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Speaker 1: Eight eight, Hey man, what's up? Welcome back to the

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Speaker 1: South Show. It is your man, Carlos Miller, and we

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Speaker 1: are comedy heavy in here today. I got my man

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Speaker 1: Steve Brown in the studios. Steve, I got some of

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Speaker 1: my other partners in here with you. These are some

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Speaker 1: of the killers that I came up in the game with.

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Speaker 1: This is like you know what I mean, like this

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Speaker 1: my class of young killer comedians. Got my man in here,

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Speaker 1: Justin hiest movie star, TV star, extraordinary, comedian, extraordinary, one

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Speaker 1: of them, comedian niggas who always take your shirt off

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Speaker 1: of the women. This is. And I got my other

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Speaker 1: partner in here, funny as hell, Justin Mitchell repping the

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Speaker 1: A t R. What's up by my dog since the

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Speaker 1: beginning of this ship, Man, these my pot my player partners. Man, Man,

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Speaker 1: we like crayms in this Bro. We got mage yea.

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Speaker 1: Everything were covered, the whole spect everything justin. First of all,

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Speaker 1: congratulations man, you got the new series coming out, Rush Hour.

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Speaker 1: Thanks Bro. You've been on your ship. Man, I've been

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Speaker 1: on my grind man. You know, I feel fortunately, I

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Speaker 1: feel blessed. Men. It's a huge opportunity man, this day,

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Speaker 1: Fast South Shore. You ain't gotta tell you the people

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Speaker 1: don't feel good. I think came in smell like we

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Speaker 1: come bites out. That was me. I'm not about to

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Speaker 1: let you blame that on you. I'm not gonna lose

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Speaker 1: my job. He came into his own. I'm gonna I'm

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Speaker 1: on CBS and if you think, if you think they're

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Speaker 1: not listening and watching it and we don't get will

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Speaker 1: be that we don't give a funk, we don't be team,

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Speaker 1: we don't get fucked. How does I'm gonna tell you

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Speaker 1: niggers I do, that's what you got the show and

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Speaker 1: we don't. I'll show up at the award show that.

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Speaker 1: But yeah, I feel good man. You know, um yeah,

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Speaker 1: you know. I always tell people when they come to

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Speaker 1: booking this this role. You know, I was a huge

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Speaker 1: fan of Chris Tucker growing up. I'm a fan just

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Speaker 1: like everybody listening to this podcast. I assume everybody listening

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Speaker 1: to this grew up on Chris Tucker. Um so I understand.

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Speaker 1: But I think it's important for everybody to know I'm

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Speaker 1: not doing a Chris tucking In personation on the show.

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Speaker 1: I don't think anybody want to see that. He already

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Speaker 1: did Chris Tucker. He did it brilliantly, and so my

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Speaker 1: goal was doing stand up comedy for a strong nine

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Speaker 1: Years's just to develop my own comedic voice throughout those

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Speaker 1: is my own comedic time and my own comedic delivery.

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Speaker 1: And I think when people watch the show, they're gonna

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Speaker 1: tune in and say, you know what, this isn't Chris,

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Speaker 1: but we respect what he's doing. You know, he's bringing

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Speaker 1: himself to this role. And I think that's what people

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Speaker 1: want to see. If it's to be done, what's up,

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Speaker 1: let's what's up? Bring your own brand, bring him own

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Speaker 1: brand to absolutely. So what was it like, man? Because

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Speaker 1: I know the show is it's a lot of action,

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Speaker 1: like this is how you know, how energy fans pace?

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Speaker 1: So yeah, I mean it was prety, Like I tell

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Speaker 1: I do of my own stunts. What about the other twenty?

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Speaker 1: What about the mother? It's Kevin Hart stunt double Kevin

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Speaker 1: Hard has to have the same stunt, doublet er. What

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Speaker 1: are some of the stunts that you just wouldn't do?

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Speaker 1: It's the openings, my opening sequences. I'm hanging off of

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Speaker 1: a helicopter. I wasn't doing that. Yeah, but your blackness

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Speaker 1: wouldn't laugh hold up, so we did, so he stepped

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Speaker 1: in for that. Um, but you know, what are some

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Speaker 1: of your stuff that I do fight single? I'm people

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Speaker 1: don't know I'm ann first degree black belt. Yeah yeah,

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Speaker 1: I'll bust it. I'll bust your ask you're whoop. I

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Speaker 1: don't do that now. I'm gonna tell I'm gonna get

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Speaker 1: youall nigga straight. I ain't buy all that pause. If

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Speaker 1: you ain't secuting your masculinity, that's your own damn problem.

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Speaker 1: I'm married, I got a daughter. If you when you

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Speaker 1: get married, you could just say I'm married a little baby.

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Speaker 1: Put the balls on the what what the hell? This is?

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Speaker 1: This is? This is what I've learned in Hollywood. I'm

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Speaker 1: gonna tell you this right now. I don't care what

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Speaker 1: people think you understand because they're caring about what people

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Speaker 1: with that HORSTI so you know that much solf, gay

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Speaker 1: gay people are cool. If you don't like gay people,

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Speaker 1: there's a problem with you. That's what I'm scratched down,

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Speaker 1: the scratched. But yeah, so I don't got time. I

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Speaker 1: don't got time for all that. I feel like that

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Speaker 1: be holding us back too much. Worry about what people thinking. Man,

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Speaker 1: do you man, you have a weird that maybe do it?

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Speaker 1: And I try to politically correct this. Now the atmosphere

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Speaker 1: is so we're talking about some real man ship. Now

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Speaker 1: who got shot on the show? Did anybody get shot?

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Speaker 1: I get shot? First episode? I wanted to about the STU.

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Speaker 1: What stud did you do? Like you know I do

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Speaker 1: for the most part all my fight sequences I do.

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Speaker 1: There's a scene yo, I just found out it was

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Speaker 1: a scene where I had to hop onto a moving

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Speaker 1: boat and then hop off the moving boat unto a

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Speaker 1: loading dock and they cut the hopping on. They cut

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Speaker 1: that part out of the show. So that was disrespectful

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Speaker 1: to one idea that day. Um, but yeah, what else?

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Speaker 1: Just all the shooting? You know, are you still finding

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Speaker 1: time to hit the stage with it too? Yeah, well

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Speaker 1: that's that's the point. Well I'm glad you that's that question. Um.

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Speaker 1: People don't understand the workload that was shooting a television show,

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Speaker 1: especially series, because it acting. There's a common theme that

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Speaker 1: is called hurry up and wait. What that means? They

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Speaker 1: asked the actor to get there early and then you're

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Speaker 1: just sitting around all day and then you don't shoot

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Speaker 1: till six seven eight hours later. However, when you're the

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Speaker 1: start to show, that doesn't apply to you. Um So

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Speaker 1: I was shooting Monday through Monday through Friday, thirteen to

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Speaker 1: fifteen hour days every day, no day off for six months.

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Speaker 1: Um and even on the weekend, I was memorizing sixty

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Speaker 1: pages of dialog. So I literally had no days off

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Speaker 1: for six months from August to January. Um. So the

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Speaker 1: workload is incredible. And that's stuff that they don't tell you,

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Speaker 1: that stuff that you don't even know until you're in it.

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Speaker 1: You know, everybody want to be the star of show,

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Speaker 1: and I hit Kevin Hard saying every want to be

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Speaker 1: everybody want to be famous, but nobody want to do

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Speaker 1: the work. And um, you know, doing a show like that,

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Speaker 1: it isn't an insane amount of workload. Now, getting back

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Speaker 1: to your question, I was only able to do I

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Speaker 1: was only able to perform stand up three times in

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Speaker 1: six months, and I was killing me because I'm a

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Speaker 1: stand up comedy that all I was saying, how did

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Speaker 1: you yeah, stand up comedy? I feel like, help get

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Speaker 1: me Rush Hour. You know, if it wasn't for doing

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Speaker 1: stand up all those years, I wouldn't even have developed

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Speaker 1: the comedy chops to book a rush hour, you know,

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Speaker 1: and so that kind of got to me. But as

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Speaker 1: soon as we wrapped the next day, I got up

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Speaker 1: on stage and I've been on stage almost every day

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Speaker 1: since then, since i started doing this rushour promotional tour.

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Speaker 1: And my plan is if there's a second season, they're

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Speaker 1: kind of work in my schedule to be able to tour.

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Speaker 1: And so what I'm excited about is that this is

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Speaker 1: my first time going out on the road headlining my

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Speaker 1: own tour. So I'm gonna being Baltimore. I'm doing Baltimore

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Speaker 1: Comedy Factory, I'm doing the Comedy Works. And make sure

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Speaker 1: you hit Comedy Hype for the day so we can

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Speaker 1: get the promo. Man, shout out the comedy House, comedy

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Speaker 1: and make sure you hear the Alabamas. Look we don't

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Speaker 1: give a little start on and start on. Start up now,

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Speaker 1: truck the loose. You gotta come to tell you gotta

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Speaker 1: come to Archiball. When you go to the Star Doom,

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Speaker 1: you gotta go to Archiballs. I'm gotta tell them low

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Speaker 1: I am. If you if you meet my quote, I

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Speaker 1: meet up. You know, if you meet the quote. He's

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Speaker 1: saying that because he ain't hand the ribs. Yet we

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Speaker 1: were gonna give you hands. How about that? Tell you

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Speaker 1: two like get just was you rusty when you got

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Speaker 1: back on stage? Was I rusty? Maybe? Well? I only

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Speaker 1: I would say since I performed, I maybe maybe only

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Speaker 1: had two to three medio concepts. I think this is

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Speaker 1: important though, too right, this is me. I don't never

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Speaker 1: really talk about this, talk about this. I'm gonna talk

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Speaker 1: about it because because I will respect y'all, niver so

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Speaker 1: I wanna talk about it. Um. I realized the comedians

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Speaker 1: that I saw working, we're the comedians that I saw

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Speaker 1: always working on their stand up. So that being said,

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Speaker 1: there's some comedians that kill, kill, kill every night. They

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Speaker 1: destroy every night, every night, every night. However, I didn't

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Speaker 1: see their material growing it was doing because when you

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Speaker 1: get to a point where you're killing every night, you know,

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Speaker 1: as comedians, you can sometimes get a fred to try

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Speaker 1: new materials because you guys, I don't want to try

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Speaker 1: this new stuff because I'm destroying. However, like I said,

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Speaker 1: the comedians that I saw were working. Where the comedians

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Speaker 1: that was always kind of working on new jokes, working

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Speaker 1: on new materials, being fearless taking them chances. And so

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Speaker 1: even with my stand up. Coming back to doing stand

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Speaker 1: up at the rat Rush Hour, all that was brand

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Speaker 1: new material like I've been doing. I got maybe a

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Speaker 1: new fifteen twenty minutes of new material and that came

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Speaker 1: from taking chances on stage. So I have put that

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Speaker 1: aside because it was a time I would say, maybe

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Speaker 1: four years into doing stand up. I was getting standing

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Speaker 1: those often, but I wasn't growing. You See, what I'm

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Speaker 1: saying was like I had a hot ten minutes, and

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Speaker 1: you can make it. Well, you used to make it

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Speaker 1: with a hot ten minutes. You know, stand up shows

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Speaker 1: ain't really exactly what they used to be for comedians.

