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Speaker 1: She wants to getting your back, saying your back. She

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Speaker 1: ain't don't want my love. I guess I gotta move on. Yeah, Yeah,

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Speaker 1: she on my love. I guess I gotta move on. Yeah.

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Speaker 1: Welcome to Drink Champs, the production of the Black Effect

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Speaker 1: and I heart radio and drinks motherfucking podcast. He's a

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Speaker 1: legendary Queen's wrapper. He's agree it's your boy in no

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Speaker 1: r He's a Miami hippop MIONEERUS d J E f N.

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Speaker 1: Together they drink it up with some of the biggest players,

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Speaker 1: I mean in the most professional, unprofessional podcast and your

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Speaker 1: number one sorts for drunk d Year's time for drink

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Speaker 1: Chance trick up mother would it could be hopeing it would?

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Speaker 1: It should be this your boy and O R U,

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Speaker 1: d j e F this melitment you ain't go up

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Speaker 1: more podcast, make something and right now, in case the

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Speaker 1: people don't know who we're talking about, who we're about

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Speaker 1: to interview, who we're in front of, We're in front

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Speaker 1: of one of the most funniest people on the planet,

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Speaker 1: hands down, like it icon. Let's just I was in

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Speaker 1: his first movie, Paper Soldiers. We did not get paid.

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Speaker 1: We got rocketwear. Gil a lot of it, At least

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Speaker 1: I don't remember it was a lot. But the man

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Speaker 1: has went and I went. I looked at his early

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Speaker 1: comedy and from places that he's come to where he

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Speaker 1: at now, there is no one who has ever done this.

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Speaker 1: I went to his show yesterday. He had all of

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Speaker 1: his friends on this show. What they're saying with their

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Speaker 1: own dressing rooms, I don't think me and you got

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Speaker 1: our own dressing room in casey, I don't know who

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Speaker 1: the hell we're talking about. We're talking about the one,

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Speaker 1: the only motherfucker, Kevin Kevi. I gotta tell you straight

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Speaker 1: up down. I thought that was amazing when I came there.

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Speaker 1: You are like the Wu Tang clan, a comedian like you,

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Speaker 1: the Rista, but then you got red and meth and

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Speaker 1: you got ghost face. How the fun? Because I went

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Speaker 1: there yesterday. His boys is his his crew, and they're

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Speaker 1: getting paid. I mean they're they're very much, uh very high.

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Speaker 1: The high reason for the success, um, you know, I mean,

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Speaker 1: my success is their success. Their success is my success.

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Speaker 1: So this group that we put together, man um, we've

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Speaker 1: been touring for over ten years together. I mean, I

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Speaker 1: want to say it could it could even be longer.

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Speaker 1: And uh, we're talking about of course Joey Wells, Nailand,

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Speaker 1: Spank Corps and those are the comics. UM. But then

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Speaker 1: it goes down to a plethora of other individuals, UM

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Speaker 1: that represent the Plastic Cup Boys, which is a name

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Speaker 1: that we gave ourselves and it's all based off of

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Speaker 1: the idea of a real solo cup and what that

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Speaker 1: represents represents a good time. We're a good time, We're

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Speaker 1: good energy all the time. UM, shouts out to Harry Balls,

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Speaker 1: Wayne Spak, name, Joey Kwan John, Um, you know that

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Speaker 1: energy that has provided. But I believe to be the

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Speaker 1: solid circle that we are and that we operating. UM.

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Speaker 1: It helps me operated at the very high level. So

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Speaker 1: I say, I say, I'm very loyal to my guys

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Speaker 1: and then returning loyal to me. Man. But it's a

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Speaker 1: it's a good feeling when you look back and you

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Speaker 1: you look at the thing that you've built and it's

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Speaker 1: not a it's not a youth thing. It's a wee thing.

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Speaker 1: Because let's say, you know, Spake is getting a lot

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Speaker 1: of money. He was just sitting there changes his bandage

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Speaker 1: in front of everybody. I was like, what I was

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Speaker 1: just moving, No, one's not nothing. It's not a lot

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Speaker 1: of money. That's just that's just stupid, stupid, that's very

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Speaker 1: nasty thing I noticed. I know you're getting a lot

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Speaker 1: of money. Many do. I'm not counting your pockets. But

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Speaker 1: I want to be I want to be talking. I

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Speaker 1: want to pick you up, high level of your security.

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Speaker 1: Hat on a Daytona's scared cool. Yeah, listen, I cannot confirm,

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Speaker 1: I can confirm or deny. I want to success. Success

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Speaker 1: is success is whatever you wanted to be. And for

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Speaker 1: the individuals around me, I think there's different layers to it,

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Speaker 1: there's different levels to it, and I think we all

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Speaker 1: share different versions of what we feel our success is.

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Speaker 1: But the biggest win is that we're still together. We

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Speaker 1: don't want to talk about the biggest win. The biggest

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Speaker 1: win is that this tour is still going on. Um,

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Speaker 1: Egos have not fucked us over completely. Um. You know

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Speaker 1: we have. We have not put ourselves in a position

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Speaker 1: where we are our own demands. And that's what happens

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Speaker 1: a lot of time, uh, in this business. I mean,

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Speaker 1: I'll talked about it several times before, especially within our culture.

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Speaker 1: I pride myself on trying to keep this thing that

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Speaker 1: I'm very passionate about together, right, like, let's let's be

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Speaker 1: considered send, let's do the work, let's motivate and inspire

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Speaker 1: one another. And um, to date, we've done that. So

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Speaker 1: we've we've watched each other turned from boys to now men.

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Speaker 1: I mean, you know, we've watched each other have families, kids, wives,

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Speaker 1: like it's we've literally been um, we've all been together

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Speaker 1: that long to see each other. Yeah. So so it's

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Speaker 1: it's bigger than the career. It's bigger than just the

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Speaker 1: moment on stage of the tour. It's family, it's life.

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Speaker 1: We we build something special. Security. Now, you went to

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Speaker 1: Booby Trap and story afterwards. I don't want to book.

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Speaker 1: I was, I don't go out. I don't go out often. So, um,

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Speaker 1: you know, coming to Miami, we haven't been here. I

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Speaker 1: haven't been here for stand up comedy and probably six

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Speaker 1: years I want to say maybe six years. So celebrating,

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Speaker 1: you know, we said, has been a long time, let's

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Speaker 1: all go out. We went the story. After that, we

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Speaker 1: wanted to get back to our roots. You know, we

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Speaker 1: hit we had booby Trap, I fell asleep and the

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Speaker 1: true Kevin Hart fashion boot Trap. I just sat in

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Speaker 1: the badge. Some wake your ass up. That's time ago.

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Speaker 1: Seen in your your special as you said that your

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Speaker 1: boys treat you like weekend. That Bernie, my dudes only

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Speaker 1: do that to meet No, I didn't realize that. I'm

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Speaker 1: how fall of sleep in a heartbeat. But you know

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Speaker 1: what I mean. Look, I work a lot. I fucking

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Speaker 1: work extremely hard, long days. So you know it past

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Speaker 1: a third an hour, I'm definitely gonna I'm getting dozy.

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Speaker 1: And we pushed the limit, and that that's good. I'm

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Speaker 1: no problem with a nap. I think naps necessary at

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Speaker 1: the age forty. Putting the nap in your daily regimen,

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Speaker 1: uh is something that I think you should prioritize. I'm

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Speaker 1: not gonna clown you for taking a nap. I take

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Speaker 1: naps on the daily. Fifteen minute, ten minute increments. Power

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Speaker 1: boost is what I call them. You need doughs. Nothing

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Speaker 1: wrong with doses, nothing wrong with nothing wrong with them.

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Speaker 1: Here with them, holy ship. I'm taking another nap. Finished,

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Speaker 1: So look, so let's let's get to this. My man, James,

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Speaker 1: very great, great guy. Okay, James, my partner. Yes, okay, James,

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Speaker 1: you got to think about it. Yeah, talking you take

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Speaker 1: to kill them? Yes, grand Cormino one corbino. That one

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Speaker 1: that you're looking at that you're holding on, that's uh,

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Speaker 1: that's our first one out the gate. That's a clear reperstado.

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Speaker 1: Would you like pretty good? Well, it is pretty good.

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Speaker 1: I'm here. I made a drink. You know, I didn't

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Speaker 1: drink all day. I knew this ship was coming, so

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Speaker 1: you know, I'm not gonna be a bit I may embrace.

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Speaker 1: I'm embrace the world that you guys have. Uh. You know,

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Speaker 1: I'm trying to get out as I can. But let's

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Speaker 1: keeps we make a laugh. Let me tell you what.

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Speaker 1: Let me just tell you. I was watching you on

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Speaker 1: stage right and I'm telling you, I'm zoomed in and

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Speaker 1: you're so smooth, right you ain't. You ain't sweating at all.

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Speaker 1: You see, I'm looking like he gotta let the pass on.

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Speaker 1: You sweat somewhere somewhere, it's somewhere in this and you

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Speaker 1: didn't sweat. And I'm like, he's really like this good.

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Speaker 1: He really like he really like an avenger. And then

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Speaker 1: at the end of the show, you said I'm gonna

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Speaker 1: take a shot for for for you, Miami took a shot,

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Speaker 1: and you took a shot for somebody else. And then

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Speaker 1: it came this is you know, I am not going

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Speaker 1: to to to hold back here. I have a really

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Speaker 1: good I have a really good product. Man. I don't

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Speaker 1: do anything halfway. So the development of my tequila you're

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Speaker 1: talking about there and a half, the four years of tasting,

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Speaker 1: sending things back, of trips to Mexico, of uh spending

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Speaker 1: ample time and the distillery with the with our team

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Speaker 1: and and you know, people that are basically responsible for

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Speaker 1: bringing us what we feel the best version of our

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Speaker 1: product should be. And I wasn't gonna be satisfied until

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Speaker 1: it was right. And we got it right. We knocked

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Speaker 1: it out the park. And Crystalino. Look for the people

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Speaker 1: that don't know, Crystalino has been around for a long time.

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Speaker 1: It's just never it's never been properly introduced, right like

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Speaker 1: our clach, this is the Crystalino. So Cristalino is a

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Speaker 1: clearly is a clear repistaddo, Right, you basically took the

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Speaker 1: color out of it. Still pisiddo. It's just clear does

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Speaker 1: not have the color um And in that regard, we

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Speaker 1: don't know. It's always been sold at the high shelf.

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Speaker 1: Like people look at this and they think it's a Blanco,

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Speaker 1: it's not a Bronco Crystalino. So I took this as

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Speaker 1: an opportunity to educate the market on not only what

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Speaker 1: the crystalino is, but why it's so special, Why something

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Speaker 1: that's unique, Why something that you should experience, Because being

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Speaker 1: at a high price point, people couldn't enjoy it. So

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Speaker 1: we lowered it. We made this out start off. Uh,

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Speaker 1: and this comes in and I believe fifty nine and

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Speaker 1: fit the nine dollar bottle, and we said let's start here.

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Speaker 1: And then we went to our yeo, and this is

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Speaker 1: our hundred dollar bottom nine and dollars. But you know,

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Speaker 1: the world premium. When he gets better, and I think, uh,

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Speaker 1: everybody's palette deserves a boost, so I gave him a

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Speaker 1: boost with grandcore. Me. No, this is a brain that

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Speaker 1: will be around for quite some time that people are

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Speaker 1: gonna take a li and love to. I promise you.

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Speaker 1: So you want to stop? No, how you start here?

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Speaker 1: All right? Cool? Because I don't want to let me try.

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Speaker 1: This is how you go. There's not no normal ship.

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Speaker 1: You want to see through me. And I also if

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Speaker 1: you guys with my shot glasses, you notice, uh, my bottle,

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Speaker 1: if you notice the shape of my bottle. That's extremely sleek,

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Speaker 1: but it's smooth. Uh, and it's almost a twist. The

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Speaker 1: reason why is because it's representing slope, ski slopes, going

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Speaker 1: down ski slope. It's a very smooth thing to do

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Speaker 1: when you do it correctly. Drinking my tequila should be smooth,

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Speaker 1: should be fun. Hence the glasses mimic it as well.

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Speaker 1: There are all little things, minor details, people, minor details. Okay, Minai, alright, alright,

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Speaker 1: that's what you do. I drink champagne to do the shots.

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Speaker 1: Drink champagne with you. Don't drink champagne. I'm here, I'm

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Speaker 1: even doing it and I'm going to Yes, that's what

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Speaker 1: I got this. Uh, this is a shot to you guys.

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Speaker 1: I'm proud of what you guys have done. An amazing platform,

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Speaker 1: that says man. And it's an honor to be here. Brother.

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Speaker 1: So this one, I'm like, what're you doing? Yes? Uh?

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Speaker 1: Come on, come on that cool? Come on that that's good.

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Speaker 1: Now you got a lie. I don't really like to

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Speaker 1: keep the shot, but good smooth, baby, I'm not good.

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Speaker 1: Let me know your champagne told me. It texts me,

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Speaker 1: It texts you text me. So cat I just watched

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Speaker 1: movie me times. I felt great. Okay, not only the

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Speaker 1: movie is good, but I knew you am Mark Warburg.

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Speaker 1: So I text you'all both and you both hit me back,

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Speaker 1: and I felt great about life. I said, two stars together.

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Speaker 1: But the movie is actually a great movie. Who came

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Speaker 1: up with the script? How does this happen? Me? Time

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Speaker 1: is a special movie because it falls underneath the umbrella

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Speaker 1: of heartbeat. UM. You know, I'm at a unique place

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Speaker 1: in my career now where the movies that I want

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Speaker 1: to do in movies that I developed. That's my production company,

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Speaker 1: Media Companies. Bryan Smiley is our president and head of development. UM.

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Speaker 1: But what we what we do is we look for

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Speaker 1: feel good content. We look for uh, things that people

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Speaker 1: cannot just relate to, um, but they can see themselves in.

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Speaker 1: How do we make? How do we make? How do

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Speaker 1: we make? I p that gives people a moment to

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Speaker 1: either reflect on their life or understand somebody else's position.

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Speaker 1: UH laugh, More important, believe with a message. So John Hamburg,

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Speaker 1: who directed and UH wrote the script. John Hamburg and

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Speaker 1: I we developed this idea over the course of about

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Speaker 1: a year and a half, and we wanted to do

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Speaker 1: a reversal um on the expectation and role of what

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Speaker 1: sometime expected of some women, right like you know, uh

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Speaker 1: if ye woman, if a woman has kids, and you know,

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Speaker 1: there's an expectation that the woman is in the house,

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Speaker 1: the man is working, et cetera. And we said, look,

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Speaker 1: we want to highlight the world of your woman that's

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Speaker 1: embracing the world of business, um, going out in the world, attacking,

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Speaker 1: and she's getting held down at home by man dad

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Speaker 1: bed stay home. That's when the embraces That's what we loved.

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Speaker 1: And you know, we said, look, that's funny, but we

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Speaker 1: also should make sure that we do it correctly, like

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Speaker 1: let's make sure that we give the nod to the

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Speaker 1: woman in the way to deserve it. And that's what

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Speaker 1: the idea was based around. And then the character the

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Speaker 1: man that embraced the world of home, well, we said,

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Speaker 1: let's get our funny off there. He's over the top.

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Speaker 1: He's in he's involved in the kids school, he's a volunteer,

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Speaker 1: but he's excessive with it. He's packing the launches, he's

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Speaker 1: been a pleasant Yeah, he's he's over the top with you.

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Speaker 1: So that's where the Joe came from. And then we said,

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Speaker 1: we want to get him out the environment, put him

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Speaker 1: in a place where he can actually get loose. Hance

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Speaker 1: Mark Wahlberg his character Huck as being old friends and

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Speaker 1: then having to rekindle the relationship of old and get

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Speaker 1: into some kind of conflict of new. The idea was good.

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Speaker 1: Hamburg did a great job right in the script. Netflix

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Speaker 1: loved it and we said let's do it. So, Um,

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Speaker 1: you're now looking at I think, uh, our fourth movie

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Speaker 1: underneath the heart Beat umbrella, and it's growing right our

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Speaker 1: content under Harvey. So right now we have Man for Toronto, Fatherhood,

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Speaker 1: Me Time. Um, those are the movies that Heartbeat has produced. Um,

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Speaker 1: we also have coming out. We have Left, which we

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Speaker 1: also produced, and we're in development now on one more

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Speaker 1: so No, it's called Lift. This one is actually directed

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Speaker 1: by f Carey Gray. So so this movie is this

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Speaker 1: movie is serious, This is my this is my you Turn.

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Speaker 1: We also produced True Story, Didn't So that's another heart

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Speaker 1: Beat production. Like I ain't gonna lie when when I

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Speaker 1: watched True Story, I felt like Resty's NiFe was a

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Speaker 1: foul n in real life, Like I felt like he

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Speaker 1: wasn't acting. I'm sorry, why the are y'a laughing like

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Speaker 1: no one else felt like this. He's a real deal.

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Speaker 1: It's a real deal. So so what do you happened?

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Speaker 1: You call? You said, I got a call the o G.

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Speaker 1: I had an idea. I wanted to do something serious.

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Speaker 1: I said, how do I throw my fan base, uh

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Speaker 1: for loop, you know, just pretty much show that I

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Speaker 1: have this in my bag, Um, just to just to play,

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Speaker 1: like let me, let me, let me play in this

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Speaker 1: space and see what I can come up with. And

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Speaker 1: I was a big fan of Narcos. And I went

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Speaker 1: out and I um, I went out, I got in touch.

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Speaker 1: I got in touch with Eric Eric Newman from he's

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Speaker 1: the producer, showrunner, creator of the World of Narcos. And

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Speaker 1: I said, dude, I want to come to you because

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Speaker 1: I want to do something that basically puts a guy

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Speaker 1: that after you know, that's fine, I don't. I can

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Speaker 1: do this all day. It's my product. I can. I said,

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Speaker 1: I want to do something where I basically put a

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Speaker 1: gun in my hand. If people can't believe it, how

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Speaker 1: do we crack the code on that? And I said,

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Speaker 1: here's a rough idea of what I want to do. Um,

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Speaker 1: what do you think of this? He said, dude, I

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Speaker 1: like the idea of you doing something that's serious. I

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Speaker 1: like the idea of being attached to the reason why

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Speaker 1: people will believe it. He said, give me, give me

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Speaker 1: a couple of weeks to take it, come back at you,

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Speaker 1: and we have something to talk. We have something to

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Speaker 1: talk from. He took my rough idea, came back with

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Speaker 1: a template of what we thought it could be. We

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Speaker 1: built off of that true story became real. We said,

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Speaker 1: who do we want to play the brother? We both said,

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Speaker 1: Wesley Snips, what's the first? First pick? First pick? And

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Speaker 1: here's the thing. When I talked to Wesley Snipes in beginning,

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Speaker 1: Wesley didn't know it was serious. West. He thought it

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Speaker 1: was a comedy. Way to explain to us, Like, no, Wes,

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Speaker 1: he this is not a comedy. This is really like

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Speaker 1: a serious fun I'm not playing first he didn't he

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Speaker 1: didn't know. Like Wesley was like, I don't know if

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Speaker 1: Kevin's going to be able to pull off the world

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Speaker 1: as serious. He said, I don't know. And I said, West,

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Speaker 1: that's a well a working with you, it's dope as

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Speaker 1: fucked because you know, I came up on you. I'm

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Speaker 1: a fan of you. I sin so I would never

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Speaker 1: waste your time. If anything, your talent is going to

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Speaker 1: elevate mine, I said, but I don't. I don't plan

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Speaker 1: to come here and not prepared. I come here to

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Speaker 1: not only do the work, but to fucking make the

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Speaker 1: material that can have people go, oh my god. If

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Speaker 1: I had to sell Wesley on me doing it, and

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Speaker 1: you know he was once he was sold in and

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Speaker 1: brought into the concept, we hit the ground running man

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Speaker 1: and he did exactly what I thought it was gonna do.

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Speaker 1: His acting, elevated mind, way that he the way that

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Speaker 1: he breaks down and seeing the material. I learned so

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Speaker 1: much from working with him, and it, uh, it made

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Speaker 1: me more more polished as an actor. Um, and and

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Speaker 1: more ambitious about doing the thing after, Like I can't

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Speaker 1: wait to do the thing after and Lift is the

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Speaker 1: thing after. True story and serious as well. Serious Yeah, okay,

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Speaker 1: because you did another joint where you was like in

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Speaker 1: that wheelchair right, No, Um, I wasn't in a wheelchair. Yeah,

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Speaker 1: upside that's a Brian Arinston legend. Brian Cranston, uh, the

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Speaker 1: cold kidding and myself. Yeah, that's a hell of a

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Speaker 1: cast to be in. And once again, um, that was

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Speaker 1: one where I had talked to Brian, I'm gonna be

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Speaker 1: serious guys, all right, but it's Kevin really gonna is

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Speaker 1: he really gonna embrace the serious of like he's gonna

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Speaker 1: come in and understand like this has to be a

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Speaker 1: certain way because when you come from the World's Ring

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Speaker 1: the comedy, no Brian Cranston is so you know, with

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Speaker 1: Brian Cranston and The Upside, it was making sure he understood, like, no,

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Speaker 1: I'm gonna knock the roll out the park, but I

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Speaker 1: met with him to direct him Like, granted, already got

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Speaker 1: the part, but you're meeting with your cast before you

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Speaker 1: get into the world of shooting so that they're confident

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Speaker 1: that you're gonna show up every day and not just

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Speaker 1: be prepared, but be good. Um. And that was fucking dope,

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Speaker 1: saying Brian Cranston and the Cold Kidman show for work

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Speaker 1: every day, knowing their lines, prett prepared, breaking down scenes,

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Speaker 1: and I'm sitting right there holding my own. Um, your talent,

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Speaker 1: your talent getts sharpened by other talents, right, you know what,

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Speaker 1: it's iron sharpers. I Uh, it couldn't be more true.

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Speaker 1: I think that's where I've been able to raise my game. Um,

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Speaker 1: throughout the years of doing what it is that I do.

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Speaker 1: It's from positioning myself with people that have not only

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Speaker 1: done it, but they've done it at a very high level. Well,

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Speaker 1: they've always said that comedians could be the best dramatic

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Speaker 1: act absolutely, Like I thought Robin Williams embodied that absolutely, absolutely,

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Speaker 1: because if you didn't take here's the thing, there is

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Speaker 1: an assumption that you can't just based off of the

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Speaker 1: funny things that you've seen them at. It's not based

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Speaker 1: off of them doing something serious and not being good.

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Speaker 1: That really happens when you see the comedic talent that

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Speaker 1: takes that stance. Jim Carrey, when he took that stance,

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Speaker 1: it was fucking insane. Steve Carrell insane, Jamie Five insane. Um.

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Speaker 1: I don't know if you guys are familiar with Chris Robin.

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Speaker 1: When Chris Rock did the play um, Motherfucker and the

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Speaker 1: at he was on Broadway, serious play. Chris Walker was

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Speaker 1: on Broadway for a minute, fucking body that play. Um.

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Speaker 1: I mean, I think New jack City just given the

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Speaker 1: opportunity if you put a comedian in a position to

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Speaker 1: be serious, Chris Tucker dead president, like like what it's

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Speaker 1: you have the tears and the levels because on stage

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Speaker 1: you're going in and out of what you choose to

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Speaker 1: go in and out of. But being funny is harder acting.

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Speaker 1: By the way, trained actors, I mean they're they're unbelievable

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Speaker 1: method actors. Yes, it's like they're unbelievable. You can't. Why

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Speaker 1: not what showing up? My name is Cory, No, your

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Speaker 1: name is Matt. I don't disrespect anybody's process. I don't.

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Speaker 1: I don't think. I don't disrespect anybody's talent, right, whether

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Speaker 1: I agree to your approach of how you do what

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Speaker 1: you do or not. I love the fact that talent

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Speaker 1: is talent and how of a person gets there, they

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Speaker 1: get there. It's im support your process regardless. Those actors

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Speaker 1: that were referring to are fucking phenomenal. Phenomenal. You can't

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Speaker 1: take anything away from people. People don't give comedy enough

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Speaker 1: fucking credit. They don't give the world of comedy enough.

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Speaker 1: Like Eddie Murphy and Nuttie Professor, they didn't give that enough,

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Speaker 1: like they kind of they kind of shoulder shrugged as

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Speaker 1: if that's another actor the Disney role. They give them problems,

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Speaker 1: but it's like it's Eddie acted with Eddie and remembered

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Speaker 1: all of the things that Eddie did as the other

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Speaker 1: people for eight days during the movie. That's not that's

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Speaker 1: not easy. That's a different level of talents. So when

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Speaker 1: you look at Martin Big Mama's, when you look at

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Speaker 1: all these comedians that have taken that stands where you go,

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Speaker 1: Robin Williams and down Fire, you look at all the

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Speaker 1: ship a woman, you can it's the idea of going

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Speaker 1: to the farthest extent to get the laugh, but grounding

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Speaker 1: might approach to doing it well. The business the business

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Speaker 1: shoulder shrugs. Comedy once again because it's like, oh yeah,

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Speaker 1: this comedy. Jim Carrey, me, myself and Irene, what are

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Speaker 1: you talking about? Wife calls me? She said, She said,

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Speaker 1: She said that being married to me is like being

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Speaker 1: I don't know if you watch, don't watch Jim Carrey's

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Speaker 1: performance and me myself and Irene as Hank what Hank

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Speaker 1: comes when he keeps going back and forth. I can

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Speaker 1: go down the line of so many great comedic performances,

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Speaker 1: Uh you know that that are fucking legendary. Ben Stiller

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Speaker 1: and meet the Focker's right, you go to the first

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Speaker 1: one like that idea of this guy that's being bullied

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Speaker 1: by the day, but making that world real it's a

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Speaker 1: fucking task. There's a high level of respect that should

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Speaker 1: be put on comedy in general, like it just makes

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Speaker 1: the world go around. It's necessary, and these comedic actors

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Speaker 1: and actresses are necessary. I think we gotta make some

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Speaker 1: noise for that share. So we recently see you a

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Speaker 1: little duval, A little duval ready? Um, okay, we listally

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Speaker 1: see you a little duval. Right. I don't know what

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Speaker 1: just happened when he just put that the man was

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Speaker 1: in a wheelchair. Yeah, your game with with this? Yeah,

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Speaker 1: don't take a shot. It was for all of mankind.

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Speaker 1: Then he asked you to hit the blunt. You said absolutely,

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Speaker 1: not absolutely, because there's a problem with marijuana. What is

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Speaker 1: what is? What is? What is the relationship with you

419
00:24:50,440 --> 00:24:53,440
Speaker 1: and marijuana? Okay, well it's easy. Um what's it called?

420
00:24:54,920 --> 00:24:57,800
Speaker 1: What's the best way to playing this? I'm a brand,

421
00:24:59,480 --> 00:25:08,120
Speaker 1: I'm I'm a fucking chairman CEO. Medical is medically approved.

422
00:25:08,440 --> 00:25:10,159
Speaker 1: I do know you know what? You know what. I

423
00:25:11,359 --> 00:25:14,399
Speaker 1: haven't smoked, and my business partners somehow trust me with

424
00:25:14,480 --> 00:25:19,880
Speaker 1: all the business that I did. I'm on time, show

425
00:25:20,000 --> 00:25:23,840
Speaker 1: up in the morning, smell like I do smoke weed.

426
00:25:24,640 --> 00:25:27,800
Speaker 1: I actually have a good memory. Shouts out to everybody

427
00:25:27,840 --> 00:25:31,680
Speaker 1: that smokes a lot of delay reactions and those people,

428
00:25:32,480 --> 00:25:38,440
Speaker 1: a lot of a lot of fucking reactions on those people,

429
00:25:38,920 --> 00:25:42,159
Speaker 1: I'm not pot what you do once then me you do.

430
00:25:42,960 --> 00:25:46,480
Speaker 1: I embrace your world. Doesn't mean that I looked down

431
00:25:46,520 --> 00:25:49,000
Speaker 1: on you. Shouts out to you, but I don't want

432
00:25:49,040 --> 00:25:53,000
Speaker 1: to smoke it. Now. Here's the thing, dovol, that's my

433
00:25:53,200 --> 00:25:57,560
Speaker 1: god fucking duval. He got an accident. Hurt my heart

434
00:25:57,640 --> 00:26:00,360
Speaker 1: to see my guy down, breaks my heart to see down.

435
00:26:00,520 --> 00:26:04,120
Speaker 1: But because of his relationship and not re our relationship,

436
00:26:04,160 --> 00:26:06,600
Speaker 1: I'm gonna make sure that his down isn't a bad one.

437
00:26:06,600 --> 00:26:08,440
Speaker 1: I'm gonna getting back up. So I said, come out

438
00:26:08,480 --> 00:26:10,520
Speaker 1: to the show. You know why, because he's sitting in

439
00:26:10,600 --> 00:26:13,440
Speaker 1: his fucking wheelchair and he's just smoking. And I'm like,

440
00:26:13,520 --> 00:26:16,399
Speaker 1: you can't fucking do that because you're just chilling and

441
00:26:16,480 --> 00:26:18,399
Speaker 1: the days are gonna fly by. You gotta get your

442
00:26:18,440 --> 00:26:20,920
Speaker 1: ass up, get out and get active. I'm not saying

443
00:26:20,960 --> 00:26:23,439
Speaker 1: at all we smokers aren't active, because some of them are.

444
00:26:24,400 --> 00:26:26,480
Speaker 1: I'm saying that they are. I'm saying for my friends,

445
00:26:26,840 --> 00:26:28,679
Speaker 1: I don't want to see him just not be active.

446
00:26:28,840 --> 00:26:32,200
Speaker 1: So he wanted me to smoke weed my way. We're

447
00:26:32,240 --> 00:26:37,360
Speaker 1: at the arena, I'm about to perform, but I'm going

448
00:26:37,480 --> 00:26:44,080
Speaker 1: on stage. You don't care about much. You know, you

449
00:26:44,119 --> 00:26:46,040
Speaker 1: don't want to funk about what I do at all.

450
00:26:46,520 --> 00:26:48,680
Speaker 1: So you know, for me, it was it was it

451
00:26:48,760 --> 00:26:51,359
Speaker 1: was a thing to support and show love. But I

452
00:26:51,400 --> 00:26:53,119
Speaker 1: would never do it. I see, I got all this

453
00:26:53,200 --> 00:26:55,399
Speaker 1: weed proight. I care great for you guys. If you

454
00:26:55,600 --> 00:26:58,080
Speaker 1: think I'm gonna smoke some fucking weed on this podcast,

455
00:26:58,520 --> 00:27:03,959
Speaker 1: you got another look drake kids going, we're blowing all

456
00:27:04,000 --> 00:27:13,520
Speaker 1: around me. All you want. I'm saying, y'all, just you said,

457
00:27:13,720 --> 00:27:15,720
Speaker 1: brow it around what you want to come out smoother?

458
00:27:15,840 --> 00:27:20,600
Speaker 1: Come up environment, come on? Yeah, I mean that's story. Yeah,

459
00:27:23,400 --> 00:27:28,639
Speaker 1: what's the problem. Why do you even need a device

460
00:27:28,760 --> 00:27:43,439
Speaker 1: like that? Sweating comes comes right? Damn turn that off.

461
00:27:43,680 --> 00:27:46,920
Speaker 1: What it's a weed pistol. I don't want to know.

462
00:27:46,960 --> 00:27:48,440
Speaker 1: It's a weed machine. I don't want to cold it

463
00:27:48,480 --> 00:27:50,560
Speaker 1: a gun because we werew out of that ship, so

464
00:27:50,720 --> 00:27:55,640
Speaker 1: it's a weed machine. Why is that necessary? Dispenser? When

465
00:27:55,680 --> 00:28:00,920
Speaker 1: did you when did you escalate day? What I'm now

466
00:28:01,080 --> 00:28:03,840
Speaker 1: was that not enough? Why did you go the blend

467
00:28:03,920 --> 00:28:07,919
Speaker 1: is really pissing me on? You need to we need

468
00:28:08,480 --> 00:28:14,440
Speaker 1: fucking a machine. G just shooting unnecessary amount of me.

469
00:28:15,640 --> 00:28:17,720
Speaker 1: And if you got that? Why is he rolling weeds?

470
00:28:17,800 --> 00:28:22,040
Speaker 1: What is he? What is he doing? Why? I fly

471
00:28:22,240 --> 00:28:25,600
Speaker 1: him in for peru? Okay, he just flies He just

472
00:28:25,640 --> 00:28:31,280
Speaker 1: flies in the wrestle. Okay, roll blast like yeah, na

473
00:28:32,560 --> 00:28:34,000
Speaker 1: like he does a little nacho le blade and then

474
00:28:34,000 --> 00:28:41,040
Speaker 1: he rolls blinst he goes back the kindle. Yeah. So kevi?

475
00:28:42,800 --> 00:28:45,000
Speaker 1: What what? What? What is it? What is your favorite?

