WEBVTT - Episode 4

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<v Speaker 1>Dream Sequence is a production of iHeart Podcasts, Blumhouse Television,

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<v Speaker 1>and Realm Jersey.

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<v Speaker 2>You gotta go right now, Come with.

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<v Speaker 3>Me, Dad.

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<v Speaker 4>What do we do?

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<v Speaker 5>I don't know.

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<v Speaker 6>I remember now I was there. How do you feel

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<v Speaker 6>pretty fucking great? Six days and no nightmares?

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<v Speaker 5>I'm very happy to hear that. And the dark figure

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<v Speaker 5>that you named manifold, you said you know what it is.

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<v Speaker 6>Manifold is my father, burned black. That's what I've been

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<v Speaker 6>seeing this whole time in my night and I didn't

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<v Speaker 6>know it.

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<v Speaker 7>Do you buy that?

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<v Speaker 2>Yeah?

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<v Speaker 7>I do. How do you explain Manifold being heard in

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<v Speaker 7>every test subject's nightmares if it was Josie's dad the

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<v Speaker 7>whole time?

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<v Speaker 5>The other subjects aren't seeing Josie's dad, They're seeing a shadowy,

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<v Speaker 5>dark figure, an embodiment of nictophobia fear of the dark,

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<v Speaker 5>arguably the most primal fear of all.

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<v Speaker 7>Has Sadie talked to you about what she thinks manifold is?

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<v Speaker 5>Your sister is undoubtedly a genius, But sometimes geniuses can

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<v Speaker 5>be too smart for their own good or too cocky.

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<v Speaker 5>In your sister's case, I think she's desperate to discover

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<v Speaker 5>something new, so she sees new things everywhere.

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<v Speaker 7>But it still doesn't explain the recurrence across multiple subjects.

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<v Speaker 5>I do recommend talking to Diego about that.

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<v Speaker 8>I'll explain one time in the dumbest and fastest language

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<v Speaker 8>I can, and then you.

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<v Speaker 9>Have to leave. Fair enough, Sadie cracked the human connect on.

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<v Speaker 8>Morgan invented way to record minute details of brain activity,

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<v Speaker 8>and I turned that activity into a language named Vauxalon.

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<v Speaker 8>Then I invented a way to translate vaux Salon into

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<v Speaker 8>computer code, then another translator to turn that code into audio.

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<v Speaker 9>All this put together is what we call the maronaut.

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<v Speaker 7>I think I mostly got that.

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<v Speaker 9>When I talk to you, I try to pretend you're

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<v Speaker 9>my nephew.

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<v Speaker 7>Six straight a's yes, okay, So what's the.

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<v Speaker 9>Grow There are nuances lost.

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<v Speaker 8>What people are actually hearing in their dreams may differ

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<v Speaker 8>slightly because the languages and translators haven't been refined to

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<v Speaker 8>the point of perfection yet.

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<v Speaker 7>So the subjects may be hearing different growls, but because

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<v Speaker 7>of imperfections in the system, they all sound the same

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<v Speaker 7>to us.

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<v Speaker 9>Correct.

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<v Speaker 8>It's especially true of abstract sounds. Have I answered your

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<v Speaker 8>question sufficiently?

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<v Speaker 7>Yes? Oh? Yeah?

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<v Speaker 5>Right?

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<v Speaker 7>Sorry? Can I get your opinion on Manifold. I don't

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<v Speaker 7>believe in it at all.

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<v Speaker 10>I mean, look Sadie's under a lot of pressure, and

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<v Speaker 10>that's not even factoring in the pressure she puts on herself.

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<v Speaker 10>Not to mention that, you know how much scotch? Does

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<v Speaker 10>she drink a bottle a day? Minimum?

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<v Speaker 7>Did you say a day?

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<v Speaker 10>The small bottle?

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<v Speaker 7>How small?

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<v Speaker 10>Kind of big daily? She doesn't sleep much, so it's.

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<v Speaker 2>A long day.

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<v Speaker 7>Why are you defending her despite.

