WEBVTT - 'FOMO' Author, Pinewood Atlanta Studios CEO

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<v Speaker 1>You're listening to Bloomberg Business Week with Carol Masser and

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<v Speaker 1>Jason Kelly on Bloomberg Radio. This is Bloomberg Business Week

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<v Speaker 1>with Carol Messer and Jason Kelly on Bloomberg Radio. Yes, indeed,

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<v Speaker 1>it is Bloomberg Business Week on this Tuesday, Carol Masser

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<v Speaker 1>along with Jason Kelly. Well Fomo, fear of missing out

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<v Speaker 1>applies to so much, and it drives some to do things,

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<v Speaker 1>drives others just crazy, safe to say, many maybe feeling

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<v Speaker 1>it big time as they're sheltering in place about what

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<v Speaker 1>they're missing while they stay at home writing about how

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<v Speaker 1>to find the power to choose what you actually want

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<v Speaker 1>and the courage to miss out on the rest is

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<v Speaker 1>Patrick McGinnis, venture capitalist, author of the new book Fear

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<v Speaker 1>of Missing Out, Practical decision Making in a World of

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<v Speaker 1>overwhelming Choice. By the way, he and I believe his

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<v Speaker 1>co author will be hosting a virtual book launching party

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<v Speaker 1>today at six pm ET if you don't want to

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<v Speaker 1>miss out on that. Um Patrick joins us on the

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<v Speaker 1>phone from New York. Patrick, Welcome, Hey, it's great to

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<v Speaker 1>be here. Thanks for having me. Um, great to have

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<v Speaker 1>you here. Tell us and I'm not sure if it

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<v Speaker 1>was a co author, forgive me, but I had seen

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<v Speaker 1>the promotion about you guys doing this virtual book launch.

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<v Speaker 1>Um tell us a little bit about the idea behind

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<v Speaker 1>this book. Sure, no, it's not a co author, but

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<v Speaker 1>it's a good friend and somebody who writes about these

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<v Speaker 1>topics as well, so he's a perfect person to be there. Um.

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<v Speaker 1>So basically, this book is a reflection of where we

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<v Speaker 1>are today as a society, how we spend our time.

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<v Speaker 1>And I met in fomo when I was back in

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<v Speaker 1>business school at Harvard Business School in the year two

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<v Speaker 1>thousand and three, before there was any social media. But

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<v Speaker 1>now we're in a place where all of us are

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<v Speaker 1>living with fomo. We're inundating with information and social media

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<v Speaker 1>and all these influences, and so we have to find

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<v Speaker 1>a way to deal with it. Alright, So can we

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<v Speaker 1>go back to that first thing. I can't skip past

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<v Speaker 1>that because I mentioned this to my two teenagers that

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<v Speaker 1>I was gonna interview you today and that you're the

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<v Speaker 1>inventor of fomo, and they're like, we want to hear

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<v Speaker 1>more about this, So on behalf of Will and Henry.

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<v Speaker 1>I am asking this question, how did you how did

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<v Speaker 1>you come up with this, what was the what was

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<v Speaker 1>the German the idea here? Yeah, so listen, I grew

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<v Speaker 1>up a small town in Maine and it's a very

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<v Speaker 1>calm place, not that going on. And then I lived

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<v Speaker 1>in New York, but I was working all the time,

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<v Speaker 1>so I didn't have time promo. And then right before

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<v Speaker 1>I went to business school, there were two things that

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<v Speaker 1>happened in here in New York City that really affected me.

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<v Speaker 1>Number one was I was working in venture capital in

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<v Speaker 1>two thousand and so everything blew up and we basically

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<v Speaker 1>lost all our money and it was very traumatic. But

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<v Speaker 1>far worse than that was I lived through nine eleven.

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<v Speaker 1>I lived in near Manhattan, and we all remember what

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<v Speaker 1>that was like. And so as a result, I just

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<v Speaker 1>wanted to live life to the fullest. Was carpet a

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<v Speaker 1>d M for me. And when I got to HBS,

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<v Speaker 1>you know, it's such a choice rich environment in terms

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<v Speaker 1>of the amounts of classes and job opportunities and parties

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<v Speaker 1>and trips and and all of these things were happening,

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<v Speaker 1>and I just wanted to do all of them. And

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<v Speaker 1>even though I didn't, there was no social media. In fact,

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<v Speaker 1>Mark Zuckerberg was across the river working on the first

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<v Speaker 1>version of Facebook at the exact same time that I

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<v Speaker 1>was over business school. Even though we didn't have social media,

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<v Speaker 1>we all lived in such close prom proximity to each

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<v Speaker 1>other and we could compare ourselves to each other that

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<v Speaker 1>I basically felt this anxiety that I was never doing

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<v Speaker 1>enough and I couldn't keep up. And I started calling

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<v Speaker 1>that if you were missing out. I shortened it to fomo,

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<v Speaker 1>and I wrote an article in our school newspaper called

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<v Speaker 1>social Theory at HBS. Begauness is two Foes, and I

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<v Speaker 1>talked all about fomo and its culture in our campus wow,

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<v Speaker 1>and they caught it went viral. Well, you know, it's funny.

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<v Speaker 1>I have to thank you guys, because it went viral

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<v Speaker 1>on campus. And then I graduated and forgot about it.

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<v Speaker 1>But Bloomberg Business Week magazine wrote about it in two

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<v Speaker 1>thousand and seven in the context of HBS. That's the

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<v Speaker 1>first time I saw it outside of when I wrote

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<v Speaker 1>about it. And then slowly it sort of crept into

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<v Speaker 1>the vocabulary because you know, every year kids were graduating

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<v Speaker 1>from business schools and bringing it to all of the

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<v Speaker 1>firms that they went to work for. Yeah, all right,

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<v Speaker 1>well good, well we're happy to be a footnote in

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<v Speaker 1>the creation and Patrick, You're welcome, but it but it's

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<v Speaker 1>such a big thing, right we talk about this like

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<v Speaker 1>just trying to have balance and just being present, enjoying

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<v Speaker 1>where you are rather than thinking about what you're missing.

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<v Speaker 1>And so how do you get to this in a

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<v Speaker 1>world where like everybody's having a hard time about what

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<v Speaker 1>they're missing right now, you know, or what they're going

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<v Speaker 1>to be missing on the other side of this, because

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<v Speaker 1>we can't go back to life as we knew it.

