WEBVTT - Moshe Kasher

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<v Speaker 1>This is me, Craig Ferguson. I'm inviting you to come

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<v Speaker 1>and see my brand new comedy hour. Well it's actually

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<v Speaker 1>it's about an hour and a half and I don't

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<v Speaker 1>have an opener because these guys cost money. But what

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<v Speaker 1>I'm saying is I'll be on stage for a while. Anyway,

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<v Speaker 1>come and see me live on the Pants on Fire

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<v Speaker 1>Tour in your region. Tickets are on sale now and

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<v Speaker 1>we'll be adding more as the tour continues throughout twenty

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<v Speaker 1>twenty five and beyond. For a full list of dates,

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<v Speaker 1>go to the Craig Ferguson show dot com. See you

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<v Speaker 1>on the road, my DearS. My name is Craig Ferguson.

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<v Speaker 1>The name of this podcast is joy. I talk to

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<v Speaker 1>interesting people about what brings them happiness. One of the

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<v Speaker 1>rules I said for myself when I started this podcast

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<v Speaker 1>is that I was only going to talk to people

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<v Speaker 1>that I wanted to talk to. And for the most part,

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<v Speaker 1>i'd stuck to that, except for the episodes where there

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<v Speaker 1>was just me talking to myself. But I will say this,

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<v Speaker 1>My guest today is someone who I've known tangently and

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<v Speaker 1>I'm a fan of and I've watched him work over

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<v Speaker 1>the last maybe almost twenty years since I started Late

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<v Speaker 1>Night fifteen years something like that. He is a very

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<v Speaker 1>unusual mind. A stand up comedian, but much more than

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<v Speaker 1>a stand up comedian. Is I think you're about to

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<v Speaker 1>find out, Moshi Kasher.

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<v Speaker 2>In the body.

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<v Speaker 3>What I have to say to you?

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<v Speaker 2>What she is this?

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<v Speaker 3>I haven't seen you for a while, and you've got

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<v Speaker 3>new glasses.

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<v Speaker 2>I'm glad you noticed.

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<v Speaker 4>I did get in glasses yet, and they are about

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<v Speaker 4>to be all glasses.

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<v Speaker 1>And are the glasses that you can see people behind you.

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<v Speaker 1>They look like they might be glasses, but they've got

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<v Speaker 1>the little mirrors and you can see people behind you.

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<v Speaker 3>You know what's I'm talking about.

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<v Speaker 4>What I can say about that is this. They were

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<v Speaker 4>made in Germany, so the possibility that they're doing survey

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<v Speaker 4>valance is higher than if they were American glasses.

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<v Speaker 1>Well, I think nowadays, I think we're all under a

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<v Speaker 1>little bit of surveillance.

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<v Speaker 3>We signed up for him, man, We signed outside with

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<v Speaker 3>these things that.

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<v Speaker 4>I thought you were talking about, cash Fattel and a

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<v Speaker 4>new surveillance apparatus of the United States government which has

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<v Speaker 4>never been more sophisticated and impressive.

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<v Speaker 3>Tell me about this I don't know about it.

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<v Speaker 4>About me and Cash Hottel. Well, Cash is an old

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<v Speaker 4>college buddy. He's running the FBI now and uh, he

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<v Speaker 4>kind of I'm on his email list and I'm getting

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<v Speaker 4>a lot of the intel and he's up to some

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<v Speaker 4>really interesting stuff. And I'm really glad you had me

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<v Speaker 4>on your podcast because that's all I want to talk

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<v Speaker 4>about today.

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<v Speaker 3>Don't you really know Cash Hotel?

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<v Speaker 4>No, I wish, I don't wish I know. I hope

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<v Speaker 4>he doesn't know who I am. I never want him

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<v Speaker 4>to know my name.

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<v Speaker 3>He knows who you are. He knows when we are sleeping,

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<v Speaker 3>and he knows when we are away.

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<v Speaker 1>Said, yeah, that's kind of what I'm saying. That's what

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<v Speaker 1>I'm saying. That he's Santa. He knows some are on

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<v Speaker 1>the North List, so.

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<v Speaker 4>Right, he has an audience nice list and it's it's

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<v Speaker 4>actually just a it's an Elon musk X feed and

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<v Speaker 4>he just looks at it. And the coal has had

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<v Speaker 4>it as a U is back too. They're digging for coal.

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<v Speaker 3>Yeah, I I had about that. What do you use

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<v Speaker 3>cool for?

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<v Speaker 2>Now?

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<v Speaker 1>See I grew up in Scotland where coal was very popular.

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<v Speaker 1>We used it for all sorts of things. We made

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<v Speaker 1>houses out of it and toys when my I think

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<v Speaker 1>my first Christmas present was cool. But the it's cools

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<v Speaker 1>for power stations.

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<v Speaker 3>I guess that's it.

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<v Speaker 4>And I'm glad that you're coming to me for questions

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<v Speaker 4>about the power infrastructure in the United States because.

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<v Speaker 2>I'm the right guy. Listen, I grew up.

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<v Speaker 4>I grew up Jewish, so our our Christmas presents were

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<v Speaker 4>made of gold and they were just telescopes so we

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<v Speaker 4>could see into the houses of the gentile families.

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<v Speaker 3>Oh. Nice, tiny little telescopes as well.

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<v Speaker 4>Little telescope made a little telescope golden foreskins.

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<v Speaker 1>I'm glad you mentioned growing up because I'm always fascinated

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<v Speaker 1>to talk to you because you got you go clean

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<v Speaker 1>and sober, like before most people get started on their

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<v Speaker 1>journey of excess if they're going to have one.

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<v Speaker 3>What was the name of your book again?

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<v Speaker 1>And I read it ages ago, but it was about

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<v Speaker 1>somebody that got clean and sober by the age of

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<v Speaker 1>sixteen or something.

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<v Speaker 4>Oh, it was my That's my first book. Casher in

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<v Speaker 4>the Rock, The True the True tale of Yeah, the

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<v Speaker 4>true tale of a white boy from Oakland who became

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<v Speaker 4>a drug addict to criminal mental patient and then turned

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<v Speaker 4>sixteen turned sixteen.

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<v Speaker 3>There you go, Yeah, I remember it. I'm glad you

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<v Speaker 3>remember it too. It was.

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<v Speaker 1>It's a fascinating kind of thing because I I feel

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<v Speaker 1>like you may have you should be able to sue someone.

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<v Speaker 3>I think if you've gone through all that by the

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<v Speaker 3>time you're sixty.

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<v Speaker 2>Well, who would it be? My mother?

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<v Speaker 3>Probably? Yeah, I think probably it should sue your mona.

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<v Speaker 4>You know, I've officially been sober such a long time

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<v Speaker 4>from such a young age that I don't even find

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<v Speaker 4>it impressive anymore. From about age twenty to about age

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<v Speaker 4>thirty five, I was like very proud of it, like

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<v Speaker 4>it's been it's been fifteen years and I'm only thirty

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<v Speaker 4>years old. Now I'm forty five and it's been thirty years,

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<v Speaker 4>and I get embarrassed trying to talk about it at

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<v Speaker 4>like dinner parties, because it begs so many questions that

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<v Speaker 4>I don't have good answers to.

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<v Speaker 3>Well, it's interesting thing.

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<v Speaker 1>You bring up an interesting well, because I've been sober

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<v Speaker 1>for over thirty years as well, And it is an

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<v Speaker 1>interesting thing because I don't people say, you know, we'll

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<v Speaker 1>say thanks to me, like do you miss it, and

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<v Speaker 1>I'm like, miss Wacker, probably I don't even know what

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<v Speaker 1>you're talking about, you know, it's yeah, I mean, it's

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<v Speaker 1>such a fucking long time ago. What happens is though,

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<v Speaker 1>I think. I mean, I I describe myself as an alcoholic.

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<v Speaker 1>I don't know how you identify, but that's kind of

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<v Speaker 1>and I feel like that's still what I am. It's

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<v Speaker 1>just it's not connected to It's more a description of

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<v Speaker 1>the type of person that I am, the type of

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<v Speaker 1>you know, mental aberrations that I have are connected with

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<v Speaker 1>being an alcoholic. I mean, look, I can get back

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<v Speaker 1>to drinking pretty fast if I if I made a

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<v Speaker 1>terrible error of judgment. But it doesn't come up in

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<v Speaker 1>my daily life. But oh, do you think about it

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<v Speaker 1>at all about drinking again? Yeah, drinking or using or

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<v Speaker 1>anything like that.

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<v Speaker 2>Well, I'll tell you.

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<v Speaker 4>I'll answer your first question by saying, during those glory

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<v Speaker 4>years when I would brag at parties about how long

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<v Speaker 4>I had been sober, because it really was something I

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<v Speaker 4>thought was so cool and unique and different about me,

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<v Speaker 4>because I was so young, and I really was proud

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<v Speaker 4>of it, and I was proud of the muck that

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<v Speaker 4>I'd pulled myself out of But as I have gotten older,

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<v Speaker 4>and I'm sure it's not a coincident, it's coincided with

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<v Speaker 4>me feeling less sort of confident about declaring how long

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<v Speaker 4>it's been. Is this idea of I no longer understand

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<v Speaker 4>the word alcoholic, like I understand the framing that you're

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<v Speaker 4>giving over and I think in the program it becomes

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<v Speaker 4>a sort of spiritual state of being, my orientation in

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<v Speaker 4>the world. It's the way that I interact with the universe.

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<v Speaker 4>It's the adjuta I feel if I'm not caring for myself,

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<v Speaker 4>it's you know, scrambling thoughts, blah blah blah, which I

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<v Speaker 4>have all of those characteristics, but so do a lot

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<v Speaker 4>of people. But I got sober so young. I was

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<v Speaker 4>fifteen years old when I got out of rehab for

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<v Speaker 4>the last time, almost sixteen and for I would say

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<v Speaker 4>probably twenty years. I knew in my bones that I

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<v Speaker 4>was an alcoholic. But now I don't know if I

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<v Speaker 4>know what an alcoholic is. And I mean, obviously I

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<v Speaker 4>know that their alcoholic behaviors drinking too much, compulsive drinking,

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<v Speaker 4>being unable to stop drinking once you start. But if

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<v Speaker 4>I was nothing about me is the same from when

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<v Speaker 4>I was fifteen. So the idea, yeah, there's one spiritual

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<v Speaker 4>state of being that still is totally true and definitive

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<v Speaker 4>for me is harder with each passing year for me

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<v Speaker 4>to wrap my brain around.

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<v Speaker 3>Yeah, I can identify very strongly with that.

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<v Speaker 1>I think the thing that I pivot around, which is

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<v Speaker 1>maybe slightly there or a slightly different way of approaching

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<v Speaker 1>it to you, is that I I it's kind of

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<v Speaker 1>I like take the allergy kind of things, like if

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<v Speaker 1>I was allergic to peanuts when I was five years old,

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<v Speaker 1>I'm allergic to peanuts.

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<v Speaker 3>I'm sixty two years old.

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<v Speaker 1>The allergy I've changed a great deal in that time,

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<v Speaker 1>but the essential allergy to peanuts remains fundamentally true and unchanged.

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<v Speaker 3>And I feel like that with me. Alcohol is kind.

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<v Speaker 1>Of like that is it's still the basic. The first

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<v Speaker 1>drink is the one that gets you drunk, not the

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<v Speaker 1>third one, not the tenth one. And if I get

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<v Speaker 1>to the point where I introduced the allogen into my system,

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<v Speaker 1>then I'm no longer food in the wheel.

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<v Speaker 3>That's kind of how I feel about it.

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<v Speaker 4>And that makes total sense, and I don't refute it

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<v Speaker 4>actually in the set, I have a new book out

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<v Speaker 4>that came out last year.

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<v Speaker 2>I think you'd actually really like it.

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<v Speaker 4>It's called Subculture Vulture, a memoir in six scenes, and

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<v Speaker 4>in each sub culture that I examined, these are like

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<v Speaker 4>the kind of six worlds that I've spent my life in.

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<v Speaker 4>I do a history of that world, and then I

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<v Speaker 4>enter the history. At a certain point it becomes about

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<v Speaker 4>my time in that world. And the first chapter it's

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<v Speaker 4>actually I don't know, they're actually longer than chapters. It's

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<v Speaker 4>like the first novella is about my time in AA

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<v Speaker 4>and I talk about this whole process where I went

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<v Speaker 4>through this brain melt at about twenty years sober, where

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<v Speaker 4>it just became harder and harder for me to understand

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<v Speaker 4>what I meant when I declared myself alcoholic. But I

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<v Speaker 4>I understand what you're saying to that idea, like, once

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<v Speaker 4>you have crossed a threshold into alcoholism, you become allergic

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<v Speaker 4>in a way that is permanent. And not to say

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<v Speaker 4>I think anyone should drink again. I certainly don't, and

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<v Speaker 4>I'm still sober. But allergies even changed from fifteen to

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<v Speaker 4>forty five. I mean, even within the framework of the analogy,

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<v Speaker 4>you could say, well, I was allergic to I was

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<v Speaker 4>allergic to the peanut when I was fifteen, but now

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<v Speaker 4>I'm forty five and my chemistry has changed. But I

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<v Speaker 4>use an analogy in the book. I think you'd like

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<v Speaker 4>to describe what alcoholism is is I have two problems. Right,

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<v Speaker 4>The alcoholic has two problems. They are it is strawberries

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<v Speaker 4>and mind fuck, Like you need both in order to

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<v Speaker 4>really be an alcoholic.

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<v Speaker 2>Right.

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<v Speaker 4>Strawberries is the analogy you're using, Right, It's like, every

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<v Speaker 4>time I eat a strawberry, I break out in hives,

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<v Speaker 4>I leave my wife, I go drunk driving. You know,

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<v Speaker 4>I have an allergy for strawberries. And if all I

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<v Speaker 4>had was the allergy for strawberries, it would be very

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<v Speaker 4>simple to know what to do in the face of that,

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<v Speaker 4>which is just don't yeah that you're right, avoid the strawberry.

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<v Speaker 3>Pats strawberry.

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<v Speaker 4>Yeah right, I'm sure you already know where this is going.

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<v Speaker 4>The other problem we have is mind fuck. Mind fuck

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<v Speaker 4>is every time you look at a strawberry, all you

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<v Speaker 4>can remember is the beautiful, delicious flavor of that sweet

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<v Speaker 4>nectar within that strawberry.

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<v Speaker 2>You must have another strawberry. You take another bite, and.

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<v Speaker 4>The allergy is back, but I don't even know if

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<v Speaker 4>I believe in that analogy anymore.

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<v Speaker 1>Well, you know, it's kind of like it's whatever works

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<v Speaker 1>in the day. I think I know that I know

0:11:36.800 --> 0:11:41.400
<v Speaker 1>that it is. It is something. And I'm sure you've

0:11:41.400 --> 0:11:44.800
<v Speaker 1>heard this as well. There are two things that I

0:11:44.920 --> 0:11:48.760
<v Speaker 1>hear more bullshit about in my life than everyone. One

0:11:49.000 --> 0:11:53.080
<v Speaker 1>is addiction and addictive people, especially if they're being described

0:11:53.080 --> 0:11:55.760
<v Speaker 1>by people who have opinions about it but have no

0:11:55.920 --> 0:11:57.640
<v Speaker 1>experienced that, or people who.

