1 00:00:01,280 --> 00:00:01,880 Speaker 1: The volume. 2 00:00:07,960 --> 00:00:09,680 Speaker 2: Yo, Josh, can you do me a favorite? Can you 3 00:00:09,720 --> 00:00:13,160 Speaker 2: look up? Because somebody DM ME was like they thought 4 00:00:13,160 --> 00:00:15,760 Speaker 2: I was lying about my Serena Williams story at All 5 00:00:15,800 --> 00:00:18,720 Speaker 2: Star weekend? Oh when you got to share the same birthday? Yeah? 6 00:00:18,720 --> 00:00:20,239 Speaker 2: So can you do my favorite jobs? Can you look 7 00:00:20,320 --> 00:00:23,560 Speaker 2: up when first look up when the All Star Game 8 00:00:23,640 --> 00:00:25,040 Speaker 2: was two thousand and one? Exact date? 9 00:00:25,720 --> 00:00:29,520 Speaker 3: That'd be such a strange lies. 10 00:00:30,680 --> 00:00:38,159 Speaker 2: Okay, now look up when did the Williams Sister Simpson episode? 11 00:00:38,159 --> 00:00:46,400 Speaker 2: There smoke that bot in your d MS. People are 12 00:00:46,400 --> 00:00:49,040 Speaker 2: so still like, how who would make that up? Yeah? 13 00:00:49,080 --> 00:00:50,760 Speaker 1: Well, first of all, let let's let's fact check. 14 00:00:51,040 --> 00:00:54,800 Speaker 2: Look up Mall's celebrity birthday and then Serena Williams celebrity birthday. 15 00:00:54,840 --> 00:00:55,680 Speaker 2: We never fact checked that. 16 00:00:57,440 --> 00:01:02,000 Speaker 3: Yeah, let's start. We never looked at that. Want, Yeah, 17 00:01:02,280 --> 00:01:05,479 Speaker 3: fact check Serena Williams birth. Yeah. How come Candice Owns 18 00:01:05,480 --> 00:01:06,800 Speaker 3: hasn't done a deep dive into this one? 19 00:01:06,880 --> 00:01:11,920 Speaker 2: Yeah? Yeah, when was Serena Williams born? What's her birthday? Mallgate? Okay, oh, 20 00:01:11,959 --> 00:01:14,320 Speaker 2: you guys have the exact same birth like the year too. 21 00:01:14,400 --> 00:01:15,760 Speaker 2: That's what I said this exactly. 22 00:01:15,760 --> 00:01:18,000 Speaker 3: I thought it was just the September twenty sixth, the 23 00:01:18,080 --> 00:01:19,120 Speaker 3: exact same birthday. 24 00:01:19,319 --> 00:01:23,080 Speaker 2: Yeah, and very similar, you know, paths, childhoods. 25 00:01:23,920 --> 00:01:26,680 Speaker 3: That was very I was my last you was serving 26 00:01:26,720 --> 00:01:29,440 Speaker 3: the Yeah, I was serving the different type of boy. 27 00:01:29,520 --> 00:01:31,800 Speaker 1: Eight bye. 28 00:01:33,400 --> 00:01:35,679 Speaker 2: You know I'm saying. You know what I'm saying. My 29 00:01:35,800 --> 00:01:37,560 Speaker 2: last day play. She was on the clay court. You 30 00:01:37,600 --> 00:01:40,080 Speaker 2: know how that shit go. She dominated the clay Oh 31 00:01:40,160 --> 00:01:42,000 Speaker 2: my god, all this mouth. 32 00:01:42,200 --> 00:01:43,440 Speaker 1: That's like a quadruplon on me. 33 00:01:43,440 --> 00:01:45,679 Speaker 2: And Serena Williams are more like than we are different though, 34 00:01:45,680 --> 00:01:47,400 Speaker 2: like when you think about it, like we really think 35 00:01:47,440 --> 00:01:48,160 Speaker 2: about it, Like. 36 00:01:48,320 --> 00:01:50,480 Speaker 3: I'm really thinking about it now, and I don't think out. 37 00:01:51,320 --> 00:01:53,160 Speaker 3: You know, I never thought about it before, but now 38 00:01:53,160 --> 00:01:54,400 Speaker 3: they think about it. I don't think you guys have 39 00:01:54,480 --> 00:01:58,320 Speaker 3: anything in common, oh man, except for being at the 40 00:01:58,840 --> 00:01:59,919 Speaker 3: All Star Game at the same. 41 00:01:59,800 --> 00:02:02,480 Speaker 2: Time, yes, and being born at the same day on 42 00:02:02,520 --> 00:02:05,080 Speaker 2: the same Do we know the times? No, that's scary. 43 00:02:05,120 --> 00:02:06,440 Speaker 2: I don't even want to do that. I wouldn't even 44 00:02:06,440 --> 00:02:08,000 Speaker 2: I wouldn't even attempt to find out, you know, the 45 00:02:08,040 --> 00:02:11,000 Speaker 2: time you were born? Should I ask my mom, like 46 00:02:11,040 --> 00:02:14,480 Speaker 2: every year she tells me to stop girl that girl alone. 47 00:02:15,080 --> 00:02:16,519 Speaker 2: I asked my mom every year, what time. 48 00:02:16,560 --> 00:02:21,920 Speaker 3: Was I born six fourteen am? For me six fourteen am? Yeah, 49 00:02:22,120 --> 00:02:22,840 Speaker 3: my sister. 50 00:02:22,639 --> 00:02:25,519 Speaker 1: Knows eleven fifty seven at night, he's. 51 00:02:25,400 --> 00:02:27,240 Speaker 2: Born eleven fifty seven at night. He was almost born. 52 00:02:27,280 --> 00:02:30,000 Speaker 4: The next day, I was, I have Diana Ross's birthday, 53 00:02:30,000 --> 00:02:31,320 Speaker 4: I almost have Mario Carrie's. 54 00:02:32,160 --> 00:02:35,040 Speaker 2: So it's like you the bridge between Diana and Mariah. 55 00:02:35,960 --> 00:02:37,320 Speaker 3: We didn't even know. We didn't even know who was 56 00:02:37,320 --> 00:02:43,079 Speaker 3: sitting in here. Arena Dana, Yeah, Klay Aiken Claig. Oh no, sorry, 57 00:02:43,160 --> 00:02:46,560 Speaker 3: Lance Bass, I was confusing my gay singers Lance Bass 58 00:02:46,880 --> 00:02:49,280 Speaker 3: from the back of birthday. Yeah, no, Lance is older 59 00:02:49,320 --> 00:02:53,280 Speaker 3: than you. No, not the same year, but like May fourth. Yeah, okay, right, 60 00:02:53,680 --> 00:02:55,200 Speaker 3: and then I think it's like Chris Brown and Dame 61 00:02:55,280 --> 00:02:56,079 Speaker 3: Dash or something like that. 62 00:02:56,120 --> 00:02:59,799 Speaker 2: I was born at nine forty three am, according to 63 00:02:59,880 --> 00:03:03,360 Speaker 2: my sister. So is she older or you older? She's older. 64 00:03:03,400 --> 00:03:05,400 Speaker 2: She was born in non Fo. Yeah, I can tell. 65 00:03:05,960 --> 00:03:07,560 Speaker 2: You can tell she gives she gives a big sister. 66 00:03:07,600 --> 00:03:11,280 Speaker 2: You can tell she was born in Yeah, I could tell. 67 00:03:11,480 --> 00:03:13,480 Speaker 1: I could tell she gives forty like. 68 00:03:15,560 --> 00:03:18,000 Speaker 2: I can tell. This's crazy. How can you tell that 69 00:03:19,520 --> 00:03:21,800 Speaker 2: she has like a nurturing big sister energy? 70 00:03:21,840 --> 00:03:26,440 Speaker 3: Okay, yeah, that's and you have like young dumb younger 71 00:03:26,440 --> 00:03:26,960 Speaker 3: brother brothers. 72 00:03:27,240 --> 00:03:29,840 Speaker 2: Yeah, yeah, I got it for sure. That's what's up. 73 00:03:30,240 --> 00:03:31,280 Speaker 2: That's what I could tell. 74 00:03:32,000 --> 00:03:33,880 Speaker 3: Did she ever pull the big sister card on you 75 00:03:34,080 --> 00:03:35,640 Speaker 3: all the time all the time? 76 00:03:35,680 --> 00:03:36,480 Speaker 2: What do you guys get going to? 77 00:03:37,240 --> 00:03:39,400 Speaker 4: I'm sorry, y'all, gotta put me somewhere else. Why would 78 00:03:39,440 --> 00:03:42,440 Speaker 4: pease look up who has his birthday? And it's Colonel 79 00:03:42,520 --> 00:03:48,720 Speaker 4: Sanders or Colonel Colonel Cardinals. Colonel Colonel has Peach's birthday? 80 00:03:49,440 --> 00:03:51,960 Speaker 1: That makes sense, though, I know, but I got to 81 00:03:52,000 --> 00:03:52,240 Speaker 1: give you. 82 00:03:52,520 --> 00:03:54,680 Speaker 2: It makes sense. Let me see you actually the same 83 00:03:54,800 --> 00:03:58,360 Speaker 2: day as me, like in year and everything. Does anyone 84 00:03:58,400 --> 00:03:59,600 Speaker 2: know who? Why are n lingo? 85 00:03:59,720 --> 00:03:59,760 Speaker 5: Is? 86 00:04:00,640 --> 00:04:00,800 Speaker 2: No? 87 00:04:01,040 --> 00:04:03,480 Speaker 1: Who's that young rich Nigga? I would assume is the 88 00:04:03,600 --> 00:04:04,320 Speaker 1: y irm. 89 00:04:05,120 --> 00:04:07,080 Speaker 2: Like all the acronyms. I can't. Was that a rapper? Oh? No? 90 00:04:07,120 --> 00:04:09,200 Speaker 2: He was born in ninety seven, So there's really nobody 91 00:04:09,280 --> 00:04:11,680 Speaker 2: that's nineteen ninety Maybe you're only nobody was the only 92 00:04:11,680 --> 00:04:14,160 Speaker 2: person born that day? Literally just me, it was it. 93 00:04:14,920 --> 00:04:16,240 Speaker 2: You were the only person born. 94 00:04:16,279 --> 00:04:17,880 Speaker 1: That guy had the day off. We don't know how 95 00:04:17,880 --> 00:04:18,560 Speaker 1: you made it here. 96 00:04:19,360 --> 00:04:21,640 Speaker 2: Imagine being the only person born on a day the 97 00:04:21,720 --> 00:04:24,919 Speaker 2: year one thousand and eight, Henry, King of the Franks 98 00:04:25,040 --> 00:04:25,920 Speaker 2: was born in France. 99 00:04:26,000 --> 00:04:31,520 Speaker 1: Hey, yo, the King of King. I'm on this data. 100 00:04:31,960 --> 00:04:33,480 Speaker 2: You could have kept that to yourself though. You could 101 00:04:33,520 --> 00:04:34,720 Speaker 2: have just read that and like skimmed over. 102 00:04:34,800 --> 00:04:36,159 Speaker 1: King of the Franks is crazy. 103 00:04:36,720 --> 00:04:39,760 Speaker 2: King of the Franks is wild. So today I'm wearing 104 00:04:40,240 --> 00:04:43,599 Speaker 2: if anybody cares, I'm wearing a feny underwear, how is it? 105 00:04:43,720 --> 00:04:45,279 Speaker 2: And I'm trying to like figure out if I like 106 00:04:45,279 --> 00:04:46,279 Speaker 2: skims of fenty more. 107 00:04:46,400 --> 00:04:49,520 Speaker 3: Okay, yeah, so I gotta I gotta do somensem some. 108 00:04:49,480 --> 00:04:53,240 Speaker 2: Sprints after we leave his trying like figure out which 109 00:04:53,480 --> 00:04:55,560 Speaker 2: britten skims. It's funny to me just in general. No, 110 00:04:55,640 --> 00:04:57,720 Speaker 2: but I mean, defency is not bad. It's not bad. 111 00:04:57,800 --> 00:04:59,360 Speaker 4: Now you gotta get like, you know, when you get 112 00:04:59,400 --> 00:05:01,000 Speaker 4: out of the shower, body still a little wet, you 113 00:05:01,040 --> 00:05:02,920 Speaker 4: gotta see which one is easier to pull on. Don't 114 00:05:02,920 --> 00:05:04,679 Speaker 4: you hate pulling on your draws when they like fighting 115 00:05:04,680 --> 00:05:05,039 Speaker 4: to get you? 116 00:05:05,040 --> 00:05:06,720 Speaker 2: Wait? Hold on, hold, I mean I dry off. Usually, 117 00:05:06,800 --> 00:05:09,680 Speaker 2: baby d want me to be kind of like gloss m. Yeah, yeah, 118 00:05:09,720 --> 00:05:13,080 Speaker 2: you want to be a morning dude. Put on my 119 00:05:13,160 --> 00:05:14,240 Speaker 2: underwearl you know, when you. 120 00:05:14,240 --> 00:05:16,360 Speaker 4: Rushing like and you like, damn, I'm still kind of 121 00:05:16,400 --> 00:05:18,440 Speaker 4: but you gotta put it on and they hard to 122 00:05:18,440 --> 00:05:18,880 Speaker 4: pull up. 123 00:05:19,200 --> 00:05:21,760 Speaker 2: It would definitely be the skims will be easier for sure. Really, Yeah, 124 00:05:22,080 --> 00:05:24,919 Speaker 2: the material is different on the skims than it is 125 00:05:24,920 --> 00:05:27,040 Speaker 2: on the fency. But we don't give women enough credit 126 00:05:27,160 --> 00:05:31,080 Speaker 2: for thongs. What do you mean that that's. 127 00:05:30,920 --> 00:05:34,520 Speaker 3: Like an everyday type of underwear for something like I 128 00:05:34,560 --> 00:05:37,240 Speaker 3: could never imagine just walking around all day with a weggie, 129 00:05:37,800 --> 00:05:40,200 Speaker 3: Like I'm this isn't my appreciation. Look at you guys 130 00:05:40,279 --> 00:05:40,840 Speaker 3: like heroes for that. 131 00:05:40,920 --> 00:05:43,039 Speaker 2: Yeah, because when my when one of my my box 132 00:05:43,040 --> 00:05:46,280 Speaker 2: of brief legs start the rising, it's the most uncomfortable 133 00:05:46,279 --> 00:05:47,960 Speaker 2: thing in the world. Like, yeah, it's like wait, women 134 00:05:48,080 --> 00:05:50,560 Speaker 2: actually like in between the. 135 00:05:50,600 --> 00:05:56,760 Speaker 4: Cheeks rise up rise where like it starts rolling up 136 00:05:56,800 --> 00:05:58,080 Speaker 4: like you got a ball hanging out. 137 00:05:58,760 --> 00:06:02,000 Speaker 2: Wait, no, no, no baby, it's not that hot. 138 00:06:02,160 --> 00:06:02,880 Speaker 1: What time in my life? 139 00:06:02,960 --> 00:06:05,320 Speaker 3: Yeah, the the underwear I had was a little old 140 00:06:05,360 --> 00:06:07,039 Speaker 3: and started to get some wear and tear. 141 00:06:07,800 --> 00:06:10,200 Speaker 2: But now now I have draws that will hold you. 142 00:06:10,279 --> 00:06:11,839 Speaker 2: Gotta get replaced them, you know, I got the loan 143 00:06:11,839 --> 00:06:16,920 Speaker 2: box laid down the here and some like literally till 144 00:06:16,920 --> 00:06:19,840 Speaker 2: I hear not all the way up here, baby did 145 00:06:19,880 --> 00:06:21,400 Speaker 2: that's not we never we never. 146 00:06:21,600 --> 00:06:21,960 Speaker 6: I don't know. 147 00:06:22,000 --> 00:06:23,159 Speaker 1: I don't know how low your balls? 148 00:06:23,200 --> 00:06:26,719 Speaker 2: Hang, I was just wondering how low, how low your balls? 149 00:06:26,920 --> 00:06:30,920 Speaker 3: It's crazy, okay, real question between skims and fency. 150 00:06:31,320 --> 00:06:35,200 Speaker 2: What's more of a ball? Support? That's just as important 151 00:06:35,200 --> 00:06:36,880 Speaker 2: as sprinting or getting out of the shower wet and 152 00:06:36,880 --> 00:06:40,320 Speaker 2: putting on clothes. Skims, I think, man, skims. I have 153 00:06:40,400 --> 00:06:42,240 Speaker 2: not done the fency, but Skims, I will say, is 154 00:06:42,320 --> 00:06:46,880 Speaker 2: very supportive. It's great underwear. Yes, they are in any situation. 155 00:06:46,920 --> 00:06:49,479 Speaker 2: We are back spots about Boost Mobile unlimited talk, text 156 00:06:49,560 --> 00:06:52,560 Speaker 2: and data for twenty five dollars a month. Merchants on 157 00:06:52,640 --> 00:06:57,560 Speaker 2: sale now absolutely new roymaul dot com day Jail was 158 00:06:57,560 --> 00:06:59,800 Speaker 2: also born on my birthday? Who dick Dale? 159 00:07:00,160 --> 00:07:04,039 Speaker 3: It's a pretty gay birthday, Lance Bas King Franks Dickendale. 160 00:07:04,400 --> 00:07:06,000 Speaker 2: Lance Bass is not gay? Why are you putting that 161 00:07:06,000 --> 00:07:07,680 Speaker 2: on his jacket? That? 162 00:07:07,880 --> 00:07:07,960 Speaker 6: No? 163 00:07:08,040 --> 00:07:10,920 Speaker 2: He's like an icon for the gay community, is he? Yeah? 164 00:07:11,680 --> 00:07:15,360 Speaker 1: Lance Bash is GA And the liberal chimes in and says, no. 165 00:07:15,320 --> 00:07:17,880 Speaker 3: Lance is super gay. Hey, Lance basses gay was like 166 00:07:18,760 --> 00:07:22,200 Speaker 3: mediocre ga. Yes, Lance Ba I was what's the other 167 00:07:22,200 --> 00:07:22,760 Speaker 3: guy's name? 168 00:07:23,400 --> 00:07:23,600 Speaker 2: No? 169 00:07:23,600 --> 00:07:26,600 Speaker 1: No, no, the other guys in peace there Aaron Carter, Nick 170 00:07:26,680 --> 00:07:29,040 Speaker 1: Carter Car No. 171 00:07:28,440 --> 00:07:30,640 Speaker 2: No, what's the other what's the other guy's name? And 172 00:07:31,080 --> 00:07:38,760 Speaker 2: uh uh and in sync Joey. I learned so much 173 00:07:39,040 --> 00:07:40,440 Speaker 2: about Josh the fact. 174 00:07:40,200 --> 00:07:43,880 Speaker 3: That he named off government name and he might have 175 00:07:43,920 --> 00:07:48,440 Speaker 3: did it in alphabetical order like this, which is nasty. 176 00:07:48,760 --> 00:07:51,600 Speaker 2: He knew. I think it's Joey Joey Fatone's one. 177 00:07:51,680 --> 00:07:55,400 Speaker 1: No, Joey Fatone is uh, greasy Italian from Brooklyn. 178 00:07:55,440 --> 00:07:57,160 Speaker 2: That's what I'm saying. That he's not gay. 179 00:07:57,240 --> 00:07:59,680 Speaker 1: I'm sure he has some views about gays that say 180 00:07:59,680 --> 00:08:03,560 Speaker 1: public that's why the group broke. You know, he's a 181 00:08:03,680 --> 00:08:05,400 Speaker 1: true like benson Hurst Italian. 182 00:08:05,640 --> 00:08:07,200 Speaker 2: That's what I thought it was. But Lance, you know, yes, 183 00:08:07,360 --> 00:08:09,880 Speaker 2: Lance's Lance's Uh, he's gay. 184 00:08:10,080 --> 00:08:11,160 Speaker 1: He did open a frank stand. 185 00:08:12,000 --> 00:08:14,440 Speaker 2: Wasn't Joey Fatone doing the did he did he compete 186 00:08:14,480 --> 00:08:16,000 Speaker 2: in the Nathan's hot Dog contest? One? 187 00:08:16,040 --> 00:08:17,640 Speaker 3: You well, he owns a hot dog cheam, so I 188 00:08:17,680 --> 00:08:19,840 Speaker 3: think maybe he was sponsoring. Well, no, because it was 189 00:08:20,680 --> 00:08:20,960 Speaker 3: he did it. 190 00:08:21,040 --> 00:08:23,560 Speaker 2: I feel like I feel like Joey did the Nathan's. 191 00:08:23,720 --> 00:08:25,440 Speaker 3: A lot of guys look like Joey Platone on the 192 00:08:25,560 --> 00:08:29,440 Speaker 3: Nathan's where you were confused us. It's like one Asian 193 00:08:29,480 --> 00:08:31,360 Speaker 3: guy and then a bunch of Joey fon Okay, got it? 194 00:08:33,360 --> 00:08:34,160 Speaker 2: That one's yes. 195 00:08:34,360 --> 00:08:38,000 Speaker 1: Oh, that's like really like clever without being. 196 00:08:38,040 --> 00:08:41,559 Speaker 2: We're out here his last name, which Josh spelt out 197 00:08:41,600 --> 00:08:44,600 Speaker 2: for us, Joey. We say ja. 198 00:08:48,000 --> 00:08:57,320 Speaker 3: All right, Josh ranked them. Now give us your top five. Yeah, 199 00:09:00,040 --> 00:09:00,839 Speaker 3: he said lands on base. 200 00:09:00,880 --> 00:09:01,839 Speaker 2: So you don't hear him so much. 201 00:09:02,000 --> 00:09:06,360 Speaker 1: He talks of the comedies on base. 202 00:09:07,160 --> 00:09:09,880 Speaker 2: He's kind in the backgrounds. You don't really have him 203 00:09:09,880 --> 00:09:12,960 Speaker 2: that much. But that is funny though, because Josh is right, 204 00:09:13,080 --> 00:09:15,400 Speaker 2: j C is probably the best vocalist. Oh sure, But 205 00:09:15,480 --> 00:09:17,719 Speaker 2: I think that was always comp like yeah, common, I 206 00:09:17,720 --> 00:09:19,360 Speaker 2: always thought like and just had a star. I always 207 00:09:19,360 --> 00:09:21,079 Speaker 2: thought like j C was gonna be the biggest start though, 208 00:09:21,320 --> 00:09:23,840 Speaker 2: And when they all went solo, because j C had 209 00:09:23,880 --> 00:09:26,120 Speaker 2: that one record, what was that one? That one record 210 00:09:26,160 --> 00:09:30,040 Speaker 2: he had, It was a slower one. It was kind 211 00:09:30,080 --> 00:09:32,480 Speaker 2: of like a ballot. I think it was kind of 212 00:09:32,520 --> 00:09:34,240 Speaker 2: a slower one. I felt like that was gonna really 213 00:09:34,920 --> 00:09:36,599 Speaker 2: take j C to the to the next level. I 214 00:09:36,679 --> 00:09:39,120 Speaker 2: checked out after Dirty Pop. That was it. That was 215 00:09:39,480 --> 00:09:39,760 Speaker 2: it for me. 216 00:09:40,120 --> 00:09:43,800 Speaker 3: Once they had chains on. You didn't seek wasn't they 217 00:09:43,800 --> 00:09:45,000 Speaker 3: didn't announced it was going on tour? 218 00:09:46,880 --> 00:09:46,920 Speaker 2: What? 219 00:09:47,720 --> 00:09:47,880 Speaker 3: Wait? 220 00:09:48,040 --> 00:09:51,520 Speaker 1: Wasn't that like a holeing out justin timow or something? 221 00:09:52,160 --> 00:09:55,679 Speaker 2: Why wouldn't Justin Timblate do the intur he'd rather go 222 00:09:55,720 --> 00:09:56,200 Speaker 2: to Hawaii? 223 00:09:56,600 --> 00:09:56,640 Speaker 1: Like? 224 00:09:57,880 --> 00:09:59,640 Speaker 2: Wow, what do you know how much money they was 225 00:09:59,679 --> 00:09:59,920 Speaker 2: standing in? 226 00:10:00,080 --> 00:10:00,400 Speaker 1: Make on it? 227 00:10:00,559 --> 00:10:03,079 Speaker 3: I didn't sink tour like this in twenty six I 228 00:10:03,120 --> 00:10:06,199 Speaker 3: would pay for that ticket. I would definitely doub we 229 00:10:06,280 --> 00:10:10,880 Speaker 3: know you package. They would hold Josh, They would hold 230 00:10:10,960 --> 00:10:11,439 Speaker 3: jocks like this. 231 00:10:11,520 --> 00:10:21,360 Speaker 2: They hold Josh like a thirty year sub yo. That 232 00:10:21,640 --> 00:10:23,839 Speaker 2: is crazy though, as a man, how do you lay 233 00:10:23,880 --> 00:10:26,400 Speaker 2: across and sink hands and just let them let them 234 00:10:26,440 --> 00:10:30,080 Speaker 2: hold you like this? Hey, extra fifteen hundred for that one? 235 00:10:31,160 --> 00:10:32,920 Speaker 2: Oh my good? If they're going to a Josh, I 236 00:10:32,960 --> 00:10:34,959 Speaker 2: will pay for your meat and greet ticket. That's fucked 237 00:10:35,000 --> 00:10:36,599 Speaker 2: up that Justin tim Blake doesn't want to tour with 238 00:10:36,720 --> 00:10:37,199 Speaker 2: in sync though? 