1 00:00:02,240 --> 00:00:05,800 Speaker 1: What's app It's way up for Angela. Ye, I'm here 2 00:00:05,880 --> 00:00:09,280 Speaker 1: and look at who's here today? Back again Marcia Ambrose. 3 00:00:09,560 --> 00:00:12,920 Speaker 1: I saw you say, Ambrosius, Ambrosius. I don't I gotta 4 00:00:12,920 --> 00:00:14,240 Speaker 1: step saying Marcia Ambrosius. 5 00:00:14,560 --> 00:00:17,960 Speaker 2: But it sounds fly still. But that's twenty four years 6 00:00:17,960 --> 00:00:20,160 Speaker 2: living in America and everyone's just saying what they want 7 00:00:20,200 --> 00:00:23,560 Speaker 2: to do. Yeah, we say with Amber am. 8 00:00:24,440 --> 00:00:27,120 Speaker 1: I really enjoyed watching you on the R and B 9 00:00:27,200 --> 00:00:28,000 Speaker 1: Money podcast. 10 00:00:28,120 --> 00:00:28,880 Speaker 2: Oh thank you. 11 00:00:29,200 --> 00:00:29,920 Speaker 1: That was a fun. 12 00:00:30,280 --> 00:00:33,360 Speaker 2: It was a fun time, Like Tank Jay Valentine, they're 13 00:00:33,400 --> 00:00:37,000 Speaker 2: just hilarious anyway, So yeah, we had we had a time. 14 00:00:37,320 --> 00:00:39,000 Speaker 1: It made me think of what it must be like 15 00:00:39,080 --> 00:00:40,599 Speaker 1: to be in the studio with you. 16 00:00:41,680 --> 00:00:44,000 Speaker 2: Yeah, pretty much. I kind of laid it out on 17 00:00:44,040 --> 00:00:46,559 Speaker 2: the line with them and felt comfortable to do so 18 00:00:46,720 --> 00:00:49,280 Speaker 2: because I know they know how that feels like, just 19 00:00:49,320 --> 00:00:51,599 Speaker 2: the feeling of being in the studio and coming up 20 00:00:51,600 --> 00:00:54,720 Speaker 2: with an idea from scratch and building it. So it 21 00:00:54,800 --> 00:00:57,000 Speaker 2: was really nice to tell the stories in that way 22 00:00:57,000 --> 00:00:59,040 Speaker 2: and for them to connect and relate to that. 23 00:00:59,640 --> 00:01:01,040 Speaker 1: And you know, the last time I said you, it 24 00:01:01,080 --> 00:01:03,920 Speaker 1: was for the single one night Stand on Lip Service. 25 00:01:03,960 --> 00:01:07,000 Speaker 1: That song is such a beautiful song. Like I still 26 00:01:07,160 --> 00:01:09,639 Speaker 1: to this day, I'm always like, what a beautiful way 27 00:01:09,840 --> 00:01:11,840 Speaker 1: to sing about a one night stand? 28 00:01:12,160 --> 00:01:16,759 Speaker 2: From the beginning, it's it's like an orchestra symphony, and 29 00:01:17,160 --> 00:01:21,000 Speaker 2: it's ultimately the one night stand that turned into ten 30 00:01:21,120 --> 00:01:22,160 Speaker 2: years and a seven. 31 00:01:21,959 --> 00:01:24,319 Speaker 1: Year old, Yeah, which is not a one night stand. 32 00:01:24,319 --> 00:01:27,200 Speaker 1: I just want to know definitely. 33 00:01:26,840 --> 00:01:30,880 Speaker 2: Was one night. I don't know do the math between 34 00:01:31,600 --> 00:01:35,120 Speaker 2: twenty fifteen and now. It's all the nights. 35 00:01:34,800 --> 00:01:37,759 Speaker 1: I think about people Like recently Lato was talking about 36 00:01:37,840 --> 00:01:40,360 Speaker 1: getting with you know, the guy who she's with now, 37 00:01:40,400 --> 00:01:42,200 Speaker 1: and she was like, that's the only person I ever 38 00:01:42,240 --> 00:01:44,720 Speaker 1: had sex with on the first night. And you never 39 00:01:44,840 --> 00:01:47,520 Speaker 1: know what something can turn into. And sometimes we really 40 00:01:47,560 --> 00:01:50,920 Speaker 1: restrict ourselves, like holding back because of what we think 41 00:01:50,960 --> 00:01:54,080 Speaker 1: the other person might think about us or what society 42 00:01:54,160 --> 00:01:54,600 Speaker 1: tells you. 43 00:01:54,760 --> 00:01:58,680 Speaker 2: It's like the interlude on The Love Below, where are 44 00:01:58,680 --> 00:02:02,080 Speaker 2: my panties? And he's thinking, you know, maybe I'll just 45 00:02:02,200 --> 00:02:06,960 Speaker 2: lay in ahead play with a booty, like it's that moment. 46 00:02:07,080 --> 00:02:11,040 Speaker 2: But why deny yourself the moment? You know? So I 47 00:02:11,080 --> 00:02:15,320 Speaker 2: feel like anyone that had that feeling, hold back and 48 00:02:15,320 --> 00:02:18,400 Speaker 2: play the game for what you missed out on the moment. 49 00:02:18,480 --> 00:02:21,120 Speaker 2: Now it might not be good three nights later on 50 00:02:21,160 --> 00:02:24,240 Speaker 2: the second day, and now you can't recreate this magic. 51 00:02:24,360 --> 00:02:28,120 Speaker 2: So if it's magic, Oh, if it's magic, what a 52 00:02:28,160 --> 00:02:31,280 Speaker 2: beautiful song? Yeah, oh here we go. We got a 53 00:02:32,200 --> 00:02:35,480 Speaker 2: thank you Stevie, but yeah, go ahead and do it. 54 00:02:35,520 --> 00:02:38,080 Speaker 1: And you know what else. So we've heard three singles 55 00:02:38,120 --> 00:02:41,400 Speaker 1: from the new project so far that you've blessed us with, right, 56 00:02:41,480 --> 00:02:43,239 Speaker 1: So it gives us a feel for what the album 57 00:02:43,280 --> 00:02:45,560 Speaker 1: is going to be like. And it is a lot 58 00:02:45,600 --> 00:02:48,600 Speaker 1: of nostalgia involved with this too, but beautifully done because 59 00:02:48,600 --> 00:02:51,600 Speaker 1: it's not like a straight up sample. It kind of 60 00:02:51,600 --> 00:02:53,640 Speaker 1: goes in and out of things that I feel like 61 00:02:53,760 --> 00:02:58,040 Speaker 1: have been impactful musically to us. So when you're listening, 62 00:02:58,080 --> 00:03:00,760 Speaker 1: you're like, where did this just come from? And this 63 00:03:00,880 --> 00:03:05,280 Speaker 1: sounds like this was a paying O Mys to this track. 64 00:03:05,120 --> 00:03:07,280 Speaker 2: Right, And that's what it was. It was like Dre 65 00:03:07,480 --> 00:03:11,760 Speaker 2: and myself coming together, him being the superducer, super producer 66 00:03:11,840 --> 00:03:15,200 Speaker 2: that he is, maybeing the writer and vocalist and all 67 00:03:15,240 --> 00:03:17,520 Speaker 2: the things that I am. It was like we were 68 00:03:17,520 --> 00:03:20,720 Speaker 2: having an EMC DJ bow. So it was who could 69 00:03:20,800 --> 00:03:25,240 Speaker 2: outdo the next moment because we wanted this Casablanco moment 70 00:03:25,360 --> 00:03:28,760 Speaker 2: to be influenced by everything that we've cared about in music. 71 00:03:29,280 --> 00:03:33,120 Speaker 2: So it was like, I'll give you Michael Jackson. He 72 00:03:33,200 --> 00:03:35,720 Speaker 2: was like, Okay, I'll meet you with Duke Kellington. Okay, 73 00:03:35,760 --> 00:03:38,280 Speaker 2: I'll meet you with Patrice Russian. Okay, I'll meet you 74 00:03:38,360 --> 00:03:40,520 Speaker 2: with George Benson. And we're like, how can we make 75 00:03:40,640 --> 00:03:44,320 Speaker 2: all of these things make sense on one album? Wu 76 00:03:44,440 --> 00:03:47,280 Speaker 2: Tang Like it just went all over the place, but 77 00:03:48,040 --> 00:03:51,800 Speaker 2: there was such a cohesiveness because of that nostalgia, because 78 00:03:51,800 --> 00:03:54,240 Speaker 2: it was all the elements of the things that made 79 00:03:54,280 --> 00:03:57,880 Speaker 2: you feel good about music, and we just managed to 80 00:03:57,880 --> 00:03:59,600 Speaker 2: make it work on one project. 81 00:03:59,760 --> 00:04:01,320 Speaker 1: Yeah, and it's even like some of the songs like 82 00:04:01,320 --> 00:04:03,560 Speaker 1: you said George Benson, but then that was also a 83 00:04:03,600 --> 00:04:07,640 Speaker 1: sample from previous like even with Mary J. Blige, And 84 00:04:07,680 --> 00:04:10,440 Speaker 1: then like that's really dope to me because it's it's 85 00:04:10,480 --> 00:04:14,520 Speaker 1: also different age groups. Like some people will relate and 86 00:04:15,280 --> 00:04:18,279 Speaker 1: look at this like, Okay, this song is from what 87 00:04:18,440 --> 00:04:19,280 Speaker 1: is Leon Russell? 