WEBVTT - Episode 333 w/ Kevin Hart

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<v Speaker 1>She wants to getting your back, saying your back. She

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<v Speaker 1>ain't don't want my love. I guess I gotta move on. Yeah, Yeah,

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<v Speaker 1>she on my love. I guess I gotta move on. Yeah.

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<v Speaker 1>Welcome to Drink Champs, the production of the Black Effect

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<v Speaker 1>and I heart radio and drinks motherfucking podcast. He's a

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<v Speaker 1>legendary Queen's wrapper. He's agree it's your boy in no

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<v Speaker 1>r He's a Miami hippop MIONEERUS d J E f N.

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<v Speaker 1>Together they drink it up with some of the biggest players,

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<v Speaker 1>I mean in the most professional, unprofessional podcast and your

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<v Speaker 1>number one sorts for drunk d Year's time for drink

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<v Speaker 1>Chance trick up mother would it could be hopeing it would?

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<v Speaker 1>It should be this your boy and O R U,

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<v Speaker 1>d j e F this melitment you ain't go up

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<v Speaker 1>more podcast, make something and right now, in case the

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<v Speaker 1>people don't know who we're talking about, who we're about

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<v Speaker 1>to interview, who we're in front of, We're in front

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<v Speaker 1>of one of the most funniest people on the planet,

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<v Speaker 1>hands down, like it icon. Let's just I was in

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<v Speaker 1>his first movie, Paper Soldiers. We did not get paid.

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<v Speaker 1>We got rocketwear. Gil a lot of it, At least

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<v Speaker 1>I don't remember it was a lot. But the man

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<v Speaker 1>has went and I went. I looked at his early

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<v Speaker 1>comedy and from places that he's come to where he

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<v Speaker 1>at now, there is no one who has ever done this.

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<v Speaker 1>I went to his show yesterday. He had all of

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<v Speaker 1>his friends on this show. What they're saying with their

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<v Speaker 1>own dressing rooms, I don't think me and you got

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<v Speaker 1>our own dressing room in casey, I don't know who

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<v Speaker 1>the hell we're talking about. We're talking about the one,

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<v Speaker 1>the only motherfucker, Kevin Kevi. I gotta tell you straight

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<v Speaker 1>up down. I thought that was amazing when I came there.

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<v Speaker 1>You are like the Wu Tang clan, a comedian like you,

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<v Speaker 1>the Rista, but then you got red and meth and

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<v Speaker 1>you got ghost face. How the fun? Because I went

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<v Speaker 1>there yesterday. His boys is his his crew, and they're

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<v Speaker 1>getting paid. I mean they're they're very much, uh very high.

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<v Speaker 1>The high reason for the success, um, you know, I mean,

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<v Speaker 1>my success is their success. Their success is my success.

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<v Speaker 1>So this group that we put together, man um, we've

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<v Speaker 1>been touring for over ten years together. I mean, I

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<v Speaker 1>want to say it could it could even be longer.

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<v Speaker 1>And uh, we're talking about of course Joey Wells, Nailand,

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<v Speaker 1>Spank Corps and those are the comics. UM. But then

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<v Speaker 1>it goes down to a plethora of other individuals, UM

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<v Speaker 1>that represent the Plastic Cup Boys, which is a name

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<v Speaker 1>that we gave ourselves and it's all based off of

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<v Speaker 1>the idea of a real solo cup and what that

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<v Speaker 1>represents represents a good time. We're a good time, We're

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<v Speaker 1>good energy all the time. UM, shouts out to Harry Balls,

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<v Speaker 1>Wayne Spak, name, Joey Kwan John, Um, you know that

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<v Speaker 1>energy that has provided. But I believe to be the

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<v Speaker 1>solid circle that we are and that we operating. UM.

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<v Speaker 1>It helps me operated at the very high level. So

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<v Speaker 1>I say, I say, I'm very loyal to my guys

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<v Speaker 1>and then returning loyal to me. Man. But it's a

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<v Speaker 1>it's a good feeling when you look back and you

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<v Speaker 1>you look at the thing that you've built and it's

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<v Speaker 1>not a it's not a youth thing. It's a wee thing.

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<v Speaker 1>Because let's say, you know, Spake is getting a lot

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<v Speaker 1>of money. He was just sitting there changes his bandage

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<v Speaker 1>in front of everybody. I was like, what I was

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<v Speaker 1>just moving, No, one's not nothing. It's not a lot

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<v Speaker 1>of money. That's just that's just stupid, stupid, that's very

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<v Speaker 1>nasty thing I noticed. I know you're getting a lot

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<v Speaker 1>of money. Many do. I'm not counting your pockets. But

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<v Speaker 1>I want to be I want to be talking. I

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<v Speaker 1>want to pick you up, high level of your security.

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<v Speaker 1>Hat on a Daytona's scared cool. Yeah, listen, I cannot confirm,

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<v Speaker 1>I can confirm or deny. I want to success. Success

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<v Speaker 1>is success is whatever you wanted to be. And for

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<v Speaker 1>the individuals around me, I think there's different layers to it,

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<v Speaker 1>there's different levels to it, and I think we all

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<v Speaker 1>share different versions of what we feel our success is.

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<v Speaker 1>But the biggest win is that we're still together. We

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<v Speaker 1>don't want to talk about the biggest win. The biggest

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<v Speaker 1>win is that this tour is still going on. Um,

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<v Speaker 1>Egos have not fucked us over completely. Um. You know

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<v Speaker 1>we have. We have not put ourselves in a position

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<v Speaker 1>where we are our own demands. And that's what happens

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<v Speaker 1>a lot of time, uh, in this business. I mean,

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<v Speaker 1>I'll talked about it several times before, especially within our culture.

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<v Speaker 1>I pride myself on trying to keep this thing that

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<v Speaker 1>I'm very passionate about together, right, like, let's let's be

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<v Speaker 1>considered send, let's do the work, let's motivate and inspire

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<v Speaker 1>one another. And um, to date, we've done that. So

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<v Speaker 1>we've we've watched each other turned from boys to now men.

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<v Speaker 1>I mean, you know, we've watched each other have families, kids, wives,

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<v Speaker 1>like it's we've literally been um, we've all been together

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<v Speaker 1>that long to see each other. Yeah. So so it's

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<v Speaker 1>it's bigger than the career. It's bigger than just the

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<v Speaker 1>moment on stage of the tour. It's family, it's life.

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<v Speaker 1>We we build something special. Security. Now, you went to

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<v Speaker 1>Booby Trap and story afterwards. I don't want to book.

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<v Speaker 1>I was, I don't go out. I don't go out often. So, um,

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<v Speaker 1>you know, coming to Miami, we haven't been here. I

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<v Speaker 1>haven't been here for stand up comedy and probably six

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<v Speaker 1>years I want to say maybe six years. So celebrating,

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<v Speaker 1>you know, we said, has been a long time, let's

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<v Speaker 1>all go out. We went the story. After that, we

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<v Speaker 1>wanted to get back to our roots. You know, we

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<v Speaker 1>hit we had booby Trap, I fell asleep and the

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<v Speaker 1>true Kevin Hart fashion boot Trap. I just sat in

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<v Speaker 1>the badge. Some wake your ass up. That's time ago.

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<v Speaker 1>Seen in your your special as you said that your

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<v Speaker 1>boys treat you like weekend. That Bernie, my dudes only

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<v Speaker 1>do that to meet No, I didn't realize that. I'm

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<v Speaker 1>how fall of sleep in a heartbeat. But you know

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<v Speaker 1>what I mean. Look, I work a lot. I fucking

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<v Speaker 1>work extremely hard, long days. So you know it past

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<v Speaker 1>a third an hour, I'm definitely gonna I'm getting dozy.

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<v Speaker 1>And we pushed the limit, and that that's good. I'm

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<v Speaker 1>no problem with a nap. I think naps necessary at

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<v Speaker 1>the age forty. Putting the nap in your daily regimen,

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<v Speaker 1>uh is something that I think you should prioritize. I'm

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<v Speaker 1>not gonna clown you for taking a nap. I take

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<v Speaker 1>naps on the daily. Fifteen minute, ten minute increments. Power

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<v Speaker 1>boost is what I call them. You need doughs. Nothing

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<v Speaker 1>wrong with doses, nothing wrong with nothing wrong with them.

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<v Speaker 1>Here with them, holy ship. I'm taking another nap. Finished,

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<v Speaker 1>So look, so let's let's get to this. My man, James,

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<v Speaker 1>very great, great guy. Okay, James, my partner. Yes, okay, James,

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<v Speaker 1>you got to think about it. Yeah, talking you take

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<v Speaker 1>to kill them? Yes, grand Cormino one corbino. That one

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<v Speaker 1>that you're looking at that you're holding on, that's uh,

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<v Speaker 1>that's our first one out the gate. That's a clear reperstado.

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<v Speaker 1>Would you like pretty good? Well, it is pretty good.

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<v Speaker 1>I'm here. I made a drink. You know, I didn't

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<v Speaker 1>drink all day. I knew this ship was coming, so

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<v Speaker 1>you know, I'm not gonna be a bit I may embrace.

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<v Speaker 1>I'm embrace the world that you guys have. Uh. You know,

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<v Speaker 1>I'm trying to get out as I can. But let's

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<v Speaker 1>keeps we make a laugh. Let me tell you what.

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<v Speaker 1>Let me just tell you. I was watching you on

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<v Speaker 1>stage right and I'm telling you, I'm zoomed in and

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<v Speaker 1>you're so smooth, right you ain't. You ain't sweating at all.

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<v Speaker 1>You see, I'm looking like he gotta let the pass on.

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<v Speaker 1>You sweat somewhere somewhere, it's somewhere in this and you

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<v Speaker 1>didn't sweat. And I'm like, he's really like this good.

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<v Speaker 1>He really like he really like an avenger. And then

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<v Speaker 1>at the end of the show, you said I'm gonna

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<v Speaker 1>take a shot for for for you, Miami took a shot,

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<v Speaker 1>and you took a shot for somebody else. And then

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<v Speaker 1>it came this is you know, I am not going

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<v Speaker 1>to to to hold back here. I have a really

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<v Speaker 1>good I have a really good product. Man. I don't

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<v Speaker 1>do anything halfway. So the development of my tequila you're

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<v Speaker 1>talking about there and a half, the four years of tasting,

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<v Speaker 1>sending things back, of trips to Mexico, of uh spending

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<v Speaker 1>ample time and the distillery with the with our team

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<v Speaker 1>and and you know, people that are basically responsible for

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<v Speaker 1>bringing us what we feel the best version of our

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<v Speaker 1>product should be. And I wasn't gonna be satisfied until

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<v Speaker 1>it was right. And we got it right. We knocked

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<v Speaker 1>it out the park. And Crystalino. Look for the people

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<v Speaker 1>that don't know, Crystalino has been around for a long time.

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<v Speaker 1>It's just never it's never been properly introduced, right like

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<v Speaker 1>our clach, this is the Crystalino. So Cristalino is a

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<v Speaker 1>clearly is a clear repistaddo, Right, you basically took the

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<v Speaker 1>color out of it. Still pisiddo. It's just clear does

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<v Speaker 1>not have the color um And in that regard, we

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<v Speaker 1>don't know. It's always been sold at the high shelf.

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<v Speaker 1>Like people look at this and they think it's a Blanco,

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<v Speaker 1>it's not a Bronco Crystalino. So I took this as

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<v Speaker 1>an opportunity to educate the market on not only what

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<v Speaker 1>the crystalino is, but why it's so special, Why something

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<v Speaker 1>that's unique, Why something that you should experience, Because being

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<v Speaker 1>at a high price point, people couldn't enjoy it. So

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<v Speaker 1>we lowered it. We made this out start off. Uh,

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<v Speaker 1>and this comes in and I believe fifty nine and

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<v Speaker 1>fit the nine dollar bottle, and we said let's start here.

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<v Speaker 1>And then we went to our yeo, and this is

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<v Speaker 1>our hundred dollar bottom nine and dollars. But you know,

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<v Speaker 1>the world premium. When he gets better, and I think, uh,

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<v Speaker 1>everybody's palette deserves a boost, so I gave him a

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<v Speaker 1>boost with grandcore. Me. No, this is a brain that

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<v Speaker 1>will be around for quite some time that people are

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<v Speaker 1>gonna take a li and love to. I promise you.

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<v Speaker 1>So you want to stop? No, how you start here?

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<v Speaker 1>All right? Cool? Because I don't want to let me try.

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<v Speaker 1>This is how you go. There's not no normal ship.

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<v Speaker 1>You want to see through me. And I also if

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<v Speaker 1>you guys with my shot glasses, you notice, uh, my bottle,

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<v Speaker 1>if you notice the shape of my bottle. That's extremely sleek,

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<v Speaker 1>but it's smooth. Uh, and it's almost a twist. The

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<v Speaker 1>reason why is because it's representing slope, ski slopes, going

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<v Speaker 1>down ski slope. It's a very smooth thing to do

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<v Speaker 1>when you do it correctly. Drinking my tequila should be smooth,

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<v Speaker 1>should be fun. Hence the glasses mimic it as well.

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<v Speaker 1>There are all little things, minor details, people, minor details. Okay, Minai, alright, alright,

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<v Speaker 1>that's what you do. I drink champagne to do the shots.

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<v Speaker 1>Drink champagne with you. Don't drink champagne. I'm here, I'm

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<v Speaker 1>even doing it and I'm going to Yes, that's what

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<v Speaker 1>I got this. Uh, this is a shot to you guys.

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<v Speaker 1>I'm proud of what you guys have done. An amazing platform,

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<v Speaker 1>that says man. And it's an honor to be here. Brother.

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<v Speaker 1>So this one, I'm like, what're you doing? Yes? Uh?

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<v Speaker 1>Come on, come on that cool? Come on that that's good.

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<v Speaker 1>Now you got a lie. I don't really like to

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<v Speaker 1>keep the shot, but good smooth, baby, I'm not good.

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<v Speaker 1>Let me know your champagne told me. It texts me,

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<v Speaker 1>It texts you text me. So cat I just watched

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<v Speaker 1>movie me times. I felt great. Okay, not only the

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<v Speaker 1>movie is good, but I knew you am Mark Warburg.

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<v Speaker 1>So I text you'all both and you both hit me back,

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<v Speaker 1>and I felt great about life. I said, two stars together.

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<v Speaker 1>But the movie is actually a great movie. Who came

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<v Speaker 1>up with the script? How does this happen? Me? Time

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<v Speaker 1>is a special movie because it falls underneath the umbrella

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<v Speaker 1>of heartbeat. UM. You know, I'm at a unique place

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<v Speaker 1>in my career now where the movies that I want

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<v Speaker 1>to do in movies that I developed. That's my production company,

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<v Speaker 1>Media Companies. Bryan Smiley is our president and head of development. UM.

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<v Speaker 1>But what we what we do is we look for

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<v Speaker 1>feel good content. We look for uh, things that people

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<v Speaker 1>cannot just relate to, um, but they can see themselves in.

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<v Speaker 1>How do we make? How do we make? How do

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<v Speaker 1>we make? I p that gives people a moment to

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<v Speaker 1>either reflect on their life or understand somebody else's position.

0:13:58.679 --> 0:14:02.000
<v Speaker 1>UH laugh, More important, believe with a message. So John Hamburg,

0:14:02.080 --> 0:14:05.959
<v Speaker 1>who directed and UH wrote the script. John Hamburg and

0:14:06.120 --> 0:14:09.160
<v Speaker 1>I we developed this idea over the course of about

0:14:09.160 --> 0:14:11.240
<v Speaker 1>a year and a half, and we wanted to do

0:14:11.960 --> 0:14:17.480
<v Speaker 1>a reversal um on the expectation and role of what

0:14:17.760 --> 0:14:20.880
<v Speaker 1>sometime expected of some women, right like you know, uh

0:14:21.000 --> 0:14:24.840
<v Speaker 1>if ye woman, if a woman has kids, and you know,

0:14:24.960 --> 0:14:27.320
<v Speaker 1>there's an expectation that the woman is in the house,

0:14:27.440 --> 0:14:30.040
<v Speaker 1>the man is working, et cetera. And we said, look,

0:14:30.120 --> 0:14:32.880
<v Speaker 1>we want to highlight the world of your woman that's

0:14:32.880 --> 0:14:37.040
<v Speaker 1>embracing the world of business, um, going out in the world, attacking,

0:14:37.600 --> 0:14:41.320
<v Speaker 1>and she's getting held down at home by man dad

0:14:41.440 --> 0:14:44.000
<v Speaker 1>bed stay home. That's when the embraces That's what we loved.

0:14:44.720 --> 0:14:46.360
<v Speaker 1>And you know, we said, look, that's funny, but we

0:14:46.400 --> 0:14:48.440
<v Speaker 1>also should make sure that we do it correctly, like

0:14:48.640 --> 0:14:49.920
<v Speaker 1>let's make sure that we give the nod to the

0:14:49.960 --> 0:14:51.720
<v Speaker 1>woman in the way to deserve it. And that's what

0:14:51.840 --> 0:14:54.040
<v Speaker 1>the idea was based around. And then the character the

0:14:54.080 --> 0:14:56.240
<v Speaker 1>man that embraced the world of home, well, we said,

0:14:56.320 --> 0:14:58.480
<v Speaker 1>let's get our funny off there. He's over the top.

0:14:58.560 --> 0:15:01.040
<v Speaker 1>He's in he's involved in the kids school, he's a volunteer,

0:15:01.280 --> 0:15:03.720
<v Speaker 1>but he's excessive with it. He's packing the launches, he's

0:15:03.720 --> 0:15:06.360
<v Speaker 1>been a pleasant Yeah, he's he's over the top with you.

0:15:06.480 --> 0:15:08.080
<v Speaker 1>So that's where the Joe came from. And then we said,

0:15:08.120 --> 0:15:10.000
<v Speaker 1>we want to get him out the environment, put him

0:15:10.000 --> 0:15:12.320
<v Speaker 1>in a place where he can actually get loose. Hance

0:15:12.400 --> 0:15:15.960
<v Speaker 1>Mark Wahlberg his character Huck as being old friends and

0:15:16.000 --> 0:15:18.920
<v Speaker 1>then having to rekindle the relationship of old and get

0:15:19.000 --> 0:15:21.600
<v Speaker 1>into some kind of conflict of new. The idea was good.

0:15:21.680 --> 0:15:23.560
<v Speaker 1>Hamburg did a great job right in the script. Netflix

0:15:23.640 --> 0:15:25.520
<v Speaker 1>loved it and we said let's do it. So, Um,

0:15:25.680 --> 0:15:28.360
<v Speaker 1>you're now looking at I think, uh, our fourth movie

0:15:28.440 --> 0:15:31.000
<v Speaker 1>underneath the heart Beat umbrella, and it's growing right our

0:15:31.040 --> 0:15:35.840
<v Speaker 1>content under Harvey. So right now we have Man for Toronto, Fatherhood,

0:15:36.760 --> 0:15:42.520
<v Speaker 1>Me Time. Um, those are the movies that Heartbeat has produced. Um,

0:15:43.360 --> 0:15:47.240
<v Speaker 1>we also have coming out. We have Left, which we

0:15:47.320 --> 0:15:50.480
<v Speaker 1>also produced, and we're in development now on one more

0:15:50.640 --> 0:15:54.360
<v Speaker 1>so No, it's called Lift. This one is actually directed

0:15:54.360 --> 0:15:57.680
<v Speaker 1>by f Carey Gray. So so this movie is this

0:15:57.800 --> 0:16:00.600
<v Speaker 1>movie is serious, This is my this is my you Turn.

0:16:00.680 --> 0:16:05.960
<v Speaker 1>We also produced True Story, Didn't So that's another heart

0:16:05.960 --> 0:16:09.960
<v Speaker 1>Beat production. Like I ain't gonna lie when when I

0:16:10.000 --> 0:16:12.200
<v Speaker 1>watched True Story, I felt like Resty's NiFe was a

0:16:12.200 --> 0:16:14.360
<v Speaker 1>foul n in real life, Like I felt like he

0:16:14.480 --> 0:16:16.800
<v Speaker 1>wasn't acting. I'm sorry, why the are y'a laughing like

0:16:18.000 --> 0:16:22.000
<v Speaker 1>no one else felt like this. He's a real deal.

0:16:22.640 --> 0:16:24.440
<v Speaker 1>It's a real deal. So so what do you happened?

0:16:24.440 --> 0:16:25.720
<v Speaker 1>You call? You said, I got a call the o G.

0:16:26.480 --> 0:16:28.800
<v Speaker 1>I had an idea. I wanted to do something serious.

0:16:28.840 --> 0:16:30.960
<v Speaker 1>I said, how do I throw my fan base, uh

0:16:31.160 --> 0:16:33.760
<v Speaker 1>for loop, you know, just pretty much show that I

0:16:33.880 --> 0:16:37.600
<v Speaker 1>have this in my bag, Um, just to just to play,

0:16:37.760 --> 0:16:39.920
<v Speaker 1>like let me, let me, let me play in this

0:16:40.040 --> 0:16:41.880
<v Speaker 1>space and see what I can come up with. And

0:16:41.920 --> 0:16:44.280
<v Speaker 1>I was a big fan of Narcos. And I went

0:16:44.320 --> 0:16:46.880
<v Speaker 1>out and I um, I went out, I got in touch.

0:16:47.200 --> 0:16:51.040
<v Speaker 1>I got in touch with Eric Eric Newman from he's

0:16:51.120 --> 0:16:55.080
<v Speaker 1>the producer, showrunner, creator of the World of Narcos. And

0:16:55.160 --> 0:16:56.960
<v Speaker 1>I said, dude, I want to come to you because

0:16:56.960 --> 0:16:59.480
<v Speaker 1>I want to do something that basically puts a guy

0:16:59.760 --> 0:17:01.760
<v Speaker 1>that after you know, that's fine, I don't. I can

0:17:01.840 --> 0:17:05.000
<v Speaker 1>do this all day. It's my product. I can. I said,

0:17:05.000 --> 0:17:06.399
<v Speaker 1>I want to do something where I basically put a

0:17:06.440 --> 0:17:08.040
<v Speaker 1>gun in my hand. If people can't believe it, how

0:17:08.080 --> 0:17:09.440
<v Speaker 1>do we crack the code on that? And I said,

0:17:09.600 --> 0:17:11.880
<v Speaker 1>here's a rough idea of what I want to do. Um,

0:17:12.400 --> 0:17:15.119
<v Speaker 1>what do you think of this? He said, dude, I

0:17:15.240 --> 0:17:17.320
<v Speaker 1>like the idea of you doing something that's serious. I

0:17:17.440 --> 0:17:19.640
<v Speaker 1>like the idea of being attached to the reason why

0:17:19.720 --> 0:17:22.000
<v Speaker 1>people will believe it. He said, give me, give me

0:17:22.040 --> 0:17:24.000
<v Speaker 1>a couple of weeks to take it, come back at you,

0:17:24.400 --> 0:17:26.359
<v Speaker 1>and we have something to talk. We have something to

0:17:26.400 --> 0:17:28.680
<v Speaker 1>talk from. He took my rough idea, came back with

0:17:28.760 --> 0:17:30.000
<v Speaker 1>a template of what we thought it could be. We

0:17:30.040 --> 0:17:32.840
<v Speaker 1>built off of that true story became real. We said,

0:17:32.880 --> 0:17:35.040
<v Speaker 1>who do we want to play the brother? We both said,

0:17:35.080 --> 0:17:39.480
<v Speaker 1>Wesley Snips, what's the first? First pick? First pick? And

0:17:39.600 --> 0:17:41.520
<v Speaker 1>here's the thing. When I talked to Wesley Snipes in beginning,

0:17:41.680 --> 0:17:43.600
<v Speaker 1>Wesley didn't know it was serious. West. He thought it

0:17:43.600 --> 0:17:45.679
<v Speaker 1>was a comedy. Way to explain to us, Like, no, Wes,

0:17:45.800 --> 0:17:47.119
<v Speaker 1>he this is not a comedy. This is really like

0:17:47.720 --> 0:17:52.520
<v Speaker 1>a serious fun I'm not playing first he didn't he

0:17:52.560 --> 0:17:54.960
<v Speaker 1>didn't know. Like Wesley was like, I don't know if

0:17:55.040 --> 0:17:56.680
<v Speaker 1>Kevin's going to be able to pull off the world

0:17:56.680 --> 0:17:59.760
<v Speaker 1>as serious. He said, I don't know. And I said, West,

0:17:59.800 --> 0:18:03.040
<v Speaker 1>that's a well a working with you, it's dope as

0:18:03.080 --> 0:18:05.200
<v Speaker 1>fucked because you know, I came up on you. I'm

0:18:05.200 --> 0:18:06.879
<v Speaker 1>a fan of you. I sin so I would never

0:18:06.920 --> 0:18:09.560
<v Speaker 1>waste your time. If anything, your talent is going to

0:18:09.640 --> 0:18:12.239
<v Speaker 1>elevate mine, I said, but I don't. I don't plan

0:18:12.320 --> 0:18:14.840
<v Speaker 1>to come here and not prepared. I come here to

0:18:15.160 --> 0:18:17.560
<v Speaker 1>not only do the work, but to fucking make the

0:18:17.640 --> 0:18:19.639
<v Speaker 1>material that can have people go, oh my god. If

0:18:19.680 --> 0:18:21.600
<v Speaker 1>I had to sell Wesley on me doing it, and

0:18:22.359 --> 0:18:24.080
<v Speaker 1>you know he was once he was sold in and

0:18:24.119 --> 0:18:27.040
<v Speaker 1>brought into the concept, we hit the ground running man

0:18:27.280 --> 0:18:28.960
<v Speaker 1>and he did exactly what I thought it was gonna do.

0:18:29.520 --> 0:18:33.680
<v Speaker 1>His acting, elevated mind, way that he the way that

0:18:33.760 --> 0:18:36.200
<v Speaker 1>he breaks down and seeing the material. I learned so

0:18:36.320 --> 0:18:38.120
<v Speaker 1>much from working with him, and it, uh, it made

0:18:38.160 --> 0:18:41.800
<v Speaker 1>me more more polished as an actor. Um, and and

0:18:41.960 --> 0:18:44.640
<v Speaker 1>more ambitious about doing the thing after, Like I can't

0:18:44.680 --> 0:18:47.399
<v Speaker 1>wait to do the thing after and Lift is the

0:18:47.480 --> 0:18:50.680
<v Speaker 1>thing after. True story and serious as well. Serious Yeah, okay,

0:18:51.160 --> 0:18:53.240
<v Speaker 1>because you did another joint where you was like in

0:18:53.280 --> 0:18:58.400
<v Speaker 1>that wheelchair right, No, Um, I wasn't in a wheelchair. Yeah,

0:18:58.720 --> 0:19:02.760
<v Speaker 1>upside that's a Brian Arinston legend. Brian Cranston, uh, the

0:19:02.840 --> 0:19:06.040
<v Speaker 1>cold kidding and myself. Yeah, that's a hell of a

0:19:06.119 --> 0:19:09.520
<v Speaker 1>cast to be in. And once again, um, that was

0:19:09.600 --> 0:19:12.760
<v Speaker 1>one where I had talked to Brian, I'm gonna be

0:19:12.840 --> 0:19:15.760
<v Speaker 1>serious guys, all right, but it's Kevin really gonna is

0:19:15.800 --> 0:19:19.000
<v Speaker 1>he really gonna embrace the serious of like he's gonna

0:19:19.040 --> 0:19:20.920
<v Speaker 1>come in and understand like this has to be a

0:19:21.000 --> 0:19:23.119
<v Speaker 1>certain way because when you come from the World's Ring

0:19:23.119 --> 0:19:27.720
<v Speaker 1>the comedy, no Brian Cranston is so you know, with

0:19:27.800 --> 0:19:31.240
<v Speaker 1>Brian Cranston and The Upside, it was making sure he understood, like, no,

0:19:31.320 --> 0:19:33.240
<v Speaker 1>I'm gonna knock the roll out the park, but I

0:19:33.359 --> 0:19:35.199
<v Speaker 1>met with him to direct him Like, granted, already got

0:19:35.280 --> 0:19:37.800
<v Speaker 1>the part, but you're meeting with your cast before you

0:19:37.840 --> 0:19:39.959
<v Speaker 1>get into the world of shooting so that they're confident

0:19:40.000 --> 0:19:41.760
<v Speaker 1>that you're gonna show up every day and not just

0:19:41.920 --> 0:19:45.480
<v Speaker 1>be prepared, but be good. Um. And that was fucking dope,

0:19:45.920 --> 0:19:48.280
<v Speaker 1>saying Brian Cranston and the Cold Kidman show for work

0:19:48.320 --> 0:19:51.640
<v Speaker 1>every day, knowing their lines, prett prepared, breaking down scenes,

0:19:51.680 --> 0:19:54.920
<v Speaker 1>and I'm sitting right there holding my own. Um, your talent,

0:19:55.320 --> 0:19:58.040
<v Speaker 1>your talent getts sharpened by other talents, right, you know what,

0:19:58.119 --> 0:20:01.280
<v Speaker 1>it's iron sharpers. I Uh, it couldn't be more true.

0:20:01.800 --> 0:20:05.640
<v Speaker 1>I think that's where I've been able to raise my game. Um,

0:20:06.320 --> 0:20:09.200
<v Speaker 1>throughout the years of doing what it is that I do.

0:20:09.640 --> 0:20:12.920
<v Speaker 1>It's from positioning myself with people that have not only

0:20:12.960 --> 0:20:15.719
<v Speaker 1>done it, but they've done it at a very high level. Well,

0:20:15.720 --> 0:20:18.520
<v Speaker 1>they've always said that comedians could be the best dramatic

0:20:18.560 --> 0:20:23.240
<v Speaker 1>act absolutely, Like I thought Robin Williams embodied that absolutely, absolutely,

0:20:24.720 --> 0:20:30.600
<v Speaker 1>because if you didn't take here's the thing, there is

0:20:30.640 --> 0:20:32.960
<v Speaker 1>an assumption that you can't just based off of the

0:20:33.040 --> 0:20:35.640
<v Speaker 1>funny things that you've seen them at. It's not based

0:20:35.640 --> 0:20:37.920
<v Speaker 1>off of them doing something serious and not being good.

0:20:38.920 --> 0:20:42.520
<v Speaker 1>That really happens when you see the comedic talent that

0:20:42.600 --> 0:20:46.679
<v Speaker 1>takes that stance. Jim Carrey, when he took that stance,

0:20:46.800 --> 0:20:52.840
<v Speaker 1>it was fucking insane. Steve Carrell insane, Jamie Five insane. Um.

0:20:53.280 --> 0:20:55.600
<v Speaker 1>I don't know if you guys are familiar with Chris Robin.

0:20:55.680 --> 0:20:59.879
<v Speaker 1>When Chris Rock did the play um, Motherfucker and the

0:21:00.040 --> 0:21:03.800
<v Speaker 1>at he was on Broadway, serious play. Chris Walker was

0:21:03.840 --> 0:21:06.719
<v Speaker 1>on Broadway for a minute, fucking body that play. Um.

0:21:06.920 --> 0:21:10.080
<v Speaker 1>I mean, I think New jack City just given the

0:21:10.160 --> 0:21:13.760
<v Speaker 1>opportunity if you put a comedian in a position to

0:21:13.880 --> 0:21:18.400
<v Speaker 1>be serious, Chris Tucker dead president, like like what it's

0:21:19.040 --> 0:21:21.479
<v Speaker 1>you have the tears and the levels because on stage

0:21:21.880 --> 0:21:23.600
<v Speaker 1>you're going in and out of what you choose to

0:21:23.640 --> 0:21:27.119
<v Speaker 1>go in and out of. But being funny is harder acting.

0:21:27.200 --> 0:21:31.480
<v Speaker 1>By the way, trained actors, I mean they're they're unbelievable

0:21:31.480 --> 0:21:34.680
<v Speaker 1>method actors. Yes, it's like they're unbelievable. You can't. Why

0:21:34.720 --> 0:21:39.280
<v Speaker 1>not what showing up? My name is Cory, No, your

0:21:39.359 --> 0:21:48.240
<v Speaker 1>name is Matt. I don't disrespect anybody's process. I don't.

0:21:48.280 --> 0:21:51.720
<v Speaker 1>I don't think. I don't disrespect anybody's talent, right, whether

0:21:51.800 --> 0:21:55.520
<v Speaker 1>I agree to your approach of how you do what

0:21:55.640 --> 0:21:58.440
<v Speaker 1>you do or not. I love the fact that talent

0:21:58.560 --> 0:22:01.119
<v Speaker 1>is talent and how of a person gets there, they

0:22:01.200 --> 0:22:05.080
<v Speaker 1>get there. It's im support your process regardless. Those actors

0:22:05.119 --> 0:22:08.760
<v Speaker 1>that were referring to are fucking phenomenal. Phenomenal. You can't

0:22:08.760 --> 0:22:15.200
<v Speaker 1>take anything away from people. People don't give comedy enough

0:22:15.320 --> 0:22:20.240
<v Speaker 1>fucking credit. They don't give the world of comedy enough.

