WEBVTT - "Nerd For A Day" Recap Season 3, Episode 4

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<v Speaker 1>Hello, hello, hello, hello. Okay, well I have an update.

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<v Speaker 2>Oh an update.

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<v Speaker 1>Yes, the fans have come out and they have opinions

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<v Speaker 1>about Jana Sweeten and Janice Sweeten's notes.

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<v Speaker 2>Oh no, they really?

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<v Speaker 1>Who read some of Janis's notes about our podcast?

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<v Speaker 2>Got it? So basically, our fans are starting a beef

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<v Speaker 2>with my mom? Is that what's happening?

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<v Speaker 1>I just needed no, no, no, no, I'm starting to

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<v Speaker 1>beef quite the opposite, my friend. Let me have a

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<v Speaker 1>few comments about the legendary Janis.

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<v Speaker 2>Basically she needs to be a permanent host. Okay, okay,

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<v Speaker 2>so okay.

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<v Speaker 1>Chelsea at Chelsea Leah eighty seven says, okay, so when

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<v Speaker 1>are we getting a Janis Sweeten podcast? Just giving notes

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<v Speaker 1>on the HRT podcast?

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<v Speaker 2>Oh my god, hilarious.

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<v Speaker 1>And then Stacy Pierce Florida says, if Jana Sweeton had

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<v Speaker 1>her own spinoff podcast where she discusses every episode of

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<v Speaker 1>How Rude, I would definitely listen.

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<v Speaker 2>To that too. Oh my god, I'm gonna have to

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<v Speaker 2>let people. My mom will be thrilled that people that

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<v Speaker 2>people want to listen to her notes.

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<v Speaker 1>Oh yeah, oh, a whole podcast of just Janice's notes.

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<v Speaker 2>I'll be like guess what, Mom, you have a whole

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<v Speaker 2>audience now to give your notes too. Do you let

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<v Speaker 2>them know?

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<v Speaker 1>I love this. She's her own fan club. I mean

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<v Speaker 1>she's legendary.

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<v Speaker 2>I mean she's she's kind of legendary at this point.

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<v Speaker 2>She is Janie sweeton Is.

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<v Speaker 1>I just love your mom. I love your mom.

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<v Speaker 2>I do too. I love my mom, and you know what,

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<v Speaker 2>I love I love her more the older I get,

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<v Speaker 2>and like, the better relate, you know what I mean,

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<v Speaker 2>the better relationship that you get with your mom is

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<v Speaker 2>you're like, oh wait, I can I just can be

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<v Speaker 2>me and she can be her and we get you know,

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<v Speaker 2>it's just great. Yeah, she's hilarious, so great.

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<v Speaker 1>Oh yeah, so thank you, Janis.

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<v Speaker 2>By the time you get to this episode, your fan

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<v Speaker 2>club will have a president and a vice president. Right.

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<v Speaker 2>But yeah, well, by the time she gets to this episode,

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<v Speaker 2>she's gonna have her own podcast and just be killing

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<v Speaker 2>our numbers. I mean, no one's anymore. They're just gonna

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<v Speaker 2>listen to Jana Sweeten's notes. I Hurt Radio will be

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<v Speaker 2>reaching out to her, yes, exactly, this episode airs, I'm

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<v Speaker 2>gonna you know what, I'll produce this. I I'll take

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<v Speaker 2>a cut you know Jana sweet love it. There's demand

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<v Speaker 2>for Jana Sweeten podcasts.

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<v Speaker 1>Charlie. Sorry, I'm I'm dog sitting for Charlie.

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<v Speaker 2>What I'm like, I don't know. I've known you thirty

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<v Speaker 2>some odd years and there's never been a Charlie and

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<v Speaker 2>your family. What happened?

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<v Speaker 1>No, I'm dog sitting Charlie who is my ex husband's

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<v Speaker 1>dog because they're on vacation. So Charlie's here.

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<v Speaker 2>And he's you know, well, what kind of dog is Charlie.

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<v Speaker 1>He's a little cocker and he's so I wish I

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<v Speaker 1>could get him to come over here, but he's a fanel.

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<v Speaker 2>Can you say the whole thing, because when you say

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<v Speaker 2>he's a little cocker, I'm I'm sorry. Come on, I

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<v Speaker 2>need the whole cocker spaniel. Thank you. He's that we

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<v Speaker 2>don't need. It's not a personal indictment on him, you

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<v Speaker 2>know what I mean. We don't need to discuss that.

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<v Speaker 1>It's not a judgment.

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<v Speaker 2>No, he's not a judgment. He's a little cocker spaniel.

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<v Speaker 1>He's a little cocker spaniel. Okay, he's I don't know

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<v Speaker 1>what he's barking at right now, Charlie. I'm so sorry.

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<v Speaker 2>He's barking at the fact that you call him a

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<v Speaker 2>little cocker. He's like, I have some thoughts about this.

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<v Speaker 2>That's I don't call meet him.

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<v Speaker 1>I've upset him. So apology.

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<v Speaker 2>Well, here's the good thing. I didn't hear Charlie. I

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<v Speaker 2>just heard you yelling at Charley. So yeah, it was

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<v Speaker 2>it was a sudden outburst that I wasn't expecting. So

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<v Speaker 2>I think Charlie's fine. No one's hearing him.

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<v Speaker 1>Hopefully whatever squirrel or whatever he's barking at goes away

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<v Speaker 1>soon because I can't see. I can't see what he's

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<v Speaker 1>barking at. So okay, well, we have part of our

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<v Speaker 1>studio audience, right, yeah, exactly, he's giving us.

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<v Speaker 2>He's giving us. Not well, he's gonna he and my

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<v Speaker 2>mom are gonna have a podcast soon Janice Sweeten and

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<v Speaker 2>the Little Copper, that's what. So it's gonna be Oh boy, yep,

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<v Speaker 2>my mom's in for it tonight. I'm just saying she's

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<v Speaker 2>gonna she does not know what she's in for at

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<v Speaker 2>this show that she's coming to tonight. We're only four

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<v Speaker 2>minutes into this podcast today.

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<v Speaker 1>It's already off the.

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<v Speaker 2>Rail, off gone. There aren't even rails it's it's we're

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<v Speaker 2>just free flowing. Yeah, you're the one that's insulting your

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<v Speaker 2>ex husband's day, you know, poor guy.

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<v Speaker 1>All right, now, I'm warm. I gotta get my money.

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<v Speaker 2>I did. I did? I laugh you into a hot flash.

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<v Speaker 2>You laughed me right into a hot flush, A little flush.

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<v Speaker 1>Anyways, how are you, Jodie Sweeten?

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<v Speaker 2>You know, I'm fine. I don't have any dogs here'

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<v Speaker 2>My dog's great. Your dog? How's Holly?

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<v Speaker 1>Holly's doing good. She's putting up with with She's putting

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<v Speaker 1>up with a little cocker just fine, got it?

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<v Speaker 2>It got along? Well? Okay, Well, I mean she's probably

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<v Speaker 2>is she can she even see? Yeah, I was gonna say,

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<v Speaker 2>she's like she didn't even care that he's barking, Yeah.

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<v Speaker 1>And barking, So she's totally not even triggered by him

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<v Speaker 1>at all. So yeah, No, she's doing She's doing great.

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<v Speaker 1>She's she's seventeen. She has a little ivy pole that

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<v Speaker 1>I carry around because I give her a little ivy

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<v Speaker 1>fluids subcutaneous fluids every other day to her kidney disease.

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<v Speaker 2>I couldn't do it.

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<v Speaker 1>The first few times were difficult because sometimes I stick.

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<v Speaker 1>Sometimes you have to like tint the skin. Oh god,

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<v Speaker 1>sometimes that poke it all the way through this fluid.

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<v Speaker 2>I'm literally going to puke on my microphone. I can't,

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<v Speaker 2>I am.

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<v Speaker 1>Are you afraid of needles?

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<v Speaker 2>Yo? Oh you are?

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<v Speaker 1>Wow that was a visceral. Okay, Oh I apologize. I

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<v Speaker 1>didn't know you had the needles.

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<v Speaker 2>Blood draw I used to not even be able to

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<v Speaker 2>say ivy without completely like burst breaking out in a

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<v Speaker 2>sweat and freaking out.

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<v Speaker 1>Yeah really I didn't. It's not about you.

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<v Speaker 2>Yeah, fine. With tattoos, it's just once you're once you

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<v Speaker 2>go trying to draw blood for me, I freak out.

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<v Speaker 2>So okay, that's.

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<v Speaker 1>Interesting, that's right, Because tattoos you're just like, yeah, what,

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<v Speaker 1>I just put a full COI, you know, a life

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<v Speaker 1>size COI on my side.

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<v Speaker 2>But it's well, it's because they always have trouble. I

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<v Speaker 2>have tiny little baby veins that they have to bring

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<v Speaker 2>pediatric nurses into. Fine, so it's just it's a whole thing.

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<v Speaker 2>It's yeah, so I uh, it's not I don't enjoy it.

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<v Speaker 2>So yeah, that's why I could never ever I'd be like, ah,

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<v Speaker 2>we have to have an in home nurse coming into Oh.

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<v Speaker 1>Do see, I got I got thick veins I got.

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<v Speaker 1>I'm like, well.

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<v Speaker 2>That we're talking about. Uh no, Jesus, we should put

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<v Speaker 2>it not safe for work warning on this on this

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<v Speaker 2>episode for sure, Like, hey, guess what the first nine

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<v Speaker 2>minutes of this podcast, watch out, it's going wild. If

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<v Speaker 2>you have a fear of needles or of of little cockers, don't. Yeah,

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<v Speaker 2>just whoo, all right, let's let's we'll do the episode before.

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<v Speaker 1>Please, let's do the recap.

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<v Speaker 2>Let's get back to the PG show that we're recapping here,

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<v Speaker 2>yes quick, all right, ready, welcome back, Yes, here we go,

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<v Speaker 2>Welcome back to how Rude tan Rito's.

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<v Speaker 1>I'm Andrea Barber.

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<v Speaker 2>And I'm sorry I'm joking. Before I was gonna no,

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<v Speaker 2>I was gonna say, and I'm Jody little Cocker sweetened.

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<v Speaker 2>But I didn't, and then I did, And now that

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<v Speaker 2>was I ruined my own joke because I couldn't. I

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<v Speaker 2>laughed in my head. So anyway, you broke yourself.

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<v Speaker 1>You broke yourself.

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<v Speaker 2>Story of my life.

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<v Speaker 1>Okay, Today we are discussing season three, episode four, titled

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<v Speaker 1>Nerd for a Day. It originally aired on October thirteenth,

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<v Speaker 1>nineteen eighty nine, and it goes a little something like this.

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<v Speaker 1>When Jesse learns that Stephanie has been joining her fellow

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<v Speaker 1>classmates in making fun of another child, he encourages steph

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<v Speaker 1>to apologize and change her behavior very much. This is

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<v Speaker 1>such a good one.

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<v Speaker 2>It's such a great episode.

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<v Speaker 1>Classic episode. I loved it. It was directed by Billy

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<v Speaker 1>fausta like coffee, Coffee Coffee, and written by the lovely

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<v Speaker 1>Lenny Rips. I love him so much. And we have

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<v Speaker 1>a gaggle of guest stars this week. Indeed, we have

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<v Speaker 1>Max Alexander as Doctor Rubin Weineger, the hug Therapist. He

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<v Speaker 1>was a stand up comedian who worked on the Tonight

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<v Speaker 1>Show with Jay Leno and Hollywood Squares. And then we

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<v Speaker 1>have the legendary wit Hertford as Walter duck Face. Oh yes,

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<v Speaker 1>legendary character. Yeah, legendary actor. He was known in nineteen

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<v Speaker 1>eighty nine as whitby Hertford and he's also known as

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<v Speaker 1>Jacob in Nightmare on Elm Street, the Dream Child. That's,

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<v Speaker 1>oh man, what a terrifying role. He's also an accomplished

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<v Speaker 1>voice actor, director, producer, writer, and we will be speaking

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<v Speaker 1>to him on the pod this week, ladies and gentlemen,

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<v Speaker 1>so stay tuned. You don't want to miss this conversation.

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<v Speaker 2>Such a great interview.

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<v Speaker 1>Yeah, oh it was so good, so good. And then

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<v Speaker 1>we have Nathan Nishiguchi returning as Harry and if we

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<v Speaker 1>could have a moment of silence, this is his final

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<v Speaker 1>appearance on Full House.

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<v Speaker 2>Well, you know, I have thoughts on his behavior in

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<v Speaker 2>this episode, so I can't say that I'm then terridly disappointed.

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<v Speaker 1>Oh well, you know, overall, the character, the character is Harry.

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<v Speaker 1>But I started off so strong. He started off so

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<v Speaker 1>I was loving and wonderful, he devoted and then and

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<v Speaker 1>then yeah, and then it goes all downhill. But yes,

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<v Speaker 1>but we've we've talked to Nathan in real life. He's

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<v Speaker 1>doing wonderfully. He has a beautiful family, beautiful kids, and

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<v Speaker 1>they are a very private family. So you won't be

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<v Speaker 1>joining us on podcast. But we wish him the best.

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<v Speaker 1>We did him.

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<v Speaker 2>We love Harry and oh my gosh, just what a

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<v Speaker 2>great what a great guy, match a great character.

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<v Speaker 1>Ye holy mattress money. And moving on with the next

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<v Speaker 1>guest star, we have Malachi Pearson as Brian Kagan. This

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<v Speaker 1>is his first of two appearances on Full House. He's

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<v Speaker 1>also in later season three, the episode called Misadventures and babysitting.

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<v Speaker 1>He's the kid that gets his head stuck in the banister.

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<v Speaker 2>That's right. I was like, yes, that's right, Yes, yes,

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<v Speaker 2>So I'm happy that he's going to be back.

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<v Speaker 1>He also appeared on Family Matters, Valerie, Family Ties, and

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<v Speaker 1>Highway to Heaven, and he was the voice He voiced

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<v Speaker 1>the voice of Casper in the nineteen ninety six video

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<v Speaker 1>game of the same name. Yeah, lots of voice actors

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<v Speaker 1>on the show this week. And moving right along, we

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<v Speaker 1>have Jenny Drugan as Lori. She did twenty six episodes

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<v Speaker 1>of Land of the Lost.

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<v Speaker 2>Loved that show.

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<v Speaker 1>It's here for Slay Stacks, babe.

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<v Speaker 2>I still make comments about Stacks and people are like what.

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<v Speaker 1>Yeah, oh man, it's least that's me every morning.

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<v Speaker 2>Yeah, like sun Prices.

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<v Speaker 1>And then we have Paul right the third as band

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<v Speaker 1>member of Jesse and the Rippers. I don't think they

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<v Speaker 1>didn't give him a name. That's sad. He's just band member.

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<v Speaker 1>But he's very talented.

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<v Speaker 2>About the other band members, he's the only one that.

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<v Speaker 1>He's the only one that he didn't even get a name.

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<v Speaker 1>He's the only one that got a credit that's interested

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<v Speaker 1>as band member. But he's a talented musician. He composed

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<v Speaker 1>the theme song to the show Martin in nineteen ninety five.

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<v Speaker 1>And last, but certainly not least, we have Chuck Mahoney

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<v Speaker 1>as Steven, which is uncredited. Who's Stephen?

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<v Speaker 2>I have no idea.

0:11:47.520 --> 0:11:48.800
<v Speaker 1>Is that one of the other? No?

0:11:48.640 --> 0:11:52.439
<v Speaker 2>No, what is uncredited? I don't know. I don't remember

0:11:52.600 --> 0:11:57.439
<v Speaker 2>Stephen in the episode Stephen get cut. Maybe he got cut,

0:11:57.480 --> 0:11:58.679
<v Speaker 2>maybe got cut.

0:11:58.520 --> 0:12:00.000
<v Speaker 1>And then they just were like, well we were stuffed.

0:12:00.559 --> 0:12:01.679
<v Speaker 1>Well okay, yeah, I don't know why.

0:12:01.960 --> 0:12:04.840
<v Speaker 2>Maybe Stephen was the name of one of the mullets.

0:12:07.240 --> 0:12:09.079
<v Speaker 1>That must have been it, because.

0:12:08.840 --> 0:12:12.439
<v Speaker 2>They certainly deserve their own credit. We'll get there. If

0:12:12.480 --> 0:12:16.040
<v Speaker 2>you thought season one was the epicenter of mullets, let

0:12:16.120 --> 0:12:18.720
<v Speaker 2>me tell you guys. Oh oh, it's unreal.

0:12:19.240 --> 0:12:22.720
<v Speaker 1>The mullets are strong in this episode. Mullet game is strong.

0:12:22.800 --> 0:12:23.760
<v Speaker 2>Yeah.

0:12:23.880 --> 0:12:26.320
<v Speaker 1>Okay, So those are all of the guest stars this week.

0:12:26.400 --> 0:12:30.440
<v Speaker 1>Holy cow. We start with our teaser in the living room.

