WEBVTT - All Work and No Play Makes Jack a Dull Boy.

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<v Speaker 1>Welcome to Haunted Road, a production of I Heart Radio

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<v Speaker 1>and Grim and Mild from Aaron Minky listener. Discretion is advised. Hey, gang,

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<v Speaker 1>this is just a quick reminder that I have a

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<v Speaker 1>massive fall tour coming up starting in September, and so

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<v Speaker 1>if you want to head to my website Amy dash

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<v Speaker 1>Brunei dot net and click on the appearances page, you

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<v Speaker 1>can see if I will be anywhere near you. A

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<v Speaker 1>lot of these do have meet and greed options too,

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<v Speaker 1>so if you want to get a photo of me

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<v Speaker 1>or ask me a question personally, this is your chance,

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<v Speaker 1>so please check it out and hopefully we will get

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<v Speaker 1>to meet in person and talk about spooky things. My

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<v Speaker 1>favorite one Chili autumn night, a man and his wife

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<v Speaker 1>stayed alone at a lonely hotel nearly abandoned as the

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<v Speaker 1>staff prepared to close. Was the warm weather destination for

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<v Speaker 1>the winter. After she had gone to bed for the night,

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<v Speaker 1>he couldn't sleep, so he went exploring the hotel's long,

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<v Speaker 1>dark corridors. Eventually he found the hotel bar, where a

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<v Speaker 1>bartender named Grady served him a drinker too. When the

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<v Speaker 1>man returned back to his room later that night. Inspired

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<v Speaker 1>by the remote location of the hotel and the eerie

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<v Speaker 1>air of desolation in its empty rooms. He went into

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<v Speaker 1>the bathroom and pulled back the curtain on the cloth

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<v Speaker 1>foot tub. What if someone died here, he thought to himself.

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<v Speaker 1>At that moment, Stephen King knew he had a book

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<v Speaker 1>to write. I'm Amy Bruney, and this is haunted Road.

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<v Speaker 1>There may be no hotel more deeply embedded in horror

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<v Speaker 1>lore than the Stanley, the hotel in Estes Park, Colorado

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<v Speaker 1>that inspired Stephen King to write The Shining, the book

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<v Speaker 1>that has become one of the most famous and most

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<v Speaker 1>frightening stories of all time, and its sequel, Doctor Sleep.

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<v Speaker 1>But Stephen King never saw any ghosts in the Stanley Hotel.

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<v Speaker 1>His experience was totally normal, not paranormal, even if it

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<v Speaker 1>was extremely spooky. I mean, who wouldn't be creeped out

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<v Speaker 1>spending the night in a nearly abandoned hotel. The answer

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<v Speaker 1>is me. I once spent the night as the only

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<v Speaker 1>guest in the Mount Washington Hotel in New Hampshire, and

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<v Speaker 1>it was one of my most favorite experiences ever. But

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<v Speaker 1>I digress. The Shining undoubtedly put the hotel in a

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<v Speaker 1>different stratosphere of fame, though I just want to be clear,

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<v Speaker 1>the movie wasn't filmed there at all. Stanley Kubrick's version

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<v Speaker 1>was filmed in Pinewood Studios in London, and the exterior

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<v Speaker 1>shots of the building are of the Timberline Lodge in Oregon.

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<v Speaker 1>Long before a certain horror writer passed through its doors,

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<v Speaker 1>the Stanley had a reputation for strange noises in the night,

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<v Speaker 1>for ghastly apparitions in hotel rooms, and unexplainable things happening

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<v Speaker 1>all around. In fact, the Stanley more than a century

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<v Speaker 1>of curious history, and it all started with the tuberculosis epidemic.

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<v Speaker 1>In nineteen oh three, freelan Oscar Stanley went to the

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<v Speaker 1>mountains of Colorado with his wife Flora. Stanley, with his

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<v Speaker 1>twin brother Francis, invented a photographic process they sold to

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<v Speaker 1>Kodak and the Stanley Steamer train car. But despite his

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<v Speaker 1>riches and his success, Stanley was suffering from a case

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<v Speaker 1>of tuberculosis that was quickly killing him. By the time

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<v Speaker 1>he and Flora departed for the Mountains of Colorado, doctors

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<v Speaker 1>had told Stanley he only had three months to live.

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<v Speaker 1>Upon arriving in Estes Park, about an hour and a

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<v Speaker 1>half from Denver, He almost immediately began to feel better.

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<v Speaker 1>Stanley made a full recovery, due in part to the

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<v Speaker 1>crisp mountain air of the Rocky Mountains. You might remember

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<v Speaker 1>from our Waverley Hills episode that not everyone who went

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<v Speaker 1>away for a tuberculosis rescue, especially at that Kentucky sanatorium,

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<v Speaker 1>had such a fortunate fate. Despite his prognosis of having

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<v Speaker 1>three months to live, Stanley lived another thirty seven. In

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<v Speaker 1>years before Western settlers arrived, the Estes Park area was

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<v Speaker 1>a summer destination for the Ute and Arapaho tribes and

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<v Speaker 1>became a gold rush town in eighteen fifty nine when

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<v Speaker 1>prospector Joel Estes arrived in the area. When Stanley visited,

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<v Speaker 1>the town was a tourist destination, but only offering simple accommodations,

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<v Speaker 1>not the kind the wealthy inventor was used to. Stanley

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<v Speaker 1>started building what would become the Stanley Hotel in nineteen

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<v Speaker 1>o seven, building on land that had originally belonged to

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<v Speaker 1>an Irish earl, Lord Dunraven. The earl had illegally homesteaded

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<v Speaker 1>six thousand acres to create a private hunting reserve and

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<v Speaker 1>built a hunting lodge, cabin and hotel for guests. As

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<v Speaker 1>Kathy Wiser Alexander wrote in Legends of America, Dunraven was

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<v Speaker 1>finally run out of the area after trying to swindle

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<v Speaker 1>folks out of their land and money. Stanley had originally

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<v Speaker 1>planned on naming the hotel after Lord Dunraven, but locals

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<v Speaker 1>had other ideas. In September, ses Park residents approached Stanley

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<v Speaker 1>with a deer skin petition and asking him to name

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<v Speaker 1>the hotel after himself instead. The Stanley Hotel opened on

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<v Speaker 1>June twenty second, n o nine and makes a grand

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<v Speaker 1>first impression. The main hotel building is built in the

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<v Speaker 1>Colonial Georgian Revival style, four stories tall and painted mustard

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<v Speaker 1>yellow with a vibrant red roof. The design was particularly

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<v Speaker 1>striking for its contrast with the rugged, rocky mountain landscape.

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<v Speaker 1>The style was a departure from the rustic accommodations otherwise

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<v Speaker 1>offered in Estes Park. It was also one of the

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<v Speaker 1>first hotels west of the Mississippi to have electricity. The

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<v Speaker 1>property is sixty eight acres. In addition to the one

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<v Speaker 1>forty room hotel, there are the manor House, Stanley Hall,

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<v Speaker 1>the carriage House, the north and south dormitories, the laundry building,

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<v Speaker 1>the boiler house, the manager's cottage, the gatekeeper's house, the

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<v Speaker 1>maintenance building, and the swimming pool cabana, some of which

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<v Speaker 1>are connected by underground tunnels. The Stanley cost over five

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<v Speaker 1>hundred thousand dollars to build, over fifteen million dollars in

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<v Speaker 1>today's money. According to the hotel's history, the first guests

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<v Speaker 1>who pulled up and stylish Stanley design steam cars were

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<v Speaker 1>astonished at what they saw. Here in this mountain wilderness,

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<v Speaker 1>surrounded by the rustic haunts of the hunter and homesteader,

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<v Speaker 1>was an edifice that withstood comparison to the posh hotels

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<v Speaker 1>back east. Electric lights, telephones, and suite bathrooms. A staff

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<v Speaker 1>of uniformed servants and a fleet of automobiles were at

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<v Speaker 1>their disposal. If the outside was impressive, the interior was

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<v Speaker 1>even more grand. Guests walking in would see a lobby

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<v Speaker 1>with carved wooden walls in several fireplaces, and a grand

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<v Speaker 1>staircase leading up to the guest floors. The original Otis

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<v Speaker 1>elevator from nineteen o nine is still in use today,

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<v Speaker 1>and there's an original Stanley steamer on display in the lobby.

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<v Speaker 1>The hotel has a bar, dining room, music room, and

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<v Speaker 1>billiard room, as well as lounges and meeting rooms. As

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<v Speaker 1>Steve Winston wrote in Western Art and Architecture, the public

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<v Speaker 1>rooms are filled with dark woods, brass, old West shandel years,

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<v Speaker 1>bronzes of wild animals, old books and photos, and authentic

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<v Speaker 1>period furniture and accessories. Bedrooms are reminiscent of the West's

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<v Speaker 1>Golden Age, with large headboards and angled ceilings with round lights.

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<v Speaker 1>One thing the hotel didn't have when it opened was heat.

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<v Speaker 1>Stanley designed the resort as a summer only destination for

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<v Speaker 1>the wealthy set who traveled seasonally, not as a hotel

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<v Speaker 1>that would stay open throughout the year. The first guest

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<v Speaker 1>to the Stanley were members of the Colorado pharmacall Association,

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<v Speaker 1>who met there for their twentieth annual meeting. According to

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<v Speaker 1>a newspaper article of the day in the Weekly Courier,

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<v Speaker 1>the Druggists were loud in their praise of the magnificent establishment.

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<v Speaker 1>In those early days, many well to do visitors stayed

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<v Speaker 1>the entire summer season. Adults stayed on the lower levels,

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<v Speaker 1>while children and nannies stayed on the fourth floor, where

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<v Speaker 1>kids could play freely and stay out of sight of

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<v Speaker 1>their parents and not disturb other guests. It wasn't long

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<v Speaker 1>before made your accident shook the hotel. On June nineteen eleven,

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<v Speaker 1>a thunderstorm cut the power to the resort, and gas

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<v Speaker 1>lamps were lit as a backup. When chambermaid Elizabeth Warren

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<v Speaker 1>entered Room two one seven with a lip candle, she

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<v Speaker 1>had no idea there was a gas leak. The explosion

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<v Speaker 1>destroyed the west wing of the hotel, about ten percent

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<v Speaker 1>of the building. The explosion plummeted Wilson down one floor

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<v Speaker 1>into the Wilson dining room. She was badly injured with

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<v Speaker 1>two broken ankles, but she recovered. The Stanley paid all

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<v Speaker 1>of her medical bills and promoted Wilson to head chambermaid

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<v Speaker 1>when she returned to work. She stayed at the Stanley

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<v Speaker 1>until her death in the nineteen fifties. At the time,

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<v Speaker 1>Room to seventeen, which you might want to remember for later,

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<v Speaker 1>was the lavish Presidential Suite, also encompassing modern day Room

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<v Speaker 1>to fifteen. Pieces of carpet and drywall from Room to

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<v Speaker 1>seventeen were found in the tunnels under the hotel during renovations.

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<v Speaker 1>As barboyer Buck wrote, in the Estes Park Trail Gazette.

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<v Speaker 1>The discovered pieces of drywall are paid papered with a

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<v Speaker 1>brightly colored floral pattern in reds, pinks, and greens, and

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<v Speaker 1>the carpet fragment is a grass green with red and

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<v Speaker 1>blue details. The success of the hotel helped Estes Park

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<v Speaker 1>improve as well as the hotel describes. By nineteen seventeen,

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<v Speaker 1>the town had waterworks, a power plant, and civic organizations

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<v Speaker 1>that were all in some way thanks to Stanley. The

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<v Speaker 1>hotel also transported elk from Montana to repopulate the depleted

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<v Speaker 1>local population. Because of his contributions to the area, F O.

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<v Speaker 1>Stanley is sometimes called the grandfather of Estes Park. Stanley

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<v Speaker 1>sold the hotel in nineteen six, but the new owners

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<v Speaker 1>went into debt, and he repurchased the hotel in nineteen

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<v Speaker 1>nine before reselling it. In the coming decades, the hotel

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<v Speaker 1>stayed largely the same, with a few improvements. In ninety five,

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<v Speaker 1>the facade was changed from its original yellow to the

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<v Speaker 1>white it is today. In the early nineteen fifties, the

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<v Speaker 1>owners installed a swimming pool. Beginning in the nineteen sixties,

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<v Speaker 1>the hotel began to fall into disrepair. In nineteen eight

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<v Speaker 1>to a devastating flood hit Estes Park, and the Stanley

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<v Speaker 1>was used as a National Guard command center. The main

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<v Speaker 1>hotel got a heating system about this same time. It

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<v Speaker 1>wasn't until the nineteen nineties that the hotel was restored

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<v Speaker 1>to its current state. Over the years, the Stanley hosted

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<v Speaker 1>everyone from Theodor Roosevelt, John Philips, Sosa and the unsingable

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<v Speaker 1>Molly Brown, to Joan Baez, Bob Dylan, and a variety

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<v Speaker 1>of foreign dignitaries in Hollywood stars. When Stephen and Tabitha

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<v Speaker 1>King stayed there in nineteen seventy four, they stayed in

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<v Speaker 1>Room to seventeen, the same room from the explosion more

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<v Speaker 1>than six decades earlier. At the time, he was working

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<v Speaker 1>on a novel called Dark Shine, set in an amusement park,

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<v Speaker 1>but King wasn't happy with the setting of the book.

