1 00:00:00,760 --> 00:00:18,000 Speaker 1: I am all in. Oh, I am all in with 2 00:00:18,120 --> 00:00:23,440 Speaker 1: Scott Patterson and I Heart Radio podcast. Hey everybody, Uh, 3 00:00:23,480 --> 00:00:26,880 Speaker 1: this is Scott Patterson. I am all in podcast, I 4 00:00:26,920 --> 00:00:32,320 Speaker 1: Heart Radio and uh we are gonna talk about Kiss 5 00:00:32,320 --> 00:00:34,640 Speaker 1: and Tell, episode seven, season one, and we have a 6 00:00:34,760 --> 00:00:39,440 Speaker 1: very very very very special guest and and a good 7 00:00:39,479 --> 00:00:45,959 Speaker 1: personal friend of mine, Mr George Bell. George Bell was 8 00:00:46,320 --> 00:00:51,360 Speaker 1: the dialogue coach uh on Gilmour Girls. What what season 9 00:00:51,400 --> 00:00:53,280 Speaker 1: three through seven through the end of the run. You 10 00:00:53,320 --> 00:00:57,920 Speaker 1: came in like the first part of season three, um, 11 00:00:57,960 --> 00:01:02,960 Speaker 1: and Mike Odd he saved the show. George literally saved 12 00:01:04,360 --> 00:01:07,240 Speaker 1: when you know, I mean we were we were kind 13 00:01:07,240 --> 00:01:12,400 Speaker 1: of kind of struggling along with all the dialogue, um 14 00:01:12,760 --> 00:01:14,680 Speaker 1: until you showed up. And then when you showed up, 15 00:01:14,680 --> 00:01:17,920 Speaker 1: it just, you know, the days became shorter, the scenes 16 00:01:17,959 --> 00:01:20,119 Speaker 1: became better, it all, you know, it all, it all 17 00:01:20,160 --> 00:01:22,119 Speaker 1: got easier when you were there because you were helping 18 00:01:22,160 --> 00:01:25,960 Speaker 1: us out so much. So, so let me, uh, let 19 00:01:26,000 --> 00:01:29,640 Speaker 1: me tell everybody who the heck you are. And you've 20 00:01:29,680 --> 00:01:33,720 Speaker 1: got quite an impressive resume, young man, So let me 21 00:01:33,720 --> 00:01:36,560 Speaker 1: put on the specs here. So, so, you played dual 22 00:01:36,680 --> 00:01:39,520 Speaker 1: roles in in Gilmore Girls. It was first as dialogues 23 00:01:39,720 --> 00:01:43,759 Speaker 1: set dialogue coach, and you also appeared as Professor Bell 24 00:01:45,680 --> 00:01:49,200 Speaker 1: Fantastic and you were in A seven episodes from two 25 00:01:49,240 --> 00:01:51,400 Speaker 1: thousand three two thousand seven. First time we saw it 26 00:01:51,440 --> 00:01:55,559 Speaker 1: was season four, uh, episode six and Affair to Remember 27 00:01:55,560 --> 00:01:57,760 Speaker 1: in the last time we saw you as Professor Bell 28 00:01:57,880 --> 00:02:01,680 Speaker 1: was season seven, episode twenty. Laurel, Laurel I, Laurel I 29 00:02:01,800 --> 00:02:06,240 Speaker 1: question mark question anyway? Um, George, what is a dialogue coach? 30 00:02:06,680 --> 00:02:08,799 Speaker 1: What is it? What? What do you do? What is 31 00:02:08,840 --> 00:02:13,200 Speaker 1: it specifically that you do well? Dialogue coach not to 32 00:02:13,280 --> 00:02:18,120 Speaker 1: be confused with dialect coach. Uh. Dialogue coaches the keeper 33 00:02:18,200 --> 00:02:22,480 Speaker 1: of the word so so to speak, and that uh 34 00:02:22,760 --> 00:02:29,160 Speaker 1: when uh, the exactly producer they want the dialogue pretty 35 00:02:29,240 --> 00:02:32,640 Speaker 1: much word for word. Uh, then I'm there to work 36 00:02:32,680 --> 00:02:35,840 Speaker 1: with the actors to make sure they get it word 37 00:02:35,880 --> 00:02:40,040 Speaker 1: for word. Um, dialect coach or people like if you 38 00:02:40,080 --> 00:02:43,200 Speaker 1: talk with the British accent and Jamaican accent, so it's 39 00:02:43,240 --> 00:02:47,680 Speaker 1: an accent for dialect, but for me it's dialogue. I 40 00:02:47,720 --> 00:02:52,600 Speaker 1: don't give acting notes unless the actor would requested it 41 00:02:52,639 --> 00:02:55,800 Speaker 1: from me. I'm just there to be, you know, the 42 00:02:55,840 --> 00:02:58,320 Speaker 1: person to read their lines with them. And drill it 43 00:02:58,360 --> 00:03:02,280 Speaker 1: in their head. And then and after each take, I'll 44 00:03:02,480 --> 00:03:04,840 Speaker 1: go up to them with my little trustee notebook that 45 00:03:04,919 --> 00:03:10,200 Speaker 1: show them UH if they've got something wrong. And generally 46 00:03:10,200 --> 00:03:13,280 Speaker 1: with my my own method is UH. I try to 47 00:03:13,320 --> 00:03:16,360 Speaker 1: write what the actors said incorrectly, because quite often as 48 00:03:16,400 --> 00:03:20,400 Speaker 1: an actor, you think you're saying the line correctly, but 49 00:03:20,480 --> 00:03:23,400 Speaker 1: then you're really not. So when the first things you 50 00:03:23,440 --> 00:03:25,280 Speaker 1: show them something they did wrong, they said, what did 51 00:03:25,320 --> 00:03:27,520 Speaker 1: I say? So if you can show them what they 52 00:03:27,560 --> 00:03:31,280 Speaker 1: said incorrectly, then more often than not they can make 53 00:03:31,280 --> 00:03:35,160 Speaker 1: the adjustment. Some actors, I don't tell them what they 54 00:03:35,160 --> 00:03:38,600 Speaker 1: said incorrectly because they only would confuse them more. But 55 00:03:38,680 --> 00:03:41,960 Speaker 1: other actors would like to know what they make that adjustment. 56 00:03:42,040 --> 00:03:44,880 Speaker 1: So I know how each actor worked on the show, 57 00:03:45,120 --> 00:03:47,640 Speaker 1: what their method us and UH, and I would work 58 00:03:47,680 --> 00:03:51,640 Speaker 1: with them under that framework. Oh yeah, really interesting. So 59 00:03:51,640 --> 00:03:54,480 Speaker 1: so I you would approach me differently than you'd approach 60 00:03:54,560 --> 00:03:58,360 Speaker 1: Lauren than you'd approach Unique or so what were the differences? 61 00:03:58,480 --> 00:04:00,400 Speaker 1: What were the differences? What was I like to to 62 00:04:00,480 --> 00:04:04,080 Speaker 1: work with on set? And how did you approach You 63 00:04:04,200 --> 00:04:07,120 Speaker 1: really love to run the lines over and over it 64 00:04:07,400 --> 00:04:11,360 Speaker 1: and get it drilled in your head, uh, which was great. 65 00:04:12,000 --> 00:04:16,039 Speaker 1: Um and um. And also you know, because I would 66 00:04:16,040 --> 00:04:18,520 Speaker 1: come to your trailer, which was nice and quite offer, 67 00:04:18,600 --> 00:04:25,880 Speaker 1: you would treat me with sushi, right right right. So, 68 00:04:25,960 --> 00:04:27,960 Speaker 1: but but now we would we would work the scene 69 00:04:27,960 --> 00:04:31,400 Speaker 1: and work the scene. You know. Sometimes it took ten times, 70 00:04:31,440 --> 00:04:34,280 Speaker 1: fifteen times whatever it took for you to feel comfortable, 71 00:04:34,800 --> 00:04:39,760 Speaker 1: and then you were there. Um. Uh. Lauren, she liked to, 72 00:04:40,160 --> 00:04:42,480 Speaker 1: uh just do the maybe a couple of times and 73 00:04:42,839 --> 00:04:47,880 Speaker 1: really at rapid speed. And also maybe just the que 74 00:04:48,040 --> 00:04:50,720 Speaker 1: line sometimes like maybe a line or two, just to 75 00:04:50,760 --> 00:04:55,640 Speaker 1: give it the cube. And so we would do that. Um. 76 00:04:55,720 --> 00:05:00,880 Speaker 1: Alexis was to come the same, We would just do 77 00:05:00,920 --> 00:05:04,160 Speaker 1: it quickly and uh. And also Lauren and alex Is 78 00:05:04,200 --> 00:05:07,120 Speaker 1: what they would do they would write down their dialogue 79 00:05:07,160 --> 00:05:09,880 Speaker 1: on the back of their sides because they said that 80 00:05:09,880 --> 00:05:13,240 Speaker 1: that would help them memorize the line by writing down 81 00:05:13,920 --> 00:05:18,159 Speaker 1: their lines, which I actually incorporate that as an actor now. Uh, 82 00:05:18,200 --> 00:05:20,200 Speaker 1: and it's true it sometimes helps you when you write 83 00:05:20,200 --> 00:05:24,280 Speaker 1: it down, it kind of somehow settles in the brain. Um. 84 00:05:24,360 --> 00:05:29,520 Speaker 1: And then uh, Kelly, because she's some theater she I mean, 85 00:05:29,880 --> 00:05:32,279 Speaker 1: she'd like to run the lines. So most people what 86 00:05:32,320 --> 00:05:35,400 Speaker 1: we're like you, they'd like to run the lines. Uh, 87 00:05:35,440 --> 00:05:38,240 Speaker 1: but I think you were the most diligent and wanting 88 00:05:38,279 --> 00:05:40,919 Speaker 1: to uh you know, to run the lines and really 89 00:05:40,920 --> 00:05:42,680 Speaker 1: get it locked in so that you you know that 90 00:05:42,760 --> 00:05:46,400 Speaker 1: you were ready. Um. So yeah, for me, it was 91 00:05:46,440 --> 00:05:50,040 Speaker 1: about the comedic timing. It's if you don't have the 92 00:05:50,080 --> 00:05:54,520 Speaker 1: lines cold, you can't really focus on the timing. Right. 93 00:05:54,680 --> 00:05:57,320 Speaker 1: The last thing I wanted to do was screw up 94 00:05:57,400 --> 00:06:00,280 Speaker 1: Lauren on the timing things because she had so many 95 00:06:00,279 --> 00:06:02,120 Speaker 1: of those great lines and I didn't want to get 96 00:06:02,120 --> 00:06:04,880 Speaker 1: in the way of that. And you can really, you know, 97 00:06:05,000 --> 00:06:07,359 Speaker 1: kill a scene if your timing isn't there, you know, 98 00:06:07,680 --> 00:06:09,400 Speaker 1: if you don't know the lines. And that's that's the 99 00:06:09,440 --> 00:06:12,000 Speaker 1: first thing. I mean, you gotta that's the first rule theater. 100 00:06:12,080 --> 00:06:16,120 Speaker 1: You you come in walking, I mean, sorry, you cat, 101 00:06:16,160 --> 00:06:19,280 Speaker 1: you walk in talking, You have you have to come 102 00:06:19,320 --> 00:06:22,040 Speaker 1: in walking. You maybe sometimes you walk in crawling or 103 00:06:22,080 --> 00:06:25,120 Speaker 1: I have no idea, but you've got to You've got 104 00:06:25,120 --> 00:06:28,960 Speaker 1: to know your lines. Um. Yeah, So what about on 105 00:06:28,960 --> 00:06:32,640 Speaker 1: this set? What was the experience, Like, we're different actors 106 00:06:33,240 --> 00:06:35,760 Speaker 1: that you approached on set to correct their dialogue where 107 00:06:35,800 --> 00:06:38,960 Speaker 1: they you know, it can get a little testy sometimes 108 00:06:39,040 --> 00:06:42,400 Speaker 1: because people that are they're very tired. They've been there 109 00:06:42,440 --> 00:06:46,480 Speaker 1: for sixteen hours and they blow. They do a brilliant 110 00:06:46,520 --> 00:06:49,719 Speaker 1: monologue or a brilliant scene and one word is off 111 00:06:50,839 --> 00:06:53,280 Speaker 1: and you have to go up until the with the 112 00:06:53,360 --> 00:06:59,680 Speaker 1: bad news and lamp. You had a tough job. Man 113 00:07:00,040 --> 00:07:01,159 Speaker 1: knew you had to go up and you had to 114 00:07:01,160 --> 00:07:03,919 Speaker 1: tell the director you know, look, we got to do 115 00:07:03,960 --> 00:07:06,440 Speaker 1: it again because they didn't get that one word right. 116 00:07:06,480 --> 00:07:08,240 Speaker 1: And then you have to go up to whoever it was, 117 00:07:08,279 --> 00:07:10,640 Speaker 1: you know, me or whoever said listen, you know, you 118 00:07:10,720 --> 00:07:13,840 Speaker 1: got that word wrong, and you're just like, oh no, no, 119 00:07:13,920 --> 00:07:17,680 Speaker 1: we can't write that take on right. So what was 120 00:07:17,680 --> 00:07:21,320 Speaker 1: that experience like for you? Well, that's also in part 121 00:07:21,400 --> 00:07:24,560 Speaker 1: the reason why I would write down what the actors 122 00:07:24,640 --> 00:07:27,880 Speaker 1: said if I could, because sometimes if it was so tiny, 123 00:07:28,360 --> 00:07:31,040 Speaker 1: I could lobby in there on their behalfs and look 124 00:07:31,360 --> 00:07:34,560 Speaker 1: they just said this instead of that, you know, I mean, uh, 125 00:07:34,760 --> 00:07:40,360 Speaker 1: you know close enough, you know. Especially it was helpful 126 00:07:40,520 --> 00:07:44,040 Speaker 1: if amy and then we're directing, because you know they 127 00:07:44,040 --> 00:07:47,120 Speaker 1: would the final say so with them, you know, they 128 00:07:47,360 --> 00:07:50,080 Speaker 1: they would give you, guys a little bit more leagal 129 00:07:50,120 --> 00:07:54,480 Speaker 1: we actually than some of the other guest directors. Uh so, 130 00:07:55,120 --> 00:07:58,000 Speaker 1: but yeah, I know. But I think for all of 131 00:07:58,080 --> 00:08:00,880 Speaker 1: the regulars on the show, they kind of knew the 132 00:08:01,000 --> 00:08:05,040 Speaker 1: routine and so and so with one even though I 133 00:08:05,080 --> 00:08:07,840 Speaker 1: was coming up there to give them the correction. You know, 134 00:08:08,040 --> 00:08:10,480 Speaker 1: for the most part, everyone took it and stride and 135 00:08:10,720 --> 00:08:14,800 Speaker 1: they understood. Uh. But sometimes the guests actors that would 136 00:08:14,840 --> 00:08:18,800 Speaker 1: kind of crash and burn, and you know, I would 137 00:08:18,800 --> 00:08:22,680 Speaker 1: want to crucify me because you know, they're like, what 138 00:08:22,720 --> 00:08:27,520 Speaker 1: the hell. You know. I was like, sorry, don't, don't, 139 00:08:27,520 --> 00:08:30,840 Speaker 1: don't shoot the messenger. Right, you remember that guy, that 140 00:08:31,120 --> 00:08:34,679 Speaker 1: nice guy. He was a little bit older and uh, 141 00:08:35,600 --> 00:08:38,920 Speaker 1: you know, he was an experienced Broadway theater actor, and 142 00:08:39,520 --> 00:08:43,400 Speaker 1: he just got this deer in the headlights thing going 143 00:08:43,440 --> 00:08:45,439 Speaker 1: on about. And he looked at me and he goes, 144 00:08:45,480 --> 00:08:47,520 Speaker 1: do we really have to go this fast? He goes, 145 00:08:47,600 --> 00:08:53,640 Speaker 1: I said, yeah, we do. Unfortunately, he