, I did you know? I I dove in

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<v Speaker 4>here and there and I yeah, I just.

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<v Speaker 2>That's a good one.

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<v Speaker 1>That is a good one for for when I take

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<v Speaker 1>this into schools to.

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<v Speaker 4>Be able to say all fouled up.

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<v Speaker 2>All fouled up.

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<v Speaker 3>Speaking of schools, were you into history as a kid?

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<v Speaker 1>As a little kid, we had a huge collection of

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<v Speaker 1>national geographic magazines and.

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<v Speaker 2>I just was always so into that.

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<v Speaker 1>I would just like pull them out and thumb through

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<v Speaker 1>and just be It was such a vessel for curiosity,

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<v Speaker 1>and I really it made me really want to be

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<v Speaker 1>Indiana Jones because it hasn't worked out yet. Also, I

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<v Speaker 1>don't think it's I think that like his version of

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<v Speaker 1>that profession is now frowned upon, but at the time

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<v Speaker 1>it was just adventurous and curious and wonderful. But yeah,

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<v Speaker 1>those National geographics and also the World Book Encyclopedia.

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<v Speaker 2>Did anybody have those in their homes? Like? I just

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<v Speaker 2>love those things.

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<v Speaker 1>You could pull them off and just be like Ardvarks,

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<v Speaker 1>Like what's up with Ardvars?

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<v Speaker 4>So you started on page one?

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<v Speaker 2>Yeah, right, because that's the double a right, sure. Yeah,

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<v Speaker 2>But you could also just be like Zanzibar, where.

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<v Speaker 1>Like what's the deal, what's the population? Where is it

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<v Speaker 1>on the map? And anything that you wanted I just

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<v Speaker 1>look at. I couldn't believe that we had like this

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<v Speaker 1>book set that could just tell me anything I wanted

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<v Speaker 1>to know. But the podcast and the book have become

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<v Speaker 1>these what I hope and feel are very productive applications of.

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<v Speaker 2>That that curiosity and interest.

0:13:39.440 --> 0:13:40.800
<v Speaker 4>All Right, we're were we.

0:13:45.280 --> 0:13:49.200
<v Speaker 3>So you you know, we all heard in our bios

0:13:49.240 --> 0:13:51.720
<v Speaker 3>that I mean, are yours specially?

0:13:51.720 --> 0:13:53.000
<v Speaker 4>I mean, you've done a lot.

0:13:53.240 --> 0:13:58.120
<v Speaker 3>You've been an actor, a podcaster, a writer, comedy writer,

0:13:58.800 --> 0:14:02.840
<v Speaker 3>all of these things. I mean, you know, musician. But

0:14:03.280 --> 0:14:08.040
<v Speaker 3>we're not here to talk about that. Guys, settled down,

0:14:08.080 --> 0:14:11.760
<v Speaker 3>We're not talking about that. How did all of those

0:14:12.000 --> 0:14:20.920
<v Speaker 3>experiences inform writing this book? How like everything that you've

0:14:20.960 --> 0:14:25.120
<v Speaker 3>done here we are now today you are an author.

0:14:25.360 --> 0:14:28.280
<v Speaker 1>I do kind of feel like the Snafu podcast was

0:14:29.400 --> 0:14:34.800
<v Speaker 1>a culmination of sorts because it's so it's so deep,

0:14:35.520 --> 0:14:39.720
<v Speaker 1>and there are stories in the podcast that are very

0:14:40.280 --> 0:14:46.160
<v Speaker 1>heavy and poignant and stirring, and that's not something I

0:14:46.240 --> 0:14:50.200
<v Speaker 1>really expected coming up through comedy that I would be

0:14:50.360 --> 0:14:53.640
<v Speaker 1>diving into. And so that sort of just I think

0:14:53.680 --> 0:14:59.160
<v Speaker 1>opened my mind about just creatively, like what would be

0:14:59.440 --> 0:15:02.280
<v Speaker 1>like what else I can do and how else? Like

0:15:03.200 --> 0:15:06.120
<v Speaker 1>the book just felt like a very like a natural

0:15:06.200 --> 0:15:09.480
<v Speaker 1>step from that, and.

0:15:12.440 --> 0:15:15.840
<v Speaker 2>I've really enjoyed it. Yeah, I think there's going to

0:15:15.880 --> 0:15:16.240
<v Speaker 2>be more.

0:15:16.280 --> 0:15:19.720
<v Speaker 4>You enjoyed the process of writing? Yeah, how long did

0:15:19.760 --> 0:15:21.240
<v Speaker 4>it take you to write? I wrote a book.

0:15:21.280 --> 0:15:23.800
<v Speaker 3>It took me four years and you can read it

0:15:23.800 --> 0:15:25.600
<v Speaker 3>in an afternoon next to the pool.

0:15:25.760 --> 0:15:26.040
<v Speaker 2>Yeah.

0:15:27.200 --> 0:15:28.240
<v Speaker 4>How long did yours? Take?

0:15:28.600 --> 0:15:31.480
<v Speaker 1>Like a year and a half and there was But

0:15:31.560 --> 0:15:34.880
<v Speaker 1>the nice thing about this book is that it was

0:15:35.240 --> 0:15:38.520
<v Speaker 1>it was not overwhelming to work on because it's such

0:15:38.640 --> 0:15:44.760
<v Speaker 1>short chunks. So each chapter is a story, and that

0:15:44.760 --> 0:15:48.239
<v Speaker 1>that caters well to like the way my brain works.

0:15:48.720 --> 0:15:51.160
<v Speaker 1>Like I think writing a novel would just be terrifying

0:15:51.400 --> 0:15:55.280
<v Speaker 1>and overwhelming, and even writing like a memoir feels or

0:15:55.320 --> 0:15:58.960
<v Speaker 1>something along those lines. I don't know, anything like a

0:15:59.040 --> 0:16:03.400
<v Speaker 1>narrative that's like two three hundred pages feels maybe I'll

0:16:03.400 --> 0:16:07.280
<v Speaker 1>get there eventually, but right now that feels like scary.

0:16:07.440 --> 0:16:09.120
<v Speaker 4>It doesn't sound like you'll get there.

0:16:09.400 --> 0:16:14.440
<v Speaker 3>Yeah, based on the ADHD and yeah, all that stuff.

0:16:14.680 --> 0:16:18.280
<v Speaker 1>Yeah, And also the nice thing, you know, I had

0:16:18.320 --> 0:16:21.720
<v Speaker 1>a lot of research support on this book because we

0:16:21.840 --> 0:16:25.240
<v Speaker 1>built such a great team on this on the podcast,

0:16:25.440 --> 0:16:28.320
<v Speaker 1>and so it was you know, it really was a

0:16:28.320 --> 0:16:31.680
<v Speaker 1>collective effort kind of organizing this material and getting the

0:16:32.920 --> 0:16:38.840
<v Speaker 1>getting the research materials together, and uh, and I just

0:16:39.000 --> 0:16:43.400
<v Speaker 1>was working with great, great people pulling the kind of

0:16:43.400 --> 0:16:44.440
<v Speaker 1>the information together.

0:16:45.120 --> 0:16:51.720
<v Speaker 3>So in that research, were there any surprises that stuck

0:16:51.800 --> 0:16:54.080
<v Speaker 3>I'm sure there were so many surprises, but any that

0:16:54.320 --> 0:16:57.120
<v Speaker 3>really stuck out to you when you like really you know,

0:16:57.120 --> 0:16:59.800
<v Speaker 3>because I'm sure you have some idea maybe of what

0:17:00.720 --> 0:17:03.800
<v Speaker 3>one particular story or snaffoo is about, and then you're.

0:17:03.640 --> 0:17:08.440
<v Speaker 4>Like, here's the twist. Well, in a major way.

