WEBVTT - Zoolander with Kenice Mobley

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<v Speaker 1>On the Bechdelcast.

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<v Speaker 2>The questions asked if movies have women and them, are

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<v Speaker 2>all their discussions just boyfriends and husbands, or do they

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<v Speaker 2>have individualism? It's the patriarchy, Zephy and Beast start changing

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<v Speaker 2>with the Bechdel Cast.

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<v Speaker 3>Hey, Jamie, Hey, Caitlyn, the Bechdel Cast is so hot

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<v Speaker 3>right now?

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<v Speaker 1>Really tell me more?

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<v Speaker 3>Well, it's I have nothing else to say, just that

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<v Speaker 3>it's really hot right now.

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<v Speaker 1>Okay, well, good, good good. We need to make a living,

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<v Speaker 1>I guess.

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<v Speaker 3>Yeah, so true, so true. Anyway, Hello, and welcome to

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<v Speaker 3>the very hot Bechdel Cast right now.

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<v Speaker 1>The sexiest Bechtel Cast yet.

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<v Speaker 3>Oh my gosh, so freaking sexy.

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<v Speaker 1>Unless oh, when Wilson enters the zoom and then we're

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<v Speaker 1>in trouble. But then we'll become friends. Oh my god. Oh,

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<v Speaker 1>Welcome to the Zulander episode of the Bechdel Cast. My

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<v Speaker 1>name is Jamie Loftus, my.

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<v Speaker 3>Name is Caitlyn Deronte. This is our show where we

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<v Speaker 3>examine movies through an intersectional feminist lens, using the Bechdel

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<v Speaker 3>test as a jumping off point. But Jamie, what is that?

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<v Speaker 1>Well, well, well, and I'm like did zee. Lads, we'll

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<v Speaker 1>figure out. We'll figure it out. I have it in

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<v Speaker 1>my notes, but I watched it two days ago, and

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<v Speaker 1>literally my brain does not retain information for two days anymore. Okay.

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<v Speaker 1>The Bechdel Test is a media metric created by queer

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<v Speaker 1>cartoonist Alison Bechtel, often called the Bechdel Wallace Test. Why

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<v Speaker 1>because it was co created by Liz Wallace, so that

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<v Speaker 1>makes sense. Lots of uses for this test. The one

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<v Speaker 1>we use requires to pass, two characters with names of

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<v Speaker 1>a marginalized gender talking to each other about something other

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<v Speaker 1>than a man for two lines of dialogue or more.

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<v Speaker 1>Should be dialogue that moves the plot forward in some

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<v Speaker 1>way ideally, ideally, ideally, But if we like the movie honestly,

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<v Speaker 1>we'll be like, eh, shrey, kind of bezz.

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<v Speaker 3>And if we hate the movie, even if it does pass,

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<v Speaker 3>we'll be like, it doesn't pass.

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<v Speaker 1>That is true. There are movies that have like, actually

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<v Speaker 1>demonstrably passed that we're like, but let's be serious, but

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<v Speaker 1>spiritually no, it doesn't. So it's more of a vibe.

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<v Speaker 1>At this point, we've been doing the show for almost

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<v Speaker 1>a decade.

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<v Speaker 3>Truly, as you said, this is our Zoolander episode. We

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<v Speaker 3>have a six time guest. Yes, wow, okay.

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<v Speaker 4>Your past jacket status.

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<v Speaker 3>Yeah yeah, we owe you a house or something.

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<v Speaker 4>I'll take it.

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<v Speaker 1>Come on.

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<v Speaker 3>She's a comedian. You've seen her on The Tonight Show,

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<v Speaker 3>Comedy Central, Netflix. She's gonna be doing her solo show

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<v Speaker 3>at the Black Women in Comedy Festival on February twenty seventh.

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<v Speaker 3>She also, in addition to me, has a master's degree

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<v Speaker 3>in film from Boston University. Yea, and you've heard her

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<v Speaker 3>on dozens of other episodes. It's Canise Mobley, Hello.

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<v Speaker 1>Welcome back.

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<v Speaker 4>I'm so happy to be here. I'm just happy to

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<v Speaker 4>see your right and shining faces.

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<v Speaker 3>Oh my gosh, hey Canise, welcome to the Bechdel Cast

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<v Speaker 3>Center for Kids who can't podcast? Good?

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<v Speaker 4>What is this a center for? Ed?

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<v Speaker 1>Gosh?

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<v Speaker 4>Which I say in real life too often.

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<v Speaker 3>It's a very quotable movie. And tell us what your

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<v Speaker 3>your relationship with the movie is, Canise.

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<v Speaker 4>Okay, So I had not watched this movie in five years,

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<v Speaker 4>and I rewatched it to discuss with you, lovely ladies,

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<v Speaker 4>and to realize that big chunks of your personality came

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<v Speaker 4>from a weird movie from twenty five years ago. To

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<v Speaker 4>just have to accept that about yourself is hard. You

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<v Speaker 4>thought you were an individual creation, sprung a whole cloth

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<v Speaker 4>out of nothing, but no, you were just amalgamation of

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<v Speaker 4>other people's thoughts and that's okay.

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<v Speaker 3>And that's okay. So this was a big movie of

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<v Speaker 3>your earlier life.

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<v Speaker 4>Yes, absolutely, I watched this. So it came out in

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<v Speaker 4>two thousand and one. I definitely watched this throughout high school.

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<v Speaker 4>Definitely quoted it with my friends a lot because we

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<v Speaker 4>all watched it. We were not cool, but this movie

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<v Speaker 4>made us feel cool to one another.

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<v Speaker 3>Nice. I love that.

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<v Speaker 4>What about you guys?

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<v Speaker 3>Yeah, Jamie, how about you?

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<v Speaker 1>I'd never seen this, can you believe it? I'd never

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<v Speaker 1>seen Zoolander? And I was approaching it with I don't know.

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<v Speaker 1>Ben Stiller has had such an interesting trajectory as a

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<v Speaker 1>person where he's he is I feel, I mean, I

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<v Speaker 1>don't know a lot about him personally, so hopefully there's

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<v Speaker 1>not something scary I don't know, but he is a

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<v Speaker 1>NEPO baby to root for. I think I had never

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<v Speaker 1>seen this. I was worried about it when I saw

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<v Speaker 1>the year it was released. And you're like, well, how

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<v Speaker 1>is this good to age? And the answer is certainly

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<v Speaker 1>not perfectly, but better than I thought. Yeah, there is

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<v Speaker 1>like an element of timelessness to this movie. It was

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<v Speaker 1>like saying more then I feel like that is such

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<v Speaker 1>a hard needle to thread in broad comedies like this,

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<v Speaker 1>where it's like this movie is saying something, but it's

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<v Speaker 1>not like bonking you over the head with it, which

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<v Speaker 1>is hard to do. I don't know, I was. I

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<v Speaker 1>was like, very, very very into this movie. I have

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<v Speaker 1>not seen this sequel, which I hear is very transphobic. Yeah,

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<v Speaker 1>I hear that the sequel is like is garbage, but

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<v Speaker 1>this is this is my entry and probably exit because

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<v Speaker 1>it sounds like this sequel's bad into the Zuelander expanded universe,

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<v Speaker 1>and I was into it. I like, Derek, I love himbos,

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<v Speaker 1>you know, like we just need to get the hit

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<v Speaker 1>if we truly get the hymbos on our side, if

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<v Speaker 1>we can get the hembos out to some protests, we're cooking.

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<v Speaker 1>And I feel like that is It actually made me

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<v Speaker 1>think about La Protests a lot, where it's like you

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<v Speaker 1>just got to get the himbos, you know, activated in

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<v Speaker 1>the right direction.

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<v Speaker 3>It helps.

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<v Speaker 1>I volunteered with many Derek Szulanders in my day.

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<v Speaker 3>Yes, I want.

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<v Speaker 4>I have been a bookish lady my whole life, but

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<v Speaker 4>I love a dumb jock hook and that has been

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<v Speaker 4>a fun part of my life for years. I'm pro that.

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<v Speaker 4>But they have a gasoline fight with their mouths open.

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<v Speaker 4>Their mouths are open. During that gasoline fight, he gets

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<v Speaker 4>strayed with water from somebody driving by, and then he

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<v Speaker 4>goes home. Notice he does not at any point wash

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<v Speaker 4>his face or take off his jacket that was dripping

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<v Speaker 4>with New York City street water, and then just lays

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<v Speaker 4>in his bed.

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<v Speaker 1>I do like that this would be. There were certain

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<v Speaker 1>moments of this movie where I didn't see coming, such

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<v Speaker 1>as seeing a young Alexander Scars blow up. Was not

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<v Speaker 1>ready for that. I was like, whoa, wow, interesting. I mean, mekus,

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<v Speaker 1>I guess so. I was just like, I was like

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<v Speaker 1>squinting at the screen, like, hold on, there's no way,

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<v Speaker 1>but there is. Then he's and then he's dead two

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<v Speaker 1>minutes later. It's so wild. Yeah, I don't know. I mean,

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<v Speaker 1>there's just stuff about this movie that doesn't age well,

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<v Speaker 1>such as Andy Dick in general. But I was impressed

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<v Speaker 1>with this Vivie. I really enjoyed it. Caitlyn what's your

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<v Speaker 1>history of Zoolander.

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<v Speaker 3>My history is similar to Canisi's in that I watched

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<v Speaker 3>this movie a lot in the early to mid two thousands.

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<v Speaker 3>The little cough that Derek Zulander does where he's just like,

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<v Speaker 3>I'll just do that sometimes in life. I liked it

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<v Speaker 3>because I think that, again, not all of the humor

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<v Speaker 3>holds up, certainly, but enough of it does that I'm like, Okay,

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<v Speaker 3>you're actually saying something here. It reminds me of Josie

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<v Speaker 3>and the puss Cats, another one of my favorite movies,

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<v Speaker 3>because it's about you know, conspiracies hidden in the entertainment

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<v Speaker 3>industry that exists to manipulate or exploit people. And so

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<v Speaker 3>they're very similar movies to me. So I think this

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<v Speaker 3>is just like a subgenre that I enjoy.

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<v Speaker 1>Yeah, that like came out during a very specific time

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<v Speaker 1>because their aesthetics are very similar to Yeah, like, they're

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<v Speaker 1>both super I mean, this is like the most boring

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<v Speaker 1>complaint to make about movies, but like, wow, these movies

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<v Speaker 1>are so colorful. Movies aren't colorful anymore.

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<v Speaker 3>So I love this movie, you know, as a young adult.

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<v Speaker 3>But then I stopped watching it. I hadn't seen it

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<v Speaker 3>in probably like ten or more years, so there's a

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<v Speaker 3>pretty big gap, and I couldn't remember all the things

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<v Speaker 3>about it. Certainly there were jokes that I was like, oh, yes,

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<v Speaker 3>we'll talk about them. But overall, this movie does hold

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<v Speaker 3>up better than you might expect. So let's take a

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<v Speaker 3>quick break and then we'll come back and do the recap. Yeah,

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<v Speaker 3>and we're back and here's the recap. Oh right, I

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<v Speaker 3>forgot Zuelander.

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<v Speaker 1>There's also the Donald Trump caveo jumps that as well.

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<v Speaker 1>He did not love to see it. I can't believe

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<v Speaker 1>I've brought up. I mean, to me, personally, Donald Trump

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<v Speaker 1>and Andy Dick are comparably evil. Andy Dick just has

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<v Speaker 1>less power. But yeah, there are there are some of

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<v Speaker 1>history's greatest monsters that make cameo appearances in this movie. Yeah.

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<v Speaker 4>I was just like, genuinely, I was enjoying it so much.

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<v Speaker 4>And then it was like like when Trump showed up,

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<v Speaker 4>I was like, no, not in Oh no, he's in

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<v Speaker 4>the past too. He exists everywhere.

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<v Speaker 1>We were talking about this recently where it's like if

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<v Speaker 1>Donald Trump makes so many cameos during of this ten

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<v Speaker 1>year period. But also, Kaitlyn, when you're talking about Gremlins two,

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<v Speaker 1>and You're like, so many villains over like a period

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<v Speaker 1>of forty years in movies are clearly mapped on him too.

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<v Speaker 3>Yeah, iff in Back to the Future two is very

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<v Speaker 3>clearly mapped onto Donald Trump. He does a cameo in

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<v Speaker 3>Home Alone two famously. Yeah, he has a cameo in

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<v Speaker 3>Little Rascals. Oh, if anyone remembers that.

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<v Speaker 1>I do.

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<v Speaker 3>I do, remember that he's just in movies and now

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<v Speaker 3>he's our fascist American president and you hate to see it.

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<v Speaker 1>You know what?

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<v Speaker 3>Cameo is awesome though, and holds up amazingly well, Billy Zayne.

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<v Speaker 1>I yes, Yeah, However, many nipples I end up giving

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<v Speaker 1>a spoiler alert, they're all going to Billy's he slays this.

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<v Speaker 1>This also starts a pattern in his career of him

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<v Speaker 1>make He's very open to making cameos as himself, which

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<v Speaker 1>understandably many actors aren't. But Billy's aid, you know, he's

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<v Speaker 1>one of us. He's got like Billy's saying, and I can,

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<v Speaker 1>I can say insider Hollywood info. Billy's aye sits with

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<v Speaker 1>the crew. He's not a diva. He's not a diva.

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<v Speaker 1>He's nice.

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<v Speaker 4>What's he been doing?

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<v Speaker 1>Oh, he's been well, he's playing.

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<v Speaker 3>Oh who is he?

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<v Speaker 1>Who is he playing? In an upcoming movie? He's in

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<v Speaker 1>a biopic?

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<v Speaker 3>Soon is he Marlon Brando in a movie?

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<v Speaker 1>I think he might be playing Marlon Brando. I really

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<v Speaker 1>think that the zannaissance is going to come upon us

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<v Speaker 1>because we like he's very, very talented. I think he

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<v Speaker 1>got so typecast after Titanic in a way that was

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<v Speaker 1>like hard to bounce back from. But he's a great

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<v Speaker 1>comic actor. He's a great dramatic actor. The guy can

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<v Speaker 1>read the room.

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<v Speaker 4>I just I want his features are striking, Like I

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<v Speaker 4>know that's here to say, especially in a movie about

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<v Speaker 4>male models. But of the people in this movie, I'm like,

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<v Speaker 4>damn Billy zaying turn it down.

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<v Speaker 3>His resting face is just magnum. He has magnum.

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<v Speaker 1>He ah man, I just I just love that that

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<v Speaker 1>damn Billy's aim. What a He has such riz And

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<v Speaker 1>it's it's not fair because they I think they like

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<v Speaker 1>hot him down in Titanic because he has to be

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<v Speaker 1>next to young Leo. They put on like the weird

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<v Speaker 1>eye makeup that is like Vaudeville villain coated or whatever,

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<v Speaker 1>and like a weird.

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<v Speaker 4>Hair flip that. I'm like, is that his actual hair?

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<v Speaker 4>Is that? Because it looks like a wig on top? Like,

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<v Speaker 4>it's just I don't like it. You guys have the

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<v Speaker 4>Titanic experts.

0:12:27.480 --> 0:12:28.160
<v Speaker 3>But thank you.

0:12:28.400 --> 0:12:30.520
<v Speaker 1>But when they let him go bald Moude, You're like,

0:12:30.800 --> 0:12:33.600
<v Speaker 1>this is this is a beautiful man. I mean, yes,

0:12:33.800 --> 0:12:36.480
<v Speaker 1>he's just yeah, he's going to play Caitlin. I think

0:12:36.520 --> 0:12:40.559
<v Speaker 1>you're right, Yes he's playing. This year, he's playing Marlon

0:12:40.640 --> 0:12:48.320
<v Speaker 1>Brando in Waltzing with Brando alongside John Heater whoa aka Napoleon,

0:12:50.280 --> 0:12:53.800
<v Speaker 1>and Richard Dreyfus. I don't know, no accounting for it.

0:12:53.920 --> 0:12:55.520
<v Speaker 4>I thought Richard Dreyfus was dead.

0:12:56.400 --> 0:12:58.160
<v Speaker 1>This also comes as a surprise to me.

0:12:59.040 --> 0:12:59.600
<v Speaker 3>No apparent.

0:12:59.679 --> 0:13:02.880
<v Speaker 1>He's he's seventy seven. He's alive and well in the

0:13:03.000 --> 0:13:05.600
<v Speaker 1>upcoming Marlon Brando Billy's Aane biopic.

0:13:05.960 --> 0:13:11.400
<v Speaker 3>Wow, look at god, this is just wild fascinating. Anyway,

0:13:11.480 --> 0:13:15.880
<v Speaker 3>Here's what happens in the movie Zoolander. All right, all right, okay.

