1 00:00:00,480 --> 00:00:04,360 Speaker 1: Welcome to Haunted Road, a production of iHeartRadio and Grimm 2 00:00:04,360 --> 00:00:11,600 Speaker 1: and Mild from Aaron Manky listener Discretion is advised known 3 00:00:11,720 --> 00:00:14,720 Speaker 1: as the Gray Ghost, the USS Hornet is one of 4 00:00:14,760 --> 00:00:18,960 Speaker 1: the most important ships in American military history. During World 5 00:00:19,040 --> 00:00:22,319 Speaker 1: War II, the aircraft carrier participated in some of the 6 00:00:22,480 --> 00:00:26,880 Speaker 1: most significant Pacific theater military action of the entire war, 7 00:00:27,400 --> 00:00:30,600 Speaker 1: including the Battle of the Philippine Sea, during which the 8 00:00:30,640 --> 00:00:34,440 Speaker 1: Hornet shot down seventy two enemy planes in a single day, 9 00:00:34,920 --> 00:00:38,240 Speaker 1: and the Battle of Leyte Gulf, the largest naval battle 10 00:00:38,280 --> 00:00:43,040 Speaker 1: in modern history. But with that history comes a heavy legacy. 11 00:00:43,520 --> 00:00:46,880 Speaker 1: The ship, known today as the USS Hornet, is actually 12 00:00:46,960 --> 00:00:49,879 Speaker 1: the eighth US naval ship to hold the name Hornet, 13 00:00:50,200 --> 00:00:52,680 Speaker 1: and the history of what came before is a lot 14 00:00:52,760 --> 00:00:56,680 Speaker 1: to bear. The previous iteration of the USS Hornet sank 15 00:00:56,720 --> 00:00:59,480 Speaker 1: in battle, taking one hundred and forty men down to 16 00:00:59,480 --> 00:01:03,280 Speaker 1: the bottom of the ocean with her. Today, the USS 17 00:01:03,360 --> 00:01:07,760 Speaker 1: Hornet is permanently docked in Alameda, California, and is a land, 18 00:01:07,920 --> 00:01:11,720 Speaker 1: sea and air museum. It's also widely believed to be 19 00:01:11,920 --> 00:01:15,319 Speaker 1: the most haunted ship in the Navy, full of both 20 00:01:15,400 --> 00:01:18,440 Speaker 1: friendly sailors taking care of the boat they loved and 21 00:01:18,560 --> 00:01:22,560 Speaker 1: restless spirits of those who died of horrific injuries doing 22 00:01:22,600 --> 00:01:25,960 Speaker 1: some of the most dangerous work in the world. More 23 00:01:26,000 --> 00:01:28,560 Speaker 1: than three hundred lives were lost aboard while she was 24 00:01:28,640 --> 00:01:32,880 Speaker 1: commissioned as an active ship, including according to some, the 25 00:01:33,040 --> 00:01:37,080 Speaker 1: highest rate of suicide in the Navy. Who is staying 26 00:01:37,120 --> 00:01:40,520 Speaker 1: behind on the USS Hornet? Why do they choose to 27 00:01:40,560 --> 00:01:44,840 Speaker 1: stay and do those lives lost on her namesake contribute 28 00:01:44,880 --> 00:01:49,400 Speaker 1: to the paranormal activity people report experiencing all over the ship. 29 00:01:50,000 --> 00:01:55,600 Speaker 1: The answer is, well, it's a long story. I'm Amy Bruney, 30 00:01:56,000 --> 00:02:10,440 Speaker 1: and this is haunted road. The USS Hornet was built 31 00:02:10,560 --> 00:02:14,880 Speaker 1: as a World War II Essex class aircraft carrier, constructed 32 00:02:14,880 --> 00:02:18,079 Speaker 1: in nineteen forty two and nineteen forty three, one of 33 00:02:18,120 --> 00:02:21,360 Speaker 1: the twenty four Essex class carriers built