WEBVTT - #104 - Steve Moakler - Singer + Songwriter 

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<v Speaker 1>Yeah, it's episode one oh four The Bobby Cast. We're

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<v Speaker 1>gonna jump in with Steve Mokeler in a second. As

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<v Speaker 1>I'm recording this intro part of it, I'm actually in

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<v Speaker 1>Los Angeles. It is eleven pm Central Time, what us tonight,

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<v Speaker 1>Wednesday night, Wednesday night, and I've been filming I mean

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<v Speaker 1>Reckon not all day and I half for a week.

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<v Speaker 1>And I'm about to fly back to Nashville. And that's

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<v Speaker 1>for a later one. But i just want you to

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<v Speaker 1>know where I am when I'm talking about this. Let

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<v Speaker 1>me encourage you to check out the Dave Heywood podcast

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<v Speaker 1>we just did from Lady and Abellum. Also Jimmy Allen,

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<v Speaker 1>who's got that song Best Shot New Artists that's up.

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<v Speaker 1>And if you're liking a podcast, tell your friends about

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<v Speaker 1>I love if you told your friends about The Bobby

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<v Speaker 1>Cast if they love music. Or check out Christian Bush

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<v Speaker 1>from sugar Land. He's got one called geeking Out, where

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<v Speaker 1>you talk to people about what they're super geeking out about.

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<v Speaker 1>It's pretty cool. I mean, you think Christian would do

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<v Speaker 1>you want about music, but he does a bit talk

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<v Speaker 1>about it. But it's really cool because it's just about

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<v Speaker 1>people who are super passionate about things. That being said,

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<v Speaker 1>we have a David Lee Murphy Bobby Cast coming up soon,

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<v Speaker 1>so Davidie Murphy has obviously might be a little dust

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<v Speaker 1>about voices, a little fried from working all that today,

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<v Speaker 1>but yeah, otherwise I would seeing that song perfectly. So

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<v Speaker 1>that's coming up. But let's get into Steve Mokler. He

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<v Speaker 1>wrote Riser for Dirk S Bentley. It's got a new

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<v Speaker 1>song out called Born Ready, and he's gonna talk about

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<v Speaker 1>how he drives around and plays shows for fans and

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<v Speaker 1>are basically a camper. So here we go, Episode one

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<v Speaker 1>oh four. Steve Mockler, the Bobby Cast. Thank you very much.

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<v Speaker 1>All right here with Steve Mokler, every buddy, what's up? Bobby.

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<v Speaker 1>Good to finally get you here. I know, man, thank

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<v Speaker 1>you so much for for inviting me, and I listened

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<v Speaker 1>to this podcast all the time, so it's very cool

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<v Speaker 1>and surreal to be in this chair. I'm in slippers,

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<v Speaker 1>as you noticed a second a. But as I said,

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<v Speaker 1>it's my house, so I could do whatever I want

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<v Speaker 1>if we're in my house. I've been slippers too, but

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<v Speaker 1>I had to tredge across town, so I needed something

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<v Speaker 1>a little more serious. Today. I had a pretty chill day, man.

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<v Speaker 1>I went to the y m c A this morning.

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<v Speaker 1>Gracey and I walked around the track a few times

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<v Speaker 1>and made some breakfast and finished reading the book and

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<v Speaker 1>went for a walk, fielded some emails. It was pretty

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<v Speaker 1>low key. Did someone cancel it right or did you

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<v Speaker 1>just set today? No, No one canceled it right today.

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<v Speaker 1>I don't think a lot of times mondays or just today.

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<v Speaker 1>I have to to kind of just you know, gather ideas,

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<v Speaker 1>get inspired and set a vision for the week. So

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<v Speaker 1>it's funny. I know you mostly from Amy, my co host.

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<v Speaker 1>Amy and Gracey, your wife are really good friends, and say, man,

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<v Speaker 1>hang out Gracey all the time, she's we're jumping on

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<v Speaker 1>the trampoline. I was like, Graysie, who's that Guysie moggler?

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<v Speaker 1>That's she runted to Steve. Yeah, I had Steve's wife,

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<v Speaker 1>and so they became good friends. And I guess the

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<v Speaker 1>first time you and I ever spent any time any

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<v Speaker 1>time together was an Amy's house when her kids. We're back.

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<v Speaker 1>Because we had met a couple of times. I think

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<v Speaker 1>we met in passing maybe a stage coach, that's real quick.

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<v Speaker 1>We talked to stage coach. That was a whole disaster

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<v Speaker 1>in itself. It's just so much. It's the stage coach

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<v Speaker 1>is just so big and so hot and dusty. But

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<v Speaker 1>then we were over to Amy's house the day her

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<v Speaker 1>kids came in from Haiti. Back. That was a That

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<v Speaker 1>was a rad day, man, that was a big celebration.

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<v Speaker 1>That was a lot, even thinking back to the day,

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<v Speaker 1>because I was on Hawaii and it was vacation for me.

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<v Speaker 1>During that mid December to January, we just on the

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<v Speaker 1>show We just go away, and I have a real

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<v Speaker 1>problem with going away, but I went to Hawaii because

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<v Speaker 1>it was disconnected, and I get there in the Amy

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<v Speaker 1>calls and goes, hey, I need just come back because

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<v Speaker 1>because we're gonna be here. So I'm I'm taking zig

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<v Speaker 1>zag flights trying to get back because I land. And

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<v Speaker 1>then a few hours later they land, and then we

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<v Speaker 1>go over to Amy's and have a party. And I

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<v Speaker 1>remember I looked at the staircase and you were sitting

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<v Speaker 1>with an acoustic guitar. I think you were learning Party

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<v Speaker 1>in the USA from Miley Yes, for the kids, for

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<v Speaker 1>the kids. I do love that song though. Yeah. I

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<v Speaker 1>remember looking up because Eric Passley was there and it

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<v Speaker 1>was just really close friends at Amy's house. It was

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<v Speaker 1>just people that in our personal life. It really wasn't

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<v Speaker 1>a work thing. But the cool thing is you become

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<v Speaker 1>friends with people that also do the same kind of

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<v Speaker 1>thing that you do. And so musically it was you

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<v Speaker 1>and I don't know who's getting work. I think Amy

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<v Speaker 1>signed Taylor Swift guitar. I think that's what you were playing.

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<v Speaker 1>That is what it was. That's wow, You're right, because

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<v Speaker 1>I was I looked out, but I said, I know

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<v Speaker 1>that guitar. It was a Taylor Swift sign guitar. It

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<v Speaker 1>was you passed Lay and Walker Hayes and you're all

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<v Speaker 1>playing music. And Amy's kids were just stunned by what

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<v Speaker 1>was happening that night. I remember too, because I don't

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<v Speaker 1>know if you do therapy. I go to therapy, and

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<v Speaker 1>I was talking about therapist and he's like, hey, because

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<v Speaker 1>I have I get to social anxiety level, and so

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<v Speaker 1>I don't. I just don't do things social with people

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<v Speaker 1>I don't know. And sometimes I don't even do things

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<v Speaker 1>social because I know I'll get to this anxiety type place.

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<v Speaker 1>He said, hey, find somebody that you think would be cool.

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<v Speaker 1>And I've I haven't told you the story he said,

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<v Speaker 1>and say, hey, let's hang out. Because that had two weeks.

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<v Speaker 1>I had no idea what I was gonna do, and

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<v Speaker 1>so he gave me this homework and we were naming

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<v Speaker 1>his house and saying, hey, Steve, what are you doing? Yeah?

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<v Speaker 1>You go no, because I was the only tip for

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<v Speaker 1>two days. Grace's gonna have this thing. We're going to that,

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<v Speaker 1>And that was my one attempt to make a friend

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<v Speaker 1>and tell dude, I didn't I couldn't tell the back

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<v Speaker 1>remember I remember I was. I was flatter when you

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<v Speaker 1>asked me to hang out. I didn't. I didn't know

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<v Speaker 1>the back story. I was like, hey, dude, I just

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<v Speaker 1>been passing. I just thought of it. You want to

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<v Speaker 1>go to garth. But really it was, oh man, I

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<v Speaker 1>think Steve's nice. I'll see if you wants to hang out. Due. Yeah,

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<v Speaker 1>I got rejected, like junior high. No, you didn't get rejected.

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<v Speaker 1>If you told me the whole story, we we'd be

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<v Speaker 1>we'd be singing friends in low places that Friday night.

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<v Speaker 1>But you picked your wife over me. I did, but

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<v Speaker 1>I didn't know what was at stake. I didn't know

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<v Speaker 1>I could have helped you out in that way. But

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<v Speaker 1>I live rain check rain check for sure. I got

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<v Speaker 1>a lot of music up here from you. I guess cool,

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<v Speaker 1>you know more than even just getting into the music.

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<v Speaker 1>Just I mean, I don't know much about you except

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<v Speaker 1>and I don't purposely do a whole lot of research

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<v Speaker 1>because I kind of like to pull things out of people.

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<v Speaker 1>Except I guess you're you're Steelers fan. Huh, yes, sir,

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<v Speaker 1>and your whole family Steve fans. My my mom's host

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<v Speaker 1>side of the family is So I grew up in

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<v Speaker 1>town called Bethel Park, just outside of Pittsburgh. So that's

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<v Speaker 1>my mom's family is all die hard Stealer fans. And so,

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<v Speaker 1>how did you get from Pittsburgh in Nashville? What made

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<v Speaker 1>you take that job? Um? Well, I made this little

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<v Speaker 1>c D when I was a senior in high school.

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<v Speaker 1>After playing in bands and stuff and through middle school.