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<v Speaker 10>The drinking and some of her personal theories. I do

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<v Speaker 10>think what we're doing here is important. I think we

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<v Speaker 10>can really help people, and she's gotten us this far.

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<v Speaker 7>Someone needs to talk to her.

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<v Speaker 10>You think I have it? You should listen to more

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<v Speaker 10>of the rough tapes.

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<v Speaker 5>Do you ever question it? What you believe?

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<v Speaker 11>I know what I know?

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<v Speaker 5>Night mess have many different origins.

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<v Speaker 2>I take it this is a new one for you.

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<v Speaker 5>Yeah it is.

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<v Speaker 7>Do you believe me?

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<v Speaker 6>No?

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<v Speaker 2>You will?

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<v Speaker 5>What do you mean by that?

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<v Speaker 4>It's not gonna stop with me.

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<v Speaker 7>I'm not unlucky. I'm just early.

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<v Speaker 5>Early to what.

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<v Speaker 7>You don't get anything I'm saying, do you?

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<v Speaker 5>I think you're being intentionally obfuscating. I feel like you're

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<v Speaker 5>afraid of what you believe to be true. So you're

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<v Speaker 5>finding it difficult to say at lot.

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<v Speaker 7>I know it's real.

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<v Speaker 2>If you knew it was real too, you'd sound.

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<v Speaker 7>Just like me.

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<v Speaker 5>I suppose I would.

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<v Speaker 4>I've seen you, I've seen all of you. I'm not alone.

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<v Speaker 4>This isn't just some crazy theory I made up. Tellahan

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<v Speaker 4>says it's just too much for people to believe.

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<v Speaker 5>Who's da Laha?

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<v Speaker 11>He knows about the dreamstalker.

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<v Speaker 5>There is no dreams talker, Miss Roft. We need to

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<v Speaker 5>talk about your past.

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<v Speaker 3>If just full exists, it always has. I'm not crazy

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<v Speaker 3>and no one is listening. I also don't think we

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<v Speaker 3>ever landed.

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<v Speaker 7>On the moon. Wow, I did not see that last

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<v Speaker 7>part coming. She actually had me going.

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<v Speaker 5>Missus Roft was quite confident in her beliefs.

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<v Speaker 7>So it is just a fall on the system. It's weird.

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<v Speaker 7>I knew Metafold being an organism was crazy, but it's

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<v Speaker 7>part of me wanted to believe it.

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<v Speaker 5>Perhaps you should tell Sadie so maybe it would get

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<v Speaker 5>her to come out of her office.

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<v Speaker 7>She used to do this when we were kids all

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<v Speaker 7>the time, whenever she thought she was doing something important.

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<v Speaker 7>I'll get her out.

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<v Speaker 5>Would you like to make her wager.

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<v Speaker 7>Sadie, are you seriously just going to lock yourself in

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<v Speaker 7>your room like a teenager again? Sadie, open the door.

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<v Speaker 7>Everyone here is talking about how wrong you are. You

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<v Speaker 7>owe me one hundred dollars.

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<v Speaker 5>I can't help, but notice you're coming back alone.

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<v Speaker 7>Let's change the subject. How's my girl doing?

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<v Speaker 5>Very well? She hasn't had a nightmare for six days.

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<v Speaker 5>After seven, we will consider her, for lack of a

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<v Speaker 5>better term, cured. For now, at least, we will have

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<v Speaker 5>done everything we could.

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<v Speaker 7>Well, it sounds like you identified the primal motion and

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<v Speaker 7>the fear catalyst, and then you reconcile those sons of

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<v Speaker 7>bitches and cured Josie, just like you said you would. Congratulations,

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<v Speaker 7>thank you.

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<v Speaker 5>But it's not over yet. One more night.

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<v Speaker 12>It's crazy.

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<v Speaker 13>I literally thought Mannifold was this supernatural thing haunting me,

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<v Speaker 13>And now that I know what it is, I'm not

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<v Speaker 13>scared anymore. One more night and I get.

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<v Speaker 7>My life back. I'm so happy for you, but selfishly,

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<v Speaker 7>I wish your nightmares has haunted you forever so you

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<v Speaker 7>can leave.

