WEBVTT - The Holy Undead, Part 2

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<v Speaker 1>Welcome to Stuff to Blow Your Mind production of My

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<v Speaker 1>Heart Radio. Hey, welcome to Stuff to Blow Your Mind.

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<v Speaker 1>My name is Robert Lamb and I'm Joe McCormick, and

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<v Speaker 1>we're back at you with the second part of our

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<v Speaker 1>series about the Holy Undead. So, in the last episode

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<v Speaker 1>we talked about various tales of of what you what

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<v Speaker 1>you might call the pious or the holy undead. These

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<v Speaker 1>would be ghosts, revenants, and zombies that don't seem to

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<v Speaker 1>be purely demonic entities of the night, but instead they

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<v Speaker 1>take part in activities that are considered by the people

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<v Speaker 1>telling the tales to be wholesome and and and good.

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<v Speaker 1>In particular, these these are undead that love going to church,

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<v Speaker 1>and yet at the same time they're not usually entirely benign.

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<v Speaker 1>They retain this aura of menace. Sometimes they offer ill

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<v Speaker 1>oh ends to people, or sometimes they even uh, they

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<v Speaker 1>go hands on and get a little violent. So, Rob,

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<v Speaker 1>in the last episode, you told a wonderful story that

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<v Speaker 1>was based on an old Swedish folk tale called the

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<v Speaker 1>Hooded Congregation. And this is a tale in which a

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<v Speaker 1>woman is awoken in the dark of night on Christmas

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<v Speaker 1>I think, or is it Christmas eve. I believe it's

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<v Speaker 1>Christmas Eve slash early Christmas morning. Yeah, yeah, and so

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<v Speaker 1>so their church bells and she hears them out in

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<v Speaker 1>the dark. And then so of course the church bells

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<v Speaker 1>are ringing. That means you need to go to church.

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<v Speaker 1>So she goes to church, but she finds it full

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<v Speaker 1>of hooded figures who were eventually revealed to be the undead,

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<v Speaker 1>including her own dearly departed sister. And when when she

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<v Speaker 1>discovers this, the attack and she narrowly escapes. Yeah, it's

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<v Speaker 1>a it's a fun story, and it uh it really

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<v Speaker 1>it relates to this um, this trend that we see

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<v Speaker 1>in um in in Nordic traditions of these revenants, these

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<v Speaker 1>these physical undead um these these corporeal and undead that

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<v Speaker 1>you can they can touch you, they can grab you,

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<v Speaker 1>that you can wrestle and do battle with the if

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<v Speaker 1>need be. And uh yeah, in many cases they are

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<v Speaker 1>they're they're quite malevolent, but in other cases they are

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<v Speaker 1>they are almost benign, just attending church, going about their

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<v Speaker 1>their business doing church stuff. Um as the not quite

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<v Speaker 1>rested dead or want to do right. And so we

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<v Speaker 1>also ended up talking about a bunch of medieval ghost

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<v Speaker 1>stories of of the pious undead that are translated and

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<v Speaker 1>analyzed in a wonderful historical paper that we're going to

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<v Speaker 1>continue talking about in this episode and again, so the

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<v Speaker 1>reference on this paper is that it's called Revenants, Resurrection

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<v Speaker 1>and Burnt Sacrifice by a historian named Nancy Mandeville Cacciola,

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<v Speaker 1>who is a medieval historian at University of California, San Diego.

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<v Speaker 1>And this was published inteen in a journal called Predator

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<v Speaker 1>Nature Critical and Historical Studies on the pretor Natural. And

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<v Speaker 1>this paper focuses on stories told by a tenth to

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<v Speaker 1>eleventh century German bishop named tete Mar von Merseburg. And

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<v Speaker 1>so around the year ten thirteen to ten eighteen or so,

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<v Speaker 1>uh teit Mar was writing an eight volume historical text

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<v Speaker 1>called the Chronic con which was supposed to be about

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<v Speaker 1>the glories of the Ottonian dynasty. And this was a

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<v Speaker 1>series of Saxon Christian kings that he served under who

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<v Speaker 1>were involved in conquering and Christianizing lands that previously belonged

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<v Speaker 1>to various Slavic pagan people's. Uh So, so this was

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<v Speaker 1>a sort of colonial frontier zone. And within recent memory,

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<v Speaker 1>the former inhabitants of one town within this zone had

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<v Speaker 1>been massacre during a revolt of the locals. And so

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<v Speaker 1>in the middle of this history, Tetemer goes into a

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<v Speaker 1>digression about a story of the undead from this fortified

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<v Speaker 1>town where there had been a massacre. This town was

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<v Speaker 1>called vols Laban, and the story goes that there is

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<v Speaker 1>a priest who arrives at church to sing Matten's. Mattins

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<v Speaker 1>has spelled m A T I n s. That means

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<v Speaker 1>like an early morning prayer. The medieval Catholics had a

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<v Speaker 1>lot of interesting names for like the different prayers you

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<v Speaker 1>would say at the different times of day. I don't

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<v Speaker 1>remember them all, but there's like Mattins, there's Laud's. I remember.

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<v Speaker 1>These are used as sort of like a time delineation

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<v Speaker 1>chapter headings in in the Name of the Rose, if

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<v Speaker 1>I recall correctly. Um. But so he's there for Mattens,

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<v Speaker 1>so the morning prayer and uh. And when he shows

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<v Speaker 1>up at the church, he goes to the cemetery and

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<v Speaker 1>he sees a multitude of dead people there. These are

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<v Speaker 1>revenants and they are worshiping. They're making offerings to a

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<v Speaker 1>revenant priest. And so the living priest who has just arrived,

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<v Speaker 1>he makes the sign of the Cross, and then he

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<v Speaker 1>walks through the crowd of the undead until he sees

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<v Speaker 1>a woman he knows one who had died just recently,

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<v Speaker 1>and she asks him, Hey, what are you doing here.

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<v Speaker 1>He says, I'm here to sing Matins and she's like, well,

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<v Speaker 1>you don't need to do that, because we already did it,

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<v Speaker 1>and then she's like, by the way, you're going to

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<v Speaker 1>die soon, and then he did. That's what tete Mar

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<v Speaker 1>tells us. But then he also explains that the point

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<v Speaker 1>of him relaying the story is to prove the truth

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<v Speaker 1>of the Catholic doctrine of the resurrection of the dead

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<v Speaker 1>in Christ, which he says that the formerly pagan Slavs

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<v Speaker 1>do not understand very well. He thinks they need correcting

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<v Speaker 1>on this subject. Though I also wonder sort of if

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<v Speaker 1>this persuasive framing, like I'm trying to prove the truth

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<v Speaker 1>of the resurrection, if this persuasive, apologetic framing is really

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<v Speaker 1>the reason he tells these stories, because apparently after telling

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<v Speaker 1>this first one, he digresses from his from his history

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<v Speaker 1>to just tell a bunch of other ghost stories, including

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<v Speaker 1>an awesomely grizzly tale that we're going to get to

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<v Speaker 1>in just a bit. Yeah, you're right. It does make

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<v Speaker 1>you wonder is this about about using the ghost stories

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<v Speaker 1>to uh to support Christianity or is it about finding

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<v Speaker 1>an excuse to keep these ghost stories around just because

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<v Speaker 1>they're really cool. Yeah, maybe he just wanted to tell

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<v Speaker 1>them because he thought they were really fun, and then

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<v Speaker 1>he's like, oh, I need a good reason to say

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<v Speaker 1>I'm doing this. Well, actually they prove that that Christianity

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<v Speaker 1>is true. Yeah, And I said, I don't want to

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<v Speaker 1>say just fun, because I mean, certainly ghost stories can

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<v Speaker 1>be fun, but also ghost stories can be culturally important,

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<v Speaker 1>and they are you know that they are part of

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<v Speaker 1>one's cultural background. So there's there's an added incentive to

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<v Speaker 1>to keep them around if it all possible, because they

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<v Speaker 1>are they are a part of your history. Yeah. And

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<v Speaker 1>I think this is very much part of something that

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<v Speaker 1>that Cachiola is going to argue in this paper. But

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<v Speaker 1>picking back up with that paper of hers, I want

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<v Speaker 1>to go into some of the historical, cultural, and religious

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<v Speaker 1>context that she explains to help us better understand what

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<v Speaker 1>these stories might have meant in their in their time

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<v Speaker 1>and place. So one thing she says is that during

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<v Speaker 1>this period, religion and politics were deeply linked. German rule

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<v Speaker 1>was self consciously formulated as Christian rule, and the Ottonian

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<v Speaker 1>dynasty mythologize themselves consciously as the so called Last World Emperors.

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<v Speaker 1>So they were thinking of themselves as as great kings

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<v Speaker 1>who would by conquest, expand Christianity to the ends of

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<v Speaker 1>the earth and thus bring about the Second Coming of Christ. Oh, wow,

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<v Speaker 1>the last World Emperors. I love that that sounds sounds

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<v Speaker 1>positively evil. Yeah, And it's the funny thing. So this

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<v Speaker 1>is something that people might not realize like they think. Oh,

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<v Speaker 1>people in the twentieth century are always saying that the

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<v Speaker 1>world the end is coming soon. You know that this

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<v Speaker 1>religious apocalypticism. It says, I've I've received a revelation from God,

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<v Speaker 1>and I know finally the end is happening now. People

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<v Speaker 1>in the tenth and eleventh century thought this way to

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<v Speaker 1>people all the time throughout every century of of Christian history,

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<v Speaker 1>of thought that they were living in the end times.

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<v Speaker 1>This is just a perennial phenomenon. But because of the

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<v Speaker 1>linking of religion and politics here, the military expansion of

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<v Speaker 1>the Ottonians was also an expansion of the Catholic Church.

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<v Speaker 1>So when they would go and establish fortified military outposts

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<v Speaker 1>along the frontier. They were also establishing new bishoprics. They

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<v Speaker 1>were establishing new footholds for the church, and so. In

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<v Speaker 1>the paper, Caciola makes the argument that though the Slavic

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<v Speaker 1>rebellions against the German conquest and German power were were

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<v Speaker 1>obviously they would have had many complex reasons for doing this.

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<v Speaker 1>She does make the case that it really looks like

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<v Speaker 1>one of those reasons was religious resistance, resistance to the

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<v Speaker 1>Christianizing impulse of the Germans and protecting their traditional ancestral beliefs.

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<v Speaker 1>Uh So, she writes, as one example of this quote,

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<v Speaker 1>centers of German power, which were of course also Christian

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<v Speaker 1>religious centers, were targets for attack among these Slavic revolts,

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<v Speaker 1>uh Continuing this included the cathedral of have Alburg and

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<v Speaker 1>the and the Bishopric of Brandenburg, where the remains of

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<v Speaker 1>the last bishop, parentheses Te martells Us, he had been

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<v Speaker 1>assassinated by his own flock, were dragged from his tomb

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<v Speaker 1>and despoiled. The nunneries of Kalba and hillers Leban were

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<v Speaker 1>also not spared, showing that institutions with predominantly religious rather

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<v Speaker 1>than political associations were targeted as well. So this is

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<v Speaker 1>some evidence that the Slavic rebellions against the Altonians they

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<v Speaker 1>were not just trying to protect their political autonomy, but

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<v Speaker 1>they were also resisting the the conversion impulse. They were saying, no,

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<v Speaker 1>we like our religious beliefs, we'd like to keep them please. Now,

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<v Speaker 1>another thing that's worth clarifying is that talking about pagan

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<v Speaker 1>Slavs of the region is a shorthand, because of course

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<v Speaker 1>this is not one monolithic culture with one monolithic religion,

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<v Speaker 1>but rather a collection of different tribes with their own

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<v Speaker 1>distinct cultures and beliefs. Uh. Though, it does seem that

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<v Speaker 1>a general motivating factor for the tribal rebellions against the

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<v Speaker 1>saxon Autonians was defense of these pagan religious beliefs against

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<v Speaker 1>the Christianization mission. And of course paganism itself is not

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<v Speaker 1>a religion, not one's unified religion at this time. In

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<v Speaker 1>this context, it simply means any of the non Abrahamic religions,

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<v Speaker 1>so this would not usually be any kind of polytheism.