476
00:28:45,120 --> 00:28:48,040
Speaker 1: It's stand up or making movies? You had? Nothing will

477
00:28:48,080 --> 00:28:50,800
Speaker 1: ever be stand up? Excuse me, Nothing will ever beat standard,

478
00:28:50,840 --> 00:28:54,640
Speaker 1: Nothing beats stand up comedy is That's what I am.

479
00:28:54,720 --> 00:28:57,800
Speaker 1: It's who I am. That's what That's what made me.

480
00:28:57,960 --> 00:29:01,080
Speaker 1: That's what created any and every opportunity that I've ever had.

481
00:29:01,160 --> 00:29:03,360
Speaker 1: It starts with the stage. It starts with that microphone

482
00:29:03,880 --> 00:29:06,720
Speaker 1: um you get from the crowd in that moment. It's

483
00:29:06,720 --> 00:29:08,840
Speaker 1: a relationship. I feel like it's like DJ when we

484
00:29:09,280 --> 00:29:11,520
Speaker 1: as a DJ, we're on stage and it's the energy

485
00:29:11,600 --> 00:29:13,760
Speaker 1: that they tapped in. You know what it is, man,

486
00:29:13,840 --> 00:29:16,880
Speaker 1: It's a it's a layered it's the energy. It's the

487
00:29:17,240 --> 00:29:21,840
Speaker 1: it's the reaction, it's the it's the honesty. Right, Um,

488
00:29:22,200 --> 00:29:25,400
Speaker 1: you know you've seen my life. You've seen my life

489
00:29:25,480 --> 00:29:30,120
Speaker 1: grow and go through stand up right, the good, the bad,

490
00:29:30,160 --> 00:29:32,760
Speaker 1: the ugly. You've seen me in some ways shape or

491
00:29:32,800 --> 00:29:36,920
Speaker 1: form presented through stand up comedy. And you know that's

492
00:29:37,920 --> 00:29:41,160
Speaker 1: that's valuable, that's very important. You know, that's my therapy,

493
00:29:41,280 --> 00:29:45,680
Speaker 1: that's my that's my thing, that's my drug. I need it.

494
00:29:45,880 --> 00:29:48,480
Speaker 1: And um, the fact that I have a relationship with

495
00:29:48,600 --> 00:29:50,960
Speaker 1: this fan base that has grown over the course of

496
00:29:51,000 --> 00:29:54,240
Speaker 1: the years that now is global. Um, it's something that

497
00:29:54,320 --> 00:29:57,360
Speaker 1: I own. I can do it what I want, I

498
00:29:57,400 --> 00:29:59,880
Speaker 1: can stop when I want, I can do intimate show.

499
00:30:00,000 --> 00:30:03,760
Speaker 1: Was like do big shows because that's something that's amazing.

500
00:30:03,920 --> 00:30:06,640
Speaker 1: I think, uh see, I see cypher Sounds left and

501
00:30:06,720 --> 00:30:10,080
Speaker 1: I remember me seeing you go to Cypeer Sounds show.

502
00:30:11,080 --> 00:30:15,000
Speaker 1: I believe it's a comedy seller. Side now has a

503
00:30:15,040 --> 00:30:18,240
Speaker 1: comedy seller. I started off at Caroline shout out to Side.

504
00:30:18,240 --> 00:30:25,200
Speaker 1: I didn't see, um, Sie is a great dude, a

505
00:30:25,280 --> 00:30:27,680
Speaker 1: good dude. But I remember when Site started to embrace

506
00:30:27,760 --> 00:30:31,640
Speaker 1: comedy while while being in the world of radio, and

507
00:30:32,120 --> 00:30:35,000
Speaker 1: I started off during the I think it was Carolines

508
00:30:35,280 --> 00:30:36,920
Speaker 1: where he had a night and they were doing something,

509
00:30:36,960 --> 00:30:39,040
Speaker 1: and then it progressed, and then as he got more

510
00:30:39,120 --> 00:30:41,360
Speaker 1: serious with the relationship group and then he was at

511
00:30:41,400 --> 00:30:43,160
Speaker 1: the comedy seller around the corner. You know what I'm saying.

512
00:30:43,200 --> 00:30:45,280
Speaker 1: Recently i've seen you. I don't know how we've seen

513
00:30:45,320 --> 00:30:47,000
Speaker 1: it was, but I know within the last year you

514
00:30:47,120 --> 00:30:49,520
Speaker 1: just jumped on stage and I'm just sitting there like

515
00:30:49,960 --> 00:30:52,600
Speaker 1: as a as a as a platinum artist. Sometimes I

516
00:30:52,640 --> 00:30:55,000
Speaker 1: wouldn't do that, Like I wouldn't go to a show

517
00:30:55,080 --> 00:30:58,240
Speaker 1: and just jump on But I noticed that about you Chapal's.

518
00:30:59,120 --> 00:31:01,880
Speaker 1: But that's how comedians work material. That's my point I'm

519
00:31:01,880 --> 00:31:04,800
Speaker 1: trying to get into, because wouldn't you just do like

520
00:31:06,360 --> 00:31:09,960
Speaker 1: because I'm all over the place. During during the pandemic,

521
00:31:11,000 --> 00:31:15,320
Speaker 1: you also had you practice your special. You didn't have

522
00:31:15,400 --> 00:31:18,120
Speaker 1: peace of though, but you practice special. You gave us

523
00:31:18,120 --> 00:31:21,120
Speaker 1: all COVID tests. It was real, it was real, it

524
00:31:21,280 --> 00:31:24,160
Speaker 1: was real. This is you remember you remember you had

525
00:31:24,200 --> 00:31:27,440
Speaker 1: this ship and you walked around and you asked questions.

526
00:31:27,480 --> 00:31:29,000
Speaker 1: After this ship you said, you know Norwich, did you

527
00:31:29,080 --> 00:31:30,760
Speaker 1: like this point? My man was that he was laughing

528
00:31:30,800 --> 00:31:32,960
Speaker 1: so crazy. You remember that time he was laughing crazy.

529
00:31:33,000 --> 00:31:36,960
Speaker 1: You had to look at it was so get to

530
00:31:37,000 --> 00:31:39,640
Speaker 1: my point before you say that. So, why why as

531
00:31:39,680 --> 00:31:42,120
Speaker 1: a comedian, why would you go put yourself in the

532
00:31:42,200 --> 00:31:44,320
Speaker 1: public right that when you could do things like what

533
00:31:44,400 --> 00:31:46,680
Speaker 1: you did with that private session where you can have

534
00:31:46,800 --> 00:31:49,680
Speaker 1: you your homies and the critique it, why choose to

535
00:31:49,720 --> 00:31:53,760
Speaker 1: go out there and do that? My process is, uh,

536
00:31:55,120 --> 00:32:00,080
Speaker 1: my process is extremely different, um, And I'm commit it.

537
00:32:01,280 --> 00:32:05,920
Speaker 1: I'm committed to this thing that I feel that works right.

538
00:32:06,360 --> 00:32:09,640
Speaker 1: And the thing that works is the work. In comedy,

539
00:32:09,720 --> 00:32:12,400
Speaker 1: you can't cheat the work. When you do cheat the work,

540
00:32:12,760 --> 00:32:14,920
Speaker 1: it's gonna come out of your final products some way.

541
00:32:19,840 --> 00:32:22,760
Speaker 1: You just gotta you gotta understand it. You gotta really

542
00:32:23,200 --> 00:32:26,440
Speaker 1: embrace the idea of what makes a set a set?

543
00:32:26,880 --> 00:32:29,600
Speaker 1: What makes a joker? Joke? Jokes come in threes, There's

544
00:32:29,640 --> 00:32:31,440
Speaker 1: the beginning, middle, in the end, the same thing with

545
00:32:31,520 --> 00:32:34,200
Speaker 1: the set beginning, middle, on the end. What's my beginning,

546
00:32:34,640 --> 00:32:36,520
Speaker 1: what's the middle? And how do I finish? This? Is

547
00:32:36,520 --> 00:32:38,400
Speaker 1: all things? You have to think, what story am I telling?

548
00:32:38,640 --> 00:32:40,560
Speaker 1: All these things? The question that you gotta ask yourself

549
00:32:40,800 --> 00:32:45,760
Speaker 1: before really getting into it. Um, that process, well, it

550
00:32:45,800 --> 00:32:48,520
Speaker 1: starts at the comedy club. That comedy club sometimes the

551
00:32:48,600 --> 00:32:51,000
Speaker 1: fifteen people, twenty people, thirty people. By the way, that

552
00:32:51,120 --> 00:32:53,760
Speaker 1: comedy club is when you started at that comedy club

553
00:32:53,840 --> 00:32:56,080
Speaker 1: is what you were in that helped you get the break.

554
00:32:56,560 --> 00:32:59,080
Speaker 1: So if you get the break and got the brakes

555
00:32:59,120 --> 00:33:02,200
Speaker 1: after and you don't go back to the roots as

556
00:33:02,240 --> 00:33:04,719
Speaker 1: to how it started, well that means that you're forgetting

557
00:33:04,760 --> 00:33:08,360
Speaker 1: the real process. So after every stand up special, that

558
00:33:08,520 --> 00:33:11,080
Speaker 1: material gets thrown out, it's deleted, and I go back

559
00:33:11,120 --> 00:33:13,920
Speaker 1: to the beginning. So those comedy clubs that you see

560
00:33:13,960 --> 00:33:16,600
Speaker 1: me go to, those intimate settings is for me to

561
00:33:16,640 --> 00:33:19,360
Speaker 1: figure out what the funk I wanna do, And those

562
00:33:19,440 --> 00:33:22,240
Speaker 1: crowds and those reactions are now reactions that helping me

563
00:33:22,320 --> 00:33:24,360
Speaker 1: gain balanced until I know how I want to stand.

564
00:33:24,760 --> 00:33:28,080
Speaker 1: So during the pandemic, I kind of think we was

565
00:33:28,120 --> 00:33:31,160
Speaker 1: all bored, was all in the house, and I was like, damn, man,

566
00:33:31,320 --> 00:33:34,440
Speaker 1: I can't go on stage. There is no world of

567
00:33:34,520 --> 00:33:36,320
Speaker 1: working out what can I do? How do I figure

568
00:33:36,360 --> 00:33:38,760
Speaker 1: it out? And when they said this is when they

569
00:33:38,760 --> 00:33:43,560
Speaker 1: had first started letting businesses have small um has small

570
00:33:43,640 --> 00:33:46,480
Speaker 1: things like outside, but nobody can do anything inside. So

571
00:33:46,760 --> 00:33:50,000
Speaker 1: I had I had a relationship with the hotel, and

572
00:33:50,040 --> 00:33:53,680
Speaker 1: the hotel was doing like rooftop lunches for twelve people,

573
00:33:54,280 --> 00:33:57,200
Speaker 1: and I said, look, don't say anything to the twelve

574
00:33:57,280 --> 00:33:59,520
Speaker 1: people because I don't want to go and act outside

575
00:33:59,560 --> 00:34:02,840
Speaker 1: the guy lines. But if those twelve people are eating,

576
00:34:03,320 --> 00:34:06,080
Speaker 1: and I just so happened to walk out and do

577
00:34:06,240 --> 00:34:08,520
Speaker 1: a set for those twelve people. They never knew it

578
00:34:08,640 --> 00:34:13,279
Speaker 1: was coming. We're not doing anything wrong. How often can

579
00:34:13,320 --> 00:34:14,480
Speaker 1: I do that? And they said, you just want to

580
00:34:14,520 --> 00:34:18,040
Speaker 1: walk out with people promoting? Said absolutely so literally people were,

581
00:34:18,440 --> 00:34:23,239
Speaker 1: people were eating, and the first started trying to figure

582
00:34:23,280 --> 00:34:26,040
Speaker 1: out the pandemic. When I was the name of the

583
00:34:26,120 --> 00:34:29,600
Speaker 1: set was don't what was it? Zero fox zero fox given,

584
00:34:29,920 --> 00:34:32,040
Speaker 1: So I was like yo, I told my team. I

585
00:34:32,120 --> 00:34:36,080
Speaker 1: was like, yeah, we're gonna go down here. I'll just

586
00:34:36,160 --> 00:34:41,040
Speaker 1: come out. This is crazy and I just start working

587
00:34:41,120 --> 00:34:44,959
Speaker 1: doing material. Uh some of them was working someone it wasn't,

588
00:34:45,480 --> 00:34:47,360
Speaker 1: but at that point, but the point is to figure

589
00:34:47,400 --> 00:34:49,719
Speaker 1: it out. So during that time, I think we were

590
00:34:49,760 --> 00:34:52,520
Speaker 1: in like a six month period maybe letting my family

591
00:34:52,600 --> 00:34:55,880
Speaker 1: go significantly less. It's probably like a soon I have

592
00:34:56,080 --> 00:34:58,719
Speaker 1: three month period where I like through that hour set

593
00:34:58,760 --> 00:35:00,360
Speaker 1: together during the pandemic. I was like just want to

594
00:35:00,360 --> 00:35:03,680
Speaker 1: give people some ship to fucking watch and do. But

595
00:35:03,880 --> 00:35:05,640
Speaker 1: but I had to go back to the process. But

596
00:35:05,680 --> 00:35:09,560
Speaker 1: I didn't get to go to like the small theater,

597
00:35:09,800 --> 00:35:12,239
Speaker 1: then the five thousand theater, then the big one. Like

598
00:35:12,480 --> 00:35:15,880
Speaker 1: before a special goes I'm I'm a hundred and eighties

599
00:35:15,920 --> 00:35:19,360
Speaker 1: shows in I'm I'm. My tours are that long. Like

600
00:35:20,080 --> 00:35:23,360
Speaker 1: there's a comedy club portion, then there's a small theater portion,

601
00:35:23,560 --> 00:35:27,240
Speaker 1: then there's a there's a small tear to a lower

602
00:35:27,360 --> 00:35:30,160
Speaker 1: level arena than there's the actual arenas. I'm That's how

603
00:35:30,239 --> 00:35:32,480
Speaker 1: many tears I had before I actually put the ship

604
00:35:33,360 --> 00:35:37,200
Speaker 1: on fucking camera. So I'm never gonna not I'm never

605
00:35:37,360 --> 00:35:42,000
Speaker 1: gonna not stay true to that process. Uh and my mentors,

606
00:35:42,160 --> 00:35:44,360
Speaker 1: the the guys that I look up to the most

607
00:35:44,920 --> 00:35:48,919
Speaker 1: that has stayed consistently relevant in their careers. You talked

608
00:35:48,920 --> 00:35:51,960
Speaker 1: about Dave Chappelle, Chris rob My Brothers, my friends like

609
00:35:52,080 --> 00:35:56,239
Speaker 1: my real game, Right, I did know that Dave said

610
00:35:56,239 --> 00:35:58,960
Speaker 1: it was I've never said that that was Dave on stage,

611
00:36:00,040 --> 00:36:02,080
Speaker 1: But I gave him a fucking goat because he is

612
00:36:02,120 --> 00:36:06,040
Speaker 1: a goat and days ago the goat now that goes

613
00:36:06,040 --> 00:36:09,920
Speaker 1: shipping on stage, the ship when I gave to my

614
00:36:10,080 --> 00:36:19,719
Speaker 1: stage right here as I gave it to let's dope, don't,

615
00:36:20,040 --> 00:36:25,719
Speaker 1: I don't. It's gonna be great. Trust me, Chris is

616
00:36:25,719 --> 00:36:28,799
Speaker 1: gonna be great. But those guys are the process too.

617
00:36:29,320 --> 00:36:31,680
Speaker 1: To go back to the comedy clubs, it's not it's

618
00:36:31,719 --> 00:36:36,719
Speaker 1: not a coincidence that the same names in comedy um

619
00:36:37,480 --> 00:36:41,560
Speaker 1: have been relevant over the course of said years. Right

620
00:36:41,640 --> 00:36:43,840
Speaker 1: when you look at the guys and and women that

621
00:36:43,960 --> 00:36:46,840
Speaker 1: you consider the greats, well, they're there for a reason.

622
00:36:47,040 --> 00:36:49,359
Speaker 1: Right when you think about Wanda Sykes, when you think

623
00:36:49,360 --> 00:36:54,000
Speaker 1: about Rock Chappelle, when you think about fucking uh, I mean,

624
00:36:54,080 --> 00:36:58,000
Speaker 1: god damn Seinfeld. But a p. Paul Mooney, I mean,

625
00:36:58,120 --> 00:37:00,520
Speaker 1: I can go down a list of names the process.

626
00:37:00,600 --> 00:37:03,600
Speaker 1: They respect the process, they don't cheat the process. And

627
00:37:03,640 --> 00:37:06,440
Speaker 1: there's a there's a there's a strong amount of comedians

628
00:37:07,000 --> 00:37:09,040
Speaker 1: that are true that if you say true to that,

629
00:37:09,120 --> 00:37:11,759
Speaker 1: you're not gonna lose. You're not gonna lose because it's

630
00:37:11,760 --> 00:37:13,200
Speaker 1: something that we can troll. Once again, that's the best

631
00:37:13,200 --> 00:37:15,880
Speaker 1: thing about comedy movies. Or second, goddamn, gona pull you

632
00:37:15,920 --> 00:37:19,160
Speaker 1: another shot. I go, damn you you're doing You're doing

633
00:37:19,200 --> 00:37:21,680
Speaker 1: so great. I have look well, guess what I think

634
00:37:21,680 --> 00:37:24,319
Speaker 1: you're gonna say. I'm thinking you'll give all the shots

635
00:37:24,320 --> 00:37:26,879
Speaker 1: because y'all want to see the breaking point. Y'all want

636
00:37:26,880 --> 00:37:33,279
Speaker 1: to see I watched there's a breaking point. Fuck it,

637
00:37:33,280 --> 00:37:40,120
Speaker 1: I'm gonna say that's that's there's a point where you

638
00:37:40,200 --> 00:37:47,080
Speaker 1: know what, you know what I'm saying, what y'all, I'm

639
00:37:48,320 --> 00:37:51,080
Speaker 1: this guy. This is not that. This is not that interview.

640
00:37:51,120 --> 00:37:52,560
Speaker 1: I'm not gonna get a really a point. You know,

641
00:37:56,280 --> 00:37:58,319
Speaker 1: we really want to get your flowers. Because I'm gonna

642
00:37:58,320 --> 00:37:59,800
Speaker 1: be honest with you. There's only two people that I

643
00:38:00,000 --> 00:38:03,840
Speaker 1: actually seen their career, like from the very almost beginning

644
00:38:04,640 --> 00:38:07,640
Speaker 1: to to to to where they blossomed to and that's

645
00:38:07,719 --> 00:38:10,400
Speaker 1: you and Fabulous. You know, I got to see you've developed.

646
00:38:10,400 --> 00:38:11,719
Speaker 1: I got to see you, girl. I gotta see you

647
00:38:12,040 --> 00:38:15,080
Speaker 1: almost like be a shy comedian. Like when we walk

648
00:38:15,120 --> 00:38:17,640
Speaker 1: to the set of Paper Soldiers. I remember it was

649
00:38:17,719 --> 00:38:22,520
Speaker 1: like me, you, Beanie seagull Um, Dame Dash, Smoky Suarez,

650
00:38:22,800 --> 00:38:24,560
Speaker 1: and I remember it was Smoky who kind of like

651
00:38:24,640 --> 00:38:26,879
Speaker 1: broke the tension. He was like he was like, damn,

652
00:38:26,960 --> 00:38:29,560
Speaker 1: everyone over here so so serious. And then I remember

653
00:38:30,080 --> 00:38:31,920
Speaker 1: the process of you, and remember I threw the gun

654
00:38:32,000 --> 00:38:38,160
Speaker 1: at you and then and for for you to go

655
00:38:38,280 --> 00:38:41,960
Speaker 1: from that from from there to me watching your new

656
00:38:42,000 --> 00:38:45,320
Speaker 1: movie the other day. I can't lie. I was so like,

657
00:38:45,480 --> 00:38:48,000
Speaker 1: I'm like, that's my nigga, let me in front of you.

658
00:38:48,160 --> 00:38:55,480
Speaker 1: But I'm like, let me, like I claim you, let

659
00:38:55,560 --> 00:38:58,640
Speaker 1: me give Nori like like he's only he's giving you

660
00:38:58,880 --> 00:39:01,840
Speaker 1: the breakdown of it in peace. Right. You gotta remember

661
00:39:02,239 --> 00:39:06,760
Speaker 1: at that time, we're we're about to do paper Soldiers.

662
00:39:06,840 --> 00:39:08,359
Speaker 1: For those people watching this that don't know what paper

663
00:39:08,400 --> 00:39:11,840
Speaker 1: showers is, please educate yourself. It's a hood classic. Shots

664
00:39:11,840 --> 00:39:14,880
Speaker 1: out to Dame Dads Rocker Fellow at the time for

665
00:39:15,320 --> 00:39:19,640
Speaker 1: having the idea to do this story. And Dame Dame

666
00:39:19,680 --> 00:39:26,000
Speaker 1: saw me before Dame saw me performed, and uh, fuck it,

667
00:39:26,080 --> 00:39:35,719
Speaker 1: I'm gonna saying, let me talk. So Dame saw me

668
00:39:35,800 --> 00:39:38,799
Speaker 1: performing Carolines, right, um, I have to see me before

669
00:39:38,920 --> 00:39:42,000
Speaker 1: Caroline's Dame. Go yo, man, you're funny and ship I'm

670
00:39:42,000 --> 00:39:44,120
Speaker 1: gonna put you in the movie. I've never heard that.

671
00:39:44,239 --> 00:39:47,560
Speaker 1: I don't know what that means. I'm just whatever that

672
00:39:47,719 --> 00:39:49,400
Speaker 1: is what it is. Give me a number. You are

673
00:39:49,440 --> 00:39:53,200
Speaker 1: you coming to the office, all right? Cool? Give him

674
00:39:53,200 --> 00:39:56,640
Speaker 1: a number? That's somebody that hits me. Later on, Dame,

675
00:39:56,760 --> 00:40:00,920
Speaker 1: want you to come to the office. Damn. All right,

676
00:40:01,000 --> 00:40:06,239
Speaker 1: well we're where's the office. Here's the address. Come to office.

677
00:40:06,280 --> 00:40:08,200
Speaker 1: He wants to meet you. Remember that's when they were

678
00:40:08,200 --> 00:40:10,880
Speaker 1: in a big building. All right, fuck, do you remember.

679
00:40:10,920 --> 00:40:13,560
Speaker 1: I'm I'm the kid from Philadelphia. I'm in New York

680
00:40:13,640 --> 00:40:15,719
Speaker 1: every day. They don't know. I'm getting to New York

681
00:40:15,960 --> 00:40:19,440
Speaker 1: by Greyhound. I'm getting there by train or Robinson to

682
00:40:19,520 --> 00:40:22,320
Speaker 1: myself for in the car. But this day he told me,

683
00:40:22,320 --> 00:40:24,439
Speaker 1: I gotta be there. I gotta meet with him at three.

684
00:40:24,560 --> 00:40:26,319
Speaker 1: I gotta get there. I come in there. He said,

685
00:40:26,320 --> 00:40:27,560
Speaker 1: you know we're gonna do the movie. I just wanted

686
00:40:27,600 --> 00:40:30,520
Speaker 1: to meet. Uh, this will be funny and ship. Here's

687
00:40:30,640 --> 00:40:33,719
Speaker 1: here's what I'm thinking. He's just just talking. But no,

688
00:40:34,000 --> 00:40:39,319
Speaker 1: just talking. He actually went and put Charlie Murphy, Uh,

689
00:40:40,560 --> 00:40:43,360
Speaker 1: rest in peace, Charlie Murphy. Charlie Murphy, I'm telling you

690
00:40:43,440 --> 00:40:45,120
Speaker 1: it was a funny. Charlie Murpher attached this as well.

691
00:40:45,360 --> 00:40:52,240
Speaker 1: Charlie Murphy, Um Smokey and the comedian compone campone Smoky

692
00:40:52,320 --> 00:40:55,000
Speaker 1: myself did. But Dame, it's like Charlie going on, help

693
00:40:55,040 --> 00:40:58,480
Speaker 1: write it yet Black who's with Rocketfeller was a part

694
00:40:58,560 --> 00:40:59,920
Speaker 1: of it, and they are these other people in new

695
00:41:00,080 --> 00:41:02,719
Speaker 1: story and he's like, y'all go, y'all go figure it out,

696
00:41:02,760 --> 00:41:04,320
Speaker 1: but we gotta get the script where it's supposed to.

697
00:41:04,600 --> 00:41:08,280
Speaker 1: Shaka was a part of helping us get there. Charlie

698
00:41:08,320 --> 00:41:10,000
Speaker 1: Murphy when he gets into it, Charlie Murphy is like,

699
00:41:10,040 --> 00:41:12,080
Speaker 1: y'all gotta come over my house on the way we

700
00:41:12,120 --> 00:41:13,680
Speaker 1: can write this, So you'll gotta come over my house.

701
00:41:13,719 --> 00:41:17,400
Speaker 1: So Charlie, this, this is the This is the best

702
00:41:17,760 --> 00:41:23,280
Speaker 1: Charlie Murphy moment of my life. Charlie Murphys. Charlie Murphy

703
00:41:23,280 --> 00:41:25,399
Speaker 1: invites us over his house. We're supposed to be writing

704
00:41:25,400 --> 00:41:28,160
Speaker 1: paper Soldiers, right, We're like going through the script. Charlie's

705
00:41:28,160 --> 00:41:32,080
Speaker 1: got all these like uh like mannequins downstairs, like with

706
00:41:32,239 --> 00:41:36,040
Speaker 1: martial arts, like like you know the you know, the

707
00:41:36,120 --> 00:41:41,440
Speaker 1: rubber like the rubber men, but they stand on So

708
00:41:41,520 --> 00:41:43,000
Speaker 1: he's got like a bunch of them in basiments. So

709
00:41:43,040 --> 00:41:44,440
Speaker 1: we down. He was like, what the fun Charlie be

710
00:41:44,520 --> 00:41:49,279
Speaker 1: doing with these guys. So Charlie's like, yeah, I'll do.

711
00:41:51,200 --> 00:41:53,600
Speaker 1: We're like, oh, ship, like we never do you did

712
00:41:53,680 --> 00:41:58,000
Speaker 1: martial arts, So Smoky Smokey challenge Charlie. He's like, get

713
00:41:58,000 --> 00:41:59,759
Speaker 1: the funk out of here. You don't do the martial arts,

714
00:42:00,080 --> 00:42:04,399
Speaker 1: he said, motherfucker, what you know I do? So try said,

715
00:42:04,400 --> 00:42:09,520
Speaker 1: you want to see a tape? Smoking says, yes, I

716
00:42:09,800 --> 00:42:13,360
Speaker 1: keep in mind. I'm still I'm like, we're in Charlie

717
00:42:13,440 --> 00:42:16,360
Speaker 1: Murphy's house, we're in New Jersey. Uh. He puts in

718
00:42:16,480 --> 00:42:18,839
Speaker 1: the tape. He's going to show you all something right now.

719
00:42:19,080 --> 00:42:21,600
Speaker 1: He pressed play, and we pressed play. This dude kick

720
00:42:21,719 --> 00:42:24,759
Speaker 1: Charlie in the fucking stomach so hard. They're trying to

721
00:42:24,840 --> 00:42:35,160
Speaker 1: hold up weight. No, no, no, you remember vhat you

722
00:42:35,200 --> 00:42:47,719
Speaker 1: can still see. We're just sitting there. So Smoking was

723
00:42:47,760 --> 00:42:51,120
Speaker 1: like he's kicking your just trying to know I'm not

724
00:42:51,160 --> 00:42:53,520
Speaker 1: that everyone don't want you to see, trying to like

725
00:42:53,640 --> 00:42:55,920
Speaker 1: fast forward to this place where he like where he like,

726
00:42:56,120 --> 00:42:57,680
Speaker 1: you know, do a move when this guy and slim

727
00:42:57,800 --> 00:42:59,879
Speaker 1: him and he like, see I do do my shop.

728
00:43:00,880 --> 00:43:03,279
Speaker 1: So we're like quiet and Charlie set the tone from there.

729
00:43:03,320 --> 00:43:05,359
Speaker 1: He's like, look, your n is gonna come to people,

730
00:43:05,400 --> 00:43:08,160
Speaker 1: gonna do the work. We're gonna write this ship you're

731
00:43:08,239 --> 00:43:10,800
Speaker 1: handing in and this motherfucker's gonna make this movie. What

732
00:43:10,920 --> 00:43:14,160
Speaker 1: you got to do the work. I remember Charlie saying,

733
00:43:14,400 --> 00:43:17,000
Speaker 1: don't come up and waste my fucking time if you're

734
00:43:17,160 --> 00:43:20,080
Speaker 1: gonna work. So he was like, all right, what does

735
00:43:20,120 --> 00:43:24,080
Speaker 1: that mean? Like what he wanted to do. He was like,

736
00:43:24,160 --> 00:43:27,080
Speaker 1: y'all gonna come up here. Charlie made us come to

737
00:43:27,239 --> 00:43:31,080
Speaker 1: his house for like four days. Out there we over

738
00:43:31,120 --> 00:43:34,359
Speaker 1: the course of like over the course of like a month,

739
00:43:34,400 --> 00:43:37,080
Speaker 1: and we will take like all of it. Work on

740
00:43:37,160 --> 00:43:39,640
Speaker 1: the script, right, just help them the voices or whatever

741
00:43:39,719 --> 00:43:41,719
Speaker 1: they gave it. And then Dame was like, we're gonna

742
00:43:41,760 --> 00:43:44,359
Speaker 1: make the movie. Here's the craziest thing. When we made

743
00:43:44,440 --> 00:43:46,480
Speaker 1: the movie. The first day. I remember being there, but

744
00:43:46,560 --> 00:43:48,720
Speaker 1: you still in the process that you're making a movie.

745
00:43:49,160 --> 00:43:51,920
Speaker 1: And Dave got all of rappers coming in, and these

746
00:43:51,960 --> 00:43:53,759
Speaker 1: are people I'm looking at, like, oh ship, I'm so

747
00:43:54,000 --> 00:43:58,400
Speaker 1: starstruck by the moment. So when Nora comes in, Nora's

748
00:43:58,400 --> 00:44:01,560
Speaker 1: talking about me being like the shell guy. I'm fucking

749
00:44:01,960 --> 00:44:06,480
Speaker 1: twenty two, and I can't process I'm around. What the

750
00:44:06,520 --> 00:44:10,120
Speaker 1: funk I'm around? So I remember Dame going one day

751
00:44:10,120 --> 00:44:11,400
Speaker 1: He's like, yo, man, you gotta be funny. Like, do

752
00:44:11,520 --> 00:44:14,920
Speaker 1: the ship like you was doing on stage, because you

753
00:44:14,960 --> 00:44:16,800
Speaker 1: want to do my set, you want me to do it,

754
00:44:17,719 --> 00:44:22,600
Speaker 1: Just do that, do that ship as we say, all right,

755
00:44:22,760 --> 00:44:25,720
Speaker 1: and and I remember in the scenes they just started

756
00:44:25,760 --> 00:44:28,600
Speaker 1: letting me go. Remember I started getting more comfortable and comfortable.

757
00:44:29,000 --> 00:44:31,560
Speaker 1: And then the movie ended up becoming a big improv fess.

758
00:44:31,920 --> 00:44:34,240
Speaker 1: Everybody was coming bringing their own ship to the table.

759
00:44:34,400 --> 00:44:37,960
Speaker 1: So Nori and my scenes got dope as fuck because

760
00:44:38,080 --> 00:44:40,560
Speaker 1: it was like Nori was like, what who the nigga

761
00:44:41,280 --> 00:44:43,279
Speaker 1: take this guy? It was like we were all doing

762
00:44:43,440 --> 00:44:45,880
Speaker 1: crazy ship. They ended up making a movie and the

763
00:44:45,960 --> 00:44:49,320
Speaker 1: movie fucking becomes a Hood classic. That movie got me

764
00:44:49,480 --> 00:44:52,160
Speaker 1: my first It gave me my first tape that could

765
00:44:52,160 --> 00:44:55,239
Speaker 1: be my real I only got my manager because of

766
00:44:55,360 --> 00:45:00,080
Speaker 1: Paper Soldiers. So so so I per Soldiers do so

767
00:45:00,280 --> 00:45:02,840
Speaker 1: playing Coming after that Paper Soldiers at the Paper Soldiers,

768
00:45:02,880 --> 00:45:05,200
Speaker 1: the Big House came. The Big House was my show

769
00:45:05,280 --> 00:45:09,680
Speaker 1: on ABC. Um it wasn't the one, no no, no,

770
00:45:09,760 --> 00:45:15,359
Speaker 1: no no no, this was no that that's the Big House,

771
00:45:15,920 --> 00:45:18,560
Speaker 1: the Big Houses. This is my big break. This was

772
00:45:18,600 --> 00:45:21,160
Speaker 1: supposed to be the thing to launched me. Um, this

773
00:45:21,320 --> 00:45:23,239
Speaker 1: is when t G I have Thank God, thank good,

774
00:45:23,280 --> 00:45:27,200
Speaker 1: This is Friday. I had a show with Keith David Face.