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<v Speaker 1>It's so true. And listen, it's been interesting because in

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<v Speaker 1>the beginning of the pandemic we all felt, I think,

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<v Speaker 1>a sense of relief that we didn't have that social pressure.

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<v Speaker 1>And you know, it goes beyond social pressure. It also

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<v Speaker 1>is about how we spend our money and how we

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<v Speaker 1>invest our money. It has all these other implications. But

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<v Speaker 1>for that one moment, I remember thinking, oh my god,

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<v Speaker 1>I haven't had fomo in two weeks. And then over time,

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<v Speaker 1>as we started to sort of realize this is going

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<v Speaker 1>to drag on, I think we all started to feel it.

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<v Speaker 1>And the big thing to remember with fomo is it

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<v Speaker 1>fomo is caused by two things. Number One, it's the

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<v Speaker 1>perception that something better is out there happening than what

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<v Speaker 1>you're doing at the moment. So perception can be deception.

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<v Speaker 1>You have to really dig into whether something is as

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<v Speaker 1>good as it looks on the surface. And the second

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<v Speaker 1>is it's about her behavior following the crowd. So when

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<v Speaker 1>you feel fomo, ask yourself, is this something I truly

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<v Speaker 1>want to do because it's something I want to do?

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<v Speaker 1>Or am I feeling pressure to sort of keep up

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<v Speaker 1>with the jones as an external pressure on me? Can

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<v Speaker 1>I just say, what's really interesting is and and maybe

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<v Speaker 1>this is all of a sudden, like everybody doing zooms

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<v Speaker 1>and you know, there's tons of now fitness zoom classes

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<v Speaker 1>where initially there wasn't a lot of things to choose from. Right,

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<v Speaker 1>everybody was ramping up, and I kind of loved it

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<v Speaker 1>because the world became so simple and there weren't a

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<v Speaker 1>ton of things I had to make decisions on. And

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<v Speaker 1>now it's like do I want to do this zoom

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<v Speaker 1>business class or this one? Do I want to do

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<v Speaker 1>this zoom family meeting or this one? Like it's it's unbelievable,

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<v Speaker 1>how you know, again, Fomo hits even in this world.

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<v Speaker 1>That's the thing that kind of blown my mind about

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<v Speaker 1>this is what has happened? Is we so we you know,

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<v Speaker 1>we all stay home. But the thing that provokes much

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<v Speaker 1>of our FOMO, which is you know, connectivity and our

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<v Speaker 1>cell phones and social media. We're actually on it more

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<v Speaker 1>now than we were before. My screen time and I'm

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<v Speaker 1>careful about this. Look at your screen time, everybody, Like

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<v Speaker 1>it's frightening how much spending on our devices, right, and

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<v Speaker 1>so we're just we're getting into actually kind of a

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<v Speaker 1>worst place than we were before. I would say, let's

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<v Speaker 1>continue our conversation with Patrick McGinnis. He's got a new

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<v Speaker 1>book out. It's called Fear of Missing Out, Practical Decision

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<v Speaker 1>Making in a World of Overwhelming Choice. Johnny's on the

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<v Speaker 1>phone on launch day. As Carol mentioned, he's got a

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<v Speaker 1>big event tonight virtual of course, because that's the world

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<v Speaker 1>we're living in. And Patrick, first of all, thanks for

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<v Speaker 1>sticking with us. And I have to ask you, you know,

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<v Speaker 1>we were starting in the first part of our conversation

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<v Speaker 1>to get into this notion of sort of how the

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<v Speaker 1>world has changed and how FOMO still is creeping into

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<v Speaker 1>what we're doing. What is the effect of sort of

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<v Speaker 1>how we think about missing out or you also talk

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<v Speaker 1>about POBO fear of a better option. How do we

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<v Speaker 1>think about that differently? Do you think on the other

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<v Speaker 1>side of this as we get to what some people

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<v Speaker 1>are calling sort of the next normal. Yeah, it's a

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<v Speaker 1>really important question because I think we have a lot

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<v Speaker 1>to learn in this moment, and if we pay attention

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<v Speaker 1>and put down our phones for a minute and think

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<v Speaker 1>about what's going on, we can come out of this

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<v Speaker 1>actually better people, better society. And so I would think

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<v Speaker 1>on the FOMO side, it's really about paying attention right

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<v Speaker 1>now to what you truly miss and what you realize

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<v Speaker 1>you don't really miss, writing that down actually, and then

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<v Speaker 1>when you re emerge into the real world remembering these things,

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<v Speaker 1>like it's incredible the little things I miss. I live

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<v Speaker 1>in New York City. I missed the subway, I miss

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<v Speaker 1>going to a lot of the restaurants in the neighborhood.

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<v Speaker 1>What I don't miss is over scheduling myself or being

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<v Speaker 1>stressed out about some of the things that don't really matter.

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<v Speaker 1>So I think thinking about that right now and being

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<v Speaker 1>introspective about that helpful phobo, which is a fear of

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<v Speaker 1>a better option. This is the other thing that I

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<v Speaker 1>wrote about back in business school, but it never got famous.

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<v Speaker 1>But it's just as bad, I would say, worse than

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<v Speaker 1>Fomo because Phobo is about never sort of accepting a deal,

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<v Speaker 1>always wanting to trade up, always wanting to wait for

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<v Speaker 1>something better to come a long and I think that

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<v Speaker 1>we've seen in this pandemic that the people who were

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<v Speaker 1>waiting for something better to come along when it came

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<v Speaker 1>to making the hard decisions about closing down and social

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<v Speaker 1>distancing h they found out very quickly that delaying decision

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<v Speaker 1>making actually has terrible effects. I totally agree with that.

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<v Speaker 1>I think that's such an interesting insight, right, the amount

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<v Speaker 1>of time like you stew over making a decision, sometimes

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<v Speaker 1>you just gotta just do it and move on totally.

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<v Speaker 1>I mean this, this is a great example in public

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<v Speaker 1>policy with whether it's COVID or it's or it's Brexit.

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<v Speaker 1>But it's also if you think about entrepreneurs versus incoming companies.

