WEBVTT - Creativity + Dominant Stories w/Alex Lacamoire

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<v Speaker 1>I'm Shonda Rhymes and we're bringing Dominant Stories, created by

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<v Speaker 1>Shawn land Audio in partnership with the Self Steam Project.

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<v Speaker 1>I know what it's like to be so in on

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<v Speaker 1>something that you like, listen to the albums constantly, and

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<v Speaker 1>you read all the literature you can, and it's all

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<v Speaker 1>you talk about, and it overtakes your your thoughts, right,

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<v Speaker 1>it just consumes you. So when I see that happening

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<v Speaker 1>to something that I was a part of, my God,

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<v Speaker 1>I feel so lucky. Hey, I'm Jess Weener and this

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<v Speaker 1>is Dominant Stories, the podcast that helps us reclaim and

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<v Speaker 1>rewrite the stories we tell ourselves about ourselves, about our bodies,

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<v Speaker 1>our beauty, our creativity, and our identities. Hey everybody, I'm

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<v Speaker 1>Jess and welcome back to Dominant Stories. You've heard me

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<v Speaker 1>talk a lot on the show about the relationship between

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<v Speaker 1>the stories that we tell ourselves and the way that

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<v Speaker 1>we creatively express ourselves out in the world, because I

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<v Speaker 1>believe that when our dominant stories run our lives, when

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<v Speaker 1>they've gone unexamined, they can actually stop us from taking

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<v Speaker 1>creative risks that bring us closer to a life that

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<v Speaker 1>we long for. And by the way, that could be

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<v Speaker 1>in the arts and sports and business and education, because

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<v Speaker 1>spoiler alert, I actually believe we all express ourselves creatively

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<v Speaker 1>in some fashion, But how do you manage that inner

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<v Speaker 1>narrative so that it doesn't get in the way of

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<v Speaker 1>your genius? So on today's show, I am going to

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<v Speaker 1>be talking to a real life musical genius who also

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<v Speaker 1>happens to be a dear childhood friend of mine, and

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<v Speaker 1>that is Alex Lackamore. Alex is an award winning music director, arranger,

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<v Speaker 1>and composer. You know him best for his work on

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<v Speaker 1>Broadways critically claimed show oh Little shows like Hamilton's Dear

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<v Speaker 1>Evan Hansen and in the Heights. He's won three Tony's,

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<v Speaker 1>four Grammys, and an Emmy, And most recently, Alex composed

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<v Speaker 1>the score for Netflix Vivo and he's serving as the

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<v Speaker 1>executive music producer on the film Tick Tick Boom. And

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<v Speaker 1>if that wasn't already so impressive, Alex is a co

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<v Speaker 1>founder of this incredible organization called Muse, which provides access

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<v Speaker 1>and internships and mentorships to support historically marginalized people of

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<v Speaker 1>color to cultivate more racial equity in theater and music departments.

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<v Speaker 1>He also if that wasn't enough. Is a gem of

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<v Speaker 1>a human you will soon see, with warmth and grace

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<v Speaker 1>that is on par with his talent. We've known each

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<v Speaker 1>other for over thirty years and I have never interviewed

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<v Speaker 1>him professionally before. So here we go. I can't wait

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<v Speaker 1>for you to listen. Let's dig it, Alex. Let's okay,

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<v Speaker 1>let's talk about us, because we've known each other since

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<v Speaker 1>I think we were twelve. Oh my god, that's probably right. Yeah,

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<v Speaker 1>Junior High School stood Southwood Middle School. We went to

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<v Speaker 1>the same performing arts middle school and high schools. So

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<v Speaker 1>here's my recollection of you as baby Alex, which was

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<v Speaker 1>like so sweet, already so ridiculously. I know you do

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<v Speaker 1>a million of these kind of interviews around your career,

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<v Speaker 1>but I wanted to talk a little bit about the

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<v Speaker 1>man behind the music because for me, I remember falling

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<v Speaker 1>in love with storytelling. I was thinking about this. It

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<v Speaker 1>actually came when my sister and my dad and I

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<v Speaker 1>would act out our bedtime stories. So my dad worked

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<v Speaker 1>a lot but always made sure he was home to

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<v Speaker 1>put us to bed, and but he would never read

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<v Speaker 1>the stories. We would always act them out. And I

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<v Speaker 1>can remember it like five six seven, like that was

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<v Speaker 1>where I knew I wanted to play and tell stories.

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<v Speaker 1>And for you, like, do you have a first memory

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<v Speaker 1>of falling in love with music? Is that a conscious

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<v Speaker 1>memory for you? Falling in love with music for the

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<v Speaker 1>first time. I know about that just from stories that

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<v Speaker 1>people have told me. And I have a cousin that

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<v Speaker 1>told me that, like when I was too I would

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<v Speaker 1>sit in front of the stereo speakers and just like

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<v Speaker 1>stare into the speakers and just be transfixed by the music.

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<v Speaker 1>And I'm told by my mom that before I even

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<v Speaker 1>knew how to read, I knew what record I wanted

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<v Speaker 1>to listen to because I associated a certain song to

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<v Speaker 1>the logo of the forty five And I would say, oh, Mom,

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<v Speaker 1>I want to hear Blue by You by Linda Ronstand

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<v Speaker 1>or whatever, and she would grab a certain record and

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<v Speaker 1>I would be like, no, Mom, it's not that when

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<v Speaker 1>it's the other one, And like, how did I know?

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<v Speaker 1>I just like knew by the color of the logo

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<v Speaker 1>of the on the record. So I guess for whatever reason,

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<v Speaker 1>like my love of music has always been around. And

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<v Speaker 1>even when I had a toy piano I big we

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<v Speaker 1>barely remember playing that thing, but that apparently is what

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<v Speaker 1>led my parents to say, oh, wow, he has an

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<v Speaker 1>interest in music. I mean, who knows if I was

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<v Speaker 1>actually hitting the right notes as I played along to

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<v Speaker 1>the radio. Maybe I was close, you know. But since then,

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<v Speaker 1>music has just been a part of my life. It's

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<v Speaker 1>how like I I measure things in my life. It's

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<v Speaker 1>how I associate certain feelings certain times, it's how I

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<v Speaker 1>remember dates. Music kind of saved me a little bit.

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<v Speaker 1>I just felt so awkward as a kid, and you know,

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<v Speaker 1>I had a hard time finding people around me that

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<v Speaker 1>loved music as much as I did. And my music

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<v Speaker 1>was kind of like this weird superpower that I didn't

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<v Speaker 1>really get to display. And it wasn't until people realize, oh,

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<v Speaker 1>Alex plays piano that I've started to like not become popular,

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<v Speaker 1>but like I just had something that people could point

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<v Speaker 1>to or relate to me on. That's why going to

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<v Speaker 1>our performing arts junior high school, like that's where I

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<v Speaker 1>really started to click. And like even meeting you and

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<v Speaker 1>me all the kids in the theater department, j I

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<v Speaker 1>can't tell you how size makershift that was in my life.

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<v Speaker 1>To be able to meet you and to meet everyone

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<v Speaker 1>around you that really just like it was just that

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<v Speaker 1>that communal aspect, that family thing that theater provides, and

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<v Speaker 1>what I saw that you all had and what I

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<v Speaker 1>saw that you were all inviting me to be a

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<v Speaker 1>part of, right, because like me to get invited to

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<v Speaker 1>like the cast parties, right to me, to get to

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<v Speaker 1>know your mom, who was so instrumental and like kind

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<v Speaker 1>of like being the this big mother hand to all

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<v Speaker 1>these kids. It was just this family feeling that I

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<v Speaker 1>was just wanting so much in my social life, and

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<v Speaker 1>that really provided it for me. So it was all

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<v Speaker 1>through music and all through aren't. Yeah. They used to

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<v Speaker 1>call my mom drama Mama. That's so interesting to hear

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<v Speaker 1>you talk about that time in our life because when

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<v Speaker 1>we're at that age and stage of life, like our

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<v Speaker 1>dominant stories about where we fit, who we are, if

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<v Speaker 1>we're good enough, is obviously so rampid. You know. Sarah

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<v Speaker 1>Brellis and I were talking about this and like our

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<v Speaker 1>very episode that like theater is the place where the

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<v Speaker 1>misfits go, where we fit sort of like always a

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<v Speaker 1>little bit being on the outside, and then when you

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<v Speaker 1>play together and when you make something together, you form

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<v Speaker 1>this family. And you were always such an incredible part

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<v Speaker 1>of that. But take us back to like that mindset

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<v Speaker 1>for you as a young kid, about like the dominant narratives,

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<v Speaker 1>because you were saying you felt awkward or you felt

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<v Speaker 1>like do you remember the stories you would tell yourself

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<v Speaker 1>about yourself at that age? Did you have kind of

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<v Speaker 1>a negative narrative running through your head? The first one

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<v Speaker 1>that comes to mind is like, oh my god, girls

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<v Speaker 1>don't like me. Like that was a big thing for me.

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<v Speaker 1>Like I definitely was in love with girls in third

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<v Speaker 1>grade and like, oh my gosh, she's never gonna notice

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<v Speaker 1>me and all that. That was a very big dominant

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<v Speaker 1>store for me. And the other thing for me was like, oh, wow,

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<v Speaker 1>I'm not popular enough. I'm not cool enough, you know,

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<v Speaker 1>because you would see TV shows and movies like, Oh,

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<v Speaker 1>there's this group of people and they're well known and

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<v Speaker 1>they were liked and they get you know, watching all

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<v Speaker 1>those John Hughes movies and like, wow, what is it

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<v Speaker 1>like to be at a crazy party like that? Like

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<v Speaker 1>I had no idea, and I wanted that so much.

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<v Speaker 1>There was definitely a thing that I wanted so much

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<v Speaker 1>to be a part of that I just didn't feel

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<v Speaker 1>like I could be a part of. And like I said,

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<v Speaker 1>it wasn't until this music thing, until people saw, oh wow,

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<v Speaker 1>Alex can do something like I have this vivid memory

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<v Speaker 1>of being at the cast party for what was probably

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<v Speaker 1>Oliver or you know, a Finian's Rainbow. I don't know,

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<v Speaker 1>but my memory is is at someone's house and it's

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<v Speaker 1>probably eleven o'clock at night, and I'm probably I'm gonna

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<v Speaker 1>stay thirteen years old, and I'm at the piano and

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<v Speaker 1>I cannot see anything around me except for people all

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<v Speaker 1>surrounding me around the piano singing the hits of the

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<v Speaker 1>day that I'm playing. And people are singing, and like,

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<v Speaker 1>oh my god, people are singing because I'm playing, Like

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<v Speaker 1>if I stopped playing, they want sings. So all of

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<v Speaker 1>a sudden there's this like there's this relationship as being

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<v Speaker 1>formed and like I'm making and it is magic in

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<v Speaker 1>a way, right because like play these notes and they

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<v Speaker 1>go into the air and people feel inspired to sing.

