WEBVTT - Selena: Rise to the Astrodome

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<v Speaker 1>It's nineteen eighty nine, the year Taylor was born. Just kidding,

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<v Speaker 1>it's nineteen eighty nine and it is eighteen years old.

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<v Speaker 1>Selena has two major record labels in a bidding war.

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<v Speaker 2>So many offers on the table, a bitch got to

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<v Speaker 2>eat on the couch.

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<v Speaker 1>First, she was approached by the head of EMI Latin,

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<v Speaker 1>the just launch Latin music division of major British record

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<v Speaker 1>label EMI.

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<v Speaker 2>It was Selena's second time at the Tejano Music Awards,

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<v Speaker 2>and she cleaned house. She dazzled the crowd, and she

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<v Speaker 2>and the Dinos took home.

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<v Speaker 1>Six honors, convinced that they had found the next Gloria

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<v Speaker 1>Stefan Music executive Jose Bahar found Selena backstage signing autographs

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<v Speaker 1>and introduced himself as the head of EMI Latin, and

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<v Speaker 1>Selena replied, yeah right, but Bihar was the real deal,

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<v Speaker 1>and he wasn't the only scout in the crowd.

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<v Speaker 2>The heads of Stony Music were in attendance too. They

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<v Speaker 2>were just as impressed with Selena, and their eventual offer

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<v Speaker 2>for her was twice as generous as emis for a.

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<v Speaker 1>Young musician who had been living on the road in

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<v Speaker 1>a converted bus with her family. This was the.

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<v Speaker 2>Dream, But for any young artist, a decision like this

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<v Speaker 2>can also be treacherous.

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<v Speaker 1>I also think a lot about what it must have

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<v Speaker 1>been like for Abraham back then, right, Like he had

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<v Speaker 1>been in the music industry, but let's be honest, his

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<v Speaker 1>band did not have anywhere near the success that Selena

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<v Speaker 1>and Losinos.

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<v Speaker 2>Were going to have.

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<v Speaker 1>Contracts had to be hard. Like Abraham wasn't a lawyer,

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<v Speaker 1>he didn't have access to that. And I think about

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<v Speaker 1>how many times I've signed a contract that was not

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<v Speaker 1>in my best interest. How many times you hear about

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<v Speaker 1>musicians like even Taylor Swift, right, yeah, you think about

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<v Speaker 1>one of the biggest artists in the world that had

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<v Speaker 1>all of those resources, that had two parents, that probably

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<v Speaker 1>could have hired whoever, and she still feels like she

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<v Speaker 1>got royally screwed in these contracts because it's hard, it's

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<v Speaker 1>a business that is not in the artist's favor. It

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<v Speaker 1>can really make or break a career. I think, well, see,

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<v Speaker 1>that's kind of how contracts work.

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<v Speaker 2>I feel like they can make you until you think

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<v Speaker 2>you're something, and then when you tried to go off

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<v Speaker 2>on your own, that's where they have this contract because

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<v Speaker 2>they own you, but you do need each other.

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<v Speaker 1>One of the first like TV things I did. I

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<v Speaker 1>think I signed away the rights for them to use

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<v Speaker 1>my image in perpetuity.

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<v Speaker 2>No, no, Stu.

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<v Speaker 1>Yeah. So if you ever see a hologram of me

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<v Speaker 1>at a casino.

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<v Speaker 2>Gambling, you're like a casino girl. See and look, you're

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<v Speaker 2>smart and you know all this shit now. But like

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<v Speaker 2>they got you on your very first contract.

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<v Speaker 1>Back then, they were like, we will pay you an extra.

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<v Speaker 1>Then I was like, where do I sign? Where do

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<v Speaker 1>I sign?

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<v Speaker 2>We'll see, and that's where something like this happens.

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<v Speaker 1>Up until this point, Selena and her family had dealt

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<v Speaker 1>with small regional labels across Texas. This was a new

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<v Speaker 1>level of.

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<v Speaker 2>Business, and just as he had been throughout her whole

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<v Speaker 2>career up until now, Selena's father, Abraham was the one

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<v Speaker 2>in front of this decision.

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<v Speaker 1>Around Corpus Christi and San Antonio. Abraham Keythinia had already

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<v Speaker 1>garnered a reputation for being iron willed and stubborn and

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<v Speaker 1>for his hair trigger temper.

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<v Speaker 2>Behar had his own reputation, perhaps making him an Abraham

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<v Speaker 2>a perfect match. Years later, Behar would say in an interview.

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<v Speaker 1>Selena's father to this day says he signed with me

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<v Speaker 1>because I already had a reputation in the business for

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<v Speaker 1>being a little bit aggressive, especially in that region of

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<v Speaker 1>the country. Although he tortured me for like five or

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<v Speaker 1>six months, making it like he didn't want to sign

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<v Speaker 1>with me, and all that he still tells me to

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<v Speaker 1>this day, he knew he would sign right away.

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<v Speaker 2>The day after the Tajano Music Awards, Abraham Caithania and

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<v Speaker 2>jose bahar hammered out a deal over breakfast. Selena would

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<v Speaker 2>be the first artist to sign to EMI Latin.

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<v Speaker 1>The reason was simple. Abraham believed Selena was a star,

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<v Speaker 1>and EMI would let Selena attempt a crossover album.

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<v Speaker 2>But not without conditions.

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<v Speaker 1>I'm your Hoe, Liliana Oscaz.

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<v Speaker 2>And I'm Joseph Carrio And This is Becoming an Icon.

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<v Speaker 1>A weekly podcast where we give you the rundown on

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<v Speaker 1>how today's most famous Latin v stars have shaped pop culture.

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<v Speaker 2>And given the world some extra tuble.

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<v Speaker 1>Sit back and get comfortable.

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<v Speaker 2>Because we are going in the only.

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<v Speaker 1>Way we know how, with when us, whenasriesas, and a

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<v Speaker 1>lot of opinions as we relive their greatest achievements on

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<v Speaker 1>our journey to find out what makes them so iconic.