was like, I 146 00:08:53,640 --> 00:08:55,400 Speaker 1: don't know if I can do this. They said, you 147 00:08:55,440 --> 00:08:57,480 Speaker 1: can do this. If I can do this, you can 148 00:08:57,520 --> 00:09:01,199 Speaker 1: do this. Um you know, you're they were The guest 149 00:09:01,200 --> 00:09:05,560 Speaker 1: actors would get shocked. Um. Yeah, they wouldn't realize what 150 00:09:05,600 --> 00:09:07,840 Speaker 1: they were walking into the speed of it, you know, 151 00:09:08,160 --> 00:09:11,400 Speaker 1: not not at all I think how I got Professor Bell, 152 00:09:11,840 --> 00:09:14,280 Speaker 1: uh said, many of the people who are playing the 153 00:09:14,360 --> 00:09:20,880 Speaker 1: teachers crashed and burned. And there was there was one time, uh, 154 00:09:21,360 --> 00:09:25,760 Speaker 1: this lady who was a teacher, Jamie Babbitt, was directing 155 00:09:26,200 --> 00:09:28,840 Speaker 1: that that episode, I remember. And so when I was 156 00:09:28,880 --> 00:09:31,240 Speaker 1: in the hallway with her running the lines and everything 157 00:09:31,320 --> 00:09:34,440 Speaker 1: like that, and you know, and she kind of had it, 158 00:09:34,520 --> 00:09:37,120 Speaker 1: but but I could I kind of see that look 159 00:09:37,200 --> 00:09:41,160 Speaker 1: coming over them, like, oh oh danger, will Warminson Dungeon, 160 00:09:41,360 --> 00:09:44,800 Speaker 1: and and she just quiet and said, I want to 161 00:09:44,840 --> 00:09:49,960 Speaker 1: go home. And I said, why, I can't do this. 162 00:09:50,040 --> 00:09:53,480 Speaker 1: I want to go home. I said no, no, no, no, 163 00:09:53,520 --> 00:09:56,280 Speaker 1: you could know. No, I need to go home now. 164 00:09:57,320 --> 00:09:58,880 Speaker 1: And so I said, oh, no, no, You'll be fine. 165 00:09:59,400 --> 00:10:02,280 Speaker 1: And so we ended up having to write cue cards 166 00:10:02,920 --> 00:10:05,240 Speaker 1: in the back of the classroom so she could read 167 00:10:05,320 --> 00:10:08,679 Speaker 1: the lines because she just had so pigned herself out 168 00:10:09,040 --> 00:10:11,600 Speaker 1: and couldn't take the stress of it all that we 169 00:10:11,640 --> 00:10:14,040 Speaker 1: had to write it on two cards and and that 170 00:10:14,160 --> 00:10:19,120 Speaker 1: was the only way she got through it. Uh. And then, UM, 171 00:10:19,160 --> 00:10:20,400 Speaker 1: I don't know if it was the actor that you 172 00:10:20,440 --> 00:10:22,959 Speaker 1: were talking about. It was in the little movie theater. 173 00:10:23,800 --> 00:10:27,000 Speaker 1: It was a couple and an older guy, and he 174 00:10:27,360 --> 00:10:31,520 Speaker 1: just I had to literally, especially for his coverage, just 175 00:10:31,600 --> 00:10:34,320 Speaker 1: speed him every line. I would say the line, and 176 00:10:34,360 --> 00:10:36,360 Speaker 1: then he would say the line. Then I would say 177 00:10:36,400 --> 00:10:38,360 Speaker 1: the next line, and then he would say that was 178 00:10:38,400 --> 00:10:39,840 Speaker 1: the only way he was going to get to it. 179 00:10:39,880 --> 00:10:42,880 Speaker 1: It just he had just that was it, you know. 180 00:10:43,280 --> 00:10:47,800 Speaker 1: And so so we we had those moments, Oh George, 181 00:10:48,000 --> 00:10:50,880 Speaker 1: it was you know, you fore, it's been so long 182 00:10:50,920 --> 00:10:53,400 Speaker 1: and you forget what a pressure cooker the series was. 183 00:10:53,440 --> 00:10:57,560 Speaker 1: I mean, the reboot was a lot more relaxed. Yeah, 184 00:10:57,920 --> 00:11:01,400 Speaker 1: we had more time to prep uh the scenes and 185 00:11:01,440 --> 00:11:03,520 Speaker 1: all that kind of stuff. But and they weren't as 186 00:11:03,559 --> 00:11:08,640 Speaker 1: strict about the dialogue because it was just uh Dan 187 00:11:08,800 --> 00:11:12,480 Speaker 1: and Amy directing, so they were okay. So that's why 188 00:11:12,720 --> 00:11:14,480 Speaker 1: I tried to write it down so they could see. 189 00:11:14,720 --> 00:11:17,679 Speaker 1: And it's like and rarely did we have to go 190 00:11:17,760 --> 00:11:19,960 Speaker 1: back and do it because of the dialogue. It was 191 00:11:20,160 --> 00:11:22,600 Speaker 1: unless it was just really you know, like a whole 192 00:11:22,679 --> 00:11:25,720 Speaker 1: line was omitted or something or you know, and so 193 00:11:25,960 --> 00:11:28,760 Speaker 1: and I also I had to I wrote down what take, 194 00:11:29,400 --> 00:11:32,400 Speaker 1: what was said on what take? So on tape three, 195 00:11:32,480 --> 00:11:35,400 Speaker 1: they missed this word or that sentence. On tape four 196 00:11:36,160 --> 00:11:38,480 Speaker 1: that was a better one. But but they missed this, 197 00:11:38,559 --> 00:11:40,560 Speaker 1: but they got that one right on take so they 198 00:11:40,640 --> 00:11:43,200 Speaker 1: knew which one. So so that she said, so we 199 00:11:43,240 --> 00:11:45,679 Speaker 1: have it, I said, well, and take maybe two and 200 00:11:45,679 --> 00:11:49,680 Speaker 1: six you have it, you know. And so so it's 201 00:11:49,720 --> 00:11:52,240 Speaker 1: really interesting. So I want to take us back a 202 00:11:52,240 --> 00:11:54,200 Speaker 1: little bit. How did you get the job as a 203 00:11:54,240 --> 00:11:59,200 Speaker 1: dialect coach on the show? Carla mccloski, who is a 204 00:11:59,320 --> 00:12:03,680 Speaker 1: very very dear friend. I actually I sang in their wedding. 205 00:12:04,440 --> 00:12:07,400 Speaker 1: Her husband and I went to college together. We were 206 00:12:07,760 --> 00:12:11,120 Speaker 1: theater majors. Okay, so let's tell Let's tell the audience 207 00:12:11,120 --> 00:12:14,360 Speaker 1: who Carla. Carla is, what what was her role over there? 208 00:12:15,559 --> 00:12:20,360 Speaker 1: Carlo was the first a d assistant director on the series, 209 00:12:20,760 --> 00:12:25,439 Speaker 1: and she's like the main person, uh you know, I mean, 210 00:12:25,600 --> 00:12:29,040 Speaker 1: they they're like the heartbeat of the show. And so 211 00:12:29,679 --> 00:12:32,400 Speaker 1: I guess when the decision was made in the third 212 00:12:32,400 --> 00:12:35,760 Speaker 1: season to bring in a dialogue coach, in part, it 213 00:12:35,800 --> 00:12:39,280 Speaker 1: was because they were going through script supervisors, like it 214 00:12:39,400 --> 00:12:43,040 Speaker 1: was like a revolving door, you know. And finally I 215 00:12:43,080 --> 00:12:45,240 Speaker 1: think they realized, well, you know what, maybe it's too 216 00:12:45,360 --> 00:12:48,679 Speaker 1: much to expect the script supervisor to do all what 217 00:12:48,720 --> 00:12:52,679 Speaker 1: they do and then to be on top of the dialogue. Uh. 218 00:12:52,800 --> 00:12:55,280 Speaker 1: So they said, let's bring in let's bring in a 219 00:12:55,360 --> 00:12:59,080 Speaker 1: dialogue coach, and Carla said, I have just the person. 220 00:12:59,840 --> 00:13:04,640 Speaker 1: And so uh. But I interviewed with several of the 221 00:13:04,679 --> 00:13:06,600 Speaker 1: people and I think they got it down before people. 222 00:13:07,360 --> 00:13:12,120 Speaker 1: And then the four of us interviewed with Lauren really 223 00:13:12,320 --> 00:13:17,160 Speaker 1: and yeah, yeah, so we interviewed with Lauren, and in 224 00:13:17,160 --> 00:13:20,160 Speaker 1: in the interview with Lauren and she said, now your 225 00:13:20,200 --> 00:13:22,720 Speaker 1: friends with Carla, right, I said, yeah, yeah, that's a 226 00:13:22,840 --> 00:13:24,640 Speaker 1: very close friend. So I think that was my ace 227 00:13:24,679 --> 00:13:29,400 Speaker 1: in the whole and so uh and I was selected. 228 00:13:29,440 --> 00:13:33,080 Speaker 1: So that's how UM and I. Then I also interviewed 229 00:13:33,120 --> 00:13:38,480 Speaker 1: first with my first interviewed with UM Patricia Palmer and 230 00:13:38,600 --> 00:13:45,560 Speaker 1: Amy so Falmer was producer, one of the supervising producers 231 00:13:45,720 --> 00:13:49,600 Speaker 1: or one of the main producers of the show, right right, 232 00:13:49,800 --> 00:13:52,680 Speaker 1: So so my first interview was with them, and then 233 00:13:52,760 --> 00:13:54,600 Speaker 1: I think they whittled it down to four of us 234 00:13:54,679 --> 00:13:58,000 Speaker 1: who met with Lauren and then Lauren had the final 235 00:13:58,520 --> 00:14:02,480 Speaker 1: say as to who you wanted, and so she selected me. 236 00:14:04,040 --> 00:14:07,840 Speaker 1: I brought on board and I remember my first day, 237 00:14:08,120 --> 00:14:11,160 Speaker 1: you said, I can't believe they did. They actually brought 238 00:14:11,160 --> 00:14:12,960 Speaker 1: that they sprung some money and brought in a tile 239 00:14:13,040 --> 00:14:18,080 Speaker 1: up book. I can't believe. You were really happy, you know, 240 00:14:18,280 --> 00:14:23,920 Speaker 1: but you couldn't believe it. Yeah, I don't know. I 241 00:14:23,960 --> 00:14:26,960 Speaker 1: think I think Brown season three they were starting to 242 00:14:27,000 --> 00:14:29,600 Speaker 1: cut the budget on craft service. So the craft service 243 00:14:29,680 --> 00:14:33,120 Speaker 1: wasn't as you know, I mean, it was nice, it 244 00:14:33,160 --> 00:14:36,800 Speaker 1: was always nice, right, it's uh, but the craft services 245 00:14:36,800 --> 00:14:38,880 Speaker 1: where you know, all the food is the snacks and 246 00:14:38,920 --> 00:14:42,440 Speaker 1: the fruits and the veggies and right the water and 247 00:14:42,480 --> 00:14:45,880 Speaker 1: the soda and all that stuff, but it was, um, yeah, 248 00:14:45,960 --> 00:14:48,240 Speaker 1: well there they there was. There was always sort of 249 00:14:48,240 --> 00:14:52,200 Speaker 1: a budgetary constraints to consider, and that's perfectly understandable. Those 250 00:14:52,240 --> 00:14:55,240 Speaker 1: shows are very very expensive to produce, so I mean, 251 00:14:55,240 --> 00:14:58,120 Speaker 1: if you're doing multiple shows over there, you know you're 252 00:14:58,160 --> 00:15:01,240 Speaker 1: gonna you're gonna try to trying to keep it in 253 00:15:01,280 --> 00:15:06,720 Speaker 1: accounting wise, but perfectly understandable. But anyway, um, that's so interesting. 254 00:15:07,000 --> 00:15:11,880 Speaker 1: So so yeah, and then tell us about when they 255 00:15:11,880 --> 00:15:16,920 Speaker 1: were going to let you go. Well, I think I 256 00:15:17,000 --> 00:15:20,040 Speaker 1: quit four times. Really it was about four times. It 257 00:15:20,120 --> 00:15:24,520 Speaker 1: was about four times, didn't Yeah, yeah, because I do 258 00:15:24,600 --> 00:15:28,920 Speaker 1: remember one time you were just when you heard that fact, 259 00:15:28,920 --> 00:15:31,760 Speaker 1: who was it was it Dan Church, the sound card 260 00:15:31,840 --> 00:15:35,760 Speaker 1: or someone. Usually when you if you were um out 261 00:15:35,800 --> 00:15:38,120 Speaker 1: for a few days, you know, they uh, and then 262 00:15:38,160 --> 00:15:41,160 Speaker 1: you come then you come up to the sound truck 263 00:15:41,240 --> 00:15:43,760 Speaker 1: or something and I think you said, okay, so who 264 00:15:43,760 --> 00:15:47,560 Speaker 1: got fired today? Got fired this time? And they said, 265 00:15:47,640 --> 00:15:50,200 Speaker 1: well George quit and he said and you said, what 266 00:15:50,440 --> 00:15:52,240 Speaker 1: oh no, no, no, no, no, no, this can't happen. 267 00:15:52,400 --> 00:15:55,000 Speaker 1: And you went to particial. You can't know. This cannot happen. 268 00:15:55,160 --> 00:15:57,440 Speaker 1: You can't this cannot know. We cannot lose him. We 269 00:15:57,480 --> 00:16:00,120 Speaker 1: cannot lose him. You know, we're not gonna let so 270 00:16:01,040 --> 00:16:03,880 Speaker 1: And it didn't happen. You were the mean, there's no 271 00:16:03,960 --> 00:16:06,440 Speaker 1: way we could have done that were kind of work 272 00:16:06,600 --> 00:16:11,040 Speaker 1: at that level. Um without you, there's just no way. 273 00:16:11,880 --> 00:16:13,920 Speaker 1: I mean, it's not like I was going. We weren't 274 00:16:13,920 --> 00:16:18,040 Speaker 1: going in each other's trailers running lines. Everybody's too busy. 275 00:16:18,280 --> 00:16:20,800 Speaker 1: Everyone was busy doing their own other things, and so 276 00:16:20,800 --> 00:16:23,280 Speaker 1: so I was resting around, you know, and I worked 277 00:16:23,280 --> 00:16:26,200 Speaker 1: with everybody. If you had one line h as a 278 00:16:26,240 --> 00:16:29,600 Speaker 1: guest actor, Uh, if I had the time, I would 279 00:16:29,600 --> 00:16:32,200 Speaker 1: go there and just you know, give you that attention, 280 00:16:32,280 --> 00:16:35,280 Speaker 1: just to make sure because quite often, especially with the 281 00:16:35,360 --> 00:16:39,160 Speaker 1: guest actors the first ad relied on me to see 282 00:16:39,360 --> 00:16:42,520 Speaker 1: if they were how they were doing. And I remember 283 00:16:42,560 --> 00:16:44,640 Speaker 1: this one guy who was a minister and it was 284 00:16:44,680 --> 00:16:50,000 Speaker 1: in the dinner scene at the Gilmore House. And when 285 00:16:50,040 --> 00:16:52,880 Speaker 1: I ran lines with them, he just it just they 286 00:16:52,920 --> 00:16:57,760 Speaker 1: weren't sticking. And and so as I'm running the lines, uh, 287 00:16:58,040 --> 00:17:02,560 Speaker 1: where he's not looking at me? And Sean Kavan, who 288 00:17:02,600 --> 00:17:05,760 Speaker 1: was the other first a d uh was looking at me, 289 00:17:06,040 --> 00:17:09,000 Speaker 1: you know, to see how things are going. And I 290 00:17:09,080 --> 00:17:15,040 Speaker 1: would I did did this so and it was like 291 00:17:15,640 --> 00:17:18,080 Speaker 1: so then everyone kind of knew what was going