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Speaker 1: Hello, hello, hello, hello. Okay, well I have an update.

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Speaker 2: Oh an update.

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Speaker 1: Yes, the fans have come out and they have opinions

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Speaker 1: about Jana Sweeten and Janice Sweeten's notes.

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Speaker 2: Oh no, they really?

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Speaker 1: Who read some of Janis's notes about our podcast?

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Speaker 2: Got it? So basically, our fans are starting a beef

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Speaker 2: with my mom? Is that what's happening?

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Speaker 1: I just needed no, no, no, no, I'm starting to

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Speaker 1: beef quite the opposite, my friend. Let me have a

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Speaker 1: few comments about the legendary Janis.

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Speaker 2: Basically she needs to be a permanent host. Okay, okay,

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Speaker 2: so okay.

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Speaker 1: Chelsea at Chelsea Leah eighty seven says, okay, so when

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Speaker 1: are we getting a Janis Sweeten podcast? Just giving notes

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Speaker 1: on the HRT podcast?

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Speaker 2: Oh my god, hilarious.

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Speaker 1: And then Stacy Pierce Florida says, if Jana Sweeton had

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Speaker 1: her own spinoff podcast where she discusses every episode of

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Speaker 1: How Rude, I would definitely listen.

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Speaker 2: To that too. Oh my god, I'm gonna have to

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Speaker 2: let people. My mom will be thrilled that people that

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Speaker 2: people want to listen to her notes.

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Speaker 1: Oh yeah, oh, a whole podcast of just Janice's notes.

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Speaker 2: I'll be like guess what, Mom, you have a whole

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Speaker 2: audience now to give your notes too. Do you let

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Speaker 2: them know?

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Speaker 1: I love this. She's her own fan club. I mean

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Speaker 1: she's legendary.

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Speaker 2: I mean she's she's kind of legendary at this point.

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Speaker 2: She is Janie sweeton Is.

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Speaker 1: I just love your mom. I love your mom.

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Speaker 2: I do too. I love my mom, and you know what,

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Speaker 2: I love I love her more the older I get,

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Speaker 2: and like, the better relate, you know what I mean,

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Speaker 2: the better relationship that you get with your mom is

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Speaker 2: you're like, oh wait, I can I just can be

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Speaker 2: me and she can be her and we get you know,

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Speaker 2: it's just great. Yeah, she's hilarious, so great.

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Speaker 1: Oh yeah, so thank you, Janis.

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Speaker 2: By the time you get to this episode, your fan

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Speaker 2: club will have a president and a vice president. Right.

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Speaker 2: But yeah, well, by the time she gets to this episode,

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Speaker 2: she's gonna have her own podcast and just be killing

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Speaker 2: our numbers. I mean, no one's anymore. They're just gonna

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Speaker 2: listen to Jana Sweeten's notes. I Hurt Radio will be

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Speaker 2: reaching out to her, yes, exactly, this episode airs, I'm

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Speaker 2: gonna you know what, I'll produce this. I I'll take

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Speaker 2: a cut you know Jana sweet love it. There's demand

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Speaker 2: for Jana Sweeten podcasts.

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Speaker 1: Charlie. Sorry, I'm I'm dog sitting for Charlie.

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Speaker 2: What I'm like, I don't know. I've known you thirty

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Speaker 2: some odd years and there's never been a Charlie and

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Speaker 2: your family. What happened?

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Speaker 1: No, I'm dog sitting Charlie who is my ex husband's

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Speaker 1: dog because they're on vacation. So Charlie's here.

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Speaker 2: And he's you know, well, what kind of dog is Charlie.

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Speaker 1: He's a little cocker and he's so I wish I

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Speaker 1: could get him to come over here, but he's a fanel.

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Speaker 2: Can you say the whole thing, because when you say

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Speaker 2: he's a little cocker, I'm I'm sorry. Come on, I

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Speaker 2: need the whole cocker spaniel. Thank you. He's that we

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Speaker 2: don't need. It's not a personal indictment on him, you

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Speaker 2: know what I mean. We don't need to discuss that.

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Speaker 1: It's not a judgment.

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Speaker 2: No, he's not a judgment. He's a little cocker spaniel.

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Speaker 1: He's a little cocker spaniel. Okay, he's I don't know

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Speaker 1: what he's barking at right now, Charlie. I'm so sorry.

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Speaker 2: He's barking at the fact that you call him a

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Speaker 2: little cocker. He's like, I have some thoughts about this.

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Speaker 2: That's I don't call meet him.

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Speaker 1: I've upset him. So apology.

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Speaker 2: Well, here's the good thing. I didn't hear Charlie. I

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Speaker 2: just heard you yelling at Charley. So yeah, it was

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Speaker 2: it was a sudden outburst that I wasn't expecting. So

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Speaker 2: I think Charlie's fine. No one's hearing him.

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Speaker 1: Hopefully whatever squirrel or whatever he's barking at goes away

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Speaker 1: soon because I can't see. I can't see what he's

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Speaker 1: barking at. So okay, well, we have part of our

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Speaker 1: studio audience, right, yeah, exactly, he's giving us.

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Speaker 2: He's giving us. Not well, he's gonna he and my

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Speaker 2: mom are gonna have a podcast soon Janice Sweeten and

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Speaker 2: the Little Copper, that's what. So it's gonna be Oh boy, yep,

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Speaker 2: my mom's in for it tonight. I'm just saying she's

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Speaker 2: gonna she does not know what she's in for at

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Speaker 2: this show that she's coming to tonight. We're only four

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Speaker 2: minutes into this podcast today.

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Speaker 1: It's already off the.

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Speaker 2: Rail, off gone. There aren't even rails it's it's we're

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Speaker 2: just free flowing. Yeah, you're the one that's insulting your

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Speaker 2: ex husband's day, you know, poor guy.

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Speaker 1: All right, now, I'm warm. I gotta get my money.

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Speaker 2: I did. I did? I laugh you into a hot flash.

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Speaker 2: You laughed me right into a hot flush, A little flush.

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Speaker 1: Anyways, how are you, Jodie Sweeten?

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Speaker 2: You know, I'm fine. I don't have any dogs here'

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Speaker 2: My dog's great. Your dog? How's Holly?

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Speaker 1: Holly's doing good. She's putting up with with She's putting

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Speaker 1: up with a little cocker just fine, got it?

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Speaker 2: It got along? Well? Okay, Well, I mean she's probably

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Speaker 2: is she can she even see? Yeah, I was gonna say,

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Speaker 2: she's like she didn't even care that he's barking, Yeah.

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Speaker 1: And barking, So she's totally not even triggered by him

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Speaker 1: at all. So yeah, No, she's doing She's doing great.

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Speaker 1: She's she's seventeen. She has a little ivy pole that

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Speaker 1: I carry around because I give her a little ivy

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Speaker 1: fluids subcutaneous fluids every other day to her kidney disease.

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Speaker 2: I couldn't do it.

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Speaker 1: The first few times were difficult because sometimes I stick.

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Speaker 1: Sometimes you have to like tint the skin. Oh god,

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Speaker 1: sometimes that poke it all the way through this fluid.

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Speaker 2: I'm literally going to puke on my microphone. I can't,

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Speaker 2: I am.

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Speaker 1: Are you afraid of needles?

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Speaker 2: Yo? Oh you are?

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Speaker 1: Wow that was a visceral. Okay, Oh I apologize. I

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Speaker 1: didn't know you had the needles.

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Speaker 2: Blood draw I used to not even be able to

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Speaker 2: say ivy without completely like burst breaking out in a

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Speaker 2: sweat and freaking out.

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Speaker 1: Yeah really I didn't. It's not about you.

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Speaker 2: Yeah, fine. With tattoos, it's just once you're once you

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Speaker 2: go trying to draw blood for me, I freak out.

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Speaker 2: So okay, that's.

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Speaker 1: Interesting, that's right, Because tattoos you're just like, yeah, what,

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Speaker 1: I just put a full COI, you know, a life

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Speaker 1: size COI on my side.

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Speaker 2: But it's well, it's because they always have trouble. I

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Speaker 2: have tiny little baby veins that they have to bring

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Speaker 2: pediatric nurses into. Fine, so it's just it's a whole thing.

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Speaker 2: It's yeah, so I uh, it's not I don't enjoy it.

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Speaker 2: So yeah, that's why I could never ever I'd be like, ah,

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Speaker 2: we have to have an in home nurse coming into Oh.

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Speaker 1: Do see, I got I got thick veins I got.

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Speaker 1: I'm like, well.

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Speaker 2: That we're talking about. Uh no, Jesus, we should put

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Speaker 2: it not safe for work warning on this on this

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Speaker 2: episode for sure, Like, hey, guess what the first nine

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Speaker 2: minutes of this podcast, watch out, it's going wild. If

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Speaker 2: you have a fear of needles or of of little cockers, don't. Yeah,

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Speaker 2: just whoo, all right, let's let's we'll do the episode before.

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Speaker 1: Please, let's do the recap.

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Speaker 2: Let's get back to the PG show that we're recapping here,

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Speaker 2: yes quick, all right, ready, welcome back, Yes, here we go,

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Speaker 2: Welcome back to how Rude tan Rito's.

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Speaker 1: I'm Andrea Barber.

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Speaker 2: And I'm sorry I'm joking. Before I was gonna no,

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Speaker 2: I was gonna say, and I'm Jody little Cocker sweetened.

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Speaker 2: But I didn't, and then I did, And now that

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Speaker 2: was I ruined my own joke because I couldn't. I

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Speaker 2: laughed in my head. So anyway, you broke yourself.

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Speaker 1: You broke yourself.

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Speaker 2: Story of my life.

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Speaker 1: Okay, Today we are discussing season three, episode four, titled

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Speaker 1: Nerd for a Day. It originally aired on October thirteenth,

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Speaker 1: nineteen eighty nine, and it goes a little something like this.

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Speaker 1: When Jesse learns that Stephanie has been joining her fellow

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Speaker 1: classmates in making fun of another child, he encourages steph

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Speaker 1: to apologize and change her behavior very much. This is

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Speaker 1: such a good one.

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Speaker 2: It's such a great episode.

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Speaker 1: Classic episode. I loved it. It was directed by Billy

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Speaker 1: fausta like coffee, Coffee Coffee, and written by the lovely

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Speaker 1: Lenny Rips. I love him so much. And we have

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Speaker 1: a gaggle of guest stars this week. Indeed, we have

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Speaker 1: Max Alexander as Doctor Rubin Weineger, the hug Therapist. He

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Speaker 1: was a stand up comedian who worked on the Tonight

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Speaker 1: Show with Jay Leno and Hollywood Squares. And then we

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Speaker 1: have the legendary wit Hertford as Walter duck Face. Oh yes,

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Speaker 1: legendary character. Yeah, legendary actor. He was known in nineteen

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Speaker 1: eighty nine as whitby Hertford and he's also known as

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Speaker 1: Jacob in Nightmare on Elm Street, the Dream Child. That's,

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Speaker 1: oh man, what a terrifying role. He's also an accomplished

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Speaker 1: voice actor, director, producer, writer, and we will be speaking

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Speaker 1: to him on the pod this week, ladies and gentlemen,

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Speaker 1: so stay tuned. You don't want to miss this conversation.

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Speaker 2: Such a great interview.

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Speaker 1: Yeah, oh it was so good, so good. And then

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Speaker 1: we have Nathan Nishiguchi returning as Harry and if we

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Speaker 1: could have a moment of silence, this is his final

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Speaker 1: appearance on Full House.

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Speaker 2: Well, you know, I have thoughts on his behavior in

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Speaker 2: this episode, so I can't say that I'm then terridly disappointed.

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Speaker 1: Oh well, you know, overall, the character, the character is Harry.

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Speaker 1: But I started off so strong. He started off so

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Speaker 1: I was loving and wonderful, he devoted and then and

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Speaker 1: then yeah, and then it goes all downhill. But yes,

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Speaker 1: but we've we've talked to Nathan in real life. He's

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Speaker 1: doing wonderfully. He has a beautiful family, beautiful kids, and

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Speaker 1: they are a very private family. So you won't be

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Speaker 1: joining us on podcast. But we wish him the best.

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Speaker 1: We did him.

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Speaker 2: We love Harry and oh my gosh, just what a

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Speaker 2: great what a great guy, match a great character.

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Speaker 1: Ye holy mattress money. And moving on with the next

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Speaker 1: guest star, we have Malachi Pearson as Brian Kagan. This

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Speaker 1: is his first of two appearances on Full House. He's

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Speaker 1: also in later season three, the episode called Misadventures and babysitting.

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Speaker 1: He's the kid that gets his head stuck in the banister.

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Speaker 2: That's right. I was like, yes, that's right, Yes, yes,

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Speaker 2: So I'm happy that he's going to be back.

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Speaker 1: He also appeared on Family Matters, Valerie, Family Ties, and

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Speaker 1: Highway to Heaven, and he was the voice He voiced

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Speaker 1: the voice of Casper in the nineteen ninety six video

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Speaker 1: game of the same name. Yeah, lots of voice actors

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Speaker 1: on the show this week. And moving right along, we

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Speaker 1: have Jenny Drugan as Lori. She did twenty six episodes

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Speaker 1: of Land of the Lost.

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Speaker 2: Loved that show.

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Speaker 1: It's here for Slay Stacks, babe.

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Speaker 2: I still make comments about Stacks and people are like what.

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Speaker 1: Yeah, oh man, it's least that's me every morning.

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Speaker 2: Yeah, like sun Prices.

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Speaker 1: And then we have Paul right the third as band

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Speaker 1: member of Jesse and the Rippers. I don't think they

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Speaker 1: didn't give him a name. That's sad. He's just band member.

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Speaker 1: But he's very talented.

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Speaker 2: About the other band members, he's the only one that.

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Speaker 1: He's the only one that he didn't even get a name.

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Speaker 1: He's the only one that got a credit that's interested

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Speaker 1: as band member. But he's a talented musician. He composed

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Speaker 1: the theme song to the show Martin in nineteen ninety five.

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Speaker 1: And last, but certainly not least, we have Chuck Mahoney

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Speaker 1: as Steven, which is uncredited. Who's Stephen?

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Speaker 2: I have no idea.

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Speaker 1: Is that one of the other? No?

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Speaker 2: No, what is uncredited? I don't know. I don't remember

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Speaker 2: Stephen in the episode Stephen get cut. Maybe he got cut,

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Speaker 2: maybe got cut.

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Speaker 1: And then they just were like, well we were stuffed.

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Speaker 1: Well okay, yeah, I don't know why.

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Speaker 2: Maybe Stephen was the name of one of the mullets.

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Speaker 1: That must have been it, because.

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Speaker 2: They certainly deserve their own credit. We'll get there. If

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Speaker 2: you thought season one was the epicenter of mullets, let

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Speaker 2: me tell you guys. Oh oh, it's unreal.

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Speaker 1: The mullets are strong in this episode. Mullet game is strong.

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Speaker 2: Yeah.

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Speaker 1: Okay, So those are all of the guest stars this week.

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Speaker 1: Holy cow. We start with our teaser in the living room.

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Speaker 1: Michelle runs in with her toy car and tells Joey

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Speaker 1: that the car is broken. Joey walks over and checks

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Speaker 1: the car by shaking Michelle. This shaking causes her to say,

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Speaker 1: h which prompts Joey to report that it is broken

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Speaker 1: all right. He pretends to fix up the car by

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Speaker 1: giving Michelle some oil and tightening some screws. He shakes

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Speaker 1: her again and she says uh, before finishing off with

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Speaker 1: a loud room to indicate that the car is working again.

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Speaker 1: She starts to drive off, and Joey stops her, saying

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Speaker 1: she forgot to pay her bill. Michelle says sorry and

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Speaker 1: kisses Joey. He responds, here's your change, before kissing her

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Speaker 1: right back and she speeds off. This was good teaser.

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Speaker 2: This was cute and such a great Another great example

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Speaker 2: of Dave doing all of his fun voice stuff.

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Speaker 1: Yeah, he's he's like the Mary Poppins bag of races,

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Speaker 1: Like there's always more, just right.