88 00:04:19,760 --> 00:04:22,800 Speaker 2: But then somebody going to know if it's a George 89 00:04:22,800 --> 00:04:26,200 Speaker 2: Benson thing. Most of the audience may not know who 90 00:04:26,240 --> 00:04:28,760 Speaker 2: that is. But then you hit them with the Mary 91 00:04:28,839 --> 00:04:31,560 Speaker 2: run or something oh that's Mary j. Blige. So it's 92 00:04:31,600 --> 00:04:35,760 Speaker 2: connecting the two worlds and making them make sense so 93 00:04:35,960 --> 00:04:39,839 Speaker 2: everyone can get something from each element of every song 94 00:04:39,880 --> 00:04:40,160 Speaker 2: on this. 95 00:04:40,160 --> 00:04:42,120 Speaker 1: Album, because you know, I used to work for Wu Tang. 96 00:04:42,120 --> 00:04:44,160 Speaker 1: That was my first job, right, And one thing that 97 00:04:44,200 --> 00:04:46,760 Speaker 1: they were really great at also was like some of 98 00:04:46,800 --> 00:04:50,880 Speaker 1: those old soul samples, and it kind of reminds me 99 00:04:50,920 --> 00:04:53,479 Speaker 1: of and back in the day they used to do 100 00:04:53,520 --> 00:04:56,520 Speaker 1: this party soul kitchen, and so it was really like 101 00:04:56,600 --> 00:04:58,960 Speaker 1: all samples and I feel like Questlove and q Tip 102 00:04:59,120 --> 00:05:00,440 Speaker 1: used to do that field. 103 00:05:00,520 --> 00:05:05,440 Speaker 2: It was an absolute master at it completely and that's 104 00:05:05,680 --> 00:05:09,400 Speaker 2: exactly what this was. And I feel like Casablanco when 105 00:05:09,400 --> 00:05:11,920 Speaker 2: you play it is like one of those soul kitchen 106 00:05:11,960 --> 00:05:15,320 Speaker 2: parties where you're trying to identify, Oh, that's that Wheel Tang, 107 00:05:15,640 --> 00:05:18,359 Speaker 2: that's that nas, Oh that's that Mary Jane girls, and 108 00:05:18,400 --> 00:05:23,640 Speaker 2: you're like going on this roller coaster ride of music 109 00:05:23,720 --> 00:05:26,440 Speaker 2: that we've been influenced by, and Dre and myself in 110 00:05:26,520 --> 00:05:30,880 Speaker 2: one room ultimately complimenting each other in such a way 111 00:05:31,160 --> 00:05:33,839 Speaker 2: made Casablanco really what it is now. 112 00:05:33,880 --> 00:05:36,880 Speaker 1: Did you were you in La during this whole Kenjick 113 00:05:36,960 --> 00:05:39,520 Speaker 1: Lamaya Juneteenth, I know you mean, I. 114 00:05:39,480 --> 00:05:42,840 Speaker 2: Know you were mas. I just said this. Listen, I'm 115 00:05:42,880 --> 00:05:44,960 Speaker 2: not let this is out today, but if I had 116 00:05:44,960 --> 00:05:47,320 Speaker 2: some West gear, I'd have it on and throw up 117 00:05:47,360 --> 00:05:51,520 Speaker 2: the dub because Wow, I was here in New York 118 00:05:51,560 --> 00:05:54,680 Speaker 2: and I'm watching it happen. I'm watching it all unfold online, 119 00:05:54,680 --> 00:05:57,440 Speaker 2: and I had, you know, my peoples that was there, 120 00:05:57,680 --> 00:06:01,560 Speaker 2: dre pops out. The West popped out like it was 121 00:06:02,120 --> 00:06:04,839 Speaker 2: for hip hop. It wasn't even about it just being 122 00:06:04,920 --> 00:06:09,280 Speaker 2: the West. It was about it being so very unapologetically 123 00:06:09,400 --> 00:06:14,359 Speaker 2: black and for us, by us, for real, and for 124 00:06:14,480 --> 00:06:19,400 Speaker 2: Kendrick to share in the elevation and evolution of hip 125 00:06:19,400 --> 00:06:24,440 Speaker 2: hop and embody that in such a classy way. 126 00:06:24,800 --> 00:06:27,360 Speaker 1: Yes, Oh, the community that we got to see on that. 127 00:06:27,400 --> 00:06:32,000 Speaker 2: Stage amazing, And I think that doesn't happen if it's 128 00:06:32,480 --> 00:06:35,200 Speaker 2: not believed. You know, we've only had so many hip 129 00:06:35,240 --> 00:06:39,679 Speaker 2: hop icons that one carried that torch and carried that weight. 130 00:06:40,200 --> 00:06:44,360 Speaker 2: Kendrick has carried that weight and carried that torch with class. 131 00:06:45,120 --> 00:06:49,960 Speaker 2: And we've lost some of our heroes very early on, 132 00:06:50,040 --> 00:06:53,560 Speaker 2: and it's just great to see during a lifetime this 133 00:06:53,720 --> 00:06:57,400 Speaker 2: play out so positively in such a way, even in 134 00:06:57,480 --> 00:07:02,640 Speaker 2: its the battle was crazy. The Drake Kendrick battle was 135 00:07:02,680 --> 00:07:07,640 Speaker 2: one to just share online with the world in real time. 136 00:07:08,360 --> 00:07:10,440 Speaker 2: It felt like what it would have felt like back 137 00:07:10,440 --> 00:07:12,240 Speaker 2: in the day of that it happened. But now we're 138 00:07:12,280 --> 00:07:15,320 Speaker 2: all reacting at the same time, and it's just great 139 00:07:15,800 --> 00:07:20,840 Speaker 2: for the genre. It's great for us. And Kendrick really 140 00:07:20,880 --> 00:07:21,520 Speaker 2: did that ship. 141 00:07:21,600 --> 00:07:24,400 Speaker 1: Yes, he really did. And when I tell you even 142 00:07:24,400 --> 00:07:26,480 Speaker 1: that whole battle, because first of all, to be clear, 143 00:07:26,520 --> 00:07:29,480 Speaker 1: they both are huge. You know, it's not like artists 144 00:07:29,520 --> 00:07:31,520 Speaker 1: is big the other ones not as big, and it's 145 00:07:31,560 --> 00:07:33,720 Speaker 1: like why and I responding it was like two of 146 00:07:33,760 --> 00:07:37,680 Speaker 1: the biggest hip hop artists. I have a. 147 00:07:37,560 --> 00:07:40,680 Speaker 2: Feature with both of them, you know. So it's like 148 00:07:41,280 --> 00:07:47,120 Speaker 2: it wasn't about who won. I know who won. No, everyone, 149 00:07:46,680 --> 00:07:49,560 Speaker 2: I don't debate. It's not a debate a debate, but 150 00:07:50,000 --> 00:07:53,840 Speaker 2: hip hop absolutely won. And I think it's never ending 151 00:07:53,880 --> 00:07:55,640 Speaker 2: because that's what a battle was supposed to do. 152 00:07:56,000 --> 00:07:57,640 Speaker 1: Yeah, it was kind of like when Nas and jay 153 00:07:57,680 --> 00:07:59,960 Speaker 1: Z were going at it and they were both huge, 154 00:08:00,280 --> 00:08:03,000 Speaker 1: huge artists, and at the end of the day all 155 00:08:03,080 --> 00:08:06,080 Speaker 1: the streams ran up. You know, Kendrick that actually pushed, 156 00:08:06,640 --> 00:08:08,320 Speaker 1: not like us, even though it was a number one 157 00:08:08,400 --> 00:08:09,400 Speaker 1: song back. 158 00:08:09,280 --> 00:08:13,160 Speaker 2: Up out the stratospheres. So think about twenty twenty four. 159 00:08:13,920 --> 00:08:17,720 Speaker 2: Now Nas is still nazing, Jay is still jing Yep, 160 00:08:17,760 --> 00:08:22,200 Speaker 2: getting money. Still absolutely humongous icons in the field because 161 00:08:22,320 --> 00:08:26,040 Speaker 2: ultimately hip Hop one, we've got all the eyes on it, 162 00:08:26,120 --> 00:08:29,600 Speaker 2: regardless of how it happened, whose feelings got hurt because 163 00:08:29,600 --> 00:08:31,720 Speaker 2: there's some words, and you know, the fans take it 164 00:08:31,760 --> 00:08:34,680 Speaker 2: for serious and everyone's like, ah, my guy one or 165 00:08:34,720 --> 00:08:37,920 Speaker 2: my girl or what like, just let the sport win, 166 00:08:38,200 --> 00:08:39,800 Speaker 2: and we won hip Hop one. 167 00:08:39,960 --> 00:08:41,319 Speaker 1: I have like ten things I want to ask you 168 00:08:41,400 --> 00:08:42,880 Speaker 1: right now. First, I want to ask you this, since 169 00:08:42,920 --> 00:08:46,040 Speaker 1: you said like it's some words, are you sensitive about things? 