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<v Speaker 1>But like once I felt that ability to like make

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<v Speaker 1>a shift in something and do it through my music,

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<v Speaker 1>which I loved anyway, it just was so easy. I

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<v Speaker 1>just bought that home. I think one of those cast

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<v Speaker 1>parties at least was at my house, because I do

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<v Speaker 1>have those memories and probably some like pictures that I'll

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<v Speaker 1>have to dig out somewhere of us. The hair was

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<v Speaker 1>like the memorable moment for me, and like the higher

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<v Speaker 1>the hair, the closer to God. Um. You know, I

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<v Speaker 1>don't think I ever noticed or knew that you were

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<v Speaker 1>hearing aids in did you wear them when we're Yeah,

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<v Speaker 1>I never ever noticed? Yeah, seriously, you know, yeah, I

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<v Speaker 1>was like, I mean, I I know about your hearing loss,

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<v Speaker 1>but I don't think I ever like remember that being

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<v Speaker 1>a part of how I thought about you or even like, yeah,

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<v Speaker 1>it was not conscious for me, but obviously was. I

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<v Speaker 1>know it was conscious for you because you've talked about

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<v Speaker 1>like what that was like for you, and I wanted

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<v Speaker 1>to take a little bit of a moment to have

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<v Speaker 1>you speak more about that. When did you start wearing them?

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<v Speaker 1>Like what did mom or dad notice first? Like I'm

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<v Speaker 1>curious because I don't know that part of your story

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<v Speaker 1>as well. Yeah, well, you know, it's interesting. I think

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<v Speaker 1>I might know why maybe you don't relate hearing aids

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<v Speaker 1>with me, And that's problem because at some point in

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<v Speaker 1>junior high I did stop wearing them because I was

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<v Speaker 1>self conscious about them. Interesting, So to answer your question.

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<v Speaker 1>I think my mom first noticed when I was around

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<v Speaker 1>four that she would call me from the other room

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<v Speaker 1>and I wouldn't hear her, or she would notice how

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<v Speaker 1>close I was sitting to the TV set and I

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<v Speaker 1>would say, Oh, it's because I can't hear if i'm

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<v Speaker 1>I'm far away. And I was around that time they

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<v Speaker 1>I got tested from my hearing and I got fitted

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<v Speaker 1>for hearing aids. And back then, this is like what

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<v Speaker 1>nineteen eighty or so, they were big. Yeah, the technology

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<v Speaker 1>at the time when they would fit behind the ear

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<v Speaker 1>and you would just see this this apparatus just hanging

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<v Speaker 1>at the top of your your ear lobe. And I

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<v Speaker 1>think I wore them all throughout until I got the

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<v Speaker 1>junior high and then somewhere along the line because they're

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<v Speaker 1>not covered by my family couldn't afford a pair, so

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<v Speaker 1>I only rocked one hearing aid because when one was

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<v Speaker 1>better than none. And then I just distinctly remember that

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<v Speaker 1>certain age where it's puberty and its subconsciousness, and enough

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<v Speaker 1>people were asking me, Hey, what's that thing behind your

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<v Speaker 1>ear that I didn't want them to ask anymore, so

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<v Speaker 1>I just stopped wearing them all together. I just didn't

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<v Speaker 1>that to me was another way to not fit in.

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<v Speaker 1>Another way to not be cool is to where you're

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<v Speaker 1>hearing it. And as a result, I missed so much

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<v Speaker 1>just I mean, like my thing was okay. I always

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<v Speaker 1>had to sit at the front of the class in

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<v Speaker 1>order to hear the teacher. Friends jokes would happen, and

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<v Speaker 1>I would be like, what they say, what they say.

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<v Speaker 1>I still remember being in high school and my girlfriend

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<v Speaker 1>at the time, they had a big viewing party at

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<v Speaker 1>her house to watch Silence of the Lambs because it

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<v Speaker 1>was like the hot movie at the time, and it

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<v Speaker 1>was like twenty people in a dark room and that

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<v Speaker 1>TV had to be so soft because her mom was

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<v Speaker 1>asleep in the other room. But she was cool with

0:11:56.440 --> 0:11:58.880
<v Speaker 1>us being there watching and I missed the entire movie.

0:11:58.960 --> 0:12:03.080
<v Speaker 1>I couldn't hear of sucking thing because I couldn't in

0:12:03.120 --> 0:12:04.720
<v Speaker 1>a big public room being like what they say what

0:12:04.800 --> 0:12:07.480
<v Speaker 1>they say? Like after the third time, it's like, Alex stop.

0:12:07.559 --> 0:12:09.600
<v Speaker 1>And that's what started to happen for me. The ship

0:12:09.760 --> 0:12:12.840
<v Speaker 1>was somewhere along the line. I started to just sense

0:12:12.840 --> 0:12:15.720
<v Speaker 1>people getting aggravated about me asking them all the time

0:12:15.880 --> 0:12:18.600
<v Speaker 1>because you know, they say, hey, this guy's what the

0:12:18.640 --> 0:12:22.000
<v Speaker 1>guy's blew what this guy is blewe Alex. When that

0:12:22.040 --> 0:12:25.480
<v Speaker 1>happens enough times, you start to cower a little. You

0:12:25.520 --> 0:12:27.760
<v Speaker 1>start to sometimes just not ask and just let things

0:12:27.800 --> 0:12:30.800
<v Speaker 1>go by and act as if you you understood. You know,

0:12:30.880 --> 0:12:33.080
<v Speaker 1>it became the things like oh, Alex, he doesn't understand.

0:12:33.120 --> 0:12:35.240
<v Speaker 1>They just laugh off the fact that Alex didn't catch

0:12:35.320 --> 0:12:37.720
<v Speaker 1>the joke. And I think once I got the college

0:12:37.720 --> 0:12:41.840
<v Speaker 1>and enough new people, by that point, the technology of

0:12:41.880 --> 0:12:45.040
<v Speaker 1>hearing aids had changed and they fit inside the ear

0:12:45.280 --> 0:12:48.360
<v Speaker 1>and people don't necessarily notice them. So I've known people

0:12:48.360 --> 0:12:51.720
<v Speaker 1>for years who have been around me as I'm wearing

0:12:51.760 --> 0:12:53.719
<v Speaker 1>hearing aids, and they don't notice that they wear them,

0:12:54.080 --> 0:12:56.000
<v Speaker 1>which is so odd to me, because if someone else

0:12:56.080 --> 0:12:58.160
<v Speaker 1>is wearing hearing aids, that's the first thing I noticed

0:12:58.200 --> 0:13:00.960
<v Speaker 1>that they have hearing as. Of course, I want to

0:13:00.960 --> 0:13:03.160
<v Speaker 1>play this clip that you did for our hometown, an

0:13:03.200 --> 0:13:05.400
<v Speaker 1>interview that you did for our hometown paper, the Miami Harold,

0:13:05.679 --> 0:13:10.440
<v Speaker 1>where you talk about how that hearing loss transformed the

0:13:10.440 --> 0:13:15.079
<v Speaker 1>way you connected to music. Okay, my hearing loss probably

0:13:15.280 --> 0:13:18.440
<v Speaker 1>makes me listen a little harder, makes me listen a

0:13:18.480 --> 0:13:21.320
<v Speaker 1>little more closely to music. And I also feel like

0:13:21.600 --> 0:13:24.600
<v Speaker 1>the fact that I don't hear, like you know, it's

0:13:24.600 --> 0:13:27.679
<v Speaker 1>hard for me to hear someone when they're talking very

0:13:27.679 --> 0:13:30.000
<v Speaker 1>far away. So because of that, it allows me to

0:13:30.040 --> 0:13:31.920
<v Speaker 1>kind of live in my own bubble. So I think

0:13:31.960 --> 0:13:34.440
<v Speaker 1>that actually developed a lot of focus for me, because

0:13:34.440 --> 0:13:37.240
<v Speaker 1>I can really focus in and zero in on music

0:13:37.280 --> 0:13:39.079
<v Speaker 1>and just tune out the world and tune out everything

0:13:39.120 --> 0:13:41.480
<v Speaker 1>around me. Maybe because of the fact that I have

0:13:41.559 --> 0:13:44.520
<v Speaker 1>to work to listen, work to hear, makes me kind

0:13:44.559 --> 0:13:48.240
<v Speaker 1>of get into finer details of music that by now

0:13:48.280 --> 0:13:51.520
<v Speaker 1>they're just very second nature to me. But I often wonder, like,

0:13:51.720 --> 0:13:55.200
<v Speaker 1>is you know, my handicap actually an asset? What do

0:13:55.200 --> 0:13:57.720
<v Speaker 1>you think little Alex would hear about hearing you say

0:13:57.760 --> 0:14:01.240
<v Speaker 1>that now you know it's I wonder what little Alex

0:14:01.280 --> 0:14:03.680
<v Speaker 1>would think, because I don't know that I ever thought

0:14:03.720 --> 0:14:05.560
<v Speaker 1>to myself, oh, my hearing is going to get in

0:14:05.600 --> 0:14:07.839
<v Speaker 1>the way of the enjoying music. And that's where I

0:14:07.840 --> 0:14:10.640
<v Speaker 1>feel like I'm lucky that it was never a detriment,

0:14:11.200 --> 0:14:13.600
<v Speaker 1>Like it was just very apparent that like my hearing

0:14:13.679 --> 0:14:16.800
<v Speaker 1>loss was not getting in the way of me playing

0:14:17.000 --> 0:14:20.400
<v Speaker 1>music and having it feel like my language and having

0:14:20.400 --> 0:14:23.360
<v Speaker 1>it feel like something that I felt drawn to or

0:14:23.560 --> 0:14:26.560
<v Speaker 1>felt that I was good at as kids were all

0:14:26.560 --> 0:14:28.560
<v Speaker 1>taught that Beethoven was deaf at a certain point in

0:14:28.600 --> 0:14:30.800
<v Speaker 1>his life. So maybe somewhere in my mind, I'm like,

0:14:30.840 --> 0:14:34.080
<v Speaker 1>oh there, yeah, it was so maybe that sea was planted.

