WEBVTT - Cubicle Doom

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<v Speaker 1>Welcome to Stuff to Blow your Mind from how Stuff

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<v Speaker 1>Works dot com. Hey, welcome to Stuff to bow your Mind.

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<v Speaker 1>My name is Robert Lamb and I'm Julie Douglas. Julie,

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<v Speaker 1>let's let's let's set the stage here. Okay, let's go

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<v Speaker 1>to your cubicle. What does your cubicle look like? My cubicle, Julie.

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<v Speaker 1>I think it's got probably all of the trappings of

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<v Speaker 1>your typical office worker. It's got some personal photos, stacks

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<v Speaker 1>of books and papers. But um, it does have a

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<v Speaker 1>big sign that says cloaca av Yeah. Um, of course

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<v Speaker 1>we can thank Cooper for that, and that that I

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<v Speaker 1>think really telegraphed to people like, hey, this is my territory. Yeah,

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<v Speaker 1>you have some weird bits of art thrown in there.

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<v Speaker 1>I have some fan art that's awesome. And then I

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<v Speaker 1>have a tiger bearing its jaws like a little figurine.

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<v Speaker 1>And again in I feel like the tiger and the

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<v Speaker 1>sign and all of these little things are ways of

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<v Speaker 1>saying this is my corner of the street, and uh,

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<v Speaker 1>you know this is this is my area and my dwelling.

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<v Speaker 1>And I should point out that our cubicles are really

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<v Speaker 1>more like what half of a hexagon. Really, it's like

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<v Speaker 1>it's the three walls, but there's they're a little more spacious. Yeah,

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<v Speaker 1>they're not too bad. They're gray, um, but but they

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<v Speaker 1>don't look like the office space um TV movie cubicle

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<v Speaker 1>type of thing. It's it's a little better than that.

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<v Speaker 1>I think, Oh, you're saying this a little bit jazz here.

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<v Speaker 1>I think it's jazz here. It's a little bit more angles. Yeah,

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<v Speaker 1>but it doesn't look it's not as nearly as soul crushing,

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<v Speaker 1>and it feels a little more open. We have a

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<v Speaker 1>fair amount of death space, um. And I have my

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<v Speaker 1>walls of my little area decorated with bits of art,

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<v Speaker 1>you know. So I have like some you know, I

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<v Speaker 1>think a Tibetan calendar up and some fantasy arts and

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<v Speaker 1>various bits and pieces that that sort of allow my

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<v Speaker 1>imagination to run wild. And most of it is is

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<v Speaker 1>like a agreeable to the workplace. You've forgotten the best

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<v Speaker 1>part of your cubicle the oh the sand Worm avenue,

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<v Speaker 1>that was the one that the bookshelf that's next to

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<v Speaker 1>the bookshelf, which is your fortress against the world. But

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<v Speaker 1>in addition to that is the painting of Biscuit cat Yes,

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<v Speaker 1>my sister Lucy, Lucy Lamb, she painted a picture of

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<v Speaker 1>my cat Biscuit, and that's up there with the one eye.

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<v Speaker 1>That's she doesn't really have one red eye. She has

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<v Speaker 1>one bad eye, but in the in the painting it's

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<v Speaker 1>it's red and kind of magical looking. So yeah, that's

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<v Speaker 1>going to shoot. That's definitely one of the prize pieces

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<v Speaker 1>that I have with me at work, you know, along

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<v Speaker 1>with some other personal momentos. All right, Uh, I'm thinking

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<v Speaker 1>you guys have guessed that today's topic is all about

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<v Speaker 1>our workspaces are cubicles, how we dwell in them, what

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<v Speaker 1>is dwelling in them, and perhaps even the future of

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<v Speaker 1>office space. Yes, and I would I would have to

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<v Speaker 1>advise anyone listening to this at their cubicle, at their

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<v Speaker 1>their their workspace. UM, prepared to to feel a little

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<v Speaker 1>weird about your work environment. Prepare to um perhaps run

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<v Speaker 1>out to the store and buy some uh some sort

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<v Speaker 1>of clean up wipes to scrub everything down, because we're

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<v Speaker 1>gonna get into not only your human co workers here,

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<v Speaker 1>but your microbial will coworkers and all the creepy Crawley's

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<v Speaker 1>that invisibly make up your workspace. Yeah, because let's let's uh,

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<v Speaker 1>let's be honest about it, that we have this whole

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<v Speaker 1>microbial kingdom that is surrounding us, not just on our

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<v Speaker 1>bodies and inside our bodies, but every single space that

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<v Speaker 1>you touch, every single thing from that elevator button up

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<v Speaker 1>to the floor that you work on. And indeed, we've

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<v Speaker 1>talked before about just all the microbes that our body

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<v Speaker 1>is carrying. I mean just our mouth again, five hundred

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<v Speaker 1>with thousand different types of bacteria. Uh, only a hundred

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<v Speaker 1>to two hundred live in a mouth at any given time,

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<v Speaker 1>and we all have these different um bacterial, floral environments

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<v Speaker 1>going on inside us. And then we bring these environments

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<v Speaker 1>and a host of other things into these workspaces. Yeah,

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<v Speaker 1>there is a study called office space Bacterial Abundance and

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<v Speaker 1>Diversity in three metropolitan areas. It's a study by Christie m.

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<v Speaker 1>Hewitt and Charles Gerba at All and they found that

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<v Speaker 1>most of the bacteria in an office originates from the

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<v Speaker 1>workers themselves, right, which is I mean, of course we

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<v Speaker 1>track everything in it's spread by coughing, sneezing, and shedding

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<v Speaker 1>of the skin. And by the way, there are dust

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<v Speaker 1>mites that are there waiting for these little skin flakes

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<v Speaker 1>to fall so they can feast upon them. Yeah. One

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<v Speaker 1>of the things that kept coming back to in researching

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<v Speaker 1>this podcast and the other one that we're recording today,

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<v Speaker 1>is that we really have this this false notion in

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<v Speaker 1>our heads that I mean, it's it's largely a false

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<v Speaker 1>notion that I feel like the more we learn about

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<v Speaker 1>and the more educated we each of us individually are,

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<v Speaker 1>the less we buy into this this false idea. But

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<v Speaker 1>it's the sense that there's the outside world with all

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<v Speaker 1>the things that live in it, all the things that

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<v Speaker 1>can kill us, all the things that are gross and yucky,

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<v Speaker 1>and then we're going to create these pristine indoor environments

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<v Speaker 1>that are holy and uh. And in this space, I

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<v Speaker 1>am the only thing that is living. I'm cut off

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<v Speaker 1>from all this annoying nature and it's just me. I

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<v Speaker 1>don't have to worry about mosquitoes swarming me. I don't

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<v Speaker 1>have to worry about other parasites climbing up. I don't

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<v Speaker 1>have to worry about things um swooping down off of

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<v Speaker 1>dog poop. I don't know why they need to swoop down.

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<v Speaker 1>Maybe the dogs are climbing trees now, But but still

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<v Speaker 1>that the example still holds true that we think of

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<v Speaker 1>our indoor environments as something special and something clean, and

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<v Speaker 1>in reality we just created another equally occupied artificial environment.

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<v Speaker 1>It's just that the things that get to live there

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<v Speaker 1>are the things that we bring in with us, so

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<v Speaker 1>they become this kind of zoo, this kind of mutated

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<v Speaker 1>we're not really mutated, but out of control zoo of

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<v Speaker 1>human flora. Well, it is a bit of a zoo,

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<v Speaker 1>and it is a bit of a mutation because when

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<v Speaker 1>you are controlling your environment like that, then you have

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<v Speaker 1>certain microbes that are going to subsist rather than other ones. Yes, yeah,

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<v Speaker 1>so yeah mutated. I did. I just didn't want to

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<v Speaker 1>make anybody think that these things were actually like a

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<v Speaker 1>genetic level, but in terms of an environmental mutation, I

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<v Speaker 1>think that would probably hold true. So of course this

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<v Speaker 1>would lead you to begin to wonder, like, where would

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<v Speaker 1>all of these germs in office building be hiding out?

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<v Speaker 1>Um researchers at Kimberly Clart Professional they used a molecular

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<v Speaker 1>detection method to gauge the germ count, and typical office

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<v Speaker 1>spaces in the areas that garnered the highest amount of

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<v Speaker 1>terms of them were dwelling in the brake room sink

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<v Speaker 1>faucet handles, which we all touch without thinking about it

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<v Speaker 1>and too much. No one will be surprised by this.

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<v Speaker 1>Forty eight percent of those germs were hanging out on

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<v Speaker 1>the microwave door handles, uh, keyboards, in refrigerator door handles,

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<v Speaker 1>and then of course you've got water fountains at about

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<v Speaker 1>the same rate in vending machine buttons, and so I

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<v Speaker 1>don't think any of that is a surprise because I

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<v Speaker 1>don't know about you guys out there, but if you're

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<v Speaker 1>office has a microwave and people use it a lot,

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<v Speaker 1>perhaps there's lots of evidence of that, and it's extremely

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<v Speaker 1>dirty and corroded with food, you know the inside is

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<v Speaker 1>going to be gross. But you did not have to

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<v Speaker 1>think about the handle so much. I don't know, because

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<v Speaker 1>I just think that's evidence of like it's getting used

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<v Speaker 1>every day. It's probably gonna use twenty times a day,

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<v Speaker 1>and then you know, right then, all the muck that's

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<v Speaker 1>stuck up in there is is a good indication that

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<v Speaker 1>this thing is getting a lot of play. Petrified tomato

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<v Speaker 1>sauce and all that. Well, you know, I would have

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<v Speaker 1>easily guessed keyboard because obviously we're touching our keyboards all

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<v Speaker 1>the time, and used I don't really eat snack mix anymore,

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<v Speaker 1>but I used to be like really into snack mix,

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<v Speaker 1>and U and I would have that horrifying time when

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<v Speaker 1>I realized like something had fallen through and I'm like, oh,

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<v Speaker 1>I need to get that kernel of nut out of

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<v Speaker 1>my keyboard. And then I turned it upside down and

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<v Speaker 1>it's like just a rain of filth that comes out

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<v Speaker 1>of it, and then I then I have to clean everything. Um.

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<v Speaker 1>But yeah, any space that individuals throughout your office are

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<v Speaker 1>coming into contact with on a daily basis, it's going

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<v Speaker 1>to accumulate. Even though it looks clean. I mean it

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<v Speaker 1>looks super smooth and polished because all those fingers are

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<v Speaker 1>rubbing it with their oil. Well, the thing I was

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<v Speaker 1>surprised about is that in your own personal space, that

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<v Speaker 1>your chair is actually ripe with bacteria your phone That

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<v Speaker 1>makes sense, yeah, yeah, yeah, I was reading that. Um,

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<v Speaker 1>if you make a telephone call, about one twenty seven

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<v Speaker 1>microbes per square inch are present, So that makes it

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<v Speaker 1>one of the grimeer things just in your desk environment.

