1 00:00:05,280 --> 00:00:07,600 Speaker 1: Hey, this is Annie and Smantha. Welcome to stuff. I 2 00:00:07,600 --> 00:00:09,320 Speaker 1: never told you a prediction of Ihart Radio. 3 00:00:18,720 --> 00:00:21,720 Speaker 2: And welcome to another happy hour. And we have returned 4 00:00:22,320 --> 00:00:26,720 Speaker 2: back to our Sex and the City watch through. Is 5 00:00:26,720 --> 00:00:28,120 Speaker 2: that what we call it? I'm gonna call it back 6 00:00:28,400 --> 00:00:31,400 Speaker 2: in which Annie and I watch Sex and the City 7 00:00:31,600 --> 00:00:34,360 Speaker 2: and talk about it. Yay. But this has a part 8 00:00:34,400 --> 00:00:37,879 Speaker 2: of our happy hour, which we love. So Annie, are 9 00:00:37,920 --> 00:00:38,839 Speaker 2: you sipping on anything? 10 00:00:39,080 --> 00:00:42,360 Speaker 3: Yes, we peek behind the curtains. We're doing a bunch 11 00:00:42,400 --> 00:00:44,519 Speaker 3: of stuff today. We just did my happy hour that 12 00:00:44,560 --> 00:00:47,320 Speaker 3: came out last week, so I'm still drinking the same beer. 13 00:00:48,280 --> 00:00:51,800 Speaker 2: It just lasted a whole week. It's fine, and I 14 00:00:51,840 --> 00:00:54,840 Speaker 2: am still drinking my pineapple bubble water because I love it. 15 00:00:55,560 --> 00:00:58,560 Speaker 2: If you are drinking anything or partaking of anything, please 16 00:00:58,600 --> 00:01:01,840 Speaker 2: do so responsibly. This is based on the show Sex 17 00:01:01,840 --> 00:01:05,120 Speaker 2: and the City and it does have a TVMA rating, 18 00:01:05,200 --> 00:01:08,360 Speaker 2: So if you're listening to this in public, I don't 19 00:01:08,400 --> 00:01:11,800 Speaker 2: know around children, you may want to wait on this 20 00:01:11,920 --> 00:01:17,000 Speaker 2: episode FYI. But yes, we are coming into season three, 21 00:01:17,040 --> 00:01:19,920 Speaker 2: episode nine, and as we have talked about before, we 22 00:01:20,040 --> 00:01:24,200 Speaker 2: are coming up on our watch with our listeners. So 23 00:01:24,319 --> 00:01:28,720 Speaker 2: if you are interested in participating doing a watch through 24 00:01:28,760 --> 00:01:31,960 Speaker 2: with us and having a lively discussion about whatever that 25 00:01:32,040 --> 00:01:34,679 Speaker 2: episode is about. Please let us know you can could 26 00:01:34,760 --> 00:01:38,120 Speaker 2: use all of the things, emails, social media and let 27 00:01:38,200 --> 00:01:40,440 Speaker 2: us know you're interested. We'll put your name in, we'll 28 00:01:40,440 --> 00:01:43,440 Speaker 2: do a drawing, we'll let you know, and then have 29 00:01:43,560 --> 00:01:45,880 Speaker 2: our producer give you the heads up about how to 30 00:01:46,080 --> 00:01:49,040 Speaker 2: be a part of it. And there you go. And yeah, 31 00:01:49,120 --> 00:01:52,120 Speaker 2: you don't have to have ever watched the show ever 32 00:01:52,400 --> 00:01:54,600 Speaker 2: and just jump into this one because it makes it 33 00:01:54,640 --> 00:01:57,120 Speaker 2: even more fun. We've had some of the best times 34 00:01:57,400 --> 00:01:59,880 Speaker 2: with people who know nothing about the show, much like 35 00:02:00,080 --> 00:02:03,760 Speaker 2: any I just pretty much pulled into this and be like, yeah, 36 00:02:03,760 --> 00:02:06,040 Speaker 2: you will to watch this. We're gonna watch this together. 37 00:02:06,680 --> 00:02:11,280 Speaker 2: Somewhat relevant still, which is kind of sad. Yeah, something's 38 00:02:11,280 --> 00:02:13,799 Speaker 2: had outdated, So we do talk about that as well. 39 00:02:13,840 --> 00:02:15,760 Speaker 2: We talk about all the good, the bad, the ugly, 40 00:02:15,840 --> 00:02:20,480 Speaker 2: the hilarious, and the uncomfortable. Mm hmm, right, right, right, 41 00:02:20,760 --> 00:02:24,200 Speaker 2: right right. So we're coming towards we got like I 42 00:02:24,240 --> 00:02:28,880 Speaker 2: think we're halfway through season three. We're doing slow tracking, 43 00:02:29,880 --> 00:02:32,079 Speaker 2: slow tracking through but it's okay, it's okay. It makes 44 00:02:32,080 --> 00:02:32,440 Speaker 2: it better. 45 00:02:32,520 --> 00:02:32,640 Speaker 4: Right. 