239 00:10:37,600 --> 00:10:39,400 Speaker 1: Is that confirmal? I don't want to just push it on, 240 00:10:39,640 --> 00:10:41,040 Speaker 1: just like on his jacket. 241 00:10:41,280 --> 00:10:42,640 Speaker 2: Yeah, a computer right in front of you, baby? Do 242 00:10:42,720 --> 00:10:43,800 Speaker 2: want you right now? 243 00:10:43,920 --> 00:10:44,360 Speaker 1: Sweetheart? 244 00:10:44,440 --> 00:10:46,640 Speaker 3: I mean I don't know, like, is everyone in shape 245 00:10:47,040 --> 00:10:49,040 Speaker 3: like I've seen Joey Fittone on in Practical Jokers. I 246 00:10:49,040 --> 00:10:52,760 Speaker 3: don't know if he's like in dancing shape, Like, I 247 00:10:52,800 --> 00:10:54,240 Speaker 3: don't know if the strings can hold him up. 248 00:10:56,040 --> 00:10:57,839 Speaker 2: Oh, they won't go on to it because their plans 249 00:10:57,880 --> 00:11:00,439 Speaker 2: wire put on hold and definitely due to Justin tim 250 00:11:00,440 --> 00:11:05,960 Speaker 2: Blake's oh recent diagnosis with lime disease and his ongoing 251 00:11:06,120 --> 00:11:09,360 Speaker 2: solo tour commitments. So it's not because he one that 252 00:11:09,440 --> 00:11:12,719 Speaker 2: gave that I was in Tall Grass Exkins. Yeah, Justin 253 00:11:12,760 --> 00:11:15,880 Speaker 2: Timblay has lime disease and he doesn't want to you know, 254 00:11:15,960 --> 00:11:16,520 Speaker 2: he doesn't want to do. 255 00:11:16,520 --> 00:11:17,679 Speaker 1: But he can't play with the Lime though. 256 00:11:17,720 --> 00:11:20,400 Speaker 4: No, but but he was canceling his own tour dates 257 00:11:20,440 --> 00:11:22,880 Speaker 4: like not before he so he was scheduled to go 258 00:11:22,960 --> 00:11:24,760 Speaker 4: on tour with them, but he was on his own 259 00:11:24,880 --> 00:11:27,640 Speaker 4: tour and he had to cancel dates because of a 260 00:11:27,960 --> 00:11:28,840 Speaker 4: lime disease and. 261 00:11:30,880 --> 00:11:32,000 Speaker 1: He got too much going. 262 00:11:31,880 --> 00:11:34,200 Speaker 2: On on in Long Island. He's like, I gotta make 263 00:11:34,240 --> 00:11:36,800 Speaker 2: my show officer. I mean, let me not joke though, 264 00:11:36,800 --> 00:11:39,120 Speaker 2: because like we saw with Childish Gambino and like a 265 00:11:39,160 --> 00:11:41,719 Speaker 2: lot of these artists aren't lying, they do have health complications. Yeah, 266 00:11:41,760 --> 00:11:44,240 Speaker 2: so I don't want to well get well sooner, justin 267 00:11:44,240 --> 00:11:45,720 Speaker 2: Tim Blake and hopefully we do get that tour. 268 00:11:45,760 --> 00:11:48,000 Speaker 3: He probably got long disease at that DUI stop in 269 00:11:48,080 --> 00:11:49,760 Speaker 3: Long Island, in that tall graph. 270 00:11:49,640 --> 00:11:52,240 Speaker 2: Probably, I think you get long disease in the Hampton's. 271 00:11:52,280 --> 00:11:55,439 Speaker 2: I think for sure's the that's what you that's where 272 00:11:55,440 --> 00:11:57,719 Speaker 2: you get long disease in the Hamptons. But I do 273 00:11:57,840 --> 00:12:01,559 Speaker 2: want to new additions going on tour, new addition of InSync, 274 00:12:01,920 --> 00:12:06,480 Speaker 2: better tour. Come on, Bobby, if listen, I'm on right now. 275 00:12:06,520 --> 00:12:10,280 Speaker 2: If Bobby dedicate four months to just getting just working out, 276 00:12:10,600 --> 00:12:14,400 Speaker 2: just getting right, that that tour is gonna be insane. 277 00:12:15,240 --> 00:12:18,199 Speaker 2: I'd rather kind of see fat Bobby do the same choreography. Nah, 278 00:12:18,280 --> 00:12:20,720 Speaker 2: you got Bobby gotta be breath some type of shape 279 00:12:20,760 --> 00:12:22,120 Speaker 2: to get his soul when it's time to do all 280 00:12:22,160 --> 00:12:25,480 Speaker 2: of the solo records. But that and that New Audition 281 00:12:25,520 --> 00:12:26,719 Speaker 2: tour is gonna be crazy because they're going on with 282 00:12:27,040 --> 00:12:30,360 Speaker 2: boys to Men. I forgot who else was on that tour. 283 00:12:30,720 --> 00:12:32,840 Speaker 1: I gotta go for boys and man, you know, huh. 284 00:12:32,960 --> 00:12:34,400 Speaker 1: I gotta go for. 285 00:12:34,480 --> 00:12:38,400 Speaker 4: Boys to men, not new addition. I funck with New Audition. 286 00:12:38,520 --> 00:12:40,160 Speaker 4: But I just I told you I prefer But boys 287 00:12:40,200 --> 00:12:42,560 Speaker 4: to men more. I'm more of a ballet girl. 288 00:12:42,760 --> 00:12:47,360 Speaker 2: But what month is it in New York. It's coming 289 00:12:47,480 --> 00:12:52,520 Speaker 2: up with Valentized God, oh god, no, we're not outside. 290 00:12:53,640 --> 00:13:00,120 Speaker 2: No oh, so the March fourteenth one makes sense, but 291 00:13:00,200 --> 00:13:02,480 Speaker 2: I know already have Valentine's. It's gonna be so fun 292 00:13:02,760 --> 00:13:08,840 Speaker 2: at Prudential. Credential is always a better show. Yeah, yeah, yeah, 293 00:13:09,080 --> 00:13:09,920 Speaker 2: I mean that's too local, but. 294 00:13:10,120 --> 00:13:11,839 Speaker 1: It's the better for the better crowd. 295 00:13:12,360 --> 00:13:15,559 Speaker 4: The New Jersey The Prudential Center for people who aren't 296 00:13:15,559 --> 00:13:18,679 Speaker 4: from New Jersey, New York is in Newark, New Jersey, 297 00:13:18,760 --> 00:13:23,040 Speaker 4: which is one hell of a neighborhood and very very 298 00:13:23,120 --> 00:13:27,640 Speaker 4: festive neighbor Yeah, and the crowd is different. Like you 299 00:13:27,760 --> 00:13:30,000 Speaker 4: go to a show at the Barclays, Yeah, it's in Brooklyn. 300 00:13:30,080 --> 00:13:31,360 Speaker 4: I know what you guys hear about Brooklyn. 301 00:13:31,440 --> 00:13:32,280 Speaker 2: It feels like Manhattan. 302 00:13:32,400 --> 00:13:36,160 Speaker 1: It's a bunch of fucking teenage kids, right the Barclays. 303 00:13:36,240 --> 00:13:37,839 Speaker 2: Or you go to show all game in Barclays, it 304 00:13:37,880 --> 00:13:40,480 Speaker 2: feels like man Yeah, there's not much of a difference 305 00:13:40,520 --> 00:13:42,520 Speaker 2: to me. Like, you know, when they first announced that 306 00:13:42,559 --> 00:13:44,720 Speaker 2: they was building that arena, everybody was kind of mad and. 307 00:13:45,040 --> 00:13:47,959 Speaker 3: Because the gentrification. Yeah, yeah, you mean you mean the 308 00:13:48,040 --> 00:13:50,760 Speaker 3: locals that have lived there for years. I'm sure they 309 00:13:50,800 --> 00:13:52,240 Speaker 3: were upset that they were being moved out of there. 310 00:13:52,280 --> 00:13:54,720 Speaker 3: They got to go back, go back a few blocks, 311 00:13:54,760 --> 00:13:57,120 Speaker 3: just go down, go down in Atlanta, Go down Atlanta 312 00:13:57,600 --> 00:13:59,439 Speaker 3: left and just Dane Browns. 313 00:13:59,240 --> 00:14:00,760 Speaker 2: We have some walk up to them. It's available for 314 00:14:00,760 --> 00:14:02,160 Speaker 2: all the don't worry about this. It's so good. 315 00:14:03,080 --> 00:14:05,280 Speaker 1: In Sync or Backstreet Boys. 316 00:14:06,280 --> 00:14:07,800 Speaker 2: We did this before in Sync. 317 00:14:08,280 --> 00:14:09,960 Speaker 1: In sanc I don't think nobody would pick bass. 318 00:14:10,160 --> 00:14:12,320 Speaker 3: Yeah, I'm going to say Backstree Boys might have sold 319 00:14:12,400 --> 00:14:14,400 Speaker 3: more records, though I wouldn't be surprised. 320 00:14:14,480 --> 00:14:18,280 Speaker 2: Let's see, but me personally, just taste my personal taste. Yeah, 321 00:14:18,360 --> 00:14:20,240 Speaker 2: they got it right within sync. I feel they worked 322 00:14:20,240 --> 00:14:22,600 Speaker 2: the kinks out of what Backstory Boys. Yeah, because even 323 00:14:22,640 --> 00:14:24,400 Speaker 2: like I don't even know that the leading guy, I 324 00:14:24,440 --> 00:14:26,920 Speaker 2: can see his face and Backstery Boys, but even their 325 00:14:26,960 --> 00:14:29,320 Speaker 2: leading guy wasn't even a household name. It was just 326 00:14:29,360 --> 00:14:30,040 Speaker 2: the Battery Boys. 327 00:14:30,120 --> 00:14:32,800 Speaker 4: Yeah. The Backstree Boys had a more successful career overall 328 00:14:32,880 --> 00:14:35,240 Speaker 4: due to being the best selling boy band of all time, 329 00:14:36,640 --> 00:14:38,520 Speaker 4: but they and Sinc had a huge peak. 330 00:14:39,680 --> 00:14:41,640 Speaker 2: They just the man. Backsty Boys sold one hundred and 331 00:14:41,720 --> 00:14:42,680 Speaker 2: thirty million records. 332 00:14:42,760 --> 00:14:46,320 Speaker 3: It checks out hard copies. They printed that much. 333 00:14:46,160 --> 00:14:49,240 Speaker 2: Plastic and SINC sold over seventy Damn they sold they 334 00:14:49,320 --> 00:14:51,920 Speaker 2: did twice and then some fat pedophile got all the money. 335 00:14:54,160 --> 00:14:56,840 Speaker 3: Damn the battery boys did get off the line and 336 00:14:56,960 --> 00:14:58,960 Speaker 3: my sexual and then all his homeboys backed them up 337 00:14:58,960 --> 00:15:04,840 Speaker 3: and said, yeah, like the second well, that's one of 338 00:15:04,880 --> 00:15:07,680 Speaker 3: the sickest like moments in shoe. 339 00:15:08,680 --> 00:15:18,080 Speaker 2: His crew is like, what, how y'all know how y'all 340 00:15:18,160 --> 00:15:21,000 Speaker 2: know that man? How you came to that supportive friends though, yeah, 341 00:15:21,200 --> 00:15:23,680 Speaker 2: you're right, ye, instead of the friends that you know 342 00:15:24,000 --> 00:15:25,640 Speaker 2: try to ship on you when you were around women. 343 00:15:26,000 --> 00:15:28,280 Speaker 3: His crew is just agreeing with everything. You gotta hold 344 00:15:28,280 --> 00:15:29,680 Speaker 3: your man down with the lot. I don't worry about it. 345 00:15:29,920 --> 00:15:34,480 Speaker 3: Backshe boys will be two k any uh bok baby, 346 00:15:34,480 --> 00:15:35,880 Speaker 3: do you definitely have b two K posters? 347 00:15:36,320 --> 00:15:37,920 Speaker 1: I did actually had him hanging from the ceiling. 348 00:15:39,720 --> 00:15:43,520 Speaker 4: Look not like your fresh him and my dad had 349 00:15:43,560 --> 00:15:47,040 Speaker 4: did some himself, some type of jig where like he 350 00:15:47,400 --> 00:15:50,240 Speaker 4: had hooks in my ceiling and he punched holes in 351 00:15:50,320 --> 00:15:53,600 Speaker 4: the posters, the big word up magazine posters. He punched 352 00:15:53,600 --> 00:15:56,040 Speaker 4: holes at the top and then looped the string so 353 00:15:56,240 --> 00:15:59,160 Speaker 4: the poster like I had a bow a poster beat 354 00:15:59,360 --> 00:16:01,640 Speaker 4: in MOLTI pull of the B two K guys and 355 00:16:01,760 --> 00:16:03,800 Speaker 4: they were like hanging down so it. 356 00:16:03,880 --> 00:16:04,080 Speaker 2: Was like. 357 00:16:05,960 --> 00:16:07,920 Speaker 1: From the rafters almost bedroom. 358 00:16:08,160 --> 00:16:11,960 Speaker 2: Yep. But maybe that's why because when we moved, you 359 00:16:11,960 --> 00:16:13,720 Speaker 2: didn't tell Bow while you had him hanging from your sel. 360 00:16:13,760 --> 00:16:14,480 Speaker 1: I would never do that. 361 00:16:14,880 --> 00:16:17,040 Speaker 4: Why because why why would I do that? I'm sure 362 00:16:17,080 --> 00:16:19,400 Speaker 4: he assumed that he would be right to assume that. 363 00:16:19,520 --> 00:16:21,600 Speaker 2: I would have had a poster in my room. It 364 00:16:21,720 --> 00:16:26,520 Speaker 2: came I'm glad you didn't tell him that. Baby. They 365 00:16:26,560 --> 00:16:29,160 Speaker 2: could have told Bow that she had him. It wasn't 366 00:16:29,280 --> 00:16:29,480 Speaker 2: just that. 367 00:16:29,680 --> 00:16:31,800 Speaker 3: It wasn't just shad in a in a white wall 368 00:16:32,000 --> 00:16:33,840 Speaker 3: like I mean, there was a bunch of posters he 369 00:16:34,000 --> 00:16:35,680 Speaker 3: was just because you know, they came with the CD. 370 00:16:36,040 --> 00:16:37,600 Speaker 2: I would tell Britney Spears that I had him in 371 00:16:37,640 --> 00:16:38,040 Speaker 2: my locker. 372 00:16:38,280 --> 00:16:41,200 Speaker 1: Well that's okay for actually, don't do that, why. 373 00:16:42,520 --> 00:16:44,080 Speaker 2: Britney Spears, I mean. 374 00:16:44,160 --> 00:16:45,520 Speaker 1: How would it come up in conversation. 375 00:16:45,680 --> 00:16:47,160 Speaker 2: I would just tell Britney Spears that I had a 376 00:16:47,200 --> 00:16:48,920 Speaker 2: post her my locker when I was in high school. 377 00:16:48,840 --> 00:16:50,480 Speaker 1: Kind of like when you told what you told Serena, 378 00:16:50,600 --> 00:16:52,000 Speaker 1: Like I just feel like they don't need to know that. 379 00:16:53,000 --> 00:16:56,360 Speaker 2: You don't know Serena appreciated it. It was just bad timing. Uh, 380 00:16:56,760 --> 00:16:59,880 Speaker 2: because she was on the Simpsons. It's like life like 381 00:17:00,120 --> 00:17:03,400 Speaker 2: that's that's like being cemented in history on the show. Okay, 382 00:17:04,359 --> 00:17:07,520 Speaker 2: what other posters did you have on your wall? I 383 00:17:07,680 --> 00:17:12,400 Speaker 2: just had Jordan. I never did too many, like rap 384 00:17:12,480 --> 00:17:17,480 Speaker 2: posters Hallie. No, I didn't have Halle Berry on my wall. 385 00:17:17,760 --> 00:17:21,399 Speaker 2: I had I had a magazine, uh that I think 386 00:17:21,440 --> 00:17:23,000 Speaker 2: she was on the cover of, and that was like 387 00:17:24,040 --> 00:17:25,840 Speaker 2: just always like on my dresser, like I would just 388 00:17:25,880 --> 00:17:28,120 Speaker 2: look at that that magazine. 389 00:17:27,760 --> 00:17:30,960 Speaker 1: Next to it, next to the Losha I mean, come 390 00:17:31,000 --> 00:17:32,720 Speaker 1: on now, is not gonna believe this. 391 00:17:32,800 --> 00:17:35,000 Speaker 3: But I had Mariah Carey on my wall when she 392 00:17:35,080 --> 00:17:36,920 Speaker 3: had the Jeene shorts on and she like cut the 393 00:17:37,040 --> 00:17:38,920 Speaker 3: top of them. I think it came with the Heartbreaker CD. 394 00:17:39,280 --> 00:17:41,600 Speaker 3: But I have Mariah on my wall for a long time. 395 00:17:42,280 --> 00:17:44,800 Speaker 3: I had a lot of the Slam magazine posters. I 396 00:17:44,920 --> 00:17:48,880 Speaker 3: had a fold out jay z rebox poster that said 397 00:17:48,920 --> 00:17:50,840 Speaker 3: I got my MBA from Marcie Projects. 398 00:17:51,160 --> 00:17:52,280 Speaker 2: Was that when you put the dot. 399 00:17:53,800 --> 00:17:57,040 Speaker 3: I also had a game remember the Hurricane Sneaker. Yes, 400 00:17:57,160 --> 00:17:59,480 Speaker 3: I had a game promotional Hurricane poster on my wall. 401 00:17:59,480 --> 00:18:02,159 Speaker 3: At one point I had a lot of nasty posters 402 00:18:02,200 --> 00:18:02,399 Speaker 3: of it. 403 00:18:02,640 --> 00:18:05,399 Speaker 2: People. Do people still put posters on their wall kids? 404 00:18:05,880 --> 00:18:06,680 Speaker 1: I don't know. 405 00:18:06,760 --> 00:18:09,320 Speaker 4: They be having grass walls now with Neon, Yeah, I 406 00:18:09,320 --> 00:18:12,480 Speaker 4: don't know. Like my son not hanging Kay Sanat on 407 00:18:12,560 --> 00:18:13,520 Speaker 4: his wall. We ain't doing that. 408 00:18:14,440 --> 00:18:15,800 Speaker 2: What God should sell posters? 409 00:18:15,960 --> 00:18:17,520 Speaker 1: Kay should definitely sell posters. 410 00:18:17,680 --> 00:18:20,399 Speaker 2: No, they don't have they have the big head, like 411 00:18:21,160 --> 00:18:25,119 Speaker 2: the big wall head. Fathead. Yeah, like those are crazy. 412 00:18:25,480 --> 00:18:27,320 Speaker 2: I wish I had that growing up, Like having a 413 00:18:27,400 --> 00:18:29,720 Speaker 2: life size Jordan on my wall growing up would have 414 00:18:29,720 --> 00:18:30,080 Speaker 2: been crazy. 415 00:18:30,080 --> 00:18:32,640 Speaker 1: I think was it East what magazine used to sell? 416 00:18:33,359 --> 00:18:34,600 Speaker 3: They weren't the fat as, but it was like the 417 00:18:34,680 --> 00:18:37,000 Speaker 3: cutout things when I was a kid of sports player, 418 00:18:37,119 --> 00:18:41,400 Speaker 3: like real size, like you could get uh Dante Culpepper 419 00:18:41,440 --> 00:18:43,760 Speaker 3: at like the same height that you could like. 420 00:18:43,800 --> 00:18:46,280 Speaker 2: Stick on your wall. That's not that wasn't a fat head. 421 00:18:46,760 --> 00:18:48,000 Speaker 2: I don't think they were called that yet. 422 00:18:48,560 --> 00:18:53,159 Speaker 4: Fat heads are like really big heads falls like fad 423 00:18:53,520 --> 00:18:53,920 Speaker 4: of its own. 424 00:18:54,680 --> 00:18:57,760 Speaker 1: No, it's like it's like a cutout of your head. 425 00:18:57,640 --> 00:19:00,560 Speaker 2: But it's bigger than your actual head. Like it's like really, Yeah, 426 00:19:00,880 --> 00:19:03,520 Speaker 2: these were just like real cutouts of athletes. I think 427 00:19:03,640 --> 00:19:06,360 Speaker 2: at the time, I can't remember, but yeah, I definitely. 428 00:19:06,040 --> 00:19:07,600 Speaker 1: Are we reminiscent. We hate being adults. 429 00:19:08,480 --> 00:19:10,840 Speaker 2: No, it's just interesting to see how like kids in 430 00:19:10,960 --> 00:19:13,400 Speaker 2: high school, like how they kind of like show their fandom. 431 00:19:13,480 --> 00:19:17,480 Speaker 3: Now well, I mean to the point, like everything their 432 00:19:17,560 --> 00:19:19,520 Speaker 3: version of prom isn't like ours, and their rooms are 433 00:19:19,560 --> 00:19:20,040 Speaker 3: not like ours. 434 00:19:20,080 --> 00:19:24,320 Speaker 2: They have like up to date tech shit, like real neons. 435 00:19:24,400 --> 00:19:26,480 Speaker 2: Even though I did have a light up green clock 436 00:19:26,520 --> 00:19:28,560 Speaker 2: that I won at the Jersey Shore that was neon 437 00:19:29,200 --> 00:19:31,040 Speaker 2: that I would only turn on for special occasions because 438 00:19:31,040 --> 00:19:31,920 Speaker 2: I didn't know neon things. 439 00:19:31,840 --> 00:19:34,920 Speaker 1: Could last that long that you thought the neon was 440 00:19:34,920 --> 00:19:35,320 Speaker 1: gonna wrong. 441 00:19:35,400 --> 00:19:36,960 Speaker 2: Yeah, I was like, I can't get this replaced. So 442 00:19:37,160 --> 00:19:38,960 Speaker 2: you know you had a va, I had a lot. 443 00:19:39,000 --> 00:19:41,680 Speaker 1: I was just you took out my mouth. 444 00:19:41,760 --> 00:19:45,040 Speaker 2: I want to win so badly. But my mom equated 445 00:19:45,080 --> 00:19:49,040 Speaker 2: that with being a pothead. I wasn't even smoking weed 446 00:19:49,560 --> 00:19:51,960 Speaker 2: at that time. Musta being gay, because that's what I 447 00:19:51,960 --> 00:19:54,440 Speaker 2: would if my son had a lava lamp. How is 448 00:19:54,520 --> 00:19:55,320 Speaker 2: lava lamp and gay? 449 00:19:55,400 --> 00:19:57,440 Speaker 1: No lava lamps weren't gay back man? That was I 450 00:19:57,520 --> 00:19:59,159 Speaker 1: thought that was it was a pothead thing. 451 00:19:59,240 --> 00:20:02,280 Speaker 4: Well, I'm not surprised she thought that lot of lamps 452 00:20:02,320 --> 00:20:05,040 Speaker 4: were No, they were like cool, they weren't gay. 453 00:20:07,080 --> 00:20:07,560 Speaker 1: I had a lot. 454 00:20:07,720 --> 00:20:09,600 Speaker 2: Your brother had a lava lamp and he was gay. 455 00:20:10,480 --> 00:20:12,040 Speaker 2: Here's an honest man, right there. I knew. 456 00:20:12,119 --> 00:20:15,400 Speaker 1: Oh, we're not suggesting that gay people didn't have lava laughs. 457 00:20:15,560 --> 00:20:20,640 Speaker 2: No, it's gay to have a saying gay people don't 458 00:20:20,680 --> 00:20:23,000 Speaker 2: have lobby. I'm saying it's gay to have a lava lamp, 459 00:20:23,040 --> 00:20:23,360 Speaker 2: that's all. 460 00:20:24,119 --> 00:20:26,359 Speaker 4: But what if you're like a hippie like hippies, Like 461 00:20:26,520 --> 00:20:28,280 Speaker 4: if that's what I think of I think of hippies 462 00:20:28,320 --> 00:20:28,760 Speaker 4: when I think of. 463 00:20:30,920 --> 00:20:32,720 Speaker 2: Hippies, are like they have fluid, They don't give a 464 00:20:32,760 --> 00:20:34,560 Speaker 2: fuck who they have sex with. They all I love him, 465 00:20:35,400 --> 00:20:37,119 Speaker 2: love Listen, man, you needed to eat a jerk. You 466 00:20:37,160 --> 00:20:39,600 Speaker 2: off the night. Come on, man, come on over round. 