0:22:20.920 --> 0:22:25.120
<v Speaker 1>Like Eddie Murphy and Nuttie Professor, they didn't give that enough,

0:22:26.320 --> 0:22:28.920
<v Speaker 1>like they kind of they kind of shoulder shrugged as

0:22:29.000 --> 0:22:37.080
<v Speaker 1>if that's another actor the Disney role. They give them problems,

0:22:37.160 --> 0:22:42.720
<v Speaker 1>but it's like it's Eddie acted with Eddie and remembered

0:22:42.800 --> 0:22:44.880
<v Speaker 1>all of the things that Eddie did as the other

0:22:45.000 --> 0:22:51.040
<v Speaker 1>people for eight days during the movie. That's not that's

0:22:51.080 --> 0:22:53.959
<v Speaker 1>not easy. That's a different level of talents. So when

0:22:54.000 --> 0:22:56.280
<v Speaker 1>you look at Martin Big Mama's, when you look at

0:22:56.320 --> 0:22:58.840
<v Speaker 1>all these comedians that have taken that stands where you go,

0:22:59.240 --> 0:23:01.080
<v Speaker 1>Robin Williams and down Fire, you look at all the

0:23:01.119 --> 0:23:05.440
<v Speaker 1>ship a woman, you can it's the idea of going

0:23:05.640 --> 0:23:09.680
<v Speaker 1>to the farthest extent to get the laugh, but grounding

0:23:09.800 --> 0:23:13.439
<v Speaker 1>might approach to doing it well. The business the business

0:23:13.440 --> 0:23:16.120
<v Speaker 1>shoulder shrugs. Comedy once again because it's like, oh yeah,

0:23:16.200 --> 0:23:20.439
<v Speaker 1>this comedy. Jim Carrey, me, myself and Irene, what are

0:23:20.440 --> 0:23:22.720
<v Speaker 1>you talking about? Wife calls me? She said, She said,

0:23:23.040 --> 0:23:25.280
<v Speaker 1>She said that being married to me is like being

0:23:27.960 --> 0:23:31.879
<v Speaker 1>I don't know if you watch, don't watch Jim Carrey's

0:23:31.880 --> 0:23:35.680
<v Speaker 1>performance and me myself and Irene as Hank what Hank

0:23:35.760 --> 0:23:40.199
<v Speaker 1>comes when he keeps going back and forth. I can

0:23:40.240 --> 0:23:43.640
<v Speaker 1>go down the line of so many great comedic performances,

0:23:44.320 --> 0:23:47.719
<v Speaker 1>Uh you know that that are fucking legendary. Ben Stiller

0:23:48.240 --> 0:23:50.920
<v Speaker 1>and meet the Focker's right, you go to the first

0:23:51.000 --> 0:23:54.600
<v Speaker 1>one like that idea of this guy that's being bullied

0:23:54.680 --> 0:23:57.399
<v Speaker 1>by the day, but making that world real it's a

0:23:57.560 --> 0:24:01.280
<v Speaker 1>fucking task. There's a high level of respect that should

0:24:01.280 --> 0:24:05.440
<v Speaker 1>be put on comedy in general, like it just makes

0:24:05.520 --> 0:24:09.119
<v Speaker 1>the world go around. It's necessary, and these comedic actors

0:24:09.160 --> 0:24:11.480
<v Speaker 1>and actresses are necessary. I think we gotta make some

0:24:11.600 --> 0:24:16.399
<v Speaker 1>noise for that share. So we recently see you a

0:24:16.440 --> 0:24:21.200
<v Speaker 1>little duval, A little duval ready? Um, okay, we listally

0:24:21.240 --> 0:24:23.800
<v Speaker 1>see you a little duval. Right. I don't know what

0:24:23.920 --> 0:24:30.240
<v Speaker 1>just happened when he just put that the man was

0:24:30.280 --> 0:24:34.960
<v Speaker 1>in a wheelchair. Yeah, your game with with this? Yeah,

0:24:35.720 --> 0:24:39.160
<v Speaker 1>don't take a shot. It was for all of mankind.

0:24:40.400 --> 0:24:43.480
<v Speaker 1>Then he asked you to hit the blunt. You said absolutely,

0:24:43.560 --> 0:24:48.600
<v Speaker 1>not absolutely, because there's a problem with marijuana. What is

0:24:48.720 --> 0:24:50.359
<v Speaker 1>what is? What is? What is the relationship with you

0:24:50.440 --> 0:24:53.440
<v Speaker 1>and marijuana? Okay, well it's easy. Um what's it called?

0:24:54.920 --> 0:24:57.800
<v Speaker 1>What's the best way to playing this? I'm a brand,

0:24:59.480 --> 0:25:08.120
<v Speaker 1>I'm I'm a fucking chairman CEO. Medical is medically approved.

0:25:08.440 --> 0:25:10.159
<v Speaker 1>I do know you know what? You know what. I

0:25:11.359 --> 0:25:14.399
<v Speaker 1>haven't smoked, and my business partners somehow trust me with

0:25:14.480 --> 0:25:19.880
<v Speaker 1>all the business that I did. I'm on time, show

0:25:20.000 --> 0:25:23.840
<v Speaker 1>up in the morning, smell like I do smoke weed.

0:25:24.640 --> 0:25:27.800
<v Speaker 1>I actually have a good memory. Shouts out to everybody

0:25:27.840 --> 0:25:31.680
<v Speaker 1>that smokes a lot of delay reactions and those people,

0:25:32.480 --> 0:25:38.440
<v Speaker 1>a lot of a lot of fucking reactions on those people,

0:25:38.920 --> 0:25:42.159
<v Speaker 1>I'm not pot what you do once then me you do.

0:25:42.960 --> 0:25:46.480
<v Speaker 1>I embrace your world. Doesn't mean that I looked down

0:25:46.520 --> 0:25:49.000
<v Speaker 1>on you. Shouts out to you, but I don't want

0:25:49.040 --> 0:25:53.000
<v Speaker 1>to smoke it. Now. Here's the thing, dovol, that's my

0:25:53.200 --> 0:25:57.560
<v Speaker 1>god fucking duval. He got an accident. Hurt my heart

0:25:57.640 --> 0:26:00.360
<v Speaker 1>to see my guy down, breaks my heart to see down.

0:26:00.520 --> 0:26:04.120
<v Speaker 1>But because of his relationship and not re our relationship,

0:26:04.160 --> 0:26:06.600
<v Speaker 1>I'm gonna make sure that his down isn't a bad one.

0:26:06.600 --> 0:26:08.440
<v Speaker 1>I'm gonna getting back up. So I said, come out

0:26:08.480 --> 0:26:10.520
<v Speaker 1>to the show. You know why, because he's sitting in

0:26:10.600 --> 0:26:13.440
<v Speaker 1>his fucking wheelchair and he's just smoking. And I'm like,

0:26:13.520 --> 0:26:16.399
<v Speaker 1>you can't fucking do that because you're just chilling and

0:26:16.480 --> 0:26:18.399
<v Speaker 1>the days are gonna fly by. You gotta get your

0:26:18.440 --> 0:26:20.920
<v Speaker 1>ass up, get out and get active. I'm not saying

0:26:20.960 --> 0:26:23.439
<v Speaker 1>at all we smokers aren't active, because some of them are.

0:26:24.400 --> 0:26:26.480
<v Speaker 1>I'm saying that they are. I'm saying for my friends,

0:26:26.840 --> 0:26:28.679
<v Speaker 1>I don't want to see him just not be active.

0:26:28.840 --> 0:26:32.200
<v Speaker 1>So he wanted me to smoke weed my way. We're

0:26:32.240 --> 0:26:37.360
<v Speaker 1>at the arena, I'm about to perform, but I'm going

0:26:37.480 --> 0:26:44.080
<v Speaker 1>on stage. You don't care about much. You know, you

0:26:44.119 --> 0:26:46.040
<v Speaker 1>don't want to funk about what I do at all.

0:26:46.520 --> 0:26:48.680
<v Speaker 1>So you know, for me, it was it was it

0:26:48.760 --> 0:26:51.359
<v Speaker 1>was a thing to support and show love. But I

0:26:51.400 --> 0:26:53.119
<v Speaker 1>would never do it. I see, I got all this

0:26:53.200 --> 0:26:55.399
<v Speaker 1>weed proight. I care great for you guys. If you

0:26:55.600 --> 0:26:58.080
<v Speaker 1>think I'm gonna smoke some fucking weed on this podcast,

0:26:58.520 --> 0:27:03.959
<v Speaker 1>you got another look drake kids going, we're blowing all

0:27:04.000 --> 0:27:13.520
<v Speaker 1>around me. All you want. I'm saying, y'all, just you said,

0:27:13.720 --> 0:27:15.720
<v Speaker 1>brow it around what you want to come out smoother?

0:27:15.840 --> 0:27:20.600
<v Speaker 1>Come up environment, come on? Yeah, I mean that's story. Yeah,

0:27:23.400 --> 0:27:28.639
<v Speaker 1>what's the problem. Why do you even need a device

0:27:28.760 --> 0:27:43.439
<v Speaker 1>like that? Sweating comes comes right? Damn turn that off.

0:27:43.680 --> 0:27:46.920
<v Speaker 1>What it's a weed pistol. I don't want to know.

0:27:46.960 --> 0:27:48.440
<v Speaker 1>It's a weed machine. I don't want to cold it

0:27:48.480 --> 0:27:50.560
<v Speaker 1>a gun because we werew out of that ship, so

0:27:50.720 --> 0:27:55.640
<v Speaker 1>it's a weed machine. Why is that necessary? Dispenser? When

0:27:55.680 --> 0:28:00.920
<v Speaker 1>did you when did you escalate day? What I'm now

0:28:01.080 --> 0:28:03.840
<v Speaker 1>was that not enough? Why did you go the blend

0:28:03.920 --> 0:28:07.919
<v Speaker 1>is really pissing me on? You need to we need

0:28:08.480 --> 0:28:14.440
<v Speaker 1>fucking a machine. G just shooting unnecessary amount of me.

0:28:15.640 --> 0:28:17.720
<v Speaker 1>And if you got that? Why is he rolling weeds?

0:28:17.800 --> 0:28:22.040
<v Speaker 1>What is he? What is he doing? Why? I fly

0:28:22.240 --> 0:28:25.600
<v Speaker 1>him in for peru? Okay, he just flies He just

0:28:25.640 --> 0:28:31.280
<v Speaker 1>flies in the wrestle. Okay, roll blast like yeah, na

0:28:32.560 --> 0:28:34.000
<v Speaker 1>like he does a little nacho le blade and then

0:28:34.000 --> 0:28:41.040
<v Speaker 1>he rolls blinst he goes back the kindle. Yeah. So kevi?

0:28:42.800 --> 0:28:45.000
<v Speaker 1>What what? What? What is it? What is your favorite?

0:28:45.120 --> 0:28:48.040
<v Speaker 1>It's stand up or making movies? You had? Nothing will

0:28:48.080 --> 0:28:50.800
<v Speaker 1>ever be stand up? Excuse me, Nothing will ever beat standard,

0:28:50.840 --> 0:28:54.640
<v Speaker 1>Nothing beats stand up comedy is That's what I am.

0:28:54.720 --> 0:28:57.800
<v Speaker 1>It's who I am. That's what That's what made me.

0:28:57.960 --> 0:29:01.080
<v Speaker 1>That's what created any and every opportunity that I've ever had.

0:29:01.160 --> 0:29:03.360
<v Speaker 1>It starts with the stage. It starts with that microphone

0:29:03.880 --> 0:29:06.720
<v Speaker 1>um you get from the crowd in that moment. It's

0:29:06.720 --> 0:29:08.840
<v Speaker 1>a relationship. I feel like it's like DJ when we

0:29:09.280 --> 0:29:11.520
<v Speaker 1>as a DJ, we're on stage and it's the energy

0:29:11.600 --> 0:29:13.760
<v Speaker 1>that they tapped in. You know what it is, man,

0:29:13.840 --> 0:29:16.880
<v Speaker 1>It's a it's a layered it's the energy. It's the

0:29:17.240 --> 0:29:21.840
<v Speaker 1>it's the reaction, it's the it's the honesty. Right, Um,

0:29:22.200 --> 0:29:25.400
<v Speaker 1>you know you've seen my life. You've seen my life

0:29:25.480 --> 0:29:30.120
<v Speaker 1>grow and go through stand up right, the good, the bad,

0:29:30.160 --> 0:29:32.760
<v Speaker 1>the ugly. You've seen me in some ways shape or

0:29:32.800 --> 0:29:36.920
<v Speaker 1>form presented through stand up comedy. And you know that's

0:29:37.920 --> 0:29:41.160
<v Speaker 1>that's valuable, that's very important. You know, that's my therapy,

0:29:41.280 --> 0:29:45.680
<v Speaker 1>that's my that's my thing, that's my drug. I need it.

0:29:45.880 --> 0:29:48.480
<v Speaker 1>And um, the fact that I have a relationship with

0:29:48.600 --> 0:29:50.960
<v Speaker 1>this fan base that has grown over the course of

0:29:51.000 --> 0:29:54.240
<v Speaker 1>the years that now is global. Um, it's something that

0:29:54.320 --> 0:29:57.360
<v Speaker 1>I own. I can do it what I want, I

0:29:57.400 --> 0:29:59.880
<v Speaker 1>can stop when I want, I can do intimate show.

0:30:00.000 --> 0:30:03.760
<v Speaker 1>Was like do big shows because that's something that's amazing.

0:30:03.920 --> 0:30:06.640
<v Speaker 1>I think, uh see, I see cypher Sounds left and

0:30:06.720 --> 0:30:10.080
<v Speaker 1>I remember me seeing you go to Cypeer Sounds show.

0:30:11.080 --> 0:30:15.000
<v Speaker 1>I believe it's a comedy seller. Side now has a

0:30:15.040 --> 0:30:18.240
<v Speaker 1>comedy seller. I started off at Caroline shout out to Side.

0:30:18.240 --> 0:30:25.200
<v Speaker 1>I didn't see, um, Sie is a great dude, a

0:30:25.280 --> 0:30:27.680
<v Speaker 1>good dude. But I remember when Site started to embrace

0:30:27.760 --> 0:30:31.640
<v Speaker 1>comedy while while being in the world of radio, and

0:30:32.120 --> 0:30:35.000
<v Speaker 1>I started off during the I think it was Carolines

0:30:35.280 --> 0:30:36.920
<v Speaker 1>where he had a night and they were doing something,

0:30:36.960 --> 0:30:39.040
<v Speaker 1>and then it progressed, and then as he got more

0:30:39.120 --> 0:30:41.360
<v Speaker 1>serious with the relationship group and then he was at

0:30:41.400 --> 0:30:43.160
<v Speaker 1>the comedy seller around the corner. You know what I'm saying.

0:30:43.200 --> 0:30:45.280
<v Speaker 1>Recently i've seen you. I don't know how we've seen

0:30:45.320 --> 0:30:47.000
<v Speaker 1>it was, but I know within the last year you

0:30:47.120 --> 0:30:49.520
<v Speaker 1>just jumped on stage and I'm just sitting there like

0:30:49.960 --> 0:30:52.600
<v Speaker 1>as a as a as a platinum artist. Sometimes I

0:30:52.640 --> 0:30:55.000
<v Speaker 1>wouldn't do that, Like I wouldn't go to a show

0:30:55.080 --> 0:30:58.240
<v Speaker 1>and just jump on But I noticed that about you Chapal's.

0:30:59.120 --> 0:31:01.880
<v Speaker 1>But that's how comedians work material. That's my point I'm

0:31:01.880 --> 0:31:04.800
<v Speaker 1>trying to get into, because wouldn't you just do like

0:31:06.360 --> 0:31:09.960
<v Speaker 1>because I'm all over the place. During during the pandemic,

0:31:11.000 --> 0:31:15.320
<v Speaker 1>you also had you practice your special. You didn't have

0:31:15.400 --> 0:31:18.120
<v Speaker 1>peace of though, but you practice special. You gave us

0:31:18.120 --> 0:31:21.120
<v Speaker 1>all COVID tests. It was real, it was real, it

0:31:21.280 --> 0:31:24.160
<v Speaker 1>was real. This is you remember you remember you had

0:31:24.200 --> 0:31:27.440
<v Speaker 1>this ship and you walked around and you asked questions.

0:31:27.480 --> 0:31:29.000
<v Speaker 1>After this ship you said, you know Norwich, did you

0:31:29.080 --> 0:31:30.760
<v Speaker 1>like this point? My man was that he was laughing

0:31:30.800 --> 0:31:32.960
<v Speaker 1>so crazy. You remember that time he was laughing crazy.

0:31:33.000 --> 0:31:36.960
<v Speaker 1>You had to look at it was so get to

0:31:37.000 --> 0:31:39.640
<v Speaker 1>my point before you say that. So, why why as

0:31:39.680 --> 0:31:42.120
<v Speaker 1>a comedian, why would you go put yourself in the

0:31:42.200 --> 0:31:44.320
<v Speaker 1>public right that when you could do things like what

0:31:44.400 --> 0:31:46.680
<v Speaker 1>you did with that private session where you can have

0:31:46.800 --> 0:31:49.680
<v Speaker 1>you your homies and the critique it, why choose to

0:31:49.720 --> 0:31:53.760
<v Speaker 1>go out there and do that? My process is, uh,

0:31:55.120 --> 0:32:00.080
<v Speaker 1>my process is extremely different, um, And I'm commit it.

0:32:01.280 --> 0:32:05.920
<v Speaker 1>I'm committed to this thing that I feel that works right.

0:32:06.360 --> 0:32:09.640
<v Speaker 1>And the thing that works is the work. In comedy,

0:32:09.720 --> 0:32:12.400
<v Speaker 1>you can't cheat the work. When you do cheat the work,

0:32:12.760 --> 0:32:14.920
<v Speaker 1>it's gonna come out of your final products some way.

0:32:19.840 --> 0:32:22.760
<v Speaker 1>You just gotta you gotta understand it. You gotta really

0:32:23.200 --> 0:32:26.440
<v Speaker 1>embrace the idea of what makes a set a set?

0:32:26.880 --> 0:32:29.600
<v Speaker 1>What makes a joker? Joke? Jokes come in threes, There's

0:32:29.640 --> 0:32:31.440
<v Speaker 1>the beginning, middle, in the end, the same thing with

0:32:31.520 --> 0:32:34.200
<v Speaker 1>the set beginning, middle, on the end. What's my beginning,

0:32:34.640 --> 0:32:36.520
<v Speaker 1>what's the middle? And how do I finish? This? Is

0:32:36.520 --> 0:32:38.400
<v Speaker 1>all things? You have to think, what story am I telling?

0:32:38.640 --> 0:32:40.560
<v Speaker 1>All these things? The question that you gotta ask yourself

0:32:40.800 --> 0:32:45.760
<v Speaker 1>before really getting into it. Um, that process, well, it

0:32:45.800 --> 0:32:48.520
<v Speaker 1>starts at the comedy club. That comedy club sometimes the

0:32:48.600 --> 0:32:51.000
<v Speaker 1>fifteen people, twenty people, thirty people. By the way, that

0:32:51.120 --> 0:32:53.760
<v Speaker 1>comedy club is when you started at that comedy club

0:32:53.840 --> 0:32:56.080
<v Speaker 1>is what you were in that helped you get the break.

0:32:56.560 --> 0:32:59.080
<v Speaker 1>So if you get the break and got the brakes

0:32:59.120 --> 0:33:02.200
<v Speaker 1>after and you don't go back to the roots as

0:33:02.240 --> 0:33:04.719
<v Speaker 1>to how it started, well that means that you're forgetting

0:33:04.760 --> 0:33:08.360
<v Speaker 1>the real process. So after every stand up special, that

0:33:08.520 --> 0:33:11.080
<v Speaker 1>material gets thrown out, it's deleted, and I go back

0:33:11.120 --> 0:33:13.920
<v Speaker 1>to the beginning. So those comedy clubs that you see

0:33:13.960 --> 0:33:16.600
<v Speaker 1>me go to, those intimate settings is for me to

0:33:16.640 --> 0:33:19.360
<v Speaker 1>figure out what the funk I wanna do, And those

0:33:19.440 --> 0:33:22.240
<v Speaker 1>crowds and those reactions are now reactions that helping me

0:33:22.320 --> 0:33:24.360
<v Speaker 1>gain balanced until I know how I want to stand.

0:33:24.760 --> 0:33:28.080
<v Speaker 1>So during the pandemic, I kind of think we was

0:33:28.120 --> 0:33:31.160
<v Speaker 1>all bored, was all in the house, and I was like, damn, man,

0:33:31.320 --> 0:33:34.440
<v Speaker 1>I can't go on stage. There is no world of

0:33:34.520 --> 0:33:36.320
<v Speaker 1>working out what can I do? How do I figure

0:33:36.360 --> 0:33:38.760
<v Speaker 1>it out? And when they said this is when they

0:33:38.760 --> 0:33:43.560
<v Speaker 1>had first started letting businesses have small um has small

0:33:43.640 --> 0:33:46.480
<v Speaker 1>things like outside, but nobody can do anything inside. So

0:33:46.760 --> 0:33:50.000
<v Speaker 1>I had I had a relationship with the hotel, and

0:33:50.040 --> 0:33:53.680
<v Speaker 1>the hotel was doing like rooftop lunches for twelve people,

0:33:54.280 --> 0:33:57.200
<v Speaker 1>and I said, look, don't say anything to the twelve

0:33:57.280 --> 0:33:59.520
<v Speaker 1>people because I don't want to go and act outside

0:33:59.560 --> 0:34:02.840
<v Speaker 1>the guy lines. But if those twelve people are eating,

0:34:03.320 --> 0:34:06.080
<v Speaker 1>and I just so happened to walk out and do

0:34:06.240 --> 0:34:08.520
<v Speaker 1>a set for those twelve people. They never knew it

0:34:08.640 --> 0:34:13.279
<v Speaker 1>was coming. We're not doing anything wrong. How often can

0:34:13.320 --> 0:34:14.480
<v Speaker 1>I do that? And they said, you just want to

0:34:14.520 --> 0:34:18.040
<v Speaker 1>walk out with people promoting? Said absolutely so literally people were,

0:34:18.440 --> 0:34:23.239
<v Speaker 1>people were eating, and the first started trying to figure

0:34:23.280 --> 0:34:26.040
<v Speaker 1>out the pandemic. When I was the name of the

0:34:26.120 --> 0:34:29.600
<v Speaker 1>set was don't what was it? Zero fox zero fox given,

0:34:29.920 --> 0:34:32.040
<v Speaker 1>So I was like yo, I told my team. I

0:34:32.120 --> 0:34:36.080
<v Speaker 1>was like, yeah, we're gonna go down here. I'll just

0:34:36.160 --> 0:34:41.040
<v Speaker 1>come out. This is crazy and I just start working

0:34:41.120 --> 0:34:44.959
<v Speaker 1>doing material. Uh some of them was working someone it wasn't,

0:34:45.480 --> 0:34:47.360
<v Speaker 1>but at that point, but the point is to figure

0:34:47.400 --> 0:34:49.719
<v Speaker 1>it out. So during that time, I think we were

0:34:49.760 --> 0:34:52.520
<v Speaker 1>in like a six month period maybe letting my family

0:34:52.600 --> 0:34:55.880
<v Speaker 1>go significantly less. It's probably like a soon I have

0:34:56.080 --> 0:34:58.719
<v Speaker 1>three month period where I like through that hour set

0:34:58.760 --> 0:35:00.360
<v Speaker 1>together during the pandemic. I was like just want to

0:35:00.360 --> 0:35:03.680
<v Speaker 1>give people some ship to fucking watch and do. But

0:35:03.880 --> 0:35:05.640
<v Speaker 1>but I had to go back to the process. But

0:35:05.680 --> 0:35:09.560
<v Speaker 1>I didn't get to go to like the small theater,

0:35:09.800 --> 0:35:12.239
<v Speaker 1>then the five thousand theater, then the big one. Like

0:35:12.480 --> 0:35:15.880
<v Speaker 1>before a special goes I'm I'm a hundred and eighties

0:35:15.920 --> 0:35:19.360
<v Speaker 1>shows in I'm I'm. My tours are that long. Like

0:35:20.080 --> 0:35:23.360
<v Speaker 1>there's a comedy club portion, then there's a small theater portion,

0:35:23.560 --> 0:35:27.240
<v Speaker 1>then there's a there's a small tear to a lower

0:35:27.360 --> 0:35:30.160
<v Speaker 1>level arena than there's the actual arenas. I'm That's how

0:35:30.239 --> 0:35:32.480
<v Speaker 1>many tears I had before I actually put the ship

0:35:33.360 --> 0:35:37.200
<v Speaker 1>on fucking camera. So I'm never gonna not I'm never

0:35:37.360 --> 0:35:42.000
<v Speaker 1>gonna not stay true to that process. Uh and my mentors,

0:35:42.160 --> 0:35:44.360
<v Speaker 1>the the guys that I look up to the most

0:35:44.920 --> 0:35:48.919
<v Speaker 1>that has stayed consistently relevant in their careers. You talked

0:35:48.920 --> 0:35:51.960
<v Speaker 1>about Dave Chappelle, Chris rob My Brothers, my friends like

0:35:52.080 --> 0:35:56.239
<v Speaker 1>my real game, Right, I did know that Dave said

0:35:56.239 --> 0:35:58.960
<v Speaker 1>it was I've never said that that was Dave on stage,

0:36:00.040 --> 0:36:02.080
<v Speaker 1>But I gave him a fucking goat because he is

0:36:02.120 --> 0:36:06.040
<v Speaker 1>a goat and days ago the goat now that goes

0:36:06.040 --> 0:36:09.920
<v Speaker 1>shipping on stage, the ship when I gave to my

0:36:10.080 --> 0:36:19.719
<v Speaker 1>stage right here as I gave it to let's dope, don't,

0:36:20.040 --> 0:36:25.719
<v Speaker 1>I don't. It's gonna be great. Trust me, Chris is

0:36:25.719 --> 0:36:28.799
<v Speaker 1>gonna be great. But those guys are the process too.

0:36:29.320 --> 0:36:31.680
<v Speaker 1>To go back to the comedy clubs, it's not it's

0:36:31.719 --> 0:36:36.719
<v Speaker 1>not a coincidence that the same names in comedy um

0:36:37.480 --> 0:36:41.560
<v Speaker 1>have been relevant over the course of said years. Right

0:36:41.640 --> 0:36:43.840
<v Speaker 1>when you look at the guys and and women that

0:36:43.960 --> 0:36:46.840
<v Speaker 1>you consider the greats, well, they're there for a reason.

0:36:47.040 --> 0:36:49.359
<v Speaker 1>Right when you think about Wanda Sykes, when you think

0:36:49.360 --> 0:36:54.000
<v Speaker 1>about Rock Chappelle, when you think about fucking uh, I mean,

0:36:54.080 --> 0:36:58.000
<v Speaker 1>god damn Seinfeld. But a p. Paul Mooney, I mean,

0:36:58.120 --> 0:37:00.520
<v Speaker 1>I can go down a list of names the process.

0:37:00.600 --> 0:37:03.600
<v Speaker 1>They respect the process, they don't cheat the process. And

0:37:03.640 --> 0:37:06.440
<v Speaker 1>there's a there's a there's a strong amount of comedians

0:37:07.000 --> 0:37:09.040
<v Speaker 1>that are true that if you say true to that,

0:37:09.120 --> 0:37:11.759
<v Speaker 1>you're not gonna lose. You're not gonna lose because it's

0:37:11.760 --> 0:37:13.200
<v Speaker 1>something that we can troll. Once again, that's the best

0:37:13.200 --> 0:37:15.880
<v Speaker 1>thing about comedy movies. Or second, goddamn, gona pull you

0:37:15.920 --> 0:37:19.160
<v Speaker 1>another shot. I go, damn you you're doing You're doing

0:37:19.200 --> 0:37:21.680
<v Speaker 1>so great. I have look well, guess what I think

0:37:21.680 --> 0:37:24.319
<v Speaker 1>you're gonna say. I'm thinking you'll give all the shots

0:37:24.320 --> 0:37:26.879
<v Speaker 1>because y'all want to see the breaking point. Y'all want

0:37:26.880 --> 0:37:33.279
<v Speaker 1>to see I watched there's a breaking point. Fuck it,

0:37:33.280 --> 0:37:40.120
<v Speaker 1>I'm gonna say that's that's there's a point where you

0:37:40.200 --> 0:37:47.080
<v Speaker 1>know what, you know what I'm saying, what y'all, I'm

0:37:48.320 --> 0:37:51.080
<v Speaker 1>this guy. This is not that. This is not that interview.

0:37:51.120 --> 0:37:52.560
<v Speaker 1>I'm not gonna get a really a point. You know,

0:37:56.280 --> 0:37:58.319
<v Speaker 1>we really want to get your flowers. Because I'm gonna

0:37:58.320 --> 0:37:59.800
<v Speaker 1>be honest with you. There's only two people that I

0:38:00.000 --> 0:38:03.840
<v Speaker 1>actually seen their career, like from the very almost beginning

0:38:04.640 --> 0:38:07.640
<v Speaker 1>to to to to where they blossomed to and that's

0:38:07.719 --> 0:38:10.400
<v Speaker 1>you and Fabulous. You know, I got to see you've developed.

0:38:10.400 --> 0:38:11.719
<v Speaker 1>I got to see you, girl. I gotta see you

0:38:12.040 --> 0:38:15.080
<v Speaker 1>almost like be a shy comedian. Like when we walk

0:38:15.120 --> 0:38:17.640
<v Speaker 1>to the set of Paper Soldiers. I remember it was

0:38:17.719 --> 0:38:22.520
<v Speaker 1>like me, you, Beanie seagull Um, Dame Dash, Smoky Suarez,

0:38:22.800 --> 0:38:24.560
<v Speaker 1>and I remember it was Smoky who kind of like

0:38:24.640 --> 0:38:26.879
<v Speaker 1>broke the tension. He was like he was like, damn,

0:38:26.960 --> 0:38:29.560
<v Speaker 1>everyone over here so so serious. And then I remember

0:38:30.080 --> 0:38:31.920
<v Speaker 1>the process of you, and remember I threw the gun

0:38:32.000 --> 0:38:38.160
<v Speaker 1>at you and then and for for you to go

0:38:38.280 --> 0:38:41.960
<v Speaker 1>from that from from there to me watching your new

0:38:42.000 --> 0:38:45.320
<v Speaker 1>movie the other day. I can't lie. I was so like,

0:38:45.480 --> 0:38:48.000
<v Speaker 1>I'm like, that's my nigga, let me in front of you.

0:38:48.160 --> 0:38:55.480
<v Speaker 1>But I'm like, let me, like I claim you, let

0:38:55.560 --> 0:38:58.640
<v Speaker 1>me give Nori like like he's only he's giving you

0:38:58.880 --> 0:39:01.840
<v Speaker 1>the breakdown of it in peace. Right. You gotta remember

0:39:02.239 --> 0:39:06.760
<v Speaker 1>at that time, we're we're about to do paper Soldiers.

0:39:06.840 --> 0:39:08.359
<v Speaker 1>For those people watching this that don't know what paper

0:39:08.400 --> 0:39:11.840
<v Speaker 1>showers is, please educate yourself. It's a hood classic. Shots

0:39:11.840 --> 0:39:14.880
<v Speaker 1>out to Dame Dads Rocker Fellow at the time for

0:39:15.320 --> 0:39:19.640
<v Speaker 1>having the idea to do this story. And Dame Dame

0:39:19.680 --> 0:39:26.000
<v Speaker 1>saw me before Dame saw me performed, and uh, fuck it,

0:39:26.080 --> 0:39:35.719
<v Speaker 1>I'm gonna saying, let me talk. So Dame saw me

0:39:35.800 --> 0:39:38.799
<v Speaker 1>performing Carolines, right, um, I have to see me before

0:39:38.920 --> 0:39:42.000
<v Speaker 1>Caroline's Dame. Go yo, man, you're funny and ship I'm

0:39:42.000 --> 0:39:44.120
<v Speaker 1>gonna put you in the movie. I've never heard that.

0:39:44.239 --> 0:39:47.560
<v Speaker 1>I don't know what that means. I'm just whatever that

0:39:47.719 --> 0:39:49.400
<v Speaker 1>is what it is. Give me a number. You are

0:39:49.440 --> 0:39:53.200
<v Speaker 1>you coming to the office, all right? Cool? Give him

0:39:53.200 --> 0:39:56.640
<v Speaker 1>a number? That's somebody that hits me. Later on, Dame,

0:39:56.760 --> 0:40:00.920
<v Speaker 1>want you to come to the office. Damn. All right,

0:40:01.000 --> 0:40:06.239
<v Speaker 1>well we're where's the office. Here's the address. Come to office.

0:40:06.280 --> 0:40:08.200
<v Speaker 1>He wants to meet you. Remember that's when they were

0:40:08.200 --> 0:40:10.880
<v Speaker 1>in a big building. All right, fuck, do you remember.

0:40:10.920 --> 0:40:13.560
<v Speaker 1>I'm I'm the kid from Philadelphia. I'm in New York

0:40:13.640 --> 0:40:15.719
<v Speaker 1>every day. They don't know. I'm getting to New York

0:40:15.960 --> 0:40:19.440
<v Speaker 1>by Greyhound. I'm getting there by train or Robinson to

0:40:19.520 --> 0:40:22.320
<v Speaker 1>myself for in the car. But this day he told me,

0:40:22.320 --> 0:40:24.439
<v Speaker 1>I gotta be there. I gotta meet with him at three.

0:40:24.560 --> 0:40:26.319
<v Speaker 1>I gotta get there. I come in there. He said,

0:40:26.320 --> 0:40:27.560
<v Speaker 1>you know we're gonna do the movie. I just wanted

0:40:27.600 --> 0:40:30.520
<v Speaker 1>to meet. Uh, this will be funny and ship. Here's

0:40:30.640 --> 0:40:33.719
<v Speaker 1>here's what I'm thinking. He's just just talking. But no,

0:40:34.000 --> 0:40:39.319
<v Speaker 1>just talking. He actually went and put Charlie Murphy, Uh,

0:40:40.560 --> 0:40:43.360
<v Speaker 1>rest in peace, Charlie Murphy. Charlie Murphy, I'm telling you

0:40:43.440 --> 0:40:45.120
<v Speaker 1>it was a funny. Charlie Murpher attached this as well.

