1 00:00:00,720 --> 00:00:04,120 Speaker 1: I am all in again. 2 00:00:06,559 --> 00:00:10,280 Speaker 2: Oh, let's. 3 00:00:17,280 --> 00:00:22,320 Speaker 3: I am all in again with Scott Patterson and iHeartRadio podcast. 4 00:00:22,720 --> 00:00:25,240 Speaker 1: Hey everybody, Scott Patterson, I am all in Podcast one 5 00:00:25,239 --> 00:00:28,480 Speaker 1: eleven productions. iHeart Radio, iHeart Media, iHeart Podcast. One on 6 00:00:28,560 --> 00:00:34,120 Speaker 1: one interview live at Warner Brothers. UH pre interviews with 7 00:00:34,760 --> 00:00:40,519 Speaker 1: Michael Winters, who played the illustrious Taylor Dozie. Michael, it 8 00:00:40,600 --> 00:00:43,839 Speaker 1: is so good to see a so much for flying 9 00:00:43,880 --> 00:00:46,160 Speaker 1: in for this a big event at Warner Brothers. 10 00:00:46,800 --> 00:00:47,320 Speaker 2: Out of town. 11 00:00:47,680 --> 00:00:49,200 Speaker 1: And that's good. 12 00:00:49,840 --> 00:00:50,560 Speaker 2: Terrible up there. 13 00:00:50,640 --> 00:00:51,400 Speaker 1: How you doing. 14 00:00:51,760 --> 00:00:52,480 Speaker 2: I'm doing good. 15 00:00:52,560 --> 00:00:53,600 Speaker 1: You're looking well. 16 00:00:53,760 --> 00:00:54,840 Speaker 2: Thanks, I feel good. 17 00:00:55,160 --> 00:00:58,560 Speaker 1: Tell us about getting the role I was. 18 00:00:58,720 --> 00:01:01,280 Speaker 2: I had been in town for a few years and 19 00:01:01,320 --> 00:01:07,400 Speaker 2: I had sporadic auditions and then I got the audition 20 00:01:07,480 --> 00:01:10,280 Speaker 2: for this, and I had a script and hadn't been 21 00:01:10,360 --> 00:01:13,080 Speaker 2: on yet. I had no idea what it was like. 22 00:01:13,160 --> 00:01:15,319 Speaker 2: And I read it and I thought, I don't know 23 00:01:15,360 --> 00:01:19,040 Speaker 2: whether this is a comedy or if it's a serious thing. 24 00:01:19,120 --> 00:01:21,160 Speaker 2: I did not know how to deal with it. And 25 00:01:21,200 --> 00:01:25,440 Speaker 2: the guy who was running the interview was a Rodman Flanders, 26 00:01:25,480 --> 00:01:29,920 Speaker 2: who directed the episode then eventually, and he talked about 27 00:01:29,920 --> 00:01:34,240 Speaker 2: it in terms of screwball comedies from the thirties that 28 00:01:34,400 --> 00:01:36,639 Speaker 2: I knew very well, so that gave me the great 29 00:01:36,880 --> 00:01:40,160 Speaker 2: clue did the audition. I think I came back one 30 00:01:40,160 --> 00:01:42,000 Speaker 2: more time and then boom, I was doing it. And 31 00:01:42,040 --> 00:01:45,200 Speaker 2: it was originally only supposed to be four episodes, and 32 00:01:45,240 --> 00:01:47,200 Speaker 2: I said, that's great, because I'm going back to Seattle 33 00:01:47,240 --> 00:01:49,200 Speaker 2: and do a play, and they said, well, you know, 34 00:01:49,240 --> 00:01:51,320 Speaker 2: if there's any more, we'll call you back. In the end, 35 00:01:51,320 --> 00:01:54,480 Speaker 2: it ended up being seven years, plus the four extra 36 00:01:55,160 --> 00:01:58,200 Speaker 2: movies for Netflix and everything. So it was tiny little 37 00:01:58,200 --> 00:02:01,400 Speaker 2: seed that grew into a big thing for me. Anyway. 