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<v Speaker 1>These traditional companies that they have all this money and resources,

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<v Speaker 1>but they can't move quickly. And the reason why you know,

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<v Speaker 1>the outies get eaten up by the teslas is because

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<v Speaker 1>the startups have to move. They don't have the resources

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<v Speaker 1>just to sit around and wait for something better. Yeah. Well,

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<v Speaker 1>and there's it also feels like many folks are gaining

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<v Speaker 1>a sense of clarity to your earlier point about fomo,

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<v Speaker 1>about sort of what they need and what they don't need.

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<v Speaker 1>But also when a lot is stripped away, maybe you

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<v Speaker 1>stop thinking, well, I'm going to do this thing next,

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<v Speaker 1>and I'm really just doing this until I get a

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<v Speaker 1>chance to do X. And there's also this sense it

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<v Speaker 1>feels like right now Patrick, that you know, we're all

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<v Speaker 1>much more aware of our mortality in in some ways,

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<v Speaker 1>and and maybe saying either Okay, I'm gonna make that

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<v Speaker 1>decision to do something different, or maybe I need to

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<v Speaker 1>sort of reassess and and really be honest about how

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<v Speaker 1>I'm feeling about this situation right now and not always

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<v Speaker 1>be a grass is greener sort of person. That's for sure.

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<v Speaker 1>The reality is that we are having this opportunity, but

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<v Speaker 1>just with as what we lived within nine eleven, there

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<v Speaker 1>was this period of introspection and then we sort of

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<v Speaker 1>resume these sorts of years that we wish we hadn't done.

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<v Speaker 1>And so I actually suspect that there will be a

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<v Speaker 1>wave of a massive fomo when we are able to

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<v Speaker 1>live our lives again, And I think it's okay for

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<v Speaker 1>a little while, because when you have means there something

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<v Speaker 1>to miss out on. That's a good thing. But we

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<v Speaker 1>we definitely want to be conscious of what we've learned

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<v Speaker 1>right now, because you know, if we learn something and

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<v Speaker 1>pay attention, we can just live much more decisive lives.

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<v Speaker 1>How do you apply fomo in the workplace? Oh, it's

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<v Speaker 1>a very anybody been on LinkedIn lately and seeing all

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<v Speaker 1>of your friends with their promotions and you start to

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<v Speaker 1>feel like you're just not good enough. I mean, that

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<v Speaker 1>is that is an incredibly sort of active use case.

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<v Speaker 1>But really I think about FOMO in terms of not

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<v Speaker 1>only in terms of not being sort of grateful or

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<v Speaker 1>thankful for what you do have and then more fixating

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<v Speaker 1>on what you don't have, but also in terms of

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<v Speaker 1>running businesses. When businesses start to do things because of fomo,

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<v Speaker 1>when Pepsi brings Crystal Pepsi on the market because they

0:10:40.280 --> 0:10:42.880
<v Speaker 1>want to keep up with sprite, when you're doing things

0:10:42.880 --> 0:10:44.800
<v Speaker 1>for the wrong reasons, because you're following in the crowd,

0:10:45.120 --> 0:10:49.520
<v Speaker 1>you are apt to make mistakes. And so how do

0:10:49.600 --> 0:10:51.600
<v Speaker 1>you think We've been asking sort of big thinkers that

0:10:51.720 --> 0:10:55.760
<v Speaker 1>this question like, what are the underappreciated ways that you

0:10:55.800 --> 0:10:59.520
<v Speaker 1>think we change as either humans or business people investors

0:11:00.160 --> 0:11:04.240
<v Speaker 1>on the other side of this, So, I have a feeling,

0:11:04.559 --> 0:11:09.040
<v Speaker 1>um that it's unfortunate that this whole sort of situation

0:11:09.080 --> 0:11:12.679
<v Speaker 1>has become quite political. And I think that we're going

0:11:12.720 --> 0:11:15.240
<v Speaker 1>to see through the rest of the year that the

0:11:15.280 --> 0:11:17.880
<v Speaker 1>political divide that is created by this is going to

0:11:17.920 --> 0:11:20.280
<v Speaker 1>play out in our election, and then we're going to

0:11:20.320 --> 0:11:22.800
<v Speaker 1>see effects on the election and potentially with voting and

0:11:23.280 --> 0:11:25.439
<v Speaker 1>voting rights and things like that. And so I think

0:11:25.480 --> 0:11:27.920
<v Speaker 1>the big question that I asked myself as I look

0:11:27.920 --> 0:11:30.599
<v Speaker 1>at this pandemic is what is the role that it

0:11:30.640 --> 0:11:34.000
<v Speaker 1>will have in affecting our democracy and how can we

0:11:34.040 --> 0:11:37.120
<v Speaker 1>as citizens come together to actually defend something that's so

0:11:37.200 --> 0:11:38.679
<v Speaker 1>precious to us. And I think that's going to be

0:11:38.720 --> 0:11:41.920
<v Speaker 1>the conversation this year. Right now, we're all dealing with

0:11:41.960 --> 0:11:45.960
<v Speaker 1>the medical emergency. Next we'll be dealing with the economic impact,

0:11:46.040 --> 0:11:47.920
<v Speaker 1>and we're gonna be dealing with the impact to our

0:11:47.960 --> 0:11:50.920
<v Speaker 1>democratic systems. And I do think about FOMO in terms

0:11:50.960 --> 0:11:53.200
<v Speaker 1>of an election, your fear of missing out on, you know,

0:11:53.280 --> 0:11:56.360
<v Speaker 1>re election, and do you make the wrong policy calls

0:11:56.480 --> 0:12:00.440
<v Speaker 1>potentially because you're concerned about that and I'm trying to

0:12:00.679 --> 0:12:03.679
<v Speaker 1>get political, but you do think about the urgency. That's

0:12:03.679 --> 0:12:06.920
<v Speaker 1>an interesting point. Interesting went all right. Patrick McGinnis, congratulations

0:12:06.920 --> 0:12:09.640
<v Speaker 1>on the book. It'ssel today, fear of missing out practical

0:12:09.679 --> 0:12:12.800
<v Speaker 1>decision making in a world of overwhelming choice, that pivot

0:12:12.880 --> 0:12:15.400
<v Speaker 1>politics there at the end that he made. That's the