0:17:08.640 --> 0:17:10.240
<v Speaker 1>I'm going to back up or sort of like go

0:17:10.320 --> 0:17:15.000
<v Speaker 1>high altitude for a second, because hopefully all the stories

0:17:15.080 --> 0:17:18.040
<v Speaker 1>in the book are that for everybody.

0:17:18.080 --> 0:17:21.160
<v Speaker 2>Because in and again starting.

0:17:20.800 --> 0:17:24.199
<v Speaker 1>With the podcast, the idea like I didn't want to

0:17:24.240 --> 0:17:26.720
<v Speaker 1>tell stories that that people know.

0:17:27.359 --> 0:17:27.760
<v Speaker 2>I want.

0:17:27.880 --> 0:17:31.600
<v Speaker 1>I wanted to tell history that feels new or fresh

0:17:31.680 --> 0:17:34.719
<v Speaker 1>or or kind of like rediscovering things.

0:17:35.320 --> 0:17:39.359
<v Speaker 2>And in the podcast, it.

0:17:39.520 --> 0:17:43.120
<v Speaker 1>Just it was like trying to find stories that have

0:17:43.480 --> 0:17:47.640
<v Speaker 1>a lot of power and impact but have been largely

0:17:47.720 --> 0:17:54.520
<v Speaker 1>forgotten in the in the sort of popular memory. And

0:17:54.520 --> 0:17:57.240
<v Speaker 1>and that's what that same thing I brought to the

0:17:57.480 --> 0:18:00.040
<v Speaker 1>to this sort of like that was the sort of

0:18:00.160 --> 0:18:03.679
<v Speaker 1>like organizing principle and building the content for the book.

0:18:04.080 --> 0:18:09.120
<v Speaker 1>And because of that like every story is surprising, every

0:18:09.160 --> 0:18:12.480
<v Speaker 1>story is like, holy shit that happened, Like that's real.

0:18:12.720 --> 0:18:15.600
<v Speaker 2>There's a few in the book that you probably.

0:18:15.160 --> 0:18:20.160
<v Speaker 1>Have heard of, like the ever Given in everybody Knew

0:18:20.160 --> 0:18:23.560
<v Speaker 1>when that container ship got wedged in the Suez Canal.

0:18:23.840 --> 0:18:25.719
<v Speaker 4>And what is your favorite story?

0:18:26.920 --> 0:18:30.320
<v Speaker 1>Well, they're all babies, you know, so it's hard to pick,

0:18:30.400 --> 0:18:37.120
<v Speaker 1>but I'll tell you too. There's one that I loved one. Okay,

0:18:38.600 --> 0:18:41.919
<v Speaker 1>there's another one that's absolutely insane, which is in the

0:18:42.000 --> 0:18:43.040
<v Speaker 1>nineteen fifties.

0:18:44.720 --> 0:18:46.600
<v Speaker 2>This was this is the Cold War.

0:18:47.200 --> 0:18:51.200
<v Speaker 1>So one thing that emerges when you read the book,

0:18:51.280 --> 0:18:55.360
<v Speaker 1>the Cold War did not bring out the best in us,

0:18:55.400 --> 0:18:59.680
<v Speaker 1>Like we were very scared and made a lot of

0:18:59.680 --> 0:19:00.840
<v Speaker 1>really terrible decisions.

0:19:00.880 --> 0:19:01.640
<v Speaker 2>This is one of them.

0:19:02.000 --> 0:19:07.960
<v Speaker 1>So a plan was hatched to shoot a nuclear warhead

0:19:08.640 --> 0:19:14.280
<v Speaker 1>at the moon. Now why would you want to do that? Well,

0:19:14.600 --> 0:19:18.080
<v Speaker 1>the thinking was that if we can hit the moon

0:19:18.240 --> 0:19:19.280
<v Speaker 1>with a nuclear.

0:19:18.880 --> 0:19:23.359
<v Speaker 2>Warhead, the Soviets will see that and they'll be like

0:19:23.480 --> 0:19:25.120
<v Speaker 2>holy shit.

0:19:26.720 --> 0:19:28.760
<v Speaker 1>And then I guess we win the Cold War because

0:19:28.760 --> 0:19:31.520
<v Speaker 1>they're so scared, because they're like, oh my god, the

0:19:31.560 --> 0:19:34.719
<v Speaker 1>Americans can hit the moon with a warhead, Like we're done,

0:19:34.760 --> 0:19:38.520
<v Speaker 1>Like we can't we just surrender. So they they really

0:19:38.520 --> 0:19:41.000
<v Speaker 1>thought that this would like kind of shut down the

0:19:41.000 --> 0:19:44.240
<v Speaker 1>Cold War or like scare the Soviets really badly, so

0:19:44.280 --> 0:19:46.959
<v Speaker 1>they get they went really far down this road. They

0:19:46.960 --> 0:19:50.280
<v Speaker 1>spent a lot of time and money researching this. Carl

0:19:50.400 --> 0:19:53.800
<v Speaker 1>Sagan worked on this project. A young Carl say, he

0:19:54.200 --> 0:19:57.920
<v Speaker 1>likes planets, but he was part of this plan to

0:19:57.960 --> 0:20:03.000
<v Speaker 1>actually shoot a millions of dollars this, yeah, untold millions.

0:20:03.160 --> 0:20:03.360
<v Speaker 2>Yes.

0:20:04.400 --> 0:20:10.920
<v Speaker 1>They eventually realized that any tiny malfunction or miscalculation could

0:20:11.080 --> 0:20:13.040
<v Speaker 1>very easily result.

0:20:12.560 --> 0:20:17.040
<v Speaker 2>In the nuclear warhead slingshotting.

0:20:16.320 --> 0:20:20.440
<v Speaker 1>Around the gravitational field of the Moon and just coming

0:20:20.560 --> 0:20:25.800
<v Speaker 1>right back at us. The other thing they realized is

0:20:25.840 --> 0:20:29.360
<v Speaker 1>that even if they hit the moon, you know, even

0:20:29.400 --> 0:20:33.920
<v Speaker 1>if they actually were on target, that it wouldn't look

0:20:34.040 --> 0:20:37.280
<v Speaker 1>like much. It would just be because I think the

0:20:37.320 --> 0:20:39.800
<v Speaker 1>hope was like the Soviets would see this big like

0:20:39.920 --> 0:20:43.200
<v Speaker 1>crater on the Moon, or see like a big explosion

0:20:43.280 --> 0:20:45.320
<v Speaker 1>on the Moon. But they realized that it would really

0:20:45.359 --> 0:20:48.639
<v Speaker 1>just probably be kind of a little gray dust cloud

0:20:49.080 --> 0:20:52.840
<v Speaker 1>you wouldn't really see very much. And that detail I

0:20:52.920 --> 0:20:58.480
<v Speaker 1>love because that is literally wily coyote, Like that is

0:20:58.600 --> 0:21:01.040
<v Speaker 1>every time Wiley coyote falls off a cliff.

0:21:01.320 --> 0:21:05.920
<v Speaker 2>It's like that little dust cloud.

0:21:06.000 --> 0:21:09.000
<v Speaker 1>And this is a Looney Tunes idea, like, well, you

0:21:09.040 --> 0:21:12.960
<v Speaker 1>could see acme on the side of this warhead very plausibly.

0:21:17.119 --> 0:21:19.439
<v Speaker 3>You were saying before that you have this, you know

0:21:19.480 --> 0:21:23.119
<v Speaker 3>a lot of great researchers, and you would have to

0:21:23.720 --> 0:21:27.440
<v Speaker 3>But where do researchers even begin to get this information?

0:21:28.400 --> 0:21:31.960
<v Speaker 1>This is a good question, because thank you, because it's

0:21:32.000 --> 0:21:33.200
<v Speaker 1>important to point out.

