1 00:00:04,440 --> 00:00:10,120 Speaker 1: Yeah, all right, this is the Iron Wrap Reports stereo 2 00:00:10,720 --> 00:00:15,319 Speaker 1: podcast coming live and direct from the Gloom to Him 3 00:00:15,320 --> 00:00:19,840 Speaker 1: of Los Angeles, California. Uh, it's gonna be a fantastic 4 00:00:19,880 --> 00:00:26,720 Speaker 1: episode yet again. Today we are going to I'm gonna 5 00:00:26,720 --> 00:00:29,600 Speaker 1: get an interview with I think one of the biggest 6 00:00:29,640 --> 00:00:34,600 Speaker 1: Iron Rapports stereo podcast fans, Um, the guy I haven't 7 00:00:34,640 --> 00:00:37,240 Speaker 1: met with text away. I'm looking forward to talking to him, 8 00:00:37,240 --> 00:00:40,639 Speaker 1: Manchino from the group the Deaf Tones. I know you're 9 00:00:40,640 --> 00:00:43,000 Speaker 1: probably being like, you know, Mike rab what the funk 10 00:00:43,040 --> 00:00:44,520 Speaker 1: do you know about the deaf Tones, And I'm gonna 11 00:00:44,560 --> 00:00:48,559 Speaker 1: be honest, not much. Okay, I've done my research obviously. 12 00:00:48,600 --> 00:00:53,560 Speaker 1: I've heard of the deaf Tones, humongous rock group that's 13 00:00:53,560 --> 00:00:58,520 Speaker 1: been rockets since the nineties, Still Torn, Still killing it. Um, 14 00:00:58,560 --> 00:01:03,160 Speaker 1: and the lead singer, Chino, who's from l A. I've 15 00:01:03,200 --> 00:01:04,640 Speaker 1: heard that he was a fan of the Iron rap 16 00:01:04,680 --> 00:01:08,840 Speaker 1: Ports stereo podcast. Um, we have some mutual friends. I 17 00:01:08,880 --> 00:01:12,400 Speaker 1: heard him mention us in an interview, and Uh, I'm 18 00:01:12,440 --> 00:01:14,679 Speaker 1: calling him up and talk to him because he's been 19 00:01:14,760 --> 00:01:18,200 Speaker 1: touring and in the music business hard body Karate for 20 00:01:18,240 --> 00:01:20,040 Speaker 1: a long time. So I got a lot of questions 21 00:01:20,080 --> 00:01:23,200 Speaker 1: for him about just like what goes on on the 22 00:01:23,240 --> 00:01:28,679 Speaker 1: tour buses? Uh what what? What? What city? What state? Has? 23 00:01:29,200 --> 00:01:32,679 Speaker 1: You know the prettiest chicks while the story. So we're 24 00:01:32,720 --> 00:01:38,480 Speaker 1: gonna rock him a Manchino from the Deaf Tones. Um, 25 00:01:38,520 --> 00:01:43,280 Speaker 1: I'll be honest. I did my first Fantasy football real draft. 26 00:01:43,400 --> 00:01:45,240 Speaker 1: You know, I've been talking about my mock draft. I 27 00:01:45,280 --> 00:01:50,840 Speaker 1: did my first real draft and it went well. It 28 00:01:50,920 --> 00:01:54,760 Speaker 1: wasn't the perfect draft that I dream of that I 29 00:01:54,800 --> 00:01:59,400 Speaker 1: think about that I crave accomplishing um. But it's a 30 00:01:59,480 --> 00:02:01,760 Speaker 1: very good draft. It's in this other league that I'm doing, 31 00:02:01,760 --> 00:02:04,560 Speaker 1: not the Stern League. The Stern League draft, and the 32 00:02:04,600 --> 00:02:08,400 Speaker 1: details of this draft I will reveal in the next 33 00:02:08,440 --> 00:02:14,720 Speaker 1: episode I cannot give. I called my music industry uh league. 34 00:02:14,919 --> 00:02:17,160 Speaker 1: That's the one I just did. I'll tell you who's 35 00:02:17,160 --> 00:02:21,360 Speaker 1: in it. A couple of people, you know, Yankees, picture C. C. Sabathia, 36 00:02:21,720 --> 00:02:26,519 Speaker 1: he's from Oakland, Uh, Wallet the rapper, and a whole 37 00:02:26,560 --> 00:02:28,919 Speaker 1: bunch of other music people. But those are the uh 38 00:02:29,080 --> 00:02:32,240 Speaker 1: the name brand dudes. Um My man, Mike Kaiser, who's 39 00:02:32,280 --> 00:02:33,840 Speaker 1: like an A and R this and the head of 40 00:02:33,840 --> 00:02:36,680 Speaker 1: this label. I've known since I was like thirteen, years old. Um, 41 00:02:36,720 --> 00:02:40,639 Speaker 1: and they wanted to dance with the dingo. Oh yeah, 42 00:02:40,800 --> 00:02:45,120 Speaker 1: and now they're dancing. They're fucking dancing. Uh so, so 43 00:02:45,160 --> 00:02:47,239 Speaker 1: they got a little, a little taste of the Delight. 44 00:02:47,480 --> 00:02:50,239 Speaker 1: Rapp Reports Delight and the draft win good again. I 45 00:02:50,280 --> 00:02:54,480 Speaker 1: can't reveal my draft because, uh, my Stern draft is 46 00:02:54,560 --> 00:02:56,560 Speaker 1: coming up, and I don't want any of those people 47 00:02:56,560 --> 00:02:59,320 Speaker 1: in the Howard Stern Fantasy Football League trying to steal 48 00:02:59,840 --> 00:03:04,840 Speaker 1: any of my UM tactics, um and and and moves, 49 00:03:05,400 --> 00:03:09,800 Speaker 1: because trust me, they're listening to every single word I 50 00:03:09,919 --> 00:03:12,480 Speaker 1: fucking say, not all of them, but there's a few 51 00:03:12,520 --> 00:03:15,760 Speaker 1: people in the Howard Stern Fantasy Football League. They're watching, 52 00:03:16,880 --> 00:03:21,320 Speaker 1: they're listening, and they're looming. Okay, but you can't stop me, 53 00:03:21,800 --> 00:03:25,240 Speaker 1: you fuck you, Okay, you can't stop the bum rush. 54 00:03:26,000 --> 00:03:29,160 Speaker 1: See I am Rapports Stereo Podcast. We're gonna get into 55 00:03:29,160 --> 00:03:39,320 Speaker 1: it right now, all right. So I watched the the 56 00:03:39,400 --> 00:03:45,280 Speaker 1: reluctantly watched the Video Music Awards, the MTV Video Music Awards, 57 00:03:45,840 --> 00:03:50,200 Speaker 1: and a couple of things occurred to me during that show. Um. 58 00:03:50,360 --> 00:03:55,080 Speaker 1: The first thing that was discouraging is that I am 59 00:03:55,200 --> 00:04:01,480 Speaker 1: older than i'd say of the p Bowl. That performed 60 00:04:01,640 --> 00:04:05,320 Speaker 1: and that we're on the fucking show maybe and I 61 00:04:05,360 --> 00:04:09,640 Speaker 1: am old enough to be the father of I don't know, 62 00:04:09,680 --> 00:04:16,200 Speaker 1: sixty five to the people that uh performed last night. Uh. 63 00:04:16,200 --> 00:04:19,360 Speaker 1: It freaked me out. It freaked me the funk out 64 00:04:19,480 --> 00:04:22,760 Speaker 1: that that that I realized that these could be my children. 65 00:04:23,160 --> 00:04:26,640 Speaker 1: They're they're they're young enough for me to have fathered 66 00:04:26,920 --> 00:04:33,200 Speaker 1: these people. Um. Ariana Grande, uh, namefully her. I don't 67 00:04:33,279 --> 00:04:35,880 Speaker 1: think she's like seventeen, sixteen, twenty. I don't know how 68 00:04:35,880 --> 00:04:38,160 Speaker 1: old she is. Um. There there's a there's a bunch 69 00:04:38,200 --> 00:04:40,240 Speaker 1: of them. A lot of them. I don't even know 70 00:04:40,279 --> 00:04:45,479 Speaker 1: their names. They're just uh, I like Arianna Grande, uh, 71 00:04:45,520 --> 00:04:48,680 Speaker 1: you know, for whatever it's worth. But the majority of them, 72 00:04:48,680 --> 00:04:51,120 Speaker 1: I don't even know who they are. It was really 73 00:04:51,200 --> 00:04:57,200 Speaker 1: really concerning to me. Um. But um, you know, when 74 00:04:57,200 --> 00:04:59,240 Speaker 1: you get to that point where you're like people in 75 00:04:59,279 --> 00:05:01,600 Speaker 1: the NBA that could be your son, Like I could 76 00:05:01,600 --> 00:05:05,200 Speaker 1: be Kyrie Irving's father. Now you're probably saying, well, no, no, no, 77 00:05:05,200 --> 00:05:08,160 Speaker 1: how could you? Yeah, I could be Blake Griffin is 78 00:05:08,200 --> 00:05:11,160 Speaker 1: young enough to be my fucking son. That could be 79 00:05:11,200 --> 00:05:16,160 Speaker 1: my son illegitimately, who knows? Okay, No, one's done a 80 00:05:16,279 --> 00:05:19,479 Speaker 1: DNA test. No one's checked to see if Blake Griffin 81 00:05:19,760 --> 00:05:22,920 Speaker 1: wasn't my son. And I'm not saying he is my son, 82 00:05:24,120 --> 00:05:29,200 Speaker 1: but technically he could be my son. These are things 83 00:05:29,279 --> 00:05:31,120 Speaker 1: that you start to deal with when you're forty six 84 00:05:31,200 --> 00:05:33,839 Speaker 1: years old. Yet and still I watched these awards and 85 00:05:33,880 --> 00:05:37,560 Speaker 1: I'm like, this is a ship show. I feel bad 86 00:05:37,600 --> 00:05:42,440 Speaker 1: for the people that this is all that they could reference. Um, 87 00:05:42,839 --> 00:05:47,080 Speaker 1: the music is is busted. It's broken, and and I 88 00:05:47,200 --> 00:05:52,520 Speaker 1: don't think it's fixable. Um. Kanye West was up there 89 00:05:53,200 --> 00:05:58,760 Speaker 1: talking that bullshit again, still talking about Taylor Swift. Uh, 90 00:05:58,760 --> 00:06:03,080 Speaker 1: still just being the first one to give himself these 91 00:06:03,160 --> 00:06:07,560 Speaker 1: broad stroke compliments about he's like Disney, and he's like Ford, 92 00:06:07,760 --> 00:06:11,640 Speaker 1: and he's like Steve Jobs. And then he brought up 93 00:06:11,680 --> 00:06:14,880 Speaker 1: the fact that somebody, oh rich older white people said 94 00:06:14,920 --> 00:06:17,839 Speaker 1: don't compare yourself to them. He said that, he said, 95 00:06:17,920 --> 00:06:19,960 Speaker 1: you know older people or some people and then he 96 00:06:20,000 --> 00:06:23,800 Speaker 1: said a k white people, Um, and they were saying, 97 00:06:23,800 --> 00:06:27,799 Speaker 1: don't compare. I'm I'm telling you you ain't Steve Jobs. 98 00:06:28,400 --> 00:06:32,440 Speaker 1: Okay you are. You ain't Walt Disney. You're a good 99 00:06:32,520 --> 00:06:37,240 Speaker 1: rapper and a good producer who's not perfect year, not 100 00:06:37,360 --> 00:06:40,159 Speaker 1: the greatest, You're not the best producer, you're not the 101 00:06:40,160 --> 00:06:43,640 Speaker 1: best rapper. I don't know what the fuck you really 102 00:06:43,680 --> 00:06:46,119 Speaker 1: think it is. But you're you're totally out of touch, 103 00:06:46,600 --> 00:06:50,240 Speaker 1: and and and and this is a perfect time. If 104 00:06:50,320 --> 00:06:54,400 Speaker 1: hip hop wanted to be controlled and Uh sort of 105 00:06:55,000 --> 00:06:57,640 Speaker 1: brought back down to a sort of a level playing field, 106 00:06:57,640 --> 00:07:00,600 Speaker 1: this would be a perfect time. Just the same way 107 00:07:01,560 --> 00:07:05,359 Speaker 1: when when when the great nas nas Escobar, Uh, he 108 00:07:05,480 --> 00:07:07,960 Speaker 1: felt like jay Z was getting bigger than the music 109 00:07:08,640 --> 00:07:10,600 Speaker 1: and talking like he was this is between that, this 110 00:07:10,640 --> 00:07:11,880 Speaker 1: is what he said. He felt like he was getting 111 00:07:11,920 --> 00:07:14,760 Speaker 1: bigger than music. So he went at him and they battled. 112 00:07:14,880 --> 00:07:18,559 Speaker 1: It was fantastic. Why nobody goes to Kanye West. I 113 00:07:18,640 --> 00:07:22,280 Speaker 1: don't understand it. It doesn't have to turn into some craziness. 114 00:07:22,320 --> 00:07:25,760 Speaker 1: Just hip hop battles. This This dude is breaking one 115 00:07:25,760 --> 00:07:28,440 Speaker 1: of the one of the primary codes of hip hop, 116 00:07:28,800 --> 00:07:32,560 Speaker 1: which is you ain't bigger than than than than the culture. 117 00:07:32,560 --> 00:07:37,320 Speaker 1: You're not bigger than hip hop as a whole. Nobody 118 00:07:37,360 --> 00:07:40,120 Speaker 1: wants to hear you talking that ship, your long speeches. 119 00:07:40,280 --> 00:07:43,600 Speaker 1: You sound nuts and and and to be honest with you, 120 00:07:43,680 --> 00:07:45,679 Speaker 1: I feel bad for I feel bad for this dude. 121 00:07:46,640 --> 00:07:48,960 Speaker 1: He's out of touch. This is what happens when that 122 00:07:49,120 --> 00:07:51,960 Speaker 1: super duper super put put a mask on your face, 123 00:07:52,040 --> 00:07:54,600 Speaker 1: go back into reality for a few months. Hide. I 124 00:07:54,640 --> 00:07:57,640 Speaker 1: know it's hard being famous. It's hard for me to 125 00:07:57,680 --> 00:08:00,240 Speaker 1: be as famous as I am. Fucking rough out there. 126 00:08:00,520 --> 00:08:02,760 Speaker 1: I can't imagine how hard it is to be Kanye West. 127 00:08:02,880 --> 00:08:07,320 Speaker 1: That being said, hold your head, get your mind right, refocus. 128 00:08:07,840 --> 00:08:10,600 Speaker 1: You ain't all that, duke. Your new record is whack. 129 00:08:10,880 --> 00:08:14,960 Speaker 1: It's not even hip hop. He premiered this video that 130 00:08:15,040 --> 00:08:22,000 Speaker 1: Iman Schumpert was in. Uh and his wife beautiful, I 131 00:08:22,040 --> 00:08:25,640 Speaker 1: mean gorgeous Tiana Taylor, Like the whole opening part of 132 00:08:25,640 --> 00:08:29,400 Speaker 1: the video is her dancing, and it's like some you'll 133 00:08:29,440 --> 00:08:33,079 Speaker 1: always remember where you were the first time you saw 134 00:08:34,040 --> 00:08:37,880 Speaker 1: Tianna Taylor dance in that video. She got it in, 135 00:08:38,280 --> 00:08:42,120 Speaker 1: she got busy. And then uh Aman Chumpert, who I 136 00:08:42,160 --> 00:08:45,040 Speaker 1: believe they're married to, the getting married beautiful wife beautiful. 137 00:08:45,240 --> 00:08:48,560 Speaker 1: He's got a fucking cute fat and I say that 138 00:08:48,559 --> 00:08:52,080 Speaker 1: would love beautiful baby, beautiful family. But you're naked in 139 00:08:52,120 --> 00:08:54,280 Speaker 1: the video. Okay, I don't know what you're doing, Duke. 140 00:08:54,360 --> 00:08:58,000 Speaker 1: You're still in the NBA hold your head, okay, but 141 00:08:58,040 --> 00:09:01,480 Speaker 1: your wife was fantastic. I mean, you'll I'll tell you 142 00:09:01,559 --> 00:09:05,439 Speaker 1: that was one of the more impressive UH dance routines. 143 00:09:05,480 --> 00:09:08,200 Speaker 1: It's like when Janet Jackson did control. Remember that ship, 144 00:09:08,520 --> 00:09:10,760 Speaker 1: same type of thing, But I don't remember where I 145 00:09:10,840 --> 00:09:13,199 Speaker 1: was the first time I saw that Janet Jackson in control. 146 00:09:13,559 --> 00:09:16,040 Speaker 1: I will always remember where I was the first time 147 00:09:16,080 --> 00:09:18,560 Speaker 1: I saw a home girl get busy. In that Kanye 148 00:09:18,559 --> 00:09:21,200 Speaker 1: West video, that being said, the song ain't hip hop, 149 00:09:21,200 --> 00:09:24,320 Speaker 1: it's not dope. I'm not impressed by that, but the 150 00:09:24,400 --> 00:09:28,160 Speaker 1: video was dope. Aman Chumpert, Why you're butt naked in 151 00:09:28,200 --> 00:09:31,040 Speaker 1: the video made no sense to me. Um But I 152 00:09:31,040 --> 00:09:33,920 Speaker 1: got nothing to say about your beautiful family, and you 153 00:09:34,160 --> 00:09:36,920 Speaker 1: have a And if you want somebody to babysit that 154 00:09:36,960 --> 00:09:38,959 Speaker 1: little baby you have, I will do it for free, 155 00:09:39,720 --> 00:09:43,800 Speaker 1: to be my pleasure. Gorgeous, fat, little chunky little baby. 156 00:09:44,760 --> 00:09:49,120 Speaker 1: Another thing that happened. Beyonce performed and she killed it 157 00:09:49,160 --> 00:09:51,480 Speaker 1: as the way she kills it. She performed like fifteen minutes. 158 00:09:51,480 --> 00:09:53,400 Speaker 1: It was like a mini concert. Wasn't even like like 159 00:09:53,440 --> 00:09:55,199 Speaker 1: a little She didn't just do one song. She did 160 00:09:55,200 --> 00:09:58,920 Speaker 1: like a whole, like a whole mini concert. She she 161 00:09:58,960 --> 00:10:01,640 Speaker 1: did what she does. Listen. How could you say anything 162 00:10:01,640 --> 00:10:06,160 Speaker 1: bad about Beyonce? She she's beautiful, she's flawless. I think 163 00:10:06,160 --> 00:10:08,720 Speaker 1: she that's one of her songs, flawless. She doesn't miss 164 00:10:08,720 --> 00:10:13,479 Speaker 1: a step, she doesn't miss a beat. Uh. She's provocative. 