0:14:34.880 --> 0:14:37.040
<v Speaker 1>I bring this forward too, because I think for those

0:14:37.040 --> 0:14:40.520
<v Speaker 1>people who are listening who might have their own stories

0:14:40.560 --> 0:14:43.440
<v Speaker 1>about abilities or that they have or they don't have,

0:14:43.560 --> 0:14:46.680
<v Speaker 1>or they wish they had keep them from creating and

0:14:46.720 --> 0:14:49.680
<v Speaker 1>going after what they really want to do and be

0:14:49.760 --> 0:14:53.280
<v Speaker 1>in the world. I agree. I agree, and I'm fortunate

0:14:53.320 --> 0:14:55.080
<v Speaker 1>that I had a lot of support around me. Right,

0:14:55.120 --> 0:14:57.720
<v Speaker 1>I had parents that believed in what I did. You know,

0:14:57.760 --> 0:15:00.920
<v Speaker 1>I had Rick Adams are are directing teach Yeah, he

0:15:00.960 --> 0:15:03.320
<v Speaker 1>was the director of our program. Yeah, in the director

0:15:03.360 --> 0:15:05.800
<v Speaker 1>of the program. So those are people who were like, hey,

0:15:05.840 --> 0:15:08.120
<v Speaker 1>Alex can do this, like hey, here's something that he's

0:15:08.120 --> 0:15:09.520
<v Speaker 1>going to and would lift me up in that way.

0:15:09.560 --> 0:15:11.880
<v Speaker 1>It was that support that helped me, you know, just

0:15:12.000 --> 0:15:14.560
<v Speaker 1>those people who can kind of like recognize something and

0:15:15.160 --> 0:15:21.360
<v Speaker 1>zero in on that, and that's what built me up. Alright, alright,

0:15:21.400 --> 0:15:23.400
<v Speaker 1>I called time out for a second. Let's take a

0:15:23.480 --> 0:15:40.640
<v Speaker 1>short break to hear these messages, all right, now, back

0:15:40.720 --> 0:15:51.880
<v Speaker 1>to our conduct, I want to talk about kind of

0:15:51.920 --> 0:15:54.240
<v Speaker 1>this journey. So you went to Berkeley College of Music,

0:15:54.400 --> 0:15:56.960
<v Speaker 1>and now at this point you said there was always

0:15:56.960 --> 0:15:59.120
<v Speaker 1>this moment in your life where you're like, Okay, I'm

0:15:59.160 --> 0:16:01.760
<v Speaker 1>going to be doing music forever when you thought about

0:16:01.800 --> 0:16:04.560
<v Speaker 1>going into the industry, because I think that's what those

0:16:04.560 --> 0:16:07.160
<v Speaker 1>colleges also begin to prep you for, right, is thinking

0:16:07.200 --> 0:16:12.240
<v Speaker 1>about like life afterwards. Were you already aware or thinking

0:16:12.280 --> 0:16:16.840
<v Speaker 1>about how the industry has gatekeepers for whose stories get

0:16:16.880 --> 0:16:21.840
<v Speaker 1>told and don't get told? You know, I think there's

0:16:21.840 --> 0:16:25.680
<v Speaker 1>definitely something about when you're young and when you're learning

0:16:25.720 --> 0:16:28.240
<v Speaker 1>that there's a world that can see him a little

0:16:28.320 --> 0:16:32.000
<v Speaker 1>impenetrable in a certain way. And you mentioned taking trips

0:16:32.080 --> 0:16:33.680
<v Speaker 1>up to New York to see Broadway. I don't know

0:16:33.680 --> 0:16:35.520
<v Speaker 1>about you, but you know, as a kid in Miami,

0:16:35.560 --> 0:16:39.280
<v Speaker 1>Broadway felt so far away, it felt almost impossible, much

0:16:39.320 --> 0:16:42.120
<v Speaker 1>in the same way where you know, even being at school.

0:16:42.720 --> 0:16:45.160
<v Speaker 1>Let's say, for example, a clinic would be held and

0:16:45.280 --> 0:16:49.160
<v Speaker 1>you'd see Will Calhoun, the drummer from Living Color to

0:16:49.280 --> 0:16:51.880
<v Speaker 1>a clinic, and I would see what he's doing, like,

0:16:51.920 --> 0:16:53.600
<v Speaker 1>oh my god, that guy's in a rock band and

0:16:53.640 --> 0:16:56.120
<v Speaker 1>he's touring the world. Oh my god, Like that felt

0:16:56.120 --> 0:16:58.240
<v Speaker 1>like something I would want to do and yet felt

0:16:58.280 --> 0:17:03.320
<v Speaker 1>really impossible. And then, through life happening, through opportunities, happening,

0:17:03.400 --> 0:17:07.560
<v Speaker 1>through fate, through chance, whatever it is, you kind of

0:17:07.560 --> 0:17:10.600
<v Speaker 1>get to these rooms and to get to these situations,

0:17:10.640 --> 0:17:12.880
<v Speaker 1>and you feel as though you don't belong, and yet

0:17:12.880 --> 0:17:15.240
<v Speaker 1>all of a sudden you realize, oh wait, I totally belong,

0:17:15.359 --> 0:17:18.040
<v Speaker 1>Like I totally know what I'm doing. Oh, these are

0:17:18.240 --> 0:17:21.000
<v Speaker 1>human beings just like us. These are people just like us.

0:17:21.040 --> 0:17:23.560
<v Speaker 1>They've got their issues just like us, right, I think

0:17:23.560 --> 0:17:25.760
<v Speaker 1>got their hang ups just like us. I know I've

0:17:25.800 --> 0:17:28.440
<v Speaker 1>been in situations where I've said, hey, I don't think

0:17:28.440 --> 0:17:31.440
<v Speaker 1>I can do this, and there's someone just above you.

0:17:31.440 --> 0:17:34.320
<v Speaker 1>He's like, oh no, no, no, you totally can. I'm like, okay,

0:17:34.359 --> 0:17:36.359
<v Speaker 1>if they think I can do it, then I can't

0:17:36.359 --> 0:17:39.560
<v Speaker 1>do it. And it's just that little help from someone,

0:17:39.640 --> 0:17:42.240
<v Speaker 1>or that little suggestion or that little opportunity to let

0:17:42.280 --> 0:17:46.359
<v Speaker 1>you know, oh, this world is normal. It is not

0:17:46.520 --> 0:17:48.239
<v Speaker 1>that much different from what it is that you are

0:17:48.280 --> 0:17:51.840
<v Speaker 1>already doing. So I don't know that I felt like

0:17:51.880 --> 0:17:54.240
<v Speaker 1>that they were like gatekeepers who like decide, oh you

0:17:54.320 --> 0:17:56.560
<v Speaker 1>get in you don't da da da, But I know

0:17:56.640 --> 0:18:01.359
<v Speaker 1>that they definitely felt like there was another spear that like,

0:18:01.400 --> 0:18:03.399
<v Speaker 1>oh my god, that thing is rotating over there, Like

0:18:03.440 --> 0:18:06.080
<v Speaker 1>how do I get there? Can I get there? Do

0:18:06.119 --> 0:18:09.560
<v Speaker 1>I belong there? Am I worthy of it? I'm curious

0:18:09.560 --> 0:18:12.920
<v Speaker 1>about the moment when you tackle multiple projects at one time,

0:18:13.520 --> 0:18:15.399
<v Speaker 1>if you do that, or when you were building in

0:18:15.400 --> 0:18:17.879
<v Speaker 1>your career, if you were taking on lots of projects,

0:18:18.240 --> 0:18:21.280
<v Speaker 1>do you get scared when you're taking on multiple things?

0:18:21.359 --> 0:18:22.840
<v Speaker 1>Do you ever doubt if you can do it? Do

0:18:22.920 --> 0:18:25.320
<v Speaker 1>those dominant voices kind of come back in and are like,

0:18:25.800 --> 0:18:28.159
<v Speaker 1>oh boy, you took on too much, or you're not

0:18:28.200 --> 0:18:30.080
<v Speaker 1>going to get this done. Like I'm curious what that

0:18:30.160 --> 0:18:34.440
<v Speaker 1>dialogue sounds like. Yes to all of it. Um, It's

0:18:34.480 --> 0:18:37.480
<v Speaker 1>always been this way for me. I was always trying

0:18:37.480 --> 0:18:40.679
<v Speaker 1>to like balance a million things at once and have

0:18:40.880 --> 0:18:43.080
<v Speaker 1>music be a part of it. So I guess if

0:18:43.080 --> 0:18:45.199
<v Speaker 1>I think back there, even being in junior high and

0:18:45.440 --> 0:18:49.080
<v Speaker 1>like trying to deal with like the eight classes of

0:18:49.200 --> 0:18:51.959
<v Speaker 1>like the of the math and the science and the history,

0:18:52.200 --> 0:18:56.000
<v Speaker 1>and with the three extra classes of choir and theory

0:18:56.119 --> 0:18:59.560
<v Speaker 1>and piano, and after that having to do the homework

0:19:00.040 --> 0:19:03.639
<v Speaker 1>and doing the rehearsal for their community theater production of

0:19:03.640 --> 0:19:06.359
<v Speaker 1>Pipping down the Street and at the same time practicing

0:19:06.359 --> 0:19:08.760
<v Speaker 1>your classical piano so that you could play a solo

0:19:08.920 --> 0:19:12.680
<v Speaker 1>piano concert in Meridith City in Mexico at the age

0:19:12.680 --> 0:19:16.200
<v Speaker 1>of thirteen, which I did. I was doing all that stuff,

0:19:16.800 --> 0:19:19.560
<v Speaker 1>same thing with high school, and I do have memories

0:19:19.600 --> 0:19:22.680
<v Speaker 1>of my mom being like, you aren't taken on too much,

0:19:23.160 --> 0:19:25.600
<v Speaker 1>and me just like finding a way to push through it,

0:19:26.400 --> 0:19:29.000
<v Speaker 1>and things kind of felt by the wayside, Like there

0:19:29.000 --> 0:19:31.560
<v Speaker 1>are certain books for English class that I didn't read,

0:19:31.680 --> 0:19:34.320
<v Speaker 1>you know, there's certain tests that I could have done

0:19:34.359 --> 0:19:38.040
<v Speaker 1>better at. But in the music world, like that's where

0:19:38.040 --> 0:19:41.320
<v Speaker 1>I got the straight days. So there are times, yes

0:19:41.359 --> 0:19:43.679
<v Speaker 1>in my life where I feel like I'm biting off

0:19:43.680 --> 0:19:45.439
<v Speaker 1>a little bit more than I can choose, because what

0:19:45.640 --> 0:19:49.400
<v Speaker 1>is sacrificed then is my sleep, my relaxed time, my

0:19:49.480 --> 0:19:52.320
<v Speaker 1>time with my wife, my time with my family, all

0:19:52.400 --> 0:19:56.560
<v Speaker 1>that it goes away. I'm learning now I'm forty six now,

0:19:56.680 --> 0:20:00.560
<v Speaker 1>like I just starting to notice my out I can't

0:20:00.720 --> 0:20:03.200
<v Speaker 1>do this stuff now that I used to be able

0:20:03.240 --> 0:20:07.360
<v Speaker 1>to do my twenties, the all nighters and the degree

0:20:07.400 --> 0:20:10.440
<v Speaker 1>of stuff like it's now starting to feel too much,

0:20:10.480 --> 0:20:12.159
<v Speaker 1>to the point that even I'm saying, Yo, this is

0:20:12.200 --> 0:20:15.080
<v Speaker 1>too much. And this past couple of years, particularly for me,

0:20:15.200 --> 0:20:17.959
<v Speaker 1>was a pretty stressful and difficult one in terms of

0:20:18.000 --> 0:20:20.400
<v Speaker 1>like things being on top of each other. But what's

0:20:20.440 --> 0:20:22.920
<v Speaker 1>difficult is that there are all things I wanted to do.