0:11:57.559 --> 0:11:59.080
<v Speaker 3>Are in the active throes of it.

0:11:59.280 --> 0:12:03.080
<v Speaker 4>Man talk a lot, right, It's either people who don't

0:12:03.080 --> 0:12:04.720
<v Speaker 4>know what they're talking about or people who do.

0:12:04.920 --> 0:12:06.080
<v Speaker 2>Both of them are full of shit.

0:12:06.800 --> 0:12:10.720
<v Speaker 3>I'm full of shit, right. And the other one is aviation.

0:12:14.880 --> 0:12:18.520
<v Speaker 1>Hello, this is Greig Ferguson and I want to let

0:12:18.559 --> 0:12:20.560
<v Speaker 1>you know I have a brand new stand up comedy

0:12:20.600 --> 0:12:24.480
<v Speaker 1>special out now on YouTube. It's called I'm So Happy

0:12:25.000 --> 0:12:28.120
<v Speaker 1>and I would be so happy if you checked it out.

0:12:28.440 --> 0:12:30.640
<v Speaker 1>To watch the special, just go to my YouTube channel

0:12:31.000 --> 0:12:33.800
<v Speaker 1>at the Craig Ferguson Show and is this right there?

0:12:34.160 --> 0:12:36.840
<v Speaker 1>Just click it and play it and it's free. I

0:12:36.880 --> 0:12:38.439
<v Speaker 1>can't look. I'm not going to come around your house

0:12:38.480 --> 0:12:39.800
<v Speaker 1>and show you how to do it. If you can't

0:12:39.840 --> 0:12:41.199
<v Speaker 1>do it, then you can't have it. But if you

0:12:41.200 --> 0:12:45.280
<v Speaker 1>can figure it out, it's yours.

0:12:46.840 --> 0:12:49.080
<v Speaker 3>Aviation is something that I became.

0:12:49.240 --> 0:12:51.800
<v Speaker 1>I was terrified of flying for a long time, and

0:12:51.880 --> 0:12:56.080
<v Speaker 1>I thought that, as people of my strike kind do,

0:12:56.240 --> 0:12:59.320
<v Speaker 1>I thought, the best way to come back this clearly

0:12:59.520 --> 0:13:02.000
<v Speaker 1>is to learn how to fly. And I got a

0:13:02.000 --> 0:13:04.920
<v Speaker 1>pilot's license and I and I kind of went through

0:13:04.960 --> 0:13:08.000
<v Speaker 1>all of that, and I learned so much about it

0:13:08.080 --> 0:13:11.400
<v Speaker 1>that now when I like, when you read a report about,

0:13:11.520 --> 0:13:16.240
<v Speaker 1>you know, a drunk guy on plane forces emergency landing,

0:13:16.400 --> 0:13:18.920
<v Speaker 1>and you go, it's not an emergency landing.

0:13:18.960 --> 0:13:21.200
<v Speaker 3>They just landed the plane because there's a drunk guy

0:13:21.280 --> 0:13:24.280
<v Speaker 3>on it. That's not an emergency. That's just fucking unpleasant.

0:13:25.160 --> 0:13:31.360
<v Speaker 1>And then or the is like turbulence. The plane dropped

0:13:31.360 --> 0:13:32.240
<v Speaker 1>a thousand feet.

0:13:32.800 --> 0:13:36.480
<v Speaker 3>It didn't. It didn't drop a thousand feet, And it's weird.

0:13:36.760 --> 0:13:39.600
<v Speaker 1>It's like a plane traveling at six hundred miles an

0:13:39.600 --> 0:13:43.559
<v Speaker 1>hour going through you know, rough air moves maybe an inch,

0:13:43.600 --> 0:13:46.199
<v Speaker 1>a couple of inches, maybe a foot maybe if you're

0:13:46.240 --> 0:13:51.319
<v Speaker 1>a real you know, real mind blowing turbulence, but thousands

0:13:51.360 --> 0:13:55.679
<v Speaker 1>of feet it's just bullshit. And what I think is

0:13:56.480 --> 0:13:59.240
<v Speaker 1>interesting is that we now live in a world where

0:14:00.120 --> 0:14:04.040
<v Speaker 1>there is no I don't know, I don't know if

0:14:04.120 --> 0:14:08.120
<v Speaker 1>I trust any source of information, even the ones that

0:14:08.200 --> 0:14:10.800
<v Speaker 1>I go to that I supposedly trust.

0:14:10.840 --> 0:14:13.200
<v Speaker 3>I'm like sometimes when I hear stuff, I'm like, yeah,

0:14:13.240 --> 0:14:15.440
<v Speaker 3>I don't know. If that don't doesn't there right to me.

0:14:15.920 --> 0:14:17.800
<v Speaker 3>I think we've become very suspicious.

0:14:18.640 --> 0:14:21.640
<v Speaker 4>I think we should be very suspicious because information is

0:14:21.680 --> 0:14:26.520
<v Speaker 4>because okay good unbelievably less less reliable, and cash for

0:14:26.640 --> 0:14:27.360
<v Speaker 4>tell is.

0:14:27.360 --> 0:14:30.400
<v Speaker 2>A part of the issue, but it's true.

0:14:30.920 --> 0:14:33.000
<v Speaker 4>Here's the I've been thinking about this last night because

0:14:33.000 --> 0:14:35.440
<v Speaker 4>I was working on a new bit about this very topic,

0:14:35.520 --> 0:14:40.440
<v Speaker 4>which is that everyone is stupid. I think we all

0:14:40.480 --> 0:14:42.800
<v Speaker 4>know that everyone's stupid except for you and me, right

0:14:43.520 --> 0:14:46.360
<v Speaker 4>for breaking Emosha kind of the only two intelligent people left.

0:14:46.520 --> 0:14:50.480
<v Speaker 4>But the stupidity has a different harmonic these days. For

0:14:51.400 --> 0:14:54.560
<v Speaker 4>you know, two hundred thousand years, stupid people were like, yeah,

0:14:54.600 --> 0:14:56.600
<v Speaker 4>you know, I'm kind of just like a stupid guy,

0:14:56.760 --> 0:14:58.720
<v Speaker 4>Like I'm just a dumb old guy, and I go

0:14:58.840 --> 0:15:01.800
<v Speaker 4>to other people for information. Stupid people now are like,

0:15:01.840 --> 0:15:05.200
<v Speaker 4>I'm actually the smartest person in the world, Like I

0:15:05.240 --> 0:15:08.120
<v Speaker 4>actually know every single thing that there is to know.

0:15:08.680 --> 0:15:12.240
<v Speaker 4>That is the that's the disease of the modern era

0:15:12.400 --> 0:15:14.280
<v Speaker 4>is that the no one will admit that they don't

0:15:14.280 --> 0:15:16.920
<v Speaker 4>know anything anymore, and it expresses itself. This is the

0:15:17.360 --> 0:15:19.680
<v Speaker 4>bit I'm working on is about homeschool and I'm like,

0:15:20.000 --> 0:15:23.120
<v Speaker 4>I've never met a person who decided to homeschool their kids.

0:15:23.440 --> 0:15:25.760
<v Speaker 2>I hope you don't homeschool your kids. I've never met

0:15:25.880 --> 0:15:26.440
<v Speaker 2>a person.

0:15:26.360 --> 0:15:31.760
<v Speaker 4>Decided who decided to homeschool their kid where I'm like, yes,

0:15:32.400 --> 0:15:35.880
<v Speaker 4>you are an educator. I have always thought you had

0:15:35.920 --> 0:15:37.600
<v Speaker 4>it in you. I've never seen it never.

0:15:38.960 --> 0:15:44.640
<v Speaker 1>That's a fascinating approach, and I wholeheartedly agree. I think

0:15:44.880 --> 0:15:47.360
<v Speaker 1>so I have this It's not an argument, but I

0:15:47.360 --> 0:15:49.440
<v Speaker 1>have this different point of view with my wife. My

0:15:49.560 --> 0:15:54.360
<v Speaker 1>wife sees conspiracy, not conspiracy fees, but she always thinks, like,

0:15:54.680 --> 0:15:56.680
<v Speaker 1>you know what these guys in Washington are up to?

0:15:56.800 --> 0:15:59.200
<v Speaker 3>Or do you know what these guys are doing?

0:15:59.240 --> 0:16:02.320
<v Speaker 1>And I'm like, I have a I think her view

0:16:02.360 --> 0:16:05.040
<v Speaker 1>of the world like they're up to something is rather

0:16:05.240 --> 0:16:08.680
<v Speaker 1>touching an optimistic view of the world, because I don't

0:16:08.760 --> 0:16:10.760
<v Speaker 1>think any of these buggers are smart enough to be

0:16:11.000 --> 0:16:14.920
<v Speaker 1>up to annon. I think they're just basically bumping around

0:16:15.000 --> 0:16:18.440
<v Speaker 1>going oh what now, Oh what now? And I don't

0:16:18.600 --> 0:16:22.240
<v Speaker 1>think I have a very hard time being believing in

0:16:22.320 --> 0:16:26.760
<v Speaker 1>any form of conspiracy theory because I like you. I

0:16:27.000 --> 0:16:30.680
<v Speaker 1>think most people said you and me are are British humid.

0:16:31.320 --> 0:16:36.760
<v Speaker 4>There's a tradition in Judaism. It's called the midrash, right.

0:16:37.280 --> 0:16:44.000
<v Speaker 4>The midrash are extra canonical anecdotes about Biblical figures and

0:16:44.360 --> 0:16:46.800
<v Speaker 4>the story of the Bible. Right, so they're they're kind

0:16:46.840 --> 0:16:50.280
<v Speaker 4>of like oral stories that were passed down that are

0:16:50.320 --> 0:16:54.360
<v Speaker 4>not like fully canon, but are our extra cannon right,

0:16:54.440 --> 0:16:58.160
<v Speaker 4>like like the strange story, Like I don't know if

0:16:58.160 --> 0:17:01.560
<v Speaker 4>you ever heard the story of a Abraham coming and

0:17:01.600 --> 0:17:04.080
<v Speaker 4>breaking all of the idols in front of h that

0:17:04.119 --> 0:17:05.280
<v Speaker 4>his father used to worship.

0:17:05.280 --> 0:17:06.879
<v Speaker 2>I don't know if you've ever heard that story.

0:17:07.160 --> 0:17:09.280
<v Speaker 3>I don't know that one. I know the one I'm

0:17:09.280 --> 0:17:11.320
<v Speaker 3>going to murder my son. I'm not good to murder

0:17:11.320 --> 0:17:12.840
<v Speaker 3>my son. That's not anyone that's in.

0:17:13.240 --> 0:17:16.119
<v Speaker 4>Unfortunately, that one's that one's in. That one's in the

0:17:16.640 --> 0:17:19.479
<v Speaker 4>original text. Unfortunately that made it to the main script.

0:17:19.680 --> 0:17:21.800
<v Speaker 4>But this is like an extra thing, which is like

0:17:22.000 --> 0:17:26.159
<v Speaker 4>when when God revealed himself to Abraham. Abraham came to

0:17:26.240 --> 0:17:30.720
<v Speaker 4>his father's you know, idol worship barn and broke all

0:17:30.720 --> 0:17:33.639
<v Speaker 4>the idols. And for my whole childhood I thought that

0:17:33.800 --> 0:17:35.920
<v Speaker 4>was in the Bible, and then I found out, Oh,

0:17:35.960 --> 0:17:38.320
<v Speaker 4>it's not in the Bible at all. It's just an

0:17:38.400 --> 0:17:41.919
<v Speaker 4>extra story that people kind of tell. Anyway, what's my

0:17:41.960 --> 0:17:45.560
<v Speaker 4>point of saying all that? There's all these midrash midrashim

0:17:45.600 --> 0:17:49.320
<v Speaker 4>they're called, and they're a great quote about the midrash,

0:17:49.359 --> 0:17:52.919
<v Speaker 4>about the midrashim, which is, if you believe all of

0:17:52.960 --> 0:17:56.560
<v Speaker 4>the midrash you're a fool. If you believe none of them,

0:17:56.760 --> 0:17:59.600
<v Speaker 4>you're a bigger fool. And that's a religious idea and

0:17:59.680 --> 0:18:03.880
<v Speaker 4>judy I have always ported that idea over into conspiracy

0:18:03.960 --> 0:18:06.840
<v Speaker 4>theory if you believe, but I reverse it, which is,

0:18:07.119 --> 0:18:11.520
<v Speaker 4>if you believe no conspiracy theory, you're a fool. If

0:18:11.560 --> 0:18:14.679
<v Speaker 4>you believe all the conspiracy theories, you're a bigger fool.

0:18:15.560 --> 0:18:19.040
<v Speaker 1>Yes, I think I think I can absolutely concur with

0:18:19.080 --> 0:18:21.879
<v Speaker 1>you on that. But the problem is, of course, is

0:18:22.960 --> 0:18:25.200
<v Speaker 1>picking the ones to believe and not to believe it.

0:18:26.640 --> 0:18:29.720
<v Speaker 1>And they also the the agenda, which is interesting. You

0:18:29.800 --> 0:18:31.919
<v Speaker 1>use Judaism as of course though you would do. But

0:18:32.280 --> 0:18:37.160
<v Speaker 1>it's because, of course, the the Jewish people are always

0:18:37.240 --> 0:18:40.880
<v Speaker 1>accused the anti Semitism is always based on a oh

0:18:40.960 --> 0:18:43.440
<v Speaker 1>these guys are up to something. Oh there's an agenda

0:18:43.800 --> 0:18:48.320
<v Speaker 1>like to that. That protocols of the Elder's at Zion stuff.

0:18:48.880 --> 0:18:51.800
<v Speaker 2>That's greatest, Like that's the greatest work.

0:18:51.920 --> 0:18:54.160
<v Speaker 3>It's it's so crazy.

0:18:54.280 --> 0:18:58.400
<v Speaker 1>It's like I remember here in a while ago somebody

0:18:58.840 --> 0:19:00.320
<v Speaker 1>was banging on about the ad.

0:19:01.800 --> 0:19:03.760
<v Speaker 3>It's actually I think it was on Bill Maher's show.

0:19:04.080 --> 0:19:06.680
<v Speaker 1>Somebody was talking about, yeah, I don't suppose they like

0:19:06.800 --> 0:19:09.080
<v Speaker 1>that on the Hollywood cocktail circuit.

0:19:09.280 --> 0:19:12.480
<v Speaker 3>And I'm like, Hollywood cocktail circuit.

0:19:14.800 --> 0:19:18.200
<v Speaker 4>Well, you heard synagogue when you when when you heard

0:19:18.960 --> 0:19:20.200
<v Speaker 4>you've got synagogue?

0:19:21.160 --> 0:19:26.480
<v Speaker 1>I know what I thought, how dare you accuse me

0:19:26.520 --> 0:19:31.240
<v Speaker 1>of that? What I thought was that do you know

0:19:31.320 --> 0:19:34.560
<v Speaker 1>anything about Hollywood? The idea that people are hanging around

0:19:35.240 --> 0:19:39.280
<v Speaker 1>socialized and that they they're not they don't do that.

