1 00:00:01,440 --> 00:00:10,760 Speaker 1: Can'st play around. I'm buzznight and today I am so 2 00:00:11,320 --> 00:00:15,200 Speaker 1: excited to be in Seacoast, New Hampshire. I'm here on 3 00:00:15,200 --> 00:00:18,480 Speaker 1: this chilly morning to be taking a walk with Tom 4 00:00:18,600 --> 00:00:24,000 Speaker 1: bergeron Tom is the Best. He's an American TV personality, 5 00:00:24,320 --> 00:00:28,520 Speaker 1: game show host, TV host and comedian known for hosting 6 00:00:28,640 --> 00:00:34,480 Speaker 1: Hollywood Squares, America's Funniest Home Videos, and Dancing with the Stars. 7 00:00:35,280 --> 00:00:40,640 Speaker 1: Let's go take a walk with Tom. Well, Tom, it 8 00:00:40,720 --> 00:00:42,919 Speaker 1: is so great to be with you here in New 9 00:00:42,920 --> 00:00:45,320 Speaker 1: Hampshire taking a Walk. Thank you so much for the 10 00:00:45,440 --> 00:00:49,800 Speaker 1: time and the Taking a Walk series is all about 11 00:00:50,280 --> 00:00:55,680 Speaker 1: finding new friends and reacquainting with people and just having 12 00:00:55,680 --> 00:00:57,720 Speaker 1: a good old time. So thank you for having me 13 00:00:57,800 --> 00:01:00,440 Speaker 1: well my pleasure. And as I said you when you 14 00:01:00,480 --> 00:01:04,440 Speaker 1: first we first made contact. I love the idea of 15 00:01:04,480 --> 00:01:08,160 Speaker 1: this kind of a podcast, this kind of a casual interview. 16 00:01:09,120 --> 00:01:12,319 Speaker 1: I think it's I should mention to those listening. It 17 00:01:12,400 --> 00:01:17,760 Speaker 1: is really cold on this first day of March in 18 00:01:17,800 --> 00:01:21,399 Speaker 1: twenty twenty two, and we're walking on a tree lined 19 00:01:21,440 --> 00:01:24,680 Speaker 1: street in New Hampshire. Earlier it was about nine degrees. 20 00:01:24,720 --> 00:01:27,680 Speaker 1: I think it's warmed up to probably a good solid 21 00:01:27,800 --> 00:01:33,560 Speaker 1: thirteen degrees. So I'm not that I'm second guessing my 22 00:01:33,720 --> 00:01:39,679 Speaker 1: agreeing to do this, but I hadn't anticipated mother nature 23 00:01:40,720 --> 00:01:44,200 Speaker 1: throwing a little speedbump. But see now that we're moving, buzz, 24 00:01:44,720 --> 00:01:47,640 Speaker 1: I'm warming up already. I pulled into the driveway and 25 00:01:47,720 --> 00:01:52,080 Speaker 1: I said to Tom, whose brilliant idea was this? But hey, 26 00:01:52,080 --> 00:01:54,480 Speaker 1: it's your podcast. Yeah, I know, I take the hit. 27 00:01:54,600 --> 00:01:59,160 Speaker 1: That's okay. So how do you use taking a walk 28 00:02:00,160 --> 00:02:02,600 Speaker 1: at a particular time if you're working on a project 29 00:02:02,720 --> 00:02:04,680 Speaker 1: or something like that. I mean, do you use walking 30 00:02:04,720 --> 00:02:07,520 Speaker 1: to kind of rushia and get into a groove on something? 31 00:02:07,600 --> 00:02:09,920 Speaker 1: Very much so, and it's sort of part of my 32 00:02:10,000 --> 00:02:13,880 Speaker 1: fitness regimen too. Out in California, there are so many 33 00:02:13,919 --> 00:02:18,440 Speaker 1: wonderful hiking trails, and over the past few years that's 34 00:02:18,480 --> 00:02:22,720 Speaker 1: been a regular part of my routine, usually on weekends 35 00:02:22,800 --> 00:02:26,960 Speaker 1: on a Saturday, hit some of the trails anywhere from 36 00:02:28,520 --> 00:02:32,760 Speaker 1: Santa Monica to Santa Barbara. Oh, it must be some 37 00:02:32,800 --> 00:02:36,920 Speaker 1: beautiful places. Their favorite spot. Yes, there's one called the 38 00:02:37,040 --> 00:02:43,239 Speaker 1: Ray millerd Backbone Trail that overlooks the Pacific Ocean in Malibu, 39 00:02:43,560 --> 00:02:47,400 Speaker 1: and that is followed by a brunch at Paradise Cove 40 00:02:47,480 --> 00:02:51,400 Speaker 1: and Malibu and the mango mohitos that I feel are 41 00:02:51,480 --> 00:02:55,040 Speaker 1: my reward for hiking. I love it. I can just 42 00:02:55,200 --> 00:02:57,800 Speaker 1: see it, I could taste it. Yeah, Oh it's delicious. 