170 00:08:46,040 --> 00:08:47,600 Speaker 1: Like are you the type of person? Because I feel 171 00:08:47,640 --> 00:08:50,560 Speaker 1: like a lot of artists are sensitive, but for some 172 00:08:50,600 --> 00:08:53,920 Speaker 1: reason with you, I think that you can. You have 173 00:08:54,120 --> 00:08:56,680 Speaker 1: been able to just kind of put out music that 174 00:08:56,720 --> 00:08:59,480 Speaker 1: you say things that other people might judge and be like, 175 00:08:59,480 --> 00:09:01,200 Speaker 1: I can't believe she said that, But I love that 176 00:09:01,280 --> 00:09:01,800 Speaker 1: about you. 177 00:09:02,160 --> 00:09:06,160 Speaker 2: But I'm the most unbothered person when it comes to 178 00:09:06,520 --> 00:09:09,160 Speaker 2: my pen Like I'm gonna say it. I hope she 179 00:09:09,240 --> 00:09:11,960 Speaker 2: cheats on you with a basketball player. I'm flagrant, but 180 00:09:12,000 --> 00:09:16,160 Speaker 2: I'm gonna say it even if that's how I feel. Yeah, 181 00:09:16,240 --> 00:09:18,439 Speaker 2: so it made sense to me, So it's gonna make no. 182 00:09:18,640 --> 00:09:22,280 Speaker 2: I don't back down from my pen Am I sensitive 183 00:09:22,320 --> 00:09:25,680 Speaker 2: if somebody else says something about me or to me, 184 00:09:26,400 --> 00:09:29,640 Speaker 2: it's words and it's opinion. So I can only feel 185 00:09:29,640 --> 00:09:33,840 Speaker 2: how I feel about me, and I care enough if 186 00:09:33,880 --> 00:09:36,680 Speaker 2: I care enough, Like where's this coming from? If I 187 00:09:36,720 --> 00:09:38,800 Speaker 2: don't know you, you're not in my life like that, and 188 00:09:38,840 --> 00:09:43,000 Speaker 2: it's like, I like when she said or she did, Okay, 189 00:09:43,920 --> 00:09:46,600 Speaker 2: well I'll just go and talk to Michael Jackson or 190 00:09:47,200 --> 00:09:50,480 Speaker 2: Prince Stevie said, you know, like this is wild, but 191 00:09:51,480 --> 00:09:55,199 Speaker 2: very much, you know. So it's the level of unbothered 192 00:09:55,280 --> 00:09:58,120 Speaker 2: on that end took some doing because we're all human 193 00:09:58,640 --> 00:10:02,200 Speaker 2: and anything can her the most smallest. 194 00:10:01,640 --> 00:10:04,439 Speaker 1: Thing on the wrong day, the wrong get to you, and. 195 00:10:04,440 --> 00:10:08,319 Speaker 2: You're like, let me send to myself again and realize 196 00:10:08,360 --> 00:10:12,760 Speaker 2: that none of that is important and help Nila with 197 00:10:12,920 --> 00:10:16,280 Speaker 2: some second grade math or something. I need more help 198 00:10:16,320 --> 00:10:19,360 Speaker 2: than she does. Second grade math is ridiculous. I did 199 00:10:19,440 --> 00:10:21,920 Speaker 2: not know a thing when I was her age. It's 200 00:10:21,920 --> 00:10:23,520 Speaker 2: getting crazy, Yeah, it is. Yeah. 201 00:10:23,600 --> 00:10:26,320 Speaker 1: I listen when they be putting them little math problems 202 00:10:26,360 --> 00:10:29,319 Speaker 1: on Instagram and I'm like, dude, they asked you, like, Okay, 203 00:10:29,360 --> 00:10:32,360 Speaker 1: what's the correct answer? I'm always got to get. 204 00:10:32,520 --> 00:10:35,160 Speaker 2: We've had to google, and we've had to call family 205 00:10:35,280 --> 00:10:39,200 Speaker 2: friends and figure this out because yeah, we're back in school. 206 00:10:39,360 --> 00:10:41,280 Speaker 2: We're all back in school. We're all back in the 207 00:10:41,320 --> 00:10:43,400 Speaker 2: second grade now because of our kid, which is crazy. 208 00:10:43,520 --> 00:10:45,520 Speaker 1: Now, my shot, Now I want to flash back to 209 00:10:45,840 --> 00:10:48,320 Speaker 1: something that just happened right since we were talking about 210 00:10:48,320 --> 00:10:51,080 Speaker 1: all of this. So Flower try and then recently Amanda 211 00:10:51,160 --> 00:10:55,480 Speaker 1: did Club Shaysha, So what's going on like with the 212 00:10:55,520 --> 00:10:57,880 Speaker 1: two of you? Do you have any hard feelings to her? 213 00:10:58,040 --> 00:11:02,000 Speaker 2: She felt like, no, there's absolutely no hard feelings on 214 00:11:02,080 --> 00:11:05,600 Speaker 2: my part. I'd only ever come across her recently in 215 00:11:05,679 --> 00:11:09,120 Speaker 2: twenty twenty three. Physically, I hadn't seen her since twenty thirteen, 216 00:11:09,760 --> 00:11:12,840 Speaker 2: where we were cool, like we did an event here 217 00:11:12,840 --> 00:11:15,800 Speaker 2: in New York for a hair care product. We reminisced 218 00:11:15,800 --> 00:11:19,040 Speaker 2: about old times and she'd send me text messages and 219 00:11:19,600 --> 00:11:23,920 Speaker 2: throughout the years after the whole Floatory actual reunion for 220 00:11:24,000 --> 00:11:26,320 Speaker 2: the Flow Treo fans, it just didn't work out. They 221 00:11:26,360 --> 00:11:29,960 Speaker 2: weren't receptive of it being anyone else, even if it 222 00:11:30,040 --> 00:11:30,280 Speaker 2: was her. 223 00:11:30,360 --> 00:11:32,360 Speaker 1: It wasn't personal. It was just that they were used 224 00:11:32,360 --> 00:11:33,800 Speaker 1: to seeing Natalie on estay and. 225 00:11:33,800 --> 00:11:37,160 Speaker 2: There's nothing you can do about that part. So parting 226 00:11:37,240 --> 00:11:41,520 Speaker 2: ways was inevitable because the record company were like, oh no, 227 00:11:41,640 --> 00:11:43,920 Speaker 2: this is not going to work. Management, Oh no, this 228 00:11:44,000 --> 00:11:45,880 Speaker 2: is not going to work. Flow tru fans, this is 229 00:11:45,880 --> 00:11:49,160 Speaker 2: not going to work. So fast forward into seventeen years later. 230 00:11:49,200 --> 00:11:52,360 Speaker 2: It was never on my mind. I apologized to her 231 00:11:52,760 --> 00:11:55,400 Speaker 2: with you right there as witnessed to that seven years 232 00:11:55,440 --> 00:11:58,320 Speaker 2: ago when we were on the Breakfast Club, you know, 233 00:11:58,360 --> 00:12:00,520 Speaker 2: And that was seven years ago where am I apology 234 00:12:00,679 --> 00:12:03,319 Speaker 2: was to her? But I hadn't seen her since, so 235 00:12:03,400 --> 00:12:06,440 Speaker 2: I kind of just left it at that. And I 236 00:12:06,440 --> 00:12:09,920 Speaker 2: don't know, maybe people google talking points, Oh Marsh's back 237 00:12:09,920 --> 00:12:11,760 Speaker 2: in the person. Let me make a I don't know 238 00:12:11,760 --> 00:12:14,800 Speaker 2: what the reason is, but I've healed over this time 239 00:12:15,600 --> 00:12:19,600 Speaker 2: since seven seventeen years ago three weeks of my life 240 00:12:19,679 --> 00:12:21,199 Speaker 2: that was that tours. 241 00:12:21,360 --> 00:12:22,240 Speaker 1: Was only three weeks. 242 00:12:22,360 --> 00:12:25,800 Speaker 2: Yeah, I know there was definitely like fifteen or sixteen shows, 243 00:12:25,800 --> 00:12:28,040 Speaker 2: but it was for sure three weeks during the summer 244 00:12:28,480 --> 00:12:32,640 Speaker 2: seventeen years ago. So I kind of you have to 245 00:12:32,720 --> 00:12:36,480 Speaker 2: understand in two thousand and seven, I was still talking 246 00:12:36,520 --> 00:12:39,040 Speaker 2: to Michael Jackson. At that point, I'm still talking to Prince, 247 00:12:39,080 --> 00:12:42,400 Speaker 2: I'm still doing all of these other things. I'm producing 248 00:12:42,440 --> 00:12:45,160 Speaker 2: and Ryan for other people, and this thing that i'd 249 00:12:45,440 --> 00:12:47,760 Speaker 2: held on dearly too just didn't work out, and I 250 00:12:47,840 --> 00:12:50,520 Speaker 2: moved on. So fast forward seventeen years later and I've 251 00:12:50,520 --> 00:12:52,600 Speaker 2: got a project with doctor Dre and I'm doing all 252 00:12:52,640 --> 00:12:56,240 Speaker 2: of these things. Last thing on my mind. So absolutely 253 00:12:56,280 --> 00:13:01,320 Speaker 2: no hard feelings, but I can't dismiss or diminish someone 254 00:13:01,360 --> 00:13:06,040 Speaker 2: else's version of how they felt about what happened. So 255 00:13:06,080 --> 00:13:08,800 Speaker 2: she's valid in her feelings, but there were also other 256 00:13:08,880 --> 00:13:13,000 Speaker 2: people there to validate what actually happened. And sometimes you 257 00:13:13,120 --> 00:13:16,839 Speaker 2: take your l's different like a round of applause and 258 00:13:16,960 --> 00:13:20,400 Speaker 2: wrap it up be sound exactly the same to someone 259 00:13:20,400 --> 00:13:27,920 Speaker 2: who's seeking adoration. And there just wasn't enough of a 260 00:13:28,000 --> 00:13:32,640 Speaker 2: welcoming reception publicly for it, and that was nothing I 261 00:13:32,640 --> 00:13:35,280 Speaker 2: could do for that. I tried everything. I tried to 262 00:13:35,280 --> 00:13:38,320 Speaker 2: switch up the show. She wanted to do her own song, 263 00:13:38,720 --> 00:13:42,079 Speaker 2: and I'm like, you were crying last night because of 264 00:13:42,640 --> 00:13:45,960 Speaker 2: how you were very poorly received. Maybe that's not such 265 00:13:45,960 --> 00:13:47,719 Speaker 2: a good idea. So yeah, I did tell the MD 266 00:13:47,880 --> 00:13:49,800 Speaker 2: to take it out all the things. So it was 267 00:13:49,880 --> 00:13:51,640 Speaker 2: like war on the. 268 00:13:51,559 --> 00:13:53,679 Speaker 1: Bridge for me, because clearly you would want to have 269 00:13:53,720 --> 00:13:55,440 Speaker 1: a good tour too. It's not like you. 270 00:13:55,920 --> 00:13:58,520 Speaker 2: I'm taking it as I'm getting booed, not you getting booed. 