0:19:39.840 --> 0:19:43.240
<v Speaker 1>It's Hollywood is is the most work you.

0:19:43.200 --> 0:19:44.160
<v Speaker 3>Know la Hollywood.

0:19:44.160 --> 0:19:46.399
<v Speaker 1>I'm not talking about the Hollywood Boulevard and stuff, but

0:19:46.520 --> 0:19:49.280
<v Speaker 1>I mean that's a whole different community. But they do

0:19:49.600 --> 0:19:54.160
<v Speaker 1>the idea that that people in the Hollywood hangout because

0:19:54.160 --> 0:19:56.400
<v Speaker 1>they like each other in the show business community.

0:19:56.840 --> 0:19:58.640
<v Speaker 3>I don't see a lot of that. I wasn't aware.

0:19:58.880 --> 0:19:59.800
<v Speaker 3>Maybe they just didn't like.

0:19:59.800 --> 0:20:02.640
<v Speaker 4>Me, or that we get you mean that we all

0:20:02.680 --> 0:20:05.040
<v Speaker 4>get together and kind of like lay out the plan

0:20:05.240 --> 0:20:07.040
<v Speaker 4>for controlling the culture.

0:20:06.760 --> 0:20:09.320
<v Speaker 3>For movies and show business and stuff.

0:20:09.760 --> 0:20:10.920
<v Speaker 2>Right, we're gonna we're.

0:20:10.720 --> 0:20:13.800
<v Speaker 4>Gonna be pushing our gender agenda in twenty twenty seven.

0:20:13.920 --> 0:20:15.120
<v Speaker 2>That's the plan. Right.

0:20:15.200 --> 0:20:18.200
<v Speaker 4>Nobody's that sophisticated, And I totally I agree.

0:20:18.440 --> 0:20:19.800
<v Speaker 2>I get so frustrated.

0:20:19.880 --> 0:20:22.840
<v Speaker 4>I mean, obviously, you know it can be bigotry, can

0:20:22.880 --> 0:20:24.919
<v Speaker 4>be frustrating in all of its forms. But it's so

0:20:25.080 --> 0:20:30.639
<v Speaker 4>frustrating that, you know, when if in the computer programming world,

0:20:30.680 --> 0:20:34.080
<v Speaker 4>in the tech world, there's a lot of Indian program

0:20:34.160 --> 0:20:36.280
<v Speaker 4>there's a lot of computer geniuses that are Indian, but

0:20:36.320 --> 0:20:40.920
<v Speaker 4>nobody's talking about the grand conspiracy for Indians to control

0:20:40.960 --> 0:20:43.760
<v Speaker 4>the tech universe. But every time the Jews do some stuff,

0:20:43.760 --> 0:20:46.280
<v Speaker 4>they go, ah, this is a part of a large

0:20:46.440 --> 0:20:47.480
<v Speaker 4>Nebula plan.

0:20:47.720 --> 0:20:47.920
<v Speaker 3>No.

0:20:48.119 --> 0:20:51.879
<v Speaker 4>I mean, when I deny the Jews are overrepresented in

0:20:51.960 --> 0:20:56.280
<v Speaker 4>Hollywood circles, I would in the Hollywood cocktail scene. I

0:20:56.320 --> 0:21:00.600
<v Speaker 4>would not deny this it's not like we plan. It's

0:21:00.680 --> 0:21:03.719
<v Speaker 4>like that's an industry. Different industries have different groups that

0:21:03.760 --> 0:21:06.200
<v Speaker 4>go to them, and that's the way it is.

0:21:08.800 --> 0:21:09.840
<v Speaker 3>It's an interesting thing.

0:21:09.960 --> 0:21:14.480
<v Speaker 1>Have you noticed we talked about the allergy changing and

0:21:14.520 --> 0:21:18.040
<v Speaker 1>the alcoholism change, and have you noticed your approach to

0:21:18.200 --> 0:21:20.679
<v Speaker 1>Judaism changing as you go? Do you become a parent

0:21:20.760 --> 0:21:25.199
<v Speaker 1>obviously as well, and you know your perspective on these things.

0:21:25.480 --> 0:21:26.320
<v Speaker 3>Has it altered?

0:21:27.840 --> 0:21:28.680
<v Speaker 2>All right? It's altered.

0:21:29.280 --> 0:21:32.280
<v Speaker 4>I mean, I love to even get into this part

0:21:32.320 --> 0:21:34.760
<v Speaker 4>of the conversation, but it's altered a great deal. And

0:21:34.800 --> 0:21:38.080
<v Speaker 4>it's altered a great deal because for the same reason

0:21:38.119 --> 0:21:40.879
<v Speaker 4>that a lot of things have altered in our society

0:21:41.000 --> 0:21:48.000
<v Speaker 4>that Judaism, Jewish identity has been swallowed whole by political agenda,

0:21:48.480 --> 0:21:53.680
<v Speaker 4>and the self definition of the Jewish culture has become

0:21:53.880 --> 0:21:58.399
<v Speaker 4>intertwined with the Israeli Palestinian conflict in a way that

0:21:58.520 --> 0:22:05.440
<v Speaker 4>is so heart wrenching and exhausting. It's hard for me

0:22:05.520 --> 0:22:07.480
<v Speaker 4>to say exhausting because I'm not living in the most

0:22:07.520 --> 0:22:11.960
<v Speaker 4>acute pain of that conflict, but the idea that war

0:22:12.440 --> 0:22:21.080
<v Speaker 4>and politics and government has been infused into my origin stories,

0:22:21.240 --> 0:22:25.720
<v Speaker 4>spiritual and cultural identity is an endless heartbreak and one

0:22:25.760 --> 0:22:30.000
<v Speaker 4>that I so I find it harder in some ways

0:22:30.000 --> 0:22:33.160
<v Speaker 4>to access and in some other ways maybe easier to access.

0:22:33.359 --> 0:22:38.880
<v Speaker 4>But as I get older, my relationship with my religion

0:22:38.880 --> 0:22:42.560
<v Speaker 4>and with my I guess ethnic background has become more

0:22:42.560 --> 0:22:46.760
<v Speaker 4>complicated and more difficult because of forces beyond my control.

0:22:46.960 --> 0:22:48.560
<v Speaker 4>The same thing, by the way, is true of my

0:22:48.640 --> 0:22:53.040
<v Speaker 4>relationship with being an American citizen. It's more complicated, more

0:22:53.080 --> 0:22:56.679
<v Speaker 4>heartbreaking because of forces that I'm not directly involved in.

0:22:57.000 --> 0:23:01.200
<v Speaker 4>But I get I'm sort of endless sleep pulled by

0:23:01.280 --> 0:23:04.720
<v Speaker 4>the external definitions of what it means to be an American,

0:23:04.960 --> 0:23:06.400
<v Speaker 4>what it means to be a Jew, what it means

0:23:06.400 --> 0:23:11.120
<v Speaker 4>to be an American Jew, and I hate being forced

0:23:11.280 --> 0:23:15.879
<v Speaker 4>into ideological foxholes against my will.

0:23:17.160 --> 0:23:22.840
<v Speaker 1>Yeah, I think that that is unfortunately as a great

0:23:23.520 --> 0:23:26.080
<v Speaker 1>steaming truck of various similitude.

0:23:25.840 --> 0:23:29.240
<v Speaker 3>The I remember when I.

0:23:30.640 --> 0:23:35.800
<v Speaker 1>Years ago, I was shooting a movie in Moscow in Russia,

0:23:35.880 --> 0:23:39.520
<v Speaker 1>and I grew up in the UK during Scotland during

0:23:39.560 --> 0:23:42.000
<v Speaker 1>the Cold War, and so we were. I was of

0:23:42.040 --> 0:23:46.280
<v Speaker 1>the belief that the Russians were ready to eat babies,

0:23:46.400 --> 0:23:49.399
<v Speaker 1>and all the stuff you hear about whenever you create

0:23:49.440 --> 0:23:52.159
<v Speaker 1>the other they're always eating babies and having you know,

0:23:52.760 --> 0:23:54.040
<v Speaker 1>human sacrifices and stuff.

0:23:54.040 --> 0:23:57.080
<v Speaker 3>And I believe that about I didn't.

0:23:57.520 --> 0:23:58.879
<v Speaker 1>I mean, you get old enough, do you think, well,

0:23:58.960 --> 0:24:02.440
<v Speaker 1>that's probably not entirely true. But then when I went

0:24:02.600 --> 0:24:05.600
<v Speaker 1>to Russia and interacted with Russians for the first time

0:24:06.200 --> 0:24:09.480
<v Speaker 1>in Russia and realizing that a lot of people in

0:24:09.560 --> 0:24:14.840
<v Speaker 1>Russia were not in any way, shape or form Hi

0:24:15.160 --> 0:24:19.960
<v Speaker 1>waivers for for for the Soviet Empire. You know that

0:24:20.119 --> 0:24:24.479
<v Speaker 1>they they weren't Stalinists, they were kind of and I

0:24:24.520 --> 0:24:28.159
<v Speaker 1>think that it's the creation of the other. Used to

0:24:28.160 --> 0:24:32.160
<v Speaker 1>be geographic, like you could create the other because nobody

0:24:32.240 --> 0:24:34.360
<v Speaker 1>knew who they were. Now you kind of I think

0:24:34.359 --> 0:24:36.159
<v Speaker 1>what you do. I think what it's done in the

0:24:36.240 --> 0:24:41.760
<v Speaker 1>in our digital cartography is you you take the other

0:24:41.840 --> 0:24:43.560
<v Speaker 1>and you give them a label. And I think the

0:24:43.600 --> 0:24:45.960
<v Speaker 1>minute you give any group of people a label, then

0:24:46.000 --> 0:24:47.360
<v Speaker 1>we're getting in trouble.

0:24:47.480 --> 0:24:52.360
<v Speaker 3>That's when that's when it gets inhuman. Yes, that that is.

0:24:52.840 --> 0:24:57.080
<v Speaker 4>Step one in uh empire building, in warfare is to

0:24:57.119 --> 0:24:59.680
<v Speaker 4>identify the enemy and then make them a non human

0:24:59.800 --> 0:25:03.480
<v Speaker 4>enter right, it's a they are vermin, they are rats,

0:25:03.600 --> 0:25:06.119
<v Speaker 4>they are terrorists, they are Nazis. They are pedophiles. Well,

0:25:06.200 --> 0:25:11.280
<v Speaker 4>some of them were Nazis. To be fair, those people

0:25:11.280 --> 0:25:12.120
<v Speaker 4>were Nazi.

0:25:12.160 --> 0:25:15.760
<v Speaker 3>But they were those Nazis, they were Nazis.

0:25:16.119 --> 0:25:20.720
<v Speaker 1>But but I think, I see, I think it's even

0:25:20.840 --> 0:25:23.840
<v Speaker 1>it goes back even further than that, or it begins

0:25:23.840 --> 0:25:24.720
<v Speaker 1>earlier than that.

0:25:24.960 --> 0:25:26.520
<v Speaker 3>I think, what I think, you're right with that.

0:25:26.600 --> 0:25:29.240
<v Speaker 1>But I think and what it does is the first

0:25:29.520 --> 0:25:35.240
<v Speaker 1>rule of the ttalitarian, the aspiring tyrant, I think is

0:25:35.240 --> 0:25:39.600
<v Speaker 1>to go after the comedians. Now, I think that what

0:25:39.440 --> 0:25:41.960
<v Speaker 1>you what you do is you tell you say which,

0:25:42.000 --> 0:25:43.960
<v Speaker 1>And both the left and the right in this country

0:25:43.960 --> 0:25:45.399
<v Speaker 1>are very guilty of this.

0:25:45.880 --> 0:25:49.040
<v Speaker 3>The jokes that you can't tell, the jokes.

0:25:48.720 --> 0:25:54.120
<v Speaker 1>That you can tell, and that if you which kind

0:25:54.160 --> 0:25:57.600
<v Speaker 1>of negates the skill of the tailor of the joke.

0:25:57.800 --> 0:26:01.840
<v Speaker 1>Because I am always impressed buy a comedian who tells

0:26:01.880 --> 0:26:06.080
<v Speaker 1>a joke that you can't tell technically, but actually is

0:26:06.119 --> 0:26:09.800
<v Speaker 1>so good that this individual he or she can tell

0:26:09.840 --> 0:26:13.480
<v Speaker 1>that joke you think of. There were people like I love,

0:26:13.680 --> 0:26:17.560
<v Speaker 1>the comedians I admired like Joan Rivers was a great

0:26:17.600 --> 0:26:20.479
<v Speaker 1>one for this. She could say a thing that was

0:26:20.720 --> 0:26:24.159
<v Speaker 1>that's totally not acceptable, but it was acceptable because the

0:26:24.200 --> 0:26:25.959
<v Speaker 1>way she put it right that She's not the only example.

0:26:26.000 --> 0:26:28.439
<v Speaker 1>Of course, there are many great comedians that do it.

0:26:28.800 --> 0:26:33.440
<v Speaker 1>But I think when you start saying this area of

0:26:33.840 --> 0:26:40.520
<v Speaker 1>human life is not subject to humor, that's when totalitarianism begins,

0:26:40.520 --> 0:26:45.919
<v Speaker 1>because you can't have an iconoclast. If you want to

0:26:45.920 --> 0:26:49.040
<v Speaker 1>be an icon you have to go after the iconoclast.

0:26:49.800 --> 0:26:51.680
<v Speaker 1>And I feel that I.

0:26:51.480 --> 0:26:58.040
<v Speaker 4>Wipe that's really interesting. But yeah, once you stop having

0:26:58.080 --> 0:27:02.119
<v Speaker 4>a sense of humor about your self, that's when you

0:27:02.160 --> 0:27:05.679
<v Speaker 4>get into the territory of I am It becomes I

0:27:05.720 --> 0:27:08.000
<v Speaker 4>am God. You don't make fun of you don't make fun.

0:27:07.880 --> 0:27:08.399
<v Speaker 2>Of the Lord.

0:27:09.800 --> 0:27:14.399
<v Speaker 4>That's really interesting. I think like comedy. I always thought

0:27:14.400 --> 0:27:16.760
<v Speaker 4>in the early days, like when somebody would start telling

0:27:16.760 --> 0:27:20.639
<v Speaker 4>a joke about certain topics, the Holocaust, slavery, these things,

0:27:20.760 --> 0:27:24.400
<v Speaker 4>you'd go, Okay, I hope this is your best joke, right,

0:27:25.160 --> 0:27:27.160
<v Speaker 4>and then when you see a person pull it off,

0:27:27.200 --> 0:27:30.280
<v Speaker 4>you go, wow, impressive, and what has happened? I think

0:27:30.320 --> 0:27:34.560
<v Speaker 4>with comedy and listen, I would not be a shiller

0:27:34.600 --> 0:27:37.480
<v Speaker 4>of my book without mentioning that we're now touching everything,

0:27:37.720 --> 0:27:40.720
<v Speaker 4>almost almost every topic that's in the book. The sixth

0:27:40.760 --> 0:27:45.840
<v Speaker 4>scenes are are AA, Judaism and comedy. That's three out

0:27:45.840 --> 0:27:46.840
<v Speaker 4>of six so far, and.