165 00:10:14,280 --> 00:10:20,000 Speaker 1: Now she's become conscious. But there's something very musical theatery 166 00:10:19,760 --> 00:10:24,680 Speaker 1: I feel about Beyonce's performances. They're too perfect. What do 167 00:10:24,679 --> 00:10:27,320 Speaker 1: you mean that everybody strives for perfection? I know, but 168 00:10:27,640 --> 00:10:30,600 Speaker 1: it's just like I don't want to say soulless, because 169 00:10:30,600 --> 00:10:32,480 Speaker 1: there's definitely soul in it, but it's just like there's 170 00:10:32,480 --> 00:10:35,520 Speaker 1: no there's no bumps in the road, there's no flaws. 171 00:10:35,559 --> 00:10:40,400 Speaker 1: It's just too manicured. Um, and that's great thing. It's 172 00:10:40,440 --> 00:10:43,960 Speaker 1: like if she was doing a fantasy draft, she would 173 00:10:44,000 --> 00:10:46,800 Speaker 1: do the perfect draft and she'd have a better team 174 00:10:46,840 --> 00:10:50,679 Speaker 1: than me. Okay, but but that's just not what I'm 175 00:10:50,720 --> 00:10:54,720 Speaker 1: attracted to as an artist. So she kicked ass as 176 00:10:54,800 --> 00:10:57,680 Speaker 1: she does because Beyonce that she's an ass kicker. She 177 00:10:57,720 --> 00:11:00,880 Speaker 1: doesn't funk around. Um. The sad thing about the Beyonce 178 00:11:01,000 --> 00:11:04,920 Speaker 1: performance is that after she performed, they they they they 179 00:11:05,040 --> 00:11:08,400 Speaker 1: threw Brittney Spears out there, who's getting some Lifetime Achievement 180 00:11:08,400 --> 00:11:11,160 Speaker 1: award or some icon something or dumpthing. I couldn't focus. 181 00:11:11,160 --> 00:11:13,000 Speaker 1: I don't know what the fun was going on. Poor 182 00:11:13,040 --> 00:11:18,040 Speaker 1: Brittney Spears had to follow the Queen Bee and it 183 00:11:18,160 --> 00:11:21,400 Speaker 1: looked fucked up. First of all, she's not in her 184 00:11:21,400 --> 00:11:24,439 Speaker 1: prime anymore. She looked great, you know, she she's she's, 185 00:11:24,880 --> 00:11:28,280 Speaker 1: you know, a good performer, solid performer. Obviously she's iconic. 186 00:11:28,320 --> 00:11:30,080 Speaker 1: You want to see her doing well. Because she flipped 187 00:11:30,080 --> 00:11:32,280 Speaker 1: out at some point. I don't know why. I'm not 188 00:11:32,320 --> 00:11:34,640 Speaker 1: good with time, but it was maybe it was the 189 00:11:34,679 --> 00:11:37,360 Speaker 1: late nineties and the early two thousand. She she bugged out. 190 00:11:37,800 --> 00:11:41,720 Speaker 1: But how can you put Britney Spears on after Beyonce? 191 00:11:42,160 --> 00:11:45,960 Speaker 1: That's not fair to Britney Spears. Like, if I'm Beyonce, 192 00:11:46,080 --> 00:11:49,840 Speaker 1: I'm like, yo, let this girl rock, let her do this, 193 00:11:49,920 --> 00:11:52,360 Speaker 1: Let let let everybody be my opening act, and I'm 194 00:11:52,360 --> 00:11:57,880 Speaker 1: gonna I'm gonna close the show. Because she looked average 195 00:11:58,840 --> 00:12:03,640 Speaker 1: at best after perform and after the Queen Bee and 196 00:12:03,679 --> 00:12:06,640 Speaker 1: then Rihanna, I don't understand how they would do diving 197 00:12:06,640 --> 00:12:09,560 Speaker 1: it up. She performed like I think fourteen different times 198 00:12:09,640 --> 00:12:11,360 Speaker 1: during the v M A s And I have no 199 00:12:11,440 --> 00:12:15,560 Speaker 1: problem with it. Fox with Rihanna, Fox with her hard body. 200 00:12:16,080 --> 00:12:20,800 Speaker 1: She's so fine and so bad that I like her music. 201 00:12:21,320 --> 00:12:24,520 Speaker 1: And if it wasn't her, I absolutely wouldn't like her music. 202 00:12:24,640 --> 00:12:27,800 Speaker 1: I like her songs, but I like her. I like 203 00:12:27,880 --> 00:12:32,240 Speaker 1: her a lot. Uh and uh. See the difference for 204 00:12:32,320 --> 00:12:36,679 Speaker 1: me between her and Beyonce's that Rihanna there's flaws, Like 205 00:12:36,800 --> 00:12:39,040 Speaker 1: she's not the best singer, but she's a good singer. 206 00:12:39,880 --> 00:12:42,920 Speaker 1: She's not the best dancer, but she's a very very 207 00:12:43,080 --> 00:12:45,440 Speaker 1: very good dancer. But there's a sexuality and a sort 208 00:12:45,480 --> 00:12:48,440 Speaker 1: of in in acting, there's like to to sort of 209 00:12:48,920 --> 00:12:52,760 Speaker 1: schools of thought. There's presentational where you're sort of doing 210 00:12:52,760 --> 00:12:57,480 Speaker 1: it outwards. It's sort of like theater acting, and and 211 00:12:57,640 --> 00:13:00,960 Speaker 1: it it's great, you know, it's fantastick, and then there's 212 00:13:01,000 --> 00:13:06,520 Speaker 1: a representing representational acting, and it's just a little different thing. 213 00:13:07,360 --> 00:13:10,200 Speaker 1: And I think in music and art in general that 214 00:13:10,200 --> 00:13:11,680 Speaker 1: that could be said for the same things. And I 215 00:13:11,720 --> 00:13:18,480 Speaker 1: feel like Beyonce is presenting this beautiful, fully manicured, perfect package, 216 00:13:18,720 --> 00:13:22,320 Speaker 1: and I feel like Rihanna is representing what she's doing. 217 00:13:22,600 --> 00:13:25,320 Speaker 1: I don't know if that makes any sense, um, and 218 00:13:25,360 --> 00:13:28,120 Speaker 1: then she she she won the Michael Jackson something something 219 00:13:28,200 --> 00:13:32,199 Speaker 1: or other award. Uh Rihanna and uh, I believe it's 220 00:13:32,200 --> 00:13:35,240 Speaker 1: her boyfriend Drake. Where they've dated, I don't know. I know. 221 00:13:35,320 --> 00:13:38,960 Speaker 1: At one point, uh the Great Coxman, uh, the Great 222 00:13:38,960 --> 00:13:41,240 Speaker 1: stick Man Leonardo the Caprio and her were rumored to 223 00:13:41,240 --> 00:13:45,920 Speaker 1: be together, which is no surprise because you know, kind 224 00:13:45,920 --> 00:13:49,000 Speaker 1: of stick man stick, yes he can, kind of stick 225 00:13:49,040 --> 00:13:52,800 Speaker 1: man stick, yes he can. Can a stick man stick, 226 00:13:53,200 --> 00:13:56,720 Speaker 1: yes he can. We'll go on, go on. That's shout 227 00:13:56,760 --> 00:14:00,760 Speaker 1: out to can I kick it by tripical quest? Uh, 228 00:14:00,800 --> 00:14:03,520 Speaker 1: shout out to five Dog and Q Tip and the 229 00:14:04,200 --> 00:14:09,760 Speaker 1: entire quest old questers Alishihid Mohammed, Jerobi White. Um, I'm 230 00:14:09,760 --> 00:14:12,240 Speaker 1: gonna get to uh kind of stick man stick and 231 00:14:12,520 --> 00:14:15,400 Speaker 1: Hussain Bolt next right after this if I can remember. 232 00:14:15,440 --> 00:14:17,480 Speaker 1: Because this is the Iron Reports Stereo podcast. If you've 233 00:14:17,520 --> 00:14:22,240 Speaker 1: never listened before, we do not fact check anything. Um. 234 00:14:22,360 --> 00:14:27,680 Speaker 1: But while uh Drake was presenting Rihanna with her award, 235 00:14:29,560 --> 00:14:31,920 Speaker 1: he bugged out. He said that he was in love 236 00:14:31,960 --> 00:14:34,920 Speaker 1: with Rhanna since he was twenty two, and he was 237 00:14:35,000 --> 00:14:38,280 Speaker 1: up there playing himself and that's what we'd call it, 238 00:14:38,360 --> 00:14:41,600 Speaker 1: like yo either ask her to marry you, wife her up, 239 00:14:41,840 --> 00:14:44,560 Speaker 1: or hold your head. She ain't trying to do all that. 240 00:14:44,600 --> 00:14:47,000 Speaker 1: She's trying to accept reward. And you over there blushing 241 00:14:47,960 --> 00:14:52,600 Speaker 1: like you you you you fanning out, duke, Hold your head, 242 00:14:52,840 --> 00:14:57,040 Speaker 1: get your mind right. It's the v m AS. She 243 00:14:57,080 --> 00:14:59,200 Speaker 1: didn't asked you to do all that. Fly ship at 244 00:14:59,200 --> 00:15:01,480 Speaker 1: the v M AS you're up to telling your personal 245 00:15:01,520 --> 00:15:03,840 Speaker 1: feelings and all that, trying to kiss her on the mouth. 246 00:15:03,920 --> 00:15:08,480 Speaker 1: She gave you the cheek. Okay, we're not doing uh 247 00:15:08,720 --> 00:15:10,200 Speaker 1: p d A s up here at the v m 248 00:15:10,280 --> 00:15:13,840 Speaker 1: A s Okay you get the cheek, duke, you know, 249 00:15:14,120 --> 00:15:16,560 Speaker 1: or or or get on your hands and knees and 250 00:15:16,560 --> 00:15:19,080 Speaker 1: and and ask her to marry you. Because all this 251 00:15:19,120 --> 00:15:21,480 Speaker 1: other ship you're making me uncomfortable. Ma, man, like who 252 00:15:21,480 --> 00:15:24,920 Speaker 1: do you love? You? You love Aaliyah? Your name dropping 253 00:15:25,160 --> 00:15:28,120 Speaker 1: Taraji and then you're saying you were in lovery Rihanna, 254 00:15:28,320 --> 00:15:30,480 Speaker 1: and you're blushing on stage during the v M as. 255 00:15:30,600 --> 00:15:36,680 Speaker 1: Hold your head, get your mind right. Um. And that 256 00:15:36,720 --> 00:15:38,560 Speaker 1: was my assessment of the v M as. It all 257 00:15:38,600 --> 00:15:43,080 Speaker 1: sounded like fucking noise. About two hours into it, it 258 00:15:43,160 --> 00:15:46,920 Speaker 1: sounded like chaos and noise to me. It was just 259 00:15:47,000 --> 00:15:49,000 Speaker 1: all over the place. They don't even have a single hosting, 260 00:15:49,160 --> 00:15:53,120 Speaker 1: like nine people hosting it. They had um those two 261 00:15:53,240 --> 00:15:56,400 Speaker 1: dudes I like them, Keenan and Keenan Fu. It's not 262 00:15:56,480 --> 00:16:01,200 Speaker 1: keenan account God, damn it, shit, I can't remember these 263 00:16:01,240 --> 00:16:04,000 Speaker 1: dudes named. They're funny man, This is gonna, This is 264 00:16:04,000 --> 00:16:06,640 Speaker 1: gonna the Iron Report Serio podcast. We don't we don't 265 00:16:06,680 --> 00:16:08,720 Speaker 1: fact check. And then we have my man Jay Farrow, 266 00:16:08,840 --> 00:16:12,120 Speaker 1: he was one of the hosts UM. And then they 267 00:16:12,160 --> 00:16:15,960 Speaker 1: had some other chick and then they had DJ Khalid, 268 00:16:17,040 --> 00:16:20,200 Speaker 1: whose tagline is we the Best and my tagline is 269 00:16:20,280 --> 00:16:24,480 Speaker 1: at what what are you the best? At? UM? That's 270 00:16:24,520 --> 00:16:27,240 Speaker 1: my tagline. DJ Collar did a good job. He's the 271 00:16:27,640 --> 00:16:30,720 Speaker 1: guy who goes we the best and then my tagline 272 00:16:30,720 --> 00:16:35,000 Speaker 1: every time he says that is at what UM. So 273 00:16:35,120 --> 00:16:39,880 Speaker 1: last week I posed the question kind of stickman stick 274 00:16:39,920 --> 00:16:42,680 Speaker 1: in this day and age and this was brought up 275 00:16:43,240 --> 00:16:49,920 Speaker 1: because of who's saying bolt he was um. He was 276 00:16:49,960 --> 00:16:52,280 Speaker 1: put on Snapchat after he spent the night with a 277 00:16:52,360 --> 00:16:56,720 Speaker 1: lady in Brazil. UM and she she put him on Snapchat. 278 00:16:56,800 --> 00:16:58,480 Speaker 1: She says she didn't know who he was. You know 279 00:16:58,480 --> 00:17:00,720 Speaker 1: who he is now? UM? And if you don't know 280 00:17:00,720 --> 00:17:02,120 Speaker 1: who he is and it's just a guy, your hook up, 281 00:17:02,120 --> 00:17:03,800 Speaker 1: but why are you taking all the pictures? Come on, 282 00:17:04,720 --> 00:17:06,720 Speaker 1: you knew who he was. The fund is wrong with you? 283 00:17:06,800 --> 00:17:09,160 Speaker 1: Are you just you just freaking off with just anybody? 284 00:17:10,119 --> 00:17:11,720 Speaker 1: I mean ship, If you don't know he's a gold 285 00:17:11,720 --> 00:17:14,119 Speaker 1: medal winner, why he he ain't know all that? What 286 00:17:14,160 --> 00:17:17,800 Speaker 1: are you doing? Um? And I was saying, you know, 287 00:17:18,480 --> 00:17:20,920 Speaker 1: there's some daily news reporter I can't remember his name. 288 00:17:20,960 --> 00:17:22,800 Speaker 1: He he had said, you know, and he you know, 289 00:17:22,840 --> 00:17:25,800 Speaker 1: he kind of blew him up. He'd be blew him up. 290 00:17:25,800 --> 00:17:28,560 Speaker 1: He was like, uh, you know, who's saying bald? And 291 00:17:28,600 --> 00:17:31,480 Speaker 1: he's supposed to be in relationship with a girlfriend and 292 00:17:31,480 --> 00:17:33,760 Speaker 1: and and la la la, And the question was kind 293 00:17:33,760 --> 00:17:37,480 Speaker 1: of stick man stick. Well, it turns out yes he can, 294 00:17:38,119 --> 00:17:42,399 Speaker 1: because a few nights later, who's saying bold was continuing 295 00:17:42,480 --> 00:17:45,199 Speaker 1: his post Olympic World tour and he was in London 296 00:17:45,440 --> 00:17:48,320 Speaker 1: and he left the nightclub with seven chicks. Can a 297 00:17:48,400 --> 00:17:51,679 Speaker 1: stick man stick? Yes, he fucking can. That's what I 298 00:17:51,720 --> 00:17:55,119 Speaker 1: expect to see from a gold medal winner, a dude 299 00:17:55,119 --> 00:17:57,680 Speaker 1: that's won nine or ten gold medals in the last 300 00:17:57,720 --> 00:18:00,639 Speaker 1: three Olympics. You're supposed to leave the club in London 301 00:18:00,840 --> 00:18:04,880 Speaker 1: with six or seven bad ass chicks, especially if you're 302 00:18:04,920 --> 00:18:10,679 Speaker 1: not married. Do your thing. Do your thing. That is 303 00:18:11,359 --> 00:18:15,439 Speaker 1: a monumental stickman moment. Keep going like that and you 304 00:18:15,520 --> 00:18:19,880 Speaker 1: might make the Top thirty two thousand and sixteen lists 305 00:18:20,160 --> 00:18:22,560 Speaker 1: of Greatest Stickmen of All Time that will be coming 306 00:18:22,560 --> 00:18:25,560 Speaker 1: out at the end of the year. Top thirty Greatest 307 00:18:25,600 --> 00:18:30,520 Speaker 1: Stickman of All Time. Crap Stereo Podcast, We're doing it 308 00:18:30,600 --> 00:18:34,720 Speaker 1: big time. About to call my man Chino from the 309 00:18:34,800 --> 00:18:38,840 Speaker 1: Deft Tones. UM called my man Gimo, Nettie G. Moody. Uh, 310 00:18:38,840 --> 00:18:40,639 Speaker 1: they're calling us now the e P M D of 311 00:18:40,680 --> 00:18:43,520 Speaker 1: Podcasting music, Me and Mr Moody. Um, he's in the 312 00:18:43,560 --> 00:18:47,120 Speaker 1: bronx Um. Next week I'll be in New York City 313 00:18:47,280 --> 00:18:50,200 Speaker 1: and we'll be rocking face to face all Moody and 314 00:18:50,280 --> 00:18:53,280 Speaker 1: Rapp report everything. Um and uh, we'll be right back 315 00:18:54,880 --> 00:18:58,080 Speaker 1: just so you know, Friday, October fourteenth. The I M. 316 00:18:58,160 --> 00:19:02,960 Speaker 1: Rapp Reports Stereo Podcast World Tour continues October fourteenth in 317 00:19:03,040 --> 00:19:08,400 Speaker 1: Las Vegas. Whatever happens in Vegas stays in Vegas. Rap 318 00:19:08,560 --> 00:19:10,399 Speaker 1: Icon is for me and what we're trying to do 319 00:19:10,480 --> 00:19:14,480 Speaker 1: is apparently there is a couple that wants to get 320 00:19:14,560 --> 00:19:18,920 Speaker 1: married h during the live show in Vegas, Okay. And 321 00:19:19,200 --> 00:19:21,760 Speaker 1: I'm trying to become an ordained minister so I can 322 00:19:21,800 --> 00:19:25,879 Speaker 1: marry these people October fourteenth at the hard Rock Hotel, 323 00:19:26,280 --> 00:19:30,560 Speaker 1: Okay and then October sixteenth at Stand Up Live in Phoenix, Arizona. 324 00:19:31,560 --> 00:19:38,200 Speaker 1: We're doing it to UH cities where where where things aren't, 325 00:19:38,359 --> 00:19:41,080 Speaker 1: things aren't always what they see. I'm not a big 326 00:19:41,200 --> 00:19:43,119 Speaker 1: Vegas fan, but I'm gonna be all in for for 327 00:19:43,160 --> 00:19:45,520 Speaker 1: the for the fourteenth. Will be there the fourteenth and 328 00:19:45,560 --> 00:19:48,119 Speaker 1: the fifteenth cooling out, and then we are going to 329 00:19:48,200 --> 00:19:50,480 Speaker 1: be in Phoenix, Arizona the sixteenth. If you want to 330 00:19:50,520 --> 00:19:53,720 Speaker 1: get tickets for the live show, go to www dot 331 00:19:53,800 --> 00:19:57,560 Speaker 1: I am rapport tour dot com. The information on rapp 332 00:19:57,600 --> 00:20:00,439 Speaker 1: acn is uh is gonna be on Twitter, her and 333 00:20:00,480 --> 00:20:03,439 Speaker 1: on the site. I seriously hope this couple decides to 334 00:20:03,480 --> 00:20:07,000 Speaker 1: get married on October fourteenth. I know Mr Morrish, the 335 00:20:07,040 --> 00:20:09,720 Speaker 1: secretary of Defense of The Iron Reports Stereo podcast, is 336 00:20:09,760 --> 00:20:13,359 Speaker 1: working on this. I will be totally down to become 337 00:20:13,520 --> 00:20:16,159 Speaker 1: ordained and married these people. I have no idea what 338 00:20:16,240 --> 00:20:21,280 Speaker 1: it takes, but I'm about that life. Um the Iron 339 00:20:21,359 --> 00:20:25,600 Speaker 1: Rapports Stereo podcast is sponsored by Casper Mattress. 