0:21:34.680 --> 0:21:36.879
<v Speaker 2>The only reason we know about that.

0:21:38.640 --> 0:21:41.320
<v Speaker 1>The only reason we know about that nuclear warhead shooting

0:21:41.359 --> 0:21:44.159
<v Speaker 1>at the moon, that whole thing, the only reason we

0:21:44.200 --> 0:21:49.080
<v Speaker 1>know is because a one of Carl Sagan's biographers was

0:21:49.840 --> 0:21:53.239
<v Speaker 1>researching him, looking through all of his old papers and

0:21:53.400 --> 0:21:57.320
<v Speaker 1>he had actually put this project on a fellowship application,

0:21:58.280 --> 0:22:02.520
<v Speaker 1>like applying to something, right, you know, right after grad school,

0:22:03.760 --> 0:22:07.399
<v Speaker 1>and this researcher this, you know, his biographer was like,

0:22:07.440 --> 0:22:09.639
<v Speaker 1>I'm going to put Carl Sagan aside for a second

0:22:09.840 --> 0:22:13.840
<v Speaker 1>look into this moon thing. And they they uncovered it,

0:22:13.920 --> 0:22:18.119
<v Speaker 1>and and all that's to say that the only reason

0:22:18.160 --> 0:22:20.359
<v Speaker 1>we know about any of this stuff is because of

0:22:21.000 --> 0:22:26.720
<v Speaker 1>so many dogged journalists and writers and people that just

0:22:26.760 --> 0:22:30.399
<v Speaker 1>have like, yes, for sure, have a huge round of

0:22:30.440 --> 0:22:36.439
<v Speaker 1>applause and and because of that, like when you just

0:22:37.320 --> 0:22:42.200
<v Speaker 1>start looking for snaffoos, they bubble up. They're on Google,

0:22:42.359 --> 0:22:44.920
<v Speaker 1>They're all you know, They're in history books.

0:22:44.920 --> 0:22:50.639
<v Speaker 3>They're yeah, like where do you google like snaffoos nineteen seventy.

0:22:50.280 --> 0:22:56.480
<v Speaker 1>Three, Yes, nineteen sixties disasters, problems. I mean, it's it's

0:22:56.520 --> 0:22:59.919
<v Speaker 1>like there are books, there are there are books that

0:23:00.119 --> 0:23:05.800
<v Speaker 1>focus on these things that aren't funny, and like they're

0:23:05.880 --> 0:23:08.439
<v Speaker 1>that are written by serious historians unlike me.

0:23:09.680 --> 0:23:12.040
<v Speaker 3>And has the government reached out and been like, do

0:23:12.240 --> 0:23:14.240
<v Speaker 3>not shill anybody?

0:23:14.440 --> 0:23:15.960
<v Speaker 2>Shut up? No?

0:23:16.040 --> 0:23:19.600
<v Speaker 1>But I actually feel like now like this book would

0:23:19.600 --> 0:23:23.480
<v Speaker 1>piss Trump off because it's like honest about our history,

0:23:23.520 --> 0:23:26.840
<v Speaker 1>which he is like, seems right like it doesn't. It

0:23:26.840 --> 0:23:28.480
<v Speaker 1>feel like we're at this moment where he's just like.

0:23:28.480 --> 0:23:30.840
<v Speaker 2>Don't say any bad stuff about us.

0:23:31.040 --> 0:23:36.359
<v Speaker 1>Yeah, that's anti American to point out that that we

0:23:36.680 --> 0:23:40.679
<v Speaker 1>that the CIA tried to surgically implant microphones into cat's

0:23:40.760 --> 0:23:43.880
<v Speaker 1>ears and then train the cats to go sit next

0:23:43.920 --> 0:23:44.880
<v Speaker 1>to bad guys so.

0:23:44.800 --> 0:23:47.480
<v Speaker 2>You can hear. And the only thing.

0:23:47.400 --> 0:23:49.680
<v Speaker 3>The old one as a cat lover, that was one

0:23:49.680 --> 0:23:54.080
<v Speaker 3>of my favorites, I must say, And the microphone on

0:23:54.119 --> 0:23:59.200
<v Speaker 3>a cat like sitting next to a bad guy.

0:23:59.359 --> 0:24:02.280
<v Speaker 1>Yeah, And the only thing that came that it came

0:24:02.320 --> 0:24:07.760
<v Speaker 1>from that entire like research effort was the startling discovery

0:24:07.800 --> 0:24:15.600
<v Speaker 1>that you can't train cats.

0:24:12.680 --> 0:24:17.400
<v Speaker 3>And how much money went into that. You don't have

0:24:17.440 --> 0:24:22.680
<v Speaker 3>that right, millions millions? Yes, are there any other anecdotes

0:24:22.720 --> 0:24:25.800
<v Speaker 3>that you would like to share? But I mean because

0:24:25.840 --> 0:24:28.640
<v Speaker 3>it is like it's like an insight, like you're saying

0:24:28.680 --> 0:24:32.840
<v Speaker 3>an encyclopedia of ard Vark to Sansabar.

0:24:33.880 --> 0:24:34.800
<v Speaker 4>There's so many.

0:24:36.400 --> 0:24:39.320
<v Speaker 3>Was there a Well, no, that would be that's not

0:24:39.440 --> 0:24:40.240
<v Speaker 3>a good question.

0:24:41.400 --> 0:24:42.440
<v Speaker 2>I can tell you another one.

0:24:42.600 --> 0:24:46.000
<v Speaker 1>Yeah, this one's this one I love because it's it's

0:24:46.040 --> 0:24:50.280
<v Speaker 1>not as absurd. It's actually a Some of the nafoos

0:24:50.280 --> 0:24:52.919
<v Speaker 1>in the book are are kind of have this silver

0:24:53.000 --> 0:24:57.480
<v Speaker 1>lining of being a very obvious lesson that that that

0:24:57.560 --> 0:25:01.000
<v Speaker 1>we learned culturally from it, or or there are heroes

0:25:02.040 --> 0:25:05.080
<v Speaker 1>that emerged during snafoos and this is one of those.

0:25:08.400 --> 0:25:12.360
<v Speaker 1>Also in the nineteen fifties, one of the first nuclear

0:25:13.280 --> 0:25:18.320
<v Speaker 1>reactors is built in Deep River, Ontario, which is just

0:25:19.119 --> 0:25:22.800
<v Speaker 1>up the Ottawa River from the city of Ottawa, and

0:25:25.200 --> 0:25:31.399
<v Speaker 1>it's very early in nuclear technology. There's a very homer

0:25:31.520 --> 0:25:37.840
<v Speaker 1>Simpson series of mistakes that happen at this nuclear reactor,

0:25:37.960 --> 0:25:42.320
<v Speaker 1>and a meltdown starts, and it's a terrible accident. And

0:25:44.040 --> 0:25:47.680
<v Speaker 1>this is the first nuclear reactor meltdown in human history.

0:25:48.200 --> 0:25:52.439
<v Speaker 1>So nobody really knows what to do. They're freaking out.

0:25:52.720 --> 0:25:56.040
<v Speaker 1>They call the US military and they're like, what do

0:25:56.160 --> 0:25:58.840
<v Speaker 1>we do? Do you have anybody that can help us?

0:25:58.880 --> 0:26:01.600
<v Speaker 1>And they're like, yeah, actually, we have this twenty eight

0:26:01.680 --> 0:26:07.120
<v Speaker 1>year old kid who's been working on our nuclear subprogram

0:26:07.440 --> 0:26:10.879
<v Speaker 1>and he's extremely knowledgeable about all this stuff. He's a

0:26:10.880 --> 0:26:13.080
<v Speaker 1>great leader. We're gonna send him up with a team

0:26:13.119 --> 0:26:13.760
<v Speaker 1>to help you out.