38 00:02:01,600 --> 00:02:06,240 Speaker 1: That's do you remember your first visit to Stars Hollow? 39 00:02:06,440 --> 00:02:08,720 Speaker 2: Oh? Yeah, I mean, you know, the first time I'd 40 00:02:08,720 --> 00:02:11,720 Speaker 2: been on this lot or you know it is where 41 00:02:11,720 --> 00:02:14,480 Speaker 2: great movies where you go around and the sound stages 42 00:02:14,560 --> 00:02:17,560 Speaker 2: have plaques on them with movies and TVs that were 43 00:02:17,600 --> 00:02:20,960 Speaker 2: filmed in those places, you know, great old movies that 44 00:02:20,760 --> 00:02:25,040 Speaker 2: I that I'm a great fan of. And then I 45 00:02:25,040 --> 00:02:29,040 Speaker 2: think we talked about this once before that. I the 46 00:02:29,080 --> 00:02:34,040 Speaker 2: first scene I did was a sort of Halloween one, 47 00:02:34,160 --> 00:02:37,040 Speaker 2: an autumn one, and I was trying to decorate the 48 00:02:37,080 --> 00:02:41,360 Speaker 2: town with everything, and you didn't want any decorations on 49 00:02:41,480 --> 00:02:45,440 Speaker 2: your place, and I got caught by you sneaking pumpkins 50 00:02:45,480 --> 00:02:47,800 Speaker 2: onto the front steps. I remember that so vividly. And 51 00:02:47,800 --> 00:02:50,240 Speaker 2: then when I watched the episode again before we talked 52 00:02:50,280 --> 00:02:55,160 Speaker 2: on your on your show, that wasn't there. That never 53 00:02:55,400 --> 00:02:58,800 Speaker 2: made it into the Yeah, but that was the whole 54 00:02:58,840 --> 00:03:01,320 Speaker 2: first thing, was the beginning of our relationship. 55 00:03:02,360 --> 00:03:07,240 Speaker 1: Yeah, when did you start getting recognized as Taylor Dosie 56 00:03:07,280 --> 00:03:08,640 Speaker 1: out there in the in Pulbium. 57 00:03:08,720 --> 00:03:11,600 Speaker 2: It was a while because like the first year, I 58 00:03:11,600 --> 00:03:13,959 Speaker 2: think I was only in three episodes the first year. 59 00:03:14,440 --> 00:03:18,000 Speaker 2: Then it sort of grew and it was a couple 60 00:03:18,040 --> 00:03:22,040 Speaker 2: of years before people recognized me on the street. I'm 61 00:03:22,040 --> 00:03:24,800 Speaker 2: still sort of amazed, because you know, it was a 62 00:03:24,800 --> 00:03:28,280 Speaker 2: fairly small part, but a very very memorable part of 63 00:03:28,360 --> 00:03:31,800 Speaker 2: good Time. But now it happens every once in a while. 64 00:03:31,800 --> 00:03:33,280 Speaker 2: I was just talking to Ted about it on the 65 00:03:33,280 --> 00:03:36,600 Speaker 2: way over today, that it happens just enough to be 66 00:03:36,800 --> 00:03:40,360 Speaker 2: nice and not to be noxious, not to take life. 67 00:03:40,360 --> 00:03:44,400 Speaker 2: But it was a while before before people would recognize 68 00:03:44,400 --> 00:03:46,640 Speaker 2: me because I didn't do much early on, and then 69 00:03:46,880 --> 00:03:50,040 Speaker 2: you know, it got to be more and then you know, 70 00:03:50,080 --> 00:03:51,720 Speaker 2: it was just constant there for a while. 71 00:03:51,800 --> 00:03:55,720 Speaker 1: Do you remember being directed by Amy, Oh, yeah, tell 72 00:03:55,800 --> 00:03:56,800 Speaker 1: us about that experience. 