0:13:15.920 --> 0:13:19.679
<v Speaker 3>We open on a news story about the new Prime

0:13:19.800 --> 0:13:23.679
<v Speaker 3>Minister of Malaysia promising to raise the minimum wage and

0:13:23.840 --> 0:13:27.599
<v Speaker 3>to end child labor once and for all. Watching this

0:13:28.080 --> 0:13:31.880
<v Speaker 3>news story is a group of fashion industry moguls who

0:13:32.120 --> 0:13:37.000
<v Speaker 3>rely on exploited child labor in sweatshops in countries like

0:13:37.120 --> 0:13:41.000
<v Speaker 3>Malaysia to make a profit, and so they want a

0:13:41.240 --> 0:13:47.199
<v Speaker 3>fashion designer named jakobiim Mugatu played by Will Ferrell, to

0:13:47.440 --> 0:13:50.920
<v Speaker 3>find someone to kill the Prime Minister of Malaysia when

0:13:50.960 --> 0:13:54.840
<v Speaker 3>he visits New York City in two weeks, which coincides

0:13:54.920 --> 0:13:55.880
<v Speaker 3>with Fashion Week.

0:13:56.200 --> 0:13:58.040
<v Speaker 1>This is the perfect use of Will Ferrell.

0:13:58.200 --> 0:14:02.920
<v Speaker 4>I feel, yes, I agree perfectly civil Ferreal, but I

0:14:03.000 --> 0:14:06.800
<v Speaker 4>also love the idea that, like everyone agrees child labor

0:14:07.040 --> 0:14:11.040
<v Speaker 4>is bad because we're not there anymore, and we may

0:14:11.120 --> 0:14:14.679
<v Speaker 4>people on the Republican side arguing that kids deserve the

0:14:14.760 --> 0:14:15.440
<v Speaker 4>right to work.

0:14:15.720 --> 0:14:16.840
<v Speaker 1>Yeah, Bill's character.

0:14:17.640 --> 0:14:21.920
<v Speaker 4>Yeah, so genuinely to watch this, it's like, oh no,

0:14:22.160 --> 0:14:25.000
<v Speaker 4>some of the people who saw this were like, haha, yes,

0:14:25.080 --> 0:14:26.640
<v Speaker 4>we should give children jobs.

0:14:26.960 --> 0:14:30.600
<v Speaker 3>Like, yeah, I have a whole chalan did the research

0:14:30.800 --> 0:14:33.520
<v Speaker 3>feel that I'm gonna go into I'm gonna talk about

0:14:33.560 --> 0:14:37.520
<v Speaker 3>the DRC. It's bear with me for that, but.

0:14:38.080 --> 0:14:40.920
<v Speaker 1>No, it's I mean, but that's like covertly what this

0:14:41.040 --> 0:14:43.080
<v Speaker 1>movie is trying to get you to think about too.

0:14:43.240 --> 0:14:45.560
<v Speaker 1>It's really I I this is gonna come up an

0:14:45.560 --> 0:14:49.160
<v Speaker 1>annoying amount of times because I watched Network for the

0:14:49.240 --> 0:14:51.680
<v Speaker 1>first time over the weekend. I don't know why, but

0:14:51.760 --> 0:14:53.440
<v Speaker 1>it was like my it was just my time. I

0:14:53.760 --> 0:14:54.440
<v Speaker 1>just felt like it.

0:14:54.640 --> 0:14:56.480
<v Speaker 3>I mean, you're mad as hell and you're not gonna

0:14:56.520 --> 0:14:57.240
<v Speaker 3>take it anymore.

0:14:57.600 --> 0:14:59.560
<v Speaker 1>I mean, I'm probably gonna choose it for the matrim

0:14:59.600 --> 0:15:02.320
<v Speaker 1>for my read because what a movie. It's so good.

0:15:02.760 --> 0:15:05.200
<v Speaker 1>But I feel like it's like starting a weirdly similar

0:15:05.280 --> 0:15:08.120
<v Speaker 1>discussion to what you're just saying Kenese of like everyone

0:15:08.240 --> 0:15:11.120
<v Speaker 1>behind closed doors is like, well, yeah, obviously this is horrible,

0:15:11.640 --> 0:15:15.160
<v Speaker 1>but should we do it? And like it is weirdly

0:15:15.360 --> 0:15:19.280
<v Speaker 1>like gratifying to see that behind closed doors, no matter

0:15:19.360 --> 0:15:22.880
<v Speaker 1>how gaslight you are as a normal person, they know

0:15:23.040 --> 0:15:26.200
<v Speaker 1>it's bad. They just are trying to decide if it's

0:15:26.240 --> 0:15:27.520
<v Speaker 1>advantageous to care or not.

0:15:28.600 --> 0:15:33.040
<v Speaker 3>Right, So, anyway, this is their plan. They need an

0:15:33.040 --> 0:15:36.000
<v Speaker 3>assassin to kill the Prime Minister of Malaysia, and the

0:15:36.240 --> 0:15:40.840
<v Speaker 3>ideal candidate to do this would be a shallow, empty

0:15:40.960 --> 0:15:46.680
<v Speaker 3>headed dim wit. Cut to Derek Zoolander played by Ben Stiller,

0:15:47.280 --> 0:15:52.440
<v Speaker 3>a shallow, empty headed, dim witted male model who is

0:15:52.640 --> 0:15:58.440
<v Speaker 3>being interviewed by an investigatory journalist Matilda Jeffries played by

0:15:58.560 --> 0:16:02.960
<v Speaker 3>Christine Taylor, a Ben Stiller's real life his wife.

0:16:03.600 --> 0:16:05.560
<v Speaker 1>Yeah and didn't know, didn't know?

0:16:06.120 --> 0:16:09.840
<v Speaker 3>Oh really Yeah, yeah, they've been married for a while. Yeah.

0:16:10.280 --> 0:16:14.600
<v Speaker 3>Derek tells her that he is known for his signature look,

0:16:15.000 --> 0:16:19.840
<v Speaker 3>Blue Steel, though he's working on another look called Magnum,

0:16:20.160 --> 0:16:24.600
<v Speaker 3>though it's not yet perfected. It's not ready yet. Then

0:16:24.680 --> 0:16:28.360
<v Speaker 3>it's the night of the VH one Fashion Awards. Derek

0:16:28.440 --> 0:16:31.240
<v Speaker 3>Zulander is expecting to win Male Model of the Year

0:16:31.360 --> 0:16:34.720
<v Speaker 3>for the fourth year in a row. Also, there is

0:16:34.920 --> 0:16:38.600
<v Speaker 3>Derek's rival, an up and coming male model named Hansel

0:16:39.040 --> 0:16:42.160
<v Speaker 3>played by Owen Wilson, who is so hot right now.

0:16:42.800 --> 0:16:45.240
<v Speaker 4>I say that all the time that so and so

0:16:45.400 --> 0:16:47.280
<v Speaker 4>is so hot right now, and I didn't think about

0:16:47.280 --> 0:16:49.720
<v Speaker 4>it again until I watched this. I'm sorry, Okay, I.

0:16:49.800 --> 0:16:52.440
<v Speaker 1>Really I feel like, wait, what is the the Bill

0:16:52.520 --> 0:16:56.280
<v Speaker 1>Hayter character Steffan. It's like Stefan exists to me in

0:16:56.320 --> 0:16:58.680
<v Speaker 1>the Zuelander Expanded universe, But that's Zuelander.

0:16:58.720 --> 0:17:01.000
<v Speaker 3>We would not have Steffan think so yeah, acur it.

0:17:01.240 --> 0:17:01.440
<v Speaker 1>Yeah.

0:17:02.080 --> 0:17:05.440
<v Speaker 3>So, the Male Model of the Year award goes to Hansel,

0:17:05.560 --> 0:17:08.320
<v Speaker 3>who is so hot right now. But Derek just assumes

0:17:08.400 --> 0:17:10.879
<v Speaker 3>that he won, so he goes on stage to accept

0:17:10.960 --> 0:17:15.720
<v Speaker 3>the award. He makes a fool of himself, and Mugatu realizes, Oh,

0:17:15.880 --> 0:17:19.280
<v Speaker 3>he's the guy we need to carry out this assassination.

0:17:19.560 --> 0:17:25.840
<v Speaker 3>So Mugatu approaches Derek's manager, agent Maury Balstein played by

0:17:26.040 --> 0:17:32.160
<v Speaker 3>Jerry Stiller aka Ben Stiller's real life his father. Meanwhile,

0:17:32.520 --> 0:17:35.720
<v Speaker 3>Derek is on stage. He's humiliated. He's starting to think

0:17:35.760 --> 0:17:38.200
<v Speaker 3>that maybe there's more to life than being really really

0:17:38.320 --> 0:17:39.520
<v Speaker 3>ridiculously good looking.

0:17:40.080 --> 0:17:42.919
<v Speaker 1>I love when a him vo. It's just so charming.

0:17:43.000 --> 0:17:45.720
<v Speaker 1>When a Himvo's like, is there much more than this

0:17:45.840 --> 0:17:50.000
<v Speaker 1>provincial life? And you're like, King, yes, yes there is,

0:17:50.240 --> 0:17:52.080
<v Speaker 1>follow me yes.

0:17:52.720 --> 0:17:57.440
<v Speaker 3>But his three male model roommates Rufus, Brent and Meekus.

0:17:57.880 --> 0:18:01.120
<v Speaker 1>Every character name in this movie is per so good.

0:18:02.200 --> 0:18:05.600
<v Speaker 3>They aren't really listening. They're more focused on going out

0:18:05.680 --> 0:18:11.480
<v Speaker 3>for orange mocha frappuccinos. But then the three roommates die

0:18:11.800 --> 0:18:16.399
<v Speaker 3>in a gas station accident slash explosion.

0:18:15.960 --> 0:18:18.480
<v Speaker 4>Greek gasoline fight accident.

0:18:19.119 --> 0:18:21.320
<v Speaker 1>I feel like it's like for this day. I was like, okay,

0:18:21.480 --> 0:18:25.040
<v Speaker 1>I'm just it's satire. I don't know, I don't know

0:18:25.320 --> 0:18:28.960
<v Speaker 1>these guys, I wonder I'd actually be really curious, like

0:18:29.280 --> 0:18:32.280
<v Speaker 1>what models think of this movie. I feel like my

0:18:32.560 --> 0:18:35.800
<v Speaker 1>my feeling is they probably embraced it, but I'm curious.

0:18:35.880 --> 0:18:36.200
<v Speaker 1>I don't know.

0:18:36.800 --> 0:18:38.600
<v Speaker 3>Well you do you know.

0:18:41.160 --> 0:18:42.639
<v Speaker 4>You would know models? Kyler.

0:18:43.119 --> 0:18:46.160
<v Speaker 3>I Okay, this is the most la thing I've ever

0:18:46.280 --> 0:18:52.080
<v Speaker 3>done or said. But my trainer is a model slash actor,

0:18:52.240 --> 0:18:56.359
<v Speaker 3>slash trainer, and I told him we were covering this

0:18:56.560 --> 0:18:59.080
<v Speaker 3>movie and he's like, I love the movie, Zulander.

0:18:59.480 --> 0:19:02.960
<v Speaker 4>Yes, okay, okay, good, this makes you feel better about it?

0:19:03.080 --> 0:19:04.879
<v Speaker 1>Yes, I mean I just tried to put myself in

0:19:04.960 --> 0:19:07.720
<v Speaker 1>the mindspace of like, if someone made a movie presenting

0:19:08.200 --> 0:19:10.680
<v Speaker 1>stand up comics as brand dead, I would have no

0:19:10.800 --> 0:19:13.800
<v Speaker 1>issue with it, because like there's some truth to that,

0:19:14.320 --> 0:19:14.480
<v Speaker 1>you know.

0:19:14.760 --> 0:19:17.960
<v Speaker 4>I prefer them do that than what they do, which

0:19:18.040 --> 0:19:20.879
<v Speaker 4>is like, hey, I get up there and I was

0:19:21.000 --> 0:19:22.840
<v Speaker 4>drunk and I tried to stand up once and I'm

0:19:22.880 --> 0:19:25.920
<v Speaker 4>the best in the world, and then write five seasons

0:19:25.960 --> 0:19:27.960
<v Speaker 4>of a TV show about it. Whatever. But I just

0:19:28.600 --> 0:19:31.600
<v Speaker 4>I think the depictions are not funny.

0:19:31.880 --> 0:19:33.280
<v Speaker 1>So yes, this parity better.

0:19:33.800 --> 0:19:36.720
<v Speaker 4>Yeah. Oh and I wanted to say, I know I've

0:19:36.760 --> 0:19:41.359
<v Speaker 4>mentioned this before, but okay, so they're going at the

0:19:41.400 --> 0:19:41.879
<v Speaker 4>car wash.

0:19:42.640 --> 0:19:44.240
<v Speaker 1>You do not like this scene.

0:19:44.600 --> 0:19:48.200
<v Speaker 4>It bothers me so much. They're using the like the

0:19:48.359 --> 0:19:51.440
<v Speaker 4>wiper stuff, like the hey wipe off your windshield and

0:19:51.520 --> 0:19:54.960
<v Speaker 4>they start flinging that at each other's bodies. Gross with

0:19:55.080 --> 0:19:58.960
<v Speaker 4>their mouths open you And then how cheap is gas

0:19:59.320 --> 0:20:01.720
<v Speaker 4>that They're like, we're gonna fill out this car. We're

0:20:01.720 --> 0:20:04.840
<v Speaker 4>also gonna spray gasoline all over the place.

0:20:04.920 --> 0:20:07.679
<v Speaker 1>Two thousand and one it was like nine eleven dollar fifty.

0:20:09.400 --> 0:20:11.960
<v Speaker 4>Yeah, oh my god, sorry, it just and your mouth

0:20:12.080 --> 0:20:12.879
<v Speaker 4>is open old.

0:20:12.800 --> 0:20:16.480
<v Speaker 1>Time, like the taste what I'm getting? What I guess

0:20:16.760 --> 0:20:19.560
<v Speaker 1>I'm trying to put myself in two thousand and one brain.

0:20:20.200 --> 0:20:22.159
<v Speaker 1>And I feel like, even though like the whole like

0:20:22.480 --> 0:20:26.000
<v Speaker 1>gender swapping stuff is pretty dated a concept at this point,

0:20:26.200 --> 0:20:28.600
<v Speaker 1>I feel like it had to have been like pretty

0:20:28.640 --> 0:20:33.639
<v Speaker 1>subversive at the time to present hot men as vapid

0:20:33.720 --> 0:20:36.760
<v Speaker 1>in a way that we usually see hot women presented. Yes,

0:20:36.960 --> 0:20:39.520
<v Speaker 1>I don't know, true, but I was watching Shrek in

0:20:39.560 --> 0:20:41.920
<v Speaker 1>two thousand and one, so I don't know.

0:20:42.640 --> 0:20:49.280
<v Speaker 3>Never forget Okay. So there's this gas station explosion and

0:20:49.600 --> 0:20:53.280
<v Speaker 3>at the funeral, while Derek is giving his you googly,

0:20:54.240 --> 0:20:58.400
<v Speaker 3>Derek announces that he's retiring from male modeling. He wants

0:20:58.480 --> 0:21:01.400
<v Speaker 3>to do more meaningful work than it helps people, maybe

0:21:01.480 --> 0:21:04.000
<v Speaker 3>even open up the Derek Zulander Center for kids who

0:21:04.040 --> 0:21:07.920
<v Speaker 3>can't read good. His agent Morey tells him he can't

0:21:07.960 --> 0:21:13.240
<v Speaker 3>retire because Mugatu, who has never hired Derek before, finally

0:21:13.440 --> 0:21:17.840
<v Speaker 3>wants him for his new campaign, but Derek refuses and

0:21:18.000 --> 0:21:24.240
<v Speaker 3>goes back home to coal mining country, New Jersey, where

0:21:25.000 --> 0:21:28.600
<v Speaker 3>his family lives. His dad played by John Voyd, and

0:21:28.840 --> 0:21:32.639
<v Speaker 3>two brothers played by Vince Vaughan and Judah Friedlander, who

0:21:32.720 --> 0:21:36.320
<v Speaker 3>I don't think to say any lines of dialogue really.

0:21:36.640 --> 0:21:40.359
<v Speaker 1>I think Vince Vaughn maybe speaks once. Yeah, Judah Friedlander

0:21:40.680 --> 0:21:41.959
<v Speaker 1>is a glorified extra.

0:21:42.520 --> 0:21:44.520
<v Speaker 4>I did not know that was Judah Friedlander.

0:21:44.720 --> 0:21:45.280
<v Speaker 3>That's Judah.

0:21:45.440 --> 0:21:49.200
<v Speaker 4>That's what he looks like. And the hair out the sides, that's.

0:21:51.000 --> 0:21:51.160
<v Speaker 3>Right.

0:21:52.800 --> 0:21:55.800
<v Speaker 1>I like that they all have the same resting face.

0:21:55.960 --> 0:21:58.119
<v Speaker 1>So much of this movie is so funny to me.

0:21:59.080 --> 0:21:59.920
<v Speaker 1>I just so good.