775
00:45:27,280 --> 00:45:31,800
Speaker 1: I love um wreatha fun. I'm dropping the names Aaron Grady,

776
00:45:32,040 --> 00:45:35,400
Speaker 1: Vette Brown. Um, you know this was my show. I

777
00:45:35,440 --> 00:45:39,640
Speaker 1: was starting the show sitcom, starting the show, righting the show.

778
00:45:40,000 --> 00:45:42,440
Speaker 1: This is it. I made it. Oh my god, I'm

779
00:45:42,440 --> 00:45:44,920
Speaker 1: about to be rich, mom, I made it. This is it.

780
00:45:45,040 --> 00:45:48,200
Speaker 1: They picked me up. I mean, this is this is it?

781
00:45:48,800 --> 00:45:51,319
Speaker 1: The picked me up? Fucking a this is I mean,

782
00:45:51,360 --> 00:45:54,080
Speaker 1: I'm here, this is the biggest thing ever. Um, we

783
00:45:54,200 --> 00:45:56,760
Speaker 1: filmed the show. I think life is about to change.

784
00:45:57,440 --> 00:45:59,120
Speaker 1: And the show gets canceled before it gets on the

785
00:45:59,120 --> 00:46:03,400
Speaker 1: air of even makes air. Uh, this is ABC. This

786
00:46:03,480 --> 00:46:06,759
Speaker 1: is where I believe no, no, no, when not saying

787
00:46:09,880 --> 00:46:11,440
Speaker 1: because you said that, it's wa say. ABC is a

788
00:46:11,480 --> 00:46:18,279
Speaker 1: valuable party, amazing business. Uh, that's the media outlet. It's

789
00:46:18,320 --> 00:46:24,120
Speaker 1: the very valuable don't connected tissue. Okay. Um, the show

790
00:46:24,200 --> 00:46:27,120
Speaker 1: got canceled before it went on and it was crushing,

791
00:46:27,200 --> 00:46:29,239
Speaker 1: like this was like it was like the most fun

792
00:46:29,360 --> 00:46:30,880
Speaker 1: up should ever because this is the thing was supposed

793
00:46:30,880 --> 00:46:33,520
Speaker 1: to launch me. And after they got cancer, I was like,

794
00:46:33,520 --> 00:46:35,320
Speaker 1: I don't know what I'm gonna do, what's next? And

795
00:46:35,840 --> 00:46:38,480
Speaker 1: they decided to pick it up like a year later,

796
00:46:38,640 --> 00:46:41,239
Speaker 1: and they aired six episodes and canceled again. I'm like,

797
00:46:41,239 --> 00:46:44,000
Speaker 1: all right, well it's gonna be. Was gonna be. Then

798
00:46:44,040 --> 00:46:47,120
Speaker 1: Soul Plant came, Fuck it, it's on. I got a movie.

799
00:46:47,200 --> 00:46:49,160
Speaker 1: It's about to be my big fucking break. It's on.

800
00:46:49,640 --> 00:46:51,480
Speaker 1: This movie is gonna be the biggest movie ever. And

801
00:46:51,520 --> 00:46:54,080
Speaker 1: then they bootleg the funk out of Soul Plant. Uh

802
00:46:55,360 --> 00:46:59,040
Speaker 1: well everything everything was supposed to be bootleg was like

803
00:46:59,200 --> 00:47:07,640
Speaker 1: like that was big, Like that different. That's two different tapes.

804
00:47:08,160 --> 00:47:13,920
Speaker 1: You're talk about two different tapes. So I don't even

805
00:47:13,920 --> 00:47:23,000
Speaker 1: want to put those two together. I just great thing

806
00:47:23,040 --> 00:47:26,240
Speaker 1: about the crazy thing my soul playing is, so playing

807
00:47:26,280 --> 00:47:29,040
Speaker 1: game Boulet ended up being the best thing for me

808
00:47:29,120 --> 00:47:31,840
Speaker 1: in my stand up comedy career because between that and

809
00:47:31,880 --> 00:47:34,839
Speaker 1: Paper Soldiers, people said, oh, I know that guy. Oh

810
00:47:35,000 --> 00:47:37,520
Speaker 1: that's the guy from SO. When I started doing comedy clubs,

811
00:47:37,560 --> 00:47:38,839
Speaker 1: That's how I got a fan base, that's how people

812
00:47:38,840 --> 00:47:40,960
Speaker 1: start coming to them. Yeah, they said, oh my god,

813
00:47:41,000 --> 00:47:44,160
Speaker 1: that's the guy from So. I only got the comedy

814
00:47:44,200 --> 00:47:46,239
Speaker 1: clubs in the headlining gigs because of soul playing the

815
00:47:46,280 --> 00:47:49,320
Speaker 1: Paper Soldiers. But to be honest, everything that was supposed

816
00:47:49,320 --> 00:47:52,560
Speaker 1: to work in the beginning of my career, um My sitcom,

817
00:47:53,000 --> 00:47:56,200
Speaker 1: my big first movie, Paper Soldiers. None of those things

818
00:47:56,280 --> 00:47:59,680
Speaker 1: really took off to where the business level of successful

819
00:47:59,719 --> 00:48:02,840
Speaker 1: idea and the fire as successful, the hood the streets

820
00:48:02,880 --> 00:48:06,480
Speaker 1: grabbed onto it and under the ground was like, Okay,

821
00:48:06,520 --> 00:48:08,120
Speaker 1: this is dope. And I was just able to go

822
00:48:08,320 --> 00:48:11,240
Speaker 1: and find work based off of that and that alone.

823
00:48:11,520 --> 00:48:14,400
Speaker 1: But my real big break didn't come to break. Do

824
00:48:14,480 --> 00:48:17,960
Speaker 1: you think in your opinion, Paper Soldiers is my biggest break?

825
00:48:18,000 --> 00:48:21,279
Speaker 1: In my opinion, that's the found that the brick, that's

826
00:48:21,280 --> 00:48:24,200
Speaker 1: the foundation. What was the brick for the roof? So

827
00:48:24,360 --> 00:48:25,759
Speaker 1: play shows that I can be the lead of a

828
00:48:25,840 --> 00:48:28,239
Speaker 1: movie even though the movie that yes, even though it

829
00:48:28,239 --> 00:48:30,000
Speaker 1: didn't work the show, I could be the lead the

830
00:48:30,120 --> 00:48:33,200
Speaker 1: big the big break. Well yeah, I'm saying, but the

831
00:48:33,360 --> 00:48:39,480
Speaker 1: studios to the movie, that's the business. I'm gonna say.

832
00:48:39,840 --> 00:48:45,239
Speaker 1: Photo Virgin Podio version, you're talking big words. Pudio Virgion

833
00:48:45,320 --> 00:48:50,720
Speaker 1: was huge because that it wasn't written and Judd Apatow

834
00:48:50,960 --> 00:48:53,960
Speaker 1: is uh. He was the producer director that got me

835
00:48:54,040 --> 00:48:56,560
Speaker 1: in Judd in a real good space. But after that

836
00:48:56,760 --> 00:49:01,120
Speaker 1: that the conversation attached to my name changed and little

837
00:49:01,160 --> 00:49:05,640
Speaker 1: movie started to hack Jamaica. Yeah what for? That's that's

838
00:49:05,680 --> 00:49:10,080
Speaker 1: what I had on that day. I didn't didn't have. Yeah,

839
00:49:10,160 --> 00:49:14,000
Speaker 1: that did not have. I showed up that day and

840
00:49:14,960 --> 00:49:16,400
Speaker 1: I was like, yeah, just go ahead, let's just do

841
00:49:16,520 --> 00:49:18,719
Speaker 1: something to figure it out. I swore you was gonna

842
00:49:18,719 --> 00:49:21,800
Speaker 1: be like you. Think like a Man was the biggest,

843
00:49:22,280 --> 00:49:24,720
Speaker 1: because Thinking like a Man was. After all this stuff happened,

844
00:49:25,239 --> 00:49:28,480
Speaker 1: Will Packer came. Will Packer found me. This is when

845
00:49:28,480 --> 00:49:30,160
Speaker 1: I was doing stand up. This when I was torn

846
00:49:30,760 --> 00:49:32,600
Speaker 1: and Think like a Man was the one where he

847
00:49:32,680 --> 00:49:35,520
Speaker 1: was like, we want you to do this movie. It's

848
00:49:35,520 --> 00:49:37,239
Speaker 1: a big cast to run you but it senters around

849
00:49:37,280 --> 00:49:39,480
Speaker 1: his character and they set me up to win in

850
00:49:39,560 --> 00:49:43,360
Speaker 1: our cast. I mean, god damn man. That's that's until

851
00:49:43,440 --> 00:49:45,960
Speaker 1: this day. That's probably the most amazing cast I've ever

852
00:49:46,040 --> 00:49:48,719
Speaker 1: been a part of. Just from a friend standpoint, uh

853
00:49:48,960 --> 00:49:55,160
Speaker 1: fund standpoint, this is Gabrielle Union, Regina Hall, think like Anthony,

854
00:49:56,000 --> 00:50:03,520
Speaker 1: Steve Harves, Book, Um, Terrence j Mike Elie, Jeriffrar Gary Owens.

855
00:50:05,719 --> 00:50:09,600
Speaker 1: We filmed the first one in I want to say

856
00:50:10,040 --> 00:50:14,480
Speaker 1: in Yeah, the first one was the person was Los Angeles. Um,

857
00:50:14,719 --> 00:50:16,720
Speaker 1: but they set me up to win like that cast.

858
00:50:16,960 --> 00:50:19,799
Speaker 1: That cast was so dope and Magan good, I don't

859
00:50:19,800 --> 00:50:22,440
Speaker 1: want to leave Megan out, um, and just allowing me

860
00:50:22,600 --> 00:50:24,759
Speaker 1: to to hit those punch lines, that hit those balls

861
00:50:24,760 --> 00:50:27,319
Speaker 1: out the park. And when that movie came out, then

862
00:50:27,440 --> 00:50:31,759
Speaker 1: that's when that's when Hollywood and the other producers really

863
00:50:31,760 --> 00:50:33,399
Speaker 1: start going, all right, that's going to be the guy.

864
00:50:34,000 --> 00:50:35,839
Speaker 1: So if you think about it, to think like a man,

865
00:50:36,400 --> 00:50:38,320
Speaker 1: that's when they started to really roll out right along,

866
00:50:38,840 --> 00:50:42,640
Speaker 1: right along to the process you're describing almost sounds like

867
00:50:43,280 --> 00:50:46,440
Speaker 1: the standard process. But in the movie, for him, like

868
00:50:46,560 --> 00:50:49,799
Speaker 1: starting from a certain level, I'm gonna skip to work,

869
00:50:50,280 --> 00:50:52,319
Speaker 1: You're never gonna skip to work. I would say. It's, um,

870
00:50:52,960 --> 00:50:56,000
Speaker 1: I want to address a room a real quick get you.

871
00:50:57,640 --> 00:51:01,040
Speaker 1: They always say there's only one black man dominate Hollywood

872
00:51:01,160 --> 00:51:06,920
Speaker 1: at at a time. You believe in that, Um, I

873
00:51:07,000 --> 00:51:13,840
Speaker 1: think that that narrative has grown because we we doubled

874
00:51:13,880 --> 00:51:17,600
Speaker 1: down on at the times vote like from a vocal standpoint,

875
00:51:17,800 --> 00:51:20,319
Speaker 1: right like when what we say it we repeated right

876
00:51:20,440 --> 00:51:27,200
Speaker 1: like that. That means that your eyes are close because

877
00:51:28,040 --> 00:51:30,680
Speaker 1: just because the things that you see in front of

878
00:51:30,680 --> 00:51:33,480
Speaker 1: the camera are vivid to you, it doesn't mean that's

879
00:51:33,520 --> 00:51:36,160
Speaker 1: the only thing going on. Um, you know, I mean

880
00:51:36,840 --> 00:51:40,560
Speaker 1: I was working with Will Packer, Tim's Story, myself and

881
00:51:40,680 --> 00:51:43,279
Speaker 1: Ice Cue. That was four black men, and we were

882
00:51:43,840 --> 00:51:48,840
Speaker 1: we were operating and managing uh seventy million dollar budget.

883
00:51:48,840 --> 00:51:50,640
Speaker 1: I think for right along to right along, one was

884
00:51:50,719 --> 00:51:54,520
Speaker 1: probably like, but you're looking at four black men that

885
00:51:54,600 --> 00:51:58,680
Speaker 1: sat at the top of said project, right, um my

886
00:51:58,800 --> 00:52:02,480
Speaker 1: brother Will Packer, who was producing and doing tons of

887
00:52:02,520 --> 00:52:07,240
Speaker 1: ship at the time. Right, you can. You can ignore

888
00:52:07,239 --> 00:52:09,400
Speaker 1: it if you want to, but he was doing phenomenal

889
00:52:09,440 --> 00:52:11,440
Speaker 1: things in the business. You can. You can go to

890
00:52:12,160 --> 00:52:15,600
Speaker 1: Chadwick Boseman's career early on. You can go to Interess

891
00:52:15,960 --> 00:52:19,440
Speaker 1: early on. You can go to um you know, I'm

892
00:52:19,480 --> 00:52:21,560
Speaker 1: talking about f Gary Gray. You can go. There's so

893
00:52:21,680 --> 00:52:25,120
Speaker 1: many people at the same time that we're doing amazing things.

894
00:52:25,200 --> 00:52:29,800
Speaker 1: Don Cheeto, Chris Rockingell. Granted, does that mean it's enough. No,

895
00:52:30,040 --> 00:52:32,160
Speaker 1: doesn't mean that it's enough, doesn't mean that it's equal.

896
00:52:32,560 --> 00:52:39,239
Speaker 1: But there were multiple people of color breaking ground in

897
00:52:39,400 --> 00:52:42,800
Speaker 1: different ways. And you know, if we're all trying to

898
00:52:42,880 --> 00:52:46,800
Speaker 1: get to the place of we do amazing work, we

899
00:52:46,880 --> 00:52:50,000
Speaker 1: do quality work, we should not only be treated the

900
00:52:50,080 --> 00:52:52,839
Speaker 1: same but we should be embraced the same, right, that's

901
00:52:52,840 --> 00:52:55,920
Speaker 1: the conversation. Well, you can't. You can't close your eyes

902
00:52:57,000 --> 00:52:59,839
Speaker 1: on obvious key moments where you should embrace, right. I mean,

903
00:53:00,920 --> 00:53:02,920
Speaker 1: that's that's something that I've seen happen a lot by

904
00:53:03,000 --> 00:53:06,040
Speaker 1: being a guy who's been breaking the ground for quite

905
00:53:06,080 --> 00:53:09,399
Speaker 1: some time. I mean, you're talking about international comedies. There

906
00:53:09,520 --> 00:53:12,600
Speaker 1: was a conversation attached to there's no way to commedy

907
00:53:12,640 --> 00:53:15,840
Speaker 1: travels internationally, especially with a black league. Well I didn't.

908
00:53:15,960 --> 00:53:18,640
Speaker 1: I didn't double down on it. I just forced studios

909
00:53:18,719 --> 00:53:23,799
Speaker 1: to allow me the opportunity. And my movies international they're global, right,

910
00:53:23,920 --> 00:53:26,840
Speaker 1: Like from a box office standpoint they were from a

911
00:53:26,960 --> 00:53:30,440
Speaker 1: streaming standpoint they are. I had got to the globe.

912
00:53:30,480 --> 00:53:32,560
Speaker 1: I got to the world when giving the opportunity and

913
00:53:32,719 --> 00:53:34,920
Speaker 1: and doing that when you pull other people there with you.

914
00:53:35,680 --> 00:53:38,759
Speaker 1: After is my director and live Packer comes on as

915
00:53:38,760 --> 00:53:40,719
Speaker 1: a producer, said thing like, you do it in a

916
00:53:40,800 --> 00:53:45,840
Speaker 1: way to where you're constantly embracing and uplifting and navigating

917
00:53:45,840 --> 00:53:49,680
Speaker 1: in a way to where you're changing the conversation that

918
00:53:49,920 --> 00:53:52,960
Speaker 1: you're just getting tired of hearing. So the idea of

919
00:53:53,120 --> 00:53:55,160
Speaker 1: it can only be one of the time. That's like saying,

920
00:53:55,400 --> 00:53:57,960
Speaker 1: that's like saying you can only be one headliner or

921
00:53:58,520 --> 00:54:02,160
Speaker 1: one fucking one great comic touring at the same time.

922
00:54:02,320 --> 00:54:05,160
Speaker 1: Right now, Chris David, myself on tour at the same time,

923
00:54:06,000 --> 00:54:08,640
Speaker 1: all our shows are sold out, all of them sold out.

924
00:54:08,640 --> 00:54:12,080
Speaker 1: Doesn't it doesn't have to be one, right, there's enough

925
00:54:12,120 --> 00:54:14,560
Speaker 1: out there for everybody. But there's and I talked about

926
00:54:14,560 --> 00:54:16,879
Speaker 1: it on another podcast that I did. You know, there's

927
00:54:16,920 --> 00:54:19,200
Speaker 1: this thing within our culture of just we always want

928
00:54:19,200 --> 00:54:20,719
Speaker 1: to act as if it can be only one, even

929
00:54:20,800 --> 00:54:23,040
Speaker 1: in the even in the NBA. If you think about it, right,

930
00:54:23,120 --> 00:54:26,319
Speaker 1: it's who's the greatest great that that conversation should happen,

931
00:54:26,840 --> 00:54:28,879
Speaker 1: you should. It's a it's a great it's a great

932
00:54:28,960 --> 00:54:32,080
Speaker 1: competitive thing to speak of and talk about. But if

933
00:54:32,160 --> 00:54:34,600
Speaker 1: you really want to double down on it, well, the

934
00:54:34,719 --> 00:54:37,400
Speaker 1: people that are in that conversation are all fucking great.

935
00:54:38,480 --> 00:54:43,719
Speaker 1: Let's not disrespect one by putting the great or the

936
00:54:43,880 --> 00:54:47,440
Speaker 1: goat thing just on one. Like, No, it's kind of

937
00:54:47,960 --> 00:54:49,719
Speaker 1: it's kind of multilayer when you get down to it

938
00:54:49,719 --> 00:54:52,520
Speaker 1: and you start to break down these resumes of everybody underneath.

939
00:54:52,920 --> 00:55:00,160
Speaker 1: So from a from a a black man standpoint, the

940
00:55:00,280 --> 00:55:05,560
Speaker 1: business has changed significantly. UM the opportunities that you see

941
00:55:05,600 --> 00:55:10,080
Speaker 1: that are being given out. UM two to the world

942
00:55:10,120 --> 00:55:13,879
Speaker 1: of multicultural right, like there's a significant diversity like UM

943
00:55:14,560 --> 00:55:18,120
Speaker 1: visual now in Hollywood, like it's it's a priority. People

944
00:55:18,120 --> 00:55:19,520
Speaker 1: are working on it and they know that they have

945
00:55:19,680 --> 00:55:23,000
Speaker 1: to check that box. Granted, we're still working towards getting

946
00:55:23,000 --> 00:55:25,399
Speaker 1: into a space where it's equal, but there has been

947
00:55:25,440 --> 00:55:28,759
Speaker 1: some growth, there has been some change. So UM, as

948
00:55:28,840 --> 00:55:31,000
Speaker 1: a guy that's seeing it, as a guy whose company

949
00:55:31,080 --> 00:55:34,360
Speaker 1: represents it, I'm a part of the conversation of positive

950
00:55:34,680 --> 00:55:37,160
Speaker 1: on the standpoint, and that's because UM, I know that

951
00:55:37,239 --> 00:55:41,560
Speaker 1: I'm doing my part and creating opportunities and being uh

952
00:55:42,480 --> 00:55:45,120
Speaker 1: being an example. I know that Tyliperia is I know.

953
00:55:45,880 --> 00:55:47,960
Speaker 1: I know that, Like there's so many people that have

954
00:55:48,200 --> 00:55:51,600
Speaker 1: been but we choose to ignore at our conveyance. Tyliperia

955
00:55:51,600 --> 00:55:55,040
Speaker 1: has been fucking putting people of color and starring roles

956
00:55:55,080 --> 00:55:57,520
Speaker 1: in positions for how long now and been killing it too.

957
00:55:57,520 --> 00:55:59,800
Speaker 1: Because I it took me a long time to realize

958
00:55:59,840 --> 00:56:07,200
Speaker 1: that a man, man, what are you talking about? People?

959
00:56:07,520 --> 00:56:13,359
Speaker 1: I wondered why I didn't seen media accept awards. That's

960
00:56:13,400 --> 00:56:15,239
Speaker 1: how good he did it. T P does not get

961
00:56:15,360 --> 00:56:20,880
Speaker 1: enough credit. T p TP has driven the economy, uh

962
00:56:22,080 --> 00:56:25,440
Speaker 1: the students in in the world of entertainment, in Hollywood,

963
00:56:25,480 --> 00:56:28,799
Speaker 1: studio perspective in Atlanta for so long. He's solely responsible

964
00:56:29,200 --> 00:56:33,520
Speaker 1: for black jobs. When you talk about transportation, catering, when

965
00:56:33,560 --> 00:56:36,840
Speaker 1: you talk about crew, when you talk about gaffers, I

966
00:56:36,880 --> 00:56:40,640
Speaker 1: mean that the whole economy goes around creating. Has made

967
00:56:40,680 --> 00:56:47,239
Speaker 1: it a priority to embrace an uplift. But I'm thinking

968
00:56:47,280 --> 00:56:53,680
Speaker 1: the toilet paper when you because he has ship people

969
00:56:56,600 --> 00:57:01,319
Speaker 1: is the real deal. He's a real deal. But let's

970
00:57:01,320 --> 00:57:03,200
Speaker 1: give him his flowers, man, because you know, we don't

971
00:57:03,239 --> 00:57:04,960
Speaker 1: know if you know, but our show was about giving

972
00:57:04,960 --> 00:57:08,160
Speaker 1: people they flowers. Now now everyone wants to give people

973
00:57:08,160 --> 00:57:10,520
Speaker 1: they flower but we started this. We invented this because

974
00:57:10,560 --> 00:57:12,320
Speaker 1: you know what, it'll take nothing away from me to

975
00:57:12,400 --> 00:57:15,120
Speaker 1: give somebody else that they pressed. And guess what it

976
00:57:15,280 --> 00:57:18,200
Speaker 1: actually when it comes to you, When it comes to you,

977
00:57:18,320 --> 00:57:21,240
Speaker 1: can it adds don't want to me because you are

978
00:57:21,400 --> 00:57:31,800
Speaker 1: those flower hands down, one of the funniest men arguments

979
00:57:31,800 --> 00:57:34,160
Speaker 1: about you. Everything. I don't care, I don't line, I

980
00:57:34,200 --> 00:57:35,480
Speaker 1: didn't like you. I didn't like when you went to

981
00:57:35,480 --> 00:57:37,920
Speaker 1: the clubhouse and you went on and you was like,

982
00:57:38,680 --> 00:57:41,600
Speaker 1: it was it was a clubhouse. Um yeah, I didn't

983
00:57:41,600 --> 00:57:50,360
Speaker 1: like this, Um it was a club fuck it. There

984
00:57:50,440 --> 00:57:52,480
Speaker 1: was a clubhouse, right, this is when clubhouse. I'm not

985
00:57:52,760 --> 00:57:56,240
Speaker 1: no normal clubhouse, but there's a clubhouse. CUA. It's when

986
00:57:56,280 --> 00:57:58,920
Speaker 1: we get in the beginning and the beginning time time.

987
00:57:58,960 --> 00:58:00,760
Speaker 1: We all wanted to just we We didn't want to

988
00:58:00,800 --> 00:58:03,840
Speaker 1: be old, right, so all of us put one of us,

989
00:58:03,880 --> 00:58:06,360
Speaker 1: one of Beijing, and we got we went to glead

990
00:58:06,440 --> 00:58:10,479
Speaker 1: sheet for club I don't have in my mind. So listen,

991
00:58:10,680 --> 00:58:14,120
Speaker 1: I got a hitcutt and everything. So listen, we really

992
00:58:15,600 --> 00:58:17,760
Speaker 1: and it was it was, it was, it was a

993
00:58:17,920 --> 00:58:21,400
Speaker 1: clubhouse whatever. And I was saying, Kevin Hard, it's not funny.

994
00:58:21,840 --> 00:58:24,840
Speaker 1: I so offended because I feel like you're my friend

995
00:58:25,480 --> 00:58:27,240
Speaker 1: and I feel like you are one of the funniest mans.

996
00:58:27,400 --> 00:58:30,480
Speaker 1: And I probably it was just a Hagen room. But

997
00:58:30,640 --> 00:58:33,400
Speaker 1: then that's what I'm getting on. I get a phone

998
00:58:33,440 --> 00:58:36,320
Speaker 1: call and then my voice is just texting me like

999
00:58:36,360 --> 00:58:38,560
Speaker 1: you'll never believe this, and I'm like, what are you

1000
00:58:38,640 --> 00:58:40,480
Speaker 1: talking about? I'm aboutly go on there and just wreck

1001
00:58:40,520 --> 00:58:43,040
Speaker 1: it for you about my career way it just because

1002
00:58:43,080 --> 00:58:45,000
Speaker 1: I'm gonna say some fucked up ship and they're like,

1003
00:58:45,080 --> 00:58:47,920
Speaker 1: you never believe it. I believe what Like Kevin's in there,

1004
00:58:48,480 --> 00:58:51,560
Speaker 1: I'm gonna hold on, Like hold up, there's no way

1005
00:58:52,200 --> 00:58:55,000
Speaker 1: the like Kevin, what then did you go into a

1006
00:58:55,120 --> 00:58:58,560
Speaker 1: room you are? Let me give you another shot only

1007
00:59:01,240 --> 00:59:04,280
Speaker 1: I'll say this right like you, So you can be

1008
00:59:04,440 --> 00:59:09,160
Speaker 1: unbothered for a long time. Right, and even when you're

1009
00:59:09,160 --> 00:59:12,360
Speaker 1: I'm bothered. You don't have to get bothered, but you

1010
00:59:12,440 --> 00:59:17,400
Speaker 1: can get annoyed and just like and like common sense

1011
00:59:17,520 --> 00:59:21,560
Speaker 1: drops right and in this I remember in our group chat,

1012
00:59:21,680 --> 00:59:23,840
Speaker 1: we were talking and we were listening to it and

1013
00:59:23,920 --> 00:59:26,520
Speaker 1: it's just like you know, you're you're hearing people. And

1014
00:59:26,600 --> 00:59:28,480
Speaker 1: by the way, this is the this is the world

1015
00:59:28,520 --> 00:59:31,000
Speaker 1: we live in today. You're you're you're hearing some people

1016
00:59:31,600 --> 00:59:34,760
Speaker 1: speak with such confidence about things that they have no

1017
00:59:34,880 --> 00:59:38,560
Speaker 1: idea about it. Yeah, like you like just talking and

1018
00:59:38,920 --> 00:59:43,280
Speaker 1: it's there's so much passion. Every everybody is everybody has

1019
00:59:43,360 --> 00:59:48,560
Speaker 1: knowledge without having no experience, no understanding. And in this time,

1020
00:59:49,560 --> 00:59:52,760
Speaker 1: I remember we were we were in we were in uh,

1021
00:59:53,560 --> 00:59:55,160
Speaker 1: we were chilling. I was like, fuck it, I'm gonna

1022
00:59:55,160 --> 00:59:57,000
Speaker 1: get on. I want to get on. How does this

1023
00:59:57,040 --> 01:00:00,040
Speaker 1: happen if somebody call you and our group chat a

1024
01:00:00,080 --> 01:00:03,360
Speaker 1: coupleys and no, there's nona suit me up. This is

1025
01:00:03,440 --> 01:00:05,880
Speaker 1: me on my own. I got if anything, they have

1026
01:00:05,960 --> 01:00:08,440
Speaker 1: a complete opposite there that there's don't be a dickhead

1027
01:00:08,480 --> 01:00:12,520
Speaker 1: again there too late, I mean like like this is

1028
01:00:12,600 --> 01:00:15,800
Speaker 1: one of those things. And I remember it got it

1029
01:00:15,960 --> 01:00:21,240
Speaker 1: got debated because I was I was like, um, I

1030
01:00:21,360 --> 01:00:25,400
Speaker 1: was like, do you guys understand, like do you understand

1031
01:00:25,600 --> 01:00:28,320
Speaker 1: how things change and how people change? You know that

1032
01:00:28,840 --> 01:00:31,680
Speaker 1: nothing stays the same. It's up becoming a debate and

1033
01:00:34,040 --> 01:00:35,680
Speaker 1: like in the clubhouse thing, and it was like too late,

1034
01:00:35,720 --> 01:00:37,720
Speaker 1: Like once I realized I shouldn't be having this concept,

1035
01:00:38,600 --> 01:00:39,960
Speaker 1: it's like too late. I mean it now because you

1036
01:00:40,000 --> 01:00:41,959
Speaker 1: know the guys that's in that room, they packed bags

1037
01:00:42,000 --> 01:00:44,280
Speaker 1: the path mark. I mean like even even if they

1038
01:00:44,400 --> 01:00:47,320
Speaker 1: don't like that means nothing to me. I'm not I'm

1039
01:00:47,360 --> 01:00:48,880
Speaker 1: never going to take the shots to the people and

1040
01:00:49,200 --> 01:00:51,520
Speaker 1: look at you and look at me. I have no

1041
01:00:52,040 --> 01:00:53,960
Speaker 1: I have no I have no interest in that. There's

1042
01:00:54,000 --> 01:00:56,800
Speaker 1: there's no win for me. And during that it's more

1043
01:00:56,840 --> 01:01:04,520
Speaker 1: about it's more about like people sometimes have a hard

1044
01:01:04,600 --> 01:01:09,840
Speaker 1: time processing like growth and it's on different tiers, right, Like,

1045
01:01:10,480 --> 01:01:13,640
Speaker 1: some friends can't understand why a friend chooses not to

1046
01:01:13,760 --> 01:01:16,280
Speaker 1: funk with us when we do certain things. They can't

1047
01:01:16,320 --> 01:01:18,880
Speaker 1: understand that that friend made the choice to grow and

1048
01:01:19,000 --> 01:01:21,360
Speaker 1: no longer do said thing because that thing isn't good

1049
01:01:21,440 --> 01:01:25,080
Speaker 1: for me. Some friends go, you're a bit, you're a pussy,

1050
01:01:25,200 --> 01:01:27,520
Speaker 1: and they give you the thing to make you feel

1051
01:01:27,560 --> 01:01:32,520
Speaker 1: bad about You're now new right in life or in

1052
01:01:32,600 --> 01:01:35,560
Speaker 1: any changes, there's a world of negativity that comes to

1053
01:01:35,600 --> 01:01:38,960
Speaker 1: that change sometimes. So what I was trying to explain

1054
01:01:38,960 --> 01:01:41,720
Speaker 1: to people, I was like, Yo, progression means that you

1055
01:01:41,920 --> 01:01:44,760
Speaker 1: change what you change because there's value and reason and

1056
01:01:44,840 --> 01:01:47,440
Speaker 1: why you change. The funny that I used to be

1057
01:01:48,440 --> 01:01:51,680
Speaker 1: may not be the funny that fits my now. My

1058
01:01:51,960 --> 01:01:56,080
Speaker 1: business is what drives a certain thing for me. The

1059
01:01:56,240 --> 01:01:58,400
Speaker 1: business is what I need to grow because the star

1060
01:01:58,560 --> 01:02:00,520
Speaker 1: is already there. I want the business to catch up

1061
01:02:00,520 --> 01:02:04,640
Speaker 1: to the star. So ultimately, your idea of what funny

1062
01:02:04,880 --> 01:02:07,880
Speaker 1: is or the raw edgy road of it, well, it

1063
01:02:07,960 --> 01:02:10,200
Speaker 1: doesn't bring me the same family endorsements that I needed

1064
01:02:10,240 --> 01:02:12,120
Speaker 1: to get to this thing. It doesn't bring me the

1065
01:02:12,240 --> 01:02:14,800
Speaker 1: same perception that I need to make sure these family

1066
01:02:14,880 --> 01:02:18,320
Speaker 1: movies hit it doesn't bring me this wheelhouse of world

1067
01:02:18,560 --> 01:02:22,720
Speaker 1: and wonder to check every box so you don't realize it.