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Speaker 1: I feel, um, so you used to blow up off

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Speaker 1: a hot ten minutes. Nowadays there's so much. There's so

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Speaker 1: much you got the Instagram and Facebook and YouTube, and

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Speaker 1: there's so many places for people to discover comedians that

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Speaker 1: you have to do a little bit more than the

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Speaker 1: hot ten minutes. And you can't just be a stand

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Speaker 1: up comedian. But no one's giving you ten minutes no more,

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Speaker 1: they give you three minutes. Well, this is what I'm saying.

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Speaker 1: I'm saying like, if you're on a TV shows, what

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Speaker 1: I'm saying, yeah, yeah, you get more times I'm talking

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Speaker 1: about the new comments up with the combo. No, I'm joking.

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Speaker 1: So anyways, I saw I say all this to say

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Speaker 1: this with my stand up. Um, I've only had maybe

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Speaker 1: three or four like sets that I was like, oh,

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Speaker 1: that could have been better. But for the most part,

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Speaker 1: I've had good you know what I'm saying. And you

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Speaker 1: know then now it's trying to take take that material

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Speaker 1: and go on the road. And even when I'm on

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Speaker 1: the road, when I'm headlining, I will still be developing

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Speaker 1: and working on that material. And you know, some nights

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Speaker 1: gonna be better than other nights. But I know what

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Speaker 1: I'm creating. It's not to just kill kill kill with

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Speaker 1: the same jokes. Is to create create some new material

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Speaker 1: in a in a brand that I want people to

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Speaker 1: be a part of. Yah. That's dope. That's dope, yeah, man,

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Speaker 1: Because stand up comedians we love to be on stage.

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Speaker 1: We don't matter what the situation, and we're gonna find

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Speaker 1: a way to get to the stage. My home, but

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Speaker 1: shut out to my home to Fama. That's number three.

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Speaker 1: That's that's number three. He sure it is all right.

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Speaker 1: That's Alabama. Man. My dog justins what what the hell

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Speaker 1: You've been up to man. Man, I've been writing, Man,

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Speaker 1: I've been in the dungeon I've been having for a while. Man.

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Speaker 1: I know, man, That's why it was crazy when you

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Speaker 1: showed up with Justin, because it's like, I know, y'all

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Speaker 1: real partners, real y'all been buttons like Justin and Justin

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Speaker 1: and Ship. It's crazy because it's like I'm sitting here like, damn,

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Speaker 1: these my dogs. We was all standing at Twisted Taco,

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Speaker 1: like are we going up? Like you know what I mean,

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Speaker 1: Like way back in the beginning three times, I know,

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Speaker 1: you know what I mean. But you came through and

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Speaker 1: you was rocking, and it was like yeah. And then

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Speaker 1: if we saw the drive a long time ago. That's

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Speaker 1: why the people you know what I mean, in the

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Speaker 1: circle of Atlantic comedians who knew you before you went

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Speaker 1: to l A, it was no surprise. And like we

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Speaker 1: saw you grinding getting into the stump the yards and

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Speaker 1: and other TV roles, you know what I mean. So

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Speaker 1: it's just this is just the progression, Like you said,

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Speaker 1: the work is paying off. Then you see my dog Justin,

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Speaker 1: who would be on TV with us for four years

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Speaker 1: and then disappears. Yeah, yeah, so we're gonna show you up.

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Speaker 1: See that one of the funniest comedians in the game.

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Speaker 1: Nigger don't want to be famous, just I just wanted

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Speaker 1: just he mouths Davis, he just show up, be funny.

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Speaker 1: His hell then with his grandmother was man. He destroys

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Speaker 1: every time he get a real standard over gets standing. No,

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Speaker 1: I'm talking about like, hello, Justin, this is a story.

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Speaker 1: I wait, wait, wait, hold up, Steve. Justin Mitchell got

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Speaker 1: a joke that's so funny. The TV producers wouldn't even

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Speaker 1: let him do it on TV. You remember that, they

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Speaker 1: wouldn't even let that joke was so funny and it

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Speaker 1: hit so hard when he did it. They was like,

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Speaker 1: you can't do that. Wow, that's some disrespectful stuff. I

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Speaker 1: didn't even nobody know that. I was right everybody because

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Speaker 1: could nobody follow that? Yeah, I mean it's bro. You

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Speaker 1: know what's so funny. It's the joke, the set up,

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Speaker 1: you know what I mean, The whole joke. Joke is funny.

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Speaker 1: But it's like the ship that killed it is not

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Speaker 1: isn't not even the words. And when you just look

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Speaker 1: at that people, Yeah, you're talking about the sketch when

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Speaker 1: I found love. Really that was a little I just

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Speaker 1: did was chucking the Sundays UM's on showtime in Netflix

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Speaker 1: right now, Tommy Davidson, So you can check that out.

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Speaker 1: But my last I didn't do stand up. Now I

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Speaker 1: just did sketches. I'm just trying to do. I'm trying

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Speaker 1: to do a day of my my Dave Chappelle things,

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Speaker 1: because a lot of people don't know what Day Chappelle did. First.

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Speaker 1: To get to Chappelle, he did a stand up. But okay, well,

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Speaker 1: so let me tell you my secret. He did in

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Speaker 1: the Alabama one time. Get tired you saying the world

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Speaker 1: everywhere he go, man, he plugging, go ahead, man was listening.

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Speaker 1: All my jokes come from sketches, and I turned them

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Speaker 1: into sketches. What no one really knows is the first

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Speaker 1: time I ever did stand up was coming to the

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Speaker 1: stage with Little j J. I still in line for

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Speaker 1: eight hours. Never did stand up before that was will

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Speaker 1: back and the lady saying, you can't audition because you

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Speaker 1: don't having a resume, you can't get in. So after

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Speaker 1: everybody audition, she lat me audition and I booked the show.

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Speaker 1: I came like fourth place. All that was all sketches

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Speaker 1: that I wrote a while ago. There They're literally sketches

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Speaker 1: that I turned into jokes. So my real love is sketches.

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Speaker 1: But I still love standing up too because I can.

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Speaker 1: You know, what I was trying to explain to him

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Speaker 1: earlier today is what my mom did you see the

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Speaker 1: frustration what I was because what I was trying to

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Speaker 1: tell him earlier to day, and what my parents have

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Speaker 1: always taught me, is sometimes you have to do what

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Speaker 1: you don't want to do so you can do what

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Speaker 1: you want. And so what I was trying to tell

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Speaker 1: him is, at the end of the day, the path

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Speaker 1: that he's trying to get to moden it all starts

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Speaker 1: with stand up comedy. For the most part, there a

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Speaker 1: whole lot and to get you there a whole lot faster,

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Speaker 1: you know. And so that's and he's a beast. I've

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Speaker 1: been telling ship for years, comedian. Just google me. Yeah, right.

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Speaker 1: So in any case, you can lead a horse to water,

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Speaker 1: can't make them drink. I gotta be going. Is because

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Speaker 1: you look like they about to fight. I think they

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Speaker 1: don't do this now the college together, Now, we didn't

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Speaker 1: go to college together. It's so funny. I'm gonna tell

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Speaker 1: you how I met this dude. I was I was

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Speaker 1: a freshman in college, chilling in my dorm at Clark right, Clarklanta,

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Speaker 1: shout of HBC US. That's all the HC Steve. We're

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Speaker 1: gonna get you to name them later on. You know,

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Speaker 1: hey once that ain't in Alabama, next outside that No.

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Speaker 1: So anyways, um, I was in my dorm room. I

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Speaker 1: get I get a text message from a girl. She's like, Yo,

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Speaker 1: the dude Justin Mitchell from coming to the stage is

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Speaker 1: in the students center talking to students. And I was like,

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Speaker 1: who the funk is this other funny Justin? Know that Justine.

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Speaker 1: So I get up, throw on some clothes and I

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Speaker 1: kind of stom like, let me see, let me see

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Speaker 1: who this now, let me meet him. Met this dude

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Speaker 1: this he showed me nothing but love. Man. He did

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Speaker 1: a sketch comedy pilot and he put me in it

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Speaker 1: because he needed somebody do a day Chappelle impressure, and

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Speaker 1: I didn't. No one's seen this year. This dude does

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Speaker 1: a great day Chappelle. People don't know I can do

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Speaker 1: the pressures really well. Sick fight sniggers and yo fight

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Speaker 1: never so child murfand in your fight snigger. So I

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Speaker 1: did Chappelle for and so he put me in his

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Speaker 1: sketch comedy pilot and I was Chapelle in that. And

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Speaker 1: when I first moved to Atlanta, I only knew two

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Speaker 1: people I knew. I knew listen, I mean when I

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Speaker 1: moved to Los Angeles, my bad. When I moved to

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Speaker 1: Los Angeles, only knew Justin Mitchell and comedian Ron g

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Speaker 1: shout out coming out Atlanta. Man. That's why I always

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Speaker 1: appreciate this dude, because you know when when when I

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Speaker 1: went to the Stomp the Yard premiere for you, for instance,

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Speaker 1: when I shot that in in Atlanta, but the premiere

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Speaker 1: was in l A. He let me sleep on this floor.

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Speaker 1: You know what I'm saying, like, Hey, I got things.

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Speaker 1: Then I said, you're on the flute. I wasn't trying

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Speaker 1: to get your tell the world for me. Yeah, so

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Speaker 1: I so any case, um, in any case, Uh sorry,

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Speaker 1: That's always appreciate. And even I was at Clark Atlanta

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Speaker 1: today speaking to the students. Out of everything I've done,

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Speaker 1: that's probably one of the biggest moments of my life

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Speaker 1: to be able to go back and talk to the

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Speaker 1: students and he was right there helping out, helping me

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Speaker 1: with the video and taking pictures and not minding to

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Speaker 1: do it. You know what I'm saying. That real friend. Yeah,

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Speaker 1: that's a real friend, right the number of I'm proud

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Speaker 1: of you. Man, it's hard to get that an Yeah,

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Speaker 1: it's hard. It's hard, man, But he deserved all this,

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Speaker 1: he says. Man. Okay, lady five South show, it is

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Speaker 1: your man, Carlos Miller. I have to interrupt the show

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Speaker 1: right now to give you some breaking news in the

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Speaker 1: comedy world. Breaking. This is breaking news. But it didn't

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Speaker 1: just happen, but it happened recently. I mean it's breaking

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Speaker 1: in the comedy world. You know how slow eye news is.

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Speaker 1: Steve Harvey has a new television show called Little Big Shots. Yeah,

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Speaker 1: it's it's kind of like kids say, the darndest thing.

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Speaker 1: It's a talent show mixed together, so it's funny. Make

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Speaker 1: sure you tune in and watch that. Dave Chappelle had

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Speaker 1: a show in Portland what the other day, and apparently

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Speaker 1: some lady got scammed out of her tickets, so he

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Speaker 1: let her come for free. That's that's so Dave Chappelle.