0:12:30.679 --> 0:12:34.120
<v Speaker 1>Michelle runs in with her toy car and tells Joey

0:12:34.160 --> 0:12:37.480
<v Speaker 1>that the car is broken. Joey walks over and checks

0:12:37.480 --> 0:12:42.240
<v Speaker 1>the car by shaking Michelle. This shaking causes her to say,

0:12:42.840 --> 0:12:46.880
<v Speaker 1>h which prompts Joey to report that it is broken

0:12:46.960 --> 0:12:50.120
<v Speaker 1>all right. He pretends to fix up the car by

0:12:50.120 --> 0:12:53.920
<v Speaker 1>giving Michelle some oil and tightening some screws. He shakes

0:12:53.960 --> 0:12:57.000
<v Speaker 1>her again and she says uh, before finishing off with

0:12:57.040 --> 0:13:01.040
<v Speaker 1>a loud room to indicate that the car is working again.

0:13:02.160 --> 0:13:04.440
<v Speaker 1>She starts to drive off, and Joey stops her, saying

0:13:04.480 --> 0:13:07.800
<v Speaker 1>she forgot to pay her bill. Michelle says sorry and

0:13:07.880 --> 0:13:11.600
<v Speaker 1>kisses Joey. He responds, here's your change, before kissing her

0:13:11.679 --> 0:13:14.920
<v Speaker 1>right back and she speeds off. This was good teaser.

0:13:15.080 --> 0:13:17.520
<v Speaker 2>This was cute and such a great Another great example

0:13:17.520 --> 0:13:20.560
<v Speaker 2>of Dave doing all of his fun voice stuff.

0:13:21.080 --> 0:13:24.160
<v Speaker 1>Yeah, he's he's like the Mary Poppins bag of races,

0:13:24.200 --> 0:13:25.680
<v Speaker 1>Like there's always more, just right.

0:13:25.880 --> 0:13:27.920
<v Speaker 2>And I remember the girls used to love when he

0:13:27.920 --> 0:13:30.440
<v Speaker 2>would do those noises the spaceship all that stuff. They

0:13:30.440 --> 0:13:31.880
<v Speaker 2>thought it was hilarious.

0:13:32.400 --> 0:13:34.440
<v Speaker 1>What kid didn't like it? I mean he was just

0:13:34.720 --> 0:13:38.040
<v Speaker 1>so such a hit with the kids. Uh. Okay, So

0:13:38.080 --> 0:13:41.600
<v Speaker 1>we opened the regular show with Jesse and Joey and

0:13:41.640 --> 0:13:45.000
<v Speaker 1>Michelle in Joey's room, along with a random assortment of

0:13:45.080 --> 0:13:48.680
<v Speaker 1>rippers and mullets, none of which are the rat tail ripper, Like,

0:13:48.760 --> 0:13:49.520
<v Speaker 1>where is he?

0:13:50.080 --> 0:13:53.400
<v Speaker 2>I mean it, I don't know. To be honest, I

0:13:53.480 --> 0:13:56.000
<v Speaker 2>was like, is one of them the rat tail ripper

0:13:56.240 --> 0:13:58.440
<v Speaker 2>that just now has more hair. It's been a couple

0:13:58.480 --> 0:14:00.080
<v Speaker 2>of years, they've grown it out a little bit. I

0:14:00.080 --> 0:14:03.080
<v Speaker 2>couldn't tell. To be fair, I didn't recognize any of

0:14:03.080 --> 0:14:07.600
<v Speaker 2>these helpers. I didn't recognize any of them. But this was,

0:14:09.040 --> 0:14:12.800
<v Speaker 2>I mean, this hair was it was.

0:14:13.360 --> 0:14:14.400
<v Speaker 1>It was like a mullet convention.

0:14:14.559 --> 0:14:16.800
<v Speaker 2>I don't even there's not any words. It was standing

0:14:16.840 --> 0:14:19.400
<v Speaker 2>up a good six inches. Yeah, these mullets had their

0:14:19.440 --> 0:14:23.120
<v Speaker 2>own heartbeats, like they were. I was large and in charge,

0:14:23.440 --> 0:14:25.720
<v Speaker 2>you know. At first I thought, is that the noodo?

0:14:26.360 --> 0:14:31.160
<v Speaker 2>But but it wasn't. But they also had that hair

0:14:31.680 --> 0:14:37.600
<v Speaker 2>and a constantly rotating cast of members door members, much

0:14:37.640 --> 0:14:43.640
<v Speaker 2>like the rippers. But yeah, I was shocked, truly at

0:14:43.800 --> 0:14:47.760
<v Speaker 2>the hair on these guys because it rivaled anything we

0:14:47.840 --> 0:14:51.200
<v Speaker 2>saw in season one. And I thought we were I

0:14:51.200 --> 0:14:55.520
<v Speaker 2>thought we had moved out of the hair band era

0:14:55.800 --> 0:14:58.000
<v Speaker 2>at that point. You know, John was in his faux

0:14:58.000 --> 0:15:01.360
<v Speaker 2>turtlenecks and suspenders, living his best rat back live. Yes,

0:15:01.440 --> 0:15:05.200
<v Speaker 2>And I thought, you know, maybe in rattail mullet Ripper

0:15:05.560 --> 0:15:09.720
<v Speaker 2>is nowhere to be found, but he's been replaced by gigantic. Uh.

0:15:11.160 --> 0:15:13.480
<v Speaker 2>I was gonna say wig rippers, but that sounds that

0:15:13.600 --> 0:15:18.320
<v Speaker 2>sounded wig rippers. Yeah, no rippers. Oh, they're rippers with

0:15:19.040 --> 0:15:21.320
<v Speaker 2>I don't know what they're just they're like the Dolly

0:15:21.320 --> 0:15:21.960
<v Speaker 2>Parton rippers.

0:15:21.960 --> 0:15:24.480
<v Speaker 1>They got big hair, they're they're just.

0:15:24.680 --> 0:15:26.840
<v Speaker 2>That's that there's a lot of money to look cheap,

0:15:26.880 --> 0:15:27.720
<v Speaker 2>as she says.

0:15:29.240 --> 0:15:32.080
<v Speaker 1>Yeah, the hair is very distracting in this in this scene.

0:15:32.080 --> 0:15:33.920
<v Speaker 2>But right, yeah, when he tells him to take it

0:15:33.920 --> 0:15:36.080
<v Speaker 2>from the top, I was like, the top of what

0:15:36.840 --> 0:15:42.680
<v Speaker 2>their hair? Okay, And that is to say nothing of

0:15:42.720 --> 0:15:44.360
<v Speaker 2>the song that we were about to get into.

0:15:44.760 --> 0:15:48.960
<v Speaker 1>Oh oh oh you just wait, just wait. So Jesse

0:15:49.080 --> 0:15:52.400
<v Speaker 1>counts one, two, and Michelle chimes in buckle my shoe.

0:15:52.960 --> 0:15:54.560
<v Speaker 1>He runs over to her, telling her to do it

0:15:54.600 --> 0:15:58.840
<v Speaker 1>as they practiced, and Michelle enthusiastically responds, got it, dude.

0:16:00.120 --> 0:16:03.000
<v Speaker 1>Jesse counts his bandon and they begin to sing the

0:16:03.280 --> 0:16:08.560
<v Speaker 1>Pounds Away Diet Center jingle, which is problematic in so

0:16:08.600 --> 0:16:09.040
<v Speaker 1>many ways.

0:16:09.080 --> 0:16:11.320
<v Speaker 2>But you guys, I would just like it to be

0:16:11.360 --> 0:16:14.120
<v Speaker 2>known that that that we do not endorse any of this.

0:16:14.120 --> 0:16:18.400
<v Speaker 2>This was late eighties early nineties, diet culture was obviously

0:16:18.520 --> 0:16:21.520
<v Speaker 2>out of control and this song is ridiculous. But but

0:16:21.560 --> 0:16:24.200
<v Speaker 2>here we are it was, it was sung, it was

0:16:24.240 --> 0:16:28.720
<v Speaker 2>sung by rippers with gigantic hair, and uh and and

0:16:29.160 --> 0:16:29.640
<v Speaker 2>here we are?

0:16:30.080 --> 0:16:32.240
<v Speaker 1>So how is this even in the even in the

0:16:32.360 --> 0:16:35.720
<v Speaker 1>late eighties? Was this okay? This kind of song was? Okay?

0:16:35.760 --> 0:16:39.440
<v Speaker 2>I don't remember it, Yeah, okay, A long way in

0:16:39.560 --> 0:16:43.120
<v Speaker 2>what we go? I don't think we should say that. Yeah,

0:16:43.200 --> 0:16:44.280
<v Speaker 2>I was. I was shocked.

0:16:44.400 --> 0:16:46.120
<v Speaker 1>Normally, I'm just like, oh yeah, that was the eighties

0:16:46.200 --> 0:16:47.600
<v Speaker 1>right right now, this tu me.

0:16:48.200 --> 0:16:50.840
<v Speaker 2>The song starts off with you won't be Fat no More?

0:16:51.000 --> 0:16:56.200
<v Speaker 2>And I was like, wow, that's aggressive and to the point.

0:16:56.320 --> 0:16:59.600
<v Speaker 1>Okay, and then they have Michelle singing bye bye fat

0:16:59.680 --> 0:17:03.880
<v Speaker 1>like every other lyric it's it's oh yeah. And the

0:17:03.920 --> 0:17:06.440
<v Speaker 1>other problematic thing is it's basically they've ripped off the

0:17:06.480 --> 0:17:09.480
<v Speaker 1>Beach Boys fun fun fun like this isn't an original tune.

0:17:11.480 --> 0:17:15.120
<v Speaker 1>There's copyright involved. Guys, like you can't you can't pass

0:17:15.200 --> 0:17:18.240
<v Speaker 1>this off as a as a diet center jingle when

0:17:18.280 --> 0:17:20.119
<v Speaker 1>the Beach Boys kind of have some reference to this,

0:17:20.400 --> 0:17:23.760
<v Speaker 1>you know, yeah, I just there was a lot of thoughts,

0:17:23.960 --> 0:17:28.000
<v Speaker 1>a lot of there's a lot of thoughts. So thankfully

0:17:28.080 --> 0:17:31.320
<v Speaker 1>the song ends, and with Jesse not not soon enough,

0:17:31.359 --> 0:17:34.639
<v Speaker 1>but thankfully it ends. Jesse says goodbye to his bandmates

0:17:34.720 --> 0:17:37.439
<v Speaker 1>and shouts work on your hair as they exit.

0:17:37.640 --> 0:17:39.960
<v Speaker 2>I don't think they could more if they tried.

0:17:41.560 --> 0:17:43.080
<v Speaker 1>It was helmet hair. It wasn't moving.

0:17:43.520 --> 0:17:46.000
<v Speaker 2>I mean that hair has been worked on.

0:17:47.320 --> 0:17:47.639
<v Speaker 1>It was.

0:17:48.440 --> 0:17:54.000
<v Speaker 2>It was pretty pretty impenetrable with all the aquanett.

0:17:54.080 --> 0:17:59.440
<v Speaker 1>Yeah, that was in the film. So Jesse turns to

0:17:59.520 --> 0:18:01.880
<v Speaker 1>Joey and asks, do you think that that song will

0:18:01.880 --> 0:18:05.320
<v Speaker 1>motivate people to go on a diet? And Joey admits, well,

0:18:05.320 --> 0:18:08.880
<v Speaker 1>it worked for me. Let's go eat some pizza. DJ

0:18:09.000 --> 0:18:11.400
<v Speaker 1>walks in and tells them about her English homework, which

0:18:11.400 --> 0:18:14.480
<v Speaker 1>involves her observing a family member for one day and

0:18:14.520 --> 0:18:17.600
<v Speaker 1>writing a report on what they do. She's going to

0:18:17.680 --> 0:18:20.880
<v Speaker 1>pick someone who's interested in nothing but fun and toys.

0:18:21.840 --> 0:18:24.280
<v Speaker 1>Jesse jokes that she must be referring to Joey, and

0:18:24.359 --> 0:18:26.560
<v Speaker 1>DJ laughs No, Michelle.

0:18:26.640 --> 0:18:27.760
<v Speaker 2>Probly could have been either one.

0:18:28.160 --> 0:18:30.480
<v Speaker 1>Definitely, I you know it was fifty to fifty right,

0:18:30.520 --> 0:18:33.720
<v Speaker 1>there could have been either one. DJ walks up to

0:18:33.720 --> 0:18:36.000
<v Speaker 1>Michelle and asks if she can follow her around for

0:18:36.040 --> 0:18:40.320
<v Speaker 1>the day. Michelle states, Okay, come with me my room now.

0:18:41.600 --> 0:18:44.800
<v Speaker 1>DJ makes a note to her uncle's observation number one

0:18:45.040 --> 0:18:48.119
<v Speaker 1>subject has an attitude, and she follows Michelle out of

0:18:48.119 --> 0:18:53.679
<v Speaker 1>the room. Stephanie runs in, announcing she's finally home. She

0:18:53.720 --> 0:18:56.119
<v Speaker 1>explains that she was kept after school and had to

0:18:56.200 --> 0:18:58.320
<v Speaker 1>keep her head down on her desk and not say

0:18:58.359 --> 0:19:01.439
<v Speaker 1>a word for fifteen minutes, which is a new record.

0:19:02.640 --> 0:19:04.520
<v Speaker 1>Then she says see you boys and runs out of

0:19:04.560 --> 0:19:06.760
<v Speaker 1>the room. Jesse and Joey run after her to get

0:19:06.760 --> 0:19:07.440
<v Speaker 1>more details.

0:19:07.680 --> 0:19:09.520
<v Speaker 2>Yeah, this was one of those episodes they were just

0:19:09.760 --> 0:19:13.520
<v Speaker 2>mining from real life experiences of me getting in trouble

0:19:13.560 --> 0:19:14.040
<v Speaker 2>for talking.

0:19:14.280 --> 0:19:17.280
<v Speaker 1>Yeah, I loved it, and you you're just peak Stephanie.

0:19:17.320 --> 0:19:17.480
<v Speaker 2>Here.

0:19:17.560 --> 0:19:19.880
<v Speaker 1>I love your little plaid skirt. Oh yeah, with your

0:19:19.960 --> 0:19:24.960
<v Speaker 1>suspenders like yeather hair is like your hair is very

0:19:24.960 --> 0:19:28.560
<v Speaker 1>well tamed. It's not like the frizzy. It's a little better,

0:19:28.720 --> 0:19:31.919
<v Speaker 1>but it's better, much better. It's much more tamed. I'm

0:19:31.960 --> 0:19:32.720
<v Speaker 1>here for this look.

0:19:32.920 --> 0:19:35.399
<v Speaker 2>Yeah, this is a yeah, very very peak steph like

0:19:35.480 --> 0:19:40.080
<v Speaker 2>little side ponytail sort of moment. It's adorable and she's

0:19:40.119 --> 0:19:42.360
<v Speaker 2>also smart. She's like, I'm gonna drop this little nugget

0:19:42.359 --> 0:19:45.040
<v Speaker 2>of I had to be kept after school and then

0:19:45.200 --> 0:19:46.200
<v Speaker 2>not bye see later.

0:19:46.840 --> 0:19:48.719
<v Speaker 1>Yeah, And you're like you're phrasing it like oh this

0:19:48.880 --> 0:19:51.359
<v Speaker 1>was that's a new record, Like you've done something great

0:19:51.440 --> 0:19:55.000
<v Speaker 1>and then you run away. It's it's brilliant. People should

0:19:55.080 --> 0:19:58.600
<v Speaker 1>kids should take notes. So the guys follow Steph into

0:19:58.640 --> 0:20:01.639
<v Speaker 1>the kitchen and Jesse asks her why she was kept

0:20:01.640 --> 0:20:05.159
<v Speaker 1>after school. Steph tells them that some kids were calling

0:20:05.320 --> 0:20:09.639
<v Speaker 1>Walter Berman a duck face. Jesse asks if she was

0:20:09.680 --> 0:20:12.120
<v Speaker 1>a part of this, and she says it wasn't just her,

0:20:12.280 --> 0:20:13.400
<v Speaker 1>it was the whole class.

0:20:13.840 --> 0:20:17.840
<v Speaker 2>The standard response for kids, I know that makes it

0:20:17.960 --> 0:20:20.240
<v Speaker 2>many right, You're like great, so it was all of

0:20:20.280 --> 0:20:22.440
<v Speaker 2>you be ganging up on someone even better.

0:20:23.160 --> 0:20:26.960
<v Speaker 1>That doesn't make it any better, so Jesse scolds her,

0:20:27.040 --> 0:20:30.439
<v Speaker 1>saying that's no excuse. Stuff assures him that if he

0:20:30.520 --> 0:20:34.080
<v Speaker 1>saw Walter he would call him duck face too. She

0:20:34.200 --> 0:20:36.800
<v Speaker 1>tells them that he's always making these duck lips, and

0:20:36.880 --> 0:20:41.000
<v Speaker 1>she proceeds to mimic him. Joey laughs, h kids sounds

0:20:41.000 --> 0:20:44.159
<v Speaker 1>like a quack up, and Steph demonstrates how the class

0:20:44.200 --> 0:20:46.240
<v Speaker 1>was making fun of Walter by walking around the room

0:20:46.440 --> 0:20:51.639
<v Speaker 1>quacking like a duck. Joey and Jesse look at her

0:20:51.640 --> 0:20:54.119
<v Speaker 1>with blank expressions, and she shrugs, well, you had to

0:20:54.119 --> 0:20:57.520
<v Speaker 1>be there. Jesse tells Steph that when he was younger,

0:20:57.600 --> 0:21:01.000
<v Speaker 1>everybody used to tease him by calling him Zorba the

0:21:01.119 --> 0:21:05.720
<v Speaker 1>geek instead of Zorba the Greek. What's funny? Ever a nerd?

