WEBVTT - Datari Turner Full Interview

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<v Speaker 1>my next guest, He's on the phone. It's one of

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<v Speaker 1>the most prolific independent producers in Hollywood. Thirty producer credits,

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<v Speaker 1>six Sundance Films, Nanny, eight Film Festival Award nominations, and

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<v Speaker 1>one hundred plus hours of original TV programming for WE TV, Oxygen,

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<v Speaker 1>b ET TV one, and Stars. Please welcome to Money

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<v Speaker 1>Making Conversations, the old Friend the Tori Turner. How you doing, sir?

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<v Speaker 1>Thank you for having me boss, I appreciate it. Thanks

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<v Speaker 1>happening for well you know, you know, I uh, when

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<v Speaker 1>I started this show, money Making Conversations, and um, it's

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<v Speaker 1>about entrepreneurship. It's about entertainment. Um. And I'm out there

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<v Speaker 1>managing Steve's career, management, own writing and producing career. And

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<v Speaker 1>uh and I've just, I guess, keep seeing the evolution

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<v Speaker 1>of you, uh, from a model, from an actor, and

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<v Speaker 1>I just wanted to take the time before we started

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<v Speaker 1>getting into the projects to talk about that evolution, because

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<v Speaker 1>I'm sure that they took you into some uncharted waters

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<v Speaker 1>talked to us about that transition. Yeah, well, you know,

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<v Speaker 1>I mean I I started my career in the entertainment business.

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<v Speaker 1>I was discovered by the four Minland agency when I

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<v Speaker 1>was nineteen, and you know, my career quickly took off.

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<v Speaker 1>I moved to New York and you know it was

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<v Speaker 1>in a lot of really major campaigns, from Abercrombie and

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<v Speaker 1>Fitz to Timmy Hill. Figure when did he started, Sean John?

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<v Speaker 1>He he made me the face of of the of

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<v Speaker 1>the line for a few years. And you know, I obviously,

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<v Speaker 1>you know, thought about you know, I thought about my

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<v Speaker 1>life a lot. My parents always talked about legacy. Um.

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<v Speaker 1>You know, both my parents been married for the years

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<v Speaker 1>and um, you know, they always talked about legacy and

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<v Speaker 1>and um, you know, being at they always was skeptical

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<v Speaker 1>about me getting into the entertainment business. My dad works

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<v Speaker 1>for the government and my mother is on the school board.

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<v Speaker 1>Nothing career that's career employment right there, brother, career employment exactly.

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<v Speaker 1>So I you know, I was doing really really well

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<v Speaker 1>in the fashion business, but I was always thinking about

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<v Speaker 1>what my life was gonna look like when I was

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<v Speaker 1>thirty and forty, and you know, I always thought about

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<v Speaker 1>down the road, and you know, I didn't want to

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<v Speaker 1>be the guy who you know, was still trying to

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<v Speaker 1>model or go to auditions when I was thirty and

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<v Speaker 1>forty years old. So really, um, you know, even though

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<v Speaker 1>I was doing really well, it was, now, you weren't

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<v Speaker 1>an interesting point. Yeah, you know, I was doing okay,

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<v Speaker 1>but it was an interesting point in my life. I

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<v Speaker 1>felt very Uh I was. I was depressed, and y'all

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<v Speaker 1>was you know. I had times when I was depressed

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<v Speaker 1>because I was just like, you know, this can't be it.

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<v Speaker 1>I know that that I want to do more. And

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<v Speaker 1>that's when I really started thinking about making that transition

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<v Speaker 1>into writing and producing. And you know, I when when

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<v Speaker 1>you know, I was staying in the house for days

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<v Speaker 1>at a time and just watch movie, you know, watch

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<v Speaker 1>older movies. I watched like everything Hitchcock made, and you know,

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<v Speaker 1>Stanley Kubrick and even Kazin and you know John Cassavetti's

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<v Speaker 1>I just started really getting into watching films. And that's

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<v Speaker 1>when I, um, you know, I started writing. I decided,

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<v Speaker 1>you know, I wanted to be a writer producer, and

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<v Speaker 1>I started working on my first screenplay, which was Video Girl.

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<v Speaker 1>M m M. Now he's an interesting thing about it.