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Speaker 1: Like you just run up on Dave, like I was

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Speaker 1: gonna come to the show, but I ain't got no

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Speaker 1: tickets even like, he's a really good dude. What do

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Speaker 1: you say? Yes, yes, one of the baddest motherfucker's okay,

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Speaker 1: alright in comedy White people news, Yes, all right, what's

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Speaker 1: this dude? This dude got a name like a ghetto girl.

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Speaker 1: She shyabuff. He got some big titties. It's dude for transformers.

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Speaker 1: He got engaged to British actress Mia Golf. I don't

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Speaker 1: know why. I've never heard of She wanted them Kardashian,

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Speaker 1: she didn't heard of herself. Oh, speaking to Kardashians, Rob Kardashian,

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Speaker 1: guess what he doing. He is really in love with black.

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Speaker 1: This is how you know he in love with black.

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Speaker 1: Chan I saw him on Instagram the day slapping on

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Speaker 1: the slad with his stepson, Tiger. Tiger. You gotta whoop

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Speaker 1: this nigger's with tigers. They got hands up like ye

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Speaker 1: putting the Russell Wilson. Russell Wilson has started some ship,

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Speaker 1: the star ship. Yeah, they you could slide. You can't.

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Speaker 1: You can't say we with another that you can't. That's

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Speaker 1: how you know he had loved though he was he

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Speaker 1: was slading down the slade with his hands up and

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Speaker 1: he got out. Later on TMZ called him pumping gas

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Speaker 1: for Black China. But black China is so fine. That

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Speaker 1: is the finest chick. Whe the body made a play though,

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Speaker 1: I'm gonna hate. She got three pounds of concrete and hunt.

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Speaker 1: I can't do the fake from the front man. I

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Speaker 1: don't want I don't want to hear it from I

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Speaker 1: can't slap. I ask in your hand and get stuck

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Speaker 1: all that put Yeah, I could do. I could do

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Speaker 1: fake breast, but I can't deal with a fake titty

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Speaker 1: much rather you show up with your real titty, even

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Speaker 1: if your titty looked like a tear drop. I still like,

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Speaker 1: I like, I'm like a I don't love it, like

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Speaker 1: I had like a long titty. Bitch bitch put on

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Speaker 1: him in her ship. I just feel like, put him

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Speaker 1: in your titty. Yeah, him putting him him and other

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Speaker 1: white people News. Aaron Andrews, you know, the reporter from ESPN.

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Speaker 1: She was awarded fifty five million dollars in a lawsuit

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Speaker 1: when the guy secretly filmed her getting naked in the hotel.

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Speaker 1: Fifty five million films. She was asking for a hunch,

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Speaker 1: asking somebody to feel please, if aybody can sneak in

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Speaker 1: the field. White pussy is expensive to five million, and

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Speaker 1: she didn't even find like that. What you say, I said,

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Speaker 1: what I was about to say, about to get me

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Speaker 1: five don't say this is the show to keep your job?

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Speaker 1: What show is this? They're like, go on, go on,

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Speaker 1: not getting fire today? Man? That season folk comment. What

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Speaker 1: I was about to say, We gotta wait to look.

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Speaker 1: We almost got him in with was got it? Yeah?

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Speaker 1: So that's anything else going on? One of the news

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Speaker 1: did we miss? I think that was That was pretty

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Speaker 1: much it all we had on the news side. What

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Speaker 1: happened with Danielle? I heard he got into a fight

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Speaker 1: or something. Danielle Rolins. You know what's funny? You know

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Speaker 1: what's funny? Oh, you know he got into a fight

401
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Speaker 1: and feel it. He got drunk and he said he

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Speaker 1: wasn't gonna pay the bill and they brought the bill

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Speaker 1: and he got into a fight with the little manager

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Speaker 1: or whatever. You know what's funny. Though we were actually

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Speaker 1: on the Wild and Out too. We were staying right

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Speaker 1: across the street from the restaurant um at the Radison.

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Speaker 1: He got it was that little piece a little pieces

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Speaker 1: right across the street and he was there the day

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Speaker 1: after we left. Who I mean, I'm rooting for Danielle.

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Speaker 1: Why do you think comedian is so crazy? Miss? Steve?

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Speaker 1: Were talking about this year earlier comedians are crazy? Well,

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Speaker 1: y'all sucking crazy. I don't think I'm crazy, like crazy,

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Speaker 1: crazy crazy anybody of that? Said Alice, I don't know, man?

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00:24:03,840 --> 00:24:09,119
Speaker 1: What what? Why do you think you're crazy? All comedians crazy? Crazy?

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00:24:09,119 --> 00:24:10,800
Speaker 1: Get on stage to try to prove yourself to be

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Speaker 1: funny to another person every night, every night something something? Miss?

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Speaker 1: What can't you can't say? And I'm just playing Devil's advocate.

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Speaker 1: Couldn't you say that about any profession even if you no, No,

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Speaker 1: because you're proving yourself. No, comedians are crazy because like

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Speaker 1: one of your ni sitting here with your drops inside

421
00:24:27,400 --> 00:24:30,840
Speaker 1: out right now, I'm not that's I got a job.

422
00:24:31,600 --> 00:24:33,960
Speaker 1: Y'allis crazy? Comedian crazy? I don't know me. Out of

423
00:24:34,000 --> 00:24:35,560
Speaker 1: all the groups of people, like you said, out of

424
00:24:35,600 --> 00:24:37,600
Speaker 1: all the groups of people that I have been around,

425
00:24:37,640 --> 00:24:42,119
Speaker 1: I feel like media hard crazy. Hell yeah, Steve Harvey crazy.

426
00:24:42,960 --> 00:24:46,200
Speaker 1: He jumped out there and and was just Steve Harvey.

427
00:24:46,280 --> 00:24:48,600
Speaker 1: Then he took off the took off the flat top

428
00:24:48,640 --> 00:24:56,680
Speaker 1: and was another Steve hark. That's crazy. That's crazy. Don't

429
00:24:56,720 --> 00:25:01,919
Speaker 1: you talk about my dadd If you gotta get on stage,

430
00:25:02,440 --> 00:25:07,000
Speaker 1: it's like crack so you it is, it will make you. Yeah,

431
00:25:07,240 --> 00:25:12,920
Speaker 1: it is like hell yeah in a good way. But

432
00:25:12,960 --> 00:25:17,680
Speaker 1: he still work ethic. That's crazy. We're talking about we're

433
00:25:17,680 --> 00:25:20,200
Speaker 1: talking about some ship we don't know about. I'm sure,

434
00:25:20,480 --> 00:25:22,920
Speaker 1: I'm sure it isn't crazy. We don't know. I don't

435
00:25:22,960 --> 00:25:25,920
Speaker 1: know what is it. I don't know. He he a

436
00:25:25,920 --> 00:25:27,880
Speaker 1: good nig to me. I don't know. He can listen.

437
00:25:28,560 --> 00:25:31,160
Speaker 1: You can listen to the to his content. I can't

438
00:25:31,160 --> 00:25:33,440
Speaker 1: wait just to see how how he thinks. I didn't

439
00:25:33,480 --> 00:25:36,560
Speaker 1: say everybody wasn't crazy. I said. I said I didn't

440
00:25:36,560 --> 00:25:40,280
Speaker 1: think all comedians were crazy. And I'm not gonna say

441
00:25:40,320 --> 00:25:43,240
Speaker 1: he's crazy. I'm not saying Cat crazy. I'm a fan

442
00:25:43,320 --> 00:25:46,720
Speaker 1: of Cat. That's it. Y'all think you're gonna beat my

443
00:25:46,800 --> 00:26:01,320
Speaker 1: ass you outside that you walk outside. I am a fan,

444
00:26:01,600 --> 00:26:05,360
Speaker 1: can't Williams. I respect that dude in his comedy, respect everybody,

445
00:26:05,440 --> 00:26:08,760
Speaker 1: and I'm not calling him crazy. Well, there ain't no

446
00:26:08,840 --> 00:26:11,320
Speaker 1: disrespect to call people crazy. No, it's not. I'm a fan.

447
00:26:13,080 --> 00:26:15,560
Speaker 1: It's a lot of people, you know, I think that.

448
00:26:17,080 --> 00:26:20,040
Speaker 1: Like when you talk about comedians and being crazy, I'm

449
00:26:20,119 --> 00:26:22,879
Speaker 1: not saying like robber Bank type crazy. I'm just saying, like,

450
00:26:23,080 --> 00:26:27,280
Speaker 1: you know, we we think different, and you know what

451
00:26:27,320 --> 00:26:29,880
Speaker 1: I mean stuff like that. I can roll that. Yeah,

452
00:26:30,400 --> 00:26:33,040
Speaker 1: that's what I meant by that comedian. It's a cool crazy.

453
00:26:35,000 --> 00:26:37,119
Speaker 1: I had that third time to see stuff that regular

454
00:26:37,119 --> 00:26:40,560
Speaker 1: people can't seem just like on The South Show, Man,

455
00:26:41,320 --> 00:26:44,680
Speaker 1: I didn't even know that Steve Harvey call on his

456
00:26:44,800 --> 00:26:49,679
Speaker 1: set was I not supposed to say that you can

457
00:26:49,720 --> 00:26:52,320
Speaker 1: say whatever, You can say whatever you want to, and

458
00:26:52,359 --> 00:26:55,480
Speaker 1: it's you can say anything you want to. Yeah, watch this.

459
00:26:55,720 --> 00:26:57,239
Speaker 1: Shout out to all the women who pulls to get

460
00:26:57,280 --> 00:27:01,840
Speaker 1: wet like rain boots that say whatever you want to

461
00:27:02,080 --> 00:27:08,359
Speaker 1: say it. When I start getting comfortable, you can't get

462
00:27:08,400 --> 00:27:11,800
Speaker 1: the water, get the water I can see. Just just

463
00:27:11,840 --> 00:27:14,560
Speaker 1: spit it out. Just just spit it out. Go ahead,

464
00:27:14,800 --> 00:27:17,560
Speaker 1: what I say. I don't just say nothing. God is

465
00:27:17,600 --> 00:27:21,720
Speaker 1: good all the time. Came on. Now he got we

466
00:27:21,920 --> 00:27:25,760
Speaker 1: understand he got a real job. Ain't nobody man? And

467
00:27:25,920 --> 00:27:29,720
Speaker 1: justin man, we know what you gotta do now. Yeah,

468
00:27:32,440 --> 00:27:37,200
Speaker 1: you see how your people do. Said, She's sick of it,

469
00:27:37,240 --> 00:27:41,480
Speaker 1: said liutleminited man, Well you just started. That was just what.

470
00:27:41,760 --> 00:27:43,920
Speaker 1: I'll tell you what. When they give me the application,

471
00:27:43,960 --> 00:27:48,800
Speaker 1: I'm gonna feeling I break them through to the other side.

472
00:27:49,560 --> 00:27:52,080
Speaker 1: I'm trying to get into my damn self, my credit.