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Speaker 2: And I remember the girls used to love when he

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Speaker 2: would do those noises the spaceship all that stuff. They

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Speaker 2: thought it was hilarious.

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Speaker 1: What kid didn't like it? I mean he was just

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Speaker 1: so such a hit with the kids. Uh. Okay, So

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Speaker 1: we opened the regular show with Jesse and Joey and

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Speaker 1: Michelle in Joey's room, along with a random assortment of

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Speaker 1: rippers and mullets, none of which are the rat tail ripper, Like,

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Speaker 1: where is he?

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Speaker 2: I mean it, I don't know. To be honest, I

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Speaker 2: was like, is one of them the rat tail ripper

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Speaker 2: that just now has more hair. It's been a couple

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Speaker 2: of years, they've grown it out a little bit. I

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Speaker 2: couldn't tell. To be fair, I didn't recognize any of

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Speaker 2: these helpers. I didn't recognize any of them. But this was,

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Speaker 2: I mean, this hair was it was.

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Speaker 1: It was like a mullet convention.

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Speaker 2: I don't even there's not any words. It was standing

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Speaker 2: up a good six inches. Yeah, these mullets had their

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Speaker 2: own heartbeats, like they were. I was large and in charge,

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Speaker 2: you know. At first I thought, is that the noodo?

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Speaker 2: But but it wasn't. But they also had that hair

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Speaker 2: and a constantly rotating cast of members door members, much

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Speaker 2: like the rippers. But yeah, I was shocked, truly at

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Speaker 2: the hair on these guys because it rivaled anything we

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Speaker 2: saw in season one. And I thought we were I

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Speaker 2: thought we had moved out of the hair band era

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Speaker 2: at that point. You know, John was in his faux

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Speaker 2: turtlenecks and suspenders, living his best rat back live. Yes,

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Speaker 2: And I thought, you know, maybe in rattail mullet Ripper

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Speaker 2: is nowhere to be found, but he's been replaced by gigantic. Uh.

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Speaker 2: I was gonna say wig rippers, but that sounds that

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Speaker 2: sounded wig rippers. Yeah, no rippers. Oh, they're rippers with

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Speaker 2: I don't know what they're just they're like the Dolly

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Speaker 2: Parton rippers.

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Speaker 1: They got big hair, they're they're just.

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Speaker 2: That's that there's a lot of money to look cheap,

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Speaker 2: as she says.

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Speaker 1: Yeah, the hair is very distracting in this in this scene.

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Speaker 2: But right, yeah, when he tells him to take it

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Speaker 2: from the top, I was like, the top of what

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Speaker 2: their hair? Okay, And that is to say nothing of

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Speaker 2: the song that we were about to get into.

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Speaker 1: Oh oh oh you just wait, just wait. So Jesse

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Speaker 1: counts one, two, and Michelle chimes in buckle my shoe.

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Speaker 1: He runs over to her, telling her to do it

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Speaker 1: as they practiced, and Michelle enthusiastically responds, got it, dude.

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Speaker 1: Jesse counts his bandon and they begin to sing the

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Speaker 1: Pounds Away Diet Center jingle, which is problematic in so

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Speaker 1: many ways.

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Speaker 2: But you guys, I would just like it to be

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Speaker 2: known that that that we do not endorse any of this.

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Speaker 2: This was late eighties early nineties, diet culture was obviously

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Speaker 2: out of control and this song is ridiculous. But but

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Speaker 2: here we are it was, it was sung, it was

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Speaker 2: sung by rippers with gigantic hair, and uh and and

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Speaker 2: here we are?

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Speaker 1: So how is this even in the even in the

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Speaker 1: late eighties? Was this okay? This kind of song was? Okay?

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Speaker 2: I don't remember it, Yeah, okay, A long way in

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Speaker 2: what we go? I don't think we should say that. Yeah,

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Speaker 2: I was. I was shocked.

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Speaker 1: Normally, I'm just like, oh yeah, that was the eighties

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Speaker 1: right right now, this tu me.

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Speaker 2: The song starts off with you won't be Fat no More?

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Speaker 2: And I was like, wow, that's aggressive and to the point.

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Speaker 1: Okay, and then they have Michelle singing bye bye fat

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Speaker 1: like every other lyric it's it's oh yeah. And the

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Speaker 1: other problematic thing is it's basically they've ripped off the

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Speaker 1: Beach Boys fun fun fun like this isn't an original tune.

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Speaker 1: There's copyright involved. Guys, like you can't you can't pass

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Speaker 1: this off as a as a diet center jingle when

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Speaker 1: the Beach Boys kind of have some reference to this,

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Speaker 1: you know, yeah, I just there was a lot of thoughts,

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Speaker 1: a lot of there's a lot of thoughts. So thankfully

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Speaker 1: the song ends, and with Jesse not not soon enough,

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Speaker 1: but thankfully it ends. Jesse says goodbye to his bandmates

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Speaker 1: and shouts work on your hair as they exit.

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Speaker 2: I don't think they could more if they tried.

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Speaker 1: It was helmet hair. It wasn't moving.

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Speaker 2: I mean that hair has been worked on.

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Speaker 1: It was.

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Speaker 2: It was pretty pretty impenetrable with all the aquanett.

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Speaker 1: Yeah, that was in the film. So Jesse turns to

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Speaker 1: Joey and asks, do you think that that song will

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Speaker 1: motivate people to go on a diet? And Joey admits, well,

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Speaker 1: it worked for me. Let's go eat some pizza. DJ

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Speaker 1: walks in and tells them about her English homework, which

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Speaker 1: involves her observing a family member for one day and

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Speaker 1: writing a report on what they do. She's going to

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Speaker 1: pick someone who's interested in nothing but fun and toys.

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Speaker 1: Jesse jokes that she must be referring to Joey, and

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Speaker 1: DJ laughs No, Michelle.

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Speaker 2: Probly could have been either one.

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Speaker 1: Definitely, I you know it was fifty to fifty right,

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Speaker 1: there could have been either one. DJ walks up to

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Speaker 1: Michelle and asks if she can follow her around for

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Speaker 1: the day. Michelle states, Okay, come with me my room now.

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Speaker 1: DJ makes a note to her uncle's observation number one

356
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Speaker 1: subject has an attitude, and she follows Michelle out of

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Speaker 1: the room. Stephanie runs in, announcing she's finally home. She

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Speaker 1: explains that she was kept after school and had to

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Speaker 1: keep her head down on her desk and not say

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Speaker 1: a word for fifteen minutes, which is a new record.

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Speaker 1: Then she says see you boys and runs out of

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Speaker 1: the room. Jesse and Joey run after her to get

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Speaker 1: more details.

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Speaker 2: Yeah, this was one of those episodes they were just

365
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Speaker 2: mining from real life experiences of me getting in trouble

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Speaker 2: for talking.

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Speaker 1: Yeah, I loved it, and you you're just peak Stephanie.

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Speaker 2: Here.

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Speaker 1: I love your little plaid skirt. Oh yeah, with your

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Speaker 1: suspenders like yeather hair is like your hair is very

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Speaker 1: well tamed. It's not like the frizzy. It's a little better,

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Speaker 1: but it's better, much better. It's much more tamed. I'm

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Speaker 1: here for this look.

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Speaker 2: Yeah, this is a yeah, very very peak steph like

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Speaker 2: little side ponytail sort of moment. It's adorable and she's

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Speaker 2: also smart. She's like, I'm gonna drop this little nugget

377
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Speaker 2: of I had to be kept after school and then

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Speaker 2: not bye see later.

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Speaker 1: Yeah, And you're like you're phrasing it like oh this

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Speaker 1: was that's a new record, Like you've done something great

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Speaker 1: and then you run away. It's it's brilliant. People should

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Speaker 1: kids should take notes. So the guys follow Steph into

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Speaker 1: the kitchen and Jesse asks her why she was kept

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Speaker 1: after school. Steph tells them that some kids were calling

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Speaker 1: Walter Berman a duck face. Jesse asks if she was

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Speaker 1: a part of this, and she says it wasn't just her,

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Speaker 1: it was the whole class.

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Speaker 2: The standard response for kids, I know that makes it

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Speaker 2: many right, You're like great, so it was all of

390
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Speaker 2: you be ganging up on someone even better.

391
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Speaker 1: That doesn't make it any better, so Jesse scolds her,

392
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Speaker 1: saying that's no excuse. Stuff assures him that if he

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Speaker 1: saw Walter he would call him duck face too. She

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Speaker 1: tells them that he's always making these duck lips, and

395
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Speaker 1: she proceeds to mimic him. Joey laughs, h kids sounds

396
00:20:41,000 --> 00:20:44,159
Speaker 1: like a quack up, and Steph demonstrates how the class

397
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Speaker 1: was making fun of Walter by walking around the room

398
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Speaker 1: quacking like a duck. Joey and Jesse look at her

399
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Speaker 1: with blank expressions, and she shrugs, well, you had to

400
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Speaker 1: be there. Jesse tells Steph that when he was younger,

401
00:20:57,600 --> 00:21:01,000
Speaker 1: everybody used to tease him by calling him Zorba the

402
00:21:01,119 --> 00:21:05,720
Speaker 1: geek instead of Zorba the Greek. What's funny? Ever a nerd?

403
00:21:05,800 --> 00:21:08,399
Speaker 2: Though? I don't feel like Jesse was ever a nerd.

404
00:21:08,920 --> 00:21:13,400
Speaker 2: I don't know. That's just mine. I can see it. Wow,

405
00:21:14,080 --> 00:21:15,720
Speaker 2: I feel like we saw him as a little kid

406
00:21:15,760 --> 00:21:18,000
Speaker 2: in that one flashback and he was chasing girls trying

407
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Speaker 2: to get kisses, and then they were chasing after him.

408
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Speaker 2: I don't know. Maybe maybe he went through an awkward face.

409
00:21:23,240 --> 00:21:25,800
Speaker 2: He probably went through an awkward face. Yeah, he said.

410
00:21:26,160 --> 00:21:28,120
Speaker 2: He sees when he turned thirteen his body flipped out.

411
00:21:28,119 --> 00:21:30,879
Speaker 2: So we haven't thirteen year old Jesse was awkward.

412
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Speaker 1: Okay, that's what we need. That's what we need to see,

413
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Speaker 1: is thirteen year old Jesse because I'm here for that,

414
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Speaker 1: like for the acne ridden you know, whatever, whatever puberty

415
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Speaker 1: things are going on.

416
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Speaker 2: At the moment.

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Speaker 1: That's that's what That's a missed opportunity right there. Jesse

418
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Speaker 1: admits that his body flipped out at thirteen. His nose

419
00:21:49,800 --> 00:21:52,919
Speaker 1: outgrew his face, his ears outgrew his nose, and he

420
00:21:53,080 --> 00:21:56,520
Speaker 1: was your basic mister potato head. So Joey pats him

421
00:21:56,520 --> 00:21:58,600
Speaker 1: on the back and says, so before you were a stood,

422
00:21:59,040 --> 00:22:03,320
Speaker 1: you were a spud. Jesse points to the door, motioning

423
00:22:03,359 --> 00:22:05,399
Speaker 1: for Joey to leave. You know, Joey's not really helping.

424
00:22:06,000 --> 00:22:09,280
Speaker 1: He's just he's just like throwing out dad jokes you

425
00:22:09,520 --> 00:22:13,399
Speaker 1: left and right. He's like, just go away, Joey. So

426
00:22:13,520 --> 00:22:16,040
Speaker 1: Jesse says, the point he's trying to make is that

427
00:22:16,080 --> 00:22:19,040
Speaker 1: the kids who bullied him hurt his feelings. So it

428
00:22:19,040 --> 00:22:22,000
Speaker 1: would be nice of Steph to call Walter and apologize.

429
00:22:23,000 --> 00:22:28,760
Speaker 1: Steph asks me called duckface. Jesse nods in response, I

430
00:22:28,760 --> 00:22:30,840
Speaker 1: love this bit. You You are looking right at the

431
00:22:30,840 --> 00:22:32,960
Speaker 1: camera during this line. Did you notice you were like

432
00:22:33,000 --> 00:22:36,440
Speaker 1: looking right at the camera video, look at video village,

433
00:22:36,440 --> 00:22:40,200
Speaker 1: and then you look at the camera. Oh, I mean yeah.

434
00:22:40,359 --> 00:22:42,400
Speaker 2: The fact that I didn't do that more was astounding,

435
00:22:42,640 --> 00:22:45,199
Speaker 2: with my add constantly being like, what's that?

436
00:22:45,359 --> 00:22:47,439
Speaker 1: Oh yeah, I loved it.

437
00:22:47,480 --> 00:22:48,600
Speaker 2: Now I'll have to go back and look at that

438
00:22:48,640 --> 00:22:49,520
Speaker 2: because I didn't notice that.

439
00:22:49,560 --> 00:22:52,439
Speaker 1: Actually, yeah, it was it's funny. I mean it's like

440
00:22:52,880 --> 00:22:55,639
Speaker 1: it's not super noticeable. I just noticed it because I

441
00:22:55,680 --> 00:22:58,040
Speaker 1: know you, and it's it's fun I look for your

442
00:22:58,040 --> 00:22:59,800
Speaker 1: mistakes because that's what I love do.

443
00:23:00,119 --> 00:23:01,560
Speaker 2: Yeah.

444
00:23:01,600 --> 00:23:04,240
Speaker 1: So, just then Danny walks through the door. Stuff runs

445
00:23:04,320 --> 00:23:06,240
Speaker 1: up to him, and she says she's so happy to

446
00:23:06,280 --> 00:23:09,840
Speaker 1: see him. She proceeds to tell her dad, just because

447
00:23:09,840 --> 00:23:12,800
Speaker 1: I teased duck Face at school, Uncle Jesse's making me

448
00:23:12,920 --> 00:23:16,639
Speaker 1: call him. Danny reminds her that she knows it's wrong

449
00:23:16,720 --> 00:23:20,040
Speaker 1: to hurt someone else's feelings. He thinks Jesse is handling

450
00:23:20,080 --> 00:23:25,560
Speaker 1: this situation perfectly. Stuff obliges, saying she'll call Walter and apologize,

451
00:23:26,040 --> 00:23:28,800
Speaker 1: then she'll invite him over for some soup and quackers.

452
00:23:29,760 --> 00:23:30,760
Speaker 1: She erupts into this.

453
00:23:30,720 --> 00:23:36,040
Speaker 2: Laughter ugh slightly mini terrifying it was.

454
00:23:36,160 --> 00:23:38,800
Speaker 1: I mean, you committed. You committed to his laugh bit,

455
00:23:39,000 --> 00:23:42,600
Speaker 1: and it worked. It worked for me. Jesse and Danny

456
00:23:42,720 --> 00:23:45,320
Speaker 1: both give her a look, and Steff admits she had

457
00:23:45,359 --> 00:23:48,040
Speaker 1: to get that out of her system. She runs upstairs

458
00:23:48,080 --> 00:23:50,560
Speaker 1: and Jesse follows behind, telling Danny he's going to go

459
00:23:50,640 --> 00:23:53,440
Speaker 1: track down duck Face Walter's phone number.

460
00:23:53,760 --> 00:23:55,520
Speaker 2: I totally get it. Sometimes you just have to get

461
00:23:55,520 --> 00:23:57,840
Speaker 2: the joke out of your system. I fully understand, and

462
00:23:57,880 --> 00:23:59,159
Speaker 2: then you feel better, and then you can. Then you

463
00:23:59,240 --> 00:24:01,160
Speaker 2: feel better and you're like, oh, okay, now it's out.

464
00:24:01,320 --> 00:24:02,760
Speaker 2: I can I'll be better now.

465
00:24:03,320 --> 00:24:06,359
Speaker 1: So Joey enters and greets Danny. Danny tells him that

466
00:24:06,400 --> 00:24:08,920
Speaker 1: Becky is out of town tomorrow, so he needs someone

467
00:24:08,920 --> 00:24:12,040
Speaker 1: to co host his show. He asks for some ideas,

468
00:24:12,040 --> 00:24:14,080
Speaker 1: and Joey offers himself to fill in.