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<v Speaker 1>I want to tell people about our relationship because when

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<v Speaker 1>he was modeling modeling and he was transitioning into acting,

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<v Speaker 1>and that's when we met on sitcom. And the thing

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<v Speaker 1>about him that I'm so proud of, and I have

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<v Speaker 1>to say, I take this with pride, which because he

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<v Speaker 1>was never satisfied with just doing the lines. He wanted

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<v Speaker 1>to understand the whole process. And so he's sit in

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<v Speaker 1>my office, he said, and just pretty much bug me

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<v Speaker 1>to give him enough information just like do he can

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<v Speaker 1>understood And it was always there. But but but but

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<v Speaker 1>that was a fearless nature about you that even back then,

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<v Speaker 1>you know, I knew then that you were not I

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<v Speaker 1>believe me, I'm not a visionary. I didn't know the

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<v Speaker 1>evolution of what you are today one of the top

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<v Speaker 1>producers and creative minds in Hollywood today, young minds. Let's

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<v Speaker 1>go and put that in prospective young minds in Hollywood today.

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<v Speaker 1>When you when you were sitting back there just asking

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<v Speaker 1>me questions, other producer's questions, what was the what was

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<v Speaker 1>the thought process? Because we would just bring you in

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<v Speaker 1>there trying to help you transition, give you an acting opportunity,

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<v Speaker 1>because you want to be more than just a model.

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<v Speaker 1>At the time. Yeah, I mean I just like I'm

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<v Speaker 1>I'm a big student of the business. You know, I

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<v Speaker 1>researched a lot of people's careers and you know, and

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<v Speaker 1>and obviously you know, uh, what you and Steve has

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<v Speaker 1>been able to do has been amazing. I mean, that's

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<v Speaker 1>that's it's really really big, you know, uh, you know,

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<v Speaker 1>entrepreneurial minds. You know, opportunities you've given to so many

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<v Speaker 1>people you know that look like us. I mean, it's

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<v Speaker 1>it's just you know, incredible. Um. I think for me,

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<v Speaker 1>I just wanted always, like I said, I always thought

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<v Speaker 1>about just having longevity. And I think when you when

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<v Speaker 1>you were able to create your own projects, you know,

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<v Speaker 1>I think the town has to respect you better. You know,

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<v Speaker 1>like you you're not just somebody waiting by the phone

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<v Speaker 1>for somebody to give you a job. So, you know,

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<v Speaker 1>when I even when I looked at the people like

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<v Speaker 1>the George Clooney's and the Brad Pitts, and even the

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<v Speaker 1>way you know, Brad Pitt and and you know, I

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<v Speaker 1>mean even the way Matt Damon and and that athlet

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<v Speaker 1>got into business by sort of righting themselves in the

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<v Speaker 1>business because they wrote good will hunting. Um. The feeling

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<v Speaker 1>that they want to ask me for. I just think

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<v Speaker 1>that the town, you know, and people like John Favreau

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<v Speaker 1>who wrote Swingers and he you know, he was acting

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<v Speaker 1>and stuff. Now he's one of the biggest directors on

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<v Speaker 1>our business. I just think that you have to be you.

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<v Speaker 1>You have to do more things than than just one

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<v Speaker 1>and you know when you can, you know, create your

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<v Speaker 1>own projects again. I just think that's that's just a

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<v Speaker 1>different level of respect in our business that comes with

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<v Speaker 1>that versus just being looked at is sole me just

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<v Speaker 1>a talent. Here's a great thing about it. On the phone.

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<v Speaker 1>He's on the phone. He's the creator and executive producer

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<v Speaker 1>the hit WE TV franchise Growing Up hip Hop, which

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<v Speaker 1>is currently in his fourth season and spending off a

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<v Speaker 1>Miami version to add to the New York in Atlanta series.

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<v Speaker 1>Uh Datari Turner, Tatari. Let's talk about that whole process. First,

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<v Speaker 1>the original concept, the original show, Growing Up hip Hop,

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<v Speaker 1>and now the franchise that we here we see on

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<v Speaker 1>TV the housewives type franchises. That is, uh, what makes

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<v Speaker 1>me most proud about what you accomplishing. You know, you're

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<v Speaker 1>making money while you're sleeping. Yeah, yeah, I mean you know.

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<v Speaker 1>But for me, I always you know, my my mission

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<v Speaker 1>statement in life. I just I feel like everything that

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<v Speaker 1>I do it has to have a real message of

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<v Speaker 1>why I'm doing it, Like I never wanted to do something,

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<v Speaker 1>uh just just for money, you know, because images are

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<v Speaker 1>really powerful, you know, you know, I mean they say

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<v Speaker 1>that what we do in Hollywood is not brain surgery.

