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Speaker 1: What's up, Mommies and Poppies. It is Laala Kent with Randall.

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Speaker 2: We are back for another exciting episode.

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Speaker 1: Oh gross, what is that?

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Speaker 2: I was just making sound effects because we're not we

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Speaker 2: don't have a budget yet for sound effects. But I'm

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Speaker 2: telling you and Tim producer Tim is sitting here. I

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Speaker 2: am telling you, Tim, I need one of those boxes. Yeah,

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Speaker 2: that's sick. I can just hit Okay, we're gonna get that.

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Speaker 2: I need that in the next episode because I want

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Speaker 2: to fuck it. I'm going to go off with those

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Speaker 2: of visual flights. But anyway, back to business.

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Speaker 1: Back to business. So we have we have Kate Bosworth

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Speaker 1: and Michael Polish today.

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Speaker 2: Kate Bosworth obviously one of the greatest American actresses, and

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Speaker 2: her husband Michael Polish, who is a incredibly talented director.

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Speaker 2: We have done three or four movies together as Michael

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Speaker 2: and I and Kate as well, and they have a

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Speaker 2: new movie that I produced that Kate's starring in with

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Speaker 2: a Meal Hirsch and Mel Gibson to be released you

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Speaker 2: thirtieth called Force Force of Nature, and we're excited. I

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Speaker 2: didn't even know the name of my own fucking movie. Wow,

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Speaker 2: that means quarantine screwed me up, lat I mean, I

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Speaker 2: you know it as quick as I normally am.

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Speaker 1: I totally get it, rand because I'm in a full fog.

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Speaker 2: I really am, like between the pickleball and and just

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Speaker 2: waking up every day, It's like it's a lot. It's

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Speaker 2: a lot.

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Speaker 1: It is between the pickleball and just waking up. It

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Speaker 1: is a lot. And I went into a k hole

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Speaker 1: on our podcast reviews and I saw one and I

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Speaker 1: feel like this is perfect to explain real quick since

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Speaker 1: we have a couple on the podcast day one who's

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Speaker 1: an actress, one who's a director. And one of the

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Speaker 1: comments was, by the way, people show up lot of

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Speaker 1: love to this podcast, so let's give a shout out

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Speaker 1: to everyone who's sharing beautiful, amazing kind messages. This one

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Speaker 1: message was not about It was not hateful in any way.

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Speaker 1: It just said, I feel like Randall shows Lala so

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Speaker 1: much love on the podcast, but it is not reciprocated

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Speaker 1: on Lalla's end. So let me take a moment.

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Speaker 2: I want to say something too. I'm gonna let you

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Speaker 2: take a book, take your moment. Then I'm gonna say.

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Speaker 3: Thank you, baby.

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Speaker 1: Go ahead, Randal, you are my best friend. And I

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Speaker 1: love that we can like bust balls together. But let

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Speaker 1: me say this, you, my love, are like my ride

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Speaker 1: or die. I'm going to reciprocate the love more so

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Speaker 1: that the listeners know what because when I'm with you

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Speaker 1: doing this, it's like the banter. It's like fun. Like

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Speaker 1: no one wants to sit here and listen to me

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Speaker 1: be like, I'm so madly in love with Randall.

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Speaker 2: I like, who, I didn't even know. I didn't even

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Speaker 2: know they made those comments. I saw one, like one comment.

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Speaker 1: It was one.

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Speaker 2: Okay. The bottom line is what your fans are trying

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Speaker 2: to tell you is kiss my hand. That's what you're

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Speaker 2: supposed to do, kiss and worship my ass. So going forward,

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Speaker 2: I would like you to come in, give me a

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Speaker 2: back massage. Following the back massage, give me lots of kisses, okay,

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Speaker 2: and then we'll start our podcast. Could you now? I

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Speaker 2: know I'm dreaming right now, but I yeah, I was.

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Speaker 1: I wanted to say you got the wrong bit, but

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Speaker 1: but I'm just gonna smile and nod and say okay now.

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Speaker 2: But baby, let me say something. First of all, I

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Speaker 2: think that the podcast, first of all for somebody to

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Speaker 2: judge our relationship, meaning solely through a podcast. They're not

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Speaker 2: going to see our personal moments, because that's when we're

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Speaker 2: at home, when we're together, when we're driving here, when

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Speaker 2: we're when we're you know, doing what we do. I

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Speaker 2: think the podcast we're trying to really entertain people and

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Speaker 2: give them a slice of who we are.

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Speaker 1: However, I also when Randall's.

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Speaker 2: Show, are you kissing my ass?

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Speaker 1: I'll kiss your ass? When Randall shows me love, it

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Speaker 1: does not come off as corny or cheesy, like you're

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Speaker 1: really good at wait him. Producer Tim is over there,

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Speaker 1: going Tim, well, I don't know about that.

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Speaker 2: You're going to question my bike? Oh Tim? Tim says

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Speaker 2: it's not legitimate. No, no, he says it's not. He

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Speaker 2: says it's not that it's not legitimate. He says it

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Speaker 2: might be borderline corny is what he's trying to say.

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Speaker 1: So that's what I said. I said, you have a

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Speaker 1: way of making your love shown for me not cheesy.

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Speaker 1: On the podcast, Tim's face was like, I don't know

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Speaker 1: about that.

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Speaker 2: Tim. Let me tell you something. I am more romantic

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Speaker 2: than you will ever fucking.

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Speaker 1: Be hey, this is not We're not like shooting fucking

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Speaker 1: flamy arrows at people.

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Speaker 2: Guy for ten years by by producer Tim True Story

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Speaker 2: And next week we'll have the mic working so you

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Speaker 2: can rebuttal but I'm glad you can't write now but

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Speaker 2: ten years. But in the ten years i've known you,

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Speaker 2: True Story, I have been very instrumental and helpful in

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Speaker 2: coming up with ideas for gifts, for vacations, et cetera.

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Speaker 2: For your wife. Correct, Okay, thanks, that's a fact. I

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Speaker 2: have sat with Tim and said you should go to

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Speaker 2: this hotel, or your wife will really like this, or

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Speaker 2: this is a nice gift, or he'll throw ideas. I

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Speaker 2: am very, very very supportive his strong suit. You don't

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Speaker 2: even have a suit when it comes to giving gifts.

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Speaker 1: Well, Tim, I'm shitty at it too. Don't worry.

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Speaker 2: Oh Laala, Okay, we're gonna go down this road. Lala,

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Speaker 2: You're not shitty at it. You suck.

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Speaker 1: I'm really bad. I'm really about it showering people with gifts.

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Speaker 2: But I will tell you what, but you are a

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Speaker 2: lover and for me, showering me with the affection and

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Speaker 2: love and the cuddling and all that stuff. Right, that's

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Speaker 2: the most important thing. If you have that from your partner,

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Speaker 2: everything else secretary like there's not a lot of things

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Speaker 2: you can go buy me that are going to change

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Speaker 2: my life in anyway.

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Speaker 1: I bought you things, and I still hold on to

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Speaker 1: the fact that I bought you things. And I hold

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Speaker 1: on to the fact that I bought you things because

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Speaker 1: they either go missing because he just never opens it.

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Speaker 2: There we go, or he's.

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Speaker 1: Like I look at it and I'm like, this is

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Speaker 1: still in the box with the price tags, Like.

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Speaker 2: Okay, well, I want to tell you something you bought

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Speaker 2: me that that I'm going to and why it doesn't

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Speaker 2: come out of the box. You bought me a pair

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Speaker 2: of Gucci not slides, Gucci shoes that have like flowers

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Speaker 2: on them. I didn't, Yes, you did that. Ones that

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Speaker 2: are painted, had some friggin' fool food.

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Speaker 1: Oh no, I gave this to my brother.

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Speaker 2: I did tell you could do that.

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Speaker 1: You told me I could. I know the exact ones

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Speaker 1: you're talking about.

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Speaker 2: Okay, Yeah, you're sure, I'm steel ship from my closet.

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Speaker 2: I'm putting a camera in the closet.

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Speaker 1: Go for it.

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Speaker 2: I would love that, Okay, I want.

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Speaker 1: To just I did ask you they were green and

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Speaker 1: had for give.

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Speaker 2: Me that look right now, that darting look I'm going yeah,

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Speaker 2: but I want to tell you something that I will

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Speaker 2: mark you. I'm going to tell you something I'm gonna

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Speaker 2: post on my gram. I'm gonna have your brother send

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Speaker 2: me a screenshot of those shoes.

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Speaker 1: They were just they were girly. You. You told me

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Speaker 1: that the second that I got them for you.

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Speaker 2: Okay, so I can't so, okay, you would love them,

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Speaker 2: but you can't hold on to shoes that you could

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Speaker 2: wear that I didn't want to wear. They're not my

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Speaker 2: wear you wanted.

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Speaker 1: To So I bought you a fitbit. I bought you

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Speaker 1: a Peloton.

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Speaker 2: Being inventory because that's what I am.

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Speaker 1: A stingy motherfucker. And if I'm spending money, I would

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Speaker 1: rather you just not make me give you any cheapest,

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Speaker 1: fuck so cheap, the cheapest of the cheap.

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Speaker 2: But I love you regardless. But I want to tell

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Speaker 2: you something. The shoes. I'm being serious, the shoes most

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Speaker 2: people would not wear those shoes.

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Speaker 1: That I have a bought you shoes that you do

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Speaker 1: love anyway.

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Speaker 2: Bought sneakers. I love sneakers. You know that, Yes, And

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Speaker 2: by the way, you did give me a phenomenal gift

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Speaker 2: once which I was shocked and moved because you spent

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Speaker 2: a lot of money, more money than you should have spent,

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Speaker 2: and you had bought me a piece of luggage that

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Speaker 2: was super fancy and I use it to this day.

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Speaker 2: The only thing that sucked about this piece of luggage,

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Speaker 2: you know, when you get one of these pieces of

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Speaker 2: fancy luggage, which I've never had, I roll around literally

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Speaker 2: with a backpack, you know, Tim, a backpack and like

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Speaker 2: some duffel from you know, Target. So I don't really

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Speaker 2: care what my letters looks like. But you bought me

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Speaker 2: a really fancy piece of leverage. I loved it.

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Speaker 1: Yeah.

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Speaker 2: And I was going to the airport one day. There's

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Speaker 2: a true story, Tim, I was going to the airport

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Speaker 2: and I didn't close the back of the suv. Yeah,

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Speaker 2: and it was there, and I drove out of the

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Speaker 2: drive at fifty miles an hour and the thing went

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Speaker 2: flying out of the back of the s feet. I

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Speaker 2: tell you this, I probably didn't tell you this. You're

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Speaker 2: giving me that look again. Laala's pissed. So it flew

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Speaker 2: out of the back. This is like the first week

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Speaker 2: it flew out of the back. I heard it. I go,

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Speaker 2: oh my god, my luggage is down my hole and

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Speaker 2: drive I have to ui back. I grab it and

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Speaker 2: it's like shread it. Yeah, but I still use it

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Speaker 2: every day. I tried to buff it out so you

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Speaker 2: never see it. Okay, Lala's got her mouth. Your jaw

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Speaker 2: has just dropped. She has not moved out of this position.

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Speaker 1: Can I tell you something about me? I keep my

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Speaker 1: things in impeccable condition. I have. I had these forever

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Speaker 1: twenty one heels that literally my mom took a picture

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Speaker 1: of They're still in my closet, my closet from when

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Speaker 1: I was in high school back home in Utah. They

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Speaker 1: were like in mint condition, and I would wear them

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Speaker 1: all the time because like I'm a bitch in Utah.

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Speaker 1: I had like two grand in my bank account one

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Speaker 1: time in Utah, and I was like, I'm fucking so rich.

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Speaker 1: I'm going to Nordstrum and buying Steve Maddens. That was

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Speaker 1: like my splurge. But I'm just really great at keeping

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Speaker 1: things nice. So when you asked to use my Gucci

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Speaker 1: Duffel bag and I say fuck no and you get upset,

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Speaker 1: I'm gonna remind you of the time you went fifty

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Speaker 1: miles an hour down Mullholland had luggage fly out of

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Speaker 1: the back that common our podcast.

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Speaker 2: Is this you showing more affection in our podcast? I'm

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Speaker 2: just curious. No, I mean it's funny, but I'm just as.

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Speaker 1: I love you, Randall. You're everything I've ever wanted.

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Speaker 2: That better that was so bad and fake.

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Speaker 1: I thought it sounded kind of hot.

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Speaker 2: Yeah, if you weren't sitting in front of me, I

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Speaker 2: can't wait to bump peepies with you. That's what I'm

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Speaker 2: talking about. That's the ship. I mean, what the fuck

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Speaker 2: is this? Babe? Stop my god? I love you.

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Speaker 1: I love you too. Let's let's let's let's switch gears.

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Speaker 2: No, I don't want to.

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Speaker 1: Yeah, we're gonna go to a break. When we come back.

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Speaker 1: We have the beautiful Kate Bosworth and her talented hubby

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Speaker 1: Michael Polish.

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Speaker 2: We'll be back in the minute.

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Speaker 1: I love you. I'm sorry. We are back, and we

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Speaker 1: have two of my most favorite people in the world.

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Speaker 1: We have Kate Bosworth and her amazing hubby, Michael Polish.

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Speaker 1: What's up, my loves, Hi guys, everything's good. I'm so

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Speaker 1: excited to have you guys. Thank you so much for

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Speaker 1: doing this.

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Speaker 4: Oh my god, we're so psyched. We're you know, anytime

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Speaker 4: to spend time with you guys.

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Speaker 3: We should just be recording every time we hang out together,

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Speaker 3: and then we can just slice it together.

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Speaker 2: By the way, it's.

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Speaker 1: Actually a really great idea. People would die.

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Speaker 2: The conversations that we've had as a group have just

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Speaker 2: been fucking epics. So the fact that we could bring

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Speaker 2: it live here it makes it even more fun. All right,

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Speaker 2: So let me just let me just give a briefing.

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Speaker 2: First of all, Kate and I have known each other.

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Speaker 2: I can't Kate. When was one Nderland the first movie

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Speaker 2: that we did together.

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Speaker 4: No, I don't know, ten years ago, No, no longer.

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Speaker 4: It was like two thousand and two or three.

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Speaker 2: Oh my god, dude, that's amazing. So we know so low.

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Speaker 2: We've known each other seventeen years we did.

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Speaker 1: That's what we call a throwback friendship.