0:22:00.600 --> 0:22:04.440
<v Speaker 3>Anyway. They're ashamed of Derek and his job because he's

0:22:04.560 --> 0:22:08.480
<v Speaker 3>not living up to their rigid gender expectations of being

0:22:09.000 --> 0:22:13.920
<v Speaker 3>hyper masculine, so eventually Derek returns to the city to

0:22:14.160 --> 0:22:19.639
<v Speaker 3>accept Mugatu's offer, which includes a miniature prototype of the

0:22:19.720 --> 0:22:22.440
<v Speaker 3>Derek Zulander Center for Kids who can't read good. And

0:22:23.400 --> 0:22:26.200
<v Speaker 3>this is when Derek says, what is this a center

0:22:26.320 --> 0:22:29.919
<v Speaker 3>for ants? It'll have to be at least three times

0:22:30.040 --> 0:22:34.760
<v Speaker 3>bigger than this. It's funny, it's funny. I can't help it.

0:22:35.119 --> 0:22:40.440
<v Speaker 3>It's funny, so funny. Meanwhile, Matilda Jeffreyes, the journalist, is

0:22:40.880 --> 0:22:44.640
<v Speaker 3>trying to talk to Mugatu about his exploitation of child

0:22:44.720 --> 0:22:48.240
<v Speaker 3>labor in Malaysia, but she can't get access to Mugatu.

0:22:49.119 --> 0:22:52.560
<v Speaker 3>Then she receives an anonymous phone call from a mysterious

0:22:52.640 --> 0:22:56.320
<v Speaker 3>person telling her to keep digging and to go to

0:22:56.520 --> 0:22:57.240
<v Speaker 3>Peer twelve.

0:22:57.680 --> 0:22:59.840
<v Speaker 1>And you're like, surely this isn't David Dick.

0:23:00.600 --> 0:23:07.240
<v Speaker 3>Surely not. Then Mugatu shows Derek his designs for the

0:23:07.320 --> 0:23:12.560
<v Speaker 3>fashion week show, a campaign called dere Leaked, which we'll

0:23:12.600 --> 0:23:17.520
<v Speaker 3>talk about. There's interesting satire going on here. Mugatu and

0:23:17.720 --> 0:23:22.639
<v Speaker 3>his minion, Katinka played by Mila Jovovich, start getting Derek

0:23:22.720 --> 0:23:23.960
<v Speaker 3>ready for the show.

0:23:24.240 --> 0:23:28.720
<v Speaker 1>Mila Jeviovich is giving very Parker posey and Josie the

0:23:28.760 --> 0:23:32.119
<v Speaker 1>Pussycat's going off of your comparison I would say so.

0:23:32.359 --> 0:23:34.720
<v Speaker 4>I think she's so funny in this, and she got

0:23:34.920 --> 0:23:41.480
<v Speaker 4>trapped in this weird vampire killie business for like twenty years.

0:23:41.720 --> 0:23:44.080
<v Speaker 4>I think maybe she's still trapped there. Then I don't

0:23:44.080 --> 0:23:46.720
<v Speaker 4>think they let her out of the resident evil box. Oh,

0:23:47.320 --> 0:23:50.080
<v Speaker 4>it's clear that she's like very funny here.

0:23:50.080 --> 0:23:51.879
<v Speaker 1>Well, and she has like I feel like, I think

0:23:52.200 --> 0:23:54.000
<v Speaker 1>like earlier in her career she was doing like really

0:23:54.040 --> 0:23:55.520
<v Speaker 1>weird a collect I mean, like she's great in the

0:23:55.560 --> 0:23:57.959
<v Speaker 1>Fifth Element, even though that movie does not give her

0:23:58.040 --> 0:23:59.920
<v Speaker 1>much to do, but she's like good at being weird

0:24:00.200 --> 0:24:03.040
<v Speaker 1>and silly and yeah, free her, free her.

0:24:04.520 --> 0:24:09.399
<v Speaker 3>Yes. So anyway, Katinka takes Derek to a quote unquote

0:24:09.480 --> 0:24:14.240
<v Speaker 3>day spa, which is actually just a brainwashing facility, and

0:24:14.520 --> 0:24:18.720
<v Speaker 3>they start brainwashing Derek to kill the Prime Minister of Malaysia.

0:24:19.080 --> 0:24:22.760
<v Speaker 3>When the song Relax comes on, that's the trigger that

0:24:22.880 --> 0:24:27.400
<v Speaker 3>will get him to like go into a homicidal rage. Basically,

0:24:28.480 --> 0:24:31.000
<v Speaker 3>Matilda shows up to Peer twelve, which turns out to

0:24:31.040 --> 0:24:34.440
<v Speaker 3>be the location of this quote unquote spa, but Katinka

0:24:34.600 --> 0:24:38.800
<v Speaker 3>immediately throws Matilda out in comments on her outfit, saying

0:24:38.840 --> 0:24:40.440
<v Speaker 3>it's from kmart.

0:24:40.640 --> 0:24:42.840
<v Speaker 1>Very two thousand and one. Insults.

0:24:43.000 --> 0:24:44.399
<v Speaker 4>We even had cats anymore?

0:24:44.520 --> 0:24:46.840
<v Speaker 1>Yeah, it's like, do kids even know what kmarts are

0:24:46.960 --> 0:24:47.520
<v Speaker 1>these days?

0:24:48.200 --> 0:24:50.119
<v Speaker 3>I think there might be one left.

0:24:51.000 --> 0:24:54.760
<v Speaker 1>There's like a huskover kmart in my hometown. It's very sad.

0:24:55.119 --> 0:24:58.560
<v Speaker 1>It's just like gets just a big, scary, haunted liminal space.

0:24:59.000 --> 0:24:59.240
<v Speaker 4>Yeah.

0:25:00.760 --> 0:25:04.720
<v Speaker 3>Anyway, we cut to Derek waking up in his bed

0:25:05.119 --> 0:25:07.920
<v Speaker 3>and he thinks this whole thing was a dream. But

0:25:08.119 --> 0:25:10.359
<v Speaker 3>Matilda shows up at his door and she tells him

0:25:10.400 --> 0:25:12.840
<v Speaker 3>that he's been missing for a week and that the

0:25:12.920 --> 0:25:17.240
<v Speaker 3>dere leaked show is tomorrow night. Then she discovers that

0:25:17.840 --> 0:25:21.080
<v Speaker 3>several male models who have worked with Mugatu in the

0:25:21.160 --> 0:25:26.440
<v Speaker 3>past have died in freak accidents, and that Mugatu's minion, Katinka,

0:25:26.600 --> 0:25:30.520
<v Speaker 3>is in all of the photographs of the crime scenes.

0:25:31.800 --> 0:25:34.800
<v Speaker 3>So she realizes that Derek is in danger and she

0:25:35.080 --> 0:25:38.680
<v Speaker 3>heads to the pre show party that Derek is at

0:25:38.880 --> 0:25:44.080
<v Speaker 3>to warn him. At the party where Billy Zane is,

0:25:44.960 --> 0:25:48.680
<v Speaker 3>he's there. He's playing himself. He's friends with Derek Zulander.

0:25:48.880 --> 0:25:50.119
<v Speaker 1>He's an ally to Derek.

0:25:50.640 --> 0:25:54.440
<v Speaker 3>He really is. Yes, Hansel shows up and he and

0:25:54.600 --> 0:25:57.240
<v Speaker 3>Derek are still beefing, so they decide to settle this

0:25:57.480 --> 0:26:01.280
<v Speaker 3>on the runway with a walk off with a David

0:26:01.359 --> 0:26:06.879
<v Speaker 3>Bowie cameo. He's like the referee. Sure. Derek is humiliated

0:26:06.920 --> 0:26:10.360
<v Speaker 3>by Hansel once again when Hansel wins the walk off

0:26:10.760 --> 0:26:15.119
<v Speaker 3>by taking his underwear off without removing his pants, and

0:26:15.200 --> 0:26:22.360
<v Speaker 3>we're like exactly. Then Matilda approaches Derek to be like, hey,

0:26:22.680 --> 0:26:27.639
<v Speaker 3>there's a male modeling conspiracy and you're in danger. Then

0:26:27.680 --> 0:26:30.960
<v Speaker 3>they head to a cemetery after Matilda receives another call

0:26:31.080 --> 0:26:34.119
<v Speaker 3>from that mystery person, who turns out to be former

0:26:34.359 --> 0:26:38.800
<v Speaker 3>hand model JP Pruett played by David d'ucuffney.

0:26:39.160 --> 0:26:42.760
<v Speaker 1>Just like poetry, poetry is so great.

0:26:43.000 --> 0:26:46.560
<v Speaker 3>It's amazing. He tells them that the fashion industry has

0:26:46.680 --> 0:26:51.040
<v Speaker 3>been behind every major political assassination for the past two

0:26:51.160 --> 0:26:56.000
<v Speaker 3>hundred years, and behind every hit was a male model

0:26:56.520 --> 0:27:01.120
<v Speaker 3>who is then killed to cover everything up. And JP

0:27:01.280 --> 0:27:04.119
<v Speaker 3>Pruett tells them that they can find evidence for all

0:27:04.200 --> 0:27:07.920
<v Speaker 3>of this on Maury Balstein's computer because he's in on

0:27:08.040 --> 0:27:13.639
<v Speaker 3>it too. Suddenly they are attacked by Mugatu's minions, so

0:27:14.200 --> 0:27:17.359
<v Speaker 3>Derek and Matilda escape and they need to find somewhere

0:27:17.400 --> 0:27:20.040
<v Speaker 3>safe for Derek to hide, and they realize the last

0:27:20.080 --> 0:27:23.160
<v Speaker 3>place that anyone would look for him would be Hansel's house.

0:27:24.000 --> 0:27:27.720
<v Speaker 3>So they show up at Hansel's. Derek and Hansel air

0:27:27.840 --> 0:27:32.520
<v Speaker 3>their grievances and admit that they're actually intimidated by each

0:27:32.560 --> 0:27:36.159
<v Speaker 3>other and now they're friends, and Hansel welcomes them to

0:27:36.280 --> 0:27:40.399
<v Speaker 3>his home. Then there's a scene where Matilda confides in

0:27:40.480 --> 0:27:43.520
<v Speaker 3>them about why she doesn't like models. We'll talk about

0:27:43.520 --> 0:27:47.359
<v Speaker 3>this later because there's a lot to unpack here. Yeah,

0:27:47.800 --> 0:27:52.960
<v Speaker 3>but this culminates in Derek, Hansel, Matilda plus some other

0:27:53.040 --> 0:27:56.640
<v Speaker 3>people having group sex. I think they're all drinking ayahuasca

0:27:56.880 --> 0:27:59.840
<v Speaker 3>or something and they're just getting freaky and horny with

0:27:59.840 --> 0:28:02.800
<v Speaker 3>the each other, and Derek and Matilda in particular are

0:28:02.920 --> 0:28:03.760
<v Speaker 3>really vibing.

0:28:04.359 --> 0:28:07.920
<v Speaker 1>Yeah, Hans's kind of along for the ride, right.

0:28:08.800 --> 0:28:11.080
<v Speaker 3>He's watching Slash also participating.

0:28:11.600 --> 0:28:11.800
<v Speaker 1>Yeah.

0:28:12.280 --> 0:28:15.520
<v Speaker 3>The next day is the big dere leaked show when

0:28:15.920 --> 0:28:19.000
<v Speaker 3>Derek is going to be forced to assassinate the Prime

0:28:19.040 --> 0:28:21.359
<v Speaker 3>Minister of Malaysia, so they have to figure out how

0:28:21.400 --> 0:28:24.600
<v Speaker 3>they're going to stop this from happening. Hansel and Derek

0:28:24.880 --> 0:28:28.880
<v Speaker 3>disguise themselves as people of different races.

0:28:29.400 --> 0:28:35.719
<v Speaker 1>Yes, okay, yeah, there's my like, my heart wilted at

0:28:35.760 --> 0:28:38.360
<v Speaker 1>the sight of this because the movie was doing so

0:28:38.560 --> 0:28:43.560
<v Speaker 1>well generally, and then this happens, and you're like, you've

0:28:43.560 --> 0:28:45.040
<v Speaker 1>got to be fucking kidding me.

0:28:45.480 --> 0:28:48.440
<v Speaker 4>One of those guys, the black guy is a comedian,

0:28:48.680 --> 0:28:53.040
<v Speaker 4>Godfrey still around Godfrey. Yeah, Bill looks very much the

0:28:53.120 --> 0:28:57.600
<v Speaker 4>same man. He has not aged. He looks great, especially yeah,

0:28:57.680 --> 0:29:01.400
<v Speaker 4>twenty five years later. But Dan, it's hard to see

0:29:01.480 --> 0:29:05.360
<v Speaker 4>him there, and you're like, ah, it's not fair to him. No,

0:29:05.720 --> 0:29:08.680
<v Speaker 4>I don't love this implication. I don't love it, I know.

0:29:09.800 --> 0:29:13.360
<v Speaker 3>And then you remember, you know Tropic Thunder, and you're like, oh,

0:29:13.400 --> 0:29:15.400
<v Speaker 3>wait a minute, ben Stiller is.

0:29:15.520 --> 0:29:17.160
<v Speaker 1>Kind of Ben Stiller's thing.

0:29:17.720 --> 0:29:18.680
<v Speaker 3>It's kind of a thing.

0:29:19.200 --> 0:29:21.560
<v Speaker 1>Weird, weirdo, very weird.

0:29:21.880 --> 0:29:25.080
<v Speaker 3>So, yeah, they are now in disguises as people of

0:29:25.120 --> 0:29:31.200
<v Speaker 3>different races, at the very least they cast different actors. Yes,

0:29:31.880 --> 0:29:34.520
<v Speaker 3>but then later you see ben Stiller and Owen Wilson

0:29:34.680 --> 0:29:38.200
<v Speaker 3>partially in exact black and brown face, and then so, yes,

0:29:38.280 --> 0:29:43.480
<v Speaker 3>it is horrible, doesn't Yeah, it doesn't work very bad anyway.

0:29:43.640 --> 0:29:47.160
<v Speaker 3>They are able to get inside Maury's office, but they

0:29:47.240 --> 0:29:50.800
<v Speaker 3>don't know how to use computers. There's this whole two

0:29:50.800 --> 0:29:53.400
<v Speaker 3>thousand and one A Space Odyssey reference where they're like

0:29:53.840 --> 0:29:58.800
<v Speaker 3>kind of banging on one of those huge desktops, yeah,

0:29:58.920 --> 0:30:02.320
<v Speaker 3>from two thousand and one. And before they figure out

0:30:02.320 --> 0:30:04.840
<v Speaker 3>how to access the evidence, Derek has to leave to

0:30:05.000 --> 0:30:09.200
<v Speaker 3>get to his show. Meanwhile, Matilda figures out that the

0:30:09.880 --> 0:30:14.960
<v Speaker 3>trigger is the song relax after learning that Mugatu used

0:30:15.040 --> 0:30:18.640
<v Speaker 3>to be in was it the band Frankie goes to

0:30:18.720 --> 0:30:23.880
<v Speaker 3>Hollywood that's who wrote relaxed. So anyway, they booted him out.

0:30:23.960 --> 0:30:26.240
<v Speaker 1>It was like slightly too dated for me. I'm like,

0:30:26.520 --> 0:30:28.240
<v Speaker 1>I'm sure this was funny in two thousand and one,

0:30:28.520 --> 0:30:30.320
<v Speaker 1>but hard to say right.

0:30:30.520 --> 0:30:32.600
<v Speaker 3>Anyway, he was in a band, but he got booted

0:30:32.680 --> 0:30:36.520
<v Speaker 3>out before they recorded their hit song Relax, and so

0:30:36.680 --> 0:30:40.520
<v Speaker 3>he's very bitter toward them. He also invented the piano

0:30:40.600 --> 0:30:45.640
<v Speaker 3>key necktie and that's what launched his fashion career. Now

0:30:45.720 --> 0:30:50.600
<v Speaker 3>that's funny and that's comedy. Yes, anyway, so Matilda figures

0:30:50.680 --> 0:30:53.600
<v Speaker 3>out that that's like the trigger song. Then the Dare

0:30:53.720 --> 0:30:57.960
<v Speaker 3>Leaked show starts. The Prime Minister of Malaysia is there

0:30:58.240 --> 0:31:03.480
<v Speaker 3>as Mugatu's special guest Derek comes on stage. The DJ

0:31:03.600 --> 0:31:05.800
<v Speaker 3>starts playing the song Relax the.

0:31:07.680 --> 0:31:12.080
<v Speaker 1>Row and unrecognizable justin the row.

0:31:12.320 --> 0:31:16.280
<v Speaker 3>Yeah, I had no idea until looking at Wikipedia earlier today.

0:31:17.560 --> 0:31:20.640
<v Speaker 3>So the song starts playing. Derek is about to attack

0:31:20.720 --> 0:31:23.840
<v Speaker 3>the Prime Minister, but then Hansel swoops in. There's a

0:31:23.880 --> 0:31:30.120
<v Speaker 3>whole fight scene where Hansel battles DJ justin throu They

0:31:30.240 --> 0:31:33.520
<v Speaker 3>keep switching the music back and forth, and then eventually

0:31:33.680 --> 0:31:38.000
<v Speaker 3>they expose Mugatu and the whole conspiracy to brainwash Derek

0:31:38.080 --> 0:31:43.360
<v Speaker 3>into assassinating the Malaysian Prime Minister. Maury Balstein confirms this

0:31:43.520 --> 0:31:46.840
<v Speaker 3>is all true, and Mugatu is like, fine, if you're

0:31:46.920 --> 0:31:50.120
<v Speaker 3>not gonna kill the Prime Minister, I'll do it myself,

0:31:50.800 --> 0:31:53.680
<v Speaker 3>and he's about to kill him, but then Derek saves

0:31:53.720 --> 0:31:58.200
<v Speaker 3>the Prime Minister with his new look Magnum, which blows

0:31:58.280 --> 0:32:03.280
<v Speaker 3>everyone away, and everyone's so proud of him, even Derek's

0:32:03.560 --> 0:32:05.520
<v Speaker 3>father back in New Jersey.