0:20:23.119 --> 0:20:25.320
<v Speaker 1>They are all things that felt important to me, and

0:20:25.359 --> 0:20:27.680
<v Speaker 1>there were things that I would have regretted not being

0:20:27.680 --> 0:20:29.960
<v Speaker 1>a part of and things that I felt like I

0:20:30.160 --> 0:20:33.240
<v Speaker 1>learned something from along the way. I guess the price

0:20:33.280 --> 0:20:36.120
<v Speaker 1>I paid is some extra stress and you know, some

0:20:36.560 --> 0:20:39.560
<v Speaker 1>bags under my eyes. But I now I'm going to

0:20:39.600 --> 0:20:41.520
<v Speaker 1>be just more careful about what it is that I

0:20:41.560 --> 0:20:45.040
<v Speaker 1>do say yes too, because I am feeling the want,

0:20:45.119 --> 0:20:48.440
<v Speaker 1>the desire to slow down. I want to travel. There's

0:20:48.480 --> 0:20:51.600
<v Speaker 1>like countries I haven't been to write, There's experiences I

0:20:51.640 --> 0:20:54.480
<v Speaker 1>haven't had. There's like people that I haven't been giving

0:20:54.560 --> 0:20:57.320
<v Speaker 1>my devotion to that i'd like to and I feel

0:20:57.320 --> 0:21:01.800
<v Speaker 1>like I can now, well, is this compensatory time, right?

0:21:01.840 --> 0:21:04.560
<v Speaker 1>I think it's always this pendulum that swings back and forth.

0:21:05.280 --> 0:21:08.359
<v Speaker 1>So I know you probably answered a million Hamilton's questions before,

0:21:08.400 --> 0:21:10.520
<v Speaker 1>but one of the things that I'm thinking about is

0:21:10.760 --> 0:21:12.280
<v Speaker 1>when you take on a project like that, or when

0:21:12.280 --> 0:21:14.920
<v Speaker 1>you're working on a project like that, did you face

0:21:14.960 --> 0:21:17.560
<v Speaker 1>a moment of doubt in working on a show like

0:21:17.640 --> 0:21:19.800
<v Speaker 1>that of that magnitude or was the trick that y'all

0:21:19.840 --> 0:21:21.679
<v Speaker 1>didn't really know what kind of magnitude it was going

0:21:21.720 --> 0:21:24.360
<v Speaker 1>to be yet, so you're sort of unfettered by that pressure.

0:21:24.359 --> 0:21:27.760
<v Speaker 1>But I'm curious about whether you had creator's block or

0:21:27.800 --> 0:21:30.000
<v Speaker 1>if any doubts sort of spring up in the creation

0:21:30.040 --> 0:21:33.000
<v Speaker 1>of that. Well, I'll tell you two stories. One of

0:21:33.000 --> 0:21:36.280
<v Speaker 1>them is when we were in rehearsals for Off Broadway

0:21:36.320 --> 0:21:41.120
<v Speaker 1>for Hamilton's before anyone had seen the show in public, right.

0:21:41.119 --> 0:21:42.760
<v Speaker 1>I mean, we've had a couple of workshops, but we

0:21:42.760 --> 0:21:45.639
<v Speaker 1>hadn't done like the production with like the costumes and

0:21:45.680 --> 0:21:48.119
<v Speaker 1>the lights and all that stuff. I remember having a

0:21:48.160 --> 0:21:51.320
<v Speaker 1>moment in rehearsal with Tommy Kaylor, director, and I said

0:21:51.359 --> 0:21:54.600
<v Speaker 1>to him, Tommy, listen, I know this is like an

0:21:54.600 --> 0:21:56.800
<v Speaker 1>amazing piece. I know that this is the best thing

0:21:56.880 --> 0:21:59.840
<v Speaker 1>Limmle has ever written. I'm so proud of everything we're doing,

0:22:00.480 --> 0:22:02.359
<v Speaker 1>But dude, are people really going to pay money to

0:22:02.359 --> 0:22:05.600
<v Speaker 1>see a show about American history told through hip hop?

0:22:05.840 --> 0:22:08.639
<v Speaker 1>Like is it gonna land? Are people really gonna get it?

0:22:09.600 --> 0:22:13.120
<v Speaker 1>I truly wasn't sure. I thought at best it would

0:22:13.119 --> 0:22:17.320
<v Speaker 1>be a critical success because the writing I knew was powerful,

0:22:17.359 --> 0:22:20.159
<v Speaker 1>so that I recognized. I just didn't know, like if

0:22:20.200 --> 0:22:22.920
<v Speaker 1>the public, the world, the country, whatever, people were ready

0:22:22.920 --> 0:22:28.200
<v Speaker 1>to receive this message told in this way and back

0:22:28.240 --> 0:22:30.359
<v Speaker 1>to the doubts, you know, in terms of the writing

0:22:30.400 --> 0:22:32.919
<v Speaker 1>of it all, Like it was so important for me

0:22:32.960 --> 0:22:35.639
<v Speaker 1>as the orchestrator for the show to get it right

0:22:35.680 --> 0:22:39.560
<v Speaker 1>quote unquote, because I knew what Lynn Manuel was providing

0:22:39.560 --> 0:22:42.080
<v Speaker 1>was such gold. I didn't want to be the one

0:22:42.080 --> 0:22:44.480
<v Speaker 1>to mess it up, and I wanted to take as

0:22:44.600 --> 0:22:49.720
<v Speaker 1>much time questioning every move I made and demoing every

0:22:49.840 --> 0:22:52.919
<v Speaker 1>orchestration that I wrote to make sure that there was

0:22:52.960 --> 0:22:54.359
<v Speaker 1>no stone left on turn, to make sure that it

0:22:54.400 --> 0:22:57.560
<v Speaker 1>felt right. So like I took about eight months and

0:22:57.640 --> 0:23:00.879
<v Speaker 1>to and to orchestrate the show, which is very out

0:23:00.920 --> 0:23:03.440
<v Speaker 1>of the ordinary because most Broadway show it's get orchestrated

0:23:03.480 --> 0:23:07.600
<v Speaker 1>and probably four weeks if that's because what happens is,

0:23:07.640 --> 0:23:09.359
<v Speaker 1>you know, the show will be in rehearsal and an

0:23:09.440 --> 0:23:13.200
<v Speaker 1>orchestrator is brought on very late in the game. Comparatively

0:23:13.240 --> 0:23:15.280
<v Speaker 1>to the rest of the production, and they come in

0:23:15.320 --> 0:23:18.080
<v Speaker 1>and listen once the numbers already staged in rehearsal, and

0:23:18.119 --> 0:23:20.280
<v Speaker 1>then they go home and write on their own time.

0:23:20.480 --> 0:23:22.639
<v Speaker 1>But I knew that I had to orchestrate ahead of

0:23:22.640 --> 0:23:24.720
<v Speaker 1>time because I was going to be in the room

0:23:24.840 --> 0:23:27.440
<v Speaker 1>eight hours a day playing piano and making these decisions,

0:23:27.520 --> 0:23:30.119
<v Speaker 1>so I had to be as prepared as possible. I know,

0:23:30.200 --> 0:23:32.280
<v Speaker 1>when I started, I had a hard time just getting

0:23:32.320 --> 0:23:35.240
<v Speaker 1>the momentum going. And the first six or seven charts

0:23:35.320 --> 0:23:38.040
<v Speaker 1>I did were just fine, and I knew as I

0:23:38.080 --> 0:23:40.720
<v Speaker 1>was doing them they're just fine, But I had to

0:23:40.800 --> 0:23:42.320
<v Speaker 1>keep going, and I had to keep moving. And then

0:23:42.359 --> 0:23:45.040
<v Speaker 1>I hit my stride, probably around the eighth or the ninth,

0:23:45.080 --> 0:23:47.199
<v Speaker 1>at the tenth one, like, oh now I get it.

0:23:47.240 --> 0:23:48.919
<v Speaker 1>I know what the world is, I know what the

0:23:48.960 --> 0:23:50.920
<v Speaker 1>palette is, and then I could go back to the

0:23:51.000 --> 0:23:53.240
<v Speaker 1>first seven or eight tunes and redo them with a

0:23:53.400 --> 0:23:56.520
<v Speaker 1>different mindset. The end of the process is just easier

0:23:56.520 --> 0:23:59.119
<v Speaker 1>once you have your palette, once you have your your framework,

0:23:59.680 --> 0:24:01.640
<v Speaker 1>then you and kind of flow and sail a little

0:24:01.640 --> 0:24:04.439
<v Speaker 1>bit more easily. But the front half was definitely like

0:24:04.920 --> 0:24:06.480
<v Speaker 1>just a lot of kind of banging your head against

0:24:06.520 --> 0:24:08.359
<v Speaker 1>the wall. And but you've got to push through it.

0:24:08.720 --> 0:24:10.720
<v Speaker 1>You have to know that it's not too late. You

0:24:10.720 --> 0:24:12.400
<v Speaker 1>can come back to it, but you just gotta keep

0:24:12.400 --> 0:24:15.120
<v Speaker 1>moving and trust that the that the right answer will

0:24:15.160 --> 0:24:18.639
<v Speaker 1>reveal itself over time. That's like the master class of

0:24:18.720 --> 0:24:22.240
<v Speaker 1>for creators, I think and writers in particular, but all artists,

0:24:22.240 --> 0:24:25.760
<v Speaker 1>which is like, just get that crappy first draft done, Like,

0:24:25.840 --> 0:24:28.280
<v Speaker 1>get it out there, get it out of your brain,

0:24:28.359 --> 0:24:31.280
<v Speaker 1>your heart, your soul, and like then shape it from

0:24:31.320 --> 0:24:34.240
<v Speaker 1>there and then edit yeah, absolutely, and then edit yeah.

0:24:34.359 --> 0:24:38.720
<v Speaker 1>I love that you had commercial success and success before Hamilton's.

0:24:38.720 --> 0:24:42.720
<v Speaker 1>But then Hamilton's is like its own universe. And when

0:24:42.760 --> 0:24:45.720
<v Speaker 1>you start to see the fandom at the level that

0:24:45.880 --> 0:24:51.080
<v Speaker 1>hamd Fams have rabid and passionate and incredible, that love

0:24:51.160 --> 0:24:54.480
<v Speaker 1>is what stories do you tell yourself then about success?

