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Speaker 1: We did it.

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Speaker 2: We hit our forty million downloads, which is pretty awesome,

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Speaker 2: amazing iHeart was, you know, it was obviously very amazingly

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Speaker 2: supportive of us and kind of gives us a breakdown

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Speaker 2: when we hit forty million, of kind of where the

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Speaker 2: show's super popular and you know, people around the world

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Speaker 2: listening to it.

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Speaker 1: And there was one little.

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Speaker 2: Note attached that I wanted to point out, okay, because

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Speaker 2: I want to give a shout out to apparently the

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Speaker 2: single listener, yeah, that we have in and I hope

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Speaker 2: I'm saying it right Eritrea, Africa.

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Speaker 3: Yes, Wow, where's a one listener there?

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Speaker 4: One listener there?

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Speaker 1: How do you still that? E R I t R

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Speaker 1: E A.

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Speaker 4: And so to our one listener.

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Speaker 3: You are the most important.

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Speaker 2: Lesson is so cool, and we are starting our campaign

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Speaker 2: to try to get iHeart to send us to your home.

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Speaker 3: We'd like to do a podcast in your living room.

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Speaker 1: I would love to go. Oh my god.

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Speaker 2: Yes. And the idea that there's one person listening there

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Speaker 2: was so cool to me that I had to shout

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Speaker 2: this person out. So, whoever you are, that is the

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Speaker 2: coolest thing, because I remember, I think when we hit

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Speaker 2: twenty million, we found out We also had one listener

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Speaker 2: in a really small Alaskan town exactly, and one of

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Speaker 2: the ideas that we threw around was just kind of

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Speaker 2: go there growing up at this person's house, being Okay,

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Speaker 2: we're going to do a podcast from your living So

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Speaker 2: also shout out to the one person in the Alaskan town.

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Speaker 2: But I had to shout out that one African listener.

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Speaker 3: I really love that. Really, I think it's so great.

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Speaker 3: You know, you could probably tell one other person nearby

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Speaker 3: about the podcast, then they could start listening to it too,

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Speaker 3: then you could have someone to talk to it about.

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Speaker 2: Just see exactly one other person would be great.

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Speaker 4: But yeah, so shout out thank you very much.

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Speaker 3: We learned us. We learned we had forty million downloads

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Speaker 3: while we were in Vegas for WrestleMania weekend, and I

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Speaker 3: wanted to share a very funny story that happened while

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Speaker 3: we So we were separated trying to get into WrestleMania.

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Speaker 3: Trying to get into the stadium was a disaster, and

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Speaker 3: we got dropped off so that we were in two

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Speaker 3: separate cars, and so Jensen and I got dropped off

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Speaker 3: on the opposite side of the arena from you guys,

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Speaker 3: and we were trying to get to you, and it

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Speaker 3: was the busiest time to be trying to find people

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Speaker 3: because it was like thirty minutes before the program started,

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Speaker 3: so we're not trying to get in.

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Speaker 4: You and Jensen had the tickets, so we couldn't just meet.

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Speaker 3: You at the exactly, and we were trying to get

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Speaker 3: ticket Master. We were trying to send the tickets through

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Speaker 3: the but it wasn't working inside the stadium. It was

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Speaker 3: a complete nightmare. Anyway, long story short, we at one

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Speaker 3: point were truly running. Jensen and I were running outside

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Speaker 3: and as we ran by a small group of people,

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Speaker 3: Jensen heard the woman say, oh my gosh, that that

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Speaker 3: woman looks like Tapega, but I know she died Jenson,

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Speaker 3: we both started laughing so hard. Also, it's one of

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Speaker 3: our favorite things when there's mistaken identity stuff like I

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Speaker 3: think I've told you that. One time on Halloween, a

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Speaker 3: bunch of kids came up and then as they were

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Speaker 3: running away, Jensen was coming back up from walking brunch

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Speaker 3: and the one of the kids said, do you.

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Speaker 1: Know who that was?

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Speaker 5: That's Lorii Laughlin from.

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Speaker 3: Full House, And Jensen thought that was hysterical. So we

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Speaker 3: love mistaken identity mistaken death is Chef's kiss Kiss just

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Speaker 3: I love it so that lady apparently doesn't listen. I

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Speaker 3: was gonna say shout out to her too, but she

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Speaker 3: apparently doesn't listen to Pod Meets World because then she'd

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Speaker 3: know I'm not You're not.

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Speaker 2: I mean, just for the record, I think we should

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Speaker 2: put that out there now, you're not well. We did

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Speaker 2: not look at maybe a little bit your soul, a

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Speaker 2: little bit about that little you know.

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Speaker 3: Will said, he was like, but are you sure you're not.

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Speaker 3: I was like, let me google.

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Speaker 2: It, because maybe we all are. Remember we talked about that,

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Speaker 2: maybe this is just the similar relation that we're all in.

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Speaker 1: Yeah, we were just forced to go back and watch

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Speaker 1: our lives like Judging, Judging.

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Speaker 2: Like Defending your Life, the greatest.

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Speaker 1: Greatest movie ever.

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Speaker 3: Welcome to Pod Meets World.

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Speaker 2: I'm Daniel Offishal, I'm right or Strong, and I'm Wilfred Dell.

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Speaker 3: Today we decided to bring you a bonus episode about

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Speaker 3: one of the obscure b sides of Boy Meets World,

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Speaker 3: something we get a good amount of emails about and

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Speaker 3: we've mentioned in passing before, but it is a big

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Speaker 3: deal for Boy Meets World. Completists, It's nineteen ninety four's

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Speaker 3: whole new level of fun. The ABC Saturday Morning Cartoon

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Speaker 3: preview show that we hosted, Now, this was an annual

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Speaker 3: tradition for the network. It was the way they introduced

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Speaker 3: kids to the newest additions to the Saturday Morning cartoon schedule,

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Speaker 3: and they would have hosted interstitials to talk about the

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Speaker 3: new programming that was about to debut, and at the

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Speaker 3: same time they'd be able to promote their own ABC projects.

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Speaker 3: This has been going on since nineteen sixty nine, if

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Speaker 3: you could believe it.

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Speaker 1: Wow.

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Speaker 3: The debut was the Super Saturday Cartoon Preview, hosted by

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Speaker 3: the cast of The Ghost and Missus Muir and Jonathan

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Speaker 3: Frid from Dark Shadows, but over the years some of

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Speaker 3: the other hosts include the Brady Bunch Kids, Dick Clark,

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Speaker 3: Roseanne bar Weird Al Hanging with Mister Cooper cast Tony Danza,

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Speaker 3: and a puppet rock band called Captain Cool and The

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Speaker 3: Kongs Nice.

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Speaker 2: Their session album was Banging.

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Speaker 3: Yeah, I'm not sure I would have gone with All

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Speaker 3: K's for that one, is it too? That's Captain Cook

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Speaker 3: and the Kong's All with you case interest interesting choice. Now,

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Speaker 3: we did this in nineteen ninety four, after season one

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Speaker 3: leading to season two? What do you guys remember about

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Speaker 3: being asked to do this? Do you remember filming it?

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Speaker 1: Nope?

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Speaker 2: Yes, yes, Wow, you don't you think about this?

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Speaker 5: Yeah?

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Speaker 1: No, I remember everything leading up to it because we

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Speaker 1: had to shoot it on a weekend and.

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Speaker 3: You're going to be out of town to give a

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Speaker 3: flower to Maureene.

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Speaker 1: No. I was in Tahoe with my friend Lennie and

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Speaker 1: my other friend Sean. Yeah, and it was Lenny's mom

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Speaker 1: drove me to the airport to fly out whatever that night,

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Speaker 1: and I missed the flight, so we had to wake

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Speaker 1: up the next morning and she drove me the next morning,

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Speaker 1: so I flew. I had to be up at like

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Speaker 1: three or four in the morning to make it to

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Speaker 1: the airport to fly in for this, and then it

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Speaker 1: was an awful day. Like Jeff McCracken was just maybe

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Speaker 1: it was his first time directing us.

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Speaker 3: I feel like, oh, I don't think.

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Speaker 1: Yeah, I think this is when I met Jeff, because

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Speaker 1: I don't think we had just started the second season.

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Speaker 1: I don't think he had done an episode yet. I

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Speaker 1: don't think did he do an episode the first season.

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Speaker 1: I don't think we must have met him though, didn't

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Speaker 1: we Yeah, but he was just like the tall guy around,

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Speaker 1: you know, and this was him directing, and he just

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Speaker 1: does a good job, Like it looks really good, and

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Speaker 1: especially considering how much Lily has to do, it's incredible.

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Speaker 1: But but I remember it being really painful and taking forever.

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Speaker 1: And now I'm looking at it and went, oh, it's

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Speaker 1: probably because they gave so many lines to Morgan. So

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Speaker 1: you can't have a little kid do this much dialogue

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Speaker 1: without take after take after, you know.

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Speaker 3: And so I'm sure that was I mean, and when

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Speaker 3: you see what the best takes were that they got.

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Speaker 6: Yeah, she said belongs, Yes, got the That's basically what

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Speaker 6: it was.

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Speaker 1: Yeah, But I mean to have written like so Susan

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Speaker 1: is sel Jensen wrote this like it yeah, anyway that

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Speaker 1: I remember getting in so tired, being so miserable and

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Speaker 1: all day being really stressed out. Yeah, yeah, And I.

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Speaker 2: Don't remember that at all, daniel I mean, Danielle, do

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Speaker 2: you remember this.

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Speaker 3: Yes, I remember it vaguely. I remember that that similar

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Speaker 3: to writer that it was a slow, a slow day.

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Speaker 3: And you know what I remember I think most is

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Speaker 3: I have I when I have memories about this kind

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Speaker 3: of stuff. I have memories about the overall feeling, not

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Speaker 3: so much the specific like the specifics, but the overall

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Speaker 3: feeling I had was that I was excited to be

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Speaker 3: doing it, and I wanted it to be one of

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Speaker 3: those days where it was super fun and funny and

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Speaker 3: we were laughing all the time, and it was and

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Speaker 3: it wasn't. And so it was a little bit of

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Speaker 3: like a oh, like I can even tell my I

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Speaker 3: can even tell my energy in the program is like,

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Speaker 3: just get through this. That's let's get through this and

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Speaker 3: get this done.

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Speaker 2: One of you might have mentioned this was this, did

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Speaker 2: we shoot this on a weekday or a week.

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Speaker 3: Is a weekend?

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Speaker 1: In my mind is a weekend, But that actually doesn't

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Speaker 1: make sense because if I was coming, it was either

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Speaker 1: like an end of a hiatus and we started it

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Speaker 1: on a Sunday.

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Speaker 3: It was definitely before this, I think before the season started.

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Speaker 3: I am fresh from Hawaii.

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Speaker 2: Right, yeah, and they say, hey, we're joining Eric in.

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Speaker 3: High school this year, so the season hasn't started yet,

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Speaker 3: so this may have been, like, you know, if we

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Speaker 3: started shooting end of July or August, this may have

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Speaker 3: been like the first week back. And I think it

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Speaker 3: was on a weekend because we were probably starting a regular.

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Speaker 2: Work week, right, So this might have been one of

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Speaker 2: the first times we were all together again after getting

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Speaker 2: packed up for season one, correct, which is why.

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Speaker 3: I think my memory of it is is like so

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Speaker 3: excited about.

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Speaker 1: Okay, yeah, but I think this was Jeff McCracken's first thing.

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Speaker 1: We'll have to ask him because I think I think

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Speaker 1: this might have been the.

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Speaker 3: First time we did ask Jeff, and we have some

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Speaker 3: clips from Jeff, and I'll but I will give you

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Speaker 3: a little spoiler alert. Okay, Jeff had zero memory of this.

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Speaker 3: Me too, zero zero memory of this. So our special

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Speaker 3: introduced three new shows, Free Willy, Reboot, and Bump in

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Speaker 3: the Night. Did anyone remember there was a Free Willy cartoon?

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Speaker 7: No?

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Speaker 1: But I remember the other two, like I remember, yes,

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Speaker 1: it was a big deal because it was computer graphics

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Speaker 1: was the first one. And I remember these because they

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Speaker 1: like we got to watch clips or whatever, and I

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Speaker 1: remember being like, oh, these are cool.