0:32:05.680 --> 0:32:08.840
<v Speaker 1>Because at the end of the day, what are movies

0:32:08.920 --> 0:32:09.920
<v Speaker 1>about fathers?

0:32:10.080 --> 0:32:15.120
<v Speaker 3>And yes, okay. So then we cut to a little later.

0:32:15.800 --> 0:32:18.960
<v Speaker 3>The Derek Zulander Center for kids who can't read good

0:32:19.080 --> 0:32:21.480
<v Speaker 3>and want to learn to do other stuff good too,

0:32:22.080 --> 0:32:26.280
<v Speaker 3>has opened. His friends are teachers there. Derek and Matilda

0:32:26.400 --> 0:32:29.800
<v Speaker 3>have gotten together and they have a kid, Derek Junior,

0:32:30.440 --> 0:32:33.480
<v Speaker 3>who is an aspiring male model because he does a

0:32:33.520 --> 0:32:37.040
<v Speaker 3>little look. And that's pretty much the end of the movie.

0:32:37.640 --> 0:32:41.480
<v Speaker 3>So let's take another quick break and we'll come back

0:32:41.760 --> 0:32:53.720
<v Speaker 3>to discuss, and.

0:32:54.280 --> 0:32:55.360
<v Speaker 1>We're back.

0:32:56.680 --> 0:32:57.600
<v Speaker 3>Where to begin?

0:32:59.160 --> 0:32:59.920
<v Speaker 1>Where to begin?

0:33:00.480 --> 0:33:00.600
<v Speaker 2>Uh?

0:33:00.680 --> 0:33:04.080
<v Speaker 1>I guess we could start with the few women in

0:33:04.360 --> 0:33:08.000
<v Speaker 1>this movie where I don't know, I mean, what if

0:33:08.040 --> 0:33:11.600
<v Speaker 1>we think? I thought the Milijevovich character was really fun,

0:33:12.200 --> 0:33:17.160
<v Speaker 1>probably a little underused, like could have had because it's

0:33:17.200 --> 0:33:19.320
<v Speaker 1>just fresh because she's giving such a fun performance, But

0:33:19.440 --> 0:33:23.040
<v Speaker 1>the movie really only has interested in her at like

0:33:23.240 --> 0:33:26.160
<v Speaker 1>plot useful times, versus like building out much for her

0:33:26.240 --> 0:33:28.000
<v Speaker 1>to do, like we don't really know anything about her

0:33:28.280 --> 0:33:32.840
<v Speaker 1>like outside of that. And then unfortunately Christine Taylor, it's

0:33:32.920 --> 0:33:35.600
<v Speaker 1>not her fault, but I just like, I feel like

0:33:35.720 --> 0:33:39.320
<v Speaker 1>this exact character exists in a lot of movies around

0:33:39.360 --> 0:33:42.200
<v Speaker 1>this era. Unfortunately, I am thinking of The Master of

0:33:42.320 --> 0:33:47.240
<v Speaker 1>Disguise where you're like, uh huh listen, which for some

0:33:47.360 --> 0:33:50.000
<v Speaker 1>reason is a movie I have seen many times. In

0:33:50.080 --> 0:33:54.440
<v Speaker 1>spite of not saying Zulander doesn't make sense, but I'm

0:33:54.480 --> 0:33:56.960
<v Speaker 1>going to try to like boil down. It's like just

0:33:57.480 --> 0:34:01.240
<v Speaker 1>she's too normal and everyone else is a cartoon character

0:34:01.320 --> 0:34:04.040
<v Speaker 1>in this movie except her and she like and I

0:34:04.120 --> 0:34:06.120
<v Speaker 1>think that that's the joke, But I also don't think

0:34:06.120 --> 0:34:08.640
<v Speaker 1>it's fair to the actor, and it's not a particularly

0:34:08.760 --> 0:34:11.000
<v Speaker 1>memorable character, and I don't like it.

0:34:11.400 --> 0:34:13.520
<v Speaker 4>There are so many movies of this time, and I thought,

0:34:13.560 --> 0:34:16.359
<v Speaker 4>this is what you're gonna say, where a woman there

0:34:16.640 --> 0:34:19.520
<v Speaker 4>is a journalist to cover the thing the man is doing,

0:34:19.960 --> 0:34:22.120
<v Speaker 4>and of course she will end up sleeping with one

0:34:22.200 --> 0:34:25.319
<v Speaker 4>of the people in the movie. Like that happened over

0:34:25.440 --> 0:34:30.400
<v Speaker 4>and over again, even up until like train Wreck or

0:34:31.920 --> 0:34:34.520
<v Speaker 4>about Tag called Tag.

0:34:36.200 --> 0:34:38.560
<v Speaker 1>Where it was where Jerremy Renner broke his arms.

0:34:40.040 --> 0:34:40.520
<v Speaker 4>No, I don't know.

0:34:41.239 --> 0:34:43.920
<v Speaker 1>I'm pretty shirt as a Renner historian, I'm pretty I

0:34:44.440 --> 0:34:48.080
<v Speaker 1>like him. I hate he sucks. I hate him like

0:34:48.280 --> 0:34:48.840
<v Speaker 1>he sucks.

0:34:49.000 --> 0:34:51.960
<v Speaker 4>And it was only confirmed like he did some things

0:34:51.960 --> 0:34:54.160
<v Speaker 4>that were annoying or something. But I was like, no,

0:34:54.800 --> 0:34:57.960
<v Speaker 4>I'm only celebrating this because deep down I didn't like

0:34:58.080 --> 0:35:01.200
<v Speaker 4>that guy. But yes, Tag where Jeremy Renner broke is up.

0:35:01.480 --> 0:35:04.200
<v Speaker 4>But in that they write a woman just to be

0:35:04.760 --> 0:35:08.120
<v Speaker 4>a journalist air quotes, to follow these guys around and

0:35:08.160 --> 0:35:09.520
<v Speaker 4>then eventually sleep with one of them.

0:35:09.600 --> 0:35:12.080
<v Speaker 1>And you're totally right. I think that that happens a

0:35:12.160 --> 0:35:15.920
<v Speaker 1>lot across rom coms as well, where like it's a

0:35:16.000 --> 0:35:19.960
<v Speaker 1>comedies and realm comms often it's like, okay, well, feminism happens,

0:35:20.000 --> 0:35:22.120
<v Speaker 1>So we can't just like have a woman not have

0:35:22.239 --> 0:35:25.040
<v Speaker 1>a job, But how can we create a character that

0:35:25.239 --> 0:35:28.320
<v Speaker 1>is just disproportionately interested in what this guy is up to?

0:35:28.400 --> 0:35:31.000
<v Speaker 1>I think that that's yeah, that's I don't think we've

0:35:31.040 --> 0:35:34.200
<v Speaker 1>ever like really honed in on that on this show. Yeah,

0:35:34.200 --> 0:35:34.960
<v Speaker 1>that's totally true.

0:35:35.160 --> 0:35:37.759
<v Speaker 3>Mm hmm. And to your point, Jamie, it means that

0:35:37.920 --> 0:35:40.960
<v Speaker 3>she's and I get it, like in a comedy movie

0:35:41.080 --> 0:35:44.560
<v Speaker 3>there's often like the straight straight man to emphasize the

0:35:44.640 --> 0:35:45.640
<v Speaker 3>comedic hijinks.

0:35:45.760 --> 0:35:48.239
<v Speaker 1>But if you only have two women in the movie.

0:35:48.480 --> 0:35:53.040
<v Speaker 3>Like right, where it's like, okay, and there are moments

0:35:53.120 --> 0:35:57.759
<v Speaker 3>where she's like reacting to something absurd where like she

0:35:58.040 --> 0:36:00.759
<v Speaker 3>kind of gets the laugh or like her reaction is

0:36:00.880 --> 0:36:03.120
<v Speaker 3>like oh ha ha, I agree with her because they

0:36:03.280 --> 0:36:06.719
<v Speaker 3>did something ridiculous. But even so, like it means that

0:36:07.040 --> 0:36:10.360
<v Speaker 3>she isn't given the opportunity to show like comedic chops

0:36:10.480 --> 0:36:14.560
<v Speaker 3>quite the same way as all of the other characters

0:36:14.600 --> 0:36:15.960
<v Speaker 3>who are predominantly men.

0:36:16.440 --> 0:36:18.880
<v Speaker 1>Yeah, it's maybe like an obvious observation. But like, in

0:36:19.000 --> 0:36:21.920
<v Speaker 1>this movie that's written by three men that I do

0:36:22.120 --> 0:36:25.520
<v Speaker 1>think has some stuff to say about masculinity. But I

0:36:25.680 --> 0:36:29.080
<v Speaker 1>was not shocked that there's only two women characters. One

0:36:29.320 --> 0:36:32.840
<v Speaker 1>is an underutilized comedic character and the other is a pretty,

0:36:33.080 --> 0:36:35.440
<v Speaker 1>I think dully written love interest.

0:36:35.719 --> 0:36:38.280
<v Speaker 4>For sure, there's a there's another. It's not a character,

0:36:39.080 --> 0:36:41.160
<v Speaker 4>and it's not a cameo because it's not a famous person.

0:36:41.640 --> 0:36:44.640
<v Speaker 4>They made someone look the worst they've ever looked, and

0:36:44.840 --> 0:36:47.719
<v Speaker 4>they played the messuse and I just that stuck out

0:36:47.760 --> 0:36:47.880
<v Speaker 4>to me.

0:36:47.960 --> 0:36:49.000
<v Speaker 3>I was like, that's Sandy Dick.

0:36:49.080 --> 0:36:49.839
<v Speaker 1>A Sandy Dick.

0:36:50.080 --> 0:36:54.799
<v Speaker 4>That's Andy Dick. Yeahah, he's I was like, wait, they

0:36:54.840 --> 0:36:58.080
<v Speaker 4>have three women on screen at the same time. That's wild.

0:36:58.480 --> 0:36:59.319
<v Speaker 1>No, that's Andy Dick.

0:36:59.400 --> 0:37:02.719
<v Speaker 4>No, they don't they never mind, never mind, I take

0:37:02.760 --> 0:37:02.960
<v Speaker 4>it back.

0:37:03.000 --> 0:37:06.440
<v Speaker 1>I will take every opportunity to just declare Andy Dick

0:37:06.520 --> 0:37:09.120
<v Speaker 1>one of the world's worst people. I hate that motherfucker.

0:37:09.239 --> 0:37:14.480
<v Speaker 1>And it's personal, okay, but it is a very tired

0:37:14.600 --> 0:37:19.760
<v Speaker 1>joke where it's either regardless of the gender of the actor,

0:37:20.000 --> 0:37:23.960
<v Speaker 1>sometimes it is a man, sometimes it's a woman, but

0:37:24.080 --> 0:37:28.160
<v Speaker 1>it's someone in so much makeup and prosthetics, and it's

0:37:28.280 --> 0:37:31.120
<v Speaker 1>the character is almost always a woman, where it's like, look,

0:37:31.239 --> 0:37:36.120
<v Speaker 1>how hideous this old hag is, and isn't that comedy

0:37:36.400 --> 0:37:40.200
<v Speaker 1>yet the drag being used, where drag is the punchline

0:37:40.480 --> 0:37:42.120
<v Speaker 1>as a post like yeah.

0:37:43.600 --> 0:37:47.239
<v Speaker 3>So yeah, not great when it comes to the characters

0:37:47.280 --> 0:37:48.440
<v Speaker 3>who are women.

0:37:49.000 --> 0:37:50.920
<v Speaker 1>Unfortunately, I don't really have much to say about those

0:37:50.960 --> 0:37:53.560
<v Speaker 1>characters outside of that because we're not really given that much.

0:37:53.960 --> 0:37:58.480
<v Speaker 4>There's a couple of times when Zulander talks to the

0:37:58.560 --> 0:38:02.040
<v Speaker 4>investigatory journalist, which I thought investigatory was a word for

0:38:02.080 --> 0:38:03.759
<v Speaker 4>a long time, and it's not right.

0:38:03.920 --> 0:38:06.720
<v Speaker 3>It is an investigative journalist.

0:38:06.920 --> 0:38:10.720
<v Speaker 4>Yeah, investigative journalist. But I just say it really quickly

0:38:10.760 --> 0:38:12.520
<v Speaker 4>because I'm always like, shit, I'm doing it wrong.

0:38:13.200 --> 0:38:15.399
<v Speaker 1>But if someone said that to me, I would be like, yeah,

0:38:15.560 --> 0:38:16.319
<v Speaker 1>that sounds like a word.

0:38:16.400 --> 0:38:20.480
<v Speaker 4>Sure, yeah yeah. But when Balls talks to her when

0:38:20.520 --> 0:38:22.920
<v Speaker 4>she's asking questions, he's like, ah, you'd look pretty good

0:38:22.920 --> 0:38:24.480
<v Speaker 4>if you had a push up raw And we're supposed

0:38:24.480 --> 0:38:26.359
<v Speaker 4>to like this guy. I was like, this guy who

0:38:26.440 --> 0:38:29.920
<v Speaker 4>smacks his secretary's button is like talking about his penis

0:38:29.960 --> 0:38:32.520
<v Speaker 4>all the time. I was like, I hate this person, right,

0:38:32.640 --> 0:38:35.000
<v Speaker 4>but so she's like okay, and she doesn't say anything then,

0:38:35.320 --> 0:38:37.680
<v Speaker 4>and then when she's trying to tell him you've been

0:38:37.719 --> 0:38:41.800
<v Speaker 4>missing for a week, he's like, hey, you have patterned

0:38:41.840 --> 0:38:44.319
<v Speaker 4>dryness around your scalp because you're pulling your hair too tight,

0:38:44.600 --> 0:38:46.600
<v Speaker 4>may I? And then he pulls her hair out of

0:38:46.680 --> 0:38:49.319
<v Speaker 4>a ponytail and stuff, and he's like, wow, you look better,

0:38:49.400 --> 0:38:52.239
<v Speaker 4>and she's like smiling, like oh thanks, like do this better?

0:38:52.520 --> 0:38:54.880
<v Speaker 4>Don't die? And I'm like, why would she stand for

0:38:55.000 --> 0:38:56.239
<v Speaker 4>any of this? Why?

0:38:57.400 --> 0:39:04.800
<v Speaker 3>I don't know. There's there's the scene where she tells

0:39:04.880 --> 0:39:09.920
<v Speaker 3>them her backstory, so okay. Earlier in the movie, when

0:39:10.000 --> 0:39:12.640
<v Speaker 3>Derek is talking to his male model friends about wanting

0:39:12.680 --> 0:39:16.320
<v Speaker 3>to help people, and they're like, models do help people.

0:39:16.440 --> 0:39:18.880
<v Speaker 3>We make people feel good about themselves and teach them

0:39:18.880 --> 0:39:22.520
<v Speaker 3>how to wear their hair in interesting ways. The irony

0:39:22.600 --> 0:39:27.400
<v Speaker 3>being that the entire beauty industry is predicated on making

0:39:27.520 --> 0:39:30.719
<v Speaker 3>people feel bad about themselves so that they can capitalize

0:39:30.760 --> 0:39:34.400
<v Speaker 3>on people's insecurities and sell them shit and all of that.

0:39:35.040 --> 0:39:38.799
<v Speaker 3>That might be an oversimplification, but it's largely that either way.

0:39:39.160 --> 0:39:42.080
<v Speaker 3>We find out the reason that Matilda does not like

0:39:42.280 --> 0:39:46.440
<v Speaker 3>models when she shares her backstory because she describes that

0:39:46.600 --> 0:39:49.879
<v Speaker 3>when she was a kid, she was bullied for being fat,

0:39:50.239 --> 0:39:52.080
<v Speaker 3>and she felt all this pressure to live up to

0:39:52.200 --> 0:39:56.360
<v Speaker 3>these impossible Western beauty standards that were perpetuated by the

0:39:56.440 --> 0:40:00.400
<v Speaker 3>models she saw in magazines, and from that she'd developed

0:40:00.480 --> 0:40:03.680
<v Speaker 3>and eating disorder. And she shares this with these two

0:40:04.040 --> 0:40:08.880
<v Speaker 3>guys who like completely trivialize her experience. She is clearly

0:40:08.920 --> 0:40:11.320
<v Speaker 3>frustrated that they're not taking her seriously, But then the

0:40:11.440 --> 0:40:15.480
<v Speaker 3>scene quickly moves on to her sex life.