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Speaker 2: So we've known each other seventeen years. Kate was the

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Speaker 2: star of a movie that I was fortuate enough to

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Speaker 2: produce with Al Kilmer called Wonderland, based on the Murders

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Speaker 2: of Wonderland. We shot in Kate, do you remember this

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Speaker 2: New Mexico? Right? Was it New Mexico? Lah? I'm thinking

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Speaker 2: of something else, but mind fuck.

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Speaker 4: We shot in La but you're thinking of the other

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Speaker 4: one that you did with.

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Speaker 2: Well, correct, that's because I'm old, Kate. I'm old. I'm

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Speaker 2: forty nine.

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Speaker 4: I know I am too. I was like trying to

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Speaker 4: count the years back, and I said, so.

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Speaker 2: We did this movie in la It was really fucking cool.

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Speaker 2: It was indie, it was just badass, and obviously you're amazing.

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Speaker 2: We we sparked our friend ship. We've been friends for

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Speaker 2: that long seventeen years. Then I meet Michael, who is

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Speaker 2: just the greatest director. Michael, and how many movies take

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Speaker 2: us through, you guys, the films that we've done together

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Speaker 2: as a family, and then we'll get into everything else.

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Speaker 3: The movies that are in the bedroom movies.

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Speaker 1: Are talking about porno.

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Speaker 2: Michael, Michael and I have had some really deep, deep moments.

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Speaker 3: You know. If there's a section for Johnny Walker Blue,

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Speaker 3: we'll table that.

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Speaker 2: By the way, By the way, Johnny Walker Blue, you've

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Speaker 2: heard it from now, Kate Bosworth, Michael Polish and myself,

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Speaker 2: Lala doesn't drink. Send the bottles. We like the custom

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Speaker 2: Johnny Blue bottles.

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Speaker 1: Send them, you guys, we need.

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Speaker 4: The Johnny Walker Blue bottles.

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Speaker 2: Well. The fact that Kate, the fact Kate, you just

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Speaker 2: put that out there. They are definitely sending us ship.

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Speaker 4: I mean, I have all my digits crossed exactly.

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Speaker 3: You know, let's say the first movie. There's a few

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Speaker 3: movies that we were always entertained together, and then there

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Speaker 3: was just you know, yeah, and then the first movie

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Speaker 3: that was probably both out of our wheelhouse was ninety

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Speaker 3: Minutes in Heaven because coming from your background, it coming

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Speaker 3: from my background, that was just that was just you know,

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Speaker 3: that was that's just take us to church.

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Speaker 2: It was it was crazy. That was crazy.

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Speaker 3: It was crazy, but you know, it was it was

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Speaker 3: nice to be in a great area together because it

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Speaker 3: was something we both didn't realize what faith based movies

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Speaker 3: are like and what we were trying to do, and

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Speaker 3: it was, you know, forming a relationship. So it was

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Speaker 3: you know, it was we were sort of being married

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Speaker 3: by our parents and didn't know each other.

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Speaker 2: Oh my god, that's so well said I and I

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Speaker 2: do agree. And it was the first time the three

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Speaker 2: of us got to work together in one film, which

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Speaker 2: I think was really special. It was like a family thing.

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Speaker 2: It was so fun, you know, to do something that

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Speaker 2: we're all uncomfortable doing.

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Speaker 1: Because it was well, then this movie took place in like,

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Speaker 1: what twenty fifteen?

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Speaker 4: Is that?

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Speaker 2: Rightly? Yeah?

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Speaker 1: We shot so then you guys met on the film

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Speaker 1: Big Sir. Right, that's like where you started. So was

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Speaker 1: that before ninety minutes in Heaven? Like you guys were

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Speaker 1: like hitting it off big that was like the first film. Dude,

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Speaker 1: can you please tell me about that?

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Speaker 2: Yeah, tell us about how it hooked up. I should

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Speaker 2: have started there. So I get so fucking excited when

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Speaker 2: Kate and michaelaw together.

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Speaker 4: Random, Yeah, I'm excited too. Let's just throw all all together.

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Speaker 4: Michael and I met on a film called Big sur

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Speaker 4: in twenty eleven, and it's you know, Big Sir, the

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Speaker 4: Jack Carrowac adaptation. So it was an intense movie for

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Speaker 4: Michael to make because it was like very cerebral and

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Speaker 4: the adaptation of a great, you know, literary hero. And

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Speaker 4: and for me, the dialogue was quite tricky because it

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Speaker 4: was like just like Kero Whac. Michael adapted it with

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Speaker 4: like no punctuation. It was all run on sentences, so

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Speaker 4: he had the actor sort of decide where they would

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Speaker 4: take their beats, how they wanted to set the pace

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Speaker 4: for each care So it was it was a little

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Speaker 4: bit like Shakespearean like that. So I was quite I

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Speaker 4: was pretty nervous. I was twenty eight years old, and like, literally,

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Speaker 4: this is the absolute truth. Like the first day we

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Speaker 4: were filming was quite an intense scene, and I was

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Speaker 4: probably very horrible the first day.

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Speaker 1: You've never been as.

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Speaker 4: I'm serious, I was really nervous. So Michael lovingly calls

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Speaker 4: it my fireworks, which means I was like and then

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Speaker 4: he came in and adjusted me. In law, you've worked

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Speaker 4: with them, so you know that like quiet actor whisper adjustment.

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Speaker 4: You know, of course he does. And so he gave

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Speaker 4: me that adjustment, and I, you know, I think I

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Speaker 4: gave him what he wanted.

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Speaker 2: And it was Kate.

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Speaker 4: Was literally but seriously, you guys, like it was. After

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Speaker 4: that take, Michael looked at his first A D and said,

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Speaker 4: she doesn't know it yet, but I'm going to marry

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Speaker 4: that girl.

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Speaker 1: I have chills all over my body.

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Speaker 2: Time out, time out? Hold on, is that really, Michael?

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Speaker 2: It's confirm?

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Speaker 3: Or I saw her on set and I have only

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Speaker 3: known her for probably a minute. At that point, she

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Speaker 3: sat down at the table and she I'm sitting behind

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Speaker 3: the camera as I I am not a real monitored person.

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Speaker 3: So I'm behind the camera and I go in there

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Speaker 3: and she does this take, and I go in there

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Speaker 3: and I put my hand on the shoulder. I said,

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Speaker 3: don't say anything until you feel like saying it. This

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Speaker 3: is video, this isn't film. Don't We're not burning through anything.

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Speaker 3: So if it takes you ten minutes, five minutes, eat dinner,

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Speaker 3: eat dinner, and then when when it comes out of

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Speaker 3: your mouth, it comes out of your mouth. And she

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Speaker 3: sat there and I said to this's go and re action,

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Speaker 3: and she gave a take, and then he said, to

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Speaker 3: my idea, I said, I'm going to marry that girl.

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Speaker 2: Oh, oh my goodness.

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Speaker 1: What an amazing I love that.

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Speaker 2: Sorry, now it's different than ours, where you like to say,

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Speaker 2: well went to bang Town. Do you see the romance

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Speaker 2: of how they sell that story. Can you please try

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Speaker 2: to sell the story like that in the.

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Speaker 1: Future, most definitely. Now that I just I'm kid you not,

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Speaker 1: I just got chills on the bod. I will do that.

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Speaker 2: I will do that for sure, because we did have

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Speaker 2: a romantic moment before you like the black about the

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Speaker 2: bang Town park.

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Speaker 4: I know I've heard your story. It's so romantic.

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Speaker 3: I love it.

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Speaker 1: I have to say this. So Kate and I met

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Speaker 1: when we were flying to Puerto Rico on what on acxis.

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Speaker 2: Sally and on a PG. He's so bougie and.

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Speaker 1: We were and I was so nervous because I knew

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Speaker 1: I was playing opposite al Pacino. Michael, you were directing.

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Speaker 1: By the way, there's nobody that has made me feel

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Speaker 1: more confident on a set than Michael fucking Polish.

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Speaker 4: Ah yeah, so serious.

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Speaker 1: And I remember my first name right, totally.

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Speaker 4: I love it.

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Speaker 1: And we were on the plane ride there and Kate,

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Speaker 1: you and I just completely hit it off, like you

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Speaker 1: are my rider, die bitch. I love you so much.

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Speaker 4: I love you.

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Speaker 1: And you said to me, Michael has a way with actors.

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Speaker 1: You're gonna be just fine. So you telling that story

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Speaker 1: minus the part of you know him saying he gonna

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Speaker 1: marry you. I didn't have that experience, but just the way, yeah, right,

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Speaker 1: So just the way he deals with actors, he babies

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Speaker 1: them in their cracks.

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Speaker 2: Well, let me say this as a producer who's now

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Speaker 2: produced three movies as Michael's producer. There is a magic

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Speaker 2: that Michael has. And Kate said this, You did say

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Speaker 2: this to me, Kate, how he like when Lala is

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Speaker 2: freaking out. Oh my god, it's gonna be Butchina, I'm nervous.

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Speaker 2: You said, Michael will handle you. And every set I've

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Speaker 2: been on with Michael, he there's never a problem. There's

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Speaker 2: never been an actor. And I've been on a lot

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Speaker 2: of movies where actors come to me and say, this

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Speaker 2: fucking director and is clue. So this director doesn't get

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Speaker 2: it or he doesn't understand. And every actor has the

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Speaker 2: same kind of response, like they feel safe and they

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Speaker 2: feel protected, and and and besides, Michael has an epic vision.

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Speaker 2: But Michael, you do have that thing. It's even, by

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Speaker 2: the way, I'll take it one step further, even with producers.

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Speaker 2: You handle me with grace and style, because you know me,

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Speaker 2: I flip the fuck out when shit's you know, going south,

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Speaker 2: and I'm ready to assassinate. And then Michael gets on

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Speaker 2: the pole head No man, no wait, Michael, you get

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Speaker 2: on the phone and you do this always thing with

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Speaker 2: that voice. You go, it's going to be fine, Everything's

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Speaker 2: going to be fine. Okay, good, I'll hang up and I'm.

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Speaker 3: Fine, I go, I go. The thing that I have

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Speaker 3: my greatest relationship with Randal is that that is not advertised,

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Speaker 3: is that he's in the mirror. He's in the miracle business.

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Speaker 3: And and people who make movies and try and make

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Speaker 3: movies and have a really hard time don't realize the

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Speaker 3: difficulty it is to make a movie. So when I'm

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Speaker 3: granted one of me and Randall decide to do one together,

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Speaker 3: it's a miracle. So you have to treat our relationship is. Yes,

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Speaker 3: there's going to be ups and down. It's going to

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Speaker 3: feel like a Disneyland riot every once in a while.

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Speaker 3: It is going to be weird.

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Speaker 2: You know, I appreciate that. I agree with you. It's

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Speaker 2: like you and I pushing a boulder that's four hundred

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Speaker 2: times the size of us up this hill, and every

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Speaker 2: time we get it up to a section, it drops

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Speaker 2: down five feet and we have to like get back

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Speaker 2: and do it again. And I do. I do. Michael,

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Speaker 2: you handle your crew and your cas with such grace,

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Speaker 2: and Kate, I do agree. He's got this thing, even

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Speaker 2: as a producer, that you just know how to handle

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Speaker 2: when the pressure just starts and you don't fall apart,

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Speaker 2: you don't play into it. You're just like, what do

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Speaker 2: we got to do to move forward? And we do it.

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Speaker 2: And that's why we've done three and we're going to

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00:20:17,560 --> 00:20:19,120
Speaker 2: do another one because I told you I got another

437
00:20:19,160 --> 00:20:19,600
Speaker 2: script for you.

438
00:20:21,400 --> 00:20:23,600
Speaker 4: It's like I say to actors, you know, because everyone's

439
00:20:23,600 --> 00:20:25,840
Speaker 4: always a little nervous the first day, regardless of how

440
00:20:25,880 --> 00:20:28,040
Speaker 4: many movies you've done or who you're playing opposite. But

441
00:20:28,080 --> 00:20:31,480
Speaker 4: I always say, Michael will not let you fail, like period.

442
00:20:31,600 --> 00:20:34,560
Speaker 2: That's so true coming from somebody like you, Kate. I

443
00:20:34,640 --> 00:20:37,600
Speaker 2: want people to listen on this podcast. There are actors

444
00:20:37,680 --> 00:20:40,560
Speaker 2: like a mil Hirsch, like Kate Bosworth that are very

445
00:20:40,640 --> 00:20:43,119
Speaker 2: high level, respected actors in our industry. So when somebody

446
00:20:43,160 --> 00:20:45,520
Speaker 2: says something like that, it's it comes from a place

447
00:20:45,520 --> 00:20:47,680
Speaker 2: of like, I've been through the ringer on fifty movies,

448
00:20:47,680 --> 00:20:49,680
Speaker 2: so for me to see that it is you know

449
00:20:49,680 --> 00:20:51,840
Speaker 2: what I mean? And I've been through the ringer as

450
00:20:51,840 --> 00:20:54,840
Speaker 2: a producer with directors, so it's it is a miracle

451
00:20:54,840 --> 00:20:56,520
Speaker 2: when you get that relationship that really works.

452
00:20:56,560 --> 00:20:58,639
Speaker 1: So I have a question for you. How many movies

453
00:20:58,680 --> 00:20:59,919
Speaker 1: have you guys done together?

454
00:21:00,200 --> 00:21:04,639
Speaker 4: Oh my god, that's a good question, Hibe. I thank yeah.

455
00:21:04,680 --> 00:21:07,320
Speaker 1: And what is that? What is that like? So you

456
00:21:07,320 --> 00:21:10,000
Speaker 1: guys are married, Like, what is that relationship like when

457
00:21:10,040 --> 00:21:11,200
Speaker 1: you are on set.

458
00:21:11,440 --> 00:21:13,720
Speaker 3: That's a great question, because you know, it's not like

459
00:21:13,760 --> 00:21:15,760
Speaker 3: we're two teachers at MIT or some things, you know,

460
00:21:20,600 --> 00:21:23,280
Speaker 3: but you know we come home saying that. But what's

461
00:21:23,359 --> 00:21:26,399
Speaker 3: nice is that there's no competition, and I don't do

462
00:21:26,480 --> 00:21:27,919
Speaker 3: what she does and she doesn't do it I do.