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Speaker 2: But Free Willie they did it in an animated show

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Speaker 2: about a captured killer whale.

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Speaker 3: Uh huh, yeah they did.

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Speaker 1: How do you keep that going? But how do you

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Speaker 1: keep that?

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Speaker 2: How is that a series like, hey, wow, you're still

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Speaker 2: in your cage. Sorry, let's we can't solve crimes. There's

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Speaker 2: no mystery machine. It's just this poor whale that's.

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Speaker 1: Looks it looks like probably going on story they're saving

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Speaker 1: other animals. I'm sure that's what the pitch, and then coming.

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Speaker 2: Back to just be back in its case of it.

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Speaker 3: Yeah, he likes it.

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Speaker 2: There he gets too far, he gets a shock, so

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Speaker 2: he goes back in. Wasn't a free Willie. That wasn't Tillicum,

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Speaker 2: that wasn't the one they used, wasn't the one that

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Speaker 2: actually killed.

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Speaker 1: But there was a new podcast out about the Free

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Speaker 1: Willy Whale that's supposed to be amazing. Okay, I've heard

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Speaker 1: this podcast. It was It just came out last year.

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Speaker 1: It's supposed to be a big hit, and it tells

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Speaker 1: the true story of the Free Willy Whale's supposed to

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Speaker 1: be an incredible podcast.

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Speaker 3: Okay. Now, we posted a YouTube link where you can

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Speaker 3: see the special, as well as all the commercials and

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Speaker 3: cartoons that followed us.

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Speaker 6: Which I did not set aside enough time for no doubt,

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Speaker 6: if I had known that I was going to get

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Speaker 6: to watch all the ads, I would have like scheduled

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Speaker 6: better and so unfortunately.

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Speaker 2: Yeah, and you know, I.

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Speaker 1: It is such a bizarre experience. Yeah, I've only done

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Speaker 1: acid once and it was not like a great time.

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Speaker 1: It was just lasted too long. But I don't need

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Speaker 1: to anymore. I could just watch this special. I know,

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Speaker 1: my head melted, like when you came in and said

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Speaker 1: this is not my hair for the show or whatever

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Speaker 1: you said.

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Speaker 2: My brain just ran where am I?

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Speaker 1: And then like everybody's faces was like kind of like

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Speaker 1: glitching because the quality of the video is so bad.

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Speaker 1: So it's like I am on so many drugs right now.

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Speaker 1: And then like the ads, I could not believe it.

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Speaker 1: My head just exploded.

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Speaker 3: Yet I know I thought the exact same thing. And

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Speaker 3: I still am not sure whether we are ourselves.

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Speaker 1: And Eric and Sean, but we're not we're doing the show.

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Speaker 1: We're not doing the show right, were talking about.

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Speaker 3: Talking about when our show starts, that there's a script

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Speaker 3: for this, yes, and.

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Speaker 2: Then we're watching ourselves because I'm on the phone with

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Speaker 2: a girl who can now watch me TV, So weren't.

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Speaker 1: Doing live hosting a live TV.

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Speaker 3: Show as the characters. But it's so weird. I just

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Speaker 3: really reconfirmed to me that I have very good reason

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Speaker 3: to add to Penga to my real name. No, that's

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Speaker 3: all I could think.

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Speaker 1: See I am so do you think they just didn't

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Speaker 1: hire a hair and megup person.

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Speaker 3: They did Viral van Dyke, But that's right our hair.

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Speaker 1: When coming in you probably and did not have time

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Speaker 1: to your hair. They were she doesn't look like, what

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Speaker 1: are we going to do?

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Speaker 2: And you were just like, just got us.

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Speaker 1: That is what it's like when it's not on the show.

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Speaker 3: So weird, so crazy. Okay, So the it's in the

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Speaker 3: show notes and we will also post it on our

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Speaker 3: Instagram links so you can check out the special and

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Speaker 3: follow along. I will be giving time codes for the

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Speaker 3: segments that we are in now before we get into

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Speaker 3: the credits. What did you guys think about whole new

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Speaker 3: level of fun? The Boy Meets World Saturday Morning Cartoon Special.

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Speaker 2: It's the best thing I've ever done in my career,

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Speaker 2: bar none, easily the best thing I've ever done.

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Speaker 1: It's what I want to be remembered by.

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Speaker 2: And when I get my Hollywood Walk of Fame star,

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Speaker 2: this is what I'm going to talk about. Kider.

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Speaker 1: You know, yeah, I mean, like I said, it melted

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Speaker 1: my brain. But Actually, the more I think about it,

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Speaker 1: the more I feel like, maybe this is kind of

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Speaker 1: like watching this for a fan of Boy Meets World

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Speaker 1: probably is the closest like somebody could get to like

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Speaker 1: what it felt to be us sometimes, Like we did

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Speaker 1: have this weird sense of like, wait, we're we have

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Speaker 1: to act in the show, but we also have to

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Speaker 1: do these side things. We have to be self referential,

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Speaker 1: like it is a trip. Like it was weird as

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Speaker 1: a kid to not know like, well, that's the character

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Speaker 1: is my girlfriend or my best friend and we're not

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Speaker 1: really friends in real life. You know, there's like layers

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Speaker 1: to the experience, and I feel like maybe that's a

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Speaker 1: positive way that somebody could look at this. It's like

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Speaker 1: this is kind of what it felt like for us sometimes,

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Speaker 1: like the way you feel when you're watching and you're like, wait,

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Speaker 1: who's Sean? Where does it end? What's scripted? When's it

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Speaker 1: not scripted?

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Speaker 2: Our lives show within a show, So it was like

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Speaker 2: we're all actually our characters, but this is what we

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Speaker 2: do when we're not you.

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Speaker 1: I mean, it was, but it's also so weird to

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Speaker 1: be going back to second season of Us, like yeah, yes,

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Speaker 1: because Lily comes from upstairs.

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Speaker 2: It comes from upstairs still, and Eric still comes from

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Speaker 2: the kitchen. You're still playing basketball and coming from the

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Speaker 2: fake it's you know what.

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Speaker 3: It made me feel though, and I kind of remember

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Speaker 3: feeling it back in the day, and we've we've had

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Speaker 3: this discussion about how we all feel when like this

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Speaker 3: was us having to shill for the network, and the

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Speaker 3: feeling that we had on set was like, this is

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Speaker 3: annoying that we have to do this. It's it's extra time.

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Speaker 3: We're not keeping hate it.

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Speaker 1: Like this. I don't like what I'm saying. I'm like, yes, I.

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Speaker 3: Have to do exactly. We thought it was cheesy or whatever,

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Speaker 3: and what I walked away from it was like, shut up,

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Speaker 3: you little. You are on a massive network and they're

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Speaker 3: taking care of you. They are making the decisions about

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Speaker 3: picking up your show, and they want you to come

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Speaker 3: in for it as by the way, you do a

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Speaker 3: good job. You're in and out of there as fast

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Speaker 3: as can be. They don't want to be there all

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Speaker 3: day either, so like, commit, just do it, put the

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Speaker 3: smile on your face, have fun. They're not putting you

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Speaker 3: in situations that you're like, I'm sorry, I'm ethically opposed

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Speaker 3: to this. Or this is some I have some moral

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Speaker 3: issue with what's going on. They're not doing anything salacious,

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Speaker 3: they're just putting us certainly in weird situations where we're like,

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Speaker 3: but are we us or are we our characters who

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Speaker 3: whatever they want, whatever they want, just do it. But

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Speaker 3: I do remember having the feeling of like, why do

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Speaker 3: we have to do this? This is odd and I

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Speaker 3: don't know, I just there was a part of me

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Speaker 3: that wanted to be like, yeah, enjoy it. Put a

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Speaker 3: smile on your face.

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Speaker 2: There was also there's also this was at a time

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Speaker 2: where so we should let the listeners know that before

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Speaker 2: every season would start, there would be a series of

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Speaker 2: things we would have to do, yeah, meaning you know,

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Speaker 2: we'd have to do photo shoots, and there would be

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Speaker 2: multiple photo shoots at times, shoot to make credits, hair stuff,

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Speaker 2: shot shooting credit. So this was probably another thing on

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Speaker 2: the list of like, oh wait, and now we're hosting

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Speaker 2: this Saturday morning cartoon thing.

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Speaker 1: So I mean there was a number of.

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Speaker 2: I don't even know, housekeeping things that we'd have to

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Speaker 2: do before every season started. Yeah, And so this was

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Speaker 2: probably just another one of those things on the list

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Speaker 2: where it's like, oh, and by the way you guys

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Speaker 2: are hosting the thing, and I'm sure we were at

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Speaker 2: the time probably like okay, no big deal. It wasn't

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Speaker 2: until we got the inform like actually got the script

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Speaker 2: that we would be like, ooh, this is we have fun.

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Speaker 1: I also think that there's a generational distinction here, which

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Speaker 1: is that like now actors do everything like they like

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Speaker 1: do commercial but back then, like I was very conscious

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Speaker 1: I would never do an on camera commercial, Like that

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Speaker 1: was like a thing that I said, and like, you know,

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Speaker 1: there were actors who said they would never do television,

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Speaker 1: remember because they were film actors or just theater actors.

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Speaker 1: So like these boundaries and the fact that they made

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Speaker 1: us basically do a commercial is kind of like an

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Speaker 1: extra thing that like I had no interest in doing.

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Speaker 1: And at the time, like now you realize, like if

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Speaker 1: you're an actor, you just be happy you have a

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Speaker 1: freaking job and like do whatever you can and the

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Speaker 1: audience will receive it. But at the time I think that,

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Speaker 1: you know, it's not like Bill Daniels was doing this right,

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Speaker 1: you know, there was there was a quality level, there

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Speaker 1: was a but we were being like the US kids

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Speaker 1: were kind of being told we had to do.

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Speaker 3: This like they never would have asked Bill.

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Speaker 4: No, they wouldn't.

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Speaker 1: And that was, you know, like nowadays they probably would.

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Speaker 1: Then Nowadays, I think there's an attitude of like, hey,

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Speaker 1: this is part of the job. It would be in

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Speaker 1: your contract or they'd ask you they pay you what.

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Speaker 1: But I think back then it was sort of like

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Speaker 1: and that's why I felt bad. I remember being like,

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Speaker 1: but this isn't even acting. This isn't even an episode

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Speaker 1: of our show. Why do I have to do this?

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Speaker 1: This isn't free right?

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Speaker 3: Why do I have to get on a flight from

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Speaker 3: my vacation. So it stars Ben Savage, Will Wrighter, myself,

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Speaker 3: and Lily nick Say, all playing our Boy Meets World characters,

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Speaker 3: but also kind of playing ourselves. This was years before

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Speaker 3: we did meta stuff inside the actual show, so this

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Speaker 3: was way ahead of its time for us. It was

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Speaker 3: written by Susan Hostelle Jansen and produced by Jim Janisek,

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Speaker 3: the creator of tgis two guests we have had on

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Speaker 3: the show, and it's directed by the great Jeff McCracken.

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Speaker 3: I asked Jeff to send us a voice memo about

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Speaker 3: what he remembered from this, so let's hear from him first.

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Speaker 7: Let me just start by saying how much I'm enjoying

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Speaker 7: listening to you three recap the episodes of Boy Meets World.

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Speaker 7: Every recap is not only a trip down memory lane,

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Speaker 7: but a wonderful exploration of your personal and you professional experiences.