43 00:02:57,919 --> 00:03:04,800 Speaker 1: Oh that's awesome. Now I believe transcendental meditation is or 44 00:03:04,919 --> 00:03:07,760 Speaker 1: has been part of your life. Oh yeah, for about 45 00:03:07,760 --> 00:03:13,079 Speaker 1: forty years. Actually, yeah, it's a daily part of my life. 46 00:03:13,280 --> 00:03:22,280 Speaker 1: And it really started because of my temper. I never 47 00:03:22,360 --> 00:03:25,320 Speaker 1: directed it at anybody else, usually at myself or at 48 00:03:25,320 --> 00:03:27,560 Speaker 1: the sheet rock in my apartments when I was single, 49 00:03:28,919 --> 00:03:31,000 Speaker 1: but I thought that was something I had to get 50 00:03:31,040 --> 00:03:35,080 Speaker 1: a handle on. And also, meditation just keeps It's like 51 00:03:35,160 --> 00:03:39,600 Speaker 1: building a mental muscle, so you stay as best as 52 00:03:39,640 --> 00:03:43,160 Speaker 1: one can in the present moment of your life, so 53 00:03:43,280 --> 00:03:46,720 Speaker 1: you're not fretting about what you're going to do later 54 00:03:46,880 --> 00:03:49,600 Speaker 1: or what you did before and kind of missing what's 55 00:03:49,600 --> 00:03:53,720 Speaker 1: happening now. So it served dual purposes for me. It 56 00:03:53,800 --> 00:03:58,240 Speaker 1: helped me calm down a bit and be better at 57 00:03:58,240 --> 00:04:02,560 Speaker 1: assessing stress as it resented itself. Not all stress needs 58 00:04:02,600 --> 00:04:07,440 Speaker 1: to be treated equally, and it also helped keep me 59 00:04:07,520 --> 00:04:11,880 Speaker 1: and helps keep me present, which on television anyway, when 60 00:04:11,920 --> 00:04:15,760 Speaker 1: I do live television, you want to be present. You 61 00:04:15,840 --> 00:04:19,880 Speaker 1: don't want to be thinking about something else. Now, do 62 00:04:19,920 --> 00:04:22,599 Speaker 1: you still get the butterflies on live television? No, you 63 00:04:22,600 --> 00:04:26,960 Speaker 1: know it's interesting. I tell students who are just starting 64 00:04:27,000 --> 00:04:32,000 Speaker 1: out sometimes that energy you feel. How you label energy 65 00:04:32,560 --> 00:04:36,200 Speaker 1: is important. If you say, oh my god, I'm a 66 00:04:36,240 --> 00:04:42,440 Speaker 1: nervous wreck, or you say I'm really excited, you're having 67 00:04:42,480 --> 00:04:46,680 Speaker 1: the same energy, but you're labeling it positively and negatively. 68 00:04:47,279 --> 00:04:51,200 Speaker 1: So I'm sure early on I have a sense memory 69 00:04:51,400 --> 00:04:54,200 Speaker 1: of the first time I actually was on the radio 70 00:04:54,200 --> 00:04:57,159 Speaker 1: when I was seventeen, and my heart was beating like 71 00:04:57,200 --> 00:05:02,280 Speaker 1: a jackhammer at years late. Now, whenever I'm on television, 72 00:05:02,839 --> 00:05:04,800 Speaker 1: I'm excited. I wonder what's going to happen. In the 73 00:05:04,839 --> 00:05:09,039 Speaker 1: years I've done live TV, I'm like a kid on 74 00:05:09,120 --> 00:05:13,680 Speaker 1: Christmas morning, I'll usually meditate ahead of the show. Back 75 00:05:13,720 --> 00:05:16,960 Speaker 1: when I did the dancing show, I'd meditate between the 76 00:05:18,000 --> 00:05:22,080 Speaker 1: dress rehearsal and the live show, and my feeling was 77 00:05:22,120 --> 00:05:25,320 Speaker 1: I'm ready for anything out there, and I couldn't wait 78 00:05:25,320 --> 00:05:28,240 Speaker 1: to see what would happen, even if an occasional dancer 79 00:05:28,320 --> 00:05:33,120 Speaker 1: fainted or people rush the stage or whatever. Now take 80 00:05:33,200 --> 00:05:38,360 Speaker 1: us back to the mean streets of Haver and your 81 00:05:38,400 --> 00:05:42,599 Speaker 1: beginnings that were, you know, the radio piece, and infinitely 82 00:05:42,720 --> 00:05:46,599 Speaker 1: how it all led to Hollywood. I often say that 83 00:05:48,360 --> 00:05:53,120 Speaker 1: my career only seems logical in hindsight. It has all 84 00:05:53,160 --> 00:05:57,240 Speaker 1: of the trajectory or logic of a hostage note, you know, 85 00:05:57,320 --> 00:06:01,360 Speaker 1: cut up and paste it from different magazines. But at seventeen, 86 00:06:01,400 --> 00:06:04,120 Speaker 1: I always knew I wanted to be either as a 87 00:06:04,120 --> 00:06:09,400 Speaker 1: broadcaster or performer on stage. And when I was in 88 00:06:09,520 --> 00:06:13,880 Speaker 1: high school in Hayroll, Massachusetts, I found out that an 89 00:06:13,880 --> 00:06:17,279 Speaker 1: English teacher was a part time newsman at the local 90 00:06:17,360 --> 00:06:21,719 Speaker 1: radio station. So I endeavored to be his best friend, 91 00:06:22,760 --> 00:06:26,440 Speaker 1: got in his public speaking class. We actually did become 92 00:06:26,720 --> 00:06:30,279 Speaker 1: really good friends. Later he introduced me to the station 93 00:06:30,440 --> 00:06:33,920 Speaker 1: manager at the local radio station, and I got hired 94 00:06:34,360 --> 00:06:40,160 Speaker 1: part time with no experience really other than just a 95 00:06:40,160 --> 00:06:44,880 Speaker 1: lot of energy and desire. And I remember planning to 96 00:06:44,920 --> 00:06:49,599 Speaker 1: go to Emerson College to get a degree in broadcasting 97 00:06:49,640 --> 00:06:52,479 Speaker 1: and hopefully get a job in radio. But as a 98 00:06:52,520 --> 00:06:56,080 Speaker 1: senior in high school, I had a job in radio