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<v Speaker 1>As King describes it, while we were living in Boulder,

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<v Speaker 1>we heard about this terrific old mountain resort hotel and

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<v Speaker 1>decided to give it a try. But when we arrived,

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<v Speaker 1>they were just getting ready to close for the season,

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<v Speaker 1>and we found ourselves the only guests in the place

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<v Speaker 1>with all those long empty core doors. King and his

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<v Speaker 1>wife were served dinner in an empty dining room. He said,

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<v Speaker 1>except for our table, all the chairs were up on

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<v Speaker 1>the tables. So the music is echoing down the hall,

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<v Speaker 1>and I mean it. It was like God had put

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<v Speaker 1>me there to hear that and see those things. And

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<v Speaker 1>by the time I went to bed that night, I

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<v Speaker 1>had the whole book in my mind. In another retelling,

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<v Speaker 1>King said, I dreamed of my three year old son

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<v Speaker 1>running through the corridors, looking back over his shoulders, eyes wide,

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<v Speaker 1>screaming he was being chased by a fire hose. I

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<v Speaker 1>woke up with a tremendous jerk, sweating all over. Within

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<v Speaker 1>an inch of falling out of bed, I got up,

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<v Speaker 1>lit a cigarette, sat in a chair, looking out the

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<v Speaker 1>window at the Rockies, and by the time the cigarette

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<v Speaker 1>was done, I had the bones of the shining firmly

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<v Speaker 1>set in my mind. Kubrick's film plays NonStop on a

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<v Speaker 1>channel on every hotel room television. Stephen King isn't the

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<v Speaker 1>only notable person to have stayed in Room two seventeen.

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<v Speaker 1>When Jim Carrey was in Esta's Park filming classic film

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<v Speaker 1>Dumb and Dumber, he stayed in that same room. He

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<v Speaker 1>was allegedly so spooked that he didn't even last a

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<v Speaker 1>full night. Today, four hundred thousand people visit the Stanley

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<v Speaker 1>Hotel every year, about one d twenty thousand of them

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<v Speaker 1>stay overnight. Visitors today can explore a hedge maze similar

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<v Speaker 1>to the one in the Shining, but on a much

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<v Speaker 1>much smaller scale, which the hotel built in well, four

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<v Speaker 1>hundred thousand living people visit the Stanley every year. If

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<v Speaker 1>we were counting dead people, that number might be a

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<v Speaker 1>lot higher. The thing is, aside from the explosion in

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<v Speaker 1>nineteen eleven, the Stanley hasn't been the site of any

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<v Speaker 1>major accidents or tragic deaths on the property that would

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<v Speaker 1>account for the hotel being one of the most haunted

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<v Speaker 1>in America. Some believe that the hauntings at the hotel

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<v Speaker 1>are attributable to the geology of the minerals found in

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<v Speaker 1>the mountain the hotel is built on, which has significant

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<v Speaker 1>amounts of limestone and courts said to amplify paranormal activity.

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<v Speaker 1>My friend John Tenney has another theory. If people can

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<v Speaker 1>go anywhere they want after they die, why wouldn't they

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<v Speaker 1>want to visit places as they loved during their life?

0:13:01.720 --> 0:13:04.280
<v Speaker 1>And his view, ghosts are going on vacation to the

0:13:04.320 --> 0:13:08.760
<v Speaker 1>Stanley the same way living people do. Room to seventeen

0:13:08.840 --> 0:13:12.319
<v Speaker 1>lives up to its spooky reputation. The ghost of Elizabeth

0:13:12.360 --> 0:13:15.200
<v Speaker 1>Wilson is said to appear in the room, often cleaning

0:13:15.280 --> 0:13:18.000
<v Speaker 1>up after guests, much as she would have done in life.

0:13:18.200 --> 0:13:21.280
<v Speaker 1>Some guests report that she unpacks their suitcases and tucks

0:13:21.320 --> 0:13:25.199
<v Speaker 1>them into bed. Stephanie Earles, writing in Out There Colorado,

0:13:25.320 --> 0:13:28.880
<v Speaker 1>writes that unmarried couples sharing a bed complained of an

0:13:28.920 --> 0:13:32.520
<v Speaker 1>invisible force wedging them apart as they slept, and single

0:13:32.559 --> 0:13:34.720
<v Speaker 1>men woke to find their bags have been packed and

0:13:34.800 --> 0:13:38.920
<v Speaker 1>left outside the door. Guests have reported the door opening

0:13:38.960 --> 0:13:43.000
<v Speaker 1>and closing by itself, and bathroom faucets operating on their own.

0:13:43.280 --> 0:13:46.040
<v Speaker 1>Some say they've seen a woman in old fashioned clothing

0:13:46.040 --> 0:13:49.720
<v Speaker 1>around the area, just like Princess Caroline Stickney stays around

0:13:49.720 --> 0:13:53.120
<v Speaker 1>the Mount Washington Hotel, overseeing the place. The Stanleys are

0:13:53.200 --> 0:13:56.679
<v Speaker 1>also said to haunt their hotel. Fo died in nineteen

0:13:56.720 --> 0:13:59.559
<v Speaker 1>forty and his wife, Flora, died in nineteen thirty nine.

0:14:00.160 --> 0:14:02.920
<v Speaker 1>His presence is often sensed at the hotel bar and

0:14:02.960 --> 0:14:05.640
<v Speaker 1>in the billiard room, and his reflection has been seen

0:14:05.679 --> 0:14:08.560
<v Speaker 1>in an antique mirror in the hotel. Guests who are

0:14:08.640 --> 0:14:11.679
<v Speaker 1>checking in sometimes say they see him at the reception desk.

0:14:12.080 --> 0:14:15.600
<v Speaker 1>As Nancy Williams wrote in Haunted Hotels of Northern Colorado,

0:14:15.800 --> 0:14:18.600
<v Speaker 1>clerks at the front desk have seen the chairs quietly

0:14:18.720 --> 0:14:21.160
<v Speaker 1>rocking on the front porch when there's no breeze and

0:14:21.200 --> 0:14:24.400
<v Speaker 1>no one is sitting in them. Mr Stanley's large wooden

0:14:24.480 --> 0:14:28.720
<v Speaker 1>rocker his favorite, often moves slowly back and forth. Flora,

0:14:28.840 --> 0:14:31.640
<v Speaker 1>on the other hand, smells of roses wherever she goes,

0:14:31.760 --> 0:14:33.880
<v Speaker 1>and likes to play the piano in the concert hall.

0:14:34.400 --> 0:14:38.160
<v Speaker 1>Kathy Wiser Alexander wrote in Legends of America that employees

0:14:38.160 --> 0:14:40.920
<v Speaker 1>and guests have reported hearing music coming from the room,

0:14:41.040 --> 0:14:42.840
<v Speaker 1>and when they take a peek in there, they can

0:14:42.880 --> 0:14:45.920
<v Speaker 1>see the piano keys moving. However, as soon as someone

0:14:46.000 --> 0:14:49.520
<v Speaker 1>walks across the threshold to investigate further, the music stops

0:14:49.560 --> 0:14:52.040
<v Speaker 1>and no more movement can be seen upon the keys.

0:14:52.480 --> 0:14:56.200
<v Speaker 1>Haunted Hotels of Northern Colorado reported that a man wrote

0:14:56.200 --> 0:14:58.640
<v Speaker 1>to the hotel about his experience of seeing a young

0:14:58.680 --> 0:15:01.480
<v Speaker 1>woman playing the piano. He said when he approached, she

0:15:01.600 --> 0:15:05.560
<v Speaker 1>was suddenly transformed into an elderly woman, and then she disappeared.

0:15:05.720 --> 0:15:08.600
<v Speaker 1>The Stanleys, though, aren't the only owners of the property

0:15:08.640 --> 0:15:11.800
<v Speaker 1>who are said to haunt the Stanley. Lord Dunraven himself

0:15:11.880 --> 0:15:14.040
<v Speaker 1>is said to haunt rooms four oh one and four

0:15:14.080 --> 0:15:16.640
<v Speaker 1>oh seven. There's a male ghost in room four a

0:15:16.760 --> 0:15:20.520
<v Speaker 1>one who said to inappropriately touch female guests. He's also

0:15:20.560 --> 0:15:23.840
<v Speaker 1>said to steal and hide women's jewelry. Closet door in

0:15:23.880 --> 0:15:27.160
<v Speaker 1>this room also opens and closes on its own. Uncover

0:15:27.280 --> 0:15:30.520
<v Speaker 1>Colorado reports that one man claims he witnessed his wedding

0:15:30.600 --> 0:15:33.560
<v Speaker 1>ring inexplicably moved from the bathroom counter and fall down

0:15:33.560 --> 0:15:36.920
<v Speaker 1>the drain of the sink in the bathroom. Lord Dunraven

0:15:37.040 --> 0:15:39.120
<v Speaker 1>is known to turn lights on and off in room

0:15:39.200 --> 0:15:42.040
<v Speaker 1>four oh seven, and a ghostly face is sometimes seen

0:15:42.160 --> 0:15:45.800
<v Speaker 1>peering out the window of the room. According to Uncover Colorado,

0:15:46.040 --> 0:15:49.160
<v Speaker 1>multiple guests have reported the odd experience of being tucked

0:15:49.160 --> 0:15:52.280
<v Speaker 1>into bed by some invisible force, and others have felt

0:15:52.280 --> 0:15:54.360
<v Speaker 1>someone sit on the foot of the bed, only to

0:15:54.400 --> 0:15:56.960
<v Speaker 1>find nothing but an indentation on the covers when they

0:15:57.000 --> 0:16:00.520
<v Speaker 1>switched on the light. But those are only of the

0:16:00.600 --> 0:16:04.040
<v Speaker 1>many many ghosts of the Stanley. Other ghostly reports on

0:16:04.080 --> 0:16:06.880
<v Speaker 1>the property include the ghosts of a pastry chef who

0:16:06.920 --> 0:16:10.280
<v Speaker 1>makes the employee tunnels under the hotel smell like baked goods.

0:16:10.600 --> 0:16:12.480
<v Speaker 1>Some claim this to be the ghost of a French

0:16:12.560 --> 0:16:15.600
<v Speaker 1>chef named Pierre who died in a tunnel collapse, but

0:16:15.760 --> 0:16:19.360
<v Speaker 1>this appears to be a myth. Charles Stansfield wrote in

0:16:19.400 --> 0:16:22.760
<v Speaker 1>Haunted Colorado that guests whose rooms are near the elevators

0:16:22.760 --> 0:16:25.960
<v Speaker 1>sometimes complain about the elevators moving noisily up and down

0:16:26.040 --> 0:16:29.520
<v Speaker 1>the shafts continuously very late at night. Those bold enough

0:16:29.560 --> 0:16:31.920
<v Speaker 1>to open their room doors and look down the corridor

0:16:32.040 --> 0:16:35.440
<v Speaker 1>report that people dressed in nineteen twenties style tuxedos and

0:16:35.560 --> 0:16:38.800
<v Speaker 1>evening gowns can be seen entering or leaving the elevators,

0:16:38.960 --> 0:16:43.320
<v Speaker 1>but the elevator doors remain closed. There are many reports

0:16:43.320 --> 0:16:45.640
<v Speaker 1>of ghosts of children on the fourth floor, where kids

0:16:45.640 --> 0:16:48.720
<v Speaker 1>and nanny's once stayed. They are especially heard running in

0:16:48.720 --> 0:16:50.960
<v Speaker 1>the hallways or on the roof where kids were once

0:16:50.960 --> 0:16:54.200
<v Speaker 1>allowed to play. Legends of America said that one couple

0:16:54.280 --> 0:16:57.360
<v Speaker 1>reportedly checked out of the hotel very early in the morning,

0:16:57.520 --> 0:16:59.960
<v Speaker 1>complaining that the children in the hallway kept them up

0:17:00.040 --> 0:17:02.920
<v Speaker 1>all night. However, there were no children booked in the

0:17:02.920 --> 0:17:05.680
<v Speaker 1>hotel at the time. The ghost of a little boy

0:17:05.800 --> 0:17:08.920
<v Speaker 1>sometimes tries to wake up sleeping children because he wants

0:17:08.960 --> 0:17:12.200
<v Speaker 1>to play another polls pranks like turning on the television

0:17:12.240 --> 0:17:14.679
<v Speaker 1>as loudly as possible and flicking the light switch so

0:17:14.720 --> 0:17:17.560
<v Speaker 1>people will notice him. A little girl is often seen

0:17:17.640 --> 0:17:20.840
<v Speaker 1>on the central staircase. A cowboy ghost in room four

0:17:21.680 --> 0:17:24.480
<v Speaker 1>is reported to loom over you while you sleep, but

0:17:24.560 --> 0:17:26.399
<v Speaker 1>the good news is that he's said to be friendly

0:17:26.640 --> 0:17:29.720
<v Speaker 1>and even once politely left the room when requested to

0:17:29.880 --> 0:17:33.320
<v Speaker 1>by startled guests. Locals believe he's the spirit of James

0:17:33.400 --> 0:17:37.000
<v Speaker 1>Nugent known as Rocky Mountain Jim, a local explorer who

0:17:37.000 --> 0:17:39.920
<v Speaker 1>helped found the town. Others believe that he's the ghost

0:17:39.960 --> 0:17:43.640
<v Speaker 1>of a frontiersman who was hanged for murder. The concert

0:17:43.680 --> 0:17:47.320
<v Speaker 1>hall is said to be haunted by a ghost named Lucy.