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Speaker 7: Now for that Saturday Morning Cartoon special segment, I must

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Speaker 7: come clean and say I only have a vague recollition

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Speaker 7: of it after watching it, And what struck me most

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Speaker 7: was just how damn cute you all were. I mean really,

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Speaker 7: just so bloody adorable and so professional. I was taking

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Speaker 7: a bag at how natural and effortless you made it

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Speaker 7: all seem, you know, especially and knowing that it was

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Speaker 7: an all the reality of the show itself. And I

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Speaker 7: have to say, did I enjoy directing the promo? No,

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Speaker 7: I'd have to say not really. I mean, it was

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Speaker 7: a necessary evil bestowed upon us by the network as

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Speaker 7: a means of getting people to watch the cartoons on

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Speaker 7: Saturday morning, right, you know, it was a challenge to

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Speaker 7: make it feel like the show itself, but you were

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Speaker 7: the reason it worked. You all handled it brilliantly. Reminded

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Speaker 7: me again of just how talented and amazing you all were,

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Speaker 7: regardless of the material. But then you know, we could

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Speaker 7: have been reading the phone book. It wouldn't have matter

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Speaker 7: to me. Oh yeah. One thing, one thing though that

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Speaker 7: I noticed that was just super crazy was the amount

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Speaker 7: of candy and junk food on the coffee table. I mean,

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Speaker 7: did you notice that? It was like insane? I mean,

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Speaker 7: I think PROPS must have blown their entire season's budget

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Speaker 7: on that. I mean I got a toothache just looking

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Speaker 7: at all that stuff. I'm sure that it was a

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Speaker 7: network requirement to entice those young viewers. You know, Bribery

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Speaker 7: and its zenus here children have some crack cocaine to

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Speaker 7: bring fifteen years.

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Speaker 2: I love him, I love your children, children.

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Speaker 3: I would like to I have to agree with Jeff.

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Speaker 3: When I watched this, I was struck by how adorable

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Speaker 3: all of us were as little kids. If you were kids,

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Speaker 3: I mean, it was so, it was so. I mean,

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Speaker 3: I guess now because we're in season six of the

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Speaker 3: Recap and I feel like I even have and I do.

440
00:22:01,640 --> 00:22:03,159
Speaker 3: It's not that much, but like I feel like I

441
00:22:03,200 --> 00:22:06,040
Speaker 3: have more distance from that little kid version now that

442
00:22:06,080 --> 00:22:10,560
Speaker 3: I've already rewatched it, Like there's a desensitization that has

443
00:22:10,600 --> 00:22:12,760
Speaker 3: happened now that I've that I you know, I had

444
00:22:12,880 --> 00:22:15,600
Speaker 3: kind of like I was very nervous to start the

445
00:22:15,600 --> 00:22:18,399
Speaker 3: Boy Meets World recap pot I was. I was nervous,

446
00:22:18,400 --> 00:22:20,280
Speaker 3: like how am I gonna feel watching us? And then

447
00:22:20,280 --> 00:22:22,840
Speaker 3: once I did it, and I was like, Okay, I

448
00:22:22,920 --> 00:22:25,720
Speaker 3: did it. Now seeing it again with like eyes that

449
00:22:25,760 --> 00:22:28,880
Speaker 3: were from in season six, it's it's like, look at these,

450
00:22:29,280 --> 00:22:31,160
Speaker 3: look at we were kids.

451
00:22:31,560 --> 00:22:33,600
Speaker 2: Yeah, tiny little.

452
00:22:33,440 --> 00:22:37,800
Speaker 3: Children, so funny, so all right. Other familiar names like

453
00:22:37,920 --> 00:22:41,920
Speaker 3: Lynn McCracken, David Glazer, Sarah Markowitz all appear in the credits,

454
00:22:41,920 --> 00:22:45,280
Speaker 3: mostly because this was filmed like a with the crew

455
00:22:45,320 --> 00:22:47,280
Speaker 3: as if we were doing a regular Boy Meets World

456
00:22:47,320 --> 00:22:47,840
Speaker 3: crew and all.

457
00:22:48,200 --> 00:22:48,280
Speaker 8: So.

458
00:22:48,440 --> 00:22:51,479
Speaker 3: Segment one it runs from nineteen seconds to two fifty

459
00:22:51,480 --> 00:22:54,600
Speaker 3: one on YouTube. We opened with the exterior of the

460
00:22:54,600 --> 00:22:58,560
Speaker 3: Matthew's house and some typical jazz sitcom music. We did

461
00:22:58,600 --> 00:23:01,240
Speaker 3: not have these for our own transition, so this was

462
00:23:01,280 --> 00:23:05,640
Speaker 3: an ABC edition, very funky, yacht rock esque startling to hear.

463
00:23:05,920 --> 00:23:08,280
Speaker 3: We're in the backyard slash side yard, Corey and Sean

464
00:23:08,320 --> 00:23:10,560
Speaker 3: are in a hurry to get home. Sewn, who's holding

465
00:23:10,560 --> 00:23:13,879
Speaker 3: a basketball, very naturally, doesn't get why they had to

466
00:23:13,960 --> 00:23:17,360
Speaker 3: leave you. There was one basket away from wiping up

467
00:23:17,600 --> 00:23:19,320
Speaker 3: the driveway with him.

468
00:23:19,720 --> 00:23:24,200
Speaker 2: So the driveway direction where we play with Rusty before

469
00:23:24,400 --> 00:23:25,640
Speaker 2: we're still figuring out the house.

470
00:23:25,680 --> 00:23:28,120
Speaker 3: That does that change anything about front yard, side yard?

471
00:23:28,359 --> 00:23:29,160
Speaker 3: Where are we for this?

472
00:23:29,440 --> 00:23:32,640
Speaker 1: No, it's a measure chang. Okay, we also could have wait,

473
00:23:32,760 --> 00:23:34,800
Speaker 1: I see you say driveway. God, I was gonna say,

474
00:23:34,800 --> 00:23:36,399
Speaker 1: I could have been playing at a park somewhere.

475
00:23:36,400 --> 00:23:40,800
Speaker 3: But they still the day, Corey explains, the Saturday morning

476
00:23:40,800 --> 00:23:43,679
Speaker 3: preview special is on. They have to watch it. Also,

477
00:23:45,600 --> 00:23:49,600
Speaker 3: you and writer, you and Ben? Are this so good?

478
00:23:49,960 --> 00:23:53,520
Speaker 3: In this little opening grade It really is so natural

479
00:23:53,600 --> 00:23:57,360
Speaker 3: For as much as you disliked this and having like

480
00:23:57,640 --> 00:23:59,320
Speaker 3: it really does feel like it could be a scene

481
00:23:59,359 --> 00:23:59,760
Speaker 3: in the show.

482
00:24:00,080 --> 00:24:01,440
Speaker 1: Yeah, totally, totally.

483
00:24:02,320 --> 00:24:04,280
Speaker 3: The boys are now in the kitchen and Sean isn't

484
00:24:04,320 --> 00:24:07,000
Speaker 3: over it. They stop playing be ball to watch cartoons.

485
00:24:07,040 --> 00:24:10,960
Speaker 3: What is he nuts? Corey corrects him, not cartoons, state

486
00:24:11,040 --> 00:24:13,879
Speaker 3: of the art animation. It doesn't face Sean. He doesn't

487
00:24:13,960 --> 00:24:17,440
Speaker 3: do cartoons. Corey assumes Sean didn't see the biggest movie

488
00:24:17,440 --> 00:24:20,840
Speaker 3: of the summer then you know that Lion thing. Sean

489
00:24:20,880 --> 00:24:24,080
Speaker 3: admits he loved it. Corey reminds him it was a cartoon.

490
00:24:24,359 --> 00:24:27,119
Speaker 3: Sean can't believe they weren't real lions. Cory asks if

491
00:24:27,160 --> 00:24:29,320
Speaker 3: real lions sing, and Sean says he doesn't know. He

492
00:24:29,320 --> 00:24:32,679
Speaker 3: doesn't live in the jungle. Corey pushes it, well, do

493
00:24:32,760 --> 00:24:35,040
Speaker 3: they sing at the zoo. Sean explains that's because they're

494
00:24:35,040 --> 00:24:37,240
Speaker 3: self conscious. At the zoo, everyone is staring at them,

495
00:24:37,320 --> 00:24:39,879
Speaker 3: But at night they sing. It says, so in that song,

496
00:24:40,000 --> 00:24:43,320
Speaker 3: the lion sings tonight. Cory corrects him, No, it's the

497
00:24:43,440 --> 00:24:45,400
Speaker 3: lion sleep tonight.

498
00:24:45,760 --> 00:24:45,960
Speaker 2: God.

499
00:24:46,240 --> 00:24:49,240
Speaker 1: I mean, it's just like an extended rule.

500
00:24:49,640 --> 00:24:50,760
Speaker 2: It's kind of funny.

501
00:24:51,000 --> 00:24:53,040
Speaker 1: But at this point you're like, what are we doing?

502
00:24:53,240 --> 00:24:53,440
Speaker 2: Wait?

503
00:24:53,480 --> 00:24:56,160
Speaker 1: Wait, knew what is there a story yet? Has anything happened?

504
00:24:56,280 --> 00:25:00,000
Speaker 1: Has anything happened? No, just Corey's dragged Sean inside.

505
00:24:59,800 --> 00:25:03,800
Speaker 3: Se literally just dragged him inside, and Sean clarifies they're

506
00:25:03,880 --> 00:25:09,800
Speaker 3: sleeping because they're tired from singing all day. Corey's had enough.

507
00:25:09,800 --> 00:25:12,399
Speaker 3: He wants to go watch animation. Sean asks what's in

508
00:25:12,400 --> 00:25:15,000
Speaker 3: it for him, and Corey offers some food, real food.

509
00:25:15,280 --> 00:25:17,240
Speaker 3: Sean doesn't want to be toyed with, but Corey literally

510
00:25:17,280 --> 00:25:19,360
Speaker 3: reels him in and says, it's all you can eat

511
00:25:19,400 --> 00:25:21,480
Speaker 3: and nothing is healthy at all.

512
00:25:21,800 --> 00:25:24,160
Speaker 2: Now, did you notice when he opens the door? No,

513
00:25:24,760 --> 00:25:27,919
Speaker 2: so he Opie goes come on, like he's coaxing him in,

514
00:25:27,960 --> 00:25:30,240
Speaker 2: come on, and he opens the door and we're shooting

515
00:25:30,680 --> 00:25:34,080
Speaker 2: directly off the set, really like we're supposed to be

516
00:25:34,160 --> 00:25:35,840
Speaker 2: on the set, but we're not supposed to be. So

517
00:25:35,880 --> 00:25:37,919
Speaker 2: when you look through the door, you see part of

518
00:25:37,920 --> 00:25:39,719
Speaker 2: the living room, but then you just see like our

519
00:25:39,880 --> 00:25:43,240
Speaker 2: stage a bunch of times because it was so fuzzy,

520
00:25:43,240 --> 00:25:44,040
Speaker 2: but I was like, wait a.

521
00:25:43,960 --> 00:25:45,280
Speaker 3: Minute, I want to see it.

522
00:25:45,400 --> 00:25:48,320
Speaker 4: That's right off our stage. What the hell's happening?

523
00:25:48,480 --> 00:25:49,639
Speaker 3: Oh, that's hilarious.

524
00:25:49,800 --> 00:25:50,040
Speaker 1: Yep.

525
00:25:50,800 --> 00:25:52,879
Speaker 3: So eventually they do walk into the living room and

526
00:25:52,960 --> 00:25:56,919
Speaker 3: on the table is a wide array of major snackage.

527
00:25:57,600 --> 00:26:00,800
Speaker 3: Corey explains the ABC guy, I'm going to go out

528
00:26:00,840 --> 00:26:04,120
Speaker 3: on Eleve and say that's Jim Janisek sent this buffet

529
00:26:04,119 --> 00:26:06,520
Speaker 3: of food over and all they have to do is

530
00:26:06,560 --> 00:26:09,399
Speaker 3: watch the new Saturday Morning cartoons and tell everybody what

531
00:26:09,440 --> 00:26:13,760
Speaker 3: they think of them. So again, just kick off our

532
00:26:13,840 --> 00:26:19,040
Speaker 3: meta aspect of this in this universe, we know the

533
00:26:19,080 --> 00:26:20,000
Speaker 3: ABC guy.

534
00:26:20,960 --> 00:26:22,119
Speaker 2: Of course, that's what I mean.

535
00:26:22,280 --> 00:26:26,520
Speaker 1: Of course, of course, as we as Sean and Sean

536
00:26:26,680 --> 00:26:31,560
Speaker 1: and Corey know the ABC a guy to do this,

537
00:26:31,600 --> 00:26:33,399
Speaker 1: and we know we're going to be on TV talking

538
00:26:33,440 --> 00:26:37,240
Speaker 1: about the cartoons. Yes, yes, yes, see so it was

539
00:26:37,280 --> 00:26:40,239
Speaker 1: our job. We have to talk. We're geting job, we're

540
00:26:40,240 --> 00:26:44,800
Speaker 1: getting can yes, So it's kind of accurate kind of

541
00:26:45,000 --> 00:26:46,560
Speaker 1: Watching this gives you a good sense of where we

542
00:26:46,680 --> 00:26:47,719
Speaker 1: were at as kids.