0:12:15.440 --> 0:12:20.040
<v Speaker 1>Georgetown education talking right there. Carol Masser, Okay, Mr alum

0:12:20.040 --> 0:12:23.800
<v Speaker 1>from Georgetown writing that in U, graduate of the School

0:12:23.800 --> 0:12:28.679
<v Speaker 1>for in Service down at Georgetown. Patrick McGinnis, congratulations on

0:12:28.720 --> 0:12:31.640
<v Speaker 1>the book. Check it out Inventora. Fellow, you're listening to

0:12:31.760 --> 0:12:35.679
<v Speaker 1>Bloomberg Business Week with Carol Masser and Jason Kelly on

0:12:35.840 --> 0:12:39.240
<v Speaker 1>Bloomberg Radio. We are talking a lot about reopening and

0:12:39.360 --> 0:12:43.560
<v Speaker 1>one state that has largely reopened. We're going to go

0:12:43.600 --> 0:12:45.679
<v Speaker 1>there right now and it is the state of George

0:12:45.679 --> 0:12:48.679
<v Speaker 1>and my home state. Frank Patterson joining us. He's been

0:12:48.679 --> 0:12:51.240
<v Speaker 1>a guest in this program before. President CEO of Pinewood

0:12:51.240 --> 0:12:54.920
<v Speaker 1>Atlanta Studios, joining us on the phone from that fine city,

0:12:55.080 --> 0:12:57.040
<v Speaker 1>the A T. L. Frank. Really nice to talk to

0:12:57.040 --> 0:13:00.320
<v Speaker 1>you again. Hey, Jason, good to talk to you. You're

0:13:00.360 --> 0:13:02.440
<v Speaker 1>going to catch up with you and Carol. Yeah, well,

0:13:02.440 --> 0:13:05.720
<v Speaker 1>thanks for making some time. I know it's busy down there.

0:13:06.000 --> 0:13:09.080
<v Speaker 1>Give us a sense of what's going on on the ground, because,

0:13:09.120 --> 0:13:12.640
<v Speaker 1>as I said, obviously we've been watching very closely from here,

0:13:13.040 --> 0:13:15.520
<v Speaker 1>you know, living at the Epicenter. What's going on down

0:13:15.600 --> 0:13:20.000
<v Speaker 1>in Georgia and Atlanta? What's the scene? Well, I mean,

0:13:20.760 --> 0:13:24.240
<v Speaker 1>as you've probably seen, we have so coming out a

0:13:24.240 --> 0:13:26.559
<v Speaker 1>little bit more from their homes than I know personally,

0:13:26.600 --> 0:13:29.560
<v Speaker 1>My wife and I have begun to sort of venture

0:13:29.600 --> 0:13:34.360
<v Speaker 1>out into the neighborhood and um uh, it's it's good

0:13:34.400 --> 0:13:38.720
<v Speaker 1>to see our neighbors out again. But you know there's

0:13:38.720 --> 0:13:42.200
<v Speaker 1>still a lot of caution. You can tell that. Um,

0:13:42.720 --> 0:13:45.480
<v Speaker 1>while some of the activities have been opened up, a

0:13:45.480 --> 0:13:49.200
<v Speaker 1>lot of us are still being quite cautious. And so

0:13:49.280 --> 0:13:53.120
<v Speaker 1>what does it mean for the business, Because you guys

0:13:53.120 --> 0:13:56.679
<v Speaker 1>are stacked up, I mean just by you know, just

0:13:56.840 --> 0:14:00.240
<v Speaker 1>by the numbers, and you know them obviously, uh better

0:14:00.280 --> 0:14:02.480
<v Speaker 1>than I do. But I mean we're talking about eighteen

0:14:02.520 --> 0:14:06.240
<v Speaker 1>sound stages. We're talking about seven hundred acres a million

0:14:06.280 --> 0:14:10.480
<v Speaker 1>square feet under one roof. I mean, the second largest

0:14:10.520 --> 0:14:13.760
<v Speaker 1>purpose built studio in North America. I mean, this is

0:14:14.640 --> 0:14:16.920
<v Speaker 1>you know, this is a busy place. Where are you

0:14:17.000 --> 0:14:20.080
<v Speaker 1>in in terms of getting back up and running, Yeah,

0:14:20.080 --> 0:14:22.240
<v Speaker 1>as you as you, as you mentioned, we were packed

0:14:22.920 --> 0:14:25.760
<v Speaker 1>when the virus hit, and there's a lot of work

0:14:25.840 --> 0:14:29.400
<v Speaker 1>to be done. You know, historically we've never seen this

0:14:29.520 --> 0:14:32.480
<v Speaker 1>kind of money spent on the production of entertainment content

0:14:32.640 --> 0:14:34.800
<v Speaker 1>in the history of our industry, right, I mean Wall

0:14:34.840 --> 0:14:38.040
<v Speaker 1>Street has been pouring more money into the pipeline then

0:14:38.080 --> 0:14:42.200
<v Speaker 1>we've had the capacity to produce in recent years, obviously

0:14:42.240 --> 0:14:45.840
<v Speaker 1>because of all the developments with the streaming technologies. So

0:14:45.920 --> 0:14:49.000
<v Speaker 1>we were really busy. Productions began to shut down, as

0:14:49.000 --> 0:14:52.080
<v Speaker 1>you might imagine in March, and we just said about

0:14:52.080 --> 0:14:55.800
<v Speaker 1>the business of uh my team on the ground at

0:14:55.800 --> 0:14:58.720
<v Speaker 1>Pinewood Atlanta, you know, creating what we think are going

0:14:58.760 --> 0:15:02.400
<v Speaker 1>to be the next next new best practices and protocols

0:15:02.400 --> 0:15:06.440
<v Speaker 1>for getting back to work, because we believe, you know,

0:15:06.520 --> 0:15:09.720
<v Speaker 1>sometimes the summer productions are gonna want to return, and

0:15:09.760 --> 0:15:12.560
<v Speaker 1>of course we have to be prepared. So we've been

0:15:12.560 --> 0:15:15.440
<v Speaker 1>putting a lot of work into what, as everyone says

0:15:15.520 --> 0:15:19.800
<v Speaker 1>these days, our new normal is for productions. Yeah, and

0:15:19.840 --> 0:15:21.760
<v Speaker 1>figure out those best practices. I mean it's going to

0:15:21.840 --> 0:15:23.560
<v Speaker 1>be really, really tricky, and I know, we've been having

0:15:23.560 --> 0:15:27.240
<v Speaker 1>some conversations about it, especially when it comes to content creation,

0:15:27.360 --> 0:15:32.000
<v Speaker 1>making movies. Let's ask you just one question before we

0:15:32.080 --> 0:15:35.040
<v Speaker 1>get to our news guys. Uh, frank, if we can't,

0:15:35.240 --> 0:15:38.880
<v Speaker 1>what does that? What are those processes at this point?

