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Speaker 1: Because everyone else that really come from the ghetto, no

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Speaker 1: one thing, homie. You don't want to really count each other.

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Speaker 1: And I'm sick of acting like they do because they

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Speaker 1: look tough. You shut that up. Let these boys rap man.

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Speaker 1: Let these boys rap man. Ain't nobody gonna scare nobody

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Speaker 1: out of doing nothing. Ain't nobody gonna knock nobody. You

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Speaker 1: ain't getting a Drake, homie, and you're not getting the Kendrick.

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Speaker 2: Both sides.

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Speaker 1: Shut that street up because as massive as an artist

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Speaker 1: as Drake is, I would argue that he doesn't have

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Speaker 1: to coach of cachet to where they're gonna sit down

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Speaker 1: and say, oh, he said drop a twenty nine and

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Speaker 1: the spot with to drop. You know what, when Kendrick

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Speaker 1: met his wife, she was twenty nine.

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Speaker 2: My white son.

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Speaker 3: Sect had the Marina co fetom huh like to bid

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Speaker 3: yes when I get the fever.

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Speaker 1: That angel Lamar got their float like this, damn it,

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Speaker 1: like that loaded Loucks.

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Speaker 2: It's good as a.

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Speaker 1: Crack rolling but set folding. And I know, but you

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Speaker 1: know he got that flow. I truly believe that there's

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Speaker 1: no way to there's no room for the street talk.

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Speaker 1: These are two powerful people a lot of money is

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Speaker 1: at play. Ain't gonna be none but a whole bunch

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Speaker 1: of people going to jail if they start playing street games,

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Speaker 1: gonna be a bunch of going to jail and Koreas lost.

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Speaker 1: If they start playing Tree street games, you ain't gonna

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Speaker 1: do nothing but going to trick bag t You know who.

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Speaker 4: Even bang a set out there is CD.

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Speaker 2: This is a mistake. This is a mistake.

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Speaker 1: You have very little understanding of game politics to think

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Speaker 1: you're gonna drop their names and then that's gonna do something.

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Speaker 1: What you're dealing with is Drake done this in Philly

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Speaker 1: and he thinks that's gonna work in La. It's a

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Speaker 1: different thing in La. So I remember when Drake and

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Speaker 1: Meek was into it, then he dropped ar Ab name,

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Speaker 1: and next thing you know, he pop out with ar

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Speaker 1: Ab and it's this whole thing. I think it's a

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Speaker 1: mistake to lump everybody in. You ignore Rick Ross because

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Speaker 1: Rick Ross is gonna make up for what Kendrick Lack said.

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Speaker 1: I'm gonna say the Future may have thought that him

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Speaker 1: and Drake actually built a solid relationship. Maybe in the

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Speaker 1: back of Future's head he believes Drake looks at all

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Speaker 1: these rap dudes like they need him. But I think

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Speaker 1: Future may have built up another enough culture cache to

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Speaker 1: feel like Drake, No, I don't need him.

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Speaker 2: It's mutually beneficial.

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Speaker 1: And you would see that with some of the number

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Speaker 1: ones that Future has got, these remained on top ten

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Speaker 1: and things of that nature.

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Speaker 5: But when it.

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Speaker 2: Came out that.

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Speaker 1: Future may have been upset with him about the twenty

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Speaker 1: one Savage her loss thing. Don't use the nuke. Don't

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Speaker 1: use the nuke, Man, use the nuke. This is you

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Speaker 1: already at war. Use the nuke, my man. I said, well,

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Speaker 1: damn man. Future had just sold his catalog. You know,

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Speaker 1: he had just sold his publishing. And so if I

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Speaker 1: sell my publishing and you are my friend, and you

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Speaker 1: do have a slot to do another collab album with

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Speaker 1: someone and here I am owing zero music, you will

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Speaker 1: probably give it to the guy that's been with you

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Speaker 1: the entire time, has been riding with you, outside of

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Speaker 1: giving it to your little brother Savage. That is a

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Speaker 1: symbol if the woman that that you tried to marry,

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Speaker 1: I never have that ring, got y'all send me a

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Speaker 1: bag man.

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Speaker 5: Yeah, no, yeah, send me a bag man.

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Speaker 2: That's all the boy.

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Speaker 5: Yeah, you use it.

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Speaker 2: You know that, ain't you? That's me?

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Speaker 6: You know that's me sending me a bag. Frown with

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Speaker 6: you using all my sending me a bag so that.

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Speaker 7: Niggas want to knew me to death exactly, my man, Lords.

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Speaker 2: Old loan, new loom.

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Speaker 8: Okay, okay, okay, it's up there and stuck that when

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Speaker 8: it's up there, Man, it's stuck there.

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Speaker 5: Shut up, yo.

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Speaker 2: Let's take a break from the show.

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Speaker 1: This episode is brought to you by Prize Picks, the

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Speaker 1: Man, listen, pick up when I'm putting down in this

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Speaker 9: Sure coming around with it hit us. I got a

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Speaker 9: hold out of my mother saying, and I can't wait.

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Speaker 9: Go a flex sump on a scribbler. Bitch, won't smoke

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Speaker 9: young rich nagging ready to catch them stains.

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Speaker 1: Welcome to It's Up There Podcast. I go by big Loan.

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Speaker 1: I want to welcome every single person that's watching this

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Speaker 1: to another episode of It's Up There podcast. Man, we

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Speaker 1: are in a monumental time in hip hop. We got

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Speaker 1: a few of our legends going back to back, going

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Speaker 1: head to head, going toe to toe, round for a

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Speaker 1: round so I believe we are in a great position

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Speaker 1: to day to come here and speak about it. I

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Speaker 1: do not want to bore everybody with some of the

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Speaker 1: details that's already been distributed through the media. We want

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Speaker 1: to kind of make sure that you get our perspective

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Speaker 1: as you watch this. But if you are here, I

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Speaker 1: want you to hit the like button, hit the share button,

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Speaker 1: and make sure you subscribe and come the patreon dot

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Speaker 1: com for more interviews and episodes of It's Up There podcast.

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Speaker 2: Listen. We're in a grateful position. We're doing great.

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Speaker 1: The business is moving, the brand is moving, and people

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Speaker 1: are seeming to enjoy what we bring to the culture.

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Speaker 2: We are unbiased.

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Speaker 1: We are probably one of the only people out that

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Speaker 1: it cannot be bought. We have not been seen in

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Speaker 1: any kind of compromising situation as it pertains to financially embarrassed,

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Speaker 1: so we won't be in a position to be swayed

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Speaker 1: in any way. Our opinion in that moment is our opinion,

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Speaker 1: but we do reserve the right to change our mind

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Speaker 1: when presented with new information. I want to put that

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Speaker 1: out there because it's nasty and media land right now.

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Speaker 1: For those of you that's been living under a Rock.

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Speaker 1: We do have Drake and Kendrick Lamar in what is

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Speaker 1: called the biggest hip hop battle of all time. Let's

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Speaker 1: get some business out the way first though. This episode

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Speaker 1: one thousand dollars. This stuff is way more easier than

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Speaker 2: Shout out the Prize Pigs.

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Speaker 1: That's what keeps this operation continuing to go, So shout

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Speaker 1: out to everybody on that forefront.

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Speaker 2: Now let's get to it.

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Speaker 1: Kendrick Drake for those unaware, I mean the last time

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Speaker 1: I spoke with y'all. I told you what my opinion

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Speaker 1: was about the future, and Drake what my opinion was

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Speaker 1: about the Kendrick And I'm gonna be honest. If we're

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Speaker 1: looking back at things, I've been right. I have not

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Speaker 1: been so far gone. No pun intended as it pertains

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Speaker 1: to my narrative and actually what's taking place. So I

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Speaker 1: want to I want the people that's been watching me,

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Speaker 1: if you listen to those episodes, make sure you put

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Speaker 1: in the comments like yo, bro, you called it, or

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Speaker 1: you was right on it, or you was right on point.

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Speaker 1: Because we seem to look at things and get information

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Speaker 1: out of them. It's context clues left in everything that happens,

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Speaker 1: right for those.

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Speaker 5: On a whell.

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Speaker 1: Last time we were here, Drake dropped the AI song

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Speaker 1: and he dropped push ups. Now again, I have not

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Speaker 1: heard a song yet. That's just throwing me off the roof, right,

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Speaker 1: I want to be clear with that. But the last

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Speaker 1: time we was here, Drake dropped push ups and then

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Speaker 1: he dropped the AI track with Tupac Snoop and hisself

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Speaker 1: called Taylor Made, which a cease and desist later came.

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Speaker 2: After that.

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Speaker 1: I'm not sure we even spoke about that because I

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Speaker 1: did get sick, so and we went to the Black

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Speaker 1: Effect Podcast Festival, so we've been kind of gone again.

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Speaker 1: I told y'all that I believe Taylor made. Then some

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Speaker 1: of those songs ended up dropping because it was kind

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Speaker 1: of forced into dropping.

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Speaker 2: I think the.

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Speaker 1: AIX version or the leaked version went out and it

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Speaker 1: would have took all the steam out of it, so

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Speaker 1: he kind of had to drop it. But in real

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Speaker 1: time and that listen. That's my opinion. I have no

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Speaker 1: inside information on that. But these songs doesn't give me

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Speaker 1: the Drake field that I'm kind of used to getting

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Speaker 1: when we talk about these things, like when we talk

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Speaker 1: about him in common or you know him somebody like

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Speaker 1: this one. I'll play one of them that I really

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Speaker 1: was like, Yo, this is really what I'm waiting on.

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Speaker 1: I'm waiting on some shit like this.

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Speaker 4: Okay, So if you me for working with someone else

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Speaker 4: on a couple of ease, what do you really think

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Speaker 4: of a nigga that's making your beast?

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Speaker 5: I've done things for him.

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Speaker 4: I thought that he never would need father had to

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Speaker 4: stretch his hands out and get it from me. I

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Speaker 4: pops out for thirty hours in let them repeat now

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Speaker 4: you popping up with the jokes.

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Speaker 5: I'm dead, I'm asleep.

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Speaker 4: I just left them over by y'all, putting into the sheets,

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Speaker 4: tired of sitting quiet and helping my enemies. He he

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Speaker 4: getting temperature checks. They know that my head overheats.

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Speaker 5: Don't know why to fuck you.

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Speaker 4: Niggas listening that I'm a Steve must have had your

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Speaker 4: infrared wrong, that you had in a bean. Y'all are

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Speaker 4: the spitting the image of whatever jealousy breeze.

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Speaker 1: So when you get that from Drake, right, and it's

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Speaker 1: like in the heat of the moment, it's like, I'm

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Speaker 1: looking for Witty. I don't know, I really don't know

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Speaker 1: the terminology of what it is that I'm I'm I'm.

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Speaker 2: Asking for Drake.

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Speaker 1: But it's it's almost like the Power Rangers, right, It's like, Yo,

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Speaker 1: the Red Power range of the Green Power.

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Speaker 2: It's like Drake has different versions.

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Speaker 1: Of itself, right, and the combat version of Drake that

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Speaker 1: people are looking for, I'm not sure that I've actually

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Speaker 1: saw him arrive yet. Right now, this is up until

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Speaker 1: this point right here, right because I'm gonna I'm gonna

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Speaker 1: talk to y'all from Euphoria on again, just for some

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Speaker 1: context setting. We have Drake, we have Kendrick going head

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Speaker 1: to head, toe to toe in a battle. These guys

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Speaker 1: are actually taking their prominent positions, coming off their thrones

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Speaker 1: and saying, Yo, let's get in the middle of the ring.

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Speaker 1: So after the pushups and the tailor made Kendrick's on

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Speaker 1: the clock, seventeen days go by. On the seventeenth day,

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Speaker 1: Kendrick Lamar pops up. Now, when Kendrick Lamar pops up,

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Speaker 1: I ain't gonna lie.

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Speaker 2: When I first.

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Speaker 1: Heard Euphoria, I said, oh, let's listen to a little

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Speaker 1: bit of it.

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Speaker 2: Who the superpowers getting neutralized?

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Speaker 3: I can only watch in silence the famous actor we

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Speaker 3: once knew us look at Taranoid and now spiral the

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Speaker 3: movie is just like a legenerate heavy antique is feeling

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Speaker 3: distasteful while calculate you that as calculated, I can even

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Speaker 3: predict your angle fabric stories on the family front. Because

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Speaker 3: you heard, mister Morale, what pathetic master manipulator hock smether

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Speaker 3: tails on you? Now you're not a rap bottle shoe scam.

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Speaker 3: Martyst with a host of being accepted, Tommy Hill figure

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Speaker 3: stood out.

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Speaker 1: One thing I want to say too is I think

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Speaker 1: what you're gonna be dealing with is a master class

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Speaker 1: as to no, I'm not coming there, you come here.

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Speaker 1: So you're gonna have Drake doing what he does and

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Speaker 1: Kendrick doing what he does, and somebody got it. For

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Speaker 1: somebody to win this, they gotta come out of their corners.

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Speaker 1: You see what I'm saying. It's just like these two

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Speaker 1: dudes are still swinging in the corners. It's like, yo,

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Speaker 1: y'all got to come to the middle of the ring

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Speaker 1: where all of your attributes and all of your strengths

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Speaker 1: may not be on display, where one of your weaknesses

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Speaker 1: maybe up for grabs. What someone making hit you with

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Speaker 1: a left hook, you ain't been working on keeping yourself

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Speaker 1: covered when you throw the jail, you know. So, I'm

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Speaker 1: thinking that we're not looking at a brawl. We're still

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Speaker 1: looking at the first round where niggas still got their

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Speaker 1: game playing in texts.

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Speaker 2: Nigga still Nigga still got.

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Speaker 5: A game playing in tech.

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Speaker 1: He just man, it ain't really just got to the

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Speaker 1: point where fuck the game plan, we just fighting now

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Speaker 1: we five six rounds in. That shit ain't working no more.

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Speaker 1: I'm tired, my band. See, if you're a boxer. You

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Speaker 1: know what I'm talking about. You know what I'm saying.

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Speaker 1: The first couple of rounds, you still you still thinking

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Speaker 1: about what you did in train and I got this

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Speaker 1: nigga add man, I'm patient. You know you ain't been

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Speaker 1: rock check and that's what it feels like. But when

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Speaker 1: he starts off slow like this, he's letting you know

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Speaker 1: I'm not coming over there in the club with you.

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Speaker 2: I'm not doing that club shit with.

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Speaker 1: You, right you do that back to back shit, that

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Speaker 1: sing along club shit. I'm doing this right here, slowing

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Speaker 1: it down, dissecting you, breaking you down.

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Speaker 2: That's what I'm on.

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Speaker 3: Fooble, never had been your collection? How make music that

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Speaker 3: he let your fun? You make music that passifyle. I

289
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Speaker 3: can double down on that line, but spade this down.

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Speaker 3: That's random. Maxicaness. Know you're a massabinippulator individual liar too,

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Speaker 3: But don't tell no lie about me and I won't

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Speaker 3: tell truth about you.

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Speaker 2: Sure all right? This way, Heppy, this may be this

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Speaker 2: part right here.

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Speaker 1: If I'm dealing with Taylor made push ups euphoria and

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Speaker 1: like that, I'll give it the Kendrick.

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Speaker 2: But the like that is a cheat code.

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Speaker 1: You see what I'm saying, but even with just this

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Speaker 1: part right here, this is well put together, and it

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00:14:31,320 --> 00:14:36,080
Speaker 1: sounds good. This sounds good, and this is what I'm

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Speaker 1: saying about staying in your own ram.

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Speaker 2: He go to hitting them with the shure.

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Speaker 3: Sure sure, byum out the way. I'm no, okay, you're

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Speaker 3: doing right.

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Speaker 5: Here's my mode.