73 00:03:56,920 --> 00:03:59,200 Speaker 2: Well, I mean it was she knew it. I mean, 74 00:03:59,280 --> 00:04:02,240 Speaker 2: you know, she'd written that, so she knew. But but 75 00:04:02,560 --> 00:04:04,440 Speaker 2: and she was the one who she talked about the 76 00:04:04,520 --> 00:04:08,440 Speaker 2: rom coms to the old, the old screwball comedies with 77 00:04:08,520 --> 00:04:11,280 Speaker 2: a lot of risk. So I learned a whole new 78 00:04:11,320 --> 00:04:13,280 Speaker 2: style of sort of working. And I got it right 79 00:04:13,320 --> 00:04:17,160 Speaker 2: from her because you know, she knew it and she 80 00:04:17,160 --> 00:04:20,720 Speaker 2: she lived it right, So yeah, she was great. 81 00:04:21,080 --> 00:04:23,280 Speaker 1: How about Dan? Do you remember working with Dan? He 82 00:04:23,320 --> 00:04:24,239 Speaker 1: directed a few. 83 00:04:24,040 --> 00:04:27,279 Speaker 2: Episodes and I did, and he was much quieter. You know, 84 00:04:27,320 --> 00:04:32,000 Speaker 2: he was a very you know, quiet internal sort of guy. 85 00:04:32,120 --> 00:04:34,680 Speaker 2: But he knew what he was doing too. It was 86 00:04:34,760 --> 00:04:37,160 Speaker 2: just a whole different sort of energy, right. 87 00:04:37,920 --> 00:04:40,640 Speaker 1: Yeah, they're writing is different to episode per episode. Ye, 88 00:04:42,000 --> 00:04:45,640 Speaker 1: hers is more like this. His is more like this, 89 00:04:46,480 --> 00:04:46,680 Speaker 1: you know. 90 00:04:47,120 --> 00:04:47,840 Speaker 2: Yeah, that's right. 91 00:04:47,960 --> 00:04:52,080 Speaker 1: Yeah. He tends to keep it very light, the really 92 00:04:52,120 --> 00:04:55,039 Speaker 1: stressing the comedy all the way through, and then there's 93 00:04:55,080 --> 00:04:57,920 Speaker 1: always this big moment at the end. 94 00:04:58,160 --> 00:05:01,720 Speaker 2: I don't remember we're exactly the episodes I worked with him, 95 00:05:01,760 --> 00:05:04,159 Speaker 2: but it wasn't It wasn't many three or four, right, 96 00:05:04,360 --> 00:05:06,000 Speaker 2: maybe over the whole time. 97 00:05:07,120 --> 00:05:09,240 Speaker 1: What do you remember about working with Lauren Graham. 98 00:05:09,800 --> 00:05:12,359 Speaker 2: It was great. We found out within the first hour 99 00:05:12,600 --> 00:05:15,000 Speaker 2: that I was here that we had the same birthday. 100 00:05:15,240 --> 00:05:15,920 Speaker 1: Oh is that right? 101 00:05:16,000 --> 00:05:18,279 Speaker 2: Yeah, so we sort of launched into that. And she 102 00:05:18,320 --> 00:05:20,960 Speaker 2: would always say to me, you know, she had this 103 00:05:21,000 --> 00:05:23,960 Speaker 2: great job, and she said, oh, I wish I could 104 00:05:23,960 --> 00:05:25,719 Speaker 2: do what you do. I'd love to go do a play. 105 00:05:26,920 --> 00:05:29,800 Speaker 2: And we used to talk about the theater, you know 106 00:05:29,839 --> 00:05:31,760 Speaker 2: when we talked, but she was usually so busy. We 107 00:05:31,800 --> 00:05:32,880 Speaker 2: didn't have a lot of time. 108 00:05:33,200 --> 00:05:34,279 Speaker 1: She had a killer schedule. 