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<v Speaker 1>In high school, I made my own project, like a

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<v Speaker 1>singer songwriter thing, and UM, I had this guy who

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<v Speaker 1>was at this little independent record label in Florida. Hear it,

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<v Speaker 1>and um ended up offering me this little little record deal,

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<v Speaker 1>and to me, it was little at all at the time.

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<v Speaker 1>So he flies me and my dad down to Florida

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<v Speaker 1>and and UH offers me this record deal, and I thought,

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<v Speaker 1>you know, I, man, this is all about to happen

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<v Speaker 1>right here, right now. UM ended up not taking the deal.

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<v Speaker 1>The deal. Um, I had this attorney that h was

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<v Speaker 1>like the only music business guy that I met through

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<v Speaker 1>a bunch of phone calls, and I trusted him. And

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<v Speaker 1>he revised the d for me and marked it up, like,

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<v Speaker 1>added a bunch of zeros on it, and sent it

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<v Speaker 1>back to the label guy. And and UM, the label

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<v Speaker 1>guy was like, you know, man, over insulted. We thought

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<v Speaker 1>we had a relationship. You can either work with with

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<v Speaker 1>us at the label or you can work with this attorney.

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<v Speaker 1>You're gonna have to choose. And it was a really

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<v Speaker 1>hard decision to make, you know, because I was eighteen

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<v Speaker 1>years old thinking everything was about to happen. But the

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<v Speaker 1>the attorney said, you know, uh, he said, this is

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<v Speaker 1>a long road and if you want to walk it,

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<v Speaker 1>I'll help you do that, but I'd advise you not

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<v Speaker 1>to get in bed with the first person who wants

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<v Speaker 1>to sleep with you. That's how we said it. And UM,

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<v Speaker 1>I just said, so I decided to turn down the deal,

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<v Speaker 1>and but I knew I wanted to keep pursuing music

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<v Speaker 1>and as my you know, as my main focus, and um,

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<v Speaker 1>I was typing in my mom really wanted to go

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<v Speaker 1>to college. So I was typing in music business stuff,

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<v Speaker 1>you know, college stuff on Google and found Belmont and

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<v Speaker 1>ended up applying there. And it was actually the only

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<v Speaker 1>school I got into that I applied to. UM, and

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<v Speaker 1>that's just by the grace of God, because really there's

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<v Speaker 1>you know, schools that weren't as difficult to get into

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<v Speaker 1>that rejected my application. But I got into Belmont, and

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<v Speaker 1>uh I went there for two years. So that was

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<v Speaker 1>kind of my segue into Nashville. What do you want

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<v Speaker 1>to do a belt business? I studied music business for

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<v Speaker 1>for three semesters and then I switched to English for

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<v Speaker 1>my last semester. So you didn't study music. I didn't.

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<v Speaker 1>I didn't. I thought about I thought hard about that decision.

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<v Speaker 1>I kind of talked to different you know people at

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<v Speaker 1>the school and the film before I decided what to

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<v Speaker 1>apply for. And um, you know, I just I just

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<v Speaker 1>really felt I knew I wanted to be a songwriter.

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<v Speaker 1>And I've never considered myself a great guitar player or singer. Um,

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<v Speaker 1>I just I knew I wanted to to be in

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<v Speaker 1>the scene and write songs. And you know, I don't know,

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<v Speaker 1>I just id I did. I When I thought about

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<v Speaker 1>the avenues of studying the instrument or my voice, that

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<v Speaker 1>just didn't really excite me. So I studied music business

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<v Speaker 1>just to kind of get an overview of what it

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<v Speaker 1>was like. So what was the goal? Was it to

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<v Speaker 1>be an artist or just to move down to be

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<v Speaker 1>a song It was to be an artist. But I

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<v Speaker 1>really didn't know. I didn't have any you know, it's

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<v Speaker 1>not until you get to Nashville you really realize all

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<v Speaker 1>the different types of artists and paths you can take.

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<v Speaker 1>But I just knew I wanted to to to have

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<v Speaker 1>a career making my own music, you know, whatever that

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<v Speaker 1>looked like. And that was really as far as I

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<v Speaker 1>thought about it. So you moved to Nashville. You didn't

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<v Speaker 1>say you went four years? So you dropped out a college.

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<v Speaker 1>I dropped out to actually pursue your craft. Yeah, yeah,

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<v Speaker 1>before I went my mom. My mom was real relieved

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<v Speaker 1>I went decided to go to school, and she said, hey,

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<v Speaker 1>if you I just want you to go to school

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<v Speaker 1>for two years, you know, I want you to know

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<v Speaker 1>what that experiences. She'd always say, have two years of

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<v Speaker 1>college under your belt, and just so I wasn't. I

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<v Speaker 1>didn't go there and count down. You know, I was like,

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<v Speaker 1>I can't wait two years, I'm out of here. But

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<v Speaker 1>you know, I just after two years, I um, you know,

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<v Speaker 1>the classes were about to start getting harder. You know. Yeah.

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<v Speaker 1>I was like, if I if I switched to English,

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<v Speaker 1>I gotta take Spanish again, or if I go business,

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<v Speaker 1>I gotta take accounting. And all the while, man, I

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<v Speaker 1>was just getting really I just knew what I wanted

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<v Speaker 1>to do, and I was just I couldn't sit in

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<v Speaker 1>those classes any longer, and I wanted to get out

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<v Speaker 1>and play. What would you tell a kid now that's

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<v Speaker 1>finishing high school and they know they're going to do music,

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<v Speaker 1>man um if they know it, man, I think I think,

0:10:19.280 --> 0:10:21.400
<v Speaker 1>I personally think going to Belmont was great for me

0:10:21.480 --> 0:10:25.920
<v Speaker 1>because it was a natural segue into this music community.

0:10:25.920 --> 0:10:28.720
<v Speaker 1>Whereas so when I was at school, I was making

0:10:28.760 --> 0:10:31.480
<v Speaker 1>friends just the way you would at any other college.

0:10:31.520 --> 0:10:35.200
<v Speaker 1>But they were really talented, and they were they were driven,

0:10:35.280 --> 0:10:38.240
<v Speaker 1>and they were they were doing the same thing I did.

0:10:38.360 --> 0:10:41.320
<v Speaker 1>Or or years later. Uh, you know, my friends from

0:10:41.360 --> 0:10:44.280
<v Speaker 1>Belmont now are people that are running publishing companies, are

0:10:44.320 --> 0:10:46.920
<v Speaker 1>playing you know, band leaders and with big artists and

0:10:47.000 --> 0:10:50.040
<v Speaker 1>writing hit songs. So but you know, I didn't have

0:10:50.080 --> 0:10:55.240
<v Speaker 1>to do the whole networking. You know, check this out.

0:10:55.320 --> 0:10:57.000
<v Speaker 1>It was kind of raised in the network and I

0:10:57.000 --> 0:10:59.240
<v Speaker 1>didn't That was not intentional, but it was definitely a gift.

0:10:59.280 --> 0:11:02.680
<v Speaker 1>And I really, I really have a I really admire

0:11:02.720 --> 0:11:05.040
<v Speaker 1>guys that come here a little later, you know, when

0:11:05.080 --> 0:11:09.080
<v Speaker 1>there twenty six after college and and they have to

0:11:09.080 --> 0:11:11.640
<v Speaker 1>do that game. It's it seems tough, but I felt,

0:11:11.679 --> 0:11:13.640
<v Speaker 1>I felt, not that I have any means, had an

0:11:13.640 --> 0:11:15.880
<v Speaker 1>easy road, but that was one not school that I

0:11:15.920 --> 0:11:17.960
<v Speaker 1>didn't have to get over. Who were people in your

0:11:18.000 --> 0:11:21.120
<v Speaker 1>class meeting around the same time you're talking about just

0:11:21.480 --> 0:11:25.080
<v Speaker 1>creating friendships. Yeah, there's this guy, Jeb Holmes is one

0:11:25.120 --> 0:11:27.400
<v Speaker 1>of my one of my best friends, and he played

0:11:27.400 --> 0:11:31.480
<v Speaker 1>guitar for Josh Turner and the band Perry Um. My

0:11:31.559 --> 0:11:34.679
<v Speaker 1>ex girlfriend Parker Welling is a great songwriter. She had

0:11:34.679 --> 0:11:37.560
<v Speaker 1>the number one song last week with Russell Dickerson. Yours.

0:11:37.720 --> 0:11:39.840
<v Speaker 1>Casey Brown was also with that song. He was my

0:11:39.920 --> 0:11:43.880
<v Speaker 1>sweet mate um for to Georgia Line was there at

0:11:43.880 --> 0:11:46.880
<v Speaker 1>the same time. I wasn't tight with those guys um

0:11:46.960 --> 0:11:50.000
<v Speaker 1>while we were there, but um, we definitely crossed pass

0:11:50.040 --> 0:11:53.600
<v Speaker 1>a lot. And because I wasn't here, Yeah, that whole

0:11:53.600 --> 0:11:56.960
<v Speaker 1>thing blew up. It was pre me. Yeah. So by

0:11:57.000 --> 0:12:00.240
<v Speaker 1>the time I got to Nashville, they were already a thing. Yeah,

0:12:00.320 --> 0:12:04.040
<v Speaker 1>so I I missed the Independent. They signed with the label.