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Speaker 3: Okay, I ain't thinking of about no reapers, nigga, I'm

307
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Speaker 3: reaping what I sold, Okay, gonna pitcher Man there the

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Speaker 3: checks and null in my house like I'm Joe k

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Speaker 3: Hell okay man.

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Speaker 5: It's a the type so low case.

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Speaker 1: Anybody what that was if you asked beat that first

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Speaker 1: part right there was I'm playing in your world a

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Speaker 1: little bit, but I'm not trying to come on and

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Speaker 1: live with you there. And also I think that I

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Speaker 1: can play in that club world a little bit if

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Speaker 1: I'm Kendrick. But if you Drake, I don't know if

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Speaker 1: you can play in this introspective world with me. Here's

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Speaker 1: the conundrum, though, Even if Drake can perform over there

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Speaker 1: in the same way that Kendrick does, Drake hasn't earned

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Speaker 1: that respect from the audience. And that's what is gonna

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Speaker 1: decide this thing. What I've been more amazed than and

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Speaker 1: interested in. On top of the dish records is the patience,

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Speaker 1: the equity that Kendrick Lamar has with the culture. Their

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Speaker 1: willingness to look past the beat being non traditional, look

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Speaker 1: past the flow being all over the place, look past

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Speaker 1: singing indeed, beatle. It's a lot happening. But he's earned

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Speaker 1: the level of respect from the culture where they say,

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Speaker 1: uh uh, listen though, and it ain't many people that

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Speaker 1: got that. And I'm almost gonna say that, Drake don't

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Speaker 1: even got that. And we'll get into the meeting potatoes

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Speaker 1: of that soon.

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Speaker 3: Damen till they get chipped by your throw away and

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Speaker 3: I might do it shure today.

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Speaker 5: What's a name always a lame? Oh you thought the money.

335
00:16:20,880 --> 00:16:22,880
Speaker 2: The power of fame will make you go away?

336
00:16:23,120 --> 00:16:24,240
Speaker 3: Have you ever played?

337
00:16:24,400 --> 00:16:25,000
Speaker 2: Have you well?

338
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Speaker 5: Okay, nigga, let's play.

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00:16:26,520 --> 00:16:29,040
Speaker 3: Have you well want your hending me down with a

340
00:16:29,120 --> 00:16:32,240
Speaker 3: poker face? Have you well paid five hundred thouss like

341
00:16:32,280 --> 00:16:33,240
Speaker 3: to an open case?

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00:16:33,400 --> 00:16:33,600
Speaker 5: Well?

343
00:16:33,640 --> 00:16:35,320
Speaker 3: I have and I filled that both.

344
00:16:35,480 --> 00:16:36,600
Speaker 2: But that's came out straight.

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00:16:36,720 --> 00:16:38,480
Speaker 3: I hate when a rap or talk about guns that

346
00:16:38,600 --> 00:16:40,920
Speaker 3: somebody died. They turn into nuns and hop on line

347
00:16:40,960 --> 00:16:42,680
Speaker 3: like pray for my city. He fake it for likes

348
00:16:42,680 --> 00:16:44,640
Speaker 3: and digital hugs. Is dad of a killer? He wan

349
00:16:44,720 --> 00:16:46,520
Speaker 3: of these unions. They must have forgot the shit that

350
00:16:46,520 --> 00:16:48,240
Speaker 3: they've done. Dementia must run in his family.

351
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Speaker 5: But let it get shaky. I park your son the.

352
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Speaker 3: Very first time I shot me and Drake the homie

353
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Speaker 3: had told me the amy this way. I didn't point

354
00:16:54,440 --> 00:16:57,160
Speaker 3: down enough. Today, y'all show you'll learn from those mistakes.

355
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Speaker 3: Somebody had told me that you got a ring gonna die.

356
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Speaker 3: I'm ready to the wage. You'd rather do that than

357
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Speaker 3: let a Canadian nigga make Pip turn in his grave.

358
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Speaker 5: Cut the benness. You got shit twisted? What is it?

359
00:17:07,160 --> 00:17:08,120
Speaker 2: The breaks I.

360
00:17:08,119 --> 00:17:10,840
Speaker 3: Hurt, your finishing on work won't me no more. Okay,

361
00:17:11,280 --> 00:17:13,480
Speaker 3: there's three ghosts left, and I see two from kissing

362
00:17:13,480 --> 00:17:15,960
Speaker 3: them hugging on stage. I love them to death and

363
00:17:16,000 --> 00:17:19,159
Speaker 3: then a boss, I'll explain their phrase. It's nobody can

364
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Speaker 3: tell me. I don't want to talk on no selly.

365
00:17:21,600 --> 00:17:24,080
Speaker 3: You know I got a language Buriers. There's no accent.

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Speaker 3: You can sell me your colon, and I really know

367
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Speaker 3: I'm a selfish nigga. The crown is heavy. I pray

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00:17:28,800 --> 00:17:30,760
Speaker 3: it ain't my real friends if not on WAYI in

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Speaker 3: w melly, I don't like you pop your shit?

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00:17:33,040 --> 00:17:33,520
Speaker 5: That for real?

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00:17:33,560 --> 00:17:35,879
Speaker 3: For him, I heard the beef your fuck call that

372
00:17:35,960 --> 00:17:38,720
Speaker 3: pushing pea. Let me see you push your teeth. You

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Speaker 3: better spinning again over here, and you think about pushing me,

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Speaker 3: he's terrorist' storring. I'm terrorist croft for yeah, I'm a

375
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Speaker 3: whooping feet. We ain't gotta get person. Know this is

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Speaker 3: a finish fad.

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Speaker 5: You should keep it that way.

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00:17:48,560 --> 00:17:51,000
Speaker 3: Y'all know some shit about niggas that make gonna want

379
00:17:51,040 --> 00:17:53,400
Speaker 3: a little leg a saint. This saint's been about critics,

380
00:17:53,440 --> 00:17:55,680
Speaker 3: not about gimmicks, not about who the greatest says. So

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00:17:55,840 --> 00:17:58,200
Speaker 3: it's been about loving hate. Now let me say I'm.

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Speaker 5: The biggest hater.

383
00:17:58,840 --> 00:18:01,040
Speaker 3: I hate the way that you the way that you talk,

384
00:18:01,080 --> 00:18:02,800
Speaker 3: I hate the way that you dress. I hate the

385
00:18:02,800 --> 00:18:04,920
Speaker 3: way that you sneak this. If I catch flight, it's

386
00:18:04,920 --> 00:18:07,240
Speaker 3: gonna beat direct. We hate the bitches you fuck because

387
00:18:07,280 --> 00:18:10,160
Speaker 3: they confuse themselves with real women. They notice I said,

388
00:18:10,200 --> 00:18:12,639
Speaker 3: we's not just me. I'm what the coach you're feeling.

389
00:18:12,840 --> 00:18:15,239
Speaker 3: How many more fairy tale stories about your life till

390
00:18:15,280 --> 00:18:17,879
Speaker 3: we had enough? How many more black features to the

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00:18:17,920 --> 00:18:20,320
Speaker 3: funny field that you're black enough. I like Drake with

392
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Speaker 3: the melodies. I don't like Drake when he act tough.

393
00:18:22,800 --> 00:18:24,720
Speaker 3: You're gonna make a nigga bring back puff. Let me

394
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Speaker 3: see if chuffs when they crash something. You're my first one,

395
00:18:27,119 --> 00:18:29,000
Speaker 3: like a last one. It's a class sei. You don

396
00:18:29,160 --> 00:18:31,600
Speaker 3: half one and let your coral audience stomach that didn't

397
00:18:31,640 --> 00:18:33,959
Speaker 3: tell them where you get your ass from? You twelve,

398
00:18:34,000 --> 00:18:37,920
Speaker 3: it's a fast one. The last one padshot for the years.

399
00:18:37,960 --> 00:18:39,119
Speaker 3: You better walk around.

400
00:18:39,200 --> 00:18:40,040
Speaker 2: Liked have punk?

401
00:18:40,160 --> 00:18:42,679
Speaker 3: Remember a top dog? Who the fuck they think they

402
00:18:42,760 --> 00:18:45,359
Speaker 3: playing with? EXTORTI my middle name. As soon as you

403
00:18:45,440 --> 00:18:47,879
Speaker 3: jump off for that playing bitch. I'm allergic to the

404
00:18:47,960 --> 00:18:50,919
Speaker 3: lame shit. Only you like being famous, y'ally can't ge

405
00:18:51,040 --> 00:18:52,800
Speaker 3: you no swag neither. I don't give a fuck by

406
00:18:52,880 --> 00:18:55,000
Speaker 3: who you're hanging with. I hate the way that you walk,

407
00:18:55,080 --> 00:18:56,720
Speaker 3: the way that you talk, I hate the way that

408
00:18:56,800 --> 00:18:57,200
Speaker 3: you dress.

409
00:18:57,240 --> 00:18:58,879
Speaker 5: Surprise you wanted the feature request.

410
00:18:58,960 --> 00:19:00,840
Speaker 3: You know that we got some sh to adress. I

411
00:19:00,880 --> 00:19:02,639
Speaker 3: even hate when you say the word niggas.

412
00:19:02,840 --> 00:19:03,480
Speaker 2: But that's just me.

413
00:19:03,640 --> 00:19:04,440
Speaker 5: I guess some.

414
00:19:04,480 --> 00:19:07,000
Speaker 2: Shit just cringed for it. He ain't even gotta beat deep.

415
00:19:07,040 --> 00:19:10,120
Speaker 3: I guess still love when you see success everything when

416
00:19:10,240 --> 00:19:12,720
Speaker 3: me is best, keep making me dance way with my

417
00:19:12,840 --> 00:19:14,920
Speaker 3: hand and it won't be no threat. I'm knowing they

418
00:19:14,920 --> 00:19:16,760
Speaker 3: call you the boy, but where's a man because I

419
00:19:16,760 --> 00:19:17,760
Speaker 3: ain't seen him yet.

420
00:19:18,440 --> 00:19:22,480
Speaker 1: So you heard me say last time that Rick Ross

421
00:19:22,520 --> 00:19:24,520
Speaker 1: was kind of getting ahead of some of the narratives,

422
00:19:24,640 --> 00:19:26,720
Speaker 1: you know what I'm saying, and that Kendrick was gonna

423
00:19:27,040 --> 00:19:29,680
Speaker 1: probably have to reiterate some of the things has already

424
00:19:29,720 --> 00:19:32,320
Speaker 1: been said. My opinion that it would have took some

425
00:19:32,400 --> 00:19:35,240
Speaker 1: of the steam off of it, and it did in

426
00:19:35,320 --> 00:19:38,240
Speaker 1: my opinion, but it still was effective. This beat, this track,

427
00:19:38,880 --> 00:19:41,479
Speaker 1: this set was effective.

428
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Speaker 2: In my opinion.

429
00:19:41,960 --> 00:19:44,200
Speaker 1: If I'm going by what I think, Drake hasn't had

430
00:19:44,480 --> 00:19:45,920
Speaker 1: had his first attempt yet.

431
00:19:46,080 --> 00:19:47,920
Speaker 2: If my theory is correct, then Drake.

432
00:19:48,040 --> 00:19:52,240
Speaker 1: Was forced to put push ups out and Taylor May

433
00:19:52,359 --> 00:19:53,520
Speaker 1: was just kind of like a slap.

434
00:19:53,600 --> 00:19:54,359
Speaker 2: It really wasn't.

435
00:19:54,560 --> 00:19:56,600
Speaker 1: It was kind of trying to inflate the ball that

436
00:19:56,760 --> 00:19:58,560
Speaker 1: I think you about to come to the court with.

437
00:20:00,080 --> 00:20:02,280
Speaker 1: But Drake gotta be careful not to have too much

438
00:20:02,320 --> 00:20:04,600
Speaker 1: out there, like you. We need real effort from Drake

439
00:20:04,640 --> 00:20:06,760
Speaker 1: at this point because this dude not playing that game.

440
00:20:07,080 --> 00:20:09,600
Speaker 1: He's not wasting a bar. He's not wasting a segment.

441
00:20:10,400 --> 00:20:13,000
Speaker 1: Even if the music isn't hidden, there's something there that

442
00:20:13,040 --> 00:20:16,639
Speaker 1: you can take to the next round. And that's what

443
00:20:16,680 --> 00:20:19,240
Speaker 1: I'm saying. What I've saw Drake do is like the

444
00:20:19,359 --> 00:20:21,560
Speaker 1: jab that don't really hit a nigga, just keep him back.

445
00:20:22,359 --> 00:20:26,040
Speaker 1: And this dude is actually he doing the floord thing boom,

446
00:20:26,080 --> 00:20:29,960
Speaker 1: and everything is hidden even if it ain't effective yet,

447
00:20:30,040 --> 00:20:32,680
Speaker 1: it's a point game. Boom, it's boom, you know what

448
00:20:32,720 --> 00:20:36,200
Speaker 1: I'm saying. And he's actually tapping you, and so he's

449
00:20:36,200 --> 00:20:38,680
Speaker 1: scraping up points. And what it feels like Drake done

450
00:20:38,720 --> 00:20:43,560
Speaker 1: with them first two was and I like, I ain't

451
00:20:43,560 --> 00:20:46,199
Speaker 1: gonna say that they're bad records, but it ain't the

452
00:20:46,240 --> 00:20:47,920
Speaker 1: person that I thought was showing.

453
00:20:47,680 --> 00:20:50,640
Speaker 2: Up with the jiu jitsu moves.

454
00:20:51,040 --> 00:20:53,520
Speaker 1: I thought you had a nigga showing up with high

455
00:20:53,640 --> 00:20:56,040
Speaker 1: level jiu jitsu moved that we're gonna put a nigga

456
00:20:56,040 --> 00:20:57,840
Speaker 1: in a real naked choke.

457
00:20:58,000 --> 00:21:01,280
Speaker 2: Tap him out, leg lock, tap him out right.

458
00:21:01,320 --> 00:21:04,760
Speaker 1: I'm thinking you dealing with a beast, So I ain't

459
00:21:05,200 --> 00:21:08,240
Speaker 1: these first two just feel like, stay back, respect my jab.

460
00:21:08,640 --> 00:21:10,480
Speaker 1: You know, it's like I'm throwing punches to let you

461
00:21:10,560 --> 00:21:12,639
Speaker 1: know how throw them. It ain't time for that because

462
00:21:12,680 --> 00:21:15,480
Speaker 1: this now has turned into a real squabball. There's no

463
00:21:15,640 --> 00:21:18,760
Speaker 1: more time to be throwing these jabs that laying in

464
00:21:18,760 --> 00:21:20,600
Speaker 1: the air, and just keep your opponent out.

465
00:21:20,480 --> 00:21:22,840
Speaker 5: For you, you.

466
00:21:21,640 --> 00:21:25,679
Speaker 1: Need to be hidden to knockout because you keep playing

467
00:21:25,720 --> 00:21:28,240
Speaker 1: these boys gonna knock you out now. So up into

468
00:21:28,359 --> 00:21:32,520
Speaker 1: Euphouri again, I'm gonna reiterate that Drake has, in my opinion,

469
00:21:32,600 --> 00:21:34,960
Speaker 1: been forced to put push ups out. He put Taylor

470
00:21:35,040 --> 00:21:37,479
Speaker 1: made out strategically to try to get ahead of some

471
00:21:37,520 --> 00:21:39,760
Speaker 1: of the narrative that he believed Kendrick to come to

472
00:21:39,800 --> 00:21:42,560
Speaker 1: the table with. Don't know how effective that was, if

473
00:21:42,560 --> 00:21:45,600
Speaker 1: it was effective at all, but that's my opinion. After

474
00:21:45,640 --> 00:21:48,200
Speaker 1: Eu Fourier drops, Drake comes out and drops right back.

475
00:21:48,200 --> 00:21:51,160
Speaker 1: I don't even think he gave a boy a day now.