during and after 34 00:02:21,440 --> 00:02:24,960 Speaker 1: the war, she was nicknamed the Great Ghost, and, according 35 00:02:25,040 --> 00:02:28,560 Speaker 1: to the USS Hornet Sea Air and Space Museum's history 36 00:02:28,600 --> 00:02:31,560 Speaker 1: of the ship, was one of the most decorated ships 37 00:02:31,600 --> 00:02:34,640 Speaker 1: in the US Navy. She's eighth in a line of 38 00:02:34,680 --> 00:02:37,960 Speaker 1: American warships named Hornet dating all the way back to 39 00:02:38,000 --> 00:02:41,440 Speaker 1: the Revolutionary War, The Hornet and the Wasp for the 40 00:02:41,480 --> 00:02:45,000 Speaker 1: first ever ships in the Continental Navy started in seventeen 41 00:02:45,080 --> 00:02:49,480 Speaker 1: seventy five. She was intended to be named the USS Cuarsage, 42 00:02:49,800 --> 00:02:53,280 Speaker 1: but during construction the USS Hornet CV eight sank in 43 00:02:53,320 --> 00:02:56,800 Speaker 1: the nineteen forty two Battle of Santa Cruz Islands. One 44 00:02:56,880 --> 00:02:59,960 Speaker 1: hundred forty men went down with the ship. Its wreckage 45 00:03:00,200 --> 00:03:03,320 Speaker 1: was found off the Solomon Islands in twenty nineteen, when 46 00:03:03,360 --> 00:03:07,480 Speaker 1: that tragedy occurred, the Kuresarge was renamed the USS Hornet 47 00:03:07,520 --> 00:03:12,160 Speaker 1: in her honor. Commissioned on November twenty ninth, nineteen forty three, 48 00:03:12,360 --> 00:03:16,440 Speaker 1: the Hornet is massive in scope, eighteen hundred seventy two 49 00:03:16,480 --> 00:03:19,760 Speaker 1: feet long and one hundred forty seven feet wide, with 50 00:03:19,840 --> 00:03:22,400 Speaker 1: a draft of twenty eight feet and a displacement of 51 00:03:22,440 --> 00:03:26,799 Speaker 1: over thirty six thousand tons when fully loaded. Her height 52 00:03:26,880 --> 00:03:29,520 Speaker 1: above the waterline to the top of her mast is 53 00:03:29,600 --> 00:03:33,600 Speaker 1: one hundred ninety feet. During World War II, this enormous 54 00:03:33,639 --> 00:03:36,440 Speaker 1: ship could carry anywhere from ninety two to one hundred 55 00:03:36,480 --> 00:03:39,320 Speaker 1: and one aircraft and from thirty six hundred to four 56 00:03:39,360 --> 00:03:42,600 Speaker 1: thousand men. The main deck of the USS Hornet is 57 00:03:42,640 --> 00:03:45,760 Speaker 1: the hangar deck, where the aircraft were stored and maintained. 58 00:03:46,200 --> 00:03:49,000 Speaker 1: Above the hangar deck. The flight deck is where aircraft 59 00:03:49,040 --> 00:03:52,320 Speaker 1: would take off in land. The Hornet's airstrip is roughly 60 00:03:52,320 --> 00:03:56,480 Speaker 1: two hundred feet long. As the Hornet Museum describes, landing 61 00:03:56,480 --> 00:03:58,960 Speaker 1: an aircraft on the flight deck of an aircraft carrier 62 00:03:59,000 --> 00:04:03,119 Speaker 1: at sea is a dayangerous task reserved only for experienced pilots. 