543
00:26:48,400 --> 00:26:50,760
Speaker 3: Sean wonders if everyone who watches will get food, but

544
00:26:50,880 --> 00:26:54,560
Speaker 3: Corey says, no, those people get us. And then Sean

545
00:26:54,600 --> 00:26:58,200
Speaker 3: looks at the camera and now we are watching on

546
00:26:58,400 --> 00:27:01,920
Speaker 3: a TV in side our TV.

547
00:27:02,160 --> 00:27:05,280
Speaker 1: Right correct, So we can see ourselves on the TV.

548
00:27:06,880 --> 00:27:08,600
Speaker 2: I think this is when the acid kicked in for

549
00:27:08,920 --> 00:27:10,840
Speaker 2: exactly when it's like, oh I can feel it.

550
00:27:11,040 --> 00:27:12,720
Speaker 3: Figure, I didn't even think about that. You turn it

551
00:27:12,800 --> 00:27:16,440
Speaker 3: on and you see yourself. You're watching. Okay, So the

552
00:27:16,520 --> 00:27:19,320
Speaker 3: boys say hello to the viewer. Sean thinks it's cool.

553
00:27:19,320 --> 00:27:22,560
Speaker 3: They're TV critics paid to eat and watch TV. I

554
00:27:23,080 --> 00:27:24,119
Speaker 3: have no idea what this is.

555
00:27:25,359 --> 00:27:26,960
Speaker 7: So are you right?

556
00:27:27,040 --> 00:27:27,920
Speaker 1: Well, I'm looking at it.

557
00:27:28,119 --> 00:27:28,439
Speaker 5: We are.

558
00:27:28,840 --> 00:27:30,840
Speaker 1: You can see a flag, you can see it.

559
00:27:31,800 --> 00:27:33,520
Speaker 2: It's like completely off the set.

560
00:27:33,840 --> 00:27:34,480
Speaker 1: Oh my god.

561
00:27:34,560 --> 00:27:39,560
Speaker 3: The ends so upstage in the kitchen for that shot.

562
00:27:40,280 --> 00:27:40,639
Speaker 1: I don't know.

563
00:27:41,119 --> 00:27:44,840
Speaker 2: Jeff didn't have to did it to get.

564
00:27:44,720 --> 00:27:45,520
Speaker 1: All the way in there.

565
00:27:45,920 --> 00:27:48,399
Speaker 2: Well. Jeff also takes some interesting angles where it's like

566
00:27:48,480 --> 00:27:50,600
Speaker 2: over Eric's shoulder, we just see the phone where for

567
00:27:50,680 --> 00:27:52,560
Speaker 2: some reason, I'm looking down at the kids like I'm

568
00:27:52,600 --> 00:27:53,360
Speaker 2: six feet tall.

569
00:27:53,600 --> 00:27:55,520
Speaker 1: I think this is the first time directing. I really

570
00:27:55,560 --> 00:27:57,280
Speaker 1: think it was, and I think he was trying. I

571
00:27:57,359 --> 00:27:59,240
Speaker 1: think he was like, oh, let's make it look cool

572
00:27:59,280 --> 00:28:00,560
Speaker 1: and were shooting.

573
00:28:00,920 --> 00:28:03,879
Speaker 3: It took so long the backyard door to get eyes

574
00:28:03,960 --> 00:28:06,480
Speaker 3: on Ben, so we're shooting through there with EX camera

575
00:28:06,640 --> 00:28:09,200
Speaker 3: instead of from a traditional X camera perspective. Wow, that's

576
00:28:09,280 --> 00:28:13,639
Speaker 3: so funny. Okay, So Sean assumes there has to be

577
00:28:13,720 --> 00:28:16,399
Speaker 3: a catch and that's when Morgan appears on the steps.

578
00:28:16,640 --> 00:28:19,600
Speaker 3: They have to watch with her. We cut back to

579
00:28:19,680 --> 00:28:22,320
Speaker 3: the exterior of the house and hear the ear piercing

580
00:28:22,440 --> 00:28:23,960
Speaker 3: screams of the boys.

581
00:28:24,920 --> 00:28:26,919
Speaker 1: Which we did in the first season, right, uh huh.

582
00:28:27,000 --> 00:28:29,520
Speaker 3: We do the meta going out to the world, but.

583
00:28:29,560 --> 00:28:32,040
Speaker 1: Also just our scream that was a tradition, like Sean

584
00:28:32,080 --> 00:28:32,920
Speaker 1: and Corey would do that.

585
00:28:33,280 --> 00:28:36,440
Speaker 3: Oh yeah, right, well I only remember it in that

586
00:28:36,520 --> 00:28:37,960
Speaker 3: meta one. Did we do it a bunch of times?

587
00:28:39,600 --> 00:28:43,800
Speaker 1: You guys did the ha a lot? Did we just

588
00:28:43,840 --> 00:28:45,360
Speaker 1: look at each other and scream, I feel like this.

589
00:28:45,720 --> 00:28:47,120
Speaker 2: I feel like you did a couple of times.

590
00:28:47,120 --> 00:28:49,520
Speaker 3: We should do a rewatch because I don't remember the show.

591
00:28:50,600 --> 00:28:53,920
Speaker 4: How is it possible that we and we still don't

592
00:28:54,000 --> 00:28:55,720
Speaker 4: know what happens on our own show.

593
00:28:56,000 --> 00:29:03,480
Speaker 3: Nope, just like that, the preview show has begun. Now

594
00:29:04,280 --> 00:29:09,040
Speaker 3: let's listen to us all get introduced here clip number one.

595
00:29:11,480 --> 00:29:15,840
Speaker 9: It's the ABC Saturday Morning Preview Special starring Ben Savage,

596
00:29:16,040 --> 00:29:22,240
Speaker 9: will Fredell Wright Strong, Danielle Fichell, Danielle Yell Fichelle.

597
00:29:22,920 --> 00:29:27,440
Speaker 1: But right, they got and then they screwed up my name.

598
00:29:27,720 --> 00:29:30,720
Speaker 2: I was like, yeah, you're are why they wrote two

599
00:29:30,800 --> 00:29:34,000
Speaker 2: of the they got fifty right and actors on their

600
00:29:34,040 --> 00:29:35,040
Speaker 2: own network.

601
00:29:34,960 --> 00:29:37,440
Speaker 3: They spelled it r y right R y d e

602
00:29:37,640 --> 00:29:40,160
Speaker 3: r rder. Okay, maybe that's why people think your name

603
00:29:40,320 --> 00:29:46,520
Speaker 3: is writer R y D special because I.

604
00:29:46,640 --> 00:29:49,520
Speaker 4: Was still freedom everywhere. So why is that nobody picked

605
00:29:49,560 --> 00:29:49,840
Speaker 4: that up?

606
00:29:50,240 --> 00:29:52,479
Speaker 3: And I will say, I've told I totally understand why

607
00:29:52,520 --> 00:29:54,920
Speaker 3: people think my name is Danielle Fachelle because they wanted

608
00:29:54,960 --> 00:29:57,480
Speaker 3: to rhyme. Yeah, it's just it's more waring.

609
00:29:57,920 --> 00:29:58,560
Speaker 2: Did I'm sorry?

610
00:29:58,800 --> 00:30:00,760
Speaker 1: Did we In that clip to they mentioned Lily.

611
00:30:01,320 --> 00:30:04,200
Speaker 3: Uh well, no, let's hear the rest and Lily next.

612
00:30:04,120 --> 00:30:07,520
Speaker 8: Day from Boy Meets World and featuring the ultimate news

613
00:30:07,600 --> 00:30:12,360
Speaker 8: dreaming Adventure for you, Willie, the creatures from Bumping the Night,

614
00:30:12,760 --> 00:30:17,720
Speaker 8: and the rest of the ABC Saturday Morning Family. You're

615
00:30:17,840 --> 00:30:20,800
Speaker 8: ready the fun begins right after these messages?

616
00:30:24,520 --> 00:30:26,360
Speaker 2: Whoa that song? So?

617
00:30:26,480 --> 00:30:28,160
Speaker 1: Did they record that song just for us?

618
00:30:28,280 --> 00:30:30,360
Speaker 2: Or is that a? Is that a classic song that's

619
00:30:30,400 --> 00:30:33,520
Speaker 2: gonna be that's probably the Saturday Morning Previews song song exactly.

620
00:30:33,560 --> 00:30:36,240
Speaker 3: Imagine, Well, back in the living room, Corey, Shawn, and

621
00:30:36,320 --> 00:30:38,440
Speaker 3: Morgan are planted on the couch when there's a knock

622
00:30:38,480 --> 00:30:41,800
Speaker 3: on the door. It's Flower Child to Penga, she was

623
00:30:41,920 --> 00:30:46,440
Speaker 3: watching them on TV and she saw that ABC sent food.

624
00:30:47,840 --> 00:30:50,640
Speaker 1: She's here for the candy too. It's it's like it's

625
00:30:50,680 --> 00:30:53,920
Speaker 1: like a it's like the Witch Witch Gingerbread House. It's like,

626
00:30:54,120 --> 00:30:59,000
Speaker 1: we'llureing everybody in the candy to then chill for ABC.

627
00:30:59,720 --> 00:31:00,600
Speaker 5: It's so weird.

628
00:31:00,760 --> 00:31:03,880
Speaker 2: Also, like, so you're at home, why don't all.

629
00:31:03,800 --> 00:31:05,200
Speaker 1: The other kids from the neighborhood come over?

630
00:31:05,240 --> 00:31:06,640
Speaker 3: Why don't they just come over? They don't know where

631
00:31:06,640 --> 00:31:08,640
Speaker 3: Corey lives. Is that the only reason they're not there

632
00:31:08,760 --> 00:31:11,120
Speaker 3: is because they don't they don't know where Corey lives,

633
00:31:13,600 --> 00:31:17,080
Speaker 3: so Sean explains that ABC stands for Awesome Bag of Chips.

634
00:31:17,600 --> 00:31:19,840
Speaker 3: Morgan invites to Panga to join them, and so their

635
00:31:19,920 --> 00:31:24,200
Speaker 3: guest pulls up a small pink children's chair. Yep, Corey

636
00:31:24,360 --> 00:31:27,480
Speaker 3: notices something different about her. Sean agrees, she's sitting in

637
00:31:27,520 --> 00:31:29,080
Speaker 3: front of him and he can still see the TV.

638
00:31:30,000 --> 00:31:35,240
Speaker 3: She says it's because they're not doing a show. This

639
00:31:35,760 --> 00:31:38,760
Speaker 3: is what her hair really looks like.

640
00:31:39,360 --> 00:31:45,040
Speaker 2: Really, who's you're still supposed to keep hair looks like?

641
00:31:46,360 --> 00:31:49,520
Speaker 3: So because at this point, Topega's hair had been crimped

642
00:31:50,080 --> 00:31:55,360
Speaker 3: right and and also big voluminous curls, so everyone it

643
00:31:55,480 --> 00:31:57,160
Speaker 3: was like a very I still get asked, oh, is

644
00:31:57,200 --> 00:31:59,640
Speaker 3: your hair naturally curly? I'm like, well, it's I kind

645
00:31:59,680 --> 00:32:01,240
Speaker 3: of wave and they're like, well, then how did you

646
00:32:01,280 --> 00:32:05,760
Speaker 3: get those curls? In the first season, It's like, oh curl. Yeah,

647
00:32:05,800 --> 00:32:07,120
Speaker 3: it was like a process, it was a whole thing.

648
00:32:07,640 --> 00:32:10,560
Speaker 3: So I think they felt like, this is the first

649
00:32:10,640 --> 00:32:15,160
Speaker 3: time people are going to see Danielle Slash Topanga without

650
00:32:15,280 --> 00:32:18,720
Speaker 3: curly hair. We have to address why her hair is different.

651
00:32:20,080 --> 00:32:20,840
Speaker 1: Hair obsession on.