0:17:47.440 --> 0:17:50.280
<v Speaker 1>Brittany Annas writes for Trips Savvy that she was a

0:17:50.359 --> 0:17:53.240
<v Speaker 1>runaway or homeless woman who found refuge in the hall,

0:17:53.640 --> 0:17:56.760
<v Speaker 1>but no evidence of this exists. Some say that this

0:17:56.840 --> 0:17:59.359
<v Speaker 1>happened in the nineteen seventies and that she was a

0:17:59.359 --> 0:18:02.200
<v Speaker 1>young teen had been squatting in the basement before being

0:18:02.280 --> 0:18:05.440
<v Speaker 1>kicked out by maintenance staff and freezing to death in

0:18:06.359 --> 0:18:08.639
<v Speaker 1>A woman on a ghost tour took a photograph that

0:18:08.760 --> 0:18:12.040
<v Speaker 1>some claim shows Lucy, a young girl in a pink dress.

0:18:12.440 --> 0:18:14.439
<v Speaker 1>Others claim that there is an additional ghost in the

0:18:14.480 --> 0:18:17.000
<v Speaker 1>concert hall named Paul, said to be the spirit of

0:18:17.040 --> 0:18:21.600
<v Speaker 1>a former employee. Nightly Spirits writes that, among other duties,

0:18:21.640 --> 0:18:24.359
<v Speaker 1>Paul used to enforce the eleven PM curfew. In the

0:18:24.400 --> 0:18:28.440
<v Speaker 1>hotel's early days, guests and employees report hearing someone telling

0:18:28.480 --> 0:18:31.520
<v Speaker 1>them to get out late at night. A construction worker

0:18:31.600 --> 0:18:33.520
<v Speaker 1>was doing some work on the floors in the concert

0:18:33.520 --> 0:18:36.240
<v Speaker 1>hall when he felt someone nudge him several times until

0:18:36.320 --> 0:18:41.080
<v Speaker 1>he left. The hotel's main stairway has been nicknamed the Vortex,

0:18:41.359 --> 0:18:44.080
<v Speaker 1>believed to be a center of energy that functions as

0:18:44.119 --> 0:18:47.920
<v Speaker 1>a paranormal portal, allowing ghosts to appear and disappear it will.

0:18:48.400 --> 0:18:51.639
<v Speaker 1>I'm not sure that I buy that, but apparitions often

0:18:51.680 --> 0:18:54.439
<v Speaker 1>thought to be the Stanleys, have been reported on the staircase.

0:18:54.800 --> 0:18:58.160
<v Speaker 1>In a tourists took a photograph that some claim shows

0:18:58.160 --> 0:19:00.720
<v Speaker 1>a ghostly figure in period us at the top of

0:19:00.760 --> 0:19:05.120
<v Speaker 1>the stairs, another Stephen King Tidbitt. The hotel also has

0:19:05.200 --> 0:19:09.360
<v Speaker 1>a pet cemetery on site. Uncover Colorado writes that Cassie,

0:19:09.640 --> 0:19:12.920
<v Speaker 1>a friendly golden retriever, is said to still deliver newspapers

0:19:12.920 --> 0:19:15.440
<v Speaker 1>and scratch at the doors to be let in from outside,

0:19:15.480 --> 0:19:19.240
<v Speaker 1>despite being buried at the grounds. Up next, I have

0:19:19.520 --> 0:19:22.800
<v Speaker 1>my dear friend Carl Peiffer joining us. We're going to

0:19:22.880 --> 0:19:25.600
<v Speaker 1>talk about his time as one of the resident paranormal

0:19:25.640 --> 0:19:28.639
<v Speaker 1>investigators at the Stanley Hotel and will also chat the

0:19:28.800 --> 0:19:31.639
<v Speaker 1>Estes method or the spirit Box experiment as you may

0:19:31.680 --> 0:19:33.959
<v Speaker 1>know it if you're a kindred Spirits fan. That's right,

0:19:34.200 --> 0:19:37.560
<v Speaker 1>that technique was born at the Stanley Hotel. That's up

0:19:37.600 --> 0:19:55.960
<v Speaker 1>after the break. I am joined now by Mr Carl Pheiffer,

0:19:56.000 --> 0:20:00.720
<v Speaker 1>who we go way back. Carl. We're just kind of

0:20:00.760 --> 0:20:03.240
<v Speaker 1>decide what to call you as far as like what

0:20:03.400 --> 0:20:06.120
<v Speaker 1>your position in life is these days. But I mean,

0:20:06.200 --> 0:20:09.280
<v Speaker 1>I knew you as paranormal researcher. I know you as director,

0:20:09.840 --> 0:20:14.399
<v Speaker 1>brilliant photographer and artists like there, you are jack of

0:20:14.440 --> 0:20:17.760
<v Speaker 1>all trades, it seems, thank you. Yeah. Yeah. I love

0:20:17.800 --> 0:20:20.920
<v Speaker 1>creativity and I've kind of been exploring all different facets

0:20:20.960 --> 0:20:23.760
<v Speaker 1>of it. And I mean creativity and the paranormal are

0:20:23.880 --> 0:20:26.520
<v Speaker 1>my two big passions. So anywhere that I can blend

0:20:26.520 --> 0:20:28.600
<v Speaker 1>those two and have fun and make a couple of

0:20:28.600 --> 0:20:31.560
<v Speaker 1>bucks from it is really the light goal at this point, right.

0:20:31.640 --> 0:20:33.920
<v Speaker 1>I feel like a lot of us who are kind

0:20:33.920 --> 0:20:37.160
<v Speaker 1>of in the paranormal field, it's it is trying to

0:20:37.359 --> 0:20:39.880
<v Speaker 1>make a living out of something that we love, which

0:20:39.920 --> 0:20:41.840
<v Speaker 1>I think is the case for a lot of people

0:20:41.840 --> 0:20:44.080
<v Speaker 1>who have a passion about something. And so I think

0:20:44.160 --> 0:20:45.920
<v Speaker 1>it's great to be able to meld those two things

0:20:45.920 --> 0:20:48.280
<v Speaker 1>in your world. And you're brilliant at it, So I

0:20:48.320 --> 0:20:50.919
<v Speaker 1>love it. I've been privileged enough to have you photographed

0:20:50.920 --> 0:20:53.399
<v Speaker 1>me a few times and they always turn out lovely,

0:20:53.480 --> 0:20:56.960
<v Speaker 1>So I have on some of those shots. They're fantastic. Yeah,

0:20:57.040 --> 0:21:00.640
<v Speaker 1>a lot of fun. So I met you years ago.

0:21:00.680 --> 0:21:02.399
<v Speaker 1>I might have met you before the Stanley, but in

0:21:02.440 --> 0:21:04.679
<v Speaker 1>my brain, I feel like Carl is just always at

0:21:04.680 --> 0:21:08.080
<v Speaker 1>the Stanley Hotel. You know, it were kind of a

0:21:08.080 --> 0:21:12.200
<v Speaker 1>staple there. I have spent so much time at that

0:21:12.280 --> 0:21:16.960
<v Speaker 1>hotel and I have just such phenomenal memories of it,

0:21:17.080 --> 0:21:19.320
<v Speaker 1>and just to kind of take it back for one

0:21:19.359 --> 0:21:22.200
<v Speaker 1>moment before we get into the hauntings and things and theories,

0:21:22.520 --> 0:21:26.040
<v Speaker 1>So years and years ago, I attended a what was

0:21:26.040 --> 0:21:29.000
<v Speaker 1>a Darkness event hosted by Dave Schrader Back I want

0:21:29.040 --> 0:21:32.920
<v Speaker 1>to say, probably two thousands, six or seven with Chris Williams,

0:21:32.960 --> 0:21:34.960
<v Speaker 1>and she had just started on ghost Hunters. I wasn't

0:21:35.000 --> 0:21:36.960
<v Speaker 1>even involved in ghost Hunters. She and I were just

0:21:37.000 --> 0:21:40.120
<v Speaker 1>really good friends, and at the last minute we decided

0:21:40.160 --> 0:21:42.160
<v Speaker 1>to go there because we heard they were fun, and

0:21:42.240 --> 0:21:44.040
<v Speaker 1>there wasn't even rooms at the hotel, so I think

0:21:44.040 --> 0:21:45.960
<v Speaker 1>we stayed at like a holiday inn or something. But

0:21:46.240 --> 0:21:48.240
<v Speaker 1>you know, I got to this event with a few

0:21:48.320 --> 0:21:53.679
<v Speaker 1>hundred paranormal people and I was like, Oh, I have

0:21:53.800 --> 0:21:57.199
<v Speaker 1>found my people. I have found my tribe of weirdos, like,

0:21:57.680 --> 0:21:59.560
<v Speaker 1>you know, because I kind of had been going through

0:22:00.119 --> 0:22:03.119
<v Speaker 1>my paranormal interest for so long, you know, feeling like

0:22:03.160 --> 0:22:05.200
<v Speaker 1>it was kind of an unusual thing. But here I

0:22:05.280 --> 0:22:07.960
<v Speaker 1>was in this place, surrounded by people from all walks

0:22:08.000 --> 0:22:10.720
<v Speaker 1>of life who were super interested in the same thing

0:22:10.840 --> 0:22:14.199
<v Speaker 1>I was, and it was this like serious awakening for me.

0:22:14.720 --> 0:22:17.359
<v Speaker 1>So years would go by and I would go up

0:22:17.359 --> 0:22:20.280
<v Speaker 1>to the Stanley every year, usually in April. And so

0:22:20.320 --> 0:22:21.920
<v Speaker 1>it started with Darkness events, and then I had a

0:22:21.960 --> 0:22:24.120
<v Speaker 1>company called Beyond Reality Events, and we had a big

0:22:24.160 --> 0:22:26.640
<v Speaker 1>paranormal event every year, and then Strange Escapes went there,

0:22:26.840 --> 0:22:28.600
<v Speaker 1>and sometimes I go at multiple times a year, and

0:22:28.640 --> 0:22:30.720
<v Speaker 1>so like, I have pictures of my daughter Charlotte from

0:22:30.720 --> 0:22:32.800
<v Speaker 1>the time when she was like a little tiny nugget

0:22:32.920 --> 0:22:35.080
<v Speaker 1>until she was four or five on the same spot

0:22:35.200 --> 0:22:37.680
<v Speaker 1>every year because I wanted to get pictures of her growing.

