1 00:00:01,280 --> 00:00:04,840 Speaker 1: Today's Daily Highlight from Elvis Duran in the Morning Show. 2 00:00:05,559 --> 00:00:06,960 Speaker 2: What else are we talking about today? 3 00:00:07,080 --> 00:00:09,960 Speaker 1: Gandhi the terrible worst movie of all time that people 4 00:00:10,039 --> 00:00:10,600 Speaker 1: keep watching. 5 00:00:10,960 --> 00:00:16,360 Speaker 2: Oh yeah, that Mel Gibson movie on Netflix. It's I 6 00:00:16,360 --> 00:00:18,480 Speaker 2: think it's still number one film. If I'm not mistaken. 7 00:00:18,920 --> 00:00:19,319 Speaker 1: It might be. 8 00:00:20,040 --> 00:00:22,400 Speaker 2: What's it called again, It's called all the line on 9 00:00:22,440 --> 00:00:26,960 Speaker 2: the line. Gandhi says, it's not even arguably the worst 10 00:00:27,000 --> 00:00:29,120 Speaker 2: film ever. It is the worst film ever made. 11 00:00:29,200 --> 00:00:32,839 Speaker 1: It what you said, Yes, it's so bad, it's just awful. 12 00:00:33,240 --> 00:00:35,400 Speaker 2: You told us any people are texting on got it 13 00:00:35,440 --> 00:00:36,839 Speaker 2: was so bad, but they watched it all the way 14 00:00:36,880 --> 00:00:38,000 Speaker 2: to the end, and they had to see how it 15 00:00:38,040 --> 00:00:41,000 Speaker 2: was going to end. See the more you say it's awful, 16 00:00:41,040 --> 00:00:42,920 Speaker 2: the more I want to watch it. I don't know why. 17 00:00:42,960 --> 00:00:43,599 Speaker 2: Why is that? 18 00:00:43,720 --> 00:00:45,720 Speaker 1: I don't know. The thing I'm getting the most is 19 00:00:45,800 --> 00:00:47,720 Speaker 1: I should have listened to you, but I wanted to 20 00:00:47,720 --> 00:00:50,919 Speaker 1: find out for myself. I feel like that's just like 21 00:00:51,120 --> 00:00:52,519 Speaker 1: if I stuck my hand in a fire and I 22 00:00:52,560 --> 00:00:54,240 Speaker 1: was like, oh that hurt, don't do it. It's like 23 00:00:54,240 --> 00:00:56,400 Speaker 1: the hot stoves. Yeah, all these people walk over. I'm 24 00:00:56,400 --> 00:00:58,280 Speaker 1: gonna try it myself. Well, now you're burned Scotti. 25 00:00:58,760 --> 00:01:01,160 Speaker 2: So you told Scotty boddy Bee, we told you over 26 00:01:01,160 --> 00:01:02,880 Speaker 2: and over don't watch that film. It's a waste of 27 00:01:02,920 --> 00:01:04,520 Speaker 2: your time. So I get a text you the night 28 00:01:04,560 --> 00:01:07,600 Speaker 2: he said, Bro, I'm watching that mel Gibson turd. It 29 00:01:07,720 --> 00:01:10,160 Speaker 2: is truly the worst film ever. Why are you watching it? 30 00:01:10,280 --> 00:01:11,520 Speaker 2: We told you not to watch it. 31 00:01:11,600 --> 00:01:14,000 Speaker 3: I think mostly because the whole radio aspect of it. 32 00:01:14,040 --> 00:01:16,560 Speaker 3: I wanted to see, you know, the radio stuff. But 33 00:01:16,640 --> 00:01:18,479 Speaker 3: I mean, it was mediocre most of the way through, 34 00:01:18,520 --> 00:01:20,200 Speaker 3: and then at the very end, I was like, are 35 00:01:20,319 --> 00:01:23,360 Speaker 3: you effing kidding me? And I texted GANI I'm like, dude, 36 00:01:23,480 --> 00:01:24,880 Speaker 3: this is the worst