463
00:21:28,000 --> 00:21:30,119
Speaker 3: So we lean on each other. And I'm amazed when

464
00:21:30,160 --> 00:21:32,840
Speaker 3: I'm watching her work, because it's the same with any actors,

465
00:21:32,840 --> 00:21:34,920
Speaker 3: same with my love. When I watched Lata, I don't

466
00:21:34,920 --> 00:21:36,800
Speaker 3: do what you guys are doing. The gift that you

467
00:21:37,240 --> 00:21:40,879
Speaker 3: have been given is to present work and interpret stories

468
00:21:40,880 --> 00:21:44,119
Speaker 3: and interpret dialogue that has been written. And it's magic

469
00:21:44,160 --> 00:21:47,120
Speaker 3: for me to watch. So I watch it as a fan,

470
00:21:47,400 --> 00:21:49,879
Speaker 3: and so I'm watching it and respecting it, and so

471
00:21:50,040 --> 00:21:52,480
Speaker 3: I look at Kate. I'm watching it basically as as

472
00:21:52,520 --> 00:21:54,720
Speaker 3: a fan. You know, you know it's directing and brand.

473
00:21:54,800 --> 00:21:57,359
Speaker 3: But you're now approaching this a lot. You're more of

474
00:21:57,359 --> 00:21:59,000
Speaker 3: a coach than you are a dictator. You don't have

475
00:21:59,040 --> 00:22:01,320
Speaker 3: to point your fingers in just you have to coach

476
00:22:01,400 --> 00:22:04,040
Speaker 3: and tell everybody in the system I work and is

477
00:22:04,760 --> 00:22:06,880
Speaker 3: you have two hundred people, one hundred and fifty people

478
00:22:06,920 --> 00:22:09,000
Speaker 3: from different backgrounds to do exactly what they don't want

479
00:22:09,040 --> 00:22:10,760
Speaker 3: to do. Your job is to get them to do it.

480
00:22:11,200 --> 00:22:13,040
Speaker 3: And how are you going to get people to do

481
00:22:13,080 --> 00:22:14,640
Speaker 3: what you wanted to do and they don't really want

482
00:22:14,640 --> 00:22:16,360
Speaker 3: to do it? You know, not everybody wants to be there.

483
00:22:16,520 --> 00:22:19,760
Speaker 2: I agree with you, and honestly, you know, I've you know,

484
00:22:19,760 --> 00:22:22,960
Speaker 2: I've produced one hundred Plust films, but directing, I've only

485
00:22:22,960 --> 00:22:24,840
Speaker 2: got five days under my belt, so I don't have

486
00:22:24,920 --> 00:22:27,960
Speaker 2: the experience you have, but I do. We've had this

487
00:22:28,000 --> 00:22:30,520
Speaker 2: conversation because you helped me and were a mentor to

488
00:22:30,560 --> 00:22:33,840
Speaker 2: me when I was going through the pre productions. It

489
00:22:33,960 --> 00:22:37,320
Speaker 2: is a coaching it is. I found myself looking at

490
00:22:37,320 --> 00:22:40,800
Speaker 2: the monitor in scenes not even calling action because I

491
00:22:40,880 --> 00:22:45,000
Speaker 2: was so in the moment of watching the performances. Yeah,

492
00:22:45,119 --> 00:22:47,760
Speaker 2: they'd be like background ready, and then it's looking at me.

493
00:22:47,800 --> 00:22:51,040
Speaker 2: And then Megan Fox was like, Randall action, are you

494
00:22:51,040 --> 00:22:52,640
Speaker 2: gonna call it? I was like, you do your job,

495
00:22:52,800 --> 00:22:53,280
Speaker 2: I'll do my.

496
00:22:55,160 --> 00:22:57,480
Speaker 1: You have you guys ever gotten into it on set?

497
00:22:57,680 --> 00:22:59,560
Speaker 2: Oh that's a good one. I'd love to hear this

498
00:22:59,600 --> 00:23:01,080
Speaker 2: one time.

499
00:23:02,359 --> 00:23:07,680
Speaker 4: Remember, but actually, you know, I'll you know, I'll bounce

500
00:23:07,720 --> 00:23:10,240
Speaker 4: off of what Michael said, which is like truly like

501
00:23:10,280 --> 00:23:13,119
Speaker 4: The reason why it works so well is that we

502
00:23:13,160 --> 00:23:15,560
Speaker 4: have so much admiration and respect for one another, like

503
00:23:15,640 --> 00:23:17,240
Speaker 4: and I think a lot of that had to do

504
00:23:17,359 --> 00:23:21,320
Speaker 4: with the fact that we started our relationships started as professionals,

505
00:23:21,320 --> 00:23:24,520
Speaker 4: you know, regardless of you know, I'm going to marry

506
00:23:24,560 --> 00:23:26,480
Speaker 4: her within five minutes. It was like we both truly

507
00:23:26,560 --> 00:23:29,760
Speaker 4: on that movie, like appreciated each other's work and the

508
00:23:29,760 --> 00:23:32,159
Speaker 4: way we work so much that that has never changed,

509
00:23:32,240 --> 00:23:35,600
Speaker 4: regardless of sleeping in the same bet or not. But

510
00:23:36,440 --> 00:23:38,600
Speaker 4: the only time we got into it that I recall

511
00:23:38,920 --> 00:23:43,480
Speaker 4: was actually it was it was recently.

512
00:23:43,720 --> 00:23:44,080
Speaker 2: It was.

513
00:23:45,920 --> 00:23:47,199
Speaker 4: It was unfortnate nature.

514
00:23:47,520 --> 00:23:49,439
Speaker 2: It was not our Okay, wait before we even go

515
00:23:49,440 --> 00:23:51,640
Speaker 2: in there, hold on, this is a movie, by the way,

516
00:23:51,640 --> 00:23:54,479
Speaker 2: I want everybody listening, guys. This is a movie that

517
00:23:54,480 --> 00:23:58,120
Speaker 2: we have coming out June thirtieth. I produced it with

518
00:23:58,800 --> 00:24:03,840
Speaker 2: a Meal, hirsh Mel Gibson, Kate and Michael directing. This

519
00:24:03,960 --> 00:24:08,840
Speaker 2: movie is fucking awesome. Everybody good. Everybody must go see

520
00:24:08,840 --> 00:24:11,399
Speaker 2: this movie. I am so proud to have done this.

521
00:24:11,440 --> 00:24:13,359
Speaker 1: We had we had a mil hersh a couple of

522
00:24:13,400 --> 00:24:16,639
Speaker 1: weeks ago, and he was he's so proud of this film.

523
00:24:16,680 --> 00:24:17,080
Speaker 4: You guys.

524
00:24:17,280 --> 00:24:18,240
Speaker 2: Yeah, oh, you.

525
00:24:18,160 --> 00:24:19,960
Speaker 4: Know what we had. So here's the thing. We had

526
00:24:20,000 --> 00:24:21,880
Speaker 4: so much fun doing this thing. I mean, like, you guys,

527
00:24:21,920 --> 00:24:24,160
Speaker 4: we were together, you know, in Puerto Rico. It was

528
00:24:24,320 --> 00:24:26,600
Speaker 4: it was crazy, you know, and it was it was

529
00:24:26,800 --> 00:24:29,399
Speaker 4: it was so fun. And like I love the movie

530
00:24:29,400 --> 00:24:31,520
Speaker 4: so much because it does just feel like one big,

531
00:24:31,680 --> 00:24:35,840
Speaker 4: action packed fun ride with like great character, awesome humor,

532
00:24:36,160 --> 00:24:40,879
Speaker 4: just like NonStop action, you know, and like it doesn't stop.

533
00:24:41,000 --> 00:24:42,480
Speaker 4: But you're on a ride with this one.

534
00:24:42,520 --> 00:24:44,399
Speaker 2: And by the way, by the way, you guys, the

535
00:24:44,400 --> 00:24:46,320
Speaker 2: crazy thing that people don't know until they see the

536
00:24:46,359 --> 00:24:50,040
Speaker 2: movie is it takes place in a storm and you

537
00:24:50,119 --> 00:24:54,560
Speaker 2: guys are soaked like with rain machines all day, fifteen

538
00:24:54,600 --> 00:24:56,840
Speaker 2: hours a day. Yeah, it was brutal.

539
00:24:57,119 --> 00:24:59,160
Speaker 4: Yeah, that's a perfect intro to the fight.

540
00:24:59,320 --> 00:25:01,200
Speaker 2: Okay, all right, tell us.

541
00:25:02,840 --> 00:25:04,720
Speaker 4: It was no, it was literally, like I think it

542
00:25:04,800 --> 00:25:06,040
Speaker 4: was like the second to last day.

543
00:25:06,040 --> 00:25:06,280
Speaker 3: It was.

544
00:25:06,320 --> 00:25:08,960
Speaker 4: It was a second to last day of my of

545
00:25:09,000 --> 00:25:11,440
Speaker 4: my of my schedule, and I I I was getting

546
00:25:11,480 --> 00:25:12,240
Speaker 4: it was the weirdest thing.

547
00:25:12,240 --> 00:25:12,520
Speaker 3: I was.

548
00:25:13,160 --> 00:25:16,160
Speaker 4: You don't think about hypothermia in somewhere like Puerto Rico

549
00:25:16,200 --> 00:25:18,879
Speaker 4: with the temperatures, but because we were wet all the time,

550
00:25:18,920 --> 00:25:21,920
Speaker 4: and you know we're similar with like tiny, tiny girls,

551
00:25:21,960 --> 00:25:24,119
Speaker 4: you know, like I just don't have a lot of

552
00:25:24,119 --> 00:25:27,000
Speaker 4: body fat. So like even though it's warm weather, if

553
00:25:27,040 --> 00:25:30,720
Speaker 4: my body temperature lowers slightly throughout the day, I was

554
00:25:30,760 --> 00:25:34,520
Speaker 4: getting this like crazy low grade hypothermia. And I think

555
00:25:34,560 --> 00:25:38,440
Speaker 4: it was just like my physical you know, capabilities were

556
00:25:38,520 --> 00:25:41,520
Speaker 4: just depleted. And I just like looked at Michael and

557
00:25:41,080 --> 00:25:43,720
Speaker 4: I can't think it was just that right, it was physical.

558
00:25:44,000 --> 00:25:46,199
Speaker 4: I took him over the parking lot, I took him

559
00:25:46,200 --> 00:25:47,760
Speaker 4: out in the parking lot. I hit the wall. I

560
00:25:47,800 --> 00:25:50,120
Speaker 4: was like, I can't do this anymore.

561
00:25:50,840 --> 00:25:53,040
Speaker 2: Oh my goodness.

562
00:25:53,760 --> 00:25:55,720
Speaker 4: It's not a fight. It's not a fight.

563
00:25:55,800 --> 00:25:56,520
Speaker 2: It was just it was like.

564
00:25:58,600 --> 00:26:00,840
Speaker 4: I can't even say by Yeah.

565
00:26:00,880 --> 00:26:03,119
Speaker 1: It was a moment of Kate hitting her breaking point

566
00:26:03,280 --> 00:26:06,439
Speaker 1: and Michael had to toughen her up a bit, you know,

567
00:26:06,600 --> 00:26:07,280
Speaker 1: like you got this.

568
00:26:07,880 --> 00:26:08,200
Speaker 2: Yeah.

569
00:26:08,280 --> 00:26:10,159
Speaker 4: He looked at me and he was like okay, and

570
00:26:10,520 --> 00:26:12,679
Speaker 4: you know, Rander, you know this, He's like, okay, what

571
00:26:12,680 --> 00:26:13,120
Speaker 4: do you need?

572
00:26:13,240 --> 00:26:16,160
Speaker 2: You know, right, That's that's the gift he has, Kate.

573
00:26:16,200 --> 00:26:18,240
Speaker 2: It's like he just knows what to say when you

574
00:26:18,280 --> 00:26:20,520
Speaker 2: want to go to war. Like you're looking at him

575
00:26:20,520 --> 00:26:22,560
Speaker 2: and you're ready to scrap, and he goes, all right,

576
00:26:22,560 --> 00:26:23,239
Speaker 2: what are we gonna do?

577
00:26:23,520 --> 00:26:25,840
Speaker 4: You know, I mean it takes it takes so much

578
00:26:25,880 --> 00:26:27,520
Speaker 4: for me to get to that level. But it's like

579
00:26:27,560 --> 00:26:30,280
Speaker 4: and I for me to admit that I was physically breaking,

580
00:26:30,320 --> 00:26:34,080
Speaker 4: like that's actually what pissed me off war like, you know,

581
00:26:34,280 --> 00:26:35,800
Speaker 4: like it was that that I was like, I have

582
00:26:35,880 --> 00:26:38,600
Speaker 4: to say, how like, you know, weak I'm feeling And

583
00:26:38,640 --> 00:26:40,119
Speaker 4: that was the thing that I like made me like

584
00:26:40,240 --> 00:26:41,520
Speaker 4: so mad. And he just looked at me and he

585
00:26:41,600 --> 00:26:43,440
Speaker 4: was like, Okay, let's figure it out.

586
00:26:44,440 --> 00:26:48,119
Speaker 2: That's Michael. That is like, if anybody's listening, that is

587
00:26:48,160 --> 00:26:51,199
Speaker 2: the greatest summer of who Michael is. He just he

588
00:26:51,359 --> 00:26:53,680
Speaker 2: has this thing. Not it takes a lot for people

589
00:26:53,720 --> 00:26:56,159
Speaker 2: to have it, not everybody has it, but he has it.

590
00:26:56,280 --> 00:26:58,400
Speaker 2: Like he can just look at you you want to scrap,

591
00:26:58,440 --> 00:26:59,800
Speaker 2: and then all of a sudden you're putting your sword

592
00:26:59,840 --> 00:27:01,960
Speaker 2: down because he just says the right thing, like, Okay,

593
00:27:02,000 --> 00:27:04,400
Speaker 2: I'm going to be more rational. Of course it's true.

594
00:27:04,280 --> 00:27:08,480
Speaker 1: Yeah, Okay, I want to dig into literally everything about

595
00:27:08,520 --> 00:27:10,680
Speaker 1: you guys. Let's take a quick break and we will

596
00:27:10,720 --> 00:27:16,639
Speaker 1: be right back with Kate Bosworth and Michael Polish. We

597
00:27:16,720 --> 00:27:19,840
Speaker 1: are back with Kate Bosworth, and this is Michael's idea

598
00:27:19,880 --> 00:27:23,080
Speaker 1: for me to reintroduce him as Michael motherfucking Polish.

599
00:27:23,160 --> 00:27:28,720
Speaker 4: Yeah, so now it has to be given the motherfucking love.

600
00:27:28,920 --> 00:27:32,119
Speaker 3: Yeah, we love that.

601
00:27:32,280 --> 00:27:34,880
Speaker 1: My sponsors would be like, perfect, we love the new name.