271 00:13:58,559 --> 00:14:02,640 Speaker 2: I'm looking at something I built, ground up, eh, crash 272 00:14:02,679 --> 00:14:06,480 Speaker 2: and burn. So it hurt for that and it wasn't 273 00:14:06,520 --> 00:14:10,680 Speaker 2: gonna work. So moving forward, reunited with Flowa Tree down 274 00:14:10,720 --> 00:14:13,240 Speaker 2: the line, met my husband twenty fifteen, and that and 275 00:14:13,320 --> 00:14:16,480 Speaker 2: myself get back on stage and do Flower Tree twenty sixteen. 276 00:14:16,520 --> 00:14:20,440 Speaker 2: I'm pregnant with Nyla twenty twenty four, I'm doing a 277 00:14:20,440 --> 00:14:24,160 Speaker 2: project with doctor Drey. Right, that's my timeline. 278 00:14:24,280 --> 00:14:26,320 Speaker 1: What made you say that you even wanted to do 279 00:14:27,000 --> 00:14:29,680 Speaker 1: you know, after the group broke up originally, why not 280 00:14:29,800 --> 00:14:31,400 Speaker 1: just be like, Okay, I'm gonna do my own thing. 281 00:14:31,480 --> 00:14:33,920 Speaker 1: Why didn't I didn't want to do or even go 282 00:14:34,000 --> 00:14:35,640 Speaker 1: and do the songs just yourself. 283 00:14:35,840 --> 00:14:37,760 Speaker 2: In hindsight, I could say that I would do that 284 00:14:38,040 --> 00:14:42,400 Speaker 2: right now, but that was ready to do. I wasn't 285 00:14:42,720 --> 00:14:46,040 Speaker 2: about my soul. I wasn't doing a solo thing. That 286 00:14:46,160 --> 00:14:49,840 Speaker 2: was never on the table for me personally, was offered, 287 00:14:50,440 --> 00:14:53,000 Speaker 2: but I took the offer to try and make it 288 00:14:53,000 --> 00:14:55,320 Speaker 2: work with someone else, because that's what I was accustomed to. 289 00:14:55,440 --> 00:14:58,720 Speaker 2: Stage left, close my eyes, sing some songs, and I 290 00:14:58,800 --> 00:14:59,720 Speaker 2: was comfortable in. 291 00:14:59,600 --> 00:15:01,560 Speaker 1: That your reservations were being solo. 292 00:15:01,720 --> 00:15:05,520 Speaker 2: Back then, I wanted to. I've always wanted to do 293 00:15:05,800 --> 00:15:08,880 Speaker 2: Quincy Jones, Dr Dre stuff. I can't find the scenes. 294 00:15:08,920 --> 00:15:14,760 Speaker 2: I love paget writing, so it's very much collaborative. And 295 00:15:15,840 --> 00:15:19,240 Speaker 2: I've worked with so many people up until that point too, 296 00:15:19,440 --> 00:15:23,760 Speaker 2: just making features with ninety eight percent of hip hop 297 00:15:23,800 --> 00:15:26,680 Speaker 2: at that point and still counting, So it was very 298 00:15:26,720 --> 00:15:30,680 Speaker 2: much a comfort zone for me. So yeah, in hindsight, 299 00:15:30,760 --> 00:15:32,800 Speaker 2: I could say, oh, I should have done that tour. 300 00:15:32,960 --> 00:15:34,720 Speaker 1: Yeah, you would never know. You don't know what you're doing. 301 00:15:34,840 --> 00:15:36,560 Speaker 2: I'd never did it if I knew it was going 302 00:15:36,600 --> 00:15:39,240 Speaker 2: to transpire the way it did. But you want things 303 00:15:39,280 --> 00:15:42,080 Speaker 2: to work, and when they don't, they just don't work. 304 00:15:42,160 --> 00:15:45,400 Speaker 2: So I'll take that l and fast forward years down 305 00:15:45,440 --> 00:15:47,560 Speaker 2: the line, when yes, I do get late nights and 306 00:15:47,640 --> 00:15:52,080 Speaker 2: early mornings and it is a solo thing classic I 307 00:15:52,200 --> 00:15:53,880 Speaker 2: end up it's all timing. 308 00:15:54,040 --> 00:15:56,280 Speaker 1: So I feel like everything also happens for a reason, 309 00:15:56,400 --> 00:15:58,960 Speaker 1: like sometimes you need something like that to happen to 310 00:15:59,000 --> 00:16:00,480 Speaker 1: show you where you're supper to be. 311 00:16:01,400 --> 00:16:04,120 Speaker 2: It's not even that just I guess it's not even 312 00:16:04,120 --> 00:16:07,600 Speaker 2: where I was supposed to be. It's the experience and 313 00:16:08,600 --> 00:16:12,800 Speaker 2: figuring things out and seeing them through. If you kind 314 00:16:12,800 --> 00:16:17,360 Speaker 2: of have a plan, it doesn't always work out, and 315 00:16:17,440 --> 00:16:20,800 Speaker 2: that's okay. So it's where you end up because of that. 316 00:16:20,960 --> 00:16:23,000 Speaker 2: It's not oh, let me just figure this out so 317 00:16:23,040 --> 00:16:25,320 Speaker 2: it gets me to a certain space. I wasn't trying 318 00:16:25,360 --> 00:16:25,680 Speaker 2: to do. 319 00:16:26,040 --> 00:16:27,960 Speaker 1: Yeah, but I'm saying, maybe that happened to tell you 320 00:16:28,040 --> 00:16:30,640 Speaker 1: this is what you need to do, you know, because 321 00:16:30,640 --> 00:16:32,160 Speaker 1: sometimes like something doesn't. 322 00:16:31,880 --> 00:16:34,760 Speaker 2: Work baby, and then it's like how it all turned out? 323 00:16:34,800 --> 00:16:38,920 Speaker 1: Now? The truth is sometimes it is the best thing 324 00:16:38,960 --> 00:16:41,080 Speaker 1: is to kind of like try to do things. Nobody 325 00:16:41,080 --> 00:16:44,840 Speaker 1: does everything completely alone, right, but it's it is nice 326 00:16:44,880 --> 00:16:48,160 Speaker 1: and when you don't have to rely so much, like 327 00:16:48,200 --> 00:16:49,760 Speaker 1: you can move when you want to move, do what 328 00:16:49,800 --> 00:16:51,000 Speaker 1: you want to do, figure out. This is when I 329 00:16:51,000 --> 00:16:52,400 Speaker 1: can tour. I don't have to think about like when 330 00:16:52,440 --> 00:16:53,680 Speaker 1: can you do this? Right? 331 00:16:53,800 --> 00:16:58,080 Speaker 2: I mean I absolutely I think Natalie the Fluicist and 332 00:16:58,240 --> 00:17:01,400 Speaker 2: myself will very much solo artists. We just found this 333 00:17:01,480 --> 00:17:04,240 Speaker 2: thing that worked together. I was trying to do my 334 00:17:04,280 --> 00:17:07,400 Speaker 2: solo thing when I was in my teens, like early twenties, 335 00:17:07,440 --> 00:17:10,280 Speaker 2: early early twenties, So that didn't work out, and I 336 00:17:10,320 --> 00:17:12,280 Speaker 2: was okay with that, like, uh, they don't want me 337 00:17:12,320 --> 00:17:14,200 Speaker 2: to rap and sing at the same time, this little 338 00:17:14,200 --> 00:17:17,160 Speaker 2: British girl that's trying to do this thing absolutely fine. 339 00:17:17,560 --> 00:17:20,160 Speaker 2: And by the time I find this thing that works, 340 00:17:20,880 --> 00:17:26,119 Speaker 2: I'm comfortable. So when it's different, it's oh, who am I? 341 00:17:26,200 --> 00:17:28,840 Speaker 2: What am I doing? Why am I doing it? And 342 00:17:28,880 --> 00:17:32,679 Speaker 2: you get the opportunity to do it, I'll throw myself 343 00:17:32,720 --> 00:17:36,440 Speaker 2: in the deep end. Because I remember performing Feelings at 344 00:17:36,480 --> 00:17:41,320 Speaker 2: Constitution Hall in DC and having a different, overwhelming feeling 345 00:17:41,359 --> 00:17:46,360 Speaker 2: about performing because it felt very much solo. It felt 346 00:17:46,480 --> 00:17:50,520 Speaker 2: very much secluded, and I think I cried my eyes 347 00:17:50,560 --> 00:17:53,639 Speaker 2: out on that stage that night, like something happened. I 348 00:17:53,640 --> 00:17:57,719 Speaker 2: don't know what it is, but I liked it. It 349 00:17:57,800 --> 00:17:59,960 Speaker 2: opened me up a little bit. I want to say 350 00:17:59,960 --> 00:18:02,840 Speaker 2: that was late two thousand and seven, no two thousand 351 00:18:02,880 --> 00:18:07,280 Speaker 2: and six, rather, and I knew something was happening. But yeah, 352 00:18:07,359 --> 00:18:10,320 Speaker 2: it's just the course of life and just experience, and 353 00:18:10,400 --> 00:18:14,000 Speaker 2: I've done so much of that and living and happy 354 00:18:14,000 --> 00:18:14,800 Speaker 2: to be doing it now. 355 00:18:15,119 --> 00:18:17,359 Speaker 1: And when you met the love of your life and 356 00:18:17,480 --> 00:18:19,960 Speaker 1: you guys had your quote unquote fake one nice thing 357 00:18:19,960 --> 00:18:23,320 Speaker 1: because it wasn't really it's so fat, But did you 358 00:18:23,400 --> 00:18:24,960 Speaker 1: have like when you woke up, what did you think 359 00:18:25,040 --> 00:18:25,720 Speaker 1: was going to happen? 