already, 99 00:06:56,480 --> 00:06:58,000 Speaker 1: so I didn't want to leave a job in radio 100 00:06:58,120 --> 00:07:00,000 Speaker 1: to go to school to hopefully get a job in radio, 101 00:07:00,680 --> 00:07:06,520 Speaker 1: So I stayed working at the radio station. The station 102 00:07:06,680 --> 00:07:11,360 Speaker 1: manager at one point said I didn't hire you for 103 00:07:11,440 --> 00:07:14,480 Speaker 1: you to not go to college. So and he took 104 00:07:14,520 --> 00:07:16,800 Speaker 1: sort of a paternal interest in me. He said, if 105 00:07:16,800 --> 00:07:20,240 Speaker 1: you don't go to college, I'm firing you. So I 106 00:07:20,320 --> 00:07:24,200 Speaker 1: ended up going to the local community college and taking 107 00:07:24,280 --> 00:07:28,520 Speaker 1: theater courses and such, and kept the radio job and 108 00:07:28,680 --> 00:07:34,680 Speaker 1: ended up working with a and starting a mime company, 109 00:07:35,000 --> 00:07:38,520 Speaker 1: right me one of my theater teachers at Northern Essex 110 00:07:38,560 --> 00:07:43,440 Speaker 1: and another friend. So a buddy of mine had the 111 00:07:43,480 --> 00:07:46,440 Speaker 1: best because I was doing a morning radio show in 112 00:07:46,480 --> 00:07:49,160 Speaker 1: Haveril and then in the evening I'd be performing with 113 00:07:49,240 --> 00:07:52,360 Speaker 1: this mime company. So a buddy of mine said, it's 114 00:07:52,360 --> 00:07:55,640 Speaker 1: the weirdest thing because when we hear you, we can't 115 00:07:55,720 --> 00:08:01,840 Speaker 1: see you, and when we see you, we can't hear you. Great, 116 00:08:04,640 --> 00:08:10,040 Speaker 1: did that teach you also like kind of improv? Well, yes, 117 00:08:11,000 --> 00:08:14,360 Speaker 1: both the radio and the theater did. Actually they're really 118 00:08:14,360 --> 00:08:18,280 Speaker 1: complementary in that way. But I'd always loved the silent 119 00:08:18,320 --> 00:08:22,400 Speaker 1: film comedians Chaplain, Keaton, Harold Lloyd, you know, people like that, 120 00:08:23,080 --> 00:08:28,720 Speaker 1: and so mime was the closest approximation of silent film 121 00:08:28,760 --> 00:08:33,000 Speaker 1: comedy that I could get to. And interestingly, I cite 122 00:08:33,280 --> 00:08:37,839 Speaker 1: a teacher I had some years later in South Paris, Maine, 123 00:08:37,880 --> 00:08:45,320 Speaker 1: Tony Montenaro, who had studied with Marceau and was probably 124 00:08:45,360 --> 00:08:48,560 Speaker 1: one of the most influential teachers in my life, to 125 00:08:48,600 --> 00:08:51,520 Speaker 1: the extent that I often say my best broadcasting teacher 126 00:08:51,640 --> 00:08:56,400 Speaker 1: was a mime because he really taught me how to 127 00:08:56,440 --> 00:09:00,440 Speaker 1: be present on stage. I keep going back to that 128 00:09:00,600 --> 00:09:03,320 Speaker 1: term because it's important to me, but the idea of 129 00:09:03,400 --> 00:09:07,000 Speaker 1: really being, as Tony would say on the deck when 130 00:09:07,000 --> 00:09:11,760 Speaker 1: you're performing, good morning. I have a neighbor, good morning 131 00:09:11,960 --> 00:09:16,360 Speaker 1: walking a fine looking dog. Are you doing, hey, buddy, 132 00:09:17,559 --> 00:09:20,280 Speaker 1: the walk of the day with the dogs? Yeah? Oh yeah. 133 00:09:21,320 --> 00:09:24,240 Speaker 1: Our oldest daughter has a little dog that I refer 134 00:09:24,320 --> 00:09:28,960 Speaker 1: to as my Granddogger in California, and I am so 135 00:09:29,200 --> 00:09:34,280 Speaker 1: smitten with this dog. Yeah. Sometimes they get a little 136 00:09:34,320 --> 00:09:37,760 Speaker 1: funky in the cold, but so do I exactly like 137 00:09:37,800 --> 00:09:42,720 Speaker 1: this this morning. First ample, how did you end up 138 00:09:42,760 --> 00:09:49,040 Speaker 1: to w mj X, oh greater media station with our 139 00:09:49,360 --> 00:09:52,120 Speaker 1: friend Peter Smite Well, Peter, who m I oh a 140 00:09:52,120 --> 00:09:55,000 Speaker 1: great debt to and he never fails to remind me. 141 00:09:59,640 --> 00:10:06,400 Speaker 1: I was working at WBZTV and WBZ Radio my talk 142 00:10:06,440 --> 00:10:11,079 Speaker 1: show on television, people are talking got canceled in ninety three. 