0:27:46.760 --> 0:27:47.119
<v Speaker 2>We do it.

0:27:47.800 --> 0:27:49.920
<v Speaker 3>I think we should do the whole six. So we've done,

0:27:50.880 --> 0:27:55.399
<v Speaker 3>We've done judaism. We're not in COVID about COVIY.

0:27:55.840 --> 0:28:00.320
<v Speaker 4>Well, what's happened now what feels very obvious to me is,

0:28:00.400 --> 0:28:03.040
<v Speaker 4>and it's changing so rapidly I can't even keep track

0:28:03.119 --> 0:28:06.399
<v Speaker 4>of it, is that people have fallen under the illusion

0:28:06.920 --> 0:28:10.080
<v Speaker 4>that to your point, I think your point is well made.

0:28:10.160 --> 0:28:13.040
<v Speaker 4>You know, any joke is any topic is on the

0:28:13.080 --> 0:28:15.040
<v Speaker 4>table as long as you can pull it off. But

0:28:15.240 --> 0:28:17.600
<v Speaker 4>now a lot of comedians think the fact that I'm

0:28:17.640 --> 0:28:21.440
<v Speaker 4>attempting to pull it off is work. It makes it

0:28:21.560 --> 0:28:25.080
<v Speaker 4>validates the whatever the topic is. The fact that I

0:28:25.119 --> 0:28:28.280
<v Speaker 4>was brieve enough to tell the Holocaust joke. It doesn't

0:28:28.359 --> 0:28:30.680
<v Speaker 4>need to be good or funny, it just needs The

0:28:30.720 --> 0:28:33.760
<v Speaker 4>real revolutionary work is the fact that I'm telling it.

0:28:33.840 --> 0:28:37.359
<v Speaker 4>So you see these jokes that are offensive without without

0:28:37.400 --> 0:28:41.480
<v Speaker 4>any point, and on the other side you see the

0:28:41.520 --> 0:28:46.240
<v Speaker 4>reaction to that is jokes that are progressive and political

0:28:46.240 --> 0:28:50.360
<v Speaker 4>and lift every voice and you know, raise the glass ceilings.

0:28:50.560 --> 0:28:53.040
<v Speaker 4>As I say, there are jokes on that side that

0:28:52.360 --> 0:28:55.600
<v Speaker 4>they punched through the glass ceiling so hard they've touched

0:28:55.600 --> 0:28:58.800
<v Speaker 4>the g spot like they're Ted Talk. You find these

0:28:58.840 --> 0:29:02.960
<v Speaker 4>like ted Talk as humorless. You find a lack of

0:29:03.040 --> 0:29:06.600
<v Speaker 4>humor on both sides of the ideological comedy aisle from

0:29:06.680 --> 0:29:09.160
<v Speaker 4>people that think, well, if I'm on a stage and

0:29:09.200 --> 0:29:13.320
<v Speaker 4>I'm saying some pro choice messaging, it doesn't really have

0:29:13.440 --> 0:29:15.080
<v Speaker 4>to be funny because it's righteous.

0:29:15.240 --> 0:29:16.320
<v Speaker 2>And on the other hand, well.

0:29:16.240 --> 0:29:18.920
<v Speaker 4>If I'm on stage and I'm saying something racist, it

0:29:18.960 --> 0:29:21.600
<v Speaker 4>doesn't really have to be funny because it's really punk

0:29:21.680 --> 0:29:24.720
<v Speaker 4>rock that I'm being racist in today's society. So both

0:29:24.760 --> 0:29:28.720
<v Speaker 4>of these things, I say, I can't stand both of them.

0:29:28.800 --> 0:29:31.480
<v Speaker 4>Need to You can do anything on stage, I say, right,

0:29:31.520 --> 0:29:33.680
<v Speaker 4>but it's got to be funny. It's got to be

0:29:33.720 --> 0:29:34.280
<v Speaker 4>good enough.

0:29:35.320 --> 0:29:37.560
<v Speaker 3>I think that's right. I think that's what it is.

0:29:37.600 --> 0:29:41.520
<v Speaker 1>But I think my feeling is to add to this

0:29:41.600 --> 0:29:43.320
<v Speaker 1>and they will move from the third part of your

0:29:43.360 --> 0:29:46.840
<v Speaker 1>book to the last three pleases, because I feel like that's.

0:29:46.640 --> 0:29:48.680
<v Speaker 3>The structure of a conversation is taking today. And I

0:29:48.800 --> 0:29:53.200
<v Speaker 3>like that idea. But I think there are too many comedians.

0:29:52.720 --> 0:29:53.760
<v Speaker 2>One thousand percent.

0:29:54.160 --> 0:29:56.920
<v Speaker 3>There's too many, and not all of the First of all,

0:29:57.080 --> 0:30:01.440
<v Speaker 3>crowd work is crowd work, and that's fine, but credit

0:30:01.480 --> 0:30:07.960
<v Speaker 3>work is no standough. Cody's credible, now see, I like.

0:30:06.400 --> 0:30:10.320
<v Speaker 4>I liked when you said you couldn't make a joke

0:30:10.320 --> 0:30:13.040
<v Speaker 4>about any topic. I liked when you were when you

0:30:13.080 --> 0:30:15.800
<v Speaker 4>said that Jews control Hollywood. I was willing to accept

0:30:15.840 --> 0:30:20.760
<v Speaker 4>all these things, Hollywood cocktail party. I think we all

0:30:20.800 --> 0:30:24.080
<v Speaker 4>read between the lines. But if you start impugning crowd work,

0:30:24.800 --> 0:30:28.480
<v Speaker 4>I was just thinking about this today, Craig. It's like, yes,

0:30:28.560 --> 0:30:30.560
<v Speaker 4>it's stand up comedy. It's a different version, it's a

0:30:30.560 --> 0:30:32.920
<v Speaker 4>different it's a different version of stand up.

0:30:33.000 --> 0:30:35.720
<v Speaker 2>It's like saying, I was just thinking about this today.

0:30:36.840 --> 0:30:37.280
<v Speaker 4>Jazz.

0:30:37.480 --> 0:30:40.880
<v Speaker 2>That's not music. Beethoven last music.

0:30:42.760 --> 0:30:43.000
<v Speaker 3>Music.

0:30:46.560 --> 0:30:49.680
<v Speaker 4>You were rejecting the analogy, you were you were supporting

0:30:49.680 --> 0:30:55.400
<v Speaker 4>the analogy.

0:30:57.000 --> 0:30:58.440
<v Speaker 2>Like Beethoven.

0:30:59.160 --> 0:31:02.360
<v Speaker 4>Beethoven writes a symphony and it's it's written, and it's

0:31:02.360 --> 0:31:07.000
<v Speaker 4>perfect and it's beautiful, and that's music. Coltrane writes, writes

0:31:07.240 --> 0:31:09.600
<v Speaker 4>a riff and then goes off on a tangent and

0:31:09.640 --> 0:31:12.200
<v Speaker 4>creates something in real time that will never be recreated.

0:31:12.440 --> 0:31:14.480
<v Speaker 4>And it's also music. It's just a different kind of

0:31:14.520 --> 0:31:17.760
<v Speaker 4>music anyway, Listen. I love crowd work very much, and

0:31:17.600 --> 0:31:18.040
<v Speaker 4>I know.

0:31:18.160 --> 0:31:21.160
<v Speaker 3>Yeah, that's why I was needling here. Yeah, I mean

0:31:21.600 --> 0:31:23.800
<v Speaker 3>I didn't. I did break off for a reason because

0:31:24.000 --> 0:31:25.560
<v Speaker 3>but you but you're really.

0:31:25.360 --> 0:31:28.080
<v Speaker 1>Good at crowd work, thank you know, there's a there's

0:31:28.080 --> 0:31:32.160
<v Speaker 1>a different see I think, yes, uh cool train, you know,

0:31:32.400 --> 0:31:35.880
<v Speaker 1>refs on something and it becomes remarkable. But you know,

0:31:36.000 --> 0:31:39.800
<v Speaker 1>you don't give a a saxophone to someone who's never

0:31:39.840 --> 0:31:44.479
<v Speaker 1>played one before and they make five different weak noises and.

0:31:43.920 --> 0:31:47.120
<v Speaker 3>And give it a fucking Netflix special. It's not it's

0:31:47.120 --> 0:31:47.840
<v Speaker 3>not right.

0:31:48.720 --> 0:31:49.600
<v Speaker 2>And ps.

0:31:49.960 --> 0:31:52.040
<v Speaker 4>The way that you start playing the saxophone to get

0:31:52.040 --> 0:31:55.040
<v Speaker 4>to John Coltrane level is you start in band and

0:31:55.080 --> 0:31:59.080
<v Speaker 4>they say play this song. Oh says you're not going

0:31:59.160 --> 0:32:03.640
<v Speaker 4>off on your weird sun raw ask you know, squawking

0:32:03.920 --> 0:32:05.760
<v Speaker 4>riff on day one listen.

0:32:05.800 --> 0:32:06.440
<v Speaker 2>I agree.

0:32:06.560 --> 0:32:09.880
<v Speaker 4>But you know what I always say, everybody that says

0:32:09.880 --> 0:32:13.120
<v Speaker 4>crowd work isn't real comedy hasn't seen a real crowd

0:32:13.120 --> 0:32:14.880
<v Speaker 4>work master at work. I know that you were just

0:32:14.920 --> 0:32:18.400
<v Speaker 4>fucking with me, and and they don't. There's a lot

0:32:18.440 --> 0:32:21.120
<v Speaker 4>of short trip given to how many horrifying written jokes

0:32:21.160 --> 0:32:23.120
<v Speaker 4>there are out there, there's a whole lot.

0:32:25.280 --> 0:32:30.120
<v Speaker 1>Totally agree, I mean, and I think though that the

0:32:30.560 --> 0:32:35.320
<v Speaker 1>what I I guess my objection to the idea, the

0:32:35.480 --> 0:32:37.800
<v Speaker 1>delusion that and.

0:32:37.760 --> 0:32:39.560
<v Speaker 3>You brought up. It's perfect.

0:32:39.600 --> 0:32:41.960
<v Speaker 1>You don't start, you don't day one, go and do

0:32:42.080 --> 0:32:45.000
<v Speaker 1>crowd work, you know, go up and learn how to

0:32:45.040 --> 0:32:48.160
<v Speaker 1>do the job and then do crowd work, because if not,

0:32:49.000 --> 0:32:51.200
<v Speaker 1>you're going to do things like, Hi, where are you from?

0:32:51.320 --> 0:32:53.920
<v Speaker 3>Oh that's stupid? Did you have that s?

0:32:53.960 --> 0:32:54.400
<v Speaker 1>Get there?

0:32:54.560 --> 0:32:59.840
<v Speaker 4>I mean, that's that's how my comedy career started. When

0:32:59.880 --> 0:33:04.880
<v Speaker 4>I started comedy, I was very loose and my friend

0:33:04.920 --> 0:33:06.880
<v Speaker 4>Louis Kats one of the great joke writers, one of

0:33:06.880 --> 0:33:09.880
<v Speaker 4>the best dirty joke writers in business, came up to me.

0:33:10.040 --> 0:33:12.280
<v Speaker 4>He's a dear friend, and this was on early days.

0:33:12.320 --> 0:33:14.760
<v Speaker 4>He goes, listen, you haven't He was maybe a year

0:33:14.920 --> 0:33:16.960
<v Speaker 4>or two ahead of me, and he goes, you haven't

0:33:17.000 --> 0:33:19.560
<v Speaker 4>been doing this long enough. He was basically saying, you

0:33:19.560 --> 0:33:21.880
<v Speaker 4>haven't been doing this long enough to be as confident

0:33:21.920 --> 0:33:24.320
<v Speaker 4>as yours. Like, you're not actually as good as you

0:33:24.440 --> 0:33:27.440
<v Speaker 4>are confident, right, It's like you think you're better than

0:33:27.440 --> 0:33:29.600
<v Speaker 4>you are because you've got all this confidence. He's like,

0:33:30.000 --> 0:33:34.080
<v Speaker 4>stop fucking around on stage, go write jokes for two

0:33:34.200 --> 0:33:37.960
<v Speaker 4>years and I somehow I took him seriously, I really did.

0:33:38.000 --> 0:33:40.920
<v Speaker 4>I like, I folded that instinct in and I went

0:33:40.960 --> 0:33:42.840
<v Speaker 4>and I just started like trying to figure out how

0:33:42.880 --> 0:33:47.600
<v Speaker 4>to how to write, and then came back with all

0:33:47.640 --> 0:33:49.920
<v Speaker 4>of these things that I had written, and then started

0:33:49.960 --> 0:33:52.560
<v Speaker 4>to unpack the performer that I would become, which is

0:33:53.120 --> 0:33:55.719
<v Speaker 4>you know, I always say when I'm at my best,

0:33:56.000 --> 0:33:58.480
<v Speaker 4>you know, I look at my set list, I go, wow,

0:33:58.520 --> 0:34:00.720
<v Speaker 4>I didn't tell half of these I didn't do half

0:34:00.720 --> 0:34:02.360
<v Speaker 4>of these bits I planned on doing because I was

0:34:02.400 --> 0:34:05.480
<v Speaker 4>so floating in space. But one hundred percent, you have

0:34:05.520 --> 0:34:08.839
<v Speaker 4>to learn how to It's just like Picasso. You got

0:34:08.840 --> 0:34:11.200
<v Speaker 4>to learn the form before you can deconstruct the form.

0:34:11.320 --> 0:34:15.279
<v Speaker 4>So I've now compared myself to Picasso, to Coltrane, and

0:34:16.719 --> 0:34:17.440
<v Speaker 4>to Beethoven.

0:34:17.719 --> 0:34:20.200
<v Speaker 2>You are the Beethoven.

0:34:19.960 --> 0:34:22.279
<v Speaker 3>I don't feel like I'm open in this for a

0:34:22.360 --> 0:34:23.080
<v Speaker 3>couple of reasons.

0:34:23.120 --> 0:34:26.759
<v Speaker 1>One, I feel like, you know, take the Late Night,

0:34:26.800 --> 0:34:29.880
<v Speaker 1>which is one of the chapters in my sixth chapter book,

0:34:30.400 --> 0:34:33.680
<v Speaker 1>that Late Night. I learned how to do Late Night

0:34:33.719 --> 0:34:37.560
<v Speaker 1>for the first maybe eighteen months of doing it, and

0:34:37.600 --> 0:34:41.520
<v Speaker 1>then I made a fucking good colleagues try of deconstructing

0:34:41.600 --> 0:34:43.640
<v Speaker 1>that form for the next eight and a half years,

0:34:43.920 --> 0:34:46.399
<v Speaker 1>like throwing everything I could to make it luke as

0:34:46.480 --> 0:34:48.839
<v Speaker 1>fucking absurd as I felt that it was.