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Go to www Dot Casper, 357 00:21:23,880 --> 00:21:27,439 Speaker 1: Forward slash Rapp report right now, save money on your 358 00:21:27,480 --> 00:21:29,720 Speaker 1: next mattress. Everybody needs sleep good. You want to have 359 00:21:29,760 --> 00:21:31,399 Speaker 1: a good time, You got to get a good sleep. 360 00:21:35,600 --> 00:21:39,040 Speaker 1: Welcome to play It, a new podcast network featuring radio 361 00:21:39,080 --> 00:21:43,240 Speaker 1: and TV personalities talking business, sports, tech, entertainment, and more. 362 00:21:43,520 --> 00:21:58,480 Speaker 1: Play it at play dot It. Yeah, yo, Chino, what's up? 363 00:21:59,800 --> 00:22:02,640 Speaker 1: How are you doing? Man? Great? How are you? Hey? So? 364 00:22:03,080 --> 00:22:05,440 Speaker 1: Where are you? Man? Are you guys are on tour 365 00:22:05,560 --> 00:22:08,480 Speaker 1: right now? Yeah? Yeah, we we are. We at the 366 00:22:08,560 --> 00:22:10,480 Speaker 1: end of the tour. We got like three more days, 367 00:22:10,560 --> 00:22:12,480 Speaker 1: but we start on the East and then we're on 368 00:22:12,480 --> 00:22:16,040 Speaker 1: the West in San Diego tonight and uh, we got 369 00:22:16,200 --> 00:22:20,359 Speaker 1: three more suns. We got Vegas and Uhen and Denner 370 00:22:20,480 --> 00:22:22,040 Speaker 1: and then I get to go home for a little bit. 371 00:22:22,240 --> 00:22:26,040 Speaker 1: And how how has this tour been? It's been good, man. 372 00:22:26,320 --> 00:22:28,639 Speaker 1: It's uh, you know, we've been doing this ship for 373 00:22:28,640 --> 00:22:33,119 Speaker 1: a fucking twenty five thirty years almost. Man. It's like 374 00:22:33,440 --> 00:22:36,200 Speaker 1: you know, at our at our age group, it's it's 375 00:22:36,200 --> 00:22:37,719 Speaker 1: like we still hold it down, you know what I mean. 376 00:22:37,720 --> 00:22:39,879 Speaker 1: We we uh, we do what we do what we 377 00:22:39,920 --> 00:22:42,119 Speaker 1: do and uh, and we still have fun. That's the 378 00:22:42,119 --> 00:22:44,680 Speaker 1: main thing, you know. So so so what is touring 379 00:22:44,760 --> 00:22:47,280 Speaker 1: like now? I imagine some of the people in the 380 00:22:47,280 --> 00:22:50,320 Speaker 1: band have kids and are married. Like, what is touring 381 00:22:50,400 --> 00:22:53,639 Speaker 1: like now compared to when you were young, dumb and 382 00:22:53,640 --> 00:22:57,320 Speaker 1: trying to get some Oh that's just way different. I 383 00:22:57,359 --> 00:23:00,720 Speaker 1: mean yes, for sure. I mean, you know, uh, it 384 00:23:00,840 --> 00:23:02,920 Speaker 1: was wild back in the days. We we we basically 385 00:23:03,040 --> 00:23:06,040 Speaker 1: we we did you know, where where they lived, like 386 00:23:06,080 --> 00:23:08,399 Speaker 1: there's no tomorrow basically like you know, in the in 387 00:23:08,400 --> 00:23:11,439 Speaker 1: our twenties, and you know, it was wild. It was 388 00:23:11,480 --> 00:23:13,919 Speaker 1: definitely wild. It's it's it's chilled out a lot, but 389 00:23:13,960 --> 00:23:17,160 Speaker 1: it's still fun untill I mean, like it isn't uh, 390 00:23:17,320 --> 00:23:19,480 Speaker 1: you know, it's just different ways of of of getting 391 00:23:19,480 --> 00:23:21,960 Speaker 1: your jollys, you know what I'm saying. You know, we 392 00:23:22,080 --> 00:23:25,000 Speaker 1: still were still a couple of us, and we still 393 00:23:25,000 --> 00:23:28,719 Speaker 1: have nice craft beers, and we still enjoy ourselves. We're 394 00:23:28,760 --> 00:23:31,240 Speaker 1: not like you know, it's for straight edge and we 395 00:23:31,359 --> 00:23:34,560 Speaker 1: just like like deny funny because we still a lot 396 00:23:34,600 --> 00:23:36,440 Speaker 1: of fun. But you know, it's just melted out a 397 00:23:36,480 --> 00:23:38,040 Speaker 1: little bit. Like you know, when we go to bed 398 00:23:38,080 --> 00:23:42,720 Speaker 1: at Norow, we drink a copious amounts of water and 399 00:23:42,840 --> 00:23:45,120 Speaker 1: uh and you know understand that we have to show 400 00:23:45,400 --> 00:23:48,080 Speaker 1: the next day, so we try to you know, live 401 00:23:48,160 --> 00:23:50,200 Speaker 1: that way. So but when when you when you guys 402 00:23:50,200 --> 00:23:52,720 Speaker 1: were rocking when you first started, Like, what's one of 403 00:23:52,760 --> 00:23:55,800 Speaker 1: your first moments where you're like, holy sh it, like 404 00:23:55,840 --> 00:23:58,040 Speaker 1: I'm a fucking like I'm a rock and roller, I'm 405 00:23:58,040 --> 00:24:00,520 Speaker 1: in a rock group, like like we're doing like um, 406 00:24:00,640 --> 00:24:04,840 Speaker 1: like my dreams are like happening, Like what what do 407 00:24:04,840 --> 00:24:06,560 Speaker 1: you remember? Like one of the first times we were 408 00:24:06,600 --> 00:24:09,880 Speaker 1: like I can't believe this ship is happening. Well, I mean, 409 00:24:09,960 --> 00:24:12,240 Speaker 1: I mean it's fart of the shows ago, Like I 410 00:24:12,600 --> 00:24:15,040 Speaker 1: was hyped just playing because we started the garage. So 411 00:24:15,160 --> 00:24:17,440 Speaker 1: like we you know, once we left the garage, we 412 00:24:17,840 --> 00:24:19,159 Speaker 1: like almost I want to say it, like a year 413 00:24:19,200 --> 00:24:21,240 Speaker 1: and a half in the garage before we even played 414 00:24:21,240 --> 00:24:23,119 Speaker 1: in front of anybody, And our first show was like 415 00:24:23,119 --> 00:24:25,439 Speaker 1: a barbecue, like playing in front of our homies. So 416 00:24:25,480 --> 00:24:28,280 Speaker 1: like it wasn't like there wasn't like at that point 417 00:24:28,320 --> 00:24:30,040 Speaker 1: I thought we made it, you know, I mean we 418 00:24:30,040 --> 00:24:32,040 Speaker 1: played before we played in front of people, and it 419 00:24:32,119 --> 00:24:35,280 Speaker 1: was so but when we did, uh, like when we 420 00:24:35,480 --> 00:24:37,879 Speaker 1: like to see Madonna signed us, So that was bugged 421 00:24:37,880 --> 00:24:40,840 Speaker 1: out for me because like we we were just like 422 00:24:40,880 --> 00:24:43,760 Speaker 1: from from Sacramento. We didn't really you know, wedn't really 423 00:24:43,760 --> 00:24:46,280 Speaker 1: traveled out out from the city much. We went to 424 00:24:46,320 --> 00:24:50,320 Speaker 1: like San Francisco and like Berkeley and like, you know, 425 00:24:50,359 --> 00:24:52,919 Speaker 1: the Barrier a little bit, Reno, Nevada, Like that was 426 00:24:52,960 --> 00:24:54,919 Speaker 1: as far as we ever went. And we had like 427 00:24:54,960 --> 00:24:56,880 Speaker 1: small crowds that were going to see us, and people 428 00:24:56,920 --> 00:24:59,040 Speaker 1: knew who we were, but it wasn't anthing crazy. And 429 00:24:59,040 --> 00:25:00,640 Speaker 1: then we went to l a of the first time 430 00:25:01,040 --> 00:25:04,840 Speaker 1: and this guy named Guyo Siri, who's right, who is now? 431 00:25:05,600 --> 00:25:06,600 Speaker 1: I don't know if you know who he is, but 432 00:25:06,680 --> 00:25:09,560 Speaker 1: he's now. I mean he now manages you to Madonna 433 00:25:09,560 --> 00:25:12,119 Speaker 1: and everybody else. But but he was just basically he 434 00:25:12,200 --> 00:25:14,440 Speaker 1: was like the first A and R at Maverick record, 435 00:25:14,760 --> 00:25:16,879 Speaker 1: right right, I know, he was like like a wonder 436 00:25:16,960 --> 00:25:21,160 Speaker 1: boy A and R. Dude, he manages you too? What 437 00:25:21,200 --> 00:25:24,440 Speaker 1: the fund can he tell you too? Like what what? What? 438 00:25:24,440 --> 00:25:27,000 Speaker 1: What advice can Guyo Siri give you too? Like what 439 00:25:27,119 --> 00:25:29,320 Speaker 1: is he hustling them for ten percent of what the 440 00:25:29,320 --> 00:25:31,600 Speaker 1: funk they make for? How? How is it? What is 441 00:25:31,600 --> 00:25:34,680 Speaker 1: you too need a manager for? I don't know. I went, 442 00:25:34,760 --> 00:25:36,399 Speaker 1: I mean, like I think he might have gotten some 443 00:25:36,440 --> 00:25:38,119 Speaker 1: solo too when he when he decided he was going 444 00:25:38,160 --> 00:25:41,119 Speaker 1: to put their music on everybody's action without them knowing to, 445 00:25:41,320 --> 00:25:43,960 Speaker 1: Like after that, they might have maybe they questioned that ship. 446 00:25:44,080 --> 00:25:46,320 Speaker 1: But but he's also like he's an uber and say 447 00:25:46,400 --> 00:25:49,600 Speaker 1: he like he started uber and Spotify, like he's he's 448 00:25:49,640 --> 00:25:53,120 Speaker 1: in the game, Like yeah, yes, yes, but he's my man. 449 00:25:53,400 --> 00:25:55,240 Speaker 1: I mean, I haven't kicking with him, you know, from 450 00:25:55,240 --> 00:25:57,440 Speaker 1: early on. He's the first dude. And it was actually 451 00:25:58,000 --> 00:25:59,679 Speaker 1: like you know, it was like him and then Freddie 452 00:25:59,720 --> 00:26:02,560 Speaker 1: Demand and who was jab at the time. They they 453 00:26:02,760 --> 00:26:04,840 Speaker 1: they called us to go into this uh this little 454 00:26:04,840 --> 00:26:07,600 Speaker 1: friend spot in l A. We went in there. We 455 00:26:07,720 --> 00:26:09,880 Speaker 1: played like a couple of songs like we were kids. 456 00:26:09,880 --> 00:26:14,480 Speaker 1: We were still out jaws, like we're working at Tower Records. Um. 457 00:26:14,520 --> 00:26:19,000 Speaker 1: I was probably like maybe twenty maybe yeah, probably years old, 458 00:26:19,280 --> 00:26:20,920 Speaker 1: and so I was just hiped. I was like, Okay, 459 00:26:20,960 --> 00:26:22,399 Speaker 1: we're gonna go. They want to they want to hear 460 00:26:22,440 --> 00:26:25,120 Speaker 1: his play. We when we played like like two songs. 461 00:26:25,440 --> 00:26:27,640 Speaker 1: In the middle of the second song, Freddy Demand, who 462 00:26:27,640 --> 00:26:31,240 Speaker 1: was the time, but sitting in there as an older guy, 463 00:26:31,560 --> 00:26:34,040 Speaker 1: and he stood up and he's like, yo, stop stop, 464 00:26:34,080 --> 00:26:36,080 Speaker 1: stop stop. And I was like I thought right at 465 00:26:36,119 --> 00:26:38,520 Speaker 1: that point, I thought we were I was like, okay, whatever, 466 00:26:38,760 --> 00:26:41,440 Speaker 1: and he's like, yo, where do we signed? Like where 467 00:26:41,640 --> 00:26:44,160 Speaker 1: how do we make this happen? And I was like what. 468 00:26:44,480 --> 00:26:46,360 Speaker 1: So at that point he took it to the offices. 469 00:26:46,920 --> 00:26:50,040 Speaker 1: We showed up at the opposite and I was like, 470 00:26:50,119 --> 00:26:51,399 Speaker 1: he's like, come over to the office. I want to 471 00:26:51,400 --> 00:26:55,320 Speaker 1: show you that, you know back it was. It was 472 00:26:55,359 --> 00:26:58,080 Speaker 1: on a Beverly you know Bolivars, this nice little you know, 473 00:26:58,200 --> 00:27:00,640 Speaker 1: nice office going there, like going guys office. I'm sitting 474 00:27:00,640 --> 00:27:02,320 Speaker 1: there talking to him. All of a sudden, the door 475 00:27:02,440 --> 00:27:04,760 Speaker 1: was behind me and Madonna just like walks in the door, 476 00:27:05,280 --> 00:27:08,080 Speaker 1: turns around and like, you know, I smelled her before 477 00:27:08,119 --> 00:27:10,199 Speaker 1: I saw he like, just like this it was. I 478 00:27:10,240 --> 00:27:13,240 Speaker 1: was on that's a that's a I know you're a 479 00:27:13,240 --> 00:27:16,200 Speaker 1: fan of the Iron Rapports stereo podcast. That right there 480 00:27:16,760 --> 00:27:21,280 Speaker 1: is a fantastic quote. I smelled her before I saw her. 481 00:27:21,640 --> 00:27:23,919 Speaker 1: That's what the funk. I like to hear, GINO, what 482 00:27:23,960 --> 00:27:27,560 Speaker 1: did she smell her? Man? It was like, I mean, 483 00:27:27,880 --> 00:27:31,000 Speaker 1: describe what was set. It was good. He was standing there. 484 00:27:31,040 --> 00:27:32,680 Speaker 1: He's like, Yo, this is our new artist about to 485 00:27:32,680 --> 00:27:35,439 Speaker 1: sign him. Just that blah, blah bona and then and 486 00:27:35,440 --> 00:27:37,359 Speaker 1: then I just looked up and I was just like, damn. 487 00:27:37,760 --> 00:27:40,360 Speaker 1: So from that point, like she understand. Like early on, 488 00:27:40,440 --> 00:27:42,320 Speaker 1: early on, I was very I don't want to I 489 00:27:42,359 --> 00:27:44,920 Speaker 1: was jaded. But but earlier on I was like, I can't. 490 00:27:44,920 --> 00:27:47,880 Speaker 1: You can't meet anybody more famous than Madonna, like right 491 00:27:47,880 --> 00:27:49,199 Speaker 1: off the cup, you know what I'm saying. So like 492 00:27:49,240 --> 00:27:51,320 Speaker 1: I was, so I was just like, man, this is 493 00:27:51,440 --> 00:27:53,880 Speaker 1: like wow. And then she's like you can't and she's 494 00:27:53,920 --> 00:27:56,119 Speaker 1: like you put her arms around me and she's like, oh, 495 00:27:56,200 --> 00:27:58,680 Speaker 1: you're so cute. You know, I was a young little 496 00:27:58,680 --> 00:28:00,719 Speaker 1: I was a young, little, little little a little stallion 497 00:28:00,760 --> 00:28:04,320 Speaker 1: back then. Yeah, you've gotta stick man. Yeah. So yeah, 498 00:28:04,520 --> 00:28:06,360 Speaker 1: so I so I was just like, yeah, this is how, 499 00:28:06,720 --> 00:28:08,080 Speaker 1: this is how it's gonna go from here and now. 500 00:28:08,119 --> 00:28:09,800 Speaker 1: And then you know, it was good for a while. 501 00:28:09,840 --> 00:28:11,320 Speaker 1: We did that, and then and then we went to 502 00:28:11,440 --> 00:28:14,280 Speaker 1: Warner Brothers from there and we've been you know, we've 503 00:28:14,320 --> 00:28:18,600 Speaker 1: just been rocking for the last five years. Man. That's dope. Man. Now, Now, 504 00:28:19,080 --> 00:28:21,040 Speaker 1: how did you even hear about? I was flatter when 505 00:28:21,080 --> 00:28:23,960 Speaker 1: I had heard you you you mentioned the podcast in 506 00:28:24,040 --> 00:28:26,399 Speaker 1: the uh we have a couple of people in common. 