476
00:21:51,200 --> 00:21:53,680
Speaker 1: This is Drake trying to use his strengths against Kendrick.

477
00:21:54,280 --> 00:21:58,159
Speaker 1: It's Drake misinformed, because what it feels like is Drake thinks, oh,

478
00:21:58,200 --> 00:22:01,200
Speaker 1: you can't come right back, you take too long.

479
00:22:01,280 --> 00:22:01,840
Speaker 2: You taking long.

480
00:22:01,840 --> 00:22:04,639
Speaker 1: I'm on your taking long, and I can create like that.

481
00:22:05,359 --> 00:22:08,200
Speaker 1: And so Drake comes back and he gives you in

482
00:22:08,320 --> 00:22:14,520
Speaker 1: my opinion, what is his first real effort at shooting

483
00:22:14,600 --> 00:22:18,160
Speaker 1: down Kendrick Lamar. I find it interesting that in particular

484
00:22:18,280 --> 00:22:20,440
Speaker 1: on the West Coast. You know, because I'm media, so

485
00:22:20,800 --> 00:22:23,040
Speaker 1: I don't have a dog in a fight. I'm not biased.

486
00:22:23,119 --> 00:22:25,159
Speaker 1: I don't really give a damn who don't like it.

487
00:22:25,760 --> 00:22:28,720
Speaker 1: But in media in particular, you got a lot of

488
00:22:28,800 --> 00:22:32,000
Speaker 1: people on the West Coast, not even media, just people

489
00:22:32,119 --> 00:22:34,520
Speaker 1: in the industry. You know, some of my peers in

490
00:22:34,560 --> 00:22:38,720
Speaker 1: this industry, it's just like, no matter what happens, they're

491
00:22:38,800 --> 00:22:39,600
Speaker 1: riding with Kendrick.

492
00:22:39,680 --> 00:22:42,840
Speaker 2: They don't give a damn what's going on. And for me,

493
00:22:43,560 --> 00:22:44,800
Speaker 2: that's disingenuous.

494
00:22:44,840 --> 00:22:48,840
Speaker 1: I have little respect for someone who cannot grasp new information,

495
00:22:49,440 --> 00:22:52,280
Speaker 1: who can't see the forest because of the trees.

496
00:22:52,520 --> 00:22:54,840
Speaker 2: Now, if it was some street shit happening, people dying,

497
00:22:54,920 --> 00:22:56,520
Speaker 2: that's one thing. But this is rapping.

498
00:22:56,600 --> 00:22:59,080
Speaker 1: So on one end, I'm saying, yo, that's not cool

499
00:22:59,160 --> 00:23:01,679
Speaker 1: to be like that. But on the other end, media

500
00:23:01,760 --> 00:23:04,600
Speaker 1: has got so loud with academics and others who's clearly

501
00:23:04,680 --> 00:23:08,120
Speaker 1: biased and compromised, that you have to have the other

502
00:23:08,240 --> 00:23:10,280
Speaker 1: side just as loud as that side. This is kind

503
00:23:10,320 --> 00:23:13,000
Speaker 1: of what I was telling the South for so long,

504
00:23:14,000 --> 00:23:15,960
Speaker 1: you know. And so that's what I mean when I say, yo,

505
00:23:16,080 --> 00:23:18,640
Speaker 1: you gotta have your media people intact. Man, that's gonna

506
00:23:18,640 --> 00:23:20,320
Speaker 1: be able to go out there and get your narrative

507
00:23:20,359 --> 00:23:22,320
Speaker 1: out and let people know what you think and feel

508
00:23:22,400 --> 00:23:24,880
Speaker 1: and how you really navigate this space. It's a very

509
00:23:24,960 --> 00:23:28,000
Speaker 1: simple equation if you ask me. But they cannot front

510
00:23:28,040 --> 00:23:31,560
Speaker 1: on that Canadian dude. They cannot front on the board

511
00:23:31,640 --> 00:23:35,600
Speaker 1: Aubrey because I keep telling y'all, Aubrey got it in him.

512
00:23:35,640 --> 00:23:37,840
Speaker 1: It's just I don't know if he thinks that. Don't

513
00:23:37,920 --> 00:23:40,359
Speaker 1: use the nuke. Don't use the nuke, man, use the nuke.

514
00:23:40,760 --> 00:23:43,120
Speaker 1: This is you already at war. Use the nuke, my man,

515
00:23:44,200 --> 00:23:47,920
Speaker 1: ain't no more time push it footing around. Use the nuke,

516
00:23:48,080 --> 00:23:52,320
Speaker 1: my nigga. Because it looked like they think Canadians dry.

517
00:23:53,040 --> 00:23:55,840
Speaker 1: You got to use the nuke, my nigga. You can't

518
00:23:55,920 --> 00:23:58,600
Speaker 1: be sitting around. Oh man, wait till your nigga say

519
00:23:58,640 --> 00:24:00,560
Speaker 1: one more thing. I'm gonna get him because you're gonna

520
00:24:00,600 --> 00:24:02,400
Speaker 1: look up. He's gonna be then piled up so many

521
00:24:02,520 --> 00:24:07,000
Speaker 1: narratives and you in a hole. Now it feels like

522
00:24:07,600 --> 00:24:11,639
Speaker 1: Drake is being a little too strategic with the unleashing

523
00:24:11,880 --> 00:24:15,639
Speaker 1: of the combination combination, Honauda. He needs to unleash a

524
00:24:15,720 --> 00:24:20,920
Speaker 1: combination now. Shortly after this, again, Drake drops his disk.

525
00:24:21,880 --> 00:24:26,200
Speaker 1: It's called Family Matters. It is his first, in my opinion,

526
00:24:26,359 --> 00:24:30,520
Speaker 1: real attempt to actually get a chance to really sit

527
00:24:30,640 --> 00:24:32,040
Speaker 1: down and shoot.

528
00:24:31,800 --> 00:24:34,080
Speaker 2: At Kendrick Lamar. Let's take a listen to what that's

529
00:24:34,160 --> 00:24:34,680
Speaker 2: sounded like.

530
00:24:34,960 --> 00:24:38,480
Speaker 5: Maybe in this song, you shouldn't start by saying, Nigga, I.

531
00:24:38,520 --> 00:24:40,040
Speaker 4: Said that, I know that you're mad. I'm empty to

532
00:24:40,080 --> 00:24:41,880
Speaker 4: clip over friend of your jazz. You mentioned my seed

533
00:24:41,960 --> 00:24:43,520
Speaker 4: and I deal with his dad. I gotta go bad.

534
00:24:43,560 --> 00:24:44,400
Speaker 4: I gotta go bad.

535
00:24:47,040 --> 00:24:51,480
Speaker 8: Yeah, job job, job, job, chap of fifty bad for

536
00:24:51,600 --> 00:24:53,680
Speaker 8: the mom and a spot chop.

537
00:24:53,480 --> 00:24:57,520
Speaker 4: Of fifty bad twenty nine for the time. I was

538
00:24:57,640 --> 00:24:59,560
Speaker 4: really really trying to keep it piggy.

539
00:25:00,000 --> 00:25:03,800
Speaker 1: One thing I'm noticing is that Drake is understanding to

540
00:25:03,960 --> 00:25:07,000
Speaker 1: even put these lyrics on screen right because people are

541
00:25:07,119 --> 00:25:09,200
Speaker 1: really looking into this and trying to see what is

542
00:25:09,280 --> 00:25:12,080
Speaker 1: being said. Kendrick don't got to do that because they

543
00:25:12,160 --> 00:25:15,080
Speaker 1: gave him a level of respect in their coach. I

544
00:25:15,160 --> 00:25:17,720
Speaker 1: don't know what it is about Kendrick that is well.

545
00:25:17,720 --> 00:25:18,600
Speaker 2: I do know what it is.

546
00:25:18,720 --> 00:25:24,320
Speaker 1: He's very talented, and he's introspective, right, He's given things this,

547
00:25:24,520 --> 00:25:27,600
Speaker 1: giving things to the coach, see what I'm saying.

548
00:25:27,960 --> 00:25:30,200
Speaker 2: And so this is a prime example you reap what

549
00:25:30,320 --> 00:25:30,720
Speaker 2: you sold.

550
00:25:31,119 --> 00:25:33,399
Speaker 1: Because what happens is when you put in the culture

551
00:25:33,520 --> 00:25:36,399
Speaker 1: things that have to make people stop and think, and

552
00:25:36,480 --> 00:25:38,399
Speaker 1: you've been doing it for ten or fifteen years, and

553
00:25:38,520 --> 00:25:40,199
Speaker 1: you think, man, this shit, don't it.

554
00:25:40,280 --> 00:25:41,760
Speaker 2: Don't get as much play as the Drake.

555
00:25:41,880 --> 00:25:44,040
Speaker 1: Nigga, It don't probably make as much money, do as

556
00:25:44,119 --> 00:25:46,920
Speaker 1: much chart topping as the Drake. But the skill set

557
00:25:47,080 --> 00:25:51,320
Speaker 1: and the development of your audience to run alongside you

558
00:25:51,600 --> 00:25:55,920
Speaker 1: has now will now aid in a bed and comfort

559
00:25:56,000 --> 00:26:00,239
Speaker 1: you in war. Right in this matchup between you and Drake. Now,

560
00:26:00,760 --> 00:26:04,240
Speaker 1: all of those years of being introspective and putting layers

561
00:26:04,320 --> 00:26:07,720
Speaker 1: and layers of balls and grabbing this sample that really

562
00:26:07,840 --> 00:26:10,600
Speaker 1: means this, and reading that book and putting this name

563
00:26:10,720 --> 00:26:13,400
Speaker 1: and dropping this book in there, all of that now

564
00:26:13,600 --> 00:26:17,920
Speaker 1: comes out and shines bright when you sitting alongside somebody

565
00:26:18,280 --> 00:26:20,600
Speaker 1: who didn't work as hard as you as it pertains

566
00:26:20,680 --> 00:26:24,399
Speaker 1: to that because as massive as an artist as Drake is,

567
00:26:24,800 --> 00:26:26,840
Speaker 1: I would argue that he doesn't have to coach of

568
00:26:26,920 --> 00:26:29,840
Speaker 1: Cachet to where they're gonna sit down and say, oh,

569
00:26:29,960 --> 00:26:32,440
Speaker 1: he said, drop a twenty nine in the spot with

570
00:26:32,560 --> 00:26:35,760
Speaker 1: to drop. You know what when Kendrick met his wife,

571
00:26:35,840 --> 00:26:39,280
Speaker 1: she was twenty nine. That's why he said twenty nine. Like,

572
00:26:39,400 --> 00:26:41,639
Speaker 1: they don't do that for Drake, they only do that

573
00:26:41,760 --> 00:26:42,280
Speaker 1: for Kendrick.

574
00:26:43,320 --> 00:26:45,560
Speaker 5: I was really trying to keep it peg.

575
00:26:46,320 --> 00:26:48,080
Speaker 4: If you had to set they give you as a

576
00:26:48,200 --> 00:26:52,000
Speaker 4: d pig to civilian ganging red like your PC. You

577
00:26:52,119 --> 00:26:55,119
Speaker 4: know who really bangs set my nigga, Ygez. You know

578
00:26:55,200 --> 00:26:58,080
Speaker 4: who really bangs set my nigga Chuck T. You know

579
00:26:58,200 --> 00:26:59,600
Speaker 4: who even bangus set out there.

580
00:26:59,760 --> 00:27:05,880
Speaker 2: See, this is a mistake. This is a mistake.

581
00:27:07,760 --> 00:27:10,720
Speaker 1: You have very little understanding of gang politics to think

582
00:27:10,760 --> 00:27:14,359
Speaker 1: you're gonna drop their names and then that's gonna do something.

583
00:27:15,080 --> 00:27:17,800
Speaker 1: What you're dealing with is Drake done this in Philly

584
00:27:18,040 --> 00:27:20,040
Speaker 1: and he thinks that's gonna work in La. It's a

585
00:27:20,080 --> 00:27:23,800
Speaker 1: different thing in La. So I remember when Drake and

586
00:27:23,920 --> 00:27:26,720
Speaker 1: Meek was into it, then he dropped ar Ab name

587
00:27:26,800 --> 00:27:28,480
Speaker 1: and next thing you know, he pop out with ar

588
00:27:28,600 --> 00:27:29,760
Speaker 1: Ab and it's this whole thing.

589
00:27:30,720 --> 00:27:33,160
Speaker 2: The powers that b is still in place. In La.

590
00:27:33,960 --> 00:27:36,320
Speaker 1: There's still some kind of structure in LA. I mean,

591
00:27:36,440 --> 00:27:39,879
Speaker 1: every hood has its enemies and anything can happen, but

592
00:27:40,040 --> 00:27:42,399
Speaker 1: for the most part, I would say it'd be harder

593
00:27:42,480 --> 00:27:45,399
Speaker 1: to pull that move in La than it was in

594
00:27:45,560 --> 00:27:48,879
Speaker 1: Philly because of the gang structure. Right, So when you

595
00:27:49,040 --> 00:27:52,640
Speaker 1: say C B Name, he got a big homie, why

596
00:27:52,760 --> 00:27:55,720
Speaker 1: g these dudes got big Homye street dudes, they respect

597
00:27:55,840 --> 00:27:58,119
Speaker 1: that no matter how much money they got, you know,

598
00:27:58,200 --> 00:28:01,120
Speaker 1: they gotta kind of check in with the home. Ain't

599
00:28:01,160 --> 00:28:04,320
Speaker 1: nobody bigger than the program. So I think this is

600
00:28:04,359 --> 00:28:07,800
Speaker 1: a mistake to drop all of these West Coast people

601
00:28:07,960 --> 00:28:10,960
Speaker 1: name almost to act as if they're riding with me

602
00:28:11,280 --> 00:28:13,399
Speaker 1: instead of you, or not even that they're riding with me,

603
00:28:13,560 --> 00:28:17,879
Speaker 1: but to even reference them as a mistake. To me,

604
00:28:18,119 --> 00:28:22,159
Speaker 1: it's a mistake because there's politics in that that go

605
00:28:22,359 --> 00:28:25,760
Speaker 1: well beyond this music. And it's one thing you wrap

606
00:28:25,880 --> 00:28:29,399
Speaker 1: niggas and entertainers and niggas with money. Gotta understand that

607
00:28:29,680 --> 00:28:32,679
Speaker 1: money don't mean shit when you get down off up

608
00:28:32,760 --> 00:28:37,800
Speaker 1: in the ghetto. Money don't mean shit down off up

609
00:28:37,840 --> 00:28:39,480
Speaker 1: in the ghetto. It's about respect.

610
00:28:40,920 --> 00:28:41,600
Speaker 2: A lot of them.

611
00:28:41,520 --> 00:28:43,880
Speaker 1: Niggas, you know, they got money, can't step foot in

612
00:28:43,960 --> 00:28:49,400
Speaker 1: the ghetto. And it ain't because they too good. It's

613
00:28:49,400 --> 00:28:52,480
Speaker 1: because they know better. Ain't nobody gonna respect the handle.

614
00:28:52,560 --> 00:28:54,560
Speaker 1: You can't wear a watch, you can't dry it car,

615
00:28:54,680 --> 00:28:57,680
Speaker 1: you can't leave with the shit you came with. Yay,

616
00:28:58,560 --> 00:29:00,920
Speaker 1: the shit you pulled to the hood with, you gonna

617
00:29:00,920 --> 00:29:03,360
Speaker 1: get removed from you when you leave the hood, homie.

618
00:29:05,240 --> 00:29:07,680
Speaker 1: In my opinion, it's a mistake to reference y G,

619
00:29:08,040 --> 00:29:11,200
Speaker 1: Chris Brown, the Game, and any of these guys man

620
00:29:11,320 --> 00:29:13,720
Speaker 1: because while you've made money with them, and while you

621
00:29:13,800 --> 00:29:16,560
Speaker 1: have relationship with them, number one, you put them in

622
00:29:16,600 --> 00:29:18,920
Speaker 1: a funny position because they do gotta live on the

623
00:29:19,000 --> 00:29:21,000
Speaker 1: West Coast and fall under whatever politics.

