1 00:00:00,120 --> 00:00:03,120 Speaker 1: Welcome to Money Making Conversations Masterclass. I am your host, 2 00:00:03,240 --> 00:00:06,280 Speaker 1: ros Sean McDonald. I recognized that we all have different 3 00:00:06,280 --> 00:00:08,880 Speaker 1: definitions of success. For you and may be the size 4 00:00:08,880 --> 00:00:11,880 Speaker 1: of your paycheck. Mine has inspired people to accomplish their 5 00:00:11,880 --> 00:00:14,520 Speaker 1: goals and live their very best life. It's time to 6 00:00:14,520 --> 00:00:17,520 Speaker 1: stop reading other people's success stories and start writing your own. 7 00:00:18,000 --> 00:00:20,759 Speaker 1: People always talk about purpose or gifts. If you have 8 00:00:20,800 --> 00:00:23,919 Speaker 1: a gift, leave with your gift and don't let your friends, family, 9 00:00:23,960 --> 00:00:26,920 Speaker 1: or corework can stop you from planning or living your dreams. 10 00:00:27,440 --> 00:00:31,400 Speaker 1: My guests as actor, comedian, and social activists Earthquake. He 11 00:00:31,440 --> 00:00:33,839 Speaker 1: has built a strong fan base and stand up comedy 12 00:00:33,880 --> 00:00:38,120 Speaker 1: with numerous solo shows, film and TV appearances, and comedy specials. 13 00:00:38,320 --> 00:00:41,600 Speaker 1: He has recurred, guest starred appeared on numerous popular shows, 14 00:00:41,840 --> 00:00:46,120 Speaker 1: including the CBS sitcom The Neighborhood. Earthquake also holds the 15 00:00:46,240 --> 00:00:50,080 Speaker 1: radio show Quakes House on Serious XM Radio Kevin Heart's 16 00:00:50,159 --> 00:00:53,559 Speaker 1: Laugh Out Law Radio Channel ninety six. But he's on 17 00:00:53,600 --> 00:00:56,400 Speaker 1: the show because you can catch Earthquake in his stand 18 00:00:56,400 --> 00:01:02,560 Speaker 1: alone headlining comedy special, Chappelle's Home Team Earthquake Legendary, streaming 19 00:01:02,680 --> 00:01:06,280 Speaker 1: right now on Netflix. Please welcome the Money Making Conversation Masterclass. 20 00:01:06,319 --> 00:01:12,640 Speaker 1: The one and only Earthquake. Hey, how are you doing? Brother? Brother? Brother? 21 00:01:13,640 --> 00:01:17,920 Speaker 1: Well you know some man earthquake. Um. First of all, Um, 22 00:01:18,040 --> 00:01:19,640 Speaker 1: I can I can start now and talk about the 23 00:01:19,680 --> 00:01:23,760 Speaker 1: comedy special that that's right now streaming on Netflix. And 24 00:01:23,800 --> 00:01:27,240 Speaker 1: when I saw it it featured in the trade magazines. 25 00:01:28,000 --> 00:01:30,640 Speaker 1: I didn't know that the special had already been taped 26 00:01:31,120 --> 00:01:34,000 Speaker 1: last summer. So talk about the sequence of how that 27 00:01:34,120 --> 00:01:39,319 Speaker 1: happened and then it was announced coming out in the spring. Um. 28 00:01:39,360 --> 00:01:43,959 Speaker 1: I got a call from my agent and she said, 29 00:01:44,000 --> 00:01:47,760 Speaker 1: the president of a comedy for next Flix one of 30 00:01:47,880 --> 00:01:51,760 Speaker 1: my number soon. He can give it today because Dave 31 00:01:52,840 --> 00:01:58,320 Speaker 1: and Netflix has came to a verbal agreement, uh to 32 00:01:58,480 --> 00:02:01,600 Speaker 1: produce my special. I said sure. I thought it was 33 00:02:01,840 --> 00:02:06,400 Speaker 1: a prank. Uh you know, I said, show And then 34 00:02:06,680 --> 00:02:10,760 Speaker 1: ten minutes later Dave called me and said he wanted 35 00:02:10,800 --> 00:02:15,760 Speaker 1: to produce my special. So that's how it came to fruition. Cool. Now, 36 00:02:15,760 --> 00:02:18,080 Speaker 1: when you look at your career, I can, um, you 37 00:02:18,080 --> 00:02:21,280 Speaker 1: know my career as a personal relationship. They've they've described 38 00:02:21,320 --> 00:02:25,040 Speaker 1: a personal story about you at this comedy club. My 39 00:02:25,120 --> 00:02:28,560 Speaker 1: personal story. I met you at your comedy club, and uh, 40 00:02:28,720 --> 00:02:32,320 Speaker 1: when I would just tell y'all, he wore me out, 41 00:02:34,320 --> 00:02:37,359 Speaker 1: took me out. Let me know, this is Quake's house 42 00:02:37,680 --> 00:02:40,680 Speaker 1: in Atlanta, Georgia. Had me go back to my hotel 43 00:02:40,840 --> 00:02:45,960 Speaker 1: room looking at my little comedy routine. But you're rewriting jokes. 44 00:02:46,800 --> 00:02:48,919 Speaker 1: But he was just doing when he was doing. Because 45 00:02:48,919 --> 00:02:51,240 Speaker 1: I heard about it. I walked in there with my 46 00:02:51,280 --> 00:02:55,119 Speaker 1: credits because see Dave Chappelle. Man, he said it right. Man, 47 00:02:55,240 --> 00:02:58,320 Speaker 1: you are a legendary man and you're funny, but you're 48 00:02:58,400 --> 00:03:01,560 Speaker 1: good brother at heart, at heart, you know, because it's 49 00:03:01,560 --> 00:03:05,840 Speaker 1: all it's like, um mean the Jerry Rice at Rob Receiver. 