46 00:02:32,680 --> 00:02:35,840 Speaker 2: The suspense, Oh, the suspense and apparently it's on Netflix 47 00:02:35,880 --> 00:02:39,680 Speaker 2: now not currently a sponsor, so if you're interested let 48 00:02:39,760 --> 00:02:42,320 Speaker 2: us know. Annie will give you more information on how 49 00:02:42,320 --> 00:02:44,400 Speaker 2: to contact us at the end of this episode, so 50 00:02:44,520 --> 00:02:49,079 Speaker 2: stick around. Yes, but before we start into this watching 51 00:02:49,200 --> 00:02:53,880 Speaker 2: of Annie, can you give the listeners a kind of, 52 00:02:54,440 --> 00:02:56,320 Speaker 2: I guess, a summary of what has happened thus far 53 00:02:56,480 --> 00:02:58,400 Speaker 2: in season three of Sex and the City. 54 00:02:58,560 --> 00:03:01,040 Speaker 1: Oh dear, oh dear. I feel like it's been forever 55 00:03:01,080 --> 00:03:01,960 Speaker 1: since we've watched it. 56 00:03:01,960 --> 00:03:06,120 Speaker 3: It has been okay, that makes me feel better, all right. So, 57 00:03:08,600 --> 00:03:13,120 Speaker 3: I think we've got a lot of situations in flux 58 00:03:13,160 --> 00:03:14,960 Speaker 3: where people are trying to figure out what they want. 59 00:03:15,560 --> 00:03:19,720 Speaker 3: Samantha's doing kind of her thing as pretty usual. We've 60 00:03:19,760 --> 00:03:24,239 Speaker 3: got Charlotte who has been determined to find her man, 61 00:03:24,440 --> 00:03:30,840 Speaker 3: her husband, and has met Trey. Kyle McLaughlin met that 62 00:03:30,880 --> 00:03:37,920 Speaker 3: guy and they're seemingly in love. And then Miranda was 63 00:03:38,000 --> 00:03:41,640 Speaker 3: really into Steve. It looks like it was going really well, 64 00:03:41,800 --> 00:03:44,920 Speaker 3: was settling in and then kind of felt like he 65 00:03:44,960 --> 00:03:46,200 Speaker 3: was too much of a child. 66 00:03:45,920 --> 00:03:46,960 Speaker 1: And then they broke up. 67 00:03:48,440 --> 00:03:54,920 Speaker 3: And then Carrie was grappling with these feelings of Aiden, 68 00:03:55,400 --> 00:04:01,320 Speaker 3: who's her new fella, being seemingly too perfect. I guess, like, 69 00:04:01,360 --> 00:04:04,720 Speaker 3: not enough drama with him, and she's used to drama 70 00:04:05,040 --> 00:04:09,880 Speaker 3: in relationships. But then she has just decided like, no, 71 00:04:11,480 --> 00:04:13,200 Speaker 3: you know what, he's a great guy. I don't need 72 00:04:13,240 --> 00:04:16,880 Speaker 3: this drama. And then guests who shows up her ex 73 00:04:16,960 --> 00:04:21,880 Speaker 3: boyfriend Big, who's like, I love you, I miss you. 74 00:04:23,560 --> 00:04:25,000 Speaker 1: That's where we are. I'm pretty sure. 75 00:04:25,880 --> 00:04:29,240 Speaker 2: Very good, very good, very good, proud of you. Yes, 76 00:04:29,440 --> 00:04:32,000 Speaker 2: and we are jumping in with that. I think you 77 00:04:32,040 --> 00:04:34,840 Speaker 2: did a great job summarizing, because I even forgot what 78 00:04:34,960 --> 00:04:39,520 Speaker 2: those things like. Good job. This episode of season three, 79 00:04:39,600 --> 00:04:46,080 Speaker 2: episode nine is titled Easy Come, Easy Go. Any can 80 00:04:46,120 --> 00:04:48,720 Speaker 2: you give us a guess about what you think this 81 00:04:48,760 --> 00:04:49,839 Speaker 2: episode will be about. 82 00:04:50,240 --> 00:04:54,120 Speaker 3: Well, there's definitely the dirty interpretation of what possibly it 83 00:04:54,120 --> 00:04:57,480 Speaker 3: could be. I do have to say, Samantha, I recently 84 00:04:57,520 --> 00:05:01,279 Speaker 3: stumbled upon a very unexpected boiler for Sex and City. 85 00:05:02,920 --> 00:05:08,440 Speaker 3: I wasn't looking for it, but I learned that the 86 00:05:08,480 --> 00:05:13,760 Speaker 3: Taylor Swift song Elicit Affairs is apparently about Sex and 87 00:05:13,839 --> 00:05:17,080 Speaker 3: City and she wrote it during the pandemic when she 88 00:05:17,240 --> 00:05:22,680 Speaker 3: was rewatching it. And that song is about a woman 89 00:05:23,600 --> 00:05:27,159 Speaker 3: who starts gets back with her ex behind the backs 90 00:05:27,200 --> 00:05:33,160 Speaker 3: of her friends, and they're kind of like she keeps 91 00:05:33,160 --> 00:05:35,559 Speaker 3: telling herself she won't do it again, and they're meeting 92 00:05:35,600 --> 00:05:37,800 Speaker 3: in places so people see. 93 00:05:37,600 --> 00:05:42,560 Speaker 1: Them, and then it culminates into the famous don't call 94 00:05:42,600 --> 00:05:45,480 Speaker 1: me kid, don't call me baby. 95 00:05:45,000 --> 00:05:49,840 Speaker 3: Yeah, because the Big always calls carry those things. So, 96 00:05:49,960 --> 00:05:54,200 Speaker 3: I don't know, but I think we're entering an arc 97 00:05:54,800 --> 00:05:58,640 Speaker 3: where she's with Aiden just kind of singing Big on 98 00:05:58,720 --> 00:06:02,359 Speaker 3: the side base on this song. Now, I could be 99 00:06:02,400 --> 00:06:05,159 Speaker 3: totally wrong, and it could be at some other point 100 00:06:05,760 --> 00:06:10,680 Speaker 3: in the show, or could be I'm completely wrong and 101 00:06:10,680 --> 00:06:15,080 Speaker 3: that's not what that song gets about. But I'm sure 102 00:06:15,080 --> 00:06:19,640 Speaker 3: someone will let me know. So I think I think 103 00:06:19,680 --> 00:06:24,080 Speaker 3: this has something to do with bigs Bag in the picture. 