0:21:05.800 --> 0:21:08.399
<v Speaker 2>Though? I don't feel like Jesse was ever a nerd.

0:21:08.920 --> 0:21:13.400
<v Speaker 2>I don't know. That's just mine. I can see it. Wow,

0:21:14.080 --> 0:21:15.720
<v Speaker 2>I feel like we saw him as a little kid

0:21:15.760 --> 0:21:18.000
<v Speaker 2>in that one flashback and he was chasing girls trying

0:21:18.040 --> 0:21:20.440
<v Speaker 2>to get kisses, and then they were chasing after him.

0:21:21.160 --> 0:21:23.240
<v Speaker 2>I don't know. Maybe maybe he went through an awkward face.

0:21:23.240 --> 0:21:25.800
<v Speaker 2>He probably went through an awkward face. Yeah, he said.

0:21:26.160 --> 0:21:28.120
<v Speaker 2>He sees when he turned thirteen his body flipped out.

0:21:28.119 --> 0:21:30.879
<v Speaker 2>So we haven't thirteen year old Jesse was awkward.

0:21:30.920 --> 0:21:33.240
<v Speaker 1>Okay, that's what we need. That's what we need to see,

0:21:33.320 --> 0:21:36.240
<v Speaker 1>is thirteen year old Jesse because I'm here for that,

0:21:36.359 --> 0:21:40.600
<v Speaker 1>like for the acne ridden you know, whatever, whatever puberty

0:21:40.960 --> 0:21:41.920
<v Speaker 1>things are going on.

0:21:41.880 --> 0:21:42.479
<v Speaker 2>At the moment.

0:21:42.600 --> 0:21:46.800
<v Speaker 1>That's that's what That's a missed opportunity right there. Jesse

0:21:47.119 --> 0:21:49.800
<v Speaker 1>admits that his body flipped out at thirteen. His nose

0:21:49.800 --> 0:21:52.919
<v Speaker 1>outgrew his face, his ears outgrew his nose, and he

0:21:53.080 --> 0:21:56.520
<v Speaker 1>was your basic mister potato head. So Joey pats him

0:21:56.520 --> 0:21:58.600
<v Speaker 1>on the back and says, so before you were a stood,

0:21:59.040 --> 0:22:03.320
<v Speaker 1>you were a spud. Jesse points to the door, motioning

0:22:03.359 --> 0:22:05.399
<v Speaker 1>for Joey to leave. You know, Joey's not really helping.

0:22:06.000 --> 0:22:09.280
<v Speaker 1>He's just he's just like throwing out dad jokes you

0:22:09.520 --> 0:22:13.399
<v Speaker 1>left and right. He's like, just go away, Joey. So

0:22:13.520 --> 0:22:16.040
<v Speaker 1>Jesse says, the point he's trying to make is that

0:22:16.080 --> 0:22:19.040
<v Speaker 1>the kids who bullied him hurt his feelings. So it

0:22:19.040 --> 0:22:22.000
<v Speaker 1>would be nice of Steph to call Walter and apologize.

0:22:23.000 --> 0:22:28.760
<v Speaker 1>Steph asks me called duckface. Jesse nods in response, I

0:22:28.760 --> 0:22:30.840
<v Speaker 1>love this bit. You You are looking right at the

0:22:30.840 --> 0:22:32.960
<v Speaker 1>camera during this line. Did you notice you were like

0:22:33.000 --> 0:22:36.440
<v Speaker 1>looking right at the camera video, look at video village,

0:22:36.440 --> 0:22:40.200
<v Speaker 1>and then you look at the camera. Oh, I mean yeah.

0:22:40.359 --> 0:22:42.400
<v Speaker 2>The fact that I didn't do that more was astounding,

0:22:42.640 --> 0:22:45.199
<v Speaker 2>with my add constantly being like, what's that?

0:22:45.359 --> 0:22:47.439
<v Speaker 1>Oh yeah, I loved it.

0:22:47.480 --> 0:22:48.600
<v Speaker 2>Now I'll have to go back and look at that

0:22:48.640 --> 0:22:49.520
<v Speaker 2>because I didn't notice that.

0:22:49.560 --> 0:22:52.439
<v Speaker 1>Actually, yeah, it was it's funny. I mean it's like

0:22:52.880 --> 0:22:55.639
<v Speaker 1>it's not super noticeable. I just noticed it because I

0:22:55.680 --> 0:22:58.040
<v Speaker 1>know you, and it's it's fun I look for your

0:22:58.040 --> 0:22:59.800
<v Speaker 1>mistakes because that's what I love do.

0:23:00.119 --> 0:23:01.560
<v Speaker 2>Yeah.

0:23:01.600 --> 0:23:04.240
<v Speaker 1>So, just then Danny walks through the door. Stuff runs

0:23:04.320 --> 0:23:06.240
<v Speaker 1>up to him, and she says she's so happy to

0:23:06.280 --> 0:23:09.840
<v Speaker 1>see him. She proceeds to tell her dad, just because

0:23:09.840 --> 0:23:12.800
<v Speaker 1>I teased duck Face at school, Uncle Jesse's making me

0:23:12.920 --> 0:23:16.639
<v Speaker 1>call him. Danny reminds her that she knows it's wrong

0:23:16.720 --> 0:23:20.040
<v Speaker 1>to hurt someone else's feelings. He thinks Jesse is handling

0:23:20.080 --> 0:23:25.560
<v Speaker 1>this situation perfectly. Stuff obliges, saying she'll call Walter and apologize,

0:23:26.040 --> 0:23:28.800
<v Speaker 1>then she'll invite him over for some soup and quackers.

0:23:29.760 --> 0:23:30.760
<v Speaker 1>She erupts into this.

0:23:30.720 --> 0:23:36.040
<v Speaker 2>Laughter ugh slightly mini terrifying it was.

0:23:36.160 --> 0:23:38.800
<v Speaker 1>I mean, you committed. You committed to his laugh bit,

0:23:39.000 --> 0:23:42.600
<v Speaker 1>and it worked. It worked for me. Jesse and Danny

0:23:42.720 --> 0:23:45.320
<v Speaker 1>both give her a look, and Steff admits she had

0:23:45.359 --> 0:23:48.040
<v Speaker 1>to get that out of her system. She runs upstairs

0:23:48.080 --> 0:23:50.560
<v Speaker 1>and Jesse follows behind, telling Danny he's going to go

0:23:50.640 --> 0:23:53.440
<v Speaker 1>track down duck Face Walter's phone number.

0:23:53.760 --> 0:23:55.520
<v Speaker 2>I totally get it. Sometimes you just have to get

0:23:55.520 --> 0:23:57.840
<v Speaker 2>the joke out of your system. I fully understand, and

0:23:57.880 --> 0:23:59.159
<v Speaker 2>then you feel better, and then you can. Then you

0:23:59.240 --> 0:24:01.160
<v Speaker 2>feel better and you're like, oh, okay, now it's out.

0:24:01.320 --> 0:24:02.760
<v Speaker 2>I can I'll be better now.

0:24:03.320 --> 0:24:06.359
<v Speaker 1>So Joey enters and greets Danny. Danny tells him that

0:24:06.400 --> 0:24:08.920
<v Speaker 1>Becky is out of town tomorrow, so he needs someone

0:24:08.920 --> 0:24:12.040
<v Speaker 1>to co host his show. He asks for some ideas,

0:24:12.040 --> 0:24:14.080
<v Speaker 1>and Joey offers himself to fill in.

0:24:14.560 --> 0:24:19.120
<v Speaker 2>He sorry, but this show does the most last minute stuff.

0:24:20.200 --> 0:24:23.000
<v Speaker 1>Well, and it's also talk show.

0:24:23.040 --> 0:24:26.040
<v Speaker 2>And you don't have a co host for tomorrow, Like

0:24:26.119 --> 0:24:29.280
<v Speaker 2>no one thought about this. Did Becky just leave today?

0:24:29.680 --> 0:24:34.000
<v Speaker 2>Like I was like wait. And it's also casual, like

0:24:34.040 --> 0:24:37.320
<v Speaker 2>there's no like negotiations, there's no like producers around. Yeah,

0:24:37.320 --> 0:24:39.239
<v Speaker 2>there's no like, oh my god, what are we gonna do?

0:24:39.280 --> 0:24:41.080
<v Speaker 2>I have a show in twelve hours and I don't

0:24:41.080 --> 0:24:42.679
<v Speaker 2>have a co host. It's like, yeah, hey, you know,

0:24:42.720 --> 0:24:45.200
<v Speaker 2>I got any ideas of someone that might be available

0:24:45.200 --> 0:24:47.320
<v Speaker 2>tomorrow morning. Yeah, He's just like, hey.

0:24:47.240 --> 0:24:48.919
<v Speaker 1>I got I got my friend that lives with me.

0:24:49.080 --> 0:24:49.960
<v Speaker 1>Why did I have him?

0:24:50.000 --> 0:24:50.080
<v Speaker 3>On?

0:24:50.359 --> 0:24:53.119
<v Speaker 2>The nepotism in this family talk, it's just a family

0:24:53.160 --> 0:24:54.920
<v Speaker 2>of nepo babies, all of them.

0:24:55.480 --> 0:24:59.200
<v Speaker 1>It is so Joey's excited he can plug his laugh

0:24:59.359 --> 0:25:02.640
<v Speaker 1>machine appearance on the show, and he says this is great.

0:25:02.680 --> 0:25:05.479
<v Speaker 1>He's kissing up to Danny, helping him take off his jacket,

0:25:05.560 --> 0:25:08.600
<v Speaker 1>pulls out his chair for him. Danny admits he was

0:25:08.640 --> 0:25:11.200
<v Speaker 1>kind of leaning towards that tall, pretty blonde who does

0:25:11.240 --> 0:25:15.359
<v Speaker 1>the evening news, and Joey exclaims, oh, he's awful. Joey

0:25:15.400 --> 0:25:17.439
<v Speaker 1>pulls out another chair for Danny to use as a

0:25:17.440 --> 0:25:19.760
<v Speaker 1>foot rest, and he tries to convince Danny that he

0:25:19.840 --> 0:25:22.800
<v Speaker 1>needs someone who knows him as well as he knows himself,

0:25:23.280 --> 0:25:26.040
<v Speaker 1>like someone who lives in his house. He begins to

0:25:26.119 --> 0:25:29.359
<v Speaker 1>massage Danny's shoulders and Danny asks, do you think Jesse

0:25:29.440 --> 0:25:33.080
<v Speaker 1>could do it. Joey starts to aggressively miss the missage

0:25:33.640 --> 0:25:38.439
<v Speaker 1>massage Danny's shoulders after hearing that, and Danny laughs, easy, easy,

0:25:38.560 --> 0:25:41.440
<v Speaker 1>I talk to everybody. I set it up. You got

0:25:41.440 --> 0:25:45.560
<v Speaker 1>the job. Joey rejoices at this news. He tells Danny

0:25:45.560 --> 0:25:47.960
<v Speaker 1>he should have kept him going before he pulls the

0:25:47.960 --> 0:25:50.880
<v Speaker 1>footrest away. Joey holds up his fingers, admitting, you were

0:25:50.960 --> 0:25:52.440
<v Speaker 1>this close to get in your car.

0:25:52.520 --> 0:25:57.200
<v Speaker 2>Wax, Oh, I should have held out a little longer. So wait,

0:25:57.240 --> 0:25:59.439
<v Speaker 2>he already knew. He already knew that he was going

0:25:59.480 --> 0:26:00.720
<v Speaker 2>to ask joe to co host.

0:26:00.840 --> 0:26:04.760
<v Speaker 1>But Joe, yes, Danny knew, but Joey didn't know, and

0:26:04.840 --> 0:26:05.320
<v Speaker 1>Danny was.

0:26:05.320 --> 0:26:08.400
<v Speaker 2>Just making fun bringing them along, Okay, stringing them along. Yep,

0:26:08.480 --> 0:26:08.919
<v Speaker 2>you got it.

0:26:09.400 --> 0:26:13.600
<v Speaker 1>This did feel like a weird shoehorned storyline, like I'm like, okay,

0:26:13.720 --> 0:26:15.800
<v Speaker 1>Laurie wasn't available, and they're like, what are we gonna

0:26:15.800 --> 0:26:17.639
<v Speaker 1>do with Danny and.

0:26:17.440 --> 0:26:20.760
<v Speaker 2>Joey stay up San Francisco together.

0:26:20.800 --> 0:26:23.159
<v Speaker 1>I don't know. It was a little little shoehorned in,

0:26:23.240 --> 0:26:26.800
<v Speaker 1>but yeah, okay, we are in Steph and DJ's room.

0:26:27.160 --> 0:26:30.640
<v Speaker 1>Michelle walks into the room. DJ follows with a notepad.

0:26:30.920 --> 0:26:33.800
<v Speaker 1>Michelle greets all of Steph's stuffed animals with a handshake

0:26:33.920 --> 0:26:37.040
<v Speaker 1>and a hello, and then a very weirdly looped high

0:26:37.640 --> 0:26:39.200
<v Speaker 1>added on at the end. Right.

0:26:40.160 --> 0:26:42.600
<v Speaker 2>My first thought was, as Stephanie, I was like, why

0:26:42.640 --> 0:26:44.320
<v Speaker 2>is Michelle in my room? Touching my things?

0:26:45.520 --> 0:26:48.280
<v Speaker 1>You felt some possessive sibling thought.

0:26:48.320 --> 0:26:50.919
<v Speaker 2>Yeah. Yeah, I was like, why is Michelle touching steph stuff?

0:26:51.440 --> 0:26:53.399
<v Speaker 2>Why is she touching her animals? They're obviously set up

0:26:53.400 --> 0:26:53.960
<v Speaker 2>there for a reason.

0:26:54.520 --> 0:26:57.160
<v Speaker 1>But right, yeah, your little sisters just you know, messing

0:26:57.200 --> 0:26:59.040
<v Speaker 1>with your stuff. Don't mess with mister bear.

0:26:59.240 --> 0:26:59.440
<v Speaker 2>Yeah.

0:27:00.200 --> 0:27:03.159
<v Speaker 1>So DJ tells Michelle to slow down. She picks her

0:27:03.240 --> 0:27:05.760
<v Speaker 1>up and places her on her bed. She tells Michelle

0:27:05.760 --> 0:27:08.880
<v Speaker 1>that observing her was supposed to be easy, but so far,

0:27:08.960 --> 0:27:11.320
<v Speaker 1>she's played with all of her animals and flushed every

0:27:11.359 --> 0:27:12.480
<v Speaker 1>toilet in the house.

0:27:13.080 --> 0:27:16.720
<v Speaker 2>There's only like two, I know that, that right, very long?

0:27:17.000 --> 0:27:17.960
<v Speaker 2>That doesn't take long.

0:27:18.800 --> 0:27:20.760
<v Speaker 1>There's the one upstairs next to the.

0:27:20.760 --> 0:27:23.880
<v Speaker 2>Girls room, right, and joe Danny's bathroom.

0:27:24.040 --> 0:27:24.719
<v Speaker 1>Oh yeah, that's right.

0:27:24.800 --> 0:27:27.800
<v Speaker 2>Danny has one, and Joey has one, and one downstairs.

0:27:27.800 --> 0:27:31.520
<v Speaker 2>Were assuming, and then Joey has one. Okay, there's four okay,

0:27:31.600 --> 0:27:35.000
<v Speaker 2>okay on each level, well two on the top level. Okay.

0:27:35.200 --> 0:27:36.920
<v Speaker 2>Still not enough for the amount of people that are

0:27:36.920 --> 0:27:41.760
<v Speaker 2>living in that house, right, So DJ offers naptime next.

0:27:41.960 --> 0:27:45.359
<v Speaker 1>Michelle agrees, okay, nap time. She closes her eyes for

0:27:45.400 --> 0:27:48.640
<v Speaker 1>one second and then her eyes pop back open. Nap over.

0:27:48.920 --> 0:27:51.000
<v Speaker 2>I used to hate when my kids would do that. Right,

0:27:51.000 --> 0:27:53.359
<v Speaker 2>why are they sing naptime? You're like, oh, yes, great,

0:27:53.400 --> 0:27:54.720
<v Speaker 2>and then they're like, just kidding.

0:27:55.200 --> 0:27:59.320
<v Speaker 1>Yeah, yeah, kids, just wait. You know, when you're our age,

0:27:59.320 --> 0:28:00.560
<v Speaker 1>you will live for naps.

0:28:00.640 --> 0:28:01.840
<v Speaker 2>You'll appreciate naps.

0:28:02.600 --> 0:28:04.480
<v Speaker 1>So Michelle hops out of bed and runs out the

0:28:04.480 --> 0:28:07.680
<v Speaker 1>door through Jesse's legs. DJ follows her out of the

0:28:07.760 --> 0:28:10.480
<v Speaker 1>room as Jesse and Steph walk in, ready to call

0:28:10.520 --> 0:28:13.359
<v Speaker 1>Walter on the red lips phone.