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<v Speaker 13>I haven't left yet.

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<v Speaker 7>And besides, as the kids say, k T k T, wait,

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<v Speaker 7>what does that mean?

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<v Speaker 1>Keep in touch?

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<v Speaker 7>Sadie.

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<v Speaker 10>I hope you'll leave your office and listen with us.

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<v Speaker 10>If Josie doesn't have a nightmare tonight, that's seven days

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<v Speaker 10>and she's gonna go back home. You should be here

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<v Speaker 10>for this. Are you okay? All right, Sadie? Feel better?

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<v Speaker 10>We're moving forward.

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<v Speaker 7>I'm tense.

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<v Speaker 8>Anyone else tense to the opposite since your sister locked

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<v Speaker 8>herself away.

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<v Speaker 9>Be nice, Diego, don't pretend like you haven't loved being

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<v Speaker 9>in charge.

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<v Speaker 10>Josie transitioning from Beta waves to delta.

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<v Speaker 7>You're not nervous at all.

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<v Speaker 5>I grew up in Sweden. It's not blood in these veins,

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<v Speaker 5>it's ice.

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<v Speaker 7>Whoa no joke. You sounded so cool right there.

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<v Speaker 5>I'm kidding. I'm very nervous.

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<v Speaker 10>Back to end two. Start up the Marianat.

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<v Speaker 9>You're the one who starts up the maranont Oh right, shit,

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<v Speaker 9>I don't.

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<v Speaker 10>I can't take this, Okay, Please calm down. It's gonna

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<v Speaker 10>be fine, Diego. Can you pull up the auditory cortex please?

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<v Speaker 10>Seventy five pm.

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<v Speaker 2>I'm good, all.

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<v Speaker 12>Right, Thanks so much.

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<v Speaker 10>I'm so happy to be here.

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<v Speaker 12>This is my first.

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<v Speaker 13>Ever live show, and I don't want to bore.

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<v Speaker 7>You at too much talk.

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<v Speaker 13>My name is Josie Holland, and I'm just gonna start.

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<v Speaker 12>You are my life.

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<v Speaker 7>Guided me on the way.

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<v Speaker 13>You can't be safe grounded a facing darkness alone.

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<v Speaker 6>But how could I guess how this song we go.

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<v Speaker 5>Set?

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<v Speaker 3>Remember how these changes all the way line?

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<v Speaker 2>Maybe just another day and me?

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<v Speaker 11>But do you grant away things.

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<v Speaker 5>We did it? Oh my god, this is definitely not

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<v Speaker 5>like Oh.

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<v Speaker 7>My god, her voice is so pretty? Are there dream

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<v Speaker 7>copyright laws? Can you give her this recording and she

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<v Speaker 7>can get it on the radio because that was a

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<v Speaker 7>bangs not over yet.

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<v Speaker 10>No premature celebrations, but of Sady Hayes.

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<v Speaker 7>Are you drunk?

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<v Speaker 5>Yes?

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<v Speaker 7>Oh my god, Sadie, go back to bed.

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<v Speaker 2>Catch me up, Catch me up.

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<v Speaker 5>Josie's not having a nightmare. She may have a relapsed,

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<v Speaker 5>or she might be cured forever. Only time will tell me.

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<v Speaker 5>But I think we've done everything we can't do for her.

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<v Speaker 2>She's not cured.

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<v Speaker 7>How would you know? You haven't even been here this week.

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<v Speaker 2>You're not the slightest clue what we've gone through to

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<v Speaker 2>get here. I wasn't here this week. I've been here

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<v Speaker 2>for seven years. You're the one who just got here

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<v Speaker 2>and don't forget it.

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<v Speaker 10>Josie's shown no fear response in the amygdala.

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<v Speaker 2>I wish you were here, but Morgan, please leave, excuse me leave?

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<v Speaker 10>Why what did I do?

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<v Speaker 2>You didn't do anything? Can you get out of the

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<v Speaker 2>room now?

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<v Speaker 10>Okay?

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<v Speaker 2>Diego pull up Josie Dream number fifty six.