0:22:38.119 --> 0:22:40.760
<v Speaker 1>And then one year the Stanley decided they didn't want

0:22:40.760 --> 0:22:44.280
<v Speaker 1>to do paranormal events anymore. And it just kind of like,

0:22:44.960 --> 0:22:48.400
<v Speaker 1>which is completely their prerogative, and you know, we should

0:22:48.480 --> 0:22:51.000
<v Speaker 1>never feel as though we are owed any you know,

0:22:51.119 --> 0:22:53.000
<v Speaker 1>spot at that table at a place. I'm sure it's

0:22:53.040 --> 0:22:55.720
<v Speaker 1>just some sort of internal business decision that made sense

0:22:55.720 --> 0:22:57.880
<v Speaker 1>to them. So I don't fault them at all, and

0:22:58.040 --> 0:23:00.919
<v Speaker 1>I highly encourage everyone to go visit there because it

0:23:01.000 --> 0:23:04.040
<v Speaker 1>is gorgeous and beautiful ghosts aside, But it was this

0:23:04.119 --> 0:23:06.439
<v Speaker 1>moment of like, oh, this tradition is gone, and I

0:23:06.480 --> 0:23:08.840
<v Speaker 1>just never expected it to happen like that. It was

0:23:08.920 --> 0:23:11.840
<v Speaker 1>just so strange, and so now I never take that

0:23:11.920 --> 0:23:14.959
<v Speaker 1>for granted. When a location lets us come in and

0:23:14.960 --> 0:23:16.960
<v Speaker 1>and look and talk to their ghosts, you to look

0:23:16.960 --> 0:23:18.960
<v Speaker 1>at and talk to their ghosts, So it's just kind

0:23:19.000 --> 0:23:20.879
<v Speaker 1>of a life lesson. But I have nothing but fond

0:23:21.280 --> 0:23:23.119
<v Speaker 1>memories of the place, and I would go back in

0:23:23.200 --> 0:23:24.960
<v Speaker 1>a heartbeat. It's just now it's you know, across the

0:23:24.960 --> 0:23:28.040
<v Speaker 1>country for me. So yeah, it's it's a wonderful place

0:23:28.080 --> 0:23:30.560
<v Speaker 1>that has presence. It has this excellent kind of magic

0:23:30.600 --> 0:23:33.399
<v Speaker 1>to it and this prestige the way it's situated and

0:23:33.760 --> 0:23:36.000
<v Speaker 1>laid out in the history. Yeah, I think the ghosts

0:23:36.040 --> 0:23:39.720
<v Speaker 1>just weren't really on brand anymore for kind of business facing,

0:23:39.840 --> 0:23:43.040
<v Speaker 1>wedding facing event facing have a drink on the porch

0:23:43.119 --> 0:23:45.640
<v Speaker 1>kind of a kind of a brand. So I think

0:23:45.640 --> 0:23:47.479
<v Speaker 1>I just kind of moved on from that, which is

0:23:47.600 --> 0:23:49.200
<v Speaker 1>a bummer because I love the way the ghosts in

0:23:49.320 --> 0:23:52.440
<v Speaker 1>history mesh. But you know, I can definitely understand, and

0:23:52.760 --> 0:23:56.680
<v Speaker 1>it's still an absolutely magical place to visit, absolutely, and

0:23:56.760 --> 0:23:58.680
<v Speaker 1>so you know, I do hope to get back there

0:23:58.720 --> 0:24:00.480
<v Speaker 1>at some point, you know, I just us I think

0:24:00.520 --> 0:24:02.720
<v Speaker 1>sometimes it would just tug at my heart strings a

0:24:02.800 --> 0:24:05.840
<v Speaker 1>little bit. So, but you know, it's also they're not

0:24:05.880 --> 0:24:07.800
<v Speaker 1>the first place to do that. So like I said,

0:24:07.840 --> 0:24:10.520
<v Speaker 1>I don't I don't blame them at all, you know,

0:24:10.560 --> 0:24:12.520
<v Speaker 1>I do kind of send them an email once every

0:24:12.560 --> 0:24:14.200
<v Speaker 1>year or two, just kind of letting them know that

0:24:14.200 --> 0:24:16.320
<v Speaker 1>I'm still here. If they ever decided to take that

0:24:16.440 --> 0:24:20.359
<v Speaker 1>up again, I'd be happy to assist. So but that

0:24:20.440 --> 0:24:24.320
<v Speaker 1>being said, I've had a number of experiences there over

0:24:24.320 --> 0:24:26.800
<v Speaker 1>the years, as I'm sure you have to, which it

0:24:26.840 --> 0:24:29.200
<v Speaker 1>doesn't always make a ton of sense because there hasn't

0:24:29.240 --> 0:24:31.919
<v Speaker 1>been some major tragedy at the Stanley, Like I have

0:24:32.000 --> 0:24:34.440
<v Speaker 1>found a number of deaths over the years of guests

0:24:34.440 --> 0:24:36.359
<v Speaker 1>and things, but you know, it's kind of mostly from

0:24:36.440 --> 0:24:38.879
<v Speaker 1>natural causes. But what do you think is going on

0:24:38.960 --> 0:24:41.280
<v Speaker 1>there exactly? And what are some of the experiences you

0:24:41.320 --> 0:24:44.440
<v Speaker 1>think people could expect to have there? It was, I mean,

0:24:44.520 --> 0:24:46.680
<v Speaker 1>it was very much. One of the most common questions

0:24:46.720 --> 0:24:48.520
<v Speaker 1>that was asked to us was like, why is this

0:24:48.560 --> 0:24:51.040
<v Speaker 1>place as haunted is or even haunted at all? And

0:24:51.080 --> 0:24:53.080
<v Speaker 1>back in the time we sort of kind of attributed

0:24:53.119 --> 0:24:54.920
<v Speaker 1>it to the fact that a lot of people had

0:24:54.960 --> 0:24:57.040
<v Speaker 1>so many happy memories there. I know that my friend

0:24:57.160 --> 0:25:00.359
<v Speaker 1>Aidan Sinclair, who's a magician in residents up there at

0:25:00.359 --> 0:25:03.480
<v Speaker 1>the hotel, he attributes it to like, if there is

0:25:03.480 --> 0:25:05.920
<v Speaker 1>an afterlife, maybe the afterlife is us spending the time

0:25:05.960 --> 0:25:07.760
<v Speaker 1>where we were happy at the most and for a

0:25:07.760 --> 0:25:10.640
<v Speaker 1>lot of people that was to Stanley, especially historically speaking,

0:25:10.800 --> 0:25:13.040
<v Speaker 1>when the hotel was seasonal and it was only open

0:25:13.080 --> 0:25:14.760
<v Speaker 1>in the warmer months. A lot of people would go

0:25:14.800 --> 0:25:17.640
<v Speaker 1>and stay four months at a time back in those days,

0:25:17.720 --> 0:25:20.159
<v Speaker 1>rather than just the occasional weekend or weekday like we

0:25:20.240 --> 0:25:21.960
<v Speaker 1>do now, and so a lot of people I think

0:25:21.960 --> 0:25:24.639
<v Speaker 1>that their Stanley experience was much more embedded than the

0:25:24.960 --> 0:25:27.720
<v Speaker 1>way that we typically look at at resort hotels now

0:25:27.960 --> 0:25:30.399
<v Speaker 1>as being a lot more of a brief stay. So

0:25:30.440 --> 0:25:32.680
<v Speaker 1>I think that there could be some longevity in that regarden,

0:25:32.800 --> 0:25:35.280
<v Speaker 1>just people spending their summers in such a beautiful place

0:25:35.400 --> 0:25:38.000
<v Speaker 1>up there. But more of my kind of current research

0:25:38.080 --> 0:25:41.920
<v Speaker 1>now points towards the liminality of the hotels and how

0:25:42.080 --> 0:25:44.719
<v Speaker 1>people come and go constantly, and there's this kind of

0:25:44.760 --> 0:25:46.960
<v Speaker 1>like movement of this energy, and it's this in between

0:25:47.000 --> 0:25:49.960
<v Speaker 1>space where it feels like a homer residents, but nobody

0:25:50.000 --> 0:25:52.840
<v Speaker 1>stays there for very long, and that seeming to facilitate

0:25:52.880 --> 0:25:56.399
<v Speaker 1>paranormal activity and high strangeness I think could absolutely be

0:25:56.440 --> 0:25:58.879
<v Speaker 1>a factor, and not just the Stanley, but many of

0:25:58.880 --> 0:26:00.760
<v Speaker 1>the hotels out there. It doesn't have to be a

0:26:00.760 --> 0:26:03.959
<v Speaker 1>creepy or unsettling aspect, but just sort of the nature

0:26:04.000 --> 0:26:07.040
<v Speaker 1>of the place contributes to the paroral activity. A lot

0:26:07.080 --> 0:26:10.159
<v Speaker 1>of people used to associate like courts and limestone with

0:26:10.240 --> 0:26:12.520
<v Speaker 1>the hotel, but when we were up there, we found

0:26:12.560 --> 0:26:15.200
<v Speaker 1>that there was not really too much of that going

0:26:15.240 --> 0:26:19.160
<v Speaker 1>on under the hotel. So as far as the mineral explanation,

0:26:19.280 --> 0:26:22.080
<v Speaker 1>that doesn't hold up quite as well. But I think

0:26:22.119 --> 0:26:25.480
<v Speaker 1>that the liminality and the historical presence of the place

0:26:25.480 --> 0:26:28.200
<v Speaker 1>and the experience for a lot of people probably contributes

0:26:28.240 --> 0:26:30.560
<v Speaker 1>the most to that. Yeah, and I I agree. And

0:26:30.600 --> 0:26:33.480
<v Speaker 1>then I've sometimes wondered because you have this idea that

0:26:33.560 --> 0:26:36.800
<v Speaker 1>you know, Stephen King stayed there and came up with

0:26:36.840 --> 0:26:39.919
<v Speaker 1>the shining, and there's so many rumors around that. We

0:26:39.960 --> 0:26:41.919
<v Speaker 1>covered that in the first half of the podcast kind

0:26:41.960 --> 0:26:44.000
<v Speaker 1>of what the reality is with that, but people, I

0:26:44.040 --> 0:26:47.960
<v Speaker 1>think associated it so heavily with the shining and that

0:26:48.080 --> 0:26:50.640
<v Speaker 1>sort of a haunting that it makes me wonder if

0:26:50.640 --> 0:26:54.359
<v Speaker 1>people with that expectation in mind arrived and you know,

0:26:54.440 --> 0:26:57.960
<v Speaker 1>kind of brought that energy with them and almost infused

0:26:57.960 --> 0:27:00.600
<v Speaker 1>a haunting into that hotel, especially when it was being

0:27:00.640 --> 0:27:04.080
<v Speaker 1>so actively investigated. You know, it kind of just became

0:27:04.119 --> 0:27:07.920
<v Speaker 1>this giant thought form or something, because the hauntings were

0:27:07.960 --> 0:27:10.520
<v Speaker 1>so fluid there. I felt like over my years of

0:27:10.600 --> 0:27:13.320
<v Speaker 1>investigating it, it wasn't a lot of really like they

0:27:13.320 --> 0:27:15.280
<v Speaker 1>did get to know us, like I know they knew

0:27:15.280 --> 0:27:19.359
<v Speaker 1>my name over time, but the activity wasn't completely It

0:27:19.359 --> 0:27:23.240
<v Speaker 1>wasn't something you could easily replicate. It changed constantly. Yes, yeah,

0:27:23.320 --> 0:27:25.160
<v Speaker 1>I mean that's another angle that I think about all

0:27:25.160 --> 0:27:26.960
<v Speaker 1>the time too. It is that sort of thought form

0:27:27.000 --> 0:27:30.360
<v Speaker 1>idea and how much of of hauntings that we're experiencing

0:27:30.440 --> 0:27:33.320
<v Speaker 1>or just from us, the stuff that we're kind of

0:27:33.320 --> 0:27:37.560
<v Speaker 1>psychically or spiritually projecting outwards, and whether that's giving them

0:27:37.600 --> 0:27:41.159
<v Speaker 1>life or giving them form, like actually manifesting that. You

0:27:41.200 --> 0:27:43.560
<v Speaker 1>look at how many people have read the Shining and

0:27:43.680 --> 0:27:46.480
<v Speaker 1>project out of the hotel. How many people even visit

0:27:46.520 --> 0:27:49.399
<v Speaker 1>the hotel and think that the Kubrick movie was filmed

0:27:49.400 --> 0:27:51.880
<v Speaker 1>there totally wasn't Like it doesn't really look the same

0:27:51.920 --> 0:27:53.920
<v Speaker 1>once you compare them side by side. I mean, I

0:27:54.000 --> 0:27:56.760
<v Speaker 1>wonder sometimes maybe this wasn't the platform to to make it.

0:27:56.800 --> 0:27:58.840
<v Speaker 1>But sometimes I wonder if the Stanley is going to

0:27:58.920 --> 0:28:01.680
<v Speaker 1>burn down one day because so many people book spoilers.

