WEBVTT - A Hell Of A Watch

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<v Speaker 1>Hi, guys, you like my sast.

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<v Speaker 2>What?

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<v Speaker 3>Yeah?

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<v Speaker 1>I got a little sasquatch.

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<v Speaker 2>Oh, thank you.

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<v Speaker 3>I appreciate the wrong episode to episode. You know we're

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<v Speaker 3>doing a Wedding from Hell? Right?

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<v Speaker 1>Oh?

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<v Speaker 2>Did you watch it for a third?

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<v Speaker 1>I've watched it three times in the last week.

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<v Speaker 3>Three times in one week? Yeah, yeah, dude, what's wrong

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<v Speaker 3>with you? Kind of ATMC? When did you rewatch the

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<v Speaker 3>Wedding from Hell this morning? Me too?

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<v Speaker 2>Yeah?

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<v Speaker 1>Yeah, guys love it?

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<v Speaker 3>Well, why don't we You can't do your thing? You

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<v Speaker 3>know you're on a roll with this recap thing, so uh,

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<v Speaker 3>why don't you give us.

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<v Speaker 2>The Shannon likes you to do the reading, so you're

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<v Speaker 2>going to do the reading grams.

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<v Speaker 1>So the episode we're talking about, Season one, episode six,

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<v Speaker 1>Wedding from Hell, aired November eleventh, nineteen ninety eight. A

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<v Speaker 1>bride to be is banished when Hakate, queen of the Underworld,

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<v Speaker 1>steals the groom so she can conceive the next demon baby. Meanwhile,

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<v Speaker 1>a persistent priest tries to stop the evil conception, and

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<v Speaker 1>the Halliwell sisters try to stop the wedding reception.

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<v Speaker 2>Wedding wedding crashers. The wedding Crasher episode is growing on me.

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<v Speaker 2>I will say that, what fine, black mold.

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<v Speaker 3>What did you? Are you serious right now?

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<v Speaker 2>Yes, And I'll tell you why. You know, we waited

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<v Speaker 2>so long to do this with Shannon, as everyone knows,

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<v Speaker 2>and she was so excited to do it and had

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<v Speaker 2>so much enthusiasm that I know that right now she's

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<v Speaker 2>really amused that Brian had to watch it three times,

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<v Speaker 2>that she made me watch it two times. And I

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<v Speaker 2>remember her saying, well, how bad can it be? And

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<v Speaker 2>we were like, pretty bad, And since she hadn't seen

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<v Speaker 2>it before, she couldn't say. But, like I said, it's

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<v Speaker 2>growing on me. And I'll tell you this, it's because

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<v Speaker 2>of the sisterhood parts that are like totally coalescing. It's

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<v Speaker 2>very true to real life, and there was some sisterhood

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<v Speaker 2>bonding there. What makes it so unwatchable is, you know,

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<v Speaker 2>I always like to make fun of our mid century effects,

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<v Speaker 2>but this one is truly terrible makeup. But if you

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<v Speaker 2>take those very awful demon heads out of it and

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<v Speaker 2>just not watch those parts, look away, look away, it's

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<v Speaker 2>actually an okay episode.

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<v Speaker 1>This is what I was saying, go ahead, yeah, no, no,

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<v Speaker 1>this is what I was saying last week. I agree.

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<v Speaker 1>The Sisterhood and the you guys are thriving in this episode. Yeah,

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<v Speaker 1>I think, yes, the makeup, and then there's a few

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<v Speaker 1>moments that are unjustified. I don't want to call it

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<v Speaker 1>over acting, but yeah, maybe misdirected, high energy, I'm really

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<v Speaker 1>angry guest star moments that don't quite fit. And whether

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<v Speaker 1>that's I don't want to say that's the actor, maybe

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<v Speaker 1>it's the way they were pushed at the moment. I

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<v Speaker 1>need you more angry, I need you more excited. But

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<v Speaker 1>there were some moments that didn't quite fit, that felt

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<v Speaker 1>like kind of bad TV. But then you guys just

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<v Speaker 1>handled it and brought it out. And that's why I said,

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<v Speaker 1>I kind of dug it.

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<v Speaker 2>It's a very spelling episode, down to the Beverly Hills

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<v Speaker 2>mansion that we were at for the entire week. Yeah.

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<v Speaker 2>But but aside from the mid century special effects, the

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<v Speaker 2>Demon Baby was actually good. The Demon Baby was actually scary.

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<v Speaker 2>I'm scared.

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<v Speaker 3>So you guys both have kind of done a one

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<v Speaker 3>eighty and which is one hundred percent allowed because I

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<v Speaker 3>did Guy Fresh Eyes. I did a little bit of

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<v Speaker 3>a one eighty on dream Sorcer. Yeah, it wasn't as

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<v Speaker 3>bad as I remember it being my hot take on

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<v Speaker 3>Wedding from Hell just from the jump is it's such

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<v Speaker 3>a big episode. There are so many things and parts

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<v Speaker 3>going on, like the Rex and Hannah bit where they

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<v Speaker 3>have this, uh this this like doll that they're you know,

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<v Speaker 3>going in Andy and.

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<v Speaker 2>I a doll.

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<v Speaker 3>It's an artifact, an artifact, you're right, an artifact.

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<v Speaker 2>Fertility good doll. It's a fertility It has boobies. It's

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<v Speaker 2>something that you need to keep away from me because

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<v Speaker 2>I don't need any more children.

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<v Speaker 3>That's true. No fertility artifacts for HMC everyone nne.

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<v Speaker 2>I mean that's where it started. Yeah.

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<v Speaker 3>Probably. Then you have the Andean Darryl bit where they're

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<v Speaker 3>trying to solve this murder that happens. You have this

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<v Speaker 3>like wedding, you know, the hakat and that whole backstory

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<v Speaker 3>with Grace, and then you have the Elliott and Alison thing,

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<v Speaker 3>plus you have the catering thing, plus you have the

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<v Speaker 3>underlying pregnancy thing like there.

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<v Speaker 2>Yeah, I was gonna say, what about excuse me, the

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<v Speaker 2>bun in the oven.

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<v Speaker 3>Well and the trash I save the best for last

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<v Speaker 3>thing at the top of the trash. So there's so

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<v Speaker 3>much going on. That they're trying to weave. And there's

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<v Speaker 3>like a gazillion double or triple on Tondras that I

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<v Speaker 3>found at the bag and I was like, wow, They're

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<v Speaker 3>like it's I just feel like if this episode, same

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<v Speaker 3>storyline was tackled like once everyone, because this is still

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<v Speaker 3>pretty early in to you guys doing the show.

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<v Speaker 2>Right, Like yeah, And I just read about that again,

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<v Speaker 2>like not only were like two episodes out of order,

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<v Speaker 2>but there was actually like three jumbled and juggled, so

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<v Speaker 2>the whole order of the first five is funky.

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<v Speaker 3>Yeah, so I feel like maybe this could have been

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<v Speaker 3>three potentially.

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<v Speaker 2>Yeah, I think it was actually, So if.