0:40:15.680 --> 0:40:19.040
<v Speaker 1>Which is like, so, I mean again, clearly a story

0:40:19.080 --> 0:40:22.640
<v Speaker 1>written by three men, because it's like again, because it's like,

0:40:22.760 --> 0:40:28.440
<v Speaker 1>that could be an interesting conversation, but the movie just

0:40:29.280 --> 0:40:31.920
<v Speaker 1>tells you they're like, but we don't this interesting thing

0:40:31.960 --> 0:40:33.400
<v Speaker 1>we said. We actually don't care that we said it.

0:40:33.440 --> 0:40:34.600
<v Speaker 1>It's like, well, then why did you say it?

0:40:34.880 --> 0:40:35.000
<v Speaker 4>Then?

0:40:35.040 --> 0:40:35.840
<v Speaker 1>Why did you say it?

0:40:37.680 --> 0:40:37.839
<v Speaker 4>Right?

0:40:38.200 --> 0:40:41.600
<v Speaker 3>At the very least, Derek does apologize to her a

0:40:41.680 --> 0:40:45.320
<v Speaker 3>few scenes later. It is while he's in blackface, so

0:40:45.560 --> 0:40:46.520
<v Speaker 3>it's just like, well.

0:40:46.560 --> 0:40:49.280
<v Speaker 1>Yeah, I also noted that. I was like, I'm gonna

0:40:49.360 --> 0:40:51.320
<v Speaker 1>say that, it does not count.

0:40:51.680 --> 0:40:55.279
<v Speaker 3>It does not count. Right, There's a conversation to be

0:40:55.320 --> 0:40:58.880
<v Speaker 3>had about this, and the movie almost starts to have

0:40:59.040 --> 0:41:02.200
<v Speaker 3>that conversation, but and is like never mind.

0:41:02.360 --> 0:41:04.840
<v Speaker 1>Which is interesting because it's like, again, that would totally

0:41:04.960 --> 0:41:09.120
<v Speaker 1>fit into other points the movie is trying to make about,

0:41:09.200 --> 0:41:12.360
<v Speaker 1>like what is the point of the beauty industry? Like

0:41:12.640 --> 0:41:16.320
<v Speaker 1>is there any positive to it? Where is the source

0:41:16.600 --> 0:41:20.480
<v Speaker 1>of like evil and dysfunction within it? Continuing on that

0:41:20.719 --> 0:41:23.920
<v Speaker 1>line of thought would be like very well placed. But

0:41:24.360 --> 0:41:28.480
<v Speaker 1>again they're just like nah, right, well, so some.

0:41:28.680 --> 0:41:34.320
<v Speaker 3>Of the characters who are doing and saying problematic things

0:41:34.640 --> 0:41:37.919
<v Speaker 3>in the movie, is a part of the satire that's

0:41:38.000 --> 0:41:41.040
<v Speaker 3>criticizing the fashion industry and like showing how toxic of

0:41:41.120 --> 0:41:44.040
<v Speaker 3>an environment this could be. I think the whole dere

0:41:44.160 --> 0:41:49.120
<v Speaker 3>Leaked campaign is like, look at how the fashion industry

0:41:49.160 --> 0:41:49.520
<v Speaker 3>we got.

0:41:49.440 --> 0:41:51.879
<v Speaker 1>To in general? Yes, everything he does?

0:41:52.080 --> 0:41:56.440
<v Speaker 3>Yeah, everything about how like you know, using homelessness as

0:41:56.440 --> 0:42:00.319
<v Speaker 3>an aesthetic for a fashion show, Right, that's satire higher.

0:42:00.480 --> 0:42:04.120
<v Speaker 3>I'm not saying it's handled perfectly, but at least that's clear.

0:42:04.520 --> 0:42:07.520
<v Speaker 1>But it's not like it's not endorsing that obviously, ye.

0:42:07.480 --> 0:42:10.200
<v Speaker 3>Right, where we're right. There are other moments where a

0:42:10.320 --> 0:42:15.000
<v Speaker 3>character makes fat shaming remarks, such as when Mugatu tells

0:42:15.160 --> 0:42:19.399
<v Speaker 3>a model to lose weight immediately that are satirical representations

0:42:19.440 --> 0:42:22.920
<v Speaker 3>of the unrealistic beauty and body standards within modeling and

0:42:23.040 --> 0:42:27.560
<v Speaker 3>within the fashion industry. Again not handled the most effectively

0:42:27.600 --> 0:42:28.120
<v Speaker 3>in this movie.

0:42:28.600 --> 0:42:31.279
<v Speaker 4>But also, yeah, is there anyone in this movie that

0:42:31.480 --> 0:42:34.080
<v Speaker 4>isn't traditionally attractive? Right?

0:42:34.200 --> 0:42:37.080
<v Speaker 1>I mean that was something that I I not that

0:42:37.200 --> 0:42:39.880
<v Speaker 1>I noticed and all, like again just going back to

0:42:40.080 --> 0:42:43.279
<v Speaker 1>like I don't know, I feel like part of why

0:42:43.840 --> 0:42:46.360
<v Speaker 1>the Christine Taylor character, it's like, well, but she's not

0:42:46.600 --> 0:42:51.880
<v Speaker 1>fat anymore, and that is I feel like something we see, like,

0:42:52.239 --> 0:42:55.879
<v Speaker 1>especially during this era of movies, when fatness is even

0:42:56.040 --> 0:42:59.359
<v Speaker 1>referenced in a story, it's in the past tense, as

0:42:59.440 --> 0:43:01.600
<v Speaker 1>if if it were in the present tense, they would

0:43:01.680 --> 0:43:04.000
<v Speaker 1>not be in the movie, which in this movie appears

0:43:04.040 --> 0:43:07.800
<v Speaker 1>to be true. I don't know, like it's just and

0:43:08.160 --> 0:43:11.640
<v Speaker 1>like going back to that talking point again, like from

0:43:11.840 --> 0:43:15.760
<v Speaker 1>that character Matilda, I'm just gonna keep calling her Christie Taylor.

0:43:16.920 --> 0:43:20.800
<v Speaker 1>But that is like such a clear opportunity for satire.

0:43:20.960 --> 0:43:23.279
<v Speaker 1>I don't know why they just gave it up. I

0:43:23.320 --> 0:43:25.799
<v Speaker 1>at least, I guess for not for nothing, Like I'm

0:43:25.800 --> 0:43:29.480
<v Speaker 1>glad that at least the body shaving aspects were explicitly

0:43:30.000 --> 0:43:34.640
<v Speaker 1>referenced by a character, but yeah, it just doesn't go anywhere.

0:43:34.880 --> 0:43:40.960
<v Speaker 3>Yeah. Yeah, so you have examples of again characters saying

0:43:41.080 --> 0:43:45.400
<v Speaker 3>problematic things as part of the satire. But then you

0:43:45.560 --> 0:43:48.640
<v Speaker 3>also just have like it was two thousand and one,

0:43:49.000 --> 0:43:51.000
<v Speaker 3>and this is what we thought was comedy back then,

0:43:51.080 --> 0:43:54.400
<v Speaker 3>because you have things like there are a few instances

0:43:54.760 --> 0:43:59.319
<v Speaker 3>of ableists language and slurs being thrown around. There are

0:43:59.440 --> 0:44:03.880
<v Speaker 3>transphoe remarks which apparently get worse as the series goes on,

0:44:04.360 --> 0:44:07.200
<v Speaker 3>which horrifying. Again, Yeah, I can't speak to it, but

0:44:07.719 --> 0:44:11.920
<v Speaker 3>there's you know, sexual assault in the workplace being played

0:44:11.960 --> 0:44:16.880
<v Speaker 3>as a joke. You mentioned that canis there are examples

0:44:17.080 --> 0:44:22.000
<v Speaker 3>of little people or people of color where them simply

0:44:22.200 --> 0:44:27.040
<v Speaker 3>being on screen is the punchline of a joke, like

0:44:27.120 --> 0:44:30.279
<v Speaker 3>when they show up in the group sex scene. There

0:44:30.600 --> 0:44:33.560
<v Speaker 3>is the black and brown face that we discussed.

0:44:33.560 --> 0:44:37.439
<v Speaker 1>Which Ben Stiller will be a big proponent of well

0:44:37.560 --> 0:44:40.879
<v Speaker 1>into this decade. Yes, Traffic Thunder was what like two

0:44:40.880 --> 0:44:42.759
<v Speaker 1>thousand and seven or something.

0:44:42.560 --> 0:44:48.520
<v Speaker 3>Something around then. Yeah, yes, so there are jokes that

0:44:48.680 --> 0:44:51.640
<v Speaker 3>age horribly and are not there as any part of

0:44:51.719 --> 0:44:55.880
<v Speaker 3>like satirical social commentary. It's just it was two thousand

0:44:55.920 --> 0:44:59.640
<v Speaker 3>and one. But then there's other moments where the movie

0:44:59.760 --> 0:45:05.320
<v Speaker 3>is like commenting on expectations of masculinity, like when Derek

0:45:05.440 --> 0:45:11.440
<v Speaker 3>returns to coal mining New Jersey and his brothers and

0:45:11.560 --> 0:45:15.240
<v Speaker 3>especially his dad are ashamed of Derek and his job because,

0:45:16.160 --> 0:45:18.520
<v Speaker 3>you know, being a male model doesn't live up to

0:45:18.960 --> 0:45:25.120
<v Speaker 3>their rigid expectations of masculinity, and they want him to

0:45:25.200 --> 0:45:28.920
<v Speaker 3>work on quote unquote manly job like working in a

0:45:29.000 --> 0:45:30.160
<v Speaker 3>coal mine, and.

0:45:30.840 --> 0:45:33.680
<v Speaker 1>It's like in the goofiest way possible, which is great,

0:45:33.719 --> 0:45:36.439
<v Speaker 1>Like I don't know all the family jokes like John

0:45:36.480 --> 0:45:39.080
<v Speaker 1>Voight is being John Voight is the worst part of it.

0:45:40.280 --> 0:45:43.400
<v Speaker 1>But outside of that, like basically no notes at the

0:45:43.520 --> 0:45:46.560
<v Speaker 1>end where there's like that very offhand resolution where he's

0:45:46.640 --> 0:45:50.880
<v Speaker 1>like watching like they in the New Jersey coal mine bars,

0:45:50.920 --> 0:45:54.960
<v Speaker 1>they would watch so great, that's my son.

0:45:55.320 --> 0:45:57.520
<v Speaker 4>Where are they watching this? I love it?

0:45:57.760 --> 0:45:59.480
<v Speaker 1>I love it. They're like, well, yeah, it's kind of

0:45:59.560 --> 0:46:01.240
<v Speaker 1>the big a fashion.

0:46:01.400 --> 0:46:05.680
<v Speaker 4>Yeah, it's like on all of the TVs. It's over

0:46:05.760 --> 0:46:09.600
<v Speaker 4>the sports. Forget sports. It's the got to Daryl Leek's campaign.

0:46:10.000 --> 0:46:11.840
<v Speaker 3>Love it, love its comedy.

0:46:12.320 --> 0:46:14.080
<v Speaker 4>You don't even do that for the Victoria's Secret Show.

0:46:14.239 --> 0:46:17.160
<v Speaker 1>You Okay, yeah, you have to feel like an Amazon

0:46:17.320 --> 0:46:20.000
<v Speaker 1>Prime subscriber or some shit. Now, Like no wo.

0:46:21.560 --> 0:46:24.399
<v Speaker 3>I love the part where Derek's like, oh I ever

0:46:24.480 --> 0:46:27.280
<v Speaker 3>wanted was to make you proud pop and John Voyd

0:46:27.440 --> 0:46:30.759
<v Speaker 3>is like, with what your male modeling? Prancing around with

0:46:30.840 --> 0:46:33.200
<v Speaker 3>your wiener hanging out? I think the lord that your

0:46:33.239 --> 0:46:35.960
<v Speaker 3>mother never lived to see her son as a mermaid,

0:46:36.120 --> 0:46:48.120
<v Speaker 3>and then Derek goes merman, yes, man, that is comedy anyway,

0:46:48.560 --> 0:46:53.440
<v Speaker 3>again not handled super thoughtfully in the movie. It is

0:46:53.520 --> 0:46:54.760
<v Speaker 3>the beginning of a conversation.

0:46:54.920 --> 0:46:57.640
<v Speaker 1>Yeah, but it's like that. What I felt like is like, well,

0:46:57.719 --> 0:46:59.560
<v Speaker 1>I think that that's the best this movie could do

0:46:59.719 --> 0:47:03.120
<v Speaker 1>on that subject. While like maintaining the tone of the movie,

0:47:03.480 --> 0:47:04.960
<v Speaker 1>I wasn't mad about it fair.

0:47:05.840 --> 0:47:08.520
<v Speaker 3>The other thing that I was like pleasantly surprised by

0:47:08.680 --> 0:47:13.160
<v Speaker 3>upon this rewatch was the scene where Derek and Hansel

0:47:14.200 --> 0:47:18.360
<v Speaker 3>talk through why they've been beefing, and they admit to

0:47:18.440 --> 0:47:21.520
<v Speaker 3>feeling threatened by each other because Derek's like, yeah, I'm

0:47:21.560 --> 0:47:24.319
<v Speaker 3>getting older and my career is winding down and you're

0:47:24.480 --> 0:47:27.759
<v Speaker 3>young and your career is just getting started, and Hansel's like, well,

0:47:27.760 --> 0:47:28.120
<v Speaker 3>they're like.

0:47:28.160 --> 0:47:29.040
<v Speaker 1>The same age.

0:47:29.920 --> 0:47:31.520
<v Speaker 4>I think they're like years apart.

0:47:31.640 --> 0:47:36.080
<v Speaker 3>But yes, yeah, it's very funny. But yeah, Hansel is like, well,

0:47:36.600 --> 0:47:39.040
<v Speaker 3>I'm intimidated by you because you're such a legend and

0:47:39.160 --> 0:47:41.960
<v Speaker 3>it's difficult to live in your shadow. And they hug

0:47:42.040 --> 0:47:43.920
<v Speaker 3>it out and they become friends. But it's just like

0:47:44.040 --> 0:47:47.839
<v Speaker 3>so rare to see in a movie adult men talk

0:47:47.960 --> 0:47:51.200
<v Speaker 3>through their issues and talk about their feelings, especially like

0:47:51.680 --> 0:47:55.600
<v Speaker 3>feelings of vulnerability, and they're admitting to being intimidated by

0:47:55.640 --> 0:47:58.799
<v Speaker 3>each other by another man. Like I was just like, wow,

0:47:58.920 --> 0:48:02.359
<v Speaker 3>you don't see this, especially in two thousand and one.

0:48:02.800 --> 0:48:05.799
<v Speaker 1>I really yeah, I'm so I wish I could. Well,

0:48:05.840 --> 0:48:07.160
<v Speaker 1>I don't wish I could talk to a man in

0:48:07.239 --> 0:48:11.600
<v Speaker 1>two thousand and one. But I'm curious how that was

0:48:11.760 --> 0:48:15.960
<v Speaker 1>read at the time because I also really liked that. Yeah,

0:48:16.040 --> 0:48:19.120
<v Speaker 1>it's like they're The movie is like, oh, they're you know,

0:48:19.280 --> 0:48:23.360
<v Speaker 1>these guys are unmasculine by traditional standards, and they're the

0:48:23.520 --> 0:48:26.279
<v Speaker 1>only men in the room who can have an open

0:48:26.360 --> 0:48:30.640
<v Speaker 1>discussion about their feelings and openly connect with each other.

0:48:31.360 --> 0:48:34.520
<v Speaker 1>I'm curious how that was read at the time. I wonder, Okay,

0:48:34.680 --> 0:48:37.360
<v Speaker 1>this is my two thousand and one question. It's like,

0:48:38.320 --> 0:48:40.520
<v Speaker 1>was that a joke at the time that it's like

0:48:40.640 --> 0:48:44.879
<v Speaker 1>only unmasculine men could possibly have this conversation. I don't

0:48:44.920 --> 0:48:47.040
<v Speaker 1>think that the movie is like criticizing them, because we

0:48:47.200 --> 0:48:51.360
<v Speaker 1>love these characters. They're the best. But I'm I don't know,

0:48:51.719 --> 0:48:54.719
<v Speaker 1>I don't know. I don't know either, sound off in

0:48:54.760 --> 0:48:56.399
<v Speaker 1>the chat everybody nice.

0:48:57.040 --> 0:48:59.279
<v Speaker 4>I do want to use this almost like as a

0:48:59.480 --> 0:49:04.760
<v Speaker 4>role player exercise for like friend dude, dude friend therapy,

0:49:05.200 --> 0:49:06.840
<v Speaker 4>where it's like, Okay, so what we're gonna do is

0:49:07.080 --> 0:49:10.000
<v Speaker 4>you're gonna be do Lander, You're gonna be a Hansel,

0:49:10.640 --> 0:49:13.040
<v Speaker 4>and you're gonna start with the lines that are in

0:49:13.160 --> 0:49:17.360
<v Speaker 4>the movie, and then slowly you're gonna improvise and incorporate

0:49:17.480 --> 0:49:20.719
<v Speaker 4>your own shit, and then it just did did did

0:49:20.800 --> 0:49:24.359
<v Speaker 4>did did it? Boom, We've healed male friendship. I think

0:49:25.200 --> 0:49:26.440
<v Speaker 4>it's possible.