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<v Speaker 1>Eavesdropping on your phone call. Well yeah maybe, and let's

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<v Speaker 1>say bacteria. But back to chairs. UM studies pointed out

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<v Speaker 1>that we're looking at that individuals do um fart in

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<v Speaker 1>the chipping in their chairs apparently. I mean, I think

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<v Speaker 1>it's a little rude, especially if you're you're seated next

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<v Speaker 1>to people. But um, I mean that's that's where the

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<v Speaker 1>business happens. So there's gonna be a certain amount of

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<v Speaker 1>bacteria or at least that way. UM and uh. One

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<v Speaker 1>of the studies that were looking at actually UM brought

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<v Speaker 1>gender into this, which flows naturally from the farting discussion

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<v Speaker 1>because we've talked before about possible gender biases regarding flatulens

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<v Speaker 1>or flatus if you will, UM that that men are

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<v Speaker 1>going to be more apt to just let it rip,

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<v Speaker 1>and then females are gonna be more conservative and perhaps

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<v Speaker 1>uh go somewhere else and do it in with some

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<v Speaker 1>sense of decorum. But according to researchers at San Diego

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<v Speaker 1>State University in the University of Arizona UM, the services

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<v Speaker 1>in men's offices had ten to more germs than their

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<v Speaker 1>female counterparts. So and the idea here is that maybe

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<v Speaker 1>just men are a little more gross than women. Well,

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<v Speaker 1>there was another idea that arting and also just clutter

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<v Speaker 1>and eating gross things over the keyboard and everything. Well,

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<v Speaker 1>it was a hygiene question where they're washing their hands

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<v Speaker 1>as much. But the other question was could it be

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<v Speaker 1>that on average, men have more surface area of skin

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<v Speaker 1>and therefore more micro That's that's the other side of this.

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<v Speaker 1>Maybe they're just eager they have more skin. And again,

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<v Speaker 1>most of the stuff is coming in on our skin,

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<v Speaker 1>and our skin is constantly, let's face it, falling apart

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<v Speaker 1>and shedding to tiny little pieces of dead skin and

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<v Speaker 1>just leaving these flakes everywhere. So more skin, more awful

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<v Speaker 1>stuff that you're bringing in and dropping all over the office.

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<v Speaker 1>I just wanted to throw that in there because I

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<v Speaker 1>feel like sometimes the guys that I were listening to

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<v Speaker 1>this podcast, they're like, man, so not only am I'm

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<v Speaker 1>more likely to get struck by lightning, but I have

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<v Speaker 1>more germs on me and possibly my uh y chromosome

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<v Speaker 1>is just gonna go EXTINCTOI. Yeah, and you're just a

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<v Speaker 1>mutation necessary to the species as opposed to the female,

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<v Speaker 1>which is the true um version of the Homo sapien,

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<v Speaker 1>the cleaner version, or perhaps not. Alright, uh so let's

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<v Speaker 1>take a quick break and when we get back, we're

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<v Speaker 1>gonna talk a little bit about stick building syndrome, and

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<v Speaker 1>then we are going to talk about the utopian vision

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<v Speaker 1>of the cubicle. All right, we're back and uh yeah,

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<v Speaker 1>we're gonna jump in a little more here. But first

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<v Speaker 1>I want to just run through a couple of quick factoids.

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<v Speaker 1>Some of these come from our our article about cube

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<v Speaker 1>death and how stuffworks dot com. You check that out.

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<v Speaker 1>Molly Edmonds, I believe wrote that one, yes, death by cubicle,

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<v Speaker 1>death by cubicle, but restaurants with surfaces that contain more

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<v Speaker 1>than seven hundred bacteria for square intra considered unsanitary. But

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<v Speaker 1>the typical office workers hands come in contact with ten

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<v Speaker 1>million bacteria a day. That also flows in nicely with

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<v Speaker 1>the fact that the average kitchen table, uh it tends

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<v Speaker 1>to be more clean than a desk because it's getting

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<v Speaker 1>wiped down all the time. We're just you're supposed to

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<v Speaker 1>after you eat their um, their crumbs, so you wipe

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<v Speaker 1>it down. But the same thing is happening with your desk.

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<v Speaker 1>People are eating at their desk. I eat at my

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<v Speaker 1>desk and I don't wipe it down each time, so

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<v Speaker 1>it's really horrible. From that same article, it turns out

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<v Speaker 1>that toilets are actually cleaner the toilets in the offices

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<v Speaker 1>because at least they're getting some level of cleaning. Well,

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<v Speaker 1>and if it's like ours, they're probably getting clean twice

0:12:07.120 --> 0:12:09.240
<v Speaker 1>a day, right, as opposed to your desk, which gets

0:12:09.280 --> 0:12:13.600
<v Speaker 1>cleaned maybe once a year. Another study found that teachers

0:12:13.679 --> 0:12:15.840
<v Speaker 1>or of course the grimiest profession because they have to

0:12:15.880 --> 0:12:20.400
<v Speaker 1>come into contact with with the human but but a

0:12:20.480 --> 0:12:25.120
<v Speaker 1>cubicalle dwelling accountants came in second because their desk racked

0:12:25.200 --> 0:12:28.240
<v Speaker 1>up six thousand and thirty bacteria or square inch. So

0:12:28.280 --> 0:12:30.840
<v Speaker 1>that's pretty pretty impressive. I saw on another list that

0:12:31.000 --> 0:12:34.440
<v Speaker 1>lawyers were the lowest on the list. Uh why is

0:12:34.480 --> 0:12:36.920
<v Speaker 1>that they just kicking back? They're not touching anything. I

0:12:36.960 --> 0:12:39.280
<v Speaker 1>don't know. This is the create your own lawyer joke

0:12:39.360 --> 0:12:42.480
<v Speaker 1>portion of the of the podcast. Have that guys right here?

0:12:44.320 --> 0:12:46.720
<v Speaker 1>Okay they inserted in that that space. Um, you know,

0:12:46.760 --> 0:12:48.400
<v Speaker 1>another thing to keep in mind too, about the all

0:12:48.440 --> 0:12:51.319
<v Speaker 1>the junke that we bring into the office place. Uh

0:12:51.559 --> 0:12:53.360
<v Speaker 1>the bottom of the feet And I think about this

0:12:53.400 --> 0:12:57.000
<v Speaker 1>sometimes it really makes me pine for like a shoeless

0:12:57.080 --> 0:13:00.720
<v Speaker 1>office place, kind of like Cooper's office on a Madman

0:13:01.920 --> 0:13:05.040
<v Speaker 1>Eastern style approach when they enter his his office, because

0:13:05.920 --> 0:13:08.880
<v Speaker 1>you know, obviously we're walking all over the place and

0:13:08.960 --> 0:13:13.160
<v Speaker 1>these things stepping on horrible, horrible substances and and uh

0:13:13.360 --> 0:13:17.360
<v Speaker 1>and bacteria and urine and bubble gum and food and

0:13:17.679 --> 0:13:21.360
<v Speaker 1>your name it. Yeah, chemicals, horrible pathogens. And it's also

0:13:21.800 --> 0:13:24.560
<v Speaker 1>worth pointing out that every time you step down, you

0:13:24.640 --> 0:13:28.360
<v Speaker 1>pressurize the air that's in your shoes, So you can

0:13:28.400 --> 0:13:29.800
<v Speaker 1>think of this as kind of like a shoe fart.

0:13:30.040 --> 0:13:32.480
<v Speaker 1>You stopped down, you scored a little warm air, carrying

0:13:32.520 --> 0:13:36.160
<v Speaker 1>a foot microbiology out. So just in the course of

0:13:36.200 --> 0:13:39.360
<v Speaker 1>walking around the office, we're tracking in crud that we've

0:13:39.400 --> 0:13:42.640
<v Speaker 1>been walking through, you know, on on the train, in

0:13:42.679 --> 0:13:45.920
<v Speaker 1>the street, up while walking the dog, and then when

0:13:45.920 --> 0:13:48.960
<v Speaker 1>we get in, we're shoe farting all this, uh, this

0:13:49.240 --> 0:13:53.760
<v Speaker 1>microbiology all over the place. So think about that, well,

0:13:53.800 --> 0:13:57.520
<v Speaker 1>I mean, this is what creates a nice, uh thick

0:13:57.640 --> 0:14:01.480
<v Speaker 1>ecosystem of microbes to work in. I also wanted to

0:14:01.520 --> 0:14:05.040
<v Speaker 1>mention that, in addition to to all these microbes, sometimes

0:14:05.080 --> 0:14:09.000
<v Speaker 1>you will see references to sick building syndrome or occupational asthma.

0:14:09.240 --> 0:14:13.400
<v Speaker 1>And this is experiencing asthmatic symptoms like t eyes or

0:14:13.480 --> 0:14:15.880
<v Speaker 1>coughing while at work. And it makes up about ten

0:14:15.920 --> 0:14:18.760
<v Speaker 1>percent of asthma cases in the US, and it is

0:14:18.880 --> 0:14:21.720
<v Speaker 1>estimated to be responsible for twenty four point five millions

0:14:21.760 --> 0:14:25.040
<v Speaker 1>sick days annually. Uh. This is according to Lisa Balcon,

0:14:25.040 --> 0:14:27.760
<v Speaker 1>who's running for the New York Times. So there's this

0:14:27.840 --> 0:14:32.080
<v Speaker 1>idea that when you create this microbialist in the office, uh,

0:14:32.280 --> 0:14:36.520
<v Speaker 1>that you're creating conditions that can certainly weaken your health.