652
00:32:20,840 --> 00:32:23,000
Speaker 4: Her, but it's Also, the other thing I wouldn't even

653
00:32:23,040 --> 00:32:24,480
Speaker 4: know you were.

654
00:32:25,440 --> 00:32:27,160
Speaker 2: One of the things I do remember about our television

655
00:32:27,160 --> 00:32:29,040
Speaker 2: program that we've gone back and watched every episode of

656
00:32:29,240 --> 00:32:31,240
Speaker 2: is that we were amazed how little of the show

657
00:32:31,320 --> 00:32:35,240
Speaker 2: you were on until yeah, several seasons in, but in

658
00:32:35,360 --> 00:32:38,280
Speaker 2: between season one and two you're obviously part of the

659
00:32:38,400 --> 00:32:42,040
Speaker 2: cast to be on the Saturday morning cartoon preview channel.

660
00:32:42,360 --> 00:32:45,000
Speaker 4: Yeah, so yeah, it's strange.

661
00:32:45,400 --> 00:32:48,280
Speaker 3: I don't know. Corey and Sean say they like her hair,

662
00:32:48,400 --> 00:32:51,800
Speaker 3: and Corey suggests she keeps it this way. Topega asks

663
00:32:51,840 --> 00:32:54,200
Speaker 3: if she can do that, and my mom was probably

664
00:32:54,240 --> 00:32:56,320
Speaker 3: holding her breath here can she?

665
00:32:56,960 --> 00:32:57,520
Speaker 5: Can't you do it?

666
00:32:58,200 --> 00:33:00,520
Speaker 3: Corey says he'll talk to ABC. He's ends with them.

667
00:33:00,840 --> 00:33:03,800
Speaker 3: They don't just send anybody food to Pega smiles and

668
00:33:03,880 --> 00:33:06,280
Speaker 3: Morgan asks everyone to be quiet. She wants to watch

669
00:33:06,360 --> 00:33:07,760
Speaker 3: Free Willie, and then the.

670
00:33:07,880 --> 00:33:11,360
Speaker 1: Transition, so Topanga doesn't want her hair to be curled anymore,

671
00:33:11,680 --> 00:33:13,080
Speaker 1: but it has to be for the show.

672
00:33:13,240 --> 00:33:15,480
Speaker 3: Well, no, Topega doesn't really say whether she wants it

673
00:33:15,560 --> 00:33:18,840
Speaker 3: or not, she just says, can I do that? Everyone's like,

674
00:33:18,960 --> 00:33:21,440
Speaker 3: roll over her hair? Cory's like, I don't know, let

675
00:33:21,440 --> 00:33:23,280
Speaker 3: me see if I've got any pull with this ABC guy.

676
00:33:24,520 --> 00:33:25,640
Speaker 1: Well, I mean you wonder if.

677
00:33:27,800 --> 00:33:30,000
Speaker 2: That's what I mean to ask for permission to exist

678
00:33:30,160 --> 00:33:34,360
Speaker 2: in kind of giving a little like look behind the

679
00:33:34,440 --> 00:33:37,200
Speaker 2: curtain of Yeah, our hair and everything was controlled.

680
00:33:37,280 --> 00:33:37,959
Speaker 5: And that's what I mean.

681
00:33:38,080 --> 00:33:41,000
Speaker 1: It's like very like it's it works on so many levels.

682
00:33:42,520 --> 00:33:45,880
Speaker 3: So we transition right into some info about this cartoon

683
00:33:46,120 --> 00:33:49,719
Speaker 3: based on a movie I almost booked. It's segment three,

684
00:33:49,880 --> 00:33:51,760
Speaker 3: six twenty one to seven nineteen.

685
00:33:52,840 --> 00:33:55,680
Speaker 2: I think the the killer well they went with was

686
00:33:55,760 --> 00:33:58,560
Speaker 2: better in the role. You're a good swimmer, Danielle.

687
00:33:58,560 --> 00:33:58,760
Speaker 3: Thank you.

688
00:33:58,840 --> 00:33:59,160
Speaker 7: I know what.

689
00:33:59,320 --> 00:33:59,800
Speaker 1: You didn't have this?

690
00:34:01,120 --> 00:34:02,760
Speaker 4: Yeah, and I didn't think you could pull off the.

691
00:34:03,160 --> 00:34:05,320
Speaker 1: You auditioned for Freewilli one. It wasn't Free Willy two.

692
00:34:05,960 --> 00:34:07,280
Speaker 3: I auditioned for Free WILLI one.

693
00:34:07,400 --> 00:34:10,160
Speaker 2: Yeah, to play I hate to say this, I've never

694
00:34:10,280 --> 00:34:11,560
Speaker 2: seen it, so to play which part?

695
00:34:11,680 --> 00:34:14,000
Speaker 3: There's a little girl. There's a little girl character that

696
00:34:14,160 --> 00:34:18,080
Speaker 3: is kind of like the potential love interest of the lead.

697
00:34:18,600 --> 00:34:22,640
Speaker 10: Is it Austin James Jason James richteror that's the kid

698
00:34:22,800 --> 00:34:28,040
Speaker 10: that's the kid Jason James Richter that he lived at Yeah,

699
00:34:28,360 --> 00:34:30,600
Speaker 10: I remember, But it's the thing everybody was auditioning for

700
00:34:30,880 --> 00:34:32,600
Speaker 10: Free It was our my first pilot season.

701
00:34:32,640 --> 00:34:35,800
Speaker 1: Everybody auditioned for Free Willy that year, and then, like

702
00:34:36,200 --> 00:34:37,840
Speaker 1: I remember, they wanted me to come back for some

703
00:34:37,920 --> 00:34:40,560
Speaker 1: producer session and this other movie cast me. Benefit of

704
00:34:40,600 --> 00:34:42,200
Speaker 1: the Doubt cast me, and they were like, we got

705
00:34:42,320 --> 00:34:44,439
Speaker 1: to get him before before Free Willy does.

706
00:34:45,160 --> 00:34:47,120
Speaker 3: Oh my god, now I have to look.

707
00:34:47,320 --> 00:34:49,600
Speaker 4: It was a huge hit. Wasn't it really like a

708
00:34:49,760 --> 00:34:50,319
Speaker 4: massive hit?

709
00:34:50,920 --> 00:34:53,400
Speaker 3: Yeah? Wait, when was Free Willy one? Maybe I did

710
00:34:53,440 --> 00:34:54,680
Speaker 3: audition for Free Willy two?

711
00:34:54,960 --> 00:34:57,440
Speaker 1: It was two, because unless you were really too No,

712
00:34:57,520 --> 00:34:57,680
Speaker 1: it was.

713
00:34:57,760 --> 00:34:59,600
Speaker 3: Nineteen ninety three. Yep, it was right. It was like

714
00:34:59,640 --> 00:35:01,600
Speaker 3: before my audition for Boy Meets World.

715
00:35:02,000 --> 00:35:04,799
Speaker 1: Yeah, well know, yeah, it would have been ninety two

716
00:35:04,880 --> 00:35:06,439
Speaker 1: for me that I auditioned because I shot.

717
00:35:06,680 --> 00:35:08,680
Speaker 3: That's what I'm saying. Yeah, so it was my audition

718
00:35:08,840 --> 00:35:11,239
Speaker 3: was before Boy Meets World started. It was like I

719
00:35:11,360 --> 00:35:25,839
Speaker 3: hadn't I hadn't done Boy Meets World yet. Now we're

720
00:35:25,880 --> 00:35:28,040
Speaker 3: going into segment three, which goes from six twenty one

721
00:35:28,080 --> 00:35:31,160
Speaker 3: to seven nineteen. The Free Willie teas fades out and

722
00:35:31,280 --> 00:35:33,640
Speaker 3: we're back in the living room. Corey asks Morgan what

723
00:35:33,800 --> 00:35:37,280
Speaker 3: she thought. She calls it a big hit. Giant whale.

724
00:35:37,480 --> 00:35:40,120
Speaker 3: Cute kids? Do I have to draw you a picture

725
00:35:40,520 --> 00:35:43,920
Speaker 3: to Panga? Can't wait to see more? And then Eric

726
00:35:44,040 --> 00:35:47,440
Speaker 3: walks in with what is most definitely the largest home

727
00:35:47,560 --> 00:35:52,279
Speaker 3: phone antenna that has ever existed. It actually doesn't fit

728
00:35:52,520 --> 00:35:53,440
Speaker 3: in the shot.

729
00:35:55,000 --> 00:36:00,960
Speaker 11: Senna firm and perfectly parted middle park. Oh yeah, like

730
00:36:01,200 --> 00:36:05,359
Speaker 11: it is a butt head cut. It is really quite

731
00:36:05,400 --> 00:36:06,680
Speaker 11: astounding if you check it out.

732
00:36:06,800 --> 00:36:07,319
Speaker 2: Hill Man.

733
00:36:07,719 --> 00:36:11,120
Speaker 3: Oh boy. He is talking to a girl, because remember

734
00:36:11,200 --> 00:36:17,680
Speaker 3: we're between season one and season two. He tells girls, girls, girls, girls.

735
00:36:18,120 --> 00:36:20,440
Speaker 3: He tells Jennifer they can go out tonight because they

736
00:36:20,520 --> 00:36:26,680
Speaker 3: aren't filming the show this week. Also, is Jennifer love.

737
00:36:29,560 --> 00:36:36,400
Speaker 2: What what? What is this girl named? Hey Jennifer, Tiffany, Tiffany, Jennifer.

738
00:36:37,360 --> 00:36:40,560
Speaker 3: He explains new episodes don't start for two weeks, so

739
00:36:40,680 --> 00:36:43,680
Speaker 3: he's free until then, but Jennifer interrupts him. Eric is confused,

740
00:36:43,840 --> 00:36:45,520
Speaker 3: what do you mean Corey and Shawn are on TV?

741
00:36:45,719 --> 00:36:48,239
Speaker 3: Not possible, They're sitting on the couch. She tells him

742
00:36:48,320 --> 00:36:51,360
Speaker 3: he's also on TV. He quickly hangs up in acts casual,

743
00:36:51,560 --> 00:36:54,960
Speaker 3: Hey guys, what are we doing? Corey says, it's.

744
00:36:54,880 --> 00:36:58,160
Speaker 1: A Saturday morn. I know the cameras in the TV,

745
00:36:58,440 --> 00:37:00,480
Speaker 1: or you see yourself when you look at the TV.

746
00:37:00,640 --> 00:37:03,239
Speaker 3: Do you look at you? There's no fourth wall in

747
00:37:03,360 --> 00:37:04,080
Speaker 3: their home either.

748
00:37:04,200 --> 00:37:05,800
Speaker 5: Oh, it doesn't exist.

749
00:37:07,560 --> 00:37:10,080
Speaker 3: Oh, very weird. They're just not used to the.

750
00:37:10,080 --> 00:37:11,839
Speaker 2: People being behind the camera at this point.

751
00:37:13,120 --> 00:37:16,680
Speaker 3: At this point, Corey says, it's the Saturday Morning Special

752
00:37:16,760 --> 00:37:19,239
Speaker 3: and Eric is shocked. Sean asks if he got the.

753
00:37:19,239 --> 00:37:24,520
Speaker 1: Script right script for what we have to do what

754
00:37:24,600 --> 00:37:26,839
Speaker 1: we're saying right now, But I'm checking with him. Did

755
00:37:26,880 --> 00:37:28,759
Speaker 1: you get the script that we're reading that I'm saying

756
00:37:28,760 --> 00:37:29,279
Speaker 1: to you right now?

757
00:37:29,440 --> 00:37:32,160
Speaker 3: And Eric says no, but he's good on his feet.

758
00:37:32,560 --> 00:37:36,120
Speaker 3: He asks Morgan what's next, and she answers Reboot. Eric

759
00:37:36,239 --> 00:37:38,879
Speaker 3: loves Reboot. He watches it all the time. So Corey

760
00:37:39,000 --> 00:37:42,000
Speaker 3: calls his bluff and asks what it's about. Eric nervously

761
00:37:42,040 --> 00:37:43,600
Speaker 3: says he would tell them what it's about, but he

762
00:37:43,640 --> 00:37:48,120
Speaker 3: doesn't want to spoil it for everyone. Corey laughs, pretty smooth,

763
00:37:48,280 --> 00:37:49,879
Speaker 3: And this is a real break from Ben.