on, 292 00:17:18,359 --> 00:17:20,919 Speaker 1: you know. Uh I said that, no, it's not you know. 293 00:17:21,040 --> 00:17:23,520 Speaker 1: I would go to the director and saying and and 294 00:17:23,520 --> 00:17:25,919 Speaker 1: and and and uh you know. And I mean I 295 00:17:26,080 --> 00:17:29,399 Speaker 1: was the ladys on between the actor and the video 296 00:17:29,560 --> 00:17:33,520 Speaker 1: village where the director and all the technical people would be. 297 00:17:33,920 --> 00:17:37,000 Speaker 1: And especially for the guest actors because I knew all 298 00:17:37,160 --> 00:17:39,840 Speaker 1: you guys personality. I knew. I knew if you were 299 00:17:39,840 --> 00:17:43,880 Speaker 1: having a tough day or things were kind of you know, uh, 300 00:17:43,960 --> 00:17:45,840 Speaker 1: you were struggling a little bit or you know this, 301 00:17:46,280 --> 00:17:49,520 Speaker 1: you know are you there was no more correction should 302 00:17:49,520 --> 00:17:53,320 Speaker 1: be given, you know. And I and I was literally 303 00:17:53,359 --> 00:17:55,119 Speaker 1: a couple of times with the directors, I would saying no, 304 00:17:55,520 --> 00:18:00,720 Speaker 1: I wouldn't give them that note. I was, good, you 305 00:18:00,760 --> 00:18:02,840 Speaker 1: need to let them just let them know, let them 306 00:18:02,880 --> 00:18:05,600 Speaker 1: have another go at it. Uh, you're gonna go in? 307 00:18:05,640 --> 00:18:10,840 Speaker 1: I thought, no, no, that they're on the edge, you know, 308 00:18:10,960 --> 00:18:14,840 Speaker 1: let them, uh, let them figure it out, you know. 309 00:18:15,400 --> 00:18:18,560 Speaker 1: And so, you know, unless it was something I absolutely 310 00:18:18,640 --> 00:18:21,080 Speaker 1: had to go in, you know. Uh. And so yeah, 311 00:18:21,119 --> 00:18:24,360 Speaker 1: as I was there longer, U and I felt more secure, 312 00:18:24,880 --> 00:18:27,240 Speaker 1: you know, I felt I could make that call sometimes 313 00:18:27,280 --> 00:18:30,320 Speaker 1: just to say no, and I and I would you know, 314 00:18:30,480 --> 00:18:36,040 Speaker 1: warned the directors, especially the new ones, Uh no, they're 315 00:18:36,040 --> 00:18:43,600 Speaker 1: not having you right now, so let them alone. So 316 00:18:45,400 --> 00:18:47,600 Speaker 1: I don't know who it was, but and they were 317 00:18:47,640 --> 00:18:49,959 Speaker 1: all delightful, and they were all such good directors. But 318 00:18:50,040 --> 00:18:52,239 Speaker 1: some of some of them, not not a lot of them, 319 00:18:52,240 --> 00:18:56,000 Speaker 1: but some of them would come in onto the set, 320 00:18:56,720 --> 00:19:01,240 Speaker 1: they'd leave video village, they take their ears off. They 321 00:19:00,920 --> 00:19:05,719 Speaker 1: they come into video village after every single take and 322 00:19:05,760 --> 00:19:10,119 Speaker 1: talk and would just be like, really, this is happening again, 323 00:19:10,320 --> 00:19:13,240 Speaker 1: Like it's the second take, you know, Yeah, well we'll 324 00:19:13,280 --> 00:19:15,879 Speaker 1: get there. Well we'll get you know. And it was 325 00:19:15,960 --> 00:19:18,879 Speaker 1: just and then they go to each actor and it 326 00:19:18,880 --> 00:19:21,760 Speaker 1: would take forever to do it. So, um, so you 327 00:19:21,840 --> 00:19:25,879 Speaker 1: were back there with a leash on them. That's that's interesting. 328 00:19:26,080 --> 00:19:29,000 Speaker 1: I was. Yeah, I was trying to, like you say it. 329 00:19:29,119 --> 00:19:32,080 Speaker 1: Then most of the time the directors would listen to me, 330 00:19:32,320 --> 00:19:36,760 Speaker 1: you know, and and take my lead. Um, but sometimes 331 00:19:36,760 --> 00:19:39,720 Speaker 1: they didn't and they found out that I was right, 332 00:19:42,200 --> 00:19:46,119 Speaker 1: so they defied you. They didn't take your advice, and 333 00:19:46,119 --> 00:19:48,360 Speaker 1: then they got chewed up and came back to your 334 00:19:48,359 --> 00:19:53,040 Speaker 1: tail between their legs. Yeah, yeah, yeah, so you know, 335 00:19:53,520 --> 00:19:57,879 Speaker 1: uh so, yeah that happened. And and I and but 336 00:19:58,080 --> 00:20:02,960 Speaker 1: also script supervisors, Oh my god, I had There were 337 00:20:03,000 --> 00:20:05,840 Speaker 1: a couple of script supervisors who were just the very 338 00:20:05,880 --> 00:20:09,320 Speaker 1: first script supervisor that uh when I first started. She 339 00:20:09,320 --> 00:20:12,640 Speaker 1: started four days before me. And instead of her being 340 00:20:12,680 --> 00:20:16,640 Speaker 1: happy that I was there to kind of relieve the pressure, 341 00:20:16,880 --> 00:20:22,159 Speaker 1: she was very territorial. And she was jealous because you know, 342 00:20:22,160 --> 00:20:25,800 Speaker 1: the actors had taken to me so quickly, and she 343 00:20:26,000 --> 00:20:29,840 Speaker 1: was she gave me all kinds of problems, you know, 344 00:20:30,480 --> 00:20:34,159 Speaker 1: and uh and it was just like, so, I'm just 345 00:20:34,200 --> 00:20:37,000 Speaker 1: trying to help you out. She one time she didn't 346 00:20:37,000 --> 00:20:39,160 Speaker 1: even want me on the set, you know, and uh. 347 00:20:39,200 --> 00:20:43,520 Speaker 1: But eventually she was let go. And and you know, 348 00:20:44,160 --> 00:20:47,159 Speaker 1: there were, like I said, a revolving door of script 349 00:20:47,160 --> 00:20:51,119 Speaker 1: supervisors and I probably into the six or seventh season, 350 00:20:51,119 --> 00:20:53,880 Speaker 1: I can't remember. There was this one young girl who 351 00:20:53,960 --> 00:20:58,040 Speaker 1: had come on and she was like trying to give 352 00:20:58,040 --> 00:21:00,119 Speaker 1: me all kind of grief and I and I just 353 00:21:00,160 --> 00:21:04,560 Speaker 1: told her so I said, uh, excused me, but there's 354 00:21:04,560 --> 00:21:08,040 Speaker 1: a reason why I'm still here. And I said, uh, 355 00:21:09,000 --> 00:21:12,720 Speaker 1: you know, there's been a lot of scripture advisors, So 356 00:21:13,960 --> 00:21:15,760 Speaker 1: I would think that you would want to listen to 357 00:21:15,760 --> 00:21:19,119 Speaker 1: what I have to say, because you know, there's a 358 00:21:19,119 --> 00:21:25,359 Speaker 1: reason why I have survived and so place to survive. Right, No, No, 359 00:21:25,800 --> 00:21:30,520 Speaker 1: And sure enough, I don't know. Maybe she lasted two shows, 360 00:21:30,600 --> 00:21:34,440 Speaker 1: maybe three episodes, I don't know, and then she was gone. George, 361 00:21:34,600 --> 00:21:41,720 Speaker 1: So George, you know, yeah, it was it was something 362 00:21:41,960 --> 00:21:44,560 Speaker 1: like the Octagon and there wasn't it. It was like 363 00:21:44,600 --> 00:21:49,360 Speaker 1: a Chuck Norris film. Good God, So let me let 364 00:21:49,359 --> 00:21:53,639 Speaker 1: me ask you this, um um. I wrote down this question, 365 00:21:54,119 --> 00:21:57,440 Speaker 1: what was the script? What script was the toughest one 366 00:21:58,359 --> 00:22:02,639 Speaker 1: that you had the opportunity to coach on. Do you 367 00:22:02,680 --> 00:22:05,720 Speaker 1: remember if there was one particular script that because they 368 00:22:05,720 --> 00:22:09,240 Speaker 1: were all pretty dense with dialogue. So it was there 369 00:22:09,320 --> 00:22:12,119 Speaker 1: one particular that you remember, and if not, it's okay, 370 00:22:12,600 --> 00:22:21,440 Speaker 1: we won't be don't. I don't remember a script per se. Uh, 371 00:22:21,600 --> 00:22:24,879 Speaker 1: I think what I would do, I would judge it. 372 00:22:24,960 --> 00:22:27,159 Speaker 1: But if it was going to be a tough day, 373 00:22:27,240 --> 00:22:31,000 Speaker 1: depending upon the actor who was in and the amount 374 00:22:31,040 --> 00:22:35,880 Speaker 1: of dialogue they had to do. So certain actors who 375 00:22:35,920 --> 00:22:40,800 Speaker 1: shall remain nameless, uh, weren't very good with dialogue, handling 376 00:22:40,840 --> 00:22:43,640 Speaker 1: dialogue and some of the other rules. And if they 377 00:22:43,680 --> 00:22:48,359 Speaker 1: had a particularly big scene with a lot of dialogue, 378 00:22:48,440 --> 00:22:52,439 Speaker 1: I knew my work was gonna be uh kind of 379 00:22:52,600 --> 00:22:56,240 Speaker 1: difficult that day because uh, they just weren't quick with 380 00:22:56,280 --> 00:22:58,479 Speaker 1: the lines. And what didn't mean they weren't a good actor. 381 00:22:58,960 --> 00:23:02,960 Speaker 1: It's just that certain people could retain lines pretty well 382 00:23:03,600 --> 00:23:08,520 Speaker 1: and certain people couldn't. Um uh and so so I 383 00:23:08,680 --> 00:23:11,600 Speaker 1: so if I saw a particular day that certain actor 384 00:23:11,720 --> 00:23:13,679 Speaker 1: was in and I look and I see all the 385 00:23:13,680 --> 00:23:16,480 Speaker 1: page and then they had a lot of dogs, I'm like, okay, 386 00:23:16,600 --> 00:23:19,520 Speaker 1: we're going to have a long day to day, you know. 387 00:23:20,720 --> 00:23:23,600 Speaker 1: So you know, and there were certain actors, you know, 388 00:23:23,680 --> 00:23:25,679 Speaker 1: if I saw that they had a lot of dialogue 389 00:23:26,359 --> 00:23:29,080 Speaker 1: and they'll be like, Okay, you know I know that 390 00:23:29,119 --> 00:23:32,960 Speaker 1: they were going to breeze right through it, so uh 391 00:23:33,200 --> 00:23:36,600 Speaker 1: so yeah, it was not so much descript it. It's 392 00:23:36,640 --> 00:23:40,359 Speaker 1: just the actor. Uh and how well they you know, 393 00:23:40,920 --> 00:23:43,440 Speaker 1: couldn't learn their lives and you know how well they 394 00:23:43,440 --> 00:23:45,960 Speaker 1: worked under pressure. All right, let's take a little break. 395 00:23:45,960 --> 00:23:49,080 Speaker 1: George great talking to We're gonna come back and uh 396 00:23:49,920 --> 00:23:52,919 Speaker 1: and recap the episode. This is Scott Patterson. I am 397 00:23:52,960 --> 00:23:59,359 Speaker 1: all in. We'll be back after these messages. Yeah. First 398 00:23:59,359 --> 00:24:03,679 Speaker 1: of all, you know we all about that high school drama, 399 00:24:03,720 --> 00:24:07,440 Speaker 1: Girl Drama Girl, all about them high school queens. We'll 400 00:24:07,440 --> 00:24:10,520 Speaker 1: take you for a rod in our comic girl cheering 401 00:24:10,560 --> 00:24:15,560 Speaker 1: for the drama Queens up girl fashion. But you'll tough girls. 402 00:24:15,640 --> 00:24:18,679 Speaker 1: You could sit with us. Girl Drama, Queens, Drama, Queen's Drama, 403 00:24:18,720 --> 00:24:23,800 Speaker 1: Queen's Drama, Drama, Queen's Drama Queens. Hey, this is Bethany 404 00:24:23,920 --> 00:24:27,240 Speaker 1: joy Lynn and Sophia Bush and Hillary Burton, and we 405 00:24:27,320 --> 00:24:31,960 Speaker 1: have a podcast called Drama Queens. I feel like it's 406 00:24:31,960 --> 00:24:33,920 Speaker 1: a walk down memory lane that also might be a 407 00:24:33,920 --> 00:24:36,840 Speaker 1: little bit of a stumble down memory lane. I mean 408 00:24:36,880 --> 00:24:40,840 Speaker 1: we'll have cocktails sometimes, so we might leave stumbling. I'm 409 00:24:40,880 --> 00:24:42,800 Speaker 1: good with that. There are no fans like One Tree 410 00:24:42,840 --> 00:24:47,000 Speaker 1: Hill fans. There is no family like our family. So 411 00:24:47,119 --> 00:24:50,440 Speaker 1: we got together to do a rewatch podcast to relive 412 00:24:50,480 --> 00:24:53,000 Speaker 1: the show as so many of you have so many times, 413 00:24:53,000 --> 00:24:55,240 Speaker 1: because to be honest, we haven't Yeah, we haven't seen 414 00:24:55,280 --> 00:24:57,679 Speaker 1: it since two thousand and two, two thousand three. We 415 00:24:57,760 --> 00:25:00,480 Speaker 1: can't wait to take this trip down my Marie Lane 416 00:25:00,520 --> 00:25:02,360 Speaker 1: with all of you. What would our characters be doing 417 00:25:02,440 --> 00:25:04,840 Speaker 1: right now? I think Hayley would probably be. I mean, 418 00:25:04,880 --> 00:25:06,760 Speaker 1: she's got to be close to an empty duster now 419 00:25:06,920 --> 00:25:10,600 Speaker 1: right like um Jamie's out of the house. She might 420 00:25:10,680 --> 00:25:13,680 Speaker 1: she might be finally ready to live out those wild 421 00:25:13,760 --> 00:25:17,760 Speaker 1: years that you know what I mean. I think it 422 00:25:17,840 --> 00:25:20,639 Speaker 1: might be time. I'm going to say a lot of therapy. 423 00:25:21,080 --> 00:25:25,640 Speaker 1: Peyton Sawyer is in so much therapy right now, well 424 00:25:25,920 --> 00:25:28,720 Speaker 1: not long ago. I found my vote Brooke Davis for 425 00:25:28,760 --> 00:25:31,199 Speaker 1: President Penn. I don't know as Brooke Davis a senator 426 00:25:31,280 --> 00:25:37,520 Speaker 1: or something. There's so much cool stuff to imagine for them. 427 00:25:37,800 --> 00:25:39,639 Speaker 1: But before we can go forward, we got to go 428 00:25:39,720 --> 00:25:45,760 Speaker 1: back to the beginning. You nailed it. Make sure you 429 00:25:45,800 --> 00:25:47,720 Speaker 1: all listen to Drama Queens on the I Heart Radio 430 00:25:47,760 --> 00:25:51,960 Speaker 1: app on Apple Podcasts or wherever you get your podcasts. Hey, 431 00:25:52,040 --> 00:25:54,399 Speaker 1: thanks for listening. Don't forget to leave us a review. 