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<v Speaker 1>But you know, if you really think about it, you know,

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<v Speaker 1>this is the reason why America is still a superpower

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<v Speaker 1>really is because of our entertainment business. We're not topped

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<v Speaker 1>in in education. You know, uh China, how many OWDs

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<v Speaker 1>half of us would be we are dead like crazy,

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<v Speaker 1>and then we now have other militaries that rival are.

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<v Speaker 1>So the reason why we're really a superpowers because of

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<v Speaker 1>our entertainment industry. When we release a movie, it's the

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<v Speaker 1>number one movie in the world. You know. Our movie

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<v Speaker 1>stars are the biggest movie stars in the world. Are

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<v Speaker 1>even all reality stars are? But I grown up hip

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<v Speaker 1>hop really was. You know, she's playing a long time ago.

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<v Speaker 1>You know. I remember when I created my first TV show,

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<v Speaker 1>to Olt and Hustler with Damon Dash at BT. You know,

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<v Speaker 1>Damon says something to me that always stuck with me.

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<v Speaker 1>You know, him and jay Z were sort of going

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<v Speaker 1>through their break up at the time. You know, they

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<v Speaker 1>both said when they when they started Rockefeller Records, you know,

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<v Speaker 1>they named their company after this legacy, you know, white

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<v Speaker 1>family because they didn't know of a lot of black

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<v Speaker 1>familacies that had black families that had generational wealth and

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<v Speaker 1>had legacies like the Rockefellers. So that always stuck with

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<v Speaker 1>me because at that time, you know, didd he was

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<v Speaker 1>coming up with them, and even Russell Simmons hadn't had

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<v Speaker 1>kids or been married to Camara yet, so they named

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<v Speaker 1>their company after this rich wife family, and I was

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<v Speaker 1>just like, that's you know, I'm thinking about that and

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<v Speaker 1>how my parents always talked about legacy. Now through hip hop,

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<v Speaker 1>you have these wealthy families that have second second generation

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<v Speaker 1>as well. So I just you know, when you know,

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<v Speaker 1>I was I hired you know, Angela's sister Vanessa Simmons

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<v Speaker 1>for a movie I produced called Dysfunctional Friends, and how

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<v Speaker 1>that came about, uh, you know, then the Chevy company

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<v Speaker 1>reached out to me. They wanted me to create sort

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<v Speaker 1>of like a web series for their site because a

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<v Speaker 1>lot of these brands now trying to really get into

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<v Speaker 1>content and so they exactly. So, so I came up

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<v Speaker 1>with a with a web series called Celebrity clauset Raid,

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<v Speaker 1>and I'll reach back out to Vanessa to have her

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<v Speaker 1>do it, because you know, they have these you know

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<v Speaker 1>clauses that have like hundreds of thousands of dollars worth

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<v Speaker 1>of close and she couldn't do it at the time

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<v Speaker 1>that she was pregnant, but she said, you should do

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<v Speaker 1>my sister Angela because she has you know, quarter million

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<v Speaker 1>dollars and shoes in in closes. So I hired Angela

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<v Speaker 1>to do this show and then we you know, we

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<v Speaker 1>became you know, good friends, and um, you know, she

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<v Speaker 1>was looking to get back in the reality TV and

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<v Speaker 1>so we both you know, set out to try to

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<v Speaker 1>get her a show and then we were unsuccessful in that.

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<v Speaker 1>And then that's when I came up with the idea too.

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<v Speaker 1>You know, I was like, well, how about we doing

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<v Speaker 1>with all of the legacy kids. Let's go get Romeo.

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<v Speaker 1>Let's go get Romeo mask the p I had just

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<v Speaker 1>produced a movie car a Girl Like Grace that Romeo

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<v Speaker 1>was in, and uh, you know, I went back to

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<v Speaker 1>Damon Dash, who I had who I did my first

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<v Speaker 1>show and now his son was grown boogie and uh,

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<v Speaker 1>it really was just me calling all relationship relationship exactly.

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<v Speaker 1>That's what Drift we did as well. Let's uh, let's uh,

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<v Speaker 1>let's get ready for the next break. Here my friend

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<v Speaker 1>I'm on the phone with I want to call my friend.

