WEBVTT - 103: Hell Hath No Fury

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<v Speaker 1>Unpacking the Toolbox is a production of Shondoland Audio in

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<v Speaker 1>partnership with Iheartradiot Katie. We're talking about how Garmo watched

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<v Speaker 1>episode one oh three Hell Half No Fury twice yesterday,

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<v Speaker 1>once today, and it's on in the background currently as

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<v Speaker 1>we are recording this podcast. Correct. Yes, when I've watched

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<v Speaker 1>this episode now a few times, I'm just like this sucks,

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<v Speaker 1>Like this is so awful. I don't want to explore

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<v Speaker 1>these feelings. I feel this like massive weight of responsibility

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<v Speaker 1>where it's like, Okay, if I'm going to breed and

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<v Speaker 1>contribute a human being to our fucked up society, the

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<v Speaker 1>least I can do is hope that they only add

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<v Speaker 1>goodness and don't take it away. And right, I mean

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<v Speaker 1>my mom sort of. I mean, my brother was like,

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<v Speaker 1>is the best fucking dude. I know, you know him,

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<v Speaker 1>he's the best, but like he was such a fucked

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<v Speaker 1>up teenager, Like he did such fucked up shit. He

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<v Speaker 1>did not fucking rape a girl, thank you God, but

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<v Speaker 1>like he definitely fucking soul fucking marijuana and did dumb shit,

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<v Speaker 1>you know what I mean. My mom was like at

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<v Speaker 1>the end of her rod with him, and look how

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<v Speaker 1>well he turned out. Yeah, he did turn out. Well.

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<v Speaker 1>I feel like, did your mom ever think that, Like

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<v Speaker 1>your mom had three boys. Oh yeah. Plus we grew up,

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<v Speaker 1>you know, in the eighties in New York City, where

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<v Speaker 1>when in Washington Heights, when the city was just like

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<v Speaker 1>a ball of crime, a snow globe of crime. It

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<v Speaker 1>was just the worst, you know, so I can imagine.

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<v Speaker 1>But they also, you know, they had really no you know,

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<v Speaker 1>my we were kind of latchkey kids, and they they

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<v Speaker 1>had to work twenty four to seven, and they just

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<v Speaker 1>had to trust that they you know, instilled the right

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<v Speaker 1>sort of values, you know, thing values and all of

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<v Speaker 1>that in us and just sort of trust and let

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<v Speaker 1>us go and and you know, luckily we're somewhat okay.

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<v Speaker 1>One of my favorite facts about Giermo Diaz growing up

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<v Speaker 1>in such a fucking rough time and rough neighborhood. Tell

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<v Speaker 1>me if this is wrong. This is what it is

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<v Speaker 1>in my head every time there's a close up of

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<v Speaker 1>the back of Huck's head. Oh yeah, I love it

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<v Speaker 1>so much because you have this scar back there, because

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<v Speaker 1>didn't you get hit with a gun? Yeah, I can't

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<v Speaker 1>believe you remember that. Oh I think of it every

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<v Speaker 1>time I see the back every and since I've been

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<v Speaker 1>watching all these episodes, and they always you're always hacking

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<v Speaker 1>hawk and they're always zooming in on the back of

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<v Speaker 1>their head. Always see that little bump on the back

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<v Speaker 1>of your head. Oh my god. Yes, I got mugged

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<v Speaker 1>in front of my building in Washington Heights at like

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<v Speaker 1>eleven o'clock at night, at gunpoint. They held the gun

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<v Speaker 1>up to my head and we're like, give me. I

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<v Speaker 1>had like a flight jacket and like a ring, like

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<v Speaker 1>this cheap ring, and they took my jacket in the

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<v Speaker 1>ring and then they told me to turn around, and

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<v Speaker 1>I was like, oh shit, this is it? Like die?

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<v Speaker 1>Oh of course, But somehow, you know how they say

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<v Speaker 1>you get super like calm in those in those moments

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<v Speaker 1>of like complete you know, where where you would you

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<v Speaker 1>would assume that you'd be really scared and it would

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<v Speaker 1>just be full on fear. I got really zen and

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<v Speaker 1>really calm and just turned around and then he just

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<v Speaker 1>ended up hitting me with the gun in the back

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<v Speaker 1>of the head. And that's what that what that scar is.

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<v Speaker 1>I can't believe you remember that. Did you have to

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<v Speaker 1>get stitches? No? I just went upstairs and my head

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<v Speaker 1>was bleeding and my mother was like, oh shit and

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<v Speaker 1>put like a towel and some ice, Like they didn't

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<v Speaker 1>even take me to the hospital. But you know, it

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<v Speaker 1>was this, It was a small it was a you know,

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<v Speaker 1>a pretty small. I was like seventeen, No fucking where yeah, yeah, yeah, yeah,

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<v Speaker 1>that is crazy. And where do you fall in line

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<v Speaker 1>of the brothers? I'm the youngest. Yeah, so I have

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<v Speaker 1>two older brothers. Yeah, that's why we work so well together,

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<v Speaker 1>by the way, is because I have this theory that

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<v Speaker 1>every couple that works out really well, they're not the

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<v Speaker 1>same in birth order. So I'm the oldest and you're

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<v Speaker 1>in the Maybe I'm the oldest and Adams the baby

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<v Speaker 1>in his family like I. Just if you are around

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<v Speaker 1>and ask people who are in loving relationships like me

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<v Speaker 1>and Guillermo Diaz, it's because I'm the older and you're

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<v Speaker 1>the baby. Not that you not that we form that

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<v Speaker 1>that you're necessarily act like the youngest around me or

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<v Speaker 1>not because you're no, no, no, no no, yeah, shut up.

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<v Speaker 1>Um yeah no. I love that theory. Yeah, that's that's interesting.

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<v Speaker 1>That makes sense. I mean it makes sense. Um, let's

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<v Speaker 1>let's do this this stuff. And yeah, we should like

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<v Speaker 1>do this stuff. Gee, we should like fucking say what's

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<v Speaker 1>on this fucking paper? And on this fucking paper it

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<v Speaker 1>says we're talking about episode one of three, which was

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<v Speaker 1>titled Hell Hath No Fury. It aired on April nineteenth

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<v Speaker 1>of twenty twelve. It was written by Matt Byrne, which

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<v Speaker 1>we will circle back on this, and it was directed

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<v Speaker 1>by Alice Brown. So much to say about both of these, ge,

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<v Speaker 1>Do you want to give me the synopsis? In Scandal Pace? Yes? Yes, yes, yes,

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<v Speaker 1>here we go. Millionaire CEO Sandra Harding contracts OPA with

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<v Speaker 1>helping her I went over this so many times before

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<v Speaker 1>we started. Of course, now I'm like our scandal Pace

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<v Speaker 1>might be out of practice. But as we continue this, okay, yeah,

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<v Speaker 1>here we go. Millionaire CEO Sandra Harding contracts OPA with

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<v Speaker 1>helping on her son Travis's trial for rape. Amanda Tanner's

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<v Speaker 1>only demand is a five minute meeting with the President,

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<v Speaker 1>and the White House gets hit with another scandal and

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<v Speaker 1>audio sex tape to Cyrus believes to be sent from

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<v Speaker 1>Olivia as blackmail. And we have guest starring Joe with

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<v Speaker 1>williams Is Sandra Harding, Curtis Armstrong as attorney called Michael

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<v Speaker 1>Cassidy is Travis Harding. Mina Batty is assistant US attorney

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<v Speaker 1>Jane Powell. Jericka Hinton as Hannah, the doctor who delivers

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<v Speaker 1>this amazing speech to Harrison. By the way, Jericka Hinton

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<v Speaker 1>plays Stephanie Edwards and Grays and Addie. We're going to

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<v Speaker 1>get to all of that. Yes, this episode, I think

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<v Speaker 1>that the guest stars between Joebeth Williams and Michael Cassidy

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<v Speaker 1>were fucking incredible. Yes, yes, yes, this is this episode.

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<v Speaker 1>I watched it a bunch, but it was also like

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<v Speaker 1>every time I got something new, I got something new

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<v Speaker 1>out of it. But yeah, and I was so star

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<v Speaker 1>struck with these guest stars because joe Beth Williams was

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<v Speaker 1>the mother in Poultergeist and Poultergeist too. She played Diane

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<v Speaker 1>Freeling and she is freaking as everyone knows. I'm a

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<v Speaker 1>huge horror film fan, and so being around freaking out

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<v Speaker 1>on set, I don't know, Oh my god, Yes, I

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<v Speaker 1>think I was maybe honestly with Joe Beth. I knew

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<v Speaker 1>she was doing the episode, and I think I saw

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<v Speaker 1>her like by the trailers, but I don't think we

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<v Speaker 1>had many scenes together. She might have been like in

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<v Speaker 1>the office when you know, hucking Quinn and those guys

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<v Speaker 1>were there, so I think I was kind of around here,

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<v Speaker 1>but I didn't really interact with her on the show.

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<v Speaker 1>But also, yeah, freaking amazing and um and also our

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<v Speaker 1>other guest star, attorney Cole Yes, yes, Booger from Revenge

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<v Speaker 1>of the Nerds, Man, guys Booger for Revenge of the

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<v Speaker 1>fucking Nerds. I'm rewatching this episode last night for today

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<v Speaker 1>and Adam's like, that's Booger, and I'm like, oh my god, yeah,

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<v Speaker 1>that is Booger. If you're an eighties kid like like

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<v Speaker 1>I am, and you know, Katie's younger than I, but

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<v Speaker 1>you remember Revenge of the Nerds, like you right, and

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<v Speaker 1>Booger like he was. Of course, this is such a

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<v Speaker 1>testament to Linda Lowe, are casting director who's married to

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<v Speaker 1>Jeff Perry who played Cyrus. Like yes, yes, God, the

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<v Speaker 1>guest stars were so fucking great on this show. And honestly,

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<v Speaker 1>the guest stars have to carry oh yeah, the a

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<v Speaker 1>story like they have a lot of times, these guest

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<v Speaker 1>stars and g and I, you know, God, we've been

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<v Speaker 1>around in this biz and like we've had to be

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<v Speaker 1>like the lead guest stars on episodics before, Like, I know,

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<v Speaker 1>you've done all the fucking law and orders. I've done

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<v Speaker 1>all the wouted traces and cold cases and all that.

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<v Speaker 1>It is a tough job. I mean, you're working every

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<v Speaker 1>day for nine days. You are crying, you are getting rapes,

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<v Speaker 1>you are getting abducted, you are you're talking a ghost.

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<v Speaker 1>You are a ghost. Remember you want ghost whisper I was.

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<v Speaker 1>And also you're coming into this world of actors that

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<v Speaker 1>you know, have been doing this show for her however

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<v Speaker 1>many seasons. Yeah, so you're kind of, you know, you

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<v Speaker 1>feel like a fish out of water sort of in

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<v Speaker 1>the beginning, and then and then you you know, you

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<v Speaker 1>get your traction and then it flows and then it

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<v Speaker 1>gets easier. But you're just coming into this world where

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<v Speaker 1>everyone knows each other. It's like a well oiled machine

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<v Speaker 1>the show usually, and so you just want to go

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<v Speaker 1>in and like impress. So it's a tough job. I

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<v Speaker 1>remember always we were always so kind to our guest stars.

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<v Speaker 1>I remember always saying to them, welcome, We're so excited

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<v Speaker 1>you're here, Like we were all all so so kind

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<v Speaker 1>because I think of the fact that we all have

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<v Speaker 1>done so many guest star Roles, right, so we know

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<v Speaker 1>how it is to feel when someone is not sort

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<v Speaker 1>of inviting or warm to you. On said and I

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<v Speaker 1>think this leans into Shanda having like that no asshole policy. Yes,

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<v Speaker 1>she had a no asshole policy where when she hired

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<v Speaker 1>the series regulars of the show, she supposedly called our

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<v Speaker 1>previous X bosses to sort of vouch for us and

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<v Speaker 1>make sure that we weren't dicks. But yes, a lot

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<v Speaker 1>of us also fucking come from theater and our major

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<v Speaker 1>ensemble people. So when the guest star is coming in

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<v Speaker 1>and has to do all this heavy lifting and literally

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<v Speaker 1>sit at the OPA conference table sobbing their eyes out

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<v Speaker 1>or whatever, I felt like we were all like an

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<v Speaker 1>talkt's Candace. All of a sudden, the directors were like,

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<v Speaker 1>you got to pick it up, pick up the page.

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<v Speaker 1>Oh god, could you imagine if I was guest starring

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<v Speaker 1>on our show, I would have been fhitting bricks and

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<v Speaker 1>you were saying, how I've always been a big prepare

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<v Speaker 1>I think I was? But then do you remember towards

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<v Speaker 1>the end of like the series, we'd all roll up

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<v Speaker 1>to OPA and be like, what's like, have you looked

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<v Speaker 1>at the scene? And we'd be like I don't know.

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<v Speaker 1>I guess let's look at it, let's let's read it.

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<v Speaker 1>We like, you know, and they were setting up like

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<v Speaker 1>I know. But what's so fucking crazy about scandal and

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<v Speaker 1>episodic TV, I think in general is that, like your

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<v Speaker 1>brain is a muscle, so like if you do ten

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<v Speaker 1>crunches a day, in a few weeks, you can do

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<v Speaker 1>one hundred or whatever. But it's the same with fucking

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<v Speaker 1>memorizing lines. It's like if you do it for eight

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<v Speaker 1>years or however long we were doing it, we would

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<v Speaker 1>got so good at the end that it actually made

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<v Speaker 1>no sense to sit at home and sort of do

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<v Speaker 1>it in a van exactly. We all started to realize

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<v Speaker 1>that we could just go go over I mean, of

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<v Speaker 1>course we'd look at it at home and read the

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<v Speaker 1>script and all of that, of course, but then we

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<v Speaker 1>didn't need as much time preparing now to learn the lines.