432 00:25:54,640 --> 00:25:57,760 Speaker 1: You can also follow us on Instagram at Drama Queens 433 00:25:57,800 --> 00:26:01,280 Speaker 1: O t H or email us at Drama Queens at 434 00:26:01,280 --> 00:26:05,800 Speaker 1: I heart radio dot com. See you next time. We 435 00:26:05,800 --> 00:26:08,960 Speaker 1: are all about that high school drama. Girl Drama, Girl, 436 00:26:09,040 --> 00:26:12,159 Speaker 1: all about them high school Queen. We'll take you for 437 00:26:12,280 --> 00:26:15,359 Speaker 1: a ride in our comic Girl Hearing for the Right 438 00:26:15,760 --> 00:26:19,840 Speaker 1: Drama Queen's draw Up Girl Fashion. But you're tough girl, 439 00:26:19,960 --> 00:26:22,920 Speaker 1: you can sit with us Girl Drama Queens, John McQueen's Drama, 440 00:26:23,040 --> 00:26:29,640 Speaker 1: Queen's Drama John McQueen's Drama Queen. All right, everybody, we're back. 441 00:26:29,760 --> 00:26:33,040 Speaker 1: I'm Scott Patterson. I am all in podcast our Heart Radio. 442 00:26:33,080 --> 00:26:36,840 Speaker 1: We're here with the Dialogue Coach from Gilmore Girls from 443 00:26:36,840 --> 00:26:38,800 Speaker 1: season three to season seven, all the way to the end. 444 00:26:38,880 --> 00:26:43,359 Speaker 1: George Bell, who also played Professor Bell, did seven episodes 445 00:26:43,440 --> 00:26:53,359 Speaker 1: in this series. A consummate actor in his own right. Um, George, 446 00:26:53,800 --> 00:26:56,800 Speaker 1: I have a question for you, Okay, who is the 447 00:26:56,880 --> 00:27:00,600 Speaker 1: best at reading their lines? And who need did a 448 00:27:00,640 --> 00:27:07,760 Speaker 1: little more help? Be honest? Ha? Oh god? Okay? Uh 449 00:27:08,480 --> 00:27:11,760 Speaker 1: if I were going to give medals out for best 450 00:27:12,600 --> 00:27:22,560 Speaker 1: with lines, I would say Liza Sean Gunn. And we 451 00:27:22,600 --> 00:27:28,240 Speaker 1: know that Liza played Paris and Sean Gunn played Kirk. Well, Lauren. 452 00:27:28,680 --> 00:27:32,119 Speaker 1: What what amaze me about Laurn is that she kind 453 00:27:32,160 --> 00:27:35,520 Speaker 1: of almost had like a photographic memory, so that she 454 00:27:35,680 --> 00:27:38,840 Speaker 1: would come to work and you know, without having even 455 00:27:38,880 --> 00:27:43,119 Speaker 1: looked at the lines, but she could process and and 456 00:27:43,560 --> 00:27:46,800 Speaker 1: I don't she must have a photographic memory or something 457 00:27:46,840 --> 00:27:50,920 Speaker 1: because she was so quick with learning the lines. That's 458 00:27:51,000 --> 00:27:54,119 Speaker 1: that's what you get when you grow up reading books, 459 00:27:55,440 --> 00:27:59,800 Speaker 1: when you live in books, and you have that that capacity. 460 00:28:00,320 --> 00:28:04,399 Speaker 1: So it's it's a very special skill. You know. Now, 461 00:28:04,760 --> 00:28:09,720 Speaker 1: people who kind of struggled with lines doesn't mean that 462 00:28:09,760 --> 00:28:11,720 Speaker 1: they weren't good after Let mean, I want to make 463 00:28:11,760 --> 00:28:14,960 Speaker 1: that clear to wait minute, you wouldn't put me in 464 00:28:15,000 --> 00:28:19,440 Speaker 1: that category with the top people with the lines. I don't. 465 00:28:19,480 --> 00:28:21,679 Speaker 1: I don't get in there. No, you learned your lines, 466 00:28:21,800 --> 00:28:25,800 Speaker 1: but they've learned them quicker. Is that what you re so? 467 00:28:26,240 --> 00:28:28,439 Speaker 1: I mean, No, you knew your lines. I mean I 468 00:28:28,520 --> 00:28:32,520 Speaker 1: always felt good after we left your trailer. I knew that. Okay, 469 00:28:32,640 --> 00:28:36,880 Speaker 1: he's wrong, solid just on being your eye line. That's all. Yeah. 470 00:28:39,360 --> 00:28:41,680 Speaker 1: I was always fun, you know, because I was always 471 00:28:41,680 --> 00:28:43,800 Speaker 1: cleared with you. Wherever I was on the set when 472 00:28:43,840 --> 00:28:51,480 Speaker 1: you were doing the scene, you go until I know, 473 00:28:51,680 --> 00:28:55,760 Speaker 1: someplace sales another place for your eye line, so you know, 474 00:28:56,000 --> 00:28:58,280 Speaker 1: so I was like, okay, a good place for your highline. 475 00:28:59,400 --> 00:29:02,320 Speaker 1: So we we had our routine that we all did, 476 00:29:02,880 --> 00:29:06,920 Speaker 1: um now, but for the actor that needed a little 477 00:29:06,920 --> 00:29:11,320 Speaker 1: more work. And I think he would actually admit it, uh, 478 00:29:11,360 --> 00:29:14,920 Speaker 1: that that he wasn't on top of his lines. It's 479 00:29:15,000 --> 00:29:20,880 Speaker 1: Jackson sukiece supiece uh husband uh in the series and 480 00:29:20,960 --> 00:29:23,040 Speaker 1: you know, and he directed a couple of episodes too, 481 00:29:23,360 --> 00:29:26,360 Speaker 1: and you know, good friends of Amy and Dan. Uh. 482 00:29:26,400 --> 00:29:31,120 Speaker 1: But yeah, even if he had a few lines, sometimes 483 00:29:31,560 --> 00:29:35,160 Speaker 1: they just wouldn't stick. Uh. So I had to I 484 00:29:35,200 --> 00:29:38,640 Speaker 1: had to kind of you know, work with him, um, 485 00:29:38,680 --> 00:29:42,320 Speaker 1: you know, to make sure. I'm trying to think, who help, 486 00:29:42,760 --> 00:29:48,600 Speaker 1: Oh it's our heart list tourists, Miss Patty. This is 487 00:29:48,600 --> 00:29:50,400 Speaker 1: one of those people that you know, I would not 488 00:29:50,480 --> 00:29:53,040 Speaker 1: I don't tell her what she said wrong because she 489 00:29:53,120 --> 00:29:54,360 Speaker 1: said no, I don't want to know. I don't know, 490 00:29:54,720 --> 00:29:57,280 Speaker 1: you know, because I get I get confused, you know, 491 00:29:57,320 --> 00:30:00,040 Speaker 1: don't tell me. So so I would just give of 492 00:30:00,080 --> 00:30:04,240 Speaker 1: the correction. Uh as she was a hooke. Uh let 493 00:30:04,320 --> 00:30:06,680 Speaker 1: me see, oh Sally start this was pretty good with lines, 494 00:30:07,240 --> 00:30:11,680 Speaker 1: um um, and well with the two of them together 495 00:30:11,800 --> 00:30:14,000 Speaker 1: there there was just such a joy on the set 496 00:30:14,280 --> 00:30:19,000 Speaker 1: that they would crack up everybody. Um uh oh you 497 00:30:19,000 --> 00:30:22,200 Speaker 1: know who acting was pretty good. It was you unique 498 00:30:22,320 --> 00:30:29,360 Speaker 1: because French is his first language, so he really wanted to, 499 00:30:29,800 --> 00:30:34,040 Speaker 1: you know, be on top of his dialogue. So uh 500 00:30:34,040 --> 00:30:36,120 Speaker 1: but but but if I were gonna give a gold medal, 501 00:30:36,480 --> 00:30:42,080 Speaker 1: oh and Kelly, Kelly was really good two so uh um, 502 00:30:42,120 --> 00:30:46,600 Speaker 1: I mean everybody, the every all the regulars pretty much. 503 00:30:47,080 --> 00:30:57,560 Speaker 1: It was it was oh your sister, Oh what's that list? 504 00:30:57,840 --> 00:31:03,760 Speaker 1: Was that her name? Yeah? Love her, wonderful acts she 505 00:31:04,240 --> 00:31:09,840 Speaker 1: sult but a lot of actors come from the school 506 00:31:09,840 --> 00:31:14,200 Speaker 1: of improv where you know, you know, as long as 507 00:31:14,240 --> 00:31:17,280 Speaker 1: you get close to the lines, it's okay. And that 508 00:31:17,360 --> 00:31:21,520 Speaker 1: was her thinking. And so for her to be to 509 00:31:21,520 --> 00:31:23,920 Speaker 1: to get the lock in to save the line exactly 510 00:31:24,000 --> 00:31:27,160 Speaker 1: has written that was a challenge for her. But she 511 00:31:27,280 --> 00:31:31,080 Speaker 1: was just a wonderful actress. But yeah, I remember her. 512 00:31:31,640 --> 00:31:34,560 Speaker 1: I'm having to really run lines with her quite a 513 00:31:34,600 --> 00:31:38,280 Speaker 1: bit and given giving her a lot of corrections because 514 00:31:38,360 --> 00:31:42,640 Speaker 1: of that. So so yeah, that was that was a 515 00:31:42,760 --> 00:31:45,960 Speaker 1: challenge for her. But uh but again, like I said, 516 00:31:46,360 --> 00:31:49,760 Speaker 1: they were all great actors, um, and I just know 517 00:31:49,800 --> 00:31:51,760 Speaker 1: there's certain actors I'd have a little more work to 518 00:31:51,800 --> 00:31:58,720 Speaker 1: do than other with than others. Kathleen will Hoyt, Yes, yes, yes, yes, yes, 519 00:31:58,920 --> 00:32:03,440 Speaker 1: wonderful actress. She uh a sweet girl. She was great, 520 00:32:03,480 --> 00:32:08,280 Speaker 1: She was great and she did a great job. Yeah. 521 00:32:08,320 --> 00:32:12,920 Speaker 1: She and Michael Dan Louise, they were great. They were Yeah, 522 00:32:12,960 --> 00:32:14,920 Speaker 1: there was were really great days on set when those 523 00:32:14,960 --> 00:32:18,480 Speaker 1: two were there. Absolutely. Um. So what was it like 524 00:32:18,640 --> 00:32:20,880 Speaker 1: as Professor Bell to be on the other side of 525 00:32:20,920 --> 00:32:26,040 Speaker 1: the camera? It was probably one of the most stressful 526 00:32:26,160 --> 00:32:33,760 Speaker 1: days of my life, Yes, because how that all came about. Uh, 527 00:32:33,840 --> 00:32:36,520 Speaker 1: you know on uh the you know, it takes eight 528 00:32:36,560 --> 00:32:40,600 Speaker 1: days to do an episode, and usually the eighth day 529 00:32:40,960 --> 00:32:44,240 Speaker 1: is the longest day because if we had problems but 530 00:32:44,400 --> 00:32:47,400 Speaker 1: we had to uh we didn't get to all the 531 00:32:47,440 --> 00:32:49,560 Speaker 1: scenes that day, then we put it on the back 532 00:32:49,640 --> 00:32:51,880 Speaker 1: end and we had to get everything done on that 533 00:32:52,000 --> 00:32:55,560 Speaker 1: eighth day. And I remember this eighth day was on 534 00:32:55,560 --> 00:32:58,640 Speaker 1: a Monday, so we Mondays our earliest day, so we 535 00:32:58,680 --> 00:33:02,440 Speaker 1: had gotten up really early that morning and too, and 536 00:33:02,520 --> 00:33:05,200 Speaker 1: to try and get everything done. I think we were. 537 00:33:05,320 --> 00:33:07,920 Speaker 1: It was getting around six or seven o'clock that evening. 538 00:33:08,440 --> 00:33:13,680 Speaker 1: Uh so it was already twelve thirteen hours day. And 539 00:33:13,720 --> 00:33:15,400 Speaker 1: then the next thing I know, they come up to 540 00:33:15,440 --> 00:33:18,280 Speaker 1: me and said, George, guess what you're going to be 541 00:33:18,320 --> 00:33:23,600 Speaker 1: Professor Bell uh in the next episode. I went, oh really, 542 00:33:24,240 --> 00:33:27,520 Speaker 1: I said, oh that's really nice at them. Oh great, 543 00:33:27,640 --> 00:33:30,040 Speaker 1: you know, I thought, okay, and I said okay, And 544 00:33:30,080 --> 00:33:32,120 Speaker 1: so then they gave me this, But I said, so, 545 00:33:32,160 --> 00:33:39,560 Speaker 1: now what am I doing this? You know, tomorrow tomorrow, okay, 546 00:33:39,760 --> 00:33:44,960 Speaker 1: and your first up. I'm first up, and it's tomorrow 547 00:33:45,240 --> 00:33:48,320 Speaker 1: and we haven't finished with this episode. And then I 548 00:33:48,360 --> 00:33:51,960 Speaker 1: looked and it was a page and I have monologue, 549 00:33:52,640 --> 00:33:55,720 Speaker 1: And I was like, when will I have time to 550 00:33:55,840 --> 00:33:59,160 Speaker 1: learn this? You know, you're already brain dead anyway because 551 00:33:59,200 --> 00:34:03,320 Speaker 1: you're tired, and so so I'm trying to look at 552 00:34:03,360 --> 00:34:07,640 Speaker 1: the lines and learn the lines between takes and whom 553 00:34:07,640 --> 00:34:09,680 Speaker 1: we're moving from one set to the next, you know, 554 00:34:10,120 --> 00:34:11,960 Speaker 1: And I'm like, and then of course to add the 555 00:34:12,040 --> 00:34:14,520 Speaker 1: pressures that now the shoe is on the other foot, 556 00:34:15,440 --> 00:34:18,000 Speaker 1: I've got to now, you know, it's like all the 557 00:34:18,000 --> 00:34:22,080 Speaker 1: other actions. I'm sure like, m hm, okay, now let's 558 00:34:22,080 --> 00:34:26,799 Speaker 1: see you do it God and so and so. I 559 00:34:26,840 --> 00:34:28,719 Speaker 1: went to the first day g and I said, is 560 00:34:28,760 --> 00:34:30,839 Speaker 1: there any way you can put me towards the end 561 00:34:30,880 --> 00:34:33,640 Speaker 1: of the day, not personal? She said no, because of 562 00:34:33,760 --> 00:34:36,919 Speaker 1: the moving It just makes the most sense. And I said, 563 00:34:36,920 --> 00:34:40,080 Speaker 1: but I have no time to learn this. So anyway, 564 00:34:41,360 --> 00:34:44,000 Speaker 1: I didn't sleep much that night at all. And in fact, 565 00:34:44,040 --> 00:34:46,360 Speaker 1: I think around about three or four o'clock in the morning, 566 00:34:46,840 --> 00:34:52,080 Speaker 1: my doorbell rings with changes to the dialogue, and I'm like, 567 00:34:52,800 --> 00:34:55,080 Speaker 1: and then I thought, am I being pumped? I mean, 568 00:34:55,080 --> 00:34:59,080 Speaker 1: it's this, it's this for you know, so and so 569 00:34:59,200 --> 00:35:02,440 Speaker 1: and just enough, just screw you up. And so when 570 00:35:02,480 --> 00:35:05,080 Speaker 1: I walked in to do that scene, I was like 571 00:35:05,120 --> 00:35:09,400 Speaker 1: a walking zombie. Now I must say, watching the scene, 572 00:35:09,640 --> 00:35:12,360 Speaker 1: I must be a good actor because I was dying 573 00:35:12,480 --> 00:35:15,320 Speaker 1: on the inside. But I looked calm up on the outside, 574 00:35:15,840 --> 00:35:19,000 Speaker 1: you know. And I got through it, you know. I 575 00:35:19,120 --> 00:35:22,239 Speaker 1: it wasn't my best work, but at least I got 576 00:35:22,320 --> 00:35:25,239 Speaker 1: through it to I guess break the curse of the 577 00:35:25,360 --> 00:35:28,440 Speaker 1: teacher or the professor, because then they gave it to 578 00:35:28,520 --> 00:35:31,160 Speaker 1: me several more times. But and the other times I 579 00:35:31,200 --> 00:35:35,800 Speaker 1: had enough time to learn the lines and feel comfortable. 