thing ever. 37 00:01:25,280 --> 00:01:27,720 Speaker 2: Now we knew here there's some sort of plot twist 38 00:01:27,720 --> 00:01:30,160 Speaker 2: at the end, ye some sort, but it's got it. 39 00:01:30,160 --> 00:01:32,800 Speaker 2: It's not worth the way. We actually started watching it 40 00:01:32,840 --> 00:01:34,280 Speaker 2: and it was like, in the first two minutes, I 41 00:01:34,319 --> 00:01:36,120 Speaker 2: was like, turn this crap off. It's no. 42 00:01:36,480 --> 00:01:38,399 Speaker 1: Yeah. The acting is terrible from the jump, like, the 43 00:01:38,440 --> 00:01:42,120 Speaker 1: acting's not even good. The plot is. You think so 44 00:01:42,200 --> 00:01:43,960 Speaker 1: many ways I could have gotten out of this. They 45 00:01:43,959 --> 00:01:45,520 Speaker 1: should have just done this. They don't do any of 46 00:01:45,560 --> 00:01:47,240 Speaker 1: these things. And then you get to the end and 47 00:01:47,280 --> 00:01:49,640 Speaker 1: you're like, Wow, I wish I could see someone to 48 00:01:49,640 --> 00:01:50,840 Speaker 1: get my time back, but I can't. 49 00:01:50,840 --> 00:01:51,000 Speaker 4: You know. 50 00:01:51,040 --> 00:01:52,760 Speaker 3: They said it has nothing to do with you, Elvis, 51 00:01:52,760 --> 00:01:55,800 Speaker 3: but I mean it's also eerily reminiscent of Diehard with 52 00:01:55,800 --> 00:01:57,080 Speaker 3: a vengeance. This was the same thing. 53 00:01:57,080 --> 00:01:58,400 Speaker 2: It was you in a studio and there was. 54 00:01:58,360 --> 00:01:59,880 Speaker 3: A bomb in the building. Same thing. 55 00:02:00,120 --> 00:02:01,640 Speaker 2: It's the same there's a bomb in the building. Hey, 56 00:02:01,640 --> 00:02:04,120 Speaker 2: were you're ruining? Oh I may want to watch this. 57 00:02:04,800 --> 00:02:06,200 Speaker 1: Really, do not watch it. 58 00:02:06,560 --> 00:02:09,680 Speaker 2: It's so bad after all these warnings, I know, but 59 00:02:10,360 --> 00:02:12,680 Speaker 2: I feel like I have to. The more you push, 60 00:02:13,600 --> 00:02:15,800 Speaker 2: you push it, I feel like I gotta watch this turn. 61 00:02:16,000 --> 00:02:18,920 Speaker 2: You have to it's a turn. What Look at the 62 00:02:18,919 --> 00:02:21,480 Speaker 2: glowing reviews coming in the text. Oh look ye the 63 00:02:21,520 --> 00:02:25,560 Speaker 2: text messages don't watch it? The worst, thank you. It's 64 00:02:25,680 --> 00:02:29,080 Speaker 2: the period, worst period. 65 00:02:28,160 --> 00:02:35,240 Speaker 4: It's so they're saying really really bad, all right right 66 00:02:35,440 --> 00:02:38,840 Speaker 4: now now they're saying that, oh, what is this this 67 00:02:38,960 --> 00:02:40,320 Speaker 4: text you just put up here? 68 00:02:40,639 --> 00:02:45,560 Speaker 2: Garrett Garrett, that's the producer of On the Line. I 69 00:02:46,200 --> 00:02:48,360 Speaker 2: DMed him and asked him what his inspiration was, and 70 00:02:48,400 --> 00:02:50,520 Speaker 2: this is what he told me. Oh, he said, well, 71 00:02:50,680 --> 00:02:53,480 Speaker 2: I was a radio host for twenty years at Energy 72 00:02:53,120 --> 00:02:56,639 Speaker 2: and they call it energy. It's NRJ radio network in Europe, 73 00:02:57,760 --> 00:02:59,919 Speaker 2: and the number the frequency is one hundred point three, 74 00:03:00,000 --> 00:03:03,399 Speaker 2: which is our frequency here, which is okay on air. 75 00:03:03,440 --> 00:03:06,320 Speaker 2: One day someone called to say he has kidnapped my mother. 