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<v Speaker 1>I want to call somebody that I met and saw

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<v Speaker 1>him just become a force in Hollywood, s Torre Turtler.

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<v Speaker 1>We bere back with more because we want to hear

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<v Speaker 1>about a boar, a girl, a dream, and that showtime

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<v Speaker 1>series that you're doing, the NBA Draft with Lebron James.

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<v Speaker 1>I'm back money making conversation. Not only am I back,

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<v Speaker 1>but he's still on the phone my next guests. As

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<v Speaker 1>you heard earlier, is the most prolific independent producer in Hollywood.

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<v Speaker 1>Thirty producer credits, six Sundance films, they ate Film Festival

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<v Speaker 1>Award nominations, and one hundred plus hours of original TV

0:12:29.600 --> 0:12:34.320
<v Speaker 1>programming for WE TV, Oxygen, b Et, TV one, and Stars.

0:12:34.600 --> 0:12:36.400
<v Speaker 1>And we just talked about. One of is the projects

0:12:36.400 --> 0:12:39.760
<v Speaker 1>to expanding becoming the franchise UM. He's the creator and

0:12:39.800 --> 0:12:43.080
<v Speaker 1>the executive producer of the hit WE TV franchise Growing

0:12:43.200 --> 0:12:45.920
<v Speaker 1>Up Hip Hop, which is currently in his fourth season

0:12:46.000 --> 0:12:48.760
<v Speaker 1>and it's spinning off a Miami version to add to

0:12:48.800 --> 0:12:56.000
<v Speaker 1>the New York and Atlanta series. Spending Off. Yeah, spending off. Okay,

0:12:56.040 --> 0:12:58.720
<v Speaker 1>you know when I hear that, man, that's all I hear.

0:12:59.520 --> 0:13:02.120
<v Speaker 1>When I hear that, Mr turn Mr Turner. Now when

0:13:02.160 --> 0:13:04.599
<v Speaker 1>you say spending up, I gotta say, Mr Turner. I

0:13:04.640 --> 0:13:06.720
<v Speaker 1>can't call anybody your first name no more, Mr Turner,

0:13:06.720 --> 0:13:12.319
<v Speaker 1>because you become the mogul. Now I'm following and footsteps

0:13:12.400 --> 0:13:16.280
<v Speaker 1>that people like yourself, Steve and and and you know,

0:13:16.400 --> 0:13:19.760
<v Speaker 1>magic and a lot of brilliant minds that have come

0:13:19.840 --> 0:13:22.920
<v Speaker 1>before me. I'm just you know, just trying to uh

0:13:23.240 --> 0:13:26.280
<v Speaker 1>to uh make it happen. Thank you. That's That's about

0:13:26.360 --> 0:13:29.880
<v Speaker 1>integrity in your series now, because you know, when you

0:13:29.960 --> 0:13:32.600
<v Speaker 1>have one, you can control it and you can you

0:13:32.640 --> 0:13:35.080
<v Speaker 1>can build in and you have to. Now you in

0:13:35.440 --> 0:13:40.120
<v Speaker 1>several different locations taping season. The cast. People have expectations,

0:13:40.160 --> 0:13:43.200
<v Speaker 1>people have personal goals. You might you might be producing series,

0:13:43.440 --> 0:13:46.080
<v Speaker 1>but other people come on these series. They have agendas.

0:13:46.320 --> 0:13:49.600
<v Speaker 1>So how do you manage all that? And with this

0:13:49.640 --> 0:13:51.680
<v Speaker 1>new show and then as as you were starting to

0:13:51.679 --> 0:13:54.240
<v Speaker 1>branch out, how do you manage all this talent. Their

0:13:54.280 --> 0:13:58.520
<v Speaker 1>expectations there, their managers, their PR people, they're trying to

0:13:58.600 --> 0:14:02.280
<v Speaker 1>market up. They see the this is a giant Info commercial.

0:14:02.440 --> 0:14:06.080
<v Speaker 1>How do you manage all this? Well? I oh, that's

0:14:06.080 --> 0:14:10.080
<v Speaker 1>a great question, Sean. I I think you know, playing

0:14:10.120 --> 0:14:15.120
<v Speaker 1>sports my entire life, I think that it really has

0:14:15.400 --> 0:14:19.760
<v Speaker 1>helped me in being a producer because you know, one

0:14:20.040 --> 0:14:22.280
<v Speaker 1>of the things that you know you're growing up playing sports,

0:14:22.920 --> 0:14:25.640
<v Speaker 1>you uh, you have to you have to play with

0:14:25.720 --> 0:14:28.080
<v Speaker 1>a lot of kids and you guys, even if you

0:14:28.160 --> 0:14:31.480
<v Speaker 1>come from different backgrounds, or even if you don't, these

0:14:31.480 --> 0:14:34.960
<v Speaker 1>are kids you would necessarily hang out with outside of sports.