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<v Speaker 9>Got it?

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<v Speaker 2>Play it into the speakers in Josie's room.

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<v Speaker 5>Dream number fifty six.

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<v Speaker 2>That's the static, Yes it is, Diego, pump it into

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<v Speaker 2>her room.

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<v Speaker 7>What are you doing?

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<v Speaker 2>Diego? Do it now?

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<v Speaker 9>M Sadie.

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<v Speaker 2>You don't know how to move the cursor over the

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<v Speaker 2>little triangle and click.

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<v Speaker 9>Why do you want me to play the static in

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<v Speaker 9>a room? After what happened to Morgan?

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<v Speaker 2>That's why I asked her to leave. The rest of

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<v Speaker 2>us will be fine, including Josie.

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<v Speaker 5>Can we talk about this outside?

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<v Speaker 2>No we can't, but nice try. This is happening.

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<v Speaker 5>This will ruin my progress with a patient.

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<v Speaker 2>We've been over this. She's not your patient, she's mine.

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<v Speaker 2>And what you're calling progress is an illusion. Manifold's hiding.

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<v Speaker 2>We're going to flush it out.

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<v Speaker 5>You need to help.

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<v Speaker 2>Josie's only cured if Manifold is dead and Manifold is

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<v Speaker 2>not dead. If we let her go, it will only

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<v Speaker 2>get worse for her. This little concert dream, it's a trick,

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<v Speaker 2>and you're all falling for it. I'm the only one

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<v Speaker 2>here who knows how to save her. Diego play the.

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<v Speaker 5>Static, Sadie. You will regret this.

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<v Speaker 2>Diego play the fucking static. Don't do it, Diego. I

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<v Speaker 2>thought I told you to shut up, Sadie.

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<v Speaker 7>We are trying to save you from yourself.

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<v Speaker 2>It's tiresome being so far ahead of everybody all the time.

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<v Speaker 7>Josie might be your patient, but she's my friend, and

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<v Speaker 7>I cannot lay Yeah, yeah.

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<v Speaker 2>Yeah, yeah, I got it. Don't need another speech.

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<v Speaker 7>What's wrong?

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<v Speaker 1>Like?

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<v Speaker 2>You give a shit? Do you know where you'd be

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<v Speaker 2>without me?

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<v Speaker 7>Happy?

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<v Speaker 2>Dead? All right? I can see I've pissed everyone off.

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<v Speaker 2>I'm sorry, Diego. You don't have to press play. I'll

0:12:23.200 --> 0:12:24.320
<v Speaker 2>take care of this myself.

0:12:24.600 --> 0:12:25.400
<v Speaker 7>What are you doing?

0:12:26.640 --> 0:12:37.200
<v Speaker 11>CDI is she doing in Josie's room?

0:12:38.040 --> 0:12:40.400
<v Speaker 7>I don't know, KND have the volume for the room?

0:12:40.400 --> 0:12:43.679
<v Speaker 5>Feed her heart rates spiking ninety ppm?

0:12:43.960 --> 0:12:57.880
<v Speaker 7>What she whispering in her ear? I'm sorry, I can

0:12:57.920 --> 0:12:58.679
<v Speaker 7>play a different song.

0:13:03.800 --> 0:13:09.080
<v Speaker 5>Let's ever she's whispering. It's terrifying. Josie on twenty two PPM.

0:13:23.440 --> 0:13:26.520
<v Speaker 9>That's not coming from Josie's stream, that's from her throat.

0:13:27.240 --> 0:13:37.600
<v Speaker 12>Fuck this, what's going on? Why'd you wake me up?

0:13:54.480 --> 0:13:57.640
<v Speaker 13>You did it, Josie, You guys did it. I just

0:13:57.679 --> 0:13:58.280
<v Speaker 13>went to sleep.

0:13:59.400 --> 0:14:01.360
<v Speaker 7>I can't believe leaving me alone with these people.

0:14:01.480 --> 0:14:05.040
<v Speaker 13>I'd be so pissed if I were you. This has

0:14:05.080 --> 0:14:07.079
<v Speaker 13>all been so strange.