143 00:10:12,080 --> 00:10:15,760 Speaker 1: BZ Radio went to an all news format, sort of 144 00:10:15,840 --> 00:10:20,400 Speaker 1: shifting out from under me. So I ended up going 145 00:10:20,520 --> 00:10:24,320 Speaker 1: to I was still doing interviews during a new news 146 00:10:24,400 --> 00:10:28,240 Speaker 1: hour on television, but I was offered the morning show 147 00:10:28,679 --> 00:10:34,360 Speaker 1: on Magic on MJX, and I did that. I signed 148 00:10:34,360 --> 00:10:37,240 Speaker 1: a one year contract, and I remember saying to Peter, 149 00:10:37,640 --> 00:10:40,320 Speaker 1: you know, there's some other things kind of in the 150 00:10:40,360 --> 00:10:45,000 Speaker 1: wind job possibilities. He said, Look, if your ship comes in, 151 00:10:45,040 --> 00:10:47,240 Speaker 1: I'm not going to get in your way. Well, about 152 00:10:47,320 --> 00:10:50,880 Speaker 1: nine months later, I got offered the morning show on 153 00:10:50,960 --> 00:10:54,880 Speaker 1: this new cable network called FX in New York, and 154 00:10:54,920 --> 00:10:57,880 Speaker 1: I also got an offer from the late Roger Ales 155 00:10:58,559 --> 00:11:03,160 Speaker 1: to join a cable channel called America's Talking. It was 156 00:11:03,200 --> 00:11:10,120 Speaker 1: an easy decision to not go with Roger Rails. And 157 00:11:10,160 --> 00:11:12,640 Speaker 1: I remember Peter saying to me when I told him 158 00:11:12,640 --> 00:11:16,320 Speaker 1: about the FX gig, you know what I told you, 159 00:11:17,920 --> 00:11:20,400 Speaker 1: I'd honor if your ship came in. I didn't expect 160 00:11:20,440 --> 00:11:24,959 Speaker 1: a fleet. Now are we here in the background. I 161 00:11:24,960 --> 00:11:26,199 Speaker 1: don't know if you pick it up. We've got some 162 00:11:26,600 --> 00:11:30,720 Speaker 1: forestry work going on. Yeah, this is the authentic nature 163 00:11:30,760 --> 00:11:33,160 Speaker 1: of that's right. Taking a walk, I called him ahead 164 00:11:33,200 --> 00:11:36,840 Speaker 1: of time, I said, start song some wood. So anyway, 165 00:11:36,880 --> 00:11:41,680 Speaker 1: so Peter, graciously, and I think, putting himself at odds 166 00:11:41,679 --> 00:11:44,040 Speaker 1: with his own bosses a bit, let me out of 167 00:11:44,080 --> 00:11:47,880 Speaker 1: the contract and I went to New York co hosted 168 00:11:47,920 --> 00:11:51,959 Speaker 1: this wonderful morning show on FX called Breakfast Time, which 169 00:11:52,040 --> 00:11:56,800 Speaker 1: is still my favorite experience in television. Oh wow. And 170 00:11:56,920 --> 00:12:01,960 Speaker 1: so whenever I see Peter, I thank him and he says, 171 00:12:02,080 --> 00:12:05,200 Speaker 1: yes you should. Well, you know, it was sort of 172 00:12:05,280 --> 00:12:09,160 Speaker 1: unheard of for a station like Magic to have, you know, 173 00:12:09,200 --> 00:12:12,160 Speaker 1: a high personality morning show. I wasn't high then, it 174 00:12:12,200 --> 00:12:15,640 Speaker 1: wasn't legal. Oh I see what you're saying. Okay, sorry, 175 00:12:15,640 --> 00:12:18,920 Speaker 1: I went went somewhere else. Yeah, it was sort of 176 00:12:19,000 --> 00:12:21,760 Speaker 1: it was a different tactic, but yeah, it certainly. I 177 00:12:21,800 --> 00:12:24,800 Speaker 1: had just come to town and people loved it. People 178 00:12:24,840 --> 00:12:27,080 Speaker 1: loved the station and they loved what you did. And 179 00:12:27,120 --> 00:12:30,200 Speaker 1: then you left town. Yeah. Well, of course radio was 180 00:12:30,240 --> 00:12:34,600 Speaker 1: my where I started. So for me, it was almost 181 00:12:34,600 --> 00:12:40,240 Speaker 1: a natural evolution. And Peter and Don Kelly, who was 182 00:12:40,280 --> 00:12:42,920 Speaker 1: the program manager, they gave me a lot of rope, 183 00:12:42,960 --> 00:12:47,320 Speaker 1: I have to say. I I Don would call me 184 00:12:47,320 --> 00:12:50,360 Speaker 1: into his office periodically and say, you got to stop 185 00:12:50,400 --> 00:12:53,840 Speaker 1: fading the songs halfway through, so you can do bits, 186 00:12:54,040 --> 00:12:55,760 Speaker 1: I said, I said, well, I think they got the 187 00:12:55,800 --> 00:13:04,440 Speaker 1: gist of it. I love it. So so then what 188 00:13:04,679 --> 00:13:08,920 Speaker 1: after the FX experience led you out to California? It 189 00:13:09,000 --> 00:13:11,520 Speaker 1: was again here we go back to the hostage to 190 00:13:11,520 --> 00:13:15,040 Speaker 1: note logic of my career. So I'm doing this morning 191 00:13:15,080 --> 00:13:20,040 Speaker 1: show on FX, and we thought of ourselves as the 192 00:13:20,080 --> 00:13:23,360 Speaker 1: farm team for Fox. You know, if you do well 193 00:13:23,880 --> 00:13:26,760 Speaker 1: on FX, maybe the Fox Network would like to do 194 00:13:26,840 --> 00:13:30,240 Speaker 1: a version of the show. That's what happened. Unfortunately, the 195 00:13:30,320 --> 00:13:34,360 Speaker 1: executive who greenlit the move left and went to Paramount, 196 00:13:34,640 --> 00:13:37,800 Speaker 1: leaving us in the hands of somebody who wasn't as 197 00:13:37,840 --> 00:13:40,680 Speaker 1: crazy about our format when we got to the network. 