602
00:27:37,359 --> 00:27:41,679
Speaker 1: So let's really quickly back to Force of Nature that

603
00:27:41,840 --> 00:27:45,880
Speaker 1: is said to be released this year in June thirtieth.

604
00:27:46,359 --> 00:27:49,320
Speaker 1: But you guys also have things that are going on,

605
00:27:49,440 --> 00:27:52,240
Speaker 1: which not that all of your films are not important,

606
00:27:52,320 --> 00:27:56,440
Speaker 1: but I remember, Kate, you sent me this trailer for

607
00:27:56,560 --> 00:28:00,880
Speaker 1: a film that you and Michael did called No No, which, yeah,

608
00:28:01,080 --> 00:28:04,120
Speaker 1: correct me if I'm wrong, is short for no Name,

609
00:28:04,640 --> 00:28:08,800
Speaker 1: and it's about human trafficking, correct, And what tell me?

610
00:28:08,880 --> 00:28:12,320
Speaker 1: Tell me about how you guys made this film. You

611
00:28:12,840 --> 00:28:15,840
Speaker 1: having a passion for getting human trafficking out there.

612
00:28:16,520 --> 00:28:19,520
Speaker 4: Yeah so, and thank you so much for supporting supporting us,

613
00:28:19,560 --> 00:28:21,960
Speaker 4: by the way, because it really is like this is

614
00:28:22,000 --> 00:28:26,760
Speaker 4: the the most independent film can possibly be made. So

615
00:28:27,080 --> 00:28:31,240
Speaker 4: Michael had been at work one day in Los Angeles

616
00:28:31,280 --> 00:28:33,880
Speaker 4: and he drove home and he walked into the door

617
00:28:33,920 --> 00:28:36,040
Speaker 4: and he said to me, you know, I just heard

618
00:28:36,040 --> 00:28:39,440
Speaker 4: this story on on the radio that was talking about

619
00:28:39,600 --> 00:28:41,640
Speaker 4: a sex house that had just been busted with a

620
00:28:41,680 --> 00:28:45,840
Speaker 4: bunch of young girls, you know, as the sex trafficking victims.

621
00:28:45,960 --> 00:28:49,520
Speaker 1: And he said, you know, where where where was this

622
00:28:49,600 --> 00:28:52,200
Speaker 1: house that got this sex trafficking house that got busted

623
00:28:52,440 --> 00:28:55,760
Speaker 1: on Western It was in Los Angeles.

624
00:28:55,960 --> 00:28:58,960
Speaker 4: Yeah, yeah, and well and that your reaction was exactly

625
00:28:59,040 --> 00:29:02,560
Speaker 4: his reaction, which was, you know, we had no idea

626
00:29:02,600 --> 00:29:05,480
Speaker 4: that this was happening so frequently, you know, right, you know,

627
00:29:05,520 --> 00:29:09,800
Speaker 4: in our neighborhood, you know. And so he, you know,

628
00:29:09,920 --> 00:29:11,640
Speaker 4: he said, I'd like to dig into this a little more,

629
00:29:11,640 --> 00:29:13,480
Speaker 4: and I think there might be you know, a story

630
00:29:13,480 --> 00:29:16,480
Speaker 4: to be told here. And he did, he really, you know,

631
00:29:16,520 --> 00:29:20,600
Speaker 4: he went into the research quite deeply and came came

632
00:29:20,640 --> 00:29:21,880
Speaker 4: back to me and said, I'd like to write a

633
00:29:21,880 --> 00:29:30,800
Speaker 4: screenplay that's a narrative story about one girl starting in Honduras, Okay.

634
00:29:31,240 --> 00:29:34,040
Speaker 4: And essentially, you know, his his idea was that, look,

635
00:29:34,080 --> 00:29:36,760
Speaker 4: there's a lot of great documentaries on human trafficking and

636
00:29:36,800 --> 00:29:40,160
Speaker 4: sex trafficking, but it's a tough subject, right because you know,

637
00:29:40,160 --> 00:29:42,600
Speaker 4: you kind of you bring it up and people are like, oh,

638
00:29:42,720 --> 00:29:44,160
Speaker 4: I kind of know what it is, but like it

639
00:29:44,360 --> 00:29:45,400
Speaker 4: it's so heavy.

640
00:29:45,520 --> 00:29:48,240
Speaker 1: It is, and people feel uncomfortable, and people are very

641
00:29:48,320 --> 00:29:51,880
Speaker 1: unaware that this is happening in our neighborhoods. They think

642
00:29:51,920 --> 00:29:54,520
Speaker 1: it's something that's happening, you know, in other countries.

643
00:29:55,080 --> 00:29:57,720
Speaker 4: Right, No, exactly, And and you know, it happens behind

644
00:29:57,760 --> 00:29:59,400
Speaker 4: closed doors for a reason. It's sort of like when

645
00:29:59,440 --> 00:30:01,440
Speaker 4: you kind of, you know, crack that door open, people

646
00:30:01,440 --> 00:30:03,520
Speaker 4: are like, oh, that's such a monstrous thing that it's

647
00:30:03,560 --> 00:30:06,800
Speaker 4: difficult to look at. But you know, I do think

648
00:30:06,840 --> 00:30:10,760
Speaker 4: that part of our responsibility as storytellers is to you know,

649
00:30:11,480 --> 00:30:13,520
Speaker 4: it is to shine a light on things that are

650
00:30:13,520 --> 00:30:18,160
Speaker 4: difficult to discuss sometimes. So he though he was aware

651
00:30:18,200 --> 00:30:20,120
Speaker 4: that it was going to be a kind of a

652
00:30:20,200 --> 00:30:24,720
Speaker 4: tough subject matter to, you know, to approach. So he

653
00:30:24,720 --> 00:30:27,000
Speaker 4: he came up with the idea of starting with one

654
00:30:27,560 --> 00:30:30,880
Speaker 4: girl and allowing the audience to get to know her

655
00:30:31,240 --> 00:30:33,840
Speaker 4: in her you know, hometown of San Paedri Solo, which

656
00:30:33,880 --> 00:30:36,160
Speaker 4: is you know, known as the murder capital of the

657
00:30:36,160 --> 00:30:40,280
Speaker 4: world in Honduras, and you you just meet her in

658
00:30:40,280 --> 00:30:43,320
Speaker 4: her circumstances and can understand start understanding the how and

659
00:30:43,360 --> 00:30:45,800
Speaker 4: the why something like this can happen. And that when

660
00:30:45,800 --> 00:30:49,840
Speaker 4: a young cute guy who meets her in her town, says,

661
00:30:49,920 --> 00:30:52,000
Speaker 4: you know, you don't you have your dreams ahead of

662
00:30:52,040 --> 00:30:54,200
Speaker 4: you shouldn't be living here. If I have an aunt

663
00:30:54,240 --> 00:30:56,280
Speaker 4: in America, I can get you to her and you'll

664
00:30:56,320 --> 00:30:58,520
Speaker 4: have a life. You can live your dreams. You know,

665
00:30:58,680 --> 00:31:02,600
Speaker 4: you can see how something like this happens with coyotes

666
00:31:02,600 --> 00:31:06,360
Speaker 4: praying on the most vulnerable you know, of humanity. So

667
00:31:07,000 --> 00:31:10,400
Speaker 4: it was really about I always say that Michael approached

668
00:31:10,400 --> 00:31:13,040
Speaker 4: it with the sort of trojan horse approach, and that

669
00:31:13,520 --> 00:31:15,440
Speaker 4: you fall in love with her, and you actually fall

670
00:31:15,440 --> 00:31:17,200
Speaker 4: in love with the coyote because you don't know he's

671
00:31:17,240 --> 00:31:19,840
Speaker 4: a coyote until about seventy percent of the movie Wow.

672
00:31:20,280 --> 00:31:22,880
Speaker 4: You when you start kind of you start realizing that

673
00:31:22,960 --> 00:31:26,320
Speaker 4: something's a bit weird, and he then ultimately sells her.

674
00:31:26,760 --> 00:31:29,240
Speaker 4: So for about seventy percent of the movie, it's like

675
00:31:29,240 --> 00:31:32,080
Speaker 4: this beautiful coming of age road trip movie and you're

676
00:31:32,160 --> 00:31:34,160
Speaker 4: kind of like you're just on this ride. And of

677
00:31:34,160 --> 00:31:36,479
Speaker 4: course the way Michael, you know, he shot at himself.

678
00:31:36,880 --> 00:31:38,760
Speaker 4: You know, he picked up a camera and you know,

679
00:31:39,160 --> 00:31:45,640
Speaker 4: literally photographs the whole movie while directing Wow. And and basically,

680
00:31:45,880 --> 00:31:48,640
Speaker 4: you know, your heart breaks with hers as you realize

681
00:31:48,640 --> 00:31:52,000
Speaker 4: that she's being sold into human trafficking. So it was

682
00:31:52,040 --> 00:31:54,880
Speaker 4: a deliberate approach to the subject matter so that people

683
00:31:54,920 --> 00:31:57,480
Speaker 4: could most of the time they see the result. You

684
00:31:57,560 --> 00:31:59,120
Speaker 4: hear the sex house that's been.

685
00:31:59,080 --> 00:32:01,400
Speaker 1: Busted or you right, you don't know the journey of

686
00:32:01,400 --> 00:32:01,960
Speaker 1: how it all.

687
00:32:02,120 --> 00:32:04,200
Speaker 4: Do the journey, And I think that like, once you

688
00:32:04,280 --> 00:32:07,080
Speaker 4: understand the why and the how of something, you can

689
00:32:07,080 --> 00:32:10,959
Speaker 4: start understanding the human being and that ultimately create more

690
00:32:11,000 --> 00:32:14,120
Speaker 4: empathy for the situation rather than just turning your back

691
00:32:14,160 --> 00:32:16,160
Speaker 4: on something that's difficult to discuss, you.

692
00:32:16,080 --> 00:32:19,400
Speaker 1: Know, right, And you and Michael funded this film on

693
00:32:19,440 --> 00:32:26,760
Speaker 1: your own. Y, yeah, I know that. And where can

694
00:32:26,800 --> 00:32:28,480
Speaker 1: people watch? Nonah?

695
00:32:28,560 --> 00:32:31,160
Speaker 4: Yeah, I mean I think it's on it's been to

696
00:32:31,200 --> 00:32:35,920
Speaker 4: be honest, it's been a little bit, but it's it's on. Yeah,

697
00:32:35,920 --> 00:32:40,520
Speaker 4: it's on iTunes and I think it was on stars

698
00:32:40,560 --> 00:32:42,080
Speaker 4: ro Well, sorry, ul, I should have had that.

699
00:32:42,280 --> 00:32:45,000
Speaker 1: No, that's okay. This can I tell you? This podcast

700
00:32:45,120 --> 00:32:48,080
Speaker 1: is so like informal, Like it's not like I'm sitting

701
00:32:48,120 --> 00:32:50,920
Speaker 1: up here like I'm working on CNN interviewing the dog.

702
00:32:51,000 --> 00:32:52,680
Speaker 4: I would say the best place to try and find

703
00:32:52,680 --> 00:32:54,960
Speaker 4: it on iTunes right now. It's it's such a I have.

704
00:32:54,880 --> 00:32:57,240
Speaker 2: A question was was was that one of the most

705
00:32:57,240 --> 00:33:00,680
Speaker 2: fun movies you've ever had? Because you guys fund it yourself.

706
00:33:00,680 --> 00:33:03,800
Speaker 2: It was your baby, you know, no films about or

707
00:33:04,040 --> 00:33:06,400
Speaker 2: and the message was it was it like one of

708
00:33:06,400 --> 00:33:09,480
Speaker 2: those moments or you know what was the experience like,

709
00:33:09,560 --> 00:33:11,600
Speaker 2: you know, being everything on the film?

710
00:33:11,720 --> 00:33:14,640
Speaker 4: Well, you know, honestly, I had to stay in Los

711
00:33:14,680 --> 00:33:17,760
Speaker 4: Angeles because I was I was a producer. I was

712
00:33:17,800 --> 00:33:21,280
Speaker 4: producing producing the film, and I was allocating the funds

713
00:33:21,320 --> 00:33:25,120
Speaker 4: and green lighting the funds while Michael was obviously directing

714
00:33:25,120 --> 00:33:27,160
Speaker 4: and shooting the pictures, so he was really focused on

715
00:33:27,200 --> 00:33:28,040
Speaker 4: the creative of it.

716
00:33:28,400 --> 00:33:28,920
Speaker 2: Oh wow.

717
00:33:29,200 --> 00:33:32,600
Speaker 4: And because he was shooting in Honduras, all through Guatemala

718
00:33:32,640 --> 00:33:35,120
Speaker 4: and then across Mexico, so truly the most dangerous places

719
00:33:35,160 --> 00:33:36,480
Speaker 4: in the world. And he had a crew of like

720
00:33:36,840 --> 00:33:38,960
Speaker 4: he had a crew of like four people. It was

721
00:33:39,000 --> 00:33:41,880
Speaker 4: the actors and him. Yeah.

722
00:33:41,920 --> 00:33:46,400
Speaker 1: Wow, I'm very impressed. And I can't go on without

723
00:33:46,400 --> 00:33:51,120
Speaker 1: acknowledging the fact that in twenty eighteen people included you

724
00:33:51,720 --> 00:33:54,360
Speaker 1: on the list of twenty five women Changing the World

725
00:33:54,600 --> 00:33:58,960
Speaker 1: for your activism in the area of human That is amazing.

726
00:34:00,560 --> 00:34:01,920
Speaker 2: I want to get one, you know it?

727
00:34:03,080 --> 00:34:05,760
Speaker 1: Oh Man started doing something, Randall, Michael can write you

728
00:34:05,800 --> 00:34:09,319
Speaker 1: a letter that Michael Michael, I need a reference letter

729
00:34:09,360 --> 00:34:11,520
Speaker 1: for people to thanks buddy.

730
00:34:12,280 --> 00:34:13,880
Speaker 4: We've kind of put your money where your mouth is

731
00:34:14,000 --> 00:34:17,200
Speaker 4: moment and Randall, you know that feeling. But when you're

732
00:34:17,200 --> 00:34:19,160
Speaker 4: really throwing down for something you care about and you

733
00:34:19,280 --> 00:34:22,000
Speaker 4: know matters in the world, it's it's that that's the

734
00:34:22,040 --> 00:34:25,040
Speaker 4: feeling that's incredible. It's like understanding that you know with

735
00:34:25,040 --> 00:34:27,200
Speaker 4: with this piece of art, that there's the opportunity to

736
00:34:27,239 --> 00:34:28,000
Speaker 4: affect lives.