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<v Speaker 3>That's the case, it's like there there is so much

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<v Speaker 3>going on and trying to like execute it all I

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<v Speaker 3>think location and all on location, and while you guys

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<v Speaker 3>are still kind of again figuring it out and getting

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<v Speaker 3>into the groove because like there's a Jeremy reference here

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<v Speaker 3>and we haven't spoken about Jeremy in you know, months, yeah,

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<v Speaker 3>at least in the normal timeline, right.

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<v Speaker 2>And it's like she says eight to six weeks and

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<v Speaker 2>I'm like, wait a minute, Yeah.

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<v Speaker 3>So I just think that again, and it's tough to like,

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<v Speaker 3>I can't. It's tough to kind of like crush on

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<v Speaker 3>the acting because I will, and there on the day,

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<v Speaker 3>I don't know what our w Guinty was pushing for

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<v Speaker 3>the actors standpoint, it just felt like there were two.

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<v Speaker 3>And it's a testament to how brilliant like the three

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<v Speaker 3>girls are. It's like, you guys are so effortless and

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<v Speaker 3>easy and like just have this incredible dynamic versus this

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<v Speaker 3>thing where you have these like the Grace and the

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<v Speaker 3>Alison and the Elliott thing, and it feels it's jarring

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<v Speaker 3>because it doesn't feel Yeah, it doesn't. It doesn't feel

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<v Speaker 3>lived in at all. It feels really big and kind

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<v Speaker 3>of soapy.

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<v Speaker 2>But Allison was great. I felt for her, for sure.

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<v Speaker 3>She got better. It's the opening, the opening scene really

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<v Speaker 3>kind of like the opening scream.

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<v Speaker 1>Yeah yeah, well but the opening line, her first line

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<v Speaker 1>is I don't want anything bad to happen.

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<v Speaker 2>Well, I can relate to that. I'm the person who's

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<v Speaker 2>always waiting for the other shoe to drop, so I

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<v Speaker 2>can relate to that. For sure.

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<v Speaker 3>We can. We can work on that. It's not too late.

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<v Speaker 1>But you know, they told her to scream like he's dead,

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<v Speaker 1>like he just right.

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<v Speaker 2>Yeah, and that's not what you do when that happens.

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<v Speaker 2>First of all, A his eyes are open, so this

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<v Speaker 2>is very perplexing. He's just staring into space.

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<v Speaker 3>True.

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<v Speaker 2>I mean a normal person would think, is this a stroke?

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<v Speaker 2>What is happening? I would have slapped him a few

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<v Speaker 2>times at least.

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<v Speaker 3>Does anyone smell toast? Is it toast?

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<v Speaker 2>I think so? Yeah, Like you know, when somebody just

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<v Speaker 2>goes catatonic, you don't just scream out loud to the heavens.

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<v Speaker 1>No, you can't cut to commercial on somebody going hello.

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<v Speaker 2>Up up the drama.

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<v Speaker 1>I need to scream, yeah, pump up the drama.

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<v Speaker 3>Pump up the drama. Plump up the drama. But so

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<v Speaker 3>all that being said, it's like it feels there's just

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<v Speaker 3>it's so much. There's so much theatrical. It's very theatrical,

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<v Speaker 3>and it's tough because again, next to you three specifically

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<v Speaker 3>like it really and we're also just coming off of

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<v Speaker 3>John Chow, which was also like let's not forget, you know, like,

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<v Speaker 3>so to come off from John Choate like just such

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<v Speaker 3>an incredible artist and actor, and then kind of hit

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<v Speaker 3>this a little bit. It was it's.

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<v Speaker 2>Love it her life, Love her life, for one day.

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<v Speaker 3>Do you know Alison was a little.

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<v Speaker 1>Yeah, I think I have a crush on Hannah.

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<v Speaker 2>Oh yeah, that's that's true.

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<v Speaker 1>I know.

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<v Speaker 3>Interesting is a saucy minx. She's very saucy. She's playing Rex.

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<v Speaker 3>I think before I used to think Rex was manipulating her,

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<v Speaker 3>but I think she's really in on, like she's in charge.

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<v Speaker 2>They've officially replaced Andy and Prue with the creepiest relationship

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<v Speaker 2>there at the top of the board.

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<v Speaker 3>Like he walks in, Sorry we're jumping, we're so far ahead,

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<v Speaker 3>but I'm just because we're talking about Rex and Hannah. Remember,

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<v Speaker 3>Like he walks in the door and she's just like

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<v Speaker 3>touching the sword on some like artifact or some statue,

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<v Speaker 3>and he turns around. He's like, a should we go

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<v Speaker 3>to a football game and watch people get hurt? Hut

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<v Speaker 3>hurts and she's all excited about it.

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<v Speaker 2>Yeah, they're the creepiest. They win. And actually Andy and

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<v Speaker 2>Prue were sort of normal in this episode, as normal

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<v Speaker 2>as they can be.

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<v Speaker 3>Well, you know, because Andy actually he like, for example,

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<v Speaker 3>when he goes and sees Prue at Bucklin's, he actually

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<v Speaker 3>called her for once, and she even made a point

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<v Speaker 3>to say, I appreciate you calling before you show up.

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<v Speaker 2>Sure, but he still leaves her with a dagger, like here,

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<v Speaker 2>here's your dagger, lady.

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<v Speaker 3>That's true. Yeah, that's very true.

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<v Speaker 2>Here's the evidence. I'm sconded with it. It's a great word,

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<v Speaker 2>great coffee today.

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<v Speaker 3>I love an absconding with evidence.

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<v Speaker 2>Yeah. It's a very Charlie's Angels episode for sure, which

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<v Speaker 2>I appreciate now, the campiness and the Charlie's Angels of it.

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<v Speaker 2>All Right, there are other things, like, you know, when

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<v Speaker 2>we're at the estate, the things in the moments that

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<v Speaker 2>just don't track, where like you know, the priest is

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<v Speaker 2>suddenly thrown out a window by de demonic force and

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<v Speaker 2>the security guards let the three of us come in

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<v Speaker 2>there and inspect the body in front of them as

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<v Speaker 2>one does.

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<v Speaker 3>Yeah. Also Father Trusk turns out he's very uh slippery

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<v Speaker 3>and elusive, like how did he how did he escape

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<v Speaker 3>these like two brutes like the back of that truck

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<v Speaker 3>switches outfits, grabs, you know, grabs the sacred dagger and

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<v Speaker 3>you know, makes his move.

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<v Speaker 2>He he's on a mission and God is on his side.

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<v Speaker 2>I didn't know God involved daggers with Pikaate. But we're

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<v Speaker 2>misimashined all sorts of religious issues right now?

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<v Speaker 3>Correct God? So if God is on Father Trusk's side,

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<v Speaker 3>would it be safe to say that God is not

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<v Speaker 3>on the pizza strippers side?

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<v Speaker 1>Just well, you know, sometimes there's sacrifice, yeah, great or.

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<v Speaker 2>Good human sacrifice, and he needed to be one of them.

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<v Speaker 3>That's just real rough. But that, by the way, that

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<v Speaker 3>was at that was a thing for me. That's still

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<v Speaker 3>like upon this this second viewing of Wedding from Hell,

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<v Speaker 3>it didn't. I was like, wait, you guys, just well,

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<v Speaker 3>first of all, your reactions, all three of you were

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<v Speaker 3>so genuine, like I don't know what you guys were

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<v Speaker 3>looking at, but it looked like you were having the

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<v Speaker 3>most fun. Did they have the stripper to strip for

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<v Speaker 3>you off camera?