109 00:05:34,400 --> 00:05:37,640 Speaker 2: Yeah she did, she did. And then after that Gilmore 110 00:05:37,680 --> 00:05:39,960 Speaker 2: Girls was over. Before she went over to the other thing, 111 00:05:40,000 --> 00:05:44,120 Speaker 2: the Family thing, she did a show in New York, right, 112 00:05:44,160 --> 00:05:54,599 Speaker 2: she got to do a play. You know. 113 00:05:54,839 --> 00:05:59,359 Speaker 1: I always found Gilmore to be very theatrical. You know, 114 00:05:59,400 --> 00:06:01,599 Speaker 1: a lot of the means we shot in the diner. 115 00:06:02,279 --> 00:06:05,520 Speaker 1: We're really like these little plays. Yeah, you know, they 116 00:06:05,560 --> 00:06:07,800 Speaker 1: really were. And a lot of it was staged that way, 117 00:06:07,800 --> 00:06:10,279 Speaker 1: a block that way, so I kind of felt like 118 00:06:10,320 --> 00:06:11,440 Speaker 1: I was doing theater anything. 119 00:06:11,720 --> 00:06:14,120 Speaker 2: I felt very much at home. Yeah, I have to say, 120 00:06:14,279 --> 00:06:17,640 Speaker 2: that's what I usually did. And I remember at one point, 121 00:06:17,880 --> 00:06:22,000 Speaker 2: do you remember Dak and Matthews who showed the yeah. 122 00:06:22,000 --> 00:06:23,400 Speaker 2: He's an old friend of mine and we've done a 123 00:06:23,400 --> 00:06:26,440 Speaker 2: lot of work together. And we both heard from people 124 00:06:26,440 --> 00:06:29,359 Speaker 2: who worked on Gilmo Girls said we like you guys 125 00:06:29,400 --> 00:06:32,440 Speaker 2: because you can handle a whole lot of dialogue, you know, 126 00:06:32,480 --> 00:06:34,600 Speaker 2: because we were used to that, right, And so when 127 00:06:34,640 --> 00:06:38,039 Speaker 2: we do the town meetings, you know, and Liz and 128 00:06:38,080 --> 00:06:40,200 Speaker 2: I would sit up there all day long while they 129 00:06:40,200 --> 00:06:41,840 Speaker 2: shot the other thing. Then we'd each have one and 130 00:06:41,880 --> 00:06:46,040 Speaker 2: I have these long, complicated speeches, and I thought, oh, yeah, yeah, 131 00:06:46,080 --> 00:06:48,800 Speaker 2: this is so it's it was hard, and you know, 132 00:06:50,240 --> 00:06:53,960 Speaker 2: for that kind of situation, you have to have it. 133 00:06:54,360 --> 00:06:55,839 Speaker 2: You have to have the lines before you go. You 134 00:06:55,880 --> 00:06:58,120 Speaker 2: don't rehearse anything. Oh no, no, it's just you got 135 00:06:58,120 --> 00:06:59,800 Speaker 2: to be ready to go. It took me a while 136 00:06:59,800 --> 00:07:01,479 Speaker 2: to get used to that is. It was very different 137 00:07:01,480 --> 00:07:02,839 Speaker 2: from what i'd done. 138 00:07:02,200 --> 00:07:06,480 Speaker 1: Ye. George Bell was yeah, oh yeah, very very good 139 00:07:06,520 --> 00:07:08,520 Speaker 1: about fantastics. Oh my gosh. 140 00:07:08,600 --> 00:07:10,640 Speaker 2: It's the only thing I ever worked on in which 141 00:07:11,400 --> 00:07:13,880 Speaker 2: when the shot was over, they would check with the director, 142 00:07:13,880 --> 00:07:15,760 Speaker 2: They checked with the DP, they checked with the sound guy, 143 00:07:15,800 --> 00:07:17,560 Speaker 2: and then they checked with George to see how we 144 00:07:17,600 --> 00:07:21,760 Speaker 2: had done by the dialogue. So if it wasn't exactly 145 00:07:21,760 --> 00:07:24,120 Speaker 2: word perfect, right, they'd go back and we'd have to 146 00:07:24,160 --> 00:07:24,560 Speaker 2: do it again. 