198 00:13:40,720 --> 00:13:43,240 Speaker 1: So that turned into a bit of a nightmare. That 199 00:13:43,400 --> 00:13:47,240 Speaker 1: was to be careful what you wish for scenario. But 200 00:13:48,800 --> 00:13:53,720 Speaker 1: at that time Good Morning America Rune Arlije was watching 201 00:13:54,200 --> 00:13:59,560 Speaker 1: the Fox version and came and offered me a pill 202 00:13:59,640 --> 00:14:03,800 Speaker 1: in ste on Good Morning America, also on that Fox show, 203 00:14:03,840 --> 00:14:06,600 Speaker 1: that ill fated Fox show. And I have to put 204 00:14:06,640 --> 00:14:09,040 Speaker 1: ill fated in quotes because a lot of what happened 205 00:14:09,520 --> 00:14:12,160 Speaker 1: as a result of it was good. I met Whoopee 206 00:14:12,160 --> 00:14:17,080 Speaker 1: Goldberg and we hit it off. So I end up 207 00:14:17,080 --> 00:14:21,080 Speaker 1: on Good Morning America doing fill in with the thought 208 00:14:21,120 --> 00:14:25,200 Speaker 1: that I would take over for Charles Gibson. That ultimately 209 00:14:25,240 --> 00:14:28,720 Speaker 1: didn't play out because the person that replaced Joan London, 210 00:14:29,400 --> 00:14:35,400 Speaker 1: a woman whose name mercifully escape Lisa McCree. She and 211 00:14:35,440 --> 00:14:40,680 Speaker 1: I had no chemistry at all, and so it didn't 212 00:14:40,720 --> 00:14:44,000 Speaker 1: pan out that I took over for Charlie. But King 213 00:14:44,040 --> 00:14:46,680 Speaker 1: World came to me and said, hey, we'd like to 214 00:14:47,600 --> 00:14:51,600 Speaker 1: have you an audition for Hollywood Squares in Los Angeles, 215 00:14:52,360 --> 00:14:55,320 Speaker 1: and I, you know, I didn't want to really move 216 00:14:55,360 --> 00:14:58,680 Speaker 1: to Los Angeles at the time, but I knew Whoopee 217 00:14:58,840 --> 00:15:01,720 Speaker 1: was one of the executive producers was going to be 218 00:15:01,800 --> 00:15:04,720 Speaker 1: the Center Square, and I thought, well, they're flying me out. 219 00:15:04,720 --> 00:15:07,200 Speaker 1: It'd be great to see her, you know. So I 220 00:15:07,240 --> 00:15:11,280 Speaker 1: went out not really expecting anything other than I'd visit 221 00:15:11,360 --> 00:15:14,400 Speaker 1: some friends and have somebody else pay for my trip. 222 00:15:14,960 --> 00:15:17,440 Speaker 1: And Whoopy and I picked it up where we had 223 00:15:17,480 --> 00:15:20,760 Speaker 1: left it off on the Fox Show, had a great 224 00:15:20,840 --> 00:15:25,640 Speaker 1: time in the audition. I was told later that they 225 00:15:25,680 --> 00:15:28,920 Speaker 1: thought I was the only person who auditioned who wasn't 226 00:15:28,960 --> 00:15:32,240 Speaker 1: intimidated by Whoopee, and I thought, how could you be 227 00:15:32,280 --> 00:15:34,640 Speaker 1: in two. She's a sweetheart. How could you be intimidated? 228 00:15:35,320 --> 00:15:38,640 Speaker 1: But so they offered me the job with the condition 229 00:15:38,760 --> 00:15:43,080 Speaker 1: that we move out to California, and I turned it down. 230 00:15:44,160 --> 00:15:47,360 Speaker 1: And then the next day they said, okay, we'll fly 231 00:15:47,480 --> 00:15:50,440 Speaker 1: you out and you would shoot that show five shows 232 00:15:50,440 --> 00:15:53,000 Speaker 1: in a day. Okay, So you know, I'd fly out 233 00:15:53,000 --> 00:15:59,320 Speaker 1: on a Friday, shoot ten shows Saturday Sunday, fly back Monday. 234 00:16:00,120 --> 00:16:05,280 Speaker 1: It was like a lucrative semi retirement. Were you living 235 00:16:05,280 --> 00:16:09,160 Speaker 1: in New York or Connecticut? Yeah, yeah, yeah, yeah wow. 236 00:16:09,880 --> 00:16:13,560 Speaker 1: But the grind of those shows in one day, that 237 00:16:13,640 --> 00:16:17,600 Speaker 1: must have really well. We shot it Friday to an extent, 238 00:16:18,240 --> 00:16:21,880 Speaker 1: but we shot it pretty close to live. So the 239 00:16:21,960 --> 00:16:27,080 Speaker 1: day would be I'd show up probably around laughter nine. 240 00:16:27,720 --> 00:16:30,040 Speaker 1: There'd be a sort of a group makeup area with 241 00:16:30,080 --> 00:16:34,120 Speaker 1: a little you know, breakfast, battels and things. We'd start 242 00:16:34,120 --> 00:16:39,760 Speaker 1: shooting at ten. By one thirty, we'd have three shows 243 00:16:39,800 --> 00:16:43,200 Speaker 1: in the can, break for lunch, come back and shoot 244 00:16:43,240 --> 00:16:46,400 Speaker 1: what were the Thursday Friday shows, and be out by 245 00:16:46,440 --> 00:16:51,160 Speaker 1: four thirty. Wow. So not that terrible, and the lunch 246 00:16:51,320 --> 00:16:54,960 Speaker 1: was always amazing. Would be made sure that all of 247 00:16:54,960 --> 00:17:00,480 Speaker 1: her