0:15:38.880 --> 0:15:42.360
<v Speaker 1>What it? Just? Quickly, yeah, quickly. We focused on three

0:15:42.400 --> 0:15:45.040
<v Speaker 1>areas that I think everyone's concerned about. One is just

0:15:45.080 --> 0:15:48.240
<v Speaker 1>sort of studio access and lot management, right, how do

0:15:48.320 --> 0:15:51.680
<v Speaker 1>we manage the work on on the lot and manage

0:15:51.720 --> 0:15:54.600
<v Speaker 1>the way people work together? And then what kind of

0:15:54.600 --> 0:15:58.240
<v Speaker 1>improvements can we make to our facilities to make them

0:15:58.280 --> 0:16:01.680
<v Speaker 1>healthier and safer. So for example, full air handling systems

0:16:01.720 --> 0:16:06.720
<v Speaker 1>and swanky hand washing stations and electrostatic spray technology, you know,

0:16:06.760 --> 0:16:09.280
<v Speaker 1>the new kinds of technologies that we can put in

0:16:09.320 --> 0:16:12.360
<v Speaker 1>place in our facilities to make the you know, the

0:16:12.400 --> 0:16:15.160
<v Speaker 1>work process is safer. And then the last is just

0:16:15.240 --> 0:16:18.680
<v Speaker 1>sort of what we call better practices and protocols for

0:16:18.800 --> 0:16:21.200
<v Speaker 1>how we're gonna work together, how our crews are going

0:16:21.240 --> 0:16:24.720
<v Speaker 1>to work together. We've been collaborating with studios and guilds

0:16:24.720 --> 0:16:27.880
<v Speaker 1>and unions and associations to try to come up with

0:16:27.960 --> 0:16:31.760
<v Speaker 1>a best practices, uh, set of guidelines, you know, in

0:16:31.760 --> 0:16:35.520
<v Speaker 1>the next days. So Frank, let's dig into that. We

0:16:35.520 --> 0:16:37.640
<v Speaker 1>we caught up at Jane Rosenthal of the Tribeca Film

0:16:37.680 --> 0:16:40.040
<v Speaker 1>Festival and talking about you know a lot of times

0:16:40.040 --> 0:16:42.680
<v Speaker 1>when you're when you're filming, it's very intimate, right, and

0:16:43.200 --> 0:16:45.520
<v Speaker 1>people and actors are next to one another. There's a

0:16:45.520 --> 0:16:48.120
<v Speaker 1>lot of folks on the tech side, the whole team,

0:16:48.160 --> 0:16:51.640
<v Speaker 1>you know, they're all surrounding them. I mean, can you

0:16:51.760 --> 0:16:56.400
<v Speaker 1>do that going forward until we get a vaccine or no? Yeah,

0:16:56.520 --> 0:16:58.840
<v Speaker 1>no we can. I mean there are plenty tricks of

0:16:58.920 --> 0:17:01.200
<v Speaker 1>the trade. I'm a big and of Jane and and

0:17:01.200 --> 0:17:03.880
<v Speaker 1>and love her movies. And you know, we we tend

0:17:04.119 --> 0:17:06.959
<v Speaker 1>uh time with Atlanta. The shows that were involved with

0:17:07.040 --> 0:17:11.240
<v Speaker 1>tend to be these bigger tent pole you know, action movies,

0:17:11.320 --> 0:17:16.479
<v Speaker 1>and and there's We're we're accustomed to creating scenes by

0:17:16.600 --> 0:17:19.600
<v Speaker 1>piecing elements together, and we're gonna have to continue to

0:17:19.640 --> 0:17:22.719
<v Speaker 1>do that and actually deploy new kinds of ways of

0:17:22.760 --> 0:17:26.199
<v Speaker 1>piecing scenes together to keep people at safe distances. I

0:17:26.200 --> 0:17:30.119
<v Speaker 1>think the key is going to be identify identifying ways,

0:17:30.160 --> 0:17:32.880
<v Speaker 1>and we've already begun to do this how our crews,

0:17:33.240 --> 0:17:36.240
<v Speaker 1>uh and our cast members can work in pods and

0:17:36.280 --> 0:17:39.760
<v Speaker 1>a safe distances and kind of just zone off the work,

0:17:40.480 --> 0:17:44.159
<v Speaker 1>uh and work in smaller teams that collaborate together, but

0:17:44.440 --> 0:17:47.320
<v Speaker 1>everyone doesn't have to be on the set at once.

0:17:47.359 --> 0:17:49.240
<v Speaker 1>We're kind of used to doing it that way, where

0:17:49.240 --> 0:17:51.399
<v Speaker 1>we'll have you know, a hundred fifty people just on

0:17:51.440 --> 0:17:53.680
<v Speaker 1>the set because they're waiting for the shot to be finished.

0:17:54.040 --> 0:17:55.840
<v Speaker 1>But we don't have to work that way. We're gonna

0:17:55.840 --> 0:17:58.040
<v Speaker 1>have to work a little slower, and it's gonna cost

0:17:58.080 --> 0:18:00.400
<v Speaker 1>a little bit more time and money, but we're still

0:18:00.400 --> 0:18:02.720
<v Speaker 1>going to be able to make these movies. And so

0:18:02.800 --> 0:18:07.359
<v Speaker 1>how much is delayed? I mean if you can maybe

0:18:07.359 --> 0:18:10.160
<v Speaker 1>not quantify, but but more the idea of you put

0:18:10.280 --> 0:18:13.520
<v Speaker 1>some give us a sense of like how much of

0:18:13.560 --> 0:18:17.560
<v Speaker 1>a delay this will ultimately mean for things getting done

0:18:17.720 --> 0:18:20.920
<v Speaker 1>and maybe what it will look like for us as consumers,

0:18:20.920 --> 0:18:23.000
<v Speaker 1>you know, re seeing like movies to late a year

0:18:23.200 --> 0:18:25.800
<v Speaker 1>six months, Like, is there an average that you can

0:18:25.840 --> 0:18:28.880
<v Speaker 1>sort of put on that, Frank, It's hard to quantify.