0:34:49.320 --> 0:34:51.799
<v Speaker 4>I really think that's what made your show special was

0:34:51.840 --> 0:34:55.560
<v Speaker 4>it was like, we've seen this form and now Craig's

0:34:55.600 --> 0:35:00.360
<v Speaker 4>doing so many like it felt experiential. Your show felt

0:35:00.400 --> 0:35:03.680
<v Speaker 4>like a reinterpretation, and I think, to me, that's like

0:35:04.160 --> 0:35:07.279
<v Speaker 4>when I'm excited on stage and when i'm honestly when

0:35:07.280 --> 0:35:09.880
<v Speaker 4>I'm excited to watch her performer is when I'm like,

0:35:10.320 --> 0:35:12.880
<v Speaker 4>oh wow, this show is one part his act, his

0:35:13.040 --> 0:35:15.840
<v Speaker 4>or her act, and one part a gift that he's

0:35:15.960 --> 0:35:18.520
<v Speaker 4>or she has given to me as in the audience

0:35:18.640 --> 0:35:22.239
<v Speaker 4>that will only exist in this universe and or on

0:35:22.320 --> 0:35:23.760
<v Speaker 4>Instagram for the rest of time.

0:35:23.920 --> 0:35:25.279
<v Speaker 2>And get me a Netflix question.

0:35:32.800 --> 0:35:36.000
<v Speaker 3>All right, So that's comedy.

0:35:36.080 --> 0:35:39.760
<v Speaker 1>So we've done alcoholism, judaism comedy.

0:35:39.800 --> 0:35:42.000
<v Speaker 3>What's chapter four? Novella four?

0:35:43.239 --> 0:35:48.040
<v Speaker 2>Novella four is the rave scene? Did you do that?

0:35:48.080 --> 0:35:48.719
<v Speaker 2>You're in UK?

0:35:49.000 --> 0:35:52.480
<v Speaker 1>I've seen, you know, I kind of passed me by,

0:35:52.680 --> 0:35:55.759
<v Speaker 1>but Sober just before xtasy was invented, so I kind

0:35:55.760 --> 0:35:56.319
<v Speaker 1>of missed it.

0:35:56.400 --> 0:35:57.960
<v Speaker 2>You know, Yeah, it.

0:35:57.880 --> 0:35:59.960
<v Speaker 4>Was really well here I did the opposite. I got

0:36:00.120 --> 0:36:06.760
<v Speaker 4>sober fifteen years old, and you know, about maybe nine months,

0:36:06.840 --> 0:36:12.640
<v Speaker 4>six months, nine months into sobriety, I stopped being whipped

0:36:12.920 --> 0:36:15.440
<v Speaker 4>by this monkey on my back and looked up. You know,

0:36:15.520 --> 0:36:18.319
<v Speaker 4>my whole illusion, my whole fear, and I'm sure you

0:36:18.360 --> 0:36:20.560
<v Speaker 4>relate to this. I think every alcoholic relates to this.

0:36:20.760 --> 0:36:23.799
<v Speaker 4>Is like, if I stop drinking and getting high, there'll

0:36:23.840 --> 0:36:28.040
<v Speaker 4>be nothing to do. I'll have nothing to do. And

0:36:28.120 --> 0:36:30.960
<v Speaker 4>as I like, the problem with that kind of thinking

0:36:31.120 --> 0:36:33.959
<v Speaker 4>is it's a very diseased brain that produces a thought

0:36:34.040 --> 0:36:36.720
<v Speaker 4>like that, because it stands to reason, if you stop

0:36:36.800 --> 0:36:38.719
<v Speaker 4>drinking and getting high, you'll have nothing to do.

0:36:38.920 --> 0:36:42.400
<v Speaker 2>It means airgo. All you do is drink and get high.

0:36:42.440 --> 0:36:46.439
<v Speaker 4>So yes, yeah, there's perfect logic to that if you're

0:36:46.560 --> 0:36:49.240
<v Speaker 4>a drug addict and alcoholic. At about nine months sober,

0:36:49.239 --> 0:36:51.400
<v Speaker 4>I looked up and I realize, like, oh my god,

0:36:51.560 --> 0:36:55.719
<v Speaker 4>I'm sixteen years old. I can't go recovery bowling with

0:36:55.760 --> 0:36:58.880
<v Speaker 4>these Vietnam vets for the rest of my teens and twenties,

0:36:59.000 --> 0:37:02.000
<v Speaker 4>Like I got a find something to do, and what

0:37:02.400 --> 0:37:05.200
<v Speaker 4>the cool part of AA One of the beautiful parts

0:37:05.200 --> 0:37:07.800
<v Speaker 4>of my recovery journey was I like, when I lifted

0:37:07.840 --> 0:37:10.239
<v Speaker 4>my head up out of the bottle and looked out

0:37:10.239 --> 0:37:12.880
<v Speaker 4>into the world. I suddenly realized that if I stopped

0:37:12.960 --> 0:37:16.239
<v Speaker 4>drinking and getting high, what there was to do was

0:37:16.600 --> 0:37:21.280
<v Speaker 4>everything else. And I decided to like spend my life

0:37:21.320 --> 0:37:23.520
<v Speaker 4>trying to find that everything else. And the first thing

0:37:23.560 --> 0:37:28.000
<v Speaker 4>I found was the rave scene in San Francisco. Was

0:37:28.000 --> 0:37:32.440
<v Speaker 4>I walked by a flyer on a telephone pole. It

0:37:32.480 --> 0:37:35.239
<v Speaker 4>was a big, big, massive rave. This is not like

0:37:35.280 --> 0:37:38.319
<v Speaker 4>the underground parties that got really famous in the UK,

0:37:38.440 --> 0:37:39.640
<v Speaker 4>where you had to call a number.

0:37:39.920 --> 0:37:41.600
<v Speaker 2>This was like a big commercial rave.

0:37:42.120 --> 0:37:44.600
<v Speaker 4>And I got twenty dollars from my mom and I

0:37:44.680 --> 0:37:48.040
<v Speaker 4>bought a ticket to this rave and I went by myself.

0:37:48.120 --> 0:37:51.160
<v Speaker 4>I don't know, I truly don't know what drew me there.

0:37:51.520 --> 0:37:53.200
<v Speaker 4>I wasn't a dancer. I was like a kind of

0:37:53.480 --> 0:37:54.640
<v Speaker 4>like a gangster.

0:37:54.800 --> 0:37:56.640
<v Speaker 2>That was my thing. I was like kind of a

0:37:57.239 --> 0:37:58.480
<v Speaker 2>kind of a you know, like you.

0:37:58.480 --> 0:37:59.200
<v Speaker 3>Were a gangster.

0:38:00.239 --> 0:38:03.239
<v Speaker 2>No, I mean I was. I had an accent. I

0:38:03.680 --> 0:38:06.799
<v Speaker 2>had no but I had an accent. I had a

0:38:06.840 --> 0:38:09.719
<v Speaker 2>Southern accent when I was fifteen. I'm not from the South.

0:38:10.680 --> 0:38:11.800
<v Speaker 2>Is that kind of painted picture?

0:38:13.160 --> 0:38:16.600
<v Speaker 1>Yeah, I've told myself some stories too.

0:38:18.560 --> 0:38:20.440
<v Speaker 2>So I go to this party by myself.

0:38:20.480 --> 0:38:22.560
<v Speaker 4>I remember I went to an NA meeting the night before,

0:38:23.560 --> 0:38:25.640
<v Speaker 4>just before across the street there was an NA meeting.

0:38:25.719 --> 0:38:27.040
<v Speaker 2>I walked across the street.

0:38:27.280 --> 0:38:30.319
<v Speaker 4>I told all these like black like middle aged, you know,

0:38:30.800 --> 0:38:33.840
<v Speaker 4>recovering addicts, like the freedom of sobriety is bringing me

0:38:33.880 --> 0:38:35.640
<v Speaker 4>to that rave across the street. And they were like,

0:38:35.680 --> 0:38:38.240
<v Speaker 4>we do not know what the fuck you're talking about.

0:38:38.600 --> 0:38:42.120
<v Speaker 4>And I walked across the street and I had I

0:38:42.160 --> 0:38:45.040
<v Speaker 4>remember I had a I used to use a cologne

0:38:45.040 --> 0:38:46.760
<v Speaker 4>called Escape by Calvin Klein.

0:38:47.840 --> 0:38:48.000
<v Speaker 3>Ok.

0:38:48.200 --> 0:38:50.600
<v Speaker 4>It was a terrible scent of the early nineties. And

0:38:50.640 --> 0:38:53.319
<v Speaker 4>I remember I stuffed this bottle of Escape into a

0:38:53.400 --> 0:38:55.920
<v Speaker 4>sock as I was waiting in line, and I was like,

0:38:56.239 --> 0:38:59.080
<v Speaker 4>just in case, you know, I got a kind of

0:38:59.200 --> 0:39:00.640
<v Speaker 4>thwap flap.

0:39:00.440 --> 0:39:02.879
<v Speaker 2>Somebody with this sock Blackjack that I've built.

0:39:02.920 --> 0:39:04.880
<v Speaker 4>I mean, that's just like the this is the brain

0:39:05.480 --> 0:39:08.760
<v Speaker 4>I'm bringing into this first rave. Like and I remember

0:39:08.840 --> 0:39:12.120
<v Speaker 4>I walked into the first the main room of this

0:39:12.800 --> 0:39:16.839
<v Speaker 4>party called Cyberfest in nineteen ninety five, and I put

0:39:16.880 --> 0:39:20.719
<v Speaker 4>down the bag containing the popo rescented Blackjack, and I

0:39:20.840 --> 0:39:24.319
<v Speaker 4>walked into this party and I just like I had

0:39:24.400 --> 0:39:28.360
<v Speaker 4>a as profound a spiritual experience at that first party,

0:39:28.719 --> 0:39:33.080
<v Speaker 4>as I did getting sober, it was a reconstruction. It

0:39:33.160 --> 0:39:36.719
<v Speaker 4>was a reformation of who I was as a human being.

0:39:36.800 --> 0:39:40.239
<v Speaker 4>I started pure a wedding around the room and dancing,

0:39:40.280 --> 0:39:42.440
<v Speaker 4>and this couple, this gay couple, came up to me

0:39:42.480 --> 0:39:44.840
<v Speaker 4>and they grabbed me on either side and they picked

0:39:44.840 --> 0:39:47.200
<v Speaker 4>me up in their arms and like, you're beautiful. And

0:39:47.239 --> 0:39:51.080
<v Speaker 4>I was like, I was like, what these motherfuckers, these

0:39:51.440 --> 0:39:54.719
<v Speaker 4>gay motherfuckers hugging on me and I so I was like,

0:39:54.760 --> 0:39:56.400
<v Speaker 4>I know what I got to do. And I grabbed

0:39:56.440 --> 0:39:58.879
<v Speaker 4>both of their heads, pulled them close to me, kissed

0:39:58.920 --> 0:40:01.640
<v Speaker 4>them on the chicken go you're beautiful too, Like I'm

0:40:01.680 --> 0:40:06.880
<v Speaker 4>telling you, Craig. In one evening, I turned from like

0:40:07.040 --> 0:40:10.840
<v Speaker 4>identity crisis addled wanna be gangster who thought he was

0:40:10.880 --> 0:40:15.240
<v Speaker 4>something that he wasn't to soft puro wetting.

0:40:16.360 --> 0:40:17.360
<v Speaker 2>Techno dancing.

0:40:18.200 --> 0:40:21.600
<v Speaker 4>The next day, I dyed my hair blonde and twirled

0:40:21.600 --> 0:40:23.759
<v Speaker 4>it into little b York buns and put Baretts in

0:40:23.800 --> 0:40:26.719
<v Speaker 4>my hair. I mean, it was an absurd It was absurd,

0:40:27.239 --> 0:40:32.440
<v Speaker 4>but it was a kind of alchemical shifting of my

0:40:32.560 --> 0:40:36.680
<v Speaker 4>identity that was as profound as anything I've ever experienced,

0:40:36.719 --> 0:40:39.680
<v Speaker 4>and I spent all of my twenties throwing raves, djaying

0:40:39.719 --> 0:40:42.560
<v Speaker 4>at raves, and eventually becoming the world's first clean and

0:40:42.600 --> 0:40:49.560
<v Speaker 4>sober ecstasy dealer at raves. So it got dark later, Okay, yeah,

0:40:49.760 --> 0:40:52.120
<v Speaker 4>oh that went It went to a little bit of

0:40:52.160 --> 0:40:53.759
<v Speaker 4>a kind of minor note there.

0:40:53.840 --> 0:40:54.560
<v Speaker 3>It kind of went.

0:41:00.360 --> 0:41:00.560
<v Speaker 2>Like that.

0:41:00.840 --> 0:41:02.520
<v Speaker 4>In fact, a lot of the book is about that,

0:41:02.719 --> 0:41:05.200
<v Speaker 4>is like, you know, I got you go into this thing.

0:41:05.719 --> 0:41:06.640
<v Speaker 2>It's like religion.

0:41:07.000 --> 0:41:08.960
<v Speaker 4>You know, you go into a thing, you have a

0:41:09.200 --> 0:41:12.920
<v Speaker 4>come to Jesus, like you know, baptism moment. It redefines

0:41:13.000 --> 0:41:16.080
<v Speaker 4>everything about you, and you spend two decades in it

0:41:16.160 --> 0:41:18.719
<v Speaker 4>trying to like drink it. Like every scene I've ever

0:41:18.719 --> 0:41:20.920
<v Speaker 4>been in, I've tried to like eat it, you know,

0:41:21.000 --> 0:41:21.880
<v Speaker 4>like I want to own it.

0:41:21.920 --> 0:41:23.239
<v Speaker 2>I want to be the man I want.

0:41:23.640 --> 0:41:26.000
<v Speaker 4>And then by that process of trying to eat it

0:41:26.120 --> 0:41:29.239
<v Speaker 4>own it be the man, it starts to curdle the

0:41:29.280 --> 0:41:31.440
<v Speaker 4>thing a little bit. And then you're twenty years in

0:41:31.480 --> 0:41:34.359
<v Speaker 4>and you're going, hmm, what was it that I what

0:41:34.400 --> 0:41:36.759
<v Speaker 4>was it that I found here? Honestly, the book was

0:41:36.800 --> 0:41:40.200
<v Speaker 4>awesome because I got to remember all the beautiful magic

0:41:40.239 --> 0:41:43.000
<v Speaker 4>that I found in each of the universes that I occupied.

0:41:44.280 --> 0:41:46.799
<v Speaker 3>That's an interesting thing. How did you? How did it

0:41:46.920 --> 0:41:48.160
<v Speaker 3>end then the rave scene?

0:41:48.360 --> 0:41:52.080
<v Speaker 1>Was it because of the sober ecstasy or was it

0:41:52.120 --> 0:41:52.759
<v Speaker 1>something else?

0:41:53.520 --> 0:41:54.680
<v Speaker 3>It was a little bit of that.

0:41:54.880 --> 0:41:57.000
<v Speaker 2>It was you know, there's a funny story.

0:41:57.040 --> 0:42:00.759
<v Speaker 4>So I started djaying that was like, you know, that's alpha,

0:42:00.880 --> 0:42:03.640
<v Speaker 4>you know the alpha human in the rave thing?

0:42:03.719 --> 0:42:06.320
<v Speaker 2>Is is the is the DJ And so I wanted

0:42:06.320 --> 0:42:07.799
<v Speaker 2>to do that. I wanted to do that. Did you

0:42:07.840 --> 0:42:08.040
<v Speaker 2>do this?