0:49:26.560 --> 0:49:28.359
<v Speaker 1>We can get there. We can get there, We can

0:49:28.440 --> 0:49:28.839
<v Speaker 1>get there.

0:49:28.960 --> 0:49:30.800
<v Speaker 4>It takes a lot of Yes, probably gonna be a

0:49:30.800 --> 0:49:34.960
<v Speaker 4>bunch of improv dudes at first, and that's fine, but yeah,

0:49:35.239 --> 0:49:37.520
<v Speaker 4>like that's where it's gotta start. Then that's where it's

0:49:37.520 --> 0:49:38.040
<v Speaker 4>gotta start.

0:49:38.239 --> 0:49:42.480
<v Speaker 1>Yeah, corneus meant to the front. Sorry to improvise us there,

0:49:43.160 --> 0:49:47.359
<v Speaker 1>but it's true. Yeah, I mean I love that their

0:49:47.400 --> 0:49:49.560
<v Speaker 1>friendship resolves. I wasn't sure which way it was going

0:49:49.640 --> 0:49:53.080
<v Speaker 1>to go, and it just makes sense. And then okay,

0:49:53.120 --> 0:49:55.759
<v Speaker 1>I have another two thousand and one can we put

0:49:55.800 --> 0:49:59.320
<v Speaker 1>ourselves back there moment, which is that I mean, this

0:49:59.480 --> 0:50:04.240
<v Speaker 1>movie is mysteriously absent of queer people in an industry

0:50:04.280 --> 0:50:08.080
<v Speaker 1>where there are many queer people working in high places,

0:50:08.080 --> 0:50:10.680
<v Speaker 1>which feels very two thousand and one, So that is

0:50:11.000 --> 0:50:17.280
<v Speaker 1>I think bizarre. But also I did like that for Derek,

0:50:17.480 --> 0:50:20.600
<v Speaker 1>like he is ostensibly straight as far as we know,

0:50:21.320 --> 0:50:24.799
<v Speaker 1>and that his vulnerability didn't threaten that in any way,

0:50:25.080 --> 0:50:29.319
<v Speaker 1>which I do think is a good thing. So I'm

0:50:29.360 --> 0:50:31.520
<v Speaker 1>having two things be true there. It feels weird to

0:50:31.920 --> 0:50:36.239
<v Speaker 1>completely erase queer people from the fashion industry, and also

0:50:36.440 --> 0:50:39.239
<v Speaker 1>I did like the portrayal of a straight guy that

0:50:39.440 --> 0:50:43.840
<v Speaker 1>could have male friends and be emotionally vulnerable without that

0:50:44.000 --> 0:50:45.600
<v Speaker 1>threatening his straightness.

0:50:46.800 --> 0:50:50.160
<v Speaker 3>For sure. This is also an era where queer people

0:50:50.239 --> 0:50:53.040
<v Speaker 3>were basically absent from cinema in general.

0:50:53.600 --> 0:50:56.520
<v Speaker 1>I mean, I honestly thought that there would be heavier

0:50:56.640 --> 0:50:59.040
<v Speaker 1>coating in two thousand and one.

0:50:59.160 --> 0:51:01.000
<v Speaker 3>I was like, I don't know, I mean, I wonder

0:51:01.000 --> 0:51:04.360
<v Speaker 3>if Mugatu is supposed to be queer coded. His assistant

0:51:04.920 --> 0:51:08.920
<v Speaker 3>is his assistant Todd for sure, yes, played by Nathan

0:51:09.040 --> 0:51:09.640
<v Speaker 3>Lee Graham.

0:51:10.080 --> 0:51:13.279
<v Speaker 4>I'm like, I've seen him be a gay character and

0:51:13.320 --> 0:51:15.759
<v Speaker 4>a lot of things. I think maybe i've now that

0:51:15.800 --> 0:51:17.840
<v Speaker 4>i'm thinking about it, I'm like, I've probably just projected

0:51:17.880 --> 0:51:18.640
<v Speaker 4>him into things.

0:51:18.760 --> 0:51:22.640
<v Speaker 3>Oh no, m yeah, I don't know much about Nathan

0:51:22.719 --> 0:51:26.880
<v Speaker 3>Lee Graham's personal life, but the character that he's playing

0:51:27.680 --> 0:51:33.440
<v Speaker 3>Todd certainly queer coded, Mugatu maybe arguably also queer coded.

0:51:33.560 --> 0:51:37.000
<v Speaker 3>Hard to I would say, what were exactly right?

0:51:37.040 --> 0:51:39.600
<v Speaker 1>And like Will Ferrell is so weird that it's like

0:51:40.239 --> 0:51:42.160
<v Speaker 1>you just really never know what he's going for. And

0:51:42.200 --> 0:51:44.840
<v Speaker 1>I mean that as a compliment because I think that

0:51:45.000 --> 0:51:48.080
<v Speaker 1>like a lazier, less creative comic actor would have just

0:51:48.200 --> 0:51:51.040
<v Speaker 1>leaned heavy on queer coding. But like Will Ferrell is,

0:51:51.600 --> 0:51:54.680
<v Speaker 1>he's just doing a lot, Like I don't who knows,

0:51:54.960 --> 0:51:57.719
<v Speaker 1>who knows what Mugatu's interior life is.

0:51:58.160 --> 0:51:59.880
<v Speaker 4>He's just menacing, not menacing.

0:52:00.200 --> 0:52:04.480
<v Speaker 3>We just missing right, not really sure what's going on.

0:52:04.960 --> 0:52:07.040
<v Speaker 3>You just kind of have to remind yourself. It was

0:52:07.120 --> 0:52:12.600
<v Speaker 3>two thousand and one and representation was just not good.

0:52:13.320 --> 0:52:15.600
<v Speaker 3>I said, Wow, brilliantly.

0:52:15.320 --> 0:52:17.960
<v Speaker 1>Bravely, bravely I've never been said on this show before.

0:52:19.760 --> 0:52:24.600
<v Speaker 3>Yeah, another thing I wanted to talk about is so okay.

0:52:24.840 --> 0:52:29.279
<v Speaker 3>This is a movie about a small group of rich

0:52:29.320 --> 0:52:34.040
<v Speaker 3>and powerful industry leaders who conspire to assassinate the leader

0:52:34.120 --> 0:52:37.600
<v Speaker 3>of a country so they can continue to exploit child

0:52:37.719 --> 0:52:41.880
<v Speaker 3>labor in the Global South so as to maximize profits.

0:52:42.160 --> 0:52:44.920
<v Speaker 1>It's giving all a guarchy. It's giving all a garchy.

0:52:45.040 --> 0:52:48.320
<v Speaker 3>Yeah, it sure is pretty interesting for a very silly

0:52:48.400 --> 0:52:52.160
<v Speaker 3>comedy movie to be about this, to call attention to this,

0:52:52.680 --> 0:52:55.680
<v Speaker 3>because this is a very real thing that continues to

0:52:55.880 --> 0:52:58.200
<v Speaker 3>happen around the world.

0:52:58.640 --> 0:52:59.920
<v Speaker 1>Caitlin's context corner.

0:53:00.360 --> 0:53:00.759
<v Speaker 4>Here we go.

0:53:01.040 --> 0:53:05.480
<v Speaker 3>So there's obviously many examples of this happening in the

0:53:05.520 --> 0:53:08.040
<v Speaker 3>world currently. I would like to take this moment to

0:53:08.960 --> 0:53:13.160
<v Speaker 3>discuss what's currently happening in the DRC aka the Democratic

0:53:13.239 --> 0:53:16.200
<v Speaker 3>Republic of the Congo, just in case listeners are not

0:53:16.280 --> 0:53:19.759
<v Speaker 3>aware of this. So this movie is obviously about the

0:53:20.320 --> 0:53:24.160
<v Speaker 3>garment and fashion industry. What I'm about to talk about

0:53:24.280 --> 0:53:28.239
<v Speaker 3>relates to the tech industry. But the DRC is a

0:53:28.280 --> 0:53:32.560
<v Speaker 3>country that's very rich in valuable resources that are used

0:53:32.600 --> 0:53:35.880
<v Speaker 3>to manufacture a lot of tech, which means that companies

0:53:36.080 --> 0:53:40.920
<v Speaker 3>like Google, Apple, Tesla, Intel, Microsoft, Dell.

0:53:41.160 --> 0:53:44.800
<v Speaker 1>Basically everyone who is at the presidential inauguration exactly.

0:53:45.000 --> 0:53:52.840
<v Speaker 3>Yes, they are stealing these resources things like tin, tungsten, cobalt,

0:53:53.000 --> 0:53:57.440
<v Speaker 3>col tan, just to name a few, and Congolese people

0:53:57.800 --> 0:54:01.640
<v Speaker 3>have more or less been enslaved who mine these resources.

0:54:02.440 --> 0:54:07.040
<v Speaker 3>The working conditions are incredibly inhumane and unsafe. The workers

0:54:07.080 --> 0:54:11.359
<v Speaker 3>are paid almost nothing, less than two US dollars a day,

0:54:11.960 --> 0:54:14.759
<v Speaker 3>and a lot of that labor that's being exploited is

0:54:15.400 --> 0:54:19.960
<v Speaker 3>child labor, which goes back to the movie Zoolander, but

0:54:20.239 --> 0:54:25.760
<v Speaker 3>obviously any type of exploited underpaid labor is wrong anyway.

0:54:25.840 --> 0:54:28.680
<v Speaker 3>This is an ongoing humanitarian crisis that's been happening since

0:54:28.760 --> 0:54:32.760
<v Speaker 3>the nineties, though imperialist entities have been exploited in Congo

0:54:32.960 --> 0:54:36.640
<v Speaker 3>for its resources for much longer than that. Millions of

0:54:36.640 --> 0:54:39.160
<v Speaker 3>people in the DRC have been killed, Millions have been

0:54:39.320 --> 0:54:43.040
<v Speaker 3>displaced from their homes, Millions are food insecure and living

0:54:43.160 --> 0:54:47.800
<v Speaker 3>in extreme poverty. It has devastating effects not only on

0:54:47.920 --> 0:54:51.680
<v Speaker 3>the people but also the land. The DRC recently filed

0:54:51.719 --> 0:54:54.840
<v Speaker 3>a criminal lawsuit against Apple. Time will tell how that

0:54:55.040 --> 0:54:58.919
<v Speaker 3>pans out, but Overall, this is one of the most

0:54:58.960 --> 0:55:02.840
<v Speaker 3>significant human wor violations happening in the world currently, and

0:55:03.040 --> 0:55:05.480
<v Speaker 3>not many people are talking about it. It does not

0:55:05.800 --> 0:55:10.480
<v Speaker 3>get really any Western mainstream news coverage. So I just

0:55:10.560 --> 0:55:14.279
<v Speaker 3>wanted to take this opportunity to help spread awareness about this.

0:55:15.080 --> 0:55:19.680
<v Speaker 3>Listeners can help by boycotting the aforementioned companies. You can

0:55:19.800 --> 0:55:23.239
<v Speaker 3>change the way you consume electronics. You can buy refurbished

0:55:23.320 --> 0:55:26.680
<v Speaker 3>instead of constantly buying new shit all the time. You

0:55:26.760 --> 0:55:29.799
<v Speaker 3>can donate to organizations that are providing aid to people

0:55:29.840 --> 0:55:33.520
<v Speaker 3>in the DRC. You can research, do your own research,

0:55:33.560 --> 0:55:36.200
<v Speaker 3>and spread your own awareness. There's lots more to learn.

0:55:36.360 --> 0:55:38.840
<v Speaker 3>I've you know, what I've said just covers the basics,

0:55:38.960 --> 0:55:40.360
<v Speaker 3>but you know, there's lots to know.

0:55:40.719 --> 0:55:43.359
<v Speaker 1>And we can leave some links in the description as well,

0:55:43.560 --> 0:55:46.120
<v Speaker 1>for like a jumping off, because I think like that's

0:55:46.160 --> 0:55:50.560
<v Speaker 1>something that I feel also under informed on in general,

0:55:50.800 --> 0:55:52.719
<v Speaker 1>and like, yeah, you don't know what you don't know,

0:55:52.920 --> 0:55:55.320
<v Speaker 1>but once you write, you know, spread the information. I

0:55:56.120 --> 0:55:57.680
<v Speaker 1>thank you for doing that research. Kitlin.

0:55:58.960 --> 0:56:01.239
<v Speaker 3>I've been learning about this myself for the past of

0:56:02.440 --> 0:56:08.839
<v Speaker 3>year or so and it's just like really horrifying, and yeah,

0:56:09.080 --> 0:56:11.239
<v Speaker 3>it is not being talked about because it is not

0:56:11.800 --> 0:56:15.960
<v Speaker 3>in the capitalist world's interest to talk about it or

0:56:16.040 --> 0:56:16.880
<v Speaker 3>draw attention to it.

0:56:17.760 --> 0:56:20.520
<v Speaker 1>So and who owns most of our newspapers? Now, like,

0:56:20.600 --> 0:56:23.600
<v Speaker 1>there's that's the rent that I can go on for

0:56:23.680 --> 0:56:26.600
<v Speaker 1>five thousand. I mean, I think this is unfortunately maybe

0:56:26.680 --> 0:56:31.800
<v Speaker 1>a good point to mention that Ben Stiller is I

0:56:31.880 --> 0:56:34.400
<v Speaker 1>guess I don't know exactly how to characterize, but he

0:56:35.840 --> 0:56:40.800
<v Speaker 1>last year released what could generously be described as a

0:56:41.160 --> 0:56:48.120
<v Speaker 1>very both sides, the statement about Palestine, and uh, the

0:56:48.239 --> 0:56:52.000
<v Speaker 1>kind of both size, the statement that I feel indicates

0:56:52.520 --> 0:56:55.640
<v Speaker 1>that he's probably a Zionist. You can look it up

0:56:55.680 --> 0:56:57.920
<v Speaker 1>if you like. It did not sit well with me

0:56:58.000 --> 0:57:03.560
<v Speaker 1>at all, and that is just something to be aware

0:57:03.560 --> 0:57:03.960
<v Speaker 1>of as well.

0:57:04.480 --> 0:57:07.759
<v Speaker 3>Yeah, is there anything else anyone would like to talk

0:57:07.800 --> 0:57:09.640
<v Speaker 3>about regarding the movie Zoolander?

0:57:10.440 --> 0:57:15.800
<v Speaker 4>I'm so curious what someone like you're adjusting it. But

0:57:15.880 --> 0:57:18.000
<v Speaker 4>you're you're you were so young to me. You will

0:57:18.000 --> 0:57:20.640
<v Speaker 4>always be very young to me, Jamie, because you are

0:57:20.680 --> 0:57:22.840
<v Speaker 4>younger than me, which means you are a child. But no, no, no, no, no,

0:57:23.120 --> 0:57:25.120
<v Speaker 4>You're you're a full of fledged adult. You have like

0:57:25.160 --> 0:57:26.640
<v Speaker 4>a huge resume. You're very impressive.

0:57:26.720 --> 0:57:28.400
<v Speaker 1>I'm seventeen, oh, Wow.

0:57:28.480 --> 0:57:31.520
<v Speaker 4>Yeah, yeah, but then you've done so much. What a

0:57:32.000 --> 0:57:37.080
<v Speaker 4>young person today would think watching this, like they would

0:57:37.080 --> 0:57:39.880
<v Speaker 4>they get any of the cameos because there's so many,

0:57:41.000 --> 0:57:44.040
<v Speaker 4>Like every scene is filled with celebrities, Like why is

0:57:44.120 --> 0:57:47.640
<v Speaker 4>Natalie Portman in this movie? Lenny Kraft this movie?

0:57:47.800 --> 0:57:53.240
<v Speaker 3>Like Christian Slater. We got a Cuba Gooding junior beast,

0:57:54.000 --> 0:57:56.760
<v Speaker 3>like Lenny Kraviat Fabio.

0:57:57.080 --> 0:57:59.320
<v Speaker 1>Yeah, I think I got like two out of three.

0:58:00.640 --> 0:58:02.800
<v Speaker 1>Every there were a few that I'm like, I don't know,

0:58:03.000 --> 0:58:05.400
<v Speaker 1>I honestly, and this is like fucked up. But like

0:58:05.520 --> 0:58:10.840
<v Speaker 1>I sometimes don't know who David Ducovney is. But I like,

0:58:10.960 --> 0:58:13.720
<v Speaker 1>once someonees like, that's David Ducovney, I'm like, right, but

0:58:13.920 --> 0:58:16.560
<v Speaker 1>I just never watched The X Files. I certainly didn't

0:58:16.560 --> 0:58:20.360
<v Speaker 1>watch Californication, so he's just like not on my radar.

0:58:21.000 --> 0:58:25.040
<v Speaker 3>Fair, I wonder. I mean, a young person watching this,

0:58:25.200 --> 0:58:28.280
<v Speaker 3>I'm sure they would look at Gary Shandling and be like, oh, yeah,

0:58:28.280 --> 0:58:28.760
<v Speaker 3>it's Gary.