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<v Speaker 1>Let's talk about Selena's very first album cover. Joseph. One

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<v Speaker 1>word to describe it?

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<v Speaker 2>Oh god, one word? Uh? Why I don't have any mark? Yeah?

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<v Speaker 2>Question mark. It's just all so wrong, just everything about it,

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<v Speaker 2>and it just makes me sad, you know, just looking

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<v Speaker 2>at it. Do you don't want to buy that album?

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<v Speaker 1>It's such an odd presentation of who we know and

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<v Speaker 1>love as Selina Quintania. It's such an odd presentation of anybody.

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<v Speaker 2>Period, any human alive. I would say, but how would

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<v Speaker 2>you describe it? Like visually, what are you looking at?

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<v Speaker 1>It's very like Moroccan Arabian nights in the desert, Like

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<v Speaker 1>if a camel popped up, I would not be surprised.

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<v Speaker 2>Yeah, and she's.

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<v Speaker 1>Wearing like a head wrap with big earrings and a

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<v Speaker 1>big necklace and like a bralatt and the skirt that's

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<v Speaker 1>maybe like bautique print. Let me just be very very honest.

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<v Speaker 1>This is somebody at a label that has confused cultures

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<v Speaker 1>and was just like thinking, oh, she's exotic, she's Mexican,

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<v Speaker 1>and they're like, where have I been? That's exotic? I've

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<v Speaker 1>been to Morocco and they just are basically conflating anything exotic. Yeah,

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<v Speaker 1>they put into this buckets. The good news is it

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<v Speaker 1>didn't make sense to Selena either.

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<v Speaker 3>They hated the makeup, they hated the hair, they hated

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<v Speaker 3>the clothes, and Selena from the get was just not

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<v Speaker 3>happy with this. And the label did end up calling

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<v Speaker 3>this cover the worst they'd ever gotten, Like.

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<v Speaker 2>Literally the worst they'd ever gotten. It was the worst

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<v Speaker 2>that has ever been produced on planet Earth.

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<v Speaker 1>It was also their fault. Our Girl had nothing to

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<v Speaker 1>do with us.

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<v Speaker 2>Okay, that's no shade to the album itself. It was

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<v Speaker 2>a top performing debut that week on Billboard's Regional Mexican

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<v Speaker 2>Albums Chart at number seventeen, our girls very first time

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<v Speaker 2>on the chart.

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<v Speaker 1>But the story of this cover tells you a lot

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<v Speaker 1>about the high expectations around Selena at this point and

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<v Speaker 1>all the competing pressures and conflicting visions creatively around her.

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<v Speaker 2>Apart from the lifelong pressure to support her family with

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<v Speaker 2>her art, Selena dealt with the pressure from the label.

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<v Speaker 1>The parent label for Emi Latin saw the new division

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<v Speaker 1>as a quote unquote gamble, so Bihar had to deliver

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<v Speaker 1>and Emi had scoffed at Behar's claim that he had

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<v Speaker 1>found the next Gloria Estephon, telling him he had only

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<v Speaker 1>been in Texas for a week.

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<v Speaker 2>Before the recording of Selena's major label debut was finished,

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<v Speaker 2>Bihar and his fellow execs Stephen Finfer, had requested permission

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<v Speaker 2>for her to begin recording material for a crossover.

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<v Speaker 1>Album aka The Whole Reason Abraham chose Emi over Sony,

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<v Speaker 1>but Emi insisted that Selena needed a bigger fan base

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<v Speaker 1>in order for a crossover to be successful.

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<v Speaker 2>Behar alleges that Emi didn't believe a Mexican American woman

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<v Speaker 2>had crossover potential, and.

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<v Speaker 1>So the strategy was to follow through on the parent

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<v Speaker 1>label's expectation that Selena first dominate the Mexican and South

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<v Speaker 1>American markets before attempting the English language cross.

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<v Speaker 2>So but think about that for a minute. Selena ylos

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<v Speaker 2>Dino's spent their whole childhood playing in shows in Texas.

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<v Speaker 2>Their dad raises them on the Tahano music of his youth.

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<v Speaker 2>They're listening to American pop. It's like what Abraham said

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<v Speaker 2>all over again. They have to be more Mexican than

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<v Speaker 2>Mexicans and more American than the Americans. I think any

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<v Speaker 2>Latin person in the US who's ever had imposter syndrome knows.

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<v Speaker 2>This is literally the nightmare.

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<v Speaker 1>It's so true. It's exhausting to try to win at both.

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<v Speaker 1>But as a Selena fan, I will say that she

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<v Speaker 1>had the chops to do it right, like she had

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<v Speaker 1>the raw talent to do it. But if we've learned

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<v Speaker 1>anything through two seasons of becoming an icon, it's that

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<v Speaker 1>a lot of these icons had like five, six, seven, eight, nine,

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<v Speaker 1>ten albums before they had global success.

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<v Speaker 2>Selena's brother ab expressed that the band couldn't take a failure,

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<v Speaker 2>that under performing would put them at the bottom of

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<v Speaker 2>the totem pool for the label.

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<v Speaker 1>And I totally get that you only get one shot

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<v Speaker 1>at this, but I think that's like scarcity mindset, and

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<v Speaker 1>he needed to really believe in the talent that Selena

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<v Speaker 1>and the band had, and I get it. As the

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<v Speaker 1>lead producer for the album, I'm sure Abe felt tons

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<v Speaker 1>of pressure right because Abraham had also stipulated that his

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<v Speaker 1>son would produce the first full length album.

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<v Speaker 2>If the record underperformed, the label would find a producer

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<v Speaker 2>of their own for the follow up, like do a

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<v Speaker 2>good job, or we'll find someone who can.

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<v Speaker 1>As fate would have it, Aby did do a good job.

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<v Speaker 1>The debut album featured plenty of the Tahano sounds Selena

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<v Speaker 1>Ilosinos had cut their teeth on, like Quirostad, which dominated

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<v Speaker 1>airways in Texas that year.