0:26:14.119 --> 0:26:15.040
<v Speaker 2>That was.

0:26:16.880 --> 0:26:20.679
<v Speaker 1>Jimmy Carter. Yeah, so that he became that. This is

0:26:20.920 --> 0:26:23.880
<v Speaker 1>a story about a young Jimmy Carter. He runs up there,

0:26:25.000 --> 0:26:30.640
<v Speaker 1>gets to Deep River, Ontario. The reactor's melting down. It's

0:26:30.640 --> 0:26:35.080
<v Speaker 1>so radioactive that they can only spend they can only

0:26:35.119 --> 0:26:37.879
<v Speaker 1>be in close proximity to the reactor core for ninety

0:26:37.920 --> 0:26:40.840
<v Speaker 1>seconds at a time, or else they'll have like they'll

0:26:40.880 --> 0:26:42.320
<v Speaker 1>die of radiation poisoning.

0:26:42.359 --> 0:26:47.720
<v Speaker 4>So I know what ends up happening, you do, but

0:26:47.840 --> 0:26:48.800
<v Speaker 4>go ahead.

0:26:48.440 --> 0:26:54.040
<v Speaker 1>All right, don't spoil it, Okay, So they they build

0:26:54.080 --> 0:26:57.760
<v Speaker 1>a replica of this reactor core on a nearby tennis court.

0:26:58.200 --> 0:27:02.560
<v Speaker 1>So they start rehearsing this disassembly and they drill it

0:27:02.640 --> 0:27:04.640
<v Speaker 1>and they drill it and drill it until they've got

0:27:04.640 --> 0:27:07.600
<v Speaker 1>this plan down perfectly. And then they start running in

0:27:08.000 --> 0:27:11.879
<v Speaker 1>a like a relay team of NASCAR pit crews just

0:27:11.920 --> 0:27:14.520
<v Speaker 1>like this, you know, ninety seconds.

0:27:14.240 --> 0:27:14.680
<v Speaker 2>At a time.

0:27:14.720 --> 0:27:17.800
<v Speaker 1>They can only be in there, so and every time

0:27:17.840 --> 0:27:19.960
<v Speaker 1>they do something to the reactor core, they come outside

0:27:19.960 --> 0:27:22.240
<v Speaker 1>and they do it to their replica as well, so

0:27:22.280 --> 0:27:24.879
<v Speaker 1>they can keep track of everything that's happening. It's a

0:27:24.920 --> 0:27:28.200
<v Speaker 1>brilliant plan and it keeps all of the workers healthy

0:27:28.760 --> 0:27:33.640
<v Speaker 1>and they save the reactor. There's still a partial meltdown.

0:27:33.680 --> 0:27:37.480
<v Speaker 1>There's a lot of damage done, but they prevent the

0:27:37.640 --> 0:27:41.000
<v Speaker 1>basically a Chernobyl from happening that very easily could have

0:27:41.000 --> 0:27:45.960
<v Speaker 1>been North America's Chernobyl. And I love this story because

0:27:46.720 --> 0:27:52.720
<v Speaker 1>it's you know, I grew up in a Southern Democrat household.

0:27:52.760 --> 0:27:57.920
<v Speaker 1>My dad was very politically engaged, and we loved Jimmy Carter.

0:27:58.080 --> 0:28:01.720
<v Speaker 1>We always he was like a venerated figure in our home.

0:28:02.400 --> 0:28:07.240
<v Speaker 1>But I feel like, sadly, in sort of the popular memory,

0:28:07.760 --> 0:28:11.800
<v Speaker 1>he's considered kind of wimpy, you know, even though he

0:28:11.840 --> 0:28:15.080
<v Speaker 1>did a lot of really badass stuff both as a president,

0:28:15.320 --> 0:28:19.800
<v Speaker 1>especially as he's one of the most productive post presidents

0:28:19.840 --> 0:28:20.600
<v Speaker 1>we've ever had.

0:28:22.400 --> 0:28:23.960
<v Speaker 2>And I think of him as a hero.

0:28:24.080 --> 0:28:26.080
<v Speaker 1>I always have, and I've always resented this kind of

0:28:26.119 --> 0:28:28.320
<v Speaker 1>popular sentiment that he's just sort of this wimpy and

0:28:28.359 --> 0:28:31.360
<v Speaker 1>effective guy. But this is like a great little nugget

0:28:31.359 --> 0:28:35.480
<v Speaker 1>of proof that he was a really courageous badass with

0:28:35.600 --> 0:28:36.639
<v Speaker 1>serious leadership.

0:28:37.080 --> 0:28:38.680
<v Speaker 2>And I can.

0:28:38.520 --> 0:28:44.360
<v Speaker 3>Really accentuate this point even more with a detail about

0:28:44.480 --> 0:28:50.520
<v Speaker 3>this story, the snapho in your book that when I said,

0:28:50.640 --> 0:28:53.800
<v Speaker 3>I know what happens, this is what I'm talking about,

0:28:53.840 --> 0:29:00.040
<v Speaker 3>his urine was radioactive.

0:29:00.120 --> 0:29:02.760
<v Speaker 2>Or how long like three months afterwards afterwards?

0:29:02.920 --> 0:29:04.200
<v Speaker 4>Yeah that's a badass.

0:29:04.720 --> 0:29:08.920
<v Speaker 3>Yeah, Okay, make fun of Jimmy Carter all day long,

0:29:09.400 --> 0:29:12.360
<v Speaker 3>but have you had radioactive urine?

0:29:13.520 --> 0:29:17.840
<v Speaker 1>And they were very afraid that all these workers would

0:29:17.840 --> 0:29:20.800
<v Speaker 1>not be able to have children, And Jimmy Carter had

0:29:20.840 --> 0:29:22.080
<v Speaker 1>four very healthy children.

0:29:22.920 --> 0:29:27.479
<v Speaker 2>He's a tough guy. Yeah, yes, yeah, give it up

0:29:27.520 --> 0:29:28.480
<v Speaker 2>for Jimmy Carter.

0:29:31.880 --> 0:29:35.080
<v Speaker 3>Those are some of my favorite live moments, is when

0:29:35.120 --> 0:29:40.600
<v Speaker 3>one person collaps and nobody chimes in and it's just

0:29:40.640 --> 0:29:44.920
<v Speaker 3>an awkward and then you go, oh, did you feel

0:29:44.920 --> 0:29:50.000
<v Speaker 3>like I should pull back? Nobody's joining, she's not even acknowledging.

0:29:49.440 --> 0:29:50.200
<v Speaker 4>That I'm talking to.

0:29:55.680 --> 0:30:04.240
<v Speaker 3>What are some patterns that you observed and lessons studying snaffs?

0:30:07.840 --> 0:30:12.680
<v Speaker 1>The okay, so the well, one of the things that

0:30:13.400 --> 0:30:16.400
<v Speaker 1>I don't think this is something that we sort of

0:30:16.920 --> 0:30:20.560
<v Speaker 1>culturally would have would say we learned from this book,

0:30:20.640 --> 0:30:23.920
<v Speaker 1>but it's but the book reiterates it in a very

0:30:24.120 --> 0:30:26.920
<v Speaker 1>powerful way, which is that we just don't learn from

0:30:27.040 --> 0:30:32.160
<v Speaker 1>history at all, which is so sad and dumb. We're

0:30:32.240 --> 0:30:35.160
<v Speaker 1>so dumb and we just do the dumbest stuff. But

0:30:35.240 --> 0:30:41.240
<v Speaker 1>I do think there is a like a positive takeaway

0:30:41.320 --> 0:30:45.680
<v Speaker 1>from really digging into these snafoos. Like the more you

0:30:46.200 --> 0:30:49.040
<v Speaker 1>the more you look into these really dumb or kind

0:30:49.080 --> 0:30:56.120
<v Speaker 1>of horrifying, crazy events from history.