0:42:08.200 --> 0:42:10.680
<v Speaker 1>Did you point people when they were dancing? I feel

0:42:10.680 --> 0:42:11.879
<v Speaker 1>like that's an essential move.

0:42:12.520 --> 0:42:14.839
<v Speaker 4>I would do this like almost like I can't hear

0:42:15.000 --> 0:42:16.719
<v Speaker 4>and then oh I can hear, and then I point,

0:42:16.800 --> 0:42:20.279
<v Speaker 4>Then I point, yeah, right, okay. And I started to

0:42:21.040 --> 0:42:24.920
<v Speaker 4>really become defined by that identity. And about ten years

0:42:24.920 --> 0:42:28.399
<v Speaker 4>into the rave scene, through a very complicated series of

0:42:29.080 --> 0:42:31.520
<v Speaker 4>strange events, you know, I was throwing these bigger and

0:42:31.520 --> 0:42:34.640
<v Speaker 4>bigger parties, and eventually the person that I was working

0:42:34.640 --> 0:42:36.799
<v Speaker 4>with kind of was a con man and stole all

0:42:36.840 --> 0:42:38.920
<v Speaker 4>the money and absconded, and so I was sort of

0:42:39.239 --> 0:42:42.719
<v Speaker 4>became kind of persona and no grata within the promoting

0:42:43.040 --> 0:42:46.560
<v Speaker 4>rave world that I was in. And as a result

0:42:46.600 --> 0:42:48.440
<v Speaker 4>of that, all the DJ gigs that I'd been getting

0:42:48.520 --> 0:42:51.440
<v Speaker 4>started to dry up, and I was and I was

0:42:51.440 --> 0:42:53.719
<v Speaker 4>also getting older. You know, I was also becoming older.

0:42:53.760 --> 0:42:55.120
<v Speaker 2>I wasn't sixteen anymore.

0:42:55.480 --> 0:42:58.839
<v Speaker 3>I was in your pointing finger.

0:42:58.840 --> 0:43:01.720
<v Speaker 1>That're like, why are you pointing at the ground?

0:43:04.200 --> 0:43:06.680
<v Speaker 3>Then you really can't hear things either.

0:43:08.239 --> 0:43:08.439
<v Speaker 2>Here.

0:43:10.040 --> 0:43:12.480
<v Speaker 4>When I started going to raves in San Francisco, I

0:43:12.520 --> 0:43:15.560
<v Speaker 4>was sixteen and I was the youngest person there.

0:43:16.000 --> 0:43:17.040
<v Speaker 2>I was among the youngest.

0:43:17.239 --> 0:43:19.640
<v Speaker 4>And when I stopped going about ten years later, it

0:43:19.760 --> 0:43:22.560
<v Speaker 4>was the median age. And so it was there was that,

0:43:23.160 --> 0:43:25.920
<v Speaker 4>But something very funny happened, which is that I was

0:43:26.040 --> 0:43:29.320
<v Speaker 4>having this identity crisis and my ego was just being

0:43:29.400 --> 0:43:31.799
<v Speaker 4>bruised all the time. I wanted people to want me,

0:43:31.880 --> 0:43:34.120
<v Speaker 4>but nobody wanted me. This is before comedy, so I

0:43:34.160 --> 0:43:37.839
<v Speaker 4>didn't get the attention that you know, a comedy will

0:43:37.880 --> 0:43:40.520
<v Speaker 4>provide you. So I just was like, my performing life

0:43:40.560 --> 0:43:43.759
<v Speaker 4>was drying up. Nobody was booking me anymore. But I

0:43:43.800 --> 0:43:47.320
<v Speaker 4>still had this identity of like, I am Mosha DJ Mosha,

0:43:47.800 --> 0:43:50.120
<v Speaker 4>and that was my name. And I picked up a

0:43:50.160 --> 0:43:51.840
<v Speaker 4>flyer to a rave, right And I was in the

0:43:51.840 --> 0:43:53.959
<v Speaker 4>middle of this identity crisis, and there was a DJ

0:43:54.160 --> 0:43:59.000
<v Speaker 4>on the lineup called DJ E Mosha E Mosha.

0:43:59.239 --> 0:44:02.600
<v Speaker 2>I go, E Mosha. That's not you can't. You can't

0:44:02.719 --> 0:44:04.480
<v Speaker 2>do that. I could. I couldn't.

0:44:04.920 --> 0:44:08.200
<v Speaker 4>I couldn't like become a comedian and call myself E.

0:44:08.320 --> 0:44:10.200
<v Speaker 4>Craig Ferguson. I think you would have a bit of

0:44:10.239 --> 0:44:14.279
<v Speaker 4>an issue with that. So I gathered up all the

0:44:14.280 --> 0:44:16.520
<v Speaker 4>flyers of all the raves I'd ever been to, and

0:44:16.560 --> 0:44:19.719
<v Speaker 4>I went to this rave and I confronted the guy.

0:44:19.880 --> 0:44:21.560
<v Speaker 2>I go, where's E Mosha?

0:44:21.880 --> 0:44:23.239
<v Speaker 4>And they're like over there. I go to the guy,

0:44:23.280 --> 0:44:26.040
<v Speaker 4>I go who are you? And he's like, I'm me.

0:44:26.239 --> 0:44:29.560
<v Speaker 4>I go, well, I'm Mosha, I'm DJ Mosha.

0:44:29.760 --> 0:44:32.120
<v Speaker 2>That's me. Oh yeah, cool, I've heard of you. Yeah,

0:44:32.160 --> 0:44:33.040
<v Speaker 2>you fucking heard of me.

0:44:33.760 --> 0:44:34.600
<v Speaker 3>You have my name?

0:44:35.040 --> 0:44:38.640
<v Speaker 4>And I go, well, what's the deal, Like, is is

0:44:38.880 --> 0:44:39.399
<v Speaker 4>your name?

0:44:39.480 --> 0:44:41.360
<v Speaker 2>Are you Jewish? Is your name? Mosha?

0:44:41.480 --> 0:44:43.000
<v Speaker 4>Is your And he goes no, I just thought it

0:44:43.040 --> 0:44:45.359
<v Speaker 4>sounded cool, and go, yeah, it fucking sounds cool. It's

0:44:45.400 --> 0:44:48.720
<v Speaker 4>my cool sounding fucking name. And he's and I go, look,

0:44:48.840 --> 0:44:51.239
<v Speaker 4>you gotta you gotta drop it, like you have to

0:44:51.320 --> 0:44:56.319
<v Speaker 4>drop the name. And he's like no, and I'm like no, not, no, yes,

0:44:56.400 --> 0:44:58.399
<v Speaker 4>you gotta drop it. It's my name, and he's goes.

0:44:58.719 --> 0:45:01.080
<v Speaker 4>I think I'll keep it. I go, okay, look I'll

0:45:01.080 --> 0:45:04.560
<v Speaker 4>battle you. Okay, we'll do a DJ battle, you and me.

0:45:05.520 --> 0:45:08.440
<v Speaker 3>This is is exciting, Well.

0:45:08.560 --> 0:45:10.880
<v Speaker 4>It doesn't as exciting as you wanted to. I go

0:45:11.000 --> 0:45:13.400
<v Speaker 4>you and me versus the crowd. The crowd decides whoever

0:45:13.440 --> 0:45:17.040
<v Speaker 4>wins keeps the name, and he goes nah. I think now,

0:45:17.120 --> 0:45:19.279
<v Speaker 4>I think I'll just keep the name. And I'm like,

0:45:19.680 --> 0:45:21.759
<v Speaker 4>I don't know what to do here. I could either

0:45:22.200 --> 0:45:25.760
<v Speaker 4>beat this guy to death or impotently walk away.

0:45:26.000 --> 0:45:30.560
<v Speaker 2>Guess what, Jopson I chose. I impotently w choice.

0:45:31.880 --> 0:45:35.040
<v Speaker 4>Walked away, and I'm pretty sure I just gave up

0:45:35.080 --> 0:45:38.319
<v Speaker 4>on DJing altogether in that moment. And to this day,

0:45:38.880 --> 0:45:41.680
<v Speaker 4>I'm not convinced. I've never seen Emosha on a flyer

0:45:41.760 --> 0:45:45.360
<v Speaker 4>since I'm not convinced Emosha wasn't just a guardian angel

0:45:45.760 --> 0:45:48.239
<v Speaker 4>that's sent from the heavens to transfer me from one

0:45:48.320 --> 0:45:49.920
<v Speaker 4>scene to the next.

0:45:50.280 --> 0:45:52.680
<v Speaker 3>Go Ahead works from mister wonders to perform.

0:45:53.440 --> 0:45:57.280
<v Speaker 1>Indeed, what is not when you transition out of DJing

0:45:57.400 --> 0:45:58.880
<v Speaker 1>and then the next one is going to be comedy?

0:45:58.920 --> 0:45:59.600
<v Speaker 3>Then is it comedy.

0:45:59.640 --> 0:46:02.400
<v Speaker 4>The next one, well, comedy was in there, but the

0:46:02.480 --> 0:46:06.120
<v Speaker 4>other world that and I do want to say anecdotally,

0:46:06.200 --> 0:46:08.560
<v Speaker 4>when I wrote this chapter in the book, I bought

0:46:08.640 --> 0:46:11.759
<v Speaker 4>myself a DJ controller and I started DJing again twenty

0:46:11.880 --> 0:46:14.279
<v Speaker 4>years after the fact. If anybody wants to listen to

0:46:14.360 --> 0:46:17.759
<v Speaker 4>some of my mixes, they're on SoundCloud. But anyway, the

0:46:17.840 --> 0:46:20.680
<v Speaker 4>next one's Burning Man, and they're very related. They're very related.

0:46:20.800 --> 0:46:21.759
<v Speaker 2>The Grave Gay.

0:46:22.080 --> 0:46:25.840
<v Speaker 4>Yeah, this year I will go, and it will be

0:46:25.920 --> 0:46:29.640
<v Speaker 4>my twenty fifth time going. I think i've I've been

0:46:29.680 --> 0:46:31.480
<v Speaker 4>going for a very long time, and I worked there

0:46:31.560 --> 0:46:33.719
<v Speaker 4>for a very long time too, so I've seen it

0:46:33.880 --> 0:46:36.520
<v Speaker 4>go from the thing it was to the thing it is,

0:46:37.000 --> 0:46:39.280
<v Speaker 4>and I'm watching it become the thing.

0:46:39.360 --> 0:46:42.759
<v Speaker 2>It will be, which is not as exciting as I

0:46:42.800 --> 0:46:43.319
<v Speaker 2>would hope.

0:46:44.320 --> 0:46:50.080
<v Speaker 3>I think it becomes like everything, like punk rock, like Christianity,

0:46:50.800 --> 0:46:54.160
<v Speaker 3>like anything. It starts so pretty good, and then you know,

0:46:54.320 --> 0:46:56.840
<v Speaker 3>people get involved, and too many people get involved and

0:46:56.880 --> 0:47:00.680
<v Speaker 3>turns into something else the original idea and get lost

0:47:00.760 --> 0:47:02.799
<v Speaker 3>in the mix a little bit. I don't know much.

0:47:02.719 --> 0:47:05.880
<v Speaker 1>About Burning Mine, although that I know, I always envisaged

0:47:05.920 --> 0:47:08.960
<v Speaker 1>Burning Mine and I've never been, but I always imagine

0:47:09.000 --> 0:47:14.040
<v Speaker 1>it being like fifty fifty five year old man out

0:47:14.080 --> 0:47:18.680
<v Speaker 1>of shape, walking around wearing shirts and no pants, cooking.

0:47:18.760 --> 0:47:21.239
<v Speaker 4>I believe it's called you nailed it, and that is

0:47:21.320 --> 0:47:23.919
<v Speaker 4>what that's what keeps me coming back twenty five years later.

0:47:28.000 --> 0:47:30.759
<v Speaker 1>So that is a burning man. And then well, I'm

0:47:30.760 --> 0:47:33.360
<v Speaker 1>waiting for it to be you became a parent, and

0:47:33.440 --> 0:47:34.279
<v Speaker 1>that's what the world is?

0:47:34.320 --> 0:47:34.360
<v Speaker 2>That?

0:47:34.440 --> 0:47:35.480
<v Speaker 3>What is that? What happens?

0:47:36.000 --> 0:47:38.040
<v Speaker 4>I would say, that's the phrase the frame, the true

0:47:38.080 --> 0:47:42.800
<v Speaker 4>framing device of the whole thing. Is that really I

0:47:42.880 --> 0:47:45.120
<v Speaker 4>didn't even realize it until I was done with the book.

0:47:46.680 --> 0:47:47.279
<v Speaker 2>Is it really?

0:47:47.400 --> 0:47:49.920
<v Speaker 4>The book is a and it kind of connects back

0:47:50.000 --> 0:47:53.799
<v Speaker 4>to what we were talking about earlier, that the book

0:47:53.920 --> 0:48:00.120
<v Speaker 4>is really a an archaeological artifact that I'm leaving to

0:48:00.239 --> 0:48:04.840
<v Speaker 4>my daughter so that she can know the things that

0:48:05.080 --> 0:48:08.560
<v Speaker 4>life threw at me. Because and this is sort of

0:48:08.600 --> 0:48:10.560
<v Speaker 4>what I talk about this at the end of the book,

0:48:10.640 --> 0:48:14.160
<v Speaker 4>because when we were growing up, Craig, this is true

0:48:14.200 --> 0:48:18.280
<v Speaker 4>for you, it's true for me. Your life felt very accidental.

0:48:18.719 --> 0:48:21.920
<v Speaker 4>Your life felt very like if I go to this

0:48:22.200 --> 0:48:25.200
<v Speaker 4>bar with this guy and I try cocaine, then I

0:48:25.320 --> 0:48:27.440
<v Speaker 4>become a cocaine guy and a drinker.

0:48:27.520 --> 0:48:29.680
<v Speaker 2>And then I end up in AA and then I

0:48:29.760 --> 0:48:30.400
<v Speaker 2>meet my wife.

0:48:30.480 --> 0:48:33.200
<v Speaker 4>And then if I go with this other guy and

0:48:33.280 --> 0:48:35.880
<v Speaker 4>I smoke pot in the forest with that guy, then

0:48:35.920 --> 0:48:38.600
<v Speaker 4>I become a hippie. And then I become a bassist

0:48:38.640 --> 0:48:41.040
<v Speaker 4>in this hippie band, and then I become Fitch. And

0:48:41.360 --> 0:48:43.799
<v Speaker 4>if you know, it was all this very like accidental

0:48:43.960 --> 0:48:48.520
<v Speaker 4>stumbling from scene to scene, and the Internet and social

0:48:48.600 --> 0:48:52.840
<v Speaker 4>media has made not that process impossible, but that process

0:48:53.000 --> 0:48:57.279
<v Speaker 4>much more difficult because culture has become sort of the

0:48:57.360 --> 0:49:00.680
<v Speaker 4>aperture has shrunk into really one thing. There's this like

0:49:00.840 --> 0:49:04.320
<v Speaker 4>monoculture that you know, you pick up your phone and

0:49:04.480 --> 0:49:07.279
<v Speaker 4>your algorithm tells you what's cool, what's culture, what you

0:49:07.320 --> 0:49:09.479
<v Speaker 4>should think, what you should believe, how you should dance,

0:49:10.200 --> 0:49:12.520
<v Speaker 4>all of these things. And so in a way I

0:49:12.600 --> 0:49:15.080
<v Speaker 4>didn't do a section on parenting, but in a way,

0:49:15.320 --> 0:49:17.239
<v Speaker 4>the whole thing is for my daughter to like, go,

0:49:17.760 --> 0:49:19.400
<v Speaker 4>here are all the things that made me me.