104 00:06:26,200 --> 00:06:28,360 Speaker 3: It's like when you're in the relationship and you kind 105 00:06:28,360 --> 00:06:32,400 Speaker 3: of slide back in. You push the vending machine, but 106 00:06:32,440 --> 00:06:35,480 Speaker 3: the vending machine keeps coming this way. That's another reference 107 00:06:35,520 --> 00:06:41,120 Speaker 3: to another sitcom. So when you try to break up, 108 00:06:41,160 --> 00:06:45,280 Speaker 3: it takes more than one Pushka. 109 00:06:46,160 --> 00:06:47,320 Speaker 2: What an analogy. 110 00:06:47,600 --> 00:06:52,800 Speaker 1: Okay, these are comings you get the cookies. That's the question. 111 00:06:52,920 --> 00:06:55,960 Speaker 1: Isn't this the question? I don't know. 112 00:06:56,000 --> 00:07:02,600 Speaker 3: I guess it could also be like, hmm, things that 113 00:07:02,720 --> 00:07:04,120 Speaker 3: seem permanent. 114 00:07:06,040 --> 00:07:08,720 Speaker 1: Can just go I don't know. I don't know. I'm 115 00:07:08,760 --> 00:07:09,560 Speaker 1: talking nonsense. 116 00:07:09,600 --> 00:07:12,760 Speaker 2: Now, it's a lot happening, all right, Well, let's jump 117 00:07:12,840 --> 00:07:16,280 Speaker 2: in and see if the vending machine falls over or 118 00:07:17,560 --> 00:07:18,160 Speaker 2: can we go? 119 00:07:25,400 --> 00:07:34,080 Speaker 5: Steve and Miranda had been doing the polite avoid each 120 00:07:34,080 --> 00:07:38,880 Speaker 5: other breakup dance for about three weeks, eight weeks. 121 00:07:39,120 --> 00:07:41,440 Speaker 1: I'm sorry it's taking me so long to find a place. 122 00:07:41,720 --> 00:07:45,040 Speaker 2: It tastes a little while, especially how like little money 123 00:07:45,080 --> 00:07:48,360 Speaker 2: he has, which was kind of that big conversation. Okay, 124 00:07:48,440 --> 00:07:50,280 Speaker 2: save up that money to good deposit. 125 00:07:50,560 --> 00:07:54,080 Speaker 1: That's true, but it also does feel like the vending machine. 126 00:07:54,120 --> 00:07:56,120 Speaker 1: I'm starting to go onto something. 127 00:08:00,320 --> 00:08:05,280 Speaker 2: I've never heard anyone talk about this as an analogy. 128 00:08:05,080 --> 00:08:07,920 Speaker 1: Like come look at my apartment with me. I don't know. 129 00:08:08,520 --> 00:08:11,200 Speaker 2: In my mind, the one that I think about the 130 00:08:11,280 --> 00:08:13,440 Speaker 2: vending machine is in like when they get their hands 131 00:08:13,520 --> 00:08:14,960 Speaker 2: luck trying to get the freaky candy. 132 00:08:15,800 --> 00:08:20,160 Speaker 1: That's when you hear vending machine. You think someone's hand stuck. 133 00:08:21,800 --> 00:08:22,640 Speaker 2: Is that what that is? 134 00:08:22,960 --> 00:08:26,240 Speaker 3: No, it's the you try to push it over and 135 00:08:26,280 --> 00:08:28,600 Speaker 3: then it will knock over the first time to get 136 00:08:29,080 --> 00:08:29,880 Speaker 3: several pushes. 137 00:08:31,760 --> 00:08:41,720 Speaker 5: I had often fantasized about running into my ex and 138 00:08:41,760 --> 00:08:44,840 Speaker 5: his wife, but in those fantasies I was running into 139 00:08:44,880 --> 00:08:45,559 Speaker 5: them with a truck. 140 00:08:46,120 --> 00:08:49,920 Speaker 2: That reaction the ducking, Yeah, definitely would do that. And 141 00:08:50,000 --> 00:08:52,319 Speaker 2: I've done this. I have run the opposite way, ducking 142 00:08:52,880 --> 00:08:56,960 Speaker 2: in order everybody I have ran the opposite direction. 143 00:08:57,120 --> 00:09:00,520 Speaker 1: I have, I've sped walk in the opposite. 144 00:09:00,520 --> 00:09:03,760 Speaker 2: I will do my damnedest to avoid, especially if you're 145 00:09:03,800 --> 00:09:08,600 Speaker 2: with someone new. This is my boyfriend's booth. I'm his booth. 146 00:09:10,440 --> 00:09:14,679 Speaker 2: That's the joke because that is the reaction in which 147 00:09:14,720 --> 00:09:16,199 Speaker 2: you're like, oh. 148 00:09:16,640 --> 00:09:21,800 Speaker 5: Can I show you something in a punch pieces are fantastic. 149 00:09:22,440 --> 00:09:23,680 Speaker 2: It's's not really our style. 150 00:09:24,520 --> 00:09:26,960 Speaker 1: Oh yeah, we only like they have any style? 151 00:09:27,760 --> 00:09:29,440 Speaker 2: Yeah, we yes a style. 152 00:09:32,120 --> 00:09:38,360 Speaker 5: Oh hey hey hey this is this is the designer. 153 00:09:38,440 --> 00:09:39,040 Speaker 1: This is stating. 154 00:09:39,480 --> 00:09:42,319 Speaker 2: And then that moment, especially if you're feeling very vulnerable, 155 00:09:42,559 --> 00:09:44,720 Speaker 2: being like, oh the rescue, I have to see I have, 156 00:09:44,840 --> 00:09:51,000 Speaker 2: I have a person I am. 157 00:09:53,160 --> 00:09:57,400 Speaker 1: They seem nice. Where do you know that from? Oh? 158 00:09:57,720 --> 00:10:00,400 Speaker 2: I would think of this boy from around? You would 159 00:10:00,440 --> 00:10:03,520 Speaker 2: talk about the X. I talk about the X pretty quickly, 160 00:10:03,600 --> 00:10:05,640 Speaker 2: especially if it's as traumatic as that was, Like you 161 00:10:05,720 --> 00:10:09,920 Speaker 2: need to know up front where what is what I'm bringing? 