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<v Speaker 1>And unfortunately there's a lot we don't know about these

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<v Speaker 1>pagan religious beliefs that there was clearly plenty of diversity

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<v Speaker 1>between them, though like many religions, they broadly seem to

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<v Speaker 1>have included some elements of ancestor worship, as well as

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<v Speaker 1>some common shared views about what constituted a good versus

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<v Speaker 1>a bad death, and some similar beliefs about the afterlife. Now,

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<v Speaker 1>another interesting thing about the political and religious history that

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<v Speaker 1>here is that it's worth understanding that in this place

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<v Speaker 1>and time, conversion religious conversion would almost necessarily be a

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<v Speaker 1>somewhat flimsy concept. People in lands conquered by by Christians

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<v Speaker 1>in the Middle Ages would often get baptized as Christians

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<v Speaker 1>and then simply continue to practice their original pagan beliefs,

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<v Speaker 1>either exclusively or alongside Christian worship. And one way I

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<v Speaker 1>think to help understand this is that not all religions

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<v Speaker 1>have exactly the same contours, sort of that they don't

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<v Speaker 1>all make stake the same ground, right like the role

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<v Speaker 1>of Christianity versus the local paganisms was not a one

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<v Speaker 1>to one comparison in a number of ways. For example,

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<v Speaker 1>the Catholic Church had organized dogmas and a concept of

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<v Speaker 1>religious universality and exclusivity. So this is a religion that

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<v Speaker 1>conceptualizes itself as the one religion that is true, and

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<v Speaker 1>it should be the religion of the entire world. Uh.

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<v Speaker 1>Sometimes people who grow up in Christian societies assumed that

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<v Speaker 1>all religions are like this, with this belief in universality

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<v Speaker 1>and exclusivity. But that's not at all true. Like most

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<v Speaker 1>religions in history appear to have been much looser, more

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<v Speaker 1>defined by ritual rather than belief, and without necessary ideas

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<v Speaker 1>of universality or exclusivity. You know, we were talking about

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<v Speaker 1>this just yesterday in the context of the Indiana Jones movies,

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<v Speaker 1>the Indiana Jones franchise, except all religions and even and

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<v Speaker 1>even like like fringe beliefs and ancient aliens and what

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<v Speaker 1>have you. Oh yeah, that's funny. That's one thing I

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<v Speaker 1>kind of appreciate about it. It's got a sort of

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<v Speaker 1>totalizing mythology and maybe one that seems sort of geographically

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<v Speaker 1>linked to so that it's like where maybe when you

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<v Speaker 1>go into a geographical area that has predominantly one religion,

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<v Speaker 1>that that religion mainly applies within that geography. Yeah yeah, yeah,

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<v Speaker 1>So in this region, Hebrew God is real, in this region,

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<v Speaker 1>Shiva is real. Um or was it Shiva or Kali.

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<v Speaker 1>It's been so long since I've seen Um the second

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<v Speaker 1>in I think both the second one that that movie

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<v Speaker 1>has got a lot of problems. But yeah, Klie is

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<v Speaker 1>sort of the bad guy and it and Shiva's the

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<v Speaker 1>good god and okay, it's more complicated than that though, folks,

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<v Speaker 1>if so, don't don't use the second Indiana Jones movie

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<v Speaker 1>is your your guide into the world of Hinduism. Um.

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<v Speaker 1>But uh, but still, I think it's an interesting point

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<v Speaker 1>about the idea. Yeah, that in the Indiana Owns world, like,

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<v Speaker 1>all these faiths are real and they don't seem to

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<v Speaker 1>exclude one another unless you say, well that the Egyptian gods,

0:13:07.360 --> 0:13:10.079
<v Speaker 1>the Egyptian pantheon is kind of excluded from the h

0:13:10.640 --> 0:13:13.640
<v Speaker 1>all the happenings that go on in Um Indiana Jones

0:13:13.679 --> 0:13:15.800
<v Speaker 1>and the you know the raiders have lost art. Well,

0:13:15.800 --> 0:13:17.280
<v Speaker 1>do we know that for sure? We never see a

0:13:17.320 --> 0:13:20.800
<v Speaker 1>contest of the gods. They're like the Pharaoh's magicians. Never true,

0:13:20.880 --> 0:13:23.360
<v Speaker 1>we don't get to see what they can do, that's right,

0:13:23.559 --> 0:13:25.960
<v Speaker 1>And maybe they're just watching on you know that they're

0:13:26.000 --> 0:13:29.000
<v Speaker 1>they're they're sleeping, who knows. I know, for one, I'm

0:13:29.040 --> 0:13:31.840
<v Speaker 1>pretty certain that there's there's bound to be some sort

0:13:31.880 --> 0:13:36.080
<v Speaker 1>of Indiana Jones related media from comics or TV series

0:13:36.160 --> 0:13:39.679
<v Speaker 1>or something that actually involves Egyptian gods. So if it's

0:13:39.679 --> 0:13:41.880
<v Speaker 1>out there, someone tell me about it. Well, I think

0:13:41.880 --> 0:13:47.960
<v Speaker 1>one consequence of the different types of groundstaking games that

0:13:48.000 --> 0:13:50.360
<v Speaker 1>are that are being played by the different religions at

0:13:50.400 --> 0:13:54.240
<v Speaker 1>this time means that, for example, so the Christians might

0:13:54.280 --> 0:13:58.520
<v Speaker 1>insist that you believe in no gods except the Christian Trinity,

0:13:58.559 --> 0:14:01.360
<v Speaker 1>but many of the European a atheists at this time

0:14:01.720 --> 0:14:05.920
<v Speaker 1>could simply incorporate new gods. So it's possible that they

0:14:06.000 --> 0:14:09.959
<v Speaker 1>might well view a conversion to Christianity rather as a

0:14:10.040 --> 0:14:13.640
<v Speaker 1>kind of incorporation exercise. So like, we have our gods,

0:14:13.679 --> 0:14:16.480
<v Speaker 1>we have our rituals, and now here's this other thing

0:14:16.559 --> 0:14:18.960
<v Speaker 1>sort of added on top of that, and here's also

0:14:19.120 --> 0:14:22.000
<v Speaker 1>Jesus and the Catholic Church. M So it's kind of

0:14:22.000 --> 0:14:24.160
<v Speaker 1>like this. It's almost like a chemical situation where the

0:14:24.160 --> 0:14:28.840
<v Speaker 1>pre existing religion uh is more inclined to bond with

0:14:28.840 --> 0:14:32.760
<v Speaker 1>with additives, even though those additives are you know, tend

0:14:32.760 --> 0:14:36.960
<v Speaker 1>to be it tend to have exclusive ideas in them. Uh.

0:14:37.080 --> 0:14:39.120
<v Speaker 1>You know, it doesn't it doesn't matter when push comes

0:14:39.120 --> 0:14:42.720
<v Speaker 1>to shove the polytheistic religion is going going to absorb

0:14:42.960 --> 0:14:47.720
<v Speaker 1>the monotheistic uh, even if to some outsiders it it

0:14:47.760 --> 0:14:50.960
<v Speaker 1>appears uh in some cases that you've set aside the

0:14:50.960 --> 0:14:55.240
<v Speaker 1>old ways, right yeah, so so. Catchiolo writes that given

0:14:55.320 --> 0:14:58.560
<v Speaker 1>these religious starting points, what you would probably expect to

0:14:58.640 --> 0:15:01.320
<v Speaker 1>see at this place in time him is not a

0:15:01.440 --> 0:15:04.440
<v Speaker 1>just sort of exchange of the old gods for the new,

0:15:04.920 --> 0:15:07.920
<v Speaker 1>but rather a sort of what she calls an untidy

0:15:08.040 --> 0:15:11.640
<v Speaker 1>syncretic admixture. You know, syncretism again is the mixing of

0:15:11.680 --> 0:15:15.480
<v Speaker 1>religious beliefs, a sort of mixing and blending and hybridization

0:15:15.640 --> 0:15:20.160
<v Speaker 1>process that would arrive at these new combinatorial beliefs. Um.

0:15:20.240 --> 0:15:23.240
<v Speaker 1>And she gives us one interesting example of this. Uh.

0:15:23.560 --> 0:15:28.440
<v Speaker 1>She talks about a text known as the Merseburg Charms

0:15:29.080 --> 0:15:34.440
<v Speaker 1>uh quote short rhythmic invocations of the valkyries full Wodan

0:15:34.760 --> 0:15:39.480
<v Speaker 1>and Freya, composed an archaic German but carefully transcribed onto

0:15:39.560 --> 0:15:43.440
<v Speaker 1>a leaf of an otherwise entirely Christian manuscript found in

0:15:43.520 --> 0:15:47.040
<v Speaker 1>the library of the Cathedral of Merseburg. And then she

0:15:47.120 --> 0:15:49.120
<v Speaker 1>has a great comment it is pleasing to think that

0:15:49.200 --> 0:15:54.520
<v Speaker 1>Tetmar himself might have encountered it, and and then of

0:15:54.520 --> 0:15:56.400
<v Speaker 1>course I'm going to drive home something we've mentioned before

0:15:56.400 --> 0:15:58.640
<v Speaker 1>in the show is that, of course humans are capable

0:15:58.680 --> 0:16:02.400
<v Speaker 1>of having multiple and con with think um beliefs and ideas,

0:16:03.160 --> 0:16:06.080
<v Speaker 1>particularly as it pertains to the you know, the origins

0:16:06.080 --> 0:16:09.000
<v Speaker 1>of the world and the inner workings of the supernatural realm.

0:16:09.120 --> 0:16:11.520
<v Speaker 1>So um, you know, we see that even today, and

0:16:12.560 --> 0:16:15.120
<v Speaker 1>many people who think that they are, you know, a

0:16:15.200 --> 0:16:18.840
<v Speaker 1>pure subscriber to one particular brand of faith, if if

0:16:18.880 --> 0:16:20.960
<v Speaker 1>they're to self analyze, they might find that they actually

0:16:21.000 --> 0:16:23.880
<v Speaker 1>have some ideas from other other faiths and sort of

0:16:23.920 --> 0:16:28.600
<v Speaker 1>non faith origin, sort of mixed up in their supernatural

0:16:28.680 --> 0:16:31.640
<v Speaker 1>understanding of the world or the same One person actually

0:16:31.720 --> 0:16:36.000
<v Speaker 1>quite easily switches gears between different belief systems depending on

0:16:36.000 --> 0:16:38.960
<v Speaker 1>the context. Yeah, I mean to come back to this example.

0:16:39.000 --> 0:16:41.560
<v Speaker 1>Perhaps perhaps you are you know, a Christian when you

0:16:41.560 --> 0:16:43.800
<v Speaker 1>were at the Christian church or in walking among the

0:16:43.880 --> 0:16:47.600
<v Speaker 1>Christian gravestones, but then when you're in the woods or

0:16:47.680 --> 0:16:50.480
<v Speaker 1>when you were you know, walking the shore. Uh, then

0:16:50.520 --> 0:16:52.680
<v Speaker 1>perhaps it's the the older gods that call to you

0:16:52.720 --> 0:16:55.080
<v Speaker 1>and this this other way of looking at the world,

0:16:55.680 --> 0:16:57.320
<v Speaker 1>or you could look at it as a night and

0:16:57.400 --> 0:17:06.680
<v Speaker 1>day thing that might Yeah, Uh, thank thank So I

0:17:06.720 --> 0:17:09.560
<v Speaker 1>think we should get back to tit Mar's ghost stories. Uh.

0:17:09.600 --> 0:17:11.359
<v Speaker 1>And so the first place I guess would be to

0:17:11.640 --> 0:17:14.119
<v Speaker 1>comment a little more on that first story, the one

0:17:14.119 --> 0:17:16.920
<v Speaker 1>about the priest who arrives to sing Matten's and and

0:17:16.960 --> 0:17:20.560
<v Speaker 1>finds the congregation the multitude of dead there, and they're

0:17:20.600 --> 0:17:23.400
<v Speaker 1>making offerings to a dead priest, and then they they

0:17:23.640 --> 0:17:26.360
<v Speaker 1>and then one of them is someone he knows tells him,

0:17:27.359 --> 0:17:30.239
<v Speaker 1>I think you're gonna die soon, and then he does. Uh.

0:17:30.359 --> 0:17:32.680
<v Speaker 1>So I wanted to go through a few observations about

0:17:32.720 --> 0:17:35.280
<v Speaker 1>the story that the Catchyola notes that are probably worth

0:17:35.400 --> 0:17:38.359
<v Speaker 1>logging for when we look at the other ones. Uh. First,

0:17:38.480 --> 0:17:42.000
<v Speaker 1>it's worth noting that instead of going to another plane

0:17:42.000 --> 0:17:46.439
<v Speaker 1>of existence in this story, the returned dead or the revenants,

0:17:46.480 --> 0:17:48.760
<v Speaker 1>they hang out here on earth. So they're not going

0:17:48.880 --> 0:17:51.960
<v Speaker 1>off to heaven. This is where they live. They're here

0:17:52.000 --> 0:17:54.960
<v Speaker 1>on earth and this is where they do their business. Second,

0:17:55.840 --> 0:17:59.679
<v Speaker 1>they are bodily reanimations, not in substantial specters. This has

0:17:59.720 --> 0:18:02.800
<v Speaker 1>come up several times already, but this is apparently common,

0:18:02.960 --> 0:18:07.600
<v Speaker 1>especially throughout the pagan mythology of Northern Europe, that uh,

0:18:07.640 --> 0:18:11.080
<v Speaker 1>you know, it's not just like a gas like ghost

0:18:11.160 --> 0:18:13.600
<v Speaker 1>that forms an image that you could walk right through.