0:18:28.960 --> 0:18:30.919
<v Speaker 1>It's a good question, Jason, and we're all trying to

0:18:30.920 --> 0:18:32.440
<v Speaker 1>figure it out. Look, at the end of the day,

0:18:32.480 --> 0:18:35.120
<v Speaker 1>we want to make certain that the movie going experience

0:18:35.200 --> 0:18:39.120
<v Speaker 1>right the viewer doesn't notice any different. Great movie, great stories,

0:18:39.200 --> 0:18:41.479
<v Speaker 1>great entertainment, right, So how do we do that? And

0:18:41.480 --> 0:18:45.160
<v Speaker 1>we know we're gonna have to um work, you know,

0:18:45.280 --> 0:18:48.560
<v Speaker 1>in smaller groups and take more time, and it is

0:18:48.640 --> 0:18:51.679
<v Speaker 1>going to delay this pipeline that's already being delayed by

0:18:51.720 --> 0:18:56.600
<v Speaker 1>this virus. Right But um so, I generally speaking, I

0:18:56.600 --> 0:19:00.240
<v Speaker 1>think it's gonna be more time and money to get

0:19:00.240 --> 0:19:04.800
<v Speaker 1>these projects through the pipeline until we have a vaccine

0:19:04.920 --> 0:19:08.280
<v Speaker 1>and have better, uh you know, technologies in place to

0:19:08.320 --> 0:19:11.360
<v Speaker 1>protect our workers super process. If you're listening to Bloomberg

0:19:11.359 --> 0:19:13.840
<v Speaker 1>Business Week, Carl Masser, along with Jason Kelly, our guests

0:19:13.840 --> 0:19:17.600
<v Speaker 1>at this hour Frank Patterson, president CEO of Pinewood Atlanta Studios,

0:19:17.960 --> 0:19:20.679
<v Speaker 1>joining us on the phone from Atlanta. So, Frank, what

0:19:20.760 --> 0:19:25.040
<v Speaker 1>are you hearing from various studios to about what they're

0:19:25.080 --> 0:19:27.800
<v Speaker 1>going through right now at this point and how they

0:19:27.840 --> 0:19:29.560
<v Speaker 1>see things. On the other side, you're talking a lot

0:19:29.560 --> 0:19:31.800
<v Speaker 1>about the new protocols, but I am curious about some

0:19:31.840 --> 0:19:36.440
<v Speaker 1>of the conversations you're having with that entire industry. Well,

0:19:36.480 --> 0:19:39.680
<v Speaker 1>as you might imagine, we are collaborating. It's almost every

0:19:39.760 --> 0:19:42.480
<v Speaker 1>day now with the various tax task forces, you know,

0:19:42.600 --> 0:19:45.000
<v Speaker 1>the studios, with the studios and the guild and the

0:19:45.119 --> 0:19:47.800
<v Speaker 1>unions and the associations, and you know, as far as

0:19:47.800 --> 0:19:50.080
<v Speaker 1>the studios are concerned, of course, as you know, they're

0:19:50.080 --> 0:19:52.480
<v Speaker 1>eager to get back to work. Uh. And it's just

0:19:52.520 --> 0:19:55.639
<v Speaker 1>a question of how this is a critical part of

0:19:55.640 --> 0:19:58.359
<v Speaker 1>the business. You've been covering what's happened to you know,

0:19:58.560 --> 0:20:02.960
<v Speaker 1>Disney's discussion today a uh you know, and obviously, uh,

0:20:03.000 --> 0:20:06.840
<v Speaker 1>you know, the features and the streaming shows that are

0:20:06.840 --> 0:20:09.200
<v Speaker 1>in their pipeline are critically important for them right now.

0:20:09.320 --> 0:20:12.719
<v Speaker 1>Right we have a long history of working with Marvel

0:20:13.000 --> 0:20:16.640
<v Speaker 1>Key Company in their portfolio. And are you know these

0:20:16.640 --> 0:20:18.919
<v Speaker 1>studios are eager to see this content get through this

0:20:18.960 --> 0:20:23.240
<v Speaker 1>pipeline up and running. And I think, well, we we

0:20:23.240 --> 0:20:26.960
<v Speaker 1>we know the demand continues to be extremely high. And

0:20:27.000 --> 0:20:30.120
<v Speaker 1>obviously during this time period people have been living off

0:20:30.160 --> 0:20:33.520
<v Speaker 1>these streaming platforms, and it's critically important that we get

0:20:33.560 --> 0:20:36.960
<v Speaker 1>this pipeline back up and we get this content produced. Uh.

0:20:37.000 --> 0:20:40.359
<v Speaker 1>And I think we're gonna be uh you know, sort

0:20:40.359 --> 0:20:43.600
<v Speaker 1>of in uh, you know, ready to go or completely

0:20:43.760 --> 0:20:47.639
<v Speaker 1>up again, let's say, uh, this fall, once we have

0:20:47.720 --> 0:20:50.000
<v Speaker 1>that chance to figure out how uh. And I know

0:20:50.040 --> 0:20:53.280
<v Speaker 1>there's a real eagerness to get into one and and

0:20:53.320 --> 0:20:58.160
<v Speaker 1>get these projects produced. Well, Frank, we know from your

0:20:58.200 --> 0:21:00.760
<v Speaker 1>work and in our work and previously discussions, this is

0:21:00.800 --> 0:21:04.000
<v Speaker 1>a fiercely competitive business, you know, trying to get these movies.