580 00:35:35,800 --> 00:35:39,000 Speaker 1: But that very first time I was in Rory's classroom, 581 00:35:39,719 --> 00:35:43,040 Speaker 1: I was I think I was a philosophy or sociology professor, 582 00:35:43,400 --> 00:35:45,560 Speaker 1: and I'm not even I don't have anyone else to 583 00:35:46,200 --> 00:35:48,760 Speaker 1: the lines to bounce off of. It's just me talking 584 00:35:49,360 --> 00:35:52,400 Speaker 1: and talking, so it's all just all on me. I 585 00:35:52,520 --> 00:35:58,399 Speaker 1: was just I was just like the stress. So yeah, 586 00:35:58,440 --> 00:36:00,560 Speaker 1: that was one of that probably was my his date. 587 00:36:00,800 --> 00:36:02,920 Speaker 1: You were working on the show. You were probably the 588 00:36:02,960 --> 00:36:05,799 Speaker 1: most versatile actor of all of us because you had 589 00:36:05,840 --> 00:36:08,400 Speaker 1: to play so many different roles when you were dial 590 00:36:08,800 --> 00:36:11,120 Speaker 1: we're coaching all of us, right, so you'd go from 591 00:36:11,120 --> 00:36:12,480 Speaker 1: one to the other to the other. I mean you 592 00:36:12,520 --> 00:36:15,680 Speaker 1: probably do five or six every morning, and then you 593 00:36:15,800 --> 00:36:18,600 Speaker 1: do lunch and then throughout the day. So you were 594 00:36:18,960 --> 00:36:21,239 Speaker 1: you were playing all the characters, and they, you know, 595 00:36:21,280 --> 00:36:23,960 Speaker 1: Amy probably just said, boy, this guy can do anything. 596 00:36:24,040 --> 00:36:26,960 Speaker 1: Let's see the professor bell and who cares if he 597 00:36:27,360 --> 00:36:31,439 Speaker 1: can learn his lines? Know they you know, the reason 598 00:36:31,480 --> 00:36:34,640 Speaker 1: why they were giving me all those little parts was 599 00:36:34,840 --> 00:36:37,920 Speaker 1: partly I think one of the times I quit. One 600 00:36:37,920 --> 00:36:40,640 Speaker 1: of the things I wanted and it is you know, 601 00:36:40,680 --> 00:36:43,399 Speaker 1: your your health insurance. So and I wanted to get 602 00:36:43,440 --> 00:36:46,839 Speaker 1: it as an actor. So I negotiated that they paid 603 00:36:46,880 --> 00:36:49,799 Speaker 1: me as an actor and I needed to make a 604 00:36:49,880 --> 00:36:53,480 Speaker 1: certain amount of money, uh to uh so I could 605 00:36:53,520 --> 00:36:56,719 Speaker 1: get Plan one, which was the better plan for health insurance. 606 00:36:57,000 --> 00:37:01,480 Speaker 1: So uh oh, I remember one episode, I think the knit, 607 00:37:02,080 --> 00:37:05,160 Speaker 1: the knitting one. I think I say one word, uh, 608 00:37:06,080 --> 00:37:08,799 Speaker 1: twent I think that's what I said that coming down 609 00:37:08,840 --> 00:37:11,439 Speaker 1: the seconds and I say twenty. And I got top 610 00:37:11,480 --> 00:37:15,919 Speaker 1: of the show payment big because it was all going 611 00:37:16,000 --> 00:37:19,520 Speaker 1: towards my I tell you, Amy did things for me 612 00:37:19,640 --> 00:37:22,319 Speaker 1: that you know I would get on any other show. 613 00:37:23,200 --> 00:37:25,439 Speaker 1: The top of show means when you get a guest 614 00:37:25,480 --> 00:37:29,799 Speaker 1: star role that they're paying you as the top guest star, 615 00:37:29,920 --> 00:37:33,960 Speaker 1: which which gives you what five thousand dollars or whatever 616 00:37:33,960 --> 00:37:36,839 Speaker 1: it is or whatever it is now six six. Now 617 00:37:36,960 --> 00:37:40,799 Speaker 1: you've got six. You've got six grand. So that's fantastic. 618 00:37:40,920 --> 00:37:45,480 Speaker 1: And one word and you and you need to accumulate 619 00:37:46,719 --> 00:37:50,560 Speaker 1: a certain amount of money earned in any fiscal year 620 00:37:50,880 --> 00:37:54,200 Speaker 1: for the Union to give you those lower rates on 621 00:37:54,239 --> 00:37:57,480 Speaker 1: your health insurance. And if you don't accomplish that, then 622 00:37:57,520 --> 00:37:59,959 Speaker 1: you lose your health insurance. It's it's it's very trick, 623 00:38:00,120 --> 00:38:02,799 Speaker 1: and it doesn't matter how good a year you had. 624 00:38:02,880 --> 00:38:04,719 Speaker 1: For ten years in a row, you could be making 625 00:38:04,760 --> 00:38:07,160 Speaker 1: millions of dollars. But if you don't, if you don't 626 00:38:07,200 --> 00:38:11,880 Speaker 1: continue hitting their minimums, theyll you lose your health insurance. 627 00:38:11,880 --> 00:38:13,640 Speaker 1: So that's a very very big deal. Yeah, that's a 628 00:38:13,719 --> 00:38:19,080 Speaker 1: nice thing. Good for you. Good, good, good. So why 629 00:38:19,080 --> 00:38:21,880 Speaker 1: don't we get into the episode recap. You watched Kiss 630 00:38:21,880 --> 00:38:25,520 Speaker 1: and Tell last night? I did. What were your impressions? 631 00:38:25,520 --> 00:38:31,960 Speaker 1: What did you think? Everybody so young? Oh my god, 632 00:38:32,080 --> 00:38:35,319 Speaker 1: look how young everybody. It's like little babies, you know. 633 00:38:35,840 --> 00:38:38,359 Speaker 1: But it was it was great, uh, you know, just 634 00:38:38,440 --> 00:38:42,399 Speaker 1: to kind of go down that road. I mean, also 635 00:38:42,440 --> 00:38:46,080 Speaker 1: because I didn't work on that that episode, but you know, 636 00:38:46,200 --> 00:38:48,360 Speaker 1: I mean I knew, I knew the set, and you know, 637 00:38:48,520 --> 00:38:51,120 Speaker 1: of course I know all the actors, and so it 638 00:38:51,280 --> 00:38:55,759 Speaker 1: was fun just seeing everybody and and uh, just how 639 00:38:56,800 --> 00:39:00,640 Speaker 1: wonderful the show is. I mean that it's it's it's 640 00:39:00,680 --> 00:39:05,040 Speaker 1: just it's like comfort food. It's just a great show. Um, 641 00:39:05,080 --> 00:39:07,160 Speaker 1: what did you think? You know? The thing that really 642 00:39:07,239 --> 00:39:11,040 Speaker 1: jumped out at me about Kiss and Tell was, um, 643 00:39:11,239 --> 00:39:16,560 Speaker 1: Dean was it really developed a little bit at Dean's 644 00:39:16,600 --> 00:39:19,480 Speaker 1: background and where he came from and what he was 645 00:39:19,520 --> 00:39:23,239 Speaker 1: on about, and uh, you know when he I was 646 00:39:23,320 --> 00:39:26,520 Speaker 1: really surprised when he kissed her in Dozi's Market. I 647 00:39:26,560 --> 00:39:31,120 Speaker 1: was very very surprised, which which which, which really spawned 648 00:39:31,160 --> 00:39:34,160 Speaker 1: one of the funniest lines, laugh out loud lines from 649 00:39:34,280 --> 00:39:38,279 Speaker 1: Mrs Kim, played so beautifully by Emily Corona, was to 650 00:39:38,440 --> 00:39:41,560 Speaker 1: Laurel I when she came in. And that's when Laurel 651 00:39:41,640 --> 00:39:44,520 Speaker 1: I found out about the kiss from because you know, 652 00:39:44,680 --> 00:39:48,600 Speaker 1: because Mrs Kim thought she knew says your daughters, you know, 653 00:39:48,680 --> 00:39:51,960 Speaker 1: getting kiss She's she's kissing or making out in Dozis 654 00:39:52,000 --> 00:39:54,560 Speaker 1: Market and you know this is where we buy our 655 00:39:54,640 --> 00:40:01,480 Speaker 1: Foodly funny, Uh, but I I was a little surprised 656 00:40:01,520 --> 00:40:04,359 Speaker 1: by that, you know, the the Chicago kid coming into 657 00:40:04,719 --> 00:40:08,040 Speaker 1: the little town and then you know, grabbing they're pretty 658 00:40:08,120 --> 00:40:10,960 Speaker 1: girl and just just planting one honor at work. And 659 00:40:11,000 --> 00:40:14,920 Speaker 1: I just thought that's a bold move, was very bold, 660 00:40:15,040 --> 00:40:18,920 Speaker 1: very confident young man. Well, they had a lovely chemistry, 661 00:40:19,000 --> 00:40:21,480 Speaker 1: the two of them, It really they really did. Uh, 662 00:40:22,160 --> 00:40:27,240 Speaker 1: all three of her boyfriends, you know, Dean, uh, Matt 663 00:40:27,760 --> 00:40:30,960 Speaker 1: and my Low you know, I mean those are my boys. 664 00:40:31,080 --> 00:40:34,640 Speaker 1: I I didn't I didn't, okay, so, but I didn't realize. 665 00:40:34,920 --> 00:40:37,239 Speaker 1: You know, Jared was such a good actor at such 666 00:40:37,280 --> 00:40:40,560 Speaker 1: a young age. Yeah, I mean he was eighteen years old. 667 00:40:41,000 --> 00:40:43,400 Speaker 1: He was literally just like out of high school, or 668 00:40:43,440 --> 00:40:45,000 Speaker 1: maybe he was still in high school, but I think 669 00:40:45,040 --> 00:40:47,600 Speaker 1: he graduated high school and then he's on the set 670 00:40:47,600 --> 00:40:51,160 Speaker 1: of Gilmore Girls, right. Oh. Yeah, I mean he was 671 00:40:51,280 --> 00:40:54,600 Speaker 1: just like as fresh as it gets, and he was 672 00:40:54,680 --> 00:40:58,239 Speaker 1: good at eighteen. He was excellent. He was excellent, and 673 00:40:58,280 --> 00:41:02,440 Speaker 1: I think he got cast in that. Um the uh 674 00:41:02,800 --> 00:41:08,520 Speaker 1: was it Jamie? Who's that was the casting director? Well, 675 00:41:08,520 --> 00:41:13,160 Speaker 1: our mar somebody? When we did UH one of the 676 00:41:13,160 --> 00:41:17,560 Speaker 1: fan fest, she was telling how they found Jared because 677 00:41:17,600 --> 00:41:20,920 Speaker 1: they had been looking and looking and looking, and I 678 00:41:20,960 --> 00:41:23,399 Speaker 1: guess when he came in or something, because I don't 679 00:41:23,400 --> 00:41:25,759 Speaker 1: know if he was leaving to go somewhere, but he 680 00:41:25,880 --> 00:41:30,400 Speaker 1: read and she went running into Amy's office and said, 681 00:41:30,840 --> 00:41:32,600 Speaker 1: you gotta come. You know, I think we found I 682 00:41:32,600 --> 00:41:35,200 Speaker 1: think we found it. I think you know, and and 683 00:41:35,200 --> 00:41:38,200 Speaker 1: and he was like and so and they went in 684 00:41:38,400 --> 00:41:41,759 Speaker 1: and he read and sure enough, you know, that was 685 00:41:42,120 --> 00:41:48,120 Speaker 1: great story, great story. And I believe Dean Uh was 686 00:41:49,080 --> 00:41:55,719 Speaker 1: recast UH when the original Dean was Nathan Weatherington, um, 687 00:41:56,000 --> 00:42:00,560 Speaker 1: and Dean came in and uh, sort of took over 688 00:42:00,960 --> 00:42:04,600 Speaker 1: that role from good old Nathan. But so what did 689 00:42:04,640 --> 00:42:08,600 Speaker 1: you think? And also, you know this episode just kiss 690 00:42:08,600 --> 00:42:15,640 Speaker 1: and tell really, um, my god, I mean the Rory 691 00:42:15,960 --> 00:42:20,240 Speaker 1: that Rory and alexis was so vulnerable and sweet and 692 00:42:20,239 --> 00:42:23,560 Speaker 1: and you know, it really defines what that town was 693 00:42:23,600 --> 00:42:26,400 Speaker 1: all about, and being raised in that town to produce 694 00:42:26,520 --> 00:42:29,680 Speaker 1: a girl that was, you know, so vulnerable and so 695 00:42:29,719 --> 00:42:34,160 Speaker 1: sweet and so and and and this the flush of 696 00:42:34,440 --> 00:42:37,600 Speaker 1: young love. And my god, he kissed me and he ran. 697 00:42:37,760 --> 00:42:41,480 Speaker 1: She ran to to Kim's antiques and told Lane all 698 00:42:41,520 --> 00:42:44,200 Speaker 1: about it, and they giggled, and I was just like wow, 699 00:42:45,040 --> 00:42:47,920 Speaker 1: and it's like it hit me it. You know it 700 00:42:48,000 --> 00:42:50,360 Speaker 1: hit me before, but it really hit me right between 701 00:42:50,400 --> 00:42:53,759 Speaker 1: the eyes. Why people love this show so much and 702 00:42:53,760 --> 00:42:58,520 Speaker 1: and keep rewatching it and rewatching it is because this 703 00:42:58,640 --> 00:43:02,120 Speaker 1: is so well done. I mean, to do those kinds 704 00:43:02,160 --> 00:43:06,799 Speaker 1: of emotions and a young person, a middle aged person 705 00:43:06,800 --> 00:43:09,880 Speaker 1: in old rush to do that at that level is difficult. 706 00:43:09,960 --> 00:43:13,719 Speaker 1: You don't see that. I mean that's film quality. That's 707 00:43:13,719 --> 00:43:20,319 Speaker 1: like high end film quality, emotional life writing acting on 708 00:43:20,360 --> 00:43:24,600 Speaker 1: a little screen from the deep WB and It's confusing 709 00:43:25,040 --> 00:43:31,600 Speaker 1: because yeah, these young kids, man, they were so good, 710 00:43:31,719 --> 00:43:34,480 Speaker 1: they were so natural and so good. They never pushed. 711 00:43:34,520 --> 00:43:37,200 Speaker 1: They never you know, you know, you never you never 712 00:43:37,280 --> 00:43:44,000 Speaker 1: caught them over acting or just just great stuff. Oh yeah, 713 00:43:44,320 --> 00:43:47,160 Speaker 1: I thought he crossed the line a little bit with 714 00:43:47,640 --> 00:43:50,719 Speaker 1: the scene. You know, she invited him over to for 715 00:43:50,880 --> 00:43:53,359 Speaker 1: movie night, which was one of the which one was 716 00:43:53,440 --> 00:43:57,960 Speaker 1: another hysterical scene when when when Lauren told Alexus that 717 00:43:58,040 --> 00:44:02,839 Speaker 1: she'd done that invited Jared over and uh and and 718 00:44:02,920 --> 00:44:06,400 Speaker 1: you didn't see the look on Eric Alex's Alexis's face, 719 00:44:07,160 --> 00:44:11,799 Speaker 1: but you saw Lauren. They favored her coverage her what 720 00:44:11,880 --> 00:44:14,600 Speaker 1: they consider a close up, which is, you know, from 721 00:44:14,239 --> 00:44:18,000 Speaker 1: sort of the naval on up Um and Lauren just 722 00:44:18,120 --> 00:44:23,279 Speaker 1: went and why are you looking at me like that horrified, 723 00:44:23,800 --> 00:44:28,319 Speaker 1: horrified child? Like you did what? It was such a 724 00:44:28,360 --> 00:44:31,040 Speaker 1: great scene, such a great scene. But then you know 725 00:44:32,000 --> 00:44:38,319 Speaker 1: after uh, Laura, I gave Um Dean her little like 726 00:44:38,360 --> 00:44:40,840 Speaker 1: if you hurt my kid, you're dead kind of speech, 727 00:44:41,840 --> 00:44:46,040 Speaker 1: which of course has to happen. But it really surprised 728 00:44:46,080 --> 00:44:50,879 Speaker 1: me that she took that much liberty, knowing that if 729 00:44:50,920 --> 00:44:53,400 Speaker 1: Alexis ever found out, it was gonna be you know, 730 00:44:53,480 --> 00:44:56,560 Speaker 1: Trouble and River City, like, you know, because Dean's gonna say, boy, 731 00:44:56,600 --> 00:44:58,520 Speaker 1: your mom really scared me a little bit. But you know, 732 00:44:58,800 --> 00:45:02,680 Speaker 1: he doesn't scare. He didn't scare. I mean, he was 733 00:45:02,960 --> 00:45:05,560 Speaker 1: he was. He was so in his own skin that 734 00:45:05,680 --> 00:45:07,719 Speaker 1: character that he said, now is it my turn? Can 735 00:45:07,800 --> 00:45:11,320 Speaker 1: I can I speak now? And then he said that 736 00:45:11,000 --> 00:45:12,640 Speaker 1: the that the I need you to like being this 737 00:45:12,719 --> 00:45:14,919 Speaker 1: kind of thing. And I just thought, boy, that kid 738 00:45:15,080 --> 00:45:18,840 Speaker 1: is ballsy. I was a little I'm just like you, 739 00:45:18,960 --> 00:45:21,759 Speaker 1: honestly little taken back by that. I was too. I 740 00:45:21,800 --> 00:45:26,839 Speaker 1: was too. But it says so much about the character, right. 