360 00:18:27,240 --> 00:18:30,439 Speaker 2: We were going to do it again? Absolutely want to 361 00:18:30,440 --> 00:18:35,600 Speaker 2: get out? He exactly roll over like it was this 362 00:18:35,920 --> 00:18:42,439 Speaker 2: It must be some amazing. It had no expectations, but 363 00:18:42,600 --> 00:18:43,400 Speaker 2: knew what it felt. 364 00:18:43,520 --> 00:18:46,560 Speaker 1: But sometimes we tell ourselves like why did I do that? Now? 365 00:18:47,080 --> 00:18:49,679 Speaker 2: Oh no, there was no why. Even if this was 366 00:18:49,760 --> 00:18:53,800 Speaker 2: that one night, it will be the most unforgettable. I 367 00:18:53,800 --> 00:18:57,639 Speaker 2: would then tell my future husband, I had the best time, 368 00:18:57,840 --> 00:18:59,040 Speaker 2: oh like my life. 369 00:18:59,240 --> 00:19:00,080 Speaker 1: Ladies, don't try to. 370 00:19:00,320 --> 00:19:03,920 Speaker 2: Twenty You have to be honest with the. 371 00:19:04,560 --> 00:19:06,960 Speaker 1: I would say, I had the best night in my life. 372 00:19:07,000 --> 00:19:09,880 Speaker 1: It wasn't you, but it was twenty years ago. 373 00:19:10,000 --> 00:19:12,800 Speaker 2: There might be something that stays on my mind about 374 00:19:12,840 --> 00:19:16,120 Speaker 2: that one night, and I'd have to tell my significant 375 00:19:16,119 --> 00:19:20,480 Speaker 2: other if it wasn't that person might look something haunts 376 00:19:20,520 --> 00:19:25,000 Speaker 2: me about, maybe something not happening or happening because of 377 00:19:25,040 --> 00:19:26,959 Speaker 2: how I felt that night with this person. But if 378 00:19:26,960 --> 00:19:28,919 Speaker 2: I then fell for someone else, there's a reason for 379 00:19:29,000 --> 00:19:34,919 Speaker 2: that also, which might might I have to I have 380 00:19:35,160 --> 00:19:39,959 Speaker 2: zero filter and if that's my superpower and my downfall. 381 00:19:40,520 --> 00:19:42,800 Speaker 1: No, that's it. Hey, I'm not mad at it. Now, 382 00:19:42,840 --> 00:19:45,119 Speaker 1: let's talk about this song Greedy for a second. You 383 00:19:45,160 --> 00:19:48,480 Speaker 1: know they always say in relationships there's givers and takers, right, 384 00:19:48,800 --> 00:19:51,960 Speaker 1: and there's always somebody that gives a little more and 385 00:19:52,119 --> 00:19:54,000 Speaker 1: somebody who takes a little more. Which one are you? 386 00:19:55,720 --> 00:19:58,960 Speaker 2: I'm a competitive giver because I always end up with 387 00:19:59,040 --> 00:20:02,160 Speaker 2: someone that gives and we try and outdo how much 388 00:20:02,280 --> 00:20:06,440 Speaker 2: I did each other, which is great. With Greedy, the song, 389 00:20:06,520 --> 00:20:11,560 Speaker 2: it wasn't necessarily about just one relationship. It was people, 390 00:20:11,640 --> 00:20:15,120 Speaker 2: it was things, it was circumstances, it was people being 391 00:20:15,200 --> 00:20:19,560 Speaker 2: greedy with your time and your energy. And sometimes what 392 00:20:19,600 --> 00:20:23,920 Speaker 2: you have to give is never enough. So I could 393 00:20:23,960 --> 00:20:27,200 Speaker 2: give you the moon, and it's just not enough for you, right, 394 00:20:27,800 --> 00:20:30,320 Speaker 2: So you want the stars and the sun. Now you 395 00:20:30,359 --> 00:20:33,560 Speaker 2: want the universe. When my effort, in that moment, when 396 00:20:33,560 --> 00:20:36,600 Speaker 2: I was at my lowest moment, I gave you an 397 00:20:36,760 --> 00:20:39,520 Speaker 2: entire moon, and you have to understand what that took 398 00:20:39,560 --> 00:20:43,360 Speaker 2: for me to do. And it's still not enough. You're greedy. 399 00:20:43,920 --> 00:20:46,119 Speaker 2: I don't even think, I say, I don't even sing 400 00:20:46,160 --> 00:20:49,120 Speaker 2: the word greedy in the song, but the overall premise 401 00:20:49,160 --> 00:20:52,480 Speaker 2: of what it meant was just greed, greedy. 402 00:20:52,720 --> 00:20:55,240 Speaker 1: So you think about this from a business point of view, 403 00:20:55,440 --> 00:21:02,080 Speaker 1: from everything, family, every friendship, bit of it, all of it. Yeah, man, 404 00:21:02,119 --> 00:21:04,400 Speaker 1: that is so too. You could give somebody the moon 405 00:21:04,920 --> 00:21:06,720 Speaker 1: and all the stars except one, and they went that 406 00:21:06,760 --> 00:21:09,760 Speaker 1: one star, right, that. 407 00:21:09,720 --> 00:21:11,840 Speaker 2: One is like the perfect size. It's not right, but 408 00:21:11,840 --> 00:21:14,879 Speaker 2: it's just bright enough, like, well, here's the rest of 409 00:21:14,920 --> 00:21:16,880 Speaker 2: this universe, and you were in that one little star 410 00:21:17,040 --> 00:21:20,000 Speaker 2: can walk now. 411 00:21:20,040 --> 00:21:22,120 Speaker 1: Also, so that I told you we heard three songs 412 00:21:22,200 --> 00:21:23,879 Speaker 1: so far that had come out as we're waiting to 413 00:21:23,920 --> 00:21:26,000 Speaker 1: see And the way you've done everything, it feels like 414 00:21:26,040 --> 00:21:30,320 Speaker 1: you want to be really interactive with your with your audience. 415 00:21:30,400 --> 00:21:33,480 Speaker 2: Yes, we're just people, right exactly. But I feel like, 416 00:21:33,600 --> 00:21:36,359 Speaker 2: because this album speaks. 417 00:21:35,880 --> 00:21:39,119 Speaker 1: To Chris Green, come on, come on, we know you're 418 00:21:39,160 --> 00:21:41,480 Speaker 1: from Brooklyn, we know you're from Brooklyn, and Chris. 419 00:21:41,160 --> 00:21:43,040 Speaker 2: Well, get that dough, get that done. 420 00:21:43,800 --> 00:21:46,719 Speaker 1: Is it just like the song or a ringto you 421 00:21:46,760 --> 00:21:51,080 Speaker 1: have raintown? Still I was gonna say, remember raintoon my. 422 00:21:51,359 --> 00:21:53,480 Speaker 2: Gosh and the mill Oh my god. I was speaking 423 00:21:53,520 --> 00:21:55,159 Speaker 2: about her the other day. I really want to do 424 00:21:55,200 --> 00:21:59,240 Speaker 2: a song with her. Always said she's got one of 425 00:21:59,240 --> 00:22:00,359 Speaker 2: the best female voices. 426 00:22:01,080 --> 00:22:02,800 Speaker 1: Can we find a milk? Because let me tell you 427 00:22:02,880 --> 00:22:04,920 Speaker 1: a mil If you're listening and Mushia and Brosia said 428 00:22:04,920 --> 00:22:06,520 Speaker 1: she wants to do a sum with you, you should do it. 429 00:22:06,840 --> 00:22:11,199 Speaker 2: She's got one of the craziest female rap voices. It's 430 00:22:11,320 --> 00:22:13,240 Speaker 2: the nostalgia for me, and I think she has a 431 00:22:13,280 --> 00:22:15,760 Speaker 2: gorgeous voice, so I would love that. That's your fault. 