guests were well tended to and so there we were. 248 00:17:01,640 --> 00:17:04,840 Speaker 1: We're gonna get run over by an oil truck, now, 249 00:17:08,080 --> 00:17:14,480 Speaker 1: all right, ain't cropad and oil going by? But she 250 00:17:14,640 --> 00:17:18,720 Speaker 1: had it catered by Spago, and it was there were 251 00:17:18,840 --> 00:17:21,919 Speaker 1: video games next to where we ate. One of my 252 00:17:22,320 --> 00:17:27,120 Speaker 1: one of my favorite lunches. It was me and three 253 00:17:27,160 --> 00:17:31,080 Speaker 1: other people sitting talking. The three other people were Carol Burnett, 254 00:17:31,520 --> 00:17:35,959 Speaker 1: Harvey Korman, and Tim Conway. And I was saying to Harvey, 255 00:17:36,040 --> 00:17:39,159 Speaker 1: I said, now to Carol, I said, now, there was 256 00:17:39,560 --> 00:17:42,960 Speaker 1: Harvey right after you left the show the Carol Burnett Show. 257 00:17:43,520 --> 00:17:46,720 Speaker 1: Dick Van Dyke came on for I think it was 258 00:17:46,720 --> 00:17:50,280 Speaker 1: only half a season. He wasn't really there that long. 259 00:17:50,359 --> 00:17:52,359 Speaker 1: And Carol said, well, you know, we're friends. We did 260 00:17:52,400 --> 00:17:55,240 Speaker 1: a Broadway show together, but it just it just didn't 261 00:17:55,280 --> 00:18:03,560 Speaker 1: really work. And Harvey said you needed a jew. He 262 00:18:03,640 --> 00:18:08,040 Speaker 1: must just fell off. Oh my god, absolutely, yeah, yeah, yeah. 263 00:18:08,160 --> 00:18:14,040 Speaker 1: Years later, Tim Conway and his granddaughter came to U 264 00:18:14,280 --> 00:18:17,680 Speaker 1: Dancing with the Stars to sit in the audience. And 265 00:18:17,800 --> 00:18:20,960 Speaker 1: Tim was sitting right at the end of an aisle 266 00:18:21,600 --> 00:18:24,239 Speaker 1: near where I would go during commercial break to go 267 00:18:24,320 --> 00:18:27,280 Speaker 1: confer with producers and things. And I thought, oh, I 268 00:18:27,320 --> 00:18:29,440 Speaker 1: got to see if I can break up Tim Conway, 269 00:18:29,440 --> 00:18:33,119 Speaker 1: that would be the best. So I'm getting the queue 270 00:18:33,119 --> 00:18:35,640 Speaker 1: from the floor at the stage manager. They were about 271 00:18:35,640 --> 00:18:39,160 Speaker 1: twenty seconds away from going live now, and I decide 272 00:18:39,280 --> 00:18:44,640 Speaker 1: to do Tim's old man walk, yeah like that, which 273 00:18:44,680 --> 00:18:47,080 Speaker 1: is freaking out the stage manager because I'm not really 274 00:18:47,080 --> 00:18:50,600 Speaker 1: moving that fast. But Tim broke up. I thought, that's it. 275 00:18:51,119 --> 00:18:53,960 Speaker 1: That's it, That's all I needed. You could just yeah 276 00:18:54,080 --> 00:18:56,600 Speaker 1: leave the earth at Yeah, that's right exactly. That's beautiful. 277 00:18:56,640 --> 00:19:00,000 Speaker 1: Now do you still get excited when you meet, uh, 278 00:19:00,040 --> 00:19:04,680 Speaker 1: you know, someone who you've followed and just admired, like 279 00:19:06,400 --> 00:19:10,840 Speaker 1: anybody recently that you've just happened upon that you go, 280 00:19:10,920 --> 00:19:13,240 Speaker 1: oh my god, this is exciting. Well, there are people 281 00:19:13,560 --> 00:19:17,639 Speaker 1: who became friends over the years as a result of 282 00:19:17,680 --> 00:19:21,440 Speaker 1: the Boston talk show. People are talking. I met Carl Reiner, 283 00:19:21,560 --> 00:19:24,840 Speaker 1: the late Carl Reiner, and we became good friends for 284 00:19:25,240 --> 00:19:29,000 Speaker 1: like twenty five years, and through him, I met Dick 285 00:19:29,080 --> 00:19:31,880 Speaker 1: van Dyke, who's a friend as well. As a matter 286 00:19:31,920 --> 00:19:38,440 Speaker 1: of fact, during the early months of COVID actually it's 287 00:19:38,440 --> 00:19:42,520 Speaker 1: probably by November of year one of the pandemic, I 288 00:19:42,560 --> 00:19:45,040 Speaker 1: actually went over to visit with Dick and his wife 289 00:19:45,119 --> 00:19:48,320 Speaker 1: Arlene because I had an idea. I said, Dick, I've 290 00:19:48,359 --> 00:19:51,720 Speaker 1: come up with a song parody to the Mary Poppins 291 00:19:51,760 --> 00:19:56,560 Speaker 1: song Let's Go Fly Kite, and I've rewritten the lyrics. 