737
00:34:28,239 --> 00:34:31,160
Speaker 2: But how and how empowering is that that you stood up,

738
00:34:31,200 --> 00:34:33,879
Speaker 2: didn't ask anybody else, just did it yourself. I mean,

739
00:34:33,880 --> 00:34:37,680
Speaker 2: there's there's something you're freeing about that I love very Yeah.

740
00:34:37,760 --> 00:34:39,600
Speaker 4: Yeah, I know you're right because you're like, well, if

741
00:34:39,640 --> 00:34:42,200
Speaker 4: I want this, then you know you don't have to

742
00:34:42,200 --> 00:34:43,640
Speaker 4: ask anybody, right, you don't have to.

743
00:34:43,640 --> 00:34:45,800
Speaker 2: Go teach or can I get that extra light that

744
00:34:45,880 --> 00:34:47,400
Speaker 2: I want on Friday night? Exactly?

745
00:34:47,520 --> 00:34:52,239
Speaker 4: Yeah, totally. And actually, because because I had that experience,

746
00:34:52,280 --> 00:34:54,400
Speaker 4: I sort of like quote unquote the bank, I I

747
00:34:54,440 --> 00:34:58,319
Speaker 4: honestly felt as as I started to produce more like

748
00:34:58,920 --> 00:35:03,840
Speaker 4: I had a better relationship with studios and producers because

749
00:35:04,040 --> 00:35:04,879
Speaker 4: you understand certain.

750
00:35:05,239 --> 00:35:05,479
Speaker 2: Yeah.

751
00:35:05,560 --> 00:35:07,200
Speaker 4: I mean I was like, listen, I've done it. I

752
00:35:07,560 --> 00:35:09,600
Speaker 4: know how it feels. I know how it feels to

753
00:35:09,600 --> 00:35:11,439
Speaker 4: have someone ask you for this and you not wanting

754
00:35:11,480 --> 00:35:13,440
Speaker 4: to do it, but sometimes having to.

755
00:35:13,719 --> 00:35:14,920
Speaker 2: You know, would you do it again?

756
00:35:15,560 --> 00:35:15,960
Speaker 4: I would?

757
00:35:16,120 --> 00:35:17,319
Speaker 2: Okay, that's really neat.

758
00:35:17,400 --> 00:35:17,760
Speaker 3: Yeah.

759
00:35:17,800 --> 00:35:21,520
Speaker 2: I love when actors are just people in front of

760
00:35:21,520 --> 00:35:25,040
Speaker 2: the camera switch and produce, because, like you said, there

761
00:35:25,080 --> 00:35:28,040
Speaker 2: is an understanding. But also you come from being on

762
00:35:28,080 --> 00:35:30,839
Speaker 2: a movie set since you were who knows five years old,

763
00:35:31,280 --> 00:35:33,279
Speaker 2: and like, you know your way around. It's not a

764
00:35:33,320 --> 00:35:35,719
Speaker 2: foreign thing for you to produce. It's just now you

765
00:35:35,800 --> 00:35:38,840
Speaker 2: have all the control and integrity and all that stuff,

766
00:35:38,840 --> 00:35:42,560
Speaker 2: so especially on something that you believe, you know so fondly,

767
00:35:42,600 --> 00:35:43,840
Speaker 2: and so I think that's awesome.

768
00:35:44,040 --> 00:35:47,120
Speaker 4: Thanks guys, so thanks so much again for supporting it. Well,

769
00:35:47,160 --> 00:35:48,319
Speaker 4: I really appreciate that, dude.

770
00:35:48,360 --> 00:35:50,680
Speaker 1: Of course. I think it's a topic where I think

771
00:35:50,719 --> 00:35:53,000
Speaker 1: most people were kind of introduced to it when they

772
00:35:53,080 --> 00:35:55,759
Speaker 1: saw the film with Liam Neeson. It was like an

773
00:35:55,800 --> 00:35:57,960
Speaker 1: action pact movie and you're like, oh my god, okay,

774
00:35:58,280 --> 00:36:01,960
Speaker 1: we need to be careful. And again, like you don't

775
00:36:02,000 --> 00:36:04,400
Speaker 1: really see the nitty gritty of it. You just see

776
00:36:04,440 --> 00:36:07,200
Speaker 1: like it was an action packed movie, and for me,

777
00:36:07,320 --> 00:36:08,799
Speaker 1: when I saw that as a young kid, I was like,

778
00:36:08,840 --> 00:36:11,680
Speaker 1: oh my god, human trafficking, Like I had no idea

779
00:36:11,760 --> 00:36:14,640
Speaker 1: that existed. So the fact that you're taking us through

780
00:36:14,719 --> 00:36:19,000
Speaker 1: like how this really goes down is just amazing. Like

781
00:36:19,040 --> 00:36:22,720
Speaker 1: I really, I really appreciate you bringing light to something.

782
00:36:22,760 --> 00:36:26,200
Speaker 1: You know, You've done amazing films you started. Your breakout

783
00:36:26,239 --> 00:36:29,360
Speaker 1: role was It's still one of my most favorite movies,

784
00:36:29,520 --> 00:36:33,360
Speaker 1: Blue Crush, And you know, like I just love.

785
00:36:33,280 --> 00:36:33,960
Speaker 3: That movie too.

786
00:36:34,080 --> 00:36:36,440
Speaker 4: It's so funny lo lot because people ask me sometimes

787
00:36:36,480 --> 00:36:38,480
Speaker 4: they get nervous, like embarrassed to say that, and I'm like, no,

788
00:36:38,640 --> 00:36:40,880
Speaker 4: that like that movie is like I always call it

789
00:36:40,960 --> 00:36:42,880
Speaker 4: like one of my like artistic organs.

790
00:36:43,040 --> 00:36:44,239
Speaker 1: Okay, I love it.

791
00:36:44,239 --> 00:36:46,319
Speaker 4: It's like my heart, you know, because it's like I

792
00:36:46,400 --> 00:36:49,040
Speaker 4: cared so much about that movie, and I I mean

793
00:36:49,080 --> 00:36:52,480
Speaker 4: it was it was an absolutely crazy, beautiful experience. But

794
00:36:52,520 --> 00:36:55,400
Speaker 4: I'm that was you know, I'm so glad people continued

795
00:36:55,440 --> 00:36:56,400
Speaker 4: to be inspired by it.

796
00:36:56,480 --> 00:37:00,319
Speaker 1: You know, that was your like breakout role if I'm correct, Yeah, yeah,

797
00:37:00,520 --> 00:37:03,560
Speaker 1: it was. And then I'm kind of a dummy. Was

798
00:37:03,560 --> 00:37:07,000
Speaker 1: was Blue Crush? Before Tim weigh in on this, if

799
00:37:07,040 --> 00:37:09,960
Speaker 1: you know, was that before remember the Titans?

800
00:37:10,320 --> 00:37:13,600
Speaker 4: No, remember the Titans before? It was before I was

801
00:37:13,600 --> 00:37:15,960
Speaker 4: like fifteen or sixteen when I did remember the Titans,

802
00:37:16,640 --> 00:37:18,240
Speaker 4: and then I was I was a fine.

803
00:37:18,280 --> 00:37:20,240
Speaker 2: I'm a creative, I'm a cinematic genius.

804
00:37:20,880 --> 00:37:22,400
Speaker 1: I know I should have looked at you instead of

805
00:37:22,440 --> 00:37:25,640
Speaker 1: I am. I am an efficient to watch like people

806
00:37:25,719 --> 00:37:29,040
Speaker 1: like Kate who they have all of these amazing moments.

807
00:37:29,040 --> 00:37:32,479
Speaker 1: I just find it very inspiring when they take their

808
00:37:32,760 --> 00:37:35,960
Speaker 1: platform to start doing things that really make a difference

809
00:37:36,000 --> 00:37:36,640
Speaker 1: in this world.

810
00:37:37,360 --> 00:37:38,280
Speaker 3: Oh thank you, Junnie.

811
00:37:38,280 --> 00:37:39,160
Speaker 4: I appreciate that.

812
00:37:39,000 --> 00:37:43,160
Speaker 1: You're so welcome, and let's let's just pivot, pivot onto

813
00:37:43,400 --> 00:37:46,680
Speaker 1: even more incredible things that you're doing. You recently launched

814
00:37:46,680 --> 00:37:49,879
Speaker 1: a new website called Kindest Tell me about this?

815
00:37:50,160 --> 00:37:51,520
Speaker 2: Oh my god, First of all, before you say it,

816
00:37:51,560 --> 00:37:54,400
Speaker 2: hold on, sorry I ruined that introduction. But I am

817
00:37:54,600 --> 00:37:57,399
Speaker 2: such a dummy. I was like, what is kind dot st?

818
00:37:58,120 --> 00:38:00,960
Speaker 2: How fucking idiot is That's amazing?

819
00:38:01,239 --> 00:38:01,479
Speaker 1: Really?

820
00:38:01,680 --> 00:38:03,120
Speaker 2: I swear to god, kid, I was trying to figure

821
00:38:03,160 --> 00:38:07,320
Speaker 2: this out, like kind dot established kind kind this because

822
00:38:07,320 --> 00:38:09,320
Speaker 2: you're smart and creative and I'm an idiot.

823
00:38:09,400 --> 00:38:11,840
Speaker 1: Well, she did get accepted to Princeton let's just like

824
00:38:12,040 --> 00:38:12,640
Speaker 1: not freak out.

825
00:38:12,719 --> 00:38:20,040
Speaker 2: She's smart. And I went to film school keep going okay.

826
00:38:17,719 --> 00:38:21,200
Speaker 4: No, actually, Randall, you're you're you are, You're picking up

827
00:38:21,239 --> 00:38:23,359
Speaker 4: on like what I was playing on, which is so

828
00:38:23,520 --> 00:38:27,239
Speaker 4: I was really fortunate to have parents that raised me

829
00:38:28,080 --> 00:38:31,120
Speaker 4: to handwrite thank you letters. And at the time, I

830
00:38:31,160 --> 00:38:33,200
Speaker 4: was like, oh, I just found it so painful to

831
00:38:33,239 --> 00:38:35,120
Speaker 4: do when I was like thirteen fourteen, But as I

832
00:38:35,120 --> 00:38:38,000
Speaker 4: got older, you know, one of the I think one

833
00:38:38,040 --> 00:38:40,520
Speaker 4: of the reasons why I started to make a little

834
00:38:40,520 --> 00:38:42,319
Speaker 4: bit of a mark with people because I moved out

835
00:38:42,320 --> 00:38:44,239
Speaker 4: to LA when I was eighteen years old, and like,

836
00:38:44,320 --> 00:38:46,759
Speaker 4: knew no one, you know, so I would I would

837
00:38:46,760 --> 00:38:49,320
Speaker 4: write thank you letters to like casting directors and you know,

838
00:38:49,360 --> 00:38:51,200
Speaker 4: if a producer happened to meet me, I would write

839
00:38:51,200 --> 00:38:52,880
Speaker 4: a thank you letter, and it just wow, you know.

840
00:38:52,960 --> 00:38:55,440
Speaker 4: I even suggest that to up and coming actors, like

841
00:38:55,480 --> 00:38:57,640
Speaker 4: they ask like what could they do, and I I

842
00:38:57,680 --> 00:39:00,359
Speaker 4: always say, you know, you can easily different and shehat

843
00:39:00,400 --> 00:39:02,920
Speaker 4: yourself with with something as simple as that, you know

844
00:39:02,960 --> 00:39:04,680
Speaker 4: what I mean, and like to say thank you for

845
00:39:04,680 --> 00:39:07,719
Speaker 4: your time. I really appreciate your meeting. And it's true,

846
00:39:07,760 --> 00:39:09,880
Speaker 4: it's like everyone's busy and you know, to to just

847
00:39:09,920 --> 00:39:11,840
Speaker 4: stop and say thank you will make a difference. But

848
00:39:13,000 --> 00:39:16,040
Speaker 4: I always signed my letters kind as Kate, and so

849
00:39:16,880 --> 00:39:21,040
Speaker 4: the website itself came from my actual like you know, signature.

850
00:39:21,520 --> 00:39:25,520
Speaker 4: But to play on the actual name of it, it's

851
00:39:24,840 --> 00:39:28,479
Speaker 4: a place established kind So to put the dot after

852
00:39:28,520 --> 00:39:30,600
Speaker 4: the D is sort of a play on all of that.

853
00:39:30,719 --> 00:39:33,040
Speaker 2: Oh, I love that. I love that, and so so

854
00:39:33,239 --> 00:39:35,600
Speaker 2: and very no.

855
00:39:35,680 --> 00:39:38,000
Speaker 1: I just I want to know, like why why you

856
00:39:38,120 --> 00:39:42,240
Speaker 1: decided to start this and launch this website? Like what

857
00:39:42,239 --> 00:39:43,920
Speaker 1: what was the meaning behind all of it?

858
00:39:44,360 --> 00:39:47,759
Speaker 4: You know, I've been conceptualizing the space for a little

859
00:39:47,760 --> 00:39:49,920
Speaker 4: over a year. My grandmother passed away a little over

860
00:39:49,920 --> 00:39:52,200
Speaker 4: a year ago, and you know, she's, you know, the

861
00:39:52,200 --> 00:39:54,719
Speaker 4: most important person in my life. And it was just

862
00:39:54,760 --> 00:39:58,080
Speaker 4: a really heavy loss and when I certainly the biggest

863
00:39:58,120 --> 00:40:01,320
Speaker 4: loss I had as an adult. And I just found

864
00:40:01,360 --> 00:40:06,400
Speaker 4: it really difficult to process it in today's world, right,

865
00:40:06,440 --> 00:40:08,759
Speaker 4: you know what I mean, which is you have this

866
00:40:08,760 --> 00:40:11,560
Speaker 4: this heartbreak or this gaping loss, and yet you know

867
00:40:11,600 --> 00:40:13,920
Speaker 4: you have emails answer and you know someone wants you

868
00:40:14,000 --> 00:40:15,520
Speaker 4: to look at something on Instagram or whatever.

869
00:40:15,680 --> 00:40:16,600
Speaker 1: Life doesn't stop.