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<v Speaker 2>It also had some curveballs, like my love dance track

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<v Speaker 2>That's a Little Madonna a Little Gloriac. There was also Sukiyaki,

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<v Speaker 2>a Spanish cover of a Japanese pops from the sixties,

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<v Speaker 2>not My.

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<v Speaker 1>Favorite's Gonna Lie, and the classic Besitos, which introduced Goumbia

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<v Speaker 1>to Selena and the band's repertoire. The track was the

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<v Speaker 1>first collaboration between AB and Pete Estubio, a songwriter AB

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<v Speaker 1>would frequently collaborate on as time went.

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<v Speaker 2>On, Was it synth Ritz and Cumbia ritmon Besitos pointed

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<v Speaker 2>the way for Selena and the band's creative future.

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<v Speaker 1>What I find so interesting about the association we have

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<v Speaker 1>with Selena's style of music, which is the Hano music

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<v Speaker 1>but also Gumbia music, is that in researching for this episode,

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<v Speaker 1>in my head, I always thought that Cumbia belonged to Mexicans.

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<v Speaker 2>Wait it does, Wait it doesn't.

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<v Speaker 1>So Gumbia is actually Colombian. It's their music. It was

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<v Speaker 1>brought to Mexico. I think, like in the nineteen forties,

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<v Speaker 1>and we kind of adopted it and obviously like added

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<v Speaker 1>our own style of instruments to it.

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<v Speaker 2>We borrowed it permanently.

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<v Speaker 1>All told, Selena was really happy with the album. She felt,

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<v Speaker 1>in her words, that all the hard work paid off.

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<v Speaker 2>And it did, Hannah. The album would peak at number

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<v Speaker 2>seven on Billboard's Regional Mexican Album chart, making Selena the

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<v Speaker 2>Dehanna to watch.

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<v Speaker 1>And it opened the door to touring across the Southwest

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<v Speaker 1>into Mexico and through the Midwest Washington and Florida.

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<v Speaker 2>We ain't in Texas anymore, Toto.

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<v Speaker 1>Selena's success was a decent indication that EMI's quote unquote

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<v Speaker 1>gamble might just pay off.

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<v Speaker 2>Abe would remain the principal producer on the next album,

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<v Speaker 2>nineteen nineties Ven Gonemule, and.

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<v Speaker 1>Perhaps embolden by the success of her major label debut,

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<v Speaker 1>Selena would begin taking some risks.

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<v Speaker 2>Risks and looks and in love.

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<v Speaker 1>In nineteen ninety, Selena's second album, Then Gonnigle, gave us

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<v Speaker 1>the all time classic Bye Lastacumbia.

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<v Speaker 2>Bye La Baye lah is Tacumbia. I just love that song.

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<v Speaker 1>Also, by the way, let's not forget gave us Selena

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<v Speaker 1>in a mohawk, and here to tell us all about

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<v Speaker 1>that look is a man sporting a mohawk himself at

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<v Speaker 1>the moment, Joseph, it's true. Do you want tell us

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<v Speaker 1>a little about it?

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<v Speaker 2>Yes. After the embarrassment of the last album cover, Selena

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<v Speaker 2>decided to be bold. The night before they shot the

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<v Speaker 2>new cover, Our girl had a punk rock makeover montage

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<v Speaker 2>moment and hacked her hair off.

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<v Speaker 1>We're talking jon Jet, needle drop, sink full of hair dye.

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<v Speaker 2>That's the vibe. Selena showed up to the shoot the

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<v Speaker 2>next day in a dyed black mohawk, and the label

0:12:55.160 --> 0:12:58.360
<v Speaker 2>was livid. They're trying to present Selena as a good

0:12:58.400 --> 0:13:00.960
<v Speaker 2>girl and she's over here looking red to smash a

0:13:01.240 --> 0:13:02.080
<v Speaker 2>freaking guitar.

0:13:02.600 --> 0:13:05.679
<v Speaker 1>Although the Dinos were still very much part of the equation,

0:13:06.040 --> 0:13:09.599
<v Speaker 1>Emi Latin was promoting Selena first and foremost.

0:13:09.240 --> 0:13:11.719
<v Speaker 2>And around this time Selena would start taking a bit

0:13:11.760 --> 0:13:13.720
<v Speaker 2>more ownership of her personal life.

0:13:14.360 --> 0:13:17.199
<v Speaker 1>It's time to talk about Chris.

0:13:17.240 --> 0:13:21.600
<v Speaker 2>Selena's guitarist and eventual love interest, Chris Bettis would enter

0:13:21.640 --> 0:13:24.840
<v Speaker 2>the picture during the recording of ven Gunmigo in nineteen

0:13:24.960 --> 0:13:28.440
<v Speaker 2>eighty nine, Aby recruited him off his big reputation within

0:13:28.480 --> 0:13:29.880
<v Speaker 2>the Tano music scene.

0:13:30.120 --> 0:13:34.360
<v Speaker 1>Lakintanias went to see him perform. Betez reciprocated, and after

0:13:34.400 --> 0:13:37.320
<v Speaker 1>seeing Selena and the band's chops, he was sold.

0:13:37.559 --> 0:13:40.000
<v Speaker 2>He loved the Dino sound, and on top of that,

0:13:40.080 --> 0:13:42.760
<v Speaker 2>he was excited to learn about musical arrangement from ab

0:13:43.520 --> 0:13:44.600
<v Speaker 2>I get Ce brothers.

0:13:45.400 --> 0:13:49.600
<v Speaker 1>Beez introduced harder edge guitar work the Dinos sound, which

0:13:49.640 --> 0:13:52.520
<v Speaker 1>would turn out to be a crucial ingredient.

0:13:52.440 --> 0:13:55.760
<v Speaker 2>But Abraham wasn't crazy about his harder edged rocker look

0:13:56.080 --> 0:13:58.360
<v Speaker 2>and insisted that Betty's clean up to align with his

0:13:58.600 --> 0:14:01.400
<v Speaker 2>family friendly vision fors.

0:14:01.000 --> 0:14:04.400
<v Speaker 1>Which makes Selena's jone jet moment all the more interesting.