0:14:37.200 --> 0:14:41.920
<v Speaker 1>Um cause asthmatic reactions. And there's also sick building syndrome,

0:14:41.960 --> 0:14:45.920
<v Speaker 1>in which a moldy or a poorly ventilated office causes headaches, fatigue,

0:14:45.920 --> 0:14:48.480
<v Speaker 1>and nausea, just to name a couple of symptoms. Yeah,

0:14:48.560 --> 0:14:50.880
<v Speaker 1>because you have this shut off environment, and to what

0:14:51.000 --> 0:14:53.840
<v Speaker 1>degree you're actually ventilating it, bringing in clean air or

0:14:53.840 --> 0:14:58.560
<v Speaker 1>are you just sort of cycling the whole sickness around. Well,

0:14:58.600 --> 0:15:01.680
<v Speaker 1>as you say, we've shut out the outdoors, so we

0:15:01.720 --> 0:15:05.480
<v Speaker 1>have limited our environment. We've really skewed it because at

0:15:05.520 --> 0:15:08.320
<v Speaker 1>least when you're outdoors and maybe you live in a

0:15:08.440 --> 0:15:12.760
<v Speaker 1>city that's fairly polluted, Um, you're still getting some movement

0:15:12.800 --> 0:15:16.840
<v Speaker 1>there in those that cloud of microbes is dissipating. Yeah,

0:15:16.880 --> 0:15:20.600
<v Speaker 1>and we're bringing in these uh, these toxic substances, often

0:15:20.720 --> 0:15:25.000
<v Speaker 1>from carpet, furniture, paint, um, other items such as the

0:15:25.200 --> 0:15:28.360
<v Speaker 1>You remember the war of the lavender um um air

0:15:28.400 --> 0:15:31.400
<v Speaker 1>freshener here at work. Yes, it seemed the last months,

0:15:31.440 --> 0:15:35.000
<v Speaker 1>but it was. It was a synthetic lavender air freshener

0:15:35.120 --> 0:15:40.280
<v Speaker 1>and it was permeating the office. Yeah, because lavender, natural

0:15:40.320 --> 0:15:42.800
<v Speaker 1>lavender is a beautiful smell. I love lavender, but this

0:15:42.880 --> 0:15:46.200
<v Speaker 1>is that artificial chemical lavendar that you can just you

0:15:46.240 --> 0:15:49.040
<v Speaker 1>feel killing your brain cells every every whiff you take.

0:15:49.480 --> 0:15:52.400
<v Speaker 1>And it was there. There was there was a war

0:15:53.640 --> 0:15:57.680
<v Speaker 1>just to keep it short between the air freshener and

0:15:57.720 --> 0:15:59.560
<v Speaker 1>those of us who didn't. And that is a good

0:15:59.560 --> 0:16:02.080
<v Speaker 1>example of some of the aggression that we see in

0:16:02.120 --> 0:16:05.360
<v Speaker 1>these more open office concepts. And we'll talk about that

0:16:05.400 --> 0:16:09.240
<v Speaker 1>in a moment, but yes, that's that's certainly something that

0:16:09.320 --> 0:16:12.480
<v Speaker 1>you are introducing into the environment. Or why was why

0:16:12.560 --> 0:16:16.080
<v Speaker 1>was the lavender airfrashner there? Because that particular office was

0:16:16.160 --> 0:16:21.760
<v Speaker 1>haunted by Funk It had not Well, what I think

0:16:21.840 --> 0:16:24.640
<v Speaker 1>is fascinating about all of this, because it's sort of

0:16:24.680 --> 0:16:28.120
<v Speaker 1>sprouts from this whole cubicle culture, is that the cubicle

0:16:28.240 --> 0:16:34.840
<v Speaker 1>was introduced as this sort of utopian idea of an office, uh,

0:16:35.320 --> 0:16:38.680
<v Speaker 1>space that someone could really like cling to and spread

0:16:38.720 --> 0:16:42.000
<v Speaker 1>out and and be as creative and productive as possible.

0:16:42.640 --> 0:16:45.200
<v Speaker 1>And when I'm talking about this utopian office vision, I'm

0:16:45.200 --> 0:16:48.680
<v Speaker 1>talking about Robert Props. He was a director of research

0:16:48.760 --> 0:16:52.520
<v Speaker 1>for Herman Miller, the furniture company, and he created something

0:16:52.600 --> 0:16:56.920
<v Speaker 1>called the Action office. So think about think about cubicles now, right,

0:16:57.000 --> 0:17:00.240
<v Speaker 1>just these squares essentially or our fancy like right angle ones,

0:17:00.960 --> 0:17:04.720
<v Speaker 1>and uh, think about this vision that he had that

0:17:04.800 --> 0:17:08.200
<v Speaker 1>he created, which was really more of like these half walls,

0:17:08.920 --> 0:17:10.679
<v Speaker 1>but that was there so that you could pin up

0:17:10.680 --> 0:17:12.840
<v Speaker 1>projects and then all these different and have a little

0:17:12.840 --> 0:17:16.239
<v Speaker 1>privacy when you needed privacy. Yeah, and then um a

0:17:16.280 --> 0:17:18.960
<v Speaker 1>lot of desk space with different components you could add

0:17:19.000 --> 0:17:21.280
<v Speaker 1>on to it, like bookshelves and so on and so forth,

0:17:21.320 --> 0:17:25.560
<v Speaker 1>so that the person who was working there could spread out, um,

0:17:25.720 --> 0:17:28.600
<v Speaker 1>could have all the things that they needed at hand. Yeah,

0:17:28.720 --> 0:17:30.199
<v Speaker 1>make it their own. You don't have to. You're not

0:17:30.320 --> 0:17:32.720
<v Speaker 1>ruled by that in and out box. And you would

0:17:32.720 --> 0:17:35.720
<v Speaker 1>have varying levels of workspace so that you can you

0:17:35.760 --> 0:17:37.400
<v Speaker 1>can sit down and you can and you can also

0:17:37.400 --> 0:17:39.399
<v Speaker 1>stand up and work. And of course that's growing more

0:17:39.400 --> 0:17:42.480
<v Speaker 1>and more popular these days with the individuals who want

0:17:42.560 --> 0:17:44.919
<v Speaker 1>to stand and work all day. Right. I mean it

0:17:45.000 --> 0:17:49.240
<v Speaker 1>was very forward thinking, but now this is what used

0:17:49.280 --> 0:17:53.280
<v Speaker 1>to exist before cubicles, and we're talking about those open

0:17:53.320 --> 0:17:56.760
<v Speaker 1>bullpens where there were really small dusks like think about

0:17:56.760 --> 0:17:59.000
<v Speaker 1>school desks that were just lined up one after that

0:17:59.000 --> 0:18:01.840
<v Speaker 1>there with no privacy. So in a sense, this this

0:18:02.080 --> 0:18:06.960
<v Speaker 1>utopian vision was a vast improvement. Sounds great, right, So

0:18:07.040 --> 0:18:10.119
<v Speaker 1>what happened? Where did it all go wrong? Well, with

0:18:10.160 --> 0:18:12.280
<v Speaker 1>the problem. The main problem here is that you're taking

0:18:12.280 --> 0:18:15.280
<v Speaker 1>an ideal and you're you're going to work that into

0:18:15.520 --> 0:18:18.119
<v Speaker 1>a business environment and into a business plan. You're going

0:18:18.160 --> 0:18:21.280
<v Speaker 1>to deal with space constraints, you're gonna deal with budget constraints,

0:18:21.640 --> 0:18:24.200
<v Speaker 1>and you're gonna end up with a product that looks

0:18:24.640 --> 0:18:27.720
<v Speaker 1>significantly different. Right, because we're talking about the late sixties here,

0:18:27.720 --> 0:18:32.440
<v Speaker 1>we're an increased workforce. We're talking about Uh, the real

0:18:32.520 --> 0:18:35.560
<v Speaker 1>estate costs just skyrocketing too. So they had to solve

0:18:35.600 --> 0:18:37.480
<v Speaker 1>that and they looked at this company, Herman Miller, a

0:18:37.520 --> 0:18:40.440
<v Speaker 1>lot of corporations, and said, can I cherry pick that

0:18:40.520 --> 0:18:43.840
<v Speaker 1>configuration to just choose what I want? Because if you do,

0:18:44.000 --> 0:18:47.280
<v Speaker 1>you you run into not not an excellent means of

0:18:47.600 --> 0:18:51.000
<v Speaker 1>creating an open workspace for your employee, but a way

0:18:51.000 --> 0:18:54.680
<v Speaker 1>of cramming more people into a given space and while

0:18:54.720 --> 0:18:58.359
<v Speaker 1>still providing them basically the workspace they needed to work.

0:18:58.600 --> 0:19:02.360
<v Speaker 1>And that's where this lovely idea of this action office

0:19:02.560 --> 0:19:07.320
<v Speaker 1>just was cherry picked to death and then eventually reconfigured

0:19:07.359 --> 0:19:09.200
<v Speaker 1>so that it just got smaller and smaller and smaller

0:19:09.240 --> 0:19:12.640
<v Speaker 1>until it became this corporate sardine can plan, these little

0:19:12.640 --> 0:19:16.200
<v Speaker 1>gray cells that you you slide yourself into. I was

0:19:16.200 --> 0:19:18.760
<v Speaker 1>looking at pictures of them because I sometimes forget what

0:19:19.280 --> 0:19:22.199
<v Speaker 1>they look like because I don't I've never worked in

0:19:22.240 --> 0:19:25.359
<v Speaker 1>a in a space that really had them. Um, because

0:19:25.359 --> 0:19:27.879
<v Speaker 1>I was in news newsrooms before this. I was working

0:19:27.880 --> 0:19:31.359
<v Speaker 1>for newspapers, and newspapers generally go with the open office.

0:19:31.400 --> 0:19:34.439
<v Speaker 1>So environment, because you're all working together, you're yelling at

0:19:34.440 --> 0:19:38.520
<v Speaker 1>each other, you're breaking into tears, um, you're collaborating on

0:19:38.560 --> 0:19:41.000
<v Speaker 1>this project on a deadline, and there's you know, there's

0:19:41.000 --> 0:19:43.280
<v Speaker 1>a lot of there's a certain amount of time wasting,

0:19:43.280 --> 0:19:46.400
<v Speaker 1>but a lot of just let's get this done. It's

0:19:46.440 --> 0:19:49.000
<v Speaker 1>so it's it's a cool environment, but it's not definitely

0:19:49.040 --> 0:19:51.080
<v Speaker 1>not a cubical environment. And then here, of course we

0:19:51.119 --> 0:19:55.040
<v Speaker 1>have this altered cubical environment we've described already. So uh

0:19:55.240 --> 0:19:57.520
<v Speaker 1>but but looking at these images, it really is soul

0:19:57.560 --> 0:19:59.800
<v Speaker 1>crushing some of these. I mean, it's just looks like

0:19:59.840 --> 0:20:02.720
<v Speaker 1>a cell and it has dominated the office landscape for

0:20:02.760 --> 0:20:07.280
<v Speaker 1>thirty years. That being said, now employers are going back

0:20:07.320 --> 0:20:13.480
<v Speaker 1>to this more um open bullpen configuration. So that's where

0:20:13.520 --> 0:20:16.479
<v Speaker 1>we begin to introduce a bunch of different problems, right

0:20:16.520 --> 0:20:19.360
<v Speaker 1>because here we're talking about the open office open office.