162 00:10:10,120 --> 00:10:15,000 Speaker 3: Right, especially like if my ex came up after he left, 163 00:10:15,040 --> 00:10:17,040 Speaker 3: I would be like, hey, that was my ex. 164 00:10:17,679 --> 00:10:18,040 Speaker 2: My bad. 165 00:10:25,160 --> 00:10:26,439 Speaker 5: I have a secret to tell you. 166 00:10:30,200 --> 00:10:31,160 Speaker 1: It's not working. 167 00:10:33,160 --> 00:10:34,320 Speaker 2: I'm getting out. 168 00:10:36,320 --> 00:10:40,200 Speaker 5: If you know anyone who's interested, you should really keep 169 00:10:40,200 --> 00:10:43,480 Speaker 5: that to yourself. No one is interested in that information. 170 00:10:47,440 --> 00:10:51,400 Speaker 2: Good walk away, good block away, very very strong. 171 00:10:53,120 --> 00:10:53,800 Speaker 1: Leaving his wife. 172 00:10:55,440 --> 00:10:58,880 Speaker 2: What's so funny is this was on a TikTok where 173 00:10:58,920 --> 00:11:01,320 Speaker 2: they were like and like, you don't care about immediately 174 00:11:01,320 --> 00:11:05,520 Speaker 2: shooting with everyone like they used the sound. I was like, oh, 175 00:11:05,559 --> 00:11:08,079 Speaker 2: that's the episode. I'm not gonna lie. I've had these 176 00:11:08,120 --> 00:11:10,480 Speaker 2: conversations of like figuring out someone's so and so is 177 00:11:10,480 --> 00:11:12,680 Speaker 2: getting divorced, or something that someone did not work out, 178 00:11:12,800 --> 00:11:14,600 Speaker 2: and the first thing you do is tell your girlfriends 179 00:11:14,600 --> 00:11:16,880 Speaker 2: because you're like, it's actually about an X or someone 180 00:11:16,880 --> 00:11:20,280 Speaker 2: that you like. They didn't work out either. It wasn't 181 00:11:20,280 --> 00:11:23,679 Speaker 2: just me, which is awful. It's an awful it's. 182 00:11:23,040 --> 00:11:26,320 Speaker 1: Also just kind of like juicy piece of gossip. 183 00:11:26,559 --> 00:11:28,920 Speaker 2: It is. And then you've got to like, and now 184 00:11:28,960 --> 00:11:31,440 Speaker 2: I do that with my current bartner, like so and 185 00:11:31,480 --> 00:11:34,360 Speaker 2: so and so and so didn't make it, and he 186 00:11:34,400 --> 00:11:36,280 Speaker 2: finds it just as interesting as me. So I do 187 00:11:36,360 --> 00:11:41,200 Speaker 2: appreciate that and it's after my salut thing on the interwet. 188 00:11:41,640 --> 00:11:46,319 Speaker 3: You're venmost Instagram detective work, corrupt cobrap. 189 00:11:51,840 --> 00:11:56,080 Speaker 2: I'm meeting his mother this week, and if all goes well, 190 00:11:56,320 --> 00:11:59,640 Speaker 2: if all goes well, what Trey is this close to 191 00:12:00,000 --> 00:12:01,040 Speaker 2: I could feel it? 192 00:12:01,160 --> 00:12:01,720 Speaker 1: Oh my god. 193 00:12:01,800 --> 00:12:05,600 Speaker 2: Really, it's just Matt. I've had pairs of panting hose longer, Branda. 194 00:12:05,679 --> 00:12:09,560 Speaker 2: It's not logical. There's is love. It's not logical. It's 195 00:12:09,720 --> 00:12:12,320 Speaker 2: right in my heart. I feel it's right. 196 00:12:12,720 --> 00:12:13,160 Speaker 1: Okay. 197 00:12:13,360 --> 00:12:16,640 Speaker 2: It's interesting because I have conversations where like, there are 198 00:12:16,679 --> 00:12:19,719 Speaker 2: things that you don't want to dampen and or you're 199 00:12:20,080 --> 00:12:22,400 Speaker 2: trying not to judge on things, and you're like you 200 00:12:22,480 --> 00:12:24,000 Speaker 2: sure you want to do this, and then they get 201 00:12:24,040 --> 00:12:28,400 Speaker 2: really pissed off. But I'm like, as a friend, do 202 00:12:28,520 --> 00:12:31,880 Speaker 2: I keep telling you at least I don't not have 203 00:12:31,920 --> 00:12:34,400 Speaker 2: the obligation to let you know, Hey, this could go 204 00:12:34,520 --> 00:12:36,839 Speaker 2: really bad. You might want to think about it, or 205 00:12:36,880 --> 00:12:39,640 Speaker 2: you shouldn't do this. But they get pissed off and 206 00:12:39,679 --> 00:12:41,560 Speaker 2: you might ruin that friendship. So it's like, what is 207 00:12:41,600 --> 00:12:42,559 Speaker 2: the boundaries? 208 00:12:43,760 --> 00:12:45,679 Speaker 1: That's a tough one. That's a tough one. 209 00:12:45,679 --> 00:12:47,959 Speaker 3: And I've definitely had times where I wanted to speak 210 00:12:47,960 --> 00:12:49,880 Speaker 3: out and didn't, and then later it's like maybe I 211 00:12:49,880 --> 00:12:50,400 Speaker 3: should have. 212 00:12:50,760 --> 00:12:51,199 Speaker 1: I don't know. 213 00:12:51,480 --> 00:12:54,520 Speaker 2: That's a double lamp because it's a worse situation. And 214 00:12:54,559 --> 00:12:56,880 Speaker 2: then but they demonize you, and then they talk about 215 00:12:57,000 --> 00:12:58,599 Speaker 2: like you did these things and it was just me. 216 00:12:58,720 --> 00:13:01,280 Speaker 2: You should let me handle me. I'm an adult. I 217 00:13:01,280 --> 00:13:04,880 Speaker 2: can figure this out. I'm like, yeah, but I'm your friend. Yeah, 218 00:13:05,480 --> 00:13:08,120 Speaker 2: just trying to shouldn't I tell you? Isn't it worse 219 00:13:08,160 --> 00:13:10,080 Speaker 2: that I don't tell you? Which is it? 220 00:13:10,640 --> 00:13:12,000 Speaker 1: Give you some perspective. 