0:14:35.600 --> 0:14:37.960
<v Speaker 1>You all have the same goal and that is to

0:14:38.000 --> 0:14:41.080
<v Speaker 1>win a championship. So you know, you gotta you guys

0:14:41.160 --> 0:14:45.080
<v Speaker 1>gotta work together to to to to meet that to

0:14:45.440 --> 0:14:49.360
<v Speaker 1>accomplish that goal. I think being a producers is similar

0:14:49.440 --> 0:14:52.680
<v Speaker 1>you think about like think about coaches in the NBA. Everybody,

0:14:53.120 --> 0:14:55.480
<v Speaker 1>every coach in the NBA can draw plays the same.

0:14:55.560 --> 0:14:57.480
<v Speaker 1>That's why they in the NBA. I think the coaches

0:14:57.560 --> 0:15:00.880
<v Speaker 1>that are able to separate themselves, like the Phil Jackson's

0:15:00.920 --> 0:15:04.800
<v Speaker 1>and the Popoviches, they they they know how to manage

0:15:04.840 --> 0:15:09.360
<v Speaker 1>egos better than other coaches. That's why they are where

0:15:09.400 --> 0:15:12.600
<v Speaker 1>they are. And I think for me being you know,

0:15:12.760 --> 0:15:15.640
<v Speaker 1>being a producer and trying to keep this franchise on

0:15:15.720 --> 0:15:18.400
<v Speaker 1>a number one, I can't do it, you know by myself.

0:15:18.440 --> 0:15:20.000
<v Speaker 1>You know, I work with a lot of talents and

0:15:20.080 --> 0:15:22.920
<v Speaker 1>people behind the scenes that that aid me and that.

0:15:23.200 --> 0:15:27.080
<v Speaker 1>But as a person that you know, has the relationships

0:15:27.080 --> 0:15:30.880
<v Speaker 1>with the talent and you know, a big you know,

0:15:31.080 --> 0:15:34.960
<v Speaker 1>just really believe in nurture in these relationships. Uh, you know,

0:15:35.280 --> 0:15:38.640
<v Speaker 1>the talent. Obviously you come up with things that their

0:15:38.760 --> 0:15:44.240
<v Speaker 1>their challenges and you know you're dealing with of course,

0:15:44.720 --> 0:15:48.160
<v Speaker 1>of course, but I think that you know what what

0:15:48.360 --> 0:15:51.560
<v Speaker 1>everybody what you know, we all realize in the end

0:15:51.600 --> 0:15:55.200
<v Speaker 1>and always stressed this too. Is that listen, you know,

0:15:56.160 --> 0:15:59.400
<v Speaker 1>this is this is a positive show. You know, this

0:15:59.600 --> 0:16:02.520
<v Speaker 1>is a this is about black legacy, This is about

0:16:02.520 --> 0:16:05.840
<v Speaker 1>black excellence. This is sort of like the Avengers of

0:16:05.920 --> 0:16:08.400
<v Speaker 1>hip hop families. You know a lot of times people

0:16:08.440 --> 0:16:11.240
<v Speaker 1>say that, you know, black people like, we don't we

0:16:11.320 --> 0:16:14.640
<v Speaker 1>don't come together like this like some of the other races.

0:16:14.720 --> 0:16:17.200
<v Speaker 1>So you know, these are things that I think Romeo,

0:16:17.960 --> 0:16:20.800
<v Speaker 1>I think him and him master P I think they

0:16:21.000 --> 0:16:24.920
<v Speaker 1>understand that um, you know, I think the Sinner's family,

0:16:25.280 --> 0:16:27.880
<v Speaker 1>I think they understand that. And you know, it's really

0:16:27.920 --> 0:16:30.200
<v Speaker 1>been a great it's really been a great experience working

0:16:30.240 --> 0:16:33.040
<v Speaker 1>with everybody. Like you said, it's it's always going to

0:16:33.120 --> 0:16:36.360
<v Speaker 1>be challenges, but for the most part, we we all

0:16:36.440 --> 0:16:39.760
<v Speaker 1>know that. You know, we're playing our party and something special.