1068
01:02:22,760 --> 01:02:25,240
Speaker 1: But Kevin Hurt has done animation. Kevin Hurts an action comedy,

1069
01:02:25,400 --> 01:02:30,720
Speaker 1: regular comedy, drama, fucking author, He's a radio host. He's

1070
01:02:30,760 --> 01:02:37,720
Speaker 1: just a regular I check every box so that so

1071
01:02:37,880 --> 01:02:41,120
Speaker 1: the only way you check those boxes is by having

1072
01:02:41,160 --> 01:02:43,520
Speaker 1: a high level of authenticity that's attached to the world

1073
01:02:43,600 --> 01:02:46,080
Speaker 1: that those things bring. Right. If you don't do that,

1074
01:02:46,240 --> 01:02:48,080
Speaker 1: then why would you sit and listen to me? Why

1075
01:02:48,120 --> 01:02:50,080
Speaker 1: would you sitting and watch? Why would you want to

1076
01:02:50,120 --> 01:02:53,640
Speaker 1: see if you don't have authenticity attached to things. If

1077
01:02:53,680 --> 01:02:55,640
Speaker 1: you don't believe that I drink the ship, why would

1078
01:02:55,640 --> 01:02:57,440
Speaker 1: you buy it? If you don't believe that it is

1079
01:02:57,480 --> 01:02:59,400
Speaker 1: good by me making you feel that as good because

1080
01:02:59,400 --> 01:03:01,400
Speaker 1: you see me, we're think, then why would you support it?

1081
01:03:01,840 --> 01:03:04,880
Speaker 1: Everything I've done? Why did you take Because I went

1082
01:03:04,920 --> 01:03:07,640
Speaker 1: in there because I wanted to hear. I wanted to really,

1083
01:03:09,680 --> 01:03:12,320
Speaker 1: but but I made the mistake of getting in and

1084
01:03:12,400 --> 01:03:15,760
Speaker 1: then getting into the debate, and by that time it's

1085
01:03:15,800 --> 01:03:17,480
Speaker 1: too late. And by the way, I want to say, clearly,

1086
01:03:17,920 --> 01:03:20,440
Speaker 1: I made the mistake, and I remember after that, I

1087
01:03:20,520 --> 01:03:23,080
Speaker 1: didn't go back like, there's no win for me in

1088
01:03:23,120 --> 01:03:26,880
Speaker 1: this and it without the mistakes. Without the mistakes, well

1089
01:03:26,920 --> 01:03:29,240
Speaker 1: you don't know. You don't know the world of right

1090
01:03:29,320 --> 01:03:33,120
Speaker 1: to wrong. So yeah, it's stupid. Yeah, it's something that

1091
01:03:33,760 --> 01:03:36,840
Speaker 1: I'm not the happiest about that I did. But I

1092
01:03:36,960 --> 01:03:40,120
Speaker 1: never went back after right, so unless it was learning

1093
01:03:40,240 --> 01:03:41,800
Speaker 1: that and just why am I ever going to debate

1094
01:03:42,720 --> 01:03:47,160
Speaker 1: with people about something that they're never going to go ahead? Well, no, no,

1095
01:03:47,240 --> 01:03:50,560
Speaker 1: I can't say that. I can't say that. By the way,

1096
01:03:50,600 --> 01:03:53,720
Speaker 1: I want to see Clubhouse do amazing. Thanks, okay, please,

1097
01:03:59,480 --> 01:04:09,560
Speaker 1: I'm on. That's the only reason why jay Z is

1098
01:04:09,600 --> 01:04:12,520
Speaker 1: on Twitter spaces you see j On a smart man.

1099
01:04:14,320 --> 01:04:16,640
Speaker 1: That's the only time he's a smart man. What do

1100
01:04:16,680 --> 01:04:19,160
Speaker 1: you mean he just told you if he listened to

1101
01:04:19,240 --> 01:04:21,160
Speaker 1: his last song, he's talking to you about the world

1102
01:04:21,200 --> 01:04:23,400
Speaker 1: of sake. He's talking to you about the world of

1103
01:04:23,480 --> 01:04:26,800
Speaker 1: investment in cap tables. His conversation changed. He got some

1104
01:04:26,880 --> 01:04:29,560
Speaker 1: people that looked down on him because this conversations have changed,

1105
01:04:29,800 --> 01:04:32,640
Speaker 1: But his conversations have changed for the better. It's not

1106
01:04:32,760 --> 01:04:34,720
Speaker 1: for the worst. And he's the best champaign in the world.

1107
01:04:34,840 --> 01:04:38,560
Speaker 1: So sometimes listen. Sometimes you either understand that or you don't.

1108
01:04:39,040 --> 01:04:42,640
Speaker 1: I come from a space now where I understand that

1109
01:04:42,760 --> 01:04:46,520
Speaker 1: doors open, and behind those doors or other doors, I'm

1110
01:04:46,560 --> 01:04:48,080
Speaker 1: the guy who wants to keep opening up the doors,

1111
01:04:48,120 --> 01:04:49,320
Speaker 1: and I'm going to be with the people that get

1112
01:04:49,400 --> 01:04:52,800
Speaker 1: him open. That's it. It's simple. You know what it is.

1113
01:04:54,640 --> 01:04:57,920
Speaker 1: People don't seem to understand that number five. I'm on

1114
01:04:58,040 --> 01:05:02,400
Speaker 1: number five and lose It is authenticity, like as we evolved,

1115
01:05:02,480 --> 01:05:04,840
Speaker 1: that is your authentic self as well, and people don't

1116
01:05:04,880 --> 01:05:07,800
Speaker 1: don't ever want understand that. Absolutely, I have no problem

1117
01:05:07,880 --> 01:05:10,400
Speaker 1: with I have no problem with the world of growing

1118
01:05:10,480 --> 01:05:12,680
Speaker 1: because as you grow, that means that the people around

1119
01:05:12,720 --> 01:05:15,800
Speaker 1: you are growing as well. So I believe that your

1120
01:05:15,840 --> 01:05:19,640
Speaker 1: success is best seen through the success of others. So

1121
01:05:19,720 --> 01:05:23,080
Speaker 1: how many people around you successful are successful? How many

1122
01:05:23,120 --> 01:05:26,400
Speaker 1: people around you have different tiers or different levels of success.

1123
01:05:27,080 --> 01:05:31,080
Speaker 1: When there's a high number of that, then that's your win. Yeah,

1124
01:05:31,120 --> 01:05:33,400
Speaker 1: you speak bathroom. Last night he asked me number one

1125
01:05:33,440 --> 01:05:41,520
Speaker 1: and number two't got a dressing room. Is a funny,

1126
01:05:41,600 --> 01:05:44,080
Speaker 1: talented guy. Man, I can't wait for the world to

1127
01:05:44,200 --> 01:05:47,200
Speaker 1: truly get a dose of him. Uh in his entirety. Man,

1128
01:05:47,360 --> 01:05:51,840
Speaker 1: He's he's nowhere near he's all. He's good. He says,

1129
01:05:51,880 --> 01:05:57,120
Speaker 1: he's talk, he's hard, he's he's good. They all are

1130
01:05:57,360 --> 01:06:01,040
Speaker 1: named Joey, all of them, motherfucker's are good. Yes, okay,

1131
01:06:01,080 --> 01:06:03,840
Speaker 1: so now this is now when the Will interview started,

1132
01:06:04,360 --> 01:06:07,440
Speaker 1: this quick time, this is now we want to explain

1133
01:06:07,480 --> 01:06:13,840
Speaker 1: you the rules. It's like Las Vegas. We don't have

1134
01:06:13,880 --> 01:06:16,680
Speaker 1: no no, no clocks around right, okay, Um, so you

1135
01:06:16,760 --> 01:06:18,960
Speaker 1: can pick one or the other, but you politically correct

1136
01:06:19,000 --> 01:06:21,040
Speaker 1: and pick both. You take a shot, but we take

1137
01:06:21,080 --> 01:06:22,480
Speaker 1: a shot with you. We don't leave you out there

1138
01:06:22,600 --> 01:06:26,600
Speaker 1: on your home. So I take one of the other.

1139
01:06:26,680 --> 01:06:30,640
Speaker 1: Means the political answer is a shot. Yeah, it's a shot.

1140
01:06:30,760 --> 01:06:32,240
Speaker 1: But so so you have to go with your heart.

1141
01:06:32,320 --> 01:06:33,600
Speaker 1: This is what you're trying to say. You have to

1142
01:06:33,640 --> 01:06:36,840
Speaker 1: go with you. I'm gonna take a shot. I don't

1143
01:06:36,840 --> 01:06:38,920
Speaker 1: want to. I don't want to time, I don't know

1144
01:06:38,960 --> 01:06:40,360
Speaker 1: what you're gonna pick. So I'm gonna give you the

1145
01:06:40,400 --> 01:06:43,640
Speaker 1: first one. Are you ready, Eddie Murphy take a shot? Yes,

1146
01:06:45,680 --> 01:06:51,360
Speaker 1: Eddie Murphy and Richard prior or you could just take

1147
01:06:51,360 --> 01:06:55,440
Speaker 1: a shot either. Uh. I mean, look, this this goes

1148
01:06:55,480 --> 01:06:58,280
Speaker 1: into what I said earlier with the conversation of goats, right,

1149
01:06:58,360 --> 01:07:01,640
Speaker 1: like one doesn't take away from the other. Right, You're

1150
01:07:01,640 --> 01:07:04,760
Speaker 1: not gonna tell me that Richard is better than Eddie

1151
01:07:04,840 --> 01:07:06,640
Speaker 1: or Eddie is better than Richard. You can't do that

1152
01:07:06,760 --> 01:07:10,320
Speaker 1: because they're they're both fucking great. But no, no, no,

1153
01:07:10,440 --> 01:07:13,120
Speaker 1: I'm gonna give you a good answer. But but I'm

1154
01:07:13,160 --> 01:07:17,400
Speaker 1: going to put Richard before Eddie, not just because he came,

1155
01:07:18,320 --> 01:07:24,280
Speaker 1: not because Jesus, not because not because he's started before

1156
01:07:28,560 --> 01:07:33,080
Speaker 1: Richard was. Richard was ahead of his time, and Richard

1157
01:07:33,120 --> 01:07:37,240
Speaker 1: being ahead of his time, Richard made the world of

1158
01:07:37,320 --> 01:07:43,000
Speaker 1: that that raunchy comedy with truth. He made it normal

1159
01:07:43,520 --> 01:07:47,760
Speaker 1: right like Richard, Richard talking about being on cocaine, Richard

1160
01:07:47,840 --> 01:07:52,120
Speaker 1: talking about right like his true self and and and

1161
01:07:52,960 --> 01:07:56,160
Speaker 1: getting to that that raw place of honesty. You know,

1162
01:07:56,360 --> 01:07:58,480
Speaker 1: my grandmother was a wop, all that all that ship

1163
01:07:58,600 --> 01:08:05,920
Speaker 1: they're like, you know, it was raised. He didn't a

1164
01:08:06,000 --> 01:08:10,280
Speaker 1: way to where people laughed and normalized hearing like hearing that.

1165
01:08:11,040 --> 01:08:14,919
Speaker 1: So for that, I'm gonna say Richard, because Eddie, Eddie

1166
01:08:15,000 --> 01:08:19,639
Speaker 1: came up raw after of course he would, of course

1167
01:08:19,680 --> 01:08:24,439
Speaker 1: he would, Okay, Chris Rock or Martin Lawrence. Chris Rock

1168
01:08:24,479 --> 01:08:28,360
Speaker 1: and Martin Lawrence just take a show no, man, I'm

1169
01:08:28,360 --> 01:08:33,719
Speaker 1: gonna he's not badasses, and I don't have to drink anymore.

1170
01:08:33,720 --> 01:08:38,599
Speaker 1: I'm gonna trying my best to drink. Um man, Okay,

1171
01:08:40,760 --> 01:08:44,240
Speaker 1: Martin Martin is so dope. Because Martin Martin is responsible,

1172
01:08:45,960 --> 01:08:48,000
Speaker 1: I'm gonna have to say Martin, his wife, Martin is

1173
01:08:48,040 --> 01:08:54,280
Speaker 1: responsible for the careers of so many They were able

1174
01:08:54,320 --> 01:08:57,200
Speaker 1: to go on and be headliners and make real money

1175
01:08:57,240 --> 01:09:01,479
Speaker 1: after death chance right, Um, this is not talent answer.

1176
01:09:01,520 --> 01:09:04,599
Speaker 1: In my opinion, I'm putting Martin. I'm putting Martin above

1177
01:09:04,720 --> 01:09:10,360
Speaker 1: Chris because Martin shifted the culture in comedy. Martin and

1178
01:09:10,479 --> 01:09:13,880
Speaker 1: Martin hugged you after def Jam, and Martin put his

1179
01:09:14,040 --> 01:09:16,640
Speaker 1: arm around you after def Jam, and Martin called you

1180
01:09:16,760 --> 01:09:20,320
Speaker 1: back out after deaf Jam. Opportunities came to that person

1181
01:09:20,760 --> 01:09:24,519
Speaker 1: because of that. If Martin said that motherfucker was funny,

1182
01:09:24,560 --> 01:09:26,519
Speaker 1: y'all stopped playing to give it up one of the bad.

1183
01:09:26,960 --> 01:09:30,880
Speaker 1: If he said that, Martin verbalized that, um, it's it's

1184
01:09:30,880 --> 01:09:33,479
Speaker 1: along the same lines of Jimmy Carson back in the day.

1185
01:09:33,560 --> 01:09:35,360
Speaker 1: They said that Jimmy told you to sit on the couch.

1186
01:09:35,600 --> 01:09:44,960
Speaker 1: Oh my god, John, I'm sorry John. If Johnny invited

1187
01:09:45,000 --> 01:09:50,040
Speaker 1: a comic to the couch. That was Martin Lawrence, Martin

1188
01:09:50,160 --> 01:09:54,640
Speaker 1: Lawrence and dev Jam and that wave def Jam was

1189
01:09:54,720 --> 01:09:59,200
Speaker 1: too big for comedy. Martin was too big to comedy.

1190
01:09:59,320 --> 01:10:01,760
Speaker 1: And I don't like he gets talked about enough. I

1191
01:10:01,800 --> 01:10:07,320
Speaker 1: don't feel like people fucking understand how great Martin Lawrence

1192
01:10:08,640 --> 01:10:11,920
Speaker 1: is and was. So I put him. I put him

1193
01:10:11,960 --> 01:10:16,680
Speaker 1: above Chris simply because of that. Um, you know, on

1194
01:10:16,800 --> 01:10:19,280
Speaker 1: a comic basis, how many careers might have been made

1195
01:10:19,360 --> 01:10:21,320
Speaker 1: by that Yeah, on a on a on a on

1196
01:10:21,439 --> 01:10:24,880
Speaker 1: a comedy basis, And we're talking about something different where

1197
01:10:25,040 --> 01:10:27,040
Speaker 1: it was shift to Chris. But if we're going about

1198
01:10:27,040 --> 01:10:31,680
Speaker 1: who I will put, I'm going culture shifting his his

1199
01:10:31,880 --> 01:10:34,400
Speaker 1: world and what he represented for comedy and his prom

1200
01:10:34,560 --> 01:10:40,439
Speaker 1: Martin lash jay z or Nas jay z or Nas.

1201
01:10:40,520 --> 01:10:48,960
Speaker 1: I mean, look, I'm gonna answer these questions. Uh, you're

1202
01:10:49,000 --> 01:10:51,519
Speaker 1: not taking a shot if I don't have to take

1203
01:10:51,560 --> 01:10:54,479
Speaker 1: a shot, because there's no disrespect to the other artists.

1204
01:10:54,520 --> 01:10:57,599
Speaker 1: These are logical answers. I'm still in the clear thinking space,

1205
01:10:58,000 --> 01:11:00,160
Speaker 1: you know why. You know why I'm an there are

1206
01:11:00,200 --> 01:11:07,719
Speaker 1: things space because grand Cormino is not sequilla, that grand

1207
01:11:07,760 --> 01:11:11,000
Speaker 1: core MEMI grand cord means in tequila where you can

1208
01:11:11,080 --> 01:11:16,559
Speaker 1: have all your faculties and enjoy yourself otherwise known as well,

1209
01:11:16,680 --> 01:11:19,639
Speaker 1: you're smart regardless, because people should not refer to themselves

1210
01:11:19,640 --> 01:11:24,080
Speaker 1: as dumb. Yeah, I'm in a good space. I'm gonna

1211
01:11:24,120 --> 01:11:34,280
Speaker 1: say whole for for whole, simply because it's bigger than rapping,

1212
01:11:35,120 --> 01:11:37,680
Speaker 1: and even in even now with it being bigger than

1213
01:11:37,760 --> 01:11:40,120
Speaker 1: rapped and realizing all of these done and all like

1214
01:11:40,479 --> 01:11:42,639
Speaker 1: his level of success, like he's still oh my god,

1215
01:11:42,720 --> 01:11:46,599
Speaker 1: he's still figuring out ways to do shiit uh fucking

1216
01:11:47,000 --> 01:11:55,160
Speaker 1: recreate himself and business that he's still rapping at the

1217
01:11:55,240 --> 01:11:58,639
Speaker 1: high level. Not tonight, not Deniz isn't by the way,

1218
01:11:59,040 --> 01:12:03,120
Speaker 1: not album was amazing. Let's let's get him. Let's make

1219
01:12:03,160 --> 01:12:06,880
Speaker 1: sure we make this very clear, nas, nas, but you

1220
01:12:06,920 --> 01:12:13,760
Speaker 1: cannot fucking shy away from what Hove is now still releasing.

1221
01:12:14,880 --> 01:12:17,719
Speaker 1: Hove is rapping as if he's in his fucking problem

1222
01:12:18,600 --> 01:12:24,439
Speaker 1: at this level. So um, I'm never gonna go against

1223
01:12:24,520 --> 01:12:27,320
Speaker 1: the grain. I mean, any any rap came, any rap

1224
01:12:27,439 --> 01:12:32,240
Speaker 1: conversation that doesn't involve Hove is in a real rap conversation,

1225
01:12:32,439 --> 01:12:36,439
Speaker 1: like he's He's a definition of rap, point blank. That's

1226
01:12:36,520 --> 01:12:38,040
Speaker 1: that's what I'm saying, and I love the story. Are

1227
01:12:38,080 --> 01:12:40,360
Speaker 1: you jumping on the jet and not chipping in? Oh?

1228
01:12:40,400 --> 01:12:44,760
Speaker 1: When I made him pay for the jet? Yeah, I

1229
01:12:45,880 --> 01:12:49,120
Speaker 1: was going to fly him on a plane myself. Call him.

1230
01:12:49,479 --> 01:12:50,880
Speaker 1: He's like, you're go in the game, and said, yeah,

1231
01:12:51,080 --> 01:12:52,920
Speaker 1: you're going. He's like, yeah, said what time are you going?

1232
01:12:53,720 --> 01:12:56,519
Speaker 1: He said twelve? I said I was going too. I'm

1233
01:12:56,520 --> 01:12:58,920
Speaker 1: just gonna fly with you. He's like, yeah, all right, cool,

1234
01:13:00,000 --> 01:13:04,080
Speaker 1: But I'm a pans like I didn't ask you to

1235
01:13:04,120 --> 01:13:09,320
Speaker 1: because I'm just making it clear I'm not just uh,

1236
01:13:09,680 --> 01:13:13,320
Speaker 1: great guy, that's my brother mentor Okay, Yeah, I don't

1237
01:13:13,320 --> 01:13:19,200
Speaker 1: know where're gonna go with this one. Tupaca DMX. It

1238
01:13:19,320 --> 01:13:22,960
Speaker 1: feels like it feels like you should endorse your product

1239
01:13:23,080 --> 01:13:26,040
Speaker 1: right now. Yeah, we should drink a shot. Are you

1240
01:13:26,160 --> 01:13:27,800
Speaker 1: it's already poor? I know that. I'm just trying to

1241
01:13:27,840 --> 01:13:33,240
Speaker 1: think there's no way out of this one. This is

1242
01:13:33,320 --> 01:13:35,680
Speaker 1: one where I'm gonna have to take a shot. I'm

1243
01:13:35,680 --> 01:13:37,040
Speaker 1: gonna have to take a shot on this one. I

1244
01:13:37,080 --> 01:13:41,960
Speaker 1: can make some noise of him taking a shot, the

1245
01:13:42,000 --> 01:13:48,680
Speaker 1: old always gonna see. Yeah, funk, that's a tough one. Ah,

1246
01:13:50,360 --> 01:13:53,880
Speaker 1: let me leave you us over there, Okay, you ready

1247
01:13:53,880 --> 01:13:59,840
Speaker 1: for the next one? Oh yeah, okay, yeah, okay, Marco

1248
01:14:00,040 --> 01:14:21,040
Speaker 1: Warburg or the Rock. I mean, look, I don't know

1249
01:14:21,160 --> 01:14:26,160
Speaker 1: what that like, what does that mean? What does that mean? Like?

1250
01:14:26,680 --> 01:14:28,400
Speaker 1: Whatever it means, whatever it means to you. That's what

1251
01:14:28,680 --> 01:14:35,639
Speaker 1: I'm saying. You're talking like, yeah, it's okay, We're gonna

1252
01:14:35,640 --> 01:14:37,000
Speaker 1: do a little ones. Look at that. That's a little

1253
01:14:37,000 --> 01:14:40,720
Speaker 1: one I'm gonna take you. Just get Mekay alright, take

1254
01:14:40,720 --> 01:14:42,160
Speaker 1: a quick shot for this one. Here's what I'm going

1255
01:14:42,240 --> 01:14:44,240
Speaker 1: to say. No, I don't have to right now. I'm

1256
01:14:44,280 --> 01:14:51,040
Speaker 1: going to say, first of all, both of my brothers

1257
01:14:51,160 --> 01:15:08,240
Speaker 1: like this is like my face change. This is where

1258
01:15:08,640 --> 01:15:10,320
Speaker 1: it's where it comes right now. I can feel it.

1259
01:15:10,880 --> 01:15:15,160
Speaker 1: By the way, great, okay, now this one great. You

1260
01:15:15,240 --> 01:15:18,160
Speaker 1: know I love it. We haven't drink camps in a minute,

1261
01:15:18,360 --> 01:15:21,559
Speaker 1: so we haven't. We have been living on an old episodes.

1262
01:15:21,640 --> 01:15:24,479
Speaker 1: So we are grad to come out of retirement for you.

1263
01:15:24,560 --> 01:15:28,880
Speaker 1: About to get something good in a minute? Okay, about

1264
01:15:28,880 --> 01:15:34,120
Speaker 1: to make that turn. Let me tell you another in

1265
01:15:34,240 --> 01:15:39,920
Speaker 1: later Philadelphia. Meek Mail or Freeway. Uh I think I

1266
01:15:40,040 --> 01:15:43,439
Speaker 1: think both amazing. But I'll say Meek frees my guide too.

1267
01:15:43,920 --> 01:15:48,280
Speaker 1: But Mekas Meka's done a lot more from you know,

1268
01:15:48,439 --> 01:15:53,479
Speaker 1: just from album perspective Album album album. I said album,

1269
01:15:55,920 --> 01:16:00,680
Speaker 1: I'm not once I start full up and I'll leave.

1270
01:16:03,840 --> 01:16:06,439
Speaker 1: I'll go to meet there no shots to free freestyle

1271
01:16:06,479 --> 01:16:09,800
Speaker 1: amazing artists, but I'll say me coming to America or

1272
01:16:09,880 --> 01:16:15,639
Speaker 1: Hallam Knights, Hallam Knights fast. I heard you Who's gonna

1273
01:16:15,840 --> 01:16:18,559
Speaker 1: remake hall Him nice? I wanted to for a long time. Eddie,

1274
01:16:18,720 --> 01:16:22,640
Speaker 1: Eddie is uh Edie with you will be honest with you.

1275
01:16:22,920 --> 01:16:25,360
Speaker 1: Eddie didn't. He liked my dad, but he was like,

1276
01:16:25,439 --> 01:16:29,240
Speaker 1: I'm I'm not he's like me being because my idea

1277
01:16:29,360 --> 01:16:32,640
Speaker 1: was like they have kids. My dad was like, my

1278
01:16:32,800 --> 01:16:37,600
Speaker 1: dad was like those guys from harm Knights kids and

1279
01:16:37,680 --> 01:16:41,880
Speaker 1: it's the younger generation and that that that generation is

1280
01:16:41,960 --> 01:16:45,160
Speaker 1: now and it was an age. He was like, how

1281
01:16:45,200 --> 01:16:47,720
Speaker 1: am I going to play that age difference? Does he

1282
01:16:47,800 --> 01:16:49,920
Speaker 1: think he's still young? You know what I mean? When

1283
01:16:49,960 --> 01:16:53,400
Speaker 1: I pitched the rough idea and concept, it was but

1284
01:16:53,479 --> 01:16:55,439
Speaker 1: it would be harder to pull off. It's basically like, look,

1285
01:16:55,720 --> 01:17:01,680
Speaker 1: it's the idea of the idea of begetting navigating in

1286
01:17:01,720 --> 01:17:04,599
Speaker 1: a generation of let's just say like five six years ago,

1287
01:17:05,240 --> 01:17:08,360
Speaker 1: right and still doing the work that they were doing.

1288
01:17:09,040 --> 01:17:13,120
Speaker 1: That business that is my fia like business, but based

1289
01:17:13,160 --> 01:17:15,320
Speaker 1: off of what I knew my dad did, but the

1290
01:17:15,479 --> 01:17:18,519
Speaker 1: sons of those people. And the only reason why I

1291
01:17:18,600 --> 01:17:21,439
Speaker 1: want to do something like that, it's because I just

1292
01:17:21,520 --> 01:17:25,240
Speaker 1: want something that can get together. You want to get

1293
01:17:25,280 --> 01:17:29,599
Speaker 1: us all. I would love to see you. Mike, absolute duvall.

1294
01:17:30,439 --> 01:17:33,000
Speaker 1: We're gonna do it. Me and Mike, Me and Mike

1295
01:17:33,120 --> 01:17:36,280
Speaker 1: ran a great place. Now, man, it took Me and

1296
01:17:36,320 --> 01:17:41,840
Speaker 1: Mike were real ship going on in between both of y'all.

1297
01:17:46,920 --> 01:17:50,920
Speaker 1: Don't let me. We were can you get me doing no?

1298
01:17:53,320 --> 01:17:55,200
Speaker 1: Me and Mike were heavy on the side. Me and Mike.

1299
01:17:55,320 --> 01:17:57,479
Speaker 1: We we didn't work with each other. We made that

1300
01:17:57,560 --> 01:18:02,519
Speaker 1: decision and um, you know, I think to the credit

1301
01:18:02,560 --> 01:18:04,720
Speaker 1: of both of us, you know, you look up and

1302
01:18:05,200 --> 01:18:08,120
Speaker 1: we realized our age. It's like, look, we this is

1303
01:18:08,160 --> 01:18:10,880
Speaker 1: doing nothing. There's no value in this. If anything, were

1304
01:18:10,920 --> 01:18:15,120
Speaker 1: cheating the world of an opportunity to I only want

1305
01:18:15,120 --> 01:18:18,120
Speaker 1: to get into. It's too much's too it's too much

1306
01:18:18,240 --> 01:18:24,479
Speaker 1: of unnecessary. At one point, no, it's not. It's not rappers,

1307
01:18:24,680 --> 01:18:29,880
Speaker 1: it's it's unnecessary and and and I think the now,

1308
01:18:31,120 --> 01:18:34,320
Speaker 1: no rapper rapper ship is more stupid. Ours. Ours wasn't

1309
01:18:34,360 --> 01:18:40,680
Speaker 1: as stupid, yea, Ours wasn't that stupid, but it just

1310
01:18:40,840 --> 01:18:43,719
Speaker 1: built and grouping that time. But I like the fact

1311
01:18:43,800 --> 01:18:46,000
Speaker 1: that has grown. Man, we figured out a way to

1312
01:18:46,080 --> 01:18:48,519
Speaker 1: talk and we're in a good space. Like, you know,

1313
01:18:49,320 --> 01:18:51,360
Speaker 1: I explained to him, I want to have that thing

1314
01:18:51,560 --> 01:18:56,080
Speaker 1: where we're on screen together, Like why why would we not?

1315
01:18:56,840 --> 01:18:58,760
Speaker 1: Why would you not have that moment? I mean, as

1316
01:18:58,880 --> 01:19:01,599
Speaker 1: much as I've one, or or as much as I'm doing,

1317
01:19:02,520 --> 01:19:04,519
Speaker 1: I've never done that. And I was like, you know,

1318
01:19:04,920 --> 01:19:06,120
Speaker 1: for us to figure out a way to do that,

1319
01:19:06,320 --> 01:19:10,760
Speaker 1: to uh sit at the table and you know, sit

1320
01:19:10,880 --> 01:19:14,040
Speaker 1: his equals and and fucking figure it out would be dope.

1321
01:19:14,160 --> 01:19:16,240
Speaker 1: So you know, look, if there's a world where I

1322
01:19:16,320 --> 01:19:20,120
Speaker 1: can get a Mike of fucking Chris and Dave cat

1323
01:19:20,560 --> 01:19:23,439
Speaker 1: to the table, is sad and Steve like you're the

1324
01:19:23,560 --> 01:19:27,760
Speaker 1: only person that could have played Wesley Snipes character is

1325
01:19:27,800 --> 01:19:34,120
Speaker 1: probably Mike Gaps is a good actor, yeah, all of us.

1326
01:19:34,200 --> 01:19:35,400
Speaker 1: You know what I'm saying that the way he acts

1327
01:19:35,400 --> 01:19:38,439
Speaker 1: like he you know, cocaine, I've never he got it

1328
01:19:38,520 --> 01:19:42,240
Speaker 1: down fast. I've never I'll say this, all of our

1329
01:19:42,320 --> 01:19:45,040
Speaker 1: problems I've never shipped on his talent. Mike is a

1330
01:19:45,640 --> 01:19:47,600
Speaker 1: is a funny guy. Mike is a talented actor, Like

1331
01:19:47,960 --> 01:19:51,800
Speaker 1: he's amazing talent. So you know, for us now to

1332
01:19:51,880 --> 01:19:55,160
Speaker 1: be in a good space, Um, I think it's dope

1333
01:19:55,200 --> 01:19:59,720
Speaker 1: as fun and we will we will do something. But

1334
01:20:00,120 --> 01:20:01,760
Speaker 1: I love I love that. You know, I'm a man

1335
01:20:01,840 --> 01:20:07,400
Speaker 1: of piece. Okay, Friday or half Bacon, Uh Friday, Friday

1336
01:20:07,880 --> 01:20:11,760
Speaker 1: halt bag is great. Friday's um a bigger culture driver,

1337
01:20:12,560 --> 01:20:15,800
Speaker 1: you know, Friday's a and Friday also put once again,

1338
01:20:16,080 --> 01:20:17,920
Speaker 1: I go to the world of amplification and put so

1339
01:20:17,960 --> 01:20:21,400
Speaker 1: many people on. You know, when you look at Chris Tucker,

1340
01:20:21,479 --> 01:20:23,439
Speaker 1: when you look at John Witherspoon, when you look at

1341
01:20:24,040 --> 01:20:27,519
Speaker 1: some more Mike Ebs, we look at Don D. C Cary,

1342
01:20:27,680 --> 01:20:31,519
Speaker 1: we look at Bruce Bruce, Ricky Smiley. Um, you know

1343
01:20:31,680 --> 01:20:34,400
Speaker 1: these are all names. Ronaldo Ray r P. I mean,

1344
01:20:34,439 --> 01:20:36,479
Speaker 1: there's are so many names. Ice Cu shouts out to

1345
01:20:36,520 --> 01:20:41,360
Speaker 1: ice Cu. GENERALQ was a guy who not only loves comedy,

1346
01:20:41,760 --> 01:20:44,439
Speaker 1: but he's been a he's been an advocate for you know,

1347
01:20:44,760 --> 01:20:49,000
Speaker 1: the world of career. He's he's provided a platform to

1348
01:20:49,080 --> 01:20:51,960
Speaker 1: where comedy careers could go on the progress and once again,

1349
01:20:52,200 --> 01:20:55,320
Speaker 1: when you talk about comedy, these conversations get lost. They don't.

1350
01:20:55,640 --> 01:20:59,320
Speaker 1: People don't highlight it as much as they should. Like

1351
01:20:59,680 --> 01:21:02,880
Speaker 1: when you think about the ones that are at the helm,

1352
01:21:03,400 --> 01:21:06,320
Speaker 1: the Martin side of it, all of those names, all

1353
01:21:06,360 --> 01:21:08,800
Speaker 1: those deaf jam names that were big, they came from

1354
01:21:08,880 --> 01:21:11,400
Speaker 1: that hug. But then after that, then Iceque was like,

1355
01:21:11,439 --> 01:21:13,679
Speaker 1: oh shoot, I saw him here, come to do these things.

1356
01:21:13,680 --> 01:21:15,479
Speaker 1: It's like it was like a passing of a time.