50 00:03:05,960 --> 00:03:08,520 Speaker 1: If you Rob Receiver coming in, you look over there, 51 00:03:08,520 --> 00:03:11,280 Speaker 1: you see earthquake. You go. You can walk around and 52 00:03:11,320 --> 00:03:15,000 Speaker 1: ignore him, but in a minute, if you ignore him, 53 00:03:15,040 --> 00:03:17,280 Speaker 1: he gonna let you know who he will, who he is. 54 00:03:17,720 --> 00:03:20,240 Speaker 1: That's what happened to me at his comedy club. I 55 00:03:20,360 --> 00:03:23,800 Speaker 1: knew who he was, but I ignored him until he 56 00:03:23,840 --> 00:03:27,080 Speaker 1: got on stage before me, and then I had to 57 00:03:27,120 --> 00:03:30,160 Speaker 1: show the respect. But that's been a testament of your 58 00:03:30,320 --> 00:03:34,120 Speaker 1: entire career that people who may not know you, but 59 00:03:34,240 --> 00:03:37,440 Speaker 1: after they see you, they know you the real deal. 60 00:03:37,600 --> 00:03:42,040 Speaker 1: Correct Earthquake yes, I mean because I just believed let 61 00:03:42,120 --> 00:03:45,960 Speaker 1: the work speak for itself. There's nothing else. I always 62 00:03:46,000 --> 00:03:50,160 Speaker 1: felt in our profession that stage is an equalizer. The 63 00:03:50,200 --> 00:03:56,960 Speaker 1: credits can get you applause in the beginning, but the 64 00:03:57,120 --> 00:04:01,280 Speaker 1: jokes work. You could tell who's on their craft and 65 00:04:01,280 --> 00:04:05,640 Speaker 1: losing our craft. Um deserve to be there, and I 66 00:04:05,760 --> 00:04:09,800 Speaker 1: take that, so I always concentrated on the work. The 67 00:04:09,880 --> 00:04:13,720 Speaker 1: work speak for himself. Now. One of my tastes and 68 00:04:13,760 --> 00:04:15,960 Speaker 1: one of my all time favorite jokes man you did 69 00:04:16,160 --> 00:04:23,920 Speaker 1: was the dog doing O. J. Simpson Trial. But it's 70 00:04:24,040 --> 00:04:27,600 Speaker 1: the ability to take abstract characters bringing like like they're 71 00:04:27,600 --> 00:04:30,880 Speaker 1: actually real. You know what I'm saying. No, no dog 72 00:04:31,000 --> 00:04:34,120 Speaker 1: Kate talk, No dog Kate talk, but you we believe 73 00:04:34,200 --> 00:04:37,400 Speaker 1: in this dog and talk based on you. What what 74 00:04:37,600 --> 00:04:40,080 Speaker 1: is the sequence of it? Just listen to people, because 75 00:04:40,440 --> 00:04:43,120 Speaker 1: I know it's a stand up comedy comic. At one 76 00:04:43,160 --> 00:04:45,520 Speaker 1: point you just trying to be funny, and then at 77 00:04:45,560 --> 00:04:47,839 Speaker 1: some point it's just like a college degree. It's like 78 00:04:47,880 --> 00:04:51,120 Speaker 1: class two plus two equal four. You learned to sequence 79 00:04:51,160 --> 00:04:54,160 Speaker 1: things together and you're just funny and you know how 80 00:04:54,200 --> 00:04:56,520 Speaker 1: to make things funny. How do you look at the 81 00:04:56,560 --> 00:05:02,760 Speaker 1: world through the eyes of earthquake. Um, it's a it's 82 00:05:02,839 --> 00:05:08,520 Speaker 1: my tag. These ain't jokes. I think it starts from 83 00:05:09,000 --> 00:05:12,960 Speaker 1: reality or realistic to me, I tell people every time 84 00:05:13,000 --> 00:05:14,800 Speaker 1: they ask me how you do it, I said, it's like, 85 00:05:15,360 --> 00:05:17,520 Speaker 1: it's just like being in the hood. Man, it's a 86 00:05:18,200 --> 00:05:23,280 Speaker 1: it's the truth that blomed, that blossom into a big lie. Right. 87 00:05:23,839 --> 00:05:27,000 Speaker 1: I was fighting this one dude, man, and then by 88 00:05:27,000 --> 00:05:28,800 Speaker 1: the time to get to you ra sean man, I 89 00:05:28,880 --> 00:05:32,120 Speaker 1: was fighting nineteen and I slam one underneath the dope 90 00:05:32,480 --> 00:05:34,839 Speaker 1: and it was two other came and then Mama came 91 00:05:34,880 --> 00:05:38,080 Speaker 1: over and I slapped it. Mama. It was fighting one 92 00:05:38,160 --> 00:05:40,599 Speaker 1: dude in the last for one second, but by the 93 00:05:40,680 --> 00:05:43,680 Speaker 1: time he got back got to you, Sha, it was 94 00:05:43,800 --> 00:05:47,760 Speaker 1: nineteen dudes. He had its arm for him with with 95 00:05:47,880 --> 00:05:51,039 Speaker 1: that had guns. The other dude had a knife. Yeah. 96 00:05:51,400 --> 00:05:55,480 Speaker 1: So that's my philosophy. It always start from a grain, 97 00:05:56,360 --> 00:05:58,919 Speaker 1: from the original foundation of the truth. That's why I 98 00:05:58,920 --> 00:06:01,440 Speaker 1: say these aren't jokes. That's where it comes from. These 99 00:06:01,480 --> 00:06:03,600 Speaker 1: ain't jokes, right, you know, as a as a stand 100 00:06:03,680 --> 00:06:07,640 Speaker 1: up comic man, it is really um an interesting craft. 101 00:06:07,680 --> 00:06:09,840 Speaker 1: It's a very lonely craft. A lot of people think that, 102 00:06:09,880 --> 00:06:11,800 Speaker 1: you know, it's a stand up you're happy all the time. 103 00:06:11,960 --> 00:06:14,479 Speaker 1: You know you you run abound just making everybody laugh. 