0:58:29.960 --> 0:58:30.760
<v Speaker 1>Get that right away.

0:58:30.880 --> 0:58:33.720
<v Speaker 4>You would definitely be in the front row at fashion.

0:58:33.400 --> 0:58:37.400
<v Speaker 3>Week Fashion Week, Gary Shaner, for sure. Fred Durst is

0:58:37.800 --> 0:58:38.680
<v Speaker 3>Fred Durst? Is there?

0:58:39.080 --> 0:58:40.240
<v Speaker 1>Fred Durst? That was fun?

0:58:40.480 --> 0:58:42.200
<v Speaker 3>That was fun. I don't even think you can call

0:58:42.280 --> 0:58:45.720
<v Speaker 3>it a cameo because it's well and ink spoiler for

0:58:45.840 --> 0:58:48.959
<v Speaker 3>the movie Y two K. But he's like a full

0:58:49.080 --> 0:58:50.320
<v Speaker 3>character in that movie.

0:58:50.520 --> 0:58:53.640
<v Speaker 1>Also in I saw the TV Glow, Yes, Fred Durst

0:58:53.720 --> 0:58:54.560
<v Speaker 1>is a full on.

0:58:55.440 --> 0:58:57.080
<v Speaker 4>Actually a twenty four darling.

0:58:57.240 --> 0:58:58.440
<v Speaker 3>I don't remember that at all.

0:58:58.760 --> 0:59:00.920
<v Speaker 1>You didn't see it. Wait, you did see Fred Durston.

0:59:00.960 --> 0:59:03.120
<v Speaker 1>I saw the TV Glow all, I saw.

0:59:03.040 --> 0:59:05.720
<v Speaker 3>The movie, but I don't remember him being in that

0:59:06.120 --> 0:59:08.520
<v Speaker 3>the dad Yeah that's Red Durst.

0:59:09.480 --> 0:59:09.680
<v Speaker 4>Yes.

0:59:09.960 --> 0:59:14.680
<v Speaker 1>Jane Schoenbrun is so diabolical with casting. I love their

0:59:14.720 --> 0:59:18.120
<v Speaker 1>casting because it was like Connor, O'Malley and Fred Durst

0:59:18.440 --> 0:59:20.600
<v Speaker 1>and I saw the TV Glow You're like, sure, yeah, yep,

0:59:21.160 --> 0:59:23.080
<v Speaker 1>fred Durst does. I think a great job in that

0:59:23.200 --> 0:59:23.640
<v Speaker 1>movie too.

0:59:24.000 --> 0:59:24.200
<v Speaker 4>Yeah.

0:59:24.240 --> 0:59:26.800
<v Speaker 1>I mean he's at least unrecognizable as Fred Durst.

0:59:27.640 --> 0:59:28.680
<v Speaker 3>If he's not wearing.

0:59:28.520 --> 0:59:30.680
<v Speaker 4>He's not wearing a hat. That might be why you

0:59:30.720 --> 0:59:31.360
<v Speaker 4>didn't see.

0:59:31.280 --> 0:59:33.840
<v Speaker 3>If he's not wearing his like backwards just a little

0:59:33.880 --> 0:59:36.800
<v Speaker 3>outred Yankees hat or whatever the fuck. I don't know

0:59:36.920 --> 0:59:38.360
<v Speaker 3>who that is exactly.

0:59:38.560 --> 0:59:40.280
<v Speaker 1>God, that is the year two thousand and one to

0:59:40.320 --> 0:59:43.600
<v Speaker 1>me is like Nelly with the band aid and Fred

0:59:43.680 --> 0:59:46.680
<v Speaker 1>Durst with the hat. Nelly also, I believe recently performed

0:59:46.720 --> 0:59:47.400
<v Speaker 1>at a Trump event.

0:59:47.480 --> 0:59:50.000
<v Speaker 4>I'm like, what the yeah, he performed at the inauguration.

0:59:50.200 --> 0:59:53.480
<v Speaker 1>I think, oh my god, Lord, and for what?

0:59:54.040 --> 0:59:54.400
<v Speaker 2>And for what?

0:59:54.560 --> 0:59:55.400
<v Speaker 1>Snoop Dog as well?

0:59:55.480 --> 0:59:58.280
<v Speaker 4>There is sup Dog. You're not getting enough money from

0:59:58.400 --> 1:00:02.760
<v Speaker 4>all that Martha Stewart bullshit and all of your product endorsements,

1:00:03.080 --> 1:00:06.400
<v Speaker 4>like bruh, you don't have unforced error, you don't have

1:00:06.440 --> 1:00:06.680
<v Speaker 4>to do this.

1:00:06.760 --> 1:00:09.880
<v Speaker 1>What could you possibly need at this point? I just

1:00:10.000 --> 1:00:10.840
<v Speaker 1>don't understand.

1:00:11.000 --> 1:00:14.120
<v Speaker 3>Okay, but hey, Tyson Beckford is also in the movie.

1:00:14.520 --> 1:00:16.400
<v Speaker 3>So is that a hot man?

1:00:16.520 --> 1:00:18.160
<v Speaker 4>He's one of the few male models that I can

1:00:18.280 --> 1:00:20.880
<v Speaker 4>actually aim or he was oh wow.

1:00:21.080 --> 1:00:26.320
<v Speaker 3>Yeah, yeah, he was bigger back in the day. Who else?

1:00:26.480 --> 1:00:28.880
<v Speaker 3>DJ Paris Hilton makes a cameo.

1:00:29.680 --> 1:00:32.640
<v Speaker 1>She does our coworker DJ Paris. I actually don't even

1:00:32.680 --> 1:00:34.520
<v Speaker 1>know if she still has a podcast. She was briefly

1:00:34.600 --> 1:00:36.600
<v Speaker 1>our quote unquote callworker.

1:00:36.560 --> 1:00:41.960
<v Speaker 3>Nice anyway, Yeah, sorry, I think we cut you off, Canise,

1:00:42.000 --> 1:00:44.160
<v Speaker 3>because I just had to go on a tirade about

1:00:44.160 --> 1:00:44.920
<v Speaker 3>all the cameos.

1:00:45.160 --> 1:00:48.560
<v Speaker 4>I love the fact that it is such a timestamp

1:00:48.720 --> 1:00:52.560
<v Speaker 4>exactly this time. But yeah, I have a four year

1:00:52.560 --> 1:00:55.520
<v Speaker 4>old nephew. I love him so much. I wouldn't show

1:00:55.560 --> 1:00:57.720
<v Speaker 4>him this movie yet. I mean he has watched like

1:00:58.360 --> 1:01:01.040
<v Speaker 4>Captain America Civil War and that's on his parents, but

1:01:02.040 --> 1:01:04.880
<v Speaker 4>so I wouldn't show him this yet. He also wouldn't

1:01:04.880 --> 1:01:06.320
<v Speaker 4>get it and he'd be bored out of his mind.

1:01:07.320 --> 1:01:09.680
<v Speaker 4>But when he's like twelve, I want to be like, now,

1:01:09.800 --> 1:01:12.480
<v Speaker 4>tell me who any of these people are? Are like

1:01:12.720 --> 1:01:14.240
<v Speaker 4>just you'll have.

1:01:14.320 --> 1:01:18.320
<v Speaker 1>No I also love as you like get older, listening

1:01:18.360 --> 1:01:22.240
<v Speaker 1>to like what my like younger cousin who's like I

1:01:22.320 --> 1:01:25.400
<v Speaker 1>think she's nineteen now, where like she knows who will

1:01:25.480 --> 1:01:28.800
<v Speaker 1>Ferrel is, but she her the thing she knows him

1:01:28.840 --> 1:01:32.080
<v Speaker 1>from is completely different, where like she would be like, oh,

1:01:32.120 --> 1:01:33.720
<v Speaker 1>it's well, I mean I guess she might know elf,

1:01:33.840 --> 1:01:36.360
<v Speaker 1>but like she'd be like, oh from Barbie, oh Farrel

1:01:36.440 --> 1:01:37.320
<v Speaker 1>from the movie Barbie.

1:01:37.600 --> 1:01:42.040
<v Speaker 3>Yeah, like you know this are yeah, this this is

1:01:42.120 --> 1:01:43.000
<v Speaker 3>how time works.

1:01:43.360 --> 1:01:44.160
<v Speaker 1>Time. Yeah.

1:01:44.160 --> 1:01:47.320
<v Speaker 4>I would also would they because there's a lot in

1:01:47.400 --> 1:01:49.760
<v Speaker 4>this movie that we're like, oh that's not so great,

1:01:50.000 --> 1:01:52.560
<v Speaker 4>but we still think it's funny. But yeah, if you

1:01:52.640 --> 1:01:55.880
<v Speaker 4>weren't around, then would you think this is funny?

1:01:57.360 --> 1:01:59.200
<v Speaker 1>I mean I feel like I don't know I think

1:01:59.280 --> 1:02:03.439
<v Speaker 1>that this central like criticism holds up well. I also

1:02:03.520 --> 1:02:06.800
<v Speaker 1>think the character of Zoolander does generally hold up. I mean,

1:02:07.240 --> 1:02:11.080
<v Speaker 1>the worst thing about this movie by a country mile

1:02:11.440 --> 1:02:15.560
<v Speaker 1>is the black face and brown face sequence, especially because

1:02:15.560 --> 1:02:17.800
<v Speaker 1>we know that Ben Stiller was weirdly obsessed with doing

1:02:17.880 --> 1:02:21.080
<v Speaker 1>that in the two thousands, just makes it all the worse.

1:02:21.280 --> 1:02:24.200
<v Speaker 1>But like I do like there's elements of this movie

1:02:25.120 --> 1:02:30.680
<v Speaker 1>that I found surprisingly good and effective. Okay, and the

1:02:30.800 --> 1:02:33.480
<v Speaker 1>jokes are like I feel like anyone should be able

1:02:33.520 --> 1:02:35.800
<v Speaker 1>to laugh at the ant joke. That's a good joke.

1:02:35.880 --> 1:02:38.040
<v Speaker 3>A center for ants, It's a good joke.

1:02:38.240 --> 1:02:39.120
<v Speaker 4>It is a solid joke.

1:02:39.200 --> 1:02:41.480
<v Speaker 3>There's a really funny joke when Derek and Matilda first

1:02:41.480 --> 1:02:43.360
<v Speaker 3>show up to Hansel's place to be like, we need

1:02:43.960 --> 1:02:47.560
<v Speaker 3>a safe spot to hang out because Derek is being

1:02:48.320 --> 1:02:51.440
<v Speaker 3>brainwashed into killing the Prime Minister of Malaysia, and Hansel

1:02:51.560 --> 1:02:54.560
<v Speaker 3>just goes like yeah, so like yeah, this is normal.

1:02:55.040 --> 1:02:58.919
<v Speaker 3>And then when he's introducing everyone to them, when they're

1:02:59.040 --> 1:03:01.360
<v Speaker 3>like going through the house and he's like, hey, everyone,

1:03:01.480 --> 1:03:03.880
<v Speaker 3>this is Derek and Matilda. They're just hanging out here

1:03:03.920 --> 1:03:07.000
<v Speaker 3>for a few days because Derek has been brainwashed and

1:03:07.080 --> 1:03:09.960
<v Speaker 3>did it and everyone's just like, oh, yeah, hey, it's

1:03:10.040 --> 1:03:13.520
<v Speaker 3>so normal to all these people. That is comedy. There's

1:03:13.720 --> 1:03:17.439
<v Speaker 3>other grat I mean Derek's tiny little cell phone. Yes,

1:03:17.560 --> 1:03:18.960
<v Speaker 3>oh my god, that's comedy.

1:03:19.760 --> 1:03:23.240
<v Speaker 1>The tiny little cell phone. You can't beat the time.

1:03:23.400 --> 1:03:25.840
<v Speaker 1>I love a tiny little cell phone. For a while,

1:03:26.360 --> 1:03:30.080
<v Speaker 1>my dear friend Jake would do that, and I thought

1:03:30.120 --> 1:03:32.720
<v Speaker 1>it was his idea and I need to text him

1:03:32.720 --> 1:03:35.320
<v Speaker 1>about it because he never told me it was from Zoolander. Wow,

1:03:35.640 --> 1:03:37.000
<v Speaker 1>he used to do that bit all the time. I

1:03:37.120 --> 1:03:39.200
<v Speaker 1>was like, wow, top ten funniest things I've ever seen

1:03:39.240 --> 1:03:41.800
<v Speaker 1>in my life, fully just from Zoolander.

1:03:42.080 --> 1:03:44.400
<v Speaker 3>So many funny things that people do and say I

1:03:44.520 --> 1:03:46.480
<v Speaker 3>think have been pulled from.

1:03:48.000 --> 1:03:49.040
<v Speaker 1>Yeah, I believe it.

1:03:49.160 --> 1:03:49.640
<v Speaker 4>I believe it.

1:03:49.760 --> 1:03:50.000
<v Speaker 2>It was.

1:03:50.240 --> 1:03:50.439
<v Speaker 4>Yeah.

1:03:50.520 --> 1:03:53.560
<v Speaker 1>I was mortified, but I was like, all right, I

1:03:53.640 --> 1:03:55.240
<v Speaker 1>can I guess I can wait till I see him

1:03:55.240 --> 1:03:59.000
<v Speaker 1>in person next time. But regardless, how dare you deceive?

1:03:59.200 --> 1:04:00.960
<v Speaker 3>You should definitely my call him out, my.

1:04:01.000 --> 1:04:02.920
<v Speaker 1>Young I mean, maybe he just thought I would know.

1:04:03.800 --> 1:04:05.800
<v Speaker 1>I don't know, but I was like, Jake's hilarious bit

1:04:05.880 --> 1:04:06.600
<v Speaker 1>the tiny phone.

1:04:07.080 --> 1:04:11.400
<v Speaker 3>Not so anyway, does anyone have anything else they'd like

1:04:11.480 --> 1:04:12.400
<v Speaker 3>to discuss.

1:04:12.560 --> 1:04:15.320
<v Speaker 4>Based on the conversation about the Congo. This is not

1:04:15.560 --> 1:04:18.720
<v Speaker 4>the most mentally healthy response to that. But I was like, okay,

1:04:19.000 --> 1:04:23.760
<v Speaker 4>so we need is like a Zoolander plus the death

1:04:23.800 --> 1:04:24.360
<v Speaker 4>of Stalin.

1:04:24.840 --> 1:04:28.520
<v Speaker 1>Oh I still haven't seen it, like plus like oh, what's.

1:04:28.360 --> 1:04:33.400
<v Speaker 4>The the tech show that MILNJIOHANNYI put those three things

1:04:33.480 --> 1:04:39.880
<v Speaker 4>together to like lambast the tech industry, although I say

1:04:39.960 --> 1:04:43.280
<v Speaker 4>that knowing that no major studio would give that money,

1:04:43.920 --> 1:04:47.360
<v Speaker 4>nor distributors or distribute it. So somebody definitely has to

1:04:47.440 --> 1:04:47.600
<v Speaker 4>do it.

1:04:47.920 --> 1:04:50.240
<v Speaker 3>Someone else just has to do it independently.

1:04:50.960 --> 1:04:51.480
<v Speaker 1>Figure it out.

1:04:51.760 --> 1:04:52.640
<v Speaker 3>We can do it. We'll do it.

1:04:52.880 --> 1:04:53.800
<v Speaker 4>Let's okay, let's do it.

1:04:54.040 --> 1:04:54.919
<v Speaker 1>Let's do it done.

1:04:56.640 --> 1:04:59.840
<v Speaker 3>The movie, I think does pass the Bechdel test when

1:05:00.080 --> 1:05:06.080
<v Speaker 3>Matilda and Katinka talk about Matilda's outfit and it's from Kmart,

1:05:06.240 --> 1:05:09.760
<v Speaker 3>and then finally at the end, Matilda's like, no, it's

1:05:09.840 --> 1:05:12.160
<v Speaker 3>the something something line and I got it at j C.

1:05:12.440 --> 1:05:18.560
<v Speaker 3>Penny on sale, and that passes the Bechdel test.

1:05:18.920 --> 1:05:20.440
<v Speaker 4>So are there still j C Pennies?

1:05:20.800 --> 1:05:23.640
<v Speaker 3>Yes, okay, there's one in the Glendale Galleria.

1:05:23.760 --> 1:05:27.400
<v Speaker 1>I was about to say, I will occasionally get something

1:05:27.440 --> 1:05:29.920
<v Speaker 1>a little overpriced and a little ugly at the Glendale

1:05:30.000 --> 1:05:31.280
<v Speaker 1>Galleria j C. Penny.

1:05:32.360 --> 1:05:35.160
<v Speaker 3>I bought a red dress that I wore for Halloween

1:05:35.520 --> 1:05:40.600
<v Speaker 3>for the substance costume. Amazing, and I got that at

1:05:40.680 --> 1:05:41.280
<v Speaker 3>JC Penny.

1:05:41.760 --> 1:05:41.960
<v Speaker 4>Wow.