467 00:20:41,080 --> 00:20:43,399 Speaker 2: I didn't see that in the Woodstock. Doct know that's. 468 00:20:43,240 --> 00:20:44,639 Speaker 3: The one they never show you. Then, they will never 469 00:20:44,720 --> 00:20:46,440 Speaker 3: show you that one. They've never showed you the gay 470 00:20:46,520 --> 00:20:51,600 Speaker 3: sex they had at Woodstock ninety eight degrees or Aaron Carter, 471 00:20:54,800 --> 00:20:55,560 Speaker 3: that's kind of tough. 472 00:20:55,720 --> 00:20:56,320 Speaker 2: It's very tough. 473 00:20:56,480 --> 00:20:58,360 Speaker 1: Out of my wheelhouse, I can so Aaron. 474 00:20:58,160 --> 00:21:00,320 Speaker 3: Carter had some joints. Remember when he beats you one 475 00:21:00,359 --> 00:21:03,440 Speaker 3: on one. That was a true story. That video is 476 00:21:03,440 --> 00:21:03,720 Speaker 3: a doc. 477 00:21:04,640 --> 00:21:06,879 Speaker 2: I don't know. I might go ninety eight degrees. Nikolas 478 00:21:06,880 --> 00:21:08,639 Speaker 2: Shea could kind of sing on the low. No he 479 00:21:08,720 --> 00:21:11,560 Speaker 2: can now he just turned like Now he's a CIA. 480 00:21:11,920 --> 00:21:13,640 Speaker 2: Once you get that, once you get that TV money, 481 00:21:13,680 --> 00:21:17,200 Speaker 2: you never go back to the booth. He is a 482 00:21:17,480 --> 00:21:25,160 Speaker 2: Pentagon agenda to ruin the youth in dating Maul is disgusting. 483 00:21:26,000 --> 00:21:28,560 Speaker 2: I think it's time to upgrade this. This is insane. 484 00:21:28,880 --> 00:21:31,960 Speaker 3: Right, you should upgrade to the iPhone seventeen Pro because, 485 00:21:32,440 --> 00:21:34,160 Speaker 3: believe it or not, it's designed to be the most 486 00:21:34,320 --> 00:21:37,720 Speaker 3: powerful iPhone ever. Of course it'd be more powerful than 487 00:21:37,720 --> 00:21:40,119 Speaker 3: the sixteen. 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Terms and conditions apply. Concerned 526 00:23:23,040 --> 00:23:31,679 Speaker 2: about gambling called one eight hundred gambler. So y'all had 527 00:23:31,720 --> 00:23:34,359 Speaker 2: this question of greatest peak of all time. We was 528 00:23:34,440 --> 00:23:37,000 Speaker 2: in the studio talking about artists and comparent careers and 529 00:23:37,480 --> 00:23:40,119 Speaker 2: would you rather have longevity or have like a peak 530 00:23:41,240 --> 00:23:43,280 Speaker 2: and kind of like you know, just fade out after 531 00:23:43,359 --> 00:23:48,840 Speaker 2: your peak. So some interesting names up here, very successful artists, 532 00:23:48,920 --> 00:23:53,480 Speaker 2: very successful careers, but we're talking about the greatest peak peak. Yes, 533 00:23:53,600 --> 00:23:55,240 Speaker 2: and let's look up the definition of peak. 534 00:23:55,320 --> 00:23:58,120 Speaker 3: Please look up the definition of peak, Rory and also 535 00:23:58,560 --> 00:24:01,960 Speaker 3: where before we start is a peak is that like 536 00:24:02,040 --> 00:24:04,720 Speaker 3: a year what do we call it can be a. 537 00:24:04,720 --> 00:24:07,160 Speaker 2: Couple of years. It could be two or three years 538 00:24:07,200 --> 00:24:09,480 Speaker 2: your peak. He could be like two or three, Like. 539 00:24:09,480 --> 00:24:11,040 Speaker 4: Two years, I feel like like two years. I feel 540 00:24:11,040 --> 00:24:12,920 Speaker 4: like once you hit three, that's kind of like three 541 00:24:13,000 --> 00:24:16,320 Speaker 4: as a rap career, three years a legend. Now, yeah, 542 00:24:16,560 --> 00:24:18,640 Speaker 4: like put you in the rock and roll Hall of Fame. 543 00:24:18,640 --> 00:24:20,479 Speaker 2: If you have three great years like in a row, 544 00:24:20,640 --> 00:24:24,159 Speaker 2: like what like you submitted somewhere in history like he 545 00:24:24,280 --> 00:24:25,720 Speaker 2: was incredible, he or she was incredible. 546 00:24:25,760 --> 00:24:28,840 Speaker 3: All right, So dictionary dot com doesn't have a timeframe, 547 00:24:28,920 --> 00:24:33,000 Speaker 3: but reach your highest point, either as a value or 548 00:24:33,000 --> 00:24:36,399 Speaker 3: a specific time. Yeah, so all right we can speculate 549 00:24:36,680 --> 00:24:39,840 Speaker 3: with the years. But what we wrote down off Mike, 550 00:24:40,240 --> 00:24:43,520 Speaker 3: just off the top of our heads, Nelly, fifty, Eminem, Drake, 551 00:24:43,760 --> 00:24:46,680 Speaker 3: and Wayne as far as who had the bigger peak, 552 00:24:48,200 --> 00:24:52,840 Speaker 3: Nellie went diamond with physical copies. Yes, Now, did fifty, 553 00:24:53,119 --> 00:24:56,000 Speaker 3: m Drake and Wayne have longer runs than Nelly? 554 00:24:56,600 --> 00:25:00,760 Speaker 2: Yes? Sure, Well fifty and Nelly were close our music runs. 555 00:25:00,800 --> 00:25:05,840 Speaker 2: But I'm kind of I'm with Nelly, fifty and Eminem 556 00:25:05,920 --> 00:25:08,200 Speaker 2: as my debate in my head out the gate of 557 00:25:08,359 --> 00:25:08,960 Speaker 2: greatest peak. 558 00:25:09,600 --> 00:25:14,760 Speaker 3: Yes, because I think Em from Marshall Mathers eminem Show 559 00:25:15,040 --> 00:25:18,440 Speaker 3: eight Mile Time. I think EM was at the hot Like, 560 00:25:18,960 --> 00:25:22,240 Speaker 3: why you don't got Jay on this list? What would 561 00:25:22,240 --> 00:25:26,120 Speaker 3: you even consider Jay's peak? Because I hate that conversation 562 00:25:26,200 --> 00:25:28,440 Speaker 3: when people say Jay was never the number one rapper 563 00:25:28,480 --> 00:25:31,520 Speaker 3: of any year and I'm like, Okay, so he's had 564 00:25:31,560 --> 00:25:33,440 Speaker 3: a dominant twenty years. 565 00:25:33,680 --> 00:25:35,040 Speaker 2: What did it mean by that when he was number 566 00:25:35,160 --> 00:25:35,919 Speaker 2: never the number one? 567 00:25:36,040 --> 00:25:39,960 Speaker 3: Like I guess never on my album sales? Probably stats, 568 00:25:40,560 --> 00:25:43,159 Speaker 3: I don't know, but I've seen that argument and I 569 00:25:43,200 --> 00:25:45,320 Speaker 3: get it. Yeah, there's years where but no matter what, 570 00:25:45,480 --> 00:25:47,879 Speaker 3: if you're number two for twenty years, like, it's a 571 00:25:47,920 --> 00:25:52,520 Speaker 3: pretty good fucking career. Great career, Nelly, though I don't know. 572 00:25:54,040 --> 00:25:58,480 Speaker 3: It kind of goes back and forth between fifty and 573 00:26:00,040 --> 00:26:02,840 Speaker 3: dominating the world at that time. Could you escape g 574 00:26:03,000 --> 00:26:08,080 Speaker 3: unit from two thousand and four to two thousand and seven? 575 00:26:10,880 --> 00:26:12,720 Speaker 3: You had Kanye in there, you had Million there, you 576 00:26:12,760 --> 00:26:14,040 Speaker 3: had m Yet like there was a lot of shit 577 00:26:14,119 --> 00:26:16,719 Speaker 3: going on, But could you escape anything Junior? Like anything 578 00:26:16,840 --> 00:26:21,000 Speaker 3: fifty did in those years went platinum? 579 00:26:22,160 --> 00:26:25,119 Speaker 2: Like I love Yo, but if you put Yao on 580 00:26:25,160 --> 00:26:28,000 Speaker 2: another system, I don't know if he's immediately going gold 581 00:26:28,119 --> 00:26:31,159 Speaker 2: first week, right, you put out give Richard I try 582 00:26:31,200 --> 00:26:33,280 Speaker 2: and then beg for Mercy right after in the same year, 583 00:26:33,760 --> 00:26:37,520 Speaker 2: then wait and give Game seven hits, then put out 584 00:26:37,560 --> 00:26:40,840 Speaker 2: Buck that goes platinum. Banks goes platinum, YAlO goes gold. 585 00:26:41,480 --> 00:26:42,040 Speaker 1: I don't really like. 586 00:26:42,720 --> 00:26:46,000 Speaker 3: I still equate that to fifty cent in some degree, 587 00:26:46,560 --> 00:26:48,400 Speaker 3: But then you can also give m that credit because 588 00:26:48,480 --> 00:26:49,840 Speaker 3: M I feel like, was at his peak and then 589 00:26:49,880 --> 00:26:50,720 Speaker 3: gave us fifty cent. 590 00:26:51,119 --> 00:26:54,840 Speaker 2: Yeah, so I mean Jay said only dudes moving units 591 00:26:54,880 --> 00:26:58,880 Speaker 2: in pimp Juice in US. So I don't know, man, y'all, 592 00:26:58,960 --> 00:27:00,440 Speaker 2: y'all gotta go back and look at the numbers that 593 00:27:00,560 --> 00:27:03,600 Speaker 2: Jay was doing first week back then, man, where they 594 00:27:03,680 --> 00:27:04,520 Speaker 2: he was doing a million? 595 00:27:05,560 --> 00:27:07,120 Speaker 1: Is there is there a better. 596 00:27:08,480 --> 00:27:13,320 Speaker 3: Back to back country grammar to Nellyville versus get Rich 597 00:27:13,520 --> 00:27:14,320 Speaker 3: to Massacre? 598 00:27:16,080 --> 00:27:18,159 Speaker 2: That would I think that would define it? In my opinion? 599 00:27:19,960 --> 00:27:20,840 Speaker 2: Who sold more there? 600 00:27:22,040 --> 00:27:23,840 Speaker 1: Do you guys want to hear what Chad Gpt said? 601 00:27:24,640 --> 00:27:26,560 Speaker 1: Are we wait? Are we adding j Z into this? 602 00:27:26,640 --> 00:27:28,200 Speaker 1: Are we just doing I don't think. 603 00:27:29,720 --> 00:27:32,000 Speaker 3: I also, like not even really want to add Drake 604 00:27:32,040 --> 00:27:34,520 Speaker 3: into this, because yes, Drake has had a peak per se, 605 00:27:34,640 --> 00:27:37,080 Speaker 3: but he's kind of just been dominating for fifteen years. 606 00:27:37,160 --> 00:27:39,560 Speaker 1: Yeah, I don't know if they're peak, per Se. 607 00:27:39,680 --> 00:27:41,760 Speaker 3: I wouldn't even be able to point out Drake's peak. 608 00:27:42,359 --> 00:27:42,960 Speaker 3: That's what I'm saying. 609 00:27:43,040 --> 00:27:46,639 Speaker 1: I don't really peak. You have to fall off to 610 00:27:46,720 --> 00:27:50,560 Speaker 1: have a peak, exactly. Yeah, you could also, because that's 611 00:27:50,720 --> 00:27:54,000 Speaker 1: that's very Yeah, that's where I can't really put like 612 00:27:54,119 --> 00:27:55,480 Speaker 1: Drake and Jay in this people. 613 00:27:55,760 --> 00:27:57,359 Speaker 4: Yeah, you have to have a fall off to have 614 00:27:57,400 --> 00:28:00,520 Speaker 4: a peak, people could say, or people would say it's 615 00:28:00,520 --> 00:28:03,800 Speaker 4: been said before about as far as like the quality. 616 00:28:05,080 --> 00:28:07,760 Speaker 4: They can say that Drake has reached a peak quality wise, right, sure, 617 00:28:07,800 --> 00:28:08,200 Speaker 4: but that's. 618 00:28:08,040 --> 00:28:08,440 Speaker 1: Will to say that. 619 00:28:08,880 --> 00:28:10,560 Speaker 4: The people say that about plenty of artists, right, So 620 00:28:10,680 --> 00:28:13,560 Speaker 4: they've said that that his best album was years years 621 00:28:13,600 --> 00:28:17,480 Speaker 4: before whatever. But numbers wise, no, because I think he 622 00:28:17,560 --> 00:28:18,880 Speaker 4: continues to sell more and more. 623 00:28:18,960 --> 00:28:21,639 Speaker 3: So like even what I think is his best music 624 00:28:22,840 --> 00:28:26,240 Speaker 3: sold less than what I think is his worst music. Yeah, 625 00:28:26,240 --> 00:28:28,600 Speaker 3: So that's where I don't know. I kind of want 626 00:28:28,600 --> 00:28:31,520 Speaker 3: to leave Drake out of this conversation per se, because 627 00:28:31,520 --> 00:28:34,600 Speaker 3: it's tough Jay as well. But then also in the 628 00:28:34,640 --> 00:28:37,800 Speaker 3: same point, like either way there is a peak for 629 00:28:37,920 --> 00:28:39,960 Speaker 3: Drake and Hoe, we would just have to find it. 630 00:28:40,480 --> 00:28:43,200 Speaker 3: Based off album sales, I guess, but neither of them 631 00:28:43,240 --> 00:28:47,080 Speaker 3: have had a like fall off the way brother, We've 632 00:28:47,160 --> 00:28:49,880 Speaker 3: kind of like which is fucked up to say, because 633 00:28:49,880 --> 00:28:51,000 Speaker 3: I think Nelly, fifty and M. 634 00:28:51,000 --> 00:28:52,720 Speaker 2: And Wayne are all legends in their own right. But 635 00:28:54,120 --> 00:28:55,239 Speaker 2: you can clearly see a fall off. 636 00:28:55,280 --> 00:28:57,560 Speaker 3: But now we're moving the goalpost because Eminem still out 637 00:28:57,640 --> 00:29:00,080 Speaker 3: sells everybody every time he comes out, even if we 638 00:29:00,160 --> 00:29:01,000 Speaker 3: don't like the albums. 639 00:29:01,360 --> 00:29:04,080 Speaker 1: Has em ever fallen off Eminem? 640 00:29:04,440 --> 00:29:09,240 Speaker 3: Yes, yes, we talk musically subjective, that's subjectively. We already 641 00:29:09,320 --> 00:29:11,600 Speaker 3: know how I even feel about that. But what did 642 00:29:12,760 --> 00:29:16,840 Speaker 3: what did Kamakazi sell? And fucking probably when Diamond? Every 643 00:29:16,880 --> 00:29:21,920 Speaker 3: time em goes and releases a project, it's yeah, if 644 00:29:22,760 --> 00:29:26,760 Speaker 3: if selling four and fifty k is in one week 645 00:29:26,960 --> 00:29:29,800 Speaker 3: is falling off, I don't know what the fuck falling 646 00:29:29,840 --> 00:29:32,280 Speaker 3: off is now fifty I don't think he fell off. 647 00:29:32,320 --> 00:29:35,640 Speaker 3: He just chose to go different directions with his career 648 00:29:35,800 --> 00:29:36,920 Speaker 3: and didn't focus on music. 649 00:29:37,000 --> 00:29:39,360 Speaker 1: But there was clearly a musical fall off. 650 00:29:39,880 --> 00:29:42,880 Speaker 2: When you get to the animal ambition or what before 651 00:29:42,880 --> 00:29:47,880 Speaker 2: I self destruct years Curtis, I think was the beginning 652 00:29:48,080 --> 00:29:52,320 Speaker 2: of not a fall but his focus of music sat 653 00:29:52,440 --> 00:29:55,520 Speaker 2: Nelly after he did it was a sweet and salty, 654 00:29:56,520 --> 00:29:57,080 Speaker 2: sweet suit. 655 00:29:57,720 --> 00:29:59,640 Speaker 1: What's his DOUBLET suit? Sweatsuit? 656 00:30:00,040 --> 00:30:01,160 Speaker 2: Sweet and great. 657 00:30:03,360 --> 00:30:05,720 Speaker 1: I remember the name of the jell I could see 658 00:30:05,760 --> 00:30:06,360 Speaker 1: the album cover. 659 00:30:09,240 --> 00:30:11,600 Speaker 2: Sweetened. So if I was, it's my choice. Yes, that's 660 00:30:11,640 --> 00:30:14,760 Speaker 2: a fact. It is a fact. So yeah, there was 661 00:30:14,800 --> 00:30:15,520 Speaker 2: a fall off there. 662 00:30:16,480 --> 00:30:19,320 Speaker 3: So that's where I'm more focused on Nelly and fifty cent, 663 00:30:19,400 --> 00:30:22,200 Speaker 3: and I think fifty just because he dominated everything else, 664 00:30:22,400 --> 00:30:25,240 Speaker 3: had the highest peak that I've seen in rap. 665 00:30:25,760 --> 00:30:26,720 Speaker 1: Wayne did musically. 666 00:30:27,040 --> 00:30:32,240 Speaker 2: I mean, you couldn't escape Wayne from shit oh seven 667 00:30:32,400 --> 00:30:40,080 Speaker 2: to twenty eleven? Could you? Could you escape Wayne? But 668 00:30:40,240 --> 00:30:43,120 Speaker 2: again that was that was four years and that was 669 00:30:43,320 --> 00:30:46,760 Speaker 2: of dominance. Though fifteen years ago that's dominant. But what 670 00:30:47,000 --> 00:30:49,440 Speaker 2: the year, It doesn't matter what you mean. If you 671 00:30:49,480 --> 00:30:51,360 Speaker 2: say it was fifteen years ago, that doesn't like, it 672 00:30:51,440 --> 00:30:53,719 Speaker 2: doesn't matter, No, No, that's still that was. If we're 673 00:30:53,720 --> 00:30:56,560 Speaker 2: saying just peak, then yeah, that was that was his peak. 674 00:30:56,640 --> 00:30:58,720 Speaker 2: But when you think about it, it's like, damn, that 675 00:30:58,880 --> 00:31:02,920 Speaker 2: was fifteen years ago that we're talking about this peak 676 00:31:03,000 --> 00:31:06,840 Speaker 2: that arguably one of the greatest rappers had, Like just 677 00:31:06,880 --> 00:31:09,120 Speaker 2: think about that fifteen years ago, that one of the 678 00:31:09,160 --> 00:31:12,400 Speaker 2: greatest rappers had their peak. You know how many like 679 00:31:12,640 --> 00:31:16,960 Speaker 2: new kids are walking around. That was like four five 680 00:31:17,080 --> 00:31:18,440 Speaker 2: when Wayne had his peak, Like. 681 00:31:18,800 --> 00:31:22,280 Speaker 3: I'm probably undertood probably oh five to twenty eleven, twenty twelve, 682 00:31:22,280 --> 00:31:25,600 Speaker 3: Wayne dominated oh seven. I think we'll probably his biggest 683 00:31:25,680 --> 00:31:28,280 Speaker 3: year when he did all those features and a million. 684 00:31:28,400 --> 00:31:31,880 Speaker 4: Well, so then let's talk about that's a peak. So Chad, 685 00:31:31,960 --> 00:31:33,600 Speaker 4: you bet the same. Wayne's peak is two thousand and 686 00:31:33,600 --> 00:31:34,560 Speaker 4: seven and two thousand and nine. 687 00:31:35,160 --> 00:31:37,080 Speaker 3: Okay, I'll go with that, because, off the top of 688 00:31:37,080 --> 00:31:39,200 Speaker 3: my head of seven, if I remember correctly, was like 689 00:31:39,240 --> 00:31:40,040 Speaker 3: the biggest Wayne year. 690 00:31:40,280 --> 00:31:42,320 Speaker 2: So we'll go Wayne oh seven. 691 00:31:42,720 --> 00:31:47,040 Speaker 4: Oh seven, seven oh nine, fifty three to five. Okay, 692 00:31:47,800 --> 00:31:53,640 Speaker 4: eminem two thousand, two thousand and four, Okay, Drake twenty 693 00:31:53,800 --> 00:31:54,560 Speaker 4: fifteen and present. 694 00:31:55,800 --> 00:31:59,160 Speaker 2: Wait and then saying president is crazy also twenty fifteen. 695 00:32:00,040 --> 00:32:02,640 Speaker 2: Now they gotta go. They got yeah he was, Drake 696 00:32:02,760 --> 00:32:04,720 Speaker 2: was fucking shit up in twenty eleven, two thousand. 697 00:32:04,720 --> 00:32:06,960 Speaker 4: Well, no, it's not about him fucking shit up. We're 698 00:32:07,000 --> 00:32:09,600 Speaker 4: talking about him being as high as he is now 699 00:32:10,000 --> 00:32:11,560 Speaker 4: in continuing that, so. 700 00:32:11,640 --> 00:32:14,040 Speaker 3: Reaching his height, Yeah, reaching out tay Drake out of 701 00:32:14,080 --> 00:32:16,840 Speaker 3: this man twenty fifteen a present like I'm not yet. 702 00:32:16,880 --> 00:32:17,800 Speaker 2: We can't anyone. 703 00:32:18,320 --> 00:32:20,920 Speaker 4: And Nelly was two thousand to two thousand and three 704 00:32:21,920 --> 00:32:23,960 Speaker 4: as well well, two thousand to two thousand and three. 705 00:32:24,160 --> 00:32:26,239 Speaker 4: So what Chad GBT says because I asked him up, 706 00:32:26,240 --> 00:32:27,360 Speaker 4: you got to ask them a whole bunch of. 707 00:32:27,840 --> 00:32:31,080 Speaker 2: Chat GBT from, like what city is he from? Because Israel? 708 00:32:31,240 --> 00:32:32,120 Speaker 2: What was he listening to? 709 00:32:32,680 --> 00:32:34,960 Speaker 4: They said, The greatest peak, if you just want to do, 710 00:32:35,040 --> 00:32:38,240 Speaker 4: greatest peak of career wise is fifty cent. He wins 711 00:32:38,320 --> 00:32:40,360 Speaker 4: because give Richard I try and sold eight hundred and 712 00:32:40,360 --> 00:32:42,760 Speaker 4: seventy two k first week and went nine times platinum, 713 00:32:42,800 --> 00:32:45,280 Speaker 4: one of the biggest debuts ever. He had a number 714 00:32:45,280 --> 00:32:47,600 Speaker 4: one album man number one single simultaneously for weeks, and 715 00:32:47,680 --> 00:32:50,240 Speaker 4: he also dominated fashion, mixtapes, radio, street. 716 00:32:50,040 --> 00:32:52,400 Speaker 2: Culture, fashion listen. 717 00:32:52,840 --> 00:32:56,680 Speaker 3: I'm not saying that everyone wanted to dress like fifty 718 00:32:56,760 --> 00:32:59,160 Speaker 3: the way they maybe wanted to dress like Kanye, but 719 00:32:59,360 --> 00:33:02,560 Speaker 3: the way he dominated with Reebok and Juni clothing, Let's 720 00:33:02,640 --> 00:33:04,880 Speaker 3: not act like that was not something that should be 721 00:33:04,920 --> 00:33:05,920 Speaker 3: on the statue. 722 00:33:05,720 --> 00:33:08,200 Speaker 4: And everybody and they show even when he did his 723 00:33:08,280 --> 00:33:10,800 Speaker 4: little comeback show in New York, niggas was showing up 724 00:33:10,920 --> 00:33:12,680 Speaker 4: dressed like fifty back in the days. 725 00:33:12,760 --> 00:33:14,600 Speaker 2: But that was niggas that just came home. So you 726 00:33:14,680 --> 00:33:15,480 Speaker 2: can't be mad at them. 727 00:33:15,880 --> 00:33:18,000 Speaker 3: You don't think the Juni wife beater is an iconic 728 00:33:18,560 --> 00:33:20,360 Speaker 3: piece of fashion that should be put in. 729 00:33:20,360 --> 00:33:23,440 Speaker 2: The iconic for the wrong reasons though, because you can 730 00:33:23,520 --> 00:33:25,640 Speaker 2: be iconic for the wrong reasons, but you still iconic. 