0:28:13.800 --> 0:28:17.719
<v Speaker 2>Classic right, calling duck lips on the lips phone.

0:28:18.200 --> 0:28:20.040
<v Speaker 1>It's great, It's so appropriate.

0:28:20.160 --> 0:28:21.040
<v Speaker 2>Yeah.

0:28:21.200 --> 0:28:23.119
<v Speaker 1>Steph tries to get out of the call by saying

0:28:23.160 --> 0:28:26.000
<v Speaker 1>in a very raspy tone, I can't talk. I lost

0:28:26.040 --> 0:28:29.720
<v Speaker 1>my voice. Jesse counters this by saying they'll just have

0:28:29.840 --> 0:28:32.640
<v Speaker 1>to go over to Walter's house and apologize in person.

0:28:33.480 --> 0:28:37.840
<v Speaker 1>Steph clearly remarks, my voice is back. It's empirical. Jesse

0:28:37.920 --> 0:28:41.000
<v Speaker 1>dials Walter's number and tells Steph they'll all feel good

0:28:41.040 --> 0:28:43.960
<v Speaker 1>after doing this. Jesse hands her the phone and Steph

0:28:44.040 --> 0:28:48.240
<v Speaker 1>greets Walter, following up with I'm really sorry. Well, nice

0:28:48.280 --> 0:28:50.760
<v Speaker 1>talking to you. She attempts to hang up, but Jesse

0:28:50.840 --> 0:28:54.240
<v Speaker 1>stops her. He tells her to mention what she's sorry for.

0:28:55.280 --> 0:28:58.000
<v Speaker 1>She says she's sorry for quacking at him, then attempts

0:28:58.000 --> 0:29:00.840
<v Speaker 1>to hang up again. Jesse stops her again and saying,

0:29:01.480 --> 0:29:07.120
<v Speaker 1>and Steph continues her apology and called you duckface and

0:29:07.320 --> 0:29:11.960
<v Speaker 1>through little pieces of bread at you. Step Yeah, come on,

0:29:12.680 --> 0:29:14.560
<v Speaker 1>you're so matter of fact about it though, you're like, okay,

0:29:14.560 --> 0:29:15.640
<v Speaker 1>I'm apologizing for this.

0:29:15.640 --> 0:29:18.600
<v Speaker 2>This well, yeah, that's the fun, Steph. That's just me.

0:29:19.720 --> 0:29:22.120
<v Speaker 1>And Jesse's shocked. He's like, you threw right at this kid.

0:29:23.680 --> 0:29:27.200
<v Speaker 2>It's so mean. Kids are out, they're just so cool.

0:29:27.720 --> 0:29:30.120
<v Speaker 1>Kids are mean, and this feels a little out of

0:29:30.200 --> 0:29:32.280
<v Speaker 1>character for Steph. But I think I think because the

0:29:32.280 --> 0:29:33.960
<v Speaker 1>whole school was doing it, the whole class.

0:29:34.040 --> 0:29:35.920
<v Speaker 2>The thing, right, is that that's just the sort of

0:29:35.920 --> 0:29:37.920
<v Speaker 2>the thing is that you're like, and I've seen my

0:29:38.000 --> 0:29:40.080
<v Speaker 2>kids do it where they've jumped in and you're like,

0:29:40.160 --> 0:29:42.800
<v Speaker 2>this isn't I know that, this isn't like who you

0:29:42.840 --> 0:29:44.720
<v Speaker 2>are though you just kind of jumped in because everyone

0:29:44.720 --> 0:29:47.960
<v Speaker 2>else was saying something. So yeah, it's a very very

0:29:48.040 --> 0:29:50.000
<v Speaker 2>kid thing to do, which was why this was such

0:29:50.040 --> 0:29:50.960
<v Speaker 2>a great episode.

0:29:51.360 --> 0:29:56.200
<v Speaker 1>Absolutely absolutely, So Jesse forces Steph to tell Walter he's

0:29:56.240 --> 0:29:59.880
<v Speaker 1>a very nice boy, and Steph does. Jesse asks her

0:30:00.040 --> 0:30:03.120
<v Speaker 1>there's anything she'd like to say, So Steph asks Walter

0:30:03.160 --> 0:30:04.800
<v Speaker 1>if he would like to say hi to her uncle

0:30:04.840 --> 0:30:07.240
<v Speaker 1>Jesse and hands the phone to him. She walks out

0:30:07.240 --> 0:30:09.280
<v Speaker 1>of the room while Jesse is stuck on the phone

0:30:09.320 --> 0:30:14.240
<v Speaker 1>with Walter Hey back yep so. Next in the living room,

0:30:14.400 --> 0:30:17.400
<v Speaker 1>Danny runs down the stairs yelling for Joey because they're

0:30:17.440 --> 0:30:20.680
<v Speaker 1>gonna be late. Joey hurries in, asking what the big

0:30:20.760 --> 0:30:23.960
<v Speaker 1>rush is. Danny explains that he always leaves the house.

0:30:23.760 --> 0:30:27.120
<v Speaker 2>At exactly seven forty eight, but now, thanks to Joey,

0:30:27.120 --> 0:30:30.440
<v Speaker 2>he's two minutes late. Joey points at a clock on

0:30:30.480 --> 0:30:32.440
<v Speaker 2>the wall and says that they are right on time.

0:30:33.280 --> 0:30:36.000
<v Speaker 2>Danny points at this clock and states, that's a barometer.

0:30:37.400 --> 0:30:40.000
<v Speaker 1>They have fire. I laughed out loud at this use

0:30:40.040 --> 0:30:44.000
<v Speaker 1>the nautical decourse. Yeah, as a joke. He loved it.

0:30:45.960 --> 0:30:51.000
<v Speaker 2>So the doorbell rings, Joey answers it to reveal duck Face. Huh,

0:30:51.280 --> 0:30:52.920
<v Speaker 2>there he is, Hey, there he is.

0:30:52.960 --> 0:30:55.040
<v Speaker 1>He's doing his signature puckered lip.

0:30:55.240 --> 0:30:55.520
<v Speaker 2>Look.

0:30:56.160 --> 0:30:59.120
<v Speaker 1>Joey says hi to him, and Duckface asks if Stephanie

0:30:59.160 --> 0:31:02.560
<v Speaker 1>Tanner is there. Hm. Joey yells up to steph that

0:31:02.600 --> 0:31:06.200
<v Speaker 1>her friend is there, and meanwhile Duckface introduces himself as

0:31:06.480 --> 0:31:10.280
<v Speaker 1>Walter F. Berman. Joey responds by saying his name is

0:31:10.480 --> 0:31:14.080
<v Speaker 1>Joseph A. Gladstone, and Danny follows by saying he is

0:31:14.200 --> 0:31:17.400
<v Speaker 1>Daniel E. Tanner. This was such a great bit.

0:31:17.480 --> 0:31:19.800
<v Speaker 2>Do you remember do you remember what their middle names are?

0:31:20.200 --> 0:31:22.320
<v Speaker 1>Oh wait, we heard this in the flashback?

0:31:22.440 --> 0:31:26.440
<v Speaker 2>Uh huh okay, So, Joey, I want to say it

0:31:26.480 --> 0:31:33.720
<v Speaker 2>was Joseph A. Allen, Alvin Alan Alvin, Alvin Gladstone.

0:31:34.840 --> 0:31:35.480
<v Speaker 1>I don't remember.

0:31:35.520 --> 0:31:38.760
<v Speaker 2>I do remember that Daniel is Daniel Ernest, Ernest.

0:31:38.760 --> 0:31:42.880
<v Speaker 1>I remember Ernest, I don't remember, Joey. Let's let's say Alan,

0:31:43.120 --> 0:31:45.160
<v Speaker 1>I don't know. Someone will correct us.

0:31:46.400 --> 0:31:48.000
<v Speaker 2>Yeah, we'll figure we'll figure it out.

0:31:48.320 --> 0:31:50.800
<v Speaker 1>So Danny welcomes Walter into the house. He tells the

0:31:50.840 --> 0:31:52.920
<v Speaker 1>kids to have a good day at school and quickly

0:31:53.040 --> 0:31:56.280
<v Speaker 1>leaves with Joey. Steph walks into the room and her

0:31:56.320 --> 0:32:00.200
<v Speaker 1>eyes get wide as she sees Walter standing there. She

0:32:00.240 --> 0:32:03.400
<v Speaker 1>hesitantly asks him what he's doing there. Walking through her

0:32:03.400 --> 0:32:07.080
<v Speaker 1>living room and sitting on the couch, Walter explains that

0:32:07.120 --> 0:32:09.880
<v Speaker 1>he wanted to thank her in person for calling to apologize.

0:32:10.720 --> 0:32:12.920
<v Speaker 1>Steph shrugs, saying it was something she had to do.

0:32:14.080 --> 0:32:18.120
<v Speaker 1>Walter inquires, so you really think I'm a very nice boy.

0:32:19.000 --> 0:32:25.280
<v Speaker 1>Steph's jaw drops and she says, uh yeah, oh oh,

0:32:25.360 --> 0:32:27.360
<v Speaker 1>here we go. I can you can see it coming,

0:32:27.520 --> 0:32:31.320
<v Speaker 1>you can see it coming. It's so funny. Walter exclaims,

0:32:31.400 --> 0:32:32.680
<v Speaker 1>this is marvelous.

0:32:32.840 --> 0:32:35.440
<v Speaker 2>I never thought i'd have a friend, and now I

0:32:35.560 --> 0:32:36.760
<v Speaker 2>have a girlfriend.

0:32:37.440 --> 0:32:44.320
<v Speaker 1>Steph questions you do who, and Walter responds you. Steph

0:32:44.400 --> 0:32:49.480
<v Speaker 1>is flabbergasted, asking me, this is so the expression on

0:32:49.520 --> 0:32:52.640
<v Speaker 1>your face. You're just so horrified, but trying to keep

0:32:52.680 --> 0:32:53.200
<v Speaker 1>it in right.

0:32:53.240 --> 0:33:01.640
<v Speaker 2>I'm like, oh no, oh no, there's been a misunderstanding. Yeah.

0:33:01.680 --> 0:33:05.400
<v Speaker 2>So Walter scooch is closer to her and states, Walter

0:33:05.480 --> 0:33:07.840
<v Speaker 2>plus Stephanie equals true love.

0:33:08.480 --> 0:33:12.480
<v Speaker 1>Forever. He puts his arm around her, and she nervously

0:33:12.560 --> 0:33:18.400
<v Speaker 1>asks forever. Damn it, steff eh Steph. Oh.

0:33:18.440 --> 0:33:21.080
<v Speaker 2>Although I have to say, the one thing I did

0:33:21.080 --> 0:33:24.240
<v Speaker 2>notice about Steph in this scene is an amazing pair

0:33:24.320 --> 0:33:29.680
<v Speaker 2>of pink high top rebox ooh fable I had. I remember,

0:33:29.680 --> 0:33:32.200
<v Speaker 2>I had like every color of them on the show

0:33:32.240 --> 0:33:34.520
<v Speaker 2>Ooh okay high Top. There was like a pink and

0:33:34.560 --> 0:33:37.360
<v Speaker 2>a green and a turquoise and all different colors. But yeah,

0:33:37.400 --> 0:33:40.320
<v Speaker 2>I saw myself walk in in this scene. I was like,

0:33:40.400 --> 0:33:43.080
<v Speaker 2>ooh oh, all the pink high tops in the world

0:33:43.080 --> 0:33:45.280
<v Speaker 2>aren't going to save you now, Steph.

0:33:44.800 --> 0:33:47.480
<v Speaker 1>Oh, those were great because, yeah, you could just get

0:33:47.520 --> 0:33:50.040
<v Speaker 1>whatever pair to match your outfit, could get the color

0:33:50.040 --> 0:33:53.760
<v Speaker 1>that matches your outfit that week. That's fantastic. So we

0:33:53.800 --> 0:33:57.200
<v Speaker 1>cut to an awkward commercial break, and then we continue

0:33:57.200 --> 0:34:00.040
<v Speaker 1>in the living room. Walter can't wait to tell the

0:33:59.840 --> 0:34:03.920
<v Speaker 1>whole second grade that she's his girlfriend. He stands up

0:34:03.960 --> 0:34:09.120
<v Speaker 1>proudly and admits he feels four feet tall. He puckers

0:34:09.160 --> 0:34:12.600
<v Speaker 1>his lips and marches towards the door. Stephanie stops him.

0:34:12.840 --> 0:34:15.280
<v Speaker 1>She says he can't tell anyone that she's his girlfriend.

0:34:15.880 --> 0:34:17.800
<v Speaker 1>He asks, so you want it to be a secret?

0:34:18.280 --> 0:34:23.080
<v Speaker 1>Steph nods, uh, yeah, hop secret. Walter is intrigued at first,

0:34:23.239 --> 0:34:26.600
<v Speaker 1>but then realizes he doesn't know what a secret girlfriend means.

0:34:27.400 --> 0:34:30.520
<v Speaker 1>Steph explains that they'll never talk to each other, never

0:34:30.600 --> 0:34:33.839
<v Speaker 1>look at each other, and never hold hands. They'll be

0:34:34.080 --> 0:34:35.359
<v Speaker 1>total strangers.

0:34:36.000 --> 0:34:38.160
<v Speaker 2>Wow, that'll work.

0:34:39.200 --> 0:34:41.600
<v Speaker 1>Yeah, And for some reason, Walter agrees to this. Like

0:34:41.600 --> 0:34:44.680
<v Speaker 1>this poor kid, like he's just so excited of a girlfriend.

0:34:44.719 --> 0:34:47.560
<v Speaker 2>I mean that's I mean that happens sometimes where they're like, yeah, like,

0:34:47.680 --> 0:34:49.680
<v Speaker 2>I'll be your friend, but we can't talk at school,

0:34:50.239 --> 0:34:50.440
<v Speaker 2>you know.

0:34:50.719 --> 0:34:52.960
<v Speaker 1>Yeah, that's so sick, Like this kid is just so

0:34:53.120 --> 0:34:55.759
<v Speaker 1>thirsty for a friend that he's willing to put up

0:34:55.760 --> 0:34:55.960
<v Speaker 1>with this.

0:34:56.080 --> 0:34:58.040
<v Speaker 2>I know watching it as an adult and my heart

0:34:58.080 --> 0:35:00.160
<v Speaker 2>is breaking for Walter. But like as a kid, you

0:35:00.200 --> 0:35:01.719
<v Speaker 2>were like, oh, yeah, I'm not gonna hang out with

0:35:01.760 --> 0:35:02.200
<v Speaker 2>duck face.

0:35:02.680 --> 0:35:04.680
<v Speaker 1>Yeah, you're like, these are the terms of this friend,

0:35:04.719 --> 0:35:08.560
<v Speaker 1>the secret you know, relationship, right, So Walter agrees to

0:35:08.600 --> 0:35:11.719
<v Speaker 1>the terms, but continues to call her his secret girlfriend.

0:35:12.160 --> 0:35:14.880
<v Speaker 1>Steph responds, well, I guess I won't talk to you later,

0:35:15.040 --> 0:35:18.160
<v Speaker 1>and she tries to show him out the door. Walter

0:35:18.239 --> 0:35:22.000
<v Speaker 1>stays put and dramatically removes his glasses, asking Steph if

0:35:22.040 --> 0:35:25.920
<v Speaker 1>she knows what he's doing now stuff admits she's afraid

0:35:25.920 --> 0:35:28.840
<v Speaker 1>to ask. Walter tells her that he's giving her a

0:35:28.960 --> 0:35:32.440
<v Speaker 1>secret kiss in his mind, and he closes his eyes

0:35:32.480 --> 0:35:37.200
<v Speaker 1>and puckers and wit really knocked this out, And I'm

0:35:37.239 --> 0:35:38.280
<v Speaker 1>so dramatic.

0:35:38.719 --> 0:35:41.040
<v Speaker 2>Taking off of the glasses, the whole moment. He really

0:35:41.040 --> 0:35:41.560
<v Speaker 2>went for it.

0:35:42.360 --> 0:35:45.120
<v Speaker 1>He committed yeah, like I can. I can just imagine

0:35:45.120 --> 0:35:49.440
<v Speaker 1>that his audition was, oh a home run, right, Oh,

0:35:49.440 --> 0:35:53.200
<v Speaker 1>my gosh. So he abruptly leaves and stuff closes the

0:35:53.200 --> 0:35:57.280
<v Speaker 1>door behind him. She screams ew and wipes her cheek

0:35:57.320 --> 0:36:00.200
<v Speaker 1>off as she scurries away, and the audience applause. It's

0:36:00.239 --> 0:36:05.720
<v Speaker 1>like this was just a fantastic scene between Yeah Stephan Walter.