63 00:04:03,480 --> 00:04:07,520 Speaker 1: All aircraft built for carrier use were equipped with tail hooks, 64 00:04:07,680 --> 00:04:10,040 Speaker 1: hooks that lower from the back end of the aircraft, 65 00:04:10,080 --> 00:04:13,839 Speaker 1: designed to catch an arresting cable. Hornet's flight deck had 66 00:04:13,920 --> 00:04:17,560 Speaker 1: four arresting cables stretching across the landing area of her deck, 67 00:04:17,960 --> 00:04:20,760 Speaker 1: each one able to trap and stop an aircraft in 68 00:04:20,800 --> 00:04:23,800 Speaker 1: its tracks if the hook caught it. If the aircraft's 69 00:04:23,839 --> 00:04:27,080 Speaker 1: tailhooks were damaged, a barricade net would be set up 70 00:04:27,080 --> 00:04:29,320 Speaker 1: on the flight deck and the pilot would fly directly 71 00:04:29,400 --> 00:04:32,320 Speaker 1: into it, allowing it to drag the plane to a stop. 72 00:04:35,760 --> 00:04:39,080 Speaker 1: Above the flight deck rises the ship's island, which served 73 00:04:39,120 --> 00:04:43,760 Speaker 1: as the command center and held the captain's Bridge, pilot house, navigation, 74 00:04:44,120 --> 00:04:47,880 Speaker 1: primary flight control, and at its base, combat information center. 75 00:04:48,360 --> 00:04:51,000 Speaker 1: The captain's bridge was where the captain was based when 76 00:04:51,000 --> 00:04:53,880 Speaker 1: the USS Hornet was on the move. He could see 77 00:04:53,920 --> 00:04:57,679 Speaker 1: twenty five miles in every direction from this vantage point, 78 00:04:57,800 --> 00:05:02,040 Speaker 1: and gave orders on steering the ship from there. Below deck, 79 00:05:02,360 --> 00:05:05,719 Speaker 1: there was a mix of living and working spaces, including 80 00:05:05,720 --> 00:05:09,039 Speaker 1: a library, a chapel, lounges, a barber shop, and the 81 00:05:09,040 --> 00:05:12,039 Speaker 1: ship's post office. The sick bay could hold up to 82 00:05:12,120 --> 00:05:15,680 Speaker 1: fifty injured men. The mess hall had a bakery that 83 00:05:15,760 --> 00:05:19,080 Speaker 1: could bake cakes as large as a table. The sleeping 84 00:05:19,160 --> 00:05:23,040 Speaker 1: quarters weren't quite that luxurious. The men slept on thin 85 00:05:23,160 --> 00:05:27,120 Speaker 1: cots hanging from chains and stacked three deep bunk bed style. 86 00:05:27,640 --> 00:05:30,680 Speaker 1: I've actually slept on those bunks, although I wouldn't call 87 00:05:30,720 --> 00:05:33,840 Speaker 1: it sleep. In the deepest parts of the ship were 88 00:05:33,960 --> 00:05:36,720 Speaker 1: the machine rooms in the brig, which could hold up 89 00:05:36,720 --> 00:05:39,760 Speaker 1: to thirteen men who posed a threat to the ship's safety. 90 00:05:40,200 --> 00:05:43,400 Speaker 1: According to the ship's history, prisoners in the brig were 91 00:05:43,440 --> 00:05:46,200 Speaker 1: expected to wake up at four thirty am and do 92 00:05:46,360 --> 00:05:49,359 Speaker 1: hard labor during the day. When out of their cells, 93 00:05:49,400 --> 00:05:52,280 Speaker 1: they were chained together and led through the passageways by 94 00:05:52,320 --> 00:05:55,160 Speaker 1: a marine. Others in the area would have to turn 95 00:05:55,200 --> 00:05:58,400 Speaker 1: away to socially isolate them as part of the punishment. 