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<v Speaker 2>Of course? Okay, Franco I think his name is Franco.

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<v Speaker 3>Yeah, because I'm watching you three and I'm like, you, guys,

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<v Speaker 3>your reactions are so genuine and hilarious. You're grossed out,

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<v Speaker 3>Like both Alyssa and Shannon are having the time of

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<v Speaker 3>their lives.

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<v Speaker 2>I mean, those are things you just cannot unsee. It's

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<v Speaker 2>it's the demon heads and the speedo for me.

0:13:15.120 --> 0:13:20.560
<v Speaker 3>Yeah, but ba, in regardless of easy easy just calling

0:13:20.640 --> 0:13:21.440
<v Speaker 3>her what it is.

0:13:21.679 --> 0:13:26.119
<v Speaker 2>Jesus, Jesus, so easily distracted, so distracted.

0:13:27.120 --> 0:13:31.200
<v Speaker 3>But this idea of like, you guys really just watch

0:13:31.320 --> 0:13:35.240
<v Speaker 3>this dude get like eaten alive.

0:13:35.960 --> 0:13:38.800
<v Speaker 2>Yeah, that does that protect the innocent?

0:13:39.200 --> 0:13:40.080
<v Speaker 3>Is that what we do?

0:13:40.240 --> 0:13:43.720
<v Speaker 2>So what we're doing now, like b K said, it's

0:13:43.960 --> 0:13:45.640
<v Speaker 2>there are sacrifices to be made.

0:13:46.280 --> 0:13:50.760
<v Speaker 1>Yeah, and then they just went home like Franco.

0:13:52.160 --> 0:13:57.440
<v Speaker 2>And we we we just washed that pizza was very greasy.

0:13:58.120 --> 0:14:00.880
<v Speaker 1>Yeah, not the innocent we're supposed to protect.

0:14:01.640 --> 0:14:05.880
<v Speaker 2>No, not gluten free.

0:14:05.480 --> 0:14:12.080
<v Speaker 3>Say god, well I take umbrage with this. Whether it

0:14:12.120 --> 0:14:16.760
<v Speaker 3>was gluten free or not. He needed some he needed

0:14:16.800 --> 0:14:18.000
<v Speaker 3>your he needed your protection.

0:14:18.679 --> 0:14:21.400
<v Speaker 2>I think that it's funny that Prue sits out like

0:14:21.560 --> 0:14:24.960
<v Speaker 2>most of this episode in her office until the supper

0:14:25.040 --> 0:14:26.320
<v Speaker 2>shows up and then she's there.

0:14:27.240 --> 0:14:29.760
<v Speaker 3>Yeah, that's actually a very good observation.

0:14:30.080 --> 0:14:32.680
<v Speaker 1>All the food in the food, in the food, I.

0:14:32.600 --> 0:14:37.000
<v Speaker 3>Mean, how does the struggling like man, that one was busy.

0:14:37.520 --> 0:14:39.960
<v Speaker 3>It felt like you guys had like a hundred extras

0:14:41.200 --> 0:14:43.880
<v Speaker 3>and you were busy. Piper was very.

0:14:43.680 --> 0:14:49.040
<v Speaker 2>Busy because, like I said, it was a big production.

0:14:49.240 --> 0:14:52.160
<v Speaker 2>It was a big and that's why this tracks that

0:14:52.240 --> 0:14:56.000
<v Speaker 2>it was supposed to be episode three, you know, and

0:14:56.000 --> 0:14:59.360
<v Speaker 2>Andy and Darryl are all like Smoogie in their best

0:14:59.400 --> 0:15:06.280
<v Speaker 2>like port very. They're on it, but Prue leaves the

0:15:06.800 --> 0:15:08.840
<v Speaker 2>well not so much on it because Prue leaves the

0:15:08.920 --> 0:15:13.760
<v Speaker 2>laptop top open for you know, Andy just did peruse

0:15:14.360 --> 0:15:18.640
<v Speaker 2>and she's looking at demonicra. Yes, he's perusing.

0:15:20.040 --> 0:15:22.080
<v Speaker 3>Do you get that what you just did there? It

0:15:22.160 --> 0:15:22.600
<v Speaker 3>was really good.

0:15:23.040 --> 0:15:27.960
<v Speaker 2>Thank you coffee again, brought to you by Coffee Water.

0:15:28.760 --> 0:15:32.520
<v Speaker 2>But literally, like he knows, he's got to know already

0:15:32.680 --> 0:15:35.760
<v Speaker 2>or else he is the world's worst detective, which is

0:15:35.800 --> 0:15:37.640
<v Speaker 2>where I take Gumbridge again.

0:15:37.920 --> 0:15:41.000
<v Speaker 3>That's definitely up for debate. Yeah, I actually think he's

0:15:41.000 --> 0:15:41.760
<v Speaker 3>a good detective.

0:15:42.680 --> 0:15:45.640
<v Speaker 2>People are so split on this relationship. I read some

0:15:45.640 --> 0:15:48.440
<v Speaker 2>stuff last night where they were like, he's not a stalker,

0:15:48.960 --> 0:15:54.200
<v Speaker 2>he's your childhood sweetheart. They're very connected, and I was like, ma'am,

0:15:54.480 --> 0:15:56.880
<v Speaker 2>I'm gonna put you in touch with some better help.

0:15:57.200 --> 0:16:01.880
<v Speaker 1>Okay, yeah, maybe we need may talk about relationship.

0:16:04.080 --> 0:16:07.920
<v Speaker 3>Guys. You know, maybe they are high school sweethearts and

0:16:08.320 --> 0:16:10.119
<v Speaker 3>you know, sure, but that doesn't.

0:16:10.160 --> 0:16:12.200
<v Speaker 2>Give you the right to just show up with people's

0:16:12.200 --> 0:16:14.440
<v Speaker 2>places at work, home.

0:16:14.720 --> 0:16:17.600
<v Speaker 1>Car, look at their computer when they walk away.

0:16:18.520 --> 0:16:22.800
<v Speaker 3>Yeah, might as well be like looking at her journal. Yeah, basic, Yeah,

0:16:22.800 --> 0:16:23.960
<v Speaker 3>when he's going on the computer.

0:16:24.480 --> 0:16:26.960
<v Speaker 2>And Preue definitely had a journal. She would be a

0:16:27.040 --> 0:16:30.280
<v Speaker 2>journal keeper for sure. M hmm.

0:16:30.680 --> 0:16:34.280
<v Speaker 3>Are either of the journal keepers? No, used to be.

0:16:34.640 --> 0:16:37.880
<v Speaker 1>I've kind of fallen out, like in the last couple

0:16:37.840 --> 0:16:43.120
<v Speaker 1>of days. I think in your twenties, everybody keeps a journal. No.

0:16:43.440 --> 0:16:46.240
<v Speaker 1>I got to this thing, like, you know, don't just

0:16:46.320 --> 0:16:47.160
<v Speaker 1>never write it down?

0:16:48.000 --> 0:16:49.080
<v Speaker 2>Yeah, it's evidence.