741 00:45:27,160 --> 00:45:29,560 Speaker 1: It's it's like, it's not the writing. It's like that 742 00:45:29,640 --> 00:45:32,600 Speaker 1: takes you back. It's it's it's I mean it is, 743 00:45:32,680 --> 00:45:36,360 Speaker 1: but it's it's what that character says. He draws a 744 00:45:36,400 --> 00:45:41,439 Speaker 1: line and he says, listen, I'm an equal to he's eighteen. Yeah, 745 00:45:42,640 --> 00:45:44,440 Speaker 1: I'm here, you know, I'm here to stay, you know. 746 00:45:44,520 --> 00:45:48,000 Speaker 1: I mean, hal so, which was which was nice. I 747 00:45:48,080 --> 00:45:51,239 Speaker 1: mean I love the fact that that that she did 748 00:45:51,280 --> 00:45:55,640 Speaker 1: say that this town loves Rory and that everyone will 749 00:45:55,680 --> 00:45:59,880 Speaker 1: be watching because it's so true everyone loves Rory and 750 00:46:00,000 --> 00:46:02,799 Speaker 1: and so that uh, and of course he's aware of it. 751 00:46:03,320 --> 00:46:07,879 Speaker 1: Uh that that she is this special, special person that, Yeah, 752 00:46:08,080 --> 00:46:10,440 Speaker 1: you do something wrong with there, you're gonna have a 753 00:46:10,480 --> 00:46:15,200 Speaker 1: whole town to deal. That was an amazing amazing scenes, 754 00:46:15,400 --> 00:46:20,280 Speaker 1: amazing scenes, really really funny what's what sean? Uh? Because 755 00:46:20,440 --> 00:46:23,520 Speaker 1: there was no Kerk in it, and yet no Emily 756 00:46:23,760 --> 00:46:27,160 Speaker 1: or Richard either. It was it was it was devoid 757 00:46:27,160 --> 00:46:30,760 Speaker 1: of Emily and Richard. Um. So you know, I wrote 758 00:46:30,800 --> 00:46:35,759 Speaker 1: down some great lines. Uh. When she was telling uh 759 00:46:36,840 --> 00:46:41,400 Speaker 1: Lane about the kiss and where it happened, what aisle 760 00:46:41,600 --> 00:46:44,319 Speaker 1: and Lane says, oh, that's a great isle. He says, well, 761 00:46:44,320 --> 00:46:45,839 Speaker 1: why is that a great issle? And she says, well, 762 00:46:45,880 --> 00:46:49,480 Speaker 1: because that's where you got kissed. And then at the 763 00:46:49,560 --> 00:46:52,399 Speaker 1: end of the show, she's telling her mother, she's telling 764 00:46:52,480 --> 00:46:56,640 Speaker 1: Laurela about it, and she's great, that's a great Yeah, 765 00:46:57,160 --> 00:47:01,319 Speaker 1: but that's you know that scene. That episode for me, 766 00:47:01,480 --> 00:47:07,560 Speaker 1: really brought into focus as to why, um, that show 767 00:47:07,640 --> 00:47:12,000 Speaker 1: is so beloved. That was such a charming episode because 768 00:47:12,040 --> 00:47:16,040 Speaker 1: everybody's been through that man, woman, everybody's been through that 769 00:47:16,120 --> 00:47:19,880 Speaker 1: first kiss, and it was just so iconic. The whole 770 00:47:19,880 --> 00:47:24,319 Speaker 1: episode was so iconic. It's so funny. My god, I mean, 771 00:47:24,440 --> 00:47:27,920 Speaker 1: I was laughing out loud through the whole thing. I mean, 772 00:47:27,960 --> 00:47:30,719 Speaker 1: the whole town knew about the kiss. Everybody knew about it. 773 00:47:30,760 --> 00:47:35,640 Speaker 1: You know. In in comedy films, right, they say every laugh, 774 00:47:35,920 --> 00:47:38,520 Speaker 1: every big laugh, is worth twenty million dollars at the 775 00:47:38,560 --> 00:47:43,200 Speaker 1: box office. There were five big laughs in the first 776 00:47:43,239 --> 00:47:48,640 Speaker 1: ten minutes of this thing, and usually all of the episodes. 777 00:47:48,680 --> 00:47:51,680 Speaker 1: I mean, you're getting big laughs throughout the whole thing 778 00:47:52,480 --> 00:47:55,239 Speaker 1: in the hour, and it's what forty minutes because they're 779 00:47:55,280 --> 00:48:03,719 Speaker 1: doing twenty minutes of commercialsavable. Um, just just knockout stuff. Anyway. Um, 780 00:48:03,800 --> 00:48:07,440 Speaker 1: we're gonna take another break and we come back. George 781 00:48:07,440 --> 00:48:09,799 Speaker 1: Bell and I are going to do something that we 782 00:48:09,880 --> 00:48:12,920 Speaker 1: have never done on this podcast before and we may 783 00:48:12,960 --> 00:48:15,520 Speaker 1: never do again, depending on how this goes. We are 784 00:48:15,520 --> 00:48:18,800 Speaker 1: going to walk to tight rope. Allow the Wallenda family 785 00:48:18,880 --> 00:48:23,239 Speaker 1: here with our fan base, the most dedicated fans in 786 00:48:23,280 --> 00:48:26,520 Speaker 1: the world, the best fans in the world, and so 787 00:48:26,560 --> 00:48:29,080 Speaker 1: we're gonna take a little break. I am Scott Patterson, 788 00:48:29,120 --> 00:48:31,359 Speaker 1: I am all in Podcast, I Heart Radio. Will be 789 00:48:31,480 --> 00:48:39,000 Speaker 1: right back after these messages. Yeah, alright, we're back, everybody. 790 00:48:39,000 --> 00:48:41,560 Speaker 1: I'm Scott Patterson, I am all in podcast, Our Heart 791 00:48:41,680 --> 00:48:45,240 Speaker 1: Radio we're here with George Bell, dialogue coach of Gilmore 792 00:48:45,360 --> 00:48:47,640 Speaker 1: Girls season three through seven. We're gonna do a little 793 00:48:48,360 --> 00:48:51,360 Speaker 1: acting here. We're going to enact. We're going to re 794 00:48:51,719 --> 00:48:56,000 Speaker 1: enact a scene from Kiss and Tell with Luke, Laurelai 795 00:48:56,440 --> 00:48:59,880 Speaker 1: and uh Alexis in this scene. This could be this 796 00:48:59,880 --> 00:49:02,720 Speaker 1: is a diner scene. I believe that it's a diner scene. 797 00:49:02,719 --> 00:49:05,120 Speaker 1: Are you ready to critique us, George and help us out? 798 00:49:05,239 --> 00:49:08,680 Speaker 1: I am ready. I got my laptop and I'm looking 799 00:49:08,680 --> 00:49:11,680 Speaker 1: at It'll be a challenge for me because I don't 800 00:49:11,680 --> 00:49:13,480 Speaker 1: have my pencil. All right, here we go. Let's just 801 00:49:13,480 --> 00:49:17,880 Speaker 1: take a crack at it. Danielle Riley, are you ready? 802 00:49:18,000 --> 00:49:22,399 Speaker 1: Rock and roll? Alright ready? And I wanna and at 803 00:49:22,560 --> 00:49:26,240 Speaker 1: a coffee? Come on, man, you you med at me too. 804 00:49:26,800 --> 00:49:28,680 Speaker 1: I mean, a man can choose whether or not he 805 00:49:28,719 --> 00:49:32,080 Speaker 1: wants to a picture of a fat, stupid burn on 806 00:49:32,080 --> 00:49:34,120 Speaker 1: his wall. And oh my god, that's the reason damn 807 00:49:34,120 --> 00:49:37,200 Speaker 1: Pilgrims came here in the first place. Luke, I wasn't 808 00:49:37,239 --> 00:49:39,880 Speaker 1: snubbing you. I didn't even hear you. Now I'm concerned 809 00:49:39,880 --> 00:49:46,680 Speaker 1: about you. Sorry, I'm just feel a little persecuted lately. Coffee, please, okay, Yes, 810 00:49:46,680 --> 00:49:50,000 Speaker 1: I'm fine. Don't look fine? Well, thank you. Well, just 811 00:49:50,080 --> 00:49:55,000 Speaker 1: might be a little concerned, preoccupied. Do look concerned? Well 812 00:49:55,040 --> 00:49:58,640 Speaker 1: I'm not. Well, that's fine. You just look at it. Hey, 813 00:49:58,680 --> 00:50:03,919 Speaker 1: you know some streamers will look eight in here. Thank you? Sorry? Sorry, sorry? 814 00:50:04,320 --> 00:50:07,600 Speaker 1: Oh hey, save your apologies for the Indians, missy. People 815 00:50:07,600 --> 00:50:10,120 Speaker 1: are really in a giving mood today. The Horn of 816 00:50:10,160 --> 00:50:13,000 Speaker 1: Plenty is packed. That's great. Do you want some coffee? 817 00:50:13,440 --> 00:50:15,120 Speaker 1: Oh no, I'll just have a sip of yours. I 818 00:50:15,120 --> 00:50:18,160 Speaker 1: have to get right back. Oh really, I thought we 819 00:50:18,160 --> 00:50:21,680 Speaker 1: were having lunch today. I can't. We're one program short. 820 00:50:21,880 --> 00:50:24,719 Speaker 1: I only have a couple of minutes. Oh. You've been 821 00:50:24,719 --> 00:50:28,320 Speaker 1: really busy lately. Yeah, I guess. I guess it's the 822 00:50:28,440 --> 00:50:32,160 Speaker 1: end of year. Rush. I mean, we haven't really even 823 00:50:32,160 --> 00:50:34,279 Speaker 1: talked to a couple of days. What do you want 824 00:50:34,280 --> 00:50:38,160 Speaker 1: to talk about? I don't know anything. Okay. Did you 825 00:50:38,160 --> 00:50:40,239 Speaker 1: read the article in the newspaper about the polar ice 826 00:50:40,280 --> 00:50:46,360 Speaker 1: cap smelting? Yeah, yeah, big deal, Fine, you picked the subject. Okay, great. 827 00:50:46,560 --> 00:50:48,640 Speaker 1: I was watching General Hospital the other day, and you 828 00:50:48,680 --> 00:50:51,040 Speaker 1: know they have a new Lucky because the old Lucky 829 00:50:51,120 --> 00:50:53,880 Speaker 1: went to go play something where he could have a 830 00:50:53,920 --> 00:50:56,479 Speaker 1: real name. So, the old Lucky had his girlfriend Liz, 831 00:50:56,960 --> 00:50:59,359 Speaker 1: who thought that he had died in a fire. So 832 00:50:59,400 --> 00:51:01,920 Speaker 1: then they bring this new Lucky and you're all like, Okay, 833 00:51:02,360 --> 00:51:04,680 Speaker 1: I know that that's not the old Lucky because the 834 00:51:04,680 --> 00:51:08,240 Speaker 1: new Lucky has way more hair, jel issues. But still 835 00:51:08,400 --> 00:51:11,239 Speaker 1: Liz was so upset about the supposed death that you 836 00:51:11,280 --> 00:51:13,400 Speaker 1: could not wait until you see them kiss. You know, 837 00:51:14,320 --> 00:51:17,000 Speaker 1: when do you have time to watch General Hospital? Okay, 838 00:51:17,040 --> 00:51:18,920 Speaker 1: let's get back to the point. What do you think 839 00:51:18,920 --> 00:51:22,480 Speaker 1: about the whole Liz Lucky kissing thing. I think their 840 00:51:22,480 --> 00:51:24,600 Speaker 1: actors being played to play a part. So it's nice 841 00:51:24,600 --> 00:51:27,960 Speaker 1: that they're living up to their obligations. Rory. Look, we 842 00:51:28,000 --> 00:51:30,920 Speaker 1: can finish this meaningful conversation later. I promised Lane I 843 00:51:30,960 --> 00:51:34,320 Speaker 1: would get right back. Okay, I'll see you later. Okay, 844 00:51:34,320 --> 00:51:37,560 Speaker 1: by I'm not going to say you look concerned. I'm 845 00:51:37,560 --> 00:51:39,120 Speaker 1: not going to talk about how good you would look 846 00:51:39,239 --> 00:51:41,719 Speaker 1: dressed as one of the guys from the Crucible. Fair enough, 847 00:51:44,440 --> 00:51:54,440 Speaker 1: wowful gaps you could drive trucks through. Dr George. The 848 00:51:54,560 --> 00:51:58,000 Speaker 1: speed of the time off was good, but I would 849 00:51:58,040 --> 00:52:01,600 Speaker 1: I would say okay, I uh. Normally if people are 850 00:52:01,640 --> 00:52:04,680 Speaker 1: too so I'll say okay, that was great now, Gilmour rise, 851 00:52:05,360 --> 00:52:07,600 Speaker 1: you know. So it's like they said, what speed it up? 852 00:52:08,080 --> 00:52:12,520 Speaker 1: Speed it up? Um? The only uh, let me see 853 00:52:12,600 --> 00:52:15,480 Speaker 1: whoever was who was reading Rory there was just one 854 00:52:15,520 --> 00:52:20,840 Speaker 1: little tiny thing in that last page and said you said, look, uh, 855 00:52:21,440 --> 00:52:24,439 Speaker 1: we can finish this very meaningful But it was look, 856 00:52:24,760 --> 00:52:28,680 Speaker 1: can we finish this very meaningful conversation later? So you 857 00:52:28,680 --> 00:52:30,520 Speaker 1: you kind of inverted that. And I have like a 858 00:52:30,560 --> 00:52:33,719 Speaker 1: little symbol where I said you inverted that. Uh. There 859 00:52:33,760 --> 00:52:36,240 Speaker 1: were just a couple of little floods where you guys 860 00:52:36,320 --> 00:52:38,719 Speaker 1: kind of repeated the word a second time, and I 861 00:52:38,760 --> 00:52:40,799 Speaker 1: would probably put a little circle with a two x 862 00:52:40,800 --> 00:52:43,200 Speaker 1: by that, saying okay, you said that word twice, you 863 00:52:43,239 --> 00:52:48,279 Speaker 1: know it's just one time. Uh yeah, So I have 864 00:52:48,320 --> 00:52:52,200 Speaker 1: all these Similarly, you've seen my script. It's like chicken 865 00:52:52,280 --> 00:52:55,080 Speaker 1: scratch all over the place. George, what about how terrible 866 00:52:55,160 --> 00:53:00,919 Speaker 1: the acting was? It was really Scott got but oh 867 00:53:01,239 --> 00:53:05,719 Speaker 1: the others it's like they forgot they were active. As 868 00:53:05,800 --> 00:53:09,719 Speaker 1: I said before, as a dialogue coach, I don't give 869 