764
00:37:50,200 --> 00:37:51,440
Speaker 2: I don't know.

765
00:37:51,640 --> 00:37:53,040
Speaker 1: I watched it multiple times.

766
00:37:54,320 --> 00:37:58,800
Speaker 3: Something happened, nohing happened that may well break.

767
00:37:59,480 --> 00:38:02,320
Speaker 2: He just not. He couldn't hold it together. What what

768
00:38:02,719 --> 00:38:06,759
Speaker 2: time of day is this supposed to be Saturday morning.

769
00:38:06,760 --> 00:38:07,440
Speaker 3: Saturday morning.

770
00:38:07,560 --> 00:38:10,000
Speaker 2: Yeah, but is this seven am Saturday morning where for

771
00:38:10,120 --> 00:38:11,279
Speaker 2: some reason, I'm already.

772
00:38:11,000 --> 00:38:15,200
Speaker 3: In everyone's already her dress, we were already playing basketball.

773
00:38:15,680 --> 00:38:18,960
Speaker 2: Yeah, but Lily's coming from upstairs. But Eric is already

774
00:38:19,000 --> 00:38:20,319
Speaker 2: did he not sleep last night?

775
00:38:20,400 --> 00:38:23,000
Speaker 1: Like Pega made it from home? She saw us on

776
00:38:23,200 --> 00:38:25,719
Speaker 1: TV and still made it from home. Yeah that time,

777
00:38:26,800 --> 00:38:30,480
Speaker 1: I bet it's nine okay, food, So she made it

778
00:38:30,520 --> 00:38:33,080
Speaker 1: within thirty seconds from her house because we like, we

779
00:38:33,280 --> 00:38:36,400
Speaker 1: pull into the we reveal that there's candy and food,

780
00:38:36,719 --> 00:38:39,000
Speaker 1: and shows up she lives.

781
00:38:39,120 --> 00:38:42,520
Speaker 4: So you should have just been horribly out of breath, like.

782
00:38:44,719 --> 00:38:47,880
Speaker 3: I had to do my real quick and saw then.

783
00:38:47,400 --> 00:38:49,279
Speaker 1: In the bag of chips. It's eight am.

784
00:38:49,320 --> 00:38:52,680
Speaker 2: I'm already perfectly dressed and ted and I saw popcorn kids.

785
00:38:52,719 --> 00:38:53,879
Speaker 4: I'm here, I'm here.

786
00:38:55,920 --> 00:39:00,399
Speaker 1: Do I have autonomy from my hair to ABC bought

787
00:39:00,440 --> 00:39:02,920
Speaker 1: the autonomy? Just just ask no?

788
00:39:03,280 --> 00:39:03,600
Speaker 2: You just.

789
00:39:05,200 --> 00:39:16,640
Speaker 1: Just sit down and watch the cartoons? Pretty smooth, smooth?

790
00:39:50,239 --> 00:39:54,920
Speaker 1: Do we have to walk away? Where's jeffergragging to tell

791
00:39:55,000 --> 00:39:55,920
Speaker 1: us to get it together?

792
00:39:56,000 --> 00:39:56,560
Speaker 2: He's quitting?

793
00:39:58,719 --> 00:40:17,920
Speaker 5: Oh my okay, just sit down to what crying tears of.

794
00:40:19,480 --> 00:40:30,840
Speaker 3: Poppy now oh my gosh, we're back. So Sean agrees,

795
00:40:31,080 --> 00:40:32,439
Speaker 3: I am the big brother.

796
00:40:33,440 --> 00:40:33,800
Speaker 5: Wait what?

797
00:40:40,320 --> 00:40:44,280
Speaker 3: Eric agrees I am the big brother, and the tease

798
00:40:44,440 --> 00:40:48,120
Speaker 3: of reboot begins, and then we go into segment four,

799
00:40:48,200 --> 00:40:50,760
Speaker 3: which is from minute fourteen oh two to minute fourteen

800
00:40:50,880 --> 00:40:53,440
Speaker 3: forty three. We are still in the living room. Obviously,

801
00:40:53,560 --> 00:40:55,880
Speaker 3: Sean is impressed. He wants to know the name of

802
00:40:55,960 --> 00:41:03,600
Speaker 3: the computer check the green babe. Yeah, response, her name

803
00:41:03,800 --> 00:41:06,839
Speaker 3: was dot. Sean says, it makes you want to try

804
00:41:07,040 --> 00:41:08,080
Speaker 3: computer dating.

805
00:41:09,360 --> 00:41:12,920
Speaker 1: Wow, I know, so like computer dating.

806
00:41:13,480 --> 00:41:13,680
Speaker 7: Yeah?

807
00:41:13,840 --> 00:41:15,680
Speaker 1: Was that even a thing? It wasn't even real.

808
00:41:17,800 --> 00:41:17,960
Speaker 2: I know.

809
00:41:18,560 --> 00:41:20,040
Speaker 3: Maybe you mean dating a computer.

810
00:41:20,760 --> 00:41:22,800
Speaker 4: Yeah, I think that's what I honestly think that's the

811
00:41:22,920 --> 00:41:23,680
Speaker 4: joke they're going for.

812
00:41:23,880 --> 00:41:26,080
Speaker 1: Right, No, there must have been chat rooms at this point,

813
00:41:26,080 --> 00:41:29,600
Speaker 1: because they're definitely like servers or ninety four were there?

814
00:41:29,880 --> 00:41:33,400
Speaker 1: Oh ninety four? You're right, God, I was taking ninety

815
00:41:33,440 --> 00:41:36,320
Speaker 1: eight Yeah, I mean okay, Like I definitely was on

816
00:41:36,600 --> 00:41:40,239
Speaker 1: a service called Genie, which was like a general electric online.

817
00:41:40,600 --> 00:41:44,200
Speaker 1: It was like there was like there was Prodigy in AOL.

818
00:41:44,520 --> 00:41:46,719
Speaker 1: They were around, so there would have been like the

819
00:41:46,760 --> 00:41:50,359
Speaker 1: potential to meet people online, but it was not called

820
00:41:50,440 --> 00:41:52,200
Speaker 1: online dating. It was called computer dating.

821
00:41:53,360 --> 00:41:55,800
Speaker 4: Yeah, I think the joke they were going for was

822
00:41:55,920 --> 00:41:57,319
Speaker 4: you dating a computer girl?

823
00:41:57,440 --> 00:42:00,480
Speaker 3: I think so too. That is a boot a like

824
00:42:00,600 --> 00:42:01,960
Speaker 3: a three data.

825
00:42:02,239 --> 00:42:04,720
Speaker 1: How is that a joke unless the phrase computer dating

826
00:42:05,040 --> 00:42:06,080
Speaker 1: also has another meeting?

827
00:42:06,200 --> 00:42:07,640
Speaker 2: Right? I have no idea.

828
00:42:07,760 --> 00:42:11,600
Speaker 4: I don't know because I want to try dating a computer.

829
00:42:12,200 --> 00:42:15,719
Speaker 1: But I said computer dating as if that was a thing.

830
00:42:16,239 --> 00:42:16,919
Speaker 1: Do you know what I'm saying?

831
00:42:17,000 --> 00:42:18,120
Speaker 3: Like, I know you're right here right now?

832
00:42:18,200 --> 00:42:19,040
Speaker 2: Yeah, I don't know.

833
00:42:19,719 --> 00:42:24,840
Speaker 3: Well, then Morgan screams, this, what's gonna happen?

834
00:42:25,000 --> 00:42:27,120
Speaker 9: You think mom and everyone's gonna crash?

835
00:42:34,640 --> 00:42:34,879
Speaker 2: Times?

836
00:42:34,920 --> 00:42:37,839
Speaker 1: Did they make her do it? What is five?

837
00:42:37,920 --> 00:42:38,080
Speaker 7: Here?

838
00:42:38,239 --> 00:42:38,439
Speaker 4: Six?

839
00:42:38,680 --> 00:42:43,400
Speaker 3: Maybe it's five? Oh my gosh, I just imagining Adler

840
00:42:43,960 --> 00:42:48,520
Speaker 3: trying to do this. Tapanga says they'll find out soon.

841
00:42:48,800 --> 00:42:51,000
Speaker 3: Corey wants to know how they got reboot to look

842
00:42:51,080 --> 00:42:57,040
Speaker 3: so three D. In reality, it's the most dated niceties

843
00:42:57,239 --> 00:42:59,719
Speaker 3: grounds ever seen.

844
00:43:00,160 --> 00:43:00,760
Speaker 4: They're awesome.

845
00:43:01,280 --> 00:43:05,040
Speaker 3: Eric says it's computer animation, very complex, cutting edge stuff.

846
00:43:05,320 --> 00:43:07,880
Speaker 3: He knows this because he reads a lot he's taking classes.

847
00:43:08,280 --> 00:43:10,799
Speaker 3: His friends just stare at him and disbelief, forcing Eric

848
00:43:10,880 --> 00:43:13,120
Speaker 3: to admit he got a copy of the.

849
00:43:13,280 --> 00:43:19,440
Speaker 12: Script during the commercial breaks. So even the commercials so

850
00:43:19,600 --> 00:43:22,239
Speaker 12: now he has a script that he's memorized that we

851
00:43:22,520 --> 00:43:24,799
Speaker 12: did not know script that.

852
00:43:26,600 --> 00:43:27,440
Speaker 1: The script, and how we.

853
00:43:27,480 --> 00:43:28,680
Speaker 3: Don't have hir conviews.

854
00:43:28,880 --> 00:43:29,799
Speaker 2: So we're looking at.

855
00:43:29,760 --> 00:43:32,719
Speaker 1: Him going, but Eric, you're going off the script by

856
00:43:32,800 --> 00:43:35,200
Speaker 1: going on to the script. That's that's what this moment is.

857
00:43:35,560 --> 00:43:37,400
Speaker 1: Speak about how trippy this is.

858
00:43:37,920 --> 00:43:44,360
Speaker 3: It's so weird, it's so weird. Man, Oh my gosh,

859
00:43:44,480 --> 00:43:48,080
Speaker 3: that's so funny. Corey argues they haven't had a commercial break,

860
00:43:48,160 --> 00:43:50,160
Speaker 3: and Eric asks, then what do you call this?

861
00:43:51,160 --> 00:43:52,320
Speaker 5: And that's the question.

862
00:43:53,800 --> 00:43:54,680
Speaker 1: Asking what is that?

863
00:43:54,760 --> 00:43:55,279
Speaker 2: What's going on?

864
00:43:57,200 --> 00:44:00,319
Speaker 3: Well, that's the end of the segment. That's that's that's

865
00:44:00,360 --> 00:44:02,759
Speaker 3: where that segment ends. Then we go into segment five,

866
00:44:02,800 --> 00:44:06,040
Speaker 3: which is from minute seventeen eleven to minute eighteen thirty.

867
00:44:06,680 --> 00:44:09,520
Speaker 3: Eric is back on the phone, but now a new

868
00:44:09,640 --> 00:44:13,960
Speaker 3: one with a wire antenna. Is this the living room phone?

869
00:44:14,120 --> 00:44:16,320
Speaker 3: And the other huge phone was from the kitchen?

870
00:44:16,640 --> 00:44:20,120
Speaker 2: I think has the chord right along. I'm guessing this

871
00:44:20,239 --> 00:44:21,839
Speaker 2: is the boys upstairs.

872
00:44:22,239 --> 00:44:26,200
Speaker 3: Okay, all right? Switching out phones, Corey asks Morgan what

873
00:44:26,320 --> 00:44:28,759
Speaker 3: she thinks of the cartoons so far, and here's how

874
00:44:28,800 --> 00:44:29,760
Speaker 3: she answers.

875
00:44:29,680 --> 00:44:32,200
Speaker 8: Thank it, bank, kit I'll be watching all feman.

876
00:44:33,920 --> 00:44:38,360
Speaker 4: What does she say, bab, I'll be watching all season.

877
00:44:38,680 --> 00:44:42,799
Speaker 2: Oh so this is you know, Oh this also makes

878
00:44:42,800 --> 00:44:46,040
Speaker 2: sense though she I just thought about it wasn't Chris

879
00:44:46,200 --> 00:44:51,040
Speaker 2: Kier let go after season one, so she had she

880
00:44:51,200 --> 00:44:54,080
Speaker 2: might not have had any dialogue coach that had ever

881
00:44:54,200 --> 00:44:55,000
Speaker 2: worked with her before.