76 00:03:06,680 --> 00:03:09,080 Speaker 2: I also put some other stories that happened to me, 77 00:03:09,240 --> 00:03:11,839 Speaker 2: like the opening scene with the Messiah guy. I saw 78 00:03:11,880 --> 00:03:14,920 Speaker 2: that it happened exactly like that in the film. So 79 00:03:15,000 --> 00:03:16,640 Speaker 2: he didn't rip off my name. He didn't rip off 80 00:03:16,639 --> 00:03:18,560 Speaker 2: one hundred point three. The guy doesn't even know who 81 00:03:18,560 --> 00:03:24,320 Speaker 2: we are. Probably so just because guy a guy's name Elvis. 82 00:03:24,560 --> 00:03:27,440 Speaker 2: I mean, no, oh, that's such a common name. I 83 00:03:27,440 --> 00:03:31,079 Speaker 2: think if France it actually is, isn't it Elvis? Is it? 84 00:03:31,120 --> 00:03:34,359 Speaker 2: Say so? Someone else actually says on the text, I 85 00:03:34,360 --> 00:03:35,760 Speaker 2: watched the first two minutes and I skipped to the 86 00:03:35,800 --> 00:03:38,440 Speaker 2: last thirteen minutes just to get to the end. They 87 00:03:39,680 --> 00:03:41,600 Speaker 2: went right to the plot twist and turned it off. 88 00:03:42,520 --> 00:03:43,160 Speaker 1: So bad. 89 00:03:44,400 --> 00:03:45,240 Speaker 4: It's so bad. 90 00:03:45,720 --> 00:03:48,560 Speaker 2: They're saying that this cannot be the worst film ever, 91 00:03:48,600 --> 00:03:51,560 Speaker 2: because No, Blue Valentine with Ryan Gosling was the worst 92 00:03:51,560 --> 00:03:53,760 Speaker 2: movie ever. Here we go, the worst movie ever. Go 93 00:03:55,520 --> 00:03:58,960 Speaker 2: Jili see Zelie was. It was rumored to be so bad. 94 00:03:59,000 --> 00:04:01,400 Speaker 2: I never watched it, so it's always the punchline. But 95 00:04:01,400 --> 00:04:02,960 Speaker 2: people say it's the worst movie ever, and then never 96 00:04:03,000 --> 00:04:04,880 Speaker 2: saw it because they just heard everyone else say it's bad. 97 00:04:05,840 --> 00:04:08,560 Speaker 1: So I won't say it's the worst movie ever. But 98 00:04:09,280 --> 00:04:11,920 Speaker 1: I watched Willy Wonka and the Chocolate Factory over the weekend, 99 00:04:12,280 --> 00:04:14,480 Speaker 1: which one, uh, the original Willy Wonka. 100 00:04:14,880 --> 00:04:16,840 Speaker 2: Oh see, that's my favorite. You don't like it. 101 00:04:16,960 --> 00:04:21,040 Speaker 1: I liked it that. Grandpa Joe is a piece of work. 102 00:04:21,120 --> 00:04:23,599 Speaker 1: I know we've talked about him afore, but come on, man, 103 00:04:23,800 --> 00:04:26,440 Speaker 1: you're having the child child labor to buy you tobacco. 