507 00:28:26,600 --> 00:28:28,600 Speaker 1: So I had had heard your fair but but then 508 00:28:28,640 --> 00:28:31,159 Speaker 1: I had I had read a quote you had mentioned 509 00:28:31,240 --> 00:28:33,400 Speaker 1: in a in a recent article I imagine, I think 510 00:28:33,400 --> 00:28:35,280 Speaker 1: for your new record and when you were on tour, 511 00:28:35,320 --> 00:28:37,000 Speaker 1: and I was like, oh, ship, Like how did you 512 00:28:37,040 --> 00:28:40,040 Speaker 1: even hear about the podcast? Man? I straight up just 513 00:28:40,080 --> 00:28:42,640 Speaker 1: found like on some random ship. I found it. I mean, obviously, 514 00:28:43,080 --> 00:28:45,160 Speaker 1: you know, I'm a big fan of of of all 515 00:28:45,200 --> 00:28:48,680 Speaker 1: your movies, like you know all that ship is like that, 516 00:28:48,880 --> 00:28:51,200 Speaker 1: like you know, I've obviously I obviously know who you are. 517 00:28:51,720 --> 00:28:54,920 Speaker 1: The podcast. I thought I heard it maybe, I want 518 00:28:54,920 --> 00:28:57,720 Speaker 1: to say, like maybe almost two years ago. I mean 519 00:28:57,800 --> 00:29:01,000 Speaker 1: like yeah, I like I got onto it and then 520 00:29:01,000 --> 00:29:02,760 Speaker 1: I was just like this is you know, and then 521 00:29:02,800 --> 00:29:04,240 Speaker 1: I got my girl onto it, like you know, so 522 00:29:04,360 --> 00:29:06,520 Speaker 1: we go on dry you know, I'm taking this shower, 523 00:29:06,880 --> 00:29:09,160 Speaker 1: I'm cooking, I'm cooking food and I'm not dead. I'm 524 00:29:09,160 --> 00:29:11,640 Speaker 1: doing this whatever, and I got the podcast that's done 525 00:29:11,800 --> 00:29:14,040 Speaker 1: and you know what I mean, so like like it's 526 00:29:14,080 --> 00:29:16,760 Speaker 1: my favorite ship. So like you know, I was, I've 527 00:29:16,760 --> 00:29:19,600 Speaker 1: been bugging on it for a while. And then um, yeah, 528 00:29:19,640 --> 00:29:21,120 Speaker 1: I like he said, we have mutual friends. I mean, 529 00:29:21,120 --> 00:29:23,640 Speaker 1: I know you know, I know Toby, Um, you know, 530 00:29:23,680 --> 00:29:25,160 Speaker 1: I know a lot of people tomorrow. Actually it was 531 00:29:25,200 --> 00:29:28,320 Speaker 1: crazy my tach car manager today and he was like, Yo, 532 00:29:28,520 --> 00:29:32,200 Speaker 1: I'm gonna be with Mike Lap tomorrow on this fantasy 533 00:29:32,200 --> 00:29:34,440 Speaker 1: football ship. You guys just go on with Jerry Cantrell 534 00:29:34,520 --> 00:29:38,480 Speaker 1: from Change. I guess tomorrow. Yeah. So he was like, Yo, 535 00:29:38,520 --> 00:29:39,720 Speaker 1: I'm gonna tell him that you want to get on 536 00:29:39,760 --> 00:29:41,680 Speaker 1: his podcast. I'm like, now I'm already on that motherfucker. 537 00:29:42,160 --> 00:29:44,560 Speaker 1: Is he is your manager getting in the in the 538 00:29:44,720 --> 00:29:47,720 Speaker 1: Is he in the league? Oh dude, he's actually won 539 00:29:47,760 --> 00:29:49,640 Speaker 1: the league for the last couple of times. Like he was, 540 00:29:49,920 --> 00:29:52,800 Speaker 1: oh yeah, oh wait, wait, wait wait wait, whoa whoa, whoa, whoa, 541 00:29:52,800 --> 00:29:56,600 Speaker 1: whoa whoa? What's his name? Mark Wakefield? All right, I'm 542 00:29:56,640 --> 00:30:00,440 Speaker 1: gonna tell you right now, I'm cracking that ass. Tell 543 00:30:00,560 --> 00:30:04,520 Speaker 1: tell Mark, Yes, you know that right, I'm going to 544 00:30:04,560 --> 00:30:07,719 Speaker 1: crack your manager's asked in fantasy football. They don't know 545 00:30:07,760 --> 00:30:10,120 Speaker 1: what they're dealing with. They think that just some oh 546 00:30:10,200 --> 00:30:12,600 Speaker 1: we're gonna have Rappaport come in the league. Like they 547 00:30:12,600 --> 00:30:16,200 Speaker 1: don't understand, like like their whole life, their whole fantasy 548 00:30:16,240 --> 00:30:18,960 Speaker 1: football life and routine is gonna be flipped upside down. 549 00:30:19,000 --> 00:30:21,480 Speaker 1: I'm getting their phone numbers. I want you to off 550 00:30:21,560 --> 00:30:23,480 Speaker 1: off podcast. I want you to send me his number 551 00:30:23,480 --> 00:30:25,680 Speaker 1: and to be texting this guy once the season starts. 552 00:30:26,240 --> 00:30:28,320 Speaker 1: You know, I'm gonna be sending them things to his house. 553 00:30:28,560 --> 00:30:30,880 Speaker 1: Nothing dangerous. I just want to get in his head. 554 00:30:31,800 --> 00:30:33,560 Speaker 1: You know. He was like, you know, he was like 555 00:30:34,040 --> 00:30:36,840 Speaker 1: it's funny because he's like, you know, like how another another. 556 00:30:37,000 --> 00:30:39,280 Speaker 1: They were sweating you on the Howards. They were spending 557 00:30:39,320 --> 00:30:42,120 Speaker 1: about using your son and as a little homie for 558 00:30:42,320 --> 00:30:44,120 Speaker 1: like you know, for like picks and stuff like that, 559 00:30:44,560 --> 00:30:47,280 Speaker 1: and and basically Mark he was like a shadow guy 560 00:30:47,320 --> 00:30:49,160 Speaker 1: like he did. He was like the ghost. You know. 561 00:30:49,240 --> 00:30:50,920 Speaker 1: He was like in the league and Jerry's league and 562 00:30:50,960 --> 00:30:53,600 Speaker 1: he was like and they were winning ship and but 563 00:30:53,680 --> 00:30:55,520 Speaker 1: Mark was like the ghost like you know what I'm 564 00:30:55,520 --> 00:30:59,320 Speaker 1: saying something like so he was that Jude now yeah, 565 00:30:59,360 --> 00:31:01,240 Speaker 1: so now hit me. He's good, Like listen, my man, 566 00:31:01,320 --> 00:31:04,600 Speaker 1: he's all about That's why he's my manager because he 567 00:31:04,160 --> 00:31:06,720 Speaker 1: he's he's on the stats. You know, he like he 568 00:31:07,560 --> 00:31:09,360 Speaker 1: pays attention to that kind of ship where like where 569 00:31:09,360 --> 00:31:12,000 Speaker 1: me you know what I mean, like my sport, what 570 00:31:12,120 --> 00:31:15,040 Speaker 1: I know about sports? Is from listening to the podcast. Okay, 571 00:31:15,160 --> 00:31:17,600 Speaker 1: Like I mean, I made a sports don't get wrong, 572 00:31:17,680 --> 00:31:20,240 Speaker 1: but like like you know, on myself, I don't. I 573 00:31:20,240 --> 00:31:22,280 Speaker 1: don't check a lot of facts and I just I 574 00:31:22,360 --> 00:31:24,720 Speaker 1: just kind of like I play it by here and 575 00:31:24,800 --> 00:31:27,080 Speaker 1: I you know, I like watching it, but I don't 576 00:31:27,080 --> 00:31:29,200 Speaker 1: know any kind of staff to me and that ship. No, 577 00:31:29,360 --> 00:31:31,920 Speaker 1: I I get him. Who needs to fact check? I mean, 578 00:31:31,960 --> 00:31:35,160 Speaker 1: fuck it? Like you're doing songs every night, some of 579 00:31:35,200 --> 00:31:37,880 Speaker 1: the songs you some of your big songs you had 580 00:31:37,920 --> 00:31:40,280 Speaker 1: to have fun up lyric here and there? Who cares? 581 00:31:40,520 --> 00:31:43,280 Speaker 1: The show must go on? Does the crowd doesn't know 582 00:31:43,320 --> 00:31:45,400 Speaker 1: what's going on? We don't need the fact check, We 583 00:31:45,400 --> 00:31:47,280 Speaker 1: don't need the lyric check. It is what it is, 584 00:31:47,440 --> 00:31:51,880 Speaker 1: right for real? All right, let me let me let 585 00:31:51,920 --> 00:31:54,160 Speaker 1: me throw some questions out to you. Let's go back. 586 00:31:54,560 --> 00:31:56,840 Speaker 1: Let me look, you said you got a lady, and 587 00:31:56,840 --> 00:31:59,160 Speaker 1: I totally respect that. I want to ask some specific 588 00:31:59,320 --> 00:32:06,160 Speaker 1: rock and roll questions. Okay, these are general questions. What 589 00:32:06,160 --> 00:32:08,360 Speaker 1: what country? First? I want to get to what country? 590 00:32:08,440 --> 00:32:11,320 Speaker 1: What countries got the baddest chicks that you've ever played? 591 00:32:11,440 --> 00:32:14,240 Speaker 1: Like consistently? Like you you've probably been around the world 592 00:32:14,960 --> 00:32:19,360 Speaker 1: many times. Correct, have you been in every like where 593 00:32:19,400 --> 00:32:21,040 Speaker 1: is there any place that you haven't haven't been to? 594 00:32:21,240 --> 00:32:24,080 Speaker 1: Haven't I have not been to China? Have been? Uh 595 00:32:24,320 --> 00:32:27,000 Speaker 1: you never played China? No, for some reason, we've never 596 00:32:27,040 --> 00:32:29,000 Speaker 1: been to China, man, I don't know why, but we've 597 00:32:29,040 --> 00:32:31,040 Speaker 1: never been to But we've been to Asia. I mean 598 00:32:31,080 --> 00:32:34,200 Speaker 1: we've been to like you know, uh, you know, Pacific Rims, 599 00:32:34,200 --> 00:32:38,640 Speaker 1: we've been to Japan obviously. Whatever. Um, but I'm I'm 600 00:32:38,680 --> 00:32:41,560 Speaker 1: gonna go. I'm gonna go. I'm gonna stay saying Russia 601 00:32:42,040 --> 00:32:45,080 Speaker 1: I mean, I know, I mean the Eastern Block is 602 00:32:45,320 --> 00:32:49,200 Speaker 1: is popping. Wow. No, know when you say it's popping, like, 603 00:32:49,520 --> 00:32:52,000 Speaker 1: is it just the beauty? Is it? The beauty and 604 00:32:52,040 --> 00:32:54,520 Speaker 1: the attitude? Like to break it down for the layman, 605 00:32:55,240 --> 00:32:56,880 Speaker 1: looks fucked up, you know, like when you get it 606 00:32:56,920 --> 00:32:59,600 Speaker 1: from the airport and they're going into the country, that's 607 00:32:59,640 --> 00:33:02,520 Speaker 1: your listen, sucked up. It's it's it's it's just almost 608 00:33:02,520 --> 00:33:04,640 Speaker 1: like third world he looking that's sucked up. Yes, No, 609 00:33:04,760 --> 00:33:07,960 Speaker 1: I'm talking about the chicks. Yeah, oh yeah, that's it is, Like, 610 00:33:08,360 --> 00:33:11,800 Speaker 1: come on, man, that's it is, that's it. Adn't no jobs. Wow, 611 00:33:11,920 --> 00:33:16,200 Speaker 1: that's surprising, man, like, have you been to Brazil. I've 612 00:33:16,240 --> 00:33:18,720 Speaker 1: been to Brazil, and I understand that you like him. 613 00:33:19,160 --> 00:33:21,520 Speaker 1: You like him a little on the uh you know, 614 00:33:21,600 --> 00:33:24,200 Speaker 1: you like the curve get that I like. I like, 615 00:33:24,480 --> 00:33:26,959 Speaker 1: I like height, I like Paul. But I mean I 616 00:33:27,000 --> 00:33:28,800 Speaker 1: did exact before I was married. That's what I like. 617 00:33:28,960 --> 00:33:31,280 Speaker 1: Got you. We're talking about the nineties here we were 618 00:33:31,360 --> 00:33:35,000 Speaker 1: no disrespect to the wife and the moreno family. We're 619 00:33:35,000 --> 00:33:37,600 Speaker 1: talking about past. I'm trying to think if I carry 620 00:33:37,640 --> 00:33:39,960 Speaker 1: us Loo through your past. So okay, so all right, 621 00:33:40,000 --> 00:33:42,120 Speaker 1: so you say the Eastern block and then where would 622 00:33:42,160 --> 00:33:45,480 Speaker 1: you say a second second? Man, I'm gonna go three. 623 00:33:45,840 --> 00:33:48,440 Speaker 1: I'm gonna go to Japan because I do like because 624 00:33:48,440 --> 00:33:51,200 Speaker 1: I do like I do. Yeah, I'm gonna go to 625 00:33:51,280 --> 00:33:54,600 Speaker 1: Japan because I mean, I've always had an affinity for 626 00:33:54,720 --> 00:34:00,160 Speaker 1: the uh yeah, Asian persuasion. Yeah, that's a good way 627 00:34:00,200 --> 00:34:01,440 Speaker 1: to put it. And then I've heard a lot of 628 00:34:01,440 --> 00:34:05,360 Speaker 1: good things about Sweden. Oh Sweden. Yeah, that's that's good. 629 00:34:05,400 --> 00:34:07,960 Speaker 1: I mean, but that's that's I get that stim you know, 630 00:34:08,000 --> 00:34:10,120 Speaker 1: you got something. You got to the Viking, you know, 631 00:34:10,160 --> 00:34:12,440 Speaker 1: the culture that you got the tall still got that 632 00:34:12,520 --> 00:34:16,239 Speaker 1: tall you know. Uh, but that's good. I mean, I 633 00:34:16,400 --> 00:34:18,040 Speaker 1: get what, I get what you're saying, but I feel 634 00:34:18,080 --> 00:34:22,120 Speaker 1: like I feel like the blocks got that park covered. Okay, 635 00:34:22,120 --> 00:34:24,640 Speaker 1: they got that they got that covered over there, Okay, okay, 636 00:34:25,440 --> 00:34:29,160 Speaker 1: Straight Striking Features man Ship. When are you guys gonna 637 00:34:29,160 --> 00:34:31,320 Speaker 1: be performing over there anymore? And like can I roadie 638 00:34:31,360 --> 00:34:32,680 Speaker 1: for you guys? Like what do I gotta do to 639 00:34:32,760 --> 00:34:36,120 Speaker 1: like like come on tour? And like roady, damn are 640 00:34:36,120 --> 00:34:37,840 Speaker 1: you trying to come? You're trying to come to Russia? 641 00:34:38,280 --> 00:34:40,279 Speaker 1: Fuck me? Yeah, I mean you're in San Diego. I 642 00:34:40,280 --> 00:34:41,960 Speaker 1: would love to see you in perform in San Diego. 643 00:34:42,000 --> 00:34:43,600 Speaker 1: What the fun is gonna happen to me in San Diego? 644 00:34:43,680 --> 00:34:45,200 Speaker 1: That's nothing I'm saying. If I want to go, I 645 00:34:45,239 --> 00:34:46,839 Speaker 1: want to go for the gold, you know, I want 646 00:34:46,840 --> 00:34:48,560 Speaker 1: to go for I want to see what it is 647 00:34:49,440 --> 00:34:51,400 Speaker 1: that we do because we I mean, the last time 648 00:34:51,440 --> 00:34:52,799 Speaker 1: we were there, I want to say it was maybe 649 00:34:52,800 --> 00:34:54,600 Speaker 1: a year ago or so, but but it went off. 650 00:34:54,680 --> 00:34:57,760 Speaker 1: It went off. I mean we played like in a park. 651 00:34:58,239 --> 00:35:00,640 Speaker 1: Like I remember walking out of my directing room and 652 00:35:00,680 --> 00:35:04,440 Speaker 1: there's like motherfucker's with like straight machine guns like like 653 00:35:04,520 --> 00:35:07,399 Speaker 1: standing there like actually in the barricade. They like they 654 00:35:07,440 --> 00:35:10,160 Speaker 1: had motherfucker's with machine guns in the fucking barricade, like 655 00:35:10,239 --> 00:35:14,600 Speaker 1: between us and the crowd. Like it's pretty, it's still pretty, 656 00:35:14,640 --> 00:35:16,360 Speaker 1: you know, militant likes kind of wild, you know what 657 00:35:16,400 --> 00:35:18,520 Speaker 1: I mean, Like like where it's not as it's not 658 00:35:18,560 --> 00:35:20,319 Speaker 1: as loose as you could think it would be, you know, 659 00:35:20,360 --> 00:35:24,200 Speaker 1: but but it's definitely an experienced man. If you've never 660 00:35:24,239 --> 00:35:25,520 Speaker 1: been in it, that you should check that out for 661 00:35:26,080 --> 00:35:28,520 Speaker 1: I would love that. All right here, here's another question. 662 00:35:29,239 --> 00:35:32,719 Speaker 1: A writer explained to explain to people that that that 663 00:35:32,719 --> 00:35:35,239 Speaker 1: that I've never had a writer Chino, but I know 664 00:35:35,280 --> 00:35:37,480 Speaker 1: like music groups like those, be like what do you 665 00:35:37,520 --> 00:35:39,920 Speaker 1: want the writer? When we did the Iron Rapports Stereo 666 00:35:39,960 --> 00:35:42,680 Speaker 1: Podcast World Tour, which we're in the process of doing 667 00:35:42,680 --> 00:35:47,759 Speaker 1: two more cities as you know, we went to Minnesota, Milwaukee, Chicago, Chicago, Yes, 668 00:35:48,080 --> 00:35:51,479 Speaker 1: and we got Vegas and Phoenix the next two legs 669 00:35:51,480 --> 00:35:53,279 Speaker 1: on the wing. When you when you going to Vega 670 00:35:53,400 --> 00:35:56,759 Speaker 1: Penis that's for the next two days. I'm going that 671 00:35:56,760 --> 00:35:59,360 Speaker 1: When are you going to October? We're not going to October. 