870
00:40:16,880 --> 00:40:19,640
Speaker 4: Life doesn't stop. And yet so it was It was

871
00:40:19,680 --> 00:40:21,920
Speaker 4: a real kind of disconnect for me, and I thought,

872
00:40:23,000 --> 00:40:27,360
Speaker 4: if I could create a space that I can communicate

873
00:40:27,360 --> 00:40:30,520
Speaker 4: a little deeper, lean into the vulnerability, expose myself a

874
00:40:30,560 --> 00:40:33,960
Speaker 4: little more, talk about things that are interesting, talk about

875
00:40:34,000 --> 00:40:35,719
Speaker 4: things that are a little difficult to talk about, but

876
00:40:35,760 --> 00:40:39,400
Speaker 4: all through the lens of kindness and love, and you know,

877
00:40:39,480 --> 00:40:41,080
Speaker 4: not not in a big at some cheesy way, but

878
00:40:41,160 --> 00:40:44,080
Speaker 4: really just saying hey, like let's look at let's look

879
00:40:44,080 --> 00:40:47,840
Speaker 4: at this side of the coin. It helped me, like really,

880
00:40:49,040 --> 00:40:52,160
Speaker 4: it helped me move through that time of my life

881
00:40:52,280 --> 00:40:54,920
Speaker 4: understanding that I was going to create something from it

882
00:40:56,280 --> 00:40:59,759
Speaker 4: and I and I was really nervous to do it,

883
00:40:59,800 --> 00:41:02,480
Speaker 4: to be honest, I was nervous. Yeah, I was nervous

884
00:41:02,480 --> 00:41:04,560
Speaker 4: to do it because people might know me is you know,

885
00:41:04,640 --> 00:41:06,520
Speaker 4: I mean, you guys know me really well. But I

886
00:41:06,520 --> 00:41:09,800
Speaker 4: think you know, you're exposed. I'm exposed as an actress.

887
00:41:09,840 --> 00:41:11,680
Speaker 4: I'm exposed as as someone of notoriety.

888
00:41:11,719 --> 00:41:16,480
Speaker 2: But oh, but you like putting yourself out there, yeah, really, like.

889
00:41:16,560 --> 00:41:19,759
Speaker 4: Hey, you know, this is this is me, this is

890
00:41:19,840 --> 00:41:22,160
Speaker 4: Kate the human and you know, these are these are

891
00:41:22,160 --> 00:41:24,520
Speaker 4: things that are tough things to talk about or you know,

892
00:41:24,920 --> 00:41:26,400
Speaker 4: to talk like great.

893
00:41:26,239 --> 00:41:28,359
Speaker 2: Agam But you're right it because you know what you're

894
00:41:28,400 --> 00:41:31,440
Speaker 2: known as, Kate, glamorous movie star fashions, right like.

895
00:41:31,440 --> 00:41:34,720
Speaker 1: Going to the met Gallas, starring in epic films.

896
00:41:34,880 --> 00:41:37,200
Speaker 2: But it is brave of you to put something out

897
00:41:37,239 --> 00:41:39,759
Speaker 2: like that because I think today, with what's going on

898
00:41:39,840 --> 00:41:42,759
Speaker 2: in the world, it's more relevant than ever right now.

899
00:41:42,760 --> 00:41:46,440
Speaker 2: And I think it's very cool when people like yourself

900
00:41:46,480 --> 00:41:49,120
Speaker 2: who don't have to do this, like you literally could

901
00:41:49,120 --> 00:41:51,800
Speaker 2: sit home, take the phone call, show up on the movies.

902
00:41:52,040 --> 00:41:53,880
Speaker 2: You know, do do your thing, do what you do.

903
00:41:54,000 --> 00:41:56,240
Speaker 2: You know people know you as. But when you pivot

904
00:41:56,280 --> 00:41:59,880
Speaker 2: and do something completely out of the wheelhouse and for people,

905
00:41:59,880 --> 00:42:03,400
Speaker 2: you're doing it to send a message and bring people together,

906
00:42:03,719 --> 00:42:05,960
Speaker 2: it is brave and I think that's very commendable. It's

907
00:42:05,960 --> 00:42:08,400
Speaker 2: a big deal because you're you're doing that out of

908
00:42:08,440 --> 00:42:10,520
Speaker 2: your passion. You're not doing it because somebody, yeah told

909
00:42:10,600 --> 00:42:12,520
Speaker 2: you this is what you're supposed to do. And I

910
00:42:12,520 --> 00:42:14,120
Speaker 2: think that's that's very brave.

911
00:42:14,560 --> 00:42:17,279
Speaker 4: Thank you so much, And you're right, Randall, it is.

912
00:42:17,320 --> 00:42:20,839
Speaker 4: It's it's a real passion project, you know, labor of love.

913
00:42:20,920 --> 00:42:24,880
Speaker 4: It's literally myself. I write every word. The design is

914
00:42:25,360 --> 00:42:29,480
Speaker 4: everything is is you know, wow decided. I mean there

915
00:42:30,080 --> 00:42:32,960
Speaker 4: there's no big like production team. It's myself and like

916
00:42:33,000 --> 00:42:37,719
Speaker 4: two girlfriends who are so amazing to help me with this,

917
00:42:37,880 --> 00:42:39,960
Speaker 4: you know. But but it really is. It's when I

918
00:42:40,000 --> 00:42:42,200
Speaker 4: said in my founder's leto, this is a handmade destination.

919
00:42:42,280 --> 00:42:42,960
Speaker 4: I really mean it.

920
00:42:43,040 --> 00:42:43,239
Speaker 3: You know.

921
00:42:43,360 --> 00:42:45,920
Speaker 2: Wow. I love that. I love that. I love that.

922
00:42:46,480 --> 00:42:48,600
Speaker 2: It's like you're not fucking busy enough already, and then

923
00:42:48,640 --> 00:42:51,280
Speaker 2: you throw this new company and it's like you really

924
00:42:51,320 --> 00:42:53,799
Speaker 2: are how to common causing it. But I think it's

925
00:42:53,800 --> 00:42:56,920
Speaker 2: amazing because I think that, you know, you're always creating.

926
00:42:57,000 --> 00:42:59,200
Speaker 2: I know you for that. I know you're always trying

927
00:42:59,239 --> 00:43:02,200
Speaker 2: to be you know, in the front lines and groundbreaking

928
00:43:02,239 --> 00:43:05,040
Speaker 2: and roles you choose and things you do. And I've

929
00:43:05,080 --> 00:43:08,359
Speaker 2: always been mad respect from from eighteen years ago and

930
00:43:08,560 --> 00:43:10,720
Speaker 2: even when we just worked together recently on this movie.

931
00:43:10,719 --> 00:43:14,000
Speaker 2: It's always You're always evolving. I've never hung out with

932
00:43:14,040 --> 00:43:17,680
Speaker 2: you or you and Mike Michael where it's like kind

933
00:43:17,680 --> 00:43:20,480
Speaker 2: of the same. It's always different, it's always unique. And

934
00:43:20,520 --> 00:43:22,480
Speaker 2: we also, you know, you always have such a great

935
00:43:22,520 --> 00:43:25,160
Speaker 2: attitude towards everything. Really is very positive.

936
00:43:25,440 --> 00:43:27,719
Speaker 4: Yeah, we feel the same. We feel the same about

937
00:43:27,719 --> 00:43:29,680
Speaker 4: you guys.

938
00:43:29,320 --> 00:43:31,799
Speaker 3: If there's not laughter between us, I don't know what

939
00:43:32,680 --> 00:43:35,799
Speaker 3: I mean. If we're not. If we can go months

940
00:43:35,840 --> 00:43:37,400
Speaker 3: and I can walk into your office and we just

941
00:43:37,440 --> 00:43:37,759
Speaker 3: start that.

942
00:43:37,920 --> 00:43:39,920
Speaker 2: And it's like yesterday, it's like yesterday for all of

943
00:43:39,960 --> 00:43:41,960
Speaker 2: a sudden, That's what I love. Like even we got

944
00:43:42,000 --> 00:43:44,640
Speaker 2: on when we traveled to Puerto Rico, hanging out together

945
00:43:44,760 --> 00:43:46,640
Speaker 2: for the you know, it's like it's like it was

946
00:43:46,719 --> 00:43:49,719
Speaker 2: yesterday on Wonderland or ninety minutes and half.

947
00:43:49,880 --> 00:43:51,680
Speaker 1: A true friendship where you can pick up where you

948
00:43:51,800 --> 00:43:52,440
Speaker 1: left off.

949
00:43:52,320 --> 00:43:56,120
Speaker 2: Because everybody gets busy. Everybody's got family and this and

950
00:43:56,200 --> 00:43:58,279
Speaker 2: work and blah blah blah, and but you you know,

951
00:43:58,400 --> 00:44:00,239
Speaker 2: it's like when you could pick off a pick up

952
00:44:00,280 --> 00:44:02,600
Speaker 2: where we left off and it's the same. That's where

953
00:44:02,600 --> 00:44:03,320
Speaker 2: you know the friendship.

954
00:44:03,400 --> 00:44:06,320
Speaker 3: And we're very comfortable with our job, we know our roles,

955
00:44:06,320 --> 00:44:09,720
Speaker 3: we stay in our lanes exactly when we laugh. It's

956
00:44:09,760 --> 00:44:13,480
Speaker 3: really about friendship. It's you know, I remember sitting in

957
00:44:13,680 --> 00:44:17,160
Speaker 3: Albacino's living room with you, a big deal.

958
00:44:18,960 --> 00:44:21,920
Speaker 2: That I was there. Hold on, I just want to

959
00:44:21,960 --> 00:44:25,759
Speaker 2: say we were in al Pacino's living room, yes, you

960
00:44:26,160 --> 00:44:28,560
Speaker 2: by the way, we we went on I want to

961
00:44:28,560 --> 00:44:30,200
Speaker 2: just set the tone and then Michael waiting to finish.

962
00:44:30,400 --> 00:44:33,200
Speaker 2: We walked in. There was no air conditioning on. You

963
00:44:33,239 --> 00:44:35,160
Speaker 2: know that, right, Michael, Remember it was one hundred degrees.

964
00:44:35,560 --> 00:44:36,160
Speaker 3: Yeah.

965
00:44:36,200 --> 00:44:37,759
Speaker 2: And we sat and I thought it was going to

966
00:44:37,760 --> 00:44:39,799
Speaker 2: be like a thirty minute little coffee meeting that we

967
00:44:39,840 --> 00:44:41,640
Speaker 2: had to catch up on some notes on the movie.

968
00:44:42,080 --> 00:44:45,040
Speaker 2: How many hours were we there? Oh my god, we were.

969
00:44:45,400 --> 00:44:47,560
Speaker 3: We were We were into the We were into a

970
00:44:47,560 --> 00:44:49,319
Speaker 3: couple of digits easily.

971
00:44:49,440 --> 00:44:51,120
Speaker 2: We were there a long time.

972
00:44:52,080 --> 00:44:56,600
Speaker 3: What's amazing is how fun those moments to me are,

973
00:44:56,640 --> 00:45:00,120
Speaker 3: and they're not stressful moments that yeah we're it's you know,

974
00:45:00,200 --> 00:45:03,400
Speaker 3: it's it's a guy sitting at a table and sitting

975
00:45:03,400 --> 00:45:05,200
Speaker 3: in his couch and go, yeah, we're all with al Pacino.

976
00:45:05,320 --> 00:45:08,640
Speaker 3: But how easy we flatten that and make it between friends,

977
00:45:08,640 --> 00:45:11,760
Speaker 3: and you know, it's creative. And and we were talking

978
00:45:11,760 --> 00:45:14,560
Speaker 3: to Al about money and making money and because he's

979
00:45:14,600 --> 00:45:17,160
Speaker 3: had some financial things where he made a lot of

980
00:45:17,200 --> 00:45:18,759
Speaker 3: money one time, he did make around of me at

981
00:45:18,800 --> 00:45:21,959
Speaker 3: certain times and and Randa, you said, you know, living

982
00:45:22,000 --> 00:45:23,960
Speaker 3: on a budget and looking at budget and he go,

983
00:45:24,120 --> 00:45:26,319
Speaker 3: and you both think we he was like, don't want

984
00:45:26,360 --> 00:45:27,640
Speaker 3: a budget, just make more money.

985
00:45:27,719 --> 00:45:31,920
Speaker 1: Yeah, that's amazing. I want to have that.

986
00:45:31,880 --> 00:45:35,800
Speaker 2: Outlet you know. It's great. Great, then I'm fucked. Okay,

987
00:45:36,200 --> 00:45:38,840
Speaker 2: but I will say, you know, Michael, it is always

988
00:45:38,840 --> 00:45:41,400
Speaker 2: that way. And even sitting in a room with the

989
00:45:42,000 --> 00:45:45,680
Speaker 2: giant of al Pacino, it does feel like friends hanging

990
00:45:45,680 --> 00:45:48,359
Speaker 2: out trying to create and fix things, like when we're

991
00:45:48,360 --> 00:45:50,319
Speaker 2: working on the movie and trying to make edits better

992
00:45:50,360 --> 00:45:53,000
Speaker 2: and stuff. And I will say that that's why I

993
00:45:53,040 --> 00:45:54,680
Speaker 2: text you the days said of another script for you,

994
00:45:54,719 --> 00:45:57,640
Speaker 2: because I feel like if we're not doing a movie

995
00:45:57,680 --> 00:46:00,239
Speaker 2: every year together and Kate and all of us or

996
00:46:00,280 --> 00:46:02,520
Speaker 2: every year and a half, then we're then we're screwing

997
00:46:02,520 --> 00:46:05,560
Speaker 2: ourselves because it is fun to create with family that

998
00:46:05,640 --> 00:46:09,399
Speaker 2: you trust and everybody does their job really freaking well.

999
00:46:09,480 --> 00:46:11,120
Speaker 1: Can you guys please put Kate and I in a

1000
00:46:11,160 --> 00:46:13,880
Speaker 1: movie together. I will have anially for this ship. I

1001
00:46:13,880 --> 00:46:14,760
Speaker 1: don't give a damn.

1002
00:46:15,680 --> 00:46:18,560
Speaker 4: Make it happen, dude, Felma and Louise. Man, I'm all

1003
00:46:18,600 --> 00:46:18,920
Speaker 4: in with.

1004
00:46:18,920 --> 00:46:21,000
Speaker 1: You, and you know so in Kate, we got to

1005
00:46:21,000 --> 00:46:21,960
Speaker 1: get it pop in Man.

1006
00:46:22,320 --> 00:46:24,360
Speaker 4: We're announcing it right now, Okay.

1007
00:46:24,920 --> 00:46:27,360
Speaker 2: Oh my god, this will be this will be everywhere

1008
00:46:27,360 --> 00:46:30,080
Speaker 2: in the trades, so it'll be like Lala and Kate

1009
00:46:30,160 --> 00:46:33,240
Speaker 2: secure the sequel rights the Felm and Louise Michael directing,

1010
00:46:33,560 --> 00:46:34,800
Speaker 2: Randall producing Boom.