0:20:20.400 --> 0:20:23.960
<v Speaker 1>We've actually seen it parodied in recent TV shows like

0:20:24.240 --> 0:20:26.919
<v Speaker 1>Arrested Development the most recent season they have like this

0:20:27.000 --> 0:20:30.120
<v Speaker 1>basically a warehouse with this with like death spread out

0:20:30.400 --> 0:20:34.960
<v Speaker 1>across these spaces. Um parks and wreck had had that

0:20:35.040 --> 0:20:38.680
<v Speaker 1>business that John Ralphaeo and uh and disease open. That's

0:20:40.760 --> 0:20:42.800
<v Speaker 1>a huge space with all you know, like a desk

0:20:42.880 --> 0:20:47.000
<v Speaker 1>here and yeah, and it's become sort of a cliche

0:20:47.080 --> 0:20:51.760
<v Speaker 1>of startups. It has, and you know, various companies handle

0:20:51.840 --> 0:20:54.800
<v Speaker 1>things differently. There are some that will actually not have

0:20:54.840 --> 0:20:57.639
<v Speaker 1>any assigned seatings, so when you show up, you just

0:20:57.720 --> 0:21:00.240
<v Speaker 1>check out your laptop and then you go you go

0:21:00.320 --> 0:21:02.120
<v Speaker 1>to a desk check out a laptop for the day,

0:21:02.160 --> 0:21:04.640
<v Speaker 1>and then go find a place to sit. Yes, let's

0:21:04.680 --> 0:21:07.040
<v Speaker 1>let's make the workspace as much like a middle school

0:21:07.160 --> 0:21:10.280
<v Speaker 1>cafeteria as possible, because we all have fond memories of that.

0:21:10.640 --> 0:21:13.120
<v Speaker 1>Right now, I think the reason why employers are going

0:21:13.160 --> 0:21:15.640
<v Speaker 1>to this is one. It's really cheap. Right. You have

0:21:15.680 --> 0:21:17.600
<v Speaker 1>no walls, you have no partitions, you don't have to

0:21:17.640 --> 0:21:21.240
<v Speaker 1>worry about a ton of office furniture. Do the managers

0:21:21.280 --> 0:21:23.600
<v Speaker 1>still have closed off offices? I assume they do because

0:21:23.600 --> 0:21:25.760
<v Speaker 1>they have to have. Yeah, well not all, but there

0:21:25.760 --> 0:21:28.600
<v Speaker 1>are some companies where managers are out there with everybody

0:21:28.800 --> 0:21:30.600
<v Speaker 1>and there are no It just depends on So I

0:21:30.640 --> 0:21:33.680
<v Speaker 1>can feel better about about it if if the managers

0:21:33.760 --> 0:21:36.960
<v Speaker 1>rolling this out, Um, we're partaking of this new environment,

0:21:36.960 --> 0:21:38.439
<v Speaker 1>because a lot of times it feels like I have

0:21:38.480 --> 0:21:41.119
<v Speaker 1>this great idea for you guys. You're not gonna have

0:21:41.680 --> 0:21:44.639
<v Speaker 1>offices or cubicles. You're just gonna sort of exists in

0:21:44.680 --> 0:21:46.320
<v Speaker 1>a comfy space. If you need me, I'll be in

0:21:46.320 --> 0:21:50.399
<v Speaker 1>my office. Yeah, but offices are necessary because you have

0:21:50.440 --> 0:21:53.640
<v Speaker 1>to have some measure of privacy. Oh no, no, I'm

0:21:53.680 --> 0:21:56.240
<v Speaker 1>I'm a big believer in office because if you have.

0:21:56.320 --> 0:21:59.119
<v Speaker 1>If someone's gonna be fired, it needs to happen in office.

0:21:59.160 --> 0:22:00.760
<v Speaker 1>If someone's gonna be in you for a job, it

0:22:00.840 --> 0:22:02.560
<v Speaker 1>probably needs to have an inside of an office, So

0:22:02.640 --> 0:22:06.720
<v Speaker 1>off closed offices are necessary. Um And I think that

0:22:07.160 --> 0:22:10.879
<v Speaker 1>the privacy afforded by the right kind of cubicle is

0:22:11.040 --> 0:22:13.680
<v Speaker 1>is certainly necessary to my work environment. Like I can't

0:22:13.720 --> 0:22:16.360
<v Speaker 1>imagine if we were all setting around on bean bags here,

0:22:16.880 --> 0:22:19.080
<v Speaker 1>um and I was having to to try and work

0:22:19.080 --> 0:22:21.600
<v Speaker 1>on a laptop while Jonathan Stricklan shoots basketball and tells

0:22:21.600 --> 0:22:24.320
<v Speaker 1>me about his weekend, I would lose my mind. Uh.

0:22:24.840 --> 0:22:26.720
<v Speaker 1>I think though, that this is a trend that is

0:22:26.760 --> 0:22:29.440
<v Speaker 1>going to continue, because again it's a it comes down

0:22:29.480 --> 0:22:32.439
<v Speaker 1>to money and the The other part of this is

0:22:32.480 --> 0:22:36.320
<v Speaker 1>that so many companies are beginning to or have already

0:22:36.359 --> 0:22:41.879
<v Speaker 1>adopted pretty robust teleworking policy. Why waste the money and

0:22:41.960 --> 0:22:45.040
<v Speaker 1>the space on on on me having a designated office

0:22:45.359 --> 0:22:47.719
<v Speaker 1>space or of a designated cubicle if I'm only in

0:22:48.080 --> 0:22:50.359
<v Speaker 1>once a week, twice a week, three times a week,

0:22:50.520 --> 0:22:53.280
<v Speaker 1>which is where you have an unassigned desk space, and

0:22:53.320 --> 0:22:54.919
<v Speaker 1>it sort of makes sense because if you're only going

0:22:54.960 --> 0:22:56.120
<v Speaker 1>to be in a couple of days a week. Well,

0:22:56.160 --> 0:22:58.600
<v Speaker 1>then great, and it's sort of it is a fair

0:22:58.600 --> 0:23:00.399
<v Speaker 1>trade up. I would feel. It's like it's hard to

0:23:00.400 --> 0:23:03.080
<v Speaker 1>complain about about that if you were getting multiple telework

0:23:03.160 --> 0:23:05.200
<v Speaker 1>days per week and they said, oh, by the way,

0:23:05.359 --> 0:23:08.240
<v Speaker 1>you don't really get to have your own office anymore, right, right,

0:23:08.280 --> 0:23:10.920
<v Speaker 1>you really get to have your own designated space. Now,

0:23:10.920 --> 0:23:13.800
<v Speaker 1>this is probably something that a lot of listeners are experiencing. Um.

0:23:13.840 --> 0:23:15.680
<v Speaker 1>And I say that because, according to Susan Caine and

0:23:15.720 --> 0:23:17.880
<v Speaker 1>her New York Times article The Rise of the New

0:23:17.960 --> 0:23:22.200
<v Speaker 1>Group Think, virtually all American workers now spend time on teams.

0:23:22.400 --> 0:23:24.960
<v Speaker 1>That's a that's a new thing, right, teams were you know,

0:23:25.000 --> 0:23:28.960
<v Speaker 1>you're not just working individually anymore. And some seventy inhabit

0:23:29.040 --> 0:23:32.760
<v Speaker 1>these open plan offices, which she says, no one has

0:23:32.800 --> 0:23:35.199
<v Speaker 1>a room of their own. Well, you know, back to

0:23:35.280 --> 0:23:37.520
<v Speaker 1>what I was talking about newsrooms and you if you

0:23:37.520 --> 0:23:40.880
<v Speaker 1>worked their newsrooms, have you so so again? Like that's

0:23:41.560 --> 0:23:44.159
<v Speaker 1>the type of operation where an open workspace makes perfect

0:23:44.200 --> 0:23:47.120
<v Speaker 1>sense because it is a team effort to get this done.

0:23:47.119 --> 0:23:49.280
<v Speaker 1>There's a there's a certain amount of leave me alone

0:23:49.320 --> 0:23:53.399
<v Speaker 1>while I write my my paper, right righte? My article? Um,

0:23:53.480 --> 0:23:55.440
<v Speaker 1>and the old days you used to go cigarette me

0:23:55.480 --> 0:23:57.760
<v Speaker 1>and they would sick a cigarette in your mouth. That's

0:23:57.760 --> 0:24:00.480
<v Speaker 1>what the old timing we're telling me. Um, I'm sure

0:24:00.720 --> 0:24:02.439
<v Speaker 1>I can see it. And it's a very I like

0:24:02.560 --> 0:24:06.040
<v Speaker 1>the I like the environment of the newsroom because I

0:24:06.040 --> 0:24:08.239
<v Speaker 1>think that it's very intense and it gets it can

0:24:08.280 --> 0:24:10.040
<v Speaker 1>get very loud. I can sort of like when the

0:24:10.080 --> 0:24:14.000
<v Speaker 1>anxiety rises, so too does the volume of the voices.

0:24:14.960 --> 0:24:17.320
<v Speaker 1>But I was very good at just blocking all that out.

0:24:17.359 --> 0:24:20.040
<v Speaker 1>And because you know, when your heads down, your heads down. UM.

0:24:20.080 --> 0:24:22.320
<v Speaker 1>I had a co worker by the name I'm going

0:24:22.359 --> 0:24:25.080
<v Speaker 1>to go and outer Rachel Oswald because she's still a

0:24:25.119 --> 0:24:28.800
<v Speaker 1>fabulous journalist out there in the world. Um. But she

0:24:28.920 --> 0:24:30.760
<v Speaker 1>had this thing where she would be on deadline. She

0:24:30.760 --> 0:24:32.879
<v Speaker 1>would be finishing the front page story that I needed

0:24:32.880 --> 0:24:35.800
<v Speaker 1>to put in the paper that I was editing, and uh,

0:24:36.280 --> 0:24:38.960
<v Speaker 1>and she everyone has their own way of getting work done.

0:24:39.040 --> 0:24:41.720
<v Speaker 1>Her way was to put her headphones in and listen

0:24:41.760 --> 0:24:44.919
<v Speaker 1>to show tunes and and seeing out loud, seeing the

0:24:44.920 --> 0:24:48.000
<v Speaker 1>show tunes out loud that she was finishing the article.

0:24:48.160 --> 0:24:50.600
<v Speaker 1>And so you know, it's like, you know, it's it's

0:24:50.720 --> 0:24:53.359
<v Speaker 1>it's night already, want to go home, and it's not

0:24:53.400 --> 0:24:55.399
<v Speaker 1>the time to listen to your co workers sing show tunes.

0:24:55.440 --> 0:24:57.200
<v Speaker 1>But you know this is how you're going to get there.