469
00:24:14,560 --> 00:24:19,120
Speaker 2: He sorry, but this show does the most last minute stuff.

470
00:24:20,200 --> 00:24:23,000
Speaker 1: Well, and it's also talk show.

471
00:24:23,040 --> 00:24:26,040
Speaker 2: And you don't have a co host for tomorrow, Like

472
00:24:26,119 --> 00:24:29,280
Speaker 2: no one thought about this. Did Becky just leave today?

473
00:24:29,680 --> 00:24:34,000
Speaker 2: Like I was like wait. And it's also casual, like

474
00:24:34,040 --> 00:24:37,320
Speaker 2: there's no like negotiations, there's no like producers around. Yeah,

475
00:24:37,320 --> 00:24:39,239
Speaker 2: there's no like, oh my god, what are we gonna do?

476
00:24:39,280 --> 00:24:41,080
Speaker 2: I have a show in twelve hours and I don't

477
00:24:41,080 --> 00:24:42,679
Speaker 2: have a co host. It's like, yeah, hey, you know,

478
00:24:42,720 --> 00:24:45,200
Speaker 2: I got any ideas of someone that might be available

479
00:24:45,200 --> 00:24:47,320
Speaker 2: tomorrow morning. Yeah, He's just like, hey.

480
00:24:47,240 --> 00:24:48,919
Speaker 1: I got I got my friend that lives with me.

481
00:24:49,080 --> 00:24:49,960
Speaker 1: Why did I have him?

482
00:24:50,000 --> 00:24:50,080
Speaker 3: On?

483
00:24:50,359 --> 00:24:53,119
Speaker 2: The nepotism in this family talk, it's just a family

484
00:24:53,160 --> 00:24:54,920
Speaker 2: of nepo babies, all of them.

485
00:24:55,480 --> 00:24:59,200
Speaker 1: It is so Joey's excited he can plug his laugh

486
00:24:59,359 --> 00:25:02,640
Speaker 1: machine appearance on the show, and he says this is great.

487
00:25:02,680 --> 00:25:05,479
Speaker 1: He's kissing up to Danny, helping him take off his jacket,

488
00:25:05,560 --> 00:25:08,600
Speaker 1: pulls out his chair for him. Danny admits he was

489
00:25:08,640 --> 00:25:11,200
Speaker 1: kind of leaning towards that tall, pretty blonde who does

490
00:25:11,240 --> 00:25:15,359
Speaker 1: the evening news, and Joey exclaims, oh, he's awful. Joey

491
00:25:15,400 --> 00:25:17,439
Speaker 1: pulls out another chair for Danny to use as a

492
00:25:17,440 --> 00:25:19,760
Speaker 1: foot rest, and he tries to convince Danny that he

493
00:25:19,840 --> 00:25:22,800
Speaker 1: needs someone who knows him as well as he knows himself,

494
00:25:23,280 --> 00:25:26,040
Speaker 1: like someone who lives in his house. He begins to

495
00:25:26,119 --> 00:25:29,359
Speaker 1: massage Danny's shoulders and Danny asks, do you think Jesse

496
00:25:29,440 --> 00:25:33,080
Speaker 1: could do it. Joey starts to aggressively miss the missage

497
00:25:33,640 --> 00:25:38,439
Speaker 1: massage Danny's shoulders after hearing that, and Danny laughs, easy, easy,

498
00:25:38,560 --> 00:25:41,440
Speaker 1: I talk to everybody. I set it up. You got

499
00:25:41,440 --> 00:25:45,560
Speaker 1: the job. Joey rejoices at this news. He tells Danny

500
00:25:45,560 --> 00:25:47,960
Speaker 1: he should have kept him going before he pulls the

501
00:25:47,960 --> 00:25:50,880
Speaker 1: footrest away. Joey holds up his fingers, admitting, you were

502
00:25:50,960 --> 00:25:52,440
Speaker 1: this close to get in your car.

503
00:25:52,520 --> 00:25:57,200
Speaker 2: Wax, Oh, I should have held out a little longer. So wait,

504
00:25:57,240 --> 00:25:59,439
Speaker 2: he already knew. He already knew that he was going

505
00:25:59,480 --> 00:26:00,720
Speaker 2: to ask joe to co host.

506
00:26:00,840 --> 00:26:04,760
Speaker 1: But Joe, yes, Danny knew, but Joey didn't know, and

507
00:26:04,840 --> 00:26:05,320
Speaker 1: Danny was.

508
00:26:05,320 --> 00:26:08,400
Speaker 2: Just making fun bringing them along, Okay, stringing them along. Yep,

509
00:26:08,480 --> 00:26:08,919
Speaker 2: you got it.

510
00:26:09,400 --> 00:26:13,600
Speaker 1: This did feel like a weird shoehorned storyline, like I'm like, okay,

511
00:26:13,720 --> 00:26:15,800
Speaker 1: Laurie wasn't available, and they're like, what are we gonna

512
00:26:15,800 --> 00:26:17,639
Speaker 1: do with Danny and.

513
00:26:17,440 --> 00:26:20,760
Speaker 2: Joey stay up San Francisco together.

514
00:26:20,800 --> 00:26:23,159
Speaker 1: I don't know. It was a little little shoehorned in,

515
00:26:23,240 --> 00:26:26,800
Speaker 1: but yeah, okay, we are in Steph and DJ's room.

516
00:26:27,160 --> 00:26:30,640
Speaker 1: Michelle walks into the room. DJ follows with a notepad.

517
00:26:30,920 --> 00:26:33,800
Speaker 1: Michelle greets all of Steph's stuffed animals with a handshake

518
00:26:33,920 --> 00:26:37,040
Speaker 1: and a hello, and then a very weirdly looped high

519
00:26:37,640 --> 00:26:39,200
Speaker 1: added on at the end. Right.

520
00:26:40,160 --> 00:26:42,600
Speaker 2: My first thought was, as Stephanie, I was like, why

521
00:26:42,640 --> 00:26:44,320
Speaker 2: is Michelle in my room? Touching my things?

522
00:26:45,520 --> 00:26:48,280
Speaker 1: You felt some possessive sibling thought.

523
00:26:48,320 --> 00:26:50,919
Speaker 2: Yeah. Yeah, I was like, why is Michelle touching steph stuff?

524
00:26:51,440 --> 00:26:53,399
Speaker 2: Why is she touching her animals? They're obviously set up

525
00:26:53,400 --> 00:26:53,960
Speaker 2: there for a reason.

526
00:26:54,520 --> 00:26:57,160
Speaker 1: But right, yeah, your little sisters just you know, messing

527
00:26:57,200 --> 00:26:59,040
Speaker 1: with your stuff. Don't mess with mister bear.

528
00:26:59,240 --> 00:26:59,440
Speaker 2: Yeah.

529
00:27:00,200 --> 00:27:03,159
Speaker 1: So DJ tells Michelle to slow down. She picks her

530
00:27:03,240 --> 00:27:05,760
Speaker 1: up and places her on her bed. She tells Michelle

531
00:27:05,760 --> 00:27:08,880
Speaker 1: that observing her was supposed to be easy, but so far,

532
00:27:08,960 --> 00:27:11,320
Speaker 1: she's played with all of her animals and flushed every

533
00:27:11,359 --> 00:27:12,480
Speaker 1: toilet in the house.

534
00:27:13,080 --> 00:27:16,720
Speaker 2: There's only like two, I know that, that right, very long?

535
00:27:17,000 --> 00:27:17,960
Speaker 2: That doesn't take long.

536
00:27:18,800 --> 00:27:20,760
Speaker 1: There's the one upstairs next to the.

537
00:27:20,760 --> 00:27:23,880
Speaker 2: Girls room, right, and joe Danny's bathroom.

538
00:27:24,040 --> 00:27:24,719
Speaker 1: Oh yeah, that's right.

539
00:27:24,800 --> 00:27:27,800
Speaker 2: Danny has one, and Joey has one, and one downstairs.

540
00:27:27,800 --> 00:27:31,520
Speaker 2: Were assuming, and then Joey has one. Okay, there's four okay,

541
00:27:31,600 --> 00:27:35,000
Speaker 2: okay on each level, well two on the top level. Okay.

542
00:27:35,200 --> 00:27:36,920
Speaker 2: Still not enough for the amount of people that are

543
00:27:36,920 --> 00:27:41,760
Speaker 2: living in that house, right, So DJ offers naptime next.

544
00:27:41,960 --> 00:27:45,359
Speaker 1: Michelle agrees, okay, nap time. She closes her eyes for

545
00:27:45,400 --> 00:27:48,640
Speaker 1: one second and then her eyes pop back open. Nap over.

546
00:27:48,920 --> 00:27:51,000
Speaker 2: I used to hate when my kids would do that. Right,

547
00:27:51,000 --> 00:27:53,359
Speaker 2: why are they sing naptime? You're like, oh, yes, great,

548
00:27:53,400 --> 00:27:54,720
Speaker 2: and then they're like, just kidding.

549
00:27:55,200 --> 00:27:59,320
Speaker 1: Yeah, yeah, kids, just wait. You know, when you're our age,

550
00:27:59,320 --> 00:28:00,560
Speaker 1: you will live for naps.

551
00:28:00,640 --> 00:28:01,840
Speaker 2: You'll appreciate naps.

552
00:28:02,600 --> 00:28:04,480
Speaker 1: So Michelle hops out of bed and runs out the

553
00:28:04,480 --> 00:28:07,680
Speaker 1: door through Jesse's legs. DJ follows her out of the

554
00:28:07,760 --> 00:28:10,480
Speaker 1: room as Jesse and Steph walk in, ready to call

555
00:28:10,520 --> 00:28:13,359
Speaker 1: Walter on the red lips phone.

556
00:28:13,800 --> 00:28:17,719
Speaker 2: Classic right, calling duck lips on the lips phone.

557
00:28:18,200 --> 00:28:20,040
Speaker 1: It's great, It's so appropriate.

558
00:28:20,160 --> 00:28:21,040
Speaker 2: Yeah.

559
00:28:21,200 --> 00:28:23,119
Speaker 1: Steph tries to get out of the call by saying

560
00:28:23,160 --> 00:28:26,000
Speaker 1: in a very raspy tone, I can't talk. I lost

561
00:28:26,040 --> 00:28:29,720
Speaker 1: my voice. Jesse counters this by saying they'll just have

562
00:28:29,840 --> 00:28:32,640
Speaker 1: to go over to Walter's house and apologize in person.

563
00:28:33,480 --> 00:28:37,840
Speaker 1: Steph clearly remarks, my voice is back. It's empirical. Jesse

564
00:28:37,920 --> 00:28:41,000
Speaker 1: dials Walter's number and tells Steph they'll all feel good

565
00:28:41,040 --> 00:28:43,960
Speaker 1: after doing this. Jesse hands her the phone and Steph

566
00:28:44,040 --> 00:28:48,240
Speaker 1: greets Walter, following up with I'm really sorry. Well, nice

567
00:28:48,280 --> 00:28:50,760
Speaker 1: talking to you. She attempts to hang up, but Jesse

568
00:28:50,840 --> 00:28:54,240
Speaker 1: stops her. He tells her to mention what she's sorry for.

569
00:28:55,280 --> 00:28:58,000
Speaker 1: She says she's sorry for quacking at him, then attempts

570
00:28:58,000 --> 00:29:00,840
Speaker 1: to hang up again. Jesse stops her again and saying,

571
00:29:01,480 --> 00:29:07,120
Speaker 1: and Steph continues her apology and called you duckface and

572
00:29:07,320 --> 00:29:11,960
Speaker 1: through little pieces of bread at you. Step Yeah, come on,

573
00:29:12,680 --> 00:29:14,560
Speaker 1: you're so matter of fact about it though, you're like, okay,

574
00:29:14,560 --> 00:29:15,640
Speaker 1: I'm apologizing for this.

575
00:29:15,640 --> 00:29:18,600
Speaker 2: This well, yeah, that's the fun, Steph. That's just me.

576
00:29:19,720 --> 00:29:22,120
Speaker 1: And Jesse's shocked. He's like, you threw right at this kid.

577
00:29:23,680 --> 00:29:27,200
Speaker 2: It's so mean. Kids are out, they're just so cool.

578
00:29:27,720 --> 00:29:30,120
Speaker 1: Kids are mean, and this feels a little out of

579
00:29:30,200 --> 00:29:32,280
Speaker 1: character for Steph. But I think I think because the

580
00:29:32,280 --> 00:29:33,960
Speaker 1: whole school was doing it, the whole class.

581
00:29:34,040 --> 00:29:35,920
Speaker 2: The thing, right, is that that's just the sort of

582
00:29:35,920 --> 00:29:37,920
Speaker 2: the thing is that you're like, and I've seen my

583
00:29:38,000 --> 00:29:40,080
Speaker 2: kids do it where they've jumped in and you're like,

584
00:29:40,160 --> 00:29:42,800
Speaker 2: this isn't I know that, this isn't like who you

585
00:29:42,840 --> 00:29:44,720
Speaker 2: are though you just kind of jumped in because everyone

586
00:29:44,720 --> 00:29:47,960
Speaker 2: else was saying something. So yeah, it's a very very

587
00:29:48,040 --> 00:29:50,000
Speaker 2: kid thing to do, which was why this was such

588
00:29:50,040 --> 00:29:50,960
Speaker 2: a great episode.

589
00:29:51,360 --> 00:29:56,200
Speaker 1: Absolutely absolutely, So Jesse forces Steph to tell Walter he's

590
00:29:56,240 --> 00:29:59,880
Speaker 1: a very nice boy, and Steph does. Jesse asks her

591
00:30:00,040 --> 00:30:03,120
Speaker 1: there's anything she'd like to say, So Steph asks Walter

592
00:30:03,160 --> 00:30:04,800
Speaker 1: if he would like to say hi to her uncle

593
00:30:04,840 --> 00:30:07,240
Speaker 1: Jesse and hands the phone to him. She walks out

594
00:30:07,240 --> 00:30:09,280
Speaker 1: of the room while Jesse is stuck on the phone

595
00:30:09,320 --> 00:30:14,240
Speaker 1: with Walter Hey back yep so. Next in the living room,

596
00:30:14,400 --> 00:30:17,400
Speaker 1: Danny runs down the stairs yelling for Joey because they're

597
00:30:17,440 --> 00:30:20,680
Speaker 1: gonna be late. Joey hurries in, asking what the big

598
00:30:20,760 --> 00:30:23,960
Speaker 1: rush is. Danny explains that he always leaves the house.

599
00:30:23,760 --> 00:30:27,120
Speaker 2: At exactly seven forty eight, but now, thanks to Joey,

600
00:30:27,120 --> 00:30:30,440
Speaker 2: he's two minutes late. Joey points at a clock on

601
00:30:30,480 --> 00:30:32,440
Speaker 2: the wall and says that they are right on time.

602
00:30:33,280 --> 00:30:36,000
Speaker 2: Danny points at this clock and states, that's a barometer.

603
00:30:37,400 --> 00:30:40,000
Speaker 1: They have fire. I laughed out loud at this use

604
00:30:40,040 --> 00:30:44,000
Speaker 1: the nautical decourse. Yeah, as a joke. He loved it.

605
00:30:45,960 --> 00:30:51,000
Speaker 2: So the doorbell rings, Joey answers it to reveal duck Face. Huh,

606
00:30:51,280 --> 00:30:52,920
Speaker 2: there he is, Hey, there he is.

607
00:30:52,960 --> 00:30:55,040
Speaker 1: He's doing his signature puckered lip.

608
00:30:55,240 --> 00:30:55,520
Speaker 2: Look.

609
00:30:56,160 --> 00:30:59,120
Speaker 1: Joey says hi to him, and Duckface asks if Stephanie

610
00:30:59,160 --> 00:31:02,560
Speaker 1: Tanner is there. Hm. Joey yells up to steph that

611
00:31:02,600 --> 00:31:06,200
Speaker 1: her friend is there, and meanwhile Duckface introduces himself as

612
00:31:06,480 --> 00:31:10,280
Speaker 1: Walter F. Berman. Joey responds by saying his name is

613
00:31:10,480 --> 00:31:14,080
Speaker 1: Joseph A. Gladstone, and Danny follows by saying he is

614
00:31:14,200 --> 00:31:17,400
Speaker 1: Daniel E. Tanner. This was such a great bit.