104 00:06:14,520 --> 00:06:17,719 Speaker 1: But really, can you explain to people the world of 105 00:06:17,760 --> 00:06:21,000 Speaker 1: a stand up comedian from a standpoint of how we 106 00:06:21,080 --> 00:06:24,479 Speaker 1: have to how we see things, which sometimes it's good 107 00:06:24,520 --> 00:06:28,560 Speaker 1: and bad because sometimes we see too much. Well, I'll 108 00:06:28,600 --> 00:06:32,640 Speaker 1: tell anybody if you if you don't like yourself, this 109 00:06:32,720 --> 00:06:36,040 Speaker 1: ain't the profession for you, if you know, because you're 110 00:06:36,040 --> 00:06:44,440 Speaker 1: gonna spend a lot of time with yourself. It's like golf, man, 111 00:06:44,800 --> 00:06:49,000 Speaker 1: can nobody else walk? Is? Uh walk these greens? But 112 00:06:49,240 --> 00:06:55,200 Speaker 1: you um and but it's such rewarding man Sean, It's 113 00:06:55,240 --> 00:07:00,279 Speaker 1: a rewarding profession just to see these people because look 114 00:07:00,279 --> 00:07:07,560 Speaker 1: at people. We're mental health providers. Um we we especially 115 00:07:07,600 --> 00:07:12,480 Speaker 1: for our community. We change perspective of people because you know, 116 00:07:12,640 --> 00:07:15,720 Speaker 1: when you had your club and they're coming in. Man 117 00:07:15,920 --> 00:07:17,640 Speaker 1: is I don't know what with the way in the 118 00:07:17,680 --> 00:07:22,760 Speaker 1: world and one profession and its only professional I like musical, 119 00:07:22,880 --> 00:07:28,360 Speaker 1: anything else, anything else out here. We need the uninvited attention. 120 00:07:28,800 --> 00:07:32,080 Speaker 1: So you gotta get the uninvited attention, then break through 121 00:07:32,120 --> 00:07:34,840 Speaker 1: all that and then get them to do something they 122 00:07:34,840 --> 00:07:37,720 Speaker 1: can't get their self to do. That's laugh. That's a 123 00:07:37,960 --> 00:07:42,880 Speaker 1: hell of the obstacle, man, especially for our people. They're 124 00:07:42,920 --> 00:07:47,160 Speaker 1: sitting the front man anybody right, I mean I used 125 00:07:47,160 --> 00:07:49,480 Speaker 1: when I own my club, I said, listen, please be 126 00:07:49,640 --> 00:07:51,960 Speaker 1: nice to these people coming in here, because you're making 127 00:07:52,000 --> 00:07:55,720 Speaker 1: the comics John even worse. I mean, please, with the 128 00:07:55,760 --> 00:07:58,600 Speaker 1: way you serve, the way you give the ticket, you 129 00:07:58,760 --> 00:08:01,240 Speaker 1: make the show. Are you tuck my staff all the time? 130 00:08:01,440 --> 00:08:04,880 Speaker 1: You're just as important as the comedians because if you 131 00:08:05,160 --> 00:08:09,000 Speaker 1: set the tone there, then they're open themselves up to 132 00:08:09,120 --> 00:08:13,000 Speaker 1: be entertained. So it's the hardest profession in the world, 133 00:08:13,040 --> 00:08:17,440 Speaker 1: but the most reward fulfilling. We know, like uh, the 134 00:08:17,480 --> 00:08:21,520 Speaker 1: word sold out. I'm talking about audiences. Audiences, you know 135 00:08:21,600 --> 00:08:25,680 Speaker 1: they you know, earthquake, they're coming in and see you 136 00:08:27,120 --> 00:08:30,360 Speaker 1: talk to everybody and tell them that feeling of knowing 137 00:08:30,480 --> 00:08:32,720 Speaker 1: that you look out there because we always peep behind 138 00:08:32,760 --> 00:08:35,320 Speaker 1: the curtain. We always ask the people, how's it looking 139 00:08:35,320 --> 00:08:38,120 Speaker 1: out there? And they said, and see left all so 140 00:08:38,400 --> 00:08:44,240 Speaker 1: that brother, we've added the show. Talk about that feeling, man, Um, 141 00:08:44,280 --> 00:08:48,480 Speaker 1: it's the best feeling, second to having your channel. Um, 142 00:08:49,160 --> 00:08:55,160 Speaker 1: it's it's validation. People actually took their harder money stop 143 00:08:55,240 --> 00:08:59,480 Speaker 1: doing what they do and can say I am spending 144 00:08:59,480 --> 00:09:04,240 Speaker 1: this money to come see you there. I mean the gratitude, 145 00:09:04,760 --> 00:09:09,400 Speaker 1: I mean achievement and as a comic until comedians all 146 00:09:09,400 --> 00:09:12,400 Speaker 1: the time, and I learned this from you and from 147 00:09:12,400 --> 00:09:17,199 Speaker 1: you when Steve, that shows that you actually matters in 148 00:09:17,320 --> 00:09:20,600 Speaker 1: our profession. When you can put your name on a 149 00:09:20,720 --> 00:09:25,400 Speaker 1: market or build ball or sign and people stop and say, hey, 150 00:09:25,400 --> 00:09:27,880 Speaker 1: I'm coming to see with Sean McDonald. Give me two 151 00:09:27,960 --> 00:09:30,400 Speaker 1: tickets you got and then they said no, we don't 152 00:09:30,440 --> 00:09:37,400 Speaker 1: have come on, let's go here earlier. Now we got 153 00:09:39,760 --> 00:09:42,560 Speaker 1: they can't get no tickets to see you. And it's 154 00:09:42,600 --> 00:09:45,600 Speaker 1: just the most gratifying thing in the world. It is. 155 00:09:45,800 --> 00:09:49,400 Speaker 1: We'll be right back with more Money Making Conversations Masterclass 156 00:09:49,440 --> 00:09:55,160 Speaker 1: with Rushan McDonald. Now let's return to Money Making Conversations 157 00:09:55,440 --> 00:10:00,199 Speaker 1: Masterclass with Rushan McDonald. You know the thing, uh, I 158 00:10:00,840 --> 00:10:06,119 Speaker 1: follow your social media and you know we all want numbers, 159 00:10:06,160 --> 00:10:10,760 Speaker 1: we always want to engagement everything. But your social media 160 00:10:10,880 --> 00:10:13,679 Speaker 1: is almost like social commentary. That's why I added the 161 00:10:13,720 --> 00:10:17,959 Speaker 1: words social activists in your introduction because you do a 162 00:10:18,080 --> 00:10:23,199 Speaker 1: running commentary. I feel with your social media boy videos 163 00:10:23,200 --> 00:10:27,440 Speaker 1: that you post, pictures that you find talk about your 164 00:10:27,440 --> 00:10:31,560 Speaker 1: approach to social media and how you are defining your 165 00:10:31,640 --> 00:10:37,880 Speaker 1: voice or finding your voice in your social post. Well, 166 00:10:37,960 --> 00:10:41,640 Speaker 1: and uh, some of the most educated people in the 167 00:10:41,720 --> 00:10:50,479 Speaker 1: world don't how can I put this, uh, the prestige 168 00:10:50,720 --> 00:10:56,120 Speaker 1: diplomas of degrees the back of their education. So I've 169 00:10:56,160 --> 00:10:58,600 Speaker 1: met some of the smartest people that never went to school. 170 00:10:58,679 --> 00:11:04,439 Speaker 1: There was the most utel people in my life. And um, 171 00:11:04,720 --> 00:11:08,120 Speaker 1: simplicity has always been great for me. Just keep it 172 00:11:08,200 --> 00:11:12,480 Speaker 1: simple and to get to the point that you asked 173 00:11:12,520 --> 00:11:16,800 Speaker 1: me about. I just talked about when everybody else thinking, 174 00:11:17,080 --> 00:11:19,560 Speaker 1: because all you have to do, you know what I mean, 175 00:11:21,120 --> 00:11:23,840 Speaker 1: don't say that man, you be I'm saying some man, 176 00:11:24,080 --> 00:11:25,760 Speaker 1: I'll be looking at what you be saying, like, oh, 177 00:11:25,840 --> 00:11:28,160 Speaker 1: I never saw that this boy is. And you know, 178 00:11:28,440 --> 00:11:30,920 Speaker 1: in the in the in the in the comedy world, 179 00:11:31,000 --> 00:11:33,640 Speaker 1: somebody call you a fool. That's actually a major compliment. 180 00:11:33,920 --> 00:11:36,640 Speaker 1: I said, this boy of food, this boy crazy, which 181 00:11:36,640 --> 00:11:39,720 Speaker 1: is another compliment because now we need a PC world. 182 00:11:39,760 --> 00:11:42,080 Speaker 1: You know, they got explained stuff. We used the word 183 00:11:42,080 --> 00:11:44,560 Speaker 1: crazy and food and all that stuff. You gotta explain. 184 00:11:44,880 --> 00:11:47,720 Speaker 1: That's a positive in the comedy world. And you are 185 00:11:47,760 --> 00:11:51,000 Speaker 1: doing stuff man, because you know, you look at it 186 00:11:51,120 --> 00:11:53,360 Speaker 1: and it's work. A lot of people think that posting 187 00:11:53,520 --> 00:11:57,319 Speaker 1: or grabbing ideas is is. So he just found that somewhere. 188 00:11:57,600 --> 00:12:01,120 Speaker 1: That's a lot of work. Yeah, there's a lot of research. 189 00:12:01,160 --> 00:12:04,720 Speaker 1: Shout out to my team. Um, we go through it. 190 00:12:04,880 --> 00:12:08,440 Speaker 1: Her name and stars, she's one of the greatest person 191 00:12:09,040 --> 00:12:12,920 Speaker 1: that handles my thing for me. We sit down, she 192 00:12:13,000 --> 00:12:17,680 Speaker 1: knows my voice of course, no my voice, and together 193 00:12:17,960 --> 00:12:21,959 Speaker 1: we uh we uh. We get together and say this 194 00:12:22,040 --> 00:12:24,800 Speaker 1: is the direction I want to go and we see 195 00:12:24,840 --> 00:12:28,440 Speaker 1: different things that we do, like this is put this 196 00:12:28,520 --> 00:12:32,320 Speaker 1: out here? Can you believe that' believe this person is 197 00:12:32,360 --> 00:12:35,720 Speaker 1: doing this? Se and you know, to get that reaction 198 00:12:35,760 --> 00:12:38,640 Speaker 1: everybody where and so many people like where did you 199 00:12:38,760 --> 00:12:42,920 Speaker 1: find that? I love it? Man, I I love it. 200 00:12:42,960 --> 00:12:44,679 Speaker 1: And it was one of the reasons you know, you know, 201 00:12:44,720 --> 00:12:47,240 Speaker 1: I wanted to make sure I interviewed you all my 202 00:12:47,320 --> 00:12:50,360 Speaker 1: platform money making conversation Master collapse because a lot of 203 00:12:50,360 --> 00:12:52,840 Speaker 1: people see talent like you. They see the end results, 204 00:12:52,840 --> 00:12:55,280 Speaker 1: they don't see the work. They think that you stopped working. 