0:16:39.920 --> 0:16:42.600
<v Speaker 1>Let's talk about this upcoming from A boy, a Girl,

0:16:42.680 --> 0:16:46.840
<v Speaker 1>a dream, a Namimne one take love Story starring Mr

0:16:46.920 --> 0:16:51.480
<v Speaker 1>Power himself or Mari Hoddrid come on that making good

0:16:51.840 --> 0:16:55.520
<v Speaker 1>j Ellis Kenya birds, come on, tell us about that?

0:16:55.680 --> 0:16:58.000
<v Speaker 1>And you said it was recently acquired by Samuel or

0:16:58.120 --> 0:17:01.440
<v Speaker 1>gold and Golden Films. Tell us about that project? And

0:17:01.640 --> 0:17:06.440
<v Speaker 1>uh and when when when would be released? Well, so

0:17:06.800 --> 0:17:10.119
<v Speaker 1>so you know, uh we premier at Sundances. Just so

0:17:10.240 --> 0:17:12.200
<v Speaker 1>lets just to take it back. You know how the

0:17:12.280 --> 0:17:16.399
<v Speaker 1>film Mark came about. Uh so this talented writer, director

0:17:16.480 --> 0:17:19.080
<v Speaker 1>Constant Resort, I met at the dinner that able do

0:17:19.200 --> 0:17:23.680
<v Speaker 1>renet through as Sundance and two thousand twelve and name.

0:17:23.840 --> 0:17:27.280
<v Speaker 1>You know, we're just throwing that name. Don't that name?

0:17:27.400 --> 0:17:30.600
<v Speaker 1>Like you know you did? Like she regular, like she regular,

0:17:31.640 --> 0:17:34.159
<v Speaker 1>continue continue, I was I'm a step on you a

0:17:34.240 --> 0:17:40.560
<v Speaker 1>couple of times shout out to a obviously doing the

0:17:40.680 --> 0:17:44.399
<v Speaker 1>true indostand in the business and a real, real Hollywood force.

0:17:44.640 --> 0:17:47.680
<v Speaker 1>But yeah, so mere constant. We stayed in contact over

0:17:47.760 --> 0:17:51.280
<v Speaker 1>the years, and um, he you know, always talked about

0:17:51.320 --> 0:17:53.920
<v Speaker 1>working together. He called me with an idea he wanted

0:17:53.960 --> 0:17:57.480
<v Speaker 1>to do I love story. Initially before you know, we

0:17:58.240 --> 0:18:01.480
<v Speaker 1>you know, sort of developed it out. And obviously, um,

0:18:01.960 --> 0:18:04.760
<v Speaker 1>you know, love is a thing that that buys us

0:18:04.760 --> 0:18:07.040
<v Speaker 1>all together. You know that we we all deal with

0:18:07.160 --> 0:18:10.400
<v Speaker 1>love every single day, whether we are fighting for love,

0:18:10.560 --> 0:18:13.520
<v Speaker 1>whether we're falling in love, falling out of love. You

0:18:13.600 --> 0:18:15.760
<v Speaker 1>don't want to be validated a boy love. It's really

0:18:15.840 --> 0:18:18.960
<v Speaker 1>all about love. And so, um, he said he wanted

0:18:18.960 --> 0:18:21.920
<v Speaker 1>to shoot it in one take. And for me, you know,

0:18:22.119 --> 0:18:25.159
<v Speaker 1>as a guy who's made a lot of film, you know,

0:18:25.640 --> 0:18:28.800
<v Speaker 1>I always I'm always open to challenges. I want to

0:18:28.880 --> 0:18:32.440
<v Speaker 1>do different things creatively. I saw a film, you know,

0:18:32.560 --> 0:18:35.240
<v Speaker 1>Alfred Hitchcock did in the fourties called Rope, which he

0:18:35.359 --> 0:18:39.119
<v Speaker 1>shout in one take. And also this uh, this uh

0:18:40.040 --> 0:18:43.040
<v Speaker 1>Italian movie called Victoria, which was shout in one take.