0:14:07.360 --> 0:14:09.480
<v Speaker 7>Someday you'll know how strange it's been for me too.

0:14:09.920 --> 0:14:13.880
<v Speaker 7>I hope. So sorry about your dad.

0:14:14.320 --> 0:14:16.240
<v Speaker 13>Yeah, it's weird to think my mind just hid the

0:14:16.280 --> 0:14:18.800
<v Speaker 13>truth from me like that all this time. I just

0:14:18.800 --> 0:14:22.920
<v Speaker 13>thought he left. I'll definitely be seeing a therapist when

0:14:22.960 --> 0:14:23.520
<v Speaker 13>I get home.

0:14:24.480 --> 0:14:26.840
<v Speaker 7>It's not the same, but it took me a really

0:14:26.840 --> 0:14:30.280
<v Speaker 7>long time to grieve my own parents' deaths. They still

0:14:30.320 --> 0:14:33.400
<v Speaker 7>don't even think I fully have. Maybe it's not even possible.

0:14:33.560 --> 0:14:36.160
<v Speaker 7>Just give it time and be patient with yourselves. That's

0:14:36.400 --> 0:14:40.640
<v Speaker 7>all I'm saying. I didn't know. I'm sorry. No, I'm

0:14:41.240 --> 0:14:43.080
<v Speaker 7>I'm sorry. I didn't mean to bring it up to

0:14:43.080 --> 0:14:45.240
<v Speaker 7>make it a thing about me. I only brought it

0:14:45.320 --> 0:14:47.320
<v Speaker 7>up to say that I understand, and if you need

0:14:47.360 --> 0:14:51.160
<v Speaker 7>to talk, please call. Maybe I'll call because I need it.

0:14:52.480 --> 0:14:57.000
<v Speaker 7>How long ago? Did it happen seven years ago? Or well,

0:14:57.080 --> 0:15:04.160
<v Speaker 7>it'll be seven years in a month the day. Actually, huh, what.

0:15:05.160 --> 0:15:08.120
<v Speaker 13>You mean like literally one month of the day, as in,

0:15:08.320 --> 0:15:11.520
<v Speaker 13>it's April seventeenth today and your parents died on May seventeenth.

0:15:12.360 --> 0:15:14.200
<v Speaker 7>Yeah, is that bad?

0:15:14.560 --> 0:15:17.560
<v Speaker 13>Well, it's just a coincidence. It's the same day I

0:15:17.600 --> 0:15:19.240
<v Speaker 13>had my first manifold dream.

0:15:20.280 --> 0:15:23.120
<v Speaker 7>It wasn't seven years ago, though, was it?

0:15:23.760 --> 0:15:23.960
<v Speaker 8>Yeah?

0:15:23.960 --> 0:15:28.360
<v Speaker 7>It was. You had your first manifold dream the exact

0:15:28.480 --> 0:15:33.880
<v Speaker 7>night my parents died. Yeah? Am I wrong? Or does

0:15:33.920 --> 0:15:34.560
<v Speaker 7>that seem weird?

0:15:35.440 --> 0:15:36.720
<v Speaker 13>No, it's weird.

0:15:39.800 --> 0:15:45.800
<v Speaker 7>I got your text. Can you shut the door? What's

0:15:45.840 --> 0:15:47.560
<v Speaker 7>going on? You're scaring me?

0:15:47.680 --> 0:15:54.480
<v Speaker 2>Just sit down. When we had that incident with Josie.

0:15:54.280 --> 0:15:59.280
<v Speaker 7>There's no we you were the incident. Okay.

0:16:00.160 --> 0:16:02.280
<v Speaker 2>You may have been wondering why I locked myself in

0:16:02.320 --> 0:16:06.600
<v Speaker 2>the room and why I've been drinking more, drinking more.

0:16:06.800 --> 0:16:07.920
<v Speaker 7>I've never seen you like this.

0:16:08.960 --> 0:16:14.560
<v Speaker 2>Yeah, I've been trying to cope with what my fear.

0:16:18.280 --> 0:16:20.160
<v Speaker 2>I started dreaming about manifold again.