0:24:57.520 --> 0:25:00.320
<v Speaker 1>You have to let Rachel singer show tunes and finish

0:25:00.600 --> 0:25:03.200
<v Speaker 1>the front page story. Um I wanted to point out

0:25:03.320 --> 0:25:06.280
<v Speaker 1>that if if you feel like your office space is shrinking,

0:25:06.680 --> 0:25:09.800
<v Speaker 1>if you're in a cubicle, or if you're an open

0:25:09.800 --> 0:25:13.600
<v Speaker 1>plan or even if you're in office with capital, it

0:25:13.640 --> 0:25:16.680
<v Speaker 1>turns out that the average square foot or square feet

0:25:16.720 --> 0:25:21.280
<v Speaker 1>per worker fell from two hundred to one hundred and

0:25:21.320 --> 0:25:25.399
<v Speaker 1>seventy six in This is in stark contrast to about

0:25:25.480 --> 0:25:29.000
<v Speaker 1>five hundred square feet that were allotted for each office

0:25:29.000 --> 0:25:31.560
<v Speaker 1>worker in the seventies, so you can see it's just

0:25:31.600 --> 0:25:36.359
<v Speaker 1>like slowly being whittled down. And there's this idea that

0:25:36.400 --> 0:25:40.880
<v Speaker 1>as a result of this lack of space and this

0:25:41.040 --> 0:25:45.000
<v Speaker 1>bullpen sort of environment, that there is an increased amount

0:25:45.119 --> 0:25:48.399
<v Speaker 1>of anxiety, aggression and poor health. And this is from

0:25:48.520 --> 0:25:52.760
<v Speaker 1>researcher Dr venesh Omen from the Queensland University of Technologies

0:25:52.800 --> 0:25:56.560
<v Speaker 1>Institute of Health and Biomedical Innovation. He said that nine

0:25:57.000 --> 0:25:59.320
<v Speaker 1>of the research, the outcome of working in an open

0:25:59.640 --> 0:26:03.200
<v Speaker 1>plan office was seen as negative. With these types of

0:26:03.200 --> 0:26:06.840
<v Speaker 1>offices causing stress and conflict and high blood pressure and

0:26:07.040 --> 0:26:11.760
<v Speaker 1>high staff turnover. So you can begin to see this,

0:26:12.000 --> 0:26:15.040
<v Speaker 1>like if you talk about the anxiety or aggression, you

0:26:15.080 --> 0:26:18.400
<v Speaker 1>can see this in an open office plan, because if

0:26:18.440 --> 0:26:21.080
<v Speaker 1>you're in the middle of that, you are very aware

0:26:21.240 --> 0:26:26.040
<v Speaker 1>of your coworkers conversations of perhaps the glade lavender air

0:26:26.119 --> 0:26:29.679
<v Speaker 1>freshener that they put up um or even like some

0:26:29.720 --> 0:26:32.480
<v Speaker 1>of the little habits, maybe the clipping of their nails

0:26:32.560 --> 0:26:36.200
<v Speaker 1>or toe nails at their desk. I really I could

0:26:36.200 --> 0:26:39.280
<v Speaker 1>hear that all day and look at that all day. Um,

0:26:39.359 --> 0:26:42.600
<v Speaker 1>So that begins to really sort of heighten what people

0:26:42.600 --> 0:26:46.720
<v Speaker 1>are feeling our distractions and annoying and you get that

0:26:46.720 --> 0:26:49.880
<v Speaker 1>that higher blood pressure and you get more stressed out.

0:26:49.880 --> 0:26:52.440
<v Speaker 1>So it sort of makes sense that in these environments

0:26:52.440 --> 0:26:55.560
<v Speaker 1>you're asking people to do very specific work, sometimes work

0:26:55.640 --> 0:27:00.159
<v Speaker 1>that requires a lot of attention, and yet here all

0:27:00.200 --> 0:27:02.560
<v Speaker 1>these different things going on all around you. Yeah, you

0:27:02.600 --> 0:27:05.000
<v Speaker 1>end up putting headphones in to cut off the noise

0:27:05.040 --> 0:27:07.200
<v Speaker 1>and try and concentrate more. But then with that comes

0:27:07.240 --> 0:27:09.719
<v Speaker 1>to the added uh fright of someone trying to get

0:27:09.720 --> 0:27:11.640
<v Speaker 1>your attention every now and then, and that just ups

0:27:11.680 --> 0:27:14.879
<v Speaker 1>the anxiety again. The startle response. Yeah, I mean, and

0:27:14.920 --> 0:27:17.280
<v Speaker 1>it comes out a lot of people enjoy. I mean,

0:27:17.320 --> 0:27:21.199
<v Speaker 1>I enjoy the privacy and space in which to do

0:27:21.280 --> 0:27:24.439
<v Speaker 1>my creative thing. And uh and really that to me,

0:27:24.480 --> 0:27:26.840
<v Speaker 1>that's more valuable at this stage of my career than

0:27:27.400 --> 0:27:30.359
<v Speaker 1>team work, because really, who's my team, Like, you're on

0:27:30.400 --> 0:27:33.480
<v Speaker 1>my team. Noel's on my team once a week for

0:27:33.520 --> 0:27:36.439
<v Speaker 1>a few hours, and then Tyler's on my team like

0:27:36.520 --> 0:27:38.720
<v Speaker 1>a few hours a week. Tyler's our video producer, and

0:27:38.800 --> 0:27:41.880
<v Speaker 1>nol is our podcast producer. And of course we're all

0:27:41.880 --> 0:27:45.719
<v Speaker 1>wearing matching T shirts right now. Um, and we are

0:27:45.760 --> 0:27:47.320
<v Speaker 1>a team. But you're right, I mean, what we all

0:27:47.359 --> 0:27:51.320
<v Speaker 1>do is is largely very independent. And Susan Caine and

0:27:51.400 --> 0:27:53.560
<v Speaker 1>the other article, The Rise of the New Group thinks

0:27:53.560 --> 0:27:55.800
<v Speaker 1>so that this is really important for people who are

0:27:55.840 --> 0:27:58.879
<v Speaker 1>creative but they're also introverts. They need to have that space.

0:27:58.920 --> 0:28:01.040
<v Speaker 1>And we've talked about this before. Um, they need to

0:28:01.040 --> 0:28:04.000
<v Speaker 1>feel like they have privacy and freedom from interruption, And

0:28:04.119 --> 0:28:07.000
<v Speaker 1>this is where it's really important that that that's another

0:28:07.040 --> 0:28:08.879
<v Speaker 1>thing that bugs me about the potential of a of

0:28:08.920 --> 0:28:11.240
<v Speaker 1>a manager with an office deciding things. Also the idea

0:28:11.280 --> 0:28:14.840
<v Speaker 1>of an extrovert who's a manager with an office deciding

0:28:14.880 --> 0:28:17.560
<v Speaker 1>how everyone else's space is gonna work, Like, Hey, guys,

0:28:17.640 --> 0:28:20.879
<v Speaker 1>let's just do this. That's a big old work party, NonStop,

0:28:20.920 --> 0:28:23.280
<v Speaker 1>realizing that most of us do not want to attend,

0:28:23.359 --> 0:28:25.000
<v Speaker 1>or some of us do not want to attend the

0:28:25.000 --> 0:28:27.679
<v Speaker 1>work party, and the idea of the work party alone

0:28:27.720 --> 0:28:29.720
<v Speaker 1>is enough to give us the shivers. Well, I think

0:28:29.720 --> 0:28:34.040
<v Speaker 1>that there should be opportunity for informal collaborations, right that.

0:28:34.040 --> 0:28:36.119
<v Speaker 1>That's I think why they say, hey, come in, make

0:28:36.119 --> 0:28:38.280
<v Speaker 1>sure you're in the office X amount of time, or

0:28:38.280 --> 0:28:41.160
<v Speaker 1>we're gonna have an actual meeting about this. But um,

0:28:41.160 --> 0:28:42.920
<v Speaker 1>it turns out that if you have those sort of

0:28:42.920 --> 0:28:46.320
<v Speaker 1>informal like hey, how's it going, you know, uh, and

0:28:46.440 --> 0:28:50.080
<v Speaker 1>you share some ideas that you then take that inspiration

0:28:50.280 --> 0:28:52.040
<v Speaker 1>from that conversation and you go away and you do

0:28:52.080 --> 0:28:54.760
<v Speaker 1>the actual work. Right, So if you just sat around

0:28:54.760 --> 0:28:58.400
<v Speaker 1>all day collaborating, nothing would get done. Yeah, it kind

0:28:58.400 --> 0:28:59.920
<v Speaker 1>of comes back to what we're talking about the caffeine

0:29:00.000 --> 0:29:02.480
<v Speaker 1>an episode, the idea that when you do you take

0:29:02.520 --> 0:29:05.640
<v Speaker 1>your coffee, you caffeinate, Uh, then you're able to focus

0:29:05.680 --> 0:29:07.840
<v Speaker 1>on a top on a given topic. But then you're

0:29:07.840 --> 0:29:11.440
<v Speaker 1>not doing the free brain association activity that is the

0:29:11.640 --> 0:29:14.920
<v Speaker 1>hallmark of creative endeavor. So you need a balance between

0:29:14.920 --> 0:29:17.560
<v Speaker 1>the two. So we need to share spaces with our coworkers.

0:29:17.600 --> 0:29:20.320
<v Speaker 1>We need to be able to collaborate. Uh. We need

0:29:20.360 --> 0:29:24.040
<v Speaker 1>to shoot basketball, uh hoops with Jonathan strict but John,

0:29:24.120 --> 0:29:26.520
<v Speaker 1>I don't know why Jonathan shooting basketball in this to

0:29:26.600 --> 0:29:29.040
<v Speaker 1>my knowledge, he doesn't shoot basketball. But at any rate,

0:29:29.160 --> 0:29:32.720
<v Speaker 1>you need to uh shoot some hoops with Jonathan every

0:29:32.720 --> 0:29:34.120
<v Speaker 1>now and then. But then you also need to be

0:29:34.160 --> 0:29:36.440
<v Speaker 1>able to to walk away from Jonathan and find a

0:29:36.480 --> 0:29:39.520
<v Speaker 1>place of quiet. It's true, and the quiet is the

0:29:39.560 --> 0:29:41.760
<v Speaker 1>big deal, right, I mean, this is the chief complaint

0:29:41.800 --> 0:29:44.400
<v Speaker 1>that most people have in any kind of office setting

0:29:44.520 --> 0:29:46.440
<v Speaker 1>is that it's just not quiet enough. There's too much

0:29:46.480 --> 0:29:49.719
<v Speaker 1>going on. I can hear someone on the phone talking

0:29:49.760 --> 0:29:52.040
<v Speaker 1>and I can't hear the other person on the other

0:29:52.400 --> 0:29:54.680
<v Speaker 1>line or you know who they're talking to you, and

0:29:54.720 --> 0:29:57.400
<v Speaker 1>that's maddening. We've discussed that in episodes. Hearing half of

0:29:57.480 --> 0:30:00.640
<v Speaker 1>phone call is one of the most disturbing things possible,