473
00:27:52,160 --> 00:27:54,520
Speaker 1: You bad know how much of that stuff is true.

474
00:27:54,960 --> 00:27:57,159
Speaker 1: It is something to it. I hope she is me

475
00:27:57,520 --> 00:28:00,040
Speaker 1: and I'm just speaking on me so far. Don't do

476
00:28:00,160 --> 00:28:04,480
Speaker 1: it if it's gonna This is all I'm saying people.

477
00:28:04,920 --> 00:28:07,280
Speaker 1: People can sometimes use the word luck like you got.

478
00:28:08,080 --> 00:28:11,879
Speaker 1: I don't believe in I believe it. I believe in blessings. First,

479
00:28:12,359 --> 00:28:15,680
Speaker 1: I believe in favor, and after that I believe in

480
00:28:15,920 --> 00:28:20,919
Speaker 1: it's when preparation meets opportunity. I believe it's when preparation

481
00:28:21,920 --> 00:28:27,399
Speaker 1: meet opportunative. It's so you know, somebody like myself, you know,

482
00:28:28,400 --> 00:28:30,720
Speaker 1: you know, like I tell people. I heard Will Ferrell

483
00:28:30,760 --> 00:28:33,199
Speaker 1: say it's a ten years to become overnight success. Right.

484
00:28:34,080 --> 00:28:36,760
Speaker 1: I did my first film ten years ago, So this

485
00:28:36,840 --> 00:28:39,960
Speaker 1: has been a grind that I've been on for ten years.

486
00:28:40,560 --> 00:28:42,440
Speaker 1: In more than ten years. Really, if you add him

487
00:28:42,480 --> 00:28:44,320
Speaker 1: make me going to a performs high school and me

488
00:28:44,400 --> 00:28:46,680
Speaker 1: doing Shakespeare in middle school. So if you're adding all

489
00:28:46,720 --> 00:28:49,440
Speaker 1: of that stuff, like seventeen years to get to this. So,

490
00:28:49,640 --> 00:28:51,680
Speaker 1: you know, people kind of be dismissive of the hard

491
00:28:51,720 --> 00:28:54,000
Speaker 1: work that people put in and be like, oh, he

492
00:28:54,120 --> 00:28:56,840
Speaker 1: sucked somebody I don't know about, don't know about work.

493
00:28:56,920 --> 00:28:58,960
Speaker 1: He did that to get a job, or or he

494
00:28:59,040 --> 00:29:03,760
Speaker 1: and the illuminati. It is like or maybe fable hard work,

495
00:29:04,320 --> 00:29:08,840
Speaker 1: talent preparation. What you're saying, Steve Ain't got no what

496
00:29:08,920 --> 00:29:15,080
Speaker 1: I'm saying. What you kiss that one when bombs on?

497
00:29:21,720 --> 00:29:24,200
Speaker 1: You don't cut that one out? Just cut that Actually

498
00:29:24,960 --> 00:29:27,640
Speaker 1: I think I let that one go. What camera do

499
00:29:27,720 --> 00:29:29,760
Speaker 1: we look at the step? That one out? Is camera one?

500
00:29:29,800 --> 00:29:32,640
Speaker 1: A camera? The producers? Yeah, just scratched that one. So

501
00:29:32,800 --> 00:29:35,120
Speaker 1: this is taken from here? Just what you call it.

502
00:29:35,200 --> 00:29:37,080
Speaker 1: It's what I'm saying, Like, you know, I don't think

503
00:29:37,120 --> 00:29:39,440
Speaker 1: people should be so quick to be dismissive. I think

504
00:29:39,480 --> 00:29:42,000
Speaker 1: if you really do your homework, if you really do

505
00:29:42,080 --> 00:29:43,680
Speaker 1: I just got loud of here. If you really do

506
00:29:43,800 --> 00:29:47,400
Speaker 1: your homework, you kind of see the what people did

507
00:29:47,520 --> 00:29:49,440
Speaker 1: to get to where they You know what I'm saying,

508
00:29:49,880 --> 00:29:55,600
Speaker 1: maybe not, who knows, it might be really right now

509
00:29:56,160 --> 00:29:58,840
Speaker 1: I'm gonna get that Lumini music can we get them? Yeah,

510
00:29:59,440 --> 00:30:03,120
Speaker 1: see I have. I haven't reached Illuminati tax bracket. Yea.

511
00:30:03,200 --> 00:30:05,440
Speaker 1: Feel you know, I don't believe in Illuminati either. Even

512
00:30:05,480 --> 00:30:07,360
Speaker 1: if they did have one, they't gonna let no niggas

513
00:30:07,400 --> 00:30:18,880
Speaker 1: in it. In there my ship, my ship. The meetings

514
00:30:18,920 --> 00:30:24,400
Speaker 1: started at twelve tyrone. Apologize, that's not our hand signal.

515
00:30:24,520 --> 00:30:30,760
Speaker 1: Those are the crips, right, we've been exposed all the

516
00:30:30,840 --> 00:30:35,160
Speaker 1: cigarette malo, the k still alive and living Russia might

517
00:30:35,240 --> 00:30:41,680
Speaker 1: be about the Martin that's so? What else you got

518
00:30:41,760 --> 00:30:43,520
Speaker 1: coming up? You got some more sh you're working on too.

519
00:30:43,560 --> 00:30:45,560
Speaker 1: I know he's pretty much got you locked in with this.

520
00:30:46,080 --> 00:30:47,680
Speaker 1: I know the promo tourl is going on, doing the

521
00:30:47,720 --> 00:30:51,320
Speaker 1: promo tourl right now back to l A. Go to

522
00:30:51,480 --> 00:30:53,600
Speaker 1: l A tomorrow and I wrap up promoting the show

523
00:30:53,600 --> 00:30:55,920
Speaker 1: in Los Angeles. But I hit Chicago, Philly, d C.

524
00:30:56,120 --> 00:30:58,280
Speaker 1: Now I'm here in Atlanta. Uh and yes, I go

525
00:30:58,400 --> 00:31:00,280
Speaker 1: back to l A. We'll do like a diver city

526
00:31:00,360 --> 00:31:03,120
Speaker 1: screen and I'm excited about and uh and then the

527
00:31:03,120 --> 00:31:05,680
Speaker 1: show comes out of March thirty one, right, How your

528
00:31:05,680 --> 00:31:08,320
Speaker 1: family feel about it? Man? I know that everybody proud

529
00:31:08,400 --> 00:31:13,680
Speaker 1: as hell. Yeah, I mean, you know everybody. I mean, well,

530
00:31:14,200 --> 00:31:16,240
Speaker 1: you know what, my parents have always been encouraging. They

531
00:31:16,320 --> 00:31:19,120
Speaker 1: already supported me. Um, they just wanted me to get

532
00:31:19,160 --> 00:31:21,560
Speaker 1: my education first. Um. So I always knew I was

533
00:31:21,560 --> 00:31:23,960
Speaker 1: gonna get into acting. Um, but I did go to

534
00:31:24,040 --> 00:31:31,600
Speaker 1: Clark first. Yeah, I'm gonna honestly say that that may

535
00:31:31,680 --> 00:31:33,840
Speaker 1: not be everyone path that, but you got to go

536
00:31:33,920 --> 00:31:36,000
Speaker 1: to make sure it ain't for you. Well you know, yeah,

537
00:31:36,120 --> 00:31:38,400
Speaker 1: you know you can. So I went. I went to Clark,

538
00:31:38,520 --> 00:31:40,520
Speaker 1: got my degree and then you know, I moved out there.

539
00:31:40,560 --> 00:31:44,920
Speaker 1: But they have always supported me and encouraged me. And listen,

540
00:31:45,160 --> 00:31:47,600
Speaker 1: this business is tough, y'all. We all know that. You know,

541
00:31:47,680 --> 00:31:50,120
Speaker 1: this business is tough. That's why I'm so fortunate to

542
00:31:50,520 --> 00:31:53,080
Speaker 1: be in this position. Um and so yeah, man, but

543
00:31:53,160 --> 00:31:58,880
Speaker 1: you know they're like me. Now, you said you're touring

544
00:31:58,920 --> 00:32:01,600
Speaker 1: the what cities are there again, I'm doing a Baltimore

545
00:32:01,640 --> 00:32:08,520
Speaker 1: comedy but not I wouldnt a goddamn sit Baltimore. I'm

546
00:32:08,520 --> 00:32:11,160
Speaker 1: doing Baltimore Comedy Factor, I'm doing Comedy Works in Denver,

547
00:32:11,640 --> 00:32:15,760
Speaker 1: I'm doing Rochester, New York. In Seattle, I'm doing Phoenix,

548
00:32:16,400 --> 00:32:20,200
Speaker 1: and I'm definitely definitely coming to Alabama. Okay, That's all

549
00:32:20,200 --> 00:32:22,600
Speaker 1: I want to hear you say. If you had to

550
00:32:22,680 --> 00:32:27,000
Speaker 1: say that about my house. That illuminati. They're trying to

551
00:32:27,080 --> 00:32:28,800
Speaker 1: keep him from the paper, keep them from the bab

552
00:32:30,640 --> 00:32:32,880
Speaker 1: Are you going? Are you going gonna be at the parlor?

553
00:32:32,960 --> 00:32:35,520
Speaker 1: Are you doing stand up live when you go to Phoenix?

554
00:32:35,960 --> 00:32:39,720
Speaker 1: I mean, I'm doing the parlor in Seattle, and I'm

555
00:32:39,800 --> 00:32:42,400
Speaker 1: doing doing stand up lave or the improv is what

556
00:32:42,480 --> 00:32:44,600
Speaker 1: I meant. Neither one I'm doing. Uh. I think it's

557
00:32:44,600 --> 00:32:49,080
Speaker 1: a newer club comedy House of Comedy or something in Phoenix.

558
00:32:49,240 --> 00:32:51,440
Speaker 1: But however, I have done stand up live with a

559
00:32:51,560 --> 00:32:54,920
Speaker 1: fiance is one of my I love that. That's one

560
00:32:54,920 --> 00:32:56,680
Speaker 1: of my favorite clubs to do. So you know, if

561
00:32:56,720 --> 00:32:58,680
Speaker 1: they got two of them, they got two of them. Yeah,

562
00:32:58,760 --> 00:33:00,760
Speaker 1: So you know maybe next time, I mean Phoenix, I might,

563
00:33:00,840 --> 00:33:02,720
Speaker 1: I might do a stand up live, But this time

564
00:33:02,720 --> 00:33:04,480
Speaker 1: I'm doing that club. When you go, make sure you

565
00:33:04,640 --> 00:33:08,080
Speaker 1: nick because how this fucking things hot? People ask me,

566
00:33:08,120 --> 00:33:10,320
Speaker 1: I like, maybe he went to a resold. It's so

567
00:33:10,440 --> 00:33:12,800
Speaker 1: hot in Phoenish. Just turn your heat, you turn your

568
00:33:12,840 --> 00:33:14,880
Speaker 1: oven all the way on and stand in front of

569
00:33:16,320 --> 00:33:20,600
Speaker 1: that's not talking about him to main Street because I'm

570
00:33:20,600 --> 00:33:24,200
Speaker 1: believing him. He got he gotta get down, he gotta

571
00:33:24,240 --> 00:33:25,800
Speaker 1: get there. I don't think you want to be there.