147 00:07:24,640 --> 00:07:27,800 Speaker 1: But I remember all those town hall meetings where you 148 00:07:27,840 --> 00:07:29,400 Speaker 1: would just nail everything. 149 00:07:29,960 --> 00:07:31,200 Speaker 2: It did not feel that way. 150 00:07:31,240 --> 00:07:34,920 Speaker 1: You were ninety five percent nailing everything every take. 151 00:07:34,760 --> 00:07:36,120 Speaker 2: And they were very complicated. 152 00:07:36,240 --> 00:07:36,800 Speaker 1: Yeah they were. 153 00:07:36,840 --> 00:07:39,120 Speaker 2: It was sort of the fun of the writers, I guess. 154 00:07:39,440 --> 00:07:43,240 Speaker 2: But I remember that those days were endless for us 155 00:07:43,320 --> 00:07:47,600 Speaker 2: because we sat up there, well all the shooting out 156 00:07:47,640 --> 00:07:51,320 Speaker 2: in the audience, and then there'd be a big one, 157 00:07:51,360 --> 00:07:53,000 Speaker 2: then there'd be a close up and everything. 158 00:07:53,000 --> 00:07:55,800 Speaker 1: So it took all day, all day in that night. 159 00:07:56,440 --> 00:08:01,880 Speaker 2: Room that was boiling hotep and and then at the 160 00:08:02,000 --> 00:08:05,360 Speaker 2: end everybody went home and she and I stayed and 161 00:08:05,480 --> 00:08:08,200 Speaker 2: did the parts, you know where they were looking at us. 162 00:08:09,560 --> 00:08:11,720 Speaker 2: We were always done at eleven or eleventh at night. 163 00:08:12,640 --> 00:08:15,520 Speaker 2: So it's harder to remember. The one thing I remember 164 00:08:15,520 --> 00:08:18,000 Speaker 2: too about the we did an episode that had the 165 00:08:18,080 --> 00:08:23,480 Speaker 2: Livings paintings right right, and I did all the introductions 166 00:08:23,480 --> 00:08:26,280 Speaker 2: to the paintings, which I did at the end exactly 167 00:08:26,320 --> 00:08:29,560 Speaker 2: the same thing, full of Italian names and all that stuff. 168 00:08:30,040 --> 00:08:36,240 Speaker 2: And the night was over essentially, you know, and if 169 00:08:36,320 --> 00:08:38,560 Speaker 2: everybody left and I got up there to do like 170 00:08:38,600 --> 00:08:41,199 Speaker 2: four or five of these things in a row and 171 00:08:41,320 --> 00:08:44,080 Speaker 2: the direction and I don't I don't want to push you, 172 00:08:44,160 --> 00:08:46,600 Speaker 2: but the sun's going to come up in about five minutes. 173 00:08:46,600 --> 00:08:48,240 Speaker 2: We got to get these done before it was done, 174 00:08:48,600 --> 00:08:51,280 Speaker 2: so I had to rattle those off. Oh my, that 175 00:08:51,400 --> 00:08:52,120 Speaker 2: was pretty freaky. 