1011
00:46:35,160 --> 00:46:36,200
Speaker 3: Yeah.

1012
00:46:36,560 --> 00:46:38,799
Speaker 4: I love the headline, but actually, you know, Randall, it's

1013
00:46:38,840 --> 00:46:41,440
Speaker 4: it's true because like we Michael and I were actually

1014
00:46:41,440 --> 00:46:45,160
Speaker 4: looking at each other yesterday and he was like talking

1015
00:46:45,200 --> 00:46:47,200
Speaker 4: about something he was doing and he and he was like, oh,

1016
00:46:47,200 --> 00:46:48,799
Speaker 4: we should get Lala in it, and like Randall should

1017
00:46:48,800 --> 00:46:50,279
Speaker 4: be part of this, and it's like I think that,

1018
00:46:50,640 --> 00:46:53,359
Speaker 4: Like that's like my favorite thing about filmmaking, Like when

1019
00:46:53,400 --> 00:46:56,440
Speaker 4: you can identify people that you love and trust like

1020
00:46:56,560 --> 00:46:58,799
Speaker 4: to get it done and also have like the best time,

1021
00:46:58,840 --> 00:47:00,439
Speaker 4: Like why would you do with any one else?

1022
00:47:01,280 --> 00:47:03,279
Speaker 2: I agree and I and I and I. Anything you

1023
00:47:03,320 --> 00:47:05,120
Speaker 2: guys have, I always say, bring it to me because

1024
00:47:05,160 --> 00:47:07,800
Speaker 2: I love working with both of you and Lala and I.

1025
00:47:07,840 --> 00:47:09,640
Speaker 2: You know, I have a script I'm going to send

1026
00:47:09,680 --> 00:47:13,360
Speaker 2: you hopefully today, but like let's let's put it together

1027
00:47:13,400 --> 00:47:17,000
Speaker 2: because the world is so crazy. That is the appreciation

1028
00:47:17,239 --> 00:47:19,880
Speaker 2: now I have for friendships like this and Lala and

1029
00:47:19,880 --> 00:47:23,120
Speaker 2: I want to talk about this. It's like I cherish

1030
00:47:23,239 --> 00:47:25,480
Speaker 2: them tenfold, you tenfold.

1031
00:47:25,800 --> 00:47:28,439
Speaker 3: Yeah, Hey, Lala, yes, Hey, I just wanted to say

1032
00:47:28,440 --> 00:47:30,919
Speaker 3: one thing. This is you know, your name comes first

1033
00:47:30,960 --> 00:47:31,759
Speaker 3: on this title.

1034
00:47:31,520 --> 00:47:34,760
Speaker 1: So I love that I have a choice.

1035
00:47:34,880 --> 00:47:36,600
Speaker 3: Yeah, you know that's what I mean. I mean, you know,

1036
00:47:36,960 --> 00:47:39,400
Speaker 3: random me and you are the best second place players.

1037
00:47:39,440 --> 00:47:44,439
Speaker 2: There are best ever best second places. Yeah, second place.

1038
00:47:44,440 --> 00:47:48,040
Speaker 2: By the way, second place to our women is.

1039
00:47:47,040 --> 00:47:52,239
Speaker 1: The way for your chicks is like super hot. I'm

1040
00:47:52,280 --> 00:47:53,120
Speaker 1: just gonna say that.

1041
00:47:53,600 --> 00:47:57,440
Speaker 3: I remember two vivid things other than carrying a football

1042
00:47:57,480 --> 00:48:02,480
Speaker 3: and throwing football with you with Alpatina, you know, is

1043
00:48:02,880 --> 00:48:08,319
Speaker 3: her walking around with a whopper? Ye? Yeah, she walk

1044
00:48:08,400 --> 00:48:10,360
Speaker 3: with a whopper. And I just said, god, it's like

1045
00:48:10,560 --> 00:48:12,200
Speaker 3: that's the way I met Kate and a bar once.

1046
00:48:12,280 --> 00:48:13,719
Speaker 3: She was eating a hamburger and she split it in

1047
00:48:13,760 --> 00:48:15,840
Speaker 3: half for a man, like that's the girl where.

1048
00:48:15,680 --> 00:48:21,320
Speaker 2: You sea story? Can we reach? Let's just try one second.

1049
00:48:21,719 --> 00:48:24,000
Speaker 2: I want to hear your romantic side to Kate and Michael.

1050
00:48:24,239 --> 00:48:27,319
Speaker 2: Michael's asking you, was it love at first sight? When

1051
00:48:27,360 --> 00:48:29,160
Speaker 2: we went to dinner that night at how can you

1052
00:48:29,320 --> 00:48:30,520
Speaker 2: do it in a different way? Try?

1053
00:48:30,760 --> 00:48:34,359
Speaker 1: Actually I touched his leg under the table and then

1054
00:48:34,360 --> 00:48:37,239
Speaker 1: we made eye contact and we knew right then that

1055
00:48:37,480 --> 00:48:40,120
Speaker 1: it was like love at first sight.

1056
00:48:40,239 --> 00:48:43,759
Speaker 2: Okay, period, don't say anything. I'm gonna stop because you

1057
00:48:43,800 --> 00:48:46,040
Speaker 2: know what, Michael, Michael, you know what follows at we

1058
00:48:46,080 --> 00:48:48,000
Speaker 2: went to bang Town all night first.

1059
00:48:50,840 --> 00:48:54,040
Speaker 3: You know what when you one thing about getting butterflies,

1060
00:48:54,160 --> 00:48:56,360
Speaker 3: you know when you first meet somebody and you get butterflies,

1061
00:48:56,600 --> 00:48:59,040
Speaker 3: is that the butterfly looks in the mirror and says, fuck,

1062
00:48:59,120 --> 00:48:59,960
Speaker 3: there's no going back.

1063
00:49:00,160 --> 00:49:05,080
Speaker 1: Oh, Michael, you're full of great things today. Write like

1064
00:49:05,120 --> 00:49:07,200
Speaker 1: a little coffee table things.

1065
00:49:07,520 --> 00:49:12,640
Speaker 3: It's so good, guy, I want to get out of

1066
00:49:12,640 --> 00:49:17,360
Speaker 3: like a coon and goes Fuck, that's exactly what it is. Fuck.

1067
00:49:17,480 --> 00:49:19,439
Speaker 3: I was so cozy for such a long time.

1068
00:49:19,760 --> 00:49:22,560
Speaker 1: I know, I feel uncomfortable. And then you're getting married

1069
00:49:22,600 --> 00:49:25,000
Speaker 1: and having you know, you have stup babies.

1070
00:49:25,040 --> 00:49:27,600
Speaker 2: It's like amazing, Well, how long have you guys now

1071
00:49:27,680 --> 00:49:28,840
Speaker 2: been together? How many years?

1072
00:49:29,040 --> 00:49:29,920
Speaker 3: Almost ten years?

1073
00:49:30,200 --> 00:49:30,839
Speaker 2: Wow?

1074
00:49:31,600 --> 00:49:33,920
Speaker 3: Yeah, we're going on. We're sitting on a dime. But

1075
00:49:34,160 --> 00:49:36,920
Speaker 3: I was gonna ask all sitting on a dime. I

1076
00:49:37,000 --> 00:49:40,080
Speaker 3: was like, I'm gonna ask all that. I remember when

1077
00:49:40,200 --> 00:49:42,560
Speaker 3: she had to go up and we were expanding the

1078
00:49:42,600 --> 00:49:46,040
Speaker 3: scene between her and Al and we were talking about

1079
00:49:46,120 --> 00:49:49,719
Speaker 3: and and and I said, just fucking give it to him.

1080
00:49:50,080 --> 00:49:52,040
Speaker 3: Just geared to him, Oh this is He was so

1081
00:49:52,040 --> 00:49:55,600
Speaker 3: sweet because she was like, yeah, I will, and I

1082
00:49:55,640 --> 00:49:58,400
Speaker 3: go that's what it takes because it's not about intimidation,

1083
00:49:58,480 --> 00:50:02,520
Speaker 3: it's about having confidence. Yep, right, And that's what I saw.

1084
00:50:02,600 --> 00:50:04,239
Speaker 3: I said, just do it again, and we did it again,

1085
00:50:04,280 --> 00:50:05,600
Speaker 3: and we kept doing it just to see what it

1086
00:50:05,600 --> 00:50:07,080
Speaker 3: would be like, and he was game for it.

1087
00:50:07,160 --> 00:50:09,880
Speaker 2: I got to tell you people haven't seen the movie yet,

1088
00:50:10,000 --> 00:50:12,240
Speaker 2: but there is a scene that Michael's referring to where

1089
00:50:12,640 --> 00:50:16,879
Speaker 2: she they approach the stand with the judge and their

1090
00:50:17,280 --> 00:50:20,680
Speaker 2: their lawyers and legal aids or whatever, and and al

1091
00:50:20,719 --> 00:50:23,959
Speaker 2: Pacino's is tough based on a true story, really tough

1092
00:50:24,000 --> 00:50:28,160
Speaker 2: heart fighting lawyer, and Laala questions him and gets in

1093
00:50:28,200 --> 00:50:32,360
Speaker 2: his face and whips the scene and it's so epic

1094
00:50:32,440 --> 00:50:34,759
Speaker 2: and I couldn't believe it. Michael. When when I saw

1095
00:50:34,800 --> 00:50:36,400
Speaker 2: it and you showed it to me, I was like,

1096
00:50:36,600 --> 00:50:38,880
Speaker 2: that's my lalla, What is going on?

1097
00:50:40,040 --> 00:50:44,000
Speaker 1: Michael Polish single handedly helped me get to a place

1098
00:50:44,040 --> 00:50:47,480
Speaker 1: where when the scene was over, al Pacino said to me,

1099
00:50:48,080 --> 00:50:50,399
Speaker 1: you're really good. And I was like, thank you so much,

1100
00:50:50,440 --> 00:50:53,200
Speaker 1: and he goes, no, you are really good. And I

1101
00:50:53,280 --> 00:50:56,960
Speaker 1: looked at Michael, and I was like, Michael got me there.

1102
00:50:57,000 --> 00:50:57,839
Speaker 2: The best day of your life.

1103
00:50:58,120 --> 00:51:00,160
Speaker 1: For really, that's the best day of my life out

1104
00:51:00,360 --> 00:51:00,640
Speaker 1: meeting me.

1105
00:51:00,760 --> 00:51:03,200
Speaker 2: Best day of your life. I want to say one

1106
00:51:03,200 --> 00:51:05,319
Speaker 2: other things. I want to say one other thing that

1107
00:51:05,520 --> 00:51:08,919
Speaker 2: I remember that night because you came home and we're

1108
00:51:08,920 --> 00:51:11,239
Speaker 2: at the hotel and you came home and said that

1109
00:51:11,440 --> 00:51:14,040
Speaker 2: you're like the high you were on. You just said

1110
00:51:14,239 --> 00:51:17,000
Speaker 2: what Michael did for me today and that performance was

1111
00:51:17,239 --> 00:51:18,960
Speaker 2: life changing and I hadn't seen anything.

1112
00:51:18,719 --> 00:51:20,719
Speaker 1: The closest I'll get to doing a drug ever in

1113
00:51:20,760 --> 00:51:21,320
Speaker 1: my life.

1114
00:51:22,120 --> 00:51:24,040
Speaker 2: Yes, I'm proud of you.

1115
00:51:24,160 --> 00:51:27,040
Speaker 1: Before we let you guys go slay the day, I

1116
00:51:27,080 --> 00:51:29,400
Speaker 1: want to know what your most favorite thing to do

1117
00:51:29,480 --> 00:51:33,920
Speaker 1: in quarantine is together, besides having besides going to Banktown.

1118
00:51:34,200 --> 00:51:39,280
Speaker 2: Yeah, besides there we go again, back to bangtown eating.

1119
00:51:39,840 --> 00:51:42,719
Speaker 3: Yeah, you know, going to Banktown. But I mean it's

1120
00:51:42,760 --> 00:51:47,600
Speaker 3: always about bank Town, isn't it? Eating town?

1121
00:51:50,400 --> 00:51:54,800
Speaker 4: You see my Instagram, like Michael is an incredible baker.

1122
00:51:57,080 --> 00:52:02,080
Speaker 2: Instagram, My mouth the pies, that's crazy over there.

1123
00:52:02,120 --> 00:52:05,400
Speaker 3: And the only person that only comments on my banking

1124
00:52:05,680 --> 00:52:06,960
Speaker 3: is your freaking mom.

1125
00:52:07,320 --> 00:52:08,640
Speaker 2: Oh are you serious?

1126
00:52:09,800 --> 00:52:12,440
Speaker 3: She goes, why what are you doing baking?

1127
00:52:12,480 --> 00:52:13,360
Speaker 2: That. Why am I?

1128
00:52:13,400 --> 00:52:16,160
Speaker 3: She goes, I just why bake it? Just go buy it.

1129
00:52:17,680 --> 00:52:20,359
Speaker 2: That's my mom. That's my mom. That's the Jewish father,

1130
00:52:20,520 --> 00:52:21,160
Speaker 2: the Jewish father.

1131
00:52:21,719 --> 00:52:22,279
Speaker 4: Hilarious.

1132
00:52:22,320 --> 00:52:24,120
Speaker 2: Oh my god, Michael, I didn't even know you guys

1133
00:52:24,120 --> 00:52:26,120
Speaker 2: had a little Instagram dialogue my mother.

1134
00:52:26,320 --> 00:52:29,839
Speaker 3: This is huge. We've had it for oh well it's

1135
00:52:29,960 --> 00:52:32,279
Speaker 3: not a year yet. But she when there's food, she

1136
00:52:32,440 --> 00:52:37,960
Speaker 3: always comments like she always comments like a mom. She said,

1137
00:52:38,239 --> 00:52:40,080
Speaker 3: and you're eating that, how do you stay so thin?

1138
00:52:41,320 --> 00:52:44,080
Speaker 1: Yeah, that's her number one thing right now, because she

1139
00:52:44,080 --> 00:52:46,319
Speaker 1: she'll call me and she'll be like, I've gained so

1140
00:52:46,440 --> 00:52:48,640
Speaker 1: much weight. I will not be able to fit in

1141
00:52:48,719 --> 00:52:49,160
Speaker 1: my dress.

1142
00:52:49,360 --> 00:52:52,479
Speaker 2: Lola. Oh my mom's can't hear this. She's gonna fucking I.