0:49:19.560 --> 0:49:21.480
<v Speaker 2>And I hope, I really.

0:49:21.280 --> 0:49:24.279
<v Speaker 4>Hope that you find things that are uniquely you and

0:49:24.480 --> 0:49:28.520
<v Speaker 4>find a path that is uniquely yours, that doesn't get

0:49:28.680 --> 0:49:30.439
<v Speaker 4>handed to you, but that you stumble into.

0:49:31.880 --> 0:49:34.040
<v Speaker 3>Do you have a strategy for that for your daughter?

0:49:34.880 --> 0:49:37.440
<v Speaker 3>Do you do you, I mean, I'm I'm I mean,

0:49:37.560 --> 0:49:40.680
<v Speaker 3>I'm a real hard as that. My kids and social media.

0:49:40.760 --> 0:49:47.759
<v Speaker 1>I mean they're on select sites, but very it's I'm

0:49:47.800 --> 0:49:48.480
<v Speaker 1>not cool with it.

0:49:48.800 --> 0:49:51.520
<v Speaker 2>Do I have a strategy for avoiding social media or

0:49:51.640 --> 0:49:53.759
<v Speaker 2>for her right?

0:49:54.120 --> 0:49:57.080
<v Speaker 4>Yeah, you start to realize I'm sure you realize this too,

0:49:57.320 --> 0:50:00.400
<v Speaker 4>Like a lot of it is about expos using them

0:50:00.440 --> 0:50:02.640
<v Speaker 4>to things you like and then seeing if they like

0:50:02.719 --> 0:50:06.480
<v Speaker 4>them too, And then you start going. After about ten activities,

0:50:07.000 --> 0:50:09.239
<v Speaker 4>they're all of a sudden seven and you're like, oh

0:50:09.320 --> 0:50:12.320
<v Speaker 4>my god, I'm like running out of time here to

0:50:12.520 --> 0:50:16.160
<v Speaker 4>like I can't I can't do judo and surfing and

0:50:16.440 --> 0:50:18.040
<v Speaker 4>camping and circus camp.

0:50:18.120 --> 0:50:19.440
<v Speaker 2>Eventually they're going to run out of.

0:50:19.440 --> 0:50:22.200
<v Speaker 4>Options and they're never I keep waiting for the thing

0:50:22.239 --> 0:50:24.759
<v Speaker 4>where my daughter looks at me and goes, this is me,

0:50:25.400 --> 0:50:26.400
<v Speaker 4>you know, and I haven't.

0:50:26.840 --> 0:50:28.000
<v Speaker 2>She's seven, she's young.

0:50:28.440 --> 0:50:32.480
<v Speaker 4>But I keep I'm just curious at that moment because

0:50:32.480 --> 0:50:34.400
<v Speaker 4>it didn't happen for me until I was much older,

0:50:34.640 --> 0:50:36.920
<v Speaker 4>that moment where you click into your kind of like

0:50:37.560 --> 0:50:38.960
<v Speaker 4>your destiny, Like.

0:50:39.400 --> 0:50:40.759
<v Speaker 2>Was that you was that comedy for you?

0:50:41.480 --> 0:50:44.600
<v Speaker 3>Was that the only time that note at all? I

0:50:45.520 --> 0:50:48.040
<v Speaker 3>still don't. I'm not entirely convinced it's something I want

0:50:48.080 --> 0:50:48.680
<v Speaker 3>to get involved in.

0:50:48.800 --> 0:50:49.080
<v Speaker 2>But the.

0:50:51.880 --> 0:50:56.440
<v Speaker 1>My oldest kid, my son, when he was about like

0:50:56.800 --> 0:51:01.600
<v Speaker 1>very young, like a toddler, he became fascinated with Airly Disney,

0:51:02.520 --> 0:51:04.960
<v Speaker 1>uh you know the old the like the real old

0:51:05.040 --> 0:51:06.840
<v Speaker 1>kind of you know, the black and white kind of

0:51:07.520 --> 0:51:10.000
<v Speaker 1>Airly Disney stuff. And he would watch it over and

0:51:10.120 --> 0:51:13.800
<v Speaker 1>over and over again. And he was always fascinated with anime.

0:51:14.000 --> 0:51:16.560
<v Speaker 1>He loved cartoons. Oh kids love cartoons, of course, but

0:51:17.040 --> 0:51:18.839
<v Speaker 1>he loved them in a way I had never seen

0:51:18.920 --> 0:51:21.479
<v Speaker 1>them love it. He's now he graduated from the School

0:51:21.520 --> 0:51:24.719
<v Speaker 1>of Vision Arts, New York and he runs an independent

0:51:24.760 --> 0:51:26.480
<v Speaker 1>animation studio with his friends.

0:51:27.120 --> 0:51:29.440
<v Speaker 2>And that's the dream.

0:51:30.320 --> 0:51:33.440
<v Speaker 4>That is the dream that your child goes. Here's who

0:51:33.520 --> 0:51:36.359
<v Speaker 4>I am. And not only do I love it, I'm

0:51:36.400 --> 0:51:38.560
<v Speaker 4>going to be great at it. I will be great

0:51:38.600 --> 0:51:41.160
<v Speaker 4>at it. That that to me, I'm jealous of that.

0:51:41.320 --> 0:51:43.880
<v Speaker 4>I mean, listen, I'm so excited to see what the

0:51:43.920 --> 0:51:47.839
<v Speaker 4>world brings to my daughter's consciousness and life. I don't

0:51:47.840 --> 0:51:50.200
<v Speaker 4>put any pressure on her like that. It's all internal

0:51:50.239 --> 0:51:51.000
<v Speaker 4>me wrecking at her.

0:51:51.320 --> 0:51:52.600
<v Speaker 3>No, No, I didn't either.

0:51:53.960 --> 0:51:56.359
<v Speaker 2>Half of my experience of her is looking at things

0:51:56.440 --> 0:51:58.600
<v Speaker 2>she does and going, uh oh, is this like me?

0:51:59.120 --> 0:51:59.399
<v Speaker 1>Uh oh?

0:51:59.640 --> 0:52:01.360
<v Speaker 2>Is she gonna turn out like me? Uh oh? Like

0:52:01.680 --> 0:52:03.239
<v Speaker 2>she's got a lot of me in her.

0:52:03.840 --> 0:52:07.000
<v Speaker 4>But I think that's so awesome that your son, like

0:52:07.800 --> 0:52:12.160
<v Speaker 4>early on, found that like little tickle, that became his life.

0:52:12.360 --> 0:52:13.960
<v Speaker 4>And I think about that, by the way, with comedy,

0:52:14.120 --> 0:52:17.840
<v Speaker 4>like I can't leave. This is what's different about this

0:52:18.160 --> 0:52:23.279
<v Speaker 4>scene versus the other ones is that I'm twenty two

0:52:23.480 --> 0:52:26.239
<v Speaker 4>years into comedy. I pay all of my bills with it.

0:52:27.160 --> 0:52:29.960
<v Speaker 4>This is permanent, so I had better find a way.

0:52:30.280 --> 0:52:32.520
<v Speaker 4>I'm not going back to grad school. It's too late,

0:52:32.840 --> 0:52:34.640
<v Speaker 4>So I had better find a way to make it

0:52:34.760 --> 0:52:38.960
<v Speaker 4>feel refreshing, make it feel useful and meaningful and not

0:52:39.080 --> 0:52:40.960
<v Speaker 4>really that's a challenge for me. I don't know about you,

0:52:42.160 --> 0:52:43.359
<v Speaker 4>So I have a compared drink.

0:52:43.920 --> 0:52:47.920
<v Speaker 1>I have a perfect solution for you. Stop using the

0:52:48.000 --> 0:52:53.840
<v Speaker 1>word comedy. What do you use because well, I just

0:52:54.280 --> 0:52:58.040
<v Speaker 1>I do comedy, But I think that what you are.

0:52:58.160 --> 0:53:00.120
<v Speaker 1>And this is one of the reasons why I I

0:53:00.200 --> 0:53:02.120
<v Speaker 1>hate to say this because it sounds so part of

0:53:02.160 --> 0:53:04.000
<v Speaker 1>the Hollywood cocktail circuit, but I.

0:53:04.080 --> 0:53:05.400
<v Speaker 2>Am a fan of you.

0:53:07.200 --> 0:53:09.520
<v Speaker 3>But I'm a fan of you are one of the

0:53:09.520 --> 0:53:11.360
<v Speaker 3>reasons why I wanted to talk to you today. You

0:53:11.520 --> 0:53:12.800
<v Speaker 3>are an interesting person.

0:53:12.920 --> 0:53:16.960
<v Speaker 1>You're air, you die and a thoughtful and you have

0:53:17.680 --> 0:53:23.360
<v Speaker 1>a brain which causes you difficulty, and you use everything

0:53:23.400 --> 0:53:25.840
<v Speaker 1>in your power to navigate through the universe.

0:53:26.120 --> 0:53:30.080
<v Speaker 3>And comedy is a very useful tool for that. But

0:53:30.280 --> 0:53:31.360
<v Speaker 3>while limit yourself.

0:53:31.840 --> 0:53:36.160
<v Speaker 1>You know, and I think the good comedians, good comedians

0:53:36.360 --> 0:53:39.759
<v Speaker 1>to me, no I'm not talking about you know, the

0:53:39.880 --> 0:53:41.840
<v Speaker 1>ones that we don't need to talk about.

0:53:41.880 --> 0:53:46.879
<v Speaker 3>But good comedians to me are just socratic philosophers. That's

0:53:47.000 --> 0:53:49.560
<v Speaker 3>all they are. The history goes all the way back

0:53:49.640 --> 0:53:50.799
<v Speaker 3>to Epictetus and.

0:53:50.880 --> 0:53:54.520
<v Speaker 1>Before, and what it is is you see how you

0:53:54.640 --> 0:53:57.520
<v Speaker 1>perceive the world, and you present it in such a

0:53:57.600 --> 0:54:01.239
<v Speaker 1>way that other people are stimulated by. Comedy doesn't have

0:54:01.320 --> 0:54:02.840
<v Speaker 1>to be the only way to do it. It's just

0:54:03.080 --> 0:54:06.880
<v Speaker 1>it's a convenient platform for a philosopher, which is what

0:54:07.000 --> 0:54:09.520
<v Speaker 1>I believe you are and it's what I aspire to be.

0:54:09.880 --> 0:54:15.080
<v Speaker 1>You're a philosopher who struggles in the world and your

0:54:15.160 --> 0:54:19.040
<v Speaker 1>perception the absurdities of it provide you with comedy. But

0:54:19.320 --> 0:54:22.200
<v Speaker 1>there are particularly and I noticed this after I became

0:54:22.280 --> 0:54:26.880
<v Speaker 1>a parent as well. There is an incandescent level of

0:54:27.000 --> 0:54:30.239
<v Speaker 1>beauty that I never loved anyone until my first kid

0:54:30.360 --> 0:54:33.040
<v Speaker 1>was born. I thought I did, but I was like

0:54:33.280 --> 0:54:36.960
<v Speaker 1>it was just you know, I was like, oh, you're nice.

0:54:37.400 --> 0:54:42.440
<v Speaker 1>But when my first son was born, maybe not even

0:54:42.440 --> 0:54:44.479
<v Speaker 1>when he was born, like about six months in because

0:54:44.480 --> 0:54:47.120
<v Speaker 1>when the little baby's like ah, but when they start,

0:54:47.440 --> 0:54:52.400
<v Speaker 1>you know, being human, there's a whole different perspective. And

0:54:52.560 --> 0:54:56.400
<v Speaker 1>one of the I have a tattoo. Yeah, I have

0:54:56.440 --> 0:54:58.960
<v Speaker 1>a lot of tattoos, but this little tattoo here is

0:54:59.080 --> 0:55:01.360
<v Speaker 1>where I wear my watch, and when I forget to

0:55:01.440 --> 0:55:04.680
<v Speaker 1>wear my watch, that's still there. What it is is

0:55:04.840 --> 0:55:09.400
<v Speaker 1>the planet Saturn, and the planet Saturn is the bringer

0:55:09.480 --> 0:55:11.520
<v Speaker 1>of old age. So even though the different not wearing

0:55:11.520 --> 0:55:14.600
<v Speaker 1>my watch, I can look at it and go Saturn

0:55:14.680 --> 0:55:17.960
<v Speaker 1>of course was the god. Yeah, yeah, and and right.

0:55:18.560 --> 0:55:22.560
<v Speaker 1>But in the the Planet Suite, we're talking about music.

0:55:23.280 --> 0:55:27.000
<v Speaker 1>In the Planet Suite by host, you know that's God

0:55:27.320 --> 0:55:30.759
<v Speaker 1>like down darn darn Dad for Mars, the god of

0:55:30.840 --> 0:55:32.840
<v Speaker 1>war and all that. And there is a piece of

0:55:32.960 --> 0:55:35.880
<v Speaker 1>music called Saturn because he does all that. Like you

0:55:35.960 --> 0:55:38.200
<v Speaker 1>wrote your book about all these things. He wrote his

0:55:38.600 --> 0:55:41.320
<v Speaker 1>his suite of music about all the different planets and

0:55:42.520 --> 0:55:45.360
<v Speaker 1>in the piece of music Saturn the bringing.

0:55:45.160 --> 0:55:49.560
<v Speaker 3>Of old age, it's a very odd, weird piece of music.

0:55:49.680 --> 0:55:52.799
<v Speaker 1>It's almost like it is like an ambient Brian Ino

0:55:53.320 --> 0:55:54.200
<v Speaker 1>type piece of music.

0:55:54.480 --> 0:55:56.560
<v Speaker 3>Is a very strange piece of music.

0:55:56.920 --> 0:55:58.160
<v Speaker 1>And the aging.

0:55:57.920 --> 0:56:05.640
<v Speaker 3>Process, I think is that it's fucking weird. And I

0:56:05.800 --> 0:56:08.759
<v Speaker 3>think that the only way the way I.

0:56:08.840 --> 0:56:12.440
<v Speaker 1>Stay enthusiastic about things is the fact that it's just

0:56:12.680 --> 0:56:14.000
<v Speaker 1>getting stranger.

0:56:14.960 --> 0:56:15.120
<v Speaker 2>You know.

0:56:15.560 --> 0:56:18.800
<v Speaker 1>I now have friends contemporaries. I'm sixty, I'm going to

0:56:18.840 --> 0:56:20.840
<v Speaker 1>be sixty three years old in about a month. I

0:56:20.960 --> 0:56:24.440
<v Speaker 1>have friends who just like fucking die, just like roll

0:56:24.480 --> 0:56:26.680
<v Speaker 1>over and I'm not talking to be drug overdoses and stuff,

0:56:26.719 --> 0:56:31.920
<v Speaker 1>and just like life over doses. Yeah, they just run out.