624
00:29:21,080 --> 00:29:21,360
Speaker 5: This is.

625
00:29:21,440 --> 00:29:29,000
Speaker 2: Now, this is rap, but you're talking DP talking gang politics.

626
00:29:28,880 --> 00:29:30,680
Speaker 1: And I think that Drake needs to stay away from

627
00:29:30,720 --> 00:29:35,400
Speaker 1: blurring the lines as it pertains to everybody. Kendrick, you

628
00:29:35,520 --> 00:29:37,480
Speaker 1: a fake gang banger. This is what I'll be saying

629
00:29:37,480 --> 00:29:41,080
Speaker 1: if I was Drake. Kendrick, you ain't no gang bang.

630
00:29:42,640 --> 00:29:44,480
Speaker 1: I was just on the live with somebody from the

631
00:29:44,520 --> 00:29:47,160
Speaker 1: West Coast, you know, or shout out to my brother

632
00:29:47,280 --> 00:29:49,720
Speaker 1: Rashard earn your leision. We had a whole live shout

633
00:29:49,760 --> 00:29:52,240
Speaker 1: out to Watts and some of the homies that was

634
00:29:52,320 --> 00:29:54,840
Speaker 1: on there. And they keep trying to tell me about

635
00:29:54,880 --> 00:29:59,880
Speaker 1: Kendrick Lamar background. What is what about his background? Where

636
00:29:59,880 --> 00:30:04,240
Speaker 1: you telling me about his background? What y'all niggas telling

637
00:30:04,280 --> 00:30:06,840
Speaker 1: me about the niggas backgrounds. What y'all niggas telling me

638
00:30:06,880 --> 00:30:09,920
Speaker 1: about the backgrounds? And these rap niggas tell me because

639
00:30:09,960 --> 00:30:12,240
Speaker 1: I know cole Hart Street niggas went. I said, so

640
00:30:12,440 --> 00:30:16,560
Speaker 1: a rap nigga, You tell me what made Kendrick background

641
00:30:16,760 --> 00:30:20,120
Speaker 1: so hard that he's so far removed from what Drake

642
00:30:20,400 --> 00:30:23,480
Speaker 1: is to what we gonna just hand Kendrick the gangst

643
00:30:23,520 --> 00:30:26,760
Speaker 1: the card now, man. Some of the o g's out

644
00:30:26,800 --> 00:30:29,080
Speaker 1: on the West Coast shout out the top and shout

645
00:30:29,120 --> 00:30:32,080
Speaker 1: out to some of them people. They got respectable handles.

646
00:30:32,400 --> 00:30:35,600
Speaker 1: But Kendrick Lamar, somebody tell me, oh, he come up

647
00:30:35,680 --> 00:30:36,240
Speaker 1: in competent.

648
00:30:36,440 --> 00:30:38,240
Speaker 2: Man. I know niggas grow up in the project. You

649
00:30:38,280 --> 00:30:39,320
Speaker 2: can smack the shit.

650
00:30:39,160 --> 00:30:42,000
Speaker 1: Out them niggas. Man, Them niggas ain't finnna do nothing.

651
00:30:43,040 --> 00:30:45,560
Speaker 1: So just coming up in the ghetto don't mean nothing.

652
00:30:46,920 --> 00:30:49,120
Speaker 1: Just coming up around here don't make you tough. I know,

653
00:30:49,240 --> 00:30:52,800
Speaker 1: dumb niggas in the ghetto. I know niggas is gang

654
00:30:52,920 --> 00:30:56,240
Speaker 1: banging at fifty. They come up in the ghetto. So

655
00:30:56,400 --> 00:30:58,400
Speaker 1: what the fuck you niggas telling me that you learn

656
00:30:58,520 --> 00:31:00,680
Speaker 1: this big boy set a skin, he is coming from

657
00:31:00,720 --> 00:31:03,200
Speaker 1: the ghetto. That's gonna make you whoop a square. Now,

658
00:31:03,520 --> 00:31:07,880
Speaker 1: if you are thinking, which I do believe Kendrick to

659
00:31:07,960 --> 00:31:12,960
Speaker 1: be thinking. If you are thinking, you can whoop a square.

660
00:31:13,760 --> 00:31:18,600
Speaker 1: But I don't know personally Kendrick Lamar's story. I'm not

661
00:31:18,720 --> 00:31:21,760
Speaker 1: the kind of nigga that hear a neighborhood and then

662
00:31:21,840 --> 00:31:24,920
Speaker 1: that shit. Just give you a pass to me. I

663
00:31:25,080 --> 00:31:28,240
Speaker 1: remember Hurricane Katrina happened in my city and there was

664
00:31:28,280 --> 00:31:31,000
Speaker 1: a thing going around and they said, man, the New

665
00:31:31,120 --> 00:31:34,720
Speaker 1: Orleans niggas was going anywhere. Them niggas was wreaking heavy. Well,

666
00:31:35,120 --> 00:31:37,520
Speaker 1: they came to my city and them nigga ran into

667
00:31:37,600 --> 00:31:41,280
Speaker 1: some problems. We personally drew down on a couple of

668
00:31:41,320 --> 00:31:43,360
Speaker 1: New Orleans niggas cause they were going through cities just

669
00:31:43,480 --> 00:31:46,320
Speaker 1: robbing niggas and doing shit because they was on they

670
00:31:46,440 --> 00:31:47,160
Speaker 1: was on the loose.

671
00:31:48,200 --> 00:31:50,120
Speaker 2: They were just planting them niggas in cities.

672
00:31:50,720 --> 00:31:53,280
Speaker 1: And so niggas had come through and just say you're

673
00:31:53,400 --> 00:31:55,840
Speaker 1: from New Orleans and think that they mean, like, nobody

674
00:31:55,880 --> 00:31:57,160
Speaker 1: don't give a fuck where are you from.

675
00:31:57,880 --> 00:31:59,800
Speaker 2: I don't expect you to care where I'm from.

676
00:32:00,520 --> 00:32:04,520
Speaker 1: But I'm not gonna give Kendrick Lamarty gangster card or

677
00:32:04,560 --> 00:32:07,200
Speaker 1: the order or the advantage because he come up in

678
00:32:07,280 --> 00:32:09,880
Speaker 1: Compton when we're talking about rap. Now, if we're gonna

679
00:32:09,920 --> 00:32:13,000
Speaker 1: talk about some outside of rap, that's one thing. I'm

680
00:32:13,040 --> 00:32:14,880
Speaker 1: not gonna be the person that's gonna sit here and

681
00:32:14,960 --> 00:32:18,560
Speaker 1: give Kendrick Lamarta edge because he comes from Compton and

682
00:32:18,720 --> 00:32:19,800
Speaker 1: Drake comes from Canada.

683
00:32:21,280 --> 00:32:22,680
Speaker 2: I just I can't do that.

684
00:32:24,240 --> 00:32:26,480
Speaker 1: I know some niggas come out the suburbs went harder

685
00:32:26,560 --> 00:32:29,320
Speaker 1: for this shit than niggas that grew up in the neighborhood.

686
00:32:30,200 --> 00:32:32,240
Speaker 2: So I'm not the guy that I don't I don't

687
00:32:32,240 --> 00:32:32,960
Speaker 2: subscribe to that.

688
00:32:33,520 --> 00:32:35,560
Speaker 5: The nigga cold lose a seep on it, say it

689
00:32:35,600 --> 00:32:35,960
Speaker 5: ain't me.

690
00:32:36,440 --> 00:32:39,760
Speaker 4: You better have some paperwork at that shit. Fat can't

691
00:32:39,760 --> 00:32:42,600
Speaker 4: be rapping by no rapping that we can't read. I mean,

692
00:32:42,640 --> 00:32:45,360
Speaker 4: it's true, and nigga stop me for my ap just

693
00:32:45,480 --> 00:32:46,720
Speaker 4: like I met your nigga.

694
00:32:46,480 --> 00:32:48,480
Speaker 5: Slat of fuzzs main squeeze out.

695
00:32:48,520 --> 00:32:52,120
Speaker 4: You're begging for attention niggas, say please, always rapping like

696
00:32:52,200 --> 00:32:54,880
Speaker 4: you about to get the slaves freeze. You just acting

697
00:32:55,040 --> 00:32:57,880
Speaker 4: like an activistis make believes. Don't even go back to

698
00:32:58,000 --> 00:33:00,640
Speaker 4: yo hood and plan on money trees. Say you hate

699
00:33:00,640 --> 00:33:02,920
Speaker 4: the girls. I fuck with what you really mean. I've

700
00:33:02,960 --> 00:33:05,400
Speaker 4: been with black and white and everything that's in between.

701
00:33:05,920 --> 00:33:08,680
Speaker 4: You the black messiah wiping up a mixed queen and

702
00:33:08,840 --> 00:33:10,400
Speaker 4: hit vanilla cream and help out with.

703
00:33:10,440 --> 00:33:13,160
Speaker 5: Your self esteem. Oh so, Bobby shit, I want to

704
00:33:13,240 --> 00:33:14,280
Speaker 5: know what Whitney needs.

705
00:33:14,680 --> 00:33:17,240
Speaker 4: All that puppy love was over in y'all late teams

706
00:33:17,600 --> 00:33:20,440
Speaker 4: while you never hold your son and tell them saint cheese.

707
00:33:20,360 --> 00:33:21,920
Speaker 2: We could have left the kids out of it.

708
00:33:22,040 --> 00:33:24,600
Speaker 5: Just don't blame me. You a dog, and you know

709
00:33:24,920 --> 00:33:25,920
Speaker 5: you just play sweet.

710
00:33:26,200 --> 00:33:29,160
Speaker 4: Your baby mama catch is always screaming save me. You

711
00:33:29,320 --> 00:33:31,800
Speaker 4: did it dirty, all your luck. You're trying to make peace.

712
00:33:32,080 --> 00:33:34,000
Speaker 4: I heard that one of the little kids might be.

713
00:33:34,120 --> 00:33:41,240
Speaker 5: Day free don't make it day freeze, because if.

714
00:33:41,200 --> 00:33:44,280
Speaker 4: Your GM is your BM secret BD, then this is

715
00:33:44,400 --> 00:33:46,240
Speaker 4: all making plenty of fucking sense to me.

716
00:33:46,880 --> 00:33:50,880
Speaker 5: Hey, let that shorty breathe shake that ass, bitch. Hands

717
00:33:50,960 --> 00:33:54,520
Speaker 5: on your knees, Hands on your knees, hands on your knees.

718
00:33:54,840 --> 00:33:57,360
Speaker 5: Shake that ass for Drake, Now, shake that airs for free.

719
00:33:57,840 --> 00:34:00,640
Speaker 4: Yeah, yeah, we're not that kind of free. I'm talking

720
00:34:00,680 --> 00:34:03,240
Speaker 4: about my nigga, Dave Yo man A lef k. We

721
00:34:03,360 --> 00:34:06,480
Speaker 4: caught that shit of mini trade. He always said, our overlooked.

722
00:34:06,520 --> 00:34:09,359
Speaker 4: If I was staring straight, these boys go over Kenny here.

723
00:34:09,440 --> 00:34:11,640
Speaker 4: No matter what I say, I know you'd like to

724
00:34:11,760 --> 00:34:13,520
Speaker 4: keep it. Shuts and let me paraphrase.

725
00:34:13,760 --> 00:34:14,560
Speaker 5: Knew it was smoke.

726
00:34:14,560 --> 00:34:17,279
Speaker 4: When able to hit us with the sad name, nigga said,

727
00:34:19,000 --> 00:34:20,840
Speaker 4: I almost started reaching for my ways.

728
00:34:20,960 --> 00:34:25,160
Speaker 8: Draw job job job chop a fifty bad for the

729
00:34:25,320 --> 00:34:28,640
Speaker 8: mom and a spy chopping fifty bad twenty nine for

730
00:34:28,719 --> 00:34:29,200
Speaker 8: the pie.

731
00:34:30,760 --> 00:34:32,480
Speaker 5: Oh really really trying to keep it?

732
00:34:36,400 --> 00:34:38,719
Speaker 2: Yeah, you stop playing around and taking shit.

733
00:34:38,800 --> 00:34:39,480
Speaker 5: Serious thing.

734
00:34:41,239 --> 00:34:41,960
Speaker 2: Niggas is a joke.

735
00:34:42,000 --> 00:34:44,600
Speaker 5: I'll take a serious stuff. Yeah.

736
00:34:45,920 --> 00:34:49,640
Speaker 4: Look, if Drake Shooter's doing tiktoks, Nigga really shooting in your.

737
00:34:49,560 --> 00:34:51,600
Speaker 5: Game, that's please brother. Y'allna get shit shot.

738
00:34:51,719 --> 00:34:53,840
Speaker 4: Nigga can't listen to this nigg talking for a settle,

739
00:34:53,880 --> 00:34:55,840
Speaker 4: saying before a hip hop nigga, y'alln't even be.

740
00:34:55,880 --> 00:34:58,000
Speaker 5: At home, doog you a souvenir at the gift shot.

741
00:34:58,080 --> 00:35:00,520
Speaker 5: Nigga still matter about that one whole win even fuck.

742
00:35:00,560 --> 00:35:01,400
Speaker 5: I just lived blocked with.

743
00:35:01,480 --> 00:35:02,879
Speaker 4: It out here that can when it's for a time,

744
00:35:02,920 --> 00:35:04,359
Speaker 4: I ain't even really let my dick drop.

745
00:35:04,520 --> 00:35:06,560
Speaker 5: Nigga. What the fuck are a red drive nigga? Tough

746
00:35:06,600 --> 00:35:08,799
Speaker 5: of somebody knows job? Nigga? Ohsaf we got a.

747
00:35:08,760 --> 00:35:10,799
Speaker 4: Side effect of jealousy and doubt it never told y'all,

748
00:35:10,920 --> 00:35:12,800
Speaker 4: niggas put a nigga in the bars. Let a nigga

749
00:35:12,880 --> 00:35:14,879
Speaker 4: rock kind of like your old job nigga house sitting

750
00:35:14,960 --> 00:35:16,480
Speaker 4: on some land, but it's out with no one even

751
00:35:16,560 --> 00:35:18,879
Speaker 4: really knows y'all. Niggas bitches got a drive two hours

752
00:35:18,880 --> 00:35:20,759
Speaker 4: for your playing just to give a blow job. Nigga

753
00:35:20,840 --> 00:35:22,920
Speaker 4: must have started up a snowball because my last record

754
00:35:22,960 --> 00:35:24,960
Speaker 4: there was four hundred inns. These days, that's a low

755
00:35:25,080 --> 00:35:25,640
Speaker 4: bar nigga.

756
00:35:25,960 --> 00:35:29,400
Speaker 5: Hey, CU's next on the list. What's one of my

757
00:35:29,520 --> 00:35:32,000
Speaker 5: soap car? Niggas? W'sh one of my soul car? Niggas?

758
00:35:32,040 --> 00:35:34,080
Speaker 4: What'sh one of my soul car? Niggas need a shove

759
00:35:34,160 --> 00:35:36,439
Speaker 4: and a cliff. I always know I had to smoke, y'all.

760
00:35:36,520 --> 00:35:36,800
Speaker 5: Niggas.

761
00:35:37,600 --> 00:35:39,719
Speaker 4: Good kid, Mad City Van will pot of left and

762
00:35:39,800 --> 00:35:42,319
Speaker 4: make it doorslide, tears running down my chet, laughing that you.

763
00:35:42,360 --> 00:35:44,360
Speaker 5: Put it down, and it's a war crop you give.