00:53:09,760 --> 00:53:16,920 Speaker 1: acting notes unless the actors specifically asks me something in 870 00:53:16,920 --> 00:53:20,000 Speaker 1: regards to be acting. Danielle Riley, why don't you ask George, 871 00:53:20,000 --> 00:53:23,920 Speaker 1: how good you're acting? Wasn't well. Actually, what I was 872 00:53:23,960 --> 00:53:27,200 Speaker 1: going to ask George is, from a scale of one 873 00:53:27,239 --> 00:53:29,719 Speaker 1: to ten for a dialogue, what would you give us 874 00:53:30,440 --> 00:53:34,920 Speaker 1: ten being great, one being really bad? I would you do? Guys? 875 00:53:35,000 --> 00:53:38,080 Speaker 1: Because you see, you must remember you had the dialogue 876 00:53:38,160 --> 00:53:40,879 Speaker 1: right in front of you. It's a whole different ball 877 00:53:41,000 --> 00:53:44,160 Speaker 1: game when you're doing different memory. Uh, so you don't 878 00:53:44,160 --> 00:53:50,120 Speaker 1: have that safety net. But I give you an eight. Well, 879 00:53:50,200 --> 00:53:52,799 Speaker 1: I can go to sleep happy tonight. I got an 880 00:53:52,800 --> 00:53:55,680 Speaker 1: eighth from George. I'm good. Well, part of being a 881 00:53:55,719 --> 00:53:58,440 Speaker 1: dialgue being a dialogue coach, you have to be somewhat 882 00:53:58,440 --> 00:54:02,720 Speaker 1: of a diplomat, you know. Get I get a solid too, 883 00:54:05,600 --> 00:54:11,400 Speaker 1: Thank you, Amy. It actually made me realize, like, wow, 884 00:54:11,880 --> 00:54:15,440 Speaker 1: the show is so good because they are so bad. 885 00:54:15,719 --> 00:54:20,200 Speaker 1: Acting is hard. Acting is not easy. It's not easy. 886 00:54:20,640 --> 00:54:25,080 Speaker 1: It's not easy. It's hard. Anybody tells you acting is easy. 887 00:54:25,800 --> 00:54:29,120 Speaker 1: And then and then put in like especially for you, Scott, 888 00:54:29,560 --> 00:54:32,359 Speaker 1: you're in a your diner, you know, so you've got 889 00:54:32,400 --> 00:54:35,160 Speaker 1: a whole lot of props and things, so pouring the coffee, 890 00:54:35,200 --> 00:54:37,520 Speaker 1: you get in the donuts, you're getting the food orders, 891 00:54:37,560 --> 00:54:40,719 Speaker 1: and and then and while saying all these lines at 892 00:54:40,719 --> 00:54:44,120 Speaker 1: a rapid speed, So you gotta get all those actions 893 00:54:44,239 --> 00:54:48,080 Speaker 1: in as well as the dialogue, and then you have 894 00:54:48,120 --> 00:54:49,799 Speaker 1: to match it every take, and you have to match 895 00:54:49,840 --> 00:54:52,080 Speaker 1: it every single take, and you have to match it 896 00:54:52,239 --> 00:54:56,200 Speaker 1: on the mediums shots and the close ups. So you 897 00:54:56,320 --> 00:55:00,680 Speaker 1: do it again and again and again and again, because 898 00:55:00,719 --> 00:55:06,200 Speaker 1: then I'm there with my trustee. I'm scared of George's 899 00:55:06,239 --> 00:55:11,360 Speaker 1: pencil Sure, I would a lot of lid on my pencils. 900 00:55:11,680 --> 00:55:13,719 Speaker 1: You get a ten out of ten. We love you, 901 00:55:13,880 --> 00:55:18,239 Speaker 1: Oh my god. George was always a breath of fresh air. 902 00:55:18,440 --> 00:55:21,160 Speaker 1: To come to the set and see George. Everybody would smile. 903 00:55:21,760 --> 00:55:27,120 Speaker 1: He put a smile on everybody's face. Um, Georgie boy, 904 00:55:27,239 --> 00:55:30,640 Speaker 1: how are you doing? Man? Huh, I'm good. I'm good. 905 00:55:30,760 --> 00:55:34,279 Speaker 1: You know. I'm just hanging in there. Uh, just one 906 00:55:34,360 --> 00:55:37,640 Speaker 1: day at a time. So glad that the pandemic seems 907 00:55:37,719 --> 00:55:41,759 Speaker 1: to be easy, so that we can maybe get back 908 00:55:41,800 --> 00:55:45,279 Speaker 1: to some normalcy or some type of normalcy. Have you 909 00:55:45,320 --> 00:55:49,719 Speaker 1: been in touch with anybody from the cast? Carla? Uh 910 00:55:49,800 --> 00:55:56,440 Speaker 1: and Patty Malcolm? Uh, Laurence stand in Patty Malcolm right? Um? 911 00:55:56,640 --> 00:56:01,040 Speaker 1: And who else? Do I? Uh? What have you have 912 00:56:01,120 --> 00:56:05,400 Speaker 1: you heard from Rich my standard. No, I haven't heard that. 913 00:56:05,440 --> 00:56:09,799 Speaker 1: I haven't seen or heard him in years. Um, I mean, 914 00:56:09,920 --> 00:56:12,680 Speaker 1: you know, and of course with those fan fests, I'll 915 00:56:12,719 --> 00:56:17,360 Speaker 1: see the people usually then uh. So I'll see Emily 916 00:56:17,600 --> 00:56:22,840 Speaker 1: and Keiko and uh some of the some of the 917 00:56:22,880 --> 00:56:27,000 Speaker 1: regulars who have been doing it every every year, so uh, 918 00:56:27,120 --> 00:56:29,319 Speaker 1: you know, and on Facebook prints with certain people, so 919 00:56:29,440 --> 00:56:33,960 Speaker 1: I so I'll see their post. But I'm gonna see Sean. 920 00:56:34,080 --> 00:56:36,120 Speaker 1: I'm gonna see Sean at the end of July. We're 921 00:56:36,160 --> 00:56:40,400 Speaker 1: doing a convention together in Connecticut that Mohegan's son July 922 00:56:40,560 --> 00:56:44,680 Speaker 1: twenty nine through August twod so Sean Sean, Yeah, Sean 923 00:56:44,680 --> 00:56:48,680 Speaker 1: and I have done a couple of I will he's 924 00:56:48,760 --> 00:56:52,319 Speaker 1: He's great. We did a panel together I think where, God, 925 00:56:52,480 --> 00:56:54,960 Speaker 1: I can't remember, somewhere in this I think it was Charlotte, 926 00:56:55,440 --> 00:57:00,279 Speaker 1: North Carolina someplace. Um, but yeah, I see am I 927 00:57:00,280 --> 00:57:03,640 Speaker 1: ce Milo on the convention circuit. Um. We did a 928 00:57:03,680 --> 00:57:08,879 Speaker 1: panel together in Houston at the Pandemic tour. So yeah, 929 00:57:08,920 --> 00:57:12,400 Speaker 1: I get to see these guys on the road in 930 00:57:12,520 --> 00:57:16,600 Speaker 1: working situations, you know. Okay, you know, for the when 931 00:57:16,640 --> 00:57:19,200 Speaker 1: we did the reboot, I remember Milo. One of my 932 00:57:19,240 --> 00:57:22,880 Speaker 1: favorite stories about him was set. We had been working 933 00:57:22,920 --> 00:57:25,360 Speaker 1: that day earlier that day, and then I think we're 934 00:57:25,360 --> 00:57:28,160 Speaker 1: getting ready to read the next script, which he was 935 00:57:28,440 --> 00:57:31,360 Speaker 1: was just going to be his first appearance in the reboot, 936 00:57:31,840 --> 00:57:34,520 Speaker 1: and we do it on our lunch break, so I know, 937 00:57:34,600 --> 00:57:37,280 Speaker 1: I have been working all that day and you know. 938 00:57:37,360 --> 00:57:39,120 Speaker 1: And so then so then we go over to the 939 00:57:39,400 --> 00:57:41,680 Speaker 1: space where we're gonna do read the script. Well, I 940 00:57:41,720 --> 00:57:43,640 Speaker 1: had I had to go to the bathroom because it 941 00:57:43,720 --> 00:57:46,480 Speaker 1: was it was like, okay, you know, because the scripts 942 00:57:46,480 --> 00:57:50,400 Speaker 1: are really thick and so and so. So I'm I'm 943 00:57:50,480 --> 00:57:54,120 Speaker 1: rushing to get get to the bathroom and Milo sees 944 00:57:54,200 --> 00:57:56,960 Speaker 1: me and it's the first time he seen me in years. 945 00:57:57,440 --> 00:58:01,439 Speaker 1: He was so excited. He allowed me into the men's room. 946 00:58:02,360 --> 00:58:04,959 Speaker 1: I think comes in he said, I'm sorry, George something, 947 00:58:05,360 --> 00:58:06,800 Speaker 1: but I was just so excited to see you. I 948 00:58:06,880 --> 00:58:10,320 Speaker 1: just have to come and give you a hug. I said, oh, okay, 949 00:58:10,640 --> 00:58:14,320 Speaker 1: well let's do it. Now, do I do anything else? 950 00:58:14,760 --> 00:58:18,240 Speaker 1: So he gives me a big old hug in the bathroom. 951 00:58:18,280 --> 00:58:20,240 Speaker 1: At least you didn't do it during, right, Yeah, there 952 00:58:20,240 --> 00:58:22,920 Speaker 1: you go. No, no, no, I haven't gotten that point yet. 953 00:58:23,880 --> 00:58:28,560 Speaker 1: He got to be before. But yeah, I'll do those guys. 954 00:58:28,640 --> 00:58:31,760 Speaker 1: I mean, I just love him to Jared, Milo and Matt, 955 00:58:32,200 --> 00:58:34,680 Speaker 1: they're all just I'm just so happy for all of 956 00:58:34,800 --> 00:58:38,120 Speaker 1: them that they're doing well and very well. They're doing 957 00:58:38,280 --> 00:58:41,880 Speaker 1: very very well. Georgie. How about time? It's time for 958 00:58:42,000 --> 00:58:46,320 Speaker 1: rapid fire? Ready for rapid fire? Yeah, okay, I want 959 00:58:46,360 --> 00:58:49,880 Speaker 1: to fire some questions at you rapidly, and I would 960 00:58:49,880 --> 00:58:52,880 Speaker 1: like to ask for rapid answers if you don't mind, 961 00:58:53,000 --> 00:58:56,040 Speaker 1: But here we go. Ready, How do you take your coffee? 962 00:58:58,400 --> 00:59:02,720 Speaker 1: Can you smell snow? No? Are you team Logan, Jess 963 00:59:02,840 --> 00:59:09,120 Speaker 1: or Dean? All three? Who's the daddy? I have no clue. 964 00:59:09,160 --> 00:59:16,600 Speaker 1: Best memory of Gilmore Girls? Oh god, I can't. I 965 00:59:16,640 --> 00:59:21,600 Speaker 1: can't everything just the actors being with all the actors 966 00:59:21,600 --> 00:59:26,560 Speaker 1: show you're binge watching right now? Um? Well, I just 967 00:59:26,600 --> 00:59:29,880 Speaker 1: saw one episode of Loki on Disney Plus, but I 968 00:59:29,880 --> 00:59:32,840 Speaker 1: think I may start back on Gilmore Girls. After watching 969 00:59:32,880 --> 00:59:34,840 Speaker 1: the episode yesterday, I was like, Oh, it's been a while, 970 00:59:34,960 --> 00:59:37,320 Speaker 1: cast member. You texted most recently and I think we 971 00:59:37,360 --> 00:59:40,120 Speaker 1: know the answer that one. Patty, Oh, I thought it 972 00:59:40,160 --> 00:59:44,840 Speaker 1: was me and then text mess oh yeah what do you? Yeah? 973 00:59:44,920 --> 00:59:47,520 Speaker 1: He texted Patty. You just just texted me before we 974 00:59:47,560 --> 00:59:52,120 Speaker 1: went on the air. Huh. I text Patty just before 975 00:59:52,280 --> 00:59:54,440 Speaker 1: to say that I was going to be doing the podcast, 976 00:59:55,080 --> 00:59:58,920 Speaker 1: So then I I got your text. Alright, puddy, all 977 00:59:59,000 --> 01:00:02,800 Speaker 1: right do it was so great to see you and 978 01:00:02,840 --> 01:00:07,160 Speaker 1: talk to you, and please come back, please please please 979 01:00:07,200 --> 01:00:10,040 Speaker 1: come back. Okay, Oh any time you know you you 980 01:00:10,200 --> 01:00:11,920 Speaker 1: let me know I'm there, and hey, I want to 981 01:00:11,960 --> 01:00:19,840 Speaker 1: come and see the family. Yes, Nick, nick seven now yeah, yeah, 982 01:00:20,040 --> 01:00:27,520 Speaker 1: I'm getting old anyway, Georgie, it was great, Senor. Thank 983 01:00:27,560 --> 01:00:31,720 Speaker 1: you for your time and uh, just a fantastic catching 984 01:00:31,760 --> 01:00:34,040 Speaker 1: up with him. We'll do it again as soon as 985 01:00:34,240 --> 01:00:36,360 Speaker 1: it was my pleasure. Okay, thank you to all the 986 01:00:36,400 --> 01:00:42,040 Speaker 1: fans are being so loyal to much. Yeah all right, George, 987 01:00:42,080 --> 01:00:45,720 Speaker 1: thank you so much. And uh and we'll see you soon, buddy. 988 01:00:46,160 --> 01:00:49,960 Speaker 1: Take care be well. I will take care you too. Okay. 989 01:00:50,560 --> 01:00:54,240 Speaker 1: Let me tell you something. He was like every morning 990 01:00:55,000 --> 01:00:57,680 Speaker 1: he was in my trailer. We were running lines, dishing 991 01:00:57,760 --> 01:01:00,520 Speaker 1: the dirt, eating. You know. He was just great guy 992 01:01:00,600 --> 01:01:03,960 Speaker 1: to hang out. He was just really remember so much too. 993 01:01:04,040 --> 01:01:06,160 Speaker 1: That was why I love talking to him, because he 994 01:01:06,200 --> 01:01:10,240 Speaker 1: has all the great memories. Oh, he's fantastic in every way. 995 01:01:10,520 --> 01:01:14,520 Speaker 1: He upped the level of that show. He really did anyway, 996 01:01:14,600 --> 01:01:18,680 Speaker 1: Wasn't that fantastic? George Bell one of my favorite people, 997 01:01:18,720 --> 01:01:22,600 Speaker 1: not just from the set of Gilmore Girls, but in 998 01:01:22,640 --> 01:01:25,480 Speaker 1: the world. What a what a great, great guy and 999 01:01:25,880 --> 01:01:30,080 Speaker 1: fantastic human being, fantastic dialogue coach and a fantastic actor. 1000 01:01:30,200 --> 01:01:32,520 Speaker 1: He couldn't do the dialogue coaching at the level he 1001 01:01:32,560 --> 01:01:37,560 Speaker 1: does it without being a great actor himself. He understands it. 1002 01:01:37,600 --> 01:01:40,520 Speaker 1: And whenever I tried to do run lines with other 1003 01:01:40,560 --> 01:01:43,520 Speaker 1: people to prep for the show, it just wasn't as good. 1004 01:01:43,680 --> 01:01:46,080 Speaker 1: It wasn't George Bell. So it was like, you know, 1005 01:01:46,120 --> 01:01:48,280 Speaker 1: I'd go, can you just, you know, go a little faster, 1006 01:01:48,440 --> 01:01:49,880 Speaker 1: Can you just give me this or that or that? 1007 01:01:50,120 --> 01:01:53,040 Speaker 1: And people just don't understand being a dialogue coach. That 1008 01:01:53,080 --> 01:01:55,560 Speaker 1: was a tough job. But he was perfect for it, 1009 01:01:55,640 --> 01:01:58,680 Speaker 1: and he he could play anything. He did play anything. 