882
00:44:55,080 --> 00:44:56,640
Speaker 4: And you can tell.

883
00:44:56,960 --> 00:44:59,680
Speaker 3: I wonder if it was just Jeff, just Jeff alone

884
00:45:00,560 --> 00:45:01,600
Speaker 3: for the first time.

885
00:45:01,719 --> 00:45:05,680
Speaker 4: Poor Jeff Jeff an island by himself because.

886
00:45:05,560 --> 00:45:07,240
Speaker 1: Tired didn't make it into the second season.

887
00:45:07,360 --> 00:45:08,040
Speaker 2: I don't think he did.

888
00:45:08,080 --> 00:45:09,839
Speaker 1: Didn't he say he was let go after the first

889
00:45:09,880 --> 00:45:12,080
Speaker 1: one because he was brought in by April Kelly.

890
00:45:12,440 --> 00:45:14,480
Speaker 3: Yeah, well, yeah he was let go.

891
00:45:15,040 --> 00:45:15,600
Speaker 1: I think so.

892
00:45:15,840 --> 00:45:16,240
Speaker 2: Yikes.

893
00:45:16,719 --> 00:45:18,799
Speaker 4: You can tell. That's why a good dialogue coach can

894
00:45:18,880 --> 00:45:19,480
Speaker 4: change the whole ball.

895
00:45:19,920 --> 00:45:21,000
Speaker 7: Jet Yeah. Jet.

896
00:45:22,440 --> 00:45:25,960
Speaker 3: Meanwhile, Eric is now chatting with Stacy on the phone.

897
00:45:26,040 --> 00:45:28,640
Speaker 3: He says not to worry, Jennifer won't know they're talking

898
00:45:28,800 --> 00:45:33,920
Speaker 3: because they're currently showing commercials. He explains that the only

899
00:45:34,040 --> 00:45:37,440
Speaker 3: person you can see on TV now is He glances

900
00:45:37,480 --> 00:45:40,880
Speaker 3: at the screen and realizes me, Stacy hangs.

901
00:45:40,760 --> 00:45:44,200
Speaker 2: Up and do you look at this? Look at the TV?

902
00:45:44,400 --> 00:45:46,359
Speaker 3: The TV right He's to see himself on the TV.

903
00:45:46,600 --> 00:45:48,759
Speaker 2: None of us look directly at the camera. I don't

904
00:45:48,760 --> 00:45:51,800
Speaker 2: think ever. I think now we're stay fly.

905
00:45:51,800 --> 00:45:52,279
Speaker 3: On the wall.

906
00:45:53,239 --> 00:45:54,239
Speaker 2: I'm doing the pizza box.

907
00:45:54,280 --> 00:45:59,560
Speaker 3: I'm not saying that. No, you're doing it to us. Yeah,

908
00:45:59,760 --> 00:46:03,960
Speaker 3: it's as if we're sitcom for camera style mixed with

909
00:46:04,600 --> 00:46:09,440
Speaker 3: the meta neiss of knowing. We're shooting a program.

910
00:46:09,480 --> 00:46:13,239
Speaker 1: And we're promoting the cartoons cartoon that's on the TV pro.

911
00:46:13,400 --> 00:46:14,520
Speaker 1: We're promoted just to each other.

912
00:46:14,600 --> 00:46:17,400
Speaker 2: We're just like, what do you think, Well, we're promoting

913
00:46:17,480 --> 00:46:19,040
Speaker 2: it to everybody else because everybody's watching that.

914
00:46:20,360 --> 00:46:23,160
Speaker 1: Everybody. Are we dressing everybody? Are we turning to looking

915
00:46:23,239 --> 00:46:27,200
Speaker 1: at it? They're just third person. They're like, the audience

916
00:46:27,280 --> 00:46:27,920
Speaker 1: is going to love this.

917
00:46:28,400 --> 00:46:29,440
Speaker 3: Brain hurts.

918
00:46:29,880 --> 00:46:31,720
Speaker 1: So we're talking to each other about how the audience

919
00:46:31,800 --> 00:46:32,320
Speaker 1: is going to love it.

920
00:46:32,560 --> 00:46:36,400
Speaker 4: Correct scripts. Some of us are getting scripts other people

921
00:46:36,560 --> 00:46:37,480
Speaker 4: aren't getting.

922
00:46:37,440 --> 00:46:43,600
Speaker 1: And the camera is somewhere hidden yeah oh man, layers, yeah, layers,

923
00:46:43,680 --> 00:46:44,760
Speaker 1: the layers at the onion.

924
00:46:45,080 --> 00:46:48,000
Speaker 3: So Stacey hangs up and Eric puts down the wire antenna.

925
00:46:48,280 --> 00:46:49,560
Speaker 3: What do you think about your facting?

926
00:46:49,640 --> 00:46:52,239
Speaker 4: Will I was pretty happy with my factoring in this

927
00:46:52,440 --> 00:46:54,520
Speaker 4: previous episode. Yeah, this might be the best facting I've

928
00:46:54,520 --> 00:46:54,879
Speaker 4: ever done.

929
00:46:55,040 --> 00:46:55,680
Speaker 3: It was really good.

930
00:46:55,920 --> 00:46:56,200
Speaker 4: Thank you.

931
00:46:56,600 --> 00:46:59,120
Speaker 3: Eric sarcastically asks his family if he's ever told them

932
00:46:59,120 --> 00:47:01,719
Speaker 3: how wonderful and under standing A girl Jennifer is the

933
00:47:01,800 --> 00:47:04,040
Speaker 3: phone rings and Eric knows who that is. He will

934
00:47:04,080 --> 00:47:06,840
Speaker 3: take it in the kitchen. It's going to be extremely loud.

935
00:47:07,640 --> 00:47:10,120
Speaker 3: As he leaves, Topanga asks what the next show is.

936
00:47:10,360 --> 00:47:12,799
Speaker 3: It's Bump in the Night. Corey explains, they are about

937
00:47:12,840 --> 00:47:15,520
Speaker 3: these weird little creatures that live under your bed, and

938
00:47:16,320 --> 00:47:18,080
Speaker 3: we just did we just realize there should have been

939
00:47:18,080 --> 00:47:20,960
Speaker 3: a lawsuit from the show about from Monsters, inc.

940
00:47:23,160 --> 00:47:26,040
Speaker 1: Oh open, then is it about the monsters?

941
00:47:26,320 --> 00:47:29,279
Speaker 3: Yeah, monster, they don't live under the they don't live

942
00:47:29,360 --> 00:47:30,839
Speaker 3: under the bed. They live in the closet. I guess

943
00:47:30,880 --> 00:47:34,520
Speaker 3: in Monsters is transportation.

944
00:47:36,440 --> 00:47:38,000
Speaker 1: Actually live in their own little land there?

945
00:47:38,200 --> 00:47:41,000
Speaker 3: Okay. Corey explains, it's about these weird little creatures that

946
00:47:41,080 --> 00:47:44,040
Speaker 3: live under your bed. Morgan states she doesn't have anything

947
00:47:44,120 --> 00:47:47,200
Speaker 3: under her bed, but Sean says he does, mostly mold

948
00:47:47,320 --> 00:47:50,080
Speaker 3: and empty pizza boxes. Corey says that wouldn't make an

949
00:47:50,120 --> 00:47:53,239
Speaker 3: interesting show, so Sean accepts the challenge. He picks up

950
00:47:53,239 --> 00:47:55,840
Speaker 3: a pizza box and uses it like a puppet. Hello boys,

951
00:47:55,880 --> 00:47:58,399
Speaker 3: and girls, it's time once again for what's under Sean's bed.

952
00:47:58,800 --> 00:48:01,440
Speaker 3: Corey is not impressed and closes the pizza box. It's

953
00:48:01,480 --> 00:48:06,200
Speaker 3: time for bumping the night and writer, for as annoyed

954
00:48:06,239 --> 00:48:08,480
Speaker 3: as you were about having to do this, you fully

955
00:48:08,520 --> 00:48:10,120
Speaker 3: commit to this pizza box gag.

956
00:48:10,680 --> 00:48:12,200
Speaker 1: It's horrible pizza.

957
00:48:12,480 --> 00:48:15,719
Speaker 3: It's a good bit, it's a cute bit. I disagree.

958
00:48:16,560 --> 00:48:17,880
Speaker 3: I did not think it was horrible at all.

959
00:48:17,960 --> 00:48:21,040
Speaker 2: Put on a little voice, you did your your manipulating

960
00:48:21,080 --> 00:48:22,680
Speaker 2: the box Yep, it worked well.

961
00:48:22,680 --> 00:48:25,279
Speaker 4: I mean, Lily still stole the scene, but you did.

962
00:48:25,400 --> 00:48:28,359
Speaker 3: I mean, there's no there's no stealing the scene from Lily.

963
00:48:28,560 --> 00:48:31,320
Speaker 4: We're all playing for second when she's on she's on camera,

964
00:48:43,719 --> 00:48:44,040
Speaker 4: all right.

965
00:48:44,120 --> 00:48:47,080
Speaker 3: So let's jump into segment six, from minute twenty two

966
00:48:47,200 --> 00:48:49,880
Speaker 3: nineteen to twenty two thirty one. We returned to the

967
00:48:49,920 --> 00:48:52,880
Speaker 3: couch and things are definitely messier for absolutely no reason

968
00:48:52,960 --> 00:48:56,160
Speaker 3: at all. Tapenga says, don't try this at home and

969
00:48:56,400 --> 00:48:59,840
Speaker 3: hits Sean in the head with a bag of potato chips.

970
00:49:00,360 --> 00:49:02,720
Speaker 3: So Sean returns the favor with a pillow.

971
00:49:03,280 --> 00:49:05,080
Speaker 4: Yeah you know what, you know how this was set up?

972
00:49:05,160 --> 00:49:06,000
Speaker 1: Kids being kids?

973
00:49:06,239 --> 00:49:07,880
Speaker 4: I'm asking, do you know how this was set up,

974
00:49:07,920 --> 00:49:09,440
Speaker 4: because I don't know how this no.

975
00:49:09,520 --> 00:49:12,520
Speaker 3: Okay, Yeah, although what I'm going to assume is if

976
00:49:12,560 --> 00:49:15,520
Speaker 3: you watched the cartoon, there must have been something in

977
00:49:15,600 --> 00:49:17,640
Speaker 3: the cartoon that's.

978
00:49:18,840 --> 00:49:19,000
Speaker 12: There.

979
00:49:19,320 --> 00:49:21,319
Speaker 3: We must have been playing, and so then coming out

980
00:49:21,360 --> 00:49:23,839
Speaker 3: of that episode, there's something with people hitting each other

981
00:49:23,920 --> 00:49:25,520
Speaker 3: with something, so we do it.

982
00:49:26,000 --> 00:49:27,319
Speaker 1: Yeah, that makes sense.

983
00:49:27,520 --> 00:49:30,320
Speaker 3: So Unaffected Morgan asks Corey what he's doing, and he

984
00:49:30,400 --> 00:49:34,240
Speaker 3: says he's doing mister Bumpy, while holding up a clay

985
00:49:34,400 --> 00:49:38,480
Speaker 3: mold of a Bump in the Night character. He's grunting

986
00:49:38,520 --> 00:49:41,840
Speaker 3: a goofy song. Sean says it's no mister pizza box.

987
00:49:42,280 --> 00:49:45,160
Speaker 3: Corey admits stop action is harder than it looks. Then

988
00:49:45,400 --> 00:49:48,000
Speaker 3: Eric returns on the phone. He's still arguing with Jennifer.

989
00:49:48,239 --> 00:49:50,080
Speaker 3: He says, if that's how she feels, then there's nothing

990
00:49:50,120 --> 00:49:52,160
Speaker 3: he can do to change your mind, but still goes

991
00:49:52,200 --> 00:49:54,120
Speaker 3: into a spiel about how when a man is asked

992
00:49:54,160 --> 00:49:57,279
Speaker 3: to host a Saturday morning cartoon special, it puts a

993
00:49:57,360 --> 00:49:58,520
Speaker 3: lot of pressure on him.