764
00:35:44,280 --> 00:35:46,120
Speaker 4: Music getting played, and all the spots with boys got.

765
00:35:46,040 --> 00:35:46,920
Speaker 5: A little more pride.

766
00:35:47,120 --> 00:35:49,200
Speaker 4: That's why all your friends get into Atlanta plans just

767
00:35:49,239 --> 00:35:50,080
Speaker 4: to find a toy guy.

768
00:35:50,440 --> 00:35:54,120
Speaker 2: So I like to flow here. I think it's a

769
00:35:54,239 --> 00:35:55,840
Speaker 2: mistake to lump everybody in.

770
00:35:56,440 --> 00:35:59,000
Speaker 1: You ignore Rick Ross because Rick Ross is gonna make

771
00:35:59,120 --> 00:36:02,160
Speaker 1: up for what Kindred Black said as it pertains to

772
00:36:02,239 --> 00:36:05,800
Speaker 1: the presence in the media and the blogs. You know,

773
00:36:05,920 --> 00:36:09,399
Speaker 1: the catchphrases, the narratives. That's what Ross can get you at.

774
00:36:09,680 --> 00:36:12,520
Speaker 1: Kendrick can't really get you that because he ain't gonna talk. See,

775
00:36:12,560 --> 00:36:16,560
Speaker 1: somebody gonna have to break character. Somebody gonna have to

776
00:36:16,600 --> 00:36:19,640
Speaker 1: break character. And Drake is not gonna be able to

777
00:36:19,680 --> 00:36:22,320
Speaker 1: be so arrogant to think or I can hit Kendrick,

778
00:36:22,320 --> 00:36:25,000
Speaker 1: I hit Ross, I hit Future, I hit you gonna

779
00:36:25,000 --> 00:36:26,600
Speaker 1: fuck around and get your ass whop.

780
00:36:28,239 --> 00:36:29,400
Speaker 2: You can't do it like that.

781
00:36:30,440 --> 00:36:33,240
Speaker 1: This ain't that type of thing. These are jiu jitsu artists,

782
00:36:33,280 --> 00:36:39,400
Speaker 1: is my nigga. This is professional sports. This ain't the backyard.

783
00:36:39,680 --> 00:36:42,560
Speaker 1: Or do Drake got that little respect for these nigga

784
00:36:42,560 --> 00:36:44,520
Speaker 1: where he think I smack him, Smack you nigga.

785
00:36:44,520 --> 00:36:45,560
Speaker 2: I'll fight all you niggas.

786
00:36:45,840 --> 00:36:48,359
Speaker 1: Nigga, smack him, hit him in the mouth, spit on him,

787
00:36:48,600 --> 00:36:52,960
Speaker 1: kick him like it feels like Drake feels like, bring

788
00:36:53,080 --> 00:36:53,279
Speaker 1: him on.

789
00:36:54,520 --> 00:36:58,879
Speaker 2: I think that's a mistake, even in Lady. I'll tell you, say, bro.

790
00:37:00,320 --> 00:37:02,239
Speaker 1: Get let me get my wares. I fight seven of

791
00:37:02,320 --> 00:37:04,799
Speaker 1: y'all niggas long as just one on one. Put get

792
00:37:04,880 --> 00:37:07,719
Speaker 1: it with him, get it with him, but I don't

793
00:37:07,719 --> 00:37:09,840
Speaker 1: want to hit you. And then he running in and

794
00:37:09,920 --> 00:37:12,120
Speaker 1: I got to worry about him because I need to

795
00:37:12,200 --> 00:37:15,640
Speaker 1: focus on this Kendrick nigga, the Ross Nigga's gonna create narratives.

796
00:37:15,680 --> 00:37:18,399
Speaker 2: He's a blog sweet heart. The blogs love to post him.

797
00:37:18,640 --> 00:37:21,560
Speaker 1: It's a mistake to lump Ross and Kendrick together and

798
00:37:21,680 --> 00:37:23,719
Speaker 1: think you can win a handicap match in that way

799
00:37:23,840 --> 00:37:27,359
Speaker 1: because Ross can shut up with the rapping and talk

800
00:37:27,440 --> 00:37:29,440
Speaker 1: that money shit and keep hitting you with the white

801
00:37:29,480 --> 00:37:29,919
Speaker 1: boys shit.

802
00:37:30,120 --> 00:37:31,719
Speaker 2: Just keep adding to the narratives.

803
00:37:32,160 --> 00:37:38,040
Speaker 1: Leave Ross alone, deal with Kendrick, and you better neutralize Pluto.

804
00:37:39,719 --> 00:37:40,719
Speaker 2: If I'm Drake.

805
00:37:41,239 --> 00:37:43,439
Speaker 4: Able, Rang fucking Brad need to buy some more chains

806
00:37:43,480 --> 00:37:45,880
Speaker 4: for some more guys. Let me find another street nigga

807
00:37:45,920 --> 00:37:47,920
Speaker 4: I could take to the game's court side. Let me

808
00:37:47,960 --> 00:37:50,120
Speaker 4: get a useful ride, rather take the nigga on a

809
00:37:50,160 --> 00:37:52,640
Speaker 4: horse ride anything and take a spotlight.

810
00:37:52,239 --> 00:37:54,320
Speaker 5: Off the fan of Boss is a drug down Little.

811
00:37:54,120 --> 00:37:56,479
Speaker 4: Pont sention front of the north Side Rock Kim talking

812
00:37:56,520 --> 00:37:58,920
Speaker 4: shit again cast because you hit my being first nigga

813
00:37:58,960 --> 00:38:00,560
Speaker 4: through the math of while I was hitting and I

814
00:38:00,600 --> 00:38:02,240
Speaker 4: ain't even know you rest there because.

815
00:38:02,000 --> 00:38:04,239
Speaker 5: They only talking about your fit again. I they gotta

816
00:38:04,320 --> 00:38:06,640
Speaker 5: have a kit again for your thinker dropping any shit again.

817
00:38:06,920 --> 00:38:08,719
Speaker 4: Even when you do drop, they're gonna say you should

818
00:38:08,719 --> 00:38:10,600
Speaker 4: have modeled because it's Mit again smoking fifty.

819
00:38:10,640 --> 00:38:12,439
Speaker 5: Body should have put you on the first one trying

820
00:38:12,480 --> 00:38:12,920
Speaker 5: to get it in.

821
00:38:13,320 --> 00:38:15,040
Speaker 4: Ask fing if it's a bet idea, And next time

822
00:38:15,080 --> 00:38:17,160
Speaker 4: you cut it in a bed again, she'll even tell

823
00:38:17,160 --> 00:38:19,080
Speaker 4: your leader boy alone for you get your head split

824
00:38:19,160 --> 00:38:21,320
Speaker 4: again to the shit made me sit to my stomach.

825
00:38:21,360 --> 00:38:23,399
Speaker 4: We ain't never really been through it. Lean and Wayne

826
00:38:23,440 --> 00:38:25,120
Speaker 4: here fucking land, so I know he had to be

827
00:38:25,200 --> 00:38:27,719
Speaker 4: an influence. These niggas had a plan and they finally

828
00:38:27,760 --> 00:38:30,120
Speaker 4: found a way to work into it. Two separate albums,

829
00:38:30,160 --> 00:38:31,920
Speaker 4: Distance I they did a camp to it. Nigga skin

830
00:38:32,040 --> 00:38:34,120
Speaker 4: through it, Me and Savage had a hole dripping with it.

831
00:38:34,920 --> 00:38:36,000
Speaker 2: Woa, whoa, whoa, whoa whoa.

832
00:38:36,120 --> 00:38:41,680
Speaker 1: Now Drake, let's had that conversation. Now, why would Future

833
00:38:41,719 --> 00:38:44,239
Speaker 1: be on the other side as it pertains a Drake.

834
00:38:44,360 --> 00:38:46,359
Speaker 1: This is my theory, and again I can be wrong.

835
00:38:47,160 --> 00:38:50,120
Speaker 1: I have a part Kass, and I have context clues,

836
00:38:50,400 --> 00:38:53,319
Speaker 1: and I have some inside information that those people are

837
00:38:53,360 --> 00:38:55,440
Speaker 1: renamed remain anonymous.

838
00:38:55,640 --> 00:38:57,880
Speaker 2: I remember a while back, Noriega came.

839
00:38:57,719 --> 00:38:59,719
Speaker 1: Out and said something and he said Future was mad

840
00:38:59,760 --> 00:39:03,800
Speaker 1: at Drake, and I remember getting on my platform and

841
00:39:03,920 --> 00:39:07,760
Speaker 1: a lot of different people saying, why Noray in South business?

842
00:39:09,840 --> 00:39:12,080
Speaker 1: And you know, I said, well, damn, Norry is in Miami.

843
00:39:12,200 --> 00:39:15,640
Speaker 1: Maybe heard something, but I didn't really understand what Noory

844
00:39:15,800 --> 00:39:19,320
Speaker 1: was saying. Now that I look back at that and

845
00:39:19,960 --> 00:39:22,279
Speaker 1: seeing the moves after that, my theory would be this,

846
00:39:22,560 --> 00:39:25,880
Speaker 1: if Future could be upset about anything outside of some

847
00:39:26,000 --> 00:39:29,759
Speaker 1: personal relationship, if it pertains the business, I'm gonna say

848
00:39:29,760 --> 00:39:31,760
Speaker 1: that Future may have thought that him and Drake actually

849
00:39:31,800 --> 00:39:35,239
Speaker 1: built a solid relationship. Maybe in the back of Future's head,

850
00:39:35,360 --> 00:39:37,840
Speaker 1: he believes Drake looks at all these rap dudes like

851
00:39:37,920 --> 00:39:40,359
Speaker 1: they need him, But I think Future may have built

852
00:39:40,440 --> 00:39:43,239
Speaker 1: up another enough culture cache to feel like Drake, No,

853
00:39:43,400 --> 00:39:44,080
Speaker 1: I don't need him.

854
00:39:44,160 --> 00:39:45,520
Speaker 2: It's mutually beneficial.

855
00:39:46,280 --> 00:39:47,799
Speaker 1: And you would see that with some of the number

856
00:39:47,880 --> 00:39:50,759
Speaker 1: ones that Future has got, these remained on top ten

857
00:39:51,040 --> 00:39:52,240
Speaker 1: and things of that nature.

858
00:39:53,719 --> 00:39:54,840
Speaker 2: But when it came out that.

859
00:39:56,440 --> 00:39:58,680
Speaker 1: Future may have been upset with him about the twenty

860
00:39:58,760 --> 00:40:05,080
Speaker 1: one Savage her lost thing, my mind got to wonder

861
00:40:05,160 --> 00:40:06,799
Speaker 1: and I said, well, if that is the case, Lon,

862
00:40:06,840 --> 00:40:09,920
Speaker 1: why would he be upset? I said, well, damn man.

863
00:40:10,040 --> 00:40:13,839
Speaker 1: Future had just sold his catalog, you know, he had

864
00:40:13,960 --> 00:40:17,440
Speaker 1: just sold his publishing. And so if I sell my

865
00:40:17,600 --> 00:40:20,520
Speaker 1: publishing and you are my friend, and you do have

866
00:40:20,640 --> 00:40:24,320
Speaker 1: a slot to do another collab album with someone, and

867
00:40:24,440 --> 00:40:28,239
Speaker 1: here I am owning zero music, you will probably give

868
00:40:28,280 --> 00:40:30,279
Speaker 1: it to the guy that's been with you the entire time,

869
00:40:30,360 --> 00:40:33,080
Speaker 1: has been riding with you, outside of giving it to

870
00:40:33,160 --> 00:40:36,839
Speaker 1: your little brother Savage. Now, Drake, being the guy he is, yo,

871
00:40:36,880 --> 00:40:38,239
Speaker 1: I can give it to who I want to give

872
00:40:38,239 --> 00:40:39,960
Speaker 1: it to. But Man, if I've been rying with you,

873
00:40:40,000 --> 00:40:42,600
Speaker 1: I'm gonna look at you funny. And it's the second

874
00:40:42,680 --> 00:40:45,320
Speaker 1: time you've done this to me. If you remember Future

875
00:40:45,480 --> 00:40:49,000
Speaker 1: and Drake had a situation about Tony Montana. What Drake

876
00:40:49,040 --> 00:40:51,760
Speaker 1: didn't want to come and do the video. It's almost

877
00:40:51,840 --> 00:40:56,040
Speaker 1: felt like Drake didn't understand that future was gonna be future,

878
00:40:56,680 --> 00:40:59,239
Speaker 1: because sometimes these people are closed their eyes and listen

879
00:40:59,320 --> 00:41:01,359
Speaker 1: to the record like, well, damn, it don't really sound

880
00:41:01,440 --> 00:41:03,080
Speaker 1: like what I'll make. I don't think it's gonna go.

881
00:41:04,360 --> 00:41:07,080
Speaker 1: You gotta lean out to your own understanding. Sometimes some

882
00:41:07,160 --> 00:41:10,239
Speaker 1: people are just the culture. I say that about me

883
00:41:10,320 --> 00:41:14,440
Speaker 1: a lot of times, like, luckily our numbers look good,

884
00:41:14,480 --> 00:41:16,160
Speaker 1: but sometimes people are just look at the.

885
00:41:16,200 --> 00:41:18,880
Speaker 2: Numbers to try to navigate whether or not to do

886
00:41:19,000 --> 00:41:19,319
Speaker 2: a deal.

887
00:41:19,360 --> 00:41:21,480
Speaker 1: And I try to tell people this cache that you

888
00:41:21,600 --> 00:41:23,920
Speaker 1: can't it's cache you gotta consider.

889
00:41:24,760 --> 00:41:26,480
Speaker 2: It's cache you gotta consider.

890
00:41:27,000 --> 00:41:28,600
Speaker 1: And so when I let you do that to me

891
00:41:28,680 --> 00:41:30,880
Speaker 1: with the Tony Montana, then you double back and do

892
00:41:31,040 --> 00:41:33,719
Speaker 1: the joint album with Savage, And I really can't say

893
00:41:33,800 --> 00:41:35,560
Speaker 1: nothing because it ain't pea for me to come out

894
00:41:35,560 --> 00:41:38,000
Speaker 1: and say, damn, homie, you wouldn't have done the thing

895
00:41:38,080 --> 00:41:40,080
Speaker 1: with Savage because I want my little homes Savage to

896
00:41:40,120 --> 00:41:42,640
Speaker 1: eat too, Like I ain't trying to take no money

897
00:41:42,680 --> 00:41:45,480
Speaker 1: out the Savage nigga pocket. You dig what I'm saying,

898
00:41:45,520 --> 00:41:47,960
Speaker 1: But this more this, less about savage and more about you.

899
00:41:49,040 --> 00:41:51,640
Speaker 1: Right when you was damn near corny, I wrap my

900
00:41:51,800 --> 00:41:53,799
Speaker 1: arm around you. Why you ain't right?

901
00:41:55,800 --> 00:41:56,440
Speaker 2: So fuck you.

902
00:41:56,520 --> 00:41:57,239
Speaker 5: I don't need you.

903
00:41:57,760 --> 00:42:00,600
Speaker 2: And so I truly believe that it had something to do.

904
00:42:02,400 --> 00:42:07,520
Speaker 1: With Drake's inability to do that joint album with Future,

905
00:42:07,520 --> 00:42:08,080
Speaker 1: because if you.

906
00:42:08,160 --> 00:42:09,919
Speaker 2: Ask me, they already got one in the tuck.

907
00:42:11,040 --> 00:42:14,239
Speaker 1: That's probably literally an album with Future and Drake donn

908
00:42:14,440 --> 00:42:17,680
Speaker 1: already right now that just needs some signatures for Future

909
00:42:17,719 --> 00:42:20,360
Speaker 1: to add that to his new publishing catalog under his

910
00:42:20,480 --> 00:42:23,400
Speaker 1: new holding company after he dunked his.