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<v Speaker 1>We'd go over it a few times and then haven't

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<v Speaker 1>memorized like completely, so we would always come on to

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<v Speaker 1>set and like run. We knew that the best way

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<v Speaker 1>to learn it was actually with each other, yes, and

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<v Speaker 1>we would drill it on like lighting setups or set

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<v Speaker 1>changes in the hair and makeup trailer. But you were

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<v Speaker 1>really good at like even big fucking chunks, you and

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<v Speaker 1>Josh Molina, Like I think, I know you say you've

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<v Speaker 1>got a stoner brain, and you do, and I love

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<v Speaker 1>it so much, But like you were really good at

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<v Speaker 1>memorizing a lot of shit. I had like pages of

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<v Speaker 1>a monologue like that. I definitely like went over it

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<v Speaker 1>over and over and over the night before because that

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<v Speaker 1>you can't mess around with that. Do you've run lines

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<v Speaker 1>while you're like pacing or are you just like sitting

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<v Speaker 1>in your secret room? Honestly, Mikey would run lines with me,

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<v Speaker 1>my partner, he would he would run lines with me,

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<v Speaker 1>and I would do it in front of him and

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<v Speaker 1>just do it over and over and over and then

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<v Speaker 1>you know, and then I you know, keep drilling it

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<v Speaker 1>until I got it in my brain. But yeah, if

0:11:47.080 --> 0:11:49.400
<v Speaker 1>we had long monologues like that, especially that we had

0:11:49.440 --> 0:11:51.760
<v Speaker 1>to talk so fast, you know, you got to make

0:11:51.800 --> 0:11:54.120
<v Speaker 1>sure you're on point. Yes, one more thing on this

0:11:54.160 --> 0:11:56.240
<v Speaker 1>and then we're getting to the official shit of episode

0:11:56.240 --> 0:11:58.080
<v Speaker 1>one or three. But I know we talked about last

0:11:58.080 --> 0:12:01.560
<v Speaker 1>episode scandal pace. It was such a thing. But like also,

0:12:02.120 --> 0:12:04.880
<v Speaker 1>and do you remember this, gee, like Shanda at the

0:12:05.000 --> 0:12:08.360
<v Speaker 1>very beginning of the show said how you say is

0:12:08.440 --> 0:12:11.800
<v Speaker 1>up to you, but what you say is up to me. Yes. Yes,

0:12:12.080 --> 0:12:15.719
<v Speaker 1>So we could never say and of or a the

0:12:16.240 --> 0:12:19.240
<v Speaker 1>or like improv a little bit like I've been on

0:12:19.280 --> 0:12:21.520
<v Speaker 1>other jobs since Scandal where it's like, you know, you

0:12:21.640 --> 0:12:23.800
<v Speaker 1>just like add a button or whatever the fuck, And

0:12:23.800 --> 0:12:28.840
<v Speaker 1>I'm like, we never went off script? Did it? In

0:12:28.880 --> 0:12:31.760
<v Speaker 1>the very beginnings. I think it was Henry ian Qusake

0:12:31.800 --> 0:12:34.480
<v Speaker 1>who emailed Sea was like can I say this instead?

0:12:34.480 --> 0:12:36.840
<v Speaker 1>And she was like no, or I don't know what

0:12:36.880 --> 0:12:39.640
<v Speaker 1>she said, but it was like it was like a hard, cold,

0:12:39.720 --> 0:12:42.640
<v Speaker 1>like hell no, like say what I wrote. When we

0:12:42.679 --> 0:12:44.679
<v Speaker 1>have him on, we have to ask him. But I

0:12:44.920 --> 0:12:48.520
<v Speaker 1>remember him having a really fucking hard time because he

0:12:48.600 --> 0:12:51.439
<v Speaker 1>was coming off of like eight years on Lost, and

0:12:51.480 --> 0:12:53.760
<v Speaker 1>I remember having conversations with him the first season of

0:12:53.800 --> 0:12:55.760
<v Speaker 1>Scandal where he was like, you don't even know, like

0:12:55.800 --> 0:12:58.480
<v Speaker 1>we would show up in the fucking woods of Hawaii

0:12:58.559 --> 0:13:02.840
<v Speaker 1>shooting Lost and like no one knew their lines. It

0:13:02.880 --> 0:13:05.360
<v Speaker 1>wasn't it wasn't about that, Like it was just about

0:13:05.400 --> 0:13:08.560
<v Speaker 1>like breathing heavy and running and like being afraid and

0:13:08.600 --> 0:13:11.960
<v Speaker 1>like sort of like saying some shit that kind of

0:13:11.960 --> 0:13:15.400
<v Speaker 1>didn't make sense anyway because Lost wasn't about like exact

0:13:15.520 --> 0:13:19.320
<v Speaker 1>plot and character like, so he was coming into something

0:13:19.360 --> 0:13:23.360
<v Speaker 1>being like, wait, I have to like say exactly, Yeah,

0:13:23.520 --> 0:13:26.000
<v Speaker 1>exactly was on the page. But what's so brilliant about

0:13:26.040 --> 0:13:28.880
<v Speaker 1>Shanda and the Scandal writers was if you missed an

0:13:28.920 --> 0:13:31.800
<v Speaker 1>of or throw in an extra th or whatever or uh,

0:13:32.440 --> 0:13:36.600
<v Speaker 1>it's like messing up. It's like poetry, like saying the words.

0:13:36.600 --> 0:13:38.520
<v Speaker 1>It's written so well. And we always talked about how

0:13:38.559 --> 0:13:40.640
<v Speaker 1>if something's written really well, then it's really easy to

0:13:40.679 --> 0:13:43.640
<v Speaker 1>memorize and to say, so if if you added something

0:13:43.760 --> 0:13:46.840
<v Speaker 1>or took something out, it didn't flow as well. Absolutely,

0:13:46.920 --> 0:13:51.680
<v Speaker 1>I've never had an easier time memorizing than Scandal. Same.

0:13:51.920 --> 0:13:55.720
<v Speaker 1>So the beginning of this episode, I felt like this

0:13:55.800 --> 0:13:59.440
<v Speaker 1>is so fucking cool, like we're saying cool again, and

0:13:59.480 --> 0:14:03.720
<v Speaker 1>it's because it's going in to get the little shitty,

0:14:03.800 --> 0:14:06.520
<v Speaker 1>spoiled piece of shit kid played by Michael Cassidy, who's

0:14:06.559 --> 0:14:10.000
<v Speaker 1>just bone this like hot blonde chick. They're all fucking hungover.

0:14:10.120 --> 0:14:14.840
<v Speaker 1>He's late to his court trial. Olivia comes in, wakey, wakey,

0:14:14.880 --> 0:14:17.320
<v Speaker 1>you know, and the music is playing and she sort

0:14:17.360 --> 0:14:19.880
<v Speaker 1>of convinces the girl he was sleeping with to walk

0:14:19.920 --> 0:14:23.640
<v Speaker 1>out of the door with Harrison hiding, thinking that it's

0:14:23.680 --> 0:14:27.520
<v Speaker 1>you know, Michael Cassidy's role, Travis. Yeah, she sneaks him

0:14:27.520 --> 0:14:32.120
<v Speaker 1>out the back, and Harrison is so cool. He's so cool,

0:14:32.160 --> 0:14:34.840
<v Speaker 1>He's always so cool. And and what stuck out in

0:14:34.840 --> 0:14:37.120
<v Speaker 1>this episode two is the I mean, of course there's

0:14:37.200 --> 0:14:39.640
<v Speaker 1>music in the music is amazing in every episode, but

0:14:39.680 --> 0:14:42.000
<v Speaker 1>in this in this episode, that music is just that

0:14:42.080 --> 0:14:46.000
<v Speaker 1>song is just playing over that whole sort of intro. Yeah, right,

0:14:46.040 --> 0:14:49.360
<v Speaker 1>and even it's not only music without lyrics, it's music

0:14:49.400 --> 0:14:52.840
<v Speaker 1>with lyrics over dialogue, which is kind of like, oh shit,

0:14:52.960 --> 0:14:56.160
<v Speaker 1>but it works so so well. It's so it's so

0:14:56.520 --> 0:14:59.840
<v Speaker 1>classic scandal. Yeah, the beginning was such a classic scandal.

0:15:00.240 --> 0:15:02.920
<v Speaker 1>I loved it so much, and I felt like, oh god,

0:15:02.960 --> 0:15:05.000
<v Speaker 1>when I come back, like, if I ever get to

0:15:05.040 --> 0:15:08.040
<v Speaker 1>play a cool character, I think I will. Do you

0:15:08.040 --> 0:15:12.720
<v Speaker 1>think Quinn got cool? Oh yeah? Quinnd so cool? Dude?

0:15:13.520 --> 0:15:15.880
<v Speaker 1>Oh hell yeah. When you started wearing your leathers and

0:15:15.960 --> 0:15:20.680
<v Speaker 1>your black boots, you got so cool. I don't know.

0:15:20.720 --> 0:15:22.640
<v Speaker 1>I felt like in her heart, she's still such a

0:15:22.680 --> 0:15:26.640
<v Speaker 1>fucking turd, are we all? Though we're all turds at heart.

0:15:26.800 --> 0:15:28.960
<v Speaker 1>I think all of it. Can we take a moment

0:15:29.040 --> 0:15:32.080
<v Speaker 1>to discuss what we're wearing on our heads? Yes, and

0:15:32.120 --> 0:15:34.600
<v Speaker 1>then we'll get more into the episode. Yes, yes, G

0:15:34.720 --> 0:15:39.880
<v Speaker 1>and I wore our Gladiator in a suit, long sleeve, comfy,

0:15:40.040 --> 0:15:42.560
<v Speaker 1>a little too tight, don't put it in the dryer shirts.

0:15:42.640 --> 0:15:46.440
<v Speaker 1>And today I text you this morning, I'm like, what

0:15:46.680 --> 0:15:50.800
<v Speaker 1>what are we wearing today? And what do you have

0:15:50.920 --> 0:15:53.960
<v Speaker 1>on I was like, well, I'm thinking of wearing my beanie,

0:15:54.000 --> 0:15:56.800
<v Speaker 1>my black beanie that I bought in the White House

0:15:56.880 --> 0:15:59.760
<v Speaker 1>gift shop and we went to the White House Correspondence dinner.

0:16:00.120 --> 0:16:06.080
<v Speaker 1>Why did I buy stationary ie? So cool? I bought

0:16:06.080 --> 0:16:09.320
<v Speaker 1>a beanie. I bought a backpack. But we're fucking sporting

0:16:09.360 --> 0:16:16.400
<v Speaker 1>it now and chilling. My scandal hat is really not cute.

0:16:16.520 --> 0:16:18.760
<v Speaker 1>I love it, but I think it is not a

0:16:18.800 --> 0:16:21.280
<v Speaker 1>great hat. I apologize to anyone who got who got,

0:16:22.080 --> 0:16:26.600
<v Speaker 1>I don't know. I gave it away. It's cute. It's

0:16:26.640 --> 0:16:29.440
<v Speaker 1>a white beanie and it's a scandal. What does it

0:16:29.560 --> 0:16:32.360
<v Speaker 1>say on it? Scandal White Gladiator. It's a white beanie,

0:16:32.440 --> 0:16:34.600
<v Speaker 1>which just is not the right color for a beanie.

0:16:34.640 --> 0:16:36.800
<v Speaker 1>A white beanie is not great, Like it's weird. You

0:16:36.840 --> 0:16:40.160
<v Speaker 1>sweat in your head, there's dance like your head is gross.

0:16:40.240 --> 0:16:41.880
<v Speaker 1>I make up on my forehead. So to have a

0:16:41.880 --> 0:16:44.840
<v Speaker 1>white hat on is Oh, isn't that funny because our

0:16:44.840 --> 0:16:51.800
<v Speaker 1>show White Sha the hat says Scandal in red and

0:16:51.840 --> 0:16:55.200
<v Speaker 1>then Gladiators in black underneath your head hot. My head

0:16:55.280 --> 0:16:57.120
<v Speaker 1>is so hot, I'm gonna be pulling the ship off

0:16:57.160 --> 0:16:59.560
<v Speaker 1>in like so hot whenever you need to just let

0:16:59.600 --> 0:17:03.520
<v Speaker 1>your head breathe, g just let it fly. Um. The

0:17:03.560 --> 0:17:06.560
<v Speaker 1>coolest part about Scandal, there are so many things, but

0:17:06.600 --> 0:17:10.199
<v Speaker 1>we got to go on the most epic trips. We

0:17:10.280 --> 0:17:13.879
<v Speaker 1>got to go to two White House Correspondent dinners, both

0:17:14.040 --> 0:17:19.520
<v Speaker 1>under Obama as president. And it was the most amazing

0:17:19.840 --> 0:17:22.400
<v Speaker 1>fun time with the hat you got from the first

0:17:22.400 --> 0:17:25.199
<v Speaker 1>trip or the second trip, it was from the first one. Yeah.

0:17:25.200 --> 0:17:29.320
<v Speaker 1>And also we were on the hottest like political show

0:17:29.520 --> 0:17:33.120
<v Speaker 1>on television, so all of us in DC like there

0:17:33.200 --> 0:17:36.160
<v Speaker 1>for the correspond instant. It was just it was it

0:17:36.240 --> 0:17:39.159
<v Speaker 1>was so surreal and meeting all these political figures and

0:17:39.640 --> 0:17:42.760
<v Speaker 1>celebrities and like, you know people that were like Aretha

0:17:42.880 --> 0:17:45.720
<v Speaker 1>Franklin was like, I love your show, and it was

0:17:45.800 --> 0:17:48.800
<v Speaker 1>just like wild to be around people, you know, what

0:17:49.400 --> 0:17:51.840
<v Speaker 1>it's the closest I always equated to, like, it's like

0:17:51.840 --> 0:17:55.800
<v Speaker 1>the closest to being probably like what the Beatles felt like. Yeah,

0:17:56.080 --> 0:17:58.040
<v Speaker 1>we talked about it before that you can't go anywhere,

0:17:58.040 --> 0:18:01.280
<v Speaker 1>but I sort of can. But when you drop the

0:18:01.359 --> 0:18:04.600
<v Speaker 1>Scandal cast as a group into DC, when we were on,

0:18:04.840 --> 0:18:08.159
<v Speaker 1>it was like we were the fucking Beatles. Yeah. It

0:18:08.240 --> 0:18:12.960
<v Speaker 1>was dangerous. Yeah. Yeah. And one of the most memorable

0:18:13.040 --> 0:18:16.760
<v Speaker 1>nights of my life I want to say is when

0:18:16.800 --> 0:18:20.000
<v Speaker 1>we were there. Oh I think this was the last time,

0:18:20.040 --> 0:18:23.400
<v Speaker 1>but whatever, Yeah, I think it was the time we went.