0:16:23.400 --> 0:16:24.760
<v Speaker 7>What do you mean again?

0:16:28.760 --> 0:16:31.080
<v Speaker 5>How do I spike it? At ninety ppm?

0:16:31.080 --> 0:16:32.520
<v Speaker 7>What you whispering in her ear?

0:16:34.800 --> 0:16:43.600
<v Speaker 2>Remember me manifold, you killed my parents, and every day

0:16:43.640 --> 0:16:46.320
<v Speaker 2>of my life since then has been devoted of finding you,

0:16:49.120 --> 0:16:50.560
<v Speaker 2>because no one fucks with my.

0:16:50.600 --> 0:16:51.760
<v Speaker 7>Family and laughs.

0:17:43.920 --> 0:17:47.359
<v Speaker 1>You're listening to dream Sequence written and created by Andrew

0:17:47.359 --> 0:17:52.520
<v Speaker 1>Martin Robinson, directed by Dave Beasley and John Brooks. Executive

0:17:52.560 --> 0:17:56.320
<v Speaker 1>producers are Molly Barton, John Brooks, Dave Beasley, and Marcy

0:17:56.400 --> 0:18:00.800
<v Speaker 1>Wiseman for realm Alex Williams, Matt Frederick, Trevor Young for

0:18:00.880 --> 0:18:05.000
<v Speaker 1>iHeart Podcasts, Chris Dicky and Noah Feinberg for Blumhouse Television,

0:18:05.560 --> 0:18:09.840
<v Speaker 1>starring Jesse Case and Alice Kremelberg, with performances by Shalinie

0:18:09.880 --> 0:18:15.879
<v Speaker 1>Bethina Einer, Gunn, Nick Osborne, Winifred, Anne Concannon, Tara Brown,

0:18:16.280 --> 0:18:23.879
<v Speaker 1>Emily Barry, Linnelle Scott, Shannon McClung, Dave Huber, Hugo Armstrong, Cooper, Tomilson,

0:18:24.320 --> 0:18:30.360
<v Speaker 1>Joel Haberley, Simaj Miller, Dean Simone, and Brian Finney. Additional

0:18:30.440 --> 0:18:35.119
<v Speaker 1>voices by Patrick Higney, Fred greenhalg John Brooks, Christina Teleska,

0:18:35.200 --> 0:18:39.480
<v Speaker 1>and Kaylan West. Casting by Sunday Bowling, Kennedy CSA and

0:18:39.600 --> 0:18:44.240
<v Speaker 1>Meg Mormon CSA producers for realm Are Fred Greenhoalg Marcus

0:18:44.240 --> 0:18:49.960
<v Speaker 1>Thorne Bagala, and Rhoda Bayessa. Associate producer Michael Colter, Production

0:18:50.080 --> 0:18:55.080
<v Speaker 1>manager Devin Sheppard, Production coordinator Angela Yee. Dialogue editing by

0:18:55.119 --> 0:18:59.240
<v Speaker 1>Corey Barton, Sound design by roy O'Shea, Dan Powell and

0:18:59.320 --> 0:19:03.960
<v Speaker 1>Kaylan West. Final mix by Kaylan West. Original score composed

0:19:03.960 --> 0:19:07.479
<v Speaker 1>by Marcus Thorne Bagala, Songs for Josie by Kaylan West.

0:19:07.880 --> 0:19:11.480
<v Speaker 1>Recorded at Real Voice Los Angeles and Citybox, New York City.

0:19:11.960 --> 0:19:15.560
<v Speaker 1>This podcast was recorded under a SAG after collective bargaining agreement.

0:19:16.280 --> 0:19:17.240
<v Speaker 12>Dream Sequence is a.

0:19:17.160 --> 0:19:21.400
<v Speaker 1>Production of iHeart Podcasts, Blumhouse Television and Realm. Find more

0:19:21.440 --> 0:19:25.480
<v Speaker 1>great podcasts by visiting the iHeartRadio app, Apple Podcasts, or

0:19:25.520 --> 0:19:27.359
<v Speaker 1>wherever you listen to your favorite show.