205 00:12:55,320 --> 00:12:57,640 Speaker 1: They think that you just focused on this, but really 206 00:12:57,679 --> 00:12:59,720 Speaker 1: it's a three sixty that you're doing. Like I said, 207 00:13:00,000 --> 00:13:02,280 Speaker 1: you're an actor you're a comedian, your social activit which 208 00:13:02,280 --> 00:13:04,800 Speaker 1: means that you're an influence on social media. And then 209 00:13:04,800 --> 00:13:07,280 Speaker 1: also you have a radio show, which means you you're 210 00:13:07,320 --> 00:13:09,559 Speaker 1: able to communicate tell us about your radio show. You 211 00:13:09,600 --> 00:13:12,319 Speaker 1: even to take phone calls, you play music. What is 212 00:13:12,320 --> 00:13:16,120 Speaker 1: your radio show? Um No, my show is called Quake House, 213 00:13:16,280 --> 00:13:20,800 Speaker 1: and it's kind of like a comedians view. We too. 214 00:13:20,960 --> 00:13:25,480 Speaker 1: We deal with hot topics, different segments and we do 215 00:13:25,600 --> 00:13:30,920 Speaker 1: have guests that comes on periodically. Um a list guess 216 00:13:30,920 --> 00:13:33,280 Speaker 1: is and our interview. And what I want to do, 217 00:13:33,360 --> 00:13:38,080 Speaker 1: like I've always done in my career, is whatever I 218 00:13:38,160 --> 00:13:41,200 Speaker 1: achieved in my career. I try to have a platform 219 00:13:41,320 --> 00:13:45,400 Speaker 1: to bring the next comedian that or nothing else. But 220 00:13:45,480 --> 00:13:51,000 Speaker 1: if I can't help the next comedian, expand our genre. 221 00:13:52,559 --> 00:13:56,760 Speaker 1: People know how great this profession is. I think personally speaking, 222 00:13:57,160 --> 00:14:02,160 Speaker 1: don't too many of us give back to the genre. 223 00:14:02,480 --> 00:14:05,640 Speaker 1: This is this would allow you to be this movie star, 224 00:14:05,960 --> 00:14:11,080 Speaker 1: this game show host, this this uh talk show, this 225 00:14:11,760 --> 00:14:16,400 Speaker 1: movie star, this TV start. Just do something that allows 226 00:14:17,240 --> 00:14:21,160 Speaker 1: you know your name to um to expand the John 227 00:14:21,400 --> 00:14:25,080 Speaker 1: for the next person said to yourself, can capitalize on it, 228 00:14:25,240 --> 00:14:28,360 Speaker 1: make it, you know, expand I'd say you don't have 229 00:14:28,440 --> 00:14:31,920 Speaker 1: to help me. Help whoever you think is funny, and 230 00:14:32,000 --> 00:14:36,120 Speaker 1: if you help them, it expand the genre. Eventually it 231 00:14:36,120 --> 00:14:38,680 Speaker 1: will come back to me because they they you funny, 232 00:14:39,120 --> 00:14:42,560 Speaker 1: wait till until they get to see me. And that 233 00:14:42,680 --> 00:14:46,080 Speaker 1: It's always been my attitude. Yes, now that The interesting 234 00:14:46,120 --> 00:14:48,360 Speaker 1: thing about it is that when we look at the 235 00:14:48,880 --> 00:14:53,560 Speaker 1: comedy special that you did, you know, it's always fund 236 00:14:53,640 --> 00:14:55,640 Speaker 1: me because I think I know somebody. I didn't know 237 00:14:55,720 --> 00:14:57,960 Speaker 1: you from DC, you know, because I met you in 238 00:14:58,000 --> 00:15:00,840 Speaker 1: that line. I thought you were Atlanta, born in Bread 239 00:15:00,920 --> 00:15:03,120 Speaker 1: and I thought that was your whole hood was from 240 00:15:03,160 --> 00:15:05,920 Speaker 1: Atlanta or people loved you in Atlanta. So how did 241 00:15:06,000 --> 00:15:09,480 Speaker 1: you make the journey from d C to Atlanta and 242 00:15:09,520 --> 00:15:12,200 Speaker 1: then Atlanta? Basically it became to me, yours your home, 243 00:15:13,280 --> 00:15:16,360 Speaker 1: your voice. Um well, I was in the military for 244 00:15:16,480 --> 00:15:19,240 Speaker 1: nine years and he wanted to do twenty years, but 245 00:15:19,280 --> 00:15:22,600 Speaker 1: the war broke out. So I told him, I said, 246 00:15:22,600 --> 00:15:26,760 Speaker 1: I own mind practicing for war, but I ain't fighting 247 00:15:26,800 --> 00:15:29,360 Speaker 1: for real. I'm gonna stay and see to get shot at. 248 00:15:30,600 --> 00:15:33,800 Speaker 1: So they're getting out the military. I didn't want to 249 00:15:33,840 --> 00:15:36,600 Speaker 1: go back home from d C. I've been a military 250 00:15:36,840 --> 00:15:41,720 Speaker 1: was nothing there opportunity I feel for me, but illegal pharmaceuticals. 251 00:15:42,640 --> 00:15:44,560 Speaker 1: So I turned on you know, I watched a lot 252 00:15:44,600 --> 00:15:49,240 Speaker 1: of TV, different educational shows, mostly like seeing and stuff, 253 00:15:49,680 --> 00:15:52,000 Speaker 1: and you know, you see the poles. They always got 254 00:15:52,000 --> 00:15:54,160 Speaker 1: poles and one of the boat what is the best 255 00:15:54,480 --> 00:15:58,440 Speaker 1: top five city that that man should go for the 256 00:15:58,560 --> 00:16:02,400 Speaker 1: best advantage, and they and they had allotta number one. 257 00:16:02,520 --> 00:16:04,400 Speaker 1: I said, well that's where I'm going. So I got 258 00:16:04,440 --> 00:16:09,680 Speaker 1: out the military, went to Atlanta and we're on stage 259 00:16:10,080 --> 00:16:15,680 Speaker 1: and they started doing common that first of all, you said, 260 00:16:15,680 --> 00:16:19,160 Speaker 1: you saw pole said the back black black best sitting 261 00:16:19,160 --> 00:16:21,600 Speaker 1: for black people to go to with Atlanta. You go 262 00:16:21,720 --> 00:16:24,240 Speaker 1: to Atlanta, you just go on stage. You didn't just 263 00:16:24,320 --> 00:16:28,480 Speaker 1: go to another comedy club. You see some comics. So well, no, 264 00:16:28,800 --> 00:16:30,880 Speaker 1: I mean I was when I was in the military. 