0:28:01.720 --> 0:28:04.000
<v Speaker 1>I suppose here like so many people, I read that

0:28:04.040 --> 0:28:06.119
<v Speaker 1>book and like, look at that hotel and are projecting

0:28:06.119 --> 0:28:08.320
<v Speaker 1>that onto it. That you kind of wonder how much

0:28:08.440 --> 0:28:10.520
<v Speaker 1>of that was a factor. I mean, it's certainly put

0:28:10.560 --> 0:28:13.159
<v Speaker 1>it on the map historically, but from a spiritual standpoint,

0:28:13.320 --> 0:28:16.480
<v Speaker 1>it's definitely a big question mark that I think is fascinating, right,

0:28:16.560 --> 0:28:18.560
<v Speaker 1>I mean I never even thought of that, but you

0:28:18.600 --> 0:28:20.760
<v Speaker 1>never know. It is so interesting what I think we

0:28:20.800 --> 0:28:24.840
<v Speaker 1>can manifest just with our mind and expectations. So that

0:28:24.880 --> 0:28:26.679
<v Speaker 1>being said, as far as the activity goes there, I

0:28:26.720 --> 0:28:30.440
<v Speaker 1>have had some of the craziest experiences there. I think

0:28:30.480 --> 0:28:33.040
<v Speaker 1>probably the one that stands out in my mind the most,

0:28:33.040 --> 0:28:35.280
<v Speaker 1>and I still have the video of this. I don't

0:28:35.359 --> 0:28:37.600
<v Speaker 1>know what has become of the carriage house. I feel

0:28:37.600 --> 0:28:40.840
<v Speaker 1>like it has since been has it been renovated or Yeah,

0:28:41.040 --> 0:28:45.440
<v Speaker 1>because that was also on the Historical Buildings What do

0:28:45.480 --> 0:28:47.760
<v Speaker 1>you call that? That slips my mind here, Oh, the

0:28:47.960 --> 0:28:52.240
<v Speaker 1>Historical Hotels of America the Register of Historic Places. Yeah,

0:28:52.280 --> 0:28:55.080
<v Speaker 1>I think that the secondary buildings were included on that,

0:28:55.240 --> 0:28:58.120
<v Speaker 1>so they wound up tearing it down, but I think

0:28:58.160 --> 0:29:01.160
<v Speaker 1>that the rebuild had to keep to the certain foundational

0:29:01.680 --> 0:29:04.440
<v Speaker 1>specifications of the original, so that's now a restaurant, and

0:29:04.480 --> 0:29:08.120
<v Speaker 1>that's actually where Aiden's Underground Theater is is underneath where

0:29:08.160 --> 0:29:10.960
<v Speaker 1>the carriage house used to be built. It's very strange

0:29:11.000 --> 0:29:13.600
<v Speaker 1>to see a bit flourishing now after driving by it

0:29:13.680 --> 0:29:16.680
<v Speaker 1>all condemned for so many years. Yeah, and so we

0:29:16.720 --> 0:29:18.840
<v Speaker 1>had I had Aidan on the podcast. He talked about

0:29:18.840 --> 0:29:21.640
<v Speaker 1>the Queen Mary for me, so listeners are definitely familiar

0:29:21.760 --> 0:29:24.000
<v Speaker 1>with him. I mean, that's really interesting. Now I really

0:29:24.000 --> 0:29:25.680
<v Speaker 1>do have to get back and see all of these

0:29:25.760 --> 0:29:28.800
<v Speaker 1>kind of changes. But before that happened, it was that,

0:29:28.880 --> 0:29:31.640
<v Speaker 1>like you were saying, this kind of rundown building that

0:29:31.760 --> 0:29:34.200
<v Speaker 1>it was not open to the public. But we were

0:29:34.200 --> 0:29:37.120
<v Speaker 1>able to investigate it over the years just because I

0:29:37.160 --> 0:29:39.400
<v Speaker 1>became friends with so many people there, and I had

0:29:39.440 --> 0:29:43.800
<v Speaker 1>this experience out there one night multiple but there was

0:29:43.800 --> 0:29:45.280
<v Speaker 1>one night I was out there, I want to say

0:29:45.320 --> 0:29:49.080
<v Speaker 1>it was with Grant Wilson and his wife Rihanna, and

0:29:49.360 --> 0:29:52.520
<v Speaker 1>I think Britt Griffith and we were and maybe Raven actually,

0:29:52.600 --> 0:29:54.400
<v Speaker 1>I think Raven might have been there too, and so

0:29:54.520 --> 0:29:56.800
<v Speaker 1>we were just kind of standing we were all watching

0:29:56.880 --> 0:30:00.000
<v Speaker 1>this shadow move in the back corner like oh, most

0:30:00.120 --> 0:30:02.200
<v Speaker 1>like it was kind of avoiding us, but we could

0:30:02.240 --> 0:30:05.440
<v Speaker 1>see it moving very clearly against kind of the moonlight

0:30:05.480 --> 0:30:08.160
<v Speaker 1>coming through the boards in the wall, and then also

0:30:08.360 --> 0:30:10.840
<v Speaker 1>there was light coming in from underneath the doors. Like

0:30:10.880 --> 0:30:13.000
<v Speaker 1>I said, I have this on video, have the sound

0:30:13.000 --> 0:30:14.880
<v Speaker 1>of it. We're standing there and all of a sudden,

0:30:15.520 --> 0:30:19.520
<v Speaker 1>you hear feet in the dirt because the floor was dirt,

0:30:19.840 --> 0:30:23.640
<v Speaker 1>just running like rushing me so fast. You just hear

0:30:23.720 --> 0:30:26.160
<v Speaker 1>dunt dunes like straight like I if that was a

0:30:26.200 --> 0:30:28.360
<v Speaker 1>live person, I would have thought they were going to

0:30:28.480 --> 0:30:31.320
<v Speaker 1>just barrel me over, like tackle me. And you hear

0:30:31.360 --> 0:30:34.120
<v Speaker 1>it just runs straight up to me and just stop.

0:30:34.880 --> 0:30:38.880
<v Speaker 1>And it was very threatening and I stood my ground.

0:30:39.040 --> 0:30:42.000
<v Speaker 1>But I've never experienced anything like that. Since it still

0:30:42.000 --> 0:30:44.720
<v Speaker 1>stands as one of the craziest experiences I've had. And

0:30:44.760 --> 0:30:47.080
<v Speaker 1>the fact that you can hear it, I'll have to

0:30:47.120 --> 0:30:49.760
<v Speaker 1>dig up the recording. I think it's on my MySpace page,

0:30:49.960 --> 0:30:53.200
<v Speaker 1>which tells you how long ago this happened, but it

0:30:53.240 --> 0:30:54.960
<v Speaker 1>is it was wild. I mean, I don't know, did

0:30:55.000 --> 0:30:57.120
<v Speaker 1>you have you had anything like that happened there or

0:30:57.160 --> 0:30:58.560
<v Speaker 1>do you have any ideas of what that could be

0:30:59.320 --> 0:31:02.360
<v Speaker 1>to some And yeah, I investigate the carriage house probably

0:31:02.400 --> 0:31:05.960
<v Speaker 1>two or three times during that time period, and it's

0:31:06.000 --> 0:31:09.360
<v Speaker 1>got a weird vibe in their weird energy. The couple

0:31:09.400 --> 0:31:11.080
<v Speaker 1>of times I was in there, we didn't have too

0:31:11.160 --> 0:31:14.640
<v Speaker 1>much like objectively happen, but there was a sense in

0:31:14.680 --> 0:31:17.240
<v Speaker 1>there that would kind of come and go and creep

0:31:17.280 --> 0:31:19.120
<v Speaker 1>over you and kind of surround you in a way

0:31:19.160 --> 0:31:22.200
<v Speaker 1>that I always attributed to feeling very animalistic and not

0:31:22.360 --> 0:31:25.040
<v Speaker 1>exactly like your typical kind of like a human haunt

0:31:25.160 --> 0:31:27.320
<v Speaker 1>or residual haunt. And maybe this has a lot of

0:31:27.360 --> 0:31:31.000
<v Speaker 1>me projecting an interpretation into it, but it felt kind

0:31:31.000 --> 0:31:33.960
<v Speaker 1>of like that's where certain things that weren't very social

0:31:34.080 --> 0:31:37.000
<v Speaker 1>went to go hang out on the Stanley grounds, you know,

0:31:37.040 --> 0:31:39.240
<v Speaker 1>everywhere else is so busy, like the continent or the

0:31:39.680 --> 0:31:42.640
<v Speaker 1>carriage house. Felt like that was where they were just

0:31:42.720 --> 0:31:45.720
<v Speaker 1>kind of hanging out where nobody went. And that could

0:31:45.760 --> 0:31:48.680
<v Speaker 1>be the animalistic, almost elemental type of energy to that

0:31:48.880 --> 0:31:51.160
<v Speaker 1>could be similar, or I could be relating it to

0:31:51.360 --> 0:31:53.520
<v Speaker 1>another story I had a couple of months after I

0:31:53.560 --> 0:31:57.280
<v Speaker 1>first got to the hotel, myself, the parental investigator at

0:31:57.280 --> 0:32:00.080
<v Speaker 1>the time, Callie and my friend Connor were investigating in

0:32:00.280 --> 0:32:03.280
<v Speaker 1>room two in the manor house. It was one of

0:32:03.280 --> 0:32:05.880
<v Speaker 1>the rare instances that I ashamedly say that I dozed

0:32:05.920 --> 0:32:08.320
<v Speaker 1>off on a ghost hunt right laying had a comfy

0:32:08.360 --> 0:32:09.840
<v Speaker 1>bed at two in the morning. It happens to the

0:32:09.880 --> 0:32:13.320
<v Speaker 1>best of us. Yeah, But I saw the like most vivid,

0:32:13.520 --> 0:32:15.880
<v Speaker 1>clear image pop into my head in this like ten

0:32:15.960 --> 0:32:18.320
<v Speaker 1>seconds that I like kind of gotten into that, you know,

0:32:18.600 --> 0:32:21.840
<v Speaker 1>in between him the gagic state, and it was this weird,

0:32:22.160 --> 0:32:25.320
<v Speaker 1>scary face of like a man's face crossed the pig's

0:32:25.400 --> 0:32:28.680
<v Speaker 1>face with instead of eyes only these two like hollow

0:32:28.680 --> 0:32:31.880
<v Speaker 1>eye sockets. It was very unsettling, but it didn't freak

0:32:31.960 --> 0:32:33.680
<v Speaker 1>me out, Like I didn't feel weird about it. But

0:32:33.720 --> 0:32:35.400
<v Speaker 1>he was standing there almost like I was wearing a

0:32:35.440 --> 0:32:37.120
<v Speaker 1>suit or something, Like I was looking at it like

0:32:37.160 --> 0:32:39.080
<v Speaker 1>through a people on a door or something, and I

0:32:39.080 --> 0:32:41.280
<v Speaker 1>thought it was really weird. Didn't bother me too much.

0:32:41.360 --> 0:32:45.040
<v Speaker 1>But the weird aspect about it was that I think

0:32:45.160 --> 0:32:48.040
<v Speaker 1>a couple of days later, Cali was telling that story

0:32:48.120 --> 0:32:50.440
<v Speaker 1>to the resident psychic at the time at the hotel,

0:32:50.480 --> 0:32:54.520
<v Speaker 1>Madame Vera. She she's great, and I think she said

0:32:54.560 --> 0:32:57.440
<v Speaker 1>that she had experienced the exact same thing in that

0:32:57.600 --> 0:33:01.080
<v Speaker 1>exact same room about a year beforehand, and she attributed

0:33:01.120 --> 0:33:04.760
<v Speaker 1>it to being an elemental spirit of the land that

0:33:04.960 --> 0:33:07.600
<v Speaker 1>was there for much longer than the hotel itself, and

0:33:07.640 --> 0:33:09.640
<v Speaker 1>so I thought that was like really interesting in the

0:33:09.680 --> 0:33:12.240
<v Speaker 1>way that it's sort of validated the experience that I

0:33:12.320 --> 0:33:14.880
<v Speaker 1>had had. Was her talking about that as well, and

0:33:14.920 --> 0:33:17.520
<v Speaker 1>so maybe it flavored my perception of it. But I

0:33:18.000 --> 0:33:20.560
<v Speaker 1>think that a lot of that towards the edges of

0:33:20.600 --> 0:33:22.760
<v Speaker 1>the property, so to speak, when it comes to the

0:33:23.280 --> 0:33:25.680
<v Speaker 1>carriage house, makes me wonder how much more is kind

0:33:25.680 --> 0:33:28.080
<v Speaker 1>of going on in that area that could be a

0:33:28.160 --> 0:33:31.680
<v Speaker 1>less human, more elemental, more nature spirit type of energy

0:33:31.720 --> 0:33:34.840
<v Speaker 1>there rather than just kind of the typical hauntings. You know,

0:33:34.960 --> 0:33:38.320
<v Speaker 1>it's funny to me because the Stanley actually draws a

0:33:38.320 --> 0:33:41.560
<v Speaker 1>lot of parallels for me to the Mount Washington Hotel,

0:33:41.720 --> 0:33:44.520
<v Speaker 1>and the Mount Washington has something very similar in their

0:33:44.560 --> 0:33:47.360
<v Speaker 1>Presidential wing that kind of runs around like you can

0:33:47.400 --> 0:33:49.800
<v Speaker 1>hear its footsteps out there at night, and some people

0:33:49.840 --> 0:33:51.840
<v Speaker 1>and this is the new wing, you know, it's not,

0:33:52.520 --> 0:33:55.640
<v Speaker 1>you know, this is a recently built addition, and we've

0:33:55.680 --> 0:33:58.200
<v Speaker 1>always kind of had that same vibe, and it's often

0:33:58.240 --> 0:33:59.960
<v Speaker 1>the mountains, you know, the White Mountains of New hamp

0:34:00.040 --> 0:34:02.760
<v Speaker 1>Sure it just makes you wonder, like what comes from

0:34:02.800 --> 0:34:06.800
<v Speaker 1>these places and starts to inhabit these hotels. You know,

0:34:06.840 --> 0:34:09.480
<v Speaker 1>it's just so interesting to think about. But yeah, that

0:34:09.560 --> 0:34:12.640
<v Speaker 1>actually really jives with the activity with that running kind

0:34:12.680 --> 0:34:15.880
<v Speaker 1>of like threatening, like in your face kind of activity,

0:34:16.040 --> 0:34:19.239
<v Speaker 1>for sure. I would say also probably high on the

0:34:19.280 --> 0:34:21.799
<v Speaker 1>list of I mean, gosh, I've had some experiences there,

0:34:21.840 --> 0:34:24.600
<v Speaker 1>but high on the list would be I've seen many

0:34:24.640 --> 0:34:27.360
<v Speaker 1>shadow figures in the hallways. The other thing that's happened

0:34:27.400 --> 0:34:30.320
<v Speaker 1>to me many times there is I've had like phantom

0:34:30.360 --> 0:34:32.239
<v Speaker 1>knocks on my room in the middle of the night,

0:34:32.280 --> 0:34:35.400
<v Speaker 1>which is really jarring. Or I've had my furniture but

0:34:35.440 --> 0:34:38.319
<v Speaker 1>I've actually had drawers open on my furniture in my

0:34:38.400 --> 0:34:41.359
<v Speaker 1>room before there too. But the knocks can be a

0:34:41.360 --> 0:34:44.040
<v Speaker 1>lot because you're trying to sleep and it's not people,

0:34:44.160 --> 0:34:46.720
<v Speaker 1>because you're not live ones anyway, because you know you do.