0:18:13.720 --> 0:18:17.360
<v Speaker 1>These are undead with mass and heft. They can grab you. Yeah,

0:18:17.400 --> 0:18:20.760
<v Speaker 1>they're the literal dead. They are you know, decaying bodies

0:18:20.800 --> 0:18:25.240
<v Speaker 1>and skeletons going about their business. Another thing, so these

0:18:25.320 --> 0:18:28.000
<v Speaker 1>dead are said to be in the version of the story,

0:18:28.040 --> 0:18:31.840
<v Speaker 1>we get faithful Christians who worshiped the Christian God even

0:18:31.880 --> 0:18:35.000
<v Speaker 1>after death. Which is an interesting thing because I think

0:18:35.119 --> 0:18:39.040
<v Speaker 1>another common modern assumption that would be that like a

0:18:39.160 --> 0:18:42.720
<v Speaker 1>religion is something that people maybe need during life. You know,

0:18:42.800 --> 0:18:46.920
<v Speaker 1>it's it's in order specifically to prepare you for the afterlife,

0:18:47.320 --> 0:18:49.520
<v Speaker 1>So there would be no need in the afterlife for

0:18:49.560 --> 0:18:53.119
<v Speaker 1>people to continue doing religious practices. But here that that

0:18:53.200 --> 0:18:56.320
<v Speaker 1>assumption is clearly not on display. The dead also need

0:18:56.359 --> 0:18:59.720
<v Speaker 1>to go to church, and of course, in thinking about this,

0:18:59.760 --> 0:19:05.000
<v Speaker 1>our mine can easily go to Christian doctrines of of

0:19:05.040 --> 0:19:07.720
<v Speaker 1>the of the dead returning to life be at the

0:19:07.880 --> 0:19:13.360
<v Speaker 1>resurrection of Christ um after death or um the idea

0:19:13.560 --> 0:19:16.040
<v Speaker 1>that once we die, our bodies just kind of hang

0:19:16.080 --> 0:19:19.760
<v Speaker 1>around for a while until the physical resurrection occurs at

0:19:19.760 --> 0:19:23.520
<v Speaker 1>the end of time um, which you can imagine how

0:19:24.480 --> 0:19:28.600
<v Speaker 1>how that idea would um would come to life if

0:19:28.640 --> 0:19:32.480
<v Speaker 1>you had these pre existing concepts of revenant spirits, like

0:19:32.560 --> 0:19:35.280
<v Speaker 1>it's my body just in the ground awaiting um at

0:19:35.359 --> 0:19:37.399
<v Speaker 1>Christ's return, Well, what else is it doing? Is it

0:19:37.480 --> 0:19:40.400
<v Speaker 1>going to church? Where is it just lazy bones? This

0:19:40.440 --> 0:19:42.720
<v Speaker 1>is something we mentioned, uh, we mentioned last time. So

0:19:42.800 --> 0:19:46.040
<v Speaker 1>the Catholic teaching at the time emphasized the inertness of

0:19:46.080 --> 0:19:49.000
<v Speaker 1>the dead body until the general resurrection at the second

0:19:49.000 --> 0:19:53.040
<v Speaker 1>coming of Christ. So they they would emphasize, no, until

0:19:53.200 --> 0:19:55.320
<v Speaker 1>Jesus comes back, your body just stays there. It doesn't

0:19:55.359 --> 0:19:58.760
<v Speaker 1>do anything. And so this is clearly in contradiction with that.

0:19:58.840 --> 0:20:00.880
<v Speaker 1>And yet this is also of something we talked about

0:20:00.880 --> 0:20:03.720
<v Speaker 1>in the previous episode. There appears to have been a

0:20:03.760 --> 0:20:10.280
<v Speaker 1>pretty wide uh tolerance for various beliefs about the undead,

0:20:10.480 --> 0:20:13.320
<v Speaker 1>even if they weren't If there were beliefs about the

0:20:13.400 --> 0:20:16.639
<v Speaker 1>undead that we're not strictly in line with Catholic teaching.

0:20:17.119 --> 0:20:19.600
<v Speaker 1>For some reason, this is an area of belief that

0:20:19.640 --> 0:20:22.840
<v Speaker 1>the Church did not seem to police very strongly. And

0:20:22.840 --> 0:20:26.480
<v Speaker 1>we're broadly tolerant of people sort of coloring outside the

0:20:26.560 --> 0:20:29.879
<v Speaker 1>lines on beliefs about the dead. But to come back

0:20:29.920 --> 0:20:32.800
<v Speaker 1>to Titmar's first ghost, story here. There there are some

0:20:32.880 --> 0:20:35.800
<v Speaker 1>weird elements that are illuminating on top of the more

0:20:36.280 --> 0:20:39.879
<v Speaker 1>straightforward elements we just mentioned. First of all, so again

0:20:39.920 --> 0:20:42.080
<v Speaker 1>we we noticed that these dead are pious from a

0:20:42.200 --> 0:20:45.320
<v Speaker 1>Christian point of view. They're going to church, they're worshiping God,

0:20:45.560 --> 0:20:49.520
<v Speaker 1>and yet at the same time they project what Catchiola

0:20:49.600 --> 0:20:53.520
<v Speaker 1>calls a strong aura of menace that seems to be

0:20:53.560 --> 0:20:56.080
<v Speaker 1>about right. These are not like happy, nice ghosts who

0:20:56.119 --> 0:20:58.639
<v Speaker 1>are like, hey, sweet, you know, they're scary and the

0:20:58.680 --> 0:21:01.760
<v Speaker 1>priest is terrified of them. He has to do the

0:21:01.760 --> 0:21:03.960
<v Speaker 1>Sign of the Cross before he can go in, go

0:21:04.000 --> 0:21:07.680
<v Speaker 1>in among the crowd. And then here's another interesting thing.

0:21:07.800 --> 0:21:09.879
<v Speaker 1>I didn't notice this, but she points this out in

0:21:10.160 --> 0:21:13.440
<v Speaker 1>the analysis. Not only is the priest given a true

0:21:13.480 --> 0:21:16.520
<v Speaker 1>omen of his own impending death. That part's creepy enough,

0:21:17.080 --> 0:21:21.720
<v Speaker 1>but more so, his office has been usurped. They are

0:21:21.800 --> 0:21:25.000
<v Speaker 1>performing the morning Mass that he came there to do.

0:21:25.640 --> 0:21:29.280
<v Speaker 1>They are doing the priest's job for him. So there's

0:21:29.280 --> 0:21:32.560
<v Speaker 1>an interesting implied interplay of ideas here when when you

0:21:32.560 --> 0:21:35.120
<v Speaker 1>look at what could have been the inputs. Number one,

0:21:35.200 --> 0:21:38.880
<v Speaker 1>you'd have okay, they're appearing in this Catholic church. And

0:21:38.920 --> 0:21:42.679
<v Speaker 1>again the Catholic doctrine emphasized the inertness of the dead body.

0:21:42.800 --> 0:21:45.480
<v Speaker 1>So this is not really totally within the you know,

0:21:45.520 --> 0:21:48.359
<v Speaker 1>the central teachings of the Church. And yet obviously here's

0:21:48.520 --> 0:21:52.560
<v Speaker 1>here's Temur, a Catholic bishop recording this event um. And

0:21:52.640 --> 0:21:55.160
<v Speaker 1>yet it includes these elements that would seem to come

0:21:55.200 --> 0:21:58.960
<v Speaker 1>from European paganism that had these sort of common sense

0:21:59.040 --> 0:22:01.680
<v Speaker 1>ideas about what would lead somebody to get up out

0:22:01.720 --> 0:22:04.720
<v Speaker 1>of their grave and walk around. And generally this would

0:22:04.720 --> 0:22:08.119
<v Speaker 1>be associated with what would be considered a bad death,

0:22:08.640 --> 0:22:13.240
<v Speaker 1>people who say died of like a painful or violent death,

0:22:13.359 --> 0:22:17.440
<v Speaker 1>or died young, or died with unfinished business. That these

0:22:17.480 --> 0:22:20.159
<v Speaker 1>are generally the kinds of people who were believed to

0:22:20.640 --> 0:22:24.480
<v Speaker 1>have energy still left in them because they had something unresolved,

0:22:24.600 --> 0:22:26.840
<v Speaker 1>or they died too young, and they would be the

0:22:26.880 --> 0:22:30.640
<v Speaker 1>ones would be likely to get up out of their graves. Right.

0:22:30.880 --> 0:22:34.720
<v Speaker 1>Another area being the revenants of individuals who had not

0:22:34.880 --> 0:22:38.240
<v Speaker 1>been buried properly. Uh, and during the Christian period this

0:22:38.359 --> 0:22:41.359
<v Speaker 1>becomes had a case of had not been given a

0:22:41.359 --> 0:22:45.119
<v Speaker 1>proper Christian burial. Right, So you're you're combining these weird

0:22:45.320 --> 0:22:49.080
<v Speaker 1>connotations of you know, beliefs that would traditionally say these

0:22:49.119 --> 0:22:51.000
<v Speaker 1>are the kind of dead you should be worried about,

0:22:51.040 --> 0:22:52.960
<v Speaker 1>the ones that get up and walk around that you

0:22:52.960 --> 0:22:55.520
<v Speaker 1>know there's something wrong with them. These are the bad dead,

0:22:55.560 --> 0:22:58.760
<v Speaker 1>the dangerous dead. And yet here in this story, well

0:22:58.800 --> 0:23:01.879
<v Speaker 1>they're going to church and that's nice. Um, and so

0:23:02.080 --> 0:23:05.000
<v Speaker 1>teep margin he gives this, uh, this persuasive framing where

0:23:05.000 --> 0:23:07.359
<v Speaker 1>he says, this story proves the Christian doctrine of the

0:23:07.440 --> 0:23:09.879
<v Speaker 1>ultimate resurrection of the dead at the end of time.

0:23:10.480 --> 0:23:13.200
<v Speaker 1>Though I to come back to when I brought up earlier,

0:23:13.240 --> 0:23:15.159
<v Speaker 1>I wonder if he's got other things in mind. I

0:23:15.240 --> 0:23:19.320
<v Speaker 1>was actually kind of wondering about stories like this, if

0:23:19.359 --> 0:23:21.880
<v Speaker 1>this is kind of the same logic. There's a lot

0:23:21.880 --> 0:23:26.680
<v Speaker 1>of say twentieth century exploitation movies where they say, here's

0:23:26.680 --> 0:23:29.680
<v Speaker 1>a movie with like lurid content that is playing to

0:23:30.000 --> 0:23:33.760
<v Speaker 1>you know, people's perverse interests in seeing you know, violence

0:23:33.840 --> 0:23:38.760
<v Speaker 1>or sexuality or something, but couched as somehow educational or

0:23:38.880 --> 0:23:43.160
<v Speaker 1>topical about important subject matter, you know what I mean. Yeah,

0:23:43.320 --> 0:23:45.679
<v Speaker 1>Like like an like an early anti drug film that

0:23:45.800 --> 0:23:49.920
<v Speaker 1>is ultimately kind of a celebration at access around supposed

0:23:50.040 --> 0:23:53.280
<v Speaker 1>drug doings. Yeah, like refor madness or something. They're like,

0:23:53.320 --> 0:23:55.800
<v Speaker 1>we're gonna get your heart racing with some with some

0:23:56.320 --> 0:23:59.680
<v Speaker 1>kind of kind of scandalous content. But really this is

0:23:59.720 --> 0:24:02.520
<v Speaker 1>all aimed in showing you how how dangerous and bad

0:24:02.640 --> 0:24:06.440
<v Speaker 1>marijuana is. But then again, I think about how I guess,

0:24:06.520 --> 0:24:09.000
<v Speaker 1>to be fair to teach more this story could be

0:24:09.080 --> 0:24:12.320
<v Speaker 1>presented with both purposes at once. In one one hand,

0:24:12.440 --> 0:24:15.320
<v Speaker 1>is just kind of a very fascinating, entertaining ghost story,

0:24:15.400 --> 0:24:17.520
<v Speaker 1>and then on the other hand, it does, at least

0:24:17.560 --> 0:24:20.600
<v Speaker 1>from his point of view, have this persuasive power in

0:24:20.920 --> 0:24:25.399
<v Speaker 1>showing evidence of the possibility of the general resurrection. I

0:24:25.440 --> 0:24:30.520
<v Speaker 1>think people often underestimate the importance of entertainment within religious

0:24:30.640 --> 0:24:34.520
<v Speaker 1>education and preaching. I mean, what kind of preachers are

0:24:34.560 --> 0:24:38.119
<v Speaker 1>the most effective? I personally would argue it's very often

0:24:38.160 --> 0:24:41.600
<v Speaker 1>those who are the most entertaining to listen to that

0:24:41.720 --> 0:24:44.359
<v Speaker 1>that really keep your attention. How do you keep people's

0:24:44.400 --> 0:24:47.800
<v Speaker 1>attention You entertain them, and having good ghost stories is

0:24:47.840 --> 0:24:50.199
<v Speaker 1>one way to achieve that. Yeah, I mean, when I

0:24:50.240 --> 0:24:53.120
<v Speaker 1>think of of preachers that I've connected with the most,

0:24:53.160 --> 0:24:56.240
<v Speaker 1>they mean they're they're always stories to tell, right, I Mean,

0:24:56.240 --> 0:24:58.600
<v Speaker 1>they are always these Bible stories and scriptures to read.