0:14:04.720 --> 0:14:10.840
<v Speaker 1>At nineteen, Selena was an adult, but Abraham was still abrahaming.

0:14:10.920 --> 0:14:15.120
<v Speaker 2>And despite Beta's musical contributions, Abraham by all accounts, had

0:14:15.160 --> 0:14:17.600
<v Speaker 2>a skeptical eye on him from the jump.

0:14:18.400 --> 0:14:21.800
<v Speaker 1>Abraham was afraid Peez would sing the band, but Petez

0:14:21.800 --> 0:14:25.360
<v Speaker 1>and ab formed a strong collaborative friendship, and the first

0:14:25.440 --> 0:14:28.040
<v Speaker 1>routs of that friendship came the same year he started

0:14:28.040 --> 0:14:29.360
<v Speaker 1>getting involved with the band.

0:14:29.720 --> 0:14:32.560
<v Speaker 2>Selena would appear in a Coca Cola commercial in Mexico,

0:14:32.760 --> 0:14:35.440
<v Speaker 2>which b T dubs that's how you know you've made

0:14:35.480 --> 0:14:35.960
<v Speaker 2>it over there?

0:14:36.040 --> 0:14:38.760
<v Speaker 1>Oh yeah, it's a quick spot. Selena sings a little

0:14:38.840 --> 0:14:40.680
<v Speaker 1>jingle to camera and dances with a.

0:14:40.640 --> 0:14:43.440
<v Speaker 2>Partner in a red dress given to her by Mexican

0:14:43.480 --> 0:14:45.800
<v Speaker 2>actress and singer Lucy Amendez.

0:14:45.400 --> 0:14:47.760
<v Speaker 1>Which also tells you a little bit about Selena's growing

0:14:47.760 --> 0:14:51.960
<v Speaker 1>footprint be on the Texas border. Oh and the jingle itself,

0:14:52.280 --> 0:14:54.680
<v Speaker 1>it was composed by Aby and Chris.

0:14:55.600 --> 0:14:58.600
<v Speaker 2>After Selena shot the commercial, ab treated the band to

0:14:58.600 --> 0:15:01.760
<v Speaker 2>a vacation in a comple and that's where Selena and

0:15:01.840 --> 0:15:03.400
<v Speaker 2>Chris's romance blossomed.

0:15:03.680 --> 0:15:06.080
<v Speaker 1>Chris did try to fight it at first, and not

0:15:06.160 --> 0:15:08.960
<v Speaker 1>just because he was being professional, but because he had

0:15:09.000 --> 0:15:11.320
<v Speaker 1>a girlfriend in San Antonio.

0:15:11.000 --> 0:15:15.280
<v Speaker 2>And the low it was arobi though on a few level, honey.

0:15:15.600 --> 0:15:19.760
<v Speaker 1>But Chris ultimately couldn't fight it, and neither could Selena.

0:15:20.280 --> 0:15:23.440
<v Speaker 1>So they confess their feelings for one another at the

0:15:23.480 --> 0:15:28.400
<v Speaker 1>most romantic spot in the San Antonio metropolitan area, where

0:15:29.120 --> 0:15:33.840
<v Speaker 1>over personal pan pizzas. Pizza hut, No, y'all, I'm kidding.

0:15:33.840 --> 0:15:35.600
<v Speaker 1>I don't know they had personal pant pizzas, But what

0:15:35.680 --> 0:15:37.840
<v Speaker 1>else are you eating? At Pizza Hut. Maybe the salad

0:15:37.880 --> 0:15:40.440
<v Speaker 1>bar I don't know, but whatever they were at pizza.

0:15:40.200 --> 0:15:43.640
<v Speaker 2>Hut, I was going to say, what was the oragor y'all,

0:15:44.000 --> 0:15:46.920
<v Speaker 2>Selena and Chris were eighteen and twenty when they met.

0:15:46.960 --> 0:15:49.760
<v Speaker 2>But it's such a teen romance. I mean a pizza hut.

0:15:49.840 --> 0:15:52.800
<v Speaker 1>Come on, we know our girl loves a pizza. She

0:15:53.000 --> 0:15:57.760
<v Speaker 1>loves Pepperoni pizza. But right, imagine passing through to pick

0:15:57.840 --> 0:16:01.680
<v Speaker 1>up your favorite pie and seeing them huddle together at

0:16:01.680 --> 0:16:05.920
<v Speaker 1>a table over to Cox. You think, aw get cute

0:16:06.280 --> 0:16:07.520
<v Speaker 1>and head back to the parking lot.

0:16:07.960 --> 0:16:09.960
<v Speaker 2>You wouldn't think for a second that that was an

0:16:10.040 --> 0:16:12.800
<v Speaker 2>artist who was playing crowds up to sixty thousand people

0:16:13.040 --> 0:16:13.520
<v Speaker 2>by that.

0:16:13.520 --> 0:16:17.040
<v Speaker 1>Point, well unless maybe you'd seen that coke. But point being,

0:16:17.400 --> 0:16:21.080
<v Speaker 1>Selena's career was at an inflection point when Petez joined.

0:16:21.480 --> 0:16:24.480
<v Speaker 2>The record were selling, the fan base was growing, and

0:16:24.520 --> 0:16:26.080
<v Speaker 2>the band was branching out.

0:16:25.960 --> 0:16:30.040
<v Speaker 1>Musically, and yet Abraham saw Chris as a threat. So,

0:16:30.240 --> 0:16:33.520
<v Speaker 1>to Selena's dismay, she and Chris would keep their relationship

0:16:33.800 --> 0:16:34.920
<v Speaker 1>a secret.

0:16:35.240 --> 0:16:39.120
<v Speaker 2>I can kind of see why Abraham feels like that,

0:16:39.480 --> 0:16:43.160
<v Speaker 2>where this person coming in. If he influences his daughter,

0:16:43.240 --> 0:16:45.560
<v Speaker 2>he can probably you know, she might side with him,

0:16:45.640 --> 0:16:48.080
<v Speaker 2>and that's just a natural threat. I would say, like

0:16:48.160 --> 0:16:50.280
<v Speaker 2>as a as a macho man. Right, we'll call it that.