0:30:00.640 --> 0:30:02.760
<v Speaker 1>because your brain wants to loop everything up, even if

0:30:02.800 --> 0:30:05.960
<v Speaker 1>that's not your primary activity, far from it. From the day,

0:30:06.120 --> 0:30:07.800
<v Speaker 1>your brain wants to make sense of it. Yeah, it's

0:30:07.840 --> 0:30:09.920
<v Speaker 1>distracted because it's trying to make sense of that conversation

0:30:10.080 --> 0:30:13.680
<v Speaker 1>and and um fill in those loops. But I did

0:30:13.840 --> 0:30:16.239
<v Speaker 1>want to point out that there was a survey of

0:30:16.280 --> 0:30:19.360
<v Speaker 1>sixty five thousand people over a decade. This was in

0:30:19.400 --> 0:30:24.480
<v Speaker 1>North America, Europe, Africa, and Australia, Australia, Australia, and they

0:30:24.480 --> 0:30:26.560
<v Speaker 1>did they said, this is the thing people. You know,

0:30:26.640 --> 0:30:29.760
<v Speaker 1>half of these people say that they need privacy, and

0:30:29.800 --> 0:30:32.360
<v Speaker 1>they need speech privacy. So they need to be able

0:30:32.400 --> 0:30:35.600
<v Speaker 1>to make a phone call or have a conversation without

0:30:35.600 --> 0:30:37.560
<v Speaker 1>everybody hearing it, and they also need not to hear

0:30:37.600 --> 0:30:40.200
<v Speaker 1>everybody else. So I thought it was interesting that a

0:30:40.240 --> 0:30:43.440
<v Speaker 1>software company called Autodesk, which was setting up a new office,

0:30:44.360 --> 0:30:48.880
<v Speaker 1>they wanted to test out something called a pink noise system. Okay. Now,

0:30:48.920 --> 0:30:53.560
<v Speaker 1>this is described as a soft whoosh that's admitted over

0:30:53.600 --> 0:30:57.320
<v Speaker 1>loud speakers and it sounds like a ventilation system, but

0:30:57.440 --> 0:31:02.880
<v Speaker 1>it is specially formulated to match the frequencies and human voices. Okay,

0:31:02.880 --> 0:31:06.000
<v Speaker 1>So unbeknown it's sort of an organic white noise. Thus

0:31:06.000 --> 0:31:08.880
<v Speaker 1>the pink noise. It's like a fleshy white noise. I

0:31:08.960 --> 0:31:11.840
<v Speaker 1>have to say the pink noise sounds kind of nice, right, yeah,

0:31:12.240 --> 0:31:14.760
<v Speaker 1>a little dirty, but nice, like you know, like a

0:31:14.880 --> 0:31:17.560
<v Speaker 1>ventilation lullaby. Really yeah, it makes me think of the

0:31:17.640 --> 0:31:19.960
<v Speaker 1>ventilation system is alive and fleshy though, Like we're in

0:31:20.000 --> 0:31:22.600
<v Speaker 1>a Cronenberg office and do you think of pink good

0:31:23.000 --> 0:31:25.960
<v Speaker 1>dripping down from it? I have to say, But unbeknownst

0:31:26.000 --> 0:31:28.160
<v Speaker 1>to the employees in that office, they had no idea

0:31:28.200 --> 0:31:30.760
<v Speaker 1>this was running, and it was run for three months.

0:31:30.800 --> 0:31:34.160
<v Speaker 1>They shut it off and boom, they immediately got complaints

0:31:34.600 --> 0:31:37.480
<v Speaker 1>and everyone lost their minds. Well, they couldn't pinpoint it.

0:31:37.480 --> 0:31:39.479
<v Speaker 1>They didn't know. They just kept saying like I can

0:31:39.560 --> 0:31:43.080
<v Speaker 1>hear so and so and there's you know, like it

0:31:43.160 --> 0:31:46.800
<v Speaker 1>was like that day that the power was knocked out

0:31:46.960 --> 0:31:48.719
<v Speaker 1>and it turned out the lights were on, but they

0:31:48.720 --> 0:31:50.400
<v Speaker 1>had to shut off all of the really high end

0:31:50.400 --> 0:31:54.080
<v Speaker 1>stuff like the ventilation system, and it suddenly felt wrong. Yeah,

0:31:54.200 --> 0:31:56.000
<v Speaker 1>we were like, what's going on in here? Well, the

0:31:56.040 --> 0:31:58.400
<v Speaker 1>same thing happens I think around like six o'clock in

0:31:58.440 --> 0:32:01.200
<v Speaker 1>the building and UM used to when I would stay

0:32:01.240 --> 0:32:03.480
<v Speaker 1>to six, like that's when I knew it was time

0:32:03.520 --> 0:32:07.320
<v Speaker 1>to go, Like, feels wrong in here, something weird? You

0:32:07.400 --> 0:32:11.680
<v Speaker 1>have those cues, right. Uh. So it was interesting because

0:32:11.720 --> 0:32:16.800
<v Speaker 1>apparently that that system was helping to muffle conversations, so

0:32:16.960 --> 0:32:19.719
<v Speaker 1>all of a sudden people could hear conversations from sixty

0:32:19.760 --> 0:32:23.680
<v Speaker 1>feet away as opposed to me. You know, it sort

0:32:23.680 --> 0:32:26.600
<v Speaker 1>of deadening that sound for them. Well, I think we

0:32:26.640 --> 0:32:29.440
<v Speaker 1>ought to introduce we can call it green noise, and

0:32:29.520 --> 0:32:32.360
<v Speaker 1>it'll be um, just a constant like wishiness, but with

0:32:32.440 --> 0:32:37.120
<v Speaker 1>kind of ghostly voices too, so that you're you're constantly

0:32:37.160 --> 0:32:42.560
<v Speaker 1>a little bit on edge, Robert like that. Yeah, so like, yeah,

0:32:42.560 --> 0:32:45.400
<v Speaker 1>it's kind of like an ectoplasm based pink noise, I think.

0:32:45.880 --> 0:32:49.720
<v Speaker 1>So it's sort of like the mathieson um novel. It's

0:32:49.800 --> 0:32:53.880
<v Speaker 1>like come out no um oh I am legend, yes,

0:32:54.200 --> 0:32:55.960
<v Speaker 1>all right, Yeah, that's what we all need is is

0:32:56.000 --> 0:32:59.680
<v Speaker 1>this promise of zombies behind the our office door. So

0:32:59.720 --> 0:33:02.719
<v Speaker 1>it's hard to think about this open office concept in

0:33:02.840 --> 0:33:07.000
<v Speaker 1>lack of privacy is running parallel with this other issue

0:33:07.000 --> 0:33:09.600
<v Speaker 1>that we have in our lives of not having any

0:33:09.640 --> 0:33:13.200
<v Speaker 1>privacy anywhere because of the Internet or the amount of

0:33:13.240 --> 0:33:15.840
<v Speaker 1>information that we're giving out um. And it's it's sort

0:33:15.840 --> 0:33:18.040
<v Speaker 1>of interesting, do you know, to to look at it

0:33:18.120 --> 0:33:22.480
<v Speaker 1>that way and wonder if this is just us really

0:33:22.520 --> 0:33:27.640
<v Speaker 1>fulfilling and adaption to what our current circumstances are. Is

0:33:27.680 --> 0:33:30.120
<v Speaker 1>this really a big deal? Mm? Yeah, I don't know.

0:33:30.160 --> 0:33:33.120
<v Speaker 1>Like it does remind me one of the criticisms of

0:33:33.160 --> 0:33:35.440
<v Speaker 1>the open office spaces that people going outside to take

0:33:35.480 --> 0:33:37.600
<v Speaker 1>personal phone calls instead of having them at their desks,

0:33:38.120 --> 0:33:40.480
<v Speaker 1>which doesn't sound like really that bad of a thing,

0:33:40.560 --> 0:33:42.680
<v Speaker 1>but the idea is that supposedly you're losing some time

0:33:42.720 --> 0:33:46.640
<v Speaker 1>and doing that. Um, but it's is it. It's not

0:33:46.720 --> 0:33:49.920
<v Speaker 1>like that it would be any less private to have

0:33:50.040 --> 0:33:52.360
<v Speaker 1>that conversation in the office space. You're just seeing people.

0:33:52.400 --> 0:33:54.760
<v Speaker 1>Like so much of it is just our perceived privacy.

0:33:55.160 --> 0:33:58.720
<v Speaker 1>We need to have this agreed upon fiction of how

0:33:58.800 --> 0:34:02.120
<v Speaker 1>private our workspace is. Like, for instance, working in a

0:34:02.120 --> 0:34:05.040
<v Speaker 1>crowded coffee shop to me is great. I can I

0:34:05.040 --> 0:34:07.960
<v Speaker 1>can really put in my headphones and and just barrel

0:34:08.000 --> 0:34:11.000
<v Speaker 1>through a project. But I'm certainly not private. If anything,

0:34:11.040 --> 0:34:13.480
<v Speaker 1>I'm visible by more people, but I don't really I

0:34:13.520 --> 0:34:15.719
<v Speaker 1>don't tune not to know any of them, so it's

0:34:15.719 --> 0:34:17.640
<v Speaker 1>almost like they're not there. So but it's all about

0:34:17.760 --> 0:34:21.359
<v Speaker 1>just me creating this uh, this environment, uh, this this

0:34:21.440 --> 0:34:24.759
<v Speaker 1>world view in which I have privacy. Well, that's right,

0:34:24.800 --> 0:34:28.319
<v Speaker 1>because all those people around you are not saddled with uh,

0:34:28.520 --> 0:34:30.440
<v Speaker 1>you know, biography that you know. So if you're in

0:34:30.440 --> 0:34:32.280
<v Speaker 1>a coffee shop and someone next to you is yapping

0:34:32.320 --> 0:34:36.040
<v Speaker 1>about something, then you're probably not You can probably just say, Okay,

0:34:36.239 --> 0:34:38.520
<v Speaker 1>that person is yapping. I can crowd them out of

0:34:38.560 --> 0:34:42.000
<v Speaker 1>my mind. But if you put a name to them

0:34:42.120 --> 0:34:45.960
<v Speaker 1>and some instances are collaborations that you've had with them,

0:34:46.000 --> 0:34:48.120
<v Speaker 1>perhaps then you start to feel like, oh, could you

0:34:48.160 --> 0:34:53.080
<v Speaker 1>please quit talking. So it's interesting to see that we

0:34:53.160 --> 0:34:58.120
<v Speaker 1>do have to create this illusion for ourselves, and I

0:34:58.160 --> 0:35:00.680
<v Speaker 1>think that maybe that's that's ultimately what the answer is.