0:34:47.120 --> 0:34:48.839
<v Speaker 1>It's it's like a dun dun dune and you'll run

0:34:48.920 --> 0:34:50.840
<v Speaker 1>up you think there's an emergency and you open the

0:34:50.840 --> 0:34:53.719
<v Speaker 1>door and there's no one there. And I've had it

0:34:53.760 --> 0:34:57.400
<v Speaker 1>happened at least three times there. Yeah, Yeah, and usually

0:34:57.440 --> 0:35:00.000
<v Speaker 1>it's pretty telling when you know, like if it's another guest,

0:35:00.160 --> 0:35:02.359
<v Speaker 1>like messing with you, because people certainly like to do that,

0:35:02.400 --> 0:35:06.759
<v Speaker 1>but like it's a very creaky hotel. As paroral investigators,

0:35:06.800 --> 0:35:09.640
<v Speaker 1>you kind of get the sense of when it's a

0:35:10.239 --> 0:35:12.200
<v Speaker 1>living human being and when it's not just in the

0:35:12.280 --> 0:35:15.400
<v Speaker 1>pure sense of like hearing footsteps running away or hearing

0:35:15.400 --> 0:35:18.080
<v Speaker 1>the laughter, and when it's just kind of the knock

0:35:18.120 --> 0:35:20.400
<v Speaker 1>on its own and europe quick enough to see if

0:35:20.440 --> 0:35:23.080
<v Speaker 1>there's anyone in the hall like it, you know, it's

0:35:23.080 --> 0:35:26.359
<v Speaker 1>something different. Absolutely, I can definitely see why Stephen King

0:35:26.440 --> 0:35:29.600
<v Speaker 1>was inspired to write The Shining after spending a night

0:35:29.600 --> 0:35:31.680
<v Speaker 1>there in the winter. What would you think is maybe

0:35:31.719 --> 0:35:36.520
<v Speaker 1>the most kind of interesting, compelling or even frightening experience

0:35:36.880 --> 0:35:40.960
<v Speaker 1>that you've had there? Yeah, I think that the two

0:35:41.440 --> 0:35:45.359
<v Speaker 1>kind of pigman experience that's always been my most memorable one.

0:35:45.680 --> 0:35:48.279
<v Speaker 1>The Stanley was interesting because we had such a unique opportunity,

0:35:48.280 --> 0:35:51.640
<v Speaker 1>as there is in paroral investigators, to repeat, visit, repeat,

0:35:51.680 --> 0:35:55.040
<v Speaker 1>investigate the same location for five years at a time.

0:35:55.239 --> 0:35:57.120
<v Speaker 1>And while there's plenty of hindsight on that, for like

0:35:57.160 --> 0:36:00.600
<v Speaker 1>wishing I did more analysis of whether in time of

0:36:00.719 --> 0:36:02.960
<v Speaker 1>year and all that sort of thing, it was kind

0:36:03.000 --> 0:36:05.880
<v Speaker 1>of more about the collection of the spirits at their

0:36:05.920 --> 0:36:08.120
<v Speaker 1>activity at the end of the day for me, because

0:36:08.160 --> 0:36:10.279
<v Speaker 1>a lot of it wound up being very subtle and

0:36:10.320 --> 0:36:13.720
<v Speaker 1>it's weird. The paramoun experiences, Yeah, they're sticking your brain forever,

0:36:13.840 --> 0:36:16.279
<v Speaker 1>or they start to fade in a weird way. And

0:36:16.320 --> 0:36:19.000
<v Speaker 1>so as as you know, a lot of the craziest

0:36:19.000 --> 0:36:22.120
<v Speaker 1>paramorn experiences are the relatively subtle ones, like not that

0:36:22.200 --> 0:36:25.160
<v Speaker 1>it's subtle, but like hearing the footsteps running up at you,

0:36:25.360 --> 0:36:27.920
<v Speaker 1>like footsteps in general. When you hear them and you

0:36:27.960 --> 0:36:29.719
<v Speaker 1>know exactly what they are and you know that there's

0:36:29.760 --> 0:36:33.360
<v Speaker 1>nobody else in the building, that's like an incredible experience.

0:36:33.440 --> 0:36:35.799
<v Speaker 1>But I think that the Stanley had a lot of

0:36:35.840 --> 0:36:38.439
<v Speaker 1>those kind of things, a lot of objects being rolled

0:36:38.480 --> 0:36:40.280
<v Speaker 1>off of the table. We had. One of those actually

0:36:40.320 --> 0:36:42.759
<v Speaker 1>had a strange escapes. There was a flashlight that was

0:36:42.880 --> 0:36:45.319
<v Speaker 1>rolled off of the ledge of the balcony in the

0:36:45.360 --> 0:36:47.880
<v Speaker 1>concert hall and we're investigating there. A lot of it.

0:36:48.000 --> 0:36:50.000
<v Speaker 1>You know, if you get a good communication through whatever

0:36:50.080 --> 0:36:51.880
<v Speaker 1>device you're using, or a lot of knocks, those can

0:36:51.920 --> 0:36:53.680
<v Speaker 1>be fantastic. And so it was a lot of the

0:36:53.719 --> 0:36:56.160
<v Speaker 1>smaller stuff. I'm not want to like see things you know,

0:36:56.239 --> 0:36:59.600
<v Speaker 1>like shadows or apparitions at the end of hallways whatnot.

0:36:59.760 --> 0:37:01.799
<v Speaker 1>From me, it's about trying to like develop the best

0:37:01.880 --> 0:37:04.520
<v Speaker 1>kind of like communication or interaction with the spirits via

0:37:04.560 --> 0:37:07.760
<v Speaker 1>the devices or Viet Knox or communication in that regard

0:37:07.920 --> 0:37:11.160
<v Speaker 1>is usually what was a little bit more common for me. Well,

0:37:11.200 --> 0:37:13.680
<v Speaker 1>and that kind of leads me to the Estes method,

0:37:13.880 --> 0:37:18.120
<v Speaker 1>which was developed at the Stanley Hotel, hence the name

0:37:18.200 --> 0:37:21.000
<v Speaker 1>the Estes Method, and so to kind of rewind on

0:37:21.080 --> 0:37:23.680
<v Speaker 1>that for us. So when you guys first did that,

0:37:24.120 --> 0:37:25.920
<v Speaker 1>I remember you put out a video Adam and I

0:37:25.920 --> 0:37:29.200
<v Speaker 1>were first shooting. This is like a clarification moment for

0:37:29.200 --> 0:37:32.200
<v Speaker 1>all of you. So Adam and I, Adam and I

0:37:32.280 --> 0:37:35.440
<v Speaker 1>were shooting Season one of Kindred, I believe when you

0:37:35.680 --> 0:37:39.080
<v Speaker 1>first kind of developed that method, and so at the

0:37:39.160 --> 0:37:41.440
<v Speaker 1>time it did not have a name. What we were

0:37:41.480 --> 0:37:43.560
<v Speaker 1>fascinated by it. And I remember I wrote you and

0:37:43.600 --> 0:37:45.600
<v Speaker 1>I said, we're going to try this on this show

0:37:45.719 --> 0:37:48.000
<v Speaker 1>that we're making. But I promised when it comes out,

0:37:48.000 --> 0:37:50.239
<v Speaker 1>I will give you guys all this credit for coming

0:37:50.280 --> 0:37:52.640
<v Speaker 1>up with this amazing idea, which I did. Like you know,

0:37:52.680 --> 0:37:56.400
<v Speaker 1>I I've always championed you guys. Is developing it, but

0:37:56.400 --> 0:37:58.080
<v Speaker 1>it did not have a name at the time, and

0:37:58.120 --> 0:38:00.120
<v Speaker 1>so on the show we started just calling it the

0:38:00.160 --> 0:38:03.520
<v Speaker 1>spirit Box Experiment. Then you guys eventually named it the

0:38:03.640 --> 0:38:06.239
<v Speaker 1>s His Method, which is incredibly fitting. But I think

0:38:06.280 --> 0:38:08.799
<v Speaker 1>by them, we were like in season three, and there's

0:38:08.840 --> 0:38:11.000
<v Speaker 1>never a moment for us to just stop down. You know,

0:38:11.160 --> 0:38:14.160
<v Speaker 1>you work in production. You can't just like interject suddenly

0:38:14.200 --> 0:38:15.520
<v Speaker 1>in the middle of the show and be like, we're

0:38:15.600 --> 0:38:19.080
<v Speaker 1>changing the name of this. So so for everyone, I

0:38:19.080 --> 0:38:22.400
<v Speaker 1>want everyone to know that I'm fully aware that they

0:38:22.480 --> 0:38:24.400
<v Speaker 1>we have dubbed that the st His Method, and that

0:38:24.520 --> 0:38:26.680
<v Speaker 1>is what we call it. But we also have, you know,

0:38:26.719 --> 0:38:29.799
<v Speaker 1>millions of viewers who aren't as tuned into the paranormal

0:38:29.880 --> 0:38:32.359
<v Speaker 1>world as the rest of us, and so I think

0:38:32.360 --> 0:38:34.600
<v Speaker 1>if we started it that way from the beginning. But

0:38:34.960 --> 0:38:39.240
<v Speaker 1>just know, like I give full props. I love these guys,

0:38:39.400 --> 0:38:42.719
<v Speaker 1>and so tell me that maybe people don't even know

0:38:42.719 --> 0:38:44.360
<v Speaker 1>what I'm talking about. So tell me what is the

0:38:44.520 --> 0:38:47.120
<v Speaker 1>s His Method and what gave you this idea to

0:38:47.520 --> 0:38:51.480
<v Speaker 1>kind of develop it. Yeah, So essentially the method is

0:38:52.040 --> 0:38:55.640
<v Speaker 1>taking the spirit Box, which is getting through different radio

0:38:55.680 --> 0:38:58.120
<v Speaker 1>stations at varying rate speed where you hear little bits

0:38:58.120 --> 0:39:03.239
<v Speaker 1>of commercials, their music, radio and possibly spirits. It's typically

0:39:03.280 --> 0:39:05.640
<v Speaker 1>like very full of white noise, and it can be

0:39:05.680 --> 0:39:07.719
<v Speaker 1>garbled and it's hard here, so it's very easy to

0:39:07.719 --> 0:39:09.600
<v Speaker 1>sort of hear what you want to hear out of it,

0:39:09.760 --> 0:39:12.600
<v Speaker 1>and we were kind of always on the fence about that.

0:39:12.680 --> 0:39:14.640
<v Speaker 1>I'd heard some pretty crazy stuff out of it in

0:39:14.680 --> 0:39:16.759
<v Speaker 1>the past. At the same time, though, like you do

0:39:16.880 --> 0:39:19.040
<v Speaker 1>it enough, especially with with groups of people that are

0:39:19.040 --> 0:39:21.160
<v Speaker 1>just kind of paying for a ghost on every week,

0:39:21.239 --> 0:39:23.359
<v Speaker 1>there's once in a while that the group gets very

0:39:23.360 --> 0:39:26.239
<v Speaker 1>excited about hearing something that clearly was not what the

0:39:26.680 --> 0:39:29.399
<v Speaker 1>what was actually coming out, and so we started thinking

0:39:29.440 --> 0:39:31.160
<v Speaker 1>at some point it was one of those late night

0:39:31.200 --> 0:39:34.400
<v Speaker 1>conversations years before we even gave it the first try,

0:39:34.480 --> 0:39:37.880
<v Speaker 1>where I think I don't even recall whose idea it was,

0:39:38.080 --> 0:39:40.839
<v Speaker 1>so much as just developing in a conversation one night,

0:39:40.920 --> 0:39:43.040
<v Speaker 1>the idea of like just plugging headphones into it and

0:39:43.080 --> 0:39:45.920
<v Speaker 1>having that person who's listening to those headphones say what

0:39:46.040 --> 0:39:48.520
<v Speaker 1>they hear through it. But because of the headphones, they

0:39:48.560 --> 0:39:50.719
<v Speaker 1>can't hear the questions that are being asked, and so

0:39:50.880 --> 0:39:53.200
<v Speaker 1>if one of the things that they say that they

0:39:53.680 --> 0:39:56.160
<v Speaker 1>heard through the spirit box matches up as an answer

0:39:56.160 --> 0:39:57.920
<v Speaker 1>to one of those questions, and that's a lot more

0:39:57.920 --> 0:40:00.760
<v Speaker 1>compelling because it takes out the sort of like forcing

0:40:00.800 --> 0:40:03.160
<v Speaker 1>it to have said what you thought it should say.