0:24:59.280 --> 0:25:03.640
<v Speaker 1>And in some cases those scriptures are inherently interesting, and

0:25:03.920 --> 0:25:05.680
<v Speaker 1>you know, maybe it doesn't take much for a preacher

0:25:05.720 --> 0:25:08.320
<v Speaker 1>to make something interesting out of it, to make a

0:25:08.359 --> 0:25:11.440
<v Speaker 1>meal out of this particular scripture. Other times the scripture

0:25:11.560 --> 0:25:14.520
<v Speaker 1>can be especially if you're following a calendar, uh, you know,

0:25:14.560 --> 0:25:15.879
<v Speaker 1>and you're just this is the one you have to

0:25:15.880 --> 0:25:18.119
<v Speaker 1>preach on today. Some of those can be real dogs

0:25:18.200 --> 0:25:21.440
<v Speaker 1>or real are real mountains declined to try and make

0:25:21.480 --> 0:25:24.920
<v Speaker 1>it relevant um or interesting to an audience. But but

0:25:25.000 --> 0:25:27.320
<v Speaker 1>a really good preacher can do that. They can they

0:25:27.320 --> 0:25:29.880
<v Speaker 1>can find a way, like maybe you're not just focusing

0:25:29.880 --> 0:25:31.840
<v Speaker 1>on the story in the scripture, but you're you're telling

0:25:31.840 --> 0:25:35.359
<v Speaker 1>a story, uh, from your life and applying it to

0:25:35.760 --> 0:25:38.800
<v Speaker 1>you know, the truth to supposed truths in the scripture,

0:25:38.840 --> 0:25:42.159
<v Speaker 1>that sort of thing. But yeah, there's storytelling. Is is

0:25:42.200 --> 0:25:45.440
<v Speaker 1>inherent to the whole whole process. When it's not there.

0:25:45.520 --> 0:25:50.040
<v Speaker 1>You notice regarding this this persuasive presentation or whatever I

0:25:50.080 --> 0:25:52.960
<v Speaker 1>think I've called it, apologetic, persuasive, rhetorical whatever it is,

0:25:53.080 --> 0:25:55.639
<v Speaker 1>that he's saying that he's telling the story to convince

0:25:55.720 --> 0:25:58.840
<v Speaker 1>people of the resurrection. Catch you all argues that this

0:25:58.920 --> 0:26:03.120
<v Speaker 1>actually is something that's plausibly important in the context because

0:26:04.200 --> 0:26:07.640
<v Speaker 1>people like Titmar and uh and and Catholics at the time,

0:26:07.720 --> 0:26:10.919
<v Speaker 1>one of the things they mainly wanted to promote to

0:26:11.040 --> 0:26:16.160
<v Speaker 1>the laity was the truth of life after death. UH

0:26:16.200 --> 0:26:19.680
<v Speaker 1>that there was apparently doubt that the afterlife existed, and

0:26:19.800 --> 0:26:24.040
<v Speaker 1>that this doubt was incredibly threatening to the church. That

0:26:24.400 --> 0:26:27.560
<v Speaker 1>was perceived as one of the main things to to

0:26:27.720 --> 0:26:30.080
<v Speaker 1>fight off and be wary of. It were any doubts

0:26:30.080 --> 0:26:33.959
<v Speaker 1>about the possibility of the afterlife or of resurrection. And

0:26:34.000 --> 0:26:37.199
<v Speaker 1>so even if this story is kind of weird, like

0:26:37.240 --> 0:26:41.200
<v Speaker 1>it doesn't really fit exactly with Catholic Catholic doctrines about

0:26:41.320 --> 0:26:44.879
<v Speaker 1>the afterlife or about the resurrection, it's close enough. At

0:26:44.920 --> 0:26:48.680
<v Speaker 1>least there is resurrection, there is some kind of afterlife.

0:26:49.080 --> 0:26:53.000
<v Speaker 1>And because there's this strong impulse to just say, well,

0:26:53.040 --> 0:26:55.240
<v Speaker 1>whatever it is, you just gotta make make sure people

0:26:55.320 --> 0:26:59.159
<v Speaker 1>understand that it is possible to achieve immortality. There is

0:26:59.240 --> 0:27:03.120
<v Speaker 1>life after sical death of the body, and that's good enough. Yeah,

0:27:03.119 --> 0:27:05.320
<v Speaker 1>It's kind of like this is the point where the

0:27:06.520 --> 0:27:09.640
<v Speaker 1>salesman at the car dealership has convinced you that, yes,

0:27:09.720 --> 0:27:11.800
<v Speaker 1>in theory, you would like a new car. You believe

0:27:11.880 --> 0:27:14.240
<v Speaker 1>in the value of getting a new car. Now it's

0:27:14.240 --> 0:27:16.320
<v Speaker 1>about convincing you that we need to get you in

0:27:16.359 --> 0:27:25.720
<v Speaker 1>this car today, right, thank thank, Okay, so it's time,

0:27:25.760 --> 0:27:27.440
<v Speaker 1>I think to get to a couple of Tee Mar's

0:27:27.520 --> 0:27:30.639
<v Speaker 1>other stories, which which are a lot of fun. So

0:27:31.200 --> 0:27:34.439
<v Speaker 1>for there's also a thing where, briefly, he apparently says

0:27:34.440 --> 0:27:37.439
<v Speaker 1>just he recounts a few personal experiences. I think at

0:27:37.480 --> 0:27:39.680
<v Speaker 1>one point he says he heard grunts coming out of

0:27:39.680 --> 0:27:43.679
<v Speaker 1>a graveyard. Okay, I thought that was good. But then

0:27:43.720 --> 0:27:46.160
<v Speaker 1>there's a second tale he tells. So the second tale

0:27:46.200 --> 0:27:48.760
<v Speaker 1>is much shorter, and then there's a tremendous third one.

0:27:48.800 --> 0:27:52.560
<v Speaker 1>The second one takes place in the yard of Magdeburgh's

0:27:52.680 --> 0:27:56.360
<v Speaker 1>Merchants Church, and it's spooky, but not as wild as

0:27:56.400 --> 0:27:59.080
<v Speaker 1>the first or third. So i'll just read directly Catchiola's

0:27:59.119 --> 0:28:03.280
<v Speaker 1>translation of the story. During my time in Magdeburg, the

0:28:03.359 --> 0:28:06.360
<v Speaker 1>guards of the Merchants Church, while keeping watch at night,

0:28:06.720 --> 0:28:10.040
<v Speaker 1>experienced by sight and by hearing phenomena similar to what

0:28:10.160 --> 0:28:13.639
<v Speaker 1>I have described. So they brought some of the foremost citizens.

0:28:14.000 --> 0:28:17.840
<v Speaker 1>Having set themselves at a far distance from the cadaver cemetery,

0:28:17.880 --> 0:28:21.520
<v Speaker 1>they watched as lights were placed in the candelabras, and

0:28:21.560 --> 0:28:25.320
<v Speaker 1>then they faintly heard two parts singing the invitatory and

0:28:25.400 --> 0:28:29.720
<v Speaker 1>completing all the morning lauds in proper order. However, afterward,

0:28:29.760 --> 0:28:34.119
<v Speaker 1>when they approached, they discovered nothing. This one's interesting because

0:28:34.200 --> 0:28:36.520
<v Speaker 1>this sounds more like the kind of ghost stories you

0:28:36.600 --> 0:28:40.320
<v Speaker 1>hear people talk about today. It's like something seen very

0:28:40.400 --> 0:28:44.560
<v Speaker 1>faintly at a distance and heard in an uncertain way. Yeah,

0:28:44.720 --> 0:28:47.600
<v Speaker 1>just as as an example of someone saying, hey, sometimes

0:28:47.600 --> 0:28:50.560
<v Speaker 1>we see strange lights, or I've heard that that sometimes

0:28:50.600 --> 0:28:53.640
<v Speaker 1>they see strange lights in the in the graveyard, and

0:28:53.640 --> 0:28:55.959
<v Speaker 1>and that's that's enough. Like that, just the idea of

0:28:56.000 --> 0:28:58.959
<v Speaker 1>that occurring and the idea that there are accounts of

0:28:59.000 --> 0:29:03.280
<v Speaker 1>that are are enough to tickle the imagination. Okay, but

0:29:03.360 --> 0:29:06.480
<v Speaker 1>time for the third tale. This is the real barn Burner. Okay,

0:29:06.600 --> 0:29:08.560
<v Speaker 1>let's do it. So this one is a story that

0:29:08.600 --> 0:29:13.360
<v Speaker 1>Tetmar says he heard from his niece Bridget about something

0:29:13.400 --> 0:29:16.240
<v Speaker 1>that happened in You Trecked. So I love that we're

0:29:16.240 --> 0:29:19.600
<v Speaker 1>getting niece stories now. Again from the translation in in

0:29:20.000 --> 0:29:23.800
<v Speaker 1>the Cacciola's paper quote the next day, I told my

0:29:23.880 --> 0:29:27.360
<v Speaker 1>niece Bridget about the episode in Magdeburgh, and I received

0:29:27.400 --> 0:29:30.800
<v Speaker 1>this reply from her. During the eighty years or more,

0:29:30.880 --> 0:29:33.680
<v Speaker 1>when the great man Baldric held the Holy See of

0:29:33.760 --> 0:29:36.920
<v Speaker 1>You trecked, he renovated a church that had fallen into

0:29:37.000 --> 0:29:40.880
<v Speaker 1>ruin from old age in a place called Devonter. He

0:29:40.960 --> 0:29:43.560
<v Speaker 1>consecrated it and commended it to the care of one

0:29:43.600 --> 0:29:46.880
<v Speaker 1>of his priests. One day, when the priest was going

0:29:46.920 --> 0:29:49.640
<v Speaker 1>to the church very early in the morning, he saw

0:29:49.760 --> 0:29:53.160
<v Speaker 1>dead people in the church and cemetery making offerings, and

0:29:53.240 --> 0:29:57.040
<v Speaker 1>he heard them singing. The priest informed the bishop. Immediately

0:29:57.440 --> 0:30:00.720
<v Speaker 1>he was ordered by the latter to sleep in the church,

0:30:01.240 --> 0:30:04.120
<v Speaker 1>But the next night he was thrown out by the dead,

0:30:04.280 --> 0:30:07.280
<v Speaker 1>along with the bed he lay on. First of all, man,

0:30:07.280 --> 0:30:09.960
<v Speaker 1>this bishop is a tyrant, is oh, there's dead people

0:30:09.960 --> 0:30:11.760
<v Speaker 1>in the church, Well, you gotta sleep in there now.