0:16:49.800 --> 0:16:53.560
<v Speaker 3>Duh, what are you two talking about right now? What

0:16:53.680 --> 0:16:54.360
<v Speaker 3>do you hide it?

0:16:54.480 --> 0:16:57.600
<v Speaker 1>I found this book that said that takes you through

0:16:58.040 --> 0:17:02.000
<v Speaker 1>a timeline to le for my son. So it's like,

0:17:02.400 --> 0:17:04.720
<v Speaker 1>you know, right about your life, and so I've been

0:17:04.800 --> 0:17:06.240
<v Speaker 1>kind of filling stuff in on that.

0:17:07.920 --> 0:17:10.200
<v Speaker 2>I did that. I had journals for the boys when

0:17:10.200 --> 0:17:14.000
<v Speaker 2>they were babies, but now, No.

0:17:13.160 --> 0:17:15.520
<v Speaker 3>Now it'd be amazing to go back and read those.

0:17:16.720 --> 0:17:20.879
<v Speaker 2>H my dead body.

0:17:22.080 --> 0:17:26.600
<v Speaker 1>Have you ever had a parent come in and cancel

0:17:26.640 --> 0:17:29.399
<v Speaker 1>your relationship so they could be with someone else, like

0:17:29.400 --> 0:17:30.800
<v Speaker 1>like this episode.

0:17:30.760 --> 0:17:31.639
<v Speaker 3>Great question.

0:17:32.960 --> 0:17:35.040
<v Speaker 2>Drew definitely has absolutely not.

0:17:35.680 --> 0:17:42.320
<v Speaker 3>Although I will say this, I remember this was it

0:17:42.359 --> 0:17:46.320
<v Speaker 3>was posts Sarah. I was dating this girl for a

0:17:46.359 --> 0:17:50.280
<v Speaker 3>couple of years and I remember meeting my parents up

0:17:50.280 --> 0:17:56.040
<v Speaker 3>in Pasadena after you know, they came up for a Sunday.

0:17:56.080 --> 0:17:58.119
<v Speaker 3>We were going to go to lunch, and like the

0:17:58.160 --> 0:18:01.200
<v Speaker 3>girl in Question of Time were, we'd been fighting a

0:18:01.200 --> 0:18:03.000
<v Speaker 3>lot and we'd been going to like I think we'd

0:18:03.040 --> 0:18:06.359
<v Speaker 3>been at like six months of couple's therapy. And I

0:18:06.359 --> 0:18:09.160
<v Speaker 3>show up and I say, and they're like, oh, Where's

0:18:09.280 --> 0:18:14.159
<v Speaker 3>where's Jen? And I'm like, oh, we broke up last night.

0:18:14.880 --> 0:18:17.080
<v Speaker 3>Oh yeah, we saw that coming. And I was like, well,

0:18:18.520 --> 0:18:22.400
<v Speaker 3>do you know I just pay for six months of

0:18:23.080 --> 0:18:26.600
<v Speaker 3>couple's therapy every week, sometimes twice a week. And you said, oh, yeah,

0:18:26.640 --> 0:18:28.400
<v Speaker 3>we saw that coming. How long ago? Like she goes,

0:18:28.440 --> 0:18:32.040
<v Speaker 3>right from the beginning, And I said, what, we've been

0:18:32.080 --> 0:18:34.720
<v Speaker 3>together for over two years. Why didn't you say anything?

0:18:35.080 --> 0:18:37.960
<v Speaker 3>And she goes, because if it had worked out, then

0:18:38.359 --> 0:18:40.919
<v Speaker 3>you would have always kind of resented us if we

0:18:41.000 --> 0:18:42.760
<v Speaker 3>had said, I like, we don't think this is the

0:18:42.840 --> 0:18:46.359
<v Speaker 3>right person for you. So they just kept their mouth shut.

0:18:46.600 --> 0:18:48.480
<v Speaker 3>So they that they did the opposite.

0:18:49.200 --> 0:18:51.080
<v Speaker 2>I'm a completely different parent.

0:18:51.960 --> 0:18:52.480
<v Speaker 3>Please share.

0:18:53.000 --> 0:18:55.640
<v Speaker 2>I will look at Finland and go, how you doing?

0:18:56.080 --> 0:18:57.080
<v Speaker 2>Are you having fun with that?

0:19:00.160 --> 0:19:00.440
<v Speaker 3>God?

0:19:02.119 --> 0:19:06.280
<v Speaker 2>Do you enjoy this? I maintenance stuff? Do you like it?

0:19:06.520 --> 0:19:07.320
<v Speaker 3>You like the drama?

0:19:07.960 --> 0:19:10.679
<v Speaker 2>Do you like it? Do you drive on it? It's something?

0:19:10.840 --> 0:19:11.760
<v Speaker 2>Do we need to talk?

0:19:13.200 --> 0:19:15.280
<v Speaker 3>This might be a generational thing. I mean, you are

0:19:15.400 --> 0:19:19.240
<v Speaker 3>not the age of my parents, you know, they're they're

0:19:19.280 --> 0:19:25.639
<v Speaker 3>in their seventies, but you're just my TV mom. And

0:19:25.960 --> 0:19:28.440
<v Speaker 3>but I just thought that was a really interesting approach,

0:19:28.640 --> 0:19:31.679
<v Speaker 3>and I think parents, I'm assuming you so like to

0:19:31.760 --> 0:19:34.280
<v Speaker 3>that end. You have a you have an opinion about

0:19:34.280 --> 0:19:38.119
<v Speaker 3>probably every girl that Finley has ever brought up. Absolutely,

0:19:38.600 --> 0:19:40.200
<v Speaker 3>and have you shared it every time?

0:19:41.119 --> 0:19:47.119
<v Speaker 2>Yes? Wow, even Kelly starting I'm young. Okay, I like

0:19:47.200 --> 0:19:52.200
<v Speaker 2>Kelly's girlfriend. She's very cute. I like her too, very sweet.

0:19:52.240 --> 0:19:56.800
<v Speaker 3>Very sweet. He's a very bored Yeah kay. What about you?

0:19:56.840 --> 0:20:00.159
<v Speaker 3>Have you have you tried to interfere on No.

0:20:00.240 --> 0:20:07.080
<v Speaker 1>I've never tried to interfere with Jamein's relationships. When he

0:20:07.200 --> 0:20:09.959
<v Speaker 1>comes to me and you know, or through a breakup

0:20:10.040 --> 0:20:12.040
<v Speaker 1>or something wrong, I'll just talk him through it. You know,

0:20:12.040 --> 0:20:15.200
<v Speaker 1>it's that same thing. You don't want to say something

0:20:15.320 --> 0:20:19.200
<v Speaker 1>negative about the person that it could work out with,

0:20:19.359 --> 0:20:24.320
<v Speaker 1>because that person will you know, they'll wind up hating you.

0:20:24.520 --> 0:20:27.240
<v Speaker 1>They're going to choose sides. Right, You're gonna choose, and

0:20:27.280 --> 0:20:30.959
<v Speaker 1>if they choose to be with this girl, then you know,

0:20:31.040 --> 0:20:33.200
<v Speaker 1>now I'm the asshole and they think you don't get along.