0:18:23.520 --> 0:18:25.600
<v Speaker 1>We went as a cast kind of three times for

0:18:25.640 --> 0:18:28.040
<v Speaker 1>two different White House Correspondence dinners, and then the last

0:18:28.080 --> 0:18:31.639
<v Speaker 1>time we went to shoot the penultimate episode there. Yes,

0:18:31.920 --> 0:18:34.160
<v Speaker 1>and again we could never go anywhere as a group

0:18:34.200 --> 0:18:38.520
<v Speaker 1>without being completely I mean, it was not safe. But

0:18:39.320 --> 0:18:41.760
<v Speaker 1>Carrie had this idea that was, like, I love all

0:18:41.800 --> 0:18:45.320
<v Speaker 1>of the Washington Monuments and all of the monuments at night,

0:18:45.920 --> 0:18:52.439
<v Speaker 1>and so we got like two escalades that followed each other,

0:18:52.520 --> 0:18:54.879
<v Speaker 1>and it was pouring rain, so actually no one was

0:18:54.920 --> 0:18:59.720
<v Speaker 1>around and freezing, and the whole Scandal cast like jumped

0:18:59.720 --> 0:19:02.200
<v Speaker 1>around from like the Jefferson Memorial to the Lincoln Memorial,

0:19:02.200 --> 0:19:06.240
<v Speaker 1>to the Washington Memorial, to the Einstein statue. Yeah, all

0:19:06.280 --> 0:19:09.760
<v Speaker 1>at night while we were just chugging whistlepig whiskey out

0:19:09.760 --> 0:19:12.240
<v Speaker 1>of the fucking bottles to keep us warm, and we

0:19:12.320 --> 0:19:15.080
<v Speaker 1>did photo shoots in front of all the monuments we got,

0:19:15.119 --> 0:19:16.800
<v Speaker 1>you know, we got out in video to each other

0:19:16.800 --> 0:19:19.879
<v Speaker 1>and took pictures and yeah, and we were drinking whistle

0:19:19.920 --> 0:19:22.560
<v Speaker 1>pig whiskey, which and then later on Bellamy I think

0:19:22.560 --> 0:19:24.840
<v Speaker 1>it was Bellamy right who got us all a bottle

0:19:24.840 --> 0:19:27.760
<v Speaker 1>of whistle pig. I still have it in my kitchen.

0:19:27.760 --> 0:19:33.959
<v Speaker 1>Oh yeah, I haven't opened it. Drank that shit. Okay.

0:19:33.960 --> 0:19:38.359
<v Speaker 1>So Joe Beth Williams is unbelievable in this episode, and

0:19:38.400 --> 0:19:41.000
<v Speaker 1>the things that neet that really struck out to me

0:19:41.160 --> 0:19:43.919
<v Speaker 1>at the beginning. Okay, we've got so Sandra Harding is

0:19:43.920 --> 0:19:47.040
<v Speaker 1>the case. Her son is saying there's a rape allegation

0:19:47.440 --> 0:19:50.800
<v Speaker 1>against him from a woman named Helen Fisher. Olivia makes

0:19:50.840 --> 0:19:52.880
<v Speaker 1>a deal with Gideon Wallace to keep the story quiet

0:19:52.920 --> 0:19:55.680
<v Speaker 1>for seventy two hours and then he'll get an exclusive.

0:19:56.080 --> 0:19:59.399
<v Speaker 1>Amanda Tanner tells Olivia that she has undeniable proof of

0:19:59.400 --> 0:20:03.080
<v Speaker 1>the affair with fits. Please Let's talk about Amanda Tanner

0:20:03.080 --> 0:20:06.200
<v Speaker 1>for a second. Weren't you a huge Gilmore Girls fan? Oh?

0:20:06.240 --> 0:20:08.880
<v Speaker 1>My god, I still am. They play that shit like

0:20:08.960 --> 0:20:12.359
<v Speaker 1>every single day that have never seen an episode really

0:20:12.800 --> 0:20:16.320
<v Speaker 1>talk about scandal paced, Katie. Those guys speak faster than

0:20:16.359 --> 0:20:20.359
<v Speaker 1>we do. They speak so fast. Yeah. I remember auditioning

0:20:20.400 --> 0:20:22.800
<v Speaker 1>for it, and Kate, Oh yeah, I auditioned like a

0:20:22.800 --> 0:20:24.600
<v Speaker 1>million times because it was like the hot show when

0:20:24.600 --> 0:20:26.520
<v Speaker 1>I moved out to la and auditioned to a million times,

0:20:26.520 --> 0:20:28.000
<v Speaker 1>and they would always make me speak really fast, and

0:20:28.000 --> 0:20:29.199
<v Speaker 1>I'd be like, this is so easy for me, Like

0:20:29.200 --> 0:20:30.600
<v Speaker 1>why am I not getting a part on the show?

0:20:30.800 --> 0:20:32.720
<v Speaker 1>But I never got a part on that show. They're

0:20:32.800 --> 0:20:37.000
<v Speaker 1>less Yeah. Oh. Amanda Tanner is played by Liza While

0:20:37.240 --> 0:20:39.760
<v Speaker 1>Who who did she play on Gilmore She played Paris

0:20:39.880 --> 0:20:43.120
<v Speaker 1>on Gilmore Girls. She was like the biggest, like staunch,

0:20:43.240 --> 0:20:48.480
<v Speaker 1>like bitch, like super smart, like went to Harvard, like angry,

0:20:48.520 --> 0:20:51.919
<v Speaker 1>like the meanest, like but she was Rory's best friend.

0:20:52.240 --> 0:20:55.080
<v Speaker 1>Who's one of the lead characters on the show. Do

0:20:55.119 --> 0:20:58.080
<v Speaker 1>you think Amanda Tanner is like a completely different character

0:20:58.119 --> 0:21:01.760
<v Speaker 1>for Liza than Paris? Oh? Absolutely, Yeah, That's why I

0:21:01.800 --> 0:21:04.800
<v Speaker 1>was so great watching her play Amanda Tanner because I

0:21:04.840 --> 0:21:07.040
<v Speaker 1>was like, this girl got ranged. You know, people say

0:21:07.040 --> 0:21:10.040
<v Speaker 1>that all the time, but she the emotional places that

0:21:10.680 --> 0:21:15.119
<v Speaker 1>Liza had to go playing Amanda Tanner was like, you know,

0:21:15.200 --> 0:21:17.399
<v Speaker 1>I mean, I think we all kind of are familiar

0:21:17.400 --> 0:21:19.479
<v Speaker 1>with it a little bit because we all had to,

0:21:19.720 --> 0:21:22.320
<v Speaker 1>you know, go through some serious stuff on the show

0:21:22.520 --> 0:21:25.120
<v Speaker 1>as our characters. But she just does such a wonderful

0:21:25.200 --> 0:21:28.480
<v Speaker 1>job speaking about you guys listening, like Shanda Land likes

0:21:28.520 --> 0:21:32.520
<v Speaker 1>to sort of collect people, you know that they continue

0:21:32.560 --> 0:21:34.680
<v Speaker 1>from project to project and things like that, and lies

0:21:34.720 --> 0:21:37.280
<v Speaker 1>a while at the time was married to Paul Adelstein.

0:21:37.520 --> 0:21:40.720
<v Speaker 1>That's right, who well he was played He played Leo Bergen,

0:21:40.840 --> 0:21:43.800
<v Speaker 1>but he was originally the lead doctor on Private Practice,

0:21:43.840 --> 0:21:48.800
<v Speaker 1>That's right, which is why sand and Linda Lowe no, Liza,

0:21:49.640 --> 0:21:52.359
<v Speaker 1>and I think, I don't know if this is a

0:21:52.400 --> 0:21:56.560
<v Speaker 1>secret or whatever, but whatever, Liza, I'm pretty sure I

0:21:56.680 --> 0:21:58.840
<v Speaker 1>remember shooting scenes with her season one when she was

0:21:58.880 --> 0:22:01.240
<v Speaker 1>playing Amanda Tanner, and I remember her being like I

0:22:01.320 --> 0:22:05.800
<v Speaker 1>auditioned for Quinn No yes, And I remember sitting there

0:22:06.160 --> 0:22:08.919
<v Speaker 1>watching how fucking good she was and me being like,

0:22:09.560 --> 0:22:16.480
<v Speaker 1>this makes no sense. Oh my god. I thank god.

0:22:16.480 --> 0:22:18.960
<v Speaker 1>In Heaven or whoever the fuck you pray to. It

0:22:19.000 --> 0:22:21.640
<v Speaker 1>easily could have been Liza, Like but anyway, I think

0:22:21.800 --> 0:22:25.919
<v Speaker 1>Liza auditioned for Quinn and they just called her and said, no,

0:22:26.000 --> 0:22:29.080
<v Speaker 1>we want you to be Amanda Tanner. Wow, we're gonna

0:22:29.119 --> 0:22:31.199
<v Speaker 1>have her on and we're gonna have to ask and

0:22:31.280 --> 0:22:34.600
<v Speaker 1>she'll tell us. I cannot wait to have her on.

0:22:34.960 --> 0:22:37.199
<v Speaker 1>But the other thing that happens in this episode that

0:22:37.240 --> 0:22:39.040
<v Speaker 1>I need to talk about, I'm sorry, I'm interrupting. You

0:22:39.320 --> 0:22:42.160
<v Speaker 1>tell me that Tony Goldwin takes off his shirt when

0:22:42.160 --> 0:22:45.960
<v Speaker 1>he wakes up, when he oversleeps. He's oversleeps, and Mellie

0:22:46.080 --> 0:22:49.240
<v Speaker 1>is sitting in the fucking West wing where wherever they sleep, know,

0:22:49.280 --> 0:22:51.440
<v Speaker 1>the private residence I think is what it's called, yea,

0:22:51.760 --> 0:22:56.119
<v Speaker 1>and Tony's sleeping and we're just going to reserve the

0:22:56.200 --> 0:22:57.879
<v Speaker 1>round on this podcast that whenever I call people their

0:22:57.920 --> 0:23:01.639
<v Speaker 1>characters names or their real names whatever, get yeah, yeah,

0:23:01.720 --> 0:23:06.520
<v Speaker 1>Tony's sleeping And he wakes up and he's like, what's happening?

0:23:06.600 --> 0:23:09.600
<v Speaker 1>Mandela got up for me? Like Mandela's waiting for me.

0:23:09.720 --> 0:23:15.600
<v Speaker 1>I can't sleep. Yes, yes, he's in boxers and like

0:23:15.680 --> 0:23:17.480
<v Speaker 1>a T shirt that he slept in and he quickly

0:23:17.480 --> 0:23:21.320
<v Speaker 1>takes off his t shirt and I was dumbfounded. He's

0:23:21.400 --> 0:23:25.240
<v Speaker 1>pretty easy on the eyes. What is going on with

0:23:25.280 --> 0:23:29.639
<v Speaker 1>this human being's body? Like, but it's just not fair.

0:23:30.320 --> 0:23:33.280
<v Speaker 1>I don't get it. I loved he is family. He

0:23:33.400 --> 0:23:37.720
<v Speaker 1>drinks wine, he orders desserts, he eats carbohydrates. He just

0:23:37.880 --> 0:23:43.479
<v Speaker 1>must also like eat like baby vampires or something that

0:23:43.520 --> 0:23:46.160
<v Speaker 1>I do. Although, Katie, I remember during the table reads,

0:23:46.200 --> 0:23:49.840
<v Speaker 1>I always remember Tony having ordering a salad. It was

0:23:49.880 --> 0:23:52.880
<v Speaker 1>like from tender Greens and it was either the tuna

0:23:53.320 --> 0:23:55.960
<v Speaker 1>with you know, with the greens. I know, I'm so hungry,

0:23:56.000 --> 0:23:58.240
<v Speaker 1>right are you hungry? Hungry too? Oh my god, let's

0:23:58.240 --> 0:24:00.239
<v Speaker 1>talk about what we ate in a little bit. But

0:24:00.320 --> 0:24:03.880
<v Speaker 1>I remember Tony always eating super super healthy. I think

0:24:03.920 --> 0:24:06.640
<v Speaker 1>as him. And then you know, when Scott Foley comes

0:24:06.640 --> 0:24:08.479
<v Speaker 1>into the picture, when Jake comes into the picture, they

0:24:08.480 --> 0:24:10.760
<v Speaker 1>always knew. They were like at the drop of a hat,

0:24:10.760 --> 0:24:12.359
<v Speaker 1>they were like, you gotta take your shirt off. You

0:24:12.720 --> 0:24:14.960
<v Speaker 1>know you're gonna have sex with would a live here

0:24:15.040 --> 0:24:17.040
<v Speaker 1>or someone else? So I think that I feel like

0:24:17.080 --> 0:24:20.520
<v Speaker 1>they were always super super prepared. Well, he looked outstanding.

0:24:20.560 --> 0:24:22.119
<v Speaker 1>Even in those two minutes. I was like God, if

0:24:22.119 --> 0:24:23.800
<v Speaker 1>you were editing the episode, you must have been like,

0:24:23.840 --> 0:24:26.040
<v Speaker 1>and Shauna is sitting there like putting the episodes together.

0:24:26.119 --> 0:24:28.560
<v Speaker 1>She must have been like, Okay, well, we can just

0:24:28.640 --> 0:24:32.760
<v Speaker 1>rest assured that Tony should be topless in every sex

0:24:32.800 --> 0:24:37.280
<v Speaker 1>scene for the next seven years. He's fine, yes, But

0:24:37.440 --> 0:24:39.639
<v Speaker 1>also that that scene when he wakes up and he

0:24:39.640 --> 0:24:43.960
<v Speaker 1>oversleeps it reminded me. Wasn't Tony always sleeping on set? Like,

0:24:44.160 --> 0:24:46.679
<v Speaker 1>wasn't he We'd always like catch him like a sleep

0:24:47.080 --> 0:24:49.640
<v Speaker 1>like any chance he God, he was like sleeping. Why

0:24:49.720 --> 0:24:52.560
<v Speaker 1>is he so tired? I don't know, but I'm tired too.