731 00:33:25,800 --> 00:33:26,280 Speaker 2: That's a fact. 732 00:33:27,960 --> 00:33:29,280 Speaker 1: What oh for sure? 733 00:33:29,480 --> 00:33:33,840 Speaker 2: But sure, but he liked them thin the thin strap 734 00:33:33,960 --> 00:33:36,040 Speaker 2: of tank tops you liked. I didn't. I didn't have 735 00:33:36,120 --> 00:33:40,320 Speaker 2: the body for it. You know, he man saying he 736 00:33:40,320 --> 00:33:43,320 Speaker 2: adin't have the body. I definitely had the Junet rebox. 737 00:33:43,400 --> 00:33:46,240 Speaker 2: I had a bunch of Junate like T shirts. I 738 00:33:46,280 --> 00:33:48,560 Speaker 2: had a Junie button up, but I never had that life. 739 00:33:48,600 --> 00:33:50,480 Speaker 2: It was an interesting time because you did that because 740 00:33:50,480 --> 00:33:51,120 Speaker 2: you're from Queens. 741 00:33:51,360 --> 00:33:52,640 Speaker 1: But there was other niggas uptown. 742 00:33:52,640 --> 00:33:55,240 Speaker 2: It was not We was not wearing Jeunet uptown. Okay here, 743 00:33:55,240 --> 00:33:57,480 Speaker 2: you're probably right. Was not niggas was wearing RockA ware, 744 00:33:58,400 --> 00:34:01,280 Speaker 2: so were we. Niggas was wearing and you know, uh 745 00:34:04,760 --> 00:34:07,600 Speaker 2: uh yeah when they got really colored, some of the 746 00:34:08,360 --> 00:34:12,520 Speaker 2: Sean Sean John even South Pole. 747 00:34:13,800 --> 00:34:15,359 Speaker 3: I mean, you never let me get that some people 748 00:34:15,360 --> 00:34:17,720 Speaker 3: was wearing south for I was we wasn't wearing South Poles, 749 00:34:20,040 --> 00:34:21,839 Speaker 3: but he was wearing what was the other coaches though 750 00:34:22,719 --> 00:34:23,360 Speaker 3: North faces. 751 00:34:23,760 --> 00:34:28,440 Speaker 2: Yeah. Still maybe maybe a first down. Maybe maybe some 752 00:34:28,640 --> 00:34:30,600 Speaker 2: dudes went first down. I never was really jacking the 753 00:34:30,640 --> 00:34:33,759 Speaker 2: first down all r. Yeah, Uptown probably dresses better, but 754 00:34:33,800 --> 00:34:36,160 Speaker 2: you guys are wearing the Elmo shirt with the Elmo 755 00:34:36,239 --> 00:34:38,040 Speaker 2: hat and the Cookie Monster shirt and the Cookie Moster hat. 756 00:34:38,120 --> 00:34:39,560 Speaker 3: So sometimes I don't want to hear from Uptown. You 757 00:34:39,600 --> 00:34:42,880 Speaker 3: guys have had some hats Queen Nobody that was that 758 00:34:43,040 --> 00:34:46,320 Speaker 3: was the Bronx and the northern part of Harlem. 759 00:34:46,400 --> 00:34:48,520 Speaker 2: Yo. But don't do that because queens y'all was wearing them. 760 00:34:48,600 --> 00:34:51,480 Speaker 2: I'm not saying. I'm not saying letters on it like 761 00:34:51,600 --> 00:34:54,759 Speaker 2: that's not the Yankees fan. I don't know what that is. Like, y'all, 762 00:34:54,880 --> 00:34:56,480 Speaker 2: y'all love you pull it up. 763 00:34:56,600 --> 00:35:00,800 Speaker 3: Queen's County is the most diverse county in the United States. 764 00:35:01,840 --> 00:35:06,200 Speaker 3: We're a melting pot and with representation were of every culture, 765 00:35:07,360 --> 00:35:08,120 Speaker 3: we're inclusive. 766 00:35:08,239 --> 00:35:09,920 Speaker 2: Yeah, but I mean those those those hats with the 767 00:35:10,040 --> 00:35:12,279 Speaker 2: Chinese letters were so nasty, those fitteds. I thought they 768 00:35:12,280 --> 00:35:15,919 Speaker 2: were those. I never did those, but this was coming 769 00:35:15,920 --> 00:35:17,759 Speaker 2: off when people were getting Chinese tattoos. Didn't even know 770 00:35:17,760 --> 00:35:19,560 Speaker 2: what they meant. Yeah, that was crazy. That was a 771 00:35:19,640 --> 00:35:21,880 Speaker 2: weird time that the city was in. I don't know 772 00:35:21,920 --> 00:35:22,520 Speaker 2: what was going on. 773 00:35:22,640 --> 00:35:22,960 Speaker 6: All I know. 774 00:35:23,040 --> 00:35:25,520 Speaker 3: And the third half in the Bronx, everybody had an 775 00:35:25,560 --> 00:35:27,280 Speaker 3: Elmo shirt with an Almo fitted. 776 00:35:27,480 --> 00:35:29,239 Speaker 2: That's why I never understood the whole Asian hate thing. 777 00:35:29,280 --> 00:35:31,120 Speaker 2: We love Asians in New York. Look at the hats 778 00:35:31,160 --> 00:35:34,799 Speaker 2: we was wearing. That one time we hated agents since 779 00:35:34,840 --> 00:35:37,080 Speaker 2: when that was never a thing racist? Have a black 780 00:35:37,120 --> 00:35:40,080 Speaker 2: best friend on many Yeah, I voted for a. 781 00:35:40,280 --> 00:35:42,239 Speaker 1: Yeah, I want to get back to the well. 782 00:35:42,280 --> 00:35:44,720 Speaker 3: He was debating who dressed better between Queens and Uptown. 783 00:35:44,800 --> 00:35:45,600 Speaker 2: That was part of the debate. 784 00:35:45,640 --> 00:35:47,680 Speaker 1: But yeah, so back of the Uptown takes that kick. 785 00:35:47,760 --> 00:35:52,319 Speaker 2: But I am a huge advocate of defending the Borough 786 00:35:52,320 --> 00:35:55,920 Speaker 2: of Queens now because everyone got. 787 00:35:55,760 --> 00:35:57,319 Speaker 3: Back with the leather do rag though, but he brought 788 00:35:57,320 --> 00:36:01,080 Speaker 3: it back. He set y'all back. Nas fly NOx can dress. 789 00:36:01,080 --> 00:36:04,880 Speaker 2: He's one of the better dressed, for sure, But when 790 00:36:04,960 --> 00:36:08,120 Speaker 2: Nas put that leather dew rag on, y'all was down thirty. 791 00:36:08,440 --> 00:36:10,200 Speaker 2: I'm not gonna lie the leather. 792 00:36:10,960 --> 00:36:14,440 Speaker 3: But the Bronx brought the leather fitteds like that was 793 00:36:14,560 --> 00:36:18,320 Speaker 3: y'all terrible. Brooklyn tried to like adopt it, but that 794 00:36:18,440 --> 00:36:22,840 Speaker 3: was definitely in Bronx thing. I don't know over the years, Nah. 795 00:36:23,080 --> 00:36:27,640 Speaker 2: Don't do that, don't do that. They'll put that, they'll 796 00:36:27,680 --> 00:36:29,000 Speaker 2: do that. It wasn't doing that. 797 00:36:30,040 --> 00:36:32,879 Speaker 3: But look what Queens has done now with Amy Kiff, 798 00:36:33,040 --> 00:36:36,000 Speaker 3: Like all the dope ship now comes from Queens' designers. 799 00:36:36,040 --> 00:36:37,880 Speaker 3: So yeah, we had we had a rough time, but 800 00:36:38,080 --> 00:36:40,040 Speaker 3: I still think that should be on fifty stat sheet 801 00:36:40,080 --> 00:36:41,200 Speaker 3: because no. 802 00:36:41,880 --> 00:36:42,960 Speaker 1: Clothes around the world. 803 00:36:43,360 --> 00:36:45,200 Speaker 3: People in the Bronx were probably not jacking the Juni 804 00:36:45,200 --> 00:36:47,160 Speaker 3: and shiit, but everyone else in the rest. 805 00:36:47,000 --> 00:36:48,920 Speaker 2: Of the fifty wasn't mad when he saw them numbers 806 00:36:48,960 --> 00:36:52,359 Speaker 2: in the Midwest come out like Middle America. Yeah, that's 807 00:36:52,480 --> 00:36:53,239 Speaker 2: all they was wearing. 808 00:36:53,680 --> 00:36:54,799 Speaker 1: Yeah, all they was said. 809 00:36:54,800 --> 00:36:57,359 Speaker 4: Fifties peak is widely considered the most powerful and short 810 00:36:57,480 --> 00:37:00,760 Speaker 4: term dominant in rap, not the longest, but the highest spike. 811 00:37:00,960 --> 00:37:04,480 Speaker 4: Eminem would be considered the biggest global impact peak. Like 812 00:37:04,560 --> 00:37:07,480 Speaker 4: if you talk about global he's number He's easily number one, 813 00:37:07,840 --> 00:37:10,720 Speaker 4: widest reaching. They said fifties was more intense, but EM's 814 00:37:10,800 --> 00:37:12,120 Speaker 4: was more massive and broad. 815 00:37:12,400 --> 00:37:14,480 Speaker 2: Yeah, if we're going off what our definition of peak 816 00:37:14,560 --> 00:37:17,240 Speaker 2: is I do think fifty in the scope of everything, 817 00:37:17,360 --> 00:37:19,359 Speaker 2: had the highest peak in tip hop. Well, I mean 818 00:37:19,400 --> 00:37:23,040 Speaker 2: that's that's his artists, so it makes sense the numbers 819 00:37:23,120 --> 00:37:23,480 Speaker 2: check out. 820 00:37:23,600 --> 00:37:27,440 Speaker 3: You know what the biggest peak Paul Rosenberg, Jimmy Ivan 821 00:37:27,480 --> 00:37:30,560 Speaker 3: that's had the biggest peak, and Doctor Drift there's another name. 822 00:37:30,640 --> 00:37:35,640 Speaker 3: Listen Nelly music wise, though, I mean, I don't know 823 00:37:35,680 --> 00:37:37,600 Speaker 3: if you could really fuck with the country grammar. 824 00:37:37,600 --> 00:37:39,040 Speaker 2: It's in nelly Ville days. 825 00:37:39,320 --> 00:37:42,520 Speaker 4: Yeah, they're saying, but I'm looking at the numbers. Eminem 826 00:37:42,719 --> 00:37:45,600 Speaker 4: in fifty smoke when it comes to peak, they smoke. 827 00:37:45,960 --> 00:37:49,080 Speaker 2: Now Nelly, when Nelly? When that? When that down down baby? 828 00:37:49,120 --> 00:37:52,000 Speaker 3: When that video hit, I knew that was a hit 829 00:37:52,000 --> 00:37:54,120 Speaker 3: because I couldn't like when not For the first day 830 00:37:54,160 --> 00:37:55,640 Speaker 3: I saw that video, I remember looking at them, I 831 00:37:55,719 --> 00:37:56,440 Speaker 3: was like, who is this? 832 00:37:57,560 --> 00:37:59,799 Speaker 2: Like, who is this? He's not from New York, He's 833 00:37:59,800 --> 00:38:02,280 Speaker 2: not for LA because at that he's not from Atlanta. 834 00:38:02,360 --> 00:38:04,359 Speaker 2: So at that time, and that's where all the best, 835 00:38:04,440 --> 00:38:06,520 Speaker 2: you know, rappers were from, it was like this guy 836 00:38:06,680 --> 00:38:09,640 Speaker 2: from Saint Louis. Ask his tattoos. 837 00:38:09,760 --> 00:38:11,120 Speaker 3: This is what they this is how they dressed in 838 00:38:11,120 --> 00:38:13,000 Speaker 3: Saint Louis, is how they talk. This is how that 839 00:38:13,160 --> 00:38:16,520 Speaker 3: was our introduction to essentially the streets of Saint Louis. 840 00:38:16,640 --> 00:38:18,680 Speaker 2: Like okay, it was, it was Nelly like okay. And 841 00:38:18,800 --> 00:38:20,960 Speaker 2: then when the album came out and you got into 842 00:38:21,000 --> 00:38:22,640 Speaker 2: some of the album cuts and you started hearing the 843 00:38:22,680 --> 00:38:27,480 Speaker 2: shit that Nelly was rapping about Nellie's Nelly's career that 844 00:38:27,600 --> 00:38:30,000 Speaker 2: old two thousand and two thousand and three, Nelly was 845 00:38:30,360 --> 00:38:33,080 Speaker 2: a pop star. Like with out of Doubt, like I'm 846 00:38:33,120 --> 00:38:38,680 Speaker 2: talking about trl MTV VMA's any award show, Nelly was 847 00:38:38,719 --> 00:38:42,280 Speaker 2: dead whether he was presenting, performing, or accepting an award 848 00:38:42,440 --> 00:38:44,920 Speaker 2: like Nellie's. That three years of two thousand and two 849 00:38:44,960 --> 00:38:47,239 Speaker 2: thousand and three, With out of Doubt, Nelly had one 850 00:38:47,280 --> 00:38:50,560 Speaker 2: of the greatest rap peaks of all time. 851 00:38:50,800 --> 00:38:56,480 Speaker 3: Yeah, vocal or g unit, bro. I never saw a 852 00:38:56,560 --> 00:38:57,520 Speaker 3: nigga wear in vocal. 853 00:38:57,640 --> 00:38:58,840 Speaker 1: I don't even know what vocal is. 854 00:38:59,000 --> 00:39:01,600 Speaker 2: You know, remember vocal? Remember you remember uh it? Never 855 00:39:01,880 --> 00:39:02,760 Speaker 2: remember apple bottoms? 856 00:39:02,840 --> 00:39:02,920 Speaker 1: Right? 857 00:39:03,400 --> 00:39:07,000 Speaker 2: Yes, so vocal was the male line to the Apple bottoms. 858 00:39:07,160 --> 00:39:11,480 Speaker 1: Ah who was in charge of apple bottoms again? T Pain, Yes, no, 859 00:39:11,920 --> 00:39:12,319 Speaker 1: shut up? 860 00:39:14,680 --> 00:39:16,160 Speaker 2: In charge of Apple bottom is crazy. 861 00:39:16,920 --> 00:39:19,040 Speaker 1: That's why I would listening to him. Who who created. 862 00:39:21,760 --> 00:39:21,920 Speaker 2: Oh? 863 00:39:22,040 --> 00:39:24,480 Speaker 1: It was I was young. 864 00:39:24,560 --> 00:39:27,160 Speaker 4: You gotta understand. I was like fucking seven when all 865 00:39:27,200 --> 00:39:29,279 Speaker 4: this ship was happening, So I don't remember that. 866 00:39:29,400 --> 00:39:30,960 Speaker 2: Apple Bottoms was Nellie's clothing. 867 00:39:31,040 --> 00:39:33,600 Speaker 3: Long, I will say though, coming off to Mull's point 868 00:39:33,600 --> 00:39:35,920 Speaker 3: of country Grammar being what it was, the follow up 869 00:39:36,040 --> 00:39:39,480 Speaker 3: having Hot in Here, Pimp Juice, air Force Ones, Dilemma, 870 00:39:39,600 --> 00:39:42,960 Speaker 3: Work It Rocked, the remix and number one is an 871 00:39:43,040 --> 00:39:46,640 Speaker 3: insane follow up to the country Grammar album like. 872 00:39:48,400 --> 00:39:52,320 Speaker 2: That could be debated against Massacre. Yeah, that's crazy. 873 00:39:52,520 --> 00:39:56,000 Speaker 3: Like every song in this fucking these are the singles 874 00:39:56,080 --> 00:39:58,480 Speaker 3: in order, Hot in Here, Dilemma, air Force Ones, Work At, 875 00:39:58,520 --> 00:40:00,480 Speaker 3: Pimp Juice FI singles. 876 00:40:00,920 --> 00:40:06,279 Speaker 2: Damn, that's fucking crazy. I wan didn't Nelly get any 877 00:40:06,560 --> 00:40:10,439 Speaker 2: like check from Nike or for the Air Force. Yeah, 878 00:40:10,760 --> 00:40:12,160 Speaker 2: but he had a shoe he had he had he 879 00:40:12,239 --> 00:40:14,320 Speaker 2: had a Barkley. Okay, hell up the picture of the 880 00:40:14,400 --> 00:40:19,120 Speaker 2: Nelly Barkley's how did you you guys feel? Uptown? For 881 00:40:19,280 --> 00:40:23,120 Speaker 2: Nelly kind of being the face of uptowns that was 882 00:40:23,239 --> 00:40:27,279 Speaker 2: always weird for Nelly came out and he was one 883 00:40:27,360 --> 00:40:30,319 Speaker 2: hundred uptowns deep already like in the closet. Remember when 884 00:40:30,320 --> 00:40:34,080 Speaker 2: they were like sixty seventy bucks, Max Charles Barkley Nelly. 885 00:40:34,160 --> 00:40:38,600 Speaker 2: Those was crazy. I remember that was hard when those drop. Yeah, 886 00:40:38,640 --> 00:40:40,799 Speaker 2: Nelly fucked the city up with those. Fuck the city. 887 00:40:41,280 --> 00:40:42,399 Speaker 2: He fucked the city up with those. 888 00:40:42,480 --> 00:40:43,359 Speaker 1: The city was one way. 889 00:40:44,000 --> 00:40:46,080 Speaker 2: The next day Nelly fucked the city up with those 890 00:40:46,120 --> 00:40:49,360 Speaker 2: for sure. Uh the air dirties. 891 00:40:50,560 --> 00:40:50,920 Speaker 1: All right? 892 00:40:51,000 --> 00:40:53,120 Speaker 2: So, I mean this is your favorite rapper, like Murphy 893 00:40:53,200 --> 00:40:54,960 Speaker 2: Lee or some ship you. 894 00:40:55,120 --> 00:40:58,520 Speaker 3: At top of his Spotify Nelly, Nelly go my home, 895 00:40:58,760 --> 00:41:02,319 Speaker 3: Nellie's your home because he represented the middle of America. 896 00:41:02,080 --> 00:41:02,880 Speaker 2: Right there you go. 897 00:41:04,080 --> 00:41:06,600 Speaker 1: But I mean around our age, Nelly was like that guy. 898 00:41:07,360 --> 00:41:08,760 Speaker 2: No, listen, bro Nelly. 899 00:41:09,000 --> 00:41:13,920 Speaker 3: Nelly's run incredible because my friend Brian really used to 900 00:41:13,920 --> 00:41:15,480 Speaker 3: wear a band aid on his face when we were twelve. 901 00:41:16,000 --> 00:41:19,680 Speaker 2: That was gay. Now, there was a video of gen 902 00:41:19,840 --> 00:41:23,800 Speaker 2: zers being asked if they knew who this person was 903 00:41:23,960 --> 00:41:27,560 Speaker 2: or somebody was holding a picture of Nelly and nobody. 904 00:41:27,920 --> 00:41:32,000 Speaker 3: I don't know, Ellie Choppy last time, Nellie, what this is? 905 00:41:32,280 --> 00:41:35,160 Speaker 2: This is insane. These are college students, right, I'm assuming and. 906 00:41:35,200 --> 00:41:35,840 Speaker 6: In the c liberty. 907 00:41:37,080 --> 00:41:38,920 Speaker 1: I can't. I don't know who that is and name 908 00:41:39,000 --> 00:41:40,040 Speaker 1: the celebrity you want them to do? 909 00:41:40,239 --> 00:41:42,560 Speaker 6: He's with a backward jeans. I don't know who that is. 910 00:41:42,680 --> 00:41:45,759 Speaker 2: And name the celebrity's bread he's probably not affiliated. 911 00:41:45,920 --> 00:41:47,560 Speaker 6: It's not bow Wow even though it looks like him. 912 00:41:47,920 --> 00:41:51,360 Speaker 5: And celebrity looks like whoever it is? And name of 913 00:41:51,440 --> 00:41:55,719 Speaker 5: celeberty almost looks like no, that's not fifty And in 914 00:41:55,800 --> 00:42:01,560 Speaker 5: the celebrity Tupac, what name the celebrity I've never seen 915 00:42:01,600 --> 00:42:01,919 Speaker 5: that first? 916 00:42:02,320 --> 00:42:02,640 Speaker 1: And in the. 917 00:42:02,600 --> 00:42:05,360 Speaker 6: Celebrity fifth fifty cent and name the celebrity. 918 00:42:04,960 --> 00:42:06,759 Speaker 1: I'm a swifty and a K pop if it's not 919 00:42:06,920 --> 00:42:09,520 Speaker 1: Sabrina Olivia Taylor, little pub I don't know. 920 00:42:09,680 --> 00:42:11,840 Speaker 6: And name of celebrity that's a big dog celebrity. 921 00:42:11,880 --> 00:42:12,640 Speaker 1: I don't even want to try. 922 00:42:12,719 --> 00:42:14,560 Speaker 6: And in the celebrity, I've seen him before? What's his 923 00:42:14,600 --> 00:42:15,160 Speaker 6: famous song? 924 00:42:15,239 --> 00:42:18,320 Speaker 2: No, listen to the name. 925 00:42:19,760 --> 00:42:20,680 Speaker 6: Not the girl but the guy? 926 00:42:20,840 --> 00:42:24,759 Speaker 2: Who is that guy? Jay Z? I don't know. 927 00:42:24,920 --> 00:42:27,160 Speaker 1: Bro the celebrity I don't know. 928 00:42:27,560 --> 00:42:29,480 Speaker 6: And in the celebrity, that's Keith slip all right? 929 00:42:31,120 --> 00:42:35,920 Speaker 2: Reason what is great? Way older than that old? So 930 00:42:36,000 --> 00:42:37,160 Speaker 2: why do you know Keith sweat? 931 00:42:37,160 --> 00:42:39,759 Speaker 1: But not no doubt, no crazy and. 932 00:42:40,000 --> 00:42:42,000 Speaker 6: Celebrity isn't it right? 933 00:42:42,000 --> 00:42:43,279 Speaker 2: But is this one of those things where it's like 934 00:42:43,320 --> 00:42:46,040 Speaker 2: the fake content. No, no, this is real. 935 00:42:46,120 --> 00:42:47,719 Speaker 1: I think it's real. But this is why those kids 936 00:42:47,760 --> 00:42:49,320 Speaker 1: are probably like eighteen nineteen. 937 00:42:49,600 --> 00:42:51,480 Speaker 3: That's why I'd be so bad at this like on 938 00:42:51,600 --> 00:42:53,760 Speaker 3: the street content, because if somebody came with the idea, 939 00:42:53,840 --> 00:42:55,759 Speaker 3: let's show people Nelly, I'd be like, why are we 940 00:42:55,800 --> 00:42:56,359 Speaker 3: wasting our time? 941 00:42:56,400 --> 00:42:59,279 Speaker 2: Everyone's going to guess that that is crazy that people 942 00:42:59,360 --> 00:43:02,400 Speaker 2: can see a picture of Nelly like young kids eighteen, 943 00:43:02,560 --> 00:43:06,320 Speaker 2: let's say, seventeen, nineteen, twenty years old and don't know 944 00:43:06,400 --> 00:43:06,880 Speaker 2: who he is. 945 00:43:08,200 --> 00:43:12,440 Speaker 4: Like, dude, I'm trying to like, but see again the 946 00:43:12,520 --> 00:43:15,160 Speaker 4: biggest artist for three years when they were like two 947 00:43:15,280 --> 00:43:15,759 Speaker 4: years old. 948 00:43:16,920 --> 00:43:19,120 Speaker 3: Like yeah, but you can't say that, baby, because I 949 00:43:19,200 --> 00:43:20,839 Speaker 3: knew if you showed me a picture of Marvin Gay 950 00:43:20,880 --> 00:43:21,880 Speaker 3: when I was nineteen, I would know. 951 00:43:21,920 --> 00:43:24,680 Speaker 1: Marvin Gay is one of the biggest artists of all time. 952 00:43:24,800 --> 00:43:27,680 Speaker 2: Nellie is one of the biggest rappers of all time. 953 00:43:29,000 --> 00:43:31,560 Speaker 4: In top What what do you mean if you're doing 954 00:43:31,640 --> 00:43:34,000 Speaker 4: biggest rappers of all time in top. 955 00:43:33,880 --> 00:43:36,600 Speaker 2: What I mean? Definitely from his time in two thousand 956 00:43:36,960 --> 00:43:37,239 Speaker 2: and three. 