265 00:16:30,920 --> 00:16:34,160 Speaker 1: I knew I was. I had to do something else. 266 00:16:34,240 --> 00:16:38,520 Speaker 1: And they you said, the USO, you know stuff in there, 267 00:16:38,600 --> 00:16:40,480 Speaker 1: and I found you know, they used to call me 268 00:16:40,560 --> 00:16:44,440 Speaker 1: skating quick well, skating stroke not anything to get out 269 00:16:44,440 --> 00:16:46,200 Speaker 1: of work. You know, I used to be a pol 270 00:16:46,400 --> 00:16:50,960 Speaker 1: barryman on guard. Anything to get out of work man. 271 00:16:51,440 --> 00:16:55,160 Speaker 1: So I did a little hosting in there in the military. 272 00:16:55,360 --> 00:16:57,920 Speaker 1: And you couldn't talk about sex she didn't talk about, 273 00:16:58,200 --> 00:17:01,400 Speaker 1: and I mean, you had to be hope. So I was. 274 00:17:01,520 --> 00:17:04,040 Speaker 1: I leant from there. So when I got the military, 275 00:17:04,119 --> 00:17:06,560 Speaker 1: I went on and I took this girl to a 276 00:17:06,680 --> 00:17:09,280 Speaker 1: comedy clip. And when I tell you, this chick was 277 00:17:09,480 --> 00:17:11,840 Speaker 1: that mean. It was shocked. She was all on the floor. 278 00:17:14,480 --> 00:17:16,919 Speaker 1: I said, I said, if you want to sleep with 279 00:17:16,960 --> 00:17:20,720 Speaker 1: this dude, just say you want to sleep with him. 280 00:17:20,840 --> 00:17:23,760 Speaker 1: But he ain't all that. You just jealous, I said, 281 00:17:23,800 --> 00:17:26,960 Speaker 1: I jealous, But I mean he's funny, but that ain't 282 00:17:26,960 --> 00:17:32,520 Speaker 1: the funniest thing. So she said, when you do better, 283 00:17:32,720 --> 00:17:35,880 Speaker 1: And of course I went and tried, and there's nothingness came. 284 00:17:36,720 --> 00:17:40,680 Speaker 1: It's been that way every since came in my life. Well, 285 00:17:40,680 --> 00:17:43,800 Speaker 1: I wonder what piphany was, no plan, It was just 286 00:17:43,840 --> 00:17:47,000 Speaker 1: what I tell everybody was that best decision that day, 287 00:17:47,359 --> 00:17:51,240 Speaker 1: and another better decision hasn't came this way. We'll be 288 00:17:51,320 --> 00:17:55,800 Speaker 1: right back with more Money Making Conversations Masterclass with Rushan McDonald. 289 00:17:57,880 --> 00:18:02,040 Speaker 1: Now let's return to Money Making Converse Stations Masterclass with 290 00:18:02,119 --> 00:18:05,000 Speaker 1: Rashan McDonald. Well, you know they tell me that our 291 00:18:05,200 --> 00:18:09,960 Speaker 1: podcast is the number of the fastest drawing industry audible 292 00:18:10,000 --> 00:18:12,680 Speaker 1: industry out there. I know you got serious, xem, are 293 00:18:12,720 --> 00:18:17,520 Speaker 1: you gonna do podcasts? No? I mean, I'm really good 294 00:18:17,600 --> 00:18:21,320 Speaker 1: with my radio show. I really want to continue that. Man, 295 00:18:21,840 --> 00:18:25,320 Speaker 1: I've really learned from y'all about it. I love radio, 296 00:18:26,320 --> 00:18:29,080 Speaker 1: and I don't think I'm gonna jump onto the podcast 297 00:18:29,160 --> 00:18:33,080 Speaker 1: unless they offered me a lot of money. Okay, cool, Well, 298 00:18:34,320 --> 00:18:38,480 Speaker 1: well I think that's gonna come your weight. Okay. You 299 00:18:38,480 --> 00:18:40,240 Speaker 1: know when I get close to the bike, I'm looking 300 00:18:40,280 --> 00:18:42,399 Speaker 1: at you that I'm looking at it because you're a 301 00:18:42,400 --> 00:18:45,440 Speaker 1: special talent. Man, You're you're an individual. I guess I 302 00:18:45,480 --> 00:18:48,800 Speaker 1: gotta at least ask you this course, where did earthquake 303 00:18:48,880 --> 00:18:52,680 Speaker 1: come from? Where did the name earthquake come from? Um, 304 00:18:53,800 --> 00:18:56,720 Speaker 1: to be quite honest with you, man, I use earthquake 305 00:18:56,760 --> 00:18:59,800 Speaker 1: because in case you know, she was right that I 306 00:19:00,040 --> 00:19:02,080 Speaker 1: wasn't funny. I don't wanna mess up my good name. 307 00:19:02,400 --> 00:19:09,320 Speaker 1: Ok So, so this didn't work, hey earthquake, Like, hey, man, 308 00:19:09,320 --> 00:19:13,800 Speaker 1: my name the dangel on the earth place when you 309 00:19:13,920 --> 00:19:20,520 Speaker 1: the comedian that got no coming Daniel s come up 310 00:19:20,560 --> 00:19:23,240 Speaker 1: here and say some dudes right here, No, that wasn't me. 311 00:19:23,720 --> 00:19:27,399 Speaker 1: So it came from the insecurity not having to believe 312 00:19:27,560 --> 00:19:32,040 Speaker 1: that maybe you know, and this this did get the bricks. 