0:24:52.920 --> 0:24:54.919
<v Speaker 1>I am too. But you know what, maybe it's because

0:24:54.960 --> 0:25:02.680
<v Speaker 1>he was fifty then, right, Like do you know what

0:25:02.720 --> 0:25:05.240
<v Speaker 1>I mean? Like when we were shooting Scandal, I was

0:25:05.320 --> 0:25:10.040
<v Speaker 1>twenty eight through like thirty six, wow, and you were

0:25:10.480 --> 0:25:13.320
<v Speaker 1>I turned forty on the pilot. On the pilot, I

0:25:13.359 --> 0:25:15.960
<v Speaker 1>turned forty. Yeah, so he was like, because I think

0:25:15.960 --> 0:25:20.000
<v Speaker 1>Tony's like sixty six or sixty seven, I think, yeah,

0:25:20.040 --> 0:25:22.560
<v Speaker 1>I think he's six. Let's google it. I think he's

0:25:22.600 --> 0:25:27.280
<v Speaker 1>like fifty eight or fifteen. Yeah, oh am, I oh,

0:25:27.560 --> 0:25:32.840
<v Speaker 1>oh am, I'm completely wrong. Hold on because if he's

0:25:33.480 --> 0:25:37.879
<v Speaker 1>he's sixty two. What Oh shit, he looks good. I know,

0:25:38.040 --> 0:25:41.440
<v Speaker 1>but so imagine at fifty two years old, you're in

0:25:41.560 --> 0:25:44.600
<v Speaker 1>fifty two yet, gee, imagine being on set with those hours.

0:25:44.600 --> 0:25:47.440
<v Speaker 1>He was just so tired. She was tired. She gotta sleep.

0:25:47.560 --> 0:25:49.439
<v Speaker 1>She was like, I gotta sleep. I think him and

0:25:49.520 --> 0:25:52.720
<v Speaker 1>Jeffie were constantly sleeping on set. Yeah, jeff was always

0:25:52.760 --> 0:26:02.160
<v Speaker 1>sleeping for sure. We'll be right back, guys, what other

0:26:02.240 --> 0:26:04.400
<v Speaker 1>notes do you have? Well, let's talk about maybe Alice

0:26:04.440 --> 0:26:07.360
<v Speaker 1>and Leady Brown, like our director for this episode. Let's

0:26:07.400 --> 0:26:10.480
<v Speaker 1>give a whole fucking moment of silence, respect, love, and

0:26:10.520 --> 0:26:14.400
<v Speaker 1>adoration for that woman. Alison Leady Brown came into Our

0:26:14.440 --> 0:26:17.600
<v Speaker 1>Lives on Scandal and directed a whole bunch of episodes.

0:26:18.119 --> 0:26:21.800
<v Speaker 1>I'm assuming this is the first episode she direct she directed, right, Yeah,

0:26:21.840 --> 0:26:25.760
<v Speaker 1>I think it was. Yeah, the loveliest woman, super chill,

0:26:26.000 --> 0:26:31.560
<v Speaker 1>super funny, so beautiful, just such a great, great director.

0:26:31.600 --> 0:26:34.159
<v Speaker 1>And I think she came from directing a lot of

0:26:34.160 --> 0:26:37.160
<v Speaker 1>stuff on like Nickelodeon, right, a lot of like kid shows.

0:26:37.480 --> 0:26:40.040
<v Speaker 1>So it was funny to see her transition from that

0:26:40.160 --> 0:26:43.360
<v Speaker 1>into this, you know, crazy scandal world. We were so

0:26:43.480 --> 0:26:45.480
<v Speaker 1>lucky to get her so early at the top and

0:26:45.520 --> 0:26:47.159
<v Speaker 1>actually I never look at shit like this. But I

0:26:47.240 --> 0:26:49.160
<v Speaker 1>have to say, when I was rewatching this episode, there

0:26:49.160 --> 0:26:52.840
<v Speaker 1>are so many just fucking dope shots. Yes, and I'm

0:26:52.880 --> 0:26:55.000
<v Speaker 1>just like, I don't know about camera, but I feel

0:26:55.000 --> 0:26:58.400
<v Speaker 1>like she's nailing it. Yes, Yes, And we had such

0:26:58.440 --> 0:27:01.000
<v Speaker 1>a love affair with Alison Liddy Brown because she came

0:27:01.119 --> 0:27:07.080
<v Speaker 1>back and directed the infamous seven fifty two. Should have

0:27:07.119 --> 0:27:11.639
<v Speaker 1>won every fucking acting award under the sun. Also, Alison

0:27:11.960 --> 0:27:14.919
<v Speaker 1>Leady Brown is queer. She's you know, she's an openly

0:27:15.040 --> 0:27:17.080
<v Speaker 1>gay woman, which I loved, you know what I mean,

0:27:17.200 --> 0:27:19.360
<v Speaker 1>especially when she directed me in seventy two because I'm

0:27:19.400 --> 0:27:21.320
<v Speaker 1>openly as well. But I don't know, it was just

0:27:21.320 --> 0:27:23.159
<v Speaker 1>a cool thing to be, like, all right, cool and

0:27:23.200 --> 0:27:25.160
<v Speaker 1>I'm wearing a shirt that says queer right now. Yes,

0:27:25.240 --> 0:27:27.399
<v Speaker 1>you are speaking about which I was thinking about this

0:27:27.480 --> 0:27:31.200
<v Speaker 1>last night. When we have carry on, we have to

0:27:31.240 --> 0:27:33.840
<v Speaker 1>ask her this. I think Larry was like the last

0:27:33.920 --> 0:27:37.359
<v Speaker 1>person to know that Giermo Diaz is an openly gay person.

0:27:37.680 --> 0:27:39.840
<v Speaker 1>She was like what I feel like the first bunch

0:27:39.920 --> 0:27:42.399
<v Speaker 1>of episodes, we were all like pretty buttoned up about

0:27:42.400 --> 0:27:43.960
<v Speaker 1>our personal lives. I think we were all just like

0:27:44.080 --> 0:27:47.040
<v Speaker 1>kind of nervous and exceed and like scared and trying

0:27:47.040 --> 0:27:48.719
<v Speaker 1>to put like, you know, we just didn't know if

0:27:48.720 --> 0:27:50.600
<v Speaker 1>we were going to be real life friends or like,

0:27:50.960 --> 0:27:52.479
<v Speaker 1>you know, it was just like I don't know if

0:27:52.480 --> 0:27:55.240
<v Speaker 1>people like knew everything. And I don't know at what

0:27:55.359 --> 0:28:00.640
<v Speaker 1>episode I asked you where do you live? And you said, oh,

0:28:00.720 --> 0:28:03.800
<v Speaker 1>I live in West Hollywood, right by the parade. And

0:28:03.840 --> 0:28:06.960
<v Speaker 1>I was like, oh, parade, Like I literally know what

0:28:07.040 --> 0:28:08.399
<v Speaker 1>you were talking about. I was like, the parade, And

0:28:08.440 --> 0:28:12.440
<v Speaker 1>then I was like, oh, the fucking gay Pride parade.

0:28:13.080 --> 0:28:15.760
<v Speaker 1>Oh my god, is this person gay? And then I

0:28:15.880 --> 0:28:18.360
<v Speaker 1>ran home and I googled it and I found out

0:28:18.359 --> 0:28:20.280
<v Speaker 1>that you were and I was like, this is the

0:28:20.320 --> 0:28:23.840
<v Speaker 1>fucking greatest news and sliced bread. But then I remember

0:28:23.920 --> 0:28:26.760
<v Speaker 1>that Carrie. I don't know how she found out, but

0:28:26.800 --> 0:28:29.280
<v Speaker 1>I remember it was in like episode seven of season one,

0:28:29.280 --> 0:28:31.280
<v Speaker 1>while we were in Gideon's apartment and he's dead on

0:28:31.320 --> 0:28:32.960
<v Speaker 1>the floor. This is how it is in my memory.

0:28:32.960 --> 0:28:34.880
<v Speaker 1>I don't know if it's true. And she found out

0:28:34.880 --> 0:28:36.840
<v Speaker 1>that you were gay. I think we were all talking

0:28:36.880 --> 0:28:39.960
<v Speaker 1>and maybe I said it or something and she flipped out,

0:28:40.040 --> 0:28:42.920
<v Speaker 1>screaming more Because Carrie has an inside of her where

0:28:42.920 --> 0:28:45.760
<v Speaker 1>she's like, I'm the dork that's the last to know. Yes,

0:28:46.040 --> 0:28:49.240
<v Speaker 1>she also has extreme fomo like fear of missing out,

0:28:49.280 --> 0:28:52.840
<v Speaker 1>like she needs to be in on every conversation, everything

0:28:52.840 --> 0:28:55.320
<v Speaker 1>that's happening, right, So I'm sure she was like, wait,

0:28:55.360 --> 0:28:58.440
<v Speaker 1>what how did I not know? Yes, she's very like

0:28:58.640 --> 0:29:01.320
<v Speaker 1>especially in OPA, it's such like, you know, like a

0:29:01.360 --> 0:29:04.360
<v Speaker 1>click of high school students who were like all talking talking, talking, talking,

0:29:04.360 --> 0:29:05.880
<v Speaker 1>and if you're like over to the left getting your

0:29:05.880 --> 0:29:07.520
<v Speaker 1>hair and makeup done and you like miss a little

0:29:07.520 --> 0:29:10.080
<v Speaker 1>tidbit of hot goss, You're like, have you got to

0:29:10.120 --> 0:29:12.840
<v Speaker 1>get in there? You know? So she felt like she

0:29:12.960 --> 0:29:15.720
<v Speaker 1>hadn't known yet, and I think she was the last

0:29:15.760 --> 0:29:20.520
<v Speaker 1>of the OPA people to know. So then what happens

0:29:20.880 --> 0:29:23.680
<v Speaker 1>is this is insane. Are you ready for this tidbit

0:29:23.720 --> 0:29:28.120
<v Speaker 1>I'm gonna give you m Helen, who's the girl that

0:29:28.280 --> 0:29:32.200
<v Speaker 1>is accusing Travis of rape, is played by this actress

0:29:32.240 --> 0:29:35.680
<v Speaker 1>named Helen Woglum. She and I were an acting class

0:29:35.720 --> 0:29:40.400
<v Speaker 1>together at Leslie Kahn No Way, and she was so

0:29:40.400 --> 0:29:44.400
<v Speaker 1>so good good. Yes, yes, yes, She's got that monologue

0:29:44.400 --> 0:29:47.000
<v Speaker 1>where she's like how much how much would it take

0:29:47.080 --> 0:29:49.280
<v Speaker 1>for you? Yeah, how much would it take for you

0:29:49.640 --> 0:29:52.160
<v Speaker 1>to be quiet about being raped? To shut up? How

0:29:52.240 --> 0:29:54.720
<v Speaker 1>much could you be bought for? And her lip is

0:29:54.720 --> 0:29:59.280
<v Speaker 1>all quivering and she's so good. Were you in the room? No,

0:29:59.360 --> 0:30:01.840
<v Speaker 1>you're wasn't in the room for that. No, but I

0:30:01.880 --> 0:30:04.280
<v Speaker 1>think that's the first time obviously with the characters were

0:30:04.320 --> 0:30:06.880
<v Speaker 1>Olivia and the other attorneys word and they were all like,

0:30:06.920 --> 0:30:09.760
<v Speaker 1>oh shit, this bitch is telling the truth. Like we're

0:30:09.800 --> 0:30:11.560
<v Speaker 1>fucked now, you know what I mean. They were like, oh,

0:30:11.560 --> 0:30:14.200
<v Speaker 1>she's not even taking the money. She was like, no,

0:30:14.280 --> 0:30:16.840
<v Speaker 1>I don't want the money, like yeah, And then they're

0:30:16.880 --> 0:30:18.880
<v Speaker 1>trying to get him ready for trial and he says

0:30:18.880 --> 0:30:21.920
<v Speaker 1>to Harrison, welles, what does this mean? They always take

0:30:21.960 --> 0:30:24.280
<v Speaker 1>the money? And then Harrison calls Olivia and he's like,

0:30:24.320 --> 0:30:26.959
<v Speaker 1>I think he's paid people off before, which sets all

0:30:27.000 --> 0:30:29.520
<v Speaker 1>of opa like down the path to know. This guy's

0:30:29.560 --> 0:30:32.680
<v Speaker 1>a fucking piece of shit. And Michael Cassidy plays him

0:30:33.320 --> 0:30:36.480
<v Speaker 1>so well. Oh he's so good, he's so good. He's

0:30:36.520 --> 0:30:39.600
<v Speaker 1>such a great actor. Oh good. The other thing that

0:30:39.640 --> 0:30:42.280
<v Speaker 1>when they find out Harrison goes to get the rape

0:30:42.360 --> 0:30:47.920
<v Speaker 1>kit from Jericha h h Yes, who ended up kicking

0:30:47.960 --> 0:30:51.160
<v Speaker 1>ass so much that again. Like I said, Shaun Lynne

0:30:51.200 --> 0:30:53.560
<v Speaker 1>keeps it all in ensemble, like they gave her an

0:30:53.560 --> 0:30:57.080
<v Speaker 1>amazing job. She played Stephanie Edwards on Gray's Anatomy. But

0:30:57.240 --> 0:31:01.280
<v Speaker 1>how fucking great was her monologue? Yeah, oh good, so moving,

0:31:01.720 --> 0:31:04.760
<v Speaker 1>so moving, but powerful and like hell yeah, Like she

0:31:04.920 --> 0:31:07.200
<v Speaker 1>just throws it back at Harrison because he's sort of

0:31:07.200 --> 0:31:09.240
<v Speaker 1>flirting with her in the beginning. He's trying to get

0:31:09.240 --> 0:31:11.720
<v Speaker 1>this rape kit, you know what I mean, And she's like, dude,

0:31:11.720 --> 0:31:13.360
<v Speaker 1>you don't got to flirt with me. Listen. I deal

0:31:13.400 --> 0:31:17.040
<v Speaker 1>with these women that have gone through this extremely traumatizing experience,

0:31:17.120 --> 0:31:19.440
<v Speaker 1>like if you need something, I'll give you whatever you want,

0:31:19.440 --> 0:31:21.680
<v Speaker 1>but don't flirt with me, especially not in this room,

0:31:21.680 --> 0:31:24.280
<v Speaker 1>not right now, and in this environment, you know what

0:31:24.320 --> 0:31:26.920
<v Speaker 1>I mean. And she does it so freaking well. She's

0:31:26.960 --> 0:31:31.280
<v Speaker 1>so powerful, such a great freaking actress. Yeah, she does

0:31:31.280 --> 0:31:34.760
<v Speaker 1>it so well. She's such a good actress. Matt Byrne

0:31:34.880 --> 0:31:38.400
<v Speaker 1>wrote this episode, which makes me think of how long

0:31:38.560 --> 0:31:41.960
<v Speaker 1>I've been with Matt burn because Matt Byrne. First of all,

0:31:42.080 --> 0:31:44.600
<v Speaker 1>it wasn't until reading these pieces of paper that I

0:31:44.640 --> 0:31:47.280
<v Speaker 1>even realized Matt Burne was with us from the beginning,

0:31:47.600 --> 0:31:50.440
<v Speaker 1>was he like I thought he came in at season two.