0:40:45.360 --> 0:40:52.240
<v Speaker 1>Charlie Murphy, Um Smokey and the comedian compone campone Smoky

0:40:52.320 --> 0:40:55.000
<v Speaker 1>myself did. But Dame, it's like Charlie going on, help

0:40:55.040 --> 0:40:58.480
<v Speaker 1>write it yet Black who's with Rocketfeller was a part

0:40:58.560 --> 0:40:59.920
<v Speaker 1>of it, and they are these other people in new

0:41:00.080 --> 0:41:02.719
<v Speaker 1>story and he's like, y'all go, y'all go figure it out,

0:41:02.760 --> 0:41:04.320
<v Speaker 1>but we gotta get the script where it's supposed to.

0:41:04.600 --> 0:41:08.280
<v Speaker 1>Shaka was a part of helping us get there. Charlie

0:41:08.320 --> 0:41:10.000
<v Speaker 1>Murphy when he gets into it, Charlie Murphy is like,

0:41:10.040 --> 0:41:12.080
<v Speaker 1>y'all gotta come over my house on the way we

0:41:12.120 --> 0:41:13.680
<v Speaker 1>can write this, So you'll gotta come over my house.

0:41:13.719 --> 0:41:17.400
<v Speaker 1>So Charlie, this, this is the This is the best

0:41:17.760 --> 0:41:23.280
<v Speaker 1>Charlie Murphy moment of my life. Charlie Murphys. Charlie Murphy

0:41:23.280 --> 0:41:25.399
<v Speaker 1>invites us over his house. We're supposed to be writing

0:41:25.400 --> 0:41:28.160
<v Speaker 1>paper Soldiers, right, We're like going through the script. Charlie's

0:41:28.160 --> 0:41:32.080
<v Speaker 1>got all these like uh like mannequins downstairs, like with

0:41:32.239 --> 0:41:36.040
<v Speaker 1>martial arts, like like you know the you know, the

0:41:36.120 --> 0:41:41.440
<v Speaker 1>rubber like the rubber men, but they stand on So

0:41:41.520 --> 0:41:43.000
<v Speaker 1>he's got like a bunch of them in basiments. So

0:41:43.040 --> 0:41:44.440
<v Speaker 1>we down. He was like, what the fun Charlie be

0:41:44.520 --> 0:41:49.279
<v Speaker 1>doing with these guys. So Charlie's like, yeah, I'll do.

0:41:51.200 --> 0:41:53.600
<v Speaker 1>We're like, oh, ship, like we never do you did

0:41:53.680 --> 0:41:58.000
<v Speaker 1>martial arts, So Smoky Smokey challenge Charlie. He's like, get

0:41:58.000 --> 0:41:59.759
<v Speaker 1>the funk out of here. You don't do the martial arts,

0:42:00.080 --> 0:42:04.399
<v Speaker 1>he said, motherfucker, what you know I do? So try said,

0:42:04.400 --> 0:42:09.520
<v Speaker 1>you want to see a tape? Smoking says, yes, I

0:42:09.800 --> 0:42:13.360
<v Speaker 1>keep in mind. I'm still I'm like, we're in Charlie

0:42:13.440 --> 0:42:16.360
<v Speaker 1>Murphy's house, we're in New Jersey. Uh. He puts in

0:42:16.480 --> 0:42:18.839
<v Speaker 1>the tape. He's going to show you all something right now.

0:42:19.080 --> 0:42:21.600
<v Speaker 1>He pressed play, and we pressed play. This dude kick

0:42:21.719 --> 0:42:24.759
<v Speaker 1>Charlie in the fucking stomach so hard. They're trying to

0:42:24.840 --> 0:42:35.160
<v Speaker 1>hold up weight. No, no, no, you remember vhat you

0:42:35.200 --> 0:42:47.719
<v Speaker 1>can still see. We're just sitting there. So Smoking was

0:42:47.760 --> 0:42:51.120
<v Speaker 1>like he's kicking your just trying to know I'm not

0:42:51.160 --> 0:42:53.520
<v Speaker 1>that everyone don't want you to see, trying to like

0:42:53.640 --> 0:42:55.920
<v Speaker 1>fast forward to this place where he like where he like,

0:42:56.120 --> 0:42:57.680
<v Speaker 1>you know, do a move when this guy and slim

0:42:57.800 --> 0:42:59.879
<v Speaker 1>him and he like, see I do do my shop.

0:43:00.880 --> 0:43:03.279
<v Speaker 1>So we're like quiet and Charlie set the tone from there.

0:43:03.320 --> 0:43:05.359
<v Speaker 1>He's like, look, your n is gonna come to people,

0:43:05.400 --> 0:43:08.160
<v Speaker 1>gonna do the work. We're gonna write this ship you're

0:43:08.239 --> 0:43:10.800
<v Speaker 1>handing in and this motherfucker's gonna make this movie. What

0:43:10.920 --> 0:43:14.160
<v Speaker 1>you got to do the work. I remember Charlie saying,

0:43:14.400 --> 0:43:17.000
<v Speaker 1>don't come up and waste my fucking time if you're

0:43:17.160 --> 0:43:20.080
<v Speaker 1>gonna work. So he was like, all right, what does

0:43:20.120 --> 0:43:24.080
<v Speaker 1>that mean? Like what he wanted to do. He was like,

0:43:24.160 --> 0:43:27.080
<v Speaker 1>y'all gonna come up here. Charlie made us come to

0:43:27.239 --> 0:43:31.080
<v Speaker 1>his house for like four days. Out there we over

0:43:31.120 --> 0:43:34.359
<v Speaker 1>the course of like over the course of like a month,

0:43:34.400 --> 0:43:37.080
<v Speaker 1>and we will take like all of it. Work on

0:43:37.160 --> 0:43:39.640
<v Speaker 1>the script, right, just help them the voices or whatever

0:43:39.719 --> 0:43:41.719
<v Speaker 1>they gave it. And then Dame was like, we're gonna

0:43:41.760 --> 0:43:44.359
<v Speaker 1>make the movie. Here's the craziest thing. When we made

0:43:44.440 --> 0:43:46.480
<v Speaker 1>the movie. The first day. I remember being there, but

0:43:46.560 --> 0:43:48.720
<v Speaker 1>you still in the process that you're making a movie.

0:43:49.160 --> 0:43:51.920
<v Speaker 1>And Dave got all of rappers coming in, and these

0:43:51.960 --> 0:43:53.759
<v Speaker 1>are people I'm looking at, like, oh ship, I'm so

0:43:54.000 --> 0:43:58.400
<v Speaker 1>starstruck by the moment. So when Nora comes in, Nora's

0:43:58.400 --> 0:44:01.560
<v Speaker 1>talking about me being like the shell guy. I'm fucking

0:44:01.960 --> 0:44:06.480
<v Speaker 1>twenty two, and I can't process I'm around. What the

0:44:06.520 --> 0:44:10.120
<v Speaker 1>funk I'm around? So I remember Dame going one day

0:44:10.120 --> 0:44:11.400
<v Speaker 1>He's like, yo, man, you gotta be funny. Like, do

0:44:11.520 --> 0:44:14.920
<v Speaker 1>the ship like you was doing on stage, because you

0:44:14.960 --> 0:44:16.800
<v Speaker 1>want to do my set, you want me to do it,

0:44:17.719 --> 0:44:22.600
<v Speaker 1>Just do that, do that ship as we say, all right,

0:44:22.760 --> 0:44:25.720
<v Speaker 1>and and I remember in the scenes they just started

0:44:25.760 --> 0:44:28.600
<v Speaker 1>letting me go. Remember I started getting more comfortable and comfortable.

0:44:29.000 --> 0:44:31.560
<v Speaker 1>And then the movie ended up becoming a big improv fess.

0:44:31.920 --> 0:44:34.240
<v Speaker 1>Everybody was coming bringing their own ship to the table.

0:44:34.400 --> 0:44:37.960
<v Speaker 1>So Nori and my scenes got dope as fuck because

0:44:38.080 --> 0:44:40.560
<v Speaker 1>it was like Nori was like, what who the nigga

0:44:41.280 --> 0:44:43.279
<v Speaker 1>take this guy? It was like we were all doing

0:44:43.440 --> 0:44:45.880
<v Speaker 1>crazy ship. They ended up making a movie and the

0:44:45.960 --> 0:44:49.320
<v Speaker 1>movie fucking becomes a Hood classic. That movie got me

0:44:49.480 --> 0:44:52.160
<v Speaker 1>my first It gave me my first tape that could

0:44:52.160 --> 0:44:55.239
<v Speaker 1>be my real I only got my manager because of

0:44:55.360 --> 0:45:00.080
<v Speaker 1>Paper Soldiers. So so so I per Soldiers do so

0:45:00.280 --> 0:45:02.840
<v Speaker 1>playing Coming after that Paper Soldiers at the Paper Soldiers,

0:45:02.880 --> 0:45:05.200
<v Speaker 1>the Big House came. The Big House was my show

0:45:05.280 --> 0:45:09.680
<v Speaker 1>on ABC. Um it wasn't the one, no no, no,

0:45:09.760 --> 0:45:15.359
<v Speaker 1>no no no, this was no that that's the Big House,

0:45:15.920 --> 0:45:18.560
<v Speaker 1>the Big Houses. This is my big break. This was

0:45:18.600 --> 0:45:21.160
<v Speaker 1>supposed to be the thing to launched me. Um, this

0:45:21.320 --> 0:45:23.239
<v Speaker 1>is when t G I have Thank God, thank good,

0:45:23.280 --> 0:45:27.200
<v Speaker 1>This is Friday. I had a show with Keith David Face.

0:45:27.280 --> 0:45:31.800
<v Speaker 1>I love um wreatha fun. I'm dropping the names Aaron Grady,

0:45:32.040 --> 0:45:35.400
<v Speaker 1>Vette Brown. Um, you know this was my show. I

0:45:35.440 --> 0:45:39.640
<v Speaker 1>was starting the show sitcom, starting the show, righting the show.

0:45:40.000 --> 0:45:42.440
<v Speaker 1>This is it. I made it. Oh my god, I'm

0:45:42.440 --> 0:45:44.920
<v Speaker 1>about to be rich, mom, I made it. This is it.

0:45:45.040 --> 0:45:48.200
<v Speaker 1>They picked me up. I mean, this is this is it?

0:45:48.800 --> 0:45:51.319
<v Speaker 1>The picked me up? Fucking a this is I mean,

0:45:51.360 --> 0:45:54.080
<v Speaker 1>I'm here, this is the biggest thing ever. Um, we

0:45:54.200 --> 0:45:56.760
<v Speaker 1>filmed the show. I think life is about to change.

0:45:57.440 --> 0:45:59.120
<v Speaker 1>And the show gets canceled before it gets on the

0:45:59.120 --> 0:46:03.400
<v Speaker 1>air of even makes air. Uh, this is ABC. This

0:46:03.480 --> 0:46:06.759
<v Speaker 1>is where I believe no, no, no, when not saying

0:46:09.880 --> 0:46:11.440
<v Speaker 1>because you said that, it's wa say. ABC is a

0:46:11.480 --> 0:46:18.279
<v Speaker 1>valuable party, amazing business. Uh, that's the media outlet. It's

0:46:18.320 --> 0:46:24.120
<v Speaker 1>the very valuable don't connected tissue. Okay. Um, the show

0:46:24.200 --> 0:46:27.120
<v Speaker 1>got canceled before it went on and it was crushing,

0:46:27.200 --> 0:46:29.239
<v Speaker 1>like this was like it was like the most fun

0:46:29.360 --> 0:46:30.880
<v Speaker 1>up should ever because this is the thing was supposed

0:46:30.880 --> 0:46:33.520
<v Speaker 1>to launch me. And after they got cancer, I was like,

0:46:33.520 --> 0:46:35.320
<v Speaker 1>I don't know what I'm gonna do, what's next? And

0:46:35.840 --> 0:46:38.480
<v Speaker 1>they decided to pick it up like a year later,

0:46:38.640 --> 0:46:41.239
<v Speaker 1>and they aired six episodes and canceled again. I'm like,

0:46:41.239 --> 0:46:44.000
<v Speaker 1>all right, well it's gonna be. Was gonna be. Then

0:46:44.040 --> 0:46:47.120
<v Speaker 1>Soul Plant came, Fuck it, it's on. I got a movie.

0:46:47.200 --> 0:46:49.160
<v Speaker 1>It's about to be my big fucking break. It's on.

0:46:49.640 --> 0:46:51.480
<v Speaker 1>This movie is gonna be the biggest movie ever. And

0:46:51.520 --> 0:46:54.080
<v Speaker 1>then they bootleg the funk out of Soul Plant. Uh

0:46:55.360 --> 0:46:59.040
<v Speaker 1>well everything everything was supposed to be bootleg was like

0:46:59.200 --> 0:47:07.640
<v Speaker 1>like that was big, Like that different. That's two different tapes.

0:47:08.160 --> 0:47:13.920
<v Speaker 1>You're talk about two different tapes. So I don't even

0:47:13.920 --> 0:47:23.000
<v Speaker 1>want to put those two together. I just great thing

0:47:23.040 --> 0:47:26.240
<v Speaker 1>about the crazy thing my soul playing is, so playing

0:47:26.280 --> 0:47:29.040
<v Speaker 1>game Boulet ended up being the best thing for me

0:47:29.120 --> 0:47:31.840
<v Speaker 1>in my stand up comedy career because between that and

0:47:31.880 --> 0:47:34.839
<v Speaker 1>Paper Soldiers, people said, oh, I know that guy. Oh

0:47:35.000 --> 0:47:37.520
<v Speaker 1>that's the guy from SO. When I started doing comedy clubs,

0:47:37.560 --> 0:47:38.839
<v Speaker 1>That's how I got a fan base, that's how people

0:47:38.840 --> 0:47:40.960
<v Speaker 1>start coming to them. Yeah, they said, oh my god,

0:47:41.000 --> 0:47:44.160
<v Speaker 1>that's the guy from So. I only got the comedy

0:47:44.200 --> 0:47:46.239
<v Speaker 1>clubs in the headlining gigs because of soul playing the

0:47:46.280 --> 0:47:49.320
<v Speaker 1>Paper Soldiers. But to be honest, everything that was supposed

0:47:49.320 --> 0:47:52.560
<v Speaker 1>to work in the beginning of my career, um My sitcom,

0:47:53.000 --> 0:47:56.200
<v Speaker 1>my big first movie, Paper Soldiers. None of those things

0:47:56.280 --> 0:47:59.680
<v Speaker 1>really took off to where the business level of successful

0:47:59.719 --> 0:48:02.840
<v Speaker 1>idea and the fire as successful, the hood the streets

0:48:02.880 --> 0:48:06.480
<v Speaker 1>grabbed onto it and under the ground was like, Okay,

0:48:06.520 --> 0:48:08.120
<v Speaker 1>this is dope. And I was just able to go

0:48:08.320 --> 0:48:11.240
<v Speaker 1>and find work based off of that and that alone.

0:48:11.520 --> 0:48:14.400
<v Speaker 1>But my real big break didn't come to break. Do

0:48:14.480 --> 0:48:17.960
<v Speaker 1>you think in your opinion, Paper Soldiers is my biggest break?

0:48:18.000 --> 0:48:21.279
<v Speaker 1>In my opinion, that's the found that the brick, that's

0:48:21.280 --> 0:48:24.200
<v Speaker 1>the foundation. What was the brick for the roof? So

0:48:24.360 --> 0:48:25.759
<v Speaker 1>play shows that I can be the lead of a

0:48:25.840 --> 0:48:28.239
<v Speaker 1>movie even though the movie that yes, even though it

0:48:28.239 --> 0:48:30.000
<v Speaker 1>didn't work the show, I could be the lead the

0:48:30.120 --> 0:48:33.200
<v Speaker 1>big the big break. Well yeah, I'm saying, but the

0:48:33.360 --> 0:48:39.480
<v Speaker 1>studios to the movie, that's the business. I'm gonna say.

0:48:39.840 --> 0:48:45.239
<v Speaker 1>Photo Virgin Podio version, you're talking big words. Pudio Virgion

0:48:45.320 --> 0:48:50.720
<v Speaker 1>was huge because that it wasn't written and Judd Apatow

0:48:50.960 --> 0:48:53.960
<v Speaker 1>is uh. He was the producer director that got me

0:48:54.040 --> 0:48:56.560
<v Speaker 1>in Judd in a real good space. But after that

0:48:56.760 --> 0:49:01.120
<v Speaker 1>that the conversation attached to my name changed and little

0:49:01.160 --> 0:49:05.640
<v Speaker 1>movie started to hack Jamaica. Yeah what for? That's that's

0:49:05.680 --> 0:49:10.080
<v Speaker 1>what I had on that day. I didn't didn't have. Yeah,

0:49:10.160 --> 0:49:14.000
<v Speaker 1>that did not have. I showed up that day and

0:49:14.960 --> 0:49:16.400
<v Speaker 1>I was like, yeah, just go ahead, let's just do

0:49:16.520 --> 0:49:18.719
<v Speaker 1>something to figure it out. I swore you was gonna

0:49:18.719 --> 0:49:21.800
<v Speaker 1>be like you. Think like a Man was the biggest,

0:49:22.280 --> 0:49:24.720
<v Speaker 1>because Thinking like a Man was. After all this stuff happened,

0:49:25.239 --> 0:49:28.480
<v Speaker 1>Will Packer came. Will Packer found me. This is when

0:49:28.480 --> 0:49:30.160
<v Speaker 1>I was doing stand up. This when I was torn

0:49:30.760 --> 0:49:32.600
<v Speaker 1>and Think like a Man was the one where he

0:49:32.680 --> 0:49:35.520
<v Speaker 1>was like, we want you to do this movie. It's

0:49:35.520 --> 0:49:37.239
<v Speaker 1>a big cast to run you but it senters around

0:49:37.280 --> 0:49:39.480
<v Speaker 1>his character and they set me up to win in

0:49:39.560 --> 0:49:43.360
<v Speaker 1>our cast. I mean, god damn man. That's that's until

0:49:43.440 --> 0:49:45.960
<v Speaker 1>this day. That's probably the most amazing cast I've ever

0:49:46.040 --> 0:49:48.719
<v Speaker 1>been a part of. Just from a friend standpoint, uh

0:49:48.960 --> 0:49:55.160
<v Speaker 1>fund standpoint, this is Gabrielle Union, Regina Hall, think like Anthony,

0:49:56.000 --> 0:50:03.520
<v Speaker 1>Steve Harves, Book, Um, Terrence j Mike Elie, Jeriffrar Gary Owens.

0:50:05.719 --> 0:50:09.600
<v Speaker 1>We filmed the first one in I want to say

0:50:10.040 --> 0:50:14.480
<v Speaker 1>in Yeah, the first one was the person was Los Angeles. Um,

0:50:14.719 --> 0:50:16.720
<v Speaker 1>but they set me up to win like that cast.

0:50:16.960 --> 0:50:19.799
<v Speaker 1>That cast was so dope and Magan good, I don't

0:50:19.800 --> 0:50:22.440
<v Speaker 1>want to leave Megan out, um, and just allowing me

0:50:22.600 --> 0:50:24.759
<v Speaker 1>to to hit those punch lines, that hit those balls

0:50:24.760 --> 0:50:27.319
<v Speaker 1>out the park. And when that movie came out, then

0:50:27.440 --> 0:50:31.759
<v Speaker 1>that's when that's when Hollywood and the other producers really

0:50:31.760 --> 0:50:33.399
<v Speaker 1>start going, all right, that's going to be the guy.

0:50:34.000 --> 0:50:35.839
<v Speaker 1>So if you think about it, to think like a man,

0:50:36.400 --> 0:50:38.320
<v Speaker 1>that's when they started to really roll out right along,

0:50:38.840 --> 0:50:42.640
<v Speaker 1>right along to the process you're describing almost sounds like

0:50:43.280 --> 0:50:46.440
<v Speaker 1>the standard process. But in the movie, for him, like

0:50:46.560 --> 0:50:49.799
<v Speaker 1>starting from a certain level, I'm gonna skip to work,

0:50:50.280 --> 0:50:52.319
<v Speaker 1>You're never gonna skip to work. I would say. It's, um,

0:50:52.960 --> 0:50:56.000
<v Speaker 1>I want to address a room a real quick get you.

0:50:57.640 --> 0:51:01.040
<v Speaker 1>They always say there's only one black man dominate Hollywood

0:51:01.160 --> 0:51:06.920
<v Speaker 1>at at a time. You believe in that, Um, I

0:51:07.000 --> 0:51:13.840
<v Speaker 1>think that that narrative has grown because we we doubled

0:51:13.880 --> 0:51:17.600
<v Speaker 1>down on at the times vote like from a vocal standpoint,

0:51:17.800 --> 0:51:20.319
<v Speaker 1>right like when what we say it we repeated right

0:51:20.440 --> 0:51:27.200
<v Speaker 1>like that. That means that your eyes are close because

0:51:28.040 --> 0:51:30.680
<v Speaker 1>just because the things that you see in front of

0:51:30.680 --> 0:51:33.480
<v Speaker 1>the camera are vivid to you, it doesn't mean that's

0:51:33.520 --> 0:51:36.160
<v Speaker 1>the only thing going on. Um, you know, I mean

0:51:36.840 --> 0:51:40.560
<v Speaker 1>I was working with Will Packer, Tim's Story, myself and

0:51:40.680 --> 0:51:43.279
<v Speaker 1>Ice Cue. That was four black men, and we were

0:51:43.840 --> 0:51:48.840
<v Speaker 1>we were operating and managing uh seventy million dollar budget.

0:51:48.840 --> 0:51:50.640
<v Speaker 1>I think for right along to right along, one was

0:51:50.719 --> 0:51:54.520
<v Speaker 1>probably like, but you're looking at four black men that

0:51:54.600 --> 0:51:58.680
<v Speaker 1>sat at the top of said project, right, um my

0:51:58.800 --> 0:52:02.480
<v Speaker 1>brother Will Packer, who was producing and doing tons of

0:52:02.520 --> 0:52:07.240
<v Speaker 1>ship at the time. Right, you can. You can ignore

0:52:07.239 --> 0:52:09.400
<v Speaker 1>it if you want to, but he was doing phenomenal

0:52:09.440 --> 0:52:11.440
<v Speaker 1>things in the business. You can. You can go to

0:52:12.160 --> 0:52:15.600
<v Speaker 1>Chadwick Boseman's career early on. You can go to Interess

0:52:15.960 --> 0:52:19.440
<v Speaker 1>early on. You can go to um you know, I'm

0:52:19.480 --> 0:52:21.560
<v Speaker 1>talking about f Gary Gray. You can go. There's so

0:52:21.680 --> 0:52:25.120
<v Speaker 1>many people at the same time that we're doing amazing things.

0:52:25.200 --> 0:52:29.800
<v Speaker 1>Don Cheeto, Chris Rockingell. Granted, does that mean it's enough. No,

0:52:30.040 --> 0:52:32.160
<v Speaker 1>doesn't mean that it's enough, doesn't mean that it's equal.

0:52:32.560 --> 0:52:39.239
<v Speaker 1>But there were multiple people of color breaking ground in

0:52:39.400 --> 0:52:42.800
<v Speaker 1>different ways. And you know, if we're all trying to

0:52:42.880 --> 0:52:46.800
<v Speaker 1>get to the place of we do amazing work, we

0:52:46.880 --> 0:52:50.000
<v Speaker 1>do quality work, we should not only be treated the

0:52:50.080 --> 0:52:52.839
<v Speaker 1>same but we should be embraced the same, right, that's

0:52:52.840 --> 0:52:55.920
<v Speaker 1>the conversation. Well, you can't. You can't close your eyes

0:52:57.000 --> 0:52:59.839
<v Speaker 1>on obvious key moments where you should embrace, right. I mean,

0:53:00.920 --> 0:53:02.920
<v Speaker 1>that's that's something that I've seen happen a lot by

0:53:03.000 --> 0:53:06.040
<v Speaker 1>being a guy who's been breaking the ground for quite

0:53:06.080 --> 0:53:09.399
<v Speaker 1>some time. I mean, you're talking about international comedies. There

0:53:09.520 --> 0:53:12.600
<v Speaker 1>was a conversation attached to there's no way to commedy

0:53:12.640 --> 0:53:15.840
<v Speaker 1>travels internationally, especially with a black league. Well I didn't.

0:53:15.960 --> 0:53:18.640
<v Speaker 1>I didn't double down on it. I just forced studios

0:53:18.719 --> 0:53:23.799
<v Speaker 1>to allow me the opportunity. And my movies international they're global, right,

0:53:23.920 --> 0:53:26.840
<v Speaker 1>Like from a box office standpoint they were from a

0:53:26.960 --> 0:53:30.440
<v Speaker 1>streaming standpoint they are. I had got to the globe.

0:53:30.480 --> 0:53:32.560
<v Speaker 1>I got to the world when giving the opportunity and

0:53:32.719 --> 0:53:34.920
<v Speaker 1>and doing that when you pull other people there with you.

0:53:35.680 --> 0:53:38.759
<v Speaker 1>After is my director and live Packer comes on as

0:53:38.760 --> 0:53:40.719
<v Speaker 1>a producer, said thing like, you do it in a

0:53:40.800 --> 0:53:45.840
<v Speaker 1>way to where you're constantly embracing and uplifting and navigating

0:53:45.840 --> 0:53:49.680
<v Speaker 1>in a way to where you're changing the conversation that

0:53:49.920 --> 0:53:52.960
<v Speaker 1>you're just getting tired of hearing. So the idea of

0:53:53.120 --> 0:53:55.160
<v Speaker 1>it can only be one of the time. That's like saying,

0:53:55.400 --> 0:53:57.960
<v Speaker 1>that's like saying you can only be one headliner or

0:53:58.520 --> 0:54:02.160
<v Speaker 1>one fucking one great comic touring at the same time.

0:54:02.320 --> 0:54:05.160
<v Speaker 1>Right now, Chris David, myself on tour at the same time,

0:54:06.000 --> 0:54:08.640
<v Speaker 1>all our shows are sold out, all of them sold out.

0:54:08.640 --> 0:54:12.080
<v Speaker 1>Doesn't it doesn't have to be one, right, there's enough

0:54:12.120 --> 0:54:14.560
<v Speaker 1>out there for everybody. But there's and I talked about

0:54:14.560 --> 0:54:16.879
<v Speaker 1>it on another podcast that I did. You know, there's

0:54:16.920 --> 0:54:19.200
<v Speaker 1>this thing within our culture of just we always want

0:54:19.200 --> 0:54:20.719
<v Speaker 1>to act as if it can be only one, even

0:54:20.800 --> 0:54:23.040
<v Speaker 1>in the even in the NBA. If you think about it, right,

0:54:23.120 --> 0:54:26.319
<v Speaker 1>it's who's the greatest great that that conversation should happen,

0:54:26.840 --> 0:54:28.879
<v Speaker 1>you should. It's a it's a great it's a great

0:54:28.960 --> 0:54:32.080
<v Speaker 1>competitive thing to speak of and talk about. But if

0:54:32.160 --> 0:54:34.600
<v Speaker 1>you really want to double down on it, well, the

0:54:34.719 --> 0:54:37.400
<v Speaker 1>people that are in that conversation are all fucking great.

0:54:38.480 --> 0:54:43.719
<v Speaker 1>Let's not disrespect one by putting the great or the

0:54:43.880 --> 0:54:47.440
<v Speaker 1>goat thing just on one. Like, No, it's kind of

0:54:47.960 --> 0:54:49.719
<v Speaker 1>it's kind of multilayer when you get down to it

0:54:49.719 --> 0:54:52.520
<v Speaker 1>and you start to break down these resumes of everybody underneath.

0:54:52.920 --> 0:55:00.160
<v Speaker 1>So from a from a a black man standpoint, the

0:55:00.280 --> 0:55:05.560
<v Speaker 1>business has changed significantly. UM the opportunities that you see

0:55:05.600 --> 0:55:10.080
<v Speaker 1>that are being given out. UM two to the world

0:55:10.120 --> 0:55:13.879
<v Speaker 1>of multicultural right, like there's a significant diversity like UM

0:55:14.560 --> 0:55:18.120
<v Speaker 1>visual now in Hollywood, like it's it's a priority. People

0:55:18.120 --> 0:55:19.520
<v Speaker 1>are working on it and they know that they have

0:55:19.680 --> 0:55:23.000
<v Speaker 1>to check that box. Granted, we're still working towards getting

0:55:23.000 --> 0:55:25.399
<v Speaker 1>into a space where it's equal, but there has been

0:55:25.440 --> 0:55:28.759
<v Speaker 1>some growth, there has been some change. So UM, as

0:55:28.840 --> 0:55:31.000
<v Speaker 1>a guy that's seeing it, as a guy whose company

0:55:31.080 --> 0:55:34.360
<v Speaker 1>represents it, I'm a part of the conversation of positive

0:55:34.680 --> 0:55:37.160
<v Speaker 1>on the standpoint, and that's because UM, I know that

0:55:37.239 --> 0:55:41.560
<v Speaker 1>I'm doing my part and creating opportunities and being uh

0:55:42.480 --> 0:55:45.120
<v Speaker 1>being an example. I know that Tyliperia is I know.

0:55:45.880 --> 0:55:47.960
<v Speaker 1>I know that, Like there's so many people that have

0:55:48.200 --> 0:55:51.600
<v Speaker 1>been but we choose to ignore at our conveyance. Tyliperia

0:55:51.600 --> 0:55:55.040
<v Speaker 1>has been fucking putting people of color and starring roles

0:55:55.080 --> 0:55:57.520
<v Speaker 1>in positions for how long now and been killing it too.

0:55:57.520 --> 0:55:59.800
<v Speaker 1>Because I it took me a long time to realize

0:55:59.840 --> 0:56:07.200
<v Speaker 1>that a man, man, what are you talking about? People?

0:56:07.520 --> 0:56:13.359
<v Speaker 1>I wondered why I didn't seen media accept awards. That's

0:56:13.400 --> 0:56:15.239
<v Speaker 1>how good he did it. T P does not get

0:56:15.360 --> 0:56:20.880
<v Speaker 1>enough credit. T p TP has driven the economy, uh

0:56:22.080 --> 0:56:25.440
<v Speaker 1>the students in in the world of entertainment, in Hollywood,

0:56:25.480 --> 0:56:28.799
<v Speaker 1>studio perspective in Atlanta for so long. He's solely responsible

0:56:29.200 --> 0:56:33.520
<v Speaker 1>for black jobs. When you talk about transportation, catering, when

0:56:33.560 --> 0:56:36.840
<v Speaker 1>you talk about crew, when you talk about gaffers, I

0:56:36.880 --> 0:56:40.640
<v Speaker 1>mean that the whole economy goes around creating. Has made

0:56:40.680 --> 0:56:47.239
<v Speaker 1>it a priority to embrace an uplift. But I'm thinking

0:56:47.280 --> 0:56:53.680
<v Speaker 1>the toilet paper when you because he has ship people

0:56:56.600 --> 0:57:01.319
<v Speaker 1>is the real deal. He's a real deal. But let's

0:57:01.320 --> 0:57:03.200
<v Speaker 1>give him his flowers, man, because you know, we don't

0:57:03.239 --> 0:57:04.960
<v Speaker 1>know if you know, but our show was about giving

0:57:04.960 --> 0:57:08.160
<v Speaker 1>people they flowers. Now now everyone wants to give people

0:57:08.160 --> 0:57:10.520
<v Speaker 1>they flower but we started this. We invented this because

0:57:10.560 --> 0:57:12.320
<v Speaker 1>you know what, it'll take nothing away from me to

0:57:12.400 --> 0:57:15.120
<v Speaker 1>give somebody else that they pressed. And guess what it

0:57:15.280 --> 0:57:18.200
<v Speaker 1>actually when it comes to you, When it comes to you,

0:57:18.320 --> 0:57:21.240
<v Speaker 1>can it adds don't want to me because you are

0:57:21.400 --> 0:57:31.800
<v Speaker 1>those flower hands down, one of the funniest men arguments

0:57:31.800 --> 0:57:34.160
<v Speaker 1>about you. Everything. I don't care, I don't line, I

0:57:34.200 --> 0:57:35.480
<v Speaker 1>didn't like you. I didn't like when you went to

0:57:35.480 --> 0:57:37.920
<v Speaker 1>the clubhouse and you went on and you was like,

0:57:38.680 --> 0:57:41.600
<v Speaker 1>it was it was a clubhouse. Um yeah, I didn't

0:57:41.600 --> 0:57:50.360
<v Speaker 1>like this, Um it was a club fuck it. There

0:57:50.440 --> 0:57:52.480
<v Speaker 1>was a clubhouse, right, this is when clubhouse. I'm not

0:57:52.760 --> 0:57:56.240
<v Speaker 1>no normal clubhouse, but there's a clubhouse. CUA. It's when

0:57:56.280 --> 0:57:58.920
<v Speaker 1>we get in the beginning and the beginning time time.

0:57:58.960 --> 0:58:00.760
<v Speaker 1>We all wanted to just we We didn't want to

0:58:00.800 --> 0:58:03.840
<v Speaker 1>be old, right, so all of us put one of us,

0:58:03.880 --> 0:58:06.360
<v Speaker 1>one of Beijing, and we got we went to glead

0:58:06.440 --> 0:58:10.479
<v Speaker 1>sheet for club I don't have in my mind. So listen,

0:58:10.680 --> 0:58:14.120
<v Speaker 1>I got a hitcutt and everything. So listen, we really

0:58:15.600 --> 0:58:17.760
<v Speaker 1>and it was it was, it was, it was a

0:58:17.920 --> 0:58:21.400
<v Speaker 1>clubhouse whatever. And I was saying, Kevin Hard, it's not funny.

0:58:21.840 --> 0:58:24.840
<v Speaker 1>I so offended because I feel like you're my friend

0:58:25.480 --> 0:58:27.240
<v Speaker 1>and I feel like you are one of the funniest mans.