957 00:43:37,320 --> 00:43:39,719 Speaker 1: That's from his time. Are you saying Marvin Gay is 958 00:43:39,719 --> 00:43:41,479 Speaker 1: one of the biggest artists of all time. 959 00:43:41,760 --> 00:43:45,640 Speaker 3: We all Showlly Nelly. So he has a diamond rap album, yes, 960 00:43:45,760 --> 00:43:48,680 Speaker 3: physical copies, yes, Okay, one of the biggest rap artists 961 00:43:48,719 --> 00:43:49,239 Speaker 3: of all time. 962 00:43:49,360 --> 00:43:52,359 Speaker 4: I understand that if you go by numbers, Fetti Wop 963 00:43:52,400 --> 00:43:54,600 Speaker 4: would be one of the biggest rap artists of all 964 00:43:55,400 --> 00:43:58,200 Speaker 4: And there speaks and there's one of the people. There's 965 00:43:58,280 --> 00:44:01,840 Speaker 4: people who would not recognize him because the longevity was 966 00:44:01,920 --> 00:44:04,400 Speaker 4: not there when it came to the career long but 967 00:44:04,520 --> 00:44:06,680 Speaker 4: Nelli is more important when you want the kids to 968 00:44:06,719 --> 00:44:07,120 Speaker 4: know who you is. 969 00:44:07,200 --> 00:44:11,239 Speaker 2: But Nelly is still currently like active, He's still like 970 00:44:11,840 --> 00:44:15,200 Speaker 2: on social media, he's still like on shows. He's still 971 00:44:15,440 --> 00:44:17,439 Speaker 2: he didn't just have a peeking and disappeared forever. 972 00:44:17,480 --> 00:44:19,560 Speaker 1: And don't he disappeared for a long time. 973 00:44:20,120 --> 00:44:22,879 Speaker 4: Along say Nelly is back now and back doing shit, 974 00:44:23,000 --> 00:44:25,600 Speaker 4: and we're seeing him because he got a shot. He 975 00:44:25,719 --> 00:44:27,560 Speaker 4: started dating a shanty that became a thing. As shanty 976 00:44:27,600 --> 00:44:30,400 Speaker 4: got pregnant, you got a show. Nelly disappeared for years 977 00:44:30,440 --> 00:44:33,279 Speaker 4: on years on years where nobody was talking about him. 978 00:44:33,320 --> 00:44:35,000 Speaker 3: As much as I want to defend the youth that's 979 00:44:35,000 --> 00:44:39,479 Speaker 3: still like, I feel like artists that are thirty years 980 00:44:39,719 --> 00:44:42,279 Speaker 3: prior to my existence, I would know who the fuck 981 00:44:42,280 --> 00:44:42,520 Speaker 3: they are. 982 00:44:42,680 --> 00:44:44,359 Speaker 1: There were also less artists back then. 983 00:44:44,480 --> 00:44:47,480 Speaker 4: These kids are exposed to so much more music than 984 00:44:47,520 --> 00:44:49,640 Speaker 4: we ever were, so much more music. 985 00:44:50,320 --> 00:44:52,320 Speaker 3: And on top of that, is it easier for this 986 00:44:52,480 --> 00:44:55,279 Speaker 3: arab because in the two thousands, there wasn't thousands of 987 00:44:55,360 --> 00:44:56,239 Speaker 3: artists where there is now. 988 00:44:56,400 --> 00:44:58,600 Speaker 4: The big artists, the ones who we knew about we 989 00:44:58,680 --> 00:45:01,719 Speaker 4: either learned through our parents or because they were on 990 00:45:01,880 --> 00:45:04,040 Speaker 4: all types of commercials and this and that, and the 991 00:45:04,120 --> 00:45:06,640 Speaker 4: albums were hanging up in the target windows and we 992 00:45:06,719 --> 00:45:09,879 Speaker 4: were going and physically shopping. The celebrity was so much 993 00:45:09,960 --> 00:45:13,440 Speaker 4: more different. Now there's hundreds fucking of them. And if 994 00:45:13,520 --> 00:45:16,000 Speaker 4: you go into your phone, if somebody's not in your algorithm, 995 00:45:16,560 --> 00:45:18,200 Speaker 4: which we say all the time, if this ain't in 996 00:45:18,280 --> 00:45:19,880 Speaker 4: my algorithm, I didn't even know they dropped something. I 997 00:45:19,880 --> 00:45:22,360 Speaker 4: didn't even know that happened because it's not in your algorithm. 998 00:45:23,040 --> 00:45:24,719 Speaker 4: Are you seeing what I'm saying? These kids have been 999 00:45:24,800 --> 00:45:28,760 Speaker 4: growing up in the digital age, being accustomed to digital 1000 00:45:28,800 --> 00:45:32,080 Speaker 4: fucking artists like Nelly. That was just I can understand 1001 00:45:32,080 --> 00:45:35,160 Speaker 4: why somebody wouldn't know who Nelly was. I your parents 1002 00:45:35,239 --> 00:45:38,440 Speaker 4: thing like maybe it starts in the home. You're right, 1003 00:45:41,160 --> 00:45:43,520 Speaker 4: it starts in the home. Rory, You're absolutely right. 1004 00:45:43,760 --> 00:45:46,399 Speaker 3: This is why, this is why the Democrats are ruining 1005 00:45:46,440 --> 00:45:50,279 Speaker 3: the nuclear family. So knowing didn't identifying Nelly the parents, No, 1006 00:45:50,400 --> 00:45:52,759 Speaker 3: But that really why I know a lot of the 1007 00:45:53,160 --> 00:45:56,080 Speaker 3: artists before my time is because my parents listen to 1008 00:45:56,120 --> 00:45:58,640 Speaker 3: them like I wouldn't if I didn't grow up in 1009 00:45:58,680 --> 00:45:59,759 Speaker 3: the household I grew up. I don't know if i'd 1010 00:45:59,800 --> 00:46:02,440 Speaker 3: be able spot Phil Collins out the gate. Yeah, but 1011 00:46:02,800 --> 00:46:04,719 Speaker 3: I can because he was in my house. 1012 00:46:05,200 --> 00:46:05,920 Speaker 1: And let's end. 1013 00:46:06,200 --> 00:46:09,800 Speaker 4: So now they're like eighteen nineteen, right, which means that 1014 00:46:09,880 --> 00:46:12,840 Speaker 4: their parents are probably between your age and your age. 1015 00:46:13,600 --> 00:46:14,600 Speaker 1: How often do y'all. 1016 00:46:14,440 --> 00:46:17,200 Speaker 2: Play Nelly every night before I go to bed? 1017 00:46:19,800 --> 00:46:22,239 Speaker 4: See what I'm saying, So like, let's and given Nelly 1018 00:46:22,360 --> 00:46:24,920 Speaker 4: all his all his ship, but let's be fucking for real. 1019 00:46:25,160 --> 00:46:26,080 Speaker 1: How often are y'all? 1020 00:46:27,440 --> 00:46:30,000 Speaker 3: I got amara sports set that came with the basketball hoop, 1021 00:46:30,080 --> 00:46:32,840 Speaker 3: the soccer thing and a baseball bat, and I played 1022 00:46:32,880 --> 00:46:35,239 Speaker 3: Nelly batter up when she picked up the ball, okay, 1023 00:46:35,320 --> 00:46:37,120 Speaker 3: and that was I was like good a week ago. 1024 00:46:37,200 --> 00:46:38,239 Speaker 2: That's so it's a good fall. 1025 00:46:38,280 --> 00:46:40,560 Speaker 1: But that's not something that you're playing back to back 1026 00:46:40,600 --> 00:46:42,120 Speaker 1: to back to back. That's not what you're not. 1027 00:46:42,280 --> 00:46:44,480 Speaker 2: I'm not in the crib just banging Nelly's hits back 1028 00:46:44,560 --> 00:46:46,920 Speaker 2: to back to back, like I'm fuck with Nelly. But 1029 00:46:47,400 --> 00:46:51,080 Speaker 2: if you came to my crib and you heard Nelly begging, 1030 00:46:51,120 --> 00:46:52,400 Speaker 2: you'd be like, yo, you're going you all right? What 1031 00:46:52,520 --> 00:46:53,439 Speaker 2: you what you're doing? 1032 00:46:54,320 --> 00:46:56,000 Speaker 1: Because it's my head. 1033 00:46:56,920 --> 00:46:59,520 Speaker 2: You better relax over that's my ship, Like, you better relax, 1034 00:46:59,560 --> 00:47:01,520 Speaker 2: that's my That's something I actually would play. 1035 00:47:02,840 --> 00:47:04,880 Speaker 4: But that's that's not something that you're gonna go to 1036 00:47:05,600 --> 00:47:07,560 Speaker 4: to put your kids onto. 1037 00:47:08,880 --> 00:47:11,840 Speaker 2: I'm playing Dilemma for Amara when she's like of age. 1038 00:47:12,000 --> 00:47:12,479 Speaker 1: I'm sure. 1039 00:47:12,640 --> 00:47:14,720 Speaker 4: But when I'm talking about what you listen to regularly, 1040 00:47:14,800 --> 00:47:16,319 Speaker 4: it's not about playing something for Omar. 1041 00:47:16,480 --> 00:47:17,120 Speaker 1: It's about what you. 1042 00:47:17,200 --> 00:47:20,239 Speaker 4: Play regularly in your crib. Lamar are gonna sing the 1043 00:47:20,320 --> 00:47:23,200 Speaker 4: fuck out of emotional fucking Oranges. She gonna know all 1044 00:47:23,280 --> 00:47:25,919 Speaker 4: that ship, but she's not gonna know no fucking Nelly 1045 00:47:26,719 --> 00:47:29,319 Speaker 4: until you put her on physically, Go and put her 1046 00:47:29,400 --> 00:47:30,000 Speaker 4: on to Nelly. 1047 00:47:30,320 --> 00:47:31,320 Speaker 1: You're gonna have to do that. 1048 00:47:31,480 --> 00:47:33,360 Speaker 2: Sometimes you gotta let the kids do their own digging 1049 00:47:33,400 --> 00:47:37,919 Speaker 2: and find the greats. They have to find the legends themselves. Kids, anymore. Yeah, 1050 00:47:38,040 --> 00:47:39,920 Speaker 2: like I had to. I dug through the crates and 1051 00:47:39,960 --> 00:47:42,400 Speaker 2: saw that Off the Wall album and just was like, 1052 00:47:42,520 --> 00:47:45,640 Speaker 2: who is this? Yeah? You had to? Yeah I discovered 1053 00:47:45,680 --> 00:47:47,239 Speaker 2: Michael on my own. Yeah I didn't. 1054 00:47:47,719 --> 00:47:51,440 Speaker 3: My mom wasn't just playing the Michael You was a 1055 00:47:51,520 --> 00:47:54,239 Speaker 3: kid like you discovered the Jumunji game. Yeah, fur the 1056 00:47:54,280 --> 00:47:55,560 Speaker 3: c did you have to find. 1057 00:47:58,040 --> 00:47:59,200 Speaker 1: All time at his peak? 1058 00:47:59,239 --> 00:48:01,440 Speaker 2: When you were like it was the second album, it 1059 00:48:01,480 --> 00:48:02,919 Speaker 2: was the second album to create, I was like, y'all 1060 00:48:02,920 --> 00:48:04,239 Speaker 2: want to hear his play this one? Yeah? 1061 00:48:04,600 --> 00:48:06,480 Speaker 4: Now that that didn't surprise me at all. It made 1062 00:48:06,520 --> 00:48:08,279 Speaker 4: me feel old as fuck, but it didn't surprise me 1063 00:48:08,360 --> 00:48:08,800 Speaker 4: at all. 1064 00:48:09,320 --> 00:48:11,359 Speaker 2: I guess. I mean, do you think they'd be able 1065 00:48:11,400 --> 00:48:13,400 Speaker 2: to recognize fifty? 1066 00:48:14,280 --> 00:48:16,920 Speaker 4: Yes, but that is because of who fifty is today. 1067 00:48:17,400 --> 00:48:19,959 Speaker 4: Are you see what I'm saying? Fifty just stopped being 1068 00:48:20,040 --> 00:48:22,880 Speaker 4: fifty and just disappear and caught some cases. What a 1069 00:48:22,920 --> 00:48:26,040 Speaker 4: way it'd be different? But fifty is still trolling niggas 1070 00:48:26,200 --> 00:48:27,680 Speaker 4: on the Shade Room to this day. 1071 00:48:28,239 --> 00:48:29,680 Speaker 2: They think he's the IG influencer. 1072 00:48:29,840 --> 00:48:33,279 Speaker 1: Yeah, exactly, gros shit, I mean, m just. 1073 00:48:33,280 --> 00:48:36,040 Speaker 3: Because he's white and they probably know him. I mean, 1074 00:48:36,560 --> 00:48:39,279 Speaker 3: all the rappers look like Wayne. Now, so that could 1075 00:48:39,280 --> 00:48:40,960 Speaker 3: be that could really like cross their wires. 1076 00:48:42,160 --> 00:48:43,400 Speaker 1: They know Lil Wayne, But. 1077 00:48:43,440 --> 00:48:46,080 Speaker 2: That's my thing. Wayne came out before Nelly. How do 1078 00:48:46,160 --> 00:48:47,680 Speaker 2: you know Lil Wayne and not Nelly? 1079 00:48:48,080 --> 00:48:52,919 Speaker 4: Because Wayne, well, Wayne's Wayne had a longer run than Nelly, 1080 00:48:53,400 --> 00:48:57,520 Speaker 4: a longer run. He has more kids, He has the 1081 00:48:57,680 --> 00:48:59,399 Speaker 4: famous baby mamas he had. 1082 00:48:59,520 --> 00:49:01,239 Speaker 1: Wayne had a lot that would keep. 1083 00:49:01,160 --> 00:49:05,680 Speaker 2: Him from He has a famous fiance. He just got her, 1084 00:49:06,480 --> 00:49:07,920 Speaker 2: had her for years, broke up and. 1085 00:49:07,920 --> 00:49:09,839 Speaker 1: Got back okay, broke up and got back together. 1086 00:49:09,880 --> 00:49:11,960 Speaker 4: You didn't grow up knowing that that was Laura London's 1087 00:49:11,960 --> 00:49:13,520 Speaker 4: baby father, that that was Nivia's baby. 1088 00:49:13,800 --> 00:49:15,239 Speaker 1: You didn't grow up knowing those things. 1089 00:49:15,760 --> 00:49:19,360 Speaker 4: That his daughter, Lil Wayne's daughter became so culturally relevant 1090 00:49:19,440 --> 00:49:21,560 Speaker 4: with the fucking kids. I guarantee all them kids know 1091 00:49:21,640 --> 00:49:23,160 Speaker 4: her because she used to go viral all the time. 1092 00:49:23,440 --> 00:49:25,120 Speaker 4: So then you have that his baby mother is on 1093 00:49:25,200 --> 00:49:28,200 Speaker 4: a fucking on a TV show, a couple of reality 1094 00:49:28,280 --> 00:49:31,160 Speaker 4: TV shows that they grew up watching, Like it's There's 1095 00:49:31,320 --> 00:49:35,080 Speaker 4: multiple things that go into that. Also, just the longer career, 1096 00:49:35,200 --> 00:49:37,440 Speaker 4: more kids, more culturally relevant. 1097 00:49:37,480 --> 00:49:37,960 Speaker 1: He's on here. 1098 00:49:38,040 --> 00:49:41,400 Speaker 4: They said that Wayne Chagibt said Wayne had the biggest 1099 00:49:41,440 --> 00:49:44,440 Speaker 4: cultural peak, like he ran the culture. He had the 1100 00:49:44,440 --> 00:49:47,760 Speaker 4: biggest peak when it came culturally. Not numbers, but culturally, 1101 00:49:47,880 --> 00:49:52,319 Speaker 4: And that makes sense. Not mad at that, y'all, y'all. 1102 00:49:52,360 --> 00:49:54,320 Speaker 4: I love y'all sticking up Finelli, though I fucked with 1103 00:49:54,400 --> 00:49:55,680 Speaker 4: Nellie and y'all should stick up with him. 1104 00:49:55,680 --> 00:49:57,480 Speaker 1: But I've stick up for him. But I'm not surprised 1105 00:49:57,520 --> 00:49:58,359 Speaker 1: them kids don't know him. 1106 00:49:58,680 --> 00:50:01,480 Speaker 2: I'm very surprised just knowing a picture of Nelly and 1107 00:50:01,520 --> 00:50:04,040 Speaker 2: you don't know who that is. That's that I thought 1108 00:50:04,040 --> 00:50:05,640 Speaker 2: it was fake. But you can see in that reaction 1109 00:50:06,040 --> 00:50:08,080 Speaker 2: they genuinely did not know who they were looking at. 1110 00:50:08,080 --> 00:50:09,640 Speaker 4: But you know what, I wouldn't be surprised if they 1111 00:50:09,760 --> 00:50:13,040 Speaker 4: know a song or know the name, but not recognize 1112 00:50:13,080 --> 00:50:13,480 Speaker 4: the face. 1113 00:50:13,440 --> 00:50:15,000 Speaker 1: He was singing along, And then that may yeah it 1114 00:50:15,120 --> 00:50:16,239 Speaker 1: was not knowing a song. 1115 00:50:17,280 --> 00:50:20,040 Speaker 4: Yeah, knowing the song and knowing the artist, Like if 1116 00:50:20,040 --> 00:50:22,200 Speaker 4: they say Nelly, oh, I know Nelly, they know who 1117 00:50:22,280 --> 00:50:24,400 Speaker 4: he is, but to recognize his face, especially when he 1118 00:50:24,480 --> 00:50:26,319 Speaker 4: was so much younger, I can understand why they thought 1119 00:50:26,320 --> 00:50:26,879 Speaker 4: he was bow Wow. 1120 00:50:26,960 --> 00:50:27,640 Speaker 1: They don't fucking know. 1121 00:50:28,719 --> 00:50:31,760 Speaker 2: Thinking Nelly is bow Wow. Yeah, you know Chris Cross, 1122 00:50:31,800 --> 00:50:34,960 Speaker 2: but not Nelly when somebody Keith Sweat, Keith Sweat, but. 1123 00:50:35,000 --> 00:50:38,000 Speaker 4: They obviously don't know Keith Sweat because they could they 1124 00:50:38,080 --> 00:50:40,160 Speaker 4: thought Nelly was him, So they don't know Keith Sweat. 1125 00:50:40,200 --> 00:50:40,839 Speaker 1: They know the name. 1126 00:50:41,040 --> 00:50:42,520 Speaker 3: But if you know the name and then you think 1127 00:50:42,560 --> 00:50:45,239 Speaker 3: that he looks like Keith Sweat, like you think you're 1128 00:50:45,320 --> 00:50:47,560 Speaker 3: looking at which means in your mind you kind of 1129 00:50:47,600 --> 00:50:50,600 Speaker 3: have an idea of what Keith Sweat looks like like. 1130 00:50:50,640 --> 00:50:52,840 Speaker 1: To even say, Keith nothing like Nelly. 1131 00:50:53,080 --> 00:50:55,400 Speaker 2: We know that. So that's my thing. It's like, how 1132 00:50:55,480 --> 00:50:58,200 Speaker 2: can you in your mind these young kids even say 1133 00:50:58,320 --> 00:51:00,719 Speaker 2: Keith Sweat, who was a star in the eighties and 1134 00:51:01,160 --> 00:51:05,320 Speaker 2: early nineties when they weren't even born. You go to 1135 00:51:05,400 --> 00:51:09,080 Speaker 2: Keith Sweat and you're looking at Nelly. So my mom 1136 00:51:09,160 --> 00:51:11,719 Speaker 2: listened to I think I remember that guy. That's like 1137 00:51:11,880 --> 00:51:14,560 Speaker 2: insane that that but just but just think about that 1138 00:51:14,680 --> 00:51:16,040 Speaker 2: that they would look at Nelly. 1139 00:51:15,840 --> 00:51:18,360 Speaker 1: And say, Grandmama was probably listening to Keith Sweat. 1140 00:51:19,680 --> 00:51:23,160 Speaker 2: That's yeah, yeah, because they know they're age twenty three. 1141 00:51:23,280 --> 00:51:25,920 Speaker 2: But I was listening to Keith Sweat. He wasn't listening 1142 00:51:25,960 --> 00:51:28,799 Speaker 2: to Keys. I mean not when like at his peak, 1143 00:51:28,840 --> 00:51:31,120 Speaker 2: but like we listened to Keith Sweat in high school 1144 00:51:31,160 --> 00:51:33,160 Speaker 2: for sure. Oh yeah, because it's timeless music. 1145 00:51:33,320 --> 00:51:34,000 Speaker 1: Yeah, of course. 1146 00:51:34,200 --> 00:51:38,319 Speaker 3: But it's not like the timeless music didn't stop at 1147 00:51:38,360 --> 00:51:41,480 Speaker 3: my generation. I feel like we were the last generation 1148 00:51:41,640 --> 00:51:45,160 Speaker 3: to listen to the timeless music before our time. I 1149 00:51:45,200 --> 00:51:48,560 Speaker 3: don't think these kids listened to the timeless music from 1150 00:51:48,600 --> 00:51:51,359 Speaker 3: my era. What would you consay we listened to all 1151 00:51:51,360 --> 00:51:52,920 Speaker 3: the timeless music from Mall's era? 1152 00:51:53,160 --> 00:51:55,480 Speaker 1: What do you think? What would you consider timeless music 1153 00:51:55,600 --> 00:51:56,120 Speaker 1: from your era? 1154 00:51:56,880 --> 00:52:00,319 Speaker 3: I mean, we just went through the two thousands Rolling 1155 00:52:00,400 --> 00:52:03,239 Speaker 3: Stone lists, which I think that that top ten was 1156 00:52:03,280 --> 00:52:05,400 Speaker 3: pretty spot on. In all ten of those albums are 1157 00:52:05,440 --> 00:52:08,320 Speaker 3: time just so we begin to revisit that. Of course, 1158 00:52:09,040 --> 00:52:10,719 Speaker 3: there's an exception to the rule. There are kids that 1159 00:52:10,800 --> 00:52:13,840 Speaker 3: still absolutely love music. I'm speaking in general, like the 1160 00:52:14,000 --> 00:52:17,440 Speaker 3: masses of kids. I just don't think, because I think 1161 00:52:17,520 --> 00:52:21,840 Speaker 3: we we all retain music the same way, whether it 1162 00:52:22,000 --> 00:52:25,879 Speaker 3: was from tapes to CDs. This era, they don't even 1163 00:52:25,920 --> 00:52:28,239 Speaker 3: know what that's like, so I don't think they even 1164 00:52:28,600 --> 00:52:31,800 Speaker 3: have to go research. I think they just listen to 1165 00:52:31,880 --> 00:52:33,320 Speaker 3: whatever is put in their algorithm. 1166 00:52:33,400 --> 00:52:33,839 Speaker 2: Out the gate. 1167 00:52:34,400 --> 00:52:36,879 Speaker 3: You can go to number one, Josh, you to show 1168 00:52:36,920 --> 00:52:40,040 Speaker 3: us ninety nine I'm sorry not Rolling Stone. It was 1169 00:52:40,080 --> 00:52:44,160 Speaker 3: complex to put out the top whatever albums of the 1170 00:52:44,200 --> 00:52:44,960 Speaker 3: twenty first century. 1171 00:52:45,880 --> 00:52:47,040 Speaker 2: My Beautiful Darks was a fantasy. 1172 00:52:47,080 --> 00:52:52,200 Speaker 3: Get Richard, I Try and Blueprint, Anti Marshall Mathers, LP, 1173 00:52:52,960 --> 00:52:57,600 Speaker 3: Damn Take Care, Blonde, Beyonce. 1174 00:52:58,680 --> 00:53:01,920 Speaker 2: House of Balloons. Those are ten timeless albums that. 1175 00:53:03,440 --> 00:53:05,759 Speaker 3: I don't know if these kids are listening the way 1176 00:53:06,080 --> 00:53:09,440 Speaker 3: I went back to Mal's era and Maul went back 1177 00:53:09,520 --> 00:53:11,960 Speaker 3: to his older brother's era, Like, I just don't think 1178 00:53:12,040 --> 00:53:12,480 Speaker 3: kids do that. 1179 00:53:12,719 --> 00:53:15,000 Speaker 2: I think my generation was the last generation to do 1180 00:53:15,120 --> 00:53:15,960 Speaker 2: that as a whole. 1181 00:53:16,200 --> 00:53:18,440 Speaker 4: What makes those albums timeless? Because it hasn't even been 1182 00:53:18,520 --> 00:53:21,320 Speaker 4: enough time to say that those albums are timeless, which. 1183 00:53:21,200 --> 00:53:25,040 Speaker 2: The ones he just named. Blonde Blonde is a timeless album. 1184 00:53:26,120 --> 00:53:28,160 Speaker 2: It's one of the greatest written albums. You can play 1185 00:53:28,239 --> 00:53:30,800 Speaker 2: that any year. It's not gonna sound dated. The concept, 1186 00:53:30,840 --> 00:53:31,839 Speaker 2: the lyrics are not going. 