0:12:04.080 --> 0:12:06.880
<v Speaker 1>They had a song that was blowing up into Were

0:12:06.920 --> 0:12:10.120
<v Speaker 1>they already a thing in college a bit? They weren't

0:12:10.160 --> 0:12:12.720
<v Speaker 1>even a band. They weren't even they were just friends,

0:12:13.000 --> 0:12:16.840
<v Speaker 1>you know. I I I think Brian was. I think

0:12:17.040 --> 0:12:18.800
<v Speaker 1>I think all I knew that they played at a

0:12:18.880 --> 0:12:23.559
<v Speaker 1>church and we're worship leaders. And uh, I remember I

0:12:23.880 --> 0:12:26.880
<v Speaker 1>was playing at this hotel Indigo. There's a hotel down

0:12:26.880 --> 0:12:29.040
<v Speaker 1>on West End. They used to have writers rounds there

0:12:29.040 --> 0:12:31.320
<v Speaker 1>and I would play there. And I remember seeing Casey

0:12:31.400 --> 0:12:33.760
<v Speaker 1>Musgraves come in there when she first got to town.

0:12:33.800 --> 0:12:35.600
<v Speaker 1>And usually, you know, I played there on a lot

0:12:35.640 --> 0:12:38.120
<v Speaker 1>of Wednesday nights for about twelve people, And I remember

0:12:38.160 --> 0:12:41.520
<v Speaker 1>seeing Brian and Tyler get up and performed together to

0:12:41.600 --> 0:12:43.920
<v Speaker 1>saying a song called black Tears that Jason al Dean

0:12:44.040 --> 0:12:47.200
<v Speaker 1>went on to cut. But I mean, no, they don't

0:12:47.200 --> 0:12:48.920
<v Speaker 1>even know if they were called for to Georgia Line

0:12:48.920 --> 0:12:51.360
<v Speaker 1>at that point, but it just they blew up. Man,

0:12:51.679 --> 0:12:54.120
<v Speaker 1>it was crazy to see see I didn't see it.

0:12:54.160 --> 0:12:56.679
<v Speaker 1>I wish I would have seen it. You know, it

0:12:56.800 --> 0:12:59.600
<v Speaker 1>was part of the Sam blow up. Okay, Yeah, that

0:12:59.720 --> 0:13:02.760
<v Speaker 1>to you was you know, poof was big. I didn't

0:13:02.800 --> 0:13:05.040
<v Speaker 1>see the floor of Georgia line blow up. Yeah it was.

0:13:05.120 --> 0:13:07.080
<v Speaker 1>It was the really first time i'd ever you know,

0:13:07.760 --> 0:13:10.760
<v Speaker 1>watch somebody go for Man, you were at my school,

0:13:11.040 --> 0:13:13.559
<v Speaker 1>you were at this bar playing for twelve people like me,

0:13:13.600 --> 0:13:16.360
<v Speaker 1>and now you're you know, you're head, You're on the

0:13:16.360 --> 0:13:19.520
<v Speaker 1>c m A Awards and just this you have the

0:13:19.559 --> 0:13:24.080
<v Speaker 1>biggest country selling country song of all times. Nuts. Doesn't

0:13:24.080 --> 0:13:26.520
<v Speaker 1>it show you, though, that if you have the right

0:13:26.840 --> 0:13:30.400
<v Speaker 1>whatever it is, things can change, just like that on

0:13:30.440 --> 0:13:33.840
<v Speaker 1>a dime, for anybody at any time in the creative space.

0:13:34.400 --> 0:13:37.719
<v Speaker 1>It just takes the one whatever it is. Is it

0:13:37.880 --> 0:13:40.320
<v Speaker 1>the right promotional vehicle? Is that the right song? Is

0:13:40.360 --> 0:13:45.559
<v Speaker 1>that the right uh do at partner? Yeah? Because I've

0:13:45.559 --> 0:13:48.680
<v Speaker 1>seen it happen seven or eight times. The chemicals just

0:13:48.800 --> 0:13:53.000
<v Speaker 1>magically come together at the right time or and then boom.

0:13:53.559 --> 0:13:57.840
<v Speaker 1>And it also inspires you to continue moving forward because

0:13:57.840 --> 0:14:00.760
<v Speaker 1>at any time. It could happen for anybody. That's right.

0:14:00.920 --> 0:14:02.840
<v Speaker 1>And that's how I feel watching a lot. And and

0:14:02.960 --> 0:14:05.360
<v Speaker 1>I have been the benefit. Fishery a part of that

0:14:05.400 --> 0:14:07.520
<v Speaker 1>as well, because I moved here and it was the

0:14:07.600 --> 0:14:09.720
<v Speaker 1>right time the you know, the form. I had gotten

0:14:09.960 --> 0:14:12.480
<v Speaker 1>older and a bit out of touch in the radio part,

0:14:12.480 --> 0:14:13.880
<v Speaker 1>and they're bringing me and I was like a bull

0:14:13.880 --> 0:14:16.640
<v Speaker 1>in the china shop and I was too aggressive, but

0:14:16.880 --> 0:14:18.360
<v Speaker 1>it was a perfect time for me to commend it.

0:14:18.400 --> 0:14:21.680
<v Speaker 1>So I benefited too from that. But even with listen

0:14:21.840 --> 0:14:24.680
<v Speaker 1>to your music, it's just like I keep your songs

0:14:24.680 --> 0:14:26.720
<v Speaker 1>are so good. I just keep wondering, when's that one

0:14:26.800 --> 0:14:29.200
<v Speaker 1>going to be? Don't you wonder that like a little bit?

0:14:29.280 --> 0:14:31.360
<v Speaker 1>Is it like which one is finally going to be

0:14:31.440 --> 0:14:33.720
<v Speaker 1>the one? I I do sometimes, man, you know, I

0:14:33.800 --> 0:14:37.080
<v Speaker 1>think I think for me, you know, my careers just

0:14:37.320 --> 0:14:40.320
<v Speaker 1>has been kind of a steady, slow climb, whereas I

0:14:40.400 --> 0:14:43.720
<v Speaker 1>screwed that. Man, let's go, let's get big. Let me

0:14:44.000 --> 0:14:45.680
<v Speaker 1>talk about this for a second. Okay, So when you

0:14:45.680 --> 0:14:49.080
<v Speaker 1>thought cyber criminals couldn't stoop any lower, you're wrong. They're

0:14:49.120 --> 0:14:53.160
<v Speaker 1>stealing and selling social security numbers of infants. Baby, there's

0:14:53.200 --> 0:14:56.280
<v Speaker 1>still an info from babies and they're selling it. Identity

0:14:56.280 --> 0:14:58.560
<v Speaker 1>thieves can buy the infants information on the dark web,

0:14:58.960 --> 0:15:01.040
<v Speaker 1>and then because of clean in credit history, they can

0:15:01.080 --> 0:15:04.280
<v Speaker 1>take out mortgages, apply for credit cards, receive government benefits.

0:15:04.280 --> 0:15:07.200
<v Speaker 1>Are you kidding me? And these crimes can go undetected

0:15:07.560 --> 0:15:10.880
<v Speaker 1>for years. Caused huge headaches because kids don't know and

0:15:10.920 --> 0:15:12.520
<v Speaker 1>they get older and all of a sudden they got

0:15:12.520 --> 0:15:15.640
<v Speaker 1>a problem. But that's why live flock exists. Good thing.

0:15:15.720 --> 0:15:18.760
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0:15:18.800 --> 0:15:21.680
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0:15:21.680 --> 0:15:25.160
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0:15:25.160 --> 0:15:27.480
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0:15:27.600 --> 0:15:30.560
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0:15:30.640 --> 0:15:33.800
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0:15:33.920 --> 0:15:36.800
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0:15:36.880 --> 0:15:39.320
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0:15:42.320 --> 0:15:45.000
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0:15:45.040 --> 0:15:48.280
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0:15:48.520 --> 0:15:51.760
<v Speaker 1>I like this one. I think I have Instagram. This

0:15:51.800 --> 0:15:53.040
<v Speaker 1>one who came out and the the night it came out.

0:15:53.240 --> 0:16:09.680
<v Speaker 1>But thank you and the Father the Fastest spend Now

0:16:10.360 --> 0:16:16.600
<v Speaker 1>I'm just going to remember it here. Yeah, that was

0:16:16.680 --> 0:16:20.080
<v Speaker 1>Caitlin Smith and Gordy Sampson and Caitlyn singing on it too.

0:16:22.240 --> 0:16:26.720
<v Speaker 1>I remember and I love that song. She is awesome man.

0:16:26.840 --> 0:16:30.080
<v Speaker 1>Kitl was one of the first ones we ever did this, right, Mike, Really,

0:16:30.480 --> 0:16:33.480
<v Speaker 1>We used to do this in my condo downtown and

0:16:33.520 --> 0:16:35.800
<v Speaker 1>we just that's the reason our studios are crappy up here,

0:16:36.120 --> 0:16:37.520
<v Speaker 1>because it's not a real studio. We just did a

0:16:37.520 --> 0:16:40.400
<v Speaker 1>bunchet equipment together and said, hey, we're gonna do a podcast,

0:16:40.440 --> 0:16:43.080
<v Speaker 1>and so some of the Caitlin Smith and Ryan heard

0:16:43.360 --> 0:16:45.360
<v Speaker 1>like two years ago. Yeah, like hey, just come over

0:16:45.400 --> 0:16:48.000
<v Speaker 1>to call the house and we started doing this and

0:16:48.040 --> 0:16:50.960
<v Speaker 1>here we are over a hundred hundred hours later. But

0:16:51.160 --> 0:16:56.280
<v Speaker 1>I love Wills that suitcase. Is that commercially your most

0:16:56.320 --> 0:17:06.360
<v Speaker 1>successful song that you've put out? It is? Yeah, they

0:17:06.359 --> 0:17:17.240
<v Speaker 1>were great many this it's fun in a bunch. So

0:17:17.280 --> 0:17:20.720
<v Speaker 1>when you do something like this case, are are labels

0:17:21.119 --> 0:17:25.960
<v Speaker 1>calling you? Because there's a buzz. There's a constant buzz

0:17:25.960 --> 0:17:29.600
<v Speaker 1>about you. But it's almost like if you're not super

0:17:29.720 --> 0:17:32.919
<v Speaker 1>shiny or not shiny at all, because if you're in

0:17:32.920 --> 0:17:38.040
<v Speaker 1>that middle, no, it's a weird place to be. Yeah, yeah,

0:17:38.320 --> 0:17:40.679
<v Speaker 1>you know, it's it's hard to have that outside or

0:17:40.720 --> 0:17:44.359
<v Speaker 1>impossible maybe to have that outside perspective on on where

0:17:44.400 --> 0:17:45.680
<v Speaker 1>I am in that I can give it to you you

0:17:45.760 --> 0:17:47.080
<v Speaker 1>if you want it. You want you want the outside,

0:17:47.119 --> 0:17:49.439
<v Speaker 1>you got it. Yeah, I have the because I'm not

0:17:50.160 --> 0:17:52.000
<v Speaker 1>I don't do the game. I don't. I don't hang

0:17:52.119 --> 0:17:55.200
<v Speaker 1>with industry people for this exact reason, so I can

0:17:55.240 --> 0:17:59.520
<v Speaker 1>have outside perspective. So this is the Steve Mokler thing.