0:31:50.520 --> 0:31:53.000
<v Speaker 1>I can't believe he wrote this episode. I honestly, I

0:31:53.120 --> 0:31:55.400
<v Speaker 1>was like, maybe season three or four. I thought Matt

0:31:55.480 --> 0:31:58.480
<v Speaker 1>Burn sort of came in. But I thought so too.

0:31:58.560 --> 0:32:03.520
<v Speaker 1>And he wrote Inventing Anna. No, yes, so, I I

0:32:03.520 --> 0:32:05.160
<v Speaker 1>mean Seana wrote it. I mean he was in the

0:32:05.200 --> 0:32:07.440
<v Speaker 1>writers for Inventing Anna. But he was like a big

0:32:07.480 --> 0:32:11.040
<v Speaker 1>dog on Inventing Anna. He wasn't like, he was like executive.

0:32:11.080 --> 0:32:12.480
<v Speaker 1>I don't know what his title was, but it was

0:32:12.480 --> 0:32:16.560
<v Speaker 1>a big title. And so I got to be with

0:32:16.640 --> 0:32:20.360
<v Speaker 1>him in New York for a while shooting Inventing Anna.

0:32:20.520 --> 0:32:23.480
<v Speaker 1>And it's just so cool to watch and having been

0:32:23.480 --> 0:32:26.440
<v Speaker 1>with someone sort of at the start, because I don't

0:32:26.440 --> 0:32:29.360
<v Speaker 1>actually think he was a television writer before Scandal. I

0:32:29.360 --> 0:32:31.640
<v Speaker 1>think he was actually a journalist. I think he wrote.

0:32:32.160 --> 0:32:35.200
<v Speaker 1>I think he was a journalist. And they in the

0:32:35.280 --> 0:32:38.040
<v Speaker 1>Scandal writer's room, especially at the beginning, they had a

0:32:38.120 --> 0:32:40.640
<v Speaker 1>lot of people who weren't television writers who could really

0:32:40.640 --> 0:32:43.680
<v Speaker 1>write in that sort of up against it taking clock

0:32:43.840 --> 0:32:48.960
<v Speaker 1>like article type way. But he wrote Inventing Anna, and

0:32:49.200 --> 0:32:52.400
<v Speaker 1>where I'm like, I played this character. Rachel Deloch Williams

0:32:52.440 --> 0:32:56.400
<v Speaker 1>and I'm sobbed. I'm crying like on the stand testifying,

0:32:56.800 --> 0:32:58.640
<v Speaker 1>and Matt Burne came in and he gave me like

0:32:59.040 --> 0:33:02.560
<v Speaker 1>an acting note and I was like yeah. He was

0:33:02.600 --> 0:33:04.400
<v Speaker 1>like me, Yeah. He came in and he was like,

0:33:04.520 --> 0:33:09.080
<v Speaker 1>I'm I was there at this actual trial of Amma Deelvi.

0:33:09.360 --> 0:33:11.520
<v Speaker 1>He was at the trial for doing research for this show.

0:33:11.600 --> 0:33:13.280
<v Speaker 1>And he was like, your character at this point is

0:33:13.320 --> 0:33:17.040
<v Speaker 1>fucking ugly sobbing. This isn't like fake, like, this isn't

0:33:17.080 --> 0:33:19.000
<v Speaker 1>like even just a little bit crying like boo hoo.

0:33:19.320 --> 0:33:22.840
<v Speaker 1>This is like how ugly and unabandoned do you cry

0:33:22.880 --> 0:33:25.520
<v Speaker 1>when no one's looking? And I was like, oh fuck,

0:33:25.880 --> 0:33:28.120
<v Speaker 1>which is the worst thing you could tell an actor

0:33:28.160 --> 0:33:32.600
<v Speaker 1>because then that pressure no tears anywhere to be found.

0:33:32.680 --> 0:33:37.000
<v Speaker 1>Don't freaking tell me that shit, Like really, Giarmo, I

0:33:37.040 --> 0:33:41.200
<v Speaker 1>was like, bring in the tear stick. You're bringing them

0:33:41.200 --> 0:33:43.400
<v Speaker 1>tear sticks? Do you ever I use a tier stick

0:33:43.440 --> 0:33:47.160
<v Speaker 1>to you? I have in the past, but yeah I have, Yeah,

0:33:47.200 --> 0:33:49.320
<v Speaker 1>for sure I have. And then there's you know, you

0:33:49.400 --> 0:33:52.040
<v Speaker 1>just never know. That's the thing about acting. Sometimes it

0:33:52.120 --> 0:33:54.480
<v Speaker 1>comes and you don't need that shit, and sometimes it's

0:33:54.520 --> 0:33:57.760
<v Speaker 1>just not available. You're just not it's just not there,

0:33:57.800 --> 0:33:59.920
<v Speaker 1>and you have to fake the funk and that tears

0:34:00.080 --> 0:34:02.240
<v Speaker 1>that comes in for the for our listeners, I don't

0:34:02.240 --> 0:34:04.520
<v Speaker 1>know what a tear stick is. It's a freaking little

0:34:04.600 --> 0:34:09.040
<v Speaker 1>hollow stick that has like um eucalyptus in the middle, right,

0:34:09.120 --> 0:34:13.040
<v Speaker 1>and the makeup artist blows threw it into your eyes.

0:34:13.280 --> 0:34:16.480
<v Speaker 1>Make your eyes tear up, right, Katie, Yeah, it's they

0:34:16.480 --> 0:34:19.600
<v Speaker 1>have two different guys. There's a Menthol stick that's a blower. Yeah,

0:34:19.640 --> 0:34:22.520
<v Speaker 1>that's what she's talking about. They like blow Menthol crystals

0:34:22.520 --> 0:34:25.399
<v Speaker 1>into your eyes. It's essentially like blasting vix vapor rub

0:34:25.400 --> 0:34:28.080
<v Speaker 1>in your eyes, which makes tears come. Or there's a

0:34:28.120 --> 0:34:32.440
<v Speaker 1>lipstick tube that's Menthol, like a vix vapor rub in

0:34:32.480 --> 0:34:35.840
<v Speaker 1>allipstick form, and I would just rub that underneath my

0:34:35.920 --> 0:34:40.600
<v Speaker 1>eyes when they would call action. Yeah, I literally think

0:34:40.680 --> 0:34:44.800
<v Speaker 1>I did damage sometimes during between Scandal and Inventing Anna,

0:34:45.080 --> 0:34:46.880
<v Speaker 1>there are times, like you said, where I can cry

0:34:46.880 --> 0:34:49.400
<v Speaker 1>on command and it's fine. But then you're on our

0:34:49.600 --> 0:34:53.000
<v Speaker 1>four yea of shooting the scene and you're so dried

0:34:53.040 --> 0:34:55.359
<v Speaker 1>out and you're so like I can like I don't

0:34:55.400 --> 0:34:57.839
<v Speaker 1>even want to think about dead puppies. Anymore. And if

0:34:57.880 --> 0:35:00.560
<v Speaker 1>you're coverage, if you're last up to get your coverage,

0:35:00.560 --> 0:35:02.880
<v Speaker 1>coverage is when they're you know, the camera's pointed at you,

0:35:03.000 --> 0:35:06.800
<v Speaker 1>and you do you do the scene, um you're featured

0:35:06.920 --> 0:35:08.880
<v Speaker 1>by the time they get to you. Sometimes it's just

0:35:08.960 --> 0:35:11.719
<v Speaker 1>your drained Like you said, it's it's just not there,

0:35:11.760 --> 0:35:14.040
<v Speaker 1>and sometimes it is. It comes out of nowhere. That's

0:35:14.080 --> 0:35:16.160
<v Speaker 1>what's so beautiful about acting, too, right, because it's sort

0:35:16.200 --> 0:35:20.320
<v Speaker 1>of magical and you never know. Sometimes crazy beautiful stuff happens,

0:35:20.320 --> 0:35:22.960
<v Speaker 1>and sometimes it doesn't. I agree, you know, And that's

0:35:22.960 --> 0:35:25.360
<v Speaker 1>what that's also like. Sometimes I'm like I used to

0:35:25.400 --> 0:35:27.799
<v Speaker 1>feel guilty, but then I was like, no, like that's

0:35:27.960 --> 0:35:30.640
<v Speaker 1>good acting too, Like I'm acting like I'm really doing

0:35:30.640 --> 0:35:33.360
<v Speaker 1>this shit and nobody's clocking me for it, so you

0:35:33.400 --> 0:35:35.600
<v Speaker 1>know what I mean, Like that was good? Right? Oh

0:35:35.680 --> 0:35:37.520
<v Speaker 1>you mean like if you feel like I know, I

0:35:37.600 --> 0:35:39.240
<v Speaker 1>used to be like, oh fuck, am I not supposed

0:35:39.239 --> 0:35:40.839
<v Speaker 1>to tell people I use it tear sick because people

0:35:40.840 --> 0:35:43.279
<v Speaker 1>would come a crappyr actor. That's the thing. We don't

0:35:43.400 --> 0:35:45.400
<v Speaker 1>use it all the time. It's it's once in a

0:35:45.440 --> 0:35:47.880
<v Speaker 1>while when you feel like, Okay, I need to I

0:35:48.000 --> 0:35:50.960
<v Speaker 1>need to be there at this level of emotions and

0:35:51.000 --> 0:35:52.880
<v Speaker 1>I'm not there, so and then you do it, but

0:35:52.880 --> 0:35:54.680
<v Speaker 1>it doesn't We don't use it all the time a

0:35:54.719 --> 0:35:56.239
<v Speaker 1>lot of times, you know, don't like to spend the

0:35:56.280 --> 0:35:58.080
<v Speaker 1>whole time thinking like, oh my god, there are no

0:35:58.239 --> 0:36:00.920
<v Speaker 1>tears coming. Yeah, they're just like taking yourself out of

0:36:00.920 --> 0:36:02.640
<v Speaker 1>the scene. You're not thinking about what you want from

0:36:02.680 --> 0:36:06.120
<v Speaker 1>the other person. Do you think Meryl Streep uses a tearstick? Hell? No,

0:36:06.640 --> 0:36:10.560
<v Speaker 1>I don't think so. But you think she's just that great? Yes,

0:36:10.600 --> 0:36:13.160
<v Speaker 1>But I've also seen scenes where she's super emotional and

0:36:13.239 --> 0:36:16.120
<v Speaker 1>crying and there's no tears and it still works and

0:36:16.160 --> 0:36:18.319
<v Speaker 1>your eyes are sort of well up and do you

0:36:18.360 --> 0:36:19.920
<v Speaker 1>know what I mean? Like it doesn't have to be

0:36:20.200 --> 0:36:23.919
<v Speaker 1>full on tears all the time. Yeah, yeah, yeah, yeah,

0:36:23.960 --> 0:36:27.280
<v Speaker 1>And again she's so wonderful. Somebody get fucking Meryl Streep

0:36:27.320 --> 0:36:30.680
<v Speaker 1>on this podcast so that we can a tear stick.

0:36:31.640 --> 0:36:34.280
<v Speaker 1>Do you use a tear stick? I want to find out.

0:36:34.600 --> 0:36:37.120
<v Speaker 1>I've got to know somebody that knows her. I met

0:36:37.160 --> 0:36:38.839
<v Speaker 1>her daughter once. But do you think it'd be weird

0:36:38.840 --> 0:36:40.080
<v Speaker 1>if I went right up to her daughter be like,

0:36:40.080 --> 0:36:43.279
<v Speaker 1>does your mother? It would be a little weird. I

0:36:43.360 --> 0:36:45.200
<v Speaker 1>think yeah, but I think you should still do it

0:36:45.239 --> 0:36:47.279
<v Speaker 1>because you're probably not that close with her, right, No,

0:36:47.480 --> 0:36:51.399
<v Speaker 1>don't care if I promise here now today, folks, if

0:36:51.440 --> 0:36:56.760
<v Speaker 1>I run into Gracie Gummer, Mami Gummer, I like those names. Yeah,

0:36:56.840 --> 0:36:58.440
<v Speaker 1>if I run into them, I'm an asking that their

0:36:58.440 --> 0:37:03.120
<v Speaker 1>mom uses a tearstick. Oh, we have to talk about

0:37:03.200 --> 0:37:09.000
<v Speaker 1>Carry Washington in her first White House state dinner dress.

0:37:09.480 --> 0:37:13.120
<v Speaker 1>That is she No one wears clothes like Harry Washington.

0:37:13.440 --> 0:37:16.880
<v Speaker 1>So this is the first time we see Olivia Pope

0:37:16.960 --> 0:37:21.040
<v Speaker 1>dressed up going to a White House extravagant event, right,

0:37:21.080 --> 0:37:24.080
<v Speaker 1>this is the first time we see her, and it's remarkable.

0:37:24.160 --> 0:37:27.360
<v Speaker 1>I mean, she looks so gorgeous. And when they're dancing

0:37:27.400 --> 0:37:29.760
<v Speaker 1>and his hands are on her back because the dress

0:37:29.840 --> 0:37:32.439
<v Speaker 1>is backless and it's white, and I'm just like, yes,

0:37:33.000 --> 0:37:35.520
<v Speaker 1>you know again. Adam walked into the room, he left,

0:37:35.520 --> 0:37:37.319
<v Speaker 1>and then he came back for this part and he

0:37:37.440 --> 0:37:40.240
<v Speaker 1>was like, my god, they were so good together. Harry

0:37:40.280 --> 0:37:44.120
<v Speaker 1>had good chemistry with that white dress. That dress was outstanding.