572
00:33:26,200 --> 00:33:30,920
Speaker 1: Never never. I've done a lot of mainstreams I'm messing with.

573
00:33:32,480 --> 00:33:37,280
Speaker 1: Phoenix is hot, so they only do they got him? Job?

574
00:33:39,280 --> 00:33:42,800
Speaker 1: You part of Africa? You went to uh you know what?

575
00:33:43,400 --> 00:33:46,600
Speaker 1: Every turn? Wait wait wait, I can spend saying this

576
00:33:46,680 --> 00:33:48,280
Speaker 1: ship for years and I didn't know if he was

577
00:33:48,360 --> 00:33:52,680
Speaker 1: for real anything? Did you really go though? Hell know

578
00:33:53,600 --> 00:34:01,000
Speaker 1: everybody thinking from Africa into it? I YEA, don't act

579
00:34:01,040 --> 00:34:02,440
Speaker 1: like that. You're done doing that right, You are not

580
00:34:02,680 --> 00:34:14,880
Speaker 1: doing that number. My name is car Or Been Man.

581
00:34:14,960 --> 00:34:19,680
Speaker 1: Talented man, He's funny, funny, wow man. I'm so glad

582
00:34:19,920 --> 00:34:22,239
Speaker 1: to see my real partners doing some real things in

583
00:34:22,320 --> 00:34:25,040
Speaker 1: the comedy industry. And you know, why can't I say this?

584
00:34:25,520 --> 00:34:29,400
Speaker 1: Carlos have all man, you have always been supported supportive

585
00:34:29,440 --> 00:34:32,759
Speaker 1: of me. So this ain't no phony, this ain't no

586
00:34:32,960 --> 00:34:34,680
Speaker 1: oh he got a show coming out. Let me get

587
00:34:34,760 --> 00:34:37,920
Speaker 1: this dude on. This is like yo. This dude has

588
00:34:37,960 --> 00:34:40,120
Speaker 1: been supported me from the get go, and now he

589
00:34:40,160 --> 00:34:42,400
Speaker 1: saw me at Twisted Taco. He supported me when I

590
00:34:42,480 --> 00:34:45,000
Speaker 1: moved to a he supported me through Twitter. He has

591
00:34:45,040 --> 00:34:47,200
Speaker 1: supported me, and so that's why I was happy to

592
00:34:47,239 --> 00:34:50,240
Speaker 1: be able to come in comedy. Hype has always supported

593
00:34:50,280 --> 00:34:54,799
Speaker 1: me also, So I just want to say I appreciate that, bro,

594
00:34:54,960 --> 00:34:58,279
Speaker 1: because y'all know, in this business it's tough. You don't

595
00:34:58,320 --> 00:35:01,520
Speaker 1: know if everybody for you. There's there's people rooting against

596
00:35:01,560 --> 00:35:03,480
Speaker 1: you and you're rooting for you. But what I think

597
00:35:03,640 --> 00:35:05,279
Speaker 1: is most important, and I'm gonna say this on this

598
00:35:05,520 --> 00:35:07,960
Speaker 1: I haven't said it is I like to tell, especially

599
00:35:08,600 --> 00:35:15,080
Speaker 1: um young African American comedians, my success helps your success.

600
00:35:15,280 --> 00:35:17,239
Speaker 1: Say it. You see what I'm saying. So there's no

601
00:35:17,440 --> 00:35:20,360
Speaker 1: reason my success, my success helps your success. There's no

602
00:35:20,480 --> 00:35:23,799
Speaker 1: reason to be bitter about the next man. Everybody has

603
00:35:23,880 --> 00:35:26,800
Speaker 1: their own path. But you have to understand Hollywood is

604
00:35:26,840 --> 00:35:30,560
Speaker 1: all about trends. Right. If Rush Hour is a success,

605
00:35:30,840 --> 00:35:32,319
Speaker 1: they just gonna want to do more that They're gonna

606
00:35:32,320 --> 00:35:34,279
Speaker 1: be looking for who the next new new black dude.

607
00:35:34,480 --> 00:35:36,520
Speaker 1: You see what I'm saying. Oh, Rush howers a success,

608
00:35:36,719 --> 00:35:39,560
Speaker 1: but then let's do bad boys. That's two new jobs

609
00:35:39,600 --> 00:35:41,279
Speaker 1: that are opened up for y'all. You see what I'm

610
00:35:41,280 --> 00:35:43,840
Speaker 1: saying that they're already doing lethal weapon. Not Damon, Wayne's

611
00:35:43,840 --> 00:35:45,960
Speaker 1: back back doing this thing. You see what I'm saying,

612
00:35:46,320 --> 00:35:49,800
Speaker 1: I'm going to cut you off. But Justin Hires was

613
00:35:49,960 --> 00:35:53,160
Speaker 1: just about to tell us a dope as it's still

614
00:35:53,239 --> 00:35:56,120
Speaker 1: just about to tell us a dope as Damon Wayne's story.

615
00:35:56,320 --> 00:36:01,440
Speaker 1: Oh so that was perfect. They brought me in perfect. Yeah,

616
00:36:01,480 --> 00:36:05,160
Speaker 1: he brought it in. Man. That is a great dude.

617
00:36:05,160 --> 00:36:07,920
Speaker 1: Well man, Damon Wayne has heard about me writing schedues

618
00:36:07,960 --> 00:36:10,320
Speaker 1: in l A. So I was at the Comedy Union

619
00:36:10,520 --> 00:36:13,359
Speaker 1: and uh, they set a meeting up, so damn post

620
00:36:13,600 --> 00:36:16,600
Speaker 1: posting there like ten o'clock. So while I'm waiting, I'm

621
00:36:16,680 --> 00:36:20,960
Speaker 1: watching comedian David Arnold. You know, the great comedian. Gotta

622
00:36:21,000 --> 00:36:22,440
Speaker 1: check him out. So I'm watching David Arnold and I

623
00:36:22,480 --> 00:36:24,960
Speaker 1: got a toothpick in my mouth and I swallowed a

624
00:36:25,040 --> 00:36:29,160
Speaker 1: toothpick while he's performed. I'm choking. David Arnold jumps off

625
00:36:29,239 --> 00:36:32,359
Speaker 1: stage stage and he helps me. He basically his hand

626
00:36:32,360 --> 00:36:34,839
Speaker 1: in my throat and break toothpick. It was kind of gay,

627
00:36:34,840 --> 00:36:37,160
Speaker 1: but I feel good because he broke he saved my life.

628
00:36:39,600 --> 00:36:49,600
Speaker 1: I was. I was thankful in the gay way anyway. Yeah, yeah, yeah,

629
00:36:53,360 --> 00:36:56,839
Speaker 1: you like that. They rushed him to the hospital, right,

630
00:36:57,040 --> 00:36:59,920
Speaker 1: So I'm in a hospital it's like two o'clock a night.

631
00:37:00,360 --> 00:37:03,080
Speaker 1: So the owner of the common Union costs Me's like, listen, man,

632
00:37:03,160 --> 00:37:04,560
Speaker 1: I know you're in the hospital. Did you get a

633
00:37:04,640 --> 00:37:10,640
Speaker 1: rape kid? But he calls me and saying, hey, man,

634
00:37:10,800 --> 00:37:13,400
Speaker 1: Damon Wayne's up there looking for you. I was like, what,

635
00:37:13,760 --> 00:37:15,880
Speaker 1: he's still there? I said, you know what, I'm on

636
00:37:16,360 --> 00:37:19,640
Speaker 1: the way. I check out the hospital and get to

637
00:37:20,120 --> 00:37:22,600
Speaker 1: the club and he signs a deal with me and

638
00:37:22,719 --> 00:37:25,439
Speaker 1: buys three of my sketches. Three sketches from me. I'm

639
00:37:25,440 --> 00:37:27,799
Speaker 1: in the hospital with rob On and everything I get

640
00:37:27,840 --> 00:37:31,320
Speaker 1: out and just that really showed me some You you

641
00:37:31,840 --> 00:37:36,800
Speaker 1: met back up here with a robot anything, David I

642
00:37:36,880 --> 00:37:41,000
Speaker 1: returned him out there basically was not there there, David

643
00:37:41,040 --> 00:37:44,880
Speaker 1: I returned him out basically you said, you saying a

644
00:37:45,040 --> 00:37:47,840
Speaker 1: deal with your ass because you know, because nobody had

645
00:37:47,920 --> 00:37:49,680
Speaker 1: him when you had those hospital rolls on you have

646
00:37:49,840 --> 00:37:55,640
Speaker 1: nothing on that black number black. Sign your first deal,

647
00:37:55,719 --> 00:38:07,080
Speaker 1: your ass will be out. That's the problem. I think

648
00:38:07,239 --> 00:38:13,919
Speaker 1: Negros almost wanted to be that crazy. Is that kind

649
00:38:13,960 --> 00:38:18,400
Speaker 1: of look? Man? We want to say, shout out the

650
00:38:18,440 --> 00:38:20,960
Speaker 1: Damon Waynes because he's a comedy. I got a fun story,

651
00:38:21,239 --> 00:38:23,520
Speaker 1: real quipping for yo, when I shot the pilot for

652
00:38:23,640 --> 00:38:26,160
Speaker 1: Rush Hour, we were shooting the scene in Santa Monica.

653
00:38:26,280 --> 00:38:28,759
Speaker 1: Just so happened he was in the area, came up

654
00:38:28,800 --> 00:38:30,800
Speaker 1: to me while I was on set and bless me

655
00:38:30,880 --> 00:38:32,400
Speaker 1: and just said, man, grass on the road, and I

656
00:38:32,440 --> 00:38:33,880
Speaker 1: wish you nothing but the best, and do your thing.

657
00:38:34,280 --> 00:38:37,759
Speaker 1: Shout out the Damon Waynes. No, no, no, no, shout

658
00:38:37,840 --> 00:38:42,960
Speaker 1: out to the whole Wayne, everybody. They play anybody in

659
00:38:43,000 --> 00:38:45,279
Speaker 1: the game. But check this out. It's not necessary. It's

660
00:38:45,280 --> 00:38:47,600
Speaker 1: not even just that. It's just that they're real people,

661
00:38:47,800 --> 00:38:50,680
Speaker 1: Like even though they're successful, they real people like Keenan

662
00:38:50,760 --> 00:38:53,880
Speaker 1: know who Justin hires and Justin like they stay in

663
00:38:54,000 --> 00:38:56,520
Speaker 1: the flow of comedy, Martin. You see Marling at all,

664
00:38:57,960 --> 00:39:01,240
Speaker 1: You see Damon the whole crib again, Damian Wayns Jr.