1010 01:01:58,720 --> 01:02:02,320 Speaker 1: He played all those characters intense job. I had no idea. 1011 01:02:02,360 --> 01:02:04,120 Speaker 1: I mean, all the notes he had to take and 1012 01:02:04,160 --> 01:02:07,600 Speaker 1: knowing this was take three, this was take five, they 1013 01:02:07,640 --> 01:02:10,680 Speaker 1: got it on take six, they didn't get it. It 1014 01:02:10,800 --> 01:02:13,400 Speaker 1: was like, this is like mathematical and and the thing 1015 01:02:13,560 --> 01:02:18,600 Speaker 1: is is you never saw the guy working. It didn't 1016 01:02:18,640 --> 01:02:21,040 Speaker 1: seem like work for him. You never saw him in 1017 01:02:21,080 --> 01:02:24,800 Speaker 1: a bad mood. He was always jovial and happy and 1018 01:02:24,800 --> 01:02:29,480 Speaker 1: and conversational. And it's it's like, it's like he wasn't 1019 01:02:29,480 --> 01:02:32,080 Speaker 1: even working. It's it was wild. He was always in 1020 01:02:32,080 --> 01:02:35,600 Speaker 1: a great mood and just so efficient with what he did, 1021 01:02:35,640 --> 01:02:37,840 Speaker 1: and it was just all very effortless. I mean, he 1022 01:02:37,880 --> 01:02:41,160 Speaker 1: was really important to that show. He was really really 1023 01:02:41,240 --> 01:02:44,760 Speaker 1: key to that show. And uh, I hope somehow he 1024 01:02:44,800 --> 01:02:48,360 Speaker 1: gets some kind of honorarium from the studio maybe or 1025 01:02:48,480 --> 01:02:53,760 Speaker 1: from the creators. Maybe an honorarium is in store, because man, 1026 01:02:53,800 --> 01:02:57,360 Speaker 1: he contributed mightily to that whole production. I think we 1027 01:02:57,440 --> 01:03:00,320 Speaker 1: have some questions for you, Scott, for me, Yeah, Daniel, 1028 01:03:00,320 --> 01:03:02,600 Speaker 1: you want to bring him in? Oh my goodness, here 1029 01:03:02,640 --> 01:03:08,000 Speaker 1: she is Joanna. Hello, how are you welcome to the podcast? Hi? 1030 01:03:08,160 --> 01:03:13,760 Speaker 1: Nice to me too. And where are you? Um? Where 1031 01:03:13,760 --> 01:03:17,080 Speaker 1: are you calling in from New York City? Oh? You're 1032 01:03:17,120 --> 01:03:22,520 Speaker 1: in New York City. So you sent um a pretty 1033 01:03:22,560 --> 01:03:27,640 Speaker 1: detailed email to the show pointing out the fact that 1034 01:03:27,800 --> 01:03:33,680 Speaker 1: I was incredibly wrong about some specificity, some some details 1035 01:03:33,760 --> 01:03:36,720 Speaker 1: of the show. If I am not mistaken and I 1036 01:03:36,760 --> 01:03:39,600 Speaker 1: did read it, Sorry, no, no, no, no, I mean 1037 01:03:39,760 --> 01:03:42,720 Speaker 1: this is what we love. Like, like we said at 1038 01:03:42,760 --> 01:03:45,800 Speaker 1: the beginning of the podcast, we want feedback, you know, 1039 01:03:45,880 --> 01:03:48,800 Speaker 1: whether it's a super positive and super supportive or you 1040 01:03:48,840 --> 01:03:51,720 Speaker 1: know you're correcting us. Hey, I love it. That's why 1041 01:03:51,720 --> 01:03:54,280 Speaker 1: you're on the show, your honesty, and we appreciate it. 1042 01:03:54,360 --> 01:03:57,680 Speaker 1: So go ahead and and and let's let's discuss it. 1043 01:03:57,800 --> 01:04:00,880 Speaker 1: What what did you uh, what did you see and 1044 01:04:00,960 --> 01:04:04,439 Speaker 1: what did you feel the burning desire to point out 1045 01:04:04,480 --> 01:04:08,200 Speaker 1: to us? Yeah? Sorry, So what do you guys were 1046 01:04:08,200 --> 01:04:13,439 Speaker 1: talking last week about how Luca has been in love 1047 01:04:13,480 --> 01:04:17,560 Speaker 1: with lorelife for sixteen years and and that's not true. 1048 01:04:19,200 --> 01:04:24,120 Speaker 1: They actually only met about for five years before that 1049 01:04:24,200 --> 01:04:28,040 Speaker 1: episode happened, because and they will see it tell us 1050 01:04:28,040 --> 01:04:32,080 Speaker 1: how you know, because I am totally okay. So in 1051 01:04:32,120 --> 01:04:34,880 Speaker 1: the episode that's coming up in a little bit further 1052 01:04:34,960 --> 01:04:38,520 Speaker 1: down still this season, the concert interrupted us actually the 1053 01:04:38,520 --> 01:04:41,800 Speaker 1: one that previous guest was talking about, where they go 1054 01:04:41,920 --> 01:04:47,720 Speaker 1: to a concert in the city. Anyway, in that episode, um, 1055 01:04:47,880 --> 01:04:52,880 Speaker 1: Rachel comes up for the first time, and uh, when 1056 01:04:53,000 --> 01:04:58,960 Speaker 1: Rachel comes up, loyalized like, you know, just totally dumbfounded. 1057 01:04:59,000 --> 01:05:02,919 Speaker 1: Who's who's this blue had a girlfriend? What's when and 1058 01:05:03,000 --> 01:05:06,280 Speaker 1: so there's this conversation that happens with Miss Patty and 1059 01:05:06,520 --> 01:05:11,560 Speaker 1: with Suki, and uh, it comes out that you know, 1060 01:05:11,920 --> 01:05:14,160 Speaker 1: they said that he had this girlfriend Rachel five or 1061 01:05:14,200 --> 01:05:18,000 Speaker 1: six years before, and Suki says, and Laura I respond, 1062 01:05:18,040 --> 01:05:20,720 Speaker 1: how did I miss this? Like you know, where was I? 1063 01:05:21,520 --> 01:05:24,800 Speaker 1: And Suki says, well, Rory was eleven. You were just 1064 01:05:24,880 --> 01:05:28,680 Speaker 1: moving into this house. So that's one of the times 1065 01:05:28,720 --> 01:05:32,320 Speaker 1: that we get timing. And then we also later on 1066 01:05:32,640 --> 01:05:37,440 Speaker 1: in the series confirmation from something that Luke says, um 1067 01:05:37,480 --> 01:05:40,040 Speaker 1: that also matches up time and wise. But so it's 1068 01:05:40,040 --> 01:05:42,480 Speaker 1: only been like four or five years. Have you ever Joe, 1069 01:05:42,520 --> 01:05:44,120 Speaker 1: and let me let me ask you a question, have 1070 01:05:44,280 --> 01:05:49,120 Speaker 1: you ever been so deeply in love with somebody over 1071 01:05:49,160 --> 01:05:52,160 Speaker 1: a period of time that I'm not saying five years 1072 01:05:52,200 --> 01:05:55,560 Speaker 1: in a long time. One year one year of being 1073 01:05:55,760 --> 01:06:01,880 Speaker 1: in an unrequited love situation seems like we're years. So 1074 01:06:01,920 --> 01:06:03,960 Speaker 1: if it's four or five years that I was in 1075 01:06:04,000 --> 01:06:07,200 Speaker 1: love with her, according to you, and I know Luke's 1076 01:06:07,240 --> 01:06:12,440 Speaker 1: heart was so deeply um good, what what is the word? 1077 01:06:12,640 --> 01:06:16,280 Speaker 1: So deeply affected by Laura La that it seemed like 1078 01:06:16,520 --> 01:06:22,520 Speaker 1: sixteen years. I'm not saying that five years four years 1079 01:06:22,560 --> 01:06:25,560 Speaker 1: isn't a long time. I'm just saying that it wasn't 1080 01:06:25,640 --> 01:06:28,760 Speaker 1: you know the timeline? Can we can I ask a 1081 01:06:28,800 --> 01:06:32,480 Speaker 1: timeline question though? So it she was just moving into 1082 01:06:32,520 --> 01:06:35,280 Speaker 1: the house, but she lived with that woman that owned 1083 01:06:35,280 --> 01:06:39,160 Speaker 1: the the inn, right, did they know each other? They 1084 01:06:39,200 --> 01:06:41,320 Speaker 1: just weren't so tight that she would have been aware 1085 01:06:41,320 --> 01:06:44,400 Speaker 1: of the girlfriend or did they not know each other yet? No? 1086 01:06:44,600 --> 01:06:47,600 Speaker 1: That and this comes this comes up in this conversation. 1087 01:06:47,600 --> 01:06:49,840 Speaker 1: I don't want to give stuff away. It's okay, it's okay, 1088 01:06:49,880 --> 01:06:52,800 Speaker 1: we we need the timeline, so it's okay. But so 1089 01:06:53,320 --> 01:06:55,640 Speaker 1: when when looking a lot Laura, I finally go on 1090 01:06:55,680 --> 01:06:59,480 Speaker 1: a date, uh, and Luke says, very it's like eight 1091 01:06:59,600 --> 01:07:04,800 Speaker 1: years has been uh at that point, and that happens 1092 01:07:04,800 --> 01:07:06,960 Speaker 1: at the well, I don't want to say what it happens, 1093 01:07:06,960 --> 01:07:11,160 Speaker 1: but that happens. So we feel like, I like I 1094 01:07:11,400 --> 01:07:14,480 Speaker 1: ruined some stuff for some of the people. You're amazing, 1095 01:07:14,480 --> 01:07:19,800 Speaker 1: You're doing great. So we had the timeline a little screwy, Scott. Yeah, 1096 01:07:19,840 --> 01:07:23,440 Speaker 1: And what what we were talking about on Instagram was 1097 01:07:24,280 --> 01:07:27,720 Speaker 1: that part of actually how because everybody was saying, how 1098 01:07:27,760 --> 01:07:29,640 Speaker 1: does that even make sense? Like? How did she not 1099 01:07:29,680 --> 01:07:32,240 Speaker 1: go to Lukes well, when they were living in the 1100 01:07:32,280 --> 01:07:35,960 Speaker 1: Independence Inn, which as Rory was growing up, you know, 1101 01:07:36,000 --> 01:07:39,120 Speaker 1: from the age of whatever. However, many months or one 1102 01:07:39,240 --> 01:07:41,160 Speaker 1: until she was eleven and they moved into the house. 1103 01:07:41,160 --> 01:07:43,760 Speaker 1: Clearly lower Ali had no money. She must have been 1104 01:07:43,760 --> 01:07:47,680 Speaker 1: just saving up. They didn't go to Luke's. They certainly 1105 01:07:47,680 --> 01:07:51,160 Speaker 1: were eating for free at the Independent sense. So that's 1106 01:07:51,160 --> 01:07:56,680 Speaker 1: how it all makes sense. Because the other pendcon is, 1107 01:07:57,000 --> 01:08:01,080 Speaker 1: you know, still have known each other in passing. Maybe 1108 01:08:01,120 --> 01:08:03,840 Speaker 1: they knew each other just like from around town. Is 1109 01:08:03,840 --> 01:08:07,840 Speaker 1: there any chance? No chance? No, I think Luke knows 1110 01:08:08,000 --> 01:08:13,360 Speaker 1: very specifically when he first saw so we'll get into it, 1111 01:08:13,440 --> 01:08:15,520 Speaker 1: I'm sure later. But Scott, you did love her at 1112 01:08:15,560 --> 01:08:20,960 Speaker 1: first sight, absolutely so deeply that the first week seemed 1113 01:08:21,000 --> 01:08:23,439 Speaker 1: like a month, and the first year seemed like four years. 1114 01:08:23,960 --> 01:08:28,360 Speaker 1: That's held deeply, it was. It's like beyond thunderstruck, beyond 1115 01:08:28,920 --> 01:08:32,160 Speaker 1: beyond you know what I mean, so beyond that you 1116 01:08:32,200 --> 01:08:35,840 Speaker 1: can't even act on it. It's so because this is 1117 01:08:35,840 --> 01:08:39,000 Speaker 1: why we need help, because yeah, we we aren't well. 1118 01:08:39,000 --> 01:08:42,559 Speaker 1: We appreciate your thoughts. Thank you for coming on and 1119 01:08:42,560 --> 01:08:47,840 Speaker 1: pointing it out. Keep it coming, because we're gonna blow 1120 01:08:47,880 --> 01:08:52,400 Speaker 1: something else. Soon enough. It's already happened here and there. 1121 01:08:52,439 --> 01:08:57,160 Speaker 1: But that's okay, and and and it's and it's wonderful 1122 01:08:57,200 --> 01:09:01,320 Speaker 1: to meet you. And again, thank you so very very much. Um, 1123 01:09:01,439 --> 01:09:04,040 Speaker 1: thank you, thanks for having me up. Okay, Joanna, take 1124 01:09:04,080 --> 01:09:07,400 Speaker 1: care well that was Joanna. Thank you Joanna for coming on. 1125 01:09:08,000 --> 01:09:11,920 Speaker 1: Love that. Uh you know, braceis man can get us, 1126 01:09:12,280 --> 01:09:14,439 Speaker 1: you know, cracked the whip on us. Man. We we 1127 01:09:14,520 --> 01:09:16,759 Speaker 1: love that kind of stuff. Thank you so much, Joanna. 1128 01:09:17,280 --> 01:09:20,519 Speaker 1: Um And like I said, I'm I'm sticking with the 1129 01:09:20,920 --> 01:09:23,720 Speaker 1: thunderstruck every year. It was like four years for for 1130 01:09:23,800 --> 01:09:26,120 Speaker 1: Luke and that's why he's That's why I said sixteen 1131 01:09:26,200 --> 01:09:27,760 Speaker 1: years because that's what it was like for me as 1132 01:09:27,800 --> 01:09:33,360 Speaker 1: an actor. Um. Anyway, UM, so we're gonna turn this 1133 01:09:33,400 --> 01:09:35,720 Speaker 1: into a two parter because we're gonna we're gonna we're 1134 01:09:35,720 --> 01:09:41,040 Speaker 1: gonna have to recap the episode as a team, uh 1135 01:09:41,320 --> 01:09:43,880 Speaker 1: and then just you know, we'll drop it. We'll drop 1136 01:09:43,880 --> 01:09:46,800 Speaker 1: a separate episode in the same week because there's just 1137 01:09:46,840 --> 01:09:48,880 Speaker 1: so much to unpack here and we need to really 1138 01:09:48,920 --> 01:09:51,360 Speaker 1: go into this. Just everybody stay tuned because we're gonna 1139 01:09:51,439 --> 01:09:54,320 Speaker 1: do a full recap on Kiss and Tell, like right away. 1140 01:09:54,400 --> 01:09:58,719 Speaker 1: Absolutely so there you go. Um, so everybody stay tuned. 1141 01:09:58,760 --> 01:10:01,439 Speaker 1: We're gonna do a full recap of Kiss and Tell. 1142 01:10:01,520 --> 01:10:03,880 Speaker 1: It's on the way. It's going to be a separate episode. 1143 01:10:03,880 --> 01:10:06,479 Speaker 1: It's gonna it's gonna be a part two of Kiss 1144 01:10:06,520 --> 01:10:11,680 Speaker 1: and Tell. Um anyway, thanks everybody for tuning in and downloading. 1145 01:10:11,680 --> 01:10:13,640 Speaker 1: We appreciated the best fans on the planet. I am 1146 01:10:13,680 --> 01:10:17,560 Speaker 1: Scott Patterson. Uh, this is I Am all In Podcast, 1147 01:10:17,640 --> 01:10:50,479 Speaker 1: I Heart Radio. We will see you soon, hey, everybody, 1148 01:10:50,479 --> 01:10:53,800 Speaker 1: and don't forget follow us on Instagram at I Am 1149 01:10:53,880 --> 01:10:57,880 Speaker 1: all In Podcast and email us at Gilmore at I 1150 01:10:58,080 --> 01:11:01,280 Speaker 1: heart radio dot com. Oh you get more fans. If 1151 01:11:01,280 --> 01:11:03,280 Speaker 1: you're looking for the best cup of coffee in the world, 1152 01:11:03,320 --> 01:11:07,240 Speaker 1: go to my website for my company scott EP dot com, 1153 01:11:07,360 --> 01:11:09,519 Speaker 1: s C O T T y P dot com, scott 1154 01:11:09,520 --> 01:11:22,519 Speaker 1: ep dot com Grade one Specialty Coffee. Yeah.