0:30:12.120 --> 0:30:13.800
<v Speaker 1>But then they just they just threw him out, which

0:30:13.840 --> 0:30:15.280
<v Speaker 1>is kind of nice, you know, they just they just

0:30:15.320 --> 0:30:17.600
<v Speaker 1>threw they evicted him from the church. This is the

0:30:18.040 --> 0:30:20.960
<v Speaker 1>eviction of the living dead here, that's nice. Yeah, they

0:30:21.160 --> 0:30:22.920
<v Speaker 1>get the heck out of here. They just threw him

0:30:22.920 --> 0:30:24.680
<v Speaker 1>out and the bed he lay on. But then it

0:30:24.720 --> 0:30:27.920
<v Speaker 1>goes on terrified on account of what had happened. The

0:30:28.000 --> 0:30:31.760
<v Speaker 1>priest again complained to his superior about these things, but

0:30:31.840 --> 0:30:34.800
<v Speaker 1>the latter ordered that he should cross himself with saints

0:30:34.840 --> 0:30:37.640
<v Speaker 1>relics and be sprinkled with holy water, but on no

0:30:37.720 --> 0:30:42.120
<v Speaker 1>account cease guarding the church. The priest followed the bishop's command,

0:30:42.400 --> 0:30:44.840
<v Speaker 1>tried to sleep in the church again, but he was

0:30:44.880 --> 0:30:48.000
<v Speaker 1>struck with terror, and so lay wide awake and watchful,

0:30:48.720 --> 0:30:52.920
<v Speaker 1>and behold, at the accustomed hour the dead arrived. They

0:30:52.920 --> 0:30:56.160
<v Speaker 1>picked him up, they placed him upon the altar, and

0:30:56.240 --> 0:31:01.040
<v Speaker 1>they incinerated his body with fire down to a fine ash.

0:31:01.120 --> 0:31:03.560
<v Speaker 1>When the bishop heard about this, he ordered a three

0:31:03.600 --> 0:31:05.840
<v Speaker 1>day fast to be held for the sucker of the

0:31:05.880 --> 0:31:09.040
<v Speaker 1>dead man's soul. I could say much more, my son,

0:31:09.160 --> 0:31:12.080
<v Speaker 1>about all these things, if my illness did not prevent me.

0:31:12.520 --> 0:31:15.680
<v Speaker 1>As day is to the living, so night is conceded

0:31:15.720 --> 0:31:18.520
<v Speaker 1>to the dead. And there's that line we talked about

0:31:18.600 --> 0:31:20.400
<v Speaker 1>last time. Actually, I guess this means I may have

0:31:20.440 --> 0:31:23.479
<v Speaker 1>falsely attributed that to tit Mar when he was actually

0:31:23.560 --> 0:31:27.880
<v Speaker 1>quoting bridget Well. This this is a great story, um.

0:31:27.960 --> 0:31:30.720
<v Speaker 1>And and they're they're apparently variations of this as well.

0:31:30.760 --> 0:31:35.000
<v Speaker 1>That uh Camillia Christiansen blog post from the Legends of

0:31:35.000 --> 0:31:39.840
<v Speaker 1>the North dot com um. She shares one variation from Lapland,

0:31:40.200 --> 0:31:42.600
<v Speaker 1>which involves a priest who dares to venture into the

0:31:42.680 --> 0:31:46.880
<v Speaker 1>church during the midnight mass of the dead. And he

0:31:46.960 --> 0:31:49.120
<v Speaker 1>even gets up in front and begins preaching a sermon

0:31:49.200 --> 0:31:51.480
<v Speaker 1>to the dead. And I believe he's also protected you

0:31:51.480 --> 0:31:55.600
<v Speaker 1>know by various uh you know, holy waters and and

0:31:55.600 --> 0:31:58.680
<v Speaker 1>and and signs and so forth. But the dead don't care.

0:31:58.840 --> 0:32:03.360
<v Speaker 1>And they care him apart, leaving only his intestines quote

0:32:03.400 --> 0:32:08.240
<v Speaker 1>carefully swirled about the pillars. WHOA, Yeah, so that's that's

0:32:08.240 --> 0:32:10.760
<v Speaker 1>pretty uh, I mean that that's that's above and beyond.

0:32:10.920 --> 0:32:12.800
<v Speaker 1>I mean, I like the idea of them also just

0:32:12.840 --> 0:32:15.320
<v Speaker 1>burning him on the altar, but just tearing him apart

0:32:15.320 --> 0:32:19.360
<v Speaker 1>and decorating the place with his intestines like their their garlands. Uh,

0:32:19.440 --> 0:32:22.240
<v Speaker 1>that's also pretty nice. Well, one's more wicker man and

0:32:22.280 --> 0:32:25.840
<v Speaker 1>one's more splatter punk. Yeah. Now, one thing worth noticing

0:32:25.880 --> 0:32:27.959
<v Speaker 1>about this tale, which is fun, is, as far as

0:32:28.000 --> 0:32:30.760
<v Speaker 1>I can tell, this third tale has no living witnesses.

0:32:30.920 --> 0:32:33.240
<v Speaker 1>So how does anybody know this happened? Well, I guess

0:32:33.240 --> 0:32:35.520
<v Speaker 1>they just found the ashes, right, They're like, what happened?

0:32:36.120 --> 0:32:39.480
<v Speaker 1>He burned up for the rest. Yeah, that's true. Okay,

0:32:39.480 --> 0:32:41.000
<v Speaker 1>I guess the only part they would really have to

0:32:41.040 --> 0:32:43.680
<v Speaker 1>supply would be the order of events the night he

0:32:43.720 --> 0:32:46.440
<v Speaker 1>gets burned. Yeah, I mean, it's possible that the living

0:32:46.480 --> 0:32:49.760
<v Speaker 1>dead were framed, but otherwise we know the living dead

0:32:49.800 --> 0:32:51.600
<v Speaker 1>hang out in here at night. They kicked him out

0:32:51.680 --> 0:32:54.400
<v Speaker 1>last time, and this time we found him burnt to

0:32:54.440 --> 0:32:58.120
<v Speaker 1>a crisp probably the living dead again. Well, you know,

0:32:58.200 --> 0:33:02.400
<v Speaker 1>another thing that's interesting here we're worth noticing is that

0:33:02.520 --> 0:33:06.280
<v Speaker 1>the reanimated dead bodies they take the priests, they don't

0:33:06.320 --> 0:33:08.800
<v Speaker 1>just kill him. They burn him to a fine ash,

0:33:09.040 --> 0:33:12.160
<v Speaker 1>meaning that he cannot be reanimated in bodily form like

0:33:12.240 --> 0:33:16.320
<v Speaker 1>they can. Interesting, and perhaps something similar is achieved by

0:33:16.360 --> 0:33:18.680
<v Speaker 1>just tearing him to pieces and stringing him up all

0:33:18.680 --> 0:33:22.000
<v Speaker 1>over the place. But there's a there's a whole subsection

0:33:22.040 --> 0:33:25.880
<v Speaker 1>of Cachiola's paper where she makes a very interesting connection

0:33:26.000 --> 0:33:31.480
<v Speaker 1>with this story, and it is this many of the

0:33:31.480 --> 0:33:34.080
<v Speaker 1>the European paganisms, and this probably would have been true

0:33:34.120 --> 0:33:38.120
<v Speaker 1>of some of the Slavic paganism that predated the Christianizing

0:33:38.160 --> 0:33:41.480
<v Speaker 1>mission of the Saxons here in this region. Uh, A

0:33:41.560 --> 0:33:47.920
<v Speaker 1>lot of these religions involved burnt offerings and sometimes probably

0:33:48.200 --> 0:33:52.400
<v Speaker 1>burnt offerings of human beings. And so it's conceivable, at

0:33:52.480 --> 0:33:56.240
<v Speaker 1>least in in Cachiola's presentation, that this story about taking

0:33:56.280 --> 0:33:59.040
<v Speaker 1>the priest. Now, notice they don't just kill him, They

0:33:59.080 --> 0:34:02.600
<v Speaker 1>put him all in the altar and burn him, suggesting

0:34:03.120 --> 0:34:06.360
<v Speaker 1>that this is a a deliberate form of worship, that

0:34:06.400 --> 0:34:09.960
<v Speaker 1>the burning itself is worshiped to them. Uh, and so

0:34:10.120 --> 0:34:13.320
<v Speaker 1>this is a sacrifice to the gods or to the ancestors.

0:34:13.400 --> 0:34:15.680
<v Speaker 1>That there might have been some blurring of the lines

0:34:15.719 --> 0:34:18.719
<v Speaker 1>there in in these pagan beliefs, And this I think

0:34:18.760 --> 0:34:21.759
<v Speaker 1>further suggests that the story we're getting here is some

0:34:21.880 --> 0:34:24.880
<v Speaker 1>kind of hybrid detailed. This is a tale that may

0:34:24.920 --> 0:34:28.880
<v Speaker 1>originally involve some kind of more Slavic pagan beliefs that

0:34:28.960 --> 0:34:32.960
<v Speaker 1>involve burnt offerings and human sacrifices, and that it has

0:34:33.000 --> 0:34:38.160
<v Speaker 1>been given a sort of Christian reframing to tame it. Now,

0:34:38.200 --> 0:34:40.799
<v Speaker 1>that's hard to know for sure, but um, it does

0:34:40.880 --> 0:34:43.640
<v Speaker 1>raise interesting questions. You might assume, Okay, now, if there

0:34:43.719 --> 0:34:47.360
<v Speaker 1>were sort of these underlying pagan elements in this story

0:34:47.480 --> 0:34:51.479
<v Speaker 1>that then has gotten this Christian window dressing, why would

0:34:51.560 --> 0:34:54.240
<v Speaker 1>that be, I mean, is it just possibly that ghost

0:34:54.280 --> 0:34:57.400
<v Speaker 1>stories are difficult to drive out of the culture. Something

0:34:57.400 --> 0:34:59.840
<v Speaker 1>about them is too captivating, and you can you just

0:35:00.480 --> 0:35:03.920
<v Speaker 1>find that you can't really pry them out of people's minds.

0:35:03.960 --> 0:35:06.359
<v Speaker 1>So instead of trying to do that, what you might

0:35:06.440 --> 0:35:08.840
<v Speaker 1>do is try to reframe it to to make it

0:35:08.960 --> 0:35:12.520
<v Speaker 1>somewhat Christian, give it a generally Christian texture, even if

0:35:12.560 --> 0:35:16.120
<v Speaker 1>that leads to some sort of weird, contradictory or ambiguous elements,

0:35:16.120 --> 0:35:19.239
<v Speaker 1>like the fact that the dead are pious and murderous

0:35:19.320 --> 0:35:22.000
<v Speaker 1>at the same time. And then at least when you

0:35:22.040 --> 0:35:24.040
<v Speaker 1>do it that way, it makes it easier to give

0:35:24.080 --> 0:35:27.080
<v Speaker 1>it this uh, this persuasive framing that Titmar does, and say,

0:35:27.120 --> 0:35:30.040
<v Speaker 1>see the story that you believe, you know, the scary

0:35:30.080 --> 0:35:32.480
<v Speaker 1>tale that that you believe about the dead rising and

0:35:32.520 --> 0:35:35.880
<v Speaker 1>burning somebody at night, Well, that just proves Christian doctrines anyway,

0:35:35.880 --> 0:35:38.359
<v Speaker 1>at least sort of. And from here there's a whole

0:35:38.400 --> 0:35:42.080
<v Speaker 1>section in this article where Catchiolo gets into talking about

0:35:43.040 --> 0:35:46.759
<v Speaker 1>stories from the period, elements of these stories and other

0:35:46.840 --> 0:35:51.879
<v Speaker 1>stories that are somewhat related that suggests that the dead,

0:35:51.920 --> 0:35:54.279
<v Speaker 1>like the dead that we see, are not just sort

0:35:54.280 --> 0:35:58.040
<v Speaker 1>of like only existing in the moments that they haunt us,

0:35:58.480 --> 0:36:02.960
<v Speaker 1>and they're also not singly focused mindless zombies. But there

0:36:03.040 --> 0:36:06.640
<v Speaker 1>is instead a sort of rich afterlife for the Revenants,

0:36:06.640 --> 0:36:10.000
<v Speaker 1>that they appear to have a whole functioning society of

0:36:10.040 --> 0:36:13.440
<v Speaker 1>their own. Uh. Like one weird detail, and there's a

0:36:13.440 --> 0:36:15.959
<v Speaker 1>lot of stuff like this in these stories. One weird

0:36:16.000 --> 0:36:18.040
<v Speaker 1>detail you might not notice at first. This is that

0:36:18.200 --> 0:36:21.280
<v Speaker 1>back in the first story that Tite Martel's, the dead

0:36:21.360 --> 0:36:25.080
<v Speaker 1>are said to be giving offerings to the priest. This

0:36:25.160 --> 0:36:29.040
<v Speaker 1>suggests that the dead have possessions, that the dead have

0:36:29.320 --> 0:36:33.400
<v Speaker 1>an economy, and this is consistent with other pagan influence

0:36:33.480 --> 0:36:36.080
<v Speaker 1>to medieval tales of the societies of the dead who