0:20:33.240 --> 0:20:34.160
<v Speaker 3>He create awkward.

0:20:34.280 --> 0:20:37.080
<v Speaker 1>So but if he wants to talk to me about something, yes,

0:20:37.280 --> 0:20:40.280
<v Speaker 1>I'll be as honest and tactful ever, but I'll never

0:20:40.400 --> 0:20:43.520
<v Speaker 1>say I'll bring up questions like are you you know,

0:20:43.680 --> 0:20:45.879
<v Speaker 1>kind of like are you sure? How does this make

0:20:45.920 --> 0:20:48.240
<v Speaker 1>you feel? Of that kind of stuff, but you know,

0:20:48.440 --> 0:20:53.040
<v Speaker 1>never detracting and never slighting a person who he's chosen

0:20:53.080 --> 0:20:53.479
<v Speaker 1>to be with.

0:20:54.240 --> 0:20:57.880
<v Speaker 2>Oh oh, I'll make a note of that. I'll make

0:20:57.920 --> 0:20:59.800
<v Speaker 2>a note of it, and then I'll continue to do it.

0:21:01.680 --> 0:21:04.840
<v Speaker 1>By the way, actually it's it's I'm nervous, you know,

0:21:04.920 --> 0:21:06.320
<v Speaker 1>of him being angry at me.

0:21:06.440 --> 0:21:08.960
<v Speaker 2>So my children are always angry at me. This is

0:21:08.960 --> 0:21:09.560
<v Speaker 2>what we lived for.

0:21:10.080 --> 0:21:13.040
<v Speaker 3>Yes, But by the way, I kind of I've told

0:21:13.080 --> 0:21:15.400
<v Speaker 3>you were I'm more like you when it comes to friends.

0:21:15.480 --> 0:21:17.160
<v Speaker 3>Like if a friend goes like, oh what do you think,

0:21:17.280 --> 0:21:20.280
<v Speaker 3>I'm like instantly I'm like, well, you know, like is

0:21:20.320 --> 0:21:22.160
<v Speaker 3>this really? Like what are you doing?

0:21:22.600 --> 0:21:24.840
<v Speaker 2>Yeah? That's what I hate actually about both of you,

0:21:24.880 --> 0:21:28.080
<v Speaker 2>because you guys are so in love with Mike that

0:21:28.200 --> 0:21:31.680
<v Speaker 2>I didn't even have a chance to complain. It's true

0:21:32.320 --> 0:21:34.199
<v Speaker 2>if I have a problem and I'm like, well, you know,

0:21:34.359 --> 0:21:36.679
<v Speaker 2>I'm kind of unhappy about this. You guys are always like,

0:21:36.920 --> 0:21:42.480
<v Speaker 2>Mike's so great, It's okay, gross, Mike's the best, you

0:21:42.520 --> 0:21:45.879
<v Speaker 2>know what when you do that.

0:21:46.320 --> 0:21:49.080
<v Speaker 3>I remember I said that first about it. I was like, God,

0:21:49.080 --> 0:21:53.879
<v Speaker 3>the guy's handsome, he's fun. God, he's just the best. Huh.

0:21:53.880 --> 0:21:55.600
<v Speaker 3>And you're like, yeah, but you don't, like, no, he's

0:21:55.640 --> 0:21:58.760
<v Speaker 3>the best. I love him.

0:21:59.240 --> 0:22:01.600
<v Speaker 1>I just never want to go there. I had a

0:22:01.680 --> 0:22:07.200
<v Speaker 1>mom cancel a relationship. This girl. We were in love.

0:22:07.320 --> 0:22:10.520
<v Speaker 1>It was like we were we were you elliot. We

0:22:10.600 --> 0:22:14.240
<v Speaker 1>had really great chemistry and she was amazing. It was

0:22:14.280 --> 0:22:17.080
<v Speaker 1>so much fun. And you know, this is early nineties

0:22:17.119 --> 0:22:22.200
<v Speaker 1>before I met the future wife and mom met mom,

0:22:22.240 --> 0:22:25.080
<v Speaker 1>and Mom was very much like the mom in this show,

0:22:25.320 --> 0:22:30.320
<v Speaker 1>like high society Richie. Richie needed like here, I am

0:22:30.359 --> 0:22:33.000
<v Speaker 1>all hippie b k, you know, living out of my

0:22:33.119 --> 0:22:36.760
<v Speaker 1>car basically, and you know, she comes from you know, money,

0:22:36.880 --> 0:22:39.800
<v Speaker 1>and she's like and so I try to impress her

0:22:39.800 --> 0:22:45.320
<v Speaker 1>with my you know, genleinliness and wit, and you know,

0:22:45.440 --> 0:22:48.200
<v Speaker 1>it didn't go over and so she kind of talked her.

0:22:50.160 --> 0:22:52.879
<v Speaker 1>It was over over right, like a week after I

0:22:52.920 --> 0:22:56.080
<v Speaker 1>met mom, it was over. And now she's gone on

0:22:56.240 --> 0:23:00.360
<v Speaker 1>and she's married a true billionaire and has kids with him,

0:23:00.400 --> 0:23:03.600
<v Speaker 1>and I hear they're not happy. So I'm like, hey,

0:23:03.760 --> 0:23:06.960
<v Speaker 1>I'm still here, still me.

0:23:16.320 --> 0:23:18.520
<v Speaker 2>Can we talk about the catering fits?

0:23:18.760 --> 0:23:21.560
<v Speaker 3>I would love to great.

0:23:22.280 --> 0:23:24.000
<v Speaker 2>I don't know how I said yes to that.

0:23:25.320 --> 0:23:29.879
<v Speaker 3>Well, because you look like, yes, like Chippendale dancers. You

0:23:30.000 --> 0:23:32.800
<v Speaker 3>kind of reminded me of like Swayzey and Farley, like

0:23:32.880 --> 0:23:34.400
<v Speaker 3>when they had the bow tie.

0:23:35.240 --> 0:23:37.639
<v Speaker 2>Wait a minute, I'm going to be Swayzey, Thank you

0:23:37.800 --> 0:23:38.200
<v Speaker 2>very much.

0:23:38.760 --> 0:23:40.840
<v Speaker 3>Yeah. Does that make phoebe far.

0:23:41.560 --> 0:23:46.040
<v Speaker 2>Yes, thank you, I claim Swayzey tell comedy.

0:23:46.080 --> 0:23:46.880
<v Speaker 1>It's a comedy thing.

0:23:47.280 --> 0:23:49.560
<v Speaker 3>It's a comedy bit. It's like you're not really it's

0:23:49.560 --> 0:23:53.040
<v Speaker 3>like bodying spirit, you know, not looks first per se

0:23:53.760 --> 0:23:55.680
<v Speaker 3>mm hmm. Yeah.

0:23:55.880 --> 0:23:57.960
<v Speaker 2>Yeah. I don't know how I said yes to it,

0:23:58.359 --> 0:24:02.320
<v Speaker 2>but it's just going to live for eternity within this

0:24:02.720 --> 0:24:04.960
<v Speaker 2>highly questionable episode.

0:24:05.119 --> 0:24:09.000
<v Speaker 3>Okay, Well, I thought that you guys looked real cute.