911
00:42:23,760 --> 00:42:26,920
Speaker 2: Entire music catalog. Now we friends in this bus, and

912
00:42:27,040 --> 00:42:29,600
Speaker 2: that's what I be saying sometimes, Yo, bro, we friends

913
00:42:29,640 --> 00:42:31,439
Speaker 2: in his being? Is act like it if we ain't

914
00:42:31,520 --> 00:42:34,760
Speaker 2: act like it, cause I ain't.

915
00:42:34,120 --> 00:42:38,480
Speaker 1: Pushing pulling a dragon for no nigga to be my friend. Now,

916
00:42:38,480 --> 00:42:40,960
Speaker 1: I don't give a fuck who friends and who ain't friends.

917
00:42:41,200 --> 00:42:44,080
Speaker 1: But if we gonna say we cool, let's be cool.

918
00:42:45,000 --> 00:42:48,120
Speaker 1: Let's be mutually cool. Nigga, don't never make me feel

919
00:42:48,200 --> 00:42:51,000
Speaker 1: like I'm pulling for you and you pushing away.

920
00:42:51,680 --> 00:42:54,240
Speaker 2: Nigga, you got to be crazy, and I come from nothing.

921
00:42:55,040 --> 00:42:56,759
Speaker 1: When I know for a fact, I can go back

922
00:42:56,800 --> 00:42:58,759
Speaker 1: to my ghetto, nigga, I can go back to where

923
00:42:58,800 --> 00:43:01,279
Speaker 1: I come from. A lot of you niggas can't get

924
00:43:01,320 --> 00:43:03,680
Speaker 1: on this mic and say this here. I can go

925
00:43:03,920 --> 00:43:07,920
Speaker 1: back to where I come from and be welcomed. You

926
00:43:08,080 --> 00:43:11,680
Speaker 1: niggas done and bandit everything it built you. And so

927
00:43:11,840 --> 00:43:14,040
Speaker 1: if it's anything, I would say that that's why future

928
00:43:14,160 --> 00:43:14,560
Speaker 1: was upset.

929
00:43:14,640 --> 00:43:15,120
Speaker 2: Let's listen.

930
00:43:16,320 --> 00:43:18,560
Speaker 4: It was almost had to swim to it. Can't dot shit,

931
00:43:18,600 --> 00:43:20,800
Speaker 4: it's only hitting harvet. Baby can't put his hand into it.

932
00:43:21,160 --> 00:43:23,160
Speaker 4: Ros's calling me the white boy, and the shit kind

933
00:43:23,200 --> 00:43:24,880
Speaker 4: of got a ring to it because all these rapers

934
00:43:24,880 --> 00:43:27,080
Speaker 4: waiting white flags while a whole fucking club scene to

935
00:43:27,160 --> 00:43:29,200
Speaker 4: a murder scene on your man to night. Then come

936
00:43:29,280 --> 00:43:31,520
Speaker 4: a visual with the candlelight body. You had the fucking

937
00:43:31,520 --> 00:43:34,120
Speaker 4: body and you know Rick reading my Miranda rights. I'm

938
00:43:34,200 --> 00:43:36,759
Speaker 4: going on vacation our whole next time. Y'all playing it right,

939
00:43:36,800 --> 00:43:38,840
Speaker 4: because you got a paper saying my name. Guess now,

940
00:43:38,960 --> 00:43:40,000
Speaker 4: niggas understand the price?

941
00:43:40,120 --> 00:43:40,400
Speaker 5: Now what.

942
00:43:46,960 --> 00:43:49,799
Speaker 4: Hey, ken, you just opened his mouth. Someone go hand

943
00:43:49,880 --> 00:43:52,799
Speaker 4: on a Grammy right now, where's y'all for that? Because

944
00:43:52,800 --> 00:43:53,560
Speaker 4: I want to talk.

945
00:43:53,400 --> 00:43:54,319
Speaker 5: To the man of ours.

946
00:43:54,520 --> 00:43:56,839
Speaker 4: West Coast niggas, do phase right? Come get this ass

947
00:43:56,840 --> 00:43:58,399
Speaker 4: who but a man in them out? If you want

948
00:43:58,400 --> 00:44:01,120
Speaker 4: to take off a forever get his legacy out of

949
00:44:01,160 --> 00:44:01,480
Speaker 4: my house.

950
00:44:02,600 --> 00:44:02,960
Speaker 2: Balls.

951
00:44:03,320 --> 00:44:05,360
Speaker 4: Can't listen to Eliza, come out of your mouth. You

952
00:44:05,480 --> 00:44:06,439
Speaker 4: caught a twoth record state.

953
00:44:06,880 --> 00:44:12,960
Speaker 2: No, I can't even count this beat, This, this style

954
00:44:13,080 --> 00:44:14,440
Speaker 2: and this flow is dangerous.

955
00:44:16,040 --> 00:44:19,040
Speaker 4: Hey, Kendrick just opened his mouth. Someone go hand up

956
00:44:19,080 --> 00:44:21,920
Speaker 4: my grammy right now, where's y'all for that? Because I

957
00:44:22,000 --> 00:44:23,839
Speaker 4: want to talk to the man at the house. West

958
00:44:23,880 --> 00:44:26,200
Speaker 4: Coach niggas, do phase right? Come get this askhoop, but

959
00:44:26,239 --> 00:44:27,719
Speaker 4: I'm in in the mouth. If you want to take

960
00:44:27,800 --> 00:44:30,120
Speaker 4: up a for rep and come get his legacy out

961
00:44:30,160 --> 00:44:32,040
Speaker 4: of my house, Pasis and decisions falls.

962
00:44:32,400 --> 00:44:34,200
Speaker 5: Can't listen to Eliza, come out of your mouth.

963
00:44:34,400 --> 00:44:36,840
Speaker 4: You caught a two record state and beg him assume

964
00:44:36,880 --> 00:44:38,760
Speaker 4: me ain't get that shit down. I lose a perspective

965
00:44:38,800 --> 00:44:40,839
Speaker 4: on be boy went to send beat, then I'll call

966
00:44:40,880 --> 00:44:43,200
Speaker 4: you for fun. If Daddy got robbed by top you

967
00:44:43,280 --> 00:44:45,920
Speaker 4: stunning in Wayne like follow my son Anthony set up

968
00:44:45,960 --> 00:44:48,560
Speaker 4: the plays coacho be charging you double for none and

969
00:44:48,640 --> 00:44:51,200
Speaker 4: shook about what I'm gonna say for texting your phone

970
00:44:51,239 --> 00:44:53,480
Speaker 4: like we already won you tell me what I shouldn't say,

971
00:44:53,880 --> 00:44:56,440
Speaker 4: what fucking my nigga has already done. We already know

972
00:44:56,520 --> 00:44:58,480
Speaker 4: it's a twenty me one. We already know why you

973
00:44:58,560 --> 00:45:01,880
Speaker 4: want number one. It's clearing the boy. The honorable thing

974
00:45:02,000 --> 00:45:03,840
Speaker 4: is to give me the luke ready to.

975
00:45:03,840 --> 00:45:06,760
Speaker 5: Be bringing son.

976
00:45:06,800 --> 00:45:09,160
Speaker 4: You're gonna play at the bunk, two light skinned kids

977
00:45:09,200 --> 00:45:10,960
Speaker 4: and shit will be cute unless you don't want to

978
00:45:11,000 --> 00:45:12,719
Speaker 4: be seen with anyone.

979
00:45:12,480 --> 00:45:13,080
Speaker 5: Of this in black.

980
00:45:13,160 --> 00:45:13,960
Speaker 2: You know I can feel that.

981
00:45:14,120 --> 00:45:14,239
Speaker 5: Man.

982
00:45:14,320 --> 00:45:16,360
Speaker 1: Let me talk to you suckers real quick because I

983
00:45:16,400 --> 00:45:19,920
Speaker 1: can feel that shit. The honorable thing for you suckers

984
00:45:19,960 --> 00:45:21,840
Speaker 1: to do is to give me the loop. All you

985
00:45:22,000 --> 00:45:24,960
Speaker 1: nigga running around using a nigga talking points, you in

986
00:45:25,000 --> 00:45:28,360
Speaker 1: a nigga style, You and the nigga everything got y'all.

987
00:45:28,239 --> 00:45:32,279
Speaker 2: Sending me a bag man, Yeah nah, yeah, sending me

988
00:45:32,400 --> 00:45:34,160
Speaker 2: a bag man. That's how the boy.

989
00:45:34,480 --> 00:45:35,680
Speaker 5: Yeah, nigga, you use it.

990
00:45:35,800 --> 00:45:39,080
Speaker 2: You know that, ain't you? That's me? You know that's

991
00:45:39,239 --> 00:45:40,399
Speaker 2: me sending me a bag.

992
00:45:40,680 --> 00:45:41,040
Speaker 5: Nigga.

993
00:45:42,280 --> 00:45:45,040
Speaker 6: Fuck around with you nigga using all my shit, sitting

994
00:45:45,120 --> 00:45:48,080
Speaker 6: me a bag, soft fat nigga.

995
00:45:48,880 --> 00:45:50,640
Speaker 5: And you get We got it.

996
00:45:51,080 --> 00:45:52,879
Speaker 4: The black of that bag, the sweet in the juice,

997
00:45:52,880 --> 00:45:54,680
Speaker 4: we get it. You like to put you in your juice,

998
00:45:54,680 --> 00:45:56,399
Speaker 4: we get it. You think that you bishop and juice.

999
00:45:56,440 --> 00:45:58,560
Speaker 4: When you put your hands on your curve, it says

1000
00:45:58,640 --> 00:46:01,000
Speaker 4: uf defence bigger than you. Your back is up against

1001
00:46:01,040 --> 00:46:03,600
Speaker 4: the curve. You digging for dirshould be digging for proof.

1002
00:46:03,719 --> 00:46:05,879
Speaker 4: Why did you move to New York? Is it because

1003
00:46:05,920 --> 00:46:09,000
Speaker 4: you live in a bachelor life proposing twenty fifteen but

1004
00:46:09,120 --> 00:46:11,279
Speaker 4: don't want to make your actual wife. I'm guessing this

1005
00:46:11,360 --> 00:46:13,480
Speaker 4: wedding ain't happening right because we know the girls that

1006
00:46:13,520 --> 00:46:16,080
Speaker 4: you actually like, the darkest secrets are coming in life.

1007
00:46:16,160 --> 00:46:17,800
Speaker 4: It's all on your face, like what happened? And I'm like,

1008
00:46:17,920 --> 00:46:20,759
Speaker 4: oh shit, it's all making sense. Maybe I'm Princeville. You

1009
00:46:20,840 --> 00:46:23,400
Speaker 4: actually like Michael was praying his features would change so

1010
00:46:23,440 --> 00:46:25,920
Speaker 4: people believe that he's actually white. Top will make you

1011
00:46:26,000 --> 00:46:28,239
Speaker 4: do features for change. Get on Papbreaker's and rat for

1012
00:46:28,320 --> 00:46:30,560
Speaker 4: the whites. And wait, you say your brother Jermain, but

1013
00:46:30,640 --> 00:46:32,600
Speaker 4: you on a hearn day out of the like, oh shit,

1014
00:46:33,200 --> 00:46:35,279
Speaker 4: just followed me, right, because nothing you're saying or bot

1015
00:46:35,320 --> 00:46:35,759
Speaker 4: of me right?

1016
00:46:35,880 --> 00:46:37,680
Speaker 5: I get off a plane and nothing has changed.

1017
00:46:37,719 --> 00:46:39,839
Speaker 4: I handed a lot of all of my ice, handed

1018
00:46:39,920 --> 00:46:41,960
Speaker 4: a lot of all of my ice, and a lot

1019
00:46:42,000 --> 00:46:44,239
Speaker 4: of all of my ice. This shit gotta be over

1020
00:46:44,360 --> 00:46:46,520
Speaker 4: by now for anyone out here that's calling it right,

1021
00:46:46,560 --> 00:46:47,120
Speaker 4: and then.

1022
00:46:49,360 --> 00:46:54,120
Speaker 1: You end it's knowing at how they said that that

1023
00:46:54,320 --> 00:46:57,880
Speaker 1: is Kendrick Lamar's engagement ring to his fiance.

1024
00:46:57,920 --> 00:46:59,680
Speaker 2: Say that now Drake has.

1025
00:47:01,040 --> 00:47:03,520
Speaker 1: And listen, there's a lot of layers to lyrics and

1026
00:47:03,520 --> 00:47:06,279
Speaker 1: a lot of stuff being said in this, but that

1027
00:47:06,520 --> 00:47:10,959
Speaker 1: is a fucking symbol if the woman that you tried

1028
00:47:11,040 --> 00:47:12,560
Speaker 1: to marry I never have their.

1029
00:47:12,520 --> 00:47:15,040
Speaker 5: Ring, you know what I mean?

1030
00:47:15,960 --> 00:47:18,560
Speaker 4: They higher crisis management team and clean up the fact

1031
00:47:18,600 --> 00:47:19,719
Speaker 4: that you beat on your clean and the.

1032
00:47:19,760 --> 00:47:24,160
Speaker 1: Picture it is so that that's Drake and his response

1033
00:47:24,239 --> 00:47:28,560
Speaker 1: as it pertains to this battle with him and Kendrick Lamar. Again,

1034
00:47:28,680 --> 00:47:32,440
Speaker 1: we are in the starting rounds of what I truly

1035
00:47:32,560 --> 00:47:35,239
Speaker 1: believe to be one of the biggest fights that hip

1036
00:47:35,280 --> 00:47:38,760
Speaker 1: hop has ever had. Hopefully it stays on wax.

1037
00:47:38,840 --> 00:47:39,279
Speaker 2: I don't know.

1038
00:47:39,480 --> 00:47:42,759
Speaker 1: So many West Coast people are trying to implement the

1039
00:47:43,120 --> 00:47:46,759
Speaker 1: street talk on Drake, you know, almost like I don't know.

1040
00:47:47,040 --> 00:47:49,680
Speaker 1: I will see how it plays out. I truly believe

1041
00:47:49,719 --> 00:47:51,840
Speaker 1: that there's no way to there's no room for the

1042
00:47:51,880 --> 00:47:55,520
Speaker 1: street talk. These are two powerful people. A lot of

1043
00:47:55,600 --> 00:47:57,840
Speaker 1: money is at play. Ain't gonna be none but a

1044
00:47:57,880 --> 00:48:00,319
Speaker 1: whole bunch of people going to jail if they start

1045
00:48:00,360 --> 00:48:03,520
Speaker 1: playing street games, gonna be a bunch of niggas going

1046
00:48:03,520 --> 00:48:05,760
Speaker 1: to jail in Korea is lost. If they start playing

1047
00:48:05,880 --> 00:48:08,960
Speaker 1: tree street games, you niggas ain't gonna do nothing but

1048
00:48:09,040 --> 00:48:12,160
Speaker 1: going to trick bad. So all you wanna be street nigga,

1049
00:48:12,200 --> 00:48:15,799
Speaker 1: shut the fuck up about the street talk, because every

1050
00:48:15,880 --> 00:48:18,520
Speaker 1: time I talk to a nigga, see because what happens

1051
00:48:18,640 --> 00:48:23,160
Speaker 1: is these industry niggas think everybody industry, so because they

1052
00:48:23,200 --> 00:48:25,640
Speaker 1: don't know your face, I might pop up this man.

1053
00:48:25,680 --> 00:48:27,920
Speaker 2: Don't go to talking that street shit with me, nigga

1054
00:48:29,520 --> 00:48:32,000
Speaker 2: and I do them, man, boy, don't boy, don't do me.

1055
00:48:32,160 --> 00:48:32,880
Speaker 5: Like that, nigga.