221 00:13:12,080 --> 00:13:14,720 Speaker 2: I don't like, I'm not telling you to be like, hey, 222 00:13:14,840 --> 00:13:17,959 Speaker 2: don't do this. I'm being like, you're you're wrong, slash whatever. 223 00:13:18,040 --> 00:13:19,960 Speaker 2: And if you don't do this, I'm gonna like stopping 224 00:13:20,000 --> 00:13:22,920 Speaker 2: your friend. That's not the way, of course. Like, but 225 00:13:22,920 --> 00:13:24,680 Speaker 2: at the same time, I at least one good time. 226 00:13:24,720 --> 00:13:28,440 Speaker 2: You need to get that rational opinion now, right. 227 00:13:28,520 --> 00:13:33,599 Speaker 3: Yeah. It's tricky though, because, like Charlotte said, it's logical, 228 00:13:33,679 --> 00:13:35,040 Speaker 3: it's not logical. 229 00:13:35,120 --> 00:13:36,040 Speaker 1: It's it's hard. 230 00:13:36,240 --> 00:13:37,760 Speaker 2: It's not logical. It's love. 231 00:13:38,160 --> 00:13:41,000 Speaker 1: Okay? 232 00:13:43,640 --> 00:13:44,160 Speaker 4: Is this Trey? 233 00:13:44,280 --> 00:13:46,560 Speaker 2: This summer, he graduated from medical school. 234 00:13:46,679 --> 00:13:49,040 Speaker 5: Later that week, Charlotte met the head and heart of 235 00:13:49,120 --> 00:13:51,600 Speaker 5: Trey's family, his mother Bunny McDougall. 236 00:13:51,920 --> 00:13:58,320 Speaker 2: Bunny, I've never had anyone bring out baby pictures, especially 237 00:13:58,320 --> 00:14:00,760 Speaker 2: in the public setting, so that's interesting to me. 238 00:14:01,320 --> 00:14:04,720 Speaker 1: Yeah. I haven't either. My immediate reaction is to recoil. 239 00:14:04,800 --> 00:14:09,040 Speaker 3: But I guess if someone did it, I would be like, oh. 240 00:14:08,360 --> 00:14:11,839 Speaker 2: Yeah, I have. Like when I've gone to my partner's 241 00:14:12,120 --> 00:14:16,440 Speaker 2: mother's house, she has all these albums and we were 242 00:14:16,440 --> 00:14:18,600 Speaker 2: talking about an event and I was like, oh, okay, 243 00:14:18,640 --> 00:14:20,040 Speaker 2: and then she was like, I actually have an album 244 00:14:20,080 --> 00:14:22,840 Speaker 2: over there with a bad event. And I looked through that, 245 00:14:23,600 --> 00:14:25,640 Speaker 2: but she didn't like purposely bring it out to show 246 00:14:25,680 --> 00:14:26,280 Speaker 2: off anything. 247 00:14:27,080 --> 00:14:28,000 Speaker 1: Mm hmmm, yeah. 248 00:14:28,120 --> 00:14:28,320 Speaker 2: Yeah. 249 00:14:28,520 --> 00:14:30,120 Speaker 1: It wasn't like you were out at dinner. 250 00:14:30,200 --> 00:14:35,840 Speaker 2: Yeah, she's this embarrassing picture of my son naked in 251 00:14:35,920 --> 00:14:46,840 Speaker 2: the bathtub. Oh cute. 252 00:14:48,040 --> 00:14:50,600 Speaker 4: I'm dating a guy with the funkiest tasting spunk. 253 00:14:51,920 --> 00:14:54,320 Speaker 2: And that is a line I think I said I 254 00:14:54,360 --> 00:14:55,200 Speaker 2: told you before. 255 00:14:57,080 --> 00:14:58,400 Speaker 1: So it's like, I get. 256 00:15:00,040 --> 00:15:03,320 Speaker 2: He's never coming back. Yeah, this was one of the 257 00:15:03,840 --> 00:15:09,400 Speaker 2: iconic lines that everyone remembered. You have this problem, Not really, 258 00:15:09,520 --> 00:15:11,640 Speaker 2: but I have to admit it's never exactly been a 259 00:15:11,640 --> 00:15:12,920 Speaker 2: trip to ESK and Robin's. 260 00:15:13,160 --> 00:15:16,440 Speaker 4: Well, this guy is very sour, like sparag has gone 261 00:15:16,480 --> 00:15:17,280 Speaker 4: bad or something. 262 00:15:17,520 --> 00:15:20,280 Speaker 5: Can I cancelling beautiful? 263 00:15:20,720 --> 00:15:23,200 Speaker 2: So there's a point that you were like how far 264 00:15:23,760 --> 00:15:29,360 Speaker 2: how much can you say? Ye were, Yes, we can 265 00:15:29,400 --> 00:15:33,240 Speaker 2: all talk about this and us no, thank you. 266 00:15:33,360 --> 00:15:34,000 Speaker 1: That's true. 267 00:15:34,120 --> 00:15:36,040 Speaker 3: And I feel like in my friend groups sometimes I 268 00:15:36,080 --> 00:15:38,240 Speaker 3: see it, maybe my friend group that I grew up with, 269 00:15:38,360 --> 00:15:41,760 Speaker 3: I see it break out where certain people can have 270 00:15:41,840 --> 00:15:42,800 Speaker 3: these conversations and. 271 00:15:44,680 --> 00:15:46,640 Speaker 1: Can't, and I'm usually in the can't. 272 00:15:47,320 --> 00:15:49,520 Speaker 2: Yeah, I mean that didn't make sense, like people knowing 273 00:15:49,560 --> 00:15:55,280 Speaker 2: their audience. But also I really love these urban myths 274 00:15:55,360 --> 00:15:59,040 Speaker 2: that's kind of all up in our magazines, especially during 275 00:15:59,120 --> 00:16:04,240 Speaker 2: this era in which they're like to make someone's sperm, 276 00:16:04,400 --> 00:16:07,040 Speaker 2: they need these following things and the diets to make 277 00:16:07,080 --> 00:16:10,120 Speaker 2: someone's vagina taste like this, they need a big following things. 