0:30:54.560 --> 0:30:55.440
<v Speaker 2>It's very easy.

0:30:55.840 --> 0:30:58.160
<v Speaker 1>Just when when we're in this moment like we're in

0:30:58.240 --> 0:31:02.760
<v Speaker 1>right now, and this I think applies whatever your political

0:31:02.760 --> 0:31:05.920
<v Speaker 1>stripes are, wherever you fall in the sort of conservative

0:31:06.200 --> 0:31:11.840
<v Speaker 1>liberals spectrum, this moment that we're in feels volatile, it

0:31:11.880 --> 0:31:16.840
<v Speaker 1>feels like it feels unstable, It feels a little like,

0:31:17.640 --> 0:31:22.080
<v Speaker 1>you know, like we're polarized, and there's a just tremendous

0:31:22.160 --> 0:31:26.320
<v Speaker 1>uncertainty about the future, which is just unsettling, makes us anxious.

0:31:27.760 --> 0:31:30.360
<v Speaker 1>When we look back at crazy things in the past,

0:31:30.520 --> 0:31:34.200
<v Speaker 1>it's actually kind of nice to be reminded that we've

0:31:34.240 --> 0:31:39.800
<v Speaker 1>been there before, Like people have been terrified at lots

0:31:39.840 --> 0:31:44.920
<v Speaker 1>of times in the past, and that at least all

0:31:44.960 --> 0:31:45.800
<v Speaker 1>this stuff in this.

0:31:45.680 --> 0:31:47.560
<v Speaker 2>Book, and like.

0:31:48.960 --> 0:31:51.960
<v Speaker 1>Most of the time, there's some sense that we got

0:31:52.000 --> 0:31:54.240
<v Speaker 1>through a thing, or that we got to the other

0:31:54.360 --> 0:31:57.800
<v Speaker 1>side and found some sense of equilibrium again. And so

0:31:57.880 --> 0:32:00.960
<v Speaker 1>I don't mean to be like glib or pollyannish about

0:32:01.040 --> 0:32:02.600
<v Speaker 1>the moment that we're in right now, because I think

0:32:02.640 --> 0:32:05.120
<v Speaker 1>it does feel legitimately scary in a lot of ways,

0:32:06.360 --> 0:32:09.479
<v Speaker 1>and I don't know what will happen, but I do

0:32:09.560 --> 0:32:12.720
<v Speaker 1>think looking back it's nice to be just sort of

0:32:12.760 --> 0:32:17.320
<v Speaker 1>reminded that we have felt this way before, or previous

0:32:17.320 --> 0:32:21.240
<v Speaker 1>generations have felt this way before, and that they have

0:32:21.320 --> 0:32:24.560
<v Speaker 1>gotten through these moments. And so maybe that gives a

0:32:24.720 --> 0:32:26.400
<v Speaker 1>sense that there's a light at the end of the

0:32:26.400 --> 0:32:27.880
<v Speaker 1>tunnel as well.

0:32:28.200 --> 0:32:31.760
<v Speaker 3>I mean, I agree, you know, as tough as things

0:32:31.840 --> 0:32:35.520
<v Speaker 3>are and scary as things may feel, I mean, this

0:32:35.680 --> 0:32:38.320
<v Speaker 3>is really extreme but I go to like, God, it

0:32:38.400 --> 0:32:43.480
<v Speaker 3>used to be normal to like behead somebody. Yeah, back

0:32:43.480 --> 0:32:45.720
<v Speaker 3>in the old old timy.

0:32:45.520 --> 0:32:47.600
<v Speaker 4>Times, And I'm like, we don't do that anymore.

0:32:49.680 --> 0:32:54.720
<v Speaker 3>I'm also curious, like, there are so many amazing stories.

0:32:55.080 --> 0:33:00.320
<v Speaker 3>How do you decide what to choose, what to put

0:33:00.320 --> 0:33:02.600
<v Speaker 3>in your book, what to put in the podcast? And

0:33:02.680 --> 0:33:06.640
<v Speaker 3>also you must have people. Are people contacting you or

0:33:06.680 --> 0:33:09.320
<v Speaker 3>stopping you on the street going I have a story?

0:33:09.360 --> 0:33:11.840
<v Speaker 3>I know I have some inside scoop on this thing.

0:33:12.560 --> 0:33:14.960
<v Speaker 1>A few people actually on this book tour have been like,

0:33:15.080 --> 0:33:16.280
<v Speaker 1>did you hear about this?

0:33:16.640 --> 0:33:17.760
<v Speaker 2>Yeah? Like random?

0:33:17.960 --> 0:33:20.360
<v Speaker 3>And do you have a lot of conspiracy theorists that

0:33:20.440 --> 0:33:22.080
<v Speaker 3>are that reach out to you?

0:33:22.800 --> 0:33:25.480
<v Speaker 2>Not yet I haven't. I'm sure.

0:33:28.200 --> 0:33:30.680
<v Speaker 3>Yeah, I'm getting the vibe on it. Yeah, the guy

0:33:30.800 --> 0:33:32.320
<v Speaker 3>I looked right at him.

0:33:32.360 --> 0:33:32.840
<v Speaker 4>There he is.

0:33:34.520 --> 0:33:37.800
<v Speaker 1>You know, Weirdly, I think, just like writing about real

0:33:37.880 --> 0:33:41.640
<v Speaker 1>stuff that's crazy is weirdly a little bit of a

0:33:41.680 --> 0:33:47.160
<v Speaker 1>hedge against conspiracy theories because it's like the research they

0:33:47.240 --> 0:33:53.880
<v Speaker 1>think that's real, don't you. Yeah, Okay, that's the title

0:33:53.920 --> 0:33:54.720
<v Speaker 1>of my next book.

0:33:56.840 --> 0:33:57.680
<v Speaker 4>I'm curious.

0:34:02.120 --> 0:34:04.920
<v Speaker 3>I mean, you're obviously going to do another You're going

0:34:04.960 --> 0:34:08.960
<v Speaker 3>to do snafoo too right the next book, because there is,

0:34:09.000 --> 0:34:10.640
<v Speaker 3>like you said, so much going on.

0:34:10.800 --> 0:34:14.719
<v Speaker 1>Well, it's a it's such a fun space to play in.

0:34:14.800 --> 0:34:17.520
<v Speaker 1>It feels like there's so many different kinds of ways

0:34:18.080 --> 0:34:21.759
<v Speaker 1>to or different ways to frame snaffoos. We could do

0:34:21.880 --> 0:34:26.800
<v Speaker 1>like a book about sports snaffhoos or you know, different

0:34:26.840 --> 0:34:29.399
<v Speaker 1>time periods, medieval snaffoos.

0:34:30.560 --> 0:34:32.239
<v Speaker 2>Yeah, you know, but.

0:34:32.200 --> 0:34:37.680
<v Speaker 3>I'm saying, like you chronologically you go through this, you know, sixties, seventies, eighties, nineties,

0:34:37.920 --> 0:34:41.040
<v Speaker 3>and I'm like, right now, we're sitting in a bunch

0:34:41.080 --> 0:34:45.080
<v Speaker 3>of thank you, We're sitting in the middle of a

0:34:45.080 --> 0:34:49.080
<v Speaker 3>bunch of snaphosa potential snaffoos more to come.

0:34:49.160 --> 0:34:52.440
<v Speaker 1>Yeah, it does feel like we're swimming and just like

0:34:52.520 --> 0:34:54.960
<v Speaker 1>a big old sea of snaffoos right now.