615
00:31:17,480 --> 00:31:19,800
Speaker 2: Do you remember do you remember what their middle names are?

616
00:31:20,200 --> 00:31:22,320
Speaker 1: Oh wait, we heard this in the flashback?

617
00:31:22,440 --> 00:31:26,440
Speaker 2: Uh huh okay, So, Joey, I want to say it

618
00:31:26,480 --> 00:31:33,720
Speaker 2: was Joseph A. Allen, Alvin Alan Alvin, Alvin Gladstone.

619
00:31:34,840 --> 00:31:35,480
Speaker 1: I don't remember.

620
00:31:35,520 --> 00:31:38,760
Speaker 2: I do remember that Daniel is Daniel Ernest, Ernest.

621
00:31:38,760 --> 00:31:42,880
Speaker 1: I remember Ernest, I don't remember, Joey. Let's let's say Alan,

622
00:31:43,120 --> 00:31:45,160
Speaker 1: I don't know. Someone will correct us.

623
00:31:46,400 --> 00:31:48,000
Speaker 2: Yeah, we'll figure we'll figure it out.

624
00:31:48,320 --> 00:31:50,800
Speaker 1: So Danny welcomes Walter into the house. He tells the

625
00:31:50,840 --> 00:31:52,920
Speaker 1: kids to have a good day at school and quickly

626
00:31:53,040 --> 00:31:56,280
Speaker 1: leaves with Joey. Steph walks into the room and her

627
00:31:56,320 --> 00:32:00,200
Speaker 1: eyes get wide as she sees Walter standing there. She

628
00:32:00,240 --> 00:32:03,400
Speaker 1: hesitantly asks him what he's doing there. Walking through her

629
00:32:03,400 --> 00:32:07,080
Speaker 1: living room and sitting on the couch, Walter explains that

630
00:32:07,120 --> 00:32:09,880
Speaker 1: he wanted to thank her in person for calling to apologize.

631
00:32:10,720 --> 00:32:12,920
Speaker 1: Steph shrugs, saying it was something she had to do.

632
00:32:14,080 --> 00:32:18,120
Speaker 1: Walter inquires, so you really think I'm a very nice boy.

633
00:32:19,000 --> 00:32:25,280
Speaker 1: Steph's jaw drops and she says, uh yeah, oh oh,

634
00:32:25,360 --> 00:32:27,360
Speaker 1: here we go. I can you can see it coming,

635
00:32:27,520 --> 00:32:31,320
Speaker 1: you can see it coming. It's so funny. Walter exclaims,

636
00:32:31,400 --> 00:32:32,680
Speaker 1: this is marvelous.

637
00:32:32,840 --> 00:32:35,440
Speaker 2: I never thought i'd have a friend, and now I

638
00:32:35,560 --> 00:32:36,760
Speaker 2: have a girlfriend.

639
00:32:37,440 --> 00:32:44,320
Speaker 1: Steph questions you do who, and Walter responds you. Steph

640
00:32:44,400 --> 00:32:49,480
Speaker 1: is flabbergasted, asking me, this is so the expression on

641
00:32:49,520 --> 00:32:52,640
Speaker 1: your face. You're just so horrified, but trying to keep

642
00:32:52,680 --> 00:32:53,200
Speaker 1: it in right.

643
00:32:53,240 --> 00:33:01,640
Speaker 2: I'm like, oh no, oh no, there's been a misunderstanding. Yeah.

644
00:33:01,680 --> 00:33:05,400
Speaker 2: So Walter scooch is closer to her and states, Walter

645
00:33:05,480 --> 00:33:07,840
Speaker 2: plus Stephanie equals true love.

646
00:33:08,480 --> 00:33:12,480
Speaker 1: Forever. He puts his arm around her, and she nervously

647
00:33:12,560 --> 00:33:18,400
Speaker 1: asks forever. Damn it, steff eh Steph. Oh.

648
00:33:18,440 --> 00:33:21,080
Speaker 2: Although I have to say, the one thing I did

649
00:33:21,080 --> 00:33:24,240
Speaker 2: notice about Steph in this scene is an amazing pair

650
00:33:24,320 --> 00:33:29,680
Speaker 2: of pink high top rebox ooh fable I had. I remember,

651
00:33:29,680 --> 00:33:32,200
Speaker 2: I had like every color of them on the show

652
00:33:32,240 --> 00:33:34,520
Speaker 2: Ooh okay high Top. There was like a pink and

653
00:33:34,560 --> 00:33:37,360
Speaker 2: a green and a turquoise and all different colors. But yeah,

654
00:33:37,400 --> 00:33:40,320
Speaker 2: I saw myself walk in in this scene. I was like,

655
00:33:40,400 --> 00:33:43,080
Speaker 2: ooh oh, all the pink high tops in the world

656
00:33:43,080 --> 00:33:45,280
Speaker 2: aren't going to save you now, Steph.

657
00:33:44,800 --> 00:33:47,480
Speaker 1: Oh, those were great because, yeah, you could just get

658
00:33:47,520 --> 00:33:50,040
Speaker 1: whatever pair to match your outfit, could get the color

659
00:33:50,040 --> 00:33:53,760
Speaker 1: that matches your outfit that week. That's fantastic. So we

660
00:33:53,800 --> 00:33:57,200
Speaker 1: cut to an awkward commercial break, and then we continue

661
00:33:57,200 --> 00:34:00,040
Speaker 1: in the living room. Walter can't wait to tell the

662
00:33:59,840 --> 00:34:03,920
Speaker 1: whole second grade that she's his girlfriend. He stands up

663
00:34:03,960 --> 00:34:09,120
Speaker 1: proudly and admits he feels four feet tall. He puckers

664
00:34:09,160 --> 00:34:12,600
Speaker 1: his lips and marches towards the door. Stephanie stops him.

665
00:34:12,840 --> 00:34:15,280
Speaker 1: She says he can't tell anyone that she's his girlfriend.

666
00:34:15,880 --> 00:34:17,800
Speaker 1: He asks, so you want it to be a secret?

667
00:34:18,280 --> 00:34:23,080
Speaker 1: Steph nods, uh, yeah, hop secret. Walter is intrigued at first,

668
00:34:23,239 --> 00:34:26,600
Speaker 1: but then realizes he doesn't know what a secret girlfriend means.

669
00:34:27,400 --> 00:34:30,520
Speaker 1: Steph explains that they'll never talk to each other, never

670
00:34:30,600 --> 00:34:33,839
Speaker 1: look at each other, and never hold hands. They'll be

671
00:34:34,080 --> 00:34:35,359
Speaker 1: total strangers.

672
00:34:36,000 --> 00:34:38,160
Speaker 2: Wow, that'll work.

673
00:34:39,200 --> 00:34:41,600
Speaker 1: Yeah, And for some reason, Walter agrees to this. Like

674
00:34:41,600 --> 00:34:44,680
Speaker 1: this poor kid, like he's just so excited of a girlfriend.

675
00:34:44,719 --> 00:34:47,560
Speaker 2: I mean that's I mean that happens sometimes where they're like, yeah, like,

676
00:34:47,680 --> 00:34:49,680
Speaker 2: I'll be your friend, but we can't talk at school,

677
00:34:50,239 --> 00:34:50,440
Speaker 2: you know.

678
00:34:50,719 --> 00:34:52,960
Speaker 1: Yeah, that's so sick, Like this kid is just so

679
00:34:53,120 --> 00:34:55,759
Speaker 1: thirsty for a friend that he's willing to put up

680
00:34:55,760 --> 00:34:55,960
Speaker 1: with this.

681
00:34:56,080 --> 00:34:58,040
Speaker 2: I know watching it as an adult and my heart

682
00:34:58,080 --> 00:35:00,160
Speaker 2: is breaking for Walter. But like as a kid, you

683
00:35:00,200 --> 00:35:01,719
Speaker 2: were like, oh, yeah, I'm not gonna hang out with

684
00:35:01,760 --> 00:35:02,200
Speaker 2: duck face.

685
00:35:02,680 --> 00:35:04,680
Speaker 1: Yeah, you're like, these are the terms of this friend,

686
00:35:04,719 --> 00:35:08,560
Speaker 1: the secret you know, relationship, right, So Walter agrees to

687
00:35:08,600 --> 00:35:11,719
Speaker 1: the terms, but continues to call her his secret girlfriend.

688
00:35:12,160 --> 00:35:14,880
Speaker 1: Steph responds, well, I guess I won't talk to you later,

689
00:35:15,040 --> 00:35:18,160
Speaker 1: and she tries to show him out the door. Walter

690
00:35:18,239 --> 00:35:22,000
Speaker 1: stays put and dramatically removes his glasses, asking Steph if

691
00:35:22,040 --> 00:35:25,920
Speaker 1: she knows what he's doing now stuff admits she's afraid

692
00:35:25,920 --> 00:35:28,840
Speaker 1: to ask. Walter tells her that he's giving her a

693
00:35:28,960 --> 00:35:32,440
Speaker 1: secret kiss in his mind, and he closes his eyes

694
00:35:32,480 --> 00:35:37,200
Speaker 1: and puckers and wit really knocked this out, And I'm

695
00:35:37,239 --> 00:35:38,280
Speaker 1: so dramatic.

696
00:35:38,719 --> 00:35:41,040
Speaker 2: Taking off of the glasses, the whole moment. He really

697
00:35:41,040 --> 00:35:41,560
Speaker 2: went for it.

698
00:35:42,360 --> 00:35:45,120
Speaker 1: He committed yeah, like I can. I can just imagine

699
00:35:45,120 --> 00:35:49,440
Speaker 1: that his audition was, oh a home run, right, Oh,

700
00:35:49,440 --> 00:35:53,200
Speaker 1: my gosh. So he abruptly leaves and stuff closes the

701
00:35:53,200 --> 00:35:57,280
Speaker 1: door behind him. She screams ew and wipes her cheek

702
00:35:57,320 --> 00:36:00,200
Speaker 1: off as she scurries away, and the audience applause. It's

703
00:36:00,239 --> 00:36:05,720
Speaker 1: like this was just a fantastic scene between Yeah Stephan Walter.

704
00:36:06,880 --> 00:36:09,560
Speaker 1: So next, in Michelle's room, Michelle runs into her room

705
00:36:09,680 --> 00:36:13,640
Speaker 1: holding DJ's paper. DJ walks in, asking for her paperback

706
00:36:13,880 --> 00:36:16,880
Speaker 1: so she can write down that Michelle stole it. Michelle

707
00:36:16,880 --> 00:36:21,800
Speaker 1: happily states my paper before running behind her crib. DJ

708
00:36:21,880 --> 00:36:24,360
Speaker 1: runs after her sister, but ends up hitting her knee

709
00:36:24,400 --> 00:36:27,920
Speaker 1: on Michelle's crib. She hobbles onto the floor, holding her

710
00:36:27,960 --> 00:36:30,400
Speaker 1: knee in pain, and then we hear some terrible looping

711
00:36:30,800 --> 00:36:35,200
Speaker 1: of DJ saying ow ow ow gotta love the eighties.

712
00:36:35,280 --> 00:36:36,239
Speaker 1: You know, it's so bit right.

713
00:36:36,320 --> 00:36:38,880
Speaker 2: Mouth isn't moving right, You're like it just throws some

714
00:36:38,960 --> 00:36:39,520
Speaker 2: noises in there.

715
00:36:39,520 --> 00:36:42,440
Speaker 1: It's fine, Like the volume is different too, Like it's

716
00:36:42,480 --> 00:36:44,640
Speaker 1: just so obvious that this was put in.

717
00:36:44,600 --> 00:36:46,239
Speaker 2: And those were the days, right, I was as good

718
00:36:46,239 --> 00:36:46,800
Speaker 2: as a got.

719
00:36:47,239 --> 00:36:50,520
Speaker 1: So Michelle says I'm sorry and hands the paper back

720
00:36:50,560 --> 00:36:53,480
Speaker 1: to DJ. She asks DJ if she got a booboo,

721
00:36:53,880 --> 00:36:58,160
Speaker 1: and then kisses DJ's knee to make it all better. Oh,

722
00:36:58,360 --> 00:37:01,560
Speaker 1: DJ thanks Michelle, saying her knee is all better. Michelle

723
00:37:01,560 --> 00:37:05,319
Speaker 1: excitedly responds Okay, more fun and grabs the paper before

724
00:37:05,400 --> 00:37:10,560
Speaker 1: running away. Steph storms into the room and shouts at DJ,

725
00:37:11,120 --> 00:37:12,720
Speaker 1: have you seen your uncle?

726
00:37:12,800 --> 00:37:13,040
Speaker 2: Jesse?

727
00:37:13,920 --> 00:37:16,960
Speaker 1: DJ tells her to check his room. Steph defends herself,

728
00:37:16,960 --> 00:37:19,000
Speaker 1: saying she would have thought of that if she wasn't

729
00:37:19,040 --> 00:37:20,000
Speaker 1: so steamed.

730
00:37:20,719 --> 00:37:26,319
Speaker 2: Steph is piossed. Yes, Steph is on one. Yeah, she

731
00:37:26,480 --> 00:37:31,080
Speaker 2: is just she is raging yeah, blames Jesse for all

732
00:37:31,120 --> 00:37:31,440
Speaker 2: of h.

733
00:37:31,520 --> 00:37:35,160
Speaker 1: Yeah. So Steph knocks on Jesse's open door while simultaneously

734
00:37:35,200 --> 00:37:38,160
Speaker 1: bursting in. She asks, may I come in? Thank you?

735
00:37:38,680 --> 00:37:41,799
Speaker 1: While walking right up to her uncle. Steph explains that

736
00:37:41,840 --> 00:37:44,479
Speaker 1: because she was forced to call duck face, he now

737
00:37:44,600 --> 00:37:48,399
Speaker 1: thinks she's his girlfriend. She emphasizes that he kissed her

738
00:37:48,520 --> 00:37:52,680
Speaker 1: in his mind. Steph concludes, if this gets out at school,

739
00:37:52,760 --> 00:37:55,359
Speaker 1: I'm a dead duck. Have a nice day, and she

740
00:37:55,440 --> 00:37:57,480
Speaker 1: glares at Jesse before storming away.

741
00:37:58,440 --> 00:37:59,640
Speaker 2: So mad and.

742
00:37:59,640 --> 00:38:01,640
Speaker 1: Jesse, he just left, Like what just happened?

743
00:38:01,719 --> 00:38:04,320
Speaker 2: Right? I just got yelled at by a six or

744
00:38:04,360 --> 00:38:07,640
Speaker 2: seven year old? Yeah?

745
00:38:07,760 --> 00:38:09,879
Speaker 1: I mean I get it, you know, I can see

746
00:38:09,880 --> 00:38:10,799
Speaker 1: why stuff is mad.

747
00:38:10,960 --> 00:38:13,399
Speaker 2: I get right, she needed to apologize what she did

748
00:38:13,480 --> 00:38:15,520
Speaker 2: was wrong. But now it's you know, now there's been

749
00:38:15,520 --> 00:38:18,600
Speaker 2: a misunderstanding, and lord knows, when you're in elementary school,

750
00:38:18,680 --> 00:38:21,360
Speaker 2: like you just I mean, I watched my kids do

751
00:38:21,400 --> 00:38:23,040
Speaker 2: it all the time when you're like, just don't, just

752
00:38:23,080 --> 00:38:25,560
Speaker 2: don't lie and make it worse, and they almost always

753
00:38:25,640 --> 00:38:27,319
Speaker 2: lie and make it worse, and you're like, okay, cool,

754
00:38:27,440 --> 00:38:28,920
Speaker 2: that's you're gonna have fun.

755
00:38:28,800 --> 00:38:32,239
Speaker 1: Deal it. It just keeps snowballing no matter what you do.