0:24:09.680 --> 0:24:11.200
<v Speaker 3>I mean, if that was part of it, Like you

0:24:11.200 --> 0:24:16.520
<v Speaker 3>guys looked cute. It wasn't too like risque, right, you

0:24:16.560 --> 0:24:21.040
<v Speaker 3>know everything was covered. You're wearing jackets and black slacks.

0:24:21.920 --> 0:24:22.720
<v Speaker 2>Yeah, it just.

0:24:22.800 --> 0:24:25.320
<v Speaker 3>Was like the open neck with the bow tie.

0:24:25.840 --> 0:24:27.520
<v Speaker 2>Yeah, the bow tie put it over the top.

0:24:28.240 --> 0:24:30.160
<v Speaker 3>I was kind of into it. I'm not going to lie.

0:24:30.280 --> 0:24:32.040
<v Speaker 2>It's appropriate for this episode.

0:24:32.480 --> 0:24:33.720
<v Speaker 3>Yeah, it really is.

0:24:35.640 --> 0:24:39.080
<v Speaker 2>So as opposed to calling them mid century special effects,

0:24:39.080 --> 0:24:43.080
<v Speaker 2>I'm going to call them classic special effects. Oh I

0:24:43.240 --> 0:24:47.560
<v Speaker 2>heard the sensitive among us. They're they're quite classic.

0:24:48.080 --> 0:24:49.800
<v Speaker 3>They are very classic. Correct.

0:24:50.640 --> 0:24:52.840
<v Speaker 2>So I do need to point out, of course, that

0:24:52.960 --> 0:24:57.840
<v Speaker 2>Prue does save the day I think twice in this episode.

0:24:58.240 --> 0:25:00.600
<v Speaker 2>But I also want to point out I know this

0:25:00.680 --> 0:25:03.919
<v Speaker 2>is where people like say, well she's the strongest, but

0:25:04.000 --> 0:25:07.720
<v Speaker 2>she's also the oldest. Okay people, so I would like

0:25:07.760 --> 0:25:10.240
<v Speaker 2>to think that maybe she has a greater handle on

0:25:10.280 --> 0:25:14.200
<v Speaker 2>her powers because she's the oldest, as she should. Let's

0:25:14.280 --> 0:25:16.480
<v Speaker 2>not get carried away.

0:25:16.600 --> 0:25:17.520
<v Speaker 3>Is this a conversation?

0:25:18.200 --> 0:25:19.840
<v Speaker 2>Because the conversation's over.

0:25:19.920 --> 0:25:29.520
<v Speaker 3>Okay, notice it and moving on? So can we? I

0:25:29.600 --> 0:25:32.199
<v Speaker 3>want to track back all the way to beginning for

0:25:32.240 --> 0:25:36.040
<v Speaker 3>a second, because it's outside of like that cold open

0:25:36.160 --> 0:25:42.119
<v Speaker 3>at the mansion, Piper is possibly pregnant, and my first

0:25:42.119 --> 0:25:48.200
<v Speaker 3>thought was by whom, because now at the now. This

0:25:48.280 --> 0:25:51.520
<v Speaker 3>is why I believe this is the third episode solely

0:25:51.840 --> 0:25:55.360
<v Speaker 3>based on that moment, Like, because I'm sitting there, who

0:25:55.400 --> 0:25:58.920
<v Speaker 3>is she possibly pregnant by at this time? And then

0:25:59.400 --> 0:26:04.000
<v Speaker 3>so I think this is one hundred percent Episode three.

0:26:04.880 --> 0:26:08.960
<v Speaker 1>Well it couldn't be Leo, it couldn't be ghost guy.

0:26:10.440 --> 0:26:14.360
<v Speaker 1>Uh yeah, not a lot of options there.

0:26:14.320 --> 0:26:17.920
<v Speaker 2>Ghost folding for a plane. So please expand upon.

0:26:17.680 --> 0:26:18.640
<v Speaker 3>That ghost guy.

0:26:18.880 --> 0:26:23.480
<v Speaker 1>BK the ghost John Wow, ghost Guy, that's how Leah

0:26:23.480 --> 0:26:24.480
<v Speaker 1>likes to remember him.

0:26:24.600 --> 0:26:29.080
<v Speaker 3>I know you're that's You're so petty, ghosts guy. It's

0:26:29.119 --> 0:26:32.560
<v Speaker 3>so obvious. It's transparent, get it what I see what

0:26:32.600 --> 0:26:40.880
<v Speaker 3>I did there? Transparent ghost go? Let's go, oh ghost guy,

0:26:41.680 --> 0:26:46.640
<v Speaker 3>ghost guy. But John Show, you're like, what's up? Ghost guys?

0:26:47.040 --> 0:26:48.120
<v Speaker 3>You don't let it go ever?

0:26:48.960 --> 0:26:59.120
<v Speaker 4>Ever, Yeah, he's like who are you?

0:26:59.160 --> 0:27:01.840
<v Speaker 2>Who even are you? I mean, it don't even matter.

0:27:01.880 --> 0:27:03.200
<v Speaker 2>It was like, I wouldn't you hate it?

0:27:04.160 --> 0:27:07.600
<v Speaker 3>That's really funny. But and then Phoebe starts brough. So

0:27:07.680 --> 0:27:09.879
<v Speaker 3>you leave because you're all like hopped up because you

0:27:09.920 --> 0:27:12.119
<v Speaker 3>think you could be pregnant but you're not, but you

0:27:12.200 --> 0:27:15.480
<v Speaker 3>could be. You toss the box on the top of

0:27:14.880 --> 0:27:20.600
<v Speaker 3>the basket, rookie move. Wait, what do you mean, rookie move?

0:27:21.000 --> 0:27:22.880
<v Speaker 1>Well, yeah, she's all secret. If don't come in, oh

0:27:22.880 --> 0:27:25.000
<v Speaker 1>my gosh, oh my gosh, Oh my gosh, don't come in.

0:27:25.040 --> 0:27:27.399
<v Speaker 1>I can't let anybody know. Oh, here's the box in

0:27:27.440 --> 0:27:28.080
<v Speaker 1>the trash can.

0:27:30.400 --> 0:27:32.639
<v Speaker 2>She's got a lot going on, folks.

0:27:32.720 --> 0:27:36.400
<v Speaker 3>Okay, Also, is it believable? Is it plausible that that

0:27:36.480 --> 0:27:38.119
<v Speaker 3>manner only has two bathrooms?

0:27:40.400 --> 0:27:46.159
<v Speaker 2>Yes, because old classical historical houses like that did have

0:27:46.400 --> 0:27:46.800
<v Speaker 2>just too.

0:27:47.280 --> 0:27:51.520
<v Speaker 3>Okay, but Phoebe starts brushing her teeth all right, and

0:27:51.560 --> 0:27:54.239
<v Speaker 3>that you know what question I hearde out this morning, like,

0:27:54.400 --> 0:28:00.560
<v Speaker 3>are either of you morning brushers? What? Yeah, you suppose

0:28:00.800 --> 0:28:04.720
<v Speaker 3>in the morning, just making sure everyone.

0:28:04.400 --> 0:28:09.080
<v Speaker 2>Your parents are Like okay, yeah I am too.

0:28:09.200 --> 0:28:10.880
<v Speaker 3>I'm just making sure you guys are.