1056
00:48:32,960 --> 00:48:35,800
Speaker 2: You niggas been in the industry fifteen year. I'm just

1057
00:48:36,000 --> 00:48:37,239
Speaker 2: not coming out the dog and thiss.

1058
00:48:37,280 --> 00:48:37,400
Speaker 5: Man.

1059
00:48:37,440 --> 00:48:40,360
Speaker 2: Don't do that to me, man, and don't tell me

1060
00:48:40,480 --> 00:48:44,360
Speaker 2: how thorough the street seals when these niggas telling and

1061
00:48:44,600 --> 00:48:48,960
Speaker 2: dwelling naw men. Don't bring that shit to this rap shit, man,

1062
00:48:50,000 --> 00:48:51,920
Speaker 2: And it's always somebody that ain't never.

1063
00:48:51,880 --> 00:48:54,480
Speaker 1: Done nothing, and I don't give a fuck if you've

1064
00:48:54,520 --> 00:48:58,080
Speaker 1: done something. And let me relax because I ain't upset.

1065
00:48:58,360 --> 00:49:02,520
Speaker 1: It's just the children be watching my nigga. I'll let

1066
00:49:02,760 --> 00:49:05,480
Speaker 1: street shit. You niggas be talking when y'all ain't stood

1067
00:49:05,560 --> 00:49:08,960
Speaker 1: on nothing. You knowing nigga, the knowing nigga, they knowing nigga.

1068
00:49:09,239 --> 00:49:14,000
Speaker 1: Fuck all you niggas. And I say that respectfully to

1069
00:49:14,160 --> 00:49:19,080
Speaker 1: the children that's watching, right because everyone else that really

1070
00:49:19,120 --> 00:49:22,360
Speaker 1: come from the ghetto, no one thing, Homie. You niggas

1071
00:49:22,400 --> 00:49:25,640
Speaker 1: don't want to really kill each other. And I'm sick

1072
00:49:25,719 --> 00:49:28,520
Speaker 1: of niggas acting like they do cause they look tough

1073
00:49:28,920 --> 00:49:31,520
Speaker 1: or they got niggas around them. You niggas shut that

1074
00:49:31,680 --> 00:49:35,080
Speaker 1: shit up. Let these boys rap man. Let these boys

1075
00:49:35,200 --> 00:49:39,360
Speaker 1: rap man. Ain't nobody gonna scare nobody out of doing nothing.

1076
00:49:39,640 --> 00:49:42,760
Speaker 1: Ain't nobody gonna knock nobody. You ain't getting a drake, homie,

1077
00:49:42,920 --> 00:49:45,760
Speaker 1: and you're not getting the Kendrick both sides.

1078
00:49:45,840 --> 00:49:47,239
Speaker 2: Shut that street shit up.

1079
00:49:47,920 --> 00:49:50,120
Speaker 1: I know the Bravado, go along with it, but shut

1080
00:49:50,160 --> 00:49:53,080
Speaker 1: the fuck up with all that. I misstepped on this one.

1081
00:49:53,120 --> 00:49:56,640
Speaker 1: I we just went over the drake song Let's bag up.

1082
00:49:56,680 --> 00:50:00,840
Speaker 1: A little bit before that, Kendrick dropped this six sixteen,

1083
00:50:00,960 --> 00:50:02,640
Speaker 1: so he did a back to back on Drake in

1084
00:50:02,719 --> 00:50:07,160
Speaker 1: the same way that Drake dropped Taylor made and push ups.

1085
00:50:07,600 --> 00:50:12,600
Speaker 1: He dropped Euphoria in six sixteen. So here's six sixteen.

1086
00:50:12,680 --> 00:50:21,080
Speaker 1: Pay attention to the lyric. Yeah, there's survib.

1087
00:50:22,800 --> 00:50:23,560
Speaker 5: Survie.

1088
00:50:27,120 --> 00:50:33,319
Speaker 3: I think somebody line smells somebody line. I don't see

1089
00:50:33,440 --> 00:50:43,280
Speaker 3: no fine white son secer hat the Marina fucker fantom.

1090
00:50:43,360 --> 00:50:45,120
Speaker 3: I like to buy yes when I get the fever.

1091
00:50:45,360 --> 00:50:47,120
Speaker 3: Why a't cool to spill them my white T shirt?

1092
00:50:47,200 --> 00:50:51,080
Speaker 1: That sight see up See this is what I'm telling Drake, right,

1093
00:50:52,600 --> 00:50:55,320
Speaker 1: Kendrick got that kind of float with the rap niggas

1094
00:50:56,600 --> 00:50:58,680
Speaker 1: them the battle rap niggas, where you be like it's

1095
00:50:58,800 --> 00:51:00,719
Speaker 1: right here, you know. He got that flow where you're

1096
00:51:00,719 --> 00:51:03,360
Speaker 1: moving your hands like it's right here with it, you

1097
00:51:03,480 --> 00:51:06,560
Speaker 1: know what I mean. And then Drake on the other

1098
00:51:06,680 --> 00:51:09,600
Speaker 1: side with that slowed down flow. That's why I gotta

1099
00:51:09,640 --> 00:51:12,239
Speaker 1: be much more impactful that nigga. Kendren Lamar got their

1100
00:51:12,280 --> 00:51:14,759
Speaker 1: flow like this, damn it, like that loaded looks it's

1101
00:51:14,800 --> 00:51:19,440
Speaker 1: good as a crack rolling, but sack floating. And I know,

1102
00:51:19,680 --> 00:51:21,920
Speaker 1: but you know he got that flow. And so that's

1103
00:51:22,000 --> 00:51:25,480
Speaker 1: where the boy Drake better be careful because he's just

1104
00:51:25,600 --> 00:51:29,080
Speaker 1: over there on some this shit make perfect sense to me.

1105
00:51:30,080 --> 00:51:32,680
Speaker 1: It's like, oh, now that's why I liked it that

1106
00:51:32,920 --> 00:51:36,200
Speaker 1: the end of that song where he started. Actually, because

1107
00:51:36,200 --> 00:51:38,680
Speaker 1: you're gonna have to do some wave riding with this shit.

1108
00:51:38,800 --> 00:51:38,880
Speaker 5: Bro.

1109
00:51:39,040 --> 00:51:40,319
Speaker 2: You're not gonna be able to just.

1110
00:51:42,440 --> 00:51:44,680
Speaker 1: You're not gonna be able to just one syllable your

1111
00:51:44,719 --> 00:51:48,239
Speaker 1: way against Kendrick Lamar that's coming with the straight off

1112
00:51:48,320 --> 00:51:50,279
Speaker 1: the porch and the sight see or the wife beat her.

1113
00:51:50,600 --> 00:51:52,439
Speaker 2: You know it ain't gonna You're not gonna be able

1114
00:51:52,480 --> 00:51:52,800
Speaker 2: to do that.

1115
00:51:53,000 --> 00:51:56,400
Speaker 1: Respect your opponent, man, And I hope Drake ain't got

1116
00:51:56,440 --> 00:51:58,840
Speaker 1: so arrogant to where he don't even respect his opponent.

1117
00:51:59,719 --> 00:52:01,400
Speaker 2: Try, infact the money worlds and coaching.

1118
00:52:01,560 --> 00:52:04,239
Speaker 3: This might Leasia my visa passport Teddy and that showed

1119
00:52:04,320 --> 00:52:06,840
Speaker 3: up in the Pisauke Kelly, Dwellings and Brooklyn just to

1120
00:52:06,880 --> 00:52:09,000
Speaker 3: push me some pizza. Who could reach us? Only God

1121
00:52:09,040 --> 00:52:12,880
Speaker 3: can tell report this type of freedom good my confession

1122
00:52:13,040 --> 00:52:13,640
Speaker 3: this sh us.

1123
00:52:14,040 --> 00:52:16,319
Speaker 5: But look, go on my hip. I don't go to work.

1124
00:52:16,800 --> 00:52:20,680
Speaker 3: There's opportunity when living with LUs I Discover myself with

1125
00:52:20,880 --> 00:52:23,240
Speaker 3: not fust show, raise my hands to a fuller Scott.

1126
00:52:24,560 --> 00:52:26,399
Speaker 1: I think I'm gonna talk about that on the next one,

1127
00:52:26,400 --> 00:52:28,120
Speaker 1: because we kind of we almost at the end of

1128
00:52:28,200 --> 00:52:28,520
Speaker 1: this one.

1129
00:52:28,800 --> 00:52:30,560
Speaker 2: So I'm gonna talk about that on the next one,

1130
00:52:30,640 --> 00:52:31,840
Speaker 2: and so we'll get.

1131
00:52:31,719 --> 00:52:34,160
Speaker 1: To six sixteen on the next one, because I want

1132
00:52:34,160 --> 00:52:36,279
Speaker 1: to kind of talk about media's roll break down some

1133
00:52:36,400 --> 00:52:38,480
Speaker 1: of the lyrics. This one, we're just kind of talking

1134
00:52:38,600 --> 00:52:44,520
Speaker 1: over overview. And so after that, after Drake dropped family matters,

1135
00:52:44,880 --> 00:52:49,280
Speaker 1: literally within forty five minutes or an hour, Kendrick drops

1136
00:52:49,719 --> 00:52:53,719
Speaker 1: Meet the Grahams for those who don't know, Drake's real

1137
00:52:53,840 --> 00:52:58,560
Speaker 1: name is Aubrey Graham. Kind of feels like Kendrick knew

1138
00:52:58,600 --> 00:53:02,680
Speaker 1: he was coming with a family, which then lends to

1139
00:53:03,480 --> 00:53:07,239
Speaker 1: the narrative that Kendrick continues to say that there's a

1140
00:53:07,360 --> 00:53:08,279
Speaker 1: mold in your camp.

1141
00:53:09,000 --> 00:53:10,360
Speaker 2: I don't know if that's the case or not.

1142
00:53:10,640 --> 00:53:14,040
Speaker 1: I mean, I think that was a pretty predictable angle

1143
00:53:14,400 --> 00:53:16,319
Speaker 1: to know that he's probably gonna say something about family.

1144
00:53:16,400 --> 00:53:18,040
Speaker 1: That's kind of all he got on me. So let's

1145
00:53:18,040 --> 00:53:20,440
Speaker 1: put some in the chain about his family. When he

1146
00:53:20,600 --> 00:53:23,520
Speaker 1: drops it, we drop it, and it sounds like a response,

1147
00:53:23,600 --> 00:53:26,440
Speaker 1: but it ain't a response because you can't respond to

1148
00:53:26,560 --> 00:53:27,560
Speaker 1: it until you write to it.

1149
00:53:27,640 --> 00:53:31,960
Speaker 2: And you didn't know what I was dropping right. It's

1150
00:53:32,000 --> 00:53:33,280
Speaker 2: a reply, not a response.

1151
00:53:33,320 --> 00:53:39,560
Speaker 1: A reply doesn't necessarily isn't necessarily tailor made for the conversation,

1152
00:53:40,040 --> 00:53:43,160
Speaker 1: but it is something. It's a placeholder. It's like, don't

1153
00:53:43,200 --> 00:53:45,120
Speaker 1: let that live for a long time. Got some about

1154
00:53:45,160 --> 00:53:46,919
Speaker 1: your family as well, Pay attention.

1155
00:53:54,800 --> 00:53:55,759
Speaker 3: If Darrel's don this.

1156
00:53:56,080 --> 00:53:57,839
Speaker 5: I'm sorry that that man is your father.

1157
00:53:58,040 --> 00:53:59,000
Speaker 2: Let me behind us.

1158
00:53:59,280 --> 00:54:00,719
Speaker 5: It takes a man to be a man.

1159
00:54:00,800 --> 00:54:03,279
Speaker 3: Your dad is not responsible. I look at him and

1160
00:54:03,360 --> 00:54:06,120
Speaker 3: wish your grandpa with a world kind of I'm sorry

1161
00:54:06,239 --> 00:54:08,759
Speaker 3: that you gotta go upon and stand behind them. Life

1162
00:54:08,880 --> 00:54:10,800
Speaker 3: is hard, I know, and trying to just always go

1163
00:54:10,960 --> 00:54:13,760
Speaker 3: beat us home. Sometimes our parents make mistakes that affect

1164
00:54:13,840 --> 00:54:16,040
Speaker 3: us until we've grown. And you're a good kid that

1165
00:54:16,239 --> 00:54:19,319
Speaker 3: need good leadership. Let me be your mentor since your

1166
00:54:19,400 --> 00:54:22,000
Speaker 3: daddy don't teach you shit. Never let a man pass

1167
00:54:22,040 --> 00:54:24,440
Speaker 3: on your legs, son, either you got right there or

1168
00:54:24,520 --> 00:54:25,759
Speaker 3: pop that man in the head.

1169
00:54:25,880 --> 00:54:26,080
Speaker 5: Son.

1170
00:54:26,400 --> 00:54:29,640
Speaker 3: Never fall in the escort business. That's bad relegiends. Please

1171
00:54:29,680 --> 00:54:32,600
Speaker 3: remember you could be a bitch even if you got bitches.

1172
00:54:32,760 --> 00:54:35,839
Speaker 3: Never cold switch, whether right or wrong. You're a black man.

1173
00:54:35,960 --> 00:54:39,200
Speaker 3: He benfit. Don't benefit your goals. Do some pushups, get

1174
00:54:39,239 --> 00:54:41,839
Speaker 3: some discipline, don't cut them corners like your daddy did.

1175
00:54:41,960 --> 00:54:44,279
Speaker 3: Fuck what Ozimbic did. Don't pay their play with him

1176
00:54:44,320 --> 00:54:47,680
Speaker 3: brazillly he is. Get a gym membership, understand or throwing

1177
00:54:47,760 --> 00:54:50,400
Speaker 3: focks and hide their hands. That's low. Don't be ashamed

1178
00:54:50,400 --> 00:54:52,520
Speaker 3: about who you went. That's how he treat your moms.

1179
00:54:52,800 --> 00:54:55,080
Speaker 3: Don't have a kid to hide, a kid to hide again.

1180
00:54:55,200 --> 00:54:58,880
Speaker 3: Be sure five percent would comprehend, but ninety five is lost.

1181
00:54:59,160 --> 00:55:00,359
Speaker 5: Be proud of who you are.

1182
00:55:00,719 --> 00:55:03,560
Speaker 3: You strength, come front within by the superstars. That's real,

1183
00:55:03,800 --> 00:55:06,719
Speaker 3: but you dat ain't wanted them, and you nothing like him.

1184
00:55:07,040 --> 00:55:09,920
Speaker 3: You'll carry yourself as king. Can't understand me right now,

1185
00:55:10,320 --> 00:55:20,000
Speaker 3: just play this where you're eighteen. Dear Sandra, your son

1186
00:55:20,120 --> 00:55:23,320
Speaker 3: got some habits. I hope you don't remind them, especially

1187
00:55:23,440 --> 00:55:25,040
Speaker 3: with the girls that's hurting side.

1188
00:55:25,680 --> 00:55:29,480
Speaker 1: You know, I think it's interesting right the beat selections

1189
00:55:29,719 --> 00:55:33,800
Speaker 1: from Kendrick. It's clearly I'm not playing that game with you.

1190
00:55:36,320 --> 00:55:39,040
Speaker 1: Like Euphourior gave me an up tempo kind of gave

1191
00:55:39,120 --> 00:55:42,919
Speaker 1: me like a production of more in a Drake lane.

1192
00:55:43,000 --> 00:55:45,200
Speaker 1: But it's like he's trying to pull Drake over to

1193
00:55:45,360 --> 00:55:47,719
Speaker 1: bring some of that those eight or eight side of it.

1194
00:55:48,440 --> 00:55:51,240
Speaker 1: Let's get away from some of all of that background noise.