0:36:36.080 --> 0:36:39.640
<v Speaker 1>are said to lead full lives. Uh. There's one story

0:36:39.719 --> 0:36:43.600
<v Speaker 1>that she cites that is in something called the Chronicle

0:36:43.680 --> 0:36:47.080
<v Speaker 1>of Henry of Erfurt, where a dead man in the

0:36:47.080 --> 0:36:49.439
<v Speaker 1>middle of the stories is speaking to a living man

0:36:50.160 --> 0:36:52.960
<v Speaker 1>and or speaking to a living person, and he says,

0:36:53.520 --> 0:36:57.320
<v Speaker 1>we eat, we drink, we take wives, we have children,

0:36:57.719 --> 0:36:59.960
<v Speaker 1>we arrange the weddings of our daughters in the mayor

0:37:00.080 --> 0:37:03.000
<v Speaker 1>urges of our sons, we sow when we reap, and

0:37:03.080 --> 0:37:06.799
<v Speaker 1>various other things, just as you do. But then we

0:37:06.840 --> 0:37:10.400
<v Speaker 1>get the detail except they don't do it down in

0:37:10.480 --> 0:37:13.000
<v Speaker 1>town where everybody else does it, and they don't do

0:37:13.040 --> 0:37:15.319
<v Speaker 1>it on the farms with all the living. They do

0:37:15.360 --> 0:37:19.479
<v Speaker 1>it inside the mountain of Sirenburg instead of down among

0:37:19.480 --> 0:37:22.680
<v Speaker 1>the living. Um. And and there's even more so there's

0:37:22.800 --> 0:37:25.919
<v Speaker 1>weird stuff about how the dead are saying that they

0:37:25.960 --> 0:37:29.560
<v Speaker 1>are that they procreate right, that they have children, and

0:37:29.600 --> 0:37:32.560
<v Speaker 1>they have their children have weddings and stuff. And it's

0:37:32.560 --> 0:37:36.160
<v Speaker 1>also said that they have wars with other neighboring communities

0:37:36.200 --> 0:37:38.600
<v Speaker 1>of dead people. So there's like a separate world of

0:37:38.719 --> 0:37:43.440
<v Speaker 1>geopolitics entirely among the dead. Yeah, Like up there in

0:37:43.480 --> 0:37:46.359
<v Speaker 1>the mountains, there's a mountain in which the the good

0:37:46.400 --> 0:37:50.680
<v Speaker 1>revenants reside, and there's one where the warlike revenants reside,

0:37:50.760 --> 0:37:54.040
<v Speaker 1>and and inside you have these whole societies that, yeah,

0:37:54.040 --> 0:37:57.920
<v Speaker 1>where where there's reproduction, even undead babies being born and

0:37:57.960 --> 0:38:02.040
<v Speaker 1>growing up to live full lives. Uh underneath the mountain.

0:38:02.280 --> 0:38:05.359
<v Speaker 1>Uh uh. This this was fascinating to me. I wish

0:38:05.400 --> 0:38:07.279
<v Speaker 1>I could have found out more about it. I was,

0:38:07.400 --> 0:38:09.080
<v Speaker 1>I was looking it up a little bit. And this

0:38:09.160 --> 0:38:11.840
<v Speaker 1>is um uh that this uh, this is actually this

0:38:11.880 --> 0:38:15.320
<v Speaker 1>is modern day Serenberg in the German district of Casal.

0:38:15.880 --> 0:38:18.200
<v Speaker 1>Uh So it's uh, if you live in this area,

0:38:18.520 --> 0:38:20.640
<v Speaker 1>you go up to the mountains and make inquiries for

0:38:20.719 --> 0:38:23.040
<v Speaker 1>us and see if you can find these dead societies,

0:38:23.680 --> 0:38:25.560
<v Speaker 1>because this is usually something I mean, we don't even

0:38:25.560 --> 0:38:28.960
<v Speaker 1>really encounter this much in our our our fantas, our

0:38:29.000 --> 0:38:31.680
<v Speaker 1>modern fantasy world building, where you know, there are plenty

0:38:31.680 --> 0:38:35.560
<v Speaker 1>of people plowing away in the realms of the undead,

0:38:35.840 --> 0:38:37.680
<v Speaker 1>and uh, you know, a lot of times, yeah, we don't,

0:38:37.719 --> 0:38:41.359
<v Speaker 1>we don't give much, we don't, we don't subscribe much

0:38:41.360 --> 0:38:44.720
<v Speaker 1>in the way of culture to to our our fictionalized undead,

0:38:44.719 --> 0:38:47.040
<v Speaker 1>certainly not to the zombies. But but then you see

0:38:47.040 --> 0:38:50.120
<v Speaker 1>this sometimes with vampires, where they'll be we'll we'll, we'll

0:38:50.120 --> 0:38:52.920
<v Speaker 1>get all in, you know, on like vampire societies and

0:38:53.000 --> 0:38:56.360
<v Speaker 1>vampire kings and cultures and lords and so forth. But

0:38:56.400 --> 0:38:58.840
<v Speaker 1>even then you don't see a lot of like vampire

0:38:58.920 --> 0:39:03.560
<v Speaker 1>nurseries and then vampire babies going on. You know. Yeah,

0:39:02.800 --> 0:39:07.000
<v Speaker 1>I find it's almost all of the visions of of

0:39:07.080 --> 0:39:10.879
<v Speaker 1>life after death that I can think of present life

0:39:10.920 --> 0:39:13.440
<v Speaker 1>after death as in some way of a kind of

0:39:13.480 --> 0:39:17.080
<v Speaker 1>reduced richness, Like you might think that the closest thing

0:39:17.080 --> 0:39:20.320
<v Speaker 1>you can think of too the dead having rich lives

0:39:20.360 --> 0:39:23.040
<v Speaker 1>like this would be I don't know in in Christian

0:39:23.040 --> 0:39:25.560
<v Speaker 1>beliefs about like going to heaven or something. But even

0:39:25.640 --> 0:39:28.759
<v Speaker 1>then life has a kind of it's life is said

0:39:28.760 --> 0:39:31.040
<v Speaker 1>to be blissful and good and you enjoy God. But

0:39:31.080 --> 0:39:35.120
<v Speaker 1>there's not there's not like, uh much drama there. There's

0:39:35.160 --> 0:39:37.120
<v Speaker 1>not like a lot of like you know, politics and

0:39:37.120 --> 0:39:39.640
<v Speaker 1>people falling in love and having children and all that.

0:39:39.680 --> 0:39:44.280
<v Speaker 1>It has a reduced level of complexity when compared to

0:39:44.280 --> 0:39:47.000
<v Speaker 1>to life here on earth. And that seems like it's

0:39:47.000 --> 0:39:49.200
<v Speaker 1>always true. Like if you go back to old stories,

0:39:49.520 --> 0:39:52.120
<v Speaker 1>you know, pre Christian ideas of the afterlife, like in

0:39:52.280 --> 0:39:55.719
<v Speaker 1>uh uh in the Odyssey, when when Odysseus goes and

0:39:55.760 --> 0:39:58.080
<v Speaker 1>he hears about what what is life like in in

0:39:58.160 --> 0:40:00.600
<v Speaker 1>the afterlife? It sounds like it's it's happy, you know,

0:40:00.640 --> 0:40:04.279
<v Speaker 1>everybody's just like, well, there's nothing much to do, Like

0:40:04.360 --> 0:40:07.360
<v Speaker 1>it is that reduced level of richness. It sounds gloomy

0:40:07.520 --> 0:40:09.600
<v Speaker 1>and kind of like your brain isn't really there. It's

0:40:09.680 --> 0:40:12.640
<v Speaker 1>kind of kind of a fog of eternity. I think,

0:40:12.719 --> 0:40:14.880
<v Speaker 1>unless I'm mistaken, it's described that way in the Epic

0:40:14.880 --> 0:40:17.239
<v Speaker 1>of Gilgamesh that once a man is dead, it says

0:40:17.320 --> 0:40:19.520
<v Speaker 1>he he just sort of like lies down among the

0:40:19.640 --> 0:40:22.680
<v Speaker 1>dust and he eats dirt or something. Yeah, so you're

0:40:22.680 --> 0:40:25.040
<v Speaker 1>either doing that or it's like Hell is a place

0:40:25.080 --> 0:40:27.360
<v Speaker 1>where you are just always screaming, or Heaven is a

0:40:27.360 --> 0:40:31.080
<v Speaker 1>place where you're just always beaming and smiling. Yeah, not not,

0:40:31.080 --> 0:40:33.640
<v Speaker 1>not often a lot of added complexity. I mean, I

0:40:33.640 --> 0:40:36.239
<v Speaker 1>guess there are versions where hey, you're in heaven. Would

0:40:36.239 --> 0:40:37.760
<v Speaker 1>you like to come back as a as an angel

0:40:37.800 --> 0:40:40.839
<v Speaker 1>and talk people off of bridges? Well you can do that,

0:40:41.040 --> 0:40:43.919
<v Speaker 1>or I guess there are also some variations where it's like, hey,

0:40:43.960 --> 0:40:46.239
<v Speaker 1>you're in hell, um, but we have a we have

0:40:46.280 --> 0:40:49.480
<v Speaker 1>a whole system here and you can level up if

0:40:49.480 --> 0:40:54.480
<v Speaker 1>you work hard, level up. Yeah. Um the only or

0:40:54.520 --> 0:40:58.120
<v Speaker 1>something um. I was actually thinking about um Alan Moore's

0:40:58.160 --> 0:41:00.640
<v Speaker 1>run on Swamp thing. There's this whole plot where the

0:41:00.680 --> 0:41:04.839
<v Speaker 1>evil Dr Anton Arcane has his soul has gone to Hell,

0:41:05.360 --> 0:41:08.000
<v Speaker 1>but he's just so evil that he works his way

0:41:08.080 --> 0:41:10.120
<v Speaker 1>up through the ranks and eventually gets a place of

0:41:10.160 --> 0:41:13.640
<v Speaker 1>power again. He's a real go getter, Yeah, he is. Um.

0:41:13.680 --> 0:41:16.880
<v Speaker 1>As far as like the Undead Reproduction, the only fictional

0:41:17.280 --> 0:41:19.239
<v Speaker 1>examples that come to mind or or first of all,

0:41:19.280 --> 0:41:22.000
<v Speaker 1>the Crypt Keeper, where in which there is one episode

0:41:22.000 --> 0:41:24.120
<v Speaker 1>of Tales for the Crypt where we're given his backstory

0:41:24.200 --> 0:41:26.200
<v Speaker 1>and we find out that his mom is a mummy,

0:41:26.800 --> 0:41:30.239
<v Speaker 1>So his mom is reanimated corpse, but his dad is

0:41:30.680 --> 0:41:35.560
<v Speaker 1>a like two faced um circus mutant kind of a situation.

0:41:36.280 --> 0:41:40.040
<v Speaker 1>So there's that, and um, oh, speaking of mummies, maybe

0:41:40.080 --> 0:41:43.919
<v Speaker 1>maybe Egyptian afterlife has a sort of has a level

0:41:43.960 --> 0:41:46.880
<v Speaker 1>of richness and complexity, oh very much. So, yes, it

0:41:47.280 --> 0:41:49.960
<v Speaker 1>certainly we can't forget that if you're looking at the

0:41:50.040 --> 0:41:52.840
<v Speaker 1>Egyptian afterlife. The Egyptian afterlife is an idea where you

0:41:52.840 --> 0:41:56.240
<v Speaker 1>are going into an entire world where you will need resources,

0:41:56.280 --> 0:42:00.920
<v Speaker 1>you will need spells, you will have to navigate various

0:42:00.920 --> 0:42:05.759
<v Speaker 1>obstacles and enemies. It's yeah, the Egyptian after after life

0:42:05.800 --> 0:42:08.400
<v Speaker 1>is a strong example to bring up, for sure. The

0:42:08.440 --> 0:42:10.680
<v Speaker 1>other undead example that comes to mind, though, is that

0:42:11.040 --> 0:42:14.200
<v Speaker 1>I believe it now in two different zombie films, director

0:42:14.320 --> 0:42:19.719
<v Speaker 1>Zack Snyder has betrayed um a strong interest in zombie reproduction.

0:42:19.840 --> 0:42:22.680
<v Speaker 1>He seems to really into the idea of of zombie

0:42:23.360 --> 0:42:26.719
<v Speaker 1>newborns and so forth. So, um, I don't know, take

0:42:26.760 --> 0:42:29.120
<v Speaker 1>that take that for as you will. I don't know.

0:42:29.520 --> 0:42:32.080
<v Speaker 1>If he makes another zombie film, maybe he'll expand on that.