0:16:50.440 --> 0:16:53.040
<v Speaker 1>Well, I think saying I think using the word macho

0:16:53.120 --> 0:16:56.240
<v Speaker 1>here is kind of the perfect way to describe what's

0:16:56.320 --> 0:16:56.800
<v Speaker 1>going on.

0:16:57.040 --> 0:16:57.200
<v Speaker 2>Right.

0:16:57.240 --> 0:17:01.120
<v Speaker 1>You have Abraham who is very much like household, head

0:17:01.120 --> 0:17:06.439
<v Speaker 1>of musical group, head of everything in his head, and

0:17:06.640 --> 0:17:08.880
<v Speaker 1>to me, it's like a control thing, right. I think

0:17:08.880 --> 0:17:11.960
<v Speaker 1>he wanted to control his daughter. I think he wanted

0:17:12.000 --> 0:17:16.280
<v Speaker 1>to control Selena the performer and exerting control over her

0:17:16.440 --> 0:17:18.440
<v Speaker 1>by telling her who she could and couldn't date. It's

0:17:18.480 --> 0:17:21.000
<v Speaker 1>just another way that he really wanted to kind of

0:17:21.040 --> 0:17:24.199
<v Speaker 1>like live out his vision for this family group. But

0:17:24.680 --> 0:17:27.639
<v Speaker 1>you know, Selena was a teenager, Like teenagers are going

0:17:27.720 --> 0:17:28.960
<v Speaker 1>to do what teenagers do.

0:17:29.080 --> 0:17:30.480
<v Speaker 2>That's what I was going to say. You know. Also,

0:17:30.520 --> 0:17:33.119
<v Speaker 2>the thing is is that she's just also so young

0:17:33.359 --> 0:17:35.360
<v Speaker 2>like and unfortunately he does see her as a meal

0:17:35.400 --> 0:17:37.399
<v Speaker 2>ticket and you can't fuck with with my money.

0:17:37.840 --> 0:17:40.440
<v Speaker 1>That's kind of the vibe that I get after having

0:17:40.480 --> 0:17:43.560
<v Speaker 1>read so much about the relationship. It was kind of like,

0:17:44.440 --> 0:17:46.240
<v Speaker 1>I don't want to be poor, I don't want to

0:17:46.240 --> 0:17:49.720
<v Speaker 1>be broke. My entire success, our entire livelihood as a

0:17:49.800 --> 0:17:52.000
<v Speaker 1>family is riding on the success of this band. And

0:17:52.640 --> 0:17:55.639
<v Speaker 1>you know, you throw in a curveball, and let's be honest.

0:17:55.760 --> 0:17:58.200
<v Speaker 1>Chris did not have the best history, right. He had

0:17:58.200 --> 0:18:01.119
<v Speaker 1>had some like big party on the road. He had

0:18:01.160 --> 0:18:03.320
<v Speaker 1>had some kind of brush up with the law. There

0:18:03.400 --> 0:18:07.000
<v Speaker 1>were allegations of drug use, right, So he wasn't like

0:18:07.080 --> 0:18:10.080
<v Speaker 1>a straight and narrow right. He played the guitar, he

0:18:10.160 --> 0:18:13.040
<v Speaker 1>had long hair, all of these ideas of like what

0:18:13.119 --> 0:18:17.000
<v Speaker 1>Abraham deemed, you know, not a good influence on his daughter.

0:18:17.160 --> 0:18:20.080
<v Speaker 1>He kind of possessed all of those things. But what's

0:18:20.119 --> 0:18:24.440
<v Speaker 1>crazy is that battle between Chris and Abraham. It went

0:18:24.480 --> 0:18:29.480
<v Speaker 1>on their entire relationship even after Selena passed away. You know,

0:18:29.520 --> 0:18:32.160
<v Speaker 1>the two of them have been battling for her since

0:18:32.240 --> 0:18:34.640
<v Speaker 1>the day they met. And I get it, like I'm

0:18:34.760 --> 0:18:37.360
<v Speaker 1>going to be I'm going to have opinions about who

0:18:37.520 --> 0:18:40.240
<v Speaker 1>my son ultimately wants to be with. But at the

0:18:40.320 --> 0:18:42.359
<v Speaker 1>end of the day, like we all know how that

0:18:42.400 --> 0:18:45.800
<v Speaker 1>turns out if you exert authority there, like they're going

0:18:45.880 --> 0:18:50.840
<v Speaker 1>to push and Selena pushed. In any case, Selena and

0:18:50.920 --> 0:18:54.920
<v Speaker 1>Chris would eventually be found out by Suzette midway through

0:18:54.960 --> 0:18:55.359
<v Speaker 1>a tour.

0:18:55.680 --> 0:18:58.240
<v Speaker 2>Okay, first of all, I know you know Susette, So

0:18:58.320 --> 0:19:01.399
<v Speaker 2>tell her that I'm pissnoid with her that she narked

0:19:01.440 --> 0:19:05.920
<v Speaker 2>on her sister. Well, Selena's mother was approving of the relationship.

0:19:06.040 --> 0:19:08.520
<v Speaker 2>Abraham pulled Chris off the tour of us and told

0:19:08.600 --> 0:19:10.320
<v Speaker 2>him it's over.

0:19:10.520 --> 0:19:13.800
<v Speaker 1>But Selena and Chris continued dating in secret. You can't

0:19:13.800 --> 0:19:18.359
<v Speaker 1>stop love bus. Okay, and we can't confirm whether Selena

0:19:18.480 --> 0:19:20.919
<v Speaker 1>still had the mohawk at this point, but off the

0:19:21.160 --> 0:19:22.480
<v Speaker 1>energy is there.

0:19:23.000 --> 0:19:25.720
<v Speaker 2>Just imagine she does have the mohawk for this next part,

0:19:25.760 --> 0:19:27.440
<v Speaker 2>because it's just better that way.