0:37:44.280 --> 0:37:48.520
<v Speaker 1>She looked remarkable. It really was. Yeah, so classy, so hot,

0:37:48.560 --> 0:37:51.480
<v Speaker 1>And I also felt so bad for Mellie, like cut

0:37:51.520 --> 0:37:53.719
<v Speaker 1>to like what Mellie's wearing in like some sort of

0:37:53.840 --> 0:37:57.000
<v Speaker 1>dumpy hairstyle and like a crappy sort. It's not crappy,

0:37:57.000 --> 0:38:00.399
<v Speaker 1>but it was like matron le right compared to Olivia Pope. Yeah,

0:38:00.440 --> 0:38:02.920
<v Speaker 1>I was like, oh shit, Carrie had a lot of

0:38:02.960 --> 0:38:05.400
<v Speaker 1>skin out and stuff and I was like, wow, Melly,

0:38:05.520 --> 0:38:08.480
<v Speaker 1>you don't stand a fucking chance like that wig was

0:38:08.520 --> 0:38:12.719
<v Speaker 1>on tight on Carry's head. And their chemistry during the

0:38:12.840 --> 0:38:16.080
<v Speaker 1>dancing when he was like, meet me in our spot,

0:38:16.160 --> 0:38:17.799
<v Speaker 1>She's like, don't look at me, don't look at me

0:38:17.880 --> 0:38:20.640
<v Speaker 1>or whatever. He goes to that spot to wait for her,

0:38:20.920 --> 0:38:23.560
<v Speaker 1>and she's sort of on her way to meet him,

0:38:23.560 --> 0:38:27.600
<v Speaker 1>and Cyrus first stops Olivia and he's like, um, get

0:38:27.640 --> 0:38:29.080
<v Speaker 1>out of here. We don't want you here. We know

0:38:29.160 --> 0:38:32.799
<v Speaker 1>you're trying to blackmail us, because because in the meanwhile,

0:38:34.440 --> 0:38:38.200
<v Speaker 1>Cyrus receives a recording of Fits having sex with a

0:38:38.280 --> 0:38:42.160
<v Speaker 1>woman and they obviously assume it's a Manda Tanner, and

0:38:42.200 --> 0:38:44.799
<v Speaker 1>Cyrus thinks that it was Olivia Pope that is trying

0:38:44.840 --> 0:38:47.799
<v Speaker 1>to blackmail them, So he stops Olivia Pope in her

0:38:47.800 --> 0:38:52.200
<v Speaker 1>tracks where she's going to meet Fits, and he's like, hell, no, fuck,

0:38:52.280 --> 0:38:53.960
<v Speaker 1>you think you're doing get out of here, and he

0:38:54.000 --> 0:38:55.640
<v Speaker 1>throws her out of the White House, and then he

0:38:55.680 --> 0:38:58.120
<v Speaker 1>goes to the spot where Fits is waiting for Olivia

0:38:58.160 --> 0:39:00.320
<v Speaker 1>and he sort of, you know, tells him. He's like,

0:39:00.360 --> 0:39:02.959
<v Speaker 1>I know what you're doing. You're waiting here for fucking Olivia. Yeah,

0:39:03.000 --> 0:39:06.439
<v Speaker 1>well she's not coming because she's trying to blackmail us. Yeah.

0:39:06.480 --> 0:39:08.960
<v Speaker 1>It's it's really interesting how Cyrus is sort of that

0:39:09.239 --> 0:39:12.720
<v Speaker 1>in between that middle guy. He is a sticky, tricky,

0:39:13.239 --> 0:39:19.520
<v Speaker 1>smart character. He's just like always looking he's he's just

0:39:19.640 --> 0:39:22.359
<v Speaker 1>doing what's in what he thinks is in his own

0:39:22.480 --> 0:39:25.879
<v Speaker 1>best interest, no matter who. Yes, he has to sort

0:39:25.920 --> 0:39:29.080
<v Speaker 1>of cross and doubles. He's playing double sides all the time.

0:39:29.280 --> 0:39:31.360
<v Speaker 1>Oh yeah, and he plays us so brilliantly, especially in

0:39:31.760 --> 0:39:34.839
<v Speaker 1>this scene, I mean always, Oh my god, he's such

0:39:34.840 --> 0:39:39.840
<v Speaker 1>an amazing, amazing, amazing, amazing, amazing actor. Then this episode

0:39:39.880 --> 0:39:42.560
<v Speaker 1>takes such a turn for darkness for me, which is

0:39:42.920 --> 0:39:47.160
<v Speaker 1>I sab when the mom calls the cops on Travis,

0:39:47.520 --> 0:39:49.440
<v Speaker 1>Can I tell you what's so dark and why I

0:39:49.480 --> 0:39:51.480
<v Speaker 1>think that? And I'm so sorry I'm going to go here.

0:39:51.520 --> 0:39:54.400
<v Speaker 1>Pause you have a son now? Yeah? Yeah, Because it

0:39:54.520 --> 0:39:56.919
<v Speaker 1>made you think, like would I do this to my kid. Well,

0:39:56.960 --> 0:39:58.719
<v Speaker 1>I don't know if I would. Hopefully I never have

0:39:58.800 --> 0:40:04.080
<v Speaker 1>to know, but I do. I get so worried about

0:40:04.280 --> 0:40:11.480
<v Speaker 1>raising a kind boy, a kind white boy in this world,

0:40:11.680 --> 0:40:17.760
<v Speaker 1>and him ever hurting someone, and me being completely aghast

0:40:17.880 --> 0:40:20.960
<v Speaker 1>and shocked by, like, I can't believe I like raised

0:40:21.000 --> 0:40:23.480
<v Speaker 1>a monster. You know, she has all these brilliant monologues

0:40:23.520 --> 0:40:24.799
<v Speaker 1>where she was like I was never there, I never

0:40:24.800 --> 0:40:27.000
<v Speaker 1>made it to his games, and I'm fucking all up

0:40:27.000 --> 0:40:30.200
<v Speaker 1>in my son's shit. You're such a present mom, Yeah,

0:40:30.239 --> 0:40:33.560
<v Speaker 1>you're all up in his grill. Okay, what else haven't

0:40:33.600 --> 0:40:35.640
<v Speaker 1>we talked about this episode? What are other favorite things

0:40:36.000 --> 0:40:39.000
<v Speaker 1>we should talk about? How the character who is accusing

0:40:40.040 --> 0:40:43.479
<v Speaker 1>this young piece of crap who supposed he raped her,

0:40:43.920 --> 0:40:48.000
<v Speaker 1>we find out the OPA team ends up discovering that

0:40:48.520 --> 0:40:51.120
<v Speaker 1>it was her best friend that in fact was raped

0:40:51.560 --> 0:40:55.640
<v Speaker 1>by him, and she then and that girl ended up

0:40:55.719 --> 0:40:58.479
<v Speaker 1>killing herself. He paid her off. She ends up killing

0:40:58.480 --> 0:41:02.160
<v Speaker 1>herself and so her friend we cut to what is

0:41:02.200 --> 0:41:06.520
<v Speaker 1>this character's name, Helen? Yeah, Helen. So Helen ends up

0:41:06.960 --> 0:41:09.960
<v Speaker 1>dying her hair and sort of I don't want to

0:41:09.960 --> 0:41:12.120
<v Speaker 1>say stalking because that has a nasty edge because she

0:41:12.160 --> 0:41:14.120
<v Speaker 1>was trying to get this guy back for what he

0:41:14.160 --> 0:41:18.600
<v Speaker 1>did to her best friend. Yeah, she's trying to blackmail him. No,

0:41:18.719 --> 0:41:21.200
<v Speaker 1>what would the word be. She trying to trick him

0:41:21.239 --> 0:41:23.839
<v Speaker 1>into like taking her out and having sex with her,

0:41:24.040 --> 0:41:27.640
<v Speaker 1>and then she accuses him of raping her. But you know,

0:41:29.000 --> 0:41:32.480
<v Speaker 1>and so the OPA team finds out and Booger ends

0:41:32.560 --> 0:41:35.680
<v Speaker 1>up like destroying her on the stand and she's crying.

0:41:36.000 --> 0:41:39.000
<v Speaker 1>It's such a sad emotional scene because you feel for her.

0:41:39.080 --> 0:41:41.399
<v Speaker 1>You're like, she's she was fucking stepping up for her

0:41:41.400 --> 0:41:44.319
<v Speaker 1>best friend who ended up killing herself because this guy

0:41:44.480 --> 0:41:46.879
<v Speaker 1>raped her. So she was like, I'm gonna dye my hair,

0:41:46.880 --> 0:41:49.000
<v Speaker 1>I'm gonna find this dude. Then I'm gonna end up

0:41:49.000 --> 0:41:52.080
<v Speaker 1>accusing him. Anyway, it was all obviously, you know, when

0:41:52.160 --> 0:41:55.640
<v Speaker 1>when it's all discovered, they can't prosecute because it wasn't her,

0:41:55.680 --> 0:41:58.279
<v Speaker 1>it was her friend. And Travis fucking gets off because

0:41:58.280 --> 0:42:00.279
<v Speaker 1>he's a piece of shit. And then the mom has

0:42:00.320 --> 0:42:03.560
<v Speaker 1>to make this choice about calling the you know, Olivia

0:42:03.600 --> 0:42:08.440
<v Speaker 1>goes to her door and says, what he did wasn't

0:42:08.480 --> 0:42:12.839
<v Speaker 1>your fault, but how you handle it now is right, Yeah,

0:42:13.040 --> 0:42:15.399
<v Speaker 1>And so she calls the cops on him, and then

0:42:15.480 --> 0:42:20.000
<v Speaker 1>I freak out about raising a sun. Yeah, and the

0:42:20.080 --> 0:42:22.040
<v Speaker 1>mother ends up calling the cops on him and they

0:42:22.160 --> 0:42:24.919
<v Speaker 1>take him away, which is so satisfying. It's so great.

0:42:24.920 --> 0:42:28.279
<v Speaker 1>And he's like, what's so satisfying, Get the fuck out

0:42:28.280 --> 0:42:36.920
<v Speaker 1>of here. We would say we'll be right back the

0:42:37.000 --> 0:42:40.360
<v Speaker 1>other thing. I love. Two more things about this episode, okay,

0:42:40.400 --> 0:42:44.680
<v Speaker 1>three one, Tony says, why do you invite live? And

0:42:44.800 --> 0:42:50.120
<v Speaker 1>Mellie says, in that classic creepy, fucking Bellamy knows all

0:42:50.120 --> 0:42:53.399
<v Speaker 1>type way, she's just like, you needed to see her.

0:42:53.440 --> 0:42:55.759
<v Speaker 1>You slept better last night, didn't you? And You're like,

0:42:56.280 --> 0:42:59.879
<v Speaker 1>what the fuck is going on with this relationship? Yeah?

0:43:00.280 --> 0:43:03.719
<v Speaker 1>She knows? What does she know? How much does she know?

0:43:04.280 --> 0:43:07.560
<v Speaker 1>This feels so itchy and so interesting, and I love it.

0:43:07.640 --> 0:43:09.640
<v Speaker 1>And the way that Bellamy Young is able to just

0:43:09.680 --> 0:43:12.799
<v Speaker 1>like fucking deliver that in two lines is ridiculous. She

0:43:12.880 --> 0:43:15.920
<v Speaker 1>kind of lowers her voice, she goes down here, I

0:43:16.120 --> 0:43:19.279
<v Speaker 1>know now you can sleep, can't you. We ought to

0:43:19.280 --> 0:43:21.440
<v Speaker 1>make her do that on this vine. Yes, yes, I

0:43:21.440 --> 0:43:23.960
<v Speaker 1>was gonna say you. Speaking of memorable memorable lines, this

0:43:24.080 --> 0:43:27.480
<v Speaker 1>is this the episode where Huck says to Quinn, you're

0:43:27.680 --> 0:43:31.759
<v Speaker 1>weird weird is good, which I love. Oh my god,

0:43:31.800 --> 0:43:36.160
<v Speaker 1>I can't believe we almost stepped over that. No. I

0:43:36.239 --> 0:43:39.160
<v Speaker 1>remember getting that monologue and it said scandal pace as

0:43:39.160 --> 0:43:40.640
<v Speaker 1>fast as you can say at Katie where I call

0:43:40.680 --> 0:43:43.600
<v Speaker 1>get in, And I'm like, you were so good and

0:43:43.840 --> 0:43:51.880
<v Speaker 1>so fast in that scene. Or and that beautiful shot

0:43:51.920 --> 0:43:55.080
<v Speaker 1>of that like stained glass like piece of art whatever

0:43:55.120 --> 0:43:57.359
<v Speaker 1>it was behind you. Oh, it's such a great And

0:43:57.360 --> 0:43:59.040
<v Speaker 1>then Huck is waiting at the door and he says,

0:43:59.120 --> 0:44:02.520
<v Speaker 1>and you say you're weird, and I say, no, I'm not,

0:44:02.719 --> 0:44:06.640
<v Speaker 1>and you say, weird is good, and I say, thank you.

0:44:08.280 --> 0:44:13.719
<v Speaker 1>We're so stoics. It's the best. Weird is good. And

0:44:13.960 --> 0:44:16.719
<v Speaker 1>right here, right now is even like the beginning of

0:44:16.760 --> 0:44:21.160
<v Speaker 1>the quinnin Hawk Shit. Yes, yes, you're already seeing what

0:44:21.239 --> 0:44:24.480
<v Speaker 1>they're fucking doing. Like yeah, I'm not sure if they

0:44:24.560 --> 0:44:27.080
<v Speaker 1>knew or they didn't know. Yeah, I think they were

0:44:27.200 --> 0:44:30.439
<v Speaker 1>starting to kind of feel feel it going that way,

0:44:30.520 --> 0:44:32.560
<v Speaker 1>you know what I mean. It's just so great. And

0:44:32.600 --> 0:44:34.360
<v Speaker 1>then another scene that stuck out. I don't know if

0:44:34.360 --> 0:44:36.040
<v Speaker 1>you were going to say this one too, is when

0:44:36.040 --> 0:44:38.400
<v Speaker 1>she's at the bar and she's waiting for Gideon and

0:44:38.440 --> 0:44:41.520
<v Speaker 1>he hawks shows up and he's like, put your hair down,

0:44:41.640 --> 0:44:44.439
<v Speaker 1>flirt a little bit, but not too much. Don't drink

0:44:44.480 --> 0:44:47.520
<v Speaker 1>the real drinks. Drink you drink this. You pay off

0:44:47.520 --> 0:44:50.200
<v Speaker 1>the bartender. By the way, we see the Quinninhok thing,

0:44:50.320 --> 0:44:53.000
<v Speaker 1>and then we see Quinn say to live, which I

0:44:53.080 --> 0:44:55.719
<v Speaker 1>kind of I didn't like, hate my performance, which is good.

