1 00:00:04,080 --> 00:00:07,480 Speaker 1: Welcome to Aaron Mankey's Cabinet of Curiosities, a production of 2 00:00:07,480 --> 00:00:13,840 Speaker 1: I Heart Radio and Grim and Mild. Our world is 3 00:00:13,960 --> 00:00:17,960 Speaker 1: full of the unexplainable, and if history is an open book, 4 00:00:18,280 --> 00:00:21,640 Speaker 1: all of these amazing tales are right there on display, 5 00:00:22,000 --> 00:00:27,600 Speaker 1: just waiting for us to explore. Welcome to the Cabinet 6 00:00:27,840 --> 00:00:39,199 Speaker 1: of Curiosities. The smell of fresh ink gun paper, the 7 00:00:39,280 --> 00:00:42,199 Speaker 1: crack of the spine, the sight of one's book on 8 00:00:42,240 --> 00:00:45,480 Speaker 1: a bookstore shelf. These are the things that make publishing 9 00:00:45,640 --> 00:00:49,159 Speaker 1: so alluring. However, the chances of getting represented by a 10 00:00:49,200 --> 00:00:53,040 Speaker 1: literary agent, then having one's manuscript accepted by a publisher 11 00:00:53,440 --> 00:00:56,760 Speaker 1: are pretty slim. There seems to be gatekeepers every step 12 00:00:56,800 --> 00:01:00,760 Speaker 1: of the way. Chuck Ross met those gate keepers before. 13 00:01:01,240 --> 00:01:04,120 Speaker 1: During the nineteen seventies, Ross had been an aspiring mystery 14 00:01:04,160 --> 00:01:08,160 Speaker 1: novelist making ends meet by selling cable TV subscriptions door 15 00:01:08,160 --> 00:01:10,559 Speaker 1: to door. When the day was done and his feet 16 00:01:10,600 --> 00:01:14,039 Speaker 1: were sore from walking all over Santa Monica, California, Ross 17 00:01:14,040 --> 00:01:16,600 Speaker 1: sat down at his typewriter to put words on the page. 18 00:01:16,959 --> 00:01:20,000 Speaker 1: He spent nights and weekends plotting out a mystery novel 19 00:01:20,080 --> 00:01:23,959 Speaker 1: he was sure would become a hit. Ross knew he 20 00:01:23,959 --> 00:01:26,440 Speaker 1: would be one of a hundred other authors mailing in 21 00:01:26,480 --> 00:01:29,880 Speaker 1: their books to prospective publishing houses that month, so he 22 00:01:29,920 --> 00:01:32,920 Speaker 1: did something to stand out. He fixed a seal over 23 00:01:32,959 --> 00:01:35,720 Speaker 1: the last few pages to hide the big reveal. If 24 00:01:35,760 --> 00:01:37,800 Speaker 1: an editor had gotten to the point and wanted to 25 00:01:37,840 --> 00:01:40,160 Speaker 1: see how it ended, they could break the seal and 26 00:01:40,200 --> 00:01:43,639 Speaker 1: read on. Ross sent his manuscript to over a dozen 27 00:01:43,680 --> 00:01:46,600 Speaker 1: publishers and then waited for their request to pour in. 28 00:01:47,120 --> 00:01:50,240 Speaker 1: Weeks later, his mailbox started filling up, and Ross noticed 29 00:01:50,280 --> 00:01:54,120 Speaker 1: something peculiar. Not only had every publishing house rejected him, 30 00:01:54,160 --> 00:01:57,200 Speaker 1: but many had barely read the manuscript at all. Most 31 00:01:57,240 --> 00:01:59,480 Speaker 1: had still left the seal in place over the last 32 00:01:59,520 --> 00:02:03,080 Speaker 1: few page is another writer might have sent their novel 33 00:02:03,120 --> 00:02:06,520 Speaker 1: out to different publishers or tried their luck with literary agents. 34 00:02:07,080 --> 00:02:09,959 Speaker 1: Not Ross. He got to work on another book right away, 35 00:02:10,160 --> 00:02:12,880 Speaker 1: except this time he branched out from the mystery genre. 