0:58:27.400 --> 0:58:30.480
<v Speaker 1>And I probably it was just a Hagen room. But

0:58:30.640 --> 0:58:33.400
<v Speaker 1>then that's what I'm getting on. I get a phone

0:58:33.440 --> 0:58:36.320
<v Speaker 1>call and then my voice is just texting me like

0:58:36.360 --> 0:58:38.560
<v Speaker 1>you'll never believe this, and I'm like, what are you

0:58:38.640 --> 0:58:40.480
<v Speaker 1>talking about? I'm aboutly go on there and just wreck

0:58:40.520 --> 0:58:43.040
<v Speaker 1>it for you about my career way it just because

0:58:43.080 --> 0:58:45.000
<v Speaker 1>I'm gonna say some fucked up ship and they're like,

0:58:45.080 --> 0:58:47.920
<v Speaker 1>you never believe it. I believe what Like Kevin's in there,

0:58:48.480 --> 0:58:51.560
<v Speaker 1>I'm gonna hold on, Like hold up, there's no way

0:58:52.200 --> 0:58:55.000
<v Speaker 1>the like Kevin, what then did you go into a

0:58:55.120 --> 0:58:58.560
<v Speaker 1>room you are? Let me give you another shot only

0:59:01.240 --> 0:59:04.280
<v Speaker 1>I'll say this right like you, So you can be

0:59:04.440 --> 0:59:09.160
<v Speaker 1>unbothered for a long time. Right, and even when you're

0:59:09.160 --> 0:59:12.360
<v Speaker 1>I'm bothered. You don't have to get bothered, but you

0:59:12.440 --> 0:59:17.400
<v Speaker 1>can get annoyed and just like and like common sense

0:59:17.520 --> 0:59:21.560
<v Speaker 1>drops right and in this I remember in our group chat,

0:59:21.680 --> 0:59:23.840
<v Speaker 1>we were talking and we were listening to it and

0:59:23.920 --> 0:59:26.520
<v Speaker 1>it's just like you know, you're you're hearing people. And

0:59:26.600 --> 0:59:28.480
<v Speaker 1>by the way, this is the this is the world

0:59:28.520 --> 0:59:31.000
<v Speaker 1>we live in today. You're you're you're hearing some people

0:59:31.600 --> 0:59:34.760
<v Speaker 1>speak with such confidence about things that they have no

0:59:34.880 --> 0:59:38.560
<v Speaker 1>idea about it. Yeah, like you like just talking and

0:59:38.920 --> 0:59:43.280
<v Speaker 1>it's there's so much passion. Every everybody is everybody has

0:59:43.360 --> 0:59:48.560
<v Speaker 1>knowledge without having no experience, no understanding. And in this time,

0:59:49.560 --> 0:59:52.760
<v Speaker 1>I remember we were we were in we were in uh,

0:59:53.560 --> 0:59:55.160
<v Speaker 1>we were chilling. I was like, fuck it, I'm gonna

0:59:55.160 --> 0:59:57.000
<v Speaker 1>get on. I want to get on. How does this

0:59:57.040 --> 1:00:00.040
<v Speaker 1>happen if somebody call you and our group chat a

1:00:00.080 --> 1:00:03.360
<v Speaker 1>coupleys and no, there's nona suit me up. This is

1:00:03.440 --> 1:00:05.880
<v Speaker 1>me on my own. I got if anything, they have

1:00:05.960 --> 1:00:08.440
<v Speaker 1>a complete opposite there that there's don't be a dickhead

1:00:08.480 --> 1:00:12.520
<v Speaker 1>again there too late, I mean like like this is

1:00:12.600 --> 1:00:15.800
<v Speaker 1>one of those things. And I remember it got it

1:00:15.960 --> 1:00:21.240
<v Speaker 1>got debated because I was I was like, um, I

1:00:21.360 --> 1:00:25.400
<v Speaker 1>was like, do you guys understand, like do you understand

1:00:25.600 --> 1:00:28.320
<v Speaker 1>how things change and how people change? You know that

1:00:28.840 --> 1:00:31.680
<v Speaker 1>nothing stays the same. It's up becoming a debate and

1:00:34.040 --> 1:00:35.680
<v Speaker 1>like in the clubhouse thing, and it was like too late,

1:00:35.720 --> 1:00:37.720
<v Speaker 1>Like once I realized I shouldn't be having this concept,

1:00:38.600 --> 1:00:39.960
<v Speaker 1>it's like too late. I mean it now because you

1:00:40.000 --> 1:00:41.959
<v Speaker 1>know the guys that's in that room, they packed bags

1:00:42.000 --> 1:00:44.280
<v Speaker 1>the path mark. I mean like even even if they

1:00:44.400 --> 1:00:47.320
<v Speaker 1>don't like that means nothing to me. I'm not I'm

1:00:47.360 --> 1:00:48.880
<v Speaker 1>never going to take the shots to the people and

1:00:49.200 --> 1:00:51.520
<v Speaker 1>look at you and look at me. I have no

1:00:52.040 --> 1:00:53.960
<v Speaker 1>I have no I have no interest in that. There's

1:00:54.000 --> 1:00:56.800
<v Speaker 1>there's no win for me. And during that it's more

1:00:56.840 --> 1:01:04.520
<v Speaker 1>about it's more about like people sometimes have a hard

1:01:04.600 --> 1:01:09.840
<v Speaker 1>time processing like growth and it's on different tiers, right, Like,

1:01:10.480 --> 1:01:13.640
<v Speaker 1>some friends can't understand why a friend chooses not to

1:01:13.760 --> 1:01:16.280
<v Speaker 1>funk with us when we do certain things. They can't

1:01:16.320 --> 1:01:18.880
<v Speaker 1>understand that that friend made the choice to grow and

1:01:19.000 --> 1:01:21.360
<v Speaker 1>no longer do said thing because that thing isn't good

1:01:21.440 --> 1:01:25.080
<v Speaker 1>for me. Some friends go, you're a bit, you're a pussy,

1:01:25.200 --> 1:01:27.520
<v Speaker 1>and they give you the thing to make you feel

1:01:27.560 --> 1:01:32.520
<v Speaker 1>bad about You're now new right in life or in

1:01:32.600 --> 1:01:35.560
<v Speaker 1>any changes, there's a world of negativity that comes to

1:01:35.600 --> 1:01:38.960
<v Speaker 1>that change sometimes. So what I was trying to explain

1:01:38.960 --> 1:01:41.720
<v Speaker 1>to people, I was like, Yo, progression means that you

1:01:41.920 --> 1:01:44.760
<v Speaker 1>change what you change because there's value and reason and

1:01:44.840 --> 1:01:47.440
<v Speaker 1>why you change. The funny that I used to be

1:01:48.440 --> 1:01:51.680
<v Speaker 1>may not be the funny that fits my now. My

1:01:51.960 --> 1:01:56.080
<v Speaker 1>business is what drives a certain thing for me. The

1:01:56.240 --> 1:01:58.400
<v Speaker 1>business is what I need to grow because the star

1:01:58.560 --> 1:02:00.520
<v Speaker 1>is already there. I want the business to catch up

1:02:00.520 --> 1:02:04.640
<v Speaker 1>to the star. So ultimately, your idea of what funny

1:02:04.880 --> 1:02:07.880
<v Speaker 1>is or the raw edgy road of it, well, it

1:02:07.960 --> 1:02:10.200
<v Speaker 1>doesn't bring me the same family endorsements that I needed

1:02:10.240 --> 1:02:12.120
<v Speaker 1>to get to this thing. It doesn't bring me the

1:02:12.240 --> 1:02:14.800
<v Speaker 1>same perception that I need to make sure these family

1:02:14.880 --> 1:02:18.320
<v Speaker 1>movies hit it doesn't bring me this wheelhouse of world

1:02:18.560 --> 1:02:22.720
<v Speaker 1>and wonder to check every box so you don't realize it.

1:02:22.760 --> 1:02:25.240
<v Speaker 1>But Kevin Hurt has done animation. Kevin Hurts an action comedy,

1:02:25.400 --> 1:02:30.720
<v Speaker 1>regular comedy, drama, fucking author, He's a radio host. He's

1:02:30.760 --> 1:02:37.720
<v Speaker 1>just a regular I check every box so that so

1:02:37.880 --> 1:02:41.120
<v Speaker 1>the only way you check those boxes is by having

1:02:41.160 --> 1:02:43.520
<v Speaker 1>a high level of authenticity that's attached to the world

1:02:43.600 --> 1:02:46.080
<v Speaker 1>that those things bring. Right. If you don't do that,

1:02:46.240 --> 1:02:48.080
<v Speaker 1>then why would you sit and listen to me? Why

1:02:48.120 --> 1:02:50.080
<v Speaker 1>would you sitting and watch? Why would you want to

1:02:50.120 --> 1:02:53.640
<v Speaker 1>see if you don't have authenticity attached to things. If

1:02:53.680 --> 1:02:55.640
<v Speaker 1>you don't believe that I drink the ship, why would

1:02:55.640 --> 1:02:57.440
<v Speaker 1>you buy it? If you don't believe that it is

1:02:57.480 --> 1:02:59.400
<v Speaker 1>good by me making you feel that as good because

1:02:59.400 --> 1:03:01.400
<v Speaker 1>you see me, we're think, then why would you support it?

1:03:01.840 --> 1:03:04.880
<v Speaker 1>Everything I've done? Why did you take Because I went

1:03:04.920 --> 1:03:07.640
<v Speaker 1>in there because I wanted to hear. I wanted to really,

1:03:09.680 --> 1:03:12.320
<v Speaker 1>but but I made the mistake of getting in and

1:03:12.400 --> 1:03:15.760
<v Speaker 1>then getting into the debate, and by that time it's

1:03:15.800 --> 1:03:17.480
<v Speaker 1>too late. And by the way, I want to say, clearly,

1:03:17.920 --> 1:03:20.440
<v Speaker 1>I made the mistake, and I remember after that, I

1:03:20.520 --> 1:03:23.080
<v Speaker 1>didn't go back like, there's no win for me in

1:03:23.120 --> 1:03:26.880
<v Speaker 1>this and it without the mistakes. Without the mistakes, well

1:03:26.920 --> 1:03:29.240
<v Speaker 1>you don't know. You don't know the world of right

1:03:29.320 --> 1:03:33.120
<v Speaker 1>to wrong. So yeah, it's stupid. Yeah, it's something that

1:03:33.760 --> 1:03:36.840
<v Speaker 1>I'm not the happiest about that I did. But I

1:03:36.960 --> 1:03:40.120
<v Speaker 1>never went back after right, so unless it was learning

1:03:40.240 --> 1:03:41.800
<v Speaker 1>that and just why am I ever going to debate

1:03:42.720 --> 1:03:47.160
<v Speaker 1>with people about something that they're never going to go ahead? Well, no, no,

1:03:47.240 --> 1:03:50.560
<v Speaker 1>I can't say that. I can't say that. By the way,

1:03:50.600 --> 1:03:53.720
<v Speaker 1>I want to see Clubhouse do amazing. Thanks, okay, please,

1:03:59.480 --> 1:04:09.560
<v Speaker 1>I'm on. That's the only reason why jay Z is

1:04:09.600 --> 1:04:12.520
<v Speaker 1>on Twitter spaces you see j On a smart man.

1:04:14.320 --> 1:04:16.640
<v Speaker 1>That's the only time he's a smart man. What do

1:04:16.680 --> 1:04:19.160
<v Speaker 1>you mean he just told you if he listened to

1:04:19.240 --> 1:04:21.160
<v Speaker 1>his last song, he's talking to you about the world

1:04:21.200 --> 1:04:23.400
<v Speaker 1>of sake. He's talking to you about the world of

1:04:23.480 --> 1:04:26.800
<v Speaker 1>investment in cap tables. His conversation changed. He got some

1:04:26.880 --> 1:04:29.560
<v Speaker 1>people that looked down on him because this conversations have changed,

1:04:29.800 --> 1:04:32.640
<v Speaker 1>But his conversations have changed for the better. It's not

1:04:32.760 --> 1:04:34.720
<v Speaker 1>for the worst. And he's the best champaign in the world.

1:04:34.840 --> 1:04:38.560
<v Speaker 1>So sometimes listen. Sometimes you either understand that or you don't.

1:04:39.040 --> 1:04:42.640
<v Speaker 1>I come from a space now where I understand that

1:04:42.760 --> 1:04:46.520
<v Speaker 1>doors open, and behind those doors or other doors, I'm

1:04:46.560 --> 1:04:48.080
<v Speaker 1>the guy who wants to keep opening up the doors,

1:04:48.120 --> 1:04:49.320
<v Speaker 1>and I'm going to be with the people that get

1:04:49.400 --> 1:04:52.800
<v Speaker 1>him open. That's it. It's simple. You know what it is.

1:04:54.640 --> 1:04:57.920
<v Speaker 1>People don't seem to understand that number five. I'm on

1:04:58.040 --> 1:05:02.400
<v Speaker 1>number five and lose It is authenticity, like as we evolved,

1:05:02.480 --> 1:05:04.840
<v Speaker 1>that is your authentic self as well, and people don't

1:05:04.880 --> 1:05:07.800
<v Speaker 1>don't ever want understand that. Absolutely, I have no problem

1:05:07.880 --> 1:05:10.400
<v Speaker 1>with I have no problem with the world of growing

1:05:10.480 --> 1:05:12.680
<v Speaker 1>because as you grow, that means that the people around

1:05:12.720 --> 1:05:15.800
<v Speaker 1>you are growing as well. So I believe that your

1:05:15.840 --> 1:05:19.640
<v Speaker 1>success is best seen through the success of others. So

1:05:19.720 --> 1:05:23.080
<v Speaker 1>how many people around you successful are successful? How many

1:05:23.120 --> 1:05:26.400
<v Speaker 1>people around you have different tiers or different levels of success.

1:05:27.080 --> 1:05:31.080
<v Speaker 1>When there's a high number of that, then that's your win. Yeah,

1:05:31.120 --> 1:05:33.400
<v Speaker 1>you speak bathroom. Last night he asked me number one

1:05:33.440 --> 1:05:41.520
<v Speaker 1>and number two't got a dressing room. Is a funny,

1:05:41.600 --> 1:05:44.080
<v Speaker 1>talented guy. Man, I can't wait for the world to

1:05:44.200 --> 1:05:47.200
<v Speaker 1>truly get a dose of him. Uh in his entirety. Man,

1:05:47.360 --> 1:05:51.840
<v Speaker 1>He's he's nowhere near he's all. He's good. He says,

1:05:51.880 --> 1:05:57.120
<v Speaker 1>he's talk, he's hard, he's he's good. They all are

1:05:57.360 --> 1:06:01.040
<v Speaker 1>named Joey, all of them, motherfucker's are good. Yes, okay,

1:06:01.080 --> 1:06:03.840
<v Speaker 1>so now this is now when the Will interview started,

1:06:04.360 --> 1:06:07.440
<v Speaker 1>this quick time, this is now we want to explain

1:06:07.480 --> 1:06:13.840
<v Speaker 1>you the rules. It's like Las Vegas. We don't have

1:06:13.880 --> 1:06:16.680
<v Speaker 1>no no, no clocks around right, okay, Um, so you

1:06:16.760 --> 1:06:18.960
<v Speaker 1>can pick one or the other, but you politically correct

1:06:19.000 --> 1:06:21.040
<v Speaker 1>and pick both. You take a shot, but we take

1:06:21.080 --> 1:06:22.480
<v Speaker 1>a shot with you. We don't leave you out there

1:06:22.600 --> 1:06:26.600
<v Speaker 1>on your home. So I take one of the other.

1:06:26.680 --> 1:06:30.640
<v Speaker 1>Means the political answer is a shot. Yeah, it's a shot.

1:06:30.760 --> 1:06:32.240
<v Speaker 1>But so so you have to go with your heart.

1:06:32.320 --> 1:06:33.600
<v Speaker 1>This is what you're trying to say. You have to

1:06:33.640 --> 1:06:36.840
<v Speaker 1>go with you. I'm gonna take a shot. I don't

1:06:36.840 --> 1:06:38.920
<v Speaker 1>want to. I don't want to time, I don't know

1:06:38.960 --> 1:06:40.360
<v Speaker 1>what you're gonna pick. So I'm gonna give you the

1:06:40.400 --> 1:06:43.640
<v Speaker 1>first one. Are you ready, Eddie Murphy take a shot? Yes,

1:06:45.680 --> 1:06:51.360
<v Speaker 1>Eddie Murphy and Richard prior or you could just take

1:06:51.360 --> 1:06:55.440
<v Speaker 1>a shot either. Uh. I mean, look, this this goes

1:06:55.480 --> 1:06:58.280
<v Speaker 1>into what I said earlier with the conversation of goats, right,

1:06:58.360 --> 1:07:01.640
<v Speaker 1>like one doesn't take away from the other. Right, You're

1:07:01.640 --> 1:07:04.760
<v Speaker 1>not gonna tell me that Richard is better than Eddie

1:07:04.840 --> 1:07:06.640
<v Speaker 1>or Eddie is better than Richard. You can't do that

1:07:06.760 --> 1:07:10.320
<v Speaker 1>because they're they're both fucking great. But no, no, no,

1:07:10.440 --> 1:07:13.120
<v Speaker 1>I'm gonna give you a good answer. But but I'm

1:07:13.160 --> 1:07:17.400
<v Speaker 1>going to put Richard before Eddie, not just because he came,

1:07:18.320 --> 1:07:24.280
<v Speaker 1>not because Jesus, not because not because he's started before

1:07:28.560 --> 1:07:33.080
<v Speaker 1>Richard was. Richard was ahead of his time, and Richard

1:07:33.120 --> 1:07:37.240
<v Speaker 1>being ahead of his time, Richard made the world of

1:07:37.320 --> 1:07:43.000
<v Speaker 1>that that raunchy comedy with truth. He made it normal

1:07:43.520 --> 1:07:47.760
<v Speaker 1>right like Richard, Richard talking about being on cocaine, Richard

1:07:47.840 --> 1:07:52.120
<v Speaker 1>talking about right like his true self and and and

1:07:52.960 --> 1:07:56.160
<v Speaker 1>getting to that that raw place of honesty. You know,

1:07:56.360 --> 1:07:58.480
<v Speaker 1>my grandmother was a wop, all that all that ship

1:07:58.600 --> 1:08:05.920
<v Speaker 1>they're like, you know, it was raised. He didn't a

1:08:06.000 --> 1:08:10.280
<v Speaker 1>way to where people laughed and normalized hearing like hearing that.

1:08:11.040 --> 1:08:14.919
<v Speaker 1>So for that, I'm gonna say Richard, because Eddie, Eddie

1:08:15.000 --> 1:08:19.639
<v Speaker 1>came up raw after of course he would, of course

1:08:19.680 --> 1:08:24.439
<v Speaker 1>he would, Okay, Chris Rock or Martin Lawrence. Chris Rock

1:08:24.479 --> 1:08:28.360
<v Speaker 1>and Martin Lawrence just take a show no, man, I'm

1:08:28.360 --> 1:08:33.719
<v Speaker 1>gonna he's not badasses, and I don't have to drink anymore.

1:08:33.720 --> 1:08:38.599
<v Speaker 1>I'm gonna trying my best to drink. Um man, Okay,

1:08:40.760 --> 1:08:44.240
<v Speaker 1>Martin Martin is so dope. Because Martin Martin is responsible,

1:08:45.960 --> 1:08:48.000
<v Speaker 1>I'm gonna have to say Martin, his wife, Martin is

1:08:48.040 --> 1:08:54.280
<v Speaker 1>responsible for the careers of so many They were able

1:08:54.320 --> 1:08:57.200
<v Speaker 1>to go on and be headliners and make real money

1:08:57.240 --> 1:09:01.479
<v Speaker 1>after death chance right, Um, this is not talent answer.

1:09:01.520 --> 1:09:04.599
<v Speaker 1>In my opinion, I'm putting Martin. I'm putting Martin above

1:09:04.720 --> 1:09:10.360
<v Speaker 1>Chris because Martin shifted the culture in comedy. Martin and

1:09:10.479 --> 1:09:13.880
<v Speaker 1>Martin hugged you after def Jam, and Martin put his

1:09:14.040 --> 1:09:16.640
<v Speaker 1>arm around you after def Jam, and Martin called you

1:09:16.760 --> 1:09:20.320
<v Speaker 1>back out after deaf Jam. Opportunities came to that person

1:09:20.760 --> 1:09:24.519
<v Speaker 1>because of that. If Martin said that motherfucker was funny,

1:09:24.560 --> 1:09:26.519
<v Speaker 1>y'all stopped playing to give it up one of the bad.

1:09:26.960 --> 1:09:30.880
<v Speaker 1>If he said that, Martin verbalized that, um, it's it's

1:09:30.880 --> 1:09:33.479
<v Speaker 1>along the same lines of Jimmy Carson back in the day.

1:09:33.560 --> 1:09:35.360
<v Speaker 1>They said that Jimmy told you to sit on the couch.

1:09:35.600 --> 1:09:44.960
<v Speaker 1>Oh my god, John, I'm sorry John. If Johnny invited

1:09:45.000 --> 1:09:50.040
<v Speaker 1>a comic to the couch. That was Martin Lawrence, Martin

1:09:50.160 --> 1:09:54.640
<v Speaker 1>Lawrence and dev Jam and that wave def Jam was

1:09:54.720 --> 1:09:59.200
<v Speaker 1>too big for comedy. Martin was too big to comedy.

1:09:59.320 --> 1:10:01.760
<v Speaker 1>And I don't like he gets talked about enough. I

1:10:01.800 --> 1:10:07.320
<v Speaker 1>don't feel like people fucking understand how great Martin Lawrence

1:10:08.640 --> 1:10:11.920
<v Speaker 1>is and was. So I put him. I put him

1:10:11.960 --> 1:10:16.680
<v Speaker 1>above Chris simply because of that. Um, you know, on

1:10:16.800 --> 1:10:19.280
<v Speaker 1>a comic basis, how many careers might have been made

1:10:19.360 --> 1:10:21.320
<v Speaker 1>by that Yeah, on a on a on a on

1:10:21.439 --> 1:10:24.880
<v Speaker 1>a comedy basis, And we're talking about something different where

1:10:25.040 --> 1:10:27.040
<v Speaker 1>it was shift to Chris. But if we're going about

1:10:27.040 --> 1:10:31.680
<v Speaker 1>who I will put, I'm going culture shifting his his

1:10:31.880 --> 1:10:34.400
<v Speaker 1>world and what he represented for comedy and his prom

1:10:34.560 --> 1:10:40.439
<v Speaker 1>Martin lash jay z or Nas jay z or Nas.

1:10:40.520 --> 1:10:48.960
<v Speaker 1>I mean, look, I'm gonna answer these questions. Uh, you're

1:10:49.000 --> 1:10:51.519
<v Speaker 1>not taking a shot if I don't have to take

1:10:51.560 --> 1:10:54.479
<v Speaker 1>a shot, because there's no disrespect to the other artists.

1:10:54.520 --> 1:10:57.599
<v Speaker 1>These are logical answers. I'm still in the clear thinking space,

1:10:58.000 --> 1:11:00.160
<v Speaker 1>you know why. You know why I'm an there are

1:11:00.200 --> 1:11:07.719
<v Speaker 1>things space because grand Cormino is not sequilla, that grand

1:11:07.760 --> 1:11:11.000
<v Speaker 1>core MEMI grand cord means in tequila where you can

1:11:11.080 --> 1:11:16.559
<v Speaker 1>have all your faculties and enjoy yourself otherwise known as well,

1:11:16.680 --> 1:11:19.639
<v Speaker 1>you're smart regardless, because people should not refer to themselves

1:11:19.640 --> 1:11:24.080
<v Speaker 1>as dumb. Yeah, I'm in a good space. I'm gonna

1:11:24.120 --> 1:11:34.280
<v Speaker 1>say whole for for whole, simply because it's bigger than rapping,

1:11:35.120 --> 1:11:37.680
<v Speaker 1>and even in even now with it being bigger than

1:11:37.760 --> 1:11:40.120
<v Speaker 1>rapped and realizing all of these done and all like

1:11:40.479 --> 1:11:42.639
<v Speaker 1>his level of success, like he's still oh my god,

1:11:42.720 --> 1:11:46.599
<v Speaker 1>he's still figuring out ways to do shiit uh fucking

1:11:47.000 --> 1:11:55.160
<v Speaker 1>recreate himself and business that he's still rapping at the

1:11:55.240 --> 1:11:58.639
<v Speaker 1>high level. Not tonight, not Deniz isn't by the way,

1:11:59.040 --> 1:12:03.120
<v Speaker 1>not album was amazing. Let's let's get him. Let's make

1:12:03.160 --> 1:12:06.880
<v Speaker 1>sure we make this very clear, nas, nas, but you

1:12:06.920 --> 1:12:13.760
<v Speaker 1>cannot fucking shy away from what Hove is now still releasing.

1:12:14.880 --> 1:12:17.719
<v Speaker 1>Hove is rapping as if he's in his fucking problem

1:12:18.600 --> 1:12:24.439
<v Speaker 1>at this level. So um, I'm never gonna go against

1:12:24.520 --> 1:12:27.320
<v Speaker 1>the grain. I mean, any any rap came, any rap

1:12:27.439 --> 1:12:32.240
<v Speaker 1>conversation that doesn't involve Hove is in a real rap conversation,

1:12:32.439 --> 1:12:36.439
<v Speaker 1>like he's He's a definition of rap, point blank. That's

1:12:36.520 --> 1:12:38.040
<v Speaker 1>that's what I'm saying, and I love the story. Are

1:12:38.080 --> 1:12:40.360
<v Speaker 1>you jumping on the jet and not chipping in? Oh?

1:12:40.400 --> 1:12:44.760
<v Speaker 1>When I made him pay for the jet? Yeah, I

1:12:45.880 --> 1:12:49.120
<v Speaker 1>was going to fly him on a plane myself. Call him.

1:12:49.479 --> 1:12:50.880
<v Speaker 1>He's like, you're go in the game, and said, yeah,

1:12:51.080 --> 1:12:52.920
<v Speaker 1>you're going. He's like, yeah, said what time are you going?

1:12:53.720 --> 1:12:56.519
<v Speaker 1>He said twelve? I said I was going too. I'm

1:12:56.520 --> 1:12:58.920
<v Speaker 1>just gonna fly with you. He's like, yeah, all right, cool,

1:13:00.000 --> 1:13:04.080
<v Speaker 1>But I'm a pans like I didn't ask you to

1:13:04.120 --> 1:13:09.320
<v Speaker 1>because I'm just making it clear I'm not just uh,

1:13:09.680 --> 1:13:13.320
<v Speaker 1>great guy, that's my brother mentor Okay, Yeah, I don't

1:13:13.320 --> 1:13:19.200
<v Speaker 1>know where're gonna go with this one. Tupaca DMX. It

1:13:19.320 --> 1:13:22.960
<v Speaker 1>feels like it feels like you should endorse your product

1:13:23.080 --> 1:13:26.040
<v Speaker 1>right now. Yeah, we should drink a shot. Are you

1:13:26.160 --> 1:13:27.800
<v Speaker 1>it's already poor? I know that. I'm just trying to

1:13:27.840 --> 1:13:33.240
<v Speaker 1>think there's no way out of this one. This is

1:13:33.320 --> 1:13:35.680
<v Speaker 1>one where I'm gonna have to take a shot. I'm

1:13:35.680 --> 1:13:37.040
<v Speaker 1>gonna have to take a shot on this one. I

1:13:37.080 --> 1:13:41.960
<v Speaker 1>can make some noise of him taking a shot, the

1:13:42.000 --> 1:13:48.680
<v Speaker 1>old always gonna see. Yeah, funk, that's a tough one. Ah,

1:13:50.360 --> 1:13:53.880
<v Speaker 1>let me leave you us over there, Okay, you ready

1:13:53.880 --> 1:13:59.840
<v Speaker 1>for the next one? Oh yeah, okay, yeah, okay, Marco

1:14:00.040 --> 1:14:21.040
<v Speaker 1>Warburg or the Rock. I mean, look, I don't know

1:14:21.160 --> 1:14:26.160
<v Speaker 1>what that like, what does that mean? What does that mean? Like?

1:14:26.680 --> 1:14:28.400
<v Speaker 1>Whatever it means, whatever it means to you. That's what

1:14:28.680 --> 1:14:35.639
<v Speaker 1>I'm saying. You're talking like, yeah, it's okay, We're gonna

1:14:35.640 --> 1:14:37.000
<v Speaker 1>do a little ones. Look at that. That's a little

1:14:37.000 --> 1:14:40.720
<v Speaker 1>one I'm gonna take you. Just get Mekay alright, take

1:14:40.720 --> 1:14:42.160
<v Speaker 1>a quick shot for this one. Here's what I'm going

1:14:42.240 --> 1:14:44.240
<v Speaker 1>to say. No, I don't have to right now. I'm

1:14:44.280 --> 1:14:51.040
<v Speaker 1>going to say, first of all, both of my brothers

1:14:51.160 --> 1:15:08.240
<v Speaker 1>like this is like my face change. This is where

1:15:08.640 --> 1:15:10.320
<v Speaker 1>it's where it comes right now. I can feel it.

1:15:10.880 --> 1:15:15.160
<v Speaker 1>By the way, great, okay, now this one great. You

1:15:15.240 --> 1:15:18.160
<v Speaker 1>know I love it. We haven't drink camps in a minute,

1:15:18.360 --> 1:15:21.559
<v Speaker 1>so we haven't. We have been living on an old episodes.

1:15:21.640 --> 1:15:24.479
<v Speaker 1>So we are grad to come out of retirement for you.

1:15:24.560 --> 1:15:28.880
<v Speaker 1>About to get something good in a minute? Okay, about

1:15:28.880 --> 1:15:34.120
<v Speaker 1>to make that turn. Let me tell you another in

1:15:34.240 --> 1:15:39.920
<v Speaker 1>later Philadelphia. Meek Mail or Freeway. Uh I think I

1:15:40.040 --> 1:15:43.439
<v Speaker 1>think both amazing. But I'll say Meek frees my guide too.

1:15:43.920 --> 1:15:48.280
<v Speaker 1>But Mekas Meka's done a lot more from you know,

1:15:48.439 --> 1:15:53.479
<v Speaker 1>just from album perspective Album album album. I said album,

1:15:55.920 --> 1:16:00.680
<v Speaker 1>I'm not once I start full up and I'll leave.

1:16:03.840 --> 1:16:06.439
<v Speaker 1>I'll go to meet there no shots to free freestyle

1:16:06.479 --> 1:16:09.800
<v Speaker 1>amazing artists, but I'll say me coming to America or

1:16:09.880 --> 1:16:15.639
<v Speaker 1>Hallam Knights, Hallam Knights fast. I heard you Who's gonna

1:16:15.840 --> 1:16:18.559
<v Speaker 1>remake hall Him nice? I wanted to for a long time. Eddie,

1:16:18.720 --> 1:16:22.640
<v Speaker 1>Eddie is uh Edie with you will be honest with you.

1:16:22.920 --> 1:16:25.360
<v Speaker 1>Eddie didn't. He liked my dad, but he was like,

1:16:25.439 --> 1:16:29.240
<v Speaker 1>I'm I'm not he's like me being because my idea

1:16:29.360 --> 1:16:32.640
<v Speaker 1>was like they have kids. My dad was like, my

1:16:32.800 --> 1:16:37.600
<v Speaker 1>dad was like those guys from harm Knights kids and

1:16:37.680 --> 1:16:41.880
<v Speaker 1>it's the younger generation and that that that generation is

1:16:41.960 --> 1:16:45.160
<v Speaker 1>now and it was an age. He was like, how

1:16:45.200 --> 1:16:47.720
<v Speaker 1>am I going to play that age difference? Does he

1:16:47.800 --> 1:16:49.920
<v Speaker 1>think he's still young? You know what I mean? When

1:16:49.960 --> 1:16:53.400
<v Speaker 1>I pitched the rough idea and concept, it was but

1:16:53.479 --> 1:16:55.439
<v Speaker 1>it would be harder to pull off. It's basically like, look,

1:16:55.720 --> 1:17:01.680
<v Speaker 1>it's the idea of the idea of begetting navigating in

1:17:01.720 --> 1:17:04.599
<v Speaker 1>a generation of let's just say like five six years ago,

1:17:05.240 --> 1:17:08.360
<v Speaker 1>right and still doing the work that they were doing.

1:17:09.040 --> 1:17:13.120
<v Speaker 1>That business that is my fia like business, but based

1:17:13.160 --> 1:17:15.320
<v Speaker 1>off of what I knew my dad did, but the

1:17:15.479 --> 1:17:18.519
<v Speaker 1>sons of those people. And the only reason why I

1:17:18.600 --> 1:17:21.439
<v Speaker 1>want to do something like that, it's because I just

1:17:21.520 --> 1:17:25.240
<v Speaker 1>want something that can get together. You want to get

1:17:25.280 --> 1:17:29.599
<v Speaker 1>us all. I would love to see you. Mike, absolute duvall.

1:17:30.439 --> 1:17:33.000
<v Speaker 1>We're gonna do it. Me and Mike, Me and Mike

1:17:33.120 --> 1:17:36.280
<v Speaker 1>ran a great place. Now, man, it took Me and

1:17:36.320 --> 1:17:41.840
<v Speaker 1>Mike were real ship going on in between both of y'all.

1:17:46.920 --> 1:17:50.920
<v Speaker 1>Don't let me. We were can you get me doing no?

1:17:53.320 --> 1:17:55.200
<v Speaker 1>Me and Mike were heavy on the side. Me and Mike.