0:18:00.600 --> 0:18:03.800
<v Speaker 1>Super good, super consistent, great songwriter, just waiting on that

0:18:04.040 --> 0:18:06.480
<v Speaker 1>whatever it is. Everybody keeps waiting on it because everybody

0:18:06.520 --> 0:18:11.000
<v Speaker 1>knows you're that good, thanks man. And so it's everybody

0:18:11.040 --> 0:18:14.320
<v Speaker 1>just kind of waits. And the thing is, you're not sixteen,

0:18:14.880 --> 0:18:17.960
<v Speaker 1>but you're not too old either, and you're good lucking enough.

0:18:19.600 --> 0:18:21.879
<v Speaker 1>So I don't I don't know. I don't know what

0:18:21.960 --> 0:18:25.439
<v Speaker 1>everybody's waiting on. I don't know what's it. It's not

0:18:25.480 --> 0:18:28.040
<v Speaker 1>that like you have a new style that you've reinvented.

0:18:28.320 --> 0:18:34.040
<v Speaker 1>You're just consistently nailing them with triples, thanks man. That's

0:18:34.480 --> 0:18:36.800
<v Speaker 1>that's a compliment. Dude, that that's a that's a great compliment,

0:18:36.840 --> 0:18:39.800
<v Speaker 1>and that's that's that's a huge coliment consistently hitting triples

0:18:40.080 --> 0:18:42.240
<v Speaker 1>and eventually those things start to go over the wall.

0:18:42.240 --> 0:18:44.760
<v Speaker 1>After you hit enough triples. Trust me, aplay high school baseball.

0:18:44.880 --> 0:18:48.399
<v Speaker 1>I'm super b adlet. Yeah, eventually you start to hit

0:18:48.440 --> 0:18:50.800
<v Speaker 1>home runs and you hit you know, a riser for

0:18:50.920 --> 0:18:52.719
<v Speaker 1>with you know, for Dirk. Yeah, do you ever think

0:18:52.720 --> 0:18:55.960
<v Speaker 1>about keeping this one? Oh man? At the I recorded

0:18:56.000 --> 0:19:01.040
<v Speaker 1>as well? Um, Travis meadows right, Yeah, yeah, you know

0:19:01.200 --> 0:19:03.080
<v Speaker 1>this was a this song was a huge gift man

0:19:03.119 --> 0:19:06.240
<v Speaker 1>and I I never thought the song would have the

0:19:06.280 --> 0:19:08.840
<v Speaker 1>life it did with Dirk's um. So you I know

0:19:08.880 --> 0:19:12.399
<v Speaker 1>Travis reporter it too. Yeah. Actually I don't think Travis

0:19:12.840 --> 0:19:16.440
<v Speaker 1>released a version of it. I have he recorded the

0:19:16.480 --> 0:19:19.440
<v Speaker 1>demo that I think is the demo that Dirk's uh

0:19:19.800 --> 0:19:22.200
<v Speaker 1>listened to and it was inspired and recorded. But is

0:19:22.240 --> 0:19:23.919
<v Speaker 1>that what we had, Mike? Do we just have it?

0:19:23.960 --> 0:19:25.399
<v Speaker 1>And that's why I know it if I'm singing it

0:19:26.800 --> 0:19:29.800
<v Speaker 1>and and I get the geek out on stuff and

0:19:30.080 --> 0:19:32.919
<v Speaker 1>keep stuff. So you recorded the song? I did, and

0:19:32.960 --> 0:19:34.800
<v Speaker 1>what did you do it? But I put it on

0:19:34.840 --> 0:19:37.199
<v Speaker 1>this record called Wide Open. It was my third record,

0:19:37.280 --> 0:19:39.480
<v Speaker 1>and I recorded it with this guy named Mike Rucky

0:19:39.720 --> 0:19:42.320
<v Speaker 1>and uh yeah, and it came out. It wasn't you know,

0:19:42.320 --> 0:19:44.360
<v Speaker 1>a single at that time. My whole team, I don't

0:19:44.359 --> 0:19:45.960
<v Speaker 1>even think I had a booking agent yet. It was

0:19:46.000 --> 0:19:48.320
<v Speaker 1>just me and my buddy, Tim was my manager. So

0:19:49.160 --> 0:19:51.320
<v Speaker 1>uh we we you know, as far as what we

0:19:51.359 --> 0:19:52.600
<v Speaker 1>did with it, we put it on a record and

0:19:52.640 --> 0:19:56.480
<v Speaker 1>we went out and toward it. There was no nothing

0:19:56.520 --> 0:19:59.160
<v Speaker 1>else really behind it but Dirk's. You know, Dirk's really

0:19:59.200 --> 0:20:01.920
<v Speaker 1>gave that song a big life and um and and

0:20:02.080 --> 0:20:03.400
<v Speaker 1>now when we go out and play it, it's cool

0:20:03.400 --> 0:20:05.400
<v Speaker 1>because people a lot more people know it than from

0:20:05.400 --> 0:20:08.560
<v Speaker 1>my version, for sure. So you wrote it, you cut it,

0:20:08.640 --> 0:20:11.480
<v Speaker 1>you put it out. From when it comes out for

0:20:11.520 --> 0:20:13.840
<v Speaker 1>consumption to when Dirks puts it out, what's that time?

0:20:14.280 --> 0:20:19.000
<v Speaker 1>So Dirk's put it out first, so we actually, um man,

0:20:19.000 --> 0:20:21.240
<v Speaker 1>it's hard to remember now, I don't know I remember

0:20:21.240 --> 0:20:22.760
<v Speaker 1>if it was part of the agreement or what, but

0:20:23.000 --> 0:20:25.040
<v Speaker 1>we definitely said, you know, he wanted to put the

0:20:25.080 --> 0:20:26.760
<v Speaker 1>song out first and his team didn't, and we said,

0:20:26.800 --> 0:20:29.360
<v Speaker 1>heck yeah, so my record came out. We didn't wait

0:20:29.400 --> 0:20:31.320
<v Speaker 1>to put my record out. But just happened to come

0:20:31.320 --> 0:20:33.200
<v Speaker 1>out after his. So then let me go back to

0:20:33.240 --> 0:20:35.840
<v Speaker 1>my original question, why, when you finished writing it, would

0:20:35.840 --> 0:20:38.760
<v Speaker 1>you go, hey, let's go ahead and pitch this song. Well,

0:20:38.760 --> 0:20:42.680
<v Speaker 1>at that point, I was I was really going through

0:20:42.680 --> 0:20:45.000
<v Speaker 1>a thing where I just I did. I wasn't sure

0:20:45.000 --> 0:20:47.280
<v Speaker 1>what my aspirations were as an artist. I was really

0:20:47.600 --> 0:20:52.800
<v Speaker 1>I was kind of a little bit tired, um from

0:20:52.800 --> 0:20:55.520
<v Speaker 1>my first two records and really trying to figure out

0:20:55.600 --> 0:20:58.960
<v Speaker 1>what box I fit in and um or at least

0:20:59.280 --> 0:21:00.879
<v Speaker 1>tired of feeling that was something I had to do.

0:21:00.960 --> 0:21:02.920
<v Speaker 1>And I just said, you know what, I'm just gonna

0:21:03.160 --> 0:21:05.720
<v Speaker 1>I'm just gonna write songs, fall back in love with

0:21:05.800 --> 0:21:08.000
<v Speaker 1>writing songs, and and and that was actually when I

0:21:08.000 --> 0:21:11.080
<v Speaker 1>got married, and I actually, you know, I just kind

0:21:11.080 --> 0:21:14.800
<v Speaker 1>of hunkered down here in town and and and just

0:21:14.800 --> 0:21:17.919
<v Speaker 1>worked on my songwriting and um and that was when

0:21:17.960 --> 0:21:19.960
<v Speaker 1>I recorded that song. So at the time, I wasn't

0:21:20.040 --> 0:21:22.160
<v Speaker 1>really going, hey, let's I want to be a big star,

0:21:22.240 --> 0:21:23.600
<v Speaker 1>I want to have this on the radio. I was

0:21:23.640 --> 0:21:27.120
<v Speaker 1>just I was writing from a different placed. Was gonna

0:21:27.119 --> 0:21:29.680
<v Speaker 1>put that as a single when he took it? No, No,

0:21:29.800 --> 0:21:32.320
<v Speaker 1>I had no idea. Uh, I was just I was

0:21:32.359 --> 0:21:34.080
<v Speaker 1>psyched when it actually just made it on the record,

0:21:34.080 --> 0:21:35.840
<v Speaker 1>because I've had a couple of songs say they're gonna

0:21:35.840 --> 0:21:37.080
<v Speaker 1>be on the record and they don't. So when I

0:21:37.080 --> 0:21:38.880
<v Speaker 1>heard it was for sure on there, I was excited.