756
00:38:32,360 --> 00:38:34,560
Speaker 2: Yeah, and you're like, oh god, yeah, and you just

757
00:38:34,600 --> 00:38:36,640
Speaker 2: think about all the times that you've learned that lesson

758
00:38:36,680 --> 00:38:38,440
Speaker 2: as a kid, and you just watch them doing it

759
00:38:38,440 --> 00:38:40,359
Speaker 2: and you're like, yeah, it's this is going to catch

760
00:38:40,440 --> 00:38:42,440
Speaker 2: up with you and you're gonna hate it. But okay.

761
00:38:43,120 --> 00:38:45,160
Speaker 1: So next we're on the set of Wake Up San Francisco.

762
00:38:45,560 --> 00:38:48,200
Speaker 1: Danny is getting touch ups and wonders how Joey could

763
00:38:48,239 --> 00:38:53,000
Speaker 1: possibly be late, considering they drove there together. Danny starts

764
00:38:53,000 --> 00:38:55,919
Speaker 1: the show solo, explaining that Becky is away this week.

765
00:38:56,280 --> 00:38:59,959
Speaker 1: He invites her temporary replacement to arrive, saying he needs

766
00:39:00,160 --> 00:39:04,640
Speaker 1: no introduction because he's not there. On cue. Joey slides

767
00:39:04,680 --> 00:39:07,480
Speaker 1: into the empty chair, explaining that his lateness is due

768
00:39:07,480 --> 00:39:09,240
Speaker 1: to the donut man being late.

769
00:39:09,520 --> 00:39:13,680
Speaker 2: It's like every other comic. I know, we'll reach in

770
00:39:14,000 --> 00:39:20,120
Speaker 2: at the last you know, I'm here. I'm here's fine, right, yeah.

771
00:39:19,960 --> 00:39:22,759
Speaker 1: With a doughnut in hand, oh yeah, or a Starbucks

772
00:39:22,840 --> 00:39:23,080
Speaker 1: or something.

773
00:39:23,120 --> 00:39:25,479
Speaker 2: Yeah, for sure. It's always just like no, I thought

774
00:39:25,480 --> 00:39:28,120
Speaker 2: I had the time to do it. It's so nine

775
00:39:28,120 --> 00:39:32,719
Speaker 2: out of ten comedians have terrible uh timing, I mean

776
00:39:32,760 --> 00:39:36,319
Speaker 2: not timing, but like but just yeah, tardiness. Yeah yeah,

777
00:39:36,360 --> 00:39:39,640
Speaker 2: oh that's hysterical. So okay, this is our imitating life. Yes.

778
00:39:40,920 --> 00:39:44,000
Speaker 1: Danny gives Joey a stellar introduction, referring to him as

779
00:39:44,400 --> 00:39:47,080
Speaker 1: one of the hottest young comics on the local scene,

780
00:39:47,440 --> 00:39:52,160
Speaker 1: and Joey cheesily says, oh, come on, cut it out.

781
00:39:52,680 --> 00:39:55,520
Speaker 1: After only being on air for twenty seconds, ten of

782
00:39:55,520 --> 00:39:58,279
Speaker 1: which he missed, Joey mentions that he'll be headlining at

783
00:39:58,280 --> 00:40:01,960
Speaker 1: the Laugh Machine this Saturday. Danny responds by saying Joey's

784
00:40:02,000 --> 00:40:07,080
Speaker 1: infamous cut it out. Danny welcomes their first guest, who

785
00:40:07,120 --> 00:40:11,080
Speaker 1: happens to be his personal hero, the hug therapist doctor

786
00:40:11,160 --> 00:40:15,120
Speaker 1: Ruben Weineger. Doctor Rubin enters and hugs both of the men,

787
00:40:15,239 --> 00:40:17,799
Speaker 1: which causes Joey and Danny to also hug each other.

788
00:40:18,719 --> 00:40:21,120
Speaker 1: Danny tells the viewers, there's a lot of love on

789
00:40:21,160 --> 00:40:21,600
Speaker 1: this set.

790
00:40:22,320 --> 00:40:26,160
Speaker 2: I see. I think I seem to remember that that

791
00:40:26,360 --> 00:40:30,760
Speaker 2: line maybe got cut and like play like not cut,

792
00:40:30,800 --> 00:40:33,680
Speaker 2: but it like that little clip was used. I think

793
00:40:33,800 --> 00:40:36,919
Speaker 2: in the gag reel for that year. Oh, I seem

794
00:40:37,000 --> 00:40:41,080
Speaker 2: to remember like they did a whole bit where of

795
00:40:41,160 --> 00:40:46,520
Speaker 2: like to the song love oh Dan, And I think, Okay,

796
00:40:47,080 --> 00:40:49,160
Speaker 2: I somehow have it in my head that it like

797
00:40:49,239 --> 00:40:52,640
Speaker 2: started at the little gag reel segment was like Bob going,

798
00:40:52,640 --> 00:40:54,000
Speaker 2: there was a lot of love on this set, and

799
00:40:54,000 --> 00:40:55,799
Speaker 2: then it cuts to like us doing a whole little

800
00:40:55,840 --> 00:40:57,439
Speaker 2: montage of stuff for our gag reel.

801
00:40:58,000 --> 00:40:58,920
Speaker 1: That sounds familiar.

802
00:40:59,239 --> 00:41:01,279
Speaker 2: Yeah, right too the song you were singing? Yeah, yeah,

803
00:41:01,320 --> 00:41:03,480
Speaker 2: I think it was our third season gagriel it. But

804
00:41:03,520 --> 00:41:05,480
Speaker 2: I feel like Bob saying there was a lot of

805
00:41:05,520 --> 00:41:06,759
Speaker 2: love on this set was.

806
00:41:07,160 --> 00:41:10,680
Speaker 1: The start of like the little the hug montage or whatever. Yeah, Oh,

807
00:41:10,719 --> 00:41:14,000
Speaker 1: that's so funny. I do we do you still have

808
00:41:14,040 --> 00:41:16,360
Speaker 1: the gag reels? I'm trying to do if I still.

809
00:41:16,280 --> 00:41:21,080
Speaker 2: Do years ago. I had all of the stuff transferred

810
00:41:21,080 --> 00:41:23,680
Speaker 2: over to DVDs. Of course, now even DVDs are like,

811
00:41:23,719 --> 00:41:27,120
Speaker 2: who has those? But I do have. I have all

812
00:41:27,160 --> 00:41:29,680
Speaker 2: of the gagreels and all of that stuff, so it

813
00:41:29,760 --> 00:41:33,040
Speaker 2: is saved regard. Yeah, great, oh so.

814
00:41:33,120 --> 00:41:35,000
Speaker 1: Funny, love it. We'll have to pull those out sometimes.

815
00:41:35,040 --> 00:41:36,759
Speaker 2: We should do. We should do a minisode on a

816
00:41:36,800 --> 00:41:39,520
Speaker 2: gag reel, although we'd have to it would be.

817
00:41:39,560 --> 00:41:40,080
Speaker 1: We'll have to.

818
00:41:40,360 --> 00:41:42,120
Speaker 2: I don't know how to talk about them in Arito's

819
00:41:42,560 --> 00:41:44,560
Speaker 2: She'll talk about it later. Let's have a production meeting,

820
00:41:44,840 --> 00:41:49,520
Speaker 2: a production meeting in the middle of this show, right, okay,

821
00:41:49,560 --> 00:41:52,200
Speaker 2: So back to back to Wake Up San Francisco. Doctor

822
00:41:52,280 --> 00:41:54,799
Speaker 2: Rubin starts by saying you can tell a lot from

823
00:41:54,800 --> 00:41:57,840
Speaker 2: the way people hug, and he admits that something feels

824
00:41:57,840 --> 00:42:00,680
Speaker 2: wrong here, and he asks Danny and Joee if either

825
00:42:00,719 --> 00:42:04,239
Speaker 2: of them is suppressing any anger. Well, Danny admits he

826
00:42:04,239 --> 00:42:07,920
Speaker 2: would like Joey to take some things more seriously, like punctuality.

827
00:42:08,640 --> 00:42:10,759
Speaker 2: Joey says life's too short to be ruled.

828
00:42:10,520 --> 00:42:13,080
Speaker 1: By a clock, and Danny asks, how would you know

829
00:42:13,120 --> 00:42:16,919
Speaker 1: that you tell time on a barometer? A great joke

830
00:42:17,040 --> 00:42:21,080
Speaker 1: that was funny that was a good burn. Joey would

831
00:42:21,160 --> 00:42:23,920
Speaker 1: rather be a free spirit than a guy who polishes

832
00:42:24,080 --> 00:42:27,399
Speaker 1: his shoe trees, and Danny corrects Joey by saying he

833
00:42:27,480 --> 00:42:31,880
Speaker 1: waxes them, not polishes. This is how, This is how

834
00:42:31,960 --> 00:42:35,839
Speaker 1: thirty year old men argue, right, what a burn? Their

835
00:42:35,920 --> 00:42:39,120
Speaker 1: argument begins to heat up while still on live television.

836
00:42:39,760 --> 00:42:42,319
Speaker 1: Rubin finally interrupts and asks if they've read his book,

837
00:42:42,680 --> 00:42:46,000
Speaker 1: Hug Your Way to Happiness. He forces the two to hug,

838
00:42:46,080 --> 00:42:50,000
Speaker 1: and they reluctantly do. Rubin encourages them to say something

839
00:42:50,120 --> 00:42:55,000
Speaker 1: nice to each other. Joey compliments Danny's recycling, and Danny

840
00:42:55,000 --> 00:42:56,879
Speaker 1: thinks it's great that Joey will be at the laugh

841
00:42:57,000 --> 00:43:01,120
Speaker 1: Machine that week that weekend, adding another plug for the viewers.

842
00:43:02,160 --> 00:43:04,840
Speaker 2: I have to say, this is a terrible therapist.

843
00:43:05,360 --> 00:43:07,240
Speaker 1: He really is. Like he's a terrible therapist.

844
00:43:07,320 --> 00:43:10,839
Speaker 2: He's not listening to anyone, He's he's making people touch

845
00:43:10,880 --> 00:43:15,279
Speaker 2: each other that obviously don't want to. It's fine.

846
00:43:15,280 --> 00:43:17,560
Speaker 1: Well, and then is the lesson here that just the

847
00:43:17,640 --> 00:43:18,279
Speaker 1: hug bra.

848
00:43:18,560 --> 00:43:20,640
Speaker 2: Lesson just can shut up and don't talk about things

849
00:43:20,640 --> 00:43:22,760
Speaker 2: and just hug each other and pretend it never happened.

850
00:43:23,239 --> 00:43:26,280
Speaker 1: And now they're fine, like this was resolved in fifteen seconds,

851
00:43:26,320 --> 00:43:28,000
Speaker 1: Like this is I don't know. Again, I didn't love

852
00:43:28,000 --> 00:43:30,000
Speaker 1: this storyline. But you know, doctor.

853
00:43:29,800 --> 00:43:33,000
Speaker 2: Ruben Weininger, your book it sucks.

854
00:43:33,120 --> 00:43:36,360
Speaker 1: Okay, we give that one star.

855
00:43:36,360 --> 00:43:39,000
Speaker 2: Give that the one you start. Yeah, my my Amazon

856
00:43:39,080 --> 00:43:42,600
Speaker 2: rating for that is just one star. Don't buy terrible advice.

857
00:43:43,320 --> 00:43:45,040
Speaker 2: I tried hugging everyone that was mad at me and

858
00:43:45,040 --> 00:43:45,720
Speaker 2: I got punched.

859
00:43:45,800 --> 00:43:49,960
Speaker 1: Okay, it is terrible advice. So next in the kitchen,

860
00:43:50,320 --> 00:43:53,560
Speaker 1: Michelle enthusiastically takes a bite out of a sandwich that

861
00:43:53,680 --> 00:43:57,759
Speaker 1: is bigger than her face. Jesse asks if she's having

862
00:43:57,800 --> 00:44:01,480
Speaker 1: a nice time before rightfully take his sandwich back and

863
00:44:01,560 --> 00:44:05,239
Speaker 1: replacing it with a miniature sandwich that's actually hers and

864
00:44:05,280 --> 00:44:06,839
Speaker 1: they change that.

865
00:44:06,920 --> 00:44:07,680
Speaker 2: It was huge.

866
00:44:07,680 --> 00:44:10,640
Speaker 1: I'm surprised she could get her hands around it. H

867
00:44:10,760 --> 00:44:12,960
Speaker 1: DJ walks into the kitchen and tells Michelle that the

868
00:44:13,000 --> 00:44:16,800
Speaker 1: report she wrote about her got an a and asks

869
00:44:16,840 --> 00:44:20,440
Speaker 1: Michelle for a mini five and they high five. Jesse's

870
00:44:20,440 --> 00:44:22,840
Speaker 1: happy to hear this, He asks, so it was a

871
00:44:22,880 --> 00:44:26,319
Speaker 1: good idea using the baby. Michelle corrects him, saying she's

872
00:44:26,400 --> 00:44:30,000
Speaker 1: not a baby, she's a big girl. Jesse gets close

873
00:44:30,000 --> 00:44:32,399
Speaker 1: to her, face and comments, ooh a big girl. Well

874
00:44:32,480 --> 00:44:33,760
Speaker 1: excuse me, miss Tanner.

875
00:44:34,840 --> 00:44:37,440
Speaker 2: DJ tells her sister that she's really happy they got

876
00:44:37,440 --> 00:44:40,359
Speaker 2: to spend time together. She realizes Michelle's like a little

877
00:44:40,400 --> 00:44:45,760
Speaker 2: person now, sensitive, compassionate, and smarter than most dogs. Michelle

878
00:44:45,760 --> 00:44:48,160
Speaker 2: responds to this by making a silly face and sticking

879
00:44:48,160 --> 00:44:51,879
Speaker 2: her tongue out at DJ. DJ adds that Michelle still

880
00:44:51,880 --> 00:44:55,560
Speaker 2: grosses her out, though. Then Steph walks.

881
00:44:55,280 --> 00:44:58,960
Speaker 1: In Jesse, yes, we go, here we go. Now we're

882
00:44:58,960 --> 00:45:02,719
Speaker 1: getting to the meat of the scene. Jesse asks how

883
00:45:02,719 --> 00:45:06,600
Speaker 1: her school day was, and she sarcastically says, oh, just dandy.

884
00:45:07,320 --> 00:45:09,920
Speaker 1: She goes on to say that Walter still thinks she's

885
00:45:10,000 --> 00:45:13,040
Speaker 1: his secret girlfriend and he was giving her kisses in

886
00:45:13,120 --> 00:45:18,440
Speaker 1: his mind all day. Ugh. Jesse tells her he's sorry,

887
00:45:18,480 --> 00:45:21,719
Speaker 1: but he still stands by the fact that apologizing to

888
00:45:21,800 --> 00:45:26,239
Speaker 1: Walter was the right thing to do. Stephanie sighs, If

889
00:45:26,239 --> 00:45:28,840
Speaker 1: it was the right thing, how come my life is

890
00:45:28,880 --> 00:45:29,520
Speaker 1: a mess?

891
00:45:30,040 --> 00:45:33,279
Speaker 2: Well, because you kind of you kind of didn't you know,

892
00:45:33,480 --> 00:45:36,440
Speaker 2: you just trying to not hurt somebody's feelings more, and you.

893
00:45:37,000 --> 00:45:40,839
Speaker 1: Just, yeah, this is this is your penance. You gotta

894
00:45:40,840 --> 00:45:45,719
Speaker 1: pay your penance, right Jesse says, just because you do

895
00:45:45,800 --> 00:45:48,120
Speaker 1: the right thing doesn't mean your life is going to

896
00:45:48,200 --> 00:45:51,080
Speaker 1: be perfect. You do the right thing because it's the

897
00:45:51,160 --> 00:45:55,840
Speaker 1: right thing to do. Yep, babe, that is some sage advice.

898
00:45:55,920 --> 00:45:58,480
Speaker 2: Sometimes doing the right thing has its own consequences, but

899
00:45:58,520 --> 00:46:00,160
Speaker 2: you do it because it's the right thing to do.

900
00:46:00,400 --> 00:46:01,680
Speaker 1: Yeah, this is a great lesson.