104 00:04:26,839 --> 00:04:28,200 Speaker 1: What what is this? 105 00:04:28,480 --> 00:04:31,080 Speaker 2: Yeah? No, he just sat in this dirty nightgown in 106 00:04:31,120 --> 00:04:33,120 Speaker 2: that room full of old people and stunk and did 107 00:04:33,200 --> 00:04:35,679 Speaker 2: and bathe, and then all of a sudden he can walk. 108 00:04:35,720 --> 00:04:38,719 Speaker 2: When Charlie got a golden ticket, he. 109 00:04:38,640 --> 00:04:41,919 Speaker 1: Was dancing dance, and then he was breaking all the 110 00:04:42,000 --> 00:04:44,640 Speaker 1: rules through the Chocolate Factory. When they were talking about 111 00:04:44,680 --> 00:04:46,200 Speaker 1: if Charlie got the ticket the right way, He's like, 112 00:04:46,200 --> 00:04:47,960 Speaker 1: who cares how he got it? He got it like 113 00:04:48,000 --> 00:04:50,279 Speaker 1: Grandpa Joe was just he was not a role model. 114 00:04:50,640 --> 00:04:53,159 Speaker 2: Yeah, don't get Nate started on Grandpa Joe. He is 115 00:04:53,400 --> 00:04:55,360 Speaker 2: like here he goes, oh, you do the deep dive 116 00:04:55,400 --> 00:04:58,320 Speaker 2: on Grandpa Joe. He beats every villain in every movie 117 00:04:58,400 --> 00:05:01,400 Speaker 2: ever made. Darth Vader's nothing thing compared to Grandpa Joe. 118 00:05:01,800 --> 00:05:04,680 Speaker 2: That guy is just sinister, lying in that bed waiting 119 00:05:04,720 --> 00:05:08,440 Speaker 2: that I mean, children work for him. He looks dirty. 120 00:05:08,440 --> 00:05:10,600 Speaker 2: He was like, he has that stinky I bet he's 121 00:05:10,600 --> 00:05:13,159 Speaker 2: no longer alive that you remember in that movie. You 122 00:05:13,160 --> 00:05:16,599 Speaker 2: remember this because you just watched Yes, nothing but cabbage soup. 123 00:05:16,839 --> 00:05:20,680 Speaker 2: Can you imagine how bad the sheet smelled? So they 124 00:05:20,839 --> 00:05:25,920 Speaker 2: ate cabbage soup and then he and Charlie got all gassy, 125 00:05:26,040 --> 00:05:27,960 Speaker 2: started floating up to the fan in that room. 126 00:05:28,400 --> 00:05:29,680 Speaker 1: Yeah, which they shouldn't have been. 127 00:05:31,400 --> 00:05:33,839 Speaker 2: I just said the brown word. Sorry. So Grandpa Joe 128 00:05:33,920 --> 00:05:37,240 Speaker 2: and Willy Wonka when they were eating that candy, they 129 00:05:37,240 --> 00:05:39,839 Speaker 2: started floating up to the exhaust fan, about to die. 130 00:05:40,600 --> 00:05:44,280 Speaker 2: They started burping to come back down. They were farting 131 00:05:44,320 --> 00:05:46,080 Speaker 2: cabbage soup. You know, they were. 132 00:05:47,560 --> 00:05:51,800 Speaker 1: Terrible. It was just man, just everything about Grandpa Joe. 133 00:05:51,839 --> 00:05:53,720 Speaker 1: I was like, Charlie, of all the people you could 134 00:05:53,760 --> 00:05:56,600 Speaker 1: have picked, you didn't pick your mother, your hard working mother. 135 00:05:57,120 --> 00:05:58,280 Speaker 1: You picked this bum. 136 00:05:58,960 --> 00:06:02,360 Speaker 2: Yeah, and she was so beauty. It was Gorge slaving, 137 00:06:02,800 --> 00:06:06,120 Speaker 2: slaving away doing other people's laundry for hours a day. 138 00:06:06,160 --> 00:06:10,040 Speaker 2: Grandpa Joe's just sitting there smoking tobacco that Charlie procures. 139 00:06:10,320 --> 00:06:14,160 Speaker 1: Yeah, and we are awful. It was w It was 140 00:06:14,200 --> 00:06:14,880 Speaker 1: just awful. 