1357
01:21:16,160 --> 01:21:18,680
Speaker 1: So so a lot of careers came from like you

1358
01:21:18,800 --> 01:21:23,680
Speaker 1: know this, this street, the street where I'm a fan

1359
01:21:23,720 --> 01:21:26,320
Speaker 1: of you. I'm a fan of you. Oh fuck Martin,

1360
01:21:26,439 --> 01:21:29,599
Speaker 1: love h q Q love Martin. I'm watching you men

1361
01:21:29,680 --> 01:21:31,760
Speaker 1: do as dope. I'm trying to do this ship, the

1362
01:21:31,760 --> 01:21:34,200
Speaker 1: ship that I did. All he did was take He

1363
01:21:34,320 --> 01:21:37,439
Speaker 1: took the thing and the work. Look at house party,

1364
01:21:37,479 --> 01:21:39,200
Speaker 1: look at all these other things that was kid who

1365
01:21:39,240 --> 01:21:41,799
Speaker 1: play developing this movie. But look at the people around

1366
01:21:42,280 --> 01:21:44,519
Speaker 1: that were in that movie. Like if you go back

1367
01:21:44,560 --> 01:21:47,240
Speaker 1: and look at these times, yo yo, house party, man

1368
01:21:50,120 --> 01:21:53,760
Speaker 1: a house party, they already are doing one. Yeah uh

1369
01:21:55,400 --> 01:22:01,479
Speaker 1: spring him lebron, lebron, all right, shout out of spring

1370
01:22:01,560 --> 01:22:04,880
Speaker 1: Hill too, doing amazing things. Another black owned company. Uh,

1371
01:22:05,080 --> 01:22:09,519
Speaker 1: driving the narrative and media and media changing change media

1372
01:22:09,600 --> 01:22:15,160
Speaker 1: now something media. But they're doing They're doing great ship man,

1373
01:22:15,560 --> 01:22:19,760
Speaker 1: m amazing production, amazing IP development, and it's great to

1374
01:22:19,800 --> 01:22:25,920
Speaker 1: see so Rocky or Creed Creed h I say Creed

1375
01:22:26,000 --> 01:22:30,280
Speaker 1: because Rocky Rocky was amazing, still is amazing. Syvester Sloan

1376
01:22:30,920 --> 01:22:33,920
Speaker 1: is who the funk he is. But where he really

1377
01:22:33,960 --> 01:22:37,719
Speaker 1: becomes a genius is to come back and fucking fifteen

1378
01:22:37,800 --> 01:22:42,120
Speaker 1: years however long it was, and make that I P

1379
01:22:43,160 --> 01:22:45,880
Speaker 1: relevant again. He came back and say, yeah, I don't

1380
01:22:45,880 --> 01:22:47,320
Speaker 1: want to do nothing else, but I did the Rocky,

1381
01:22:47,360 --> 01:22:49,720
Speaker 1: but Rocky this time it's gonna be about creed Son.

1382
01:22:49,840 --> 01:22:52,360
Speaker 1: He stayed in the same storyline and was able to

1383
01:22:52,400 --> 01:22:54,120
Speaker 1: take something else and get apart one of part two

1384
01:22:54,160 --> 01:22:59,920
Speaker 1: out of By the way that Sylvester Stallan so original Rocky,

1385
01:23:00,000 --> 01:23:01,840
Speaker 1: he doesn't don't know. I don't. I don't think he

1386
01:23:01,960 --> 01:23:04,439
Speaker 1: owns it. I think I think he made he made

1387
01:23:04,479 --> 01:23:06,519
Speaker 1: good deals on the later ones. I'm not sure he

1388
01:23:06,560 --> 01:23:08,439
Speaker 1: owns it, but I think in the Creed ones he

1389
01:23:08,560 --> 01:23:11,840
Speaker 1: made some more lucrative deals for himself. But to go

1390
01:23:12,160 --> 01:23:17,800
Speaker 1: develop after that thing existed for that's pretty amazing. And

1391
01:23:17,880 --> 01:23:23,479
Speaker 1: I say Creed because once again highlighting amplifying put Michael B.

1392
01:23:23,640 --> 01:23:26,479
Speaker 1: Jordan's on, and Michael B. Jordan held his own. And

1393
01:23:26,560 --> 01:23:30,040
Speaker 1: now Michael Jordan's has a franchise under his belt, right,

1394
01:23:30,200 --> 01:23:33,280
Speaker 1: Like that didn't have to happen. So through the loves

1395
01:23:33,320 --> 01:23:35,679
Speaker 1: of Vessels Alan, he got the Creed. I say Creed

1396
01:23:35,760 --> 01:23:38,320
Speaker 1: because of you know, I think it was a better movie.

1397
01:23:38,400 --> 01:23:40,200
Speaker 1: I think it was a doper movie, but I like

1398
01:23:40,400 --> 01:23:43,400
Speaker 1: that opportunities were giving off of it. I love that.

1399
01:23:43,760 --> 01:23:48,920
Speaker 1: Davey Chappelle, Jamie Fox, what do you mean? He said,

1400
01:23:51,160 --> 01:23:54,320
Speaker 1: you're talking acting, you're talking comedy whatever, whatever is in

1401
01:23:54,400 --> 01:23:56,559
Speaker 1: your mind. What I'm gonna stand up comedy? Dave Chappelle,

1402
01:24:01,320 --> 01:24:05,360
Speaker 1: Mike Epps or Chris Tucker in the movie Friday or

1403
01:24:07,080 --> 01:24:09,880
Speaker 1: whatever who was talking about? I would say, who did

1404
01:24:09,920 --> 01:24:13,000
Speaker 1: the better Friday? What are you saying on you? Whatever?

1405
01:24:13,080 --> 01:24:19,439
Speaker 1: You like? You guys, this is not we can't define

1406
01:24:19,520 --> 01:24:21,920
Speaker 1: it for you just saying names and you're not saying like,

1407
01:24:23,400 --> 01:24:32,040
Speaker 1: and then I'm wrestling like, yeah, he's a better thumb wrestler.

1408
01:24:32,320 --> 01:24:39,000
Speaker 1: And that's why I pick Mike Epps, Chris Tucker. Okay,

1409
01:24:40,880 --> 01:24:47,200
Speaker 1: who's the butter better better than I'm gonna take a shot.

1410
01:24:49,880 --> 01:24:52,160
Speaker 1: That's right, man, Mike, were in a good space. I'm

1411
01:24:52,160 --> 01:24:55,960
Speaker 1: gonna keep just hit a good space. Yeah, I had

1412
01:24:56,000 --> 01:25:01,639
Speaker 1: funny Chris Chris Tucker story. Uh and this is when

1413
01:25:02,120 --> 01:25:03,840
Speaker 1: my wife was here till I wanted to she remembers us.

1414
01:25:04,160 --> 01:25:07,439
Speaker 1: So we were getting our first remember every day. No, no,

1415
01:25:07,640 --> 01:25:10,000
Speaker 1: this is like, this is a good one we should

1416
01:25:10,040 --> 01:25:13,479
Speaker 1: switch to after this too, not because that's not because

1417
01:25:13,760 --> 01:25:16,800
Speaker 1: let's just live well, let's not let me. I want

1418
01:25:16,840 --> 01:25:19,560
Speaker 1: you guys to taste about that. Yeah, it's stupid for

1419
01:25:19,560 --> 01:25:22,760
Speaker 1: you guys. Just taste this. It was amazing. But Kevin

1420
01:25:22,880 --> 01:25:26,280
Speaker 1: Hart side this whole time, I've been drinking Mama, don't

1421
01:25:26,320 --> 01:25:27,960
Speaker 1: drink that. They make that in a bathtub and kindle,

1422
01:25:28,120 --> 01:25:30,920
Speaker 1: that's true. You don't want that. You don't want that.

1423
01:25:35,479 --> 01:25:39,000
Speaker 1: Drink cold before it didn't end work. Guess what, there's

1424
01:25:39,000 --> 01:25:42,960
Speaker 1: no world where I'm drinking that. You know why I'm

1425
01:25:42,960 --> 01:25:47,880
Speaker 1: not drinking that because my option is grand cool just

1426
01:25:51,240 --> 01:25:54,680
Speaker 1: like three. No, no, it looks like it looks like

1427
01:25:54,840 --> 01:25:59,800
Speaker 1: fucking what's that? What's the ship called that? Very day

1428
01:26:00,040 --> 01:26:05,080
Speaker 1: used to do? We just gotta take it. There's something

1429
01:26:05,920 --> 01:26:08,600
Speaker 1: without Yeah, that doesn't look like I don't like it

1430
01:26:09,479 --> 01:26:12,200
Speaker 1: all right, look funny Chris Stuck. Chris Stuck story. So, um,

1431
01:26:12,520 --> 01:26:15,240
Speaker 1: we were buying our first house in l A and

1432
01:26:15,960 --> 01:26:17,680
Speaker 1: we're coming to this neighborhood and I didn't know that

1433
01:26:17,800 --> 01:26:20,400
Speaker 1: Chris lived in the neighborhood. And this is when Chris

1434
01:26:20,600 --> 01:26:24,880
Speaker 1: was like having the taxes problem. So I'm like in

1435
01:26:25,000 --> 01:26:28,280
Speaker 1: the house and they're like showing me things. They're gonna

1436
01:26:28,320 --> 01:26:32,240
Speaker 1: renovate some things. And Chris comes by and all he

1437
01:26:32,360 --> 01:26:37,800
Speaker 1: says from outside is pay your taxes. Man. I'm like,

1438
01:26:44,320 --> 01:26:48,439
Speaker 1: what it's Chris Stuck. He comes yeah, man, just paying taxes.

1439
01:26:48,479 --> 01:26:51,760
Speaker 1: And I was like, Chris, what are you doing here?

1440
01:26:52,080 --> 01:26:53,600
Speaker 1: He was like, well, I'm here, man, I got a

1441
01:26:53,640 --> 01:26:55,439
Speaker 1: house down here. Too many he's coming here. I'm just

1442
01:26:55,479 --> 01:27:00,760
Speaker 1: telling you pay your TAXI he left your greatest vice

1443
01:27:01,760 --> 01:27:05,799
Speaker 1: he left I gotta visit from Chris Tucker and Tito Jackson.

1444
01:27:09,160 --> 01:27:11,560
Speaker 1: Tito Jackson one day just came a while I'm not

1445
01:27:11,640 --> 01:27:18,400
Speaker 1: sure if you're playing okay and told me no, Chris Tucker,

1446
01:27:18,600 --> 01:27:24,720
Speaker 1: he's a separate. Tito came by itself. Have finger ways, hey, man,

1447
01:27:24,840 --> 01:27:30,479
Speaker 1: that's I cannot confine. First of all I say. I

1448
01:27:30,560 --> 01:27:32,519
Speaker 1: want to say. The Jackson family is an amazing family.

1449
01:27:33,360 --> 01:27:38,640
Speaker 1: I love the Jackson at Tito just came in. He

1450
01:27:38,720 --> 01:27:42,160
Speaker 1: knocked on my door. And you know, nobody ever knocks

1451
01:27:42,200 --> 01:27:44,200
Speaker 1: on the doors. I assume somebody cool. I just came

1452
01:27:44,240 --> 01:27:46,479
Speaker 1: to the door, Tito standing there. He said, I had

1453
01:27:46,560 --> 01:27:55,760
Speaker 1: to come by. You open the doors. Oh, my mother,

1454
01:27:56,280 --> 01:28:04,320
Speaker 1: I said, Tito, he said, I have to come back.

1455
01:28:07,400 --> 01:28:10,200
Speaker 1: He said he was in the neighborhood. They told him. Yeah.

1456
01:28:10,320 --> 01:28:13,960
Speaker 1: He's like, yeah, man, it's music come to show. I

1457
01:28:14,080 --> 01:28:21,800
Speaker 1: just kept going, Remember how many cirls are gonna give him?

1458
01:28:22,040 --> 01:28:28,479
Speaker 1: I know all the curls you call me. I gotta

1459
01:28:28,560 --> 01:28:31,479
Speaker 1: keep it. Let's go. Yeah, I'll tell you what Tito

1460
01:28:31,560 --> 01:28:34,240
Speaker 1: had when he's saying, bro, come on, let's go give

1461
01:28:34,280 --> 01:28:42,240
Speaker 1: me another one way. I'm drunk now the best. By

1462
01:28:42,240 --> 01:28:43,760
Speaker 1: the way, it's not like a bad drunk. It's like

1463
01:28:43,800 --> 01:28:48,040
Speaker 1: a good It's a great dun people. It's like it's like, oh,

1464
01:28:48,360 --> 01:28:53,599
Speaker 1: dance for all night? Okay, New jack City or King

1465
01:28:53,600 --> 01:28:58,200
Speaker 1: of New York, New Jack City. What's the snipes? True story?

1466
01:28:58,280 --> 01:29:00,960
Speaker 1: What are you talking about? Come on, and Chris rock Man,

1467
01:29:00,960 --> 01:29:17,679
Speaker 1: you gotta give it like a professional alright, alright, that's people, Okay,

1468
01:29:18,200 --> 01:29:26,400
Speaker 1: Will Farrell or Woody Harrison. Fun man. Will Farrell is

1469
01:29:26,439 --> 01:29:28,160
Speaker 1: the funniest man I've ever worked with in my life.

1470
01:29:29,960 --> 01:29:35,760
Speaker 1: But but Woody Harrilson is the most interesting man in

1471
01:29:35,880 --> 01:29:47,559
Speaker 1: the world. That's my man. Tears, that's your man now,

1472
01:29:48,200 --> 01:29:50,960
Speaker 1: tears called from cheers. What Harrison? Do you tell you

1473
01:29:51,000 --> 01:29:53,280
Speaker 1: who he is? What? Harrilson is the dope sexiest man.

1474
01:29:53,840 --> 01:29:57,720
Speaker 1: Have you ever seen the Doe sexist commercial? And you're

1475
01:29:57,720 --> 01:30:00,519
Speaker 1: saying in real life? Now he's not in the Come

1476
01:30:00,560 --> 01:30:18,760
Speaker 1: on what wow? I want you? He is the most

1477
01:30:18,840 --> 01:30:22,160
Speaker 1: interesting man in the world. What he Harrison is a

1478
01:30:23,360 --> 01:30:30,040
Speaker 1: raw vegan. He smokes. He smokes, smokes um only eats

1479
01:30:30,080 --> 01:30:33,600
Speaker 1: food from the earth at a certain temperature. He operates

1480
01:30:33,680 --> 01:30:38,639
Speaker 1: like a nomad, like he's a He's whatever the earth

1481
01:30:38,760 --> 01:30:44,600
Speaker 1: provides he uses. He spins his water up spins. What

1482
01:30:44,680 --> 01:30:47,960
Speaker 1: does that mean? He makes it? It's water. How do

1483
01:30:48,040 --> 01:30:50,120
Speaker 1: you make water? I don't fucking know, But he doesn't.

1484
01:30:51,160 --> 01:30:54,880
Speaker 1: He doesn't have bottle water spins. He spends it. It's

1485
01:30:54,920 --> 01:30:59,080
Speaker 1: called spinning. He spends his water. Electricity. He doesn't like

1486
01:30:59,600 --> 01:31:03,519
Speaker 1: if it's like forced electricity and not natural from like

1487
01:31:03,640 --> 01:31:09,080
Speaker 1: the solar with the some he like, I'm not gonna

1488
01:31:09,120 --> 01:31:14,679
Speaker 1: tell you that type of person, Like he's uh, feel

1489
01:31:14,680 --> 01:31:16,960
Speaker 1: like he got horses. He know, he's like he's like,

1490
01:31:17,840 --> 01:31:20,880
Speaker 1: he's like he's a nomad. He's the most interesting person

1491
01:31:20,960 --> 01:31:23,720
Speaker 1: you'll ever talked to. He's the happiest man. He's the

1492
01:31:23,840 --> 01:31:27,160
Speaker 1: happiest man you will ever talk to. Like he's he

1493
01:31:27,280 --> 01:31:33,800
Speaker 1: just goes a Jostra treat and a trailer. You can't

1494
01:31:33,840 --> 01:31:35,800
Speaker 1: if I can if I want to call Woody right now,

1495
01:31:36,240 --> 01:31:42,320
Speaker 1: it's a like I can't call him emails. Like one

1496
01:31:42,439 --> 01:31:45,080
Speaker 1: person can get to him. Not a lot of people

1497
01:31:45,240 --> 01:31:48,200
Speaker 1: can get to He's a person that's like he's he's

1498
01:31:48,280 --> 01:31:52,680
Speaker 1: so centered with being present in life. No phone, none

1499
01:31:52,720 --> 01:31:55,280
Speaker 1: of that ship. He's not that guy. He's a He's

1500
01:31:55,280 --> 01:31:57,320
Speaker 1: a different breed. He's the most interesting man I've ever

1501
01:31:57,360 --> 01:32:02,240
Speaker 1: been around with. Kanye was like that too. Kanye was

1502
01:32:02,280 --> 01:32:04,400
Speaker 1: like that for a minute to well, I don't know,

1503
01:32:04,600 --> 01:32:17,280
Speaker 1: k I'm going to sleep. One time he told me

1504
01:32:17,360 --> 01:32:18,840
Speaker 1: one time he was at the gym. He said, Kevin,

1505
01:32:18,880 --> 01:32:20,519
Speaker 1: you don't really do the phone ship, but like give

1506
01:32:20,560 --> 01:32:25,519
Speaker 1: me like an email and I'll see an email. Assume

1507
01:32:25,560 --> 01:32:28,800
Speaker 1: it's equal Knox. Yeah, Egual Knox right assume. So then

1508
01:32:28,880 --> 01:32:31,439
Speaker 1: after I'll never go to equal NOx. But you were

1509
01:32:31,560 --> 01:32:34,840
Speaker 1: just train again in my life, I don't like you guys.

1510
01:32:35,200 --> 01:32:38,519
Speaker 1: After he emails me, but then it's like from a

1511
01:32:38,600 --> 01:32:41,160
Speaker 1: phone and it's a signature. It's like Kanye, I'm like,

1512
01:32:41,360 --> 01:32:47,960
Speaker 1: is this your phone? And he goes, who's this? Disappeared?

1513
01:32:49,520 --> 01:32:51,519
Speaker 1: But Kaye is like one of those guys or like

1514
01:32:51,640 --> 01:32:53,160
Speaker 1: he said, not no more, but there was a moment

1515
01:32:53,400 --> 01:32:56,200
Speaker 1: where he was no man navigating for a minute. Yes,

1516
01:32:56,280 --> 01:32:59,200
Speaker 1: And then we'll get into the story with you just

1517
01:32:59,360 --> 01:33:02,720
Speaker 1: training know well, yeah, made me never want to come back.

1518
01:33:02,960 --> 01:33:06,360
Speaker 1: I'll stop it. And you were working on or Jada kiss,

1519
01:33:07,760 --> 01:33:13,160
Speaker 1: I'll tell you shot cabin, cabin is back in. Are

1520
01:33:13,200 --> 01:33:16,400
Speaker 1: we gonnat this? This? This is a lot about us.

1521
01:33:16,840 --> 01:33:19,160
Speaker 1: I can't I can't answer that question. Okay, that's that's

1522
01:33:20,600 --> 01:33:23,360
Speaker 1: I don't think that's a fair question exactly. I don't

1523
01:33:24,080 --> 01:33:25,880
Speaker 1: question it's a fair question for drinks. And we're going

1524
01:33:25,960 --> 01:33:28,320
Speaker 1: to switch to this. We're gonna you're gonna finish your shot.

1525
01:33:28,720 --> 01:33:31,800
Speaker 1: I am okay, I'm gonna take you wanna take a

1526
01:33:31,840 --> 01:33:38,639
Speaker 1: what I'm not letting you take a fu? You think

1527
01:33:38,680 --> 01:33:42,160
Speaker 1: I got the time. We don't stop. We can keep going.

1528
01:33:42,280 --> 01:33:44,240
Speaker 1: We can go, you guys, keep going, keep going and

1529
01:33:44,439 --> 01:33:54,200
Speaker 1: take a lot. We're ignoring people. You can't. Why don't

1530
01:33:54,439 --> 01:34:00,720
Speaker 1: do it? I don't know. You think best? You want?

1531
01:34:00,760 --> 01:34:04,160
Speaker 1: I don't want to take I would finish after the show.

1532
01:34:04,200 --> 01:34:08,920
Speaker 1: I would you're you're you're a real drink chick. Not

1533
01:34:09,080 --> 01:34:12,400
Speaker 1: get cameras. You know, we say like this and okay,

1534
01:34:12,560 --> 01:34:14,160
Speaker 1: and you keep going. We keep going. That's such a

1535
01:34:14,240 --> 01:34:18,320
Speaker 1: horrible edit for a second. We keep that. Let me

1536
01:34:18,400 --> 01:34:20,880
Speaker 1: stop for a second as a producer. If you funk

1537
01:34:20,960 --> 01:34:23,760
Speaker 1: up this camera shot by walking away, you leave a

1538
01:34:23,840 --> 01:34:25,439
Speaker 1: home with me and no ring now and talk, but

1539
01:34:25,600 --> 01:34:29,439
Speaker 1: we lose. You know, we can put a mannequin right here, mannequin,

1540
01:34:29,920 --> 01:34:38,479
Speaker 1: mannequin right here. No, no, no, you're gonna help up.

1541
01:34:40,560 --> 01:34:43,519
Speaker 1: You know what now? I think we never throw up

1542
01:34:43,880 --> 01:34:57,240
Speaker 1: fucking believe I'm now you know, of course, sorry, I

1543
01:34:57,240 --> 01:35:01,120
Speaker 1: already my shot? U like, did you're leaving it? Really? Really?

1544
01:35:01,439 --> 01:35:03,000
Speaker 1: I'm not upset about it, but I don't like it.

1545
01:35:04,400 --> 01:35:06,599
Speaker 1: I like that. I don't like it that the first

1546
01:35:06,680 --> 01:35:11,920
Speaker 1: gusta take a piss. Hey, you guys, get the funk out.

1547
01:35:12,360 --> 01:35:16,720
Speaker 1: Listen TV we don't. We don't do TV. This is

1548
01:35:16,960 --> 01:35:18,960
Speaker 1: we in it. No, no, no, we don't end it.

1549
01:35:19,280 --> 01:35:21,280
Speaker 1: We're in it. We're in it. No, we're gone. But

1550
01:35:21,360 --> 01:35:24,960
Speaker 1: then we all gonna take a pis. I'm done. No,

1551
01:35:25,280 --> 01:35:33,840
Speaker 1: I'm walking out. Yeah, yeah, that's right now. Want to

1552
01:35:33,920 --> 01:35:44,280
Speaker 1: make you hold your piss. I'm not really have to piss.

1553
01:35:44,320 --> 01:35:56,479
Speaker 1: That's not to you, Okay, Queen Latif mc light, just

1554
01:35:56,600 --> 01:36:05,800
Speaker 1: take a shot at rapping whatever you want, sir, set

1555
01:36:05,880 --> 01:36:09,600
Speaker 1: it off and as motherfucker whatever you want to. I

1556
01:36:09,640 --> 01:36:11,360
Speaker 1: want to go to say Queen Lativa because I feel

1557
01:36:11,400 --> 01:36:15,600
Speaker 1: Queen Latifa is still finding new ways to reinvent, recreate

1558
01:36:15,760 --> 01:36:20,360
Speaker 1: and do uh m c lights still works and does stuff. Um,

1559
01:36:20,800 --> 01:36:26,639
Speaker 1: she's an amazing voice for so much bt um Award

1560
01:36:26,720 --> 01:36:30,439
Speaker 1: shows specials, any any award show us like she's becoming

1561
01:36:30,479 --> 01:36:32,680
Speaker 1: the voice of God, um for so many and that

1562
01:36:32,720 --> 01:36:35,760
Speaker 1: doesn't mean actually God, it's uh a reference use when

1563
01:36:36,320 --> 01:36:39,439
Speaker 1: dealing with award shows, et cetera. But Queen Latifa is

1564
01:36:39,560 --> 01:36:42,080
Speaker 1: just still acting. I know, she just released a movie

1565
01:36:42,120 --> 01:36:45,439
Speaker 1: on Netflix. She's still producing, She's doing so much. So

1566
01:36:46,720 --> 01:36:52,040
Speaker 1: talked Yes, Queenlieth, I want to say queenly Teeth the

1567
01:36:52,120 --> 01:36:54,880
Speaker 1: movie is actually kind of good. It's to the end,

1568
01:36:55,320 --> 01:36:57,200
Speaker 1: to the end, I ain't gonna I was like, why

1569
01:36:57,240 --> 01:36:59,760
Speaker 1: do you say? Why don't people do that? Like the

1570
01:36:59,840 --> 01:37:03,120
Speaker 1: more was actually kind of good? Like you know what,

1571
01:37:03,439 --> 01:37:06,120
Speaker 1: let me let me be freak raise that the movie

1572
01:37:06,360 --> 01:37:09,200
Speaker 1: is actually great. But here's here's here's want to say,

1573
01:37:09,200 --> 01:37:14,599
Speaker 1: why do people do that? If you like the movie,

1574
01:37:15,720 --> 01:37:18,600
Speaker 1: you enjoyed it. I enjoyed it, right, seriously, So the

1575
01:37:18,680 --> 01:37:21,800
Speaker 1: movie is good to you. It's great if you leave

1576
01:37:21,920 --> 01:37:27,120
Speaker 1: up a window or inkland for somebody to infiltrate your

1577
01:37:27,160 --> 01:37:29,120
Speaker 1: suggestive of what it is. But it's kind of good,

1578
01:37:29,240 --> 01:37:31,920
Speaker 1: you know the thing that you're like, like they get

1579
01:37:31,960 --> 01:37:34,120
Speaker 1: into your ship. I'll tell you why. And it was

1580
01:37:34,160 --> 01:37:36,240
Speaker 1: good for you to say it was good. The reason why,

1581
01:37:36,439 --> 01:37:39,320
Speaker 1: Like I don't read my own comments, okay, Like if

1582
01:37:39,439 --> 01:37:42,240
Speaker 1: I post something, I don't read what people say about me,

1583
01:37:42,400 --> 01:37:46,120
Speaker 1: but I read with people saying about other people. Do

1584
01:37:46,240 --> 01:37:49,960
Speaker 1: you have to care? Sometimes I do. I can't lie

1585
01:37:50,000 --> 01:37:54,479
Speaker 1: to you. Care No, sometimes what care? I want you

1586
01:37:54,520 --> 01:37:57,720
Speaker 1: to take a second a second right now, look care

1587
01:37:57,920 --> 01:38:00,559
Speaker 1: drinking take a second of process that. Do you really care?

1588
01:38:01,960 --> 01:38:05,000
Speaker 1: Sometimes I do? I can't lie to you like sometimes

1589
01:38:05,200 --> 01:38:08,040
Speaker 1: like like there was a meme. I mean they're said,

1590
01:38:08,400 --> 01:38:10,519
Speaker 1: most people see a person of course the street, and

1591
01:38:10,560 --> 01:38:13,840
Speaker 1: they say that the person of course streets don't like them,

1592
01:38:14,800 --> 01:38:16,680
Speaker 1: so they say, most people want to go over there

1593
01:38:16,800 --> 01:38:19,160
Speaker 1: and say why you don't like me? And then I

1594
01:38:19,280 --> 01:38:21,920
Speaker 1: believe fifty posted this and pretty said I'm the guy

1595
01:38:22,040 --> 01:38:24,000
Speaker 1: that says I don't give a funk why do people

1596
01:38:24,080 --> 01:38:26,559
Speaker 1: of course street don't like me? I'm not that guy,

1597
01:38:26,800 --> 01:38:29,320
Speaker 1: but I'm actually the guy that I want to know? Why?

1598
01:38:29,800 --> 01:38:31,880
Speaker 1: But why? Why do you skip the logic? Why do

1599
01:38:31,960 --> 01:38:36,439
Speaker 1: you skip the common sense logic of what part? What

1600
01:38:36,560 --> 01:38:40,640
Speaker 1: do they? What does that change in your life? What

1601
01:38:40,760 --> 01:38:43,559
Speaker 1: do they change in your life? What do those comments

1602
01:38:43,600 --> 01:38:46,400
Speaker 1: that you read? I wouldn't be honest. Do you have Twitter? Yeah?

1603
01:38:46,439 --> 01:38:51,920
Speaker 1: I have everything? Okay, sorry, it might mean swear dom

1604
01:38:52,040 --> 01:38:58,639
Speaker 1: he the most place on the planet to who to me? Okay, litten,

1605
01:38:58,680 --> 01:39:02,120
Speaker 1: listen to what you're saying right now? All right, I'm sorry,

1606
01:39:02,120 --> 01:39:04,080
Speaker 1: I'm gonna reverse it for a second. Let's go I

1607
01:39:04,120 --> 01:39:07,559
Speaker 1: already did you don't even realize that I watching watch?

1608
01:39:07,960 --> 01:39:09,439
Speaker 1: You d a lot of red wining. Let's you know what?

1609
01:39:09,520 --> 01:39:11,600
Speaker 1: You listen to what you just told me? You just

1610
01:39:11,720 --> 01:39:18,599
Speaker 1: told me that platform where people come on and talk

1611
01:39:20,000 --> 01:39:22,960
Speaker 1: translates to your real world, which is why you care.

1612
01:39:23,920 --> 01:39:26,840
Speaker 1: You know what I should rephrase. I asked you to

1613
01:39:26,920 --> 01:39:29,960
Speaker 1: think about that. I apologize because it does. It doesn't.

1614
01:39:30,000 --> 01:39:32,880
Speaker 1: It doesn't. It affects me while I'm on the app,

1615
01:39:33,040 --> 01:39:38,320
Speaker 1: it doesn't. I'll tell you a story real quick. One

1616
01:39:38,360 --> 01:39:40,840
Speaker 1: time I had beef with this internet troll guy. Right,

1617
01:39:40,840 --> 01:39:43,960
Speaker 1: I don't want to already, I don't want to say

1618
01:39:44,000 --> 01:39:47,000
Speaker 1: his name or whatever. But it was crazy, like me

1619
01:39:47,080 --> 01:39:48,880
Speaker 1: and him going back and forth. You know what. Angela

1620
01:39:49,080 --> 01:39:51,600
Speaker 1: ye Angela Yee called me and she said can you

1621
01:39:51,920 --> 01:39:53,760
Speaker 1: And I was like, you know, Angela, I'm a little

1622
01:39:53,800 --> 01:39:56,880
Speaker 1: stressed out, like this guy's box is in my comments

1623
01:39:57,080 --> 01:40:00,040
Speaker 1: every time I post something. So I'm sitting there and

1624
01:40:00,160 --> 01:40:03,880
Speaker 1: I'm actually worried. I'm actually liked do something wrong. And

1625
01:40:04,160 --> 01:40:07,519
Speaker 1: Angeley gave me the best advice ever. She said, can

1626
01:40:07,560 --> 01:40:08,880
Speaker 1: you do me a favorite where you're at right now?

1627
01:40:08,920 --> 01:40:10,120
Speaker 1: And I forget where I was at. She was like,

1628
01:40:10,240 --> 01:40:12,760
Speaker 1: just walk across the street. And I walked across the

1629
01:40:12,800 --> 01:40:15,519
Speaker 1: street and then I walked back and then I called

1630
01:40:15,560 --> 01:40:17,680
Speaker 1: that and she was like, did anybody tell you look

1631
01:40:18,640 --> 01:40:21,680
Speaker 1: anything that happened on social media, and I was like, no,

1632
01:40:22,080 --> 01:40:25,920
Speaker 1: she was like exactly, boso you know what she called

1633
01:40:25,920 --> 01:40:31,799
Speaker 1: your bozo. If she would have she would have been correct.

1634
01:40:34,400 --> 01:40:37,880
Speaker 1: And I'm gonna say this everybody watching two please, there's

1635
01:40:37,920 --> 01:40:44,200
Speaker 1: a misconception as to reality versus false reality. Right, I

1636
01:40:44,320 --> 01:40:48,639
Speaker 1: see it all the time. Came not finding Fuck you man,

1637
01:40:48,800 --> 01:40:51,559
Speaker 1: I'm so sick of what the funk? When they're gonna stop?

1638
01:40:51,720 --> 01:40:56,360
Speaker 1: God damnit, he see it all the time. I'm still

1639
01:40:56,360 --> 01:40:59,840
Speaker 1: gonna do the movies. I'm still want to do commercial.