176 00:08:52,240 --> 00:08:54,040 Speaker 1: Reminds me of those days in New York City when 177 00:08:54,040 --> 00:08:56,079 Speaker 1: I'd stumble out to save the Robot at seven am. 178 00:08:56,480 --> 00:08:58,920 Speaker 1: And you know what I mean. Yeah, he'd stumble out 179 00:08:58,920 --> 00:09:01,640 Speaker 1: of Warner Brothers at seven am, you know, yeah, on 180 00:09:01,679 --> 00:09:05,400 Speaker 1: a Saturday morning and then have to be back Monday. Sure, yeah, 181 00:09:05,400 --> 00:09:08,760 Speaker 1: those were sometimes. Yeah, those town hall meetings. Wow. 182 00:09:09,559 --> 00:09:13,000 Speaker 2: But it was also fun because, uh, Liz and I 183 00:09:13,120 --> 00:09:17,280 Speaker 2: liked old music. Uh and uh, so we'd we'd spend 184 00:09:17,320 --> 00:09:19,800 Speaker 2: the time. She'd sing the first line of a song 185 00:09:19,880 --> 00:09:21,480 Speaker 2: and I would do it from there. 186 00:09:21,640 --> 00:09:24,480 Speaker 1: That went on along. We'd spent that she she wasn't 187 00:09:24,480 --> 00:09:25,199 Speaker 1: she great on set? 188 00:09:25,640 --> 00:09:25,840 Speaker 2: Man? 189 00:09:26,320 --> 00:09:31,040 Speaker 1: Having Liz and and Sally on at the same time. Yeah, Oh, 190 00:09:31,040 --> 00:09:34,000 Speaker 1: that's like the history of musical theater. It's exactly right. 191 00:09:34,040 --> 00:09:38,080 Speaker 2: And and Liz had known and worked with everybody. 192 00:09:38,160 --> 00:09:42,840 Speaker 1: Yes, you know, just amazing the stories, the exactly the 193 00:09:42,880 --> 00:09:44,439 Speaker 1: funny the body story and. 194 00:09:44,400 --> 00:09:47,959 Speaker 2: You know that on the back wall of that of 195 00:09:48,000 --> 00:09:51,520 Speaker 2: that of her studio were all old photographs of her, 196 00:09:51,840 --> 00:09:54,360 Speaker 2: right from far back in her career. And she was 197 00:09:54,360 --> 00:09:55,120 Speaker 2: a young guyes. 198 00:09:55,679 --> 00:10:00,600 Speaker 1: Yes, yeah, she really, you know, she knew everybody, James Dean, 199 00:10:00,840 --> 00:10:02,199 Speaker 1: I mean, she had all the stories. 200 00:10:02,200 --> 00:10:05,360 Speaker 2: It's Tony Bennett, she talked about a lot. Yeah, she 201 00:10:05,440 --> 00:10:05,800 Speaker 2: was great. 202 00:10:06,040 --> 00:10:11,200 Speaker 1: Yeah, yeah, she was probably the most cornered actress on 203 00:10:11,360 --> 00:10:14,679 Speaker 1: set because we wanted the stories. Can you just talk? 204 00:10:14,840 --> 00:10:16,240 Speaker 2: Well? And I had all that time with her. 205 00:10:16,400 --> 00:10:19,600 Speaker 1: Yeah, it was great. What a treat, What a treat. 206 00:10:21,280 --> 00:10:23,560 Speaker 1: So you keep in touch with Sally right, uh? 207 00:10:23,800 --> 00:10:27,520 Speaker 2: Not anymore? Did for a while, okay, and Liz too. 208 00:10:28,120 --> 00:10:29,640 Speaker 2: Uh And then of course it was great when we 209 00:10:29,679 --> 00:10:34,440 Speaker 2: did the reboot or Netflix and we uh we were 210 00:10:34,480 --> 00:10:36,400 Speaker 2: all back together again. That's what a lot of that 211 00:10:36,480 --> 00:10:37,240 Speaker 2: time was was. 212 00:10:38,120 --> 00:10:40,360 Speaker 1: You know, Sally was supposed to do this today, but 213 00:10:40,400 --> 00:10:43,520 Speaker 1: she's she's she's always in Kansas City doing a play. 214 00:10:44,120 --> 00:10:47,080 Speaker 1: She works all the time. Yeah, on stage though, Yeah, 215 00:10:47,440 --> 00:10:48,440 Speaker 1: she's always doing something. 