141 00:06:14,960 --> 00:06:17,280 Speaker 2: So did you watch Wonka with Timothy shallow May? 142 00:06:17,400 --> 00:06:18,800 Speaker 1: Yes, and I loved it. 143 00:06:18,960 --> 00:06:19,880 Speaker 2: I loved it too. 144 00:06:20,160 --> 00:06:22,200 Speaker 1: I watched it again and I loved it even more. 145 00:06:22,360 --> 00:06:23,480 Speaker 1: I think it was great they did. 146 00:06:24,400 --> 00:06:28,400 Speaker 2: He's got those cheek bones, man, he does, Timothy Challa May. 147 00:06:28,440 --> 00:06:30,440 Speaker 2: I want those cheek bones. I mean, he's got to 148 00:06:30,480 --> 00:06:32,880 Speaker 2: look there were show. Did you see the comparison to 149 00:06:32,960 --> 00:06:37,960 Speaker 2: the guy who played U what Pete Castanza whatever? On Seinfeld? Oh, 150 00:06:38,040 --> 00:06:41,680 Speaker 2: George George. They had him at twenty years old next 151 00:06:41,680 --> 00:06:43,479 Speaker 2: to Timothy shallow May at twenty years old. You're like, 152 00:06:43,640 --> 00:06:47,719 Speaker 2: oh my god, nothing in common. And it was like, 153 00:06:47,760 --> 00:06:50,039 Speaker 2: what did you didn't see that? Be out? I'll find 154 00:06:50,040 --> 00:06:52,359 Speaker 2: it for you. Kind of funny. Yeah, if you were 155 00:06:52,440 --> 00:06:54,440 Speaker 2: jumping in late. We're talking about on the line, that 156 00:06:54,480 --> 00:06:58,240 Speaker 2: movie with Mel Gibson that's doing really well because people 157 00:06:58,279 --> 00:07:00,320 Speaker 2: are watching it because it's rumored to be the worst 158 00:07:00,320 --> 00:07:01,880 Speaker 2: movie ever. So there you go. 159 00:07:02,520 --> 00:07:04,760 Speaker 1: They get you, man. The little description. You're like, oh, 160 00:07:04,800 --> 00:07:06,359 Speaker 1: this is gonna be a good movie, let me watch it, 161 00:07:06,400 --> 00:07:08,560 Speaker 1: and then ten minutes in, it's just awful and it 162 00:07:08,600 --> 00:07:09,240 Speaker 1: never gets better. 163 00:07:10,160 --> 00:07:12,400 Speaker 2: They're saying, other bad movies. A lot of people are 164 00:07:12,400 --> 00:07:15,520 Speaker 2: texting in the room, Oh I never saw it, they say, 165 00:07:15,600 --> 00:07:18,400 Speaker 2: it's so unbelievably bad. I promise you you'll also be 166 00:07:18,440 --> 00:07:20,400 Speaker 2: incredibly entertained at how bad it is. 167 00:07:21,320 --> 00:07:23,080 Speaker 1: Didn't it win all kinds of awards? 168 00:07:23,280 --> 00:07:25,400 Speaker 2: The room? That's you're thinking of another one. This is 169 00:07:25,400 --> 00:07:27,560 Speaker 2: from two thousand and three, and it's called The Citizen 170 00:07:27,680 --> 00:07:33,440 Speaker 2: Kane of Bad Movies. Oh, oh god, you know Citizen Kme, 171 00:07:33,480 --> 00:07:35,559 Speaker 2: by the way, in my opinion, is one of the 172 00:07:35,600 --> 00:07:39,440 Speaker 2: most cleverly produced, directed and written movies all time. But 173 00:07:39,640 --> 00:07:42,560 Speaker 2: that's an arguable you can argue that, you know, Orson 174 00:07:42,640 --> 00:07:45,960 Speaker 2: Wells was