1:17:55.320 --> 1:17:57.479
<v Speaker 1>We we didn't work with each other. We made that

1:17:57.560 --> 1:18:02.519
<v Speaker 1>decision and um, you know, I think to the credit

1:18:02.560 --> 1:18:04.720
<v Speaker 1>of both of us, you know, you look up and

1:18:05.200 --> 1:18:08.120
<v Speaker 1>we realized our age. It's like, look, we this is

1:18:08.160 --> 1:18:10.880
<v Speaker 1>doing nothing. There's no value in this. If anything, were

1:18:10.920 --> 1:18:15.120
<v Speaker 1>cheating the world of an opportunity to I only want

1:18:15.120 --> 1:18:18.120
<v Speaker 1>to get into. It's too much's too it's too much

1:18:18.240 --> 1:18:24.479
<v Speaker 1>of unnecessary. At one point, no, it's not. It's not rappers,

1:18:24.680 --> 1:18:29.880
<v Speaker 1>it's it's unnecessary and and and I think the now,

1:18:31.120 --> 1:18:34.320
<v Speaker 1>no rapper rapper ship is more stupid. Ours. Ours wasn't

1:18:34.360 --> 1:18:40.680
<v Speaker 1>as stupid, yea, Ours wasn't that stupid, but it just

1:18:40.840 --> 1:18:43.719
<v Speaker 1>built and grouping that time. But I like the fact

1:18:43.800 --> 1:18:46.000
<v Speaker 1>that has grown. Man, we figured out a way to

1:18:46.080 --> 1:18:48.519
<v Speaker 1>talk and we're in a good space. Like, you know,

1:18:49.320 --> 1:18:51.360
<v Speaker 1>I explained to him, I want to have that thing

1:18:51.560 --> 1:18:56.080
<v Speaker 1>where we're on screen together, Like why why would we not?

1:18:56.840 --> 1:18:58.760
<v Speaker 1>Why would you not have that moment? I mean, as

1:18:58.880 --> 1:19:01.599
<v Speaker 1>much as I've one, or or as much as I'm doing,

1:19:02.520 --> 1:19:04.519
<v Speaker 1>I've never done that. And I was like, you know,

1:19:04.920 --> 1:19:06.120
<v Speaker 1>for us to figure out a way to do that,

1:19:06.320 --> 1:19:10.760
<v Speaker 1>to uh sit at the table and you know, sit

1:19:10.880 --> 1:19:14.040
<v Speaker 1>his equals and and fucking figure it out would be dope.

1:19:14.160 --> 1:19:16.240
<v Speaker 1>So you know, look, if there's a world where I

1:19:16.320 --> 1:19:20.120
<v Speaker 1>can get a Mike of fucking Chris and Dave cat

1:19:20.560 --> 1:19:23.439
<v Speaker 1>to the table, is sad and Steve like you're the

1:19:23.560 --> 1:19:27.760
<v Speaker 1>only person that could have played Wesley Snipes character is

1:19:27.800 --> 1:19:34.120
<v Speaker 1>probably Mike Gaps is a good actor, yeah, all of us.

1:19:34.200 --> 1:19:35.400
<v Speaker 1>You know what I'm saying that the way he acts

1:19:35.400 --> 1:19:38.439
<v Speaker 1>like he you know, cocaine, I've never he got it

1:19:38.520 --> 1:19:42.240
<v Speaker 1>down fast. I've never I'll say this, all of our

1:19:42.320 --> 1:19:45.040
<v Speaker 1>problems I've never shipped on his talent. Mike is a

1:19:45.640 --> 1:19:47.600
<v Speaker 1>is a funny guy. Mike is a talented actor, Like

1:19:47.960 --> 1:19:51.800
<v Speaker 1>he's amazing talent. So you know, for us now to

1:19:51.880 --> 1:19:55.160
<v Speaker 1>be in a good space, Um, I think it's dope

1:19:55.200 --> 1:19:59.720
<v Speaker 1>as fun and we will we will do something. But

1:20:00.120 --> 1:20:01.760
<v Speaker 1>I love I love that. You know, I'm a man

1:20:01.840 --> 1:20:07.400
<v Speaker 1>of piece. Okay, Friday or half Bacon, Uh Friday, Friday

1:20:07.880 --> 1:20:11.760
<v Speaker 1>halt bag is great. Friday's um a bigger culture driver,

1:20:12.560 --> 1:20:15.800
<v Speaker 1>you know, Friday's a and Friday also put once again,

1:20:16.080 --> 1:20:17.920
<v Speaker 1>I go to the world of amplification and put so

1:20:17.960 --> 1:20:21.400
<v Speaker 1>many people on. You know, when you look at Chris Tucker,

1:20:21.479 --> 1:20:23.439
<v Speaker 1>when you look at John Witherspoon, when you look at

1:20:24.040 --> 1:20:27.519
<v Speaker 1>some more Mike Ebs, we look at Don D. C Cary,

1:20:27.680 --> 1:20:31.519
<v Speaker 1>we look at Bruce Bruce, Ricky Smiley. Um, you know

1:20:31.680 --> 1:20:34.400
<v Speaker 1>these are all names. Ronaldo Ray r P. I mean,

1:20:34.439 --> 1:20:36.479
<v Speaker 1>there's are so many names. Ice Cu shouts out to

1:20:36.520 --> 1:20:41.360
<v Speaker 1>ice Cu. GENERALQ was a guy who not only loves comedy,

1:20:41.760 --> 1:20:44.439
<v Speaker 1>but he's been a he's been an advocate for you know,

1:20:44.760 --> 1:20:49.000
<v Speaker 1>the world of career. He's he's provided a platform to

1:20:49.080 --> 1:20:51.960
<v Speaker 1>where comedy careers could go on the progress and once again,

1:20:52.200 --> 1:20:55.320
<v Speaker 1>when you talk about comedy, these conversations get lost. They don't.

1:20:55.640 --> 1:20:59.320
<v Speaker 1>People don't highlight it as much as they should. Like

1:20:59.680 --> 1:21:02.880
<v Speaker 1>when you think about the ones that are at the helm,

1:21:03.400 --> 1:21:06.320
<v Speaker 1>the Martin side of it, all of those names, all

1:21:06.360 --> 1:21:08.800
<v Speaker 1>those deaf jam names that were big, they came from

1:21:08.880 --> 1:21:11.400
<v Speaker 1>that hug. But then after that, then Iceque was like,

1:21:11.439 --> 1:21:13.679
<v Speaker 1>oh shoot, I saw him here, come to do these things.

1:21:13.680 --> 1:21:15.479
<v Speaker 1>It's like it was like a passing of a time.

1:21:16.160 --> 1:21:18.680
<v Speaker 1>So so a lot of careers came from like you

1:21:18.800 --> 1:21:23.680
<v Speaker 1>know this, this street, the street where I'm a fan

1:21:23.720 --> 1:21:26.320
<v Speaker 1>of you. I'm a fan of you. Oh fuck Martin,

1:21:26.439 --> 1:21:29.599
<v Speaker 1>love h q Q love Martin. I'm watching you men

1:21:29.680 --> 1:21:31.760
<v Speaker 1>do as dope. I'm trying to do this ship, the

1:21:31.760 --> 1:21:34.200
<v Speaker 1>ship that I did. All he did was take He

1:21:34.320 --> 1:21:37.439
<v Speaker 1>took the thing and the work. Look at house party,

1:21:37.479 --> 1:21:39.200
<v Speaker 1>look at all these other things that was kid who

1:21:39.240 --> 1:21:41.799
<v Speaker 1>play developing this movie. But look at the people around

1:21:42.280 --> 1:21:44.519
<v Speaker 1>that were in that movie. Like if you go back

1:21:44.560 --> 1:21:47.240
<v Speaker 1>and look at these times, yo yo, house party, man

1:21:50.120 --> 1:21:53.760
<v Speaker 1>a house party, they already are doing one. Yeah uh

1:21:55.400 --> 1:22:01.479
<v Speaker 1>spring him lebron, lebron, all right, shout out of spring

1:22:01.560 --> 1:22:04.880
<v Speaker 1>Hill too, doing amazing things. Another black owned company. Uh,

1:22:05.080 --> 1:22:09.519
<v Speaker 1>driving the narrative and media and media changing change media

1:22:09.600 --> 1:22:15.160
<v Speaker 1>now something media. But they're doing They're doing great ship man,

1:22:15.560 --> 1:22:19.760
<v Speaker 1>m amazing production, amazing IP development, and it's great to

1:22:19.800 --> 1:22:25.920
<v Speaker 1>see so Rocky or Creed Creed h I say Creed

1:22:26.000 --> 1:22:30.280
<v Speaker 1>because Rocky Rocky was amazing, still is amazing. Syvester Sloan

1:22:30.920 --> 1:22:33.920
<v Speaker 1>is who the funk he is. But where he really

1:22:33.960 --> 1:22:37.719
<v Speaker 1>becomes a genius is to come back and fucking fifteen

1:22:37.800 --> 1:22:42.120
<v Speaker 1>years however long it was, and make that I P

1:22:43.160 --> 1:22:45.880
<v Speaker 1>relevant again. He came back and say, yeah, I don't

1:22:45.880 --> 1:22:47.320
<v Speaker 1>want to do nothing else, but I did the Rocky,

1:22:47.360 --> 1:22:49.720
<v Speaker 1>but Rocky this time it's gonna be about creed Son.

1:22:49.840 --> 1:22:52.360
<v Speaker 1>He stayed in the same storyline and was able to

1:22:52.400 --> 1:22:54.120
<v Speaker 1>take something else and get apart one of part two

1:22:54.160 --> 1:22:59.920
<v Speaker 1>out of By the way that Sylvester Stallan so original Rocky,

1:23:00.000 --> 1:23:01.840
<v Speaker 1>he doesn't don't know. I don't. I don't think he

1:23:01.960 --> 1:23:04.439
<v Speaker 1>owns it. I think I think he made he made

1:23:04.479 --> 1:23:06.519
<v Speaker 1>good deals on the later ones. I'm not sure he

1:23:06.560 --> 1:23:08.439
<v Speaker 1>owns it, but I think in the Creed ones he

1:23:08.560 --> 1:23:11.840
<v Speaker 1>made some more lucrative deals for himself. But to go

1:23:12.160 --> 1:23:17.800
<v Speaker 1>develop after that thing existed for that's pretty amazing. And

1:23:17.880 --> 1:23:23.479
<v Speaker 1>I say Creed because once again highlighting amplifying put Michael B.

1:23:23.640 --> 1:23:26.479
<v Speaker 1>Jordan's on, and Michael B. Jordan held his own. And

1:23:26.560 --> 1:23:30.040
<v Speaker 1>now Michael Jordan's has a franchise under his belt, right,

1:23:30.200 --> 1:23:33.280
<v Speaker 1>Like that didn't have to happen. So through the loves

1:23:33.320 --> 1:23:35.679
<v Speaker 1>of Vessels Alan, he got the Creed. I say Creed

1:23:35.760 --> 1:23:38.320
<v Speaker 1>because of you know, I think it was a better movie.

1:23:38.400 --> 1:23:40.200
<v Speaker 1>I think it was a doper movie, but I like

1:23:40.400 --> 1:23:43.400
<v Speaker 1>that opportunities were giving off of it. I love that.

1:23:43.760 --> 1:23:48.920
<v Speaker 1>Davey Chappelle, Jamie Fox, what do you mean? He said,

1:23:51.160 --> 1:23:54.320
<v Speaker 1>you're talking acting, you're talking comedy whatever, whatever is in

1:23:54.400 --> 1:23:56.559
<v Speaker 1>your mind. What I'm gonna stand up comedy? Dave Chappelle,

1:24:01.320 --> 1:24:05.360
<v Speaker 1>Mike Epps or Chris Tucker in the movie Friday or

1:24:07.080 --> 1:24:09.880
<v Speaker 1>whatever who was talking about? I would say, who did

1:24:09.920 --> 1:24:13.000
<v Speaker 1>the better Friday? What are you saying on you? Whatever?

1:24:13.080 --> 1:24:19.439
<v Speaker 1>You like? You guys, this is not we can't define

1:24:19.520 --> 1:24:21.920
<v Speaker 1>it for you just saying names and you're not saying like,

1:24:23.400 --> 1:24:32.040
<v Speaker 1>and then I'm wrestling like, yeah, he's a better thumb wrestler.

1:24:32.320 --> 1:24:39.000
<v Speaker 1>And that's why I pick Mike Epps, Chris Tucker. Okay,

1:24:40.880 --> 1:24:47.200
<v Speaker 1>who's the butter better better than I'm gonna take a shot.

1:24:49.880 --> 1:24:52.160
<v Speaker 1>That's right, man, Mike, were in a good space. I'm

1:24:52.160 --> 1:24:55.960
<v Speaker 1>gonna keep just hit a good space. Yeah, I had

1:24:56.000 --> 1:25:01.639
<v Speaker 1>funny Chris Chris Tucker story. Uh and this is when

1:25:02.120 --> 1:25:03.840
<v Speaker 1>my wife was here till I wanted to she remembers us.

1:25:04.160 --> 1:25:07.439
<v Speaker 1>So we were getting our first remember every day. No, no,

1:25:07.640 --> 1:25:10.000
<v Speaker 1>this is like, this is a good one we should

1:25:10.040 --> 1:25:13.479
<v Speaker 1>switch to after this too, not because that's not because

1:25:13.760 --> 1:25:16.800
<v Speaker 1>let's just live well, let's not let me. I want

1:25:16.840 --> 1:25:19.560
<v Speaker 1>you guys to taste about that. Yeah, it's stupid for

1:25:19.560 --> 1:25:22.760
<v Speaker 1>you guys. Just taste this. It was amazing. But Kevin

1:25:22.880 --> 1:25:26.280
<v Speaker 1>Hart side this whole time, I've been drinking Mama, don't

1:25:26.320 --> 1:25:27.960
<v Speaker 1>drink that. They make that in a bathtub and kindle,

1:25:28.120 --> 1:25:30.920
<v Speaker 1>that's true. You don't want that. You don't want that.

1:25:35.479 --> 1:25:39.000
<v Speaker 1>Drink cold before it didn't end work. Guess what, there's

1:25:39.000 --> 1:25:42.960
<v Speaker 1>no world where I'm drinking that. You know why I'm

1:25:42.960 --> 1:25:47.880
<v Speaker 1>not drinking that because my option is grand cool just

1:25:51.240 --> 1:25:54.680
<v Speaker 1>like three. No, no, it looks like it looks like

1:25:54.840 --> 1:25:59.800
<v Speaker 1>fucking what's that? What's the ship called that? Very day

1:26:00.040 --> 1:26:05.080
<v Speaker 1>used to do? We just gotta take it. There's something

1:26:05.920 --> 1:26:08.600
<v Speaker 1>without Yeah, that doesn't look like I don't like it

1:26:09.479 --> 1:26:12.200
<v Speaker 1>all right, look funny Chris Stuck. Chris Stuck story. So, um,

1:26:12.520 --> 1:26:15.240
<v Speaker 1>we were buying our first house in l A and

1:26:15.960 --> 1:26:17.680
<v Speaker 1>we're coming to this neighborhood and I didn't know that

1:26:17.800 --> 1:26:20.400
<v Speaker 1>Chris lived in the neighborhood. And this is when Chris

1:26:20.600 --> 1:26:24.880
<v Speaker 1>was like having the taxes problem. So I'm like in

1:26:25.000 --> 1:26:28.280
<v Speaker 1>the house and they're like showing me things. They're gonna

1:26:28.320 --> 1:26:32.240
<v Speaker 1>renovate some things. And Chris comes by and all he

1:26:32.360 --> 1:26:37.800
<v Speaker 1>says from outside is pay your taxes. Man. I'm like,

1:26:44.320 --> 1:26:48.439
<v Speaker 1>what it's Chris Stuck. He comes yeah, man, just paying taxes.

1:26:48.479 --> 1:26:51.760
<v Speaker 1>And I was like, Chris, what are you doing here?

1:26:52.080 --> 1:26:53.600
<v Speaker 1>He was like, well, I'm here, man, I got a

1:26:53.640 --> 1:26:55.439
<v Speaker 1>house down here. Too many he's coming here. I'm just

1:26:55.479 --> 1:27:00.760
<v Speaker 1>telling you pay your TAXI he left your greatest vice

1:27:01.760 --> 1:27:05.799
<v Speaker 1>he left I gotta visit from Chris Tucker and Tito Jackson.

1:27:09.160 --> 1:27:11.560
<v Speaker 1>Tito Jackson one day just came a while I'm not

1:27:11.640 --> 1:27:18.400
<v Speaker 1>sure if you're playing okay and told me no, Chris Tucker,

1:27:18.600 --> 1:27:24.720
<v Speaker 1>he's a separate. Tito came by itself. Have finger ways, hey, man,

1:27:24.840 --> 1:27:30.479
<v Speaker 1>that's I cannot confine. First of all I say. I

1:27:30.560 --> 1:27:32.519
<v Speaker 1>want to say. The Jackson family is an amazing family.

1:27:33.360 --> 1:27:38.640
<v Speaker 1>I love the Jackson at Tito just came in. He

1:27:38.720 --> 1:27:42.160
<v Speaker 1>knocked on my door. And you know, nobody ever knocks

1:27:42.200 --> 1:27:44.200
<v Speaker 1>on the doors. I assume somebody cool. I just came

1:27:44.240 --> 1:27:46.479
<v Speaker 1>to the door, Tito standing there. He said, I had

1:27:46.560 --> 1:27:55.760
<v Speaker 1>to come by. You open the doors. Oh, my mother,

1:27:56.280 --> 1:28:04.320
<v Speaker 1>I said, Tito, he said, I have to come back.

1:28:07.400 --> 1:28:10.200
<v Speaker 1>He said he was in the neighborhood. They told him. Yeah.

1:28:10.320 --> 1:28:13.960
<v Speaker 1>He's like, yeah, man, it's music come to show. I

1:28:14.080 --> 1:28:21.800
<v Speaker 1>just kept going, Remember how many cirls are gonna give him?

1:28:22.040 --> 1:28:28.479
<v Speaker 1>I know all the curls you call me. I gotta

1:28:28.560 --> 1:28:31.479
<v Speaker 1>keep it. Let's go. Yeah, I'll tell you what Tito

1:28:31.560 --> 1:28:34.240
<v Speaker 1>had when he's saying, bro, come on, let's go give

1:28:34.280 --> 1:28:42.240
<v Speaker 1>me another one way. I'm drunk now the best. By

1:28:42.240 --> 1:28:43.760
<v Speaker 1>the way, it's not like a bad drunk. It's like

1:28:43.800 --> 1:28:48.040
<v Speaker 1>a good It's a great dun people. It's like it's like, oh,

1:28:48.360 --> 1:28:53.599
<v Speaker 1>dance for all night? Okay, New jack City or King

1:28:53.600 --> 1:28:58.200
<v Speaker 1>of New York, New Jack City. What's the snipes? True story?

1:28:58.280 --> 1:29:00.960
<v Speaker 1>What are you talking about? Come on, and Chris rock Man,

1:29:00.960 --> 1:29:17.679
<v Speaker 1>you gotta give it like a professional alright, alright, that's people, Okay,

1:29:18.200 --> 1:29:26.400
<v Speaker 1>Will Farrell or Woody Harrison. Fun man. Will Farrell is

1:29:26.439 --> 1:29:28.160
<v Speaker 1>the funniest man I've ever worked with in my life.

1:29:29.960 --> 1:29:35.760
<v Speaker 1>But but Woody Harrilson is the most interesting man in

1:29:35.880 --> 1:29:47.559
<v Speaker 1>the world. That's my man. Tears, that's your man now,

1:29:48.200 --> 1:29:50.960
<v Speaker 1>tears called from cheers. What Harrison? Do you tell you

1:29:51.000 --> 1:29:53.280
<v Speaker 1>who he is? What? Harrilson is the dope sexiest man.

1:29:53.840 --> 1:29:57.720
<v Speaker 1>Have you ever seen the Doe sexist commercial? And you're

1:29:57.720 --> 1:30:00.519
<v Speaker 1>saying in real life? Now he's not in the Come

1:30:00.560 --> 1:30:18.760
<v Speaker 1>on what wow? I want you? He is the most

1:30:18.840 --> 1:30:22.160
<v Speaker 1>interesting man in the world. What he Harrison is a

1:30:23.360 --> 1:30:30.040
<v Speaker 1>raw vegan. He smokes. He smokes, smokes um only eats

1:30:30.080 --> 1:30:33.600
<v Speaker 1>food from the earth at a certain temperature. He operates

1:30:33.680 --> 1:30:38.639
<v Speaker 1>like a nomad, like he's a He's whatever the earth

1:30:38.760 --> 1:30:44.600
<v Speaker 1>provides he uses. He spins his water up spins. What

1:30:44.680 --> 1:30:47.960
<v Speaker 1>does that mean? He makes it? It's water. How do

1:30:48.040 --> 1:30:50.120
<v Speaker 1>you make water? I don't fucking know, But he doesn't.

1:30:51.160 --> 1:30:54.880
<v Speaker 1>He doesn't have bottle water spins. He spends it. It's

1:30:54.920 --> 1:30:59.080
<v Speaker 1>called spinning. He spends his water. Electricity. He doesn't like

1:30:59.600 --> 1:31:03.519
<v Speaker 1>if it's like forced electricity and not natural from like

1:31:03.640 --> 1:31:09.080
<v Speaker 1>the solar with the some he like, I'm not gonna

1:31:09.120 --> 1:31:14.679
<v Speaker 1>tell you that type of person, Like he's uh, feel

1:31:14.680 --> 1:31:16.960
<v Speaker 1>like he got horses. He know, he's like he's like,

1:31:17.840 --> 1:31:20.880
<v Speaker 1>he's like he's a nomad. He's the most interesting person

1:31:20.960 --> 1:31:23.720
<v Speaker 1>you'll ever talked to. He's the happiest man. He's the

1:31:23.840 --> 1:31:27.160
<v Speaker 1>happiest man you will ever talk to. Like he's he

1:31:27.280 --> 1:31:33.800
<v Speaker 1>just goes a Jostra treat and a trailer. You can't

1:31:33.840 --> 1:31:35.800
<v Speaker 1>if I can if I want to call Woody right now,

1:31:36.240 --> 1:31:42.320
<v Speaker 1>it's a like I can't call him emails. Like one

1:31:42.439 --> 1:31:45.080
<v Speaker 1>person can get to him. Not a lot of people

1:31:45.240 --> 1:31:48.200
<v Speaker 1>can get to He's a person that's like he's he's

1:31:48.280 --> 1:31:52.680
<v Speaker 1>so centered with being present in life. No phone, none

1:31:52.720 --> 1:31:55.280
<v Speaker 1>of that ship. He's not that guy. He's a He's

1:31:55.280 --> 1:31:57.320
<v Speaker 1>a different breed. He's the most interesting man I've ever

1:31:57.360 --> 1:32:02.240
<v Speaker 1>been around with. Kanye was like that too. Kanye was

1:32:02.280 --> 1:32:04.400
<v Speaker 1>like that for a minute to well, I don't know,

1:32:04.600 --> 1:32:17.280
<v Speaker 1>k I'm going to sleep. One time he told me

1:32:17.360 --> 1:32:18.840
<v Speaker 1>one time he was at the gym. He said, Kevin,

1:32:18.880 --> 1:32:20.519
<v Speaker 1>you don't really do the phone ship, but like give

1:32:20.560 --> 1:32:25.519
<v Speaker 1>me like an email and I'll see an email. Assume

1:32:25.560 --> 1:32:28.800
<v Speaker 1>it's equal Knox. Yeah, Egual Knox right assume. So then

1:32:28.880 --> 1:32:31.439
<v Speaker 1>after I'll never go to equal NOx. But you were

1:32:31.560 --> 1:32:34.840
<v Speaker 1>just train again in my life, I don't like you guys.

1:32:35.200 --> 1:32:38.519
<v Speaker 1>After he emails me, but then it's like from a

1:32:38.600 --> 1:32:41.160
<v Speaker 1>phone and it's a signature. It's like Kanye, I'm like,

1:32:41.360 --> 1:32:47.960
<v Speaker 1>is this your phone? And he goes, who's this? Disappeared?

1:32:49.520 --> 1:32:51.519
<v Speaker 1>But Kaye is like one of those guys or like

1:32:51.640 --> 1:32:53.160
<v Speaker 1>he said, not no more, but there was a moment

1:32:53.400 --> 1:32:56.200
<v Speaker 1>where he was no man navigating for a minute. Yes,

1:32:56.280 --> 1:32:59.200
<v Speaker 1>And then we'll get into the story with you just

1:32:59.360 --> 1:33:02.720
<v Speaker 1>training know well, yeah, made me never want to come back.

1:33:02.960 --> 1:33:06.360
<v Speaker 1>I'll stop it. And you were working on or Jada kiss,

1:33:07.760 --> 1:33:13.160
<v Speaker 1>I'll tell you shot cabin, cabin is back in. Are

1:33:13.200 --> 1:33:16.400
<v Speaker 1>we gonnat this? This? This is a lot about us.

1:33:16.840 --> 1:33:19.160
<v Speaker 1>I can't I can't answer that question. Okay, that's that's

1:33:20.600 --> 1:33:23.360
<v Speaker 1>I don't think that's a fair question exactly. I don't

1:33:24.080 --> 1:33:25.880
<v Speaker 1>question it's a fair question for drinks. And we're going

1:33:25.960 --> 1:33:28.320
<v Speaker 1>to switch to this. We're gonna you're gonna finish your shot.

1:33:28.720 --> 1:33:31.800
<v Speaker 1>I am okay, I'm gonna take you wanna take a

1:33:31.840 --> 1:33:38.639
<v Speaker 1>what I'm not letting you take a fu? You think

1:33:38.680 --> 1:33:42.160
<v Speaker 1>I got the time. We don't stop. We can keep going.

1:33:42.280 --> 1:33:44.240
<v Speaker 1>We can go, you guys, keep going, keep going and

1:33:44.439 --> 1:33:54.200
<v Speaker 1>take a lot. We're ignoring people. You can't. Why don't

1:33:54.439 --> 1:34:00.720
<v Speaker 1>do it? I don't know. You think best? You want?

1:34:00.760 --> 1:34:04.160
<v Speaker 1>I don't want to take I would finish after the show.

1:34:04.200 --> 1:34:08.920
<v Speaker 1>I would you're you're you're a real drink chick. Not

1:34:09.080 --> 1:34:12.400
<v Speaker 1>get cameras. You know, we say like this and okay,

1:34:12.560 --> 1:34:14.160
<v Speaker 1>and you keep going. We keep going. That's such a

1:34:14.240 --> 1:34:18.320
<v Speaker 1>horrible edit for a second. We keep that. Let me

1:34:18.400 --> 1:34:20.880
<v Speaker 1>stop for a second as a producer. If you funk

1:34:20.960 --> 1:34:23.760
<v Speaker 1>up this camera shot by walking away, you leave a

1:34:23.840 --> 1:34:25.439
<v Speaker 1>home with me and no ring now and talk, but

1:34:25.600 --> 1:34:29.439
<v Speaker 1>we lose. You know, we can put a mannequin right here, mannequin,

1:34:29.920 --> 1:34:38.479
<v Speaker 1>mannequin right here. No, no, no, you're gonna help up.

1:34:40.560 --> 1:34:43.519
<v Speaker 1>You know what now? I think we never throw up

1:34:43.880 --> 1:34:57.240
<v Speaker 1>fucking believe I'm now you know, of course, sorry, I

1:34:57.240 --> 1:35:01.120
<v Speaker 1>already my shot? U like, did you're leaving it? Really? Really?

1:35:01.439 --> 1:35:03.000
<v Speaker 1>I'm not upset about it, but I don't like it.

1:35:04.400 --> 1:35:06.599
<v Speaker 1>I like that. I don't like it that the first

1:35:06.680 --> 1:35:11.920
<v Speaker 1>gusta take a piss. Hey, you guys, get the funk out.

1:35:12.360 --> 1:35:16.720
<v Speaker 1>Listen TV we don't. We don't do TV. This is

1:35:16.960 --> 1:35:18.960
<v Speaker 1>we in it. No, no, no, we don't end it.

1:35:19.280 --> 1:35:21.280
<v Speaker 1>We're in it. We're in it. No, we're gone. But

1:35:21.360 --> 1:35:24.960
<v Speaker 1>then we all gonna take a pis. I'm done. No,

1:35:25.280 --> 1:35:33.840
<v Speaker 1>I'm walking out. Yeah, yeah, that's right now. Want to

1:35:33.920 --> 1:35:44.280
<v Speaker 1>make you hold your piss. I'm not really have to piss.

1:35:44.320 --> 1:35:56.479
<v Speaker 1>That's not to you, Okay, Queen Latif mc light, just

1:35:56.600 --> 1:36:05.800
<v Speaker 1>take a shot at rapping whatever you want, sir, set

1:36:05.880 --> 1:36:09.600
<v Speaker 1>it off and as motherfucker whatever you want to. I

1:36:09.640 --> 1:36:11.360
<v Speaker 1>want to go to say Queen Lativa because I feel

1:36:11.400 --> 1:36:15.600
<v Speaker 1>Queen Latifa is still finding new ways to reinvent, recreate

1:36:15.760 --> 1:36:20.360
<v Speaker 1>and do uh m c lights still works and does stuff. Um,

1:36:20.800 --> 1:36:26.639
<v Speaker 1>she's an amazing voice for so much bt um Award

1:36:26.720 --> 1:36:30.439
<v Speaker 1>shows specials, any any award show us like she's becoming

1:36:30.479 --> 1:36:32.680
<v Speaker 1>the voice of God, um for so many and that

1:36:32.720 --> 1:36:35.760
<v Speaker 1>doesn't mean actually God, it's uh a reference use when

1:36:36.320 --> 1:36:39.439
<v Speaker 1>dealing with award shows, et cetera. But Queen Latifa is

1:36:39.560 --> 1:36:42.080
<v Speaker 1>just still acting. I know, she just released a movie

1:36:42.120 --> 1:36:45.439
<v Speaker 1>on Netflix. She's still producing, She's doing so much. So

1:36:46.720 --> 1:36:52.040
<v Speaker 1>talked Yes, Queenlieth, I want to say queenly Teeth the

1:36:52.120 --> 1:36:54.880
<v Speaker 1>movie is actually kind of good. It's to the end,

1:36:55.320 --> 1:36:57.200
<v Speaker 1>to the end, I ain't gonna I was like, why

1:36:57.240 --> 1:36:59.760
<v Speaker 1>do you say? Why don't people do that? Like the

1:36:59.840 --> 1:37:03.120
<v Speaker 1>more was actually kind of good? Like you know what,

1:37:03.439 --> 1:37:06.120
<v Speaker 1>let me let me be freak raise that the movie

1:37:06.360 --> 1:37:09.200
<v Speaker 1>is actually great. But here's here's here's want to say,

1:37:09.200 --> 1:37:14.599
<v Speaker 1>why do people do that? If you like the movie,

1:37:15.720 --> 1:37:18.600
<v Speaker 1>you enjoyed it. I enjoyed it, right, seriously, So the

1:37:18.680 --> 1:37:21.800
<v Speaker 1>movie is good to you. It's great if you leave

1:37:21.920 --> 1:37:27.120
<v Speaker 1>up a window or inkland for somebody to infiltrate your

1:37:27.160 --> 1:37:29.120
<v Speaker 1>suggestive of what it is. But it's kind of good,

1:37:29.240 --> 1:37:31.920
<v Speaker 1>you know the thing that you're like, like they get

1:37:31.960 --> 1:37:34.120
<v Speaker 1>into your ship. I'll tell you why. And it was

1:37:34.160 --> 1:37:36.240
<v Speaker 1>good for you to say it was good. The reason why,

1:37:36.439 --> 1:37:39.320
<v Speaker 1>Like I don't read my own comments, okay, Like if

1:37:39.439 --> 1:37:42.240
<v Speaker 1>I post something, I don't read what people say about me,

1:37:42.400 --> 1:37:46.120
<v Speaker 1>but I read with people saying about other people. Do

1:37:46.240 --> 1:37:49.960
<v Speaker 1>you have to care? Sometimes I do. I can't lie

1:37:50.000 --> 1:37:54.479
<v Speaker 1>to you. Care No, sometimes what care? I want you

1:37:54.520 --> 1:37:57.720
<v Speaker 1>to take a second a second right now, look care

1:37:57.920 --> 1:38:00.559
<v Speaker 1>drinking take a second of process that. Do you really care?

1:38:01.960 --> 1:38:05.000
<v Speaker 1>Sometimes I do? I can't lie to you like sometimes

1:38:05.200 --> 1:38:08.040
<v Speaker 1>like like there was a meme. I mean they're said,

1:38:08.400 --> 1:38:10.519
<v Speaker 1>most people see a person of course the street, and

1:38:10.560 --> 1:38:13.840
<v Speaker 1>they say that the person of course streets don't like them,

1:38:14.800 --> 1:38:16.680
<v Speaker 1>so they say, most people want to go over there

1:38:16.800 --> 1:38:19.160
<v Speaker 1>and say why you don't like me? And then I

1:38:19.280 --> 1:38:21.920
<v Speaker 1>believe fifty posted this and pretty said I'm the guy

1:38:22.040 --> 1:38:24.000
<v Speaker 1>that says I don't give a funk why do people

1:38:24.080 --> 1:38:26.559
<v Speaker 1>of course street don't like me? I'm not that guy,

1:38:26.800 --> 1:38:29.320
<v Speaker 1>but I'm actually the guy that I want to know? Why?

1:38:29.800 --> 1:38:31.880
<v Speaker 1>But why? Why do you skip the logic? Why do

1:38:31.960 --> 1:38:36.439
<v Speaker 1>you skip the common sense logic of what part? What

1:38:36.560 --> 1:38:40.640
<v Speaker 1>do they? What does that change in your life? What

1:38:40.760 --> 1:38:43.559
<v Speaker 1>do they change in your life? What do those comments

1:38:43.600 --> 1:38:46.400
<v Speaker 1>that you read? I wouldn't be honest. Do you have Twitter? Yeah?