0:56:31.840 --> 0:56:35.799
<v Speaker 3>Of fucking you know. And it's right. And I think

0:56:35.960 --> 0:56:40.640
<v Speaker 3>that if I have any delight in making and having

0:56:40.680 --> 0:56:43.759
<v Speaker 3>a little bit of successes, that allows you to do

0:56:43.960 --> 0:56:46.759
<v Speaker 3>the thing that you do but also do other things too.

0:56:47.040 --> 0:56:49.000
<v Speaker 3>I think you've been doing that since you were sixteen.

0:56:49.080 --> 0:56:51.400
<v Speaker 3>I think that's that's entirely you.

0:56:51.440 --> 0:56:56.160
<v Speaker 1>Know, Like I will be a DJ mosha, although and

0:56:56.239 --> 0:56:58.400
<v Speaker 1>I have to say, and I was going to say this, when.

0:56:58.280 --> 0:57:00.720
<v Speaker 3>You brought it up. I never heard of dj e Bosha.

0:57:00.760 --> 0:57:03.600
<v Speaker 3>Where the fuck is dj e Bosha? So you know

0:57:03.880 --> 0:57:04.839
<v Speaker 3>a lot of good data.

0:57:05.480 --> 0:57:12.800
<v Speaker 4>Well he's probably doing comedy now, probably, Yeah, Craig, what

0:57:12.960 --> 0:57:15.480
<v Speaker 4>you said, uh is beautiful.

0:57:15.520 --> 0:57:16.760
<v Speaker 2>It's like it's one of the things.

0:57:16.800 --> 0:57:19.960
<v Speaker 4>And I do need to say, Hollywood Cocktail Party that

0:57:20.040 --> 0:57:22.000
<v Speaker 4>I'm a fan of yours as well and have been

0:57:22.040 --> 0:57:22.760
<v Speaker 4>for a long time.

0:57:23.880 --> 0:57:26.360
<v Speaker 2>But what you're saying is so true.

0:57:26.520 --> 0:57:30.640
<v Speaker 4>Like I've been thinking about aging lately myself, because like

0:57:30.920 --> 0:57:36.000
<v Speaker 4>I'm at the age where the youth is starting. I

0:57:36.040 --> 0:57:39.160
<v Speaker 4>can it's starting to not be applicable to me, and

0:57:39.400 --> 0:57:41.240
<v Speaker 4>I want to fight that. I'm still in the fight

0:57:41.320 --> 0:57:45.120
<v Speaker 4>at phase, you know, like like cling and one of

0:57:45.200 --> 0:57:46.560
<v Speaker 4>the things I can And I feel this way with

0:57:46.640 --> 0:57:48.680
<v Speaker 4>my career, and I feel this way with my life path.

0:57:48.720 --> 0:57:50.320
<v Speaker 4>I feel this way with the raising of my daughter.

0:57:50.480 --> 0:57:53.480
<v Speaker 4>Is like there is no way out but through there

0:57:53.640 --> 0:57:58.320
<v Speaker 4>is no there. I can fight aging, but I cannot

0:57:58.520 --> 0:58:02.920
<v Speaker 4>stop it. I can and there isn't a way out

0:58:03.200 --> 0:58:07.160
<v Speaker 4>but death, and so a thing that I am unable

0:58:07.240 --> 0:58:14.600
<v Speaker 4>to affect any meaningful leverage upon, I may as well embrace.

0:58:14.680 --> 0:58:17.200
<v Speaker 4>I'm still by the way figuring out how to embrace it.

0:58:17.200 --> 0:58:19.200
<v Speaker 4>I'm not going to claim that I am, but I'm

0:58:19.280 --> 0:58:23.120
<v Speaker 4>starting to process that idea like life goes in one

0:58:23.200 --> 0:58:26.520
<v Speaker 4>direction time. I mean, I don't fully understand time and space,

0:58:26.600 --> 0:58:29.080
<v Speaker 4>but it seems to me that time is linear and

0:58:29.640 --> 0:58:33.160
<v Speaker 4>you must only continue to walk because the other option.

0:58:33.360 --> 0:58:35.280
<v Speaker 3>Is to fall off the edge.

0:58:36.600 --> 0:58:37.040
<v Speaker 5>I think so.

0:58:37.400 --> 0:58:38.240
<v Speaker 3>I think though the.

0:58:40.160 --> 0:58:46.400
<v Speaker 1>Time is linear physically, I think that that's correct. But

0:58:46.520 --> 0:58:51.919
<v Speaker 1>I think physicality is not all there is that. I'm

0:58:51.960 --> 0:58:54.160
<v Speaker 1>not talking about life after death or end like that.

0:58:54.280 --> 0:58:57.000
<v Speaker 1>I mean, I don't know about that, just like no one.

0:58:56.960 --> 0:59:02.560
<v Speaker 3>Else doesn't, but I I do kind of.

0:59:03.400 --> 0:59:05.680
<v Speaker 1>I do kind of, and I am interested in the

0:59:06.400 --> 0:59:09.720
<v Speaker 1>in the notion of I don't know if you you

0:59:09.760 --> 0:59:11.560
<v Speaker 1>ever you're familiar with Brian.

0:59:11.400 --> 0:59:12.960
<v Speaker 3>Cox, doctor Brian Cox, the.

0:59:15.040 --> 0:59:20.280
<v Speaker 1>Some some scientists, the handsome siety is very handsome, very cool,

0:59:20.600 --> 0:59:24.600
<v Speaker 1>very clever. I think he's an astrophysicist, but I'm not sure.

0:59:24.680 --> 0:59:28.280
<v Speaker 1>I mean, he's some kind of expert on all things time.

0:59:28.320 --> 0:59:31.720
<v Speaker 1>And he did a beautiful show for the BBC about

0:59:32.440 --> 0:59:36.200
<v Speaker 1>time Somewhere in space time. It's called if you get

0:59:36.200 --> 0:59:38.600
<v Speaker 1>a chance to find that you should watch it. It's

0:59:38.640 --> 0:59:44.520
<v Speaker 1>beautiful because it's because it is. It is absolutely poetic,

0:59:44.920 --> 0:59:48.520
<v Speaker 1>and he talks about time. He does a very interesting

0:59:48.680 --> 0:59:52.200
<v Speaker 1>thing about because it's I suppose it's wrapped up with Einstein.

0:59:52.560 --> 0:59:57.320
<v Speaker 1>But he gets into a supersonic jet and flies west

0:59:57.400 --> 1:00:00.560
<v Speaker 1>into the sunset, and of course he's flying west into

1:00:00.600 --> 1:00:05.760
<v Speaker 1>the sunset faster than the speed of sound, and as

1:00:05.840 --> 1:00:09.200
<v Speaker 1>he flies into the sunset, the sun stucks to rise

1:00:09.920 --> 1:00:14.480
<v Speaker 1>because he's traveling fast in a direction where so it's

1:00:14.600 --> 1:00:17.760
<v Speaker 1>really about where you are in the universe effects.

1:00:18.040 --> 1:00:22.200
<v Speaker 5>Right, crime is yeah, and find I know that. Think

1:00:22.240 --> 1:00:27.760
<v Speaker 5>it's called of relativity. I understand that theory completely. That's

1:00:27.800 --> 1:00:30.440
<v Speaker 5>the sixth section of my book is about the theory.

1:00:30.280 --> 1:00:31.600
<v Speaker 2>Of relativity and my work on it.

1:00:32.560 --> 1:00:33.040
<v Speaker 1>Do you know this?

1:00:33.680 --> 1:00:35.640
<v Speaker 4>This blew my mind and I don't understand that, so

1:00:35.720 --> 1:00:37.919
<v Speaker 4>don't ask me to explain it. But I'm sure Brian

1:00:38.000 --> 1:00:40.840
<v Speaker 4>Kax talks about it in this special Which is that

1:00:41.280 --> 1:00:44.200
<v Speaker 4>that time, the linear thing that we are describing, the

1:00:44.280 --> 1:00:47.200
<v Speaker 4>thing that makes us older, and the thing that you

1:00:47.240 --> 1:00:49.840
<v Speaker 4>know makes the sun go up and down and space

1:00:51.080 --> 1:00:53.200
<v Speaker 4>in like the thing that you look up and it's

1:00:53.600 --> 1:00:55.880
<v Speaker 4>up there, but it's also over there and down is

1:00:56.040 --> 1:01:00.760
<v Speaker 4>the same thing. The thing that makes your Grandma old

1:01:00.840 --> 1:01:03.280
<v Speaker 4>and die is the thing that contains Saturn.

1:01:03.840 --> 1:01:05.720
<v Speaker 3>It's like, what the fuck does that mean?

1:01:06.640 --> 1:01:09.760
<v Speaker 2>But according to the theoretical physicist, that is true.

1:01:11.160 --> 1:01:14.880
<v Speaker 1>Well, I think if you're wrestling with those questions, then

1:01:15.360 --> 1:01:16.280
<v Speaker 1>by all means.

1:01:16.120 --> 1:01:16.880
<v Speaker 3>Do crowd work.

1:01:17.400 --> 1:01:23.360
<v Speaker 1>But amen, amen, Amen is a good word to end with.

1:01:23.880 --> 1:01:26.080
<v Speaker 1>It's great talking to you, catching up with you again.

1:01:26.160 --> 1:01:29.440
<v Speaker 1>I love talking to you, and I do remain a

1:01:29.480 --> 1:01:31.680
<v Speaker 1>big fan. You are the only crowd work guy that

1:01:31.760 --> 1:01:32.880
<v Speaker 1>I can watch and go.

1:01:32.960 --> 1:01:34.240
<v Speaker 3>All right, I suppose that's.

1:01:35.240 --> 1:01:39.160
<v Speaker 4>There are some other masters out there. Listen, I'm gonna

1:01:39.240 --> 1:01:42.000
<v Speaker 4>leave you. I've loved talking to you. I always do,

1:01:42.440 --> 1:01:46.160
<v Speaker 4>and I'll leave you with We never discussed the sixth scene,

1:01:46.560 --> 1:01:48.600
<v Speaker 4>so i'll leave it with you so that so you

1:01:48.640 --> 1:01:49.160
<v Speaker 4>can ask.

1:01:49.080 --> 1:01:51.040
<v Speaker 2>Me back someday we can talk about it for an hour.

1:01:51.320 --> 1:01:51.919
<v Speaker 2>But it's the world.

1:01:52.040 --> 1:01:56.360
<v Speaker 1>We'll start with the sixth episode, that's right. Yeah, yeah,

1:01:56.720 --> 1:01:58.240
<v Speaker 1>Maybe you can write another book.

1:01:59.040 --> 1:02:03.440
<v Speaker 3>About space time right about the six six other things.

1:02:04.360 --> 1:02:06.240
<v Speaker 4>That's interesting. I'd have to get a lot of living

1:02:06.320 --> 1:02:09.320
<v Speaker 4>done anyway. It's the world of the deaf and American

1:02:09.400 --> 1:02:11.200
<v Speaker 4>sign language, my mother and father and.

1:02:13.200 --> 1:02:14.240
<v Speaker 3>Of course your parents.

1:02:15.480 --> 1:02:17.280
<v Speaker 4>Yeah, and I spent a long time as a sign

1:02:17.360 --> 1:02:19.600
<v Speaker 4>language interpreter. So it goes through the whole history of

1:02:19.720 --> 1:02:23.760
<v Speaker 4>sign language and American sign language and the education of

1:02:23.840 --> 1:02:26.880
<v Speaker 4>the death and anyway. The book's called Subculture Vulture, and

1:02:27.280 --> 1:02:28.320
<v Speaker 4>I'm very proud of it, and.

1:02:28.960 --> 1:02:30.480
<v Speaker 3>That's all really good.

1:02:30.720 --> 1:02:35.320
<v Speaker 1>I can't speak sign language, but or can't sign sign language,

1:02:35.560 --> 1:02:37.560
<v Speaker 1>but I used to be a bit better after because

1:02:37.560 --> 1:02:40.680
<v Speaker 1>I had I was helping a guy get Solberg who

1:02:40.880 --> 1:02:45.520
<v Speaker 1>was deaf, and so the only thing we could do was,

1:02:45.800 --> 1:02:48.120
<v Speaker 1>you know, he could rip let read a bed. But

1:02:48.200 --> 1:02:51.240
<v Speaker 1>he was tall, I mean, he was profoundly there, you know,

1:02:51.880 --> 1:02:53.680
<v Speaker 1>so he could do that, and he taught me some

1:02:53.800 --> 1:02:54.360
<v Speaker 1>sign language.

1:02:54.400 --> 1:02:55.600
<v Speaker 3>I've forgotten most of it.

1:02:55.920 --> 1:02:58.480
<v Speaker 1>The only thing I remember is British sign language is

1:02:58.480 --> 1:03:00.480
<v Speaker 1>a different language to Americans sign language.

1:03:01.200 --> 1:03:01.960
<v Speaker 3>It was fascinating.

1:03:03.000 --> 1:03:06.280
<v Speaker 1>I thought it was weird, and then when I heard this,

1:03:07.800 --> 1:03:12.080
<v Speaker 1>it was weird. And that's weird, which I think is

1:03:12.200 --> 1:03:14.000
<v Speaker 1>very witty, and that's odd.

1:03:14.640 --> 1:03:15.320
<v Speaker 3>That's weird.

1:03:15.720 --> 1:03:16.000
<v Speaker 2>Odd.

1:03:16.840 --> 1:03:18.880
<v Speaker 3>Yeah, well, I.

1:03:18.960 --> 1:03:22.400
<v Speaker 1>Think it's it's a very funny thing saying language. It

1:03:22.480 --> 1:03:26.520
<v Speaker 1>makes me laugh. It's it's and it is very witty.

1:03:26.560 --> 1:03:28.960
<v Speaker 4>It is very funny, and it used to be much

1:03:29.000 --> 1:03:32.080
<v Speaker 4>more in your face. I won't do it, but I

1:03:32.160 --> 1:03:34.640
<v Speaker 4>want you to guess what the sign for Asian and

1:03:34.880 --> 1:03:36.400
<v Speaker 4>Chinese was when I was a kid.

1:03:37.360 --> 1:03:38.360
<v Speaker 3>It's probably no good.

1:03:38.720 --> 1:03:41.760
<v Speaker 4>Thankfully, deaf Chinese immigrants moved to America and.

1:03:41.840 --> 1:03:44.440
<v Speaker 2>Were like, Uh, what the fuck is the sign for Chinese.

1:03:44.720 --> 1:03:47.520
<v Speaker 4>No, we've got our own sign okay, and they've updated

1:03:47.560 --> 1:03:48.120
<v Speaker 4>the language.

1:03:48.520 --> 1:03:51.600
<v Speaker 3>But all all right, get out of here.

1:03:51.640 --> 1:03:53.640
<v Speaker 2>It's great to see and you're the best. Yeah. Great

1:03:53.680 --> 1:03:55.680
<v Speaker 2>seeing you too. I hope I see you again. Somewhere

1:03:55.800 --> 1:03:57.440
<v Speaker 2>along the space time continuum.

1:03:57.840 --> 1:04:05.400
<v Speaker 3>You will somewhere to space time, not before