0:44:56.160 --> 0:44:58.680
<v Speaker 1>I said, um, well, I trust my gut and I

0:44:58.680 --> 0:45:02.839
<v Speaker 1>think she's lying. Yeah, And I just fast forwarded all

0:45:02.880 --> 0:45:05.319
<v Speaker 1>the way to like the end of the series where

0:45:05.400 --> 0:45:09.719
<v Speaker 1>Opa is QPA and this whole thing started because Olivia Pope,

0:45:09.719 --> 0:45:11.560
<v Speaker 1>I mean didn't start. She can do a million things,

0:45:11.560 --> 0:45:13.719
<v Speaker 1>but one of the things that makes Olivia Olivia is

0:45:13.760 --> 0:45:16.080
<v Speaker 1>her gut. And we already see from the beginning of

0:45:16.120 --> 0:45:19.160
<v Speaker 1>Scandal that Quinn's got one too. I thought of that too.

0:45:19.200 --> 0:45:21.640
<v Speaker 1>It's so brilliant. But then I at first I was like,

0:45:21.800 --> 0:45:23.759
<v Speaker 1>fuck is it Olivia supposed to be the only one

0:45:23.840 --> 0:45:27.200
<v Speaker 1>that you know, goes with her gut. But then I thought, well,

0:45:27.239 --> 0:45:29.440
<v Speaker 1>that's the whole reason that she put this team together.

0:45:30.000 --> 0:45:32.440
<v Speaker 1>That's the reason why she got freaking Lindsay Dwyer and

0:45:32.560 --> 0:45:36.000
<v Speaker 1>changed her identity. She knew there was something special about you,

0:45:36.080 --> 0:45:39.719
<v Speaker 1>about Huck about Harrison, about Abbey, about all of them.

0:45:39.760 --> 0:45:42.320
<v Speaker 1>They're all flawed, but then they're all sort of brilliant

0:45:42.400 --> 0:45:45.399
<v Speaker 1>in their own way too. So you see when Quinn says,

0:45:45.440 --> 0:45:47.759
<v Speaker 1>you know, I trust my gut, and you know, I

0:45:47.800 --> 0:45:50.759
<v Speaker 1>think she's lying, Olivia has that sort of moment of like, wait,

0:45:50.760 --> 0:45:52.640
<v Speaker 1>what are you talking about? But then it sort of

0:45:52.640 --> 0:45:55.280
<v Speaker 1>clicks her and she's like, oh shit, Okay, this girl,

0:45:55.560 --> 0:45:58.359
<v Speaker 1>this girl's got a gut too. Whoa which I love.

0:45:58.560 --> 0:46:01.400
<v Speaker 1>The other crazy thing that I have read about on

0:46:01.440 --> 0:46:05.360
<v Speaker 1>the Internet that exists in this like the interweb dark net.

0:46:05.880 --> 0:46:11.360
<v Speaker 1>Remember we would always talk about the dark net web, Yeah, yeah,

0:46:11.440 --> 0:46:15.480
<v Speaker 1>dark web. Some fans seem to think in this whole

0:46:15.520 --> 0:46:17.919
<v Speaker 1>like Olivia has a gut and Quinn has a gut,

0:46:17.920 --> 0:46:20.719
<v Speaker 1>and maybe from the beginning they knew that OPA was

0:46:20.760 --> 0:46:24.400
<v Speaker 1>going to turn into QPA. Supposedly, some fans think that

0:46:24.480 --> 0:46:27.640
<v Speaker 1>Quinn is only named Quinn because it's the closest letter

0:46:28.719 --> 0:46:31.359
<v Speaker 1>from an Oh, Like, all you would have to do

0:46:31.400 --> 0:46:36.800
<v Speaker 1>to make OPA QPA is add that list a line.

0:46:37.320 --> 0:46:39.080
<v Speaker 1>Yeah what is that? There's got to be a name

0:46:39.120 --> 0:46:41.440
<v Speaker 1>for that little line in the queue, right, I wonder

0:46:41.640 --> 0:46:45.080
<v Speaker 1>that's got to be on purpose Olivia Pope and associates. Yeah,

0:46:45.239 --> 0:46:49.319
<v Speaker 1>Quinn Perkins and associates and Perkins, Oh shit, is that

0:46:49.600 --> 0:46:56.560
<v Speaker 1>I have goose Web is fucking crazy? Right? And then

0:46:56.640 --> 0:47:01.280
<v Speaker 1>the episode ends with the big reveal that Amanda Tanner

0:47:01.719 --> 0:47:04.960
<v Speaker 1>is with child. As they used to have to say

0:47:04.960 --> 0:47:07.520
<v Speaker 1>in the fifties on I Love Lucy. They couldn't say pregnant.

0:47:07.560 --> 0:47:10.319
<v Speaker 1>They had to say with child or true. Yeah, they

0:47:10.360 --> 0:47:13.799
<v Speaker 1>couldn't even say I'm pregnant. Yeah, So Amanda Tanner is

0:47:13.840 --> 0:47:20.879
<v Speaker 1>pregnant with what we seem to believe is President Fitzgerald

0:47:21.000 --> 0:47:26.319
<v Speaker 1>Grant's baby, and she's only asked for I sit down

0:47:26.360 --> 0:47:29.480
<v Speaker 1>meeting with him, that's what she wants. Yeah. Um. Some

0:47:29.520 --> 0:47:31.960
<v Speaker 1>fun facts about this episode is that David Rosen is

0:47:32.000 --> 0:47:39.879
<v Speaker 1>seen with a dog. Oh remember on the scanal days

0:47:39.880 --> 0:47:41.480
<v Speaker 1>where I'd be like, let's try going a whole day

0:47:41.520 --> 0:47:44.480
<v Speaker 1>where Gamma Grammar always to Spanish in me so that

0:47:44.520 --> 0:47:47.040
<v Speaker 1>I could learn Spanish, and I would make it one minute.

0:47:47.719 --> 0:47:51.919
<v Speaker 1>I'd be like when Katie was like, Okay, I'm can't

0:47:51.960 --> 0:47:53.759
<v Speaker 1>do it, can't do it, don't say where you're talking about?

0:47:53.760 --> 0:47:55.399
<v Speaker 1>And I love to talk too much, and then we'd

0:47:55.400 --> 0:47:56.960
<v Speaker 1>be like, let's go see what food they got in

0:47:56.960 --> 0:47:59.680
<v Speaker 1>the in the you know, crafty, let's go look at

0:47:59.719 --> 0:48:03.680
<v Speaker 1>for So he's got a dog in this episode. It's

0:48:03.719 --> 0:48:07.239
<v Speaker 1>the only time the dog appears and never appears again. Yeah,

0:48:07.320 --> 0:48:09.480
<v Speaker 1>you think they're probably just like this is so expensive,

0:48:09.520 --> 0:48:12.759
<v Speaker 1>like fucking I mean, and also like, you know, how

0:48:12.760 --> 0:48:15.040
<v Speaker 1>many opportunities was there to be, like let's bring in

0:48:15.080 --> 0:48:17.279
<v Speaker 1>the big dog. You know, he was either in his

0:48:17.360 --> 0:48:20.000
<v Speaker 1>office or right opia or wherever, so he kind of

0:48:20.120 --> 0:48:23.440
<v Speaker 1>you know, I get that the dog phased out. Yeah.

0:48:23.480 --> 0:48:27.520
<v Speaker 1>The working title for the episode was actually a Woman Scorned.

0:48:28.160 --> 0:48:30.880
<v Speaker 1>The title comes from the phrase hell hath no fury,

0:48:30.960 --> 0:48:33.520
<v Speaker 1>like a woman scorned. Wait, so it's called hell hath

0:48:33.600 --> 0:48:36.600
<v Speaker 1>no fury? Yeah, and it was originally a Woman Scorned.

0:48:36.640 --> 0:48:38.840
<v Speaker 1>I think maybe because a woman scorned people wouldn't know

0:48:38.880 --> 0:48:41.279
<v Speaker 1>that was from a saying yeah, And I guess they

0:48:41.320 --> 0:48:44.239
<v Speaker 1>wanted to leave it sort of a little bit more

0:48:44.360 --> 0:48:48.040
<v Speaker 1>encompassing of a lot of stuff and except instead of

0:48:48.080 --> 0:48:52.719
<v Speaker 1>focusing in on woman the woman part. Maybe Oh that's

0:48:52.800 --> 0:48:57.200
<v Speaker 1>a good point. Perhaps, I don't know. In wrapping up,

0:48:57.239 --> 0:49:00.440
<v Speaker 1>should we do some tweets at the time? Oh you

0:49:00.560 --> 0:49:05.280
<v Speaker 1>ready for o shit? Time time time time, tweet, tweet,

0:49:05.320 --> 0:49:08.879
<v Speaker 1>tweets at the time, tweet at the time, y'all, Oh

0:49:08.960 --> 0:49:11.640
<v Speaker 1>my god, so many of these tweets that I'm reading

0:49:11.680 --> 0:49:15.280
<v Speaker 1>From April twenty sixth, there's a tweet from Guiermo Diaz.

0:49:15.400 --> 0:49:17.719
<v Speaker 1>What did what did you tweet? Dude? I don't even

0:49:17.760 --> 0:49:20.360
<v Speaker 1>freaking remember why I tweeted that shit. It looks like

0:49:20.360 --> 0:49:23.120
<v Speaker 1>it's a response to something, right, because I say, stop

0:49:23.160 --> 0:49:26.520
<v Speaker 1>trying to make fetch happen? Lol? Thanks Mike, glad you're

0:49:26.600 --> 0:49:29.520
<v Speaker 1>enjoying Scandal ABC. Who the hell was I talking to?

0:49:30.080 --> 0:49:34.800
<v Speaker 1>Why is that guy Mike one trying to make fetch happen? Right?

0:49:35.320 --> 0:49:37.800
<v Speaker 1>What is he talking about? And is that Mike Webb

0:49:37.920 --> 0:49:40.320
<v Speaker 1>my boyfriend? Like, I wonder if that's because my boyfriend's

0:49:40.400 --> 0:49:42.080
<v Speaker 1>name is Mike. But I wonder because I remember he

0:49:42.200 --> 0:49:43.920
<v Speaker 1>was on Twitter for like a hot second. But then,

0:49:44.160 --> 0:49:46.279
<v Speaker 1>what was Mike's Twitter name? Do you remember it? I

0:49:46.280 --> 0:49:48.680
<v Speaker 1>don't remember because he was literally on for a second,

0:49:48.680 --> 0:49:50.719
<v Speaker 1>So I wonder if that was him. Anyway, we won't

0:49:50.760 --> 0:49:53.600
<v Speaker 1>ever know, but let me tell you something, that guy

0:49:53.680 --> 0:49:58.520
<v Speaker 1>Mike One, fetch never happened. Twetch never happened on Scandal

0:49:58.600 --> 0:50:03.680
<v Speaker 1>bu Bie by Balloon, Oh, that's a whole other thing

0:50:03.719 --> 0:50:06.279
<v Speaker 1>we got to talk about when that episode comes up

0:50:06.400 --> 0:50:09.759
<v Speaker 1>by balloon, the balloon scene I think was cut. Oh

0:50:09.920 --> 0:50:12.319
<v Speaker 1>no way, I don't think it ever made it to air.

0:50:12.520 --> 0:50:14.600
<v Speaker 1>I really don't. But we'll get there. We could, but

0:50:14.680 --> 0:50:16.719
<v Speaker 1>we could. We remember the episode so we can still

0:50:16.760 --> 0:50:20.520
<v Speaker 1>talk about So then Natalie Abrams also tweeted this night

0:50:20.840 --> 0:50:23.360
<v Speaker 1>Scandal tweets at the Times and Natalie Abrams was like

0:50:23.440 --> 0:50:28.359
<v Speaker 1>a fucking huge journalist, reporter fan who covered Scandal from

0:50:28.360 --> 0:50:31.080
<v Speaker 1>the start when nobody was like the beginning of Scandal,

0:50:31.160 --> 0:50:34.040
<v Speaker 1>nobody cared, nobody gave us press, nobody cared. Nobody cared

0:50:34.080 --> 0:50:37.440
<v Speaker 1>except for Natalie Abrams. She wrote, in case you missed it,

0:50:37.920 --> 0:50:41.279
<v Speaker 1>hashtag scandal scoop. Will Quinn's relationship with Gideon get her

0:50:41.360 --> 0:50:45.080
<v Speaker 1>into trouble? That's not that interesting, but anyway, shout out

0:50:45.080 --> 0:50:48.680
<v Speaker 1>to Natalie Abrams, we love you. Carry tweeted a tweet

0:50:48.719 --> 0:50:50.920
<v Speaker 1>that night of a picture of her in the incredible

0:50:51.160 --> 0:50:54.359
<v Speaker 1>dress with her shy makeup artist, Sherry, and she wrote,

0:50:54.400 --> 0:50:58.439
<v Speaker 1>we have the best crew on TV at Scandal ABC. Yes,

0:50:59.440 --> 0:51:05.160
<v Speaker 1>Sherry Knight, who was Carrie's makeup artist for all seven years.

0:51:06.280 --> 0:51:08.040
<v Speaker 1>She needs to come on this podcast. We love her

0:51:08.080 --> 0:51:10.120
<v Speaker 1>so much. Yeah, we love her. Are there any other

0:51:10.160 --> 0:51:13.960
<v Speaker 1>good ones? Gee? Yeah, there's another good one from Mozilla Junior.

0:51:14.560 --> 0:51:18.360
<v Speaker 1>And she says, Cyrus and Scandal is a lion bleep, bleep, bleep.