432 00:22:15,800 --> 00:22:17,720 Speaker 2: So you just put good job, Yeah, good job. 433 00:22:17,680 --> 00:22:19,240 Speaker 1: But a milk can thank you? Okay? 434 00:22:19,440 --> 00:22:22,560 Speaker 2: No. So the interactive space for this album casta blanc 435 00:22:22,640 --> 00:22:25,919 Speaker 2: Hole is because everyone can get something from it. So 436 00:22:25,960 --> 00:22:28,320 Speaker 2: even with the track list reveal that I just did 437 00:22:28,560 --> 00:22:32,240 Speaker 2: on Instagram, is because the album cover reminds me of 438 00:22:32,280 --> 00:22:35,359 Speaker 2: the Goonies, remember the movie. Oh yes, so the Treasure map, 439 00:22:35,720 --> 00:22:36,360 Speaker 2: so you kind of. 440 00:22:36,280 --> 00:22:39,360 Speaker 1: Look at it's like we have a treasure to find a. 441 00:22:39,359 --> 00:22:44,200 Speaker 2: Giant map map full of music that you're finding each 442 00:22:44,200 --> 00:22:45,879 Speaker 2: and every time. I don't know if everyone's going to 443 00:22:45,920 --> 00:22:48,840 Speaker 2: be able to read these credits, but it's the Guinness 444 00:22:48,840 --> 00:22:51,240 Speaker 2: Book World of Records of samples on this album. 445 00:22:51,680 --> 00:22:55,159 Speaker 1: Listen seriously, and you know what was great about it? 446 00:22:55,160 --> 00:22:57,240 Speaker 1: Because I'm listening to it, and I love like all 447 00:22:57,280 --> 00:23:00,879 Speaker 1: different genres of music, and I grew up like listening 448 00:23:01,160 --> 00:23:03,840 Speaker 1: to vinyl and everything. Like my parents had a whole 449 00:23:03,880 --> 00:23:06,280 Speaker 1: lot of records in the house, so I would be listening, 450 00:23:06,320 --> 00:23:09,960 Speaker 1: like what song is this? We really I'm like, Okay. 451 00:23:10,080 --> 00:23:11,359 Speaker 1: Then I would go look it up and then I 452 00:23:11,359 --> 00:23:13,000 Speaker 1: would be like, oh, I didn't even realize that was 453 00:23:13,040 --> 00:23:16,240 Speaker 1: also a sample, right, you know, exactly before that and 454 00:23:16,280 --> 00:23:19,600 Speaker 1: then like Na's on the Greatest Whose world is this exactly? 455 00:23:19,600 --> 00:23:21,399 Speaker 1: But then I'm like, then I started thinking, is that 456 00:23:21,440 --> 00:23:23,560 Speaker 1: a sample from something else? Because I don't know. 457 00:23:23,640 --> 00:23:27,000 Speaker 2: So Perry Mason the TV theme is also in there. 458 00:23:27,400 --> 00:23:30,840 Speaker 2: And then we just did too much. This album is 459 00:23:30,880 --> 00:23:34,560 Speaker 2: so unrealistic. And by the time Dre was like, look, 460 00:23:34,720 --> 00:23:36,960 Speaker 2: this is what it is. We're going to go into 461 00:23:37,240 --> 00:23:41,320 Speaker 2: trying to clear the samples, and I was clearest, they 462 00:23:41,400 --> 00:23:44,000 Speaker 2: will never clear. It took a year. It took a 463 00:23:44,040 --> 00:23:47,679 Speaker 2: little over a year to actually clear the album, and 464 00:23:47,720 --> 00:23:49,960 Speaker 2: there were two songs that we did that we couldn't 465 00:23:50,000 --> 00:23:53,120 Speaker 2: get clearances on. So I changed some of the lyrics 466 00:23:53,119 --> 00:23:55,760 Speaker 2: and some of the verse melodies so we could still 467 00:23:55,800 --> 00:23:59,840 Speaker 2: do the songs okay. And that was lucky because the ones. 468 00:24:00,040 --> 00:24:03,320 Speaker 2: There was only one song I was begging for. I said, 469 00:24:03,359 --> 00:24:06,480 Speaker 2: I don't care what doesn't make it. If this one 470 00:24:06,520 --> 00:24:08,639 Speaker 2: doesn't make it, throw the whole album in the trash. 471 00:24:09,359 --> 00:24:12,159 Speaker 2: And that was Oh, can I say these titles? 472 00:24:12,320 --> 00:24:12,560 Speaker 1: Say it? 473 00:24:12,600 --> 00:24:19,439 Speaker 2: I want to know that, Okay, okay, thrill Her. Thrill 474 00:24:19,520 --> 00:24:23,400 Speaker 2: Her was the one thrill Her. I was like, if 475 00:24:23,440 --> 00:24:25,000 Speaker 2: I can't clear that song. 476 00:24:25,520 --> 00:24:26,640 Speaker 1: What song was it on? There? 477 00:24:26,760 --> 00:24:27,639 Speaker 2: It's called thrill Her? 478 00:24:27,680 --> 00:24:29,000 Speaker 1: Now, I mean the sample that. 479 00:24:29,080 --> 00:24:37,119 Speaker 2: The samples are cream Woo Tang, Doke Kellington's in a 480 00:24:37,240 --> 00:24:41,360 Speaker 2: sentimental mood, Michael Jackson's Smooth Criminal. 481 00:24:43,640 --> 00:24:46,920 Speaker 1: That's a lot of heavy. So I gotta ask, like, financially, 482 00:24:47,800 --> 00:24:49,600 Speaker 1: this album is not about. 483 00:24:49,640 --> 00:24:52,879 Speaker 2: Doctor Dre, Doctor Drey. 484 00:24:53,119 --> 00:24:56,120 Speaker 1: This album is not about making money from the actual album, 485 00:24:56,119 --> 00:24:59,639 Speaker 1: because I have to imagine, all these samples are so expensive, 486 00:25:00,119 --> 00:25:00,680 Speaker 1: Doctor Dre. 487 00:25:00,880 --> 00:25:05,680 Speaker 2: Okay, the whole album is expensive and it's Doctor Dre. 488 00:25:06,160 --> 00:25:06,520 Speaker 1: So No. 489 00:25:06,720 --> 00:25:09,359 Speaker 2: It was, like I said, it was something that felt 490 00:25:09,400 --> 00:25:14,880 Speaker 2: so unrealistic to actually release. It wasn't about how much 491 00:25:14,920 --> 00:25:17,800 Speaker 2: the samples were going to get to career or any 492 00:25:17,840 --> 00:25:20,639 Speaker 2: of those things. It was are we allowed to share 493 00:25:20,680 --> 00:25:25,800 Speaker 2: this moment with the world for them to hear what 494 00:25:25,880 --> 00:25:28,919 Speaker 2: we did with these samples, and by the time Dre 495 00:25:29,040 --> 00:25:33,720 Speaker 2: has hit me back like it's time, it's clear everything. 496 00:25:34,000 --> 00:25:37,040 Speaker 1: Wow, it's did you think it was going to happen? 497 00:25:37,040 --> 00:25:39,680 Speaker 1: Because you know what, Doctor d people think it's never 498 00:25:39,720 --> 00:25:42,320 Speaker 1: coming out. Everybody that's tried to do it happened with him. 499 00:25:42,400 --> 00:25:46,159 Speaker 2: One week, it's never happening. One week, still not happening. 500 00:25:46,200 --> 00:25:48,960 Speaker 2: You have a track list and people are playing it 501 00:25:49,040 --> 00:25:52,760 Speaker 2: and sending the records now, and I'm like, is this 502 00:25:53,040 --> 00:25:56,000 Speaker 2: real life? This can't be real life. I cannot be 503 00:25:56,080 --> 00:25:59,639 Speaker 2: the only person on planet Earth that has an album 504 00:26:00,080 --> 00:26:04,240 Speaker 2: produced and mixed by Doctor Dre. I'm the only person 505 00:26:04,359 --> 00:26:09,919 Speaker 2: on planet Earth that has an album completely produced and 506 00:26:10,000 --> 00:26:11,080 Speaker 2: mixed by Doctor Drey. 507 00:26:11,320 --> 00:26:16,679 Speaker 1: That is amazing, Like who am I right? Like he 508 00:26:16,920 --> 00:26:18,880 Speaker 1: we even get him to put his own album out 509 00:26:19,040 --> 00:26:22,640 Speaker 1: exactly so, and here you are this mean. 510 00:26:22,680 --> 00:26:25,879 Speaker 2: Much as his album as it is mine, Like we 511 00:26:25,920 --> 00:26:27,920 Speaker 2: are straight fifty to fifty on this thing. 512 00:26:28,080 --> 00:26:30,240 Speaker 1: I saw him posting that too, and you guys had 513 00:26:30,280 --> 00:26:34,400 Speaker 1: the same yeah post and that was unintentional. 514 00:26:34,880 --> 00:26:37,600 Speaker 2: That was literally the mood and feeling. This is some 515 00:26:37,680 --> 00:26:42,200 Speaker 2: of my greatest work. I don't know what surpasses this 516 00:26:42,280 --> 00:26:45,480 Speaker 2: because of the time that we created it, in what 517 00:26:45,520 --> 00:26:49,440 Speaker 2: we did to create it, what we overcame to create it, 518 00:26:50,240 --> 00:26:53,440 Speaker 2: and it's a dream come true. 519 00:26:53,680 --> 00:26:55,800 Speaker 1: And you guys were working on this before he had 520 00:26:55,880 --> 00:26:57,680 Speaker 1: his aneurysm. 521 00:26:58,000 --> 00:27:00,760 Speaker 2: Right after, oh, right after, we'll work on. What I 522 00:27:00,800 --> 00:27:04,000 Speaker 2: did know at the time was the GTA soundtrack. So 523 00:27:04,920 --> 00:27:08,639 Speaker 2: once he had the health scare, I was just recovering 524 00:27:08,640 --> 00:27:11,840 Speaker 2: from my own health scare, and we kind of, I 525 00:27:11,880 --> 00:27:14,720 Speaker 2: don't know if I'm using the term correctly trauma bonded 526 00:27:15,000 --> 00:27:19,600 Speaker 2: over surviving these things. And then he flew me out 527 00:27:20,040 --> 00:27:22,520 Speaker 2: within weeks of him just getting out of the hospital 528 00:27:22,600 --> 00:27:26,119 Speaker 2: from that brain aneurysm. So twenty twenty one January, his 529 00:27:26,280 --> 00:27:28,720 Speaker 2: health scare, I was there by the end of February. 