0:19:27.680 --> 0:19:28.880
<v Speaker 1>Okay, I'm there, I'm there.

0:19:29.320 --> 0:19:33.080
<v Speaker 2>One day, Abraham again stops the bus. He stomps over

0:19:33.119 --> 0:19:35.359
<v Speaker 2>to where Selena and Chris are sitting and shouts again

0:19:35.600 --> 0:19:38.480
<v Speaker 2>that it's over, but Selena screams.

0:19:38.160 --> 0:19:41.240
<v Speaker 1>Back at him, that's kind of big, Like maybe this

0:19:41.320 --> 0:19:44.399
<v Speaker 1>is about a little more than a secret relationship, like

0:19:44.800 --> 0:19:45.640
<v Speaker 1>that kind of big.

0:19:46.480 --> 0:19:49.920
<v Speaker 2>Meanwhile, Chris tries to mediate between the two until Abraham

0:19:49.960 --> 0:19:52.960
<v Speaker 2>calls him, quote unquote a cancer to the family.

0:19:53.320 --> 0:19:57.160
<v Speaker 1>Damn Abraham. Well, with Chris now in the fray, Abraham

0:19:57.200 --> 0:20:01.960
<v Speaker 1>threatens to disband Selena E Loosino's if the relationship continues,

0:20:02.080 --> 0:20:04.120
<v Speaker 1>that is so much drama.

0:20:03.600 --> 0:20:05.680
<v Speaker 2>Like you need to do least guys saw him.

0:20:06.359 --> 0:20:10.840
<v Speaker 1>I know the young lovers stand down, and Abraham fires

0:20:10.920 --> 0:20:11.720
<v Speaker 1>Chris from the group.

0:20:12.080 --> 0:20:15.240
<v Speaker 2>Abraham told Texas Monthly that he dropped the guitarist off

0:20:15.400 --> 0:20:17.960
<v Speaker 2>at a Waterburger parking lot and told him to find

0:20:18.080 --> 0:20:20.800
<v Speaker 2>his way home. Which that's harsh, but you could do

0:20:20.800 --> 0:20:23.439
<v Speaker 2>words and Waterburger. I love me a number seven, so

0:20:23.520 --> 0:20:23.840
<v Speaker 2>do I.

0:20:23.920 --> 0:20:29.399
<v Speaker 1>In the Texas Toast hits every time, so good A

0:20:29.480 --> 0:20:32.560
<v Speaker 1>breakfast Burger probably wouldn't ease the hurt of losing your

0:20:32.560 --> 0:20:35.760
<v Speaker 1>girlfriend and your job at the same time. But Chris,

0:20:35.840 --> 0:20:39.040
<v Speaker 1>by his account, had been exhausted from dealing with all

0:20:39.080 --> 0:20:41.919
<v Speaker 1>of Abraham's drama and moved back to San Antonio.

0:20:42.359 --> 0:20:46.520
<v Speaker 2>Selena, however, was devastated. The two would continue to try

0:20:46.520 --> 0:20:48.720
<v Speaker 2>to see each other whenever she was in the area,

0:20:48.800 --> 0:20:51.240
<v Speaker 2>in secret, of course, but this would.

0:20:51.000 --> 0:20:54.159
<v Speaker 1>Prove too hard for Selena, so one night she banged

0:20:54.160 --> 0:20:56.119
<v Speaker 1>on the door of his hotel room in Corpus Christy

0:20:56.320 --> 0:20:59.080
<v Speaker 1>and demanded he elope with her, And just.

0:20:59.400 --> 0:21:02.800
<v Speaker 2>Like that, Selena and Chris, at twenty and twenty two,

0:21:03.160 --> 0:21:07.520
<v Speaker 2>were married, at the Nuess County Courthouse. Abraham initially took

0:21:07.560 --> 0:21:10.800
<v Speaker 2>the news badly, but eventually accepted their marriage and allowed

0:21:10.880 --> 0:21:12.320
<v Speaker 2>Chris back into the band.

0:21:12.520 --> 0:21:15.840
<v Speaker 1>Duh, Chris would say, in hindsight, I thought with great

0:21:15.880 --> 0:21:18.840
<v Speaker 1>certainty that remembering those marriage vows would always be a

0:21:18.880 --> 0:21:21.840
<v Speaker 1>sort of glue holding us. We had every intention of

0:21:21.920 --> 0:21:25.200
<v Speaker 1>living happily ever after. Nobody could stop us from doing

0:21:25.240 --> 0:21:25.960
<v Speaker 1>that now.

0:21:26.720 --> 0:21:30.720
<v Speaker 2>And these sure were Selena's crowning musical achievements were soon

0:21:30.880 --> 0:21:42.760
<v Speaker 2>to follow, starting with her bona fide breakthrough album.

0:21:43.119 --> 0:21:45.600
<v Speaker 1>If the test was for Selena to prove that she

0:21:45.720 --> 0:21:48.879
<v Speaker 1>had star power in Latin America, you could say she

0:21:48.920 --> 0:21:49.960
<v Speaker 1>had already passed.

0:21:50.040 --> 0:21:54.520
<v Speaker 2>With flying colors, Baila Estakumiya became a hit single in Mexico,

0:21:54.880 --> 0:21:57.919
<v Speaker 2>Her concerts were drawing crowds in the tens of thousands,

0:21:58.000 --> 0:21:59.760
<v Speaker 2>and we already told you about the Kogas.

0:22:00.160 --> 0:22:04.040
<v Speaker 1>Selena Ilosino's continue to weave modern popin' dance tracks into

0:22:04.080 --> 0:22:08.520
<v Speaker 1>their albums, planting the seeds for that long awaited crossover.

0:22:08.960 --> 0:22:11.680
<v Speaker 2>But we can't talk about crossovers without talking about the

0:22:11.720 --> 0:22:14.680
<v Speaker 2>album that made Selena a bonafide.

0:22:13.960 --> 0:22:23.439
<v Speaker 1>Star, nineteen ninety two's Ententre Amimundo featuring Goma. But you

0:22:23.440 --> 0:22:24.720
<v Speaker 1>have to like whisper it.