313 00:19:32,520 --> 00:19:35,800 Speaker 1: You say, go to a stray. I wouldn't mess up 314 00:19:35,840 --> 00:19:37,960 Speaker 1: my good name. Well, you know, so what is the 315 00:19:38,000 --> 00:19:41,080 Speaker 1: future for Earthquake man? Because it took me forever to 316 00:19:41,119 --> 00:19:45,280 Speaker 1: line up this interview. You had radio shows, you a tour, date, 317 00:19:45,320 --> 00:19:48,760 Speaker 1: your interviews. So obviously life is beautiful you for you 318 00:19:48,840 --> 00:19:51,600 Speaker 1: right now, but we know there's always more. What is 319 00:19:51,600 --> 00:19:58,040 Speaker 1: the future for Earthquake. Well, I'm finally m gonna go 320 00:19:58,119 --> 00:20:06,359 Speaker 1: on my own personal on tour called Earthquake Legendary Tour. Um. Yes, 321 00:20:06,640 --> 00:20:10,280 Speaker 1: I'm developed my own TV show, I'm gonna do I'm 322 00:20:10,280 --> 00:20:15,439 Speaker 1: gonna do more movies, and I'm gonna stay on the 323 00:20:15,480 --> 00:20:19,639 Speaker 1: readio God's will and then you know I'm going You 324 00:20:19,640 --> 00:20:23,400 Speaker 1: know I'm gonna continue to tour. I love comedy. Stand 325 00:20:23,440 --> 00:20:25,560 Speaker 1: up comedy is great for me. I never want to 326 00:20:25,640 --> 00:20:28,240 Speaker 1: leave it. I think I tell people all the time. 327 00:20:28,359 --> 00:20:31,879 Speaker 1: Comedy is like a woman. You can take a break 328 00:20:31,920 --> 00:20:34,480 Speaker 1: from it, but you can never leave her. Leave her. 329 00:20:34,840 --> 00:20:38,000 Speaker 1: You ain't gonna never get her back. So I vowed 330 00:20:38,000 --> 00:20:40,520 Speaker 1: that I will always do this and I love it. 331 00:20:40,760 --> 00:20:44,280 Speaker 1: It's so refleshing. So the media is the tour starts 332 00:20:44,359 --> 00:20:50,879 Speaker 1: and um July and we're doing forty uh for thirty cities. 333 00:20:50,920 --> 00:20:55,359 Speaker 1: Me and Don there Rollins. And that's the immediate thing. 334 00:20:55,520 --> 00:20:59,119 Speaker 1: You have, very funny brother, And I'm gonna drop another 335 00:20:59,200 --> 00:21:03,520 Speaker 1: tour on man, another special, next Flix, next year. Wow. 336 00:21:03,760 --> 00:21:07,119 Speaker 1: So the venues are the Comedy Club, A small two thousand, 337 00:21:07,200 --> 00:21:15,680 Speaker 1: three thousands. We're going five you're stepping out there. Okay, okay, okay, mr, 338 00:21:16,160 --> 00:21:19,480 Speaker 1: mr sir, you start talking to five thousands. Brothers, come 339 00:21:19,520 --> 00:21:23,080 Speaker 1: on that, come on down. We had two or three 340 00:21:23,200 --> 00:21:26,320 Speaker 1: now two or three. So with the blessing of God, 341 00:21:26,440 --> 00:21:31,480 Speaker 1: with the response that I've got from my special, tell 342 00:21:31,520 --> 00:21:33,560 Speaker 1: me about that response. Man. First of all, let me 343 00:21:33,600 --> 00:21:36,639 Speaker 1: get you my response first, you know, because I text 344 00:21:36,680 --> 00:21:39,400 Speaker 1: you a picture of me watching it. You know, let 345 00:21:39,440 --> 00:21:42,560 Speaker 1: you know off my screen. Okay, I'm watching you, brother. 346 00:21:43,280 --> 00:21:47,280 Speaker 1: You are what you say you are legendary. My take was, man, 347 00:21:47,359 --> 00:21:50,919 Speaker 1: that um because this always tell people when you know 348 00:21:51,000 --> 00:21:53,840 Speaker 1: something funny. Because my wife was in the kitchen, you know, 349 00:21:54,440 --> 00:21:57,320 Speaker 1: cooking all right, and then I'm just laughing. And then 350 00:21:57,560 --> 00:22:00,280 Speaker 1: next thing you know, she leaning behind my back, right 351 00:22:01,800 --> 00:22:04,840 Speaker 1: who that you watch the earthquake next to you know, 352 00:22:05,119 --> 00:22:07,600 Speaker 1: she next to me watching and laughing. I go, what 353 00:22:07,680 --> 00:22:10,880 Speaker 1: happened to the cooking? Oh that can wait? That can waite? 354 00:22:11,400 --> 00:22:14,280 Speaker 1: See see that? They say, I took somebody who wasn't 355 00:22:14,280 --> 00:22:18,040 Speaker 1: even interested and what was going on? Because she was cooking, 356 00:22:18,080 --> 00:22:19,880 Speaker 1: you know, and she one of the people you can't 357 00:22:19,920 --> 00:22:22,359 Speaker 1: talk and you can't talk to her. Why she cooking? 358 00:22:22,440 --> 00:22:24,480 Speaker 1: All right? She one of those people. Can't you see 359 00:22:24,520 --> 00:22:27,360 Speaker 1: I'm cooking? Okay, baby, I'm sorry. I'm just gonna slide 360 00:22:27,400 --> 00:22:31,280 Speaker 1: in there and watch earthquake by myself. Okay, then I'm laughing. 361 00:22:32,280 --> 00:22:38,280 Speaker 1: Did she behind me? Just standing? He funny? I look 362 00:22:38,359 --> 00:22:41,080 Speaker 1: back at it. Don't say nothing. Earthquake right next thing, 363 00:22:41,160 --> 00:22:43,560 Speaker 1: you know, she still got the spatula in her hands. 