278 00:16:10,480 --> 00:16:14,360 Speaker 2: So pineapple juice was like number one as a thing. Ginger. 279 00:16:14,400 --> 00:16:17,480 Speaker 2: I think ginger was a big one, and like does 280 00:16:17,560 --> 00:16:20,200 Speaker 2: it really work? And I think the conversation is still 281 00:16:20,720 --> 00:16:25,280 Speaker 2: here today. Does nutrition and what you eat? And then 282 00:16:25,280 --> 00:16:28,080 Speaker 2: people will talk about no, definitely, Like I can tell 283 00:16:28,560 --> 00:16:30,920 Speaker 2: my boyfriend who was a vegan. It's completely different from 284 00:16:30,920 --> 00:16:33,720 Speaker 2: the person who would do like eat fast food. All 285 00:16:33,760 --> 00:16:35,160 Speaker 2: the time, and I'm like, is it the. 286 00:16:35,600 --> 00:16:38,200 Speaker 1: Right or like, there's a million other things that could 287 00:16:38,200 --> 00:16:40,880 Speaker 1: impact that. There's right to much. 288 00:16:41,560 --> 00:16:44,920 Speaker 3: It could be genetics, could be just that day, like 289 00:16:45,000 --> 00:16:51,480 Speaker 3: a million things. 290 00:16:54,120 --> 00:16:58,160 Speaker 5: Hello, Carrie, Oh I hate yeah, thanks for calling. 291 00:16:59,600 --> 00:17:01,479 Speaker 1: Look, it's about what I said about getting. 292 00:17:01,200 --> 00:17:02,200 Speaker 4: Out of my marriage. 293 00:17:02,800 --> 00:17:04,439 Speaker 5: I didn't know why I called. I didn't even know 294 00:17:04,480 --> 00:17:07,080 Speaker 5: what I really wanted, but suddenly my heart was racing. 295 00:17:08,760 --> 00:17:12,040 Speaker 1: I thought about it, and it's going to cost me 296 00:17:12,040 --> 00:17:15,680 Speaker 1: a lot. So maybe you should forget about what I said. 297 00:17:16,960 --> 00:17:18,960 Speaker 1: I mean, oh my god, figure, I made. 298 00:17:18,800 --> 00:17:21,560 Speaker 2: My bad back of you do. 299 00:17:21,800 --> 00:17:23,640 Speaker 1: Yeah, I think this Taylor Swift song. 300 00:17:23,520 --> 00:17:26,440 Speaker 5: Was it was just what I needed, a big shock 301 00:17:26,480 --> 00:17:28,560 Speaker 5: treatment to jop me right back to sanity. 302 00:17:28,720 --> 00:17:32,320 Speaker 2: But here's the thing. The fact that she called back. 303 00:17:33,440 --> 00:17:37,560 Speaker 2: That's a big a red flag, red red, red, red flag, 304 00:17:37,720 --> 00:17:41,200 Speaker 2: and I would be pissed, especially without even letting him 305 00:17:41,240 --> 00:17:44,359 Speaker 2: know what's going on. Well, like the first thing you 306 00:17:44,400 --> 00:17:46,920 Speaker 2: should be telling. And I say this again as I've 307 00:17:46,920 --> 00:17:50,239 Speaker 2: been in this relationship for like six years myself being like, 308 00:17:50,520 --> 00:17:53,359 Speaker 2: if if he had done that, there would be a 309 00:17:53,440 --> 00:17:55,560 Speaker 2: lot of questions and there would be a lot of 310 00:17:55,640 --> 00:18:01,520 Speaker 2: like you're already stepping across my boundaries, just communicating with 311 00:18:01,560 --> 00:18:03,920 Speaker 2: them and not even telling me. That's the part of 312 00:18:04,040 --> 00:18:08,320 Speaker 2: not telling me. Come on, shape, I have to say. 313 00:18:08,359 --> 00:18:10,720 Speaker 3: My ex did do that with I know I've told 314 00:18:10,760 --> 00:18:13,280 Speaker 3: the story before, but his his ex was coming into 315 00:18:13,320 --> 00:18:15,120 Speaker 3: town and he was like, she wants to hang out? 316 00:18:15,200 --> 00:18:17,360 Speaker 1: Is that okay? I was like yeah, but he. 317 00:18:17,359 --> 00:18:20,760 Speaker 2: Told me, right, that's the difference. I think like, if 318 00:18:20,840 --> 00:18:23,439 Speaker 2: if my partner was like, hey, so one SO is coming, 319 00:18:23,480 --> 00:18:25,920 Speaker 2: are you okay with him? Like yeah, cool, I would 320 00:18:25,960 --> 00:18:30,280 Speaker 2: trust him because he's being open, but also I wouldn't 321 00:18:30,280 --> 00:18:32,119 Speaker 2: need him to constantly tell me what he's doing. So 322 00:18:32,400 --> 00:18:35,320 Speaker 2: this if it's like a little sketchy, we also lived together, 323 00:18:35,359 --> 00:18:37,600 Speaker 2: so that would be all those things right. 324 00:18:41,440 --> 00:18:42,040 Speaker 1: I'm trying. 325 00:18:43,359 --> 00:18:46,000 Speaker 5: After a quick browse on the healthy sperm dot Com 326 00:18:46,000 --> 00:18:50,720 Speaker 5: web page Health sperm dot Com to dinner okay. 327 00:18:52,800 --> 00:18:54,479 Speaker 2: Which I can't imagine does nothing? 