0:21:04.040 --> 0:21:08.240
<v Speaker 1>You guys have been incredibly successful. Atlanta has become, you know,

0:21:08.480 --> 0:21:12.119
<v Speaker 1>really just an amazing hotbed for these big productions. You know,

0:21:12.359 --> 0:21:15.200
<v Speaker 1>based on some of the work we've described you doing,

0:21:15.720 --> 0:21:18.000
<v Speaker 1>as well as a lot of you know, great incentives

0:21:18.040 --> 0:21:22.880
<v Speaker 1>that the state has rolled out, there is this an

0:21:22.920 --> 0:21:28.480
<v Speaker 1>opportunity for some realignment, some continued realignment when it comes

0:21:28.520 --> 0:21:32.199
<v Speaker 1>to where movies are made and how they're made. Given

0:21:32.320 --> 0:21:34.160
<v Speaker 1>the new protocols that are going to have to be

0:21:34.760 --> 0:21:37.160
<v Speaker 1>put in place, and and just given some of the

0:21:37.800 --> 0:21:40.040
<v Speaker 1>uh moves that that folks have had to make in

0:21:40.119 --> 0:21:43.840
<v Speaker 1>light of this, you know, it's a it's a great question, Jason.

0:21:43.880 --> 0:21:48.840
<v Speaker 1>What I'm noticing is that people are concerned and and

0:21:49.160 --> 0:21:53.680
<v Speaker 1>fearful about making certain that we're getting back to work

0:21:54.040 --> 0:21:57.239
<v Speaker 1>safely and quickly. And what's happening is we're relying on

0:21:57.359 --> 0:22:00.719
<v Speaker 1>our relationships, right and it's our big Like a lot

0:22:00.760 --> 0:22:03.800
<v Speaker 1>of other industries, you know, we we know we've worked

0:22:03.800 --> 0:22:06.240
<v Speaker 1>with each other for years, in my case, decades, and

0:22:06.359 --> 0:22:08.720
<v Speaker 1>you everyone knows everybody and you're relying on the people

0:22:08.760 --> 0:22:11.680
<v Speaker 1>you've worked with in the past. And so I think

0:22:11.720 --> 0:22:16.200
<v Speaker 1>Atlanta has become in recent years a real reliable partner

0:22:16.480 --> 0:22:20.479
<v Speaker 1>in the film industry. Uh. And I think it's going

0:22:20.520 --> 0:22:23.280
<v Speaker 1>to be seen as a critical part to getting us back.

0:22:23.800 --> 0:22:26.280
<v Speaker 1>I think you're going to see a lot less travel

0:22:26.520 --> 0:22:30.160
<v Speaker 1>to sort of exotic locations and to cool, fun places

0:22:30.200 --> 0:22:33.480
<v Speaker 1>around the world. Cast is not really excited about doing

0:22:33.520 --> 0:22:35.320
<v Speaker 1>that right now. They want to go where they know

0:22:35.400 --> 0:22:37.560
<v Speaker 1>they can be treated safely and with people they've worked

0:22:37.560 --> 0:22:39.760
<v Speaker 1>with before. So I don't think we'll see a lot

0:22:39.800 --> 0:22:41.960
<v Speaker 1>of realignment. I don't think. But I think we'll see

0:22:42.040 --> 0:22:45.120
<v Speaker 1>is just people being a lot more reserved about where

0:22:45.160 --> 0:22:47.720
<v Speaker 1>they want to go to make movies. Yeah, it's interesting.

0:22:47.760 --> 0:22:49.800
<v Speaker 1>I mean I think about carol our conversation with Doug

0:22:49.880 --> 0:22:52.760
<v Speaker 1>steiner Um last week, and he was saying sort of

0:22:52.800 --> 0:22:54.800
<v Speaker 1>the same thing. It's like, you've got your crews, you've

0:22:54.800 --> 0:22:57.800
<v Speaker 1>got your people that you know you're used to working with,

0:22:57.880 --> 0:22:59.800
<v Speaker 1>right Carol, right exactly, And the whole idea of people

0:22:59.840 --> 0:23:01.760
<v Speaker 1>not wanting to fly around so you're gonna work with

0:23:01.760 --> 0:23:05.040
<v Speaker 1>your local crews. Uh, and you want that, Um, what

0:23:05.080 --> 0:23:07.480
<v Speaker 1>about the insurance angle of this? And Frank, I don't

0:23:07.480 --> 0:23:09.520
<v Speaker 1>know if that's become a kind of a new aspect

0:23:09.720 --> 0:23:12.520
<v Speaker 1>that the policy has now become maybe even a picker thing.

0:23:12.560 --> 0:23:15.800
<v Speaker 1>They're more expensive because we know now health pandemics can

0:23:15.840 --> 0:23:19.520
<v Speaker 1>shut everything down, that's right. And boys, this is just

0:23:20.240 --> 0:23:22.000
<v Speaker 1>you know, I feel like I've gone back to school.

0:23:22.040 --> 0:23:24.600
<v Speaker 1>I've learned so much about so many different industries I

0:23:24.600 --> 0:23:28.000
<v Speaker 1>had no interest in learning about. And of course, you know,

0:23:28.119 --> 0:23:30.720
<v Speaker 1>the insurance and and exactly how we're going to solve

0:23:30.760 --> 0:23:34.640
<v Speaker 1>the problems associated with coverage is really wide open right now,

0:23:34.760 --> 0:23:39.400
<v Speaker 1>right because we can't simply just over insure the problem, right,

0:23:39.440 --> 0:23:41.320
<v Speaker 1>It's got to be a good value prop from both

0:23:41.359 --> 0:23:43.119
<v Speaker 1>sides of the table, and we just don't know what

0:23:43.200 --> 0:23:46.719
<v Speaker 1>that looks like at this point. Frank I, I do

0:23:46.880 --> 0:23:50.080
<v Speaker 1>wonder you know, we're asking questions we just talked to

0:23:50.600 --> 0:23:53.680
<v Speaker 1>earlier in the hour. Uh. Literally, the guy who invented

0:23:53.680 --> 0:23:55.920
<v Speaker 1>the term fomo, he's got a new book out. He'd

0:23:56.160 --> 0:23:58.520
<v Speaker 1>coined that when he was a student Harvard Business School.

0:23:58.560 --> 0:24:01.280
<v Speaker 1>So there's that. So you're in good company here in

0:24:01.320 --> 0:24:04.000
<v Speaker 1>this edition of Bloomberg Business Week. But you know, we

0:24:04.040 --> 0:24:06.600
<v Speaker 1>asked him a question that that I'll ask you, what

0:24:06.680 --> 0:24:08.959
<v Speaker 1>are you learning about, you know, sort of what people

0:24:09.000 --> 0:24:12.840
<v Speaker 1>are doing now that may you know, sort of remain

0:24:13.280 --> 0:24:18.040
<v Speaker 1>And I do wonder about, you know, how people consume content.