0:18:43.160 --> 0:18:45.240
<v Speaker 1>So that was Those are two of the things that

0:18:45.320 --> 0:18:48.240
<v Speaker 1>really drew me to the project. And then the election happened,

0:18:48.920 --> 0:18:51.240
<v Speaker 1>and you know it really touched a lot of people,

0:18:51.400 --> 0:18:54.960
<v Speaker 1>really really deeply. Um. You know, I was I was

0:18:55.040 --> 0:18:58.480
<v Speaker 1>at my parents house when when that happened, and he,

0:18:58.800 --> 0:19:00.800
<v Speaker 1>you know, the director call me that night and he

0:19:00.960 --> 0:19:03.600
<v Speaker 1>was really affected by it. And you know then that

0:19:04.119 --> 0:19:07.280
<v Speaker 1>that became the basis of where we wanted to base

0:19:07.400 --> 0:19:10.280
<v Speaker 1>this night of like these two people meeting each other

0:19:11.080 --> 0:19:14.680
<v Speaker 1>and and you know, changing each other's lives for for

0:19:14.840 --> 0:19:17.359
<v Speaker 1>the good. Um. But I think you know the film

0:19:17.520 --> 0:19:19.680
<v Speaker 1>is a is a faith based film, not in the

0:19:19.840 --> 0:19:22.840
<v Speaker 1>traditional sense, but us about faith, hope and dreams and

0:19:23.320 --> 0:19:26.440
<v Speaker 1>sometimes people, you know, we come out to l a

0:19:26.600 --> 0:19:28.639
<v Speaker 1>and we come out to New York with these dreams

0:19:28.720 --> 0:19:31.639
<v Speaker 1>and we get beat up a little bit. They don't happen.

0:19:31.680 --> 0:19:34.119
<v Speaker 1>Our dreams don't happen as quick as they should. And

0:19:34.760 --> 0:19:36.760
<v Speaker 1>you know, some people give up, you know, or they

0:19:36.880 --> 0:19:39.560
<v Speaker 1>get married or meet you know, start having kids, and

0:19:39.640 --> 0:19:42.280
<v Speaker 1>then five years later, you know, you're on the hamster

0:19:42.320 --> 0:19:44.560
<v Speaker 1>wheel and you kind of like let your James fall

0:19:44.680 --> 0:19:48.240
<v Speaker 1>by the wayside. But I love the fact that faith

0:19:48.280 --> 0:19:50.639
<v Speaker 1>faith because you know, that's a that's a that's that

0:19:50.800 --> 0:19:54.600
<v Speaker 1>hidden gym that Hollywood keeps trying to lock in and

0:19:54.760 --> 0:19:56.680
<v Speaker 1>UH and has an audience out there and has a

0:19:57.400 --> 0:20:00.320
<v Speaker 1>growing audience. They want this type of faith him and

0:20:00.720 --> 0:20:02.720
<v Speaker 1>not only an African American market, but also in the

0:20:02.840 --> 0:20:06.520
<v Speaker 1>journal market as well. So again the visionary that you

0:20:06.640 --> 0:20:09.920
<v Speaker 1>are sitting up to setting up shop, you know, focusing

0:20:09.960 --> 0:20:12.640
<v Speaker 1>on the movie that will feel good movie. And that's

0:20:12.640 --> 0:20:15.000
<v Speaker 1>what I like about your brand is that your brand

0:20:15.080 --> 0:20:18.440
<v Speaker 1>is about feeling good. Is not explored eive and I

0:20:18.800 --> 0:20:21.000
<v Speaker 1>really like that. Let's let's close to that with this, UH,

0:20:21.160 --> 0:20:24.400
<v Speaker 1>this last new series you're doing with UH with Lebron James,

0:20:24.480 --> 0:20:27.520
<v Speaker 1>tell us about that. Yeah, you know, this is like

0:20:27.640 --> 0:20:30.879
<v Speaker 1>a long time coming. You know, his Lebron's agent, Rich

0:20:31.000 --> 0:20:33.920
<v Speaker 1>Paul is a longtime friend of mine. We we've we've

0:20:33.960 --> 0:20:35.920
<v Speaker 1>known each other for a long time and you know,

0:20:36.080 --> 0:20:39.240
<v Speaker 1>we we always talked about film and TV projects before

0:20:39.800 --> 0:20:42.840
<v Speaker 1>even Lebron you know, came to Hollywood and set up

0:20:42.880 --> 0:20:46.760
<v Speaker 1>shop and started producing things. And so you know, NBA

0:20:46.920 --> 0:20:50.600
<v Speaker 1>Drafts is you know, it's a multi part series at showtime.