0:35:00.719 --> 0:35:03.319
<v Speaker 1>You have to have an environment that allows people to

0:35:03.320 --> 0:35:07.800
<v Speaker 1>have privacy, that allows people to work together, and throughout

0:35:07.880 --> 0:35:10.720
<v Speaker 1>all of it create an illusion that they can accept

0:35:10.920 --> 0:35:12.919
<v Speaker 1>that they have the privacy to work right. And part

0:35:12.920 --> 0:35:14.719
<v Speaker 1>of that allusion too, is making these people feel like

0:35:14.760 --> 0:35:17.680
<v Speaker 1>they have choices, like, for instance, we're gonna decorate our

0:35:18.360 --> 0:35:21.000
<v Speaker 1>our cubicles and feel like it is ours, it's my

0:35:21.080 --> 0:35:24.000
<v Speaker 1>corner of the street, right, yes, which makes you feel

0:35:24.040 --> 0:35:26.440
<v Speaker 1>like you have a little bit more control over your environment. Yeah,

0:35:26.520 --> 0:35:28.480
<v Speaker 1>the freedom to put up a poster of a barbarian

0:35:28.560 --> 0:35:31.480
<v Speaker 1>lady cutting off a monster's head like that is important.

0:35:32.239 --> 0:35:35.400
<v Speaker 1>I fight for that absolutely, not only in this workplace,

0:35:35.480 --> 0:35:39.279
<v Speaker 1>but the next in anyone else's workplace. I will write

0:35:39.280 --> 0:35:41.719
<v Speaker 1>an email on your behalf to your boss about your

0:35:41.760 --> 0:35:45.120
<v Speaker 1>right to put up that barbarian poster. There you go

0:35:45.760 --> 0:35:47.960
<v Speaker 1>take them up on it, guys. All right, Well, on

0:35:47.960 --> 0:35:49.360
<v Speaker 1>that note, let's call over the robot and do a

0:35:49.360 --> 0:35:51.839
<v Speaker 1>little listener mail that all of this comes to us

0:35:51.880 --> 0:35:55.720
<v Speaker 1>from Facebook. And uh, this first one comes from Brad,

0:35:56.000 --> 0:35:59.200
<v Speaker 1>dear Robert and Julie. I just listened to a writer's

0:35:59.320 --> 0:36:02.520
<v Speaker 1>letter about naming holidays for the seven Deadly sins. He

0:36:02.520 --> 0:36:04.640
<v Speaker 1>could not come up with a holiday that matched envy.

0:36:04.719 --> 0:36:06.279
<v Speaker 1>So I thought about it, and I came up with

0:36:06.560 --> 0:36:09.719
<v Speaker 1>your birthday. It is the only holiday typically celebrated by

0:36:09.719 --> 0:36:12.920
<v Speaker 1>one person at a time. On another note, I'm a

0:36:13.000 --> 0:36:15.200
<v Speaker 1>late time subscriber to your podcast and have been trying

0:36:15.200 --> 0:36:17.680
<v Speaker 1>to catch up furiously. I'm a truck driver and listen

0:36:17.719 --> 0:36:21.640
<v Speaker 1>to about tin podcasts today, uh and possibly a day um,

0:36:21.680 --> 0:36:23.200
<v Speaker 1>and I'll get to that in a second. Um. I

0:36:23.200 --> 0:36:25.400
<v Speaker 1>should be caught up in no time. Sorry for the

0:36:25.520 --> 0:36:28.439
<v Speaker 1>pronunciation and writing, I am using voice text to write

0:36:28.480 --> 0:36:31.160
<v Speaker 1>this message keep up the great work. I like that,

0:36:31.200 --> 0:36:33.960
<v Speaker 1>and I like how he's you know, trucking along and

0:36:34.440 --> 0:36:37.560
<v Speaker 1>doing the safe thing here and using uh. I mean,

0:36:37.640 --> 0:36:39.839
<v Speaker 1>I guess I knew that was possible because of all

0:36:39.840 --> 0:36:41.959
<v Speaker 1>the serious stuff, But I think this is the first

0:36:42.000 --> 0:36:43.800
<v Speaker 1>time that we've had a listener right in and actually

0:36:44.000 --> 0:36:46.040
<v Speaker 1>told us that they were using a voice to tech

0:36:46.160 --> 0:36:48.640
<v Speaker 1>software to write to us. It's kind of crazy and

0:36:48.640 --> 0:36:51.040
<v Speaker 1>futuristic in its own way. I would be interested to

0:36:51.120 --> 0:36:55.120
<v Speaker 1>know since he has sort of a mobile office of one,

0:36:56.120 --> 0:36:59.680
<v Speaker 1>what sort of things in his office environment as a

0:36:59.719 --> 0:37:03.080
<v Speaker 1>truck or you know, um work for him or don't

0:37:03.080 --> 0:37:05.239
<v Speaker 1>work for him, And does he ever get into big

0:37:05.320 --> 0:37:09.000
<v Speaker 1>arguments with himself? Yeah, the mobile workplaces, that's a whole

0:37:09.080 --> 0:37:11.719
<v Speaker 1>another issue in and of itself because you get into

0:37:11.719 --> 0:37:14.359
<v Speaker 1>you certainly get into issues of economics there because it's

0:37:14.400 --> 0:37:16.919
<v Speaker 1>one there. And this is exploring in Molly Edmands article

0:37:16.960 --> 0:37:19.840
<v Speaker 1>that we decided earlier about pubical death. Um. You know,

0:37:19.840 --> 0:37:22.239
<v Speaker 1>there are a number of concerns about the posture and

0:37:22.400 --> 0:37:24.799
<v Speaker 1>pete keyboard position and eyes train and all of this

0:37:25.000 --> 0:37:28.640
<v Speaker 1>are related to a physical, non moving office. But then

0:37:28.640 --> 0:37:30.719
<v Speaker 1>in a vehicle like if you have a keyboard to

0:37:30.760 --> 0:37:32.960
<v Speaker 1>the side, um uh, such as in a you know,

0:37:33.040 --> 0:37:36.239
<v Speaker 1>any kind of like a survey vehicle or a police car, etcetera.

0:37:36.560 --> 0:37:39.680
<v Speaker 1>They're a whole host of new orgonomic problems that present themselves,

0:37:39.719 --> 0:37:42.799
<v Speaker 1>such as constantly twisting over to use a keyboard at

0:37:42.800 --> 0:37:46.040
<v Speaker 1>a weird angle. Um. So anyway, that's a whole another issue.

0:37:46.080 --> 0:37:48.800
<v Speaker 1>But yeah, yeah, I'd be interested to hear about the

0:37:48.800 --> 0:37:50.960
<v Speaker 1>passing of time too in that context, as we just

0:37:51.000 --> 0:37:53.880
<v Speaker 1>did an episode about time. So if you're in that

0:37:54.080 --> 0:37:56.799
<v Speaker 1>environment and you're on the road, how does that pass

0:37:56.880 --> 0:37:58.839
<v Speaker 1>for you? Um? What sort of things make it pass

0:37:58.920 --> 0:38:02.279
<v Speaker 1>quicker or slower? This one comes to us from Amanda

0:38:02.600 --> 0:38:06.720
<v Speaker 1>in uh Saskatchewan ox Bow, um, Saskatchewan to be a specific.

0:38:06.800 --> 0:38:08.560
<v Speaker 1>She writes and says, I thought i'd write in about

0:38:08.600 --> 0:38:10.720
<v Speaker 1>your recent coffee episode. I am one of the super

0:38:10.760 --> 0:38:14.440
<v Speaker 1>sensitive types. The coffee is reserved for very important times

0:38:14.440 --> 0:38:16.520
<v Speaker 1>only I if I have to stay up all late,

0:38:16.560 --> 0:38:18.759
<v Speaker 1>all night and most of the next day sort of

0:38:18.760 --> 0:38:22.120
<v Speaker 1>reasons only. Hopefully my abstaining is keeping me extra creative

0:38:22.600 --> 0:38:26.240
<v Speaker 1>three exclamation points. Uh So yeah, it sounds it sounds

0:38:26.280 --> 0:38:29.359
<v Speaker 1>like uh, I've certainly talked to people like that who

0:38:29.360 --> 0:38:32.040
<v Speaker 1>are just ultra sensitive to it and only use it

0:38:32.320 --> 0:38:36.960
<v Speaker 1>if they really need to stay up like crazy. But yeah, uh,

0:38:36.960 --> 0:38:40.480
<v Speaker 1>then we also heard from Bonnie listener. Bonnie writes in

0:38:40.560 --> 0:38:42.480
<v Speaker 1>and says, I love coffee, So I really enjoyed the

0:38:42.520 --> 0:38:45.319
<v Speaker 1>recent episode on coffee. My dad started giving me the

0:38:45.360 --> 0:38:48.240
<v Speaker 1>extra little bit of his coffee and uh, they wouldn't

0:38:48.239 --> 0:38:50.200
<v Speaker 1>fit in his work thermis when I was just a

0:38:50.200 --> 0:38:52.239
<v Speaker 1>little kid, and then by junior high he was making

0:38:52.320 --> 0:38:54.200
<v Speaker 1>enough for me to have a real cup of coffee

0:38:54.239 --> 0:38:57.040
<v Speaker 1>before school. I never get the caffeine jitters, nor do

0:38:57.120 --> 0:38:59.160
<v Speaker 1>I ever feel a jolt from drinking a cup of Joe.

0:38:59.400 --> 0:39:01.760
<v Speaker 1>Guess I have built up quite a tolerance over the years.

0:39:01.920 --> 0:39:03.799
<v Speaker 1>What I really wanted to ask, though, is which of

0:39:03.800 --> 0:39:06.120
<v Speaker 1>your co workers do you think would have a jar

0:39:06.200 --> 0:39:09.279
<v Speaker 1>of urine in their office? In their office? And are

0:39:09.400 --> 0:39:12.920
<v Speaker 1>you and are they fellow podcasters that we the public

0:39:13.000 --> 0:39:15.440
<v Speaker 1>might be familiar with, And if we guessed which ones

0:39:15.960 --> 0:39:17.920
<v Speaker 1>they were, would you tell us if we were right?

0:39:18.320 --> 0:39:22.880
<v Speaker 1>Do you want to feel that one? Um? Now, I

0:39:22.920 --> 0:39:26.720
<v Speaker 1>will say, the coworker that has the most um liquid

0:39:26.760 --> 0:39:29.000
<v Speaker 1>receptacles on their desk at any given time has to

0:39:29.040 --> 0:39:32.640
<v Speaker 1>be Holly of stuffy miss in history class. I just

0:39:32.680 --> 0:39:37.359
<v Speaker 1>noticed there will be numerous cups and and cans. I

0:39:37.480 --> 0:39:40.600
<v Speaker 1>believe they're empty, but they could conceivably be filled with urine.