994
00:49:59,160 --> 00:50:00,759
Speaker 2: Oh, by the way, before we go any further, I

995
00:50:00,880 --> 00:50:02,759
Speaker 2: just want you to know that that's officially going to

996
00:50:02,800 --> 00:50:03,319
Speaker 2: be my new.

997
00:50:03,280 --> 00:50:04,239
Speaker 4: Euphemism for sex.

998
00:50:04,680 --> 00:50:05,280
Speaker 3: Mister Bumpy.

999
00:50:05,600 --> 00:50:08,880
Speaker 2: I'm that I'm doing mister Bumpy. So just so, hey man,

1000
00:50:08,920 --> 00:50:10,560
Speaker 2: what are you up to doing mister Bumpy?

1001
00:50:10,680 --> 00:50:13,040
Speaker 3: Just letting you know, looking forward to mister Bumpy tonight.

1002
00:50:13,360 --> 00:50:14,080
Speaker 2: Can be doing, is it?

1003
00:50:14,200 --> 00:50:15,200
Speaker 1: Mister and missus Bumpy?

1004
00:50:15,719 --> 00:50:22,399
Speaker 3: Just Eric is listening to dial tone again. He laughs

1005
00:50:22,440 --> 00:50:24,960
Speaker 3: it off and says they were disconnected. She'll call back.

1006
00:50:25,560 --> 00:50:27,239
Speaker 3: Corey offers him a spot on the couch and he

1007
00:50:27,440 --> 00:50:30,319
Speaker 3: defeatedly accepts. Morgan explains that if he spent more time

1008
00:50:30,360 --> 00:50:34,080
Speaker 3: watching cartoons, he wouldn't have any girl problems. And now

1009
00:50:34,200 --> 00:50:36,640
Speaker 3: they've seen Free Willy, Reboot and Bump in the Night.

1010
00:50:36,840 --> 00:50:42,480
Speaker 3: Morgan categorizes them big hit, Mega hit, monster hit. Corey

1011
00:50:42,640 --> 00:50:45,440
Speaker 3: runs down the entire Saturday Morning lineup. Eric hands the

1012
00:50:45,480 --> 00:50:47,560
Speaker 3: phone to Morgan. If a girl calls, I'm not there.

1013
00:50:47,960 --> 00:50:50,479
Speaker 3: Sean then snatches the phone from her. He'll be taking

1014
00:50:50,520 --> 00:50:52,960
Speaker 3: all the calls. And that's the end of that segment.

1015
00:50:53,440 --> 00:50:56,120
Speaker 3: And now our seventh and final segment, which goes from

1016
00:50:56,160 --> 00:50:59,080
Speaker 3: minute twenty eighth two to minute twenty nine thirty five.

1017
00:50:59,480 --> 00:51:01,880
Speaker 3: It's now just Corey to Pega, Sean and Eric on

1018
00:51:01,920 --> 00:51:05,360
Speaker 3: the couch. Corey declares that was the best ABC Saturday

1019
00:51:05,400 --> 00:51:08,000
Speaker 3: Morning lineup in the History of the World. He looks

1020
00:51:08,040 --> 00:51:12,160
Speaker 3: for Morgan to agree, but they realize she's gone to

1021
00:51:12,320 --> 00:51:14,200
Speaker 3: Pega says she went to call her friends and tell

1022
00:51:14,239 --> 00:51:16,799
Speaker 3: them all about the lineup. Eric can't believe it. Can

1023
00:51:16,840 --> 00:51:19,799
Speaker 3: she remember all those shows? And Sean says he can too.

1024
00:51:20,280 --> 00:51:22,080
Speaker 3: Eric dares him to prove it, and so Sean goes

1025
00:51:22,160 --> 00:51:25,120
Speaker 3: deep into thought. He stumbles and Corey takes over. It's

1026
00:51:25,239 --> 00:51:28,680
Speaker 3: pro followed by Sonic the Hedgehog, followed by Free Willie exactly.

1027
00:51:28,800 --> 00:51:32,080
Speaker 3: Sean yells out. Corey continues reboot, followed by Bumping the Night,

1028
00:51:32,200 --> 00:51:35,080
Speaker 3: followed by Tales from the Cripkeeper. Sean continues to act

1029
00:51:35,160 --> 00:51:37,600
Speaker 3: like he's killing but Corey's actually the one running it down.

1030
00:51:37,920 --> 00:51:40,880
Speaker 3: He concludes with the Bugs and Tweety Show, the Adams Family,

1031
00:51:41,040 --> 00:51:44,400
Speaker 3: and the ABC Weekend Special. Sean pretends he knew them all.

1032
00:51:44,800 --> 00:51:47,800
Speaker 3: Topega asks but what happens after the Weekend Special and

1033
00:51:47,880 --> 00:51:50,200
Speaker 3: Corey says he go outside, you get some marror, you

1034
00:51:50,520 --> 00:51:53,560
Speaker 3: get a life. Sean can't believe his ears and miss

1035
00:51:53,680 --> 00:51:58,080
Speaker 3: professional bowling. Eric says they'll tape it for him. Corey

1036
00:51:58,200 --> 00:52:01,040
Speaker 3: is satisfied. What a great line app What a great season.

1037
00:52:02,560 --> 00:52:05,120
Speaker 1: Doesn't want to be outside playing basketball.

1038
00:52:04,800 --> 00:52:07,600
Speaker 2: Right because because the car is now you like bowling,

1039
00:52:07,920 --> 00:52:10,360
Speaker 2: and now I like bowling. Oh, by the way, that

1040
00:52:10,560 --> 00:52:12,640
Speaker 2: there's no reason for Lily not to be there other

1041
00:52:12,680 --> 00:52:14,800
Speaker 2: than the fact that we must have gone over and

1042
00:52:14,880 --> 00:52:16,160
Speaker 2: they're yes.

1043
00:52:16,200 --> 00:52:18,719
Speaker 3: Because because they had to write her out of the segment.

1044
00:52:18,560 --> 00:52:21,440
Speaker 4: Yep absolutely had to Tapanga.

1045
00:52:21,120 --> 00:52:22,960
Speaker 3: Knows where her bread is buttered and add that it's

1046
00:52:23,000 --> 00:52:25,440
Speaker 3: going to be a great season for Boy Meets World too.

1047
00:52:26,280 --> 00:52:29,160
Speaker 3: Lots of changes. Corey reveals Corey and Sean are going

1048
00:52:29,239 --> 00:52:31,160
Speaker 3: to be in high school with Eric, which is news

1049
00:52:31,239 --> 00:52:34,320
Speaker 3: to Eric. That's not cool and he wants cool changes,

1050
00:52:34,600 --> 00:52:36,879
Speaker 3: like being in an all girls dorm in college next

1051
00:52:36,920 --> 00:52:39,399
Speaker 3: to Swedish gymnasts and all they know how to say

1052
00:52:39,520 --> 00:52:45,080
Speaker 3: is y'all Eric, y'all. Eric giggles in giddiness. Sean Sean proclaims,

1053
00:52:45,160 --> 00:52:47,560
Speaker 3: since they're making changes, he wants the title to be

1054
00:52:47,880 --> 00:52:52,720
Speaker 3: Sean meets World. So Corey suggests Boy meets New best Friend.

1055
00:52:53,280 --> 00:52:55,920
Speaker 3: Sean understands, let's leave it the way it is, so.

1056
00:52:56,040 --> 00:52:58,120
Speaker 1: Now we know we're on a show.

1057
00:52:58,400 --> 00:53:02,120
Speaker 3: We are met Yep, and Ben is the star of it,

1058
00:53:02,200 --> 00:53:03,680
Speaker 3: and you're a friend star of.

1059
00:53:03,680 --> 00:53:05,600
Speaker 1: It, but I want to be shot like.

1060
00:53:07,520 --> 00:53:10,440
Speaker 3: They call Boy Meets World a big hit, reminding us

1061
00:53:10,520 --> 00:53:11,440
Speaker 3: of that brand.

1062
00:53:11,280 --> 00:53:13,879
Speaker 1: Also, by the way, boy meets New best Friend. When

1063
00:53:13,960 --> 00:53:16,839
Speaker 1: you have a death chair and we've literally fired five

1064
00:53:16,960 --> 00:53:20,440
Speaker 1: of them, Yeah, think about that, and you're being forced

1065
00:53:20,480 --> 00:53:23,000
Speaker 1: to save these lines to each other, to the network

1066
00:53:23,040 --> 00:53:23,840
Speaker 1: that you know.

1067
00:53:24,000 --> 00:53:24,840
Speaker 5: It's terrifying.

1068
00:53:25,200 --> 00:53:30,000
Speaker 3: Yes, very scary, very exactively scared for your job. They

1069
00:53:30,080 --> 00:53:32,040
Speaker 3: call Boy Meets World a big hit, reminding us of

1070
00:53:32,120 --> 00:53:34,359
Speaker 3: that brand new catchphrase Morgan just said for the first

1071
00:53:34,400 --> 00:53:36,680
Speaker 3: time minutes ago. She tells the viewer to stick around

1072
00:53:36,760 --> 00:53:38,839
Speaker 3: and see all the cartoons they just previewed or else

1073
00:53:38,960 --> 00:53:41,640
Speaker 3: they did the special for nothing, but Sean reminds him

1074
00:53:41,800 --> 00:53:46,240
Speaker 3: they did get the food, and that's it. Little reminder.

1075
00:53:46,640 --> 00:53:49,240
Speaker 3: You can watch the special with the time codes throughout

1076
00:53:49,280 --> 00:53:51,320
Speaker 3: the YouTube link in the show notes, or click the

1077
00:53:51,360 --> 00:53:53,200
Speaker 3: link in our Instagram bio to check it out. We

1078
00:53:53,320 --> 00:53:54,839
Speaker 3: are going to keep it up there for a little while,

1079
00:53:54,960 --> 00:53:55,520
Speaker 3: so or just.

1080
00:53:55,520 --> 00:53:58,879
Speaker 1: Watching with those commercials, watch the whole thing.

1081
00:53:59,280 --> 00:54:01,640
Speaker 3: Yeah, I want to do. I'd love to know any

1082
00:54:01,719 --> 00:54:03,200
Speaker 3: of you who do end up watching it, Will you

1083
00:54:03,320 --> 00:54:05,000
Speaker 3: send us an email and let us know why. Writer

1084
00:54:05,080 --> 00:54:06,400
Speaker 3: and I hit each other in the head with a

1085
00:54:06,480 --> 00:54:08,560
Speaker 3: chip bag and a pillow. What's what happens in the

1086
00:54:08,640 --> 00:54:12,040
Speaker 3: cartoon right before it? Let us know? Thanks. You can

1087
00:54:12,080 --> 00:54:14,360
Speaker 3: send us an email pod Meets World Show at gmail

1088
00:54:14,400 --> 00:54:16,840
Speaker 3: dot com. Thanks for listening to this little bonus episode.

1089
00:54:16,880 --> 00:54:17,600
Speaker 3: We'll send us out.

1090
00:54:18,160 --> 00:54:18,799
Speaker 2: We love you all.

1091
00:54:19,040 --> 00:54:19,760
Speaker 4: Pod dismissed.

1092
00:54:20,520 --> 00:54:21,279
Speaker 5: We love you all.

1093
00:54:22,800 --> 00:54:25,200
Speaker 4: I was good that for the merchant merch call. That's

1094
00:54:25,280 --> 00:54:26,600
Speaker 4: right bye some March.

1095
00:54:28,120 --> 00:54:31,680
Speaker 2: Podmets World is nheart podcast producer and hosted by Danielle Fischel,

1096
00:54:31,760 --> 00:54:36,000
Speaker 2: Wilfordell and Ryder Strong Executive producers, Jensen Carp and Amy Sugarman,

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Speaker 2: Executive in charge of production, Danielle Romo, producer and editor,

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Speaker 2: Tara Sudbaksh producer, Maddie Moore, engineer and Boy Meets World

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Speaker 2: super fan Easton Allen. Our theme song is by Kyle

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Speaker 2: Morton of Typhoon and you can follow us on Instagram

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Speaker 2: at Podmeets World Show or email us at Podmeats World

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Speaker 2: Show at gmail dot com.