1187 00:53:31,760 --> 00:53:34,080 Speaker 1: To I'm not arguing about Blonde. I'm not gonna name 1188 00:53:34,960 --> 00:53:35,879 Speaker 1: twenty five years old. 1189 00:53:36,040 --> 00:53:38,279 Speaker 4: I'm not gonna I'm not gonna name which ones I'm 1190 00:53:38,320 --> 00:53:40,879 Speaker 4: referring to on an album I mean on that list, 1191 00:53:40,920 --> 00:53:44,040 Speaker 4: because I'm not fighting on a fucking stand basis. But 1192 00:53:44,480 --> 00:53:47,920 Speaker 4: some of those albums are not timeless. They may feel 1193 00:53:48,000 --> 00:53:50,280 Speaker 4: timeless to us, in my opinion, they may feel timeless 1194 00:53:50,320 --> 00:53:53,279 Speaker 4: to us because of how much we love them, because 1195 00:53:53,320 --> 00:53:55,520 Speaker 4: they're mean. They're all amazing fucking album We. 1196 00:53:55,560 --> 00:53:56,920 Speaker 2: Just spoke about that. I told you, I don't think 1197 00:53:56,920 --> 00:53:59,920 Speaker 2: my Beautiful Dog Twitch the Fantasy is better than Graduation. 1198 00:54:00,080 --> 00:54:01,800 Speaker 2: To me, I don't think it's a better album. I 1199 00:54:01,800 --> 00:54:05,239 Speaker 2: don't think it's more Thomass than Graduation at all. I 1200 00:54:05,360 --> 00:54:08,920 Speaker 2: don't it's a great album, but me personally, I go 1201 00:54:09,040 --> 00:54:11,440 Speaker 2: to graduation way before. How many years do you need 1202 00:54:11,719 --> 00:54:12,720 Speaker 2: for it to be timeless? 1203 00:54:13,320 --> 00:54:15,960 Speaker 4: I would go, I think twenty five is good. I 1204 00:54:16,000 --> 00:54:17,480 Speaker 4: think twenty is twenty. I think twenty is good. 1205 00:54:18,120 --> 00:54:21,080 Speaker 2: Yeah, albums thimselves good. Twenty five is the latest Thomas. 1206 00:54:21,200 --> 00:54:23,239 Speaker 1: Then get Richard. 1207 00:54:23,280 --> 00:54:27,239 Speaker 3: I try and was three, Blueprint was two thousand and one. 1208 00:54:28,480 --> 00:54:32,080 Speaker 3: Marshll moders up he was two thousand. Like, I think 1209 00:54:32,280 --> 00:54:35,160 Speaker 3: it's safe to say that those are timeless albums for sure. 1210 00:54:35,800 --> 00:54:40,800 Speaker 3: Like even when I started listening to Illmatic Thomless album, 1211 00:54:41,320 --> 00:54:45,520 Speaker 3: it probably wasn't that old, Like I don't know, twelve thirteen, 1212 00:54:45,560 --> 00:54:47,680 Speaker 3: I probably like really got into Elmatic that came out 1213 00:54:47,680 --> 00:54:50,759 Speaker 3: in ninety four, I think everyone was pretty okay with 1214 00:54:50,840 --> 00:54:52,200 Speaker 3: saying Elmatic was timeless at that time. 1215 00:54:52,239 --> 00:54:53,000 Speaker 2: I'm sure so. 1216 00:54:53,960 --> 00:54:56,799 Speaker 3: And because hip hop is the youngest genre, I think 1217 00:54:56,840 --> 00:55:00,239 Speaker 3: we have a different scale of timeless as far as 1218 00:55:00,320 --> 00:55:00,800 Speaker 3: albums go. 1219 00:55:01,239 --> 00:55:03,040 Speaker 2: Like now, if you think they showed those kids a 1220 00:55:03,120 --> 00:55:04,759 Speaker 2: picture of Frank Ocean, they would know who he was, 1221 00:55:05,560 --> 00:55:05,880 Speaker 2: I don't know. 1222 00:55:06,200 --> 00:55:09,640 Speaker 1: I don't think so, that's crazy. But even Frank like 1223 00:55:10,560 --> 00:55:13,719 Speaker 1: he never really showed his face. They're not even on 1224 00:55:13,800 --> 00:55:15,840 Speaker 1: his faces, are barely on his album covers. 1225 00:55:15,600 --> 00:55:18,839 Speaker 2: Like he's That's okay. So to my point, Nelly being 1226 00:55:18,920 --> 00:55:21,279 Speaker 2: who he is face being as recognized as it is 1227 00:55:21,840 --> 00:55:24,839 Speaker 2: with Sultan and not to them. But in the picture 1228 00:55:24,880 --> 00:55:27,200 Speaker 2: they showed was the iconic band they like, that was 1229 00:55:27,440 --> 00:55:30,640 Speaker 2: a thing. He inspired a whole look. So for them 1230 00:55:30,719 --> 00:55:33,560 Speaker 2: not to know Frank Ocean, who is relevant? It was 1231 00:55:34,000 --> 00:55:38,160 Speaker 2: it was closer to their age than Nelly is. And 1232 00:55:38,360 --> 00:55:41,120 Speaker 2: they don't know who Nelly is? What the fuck do 1233 00:55:41,239 --> 00:55:41,719 Speaker 2: these kids know? 1234 00:55:42,239 --> 00:55:43,640 Speaker 1: They know what's going on right now? 1235 00:55:43,920 --> 00:55:44,919 Speaker 2: Do you think they know Usher? 1236 00:55:45,840 --> 00:55:46,040 Speaker 1: Yes? 1237 00:55:46,560 --> 00:55:48,719 Speaker 4: But that's because of what Usher is doing now? Was 1238 00:55:48,760 --> 00:55:53,360 Speaker 4: that because of the now before the Super Bowls? The cherries, 1239 00:55:54,200 --> 00:55:55,439 Speaker 4: all of that I'm dead. 1240 00:55:55,440 --> 00:56:00,600 Speaker 3: I'm not laughing laughing at the fact that that's that's true. Yeah, 1241 00:56:00,680 --> 00:56:07,000 Speaker 3: being like, oh, that's cher Man's cherry Man. Cherry Man 1242 00:56:07,080 --> 00:56:11,319 Speaker 3: Freddy is his name. He'd be on skates and shit, right, yeah, yeah, 1243 00:56:11,320 --> 00:56:13,360 Speaker 3: he he's skating around on the stage and shit skating 1244 00:56:13,440 --> 00:56:21,719 Speaker 3: around what that's wild. This episode is brought to you 1245 00:56:22,040 --> 00:56:25,160 Speaker 3: by Walden University, Maul. You know, I've had not the 1246 00:56:25,320 --> 00:56:27,920 Speaker 3: best of luck when it comes to colleges, but finally 1247 00:56:28,360 --> 00:56:31,600 Speaker 3: I found a place where I can actually make a difference. 1248 00:56:31,680 --> 00:56:33,759 Speaker 3: And I feel like our listeners want to do the same, 1249 00:56:34,080 --> 00:56:36,120 Speaker 3: and that's why we're here to tell you about Walden 1250 00:56:36,360 --> 00:56:37,440 Speaker 3: University Fall. 1251 00:56:37,520 --> 00:56:39,960 Speaker 2: With fifty years, Walden has helped working adults like you 1252 00:56:40,040 --> 00:56:41,919 Speaker 2: get the w with the knowledge and skills to build 1253 00:56:41,960 --> 00:56:43,840 Speaker 2: the future you want and make a difference where it 1254 00:56:43,920 --> 00:56:44,640 Speaker 2: matters most. Well. 1255 00:56:44,640 --> 00:56:46,080 Speaker 3: I think it's I think it's time. I think you 1256 00:56:46,120 --> 00:56:48,120 Speaker 3: and I should both get our college degrees if I 1257 00:56:48,200 --> 00:56:50,560 Speaker 3: go to college. Yeah, because anytime I'm filling out an application, 1258 00:56:50,640 --> 00:56:52,160 Speaker 3: I just put you know, high School of Plumb and 1259 00:56:52,200 --> 00:56:53,840 Speaker 3: I feel weird about it, So you want to be 1260 00:56:54,040 --> 00:56:55,279 Speaker 3: There's so many other bubbles I. 1261 00:56:55,280 --> 00:56:57,160 Speaker 1: Should just I feel like we should go back. 1262 00:56:57,600 --> 00:56:59,440 Speaker 2: If you've been waiting for the right moment, this is 1263 00:56:59,520 --> 00:57:03,000 Speaker 2: it to Wolden you dot edu and take that first step. 1264 00:57:03,120 --> 00:57:06,200 Speaker 2: Walden University shut a course for change, certified to operate 1265 00:57:06,280 --> 00:57:06,759 Speaker 2: by chev. 1266 00:57:13,280 --> 00:57:15,920 Speaker 3: I mean we were talking about the the Nelly Country grammar, 1267 00:57:16,080 --> 00:57:18,440 Speaker 3: Nellyville back to back albums. Who do you think has 1268 00:57:18,480 --> 00:57:22,360 Speaker 3: the best three album run of all time? Two is 1269 00:57:22,400 --> 00:57:25,680 Speaker 3: too easy? And by three album I mean first album 1270 00:57:25,760 --> 00:57:27,840 Speaker 3: to third album. Can't cherry pick. 1271 00:57:28,200 --> 00:57:29,560 Speaker 1: He's talking about rappers only. 1272 00:57:31,200 --> 00:57:32,480 Speaker 2: We can start a rapp but we can we could 1273 00:57:32,560 --> 00:57:32,800 Speaker 2: move on. 1274 00:57:32,920 --> 00:57:36,120 Speaker 3: I mean if we go outside of rap, then we're 1275 00:57:36,160 --> 00:57:39,640 Speaker 3: looking at Michael Jackson, Off the Wall, Bad Thriller, And 1276 00:57:39,720 --> 00:57:43,120 Speaker 3: then I think the conversations over ushould got something to 1277 00:57:43,160 --> 00:57:47,120 Speaker 3: say to my way Confessions eighty seven oh one, to 1278 00:57:47,240 --> 00:57:50,920 Speaker 3: who the best three consecutive album run? Who he got 1279 00:57:51,000 --> 00:57:53,520 Speaker 3: something to say to to the conversation of best three 1280 00:57:53,520 --> 00:57:56,640 Speaker 3: album runs? It went my Way eighty seven oh one Confessions? Right, Yeah, 1281 00:57:57,000 --> 00:57:57,720 Speaker 3: I love Usher. 1282 00:57:58,240 --> 00:57:58,720 Speaker 2: That's crazy. 1283 00:57:58,760 --> 00:57:59,520 Speaker 1: That's a crazy run. 1284 00:57:59,600 --> 00:58:01,400 Speaker 4: That's a he ain't the three that that he just 1285 00:58:01,480 --> 00:58:03,400 Speaker 4: named from that Michael that Jackson Listen. 1286 00:58:03,960 --> 00:58:07,720 Speaker 3: No, I was like, okay, if we maybe let me 1287 00:58:07,800 --> 00:58:10,360 Speaker 3: let me explain something to you. First of all, with Michael, 1288 00:58:10,560 --> 00:58:14,160 Speaker 3: I discovered Michael Jackson, right, I don't take you who 1289 00:58:14,200 --> 00:58:17,080 Speaker 3: are you talking to I'm just saying three album runs. 1290 00:58:17,960 --> 00:58:21,360 Speaker 2: Nelly is in the conversation. I mean, not Nelly. Usher's 1291 00:58:21,400 --> 00:58:22,040 Speaker 2: in the conversation. 1292 00:58:23,440 --> 00:58:25,880 Speaker 4: They're saying best three album Run by the Numbers, Eminem. 1293 00:58:27,040 --> 00:58:29,520 Speaker 4: I'm not Jackie ma Rshall Mathers e P l P, 1294 00:58:29,720 --> 00:58:31,760 Speaker 4: The Eminem Show and Encore by the Numbers. 1295 00:58:32,040 --> 00:58:34,400 Speaker 3: That is incredible, though, But if we're something his first 1296 00:58:34,400 --> 00:58:37,120 Speaker 3: album was Slim Shady OLP even Slim Shady Op Marshall 1297 00:58:37,160 --> 00:58:40,200 Speaker 3: Mathers LP. Oh you said from the first album to 1298 00:58:40,280 --> 00:58:43,320 Speaker 3: the third year was my way Usher's first album? 1299 00:58:44,440 --> 00:58:47,000 Speaker 2: That I mean that I remember, unless it was Baby D. 1300 00:58:47,120 --> 00:58:48,480 Speaker 2: I don't know first album. 1301 00:58:48,680 --> 00:58:49,200 Speaker 1: What you're saying. 1302 00:58:49,200 --> 00:58:50,600 Speaker 4: I don't know if I was only comparing him to 1303 00:58:50,600 --> 00:58:53,240 Speaker 4: Michael Jackson, because I'm never paring nobody, Okay, So that's 1304 00:58:53,240 --> 00:58:54,720 Speaker 4: what I'm saying, Like you saying, I don't know. I 1305 00:58:55,000 --> 00:58:57,440 Speaker 4: agree with you on that if it's against anybody else. 1306 00:58:57,480 --> 00:58:58,440 Speaker 4: But I thought we were talking about you. 1307 00:58:58,440 --> 00:59:00,240 Speaker 2: See how crazy this is because I remember being in 1308 00:59:00,440 --> 00:59:03,680 Speaker 2: La right and going to get breakfast and going into 1309 00:59:03,760 --> 00:59:05,960 Speaker 2: this restaurant and Usher was in there eating breakfast too, 1310 00:59:06,440 --> 00:59:07,720 Speaker 2: and nobody knew who he was. 1311 00:59:09,320 --> 00:59:11,479 Speaker 1: What year was this? Was this the year you discovered Michael? 1312 00:59:11,560 --> 00:59:16,480 Speaker 2: Two years ago he had his Vegas residency and I'm. 1313 00:59:16,360 --> 00:59:18,600 Speaker 3: Sitting there Usher was sitting by himself eating pancakes and 1314 00:59:18,640 --> 00:59:19,280 Speaker 3: nobody noticed. 1315 00:59:19,480 --> 00:59:22,640 Speaker 1: Yes, I'm sure people noticed, left him alone. 1316 00:59:23,320 --> 00:59:25,640 Speaker 2: No I'm no, no they did not. 1317 00:59:25,880 --> 00:59:28,760 Speaker 1: Was this at Malibu's Soho House or something like. 1318 00:59:28,960 --> 00:59:31,600 Speaker 2: He would be recognized there, but no, but people leave 1319 00:59:31,680 --> 00:59:34,040 Speaker 2: him alone there like they did not. I'm talking about 1320 00:59:34,040 --> 00:59:36,439 Speaker 2: people walking in, sat down, nobody I didn't even look 1321 00:59:36,480 --> 00:59:39,720 Speaker 2: at him, And I'm like, yo, Usher is sitting right 1322 00:59:39,800 --> 00:59:42,760 Speaker 2: there eating breakfast by hisself and people are just walking in, 1323 00:59:43,000 --> 00:59:45,280 Speaker 2: sitting down and nobody's even looking at like, nobody even 1324 00:59:45,760 --> 00:59:48,640 Speaker 2: like gave him the salute, like I said, with something 1325 00:59:48,640 --> 00:59:50,320 Speaker 2: because he left through the back. I was sitting by 1326 00:59:50,440 --> 00:59:52,400 Speaker 2: in the back and he walked past me and I 1327 00:59:52,520 --> 00:59:54,000 Speaker 2: just gave him like a salute, like I didn't know 1328 00:59:54,120 --> 00:59:56,320 Speaker 2: say much to him, but like the fact that Usher 1329 00:59:56,520 --> 00:59:59,240 Speaker 2: is who he is and he was sitting in a 1330 00:59:59,320 --> 01:00:05,080 Speaker 2: fucking restaurant in California, in LA having breakfast and nobody 1331 01:00:05,160 --> 01:00:08,560 Speaker 2: in the restaurant even like looked at him and acknowledged him. 1332 01:00:08,600 --> 01:00:10,520 Speaker 3: Was insane to me. This is two years ago I'm 1333 01:00:10,520 --> 01:00:14,320 Speaker 3: talking about. He was had his Vegas residency already, So 1334 01:00:14,440 --> 01:00:15,040 Speaker 3: that's what I'm saying. 1335 01:00:15,040 --> 01:00:15,320 Speaker 6: It's like. 1336 01:00:15,960 --> 01:00:17,680 Speaker 2: And it wasn't young kids in the restaurant. It was 1337 01:00:17,880 --> 01:00:20,240 Speaker 2: you know, people my age, maybe a little younger. 1338 01:00:20,360 --> 01:00:22,000 Speaker 1: Like what color were there? 1339 01:00:22,720 --> 01:00:25,600 Speaker 2: It was Asians, white, black, like, it was all type 1340 01:00:25,640 --> 01:00:29,880 Speaker 2: of people in there. Nobody even I and I purposely 1341 01:00:29,920 --> 01:00:32,200 Speaker 2: looked at that to see if anybody was gonna fan 1342 01:00:32,280 --> 01:00:33,680 Speaker 2: out and be like, because you would have a right 1343 01:00:33,720 --> 01:00:35,240 Speaker 2: to fan out if you want into a restaurant. Usher 1344 01:00:35,280 --> 01:00:37,960 Speaker 2: sitting there myself eating he like, what the fuck Like, 1345 01:00:38,800 --> 01:00:40,560 Speaker 2: It's one of the greatest r and b artists of 1346 01:00:40,600 --> 01:00:44,040 Speaker 2: all time. Nobody even looked at him. 1347 01:00:44,080 --> 01:00:45,760 Speaker 4: If I see Usher in the restaurant, I'm gonna pretend 1348 01:00:45,840 --> 01:00:48,280 Speaker 4: Usher right there too. Bob always felt like. 1349 01:00:48,280 --> 01:00:50,320 Speaker 2: That way you had bowl hanging from your ceiling and 1350 01:00:50,720 --> 01:00:52,600 Speaker 2: shot an episode with him and said nothing to him. 1351 01:00:52,600 --> 01:00:53,640 Speaker 2: You may have said hello and that was it. 1352 01:00:53,800 --> 01:00:54,560 Speaker 1: Yeah, I don't. 1353 01:00:54,640 --> 01:00:57,880 Speaker 4: I don't I want them to feel I can only 1354 01:00:58,000 --> 01:00:59,760 Speaker 4: imagine how hard it is to live your life being 1355 01:00:59,760 --> 01:01:01,880 Speaker 4: a f famous. I don't want to be another stressor 1356 01:01:01,920 --> 01:01:03,440 Speaker 4: add on to what live your fucking life. 1357 01:01:03,440 --> 01:01:04,040 Speaker 1: I'm not going to tell you. 1358 01:01:04,040 --> 01:01:05,560 Speaker 2: I'm not saying nobody should have ran up to him 1359 01:01:05,560 --> 01:01:08,160 Speaker 2: and asks for pictures while he was eating pancakes. No, 1360 01:01:09,080 --> 01:01:10,520 Speaker 2: but nobody even said hello. 1361 01:01:11,960 --> 01:01:14,560 Speaker 3: I mean, I don't we joke about me and my fandom, 1362 01:01:14,640 --> 01:01:16,880 Speaker 3: But like in real life, off the mic, I would 1363 01:01:16,960 --> 01:01:18,480 Speaker 3: leave Usher alone. Of course I'd be like, oh shit, 1364 01:01:18,480 --> 01:01:20,720 Speaker 3: that's Usher, but I would never say, yeah, I didn't 1365 01:01:20,720 --> 01:01:22,680 Speaker 3: bother him. I said no, no, no, peace to him 1366 01:01:22,680 --> 01:01:24,400 Speaker 3: when he was leaving. I think I think most people 1367 01:01:24,680 --> 01:01:27,640 Speaker 3: ironically are like that, at least in major cities. 1368 01:01:28,880 --> 01:01:29,080 Speaker 1: Yeah. 1369 01:01:29,160 --> 01:01:31,360 Speaker 4: Like you saying nobody recognized him, I'm sure that somebody 1370 01:01:31,400 --> 01:01:33,480 Speaker 4: recognized him. I think people just left him alone, which 1371 01:01:33,560 --> 01:01:33,959 Speaker 4: is nice. 1372 01:01:34,640 --> 01:01:35,000 Speaker 2: I get it. 1373 01:01:35,160 --> 01:01:38,520 Speaker 3: Like in New York, that's pretty common. Like Chris walks 1374 01:01:38,520 --> 01:01:40,640 Speaker 3: down Bleaker Street, Nobody's gonna bother him except for us 1375 01:01:40,720 --> 01:01:43,200 Speaker 3: when we're shooting a promo. Yeah, but at least we 1376 01:01:43,240 --> 01:01:45,919 Speaker 3: had a purpose. We were working, but we looked nuts 1377 01:01:45,960 --> 01:01:47,480 Speaker 3: doing it. Even people were looking at us like why 1378 01:01:47,520 --> 01:01:48,080 Speaker 3: are you filming them? 1379 01:01:48,080 --> 01:01:51,720 Speaker 2: Like, leave them alone? It's Chris, leave them alone. He's here, 1380 01:01:51,760 --> 01:01:52,760 Speaker 2: every day, walks every day. 1381 01:01:52,880 --> 01:01:55,320 Speaker 4: Well, going back to the biggest three album run by 1382 01:01:55,360 --> 01:01:57,920 Speaker 4: the numbers, so they said Eminem has the first one. 1383 01:01:58,320 --> 01:02:00,320 Speaker 4: They said the runner up would be Drake with care. 1384 01:02:00,400 --> 01:02:03,600 Speaker 4: Nothing was the same in views. As far as sales, say, 1385 01:02:03,640 --> 01:02:06,000 Speaker 4: he has huge streaming numbers, but nowhere near M's physical 1386 01:02:06,040 --> 01:02:09,240 Speaker 4: sales still the most dominant. Yeah, streaming era three album run. 1387 01:02:09,360 --> 01:02:11,800 Speaker 4: I don't really care about the sales, but I mean 1388 01:02:11,880 --> 01:02:14,800 Speaker 4: but that sales do matter, especially if you're talking about 1389 01:02:14,960 --> 01:02:17,360 Speaker 4: back then if I add Drake. 1390 01:02:17,200 --> 01:02:18,840 Speaker 3: To this list, if it's not, if you don't have 1391 01:02:18,920 --> 01:02:21,080 Speaker 3: to go with the first three, if you do nothing, 1392 01:02:21,120 --> 01:02:23,040 Speaker 3: it was the same take care to if you're. 1393 01:02:23,240 --> 01:02:25,080 Speaker 1: There was the views, it was take care. Nothing was 1394 01:02:25,120 --> 01:02:25,800 Speaker 1: the same to views. 1395 01:02:26,040 --> 01:02:28,680 Speaker 2: That's that's one of the most insane three album runs 1396 01:02:28,760 --> 01:02:31,200 Speaker 2: in history. But let's stick with the one to three. 1397 01:02:31,640 --> 01:02:35,840 Speaker 3: I think Kanye college dropout, late registration yep here graduation 1398 01:02:36,040 --> 01:02:36,960 Speaker 3: is absolutely insane. 1399 01:02:37,760 --> 01:02:38,320 Speaker 1: Not for nothing. 1400 01:02:38,360 --> 01:02:41,000 Speaker 3: I think Wayne Carter one through three is crazy. I 1401 01:02:41,080 --> 01:02:43,600 Speaker 3: know Carter one isn't like revered the way a lot 1402 01:02:43,640 --> 01:02:45,800 Speaker 3: of people's shit is, but I put that there for sure. 1403 01:02:46,800 --> 01:02:50,800 Speaker 2: So according to hip Hop, he said Jay's peak, well, 1404 01:02:50,840 --> 01:02:53,080 Speaker 2: he acts like one year peak. He said ninety eight 1405 01:02:53,120 --> 01:02:54,880 Speaker 2: to O three in the garden as the single moment, 1406 01:02:57,000 --> 01:03:01,240 Speaker 2: the fade to black. Okay, when he passed the city 1407 01:03:01,280 --> 01:03:01,959 Speaker 2: over to you and bleak. 1408 01:03:02,200 --> 01:03:02,680 Speaker 1: That makes sense. 1409 01:03:03,000 --> 01:03:05,440 Speaker 2: Look who he passes. Happy birthday home by the way. 1410 01:03:07,000 --> 01:03:11,680 Speaker 1: Oh no, it's nine birthdays tomorrow. Oh yeah, it comes 1411 01:03:11,680 --> 01:03:14,960 Speaker 1: out tomorrow. You're right. I'm just gonna lie too. 1412 01:03:15,560 --> 01:03:16,439 Speaker 2: How old is day today? 