0:42:32.800 --> 0:42:43.480
<v Speaker 1>We can only hope. All right, but you know enough

0:42:43.480 --> 0:42:47.920
<v Speaker 1>about about zombie movies. Let's get back to Christmas stuff. Okay,

0:42:47.960 --> 0:42:49.640
<v Speaker 1>That's that's what people want to hear about. And uh

0:42:49.640 --> 0:42:51.680
<v Speaker 1>and indeed, I want to come back to the idea

0:42:51.719 --> 0:42:56.560
<v Speaker 1>of youule tide revenants, Christmas zombies. I was reading The

0:42:56.600 --> 0:42:59.680
<v Speaker 1>Ghosts of Christmas Past by Sarah Hoffman. This was published

0:42:59.680 --> 0:43:04.000
<v Speaker 1>in eighteen by the Institute of European and Mediterranean Archaeology

0:43:04.040 --> 0:43:09.480
<v Speaker 1>in the Chronica Journal. The paper centers on local customs

0:43:09.480 --> 0:43:12.640
<v Speaker 1>and beliefs about the dead and the Catholic Church of St.

0:43:12.719 --> 0:43:18.440
<v Speaker 1>Nicholas on and near the island of hof Gary in Iceland.

0:43:19.120 --> 0:43:21.720
<v Speaker 1>So this is off the western coast of Iceland, north

0:43:21.800 --> 0:43:26.799
<v Speaker 1>of Kivik, but not not far off the coast. It

0:43:26.840 --> 0:43:29.840
<v Speaker 1>can be reached by boat or over the frozen ice.

0:43:30.800 --> 0:43:33.560
<v Speaker 1>So the church and cemetery here served as a major

0:43:34.080 --> 0:43:37.480
<v Speaker 1>funerary and burial destination for a large portion of western

0:43:37.520 --> 0:43:42.040
<v Speaker 1>Iceland from about twelve hundred to fifteen sixty three. Then

0:43:42.040 --> 0:43:45.080
<v Speaker 1>the church winds cemetery were both closed during the Lutheran

0:43:45.160 --> 0:43:49.400
<v Speaker 1>Reformation and the island was abandoned. Now, the author here

0:43:49.440 --> 0:43:52.360
<v Speaker 1>notes that you know, when we talk about the Lutheran

0:43:52.400 --> 0:43:55.560
<v Speaker 1>Reformation like this was a this was a time of

0:43:55.560 --> 0:43:59.000
<v Speaker 1>of of great change um and and often violent change.

0:43:59.000 --> 0:44:03.040
<v Speaker 1>She notes that the last Fli bishop in Iceland, John Arson,

0:44:03.520 --> 0:44:06.479
<v Speaker 1>was executed by beheading in fifteen fifty, during the height

0:44:06.640 --> 0:44:10.759
<v Speaker 1>of the Lutheran Reformation. So after this took place, after

0:44:10.800 --> 0:44:15.279
<v Speaker 1>this place was abandoned, uh stories about the island and

0:44:15.320 --> 0:44:18.520
<v Speaker 1>about the church and the graveyard there. They kind of

0:44:18.560 --> 0:44:22.719
<v Speaker 1>dealt with the abandonment in different ways, both to reinforce

0:44:22.800 --> 0:44:26.600
<v Speaker 1>the abandonment and to excuse it by turning the island

0:44:26.600 --> 0:44:30.040
<v Speaker 1>into a kind of forsaken and dangerous place. And this

0:44:30.080 --> 0:44:34.319
<v Speaker 1>comes to involve revenance. Of course, Hoffman naturally discusses the

0:44:34.320 --> 0:44:38.719
<v Speaker 1>corporeal nature of of these undead. Quote, these restless dead

0:44:38.800 --> 0:44:42.280
<v Speaker 1>often emerge as a result of improper death or unfinished business,

0:44:42.560 --> 0:44:47.400
<v Speaker 1>frequently overlapping with Christmas or Yule Tide. So remember we

0:44:47.400 --> 0:44:49.359
<v Speaker 1>we've already gone through a few different examples. But even

0:44:49.400 --> 0:44:53.640
<v Speaker 1>that example from the Gretist saka Um that where you

0:44:53.719 --> 0:44:55.680
<v Speaker 1>have the you know, the battle, the wrestling match against

0:44:55.680 --> 0:44:58.239
<v Speaker 1>the undead beast with the Moon in its eyes that

0:44:58.320 --> 0:45:01.120
<v Speaker 1>takes place at Christmas and well as well, and she

0:45:01.160 --> 0:45:03.479
<v Speaker 1>points out that most of these tales take place during

0:45:03.520 --> 0:45:06.759
<v Speaker 1>a festival of transition, uh you know in in this

0:45:06.800 --> 0:45:11.359
<v Speaker 1>example Christmas Cereal Tide, and are often set during a

0:45:11.360 --> 0:45:15.399
<v Speaker 1>time period of transition, in this case transition to either

0:45:15.440 --> 0:45:21.440
<v Speaker 1>transition to Christianity or transition from Catholicism to a Protestant

0:45:21.480 --> 0:45:25.640
<v Speaker 1>faith and um in in the in cases of where

0:45:25.680 --> 0:45:29.160
<v Speaker 1>it's like a Christian pagan situation we often see, the

0:45:29.239 --> 0:45:32.600
<v Speaker 1>Christian heroes are the ones that are usually the individuals

0:45:32.680 --> 0:45:35.400
<v Speaker 1>who are able to bring some sort of finality to

0:45:35.560 --> 0:45:39.880
<v Speaker 1>this disruption involving the undead. However, she does share a

0:45:39.920 --> 0:45:42.520
<v Speaker 1>tale in which the new religion does not seem to

0:45:42.560 --> 0:45:46.600
<v Speaker 1>be enough. Quote in the story of the Deacon of

0:45:46.600 --> 0:45:50.239
<v Speaker 1>of Mirca, a deacon of of Edge of florid Or

0:45:50.560 --> 0:45:53.960
<v Speaker 1>fell in love with a woman named good Run who

0:45:54.000 --> 0:45:57.399
<v Speaker 1>lived on the opposite shore of a fjord valley. One

0:45:57.480 --> 0:45:59.840
<v Speaker 1>day near Christmas, the deacon attempted to cross the for

0:46:00.080 --> 0:46:02.239
<v Speaker 1>was in river to meet his beloved, only to fall

0:46:02.360 --> 0:46:05.520
<v Speaker 1>through the ice to his death. His ghost returned to

0:46:05.520 --> 0:46:09.239
<v Speaker 1>torment guruin for two weeks, and while a priest was

0:46:09.320 --> 0:46:13.320
<v Speaker 1>unable to help, a sorcerer quote skilled in witchcraft finally

0:46:13.360 --> 0:46:18.760
<v Speaker 1>managed to exercise the ghost. This is interesting because I um,

0:46:18.880 --> 0:46:23.360
<v Speaker 1>I remember from years ago when I visited Iceland a

0:46:23.600 --> 0:46:28.080
<v Speaker 1>story about a story from somewhere I went about a

0:46:28.080 --> 0:46:30.839
<v Speaker 1>guy who died trying to cross a river to see

0:46:30.880 --> 0:46:33.840
<v Speaker 1>his beloved. But I wondered, But I don't think it

0:46:33.920 --> 0:46:36.480
<v Speaker 1>was in a fjord valley. I think it was more inland.

0:46:36.560 --> 0:46:39.760
<v Speaker 1>So maybe they're just multiple stories like that. I think so,

0:46:40.080 --> 0:46:44.120
<v Speaker 1>based on what the author here shares. There are a

0:46:44.120 --> 0:46:46.799
<v Speaker 1>few key things here. First of all, when we're talking,

0:46:47.040 --> 0:46:48.480
<v Speaker 1>First of all, we're dealing with a part of the

0:46:48.480 --> 0:46:51.120
<v Speaker 1>world in which, yes, the bodies of water will freeze

0:46:51.160 --> 0:46:53.920
<v Speaker 1>and you can cross them on foot, but there's always

0:46:53.920 --> 0:46:56.520
<v Speaker 1>the possibility that you will break through and then you're

0:46:56.520 --> 0:46:59.560
<v Speaker 1>in the water, the chilling water, uh, and you may

0:46:59.680 --> 0:47:03.839
<v Speaker 1>drown and then drowning, especially when you're dealing with death

0:47:03.840 --> 0:47:06.319
<v Speaker 1>at sea, this is said to leave one in a

0:47:06.400 --> 0:47:10.399
<v Speaker 1>state stuck between worlds. Uh. So there are a lot

0:47:10.480 --> 0:47:13.680
<v Speaker 1>of tales involving drowned revenance. In fact, we already shared

0:47:13.719 --> 0:47:16.640
<v Speaker 1>one in the first episode about the the guys going

0:47:16.680 --> 0:47:18.759
<v Speaker 1>to the feast and showing up anyway even though their

0:47:18.800 --> 0:47:21.320
<v Speaker 1>their boat um uh you know, wrecked and they drowned

0:47:21.360 --> 0:47:25.600
<v Speaker 1>on the way. Um. So this you know, the idea

0:47:25.719 --> 0:47:28.480
<v Speaker 1>that those who die in the water are especially prone

0:47:28.480 --> 0:47:31.200
<v Speaker 1>to return. And we actually see this in one of

0:47:31.239 --> 0:47:35.200
<v Speaker 1>the tales told to affirm the cursed nature of this

0:47:35.280 --> 0:47:40.080
<v Speaker 1>particular church, this abandoned church. The account says that on

0:47:40.200 --> 0:47:44.319
<v Speaker 1>Christmas even fifteen sixty three, the priests and parishioners of

0:47:44.320 --> 0:47:47.879
<v Speaker 1>the church were walking back to their farms over the

0:47:47.960 --> 0:47:51.000
<v Speaker 1>frozen tidal flats. So they were broken walking back to

0:47:51.040 --> 0:47:55.040
<v Speaker 1>the mainland essentially from this island. And what happened while

0:47:55.080 --> 0:47:59.160
<v Speaker 1>the ice broke halfway and everyone drowned. So in the

0:47:59.360 --> 0:48:02.440
<v Speaker 1>entire church drowns in the water, and of course by

0:48:02.520 --> 0:48:05.320
<v Speaker 1>virtue of that, they are going to be lost souls

0:48:06.000 --> 0:48:09.000
<v Speaker 1>now m The author adds here that the waters off

0:48:09.000 --> 0:48:11.360
<v Speaker 1>the coast were were dangerous, and it was apparently common

0:48:11.520 --> 0:48:14.560
<v Speaker 1>enough to discover human bodies washed upon the shore from

0:48:14.600 --> 0:48:18.239
<v Speaker 1>shipwrecks and um. And many of these were even as

0:48:18.280 --> 0:48:19.919
<v Speaker 1>an as an added note, they were they were said

0:48:19.920 --> 0:48:21.880
<v Speaker 1>to have occurred on Christmas, so you'd be out on

0:48:21.960 --> 0:48:25.200
<v Speaker 1>Christmas Day and then here are bodies washed up on

0:48:25.239 --> 0:48:27.760
<v Speaker 1>the shore. And if you were to find these bodies,

0:48:27.800 --> 0:48:32.719
<v Speaker 1>it's your personal responsibility, uh, to help those bodies have

0:48:32.840 --> 0:48:36.400
<v Speaker 1>a proper Christian burial, otherwise you're going to be cursed

0:48:36.400 --> 0:48:38.960
<v Speaker 1>and the Revenant will follow you until the end of

0:48:38.960 --> 0:48:42.160
<v Speaker 1>your days. Which reminds me of that that account of

0:48:42.200 --> 0:48:45.000
<v Speaker 1>the moonlight in the eyes of the undead creature that

0:48:45.080 --> 0:48:48.719
<v Speaker 1>gretted the strong battles and how he's essentially, uh, you know,

0:48:48.960 --> 0:48:51.040
<v Speaker 1>just shaken for the rest of his life because he

0:48:51.080 --> 0:48:54.759
<v Speaker 1>saw it. But anyway, but the idea of this, the

0:48:54.800 --> 0:48:58.520
<v Speaker 1>story of the lost congregation drowned in the ice um

0:48:58.560 --> 0:49:02.680
<v Speaker 1>it was. It was apparently bounded because after the church's abandonment,

0:49:02.960 --> 0:49:06.960
<v Speaker 1>the church decayed, but not only that, the burial grounds eroded.