a genius, and when he tried in Hollywood 175 00:07:46,000 --> 00:07:48,560 Speaker 2: to put this movie together, people close doors on him, 176 00:07:48,640 --> 00:07:52,040 Speaker 2: especially because the subject matter of Citizen Kane was William 177 00:07:52,120 --> 00:07:55,720 Speaker 2: Randolph Hurst. It was loosely based on his life and 178 00:07:55,800 --> 00:07:59,440 Speaker 2: his career, and they just made fun of this powerful, 179 00:07:59,520 --> 00:08:02,280 Speaker 2: powerful man who owned all the newspapers across the country. 180 00:08:02,920 --> 00:08:05,119 Speaker 2: And they're like, you can't do that and get away 181 00:08:05,000 --> 00:08:08,480 Speaker 2: with well they did, of course. It was centered at 182 00:08:09,080 --> 00:08:14,679 Speaker 2: the Hurst Mansion send Sinim San Simeon God, which I visited, 183 00:08:15,440 --> 00:08:17,920 Speaker 2: but they called it Xanadu in his movie. So he 184 00:08:18,040 --> 00:08:20,760 Speaker 2: made like little twists and turns to make it different. 185 00:08:20,800 --> 00:08:23,760 Speaker 2: But if you ever can watch Citizen Kane, it truly 186 00:08:23,840 --> 00:08:26,360 Speaker 2: is an incredible film. Okay, all right, black and white, 187 00:08:27,000 --> 00:08:30,320 Speaker 2: Garrett said to something, except Garrett, did you say something? Garrett? 188 00:08:30,360 --> 00:08:34,360 Speaker 2: Did you want something? No? No, No, you were holding 189 00:08:34,360 --> 00:08:36,200 Speaker 2: your hand like you had. I was drinking some water. 190 00:08:36,960 --> 00:08:41,320 Speaker 1: Okay, Oh, another terrible movie. Can I say one more 191 00:08:41,400 --> 00:08:41,920 Speaker 1: terrible movie? 192 00:08:42,000 --> 00:08:42,840 Speaker 2: No, please go ahead. 193 00:08:42,920 --> 00:08:45,720 Speaker 1: Have any of you guys seen Jaws The Revenge? 194 00:08:46,840 --> 00:08:48,520 Speaker 2: No, it's so bad. 195 00:08:48,640 --> 00:08:51,280 Speaker 1: It's like the great great grand baby of the original 196 00:08:51,360 --> 00:08:54,079 Speaker 1: Jaws is out for revenge on this family, follows them 197 00:08:54,080 --> 00:08:56,400 Speaker 1: to the Bahamas and only attacks them. 198 00:08:56,559 --> 00:08:56,679 Speaker 2: Like. 199 00:08:56,720 --> 00:09:00,199 Speaker 1: It's so bad that another person actually gets grabbed by 200 00:09:00,200 --> 00:09:02,000 Speaker 1: the shark, but the shark knows it's not one of 201 00:09:02,040 --> 00:09:06,000 Speaker 1: the family members and let them go. It's the worse sharks. 202 00:09:06,040 --> 00:09:08,719 Speaker 2: They're smart. I get it. Yeah, Okay, oh is this true? 203 00:09:08,760 --> 00:09:12,160 Speaker 2: Timothy Shelamy is in town. He's he's playing Bob Dylan. 