0:36:06.880 --> 0:36:09.560
<v Speaker 1>So next, in Michelle's room, Michelle runs into her room

0:36:09.680 --> 0:36:13.640
<v Speaker 1>holding DJ's paper. DJ walks in, asking for her paperback

0:36:13.880 --> 0:36:16.880
<v Speaker 1>so she can write down that Michelle stole it. Michelle

0:36:16.880 --> 0:36:21.800
<v Speaker 1>happily states my paper before running behind her crib. DJ

0:36:21.880 --> 0:36:24.360
<v Speaker 1>runs after her sister, but ends up hitting her knee

0:36:24.400 --> 0:36:27.920
<v Speaker 1>on Michelle's crib. She hobbles onto the floor, holding her

0:36:27.960 --> 0:36:30.400
<v Speaker 1>knee in pain, and then we hear some terrible looping

0:36:30.800 --> 0:36:35.200
<v Speaker 1>of DJ saying ow ow ow gotta love the eighties.

0:36:35.280 --> 0:36:36.239
<v Speaker 1>You know, it's so bit right.

0:36:36.320 --> 0:36:38.880
<v Speaker 2>Mouth isn't moving right, You're like it just throws some

0:36:38.960 --> 0:36:39.520
<v Speaker 2>noises in there.

0:36:39.520 --> 0:36:42.440
<v Speaker 1>It's fine, Like the volume is different too, Like it's

0:36:42.480 --> 0:36:44.640
<v Speaker 1>just so obvious that this was put in.

0:36:44.600 --> 0:36:46.239
<v Speaker 2>And those were the days, right, I was as good

0:36:46.239 --> 0:36:46.800
<v Speaker 2>as a got.

0:36:47.239 --> 0:36:50.520
<v Speaker 1>So Michelle says I'm sorry and hands the paper back

0:36:50.560 --> 0:36:53.480
<v Speaker 1>to DJ. She asks DJ if she got a booboo,

0:36:53.880 --> 0:36:58.160
<v Speaker 1>and then kisses DJ's knee to make it all better. Oh,

0:36:58.360 --> 0:37:01.560
<v Speaker 1>DJ thanks Michelle, saying her knee is all better. Michelle

0:37:01.560 --> 0:37:05.319
<v Speaker 1>excitedly responds Okay, more fun and grabs the paper before

0:37:05.400 --> 0:37:10.560
<v Speaker 1>running away. Steph storms into the room and shouts at DJ,

0:37:11.120 --> 0:37:12.720
<v Speaker 1>have you seen your uncle?

0:37:12.800 --> 0:37:13.040
<v Speaker 2>Jesse?

0:37:13.920 --> 0:37:16.960
<v Speaker 1>DJ tells her to check his room. Steph defends herself,

0:37:16.960 --> 0:37:19.000
<v Speaker 1>saying she would have thought of that if she wasn't

0:37:19.040 --> 0:37:20.000
<v Speaker 1>so steamed.

0:37:20.719 --> 0:37:26.319
<v Speaker 2>Steph is piossed. Yes, Steph is on one. Yeah, she

0:37:26.480 --> 0:37:31.080
<v Speaker 2>is just she is raging yeah, blames Jesse for all

0:37:31.120 --> 0:37:31.440
<v Speaker 2>of h.

0:37:31.520 --> 0:37:35.160
<v Speaker 1>Yeah. So Steph knocks on Jesse's open door while simultaneously

0:37:35.200 --> 0:37:38.160
<v Speaker 1>bursting in. She asks, may I come in? Thank you?

0:37:38.680 --> 0:37:41.799
<v Speaker 1>While walking right up to her uncle. Steph explains that

0:37:41.840 --> 0:37:44.479
<v Speaker 1>because she was forced to call duck face, he now

0:37:44.600 --> 0:37:48.399
<v Speaker 1>thinks she's his girlfriend. She emphasizes that he kissed her

0:37:48.520 --> 0:37:52.680
<v Speaker 1>in his mind. Steph concludes, if this gets out at school,

0:37:52.760 --> 0:37:55.359
<v Speaker 1>I'm a dead duck. Have a nice day, and she

0:37:55.440 --> 0:37:57.480
<v Speaker 1>glares at Jesse before storming away.

0:37:58.440 --> 0:37:59.640
<v Speaker 2>So mad and.

0:37:59.640 --> 0:38:01.640
<v Speaker 1>Jesse, he just left, Like what just happened?

0:38:01.719 --> 0:38:04.320
<v Speaker 2>Right? I just got yelled at by a six or

0:38:04.360 --> 0:38:07.640
<v Speaker 2>seven year old? Yeah?

0:38:07.760 --> 0:38:09.879
<v Speaker 1>I mean I get it, you know, I can see

0:38:09.880 --> 0:38:10.799
<v Speaker 1>why stuff is mad.

0:38:10.960 --> 0:38:13.399
<v Speaker 2>I get right, she needed to apologize what she did

0:38:13.480 --> 0:38:15.520
<v Speaker 2>was wrong. But now it's you know, now there's been

0:38:15.520 --> 0:38:18.600
<v Speaker 2>a misunderstanding, and lord knows, when you're in elementary school,

0:38:18.680 --> 0:38:21.360
<v Speaker 2>like you just I mean, I watched my kids do

0:38:21.400 --> 0:38:23.040
<v Speaker 2>it all the time when you're like, just don't, just

0:38:23.080 --> 0:38:25.560
<v Speaker 2>don't lie and make it worse, and they almost always

0:38:25.640 --> 0:38:27.319
<v Speaker 2>lie and make it worse, and you're like, okay, cool,

0:38:27.440 --> 0:38:28.920
<v Speaker 2>that's you're gonna have fun.

0:38:28.800 --> 0:38:32.239
<v Speaker 1>Deal it. It just keeps snowballing no matter what you do.

0:38:32.360 --> 0:38:34.560
<v Speaker 2>Yeah, and you're like, oh god, yeah, and you just

0:38:34.600 --> 0:38:36.640
<v Speaker 2>think about all the times that you've learned that lesson

0:38:36.680 --> 0:38:38.440
<v Speaker 2>as a kid, and you just watch them doing it

0:38:38.440 --> 0:38:40.359
<v Speaker 2>and you're like, yeah, it's this is going to catch

0:38:40.440 --> 0:38:42.440
<v Speaker 2>up with you and you're gonna hate it. But okay.

0:38:43.120 --> 0:38:45.160
<v Speaker 1>So next we're on the set of Wake Up San Francisco.

0:38:45.560 --> 0:38:48.200
<v Speaker 1>Danny is getting touch ups and wonders how Joey could

0:38:48.239 --> 0:38:53.000
<v Speaker 1>possibly be late, considering they drove there together. Danny starts

0:38:53.000 --> 0:38:55.919
<v Speaker 1>the show solo, explaining that Becky is away this week.

0:38:56.280 --> 0:38:59.959
<v Speaker 1>He invites her temporary replacement to arrive, saying he needs

0:39:00.160 --> 0:39:04.640
<v Speaker 1>no introduction because he's not there. On cue. Joey slides

0:39:04.680 --> 0:39:07.480
<v Speaker 1>into the empty chair, explaining that his lateness is due

0:39:07.480 --> 0:39:09.240
<v Speaker 1>to the donut man being late.

0:39:09.520 --> 0:39:13.680
<v Speaker 2>It's like every other comic. I know, we'll reach in

0:39:14.000 --> 0:39:20.120
<v Speaker 2>at the last you know, I'm here. I'm here's fine, right, yeah.

0:39:19.960 --> 0:39:22.759
<v Speaker 1>With a doughnut in hand, oh yeah, or a Starbucks

0:39:22.840 --> 0:39:23.080
<v Speaker 1>or something.

0:39:23.120 --> 0:39:25.479
<v Speaker 2>Yeah, for sure. It's always just like no, I thought

0:39:25.480 --> 0:39:28.120
<v Speaker 2>I had the time to do it. It's so nine

0:39:28.120 --> 0:39:32.719
<v Speaker 2>out of ten comedians have terrible uh timing, I mean

0:39:32.760 --> 0:39:36.319
<v Speaker 2>not timing, but like but just yeah, tardiness. Yeah yeah,

0:39:36.360 --> 0:39:39.640
<v Speaker 2>oh that's hysterical. So okay, this is our imitating life. Yes.

0:39:40.920 --> 0:39:44.000
<v Speaker 1>Danny gives Joey a stellar introduction, referring to him as

0:39:44.400 --> 0:39:47.080
<v Speaker 1>one of the hottest young comics on the local scene,

0:39:47.440 --> 0:39:52.160
<v Speaker 1>and Joey cheesily says, oh, come on, cut it out.

0:39:52.680 --> 0:39:55.520
<v Speaker 1>After only being on air for twenty seconds, ten of

0:39:55.520 --> 0:39:58.279
<v Speaker 1>which he missed, Joey mentions that he'll be headlining at

0:39:58.280 --> 0:40:01.960
<v Speaker 1>the Laugh Machine this Saturday. Danny responds by saying Joey's

0:40:02.000 --> 0:40:07.080
<v Speaker 1>infamous cut it out. Danny welcomes their first guest, who

0:40:07.120 --> 0:40:11.080
<v Speaker 1>happens to be his personal hero, the hug therapist doctor

0:40:11.160 --> 0:40:15.120
<v Speaker 1>Ruben Weineger. Doctor Rubin enters and hugs both of the men,

0:40:15.239 --> 0:40:17.799
<v Speaker 1>which causes Joey and Danny to also hug each other.

0:40:18.719 --> 0:40:21.120
<v Speaker 1>Danny tells the viewers, there's a lot of love on

0:40:21.160 --> 0:40:21.600
<v Speaker 1>this set.

0:40:22.320 --> 0:40:26.160
<v Speaker 2>I see. I think I seem to remember that that

0:40:26.360 --> 0:40:30.760
<v Speaker 2>line maybe got cut and like play like not cut,

0:40:30.800 --> 0:40:33.680
<v Speaker 2>but it like that little clip was used. I think

0:40:33.800 --> 0:40:36.919
<v Speaker 2>in the gag reel for that year. Oh, I seem

0:40:37.000 --> 0:40:41.080
<v Speaker 2>to remember like they did a whole bit where of

0:40:41.160 --> 0:40:46.520
<v Speaker 2>like to the song love oh Dan, And I think, Okay,

0:40:47.080 --> 0:40:49.160
<v Speaker 2>I somehow have it in my head that it like

0:40:49.239 --> 0:40:52.640
<v Speaker 2>started at the little gag reel segment was like Bob going,

0:40:52.640 --> 0:40:54.000
<v Speaker 2>there was a lot of love on this set, and

0:40:54.000 --> 0:40:55.799
<v Speaker 2>then it cuts to like us doing a whole little

0:40:55.840 --> 0:40:57.439
<v Speaker 2>montage of stuff for our gag reel.

0:40:58.000 --> 0:40:58.920
<v Speaker 1>That sounds familiar.

0:40:59.239 --> 0:41:01.279
<v Speaker 2>Yeah, right too the song you were singing? Yeah, yeah,

0:41:01.320 --> 0:41:03.480
<v Speaker 2>I think it was our third season gagriel it. But

0:41:03.520 --> 0:41:05.480
<v Speaker 2>I feel like Bob saying there was a lot of

0:41:05.520 --> 0:41:06.759
<v Speaker 2>love on this set was.

0:41:07.160 --> 0:41:10.680
<v Speaker 1>The start of like the little the hug montage or whatever. Yeah, Oh,

0:41:10.719 --> 0:41:14.000
<v Speaker 1>that's so funny. I do we do you still have

0:41:14.040 --> 0:41:16.360
<v Speaker 1>the gag reels? I'm trying to do if I still.

0:41:16.280 --> 0:41:21.080
<v Speaker 2>Do years ago. I had all of the stuff transferred

0:41:21.080 --> 0:41:23.680
<v Speaker 2>over to DVDs. Of course, now even DVDs are like,

0:41:23.719 --> 0:41:27.120
<v Speaker 2>who has those? But I do have. I have all

0:41:27.160 --> 0:41:29.680
<v Speaker 2>of the gagreels and all of that stuff, so it

0:41:29.760 --> 0:41:33.040
<v Speaker 2>is saved regard. Yeah, great, oh so.

0:41:33.120 --> 0:41:35.000
<v Speaker 1>Funny, love it. We'll have to pull those out sometimes.

0:41:35.040 --> 0:41:36.759
<v Speaker 2>We should do. We should do a minisode on a

0:41:36.800 --> 0:41:39.520
<v Speaker 2>gag reel, although we'd have to it would be.

0:41:39.560 --> 0:41:40.080
<v Speaker 1>We'll have to.

0:41:40.360 --> 0:41:42.120
<v Speaker 2>I don't know how to talk about them in Arito's

0:41:42.560 --> 0:41:44.560
<v Speaker 2>She'll talk about it later. Let's have a production meeting,

0:41:44.840 --> 0:41:49.520
<v Speaker 2>a production meeting in the middle of this show, right, okay,

0:41:49.560 --> 0:41:52.200
<v Speaker 2>So back to back to Wake Up San Francisco. Doctor

0:41:52.280 --> 0:41:54.799
<v Speaker 2>Rubin starts by saying you can tell a lot from

0:41:54.800 --> 0:41:57.840
<v Speaker 2>the way people hug, and he admits that something feels

0:41:57.840 --> 0:42:00.680
<v Speaker 2>wrong here, and he asks Danny and Joee if either

0:42:00.719 --> 0:42:04.239
<v Speaker 2>of them is suppressing any anger. Well, Danny admits he

0:42:04.239 --> 0:42:07.920
<v Speaker 2>would like Joey to take some things more seriously, like punctuality.

0:42:08.640 --> 0:42:10.759
<v Speaker 2>Joey says life's too short to be ruled.

0:42:10.520 --> 0:42:13.080
<v Speaker 1>By a clock, and Danny asks, how would you know

0:42:13.120 --> 0:42:16.919
<v Speaker 1>that you tell time on a barometer? A great joke

0:42:17.040 --> 0:42:21.080
<v Speaker 1>that was funny that was a good burn. Joey would

0:42:21.160 --> 0:42:23.920
<v Speaker 1>rather be a free spirit than a guy who polishes

0:42:24.080 --> 0:42:27.399
<v Speaker 1>his shoe trees, and Danny corrects Joey by saying he

0:42:27.480 --> 0:42:31.880
<v Speaker 1>waxes them, not polishes. This is how, This is how

0:42:31.960 --> 0:42:35.839
<v Speaker 1>thirty year old men argue, right, what a burn? Their

0:42:35.920 --> 0:42:39.120
<v Speaker 1>argument begins to heat up while still on live television.

0:42:39.760 --> 0:42:42.319
<v Speaker 1>Rubin finally interrupts and asks if they've read his book,

0:42:42.680 --> 0:42:46.000
<v Speaker 1>Hug Your Way to Happiness. He forces the two to hug,

0:42:46.080 --> 0:42:50.000
<v Speaker 1>and they reluctantly do. Rubin encourages them to say something

0:42:50.120 --> 0:42:55.000
<v Speaker 1>nice to each other. Joey compliments Danny's recycling, and Danny

0:42:55.000 --> 0:42:56.879
<v Speaker 1>thinks it's great that Joey will be at the laugh

0:42:57.000 --> 0:43:01.120
<v Speaker 1>Machine that week that weekend, adding another plug for the viewers.

0:43:02.160 --> 0:43:04.840
<v Speaker 2>I have to say, this is a terrible therapist.

0:43:05.360 --> 0:43:07.240
<v Speaker 1>He really is. Like he's a terrible therapist.

0:43:07.320 --> 0:43:10.839
<v Speaker 2>He's not listening to anyone, He's he's making people touch

0:43:10.880 --> 0:43:15.279
<v Speaker 2>each other that obviously don't want to. It's fine.

0:43:15.280 --> 0:43:17.560
<v Speaker 1>Well, and then is the lesson here that just the

0:43:17.640 --> 0:43:18.279
<v Speaker 1>hug bra.

0:43:18.560 --> 0:43:20.640
<v Speaker 2>Lesson just can shut up and don't talk about things

0:43:20.640 --> 0:43:22.760
<v Speaker 2>and just hug each other and pretend it never happened.

0:43:23.239 --> 0:43:26.280
<v Speaker 1>And now they're fine, like this was resolved in fifteen seconds,

0:43:26.320 --> 0:43:28.000
<v Speaker 1>Like this is I don't know. Again, I didn't love

0:43:28.000 --> 0:43:30.000
<v Speaker 1>this storyline. But you know, doctor.

0:43:29.800 --> 0:43:33.000
<v Speaker 2>Ruben Weininger, your book it sucks.

0:43:33.120 --> 0:43:36.360
<v Speaker 1>Okay, we give that one star.

0:43:36.360 --> 0:43:39.000
<v Speaker 2>Give that the one you start. Yeah, my my Amazon

0:43:39.080 --> 0:43:42.600
<v Speaker 2>rating for that is just one star. Don't buy terrible advice.

0:43:43.320 --> 0:43:45.040
<v Speaker 2>I tried hugging everyone that was mad at me and

0:43:45.040 --> 0:43:45.720
<v Speaker 2>I got punched.

0:43:45.800 --> 0:43:49.960
<v Speaker 1>Okay, it is terrible advice. So next in the kitchen,

0:43:50.320 --> 0:43:53.560
<v Speaker 1>Michelle enthusiastically takes a bite out of a sandwich that

0:43:53.680 --> 0:43:57.759
<v Speaker 1>is bigger than her face. Jesse asks if she's having

0:43:57.800 --> 0:44:01.480
<v Speaker 1>a nice time before rightfully take his sandwich back and

0:44:01.560 --> 0:44:05.239
<v Speaker 1>replacing it with a miniature sandwich that's actually hers and

0:44:05.280 --> 0:44:06.839
<v Speaker 1>they change that.