216 00:10:48,480 --> 00:10:50,400 Speaker 2: Well, we did. I remember one thing Liz and I 217 00:10:50,400 --> 00:10:54,040 Speaker 2: did was she played she did a one woman No, 218 00:10:54,120 --> 00:10:56,880 Speaker 2: it was two or three people actually about Patsy Klein 219 00:10:58,040 --> 00:11:02,600 Speaker 2: in Hollywood and and I went one day and head 220 00:11:02,679 --> 00:11:03,960 Speaker 2: lunch and then went to watch her. 221 00:11:03,880 --> 00:11:05,920 Speaker 1: Do Oh that's nice to think it was great, that's 222 00:11:06,000 --> 00:11:09,640 Speaker 1: very nice. What are you working on now anything. 223 00:11:09,360 --> 00:11:11,480 Speaker 2: Well, I don't work much anymore. I mean, I'm sort 224 00:11:11,480 --> 00:11:15,200 Speaker 2: of retired because after a while I started to lose 225 00:11:15,240 --> 00:11:17,240 Speaker 2: my balance. You know, my balance wasn't good and so 226 00:11:17,360 --> 00:11:20,960 Speaker 2: I had trouble with that, and and then there was 227 00:11:21,000 --> 00:11:25,400 Speaker 2: the the pandemic. All the theaters just shut down, and 228 00:11:25,480 --> 00:11:28,000 Speaker 2: so so by the time that was over, I was 229 00:11:28,040 --> 00:11:31,640 Speaker 2: like essentially retired sort of. I've done I've done things 230 00:11:31,720 --> 00:11:34,000 Speaker 2: up there, but you know, like one show a year. 231 00:11:34,600 --> 00:11:38,040 Speaker 1: Well, I know this global fan base would like you 232 00:11:38,080 --> 00:11:41,120 Speaker 1: to make a big comeback as Taylor Dozie. Would you, uh, 233 00:11:42,000 --> 00:11:46,319 Speaker 1: maybe venture to do another iteration of Gilmore. 234 00:11:45,920 --> 00:11:50,120 Speaker 2: Girls in New York? Oh that's good, it would be fun. Yeah. Well, 235 00:11:50,120 --> 00:11:52,640 Speaker 2: what's the greatest job in the world. Yeah, And I 236 00:11:52,720 --> 00:11:55,640 Speaker 2: lived about ten minutes from here. Oh yeah the whole time. Yeah, 237 00:11:55,679 --> 00:11:58,679 Speaker 2: me too, So I had no problem getting here, had 238 00:11:58,679 --> 00:12:01,840 Speaker 2: a great time and had fun stuff to do. Yeah. 239 00:12:01,920 --> 00:12:03,760 Speaker 1: I used to get on Maul Holland and just get 240 00:12:03,760 --> 00:12:04,640 Speaker 1: here in six minutes. 241 00:12:04,840 --> 00:12:08,600 Speaker 2: Just so yeah, and just was around the corner sort of. 242 00:12:08,679 --> 00:12:12,280 Speaker 1: Well, it's been a great pleasure catching up with you, Michael. 243 00:12:13,040 --> 00:12:14,959 Speaker 1: Great to see you, and we'll see you out there 244 00:12:15,000 --> 00:12:17,360 Speaker 1: in about an hour's time, I guess, and we're going 245 00:12:17,400 --> 00:12:18,840 Speaker 1: to put on a show for all these fans that 246 00:12:18,840 --> 00:12:20,160 Speaker 1: are showing up at Warner Brothers. 247 00:12:20,480 --> 00:12:39,280 Speaker 3: Thank you, Michael, Thank you 248 00:12:50,480 --> 00:12:53,480 Speaker 1: Hey everybody, and don't forget Follow us on Instagram at 249 00:12:53,800 --> 00:12:57,720 Speaker 1: I Am All In podcast and email us at Gilmour 250 00:12:57,960 --> 00:13:00,280 Speaker 1: at iHeartRadio dot home.