204 00:09:12,200 --> 00:09:14,319 Speaker 2: They're filming right now in New York City, in Jersey 205 00:09:14,400 --> 00:09:16,199 Speaker 2: City at the White Man of Burger. They'll be there 206 00:09:16,240 --> 00:09:21,120 Speaker 2: this week. He's playing. Uh yeah, I know this. They 207 00:09:21,240 --> 00:09:23,840 Speaker 2: closed down the White Mann of Burger in in uh 208 00:09:23,920 --> 00:09:27,839 Speaker 2: in Hackensack, Jersey City on one and nine. Oh that's 209 00:09:27,880 --> 00:09:30,079 Speaker 2: the other White Man Burger. I'm talking about their original one. 210 00:09:30,080 --> 00:09:34,360 Speaker 2: Sorry there, No, don't be there. You can't go. I 211 00:09:34,440 --> 00:09:36,120 Speaker 2: kind of want to bring Ghani there after work and 212 00:09:36,200 --> 00:09:36,840 Speaker 2: I kind of made. 213 00:09:36,679 --> 00:09:37,920 Speaker 1: You see I No, I don't want to go stare 214 00:09:37,960 --> 00:09:38,360 Speaker 1: at people. 215 00:09:38,480 --> 00:09:40,480 Speaker 2: I kind of want to see them filming. Well, I 216 00:09:40,480 --> 00:09:42,440 Speaker 2: don't think I think they're closed. They're not gonna let 217 00:09:42,480 --> 00:09:44,600 Speaker 2: you in while they're filming. The still drive down one 218 00:09:44,600 --> 00:09:48,160 Speaker 2: and nine. You gonna why it's all prostitutes and bad motels. 219 00:09:48,160 --> 00:09:49,520 Speaker 5: Why do you want to drive down one and nine? 220 00:09:50,080 --> 00:09:53,680 Speaker 5: Because I just want to see what's happening. I missed 221 00:09:53,720 --> 00:09:55,600 Speaker 5: Jennifer lopezant Hoboken last week. 222 00:09:55,640 --> 00:09:56,679 Speaker 1: Oh no, and she was. 223 00:09:56,640 --> 00:09:58,800 Speaker 5: Eating at my favorite place for that I usually go 224 00:09:58,880 --> 00:09:59,760 Speaker 5: for lunch and she and. 225 00:09:59,720 --> 00:10:02,520 Speaker 2: She was there. I'm like, scary. They they're all stalking you. 226 00:10:03,120 --> 00:10:05,559 Speaker 5: It just sucks because you missed you missed the celebrities 227 00:10:05,559 --> 00:10:06,280 Speaker 5: by a day or two. 228 00:10:06,280 --> 00:10:09,240 Speaker 2: I'm like, why I usually sit there, jenneral Lopez. You've 229 00:10:09,240 --> 00:10:11,200 Speaker 2: had her sitting right next to you have fifteen thousand 230 00:10:11,200 --> 00:10:12,880 Speaker 2: times in our studio. Now you gotta go see her 231 00:10:12,960 --> 00:10:14,280 Speaker 2: at at a restaurant somewhere. 232 00:10:14,320 --> 00:10:16,679 Speaker 5: What's the difference, because it would be awesome because I, Hey, 233 00:10:16,960 --> 00:10:18,840 Speaker 5: Cafe Illegian, I get the fries. 234 00:10:18,920 --> 00:10:19,880 Speaker 2: You gotta try the fries. 235 00:10:20,240 --> 00:10:22,120 Speaker 1: You would you say that to her if you saw her. 236 00:10:22,240 --> 00:10:24,200 Speaker 2: Yeah, it's more casual to Okay. 237 00:10:24,280 --> 00:10:25,760 Speaker 1: I'm just saying, okay, I'm gonna. 238 00:10:25,559 --> 00:10:27,600 Speaker 2: Call white Mannaberger in the Jersey City right now. Let 239 00:10:27,640 --> 00:10:29,720 Speaker 2: them know you're coming. Hey, I got Scary Jones coming. 240 00:10:29,760 --> 00:10:35,920 Speaker 2: You gotta gotta let him in. Oh scary, Yeah, come 241 00:10:35,960 --> 00:10:41,319 Speaker 2: on in. Bruh br brouh. So yeah, Scotty Be, even 242 00:10:41,360 --> 00:10:45,520 Speaker 2: though told not to watch the worst movie on the line, 243 00:10:46,200 --> 00:10:48,720 Speaker 2: it's so funny, wasted an hour and a half.