36 00:02:13,520 --> 00:02:16,120 Speaker 1: His next manuscript was a collection of short stories and 37 00:02:16,160 --> 00:02:19,760 Speaker 1: conversations told from a first person point of view. None 38 00:02:19,760 --> 00:02:22,800 Speaker 1: of the characters or settings had names, and its subject 39 00:02:22,800 --> 00:02:25,640 Speaker 1: matter was much more serious than a simple Who Done It. 40 00:02:26,160 --> 00:02:28,840 Speaker 1: It touched upon a man's life in Poland controlled by 41 00:02:28,880 --> 00:02:32,360 Speaker 1: the Soviet Union, followed by the character's eventual move to 42 00:02:32,400 --> 00:02:37,360 Speaker 1: the United States. He touched upon themes of capitalism, violence, sexuality, 43 00:02:37,440 --> 00:02:40,720 Speaker 1: and loneliness. It was his finest work and a stark 44 00:02:40,760 --> 00:02:43,000 Speaker 1: departure from the kind of material he had tried to 45 00:02:43,040 --> 00:02:48,520 Speaker 1: get published before. Ross mailed out sample pages to four publishers, 46 00:02:48,560 --> 00:02:51,960 Speaker 1: and just like before, each publisher sent back a rejection letter. 47 00:02:52,400 --> 00:02:54,800 Speaker 1: But he wouldn't give up. He continued to work on 48 00:02:54,880 --> 00:02:57,240 Speaker 1: his story collection until it was ready to send out 49 00:02:57,240 --> 00:03:00,240 Speaker 1: in its entirety. In nineteen seventy nine. He's some mimitted 50 00:03:00,280 --> 00:03:03,519 Speaker 1: the full book under the pseudonym Eric Demos, to fourteen 51 00:03:03,560 --> 00:03:08,240 Speaker 1: more major publishers. Apparently the extra work didn't help. Ross 52 00:03:08,320 --> 00:03:12,040 Speaker 1: received rejection after rejection from every editor who read his book. 53 00:03:12,360 --> 00:03:15,519 Speaker 1: They called his prose lucid, but his content on inspiring 54 00:03:15,919 --> 00:03:19,400 Speaker 1: literary agents responded the same way. All twenty six that 55 00:03:19,480 --> 00:03:23,520 Speaker 1: Ross had reached out to it seemed nobody wanted his 56 00:03:23,600 --> 00:03:27,200 Speaker 1: new book, which was surprising considering it had already won 57 00:03:27,360 --> 00:03:32,320 Speaker 1: the National Book Award. Ross's collection, titled Steps, wasn't actually 58 00:03:32,400 --> 00:03:34,800 Speaker 1: his to begin with. It had been written by author 59 00:03:34,960 --> 00:03:39,600 Speaker 1: Jersey Kazinski in ninety eight. You see Ross, frustrated by 60 00:03:39,640 --> 00:03:42,960 Speaker 1: publishers indifference to his first novel, had wanted to try 61 00:03:42,960 --> 00:03:47,520 Speaker 1: a little experiment. He retyped several pages of Kazinski's second book, 62 00:03:47,720 --> 00:03:50,920 Speaker 1: which had already sold over four hundred thousand copies by 63 00:03:50,960 --> 00:03:53,480 Speaker 1: that time, and sent them in under a different name. 64 00:03:54,280 --> 00:03:56,680 Speaker 1: When that didn't work, he'd tried again with the whole book, 65 00:03:56,880 --> 00:04:00,600 Speaker 1: only to achieve the same results. What had surprised him most, though, 66 00:04:00,720 --> 00:04:03,960 Speaker 1: was one publisher's decision not to accept it. After all, 67 00:04:04,040 --> 00:04:07,320 Speaker 1: they had been the real publisher of Cosenzi's book, the 68 00:04:07,320 --> 00:04:11,280 Speaker 1: one that Ross had retyped. Another publisher who had released 69 00:04:11,320 --> 00:04:15,120 Speaker 1: Kazinski's first novel, admired the writing and style of Steps, 70 00:04:15,400 --> 00:04:17,160 Speaker 1: going as far as to compare it to the work 71 00:04:17,200 --> 00:04:21,080 Speaker 1: of one of their own authors, Jersey Kazinski. Unfortunately, it 72 