0:44:06.920 --> 0:44:07.680
<v Speaker 2>It was huge.

0:44:07.680 --> 0:44:10.640
<v Speaker 1>I'm surprised she could get her hands around it. H

0:44:10.760 --> 0:44:12.960
<v Speaker 1>DJ walks into the kitchen and tells Michelle that the

0:44:13.000 --> 0:44:16.800
<v Speaker 1>report she wrote about her got an a and asks

0:44:16.840 --> 0:44:20.440
<v Speaker 1>Michelle for a mini five and they high five. Jesse's

0:44:20.440 --> 0:44:22.840
<v Speaker 1>happy to hear this, He asks, so it was a

0:44:22.880 --> 0:44:26.319
<v Speaker 1>good idea using the baby. Michelle corrects him, saying she's

0:44:26.400 --> 0:44:30.000
<v Speaker 1>not a baby, she's a big girl. Jesse gets close

0:44:30.000 --> 0:44:32.399
<v Speaker 1>to her, face and comments, ooh a big girl. Well

0:44:32.480 --> 0:44:33.760
<v Speaker 1>excuse me, miss Tanner.

0:44:34.840 --> 0:44:37.440
<v Speaker 2>DJ tells her sister that she's really happy they got

0:44:37.440 --> 0:44:40.359
<v Speaker 2>to spend time together. She realizes Michelle's like a little

0:44:40.400 --> 0:44:45.760
<v Speaker 2>person now, sensitive, compassionate, and smarter than most dogs. Michelle

0:44:45.760 --> 0:44:48.160
<v Speaker 2>responds to this by making a silly face and sticking

0:44:48.160 --> 0:44:51.879
<v Speaker 2>her tongue out at DJ. DJ adds that Michelle still

0:44:51.880 --> 0:44:55.560
<v Speaker 2>grosses her out, though. Then Steph walks.

0:44:55.280 --> 0:44:58.960
<v Speaker 1>In Jesse, yes, we go, here we go. Now we're

0:44:58.960 --> 0:45:02.719
<v Speaker 1>getting to the meat of the scene. Jesse asks how

0:45:02.719 --> 0:45:06.600
<v Speaker 1>her school day was, and she sarcastically says, oh, just dandy.

0:45:07.320 --> 0:45:09.920
<v Speaker 1>She goes on to say that Walter still thinks she's

0:45:10.000 --> 0:45:13.040
<v Speaker 1>his secret girlfriend and he was giving her kisses in

0:45:13.120 --> 0:45:18.440
<v Speaker 1>his mind all day. Ugh. Jesse tells her he's sorry,

0:45:18.480 --> 0:45:21.719
<v Speaker 1>but he still stands by the fact that apologizing to

0:45:21.800 --> 0:45:26.239
<v Speaker 1>Walter was the right thing to do. Stephanie sighs, If

0:45:26.239 --> 0:45:28.840
<v Speaker 1>it was the right thing, how come my life is

0:45:28.880 --> 0:45:29.520
<v Speaker 1>a mess?

0:45:30.040 --> 0:45:33.279
<v Speaker 2>Well, because you kind of you kind of didn't you know,

0:45:33.480 --> 0:45:36.440
<v Speaker 2>you just trying to not hurt somebody's feelings more, and you.

0:45:37.000 --> 0:45:40.839
<v Speaker 1>Just, yeah, this is this is your penance. You gotta

0:45:40.840 --> 0:45:45.719
<v Speaker 1>pay your penance, right Jesse says, just because you do

0:45:45.800 --> 0:45:48.120
<v Speaker 1>the right thing doesn't mean your life is going to

0:45:48.200 --> 0:45:51.080
<v Speaker 1>be perfect. You do the right thing because it's the

0:45:51.160 --> 0:45:55.840
<v Speaker 1>right thing to do. Yep, babe, that is some sage advice.

0:45:55.920 --> 0:45:58.480
<v Speaker 2>Sometimes doing the right thing has its own consequences, but

0:45:58.520 --> 0:46:00.160
<v Speaker 2>you do it because it's the right thing to do.

0:46:00.400 --> 0:46:01.680
<v Speaker 1>Yeah, this is a great lesson.

0:46:01.719 --> 0:46:03.560
<v Speaker 2>You know, this is a really good less This is

0:46:03.560 --> 0:46:06.920
<v Speaker 2>a great lesson. This whole episode, like, it was a

0:46:06.960 --> 0:46:09.360
<v Speaker 2>really great lesson. I really enjoyed this one.

0:46:09.880 --> 0:46:11.759
<v Speaker 1>Very well written, and it just like this is our

0:46:11.760 --> 0:46:13.960
<v Speaker 1>target audience right here. Kids that are the age where

0:46:13.960 --> 0:46:17.040
<v Speaker 1>they're mean to each other, and so it's the whole

0:46:17.040 --> 0:46:21.279
<v Speaker 1>thing worked for me. Jesse recommends that Steph nicely tell

0:46:21.360 --> 0:46:25.240
<v Speaker 1>Walter that they are just friends without adding any duck jokes.

0:46:26.239 --> 0:46:29.719
<v Speaker 1>Steph begs no more advice, please. I thought grown ups

0:46:29.719 --> 0:46:32.319
<v Speaker 1>were supposed to get you out of trouble, not into it.

0:46:32.760 --> 0:46:35.440
<v Speaker 2>Oh, Steph, boy, do I have some news for you. Friend?

0:46:37.040 --> 0:46:38.160
<v Speaker 2>Wait till you're an adult.

0:46:39.040 --> 0:46:42.960
<v Speaker 1>Just wait. The doorbell rings and Steph leaves to answer it,

0:46:43.040 --> 0:46:45.680
<v Speaker 1>thinking it's her friends who she's working on a big

0:46:46.040 --> 0:46:49.359
<v Speaker 1>bug project with. Jesse asks her to come to his

0:46:49.440 --> 0:46:52.239
<v Speaker 1>room after they're done, because he wants to finish their conversation.

0:46:53.000 --> 0:46:56.240
<v Speaker 2>This is such a weird way to end a scene, though,

0:46:56.920 --> 0:46:59.719
<v Speaker 2>I agree, Yeah, it was so I've never seen it

0:46:59.760 --> 0:47:04.760
<v Speaker 2>done on this show before, or really I'm almost any

0:47:05.160 --> 0:47:09.640
<v Speaker 2>because it was like we entered the room of the

0:47:09.680 --> 0:47:12.680
<v Speaker 2>next scene and we only see Jesse come through the door,

0:47:12.719 --> 0:47:14.560
<v Speaker 2>and then we cut to a commercial like it was

0:47:14.920 --> 0:47:19.080
<v Speaker 2>like that that little bit of conversation with Jesse going, oh,

0:47:19.200 --> 0:47:20.880
<v Speaker 2>come come up to my room after you're done, it

0:47:21.120 --> 0:47:23.440
<v Speaker 2>like that should have happened in the kitchen, yes, and

0:47:23.480 --> 0:47:25.760
<v Speaker 2>then we cut on steph walking out of the room

0:47:26.320 --> 0:47:28.040
<v Speaker 2>and pick it up on her walking into the room.

0:47:28.080 --> 0:47:30.400
<v Speaker 2>I don't know, I'm not sure why we didn't do

0:47:30.440 --> 0:47:33.719
<v Speaker 2>that or why the scene sort of bled over strangely

0:47:33.760 --> 0:47:37.200
<v Speaker 2>into the next room, But for me, it kind of

0:47:37.200 --> 0:47:40.479
<v Speaker 2>that was something that like my director, I was thrown

0:47:40.520 --> 0:47:42.200
<v Speaker 2>off by that because I was like, that's odd, what

0:47:42.320 --> 0:47:44.279
<v Speaker 2>an odd choice to do that and then cut the

0:47:44.280 --> 0:47:48.640
<v Speaker 2>scene and then pick up with Stephanie opening door like

0:47:49.200 --> 0:47:50.800
<v Speaker 2>it was yeah, very.

0:47:51.239 --> 0:47:53.360
<v Speaker 1>It bumped me too, and yeah, I was just like

0:47:53.360 --> 0:47:55.480
<v Speaker 1>why did Billy Foster choose this?

0:47:55.560 --> 0:47:57.600
<v Speaker 2>You know? I wonder I was like, was it written

0:47:57.800 --> 0:48:00.920
<v Speaker 2>that way that Je like, was the scene written so that,

0:48:01.239 --> 0:48:04.560
<v Speaker 2>you know, it had that little continuous bit in the

0:48:04.600 --> 0:48:07.200
<v Speaker 2>living room with Jesse through the door, or was that

0:48:07.400 --> 0:48:09.480
<v Speaker 2>just a choice that they made to you know what

0:48:09.520 --> 0:48:11.319
<v Speaker 2>I mean, they were we'll just split the scene up

0:48:11.360 --> 0:48:12.200
<v Speaker 2>this way. I don't know.

0:48:12.760 --> 0:48:15.840
<v Speaker 1>I feel like when Jesse says, come up to my

0:48:15.920 --> 0:48:18.280
<v Speaker 1>room after you're done, so we can finish this conversation,

0:48:19.680 --> 0:48:21.560
<v Speaker 1>I feel like they're setting up. They're setting up for

0:48:21.560 --> 0:48:23.400
<v Speaker 1>that scene at the end where they are taught. I

0:48:23.440 --> 0:48:24.600
<v Speaker 1>don't know why they had to.

0:48:24.560 --> 0:48:26.920
<v Speaker 2>Like plant the scene and I don't know why we

0:48:26.960 --> 0:48:29.799
<v Speaker 2>did do that right in the kitchen in.

0:48:29.760 --> 0:48:32.120
<v Speaker 1>The kitchen right, I don't know. I don't have an

0:48:32.120 --> 0:48:32.640
<v Speaker 1>answer for.

0:48:32.600 --> 0:48:34.359
<v Speaker 2>It anyway, unless they needed to get it was just

0:48:34.360 --> 0:48:36.839
<v Speaker 2>just it was an interesting, strange choice that I've never

0:48:36.880 --> 0:48:38.920
<v Speaker 2>seen done, where you have one line at the end

0:48:38.920 --> 0:48:41.480
<v Speaker 2>of a scene in another room and then cut and

0:48:41.520 --> 0:48:46.560
<v Speaker 2>then pick on her almost continuous action in the next scene,

0:48:47.040 --> 0:48:49.480
<v Speaker 2>even with the commercial breakers to break. Yeah, but Camille

0:48:49.560 --> 0:48:52.080
<v Speaker 2>break was the weirder part for me because I can

0:48:52.080 --> 0:48:55.080
<v Speaker 2>see the Jesse ends up hiding at the top of

0:48:55.120 --> 0:48:58.640
<v Speaker 2>the stairs, he's observing, he's spying on steph to see

0:48:58.640 --> 0:49:01.520
<v Speaker 2>how she reacts to this thing going on. So maybe

0:49:01.520 --> 0:49:04.960
<v Speaker 2>they needed to establish Jesse coming into the living room

0:49:05.160 --> 0:49:07.160
<v Speaker 2>because how well, I don't know where the stairs leaked,

0:49:07.280 --> 0:49:10.680
<v Speaker 2>Like we got nineteen pairs of stairs at nineteen sets

0:49:10.680 --> 0:49:12.640
<v Speaker 2>the stairs in his house. He goes up the back

0:49:12.640 --> 0:49:15.440
<v Speaker 2>ones and through the house through the time portal into

0:49:15.480 --> 0:49:17.480
<v Speaker 2>the living room stairs, right.

0:49:17.320 --> 0:49:18.879
<v Speaker 1>So he didn't need to go through the living room

0:49:18.920 --> 0:49:20.680
<v Speaker 1>to get to that landing to spy on you.

0:49:21.320 --> 0:49:23.080
<v Speaker 2>So he doesn't walk through the living room.

0:49:24.239 --> 0:49:25.000
<v Speaker 1>Oh he doesn't.

0:49:25.040 --> 0:49:28.319
<v Speaker 2>You're not, he doesn't walk. There's literally no reason for

0:49:28.440 --> 0:49:30.520
<v Speaker 2>it to be that way. It just is a weird choice,

0:49:31.520 --> 0:49:34.239
<v Speaker 2>and we're stuck on it. We're stuck on it. I

0:49:34.239 --> 0:49:37.839
<v Speaker 2>am stuck on it. Yeah, as a person has been

0:49:38.239 --> 0:49:40.480
<v Speaker 2>on sitcoms for a large portion of my life, Like,

0:49:40.520 --> 0:49:44.719
<v Speaker 2>it was like I've never seen that.

0:49:45.920 --> 0:49:49.120
<v Speaker 1>Yeah, that was very weird. And because sitcoms are so

0:49:49.239 --> 0:49:51.600
<v Speaker 1>formulaic and like there's a rhythm and a routine, right

0:49:51.719 --> 0:49:53.759
<v Speaker 1>when it's when you're taken out of the moment, it's

0:49:53.840 --> 0:49:59.359
<v Speaker 1>very obvious, right, Yeah, I get it. So continuous action

0:49:59.560 --> 0:50:03.479
<v Speaker 1>after the awkward commercial break, Yeah, steph answers the door

0:50:03.520 --> 0:50:07.560
<v Speaker 1>and to her surprise it's Walter. Upon seeing him, Steph

0:50:07.640 --> 0:50:11.760
<v Speaker 1>winds this is supposed to be a secret. Walter assures

0:50:11.760 --> 0:50:14.799
<v Speaker 1>Steph that no one knows he's there except his mom,

0:50:15.040 --> 0:50:19.000
<v Speaker 1>but he told her it was strictly business. Walter hands

0:50:19.080 --> 0:50:22.320
<v Speaker 1>Steph flowers and she thanks him, but makes an excuse

0:50:22.320 --> 0:50:24.520
<v Speaker 1>that she's got a lot of homework, so she grabs

0:50:24.520 --> 0:50:27.520
<v Speaker 1>his hand and begins begins leading him out the door.

0:50:28.360 --> 0:50:31.600
<v Speaker 1>As Steph is walking walking Walter toward the door, her

0:50:31.640 --> 0:50:35.359
<v Speaker 1>group members enter at the same time. One boy mocks, oh,

0:50:35.400 --> 0:50:39.319
<v Speaker 1>it's duckface, and then Harry chimes in, you dumped me

0:50:39.560 --> 0:50:44.800
<v Speaker 1>for duckface, Harry. A girl calls Harry, Harry.

0:50:44.040 --> 0:50:48.200
<v Speaker 2>You know Harry really after the DJ thing, I just

0:50:48.239 --> 0:50:50.759
<v Speaker 2>feel he didn't handle the breakup well. He's obviously still

0:50:50.840 --> 0:50:53.040
<v Speaker 2>kind of hurt and taking it out of a well stuff.

0:50:53.200 --> 0:50:55.560
<v Speaker 1>Did you break up with Wait? Did you break up

0:50:55.600 --> 0:50:57.520
<v Speaker 1>with him? Or did he leave you for DJ?

0:50:57.719 --> 0:50:59.799
<v Speaker 2>He left me for DJ, and then I was like, fine,

0:50:59.840 --> 0:51:01.120
<v Speaker 2>we can be friends again, but.

0:51:01.840 --> 0:51:04.480
<v Speaker 1>Yeah, but no, no romance, no marriage.

0:51:04.520 --> 0:51:06.879
<v Speaker 2>So yeah, no, after that move, things were never the same.

0:51:06.960 --> 0:51:07.600
<v Speaker 2>Things were never this.

0:51:07.719 --> 0:51:10.319
<v Speaker 1>They were never the same. Come on, Harry, like, this

0:51:10.480 --> 0:51:12.960
<v Speaker 1>is your Swan song, you have to like redeem yourself.

0:51:13.200 --> 0:51:14.080
<v Speaker 1>I'm very disappointed.

0:51:14.080 --> 0:51:17.759
<v Speaker 2>I know if we should use any sort of bird references.

0:51:19.080 --> 0:51:25.040
<v Speaker 1>To duck yeah, oh dear. Okay, so the kids too,

0:51:25.360 --> 0:51:29.640
<v Speaker 1>woo sorry, okay, so the kids are The kids are

0:51:29.680 --> 0:51:32.200
<v Speaker 1>piling on. They're calling the mister and missus duck face.

0:51:32.239 --> 0:51:35.240
<v Speaker 1>They're gonna get married and live in a pond. Walter

0:51:35.360 --> 0:51:37.880
<v Speaker 1>yells back, We're not getting married. Stephanie is just my

0:51:38.000 --> 0:51:43.320
<v Speaker 1>secret girlfriend, and stuff is like, oh Walter, yeah, Harry

0:51:43.719 --> 0:51:46.200
<v Speaker 1>is all over this. Harry is like, it's true, you

0:51:46.320 --> 0:51:49.640
<v Speaker 1>are missus duckface. Then all three kids start to quack

0:51:49.680 --> 0:51:51.239
<v Speaker 1>at her and make fun of her.