0:22:25.600 --> 0:22:26.040
<v Speaker 2>I know.

0:22:28.720 --> 0:22:31.320
<v Speaker 1>She builds bitch, she doesn't give it to you right away,

0:22:31.440 --> 0:22:32.119
<v Speaker 1>she teases you.

0:22:32.200 --> 0:22:32.920
<v Speaker 2>Chrees.

0:22:34.040 --> 0:22:39.399
<v Speaker 1>Gomla would become Selena's signature track, solidifying her star status

0:22:39.440 --> 0:22:41.040
<v Speaker 1>in Texas and Mexico.

0:22:41.320 --> 0:22:44.679
<v Speaker 2>The song tells a story of this woman and literally

0:22:44.800 --> 0:22:48.960
<v Speaker 2>my life seeing her ex with a new flame. Though painful,

0:22:49.160 --> 0:22:52.480
<v Speaker 2>she accepts the need to move on, comparing their past

0:22:52.520 --> 0:22:54.040
<v Speaker 2>love to a wilted rose.

0:22:54.320 --> 0:22:57.159
<v Speaker 1>Ultimately, she's glad to have loved and lost than to

0:22:57.280 --> 0:22:58.880
<v Speaker 1>never have loved at all.

0:22:59.359 --> 0:23:00.760
<v Speaker 2>Me on good day brunch.

0:23:01.280 --> 0:23:04.760
<v Speaker 1>On the flip side, there's Gegrillaz where she tells off

0:23:04.800 --> 0:23:08.960
<v Speaker 1>a former lover, singing and I am translating here, what

0:23:08.960 --> 0:23:10.720
<v Speaker 1>did you think that you were going to find a

0:23:10.760 --> 0:23:13.280
<v Speaker 1>love greater than mine that would make you happier? Well,

0:23:13.400 --> 0:23:15.800
<v Speaker 1>now you know it's not so easy.

0:23:15.720 --> 0:23:17.840
<v Speaker 2>Me on an even better day at brunch.

0:23:18.600 --> 0:23:23.119
<v Speaker 1>We have definitely both been both of these songs, maybe

0:23:23.160 --> 0:23:26.840
<v Speaker 1>sometimes on the same day at the same brunch.

0:23:27.119 --> 0:23:29.919
<v Speaker 2>Truly, And that's the beauty of Selena on this album.

0:23:30.080 --> 0:23:33.920
<v Speaker 2>Lyrically to Hano music usually told tales of deceitle women

0:23:34.119 --> 0:23:35.200
<v Speaker 2>and male victim.

0:23:34.960 --> 0:23:38.639
<v Speaker 1>Hed Selena flipped that script on its head, using the

0:23:38.720 --> 0:23:42.080
<v Speaker 1>genre to give voice to deeply felt female characters and

0:23:42.160 --> 0:23:47.240
<v Speaker 1>their experiences. Entremi Mundo exemplifies just how far Selena had

0:23:47.240 --> 0:23:50.200
<v Speaker 1>come as a vocalist, how far ab had come as

0:23:50.200 --> 0:23:53.800
<v Speaker 1>a songwriter, and how in sync the whole band had become.

0:23:54.440 --> 0:23:59.000
<v Speaker 2>The track list incorporates power pop, R and B, disco, rock,

0:23:59.280 --> 0:24:02.000
<v Speaker 2>and funk in the Tehano and Tejano cumbia sounds that

0:24:02.040 --> 0:24:04.560
<v Speaker 2>Selena and company had perfected over the years.

0:24:05.000 --> 0:24:10.439
<v Speaker 1>This is say Lena, This is her like everything about

0:24:10.480 --> 0:24:15.000
<v Speaker 1>this hits. The red lipsticks, the simplicity of the makeup,

0:24:15.119 --> 0:24:18.760
<v Speaker 1>the body yaddi yadi, the crop top, the hair on

0:24:18.920 --> 0:24:22.800
<v Speaker 1>her head being like wild and free. The font this

0:24:23.080 --> 0:24:26.520
<v Speaker 1>is the Selena font. When you think of Selena's name,

0:24:26.560 --> 0:24:29.360
<v Speaker 1>it is written in one font. She owned this font.

0:24:29.440 --> 0:24:31.760
<v Speaker 2>This is it yeah and in red hello.

0:24:32.200 --> 0:24:36.119
<v Speaker 1>And this album had banger after banger after banger. I

0:24:36.119 --> 0:24:41.040
<v Speaker 1>mean La Caracacca, but also like Las Cadna's Gomo La floor,

0:24:41.480 --> 0:24:43.760
<v Speaker 1>sila quiere is like there's a lot here.

0:24:44.320 --> 0:24:47.080
<v Speaker 2>Unlike the self titled record, the Selena we see on

0:24:47.160 --> 0:24:50.440
<v Speaker 2>the album cover here is her own woman she's wearing

0:24:50.440 --> 0:24:52.600
<v Speaker 2>an outfit she designed herself.

0:24:52.720 --> 0:24:56.720
<v Speaker 1>An outfit that once again said Abraham's hair on end.

0:24:57.280 --> 0:25:00.720
<v Speaker 1>But by that point Selena had staked out her territory

0:25:01.000 --> 0:25:03.480
<v Speaker 1>and no one could argue. With the album.

0:25:03.160 --> 0:25:07.520
<v Speaker 2>Sales, Interramimundo fild fifty thousand copies in pre sale and

0:25:07.560 --> 0:25:10.280
<v Speaker 2>would peak at the number one spot on Billboard's Regional

0:25:10.320 --> 0:25:11.440
<v Speaker 2>Mexican Albums.

0:25:11.160 --> 0:25:15.080
<v Speaker 1>Chart, dethroning one of the Hano music's long standing acts,

0:25:15.200 --> 0:25:19.560
<v Speaker 1>La Mafia, granting Selena her first certified gold album and

0:25:19.600 --> 0:25:22.680
<v Speaker 1>cementing Selena's status as the Queen of.