0:34:55.280 --> 0:34:57.839
<v Speaker 4>So I'm seeing snafoo too, snafoo three.

0:34:58.200 --> 0:35:01.880
<v Speaker 1>Yeah, all kind of down just about the last like

0:35:02.640 --> 0:35:04.040
<v Speaker 1>one hundred days.

0:35:06.160 --> 0:35:07.400
<v Speaker 4>Snaff one hundred.

0:35:07.680 --> 0:35:08.680
<v Speaker 2>Yeah.

0:35:08.760 --> 0:35:11.160
<v Speaker 3>Have you ever heard This is unrelated to your book,

0:35:11.239 --> 0:35:16.279
<v Speaker 3>but just curious any personal snaffoos in your life that

0:35:16.360 --> 0:35:17.440
<v Speaker 3>you'd like to share.

0:35:18.120 --> 0:35:22.560
<v Speaker 1>So many but not not not so many for public consumption.

0:35:24.000 --> 0:35:25.480
<v Speaker 4>Wow. So should we end there?

0:35:26.200 --> 0:35:30.799
<v Speaker 1>Uh, let's do it there, because I do think that

0:35:30.960 --> 0:35:32.520
<v Speaker 1>we're going to get some audience questions.

0:35:32.600 --> 0:35:35.240
<v Speaker 4>I think it'd be We're going to take some audience

0:35:35.440 --> 0:35:43.600
<v Speaker 4>questions if The Office had a historical snaffho themed episode,

0:35:44.080 --> 0:35:47.320
<v Speaker 4>which disaster would Michael Scott have proudly caused?

0:35:52.960 --> 0:35:55.600
<v Speaker 1>I mean, isn't that every episode of the Office, like

0:35:56.200 --> 0:35:58.759
<v Speaker 1>some horrible disaster.

0:35:59.360 --> 0:35:59.680
<v Speaker 2>I don't know.

0:35:59.680 --> 0:36:03.120
<v Speaker 1>I feel like the the ever given container ship getting

0:36:03.160 --> 0:36:09.960
<v Speaker 1>wedged into the Suez Canal totally fits his particular kind

0:36:10.040 --> 0:36:16.920
<v Speaker 1>of uh yeah, his particular weaknesses, because that's such a

0:36:17.160 --> 0:36:21.800
<v Speaker 1>That accident was so mundane, like it was such a

0:36:21.920 --> 0:36:25.520
<v Speaker 1>it was like people in the wheelhouse of this ship

0:36:25.680 --> 0:36:27.880
<v Speaker 1>like trying kind of panicking, trying to figure out what

0:36:27.920 --> 0:36:30.880
<v Speaker 1>to do. I mean, you can imagine an episode of

0:36:31.080 --> 0:36:35.360
<v Speaker 1>the Office or something feeling like an Office episode unfolding

0:36:35.360 --> 0:36:37.920
<v Speaker 1>in the wheelhouse of that ship as they're trying to

0:36:38.560 --> 0:36:40.439
<v Speaker 1>like adjust for the wind.

0:36:40.160 --> 0:36:41.040
<v Speaker 2>And then back up.

0:36:41.040 --> 0:36:43.560
<v Speaker 1>But there's a guy behind him and somebody's yelling at

0:36:43.560 --> 0:36:46.640
<v Speaker 1>the navigator, and the navigator is like Oscar and he's like,

0:36:46.640 --> 0:36:48.080
<v Speaker 1>I don't know I had this is the data, this

0:36:48.120 --> 0:36:50.520
<v Speaker 1>is all I have. And then and then Dwight Shrewd

0:36:50.560 --> 0:36:53.400
<v Speaker 1>is freaking. He's like the engineer freaking out.

0:36:53.239 --> 0:36:55.920
<v Speaker 2>Like we're losing power, We're losing it.

0:36:56.120 --> 0:36:59.880
<v Speaker 1>Just yeah, the whole that one feels feels and Michael

0:37:00.080 --> 0:37:02.280
<v Speaker 1>God is the skipper, just like Frozen with fear.

0:37:03.000 --> 0:37:03.440
<v Speaker 2>I don't know.

0:37:04.360 --> 0:37:06.560
<v Speaker 3>This isn't a follow up question, but I will tell

0:37:06.600 --> 0:37:09.719
<v Speaker 3>you for those that don't know, I was on an

0:37:09.760 --> 0:37:13.920
<v Speaker 3>episode of the Office, and to this day I get

0:37:13.960 --> 0:37:17.800
<v Speaker 3>recognized as that being my only credit.

0:37:19.160 --> 0:37:22.560
<v Speaker 4>Where people will come up and be like, you're from.

0:37:22.360 --> 0:37:26.800
<v Speaker 3>The Office, and I was like, yeah, thirteen years ago

0:37:27.400 --> 0:37:28.320
<v Speaker 3>for one second.

0:37:28.600 --> 0:37:31.319
<v Speaker 4>Yeah, it's insane how massive that show is.

0:37:31.560 --> 0:37:33.640
<v Speaker 6>And it's a bit of a preview question, but I

0:37:33.680 --> 0:37:36.640
<v Speaker 6>wonder about one or two snaffoos that are on the

0:37:36.719 --> 0:37:39.520
<v Speaker 6>list that you haven't done a deep dive into, but

0:37:39.640 --> 0:37:42.840
<v Speaker 6>you're just dying to get into, really curious about.

0:37:43.000 --> 0:37:45.759
<v Speaker 1>Season four of the podcast is going to take a

0:37:45.800 --> 0:37:49.279
<v Speaker 1>little bit of a different shape, and I'm gonna have

0:37:49.320 --> 0:37:52.000
<v Speaker 1>guests on take You're doing it, whether you know it

0:37:52.080 --> 0:37:54.640
<v Speaker 1>or not, You're coming on the show, and I'm going

0:37:54.719 --> 0:37:59.000
<v Speaker 1>to tell them about snaffoos and then we'll have just

0:37:59.040 --> 0:38:02.759
<v Speaker 1>sort of fun it's kind of spin off chats about it.

0:38:02.960 --> 0:38:06.520
<v Speaker 1>But so a lot of things that maybe kind of

0:38:06.800 --> 0:38:12.279
<v Speaker 1>didn't fit the book or the podcasts framework, where I

0:38:12.280 --> 0:38:14.480
<v Speaker 1>think are going to work really well for that. So

0:38:14.560 --> 0:38:19.840
<v Speaker 1>that'll be things like the Donner Party and Ernest Shackleton's

0:38:20.280 --> 0:38:24.080
<v Speaker 1>crazy attempt to cross and be the first to cross

0:38:24.200 --> 0:38:26.560
<v Speaker 1>Antarctica in the early nineteen hundreds.

0:38:26.600 --> 0:38:31.879
<v Speaker 2>That's an incredible story. What else. The Lusitania is one

0:38:32.320 --> 0:38:34.640
<v Speaker 2>the cruise ship that.

0:38:36.239 --> 0:38:43.759
<v Speaker 1>Was sunk in the North Pacific by Germans, and gosh,

0:38:44.400 --> 0:38:46.840
<v Speaker 1>there are so many cool there's so many cool, crazy,

0:38:46.840 --> 0:38:47.719
<v Speaker 1>weird stories.

0:38:50.080 --> 0:38:52.240
<v Speaker 2>But that's a sampling.

0:38:52.560 --> 0:38:53.759
<v Speaker 4>Now again.