0:40:03.400 --> 0:40:05.560
<v Speaker 1>Element it's either gonna fit or it's not going to fit.

0:40:05.800 --> 0:40:09.359
<v Speaker 1>And so yeah, eventually we gave it a try. We

0:40:09.360 --> 0:40:11.560
<v Speaker 1>were filming a little fun web series that we were

0:40:11.560 --> 0:40:13.680
<v Speaker 1>making at the time called Spirits of the Stanley, and

0:40:13.719 --> 0:40:16.200
<v Speaker 1>so we were doing an investigation one night and we

0:40:16.239 --> 0:40:18.680
<v Speaker 1>wanted to try something different, so we finally grabbed a

0:40:18.680 --> 0:40:20.759
<v Speaker 1>pair of headphones. It was now what it was now.

0:40:20.880 --> 0:40:23.680
<v Speaker 1>They were the only like you know, I think everyone

0:40:23.880 --> 0:40:26.440
<v Speaker 1>used to get the old Apple headphones with their phone

0:40:26.440 --> 0:40:28.360
<v Speaker 1>and then I would cram them in my bag just

0:40:28.440 --> 0:40:30.920
<v Speaker 1>in case the headphones broker died when I was traveling.

0:40:31.000 --> 0:40:33.920
<v Speaker 1>So I crabbed these like really crappy headphones and plugged

0:40:33.920 --> 0:40:35.600
<v Speaker 1>it in. And it was kind of hit and missed

0:40:35.600 --> 0:40:37.480
<v Speaker 1>for a little while. But when my friend Connor Randall

0:40:37.560 --> 0:40:40.440
<v Speaker 1>jumped on, he started getting some pretty interesting stuff and

0:40:40.840 --> 0:40:43.160
<v Speaker 1>that got us kind of excited about it. So eventually

0:40:43.320 --> 0:40:45.800
<v Speaker 1>he is a drummer, and so he had some really

0:40:45.840 --> 0:40:49.759
<v Speaker 1>solid kind of sound isolating headphones that he eventually brought up,

0:40:49.840 --> 0:40:52.160
<v Speaker 1>and then we were getting some kind of funny interactions

0:40:52.200 --> 0:40:54.560
<v Speaker 1>that you know, told us like everybody stand up, you know,

0:40:54.640 --> 0:40:56.520
<v Speaker 1>and so we stood up, and I think that sort

0:40:56.520 --> 0:40:58.680
<v Speaker 1>of prompted the idea it's natural to sort of close

0:40:58.719 --> 0:41:01.120
<v Speaker 1>your eyes while you're doing it to concentrate. But that

0:41:01.200 --> 0:41:04.000
<v Speaker 1>sort of gave us the idea that visual cues could

0:41:04.040 --> 0:41:06.040
<v Speaker 1>be happening in the group. And then if we wanted

0:41:06.080 --> 0:41:08.479
<v Speaker 1>to really isolate the person to try to make their

0:41:08.560 --> 0:41:12.120
<v Speaker 1>responses as objective as possible, we should probably blindfold them too.

0:41:12.400 --> 0:41:15.120
<v Speaker 1>So fustly we kind of got the big drummer headphones

0:41:15.200 --> 0:41:18.640
<v Speaker 1>to blindfold and really just dial in to listen to

0:41:18.680 --> 0:41:21.880
<v Speaker 1>the device. Now, what's happening there, Whether it's spirits actually

0:41:21.880 --> 0:41:24.080
<v Speaker 1>coming through on a radio channel, I don't know, but

0:41:24.160 --> 0:41:27.120
<v Speaker 1>there's definitely seems to be an almost meditational element of

0:41:27.160 --> 0:41:29.319
<v Speaker 1>doing it, where it seems that some people do it

0:41:29.360 --> 0:41:31.440
<v Speaker 1>better than others and it can be hard to listen to.

0:41:31.640 --> 0:41:34.680
<v Speaker 1>So perhaps those results are a bit skewed, but Connor

0:41:34.840 --> 0:41:37.319
<v Speaker 1>and Danta new Kirk get a lot better results than

0:41:37.400 --> 0:41:39.520
<v Speaker 1>I do, and I've been doing it since the inception

0:41:39.560 --> 0:41:43.120
<v Speaker 1>as well. So whether that's a psychical aspect. I don't

0:41:43.120 --> 0:41:45.719
<v Speaker 1>know we found that as well, Like, and sometimes it

0:41:45.760 --> 0:41:48.080
<v Speaker 1>depends on what we find because we do this all

0:41:48.120 --> 0:41:50.680
<v Speaker 1>the time now, and sometimes I feel like it depends

0:41:50.719 --> 0:41:53.439
<v Speaker 1>on who's talking. Like most of the time I seem

0:41:53.520 --> 0:41:55.360
<v Speaker 1>to be the one that does it, and like sometimes

0:41:55.480 --> 0:41:58.680
<v Speaker 1>there's that kind of sensory deprivation moment. It actually can

0:41:58.680 --> 0:42:01.200
<v Speaker 1>make me sick sometimes if I am under for too long.

0:42:01.239 --> 0:42:03.799
<v Speaker 1>But then sometimes if I'm not getting responses, Adam will

0:42:03.800 --> 0:42:06.120
<v Speaker 1>put on the headphones and suddenly we're having a conversation.

0:42:06.239 --> 0:42:08.560
<v Speaker 1>You know, just depends sometimes, I think on the comfort

0:42:08.640 --> 0:42:11.480
<v Speaker 1>level of the energy or spirit and who they're more

0:42:11.520 --> 0:42:15.480
<v Speaker 1>comfortable talking through. But it really, I think just opened

0:42:15.560 --> 0:42:21.120
<v Speaker 1>up this whole new element to investigations because it went

0:42:21.200 --> 0:42:23.360
<v Speaker 1>from you know, doing like real time e v P

0:42:23.680 --> 0:42:30.600
<v Speaker 1>to having full conversations and it is absolutely mind blowing

0:42:30.680 --> 0:42:33.839
<v Speaker 1>sometimes the results that we get. And I know, for

0:42:33.920 --> 0:42:36.200
<v Speaker 1>us on the show, people always want to hear and

0:42:36.360 --> 0:42:38.200
<v Speaker 1>I'm sure you've gotten this too. They want to hear

0:42:38.239 --> 0:42:40.680
<v Speaker 1>what you're hearing and you're in the headphones and we've

0:42:40.680 --> 0:42:43.560
<v Speaker 1>tried it and it's literally just white noise, you know,

0:42:43.640 --> 0:42:45.960
<v Speaker 1>to the viewer at home. You know, they're naturally skeptical,

0:42:46.000 --> 0:42:47.640
<v Speaker 1>as they should be, But I always just tell them,

0:42:47.640 --> 0:42:51.320
<v Speaker 1>like try it yourself, you know, like go go try it.

0:42:51.320 --> 0:42:54.759
<v Speaker 1>It's an interesting gray area with it, because I mean,

0:42:54.800 --> 0:42:56.799
<v Speaker 1>it's it's interesting for us to the investigators. But whether

0:42:56.880 --> 0:42:59.040
<v Speaker 1>or not that voicing that answer is on the feet

0:42:59.120 --> 0:43:01.080
<v Speaker 1>or not. I think a lot of people look at

0:43:01.080 --> 0:43:04.920
<v Speaker 1>that skeptically. But if you're truly isolated in the headphones

0:43:04.960 --> 0:43:07.480
<v Speaker 1>from the questions being asked and you're not cheating, it

0:43:07.560 --> 0:43:11.279
<v Speaker 1>doesn't really affect the legitimacy of it, if there's a

0:43:11.360 --> 0:43:13.719
<v Speaker 1>voice there or not, because that speaks towards that, like

0:43:13.880 --> 0:43:16.720
<v Speaker 1>is the subconscious feeding you these words and these answers

0:43:16.760 --> 0:43:20.160
<v Speaker 1>in a psychic fashion that allows your conscious mind to

0:43:20.320 --> 0:43:23.120
<v Speaker 1>like believe that you're hearing them, like it it lets

0:43:23.120 --> 0:43:25.960
<v Speaker 1>the conscious mind relax and maybe lets you be more psychic.

0:43:26.040 --> 0:43:27.840
<v Speaker 1>I don't know. And so I think that it's telling

0:43:28.520 --> 0:43:30.640
<v Speaker 1>in an interesting fashion of like how it might be

0:43:30.680 --> 0:43:32.520
<v Speaker 1>working in that regard. But I think a lot of

0:43:32.560 --> 0:43:34.719
<v Speaker 1>people want to hear it because they're skeptical, and I'm

0:43:34.800 --> 0:43:36.400
<v Speaker 1>kind of like, I'm not sure if that's actually going

0:43:36.440 --> 0:43:38.680
<v Speaker 1>to answer your question, because there's a lot of possibilities

0:43:38.719 --> 0:43:42.120
<v Speaker 1>out there. Yeah, we definitely have kind of decided there

0:43:42.239 --> 0:43:45.080
<v Speaker 1>is some sort of psychic element to it. We have listened,

0:43:45.160 --> 0:43:47.320
<v Speaker 1>you know, we have synked up the audio and listened,

0:43:47.360 --> 0:43:50.080
<v Speaker 1>and I have said an entire sentence that you definitely

0:43:50.080 --> 0:43:52.000
<v Speaker 1>do not hear. I don't know where it comes from,

0:43:52.040 --> 0:43:54.120
<v Speaker 1>because when I'm hearing it, it literally sounds like a

0:43:54.200 --> 0:43:56.680
<v Speaker 1>voice coming through. You know. It always goes kind of

0:43:56.760 --> 0:44:00.440
<v Speaker 1>past just the quick blips of it changing stations, and

0:44:00.560 --> 0:44:03.200
<v Speaker 1>the voices go through that, if that makes sense, they

0:44:03.200 --> 0:44:06.120
<v Speaker 1>extend beyond just the quick changes. What I love is

0:44:06.120 --> 0:44:09.319
<v Speaker 1>like it eliminated a lot of confirmation bias as well,

0:44:09.400 --> 0:44:11.239
<v Speaker 1>because I think we do kind of especially if you

0:44:11.280 --> 0:44:15.040
<v Speaker 1>have any background information on the haunting that you're investigating,

0:44:15.280 --> 0:44:18.080
<v Speaker 1>you kind of start to expect to hear certain words,

0:44:18.120 --> 0:44:20.960
<v Speaker 1>and so if everyone's listening together, it's easy to kind

0:44:20.960 --> 0:44:24.600
<v Speaker 1>of make it have the conversation you want versus isolating yourself.

0:44:24.680 --> 0:44:27.279
<v Speaker 1>But you know, we've done all kinds of experiments with

0:44:27.320 --> 0:44:29.239
<v Speaker 1>it now where you know, I'll pull a ton of

0:44:29.320 --> 0:44:32.799
<v Speaker 1>historical information that Adam doesn't know, and you know, he'll

0:44:32.840 --> 0:44:34.920
<v Speaker 1>go under and I'll ask about him we'll get answers,

0:44:34.920 --> 0:44:37.759
<v Speaker 1>just things that he had no idea occurred, or we've

0:44:37.800 --> 0:44:41.840
<v Speaker 1>even both gone under at once and had like entire

0:44:41.920 --> 0:44:46.479
<v Speaker 1>conversations between two spirits that had no idea the other

0:44:46.520 --> 0:44:49.440
<v Speaker 1>existed there. It was this really crazy episode of Kindred

0:44:49.480 --> 0:44:51.000
<v Speaker 1>at the fee House where it was like a mother

0:44:51.040 --> 0:44:53.319
<v Speaker 1>and daughter who were both haunting the same house but

0:44:53.480 --> 0:44:55.560
<v Speaker 1>literally had no idea the other was there. So I

0:44:55.600 --> 0:44:58.640
<v Speaker 1>don't know how that happens, but they had a conversation

0:44:58.760 --> 0:45:01.200
<v Speaker 1>and it was, you know, you don't know how it goes.

0:45:01.239 --> 0:45:04.080
<v Speaker 1>You take off your blindfold. Really how was that? And

0:45:04.080 --> 0:45:07.120
<v Speaker 1>we looked at our crew and they were like Jaws drops,

0:45:07.280 --> 0:45:09.160
<v Speaker 1>you know, We're like, well we got It was always

0:45:09.160 --> 0:45:12.600
<v Speaker 1>the best barometer of those moments exactly you look at

0:45:12.640 --> 0:45:14.480
<v Speaker 1>them and you're like, is this good? Like what happened?