0:21:38.880 --> 0:21:43.240
<v Speaker 1>And then I'll never forget the morning. Uh, I woke

0:21:43.359 --> 0:21:46.480
<v Speaker 1>up and opened my email and and or I don't

0:21:46.520 --> 0:21:47.760
<v Speaker 1>know if it was an email or Twitter, and I

0:21:47.760 --> 0:21:51.440
<v Speaker 1>saw Dirk's released this whole riser campaign to announce his record,

0:21:51.480 --> 0:21:55.560
<v Speaker 1>and I was just oh, man, I was just it

0:21:55.640 --> 0:21:59.040
<v Speaker 1>was in the video was so inspiring, and uh it was.

0:21:59.160 --> 0:22:01.840
<v Speaker 1>It was amazing for only Yeah, and that's a great

0:22:01.880 --> 0:22:04.679
<v Speaker 1>When they announced the record and it's the name of

0:22:04.720 --> 0:22:07.479
<v Speaker 1>your song, you pretty much know it that it's going

0:22:07.520 --> 0:22:10.760
<v Speaker 1>to be a single. Rarely and it happens occasionally, it

0:22:10.840 --> 0:22:12.880
<v Speaker 1>does ye know that's happened where they name it after

0:22:12.960 --> 0:22:15.280
<v Speaker 1>a tract that doesn't come out. But most of the

0:22:15.320 --> 0:22:18.600
<v Speaker 1>time that ends up being a song like a radio song. Yeah,

0:22:18.640 --> 0:22:20.760
<v Speaker 1>so you got it, that's true. But I wouldn't let

0:22:20.760 --> 0:22:24.520
<v Speaker 1>my song. I've got so many self defense mechanism built

0:22:24.520 --> 0:22:26.480
<v Speaker 1>at this point, I wouldn't let myself go there. But

0:22:26.520 --> 0:22:28.760
<v Speaker 1>I was when it finally did, I was really excited,

0:22:29.359 --> 0:22:31.920
<v Speaker 1>your wife really excited. We both were went to remember

0:22:32.040 --> 0:22:34.240
<v Speaker 1>going to see Dirk's and going to see him in

0:22:34.280 --> 0:22:37.120
<v Speaker 1>Birmingham on the Riser tour. And actually sorry the tour

0:22:37.200 --> 0:22:39.119
<v Speaker 1>is named after the Yeah, dude, actually know it was

0:22:39.240 --> 0:22:40.520
<v Speaker 1>l A. We saw him in l A. First we

0:22:40.560 --> 0:22:42.840
<v Speaker 1>said we saw a couple of shows on that tour. Um.

0:22:42.920 --> 0:22:45.359
<v Speaker 1>But uh yeah about the Risor t shirt, man, I

0:22:45.440 --> 0:22:48.040
<v Speaker 1>was I was psucked. Didn't even get a free one.

0:22:49.000 --> 0:22:52.239
<v Speaker 1>I didn't ask. I probably could have my way. He

0:22:52.280 --> 0:22:56.280
<v Speaker 1>didn't know, he didn't know. Let's see Steve Mochlan. What

0:22:56.320 --> 0:22:59.400
<v Speaker 1>else do Yeah, I like your sound. I'm a little

0:22:59.400 --> 0:23:01.359
<v Speaker 1>partial because I to bring in anybody I want. So

0:23:01.440 --> 0:23:05.479
<v Speaker 1>I'm a fan of your sound. You're the singer songwriter artist.

0:23:05.840 --> 0:23:08.520
<v Speaker 1>That's what I like. Cool. Thanks, man. So when I

0:23:08.560 --> 0:23:21.440
<v Speaker 1>hear like here, let's talk about ballad. Oh I love it.

0:23:21.720 --> 0:23:25.040
<v Speaker 1>Let's fresh off the skiel and I'm totally into telling

0:23:25.080 --> 0:23:31.119
<v Speaker 1>about this one. This song has a very unique backstory. Um.

0:23:31.160 --> 0:23:34.359
<v Speaker 1>So there's a song on my last record called Siddle

0:23:34.400 --> 0:23:37.200
<v Speaker 1>Saloon that's it's about a bar and my grandfather's basement.

0:23:37.320 --> 0:23:40.359
<v Speaker 1>And in the second verse, I say, there's a line

0:23:40.359 --> 0:23:42.600
<v Speaker 1>that says Grandpa and his brothers back when they were young,

0:23:42.880 --> 0:23:45.600
<v Speaker 1>come down here once they and loaded those trucks. So

0:23:46.240 --> 0:23:48.760
<v Speaker 1>one of my one of my agents at CIA, had

0:23:48.760 --> 0:23:50.840
<v Speaker 1>to had been talking to Mac Trucks at the time

0:23:51.240 --> 0:23:54.359
<v Speaker 1>and they were looking for somebody to write a song

0:23:54.480 --> 0:23:57.480
<v Speaker 1>for them. So mag and I just played my record

0:23:57.520 --> 0:23:59.440
<v Speaker 1>for CIA and told them about the you know story

0:23:59.440 --> 0:24:01.240
<v Speaker 1>about that song long and how my grandfather was a

0:24:01.240 --> 0:24:04.960
<v Speaker 1>mechanic and had a fleet of concrete hauling trucks and

0:24:05.840 --> 0:24:09.320
<v Speaker 1>so being now is from Pennsylvania. And with that stat alone,

0:24:09.359 --> 0:24:11.160
<v Speaker 1>they said, hey, maybe this guy can write your song.

0:24:11.960 --> 0:24:15.120
<v Speaker 1>So the Mack Truck's team came to my Steel Town

0:24:15.200 --> 0:24:17.639
<v Speaker 1>album release party and just got to know me, and

0:24:17.680 --> 0:24:20.879
<v Speaker 1>we really hit it off and and they ended up

0:24:20.920 --> 0:24:23.199
<v Speaker 1>asking me to write this song. And so I had

0:24:23.240 --> 0:24:24.960
<v Speaker 1>a bunch of phone calls with them trying to write

0:24:25.000 --> 0:24:27.920
<v Speaker 1>them the song. And as they unwrote, they were rolling

0:24:27.920 --> 0:24:32.240
<v Speaker 1>out a new truck called the Anthem, and uh, you know,

0:24:32.320 --> 0:24:34.560
<v Speaker 1>I just said, hey, cool, I would love that. Be awesome. Uh.

0:24:34.600 --> 0:24:37.240
<v Speaker 1>And I end up writing the song and just loving

0:24:37.280 --> 0:24:40.919
<v Speaker 1>it that. They paid me well more than that for

0:24:40.960 --> 0:24:43.080
<v Speaker 1>any other song I've written any of the corporate stuff.

0:24:43.080 --> 0:24:45.200
<v Speaker 1>That I do. It's just money. It's awesome money because

0:24:45.200 --> 0:24:47.360
<v Speaker 1>they have so much of it. They don't even comprehend

0:24:47.440 --> 0:24:50.760
<v Speaker 1>what a normal human once and we'll get and they

0:24:50.760 --> 0:24:53.320
<v Speaker 1>just they just throw it at you. It's amazing. It was.

0:24:53.640 --> 0:24:55.639
<v Speaker 1>It was cool and as cool as the money was,

0:24:55.720 --> 0:24:58.359
<v Speaker 1>it was really cool to actually love the song for

0:24:58.520 --> 0:25:00.400
<v Speaker 1>me to eat first before he loves on. You gotta

0:25:00.400 --> 0:25:02.159
<v Speaker 1>eat real food and you gotta pick. But when you

0:25:02.160 --> 0:25:04.520
<v Speaker 1>can do both, you know, that's that's the sweet spot.

0:25:04.840 --> 0:25:07.760
<v Speaker 1>I agree, you got to eat first. You do gotta eat.

0:25:08.080 --> 0:25:10.679
<v Speaker 1>So when you moved to town, how did you make

0:25:10.760 --> 0:25:13.360
<v Speaker 1>money for the first couple of years, Well, the first

0:25:13.359 --> 0:25:16.200
<v Speaker 1>couple of years I was here, out of college, out

0:25:16.240 --> 0:25:19.200
<v Speaker 1>of coms. Okay, you just grind on the road, man.

0:25:19.240 --> 0:25:22.520
<v Speaker 1>I didn't have enough gigs to do that. I I

0:25:22.560 --> 0:25:26.480
<v Speaker 1>had a couple of jobs I worked. I I bought

0:25:27.040 --> 0:25:31.840
<v Speaker 1>headlights off of busted cars and resold them to uh

0:25:31.960 --> 0:25:35.560
<v Speaker 1>my ex girlfriend's stepdad's auto company. So the cars were busted.

0:25:35.640 --> 0:25:39.240
<v Speaker 1>Not the headline, the direct cars headline for so Good. Yes,

0:25:39.240 --> 0:25:40.920
<v Speaker 1>And actually at that time I lived in When I

0:25:40.960 --> 0:25:43.119
<v Speaker 1>was driving over here, I was back in my oldhood.