1:38:46.439 --> 1:38:51.920
<v Speaker 1>I have everything? Okay, sorry, it might mean swear dom

1:38:52.040 --> 1:38:58.639
<v Speaker 1>he the most place on the planet to who to me? Okay, litten,

1:38:58.680 --> 1:39:02.120
<v Speaker 1>listen to what you're saying right now? All right, I'm sorry,

1:39:02.120 --> 1:39:04.080
<v Speaker 1>I'm gonna reverse it for a second. Let's go I

1:39:04.120 --> 1:39:07.559
<v Speaker 1>already did you don't even realize that I watching watch?

1:39:07.960 --> 1:39:09.439
<v Speaker 1>You d a lot of red wining. Let's you know what?

1:39:09.520 --> 1:39:11.600
<v Speaker 1>You listen to what you just told me? You just

1:39:11.720 --> 1:39:18.599
<v Speaker 1>told me that platform where people come on and talk

1:39:20.000 --> 1:39:22.960
<v Speaker 1>translates to your real world, which is why you care.

1:39:23.920 --> 1:39:26.840
<v Speaker 1>You know what I should rephrase. I asked you to

1:39:26.920 --> 1:39:29.960
<v Speaker 1>think about that. I apologize because it does. It doesn't.

1:39:30.000 --> 1:39:32.880
<v Speaker 1>It doesn't. It affects me while I'm on the app,

1:39:33.040 --> 1:39:38.320
<v Speaker 1>it doesn't. I'll tell you a story real quick. One

1:39:38.360 --> 1:39:40.840
<v Speaker 1>time I had beef with this internet troll guy. Right,

1:39:40.840 --> 1:39:43.960
<v Speaker 1>I don't want to already, I don't want to say

1:39:44.000 --> 1:39:47.000
<v Speaker 1>his name or whatever. But it was crazy, like me

1:39:47.080 --> 1:39:48.880
<v Speaker 1>and him going back and forth. You know what. Angela

1:39:49.080 --> 1:39:51.600
<v Speaker 1>ye Angela Yee called me and she said can you

1:39:51.920 --> 1:39:53.760
<v Speaker 1>And I was like, you know, Angela, I'm a little

1:39:53.800 --> 1:39:56.880
<v Speaker 1>stressed out, like this guy's box is in my comments

1:39:57.080 --> 1:40:00.040
<v Speaker 1>every time I post something. So I'm sitting there and

1:40:00.160 --> 1:40:03.880
<v Speaker 1>I'm actually worried. I'm actually liked do something wrong. And

1:40:04.160 --> 1:40:07.519
<v Speaker 1>Angeley gave me the best advice ever. She said, can

1:40:07.560 --> 1:40:08.880
<v Speaker 1>you do me a favorite where you're at right now?

1:40:08.920 --> 1:40:10.120
<v Speaker 1>And I forget where I was at. She was like,

1:40:10.240 --> 1:40:12.760
<v Speaker 1>just walk across the street. And I walked across the

1:40:12.800 --> 1:40:15.519
<v Speaker 1>street and then I walked back and then I called

1:40:15.560 --> 1:40:17.680
<v Speaker 1>that and she was like, did anybody tell you look

1:40:18.640 --> 1:40:21.680
<v Speaker 1>anything that happened on social media, and I was like, no,

1:40:22.080 --> 1:40:25.920
<v Speaker 1>she was like exactly, boso you know what she called

1:40:25.920 --> 1:40:31.799
<v Speaker 1>your bozo. If she would have she would have been correct.

1:40:34.400 --> 1:40:37.880
<v Speaker 1>And I'm gonna say this everybody watching two please, there's

1:40:37.920 --> 1:40:44.200
<v Speaker 1>a misconception as to reality versus false reality. Right, I

1:40:44.320 --> 1:40:48.639
<v Speaker 1>see it all the time. Came not finding Fuck you man,

1:40:48.800 --> 1:40:51.559
<v Speaker 1>I'm so sick of what the funk? When they're gonna stop?

1:40:51.720 --> 1:40:56.360
<v Speaker 1>God damnit, he see it all the time. I'm still

1:40:56.360 --> 1:40:59.840
<v Speaker 1>gonna do the movies. I'm still want to do commercial.

1:41:01.240 --> 1:41:05.439
<v Speaker 1>I'm still gonna go perform. You ain't funny funk that

1:41:05.800 --> 1:41:12.040
<v Speaker 1>I'm okays fifteen people out of each if I get

1:41:12.080 --> 1:41:16.040
<v Speaker 1>into that thing that they believe, Well, what's the where's

1:41:16.080 --> 1:41:18.960
<v Speaker 1>my side of real reality? You have to understand that

1:41:19.000 --> 1:41:22.240
<v Speaker 1>the social media is amazing as it's pros and cons. Right,

1:41:22.680 --> 1:41:26.479
<v Speaker 1>one of the cons one of the one of the

1:41:26.560 --> 1:41:31.360
<v Speaker 1>cons is one of the cons is negativity. Right, there's

1:41:31.360 --> 1:41:34.200
<v Speaker 1>a world of negativity that's embraced on social media. So

1:41:34.479 --> 1:41:39.160
<v Speaker 1>if you allow the negativity to infilfrate, infiltrate your world

1:41:39.400 --> 1:41:44.000
<v Speaker 1>of good, you lost Like there's real world and then

1:41:44.080 --> 1:41:47.400
<v Speaker 1>there's that the real world is what you actually exist

1:41:47.479 --> 1:41:51.040
<v Speaker 1>into who you exist with. If those people don't say

1:41:51.040 --> 1:41:53.320
<v Speaker 1>shipped to you to shake you or knock you off

1:41:53.360 --> 1:41:57.880
<v Speaker 1>your square, then tell me what really matters. So if

1:41:57.920 --> 1:42:01.200
<v Speaker 1>I'm gonna let a comment or a person and affect

1:42:01.320 --> 1:42:03.960
<v Speaker 1>me and then I shoot me on social media in general,

1:42:05.040 --> 1:42:06.960
<v Speaker 1>and that's the difference, that's the difference in the mindset

1:42:07.040 --> 1:42:09.080
<v Speaker 1>of a lot of people that's on it, because a

1:42:09.080 --> 1:42:10.680
<v Speaker 1>lot of people are on it for the fulfillment of

1:42:10.800 --> 1:42:14.120
<v Speaker 1>what the comment says. Have you been a black Twitter?

1:42:14.800 --> 1:42:17.240
<v Speaker 1>I don't even know what the fun that is. You know,

1:42:17.439 --> 1:42:20.800
<v Speaker 1>you kind of made it up in the way you

1:42:21.240 --> 1:42:24.439
<v Speaker 1>described me talking about this is say, talking about baby

1:42:24.520 --> 1:42:28.920
<v Speaker 1>on black Twitter? Black ship? What does that mean? I

1:42:29.000 --> 1:42:35.200
<v Speaker 1>don't know. I just even though it's the same Twitter,

1:42:36.320 --> 1:42:38.160
<v Speaker 1>that's what it is. But it's the same Twitter, but

1:42:38.280 --> 1:42:41.560
<v Speaker 1>it's a certain section of Twitter where it's just some

1:42:41.720 --> 1:42:45.960
<v Speaker 1>black ship going on. Do you do you know this?

1:42:46.120 --> 1:42:47.880
<v Speaker 1>And you's just saying this, this is real? I know

1:42:48.080 --> 1:42:53.160
<v Speaker 1>this alright, And then you know it's like and it's

1:42:53.160 --> 1:42:55.360
<v Speaker 1>like the Bill Cosby Ship. It's like where we because

1:42:55.400 --> 1:42:57.479
<v Speaker 1>like where we keep it real? Because everybody like one

1:42:57.520 --> 1:43:00.080
<v Speaker 1>of them, like write Bill cost black people talking it.

1:43:01.680 --> 1:43:03.800
<v Speaker 1>I don't want to say that, Kevin. I want to say,

1:43:04.800 --> 1:43:16.320
<v Speaker 1>we are negotiating hostage. Okay, hostage right now, Okay, black

1:43:17.479 --> 1:43:20.160
<v Speaker 1>definitely right now, right now, right now, I can say.

1:43:20.960 --> 1:43:24.599
<v Speaker 1>I can say, do you guys have questions for Kevin

1:43:24.680 --> 1:43:29.719
<v Speaker 1>Hart and the worst questions in the world. That's gonna

1:43:29.800 --> 1:43:33.439
<v Speaker 1>come within twenty five seconds. Okay. So it's it's black

1:43:33.439 --> 1:43:36.719
<v Speaker 1>foodle talking shit. I don't want to say talking ship. Okay,

1:43:37.240 --> 1:43:42.800
<v Speaker 1>you're not doing a good job of fucking explaining definition,

1:43:42.960 --> 1:43:44.920
<v Speaker 1>So tell me the definition of what it is. Come

1:43:44.960 --> 1:43:55.080
<v Speaker 1>over here, come over, just just explain. Black Twitter is

1:43:55.680 --> 1:43:57.960
<v Speaker 1>the worst best place in the world. Black Twitter is

1:43:58.040 --> 1:44:00.639
<v Speaker 1>basically all of us. We come together, we do our means,

1:44:00.760 --> 1:44:03.120
<v Speaker 1>we do our topics, we do everything where we talk

1:44:03.200 --> 1:44:05.880
<v Speaker 1>about in our community. Twitter is like America and we

1:44:05.960 --> 1:44:15.679
<v Speaker 1>got so Spain. Was that correct when I said black

1:44:15.720 --> 1:44:22.040
<v Speaker 1>people talk? I was correct. Okay, it's like a secret community.

1:44:22.080 --> 1:44:26.240
<v Speaker 1>It's like only us hearing black people talking ship. That's

1:44:26.240 --> 1:44:28.799
<v Speaker 1>what I'm saying. Okay, I got it. Okay, it's amazing

1:44:29.000 --> 1:44:33.920
<v Speaker 1>Black Twitter. I got it, Black Twitter or not, who

1:44:34.080 --> 1:44:38.360
<v Speaker 1>gives a fun how I understand? Like it's like we're

1:44:38.400 --> 1:44:42.839
<v Speaker 1>in a time where everybody highlights the world of opinion.

1:44:43.560 --> 1:44:46.080
<v Speaker 1>You forget that it's just that, by the way, I

1:44:46.240 --> 1:44:49.679
<v Speaker 1>falling victim to it. I fall a victim at certain

1:44:49.720 --> 1:44:52.679
<v Speaker 1>points in my life. We talked about earlier me on clubhouse, etcetera.

1:44:52.800 --> 1:44:55.920
<v Speaker 1>Like you fall victim to it. But ultimately the biggest

1:44:55.920 --> 1:44:59.560
<v Speaker 1>thing you realize it don't matter. It don't matter. Like

1:45:00.200 --> 1:45:04.599
<v Speaker 1>those comments you're talking about. I'm a logic guy. I'm

1:45:04.640 --> 1:45:09.200
<v Speaker 1>a I'm a reality guy, right, I don't live in fantasy. Check.

1:45:09.439 --> 1:45:12.760
<v Speaker 1>I don't live in fantasy. Right, So in reality I

1:45:12.840 --> 1:45:16.920
<v Speaker 1>killed that you called in reality? How many people in

1:45:16.960 --> 1:45:22.720
<v Speaker 1>the world billions? Do you see billions of comments? In

1:45:22.800 --> 1:45:29.080
<v Speaker 1>your fucking people see three, people see fifty, they see eight,

1:45:32.840 --> 1:45:36.599
<v Speaker 1>They see a bunch of whatever. But whatever that means,

1:45:36.760 --> 1:45:38.920
<v Speaker 1>maybe selling art, and they'll be telling you that they

1:45:39.040 --> 1:45:42.760
<v Speaker 1>made money off of the funds. I don't like the

1:45:49.280 --> 1:45:54.840
<v Speaker 1>Nor's got a problem. The is the first niggas. That's

1:45:54.880 --> 1:46:12.120
<v Speaker 1>all I'll be thinking about it too, like the sad man,

1:46:12.760 --> 1:46:14.720
<v Speaker 1>Get the funk out of it. To anybody else that

1:46:14.760 --> 1:46:17.120
<v Speaker 1>gives a funk about comments, ask yourself, why do you

1:46:17.240 --> 1:46:21.320
<v Speaker 1>care about people you do not know? That's it. I've

1:46:21.360 --> 1:46:23.720
<v Speaker 1>wrapped it up that simple. Why the fund do you

1:46:23.840 --> 1:46:27.160
<v Speaker 1>care about people you do not know? Why do opinions

1:46:27.200 --> 1:46:30.240
<v Speaker 1>of people that you don't even know who they are,

1:46:30.439 --> 1:46:34.439
<v Speaker 1>what they are? Why do they matter? What matters to you?

1:46:35.520 --> 1:46:39.639
<v Speaker 1>Who really shakes your fucking ground in your world? If

1:46:39.680 --> 1:46:43.000
<v Speaker 1>you got a wide variety of who those people are,

1:46:43.400 --> 1:46:47.280
<v Speaker 1>that's your problem. If anybody can shake your foundation and

1:46:47.400 --> 1:46:49.840
<v Speaker 1>take a brick from underneath it and make your building

1:46:49.920 --> 1:46:53.680
<v Speaker 1>fall down, you have bigger problems that should come from

1:46:53.720 --> 1:46:57.240
<v Speaker 1>a solid nucleus. We name the names of the people

1:46:57.320 --> 1:47:00.519
<v Speaker 1>around me. There's certain people that can say something that

1:47:00.600 --> 1:47:03.920
<v Speaker 1>can affect my fucking foundation for real, and I neber

1:47:03.960 --> 1:47:08.200
<v Speaker 1>as small. I'll be damned if it's a comment, I'll

1:47:08.240 --> 1:47:09.920
<v Speaker 1>be damned. If it's a blog, I'll be damned. If

1:47:09.920 --> 1:47:12.439
<v Speaker 1>it's a person I've never seen or never know. Who

1:47:12.560 --> 1:47:16.519
<v Speaker 1>gives the fuck why? If it doesn't come from your

1:47:16.840 --> 1:47:19.880
<v Speaker 1>from your nucleus, or from your your circle, or from

1:47:19.920 --> 1:47:23.920
<v Speaker 1>the thing that you build, it shouldn't matter, point Blake,

1:47:24.520 --> 1:47:32.320
<v Speaker 1>It shouldn't matter. That's it. It's just a so I

1:47:32.320 --> 1:47:34.000
<v Speaker 1>ain't a lot of you. I was just pointing it

1:47:34.080 --> 1:47:37.600
<v Speaker 1>to be cute. You guys are gonna love this, I

1:47:37.680 --> 1:47:45.759
<v Speaker 1>promise at all. Come on now, come on now, be honest.

1:47:45.880 --> 1:47:49.240
<v Speaker 1>That's good. Come on now, I'm gonna wake up in

1:47:49.280 --> 1:47:53.000
<v Speaker 1>flatbush because you got a long way to go. Man,

1:47:53.520 --> 1:47:56.439
<v Speaker 1>go on down, come on out, come on now. I

1:47:56.560 --> 1:48:00.760
<v Speaker 1>like it. Come on, he thought, is gonna be fucking

1:48:01.360 --> 1:48:06.439
<v Speaker 1>it started out, but it's gonna give you that what

1:48:06.880 --> 1:48:20.479
<v Speaker 1>that y'all? Y'all you let be honest with you, Okay,

1:48:29.479 --> 1:48:34.080
<v Speaker 1>getting sucked up, by the way, by the way I'm saying,

1:48:34.160 --> 1:48:36.320
<v Speaker 1>we're being fucked I'm staying strong and let me just

1:48:36.360 --> 1:48:39.280
<v Speaker 1>be honest with you because this is something I say,

1:48:39.360 --> 1:48:41.360
<v Speaker 1>is just something I always want to tell all my friends.

1:48:42.320 --> 1:48:44.560
<v Speaker 1>Because I'm your friend does not take away from me

1:48:45.479 --> 1:48:52.320
<v Speaker 1>being your fans. You continue to elevate. I was so

1:48:52.479 --> 1:49:02.120
<v Speaker 1>blue away no playing out like that. I was. Let

1:49:02.160 --> 1:49:04.360
<v Speaker 1>me just say something, Let me just say let me

1:49:06.320 --> 1:49:10.519
<v Speaker 1>you tell them when when artists that I love drops

1:49:10.560 --> 1:49:12.719
<v Speaker 1>the album, I could tique them, and I could tique

1:49:12.720 --> 1:49:15.840
<v Speaker 1>them because I'm not no longer making albums, so I

1:49:15.880 --> 1:49:18.599
<v Speaker 1>could take him and I look at where they could

1:49:18.640 --> 1:49:21.400
<v Speaker 1>suck up and how they could suck up. And it

1:49:21.800 --> 1:49:24.360
<v Speaker 1>wasn't I was doing that yesterday. But I want to do.

1:49:24.439 --> 1:49:26.800
<v Speaker 1>I said, cap can't be this shop. He got too

1:49:26.880 --> 1:49:30.599
<v Speaker 1>much money. He got beautiful white, beautiful people everyone. There's

1:49:30.720 --> 1:49:34.280
<v Speaker 1>no way he has to slip up. It has to

1:49:34.360 --> 1:49:36.640
<v Speaker 1>pay one. And I'm looking at you like this. You

1:49:36.680 --> 1:49:41.360
<v Speaker 1>know what you say to me, I'm like Damnis for real,

1:49:41.479 --> 1:49:48.000
<v Speaker 1>like you. He was directing me to my seat. Jesus,

1:49:48.560 --> 1:49:51.760
<v Speaker 1>such a Jesus. I'm an rapper. I'm gonna make it

1:49:51.880 --> 1:49:54.960
<v Speaker 1>two seconds before it storry And you did not you

1:49:55.280 --> 1:49:58.160
<v Speaker 1>you controlled everything. So I'm looking for a slip up.

1:49:58.400 --> 1:50:01.320
<v Speaker 1>I'm looking for it. I'm watching. Only slip up was

1:50:01.600 --> 1:50:06.599
<v Speaker 1>at the end, Yeah, I said, And then I look,

1:50:06.640 --> 1:50:09.680
<v Speaker 1>I said, another pass listening. He stick, he's staying in

1:50:09.760 --> 1:50:14.360
<v Speaker 1>the tradition. What those yess? Yeah, I said, Holy moly, guacamoti.

1:50:14.520 --> 1:50:18.720
<v Speaker 1>He pay how much? By the way, that's a that's

1:50:18.760 --> 1:50:22.000
<v Speaker 1>a that's a that's my no, that's my nod all

1:50:22.040 --> 1:50:25.559
<v Speaker 1>the time. And you didn't slip Yeah, you stay shock.

1:50:26.520 --> 1:50:30.160
<v Speaker 1>And what I noticed is to be a great comedian

1:50:30.640 --> 1:50:35.960
<v Speaker 1>you have to be a great story telling. Absolutely, absolutely absolutely.

1:50:36.600 --> 1:50:38.280
<v Speaker 1>If you do not have good stories to tell, do

1:50:38.320 --> 1:50:40.720
<v Speaker 1>you have no substance. You need to be able to

1:50:40.760 --> 1:50:43.000
<v Speaker 1>tell stories and and by the way to be a

1:50:43.080 --> 1:50:48.280
<v Speaker 1>great comedian. You need problems, real problems. Yeah, you need

1:50:48.360 --> 1:50:50.760
<v Speaker 1>your brother. Need to your brother. I thought I knew

1:50:50.800 --> 1:50:55.720
<v Speaker 1>him brother, because of how you describe one time I

1:50:55.800 --> 1:50:59.160
<v Speaker 1>met your father. Um, I don't remember where was at,

1:50:59.280 --> 1:51:00.519
<v Speaker 1>but I just start to went to him like I

1:51:00.560 --> 1:51:03.120
<v Speaker 1>knew him. And then I realized I've never met this guy.

1:51:05.680 --> 1:51:11.120
<v Speaker 1>My dad will welcome. My brother is my my fucking everything.

1:51:11.160 --> 1:51:13.760
<v Speaker 1>I love my brother to death. My brother's brother, slash dad,

1:51:13.920 --> 1:51:19.000
<v Speaker 1>slash brother, the best dog. I brother had a moment,

1:51:19.120 --> 1:51:22.920
<v Speaker 1>but he's not he's good. You gotta see this, you

1:51:22.960 --> 1:51:24.600
<v Speaker 1>gotta see the set. I can't. I don't want to

1:51:24.600 --> 1:51:26.720
<v Speaker 1>give it away here, don't give it away. Yeah, but

1:51:26.880 --> 1:51:29.760
<v Speaker 1>my brother is fucking he's a part of the reason

1:51:29.800 --> 1:51:32.040
<v Speaker 1>why I am the man I am today. Right, you can't.

1:51:32.320 --> 1:51:40.719
<v Speaker 1>You can't ignore my older brother. Yes, I got that part.

1:51:41.120 --> 1:51:42.960
<v Speaker 1>I was about to say, I I want I want

1:51:42.960 --> 1:51:46.160
<v Speaker 1>to be hurtful. No, that's my brother. Okay, Kenny, you

1:51:46.200 --> 1:51:48.599
<v Speaker 1>know what I almost said. I almost said, yeah, all right,

1:51:48.600 --> 1:51:53.720
<v Speaker 1>I said no, But my my brother is he's just

1:51:53.800 --> 1:51:56.439
<v Speaker 1>a valuable piece of the puzzle of our family. You know. Um,

1:51:56.960 --> 1:52:02.479
<v Speaker 1>he he takes the role old that you don't realize

1:52:02.600 --> 1:52:07.320
<v Speaker 1>uncles are supposed to take my kids are my kids

1:52:07.360 --> 1:52:10.920
<v Speaker 1>know so much because of the ship that their uncle

1:52:11.000 --> 1:52:13.479
<v Speaker 1>is brought to the table. Little ship that you get about.

1:52:13.960 --> 1:52:18.040
<v Speaker 1>I'm saying, I dope my brothers. So you know we

1:52:18.200 --> 1:52:26.640
<v Speaker 1>all assume throwing like a boomerang. Yeah, seeing it. You know,

1:52:27.160 --> 1:52:30.240
<v Speaker 1>my brother is the guy to tell my kids you

1:52:30.280 --> 1:52:38.760
<v Speaker 1>ever throw a boomerang. No, whether he works it or not,

1:52:39.720 --> 1:52:43.880
<v Speaker 1>he understands how to intrigue and get kids excited. Hey

1:52:43.960 --> 1:52:46.400
<v Speaker 1>you have y'all don't know about the slinky. Back in

1:52:46.400 --> 1:52:52.040
<v Speaker 1>the day, slinky, No, my brother went and found a

1:52:52.120 --> 1:52:57.960
<v Speaker 1>fucking slinky kids. Yeah, but today is it? No? No,

1:52:58.520 --> 1:53:03.280
<v Speaker 1>what kids even know about it today? Remember the army

1:53:03.320 --> 1:53:13.080
<v Speaker 1>man that's two advance. I'm talking the parachutes on their

1:53:13.160 --> 1:53:21.200
<v Speaker 1>back flying a kite. What listen. Listen. By the way

1:53:21.560 --> 1:53:23.080
<v Speaker 1>I saw my brother to it, I was like, this

1:53:23.120 --> 1:53:27.720
<v Speaker 1>isn't crazy. I'm not flying built the kite. Got my

1:53:27.840 --> 1:53:32.040
<v Speaker 1>kids out there, listen, Got the kids out there running

1:53:32.200 --> 1:53:35.960
<v Speaker 1>all the ship that you forget that made your childhood special.

1:53:36.040 --> 1:53:40.439
<v Speaker 1>He remembers, maybe my kids watch the older movies like uh,

1:53:41.000 --> 1:53:44.960
<v Speaker 1>little rascals, little giants, all the ship. Honey, I shrunk

1:53:45.040 --> 1:53:47.120
<v Speaker 1>the kids all the movies that we watched back in

1:53:47.200 --> 1:53:51.439
<v Speaker 1>the day. He bat He's that guy. He's the uncle

1:53:52.040 --> 1:53:54.240
<v Speaker 1>that comes to the table with different ships. So my

1:53:54.640 --> 1:53:58.360
<v Speaker 1>my kids are my kids are not only in the

1:53:58.479 --> 1:54:00.840
<v Speaker 1>place of just knowledge of someone from the old, but

1:54:00.920 --> 1:54:03.000
<v Speaker 1>they love the funk out their uncle and that role

1:54:03.479 --> 1:54:06.680
<v Speaker 1>that I can't have when I'm going, if I have

1:54:06.800 --> 1:54:09.400
<v Speaker 1>to be going for a significant times, my brother steps

1:54:09.439 --> 1:54:11.719
<v Speaker 1>and it takes man. So he's a He's a valuable

1:54:11.800 --> 1:54:14.240
<v Speaker 1>piece to the last name Hard and the foundation that

1:54:14.360 --> 1:54:17.120
<v Speaker 1>we built. And it's dope at fuck. It's dope that

1:54:17.160 --> 1:54:21.759
<v Speaker 1>we're holding on to the sting sure and his birthday.

1:54:21.880 --> 1:54:35.640
<v Speaker 1>Fuck's your birthday. It's a sucking shot. Drink my brother John,

1:54:37.600 --> 1:54:51.680
<v Speaker 1>I got it right. It's that's from well he doesn't drink.

1:54:51.760 --> 1:54:59.760
<v Speaker 1>Let's just wait a question. Okay, quick time slod Okay,

1:54:59.800 --> 1:55:03.960
<v Speaker 1>we finishing? Have you not finished? Kevin is very innovative. Yeah,

1:55:03.960 --> 1:55:12.120
<v Speaker 1>we'll hurry up. Come on, I'm not gonna people see

1:55:13.360 --> 1:55:15.720
<v Speaker 1>great toe quill drinking Grand Quarter is my first time

1:55:15.840 --> 1:55:17.960
<v Speaker 1>drinking the brown one. Well it won't be the last.

1:55:19.040 --> 1:55:22.360
<v Speaker 1>How about this? Shouts out to Grand Core. MEO just

1:55:24.080 --> 1:55:26.080
<v Speaker 1>of course, you guys have sponsors if we don't want

1:55:26.080 --> 1:55:28.640
<v Speaker 1>to disrespect him. Thank you guys for allowing me Am

1:55:28.640 --> 1:55:30.160
<v Speaker 1>I Tequila to come on to be a part of

1:55:30.240 --> 1:55:33.320
<v Speaker 1>your show today. I'm having a great time and I'm

1:55:33.400 --> 1:55:36.560
<v Speaker 1>drinking what I feel is like, uh, premium tequila. Not

1:55:36.600 --> 1:55:38.800
<v Speaker 1>sure if you guys are done before, but it's good guys,

1:55:38.880 --> 1:55:40.320
<v Speaker 1>and you know, we got products for you. We got

1:55:40.360 --> 1:55:44.040
<v Speaker 1>products for you, and we got the canaid back. Give

1:55:44.080 --> 1:55:46.880
<v Speaker 1>him the canaid back in case we're done smoking weed,

1:55:46.960 --> 1:55:50.560
<v Speaker 1>even smoke this. Yeah, there you go, man, we got everything.

1:55:50.720 --> 1:55:54.040
<v Speaker 1>Everything you need to everything you need to shout out

1:55:54.040 --> 1:56:00.720
<v Speaker 1>to Candida because I'm going to jail. See it's completely

1:56:03.760 --> 1:56:08.480
<v Speaker 1>it's not like. It's not like I don't feel comfortable

1:56:08.600 --> 1:56:14.440
<v Speaker 1>taking this back. Okay, that's right. Good as what I'm

1:56:14.480 --> 1:56:19.120
<v Speaker 1>saying on camera, I don't feel comfortable in taking this back. Okay,

1:56:19.360 --> 1:56:22.200
<v Speaker 1>go ahead, Hello, all right, let's move on. Come on,

1:56:23.960 --> 1:56:30.560
<v Speaker 1>Missy or Eve who's your producer? They do a great

1:56:31.280 --> 1:56:35.560
<v Speaker 1>three people we got we have to Dominican, right, yeah,

1:56:35.560 --> 1:56:40.040
<v Speaker 1>that's a great job from from Peru. I mean that's

1:56:43.160 --> 1:56:47.080
<v Speaker 1>eastern Philadelphia on the park right, like, so you cannot

1:56:48.480 --> 1:56:54.720
<v Speaker 1>she's the first female rough Rider and Cracy taking a

1:56:54.760 --> 1:56:58.000
<v Speaker 1>shot her. No, it hurts me, the sack shot. No,

1:56:58.240 --> 1:57:02.760
<v Speaker 1>I can't have a little bit. I want to say,

1:57:02.840 --> 1:57:07.360
<v Speaker 1>Missy man, because you can't. You can't deny Missy Elliott's

1:57:08.280 --> 1:57:13.760
<v Speaker 1>legendary stands music hip hop in general can't denied. But

1:57:13.840 --> 1:57:16.960
<v Speaker 1>even as a fucking force of nature. And Philadelphie loves that.

1:57:17.040 --> 1:57:23.680
<v Speaker 1>I love it. Took black Door almost that. I don't

1:57:23.680 --> 1:57:25.240
<v Speaker 1>think you gotta go answer that. Let's take a shot.

1:57:31.000 --> 1:57:34.800
<v Speaker 1>I can't wait to hear Herena. I'm gonna go ahead,

1:57:34.840 --> 1:57:38.920
<v Speaker 1>poor mama, just pour up. Man, he's thinking a little

1:57:38.960 --> 1:57:42.160
<v Speaker 1>great story to tell, right, he said once a bunch

1:57:42.160 --> 1:57:55.560
<v Speaker 1>of time making me feel bad about that. I gotta

1:57:55.600 --> 1:58:01.640
<v Speaker 1>take a shot. So fuck it, fuck it, this is it.

1:58:01.960 --> 1:58:08.120
<v Speaker 1>Fuck it I'm saying, fucking saying. I'm gonna black thought.

1:58:08.160 --> 1:58:11.520
<v Speaker 1>And here's why I'm going to black thought for the fact,

1:58:12.200 --> 1:58:17.720
<v Speaker 1>the fact, this is a fact. Fact. The roots, the

1:58:17.840 --> 1:58:21.160
<v Speaker 1>name of the roots a significant to hip hop in general.

1:58:23.000 --> 1:58:28.200
<v Speaker 1>And from the roots, you also have names that yes,

1:58:28.360 --> 1:58:31.000
<v Speaker 1>you have names that people go oh ship, yes, I know.

1:58:31.720 --> 1:58:35.400
<v Speaker 1>And these names everyone want to do amazing things on

1:58:35.560 --> 1:58:39.040
<v Speaker 1>so many different levels, right, like um when we think

1:58:39.040 --> 1:58:40.560
<v Speaker 1>about a group, when you think of the band, you

1:58:40.640 --> 1:58:43.320
<v Speaker 1>forget what the band is, what the band does. The

1:58:43.440 --> 1:58:45.840
<v Speaker 1>roots have stayed true to that and the fact that

1:58:45.920 --> 1:58:51.120
<v Speaker 1>Black Thought as a lead singer, as the the black

1:58:51.160 --> 1:58:56.360
<v Speaker 1>person of the best, he's never left his foundation. He's

1:58:56.360 --> 1:58:59.320
<v Speaker 1>still with his foundation. So I'm gonna say Black Thought

1:59:00.240 --> 1:59:03.440
<v Speaker 1>for the fact that his foundation is what it is

1:59:03.560 --> 1:59:06.440
<v Speaker 1>and he's been true to that thing. So shouts out

1:59:06.520 --> 1:59:08.840
<v Speaker 1>to him for being an example of why we as

1:59:08.880 --> 1:59:17.120
<v Speaker 1>Philadelphias are different. Yeah, most damn, I love you, uh

1:59:17.240 --> 1:59:23.920
<v Speaker 1>and I know you don't go bout most stuff anymore. Yes, yes, yes, see,

1:59:26.080 --> 1:59:28.080
<v Speaker 1>but I think my answer was good enough for you

1:59:28.120 --> 1:59:32.400
<v Speaker 1>to understand. All right, let's Will Smith ice cu m h.

1:59:34.080 --> 1:59:42.280
<v Speaker 1>I think we all got ready. Nope, I don't need him.

1:59:42.440 --> 1:59:47.440
<v Speaker 1>Dark times deserve fucking great light. I'm not gonna shift

1:59:47.520 --> 1:59:51.120
<v Speaker 1>on my brother and they both are my brothers, but

1:59:51.160 --> 1:59:52.600
<v Speaker 1>I'm not gonna take the time to shoot on him

1:59:52.600 --> 1:59:55.800
<v Speaker 1>and say Will Smith. And here's why Will Smith is

1:59:55.880 --> 1:59:59.120
<v Speaker 1>a fucking He's not only a legend, he's not only

1:59:59.160 --> 2:00:07.560
<v Speaker 1>a goat. I don't know he's against Well that doesn't alright,

2:00:09.520 --> 2:00:12.200
<v Speaker 1>your world is not mine because of your words, uh

2:00:12.600 --> 2:00:18.000
<v Speaker 1>Philly against Brooklyn will Smith. Come on, but he didn't

2:00:18.040 --> 2:00:22.960
<v Speaker 1>Brooklyn know what's coming, Will Smith. Will Smith is the

2:00:23.040 --> 2:00:28.200
<v Speaker 1>reason why the idea of African Americans attached to global

2:00:28.320 --> 2:00:37.400
<v Speaker 1>I pen intellectual pron just owned. That's what the dudeos

2:00:37.480 --> 2:00:43.480
<v Speaker 1>took the gamble um on more leads of color um

2:00:44.240 --> 2:00:47.840
<v Speaker 1>because of the work that Will Smith, Denzel we're doing

2:00:47.920 --> 2:00:50.520
<v Speaker 1>in the beginning, right like you, you need to faces

2:00:50.600 --> 2:00:54.280
<v Speaker 1>that are getting universal return. So I'm not gonna shoot

2:00:54.320 --> 2:00:57.080
<v Speaker 1>him Will and act like he hasn't been. Wasn't that guy?