1413 01:03:17,080 --> 01:03:18,120 Speaker 1: Sixty fifty six? 1414 01:03:19,560 --> 01:03:24,160 Speaker 3: I am sixty nine, seventy sixty nine, I think sixty nine. 1415 01:03:24,200 --> 01:03:29,600 Speaker 4: Pause, he will be fifty six tomorrow today? Well today, yes, sorry, 1416 01:03:29,960 --> 01:03:31,120 Speaker 4: fifty six today. 1417 01:03:32,640 --> 01:03:34,840 Speaker 3: So we don't leave our Southern listeners out. T I 1418 01:03:35,000 --> 01:03:37,800 Speaker 3: Trap Music, Urban Legend, and King is a Crazy three. 1419 01:03:38,880 --> 01:03:42,720 Speaker 3: That is a crazy three for sure. You could argued 1420 01:03:43,160 --> 01:03:48,720 Speaker 3: those are three classic albums, especially if you're from Atlanta. 1421 01:03:51,040 --> 01:03:51,400 Speaker 5: NAS. 1422 01:03:52,120 --> 01:03:54,000 Speaker 3: I like I Am, but I'm biased there, but I 1423 01:03:54,080 --> 01:03:58,480 Speaker 3: think illmatic. It was written I Am is a crazy three. Well, 1424 01:03:58,560 --> 01:04:01,080 Speaker 3: it was written in illmatic. I liked I Am, but 1425 01:04:01,080 --> 01:04:02,520 Speaker 3: I see what I Am was a good album, but 1426 01:04:02,600 --> 01:04:06,960 Speaker 3: it's it wasn't that those two Kendrick good Kid, Pimp 1427 01:04:07,000 --> 01:04:13,000 Speaker 3: a Butterfly, Damn. I mean that's that's that's that's they 1428 01:04:13,080 --> 01:04:16,919 Speaker 3: did sell section eighty Like, that's always been a weird debate. 1429 01:04:17,160 --> 01:04:19,680 Speaker 3: Is Good Kid, Mad City his first album or not? 1430 01:04:19,800 --> 01:04:21,440 Speaker 2: Because it's his first album. 1431 01:04:21,720 --> 01:04:23,760 Speaker 3: I think it is as well, but I've seen people 1432 01:04:23,880 --> 01:04:26,080 Speaker 3: argue it very well, like do it was sold on 1433 01:04:26,160 --> 01:04:29,280 Speaker 3: iTunes for nine ninety nine? That's not a mixtape? What 1434 01:04:29,440 --> 01:04:32,240 Speaker 3: especially during that era? But even section eighty, Good Kid, 1435 01:04:32,320 --> 01:04:34,120 Speaker 3: Mad City, Pip Butterflies, Crazy three? 1436 01:04:34,680 --> 01:04:37,160 Speaker 1: What about Pluto Honest and Dirty Spry Too. 1437 01:04:37,840 --> 01:04:41,040 Speaker 2: Yeah, it's nuts. I'm not mad at that at all. 1438 01:04:42,480 --> 01:04:46,680 Speaker 1: Drake's first three Pluto Honest, Dirty Sprite Too. 1439 01:04:47,240 --> 01:04:50,880 Speaker 2: Yeah, what you said, first three? I like to thank 1440 01:04:51,000 --> 01:04:55,640 Speaker 2: me later, but it's pretty low on my Drake desography. 1441 01:04:56,480 --> 01:04:57,840 Speaker 1: Higher mind than people would think. 1442 01:04:58,560 --> 01:05:01,400 Speaker 3: So I've really I really like thank me later, but 1443 01:05:02,080 --> 01:05:05,680 Speaker 3: I don't know if it's in a conversation. That's why 1444 01:05:05,680 --> 01:05:08,160 Speaker 3: I was saying when you were texting, hop if it 1445 01:05:08,240 --> 01:05:11,360 Speaker 3: went nothing was the same? 1446 01:05:11,560 --> 01:05:14,080 Speaker 2: Take care to views like, that's the craziest three album 1447 01:05:14,320 --> 01:05:20,000 Speaker 2: ship to me, Outcast, Southern Playlistic, Cadillac, Funky Music, eight, 1448 01:05:20,080 --> 01:05:27,920 Speaker 2: Aliens of Quemini, Shod Damn. Yeah, I don't know that 1449 01:05:28,160 --> 01:05:30,440 Speaker 2: that might take it for me. Do artists even put 1450 01:05:30,480 --> 01:05:32,680 Speaker 2: out three consecutive like great albums anymore. 1451 01:05:33,120 --> 01:05:34,400 Speaker 1: They barely put out albums. 1452 01:05:34,480 --> 01:05:36,280 Speaker 2: They barely put out three, right, they barely put out 1453 01:05:36,280 --> 01:05:38,160 Speaker 2: three albums. Able to get three albums out? I didn't 1454 01:05:38,160 --> 01:05:39,880 Speaker 2: even think about this, Mary, what's the four on one? 1455 01:05:39,960 --> 01:05:42,800 Speaker 2: My life? Share my world? Let me tell you something 1456 01:05:42,880 --> 01:05:45,760 Speaker 2: that's a crazy three? Someone? What's the four one one? Draw? 1457 01:05:48,400 --> 01:05:51,479 Speaker 2: That was two? Y'all don't even know how Mary fucked 1458 01:05:51,480 --> 01:05:54,680 Speaker 2: the city up? Mary fucked the city up? But what's 1459 01:05:54,720 --> 01:05:55,400 Speaker 2: the four one one? 1460 01:05:55,440 --> 01:05:57,520 Speaker 3: Would you say it was comparable to how Nelly fucked 1461 01:05:57,560 --> 01:05:58,720 Speaker 3: the city up with the Barkleys? 1462 01:05:59,640 --> 01:06:04,479 Speaker 2: Nah? Well Mary did? It was a little different, Mary, 1463 01:06:04,560 --> 01:06:08,200 Speaker 2: j Bliger, Lawrence Hill, what's the four on one or 1464 01:06:08,240 --> 01:06:13,080 Speaker 2: the Miseducation? They're not really comparing, can't. They're like different, 1465 01:06:13,080 --> 01:06:16,640 Speaker 2: They're completely different album different sounds, different energy, different everything. 1466 01:06:16,800 --> 01:06:21,040 Speaker 2: Two totally different artists. But when what's the four on one? Drop? Man? 1467 01:06:22,320 --> 01:06:26,160 Speaker 2: Jesus Christ? Like, you couldn't go, You couldn't You couldn't 1468 01:06:26,160 --> 01:06:28,400 Speaker 2: stand outside for ten minutes and not hear called rod 1469 01:06:28,440 --> 01:06:31,760 Speaker 2: By and playing Mary. I'm talking about guys like everybody 1470 01:06:31,880 --> 01:06:35,040 Speaker 2: was playing that shit in they cars like Mary. And again, 1471 01:06:35,080 --> 01:06:38,440 Speaker 2: I'm speaking strictly off of growing up in New York. 1472 01:06:38,480 --> 01:06:40,600 Speaker 2: I don't know what Mary was doing on the West 1473 01:06:40,640 --> 01:06:43,080 Speaker 2: Coast or the Midwest, but in New York City, when 1474 01:06:43,120 --> 01:06:46,040 Speaker 2: what's the fall on one drop? That's all you heard 1475 01:06:46,600 --> 01:06:48,400 Speaker 2: because the sound it was R and B, but it 1476 01:06:48,520 --> 01:06:51,440 Speaker 2: was the music was hip hop. Yeah, you know what 1477 01:06:51,480 --> 01:06:53,120 Speaker 2: I mean. So it was it was easy to play it. 1478 01:06:53,880 --> 01:06:57,480 Speaker 2: You know, guys didn't feel too like sexied out, you know, 1479 01:06:57,600 --> 01:07:00,720 Speaker 2: driving down in the Honda court, had your back bumping 1480 01:07:00,880 --> 01:07:03,440 Speaker 2: that ship like because it had it had beat to it. 1481 01:07:03,520 --> 01:07:05,800 Speaker 2: It had you know, the music was was hip hop. 1482 01:07:05,880 --> 01:07:09,520 Speaker 2: But what Mary did over those beats was yeah, she 1483 01:07:09,680 --> 01:07:11,680 Speaker 2: she she she had New York turned upside down. 1484 01:07:11,760 --> 01:07:14,720 Speaker 4: So I did R and B by numbers just so 1485 01:07:14,840 --> 01:07:17,440 Speaker 4: we always acknowledge numbers. US sure is number one with 1486 01:07:17,640 --> 01:07:19,520 Speaker 4: My Way eighty seven oh one in Confessions. 1487 01:07:19,600 --> 01:07:21,080 Speaker 2: What do you know what a coinky didn't. 1488 01:07:21,360 --> 01:07:24,280 Speaker 4: Number two would be Beyonce with Dangerously in Love Me 1489 01:07:24,480 --> 01:07:27,560 Speaker 4: Day and I Am Sah Mary, And then number three 1490 01:07:27,600 --> 01:07:29,840 Speaker 4: would be Whitney with her debut Whitney and then I'm 1491 01:07:29,880 --> 01:07:33,200 Speaker 4: Your Baby Tonight d I'm Your Baby. Mariah's four and 1492 01:07:33,320 --> 01:07:34,160 Speaker 4: Mary is five. 1493 01:07:35,120 --> 01:07:38,800 Speaker 3: If you're not starting at the first album Beyonce four 1494 01:07:39,200 --> 01:07:40,440 Speaker 3: to Beyonce the Lemonade. 1495 01:07:40,680 --> 01:07:44,920 Speaker 2: I think cliped Give gives hang it Up flatt kind 1496 01:07:44,920 --> 01:07:49,920 Speaker 2: of the craziest three flat period. I mean, I know 1497 01:07:50,040 --> 01:07:51,240 Speaker 2: it's because his birthday. 1498 01:07:52,120 --> 01:07:54,240 Speaker 3: I like Volume one, reasonable doubts to Volume one to 1499 01:07:54,280 --> 01:07:56,959 Speaker 3: Volume two is still a crazy three to me for people. 1500 01:07:57,000 --> 01:08:00,520 Speaker 2: People would take Volume one as like the me later 1501 01:08:00,600 --> 01:08:02,959 Speaker 2: of that one. They don't for some reason. They didn't 1502 01:08:03,120 --> 01:08:06,320 Speaker 2: like Volume one, not though Volume one was great. I 1503 01:08:06,400 --> 01:08:09,240 Speaker 2: still listen to Volume one, yeah, but I mean it 1504 01:08:09,280 --> 01:08:14,480 Speaker 2: probably doesn't compete with Blueprint to Black Album, well not 1505 01:08:14,560 --> 01:08:18,360 Speaker 2: Blueprint three. Yeah, Jay has a weird desography in that order. 1506 01:08:20,080 --> 01:08:21,760 Speaker 1: I don't know. I'm leaning on the rap side. 1507 01:08:21,880 --> 01:08:26,920 Speaker 3: It's probably Kanye for me personally, I would say personally 1508 01:08:27,080 --> 01:08:31,680 Speaker 3: college dropout, late registration, graduation to me is probably for. 1509 01:08:31,760 --> 01:08:38,519 Speaker 2: Me college drop out, late registration and graduation. Yeah, Kendrick 1510 01:08:38,560 --> 01:08:43,000 Speaker 2: would be close there as well. That that Kanye three 1511 01:08:43,120 --> 01:08:46,120 Speaker 2: is crazy. I don't know why. 1512 01:08:46,120 --> 01:08:48,280 Speaker 3: I think anytime I try to have rap debates, I 1513 01:08:48,360 --> 01:08:50,760 Speaker 3: go back to like reality, not even like what I'm 1514 01:08:50,760 --> 01:08:53,479 Speaker 3: thinking in my brain, and it usually lands on Kanye West. 1515 01:08:53,680 --> 01:08:57,160 Speaker 2: That Kanye three is crazy, Like you know the music 1516 01:08:57,200 --> 01:08:58,240 Speaker 2: that's one of those three albums. 1517 01:08:58,640 --> 01:09:01,040 Speaker 4: Maybe it's maybe it's because I'm a little bit younger 1518 01:09:01,080 --> 01:09:03,920 Speaker 4: than you. I don't know how you're and I don't 1519 01:09:03,920 --> 01:09:05,760 Speaker 4: want to say you're downplaying thank Me Later. 1520 01:09:06,560 --> 01:09:08,320 Speaker 1: But I just remember when thank Me Later came. 1521 01:09:08,479 --> 01:09:12,480 Speaker 3: I love Thank Me Later. I just think like Drake ascended. 1522 01:09:13,960 --> 01:09:17,000 Speaker 3: Going from thank Me Later then going to nothing was 1523 01:09:17,040 --> 01:09:19,840 Speaker 3: the same. I'm sorry, take Care then to nothing was 1524 01:09:19,880 --> 01:09:21,200 Speaker 3: the same, was like, yes, he. 1525 01:09:23,439 --> 01:09:27,920 Speaker 2: To take Care It's insane. And then it don't even 1526 01:09:28,000 --> 01:09:29,680 Speaker 2: sound like the same It almost don't even sound like 1527 01:09:29,720 --> 01:09:31,400 Speaker 2: the same artists. When you listen to thank Me Later 1528 01:09:31,400 --> 01:09:32,479 Speaker 2: and listen to take Care. 1529 01:09:32,520 --> 01:09:35,600 Speaker 3: It's actually similar to Kanye where you sound like it 1530 01:09:35,640 --> 01:09:39,040 Speaker 3: doesn't even sound like the same voice. Yeah, college dropout 1531 01:09:39,080 --> 01:09:41,200 Speaker 3: to graduation doesn't even sound like the same person. 1532 01:09:42,840 --> 01:09:46,760 Speaker 4: So I hear you, but I'm sorry, I'm rolling. I'm 1533 01:09:46,840 --> 01:09:49,320 Speaker 4: rolling with with Drake's first three over Kanye's first three. 1534 01:09:49,760 --> 01:09:52,479 Speaker 4: But that could just that could just be a all right, 1535 01:09:52,520 --> 01:09:55,599 Speaker 4: do you prefer college dropout or thankulator thank me Later? 1536 01:09:56,040 --> 01:09:56,439 Speaker 1: Interesting? 1537 01:09:56,600 --> 01:10:01,320 Speaker 2: Okay, thank me Later is in my top four, so 1538 01:10:02,560 --> 01:10:04,880 Speaker 2: late registration versus take Care, take Care? 1539 01:10:05,280 --> 01:10:05,760 Speaker 1: No matter that. 1540 01:10:06,840 --> 01:10:11,559 Speaker 2: Then graduation versus nothing was the same like, no matter, listen, 1541 01:10:11,600 --> 01:10:13,160 Speaker 2: I'm not even here of like, really you're not. 1542 01:10:13,160 --> 01:10:14,360 Speaker 1: I think the only one I would give you. 1543 01:10:14,320 --> 01:10:16,400 Speaker 3: Push back on is stake me later college dropout, because 1544 01:10:16,439 --> 01:10:18,680 Speaker 3: to me, that's an easy college dropout. But the up 1545 01:10:18,720 --> 01:10:20,479 Speaker 3: two and three I don't up for debate, and I 1546 01:10:20,479 --> 01:10:20,960 Speaker 3: wouldn't be. 1547 01:10:20,920 --> 01:10:22,200 Speaker 2: Mad at anyone in that regard. 1548 01:10:22,439 --> 01:10:27,760 Speaker 3: Yeah, but yeah, those would be I guess the the 1549 01:10:27,840 --> 01:10:32,440 Speaker 3: best three if you're doing two, get Rich, Massacred, Nelly, Nellyville, 1550 01:10:32,760 --> 01:10:34,880 Speaker 3: Illmatic it was written. 1551 01:10:36,080 --> 01:10:41,920 Speaker 2: College dropout, Late registration probably takes the two category for 1552 01:10:42,000 --> 01:10:45,120 Speaker 2: me as far as that goes, But then I guess it. 1553 01:10:46,400 --> 01:10:49,400 Speaker 2: Slimshady LP and Marshall Mathers LP are both fucking incredible. 1554 01:10:51,800 --> 01:10:53,519 Speaker 2: I just think m sucks Now. I didn't think he 1555 01:10:53,600 --> 01:10:57,200 Speaker 2: sucked the No. Four M albums. 1556 01:10:57,200 --> 01:10:59,320 Speaker 1: You think Running It makes timeless music? Not? Given my 1557 01:10:59,360 --> 01:11:01,479 Speaker 1: opinion on this. Do you think eminem makes timeless music? 1558 01:11:02,000 --> 01:11:06,040 Speaker 3: No, and not by my definition. That's only because of 1559 01:11:06,120 --> 01:11:08,960 Speaker 3: the content in which I heard it. I was ten 1560 01:11:09,080 --> 01:11:12,880 Speaker 3: years old listening to Marshamathers LP, and the thought of 1561 01:11:14,000 --> 01:11:16,200 Speaker 3: how dangerous it was that I was ten and hiding 1562 01:11:16,280 --> 01:11:18,680 Speaker 3: it from my mom added to the factor of the 1563 01:11:18,920 --> 01:11:21,639 Speaker 3: entire thing. It was like shock Jock Howard Stern type 1564 01:11:21,680 --> 01:11:21,960 Speaker 3: of thing. 1565 01:11:23,240 --> 01:11:24,240 Speaker 2: You had to hide that album. 1566 01:11:24,960 --> 01:11:26,840 Speaker 3: I had to hide a Country Grammar And then then 1567 01:11:26,880 --> 01:11:29,960 Speaker 3: my mom found it and broken in half because the 1568 01:11:30,720 --> 01:11:34,240 Speaker 3: intro is you can find me and say all this 1569 01:11:34,439 --> 01:11:39,960 Speaker 3: I'm got to others going down down. Intro is others 1570 01:11:40,120 --> 01:11:42,640 Speaker 3: just smoking fuck old Day, that's the intro. And my 1571 01:11:42,760 --> 01:11:45,360 Speaker 3: mom was like, no, got you. 1572 01:11:45,960 --> 01:11:48,200 Speaker 2: So it's funny that that's his album that his his 1573 01:11:48,320 --> 01:11:52,920 Speaker 2: mom would like Grammar and Mons was Doggie style Snoop. 1574 01:11:52,720 --> 01:11:56,920 Speaker 1: Drastically my mother would have had, you know, the content, 1575 01:11:57,200 --> 01:11:57,719 Speaker 1: the difference. 1576 01:11:58,640 --> 01:12:01,200 Speaker 2: It was a Snoop with Jack Off out country Grandma, 1577 01:12:01,320 --> 01:12:02,320 Speaker 2: Oh my god. 1578 01:12:02,320 --> 01:12:05,160 Speaker 1: Yeah, Country Grammar wasn't even crazy Country. 1579 01:12:04,880 --> 01:12:08,240 Speaker 2: Grandma was like Miss Rachel compared to with Snooper saying 1580 01:12:08,240 --> 01:12:10,639 Speaker 2: her doggy style. You know what Snooper saying, Nor doggie style. 1581 01:12:10,920 --> 01:12:13,160 Speaker 2: It ain't no fun if the homieskin have My mother's. 1582 01:12:12,880 --> 01:12:15,160 Speaker 1: Like turn that it's a sessional song about gang rape. 1583 01:12:15,960 --> 01:12:18,120 Speaker 3: And now my mom knows, she probably knows what Snoop 1584 01:12:18,200 --> 01:12:20,599 Speaker 3: is doing right now, Like that's how much my mom 1585 01:12:20,640 --> 01:12:21,439 Speaker 3: loves Snoop now, Like. 1586 01:12:22,360 --> 01:12:24,519 Speaker 4: I was never banned from listening to music and when 1587 01:12:24,560 --> 01:12:26,000 Speaker 4: I look back, I should have like I should not 1588 01:12:26,080 --> 01:12:28,760 Speaker 4: have been listening to the deep Jenna Jackson cut to 1589 01:12:28,920 --> 01:12:31,120 Speaker 4: eight years old, like that probably shaped the way that 1590 01:12:31,200 --> 01:12:34,559 Speaker 4: I am today. But it was always movies. They never 1591 01:12:34,680 --> 01:12:36,040 Speaker 4: banned me from music because. 1592 01:12:35,840 --> 01:12:37,360 Speaker 2: My father life looked like you was in the house 1593 01:12:37,439 --> 01:12:39,080 Speaker 2: dancing slow. So that's the way love goes. 1594 01:12:39,760 --> 01:12:41,120 Speaker 1: There's so many worse songs. 1595 01:12:41,360 --> 01:12:43,519 Speaker 3: Yeah, there's made you look at that song from the 1596 01:12:43,520 --> 01:12:45,320 Speaker 3: certain you wouldn't think it would be. 1597 01:12:45,439 --> 01:12:46,080 Speaker 2: It was bad. 1598 01:12:46,280 --> 01:12:46,479 Speaker 6: It was. 1599 01:12:46,560 --> 01:12:50,000 Speaker 4: She had ship that to this day is like like 1600 01:12:50,080 --> 01:12:51,920 Speaker 4: when my dad was talking about WAP. I'm like, you 1601 01:12:52,080 --> 01:12:56,200 Speaker 4: had me listening to Janet very young. It's way worse, 1602 01:12:56,880 --> 01:12:57,400 Speaker 4: way worse. 1603 01:12:57,520 --> 01:12:59,519 Speaker 1: She got songs that's like go. 1604 01:12:59,680 --> 01:13:01,880 Speaker 2: Deep, would go deeper. It feels so good. I'm about 1605 01:13:01,880 --> 01:13:05,080 Speaker 2: to cry, but you know what time. Yeah, but baby 1606 01:13:05,320 --> 01:13:08,240 Speaker 2: was like ten screaming that ship. She was internalizing for sure. 1607 01:13:08,360 --> 01:13:10,920 Speaker 3: She didn't didn't know at the time, but it was 1608 01:13:10,960 --> 01:13:13,599 Speaker 3: like two years old singing that boy go deeper, baby 1609 01:13:13,840 --> 01:13:16,439 Speaker 3: d But you I would have beat. My daughter asked 1610 01:13:16,439 --> 01:13:18,280 Speaker 3: if I came in, and she was saying, singing that ship. 1611 01:13:18,640 --> 01:13:19,439 Speaker 1: My dad never cared. 1612 01:13:19,479 --> 01:13:22,760 Speaker 3: Like I remember, I left my CD booklet on the 1613 01:13:22,840 --> 01:13:24,479 Speaker 3: bus when I went to go see him, and it 1614 01:13:24,600 --> 01:13:26,760 Speaker 3: was one of the most distraught days of my entire life. 1615 01:13:26,800 --> 01:13:28,960 Speaker 2: You want to go see who my dad. I left 1616 01:13:29,000 --> 01:13:33,000 Speaker 2: my CD like on the bus. Oh my god, And 1617 01:13:33,280 --> 01:13:35,559 Speaker 2: thank god I let that was like losing your phone. 1618 01:13:37,080 --> 01:13:39,160 Speaker 3: I would throw my phone against a brick wall right 1619 01:13:39,200 --> 01:13:40,439 Speaker 3: now if I could go back to that day to 1620 01:13:40,479 --> 01:13:42,519 Speaker 3: get on my CD. But thank god, I let all 1621 01:13:42,600 --> 01:13:45,360 Speaker 3: my friends burn on my CDs so I had copies 1622 01:13:45,840 --> 01:13:49,200 Speaker 3: to do that. But my dad saw how destrayed I was, 1623 01:13:49,400 --> 01:13:51,559 Speaker 3: and he took me the CD store and he let 1624 01:13:51,640 --> 01:13:54,479 Speaker 3: me buy Mob deep Murder music that was a makeup for. 1625 01:13:54,520 --> 01:13:58,960 Speaker 2: It, and then let me put it in his jeep. 1626 01:14:00,160 --> 01:14:05,360 Speaker 2: Left that made up for your entire collection, Like let 1627 01:14:05,400 --> 01:14:07,160 Speaker 2: me get this new this new Mob. No, he saw 1628 01:14:07,200 --> 01:14:08,719 Speaker 2: how this struct like shout out to my posts. 1629 01:14:08,800 --> 01:14:09,560 Speaker 1: He saw that. 1630 01:14:09,680 --> 01:14:11,920 Speaker 2: I was like, No, that was that was losing your 1631 01:14:11,960 --> 01:14:14,840 Speaker 2: CD collection, lost my life. Yeah, that's that was losing 1632 01:14:14,880 --> 01:14:17,479 Speaker 2: everything you lost that. It was like what do you 1633 01:14:17,600 --> 01:14:21,120 Speaker 2: do now? What do I listen to CDs? I still 1634 01:14:21,160 --> 01:14:23,360 Speaker 2: have mine that all the burnt ones. I think my 1635 01:14:23,479 --> 01:14:26,240 Speaker 2: mom may have all my CDs. I still have my all. 1636 01:14:26,160 --> 01:14:28,719 Speaker 4: Bigger my mother threw away that whole crooked ass bookshow. 