0:51:51.719 --> 0:51:55.680
<v Speaker 2>No loyalty, none, no none, no best kids right they are,

0:51:55.800 --> 0:51:57.160
<v Speaker 2>that's kids. Yeah.

0:51:57.360 --> 0:51:59.239
<v Speaker 1>Jesse is standing at the top of stairs and he

0:51:59.360 --> 0:52:03.719
<v Speaker 1>watches the entire thing unfolding. Steph runs away, telling them

0:52:03.760 --> 0:52:07.520
<v Speaker 1>to stop teasing her. She shouts, I'm not his secret girlfriend.

0:52:07.840 --> 0:52:11.359
<v Speaker 1>I'm not his any kind of girlfriend. The little boy

0:52:11.400 --> 0:52:15.000
<v Speaker 1>Brian tells Steph to prove it by calling Walter duckface

0:52:15.120 --> 0:52:18.120
<v Speaker 1>and throwing him out of her house. Harry adds, quick

0:52:18.320 --> 0:52:21.040
<v Speaker 1>before I walk out of your life forever, Harry.

0:52:21.080 --> 0:52:23.879
<v Speaker 2>That moment has come and gone. You're that done, You're done?

0:52:23.880 --> 0:52:24.799
<v Speaker 1>What's an ultimatum?

0:52:24.960 --> 0:52:29.960
<v Speaker 3>And his last episode, so he really like this, Like

0:52:30.000 --> 0:52:34.200
<v Speaker 3>I said nothing against Nathan did Chagucchi in life, but

0:52:34.320 --> 0:52:37.920
<v Speaker 3>Harry in this episode.

0:52:36.760 --> 0:52:40.920
<v Speaker 2>Bye bye yeah yeah yeah not cool? Wow, not cool.

0:52:41.000 --> 0:52:43.200
<v Speaker 1>Yeah, Steph does not Steph doesn't take it. Steph does

0:52:43.280 --> 0:52:48.040
<v Speaker 1>not take that. So Steph snaps back, No, I'm not

0:52:48.080 --> 0:52:51.319
<v Speaker 1>gonna call him duckface. He's not my boyfriend, but he

0:52:51.640 --> 0:52:55.280
<v Speaker 1>is my friend. Boy Did I cheer? Did I cheer?

0:52:55.800 --> 0:52:56.440
<v Speaker 1>When you said this?

0:52:56.520 --> 0:53:01.680
<v Speaker 2>He's like yeah, yeah, right, yes yeah.

0:53:00.680 --> 0:53:02.600
<v Speaker 1>And Walter is like soight, like you can see it

0:53:02.640 --> 0:53:04.560
<v Speaker 1>on his face. He's so touched. He says, I am

0:53:05.080 --> 0:53:08.919
<v Speaker 1>I'm your secret friend, and Steph replies, no, Walter, You're

0:53:09.000 --> 0:53:10.800
<v Speaker 1>my everybody can know friend.

0:53:11.160 --> 0:53:11.960
<v Speaker 2>That's it, Steph.

0:53:12.000 --> 0:53:13.799
<v Speaker 1>Like, if that just doesn't make your cold black heart

0:53:13.840 --> 0:53:14.400
<v Speaker 1>grow through.

0:53:14.800 --> 0:53:17.440
<v Speaker 2>This episode really did. My little gritchy self was like,

0:53:17.640 --> 0:53:21.960
<v Speaker 2>oh that's right, Steph. And honestly, I watched this episode

0:53:21.960 --> 0:53:24.160
<v Speaker 2>and I was like, I'm so proud to be Steph,

0:53:24.280 --> 0:53:26.239
<v Speaker 2>Like I'm so proud of her. I am so proud

0:53:26.280 --> 0:53:26.560
<v Speaker 2>of her.

0:53:27.280 --> 0:53:31.160
<v Speaker 1>That gives me such warm fuzzies, Like I just love Stephanie.

0:53:31.200 --> 0:53:32.240
<v Speaker 1>She's such a cool.

0:53:32.080 --> 0:53:35.480
<v Speaker 2>Character, even at the tender age of seven or whatever

0:53:35.520 --> 0:53:37.799
<v Speaker 2>you were at the time, like, oh man, she was like,

0:53:38.040 --> 0:53:39.239
<v Speaker 2>I'm not here to play.

0:53:39.320 --> 0:53:41.640
<v Speaker 1>She she's really the most grown up one in the

0:53:41.760 --> 0:53:45.719
<v Speaker 1>entire full house. That's really Yeah, she's really does.

0:53:46.440 --> 0:53:49.320
<v Speaker 2>Yeah, she's just the only one person in reality sometimes

0:53:49.320 --> 0:53:50.080
<v Speaker 2>I'll tell you that.

0:53:50.520 --> 0:53:52.799
<v Speaker 1>Yeah she is. She is. I just I love her.

0:53:52.960 --> 0:53:55.759
<v Speaker 1>She's she's a good person. Yeah, the good heart. And

0:53:55.880 --> 0:53:57.200
<v Speaker 1>this episode really shows that.

0:53:57.440 --> 0:53:57.920
<v Speaker 2>Yeah.

0:53:58.080 --> 0:54:01.279
<v Speaker 1>So Steph addresses the other kids and tells them if

0:54:01.320 --> 0:54:04.439
<v Speaker 1>they're her friend, If they're her friends, they wouldn't tease

0:54:04.520 --> 0:54:09.240
<v Speaker 1>Duckface either. Brian asks why not? It's fun, and Steph

0:54:09.360 --> 0:54:11.759
<v Speaker 1>marches up to him and asks, oh, yeah, was it

0:54:11.800 --> 0:54:14.239
<v Speaker 1>fun when you got hurt during recess and everyone called

0:54:14.280 --> 0:54:20.720
<v Speaker 1>you crying Brian. Harry laughs at this, butte addresses him next,

0:54:20.880 --> 0:54:23.799
<v Speaker 1>reminding him of when he got a bad haircut and

0:54:23.840 --> 0:54:26.080
<v Speaker 1>everyone called him salad bowl head.

0:54:26.280 --> 0:54:29.240
<v Speaker 2>Yeah remember that, Harry, Remember your bad haircut, Harry.

0:54:30.520 --> 0:54:32.960
<v Speaker 1>The girl giggles at this, and Steph walks up to

0:54:33.000 --> 0:54:37.080
<v Speaker 1>her last asking what's so funny? Miss milk through her nose?

0:54:37.120 --> 0:54:39.520
<v Speaker 1>On Parents' Day twice.

0:54:40.200 --> 0:54:46.880
<v Speaker 2>Burn reads them for filth. She comes it and she's like, no,

0:54:47.719 --> 0:54:50.920
<v Speaker 2>here's the deal. There's a scene I think it's in

0:54:51.040 --> 0:54:57.040
<v Speaker 2>Pose where they're at a restaurant and some woman like

0:54:57.160 --> 0:55:01.400
<v Speaker 2>upper whatever class woman makes a comment to these for

0:55:01.600 --> 0:55:03.959
<v Speaker 2>women for trans women sitting at the table and says

0:55:03.960 --> 0:55:07.479
<v Speaker 2>something and the one gets up and is just like, oh, well,

0:55:07.480 --> 0:55:09.520
<v Speaker 2>here we go. And I was like, yes, this is

0:55:09.600 --> 0:55:11.560
<v Speaker 2>like STEP's moment like that where she's just like, no,

0:55:12.160 --> 0:55:15.080
<v Speaker 2>you guys want to talk. I'm going to bring up

0:55:15.200 --> 0:55:17.719
<v Speaker 2>your stuff that you're insecure about too, because we all

0:55:17.760 --> 0:55:20.080
<v Speaker 2>have it. And I love stuff for that. I loved

0:55:20.080 --> 0:55:20.440
<v Speaker 2>her for that.

0:55:21.280 --> 0:55:24.359
<v Speaker 1>She dished it out. She commands in the room, was.

0:55:24.320 --> 0:55:27.000
<v Speaker 2>Just like, no, you want to laugh. Remember when everyone

0:55:27.040 --> 0:55:28.560
<v Speaker 2>laughed at you? Yeah, we do.

0:55:29.080 --> 0:55:32.080
<v Speaker 1>And that is strength, you know, like kids mistakenly think

0:55:32.120 --> 0:55:34.560
<v Speaker 1>they're strong because they're making fun of other people, but no,

0:55:34.680 --> 0:55:37.799
<v Speaker 1>it takes real strength to stand up to people and

0:55:37.880 --> 0:55:40.839
<v Speaker 1>tell them when they're wrong. Yep. I just got such

0:55:40.840 --> 0:55:41.880
<v Speaker 1>a natural high off of this.

0:55:42.120 --> 0:55:44.120
<v Speaker 2>I know me too, and I also just like, yeah,

0:55:44.160 --> 0:55:48.799
<v Speaker 2>this is yeah, Steph and I have always been you know,

0:55:50.680 --> 0:55:53.359
<v Speaker 2>kindred spirits. So I pay for this.

0:55:53.440 --> 0:55:57.320
<v Speaker 1>I love it. I love it. So stuff asks the

0:55:57.360 --> 0:55:59.560
<v Speaker 1>other kids if it feels good to be teased, and

0:55:59.560 --> 0:56:03.400
<v Speaker 1>they all say no in unison. Then she turns to

0:56:03.440 --> 0:56:05.719
<v Speaker 1>Walter and asks if he'll stay and be a part

0:56:05.760 --> 0:56:09.880
<v Speaker 1>of their group for this project. Walter is extremely excited

0:56:10.200 --> 0:56:13.120
<v Speaker 1>and says that he would enjoy that. He thanks Steph

0:56:13.120 --> 0:56:16.560
<v Speaker 1>for sticking up for him, and Steph smiles sometimes you

0:56:16.680 --> 0:56:19.960
<v Speaker 1>just have to do the right thing right group, and

0:56:20.120 --> 0:56:23.640
<v Speaker 1>all the kids agree yeah. Steph nods in approval, saying

0:56:23.920 --> 0:56:26.759
<v Speaker 1>good answer. I'll be right back, and she runs upstairs.

0:56:27.120 --> 0:56:29.399
<v Speaker 1>Jesse quickly runs to his room so she doesn't catch him,

0:56:30.680 --> 0:56:32.919
<v Speaker 1>and he flops into his bed and fakes a phone

0:56:32.920 --> 0:56:34.920
<v Speaker 1>call in an attempt to make it look like he

0:56:35.040 --> 0:56:38.719
<v Speaker 1>wasn't evesdropping. Steph strolls in, asking if she can talk

0:56:38.719 --> 0:56:41.560
<v Speaker 1>to him. Jesse ends his fake phone call and asks

0:56:41.600 --> 0:56:44.800
<v Speaker 1>Steph how did it go? Steph says it went great.

0:56:45.600 --> 0:56:48.319
<v Speaker 1>Then she grins and asks Jesse how it went from

0:56:48.480 --> 0:56:52.320
<v Speaker 1>watching upstairs. Jesse smiles and kisses her on the forehead.

0:56:52.360 --> 0:56:55.919
<v Speaker 1>Realizing he was caught stuff, admits that he was right.

0:56:56.280 --> 0:56:59.840
<v Speaker 1>It feels terrible to be teased. She asks Jesse if

0:56:59.840 --> 0:57:03.600
<v Speaker 1>there still friends. Jesse assures her that they're still friends,

0:57:03.760 --> 0:57:07.399
<v Speaker 1>and asks why she would think otherwise. Steph thinks it's

0:57:07.400 --> 0:57:09.920
<v Speaker 1>because she got so mad at him. She admits that

0:57:09.960 --> 0:57:13.800
<v Speaker 1>she was never going to trust him again. He promises

0:57:13.880 --> 0:57:16.919
<v Speaker 1>that she can always trust her uncle Jesse. He may

0:57:16.920 --> 0:57:19.520
<v Speaker 1>make mistakes once in a while, but he's always going

0:57:19.600 --> 0:57:23.120
<v Speaker 1>to be on her side. He just wants her to

0:57:23.120 --> 0:57:25.080
<v Speaker 1>grow up and be the best little person she can be.

0:57:25.960 --> 0:57:28.840
<v Speaker 1>And right then downstairs, she was about as good as

0:57:28.840 --> 0:57:31.880
<v Speaker 1>it gets. Steph tells him that when she grows up,

0:57:32.000 --> 0:57:34.800
<v Speaker 1>she wants to be just like her uncle Jesse, but

0:57:35.000 --> 0:57:39.280
<v Speaker 1>wears dresses. But wear dresses. Jesse pulls stuff into a

0:57:39.280 --> 0:57:41.760
<v Speaker 1>big hug and adds, if anyone ever calls you zor

0:57:41.800 --> 0:57:44.200
<v Speaker 1>Ba the geek again, you just tell him to see

0:57:44.200 --> 0:57:49.200
<v Speaker 1>missus duckface, Jesse says, duck kiss, and they each give

0:57:49.240 --> 0:57:51.760
<v Speaker 1>each other a kiss before going back in for another hug.

0:57:52.160 --> 0:57:54.800
<v Speaker 1>And that is our show, ladies and gentlemen.

0:57:54.920 --> 0:57:59.520
<v Speaker 2>And I have to say that last moment like this,

0:58:00.200 --> 0:58:06.160
<v Speaker 2>the ending made me cry because because I could see

0:58:06.200 --> 0:58:09.680
<v Speaker 2>the again, the genuineness between John and I. And if

0:58:09.760 --> 0:58:15.160
<v Speaker 2>you watch that last hug that he gives me in

0:58:15.200 --> 0:58:18.120
<v Speaker 2>the scene, he's whispering something in my ear and I

0:58:18.160 --> 0:58:21.240
<v Speaker 2>don't know what it is, but my eyes are closed

0:58:21.240 --> 0:58:25.400
<v Speaker 2>and he's giving me the biggest hug. And it made

0:58:25.440 --> 0:58:28.080
<v Speaker 2>me cry because I watched it and I went, oh,

0:58:29.600 --> 0:58:34.919
<v Speaker 2>that's not scripted, that's just the real moment that happened. Yeah,

0:58:35.040 --> 0:58:38.919
<v Speaker 2>you know, and watching that scene between John and I,

0:58:39.200 --> 0:58:42.000
<v Speaker 2>like we both were so in it and connected and

0:58:42.560 --> 0:58:45.440
<v Speaker 2>it was just such a sweet scene. And also for me,

0:58:45.640 --> 0:58:47.400
<v Speaker 2>like it made me emotional because I was like, this

0:58:47.440 --> 0:58:51.160
<v Speaker 2>is a this is such an important lesson and it's

0:58:51.280 --> 0:58:58.000
<v Speaker 2>such a like core part of that something that I

0:58:58.080 --> 0:59:00.720
<v Speaker 2>believe in so wholeheartedly of like being kind to others

0:59:00.760 --> 0:59:03.480
<v Speaker 2>and sticking up for people who are, you know, like

0:59:03.600 --> 0:59:06.680
<v Speaker 2>being made fun of. And and I'm sure I was

0:59:06.680 --> 0:59:08.760
<v Speaker 2>a kid in an asshole, you know, as we all are,

0:59:08.800 --> 0:59:13.040
<v Speaker 2>but I also know that like overall, I always tried

0:59:13.080 --> 0:59:15.560
<v Speaker 2>to be this person that was like, now you're not

0:59:15.600 --> 0:59:19.080
<v Speaker 2>going to do this, And I just it made me

0:59:19.160 --> 0:59:26.920
<v Speaker 2>really proud that we did such a great episode about

0:59:27.440 --> 0:59:30.840
<v Speaker 2>being kind to others who are a little bit different,

0:59:31.240 --> 0:59:33.720
<v Speaker 2>and that Steph was the one who was like not

0:59:33.760 --> 0:59:35.840
<v Speaker 2>going to put up with it. I just I really

0:59:35.920 --> 0:59:37.640
<v Speaker 2>it was an episode that I watched and I went,

0:59:37.680 --> 0:59:41.760
<v Speaker 2>I'm really proud that that was who I got to

0:59:41.800 --> 0:59:44.560
<v Speaker 2>be as the character and that she got to teach

0:59:44.600 --> 0:59:48.040
<v Speaker 2>that lesson. And then you know, also watching the genuine,

0:59:48.240 --> 0:59:51.560
<v Speaker 2>sweet kind moment between John and I and that last

0:59:51.640 --> 0:59:56.040
<v Speaker 2>hug where I can tell it's just he's genuinely squeezing

0:59:56.080 --> 0:59:58.920
<v Speaker 2>me because he loves me, and I'm genuinely giving him

0:59:58.960 --> 1:00:02.640
<v Speaker 2>a hug that has nothing to do with Steph and Jesse,

1:00:02.840 --> 1:00:06.840
<v Speaker 2>but is just a real sweet moment. And yeah, this

1:00:06.920 --> 1:00:10.280
<v Speaker 2>episode really it hit me in the feels. Oh and

1:00:10.320 --> 1:00:13.960
<v Speaker 2>again when you hear our episode, our interview with Wit,

1:00:15.440 --> 1:00:17.080
<v Speaker 2>that will also hit you in the fields, Like it's

1:00:17.240 --> 1:00:20.800
<v Speaker 2>a just this was a really important, great episode, and

1:00:20.840 --> 1:00:22.880
<v Speaker 2>it's also one that I think so many people remember

1:00:22.960 --> 1:00:26.320
<v Speaker 2>from you know, classic full House days is the duck

1:00:26.360 --> 1:00:27.200
<v Speaker 2>Face episode.