0:20:51.320 --> 0:20:54.280
<v Speaker 1>UM that we're doing this just sort of like exploring

0:20:54.359 --> 0:20:57.440
<v Speaker 1>the impact of the n b A and what what

0:20:57.640 --> 0:21:00.639
<v Speaker 1>it's had on what the NBA, the effect that it's

0:21:00.680 --> 0:21:03.960
<v Speaker 1>had on popular culture and hip hop and how all

0:21:04.000 --> 0:21:08.360
<v Speaker 1>of these things you know, um have you know impacted

0:21:08.480 --> 0:21:11.000
<v Speaker 1>because like taking and it's about draft. So like the

0:21:11.160 --> 0:21:14.639
<v Speaker 1>nineties six draft, to me, I feel like is the

0:21:14.880 --> 0:21:17.600
<v Speaker 1>most influential draft for a lot of reason. There's been

0:21:17.640 --> 0:21:21.240
<v Speaker 1>some good ones obviously eighty four with Jordan's and Barkley

0:21:21.400 --> 0:21:24.320
<v Speaker 1>and in Elijuan, but I think the nineties six draft

0:21:24.520 --> 0:21:27.119
<v Speaker 1>will ultimately have the most Hall of famous because you

0:21:27.200 --> 0:21:30.359
<v Speaker 1>got Allen Iverson, you got Kobe Bryant, you got Steve Nash,

0:21:30.440 --> 0:21:35.200
<v Speaker 1>You've got Ray Allen, you got Ben Wallace. Uh, you know,

0:21:35.280 --> 0:21:36.880
<v Speaker 1>all those guys are going to the Hall of Fame.

0:21:36.920 --> 0:21:40.439
<v Speaker 1>But I think even the impact of how sports changed,

0:21:40.680 --> 0:21:43.639
<v Speaker 1>the NBA changed with that draft. You know, you know,

0:21:43.800 --> 0:21:48.680
<v Speaker 1>tattoos came in that draft, braids, you know, ice and

0:21:48.840 --> 0:21:54.080
<v Speaker 1>jewelry and you know that exactly. And hip hop really

0:21:54.280 --> 0:21:57.359
<v Speaker 1>like you know, became a staple you know at the

0:21:57.480 --> 0:22:00.960
<v Speaker 1>NBA game sitting courtside, you know, star with that that

0:22:01.240 --> 0:22:04.080
<v Speaker 1>year ninety six, you know, Tupac died that year jay

0:22:04.160 --> 0:22:07.760
<v Speaker 1>Z released this, his uh debut album, Who's Now a

0:22:07.800 --> 0:22:10.920
<v Speaker 1>Sports Agent? And his you know at times, you know

0:22:11.040 --> 0:22:14.880
<v Speaker 1>actually owned the piece of the the nets at one point,

0:22:14.960 --> 0:22:17.800
<v Speaker 1>so you know, it's just talking about exploring the impact

0:22:18.040 --> 0:22:22.080
<v Speaker 1>of popular culture in the NBA, and and and you

0:22:22.160 --> 0:22:24.440
<v Speaker 1>know everything. Like like I said, everything that I do,

0:22:24.600 --> 0:22:26.600
<v Speaker 1>I just wanted to have a meeting behind it and

0:22:27.080 --> 0:22:30.000
<v Speaker 1>wanted to be something that's positive and allows people to

0:22:30.080 --> 0:22:36.119
<v Speaker 1>think about things. You know again, um, the things that

0:22:36.160 --> 0:22:39.480
<v Speaker 1>you've accomplished in your life and will be accomplishing. You're

0:22:39.480 --> 0:22:41.639
<v Speaker 1>saying all the right people, Rich Paul, one of the

0:22:41.760 --> 0:22:46.200
<v Speaker 1>top agents in that Lebron camp, Ava du Vernet, you know,

0:22:46.400 --> 0:22:50.320
<v Speaker 1>Amari Haadreck, Megan god Ken, you have Ivirus, all these

0:22:50.400 --> 0:22:54.920
<v Speaker 1>great names uh franchises on we TV. You're doing it,

0:22:55.040 --> 0:22:58.080
<v Speaker 1>my friend. I'm glad I got to see you in

0:22:58.119 --> 0:23:01.280
<v Speaker 1>the beginning because to see your juring need it's been awesome.

0:23:02.760 --> 0:23:05.600
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