00:04:21,200 --> 00:04:23,960 Speaker 1: just didn't, as they put it, add up to a 73 00:04:24,080 --> 00:04:29,039 Speaker 1: satisfactory hole. Sadly, Ross's stunt didn't earn him his own 74 00:04:29,040 --> 00:04:31,159 Speaker 1: book deal, but he did write a piece about it 75 00:04:31,200 --> 00:04:33,839 Speaker 1: for a popular magazine, which led to a new career 76 00:04:33,920 --> 00:04:37,280 Speaker 1: as a freelance journalist for publications like The Hollywood Reporter 77 00:04:37,480 --> 00:04:41,160 Speaker 1: and San Francisco Chronicle. Ross wasn't ready to give up 78 00:04:41,200 --> 00:04:44,440 Speaker 1: his experiments just yet, he tried his luck one last 79 00:04:44,480 --> 00:04:48,440 Speaker 1: time in n except instead of testing the saleability of 80 00:04:48,480 --> 00:04:52,200 Speaker 1: bestselling novels, he used an iconic film. He sent two 81 00:04:52,320 --> 00:04:55,559 Speaker 1: hundred and seventeen Hollywood agencies a copy of his brand 82 00:04:55,600 --> 00:04:59,120 Speaker 1: new script, Everybody Comes to Rix. He told the story 83 00:04:59,160 --> 00:05:01,719 Speaker 1: of a club owner during World War Two who helps 84 00:05:01,800 --> 00:05:04,280 Speaker 1: his long lost love and her new husband, who are 85 00:05:04,320 --> 00:05:08,080 Speaker 1: rebels on the run from the Germans. Ninety agencies refused 86 00:05:08,120 --> 00:05:11,440 Speaker 1: to read it due to a policy regarding unsolicited submissions, 87 00:05:11,800 --> 00:05:14,920 Speaker 1: eight felt it was too similar to another film, and 88 00:05:15,000 --> 00:05:18,400 Speaker 1: thirty eight agencies flat out rejected it. They said Ross's 89 00:05:18,440 --> 00:05:22,479 Speaker 1: dialogue was excessive and the storyline was weak, among other 90 00:05:22,680 --> 00:05:27,240 Speaker 1: negative comments. Thirty three agencies, though, recognize what they've been sent. 91 00:05:27,720 --> 00:05:29,720 Speaker 1: One agent went so far as to tell the writer 92 00:05:29,839 --> 00:05:33,040 Speaker 1: that he'd already seen the film one hundred and forty 93 00:05:33,160 --> 00:05:37,360 Speaker 1: seven times. If you haven't guessed already, Ross had mailed 94 00:05:37,360 --> 00:05:41,039 Speaker 1: out the script for Casablanca. Suffice it to say his 95 00:05:41,120 --> 00:05:57,400 Speaker 1: prank was not the start of any beautiful friendships. We 96 00:05:57,480 --> 00:06:00,320 Speaker 1: can't always help who we become, so my to who 97 00:06:00,320 --> 00:06:02,960 Speaker 1: we are is grounded in what we come from. It's 98 00:06:02,960 --> 00:06:06,000 Speaker 1: no surprise that children of musicians often start bands of 99 00:06:06,000 --> 00:06:08,960 Speaker 1: their own, or that sons and daughters of famous actors 100 00:06:09,000 --> 00:06:12,960 Speaker 1: becomes stars in their own rights. Francis didn't have a 101 00:06:13,080 --> 00:06:16,200 Speaker 1: chance either. Her parents, Ethel and Frank Gum, had been 102 00:06:16,279 --> 00:06:20,320 Speaker 1: vaudevillian entertainers before settling down in Grand Rapids. They ran 103 00:06:20,360 --> 00:06:23,120 Speaker 1: a movie theater together, which featured a stage where their 104 00:06:23,160 --> 00:06:29,040 Speaker 1: fellow vaudevillians would perform. Together. They had three children, Mary Jane, Dorothy, Virginia, 105 00:06:29,400 --> 00:06:33,960 Speaker 1: and Francis, the youngest. Francis was born in nine two 106 00:06:34,200 --> 00:06:36,520 Speaker 1: and was performing for audiences by the time she was 107 00:06:36,560 --> 00:06:39,279 Speaker 1: just two years old. Her debut came when she walked 108 00:06:39,279 --> 00:06:42,080 Speaker 1: onto the stage during a Christmas show at her parents theater, 109 00:06:42,400 --> 00:06:46,080 Speaker 1: singing jingle bells alongside her two sisters. There was an 110 00:06:46,080 --> 00:06:49,080 Speaker 1: act that would seal her fate and her future forever. 