672 00:35:59,400 --> 00:36:02,480 Speaker 1: It's it's the war teens. We we take over all 673 00:36:02,520 --> 00:36:06,279 Speaker 1: of Vegas and then the the sixteenth, we take over 674 00:36:06,520 --> 00:36:09,839 Speaker 1: all the Phoenix, Arizona. What's your favorite deft tone song 675 00:36:09,960 --> 00:36:16,480 Speaker 1: to perform? Man, Um, that's a good question. I mean today, 676 00:36:17,280 --> 00:36:19,560 Speaker 1: I mean, obviously we're right now, we're playing um, you know, 677 00:36:19,719 --> 00:36:22,520 Speaker 1: we're touring on a new record. But I think the 678 00:36:22,600 --> 00:36:25,759 Speaker 1: new songs are obviously you know, because they're new, so 679 00:36:25,760 --> 00:36:27,440 Speaker 1: so so we like to you know, I'd like to 680 00:36:27,560 --> 00:36:29,879 Speaker 1: like sprinkle them in here and there. But there's some staples, man, 681 00:36:29,880 --> 00:36:32,600 Speaker 1: there's like a you know, songs like, uh, I guess 682 00:36:32,840 --> 00:36:34,920 Speaker 1: a song called My Own Summer, which is off our 683 00:36:34,920 --> 00:36:37,799 Speaker 1: second record, which like it just goes off. It's like 684 00:36:37,840 --> 00:36:40,640 Speaker 1: we we can't flash it without playing that song because 685 00:36:41,080 --> 00:36:43,160 Speaker 1: when we play it, it just goes off. It just 686 00:36:43,200 --> 00:36:45,160 Speaker 1: sets it, just set it up, all right. And then 687 00:36:45,280 --> 00:36:48,320 Speaker 1: and then for me, like I have no stake in 688 00:36:48,360 --> 00:36:52,279 Speaker 1: the music business, but I resent the fact, uh that 689 00:36:52,280 --> 00:36:56,120 Speaker 1: that little shit, Uh what's the napster guy show Sean 690 00:36:56,239 --> 00:36:59,320 Speaker 1: whatever the fund is the name Showan Fanning. I resent 691 00:36:59,440 --> 00:37:01,720 Speaker 1: that little car sucker because I feel like he single 692 00:37:01,800 --> 00:37:04,840 Speaker 1: handedly fuck the music business stuff with the music stealing 693 00:37:04,840 --> 00:37:07,920 Speaker 1: and the music sharing and all that stuff. So how 694 00:37:08,040 --> 00:37:13,200 Speaker 1: has the music business change? Um? Business wise, the actual business, 695 00:37:13,239 --> 00:37:15,600 Speaker 1: you know, like the fact that like selling records is 696 00:37:15,719 --> 00:37:17,879 Speaker 1: like if you if you sell a million records now 697 00:37:17,920 --> 00:37:21,960 Speaker 1: it's so rare and and like it's crazy. And you've 698 00:37:22,000 --> 00:37:26,000 Speaker 1: got guys like Drake destroying Elvis's records, and and they 699 00:37:26,040 --> 00:37:29,200 Speaker 1: should be astrict Like when you have like Ariana Grande 700 00:37:29,520 --> 00:37:33,480 Speaker 1: breaking Michael Jackson's records or Drake breaking so and so's records, 701 00:37:33,560 --> 00:37:35,960 Speaker 1: it should be an astric like some Sammy So Sabari 702 00:37:36,040 --> 00:37:38,319 Speaker 1: bond shit. Like it's not the same business anymore. Like 703 00:37:38,360 --> 00:37:40,239 Speaker 1: so what your ship was on the charge for twenty 704 00:37:40,320 --> 00:37:43,120 Speaker 1: seven weeks, it's not the same world. So so how 705 00:37:43,160 --> 00:37:45,759 Speaker 1: does it change? And and are a party you like 706 00:37:46,040 --> 00:37:48,080 Speaker 1: afraid that you know, we're gonna have to tour to 707 00:37:48,160 --> 00:37:51,920 Speaker 1: make the real money until we're fucking nineties seven. No, 708 00:37:52,040 --> 00:37:54,560 Speaker 1: I mean that's not nothing afraid of. That's actually reality 709 00:37:54,600 --> 00:37:58,359 Speaker 1: that that is it. I mean, you know that ship happened. Um, 710 00:37:58,400 --> 00:38:00,000 Speaker 1: you know, it's hard for me to like sit there 711 00:38:00,040 --> 00:38:03,799 Speaker 1: just blaming on one person because if wherever that kid's 712 00:38:03,880 --> 00:38:09,920 Speaker 1: name is from nation, it wasn't. But I got I 713 00:38:10,000 --> 00:38:11,360 Speaker 1: got you know, listen, I got I got to you. 714 00:38:11,480 --> 00:38:13,320 Speaker 1: If it wasn't a hid the ship would have happened. 715 00:38:13,320 --> 00:38:16,480 Speaker 1: I mean, like technology is what was it? So like like, uh, 716 00:38:16,640 --> 00:38:19,520 Speaker 1: you know, it's but it's it happened. It's crazy because 717 00:38:19,680 --> 00:38:23,680 Speaker 1: we put our first record ou so, but the ship 718 00:38:23,760 --> 00:38:25,920 Speaker 1: was different back then, and like most fuckers were selling 719 00:38:26,440 --> 00:38:28,640 Speaker 1: you know, like millions of records. I mean, like we 720 00:38:28,719 --> 00:38:32,360 Speaker 1: saw like the biggest record within two thousands, and it's like, 721 00:38:32,400 --> 00:38:34,319 Speaker 1: you know double flat or whatever now whatever, which is 722 00:38:34,480 --> 00:38:36,120 Speaker 1: you know whatever, But like, ain't no one's telling a 723 00:38:36,120 --> 00:38:38,560 Speaker 1: dope plan right now, you know what I mean, maybe 724 00:38:38,560 --> 00:38:40,359 Speaker 1: maybe maybe Taylor Swift might be doing to ship, don't 725 00:38:40,360 --> 00:38:42,600 Speaker 1: if somebody might be a ship is like, but like 726 00:38:42,600 --> 00:38:45,080 Speaker 1: like people were selling like Kendellion records back then. So 727 00:38:45,160 --> 00:38:48,000 Speaker 1: it's crazy. So like you said, there's no it's not 728 00:38:48,080 --> 00:38:50,239 Speaker 1: like you can't just put out music and on the 729 00:38:50,320 --> 00:38:52,960 Speaker 1: artistic part of it and on the just a album 730 00:38:52,960 --> 00:38:56,719 Speaker 1: itself and that, uh you know, and and make and 731 00:38:56,719 --> 00:38:58,319 Speaker 1: make a living off that. There's no way you've got 732 00:38:58,320 --> 00:38:59,960 Speaker 1: to go on tour and that's what we're wantla do. 733 00:39:00,200 --> 00:39:03,080 Speaker 1: But but luckily for that, we've been doing that ship 734 00:39:03,080 --> 00:39:06,560 Speaker 1: since the beginning. We've been like we we actually we've 735 00:39:06,560 --> 00:39:11,439 Speaker 1: made ourselves a little why phenomenon early on touring the world, 736 00:39:11,520 --> 00:39:14,520 Speaker 1: like we went out and like our management at the time, 737 00:39:14,520 --> 00:39:16,960 Speaker 1: which is what they were really smart, Like like early 738 00:39:17,000 --> 00:39:18,759 Speaker 1: on they put us, they were like, yeah, you gotta 739 00:39:18,760 --> 00:39:21,080 Speaker 1: go to Europe. You know. In in my twenties, I 740 00:39:21,160 --> 00:39:23,920 Speaker 1: was like, well, like I didn't give a ship. I 741 00:39:23,960 --> 00:39:26,400 Speaker 1: was like cool, like whatever, and like we like we 742 00:39:26,400 --> 00:39:29,120 Speaker 1: would play every little ship count and you know, in 743 00:39:30,040 --> 00:39:32,440 Speaker 1: the U k. And like you know, in Germany and 744 00:39:32,440 --> 00:39:35,480 Speaker 1: all these places whatever, and like you know, like and 745 00:39:35,760 --> 00:39:37,399 Speaker 1: even as a kid, I was like, you know, it's 746 00:39:37,400 --> 00:39:39,360 Speaker 1: cool that I'm out here in the world, Like I 747 00:39:39,360 --> 00:39:41,520 Speaker 1: don't want to be there, but like, but we did it, 748 00:39:41,520 --> 00:39:44,719 Speaker 1: and we we and we killed it. So now it's 749 00:39:44,719 --> 00:39:46,759 Speaker 1: like we go back there and we have we go 750 00:39:46,840 --> 00:39:49,439 Speaker 1: back there and we have like ship just as big. 751 00:39:49,440 --> 00:39:51,840 Speaker 1: It's not bigger and like around the world than it 752 00:39:51,960 --> 00:39:54,319 Speaker 1: is in the States, for you know. So we're lucky. 753 00:39:54,520 --> 00:39:57,360 Speaker 1: We had it with what was called artists development, and 754 00:39:57,400 --> 00:40:00,680 Speaker 1: that doesn't really exist so much now with young artists. 755 00:40:00,680 --> 00:40:03,279 Speaker 1: So we were lucky to actually we we we were 756 00:40:03,320 --> 00:40:05,160 Speaker 1: able to sit in the window and you get that 757 00:40:05,200 --> 00:40:08,120 Speaker 1: ship going on. So now we actually have a career 758 00:40:08,440 --> 00:40:11,000 Speaker 1: and we're we can go out and play shows and 759 00:40:11,040 --> 00:40:13,200 Speaker 1: make a living off that ship. Well that's dope, Gino. 760 00:40:13,280 --> 00:40:16,319 Speaker 1: I'm glad yo. What what do I gotta do to 761 00:40:16,400 --> 00:40:19,440 Speaker 1: get you to rock a soft ass iron wrapports stereo podcast? 762 00:40:20,080 --> 00:40:22,040 Speaker 1: You got one? I got already got on until we 763 00:40:22,080 --> 00:40:25,759 Speaker 1: get anyone. We played on a temil uh maybe like 764 00:40:25,800 --> 00:40:28,000 Speaker 1: a month or two ago and whatever until we showed 765 00:40:28,040 --> 00:40:29,719 Speaker 1: up and he brought me one. I was gonna order one, 766 00:40:30,120 --> 00:40:32,520 Speaker 1: but I got one? Yo? Yo? Can can you when 767 00:40:32,560 --> 00:40:35,640 Speaker 1: you were standing in front of ninety thou adoring fans, 768 00:40:35,840 --> 00:40:37,920 Speaker 1: some of these girls who were showing you your breast? 769 00:40:38,160 --> 00:40:39,719 Speaker 1: Can you? Can you? Can? I get a picture of 770 00:40:39,760 --> 00:40:42,440 Speaker 1: you up there with these people going fucking crazy for 771 00:40:42,480 --> 00:40:44,319 Speaker 1: the deft tones? Like what do I gotta do? Who 772 00:40:44,360 --> 00:40:47,279 Speaker 1: do I gotta blow? I got I got it, but 773 00:40:47,480 --> 00:40:49,000 Speaker 1: I'm trying to get one of them hard by karate. 774 00:40:49,080 --> 00:40:52,440 Speaker 1: But like you, I'm gonna text you. I'm gonna find out. 775 00:40:52,440 --> 00:40:54,000 Speaker 1: I want to try to get it before this guy. 776 00:40:55,239 --> 00:40:56,839 Speaker 1: You guys need to get on the hoodie I know, 777 00:40:57,120 --> 00:40:59,480 Speaker 1: I know we need to get on that hoodie ship. Listen, 778 00:41:00,000 --> 00:41:01,640 Speaker 1: I'm gonna I'm gonna I'm gonna text you. I'm gonna 779 00:41:01,640 --> 00:41:02,919 Speaker 1: find I want to try to see if you could 780 00:41:02,960 --> 00:41:05,239 Speaker 1: you can rock it before Vegas. I'm gonna let you 781 00:41:05,280 --> 00:41:07,680 Speaker 1: go have a great show in San Diego. I would 782 00:41:07,719 --> 00:41:09,479 Speaker 1: love to have you back on the podcast and maybe 783 00:41:09,480 --> 00:41:12,160 Speaker 1: we do it face to face. Um yeah, you know, 784 00:41:12,200 --> 00:41:13,720 Speaker 1: I want to I want to see. My thing about 785 00:41:13,719 --> 00:41:14,759 Speaker 1: what I what I want to tell you is I 786 00:41:14,760 --> 00:41:16,520 Speaker 1: love about the podcast, Like I love all the hot 787 00:41:16,560 --> 00:41:19,239 Speaker 1: topic ship. I love how you guys cover you guys 788 00:41:19,280 --> 00:41:22,000 Speaker 1: just talk ship. That's what we do. That's what we do. 789 00:41:22,080 --> 00:41:24,360 Speaker 1: We sit around. We just talk ship or whatever, the 790 00:41:24,440 --> 00:41:27,879 Speaker 1: Kaepernick ship, the fucking whatever ship it is. We sit 791 00:41:27,920 --> 00:41:31,880 Speaker 1: around and we talk ship. But think about us is 792 00:41:31,960 --> 00:41:34,200 Speaker 1: like you know, like with you, my my question I 793 00:41:34,200 --> 00:41:37,640 Speaker 1: want to ask you is like, well, for you, you 794 00:41:37,680 --> 00:41:40,000 Speaker 1: could you actually could talk ship, and it's okay. Like 795 00:41:40,320 --> 00:41:42,080 Speaker 1: for us a musician, it's kind of hard for us 796 00:41:42,120 --> 00:41:45,520 Speaker 1: to like especially in the press or interviews and whatever, 797 00:41:46,000 --> 00:41:49,719 Speaker 1: to like say like our opinion on certain ship, you 798 00:41:49,760 --> 00:41:53,320 Speaker 1: know what I mean. And because like there's rapper tons 799 00:41:53,320 --> 00:41:55,880 Speaker 1: of rapper cousins, you know, as they try to they 800 00:41:55,920 --> 00:41:58,359 Speaker 1: come at you on on you know, on social media 801 00:41:58,360 --> 00:42:00,759 Speaker 1: and stuff further ship, you say whatever, But like you know, 802 00:42:00,840 --> 00:42:03,040 Speaker 1: I don't feel like I feel like you're gonna lose 803 00:42:03,120 --> 00:42:05,120 Speaker 1: Ruby rolls of that. So you say what you're gonna saying, 804 00:42:05,280 --> 00:42:07,360 Speaker 1: and it's in a great way that you present it. 805 00:42:07,640 --> 00:42:09,120 Speaker 1: But for us, it's like we never really get to 806 00:42:09,160 --> 00:42:12,799 Speaker 1: say that publicly, and we don't for most part of it. Whatever. 807 00:42:12,840 --> 00:42:15,080 Speaker 1: But that's why I really love this to the podcast. 808 00:42:15,080 --> 00:42:16,719 Speaker 1: I love that you guys talk freely. You gotta say 809 00:42:16,719 --> 00:42:19,319 Speaker 1: what you want to say, and uh, it's just like us. 810 00:42:19,360 --> 00:42:21,600 Speaker 1: It reminds me a lot of like the confetations that 811 00:42:21,640 --> 00:42:23,759 Speaker 1: I have with you, Moody and you have, Like that's 812 00:42:23,800 --> 00:42:25,600 Speaker 1: how me and my friends talk. And that's why I 813 00:42:25,600 --> 00:42:27,840 Speaker 1: love the podcast. Why I appreciate that, you know, I 814 00:42:27,880 --> 00:42:29,920 Speaker 1: appreciate that listen. You know, we try to just do it. 815 00:42:29,960 --> 00:42:32,160 Speaker 1: We try to be honest, you know, if we really 816 00:42:32,160 --> 00:42:36,279 Speaker 1: really dislike somebody or something like, you know, artistically, I 817 00:42:36,360 --> 00:42:40,239 Speaker 1: try not to insult anybody's business or art, you know, 818 00:42:40,320 --> 00:42:43,000 Speaker 1: because as much as I might not like the the 819 00:42:43,280 --> 00:42:45,040 Speaker 1: artists or I might think it's whack, I never want 820 00:42:45,080 --> 00:42:46,759 Speaker 1: to try to be subjective, you know what I mean? 821 00:42:46,760 --> 00:42:49,520 Speaker 1: I get that. Yeah, So so I feel like most 822 00:42:49,520 --> 00:42:51,719 Speaker 1: of what we do is in good fun. Obviously, when 823 00:42:51,719 --> 00:42:54,800 Speaker 1: we're talking about the sick funk of the weeks, they 824 00:42:54,920 --> 00:42:58,160 Speaker 1: get no sympathy, and they no good judges, they get 825 00:42:58,200 --> 00:43:01,239 Speaker 1: no sympathy. But in general, it's all lighthearted it and 826 00:43:01,239 --> 00:43:03,600 Speaker 1: and even the people whose balls we we we break, 827 00:43:03,640 --> 00:43:06,080 Speaker 1: like you know, earlier in this episode, you know, we're 828 00:43:06,080 --> 00:43:09,360 Speaker 1: talking about Kanye. You know, obviously I respect Kanye West 829 00:43:09,440 --> 00:43:12,360 Speaker 1: and and and all these people. You know, sometimes I 830 00:43:12,400 --> 00:43:14,560 Speaker 1: just feel like it's all good fun. Man. We we 831 00:43:14,680 --> 00:43:16,440 Speaker 1: just like to have a good time, entertain the people, 832 00:43:16,600 --> 00:43:18,560 Speaker 1: and and you know, we we we we we try 833 00:43:18,600 --> 00:43:21,520 Speaker 1: to be the people's podcast. So you know, I appreciate 834 00:43:21,600 --> 00:43:24,200 Speaker 1: the support. I would love to do a face to face. 835 00:43:24,320 --> 00:43:25,880 Speaker 1: I'm gonna text you try to get you one of 836 00:43:25,920 --> 00:43:28,000 Speaker 1: these hard body karate T shirts before the end of 837 00:43:28,040 --> 00:43:30,319 Speaker 1: the tour. And and and I can't wait to uh, 838 00:43:30,360 --> 00:43:32,560 Speaker 1: you know, to do it again with Duccino. I appreciate 839 00:43:32,600 --> 00:43:35,160 Speaker 1: you coming on the show man all right, man, thankful, hey, 840 00:43:35,160 --> 00:43:36,760 Speaker 1: thank you for having me on. I mean I've been asking, 841 00:43:37,160 --> 00:43:40,520 Speaker 1: you know, it was the pleasure of mine. I just 842 00:43:40,880 --> 00:43:42,520 Speaker 1: looking to it all the time. I I just happen 843 00:43:42,560 --> 00:43:44,280 Speaker 1: to get part of it and to have a comfort 844 00:43:44,280 --> 00:43:46,840 Speaker 1: that you years great, so so thanks for having me. 845 00:43:46,840 --> 00:43:48,919 Speaker 1: I appreciate it and I'll talk to you soon. Chino, 846 00:43:49,600 --> 00:43:54,239 Speaker 1: all right, sounds good? A right? All right, all right, 847 00:43:54,239 --> 00:43:57,480 Speaker 1: you heard it? All right? That was my Manchino Moreno 848 00:43:57,560 --> 00:44:00,920 Speaker 1: from the group deaf Tones throwing or they're killing it. 849 00:44:01,760 --> 00:44:04,160 Speaker 1: His manager is going to be in the fantasy football 850 00:44:04,200 --> 00:44:07,440 Speaker 1: league with me, and I'm gonna crack that ass real proper. 851 00:44:08,040 --> 00:44:10,520 Speaker 1: If football is your passion, you know all the players 852 00:44:10,520 --> 00:44:13,200 Speaker 1: and the teams, the strengths, the weaknesses, then why don't 853 00:44:13,280 --> 00:44:16,160 Speaker 1: you try to put that knowledge to the test and 854 00:44:16,239 --> 00:44:19,759 Speaker 1: play for your shot at one million dollars the top 855 00:44:19,800 --> 00:44:22,560 Speaker 1: prize at DraftKings dot com. It's just part of five 856 00:44:22,880 --> 00:44:27,440 Speaker 1: million dollars, five million bucks and total prizes they're dolling 857 00:44:27,440 --> 00:44:31,600 Speaker 1: out in Week one contest. Just the Week one DraftKings 858 00:44:31,640 --> 00:44:34,480 Speaker 1: dot Com is the destination for one week fantasy football. 