0:28:11.560 --> 0:28:12.560
<v Speaker 2>That's really weird, Drew.

0:28:13.000 --> 0:28:14.560
<v Speaker 3>Wait, do you do it right when you wake up

0:28:14.720 --> 0:28:19.320
<v Speaker 3>or after your breakfast? In your coffee after today.

0:28:19.000 --> 0:28:25.000
<v Speaker 1>Was pre coffee? Okay, I don't know why, but it

0:28:25.440 --> 0:28:25.920
<v Speaker 1>kind of will.

0:28:25.840 --> 0:28:27.879
<v Speaker 3>No, because if you do a post coffee, like, if

0:28:27.880 --> 0:28:30.359
<v Speaker 3>you have your coffee right after you brush your teeth,

0:28:30.359 --> 0:28:31.399
<v Speaker 3>the coffee tastes weird.

0:28:31.680 --> 0:28:33.880
<v Speaker 1>I waited a while, drank a bunch of water, had

0:28:33.880 --> 0:28:36.280
<v Speaker 1>a little food, didn't win coffee.

0:28:36.040 --> 0:28:39.720
<v Speaker 3>Okay, just making sure everyone's right, that's not a step

0:28:39.760 --> 0:28:40.000
<v Speaker 3>for me.

0:28:40.120 --> 0:28:52.440
<v Speaker 1>Usually it's coffee first. So I wonder if Piper was

0:28:52.480 --> 0:28:55.440
<v Speaker 1>trying to leave the box to be found, you know,

0:28:56.120 --> 0:28:57.400
<v Speaker 1>was she trying to get caught?

0:28:57.920 --> 0:29:00.680
<v Speaker 3>I don't think so. I think it wasn't that big

0:29:00.680 --> 0:29:02.800
<v Speaker 3>of a deal. And she didn't think people were going

0:29:02.880 --> 0:29:06.440
<v Speaker 3>to be rummaging through the trash can even though there

0:29:06.480 --> 0:29:08.600
<v Speaker 3>was no rummaging. It was literally thrown at the top.

0:29:08.760 --> 0:29:12.480
<v Speaker 3>So right here we are. But anyway, so post that, right,

0:29:12.560 --> 0:29:16.720
<v Speaker 3>like so then there's like I want to talk about

0:29:16.720 --> 0:29:22.040
<v Speaker 3>Father Trask just for a hant second because like clearly

0:29:23.400 --> 0:29:28.160
<v Speaker 3>he's like they know who he is. The security guards

0:29:28.200 --> 0:29:31.720
<v Speaker 3>and the security team at the at the mansion, right

0:29:31.920 --> 0:29:34.040
<v Speaker 3>like they they are aware that there is a father

0:29:34.320 --> 0:29:38.240
<v Speaker 3>a priest come trying to continually break in, and he's

0:29:38.320 --> 0:29:41.760
<v Speaker 3>throwing allegations of demon babies all willing nelly.

0:29:42.880 --> 0:29:46.000
<v Speaker 1>Right, But how did he already know?

0:29:46.960 --> 0:29:48.640
<v Speaker 3>This is a great this is one of mica way.

0:29:48.480 --> 0:29:50.960
<v Speaker 1>Where they were and who they were.

0:29:51.440 --> 0:29:53.480
<v Speaker 3>Jade just showed up out of nowhere with her with

0:29:53.600 --> 0:29:55.200
<v Speaker 3>her with their squad.

0:29:55.120 --> 0:29:58.120
<v Speaker 1>Right, so you just showed up out of nowhere as well,

0:29:58.240 --> 0:29:59.640
<v Speaker 1>like he's following her.

0:30:00.200 --> 0:30:01.080
<v Speaker 3>That's what I'm saying.

0:30:01.160 --> 0:30:06.280
<v Speaker 1>How long has he been stalking the house? Like it

0:30:06.320 --> 0:30:08.440
<v Speaker 1>doesn't make sense, like all of a sudden, he's there

0:30:08.720 --> 0:30:10.040
<v Speaker 1>as soon as they're there, like.

0:30:10.000 --> 0:30:12.320
<v Speaker 3>He's yeah, That's what I'm saying. So is he part

0:30:12.360 --> 0:30:15.240
<v Speaker 3>of some sort of order we're talking about Father Trask

0:30:16.680 --> 0:30:18.720
<v Speaker 3>and how he just kind of like like he was

0:30:18.760 --> 0:30:21.360
<v Speaker 3>there and they knew that he was kind of you know,

0:30:21.400 --> 0:30:26.240
<v Speaker 3>trying to infiltrate the compound like he's throwing accusations out

0:30:26.240 --> 0:30:28.800
<v Speaker 3>of willy nilly that you know, there's a demon bearer

0:30:28.840 --> 0:30:31.680
<v Speaker 3>in there obviously, Jade, And so we were just trying

0:30:31.680 --> 0:30:34.720
<v Speaker 3>to figure out, like how did Trask know this was

0:30:34.720 --> 0:30:36.840
<v Speaker 3>probably like this was another hole that I had.

0:30:37.440 --> 0:30:42.400
<v Speaker 2>It's his life's miss mission, right, He's been tasked, trussed,

0:30:42.520 --> 0:30:42.960
<v Speaker 2>has been.

0:30:42.920 --> 0:30:48.880
<v Speaker 1>Trusked, he's been trasked, has been asked on fire today?

0:30:51.120 --> 0:30:57.320
<v Speaker 3>Okay, so yeah, he was tasked and that's it. That's like,

0:30:57.520 --> 0:30:59.080
<v Speaker 3>is that where we're letting him off the oak there?

0:30:59.520 --> 0:31:02.240
<v Speaker 2>Yeah, I've I'm sure it was like a generational thing

0:31:02.640 --> 0:31:05.640
<v Speaker 2>passed down from one to the other, you know, every

0:31:05.640 --> 0:31:07.760
<v Speaker 2>two hundred years when this happens, you've got to go

0:31:07.800 --> 0:31:12.160
<v Speaker 2>get hurt. Okay, clearly go stab the woman, because it's

0:31:12.160 --> 0:31:15.440
<v Speaker 2>always the woman's fault. It's never the guy who impregnates

0:31:15.480 --> 0:31:18.560
<v Speaker 2>the woman. It's always the I digress.

0:31:18.880 --> 0:31:24.600
<v Speaker 3>Whoa, I say, we just went somewhere else. Question then,

0:31:25.040 --> 0:31:28.360
<v Speaker 3>So Trask is in the is in the room with Jade,

0:31:29.160 --> 0:31:32.280
<v Speaker 3>and it's like, well, Elliott at the end holds up

0:31:32.280 --> 0:31:35.560
<v Speaker 3>the dagger, like basically he just holds it up and

0:31:35.600 --> 0:31:39.560
<v Speaker 3>the demons kind of going to the tip. Why didn't

0:31:39.560 --> 0:31:41.760
<v Speaker 3>Trask just hold up the dagger and the demons go

0:31:41.800 --> 0:31:42.360
<v Speaker 3>into the tip?

0:31:42.800 --> 0:31:46.120
<v Speaker 1>They caught him off guard. He didn't really have a chance.