292 00:19:56,600 --> 00:20:00,840 Speaker 1: So let's all wear a mask. Let's all wear a mask. 293 00:20:00,920 --> 00:20:04,080 Speaker 1: Don't be a stubborn ass. Let's all wear a mask 294 00:20:04,160 --> 00:20:08,000 Speaker 1: and help fight COVID. Strap it behind your ear cover 295 00:20:08,200 --> 00:20:11,800 Speaker 1: both here and here. Oh, let's go wear a mask. 296 00:20:12,440 --> 00:20:15,359 Speaker 1: And so I pretended to be auditioning for his a 297 00:20:15,400 --> 00:20:18,879 Speaker 1: cappella group, which he really has the fantastics, and so 298 00:20:18,920 --> 00:20:21,600 Speaker 1: he said, Arlene shot it on her iPhone. So I'm 299 00:20:21,640 --> 00:20:24,879 Speaker 1: singing the song and Dick hears me singing. Then he goes, uh, 300 00:20:25,480 --> 00:20:31,119 Speaker 1: not bad. Leave your resume with a lady. That's wonderful. 301 00:20:31,280 --> 00:20:35,720 Speaker 1: But and I'll see William Shatner in a couple of nights. 302 00:20:35,760 --> 00:20:39,280 Speaker 1: He's coming to the Capitol Theater and conquered to to 303 00:20:39,320 --> 00:20:44,679 Speaker 1: do an event morning. So yeah, and he's been a 304 00:20:44,680 --> 00:20:47,800 Speaker 1: friend for years too. So and I think my wife 305 00:20:47,840 --> 00:20:52,679 Speaker 1: pointed out she says, you tend to gravitate towards people 306 00:20:52,760 --> 00:20:57,800 Speaker 1: you admired growing up who are in their eighties and nineties. 307 00:20:58,080 --> 00:21:01,880 Speaker 1: I said, yeah, it gives me hope it gets me. Oh, 308 00:21:02,359 --> 00:21:04,480 Speaker 1: I can be the young and hanging out like Bill 309 00:21:04,640 --> 00:21:07,720 Speaker 1: is ninety years old right now and he just went 310 00:21:07,800 --> 00:21:13,720 Speaker 1: up in Jeff Bezos's rocket ship recently. You know, it's 311 00:21:13,800 --> 00:21:18,640 Speaker 1: it's hard not to be inspired by genetic anomalies like that. 312 00:21:18,720 --> 00:21:22,280 Speaker 1: Oh yeah, when did you discover that you were funny? 313 00:21:22,320 --> 00:21:26,880 Speaker 1: I mean, how old were you? Yeah, that's a really 314 00:21:26,920 --> 00:21:31,159 Speaker 1: good question. I don't know. I don't know. It's the 315 00:21:31,200 --> 00:21:34,040 Speaker 1: way my brain works, to the extent that it does. 316 00:21:35,680 --> 00:21:39,720 Speaker 1: I've always had a sort of a tendency to wordplay 317 00:21:39,840 --> 00:21:45,720 Speaker 1: and to find twists and things or I think, but 318 00:21:45,800 --> 00:21:47,879 Speaker 1: I can't. I can't tell you when I when I 319 00:21:47,920 --> 00:21:50,679 Speaker 1: really discovered it, And some would argue that I'm not. 320 00:21:50,840 --> 00:21:53,400 Speaker 1: But her wife probably, Yeah, well she's a hard one 321 00:21:53,440 --> 00:21:55,600 Speaker 1: to make laugh. Yeah, if I can make lows laugh, 322 00:21:55,680 --> 00:21:58,800 Speaker 1: I know. It was a good, good ad lib. Yeah, 323 00:21:59,200 --> 00:22:01,199 Speaker 1: it comes the oil truck again. There we go, some 324 00:22:01,920 --> 00:22:05,840 Speaker 1: another happy delivery in that house. There is warrant not 325 00:22:06,320 --> 00:22:16,439 Speaker 1: out here, but in that house. So you had this 326 00:22:17,280 --> 00:22:22,679 Speaker 1: period in time where you hosted literally two of the 327 00:22:22,720 --> 00:22:27,439 Speaker 1: most popular shows in America during that period, Yeah, for 328 00:22:27,480 --> 00:22:31,840 Speaker 1: about god decade and a half, I was host of 329 00:22:31,880 --> 00:22:35,960 Speaker 1: the America's Funniest Video Show for fifteen years and Dancing 330 00:22:36,000 --> 00:22:41,600 Speaker 1: with the Stars for fourteen years. And while I contend 331 00:22:41,600 --> 00:22:48,359 Speaker 1: that aff America's Funniest Videos will survive the apocalypse, it 332 00:22:48,960 --> 00:22:52,000 Speaker 1: and cockroaches will be the only things left on the planet. 333 00:22:52,680 --> 00:22:55,880 Speaker 1: The Dancing Show was a surprise. The success of that, 334 00:22:55,960 --> 00:22:59,320 Speaker 1: particularly in the early years, was a surprise to all 335 00:22:59,359 --> 00:23:02,320 Speaker 1: of us. You know, I think we all thought it 336 00:23:02,400 --> 00:23:04,480 Speaker 1: might be a fun summer show, but none of us 337 00:23:05,440 --> 00:23:08,199 Speaker 1: really thought that it was going to become the you know, 338 00:23:08,280 --> 00:23:12,040 Speaker 1: for those first five to seven years especially, you know, 339 00:23:12,080 --> 00:23:15,119 Speaker 1: a show watched by twenty twenty five million people every week, 340 00:23:16,080 --> 00:23:20,760 Speaker 1: and you knew when the end was was there. I mean, 341 00:23:21,119 --> 00:23:25,439 Speaker 1: it's chronicled. You did the interview with Ubsagy and so 342 00:23:25,520 --> 00:23:28,240 Speaker 1: you pretty much knew this was Yeah. I think there 343 00:23:28,240 --> 00:23:32,600 Speaker 1: were personnel changes. They brought in a different producer on 344 00:23:32,640 --> 00:23:36,720 Speaker 1: the show, there were some network people who had come 345 00:23:36,760 --> 00:23:40,159 Speaker 1: on board, and it was becoming increasingly clear that we 346 00:23:40,240 --> 00:23:45,160 Speaker 1: had different ideas about how the show could be best produced. 