0:49:07.400 --> 0:49:10.919
<v Speaker 1>And when burial grounds erode, what happens, well, the dead

0:49:10.920 --> 0:49:14.279
<v Speaker 1>appeared to rise, the dead are revealed, and this ended

0:49:14.360 --> 0:49:18.200
<v Speaker 1>up requiring several waves of reburial, uh, you know, people

0:49:18.200 --> 0:49:19.960
<v Speaker 1>having to to go out and make sure that these

0:49:19.960 --> 0:49:23.040
<v Speaker 1>bodies were given a proper burial again so that they

0:49:23.120 --> 0:49:27.839
<v Speaker 1>might rest. But the tail as the author the point

0:49:27.840 --> 0:49:30.200
<v Speaker 1>they're making is that you have stories like this that

0:49:30.280 --> 0:49:33.319
<v Speaker 1>we're about sort of giving a reason why the place

0:49:33.400 --> 0:49:35.279
<v Speaker 1>was abandoned. While it's an evil place, it's curse, the

0:49:35.280 --> 0:49:37.840
<v Speaker 1>dead are coming up through the ground, um. But also

0:49:38.080 --> 0:49:41.280
<v Speaker 1>it's kind of compounding this idea that like the people

0:49:41.360 --> 0:49:44.560
<v Speaker 1>of the church were abandoned that there, you know, it's

0:49:44.600 --> 0:49:46.760
<v Speaker 1>it's a part of like making sense of of people

0:49:46.920 --> 0:49:50.400
<v Speaker 1>lost during a time of transition, um. Not only a

0:49:50.440 --> 0:49:53.759
<v Speaker 1>transition between you know, one land and another, you know,

0:49:53.840 --> 0:49:59.520
<v Speaker 1>between one of the crossing of the bay here um

0:50:00.160 --> 0:50:02.480
<v Speaker 1>or crossing a frozen body of water, but also like

0:50:03.000 --> 0:50:07.200
<v Speaker 1>lost in this transition between Catholicism and uh and protestant

0:50:07.640 --> 0:50:09.880
<v Speaker 1>is um. You know. This has makes me think of

0:50:09.960 --> 0:50:15.399
<v Speaker 1>one last way to maybe interpret the the apparent contradiction

0:50:15.480 --> 0:50:18.320
<v Speaker 1>and these stories of the church going un dead, these uh,

0:50:18.440 --> 0:50:21.240
<v Speaker 1>you know, these lost beings that are at the same

0:50:21.280 --> 0:50:24.719
<v Speaker 1>time doing something that is apparently good and holy, but

0:50:24.760 --> 0:50:28.160
<v Speaker 1>then also they are menacing, which is that And again

0:50:28.200 --> 0:50:30.080
<v Speaker 1>this would connect to the you know, the kinds of

0:50:30.120 --> 0:50:33.640
<v Speaker 1>lives lead under the Mountain of Sirenburg as well. That

0:50:33.640 --> 0:50:37.439
<v Speaker 1>that just conveys complexity like that, um. You know, there's

0:50:37.440 --> 0:50:40.560
<v Speaker 1>a kind of confusion, ambiguity, and complexity to real life

0:50:40.560 --> 0:50:43.879
<v Speaker 1>as well. People. There are tons of people who subscribe

0:50:43.920 --> 0:50:46.720
<v Speaker 1>to whatever religion you think is the right one, and

0:50:46.719 --> 0:50:48.640
<v Speaker 1>and you would think it is good when they go

0:50:48.719 --> 0:50:51.720
<v Speaker 1>and worship in that religion. And then they also probably

0:50:51.760 --> 0:50:54.279
<v Speaker 1>will turn around in some cases and be menacing and

0:50:54.320 --> 0:50:58.920
<v Speaker 1>threatening and terrifying. Yeah, yeah, absolutely, um yeah, yeah, the

0:50:59.000 --> 0:51:01.960
<v Speaker 1>idea of the the churchgoers turning around and attacking you,

0:51:02.040 --> 0:51:05.279
<v Speaker 1>I mean that may that may well track with with

0:51:04.760 --> 0:51:09.120
<v Speaker 1>with some of your experiences with the with living congregations,

0:51:09.120 --> 0:51:13.200
<v Speaker 1>so um, you know, it's I think ultimately, yeah, I

0:51:13.239 --> 0:51:14.719
<v Speaker 1>think one of the things to take away from this

0:51:14.800 --> 0:51:17.400
<v Speaker 1>is that these stories are you know, do have a

0:51:17.400 --> 0:51:20.440
<v Speaker 1>complexity to them. They're they're probably saying multiple things. They're

0:51:20.520 --> 0:51:23.080
<v Speaker 1>kept around there, not only kept around, but you know,

0:51:23.160 --> 0:51:28.800
<v Speaker 1>intentionally kept around because they fulfill various purposes in life,

0:51:29.120 --> 0:51:34.239
<v Speaker 1>explaining things, um, making excuses for things um. And also

0:51:34.360 --> 0:51:38.919
<v Speaker 1>like and also just like keeping keeping occurrences alive too,

0:51:38.920 --> 0:51:41.400
<v Speaker 1>like you know, we we what is literally the idea

0:51:41.400 --> 0:51:43.279
<v Speaker 1>of a haunting. You know, it's the idea that the

0:51:43.520 --> 0:51:46.320
<v Speaker 1>dead won't completely rest and they keep saying something or

0:51:46.360 --> 0:51:50.520
<v Speaker 1>they keep appearing and and and sometimes it seems that's

0:51:50.560 --> 0:51:53.560
<v Speaker 1>a it's about you know, it's obviously more about the living,

0:51:53.600 --> 0:51:55.880
<v Speaker 1>like we won't let those dead rest, and we have

0:51:56.000 --> 0:52:00.359
<v Speaker 1>stories about them, uh, to help them stay alive. Yes,

0:52:00.360 --> 0:52:03.640
<v Speaker 1>in the same way that we probably wouldn't embrace revenant realism.

0:52:03.680 --> 0:52:05.920
<v Speaker 1>But you can certainly imagine how if you do find

0:52:05.920 --> 0:52:08.800
<v Speaker 1>a body washed up on the shore, it's a dead person,

0:52:08.840 --> 0:52:11.080
<v Speaker 1>and you see it and you do nothing about it,

0:52:11.160 --> 0:52:12.960
<v Speaker 1>that may well follow you for the rest of your

0:52:12.960 --> 0:52:16.080
<v Speaker 1>life in your brain. And uh yeah, and I think

0:52:16.120 --> 0:52:18.480
<v Speaker 1>the same could probably be said to be true about

0:52:18.480 --> 0:52:20.560
<v Speaker 1>these tales. You know, people are probably not getting up

0:52:20.560 --> 0:52:22.560
<v Speaker 1>out of their graves to go to church at night,

0:52:22.920 --> 0:52:26.800
<v Speaker 1>but it is reflecting some kind of lingering, unresolved anxieties

0:52:26.840 --> 0:52:30.200
<v Speaker 1>within say these frontier lands in in in the process

0:52:30.200 --> 0:52:34.600
<v Speaker 1>of Christianizing a continent where where where people have memories

0:52:34.600 --> 0:52:37.200
<v Speaker 1>of the past and fears that they can't really face,

0:52:37.280 --> 0:52:39.600
<v Speaker 1>and these come through in the form of narratives that

0:52:39.640 --> 0:52:44.160
<v Speaker 1>have strange contradictions within them. Yeah, all right, Well, we're

0:52:44.160 --> 0:52:46.160
<v Speaker 1>gonna go ahead and close out there, but we'd love

0:52:46.239 --> 0:52:49.160
<v Speaker 1>to hear from everyone if you've you've heard other variations

0:52:49.160 --> 0:52:52.719
<v Speaker 1>of these tales. Of church going revenants right in let

0:52:52.800 --> 0:52:55.680
<v Speaker 1>us know, especially if you have if you live in

0:52:55.840 --> 0:52:57.680
<v Speaker 1>or have connections to some of the parts of the

0:52:57.680 --> 0:53:01.279
<v Speaker 1>world that we've specifically discussed in these episodes. Also, I

0:53:01.320 --> 0:53:03.040
<v Speaker 1>have to say I looked around, I was I was

0:53:03.080 --> 0:53:06.719
<v Speaker 1>hoping I could find some examples from other cultures where

0:53:06.760 --> 0:53:11.400
<v Speaker 1>you have either a corporeal or non corporeal entity, that is,

0:53:11.840 --> 0:53:14.200
<v Speaker 1>you know, going to a church, where a temple and

0:53:14.440 --> 0:53:18.719
<v Speaker 1>engaging in some sort of pious activity. And um, I'm

0:53:18.800 --> 0:53:21.080
<v Speaker 1>I'm surely I missed something, but I wasn't able to

0:53:21.120 --> 0:53:23.800
<v Speaker 1>find anything. I found plenty of examples of various spirits

0:53:23.840 --> 0:53:27.719
<v Speaker 1>that were there to sort of maliciously punish those who

0:53:27.760 --> 0:53:31.680
<v Speaker 1>were who were engaging in impiety, you know, that that

0:53:32.000 --> 0:53:34.759
<v Speaker 1>that we're you know, disgracing a temple or a church,

0:53:34.960 --> 0:53:38.239
<v Speaker 1>that sort of thing or mischief makers you know, um,

0:53:39.800 --> 0:53:43.160
<v Speaker 1>demons or angels that make um, you know, monks fart

0:53:43.360 --> 0:53:47.520
<v Speaker 1>during the uh you know, during a mass or something.

0:53:47.560 --> 0:53:50.160
<v Speaker 1>But uh, yeah, I wasn't find able to find anything

0:53:50.160 --> 0:53:52.880
<v Speaker 1>that really stacks up with this idea of the of

0:53:52.960 --> 0:53:57.120
<v Speaker 1>the pious undead. But if I'm missing something, and surely

0:53:57.120 --> 0:53:58.640
<v Speaker 1>I am, then I would love to hear about them,

0:53:58.680 --> 0:54:00.759
<v Speaker 1>so right in, let us know. Yeah, I bet that

0:54:00.840 --> 0:54:04.080
<v Speaker 1>exists in the media. Yeah, because I mean there's so

0:54:04.280 --> 0:54:06.280
<v Speaker 1>I mean, obviously there are a lot of wonderful undead

0:54:06.560 --> 0:54:09.440
<v Speaker 1>uh examples from around the world. I was running across

0:54:09.440 --> 0:54:11.040
<v Speaker 1>plenty that we're interesting in their own right. You know,

0:54:11.120 --> 0:54:15.560
<v Speaker 1>various things raised by sorcerers and wizards and and which

0:54:15.640 --> 0:54:19.799
<v Speaker 1>is things, um, you know, various ghosts, your kai and

0:54:19.840 --> 0:54:22.960
<v Speaker 1>so forth. But nothing that really matched up with what

0:54:23.000 --> 0:54:24.799
<v Speaker 1>we were talking about here. But like I said, if

0:54:24.840 --> 0:54:27.480
<v Speaker 1>I missed it, right in and let us know. In

0:54:27.520 --> 0:54:29.080
<v Speaker 1>the meantime, if you would like to check out other

0:54:29.120 --> 0:54:31.520
<v Speaker 1>episodes of Stuff to Blow Your Mind, you'll find core

0:54:31.560 --> 0:54:33.879
<v Speaker 1>episodes on Tuesdays and Thursdays, and the Stuff to Blow

0:54:33.920 --> 0:54:37.839
<v Speaker 1>Your Mind podcast feed Artifact episodes on Wednesday, listener mail

0:54:37.880 --> 0:54:40.280
<v Speaker 1>on Mondays, and on Friday, we do Weird House Cinema.

0:54:40.320 --> 0:54:43.799
<v Speaker 1>That's our time to set most serious concerns aside and

0:54:43.880 --> 0:54:47.800
<v Speaker 1>just focus on a strange or unusual film, which thanks

0:54:47.800 --> 0:54:51.200
<v Speaker 1>as always to our excellent audio producer Seth Nicholas Johnson.

0:54:51.640 --> 0:54:53.160
<v Speaker 1>If you would like to get in touch with us

0:54:53.160 --> 0:54:55.800
<v Speaker 1>with feedback on this episode or any other to suggest

0:54:55.840 --> 0:54:57.880
<v Speaker 1>a topic, for the future. Just to say hello, you

0:54:57.880 --> 0:55:00.719
<v Speaker 1>can email us at contact that's TOFF to Blow your

0:55:00.719 --> 0:55:10.960
<v Speaker 1>Mind dot com Stuff to Blow your Mind is production

0:55:11.040 --> 0:55:13.760
<v Speaker 1>of i heart Radio. For more podcasts for my heart radio,

0:55:13.960 --> 0:55:16.320
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