0:24:54.480 --> 0:24:56.760
<v Speaker 1>Like what's coming up for you when you hit that

0:24:56.840 --> 0:24:59.639
<v Speaker 1>kind of pinnacle. What comes up for me is just

0:25:00.000 --> 0:25:03.439
<v Speaker 1>its gratitude for being able to be a part of

0:25:03.480 --> 0:25:07.639
<v Speaker 1>something that has that level of impact. That's the dream,

0:25:07.880 --> 0:25:11.040
<v Speaker 1>right And in terms of like when I see that

0:25:11.160 --> 0:25:15.040
<v Speaker 1>kind of fandom for the show, for some people, there

0:25:15.119 --> 0:25:17.800
<v Speaker 1>is a level of obsession about it, And I get

0:25:17.840 --> 0:25:20.359
<v Speaker 1>it because I'm obsessed about what I do. I'm obsessed

0:25:20.400 --> 0:25:25.160
<v Speaker 1>about music. I remember being obsessed about Rush, obsessed about Beatles,

0:25:25.280 --> 0:25:29.719
<v Speaker 1>obsessed about you know, chopin whatever. I still am. So

0:25:29.840 --> 0:25:32.639
<v Speaker 1>I know what it's like to be so in on

0:25:32.760 --> 0:25:35.960
<v Speaker 1>something that you like, listen to the albums constantly, and

0:25:36.040 --> 0:25:38.440
<v Speaker 1>you read all the literature you can, and it's all

0:25:38.480 --> 0:25:42.000
<v Speaker 1>you talk about, and it overtakes your your thoughts, right,

0:25:42.080 --> 0:25:46.560
<v Speaker 1>it just consumes you. So when I see that happening

0:25:46.560 --> 0:25:49.160
<v Speaker 1>to something that I was a part of, my God,

0:25:49.240 --> 0:25:53.960
<v Speaker 1>I feel so lucky. Like if ever anyone recognizes who

0:25:54.000 --> 0:25:57.600
<v Speaker 1>I am on the street, I'm always bewildered and amazed

0:25:58.119 --> 0:26:00.760
<v Speaker 1>they know who I am a and be. That also

0:26:00.800 --> 0:26:03.880
<v Speaker 1>shows Wow, they know about Hamilton's enough that they know

0:26:04.080 --> 0:26:06.040
<v Speaker 1>like the people involved. That to me is a kin

0:26:06.200 --> 0:26:09.480
<v Speaker 1>to like buying a CD right when we were kids

0:26:09.480 --> 0:26:11.800
<v Speaker 1>and looking at the credits because we want to see

0:26:11.800 --> 0:26:14.879
<v Speaker 1>who did this and who did that, because we wanted

0:26:14.920 --> 0:26:17.120
<v Speaker 1>to know, Hey, who made this thing and what else

0:26:17.160 --> 0:26:19.119
<v Speaker 1>did they make so that I could learn what it

0:26:19.160 --> 0:26:22.200
<v Speaker 1>is that they did. So all this to say that

0:26:22.520 --> 0:26:25.359
<v Speaker 1>I am just honored when I see that kind of fandom,

0:26:25.400 --> 0:26:28.240
<v Speaker 1>and when I see people who express how the show

0:26:28.400 --> 0:26:31.880
<v Speaker 1>has shape them or what it means to them, that's

0:26:31.960 --> 0:26:34.119
<v Speaker 1>wonderful because I feel like, oh my gosh, I'm a

0:26:34.119 --> 0:26:37.040
<v Speaker 1>part of it, and I it's just special. It truly is.

0:26:37.720 --> 0:26:40.560
<v Speaker 1>Remember when we were I think, Felipe my husband, you

0:26:40.640 --> 0:26:42.639
<v Speaker 1>and Ilani your wife, we were getting ice cream in

0:26:42.800 --> 0:26:44.600
<v Speaker 1>Santa Monica when you guys are out here and those

0:26:44.640 --> 0:26:48.959
<v Speaker 1>girls in line behind us and Straw remember, and they

0:26:48.960 --> 0:26:51.360
<v Speaker 1>were like totally geeking out about you. And again I

0:26:51.400 --> 0:26:53.719
<v Speaker 1>was thinking, like, you know, they recognized you and they

0:26:53.760 --> 0:26:56.960
<v Speaker 1>were so excited to meet you, And I mean, does

0:26:56.960 --> 0:27:01.080
<v Speaker 1>it get old like Grammy's Tony's, dude? Like, and I

0:27:01.119 --> 0:27:02.600
<v Speaker 1>know that. I know, like you know, a lot of

0:27:02.600 --> 0:27:06.119
<v Speaker 1>people like, oh, it's just being nominated that matters. No, dude,

0:27:06.400 --> 0:27:08.840
<v Speaker 1>you won those Grammys and those Tony's. And I'm like

0:27:08.920 --> 0:27:12.480
<v Speaker 1>just again thinking like what is twelve year old Alex

0:27:12.520 --> 0:27:15.080
<v Speaker 1>think about that You're a red carpet with your smoking

0:27:15.160 --> 0:27:20.440
<v Speaker 1>hot wife and your amazing career and like you're welcome, baby.

0:27:22.960 --> 0:27:25.360
<v Speaker 1>I mean, do you have those moments where you reconcile

0:27:25.480 --> 0:27:28.080
<v Speaker 1>the kid who felt like you didn't belong and that

0:27:28.280 --> 0:27:30.119
<v Speaker 1>you know, you'd never have love in that way, and

0:27:30.160 --> 0:27:32.760
<v Speaker 1>like do you have a moment in that gratitude and

0:27:32.760 --> 0:27:35.600
<v Speaker 1>that recognition of like, look at where I am. I've

0:27:35.600 --> 0:27:40.680
<v Speaker 1>transcended those stories. Yeah. I mostly feel like if I'm

0:27:40.720 --> 0:27:42.960
<v Speaker 1>with family, Like if if I'm home, like my mom,

0:27:43.000 --> 0:27:46.400
<v Speaker 1>who's so supportive and so so proud like that, that's

0:27:46.440 --> 0:27:49.199
<v Speaker 1>where I feel. That's where I get into what that

0:27:49.240 --> 0:27:52.399
<v Speaker 1>little kid was and like how far away those you know?

0:27:52.440 --> 0:27:54.480
<v Speaker 1>And I can trace that back to my mom being

0:27:55.000 --> 0:27:58.480
<v Speaker 1>a young eight year old girl like in a farm

0:27:58.520 --> 0:28:00.760
<v Speaker 1>out in the boondocks of what do you think Cuba?

0:28:00.960 --> 0:28:03.320
<v Speaker 1>You know, Like how does that this girl who grew

0:28:03.400 --> 0:28:05.720
<v Speaker 1>up you know, go through whatever it is that she

0:28:05.800 --> 0:28:09.600
<v Speaker 1>went through to meet whoever she met to birth me

0:28:09.880 --> 0:28:12.280
<v Speaker 1>to do this stuff that I achieved, Like I changed

0:28:12.320 --> 0:28:14.960
<v Speaker 1>it back to that and that that's some ship. Seriously,

0:28:15.320 --> 0:28:18.320
<v Speaker 1>It's it seems impossible in the way, and yet here

0:28:18.400 --> 0:28:20.879
<v Speaker 1>here we are. And I think about Tommy cam who

0:28:20.880 --> 0:28:22.560
<v Speaker 1>says that a lot about Hamilton's and like it's it

0:28:22.600 --> 0:28:25.560
<v Speaker 1>seems like it couldn't exist, and yet it does. And Uh,

0:28:25.760 --> 0:28:27.359
<v Speaker 1>that's where I get present to it. I think when

0:28:27.400 --> 0:28:30.000
<v Speaker 1>I come back to my family, that's when I realized, Wow,

0:28:30.240 --> 0:28:36.640
<v Speaker 1>this is amazing and unlikely. Hey, where are you going?

0:28:36.720 --> 0:28:52.400
<v Speaker 1>There's so much more this juicy convo coming right up. Hey,

0:28:52.440 --> 0:29:00.600
<v Speaker 1>hey we're back. Now let's get into our convo. I

0:29:00.600 --> 0:29:02.720
<v Speaker 1>want to talk about sort of like the drive and

0:29:02.760 --> 0:29:06.520
<v Speaker 1>the perfectionism in a way that encompasses your life at times,

0:29:06.520 --> 0:29:10.440
<v Speaker 1>and I'm curious, like how that kind of drive has

0:29:10.480 --> 0:29:15.480
<v Speaker 1>impacted you know, friendships, relationships, like how you are learning

0:29:15.520 --> 0:29:19.440
<v Speaker 1>to navigate that driving voice inside that makes excellent work

0:29:19.520 --> 0:29:25.360
<v Speaker 1>product but also requires a balance, right or does it?

0:29:25.400 --> 0:29:29.560
<v Speaker 1>I'm just I'm curious your relationship to the stories around perfectionism. Yeah,

0:29:29.600 --> 0:29:33.840
<v Speaker 1>you know. The price that I think we as musicians

0:29:33.880 --> 0:29:37.760
<v Speaker 1>pay for that kind of level of specificity in what

0:29:37.800 --> 0:29:41.080
<v Speaker 1>we do is just this social awkwardness that I know.

0:29:41.160 --> 0:29:44.480
<v Speaker 1>I addressed that earlier, but I gotta say that we

0:29:44.560 --> 0:29:47.760
<v Speaker 1>are a rare breed. The amount of care and focus

0:29:47.760 --> 0:29:49.800
<v Speaker 1>and knowledge that we have to mass on a certain

0:29:49.880 --> 0:29:53.040
<v Speaker 1>kind of thing means that I think other things are

0:29:53.040 --> 0:29:57.840
<v Speaker 1>going to not get as refined. Shall we say the

0:29:57.840 --> 0:30:02.560
<v Speaker 1>sacrifices how we kind of navigate in the world and listen,

0:30:02.840 --> 0:30:05.120
<v Speaker 1>it's worth it for me. Back to what this call

0:30:05.400 --> 0:30:07.400
<v Speaker 1>started at, It was like, Hey, there's that piece of

0:30:07.440 --> 0:30:09.520
<v Speaker 1>me that feels like, oh my God, like I don't

0:30:09.560 --> 0:30:11.840
<v Speaker 1>fit in, I don't belong to that, and that I

0:30:11.880 --> 0:30:13.960
<v Speaker 1>don't think we'll ever go away. That is going to

0:30:14.040 --> 0:30:16.560
<v Speaker 1>be with me until my last breath, sorry to say,

0:30:17.520 --> 0:30:19.800
<v Speaker 1>And it's okay. I think what we've come to terms

0:30:19.840 --> 0:30:22.520
<v Speaker 1>that that's just the way life is, and how you

0:30:22.640 --> 0:30:25.640
<v Speaker 1>deal with that and how loud that voice gets and

0:30:25.680 --> 0:30:28.040
<v Speaker 1>how much you listen to it that you can navigate.