1:00:27.760 --> 1:00:31.600
<v Speaker 1>Yeah, but yeah, I remember this episode just because of

1:00:31.640 --> 1:00:35.720
<v Speaker 1>WIT's face, like he's just so duck face. I didn't

1:00:35.720 --> 1:00:38.000
<v Speaker 1>realize the message behind it, you know, because I haven't

1:00:38.040 --> 1:00:40.120
<v Speaker 1>seen it. I don't know if i'd ever seen this episode,

1:00:40.160 --> 1:00:43.480
<v Speaker 1>to be honest, so I didn't think about the bigger

1:00:43.520 --> 1:00:46.280
<v Speaker 1>message involved. And yeah, that was the magic of Full House.

1:00:46.360 --> 1:00:49.760
<v Speaker 1>It was these important messages told through people who had

1:00:49.760 --> 1:00:54.320
<v Speaker 1>this genuine connection and that that that love that wasn't scripted. Yeah,

1:00:54.600 --> 1:00:57.560
<v Speaker 1>chemistry wasn't scripted. You can't script it. Yeah, that that

1:00:57.720 --> 1:01:00.760
<v Speaker 1>was real. And that's why Full House was the juggernaut

1:01:00.840 --> 1:01:03.880
<v Speaker 1>that it was, because I think the audiences fell fell

1:01:03.920 --> 1:01:06.480
<v Speaker 1>in love with the chemistry between all of us. And

1:01:07.400 --> 1:01:08.480
<v Speaker 1>what a Yeah, what a.

1:01:08.440 --> 1:01:11.320
<v Speaker 2>Great, really great episode. I'm very proud of this episode.

1:01:11.400 --> 1:01:14.480
<v Speaker 2>Steph is a badass. I love being I love that

1:01:14.600 --> 1:01:17.240
<v Speaker 2>she is who she is, and she just she'll she'll,

1:01:17.840 --> 1:01:22.120
<v Speaker 2>she'll fight for people. That's that was admirable in Steph.

1:01:22.160 --> 1:01:24.400
<v Speaker 2>And I'm just so glad that, uh, you know, hopefully

1:01:24.440 --> 1:01:28.080
<v Speaker 2>a generation of young people watched that and maybe learned

1:01:28.080 --> 1:01:29.120
<v Speaker 2>something maybe a little bit.

1:01:29.200 --> 1:01:30.760
<v Speaker 1>Yeah, Oh I love that.

1:01:31.040 --> 1:01:33.160
<v Speaker 2>Did you have any everwhere you look moments?

1:01:33.360 --> 1:01:35.080
<v Speaker 1>I think I have the same probably the same one

1:01:35.120 --> 1:01:35.480
<v Speaker 1>you do.

1:01:35.640 --> 1:01:36.439
<v Speaker 2>Well, I have two?

1:01:37.280 --> 1:01:40.120
<v Speaker 1>Okay, I have I have two?

1:01:40.320 --> 1:01:43.480
<v Speaker 2>Okay, well, okay, you you one on? You go give

1:01:43.480 --> 1:01:45.520
<v Speaker 2>me your first one? Should I do the one that

1:01:45.520 --> 1:01:46.960
<v Speaker 2>we do, the one that I think we both are

1:01:47.000 --> 1:01:48.320
<v Speaker 2>gonna we overlap? Yeah?

1:01:48.400 --> 1:01:52.360
<v Speaker 1>Okay. Well. On the wake Up San Francisco set Yep,

1:01:52.520 --> 1:01:55.960
<v Speaker 1>the stage manager is our actual stage manager, Mark Sandrowski.

1:01:56.160 --> 1:02:00.880
<v Speaker 2>Yep, Mark Sandrowski, who was Dave Koolier's friends since they

1:02:00.920 --> 1:02:03.680
<v Speaker 2>were nine years old growing up, who was our actual

1:02:03.720 --> 1:02:07.480
<v Speaker 2>stage manager on on the show, and who did a

1:02:07.520 --> 1:02:10.560
<v Speaker 2>little guest part there with his lines, and who went

1:02:10.600 --> 1:02:14.160
<v Speaker 2>on to become an Emmy Award winning director for Big

1:02:14.200 --> 1:02:16.640
<v Speaker 2>Bang Theory and other Chuck Lory things.

1:02:16.920 --> 1:02:20.040
<v Speaker 1>So yeah, it was it was so cool. And Mark is.

1:02:20.000 --> 1:02:23.320
<v Speaker 2>Just, yeah, he's so great.

1:02:23.480 --> 1:02:26.080
<v Speaker 1>Watch he reacts to what Bob is saying and he

1:02:26.240 --> 1:02:28.840
<v Speaker 1>like counts down just likely. He's just he's so present,

1:02:29.240 --> 1:02:31.800
<v Speaker 1>Like he's a great I don't think he's an actor, but.

1:02:31.760 --> 1:02:34.680
<v Speaker 2>He's I mean he he and Dave did he did

1:02:34.720 --> 1:02:36.360
<v Speaker 2>comedy was you know, he has a kid, and so

1:02:36.400 --> 1:02:38.560
<v Speaker 2>that was kind of what they like to do. And yeah,

1:02:38.720 --> 1:02:42.080
<v Speaker 2>so that was that was one. What's your what's your other? Everybody?

1:02:42.120 --> 1:02:44.000
<v Speaker 1>Look, well, just I have one more thing to add

1:02:44.000 --> 1:02:49.080
<v Speaker 1>about Mark. You know, Mark Sandrowski originated out That's where

1:02:49.160 --> 1:02:51.480
<v Speaker 1>Dave got it, and so I love that they inserted

1:02:51.600 --> 1:02:53.680
<v Speaker 1>cut it out so many times into that scene. So

1:02:53.720 --> 1:02:56.120
<v Speaker 1>I'm like, that's a nod to Mark that is absolutely

1:02:56.280 --> 1:03:00.680
<v Speaker 1>absolutely loved it. Okay, My second one is actually a

1:03:00.720 --> 1:03:05.520
<v Speaker 1>question speaking of stairs. I noticed for the first time

1:03:05.880 --> 1:03:10.640
<v Speaker 1>that in Joey's room there's stairs go in opposite directions. Yeah,

1:03:10.640 --> 1:03:12.919
<v Speaker 1>I never noticed that's the stairs on the right. Where

1:03:12.920 --> 1:03:13.560
<v Speaker 1>do those go to?

1:03:13.640 --> 1:03:16.320
<v Speaker 2>Where do those go? It's it just I don't know,

1:03:17.120 --> 1:03:17.920
<v Speaker 2>Like I don't know.

1:03:18.400 --> 1:03:19.160
<v Speaker 1>It's a basement.

1:03:19.280 --> 1:03:20.760
<v Speaker 2>It's so where it's a basement.

1:03:22.200 --> 1:03:23.160
<v Speaker 1>It doesn't make sense.

1:03:23.480 --> 1:03:28.040
<v Speaker 2>Maybe does it go it can't possibly lead Maybe that

1:03:28.120 --> 1:03:31.120
<v Speaker 2>there's a back staircase that goes just directly all the

1:03:31.160 --> 1:03:31.680
<v Speaker 2>way up.

1:03:32.680 --> 1:03:34.600
<v Speaker 1>Oh, like a tornado shelter or something like.

1:03:34.600 --> 1:03:37.120
<v Speaker 2>Maybe like no, like a like you would have almost

1:03:37.160 --> 1:03:40.280
<v Speaker 2>like service stairs. I mean old Victorian homes would have

1:03:40.400 --> 1:03:43.160
<v Speaker 2>like a service stair where like basically the kitchen stairs

1:03:43.160 --> 1:03:45.760
<v Speaker 2>would be quote unquote like a service stair that only

1:03:45.880 --> 1:03:49.080
<v Speaker 2>your staff would use, and then everyone else would use

1:03:49.120 --> 1:03:53.720
<v Speaker 2>the front stair. But I don't know where two stairs

1:03:53.880 --> 1:03:57.000
<v Speaker 2>in the It doesn't It's always been there. That's the

1:03:57.000 --> 1:03:59.520
<v Speaker 2>funny thing is it's always been there, like a split staircase,

1:03:59.520 --> 1:04:01.479
<v Speaker 2>but we've never used the way to the right because

1:04:01.480 --> 1:04:04.680
<v Speaker 2>I think we all went it doesn't make sense, But

1:04:04.960 --> 1:04:07.920
<v Speaker 2>now we're like, it makes it, just use it. It's

1:04:08.080 --> 1:04:11.160
<v Speaker 2>I mean, who cares. This house doesn't exist, you know,

1:04:11.320 --> 1:04:14.000
<v Speaker 2>couldn't exist possibly anyway, So use all the stairs.

1:04:14.600 --> 1:04:16.800
<v Speaker 1>My next pitch is that we should get Jerry Dunn

1:04:17.000 --> 1:04:20.160
<v Speaker 1>on the show. Who designed all of these sets? Or

1:04:20.160 --> 1:04:21.120
<v Speaker 1>did he design Fuller.

1:04:21.320 --> 1:04:23.960
<v Speaker 2>He didn't design full he didn't design just Fuller.

1:04:24.000 --> 1:04:24.720
<v Speaker 1>He did Fuller.

1:04:24.880 --> 1:04:28.640
<v Speaker 2>But I think on the internet somewhere there is someone

1:04:29.360 --> 1:04:33.440
<v Speaker 2>who tried to put basically like an architectural rendering of

1:04:34.480 --> 1:04:37.120
<v Speaker 2>the full House house with all of the things that

1:04:37.200 --> 1:04:40.560
<v Speaker 2>it has and what you see and what the shape

1:04:40.560 --> 1:04:43.680
<v Speaker 2>of the house actually would be. And it's it's like

1:04:43.760 --> 1:04:45.760
<v Speaker 2>something off of like roadblocks, you know what I mean.

1:04:45.760 --> 1:04:49.360
<v Speaker 2>It's like it is the weirdest shaped like doesn't couldn't

1:04:49.400 --> 1:04:52.880
<v Speaker 2>possibly exist in actual buildings.

1:04:53.720 --> 1:04:56.960
<v Speaker 1>No, it defies law, defies yeah, defies gravity.

1:04:57.120 --> 1:05:01.360
<v Speaker 2>Everything. Yeah, everything it's got it is think Uh it's

1:05:01.360 --> 1:05:05.640
<v Speaker 2>a it's a portal to some sort of black hole,

1:05:05.800 --> 1:05:08.760
<v Speaker 2>or it's a it's a there's a time warp in there.

1:05:09.000 --> 1:05:12.160
<v Speaker 2>I don't know, something, there's something going on at that

1:05:12.200 --> 1:05:15.600
<v Speaker 2>town something because it's like the West. It's like the

1:05:15.640 --> 1:05:17.959
<v Speaker 2>Winchester Mystery House with all the stairs in that house.

1:05:18.440 --> 1:05:20.000
<v Speaker 2>You know what I mean, there's got to stairs that

1:05:20.080 --> 1:05:22.560
<v Speaker 2>go into blank walls. And doors that open onto nothing.

1:05:23.280 --> 1:05:26.200
<v Speaker 1>Yes, it has to be because there's so many dang stairs.

1:05:27.840 --> 1:05:30.760
<v Speaker 2>I always say that they do construction quickly in this

1:05:30.800 --> 1:05:36.000
<v Speaker 2>house without any Yeah, no mess, because Daniel, no mess,

1:05:35.520 --> 1:05:40.640
<v Speaker 2>no noise. Great. I will tell you my other everywhere

1:05:40.680 --> 1:05:44.520
<v Speaker 2>you look moment. Was it was a classic late eighties beverage.

1:05:45.160 --> 1:05:46.800
<v Speaker 1>Oh it was.

1:05:46.880 --> 1:05:49.960
<v Speaker 2>It was a New York Seltzer. Oh they were in

1:05:50.040 --> 1:05:54.960
<v Speaker 2>a couple episodes, uh or a couple scenes in this episode,

1:05:55.120 --> 1:05:57.680
<v Speaker 2>and they're like really greeked out or whatever. But New

1:05:57.760 --> 1:06:01.240
<v Speaker 2>York seltz in the little bottles with the like different

1:06:01.280 --> 1:06:04.840
<v Speaker 2>color wraps, and they were it was basically you know,

1:06:05.240 --> 1:06:07.640
<v Speaker 2>flavored soda water.

1:06:08.120 --> 1:06:11.640
<v Speaker 1>Yeah, sugar, but yeah, the Lacroix of.

1:06:11.960 --> 1:06:14.880
<v Speaker 2>I wouldn't be that mean to New York Seltzer. I

1:06:14.920 --> 1:06:18.919
<v Speaker 2>love Lacroix, but it actually Lacroix tastes like if you

1:06:19.000 --> 1:06:22.280
<v Speaker 2>licked a fruit and then licked the glass that you're

1:06:22.320 --> 1:06:26.200
<v Speaker 2>gonna pour the water in. But New York Seltzer actually

1:06:26.440 --> 1:06:32.200
<v Speaker 2>like was like you juiced in and added sugar. Really nice,

1:06:32.280 --> 1:06:36.640
<v Speaker 2>the real the real sugar, real yeah stuff. Yes, But anyway,

1:06:36.680 --> 1:06:39.760
<v Speaker 2>that was my little other ere the moment. Because you ever,

1:06:39.920 --> 1:06:41.680
<v Speaker 2>you don't see him now. I think that company might

1:06:41.680 --> 1:06:43.920
<v Speaker 2>have gone out of business, but it was no you

1:06:43.960 --> 1:06:47.720
<v Speaker 2>could get it yeah in the eighties, like Deli's bagels chops.

1:06:47.800 --> 1:06:51.680
<v Speaker 1>Yeah, oh man, man, I could use one right now.

1:06:52.240 --> 1:06:55.840
<v Speaker 2>Right seriously, I'm gonna go eat a sandwich the size

1:06:55.840 --> 1:06:58.320
<v Speaker 2>of Michelle Tanner's head in that scene.

1:06:58.120 --> 1:07:00.040
<v Speaker 1>And drinking New York Celtic and drink of New York.

1:07:00.080 --> 1:07:03.320
<v Speaker 2>Eltzer yep, and go find my time portal in UH

1:07:03.400 --> 1:07:04.360
<v Speaker 2>in the Tanner.

1:07:04.080 --> 1:07:06.800
<v Speaker 1>Household and find some ducks on a lake and throw

1:07:06.840 --> 1:07:07.440
<v Speaker 1>some bread out.

1:07:07.760 --> 1:07:10.360
<v Speaker 2>Yeah, yep, That's what I'm gonna do. That's the rest

1:07:10.360 --> 1:07:12.040
<v Speaker 2>of my day.

1:07:13.000 --> 1:07:13.520
<v Speaker 1>I love it.

1:07:14.120 --> 1:07:17.000
<v Speaker 2>Great episode. Thank you everybody for joining us for another

1:07:17.040 --> 1:07:19.520
<v Speaker 2>fun episode of how Rud Tanner Ritos. We hope you

1:07:19.680 --> 1:07:22.360
<v Speaker 2>enjoyed the show today, and if you're looking for ways

1:07:22.400 --> 1:07:25.200
<v Speaker 2>to find us online, you can find us on Instagram

1:07:25.240 --> 1:07:27.640
<v Speaker 2>at how Rude Podcast. You can also send us an

1:07:27.640 --> 1:07:30.920
<v Speaker 2>email at how Rude podcast at gmail dot com. Uh

1:07:30.960 --> 1:07:32.960
<v Speaker 2>and also make sure you're liking and subscribing to the

1:07:33.000 --> 1:07:34.840
<v Speaker 2>podcast wherever you're listening to it to make sure that

1:07:34.880 --> 1:07:37.240
<v Speaker 2>you get all the newest episodes as soon as they drop,

1:07:37.680 --> 1:07:40.520
<v Speaker 2>and we will see you guys next week, uh for

1:07:40.560 --> 1:07:45.000
<v Speaker 2>a really great episode, really fun interview with Wit himself

1:07:45.760 --> 1:07:51.120
<v Speaker 2>and remember the world is small, but the door is

1:07:51.160 --> 1:07:51.800
<v Speaker 2>always open.

1:07:52.600 --> 1:07:56.280
<v Speaker 1>Yeah, very good, very good. Okay, still there's still there's

1:07:56.600 --> 1:08:01.320
<v Speaker 1>there's still questioning that there's there's one too many syllables syllable.

1:08:01.640 --> 1:08:04.920
<v Speaker 2>Yeah, it's gonna take some some redoing, but I just well,

1:08:05.120 --> 1:08:07.640
<v Speaker 2>I'll get my red editor pen, I'll I'll do something.

1:08:07.640 --> 1:08:08.800
<v Speaker 1>I'll do some edit, some notes.

1:08:08.880 --> 1:08:11.040
<v Speaker 2>We'll listen to the fan retos, like everybody's gonna have

1:08:11.080 --> 1:08:14.400
<v Speaker 2>thoughts on its sound. Alright, you guys, see you next time.

1:08:23.200 --> 1:08:23.240
<v Speaker 2>M