901
00:46:01,719 --> 00:46:03,560
Speaker 2: You know, this is a really good less This is

902
00:46:03,560 --> 00:46:06,920
Speaker 2: a great lesson. This whole episode, like, it was a

903
00:46:06,960 --> 00:46:09,360
Speaker 2: really great lesson. I really enjoyed this one.

904
00:46:09,880 --> 00:46:11,759
Speaker 1: Very well written, and it just like this is our

905
00:46:11,760 --> 00:46:13,960
Speaker 1: target audience right here. Kids that are the age where

906
00:46:13,960 --> 00:46:17,040
Speaker 1: they're mean to each other, and so it's the whole

907
00:46:17,040 --> 00:46:21,279
Speaker 1: thing worked for me. Jesse recommends that Steph nicely tell

908
00:46:21,360 --> 00:46:25,240
Speaker 1: Walter that they are just friends without adding any duck jokes.

909
00:46:26,239 --> 00:46:29,719
Speaker 1: Steph begs no more advice, please. I thought grown ups

910
00:46:29,719 --> 00:46:32,319
Speaker 1: were supposed to get you out of trouble, not into it.

911
00:46:32,760 --> 00:46:35,440
Speaker 2: Oh, Steph, boy, do I have some news for you. Friend?

912
00:46:37,040 --> 00:46:38,160
Speaker 2: Wait till you're an adult.

913
00:46:39,040 --> 00:46:42,960
Speaker 1: Just wait. The doorbell rings and Steph leaves to answer it,

914
00:46:43,040 --> 00:46:45,680
Speaker 1: thinking it's her friends who she's working on a big

915
00:46:46,040 --> 00:46:49,359
Speaker 1: bug project with. Jesse asks her to come to his

916
00:46:49,440 --> 00:46:52,239
Speaker 1: room after they're done, because he wants to finish their conversation.

917
00:46:53,000 --> 00:46:56,240
Speaker 2: This is such a weird way to end a scene, though,

918
00:46:56,920 --> 00:46:59,719
Speaker 2: I agree, Yeah, it was so I've never seen it

919
00:46:59,760 --> 00:47:04,760
Speaker 2: done on this show before, or really I'm almost any

920
00:47:05,160 --> 00:47:09,640
Speaker 2: because it was like we entered the room of the

921
00:47:09,680 --> 00:47:12,680
Speaker 2: next scene and we only see Jesse come through the door,

922
00:47:12,719 --> 00:47:14,560
Speaker 2: and then we cut to a commercial like it was

923
00:47:14,920 --> 00:47:19,080
Speaker 2: like that that little bit of conversation with Jesse going, oh,

924
00:47:19,200 --> 00:47:20,880
Speaker 2: come come up to my room after you're done, it

925
00:47:21,120 --> 00:47:23,440
Speaker 2: like that should have happened in the kitchen, yes, and

926
00:47:23,480 --> 00:47:25,760
Speaker 2: then we cut on steph walking out of the room

927
00:47:26,320 --> 00:47:28,040
Speaker 2: and pick it up on her walking into the room.

928
00:47:28,080 --> 00:47:30,400
Speaker 2: I don't know, I'm not sure why we didn't do

929
00:47:30,440 --> 00:47:33,719
Speaker 2: that or why the scene sort of bled over strangely

930
00:47:33,760 --> 00:47:37,200
Speaker 2: into the next room, But for me, it kind of

931
00:47:37,200 --> 00:47:40,479
Speaker 2: that was something that like my director, I was thrown

932
00:47:40,520 --> 00:47:42,200
Speaker 2: off by that because I was like, that's odd, what

933
00:47:42,320 --> 00:47:44,279
Speaker 2: an odd choice to do that and then cut the

934
00:47:44,280 --> 00:47:48,640
Speaker 2: scene and then pick up with Stephanie opening door like

935
00:47:49,200 --> 00:47:50,800
Speaker 2: it was yeah, very.

936
00:47:51,239 --> 00:47:53,360
Speaker 1: It bumped me too, and yeah, I was just like

937
00:47:53,360 --> 00:47:55,480
Speaker 1: why did Billy Foster choose this?

938
00:47:55,560 --> 00:47:57,600
Speaker 2: You know? I wonder I was like, was it written

939
00:47:57,800 --> 00:48:00,920
Speaker 2: that way that Je like, was the scene written so that,

940
00:48:01,239 --> 00:48:04,560
Speaker 2: you know, it had that little continuous bit in the

941
00:48:04,600 --> 00:48:07,200
Speaker 2: living room with Jesse through the door, or was that

942
00:48:07,400 --> 00:48:09,480
Speaker 2: just a choice that they made to you know what

943
00:48:09,520 --> 00:48:11,319
Speaker 2: I mean, they were we'll just split the scene up

944
00:48:11,360 --> 00:48:12,200
Speaker 2: this way. I don't know.

945
00:48:12,760 --> 00:48:15,840
Speaker 1: I feel like when Jesse says, come up to my

946
00:48:15,920 --> 00:48:18,280
Speaker 1: room after you're done, so we can finish this conversation,

947
00:48:19,680 --> 00:48:21,560
Speaker 1: I feel like they're setting up. They're setting up for

948
00:48:21,560 --> 00:48:23,400
Speaker 1: that scene at the end where they are taught. I

949
00:48:23,440 --> 00:48:24,600
Speaker 1: don't know why they had to.

950
00:48:24,560 --> 00:48:26,920
Speaker 2: Like plant the scene and I don't know why we

951
00:48:26,960 --> 00:48:29,799
Speaker 2: did do that right in the kitchen in.

952
00:48:29,760 --> 00:48:32,120
Speaker 1: The kitchen right, I don't know. I don't have an

953
00:48:32,120 --> 00:48:32,640
Speaker 1: answer for.

954
00:48:32,600 --> 00:48:34,359
Speaker 2: It anyway, unless they needed to get it was just

955
00:48:34,360 --> 00:48:36,839
Speaker 2: just it was an interesting, strange choice that I've never

956
00:48:36,880 --> 00:48:38,920
Speaker 2: seen done, where you have one line at the end

957
00:48:38,920 --> 00:48:41,480
Speaker 2: of a scene in another room and then cut and

958
00:48:41,520 --> 00:48:46,560
Speaker 2: then pick on her almost continuous action in the next scene,

959
00:48:47,040 --> 00:48:49,480
Speaker 2: even with the commercial breakers to break. Yeah, but Camille

960
00:48:49,560 --> 00:48:52,080
Speaker 2: break was the weirder part for me because I can

961
00:48:52,080 --> 00:48:55,080
Speaker 2: see the Jesse ends up hiding at the top of

962
00:48:55,120 --> 00:48:58,640
Speaker 2: the stairs, he's observing, he's spying on steph to see

963
00:48:58,640 --> 00:49:01,520
Speaker 2: how she reacts to this thing going on. So maybe

964
00:49:01,520 --> 00:49:04,960
Speaker 2: they needed to establish Jesse coming into the living room

965
00:49:05,160 --> 00:49:07,160
Speaker 2: because how well, I don't know where the stairs leaked,

966
00:49:07,280 --> 00:49:10,680
Speaker 2: Like we got nineteen pairs of stairs at nineteen sets

967
00:49:10,680 --> 00:49:12,640
Speaker 2: the stairs in his house. He goes up the back

968
00:49:12,640 --> 00:49:15,440
Speaker 2: ones and through the house through the time portal into

969
00:49:15,480 --> 00:49:17,480
Speaker 2: the living room stairs, right.

970
00:49:17,320 --> 00:49:18,879
Speaker 1: So he didn't need to go through the living room

971
00:49:18,920 --> 00:49:20,680
Speaker 1: to get to that landing to spy on you.

972
00:49:21,320 --> 00:49:23,080
Speaker 2: So he doesn't walk through the living room.

973
00:49:24,239 --> 00:49:25,000
Speaker 1: Oh he doesn't.

974
00:49:25,040 --> 00:49:28,319
Speaker 2: You're not, he doesn't walk. There's literally no reason for

975
00:49:28,440 --> 00:49:30,520
Speaker 2: it to be that way. It just is a weird choice,

976
00:49:31,520 --> 00:49:34,239
Speaker 2: and we're stuck on it. We're stuck on it. I

977
00:49:34,239 --> 00:49:37,839
Speaker 2: am stuck on it. Yeah, as a person has been

978
00:49:38,239 --> 00:49:40,480
Speaker 2: on sitcoms for a large portion of my life, Like,

979
00:49:40,520 --> 00:49:44,719
Speaker 2: it was like I've never seen that.

980
00:49:45,920 --> 00:49:49,120
Speaker 1: Yeah, that was very weird. And because sitcoms are so

981
00:49:49,239 --> 00:49:51,600
Speaker 1: formulaic and like there's a rhythm and a routine, right

982
00:49:51,719 --> 00:49:53,759
Speaker 1: when it's when you're taken out of the moment, it's

983
00:49:53,840 --> 00:49:59,359
Speaker 1: very obvious, right, Yeah, I get it. So continuous action

984
00:49:59,560 --> 00:50:03,479
Speaker 1: after the awkward commercial break, Yeah, steph answers the door

985
00:50:03,520 --> 00:50:07,560
Speaker 1: and to her surprise it's Walter. Upon seeing him, Steph

986
00:50:07,640 --> 00:50:11,760
Speaker 1: winds this is supposed to be a secret. Walter assures

987
00:50:11,760 --> 00:50:14,799
Speaker 1: Steph that no one knows he's there except his mom,

988
00:50:15,040 --> 00:50:19,000
Speaker 1: but he told her it was strictly business. Walter hands

989
00:50:19,080 --> 00:50:22,320
Speaker 1: Steph flowers and she thanks him, but makes an excuse

990
00:50:22,320 --> 00:50:24,520
Speaker 1: that she's got a lot of homework, so she grabs

991
00:50:24,520 --> 00:50:27,520
Speaker 1: his hand and begins begins leading him out the door.

992
00:50:28,360 --> 00:50:31,600
Speaker 1: As Steph is walking walking Walter toward the door, her

993
00:50:31,640 --> 00:50:35,359
Speaker 1: group members enter at the same time. One boy mocks, oh,

994
00:50:35,400 --> 00:50:39,319
Speaker 1: it's duckface, and then Harry chimes in, you dumped me

995
00:50:39,560 --> 00:50:44,800
Speaker 1: for duckface, Harry. A girl calls Harry, Harry.

996
00:50:44,040 --> 00:50:48,200
Speaker 2: You know Harry really after the DJ thing, I just

997
00:50:48,239 --> 00:50:50,759
Speaker 2: feel he didn't handle the breakup well. He's obviously still

998
00:50:50,840 --> 00:50:53,040
Speaker 2: kind of hurt and taking it out of a well stuff.

999
00:50:53,200 --> 00:50:55,560
Speaker 1: Did you break up with Wait? Did you break up

1000
00:50:55,600 --> 00:50:57,520
Speaker 1: with him? Or did he leave you for DJ?

1001
00:50:57,719 --> 00:50:59,799
Speaker 2: He left me for DJ, and then I was like, fine,

1002
00:50:59,840 --> 00:51:01,120
Speaker 2: we can be friends again, but.

1003
00:51:01,840 --> 00:51:04,480
Speaker 1: Yeah, but no, no romance, no marriage.

1004
00:51:04,520 --> 00:51:06,879
Speaker 2: So yeah, no, after that move, things were never the same.

1005
00:51:06,960 --> 00:51:07,600
Speaker 2: Things were never this.

1006
00:51:07,719 --> 00:51:10,319
Speaker 1: They were never the same. Come on, Harry, like, this

1007
00:51:10,480 --> 00:51:12,960
Speaker 1: is your Swan song, you have to like redeem yourself.

1008
00:51:13,200 --> 00:51:14,080
Speaker 1: I'm very disappointed.

1009
00:51:14,080 --> 00:51:17,759
Speaker 2: I know if we should use any sort of bird references.

1010
00:51:19,080 --> 00:51:25,040
Speaker 1: To duck yeah, oh dear. Okay, so the kids too,

1011
00:51:25,360 --> 00:51:29,640
Speaker 1: woo sorry, okay, so the kids are The kids are

1012
00:51:29,680 --> 00:51:32,200
Speaker 1: piling on. They're calling the mister and missus duck face.

1013
00:51:32,239 --> 00:51:35,240
Speaker 1: They're gonna get married and live in a pond. Walter

1014
00:51:35,360 --> 00:51:37,880
Speaker 1: yells back, We're not getting married. Stephanie is just my

1015
00:51:38,000 --> 00:51:43,320
Speaker 1: secret girlfriend, and stuff is like, oh Walter, yeah, Harry

1016
00:51:43,719 --> 00:51:46,200
Speaker 1: is all over this. Harry is like, it's true, you

1017
00:51:46,320 --> 00:51:49,640
Speaker 1: are missus duckface. Then all three kids start to quack

1018
00:51:49,680 --> 00:51:51,239
Speaker 1: at her and make fun of her.

1019
00:51:51,719 --> 00:51:55,680
Speaker 2: No loyalty, none, no none, no best kids right they are,

1020
00:51:55,800 --> 00:51:57,160
Speaker 2: that's kids. Yeah.

1021
00:51:57,360 --> 00:51:59,239
Speaker 1: Jesse is standing at the top of stairs and he

1022
00:51:59,360 --> 00:52:03,719
Speaker 1: watches the entire thing unfolding. Steph runs away, telling them

1023
00:52:03,760 --> 00:52:07,520
Speaker 1: to stop teasing her. She shouts, I'm not his secret girlfriend.

1024
00:52:07,840 --> 00:52:11,359
Speaker 1: I'm not his any kind of girlfriend. The little boy

1025
00:52:11,400 --> 00:52:15,000
Speaker 1: Brian tells Steph to prove it by calling Walter duckface

1026
00:52:15,120 --> 00:52:18,120
Speaker 1: and throwing him out of her house. Harry adds, quick

1027
00:52:18,320 --> 00:52:21,040
Speaker 1: before I walk out of your life forever, Harry.

1028
00:52:21,080 --> 00:52:23,879
Speaker 2: That moment has come and gone. You're that done, You're done?

1029
00:52:23,880 --> 00:52:24,799
Speaker 1: What's an ultimatum?

1030
00:52:24,960 --> 00:52:29,960
Speaker 3: And his last episode, so he really like this, Like

1031
00:52:30,000 --> 00:52:34,200
Speaker 3: I said nothing against Nathan did Chagucchi in life, but

1032
00:52:34,320 --> 00:52:37,920
Speaker 3: Harry in this episode.

1033
00:52:36,760 --> 00:52:40,920
Speaker 2: Bye bye yeah yeah yeah not cool? Wow, not cool.

1034
00:52:41,000 --> 00:52:43,200
Speaker 1: Yeah, Steph does not Steph doesn't take it. Steph does

1035
00:52:43,280 --> 00:52:48,040
Speaker 1: not take that. So Steph snaps back, No, I'm not

1036
00:52:48,080 --> 00:52:51,319
Speaker 1: gonna call him duckface. He's not my boyfriend, but he

1037
00:52:51,640 --> 00:52:55,280
Speaker 1: is my friend. Boy Did I cheer? Did I cheer?

1038
00:52:55,800 --> 00:52:56,440
Speaker 1: When you said this?

1039
00:52:56,520 --> 00:53:01,680
Speaker 2: He's like yeah, yeah, right, yes yeah.

1040
00:53:00,680 --> 00:53:02,600
Speaker 1: And Walter is like soight, like you can see it

1041
00:53:02,640 --> 00:53:04,560
Speaker 1: on his face. He's so touched. He says, I am

1042
00:53:05,080 --> 00:53:08,919
Speaker 1: I'm your secret friend, and Steph replies, no, Walter, You're

1043
00:53:09,000 --> 00:53:10,800
Speaker 1: my everybody can know friend.

1044
00:53:11,160 --> 00:53:11,960
Speaker 2: That's it, Steph.

1045
00:53:12,000 --> 00:53:13,799
Speaker 1: Like, if that just doesn't make your cold black heart

1046
00:53:13,840 --> 00:53:14,400
Speaker 1: grow through.