0:25:22.680 --> 0:25:28.200
<v Speaker 2>The huntm Interramimundo singles La Carcacca, Gomona Floor, tekre Jaz

0:25:28.280 --> 0:25:31.960
<v Speaker 2>and Amame would come to dominate airwaves in Texas.

0:25:31.600 --> 0:25:35.320
<v Speaker 1>And in Mexico. To boost the album, EMI Latin President

0:25:35.400 --> 0:25:39.040
<v Speaker 1>Jose Bihar sent Selena on a press tour in Monterrey.

0:25:39.400 --> 0:25:42.439
<v Speaker 2>The Mexican press would call Selena an artist of the people,

0:25:42.560 --> 0:25:46.560
<v Speaker 2>and Comona Floor climbed the Mexican charts along with Intremimundo.

0:25:47.000 --> 0:25:50.560
<v Speaker 1>All throughout Texas, Selena played sold out shows, including a

0:25:50.680 --> 0:25:54.480
<v Speaker 1>record breaking show at the Houston Astrodome attended by nearly

0:25:54.600 --> 0:25:56.439
<v Speaker 1>fifty eight thousand people.

0:25:56.760 --> 0:25:59.880
<v Speaker 2>In Mexico. She was the standout of the Festival Acapulco

0:26:00.080 --> 0:26:03.760
<v Speaker 2>nineteen ninety three, and she drew seventy thousand attendees to

0:26:03.800 --> 0:26:05.720
<v Speaker 2>her show at La Verria and then We Will Leon.

0:26:06.000 --> 0:26:08.240
<v Speaker 1>The same band that had struggled to get through the

0:26:08.280 --> 0:26:11.200
<v Speaker 1>door at the Hannel music venues throughout the Corpus Christi

0:26:11.280 --> 0:26:14.480
<v Speaker 1>area was now playing two massive crowds.

0:26:14.880 --> 0:26:19.119
<v Speaker 2>This incredible moment in Selena Elosdino's career would be immortalized

0:26:19.160 --> 0:26:22.040
<v Speaker 2>in their nineteen ninety three live album Selena Live.

0:26:24.800 --> 0:26:27.880
<v Speaker 1>If you are new to Selena, and what I mean

0:26:27.880 --> 0:26:30.520
<v Speaker 1>by new to Selena meaning you've never watched her performances,

0:26:30.520 --> 0:26:32.639
<v Speaker 1>you've only watched the movie or you've only listened to

0:26:32.720 --> 0:26:36.359
<v Speaker 1>the songs, I really encourage you to go back and

0:26:36.520 --> 0:26:39.960
<v Speaker 1>watch the videos of her live performances. There's two in

0:26:40.000 --> 0:26:45.119
<v Speaker 1>particular that for me are the moment where she's performing

0:26:46.000 --> 0:26:48.640
<v Speaker 1>Gomola floor and by les La Cumbia. I think that's

0:26:48.720 --> 0:26:51.760
<v Speaker 1>from the live album that performance, and then also when

0:26:51.840 --> 0:26:55.640
<v Speaker 1>she's at the Ferria Monterrey when she performs La Carcacca.

0:26:56.480 --> 0:27:02.439
<v Speaker 1>They are because any people confuse, kids confused j Loo's

0:27:02.600 --> 0:27:08.840
<v Speaker 1>performance of Selena, how dare they with Selena's actual performances.

0:27:08.920 --> 0:27:12.560
<v Speaker 1>You guys, she does these long, extended versions of the song.

0:27:12.600 --> 0:27:15.160
<v Speaker 1>And I'm not saying that she doesn't like have choreography.

0:27:15.200 --> 0:27:18.439
<v Speaker 1>She obviously does, but so much of it feels really

0:27:18.640 --> 0:27:21.400
<v Speaker 1>almost kind of like improvised.

0:27:21.960 --> 0:27:25.600
<v Speaker 2>No, she was just vibing out. And that's what I

0:27:25.640 --> 0:27:26.880
<v Speaker 2>think that people could see.

0:27:26.920 --> 0:27:30.040
<v Speaker 1>You look at the stage presence that she has in

0:27:30.080 --> 0:27:34.400
<v Speaker 1>these clips. She really was such an icon. Like it's

0:27:34.480 --> 0:27:38.200
<v Speaker 1>incredible to watch her and the band just takes their

0:27:38.320 --> 0:27:41.439
<v Speaker 1>cue from her, like they're gonna riff as long as

0:27:41.440 --> 0:27:43.080
<v Speaker 1>she's gonna dance and as long as the crowd is

0:27:43.080 --> 0:27:47.080
<v Speaker 1>loving it. She's there to serve one community only, and

0:27:47.160 --> 0:27:49.960
<v Speaker 1>that is every person in the audience.

0:27:50.119 --> 0:27:52.960
<v Speaker 2>That's it, and you see it, like watching these videos,

0:27:53.040 --> 0:27:55.560
<v Speaker 2>I was just kind of like, wow, like she just

0:27:55.600 --> 0:27:56.359
<v Speaker 2>feels at home.

0:27:56.560 --> 0:28:02.880
<v Speaker 1>She had it. Selena electrified the crowd with her vocals

0:28:03.200 --> 0:28:06.280
<v Speaker 1>and her charm. She had turned out to be every

0:28:06.400 --> 0:28:09.880
<v Speaker 1>bit a star as Abraham imagined back in his mentor's

0:28:09.920 --> 0:28:16.639
<v Speaker 1>record shop. On the next Becoming an Icon, Selena's rise

0:28:16.880 --> 0:28:26.639
<v Speaker 1>is cut tragically short. Becoming an Icon is presented by

0:28:26.680 --> 0:28:31.440
<v Speaker 1>Sonoo and Iheart's Michael gudda podcast network. Listen to becoming

0:28:31.440 --> 0:28:35.600
<v Speaker 1>an icon on the iHeartRadio app, Apple podcast, or wherever

0:28:35.680 --> 0:28:37.000
<v Speaker 1>you get your podcast