0:51:18.800 --> 0:51:20.840
<v Speaker 1>I think what she meant to say is Cyrus and

0:51:20.920 --> 0:51:26.000
<v Speaker 1>Scandal is a lion piece of shit. Exclamation by esclamation

0:51:26.760 --> 0:51:30.439
<v Speaker 1>esclamation point. And then she says, I'm angry exclamation point

0:51:30.520 --> 0:51:33.400
<v Speaker 1>hashtag scandal. This is really starting to ramboup. Oh, someone's

0:51:33.400 --> 0:51:35.640
<v Speaker 1>got a good note for us. Sad bitch summer at

0:51:35.680 --> 0:51:38.800
<v Speaker 1>Twinkies and Wine says the only bad thing about Scandal

0:51:39.120 --> 0:51:44.120
<v Speaker 1>that the transitions are seizure inducing. I love. I think

0:51:44.200 --> 0:51:47.320
<v Speaker 1>she means because the clicks of the camera right, it

0:51:47.480 --> 0:51:52.560
<v Speaker 1>is sort of yes, good luck because we use the

0:51:52.640 --> 0:51:55.759
<v Speaker 1>shit out of that sound effect for seven years. Yes,

0:51:56.280 --> 0:52:00.600
<v Speaker 1>someone else tweeted, And another thing is the person's sort

0:52:00.600 --> 0:52:05.160
<v Speaker 1>of name, Mesha Crump. Yeah, Olivia Pope is a bad,

0:52:05.440 --> 0:52:09.040
<v Speaker 1>bad woman. Exclamation point. Oh wow. People are starting to

0:52:09.080 --> 0:52:11.960
<v Speaker 1>get in their in their feelings about the show. But

0:52:12.080 --> 0:52:14.640
<v Speaker 1>also it's the beginning of the show where I feel

0:52:14.640 --> 0:52:17.040
<v Speaker 1>like people didn't know which way to feel about Olivia

0:52:17.080 --> 0:52:19.760
<v Speaker 1>Pope because very soon, we're going to see from tweet

0:52:19.760 --> 0:52:22.399
<v Speaker 1>at the time that Olivia Pope can do no wrong. Yeah.

0:52:22.640 --> 0:52:25.440
<v Speaker 1>I really feel like at a certain point, Olivia Pope

0:52:25.600 --> 0:52:29.000
<v Speaker 1>was the greatest fucking superhero to have ever graced everyone's

0:52:29.200 --> 0:52:31.960
<v Speaker 1>television screens on Thursday nights at nine or ten o'clock,

0:52:32.040 --> 0:52:36.280
<v Speaker 1>and no one ever tweeted bad shit about Olivia Pope.

0:52:36.320 --> 0:52:38.600
<v Speaker 1>And god forbid you were a character on Scandal who

0:52:38.680 --> 0:52:41.480
<v Speaker 1>was against Olivia Pope at the time, you were fucked.

0:52:42.120 --> 0:52:45.040
<v Speaker 1>And even when she fucking killed that dude with a chair,

0:52:45.960 --> 0:52:50.840
<v Speaker 1>people were so like, Oh, Olivia, She's so wonderful, Olivia.

0:52:51.280 --> 0:52:53.680
<v Speaker 1>The way you kill that guy with a fucking chair,

0:52:54.040 --> 0:52:58.239
<v Speaker 1>she freaking clobbered this motherfucker and killed him. Way you

0:52:58.440 --> 0:53:02.719
<v Speaker 1>rigged an election, the way you cheat. We love you.

0:53:02.880 --> 0:53:06.000
<v Speaker 1>You can do no wrong. Olivia Pope is fucking perfect. YEP.

0:53:07.200 --> 0:53:09.920
<v Speaker 1>At this point, people just like weren't sure. I mean,

0:53:10.000 --> 0:53:14.080
<v Speaker 1>this is only episode three of the hundred and twenty.

0:53:14.280 --> 0:53:17.560
<v Speaker 1>I think we did one super super early on. Yeah, gee,

0:53:17.840 --> 0:53:20.360
<v Speaker 1>did you know? Like I know, we do tweets of

0:53:20.440 --> 0:53:23.399
<v Speaker 1>the time, but I also think that during the show

0:53:23.480 --> 0:53:26.200
<v Speaker 1>there were actual real life scandals of the time. A

0:53:26.320 --> 0:53:29.080
<v Speaker 1>lot of scandals. Listen, I bet there were scandals left

0:53:29.160 --> 0:53:31.440
<v Speaker 1>and right during this whole show. I mean they're scandals

0:53:31.480 --> 0:53:33.839
<v Speaker 1>every day, which we have to do that research too,

0:53:33.920 --> 0:53:36.320
<v Speaker 1>which I'll put you on Gearmo. Since you're the researcher

0:53:36.600 --> 0:53:38.880
<v Speaker 1>of the show who researches all the guest stars in

0:53:39.000 --> 0:53:41.120
<v Speaker 1>their links to horror films, I need you to also

0:53:41.200 --> 0:53:44.120
<v Speaker 1>put on the list scandals of the time I'm on it.

0:53:45.200 --> 0:53:47.040
<v Speaker 1>I don't know if you remember this, g I kind

0:53:47.080 --> 0:53:49.840
<v Speaker 1>of don't, but tell me if you do. During the

0:53:49.960 --> 0:53:53.359
<v Speaker 1>airing of this episode, all these secret service dudes were

0:53:53.480 --> 0:53:57.719
<v Speaker 1>relieved of their duties because they were all messing around

0:53:57.760 --> 0:54:02.600
<v Speaker 1>with prostitutes allegedly. Yeah, but that's what's so crazy about

0:54:02.680 --> 0:54:07.359
<v Speaker 1>scandal is that, like, nothing we did was far from truth. Yeah. Ever,

0:54:07.760 --> 0:54:11.800
<v Speaker 1>but also that sounds so vanilla right now in twenty

0:54:12.080 --> 0:54:16.880
<v Speaker 1>twenty two, when the twice impeached disgraced former president like

0:54:17.280 --> 0:54:20.359
<v Speaker 1>stole literal documents from the White House and he has

0:54:20.440 --> 0:54:23.800
<v Speaker 1>them in his freaking you're so right house or wherever

0:54:23.880 --> 0:54:26.680
<v Speaker 1>the hell it is, and that a couple of prostitutes

0:54:26.719 --> 0:54:29.319
<v Speaker 1>for these secret agents, like yo, they don't have time

0:54:29.360 --> 0:54:31.479
<v Speaker 1>to go date and go to bar. Yeah, they're working

0:54:31.520 --> 0:54:33.680
<v Speaker 1>twenty four hour fucking shifts trying to keep the fucking

0:54:33.719 --> 0:54:35.960
<v Speaker 1>most important person of the free world alive. It's like

0:54:36.040 --> 0:54:40.280
<v Speaker 1>they need to pay for a quick fifteen minute blowjob. Yeah, listen,

0:54:40.440 --> 0:54:44.440
<v Speaker 1>sex work is a respectable, like legitimate business. And have

0:54:44.600 --> 0:54:47.279
<v Speaker 1>you ever been to Amsterdam? I haven't, No, I thought

0:54:47.280 --> 0:54:49.000
<v Speaker 1>you were. Can ask me if I've ever hired a

0:54:49.080 --> 0:54:53.560
<v Speaker 1>prostitute in Amsterdam, where sex work is legal. It's so fascinating.

0:54:54.120 --> 0:54:56.200
<v Speaker 1>But at seven o'clock in the morning, people are just like,

0:54:56.320 --> 0:54:58.880
<v Speaker 1>there's the line of the rows that are you know,

0:54:59.239 --> 0:55:02.839
<v Speaker 1>men women in straight gay this that the other thing.

0:55:02.880 --> 0:55:05.400
<v Speaker 1>You're walking past their little role their little rooms with

0:55:05.520 --> 0:55:08.480
<v Speaker 1>the little and it's all like regulated and measured and

0:55:09.080 --> 0:55:13.040
<v Speaker 1>safe and like a transaction. Yeah, and a transaction. What

0:55:13.160 --> 0:55:15.120
<v Speaker 1>were we talking about? Oh yeah, the Secret Service guys

0:55:16.120 --> 0:55:19.160
<v Speaker 1>that that scandal doesn't seem like seems so vanilla right now,

0:55:19.320 --> 0:55:21.640
<v Speaker 1>right like the fact that that was a scandal back then.

0:55:21.760 --> 0:55:25.400
<v Speaker 1>Now it's like really like, I love scandals of the times,

0:55:25.440 --> 0:55:28.040
<v Speaker 1>though it does seem vanilla. I hope all those Secret

0:55:28.120 --> 0:55:32.120
<v Speaker 1>Service agents have found employment since then, I guess, or

0:55:32.200 --> 0:55:38.520
<v Speaker 1>have married some of their you know, prostitutes found love perhaps, yeah, sure.

0:55:39.080 --> 0:55:40.759
<v Speaker 1>Or now that they're unemployed they have lots of free

0:55:40.760 --> 0:55:42.640
<v Speaker 1>time to date. Yeah, now they don't have to pay

0:55:42.680 --> 0:55:45.279
<v Speaker 1>for sex exactly. Well, it brings up to the point

0:55:45.320 --> 0:55:48.120
<v Speaker 1>of Harrison in the season one where you know, when

0:55:48.200 --> 0:55:51.560
<v Speaker 1>Abby's so fucking mad at him about him that Stephen

0:55:51.800 --> 0:55:56.880
<v Speaker 1>uses you know, the dame to pay for sex for

0:55:57.000 --> 0:56:00.480
<v Speaker 1>the madam exactly, and Harrison is like, well, like whatever,

0:56:00.640 --> 0:56:02.560
<v Speaker 1>we're all paying for it. I do it. You know,

0:56:02.640 --> 0:56:04.759
<v Speaker 1>whether it's for dinners or nights out or taking into

0:56:04.800 --> 0:56:06.759
<v Speaker 1>the movies or some fancy restaurant. I mean, it's the

0:56:06.800 --> 0:56:09.400
<v Speaker 1>same bullshit, different day. You know, It's like there you

0:56:09.560 --> 0:56:17.000
<v Speaker 1>have it, listeners. There you have scandals of the time. Yes, um, Gladiators,

0:56:17.160 --> 0:56:20.800
<v Speaker 1>we love you. This is the joy of my life

0:56:21.160 --> 0:56:27.000
<v Speaker 1>to get to just hang out with Guierrimo Diez and

0:56:27.200 --> 0:56:32.120
<v Speaker 1>talk about scandal and relive these amazing memories and experiences

0:56:32.160 --> 0:56:36.040
<v Speaker 1>we had. Yes, you guys, we have such exciting fun things.

0:56:36.120 --> 0:56:38.440
<v Speaker 1>This was episode one oh three, And we've got guests

0:56:38.520 --> 0:56:40.680
<v Speaker 1>coming out that you're not coming up and out. I

0:56:40.760 --> 0:56:42.960
<v Speaker 1>sort of mashed those words both. Maybe some of them

0:56:43.000 --> 0:56:45.960
<v Speaker 1>are coming out too, you never know. We've got Axana

0:56:46.040 --> 0:56:49.759
<v Speaker 1>Bayoul coming out. We got Axana Bayol, whom I want

0:56:49.800 --> 0:56:52.200
<v Speaker 1>to make a correction. She's not a Russian skater. She

0:56:52.320 --> 0:56:56.759
<v Speaker 1>was a Ukrainian skater. Anyway, I didn't want to but yes, oh,

0:56:57.200 --> 0:56:59.600
<v Speaker 1>and Axana Bayoul and Brendan Hines, I hope are very

0:56:59.600 --> 0:57:02.440
<v Speaker 1>happy to No, that's not true. Yes, we're we can

0:57:02.560 --> 0:57:05.160
<v Speaker 1>have there. We should have them on talk about their wedding.

0:57:05.640 --> 0:57:09.719
<v Speaker 1>We have exciting guests coming on. Stick with us, so

0:57:10.000 --> 0:57:13.360
<v Speaker 1>much fun recapping of episodes, and we have like I

0:57:13.440 --> 0:57:14.920
<v Speaker 1>can't even tell you the guests. We're going to be

0:57:15.000 --> 0:57:19.520
<v Speaker 1>talking to all of your favorite Scandal characters and how

0:57:19.560 --> 0:57:22.440
<v Speaker 1>they came to be oh Pa, the White House, like

0:57:22.560 --> 0:57:24.800
<v Speaker 1>they all going to be on here. So stay tuned,

0:57:25.520 --> 0:57:29.280
<v Speaker 1>stay tuned, Tell your friends, tell your family, gladiators. We

0:57:29.440 --> 0:57:31.800
<v Speaker 1>love you and we love when you all come together.

0:57:31.920 --> 0:57:36.080
<v Speaker 1>So come together and listen to this podcast. Huckleberry Quinn, y'all,

0:57:36.160 --> 0:57:39.280
<v Speaker 1>Huckleberry Quinn, Huckleberry Quinn, y'all, come back and thank you

0:57:39.360 --> 0:57:43.400
<v Speaker 1>so much for listening to the Scandal Rewatch podcasts. Unpacking

0:57:44.080 --> 0:57:49.200
<v Speaker 1>the Toolbox with Katie Lowes and Guamo Diaz asked yes,

0:57:52.120 --> 0:57:57.920
<v Speaker 1>yes by balloon, Yet I don't know what. Our officials

0:57:57.960 --> 0:58:03.800
<v Speaker 1>sign off is by Balloon. Thank you guys for joining

0:58:03.920 --> 0:58:07.240
<v Speaker 1>us on Unpacking the Toolbox. If you enjoyed the show,

0:58:07.320 --> 0:58:10.440
<v Speaker 1>please subscribe, share with your friends, rate, or leave us

0:58:10.480 --> 0:58:13.920
<v Speaker 1>a review. Scandal is executive produced by Sandy Bailey, alex Alcha,

0:58:14.280 --> 0:58:18.520
<v Speaker 1>Lauren Homan, Tyler Klang, and Gabrielle Collins. Our producer and

0:58:18.640 --> 0:58:21.880
<v Speaker 1>editor is Vince de Johnny, with music by Chad Fisher.

0:58:22.200 --> 0:58:25.080
<v Speaker 1>Scandal is a production of ABC Signature, and you can

0:58:25.120 --> 0:58:28.480
<v Speaker 1>follow along by rewatching Scandal on Hulu. Unpacking the Toolbox

0:58:28.560 --> 0:58:31.400
<v Speaker 1>is a production of Shondaland Audio in partnership with iHeartRadio.

0:58:31.800 --> 0:58:35.320
<v Speaker 1>For more podcasts from Shondaland Audio, visit the iHeartRadio app

0:58:35.400 --> 0:58:37.520
<v Speaker 1>or anywhere you subscribe to your favorite shows.