0:25:43.160 --> 0:25:45.800
<v Speaker 1>I lived on Lookout drive just a little bit away

0:25:45.800 --> 0:25:48.479
<v Speaker 1>from here, and I drive around two different body shops

0:25:48.480 --> 0:25:51.199
<v Speaker 1>in the area, and I'd go in there and with

0:25:51.240 --> 0:25:53.679
<v Speaker 1>a little bit of cash and and um, you know,

0:25:53.800 --> 0:25:56.639
<v Speaker 1>just I it was just this whole subculture of of

0:25:57.080 --> 0:26:01.000
<v Speaker 1>you know, of business where these guys got headlights, are

0:26:01.000 --> 0:26:02.800
<v Speaker 1>sitting on there waiting for guys like me to come

0:26:02.840 --> 0:26:05.760
<v Speaker 1>in and they're hoping that I'll pay over pay for him,

0:26:05.880 --> 0:26:07.800
<v Speaker 1>and then I'll sell them back and they'll be refurbished

0:26:07.840 --> 0:26:10.280
<v Speaker 1>and sold on you know, eBay or something. Oh. It's

0:26:10.320 --> 0:26:14.320
<v Speaker 1>fascinated with happy people made money too survive and then

0:26:14.359 --> 0:26:18.040
<v Speaker 1>thrive creatively. Because I struggled hard for years. They just

0:26:18.040 --> 0:26:21.240
<v Speaker 1>making money and living. So I'm fascinating with people's stories

0:26:21.480 --> 0:26:24.280
<v Speaker 1>about how they were able to live when it was

0:26:24.440 --> 0:26:29.320
<v Speaker 1>really lean. Yeah, and so you're in this flip this headlight,

0:26:29.520 --> 0:26:31.840
<v Speaker 1>flipping headlights. I was doing that. I was also working

0:26:31.920 --> 0:26:35.439
<v Speaker 1>childcare at a church on West End one day, Like

0:26:35.560 --> 0:26:40.520
<v Speaker 1>you're watching kids watching kids, yeah, like a daycare, Like yeah, dude,

0:26:40.560 --> 0:26:43.359
<v Speaker 1>Steve mcre daycare. So I was I was going from

0:26:43.440 --> 0:26:46.639
<v Speaker 1>body shop into daycare and and then still trying to

0:26:46.680 --> 0:26:50.440
<v Speaker 1>you know, do my shows. And at a certain point, Um,

0:26:50.480 --> 0:26:53.479
<v Speaker 1>I was, I was making more money selling T shirts

0:26:53.480 --> 0:26:56.040
<v Speaker 1>and CDs than I was investing in these headlights. I was,

0:26:56.080 --> 0:26:59.320
<v Speaker 1>I was, I was seeing a faster return on on that.

0:26:59.440 --> 0:27:02.000
<v Speaker 1>So I've eventually was able to stop doing it, But

0:27:02.480 --> 0:27:05.040
<v Speaker 1>I was in this. I think my my break, I

0:27:05.080 --> 0:27:08.800
<v Speaker 1>guess was getting to do this college touring scenes called

0:27:08.920 --> 0:27:11.800
<v Speaker 1>naka and uh. So I drove around and played a

0:27:11.800 --> 0:27:14.720
<v Speaker 1>lot of colleges a lot of times. It was you

0:27:14.760 --> 0:27:19.200
<v Speaker 1>know that lunch time, um, you know when we're kids

0:27:19.240 --> 0:27:21.679
<v Speaker 1>reading Chicken Caesar wraps with their back to you, and

0:27:21.720 --> 0:27:24.399
<v Speaker 1>you're playing your own music, maybe mixing a little bit

0:27:24.400 --> 0:27:27.600
<v Speaker 1>of Miley Sorry Cyrus to get their attention. And I

0:27:27.640 --> 0:27:29.560
<v Speaker 1>did that for a couple of years, and I actually

0:27:29.600 --> 0:27:31.840
<v Speaker 1>made good money doing that, but it was I could

0:27:31.880 --> 0:27:33.679
<v Speaker 1>tell I really wasn't building a fan base and I

0:27:33.720 --> 0:27:37.159
<v Speaker 1>wasn't getting better at writing songs. So I decided to

0:27:37.320 --> 0:27:40.320
<v Speaker 1>change gears and stop doing that and be poor again. Word,

0:27:40.600 --> 0:27:42.439
<v Speaker 1>And you know what being poor is also because you

0:27:42.520 --> 0:27:45.840
<v Speaker 1>really find out who you are. Yeah, that's where that

0:27:46.600 --> 0:27:48.119
<v Speaker 1>I mean, that's the only reason I can still know

0:27:48.160 --> 0:27:49.359
<v Speaker 1>who I am, because I go, what would I do

0:27:49.440 --> 0:27:51.040
<v Speaker 1>about if I still poor? Because it was I'm not

0:27:51.080 --> 0:27:53.280
<v Speaker 1>poor anymore. I was poor for most of my life.

0:27:53.480 --> 0:27:55.680
<v Speaker 1>And sometimes when I have these decisions like Okay, which

0:27:55.760 --> 0:27:57.679
<v Speaker 1>lane would I want to go? I go, Okay, if

0:27:57.680 --> 0:27:59.480
<v Speaker 1>you're still poor, which lane would you go? That reason?

0:27:59.520 --> 0:28:04.440
<v Speaker 1>That's me real quick. Yeah, so you're you're out, you're

0:28:04.440 --> 0:28:07.920
<v Speaker 1>playing colleges, you're playing cafeterias. Yeah, and you go, Okay,

0:28:08.000 --> 0:28:11.439
<v Speaker 1>it's not for me, burnt out, burnout exactly. Then how

0:28:11.440 --> 0:28:12.919
<v Speaker 1>do you start to develop a fan base? What do

0:28:13.000 --> 0:28:14.840
<v Speaker 1>you do to develop a fan base? Well, a couple

0:28:14.880 --> 0:28:18.480
<v Speaker 1>of things happened. Um, I became friends with these guys

0:28:18.520 --> 0:28:22.080
<v Speaker 1>in town, Ben Rector. Well this actually before Ben record came.

0:28:22.119 --> 0:28:24.159
<v Speaker 1>Town was Dave Barnes and Matt Worts. I don't know

0:28:24.200 --> 0:28:25.680
<v Speaker 1>if you know much about those guys, but they were

0:28:25.720 --> 0:28:30.399
<v Speaker 1>kind of, I would say, pioneer singer songwriters here in Nashville.

0:28:30.400 --> 0:28:32.359
<v Speaker 1>They were they weren't signed in major labels, but they

0:28:32.400 --> 0:28:35.840
<v Speaker 1>were building a following just by going out and making

0:28:35.840 --> 0:28:39.440
<v Speaker 1>great records and playing clubs. And and those guys heard

0:28:39.480 --> 0:28:41.880
<v Speaker 1>my first record and let me come out and open

0:28:41.960 --> 0:28:45.360
<v Speaker 1>for them. That was one big break, um, where it

0:28:45.400 --> 0:28:48.680
<v Speaker 1>was actually playing for fans for their fans, and um,

0:28:48.960 --> 0:28:52.320
<v Speaker 1>and but shortly thereafter met Ben Rector and he did

0:28:52.520 --> 0:28:54.440
<v Speaker 1>some touring with him, and he was the one that

0:28:54.440 --> 0:28:56.080
<v Speaker 1>gave me the advice when I was like, dude, I'm

0:28:56.080 --> 0:28:58.520
<v Speaker 1>burned out. I don't know if I could do this anymore.

0:28:58.360 --> 0:29:00.960
<v Speaker 1>He remember him saying, man, you know you're gonna see

0:29:00.960 --> 0:29:03.320
<v Speaker 1>a return on whatever you invest your time, and if

0:29:03.360 --> 0:29:05.840
<v Speaker 1>you want to be a better songwriter, you should invest

0:29:05.880 --> 0:29:08.360
<v Speaker 1>your time in writing songs. So at that point I came,

0:29:08.440 --> 0:29:12.040
<v Speaker 1>I stopped doing that, and um, I just really started

0:29:12.040 --> 0:29:14.600
<v Speaker 1>putting in time on music. Real. I'm a big bend

0:29:14.640 --> 0:29:17.440
<v Speaker 1>Rector guy. I want to enjoy his style of music

0:29:17.480 --> 0:29:24.440
<v Speaker 1>and too. Arkansas. Yeah, he's in Arkansas, Guys, I'm a Rector.

0:29:24.520 --> 0:29:27.600
<v Speaker 1>Oh my god, he's awesome. Yeah, he's one of the best.

0:29:27.760 --> 0:29:30.920
<v Speaker 1>We were on the Southwest flight from here to California.

0:29:31.200 --> 0:29:33.160
<v Speaker 1>I think we're both in life in the bathroom and

0:29:33.160 --> 0:29:35.320
<v Speaker 1>I was like, hey, dude, have you been I was

0:29:35.360 --> 0:29:38.320
<v Speaker 1>like yeah, I said, hey, Bob. We talked like ten minutes.

0:29:38.360 --> 0:29:40.680
<v Speaker 1>We took a league. It was all we say. I

0:29:40.680 --> 0:29:42.840
<v Speaker 1>mean nice that it could be. I watched his a

0:29:42.920 --> 0:29:46.640
<v Speaker 1>YouTube live. He did a YouTube live concert. I don't

0:29:46.640 --> 0:29:48.440
<v Speaker 1>know if I knew that it was and it was

0:29:48.480 --> 0:29:50.480
<v Speaker 1>the coolest live concert I've ever seen it. I think

0:29:50.480 --> 0:29:52.680
<v Speaker 1>it was that I think Chapel Hill in North Carolina.

0:29:53.160 --> 0:29:55.840
<v Speaker 1>And he's because he plays piano. He you know, he's

0:29:55.840 --> 0:29:59.360
<v Speaker 1>just it. But it was really, uh a cool thing

0:29:59.400 --> 0:30:03.959
<v Speaker 1>to see a live YouTube concert with someone that you

0:30:04.000 --> 0:30:06.520
<v Speaker 1>see bouncing around town. Yeah, because you just say, he

0:30:06.600 --> 0:30:08.880
<v Speaker 1>just walks, you know, in he's Nashville. I don't know

0:30:08.880 --> 0:30:10.840
<v Speaker 1>if he still where he lives anymore, but yeah, he's

0:30:11.080 --> 0:30:13.440
<v Speaker 1>He's seemed like a nice guy. He's a really nice guy. Man.