665
00:39:01,320 --> 00:39:06,120
Speaker 1: And all of them. Man, So shout out all of them. Yeah,

666
00:39:06,600 --> 00:39:09,040
Speaker 1: I messed with the whole way even the ones who

667
00:39:09,080 --> 00:39:11,279
Speaker 1: ain't comedians. Just shout out to all of them, to

668
00:39:12,560 --> 00:39:16,959
Speaker 1: all of them. Yeah, hell yeah, I want to about

669
00:39:17,000 --> 00:39:18,800
Speaker 1: this too. Like a lot of people don't know that.

670
00:39:18,960 --> 00:39:21,000
Speaker 1: You know, a lot of a lot of the l

671
00:39:21,080 --> 00:39:22,880
Speaker 1: A comedians they do funk with each other and they

672
00:39:22,920 --> 00:39:24,799
Speaker 1: do stick together. Man, Just talk about that for men,

673
00:39:24,880 --> 00:39:26,640
Speaker 1: you know what, that's true, man, I think we do

674
00:39:26,880 --> 00:39:30,400
Speaker 1: have some great camaraderie, right because it's just the perception

675
00:39:30,480 --> 00:39:33,279
Speaker 1: of it is so different. But yeah, and if you see,

676
00:39:33,360 --> 00:39:35,239
Speaker 1: you know, and even when I got done, shoot at

677
00:39:35,239 --> 00:39:38,040
Speaker 1: my show, Rush Hour comes out mart the first Yeah,

678
00:39:38,120 --> 00:39:44,680
Speaker 1: my dog, everybody say it again, Rush Hour Premier March

679
00:39:44,760 --> 00:39:49,319
Speaker 1: thirty one, TMPM on CBS. Um. But this is when

680
00:39:49,360 --> 00:39:51,480
Speaker 1: I got done. What I tried to do on purpose

681
00:39:51,719 --> 00:39:54,280
Speaker 1: was take pictures with all of the up and coming

682
00:39:54,360 --> 00:39:58,160
Speaker 1: comedians and say we got next, we got now. You

683
00:39:58,200 --> 00:40:00,160
Speaker 1: know what I'm saying. Give them some shout outs, yeah, man,

684
00:40:00,280 --> 00:40:02,600
Speaker 1: some of the young beast, some of the young big

685
00:40:05,320 --> 00:40:08,879
Speaker 1: We did a sketch together a long time ago. That boy.

686
00:40:09,320 --> 00:40:12,440
Speaker 1: I gotta give a shout out to. Uh some beasts. Uh,

687
00:40:12,600 --> 00:40:17,120
Speaker 1: Tony Baker's um uh my homeboyd Royn g is a

688
00:40:17,160 --> 00:40:22,480
Speaker 1: b uh d. C Irvin Sydney Castillo, Kevin Tate. Do

689
00:40:22,600 --> 00:40:30,480
Speaker 1: you all know who Kevin? Shout? Kevin and Detroit, my girl, precious, precious, Jamar.

690
00:40:30,920 --> 00:40:34,520
Speaker 1: It's a lot, man, Jamar neighbors. Man, it's a lot

691
00:40:34,600 --> 00:40:37,959
Speaker 1: of It's a lot of James Davis James Davis, James Davis.

692
00:40:38,080 --> 00:40:40,680
Speaker 1: But I tell people all the time, man, Damon Wayas Jr.

693
00:40:41,960 --> 00:40:46,920
Speaker 1: He's that dude. He's about to be he is. There

694
00:40:46,920 --> 00:40:50,120
Speaker 1: are certain comedians that you're seeing you like, y'all. I

695
00:40:50,200 --> 00:40:52,479
Speaker 1: gotta step I gotta step my game up. When Damon

696
00:40:52,560 --> 00:40:54,920
Speaker 1: Junior hit hit the game, no one knew it was

697
00:40:55,000 --> 00:40:57,520
Speaker 1: Damon Wayne's son. That was not his name. When he

698
00:40:57,560 --> 00:40:59,919
Speaker 1: got on stage. He had a different name, color or something,

699
00:41:00,080 --> 00:41:02,480
Speaker 1: count account something, So he didn't want to be attached

700
00:41:02,520 --> 00:41:04,640
Speaker 1: to his fam even though he looked exactly like Yeah,

701
00:41:06,600 --> 00:41:08,239
Speaker 1: but I was smart about saying, you know, I'm not

702
00:41:08,239 --> 00:41:09,960
Speaker 1: going to ride his coat tail. Let me see how

703
00:41:10,160 --> 00:41:13,440
Speaker 1: the audience really like me or not. And he did

704
00:41:13,520 --> 00:41:16,920
Speaker 1: the same. Yeah. She tried to stay as far away

705
00:41:16,960 --> 00:41:18,960
Speaker 1: from you know what I mean, just the family name,

706
00:41:19,400 --> 00:41:23,840
Speaker 1: to try to build her own own brand. But yeah, Damon, Damon, Damon.

707
00:41:24,400 --> 00:41:26,799
Speaker 1: By all those guys I named, man, they're all great. Man.

708
00:41:26,840 --> 00:41:28,440
Speaker 1: It's a lot of guys, a lot I know, we

709
00:41:28,520 --> 00:41:33,200
Speaker 1: didn't everybody. So if I got time, you got time,

710
00:41:33,360 --> 00:41:41,359
Speaker 1: We're gonna Alabama. He got me say, Alabama, Saint Petersburg floor,

711
00:41:41,440 --> 00:41:45,840
Speaker 1: That's where I'm from. But anyways. Yeah, so it's a

712
00:41:45,840 --> 00:41:48,000
Speaker 1: lot of great comedians. Man. We do try to stick together.

713
00:41:48,040 --> 00:41:49,440
Speaker 1: We do try to support each other. And you know

714
00:41:49,560 --> 00:41:51,680
Speaker 1: what when when we're doing shows, we come out to

715
00:41:51,760 --> 00:41:54,040
Speaker 1: each other show a lot of comedians. When I remember

716
00:41:54,040 --> 00:41:56,200
Speaker 1: when I first came to l A, people comedians would

717
00:41:56,200 --> 00:41:57,879
Speaker 1: only show up at the show if they was trying

718
00:41:57,880 --> 00:41:59,919
Speaker 1: to get up to Oh yeah, I can't to see

719
00:42:00,000 --> 00:42:01,560
Speaker 1: and show. Let me know if you got any room.

720
00:42:01,800 --> 00:42:04,360
Speaker 1: You see what I'm saying. But we actually go, we

721
00:42:04,480 --> 00:42:07,200
Speaker 1: know we ain't gonna perform. We're not trying to perform.

722
00:42:07,520 --> 00:42:11,240
Speaker 1: You know, sometimes we go genuinely just to support one another,

723
00:42:11,280 --> 00:42:14,000
Speaker 1: and I think that's important you need to do. You know,

724
00:42:14,120 --> 00:42:16,880
Speaker 1: people always do stuff for others because they want stuff

725
00:42:16,920 --> 00:42:19,440
Speaker 1: in return. And people, this is what before you even

726
00:42:19,480 --> 00:42:21,160
Speaker 1: get away too good for the second doing good, It's

727
00:42:21,200 --> 00:42:23,279
Speaker 1: what before you get too far away from it. Drop

728
00:42:23,360 --> 00:42:25,680
Speaker 1: some of those those names of those comedy rooms that

729
00:42:25,760 --> 00:42:27,520
Speaker 1: people need to hear, some of those sad rooms out

730
00:42:27,520 --> 00:42:29,080
Speaker 1: there in l A. Because you know they know about

731
00:42:29,120 --> 00:42:33,040
Speaker 1: the and in the all deaf digital what about some

732
00:42:33,080 --> 00:42:35,960
Speaker 1: of the sad rooms that needs Oh man, I'm glad

733
00:42:36,000 --> 00:42:38,920
Speaker 1: you said that. First is Marty's is an open mic.

734
00:42:39,120 --> 00:42:41,920
Speaker 1: It's all the sunset in Martell. It's the best open mic.

735
00:42:42,040 --> 00:42:44,000
Speaker 1: I feel like in l A. If you could get

736
00:42:44,040 --> 00:42:47,920
Speaker 1: a laughing there, Nigga, you're funny. Nobody nobody goes there

737
00:42:47,920 --> 00:42:51,160
Speaker 1: to laugh, so you can get a laughing. Now, you're funny.

738
00:42:51,840 --> 00:42:55,279
Speaker 1: Crack him up, Crack him up. Thursdays, UH in the

739
00:42:55,360 --> 00:42:57,600
Speaker 1: belly room at the Comedy Store ran by the Shell

740
00:42:57,600 --> 00:43:01,680
Speaker 1: of Murdoch. That's a great room. Um, Comedy Union, Comedy Union,

741
00:43:03,080 --> 00:43:07,560
Speaker 1: Ja Ja Spot. Anthony Brown got a great club. The

742
00:43:07,600 --> 00:43:11,680
Speaker 1: Metal got a new room at UH the inprov prof

743
00:43:11,760 --> 00:43:15,200
Speaker 1: at all y'all ever did Garrett morris little room? Yes,

744
00:43:16,200 --> 00:43:18,399
Speaker 1: and you know I'm almost mad I missed that room.

745
00:43:18,560 --> 00:43:21,160
Speaker 1: I'm gonna tell you something, Gary Moore's that helped. That

746
00:43:21,320 --> 00:43:23,000
Speaker 1: room helped me get prepared to go on tour with

747
00:43:23,040 --> 00:43:31,120
Speaker 1: Apion because he was good people. Man. That's a great dude, man. Um.

748
00:43:31,640 --> 00:43:34,840
Speaker 1: But yeah, before I went on tour with Apion, Gary Morris,

749
00:43:34,920 --> 00:43:36,520
Speaker 1: that was the only room that allowed me to do

750
00:43:36,600 --> 00:43:38,800
Speaker 1: twenty minutes. It's hard to get time in l A

751
00:43:38,880 --> 00:43:40,840
Speaker 1: more than like ten minutes, you know, if had like

752
00:43:40,920 --> 00:43:43,920
Speaker 1: seven to ten minutes. So so Gary Moore's let me

753
00:43:44,000 --> 00:43:47,600
Speaker 1: come to his club every Saturday and performed um and

754
00:43:47,640 --> 00:43:49,600
Speaker 1: it helped get me right. So shout you've a perform

755
00:43:49,680 --> 00:43:53,560
Speaker 1: in Maverick Flats before. Yeah, that's the old school. Shout

756
00:43:53,560 --> 00:43:56,920
Speaker 1: out to Mary Flash this Michael Carle was hosting the

757
00:43:57,000 --> 00:43:59,839
Speaker 1: comedy and Mary Flett was this old as club from

758
00:44:00,120 --> 00:44:04,680
Speaker 1: the sixties, got all the like original shocker and Robert

759
00:44:04,719 --> 00:44:07,360
Speaker 1: Harris used to I think it was Robert Harris too.