328 00:18:54,720 --> 00:18:57,520 Speaker 1: Look this could backfire majorly. 329 00:18:58,080 --> 00:18:59,760 Speaker 2: It's of the stomach ache exactly. 330 00:19:01,520 --> 00:19:03,320 Speaker 1: If you're not used to this kind of stuff. 331 00:19:03,400 --> 00:19:06,800 Speaker 2: You're drinking, Yes, oh try it, It's very good for you. 332 00:19:08,119 --> 00:19:08,840 Speaker 2: Bottoms up. 333 00:19:10,600 --> 00:19:14,800 Speaker 3: No, No, this is a horrible idea. 334 00:19:15,320 --> 00:19:17,400 Speaker 2: And he says no to the wheat grass juice, y'all. 335 00:19:17,680 --> 00:19:21,000 Speaker 1: I'm a strong strong No. 336 00:19:22,760 --> 00:19:26,359 Speaker 2: I did a couple of times, not for this reason, obviously, 337 00:19:26,960 --> 00:19:29,480 Speaker 2: but I didn't mind it. I actually like the sour days, 338 00:19:29,520 --> 00:19:30,120 Speaker 2: grassy days. 339 00:19:30,400 --> 00:19:31,280 Speaker 1: Oh that's fine. 340 00:19:31,400 --> 00:19:35,120 Speaker 3: I'm just saying, like, if you he doesn't know what's 341 00:19:35,160 --> 00:19:37,360 Speaker 3: going to happen to his sister. 342 00:19:37,640 --> 00:19:42,359 Speaker 2: Right, I'm trying. 343 00:19:43,560 --> 00:19:47,240 Speaker 5: Look, you're overreacting. You love Trey, right, and you want 344 00:19:47,280 --> 00:19:47,919 Speaker 5: to marry. 345 00:19:47,680 --> 00:19:48,080 Speaker 4: Him, right. 346 00:19:49,640 --> 00:19:51,879 Speaker 2: Yes, it's really weird that they would agree to get 347 00:19:51,920 --> 00:19:53,360 Speaker 2: married and then she runs away from him. 348 00:19:53,680 --> 00:19:56,159 Speaker 1: I know. Did they not talk about it anymore? 349 00:19:56,840 --> 00:19:59,040 Speaker 2: Like she's like, I gotta go take carry boy the 350 00:19:59,280 --> 00:20:00,720 Speaker 2: dinner and then. 351 00:20:02,720 --> 00:20:04,960 Speaker 1: You can do a second that could have been like 352 00:20:05,040 --> 00:20:06,800 Speaker 1: the talking it out. 353 00:20:06,760 --> 00:20:09,800 Speaker 2: And then do we want to get married? All these things. 354 00:20:17,080 --> 00:20:17,520 Speaker 1: Were back? 355 00:20:17,560 --> 00:20:29,239 Speaker 2: Are young Sam and a spunky, funky monkey? To come on, man, 356 00:20:29,640 --> 00:20:34,280 Speaker 2: the greatest head? Oh no, immediately grabbing my head. 357 00:20:35,000 --> 00:20:42,600 Speaker 4: Yeah, well, Adam, you've got some funky tastings. 358 00:20:42,680 --> 00:20:44,919 Speaker 1: Funk what you heard me? 359 00:20:45,520 --> 00:20:52,800 Speaker 4: Your spunk is funky spooch chiz joy juice, funky man. 360 00:20:52,880 --> 00:20:55,200 Speaker 2: I have heard some excuses for not giving a head, 361 00:20:55,200 --> 00:20:56,320 Speaker 2: but this one takes the cake. 362 00:20:56,560 --> 00:21:01,439 Speaker 4: Excuse me, you wanted them to blow drops too blow 363 00:21:01,560 --> 00:21:03,439 Speaker 4: job and I'm never going to see in the ac. 364 00:21:03,600 --> 00:21:04,600 Speaker 2: I've never heard of that title. 365 00:21:04,760 --> 00:21:07,200 Speaker 1: Said that I love giving head. 366 00:21:07,480 --> 00:21:09,760 Speaker 2: Then come on, give me a little beja up and 367 00:21:09,800 --> 00:21:10,800 Speaker 2: down a couple of times. 368 00:21:13,280 --> 00:21:15,680 Speaker 4: You men have no idea what we're dealing with down there, 369 00:21:16,400 --> 00:21:20,119 Speaker 4: teeth placement and jawstress and suction and gag reflex and 370 00:21:20,240 --> 00:21:22,760 Speaker 4: all the while bobbing up and down, moaning and tried 371 00:21:22,800 --> 00:21:26,439 Speaker 4: to breathe through our noses. Easy, honey, they don't call 372 00:21:26,480 --> 00:21:27,840 Speaker 4: it a job, but not correct. 373 00:21:28,000 --> 00:21:31,840 Speaker 2: There you go see, not a job for nothing. She says. 374 00:21:48,000 --> 00:21:54,560 Speaker 3: That Taylorsman's song did me, well, that's an you cheated, No, 375 00:21:55,200 --> 00:21:57,119 Speaker 3: I guess I knew that song for years. 376 00:21:57,160 --> 00:22:00,640 Speaker 1: I didn't know it was about sex and the city someone. 377 00:22:01,080 --> 00:22:03,520 Speaker 2: I've never heard that song, so I don't have a clue. 378 00:22:03,640 --> 00:22:06,000 Speaker 2: I'll give you the A plus, but I still move 379 00:22:06,040 --> 00:22:08,439 Speaker 2: a ma asterisk because cheating is cheating as cheating a. 380 00:22:08,400 --> 00:22:10,800 Speaker 1: Stew because I had to guess. 