1637 01:14:28,720 --> 01:14:30,680 Speaker 4: If y'all made fun of in that video, she threw 1638 01:14:30,720 --> 01:14:31,559 Speaker 4: away all my ship. 1639 01:14:31,760 --> 01:14:33,599 Speaker 2: No, that's no. Listen, when you used to go away 1640 01:14:33,640 --> 01:14:36,280 Speaker 2: for the summer, that was your mom's, your parents' time 1641 01:14:36,320 --> 01:14:40,000 Speaker 2: to like renovate and do the whole. Yo. I'm win 1642 01:14:40,040 --> 01:14:42,280 Speaker 2: a way. Once time I came back, moms did the 1643 01:14:42,400 --> 01:14:45,519 Speaker 2: room over. Yo. I didn't even recognize my room. I 1644 01:14:45,600 --> 01:14:48,200 Speaker 2: was like, who's supposed to sleep here? All of this 1645 01:14:48,280 --> 01:14:50,360 Speaker 2: ship is new? Like, where's all my ship at for? 1646 01:14:50,520 --> 01:14:52,839 Speaker 2: For Patreon or something? I have to look at my storage. 1647 01:14:53,160 --> 01:14:55,400 Speaker 2: I have my CD book. I have all my posters 1648 01:14:55,439 --> 01:14:55,800 Speaker 2: still too. 1649 01:14:56,560 --> 01:14:58,479 Speaker 3: I'll bring them in for like a Patreon episode that 1650 01:14:58,520 --> 01:15:00,519 Speaker 3: we could just go through my my CD case and 1651 01:15:00,800 --> 01:15:02,639 Speaker 3: and all the posters that I have in trash bags 1652 01:15:03,360 --> 01:15:04,280 Speaker 3: that like rolled up. 1653 01:15:05,080 --> 01:15:07,840 Speaker 2: I think there's a Belly poster in there, like the 1654 01:15:07,960 --> 01:15:11,599 Speaker 2: movie Belly. That's crazy. I had a lot of posters. 1655 01:15:12,080 --> 01:15:14,519 Speaker 2: The posters was the thing though. I remember seeing posters 1656 01:15:14,560 --> 01:15:15,360 Speaker 2: in the subway. 1657 01:15:15,080 --> 01:15:17,080 Speaker 1: Like damn, find who you were. My dad used to 1658 01:15:17,080 --> 01:15:20,000 Speaker 1: steal your identity, my Harry Potter one and my Janna Jackson. 1659 01:15:20,320 --> 01:15:22,160 Speaker 2: Yea, he had to raise the blade and just cut 1660 01:15:22,200 --> 01:15:22,400 Speaker 2: it off. 1661 01:15:22,479 --> 01:15:24,600 Speaker 4: He stole them and he bought it home from the 1662 01:15:24,640 --> 01:15:26,960 Speaker 4: subway to Syracuse, like he bought it home. 1663 01:15:27,720 --> 01:15:29,519 Speaker 3: We have some of my posters here that the Ellmatic 1664 01:15:29,560 --> 01:15:32,000 Speaker 3: ship that's been in the background, the Miseducation, those are 1665 01:15:32,040 --> 01:15:34,280 Speaker 3: all like I didn't buy those as an adult from 1666 01:15:34,320 --> 01:15:37,439 Speaker 3: my child. The James Brown one my dad ripped off 1667 01:15:37,479 --> 01:15:38,400 Speaker 3: the wall at BB King's. 1668 01:15:39,880 --> 01:15:43,000 Speaker 2: You know sometimes you got posters. I need that thing. 1669 01:15:43,320 --> 01:15:43,559 Speaker 1: Damn. 1670 01:15:44,479 --> 01:15:46,479 Speaker 4: That just made me really like reminisce you know, my 1671 01:15:46,600 --> 01:15:48,759 Speaker 4: fucking childhood. I hate being an adult. 1672 01:15:49,200 --> 01:15:51,240 Speaker 3: Yeah, no, it sucks. You're trying to be an adult. 1673 01:15:51,280 --> 01:15:52,960 Speaker 3: When you was a child the ship you was singing 1674 01:15:53,080 --> 01:15:54,920 Speaker 3: listening to you couldn't wait to be an adult. 1675 01:15:55,160 --> 01:16:00,280 Speaker 1: Huh, I wait to be to know. 1676 01:16:00,439 --> 01:16:02,080 Speaker 4: As a kid, I couldn't win. I thought I was 1677 01:16:02,120 --> 01:16:04,160 Speaker 4: so I graduated early. I was like, I don't want to. 1678 01:16:04,320 --> 01:16:06,240 Speaker 4: I hate high school. I hated high school since the 1679 01:16:06,240 --> 01:16:07,600 Speaker 4: moment I got in. I wanted to be grown so 1680 01:16:07,720 --> 01:16:08,439 Speaker 4: bad I want. 1681 01:16:08,360 --> 01:16:09,800 Speaker 2: To And now look at you, you want to go back. 1682 01:16:09,840 --> 01:16:12,479 Speaker 2: It's just the bills. You just hate paying hate that's all. 1683 01:16:13,760 --> 01:16:15,760 Speaker 2: That's all adults hat. We just hate paying for ship. 1684 01:16:15,840 --> 01:16:18,280 Speaker 2: That's it. But you don't mind being an adult. 1685 01:16:18,479 --> 01:16:20,160 Speaker 1: The drinking is smoking and fucking. It's pretty cool. 1686 01:16:20,200 --> 01:16:24,519 Speaker 2: I mean, that's pretty it's pretty cool. But as a teenager, well, 1687 01:16:24,520 --> 01:16:27,439 Speaker 2: I mean I wasn't as responsible, but everybody wasn't as 1688 01:16:27,439 --> 01:16:30,559 Speaker 2: privileged as you were. To drink. Smoking fighters really easy. 1689 01:16:32,240 --> 01:16:33,840 Speaker 3: I know, we have a lot of teenage listeners, so 1690 01:16:33,840 --> 01:16:36,280 Speaker 3: I don't want to steer them off, but it's really 1691 01:16:36,439 --> 01:16:38,360 Speaker 3: easy to go out there to find something to smoke, 1692 01:16:38,439 --> 01:16:39,160 Speaker 3: drink and fuck. 1693 01:16:39,479 --> 01:16:43,000 Speaker 2: Oh man, So you know, do what feels right, kids. 1694 01:16:43,000 --> 01:16:46,599 Speaker 2: All right, Well this was fun, yeah, fun, fun trip 1695 01:16:46,640 --> 01:16:48,040 Speaker 2: down memory lane talking about music. 1696 01:16:48,160 --> 01:16:50,759 Speaker 4: Well, there was one more question you guys had on here, okay, 1697 01:16:50,840 --> 01:16:53,080 Speaker 4: which is what would you rather be Fetti Wopper or 1698 01:16:53,120 --> 01:16:53,759 Speaker 4: Freddy Gibbs? 1699 01:16:54,479 --> 01:16:55,840 Speaker 1: All right, do you have to have contra to be 1700 01:16:55,840 --> 01:16:56,439 Speaker 1: Freddie Gibbs? 1701 01:16:56,800 --> 01:16:58,800 Speaker 2: Freddie wap is serving federal time. 1702 01:16:59,400 --> 01:17:01,599 Speaker 3: There was con to first of all, at the context, 1703 01:17:01,640 --> 01:17:03,640 Speaker 3: because I wasn't there for the context. No, it was 1704 01:17:03,680 --> 01:17:06,720 Speaker 3: about we were having the peak conversation. Would you rather 1705 01:17:06,840 --> 01:17:10,320 Speaker 3: have a longer, slower burn of a career or a 1706 01:17:10,640 --> 01:17:13,960 Speaker 3: crazy high peak like Fetti owned whatever? 1707 01:17:14,040 --> 01:17:16,799 Speaker 2: Summer twenty fourteen. That was Freddy. 1708 01:17:17,680 --> 01:17:19,800 Speaker 3: Freddy probably didn't get us just doing until ten years 1709 01:17:19,800 --> 01:17:25,040 Speaker 3: into his career. I'd go with outside of the federal 1710 01:17:25,640 --> 01:17:27,280 Speaker 3: things Feeddie's going to do. I would go with Freddy 1711 01:17:27,360 --> 01:17:29,360 Speaker 3: just because I think you have a longer career that way. 1712 01:17:30,200 --> 01:17:30,600 Speaker 2: But I don't know. 1713 01:17:30,640 --> 01:17:33,439 Speaker 3: I Fay could Probably when he gets out, I'm sure 1714 01:17:33,479 --> 01:17:34,599 Speaker 3: we'll get booked for a bunch of shit. 1715 01:17:34,680 --> 01:17:37,439 Speaker 4: And how smart am I with my money? Because I'd 1716 01:17:37,520 --> 01:17:39,560 Speaker 4: rather make the money fast, invest it and never have 1717 01:17:39,640 --> 01:17:40,640 Speaker 4: to be a celebrity man. 1718 01:17:40,720 --> 01:17:42,720 Speaker 3: Vanilla Ice had that song and now it's like one 1719 01:17:42,720 --> 01:17:46,080 Speaker 3: of the the biggest real estate people in California. 1720 01:17:46,439 --> 01:17:48,840 Speaker 1: You know what I'm saying. That's what I like. Let 1721 01:17:48,920 --> 01:17:51,519 Speaker 1: me get the money in now without all this hard work. 1722 01:17:51,720 --> 01:17:53,400 Speaker 4: Well, I won't say that Fetti didn't work hard because 1723 01:17:53,400 --> 01:17:56,280 Speaker 4: we don't know how long he was grinding behind the scenes. Yeah, 1724 01:17:56,520 --> 01:17:59,040 Speaker 4: either way, he has them hit songs that fucking amazing 1725 01:17:59,120 --> 01:18:00,439 Speaker 4: run well, baby mother as will. 1726 01:18:00,360 --> 01:18:01,640 Speaker 2: Chopped down a lot of that bread. I just want 1727 01:18:01,680 --> 01:18:08,519 Speaker 2: to start there twelve nine look it up, chat GBT, 1728 01:18:08,640 --> 01:18:10,400 Speaker 2: how many baby mother's face fact. 1729 01:18:10,240 --> 01:18:13,000 Speaker 3: That we're burning like oil in the middle of the 1730 01:18:13,040 --> 01:18:15,040 Speaker 3: country for chat GBT to tell us how many baby 1731 01:18:15,080 --> 01:18:15,880 Speaker 3: mothers that he has. 1732 01:18:18,720 --> 01:18:21,400 Speaker 2: Six baby mamas, and like the fact that they said 1733 01:18:21,479 --> 01:18:25,400 Speaker 2: baby mamas. That's what chat GBT says. Six baby mother 1734 01:18:25,680 --> 01:18:29,520 Speaker 2: his children he doesn't have. Ye has six baby mamas. 1735 01:18:33,680 --> 01:18:37,960 Speaker 1: Six kids with five women. Okay, it's not bad, it's 1736 01:18:38,040 --> 01:18:38,519 Speaker 1: not bad. 1737 01:18:39,000 --> 01:18:40,679 Speaker 2: That's not bad, it's crazy. It's the rookie number. 1738 01:18:41,280 --> 01:18:44,320 Speaker 1: Rookie numbers and me a young boy, pull up, pull up, 1739 01:18:44,320 --> 01:18:47,719 Speaker 1: a real champion. Yeah, y'all never heard of motherfucking what's Mariah? 1740 01:18:47,760 --> 01:18:47,840 Speaker 2: Here? 1741 01:18:47,880 --> 01:18:49,240 Speaker 1: A baby father named Nick Cannon. 1742 01:18:51,200 --> 01:18:52,840 Speaker 2: We never talked about Nick Cannon, Like what is he 1743 01:18:52,960 --> 01:18:53,320 Speaker 2: going through? 1744 01:18:55,080 --> 01:18:55,120 Speaker 1: What? 1745 01:18:55,439 --> 01:18:56,120 Speaker 2: What's up with Nick? 1746 01:18:56,240 --> 01:18:58,600 Speaker 3: When we rely we never really sat and really like 1747 01:18:59,000 --> 01:19:02,280 Speaker 3: dove into what Nick It's a bird feeder that got 1748 01:19:02,360 --> 01:19:02,760 Speaker 3: knocked over? 1749 01:19:03,240 --> 01:19:05,639 Speaker 2: How many? How many baby mothers is Nick can have? Ten? 1750 01:19:05,720 --> 01:19:09,280 Speaker 2: If I'm not mistaken, he could definitely field oh sick 1751 01:19:10,160 --> 01:19:16,840 Speaker 2: around ten kids? He has six baby mothers, ten kids. Yeah, 1752 01:19:17,120 --> 01:19:18,400 Speaker 2: twelve kids, six women. 1753 01:19:19,720 --> 01:19:23,800 Speaker 3: God damn the rise in the group chats fuck no No, 1754 01:19:26,479 --> 01:19:29,679 Speaker 3: Elon Must has fourteen kids with four women. 1755 01:19:30,920 --> 01:19:31,400 Speaker 2: Republicans. 1756 01:19:31,439 --> 01:19:33,360 Speaker 1: Not outrage, bro, hear me out. I like being black. 1757 01:19:33,400 --> 01:19:35,080 Speaker 1: I like it a lot. One mind being one of 1758 01:19:35,120 --> 01:19:38,280 Speaker 1: Elon must kids. I'm just saying, yeah, but. 1759 01:19:38,280 --> 01:19:40,280 Speaker 2: Your name would be controlled all delete or whatever. 1760 01:19:40,080 --> 01:19:43,400 Speaker 1: The fun Like he names his kids like that's fine. 1761 01:19:43,400 --> 01:19:46,479 Speaker 1: I mean one of his kids show ass. 1762 01:19:47,400 --> 01:19:48,960 Speaker 2: One of his kids is transit. He took it, he 1763 01:19:49,000 --> 01:19:51,679 Speaker 2: took He took that kid off the wheel. I don't 1764 01:19:51,680 --> 01:19:54,280 Speaker 2: know if I wanted, if I wanted to be opposite 1765 01:19:54,320 --> 01:19:54,800 Speaker 2: sex so bad. 1766 01:19:55,040 --> 01:19:57,120 Speaker 3: But if you're gonna have fourteen kids, you're like just 1767 01:19:57,200 --> 01:19:59,200 Speaker 3: going off the mask. One of them may end up 1768 01:19:59,240 --> 01:19:59,759 Speaker 3: being dripped. 1769 01:20:00,720 --> 01:20:02,360 Speaker 2: Is that the numbers one and fortune. I don't think 1770 01:20:02,360 --> 01:20:08,360 Speaker 2: so less than one percent. I look at Josh has 1771 01:20:08,400 --> 01:20:14,519 Speaker 2: those numbers right here, but fetti, you gotta check DBT 1772 01:20:14,680 --> 01:20:15,920 Speaker 2: how many baby mothers? 1773 01:20:18,439 --> 01:20:18,639 Speaker 6: Shit? 1774 01:20:18,760 --> 01:20:23,599 Speaker 2: But knowing that the change is one percent of the population, 1775 01:20:24,720 --> 01:20:26,000 Speaker 2: less than one percent of the population. 1776 01:20:26,080 --> 01:20:27,160 Speaker 1: But that's a good point. 1777 01:20:27,240 --> 01:20:29,759 Speaker 3: Like if I was mc hammer with a good accountant, 1778 01:20:29,880 --> 01:20:33,400 Speaker 3: I don't know, that may be better than grinding out 1779 01:20:33,400 --> 01:20:35,680 Speaker 3: for twenty five years, getting a core fan base and 1780 01:20:36,000 --> 01:20:36,559 Speaker 3: hitting the road. 1781 01:20:36,840 --> 01:20:39,799 Speaker 1: Yeah, honestly, like mc. 1782 01:20:39,720 --> 01:20:43,320 Speaker 3: Hammer movie a series would be crazy. We need a 1783 01:20:43,439 --> 01:20:45,519 Speaker 3: mc hammer series of movies because you need because y'all 1784 01:20:46,560 --> 01:20:48,120 Speaker 3: in the navy one being a crazy I don't know, 1785 01:20:48,200 --> 01:20:49,920 Speaker 3: y'all don't know exactly how big of a star. 1786 01:20:50,040 --> 01:20:51,840 Speaker 2: MC hammer was. I know y'all know because y'all was 1787 01:20:51,880 --> 01:20:54,000 Speaker 2: too young, if y'all were even born yet. I think 1788 01:20:54,280 --> 01:20:57,439 Speaker 2: we have an understanding because he's just part of pop culture. 1789 01:20:57,680 --> 01:21:02,280 Speaker 2: Only few people just become fan like mc hammer. Hammer 1790 01:21:02,360 --> 01:21:04,479 Speaker 2: dances like McDonald's to me like it's it's just that. 1791 01:21:05,320 --> 01:21:07,839 Speaker 2: So no, we don't know, but we have an understanding 1792 01:21:08,200 --> 01:21:08,960 Speaker 2: mc hammer was. 1793 01:21:09,800 --> 01:21:11,720 Speaker 4: But so y'all are going to be pissed at me right. 1794 01:21:12,520 --> 01:21:15,160 Speaker 4: I would be one of them kids because I know 1795 01:21:15,280 --> 01:21:16,479 Speaker 4: who m C m r Is. I know how to 1796 01:21:16,520 --> 01:21:18,200 Speaker 4: do the mc emmer dance if you show me a 1797 01:21:18,240 --> 01:21:19,439 Speaker 4: picture of mc hammer would not. 1798 01:21:19,920 --> 01:21:21,320 Speaker 2: If I put a lineup on the TV right now, 1799 01:21:22,040 --> 01:21:24,680 Speaker 2: have hammer pants on? Huh? Does he have hammer pants on? 1800 01:21:24,840 --> 01:21:27,920 Speaker 4: Okay, well that's different, you know, but if you just 1801 01:21:27,960 --> 01:21:29,880 Speaker 4: see if I just see his face, but nelly A 1802 01:21:30,000 --> 01:21:31,720 Speaker 4: have air Force ones on his pictures, you can see 1803 01:21:31,760 --> 01:21:32,519 Speaker 4: his air Force ones. 1804 01:21:32,800 --> 01:21:35,120 Speaker 1: You ain't nobody had the band aid. You know that 1805 01:21:36,280 --> 01:21:38,400 Speaker 1: I have no idea what m C looks like? Would 1806 01:21:38,439 --> 01:21:40,639 Speaker 1: you know what Johnny Gil looks like? That's the point 1807 01:21:40,680 --> 01:21:45,240 Speaker 1: is really no no clue. 1808 01:21:45,560 --> 01:21:48,880 Speaker 3: That's the point of sisters, no clue, ideal for one 1809 01:21:49,000 --> 01:21:52,160 Speaker 3: y'all don't know what the point of sisters. That's speccoli 1810 01:21:52,280 --> 01:21:55,120 Speaker 3: from Ah, No, that's Fast Times originally. 1811 01:21:54,920 --> 01:21:58,920 Speaker 2: High that's what's my guy's name? Uh, damn, I don't 1812 01:21:58,920 --> 01:21:59,360 Speaker 2: know who that is? 1813 01:22:00,760 --> 01:22:03,000 Speaker 1: But is that like the Nellie? Uh? 1814 01:22:04,200 --> 01:22:06,720 Speaker 2: This is okay? What's is? I apologize to the kids 1815 01:22:06,720 --> 01:22:08,439 Speaker 2: because I don't know. This is Rod Stewart. 1816 01:22:08,560 --> 01:22:11,960 Speaker 3: Oh, I mean I know what Rod Stewart is obviously, Yeah, Rod, 1817 01:22:12,320 --> 01:22:16,200 Speaker 3: he was in June and uh every Halloween costume ever. 1818 01:22:18,880 --> 01:22:20,559 Speaker 1: I know who she is, but I don't know the name. 1819 01:22:22,320 --> 01:22:30,400 Speaker 2: Plays the guitar. Love is a Battlefield? What's her name? 1820 01:22:31,560 --> 01:22:34,640 Speaker 2: Pat Benatar? Oh that's my. 1821 01:22:37,400 --> 01:22:42,040 Speaker 3: That's Rory Page and Benner. After spending a lot of 1822 01:22:42,080 --> 01:22:48,760 Speaker 3: time in Brooklyn, ZZ talk, he's a joshto He was 1823 01:22:48,800 --> 01:22:49,920 Speaker 3: throwing me off with zz top. 1824 01:22:50,000 --> 01:22:50,519 Speaker 2: Josh don't know. 1825 01:22:50,600 --> 01:22:51,560 Speaker 1: I was. 1826 01:22:51,600 --> 01:22:53,040 Speaker 2: I listened to all of that, man. I was in 1827 01:22:53,120 --> 01:22:54,840 Speaker 2: all of them creates. Man. I was digging through all 1828 01:22:54,880 --> 01:22:55,280 Speaker 2: of that, man. 1829 01:22:55,320 --> 01:22:57,080 Speaker 4: But it has a lot to do with with also 1830 01:22:57,160 --> 01:23:01,080 Speaker 4: with parentage, because like I wouldn't recognize a lot of 1831 01:23:01,120 --> 01:23:04,439 Speaker 4: members of New Edition because my parents were older, So 1832 01:23:04,760 --> 01:23:08,120 Speaker 4: my dad only listened to rap and like Michael Franks 1833 01:23:08,200 --> 01:23:09,680 Speaker 4: and shit like that, and my mother listened. My mother 1834 01:23:09,840 --> 01:23:13,320 Speaker 4: was older, so she listened to like seventies like sixties music, 1835 01:23:13,880 --> 01:23:15,720 Speaker 4: So nineties R and B. 1836 01:23:15,920 --> 01:23:18,000 Speaker 1: I suck at nineties R and B knowledge. 1837 01:23:18,040 --> 01:23:20,240 Speaker 3: I'm terrible at it as far as like pointing out 1838 01:23:20,240 --> 01:23:21,400 Speaker 3: the artists being able to like. 1839 01:23:21,479 --> 01:23:23,280 Speaker 4: She know that because my little sister went back and 1840 01:23:23,360 --> 01:23:25,559 Speaker 4: read like went and listened to all that stuff. 1841 01:23:25,600 --> 01:23:29,120 Speaker 1: I didn't. I stayed listening to sixties, seventies and then 1842 01:23:29,520 --> 01:23:32,120 Speaker 1: current I did not. I like nineties R and B. 1843 01:23:32,240 --> 01:23:33,360 Speaker 1: But I'm not as you listened to. 1844 01:23:33,439 --> 01:23:36,400 Speaker 2: Music from the sixties. Who's your favorite artist from the sixties? 1845 01:23:37,000 --> 01:23:42,960 Speaker 4: Oh God, Blue Magic Commodorees like old like old shit, 1846 01:23:43,200 --> 01:23:43,599 Speaker 4: like old. 1847 01:23:43,640 --> 01:23:45,439 Speaker 1: No, I would say sixties. I was say seventies, not 1848 01:23:45,560 --> 01:23:46,320 Speaker 1: sixties seventies. 1849 01:23:46,360 --> 01:23:51,720 Speaker 2: So she was going to the like old town like that. 1850 01:23:52,000 --> 01:23:54,320 Speaker 3: That's twenty plenty of music from the sixties that I 1851 01:23:54,439 --> 01:23:59,920 Speaker 3: listened to. Oldtown, Yes, Sliding Family Stones, I like the Beatles, 1852 01:24:01,000 --> 01:24:02,960 Speaker 3: rolling Stones. I'll give the Beach Boys a spin. 1853 01:24:05,400 --> 01:24:10,360 Speaker 2: I give the Beach Boys a spin. I don't consider 1854 01:24:10,400 --> 01:24:13,240 Speaker 2: Marvin I mean, I guess Marvion Gay's sixties to James Brown, 1855 01:24:13,400 --> 01:24:18,439 Speaker 2: Jimmy Hendricks. Yeah, you mean the legends. Yeah, no, I 1856 01:24:18,520 --> 01:24:25,560 Speaker 2: don't know like the underground garage bands of I have 1857 01:24:25,760 --> 01:24:30,000 Speaker 2: no idea, not dope. I don't know who the immortal 1858 01:24:30,080 --> 01:24:34,320 Speaker 2: technique of the sixties is. But like, yeah, my mom 1859 01:24:34,360 --> 01:24:38,160 Speaker 2: played Janis Joplin when I was Danni's got some burning 1860 01:24:38,680 --> 01:24:41,280 Speaker 2: Sure you know that Van Morrison. A lot of people 1861 01:24:41,320 --> 01:24:43,680 Speaker 2: are they don't know about Van. You know, they don't 1862 01:24:43,720 --> 01:24:46,000 Speaker 2: know what he was doing. Man, yeah, you know it's hilarious. 1863 01:24:46,160 --> 01:24:51,920 Speaker 2: Ray Charles never got his just due. Oh man, this 1864 01:24:52,080 --> 01:24:54,519 Speaker 2: was fun. It's a good music podcast. Yeah. Man, I'm 1865 01:24:54,560 --> 01:24:56,800 Speaker 2: going and listen to some some old sixties music now 1866 01:24:57,000 --> 01:25:00,040 Speaker 2: because of y'all. Let the Sixties burning night a. I 1867 01:25:00,040 --> 01:25:02,719 Speaker 2: will would talk to y'all soon. Be safe, be blessed. 1868 01:25:02,760 --> 01:25:07,360 Speaker 2: I'm that nigga. He's just ginger. Happy birthday, ho Willian