2:00:57.400 --> 2:00:59.839
<v Speaker 1>I want to go Will Smith? And people make mistakes,

2:01:00.520 --> 2:01:04.520
<v Speaker 1>and from mistakes they should be allowed time to fucking recover,

2:01:04.720 --> 2:01:10.400
<v Speaker 1>and that this is no longer the world's problem. It's

2:01:10.600 --> 2:01:13.160
<v Speaker 1>uh Will and Chris's problem. Let them deal with that.

2:01:13.560 --> 2:01:15.120
<v Speaker 1>The world should step out of it. But let me

2:01:15.200 --> 2:01:18.520
<v Speaker 1>just ask them as a married man, when he said

2:01:18.640 --> 2:01:22.800
<v Speaker 1>keep your name, my name, your white mouth, part of

2:01:22.840 --> 2:01:25.040
<v Speaker 1>you was like word up right, keep you keep it?

2:01:25.080 --> 2:01:28.520
<v Speaker 1>Are she's right over there? You gotta you gotta say yes.

2:01:28.680 --> 2:01:30.320
<v Speaker 1>I mean I don't have to say yes. I mean

2:01:30.360 --> 2:01:35.680
<v Speaker 1>I think there's no world where a wife that's with

2:01:35.840 --> 2:01:39.840
<v Speaker 1>him man doesn't know the level of respect that her

2:01:39.920 --> 2:01:44.080
<v Speaker 1>man demands for her and once for her. Um that

2:01:44.200 --> 2:01:46.800
<v Speaker 1>had nothing to do with that. That's the world talking.

2:01:47.200 --> 2:01:50.160
<v Speaker 1>I think that's something deeper than anybody would ever understand.

2:01:50.280 --> 2:01:52.480
<v Speaker 1>And that's why I said the world is now out

2:01:52.520 --> 2:01:54.640
<v Speaker 1>of it. It should stay out of it. Move on.

2:01:54.920 --> 2:01:58.760
<v Speaker 1>Let let let will recover from it. Let Chris get

2:01:58.800 --> 2:02:01.280
<v Speaker 1>back to work is normal, and let two men be

2:02:01.440 --> 2:02:04.080
<v Speaker 1>men to figure that out if they choose to. If

2:02:04.120 --> 2:02:05.640
<v Speaker 1>they do, they do. If they don't, think you gotta

2:02:05.640 --> 2:02:10.160
<v Speaker 1>take a shot for that. Wow, I'm really nice. I'm

2:02:10.160 --> 2:02:13.560
<v Speaker 1>not going I'm good. You said yourself over that one.

2:02:13.760 --> 2:02:15.800
<v Speaker 1>That one that was that was perfect. It's just a

2:02:15.880 --> 2:02:32.880
<v Speaker 1>good wait why shot out? But I'm not okay this

2:02:33.000 --> 2:02:35.560
<v Speaker 1>one right here because because you live in l A.

2:02:35.680 --> 2:02:37.840
<v Speaker 1>But you're from the East coast, this one right here

2:02:38.040 --> 2:02:41.440
<v Speaker 1>might be a little crazy in wait or wu tan clan.

2:02:42.880 --> 2:02:44.720
<v Speaker 1>I just feel like you should take a shot just

2:02:44.880 --> 2:02:56.640
<v Speaker 1>close to your because it just goes to the geographics. Man,

2:02:56.720 --> 2:03:01.720
<v Speaker 1>you formerly your answers. I see this because you can't

2:03:01.760 --> 2:03:03.640
<v Speaker 1>just act fast. You have to take a seconent thing. No, no,

2:03:04.160 --> 2:03:06.120
<v Speaker 1>I appreciate that. Yeah, you gotta take a seconent thing.

2:03:06.960 --> 2:03:09.400
<v Speaker 1>Your show isn't the show without great answers, people taking

2:03:09.440 --> 2:03:11.680
<v Speaker 1>the shots all day? It is great, but people answering

2:03:11.680 --> 2:03:18.280
<v Speaker 1>the questions are better. Just then, um and we're ready

2:03:18.360 --> 2:03:23.080
<v Speaker 1>for this great answer. All right, I want to say it,

2:03:29.960 --> 2:03:33.160
<v Speaker 1>but I want to say it. The world may not

2:03:33.360 --> 2:03:37.680
<v Speaker 1>like me from it. Take a shot. I want to

2:03:37.680 --> 2:03:42.880
<v Speaker 1>apologize to my brother Que before answers to my brother

2:03:43.000 --> 2:03:49.960
<v Speaker 1>qu before I answered this, Que, he's not thinking n

2:03:50.160 --> 2:03:54.720
<v Speaker 1>w A is amazing. You cannot deny what they were,

2:03:54.840 --> 2:03:57.880
<v Speaker 1>what they did. You cannot deny the history that was

2:03:57.920 --> 2:04:02.960
<v Speaker 1>made by the way success. Once again, it's best fucking

2:04:05.720 --> 2:04:08.080
<v Speaker 1>told through the visuals of what people were able to

2:04:08.160 --> 2:04:10.760
<v Speaker 1>do under the damn brother. When you look at Easy

2:04:11.680 --> 2:04:17.480
<v Speaker 1>Dr Dre Cube, amazing careers happened people under that. But

2:04:17.600 --> 2:04:22.640
<v Speaker 1>when I think about the Wood Tank Claim, you think

2:04:22.640 --> 2:04:28.560
<v Speaker 1>about old dirty bastard, you little dirty, little little Catha bastard,

2:04:30.680 --> 2:04:33.600
<v Speaker 1>old dirty, You think about Matthew, you think about fucking

2:04:34.560 --> 2:04:40.360
<v Speaker 1>Rizza ray Kwan, the Woods and Claim. Inspected Deck without

2:04:40.440 --> 2:04:43.920
<v Speaker 1>with the exception of Inspected Deck, put out the most

2:04:46.000 --> 2:04:50.320
<v Speaker 1>solo albums. I think that I've ever witnessed from a group.

2:04:51.840 --> 2:04:56.200
<v Speaker 1>And if I'm wrong, if I'm wrong, it. Okay, but

2:04:57.600 --> 2:05:00.960
<v Speaker 1>they put a lot of solo albums it from that group.

2:05:01.560 --> 2:05:05.520
<v Speaker 1>Everybody got a shot. We can shot for that. Goddamn

2:05:08.280 --> 2:05:11.000
<v Speaker 1>you set yourself up. By the way, this is a

2:05:11.080 --> 2:05:16.840
<v Speaker 1>great ship. Wrap it up, Wrap it up, Come on,

2:05:18.680 --> 2:05:34.560
<v Speaker 1>wrap it up. Let's go. Moue what you want more? Okay?

2:05:34.920 --> 2:05:39.440
<v Speaker 1>I love you. I did not mean to do that.

2:05:39.680 --> 2:05:47.520
<v Speaker 1>But we're not gonna take that. I'm gonna Monique. Here's why.

2:05:48.840 --> 2:05:54.640
<v Speaker 1>Here's why Monique. Monique got some bad attention and some

2:05:54.760 --> 2:05:57.520
<v Speaker 1>bad get a bad rap. They say that she's very

2:05:57.560 --> 2:06:00.280
<v Speaker 1>hard to work with. We love Mama and your man.

2:06:00.880 --> 2:06:04.960
<v Speaker 1>He's never been Listen when people say they say I

2:06:05.040 --> 2:06:08.000
<v Speaker 1>hate that. I hate when people say they hate when

2:06:08.040 --> 2:06:13.440
<v Speaker 1>people go they I heard who right? I don't like

2:06:14.400 --> 2:06:17.440
<v Speaker 1>they don't They don't want you to have a cheeseburger

2:06:17.560 --> 2:06:23.920
<v Speaker 1>who they don't be one you have? I know who

2:06:24.040 --> 2:06:28.240
<v Speaker 1>is that? I don't know. They tell me who is that? Yeah,

2:06:28.480 --> 2:06:32.640
<v Speaker 1>I don't want a name. Who he knows? Fletcher? Who's that?

2:06:33.680 --> 2:06:40.720
<v Speaker 1>It's nickname Fletcher somewhere. I don't know. When people as

2:06:40.800 --> 2:06:47.920
<v Speaker 1>soon and people group, you're part of the problem, yes, right,

2:06:48.880 --> 2:06:54.400
<v Speaker 1>so s Monique and her battles and entertainment. I'm quite

2:06:54.440 --> 2:06:57.200
<v Speaker 1>sure she's done something's wrong. I'm quite sure she's done

2:06:57.240 --> 2:06:59.040
<v Speaker 1>some things right. Here's the beauty of what I know,

2:06:59.440 --> 2:07:03.080
<v Speaker 1>Malcolm Lee that here's the beauty. You will know what

2:07:03.160 --> 2:07:06.440
<v Speaker 1>I know. You will know what I know that I

2:07:06.560 --> 2:07:10.640
<v Speaker 1>don't know that. That's what I know. I know that

2:07:10.760 --> 2:07:15.080
<v Speaker 1>I don't know. And I'm okay with not knowing. When

2:07:15.120 --> 2:07:17.720
<v Speaker 1>people speak is if they do know, you're part of

2:07:17.760 --> 2:07:22.640
<v Speaker 1>the problem. You don't know. So I'm speaking on behalf

2:07:22.680 --> 2:07:25.080
<v Speaker 1>of a talent. I'm speaking on behalf of what I

2:07:25.160 --> 2:07:27.880
<v Speaker 1>know she's done in the business. I'm speaking on behalf

2:07:27.960 --> 2:07:31.240
<v Speaker 1>of her as a comedian. I'm also speaking on behalf

2:07:31.320 --> 2:07:36.320
<v Speaker 1>of her opening up doors for others, the queens and comedy,

2:07:36.600 --> 2:07:40.280
<v Speaker 1>the talk shows, etcetera. One of is an amazing talent,

2:07:40.400 --> 2:07:43.880
<v Speaker 1>always has been. So for that, for that alone, I'm

2:07:43.920 --> 2:07:51.920
<v Speaker 1>saying Monique Tiffany will be and is another example of

2:07:52.040 --> 2:07:56.720
<v Speaker 1>that level of success. So that female umbrella, that black

2:07:56.800 --> 2:08:00.120
<v Speaker 1>women in comedy umbrella, there's a certain amount of that

2:08:00.280 --> 2:08:05.920
<v Speaker 1>share some success. Um, I'm going Monique in this case.

2:08:06.480 --> 2:08:09.280
<v Speaker 1>And I'm also squashing the conversation of negative because I

2:08:09.360 --> 2:08:13.080
<v Speaker 1>just don't know. So if people don't know. Sometimes it's

2:08:13.080 --> 2:08:15.440
<v Speaker 1>good to say you don't know, you don't know. Sometimes

2:08:15.520 --> 2:08:19.919
<v Speaker 1>it's good to say I wish I have an information,

2:08:20.040 --> 2:08:23.760
<v Speaker 1>but I don't. I'm okay with that. That pup daddy,

2:08:23.880 --> 2:08:28.800
<v Speaker 1>I'm sorry, but not dre. That's what I know. What

2:08:28.840 --> 2:08:37.440
<v Speaker 1>I'm saying, what for what? And racing out? He's want

2:08:37.520 --> 2:08:41.640
<v Speaker 1>bodies today? What do your talk about? That's being in shape?

2:08:41.720 --> 2:08:47.280
<v Speaker 1>Not in shape? Is that what I'm talking about? What

2:08:47.600 --> 2:08:54.560
<v Speaker 1>you want shape? Producing? You can't do that? You want

2:08:56.000 --> 2:08:59.920
<v Speaker 1>you can't do producing? Okay, that's yeah, you can't do that.

2:09:00.280 --> 2:09:02.280
<v Speaker 1>Why what do you mean why you can't do that?

2:09:03.000 --> 2:09:05.840
<v Speaker 1>It's disrespectful to both to say who's done better in

2:09:05.920 --> 2:09:10.440
<v Speaker 1>the world of producing when they know that. Versus doesn't

2:09:10.480 --> 2:09:14.160
<v Speaker 1>make sense. It's it's all over the map. Who cav versus, versus,

2:09:14.320 --> 2:09:17.720
<v Speaker 1>versus kevil verse, anybody in versus. Because comedy doesn't work

2:09:17.760 --> 2:09:21.640
<v Speaker 1>in versus, we can make it happen. How does that

2:09:21.840 --> 2:09:26.200
<v Speaker 1>make sense? Truffle popcorn jokes? Do the jokes? You already

2:09:26.280 --> 2:09:30.560
<v Speaker 1>know the world already knows these jokes, all right, so

2:09:30.680 --> 2:09:32.760
<v Speaker 1>we come with you. You don't think, you don't think

2:09:32.880 --> 2:09:35.880
<v Speaker 1>you are roast roasting each other and that's not that's

2:09:35.880 --> 2:09:41.200
<v Speaker 1>not the versus. Then that's snapping. So you now change, Well,

2:09:41.240 --> 2:09:44.280
<v Speaker 1>then it's not versus, so you change that. But we're

2:09:44.320 --> 2:09:48.000
<v Speaker 1>making that the verses. You see how specific? I am specific? Yes,

2:09:48.160 --> 2:09:52.520
<v Speaker 1>because if you talk to me, I'm a fucking business guy.

2:09:52.560 --> 2:09:57.160
<v Speaker 1>We're talking about versus. Great is that versus is me

2:09:57.280 --> 2:10:00.480
<v Speaker 1>against you, my catalog versus your catalog. In that way,

2:10:00.520 --> 2:10:03.480
<v Speaker 1>it's camp and comedy. You want me to tell you

2:10:03.520 --> 2:10:05.640
<v Speaker 1>the jokes you already know versus jokes that you said

2:10:05.640 --> 2:10:07.480
<v Speaker 1>that they already know. And do you want us to

2:10:07.520 --> 2:10:09.320
<v Speaker 1>say it again? Are you basically saying you can smoke

2:10:09.360 --> 2:10:11.480
<v Speaker 1>anybody versus I'm saying it doesn't make sense to come,

2:10:11.880 --> 2:10:13.800
<v Speaker 1>but we can bring people from another country. They never

2:10:13.840 --> 2:10:16.400
<v Speaker 1>heard the jokes that it doesn't make sense. It makes

2:10:16.440 --> 2:10:18.520
<v Speaker 1>it long. I can't do comedy with verses. You can

2:10:18.560 --> 2:10:24.240
<v Speaker 1>do snapping snapping snap verse. I just said that. Can

2:10:24.280 --> 2:10:25.880
<v Speaker 1>you do snap versus? That's great? But I would never

2:10:25.960 --> 2:10:30.200
<v Speaker 1>do that. You know, I thought you Aprian Crocket went

2:10:30.280 --> 2:10:31.960
<v Speaker 1>at it a little bit. We went at it by

2:10:32.040 --> 2:10:35.160
<v Speaker 1>having fun, being like cool. At this point in my career,

2:10:35.320 --> 2:10:39.520
<v Speaker 1>I'm not doing a snap versus with nobody yeah, does

2:10:39.560 --> 2:10:44.440
<v Speaker 1>it make sense. No, it's just true. Like a Santa Claus,

2:10:44.680 --> 2:10:49.440
<v Speaker 1>I think you got the drunk. No, we've been definitely right.

2:10:49.480 --> 2:10:55.920
<v Speaker 1>Come on, let's go. Yea, it's been great. Um uh yeah.

2:11:01.600 --> 2:11:03.120
<v Speaker 1>You guys don't even know what I did this last week.

2:11:03.120 --> 2:11:05.680
<v Speaker 1>You noticed that I fucking offset you and I never

2:11:05.760 --> 2:11:10.080
<v Speaker 1>answered fucking puff and dre sidetracks. I didn't see that ship.

2:11:10.160 --> 2:11:13.920
<v Speaker 1>You didn't see it because I did it, versus thank you.

2:11:18.600 --> 2:11:21.920
<v Speaker 1>He has a drunk. Were all having fun and we

2:11:22.000 --> 2:11:28.360
<v Speaker 1>have celebrating reality check. I don't know if you know,

2:11:28.760 --> 2:11:30.880
<v Speaker 1>but I wish to one of the greatest comedy shows

2:11:30.920 --> 2:11:33.960
<v Speaker 1>I've ever seen yesterday. I don't know if you know that,

2:11:35.080 --> 2:11:37.680
<v Speaker 1>but I went to the one of the greatest. Give

2:11:37.720 --> 2:11:55.720
<v Speaker 1>me that. What the fund is this? Maybe smooth? I

2:11:55.760 --> 2:11:59.080
<v Speaker 1>want to make no word. Does not drink to kill us,

2:11:59.160 --> 2:12:03.080
<v Speaker 1>do not drink. Just signed the box with him. I love,

2:12:04.480 --> 2:12:10.160
<v Speaker 1>he loves to love. But I want to also make

2:12:10.240 --> 2:12:13.360
<v Speaker 1>it very clear as you watch this whole thing, is

2:12:13.400 --> 2:12:15.560
<v Speaker 1>I drink. There was no faces, there was no bad

2:12:16.240 --> 2:12:20.600
<v Speaker 1>taste or bad reactions. Fun man, you said Farrell or Kanye.

2:12:23.640 --> 2:12:25.440
<v Speaker 1>I don't think the world knows how much Farrell has

2:12:25.480 --> 2:12:33.440
<v Speaker 1>done m I don't think they know. I fitted to say, like,

2:12:34.760 --> 2:12:37.440
<v Speaker 1>Kanye's success is highlighted because he's Kanye, and it should be.

2:12:37.480 --> 2:12:45.960
<v Speaker 1>He's a genius. But I don't think the world knows

2:12:46.040 --> 2:12:50.600
<v Speaker 1>how much Farrella is done. Um, I love doesn't mean

2:12:50.600 --> 2:12:52.160
<v Speaker 1>I'm choosing for Real, but I'm saying that I don't

2:12:52.160 --> 2:12:55.520
<v Speaker 1>think the Kanye. I don't think they know how much

2:12:55.560 --> 2:13:02.240
<v Speaker 1>he's done. Like Forrell's that that I in that space. Um,

2:13:04.200 --> 2:13:12.720
<v Speaker 1>I'm gonna go Kanye and his wife, his wife because

2:13:13.560 --> 2:13:15.400
<v Speaker 1>if I just choose Kanye off the bag, it's almost

2:13:15.400 --> 2:13:17.600
<v Speaker 1>as if oh, yeah, no, because you just went over here,

2:13:17.600 --> 2:13:19.320
<v Speaker 1>and then he's just like a fake pump. No, it's

2:13:19.320 --> 2:13:21.480
<v Speaker 1>not a fake pumps. To make sure that people understand

2:13:23.360 --> 2:13:27.400
<v Speaker 1>is by far like Parrell is not far from the

2:13:27.520 --> 2:13:35.520
<v Speaker 1>Kanye orphicis right? Like yeah, like the Kanye Kane thing,

2:13:36.840 --> 2:13:40.400
<v Speaker 1>all that he's done is glorified, magnified, and it should

2:13:40.440 --> 2:13:42.920
<v Speaker 1>be for real. We know about it. It's great, but

2:13:43.000 --> 2:13:45.120
<v Speaker 1>sometimes it doesn't get the same volume. I'm just saying

2:13:45.800 --> 2:13:50.400
<v Speaker 1>for Real's catalog, Forrell's body of work deserves the same volume.

2:13:51.680 --> 2:13:56.520
<v Speaker 1>I'm only choosing Kanye because motherfucker is not afraid to

2:13:56.560 --> 2:13:59.400
<v Speaker 1>stand in the fire. He's definitely not afraid of that.

2:14:00.040 --> 2:14:01.800
<v Speaker 1>Not afraid to standing in the fire. Stand in the fire.

2:14:01.920 --> 2:14:04.120
<v Speaker 1>Sometimes we do your best work and stand in the fire.

2:14:04.840 --> 2:14:07.360
<v Speaker 1>He's been able to do that. So people running, they

2:14:07.400 --> 2:14:09.120
<v Speaker 1>getting the fire. Oh my god, it's hot and burned.

2:14:09.440 --> 2:14:12.160
<v Speaker 1>That's pretty crazy about him. Take a take a different

2:14:12.240 --> 2:14:15.560
<v Speaker 1>dude to stand in that fire. Yeah, I'm gonna be honest. Yesterday,

2:14:15.680 --> 2:14:18.280
<v Speaker 1>ray J and Kanye called me at the same day time.

2:14:18.720 --> 2:14:31.360
<v Speaker 1>I did not answer. Guys were done. He's brought up. No, no, no,

2:14:36.800 --> 2:14:41.320
<v Speaker 1>By the way, I'm cool. That's great. I don't want

2:14:41.360 --> 2:14:44.160
<v Speaker 1>to hear it. I don't want there's nothing to hear.

2:14:44.400 --> 2:14:45.800
<v Speaker 1>I just don't want That's what I did. I don't

2:14:45.800 --> 2:14:48.360
<v Speaker 1>want to hear. I avoided. I don't want to hear.

2:14:49.200 --> 2:14:53.400
<v Speaker 1>I wouldn't play handball. Okay, good, that's weird. That's it.

2:14:53.680 --> 2:14:58.120
<v Speaker 1>You don't now there you go? Alright, alright, what's happening?

2:14:59.480 --> 2:15:01.720
<v Speaker 1>What's happen? No, this is a real game. It's a

2:15:01.760 --> 2:15:08.480
<v Speaker 1>real quarter game. It's a real game. I see what's happened. Okay,

2:15:08.680 --> 2:15:12.480
<v Speaker 1>this is rank shams and this has been avoided. I

2:15:12.520 --> 2:15:15.960
<v Speaker 1>avoided the drama you would be proud of me. I mean,

2:15:16.000 --> 2:15:20.960
<v Speaker 1>I avoid drama everyday. I'm there now. Yeah, okay, yeah,

2:15:22.200 --> 2:15:29.120
<v Speaker 1>Jack Black or Danny McBride, we're still playing Jack Black Black,

2:15:30.120 --> 2:15:35.280
<v Speaker 1>Jim Carry or Robert that's it. We're dying. Seriously, No,

2:15:35.600 --> 2:15:40.200
<v Speaker 1>we're done. We're done. I'm sucking. I've done a great

2:15:40.280 --> 2:15:44.240
<v Speaker 1>job and answering these fucking questions, and I've maintained my

2:15:44.400 --> 2:15:46.640
<v Speaker 1>sober steak. You guys are waiting for me to break.

2:15:46.680 --> 2:15:51.640
<v Speaker 1>It's not gonna no, it's not gonna no, it's not

2:15:51.720 --> 2:15:54.160
<v Speaker 1>gonna happen this. You know what. People are gonna leave here,

2:15:54.200 --> 2:15:58.040
<v Speaker 1>They're gonna go. Kevin is a well spoken man, and

2:15:58.360 --> 2:16:01.240
<v Speaker 1>even with this tequila about way, which is extremely going

2:16:01.280 --> 2:16:04.680
<v Speaker 1>to man's core me, you know, he's maintained his character.

2:16:05.080 --> 2:16:07.960
<v Speaker 1>That's it. What fucking up? Give me out of here.

2:16:08.080 --> 2:16:20.520
<v Speaker 1>I gotta go. Question can answer question questions, Um, Jim

2:16:20.640 --> 2:16:23.080
<v Speaker 1>Carrey or Robert Williams, and I got one last time.

2:16:24.640 --> 2:16:27.160
<v Speaker 1>You should carry Robbin Williams. We're talking about like what

2:16:27.520 --> 2:16:29.440
<v Speaker 1>you like about? What are you talking about? That's like?

2:16:29.520 --> 2:16:34.360
<v Speaker 1>What are you sayings like that? What are you doing?

2:16:34.480 --> 2:16:40.400
<v Speaker 1>All right? That's enough? Honestly doing camp when I pop

2:16:40.680 --> 2:16:44.200
<v Speaker 1>is frustration spot going to be what you wanted to

2:16:44.240 --> 2:16:52.959
<v Speaker 1>be heard A funk out here fucking questions. I'm happy

2:16:53.000 --> 2:16:56.280
<v Speaker 1>these fucking questions. You keep trying to fucking answer me ship,

2:16:56.680 --> 2:16:59.160
<v Speaker 1>and I don't want to answer ship. It's over the

2:16:59.280 --> 2:17:03.120
<v Speaker 1>fucking name. You're trying to give me the same ship.

2:17:05.720 --> 2:17:24.040
<v Speaker 1>All right, you're gonna out drink it for you the best,

2:17:28.440 --> 2:17:33.039
<v Speaker 1>but it is my father would have broken my answer.

2:17:33.760 --> 2:17:38.320
<v Speaker 1>Go I got noris self. Nori really does not drink

2:17:38.360 --> 2:17:41.680
<v Speaker 1>to kill a god. I hate this. Listen, he really don't,

2:17:41.720 --> 2:17:45.960
<v Speaker 1>but he's drinking it. I am drinking. Man, I'm not

2:17:46.000 --> 2:17:50.040
<v Speaker 1>gonna right now, but let me get sentimental right now.

2:17:51.000 --> 2:17:52.640
<v Speaker 1>You know why I want to get sentimental because you

2:17:52.680 --> 2:17:57.520
<v Speaker 1>deserve it. Um you are hands down one of the

2:17:57.560 --> 2:18:01.640
<v Speaker 1>funniest people in the world. I go because I claim

2:18:01.680 --> 2:18:05.520
<v Speaker 1>you as a friend, I claim you as a family members.

2:18:06.200 --> 2:18:08.200
<v Speaker 1>And when I go out and I see you do

2:18:08.360 --> 2:18:10.920
<v Speaker 1>something different, I see you do a new movie, I'm

2:18:10.959 --> 2:18:12.920
<v Speaker 1>the first to support it. When I first to stand

2:18:12.920 --> 2:18:18.080
<v Speaker 1>online and I promoted by promoted to my people be

2:18:18.240 --> 2:18:21.280
<v Speaker 1>because what you did and what you're doing is remarkable

2:18:21.959 --> 2:18:25.760
<v Speaker 1>and continue to do is remarkable. I love your crew.

2:18:26.040 --> 2:18:28.680
<v Speaker 1>I love everyone. I love everyone you have around you,

2:18:30.360 --> 2:18:34.240
<v Speaker 1>which makes me know that you you visualize everything that

2:18:34.360 --> 2:18:38.120
<v Speaker 1>you did and you applied it, and that's what we

2:18:38.240 --> 2:18:45.080
<v Speaker 1>want to do. That's what we are doing. Because we

2:18:45.240 --> 2:18:48.560
<v Speaker 1>do that, we bring all of our crew. Look at this,

2:18:48.720 --> 2:18:51.160
<v Speaker 1>Look at this. They look like hood niggers. They're very

2:18:51.200 --> 2:19:02.800
<v Speaker 1>professional family. But hired everybody. I hired everybody that I

2:19:03.160 --> 2:19:06.200
<v Speaker 1>identify what we hired everybody excuse me, that we can

2:19:06.320 --> 2:19:10.240
<v Speaker 1>identify with and we have this beautiful chemistry that's happened.

2:19:11.240 --> 2:19:13.680
<v Speaker 1>I said it to you guys, all right, and I'm

2:19:13.680 --> 2:19:15.680
<v Speaker 1>gonna leave because I'm give you guys a good punctuation.

2:19:15.720 --> 2:19:17.200
<v Speaker 1>But this is what I'm about to say. We don't

2:19:17.200 --> 2:19:23.840
<v Speaker 1>know punctuations. I'm gonna put questions. There's two things right.

2:19:24.000 --> 2:19:30.560
<v Speaker 1>First things First, do I feel safe around your crew? No? Um,

2:19:34.080 --> 2:19:37.000
<v Speaker 1>it's gonna go take a good place. Do you want

2:19:37.000 --> 2:19:40.120
<v Speaker 1>to be honest? I'm look it up, so I'm gonna

2:19:40.120 --> 2:19:43.200
<v Speaker 1>give it to you. I'm giving you a thousand percent

2:19:44.080 --> 2:19:47.720
<v Speaker 1>of what I feel. I'm it's not it's not the

2:19:47.800 --> 2:19:51.440
<v Speaker 1>safest looking group. Can I'll be honest with you. I'll

2:19:51.480 --> 2:19:55.520
<v Speaker 1>be honest with you. Maybe they should dress better. Seriously,

2:19:55.840 --> 2:19:59.240
<v Speaker 1>if I'm just the standpoint of like, we're working whatever,

2:19:59.440 --> 2:20:02.680
<v Speaker 1>a lot of paying some shirts. All right, by the way,

2:20:02.720 --> 2:20:07.360
<v Speaker 1>It's fine, wanted to be, and I'll embrace it because

2:20:07.360 --> 2:20:11.440
<v Speaker 1>I'm here. But here's what you have to fall in

2:20:11.480 --> 2:20:16.520
<v Speaker 1>the comfort. If I'm here, you gotta say why am

2:20:16.520 --> 2:20:19.320
<v Speaker 1>I here? Let's go to the y. Everything is a

2:20:19.480 --> 2:20:23.760
<v Speaker 1>hy alright, watch I wrap this up. My why is simple. Well,

2:20:23.800 --> 2:20:27.080
<v Speaker 1>it's long overdue. Yeah, I got an alcohol and it

2:20:27.160 --> 2:20:29.400
<v Speaker 1>fits because it's drink tramps and it's fun. But let's

2:20:29.400 --> 2:20:32.279
<v Speaker 1>get to the real nitty gritty. Your motherfucker's have shifted

2:20:32.320 --> 2:20:37.360
<v Speaker 1>to culture and conversation. Your podcast has now got to

2:20:37.480 --> 2:20:40.360
<v Speaker 1>a point to where people come, they partake, they participate

2:20:40.720 --> 2:20:42.480
<v Speaker 1>because they know what you say and what your co

2:20:42.680 --> 2:20:46.920
<v Speaker 1>sign means something. Right. That means that your voices actually

2:20:47.040 --> 2:20:49.640
<v Speaker 1>have been amplified to a space to where people look

2:20:49.720 --> 2:20:52.920
<v Speaker 1>forward to what you say and how you feel. I

2:20:53.080 --> 2:20:56.760
<v Speaker 1>keep talking about success, Well, let's talk about what makes success.

2:20:56.879 --> 2:20:59.080
<v Speaker 1>Real success is when you figure out how to win

2:20:59.160 --> 2:21:03.360
<v Speaker 1>again rapping and going okay, damn, I'm not wrapping up,

2:21:03.440 --> 2:21:05.360
<v Speaker 1>choose and not do it no more? But what else

2:21:05.360 --> 2:21:07.400
<v Speaker 1>I am gonna do? What the fun were You chose

2:21:07.560 --> 2:21:11.400
<v Speaker 1>to grinding and figure out how to win again? So

2:21:11.600 --> 2:21:16.840
<v Speaker 1>you win again. I mean, you're a winner, my Funcker's

2:21:16.840 --> 2:21:20.240
<v Speaker 1>don't understand that. It's not about winning once. It's about

2:21:20.240 --> 2:21:23.039
<v Speaker 1>winning one, two, three, four or five. It's not about

2:21:23.080 --> 2:21:25.520
<v Speaker 1>figuring out the first time. It's about figuring out the second, third,

2:21:25.560 --> 2:21:27.960
<v Speaker 1>or four or fifth. Right. When you see people that

2:21:28.040 --> 2:21:31.280
<v Speaker 1>do it to that level, well they're different. You're in

2:21:31.320 --> 2:21:34.840
<v Speaker 1>a box by yourself. You're in a box. When you

2:21:34.879 --> 2:21:36.920
<v Speaker 1>see people that build companies and sell them and build

2:21:36.959 --> 2:21:40.720
<v Speaker 1>another one, it's because that's what they do. They win.

2:21:41.320 --> 2:21:45.039
<v Speaker 1>So in this particular case, I'm here not just out

2:21:45.080 --> 2:21:48.160
<v Speaker 1>of the loyalty, the friendship, it's out of the respect

2:21:48.280 --> 2:21:50.840
<v Speaker 1>and the foundation that you guys are built for me

2:21:50.920 --> 2:21:52.040
<v Speaker 1>to come on and say, yo, I want to be

2:21:52.080 --> 2:21:56.320
<v Speaker 1>a part of this thing. It's winning. You're winning, motherfucker's

2:21:56.360 --> 2:22:02.440
<v Speaker 1>so so like that's when win of you, Drain Champs

2:22:02.640 --> 2:22:05.520
<v Speaker 1>is now a brand, is now something that can do

2:22:05.720 --> 2:22:08.280
<v Speaker 1>so much more. I hope you guys realize that, and

2:22:08.320 --> 2:22:11.320
<v Speaker 1>I hope if anything, me coming on here helps you

2:22:11.440 --> 2:22:15.320
<v Speaker 1>guys understand like how valuable this asset is. But more

2:22:15.440 --> 2:22:22.640
<v Speaker 1>poorly motherfucker. I love you like the shipship we got.

2:22:22.920 --> 2:22:26.120
<v Speaker 1>You can have time. We got time and energy. One.

2:22:26.280 --> 2:22:27.840
<v Speaker 1>Let me just tell you something. You're a man of

2:22:27.920 --> 2:22:31.760
<v Speaker 1>your word, always been a man of your work. I

2:22:31.879 --> 2:22:34.720
<v Speaker 1>love that, but that the fact is, you know, Um,

2:22:34.959 --> 2:22:36.840
<v Speaker 1>I'm used to people not being a man of their

2:22:36.920 --> 2:22:38.400
<v Speaker 1>word like you know, I'm used to. I'm just the

2:22:38.440 --> 2:22:42.520
<v Speaker 1>industry being industry. Yeah. And the further you got in life,

2:22:44.200 --> 2:22:47.000
<v Speaker 1>the more you about the fucking crime O you all.