96 00:05:58,839 --> 00:06:02,520 Speaker 1: On March fifteenth, nineteen forty four, the ship left Pearl 97 00:06:02,520 --> 00:06:06,200 Speaker 1: Harbor and steamed toward the conflict in the Pacific. As 98 00:06:06,320 --> 00:06:09,800 Speaker 1: James Martin wrote for CNET, the USS Hornet played a 99 00:06:09,839 --> 00:06:13,039 Speaker 1: pivotal role in virtually all of the assault landings in 100 00:06:13,080 --> 00:06:16,240 Speaker 1: the Pacific from March nineteen forty four until the end 101 00:06:16,279 --> 00:06:19,920 Speaker 1: of World War II. Her aircraft destroyed more than fourteen 102 00:06:20,080 --> 00:06:24,080 Speaker 1: hundred Japanese aircraft and destroyed or damaged over a million 103 00:06:24,160 --> 00:06:28,160 Speaker 1: tons of enemy shipping. During that eighteen months of combat, 104 00:06:28,240 --> 00:06:32,480 Speaker 1: the USS Hornet traveled extensively, sailing one hundred and fifty 105 00:06:32,520 --> 00:06:36,840 Speaker 1: five thousand miles or about six trips around the world. 106 00:06:37,600 --> 00:06:41,680 Speaker 1: On June nineteenth, nineteen forty four, the USS Hornet participated 107 00:06:41,720 --> 00:06:44,440 Speaker 1: in the Battle of the Philippine Sea, which would become 108 00:06:44,520 --> 00:06:48,160 Speaker 1: known as the Great Marianna's Turkey Choote. During this battle, 109 00:06:48,279 --> 00:06:51,400 Speaker 1: the Hornet shot down seventy two enemy planes in a 110 00:06:51,440 --> 00:06:55,720 Speaker 1: single day. From October twenty third to October twenty sixth, 111 00:06:55,839 --> 00:06:58,680 Speaker 1: nineteen forty four, she took part in the Battle of 112 00:06:58,760 --> 00:07:02,359 Speaker 1: Leyte Gulf, described by the Naval Surface Force as the 113 00:07:02,600 --> 00:07:06,560 Speaker 1: largest naval battle in modern history and the last of 114 00:07:06,600 --> 00:07:09,920 Speaker 1: the Great Sea Battles. It was also the first time 115 00:07:10,080 --> 00:07:15,080 Speaker 1: that the Japanese deployed Kamikazi fighters On February nineteenth and twentieth, 116 00:07:15,160 --> 00:07:18,920 Speaker 1: nineteen forty five, the Hornet supported the amphibious landing assault 117 00:07:19,040 --> 00:07:26,800 Speaker 1: on Ewo Jima. According to Sea Forces dot Org. On 118 00:07:26,880 --> 00:07:30,880 Speaker 1: March eighteenth, nineteen forty five, the USS Hornet's complement of 119 00:07:30,960 --> 00:07:34,480 Speaker 1: eighteen black cooks, the highest position of black American could 120 00:07:34,520 --> 00:07:37,320 Speaker 1: hold in the Navy at the time, was completing gunnery 121 00:07:37,360 --> 00:07:40,640 Speaker 1: practice in case of emergency when one of them spotted 122 00:07:40,680 --> 00:07:44,600 Speaker 1: a Kamikazi plane streaking toward the ship. As Mark Hansen 123 00:07:44,640 --> 00:07:47,880 Speaker 1: wrote for the US Naval Institute, in the final five 124 00:07:48,000 --> 00:07:51,000 Speaker 1: hundred yards of the suicide bombers dive on the Hornet, 125 00:07:51,240 --> 00:07:55,120 Speaker 1: the ship's cooks, furious and ready. Gun fighters now found 126 00:07:55,160 --> 00:07:59,480 Speaker 1: their mark, blasting off the Kamikazi's right wing, igniting the 127 00:07:59,520 --> 00:08:02,360 Speaker 1: bomber in to a fireball that veered left and toward 128 00:08:02,400 --> 00:08:05,440 Speaker 1: the Hornet's flight deck, Passing just thirty feet from the 129 00:08:05,440 --> 00:08:10,080 Speaker 1: battle station. The Kamikaze pilot's visage was clearly discernible through 130 00:08:10,160 --> 00:08:14,760 Speaker 1: cockpit smoke. The Kamakazi continued its plunge, barely missing the 131 00:08:14,800 --> 00:08:19,040 Speaker 1: gasoline bomb and rocket laiden flight deck before splashing into 132 00:08:19,080 --> 00:08:23,520 Speaker 1: an ocean grave. All eighteen of the men were quickly promoted. 