1640
01:41:01,240 --> 01:41:05,439
Speaker 1: I'm still gonna go perform. You ain't funny funk that

1641
01:41:05,800 --> 01:41:12,040
Speaker 1: I'm okays fifteen people out of each if I get

1642
01:41:12,080 --> 01:41:16,040
Speaker 1: into that thing that they believe, Well, what's the where's

1643
01:41:16,080 --> 01:41:18,960
Speaker 1: my side of real reality? You have to understand that

1644
01:41:19,000 --> 01:41:22,240
Speaker 1: the social media is amazing as it's pros and cons. Right,

1645
01:41:22,680 --> 01:41:26,479
Speaker 1: one of the cons one of the one of the

1646
01:41:26,560 --> 01:41:31,360
Speaker 1: cons is one of the cons is negativity. Right, there's

1647
01:41:31,360 --> 01:41:34,200
Speaker 1: a world of negativity that's embraced on social media. So

1648
01:41:34,479 --> 01:41:39,160
Speaker 1: if you allow the negativity to infilfrate, infiltrate your world

1649
01:41:39,400 --> 01:41:44,000
Speaker 1: of good, you lost Like there's real world and then

1650
01:41:44,080 --> 01:41:47,400
Speaker 1: there's that the real world is what you actually exist

1651
01:41:47,479 --> 01:41:51,040
Speaker 1: into who you exist with. If those people don't say

1652
01:41:51,040 --> 01:41:53,320
Speaker 1: shipped to you to shake you or knock you off

1653
01:41:53,360 --> 01:41:57,880
Speaker 1: your square, then tell me what really matters. So if

1654
01:41:57,920 --> 01:42:01,200
Speaker 1: I'm gonna let a comment or a person and affect

1655
01:42:01,320 --> 01:42:03,960
Speaker 1: me and then I shoot me on social media in general,

1656
01:42:05,040 --> 01:42:06,960
Speaker 1: and that's the difference, that's the difference in the mindset

1657
01:42:07,040 --> 01:42:09,080
Speaker 1: of a lot of people that's on it, because a

1658
01:42:09,080 --> 01:42:10,680
Speaker 1: lot of people are on it for the fulfillment of

1659
01:42:10,800 --> 01:42:14,120
Speaker 1: what the comment says. Have you been a black Twitter?

1660
01:42:14,800 --> 01:42:17,240
Speaker 1: I don't even know what the fun that is. You know,

1661
01:42:17,439 --> 01:42:20,800
Speaker 1: you kind of made it up in the way you

1662
01:42:21,240 --> 01:42:24,439
Speaker 1: described me talking about this is say, talking about baby

1663
01:42:24,520 --> 01:42:28,920
Speaker 1: on black Twitter? Black ship? What does that mean? I

1664
01:42:29,000 --> 01:42:35,200
Speaker 1: don't know. I just even though it's the same Twitter,

1665
01:42:36,320 --> 01:42:38,160
Speaker 1: that's what it is. But it's the same Twitter, but

1666
01:42:38,280 --> 01:42:41,560
Speaker 1: it's a certain section of Twitter where it's just some

1667
01:42:41,720 --> 01:42:45,960
Speaker 1: black ship going on. Do you do you know this?

1668
01:42:46,120 --> 01:42:47,880
Speaker 1: And you's just saying this, this is real? I know

1669
01:42:48,080 --> 01:42:53,160
Speaker 1: this alright, And then you know it's like and it's

1670
01:42:53,160 --> 01:42:55,360
Speaker 1: like the Bill Cosby Ship. It's like where we because

1671
01:42:55,400 --> 01:42:57,479
Speaker 1: like where we keep it real? Because everybody like one

1672
01:42:57,520 --> 01:43:00,080
Speaker 1: of them, like write Bill cost black people talking it.

1673
01:43:01,680 --> 01:43:03,800
Speaker 1: I don't want to say that, Kevin. I want to say,

1674
01:43:04,800 --> 01:43:16,320
Speaker 1: we are negotiating hostage. Okay, hostage right now, Okay, black

1675
01:43:17,479 --> 01:43:20,160
Speaker 1: definitely right now, right now, right now, I can say.

1676
01:43:20,960 --> 01:43:24,599
Speaker 1: I can say, do you guys have questions for Kevin

1677
01:43:24,680 --> 01:43:29,719
Speaker 1: Hart and the worst questions in the world. That's gonna

1678
01:43:29,800 --> 01:43:33,439
Speaker 1: come within twenty five seconds. Okay. So it's it's black

1679
01:43:33,439 --> 01:43:36,719
Speaker 1: foodle talking shit. I don't want to say talking ship. Okay,

1680
01:43:37,240 --> 01:43:42,800
Speaker 1: you're not doing a good job of fucking explaining definition,

1681
01:43:42,960 --> 01:43:44,920
Speaker 1: So tell me the definition of what it is. Come

1682
01:43:44,960 --> 01:43:55,080
Speaker 1: over here, come over, just just explain. Black Twitter is

1683
01:43:55,680 --> 01:43:57,960
Speaker 1: the worst best place in the world. Black Twitter is

1684
01:43:58,040 --> 01:44:00,639
Speaker 1: basically all of us. We come together, we do our means,

1685
01:44:00,760 --> 01:44:03,120
Speaker 1: we do our topics, we do everything where we talk

1686
01:44:03,200 --> 01:44:05,880
Speaker 1: about in our community. Twitter is like America and we

1687
01:44:05,960 --> 01:44:15,679
Speaker 1: got so Spain. Was that correct when I said black

1688
01:44:15,720 --> 01:44:22,040
Speaker 1: people talk? I was correct. Okay, it's like a secret community.

1689
01:44:22,080 --> 01:44:26,240
Speaker 1: It's like only us hearing black people talking ship. That's

1690
01:44:26,240 --> 01:44:28,799
Speaker 1: what I'm saying. Okay, I got it. Okay, it's amazing

1691
01:44:29,000 --> 01:44:33,920
Speaker 1: Black Twitter. I got it, Black Twitter or not, who

1692
01:44:34,080 --> 01:44:38,360
Speaker 1: gives a fun how I understand? Like it's like we're

1693
01:44:38,400 --> 01:44:42,839
Speaker 1: in a time where everybody highlights the world of opinion.

1694
01:44:43,560 --> 01:44:46,080
Speaker 1: You forget that it's just that, by the way, I

1695
01:44:46,240 --> 01:44:49,679
Speaker 1: falling victim to it. I fall a victim at certain

1696
01:44:49,720 --> 01:44:52,679
Speaker 1: points in my life. We talked about earlier me on clubhouse, etcetera.

1697
01:44:52,800 --> 01:44:55,920
Speaker 1: Like you fall victim to it. But ultimately the biggest

1698
01:44:55,920 --> 01:44:59,560
Speaker 1: thing you realize it don't matter. It don't matter. Like

1699
01:45:00,200 --> 01:45:04,599
Speaker 1: those comments you're talking about. I'm a logic guy. I'm

1700
01:45:04,640 --> 01:45:09,200
Speaker 1: a I'm a reality guy, right, I don't live in fantasy. Check.

1701
01:45:09,439 --> 01:45:12,760
Speaker 1: I don't live in fantasy. Right, So in reality I

1702
01:45:12,840 --> 01:45:16,920
Speaker 1: killed that you called in reality? How many people in

1703
01:45:16,960 --> 01:45:22,720
Speaker 1: the world billions? Do you see billions of comments? In

1704
01:45:22,800 --> 01:45:29,080
Speaker 1: your fucking people see three, people see fifty, they see eight,

1705
01:45:32,840 --> 01:45:36,599
Speaker 1: They see a bunch of whatever. But whatever that means,

1706
01:45:36,760 --> 01:45:38,920
Speaker 1: maybe selling art, and they'll be telling you that they

1707
01:45:39,040 --> 01:45:42,760
Speaker 1: made money off of the funds. I don't like the

1708
01:45:49,280 --> 01:45:54,840
Speaker 1: Nor's got a problem. The is the first niggas. That's

1709
01:45:54,880 --> 01:46:12,120
Speaker 1: all I'll be thinking about it too, like the sad man,

1710
01:46:12,760 --> 01:46:14,720
Speaker 1: Get the funk out of it. To anybody else that

1711
01:46:14,760 --> 01:46:17,120
Speaker 1: gives a funk about comments, ask yourself, why do you

1712
01:46:17,240 --> 01:46:21,320
Speaker 1: care about people you do not know? That's it. I've

1713
01:46:21,360 --> 01:46:23,720
Speaker 1: wrapped it up that simple. Why the fund do you

1714
01:46:23,840 --> 01:46:27,160
Speaker 1: care about people you do not know? Why do opinions

1715
01:46:27,200 --> 01:46:30,240
Speaker 1: of people that you don't even know who they are,

1716
01:46:30,439 --> 01:46:34,439
Speaker 1: what they are? Why do they matter? What matters to you?

1717
01:46:35,520 --> 01:46:39,639
Speaker 1: Who really shakes your fucking ground in your world? If

1718
01:46:39,680 --> 01:46:43,000
Speaker 1: you got a wide variety of who those people are,

1719
01:46:43,400 --> 01:46:47,280
Speaker 1: that's your problem. If anybody can shake your foundation and

1720
01:46:47,400 --> 01:46:49,840
Speaker 1: take a brick from underneath it and make your building

1721
01:46:49,920 --> 01:46:53,680
Speaker 1: fall down, you have bigger problems that should come from

1722
01:46:53,720 --> 01:46:57,240
Speaker 1: a solid nucleus. We name the names of the people

1723
01:46:57,320 --> 01:47:00,519
Speaker 1: around me. There's certain people that can say something that

1724
01:47:00,600 --> 01:47:03,920
Speaker 1: can affect my fucking foundation for real, and I neber

1725
01:47:03,960 --> 01:47:08,200
Speaker 1: as small. I'll be damned if it's a comment, I'll

1726
01:47:08,240 --> 01:47:09,920
Speaker 1: be damned. If it's a blog, I'll be damned. If

1727
01:47:09,920 --> 01:47:12,439
Speaker 1: it's a person I've never seen or never know. Who

1728
01:47:12,560 --> 01:47:16,519
Speaker 1: gives the fuck why? If it doesn't come from your

1729
01:47:16,840 --> 01:47:19,880
Speaker 1: from your nucleus, or from your your circle, or from

1730
01:47:19,920 --> 01:47:23,920
Speaker 1: the thing that you build, it shouldn't matter, point Blake,

1731
01:47:24,520 --> 01:47:32,320
Speaker 1: It shouldn't matter. That's it. It's just a so I

1732
01:47:32,320 --> 01:47:34,000
Speaker 1: ain't a lot of you. I was just pointing it

1733
01:47:34,080 --> 01:47:37,600
Speaker 1: to be cute. You guys are gonna love this, I

1734
01:47:37,680 --> 01:47:45,759
Speaker 1: promise at all. Come on now, come on now, be honest.

1735
01:47:45,880 --> 01:47:49,240
Speaker 1: That's good. Come on now, I'm gonna wake up in

1736
01:47:49,280 --> 01:47:53,000
Speaker 1: flatbush because you got a long way to go. Man,

1737
01:47:53,520 --> 01:47:56,439
Speaker 1: go on down, come on out, come on now. I

1738
01:47:56,560 --> 01:48:00,760
Speaker 1: like it. Come on, he thought, is gonna be fucking

1739
01:48:01,360 --> 01:48:06,439
Speaker 1: it started out, but it's gonna give you that what

1740
01:48:06,880 --> 01:48:20,479
Speaker 1: that y'all? Y'all you let be honest with you, Okay,

1741
01:48:29,479 --> 01:48:34,080
Speaker 1: getting sucked up, by the way, by the way I'm saying,

1742
01:48:34,160 --> 01:48:36,320
Speaker 1: we're being fucked I'm staying strong and let me just

1743
01:48:36,360 --> 01:48:39,280
Speaker 1: be honest with you because this is something I say,

1744
01:48:39,360 --> 01:48:41,360
Speaker 1: is just something I always want to tell all my friends.

1745
01:48:42,320 --> 01:48:44,560
Speaker 1: Because I'm your friend does not take away from me

1746
01:48:45,479 --> 01:48:52,320
Speaker 1: being your fans. You continue to elevate. I was so

1747
01:48:52,479 --> 01:49:02,120
Speaker 1: blue away no playing out like that. I was. Let

1748
01:49:02,160 --> 01:49:04,360
Speaker 1: me just say something, Let me just say let me

1749
01:49:06,320 --> 01:49:10,519
Speaker 1: you tell them when when artists that I love drops

1750
01:49:10,560 --> 01:49:12,719
Speaker 1: the album, I could tique them, and I could tique

1751
01:49:12,720 --> 01:49:15,840
Speaker 1: them because I'm not no longer making albums, so I

1752
01:49:15,880 --> 01:49:18,599
Speaker 1: could take him and I look at where they could

1753
01:49:18,640 --> 01:49:21,400
Speaker 1: suck up and how they could suck up. And it

1754
01:49:21,800 --> 01:49:24,360
Speaker 1: wasn't I was doing that yesterday. But I want to do.

1755
01:49:24,439 --> 01:49:26,800
Speaker 1: I said, cap can't be this shop. He got too

1756
01:49:26,880 --> 01:49:30,599
Speaker 1: much money. He got beautiful white, beautiful people everyone. There's

1757
01:49:30,720 --> 01:49:34,280
Speaker 1: no way he has to slip up. It has to

1758
01:49:34,360 --> 01:49:36,640
Speaker 1: pay one. And I'm looking at you like this. You

1759
01:49:36,680 --> 01:49:41,360
Speaker 1: know what you say to me, I'm like Damnis for real,

1760
01:49:41,479 --> 01:49:48,000
Speaker 1: like you. He was directing me to my seat. Jesus,

1761
01:49:48,560 --> 01:49:51,760
Speaker 1: such a Jesus. I'm an rapper. I'm gonna make it

1762
01:49:51,880 --> 01:49:54,960
Speaker 1: two seconds before it storry And you did not you

1763
01:49:55,280 --> 01:49:58,160
Speaker 1: you controlled everything. So I'm looking for a slip up.

1764
01:49:58,400 --> 01:50:01,320
Speaker 1: I'm looking for it. I'm watching. Only slip up was

1765
01:50:01,600 --> 01:50:06,599
Speaker 1: at the end, Yeah, I said, And then I look,

1766
01:50:06,640 --> 01:50:09,680
Speaker 1: I said, another pass listening. He stick, he's staying in

1767
01:50:09,760 --> 01:50:14,360
Speaker 1: the tradition. What those yess? Yeah, I said, Holy moly, guacamoti.

1768
01:50:14,520 --> 01:50:18,720
Speaker 1: He pay how much? By the way, that's a that's

1769
01:50:18,760 --> 01:50:22,000
Speaker 1: a that's a that's my no, that's my nod all

1770
01:50:22,040 --> 01:50:25,559
Speaker 1: the time. And you didn't slip Yeah, you stay shock.

1771
01:50:26,520 --> 01:50:30,160
Speaker 1: And what I noticed is to be a great comedian

1772
01:50:30,640 --> 01:50:35,960
Speaker 1: you have to be a great story telling. Absolutely, absolutely absolutely.

1773
01:50:36,600 --> 01:50:38,280
Speaker 1: If you do not have good stories to tell, do

1774
01:50:38,320 --> 01:50:40,720
Speaker 1: you have no substance. You need to be able to

1775
01:50:40,760 --> 01:50:43,000
Speaker 1: tell stories and and by the way to be a

1776
01:50:43,080 --> 01:50:48,280
Speaker 1: great comedian. You need problems, real problems. Yeah, you need

1777
01:50:48,360 --> 01:50:50,760
Speaker 1: your brother. Need to your brother. I thought I knew

1778
01:50:50,800 --> 01:50:55,720
Speaker 1: him brother, because of how you describe one time I

1779
01:50:55,800 --> 01:50:59,160
Speaker 1: met your father. Um, I don't remember where was at,

1780
01:50:59,280 --> 01:51:00,519
Speaker 1: but I just start to went to him like I

1781
01:51:00,560 --> 01:51:03,120
Speaker 1: knew him. And then I realized I've never met this guy.

1782
01:51:05,680 --> 01:51:11,120
Speaker 1: My dad will welcome. My brother is my my fucking everything.

1783
01:51:11,160 --> 01:51:13,760
Speaker 1: I love my brother to death. My brother's brother, slash dad,

1784
01:51:13,920 --> 01:51:19,000
Speaker 1: slash brother, the best dog. I brother had a moment,

1785
01:51:19,120 --> 01:51:22,920
Speaker 1: but he's not he's good. You gotta see this, you

1786
01:51:22,960 --> 01:51:24,600
Speaker 1: gotta see the set. I can't. I don't want to

1787
01:51:24,600 --> 01:51:26,720
Speaker 1: give it away here, don't give it away. Yeah, but

1788
01:51:26,880 --> 01:51:29,760
Speaker 1: my brother is fucking he's a part of the reason

1789
01:51:29,800 --> 01:51:32,040
Speaker 1: why I am the man I am today. Right, you can't.

1790
01:51:32,320 --> 01:51:40,719
Speaker 1: You can't ignore my older brother. Yes, I got that part.

1791
01:51:41,120 --> 01:51:42,960
Speaker 1: I was about to say, I I want I want

1792
01:51:42,960 --> 01:51:46,160
Speaker 1: to be hurtful. No, that's my brother. Okay, Kenny, you

1793
01:51:46,200 --> 01:51:48,599
Speaker 1: know what I almost said. I almost said, yeah, all right,

1794
01:51:48,600 --> 01:51:53,720
Speaker 1: I said no, But my my brother is he's just

1795
01:51:53,800 --> 01:51:56,439
Speaker 1: a valuable piece of the puzzle of our family. You know. Um,

1796
01:51:56,960 --> 01:52:02,479
Speaker 1: he he takes the role old that you don't realize

1797
01:52:02,600 --> 01:52:07,320
Speaker 1: uncles are supposed to take my kids are my kids

1798
01:52:07,360 --> 01:52:10,920
Speaker 1: know so much because of the ship that their uncle

1799
01:52:11,000 --> 01:52:13,479
Speaker 1: is brought to the table. Little ship that you get about.

1800
01:52:13,960 --> 01:52:18,040
Speaker 1: I'm saying, I dope my brothers. So you know we

1801
01:52:18,200 --> 01:52:26,640
Speaker 1: all assume throwing like a boomerang. Yeah, seeing it. You know,

1802
01:52:27,160 --> 01:52:30,240
Speaker 1: my brother is the guy to tell my kids you

1803
01:52:30,280 --> 01:52:38,760
Speaker 1: ever throw a boomerang. No, whether he works it or not,

1804
01:52:39,720 --> 01:52:43,880
Speaker 1: he understands how to intrigue and get kids excited. Hey

1805
01:52:43,960 --> 01:52:46,400
Speaker 1: you have y'all don't know about the slinky. Back in

1806
01:52:46,400 --> 01:52:52,040
Speaker 1: the day, slinky, No, my brother went and found a

1807
01:52:52,120 --> 01:52:57,960
Speaker 1: fucking slinky kids. Yeah, but today is it? No? No,

1808
01:52:58,520 --> 01:53:03,280
Speaker 1: what kids even know about it today? Remember the army

1809
01:53:03,320 --> 01:53:13,080
Speaker 1: man that's two advance. I'm talking the parachutes on their

1810
01:53:13,160 --> 01:53:21,200
Speaker 1: back flying a kite. What listen. Listen. By the way

1811
01:53:21,560 --> 01:53:23,080
Speaker 1: I saw my brother to it, I was like, this

1812
01:53:23,120 --> 01:53:27,720
Speaker 1: isn't crazy. I'm not flying built the kite. Got my

1813
01:53:27,840 --> 01:53:32,040
Speaker 1: kids out there, listen, Got the kids out there running

1814
01:53:32,200 --> 01:53:35,960
Speaker 1: all the ship that you forget that made your childhood special.

1815
01:53:36,040 --> 01:53:40,439
Speaker 1: He remembers, maybe my kids watch the older movies like uh,

1816
01:53:41,000 --> 01:53:44,960
Speaker 1: little rascals, little giants, all the ship. Honey, I shrunk

1817
01:53:45,040 --> 01:53:47,120
Speaker 1: the kids all the movies that we watched back in

1818
01:53:47,200 --> 01:53:51,439
Speaker 1: the day. He bat He's that guy. He's the uncle

1819
01:53:52,040 --> 01:53:54,240
Speaker 1: that comes to the table with different ships. So my

1820
01:53:54,640 --> 01:53:58,360
Speaker 1: my kids are my kids are not only in the

1821
01:53:58,479 --> 01:54:00,840
Speaker 1: place of just knowledge of someone from the old, but

1822
01:54:00,920 --> 01:54:03,000
Speaker 1: they love the funk out their uncle and that role

1823
01:54:03,479 --> 01:54:06,680
Speaker 1: that I can't have when I'm going, if I have

1824
01:54:06,800 --> 01:54:09,400
Speaker 1: to be going for a significant times, my brother steps

1825
01:54:09,439 --> 01:54:11,719
Speaker 1: and it takes man. So he's a He's a valuable

1826
01:54:11,800 --> 01:54:14,240
Speaker 1: piece to the last name Hard and the foundation that

1827
01:54:14,360 --> 01:54:17,120
Speaker 1: we built. And it's dope at fuck. It's dope that

1828
01:54:17,160 --> 01:54:21,759
Speaker 1: we're holding on to the sting sure and his birthday.

1829
01:54:21,880 --> 01:54:35,640
Speaker 1: Fuck's your birthday. It's a sucking shot. Drink my brother John,

1830
01:54:37,600 --> 01:54:51,680
Speaker 1: I got it right. It's that's from well he doesn't drink.

1831
01:54:51,760 --> 01:54:59,760
Speaker 1: Let's just wait a question. Okay, quick time slod Okay,

1832
01:54:59,800 --> 01:55:03,960
Speaker 1: we finishing? Have you not finished? Kevin is very innovative. Yeah,

1833
01:55:03,960 --> 01:55:12,120
Speaker 1: we'll hurry up. Come on, I'm not gonna people see

1834
01:55:13,360 --> 01:55:15,720
Speaker 1: great toe quill drinking Grand Quarter is my first time

1835
01:55:15,840 --> 01:55:17,960
Speaker 1: drinking the brown one. Well it won't be the last.

1836
01:55:19,040 --> 01:55:22,360
Speaker 1: How about this? Shouts out to Grand Core. MEO just

1837
01:55:24,080 --> 01:55:26,080
Speaker 1: of course, you guys have sponsors if we don't want

1838
01:55:26,080 --> 01:55:28,640
Speaker 1: to disrespect him. Thank you guys for allowing me Am

1839
01:55:28,640 --> 01:55:30,160
Speaker 1: I Tequila to come on to be a part of

1840
01:55:30,240 --> 01:55:33,320
Speaker 1: your show today. I'm having a great time and I'm

1841
01:55:33,400 --> 01:55:36,560
Speaker 1: drinking what I feel is like, uh, premium tequila. Not

1842
01:55:36,600 --> 01:55:38,800
Speaker 1: sure if you guys are done before, but it's good guys,

1843
01:55:38,880 --> 01:55:40,320
Speaker 1: and you know, we got products for you. We got

1844
01:55:40,360 --> 01:55:44,040
Speaker 1: products for you, and we got the canaid back. Give

1845
01:55:44,080 --> 01:55:46,880
Speaker 1: him the canaid back in case we're done smoking weed,

1846
01:55:46,960 --> 01:55:50,560
Speaker 1: even smoke this. Yeah, there you go, man, we got everything.

1847
01:55:50,720 --> 01:55:54,040
Speaker 1: Everything you need to everything you need to shout out

1848
01:55:54,040 --> 01:56:00,720
Speaker 1: to Candida because I'm going to jail. See it's completely

1849
01:56:03,760 --> 01:56:08,480
Speaker 1: it's not like. It's not like I don't feel comfortable

1850
01:56:08,600 --> 01:56:14,440
Speaker 1: taking this back. Okay, that's right. Good as what I'm

1851
01:56:14,480 --> 01:56:19,120
Speaker 1: saying on camera, I don't feel comfortable in taking this back. Okay,

1852
01:56:19,360 --> 01:56:22,200
Speaker 1: go ahead, Hello, all right, let's move on. Come on,

1853
01:56:23,960 --> 01:56:30,560
Speaker 1: Missy or Eve who's your producer? They do a great

1854
01:56:31,280 --> 01:56:35,560
Speaker 1: three people we got we have to Dominican, right, yeah,

1855
01:56:35,560 --> 01:56:40,040
Speaker 1: that's a great job from from Peru. I mean that's

1856
01:56:43,160 --> 01:56:47,080
Speaker 1: eastern Philadelphia on the park right, like, so you cannot

1857
01:56:48,480 --> 01:56:54,720
Speaker 1: she's the first female rough Rider and Cracy taking a

1858
01:56:54,760 --> 01:56:58,000
Speaker 1: shot her. No, it hurts me, the sack shot. No,

1859
01:56:58,240 --> 01:57:02,760
Speaker 1: I can't have a little bit. I want to say,

1860
01:57:02,840 --> 01:57:07,360
Speaker 1: Missy man, because you can't. You can't deny Missy Elliott's

1861
01:57:08,280 --> 01:57:13,760
Speaker 1: legendary stands music hip hop in general can't denied. But

1862
01:57:13,840 --> 01:57:16,960
Speaker 1: even as a fucking force of nature. And Philadelphie loves that.

1863
01:57:17,040 --> 01:57:23,680
Speaker 1: I love it. Took black Door almost that. I don't

1864
01:57:23,680 --> 01:57:25,240
Speaker 1: think you gotta go answer that. Let's take a shot.

1865
01:57:31,000 --> 01:57:34,800
Speaker 1: I can't wait to hear Herena. I'm gonna go ahead,

1866
01:57:34,840 --> 01:57:38,920
Speaker 1: poor mama, just pour up. Man, he's thinking a little

1867
01:57:38,960 --> 01:57:42,160
Speaker 1: great story to tell, right, he said once a bunch

1868
01:57:42,160 --> 01:57:55,560
Speaker 1: of time making me feel bad about that. I gotta

1869
01:57:55,600 --> 01:58:01,640
Speaker 1: take a shot. So fuck it, fuck it, this is it.

1870
01:58:01,960 --> 01:58:08,120
Speaker 1: Fuck it I'm saying, fucking saying. I'm gonna black thought.

1871
01:58:08,160 --> 01:58:11,520
Speaker 1: And here's why I'm going to black thought for the fact,

1872
01:58:12,200 --> 01:58:17,720
Speaker 1: the fact, this is a fact. Fact. The roots, the

1873
01:58:17,840 --> 01:58:21,160
Speaker 1: name of the roots a significant to hip hop in general.

1874
01:58:23,000 --> 01:58:28,200
Speaker 1: And from the roots, you also have names that yes,

1875
01:58:28,360 --> 01:58:31,000
Speaker 1: you have names that people go oh ship, yes, I know.

1876
01:58:31,720 --> 01:58:35,400
Speaker 1: And these names everyone want to do amazing things on

1877
01:58:35,560 --> 01:58:39,040
Speaker 1: so many different levels, right, like um when we think

1878
01:58:39,040 --> 01:58:40,560
Speaker 1: about a group, when you think of the band, you

1879
01:58:40,640 --> 01:58:43,320
Speaker 1: forget what the band is, what the band does. The

1880
01:58:43,440 --> 01:58:45,840
Speaker 1: roots have stayed true to that and the fact that

1881
01:58:45,920 --> 01:58:51,120
Speaker 1: Black Thought as a lead singer, as the the black

1882
01:58:51,160 --> 01:58:56,360
Speaker 1: person of the best, he's never left his foundation. He's

1883
01:58:56,360 --> 01:58:59,320
Speaker 1: still with his foundation. So I'm gonna say Black Thought

1884
01:59:00,240 --> 01:59:03,440
Speaker 1: for the fact that his foundation is what it is

1885
01:59:03,560 --> 01:59:06,440
Speaker 1: and he's been true to that thing. So shouts out

1886
01:59:06,520 --> 01:59:08,840
Speaker 1: to him for being an example of why we as

1887
01:59:08,880 --> 01:59:17,120
Speaker 1: Philadelphias are different. Yeah, most damn, I love you, uh

1888
01:59:17,240 --> 01:59:23,920
Speaker 1: and I know you don't go bout most stuff anymore. Yes, yes, yes, see,

1889
01:59:26,080 --> 01:59:28,080
Speaker 1: but I think my answer was good enough for you

1890
01:59:28,120 --> 01:59:32,400
Speaker 1: to understand. All right, let's Will Smith ice cu m h.

1891
01:59:34,080 --> 01:59:42,280
Speaker 1: I think we all got ready. Nope, I don't need him.

1892
01:59:42,440 --> 01:59:47,440
Speaker 1: Dark times deserve fucking great light. I'm not gonna shift

1893
01:59:47,520 --> 01:59:51,120
Speaker 1: on my brother and they both are my brothers, but

1894
01:59:51,160 --> 01:59:52,600
Speaker 1: I'm not gonna take the time to shoot on him

1895
01:59:52,600 --> 01:59:55,800
Speaker 1: and say Will Smith. And here's why Will Smith is

1896
01:59:55,880 --> 01:59:59,120
Speaker 1: a fucking He's not only a legend, he's not only

1897
01:59:59,160 --> 02:00:07,560
Speaker 1: a goat. I don't know he's against Well that doesn't alright,

1898
02:00:09,520 --> 02:00:12,200
Speaker 1: your world is not mine because of your words, uh

1899
02:00:12,600 --> 02:00:18,000
Speaker 1: Philly against Brooklyn will Smith. Come on, but he didn't

1900
02:00:18,040 --> 02:00:22,960
Speaker 1: Brooklyn know what's coming, Will Smith. Will Smith is the

1901
02:00:23,040 --> 02:00:28,200
Speaker 1: reason why the idea of African Americans attached to global

1902
02:00:28,320 --> 02:00:37,400
Speaker 1: I pen intellectual pron just owned. That's what the dudeos

1903
02:00:37,480 --> 02:00:43,480
Speaker 1: took the gamble um on more leads of color um

1904
02:00:44,240 --> 02:00:47,840
Speaker 1: because of the work that Will Smith, Denzel we're doing

1905
02:00:47,920 --> 02:00:50,520
Speaker 1: in the beginning, right like you, you need to faces

1906
02:00:50,600 --> 02:00:54,280
Speaker 1: that are getting universal return. So I'm not gonna shoot

1907
02:00:54,320 --> 02:00:57,080
Speaker 1: him Will and act like he hasn't been. Wasn't that guy?

1908
02:00:57,400 --> 02:00:59,839
Speaker 1: I want to go Will Smith? And people make mistakes,

1909
02:01:00,520 --> 02:01:04,520
Speaker 1: and from mistakes they should be allowed time to fucking recover,

1910
02:01:04,720 --> 02:01:10,400
Speaker 1: and that this is no longer the world's problem. It's

1911
02:01:10,600 --> 02:01:13,160
Speaker 1: uh Will and Chris's problem. Let them deal with that.

1912
02:01:13,560 --> 02:01:15,120
Speaker 1: The world should step out of it. But let me

1913
02:01:15,200 --> 02:01:18,520
Speaker 1: just ask them as a married man, when he said

1914
02:01:18,640 --> 02:01:22,800
Speaker 1: keep your name, my name, your white mouth, part of

1915
02:01:22,840 --> 02:01:25,040
Speaker 1: you was like word up right, keep you keep it?

1916
02:01:25,080 --> 02:01:28,520
Speaker 1: Are she's right over there? You gotta you gotta say yes.

1917
02:01:28,680 --> 02:01:30,320
Speaker 1: I mean I don't have to say yes. I mean

1918
02:01:30,360 --> 02:01:35,680
Speaker 1: I think there's no world where a wife that's with

1919
02:01:35,840 --> 02:01:39,840
Speaker 1: him man doesn't know the level of respect that her

1920
02:01:39,920 --> 02:01:44,080
Speaker 1: man demands for her and once for her. Um that

1921
02:01:44,200 --> 02:01:46,800
Speaker 1: had nothing to do with that. That's the world talking.

1922
02:01:47,200 --> 02:01:50,160
Speaker 1: I think that's something deeper than anybody would ever understand.

1923
02:01:50,280 --> 02:01:52,480
Speaker 1: And that's why I said the world is now out

1924
02:01:52,520 --> 02:01:54,640
Speaker 1: of it. It should stay out of it. Move on.

1925
02:01:54,920 --> 02:01:58,760
Speaker 1: Let let let will recover from it. Let Chris get

1926
02:01:58,800 --> 02:02:01,280
Speaker 1: back to work is normal, and let two men be

1927
02:02:01,440 --> 02:02:04,080
Speaker 1: men to figure that out if they choose to. If

1928
02:02:04,120 --> 02:02:05,640
Speaker 1: they do, they do. If they don't, think you gotta

1929
02:02:05,640 --> 02:02:10,160
Speaker 1: take a shot for that. Wow, I'm really nice. I'm

1930
02:02:10,160 --> 02:02:13,560
Speaker 1: not going I'm good. You said yourself over that one.

1931
02:02:13,760 --> 02:02:15,800
Speaker 1: That one that was that was perfect. It's just a

1932
02:02:15,880 --> 02:02:32,880
Speaker 1: good wait why shot out? But I'm not okay this

1933
02:02:33,000 --> 02:02:35,560
Speaker 1: one right here because because you live in l A.

1934
02:02:35,680 --> 02:02:37,840
Speaker 1: But you're from the East coast, this one right here

1935
02:02:38,040 --> 02:02:41,440
Speaker 1: might be a little crazy in wait or wu tan clan.