1143
00:52:52,840 --> 00:52:54,560
Speaker 1: Freaking die for Leslie.

1144
00:52:54,640 --> 00:52:57,400
Speaker 3: Yeah, we're on great terms.

1145
00:52:58,239 --> 00:53:00,640
Speaker 2: By the way, you guys were besties. And by the way,

1146
00:53:00,719 --> 00:53:02,640
Speaker 2: you'll be on great terms again because the next movie,

1147
00:53:02,680 --> 00:53:05,680
Speaker 2: you know, Leslam it makes her cameo. So she she

1148
00:53:05,680 --> 00:53:08,360
Speaker 2: she'll always kiss her ass because you're a director. And

1149
00:53:08,480 --> 00:53:10,479
Speaker 2: for me, she wants to tell me how many lines

1150
00:53:10,520 --> 00:53:12,439
Speaker 2: she has to have in my movie. I said, Mom,

1151
00:53:12,680 --> 00:53:15,759
Speaker 2: you're the fucking talent. Okay, I'll tell you, how many

1152
00:53:15,760 --> 00:53:16,960
Speaker 2: lies you have in this movie?

1153
00:53:17,520 --> 00:53:20,040
Speaker 3: Yeah, I don't even I didn't even think I still

1154
00:53:20,080 --> 00:53:22,200
Speaker 3: have it. But I filmed your mom talking about you

1155
00:53:22,200 --> 00:53:23,640
Speaker 3: because I wanted to send it to you one day.

1156
00:53:23,719 --> 00:53:27,600
Speaker 3: I said Randall was an actor and he could act,

1157
00:53:27,640 --> 00:53:30,600
Speaker 3: and he was so good, and she's just went down

1158
00:53:30,640 --> 00:53:33,640
Speaker 3: the list and I and this's the only time I

1159
00:53:33,680 --> 00:53:35,160
Speaker 3: send it to you. This is the only time you

1160
00:53:35,320 --> 00:53:36,760
Speaker 3: ever never responded.

1161
00:53:36,480 --> 00:53:38,239
Speaker 2: Oh, you have to send it to me. I need

1162
00:53:38,280 --> 00:53:38,799
Speaker 2: to see it.

1163
00:53:39,080 --> 00:53:41,439
Speaker 3: No, No, it was great because I go, of course,

1164
00:53:41,440 --> 00:53:43,799
Speaker 3: you're not gonna respond to me. That's your mom saying.

1165
00:53:43,520 --> 00:53:46,319
Speaker 1: In that Wait, did his mom say he was a

1166
00:53:46,360 --> 00:53:46,920
Speaker 1: bad actor?

1167
00:53:47,040 --> 00:53:51,720
Speaker 2: You're gonna go there, he was a great actor. Lies, Lala, lala.

1168
00:53:51,920 --> 00:53:54,400
Speaker 2: I was, okay, I'm gonna tell you right now, I

1169
00:53:54,400 --> 00:53:56,200
Speaker 2: get it. Don't do this. We're not doing this today.

1170
00:53:56,239 --> 00:53:58,319
Speaker 2: I'm telling you right now. I'm looking you in the eye,

1171
00:53:58,400 --> 00:54:00,200
Speaker 2: right now, look at me. If we go about it's

1172
00:54:00,320 --> 00:54:03,200
Speaker 2: a great actor. When I was a kid and I

1173
00:54:03,280 --> 00:54:06,160
Speaker 2: was not the best actor, but I was good. I was,

1174
00:54:06,360 --> 00:54:09,480
Speaker 2: but I didn't like it, and I decided that my

1175
00:54:09,560 --> 00:54:13,480
Speaker 2: obsession was always movies, and I chose to pivot out

1176
00:54:13,520 --> 00:54:16,080
Speaker 2: of acting okay, And I think it was for the

1177
00:54:16,080 --> 00:54:18,960
Speaker 2: betterment of the world because people like you, Kate and

1178
00:54:19,920 --> 00:54:23,880
Speaker 2: every other actor out there. I give Mad respect. Like Michael,

1179
00:54:23,920 --> 00:54:26,839
Speaker 2: I'm very much like Michael. I could never do it

1180
00:54:26,920 --> 00:54:28,640
Speaker 2: at the level you guys do it at. I give

1181
00:54:28,680 --> 00:54:32,160
Speaker 2: you Mad props. It's a gift, it's a talent that

1182
00:54:32,200 --> 00:54:34,680
Speaker 2: you have to work on and a skill. And as

1183
00:54:34,719 --> 00:54:36,440
Speaker 2: a kid, I think it was just fun and I

1184
00:54:36,480 --> 00:54:38,440
Speaker 2: was good at it as a kid, but it definitely

1185
00:54:38,560 --> 00:54:40,600
Speaker 2: was not my calling. And when I walked on to

1186
00:54:40,680 --> 00:54:43,960
Speaker 2: my first movie set at nineteen years old, I just knew.

1187
00:54:44,120 --> 00:54:46,440
Speaker 2: I knew that that's the last thing I'm going to

1188
00:54:46,480 --> 00:54:48,600
Speaker 2: do is be an actress. So I save the world.

1189
00:54:48,640 --> 00:54:49,640
Speaker 2: I save the world from it.

1190
00:54:49,760 --> 00:54:52,400
Speaker 3: Yeah, but I want, I really really want you to

1191
00:54:52,440 --> 00:54:54,160
Speaker 3: be in front of the camera for one of my

1192
00:54:55,000 --> 00:54:57,480
Speaker 3: I can see what you can do. It'd be awesome

1193
00:54:57,640 --> 00:55:00,520
Speaker 3: for you just to go tucking off. I mean, like

1194
00:55:00,320 --> 00:55:04,000
Speaker 3: it wouldn't be great, you know, you know, we can

1195
00:55:04,080 --> 00:55:05,360
Speaker 3: push him to the level.

1196
00:55:05,120 --> 00:55:07,520
Speaker 2: Of oh my god. Okay, Michael, I'll make a deal

1197
00:55:07,560 --> 00:55:10,120
Speaker 2: with you if on the next movie that we do together,

1198
00:55:10,600 --> 00:55:13,920
Speaker 2: if there's a role that's easy and we have at

1199
00:55:14,000 --> 00:55:17,560
Speaker 2: least four shots of Johnny Walker blue. I will try

1200
00:55:17,719 --> 00:55:19,640
Speaker 2: one or two lines. That's as far as I go.

1201
00:55:19,800 --> 00:55:21,200
Speaker 3: I just want you to.

1202
00:55:23,320 --> 00:55:23,720
Speaker 2: Czy.

1203
00:55:24,200 --> 00:55:25,920
Speaker 3: I just want you to kick somebody in the phase

1204
00:55:26,040 --> 00:55:26,480
Speaker 3: or something.

1205
00:55:26,680 --> 00:55:30,799
Speaker 2: Okay, I could be like a karate kid.

1206
00:55:31,120 --> 00:55:35,600
Speaker 3: Karate kids getting real, like put somebody's face and gravel

1207
00:55:35,719 --> 00:55:39,240
Speaker 3: or something. You know, your real visual.

1208
00:55:39,640 --> 00:55:41,960
Speaker 1: We can tell. Look at this director at work right now.

1209
00:55:42,000 --> 00:55:42,200
Speaker 2: I know.

1210
00:55:42,280 --> 00:55:42,560
Speaker 3: Yeah.

1211
00:55:43,000 --> 00:55:44,200
Speaker 2: Do you see how good he is? You know how

1212
00:55:44,200 --> 00:55:46,480
Speaker 2: many people have asked me because you know, obviously I

1213
00:55:46,480 --> 00:55:48,600
Speaker 2: have a larger than like personality. They think that translates

1214
00:55:48,600 --> 00:55:51,480
Speaker 2: to acting, which it doesn't. But so I always say

1215
00:55:51,520 --> 00:55:54,839
Speaker 2: no because I have respect for people that really can act.

1216
00:55:55,040 --> 00:55:57,399
Speaker 2: But Michael just manipulated me into saying yes. That's how

1217
00:55:57,400 --> 00:55:59,160
Speaker 2: good he fucking is.

1218
00:55:58,280 --> 00:56:01,200
Speaker 4: That's amazing.

1219
00:56:01,239 --> 00:56:01,359
Speaker 2: Well.

1220
00:56:01,400 --> 00:56:03,000
Speaker 4: I love that the headlines from this are going to

1221
00:56:03,040 --> 00:56:06,640
Speaker 4: be Randall I met is now a movie star. Oh god, Hey,

1222
00:56:06,640 --> 00:56:09,399
Speaker 4: and Loheart are embarking on thumb on the wheels too.

1223
00:56:10,280 --> 00:56:13,359
Speaker 1: Let him talk, Let him talk, baby, And you guys

1224
00:56:13,400 --> 00:56:16,640
Speaker 1: have to promise that when we when everything's back to normal,

1225
00:56:17,080 --> 00:56:19,080
Speaker 1: that you will come over or we'll come to you

1226
00:56:19,160 --> 00:56:21,200
Speaker 1: and you bake us something super yummy.

1227
00:56:21,719 --> 00:56:24,799
Speaker 4: Oh my God, anytime, as soon as as soon as

1228
00:56:24,840 --> 00:56:27,279
Speaker 4: we can be in each other's arms again. I have

1229
00:56:27,400 --> 00:56:31,120
Speaker 4: to say, Lala, because you and I met more recently

1230
00:56:31,160 --> 00:56:33,120
Speaker 4: than I've known Randall, and I've known and love Randall

1231
00:56:33,160 --> 00:56:35,279
Speaker 4: for a long time. But I have to say to

1232
00:56:35,320 --> 00:56:38,600
Speaker 4: everyone listening that the moment that I met you on

1233
00:56:38,640 --> 00:56:42,440
Speaker 4: that plane, you know, it was less than five minutes

1234
00:56:42,719 --> 00:56:45,040
Speaker 4: that I was cad I ride or die?

1235
00:56:45,280 --> 00:56:48,680
Speaker 2: Oh die? You guys, it was like, I don't know

1236
00:56:48,680 --> 00:56:50,520
Speaker 2: what with a girl version, but you know how we

1237
00:56:50,560 --> 00:56:53,480
Speaker 2: say it's a romance, it's whatever that yes is. Because

1238
00:56:53,640 --> 00:56:55,480
Speaker 2: I was back there and I said, oh, this is

1239
00:56:55,560 --> 00:56:57,640
Speaker 2: Lawa and You're like, I know, Lenna, And within six

1240
00:56:57,760 --> 00:57:00,160
Speaker 2: minutes I was kicked, kicked out of where you you

1241
00:57:00,239 --> 00:57:00,680
Speaker 2: were sitting.

1242
00:57:00,760 --> 00:57:02,080
Speaker 1: Yeah, it was essentially girl times.

1243
00:57:02,120 --> 00:57:03,600
Speaker 2: Yeah. It was Michael and I in the in the

1244
00:57:03,640 --> 00:57:05,560
Speaker 2: in the other part of the plane, and just you.

1245
00:57:05,840 --> 00:57:07,360
Speaker 1: Michael was in Puerto Rico filming.

1246
00:57:07,560 --> 00:57:09,640
Speaker 2: It was just me. It was already doing the movie,

1247
00:57:09,719 --> 00:57:12,160
Speaker 2: was already okay that I was with my assistant, probably

1248
00:57:12,160 --> 00:57:14,440
Speaker 2: talking about something because you didn't get me.

1249
00:57:14,440 --> 00:57:15,120
Speaker 4: Making the movie.

1250
00:57:15,280 --> 00:57:16,959
Speaker 1: Yeah, probably making the movie.

1251
00:57:17,000 --> 00:57:19,360
Speaker 2: It was five and a half hours of basically isolation.

1252
00:57:19,600 --> 00:57:20,760
Speaker 2: I was isolated.

1253
00:57:20,960 --> 00:57:23,360
Speaker 4: This is I just I love you both. You know, honestly,

1254
00:57:23,440 --> 00:57:25,640
Speaker 4: you're like I love that You're just You're real Israel

1255
00:57:25,720 --> 00:57:28,440
Speaker 4: can be your your ride or die. You're like, you're

1256
00:57:28,440 --> 00:57:31,360
Speaker 4: We're the same, you know. I love that about this

1257
00:57:31,360 --> 00:57:31,800
Speaker 4: this group.

1258
00:57:32,000 --> 00:57:34,320
Speaker 1: I love it too, and I'm so grateful that you

1259
00:57:34,360 --> 00:57:36,680
Speaker 1: guys joined us today on our podcast. This is probably

1260
00:57:36,720 --> 00:57:38,440
Speaker 1: my new favorite podcast that I've done.

1261
00:57:38,520 --> 00:57:39,640
Speaker 2: I agree affurently.

1262
00:57:39,760 --> 00:57:42,280
Speaker 3: You know, when it becomes you, when it becomes second place,

1263
00:57:42,280 --> 00:57:43,120
Speaker 3: we love that too.

1264
00:57:45,200 --> 00:57:47,360
Speaker 2: If we get Obama, you'll go to second place. But

1265
00:57:47,440 --> 00:57:51,920
Speaker 2: until then, yeah, your first place exactly. We love you guys.

1266
00:57:51,960 --> 00:57:54,040
Speaker 1: All right, well, I love you.

1267
00:57:54,480 --> 00:58:00,000
Speaker 4: Thank you guys. Going to say I love you guys,

1268
00:58:00,080 --> 00:58:03,000
Speaker 4: and all of us still entertained, really appreciate it and

1269
00:58:03,040 --> 00:58:03,600
Speaker 4: love you guys.

1270
00:58:03,800 --> 00:58:05,000
Speaker 2: You guys are great together.

1271
00:58:05,080 --> 00:58:07,640
Speaker 4: And thank you Randall for Finley coming on the show.

1272
00:58:09,360 --> 00:58:10,440
Speaker 4: Have a great day, guys.

1273
00:58:10,840 --> 00:58:13,600
Speaker 1: Thank you so much. My loves. To everyone who has

1274
00:58:13,640 --> 00:58:17,200
Speaker 1: already called in to leave us messages, please keep them

1275
00:58:17,240 --> 00:58:20,600
Speaker 1: coming because we love hearing from you. Call us anytime

1276
00:58:20,680 --> 00:58:23,240
Speaker 1: at eight sixty six La La Pod. That is eight

1277
00:58:23,320 --> 00:58:25,880
Speaker 1: sixty six La La Pod. I'm mothering.

1278
00:58:25,960 --> 00:58:26,280
Speaker 2: Love you