859 00:44:34,600 --> 00:44:38,560 Speaker 1: One week fantasy football means no season long commitments. Play 860 00:44:38,560 --> 00:44:41,239 Speaker 1: whenever you want, with the players that you want. Just 861 00:44:41,320 --> 00:44:44,400 Speaker 1: picked your contest, draft your players and follow your team 862 00:44:44,480 --> 00:44:48,279 Speaker 1: live renew all rivalries, challenge your friends, talk shipped to 863 00:44:48,280 --> 00:44:51,920 Speaker 1: your family or in a private league. You could prove 864 00:44:51,960 --> 00:44:54,719 Speaker 1: to be the Superior GM or join an existing league. 865 00:44:54,800 --> 00:44:56,680 Speaker 1: You could go head to head with me. Right you 866 00:44:56,719 --> 00:44:59,120 Speaker 1: want to play me the Gringo Man Dingo, go to 867 00:44:59,239 --> 00:45:02,240 Speaker 1: draft Kings dot com, use the promo code Wrap Report, 868 00:45:02,400 --> 00:45:04,239 Speaker 1: and then all you gotta do is search look for 869 00:45:04,320 --> 00:45:07,880 Speaker 1: the I Am wrapp Report league. There's five dollar bets 870 00:45:08,120 --> 00:45:10,480 Speaker 1: and there's free bets. I'll be doing it all. I'm 871 00:45:10,520 --> 00:45:15,520 Speaker 1: taking on all comers. No Bruno, Okay. Go to DraftKings 872 00:45:15,600 --> 00:45:18,640 Speaker 1: dot com choose your players. You could seriously win cash 873 00:45:18,640 --> 00:45:20,759 Speaker 1: in one week. Use the code Wrap Report and play 874 00:45:20,880 --> 00:45:24,400 Speaker 1: for free with your first deposit. That's the code Wrap Report. 875 00:45:24,480 --> 00:45:27,480 Speaker 1: Play for free when you share five million dollars in 876 00:45:27,520 --> 00:45:30,000 Speaker 1: total prizes and the one week cont is only at 877 00:45:30,040 --> 00:45:34,240 Speaker 1: DraftKings dot com. DraftKings dot Com eligibility and restrictions may apply. 878 00:45:34,360 --> 00:45:36,360 Speaker 1: See the website for details. And if you want to 879 00:45:36,360 --> 00:45:38,400 Speaker 1: play the Dingo. If you want to play me the 880 00:45:38,480 --> 00:45:43,160 Speaker 1: Gringo man Dingo. If you want a piece, you want 881 00:45:43,160 --> 00:45:45,040 Speaker 1: to dance with the Dingo. You want to step into 882 00:45:45,040 --> 00:45:49,000 Speaker 1: the monkey cage, go to DraftKings, use the promo code 883 00:45:49,000 --> 00:45:52,000 Speaker 1: Wrap Report and just simply look up Iron Wrap Report League. 884 00:45:52,000 --> 00:45:54,120 Speaker 1: If you want to put up five bucks that's great. 885 00:45:54,960 --> 00:45:56,680 Speaker 1: If you think you're gonna win, you'll win your five 886 00:45:56,680 --> 00:45:58,879 Speaker 1: bucks and more. If you want to just play for free, 887 00:45:58,920 --> 00:46:01,520 Speaker 1: I'm gonna be doing it all all. I'm gonna be 888 00:46:01,560 --> 00:46:08,600 Speaker 1: taking on all comers. No, Bruno, All right, we're calling 889 00:46:08,680 --> 00:46:12,960 Speaker 1: up Gimnetti G Moody, one half of the e p 890 00:46:13,080 --> 00:46:19,080 Speaker 1: m d A podcasting uh better known as uh the 891 00:46:19,120 --> 00:46:22,120 Speaker 1: Blackad McMahon or the two thousand and fifteen podcast co 892 00:46:22,200 --> 00:46:24,840 Speaker 1: host of the Year. We're doing it live and direct 893 00:46:25,800 --> 00:46:38,920 Speaker 1: right now. What's up? Man? Hey, Gimo Netti? What's the deal? Bro? 894 00:46:39,760 --> 00:46:42,520 Speaker 1: I was just talking to my Manchino Moreno from the 895 00:46:42,560 --> 00:46:45,200 Speaker 1: group to Deaf Tones. He's a big fan of the 896 00:46:45,239 --> 00:46:47,920 Speaker 1: Iron Rapports stereo podcast. He was a little bit disappointed 897 00:46:47,960 --> 00:46:51,520 Speaker 1: that G. Moody a K A fun loving a K 898 00:46:51,760 --> 00:46:54,879 Speaker 1: half of the e p m d of Podcasting wasn't 899 00:46:54,920 --> 00:46:56,399 Speaker 1: on the phone call. But this is a good dude, 900 00:46:56,440 --> 00:46:58,759 Speaker 1: a real fan, and uh it was. It was a 901 00:46:58,760 --> 00:47:02,080 Speaker 1: pleasure to talk to him. Now we get to business 902 00:47:02,160 --> 00:47:07,520 Speaker 1: with Mr Monetti, Mr Moody. Uh, what's really good? Mr 903 00:47:07,560 --> 00:47:12,240 Speaker 1: Moody's chilling out man, taking in the scene and enjoying 904 00:47:12,480 --> 00:47:18,040 Speaker 1: the good weather, uh and watching Uh, the political uh 905 00:47:18,239 --> 00:47:23,680 Speaker 1: landscape unfold. Uh what's been uh floating your boat lately? 906 00:47:25,800 --> 00:47:30,560 Speaker 1: I see are Donald Trump? It's uh, you know, still 907 00:47:30,600 --> 00:47:35,960 Speaker 1: still saying his same ole wow crazy rhetoric. And his 908 00:47:36,040 --> 00:47:41,680 Speaker 1: alliance with David Duke is particularly troubling. He's still fucking 909 00:47:41,719 --> 00:47:48,640 Speaker 1: with David Duke. Of course, Donald Trump, these dude, stupid man, 910 00:47:49,120 --> 00:47:51,560 Speaker 1: he funking with David David Duke, and then and then 911 00:47:52,120 --> 00:47:54,960 Speaker 1: the fact that he fox with David Duke or doesn't 912 00:47:54,960 --> 00:47:58,920 Speaker 1: just completely disassociate anything to do with David Duke. The 913 00:47:58,960 --> 00:48:01,160 Speaker 1: people that are all like supporting this dude, they should 914 00:48:01,160 --> 00:48:04,640 Speaker 1: be embarrassed. They should be ashamed of themselves. They should 915 00:48:04,640 --> 00:48:11,880 Speaker 1: be ashamed of themselves. Uh what about your boy Rudy Giuliani? 916 00:48:12,480 --> 00:48:14,680 Speaker 1: To talk talk to the people that aren't from New 917 00:48:14,760 --> 00:48:18,279 Speaker 1: York City about sort of what Rudy Giuliani used to 918 00:48:18,320 --> 00:48:21,040 Speaker 1: mean to New York and then how he's embarrassing the 919 00:48:21,080 --> 00:48:24,400 Speaker 1: fact I'm embarrassed that that he ran New York City. 920 00:48:24,760 --> 00:48:27,839 Speaker 1: The way he talks now, he sounds like like like 921 00:48:27,880 --> 00:48:34,040 Speaker 1: he's like, um, got some sort of racial Parkinson's disease. Yeah, yeah, 922 00:48:34,120 --> 00:48:39,319 Speaker 1: I mean, I mean evident this said, Uh we had 923 00:48:39,360 --> 00:48:43,640 Speaker 1: no terrorist attack until we had we got Obama, but 924 00:48:43,800 --> 00:48:46,839 Speaker 1: he got nine eleven and how could you can get 925 00:48:47,000 --> 00:48:49,640 Speaker 1: nine eleven? Yeah, what are you talking about? Like you 926 00:48:49,760 --> 00:48:54,640 Speaker 1: you're you're that focused on on on sort of like 927 00:48:54,840 --> 00:48:57,960 Speaker 1: you you had no terrorist tax except nine eleven? What 928 00:48:57,960 --> 00:48:59,960 Speaker 1: what are you talking? You sound dumb? Did you hear 929 00:49:00,000 --> 00:49:05,319 Speaker 1: what he said about um Beyonce last night? No? I 930 00:49:05,320 --> 00:49:09,680 Speaker 1: didn't hear that. He said her poor performance was a shame. Uh, 931 00:49:09,719 --> 00:49:12,520 Speaker 1: I've saved more black lives and any of those people 932 00:49:12,560 --> 00:49:17,240 Speaker 1: on the stage. Uh. And and just totally disparaged Beyonce 933 00:49:17,719 --> 00:49:20,279 Speaker 1: and her performance. And he said, you know her her 934 00:49:20,360 --> 00:49:24,040 Speaker 1: dancers were were circling around one by one and there 935 00:49:24,040 --> 00:49:27,280 Speaker 1: were lights underneath them, and that's supposed to symbolize cops 936 00:49:27,320 --> 00:49:30,759 Speaker 1: killing black individuals, and and and it's a shame. And 937 00:49:30,840 --> 00:49:33,680 Speaker 1: I've saved more black lives than all the people on 938 00:49:33,680 --> 00:49:36,879 Speaker 1: that stage. That's what this guy? What's wrong with this guy? 939 00:49:37,560 --> 00:49:43,520 Speaker 1: All Right? We gotta as a senior citizens, a senior 940 00:49:44,160 --> 00:49:48,919 Speaker 1: semile c so that what he said is laughable. So 941 00:49:49,160 --> 00:49:52,320 Speaker 1: you shouldn't dignify that with any kind of fun because 942 00:49:52,320 --> 00:49:56,279 Speaker 1: it's laughing. Well, what do you think about this? We 943 00:49:56,360 --> 00:49:58,520 Speaker 1: haven't spoken uh in the last couple of days. So 944 00:49:58,520 --> 00:50:00,440 Speaker 1: we're going raw dog without a bad care in the 945 00:50:00,440 --> 00:50:06,160 Speaker 1: Iron Wrap Coors Stereo podcast. Um. Colin Kaepernick, san Francisco 946 00:50:06,200 --> 00:50:09,879 Speaker 1: forty Niners quarterback who led the San Francisco forty nine 947 00:50:09,960 --> 00:50:12,719 Speaker 1: is to a Super Bowl. I believe it was two 948 00:50:12,840 --> 00:50:18,080 Speaker 1: or going into three seasons ago. The other day during 949 00:50:18,239 --> 00:50:20,319 Speaker 1: now he's fighting for a starting job on the San 950 00:50:20,360 --> 00:50:22,680 Speaker 1: Francisco forty nine is which is which is a key thing. 951 00:50:23,640 --> 00:50:29,200 Speaker 1: The other day during a preseason game, Colin Kaepernick, who 952 00:50:29,280 --> 00:50:31,480 Speaker 1: I I want to see him do well. And I've 953 00:50:31,480 --> 00:50:33,959 Speaker 1: always liked him, and I like his story. He sort 954 00:50:33,960 --> 00:50:36,719 Speaker 1: of came out of nowhere. He was adopted. He had 955 00:50:36,880 --> 00:50:40,000 Speaker 1: like a rough childhood, um and and it was sort 956 00:50:40,040 --> 00:50:44,160 Speaker 1: of like a Cinderella football story. But the other day, 957 00:50:44,160 --> 00:50:47,399 Speaker 1: and he struggled in the NFL on the field since then. 958 00:50:47,640 --> 00:50:50,960 Speaker 1: But the other day during a preseason game, he sat 959 00:50:51,040 --> 00:50:55,080 Speaker 1: down during the national landing the national anthem, excuse me, um, 960 00:50:55,560 --> 00:50:57,600 Speaker 1: And then he was asked why, and he said, you know, 961 00:50:57,640 --> 00:51:00,520 Speaker 1: it's bigger than football. Would be selfish on my part 962 00:51:00,600 --> 00:51:03,839 Speaker 1: to look the other way. You know, I'm an biracial 963 00:51:04,040 --> 00:51:07,360 Speaker 1: man adopted by a white couple. But there's bodies in 964 00:51:07,400 --> 00:51:11,840 Speaker 1: the street and people getting paid, uh, you know, and 965 00:51:12,440 --> 00:51:14,719 Speaker 1: people getting paid leave and getting away with murder. Say, 966 00:51:14,800 --> 00:51:19,920 Speaker 1: he's basically protesting the violence that is going on uh 967 00:51:19,960 --> 00:51:23,000 Speaker 1: in the country. Um, here's my two two things that 968 00:51:23,080 --> 00:51:26,960 Speaker 1: that that that's concerned me about this. Number One, Colin Kaepernick, 969 00:51:27,160 --> 00:51:29,920 Speaker 1: why don't you wait till the regular season to do this? 970 00:51:30,960 --> 00:51:32,680 Speaker 1: Why don't you do it on an opening day? If 971 00:51:32,680 --> 00:51:35,239 Speaker 1: you really want to make a stand, if you really 972 00:51:35,239 --> 00:51:37,319 Speaker 1: want to do something to get attention, why are you 973 00:51:37,360 --> 00:51:40,600 Speaker 1: doing this ship on a Friday night preseason game? Number one? 974 00:51:41,080 --> 00:51:44,959 Speaker 1: Number two, I'm starting to feel like, uh, people are 975 00:51:46,719 --> 00:51:50,120 Speaker 1: like like every like protesting is becoming a trend. Like 976 00:51:50,160 --> 00:51:54,480 Speaker 1: there there there's a dude on the Philadelphia Eagles who 977 00:51:54,920 --> 00:51:59,360 Speaker 1: a rookie, A rookie who earlier today the day of 978 00:51:59,400 --> 00:52:04,960 Speaker 1: this podcast asked his name is Mike Tavares. Okay, after 979 00:52:05,080 --> 00:52:09,839 Speaker 1: the Kaepernick uh you know, protested this, this rookie said, 980 00:52:10,520 --> 00:52:13,560 Speaker 1: I'm gonna sit down during the national anthem, And then 981 00:52:13,560 --> 00:52:17,920 Speaker 1: a few hours later this week, dumb motherfucker said, I 982 00:52:18,040 --> 00:52:20,920 Speaker 1: thought about it. I believe me, I definitely thought about it, 983 00:52:21,320 --> 00:52:24,440 Speaker 1: but I've decided not to sit down during the national anthem? 984 00:52:25,120 --> 00:52:26,960 Speaker 1: What the funk are you doing? Man? Like? You know 985 00:52:27,040 --> 00:52:30,280 Speaker 1: either like like I I think it's becoming like almost 986 00:52:30,440 --> 00:52:35,239 Speaker 1: trendy to protest. I know everybody's intentions are good. Everybody's 987 00:52:35,280 --> 00:52:38,120 Speaker 1: intentions are good, but but I'm feeling like it's like 988 00:52:38,160 --> 00:52:41,279 Speaker 1: almost like wearing skinny jeans, like yeah, I'm a protest 989 00:52:41,600 --> 00:52:43,480 Speaker 1: and it's like sort of like to sort of put 990 00:52:43,520 --> 00:52:45,920 Speaker 1: yourself on the stands as opposed to, you know, really 991 00:52:45,960 --> 00:52:49,080 Speaker 1: doing something that that is taken seriously. And I think 992 00:52:49,080 --> 00:52:51,640 Speaker 1: that if everybody starts doing these things and I'm gonna 993 00:52:51,680 --> 00:52:53,399 Speaker 1: do it and I'm not gonna do it, it sort 994 00:52:53,400 --> 00:52:57,719 Speaker 1: of loses its validity. Does that make sense to you? Yeah? 995 00:52:58,440 --> 00:53:00,320 Speaker 1: So so what do you think about cap Nick? I 996 00:53:00,320 --> 00:53:01,920 Speaker 1: want I want to hear your your your thoughts on 997 00:53:01,960 --> 00:53:04,879 Speaker 1: the whole Kaepernick thing, the good, the bad, and the moody. 998 00:53:05,239 --> 00:53:08,600 Speaker 1: I I got him. He has a lot of balls, man, 999 00:53:08,920 --> 00:53:11,600 Speaker 1: he has a lot of balls to do this because 1000 00:53:12,000 --> 00:53:14,799 Speaker 1: there's a lot of steaks for him. So for him, 1001 00:53:14,840 --> 00:53:20,120 Speaker 1: the four go that and come out right and do that. Go. 1002 00:53:20,360 --> 00:53:23,200 Speaker 1: I mean, that's that's his a feeling. And I think 1003 00:53:23,800 --> 00:53:27,160 Speaker 1: it isn't a shot at the veterans because no one 1004 00:53:27,200 --> 00:53:30,280 Speaker 1: would uh take a shot at the veterans. It's about 1005 00:53:30,880 --> 00:53:37,279 Speaker 1: Happernick holding America to a higher standard. That's what he 1006 00:53:38,719 --> 00:53:40,879 Speaker 1: that in my opinion, that's what I think he's trying 1007 00:53:40,920 --> 00:53:44,320 Speaker 1: to do. It's not about not supporting America and stuff 1008 00:53:44,320 --> 00:53:48,640 Speaker 1: like that. It's like kind of uh, what what what 1009 00:53:48,880 --> 00:53:53,600 Speaker 1: do you say? It's like hypocrisy for for him to 1010 00:53:53,719 --> 00:53:58,480 Speaker 1: stand up in his mind for a flag and we 1011 00:53:58,640 --> 00:54:02,080 Speaker 1: see all this stuff that's going on, So how could 1012 00:54:02,120 --> 00:54:05,600 Speaker 1: you be so proud? Right, you're proud of America. I'm 1013 00:54:05,640 --> 00:54:08,399 Speaker 1: sure you know he got the peace of Prosveston, who 1014 00:54:08,400 --> 00:54:12,640 Speaker 1: could have any problems with Vette? But it's in his mind, 1015 00:54:12,640 --> 00:54:16,359 Speaker 1: it's hypothesis. But where does it go from here? Do 1016 00:54:16,400 --> 00:54:21,440 Speaker 1: you do you never stand up during the games? Do you? Uh? 1017 00:54:22,000 --> 00:54:24,439 Speaker 1: You know? Like where where does it go? And when 1018 00:54:24,480 --> 00:54:26,560 Speaker 1: do you stop? Like it's not gonna change by the 1019 00:54:26,640 --> 00:54:28,480 Speaker 1: end of the season, Like when do you stop? And 1020 00:54:28,480 --> 00:54:30,680 Speaker 1: then if you stop, are you weak? Did you cave in? 1021 00:54:31,080 --> 00:54:33,799 Speaker 1: Did you fold? Like I just I don't know, like 1022 00:54:33,880 --> 00:54:36,759 Speaker 1: where it goes from here? I think I think the 1023 00:54:36,840 --> 00:54:41,920 Speaker 1: purpose was this is trying to draw more attention to 1024 00:54:42,120 --> 00:54:47,080 Speaker 1: that whole thing because he's gonna draw more attention and 1025 00:54:47,160 --> 00:54:49,839 Speaker 1: sign more like on on on the problem. I think 1026 00:54:49,960 --> 00:54:52,759 Speaker 1: that's what what he tried to do because there's not 1027 00:54:52,920 --> 00:54:57,600 Speaker 1: much he can do. I think it's just to let 1028 00:54:57,640 --> 00:54:59,680 Speaker 1: people know what though I'm not really down with all this. 1029 00:54:59,719 --> 00:55:02,600 Speaker 1: SHI know this is this is not good. Maybe we 1030 00:55:02,640 --> 00:55:04,480 Speaker 1: need to do something. And it's what he did, man, 1031 00:55:04,520 --> 00:55:07,280 Speaker 1: so we have both. Now he got to be prepared 1032 00:55:07,360 --> 00:55:11,879 Speaker 1: for the consequence. And I'm sure that he had went 1033 00:55:11,920 --> 00:55:17,840 Speaker 1: through it with his Mond You all that and George 1034 00:55:17,960 --> 00:55:21,280 Speaker 1: mr gone, you may not play in the NFL again. 