1936
02:02:42,880 --> 02:02:44,720
Speaker 1: I just feel like you should take a shot just

1937
02:02:44,880 --> 02:02:56,640
Speaker 1: close to your because it just goes to the geographics. Man,

1938
02:02:56,720 --> 02:03:01,720
Speaker 1: you formerly your answers. I see this because you can't

1939
02:03:01,760 --> 02:03:03,640
Speaker 1: just act fast. You have to take a seconent thing. No, no,

1940
02:03:04,160 --> 02:03:06,120
Speaker 1: I appreciate that. Yeah, you gotta take a seconent thing.

1941
02:03:06,960 --> 02:03:09,400
Speaker 1: Your show isn't the show without great answers, people taking

1942
02:03:09,440 --> 02:03:11,680
Speaker 1: the shots all day? It is great, but people answering

1943
02:03:11,680 --> 02:03:18,280
Speaker 1: the questions are better. Just then, um and we're ready

1944
02:03:18,360 --> 02:03:23,080
Speaker 1: for this great answer. All right, I want to say it,

1945
02:03:29,960 --> 02:03:33,160
Speaker 1: but I want to say it. The world may not

1946
02:03:33,360 --> 02:03:37,680
Speaker 1: like me from it. Take a shot. I want to

1947
02:03:37,680 --> 02:03:42,880
Speaker 1: apologize to my brother Que before answers to my brother

1948
02:03:43,000 --> 02:03:49,960
Speaker 1: qu before I answered this, Que, he's not thinking n

1949
02:03:50,160 --> 02:03:54,720
Speaker 1: w A is amazing. You cannot deny what they were,

1950
02:03:54,840 --> 02:03:57,880
Speaker 1: what they did. You cannot deny the history that was

1951
02:03:57,920 --> 02:04:02,960
Speaker 1: made by the way success. Once again, it's best fucking

1952
02:04:05,720 --> 02:04:08,080
Speaker 1: told through the visuals of what people were able to

1953
02:04:08,160 --> 02:04:10,760
Speaker 1: do under the damn brother. When you look at Easy

1954
02:04:11,680 --> 02:04:17,480
Speaker 1: Dr Dre Cube, amazing careers happened people under that. But

1955
02:04:17,600 --> 02:04:22,640
Speaker 1: when I think about the Wood Tank Claim, you think

1956
02:04:22,640 --> 02:04:28,560
Speaker 1: about old dirty bastard, you little dirty, little little Catha bastard,

1957
02:04:30,680 --> 02:04:33,600
Speaker 1: old dirty, You think about Matthew, you think about fucking

1958
02:04:34,560 --> 02:04:40,360
Speaker 1: Rizza ray Kwan, the Woods and Claim. Inspected Deck without

1959
02:04:40,440 --> 02:04:43,920
Speaker 1: with the exception of Inspected Deck, put out the most

1960
02:04:46,000 --> 02:04:50,320
Speaker 1: solo albums. I think that I've ever witnessed from a group.

1961
02:04:51,840 --> 02:04:56,200
Speaker 1: And if I'm wrong, if I'm wrong, it. Okay, but

1962
02:04:57,600 --> 02:05:00,960
Speaker 1: they put a lot of solo albums it from that group.

1963
02:05:01,560 --> 02:05:05,520
Speaker 1: Everybody got a shot. We can shot for that. Goddamn

1964
02:05:08,280 --> 02:05:11,000
Speaker 1: you set yourself up. By the way, this is a

1965
02:05:11,080 --> 02:05:16,840
Speaker 1: great ship. Wrap it up, Wrap it up, Come on,

1966
02:05:18,680 --> 02:05:34,560
Speaker 1: wrap it up. Let's go. Moue what you want more? Okay?

1967
02:05:34,920 --> 02:05:39,440
Speaker 1: I love you. I did not mean to do that.

1968
02:05:39,680 --> 02:05:47,520
Speaker 1: But we're not gonna take that. I'm gonna Monique. Here's why.

1969
02:05:48,840 --> 02:05:54,640
Speaker 1: Here's why Monique. Monique got some bad attention and some

1970
02:05:54,760 --> 02:05:57,520
Speaker 1: bad get a bad rap. They say that she's very

1971
02:05:57,560 --> 02:06:00,280
Speaker 1: hard to work with. We love Mama and your man.

1972
02:06:00,880 --> 02:06:04,960
Speaker 1: He's never been Listen when people say they say I

1973
02:06:05,040 --> 02:06:08,000
Speaker 1: hate that. I hate when people say they hate when

1974
02:06:08,040 --> 02:06:13,440
Speaker 1: people go they I heard who right? I don't like

1975
02:06:14,400 --> 02:06:17,440
Speaker 1: they don't They don't want you to have a cheeseburger

1976
02:06:17,560 --> 02:06:23,920
Speaker 1: who they don't be one you have? I know who

1977
02:06:24,040 --> 02:06:28,240
Speaker 1: is that? I don't know. They tell me who is that? Yeah,

1978
02:06:28,480 --> 02:06:32,640
Speaker 1: I don't want a name. Who he knows? Fletcher? Who's that?

1979
02:06:33,680 --> 02:06:40,720
Speaker 1: It's nickname Fletcher somewhere. I don't know. When people as

1980
02:06:40,800 --> 02:06:47,920
Speaker 1: soon and people group, you're part of the problem, yes, right,

1981
02:06:48,880 --> 02:06:54,400
Speaker 1: so s Monique and her battles and entertainment. I'm quite

1982
02:06:54,440 --> 02:06:57,200
Speaker 1: sure she's done something's wrong. I'm quite sure she's done

1983
02:06:57,240 --> 02:06:59,040
Speaker 1: some things right. Here's the beauty of what I know,

1984
02:06:59,440 --> 02:07:03,080
Speaker 1: Malcolm Lee that here's the beauty. You will know what

1985
02:07:03,160 --> 02:07:06,440
Speaker 1: I know. You will know what I know that I

1986
02:07:06,560 --> 02:07:10,640
Speaker 1: don't know that. That's what I know. I know that

1987
02:07:10,760 --> 02:07:15,080
Speaker 1: I don't know. And I'm okay with not knowing. When

1988
02:07:15,120 --> 02:07:17,720
Speaker 1: people speak is if they do know, you're part of

1989
02:07:17,760 --> 02:07:22,640
Speaker 1: the problem. You don't know. So I'm speaking on behalf

1990
02:07:22,680 --> 02:07:25,080
Speaker 1: of a talent. I'm speaking on behalf of what I

1991
02:07:25,160 --> 02:07:27,880
Speaker 1: know she's done in the business. I'm speaking on behalf

1992
02:07:27,960 --> 02:07:31,240
Speaker 1: of her as a comedian. I'm also speaking on behalf

1993
02:07:31,320 --> 02:07:36,320
Speaker 1: of her opening up doors for others, the queens and comedy,

1994
02:07:36,600 --> 02:07:40,280
Speaker 1: the talk shows, etcetera. One of is an amazing talent,

1995
02:07:40,400 --> 02:07:43,880
Speaker 1: always has been. So for that, for that alone, I'm

1996
02:07:43,920 --> 02:07:51,920
Speaker 1: saying Monique Tiffany will be and is another example of

1997
02:07:52,040 --> 02:07:56,720
Speaker 1: that level of success. So that female umbrella, that black

1998
02:07:56,800 --> 02:08:00,120
Speaker 1: women in comedy umbrella, there's a certain amount of that

1999
02:08:00,280 --> 02:08:05,920
Speaker 1: share some success. Um, I'm going Monique in this case.

2000
02:08:06,480 --> 02:08:09,280
Speaker 1: And I'm also squashing the conversation of negative because I

2001
02:08:09,360 --> 02:08:13,080
Speaker 1: just don't know. So if people don't know. Sometimes it's

2002
02:08:13,080 --> 02:08:15,440
Speaker 1: good to say you don't know, you don't know. Sometimes

2003
02:08:15,520 --> 02:08:19,919
Speaker 1: it's good to say I wish I have an information,

2004
02:08:20,040 --> 02:08:23,760
Speaker 1: but I don't. I'm okay with that. That pup daddy,

2005
02:08:23,880 --> 02:08:28,800
Speaker 1: I'm sorry, but not dre. That's what I know. What

2006
02:08:28,840 --> 02:08:37,440
Speaker 1: I'm saying, what for what? And racing out? He's want

2007
02:08:37,520 --> 02:08:41,640
Speaker 1: bodies today? What do your talk about? That's being in shape?

2008
02:08:41,720 --> 02:08:47,280
Speaker 1: Not in shape? Is that what I'm talking about? What

2009
02:08:47,600 --> 02:08:54,560
Speaker 1: you want shape? Producing? You can't do that? You want

2010
02:08:56,000 --> 02:08:59,920
Speaker 1: you can't do producing? Okay, that's yeah, you can't do that.

2011
02:09:00,280 --> 02:09:02,280
Speaker 1: Why what do you mean why you can't do that?

2012
02:09:03,000 --> 02:09:05,840
Speaker 1: It's disrespectful to both to say who's done better in

2013
02:09:05,920 --> 02:09:10,440
Speaker 1: the world of producing when they know that. Versus doesn't

2014
02:09:10,480 --> 02:09:14,160
Speaker 1: make sense. It's it's all over the map. Who cav versus, versus,

2015
02:09:14,320 --> 02:09:17,720
Speaker 1: versus kevil verse, anybody in versus. Because comedy doesn't work

2016
02:09:17,760 --> 02:09:21,640
Speaker 1: in versus, we can make it happen. How does that

2017
02:09:21,840 --> 02:09:26,200
Speaker 1: make sense? Truffle popcorn jokes? Do the jokes? You already

2018
02:09:26,280 --> 02:09:30,560
Speaker 1: know the world already knows these jokes, all right, so

2019
02:09:30,680 --> 02:09:32,760
Speaker 1: we come with you. You don't think, you don't think

2020
02:09:32,880 --> 02:09:35,880
Speaker 1: you are roast roasting each other and that's not that's

2021
02:09:35,880 --> 02:09:41,200
Speaker 1: not the versus. Then that's snapping. So you now change, Well,

2022
02:09:41,240 --> 02:09:44,280
Speaker 1: then it's not versus, so you change that. But we're

2023
02:09:44,320 --> 02:09:48,000
Speaker 1: making that the verses. You see how specific? I am specific? Yes,

2024
02:09:48,160 --> 02:09:52,520
Speaker 1: because if you talk to me, I'm a fucking business guy.

2025
02:09:52,560 --> 02:09:57,160
Speaker 1: We're talking about versus. Great is that versus is me

2026
02:09:57,280 --> 02:10:00,480
Speaker 1: against you, my catalog versus your catalog. In that way,

2027
02:10:00,520 --> 02:10:03,480
Speaker 1: it's camp and comedy. You want me to tell you

2028
02:10:03,520 --> 02:10:05,640
Speaker 1: the jokes you already know versus jokes that you said

2029
02:10:05,640 --> 02:10:07,480
Speaker 1: that they already know. And do you want us to

2030
02:10:07,520 --> 02:10:09,320
Speaker 1: say it again? Are you basically saying you can smoke

2031
02:10:09,360 --> 02:10:11,480
Speaker 1: anybody versus I'm saying it doesn't make sense to come,

2032
02:10:11,880 --> 02:10:13,800
Speaker 1: but we can bring people from another country. They never

2033
02:10:13,840 --> 02:10:16,400
Speaker 1: heard the jokes that it doesn't make sense. It makes

2034
02:10:16,440 --> 02:10:18,520
Speaker 1: it long. I can't do comedy with verses. You can

2035
02:10:18,560 --> 02:10:24,240
Speaker 1: do snapping snapping snap verse. I just said that. Can

2036
02:10:24,280 --> 02:10:25,880
Speaker 1: you do snap versus? That's great? But I would never

2037
02:10:25,960 --> 02:10:30,200
Speaker 1: do that. You know, I thought you Aprian Crocket went

2038
02:10:30,280 --> 02:10:31,960
Speaker 1: at it a little bit. We went at it by

2039
02:10:32,040 --> 02:10:35,160
Speaker 1: having fun, being like cool. At this point in my career,

2040
02:10:35,320 --> 02:10:39,520
Speaker 1: I'm not doing a snap versus with nobody yeah, does

2041
02:10:39,560 --> 02:10:44,440
Speaker 1: it make sense. No, it's just true. Like a Santa Claus,

2042
02:10:44,680 --> 02:10:49,440
Speaker 1: I think you got the drunk. No, we've been definitely right.

2043
02:10:49,480 --> 02:10:55,920
Speaker 1: Come on, let's go. Yea, it's been great. Um uh yeah.

2044
02:11:01,600 --> 02:11:03,120
Speaker 1: You guys don't even know what I did this last week.

2045
02:11:03,120 --> 02:11:05,680
Speaker 1: You noticed that I fucking offset you and I never

2046
02:11:05,760 --> 02:11:10,080
Speaker 1: answered fucking puff and dre sidetracks. I didn't see that ship.

2047
02:11:10,160 --> 02:11:13,920
Speaker 1: You didn't see it because I did it, versus thank you.

2048
02:11:18,600 --> 02:11:21,920
Speaker 1: He has a drunk. Were all having fun and we

2049
02:11:22,000 --> 02:11:28,360
Speaker 1: have celebrating reality check. I don't know if you know,

2050
02:11:28,760 --> 02:11:30,880
Speaker 1: but I wish to one of the greatest comedy shows

2051
02:11:30,920 --> 02:11:33,960
Speaker 1: I've ever seen yesterday. I don't know if you know that,

2052
02:11:35,080 --> 02:11:37,680
Speaker 1: but I went to the one of the greatest. Give

2053
02:11:37,720 --> 02:11:55,720
Speaker 1: me that. What the fund is this? Maybe smooth? I

2054
02:11:55,760 --> 02:11:59,080
Speaker 1: want to make no word. Does not drink to kill us,

2055
02:11:59,160 --> 02:12:03,080
Speaker 1: do not drink. Just signed the box with him. I love,

2056
02:12:04,480 --> 02:12:10,160
Speaker 1: he loves to love. But I want to also make

2057
02:12:10,240 --> 02:12:13,360
Speaker 1: it very clear as you watch this whole thing, is

2058
02:12:13,400 --> 02:12:15,560
Speaker 1: I drink. There was no faces, there was no bad

2059
02:12:16,240 --> 02:12:20,600
Speaker 1: taste or bad reactions. Fun man, you said Farrell or Kanye.

2060
02:12:23,640 --> 02:12:25,440
Speaker 1: I don't think the world knows how much Farrell has

2061
02:12:25,480 --> 02:12:33,440
Speaker 1: done m I don't think they know. I fitted to say, like,

2062
02:12:34,760 --> 02:12:37,440
Speaker 1: Kanye's success is highlighted because he's Kanye, and it should be.

2063
02:12:37,480 --> 02:12:45,960
Speaker 1: He's a genius. But I don't think the world knows

2064
02:12:46,040 --> 02:12:50,600
Speaker 1: how much Farrella is done. Um, I love doesn't mean

2065
02:12:50,600 --> 02:12:52,160
Speaker 1: I'm choosing for Real, but I'm saying that I don't

2066
02:12:52,160 --> 02:12:55,520
Speaker 1: think the Kanye. I don't think they know how much

2067
02:12:55,560 --> 02:13:02,240
Speaker 1: he's done. Like Forrell's that that I in that space. Um,

2068
02:13:04,200 --> 02:13:12,720
Speaker 1: I'm gonna go Kanye and his wife, his wife because

2069
02:13:13,560 --> 02:13:15,400
Speaker 1: if I just choose Kanye off the bag, it's almost

2070
02:13:15,400 --> 02:13:17,600
Speaker 1: as if oh, yeah, no, because you just went over here,

2071
02:13:17,600 --> 02:13:19,320
Speaker 1: and then he's just like a fake pump. No, it's

2072
02:13:19,320 --> 02:13:21,480
Speaker 1: not a fake pumps. To make sure that people understand

2073
02:13:23,360 --> 02:13:27,400
Speaker 1: is by far like Parrell is not far from the

2074
02:13:27,520 --> 02:13:35,520
Speaker 1: Kanye orphicis right? Like yeah, like the Kanye Kane thing,

2075
02:13:36,840 --> 02:13:40,400
Speaker 1: all that he's done is glorified, magnified, and it should

2076
02:13:40,440 --> 02:13:42,920
Speaker 1: be for real. We know about it. It's great, but

2077
02:13:43,000 --> 02:13:45,120
Speaker 1: sometimes it doesn't get the same volume. I'm just saying

2078
02:13:45,800 --> 02:13:50,400
Speaker 1: for Real's catalog, Forrell's body of work deserves the same volume.

2079
02:13:51,680 --> 02:13:56,520
Speaker 1: I'm only choosing Kanye because motherfucker is not afraid to

2080
02:13:56,560 --> 02:13:59,400
Speaker 1: stand in the fire. He's definitely not afraid of that.

2081
02:14:00,040 --> 02:14:01,800
Speaker 1: Not afraid to standing in the fire. Stand in the fire.

2082
02:14:01,920 --> 02:14:04,120
Speaker 1: Sometimes we do your best work and stand in the fire.

2083
02:14:04,840 --> 02:14:07,360
Speaker 1: He's been able to do that. So people running, they

2084
02:14:07,400 --> 02:14:09,120
Speaker 1: getting the fire. Oh my god, it's hot and burned.

2085
02:14:09,440 --> 02:14:12,160
Speaker 1: That's pretty crazy about him. Take a take a different

2086
02:14:12,240 --> 02:14:15,560
Speaker 1: dude to stand in that fire. Yeah, I'm gonna be honest. Yesterday,

2087
02:14:15,680 --> 02:14:18,280
Speaker 1: ray J and Kanye called me at the same day time.

2088
02:14:18,720 --> 02:14:31,360
Speaker 1: I did not answer. Guys were done. He's brought up. No, no, no,

2089
02:14:36,800 --> 02:14:41,320
Speaker 1: By the way, I'm cool. That's great. I don't want

2090
02:14:41,360 --> 02:14:44,160
Speaker 1: to hear it. I don't want there's nothing to hear.

2091
02:14:44,400 --> 02:14:45,800
Speaker 1: I just don't want That's what I did. I don't

2092
02:14:45,800 --> 02:14:48,360
Speaker 1: want to hear. I avoided. I don't want to hear.

2093
02:14:49,200 --> 02:14:53,400
Speaker 1: I wouldn't play handball. Okay, good, that's weird. That's it.

2094
02:14:53,680 --> 02:14:58,120
Speaker 1: You don't now there you go? Alright, alright, what's happening?

2095
02:14:59,480 --> 02:15:01,720
Speaker 1: What's happen? No, this is a real game. It's a

2096
02:15:01,760 --> 02:15:08,480
Speaker 1: real quarter game. It's a real game. I see what's happened. Okay,

2097
02:15:08,680 --> 02:15:12,480
Speaker 1: this is rank shams and this has been avoided. I

2098
02:15:12,520 --> 02:15:15,960
Speaker 1: avoided the drama you would be proud of me. I mean,

2099
02:15:16,000 --> 02:15:20,960
Speaker 1: I avoid drama everyday. I'm there now. Yeah, okay, yeah,

2100
02:15:22,200 --> 02:15:29,120
Speaker 1: Jack Black or Danny McBride, we're still playing Jack Black Black,

2101
02:15:30,120 --> 02:15:35,280
Speaker 1: Jim Carry or Robert that's it. We're dying. Seriously, No,

2102
02:15:35,600 --> 02:15:40,200
Speaker 1: we're done. We're done. I'm sucking. I've done a great

2103
02:15:40,280 --> 02:15:44,240
Speaker 1: job and answering these fucking questions, and I've maintained my

2104
02:15:44,400 --> 02:15:46,640
Speaker 1: sober steak. You guys are waiting for me to break.

2105
02:15:46,680 --> 02:15:51,640
Speaker 1: It's not gonna no, it's not gonna no, it's not

2106
02:15:51,720 --> 02:15:54,160
Speaker 1: gonna happen this. You know what. People are gonna leave here,

2107
02:15:54,200 --> 02:15:58,040
Speaker 1: They're gonna go. Kevin is a well spoken man, and

2108
02:15:58,360 --> 02:16:01,240
Speaker 1: even with this tequila about way, which is extremely going

2109
02:16:01,280 --> 02:16:04,680
Speaker 1: to man's core me, you know, he's maintained his character.

2110
02:16:05,080 --> 02:16:07,960
Speaker 1: That's it. What fucking up? Give me out of here.

2111
02:16:08,080 --> 02:16:20,520
Speaker 1: I gotta go. Question can answer question questions, Um, Jim

2112
02:16:20,640 --> 02:16:23,080
Speaker 1: Carrey or Robert Williams, and I got one last time.

2113
02:16:24,640 --> 02:16:27,160
Speaker 1: You should carry Robbin Williams. We're talking about like what

2114
02:16:27,520 --> 02:16:29,440
Speaker 1: you like about? What are you talking about? That's like?

2115
02:16:29,520 --> 02:16:34,360
Speaker 1: What are you sayings like that? What are you doing?

2116
02:16:34,480 --> 02:16:40,400
Speaker 1: All right? That's enough? Honestly doing camp when I pop

2117
02:16:40,680 --> 02:16:44,200
Speaker 1: is frustration spot going to be what you wanted to

2118
02:16:44,240 --> 02:16:52,959
Speaker 1: be heard A funk out here fucking questions. I'm happy

2119
02:16:53,000 --> 02:16:56,280
Speaker 1: these fucking questions. You keep trying to fucking answer me ship,

2120
02:16:56,680 --> 02:16:59,160
Speaker 1: and I don't want to answer ship. It's over the

2121
02:16:59,280 --> 02:17:03,120
Speaker 1: fucking name. You're trying to give me the same ship.

2122
02:17:05,720 --> 02:17:24,040
Speaker 1: All right, you're gonna out drink it for you the best,

2123
02:17:28,440 --> 02:17:33,039
Speaker 1: but it is my father would have broken my answer.

2124
02:17:33,760 --> 02:17:38,320
Speaker 1: Go I got noris self. Nori really does not drink

2125
02:17:38,360 --> 02:17:41,680
Speaker 1: to kill a god. I hate this. Listen, he really don't,

2126
02:17:41,720 --> 02:17:45,960
Speaker 1: but he's drinking it. I am drinking. Man, I'm not

2127
02:17:46,000 --> 02:17:50,040
Speaker 1: gonna right now, but let me get sentimental right now.

2128
02:17:51,000 --> 02:17:52,640
Speaker 1: You know why I want to get sentimental because you

2129
02:17:52,680 --> 02:17:57,520
Speaker 1: deserve it. Um you are hands down one of the

2130
02:17:57,560 --> 02:18:01,640
Speaker 1: funniest people in the world. I go because I claim

2131
02:18:01,680 --> 02:18:05,520
Speaker 1: you as a friend, I claim you as a family members.

2132
02:18:06,200 --> 02:18:08,200
Speaker 1: And when I go out and I see you do

2133
02:18:08,360 --> 02:18:10,920
Speaker 1: something different, I see you do a new movie, I'm

2134
02:18:10,959 --> 02:18:12,920
Speaker 1: the first to support it. When I first to stand

2135
02:18:12,920 --> 02:18:18,080
Speaker 1: online and I promoted by promoted to my people be

2136
02:18:18,240 --> 02:18:21,280
Speaker 1: because what you did and what you're doing is remarkable

2137
02:18:21,959 --> 02:18:25,760
Speaker 1: and continue to do is remarkable. I love your crew.

2138
02:18:26,040 --> 02:18:28,680
Speaker 1: I love everyone. I love everyone you have around you,

2139
02:18:30,360 --> 02:18:34,240
Speaker 1: which makes me know that you you visualize everything that

2140
02:18:34,360 --> 02:18:38,120
Speaker 1: you did and you applied it, and that's what we

2141
02:18:38,240 --> 02:18:45,080
Speaker 1: want to do. That's what we are doing. Because we

2142
02:18:45,240 --> 02:18:48,560
Speaker 1: do that, we bring all of our crew. Look at this,

2143
02:18:48,720 --> 02:18:51,160
Speaker 1: Look at this. They look like hood niggers. They're very

2144
02:18:51,200 --> 02:19:02,800
Speaker 1: professional family. But hired everybody. I hired everybody that I

2145
02:19:03,160 --> 02:19:06,200
Speaker 1: identify what we hired everybody excuse me, that we can

2146
02:19:06,320 --> 02:19:10,240
Speaker 1: identify with and we have this beautiful chemistry that's happened.

2147
02:19:11,240 --> 02:19:13,680
Speaker 1: I said it to you guys, all right, and I'm

2148
02:19:13,680 --> 02:19:15,680
Speaker 1: gonna leave because I'm give you guys a good punctuation.

2149
02:19:15,720 --> 02:19:17,200
Speaker 1: But this is what I'm about to say. We don't

2150
02:19:17,200 --> 02:19:23,840
Speaker 1: know punctuations. I'm gonna put questions. There's two things right.

2151
02:19:24,000 --> 02:19:30,560
Speaker 1: First things First, do I feel safe around your crew? No? Um,

2152
02:19:34,080 --> 02:19:37,000
Speaker 1: it's gonna go take a good place. Do you want

2153
02:19:37,000 --> 02:19:40,120
Speaker 1: to be honest? I'm look it up, so I'm gonna

2154
02:19:40,120 --> 02:19:43,200
Speaker 1: give it to you. I'm giving you a thousand percent

2155
02:19:44,080 --> 02:19:47,720
Speaker 1: of what I feel. I'm it's not it's not the

2156
02:19:47,800 --> 02:19:51,440
Speaker 1: safest looking group. Can I'll be honest with you. I'll

2157
02:19:51,480 --> 02:19:55,520
Speaker 1: be honest with you. Maybe they should dress better. Seriously,

2158
02:19:55,840 --> 02:19:59,240
Speaker 1: if I'm just the standpoint of like, we're working whatever,

2159
02:19:59,440 --> 02:20:02,680
Speaker 1: a lot of paying some shirts. All right, by the way,

2160
02:20:02,720 --> 02:20:07,360
Speaker 1: It's fine, wanted to be, and I'll embrace it because

2161
02:20:07,360 --> 02:20:11,440
Speaker 1: I'm here. But here's what you have to fall in

2162
02:20:11,480 --> 02:20:16,520
Speaker 1: the comfort. If I'm here, you gotta say why am

2163
02:20:16,520 --> 02:20:19,320
Speaker 1: I here? Let's go to the y. Everything is a

2164
02:20:19,480 --> 02:20:23,760
Speaker 1: hy alright, watch I wrap this up. My why is simple. Well,

2165
02:20:23,800 --> 02:20:27,080
Speaker 1: it's long overdue. Yeah, I got an alcohol and it

2166
02:20:27,160 --> 02:20:29,400
Speaker 1: fits because it's drink tramps and it's fun. But let's

2167
02:20:29,400 --> 02:20:32,279
Speaker 1: get to the real nitty gritty. Your motherfucker's have shifted

2168
02:20:32,320 --> 02:20:37,360
Speaker 1: to culture and conversation. Your podcast has now got to

2169
02:20:37,480 --> 02:20:40,360
Speaker 1: a point to where people come, they partake, they participate

2170
02:20:40,720 --> 02:20:42,480
Speaker 1: because they know what you say and what your co

2171
02:20:42,680 --> 02:20:46,920
Speaker 1: sign means something. Right. That means that your voices actually

2172
02:20:47,040 --> 02:20:49,640
Speaker 1: have been amplified to a space to where people look

2173
02:20:49,720 --> 02:20:52,920
Speaker 1: forward to what you say and how you feel. I

2174
02:20:53,080 --> 02:20:56,760
Speaker 1: keep talking about success, Well, let's talk about what makes success.

2175
02:20:56,879 --> 02:20:59,080
Speaker 1: Real success is when you figure out how to win

2176
02:20:59,160 --> 02:21:03,360
Speaker 1: again rapping and going okay, damn, I'm not wrapping up,

2177
02:21:03,440 --> 02:21:05,360
Speaker 1: choose and not do it no more? But what else

2178
02:21:05,360 --> 02:21:07,400
Speaker 1: I am gonna do? What the fun were You chose

2179
02:21:07,560 --> 02:21:11,400
Speaker 1: to grinding and figure out how to win again? So

2180
02:21:11,600 --> 02:21:16,840
Speaker 1: you win again. I mean, you're a winner, my Funcker's

2181
02:21:16,840 --> 02:21:20,240
Speaker 1: don't understand that. It's not about winning once. It's about

2182
02:21:20,240 --> 02:21:23,039
Speaker 1: winning one, two, three, four or five. It's not about

2183
02:21:23,080 --> 02:21:25,520
Speaker 1: figuring out the first time. It's about figuring out the second, third,

2184
02:21:25,560 --> 02:21:27,960
Speaker 1: or four or fifth. Right. When you see people that

2185
02:21:28,040 --> 02:21:31,280
Speaker 1: do it to that level, well they're different. You're in

2186
02:21:31,320 --> 02:21:34,840
Speaker 1: a box by yourself. You're in a box. When you

2187
02:21:34,879 --> 02:21:36,920
Speaker 1: see people that build companies and sell them and build

2188
02:21:36,959 --> 02:21:40,720
Speaker 1: another one, it's because that's what they do. They win.

2189
02:21:41,320 --> 02:21:45,039
Speaker 1: So in this particular case, I'm here not just out

2190
02:21:45,080 --> 02:21:48,160
Speaker 1: of the loyalty, the friendship, it's out of the respect

2191
02:21:48,280 --> 02:21:50,840
Speaker 1: and the foundation that you guys are built for me

2192
02:21:50,920 --> 02:21:52,040
Speaker 1: to come on and say, yo, I want to be

2193
02:21:52,080 --> 02:21:56,320
Speaker 1: a part of this thing. It's winning. You're winning, motherfucker's

2194
02:21:56,360 --> 02:22:02,440
Speaker 1: so so like that's when win of you, Drain Champs

2195
02:22:02,640 --> 02:22:05,520
Speaker 1: is now a brand, is now something that can do

2196
02:22:05,720 --> 02:22:08,280
Speaker 1: so much more. I hope you guys realize that, and

2197
02:22:08,320 --> 02:22:11,320
Speaker 1: I hope if anything, me coming on here helps you

2198
02:22:11,440 --> 02:22:15,320
Speaker 1: guys understand like how valuable this asset is. But more

2199
02:22:15,440 --> 02:22:22,640
Speaker 1: poorly motherfucker. I love you like the shipship we got.

2200
02:22:22,920 --> 02:22:26,120
Speaker 1: You can have time. We got time and energy. One.

2201
02:22:26,280 --> 02:22:27,840
Speaker 1: Let me just tell you something. You're a man of

2202
02:22:27,920 --> 02:22:31,760
Speaker 1: your word, always been a man of your work. I

2203
02:22:31,879 --> 02:22:34,720
Speaker 1: love that, but that the fact is, you know, Um,

2204
02:22:34,959 --> 02:22:36,840
Speaker 1: I'm used to people not being a man of their

2205
02:22:36,920 --> 02:22:38,400
Speaker 1: word like you know, I'm used to. I'm just the

2206
02:22:38,440 --> 02:22:42,520
Speaker 1: industry being industry. Yeah. And the further you got in life,

2207
02:22:44,200 --> 02:22:47,000
Speaker 1: the more you about the fucking crime O you all.

2208
02:22:47,160 --> 02:22:51,160
Speaker 1: You also embraced me and that I remember me seeing

2209
02:22:51,240 --> 02:22:54,520
Speaker 1: you and your wife. Um, this is when you know,

2210
02:22:54,760 --> 02:22:58,520
Speaker 1: life hit me hard and then and I'm getting back

2211
02:22:58,600 --> 02:23:00,360
Speaker 1: to where I'm at. So I'm gonna floors, he said,

2212
02:23:00,400 --> 02:23:03,040
Speaker 1: the Miami heat. And you're on the other side of

2213
02:23:03,080 --> 02:23:04,480
Speaker 1: the floor seats and you and your wife and me

2214
02:23:04,560 --> 02:23:07,200
Speaker 1: and my wife is there, and you're looking You're like, man, Nick,

2215
02:23:07,879 --> 02:23:13,840
Speaker 1: you said something to me like you and you gave

2216
02:23:13,879 --> 02:23:16,600
Speaker 1: me a file and I'm on the floor season I'm

2217
02:23:16,600 --> 02:23:19,480
Speaker 1: not I'm not even realizing I'm back. But you said

2218
02:23:19,520 --> 02:23:22,480
Speaker 1: that to me, and I was just like, damn, Kevin's

2219
02:23:22,560 --> 02:23:25,600
Speaker 1: telling me that I'm going back to where I'm supposed

2220
02:23:25,640 --> 02:23:29,560
Speaker 1: to be. And I took that I took that and

2221
02:23:29,720 --> 02:23:31,800
Speaker 1: I ran with it, and I continue to run with

2222
02:23:31,920 --> 02:23:34,440
Speaker 1: it because, like I try to tell you, like I'm

2223
02:23:35,480 --> 02:23:39,400
Speaker 1: really being real with you, um, like you helped change

2224
02:23:39,480 --> 02:23:44,480
Speaker 1: my life. You don't notice but me seeing your success

2225
02:23:44,560 --> 02:23:48,240
Speaker 1: and me seeing your constant you know, going going to it.