0:30:13.480 --> 0:30:16.240
<v Speaker 1>It's it's always we we know, we did a lot

0:30:16.240 --> 0:30:20.040
<v Speaker 1>of touring together at the beginning, and it's it's always

0:30:20.080 --> 0:30:23.520
<v Speaker 1>crazy for me. You know, he's he's big time now. Man,

0:30:23.560 --> 0:30:26.240
<v Speaker 1>it's he it's by being his friend, being his friend

0:30:26.320 --> 0:30:28.840
<v Speaker 1>from from the beginning of that. It's again it's hard

0:30:28.880 --> 0:30:30.360
<v Speaker 1>to have a glimpse of until you go to one

0:30:30.360 --> 0:30:32.400
<v Speaker 1>of his shows and you're like, wow, man, the show

0:30:32.480 --> 0:30:35.560
<v Speaker 1>still does And he's independent as far as much as

0:30:35.600 --> 0:30:38.080
<v Speaker 1>you can be an independent artist. That's him and that

0:30:38.120 --> 0:30:43.120
<v Speaker 1>has to inspire artists too, that you can just do

0:30:43.240 --> 0:30:45.680
<v Speaker 1>your thing and if you do it the right way

0:30:45.920 --> 0:30:50.080
<v Speaker 1>and you hit that right chord that a following will develop,

0:30:50.520 --> 0:30:53.720
<v Speaker 1>and he's done that. He certainly has. Yeah, he's got

0:30:53.720 --> 0:30:58.000
<v Speaker 1>a people pour into his shows, and he super serves

0:30:58.000 --> 0:31:00.760
<v Speaker 1>his audience. Where we are now in this culture of

0:31:01.760 --> 0:31:06.040
<v Speaker 1>I would say the nineties and back nineties to the sixties,

0:31:06.040 --> 0:31:07.800
<v Speaker 1>where you could put something out and you just wanted

0:31:07.880 --> 0:31:10.800
<v Speaker 1>to be mass popular for everybody. You just want to

0:31:10.840 --> 0:31:12.720
<v Speaker 1>make the best thing and hope that most people loved you.

0:31:12.800 --> 0:31:16.000
<v Speaker 1>We're in this culture now of super serving your slice

0:31:16.000 --> 0:31:18.560
<v Speaker 1>of the pie so much that that's all I care

0:31:18.600 --> 0:31:21.680
<v Speaker 1>about anymore. They're just talking to my people. I want

0:31:21.680 --> 0:31:24.760
<v Speaker 1>to super serve my people, and that's it. And what

0:31:24.840 --> 0:31:28.320
<v Speaker 1>I've noticed is my little slice. When I superserve my people,

0:31:28.600 --> 0:31:31.360
<v Speaker 1>it starts to get a little wider. I'm not chasing this.

0:31:31.720 --> 0:31:33.400
<v Speaker 1>If so, I would have send in top forty, but

0:31:33.400 --> 0:31:35.320
<v Speaker 1>that wasn't for me. I wanted to come over here.

0:31:35.840 --> 0:31:38.560
<v Speaker 1>These are my people, and I feed them as much

0:31:38.640 --> 0:31:41.000
<v Speaker 1>pie as it can possibly eat. And I'm only feeding them.

0:31:41.000 --> 0:31:43.120
<v Speaker 1>I don't care about anybody else. But I start to

0:31:43.160 --> 0:31:45.480
<v Speaker 1>notice that I just feed them, that little piece of

0:31:45.480 --> 0:31:47.640
<v Speaker 1>pie gets a little bigger and a little bigger, and

0:31:47.680 --> 0:31:49.239
<v Speaker 1>I think that's where it's all going now. It's so

0:31:49.280 --> 0:31:55.360
<v Speaker 1>many avenues, from streaming to YouTube, to radio to everything

0:31:55.360 --> 0:31:59.360
<v Speaker 1>on the phone. There are ten tho quote unquote celebrities now,

0:32:00.240 --> 0:32:02.000
<v Speaker 1>and you can try to be big for everybody and

0:32:02.040 --> 0:32:04.240
<v Speaker 1>nobody's gonna care. Or you can be big to your

0:32:04.360 --> 0:32:07.280
<v Speaker 1>specific group of people. And that's how you make it now,

0:32:07.280 --> 0:32:08.680
<v Speaker 1>and that's how you continue to make a living. At

0:32:08.720 --> 0:32:10.760
<v Speaker 1>least that's how I've done it. I don't even know, dude.

0:32:11.120 --> 0:32:16.640
<v Speaker 1>Here's the song. I like this one, Fearful and take me.

0:32:19.240 --> 0:32:23.240
<v Speaker 1>This is this is vintage right here. I'm amazing you

0:32:23.280 --> 0:32:29.760
<v Speaker 1>pull this up? How old are you? Dude? I'm it's

0:32:29.800 --> 0:32:33.520
<v Speaker 1>hard to listen to. Why I think I'm I think

0:32:33.600 --> 0:32:40.360
<v Speaker 1>I'm why is this hard? My voice? Dude, it's it's

0:32:40.440 --> 0:32:46.080
<v Speaker 1>so emotional, it's so so. It does sound like a

0:32:46.160 --> 0:32:50.200
<v Speaker 1>vampire playing piano. I thought I actually looked a little

0:32:50.200 --> 0:32:53.479
<v Speaker 1>bit like a vampire in this album cover. Shoot too

0:32:55.160 --> 0:32:58.920
<v Speaker 1>long and hard to day. What would you tell this

0:32:59.000 --> 0:33:03.920
<v Speaker 1>nineteen year old right now? Relax? I think I'd say, relax? Man.

0:33:03.920 --> 0:33:08.720
<v Speaker 1>I was, um, you know at that point, man, I

0:33:08.800 --> 0:33:14.160
<v Speaker 1>think I was. I was really thinking, um, I remember,

0:33:15.000 --> 0:33:16.920
<v Speaker 1>you know, making that record and thinking, oh man, you know,

0:33:16.960 --> 0:33:19.840
<v Speaker 1>someone's gonna pick this up and gonna be you know,

0:33:19.960 --> 0:33:22.959
<v Speaker 1>tour bus, you know, in any minute now. And I

0:33:23.000 --> 0:33:26.720
<v Speaker 1>was I was also you know, uh, I think really

0:33:27.000 --> 0:33:29.680
<v Speaker 1>really in my head too about relationships. I was just

0:33:29.760 --> 0:33:32.600
<v Speaker 1>I was just pretty uptight, um and it took for

0:33:32.680 --> 0:33:35.320
<v Speaker 1>me a while to kind of chill out. But I

0:33:35.400 --> 0:33:39.880
<v Speaker 1>think I would say, man, um, keep making music from

0:33:39.920 --> 0:33:43.320
<v Speaker 1>your heart and uh, and don't be in a hurry

0:33:43.800 --> 0:33:46.360
<v Speaker 1>and enjoy the ride. I think that's what i'd say.

0:33:46.360 --> 0:33:49.320
<v Speaker 1>I have some songs here that you've written. Here's that

0:33:49.520 --> 0:34:13.400
<v Speaker 1>Dirk Marty grawl before bad yeah before Afteriser, that was

0:34:13.400 --> 0:34:15.960
<v Speaker 1>an Afteriser actually wrote that one with Dirks and now

0:34:16.080 --> 0:34:18.480
<v Speaker 1>we Himby. Do you feel oh man, that's powerful? Right?

0:34:18.600 --> 0:34:20.640
<v Speaker 1>It was awesome. So you know, if you're writing with

0:34:20.800 --> 0:34:23.799
<v Speaker 1>and foreign artist and someone like Natalie Himby is there,

0:34:23.840 --> 0:34:26.080
<v Speaker 1>that song is going to get used. I felt pretty

0:34:26.080 --> 0:34:28.160
<v Speaker 1>good that day. I was. I was in a good spot. Yeah,

0:34:28.520 --> 0:34:30.920
<v Speaker 1>that's just a because those guys, they only have so

0:34:30.960 --> 0:34:34.640
<v Speaker 1>many rights. An artist only has especially of that stature

0:34:35.280 --> 0:34:37.480
<v Speaker 1>on the road all the time and only has so

0:34:37.520 --> 0:34:40.520
<v Speaker 1>many rights, and they're writing for a specific reason. Derk

0:34:40.640 --> 0:34:43.320
<v Speaker 1>is not just dicking around and he's there right, songs

0:34:43.360 --> 0:34:46.879
<v Speaker 1>for him and then Natalie Himby who writes everything. I mean,

0:34:47.080 --> 0:34:49.200
<v Speaker 1>so you wrote that with her and Dirk's yeah, and

0:34:49.480 --> 0:34:52.080
<v Speaker 1>so you gotta feel pretty good. Yeah when Dirks goes yeah,

0:34:52.120 --> 0:34:53.880
<v Speaker 1>I like it. It was awesome. It was it was

0:34:53.920 --> 0:34:56.040
<v Speaker 1>It was a really fun day, man. I remember it

0:34:56.120 --> 0:34:58.360
<v Speaker 1>was just that day. It just came easy and it was.