0:45:14.840 --> 0:45:17.879
<v Speaker 1>So it's just fascinating to me, And I think it's

0:45:17.880 --> 0:45:21.200
<v Speaker 1>also really pushed people to kind of think outside the

0:45:21.200 --> 0:45:24.279
<v Speaker 1>box with their investigative styles, like what else can we

0:45:24.320 --> 0:45:26.600
<v Speaker 1>think of to kind of push the envelope? And so

0:45:26.800 --> 0:45:29.320
<v Speaker 1>I love that that was born of the Stanley Hotel

0:45:29.360 --> 0:45:31.399
<v Speaker 1>and it just makes perfect sense that it would come

0:45:31.440 --> 0:45:34.000
<v Speaker 1>from there. Yeah, it always blows my mind when I

0:45:34.000 --> 0:45:36.359
<v Speaker 1>see the hashtag pop up or whatnot and just see

0:45:36.440 --> 0:45:39.240
<v Speaker 1>kind of like how far this thing has spread um

0:45:39.239 --> 0:45:41.399
<v Speaker 1>and how many people are using it. And I think

0:45:41.400 --> 0:45:44.560
<v Speaker 1>it's a very fun experiment for thinking creatively too, because

0:45:44.560 --> 0:45:47.120
<v Speaker 1>you talk about doing two people under at the same time,

0:45:47.280 --> 0:45:50.120
<v Speaker 1>or recording the feed and thinking them up later. You know,

0:45:50.239 --> 0:45:52.439
<v Speaker 1>experiments that we've tried that I'd love to try more

0:45:52.560 --> 0:45:55.319
<v Speaker 1>if I had more opportunity for it of recording a

0:45:55.360 --> 0:45:58.480
<v Speaker 1>session in advance and then having somebody plug into either

0:45:58.560 --> 0:46:01.680
<v Speaker 1>that or the spirit box and seeing as almost sort

0:46:01.719 --> 0:46:04.840
<v Speaker 1>of a debunking experiment, you know, seeing if it's just chance,

0:46:05.120 --> 0:46:08.399
<v Speaker 1>or having a speaker playing the feed while somebody's under

0:46:08.440 --> 0:46:10.479
<v Speaker 1>so you can hear what they're hearing in real time.

0:46:10.520 --> 0:46:13.440
<v Speaker 1>There's so many variations on it that I think, you know,

0:46:13.480 --> 0:46:15.680
<v Speaker 1>I don't pretend to be a scientist. They're call myself

0:46:15.719 --> 0:46:19.600
<v Speaker 1>scientific because I'm not. But it's fun to inspire sort

0:46:19.600 --> 0:46:22.279
<v Speaker 1>of amateur scientific thinking where you can think about the

0:46:22.360 --> 0:46:24.880
<v Speaker 1>variations on it. You can think about the variables like

0:46:24.920 --> 0:46:26.279
<v Speaker 1>what do you want to control, what do you want

0:46:26.280 --> 0:46:27.879
<v Speaker 1>to change, what do you want to answer? And that's

0:46:27.880 --> 0:46:30.000
<v Speaker 1>always fun to sort of encourage that and see where

0:46:30.000 --> 0:46:33.280
<v Speaker 1>people take it next. Yeah, it raises so many questions

0:46:33.320 --> 0:46:36.320
<v Speaker 1>about what it is that we're even so it's wild.

0:46:36.360 --> 0:46:39.319
<v Speaker 1>But and you know, I will say, years and years

0:46:39.320 --> 0:46:42.000
<v Speaker 1>ago at the Stanley Hotel, I met Frank Sumption. Frank

0:46:42.080 --> 0:46:45.239
<v Speaker 1>Sumption is the person who invented the spirit box. He

0:46:45.280 --> 0:46:47.920
<v Speaker 1>invented it to talk to aliens originally, and there are

0:46:47.920 --> 0:46:50.120
<v Speaker 1>a number of his boxes out there. Frank's Box is

0:46:50.120 --> 0:46:52.719
<v Speaker 1>what they're called, and they're very highly sought after in

0:46:52.760 --> 0:46:54.920
<v Speaker 1>the paranormal community. But he was a lovely man. He

0:46:55.040 --> 0:46:59.200
<v Speaker 1>was very, very interesting, very interesting. You know, I'll never

0:46:59.239 --> 0:47:01.840
<v Speaker 1>forget me eating him in I want to say, the

0:47:01.960 --> 0:47:04.760
<v Speaker 1>music room and he was there with Bill Murphy, i believe,

0:47:04.840 --> 0:47:07.200
<v Speaker 1>and he had a bunch of his boxes out and

0:47:07.719 --> 0:47:10.839
<v Speaker 1>he was using one of them and it said my

0:47:10.920 --> 0:47:13.440
<v Speaker 1>name like three times. And I was sitting there and

0:47:13.440 --> 0:47:14.920
<v Speaker 1>there are a few of us, and he was like, Amy,

0:47:14.960 --> 0:47:16.200
<v Speaker 1>is there an Amy in here? And I was like,

0:47:16.239 --> 0:47:19.080
<v Speaker 1>I'm right here, maybe you know, but it literally said

0:47:19.600 --> 0:47:21.880
<v Speaker 1>Amy and it kept saying Amy over and over again.

0:47:22.000 --> 0:47:24.480
<v Speaker 1>You know, Amy's a pretty common name. But it's wild

0:47:24.560 --> 0:47:28.000
<v Speaker 1>to like that. My first moment of seeing a Frank's Box,

0:47:28.000 --> 0:47:31.400
<v Speaker 1>a spirit box in action was at the Stanley Hotel

0:47:31.600 --> 0:47:34.600
<v Speaker 1>and now here we are just really furthering what they

0:47:34.680 --> 0:47:37.600
<v Speaker 1>can do. That's perfect, that's awesome. The Frank's Box is

0:47:37.680 --> 0:47:40.240
<v Speaker 1>very strange. If if anyone out there thinks spirit boxes,

0:47:40.280 --> 0:47:42.279
<v Speaker 1>it's like, give him a weird vibe, Like check out

0:47:42.320 --> 0:47:46.400
<v Speaker 1>a Frank's Box sometime. Yeah, so he puts like or

0:47:46.480 --> 0:47:49.520
<v Speaker 1>put like crystals and things in there, and he's got

0:47:49.560 --> 0:47:52.000
<v Speaker 1>this distortion on it. We have one that we use

0:47:52.040 --> 0:47:54.640
<v Speaker 1>on Kindred sometimes and that one actually does make me

0:47:54.719 --> 0:47:57.040
<v Speaker 1>sick a lot because we use it for the s

0:47:57.080 --> 0:47:58.839
<v Speaker 1>to his method a lot, and it does make me

0:47:58.920 --> 0:48:01.080
<v Speaker 1>feel ill for some reason, so we don't use it

0:48:01.120 --> 0:48:04.719
<v Speaker 1>too often. Yeah, they've got a weird tempo, weird sound like.

0:48:04.840 --> 0:48:07.120
<v Speaker 1>It's just it's a it's a strange thing to listen

0:48:07.160 --> 0:48:10.640
<v Speaker 1>to on loud volume for a long time. Yes, definitely.

0:48:10.840 --> 0:48:13.120
<v Speaker 1>So well, tell me what are you up to? I

0:48:13.160 --> 0:48:15.839
<v Speaker 1>know people have hell your questions, like what is Carl

0:48:15.920 --> 0:48:17.560
<v Speaker 1>up to right now? Where can we find you? How

0:48:17.560 --> 0:48:20.160
<v Speaker 1>can people support you? You can find me on the

0:48:20.239 --> 0:48:23.480
<v Speaker 1>old millennial social media's of Twitter and Instagram just under

0:48:23.520 --> 0:48:25.759
<v Speaker 1>my name Carl Feiffer. But right now, we've got two

0:48:25.800 --> 0:48:29.600
<v Speaker 1>seasons of our show Hellier out. We are slowly working

0:48:29.680 --> 0:48:33.640
<v Speaker 1>away at at season three. Don't expect that anytime soon,

0:48:33.800 --> 0:48:36.520
<v Speaker 1>but it is developing for for those that are excited

0:48:36.560 --> 0:48:39.680
<v Speaker 1>about that. But in the meantime, we definitely do have

0:48:39.719 --> 0:48:42.760
<v Speaker 1>some other exciting projects working. We're in the final, barely

0:48:42.800 --> 0:48:45.680
<v Speaker 1>at the end zone of new documentary project about one

0:48:45.680 --> 0:48:48.280
<v Speaker 1>of Greg and Dana new Kirk's haunted objects, the Krone,

0:48:48.480 --> 0:48:51.120
<v Speaker 1>and that one has been sort of a logistical mess

0:48:51.239 --> 0:48:53.920
<v Speaker 1>with with COVID and with life scheduling and whatnot. But

0:48:54.360 --> 0:48:56.200
<v Speaker 1>that one's almost done and we're hoping to get it

0:48:56.200 --> 0:48:58.759
<v Speaker 1>out in the next couple of months, maybe early next year,

0:48:59.040 --> 0:49:01.200
<v Speaker 1>hopefully at the latest. So that's gonna be the next

0:49:01.200 --> 0:49:03.560
<v Speaker 1>big project that you can't miss. We'll be blowing up

0:49:03.560 --> 0:49:05.759
<v Speaker 1>the internet about it. But otherwise, yeah, for me, it's

0:49:05.760 --> 0:49:08.040
<v Speaker 1>just been a busy summer of just getting client work

0:49:08.080 --> 0:49:09.759
<v Speaker 1>and kind of making up for a couple of quiet

0:49:09.800 --> 0:49:12.839
<v Speaker 1>years from COVID. Really well, hopefully we will catch up soon.

0:49:13.000 --> 0:49:15.319
<v Speaker 1>It's always great to see you in person, but I

0:49:15.360 --> 0:49:18.040
<v Speaker 1>think that people are going to love this conversation. There's

0:49:18.120 --> 0:49:21.000
<v Speaker 1>just so many revelations here It's the perfect season finale

0:49:21.120 --> 0:49:23.879
<v Speaker 1>for season three of Haunted Roads, so I really appreciate it.

0:49:23.880 --> 0:49:25.560
<v Speaker 1>It was a great chat. Thank you for having me

0:49:25.640 --> 0:49:33.560
<v Speaker 1>on and let me talk about all this fun stuff again. Clearly,

0:49:33.640 --> 0:49:36.320
<v Speaker 1>the Stanley Hotel holds a special place in the hearts

0:49:36.320 --> 0:49:40.560
<v Speaker 1>of many a paranormal researcher, including me. It's iconic. It's

0:49:40.560 --> 0:49:43.560
<v Speaker 1>where many of us felt those first moments of curiosity

0:49:43.600 --> 0:49:46.840
<v Speaker 1>about the paranormal. I think and dream of it often,

0:49:47.120 --> 0:49:49.520
<v Speaker 1>and I mean it when I say I hope I'm

0:49:49.560 --> 0:49:53.360
<v Speaker 1>able to get back there soon. This was the season

0:49:53.440 --> 0:49:56.560
<v Speaker 1>three finale of Haunted Road. I want to thank all

0:49:56.600 --> 0:49:59.440
<v Speaker 1>of you for joining us on yet another amazing twelve

0:49:59.440 --> 0:50:02.680
<v Speaker 1>episode as a special treat. Come back next week as

0:50:02.719 --> 0:50:05.759
<v Speaker 1>we drop a bonus live episode recorded at Michigan Para

0:50:05.880 --> 0:50:08.440
<v Speaker 1>Con a couple of weeks ago. And also, fear not,

0:50:08.880 --> 0:50:10.880
<v Speaker 1>looks like you've got a lot more Haunted Road in

0:50:10.920 --> 0:50:15.239
<v Speaker 1>your future. So until next time, I'm Amy Bruney and

0:50:15.360 --> 0:50:29.280
<v Speaker 1>this was Haunted Road. Haunted Road is hosted and written

0:50:29.320 --> 0:50:33.200
<v Speaker 1>by me Amy Bruney, with additional research by Taylor Haggerdorn

0:50:33.320 --> 0:50:37.400
<v Speaker 1>and Cassandra day Alba. This show is edited and produced

0:50:37.440 --> 0:50:41.200
<v Speaker 1>by rema El Kali, with supervising producer Josh Thane and

0:50:41.280 --> 0:50:46.040
<v Speaker 1>executive producers Aaron Mankey, Alex Williams, and Matt Frederick. Haunted

0:50:46.160 --> 0:50:49.040
<v Speaker 1>Road is a production of I Heart Radio and Grimm

0:50:49.120 --> 0:50:52.120
<v Speaker 1>and Mild from Aaron Mankey. Learn more about this show

0:50:52.200 --> 0:50:55.319
<v Speaker 1>over at Grim and Mild dot com, and for more

0:50:55.440 --> 0:50:58.879
<v Speaker 1>podcasts from I heart Radio, visit the I heart Radio app,

0:50:59.080 --> 0:51:02.480
<v Speaker 1>Apple podcast, or wherever you listen to your favorite shows.