0:30:28.160 --> 0:30:32.360
<v Speaker 1>But it's kind of uh, empowering to learn, Oh, that

0:30:32.480 --> 0:30:35.120
<v Speaker 1>just is always there. What I can control is how

0:30:35.160 --> 0:30:38.200
<v Speaker 1>loud it is. I think you've literally summarized what has

0:30:38.240 --> 0:30:41.959
<v Speaker 1>been a whole season of conversations around these dominant stories

0:30:42.040 --> 0:30:44.400
<v Speaker 1>because I don't think they ever go away. I think

0:30:44.440 --> 0:30:47.040
<v Speaker 1>we learn how to invite them in, give them a

0:30:47.080 --> 0:30:49.640
<v Speaker 1>seat at the table, listen to what their concerns are,

0:30:49.920 --> 0:30:51.840
<v Speaker 1>and then figure out how to manage them. But I

0:30:51.880 --> 0:30:55.000
<v Speaker 1>think we get better at managing them, at challenging them,

0:30:55.000 --> 0:30:59.400
<v Speaker 1>at rewriting them, of making friends with them. Um, how

0:30:59.520 --> 0:31:02.480
<v Speaker 1>is a cree Later? Do you hold on to the

0:31:02.520 --> 0:31:06.480
<v Speaker 1>wonder of creating when the world can sometimes feel like

0:31:06.840 --> 0:31:10.680
<v Speaker 1>a ship show? Does music pull you out of that feeling,

0:31:10.800 --> 0:31:12.800
<v Speaker 1>does it save you there as well in the wonder

0:31:12.840 --> 0:31:18.120
<v Speaker 1>of making things? So the work that I do is

0:31:19.000 --> 0:31:22.600
<v Speaker 1>usually commission based, and what I mean by that is

0:31:22.920 --> 0:31:25.959
<v Speaker 1>I've not been the type of creator where I just

0:31:26.080 --> 0:31:29.680
<v Speaker 1>generate something because I have this feeling that is bottled

0:31:29.720 --> 0:31:31.520
<v Speaker 1>up inside that I need to express. I'm not a

0:31:31.560 --> 0:31:35.560
<v Speaker 1>songwriter in that way. I'm always brought on to help

0:31:35.640 --> 0:31:40.080
<v Speaker 1>someone fulfill a vision. Really, so I guess I feel

0:31:40.120 --> 0:31:42.360
<v Speaker 1>lucky in that the wonder for me is always in

0:31:42.400 --> 0:31:46.560
<v Speaker 1>the fact that I'm actually serving other people. So for me,

0:31:46.640 --> 0:31:49.800
<v Speaker 1>that's where the magic is through the collaboration, truly, and

0:31:49.880 --> 0:31:51.600
<v Speaker 1>that's why I love what it is that I do.

0:31:51.680 --> 0:31:54.280
<v Speaker 1>I'm always working with other people and getting to work

0:31:54.280 --> 0:31:57.640
<v Speaker 1>with new people and getting new experiences and figure out

0:31:57.680 --> 0:32:00.480
<v Speaker 1>how that person works and how that person takes So

0:32:00.760 --> 0:32:02.720
<v Speaker 1>for me, it's always new and fresh in that way,

0:32:02.760 --> 0:32:05.120
<v Speaker 1>and I feel lucky that how I get to move

0:32:05.160 --> 0:32:07.400
<v Speaker 1>through the world is through the work that I get

0:32:07.400 --> 0:32:09.560
<v Speaker 1>to do with other people on their art. So I

0:32:09.880 --> 0:32:13.000
<v Speaker 1>love being a conduit in that way. That's really important

0:32:13.000 --> 0:32:15.400
<v Speaker 1>to me. And then that through line that we've been

0:32:15.440 --> 0:32:17.760
<v Speaker 1>talking about this whole time around the community that you

0:32:17.800 --> 0:32:20.680
<v Speaker 1>find and how that fills you up right even from

0:32:20.960 --> 0:32:24.360
<v Speaker 1>little kid to now. I know one of the things though,

0:32:24.480 --> 0:32:28.840
<v Speaker 1>I know that for you, creating more diversity within music departments,

0:32:29.440 --> 0:32:32.600
<v Speaker 1>um both in the theater industry and other systems are

0:32:32.600 --> 0:32:35.800
<v Speaker 1>important to you. And you actually went a step further

0:32:35.840 --> 0:32:39.800
<v Speaker 1>and you co founded this amazing organization called MUSE. And

0:32:39.840 --> 0:32:41.640
<v Speaker 1>I wanted to spend a little bit of time talking

0:32:41.680 --> 0:32:45.160
<v Speaker 1>about that. Talk to me about that leap now into

0:32:45.440 --> 0:32:48.680
<v Speaker 1>you have this success in this visibility, and now it's

0:32:48.680 --> 0:32:52.000
<v Speaker 1>time to work on the visibility within music department. So

0:32:52.000 --> 0:32:55.280
<v Speaker 1>talk a little bit about MUSE. So mus stands for

0:32:55.560 --> 0:33:01.840
<v Speaker 1>Musicians United for Social Equity, and the organization was mostly

0:33:01.920 --> 0:33:07.280
<v Speaker 1>born out of the reckoning that are industry was taken

0:33:07.280 --> 0:33:10.040
<v Speaker 1>to task for. And it was just a realization that, like,

0:33:10.080 --> 0:33:13.120
<v Speaker 1>oh my god, like if we look around most music departments,

0:33:13.120 --> 0:33:16.160
<v Speaker 1>for most shows and for most pits, there is definitely

0:33:16.280 --> 0:33:19.200
<v Speaker 1>a lack of diversity when it comes to folks of color.

0:33:19.960 --> 0:33:24.160
<v Speaker 1>And it became apparent to us how much power we

0:33:24.320 --> 0:33:27.680
<v Speaker 1>as musicians have in terms of who gets asked to

0:33:27.760 --> 0:33:30.479
<v Speaker 1>be in the room. And we talked about this earlier,

0:33:30.560 --> 0:33:33.760
<v Speaker 1>right about gatekeepers and what that is and I gotta

0:33:33.800 --> 0:33:38.800
<v Speaker 1>tell you. Once the summer hit of last year and

0:33:39.440 --> 0:33:42.000
<v Speaker 1>George Boy's murder, even though there were murder murders that

0:33:42.080 --> 0:33:45.000
<v Speaker 1>led up to that, but that is when people were

0:33:45.040 --> 0:33:47.200
<v Speaker 1>really looking at oh my gosh, like how are we

0:33:47.320 --> 0:33:49.880
<v Speaker 1>populating our groups and our teams? And I remember at

0:33:49.880 --> 0:33:52.280
<v Speaker 1>that moment, I thought to myself, Oh wow, everyone is

0:33:52.320 --> 0:33:54.960
<v Speaker 1>now going to be in this mindset and everyone is

0:33:55.000 --> 0:33:57.000
<v Speaker 1>going to like really put this front and center on

0:33:57.040 --> 0:34:00.920
<v Speaker 1>how they staff and how they populate panels and groups

0:34:00.760 --> 0:34:07.080
<v Speaker 1>and teams. And I repeatedly kept going into rooms and realizing,

0:34:07.120 --> 0:34:09.360
<v Speaker 1>wait a second, no one is saying anything. And I

0:34:09.440 --> 0:34:11.120
<v Speaker 1>kept thinking like, oh, I'm not going to have to

0:34:11.160 --> 0:34:13.399
<v Speaker 1>do that work. It doesn't have to be me. But

0:34:13.440 --> 0:34:15.399
<v Speaker 1>then I realized, ship I have to be the one

0:34:15.480 --> 0:34:17.200
<v Speaker 1>ranging in my hand to be like, wait a second,

0:34:17.239 --> 0:34:20.520
<v Speaker 1>there are no black people anywhere in this group, like

0:34:20.600 --> 0:34:22.880
<v Speaker 1>where are the women? Were like I'm the only Latino?

0:34:23.000 --> 0:34:25.080
<v Speaker 1>Like what is going on here? And I kept thinking

0:34:25.080 --> 0:34:26.960
<v Speaker 1>to myself like, oh, other people are going to be

0:34:27.000 --> 0:34:29.560
<v Speaker 1>doing that, but I just realized, oh my god, if

0:34:29.560 --> 0:34:31.760
<v Speaker 1>I don't do it, it's not going to be anybody.

0:34:31.920 --> 0:34:35.800
<v Speaker 1>So it's this realization that you've got to do something different.

0:34:36.280 --> 0:34:40.600
<v Speaker 1>You have to pass along knowledge, you have to mentor

0:34:41.120 --> 0:34:44.560
<v Speaker 1>you have to give access, and you have to speak up.

0:34:44.880 --> 0:34:46.840
<v Speaker 1>And I think that's really what I've been learning about

0:34:47.000 --> 0:34:49.360
<v Speaker 1>news and the power that we have. And it's this

0:34:49.440 --> 0:34:52.560
<v Speaker 1>weird thing where you feel sometimes as though you are

0:34:52.600 --> 0:34:55.759
<v Speaker 1>powerless when there are times that you actually really have

0:34:55.880 --> 0:34:58.280
<v Speaker 1>way more power than you think. And who you invite

0:34:58.280 --> 0:35:01.040
<v Speaker 1>into the room makes a big difference. And I will

0:35:01.040 --> 0:35:04.160
<v Speaker 1>tie this into a story that relates to us. Just

0:35:04.800 --> 0:35:08.799
<v Speaker 1>I remember being in ninth grade in junior high. This

0:35:08.880 --> 0:35:11.160
<v Speaker 1>is you know, high school still started at tenth grade.

0:35:11.320 --> 0:35:14.960
<v Speaker 1>So we're about to leave Southwood and I remember that

0:35:15.000 --> 0:35:17.960
<v Speaker 1>there is this big dinner happening for the theater department.