1:05:42.080 --> 1:05:44.240
<v Speaker 1>Shout out this. This podcast is not sponsored by jay

1:05:44.280 --> 1:05:47.280
<v Speaker 1>Z Penny, but I guess we're saying that we're.

1:05:47.240 --> 1:05:47.680
<v Speaker 4>Open to it.

1:05:48.440 --> 1:05:52.600
<v Speaker 3>I guess so. Yeah. So it does pass the Bechdel test. However,

1:05:52.880 --> 1:05:56.600
<v Speaker 3>on our nipple scale, I scale where we rate the

1:05:56.680 --> 1:05:59.840
<v Speaker 3>movie zero to five nipples based on examining it through

1:05:59.880 --> 1:06:06.440
<v Speaker 3>an intersectional feminist lens. Okay, I'm gonna give it two nipples,

1:06:07.080 --> 1:06:11.400
<v Speaker 3>and here's why. Okay, you know, from an intersectional feminist

1:06:11.520 --> 1:06:15.800
<v Speaker 3>point of view, it doesn't hold up particularly well, and

1:06:16.360 --> 1:06:21.680
<v Speaker 3>there are many jokes that are very problematic and very cringey.

1:06:22.600 --> 1:06:28.800
<v Speaker 3>But the overall story that calls attention to oligarchs exploiting

1:06:29.800 --> 1:06:35.200
<v Speaker 3>labor in the global South timely and killing people over it,

1:06:36.040 --> 1:06:39.080
<v Speaker 3>this was relevant then, it's relevant now. The fact that

1:06:39.160 --> 1:06:44.160
<v Speaker 3>a comedy movie is about that is I think pretty cool.

1:06:44.920 --> 1:06:47.880
<v Speaker 3>So normally I would give this movie something closer to

1:06:48.000 --> 1:06:50.840
<v Speaker 3>like one nipple, but I'm gonna give it to because

1:06:51.040 --> 1:06:54.600
<v Speaker 3>of the just premise, and I'm gonna give one nipple

1:06:54.640 --> 1:06:56.640
<v Speaker 3>to Derek's tiny cell phone, and I'm gonna give the

1:06:56.720 --> 1:06:59.600
<v Speaker 3>other nipple to Billy Zane's cameo.

1:07:01.360 --> 1:07:05.720
<v Speaker 1>I think I will meet you there for basically the

1:07:05.760 --> 1:07:08.680
<v Speaker 1>same reason that this movie was doing more than I

1:07:09.280 --> 1:07:12.240
<v Speaker 1>thought it was going to. It makes a point that

1:07:12.320 --> 1:07:15.800
<v Speaker 1>I don't think any movie does, certainly not a comedy

1:07:15.960 --> 1:07:20.200
<v Speaker 1>about exploitation and labor. I do feel like the way

1:07:20.240 --> 1:07:22.400
<v Speaker 1>that the president of Laisa, I forgot to says earlier

1:07:22.480 --> 1:07:28.120
<v Speaker 1>is presented pretty cartoonish, Yes, for sure, and that felt pointed.

1:07:29.560 --> 1:07:33.440
<v Speaker 1>There's not much in terms of intersectional feminism. The movie

1:07:33.600 --> 1:07:37.920
<v Speaker 1>is extremely white and yet does manage to feature blackface,

1:07:38.960 --> 1:07:43.800
<v Speaker 1>which I'm going down to one and a half. And

1:07:44.960 --> 1:07:47.760
<v Speaker 1>I think with the Matilda character, were like hinting at

1:07:47.920 --> 1:07:51.560
<v Speaker 1>something productive to say, but then ultimately the movie kind

1:07:51.600 --> 1:07:53.240
<v Speaker 1>of bails on it.

1:07:53.800 --> 1:07:56.760
<v Speaker 3>I like that she's the smartest character though, like I.

1:07:56.840 --> 1:07:58.800
<v Speaker 1>Know, but like when the smartest character is also the

1:07:58.880 --> 1:08:02.760
<v Speaker 1>most boring character, which is that's a skill issue, that's

1:08:02.800 --> 1:08:06.360
<v Speaker 1>a writing skill issue. Anyways, I'm going to give it

1:08:06.480 --> 1:08:09.360
<v Speaker 1>a nipple and a half. It's it's because its objectively,

1:08:09.440 --> 1:08:12.160
<v Speaker 1>if you're just watching a movie, it's so fucking funny.

1:08:13.080 --> 1:08:17.760
<v Speaker 1>I totally understand why people still love it, and the

1:08:17.840 --> 1:08:23.360
<v Speaker 1>presentation of like masculinity I think is imperfect, but way

1:08:23.439 --> 1:08:25.400
<v Speaker 1>better than I was expecting for a movie of this era.

1:08:25.560 --> 1:08:28.320
<v Speaker 1>Like I think if you put Zoolander in that department

1:08:28.600 --> 1:08:31.200
<v Speaker 1>next to any other comedy from two thousand and one

1:08:31.760 --> 1:08:36.280
<v Speaker 1>besides Shrek, wo which is great in terms of male friendship,

1:08:36.640 --> 1:08:40.679
<v Speaker 1>Shrek and Donkey Hello. I have some thoughts, but well,

1:08:40.760 --> 1:08:44.800
<v Speaker 1>I'm okay, we're not talking about Shrek anyways. Nipple and

1:08:44.800 --> 1:08:48.040
<v Speaker 1>a half they're both going to Zaane obviously interesting.

1:08:48.800 --> 1:08:53.280
<v Speaker 4>I'm going to give this two nipples, one full nipple,

1:08:53.800 --> 1:08:57.280
<v Speaker 4>two representations of male friendship, like you discuss like where

1:08:57.320 --> 1:09:00.439
<v Speaker 4>they are able to model the type of relationship that

1:09:00.600 --> 1:09:05.439
<v Speaker 4>aren't so insecure as to be fragile. It is like, hey,

1:09:05.720 --> 1:09:08.120
<v Speaker 4>let's talk about our issues all that. But also, and

1:09:08.200 --> 1:09:11.120
<v Speaker 4>we haven't mentioned this. Within the next two hours, they're

1:09:11.160 --> 1:09:14.920
<v Speaker 4>in a fuck pile together, like yes, six were flying.

1:09:15.120 --> 1:09:17.519
<v Speaker 4>It wasn't like, oh, no, we're gay. It was like, hey,

1:09:18.040 --> 1:09:19.560
<v Speaker 4>we all like coming, let's do it.

1:09:19.920 --> 1:09:22.360
<v Speaker 1>It's so true. And they said Challengers was the first

1:09:22.439 --> 1:09:22.640
<v Speaker 1>to do.

1:09:22.720 --> 1:09:27.320
<v Speaker 4>It, not so not so those guys. Things went in

1:09:27.760 --> 1:09:30.840
<v Speaker 4>places in that pile and good for them. So that's

1:09:30.920 --> 1:09:31.640
<v Speaker 4>one nipple to that.

1:09:32.479 --> 1:09:34.960
<v Speaker 1>And there was no no homo moment either, which I

1:09:35.000 --> 1:09:37.400
<v Speaker 1>feel like happens, and it.

1:09:37.479 --> 1:09:39.680
<v Speaker 4>Was just like, hey, there was a moment when we

1:09:39.760 --> 1:09:42.200
<v Speaker 4>were all doing this and you two were vibing, but

1:09:42.280 --> 1:09:44.840
<v Speaker 4>I was definitely doing some some parts and I was like, yeah,

1:09:45.000 --> 1:09:49.320
<v Speaker 4>you go, dude. So one full nipple to that, then

1:09:49.520 --> 1:09:53.479
<v Speaker 4>half a nipple to Mila Jovic because I think she's

1:09:53.600 --> 1:09:56.519
<v Speaker 4>very funny and she makes me laugh. But then truly

1:09:57.040 --> 1:09:59.800
<v Speaker 4>a full half of a nipple to the way that

1:10:00.040 --> 1:10:04.920
<v Speaker 4>Will Ferrell says her last name, which always makes me bad.

1:10:05.439 --> 1:10:06.960
<v Speaker 3>It's good and I can't do it.

1:10:07.040 --> 1:10:09.920
<v Speaker 4>Exactly, but it's like, you'll have no, no, no, no,

1:10:11.320 --> 1:10:14.600
<v Speaker 4>I'm like perfect, So two niffles.

1:10:14.200 --> 1:10:19.000
<v Speaker 3>For me, perfect, Canise. It's always a treat to have you.

1:10:19.120 --> 1:10:22.759
<v Speaker 3>Thanks for coming back for the one millionth time. Basically

1:10:23.520 --> 1:10:24.519
<v Speaker 3>I love being here.

1:10:24.720 --> 1:10:26.400
<v Speaker 1>Come back for the one millionth then once.

1:10:26.560 --> 1:10:30.559
<v Speaker 4>I absolutely will, let's discuss everything you guys have advanced.

1:10:30.800 --> 1:10:35.639
<v Speaker 3>Oh shucks, we're so hot right now. We're so hot

1:10:35.760 --> 1:10:37.680
<v Speaker 3>right now, and you're so hot right now. Canise tell

1:10:37.720 --> 1:10:39.720
<v Speaker 3>us where people can see you and follow you and

1:10:40.200 --> 1:10:41.000
<v Speaker 3>check out your stuff.

1:10:41.560 --> 1:10:44.880
<v Speaker 4>Okay, so you can check out my stuff at Canise Mowgley.

1:10:45.000 --> 1:10:48.439
<v Speaker 4>On all the social media, although because a lot of

1:10:48.520 --> 1:10:53.400
<v Speaker 4>them are bad, I'm on what is the least worst

1:10:53.640 --> 1:10:57.560
<v Speaker 4>one for me right now, which is Instagram. But I

1:10:57.640 --> 1:10:59.280
<v Speaker 4>know it's owned by Meta, but it makes me feel

1:10:59.360 --> 1:11:01.240
<v Speaker 4>better than just being on Facebook. And then I'm not

1:11:01.400 --> 1:11:03.760
<v Speaker 4>on Twitter anymore. And I joined Blue Sky, but I

1:11:03.760 --> 1:11:08.559
<v Speaker 4>don't really post there, so I guess Instagram. I'm sorry. Yeah,

1:11:08.800 --> 1:11:10.559
<v Speaker 4>I'm all over that. I have a don't Tell set.

1:11:10.600 --> 1:11:13.519
<v Speaker 4>It's coming out soon, so check your feeds for that.

1:11:14.080 --> 1:11:16.320
<v Speaker 4>And this is dorky as hell, but if you listen

1:11:16.400 --> 1:11:19.839
<v Speaker 4>to this podcast you like movies. I'm hosting the Oscars

1:11:19.880 --> 1:11:23.599
<v Speaker 4>event at Franklin Park in Brooklyn. So if you want

1:11:23.640 --> 1:11:27.400
<v Speaker 4>to watch the Oscars and do trivia and Philly prizes

1:11:27.479 --> 1:11:30.439
<v Speaker 4>and games and take photos and maybe win best Costume

1:11:30.800 --> 1:11:32.639
<v Speaker 4>or something, then come on by.

1:11:33.200 --> 1:11:34.280
<v Speaker 1>Hell yeah, oh yeah.

1:11:35.000 --> 1:11:38.960
<v Speaker 3>We also have kind of an accidental Oscars event because

1:11:38.960 --> 1:11:42.080
<v Speaker 3>we rescheduled our LA show to the night that we

1:11:42.240 --> 1:11:44.920
<v Speaker 3>didn't realize. What's the same day as.

1:11:45.000 --> 1:11:47.920
<v Speaker 4>The Oscars in the Town of the Oscars.

1:11:48.040 --> 1:11:49.519
<v Speaker 3>In the Town of the Oscars. But here's the thing.

1:11:49.560 --> 1:11:52.400
<v Speaker 1>They wouldn't have done it if we didn't realize. But

1:11:52.640 --> 1:11:53.800
<v Speaker 1>please come to this show.

1:11:53.920 --> 1:11:55.920
<v Speaker 3>Please don't come to the show. Here's the thing. The

1:11:56.000 --> 1:11:59.280
<v Speaker 3>Oscars start at four pm Pacific. Our show starts at seven.

1:11:59.240 --> 1:12:01.920
<v Speaker 1>Thirty, so it's kind of an after party.

1:12:03.800 --> 1:12:07.200
<v Speaker 3>Even if you missed the tail end of the Oscars. Look,

1:12:07.600 --> 1:12:10.559
<v Speaker 3>they'll it'll be on Hulu. You can watch it again.

1:12:11.080 --> 1:12:15.960
<v Speaker 1>The strong argument for coming to our shop, yeah, yeah,

1:12:16.120 --> 1:12:19.639
<v Speaker 1>you can. You can find us in uh the same

1:12:19.680 --> 1:12:22.920
<v Speaker 1>place you can find us on Instagram. Mainly at this point,

1:12:23.479 --> 1:12:27.680
<v Speaker 1>there is no ethical social media place to go right now.

1:12:28.160 --> 1:12:30.840
<v Speaker 1>I found out that Blue Sky is an Israeli company,

1:12:30.880 --> 1:12:34.160
<v Speaker 1>So you're just like, there's place. Yeah, I'm sorry, guys,

1:12:34.680 --> 1:12:38.760
<v Speaker 1>there's there's there's no fucking place to go. But that

1:12:38.960 --> 1:12:41.000
<v Speaker 1>is where you can find us if you're if you're

1:12:41.040 --> 1:12:43.760
<v Speaker 1>still there, and then otherwise just check your feeds on

1:12:44.479 --> 1:12:47.400
<v Speaker 1>ethical apps like Spotify. Like, I don't know what to

1:12:47.439 --> 1:12:53.000
<v Speaker 1>tell you, uh, best of luck to everybody. You can

1:12:53.080 --> 1:12:56.559
<v Speaker 1>get our You can follow our Patreon. We haven't looked

1:12:56.560 --> 1:12:58.960
<v Speaker 1>into the ethics of Patreon, and don't tell us we can't.

1:12:59.640 --> 1:13:00.640
<v Speaker 3>We can't know what this.

1:13:00.880 --> 1:13:03.880
<v Speaker 1>You cannot switch that we don't know, but you can

1:13:03.880 --> 1:13:07.200
<v Speaker 1>follow our patriot aka Matreon where every eight month for

1:13:07.520 --> 1:13:10.599
<v Speaker 1>five dollars you can get two bonus episodes hosted by

1:13:10.640 --> 1:13:14.719
<v Speaker 1>Kaitlin and myself, as well as a backlog that consists

1:13:14.760 --> 1:13:16.760
<v Speaker 1>of like over one hundred and fifty probably close to

1:13:16.800 --> 1:13:19.880
<v Speaker 1>two hundred at this point bonus episodes going back to

1:13:20.080 --> 1:13:23.759
<v Speaker 1>twenty seventeen. So that's the best way to directly support

1:13:23.840 --> 1:13:24.160
<v Speaker 1>the show.

1:13:24.640 --> 1:13:27.720
<v Speaker 3>Absolutely. You can also get our merchant teapublic dot com

1:13:27.800 --> 1:13:31.080
<v Speaker 3>sash the Bechtel Cast and all of that is designed

1:13:31.080 --> 1:13:33.760
<v Speaker 3>by Jamie and yes, go to our link tree to

1:13:33.840 --> 1:13:38.280
<v Speaker 3>grab tickets for the upcoming LA show on March second.

1:13:38.880 --> 1:13:42.639
<v Speaker 3>That's link tree slash Bechtel Cast and hopefully we see

1:13:42.680 --> 1:13:46.160
<v Speaker 3>you there and if not, it's being live streamed, very true,

1:13:46.200 --> 1:13:48.720
<v Speaker 3>so you can get a live stream ticket and watch

1:13:48.800 --> 1:13:50.679
<v Speaker 3>it in the comfort of your own home.

1:13:51.200 --> 1:13:53.880
<v Speaker 1>Elliot, So if you want your Oscar's post mortem slash

1:13:54.000 --> 1:13:56.960
<v Speaker 1>General Bechdel Cast celebration, that's the place to be.

1:13:57.439 --> 1:13:59.920
<v Speaker 3>Indeed, and with that, let's all head to the The

1:14:01.000 --> 1:14:05.720
<v Speaker 3>Bechdel Cast Center for kids who want to learn how

1:14:05.800 --> 1:14:15.760
<v Speaker 3>to podcasts. Good Bye, Bye Bye. The Bechdel Cast is

1:14:15.760 --> 1:14:19.879
<v Speaker 3>a production of iHeartMedia, hosted by Caitlin Derante and Jamie Loftis,

1:14:20.080 --> 1:14:23.920
<v Speaker 3>produced by Sophie Lichterman, edited by Mola Board. Our theme

1:14:24.000 --> 1:14:28.200
<v Speaker 3>song was composed by Mike Kaplan with vocals by Katherine Volskrosenski.

1:14:28.720 --> 1:14:32.000
<v Speaker 3>Our logo and merch is designed by Jamie Loftis and

1:14:32.120 --> 1:14:35.960
<v Speaker 3>a special thanks to Aristotle Acevedo. For more information about

1:14:36.000 --> 1:14:39.000
<v Speaker 3>the podcast, please visit link Tree slash Bechdel Cast