530 00:27:29,000 --> 00:27:33,960 Speaker 2: We start working on Casablanco by mid April, because I 531 00:27:34,040 --> 00:27:36,160 Speaker 2: told him, I don't want to do this music thing anymore. 532 00:27:36,200 --> 00:27:38,040 Speaker 2: I mean, I want to say, do this music thing anymore. 533 00:27:38,080 --> 00:27:40,040 Speaker 2: I didn't want to do the artist thing anymore. I 534 00:27:40,080 --> 00:27:42,160 Speaker 2: was like, no, I'm really in my Quincy Jones now, 535 00:27:42,160 --> 00:27:44,520 Speaker 2: I really want to just produce, right. I love your team. 536 00:27:44,600 --> 00:27:46,959 Speaker 2: I would love to stay here and work for as 537 00:27:47,000 --> 00:27:49,359 Speaker 2: long as it takes on. Whatever projects you're doing, and 538 00:27:49,400 --> 00:27:52,520 Speaker 2: he was like, nah, nope, you got one more in you. 539 00:27:52,600 --> 00:27:56,080 Speaker 2: I just want to keep you inspired and let's see 540 00:27:56,080 --> 00:27:58,840 Speaker 2: where this goes. So when we recorded the very first 541 00:27:58,880 --> 00:28:03,919 Speaker 2: song from Casablanco that's now Castablanco, which was Tunisian Knights 542 00:28:04,600 --> 00:28:10,399 Speaker 2: Tunisian Nights, it was magic in that moment, like such 543 00:28:10,400 --> 00:28:16,000 Speaker 2: a wow, I can do more, there is more to me, 544 00:28:16,160 --> 00:28:18,920 Speaker 2: and he pushed me in such a way and we 545 00:28:19,640 --> 00:28:24,320 Speaker 2: tested boundaries and just really took it there. I had 546 00:28:24,480 --> 00:28:29,720 Speaker 2: no choice for the Leo competitive person that I am, 547 00:28:29,840 --> 00:28:31,800 Speaker 2: to see it through to the end, because I was like, 548 00:28:32,200 --> 00:28:34,280 Speaker 2: we do one, we have to do two, we do two, 549 00:28:34,320 --> 00:28:36,000 Speaker 2: we have to do four, we do four, we have 550 00:28:36,040 --> 00:28:38,560 Speaker 2: to do eight. We had just had to keep getting 551 00:28:38,600 --> 00:28:41,240 Speaker 2: better and better each and every time, and we did, 552 00:28:41,400 --> 00:28:46,120 Speaker 2: and we created this within that timeframe three or so 553 00:28:46,280 --> 00:28:50,080 Speaker 2: weeks in April. Between April and May, we're mixing and 554 00:28:50,120 --> 00:28:53,280 Speaker 2: tweaking things. By June, we're in with a twenty seven 555 00:28:53,320 --> 00:28:57,440 Speaker 2: piece orchestra. By September, we're in clearance mode. By the 556 00:28:57,560 --> 00:29:00,280 Speaker 2: end of that year. For all of twenty twenty two 557 00:29:00,040 --> 00:29:04,720 Speaker 2: to the beginning of twenty twenty three, listening party just 558 00:29:04,760 --> 00:29:09,000 Speaker 2: to get the feelers everyone's hype. Then it was let's 559 00:29:09,000 --> 00:29:11,120 Speaker 2: get the business straight and get to work and hair right. 560 00:29:11,200 --> 00:29:14,160 Speaker 2: It doesn't feel like the time has done that these years. 561 00:29:14,360 --> 00:29:17,520 Speaker 2: It's now I feel like you're rushing me, and you mean, 562 00:29:17,720 --> 00:29:21,120 Speaker 2: like what waits is slow down? Like which is crazy, 563 00:29:21,200 --> 00:29:25,840 Speaker 2: but it's It's been a wild ride and a necessary one, 564 00:29:25,880 --> 00:29:32,360 Speaker 2: even in its craziness and madness. Just that is this industry. 565 00:29:32,560 --> 00:29:34,720 Speaker 2: It's uh, it's all worth it. 566 00:29:34,880 --> 00:29:37,040 Speaker 1: I see people calling for you to do a tiny desk, 567 00:29:37,120 --> 00:29:38,400 Speaker 1: which I think would be amazing. 568 00:29:39,080 --> 00:29:41,160 Speaker 2: I would love to It would be so much fun. 569 00:29:41,240 --> 00:29:42,760 Speaker 2: So yeah, keep calling. 570 00:29:42,640 --> 00:29:45,520 Speaker 1: Yeah, because I saw, you know, people were like Marcia 571 00:29:45,880 --> 00:29:47,600 Speaker 1: needs to do a tiny desk Like that would be 572 00:29:48,480 --> 00:29:51,080 Speaker 1: a ridiculous. And I bet in your head you already 573 00:29:51,120 --> 00:29:51,760 Speaker 1: know how I know. 574 00:29:51,720 --> 00:29:54,040 Speaker 2: The set list. I already know. I've already yeah, I 575 00:29:54,120 --> 00:29:56,320 Speaker 2: already sketched that out. I already know what I'm going 576 00:29:56,400 --> 00:29:58,480 Speaker 2: to be doing. We might have to do some after 577 00:29:58,600 --> 00:30:02,840 Speaker 2: hours and uh stay there and do two different versions 578 00:30:02,880 --> 00:30:04,680 Speaker 2: of it, but I would absolutely love that. 579 00:30:05,120 --> 00:30:08,680 Speaker 1: Do you consider yourself to be a shy person in general? 580 00:30:08,880 --> 00:30:12,480 Speaker 2: A little bit? But I'm open when I'm open, Like 581 00:30:12,560 --> 00:30:16,080 Speaker 2: this feels intimate and close enough for us to have 582 00:30:16,120 --> 00:30:19,360 Speaker 2: a conversation, but then put me in a public setting 583 00:30:19,400 --> 00:30:27,160 Speaker 2: and I'm chilling until something's initiated. So shy reserved, I'd say, 584 00:30:27,320 --> 00:30:31,160 Speaker 2: not necessarily shy, be shy. 585 00:30:31,200 --> 00:30:33,920 Speaker 1: Sometimes people will say like, oh, you were a little 586 00:30:33,920 --> 00:30:37,400 Speaker 1: stand up fish like about me, But until it's not 587 00:30:37,440 --> 00:30:41,320 Speaker 1: necessarily that, I just don't ever want to, like, you know, overstep. 588 00:30:41,400 --> 00:30:43,320 Speaker 2: Someone said it to me the other day. They were like, 589 00:30:43,400 --> 00:30:47,560 Speaker 2: you're the most kindest, unapproachable person I've ever met, and 590 00:30:47,600 --> 00:30:50,560 Speaker 2: I was like, oh, that's perfect, And it's not a 591 00:30:50,680 --> 00:30:55,680 Speaker 2: negative to be unapproachable, it's you feel like the type 592 00:30:55,680 --> 00:30:57,960 Speaker 2: of person that I need to be worth your space. 593 00:30:58,400 --> 00:31:00,560 Speaker 2: So I'm not coming at you because I feel like 594 00:31:01,360 --> 00:31:03,560 Speaker 2: it's not even necessary for me to do so. So 595 00:31:03,600 --> 00:31:09,040 Speaker 2: it's unintentional to be standoffish, like you're not doing that. 596 00:31:09,240 --> 00:31:11,960 Speaker 2: They're perceiving that of you because how they feel about 597 00:31:12,120 --> 00:31:14,080 Speaker 2: you or I you know what I mean, So I 598 00:31:14,120 --> 00:31:15,600 Speaker 2: know how you are, wouldn't be connecting. 599 00:31:15,680 --> 00:31:18,440 Speaker 1: We're cool. But if you didn't know that, you know, 600 00:31:18,560 --> 00:31:21,160 Speaker 1: I always knew great things about you, just because like 601 00:31:21,200 --> 00:31:24,120 Speaker 1: I'm really good friends with Ryan Press. And then so 602 00:31:24,160 --> 00:31:27,320 Speaker 1: you've been working with Jay Irving since and he's forever. 603 00:31:27,480 --> 00:31:29,280 Speaker 1: He's been your manager for how long. 604 00:31:29,120 --> 00:31:31,920 Speaker 2: Now, twenty three years. 605 00:31:31,960 --> 00:31:34,200 Speaker 1: There's not a lot of people that can say they've 606 00:31:34,200 --> 00:31:37,000 Speaker 1: had the same manager for twenty three years. 607 00:31:37,200 --> 00:31:44,280 Speaker 2: More than management, it's family and support. So regardless of 608 00:31:44,480 --> 00:31:48,560 Speaker 2: him or I being off the radar and me not 609 00:31:48,680 --> 00:31:51,120 Speaker 2: doing my artist thing, he then goes on to manage 610 00:31:51,160 --> 00:31:54,480 Speaker 2: other people and vice versa. It's I step away, he 611 00:31:54,560 --> 00:31:57,840 Speaker 2: steps away, and he wishes me well. I wish him well. 612 00:31:57,920 --> 00:32:00,880 Speaker 2: It's a bit bigger than him just being a manager. 