2226
02:23:48,320 --> 02:23:53,040
Speaker 1: And then and then we bring up just trained U

2227
02:23:53,600 --> 02:23:57,360
Speaker 1: and you in Hollywood heno. So I'm getting focused, right,

2228
02:23:58,879 --> 02:24:01,280
Speaker 1: I'm getting focused. And I went to the gym, and

2229
02:24:01,320 --> 02:24:03,160
Speaker 1: I will never go to the gym with you, this

2230
02:24:03,320 --> 02:24:08,120
Speaker 1: nigger or Hollywood he know again, never they made me

2231
02:24:08,360 --> 02:24:15,640
Speaker 1: feel so horrible. I go in. I just lost. I'm sorry,

2232
02:24:15,640 --> 02:24:18,760
Speaker 1: I just I'm sorry for this. I apologize like this

2233
02:24:18,959 --> 02:24:22,400
Speaker 1: he in the back of me carry up like what

2234
02:24:25,240 --> 02:24:28,320
Speaker 1: like like by the way, by the way, listen, so thisten,

2235
02:24:28,720 --> 02:24:31,920
Speaker 1: you know you know what, Okay, I'm sorry. Let me

2236
02:24:32,000 --> 02:24:37,280
Speaker 1: just describe and describe three days. So I'm picking the

2237
02:24:37,520 --> 02:24:40,120
Speaker 1: times where I feel like there's no one gonna be

2238
02:24:41,080 --> 02:24:45,000
Speaker 1: I'm picking five am. There's some motherfucker's in there with

2239
02:24:45,240 --> 02:24:48,520
Speaker 1: him and they are yelling at each other so much,

2240
02:24:50,440 --> 02:24:53,560
Speaker 1: and I'm like, why am I here? Like I don't

2241
02:24:53,760 --> 02:24:58,920
Speaker 1: belong here? And then Cat walked up to me. He's like, well,

2242
02:24:58,959 --> 02:25:03,800
Speaker 1: some of you put your ash, don't damn im. I'm like,

2243
02:25:04,600 --> 02:25:08,400
Speaker 1: I'm used to you're a comedian. How are you talking

2244
02:25:08,440 --> 02:25:11,240
Speaker 1: to me like that? But by myself right the next day,

2245
02:25:11,600 --> 02:25:14,000
Speaker 1: I picked up earlier time, so I think I'll picked

2246
02:25:14,120 --> 02:25:17,000
Speaker 1: like eight am the first time. So the next time,

2247
02:25:17,160 --> 02:25:20,200
Speaker 1: like he let's do five am. This nigg is there

2248
02:25:20,240 --> 02:25:24,640
Speaker 1: with a sprinter with this nigga again and him don't

2249
02:25:24,720 --> 02:25:27,199
Speaker 1: three in Hollywood. You know, I don't like them together

2250
02:25:27,400 --> 02:25:31,640
Speaker 1: together arguing. I don't like it arguing. Here's him up

2251
02:25:31,680 --> 02:25:35,960
Speaker 1: and I feel bad about this, just lost like I

2252
02:25:36,040 --> 02:25:38,120
Speaker 1: didn't know. So as soon as I see him, I

2253
02:25:38,200 --> 02:25:49,280
Speaker 1: was like, look at your fat as this crust them

2254
02:25:49,720 --> 02:25:52,200
Speaker 1: and crush them. But I didn't say it in a

2255
02:25:52,280 --> 02:25:59,720
Speaker 1: way of like you, and he listened to me. He goes,

2256
02:26:00,920 --> 02:26:12,959
Speaker 1: I just as I said that a bit. We didn't

2257
02:26:12,959 --> 02:26:15,200
Speaker 1: miss a beating. But he came and he worked out.

2258
02:26:15,280 --> 02:26:18,760
Speaker 1: But bottom line, he was in there. But my level

2259
02:26:18,800 --> 02:26:21,320
Speaker 1: of support for Noria has been endless. And this show

2260
02:26:24,840 --> 02:26:28,760
Speaker 1: I don't like. Listen, you're a great guy, don't but

2261
02:26:28,920 --> 02:26:31,240
Speaker 1: y'all to with he know together it's just not a

2262
02:26:31,320 --> 02:26:37,960
Speaker 1: good comedy. But but we're good outside of that people.

2263
02:26:39,000 --> 02:26:43,040
Speaker 1: In this case me being a good person. It's about

2264
02:26:43,400 --> 02:26:46,440
Speaker 1: support my brother, Like if nothing else, if I leave

2265
02:26:46,480 --> 02:26:49,080
Speaker 1: here today, it's gonna be a great episode. You guys

2266
02:26:49,120 --> 02:26:52,000
Speaker 1: got so much. Here's what I want people to walk

2267
02:26:52,040 --> 02:26:58,080
Speaker 1: away with. If you do not remember when you started right,

2268
02:26:58,680 --> 02:27:03,800
Speaker 1: your ending needs nothing. This motherfucker was with me when

2269
02:27:03,959 --> 02:27:08,280
Speaker 1: Kevin Hart sat in the fucking room where nobody gave

2270
02:27:08,360 --> 02:27:12,520
Speaker 1: a ship in my first world of improv and recognition

2271
02:27:13,120 --> 02:27:15,640
Speaker 1: came in the world where I was uncomfortable. He was there.

2272
02:27:16,800 --> 02:27:18,400
Speaker 1: He was there. He was on the set with me

2273
02:27:18,480 --> 02:27:21,240
Speaker 1: where he saw me get some growth and some wings.

2274
02:27:22,400 --> 02:27:25,120
Speaker 1: So right now, if I see my guy flying, well

2275
02:27:25,200 --> 02:27:32,320
Speaker 1: let me give him some fucking wins. It right there.

2276
02:27:32,520 --> 02:27:39,840
Speaker 1: But we gotta take this. I'm not this logo luminary

2277
02:27:39,879 --> 02:27:45,119
Speaker 1: like a motherfucker, but it's not. Let's get calling, you know, guys,

2278
02:27:45,240 --> 02:27:49,160
Speaker 1: and listen, drink Shamps is an amazing platform. Um. They

2279
02:27:49,240 --> 02:27:53,400
Speaker 1: don't drink irresponsibly, they do drink responsible. This is a

2280
02:27:53,440 --> 02:27:55,960
Speaker 1: show that does not happen as consistent as you may think.

2281
02:27:56,400 --> 02:27:59,520
Speaker 1: That happens when it's supposed to. More importantly, the idea

2282
02:27:59,520 --> 02:28:01,560
Speaker 1: of and a seen the world of progression is what

2283
02:28:01,640 --> 02:28:03,840
Speaker 1: they do. My ta kila is what they want to

2284
02:28:03,920 --> 02:28:08,200
Speaker 1: support and what they appreciate. Grand Coromino, Cristalino, clear repisado.

2285
02:28:08,360 --> 02:28:10,560
Speaker 1: You need it. We have a the a ho. It's

2286
02:28:10,600 --> 02:28:13,800
Speaker 1: a premium version. By the way, yes it's owned by me,

2287
02:28:14,200 --> 02:28:16,400
Speaker 1: but it should not be bought by me and should

2288
02:28:16,400 --> 02:28:18,120
Speaker 1: be bought by you because I'm a man of the people.

2289
02:28:18,560 --> 02:28:25,640
Speaker 1: Let's go. It tastes different. We got up wrapping up.

2290
02:28:25,760 --> 02:28:28,280
Speaker 1: I just sucking clothes with a bang. Fuck you ciperself

2291
02:28:28,760 --> 02:28:34,040
Speaker 1: out gives gonna say type of things. How are you?

2292
02:28:34,480 --> 02:28:39,520
Speaker 1: I gotta go drunk? Dragon just takes nobody. You don't

2293
02:28:39,520 --> 02:28:50,480
Speaker 1: know we were No, let's all go take a people, right,

2294
02:28:51,000 --> 02:28:53,959
Speaker 1: let's all go, all go, let's all go. Let's all

2295
02:28:54,240 --> 02:29:28,520
Speaker 1: come on up. Trading cards like n f T trading cards. Yeah, man, yeah,

2296
02:29:28,600 --> 02:29:32,240
Speaker 1: it's frend to everybody. Yeah yeah, get it like he liked.

2297
02:29:32,280 --> 02:29:35,600
Speaker 1: Damn they're slim dog billionaire because it's somehow this nigger

2298
02:29:35,680 --> 02:29:45,000
Speaker 1: knows everybody. Everybody. By the way, by the way, let

2299
02:29:45,040 --> 02:29:48,400
Speaker 1: me just let me and by the way, let me

2300
02:29:48,520 --> 02:29:53,880
Speaker 1: just pick up heart production. I kept together. Let me heartbeat,

2301
02:29:54,080 --> 02:29:58,880
Speaker 1: he beat guys. I kept it together. They wanted the buffle, mead,

2302
02:29:59,520 --> 02:30:05,640
Speaker 1: are you talking of them talking to them? I'm not

2303
02:30:06,680 --> 02:30:10,400
Speaker 1: don't make him drink. I'm not gonna make you. I

2304
02:30:10,480 --> 02:30:12,840
Speaker 1: didn't know Joey out of that. I'm not making you

2305
02:30:12,959 --> 02:30:17,200
Speaker 1: drink if you don't Enjorgia doesn't drink. Guys drinks. I

2306
02:30:17,280 --> 02:30:20,080
Speaker 1: don't want to make them drink. But this guy, why what?

2307
02:30:21,280 --> 02:30:26,160
Speaker 1: Uh scife? How about we say Sefe, welcome to the show.

2308
02:30:26,480 --> 02:30:28,880
Speaker 1: You know it has you here. I talked about you

2309
02:30:29,000 --> 02:30:31,640
Speaker 1: earlier on and I told people about what you did,

2310
02:30:31,800 --> 02:30:34,360
Speaker 1: what you embraced a guy that started off just in

2311
02:30:34,360 --> 02:30:38,600
Speaker 1: the world of dejaying and being in facing music and

2312
02:30:38,640 --> 02:30:42,400
Speaker 1: found love for comedy and embraced comics and then started

2313
02:30:42,440 --> 02:30:45,240
Speaker 1: the night put comics on that night. I'm a comic

2314
02:30:45,360 --> 02:30:48,040
Speaker 1: that then ended up supporting you in your night. So

2315
02:30:48,120 --> 02:30:50,040
Speaker 1: I just want to make sure people understand that there's

2316
02:30:50,040 --> 02:30:51,480
Speaker 1: a face of the world, of our entity and what

2317
02:30:51,560 --> 02:30:54,960
Speaker 1: I said, Uh, with that being said, Sivce, good to

2318
02:30:55,040 --> 02:30:58,280
Speaker 1: see you, I love you, I appreciate you, and uh,

2319
02:30:58,480 --> 02:31:02,800
Speaker 1: take a drink. Yeah, take a drink, Come on, make

2320
02:31:02,879 --> 02:31:12,440
Speaker 1: sense right? You don't drink? You want not. The only

2321
02:31:12,520 --> 02:31:14,440
Speaker 1: time I have a drink was when Big Punk put

2322
02:31:14,480 --> 02:31:17,120
Speaker 1: a gun in my stomach. That's the only shot never

2323
02:31:17,240 --> 02:31:21,480
Speaker 1: took in my life. The whole story together, though man

2324
02:31:21,720 --> 02:31:25,080
Speaker 1: tell the entire story was at Club Flamingo in New

2325
02:31:25,160 --> 02:31:28,360
Speaker 1: York City at a lyricist loud show most definite tolt

2326
02:31:28,480 --> 02:31:33,240
Speaker 1: quality before they were even black Star and and Pun say, yo,

2327
02:31:33,280 --> 02:31:35,200
Speaker 1: give me two shots to Hennessey. I all, no, Punt,

2328
02:31:35,200 --> 02:31:37,400
Speaker 1: I don't drink. Thank you. He goes, Oh, you don't drink.

2329
02:31:39,240 --> 02:31:41,480
Speaker 1: Gut in the stomach. He will sign my bunch of

2330
02:31:41,480 --> 02:31:44,680
Speaker 1: a shot of Hennessey like thanks, Punt took a shot.

2331
02:31:45,800 --> 02:31:50,720
Speaker 1: He wanted two more and read away. We got to

2332
02:31:50,760 --> 02:31:53,280
Speaker 1: see about that your heart. I don't know why you

2333
02:31:53,360 --> 02:31:58,160
Speaker 1: don't drink. So what happened? Because this is happiness right here.

2334
02:31:58,280 --> 02:32:02,120
Speaker 1: Now he's mormons more. We had drunken dragon. I just

2335
02:32:02,200 --> 02:32:04,520
Speaker 1: want you to know, this is the best Chinese food,

2336
02:32:04,560 --> 02:32:10,640
Speaker 1: Asian food cuisine. It's not Chinese Yapa knees whatever it is.

2337
02:32:12,320 --> 02:32:15,080
Speaker 1: But stop. You have to realize why you can't do that.

2338
02:32:15,320 --> 02:32:18,280
Speaker 1: You can't say that, be thrown out, can't throw out

2339
02:32:18,320 --> 02:32:25,040
Speaker 1: whatever you want. My plane on the ground, Hold on,

2340
02:32:25,120 --> 02:32:29,480
Speaker 1: hold on, hold on. You guys are sitting there, y'all

2341
02:32:30,320 --> 02:32:34,040
Speaker 1: I'm set to take that. Let's do some drops. That's

2342
02:32:34,280 --> 02:32:35,640
Speaker 1: all right, But you want to say some of the

2343
02:32:35,680 --> 02:32:38,959
Speaker 1: type of sounds like you want to say things. Two things.

2344
02:32:39,240 --> 02:32:41,520
Speaker 1: I want to like the big story, the big stuff.

2345
02:32:41,760 --> 02:32:45,680
Speaker 1: You don't like the big let me say the big story.

2346
02:32:45,720 --> 02:32:47,480
Speaker 1: But I also want you to call me about you

2347
02:32:47,640 --> 02:32:52,840
Speaker 1: calling me call you. Oh. When he said that, I realized,

2348
02:32:53,280 --> 02:32:57,039
Speaker 1: I've only seen two uh Turk and Kanye. I've only

2349
02:32:57,080 --> 02:33:00,640
Speaker 1: seen two black men now were draws and like shocked

2350
02:33:00,680 --> 02:33:03,040
Speaker 1: me one time, like I'm not wearing draws. I'm not

2351
02:33:03,120 --> 02:33:06,640
Speaker 1: saying I've seen something, saying like when they sit down

2352
02:33:07,360 --> 02:33:10,080
Speaker 1: and you like from the back, how do you see it?

2353
02:33:10,600 --> 02:33:12,600
Speaker 1: Like you know people like shirts go up from the

2354
02:33:12,640 --> 02:33:15,920
Speaker 1: back and you look, you know, oh ship Like my

2355
02:33:16,040 --> 02:33:19,520
Speaker 1: bokes asked me out all the time. But like if

2356
02:33:19,560 --> 02:33:24,920
Speaker 1: it do me, te's me. Draws are it's a different

2357
02:33:26,720 --> 02:33:33,720
Speaker 1: It's a different thing. Sugarray Leonard. One time, Sugar the boxer,

2358
02:33:33,879 --> 02:33:36,440
Speaker 1: I was at a convention. We were doing AMTHEWS and

2359
02:33:36,560 --> 02:33:39,520
Speaker 1: Sugar was like talking before me. He was sitting in

2360
02:33:39,560 --> 02:33:42,920
Speaker 1: the chair that was next and I was like, I

2361
02:33:43,120 --> 02:33:53,280
Speaker 1: was she rain for draws? No? They like, no, what

2362
02:33:53,400 --> 02:33:56,920
Speaker 1: are you talking? Dick sitting in a chair like you

2363
02:33:57,000 --> 02:33:58,960
Speaker 1: know people sitt in the chair if the girls sit

2364
02:33:59,000 --> 02:34:00,960
Speaker 1: in the chair like a on the some show. But

2365
02:34:01,680 --> 02:34:05,480
Speaker 1: draws should always show. So sugar just out there. I

2366
02:34:05,600 --> 02:34:12,440
Speaker 1: was like the names and jeans were No. I didn't

2367
02:34:12,480 --> 02:34:17,320
Speaker 1: understand the logic of it. Yeah, Kanye, one time without

2368
02:34:17,360 --> 02:34:22,520
Speaker 1: some kind of you only called me two times, two

2369
02:34:22,560 --> 02:34:26,320
Speaker 1: times about my show. One time you called me, you

2370
02:34:26,400 --> 02:34:29,800
Speaker 1: said I'm mad at you, and I said, there's no

2371
02:34:29,840 --> 02:34:32,000
Speaker 1: way you can be mad at me, Keth and you said,

2372
02:34:33,560 --> 02:34:43,080
Speaker 1: get away with talking about walking around with the same draws. Yeah,

2373
02:34:43,240 --> 02:34:51,640
Speaker 1: I love you, said pride, I don't change. And when

2374
02:34:51,680 --> 02:34:58,560
Speaker 1: he said that, y'all was like, who as a guy

2375
02:34:58,680 --> 02:35:04,200
Speaker 1: is now host talk show? We have a job? No, no, no,

2376
02:35:04,440 --> 02:35:07,720
Speaker 1: you have a job, Like like you can't if you

2377
02:35:07,800 --> 02:35:09,880
Speaker 1: hear some ship that made you like right what like

2378
02:35:10,520 --> 02:35:14,160
Speaker 1: as a whole she guts like, wait what what Kanye

2379
02:35:14,320 --> 02:35:21,640
Speaker 1: said that draws? He's like, yo, I don't y'all was like,

2380
02:35:24,959 --> 02:35:28,840
Speaker 1: you are right now like a clip. Played the clip,

2381
02:35:29,800 --> 02:35:33,640
Speaker 1: replay right now, replay the clip. When Kanye was saying

2382
02:35:33,680 --> 02:35:36,279
Speaker 1: something about like not changing the drawers and wearing draws,

2383
02:35:37,720 --> 02:35:39,160
Speaker 1: he said, you were the same draws, I want you

2384
02:35:39,280 --> 02:35:41,640
Speaker 1: to replay the clip of y'all right now in this

2385
02:35:41,760 --> 02:35:51,120
Speaker 1: episode of y'all, replay it. It's not acceptable. It's not acceptable,

2386
02:35:51,400 --> 02:35:54,160
Speaker 1: just like, like, what the are you talking about? Yeah,

2387
02:35:54,720 --> 02:35:56,840
Speaker 1: by the way, later on in the episode, he explained

2388
02:35:56,879 --> 02:35:58,920
Speaker 1: what he meant and it made more sense. But in

2389
02:35:59,000 --> 02:36:04,960
Speaker 1: that moment, though, flow that doesn't matter. No, no, no,

2390
02:36:05,760 --> 02:36:08,760
Speaker 1: and the only other I thought we were letting go. No,

2391
02:36:09,240 --> 02:36:15,199
Speaker 1: you call me mother, Turkey, don't. I have no intentions

2392
02:36:15,240 --> 02:36:18,959
Speaker 1: to watching this one because Turk Turk do me off.

2393
02:36:20,360 --> 02:36:21,880
Speaker 1: But I had to watch it again. You got to

2394
02:36:21,959 --> 02:36:30,879
Speaker 1: watch again. No, Turk who maybe maybe your best episode ever?

2395
02:36:33,560 --> 02:36:40,879
Speaker 1: I said, shut Turk, but Turk maybe your best episode.

2396
02:36:48,240 --> 02:36:54,880
Speaker 1: You read a lot of stuff Turks episode. But what

2397
02:36:55,000 --> 02:36:58,640
Speaker 1: the Turk what what what Turk? Turk said a lot

2398
02:36:58,720 --> 02:37:03,320
Speaker 1: of stuff, But Turk ship is like, uh, Turk's episode

2399
02:37:03,400 --> 02:37:06,360
Speaker 1: is full of Easter eggs. You know what I mean

2400
02:37:06,400 --> 02:37:10,920
Speaker 1: by easter AIGs yea where east are hidden? You don't

2401
02:37:10,920 --> 02:37:16,480
Speaker 1: know where the all the easter black. But you watch

2402
02:37:16,560 --> 02:37:27,520
Speaker 1: it after you watch it ship, if you go, oh, fuck,

2403
02:37:31,720 --> 02:37:37,800
Speaker 1: Turk episode is full of this world. Nigga. You can't

2404
02:37:37,840 --> 02:37:42,960
Speaker 1: deny that, nig if you know anything about New Orleans,

2405
02:37:43,160 --> 02:37:49,119
Speaker 1: anything about that, Like listen, you don't. He's that guy.

2406
02:37:49,400 --> 02:37:52,680
Speaker 1: Like but when he got to talk to you, like, wait,

2407
02:37:52,720 --> 02:37:54,760
Speaker 1: what is it? I gotta go wh I called nor.

2408
02:37:55,080 --> 02:38:00,640
Speaker 1: I was like, is it man? I said, stop drinking,

2409
02:38:00,680 --> 02:38:05,080
Speaker 1: you gotta stop drinking. I didn't know watching it. I

2410
02:38:05,160 --> 02:38:07,280
Speaker 1: was like watching my side. I called him back. It's like,

2411
02:38:07,959 --> 02:38:17,160
Speaker 1: oh yeah, it was so good. Like I think your

2412
02:38:17,200 --> 02:38:21,120
Speaker 1: best episodes have been Turk and Kanye by far, Like

2413
02:38:21,440 --> 02:38:26,320
Speaker 1: like I mean Kanye's I'm gonna give it to him,

2414
02:38:30,000 --> 02:38:34,360
Speaker 1: like I ain't gonna lie to you. He's a great interview.

2415
02:38:34,640 --> 02:38:37,879
Speaker 1: You know, there's so many people that that that actually

2416
02:38:38,280 --> 02:38:42,800
Speaker 1: uh went to the championship, but never actually you never

2417
02:38:42,879 --> 02:38:46,199
Speaker 1: seen the picture of them popping the bottle. Yeah, he's

2418
02:38:46,200 --> 02:38:52,720
Speaker 1: a guy that's at the chance get that. That's a

2419
02:38:52,959 --> 02:38:58,640
Speaker 1: great never seen bill called right paper bottles. You never

2420
02:38:58,680 --> 02:39:04,120
Speaker 1: see Steve kurt Mark skirl like like, by the way,

2421
02:39:04,160 --> 02:39:06,040
Speaker 1: by the way, let me just tell you something. I'm

2422
02:39:06,080 --> 02:39:09,320
Speaker 1: meeting with Jay Z. Steve Kerr walks by the side,

2423
02:39:10,080 --> 02:39:12,680
Speaker 1: goes one like this, he his thing is longer, like

2424
02:39:12,720 --> 02:39:16,960
Speaker 1: I'll seen your hall. So that Steve kurrk comes back

2425
02:39:18,240 --> 02:39:20,760
Speaker 1: you would think that Jay's gonna say to him, Yo,

2426
02:39:21,440 --> 02:39:26,400
Speaker 1: last night games crazy, Jay says them he was ready

2427
02:39:26,440 --> 02:39:30,000
Speaker 1: when Michael Jordan passed that ball. I'm looking at Jay

2428
02:39:30,240 --> 02:39:33,480
Speaker 1: like what he doesn't remember this? You know it? Steve

2429
02:39:33,560 --> 02:39:44,000
Speaker 1: Kerr goes exactly. He goes, had to be you know

2430
02:39:44,040 --> 02:39:45,720
Speaker 1: what to make him to say. But by the way,

2431
02:39:46,200 --> 02:39:47,720
Speaker 1: all right, so we stayed in the hotel. I don't

2432
02:39:47,720 --> 02:39:49,520
Speaker 1: want to say, where is that the whole different Nuggets

2433
02:39:49,520 --> 02:39:51,480
Speaker 1: just there. I'm not the differ nuggets all go to

2434
02:39:51,520 --> 02:39:55,119
Speaker 1: State Warriors staying there, Steph Kerry, everyone they walked by

2435
02:39:55,360 --> 02:39:59,400
Speaker 1: and I'm like this, but I got hold right. So

2436
02:39:59,560 --> 02:40:02,199
Speaker 1: some of them it is like what up North fella,

2437
02:40:02,280 --> 02:40:15,000
Speaker 1: looking like something new or something. And it was this.

2438
02:40:15,680 --> 02:40:17,800
Speaker 1: This is when I knew I'm not really that famous,

2439
02:40:17,959 --> 02:40:23,440
Speaker 1: right I want. I wanted to explain to you. Jay

2440
02:40:23,480 --> 02:40:25,920
Speaker 1: Z said, I'm meet you as he's o'clock. I said, great.

2441
02:40:26,600 --> 02:40:28,760
Speaker 1: But for some reason, I was downstairs at five thirty

2442
02:40:29,959 --> 02:40:32,640
Speaker 1: because I know these billionaire niggas they come early because

2443
02:40:32,640 --> 02:40:37,640
Speaker 1: they think they too good, and like, just as I expect,

2444
02:40:38,879 --> 02:40:42,080
Speaker 1: he was there at five forty. So I walked Jay,

2445
02:40:42,640 --> 02:40:45,400
Speaker 1: he goes he go, I said, Jade, but the rest

2446
02:40:45,400 --> 02:40:48,520
Speaker 1: of want to open to sis o'clock. I'm nervous as hell.

2447
02:40:49,040 --> 02:40:50,959
Speaker 1: Jay Z, come and see me. It's just me and him,

2448
02:40:51,480 --> 02:40:54,520
Speaker 1: Me and him in front this man, jay Z, what

2449
02:40:54,640 --> 02:40:57,400
Speaker 1: am I supposed to do? And then I said, jay

2450
02:40:57,879 --> 02:41:00,160
Speaker 1: the rest of the want to open to six. And

2451
02:41:00,320 --> 02:41:01,960
Speaker 1: you know what, jay Z looks at me and says,

2452
02:41:03,440 --> 02:41:06,320
Speaker 1: the restaurant opened. When we get that exactly what we

2453
02:41:06,440 --> 02:41:09,880
Speaker 1: say it exactly. And guess what coming down back? Yeah,

2454
02:41:10,080 --> 02:41:16,120
Speaker 1: you got five moments coming down. I wish I was

2455
02:41:18,480 --> 02:41:23,600
Speaker 1: coming out, he said, five moments. And he guess what happened?

2456
02:41:24,000 --> 02:41:27,119
Speaker 1: The people came and up and it was about because

2457
02:41:27,160 --> 02:41:30,200
Speaker 1: because I've been there here this whole week, they thought

2458
02:41:30,240 --> 02:41:33,240
Speaker 1: they said, Mrs Censeiology gotta leave. So they looked at me,

2459
02:41:33,360 --> 02:41:35,920
Speaker 1: and I looked and then this nigga dregs. You know,

2460
02:41:36,080 --> 02:41:39,920
Speaker 1: he got dress, he bought Molly and ship this they said,

2461
02:41:42,120 --> 02:41:45,520
Speaker 1: they gave us menus fantastic and he had fifteen minutes

2462
02:41:48,879 --> 02:41:55,360
Speaker 1: fifteen minutes early. Then you're on time. That's what you

2463
02:41:55,400 --> 02:42:00,040
Speaker 1: want this or you want the guys. I'm maintained. I

2464
02:42:00,360 --> 02:42:04,720
Speaker 1: don't know. I don't do that. I've done my job.

2465
02:42:05,120 --> 02:42:07,400
Speaker 1: I don't do this. By the way, I don't even

2466
02:42:07,440 --> 02:42:09,279
Speaker 1: think that's in there. I think it's like maple syrup

2467
02:42:09,360 --> 02:42:13,840
Speaker 1: and like, so you might as well try it. Try

2468
02:42:14,520 --> 02:42:20,280
Speaker 1: you do a real one. Okay, try it? Keep going, allright,

2469
02:42:20,560 --> 02:42:25,040
Speaker 1: all right, give me my drop, saying real quick, we're

2470
02:42:25,040 --> 02:42:28,560
Speaker 1: gonna take this shot. Drop. Well, I should do this

2471
02:42:28,760 --> 02:42:31,200
Speaker 1: before I do the drops. Yes, let me do this

2472
02:42:31,400 --> 02:42:35,080
Speaker 1: clean like, okay, you're about to give you about to

2473
02:42:35,080 --> 02:42:37,960
Speaker 1: give drink champs some ship. Just tell me what this?

2474
02:42:40,240 --> 02:42:45,720
Speaker 1: That's it? D No, no, give me all the drops. Okay,

2475
02:42:46,200 --> 02:42:48,560
Speaker 1: I don't know. I'm not here for the drops. I'm

2476
02:42:48,600 --> 02:42:50,320
Speaker 1: gonna take a shot and I'm gonna walk away, and

2477
02:42:50,320 --> 02:42:52,200
Speaker 1: you're gonna do the drops for yourself. No, then then

2478
02:42:52,240 --> 02:42:54,520
Speaker 1: you shouldn't be here for the Then you should just

2479
02:42:54,640 --> 02:43:01,080
Speaker 1: go I'm gonna finish this and then half. Thank you

2480
02:43:01,160 --> 02:43:05,000
Speaker 1: so much for being a man of your word. Hold on,

2481
02:43:05,240 --> 02:43:08,600
Speaker 1: hold on. Yeah, we're taking a picture too, But thank

2482
02:43:08,600 --> 02:43:10,199
Speaker 1: you so much for being a man of a word.

2483
02:43:10,680 --> 02:43:21,920
Speaker 1: But you know what, fu damn No, that's serious. But

2484
02:43:22,040 --> 02:43:27,040
Speaker 1: that's seriously because I'm so proud of your progress, Gracian.

2485
02:43:28,480 --> 02:43:32,199
Speaker 1: I know it's not worth I'm so proud of everything

2486
02:43:32,280 --> 02:43:36,640
Speaker 1: that you dared from with when first mat to where

2487
02:43:36,680 --> 02:43:39,280
Speaker 1: you are now. I'm proud of your family and proud

2488
02:43:39,320 --> 02:43:42,160
Speaker 1: of your crew, and probably I was so happy. So

2489
02:43:42,400 --> 02:43:45,080
Speaker 1: you just walk in and see that you had your

2490
02:43:45,160 --> 02:43:47,800
Speaker 1: crew set up, and that's what that's what, that's what

2491
02:43:47,840 --> 02:43:50,760
Speaker 1: I'm about. All these people here, most of them is

2492
02:43:50,840 --> 02:43:54,320
Speaker 1: my crew. No I see I know that, and that's beauty.

2493
02:43:54,360 --> 02:43:56,680
Speaker 1: I can see the guess and guess what they're getting

2494
02:43:56,680 --> 02:43:59,160
Speaker 1: the check to us. They're not here to just chill

2495
02:44:00,280 --> 02:44:08,160
Speaker 1: mostly that day. They're chilling, Rob. It's gonna be about it.

2496
02:44:08,640 --> 02:44:13,600
Speaker 1: Thank you. And then you do you drop? What's the

2497
02:44:13,680 --> 02:44:19,280
Speaker 1: difference I'm do? I have to do this drop to

2498
02:44:19,320 --> 02:44:24,080
Speaker 1: the okay, but not now. We'll come to you. What

2499
02:44:24,200 --> 02:44:26,720
Speaker 1: come to you? Hold on about this, guys, come to

2500
02:44:28,440 --> 02:44:35,160
Speaker 1: stand up. We'll come to you. Even here. His name

2501
02:44:35,200 --> 02:44:39,160
Speaker 1: is Louis stand up for me and you the same

2502
02:44:39,200 --> 02:44:43,320
Speaker 1: size in my mind, I never knew I was here yesterday.

2503
02:44:44,240 --> 02:44:57,880
Speaker 1: He has to print. Thanks for joining us for another

2504
02:44:57,920 --> 02:45:00,360
Speaker 1: episode of Drink Chams hosted by Yours True Really, d

2505
02:45:00,480 --> 02:45:02,840
Speaker 1: J E F N and n O R E. Please

2506
02:45:02,879 --> 02:45:05,080
Speaker 1: make sure to follow us on all our socials. Let's

2507
02:45:05,120 --> 02:45:08,680
Speaker 1: at drink Champs across all platforms at the Real Noriegan

2508
02:45:08,800 --> 02:45:12,360
Speaker 1: I g at Noriega on Twitter, mine is at Who's

2509
02:45:12,360 --> 02:45:15,240
Speaker 1: Crazy on I g at d j e f N

2510
02:45:15,320 --> 02:45:17,720
Speaker 1: on Twitter, and most importantly, stay up to date with

2511
02:45:17,800 --> 02:45:21,160
Speaker 1: the latest releases, news and merged by going to drink

2512
02:45:21,240 --> 02:45:31,040
Speaker 1: Champs dot com. For more podcasts from my Heart Radio,

2513
02:45:31,440 --> 02:45:35,120
Speaker 1: visit the iHeart Radio app, Apple Podcast, or wherever you

2514
02:45:35,240 --> 02:45:36,440
Speaker 1: listen to your favorite shows.