347 00:23:46,320 --> 00:23:51,880 Speaker 1: And I just felt, particularly back in twenty nineteen when 348 00:23:51,920 --> 00:23:54,000 Speaker 1: we were on the in the fall on the cusp 349 00:23:54,040 --> 00:23:56,639 Speaker 1: of an election year, that the show should be a 350 00:23:56,720 --> 00:24:01,639 Speaker 1: respite from the divisiveness and the political angst that was 351 00:24:01,680 --> 00:24:07,200 Speaker 1: so prevalent and still is, sadly, and they just felt 352 00:24:08,080 --> 00:24:09,960 Speaker 1: they wanted to go in a different direction, as we 353 00:24:10,000 --> 00:24:12,320 Speaker 1: say in the business. And yeah, it was pretty clear 354 00:24:12,359 --> 00:24:15,560 Speaker 1: that And it wasn't the show that I loved in 355 00:24:15,600 --> 00:24:20,119 Speaker 1: those early years from twenty eighteen, when that new showrunner 356 00:24:20,160 --> 00:24:23,280 Speaker 1: came on board, I could tell the end was near. 357 00:24:23,359 --> 00:24:26,080 Speaker 1: But you know, it was a great run and continues 358 00:24:26,160 --> 00:24:28,199 Speaker 1: to be one of the great gifts of my career. 359 00:24:29,160 --> 00:24:34,480 Speaker 1: So now you've got some cool stuff brewing. Yeah, let's 360 00:24:34,480 --> 00:24:39,840 Speaker 1: talk about that. Yeah, Tic Tac Doe. Well, yes, we 361 00:24:39,880 --> 00:24:43,480 Speaker 1: shot a pilot for a reboot of an old game show, 362 00:24:43,800 --> 00:24:47,280 Speaker 1: which amused me knowing because I have a lot of 363 00:24:47,320 --> 00:24:50,720 Speaker 1: Tic Tac toe experience with Hollywood squares. So I guess 364 00:24:50,800 --> 00:24:53,720 Speaker 1: I was a logical guy to come to. Peter Marshall's 365 00:24:53,760 --> 00:24:57,080 Speaker 1: retired and John Davidson has his club Sandwich in Sandwich, 366 00:24:57,160 --> 00:25:04,040 Speaker 1: New Hampshire. Let's get burger on. So Harvey Friedman, who 367 00:25:04,160 --> 00:25:07,160 Speaker 1: was the executive producer of both Wheel of Fortune and Jeopardy, 368 00:25:08,040 --> 00:25:12,000 Speaker 1: is producing this along with me and Steve Moscow from 369 00:25:12,080 --> 00:25:15,440 Speaker 1: Village Road Show. So we did the pilot back in June. 370 00:25:15,520 --> 00:25:18,240 Speaker 1: We are still waiting for NBC to give us the 371 00:25:18,240 --> 00:25:22,000 Speaker 1: official green light. I told Harvey, I said, Harry, I said, 372 00:25:22,440 --> 00:25:24,679 Speaker 1: you know, if our pilot was a fetus, it's in 373 00:25:24,760 --> 00:25:28,920 Speaker 1: its third trimester, they better have a birth announcement sooner. 374 00:25:28,960 --> 00:25:36,480 Speaker 1: I'm moving on. So there's that possibility. Also with William Shatner, 375 00:25:36,560 --> 00:25:40,080 Speaker 1: We've got a deal pending with Phillage road Show for 376 00:25:40,800 --> 00:25:45,439 Speaker 1: a movie script based on a real life occurrence of 377 00:25:45,480 --> 00:25:49,160 Speaker 1: my sister and I buying back our family home. And 378 00:25:49,400 --> 00:25:51,520 Speaker 1: so we're looking to make a version of that story 379 00:25:51,520 --> 00:25:56,680 Speaker 1: into a holiday movie. And yeah, So it's just I'm 380 00:25:57,560 --> 00:26:01,040 Speaker 1: enjoying the ability now to kind of pick and choose 381 00:26:01,080 --> 00:26:04,840 Speaker 1: things that amuse me and engage me in ways that 382 00:26:06,119 --> 00:26:09,440 Speaker 1: I might not have been able to do earlier. Well, 383 00:26:09,520 --> 00:26:13,080 Speaker 1: I'm so grateful that you indulged me. Oh, this was 384 00:26:13,119 --> 00:26:15,920 Speaker 1: fun in this walk. I thought this was going to 385 00:26:15,960 --> 00:26:18,040 Speaker 1: be a lot more painful. Buzz. I really have to 386 00:26:18,040 --> 00:26:20,760 Speaker 1: be honest, thick. When I texted you earlier this morning 387 00:26:20,760 --> 00:26:22,680 Speaker 1: when it was nine degrees, I thought, what the hello 388 00:26:22,720 --> 00:26:26,119 Speaker 1: were you agreed to do? But it's been easy, peasy, 389 00:26:26,400 --> 00:26:29,000 Speaker 1: this has been great. I really appreciate you taking a 390 00:26:29,040 --> 00:26:31,760 Speaker 1: walk with me. Tom Burger on My Pleasure Buzz of 391 00:26:31,880 --> 00:26:37,960 Speaker 1: Pleasure Taking a Walk with Buzznight is available on Spotify, 392 00:26:38,520 --> 00:26:43,080 Speaker 1: Apple Podcasts, or wherever you get your podcasts. And there 393 00:26:43,160 --> 00:26:46,800 Speaker 1: was that that was really easy, that was great,