364 00:22:43,560 --> 00:22:46,959 Speaker 1: Sitting next to me. I say, ain't you're cooking? Like 365 00:22:47,000 --> 00:22:51,640 Speaker 1: I told you? So that lets you know that what 366 00:22:51,720 --> 00:22:56,840 Speaker 1: you're doing is relatable. It also can make people stop 367 00:22:56,880 --> 00:23:01,480 Speaker 1: what they're doing and grabs their attention and also forces 368 00:23:01,560 --> 00:23:03,960 Speaker 1: them force because you are a forced my brother, you 369 00:23:03,960 --> 00:23:09,280 Speaker 1: are a comedy force, and that forces such positivity that 370 00:23:09,440 --> 00:23:14,439 Speaker 1: you go, wow, he's special. That's what my response is. 371 00:23:14,520 --> 00:23:17,480 Speaker 1: Not tell me what America's response. Because you're doing five 372 00:23:17,520 --> 00:23:21,760 Speaker 1: thousand caeesars now, it's overwhelming, and you can see it 373 00:23:21,800 --> 00:23:23,800 Speaker 1: when you know it's a comic. When you walk in 374 00:23:24,000 --> 00:23:31,960 Speaker 1: clubs and I'm talking about mainstream clubs, how you doing great? 375 00:23:32,200 --> 00:23:37,600 Speaker 1: Can we do something? You know? And you know our 376 00:23:37,800 --> 00:23:41,720 Speaker 1: Caucasian caramel parts come to you and say, you know, 377 00:23:41,840 --> 00:23:45,960 Speaker 1: I choke for me. I don't know about you. I 378 00:23:46,000 --> 00:23:53,120 Speaker 1: love competing against man without Caucasian comedians to let them 379 00:23:53,160 --> 00:23:56,440 Speaker 1: know that we don't because they think we need some 380 00:23:56,480 --> 00:23:59,640 Speaker 1: of them, not saying all of them something. The stigma 381 00:24:00,200 --> 00:24:02,760 Speaker 1: is that we need to cuss. We don't. We don't 382 00:24:02,760 --> 00:24:08,840 Speaker 1: write out you know it's urban. No man, no, no, no, 383 00:24:08,840 --> 00:24:11,400 Speaker 1: no no. I'm gonna show you how we do it. 384 00:24:11,520 --> 00:24:15,119 Speaker 1: We we can. We compete at the highest level of 385 00:24:15,200 --> 00:24:19,760 Speaker 1: the highest level intellectually. And when it was being accepted 386 00:24:20,480 --> 00:24:25,840 Speaker 1: from I mean every comedian, no matter what's your nationality 387 00:24:26,359 --> 00:24:28,880 Speaker 1: that's in this fields telling you this is the greatest 388 00:24:28,880 --> 00:24:32,119 Speaker 1: thing that they ever seen. It was this rewarding and 389 00:24:32,119 --> 00:24:36,000 Speaker 1: it's always been rewarding. I love my fans to the death. 390 00:24:36,080 --> 00:24:40,080 Speaker 1: They are my number one supporters. That the grat I 391 00:24:40,240 --> 00:24:47,240 Speaker 1: really fan a special gratitude and humility when it's come 392 00:24:47,280 --> 00:24:50,520 Speaker 1: from the peers such as persons such as yourself, because 393 00:24:50,560 --> 00:24:53,320 Speaker 1: you have always been honest with me. You have came 394 00:24:53,359 --> 00:24:54,880 Speaker 1: to me and say, Man, you don't need to say 395 00:24:54,880 --> 00:24:58,160 Speaker 1: that while you um when we was doing different shows 396 00:24:58,200 --> 00:25:01,280 Speaker 1: to go, don't cuss on that, don't go this. That's 397 00:25:01,320 --> 00:25:04,040 Speaker 1: all you need to do. And I've always took the advice. 398 00:25:04,080 --> 00:25:08,320 Speaker 1: And I always appreciate your advice. And I always have 399 00:25:08,440 --> 00:25:12,119 Speaker 1: felt good when I received your approval because you have 400 00:25:12,240 --> 00:25:15,000 Speaker 1: always been a student of the game. Oh man, So 401 00:25:15,119 --> 00:25:17,679 Speaker 1: I appreciate those compliments. But more important, I appreciate you 402 00:25:17,720 --> 00:25:20,560 Speaker 1: taking the time and come on money making conversations, master class. 403 00:25:20,640 --> 00:25:24,159 Speaker 1: You are a beast. You are somebody. Please tell me 404 00:25:24,200 --> 00:25:26,199 Speaker 1: when you when the tickets go on sales so I 405 00:25:26,200 --> 00:25:28,240 Speaker 1: can put it on my social media and make that 406 00:25:28,320 --> 00:25:30,879 Speaker 1: announcement in my newsletter that goes out to a hundred 407 00:25:30,920 --> 00:25:33,960 Speaker 1: eight thousand people. Because you are a winner, brother, and 408 00:25:34,000 --> 00:25:36,760 Speaker 1: I love you, brother. Thank you are a quick I 409 00:25:36,800 --> 00:25:39,640 Speaker 1: love you more man, and keep doing what you're doing. Man, 410 00:25:39,720 --> 00:25:41,720 Speaker 1: And you owe me a meal, because I'm tired of 411 00:25:41,760 --> 00:25:44,160 Speaker 1: look at all you know, pictures of all the studs 412 00:25:45,240 --> 00:25:48,440 Speaker 1: I'm the gaining, waitt becoming and get some of it, 413 00:25:48,600 --> 00:25:51,800 Speaker 1: some of them deserts. Man, I look at I'm read. 414 00:25:51,960 --> 00:25:53,960 Speaker 1: So when I get down to ah Town where you have, 415 00:25:54,160 --> 00:25:56,400 Speaker 1: I'm knocking on you. Well, you don't tell your beautiful wife, 416 00:25:56,400 --> 00:25:59,040 Speaker 1: I said. Okay, I thank you brother, and stay strong. Okay, 417 00:25:59,200 --> 00:26:01,920 Speaker 1: appreciate you. If you want to hear as seeing those 418 00:26:01,960 --> 00:26:04,760 Speaker 1: interviews or Money Making Conversation, please go to money Making 419 00:26:04,800 --> 00:26:07,840 Speaker 1: Conversation dot com. I'm Roshan McDonald. I am your host