133 00:08:24,720 --> 00:08:28,120 Speaker 1: The Hornet was decommissioned in nineteen forty seven and became 134 00:08:28,200 --> 00:08:31,960 Speaker 1: an attack aircraft carrier and then an anti submarine warfare 135 00:08:32,000 --> 00:08:36,520 Speaker 1: support ship. During her military career, the USS Hornet endured 136 00:08:36,600 --> 00:08:40,800 Speaker 1: fifty nine air attacks but was never seriously hit. As 137 00:08:40,840 --> 00:08:44,360 Speaker 1: Seenet reported, the Hornet also has the distinction of being 138 00:08:44,440 --> 00:08:47,480 Speaker 1: hit by a torpedo, which bounced off of the Hornet's 139 00:08:47,520 --> 00:08:51,320 Speaker 1: hull and failed to detonate. However, though the ship was 140 00:08:51,360 --> 00:08:54,960 Speaker 1: never seriously damaged in battle, more than three hundred people 141 00:08:55,040 --> 00:08:59,320 Speaker 1: lost their lives aboard. Riding for Wired, Betsy Mason said 142 00:08:59,320 --> 00:09:02,320 Speaker 1: that the flight deck of an aircraft carrier is considered 143 00:09:02,360 --> 00:09:05,520 Speaker 1: one of the most dangerous places in the world to 144 00:09:05,640 --> 00:09:11,160 Speaker 1: work on board. Accidents included sailors walking into spinning aircraft props, 145 00:09:11,280 --> 00:09:14,160 Speaker 1: being sucked into air intakes, and being blown off the 146 00:09:14,200 --> 00:09:17,920 Speaker 1: deck by exhaust from aircraft. At least three men were 147 00:09:17,960 --> 00:09:21,800 Speaker 1: decapitated by snapping flight arrest cables, which fly at five 148 00:09:21,920 --> 00:09:26,560 Speaker 1: hundred miles per hour when snapped. Sailors were also burned 149 00:09:26,600 --> 00:09:30,880 Speaker 1: and maimed by the explosion of dropped munitions. On February sixteenth, 150 00:09:31,040 --> 00:09:34,080 Speaker 1: nineteen sixty four, a plane crashed on the flight deck 151 00:09:34,120 --> 00:09:36,640 Speaker 1: before the crew was ready to receive it, killing the 152 00:09:36,679 --> 00:09:40,880 Speaker 1: pilot and injuring two crew Many other pilots serving aboard 153 00:09:40,880 --> 00:09:44,240 Speaker 1: the Hornet never returned from their missions, having been shot 154 00:09:44,320 --> 00:09:47,840 Speaker 1: down by enemy planes. According to some, the ship also 155 00:09:48,080 --> 00:09:51,480 Speaker 1: had the highest rate of suicide in the Navy. In 156 00:09:51,520 --> 00:09:55,280 Speaker 1: the years after World War II, she participated in several 157 00:09:55,400 --> 00:09:59,400 Speaker 1: unique relief missions, including aiding in the search for survivors 158 00:09:59,400 --> 00:10:02,520 Speaker 1: of an airplace attack when a British commercial flight was 159 00:10:02,559 --> 00:10:05,680 Speaker 1: shot down by Chinese fighter jets in nineteen fifty four. 160 00:10:06,320 --> 00:10:09,880 Speaker 1: In nineteen sixty one, when wildfires destroyed much of the 161 00:10:09,920 --> 00:10:13,400 Speaker 1: Tony Bellair neighborhood of Los Angeles, the Hornet