381 00:22:11,000 --> 00:22:13,240 Speaker 3: I didn't know where it would go. I didn't even 382 00:22:13,240 --> 00:22:17,040 Speaker 3: know if it was true. I just sort of osmosis 383 00:22:17,040 --> 00:22:21,960 Speaker 3: to this fact. Really this is about tex in the city. 384 00:22:22,040 --> 00:22:23,879 Speaker 3: And then I was listening to it again. I was like, 385 00:22:23,920 --> 00:22:25,840 Speaker 3: oh yeah. 386 00:22:26,440 --> 00:22:33,760 Speaker 2: So we had jumped into Carrie's villain era obviously, and 387 00:22:33,800 --> 00:22:36,480 Speaker 2: this is that big question of things that are happening, 388 00:22:37,119 --> 00:22:41,760 Speaker 2: big coming back into the picture, Funky Spunk, Miranda and 389 00:22:41,840 --> 00:22:48,760 Speaker 2: Steve's second time ending, and then Charlotte getting engaged. So 390 00:22:48,800 --> 00:22:52,000 Speaker 2: all this is a big, big season, as I said, 391 00:22:52,000 --> 00:22:53,720 Speaker 2: and this is kind of what we're talking about, as 392 00:22:53,720 --> 00:22:56,160 Speaker 2: well as the fact that we've introduced to all these 393 00:22:56,160 --> 00:22:59,200 Speaker 2: big players when it comes to men in the women's lives. 394 00:23:02,320 --> 00:23:03,760 Speaker 1: Yeah, it's a lot. 395 00:23:04,440 --> 00:23:09,040 Speaker 2: So listeners, if you are interested and you've been listening, 396 00:23:09,520 --> 00:23:11,399 Speaker 2: and if you already watched this, I know you already 397 00:23:11,400 --> 00:23:12,960 Speaker 2: are like, yeah, I know, let me know, let me 398 00:23:12,960 --> 00:23:16,439 Speaker 2: tell you about this. It gets bigger. It just gets bigger. 399 00:23:17,760 --> 00:23:18,719 Speaker 2: H to be honest. 400 00:23:19,800 --> 00:23:25,399 Speaker 1: Okay, okay, okay, mm hmm. Go listen to that song again. 401 00:23:29,480 --> 00:23:34,159 Speaker 2: Apparently we should have that and if we had the 402 00:23:34,240 --> 00:23:38,280 Speaker 2: rights of that song we're playing right now. 403 00:23:38,000 --> 00:23:39,639 Speaker 1: I'll sing chunks of it at a time. 404 00:23:41,920 --> 00:23:42,160 Speaker 5: Yeah. 405 00:23:42,320 --> 00:23:45,240 Speaker 3: I mean again, it does feel like a lot of 406 00:23:45,240 --> 00:23:49,840 Speaker 3: things are in flux in this season for them, A 407 00:23:49,880 --> 00:23:53,280 Speaker 3: lot of big things happening. I'm also just gonna say 408 00:23:54,760 --> 00:23:58,000 Speaker 3: I was right about come and the dirty use of it. 409 00:23:58,160 --> 00:24:03,720 Speaker 2: So that's true. You take that one. 410 00:24:06,000 --> 00:24:09,120 Speaker 1: I wasn't expecting it to go quite that way, but. 411 00:24:09,200 --> 00:24:11,800 Speaker 2: Uh, that infamous. 412 00:24:12,920 --> 00:24:16,840 Speaker 1: I love so much. Yeah, it was a fun one. Yeah, 413 00:24:16,960 --> 00:24:18,760 Speaker 1: I am glad that we are back. 414 00:24:19,880 --> 00:24:24,840 Speaker 3: And yes, listeners, let us know if you want to enter, 415 00:24:25,040 --> 00:24:27,000 Speaker 3: if you would like to come on and join us 416 00:24:27,800 --> 00:24:29,640 Speaker 3: have conversations like this. 417 00:24:30,520 --> 00:24:34,480 Speaker 2: If you want to talk about monkey spunk. I don't 418 00:24:34,480 --> 00:24:37,880 Speaker 2: think we're coming back to that though, to be honest. 419 00:24:36,800 --> 00:24:45,000 Speaker 3: Well that's quite the but yeah, yeah, Samantha has already 420 00:24:45,040 --> 00:24:47,359 Speaker 3: chosen the episode, and Samantha has seen them, so I 421 00:24:47,400 --> 00:24:50,040 Speaker 3: feel that one will be a fun one. 422 00:24:50,080 --> 00:24:50,359 Speaker 1: Whatever. 423 00:24:50,520 --> 00:24:54,639 Speaker 3: Yes, yes, yes, but yes we are looking to do 424 00:24:54,680 --> 00:25:00,440 Speaker 3: that soon, So please enter if you're anyway in interested. 425 00:25:01,359 --> 00:25:06,960 Speaker 3: Very easy. I just need internet connection, preferably headphones. You 426 00:25:07,160 --> 00:25:10,359 Speaker 3: can email us at Stephania mom Stuff at iHeartMedia dot com. 427 00:25:10,440 --> 00:25:12,480 Speaker 3: You can find us on Twitter at mom Stuff podcast, 428 00:25:12,640 --> 00:25:15,240 Speaker 3: or on Instagram and TikTok at stuff I Never told you. 429 00:25:15,440 --> 00:25:16,440 Speaker 1: We're also on YouTube. 430 00:25:16,640 --> 00:25:18,199 Speaker 3: We have a tea public store, and we have a 431 00:25:18,200 --> 00:25:20,400 Speaker 3: book you can get wherever you get your books. Thanks 432 00:25:20,400 --> 00:25:23,439 Speaker 3: as always too, our super duce, Christina, executive duser and 433 00:25:23,480 --> 00:25:25,240 Speaker 3: our contributor Joey, thank you. 434 00:25:25,680 --> 00:25:27,639 Speaker 1: And thanks to you for listening. Stuffill Never Told You 435 00:25:27,680 --> 00:25:28,600 Speaker 1: is production of iHeart Radio. 436 00:25:28,600 --> 00:25:30,200 Speaker 3: For more podcasts from my heart Radio, you can check 437 00:25:30,200 --> 00:25:32,159 Speaker 3: out the heart Radio app, Apple Podcasts, or wherever you 438 00:25:32,160 --> 00:25:33,359 Speaker 3: listen to your favorite shows.