0:38:56.120 --> 0:39:00.160
<v Speaker 3>Not really related to what we're talking about. You know,

0:39:00.760 --> 0:39:04.160
<v Speaker 3>I know, you know you have two kids and I

0:39:04.200 --> 0:39:07.000
<v Speaker 3>have two children as well, And at bedtime, we have

0:39:07.080 --> 0:39:10.040
<v Speaker 3>a joke where I go where I say, come on, guys,

0:39:10.120 --> 0:39:12.600
<v Speaker 3>let's get in bed. Let's I'm going to tell you

0:39:12.640 --> 0:39:17.239
<v Speaker 3>some boring stories. And I tell them like mundane stories,

0:39:17.360 --> 0:39:19.280
<v Speaker 3>like you know, it's pulling into the.

0:39:19.160 --> 0:39:22.160
<v Speaker 4>Parking lot at the grocery store, and they're just like

0:39:23.000 --> 0:39:23.920
<v Speaker 4>they fall asleep.

0:39:25.000 --> 0:39:27.360
<v Speaker 3>And I, as we've been talking, I'm like, do you

0:39:27.719 --> 0:39:31.880
<v Speaker 3>ever sit and tell your kids snapoo.

0:39:31.480 --> 0:39:33.440
<v Speaker 2>Stories horrible tragedies?

0:39:35.920 --> 0:39:40.200
<v Speaker 3>You should, I mean leave the tragedy out because they'll snooze.

0:39:39.840 --> 0:39:46.719
<v Speaker 1>Before yeah, no, not this stuff. Although one of my

0:39:46.800 --> 0:39:50.719
<v Speaker 1>favorite bits in a movie is, didnone remember the movie

0:39:50.760 --> 0:39:51.600
<v Speaker 1>The Great Outdoors?

0:39:52.360 --> 0:39:54.440
<v Speaker 2>Okay, so there's an amazing it's.

0:39:54.320 --> 0:39:56.520
<v Speaker 4>Such a person over there to remember it.

0:39:56.680 --> 0:39:59.040
<v Speaker 1>There's such a dumb throwaway joke in that movie. But

0:39:59.480 --> 0:40:02.839
<v Speaker 1>Dan act Royd tells he has these creepy little twin

0:40:02.920 --> 0:40:03.759
<v Speaker 1>daughters in.

0:40:03.760 --> 0:40:06.360
<v Speaker 2>The movie, and I have twins.

0:40:06.040 --> 0:40:09.200
<v Speaker 1>He tells the he tells them the story. They're like,

0:40:09.200 --> 0:40:11.760
<v Speaker 1>can you tell us a bedtime story? And he's like, yeah, sure, okay,

0:40:11.840 --> 0:40:16.280
<v Speaker 1>So he tells the story is basically like the military

0:40:16.360 --> 0:40:18.239
<v Speaker 1>left a box in the woods and it turned out

0:40:18.280 --> 0:40:20.560
<v Speaker 1>to have this this creature that they've done all these

0:40:20.560 --> 0:40:23.279
<v Speaker 1>experiments on and the box spilled and opened up, and

0:40:23.320 --> 0:40:26.719
<v Speaker 1>it came this creature came out of the box and terrorized.

0:40:26.160 --> 0:40:29.080
<v Speaker 2>All these children in this little town. Are we good?

0:40:29.680 --> 0:40:33.879
<v Speaker 1>And the kids the two kids are like wide eyed,

0:40:34.000 --> 0:40:38.319
<v Speaker 1>and then it cuts to the morning and the kids

0:40:38.320 --> 0:40:42.880
<v Speaker 1>are still just sitting there that that's what the what

0:40:42.960 --> 0:40:45.400
<v Speaker 1>I think most of these stories would do to my kids.

0:40:46.480 --> 0:40:49.080
<v Speaker 4>But they're not sitting on your laps going to Yady.

0:40:48.800 --> 0:40:52.240
<v Speaker 2>Tell us there's more about nuclear warheads and the Cold War.

0:40:52.880 --> 0:40:54.360
<v Speaker 4>But radioactive urine.

0:40:54.480 --> 0:40:57.399
<v Speaker 1>But I will say that you do raise a great point,

0:40:57.400 --> 0:41:01.279
<v Speaker 1>which is that reading this book will make you a

0:41:01.640 --> 0:41:06.720
<v Speaker 1>killer at dinner parties, because you will have so many fun, quick,

0:41:06.760 --> 0:41:11.080
<v Speaker 1>little zinger stories that you can just drop and they're funny,

0:41:11.239 --> 0:41:13.520
<v Speaker 1>and the people will think you're smart.

0:41:15.560 --> 0:41:18.319
<v Speaker 3>I've been sitting here honestly thinking, wow, Ed is a

0:41:18.360 --> 0:41:20.320
<v Speaker 3>smart guy.

0:41:20.440 --> 0:41:20.600
<v Speaker 2>Hi.

0:41:21.280 --> 0:41:22.880
<v Speaker 4>So I'm a battlefield guide.

0:41:22.960 --> 0:41:26.400
<v Speaker 7>I work overseas in Europe, and we all love the

0:41:26.440 --> 0:41:29.920
<v Speaker 7>podcast so much. We use a lot the reference of

0:41:30.000 --> 0:41:33.799
<v Speaker 7>Fidel Castro with those assassinations and how so many people

0:41:33.840 --> 0:41:37.760
<v Speaker 7>are shocked about Hitler and all those failed assassination attempts.

0:41:38.560 --> 0:41:40.640
<v Speaker 4>So we're wondering from.

0:41:40.600 --> 0:41:44.800
<v Speaker 7>Overseas if you've addressed it a little bit about World

0:41:44.840 --> 0:41:47.880
<v Speaker 7>War Two, but would you ever go more into Second

0:41:47.920 --> 0:41:51.120
<v Speaker 7>World War, First World War snafoos because there's just so

0:41:51.239 --> 0:41:51.919
<v Speaker 7>many to name.

0:41:52.840 --> 0:41:59.480
<v Speaker 1>Oh wow, the world wars just a cavalcade of snaffoos.

0:42:00.160 --> 0:42:03.799
<v Speaker 1>There's so much written about those, They're so heavily researched.

0:42:04.360 --> 0:42:08.080
<v Speaker 1>And that's kind of again, outside of where I've been

0:42:08.120 --> 0:42:11.239
<v Speaker 1>the most charged up with my curiosity the things that

0:42:11.600 --> 0:42:13.320
<v Speaker 1>have fallen out of popular memory.

0:42:13.800 --> 0:42:18.280
<v Speaker 2>But the Lusitania is a crazy world. War two story.

0:42:18.920 --> 0:42:21.879
<v Speaker 4>Yeah, i've seen you both. You know some of your work.

0:42:22.840 --> 0:42:25.400
<v Speaker 4>What's the relationship between you two? And why her to

0:42:25.480 --> 0:42:32.480
<v Speaker 4>interview you tonight on this particular topic lovers ex lovers?

0:42:36.040 --> 0:42:36.120
<v Speaker 1>Ye?

0:42:36.680 --> 0:42:37.480
<v Speaker 4>But good question?

0:42:37.680 --> 0:42:38.080
<v Speaker 2>Why me?

0:42:40.400 --> 0:42:49.200
<v Speaker 4>How rude? Yeah? What what the hell am I doing here?

0:42:50.440 --> 0:42:52.760
<v Speaker 4>I should be telling my kids boring stories?

0:42:52.920 --> 0:42:54.800
<v Speaker 2>Yeah.

0:42:54.840 --> 0:42:57.400
<v Speaker 3>I failed three grades and dropped out of have a

0:42:57.440 --> 0:42:58.560
<v Speaker 3>seventh grade education.

0:43:00.560 --> 0:43:04.239
<v Speaker 2>But you're smarter than most people I know.

0:43:04.800 --> 0:43:08.440
<v Speaker 4>Next question, No, what we mean?

0:43:08.480 --> 0:43:09.760
<v Speaker 2>I'm trying to remember the first.