2:22:47.160 --> 2:22:51.160
<v Speaker 1>You also embraced me and that I remember me seeing

2:22:51.240 --> 2:22:54.520
<v Speaker 1>you and your wife. Um, this is when you know,

2:22:54.760 --> 2:22:58.520
<v Speaker 1>life hit me hard and then and I'm getting back

2:22:58.600 --> 2:23:00.360
<v Speaker 1>to where I'm at. So I'm gonna floors, he said,

2:23:00.400 --> 2:23:03.040
<v Speaker 1>the Miami heat. And you're on the other side of

2:23:03.080 --> 2:23:04.480
<v Speaker 1>the floor seats and you and your wife and me

2:23:04.560 --> 2:23:07.200
<v Speaker 1>and my wife is there, and you're looking You're like, man, Nick,

2:23:07.879 --> 2:23:13.840
<v Speaker 1>you said something to me like you and you gave

2:23:13.879 --> 2:23:16.600
<v Speaker 1>me a file and I'm on the floor season I'm

2:23:16.600 --> 2:23:19.480
<v Speaker 1>not I'm not even realizing I'm back. But you said

2:23:19.520 --> 2:23:22.480
<v Speaker 1>that to me, and I was just like, damn, Kevin's

2:23:22.560 --> 2:23:25.600
<v Speaker 1>telling me that I'm going back to where I'm supposed

2:23:25.640 --> 2:23:29.560
<v Speaker 1>to be. And I took that I took that and

2:23:29.720 --> 2:23:31.800
<v Speaker 1>I ran with it, and I continue to run with

2:23:31.920 --> 2:23:34.440
<v Speaker 1>it because, like I try to tell you, like I'm

2:23:35.480 --> 2:23:39.400
<v Speaker 1>really being real with you, um, like you helped change

2:23:39.480 --> 2:23:44.480
<v Speaker 1>my life. You don't notice but me seeing your success

2:23:44.560 --> 2:23:48.240
<v Speaker 1>and me seeing your constant you know, going going to it.

2:23:48.320 --> 2:23:53.040
<v Speaker 1>And then and then we bring up just trained U

2:23:53.600 --> 2:23:57.360
<v Speaker 1>and you in Hollywood heno. So I'm getting focused, right,

2:23:58.879 --> 2:24:01.280
<v Speaker 1>I'm getting focused. And I went to the gym, and

2:24:01.320 --> 2:24:03.160
<v Speaker 1>I will never go to the gym with you, this

2:24:03.320 --> 2:24:08.120
<v Speaker 1>nigger or Hollywood he know again, never they made me

2:24:08.360 --> 2:24:15.640
<v Speaker 1>feel so horrible. I go in. I just lost. I'm sorry,

2:24:15.640 --> 2:24:18.760
<v Speaker 1>I just I'm sorry for this. I apologize like this

2:24:18.959 --> 2:24:22.400
<v Speaker 1>he in the back of me carry up like what

2:24:25.240 --> 2:24:28.320
<v Speaker 1>like like by the way, by the way, listen, so thisten,

2:24:28.720 --> 2:24:31.920
<v Speaker 1>you know you know what, Okay, I'm sorry. Let me

2:24:32.000 --> 2:24:37.280
<v Speaker 1>just describe and describe three days. So I'm picking the

2:24:37.520 --> 2:24:40.120
<v Speaker 1>times where I feel like there's no one gonna be

2:24:41.080 --> 2:24:45.000
<v Speaker 1>I'm picking five am. There's some motherfucker's in there with

2:24:45.240 --> 2:24:48.520
<v Speaker 1>him and they are yelling at each other so much,

2:24:50.440 --> 2:24:53.560
<v Speaker 1>and I'm like, why am I here? Like I don't

2:24:53.760 --> 2:24:58.920
<v Speaker 1>belong here? And then Cat walked up to me. He's like, well,

2:24:58.959 --> 2:25:03.800
<v Speaker 1>some of you put your ash, don't damn im. I'm like,

2:25:04.600 --> 2:25:08.400
<v Speaker 1>I'm used to you're a comedian. How are you talking

2:25:08.440 --> 2:25:11.240
<v Speaker 1>to me like that? But by myself right the next day,

2:25:11.600 --> 2:25:14.000
<v Speaker 1>I picked up earlier time, so I think I'll picked

2:25:14.120 --> 2:25:17.000
<v Speaker 1>like eight am the first time. So the next time,

2:25:17.160 --> 2:25:20.200
<v Speaker 1>like he let's do five am. This nigg is there

2:25:20.240 --> 2:25:24.640
<v Speaker 1>with a sprinter with this nigga again and him don't

2:25:24.720 --> 2:25:27.199
<v Speaker 1>three in Hollywood. You know, I don't like them together

2:25:27.400 --> 2:25:31.640
<v Speaker 1>together arguing. I don't like it arguing. Here's him up

2:25:31.680 --> 2:25:35.960
<v Speaker 1>and I feel bad about this, just lost like I

2:25:36.040 --> 2:25:38.120
<v Speaker 1>didn't know. So as soon as I see him, I

2:25:38.200 --> 2:25:49.280
<v Speaker 1>was like, look at your fat as this crust them

2:25:49.720 --> 2:25:52.200
<v Speaker 1>and crush them. But I didn't say it in a

2:25:52.280 --> 2:25:59.720
<v Speaker 1>way of like you, and he listened to me. He goes,

2:26:00.920 --> 2:26:12.959
<v Speaker 1>I just as I said that a bit. We didn't

2:26:12.959 --> 2:26:15.200
<v Speaker 1>miss a beating. But he came and he worked out.

2:26:15.280 --> 2:26:18.760
<v Speaker 1>But bottom line, he was in there. But my level

2:26:18.800 --> 2:26:21.320
<v Speaker 1>of support for Noria has been endless. And this show

2:26:24.840 --> 2:26:28.760
<v Speaker 1>I don't like. Listen, you're a great guy, don't but

2:26:28.920 --> 2:26:31.240
<v Speaker 1>y'all to with he know together it's just not a

2:26:31.320 --> 2:26:37.960
<v Speaker 1>good comedy. But but we're good outside of that people.

2:26:39.000 --> 2:26:43.040
<v Speaker 1>In this case me being a good person. It's about

2:26:43.400 --> 2:26:46.440
<v Speaker 1>support my brother, Like if nothing else, if I leave

2:26:46.480 --> 2:26:49.080
<v Speaker 1>here today, it's gonna be a great episode. You guys

2:26:49.120 --> 2:26:52.000
<v Speaker 1>got so much. Here's what I want people to walk

2:26:52.040 --> 2:26:58.080
<v Speaker 1>away with. If you do not remember when you started right,

2:26:58.680 --> 2:27:03.800
<v Speaker 1>your ending needs nothing. This motherfucker was with me when

2:27:03.959 --> 2:27:08.280
<v Speaker 1>Kevin Hart sat in the fucking room where nobody gave

2:27:08.360 --> 2:27:12.520
<v Speaker 1>a ship in my first world of improv and recognition

2:27:13.120 --> 2:27:15.640
<v Speaker 1>came in the world where I was uncomfortable. He was there.

2:27:16.800 --> 2:27:18.400
<v Speaker 1>He was there. He was on the set with me

2:27:18.480 --> 2:27:21.240
<v Speaker 1>where he saw me get some growth and some wings.

2:27:22.400 --> 2:27:25.120
<v Speaker 1>So right now, if I see my guy flying, well

2:27:25.200 --> 2:27:32.320
<v Speaker 1>let me give him some fucking wins. It right there.

2:27:32.520 --> 2:27:39.840
<v Speaker 1>But we gotta take this. I'm not this logo luminary

2:27:39.879 --> 2:27:45.119
<v Speaker 1>like a motherfucker, but it's not. Let's get calling, you know, guys,

2:27:45.240 --> 2:27:49.160
<v Speaker 1>and listen, drink Shamps is an amazing platform. Um. They

2:27:49.240 --> 2:27:53.400
<v Speaker 1>don't drink irresponsibly, they do drink responsible. This is a

2:27:53.440 --> 2:27:55.960
<v Speaker 1>show that does not happen as consistent as you may think.

2:27:56.400 --> 2:27:59.520
<v Speaker 1>That happens when it's supposed to. More importantly, the idea

2:27:59.520 --> 2:28:01.560
<v Speaker 1>of and a seen the world of progression is what

2:28:01.640 --> 2:28:03.840
<v Speaker 1>they do. My ta kila is what they want to

2:28:03.920 --> 2:28:08.200
<v Speaker 1>support and what they appreciate. Grand Coromino, Cristalino, clear repisado.

2:28:08.360 --> 2:28:10.560
<v Speaker 1>You need it. We have a the a ho. It's

2:28:10.600 --> 2:28:13.800
<v Speaker 1>a premium version. By the way, yes it's owned by me,

2:28:14.200 --> 2:28:16.400
<v Speaker 1>but it should not be bought by me and should

2:28:16.400 --> 2:28:18.120
<v Speaker 1>be bought by you because I'm a man of the people.

2:28:18.560 --> 2:28:25.640
<v Speaker 1>Let's go. It tastes different. We got up wrapping up.

2:28:25.760 --> 2:28:28.280
<v Speaker 1>I just sucking clothes with a bang. Fuck you ciperself

2:28:28.760 --> 2:28:34.040
<v Speaker 1>out gives gonna say type of things. How are you?

2:28:34.480 --> 2:28:39.520
<v Speaker 1>I gotta go drunk? Dragon just takes nobody. You don't

2:28:39.520 --> 2:28:50.480
<v Speaker 1>know we were No, let's all go take a people, right,

2:28:51.000 --> 2:28:53.959
<v Speaker 1>let's all go, all go, let's all go. Let's all

2:28:54.240 --> 2:29:28.520
<v Speaker 1>come on up. Trading cards like n f T trading cards. Yeah, man, yeah,

2:29:28.600 --> 2:29:32.240
<v Speaker 1>it's frend to everybody. Yeah yeah, get it like he liked.

2:29:32.280 --> 2:29:35.600
<v Speaker 1>Damn they're slim dog billionaire because it's somehow this nigger

2:29:35.680 --> 2:29:45.000
<v Speaker 1>knows everybody. Everybody. By the way, by the way, let

2:29:45.040 --> 2:29:48.400
<v Speaker 1>me just let me and by the way, let me

2:29:48.520 --> 2:29:53.880
<v Speaker 1>just pick up heart production. I kept together. Let me heartbeat,

2:29:54.080 --> 2:29:58.880
<v Speaker 1>he beat guys. I kept it together. They wanted the buffle, mead,

2:29:59.520 --> 2:30:05.640
<v Speaker 1>are you talking of them talking to them? I'm not

2:30:06.680 --> 2:30:10.400
<v Speaker 1>don't make him drink. I'm not gonna make you. I

2:30:10.480 --> 2:30:12.840
<v Speaker 1>didn't know Joey out of that. I'm not making you

2:30:12.959 --> 2:30:17.200
<v Speaker 1>drink if you don't Enjorgia doesn't drink. Guys drinks. I

2:30:17.280 --> 2:30:20.080
<v Speaker 1>don't want to make them drink. But this guy, why what?

2:30:21.280 --> 2:30:26.160
<v Speaker 1>Uh scife? How about we say Sefe, welcome to the show.

2:30:26.480 --> 2:30:28.880
<v Speaker 1>You know it has you here. I talked about you

2:30:29.000 --> 2:30:31.640
<v Speaker 1>earlier on and I told people about what you did,

2:30:31.800 --> 2:30:34.360
<v Speaker 1>what you embraced a guy that started off just in

2:30:34.360 --> 2:30:38.600
<v Speaker 1>the world of dejaying and being in facing music and

2:30:38.640 --> 2:30:42.400
<v Speaker 1>found love for comedy and embraced comics and then started

2:30:42.440 --> 2:30:45.240
<v Speaker 1>the night put comics on that night. I'm a comic

2:30:45.360 --> 2:30:48.040
<v Speaker 1>that then ended up supporting you in your night. So

2:30:48.120 --> 2:30:50.040
<v Speaker 1>I just want to make sure people understand that there's

2:30:50.040 --> 2:30:51.480
<v Speaker 1>a face of the world, of our entity and what

2:30:51.560 --> 2:30:54.960
<v Speaker 1>I said, Uh, with that being said, Sivce, good to

2:30:55.040 --> 2:30:58.280
<v Speaker 1>see you, I love you, I appreciate you, and uh,

2:30:58.480 --> 2:31:02.800
<v Speaker 1>take a drink. Yeah, take a drink, Come on, make

2:31:02.879 --> 2:31:12.440
<v Speaker 1>sense right? You don't drink? You want not. The only

2:31:12.520 --> 2:31:14.440
<v Speaker 1>time I have a drink was when Big Punk put

2:31:14.480 --> 2:31:17.120
<v Speaker 1>a gun in my stomach. That's the only shot never

2:31:17.240 --> 2:31:21.480
<v Speaker 1>took in my life. The whole story together, though man

2:31:21.720 --> 2:31:25.080
<v Speaker 1>tell the entire story was at Club Flamingo in New

2:31:25.160 --> 2:31:28.360
<v Speaker 1>York City at a lyricist loud show most definite tolt

2:31:28.480 --> 2:31:33.240
<v Speaker 1>quality before they were even black Star and and Pun say, yo,

2:31:33.280 --> 2:31:35.200
<v Speaker 1>give me two shots to Hennessey. I all, no, Punt,

2:31:35.200 --> 2:31:37.400
<v Speaker 1>I don't drink. Thank you. He goes, Oh, you don't drink.

2:31:39.240 --> 2:31:41.480
<v Speaker 1>Gut in the stomach. He will sign my bunch of

2:31:41.480 --> 2:31:44.680
<v Speaker 1>a shot of Hennessey like thanks, Punt took a shot.

2:31:45.800 --> 2:31:50.720
<v Speaker 1>He wanted two more and read away. We got to

2:31:50.760 --> 2:31:53.280
<v Speaker 1>see about that your heart. I don't know why you

2:31:53.360 --> 2:31:58.160
<v Speaker 1>don't drink. So what happened? Because this is happiness right here.

2:31:58.280 --> 2:32:02.120
<v Speaker 1>Now he's mormons more. We had drunken dragon. I just

2:32:02.200 --> 2:32:04.520
<v Speaker 1>want you to know, this is the best Chinese food,

2:32:04.560 --> 2:32:10.640
<v Speaker 1>Asian food cuisine. It's not Chinese Yapa knees whatever it is.

2:32:12.320 --> 2:32:15.080
<v Speaker 1>But stop. You have to realize why you can't do that.

2:32:15.320 --> 2:32:18.280
<v Speaker 1>You can't say that, be thrown out, can't throw out

2:32:18.320 --> 2:32:25.040
<v Speaker 1>whatever you want. My plane on the ground, Hold on,

2:32:25.120 --> 2:32:29.480
<v Speaker 1>hold on, hold on. You guys are sitting there, y'all

2:32:30.320 --> 2:32:34.040
<v Speaker 1>I'm set to take that. Let's do some drops. That's

2:32:34.280 --> 2:32:35.640
<v Speaker 1>all right, But you want to say some of the

2:32:35.680 --> 2:32:38.959
<v Speaker 1>type of sounds like you want to say things. Two things.

2:32:39.240 --> 2:32:41.520
<v Speaker 1>I want to like the big story, the big stuff.

2:32:41.760 --> 2:32:45.680
<v Speaker 1>You don't like the big let me say the big story.

2:32:45.720 --> 2:32:47.480
<v Speaker 1>But I also want you to call me about you

2:32:47.640 --> 2:32:52.840
<v Speaker 1>calling me call you. Oh. When he said that, I realized,

2:32:53.280 --> 2:32:57.039
<v Speaker 1>I've only seen two uh Turk and Kanye. I've only

2:32:57.080 --> 2:33:00.640
<v Speaker 1>seen two black men now were draws and like shocked

2:33:00.680 --> 2:33:03.040
<v Speaker 1>me one time, like I'm not wearing draws. I'm not

2:33:03.120 --> 2:33:06.640
<v Speaker 1>saying I've seen something, saying like when they sit down

2:33:07.360 --> 2:33:10.080
<v Speaker 1>and you like from the back, how do you see it?

2:33:10.600 --> 2:33:12.600
<v Speaker 1>Like you know people like shirts go up from the

2:33:12.640 --> 2:33:15.920
<v Speaker 1>back and you look, you know, oh ship Like my

2:33:16.040 --> 2:33:19.520
<v Speaker 1>bokes asked me out all the time. But like if

2:33:19.560 --> 2:33:24.920
<v Speaker 1>it do me, te's me. Draws are it's a different

2:33:26.720 --> 2:33:33.720
<v Speaker 1>It's a different thing. Sugarray Leonard. One time, Sugar the boxer,

2:33:33.879 --> 2:33:36.440
<v Speaker 1>I was at a convention. We were doing AMTHEWS and

2:33:36.560 --> 2:33:39.520
<v Speaker 1>Sugar was like talking before me. He was sitting in

2:33:39.560 --> 2:33:42.920
<v Speaker 1>the chair that was next and I was like, I

2:33:43.120 --> 2:33:53.280
<v Speaker 1>was she rain for draws? No? They like, no, what

2:33:53.400 --> 2:33:56.920
<v Speaker 1>are you talking? Dick sitting in a chair like you

2:33:57.000 --> 2:33:58.960
<v Speaker 1>know people sitt in the chair if the girls sit

2:33:59.000 --> 2:34:00.960
<v Speaker 1>in the chair like a on the some show. But

2:34:01.680 --> 2:34:05.480
<v Speaker 1>draws should always show. So sugar just out there. I

2:34:05.600 --> 2:34:12.440
<v Speaker 1>was like the names and jeans were No. I didn't

2:34:12.480 --> 2:34:17.320
<v Speaker 1>understand the logic of it. Yeah, Kanye, one time without

2:34:17.360 --> 2:34:22.520
<v Speaker 1>some kind of you only called me two times, two

2:34:22.560 --> 2:34:26.320
<v Speaker 1>times about my show. One time you called me, you

2:34:26.400 --> 2:34:29.800
<v Speaker 1>said I'm mad at you, and I said, there's no

2:34:29.840 --> 2:34:32.000
<v Speaker 1>way you can be mad at me, Keth and you said,

2:34:33.560 --> 2:34:43.080
<v Speaker 1>get away with talking about walking around with the same draws. Yeah,

2:34:43.240 --> 2:34:51.640
<v Speaker 1>I love you, said pride, I don't change. And when

2:34:51.680 --> 2:34:58.560
<v Speaker 1>he said that, y'all was like, who as a guy

2:34:58.680 --> 2:35:04.200
<v Speaker 1>is now host talk show? We have a job? No, no, no,

2:35:04.440 --> 2:35:07.720
<v Speaker 1>you have a job, Like like you can't if you

2:35:07.800 --> 2:35:09.880
<v Speaker 1>hear some ship that made you like right what like

2:35:10.520 --> 2:35:14.160
<v Speaker 1>as a whole she guts like, wait what what Kanye

2:35:14.320 --> 2:35:21.640
<v Speaker 1>said that draws? He's like, yo, I don't y'all was like,

2:35:24.959 --> 2:35:28.840
<v Speaker 1>you are right now like a clip. Played the clip,

2:35:29.800 --> 2:35:33.640
<v Speaker 1>replay right now, replay the clip. When Kanye was saying

2:35:33.680 --> 2:35:36.279
<v Speaker 1>something about like not changing the drawers and wearing draws,

2:35:37.720 --> 2:35:39.160
<v Speaker 1>he said, you were the same draws, I want you

2:35:39.280 --> 2:35:41.640
<v Speaker 1>to replay the clip of y'all right now in this

2:35:41.760 --> 2:35:51.120
<v Speaker 1>episode of y'all, replay it. It's not acceptable. It's not acceptable,

2:35:51.400 --> 2:35:54.160
<v Speaker 1>just like, like, what the are you talking about? Yeah,

2:35:54.720 --> 2:35:56.840
<v Speaker 1>by the way, later on in the episode, he explained

2:35:56.879 --> 2:35:58.920
<v Speaker 1>what he meant and it made more sense. But in

2:35:59.000 --> 2:36:04.960
<v Speaker 1>that moment, though, flow that doesn't matter. No, no, no,

2:36:05.760 --> 2:36:08.760
<v Speaker 1>and the only other I thought we were letting go. No,

2:36:09.240 --> 2:36:15.199
<v Speaker 1>you call me mother, Turkey, don't. I have no intentions

2:36:15.240 --> 2:36:18.959
<v Speaker 1>to watching this one because Turk Turk do me off.

2:36:20.360 --> 2:36:21.880
<v Speaker 1>But I had to watch it again. You got to

2:36:21.959 --> 2:36:30.879
<v Speaker 1>watch again. No, Turk who maybe maybe your best episode ever?

2:36:33.560 --> 2:36:40.879
<v Speaker 1>I said, shut Turk, but Turk maybe your best episode.

2:36:48.240 --> 2:36:54.880
<v Speaker 1>You read a lot of stuff Turks episode. But what

2:36:55.000 --> 2:36:58.640
<v Speaker 1>the Turk what what what Turk? Turk said a lot

2:36:58.720 --> 2:37:03.320
<v Speaker 1>of stuff, But Turk ship is like, uh, Turk's episode

2:37:03.400 --> 2:37:06.360
<v Speaker 1>is full of Easter eggs. You know what I mean

2:37:06.400 --> 2:37:10.920
<v Speaker 1>by easter AIGs yea where east are hidden? You don't

2:37:10.920 --> 2:37:16.480
<v Speaker 1>know where the all the easter black. But you watch

2:37:16.560 --> 2:37:27.520
<v Speaker 1>it after you watch it ship, if you go, oh, fuck,

2:37:31.720 --> 2:37:37.800
<v Speaker 1>Turk episode is full of this world. Nigga. You can't

2:37:37.840 --> 2:37:42.960
<v Speaker 1>deny that, nig if you know anything about New Orleans,

2:37:43.160 --> 2:37:49.119
<v Speaker 1>anything about that, Like listen, you don't. He's that guy.

2:37:49.400 --> 2:37:52.680
<v Speaker 1>Like but when he got to talk to you, like, wait,

2:37:52.720 --> 2:37:54.760
<v Speaker 1>what is it? I gotta go wh I called nor.

2:37:55.080 --> 2:38:00.640
<v Speaker 1>I was like, is it man? I said, stop drinking,

2:38:00.680 --> 2:38:05.080
<v Speaker 1>you gotta stop drinking. I didn't know watching it. I

2:38:05.160 --> 2:38:07.280
<v Speaker 1>was like watching my side. I called him back. It's like,

2:38:07.959 --> 2:38:17.160
<v Speaker 1>oh yeah, it was so good. Like I think your

2:38:17.200 --> 2:38:21.120
<v Speaker 1>best episodes have been Turk and Kanye by far, Like

2:38:21.440 --> 2:38:26.320
<v Speaker 1>like I mean Kanye's I'm gonna give it to him,

2:38:30.000 --> 2:38:34.360
<v Speaker 1>like I ain't gonna lie to you. He's a great interview.

2:38:34.640 --> 2:38:37.879
<v Speaker 1>You know, there's so many people that that that actually

2:38:38.280 --> 2:38:42.800
<v Speaker 1>uh went to the championship, but never actually you never

2:38:42.879 --> 2:38:46.199
<v Speaker 1>seen the picture of them popping the bottle. Yeah, he's

2:38:46.200 --> 2:38:52.720
<v Speaker 1>a guy that's at the chance get that. That's a

2:38:52.959 --> 2:38:58.640
<v Speaker 1>great never seen bill called right paper bottles. You never

2:38:58.680 --> 2:39:04.120
<v Speaker 1>see Steve kurt Mark skirl like like, by the way,

2:39:04.160 --> 2:39:06.040
<v Speaker 1>by the way, let me just tell you something. I'm

2:39:06.080 --> 2:39:09.320
<v Speaker 1>meeting with Jay Z. Steve Kerr walks by the side,

2:39:10.080 --> 2:39:12.680
<v Speaker 1>goes one like this, he his thing is longer, like

2:39:12.720 --> 2:39:16.960
<v Speaker 1>I'll seen your hall. So that Steve kurrk comes back

2:39:18.240 --> 2:39:20.760
<v Speaker 1>you would think that Jay's gonna say to him, Yo,

2:39:21.440 --> 2:39:26.400
<v Speaker 1>last night games crazy, Jay says them he was ready

2:39:26.440 --> 2:39:30.000
<v Speaker 1>when Michael Jordan passed that ball. I'm looking at Jay

2:39:30.240 --> 2:39:33.480
<v Speaker 1>like what he doesn't remember this? You know it? Steve

2:39:33.560 --> 2:39:44.000
<v Speaker 1>Kerr goes exactly. He goes, had to be you know

2:39:44.040 --> 2:39:45.720
<v Speaker 1>what to make him to say. But by the way,

2:39:46.200 --> 2:39:47.720
<v Speaker 1>all right, so we stayed in the hotel. I don't

2:39:47.720 --> 2:39:49.520
<v Speaker 1>want to say, where is that the whole different Nuggets

2:39:49.520 --> 2:39:51.480
<v Speaker 1>just there. I'm not the differ nuggets all go to

2:39:51.520 --> 2:39:55.119
<v Speaker 1>State Warriors staying there, Steph Kerry, everyone they walked by

2:39:55.360 --> 2:39:59.400
<v Speaker 1>and I'm like this, but I got hold right. So

2:39:59.560 --> 2:40:02.199
<v Speaker 1>some of them it is like what up North fella,

2:40:02.280 --> 2:40:15.000
<v Speaker 1>looking like something new or something. And it was this.

2:40:15.680 --> 2:40:17.800
<v Speaker 1>This is when I knew I'm not really that famous,

2:40:17.959 --> 2:40:23.440
<v Speaker 1>right I want. I wanted to explain to you. Jay

2:40:23.480 --> 2:40:25.920
<v Speaker 1>Z said, I'm meet you as he's o'clock. I said, great.

2:40:26.600 --> 2:40:28.760
<v Speaker 1>But for some reason, I was downstairs at five thirty

2:40:29.959 --> 2:40:32.640
<v Speaker 1>because I know these billionaire niggas they come early because

2:40:32.640 --> 2:40:37.640
<v Speaker 1>they think they too good, and like, just as I expect,

2:40:38.879 --> 2:40:42.080
<v Speaker 1>he was there at five forty. So I walked Jay,

2:40:42.640 --> 2:40:45.400
<v Speaker 1>he goes he go, I said, Jade, but the rest

2:40:45.400 --> 2:40:48.520
<v Speaker 1>of want to open to sis o'clock. I'm nervous as hell.

2:40:49.040 --> 2:40:50.959
<v Speaker 1>Jay Z, come and see me. It's just me and him,

2:40:51.480 --> 2:40:54.520
<v Speaker 1>Me and him in front this man, jay Z, what

2:40:54.640 --> 2:40:57.400
<v Speaker 1>am I supposed to do? And then I said, jay

2:40:57.879 --> 2:41:00.160
<v Speaker 1>the rest of the want to open to six. And

2:41:00.320 --> 2:41:01.960
<v Speaker 1>you know what, jay Z looks at me and says,

2:41:03.440 --> 2:41:06.320
<v Speaker 1>the restaurant opened. When we get that exactly what we

2:41:06.440 --> 2:41:09.880
<v Speaker 1>say it exactly. And guess what coming down back? Yeah,

2:41:10.080 --> 2:41:16.120
<v Speaker 1>you got five moments coming down. I wish I was

2:41:18.480 --> 2:41:23.600
<v Speaker 1>coming out, he said, five moments. And he guess what happened?

2:41:24.000 --> 2:41:27.119
<v Speaker 1>The people came and up and it was about because

2:41:27.160 --> 2:41:30.200
<v Speaker 1>because I've been there here this whole week, they thought

2:41:30.240 --> 2:41:33.240
<v Speaker 1>they said, Mrs Censeiology gotta leave. So they looked at me,

2:41:33.360 --> 2:41:35.920
<v Speaker 1>and I looked and then this nigga dregs. You know,

2:41:36.080 --> 2:41:39.920
<v Speaker 1>he got dress, he bought Molly and ship this they said,

2:41:42.120 --> 2:41:45.520
<v Speaker 1>they gave us menus fantastic and he had fifteen minutes

2:41:48.879 --> 2:41:55.360
<v Speaker 1>fifteen minutes early. Then you're on time. That's what you

2:41:55.400 --> 2:42:00.040
<v Speaker 1>want this or you want the guys. I'm maintained. I

2:42:00.360 --> 2:42:04.720
<v Speaker 1>don't know. I don't do that. I've done my job.

2:42:05.120 --> 2:42:07.400
<v Speaker 1>I don't do this. By the way, I don't even

2:42:07.440 --> 2:42:09.279
<v Speaker 1>think that's in there. I think it's like maple syrup

2:42:09.360 --> 2:42:13.840
<v Speaker 1>and like, so you might as well try it. Try

2:42:14.520 --> 2:42:20.280
<v Speaker 1>you do a real one. Okay, try it? Keep going, allright,

2:42:20.560 --> 2:42:25.040
<v Speaker 1>all right, give me my drop, saying real quick, we're

2:42:25.040 --> 2:42:28.560
<v Speaker 1>gonna take this shot. Drop. Well, I should do this

2:42:28.760 --> 2:42:31.200
<v Speaker 1>before I do the drops. Yes, let me do this

2:42:31.400 --> 2:42:35.080
<v Speaker 1>clean like, okay, you're about to give you about to

2:42:35.080 --> 2:42:37.960
<v Speaker 1>give drink champs some ship. Just tell me what this?

2:42:40.240 --> 2:42:45.720
<v Speaker 1>That's it? D No, no, give me all the drops. Okay,

2:42:46.200 --> 2:42:48.560
<v Speaker 1>I don't know. I'm not here for the drops. I'm

2:42:48.600 --> 2:42:50.320
<v Speaker 1>gonna take a shot and I'm gonna walk away, and

2:42:50.320 --> 2:42:52.200
<v Speaker 1>you're gonna do the drops for yourself. No, then then

2:42:52.240 --> 2:42:54.520
<v Speaker 1>you shouldn't be here for the Then you should just

2:42:54.640 --> 2:43:01.080
<v Speaker 1>go I'm gonna finish this and then half. Thank you

2:43:01.160 --> 2:43:05.000
<v Speaker 1>so much for being a man of your word. Hold on,

2:43:05.240 --> 2:43:08.600
<v Speaker 1>hold on. Yeah, we're taking a picture too, But thank

2:43:08.600 --> 2:43:10.199
<v Speaker 1>you so much for being a man of a word.

2:43:10.680 --> 2:43:21.920
<v Speaker 1>But you know what, fu damn No, that's serious. But

2:43:22.040 --> 2:43:27.040
<v Speaker 1>that's seriously because I'm so proud of your progress, Gracian.

2:43:28.480 --> 2:43:32.199
<v Speaker 1>I know it's not worth I'm so proud of everything

2:43:32.280 --> 2:43:36.640
<v Speaker 1>that you dared from with when first mat to where

2:43:36.680 --> 2:43:39.280
<v Speaker 1>you are now. I'm proud of your family and proud

2:43:39.320 --> 2:43:42.160
<v Speaker 1>of your crew, and probably I was so happy. So

2:43:42.400 --> 2:43:45.080
<v Speaker 1>you just walk in and see that you had your

2:43:45.160 --> 2:43:47.800
<v Speaker 1>crew set up, and that's what that's what, that's what

2:43:47.840 --> 2:43:50.760
<v Speaker 1>I'm about. All these people here, most of them is

2:43:50.840 --> 2:43:54.320
<v Speaker 1>my crew. No I see I know that, and that's beauty.

2:43:54.360 --> 2:43:56.680
<v Speaker 1>I can see the guess and guess what they're getting

2:43:56.680 --> 2:43:59.160
<v Speaker 1>the check to us. They're not here to just chill

2:44:00.280 --> 2:44:08.160
<v Speaker 1>mostly that day. They're chilling, Rob. It's gonna be about it.

2:44:08.640 --> 2:44:13.600
<v Speaker 1>Thank you. And then you do you drop? What's the

2:44:13.680 --> 2:44:19.280
<v Speaker 1>difference I'm do? I have to do this drop to

2:44:19.320 --> 2:44:24.080
<v Speaker 1>the okay, but not now. We'll come to you. What

2:44:24.200 --> 2:44:26.720
<v Speaker 1>come to you? Hold on about this, guys, come to

2:44:28.440 --> 2:44:35.160
<v Speaker 1>stand up. We'll come to you. Even here. His name

2:44:35.200 --> 2:44:39.160
<v Speaker 1>is Louis stand up for me and you the same

2:44:39.200 --> 2:44:43.320
<v Speaker 1>size in my mind, I never knew I was here yesterday.

2:44:44.240 --> 2:44:57.880
<v Speaker 1>He has to print. Thanks for joining us for another

2:44:57.920 --> 2:45:00.360
<v Speaker 1>episode of Drink Chams hosted by Yours True Really, d

2:45:00.480 --> 2:45:02.840
<v Speaker 1>J E F N and n O R E. Please

2:45:02.879 --> 2:45:05.080
<v Speaker 1>make sure to follow us on all our socials. Let's

2:45:05.120 --> 2:45:08.680
<v Speaker 1>at drink Champs across all platforms at the Real Noriegan

2:45:08.800 --> 2:45:12.360
<v Speaker 1>I g at Noriega on Twitter, mine is at Who's

2:45:12.360 --> 2:45:15.240
<v Speaker 1>Crazy on I g at d j e f N

2:45:15.320 --> 2:45:17.720
<v Speaker 1>on Twitter, and most importantly, stay up to date with

2:45:17.800 --> 2:45:21.160
<v Speaker 1>the latest releases, news and merged by going to drink

2:45:21.240 --> 2:45:31.040
<v Speaker 1>Champs dot com. For more podcasts from my Heart Radio,

2:45:31.440 --> 2:45:35.120
<v Speaker 1>visit the iHeart Radio app, Apple Podcast, or wherever you

2:45:35.240 --> 2:45:36.440
<v Speaker 1>listen to your favorite shows.