111 00:06:50,360 --> 00:06:52,680 Speaker 1: The family was forced to move a few years later 112 00:06:52,800 --> 00:06:56,400 Speaker 1: after illicit rumors started to swirl about her father. Frank 113 00:06:56,440 --> 00:06:59,680 Speaker 1: Ethel and the girls headed west to Lancaster, California, where 114 00:06:59,720 --> 00:07:03,400 Speaker 1: heats an ownership of another theater. Ethel, on the other hand, 115 00:07:03,440 --> 00:07:06,599 Speaker 1: had no interest in running a theater again. Instead, she 116 00:07:06,680 --> 00:07:10,120 Speaker 1: saw something special in her daughters and how audiences reacted 117 00:07:10,120 --> 00:07:13,400 Speaker 1: when they performed. She became their manager, signing them up 118 00:07:13,440 --> 00:07:15,800 Speaker 1: for dance lessons to help them break into the movies. 119 00:07:16,360 --> 00:07:19,160 Speaker 1: Her efforts took a toll on her marriage, though Ethel 120 00:07:19,240 --> 00:07:21,480 Speaker 1: was often away from home with the girls as she 121 00:07:21,560 --> 00:07:25,160 Speaker 1: hauled them from audition to audition while Frank watched the 122 00:07:25,160 --> 00:07:29,480 Speaker 1: theater and the young men who worked there. Francis, Mary Jane, 123 00:07:29,480 --> 00:07:32,240 Speaker 1: and Virginia Dorothy got their first taste of fame in 124 00:07:32,320 --> 00:07:35,080 Speaker 1: short films, which they performed in together from the late 125 00:07:35,120 --> 00:07:38,360 Speaker 1: twenties to the mid thirties. Under their mother's guidance, they 126 00:07:38,480 --> 00:07:41,520 Speaker 1: even sang and danced their way onto the vaudevillian circuit, 127 00:07:41,880 --> 00:07:46,000 Speaker 1: taking the stage together as the Gum Sisters. Unfortunately, the 128 00:07:46,080 --> 00:07:49,760 Speaker 1: name didn't wow audiences. A theater in Chicago once listed 129 00:07:49,800 --> 00:07:53,040 Speaker 1: them as the Glum Sisters. They changed their last name 130 00:07:53,080 --> 00:07:55,520 Speaker 1: after that, though the origins of the change are still 131 00:07:55,560 --> 00:07:59,080 Speaker 1: contested to this day. A common story claims that vaudeville 132 00:07:59,120 --> 00:08:02,960 Speaker 1: star George Hustle inspired their new surname after commenting on 133 00:08:03,000 --> 00:08:07,240 Speaker 1: their beauty during a show. As with other duos and 134 00:08:07,320 --> 00:08:10,880 Speaker 1: trios in Hollywood's heyday, one member always stood apart from 135 00:08:10,880 --> 00:08:14,720 Speaker 1: the rest for the sisters, it was Francis. Burton Lange, 136 00:08:14,880 --> 00:08:18,000 Speaker 1: a songwriter for MGM Studios, had been in the audience 137 00:08:18,000 --> 00:08:20,640 Speaker 1: at the Paramount Theater when the sisters came on stage 138 00:08:20,680 --> 00:08:24,119 Speaker 1: to perform. As soon as Francis opened her mouth, lane 139 00:08:24,160 --> 00:08:27,040 Speaker 1: was sold. He called the head of the studio's music department, 140 00:08:27,160 --> 00:08:30,520 Speaker 1: Jack Robbins, to tell him about the young girl's amazing voice. 141 00:08:30,760 --> 00:08:34,360 Speaker 1: Francis was invited to MGM the following day for an audition. 