1035 00:55:21,320 --> 00:55:25,960 Speaker 1: What teams donna uh take you right? But they're being 1036 00:55:26,160 --> 00:55:30,680 Speaker 1: uh their fans now, I hear you. I hear you. 1037 00:55:30,719 --> 00:55:32,880 Speaker 1: I think it's I think it's a it's it's a 1038 00:55:32,920 --> 00:55:37,480 Speaker 1: tricky thing. I'm just getting concerned that it's like I know, everybody, 1039 00:55:37,480 --> 00:55:39,719 Speaker 1: like I said, everybody's intentions good, but I just don't 1040 00:55:39,719 --> 00:55:42,680 Speaker 1: want this to be like a trend as opposed to 1041 00:55:42,760 --> 00:55:47,279 Speaker 1: something that's really uh um, you know, I don't know 1042 00:55:47,360 --> 00:55:51,000 Speaker 1: that's planned out. Everybody wants to do good, and everybody 1043 00:55:51,000 --> 00:55:56,160 Speaker 1: everybody's upset about about you know, the unnecessary killings and 1044 00:55:56,160 --> 00:55:58,520 Speaker 1: and and and and you know, just to make it clear. 1045 00:55:58,600 --> 00:56:03,320 Speaker 1: You know, I during support and have compassion and respect 1046 00:56:03,760 --> 00:56:07,480 Speaker 1: for for all the military, all the police officers, all 1047 00:56:07,480 --> 00:56:11,480 Speaker 1: the fire uh firemen, they're busting their asses, even the 1048 00:56:11,760 --> 00:56:15,799 Speaker 1: shitty ones. Their intentions are never bad. Um, although they 1049 00:56:15,920 --> 00:56:19,799 Speaker 1: they've done some a few far less than than all 1050 00:56:19,840 --> 00:56:23,719 Speaker 1: the great brave people. Uh, things have been done that 1051 00:56:23,719 --> 00:56:27,920 Speaker 1: that are unacceptable and unforgivable. Um. It's just it's just 1052 00:56:27,960 --> 00:56:30,040 Speaker 1: a tough time. It's a tough time when you really 1053 00:56:30,040 --> 00:56:32,080 Speaker 1: start to think about what's going on in the world 1054 00:56:32,080 --> 00:56:34,759 Speaker 1: and are just in our country. Uh, it's just a 1055 00:56:34,840 --> 00:56:38,919 Speaker 1: it's a frustrating, tough, uh tough time. And I want 1056 00:56:38,920 --> 00:56:44,960 Speaker 1: to address one more game because uh someone said Smith said, 1057 00:56:45,040 --> 00:56:49,640 Speaker 1: uh he should address black crime, right black or black crime. 1058 00:56:49,960 --> 00:56:54,760 Speaker 1: I won't even address that. So when Italian cattle rubbing 1059 00:56:54,760 --> 00:56:59,760 Speaker 1: out other Italian casts, that wasn't called white on white crime. Crime. 1060 00:57:00,880 --> 00:57:06,120 Speaker 1: It's fueled by opportunity and proximity. It's the black people 1061 00:57:06,120 --> 00:57:08,760 Speaker 1: are more likely to be victimized by other black people 1062 00:57:08,920 --> 00:57:15,040 Speaker 1: because we live in the same neighborhood. It's all fueled 1063 00:57:15,120 --> 00:57:19,280 Speaker 1: by opportunity and proximity. It's still black on black clad 1064 00:57:19,720 --> 00:57:23,040 Speaker 1: like like black people are specifically going after black people. 1065 00:57:23,320 --> 00:57:26,520 Speaker 1: You tend to leave with your old people. And of 1066 00:57:26,600 --> 00:57:30,240 Speaker 1: course there's gonna be crime, and the perpetrator is gonna 1067 00:57:30,280 --> 00:57:33,840 Speaker 1: be black, The perpetrators gonna be uh, the victimy is 1068 00:57:33,840 --> 00:57:37,520 Speaker 1: gonna be black. That's that's what it is. We live 1069 00:57:37,520 --> 00:57:40,760 Speaker 1: in the same neighborhood. I hear you more, Natty, You're 1070 00:57:40,800 --> 00:57:46,200 Speaker 1: you're right. Um. You brought up politics earlier. Um, A man, 1071 00:57:46,320 --> 00:57:51,000 Speaker 1: Anthony Weiner. He's a wild dude, a wild cowboy. Those 1072 00:57:51,040 --> 00:57:53,280 Speaker 1: of you who have no idea who Anthony Weiner is. 1073 00:57:54,520 --> 00:57:58,680 Speaker 1: He's a New York City, uh New York Uh politician. 1074 00:58:00,160 --> 00:58:02,160 Speaker 1: He was running for what was he running for mayor 1075 00:58:02,200 --> 00:58:06,959 Speaker 1: at one point? Yeah, man, and and and and and 1076 00:58:07,160 --> 00:58:10,320 Speaker 1: he got caught for for sending pictures of his loaf 1077 00:58:11,480 --> 00:58:15,360 Speaker 1: and then uh fucked this whole business up. Actually just 1078 00:58:15,360 --> 00:58:21,440 Speaker 1: watched the documentary. The documentary about him called strangely enough Weener. Um. 1079 00:58:21,480 --> 00:58:25,160 Speaker 1: I thought he got help fix himself. But my man, 1080 00:58:25,320 --> 00:58:28,920 Speaker 1: right now he did it again. His his wife, I 1081 00:58:28,960 --> 00:58:34,080 Speaker 1: can't even pronounce her name, Huma. Uh. She's she's actually 1082 00:58:35,360 --> 00:58:41,200 Speaker 1: a political campaign ad aid aide to Hillary Clinton. She 1083 00:58:41,240 --> 00:58:43,480 Speaker 1: said she's leaving my man because my man is out 1084 00:58:43,520 --> 00:58:47,000 Speaker 1: there sending dick picks again. And I said it once 1085 00:58:47,400 --> 00:58:52,080 Speaker 1: and I said it again. Weener picks and dix they 1086 00:58:52,080 --> 00:58:56,040 Speaker 1: ain't never gonna mix. Okay, you're a sick fuck now. 1087 00:58:56,200 --> 00:58:58,200 Speaker 1: You're not gonna get the sick funck of the Week award. 1088 00:58:58,400 --> 00:59:00,360 Speaker 1: You're a sick funck on on just like you know, 1089 00:59:00,760 --> 00:59:03,760 Speaker 1: hold your head, Duke, Like, what are you doing? My man? 1090 00:59:04,000 --> 00:59:06,600 Speaker 1: You're still sending dick picks? You have a problem, bro, 1091 00:59:07,240 --> 00:59:09,919 Speaker 1: And why you keep getting caught after all you've went through, 1092 00:59:09,960 --> 00:59:11,400 Speaker 1: Like you haven't figure out a way if you're gonna 1093 00:59:11,440 --> 00:59:14,000 Speaker 1: send a dick pick to to not get caught. But 1094 00:59:14,040 --> 00:59:16,480 Speaker 1: why are you even sending dick picks anyway? What's what's 1095 00:59:16,520 --> 00:59:22,840 Speaker 1: wrong with you? Man? And he's sending in Wait a minute, 1096 00:59:22,960 --> 00:59:25,840 Speaker 1: his kid was in the background. Yeah, they're gonna check 1097 00:59:25,880 --> 00:59:28,760 Speaker 1: him for a CS, like soon his service come back 1098 00:59:28,760 --> 00:59:32,400 Speaker 1: to him now for that This fucking guy, man, I 1099 00:59:32,440 --> 00:59:35,840 Speaker 1: didn't even know that he's bugging he is. He's calling man, 1100 00:59:35,960 --> 00:59:39,240 Speaker 1: he's calling that. Yeah, I know he's corny is and 1101 00:59:39,240 --> 00:59:41,360 Speaker 1: and and some people were like to see, I want 1102 00:59:41,400 --> 00:59:42,760 Speaker 1: to answer a question because a lot of people on 1103 00:59:42,800 --> 00:59:45,480 Speaker 1: Twitter with like is this a stickman? Is he a coxman? 1104 00:59:45,960 --> 00:59:49,560 Speaker 1: Is he wild for the night. And I'm gonna say this, 1105 00:59:49,800 --> 00:59:52,080 Speaker 1: he's wild for the night. But his fox styles not 1106 00:59:52,160 --> 00:59:54,840 Speaker 1: buck wild. Okay, so you do the math on that. 1107 00:59:54,920 --> 00:59:57,400 Speaker 1: I'm not gonna break down all the terms and the 1108 00:59:57,440 --> 01:00:02,600 Speaker 1: point system, but he's not a cocksman. He's not a 1109 01:00:02,600 --> 01:00:06,479 Speaker 1: stick man, and his fox style is definitely not buck wall. 1110 01:00:06,840 --> 01:00:09,680 Speaker 1: You don't get any of those terms. Those are things that, like, 1111 01:00:09,720 --> 01:00:11,840 Speaker 1: you know, you have to put in good, clean, hard 1112 01:00:11,880 --> 01:00:17,800 Speaker 1: work for that. Um, he seems no ship. He seems 1113 01:00:17,880 --> 01:00:20,160 Speaker 1: like it. He'd probably be the first to tell you 1114 01:00:20,200 --> 01:00:24,640 Speaker 1: he's a fucking perv yo. Um, you you sent me 1115 01:00:24,720 --> 01:00:28,600 Speaker 1: this put picture? Yeah, you know, we don't. We don't 1116 01:00:28,600 --> 01:00:30,320 Speaker 1: do a lot of baseball talk here at the Iron 1117 01:00:30,360 --> 01:00:36,520 Speaker 1: Rapports Stereo podcast. But Carlos beltran, Oh my god, Um, 1118 01:00:37,160 --> 01:00:39,720 Speaker 1: last week he had no hair and then two days 1119 01:00:39,720 --> 01:00:41,720 Speaker 1: ago he was playing in the game and he had 1120 01:00:41,720 --> 01:00:48,600 Speaker 1: his ship shoot polished on m during a hot summer day. 1121 01:00:49,120 --> 01:00:51,960 Speaker 1: I don't know what kind of technique he had. I 1122 01:00:52,000 --> 01:00:55,080 Speaker 1: don't know what kind of product he used, but his 1123 01:00:55,160 --> 01:00:58,320 Speaker 1: ship was spray painted on. He had a full head 1124 01:00:58,640 --> 01:01:01,600 Speaker 1: of spray painted on hair. And I want to tell you, 1125 01:01:01,640 --> 01:01:08,760 Speaker 1: Carlos Beltron, you ain't fooling nobody. Duke, you look like ship, Duke. 1126 01:01:09,040 --> 01:01:15,160 Speaker 1: You look crazy. Do you actually think that anybody is like? 1127 01:01:15,200 --> 01:01:19,440 Speaker 1: Oh Ship, Carlos grew his hair back miraculously the next day. 1128 01:01:19,560 --> 01:01:22,760 Speaker 1: Did you actually think you fooled anybody? Do? Do? Do? 1129 01:01:22,440 --> 01:01:26,560 Speaker 1: Your Your teammates are embarrassed for you. I I don't 1130 01:01:26,600 --> 01:01:28,720 Speaker 1: even know. I've never seen you play. I don't care 1131 01:01:28,760 --> 01:01:33,880 Speaker 1: about baseball. I'm embarrassed for you. You're wilding out? What 1132 01:01:33,920 --> 01:01:39,760 Speaker 1: are you doing? Did you see this guy insecure? Insecure 1133 01:01:39,800 --> 01:01:47,440 Speaker 1: about fucking man? You see nothing? They have black hair forever, Manz. 1134 01:01:48,200 --> 01:01:51,080 Speaker 1: We s get a little grave in the hair to stay. 1135 01:01:51,160 --> 01:01:54,920 Speaker 1: That's nature. That's what happened. And you had a bald 1136 01:01:54,960 --> 01:01:57,600 Speaker 1: head just a week ago. It was like the jay 1137 01:01:57,680 --> 01:01:59,880 Speaker 1: Z line. Ship was all good just a week ago. 1138 01:02:00,080 --> 01:02:05,280 Speaker 1: Look fine. And now you have like shoe polish hair. Yeah, 1139 01:02:05,360 --> 01:02:10,760 Speaker 1: you're wild and duke, Yeah yo, check this last. Uh. 1140 01:02:11,040 --> 01:02:17,000 Speaker 1: Larry King, eighty two years old, his girl or his 1141 01:02:17,160 --> 01:02:21,760 Speaker 1: wird his wife Sean King, who's fifty sick, has been 1142 01:02:21,760 --> 01:02:27,360 Speaker 1: a rumor to be stepping out with a strapping youngster. Huh. 1143 01:02:28,680 --> 01:02:31,640 Speaker 1: And I want to tell Larry This is shoe. This 1144 01:02:31,880 --> 01:02:35,919 Speaker 1: is what's happening. Your your lawyers and everybody telling you 1145 01:02:36,400 --> 01:02:41,120 Speaker 1: you're from b K. Home. Girl is young, she's gonna 1146 01:02:41,160 --> 01:02:43,720 Speaker 1: be out with the next man. Need it in your head, 1147 01:02:44,840 --> 01:02:48,840 Speaker 1: you you were lucky to be with us. Now just 1148 01:02:48,840 --> 01:02:51,400 Speaker 1: hold your head, dude, Yeah, get your mind right, Duke, 1149 01:02:52,520 --> 01:02:54,840 Speaker 1: hold your head, Duke. Don't play yourself. But Larry Larry 1150 01:02:54,920 --> 01:02:57,680 Speaker 1: King seems like he might. He might baseball bad money, 1151 01:02:57,720 --> 01:02:59,680 Speaker 1: like he might check him down, like he'll be like, no, 1152 01:02:59,840 --> 01:03:01,800 Speaker 1: you no, you're not take him, like he might come 1153 01:03:01,840 --> 01:03:07,240 Speaker 1: after money guy and old school Brooklyn dude, he's one 1154 01:03:07,240 --> 01:03:09,240 Speaker 1: of them, like those Brooklyn Jews that grew up in 1155 01:03:09,240 --> 01:03:14,640 Speaker 1: the projects with no money. He's not he's not ussy. Uh. 1156 01:03:14,680 --> 01:03:18,920 Speaker 1: We gotta give a shout out to the great, fantastic, 1157 01:03:19,040 --> 01:03:24,200 Speaker 1: one of a kind Gene Wilder, actor who played I 1158 01:03:24,240 --> 01:03:27,280 Speaker 1: Mean Ship. If he never did anything else, this would 1159 01:03:27,280 --> 01:03:30,040 Speaker 1: have been enough. He played Willy Wonka and the original 1160 01:03:31,160 --> 01:03:35,040 Speaker 1: Willy Wonka and the Chocolate Factory. Who's in Blazing Saddles 1161 01:03:35,080 --> 01:03:41,640 Speaker 1: before that young Frankenstein Um, the Richard Pryor movies, Stir Crazy, 1162 01:03:41,960 --> 01:03:45,520 Speaker 1: Silver Streak Um. And when I was thinking about him 1163 01:03:45,520 --> 01:03:49,400 Speaker 1: as an actor, truly one of a kind. Nobody would 1164 01:03:49,400 --> 01:03:53,320 Speaker 1: even try to mimic Gene Wilder, his look, his cadence, 1165 01:03:53,520 --> 01:03:57,680 Speaker 1: his style, his his just you know, acting, his energy, 1166 01:03:57,800 --> 01:04:01,160 Speaker 1: you know, and and and his his energy was totally 1167 01:04:01,240 --> 01:04:06,320 Speaker 1: unique and totally um you you couldn't try to duplicate. 1168 01:04:06,360 --> 01:04:12,520 Speaker 1: It was unduplicatable as an actor. Uh and uh, you know, 1169 01:04:13,160 --> 01:04:15,040 Speaker 1: I just you know, he it's a big loss. I 1170 01:04:15,160 --> 01:04:17,840 Speaker 1: you know, I I came to know him first, as 1171 01:04:17,880 --> 01:04:20,400 Speaker 1: I'm sure a lot of people our age with the 1172 01:04:20,480 --> 01:04:23,480 Speaker 1: Richard Pryor stuff, Silver Streak and of course Stir Crazy. 