0:35:17.960 --> 0:35:20.719
<v Speaker 1>Now mind you, I'm in the music department and I

0:35:20.760 --> 0:35:24.880
<v Speaker 1>was invited to the theater dinner by Mr Adams and

0:35:24.960 --> 0:35:27.120
<v Speaker 1>I didn't know why, but I knew, like, oh my god,

0:35:27.160 --> 0:35:29.960
<v Speaker 1>like how cool, Like I love these folks, I know,

0:35:30.239 --> 0:35:32.400
<v Speaker 1>like all of the buds, and we perform and do

0:35:32.440 --> 0:35:35.000
<v Speaker 1>all this, And what was amazing is that it was

0:35:35.080 --> 0:35:37.400
<v Speaker 1>basically a night that was a dinner, and like awards

0:35:37.400 --> 0:35:40.399
<v Speaker 1>were given out, you know, best the commitment to the show,

0:35:40.800 --> 0:35:44.320
<v Speaker 1>best whatever, and then Mr Adams like had an award,

0:35:44.360 --> 0:35:46.560
<v Speaker 1>like a special one for me just for being like

0:35:46.600 --> 0:35:51.480
<v Speaker 1>the pianist for the group. He extended a hand and said, hey, Alex,

0:35:51.520 --> 0:35:53.479
<v Speaker 1>you be a part of this, like have a seat

0:35:53.520 --> 0:35:57.000
<v Speaker 1>at this table literally and metaphorically. And what a difference

0:35:57.000 --> 0:35:59.160
<v Speaker 1>that made for me, Like how included I felt, and

0:35:59.200 --> 0:36:02.040
<v Speaker 1>how this room I wanted to be in and he

0:36:02.080 --> 0:36:04.080
<v Speaker 1>allowed me to be in that and what a wonderful

0:36:04.120 --> 0:36:06.560
<v Speaker 1>feeling that is. And to be able to give that

0:36:06.600 --> 0:36:09.319
<v Speaker 1>to folks especially they feel like they can't be a

0:36:09.320 --> 0:36:12.000
<v Speaker 1>part of that if there's a systemic reason that prevents

0:36:12.040 --> 0:36:14.480
<v Speaker 1>them from that happening. I'd tased it back to how

0:36:14.480 --> 0:36:16.799
<v Speaker 1>it was that I felt when someone extended that hand

0:36:16.840 --> 0:36:19.120
<v Speaker 1>and asked me to be a part of something and

0:36:19.400 --> 0:36:22.560
<v Speaker 1>gave me recognition and gave me that boost of confidence

0:36:22.560 --> 0:36:25.600
<v Speaker 1>and what that did for me, So like, why shouldn't

0:36:25.640 --> 0:36:28.880
<v Speaker 1>we pay that back to other people? Yeah, muse, I

0:36:28.880 --> 0:36:31.960
<v Speaker 1>think takes it one step further, which is really important,

0:36:32.000 --> 0:36:35.560
<v Speaker 1>which is you have this incredible directory and database of

0:36:35.840 --> 0:36:40.319
<v Speaker 1>eligible artists and musicians. And so what I love about

0:36:40.360 --> 0:36:44.040
<v Speaker 1>it is because oftentimes systems be the music industry, film TV,

0:36:44.239 --> 0:36:46.719
<v Speaker 1>and the industry always talk about pipeline, right, like, we

0:36:46.760 --> 0:36:49.560
<v Speaker 1>don't have the right pipeline. That's kind of bs because

0:36:50.200 --> 0:36:53.279
<v Speaker 1>folks of color, folks of all genders exist and a

0:36:53.320 --> 0:36:55.480
<v Speaker 1>lot of it is access and relationship. And I think

0:36:55.600 --> 0:36:57.719
<v Speaker 1>mused as a beautiful job. And you had I think

0:36:57.719 --> 0:36:59.719
<v Speaker 1>a sister side. I was watching as well as my

0:36:59.800 --> 0:37:04.120
<v Speaker 1>yes stra right, yeah, so there's not a shortage of

0:37:04.560 --> 0:37:07.960
<v Speaker 1>folks to recommend and to champion and and to invite

0:37:07.960 --> 0:37:11.160
<v Speaker 1>into the room and speaking of the room where it happens,

0:37:11.200 --> 0:37:13.040
<v Speaker 1>because I can't like talk to you and not have

0:37:13.120 --> 0:37:16.960
<v Speaker 1>a Hamilton reference. I'm curious, like what advice you would

0:37:17.000 --> 0:37:21.640
<v Speaker 1>give listeners who are trying to bring their story and

0:37:21.680 --> 0:37:24.840
<v Speaker 1>their talent into the world but haven't seen their stories

0:37:24.920 --> 0:37:29.920
<v Speaker 1>represented yet, haven't seen people like them orchestrate or you know,

0:37:30.040 --> 0:37:32.719
<v Speaker 1>moderated discussion or write a book or whatever their art

0:37:32.840 --> 0:37:34.560
<v Speaker 1>is that they're bringing into the world. What would you

0:37:34.560 --> 0:37:38.840
<v Speaker 1>tell somebody who is desiring to creatively self express in

0:37:38.880 --> 0:37:41.480
<v Speaker 1>the world but haven't seen that role model yet. You know,

0:37:41.800 --> 0:37:45.400
<v Speaker 1>I take a page from Lin Manim's book, right, and

0:37:45.440 --> 0:37:50.480
<v Speaker 1>the fact that he as a Puerto Rican dude living

0:37:50.640 --> 0:37:54.000
<v Speaker 1>in New York and loving music and loving theater. I

0:37:54.160 --> 0:37:56.759
<v Speaker 1>just felt like the show that he wanted to be

0:37:56.800 --> 0:37:59.000
<v Speaker 1>and wasn't written yet, and he realized, oh my god,

0:37:59.040 --> 0:38:02.800
<v Speaker 1>I need to write it. And again you keep thinking

0:38:02.840 --> 0:38:06.879
<v Speaker 1>other people more experienced than you are, older than you were,

0:38:06.880 --> 0:38:09.439
<v Speaker 1>more established than you are going to do something. But

0:38:09.920 --> 0:38:12.120
<v Speaker 1>you wake up one day and you realize, now that

0:38:12.160 --> 0:38:15.279
<v Speaker 1>person is me. So I would say, if you have

0:38:15.400 --> 0:38:17.640
<v Speaker 1>that need to express, if you have that thing that

0:38:17.719 --> 0:38:20.160
<v Speaker 1>you need to see out there, just do it. Just

0:38:20.280 --> 0:38:23.400
<v Speaker 1>write it, just create it, and try to find your tribe,

0:38:23.400 --> 0:38:26.480
<v Speaker 1>as I said earlier, because what we do in theater

0:38:26.680 --> 0:38:30.160
<v Speaker 1>requires a village. You've got to find the people who

0:38:30.239 --> 0:38:35.839
<v Speaker 1>are going to help bring your thing to life. And

0:38:35.920 --> 0:38:39.400
<v Speaker 1>I guarantee that those partners are out there, and sometimes

0:38:39.520 --> 0:38:41.880
<v Speaker 1>it takes longer to find them. Sometimes you bang your

0:38:41.880 --> 0:38:44.960
<v Speaker 1>head against the wall. But I think this is the time, seriously,

0:38:45.200 --> 0:38:48.280
<v Speaker 1>because it's in the forefront. Like if there are Latino writers,

0:38:48.280 --> 0:38:50.799
<v Speaker 1>like people are looking for Latino music directors, people are

0:38:50.800 --> 0:38:53.640
<v Speaker 1>looking for Latin writers and created all that stuff, write something.

0:38:53.680 --> 0:38:56.400
<v Speaker 1>If this is you've wanted to get something produced, this

0:38:56.480 --> 0:38:58.680
<v Speaker 1>is the time, you know, So like, don't delay, let

0:38:58.680 --> 0:39:03.280
<v Speaker 1>it happen. My hope is that by people like Lemonuel

0:39:03.719 --> 0:39:06.799
<v Speaker 1>creating first in that way, hopefully that will allow other

0:39:06.800 --> 0:39:10.520
<v Speaker 1>people to see, hey, I can do this too. Well, buddy,

0:39:10.640 --> 0:39:12.680
<v Speaker 1>I'm so happy you're a part of my tribe, and

0:39:12.719 --> 0:39:15.799
<v Speaker 1>I'm so happy that we got a chance to to

0:39:15.880 --> 0:39:18.759
<v Speaker 1>go down this road together. And I think you're right.

0:39:18.840 --> 0:39:22.520
<v Speaker 1>Those dominant stories, those reasons why you haven't done it,

0:39:22.520 --> 0:39:24.640
<v Speaker 1>shouldn't do it, couldn't do it, They're always going to

0:39:24.719 --> 0:39:28.239
<v Speaker 1>be there. But the ability to overcome those, to do

0:39:28.320 --> 0:39:30.279
<v Speaker 1>it in spite of being afraid to do it, in

0:39:30.320 --> 0:39:33.040
<v Speaker 1>spite of not exactly knowing where it's going to lead you.

0:39:33.120 --> 0:39:36.919
<v Speaker 1>That's the beauty of creativity. That's the beauty of self expression. UM.

0:39:36.920 --> 0:39:40.400
<v Speaker 1>And being able to follow that, finding your people, relying

0:39:40.440 --> 0:39:43.040
<v Speaker 1>on people in community. I think those are beautiful things

0:39:43.080 --> 0:39:46.440
<v Speaker 1>to take away, UM. And also tell people how they

0:39:46.440 --> 0:39:50.120
<v Speaker 1>can get involved in support MUS. Yes, so we have

0:39:50.400 --> 0:39:53.759
<v Speaker 1>a website mus dot org. We have a directory. So

0:39:53.800 --> 0:39:58.239
<v Speaker 1>if you are looking for say and oboist in the

0:39:58.280 --> 0:40:01.360
<v Speaker 1>Los Angeles area and looking for folks of color, you

0:40:01.360 --> 0:40:03.760
<v Speaker 1>would just type in because anyone can join the directory.

0:40:03.760 --> 0:40:05.680
<v Speaker 1>Any person of color can join the directory, I mean,

0:40:06.080 --> 0:40:09.200
<v Speaker 1>and anyone can look on the directory and kind of

0:40:09.200 --> 0:40:12.719
<v Speaker 1>find folks that you might not have called before. We

0:40:12.960 --> 0:40:15.239
<v Speaker 1>get so used to calling the same friends over and

0:40:15.280 --> 0:40:17.040
<v Speaker 1>over to play our bands, and we have to get

0:40:17.080 --> 0:40:20.680
<v Speaker 1>new friends, get to know new people. And you can

0:40:20.760 --> 0:40:22.840
<v Speaker 1>donate on the website. Yeah, you can't be a partner

0:40:23.040 --> 0:40:26.560
<v Speaker 1>news later and in uh in that way, I love it.

0:40:26.560 --> 0:40:30.240
<v Speaker 1>It's such an important solution to a much whiter issue.

0:40:30.320 --> 0:40:32.680
<v Speaker 1>So kudos to you and the whole team for doing that.

0:40:33.000 --> 0:40:38.040
<v Speaker 1>And bonus question, what was your favorite thing for you

0:40:38.120 --> 0:40:40.080
<v Speaker 1>to plan for us to sing too when we were little?