0:39:40.600 --> 0:39:42.520
<v Speaker 1>I'm not saying she's doing it, but I'm saying the

0:39:42.600 --> 0:39:47.400
<v Speaker 1>ultimate like lady like person in this building, you know that, right?

0:39:47.880 --> 0:39:50.440
<v Speaker 1>Like she's not. I mean, if you went, if I

0:39:50.520 --> 0:39:53.880
<v Speaker 1>tell her what you just said, we actually I will,

0:39:53.960 --> 0:39:56.680
<v Speaker 1>and we'll stand there and let's register the horror on

0:39:56.719 --> 0:39:59.480
<v Speaker 1>her face. So I would not. I would not say

0:39:59.560 --> 0:40:02.160
<v Speaker 1>that that Holly would be the YearIn. No, No, no,

0:40:02.239 --> 0:40:06.360
<v Speaker 1>she wouldn't. But I have someone in mind. Are they

0:40:06.400 --> 0:40:09.960
<v Speaker 1>a podcaster? H But I think I feel like I

0:40:10.080 --> 0:40:13.759
<v Speaker 1>kind of need to ask. I feel like I kind

0:40:13.760 --> 0:40:16.360
<v Speaker 1>of need to ask that person if this arrangement is

0:40:16.400 --> 0:40:19.560
<v Speaker 1>okay before agreeing to it. I'm very intrigued by this.

0:40:19.800 --> 0:40:21.600
<v Speaker 1>I would love for you guys to guess who I'm thinking.

0:40:21.640 --> 0:40:24.280
<v Speaker 1>But you know that person has to be a willing

0:40:24.280 --> 0:40:27.920
<v Speaker 1>participant in this's okay? Alright, Bonnie, well you heard that.

0:40:28.560 --> 0:40:31.960
<v Speaker 1>Tune in later for more details. All right. We also

0:40:31.960 --> 0:40:33.680
<v Speaker 1>heard from Meg. Meg writes and it says I was

0:40:33.719 --> 0:40:36.719
<v Speaker 1>just listening to the coffee podcast popular with a lot

0:40:36.760 --> 0:40:38.640
<v Speaker 1>of people and wanted to chime in since you wanted

0:40:38.640 --> 0:40:42.279
<v Speaker 1>to hear from creative coffee drinkers. Um. As I've written before,

0:40:42.280 --> 0:40:45.279
<v Speaker 1>I'm a professional miniatures painter and have been for the

0:40:45.360 --> 0:40:48.600
<v Speaker 1>last five years. I'm an avid coffee drinker, especially before painting.

0:40:48.880 --> 0:40:52.000
<v Speaker 1>I find it really increases me my creativity and productivity.

0:40:52.120 --> 0:40:55.120
<v Speaker 1>I also have experiences with hand jitters like Robert mentioned,

0:40:55.360 --> 0:40:58.279
<v Speaker 1>uh he gets before he paints minis. Painting is a

0:40:58.360 --> 0:41:01.160
<v Speaker 1>very zen activity and helps keep calm and centered throughout

0:41:01.200 --> 0:41:03.520
<v Speaker 1>my day. One question I have for you guys is

0:41:03.560 --> 0:41:05.879
<v Speaker 1>how does caffeine affect people with a d h D.

0:41:06.080 --> 0:41:07.839
<v Speaker 1>I am a d D and I know others who

0:41:07.920 --> 0:41:10.560
<v Speaker 1>are too, and we all swear by drinking caffeine eated

0:41:10.560 --> 0:41:13.840
<v Speaker 1>beverages on days we forget our Riddlin or other stimulant

0:41:13.840 --> 0:41:16.800
<v Speaker 1>medications at home. We have found it acts like Riddlin

0:41:16.840 --> 0:41:19.920
<v Speaker 1>in a pinch, and caffeine actually helps our brains to focus,

0:41:20.480 --> 0:41:22.480
<v Speaker 1>says Robert. Anytime you come to Seattle, let me know

0:41:22.520 --> 0:41:25.680
<v Speaker 1>and maybe we can get a paint jam in sometime.

0:41:26.880 --> 0:41:29.640
<v Speaker 1>All right, that's uh okay, I think I'm gonna have

0:41:29.680 --> 0:41:33.040
<v Speaker 1>put that in the file for future h D episode

0:41:33.040 --> 0:41:35.840
<v Speaker 1>because we've talked about this and we've had another request

0:41:35.920 --> 0:41:38.480
<v Speaker 1>for it in terms of creativity a d D and

0:41:38.560 --> 0:41:40.920
<v Speaker 1>a d h D and how it may or may

0:41:40.960 --> 0:41:44.080
<v Speaker 1>not affect creativity, so we'll have to explore that. And

0:41:44.120 --> 0:41:46.640
<v Speaker 1>just as far as miniatures go, I was really intrigued

0:41:46.680 --> 0:41:48.920
<v Speaker 1>that that Meg, even though she has experienced apparently some

0:41:48.920 --> 0:41:51.120
<v Speaker 1>of the hand jitters before, that she makes a regular

0:41:51.160 --> 0:41:54.279
<v Speaker 1>point of drinking coffee before she she paints. But maybe

0:41:54.280 --> 0:41:56.279
<v Speaker 1>she has naturally steady your hands than I do, so

0:41:56.320 --> 0:41:58.160
<v Speaker 1>she doesn't suffer as much. Well, And then there is

0:41:58.200 --> 0:42:01.640
<v Speaker 1>that level of sensitivity to Indeed, everybody has kind of

0:42:01.680 --> 0:42:05.000
<v Speaker 1>a different cocktail in their body, reacting differently to it.

0:42:05.600 --> 0:42:08.440
<v Speaker 1>And finally we heard from Matthew. Matthew retz Inus is high.

0:42:08.520 --> 0:42:10.879
<v Speaker 1>Robert and Juley love listening to your podcasts, and I

0:42:10.960 --> 0:42:14.320
<v Speaker 1>often find myself imagining your recording set up for some reason.

0:42:14.360 --> 0:42:17.680
<v Speaker 1>I picture a dark room, devoid of any distracting pictures, etcetera,

0:42:17.880 --> 0:42:20.719
<v Speaker 1>simply two stools, a table, and two mics. Any chance

0:42:20.719 --> 0:42:23.560
<v Speaker 1>you would post a picture of your actual recording set up, well,

0:42:23.600 --> 0:42:26.360
<v Speaker 1>I would say that we don't really have to, because

0:42:26.760 --> 0:42:29.600
<v Speaker 1>if you watch the stuff you should know TV show.

0:42:30.480 --> 0:42:33.200
<v Speaker 1>The setup they have in that show is fake but

0:42:34.239 --> 0:42:37.239
<v Speaker 1>looks sort of like a clean TV version of what

0:42:37.280 --> 0:42:40.319
<v Speaker 1>we actually have. Well, you're talking about the red um

0:42:41.080 --> 0:42:46.320
<v Speaker 1>batting that serves as installation, right or two actually deaden

0:42:46.360 --> 0:42:48.920
<v Speaker 1>the sound vibrations so that you don't hear the traffic

0:42:48.920 --> 0:42:51.600
<v Speaker 1>too much there on Peachtree Street. But we also have

0:42:52.120 --> 0:42:55.600
<v Speaker 1>pictures of bats um and I would think we've mentioned

0:42:55.640 --> 0:42:59.759
<v Speaker 1>this before. Picasso in his underpants, Yes, Tesla over there,

0:43:00.120 --> 0:43:02.600
<v Speaker 1>and a book on Santa Fe design and the wit

0:43:02.760 --> 0:43:06.120
<v Speaker 1>and wisdom of fishing. Yes, if this gives people a

0:43:06.160 --> 0:43:08.160
<v Speaker 1>better idea of this sort of clutter that we have

0:43:08.160 --> 0:43:10.560
<v Speaker 1>around us. We also have a terrarium with a homunculous

0:43:10.560 --> 0:43:13.000
<v Speaker 1>in it. We have we have a necronomicon in a

0:43:13.080 --> 0:43:16.840
<v Speaker 1>vacuum sealed chamber, and UH a collection of various potions,

0:43:16.840 --> 0:43:18.759
<v Speaker 1>some of which have been tested on our interns, some

0:43:18.840 --> 0:43:22.000
<v Speaker 1>of which have not. I will not confirm or deny.

0:43:23.000 --> 0:43:24.480
<v Speaker 1>All Right, Well, if you have something you would like

0:43:24.520 --> 0:43:27.720
<v Speaker 1>to share with us, um and particularly about today's episode,

0:43:27.719 --> 0:43:30.279
<v Speaker 1>about the workspace. What's your workspace like and how does

0:43:30.280 --> 0:43:34.120
<v Speaker 1>it affect your creativity? About your your ability to to

0:43:34.280 --> 0:43:37.000
<v Speaker 1>jam and brainstorm, arm with your your coworkers. Do you

0:43:37.000 --> 0:43:40.680
<v Speaker 1>have a mobile uh working environment? If so, how do

0:43:40.760 --> 0:43:42.799
<v Speaker 1>you how do you remain creative in that? How do

0:43:42.800 --> 0:43:45.439
<v Speaker 1>you remain comfortable in that? UM? Let us know all

0:43:45.520 --> 0:43:47.800
<v Speaker 1>this stuff is game. You can find us in a

0:43:47.880 --> 0:43:50.000
<v Speaker 1>number of places. Stuff to Blew Your Mind dot com

0:43:50.040 --> 0:43:52.040
<v Speaker 1>is the mothership. That's where all our blog posts go,

0:43:52.239 --> 0:43:55.399
<v Speaker 1>the videos, the audio, you name it, pictures of us.

0:43:55.680 --> 0:43:57.520
<v Speaker 1>If you don't know what we look like and you're

0:43:57.520 --> 0:43:59.600
<v Speaker 1>trying to figure that out, well that's where you need

0:43:59.640 --> 0:44:01.239
<v Speaker 1>to go to find it. You can also find us

0:44:01.280 --> 0:44:04.160
<v Speaker 1>on social media. While we're on Facebook, we're stuff to

0:44:04.200 --> 0:44:07.160
<v Speaker 1>Blow your Mind there on tumbler as well. And also

0:44:07.239 --> 0:44:09.479
<v Speaker 1>you can find us unclear where handle is blows in Mind.

0:44:09.560 --> 0:44:12.640
<v Speaker 1>Oh and then YouTube mind stuff show. That's right, And

0:44:12.840 --> 0:44:15.600
<v Speaker 1>you can also send us an email at blow of

0:44:15.640 --> 0:44:22.640
<v Speaker 1>the Mind at discovery dot com for more on this

0:44:22.760 --> 0:44:25.280
<v Speaker 1>and thousands of other topics. Does it how stuff works

0:44:25.320 --> 0:44:31.920
<v Speaker 1>dot Com