1195
00:55:51,320 --> 00:55:55,759
Speaker 1: Let's listen to what you're saying. And if I'm Drake,

1196
00:55:55,840 --> 00:55:58,799
Speaker 1: I don't play that game with him. You know, maybe

1197
00:55:58,840 --> 00:56:00,920
Speaker 1: in a different way, but I don't played in this way.

1198
00:56:01,040 --> 00:56:04,200
Speaker 1: Like these kind of beats, I don't know. I don't

1199
00:56:04,239 --> 00:56:06,239
Speaker 1: know that Drake needs to be doing this kind of

1200
00:56:06,400 --> 00:56:09,400
Speaker 1: beat thing. I mean, I believe the contrast of it

1201
00:56:09,680 --> 00:56:17,920
Speaker 1: is so interesting that it's just like polar opposites, you know.

1202
00:56:18,040 --> 00:56:19,920
Speaker 2: In the South. These kind of beats right here that

1203
00:56:20,320 --> 00:56:21,600
Speaker 2: don't work in beef.

1204
00:56:22,000 --> 00:56:25,000
Speaker 1: This don't work in beef. We don't want to hear

1205
00:56:25,040 --> 00:56:28,759
Speaker 1: this in beef. This shit here, this, this, this, this, this,

1206
00:56:29,120 --> 00:56:31,560
Speaker 1: this this slow shit like this here, we don't want

1207
00:56:31,600 --> 00:56:33,560
Speaker 1: to hit this in beef. I think what you seeing

1208
00:56:33,680 --> 00:56:39,960
Speaker 1: Kendrick do is a very calculated, a very calculated attempt

1209
00:56:41,360 --> 00:56:44,000
Speaker 1: of a takedown. Here's another thing I don't like about

1210
00:56:44,040 --> 00:56:47,800
Speaker 1: a lot of you industry dudes. You dudes are so arrogant.

1211
00:56:47,960 --> 00:56:50,080
Speaker 1: You don't do no research. You don't be knowing who

1212
00:56:50,120 --> 00:56:53,840
Speaker 1: you're talking to. And so I was having a conversation

1213
00:56:53,960 --> 00:56:57,279
Speaker 1: the other day, and I don't know DJ Head, and

1214
00:56:57,600 --> 00:56:59,440
Speaker 1: you know, we've saw each other a few times. We

1215
00:56:59,520 --> 00:57:01,799
Speaker 1: don't have no personal problem. And I don't know if

1216
00:57:01,840 --> 00:57:03,480
Speaker 1: he was talking about me, but he was in a

1217
00:57:03,600 --> 00:57:07,320
Speaker 1: chatting of a conversation that I was in. As I

1218
00:57:07,440 --> 00:57:13,480
Speaker 1: was explaining my point of view, he would say something like, well,

1219
00:57:13,480 --> 00:57:17,400
Speaker 1: it's like having a stock conversation to someone who doesn't

1220
00:57:17,440 --> 00:57:20,400
Speaker 1: do stocks. And so here these guys are in the

1221
00:57:20,520 --> 00:57:24,880
Speaker 1: industry to just assume that you don't have a background

1222
00:57:24,920 --> 00:57:27,840
Speaker 1: in music. Now, let me inform any one of you

1223
00:57:28,240 --> 00:57:32,560
Speaker 1: degenerates that you're wrong about Loan. If you think Loan

1224
00:57:32,680 --> 00:57:35,040
Speaker 1: don't have a background in music. I've been a part

1225
00:57:35,080 --> 00:57:39,000
Speaker 1: of very successful songs written by me. So let's get

1226
00:57:39,080 --> 00:57:41,760
Speaker 1: that out the way. Even though in this culture, I

1227
00:57:41,800 --> 00:57:45,520
Speaker 1: think it's nasty to position things that way from the

1228
00:57:45,600 --> 00:57:48,520
Speaker 1: other side, where it's like, oh, well, they don't understand

1229
00:57:48,640 --> 00:57:50,000
Speaker 1: music because I don't like a beating.

1230
00:57:50,080 --> 00:57:52,560
Speaker 2: Well, no, I just don't like to beat. Nah, yeah,

1231
00:57:52,560 --> 00:57:55,240
Speaker 2: I understand music. I just don't like to beat.

1232
00:57:55,400 --> 00:57:58,360
Speaker 1: Brother, you ain't no better than me because the record

1233
00:57:58,440 --> 00:58:00,000
Speaker 1: label been paying you for twenty years.

1234
00:58:00,360 --> 00:58:01,920
Speaker 2: That shit don't mean nothing to me.

1235
00:58:03,280 --> 00:58:04,840
Speaker 1: If I go, if I come from the ghetto and

1236
00:58:04,880 --> 00:58:06,600
Speaker 1: I write a song to get picked up and make

1237
00:58:06,680 --> 00:58:09,240
Speaker 1: me four five hundred grand and buy my people a house,

1238
00:58:09,320 --> 00:58:11,440
Speaker 1: and that's my first thing doing at a young age.

1239
00:58:11,800 --> 00:58:15,000
Speaker 2: Like for me, that's a beautiful lesson. That's a beautiful thing.

1240
00:58:15,600 --> 00:58:18,280
Speaker 1: But you can't shame somebody because you've been taking checks

1241
00:58:18,320 --> 00:58:21,600
Speaker 1: from record labels all your life. And then on the

1242
00:58:21,680 --> 00:58:23,919
Speaker 1: other side of that, it'll be some of those guys

1243
00:58:24,000 --> 00:58:26,680
Speaker 1: in not DJ Hire because I don't know him, but

1244
00:58:26,880 --> 00:58:29,320
Speaker 1: it'll be some of those same industry niggas that are

1245
00:58:29,360 --> 00:58:31,680
Speaker 1: then try to speak for the streets. Say, bro, you've

1246
00:58:31,720 --> 00:58:34,080
Speaker 1: been in a building twenty years working for them people.

1247
00:58:34,400 --> 00:58:36,520
Speaker 1: You don't know nothing about the streets. And I don't

1248
00:58:36,560 --> 00:58:41,200
Speaker 1: care who co sign you. We don't even accept co

1249
00:58:41,440 --> 00:58:46,040
Speaker 1: signs where I'm from. Bro, don't nobody get you a

1250
00:58:46,160 --> 00:58:50,520
Speaker 1: past where I'm from. Nobody you hear me, you could

1251
00:58:50,560 --> 00:58:53,840
Speaker 1: be nigga. Don't nobody gets you no past where I'm from.

1252
00:58:54,480 --> 00:58:57,760
Speaker 1: So I don't care nothing about a co sign. I'm

1253
00:58:57,800 --> 00:58:59,760
Speaker 1: not the guy that's gonna respect you because I met you.

1254
00:58:59,880 --> 00:59:02,280
Speaker 1: You was standing next to such and such. That don't

1255
00:59:02,360 --> 00:59:05,960
Speaker 1: mean nothing. Every man give my respect until he lose

1256
00:59:06,120 --> 00:59:09,000
Speaker 1: my respect. I don't look at you no different because

1257
00:59:09,000 --> 00:59:11,840
Speaker 1: you hang with such and such. Fuck you at such

1258
00:59:11,920 --> 00:59:15,800
Speaker 1: and such. And it's only in the industry where they

1259
00:59:15,880 --> 00:59:18,760
Speaker 1: had his god complex like this. This don't got nothing

1260
00:59:18,800 --> 00:59:22,400
Speaker 1: to do with regular people, regular street people, regular business

1261
00:59:22,520 --> 00:59:25,920
Speaker 1: working men. This only happens in the industry where he

1262
00:59:26,240 --> 00:59:29,560
Speaker 1: suckers or get a position in this industry and then

1263
00:59:29,680 --> 00:59:31,640
Speaker 1: go to thinking like they all, well, I don't even

1264
00:59:31,680 --> 00:59:34,000
Speaker 1: want to talk to that person, and he doesn't know.

1265
00:59:34,120 --> 00:59:35,760
Speaker 2: He really doesn't have a clue.

1266
00:59:36,280 --> 00:59:39,960
Speaker 1: Say, nigga, do you even know me? Have you, niggas

1267
00:59:40,000 --> 00:59:42,640
Speaker 1: done any research? Do you know it's a reason why

1268
00:59:42,720 --> 00:59:45,840
Speaker 1: they ain't one person disputing what I be saying? Have

1269
00:59:46,000 --> 00:59:47,560
Speaker 1: you done any research to know?

1270
00:59:47,960 --> 00:59:48,720
Speaker 5: I come from a.

1271
00:59:48,760 --> 00:59:51,560
Speaker 1: Place where they can't wait to tear you down, nigga,

1272
00:59:52,240 --> 00:59:56,400
Speaker 1: and can't nobody say nothing? Have you done any research?

1273
00:59:59,000 --> 01:00:02,280
Speaker 1: I be hard pressed find one other person on the internet.

1274
01:00:02,720 --> 01:00:05,480
Speaker 1: That is when as far as I've went, talked as

1275
01:00:05,560 --> 01:00:08,400
Speaker 1: much high power shit as I talk and ain't been

1276
01:00:08,480 --> 01:00:11,960
Speaker 1: exposed for lyne ain't been exposed to say he.

1277
01:00:12,120 --> 01:00:14,600
Speaker 2: Doing this or doing that. I be hard pressed to

1278
01:00:14,680 --> 01:00:15,080
Speaker 2: find it.

1279
01:00:16,720 --> 01:00:19,440
Speaker 1: But they don't have time to do the research because

1280
01:00:19,440 --> 01:00:21,560
Speaker 1: they feel as though, because they've been working for these

1281
01:00:21,680 --> 01:00:24,280
Speaker 1: labels and these white folks for all these years that

1282
01:00:24,440 --> 01:00:27,760
Speaker 1: for some reason, their opinion means more than the people

1283
01:00:27,800 --> 01:00:31,000
Speaker 1: that actually been living in the culture. Again, this beat

1284
01:00:31,080 --> 01:00:34,160
Speaker 1: for me wasn't the best beat. Shout out the alchemist

1285
01:00:34,280 --> 01:00:36,400
Speaker 1: I know who made the beat legend in the game.

1286
01:00:36,600 --> 01:00:40,600
Speaker 1: Not taking nothing from you. I'm talking about in battle, right,

1287
01:00:40,880 --> 01:00:44,440
Speaker 1: it's like showing up to the battle. It's like showing

1288
01:00:44,520 --> 01:00:45,120
Speaker 1: up to the war.

1289
01:00:45,080 --> 01:00:45,560
Speaker 2: With a knife.

1290
01:00:45,560 --> 01:00:47,360
Speaker 1: Boy, that's a hell of a knife. Like, it's a

1291
01:00:47,440 --> 01:00:51,360
Speaker 1: hell of a beat, just now, not for them. Put

1292
01:00:51,360 --> 01:00:53,440
Speaker 1: the knife up though. It's a good knife. Shaw boy,

1293
01:00:53,440 --> 01:00:55,400
Speaker 1: you been shot, But boy, you need a gun.

1294
01:00:55,280 --> 01:01:00,960
Speaker 2: When you come up here. That what I'm saying. That

1295
01:01:01,120 --> 01:01:01,800
Speaker 2: what I'm saying.

1296
01:01:04,440 --> 01:01:07,760
Speaker 1: You know what, I remember when I was a little

1297
01:01:07,800 --> 01:01:11,640
Speaker 1: bit coming up and I heard this right here. Pay attention,

1298
01:01:12,320 --> 01:01:13,920
Speaker 1: f now you wonting.

1299
01:01:13,720 --> 01:01:16,880
Speaker 7: Why I did mix bloating mouth this top boom folks

1300
01:01:16,960 --> 01:01:19,800
Speaker 7: talking bitch, close your mouth beat me. I take this

1301
01:01:19,920 --> 01:01:23,280
Speaker 7: bullshit deeply. That's seen too many real niggas balling up

1302
01:01:23,320 --> 01:01:26,640
Speaker 7: these bitch, niggas beat me black, use a motherfucking poker.

1303
01:01:26,720 --> 01:01:28,840
Speaker 7: You will see me with gloves, quitch, get and them

1304
01:01:28,880 --> 01:01:31,520
Speaker 7: fucking kids with your blast mouth, and you can tell

1305
01:01:31,560 --> 01:01:33,560
Speaker 7: them niggas you roll with whatever you want.

1306
01:01:33,840 --> 01:01:37,080
Speaker 5: But you and I know what's going on. Nigga pays back.

1307
01:01:37,160 --> 01:01:39,560
Speaker 7: You time know your bitch ass from way back when

1308
01:01:39,600 --> 01:01:41,960
Speaker 7: it's me strapped a match. No, I don't play that.

1309
01:01:42,400 --> 01:01:46,200
Speaker 7: All these old rappers trying their fists so so over.

1310
01:01:46,320 --> 01:01:49,440
Speaker 2: Now take it like a man her looking.

1311
01:01:49,280 --> 01:01:52,000
Speaker 7: Like Labby Holmes, flatty and sick, trying to play a

1312
01:01:52,080 --> 01:01:55,480
Speaker 7: head on my shit made the fact dick loving this shit.

1313
01:01:55,600 --> 01:01:57,720
Speaker 7: That's how you made me feeling like I got you

1314
01:01:57,880 --> 01:02:05,640
Speaker 7: niggas crazy again, dog motherfuckers. I have a rumor, get

1315
01:02:06,480 --> 01:02:09,600
Speaker 7: up in the studio getting blue to the Jewish ship.

1316
01:02:09,680 --> 01:02:10,440
Speaker 2: I ever spoke.

1317
01:02:11,560 --> 01:02:14,000
Speaker 5: I remember one of the most humble repon streets. The

1318
01:02:14,120 --> 01:02:16,920
Speaker 5: call ain't Jeffrey, what the fuck you come involving me

1319
01:02:17,040 --> 01:02:19,000
Speaker 5: for It's been a long time coming.

1320
01:02:19,000 --> 01:02:22,120
Speaker 1: Like a black So even with that right, even that beat,

1321
01:02:22,240 --> 01:02:25,720
Speaker 1: even that style, you know those things that was okay.

1322
01:02:25,840 --> 01:02:29,800
Speaker 1: This it wasn't the best, but nah, so we you know,

1323
01:02:30,280 --> 01:02:32,960
Speaker 1: just ship like that. Hell Mary Beats and shiit it.

1324
01:02:33,160 --> 01:02:35,840
Speaker 1: Just the beat selection has to be just as important

1325
01:02:35,840 --> 01:02:39,600
Speaker 1: as the lyrics selection, just as important as the cover selection.

1326
01:02:40,400 --> 01:02:42,720
Speaker 1: And this next one we're gonna get into all of

1327
01:02:42,840 --> 01:02:44,320
Speaker 1: the intricate details.

1328
01:02:44,360 --> 01:02:45,560
Speaker 2: We're gonna get in the media's role.

1329
01:02:45,600 --> 01:02:47,840
Speaker 1: We're gonna get into some of the pictures that's been released,

1330
01:02:47,880 --> 01:02:50,400
Speaker 1: some of the narratives been put out, how they've been used,

1331
01:02:51,000 --> 01:02:54,720
Speaker 1: academics being compromised, all of those things. Right, I like

1332
01:02:54,800 --> 01:02:57,960
Speaker 1: to keep these things about forty five minutes, So I

1333
01:02:58,040 --> 01:03:00,520
Speaker 1: see y'all on the next one. Make sure you hit subscribe,

1334
01:03:00,560 --> 01:03:02,800
Speaker 1: make sure you hit like, and we have unreleased stuff

1335
01:03:02,880 --> 01:03:06,360
Speaker 1: on Patreon, patreon dot com. It's up there podcast. You

1336
01:03:06,480 --> 01:03:09,360
Speaker 1: already know the vibes Big Loan. Don't let them trick you,

1337
01:03:09,400 --> 01:03:11,560
Speaker 1: because they can't trick me. I ain't going for nothing,

1338
01:03:12,000 --> 01:03:12,480
Speaker 1: skid it.