613 00:32:01,600 --> 00:32:05,760 Speaker 2: We've been together in this thing like Bryan Press, like 614 00:32:05,840 --> 00:32:08,960 Speaker 2: the whole squad day active, exactly like your team. 615 00:32:09,000 --> 00:32:11,640 Speaker 1: I feel like everybody loves you so much. They're like 616 00:32:11,680 --> 00:32:12,000 Speaker 1: my shait. 617 00:32:12,240 --> 00:32:16,920 Speaker 2: My brother's like it's wild. I'm like the little big sister. 618 00:32:17,360 --> 00:32:20,160 Speaker 2: And then I'm still one of the boys. So they 619 00:32:20,200 --> 00:32:22,400 Speaker 2: find it really odd when I get in my feelings 620 00:32:22,440 --> 00:32:26,680 Speaker 2: because they forget female. Sometimes I'm just gonna be in 621 00:32:26,680 --> 00:32:29,640 Speaker 2: my you know, I've been one of the guys for 622 00:32:29,720 --> 00:32:30,800 Speaker 2: twenty four years. 623 00:32:30,840 --> 00:32:33,560 Speaker 1: How was it for your husband to adjust to your 624 00:32:33,640 --> 00:32:36,120 Speaker 1: lifestyle because I'm you know, it is a little different. 625 00:32:36,160 --> 00:32:37,920 Speaker 1: And then now you're also about to be on. 626 00:32:37,880 --> 00:32:40,680 Speaker 2: The road, you know, met on the road. 627 00:32:40,840 --> 00:32:41,760 Speaker 1: Yeah, and now. 628 00:32:41,640 --> 00:32:45,160 Speaker 2: He saw it hands on, what the lifestyle was like, 629 00:32:45,760 --> 00:32:48,479 Speaker 2: and just the fact that we ended up getting pregnant 630 00:32:48,480 --> 00:32:50,800 Speaker 2: and we were still on the road during that propect. 631 00:32:50,880 --> 00:32:52,680 Speaker 1: But he's I don't think he has he ever dated 632 00:32:52,760 --> 00:32:55,880 Speaker 1: like a person who is actually you know, it's different. 633 00:32:56,120 --> 00:33:00,000 Speaker 2: Yeah, it was kind of wild, but I don't know 634 00:33:00,240 --> 00:33:03,040 Speaker 2: it was perfect. It's just ready for that. I don't 635 00:33:03,080 --> 00:33:05,320 Speaker 2: I don't know how it works. And I'm not claiming 636 00:33:05,360 --> 00:33:09,080 Speaker 2: to have all the answers for that. It's it's just works. 637 00:33:09,200 --> 00:33:11,160 Speaker 1: Just now. I know her mom is a celebrity. 638 00:33:11,720 --> 00:33:14,400 Speaker 2: She kind of does. And we have a running joke 639 00:33:14,880 --> 00:33:18,520 Speaker 2: that we're going to go and see Marshall and Brosius 640 00:33:18,520 --> 00:33:21,440 Speaker 2: in concert or oh, you're going to do radio with 641 00:33:21,560 --> 00:33:24,160 Speaker 2: Marshall Ambrosier. Is she going to be there? She wearing 642 00:33:24,200 --> 00:33:25,720 Speaker 2: your outfit too, Like. 643 00:33:25,720 --> 00:33:27,200 Speaker 1: I think she was on the list. I thought we 644 00:33:27,200 --> 00:33:27,800 Speaker 1: were going to get a. 645 00:33:27,800 --> 00:33:30,160 Speaker 2: Chair and they want to go grab some food. 646 00:33:31,000 --> 00:33:32,120 Speaker 1: I forgive it time. 647 00:33:32,480 --> 00:33:37,680 Speaker 2: It's so done. But yeah, she knows, but she doesn't know, 648 00:33:38,000 --> 00:33:42,160 Speaker 2: and it's so cool like that, but she knows, like 649 00:33:42,360 --> 00:33:49,240 Speaker 2: it's it's it's beautiful and disarming and all the things. 650 00:33:49,240 --> 00:33:52,120 Speaker 2: She's seven now, so she the songs to her like, 651 00:33:52,280 --> 00:33:58,240 Speaker 2: I'm never doing that, it's not happening. I remember my 652 00:33:58,440 --> 00:34:01,680 Speaker 2: nephew and he was really really young and Friends and 653 00:34:01,720 --> 00:34:05,080 Speaker 2: Lovers album came out and sixty nine is on there, 654 00:34:05,880 --> 00:34:08,120 Speaker 2: and we told him it was it was about a 655 00:34:08,160 --> 00:34:10,800 Speaker 2: bus because there was a bus route in South London, 656 00:34:10,800 --> 00:34:12,640 Speaker 2: but it was a sixty eight and he was like, 657 00:34:13,680 --> 00:34:15,759 Speaker 2: I was like, it's about the sixty eight bus, but 658 00:34:15,840 --> 00:34:18,080 Speaker 2: we just needed one more minute to make it and 659 00:34:18,120 --> 00:34:20,719 Speaker 2: then it changed numbers. I don't know if he still 660 00:34:20,760 --> 00:34:24,399 Speaker 2: believes that's twenty years old. He was for sure like eight, 661 00:34:26,280 --> 00:34:28,200 Speaker 2: What do we tell him? He's twenty now? He knows 662 00:34:28,200 --> 00:34:30,680 Speaker 2: what that song's about. But it's gross. So yeah, no, 663 00:34:30,800 --> 00:34:33,359 Speaker 2: I'm not looking forward to these moments where I have 664 00:34:33,480 --> 00:34:36,920 Speaker 2: to explain what I meant when I said, oh, so 665 00:34:37,040 --> 00:34:38,080 Speaker 2: many things, it's gross. 666 00:34:38,440 --> 00:34:40,759 Speaker 1: Well my stually, I just want to say congratulations. I 667 00:34:40,800 --> 00:34:43,160 Speaker 1: hope that you are taking in the moment for yourself 668 00:34:43,200 --> 00:34:46,160 Speaker 1: because you're so chill and calm about it. 669 00:34:46,280 --> 00:34:48,799 Speaker 2: It's because I'm taking it and why I feel like this, 670 00:34:48,960 --> 00:34:51,080 Speaker 2: but I am. I'm trying. 671 00:34:51,640 --> 00:34:53,359 Speaker 1: Catablanco is definitely coming out. 672 00:34:53,560 --> 00:34:55,880 Speaker 2: Oh, my gosh, we'll see next Friday. 673 00:34:56,040 --> 00:34:56,720 Speaker 1: Next Friday. 674 00:34:58,360 --> 00:35:02,320 Speaker 2: Say, it is out in these streets and there's nothing 675 00:35:02,440 --> 00:35:03,600 Speaker 2: I can do about it. 676 00:35:03,840 --> 00:35:05,759 Speaker 1: And what's the plan. Is there a tour? What are 677 00:35:05,800 --> 00:35:06,160 Speaker 1: we doing? 678 00:35:06,400 --> 00:35:10,240 Speaker 2: There's gonna be a tour for sure, that'll be announced 679 00:35:10,360 --> 00:35:15,440 Speaker 2: very soon. And I encourage the dress code to be 680 00:35:16,360 --> 00:35:21,840 Speaker 2: tucks and Chucks, So tuxedos and your tucks, jays Chucks, 681 00:35:23,040 --> 00:35:26,640 Speaker 2: ball gowns and jays, whatever that's gonna be. When you 682 00:35:26,680 --> 00:35:30,160 Speaker 2: press play on this album, you're gonna feel like you 683 00:35:30,280 --> 00:35:33,720 Speaker 2: may be underdressed. So if you have your silk pajamas 684 00:35:34,320 --> 00:35:37,080 Speaker 2: or if you have like a nice little just you're 685 00:35:37,120 --> 00:35:38,440 Speaker 2: gonna want to throw something on. 686 00:35:38,640 --> 00:35:42,560 Speaker 1: Just It's very theatrical and musical and beautiful from what 687 00:35:42,600 --> 00:35:43,360 Speaker 1: I've heard. 688 00:35:43,120 --> 00:35:46,000 Speaker 2: But you also need a grill on some gold rope chains. 689 00:35:46,120 --> 00:35:48,240 Speaker 1: And you know it incorporates. 690 00:35:48,760 --> 00:35:49,680 Speaker 2: It's all the fame. 691 00:35:49,760 --> 00:35:51,640 Speaker 1: I don't even see how that was possible, but you 692 00:35:51,719 --> 00:35:55,080 Speaker 1: managed to make it happen, man, doctor Dre and you 693 00:35:55,960 --> 00:35:58,080 Speaker 1: and you and that voice. 694 00:35:58,360 --> 00:36:01,040 Speaker 2: Fifty fifty we did this thing all right. 695 00:36:01,080 --> 00:36:03,680 Speaker 1: Well, congratulations, thank you so much for always coming and 696 00:36:03,719 --> 00:36:06,360 Speaker 1: showing me so much love. Due I appreciate it and 697 00:36:06,400 --> 00:36:08,239 Speaker 1: it's an honor to have you here, and I'm so 698 00:36:08,280 --> 00:36:13,160 Speaker 1: excited for Casa Blanco. It's definitely coming out, so next week, 699 00:36:13,239 --> 00:36:14,280 Speaker 1: next Friday. 700 00:36:13,920 --> 00:36:14,919 Speaker 2: So June twenty eight. 701 00:36:15,080 --> 00:36:18,319 Speaker 1: June twenty eight is the day, all right, Marcia Ambrosias, 702 00:36:18,360 --> 00:36:21,920 Speaker 1: thank you well