0:24:18.680 --> 0:24:22.480
<v Speaker 1>You know, you alluded to Disney's earnings. They've now got

0:24:22.520 --> 0:24:26.240
<v Speaker 1>fifty four million people on Disney plus you know, these

0:24:26.320 --> 0:24:29.159
<v Speaker 1>tent pole productions that you work on, they sort of

0:24:29.240 --> 0:24:32.720
<v Speaker 1>rely on these big openings and crowds and and things

0:24:32.840 --> 0:24:36.040
<v Speaker 1>like that. How do you think about that aspect of

0:24:36.040 --> 0:24:41.719
<v Speaker 1>the business going forward? It's it's so um, this is

0:24:41.960 --> 0:24:45.320
<v Speaker 1>such a fun intellectual exercise because on one hand, I know,

0:24:45.720 --> 0:24:48.040
<v Speaker 1>you know, we learned a long time ago from Aristotle

0:24:48.080 --> 0:24:51.080
<v Speaker 1>and others that we as humans are social beings and

0:24:51.160 --> 0:24:54.880
<v Speaker 1>we need to gather around story together and and and

0:24:54.920 --> 0:24:59.960
<v Speaker 1>reflect with one another socially together, right, dark rooms around

0:25:00.000 --> 0:25:01.920
<v Speaker 1>the fire that is the movie screen. So I don't

0:25:01.960 --> 0:25:04.159
<v Speaker 1>think the theater is going anywhere at the end of

0:25:04.160 --> 0:25:07.240
<v Speaker 1>the day. It's it's it's value in the sort of

0:25:07.320 --> 0:25:11.520
<v Speaker 1>value proposition of how we build value around these products

0:25:11.840 --> 0:25:15.360
<v Speaker 1>has been declining since two thousand three, right, uh, continue

0:25:15.400 --> 0:25:18.960
<v Speaker 1>to fall, and we know that was happening. I really

0:25:18.960 --> 0:25:21.359
<v Speaker 1>do think it's going to level off. Theaters are gonna

0:25:21.359 --> 0:25:23.680
<v Speaker 1>figure out a way to continue to host people more

0:25:23.720 --> 0:25:26.600
<v Speaker 1>safely where you still have that need to gather in

0:25:26.640 --> 0:25:29.359
<v Speaker 1>the dark around the story. Uh, but it's going to

0:25:29.480 --> 0:25:32.679
<v Speaker 1>be different and and it will continue to be the

0:25:32.840 --> 0:25:36.320
<v Speaker 1>special events like these big temp pole movies. You can't

0:25:36.359 --> 0:25:39.280
<v Speaker 1>watch Avengers Infinity War. I mean, you know, toront I

0:25:39.520 --> 0:25:41.920
<v Speaker 1>couldn't wait to get to the theater to see that song. No, no,

0:25:41.960 --> 0:25:43.680
<v Speaker 1>I'm not going to watch it on my TV. There's

0:25:43.680 --> 0:25:47.240
<v Speaker 1>no way that is exactly the kind of event that

0:25:47.320 --> 0:25:51.359
<v Speaker 1>theaters will continue to support. But so they're not going anywhere.

0:25:51.400 --> 0:25:54.920
<v Speaker 1>They're just going to be less valuable in that value chain. Right.

0:25:55.359 --> 0:25:58.639
<v Speaker 1>So I think, um, you know, I do think that

0:25:58.800 --> 0:26:03.160
<v Speaker 1>our behavior that's can tumors. We need live experiences, right,

0:26:03.280 --> 0:26:05.720
<v Speaker 1>We need the theme parks, We need these things, and

0:26:05.720 --> 0:26:07.880
<v Speaker 1>we're gonna have to figure it out. But we're gonna

0:26:07.960 --> 0:26:10.720
<v Speaker 1>learn to behave I think, a lot smarter around each other,

0:26:11.080 --> 0:26:13.440
<v Speaker 1>to be a lot more respectful about each other's help,

0:26:13.840 --> 0:26:16.480
<v Speaker 1>and to do it, uh, you know, and with with

0:26:16.480 --> 0:26:19.320
<v Speaker 1>with kindness and the kind of joy that comes with

0:26:19.400 --> 0:26:22.320
<v Speaker 1>consuming entertainment. In that way. That's way to end. And

0:26:22.359 --> 0:26:24.160
<v Speaker 1>I do have to say that if we're we're also

0:26:24.320 --> 0:26:26.720
<v Speaker 1>not so eager to get on planes, those things that

0:26:26.760 --> 0:26:29.760
<v Speaker 1>we can do simply like going to a movie, provided

0:26:29.800 --> 0:26:34.359
<v Speaker 1>it's safe, that will become even more important to us. Yeah, absolutely, absolutely,

0:26:34.359 --> 0:26:37.040
<v Speaker 1>all right, Frank Patterson, thank you so much, great much,

0:26:37.160 --> 0:26:39.200
<v Speaker 1>thanks so much for the time being patient with us

0:26:39.240 --> 0:26:41.960
<v Speaker 1>as well as we sort of maneuvered around this crazy

0:26:42.000 --> 0:26:44.280
<v Speaker 1>world that we live in. Frank Patterson is presidency of

0:26:44.320 --> 0:26:47.480
<v Speaker 1>Punwood Atlanta Studios. Jonius on the phone from Atlanta. I

0:26:47.480 --> 0:26:51.280
<v Speaker 1>have to say, Sam's l earlier quoting Santayana and uh

0:26:51.480 --> 0:26:54.400
<v Speaker 1>then Frank Patterson just dropping a little Aristotle. Where else

0:26:54.440 --> 0:26:56.119
<v Speaker 1>do you get that? Where else do you get that?

0:26:56.119 --> 0:27:01.639
<v Speaker 1>But Bloomberg Business Week. I'm just and fomo fomo. Seriously,

0:27:01.760 --> 0:27:04.040
<v Speaker 1>it all comes together words of wisdom right here at

0:27:04.080 --> 0:27:05.240
<v Speaker 1>Bloomberg Business Week