0:31:47.040 --> 0:31:49.680
<v Speaker 2>Okay, he didn't know how to use it.

0:31:50.800 --> 0:31:52.440
<v Speaker 3>Don't use a dagger if you don't know how to

0:31:52.520 --> 0:31:53.000
<v Speaker 3>use it.

0:31:54.280 --> 0:31:56.120
<v Speaker 2>So implant that thing at me unless you know how

0:31:56.160 --> 0:31:56.640
<v Speaker 2>to use it.

0:31:56.880 --> 0:32:02.960
<v Speaker 3>Correct? Absolutely correct, And that was interesting. Was there anything

0:32:02.960 --> 0:32:04.480
<v Speaker 3>else that you wanted to touch base on?

0:32:04.640 --> 0:32:06.600
<v Speaker 1>Or do I think every time they said Elliot, I

0:32:06.640 --> 0:32:10.080
<v Speaker 1>wanted to go eie.

0:32:10.520 --> 0:32:13.680
<v Speaker 3>It's just me for all the everyone who wasn't born

0:32:14.120 --> 0:32:21.880
<v Speaker 3>in nineteen forty or earlier. That's an ET reference et.

0:32:22.240 --> 0:32:25.840
<v Speaker 3>Steven Spielberg, thank you well done.

0:32:26.560 --> 0:32:29.680
<v Speaker 2>Well as I said Crusades the day because she knew

0:32:29.720 --> 0:32:32.000
<v Speaker 2>how to use the dagger. She clearly knew how to

0:32:32.040 --> 0:32:36.400
<v Speaker 2>turn it on. She knew it on switch. I do

0:32:36.640 --> 0:32:45.880
<v Speaker 2>want to in spirits ask what was your favorite prove moment? Hm,

0:32:46.960 --> 0:32:50.480
<v Speaker 2>I can tell you what hers was. Oh please, it

0:32:50.600 --> 0:32:54.320
<v Speaker 2>was her outfit at the auction house when she met

0:32:54.360 --> 0:32:54.840
<v Speaker 2>with Andy.

0:32:55.200 --> 0:32:57.960
<v Speaker 1>Oh was it the same one in the kitchen, Yes,

0:32:58.280 --> 0:32:59.360
<v Speaker 1>showing those legs off.

0:32:59.440 --> 0:33:01.080
<v Speaker 3>I was like, those likes are good.

0:33:03.120 --> 0:33:07.240
<v Speaker 2>That's like getting weird. That's your sister a lot.

0:33:07.440 --> 0:33:13.040
<v Speaker 1>I mentioned that, Yet I think for me it's Drew.

0:33:13.080 --> 0:33:14.200
<v Speaker 2>Don't think too hard on it.

0:33:14.280 --> 0:33:20.520
<v Speaker 3>Well, big one, I can't. That's the problem, right, Like

0:33:20.720 --> 0:33:24.960
<v Speaker 3>I've been, you know, like I've think one of the

0:33:25.000 --> 0:33:28.120
<v Speaker 3>great joys for me being able to watch this for

0:33:28.160 --> 0:33:31.600
<v Speaker 3>the first time is getting to watch her cook. And

0:33:31.800 --> 0:33:34.080
<v Speaker 3>like you know, I've always been. I was like such

0:33:34.080 --> 0:33:39.400
<v Speaker 3>a fan of like her work and just so beautiful.

0:33:39.520 --> 0:33:43.320
<v Speaker 5>It's so fun and like like really balanced, like kind

0:33:43.320 --> 0:33:48.920
<v Speaker 5>of a badass this with grace and humor, and like

0:33:49.040 --> 0:33:51.960
<v Speaker 5>I always liked anytime because like she likes to play

0:33:51.960 --> 0:33:54.400
<v Speaker 5>it really serious, but like anytime there's like a genuine

0:33:54.440 --> 0:33:57.080
<v Speaker 5>when I see her start to break that always Like

0:33:57.360 --> 0:34:00.560
<v Speaker 5>for me, I'm like, ah, Shannon's breaking right, and then

0:34:00.600 --> 0:34:02.840
<v Speaker 5>they cut right before you can really see it. But

0:34:02.960 --> 0:34:06.240
<v Speaker 5>this is definitely something that's you know, reoccurring and something

0:34:06.240 --> 0:34:08.640
<v Speaker 5>that I find great joy on because she's such a

0:34:08.640 --> 0:34:12.960
<v Speaker 5>consummate professional. But like whether it's you or Alica doing

0:34:13.000 --> 0:34:17.839
<v Speaker 5>something really great off camera or whatever, or the moment.

0:34:17.719 --> 0:34:19.880
<v Speaker 3>And like you can see it, like and like this

0:34:20.040 --> 0:34:24.120
<v Speaker 3>kind of wave of of like pure joy comes across

0:34:24.239 --> 0:34:26.319
<v Speaker 3>her face and you can tell that she just loves

0:34:26.320 --> 0:34:31.600
<v Speaker 3>what she's doing. So it's those moments for me, And

0:34:31.640 --> 0:34:34.759
<v Speaker 3>there was definitely a few. The pizza stripper thing was

0:34:34.840 --> 0:34:38.600
<v Speaker 3>her reactions were incredible, Like there's something in the hallway

0:34:38.640 --> 0:34:41.120
<v Speaker 3>as well, like when you're kind of dismissing her, like

0:34:41.840 --> 0:34:43.640
<v Speaker 3>she like rolls her eyes, but then I see this,

0:34:43.840 --> 0:34:47.600
<v Speaker 3>like there's a glimpse of like crew drops and like others,

0:34:47.600 --> 0:34:50.799
<v Speaker 3>Shannon right there. So that's for me.

0:34:52.040 --> 0:34:55.719
<v Speaker 2>She was definitely very good in the Alison scene. She

0:34:55.920 --> 0:34:57.879
<v Speaker 2>was very into that and you can see it from

0:34:57.920 --> 0:35:00.680
<v Speaker 2>her body language. As soon as this seems start, she's

0:35:00.719 --> 0:35:03.120
<v Speaker 2>like right in her face, she is up in her

0:35:03.120 --> 0:35:06.040
<v Speaker 2>grill and she is ready to go toe to toe

0:35:06.080 --> 0:35:12.000
<v Speaker 2>and you know that's what is so great about her

0:35:12.280 --> 0:35:14.920
<v Speaker 2>and this show. It just was such a love affair

0:35:15.080 --> 0:35:17.759
<v Speaker 2>and she was so happy to be there and she

0:35:17.960 --> 0:35:25.319
<v Speaker 2>was so freaking dedicated that it's again a gift that

0:35:25.360 --> 0:35:27.319
<v Speaker 2>we all get to see it from her perspective.

0:35:28.120 --> 0:35:35.600
<v Speaker 3>I agree. Thank you guys, Thank you all for listening

0:35:35.600 --> 0:35:37.960
<v Speaker 3>and checking out this episode of the Hospital. We're really

0:35:37.960 --> 0:35:42.480
<v Speaker 3>grateful and we couldn't be doing this without the love

0:35:42.520 --> 0:35:45.319
<v Speaker 3>and support that everyone has been showing to all of us.

0:35:46.239 --> 0:35:46.759
<v Speaker 3>So thank you.