760
00:44:07,400 --> 00:44:09,480
Speaker 1: They used to host the show. Bernie Mack I think

761
00:44:09,520 --> 00:44:11,399
Speaker 1: it was Chris Tucker and Bernie mac used to host

762
00:44:11,440 --> 00:44:14,480
Speaker 1: the show. There. They got the same They got the

763
00:44:14,520 --> 00:44:19,920
Speaker 1: original everything. The whole clubs original everything, light bulbs, every

764
00:44:19,960 --> 00:44:27,080
Speaker 1: guy the room he was employees were still here. What

765
00:44:27,640 --> 00:44:34,880
Speaker 1: you doing here, Lou? That's Mabel Glad And it's just

766
00:44:34,960 --> 00:44:36,400
Speaker 1: so dope to just to be able to come on

767
00:44:37,000 --> 00:44:40,240
Speaker 1: on the podcast and just chop up comedy with your partners,

768
00:44:40,239 --> 00:44:41,719
Speaker 1: you know what I mean. So, so, so, what do

769
00:44:41,760 --> 00:44:44,680
Speaker 1: you think about the Atlanta comedy scene. I haven't been

770
00:44:44,719 --> 00:44:46,520
Speaker 1: here in a long time. I haven't been here since

771
00:44:47,840 --> 00:44:50,279
Speaker 1: oh seven is when I graduated college. Since I've been

772
00:44:50,320 --> 00:44:52,399
Speaker 1: around on the conversation, So I have no clue what's

773
00:44:52,400 --> 00:44:54,879
Speaker 1: going on other than what I see online. But I mean, people,

774
00:44:54,960 --> 00:44:56,359
Speaker 1: I live here and I don't know what the hell

775
00:44:58,360 --> 00:45:01,120
Speaker 1: I don't know. Tell me what you see though, because

776
00:45:01,120 --> 00:45:03,759
Speaker 1: I don't see nothing because when I'm in Atlanta and

777
00:45:04,040 --> 00:45:06,040
Speaker 1: I'm when I'm in Atlanta mat home. Yeah me too,

778
00:45:06,320 --> 00:45:08,400
Speaker 1: Like I don't need sometimes I go kick it, you

779
00:45:08,480 --> 00:45:09,840
Speaker 1: know what I mean at the comedy spot, but I

780
00:45:09,920 --> 00:45:13,480
Speaker 1: haven't been to the comedy club. And because you know,

781
00:45:13,560 --> 00:45:15,239
Speaker 1: the thing is in Atlanta, when you're working, man, you

782
00:45:15,320 --> 00:45:17,520
Speaker 1: really don't get out like that, just like because I

783
00:45:17,600 --> 00:45:18,880
Speaker 1: mean you're always gone, you know what I'm saying. Then

784
00:45:18,920 --> 00:45:21,120
Speaker 1: when you when you're home your home, like I'm with

785
00:45:21,200 --> 00:45:22,400
Speaker 1: my wife and kids. You know what I'm saying. So

786
00:45:22,880 --> 00:45:24,799
Speaker 1: that's that's pretty much it. You know. Now I'm doing

787
00:45:25,120 --> 00:45:28,120
Speaker 1: of course, uh Atlanta Comedy Theater, so you know, other

788
00:45:28,160 --> 00:45:29,759
Speaker 1: than that, that's it I'm hosting. But I used to

789
00:45:29,800 --> 00:45:31,719
Speaker 1: host that uptown. But pretty much. But just like you

790
00:45:31,760 --> 00:45:34,640
Speaker 1: were saying, I can't say that Atlantic comedy scene right

791
00:45:34,680 --> 00:45:37,920
Speaker 1: now is on the up because um there's a new

792
00:45:38,000 --> 00:45:42,120
Speaker 1: comedy club open, Atlanta Comedy Theater. Steve got a night, Yeah,

793
00:45:42,120 --> 00:45:46,959
Speaker 1: Steve got to night out there starting yeah, check Steve.

794
00:45:47,239 --> 00:45:52,120
Speaker 1: I'm not gonna come through most definitely. So I know

795
00:45:52,200 --> 00:45:56,160
Speaker 1: it's like it's a few like little spoties just coming up,

796
00:45:56,320 --> 00:45:59,879
Speaker 1: a lot of clubs opening up, funny first Friday. You're

797
00:46:00,040 --> 00:46:02,960
Speaker 1: that you never heard? What is it here in Atlanta?

798
00:46:03,040 --> 00:46:11,560
Speaker 1: No Alabama? How you keep falling forward? Man? Yeah? But

799
00:46:11,640 --> 00:46:16,960
Speaker 1: no I will never be there. Uh but no, no, no,

800
00:46:17,160 --> 00:46:18,880
Speaker 1: I haven't heard about that. But yeah, but like you know,

801
00:46:19,160 --> 00:46:21,480
Speaker 1: shout out to Atlanta, man. Atlanta is the place, man.

802
00:46:21,560 --> 00:46:25,000
Speaker 1: I feel like Atlanta's second home. Yeah, so I still

803
00:46:25,040 --> 00:46:27,479
Speaker 1: playing the move back to to Atlanta. Oh yeah, because

804
00:46:27,480 --> 00:46:30,000
Speaker 1: you know, l A money in Atlanta is like three times.

805
00:46:32,160 --> 00:46:34,239
Speaker 1: That's why I like to go to make some money

806
00:46:34,440 --> 00:46:39,800
Speaker 1: and come home rich rich. Yep, that's it. That's it.

807
00:46:41,239 --> 00:46:44,480
Speaker 1: Eighty five South Show my man Justin Mitchell, Justin Hyest

808
00:46:44,560 --> 00:46:47,799
Speaker 1: and my cousin Steve Brown in here with y'all. Tell

809
00:46:47,840 --> 00:46:51,120
Speaker 1: me who this podcast is for, man, This podcast is

810
00:46:51,160 --> 00:46:55,759
Speaker 1: for Rush hour that's premier March started first on CBS.

811
00:46:56,080 --> 00:46:59,319
Speaker 1: This podcast, this podcast is for ladies with the big

812
00:46:59,400 --> 00:47:03,640
Speaker 1: nipples and no I hate that. Don't be tricking me

813
00:47:03,719 --> 00:47:14,319
Speaker 1: with you. Who the podcast for all the African people.

814
00:47:15,360 --> 00:47:21,920
Speaker 1: Just saying that did not do the accent. Just podcast

815
00:47:22,080 --> 00:47:25,719
Speaker 1: is for the women who went natural but still permanent edges. Yeah,

816
00:47:25,800 --> 00:47:29,400
Speaker 1: I like that. I like that some off the wall stuff.

817
00:47:29,480 --> 00:47:35,080
Speaker 1: But do that though, like they do that, bro, that's funny.

818
00:47:35,600 --> 00:47:38,920
Speaker 1: Podcast for all the weed sellers, all the weed dealers

819
00:47:38,960 --> 00:47:46,239
Speaker 1: who don't have no bags in my hand, ain't. I

820
00:47:46,280 --> 00:47:48,520
Speaker 1: don't understand how you don't have bags. You get that

821
00:47:48,680 --> 00:47:50,920
Speaker 1: is the easiest job. All you need is weed and

822
00:47:51,080 --> 00:47:55,680
Speaker 1: band Those are sandwich bags. You can get those anyway.

823
00:47:55,719 --> 00:47:57,600
Speaker 1: I don't I wouldn't know that you get a hundred

824
00:47:57,640 --> 00:48:00,560
Speaker 1: of them. I don't know about that. I'm here, I

825
00:48:00,600 --> 00:48:03,399
Speaker 1: don't know. I just know I was a grocery store

826
00:48:03,440 --> 00:48:10,279
Speaker 1: the other day. I'm gonna tell y'all something I don't

827
00:48:10,320 --> 00:48:12,120
Speaker 1: know about that life. And I'm proud of you, but

828
00:48:12,520 --> 00:48:15,040
Speaker 1: don't do drugs leading to the people who already do it.

829
00:48:15,120 --> 00:48:17,400
Speaker 1: I did next to the dope house though. Yeah, that's

830
00:48:17,440 --> 00:48:20,480
Speaker 1: a fun fact. But yeah, did you ever live like

831
00:48:21,000 --> 00:48:23,680
Speaker 1: like my grandmother stayed up the street from the crack house.

832
00:48:24,320 --> 00:48:27,399
Speaker 1: I stayed next though. Damn, I'm not playing, so y'all

833
00:48:27,400 --> 00:48:29,920
Speaker 1: didn't get like no residual crack smoke, like through the window,

834
00:48:30,400 --> 00:48:39,239
Speaker 1: the residual residual residual crack. That's where they distributed. You

835
00:48:39,400 --> 00:48:42,680
Speaker 1: live next to a crack distribution senterah through the through

836
00:48:42,719 --> 00:48:46,440
Speaker 1: the bathroom window. I used to watch them do that.

837
00:48:47,239 --> 00:48:50,160
Speaker 1: Where my cut. But see, this podcast is for all

838
00:48:50,239 --> 00:48:53,640
Speaker 1: the chicks who got acting only back. I like that.

839
00:48:54,160 --> 00:48:57,040
Speaker 1: I like that. Yeah, yes, I would bust up up

840
00:48:57,040 --> 00:49:03,080
Speaker 1: on a bit like that. This podcast is for all

841
00:49:03,160 --> 00:49:06,520
Speaker 1: the unemployed people who ain't even looking for jobs. That's

842
00:49:06,640 --> 00:49:09,120
Speaker 1: this is what we make this for. Like that. This

843
00:49:09,280 --> 00:49:12,839
Speaker 1: podcast was that nigger time and then your blessing came

844
00:49:12,880 --> 00:49:15,600
Speaker 1: through you good who was supposed to This podcast is

845
00:49:15,680 --> 00:49:21,600
Speaker 1: for bus drivers who catch the bus to work. That's funny.

846
00:49:22,640 --> 00:49:25,880
Speaker 1: That's funny. That's funny. That's what was funny. You just

847
00:49:25,920 --> 00:49:28,320
Speaker 1: thought of that. That's that's all. You're already yours whatever,

848
00:49:28,440 --> 00:49:41,000
Speaker 1: nig trying to hate you about that? Years ten years,

849
00:49:41,600 --> 00:49:44,640
Speaker 1: I got one for bro. I got some classics drink

850
00:49:45,200 --> 00:49:53,880
Speaker 1: drink freestyleary. You had to phone Wait a minute, I

851
00:49:58,880 --> 00:50:00,680
Speaker 1: hit him with another one for it. Ain't better do

852
00:50:00,760 --> 00:50:05,600
Speaker 1: some research. You hit me with one. I'm here for

853
00:50:05,760 --> 00:50:11,160
Speaker 1: the people who love rush hour. What time you come on?

854
00:50:11,400 --> 00:50:14,880
Speaker 1: Ten o'clock I start to shut out. This podcast is

855
00:50:14,960 --> 00:50:16,719
Speaker 1: for the people who are gonna be looking for rush

856
00:50:16,800 --> 00:50:18,400
Speaker 1: out at ten o'clock and gonna have to watch it

857
00:50:18,440 --> 00:50:21,080
Speaker 1: again at eleven thirty. You had to kisch the rerun.