1173 01:04:23,600 --> 01:04:28,240 Speaker 1: These are giant, a hundred million dollar grossing comedies in 1174 01:04:28,280 --> 01:04:31,840 Speaker 1: the eighties. And and you know him and Richard Pryor 1175 01:04:31,880 --> 01:04:34,520 Speaker 1: had a bond and and you know, seeing no evil, 1176 01:04:34,640 --> 01:04:38,400 Speaker 1: hear no evil? Um and and you know, I mean 1177 01:04:38,440 --> 01:04:40,920 Speaker 1: that that's that that scene in in Stir Crazy. You 1178 01:04:40,920 --> 01:04:43,360 Speaker 1: know that's right. We're bad, We're bad. W Richard Pryor 1179 01:04:43,400 --> 01:04:46,440 Speaker 1: is trying to hype him up to try to uh 1180 01:04:47,360 --> 01:04:51,520 Speaker 1: so good. So you know we gotta give him, uh 1181 01:04:51,560 --> 01:04:54,680 Speaker 1: you know, acknowledgement in the shout out to humongous loss, 1182 01:04:54,800 --> 01:04:57,640 Speaker 1: he was just you know, iconic. I mean, Willy Want 1183 01:04:57,680 --> 01:05:01,240 Speaker 1: in the Truckle Factory. They defamed that movie by trying 1184 01:05:01,240 --> 01:05:04,360 Speaker 1: to redo it and put Johnny Depp in the lead. 1185 01:05:04,720 --> 01:05:08,320 Speaker 1: It was horrendous, unwatchable. You can't even get through it. 1186 01:05:08,520 --> 01:05:10,480 Speaker 1: Don't even waste your time with it. And you know 1187 01:05:10,560 --> 01:05:14,080 Speaker 1: his his wife was Gilda Radner, the great Gilda Radner, 1188 01:05:14,120 --> 01:05:17,120 Speaker 1: who's you know, of course from Saturnnite Live and and 1189 01:05:17,240 --> 01:05:21,480 Speaker 1: you know, totally unique comedian uh uh, back back in 1190 01:05:21,680 --> 01:05:24,280 Speaker 1: back in the seventies and and in the eighties. So 1191 01:05:24,720 --> 01:05:29,040 Speaker 1: I wanted to give a sincere r I p uh 1192 01:05:29,080 --> 01:05:32,919 Speaker 1: and two thousand and sixteen has been a A lot 1193 01:05:32,920 --> 01:05:35,080 Speaker 1: of people have passed, a lot of a lot of 1194 01:05:35,080 --> 01:05:39,080 Speaker 1: people have passed, So I wanted to shout out the fantastic, unique, 1195 01:05:39,200 --> 01:05:44,160 Speaker 1: redheaded one of a time. YEP, Gene Wilder. Welcome to 1196 01:05:44,200 --> 01:05:47,360 Speaker 1: play It, a new podcast network featuring radio and TV 1197 01:05:47,480 --> 01:05:51,840 Speaker 1: personalities talking business, sports, tech, entertainment, and more. Play it 1198 01:05:52,040 --> 01:05:59,640 Speaker 1: at play dot It. What do you think it is 1199 01:06:00,000 --> 01:06:06,480 Speaker 1: that Josh Brown, the the the the the New York 1200 01:06:06,520 --> 01:06:14,000 Speaker 1: Giants place kicker, he's been this is this is like 1201 01:06:14,040 --> 01:06:16,000 Speaker 1: when the NFL. I don't understand how they can't get 1202 01:06:16,040 --> 01:06:23,360 Speaker 1: this right. He apparently has been you know, scaring the 1203 01:06:23,360 --> 01:06:28,720 Speaker 1: ship out of his wife. Uh, there's been numerous requests, um, 1204 01:06:28,760 --> 01:06:31,720 Speaker 1: you know, and he got a one game suspension for 1205 01:06:31,880 --> 01:06:36,800 Speaker 1: misdemeanor domestic violence. And and now they're digging into it more. 1206 01:06:36,840 --> 01:06:38,760 Speaker 1: And there's been a lot of you know, I guess 1207 01:06:38,760 --> 01:06:40,640 Speaker 1: his wife is living in some sort of fear. She 1208 01:06:40,680 --> 01:06:45,480 Speaker 1: had a protective order, uh, which he broke, right and 1209 01:06:45,480 --> 01:06:48,800 Speaker 1: and and now he's got one game suspension. Um. I 1210 01:06:48,800 --> 01:06:50,680 Speaker 1: don't know if it will change anymore, but it's like, 1211 01:06:52,600 --> 01:06:55,080 Speaker 1: what's gonna happen with this dude? Man? Like, this is 1212 01:06:55,200 --> 01:06:56,880 Speaker 1: kind of thing where like you know, if you watch 1213 01:06:56,920 --> 01:07:00,160 Speaker 1: the O J documentary Made in America, you go when 1214 01:07:00,200 --> 01:07:02,520 Speaker 1: when a guy like this is continuing to do this 1215 01:07:03,880 --> 01:07:08,400 Speaker 1: a lot of times, it doesn't end good, right and 1216 01:07:08,400 --> 01:07:11,440 Speaker 1: and and and what's who's the player who punches knocked 1217 01:07:11,440 --> 01:07:17,280 Speaker 1: his wife out? Uh? Oh wait, right, you know he's 1218 01:07:17,280 --> 01:07:20,080 Speaker 1: never gonna play football again. Now. Now, not to say 1219 01:07:20,080 --> 01:07:22,800 Speaker 1: that that that you know, you could compare these two things. 1220 01:07:22,960 --> 01:07:25,040 Speaker 1: He he apparently has never done something like that. But 1221 01:07:25,080 --> 01:07:27,640 Speaker 1: it's like, first he got a four game suspension, then 1222 01:07:27,640 --> 01:07:29,360 Speaker 1: he got kicked out of the league forever. I just 1223 01:07:29,360 --> 01:07:32,080 Speaker 1: don't understand the NFL and how they're they're they're they're 1224 01:07:32,120 --> 01:07:37,920 Speaker 1: they're sort of uh, dispersing these punishments. Well, that was 1225 01:07:38,120 --> 01:07:41,720 Speaker 1: unique ray right, because they had to do, uh, they 1226 01:07:41,720 --> 01:07:43,600 Speaker 1: had to do they had to cover themselves up, so 1227 01:07:43,680 --> 01:07:47,560 Speaker 1: they had to shoot on him at all. First they 1228 01:07:47,600 --> 01:07:50,160 Speaker 1: messed up, so they had to get Ray rights out. 1229 01:07:50,240 --> 01:07:52,520 Speaker 1: But then it's crazy. They don't know how to deal 1230 01:07:52,520 --> 01:07:55,960 Speaker 1: with it. It seems like that's a mental violence thing. 1231 01:07:55,960 --> 01:08:00,440 Speaker 1: They don't know how how they're dealing with Listen, I 1232 01:08:00,480 --> 01:08:04,840 Speaker 1: don't know. When you're selling on sites like Shopify, Squarespace, 1233 01:08:05,760 --> 01:08:11,000 Speaker 1: Big Commerce, or on your own website, it's always exciting 1234 01:08:11,000 --> 01:08:13,160 Speaker 1: to watch orders come in, but you probably dread the 1235 01:08:13,200 --> 01:08:16,360 Speaker 1: next part. The next part, which is tough, is shipping 1236 01:08:16,479 --> 01:08:19,639 Speaker 1: things out. Okay, you gotta get those orders out quickly 1237 01:08:19,800 --> 01:08:22,559 Speaker 1: to keep your customers happy. That's why you need ship 1238 01:08:22,800 --> 01:08:26,680 Speaker 1: station dot com. Ship station dot com the number one 1239 01:08:26,760 --> 01:08:30,639 Speaker 1: choice of online sellers. Ship Station automatically imports your orders 1240 01:08:30,840 --> 01:08:34,479 Speaker 1: and too easy to use interface one easy to use interface. 1241 01:08:35,080 --> 01:08:37,320 Speaker 1: Then they'll help you choose the right carrier to get 1242 01:08:37,320 --> 01:08:41,439 Speaker 1: the lowest rate for every package. With ship station, they 1243 01:08:41,479 --> 01:08:45,439 Speaker 1: easily create shipping labels for all the top carriers including UPS, 1244 01:08:45,560 --> 01:08:50,360 Speaker 1: FedEx and USPS right from your computer. Even manage ship 1245 01:08:50,560 --> 01:08:54,080 Speaker 1: and track orders on the go from your smartphone or 1246 01:08:54,120 --> 01:08:58,000 Speaker 1: tablet which ship station mobile app? The ship station mobile 1247 01:08:58,040 --> 01:09:01,719 Speaker 1: app is easy to use, It's user friendly. I recommend 1248 01:09:01,720 --> 01:09:04,599 Speaker 1: ship station. We have to send things out in bulk 1249 01:09:04,640 --> 01:09:08,759 Speaker 1: all the time. At the Iron Rapport Stereo podcast Monetti 1250 01:09:09,080 --> 01:09:11,599 Speaker 1: before we started messing with ship station, remember imagine how 1251 01:09:11,680 --> 01:09:12,840 Speaker 1: much of a paint of the ass that I was. 1252 01:09:12,840 --> 01:09:14,600 Speaker 1: Remember how much of a painting was sending out T 1253 01:09:14,760 --> 01:09:18,439 Speaker 1: shirt after t shirt by hand. I hated that it 1254 01:09:18,560 --> 01:09:22,240 Speaker 1: was terrible. Ship Station you could get for free and 1255 01:09:22,280 --> 01:09:24,800 Speaker 1: get an additional month free only if you use my 1256 01:09:24,880 --> 01:09:27,040 Speaker 1: last name rapp Report r A p A p o 1257 01:09:27,200 --> 01:09:29,559 Speaker 1: ORTI go to ship station dot com before you do 1258 01:09:29,560 --> 01:09:31,960 Speaker 1: anything else, click on the microphone at the top of 1259 01:09:31,960 --> 01:09:37,559 Speaker 1: the homepage and type in Rappaport. That's ship station dot com. 1260 01:09:37,600 --> 01:09:42,879 Speaker 1: What else is poplop and Mr Moody, I've we've spoken 1261 01:09:42,960 --> 01:09:51,360 Speaker 1: about you accoutrement, right and I've voiced my pleasure with 1262 01:09:51,520 --> 01:09:58,040 Speaker 1: all that right about right. So now I've heard I've 1263 01:09:58,120 --> 01:10:04,720 Speaker 1: read at certain East African nation are banning foreigners from 1264 01:10:04,720 --> 01:10:10,760 Speaker 1: adopting from international adoption to combat tracking of children. I 1265 01:10:10,880 --> 01:10:15,719 Speaker 1: applaud it. So for me, there's no more red carpet 1266 01:10:15,760 --> 01:10:18,639 Speaker 1: professions on black kids. You're not kidding him, no more. 1267 01:10:20,439 --> 01:10:26,400 Speaker 1: That's it birth, the birth, your attention to Romania, to Slovania. 1268 01:10:26,880 --> 01:10:36,320 Speaker 1: How about two side Arizona leadbus alone. It's over Tantinea, you, 1269 01:10:36,479 --> 01:10:40,800 Speaker 1: Bunda and Kenya. I want to applaud y'all. Finally you 1270 01:10:40,880 --> 01:10:44,800 Speaker 1: made the decision that I had spoken about over a year. 1271 01:10:44,880 --> 01:10:47,719 Speaker 1: Now you have been, you have been on the forefront 1272 01:10:47,760 --> 01:10:53,120 Speaker 1: of this. Mr Monetti, little toy, No, no more Mornetti. 1273 01:10:53,439 --> 01:10:57,240 Speaker 1: Are you pumped for Friday, October fourteenth in Las Vegas, Nevada. 1274 01:10:58,479 --> 01:11:01,439 Speaker 1: Oh hell yeah, I've never been a We're gonna be 1275 01:11:01,479 --> 01:11:07,080 Speaker 1: We're gonna be like, oh yes, yes, it's gonna be 1276 01:11:07,160 --> 01:11:10,600 Speaker 1: some casino ship directed by Martin Scorsese. But the I 1277 01:11:10,720 --> 01:11:14,360 Speaker 1: m rapports stereo podcast little flare on it. And then 1278 01:11:14,640 --> 01:11:19,439 Speaker 1: Sunday October six in Phoenix, Arizona, go to www. Dot 1279 01:11:19,479 --> 01:11:22,080 Speaker 1: I m rapp report toward dot com. This is a 1280 01:11:22,120 --> 01:11:28,760 Speaker 1: fantastic episode, Gimonettie. Yes, um, they're calling us the e 1281 01:11:28,880 --> 01:11:35,920 Speaker 1: P M D of podcasting. Oh yeah right, Oh they 1282 01:11:35,920 --> 01:11:39,000 Speaker 1: got it right. Um, you got anything else for me? Monetti? 1283 01:11:40,160 --> 01:11:44,080 Speaker 1: What kind of heat you got? More? Yeah? Oh ship, 1284 01:11:44,200 --> 01:11:46,760 Speaker 1: I was wrapping it up. What else you got? We 1285 01:11:46,880 --> 01:11:49,880 Speaker 1: have to have a mouth. Give me that no good 1286 01:11:50,080 --> 01:12:00,599 Speaker 1: judge team, he's a weird current thing that check it out. 1287 01:12:00,880 --> 01:12:04,200 Speaker 1: Hit me with it. Nie Ti Mats chiefs man will 1288 01:12:04,280 --> 01:12:08,000 Speaker 1: not be jailed. It's my cleting guilty through a series 1289 01:12:08,040 --> 01:12:13,680 Speaker 1: of sexual assault against the legged year old. There's no 1290 01:12:13,920 --> 01:12:20,439 Speaker 1: good judge awards the praise, sexual credit and robation and 1291 01:12:20,520 --> 01:12:22,880 Speaker 1: he has to write an apolicy letter to the victim. 1292 01:12:24,200 --> 01:12:28,439 Speaker 1: So that judge and Massachusetts I don't have his name, 1293 01:12:28,720 --> 01:12:33,120 Speaker 1: but this is a well known story should be thrown 1294 01:12:33,200 --> 01:12:37,080 Speaker 1: off the bench. Other guy is now that that we 1295 01:12:37,160 --> 01:12:40,799 Speaker 1: spoke about the first little good judge, he's been thrown 1296 01:12:40,880 --> 01:12:42,800 Speaker 1: off the bench. So I'd like to think that I 1297 01:12:42,880 --> 01:12:46,599 Speaker 1: had a partner laship for sure, for sure. That that's 1298 01:12:46,680 --> 01:12:49,680 Speaker 1: that goes without without saying you absolutely have had a 1299 01:12:49,720 --> 01:12:54,840 Speaker 1: partner and we have a All loans matter, and this 1300 01:12:55,080 --> 01:13:01,320 Speaker 1: is in this case does matter. What happened Robert Williams 1301 01:13:01,320 --> 01:13:04,560 Speaker 1: did happened in North Carolina. Robbie william three times convicted 1302 01:13:05,040 --> 01:13:11,160 Speaker 1: selling child molester, kidnapped seven K old Kimberly wa takes 1303 01:13:11,200 --> 01:13:14,759 Speaker 1: it back team to House of Salt, Sir. After downing 1304 01:13:14,880 --> 01:13:18,439 Speaker 1: masses of alcohol, the Savage passes out and the girl 1305 01:13:18,600 --> 01:13:23,240 Speaker 1: managed to untire so and tie the savage up. Then 1306 01:13:23,680 --> 01:13:28,200 Speaker 1: she tucks off his row. Micaela waves it and makes 1307 01:13:28,280 --> 01:13:31,519 Speaker 1: him eat it. Damn is this for real? This is 1308 01:13:31,680 --> 01:13:34,599 Speaker 1: for real, Happy to North Carolina. So we applaud Kimberly 1309 01:13:35,160 --> 01:13:39,400 Speaker 1: in this case, loads don't matter. You ship should be hacked, 1310 01:13:39,439 --> 01:13:41,639 Speaker 1: all right, and now you gotta eat your own dick. 1311 01:13:42,560 --> 01:13:47,880 Speaker 1: Good you're sick? Fuck? Oh man? That were you threw 1312 01:13:47,920 --> 01:13:49,439 Speaker 1: me for a loop at that one? More natty I 1313 01:13:49,560 --> 01:13:52,559 Speaker 1: I didn't even see that one coming. Bro. You can 1314 01:13:52,640 --> 01:13:56,639 Speaker 1: close it down there all right, ce I Rapports Stereo podcast. 1315 01:13:56,720 --> 01:13:59,360 Speaker 1: Miles take us out of here. Um, I want to 1316 01:13:59,439 --> 01:14:03,880 Speaker 1: thank my man Chino from the Deft Tones. Uh monetti 1317 01:14:04,640 --> 01:14:08,719 Speaker 1: ge movie rhymes with duty um way to bring the noise. 1318 01:14:09,520 --> 01:14:13,479 Speaker 1: Uh shout out to Chuck d Uh and public Enemy. 1319 01:14:13,880 --> 01:14:17,200 Speaker 1: And we'll be back with the next Iron Rapports Stereo podcast. 1320 01:14:17,280 --> 01:14:22,280 Speaker 1: And this is real talk. Anybody anybody wants to dance 1321 01:14:22,320 --> 01:14:25,240 Speaker 1: with the dingo, you know where to find me. I'm 1322 01:14:25,280 --> 01:14:28,439 Speaker 1: on Iron rapp report League at DraftKings dot com. I'm 1323 01:14:28,479 --> 01:14:31,000 Speaker 1: doing it for the love. I ain't doing it for 1324 01:14:31,080 --> 01:14:33,880 Speaker 1: the money. I'll dance with you week after week, some 1325 01:14:34,040 --> 01:14:35,840 Speaker 1: of you. If you beat me, I might even have 1326 01:14:35,960 --> 01:14:38,400 Speaker 1: you come on the Iron Reports stereo podcast show. But 1327 01:14:38,479 --> 01:14:40,960 Speaker 1: if I beat you, you might also be on the 1328 01:14:41,000 --> 01:14:43,880 Speaker 1: Iron Rapports stereo podcast show. And I'm a I'm a 1329 01:14:44,000 --> 01:14:46,840 Speaker 1: paid professional when it comes to this ship talk, I do. 1330 01:14:47,120 --> 01:14:49,720 Speaker 1: I could do it all night. I could do it 1331 01:14:49,800 --> 01:14:55,680 Speaker 1: all night. Uh and we're done? We ship Oh fuck? Yeah, 1332 01:14:55,720 --> 01:14:58,880 Speaker 1: we were done? Go ahead, Okay, yeah, I want to 1333 01:14:58,920 --> 01:15:03,120 Speaker 1: give U PICKMN war post what are you called posting 1334 01:15:03,600 --> 01:15:11,120 Speaker 1: uc whatever to flank yper oh posthumously. Yeah. Thank. I 1335 01:15:11,200 --> 01:15:14,080 Speaker 1: think he's qualified to be a stick man. Okay, Well 1336 01:15:14,120 --> 01:15:16,720 Speaker 1: we'll run that up the flagpole. Um working on a 1337 01:15:16,800 --> 01:15:19,799 Speaker 1: list of top thirty stick men for two thousand and sixteen, 1338 01:15:19,880 --> 01:15:23,839 Speaker 1: and and we'll see if the numbers add up for him. Okay. 1339 01:15:24,600 --> 01:15:26,479 Speaker 1: But that was a good frisbee because we were sort 1340 01:15:26,520 --> 01:15:28,720 Speaker 1: of doing it, we were over, and then you threw 1341 01:15:28,800 --> 01:15:31,280 Speaker 1: that in there. And that's what I like. You never 1342 01:15:31,360 --> 01:15:33,600 Speaker 1: know what the frisbee is gonna have on it, And 1343 01:15:33,760 --> 01:15:36,960 Speaker 1: and that was a great and totally necessary at the 1344 01:15:37,040 --> 01:15:39,920 Speaker 1: end of the podcast, I appreciate that. UM, I'll be 1345 01:15:39,960 --> 01:15:42,439 Speaker 1: looking forward to rocking with you face to face in 1346 01:15:42,520 --> 01:15:45,760 Speaker 1: New York next week. UM, and we're done, man, we're out.