0:34:58.600 --> 0:35:01.719
<v Speaker 1>It was a blast there, both so talented. So what's

0:35:01.719 --> 0:35:03.880
<v Speaker 1>happened with you right now? Um? What do you? What

0:35:03.920 --> 0:35:06.279
<v Speaker 1>do you people to consume of yours? Well, we just

0:35:06.480 --> 0:35:08.840
<v Speaker 1>released that song Born Ready, which is the title track

0:35:08.920 --> 0:35:11.359
<v Speaker 1>of the new record we have coming out, and we're

0:35:11.360 --> 0:35:14.960
<v Speaker 1>gonna be rolling out a couple more songs and we're

0:35:15.000 --> 0:35:17.680
<v Speaker 1>announcing a toorical the Born Ready tour this for this spring,

0:35:17.920 --> 0:35:20.640
<v Speaker 1>so all the tour will kind of lead us right

0:35:20.680 --> 0:35:27.040
<v Speaker 1>to the record release. The hurts thing like that depends

0:35:27.080 --> 0:35:29.040
<v Speaker 1>on how much water I've had to drink or beer.

0:35:29.760 --> 0:35:33.479
<v Speaker 1>Do you have to hydrate fully? Yeah? I mean yeah

0:35:33.520 --> 0:35:35.520
<v Speaker 1>when I'm on when I'm on tour, I definitely drink

0:35:35.560 --> 0:35:39.480
<v Speaker 1>a lot of water and that keeps me out of trouble. Howay,

0:35:39.640 --> 0:35:42.480
<v Speaker 1>So you're getting there? Yeah, A water man need that

0:35:42.520 --> 0:35:44.520
<v Speaker 1>water dude, you need it, and I don't really appreciate it.

0:35:44.600 --> 0:35:47.200
<v Speaker 1>Water and knees are the two things that never really

0:35:47.239 --> 0:35:49.959
<v Speaker 1>thought much. If you just leave your knees, you're done.

0:35:50.680 --> 0:35:52.239
<v Speaker 1>You're right, man, I guess mine are still all right.

0:35:52.320 --> 0:35:53.799
<v Speaker 1>Drink a lot of water and take care of your

0:35:53.840 --> 0:35:55.880
<v Speaker 1>knees and your teeth. How do you take care of

0:35:55.880 --> 0:35:57.920
<v Speaker 1>your knees? Just not beat them up too bad? Or

0:35:57.960 --> 0:35:59.960
<v Speaker 1>is there you got any knee exercise? A little thing

0:36:00.120 --> 0:36:01.920
<v Speaker 1>like I'll do pull ups. I used to just boom,

0:36:02.000 --> 0:36:05.040
<v Speaker 1>follow my feet. Now you go down and you're cushion

0:36:05.120 --> 0:36:08.399
<v Speaker 1>it by bending your knees a bit, right. Just take

0:36:08.440 --> 0:36:10.040
<v Speaker 1>it from someone a few years older than you. We

0:36:10.120 --> 0:36:13.320
<v Speaker 1>were watching Olympics last night. That hitting the moguls, those dudes.

0:36:13.400 --> 0:36:16.480
<v Speaker 1>I just crushes my knees to watch him. Yeah, I

0:36:16.520 --> 0:36:20.080
<v Speaker 1>can't ski though I've never been snow skan. I'm a snowboarder.

0:36:20.120 --> 0:36:21.839
<v Speaker 1>I grew up doing that. I guess so you're from

0:36:21.840 --> 0:36:26.399
<v Speaker 1>that bought a stupid question you pay. No, it's I don't,

0:36:26.400 --> 0:36:28.440
<v Speaker 1>it's I don't. I wouldn't say it's that that obvious.

0:36:28.480 --> 0:36:34.239
<v Speaker 1>But about a coat? Everything you want to ask, Oh,

0:36:34.280 --> 0:36:37.880
<v Speaker 1>Steve Mockler, you feel like we you felt like we

0:36:38.000 --> 0:36:41.400
<v Speaker 1>covered it over you did? Uh one of the crowdfunding

0:36:41.400 --> 0:36:43.520
<v Speaker 1>things for your record back in the day, right, Oh yeah, man,

0:36:43.920 --> 0:36:46.879
<v Speaker 1>early in the crowdfunding days. It was early. Yeah, we

0:36:47.120 --> 0:36:49.600
<v Speaker 1>was the kickstarter like it was one of I was

0:36:49.640 --> 0:36:51.560
<v Speaker 1>with this guy Andy Davis did it in here in

0:36:51.600 --> 0:36:53.520
<v Speaker 1>town and and then we did one shortly after him,

0:36:53.560 --> 0:36:56.480
<v Speaker 1>and it was from my second record, watching Time Run

0:36:56.719 --> 0:36:58.959
<v Speaker 1>and uh, and it went really well. I went skydiving.

0:36:59.520 --> 0:37:01.160
<v Speaker 1>I was like, if we're gonna ask people for money,

0:37:01.280 --> 0:37:04.200
<v Speaker 1>I gotta do something cool. So I kind of made

0:37:04.200 --> 0:37:05.640
<v Speaker 1>this whole thing where I was like, I'm gonna go

0:37:05.640 --> 0:37:07.560
<v Speaker 1>skydive and kind of made this metaphor. It's like I

0:37:07.600 --> 0:37:10.120
<v Speaker 1>got the studio time. It's like jumping out of it,

0:37:10.160 --> 0:37:11.439
<v Speaker 1>but I don't have the money to pay for It's

0:37:11.440 --> 0:37:13.160
<v Speaker 1>like jumping out of a plane without a parachute. Are

0:37:13.200 --> 0:37:15.480
<v Speaker 1>you gonna be there for me? So we called all

0:37:15.480 --> 0:37:19.800
<v Speaker 1>the all the little packages parachute packages, and it worked.

0:37:19.800 --> 0:37:22.040
<v Speaker 1>It was cool and and it made me overcome my

0:37:22.080 --> 0:37:24.200
<v Speaker 1>fear heights you jumped out of a plane. Do you

0:37:24.239 --> 0:37:26.279
<v Speaker 1>feel did you? Did you do something for everybody? Is

0:37:26.400 --> 0:37:28.880
<v Speaker 1>what that is like? If you can sign something to

0:37:28.920 --> 0:37:31.360
<v Speaker 1>send it to you. There's all different kind of packages.

0:37:31.640 --> 0:37:33.320
<v Speaker 1>You know. You can you can get a sign poster

0:37:33.440 --> 0:37:36.000
<v Speaker 1>and get the record early. You can, you know something,

0:37:36.000 --> 0:37:37.320
<v Speaker 1>you could even write a song with me. That was

0:37:37.360 --> 0:37:40.000
<v Speaker 1>one of the higher end packages. So there's all kinds

0:37:40.000 --> 0:37:44.080
<v Speaker 1>of stuff. It was cool. Oh dude, it's I don't

0:37:44.120 --> 0:37:47.160
<v Speaker 1>charge anybody now, man, let me been on that one. Uh, Steve,

0:37:47.160 --> 0:37:49.000
<v Speaker 1>good to see buddy, Great to see too. Man. Pretty

0:37:49.120 --> 0:37:50.400
<v Speaker 1>for having me. Yeah, I appreciate you coming to the

0:37:50.400 --> 0:37:56.200
<v Speaker 1>house and check out Born Ready to These things gets

0:37:56.280 --> 0:37:57.680
<v Speaker 1>to do all the time. Maybe the records all By

0:37:57.719 --> 0:38:00.080
<v Speaker 1>the time someone hears this is the record takes be

0:38:00.120 --> 0:38:05.319
<v Speaker 1>called Ready, it's gonna be called Born Ready. That could

0:38:05.360 --> 0:38:07.600
<v Speaker 1>be the one you never know. It could be the

0:38:07.640 --> 0:38:14.920
<v Speaker 1>one Nashal's waiting for you. I'm not going anywhere, man,

0:38:14.920 --> 0:38:17.200
<v Speaker 1>I suppose watching you, you're just on that pressive I

0:38:17.280 --> 0:38:20.320
<v Speaker 1>see it. You're just right there. You're just tinkering. People

0:38:20.320 --> 0:38:23.080
<v Speaker 1>just don't know where to put you. And that's the

0:38:23.080 --> 0:38:25.600
<v Speaker 1>best place to be because that means there's nowhere already

0:38:25.640 --> 0:38:28.239
<v Speaker 1>carved out for you. When people don't know where to

0:38:28.280 --> 0:38:31.279
<v Speaker 1>assign you, that's the best and the worst place to be.

0:38:31.560 --> 0:38:33.239
<v Speaker 1>I'm a home run hitter, though I mean to strike

0:38:33.280 --> 0:38:35.759
<v Speaker 1>out a live Nobody kne where to put me, and

0:38:35.800 --> 0:38:37.759
<v Speaker 1>they still don't, and I scrub a lot. Nobody knows

0:38:37.800 --> 0:38:39.759
<v Speaker 1>where to put you right now, And you know what

0:38:40.080 --> 0:38:42.520
<v Speaker 1>it's awesome about that there's not a place already designed

0:38:42.600 --> 0:38:45.440
<v Speaker 1>for you. Thanks man, that's encouraging. And if you want

0:38:45.440 --> 0:38:48.040
<v Speaker 1>to hit home runs, that's what you do. Freaking you

0:38:48.040 --> 0:38:50.640
<v Speaker 1>don't go into another person's hole. I'm gonna keep swinging.

0:38:50.640 --> 0:38:51.879
<v Speaker 1>That's probably not a good thing out the way, don't

0:38:52.960 --> 0:38:56.880
<v Speaker 1>ye Like. Yeah, I'm a fans fancy thank you. I

0:38:56.920 --> 0:39:02.000
<v Speaker 1>appreciate you. Going by there is Steve moclaire. Yeah, thanks

0:39:02.000 --> 0:39:07.360
<v Speaker 1>hanging out with us, See you next time. M