858
00:50:21,360 --> 00:50:23,080
Speaker 1: Dv Ard, do what you gotta do. Just watch it.

859
00:50:23,239 --> 00:50:27,040
Speaker 1: I'll be watching, bro, I'll be watching. I say that's

860
00:50:27,080 --> 00:50:30,839
Speaker 1: political now, this is this is a nigger that want

861
00:50:30,840 --> 00:50:33,239
Speaker 1: to work and see that that was different. Of course

862
00:50:34,320 --> 00:50:37,680
Speaker 1: I'll be watching. I'll be watching. That's what you had

863
00:50:37,680 --> 00:50:41,239
Speaker 1: a great time? Yeah, man, I never did you had

864
00:50:41,239 --> 00:50:43,239
Speaker 1: a long long dress. We haven't let it out? Man,

865
00:50:43,239 --> 00:50:45,560
Speaker 1: you know, did you let it go with it and

866
00:50:45,640 --> 00:50:49,839
Speaker 1: let himself when your hat start, you know, receed back

867
00:50:49,880 --> 00:50:53,000
Speaker 1: to your South spot let it had for years? And

868
00:50:54,640 --> 00:50:58,360
Speaker 1: you know what, never he had long hair, he couldn't

869
00:50:58,400 --> 00:51:04,160
Speaker 1: fit hits, had to let it go. Social media, social media, okay,

870
00:51:04,640 --> 00:51:06,879
Speaker 1: what's your drop your social media? Justin so the people,

871
00:51:07,760 --> 00:51:11,400
Speaker 1: because you don't know this, this eighty five South show audience,

872
00:51:11,560 --> 00:51:14,600
Speaker 1: when they started following, you gonna get really Yeah, we

873
00:51:14,719 --> 00:51:16,840
Speaker 1: got a lot, bro, We got the We got the

874
00:51:16,920 --> 00:51:19,319
Speaker 1: best audience who listened to this show men, because these

875
00:51:19,360 --> 00:51:22,319
Speaker 1: are the people, these like the eighty five South show

876
00:51:22,480 --> 00:51:25,160
Speaker 1: is for people who save up all the roaches then

877
00:51:25,320 --> 00:51:27,399
Speaker 1: roll a roach blunt like. That's the type of people

878
00:51:27,400 --> 00:51:31,080
Speaker 1: who are about to start following you man, A good people, Yeah,

879
00:51:31,960 --> 00:51:34,520
Speaker 1: I mean someone that's not looking for jobs, come right

880
00:51:34,560 --> 00:51:38,480
Speaker 1: thew So yeah, all minds is Justin Hires. Uh h

881
00:51:38,640 --> 00:51:40,520
Speaker 1: I r e s like tires but with an h.

882
00:51:40,719 --> 00:51:45,040
Speaker 1: Justin Hires. And yeah that's my Facebook, Instagram, Snapchat, Twitter,

883
00:51:45,680 --> 00:51:50,280
Speaker 1: para scopus, all justin high it's just Justin Mitchell, comedian

884
00:51:50,320 --> 00:51:53,800
Speaker 1: on Instagram and uh just a mite comedian on Facebook.

885
00:51:54,320 --> 00:51:57,359
Speaker 1: You can google me. So hold up, man, you say

886
00:51:57,360 --> 00:51:59,319
Speaker 1: you you sold a few ideas that you you got

887
00:51:59,400 --> 00:52:01,959
Speaker 1: some stuff, come up right? Yeah yeah, yeah, we're about

888
00:52:01,960 --> 00:52:04,239
Speaker 1: to shoot someone about to shoot another parliament for you

889
00:52:04,280 --> 00:52:06,960
Speaker 1: ain't in it. Of course you ain't gonna be so

890
00:52:08,640 --> 00:52:11,800
Speaker 1: now my mom, I'm a holiday um Steve, but not you.

891
00:52:12,160 --> 00:52:19,399
Speaker 1: So appreciate. I appreciate, appreciate damn. Also give a shout

892
00:52:19,400 --> 00:52:22,080
Speaker 1: out to j J. That's little j J and j J. Jeremy,

893
00:52:22,160 --> 00:52:25,960
Speaker 1: we're gonna do something with j J. Little now, little

894
00:52:26,000 --> 00:52:32,520
Speaker 1: j J, little j JN did eight thousand push us

895
00:52:33,520 --> 00:52:38,080
Speaker 1: a little j J a Q since he was like

896
00:52:40,840 --> 00:52:44,680
Speaker 1: j big burner j J Man JJ take your bit

897
00:52:45,120 --> 00:52:48,719
Speaker 1: shut out the little j J. That's what That's what

898
00:52:48,800 --> 00:52:53,000
Speaker 1: I was. That's what I was gonna ask you, though, Man,

899
00:52:53,280 --> 00:52:56,200
Speaker 1: like that season though that you did come into the stage,

900
00:52:56,360 --> 00:52:58,680
Speaker 1: like where is that? You noticed that all of that,

901
00:53:00,080 --> 00:53:03,480
Speaker 1: and that's it's becoming like some comedy underground ship. Like, man,

902
00:53:03,719 --> 00:53:05,920
Speaker 1: people who remember it remember it, but it's like, that

903
00:53:06,040 --> 00:53:07,480
Speaker 1: was a great show. It was a little dudev All

904
00:53:07,719 --> 00:53:11,279
Speaker 1: k Dub, Little j J. Justin Mitchell, Joe record. It

905
00:53:11,440 --> 00:53:15,080
Speaker 1: was so many Teddy was on there. That was a

906
00:53:15,239 --> 00:53:17,560
Speaker 1: good ass comedy show man. That's my first meme ever

907
00:53:17,640 --> 00:53:19,480
Speaker 1: doing stand up when y'all see me on that. That

908
00:53:19,560 --> 00:53:21,480
Speaker 1: was my first time ever been you know what, I'm sorry,

909
00:53:21,480 --> 00:53:23,440
Speaker 1: that's my second time. The first time was the audition.

910
00:53:23,800 --> 00:53:27,000
Speaker 1: The second time was to actually show. He lied, No, man,

911
00:53:27,080 --> 00:53:29,320
Speaker 1: he lied. He was good on that show. I was

912
00:53:29,360 --> 00:53:32,120
Speaker 1: just about to say, even Howeverlone, you had been doing it.

913
00:53:32,800 --> 00:53:38,560
Speaker 1: The professionalism was there. He humbles here. He always downplay ship.

914
00:53:38,800 --> 00:53:41,320
Speaker 1: Got to it not. I'm surprised all the time. He

915
00:53:41,520 --> 00:53:47,000
Speaker 1: always super downplay his ship. Yeah he did, like yeah

916
00:53:47,360 --> 00:53:52,520
Speaker 1: the finals me um, little j J K Dub, a

917
00:53:52,560 --> 00:53:57,759
Speaker 1: little dude, No, t uh that Joe Record that wan

918
00:54:00,160 --> 00:54:09,640
Speaker 1: like to be Oh, y'all ya, everybody had two years

919
00:54:09,680 --> 00:54:14,640
Speaker 1: in the game. He was doing two years? Yeah, Joe

920
00:54:14,719 --> 00:54:18,279
Speaker 1: Record beat all, y'all young punk on my show. That

921
00:54:18,360 --> 00:54:21,759
Speaker 1: was on the second shok great and what was his

922
00:54:21,880 --> 00:54:28,640
Speaker 1: name is? Y'all? Like he's a feather man. Joe had

923
00:54:28,680 --> 00:54:31,920
Speaker 1: been doing comedy for the five years and I don't like,

924
00:54:32,040 --> 00:54:37,759
Speaker 1: this is only your three minutes. Joe killed y'all y'all,

925
00:54:39,280 --> 00:54:42,840
Speaker 1: that's that's a hard less man learn. Didn't Joe that

926
00:54:42,920 --> 00:54:47,440
Speaker 1: after the show? Now, that's what I'm doing. Somebody did

927
00:54:47,520 --> 00:54:49,960
Speaker 1: pass away? You just know a lot of people passed away. No,

928
00:54:50,040 --> 00:54:52,200
Speaker 1: that was on the show, Sugar, but that was on

929
00:54:53,120 --> 00:54:57,480
Speaker 1: that That wasn't my show too. I was on Happen

930
00:54:57,520 --> 00:55:03,479
Speaker 1: to You Get your stuff right? I think it's pass away.

931
00:55:04,480 --> 00:55:07,800
Speaker 1: Next I'm sitting here sad, and then Steve telling you

932
00:55:07,840 --> 00:55:13,920
Speaker 1: you're gonna to one day time while we're still alive.

933
00:55:15,560 --> 00:55:20,000
Speaker 1: Your man, Carlos Miller, this is the eighty five South Show,

934
00:55:20,360 --> 00:55:23,960
Speaker 1: My man, Steve brown Man, Justin Highers, my man Justin Mitchell.

935
00:55:24,000 --> 00:55:26,520
Speaker 1: Thank you all for coming through here, justin my success.

936
00:55:26,560 --> 00:55:28,839
Speaker 1: I hope you show is on TV for the rest

937
00:55:28,880 --> 00:55:31,080
Speaker 1: of our life. I hope they do eighty eight seasons

938
00:55:31,120 --> 00:55:38,840
Speaker 1: on that beach. Y'all stay up eight. Thanks for having us,

939
00:55:40,280 --> 00:55:43,520
Speaker 1: no problem, thank you, none of them. We just showed.

940
00:55:43,880 --> 00:55:46,320
Speaker 1: Any time y'all want to come back, you can just

941
00:55:46,400 --> 00:55:50,120
Speaker 1: invite yourself. You still got a room on nationally. They

942
00:55:50,200 --> 00:55:54,279
Speaker 1: shot that room up, shot up. I still got the

943
00:55:54,320 --> 00:55:56,719
Speaker 1: Tuesday Night at Cat's Cafe. So if you're ever in

944
00:55:56,760 --> 00:55:58,759
Speaker 1: Atlanta and you want a good laugh, and make sure

945
00:55:58,800 --> 00:56:02,280
Speaker 1: you stopped by Cats cat Face that addresses nine seventy

946
00:56:02,360 --> 00:56:04,960
Speaker 1: Pete Mont Avenue, and make sure you follow the eighty

947
00:56:05,000 --> 00:56:08,479
Speaker 1: five South Show on social media. Eighty five South Show.

948
00:56:08,840 --> 00:56:13,040
Speaker 1: We got the show on iTunes, SoundCloud, and you're and

949
00:56:13,160 --> 00:56:15,560
Speaker 1: on comedy Hype. You can catch this your own comedy hype.

950
00:56:15,760 --> 00:56:18,120
Speaker 1: Shout out the comedy hype, keeping us in comedy hype,

951
00:56:18,160 --> 00:56:20,879
Speaker 1: comedy hype and all of it. Man. So thank y'all,

952
00:56:21,040 --> 00:56:25,160
Speaker 1: Thank y'all, Thank you all. We out of here. Thank

953
00:56:25,320 --> 00:56:31,720
Speaker 1: five eighty eighty type