142 00:08:35,480 --> 00:08:38,200 Speaker 1: She arrived with her father and performed two songs with 143 00:08:38,280 --> 00:08:41,520 Speaker 1: Burton Lange accompanying her on piano. When it was over, 144 00:08:41,720 --> 00:08:44,520 Speaker 1: Robbins ran out of the room. Minutes later, he came 145 00:08:44,559 --> 00:08:47,480 Speaker 1: back with the head of MGM himself, Louis B. Mayer, 146 00:08:47,640 --> 00:08:50,480 Speaker 1: who was so floored by her singing he paraded writers, 147 00:08:50,480 --> 00:08:54,120 Speaker 1: producers and directors from all over Hollywood through the room 148 00:08:54,200 --> 00:08:58,719 Speaker 1: to hear her. Francis's marathon audition had begun at nine 149 00:08:58,720 --> 00:09:01,800 Speaker 1: o'clock in the morning and didn't finish until seven thirty 150 00:09:01,840 --> 00:09:04,480 Speaker 1: at night, but it had done the trick. The Gum 151 00:09:04,600 --> 00:09:09,240 Speaker 1: Sisters were no more. Only Francis had been signed to MGM. 152 00:09:09,240 --> 00:09:12,199 Speaker 1: She started attending school at the studio while acting and 153 00:09:12,240 --> 00:09:15,679 Speaker 1: singing in big budget motion pictures. She practically grew up 154 00:09:15,679 --> 00:09:18,720 Speaker 1: in the Hollywood system, going from a straight laced girl 155 00:09:18,800 --> 00:09:21,840 Speaker 1: next door to the sophisticated songstress she was known as 156 00:09:21,960 --> 00:09:24,840 Speaker 1: later in life. Over the course of her career, she 157 00:09:24,840 --> 00:09:27,559 Speaker 1: would perform in over twenty five films with such stars 158 00:09:27,600 --> 00:09:32,280 Speaker 1: as Gene Kelly, Fred Astaire, Angela Lansbury, and Mary ast Her. Sadly, 159 00:09:32,360 --> 00:09:34,960 Speaker 1: her father never got to see the little girl become 160 00:09:35,000 --> 00:09:38,520 Speaker 1: the star. On November sixteenth of nineteen thirty five, frank 161 00:09:38,559 --> 00:09:42,440 Speaker 1: Gum was diagnosed with meningitis. Francis, then thirteen at the time, 162 00:09:42,840 --> 00:09:45,360 Speaker 1: was singing on an NBC radio show while her father 163 00:09:45,480 --> 00:09:48,640 Speaker 1: was in the hospital. He passed away the next day, 164 00:09:48,760 --> 00:09:50,840 Speaker 1: but he would have been proud of her, watching her 165 00:09:50,920 --> 00:09:54,480 Speaker 1: rise to the status of cultural icon. Though the world 166 00:09:54,559 --> 00:09:58,520 Speaker 1: would never whisper the name of Francis Gum among Hollywood legends, 167 00:09:58,920 --> 00:10:02,160 Speaker 1: they would certainly come to know and practically revere, the 168 00:10:02,240 --> 00:10:05,720 Speaker 1: girl who traveled somewhere over the Rainbow to become none 169 00:10:05,720 --> 00:10:12,240 Speaker 1: other than Judy Garland. I hope you've enjoyed today's guided 170 00:10:12,240 --> 00:10:15,680 Speaker 1: tour of the Cabinet of Curiosities. Subscribe for free on 171 00:10:15,720 --> 00:10:18,720 Speaker 1: Apple Podcasts, or learn more about the show by visiting 172 00:10:18,880 --> 00:10:23,440 Speaker 1: Curiosities podcast dot com. The show was created by me 173 00:10:23,640 --> 00:10:27,280 Speaker 1: Aaron Manky in partnership with how Stuff Works. I make 174 00:10:27,360 --> 00:10:30,880 Speaker 1: another award winning show called Lore, which is a podcast, 175 00:10:31,000 --> 00:10:33,920 Speaker 1: book series, and television show and you can learn all 176 00:10:33,960 --> 00:10:37,520 Speaker 1: about it over at the World of Lore dot com. 177 00:10:37,559 --> 00:10:41,000 Speaker 1: And until next time, stay curious. Yeah,