0:43:09.520 --> 0:43:15.520
<v Speaker 3>From the comedy scene Gelson's thank you? I mean, yeah,

0:43:15.880 --> 0:43:21.400
<v Speaker 3>the comedy world, Largo, the venue here in town and

0:43:21.400 --> 0:43:23.799
<v Speaker 3>at Largo. We've done I did the office. We also

0:43:23.840 --> 0:43:27.280
<v Speaker 3>did a movie together. Yeah, I don't know.

0:43:27.400 --> 0:43:28.000
<v Speaker 4>Where'd you go?

0:43:28.600 --> 0:43:36.120
<v Speaker 1>It's a bit of a uh it's yeah, Yes, why her?

0:43:40.600 --> 0:43:41.040
<v Speaker 2>You have?

0:43:42.480 --> 0:43:45.719
<v Speaker 1>I guess I don't know why I like hanging out

0:43:45.719 --> 0:43:47.840
<v Speaker 1>with you? Take because you're not very nice to me.

0:43:48.960 --> 0:43:51.560
<v Speaker 1>We did an interview when we were promoting a movie

0:43:51.600 --> 0:43:54.640
<v Speaker 1>we did together where I think you just you kept

0:43:54.800 --> 0:43:58.160
<v Speaker 1>telling the reporter how stupid my face was.

0:44:00.120 --> 0:44:02.120
<v Speaker 4>Yeah.

0:44:02.239 --> 0:44:07.440
<v Speaker 3>To translate that, it's because he's so funny and silly,

0:44:07.600 --> 0:44:10.760
<v Speaker 3>and he makes these little smirky faces when he delivered.

0:44:10.840 --> 0:44:15.000
<v Speaker 3>You know, he's so unassuming and subtle and then boom,

0:44:15.360 --> 0:44:18.759
<v Speaker 3>right out of his stupid face is the funniest thing

0:44:18.840 --> 0:44:19.279
<v Speaker 3>you'll hear.

0:44:20.200 --> 0:44:21.480
<v Speaker 2>That's actually very sweet.

0:44:21.520 --> 0:44:24.239
<v Speaker 1>You're one of the only people that's ever called you

0:44:24.680 --> 0:44:27.640
<v Speaker 1>called my comedy subtle, and I appreciate that.

0:44:28.320 --> 0:44:30.560
<v Speaker 3>Well, no, you just have a subtle vibe about you,

0:44:30.840 --> 0:44:35.480
<v Speaker 3>like you know, when when we're chilling and whatever, and

0:44:35.560 --> 0:44:38.319
<v Speaker 3>then and then you'll do But also when we did

0:44:38.320 --> 0:44:41.839
<v Speaker 3>that movie like all of your that's where it came from.

0:44:41.920 --> 0:44:43.239
<v Speaker 4>Because when we were doing.

0:44:44.480 --> 0:44:48.640
<v Speaker 3>The director said, and now just you know, riff and

0:44:48.640 --> 0:44:51.319
<v Speaker 3>do some things, and he just was delivering all these

0:44:51.360 --> 0:44:56.719
<v Speaker 3>different improft lines and face expressions, and I was like,

0:44:57.040 --> 0:44:59.760
<v Speaker 3>this stupid face, that's where it came from.

0:45:00.160 --> 0:45:01.239
<v Speaker 4>That is where it came from.

0:45:01.320 --> 0:45:04.720
<v Speaker 3>It's when you started riffing and your face went nuts.

0:45:04.840 --> 0:45:08.000
<v Speaker 2>Yeah, that was fun, but we still don't know why.

0:45:07.840 --> 0:45:08.359
<v Speaker 4>I am here.

0:45:08.640 --> 0:45:12.799
<v Speaker 6>Next question, have you thought about turning one of the

0:45:12.840 --> 0:45:13.920
<v Speaker 6>stories into a movie?

0:45:14.640 --> 0:45:21.400
<v Speaker 1>Yes, and that's a there's concerted effort on that front

0:45:22.160 --> 0:45:26.120
<v Speaker 1>with a couple of these. I think someone actually had

0:45:26.360 --> 0:45:27.600
<v Speaker 1>the idea to do that.

0:45:27.680 --> 0:45:28.280
<v Speaker 2>The book.

0:45:29.040 --> 0:45:31.279
<v Speaker 1>Does anyone remember a history of the world the mel

0:45:31.280 --> 0:45:37.120
<v Speaker 1>Brooks movie. Like that's such a funny, like just compendium

0:45:37.320 --> 0:45:40.040
<v Speaker 1>of basically just comedy sketches.

0:45:40.200 --> 0:45:42.800
<v Speaker 2>And you could do all of these chapters as comedy

0:45:42.840 --> 0:45:44.879
<v Speaker 2>sketches too. So I don't know.

0:45:45.120 --> 0:45:47.880
<v Speaker 1>There's a few things in the hopefully in the hopper,

0:45:48.000 --> 0:45:51.840
<v Speaker 1>and and then a few very abstract ideas.

0:45:52.080 --> 0:45:53.120
<v Speaker 4>Is there a role for me?

0:45:53.400 --> 0:45:53.480
<v Speaker 7>No?

0:45:55.480 --> 0:45:58.239
<v Speaker 4>I guess that is the end of the evening here.

0:45:58.360 --> 0:46:02.800
<v Speaker 2>Isn't it up for taking this? Ladies and gentlemen, give it.

0:46:02.719 --> 0:46:05.040
<v Speaker 4>Up for mister ed Helms.

0:46:06.560 --> 0:46:10.760
<v Speaker 1>SNAFU is a production of iHeart Podcasts and Snapfoo Media,

0:46:11.080 --> 0:46:15.280
<v Speaker 1>a partnership between Film Nation Entertainment and Pacific Electric Picture Company.

0:46:16.719 --> 0:46:21.640
<v Speaker 1>Our post production studio is Gilded Audio. Our executive producers

0:46:21.680 --> 0:46:26.680
<v Speaker 1>are me Ed Helms, Mike Falbo, Glenn Basner, Andy Kim Whitney, Donaldson,

0:46:26.880 --> 0:46:31.600
<v Speaker 1>and Dylan Fagan. This episode was produced by Alyssa Martino

0:46:31.760 --> 0:46:36.400
<v Speaker 1>and Tory Smith. Our video editor is Jared Smith. Technical

0:46:36.440 --> 0:46:40.239
<v Speaker 1>direction and engineering from Nick Dooley. Our creative executive is

0:46:40.280 --> 0:46:42.840
<v Speaker 1>Brett Harris. Logo and branding by.

0:46:42.719 --> 0:46:44.000
<v Speaker 2>The Collected Works.

0:46:44.560 --> 0:46:49.040
<v Speaker 1>Legal review from Dan Welsh, Meghan Halson and Caroline Johnson.

0:46:49.760 --> 0:46:52.799
<v Speaker 1>Special thanks to Isaac Dunham, Adam Horn, Lane Klein, and

0:46:53.000 --> 0:46:57.520
<v Speaker 1>everyone at iHeart Podcasts, but especially Will Pearson, Harry Lieberman,

0:46:57.760 --> 0:47:03.000
<v Speaker 1>Nikki Etoor, Nathan O'towski, and Alex Corral. While I have you,

0:47:03.120 --> 0:47:06.520
<v Speaker 1>don't forget to pick up a copy of my book, Snafoo,

0:47:06.600 --> 0:47:10.520
<v Speaker 1>The Definitive Guide to History's Greatest screw Ups. It's available

0:47:10.560 --> 0:47:15.960
<v Speaker 1>now from any book retailer. Just go to snafoodashbook dot com.

0:47:16.440 --> 0:47:18.840
<v Speaker 2>Thanks for listening, and see you next week.