1047
00:53:14,800 --> 00:53:17,440
Speaker 2: This episode really did. My little gritchy self was like,

1048
00:53:17,640 --> 00:53:21,960
Speaker 2: oh that's right, Steph. And honestly, I watched this episode

1049
00:53:21,960 --> 00:53:24,160
Speaker 2: and I was like, I'm so proud to be Steph,

1050
00:53:24,280 --> 00:53:26,239
Speaker 2: Like I'm so proud of her. I am so proud

1051
00:53:26,280 --> 00:53:26,560
Speaker 2: of her.

1052
00:53:27,280 --> 00:53:31,160
Speaker 1: That gives me such warm fuzzies, Like I just love Stephanie.

1053
00:53:31,200 --> 00:53:32,240
Speaker 1: She's such a cool.

1054
00:53:32,080 --> 00:53:35,480
Speaker 2: Character, even at the tender age of seven or whatever

1055
00:53:35,520 --> 00:53:37,799
Speaker 2: you were at the time, like, oh man, she was like,

1056
00:53:38,040 --> 00:53:39,239
Speaker 2: I'm not here to play.

1057
00:53:39,320 --> 00:53:41,640
Speaker 1: She she's really the most grown up one in the

1058
00:53:41,760 --> 00:53:45,719
Speaker 1: entire full house. That's really Yeah, she's really does.

1059
00:53:46,440 --> 00:53:49,320
Speaker 2: Yeah, she's just the only one person in reality sometimes

1060
00:53:49,320 --> 00:53:50,080
Speaker 2: I'll tell you that.

1061
00:53:50,520 --> 00:53:52,799
Speaker 1: Yeah she is. She is. I just I love her.

1062
00:53:52,960 --> 00:53:55,759
Speaker 1: She's she's a good person. Yeah, the good heart. And

1063
00:53:55,880 --> 00:53:57,200
Speaker 1: this episode really shows that.

1064
00:53:57,440 --> 00:53:57,920
Speaker 2: Yeah.

1065
00:53:58,080 --> 00:54:01,279
Speaker 1: So Steph addresses the other kids and tells them if

1066
00:54:01,320 --> 00:54:04,439
Speaker 1: they're her friend, If they're her friends, they wouldn't tease

1067
00:54:04,520 --> 00:54:09,240
Speaker 1: Duckface either. Brian asks why not? It's fun, and Steph

1068
00:54:09,360 --> 00:54:11,759
Speaker 1: marches up to him and asks, oh, yeah, was it

1069
00:54:11,800 --> 00:54:14,239
Speaker 1: fun when you got hurt during recess and everyone called

1070
00:54:14,280 --> 00:54:20,720
Speaker 1: you crying Brian. Harry laughs at this, butte addresses him next,

1071
00:54:20,880 --> 00:54:23,799
Speaker 1: reminding him of when he got a bad haircut and

1072
00:54:23,840 --> 00:54:26,080
Speaker 1: everyone called him salad bowl head.

1073
00:54:26,280 --> 00:54:29,240
Speaker 2: Yeah remember that, Harry, Remember your bad haircut, Harry.

1074
00:54:30,520 --> 00:54:32,960
Speaker 1: The girl giggles at this, and Steph walks up to

1075
00:54:33,000 --> 00:54:37,080
Speaker 1: her last asking what's so funny? Miss milk through her nose?

1076
00:54:37,120 --> 00:54:39,520
Speaker 1: On Parents' Day twice.

1077
00:54:40,200 --> 00:54:46,880
Speaker 2: Burn reads them for filth. She comes it and she's like, no,

1078
00:54:47,719 --> 00:54:50,920
Speaker 2: here's the deal. There's a scene I think it's in

1079
00:54:51,040 --> 00:54:57,040
Speaker 2: Pose where they're at a restaurant and some woman like

1080
00:54:57,160 --> 00:55:01,400
Speaker 2: upper whatever class woman makes a comment to these for

1081
00:55:01,600 --> 00:55:03,959
Speaker 2: women for trans women sitting at the table and says

1082
00:55:03,960 --> 00:55:07,479
Speaker 2: something and the one gets up and is just like, oh, well,

1083
00:55:07,480 --> 00:55:09,520
Speaker 2: here we go. And I was like, yes, this is

1084
00:55:09,600 --> 00:55:11,560
Speaker 2: like STEP's moment like that where she's just like, no,

1085
00:55:12,160 --> 00:55:15,080
Speaker 2: you guys want to talk. I'm going to bring up

1086
00:55:15,200 --> 00:55:17,719
Speaker 2: your stuff that you're insecure about too, because we all

1087
00:55:17,760 --> 00:55:20,080
Speaker 2: have it. And I love stuff for that. I loved

1088
00:55:20,080 --> 00:55:20,440
Speaker 2: her for that.

1089
00:55:21,280 --> 00:55:24,359
Speaker 1: She dished it out. She commands in the room, was.

1090
00:55:24,320 --> 00:55:27,000
Speaker 2: Just like, no, you want to laugh. Remember when everyone

1091
00:55:27,040 --> 00:55:28,560
Speaker 2: laughed at you? Yeah, we do.

1092
00:55:29,080 --> 00:55:32,080
Speaker 1: And that is strength, you know, like kids mistakenly think

1093
00:55:32,120 --> 00:55:34,560
Speaker 1: they're strong because they're making fun of other people, but no,

1094
00:55:34,680 --> 00:55:37,799
Speaker 1: it takes real strength to stand up to people and

1095
00:55:37,880 --> 00:55:40,839
Speaker 1: tell them when they're wrong. Yep. I just got such

1096
00:55:40,840 --> 00:55:41,880
Speaker 1: a natural high off of this.

1097
00:55:42,120 --> 00:55:44,120
Speaker 2: I know me too, and I also just like, yeah,

1098
00:55:44,160 --> 00:55:48,799
Speaker 2: this is yeah, Steph and I have always been you know,

1099
00:55:50,680 --> 00:55:53,359
Speaker 2: kindred spirits. So I pay for this.

1100
00:55:53,440 --> 00:55:57,320
Speaker 1: I love it. I love it. So stuff asks the

1101
00:55:57,360 --> 00:55:59,560
Speaker 1: other kids if it feels good to be teased, and

1102
00:55:59,560 --> 00:56:03,400
Speaker 1: they all say no in unison. Then she turns to

1103
00:56:03,440 --> 00:56:05,719
Speaker 1: Walter and asks if he'll stay and be a part

1104
00:56:05,760 --> 00:56:09,880
Speaker 1: of their group for this project. Walter is extremely excited

1105
00:56:10,200 --> 00:56:13,120
Speaker 1: and says that he would enjoy that. He thanks Steph

1106
00:56:13,120 --> 00:56:16,560
Speaker 1: for sticking up for him, and Steph smiles sometimes you

1107
00:56:16,680 --> 00:56:19,960
Speaker 1: just have to do the right thing right group, and

1108
00:56:20,120 --> 00:56:23,640
Speaker 1: all the kids agree yeah. Steph nods in approval, saying

1109
00:56:23,920 --> 00:56:26,759
Speaker 1: good answer. I'll be right back, and she runs upstairs.

1110
00:56:27,120 --> 00:56:29,399
Speaker 1: Jesse quickly runs to his room so she doesn't catch him,

1111
00:56:30,680 --> 00:56:32,919
Speaker 1: and he flops into his bed and fakes a phone

1112
00:56:32,920 --> 00:56:34,920
Speaker 1: call in an attempt to make it look like he

1113
00:56:35,040 --> 00:56:38,719
Speaker 1: wasn't evesdropping. Steph strolls in, asking if she can talk

1114
00:56:38,719 --> 00:56:41,560
Speaker 1: to him. Jesse ends his fake phone call and asks

1115
00:56:41,600 --> 00:56:44,800
Speaker 1: Steph how did it go? Steph says it went great.

1116
00:56:45,600 --> 00:56:48,319
Speaker 1: Then she grins and asks Jesse how it went from

1117
00:56:48,480 --> 00:56:52,320
Speaker 1: watching upstairs. Jesse smiles and kisses her on the forehead.

1118
00:56:52,360 --> 00:56:55,919
Speaker 1: Realizing he was caught stuff, admits that he was right.

1119
00:56:56,280 --> 00:56:59,840
Speaker 1: It feels terrible to be teased. She asks Jesse if

1120
00:56:59,840 --> 00:57:03,600
Speaker 1: there still friends. Jesse assures her that they're still friends,

1121
00:57:03,760 --> 00:57:07,399
Speaker 1: and asks why she would think otherwise. Steph thinks it's

1122
00:57:07,400 --> 00:57:09,920
Speaker 1: because she got so mad at him. She admits that

1123
00:57:09,960 --> 00:57:13,800
Speaker 1: she was never going to trust him again. He promises

1124
00:57:13,880 --> 00:57:16,919
Speaker 1: that she can always trust her uncle Jesse. He may

1125
00:57:16,920 --> 00:57:19,520
Speaker 1: make mistakes once in a while, but he's always going

1126
00:57:19,600 --> 00:57:23,120
Speaker 1: to be on her side. He just wants her to

1127
00:57:23,120 --> 00:57:25,080
Speaker 1: grow up and be the best little person she can be.

1128
00:57:25,960 --> 00:57:28,840
Speaker 1: And right then downstairs, she was about as good as

1129
00:57:28,840 --> 00:57:31,880
Speaker 1: it gets. Steph tells him that when she grows up,

1130
00:57:32,000 --> 00:57:34,800
Speaker 1: she wants to be just like her uncle Jesse, but

1131
00:57:35,000 --> 00:57:39,280
Speaker 1: wears dresses. But wear dresses. Jesse pulls stuff into a

1132
00:57:39,280 --> 00:57:41,760
Speaker 1: big hug and adds, if anyone ever calls you zor

1133
00:57:41,800 --> 00:57:44,200
Speaker 1: Ba the geek again, you just tell him to see

1134
00:57:44,200 --> 00:57:49,200
Speaker 1: missus duckface, Jesse says, duck kiss, and they each give

1135
00:57:49,240 --> 00:57:51,760
Speaker 1: each other a kiss before going back in for another hug.

1136
00:57:52,160 --> 00:57:54,800
Speaker 1: And that is our show, ladies and gentlemen.

1137
00:57:54,920 --> 00:57:59,520
Speaker 2: And I have to say that last moment like this,

1138
00:58:00,200 --> 00:58:06,160
Speaker 2: the ending made me cry because because I could see

1139
00:58:06,200 --> 00:58:09,680
Speaker 2: the again, the genuineness between John and I. And if

1140
00:58:09,760 --> 00:58:15,160
Speaker 2: you watch that last hug that he gives me in

1141
00:58:15,200 --> 00:58:18,120
Speaker 2: the scene, he's whispering something in my ear and I

1142
00:58:18,160 --> 00:58:21,240
Speaker 2: don't know what it is, but my eyes are closed

1143
00:58:21,240 --> 00:58:25,400
Speaker 2: and he's giving me the biggest hug. And it made

1144
00:58:25,440 --> 00:58:28,080
Speaker 2: me cry because I watched it and I went, oh,

1145
00:58:29,600 --> 00:58:34,919
Speaker 2: that's not scripted, that's just the real moment that happened. Yeah,

1146
00:58:35,040 --> 00:58:38,919
Speaker 2: you know, and watching that scene between John and I,

1147
00:58:39,200 --> 00:58:42,000
Speaker 2: like we both were so in it and connected and

1148
00:58:42,560 --> 00:58:45,440
Speaker 2: it was just such a sweet scene. And also for me,

1149
00:58:45,640 --> 00:58:47,400
Speaker 2: like it made me emotional because I was like, this

1150
00:58:47,440 --> 00:58:51,160
Speaker 2: is a this is such an important lesson and it's

1151
00:58:51,280 --> 00:58:58,000
Speaker 2: such a like core part of that something that I

1152
00:58:58,080 --> 00:59:00,720
Speaker 2: believe in so wholeheartedly of like being kind to others

1153
00:59:00,760 --> 00:59:03,480
Speaker 2: and sticking up for people who are, you know, like

1154
00:59:03,600 --> 00:59:06,680
Speaker 2: being made fun of. And and I'm sure I was

1155
00:59:06,680 --> 00:59:08,760
Speaker 2: a kid in an asshole, you know, as we all are,

1156
00:59:08,800 --> 00:59:13,040
Speaker 2: but I also know that like overall, I always tried

1157
00:59:13,080 --> 00:59:15,560
Speaker 2: to be this person that was like, now you're not

1158
00:59:15,600 --> 00:59:19,080
Speaker 2: going to do this, And I just it made me

1159
00:59:19,160 --> 00:59:26,920
Speaker 2: really proud that we did such a great episode about

1160
00:59:27,440 --> 00:59:30,840
Speaker 2: being kind to others who are a little bit different,

1161
00:59:31,240 --> 00:59:33,720
Speaker 2: and that Steph was the one who was like not

1162
00:59:33,760 --> 00:59:35,840
Speaker 2: going to put up with it. I just I really

1163
00:59:35,920 --> 00:59:37,640
Speaker 2: it was an episode that I watched and I went,

1164
00:59:37,680 --> 00:59:41,760
Speaker 2: I'm really proud that that was who I got to

1165
00:59:41,800 --> 00:59:44,560
Speaker 2: be as the character and that she got to teach

1166
00:59:44,600 --> 00:59:48,040
Speaker 2: that lesson. And then you know, also watching the genuine,

1167
00:59:48,240 --> 00:59:51,560
Speaker 2: sweet kind moment between John and I and that last

1168
00:59:51,640 --> 00:59:56,040
Speaker 2: hug where I can tell it's just he's genuinely squeezing

1169
00:59:56,080 --> 00:59:58,920
Speaker 2: me because he loves me, and I'm genuinely giving him

1170
00:59:58,960 --> 01:00:02,640
Speaker 2: a hug that has nothing to do with Steph and Jesse,

1171
01:00:02,840 --> 01:00:06,840
Speaker 2: but is just a real sweet moment. And yeah, this

1172
01:00:06,920 --> 01:00:10,280
Speaker 2: episode really it hit me in the feels. Oh and

1173
01:00:10,320 --> 01:00:13,960
Speaker 2: again when you hear our episode, our interview with Wit,

1174
01:00:15,440 --> 01:00:17,080
Speaker 2: that will also hit you in the fields, Like it's

1175
01:00:17,240 --> 01:00:20,800
Speaker 2: a just this was a really important, great episode, and

1176
01:00:20,840 --> 01:00:22,880
Speaker 2: it's also one that I think so many people remember

1177
01:00:22,960 --> 01:00:26,320
Speaker 2: from you know, classic full House days is the duck

1178
01:00:26,360 --> 01:00:27,200
Speaker 2: Face episode.

1179
01:00:27,760 --> 01:00:31,600
Speaker 1: Yeah, but yeah, I remember this episode just because of

1180
01:00:31,640 --> 01:00:35,720
Speaker 1: WIT's face, like he's just so duck face. I didn't

1181
01:00:35,720 --> 01:00:38,000
Speaker 1: realize the message behind it, you know, because I haven't

1182
01:00:38,040 --> 01:00:40,120
Speaker 1: seen it. I don't know if i'd ever seen this episode,

1183
01:00:40,160 --> 01:00:43,480
Speaker 1: to be honest, so I didn't think about the bigger

1184
01:00:43,520 --> 01:00:46,280
Speaker 1: message involved. And yeah, that was the magic of Full House.

1185
01:00:46,360 --> 01:00:49,760
Speaker 1: It was these important messages told through people who had

1186
01:00:49,760 --> 01:00:54,320
Speaker 1: this genuine connection and that that that love that wasn't scripted. Yeah,

1187
01:00:54,600 --> 01:00:57,560
Speaker 1: chemistry wasn't scripted. You can't script it. Yeah, that that

1188
01:00:57,720 --> 01:01:00,760
Speaker 1: was real. And that's why Full House was the juggernaut

1189
01:01:00,840 --> 01:01:03,880
Speaker 1: that it was, because I think the audiences fell fell

1190
01:01:03,920 --> 01:01:06,480
Speaker 1: in love with the chemistry between all of us. And

1191
01:01:07,400 --> 01:01:08,480
Speaker 1: what a Yeah, what a.