0:40:40.120 --> 0:40:42.720
<v Speaker 1>Do you have a favorite moment? Yeah? I have memories

0:40:42.760 --> 0:40:47.480
<v Speaker 1>of being in your house playing stuff from l Miss

0:40:47.760 --> 0:40:50.520
<v Speaker 1>and I remember I first learned about Gentle through you.

0:40:50.760 --> 0:40:52.399
<v Speaker 1>So we would be on the piano batch and you'd

0:40:52.400 --> 0:40:55.680
<v Speaker 1>be sitting next to your welcome and you hearing me.

0:40:56.080 --> 0:40:58.719
<v Speaker 1>To this day, just I cannot think of Piece of

0:40:58.719 --> 0:41:02.200
<v Speaker 1>Sky without thinking of you and being in your house.

0:41:03.000 --> 0:41:05.160
<v Speaker 1>The support you gave, the support your mom gave. I

0:41:05.200 --> 0:41:07.480
<v Speaker 1>just felt included and it was just so important and

0:41:07.520 --> 0:41:10.359
<v Speaker 1>so moneymental to me. Jess. I'm just so grateful. Thank you.

0:41:10.480 --> 0:41:12.560
<v Speaker 1>Oh man, it was so easy. It was easy to

0:41:12.600 --> 0:41:14.399
<v Speaker 1>love you then. It's so easy to love you. Now,

0:41:14.640 --> 0:41:17.160
<v Speaker 1>Why hasn't Barbara's dreisand called we could do a little

0:41:17.200 --> 0:41:20.520
<v Speaker 1>like we can rekickle that moment and do it. Let's Barbara,

0:41:21.719 --> 0:41:25.800
<v Speaker 1>We'll fly out of Miami. I love it, my friend,

0:41:25.960 --> 0:41:29.080
<v Speaker 1>I adore you. Thank you for lending your genius, your spirit,

0:41:29.120 --> 0:41:31.640
<v Speaker 1>your warmth, and your grace to this conversation. Thank you

0:41:31.680 --> 0:41:39.520
<v Speaker 1>so much for having me, Jess. My heart could not

0:41:39.800 --> 0:41:43.760
<v Speaker 1>be fuller than to have spent that time with somebody

0:41:43.760 --> 0:41:46.279
<v Speaker 1>I love and to share that somebody I love with you.

0:41:46.520 --> 0:41:49.080
<v Speaker 1>He's I told you, he's as gracious as he is

0:41:49.120 --> 0:41:52.879
<v Speaker 1>a genius, and he's a beautiful culmination of a lot

0:41:52.880 --> 0:41:55.840
<v Speaker 1>of the conversations we've had throughout this season with folks

0:41:56.360 --> 0:41:59.960
<v Speaker 1>number one, I think a big theme was about mentor

0:42:00.280 --> 0:42:04.719
<v Speaker 1>and championing other people, giving them access to rooms that

0:42:04.800 --> 0:42:09.520
<v Speaker 1>you're in, championing their voice, supporting them as they speak up.

0:42:09.520 --> 0:42:13.200
<v Speaker 1>I mean, obviously being invited into those spaces really impacted Alex.

0:42:13.239 --> 0:42:15.880
<v Speaker 1>I think we can take that as a wonderful message

0:42:15.880 --> 0:42:18.920
<v Speaker 1>and an actionable takeaway of like, how are we paying

0:42:18.960 --> 0:42:22.759
<v Speaker 1>it forward and championing this next generation of voices in

0:42:22.800 --> 0:42:26.600
<v Speaker 1>our lives? Whatever that looks like. Having that generosity mindset

0:42:26.840 --> 0:42:30.200
<v Speaker 1>so important. And then I think that advice that Alex

0:42:30.239 --> 0:42:32.080
<v Speaker 1>gave for folks that are looking to get their art

0:42:32.160 --> 0:42:34.320
<v Speaker 1>out into the world, their story out into the world.

0:42:34.360 --> 0:42:39.000
<v Speaker 1>Even if you've never seen anybody like you produce the

0:42:39.080 --> 0:42:41.520
<v Speaker 1>kind of thing that you want to make in the world,

0:42:42.080 --> 0:42:45.200
<v Speaker 1>you still have to do it anyway. Don't wait for

0:42:45.280 --> 0:42:47.440
<v Speaker 1>other people. I loved how he shared you know that

0:42:47.640 --> 0:42:51.200
<v Speaker 1>Lynn Manuel wrote a musical that needed to exist. He

0:42:51.280 --> 0:42:53.280
<v Speaker 1>needed to see Hamilton out in the world. It didn't

0:42:53.320 --> 0:42:56.359
<v Speaker 1>exist prior. We can't wait for other people's approval. And

0:42:56.480 --> 0:42:59.319
<v Speaker 1>probably along those same lines, what a great reminder to, like,

0:42:59.760 --> 0:43:02.400
<v Speaker 1>get that crappy first draft out right, you can always

0:43:02.440 --> 0:43:04.680
<v Speaker 1>go back and edit it. Just to hear Alex talk

0:43:04.719 --> 0:43:08.040
<v Speaker 1>about seven or eight versions of music for Hamilton's that

0:43:08.200 --> 0:43:10.920
<v Speaker 1>he felt like, we're just fine, but then was able

0:43:10.960 --> 0:43:14.360
<v Speaker 1>to like refine, go back, find his groove. What a

0:43:14.600 --> 0:43:18.400
<v Speaker 1>great example of just doing it. And then maybe the

0:43:18.440 --> 0:43:21.480
<v Speaker 1>biggest theme of all is this power of community. You know,

0:43:21.560 --> 0:43:23.759
<v Speaker 1>we've created a really beautiful one here for this show,

0:43:23.800 --> 0:43:27.280
<v Speaker 1>and the power of community uplifts and transforms our lives

0:43:27.280 --> 0:43:29.680
<v Speaker 1>and our stories, and it certainly did for Alex. You know,

0:43:30.040 --> 0:43:33.200
<v Speaker 1>look for your creative partners to help you get your

0:43:33.280 --> 0:43:35.759
<v Speaker 1>work out into the world. You know, when you click

0:43:35.880 --> 0:43:39.000
<v Speaker 1>into a group of people that can support you, that

0:43:39.120 --> 0:43:41.399
<v Speaker 1>see you where you feel like you fit, those are

0:43:41.440 --> 0:43:43.760
<v Speaker 1>often the relationships that can help you change and challenge

0:43:43.760 --> 0:43:52.680
<v Speaker 1>and rewrite those dominant stories. And if you're interested in

0:43:52.880 --> 0:43:56.800
<v Speaker 1>learning more about dominant stories and how you can challenge

0:43:56.800 --> 0:43:59.239
<v Speaker 1>and change and rewrite them, I teach workshops on this.

0:43:59.280 --> 0:44:01.160
<v Speaker 1>You can always sign up at just weiner dot com

0:44:01.160 --> 0:44:03.560
<v Speaker 1>and you can follow me on Instagram and I'm just Weener.

0:44:04.120 --> 0:44:07.040
<v Speaker 1>And please don't forget to write a review wherever you're

0:44:07.080 --> 0:44:10.600
<v Speaker 1>listening to this podcast. It's super duper, duper duper helps

0:44:10.640 --> 0:44:17.040
<v Speaker 1>us out. I can't believe it, but this is the

0:44:17.120 --> 0:44:20.200
<v Speaker 1>last episode of our season, and I just wanted to

0:44:20.239 --> 0:44:24.560
<v Speaker 1>say thank you. Thank you for the beautiful guests we've

0:44:24.560 --> 0:44:26.640
<v Speaker 1>had on this show and their trust and their faith

0:44:26.680 --> 0:44:30.520
<v Speaker 1>in me to navigate through some deep and nuanced and

0:44:30.719 --> 0:44:34.520
<v Speaker 1>complicated conversations. Thank you for you all who have been

0:44:34.560 --> 0:44:36.960
<v Speaker 1>listening and taking the time to write a review or

0:44:37.000 --> 0:44:39.680
<v Speaker 1>send in an email and let me know how this

0:44:39.719 --> 0:44:42.440
<v Speaker 1>has impacted you. And thank you for my friends at

0:44:42.480 --> 0:44:44.680
<v Speaker 1>Shanda Land and my heart and dove for creating a

0:44:44.760 --> 0:44:47.520
<v Speaker 1>space at this time, this season of the world that

0:44:47.560 --> 0:44:50.480
<v Speaker 1>we're in to have a conversation around something like Dominant Stories,

0:44:50.520 --> 0:44:52.600
<v Speaker 1>something that I think we all universally can relate to

0:44:52.880 --> 0:44:54.840
<v Speaker 1>this sort of negative self chatter in our heads and

0:44:54.840 --> 0:44:57.680
<v Speaker 1>giving us time and space and thoughtfulness to unpack that,

0:44:57.880 --> 0:45:00.160
<v Speaker 1>to provide resources for all of us to get or

0:45:00.360 --> 0:45:03.160
<v Speaker 1>at challenging, changing, and rewriting. There is so much more

0:45:03.239 --> 0:45:05.319
<v Speaker 1>fun and joy and love in here than I think.

0:45:05.360 --> 0:45:08.360
<v Speaker 1>Sometimes even the title will have you believe. Um, the

0:45:08.400 --> 0:45:10.080
<v Speaker 1>work of the work of changing yourself, of changing the

0:45:10.120 --> 0:45:11.560
<v Speaker 1>way you think about yourself, or changing the way you

0:45:11.560 --> 0:45:13.800
<v Speaker 1>feel about your body or image or identity, your creativity.

0:45:14.200 --> 0:45:16.880
<v Speaker 1>While it is hard, while it can be complex and intersectional,

0:45:17.280 --> 0:45:21.320
<v Speaker 1>it is also really rewarding to give time to educating yourself,

0:45:21.360 --> 0:45:24.319
<v Speaker 1>loving yourself, working on yourself. And um, I just feel

0:45:24.360 --> 0:45:26.720
<v Speaker 1>so grateful to be a small part of your journey

0:45:26.760 --> 0:45:28.400
<v Speaker 1>as you've been listening, and I hope we get to

0:45:28.440 --> 0:45:33.320
<v Speaker 1>do it again. Remember, we are always learning, always growing,

0:45:33.400 --> 0:45:35.680
<v Speaker 1>and it has been an ultimate joy and pleasure to

0:45:35.680 --> 0:45:54.040
<v Speaker 1>do that learning and growing with you. Dominant Stories with

0:45:54.120 --> 0:45:56.719
<v Speaker 1>Jess Wiener is a production of Shonda Land Audio in

0:45:56.840 --> 0:46:01.080
<v Speaker 1>partnership with I Heart Radio. For more podcasts from Shondaland Audio,

0:46:01.239 --> 0:46:04.400
<v Speaker 1>visit the I Heart Radio app, Apple podcast, or wherever

0:46:04.440 --> 0:46:05.840
<v Speaker 1>you listen to your favorite shows.