1192
01:01:08,440 --> 01:01:11,320
Speaker 2: Great, really great episode. I'm very proud of this episode.

1193
01:01:11,400 --> 01:01:14,480
Speaker 2: Steph is a badass. I love being I love that

1194
01:01:14,600 --> 01:01:17,240
Speaker 2: she is who she is, and she just she'll she'll,

1195
01:01:17,840 --> 01:01:22,120
Speaker 2: she'll fight for people. That's that was admirable in Steph.

1196
01:01:22,160 --> 01:01:24,400
Speaker 2: And I'm just so glad that, uh, you know, hopefully

1197
01:01:24,440 --> 01:01:28,080
Speaker 2: a generation of young people watched that and maybe learned

1198
01:01:28,080 --> 01:01:29,120
Speaker 2: something maybe a little bit.

1199
01:01:29,200 --> 01:01:30,760
Speaker 1: Yeah, Oh I love that.

1200
01:01:31,040 --> 01:01:33,160
Speaker 2: Did you have any everwhere you look moments?

1201
01:01:33,360 --> 01:01:35,080
Speaker 1: I think I have the same probably the same one

1202
01:01:35,120 --> 01:01:35,480
Speaker 1: you do.

1203
01:01:35,640 --> 01:01:36,439
Speaker 2: Well, I have two?

1204
01:01:37,280 --> 01:01:40,120
Speaker 1: Okay, I have I have two?

1205
01:01:40,320 --> 01:01:43,480
Speaker 2: Okay, well, okay, you you one on? You go give

1206
01:01:43,480 --> 01:01:45,520
Speaker 2: me your first one? Should I do the one that

1207
01:01:45,520 --> 01:01:46,960
Speaker 2: we do, the one that I think we both are

1208
01:01:47,000 --> 01:01:48,320
Speaker 2: gonna we overlap? Yeah?

1209
01:01:48,400 --> 01:01:52,360
Speaker 1: Okay. Well. On the wake Up San Francisco set Yep,

1210
01:01:52,520 --> 01:01:55,960
Speaker 1: the stage manager is our actual stage manager, Mark Sandrowski.

1211
01:01:56,160 --> 01:02:00,880
Speaker 2: Yep, Mark Sandrowski, who was Dave Koolier's friends since they

1212
01:02:00,920 --> 01:02:03,680
Speaker 2: were nine years old growing up, who was our actual

1213
01:02:03,720 --> 01:02:07,480
Speaker 2: stage manager on on the show, and who did a

1214
01:02:07,520 --> 01:02:10,560
Speaker 2: little guest part there with his lines, and who went

1215
01:02:10,600 --> 01:02:14,160
Speaker 2: on to become an Emmy Award winning director for Big

1216
01:02:14,200 --> 01:02:16,640
Speaker 2: Bang Theory and other Chuck Lory things.

1217
01:02:16,920 --> 01:02:20,040
Speaker 1: So yeah, it was it was so cool. And Mark is.

1218
01:02:20,000 --> 01:02:23,320
Speaker 2: Just, yeah, he's so great.

1219
01:02:23,480 --> 01:02:26,080
Speaker 1: Watch he reacts to what Bob is saying and he

1220
01:02:26,240 --> 01:02:28,840
Speaker 1: like counts down just likely. He's just he's so present,

1221
01:02:29,240 --> 01:02:31,800
Speaker 1: Like he's a great I don't think he's an actor, but.

1222
01:02:31,760 --> 01:02:34,680
Speaker 2: He's I mean he he and Dave did he did

1223
01:02:34,720 --> 01:02:36,360
Speaker 2: comedy was you know, he has a kid, and so

1224
01:02:36,400 --> 01:02:38,560
Speaker 2: that was kind of what they like to do. And yeah,

1225
01:02:38,720 --> 01:02:42,080
Speaker 2: so that was that was one. What's your what's your other? Everybody?

1226
01:02:42,120 --> 01:02:44,000
Speaker 1: Look, well, just I have one more thing to add

1227
01:02:44,000 --> 01:02:49,080
Speaker 1: about Mark. You know, Mark Sandrowski originated out That's where

1228
01:02:49,160 --> 01:02:51,480
Speaker 1: Dave got it, and so I love that they inserted

1229
01:02:51,600 --> 01:02:53,680
Speaker 1: cut it out so many times into that scene. So

1230
01:02:53,720 --> 01:02:56,120
Speaker 1: I'm like, that's a nod to Mark that is absolutely

1231
01:02:56,280 --> 01:03:00,680
Speaker 1: absolutely loved it. Okay, My second one is actually a

1232
01:03:00,720 --> 01:03:05,520
Speaker 1: question speaking of stairs. I noticed for the first time

1233
01:03:05,880 --> 01:03:10,640
Speaker 1: that in Joey's room there's stairs go in opposite directions. Yeah,

1234
01:03:10,640 --> 01:03:12,919
Speaker 1: I never noticed that's the stairs on the right. Where

1235
01:03:12,920 --> 01:03:13,560
Speaker 1: do those go to?

1236
01:03:13,640 --> 01:03:16,320
Speaker 2: Where do those go? It's it just I don't know,

1237
01:03:17,120 --> 01:03:17,920
Speaker 2: Like I don't know.

1238
01:03:18,400 --> 01:03:19,160
Speaker 1: It's a basement.

1239
01:03:19,280 --> 01:03:20,760
Speaker 2: It's so where it's a basement.

1240
01:03:22,200 --> 01:03:23,160
Speaker 1: It doesn't make sense.

1241
01:03:23,480 --> 01:03:28,040
Speaker 2: Maybe does it go it can't possibly lead Maybe that

1242
01:03:28,120 --> 01:03:31,120
Speaker 2: there's a back staircase that goes just directly all the

1243
01:03:31,160 --> 01:03:31,680
Speaker 2: way up.

1244
01:03:32,680 --> 01:03:34,600
Speaker 1: Oh, like a tornado shelter or something like.

1245
01:03:34,600 --> 01:03:37,120
Speaker 2: Maybe like no, like a like you would have almost

1246
01:03:37,160 --> 01:03:40,280
Speaker 2: like service stairs. I mean old Victorian homes would have

1247
01:03:40,400 --> 01:03:43,160
Speaker 2: like a service stair where like basically the kitchen stairs

1248
01:03:43,160 --> 01:03:45,760
Speaker 2: would be quote unquote like a service stair that only

1249
01:03:45,880 --> 01:03:49,080
Speaker 2: your staff would use, and then everyone else would use

1250
01:03:49,120 --> 01:03:53,720
Speaker 2: the front stair. But I don't know where two stairs

1251
01:03:53,880 --> 01:03:57,000
Speaker 2: in the It doesn't It's always been there. That's the

1252
01:03:57,000 --> 01:03:59,520
Speaker 2: funny thing is it's always been there, like a split staircase,

1253
01:03:59,520 --> 01:04:01,479
Speaker 2: but we've never used the way to the right because

1254
01:04:01,480 --> 01:04:04,680
Speaker 2: I think we all went it doesn't make sense, But

1255
01:04:04,960 --> 01:04:07,920
Speaker 2: now we're like, it makes it, just use it. It's

1256
01:04:08,080 --> 01:04:11,160
Speaker 2: I mean, who cares. This house doesn't exist, you know,

1257
01:04:11,320 --> 01:04:14,000
Speaker 2: couldn't exist possibly anyway, So use all the stairs.

1258
01:04:14,600 --> 01:04:16,800
Speaker 1: My next pitch is that we should get Jerry Dunn

1259
01:04:17,000 --> 01:04:20,160
Speaker 1: on the show. Who designed all of these sets? Or

1260
01:04:20,160 --> 01:04:21,120
Speaker 1: did he design Fuller.

1261
01:04:21,320 --> 01:04:23,960
Speaker 2: He didn't design full he didn't design just Fuller.

1262
01:04:24,000 --> 01:04:24,720
Speaker 1: He did Fuller.

1263
01:04:24,880 --> 01:04:28,640
Speaker 2: But I think on the internet somewhere there is someone

1264
01:04:29,360 --> 01:04:33,440
Speaker 2: who tried to put basically like an architectural rendering of

1265
01:04:34,480 --> 01:04:37,120
Speaker 2: the full House house with all of the things that

1266
01:04:37,200 --> 01:04:40,560
Speaker 2: it has and what you see and what the shape

1267
01:04:40,560 --> 01:04:43,680
Speaker 2: of the house actually would be. And it's it's like

1268
01:04:43,760 --> 01:04:45,760
Speaker 2: something off of like roadblocks, you know what I mean.

1269
01:04:45,760 --> 01:04:49,360
Speaker 2: It's like it is the weirdest shaped like doesn't couldn't

1270
01:04:49,400 --> 01:04:52,880
Speaker 2: possibly exist in actual buildings.

1271
01:04:53,720 --> 01:04:56,960
Speaker 1: No, it defies law, defies yeah, defies gravity.

1272
01:04:57,120 --> 01:05:01,360
Speaker 2: Everything. Yeah, everything it's got it is think Uh it's

1273
01:05:01,360 --> 01:05:05,640
Speaker 2: a it's a portal to some sort of black hole,

1274
01:05:05,800 --> 01:05:08,760
Speaker 2: or it's a it's a there's a time warp in there.

1275
01:05:09,000 --> 01:05:12,160
Speaker 2: I don't know, something, there's something going on at that

1276
01:05:12,200 --> 01:05:15,600
Speaker 2: town something because it's like the West. It's like the

1277
01:05:15,640 --> 01:05:17,959
Speaker 2: Winchester Mystery House with all the stairs in that house.

1278
01:05:18,440 --> 01:05:20,000
Speaker 2: You know what I mean, there's got to stairs that

1279
01:05:20,080 --> 01:05:22,560
Speaker 2: go into blank walls. And doors that open onto nothing.

1280
01:05:23,280 --> 01:05:26,200
Speaker 1: Yes, it has to be because there's so many dang stairs.

1281
01:05:27,840 --> 01:05:30,760
Speaker 2: I always say that they do construction quickly in this

1282
01:05:30,800 --> 01:05:36,000
Speaker 2: house without any Yeah, no mess, because Daniel, no mess,

1283
01:05:35,520 --> 01:05:40,640
Speaker 2: no noise. Great. I will tell you my other everywhere

1284
01:05:40,680 --> 01:05:44,520
Speaker 2: you look moment. Was it was a classic late eighties beverage.

1285
01:05:45,160 --> 01:05:46,800
Speaker 1: Oh it was.

1286
01:05:46,880 --> 01:05:49,960
Speaker 2: It was a New York Seltzer. Oh they were in

1287
01:05:50,040 --> 01:05:54,960
Speaker 2: a couple episodes, uh or a couple scenes in this episode,

1288
01:05:55,120 --> 01:05:57,680
Speaker 2: and they're like really greeked out or whatever. But New

1289
01:05:57,760 --> 01:06:01,240
Speaker 2: York seltz in the little bottles with the like different

1290
01:06:01,280 --> 01:06:04,840
Speaker 2: color wraps, and they were it was basically you know,

1291
01:06:05,240 --> 01:06:07,640
Speaker 2: flavored soda water.

1292
01:06:08,120 --> 01:06:11,640
Speaker 1: Yeah, sugar, but yeah, the Lacroix of.

1293
01:06:11,960 --> 01:06:14,880
Speaker 2: I wouldn't be that mean to New York Seltzer. I

1294
01:06:14,920 --> 01:06:18,919
Speaker 2: love Lacroix, but it actually Lacroix tastes like if you

1295
01:06:19,000 --> 01:06:22,280
Speaker 2: licked a fruit and then licked the glass that you're

1296
01:06:22,320 --> 01:06:26,200
Speaker 2: gonna pour the water in. But New York Seltzer actually

1297
01:06:26,440 --> 01:06:32,200
Speaker 2: like was like you juiced in and added sugar. Really nice,

1298
01:06:32,280 --> 01:06:36,640
Speaker 2: the real the real sugar, real yeah stuff. Yes, But anyway,

1299
01:06:36,680 --> 01:06:39,760
Speaker 2: that was my little other ere the moment. Because you ever,

1300
01:06:39,920 --> 01:06:41,680
Speaker 2: you don't see him now. I think that company might

1301
01:06:41,680 --> 01:06:43,920
Speaker 2: have gone out of business, but it was no you

1302
01:06:43,960 --> 01:06:47,720
Speaker 2: could get it yeah in the eighties, like Deli's bagels chops.

1303
01:06:47,800 --> 01:06:51,680
Speaker 1: Yeah, oh man, man, I could use one right now.

1304
01:06:52,240 --> 01:06:55,840
Speaker 2: Right seriously, I'm gonna go eat a sandwich the size

1305
01:06:55,840 --> 01:06:58,320
Speaker 2: of Michelle Tanner's head in that scene.

1306
01:06:58,120 --> 01:07:00,040
Speaker 1: And drinking New York Celtic and drink of New York.

1307
01:07:00,080 --> 01:07:03,320
Speaker 2: Eltzer yep, and go find my time portal in UH

1308
01:07:03,400 --> 01:07:04,360
Speaker 2: in the Tanner.

1309
01:07:04,080 --> 01:07:06,800
Speaker 1: Household and find some ducks on a lake and throw

1310
01:07:06,840 --> 01:07:07,440
Speaker 1: some bread out.

1311
01:07:07,760 --> 01:07:10,360
Speaker 2: Yeah, yep, That's what I'm gonna do. That's the rest

1312
01:07:10,360 --> 01:07:12,040
Speaker 2: of my day.

1313
01:07:13,000 --> 01:07:13,520
Speaker 1: I love it.

1314
01:07:14,120 --> 01:07:17,000
Speaker 2: Great episode. Thank you everybody for joining us for another

1315
01:07:17,040 --> 01:07:19,520
Speaker 2: fun episode of how Rud Tanner Ritos. We hope you

1316
01:07:19,680 --> 01:07:22,360
Speaker 2: enjoyed the show today, and if you're looking for ways

1317
01:07:22,400 --> 01:07:25,200
Speaker 2: to find us online, you can find us on Instagram

1318
01:07:25,240 --> 01:07:27,640
Speaker 2: at how Rude Podcast. You can also send us an

1319
01:07:27,640 --> 01:07:30,920
Speaker 2: email at how Rude podcast at gmail dot com. Uh

1320
01:07:30,960 --> 01:07:32,960
Speaker 2: and also make sure you're liking and subscribing to the

1321
01:07:33,000 --> 01:07:34,840
Speaker 2: podcast wherever you're listening to it to make sure that

1322
01:07:34,880 --> 01:07:37,240
Speaker 2: you get all the newest episodes as soon as they drop,

1323
01:07:37,680 --> 01:07:40,520
Speaker 2: and we will see you guys next week, uh for

1324
01:07:40,560 --> 01:07:45,000
Speaker 2: a really great episode, really fun interview with Wit himself

1325
01:07:45,760 --> 01:07:51,120
Speaker 2: and remember the world is small, but the door is

1326
01:07:51,160 --> 01:07:51,800
Speaker 2: always open.

1327
01:07:52,600 --> 01:07:56,280
Speaker 1: Yeah, very good, very good. Okay, still there's still there's

1328
01:07:56,600 --> 01:08:01,320
Speaker 1: there's still questioning that there's there's one too many syllables syllable.

1329
01:08:01,640 --> 01:08:04,920
Speaker 2: Yeah, it's gonna take some some redoing, but I just well,

1330
01:08:05,120 --> 01:08:07,640
Speaker 2: I'll get my red editor pen, I'll I'll do something.

1331
01:08:07,640 --> 01:08:08,800
Speaker 1: I'll do some edit, some notes.

1332
01:08:08,880 --> 01:08:11,040
Speaker 2: We'll listen to the fan retos, like everybody's gonna have

1333
01:08:11,080 --> 01:08:14,400
Speaker 2: thoughts on its sound. Alright, you guys, see you next time.

1334
01:08:23,200 --> 01:08:23,240
Speaker 2: M