helped with 162 00:10:13,440 --> 00:10:17,080 Speaker 1: clean up efforts, using her generators to feed electricity into 163 00:10:17,120 --> 00:10:20,920 Speaker 1: the Southern California power grid. In nineteen sixty six, the 164 00:10:21,040 --> 00:10:25,880 Speaker 1: USS Hornet recovered the unmanned Apollo AS two two capsule 165 00:10:26,240 --> 00:10:30,000 Speaker 1: when it returned from its suborbital spaceflight, and she became 166 00:10:30,080 --> 00:10:33,960 Speaker 1: the prime recovery ship for the Apollo space program. On 167 00:10:34,080 --> 00:10:37,400 Speaker 1: July twenty fourth, nineteen sixty nine, she was part of 168 00:10:37,480 --> 00:10:41,000 Speaker 1: history again. After the lunar command module of the Apollo 169 00:10:41,080 --> 00:10:44,600 Speaker 1: eleven space missions splashed down in the Pacific Ocean, the 170 00:10:44,640 --> 00:10:48,840 Speaker 1: Hornet recovered the module with astronauts Buzz Aldred, Neil Armstrong, 171 00:10:48,920 --> 00:10:53,120 Speaker 1: and Michael Collins inside. Aldred and Armstrong. Having just been 172 00:10:53,240 --> 00:10:57,040 Speaker 1: the first humans to walk on the Moon, the astronauts 173 00:10:57,040 --> 00:10:59,400 Speaker 1: took their first steps back on Earth on the hangar 174 00:10:59,440 --> 00:11:02,040 Speaker 1: deck of the U. S USS Hornet, and those footsteps 175 00:11:02,040 --> 00:11:05,240 Speaker 1: are immortalized on the floor of the ship. Richard Nixon, 176 00:11:05,320 --> 00:11:09,120 Speaker 1: John McCain, and other dignitaries were aboard for this historic moment. 177 00:11:09,800 --> 00:11:13,000 Speaker 1: According to the Kennedy Space Center, due to fear of 178 00:11:13,280 --> 00:11:17,360 Speaker 1: moon germs, the astronauts were immediately quarantined aboard the Hornet 179 00:11:17,400 --> 00:11:20,440 Speaker 1: in a custom Airstream trailer along with a flight surgeon 180 00:11:20,760 --> 00:11:23,320 Speaker 1: while the ship steamed a port in Hawaii for five days. 181 00:11:23,679 --> 00:11:26,240 Speaker 1: The unit was then flown to Houston to the Johnson 182 00:11:26,320 --> 00:11:30,600 Speaker 1: Space Center, with the astronauts still quarantined. As the ship's 183 00:11:30,640 --> 00:11:34,080 Speaker 1: history describes, Hornet returned to Long Beach with a banner 184 00:11:34,160 --> 00:11:37,920 Speaker 1: proclaiming Hornet plus three, which declared them to be the 185 00:11:37,960 --> 00:11:42,000 Speaker 1: recovery vessel for Apollo eleven. On November twenty fourth, the 186 00:11:42,040 --> 00:11:45,840 Speaker 1: Hornet recovered the crew of Apollo twelve, Charles Conrad Junior, 187 00:11:46,000 --> 00:11:49,400 Speaker 1: Alan L. Bean and Richard F. Gordon Junior, from their 188 00:11:49,440 --> 00:11:57,160 Speaker 1: splashdown in the South Pacific near American Samoa. Talking to 189 00:11:57,280 --> 00:12:01,480 Speaker 1: The Mercury News, paranormal researcher Pamela Heath said she believes 190 00:12:01,800 --> 00:12:05,080 Speaker 1: most of the spirits here are spirit guides. They came 191 00:12:05,120 --> 00:12:07,760 Speaker 1: back to run the ship. They loved this ship, They 192 00:12:07,800 --> 00:12:10,600 Speaker 1: loved their country. A lot of them, she said, they 193 00:12:10,640 --> 00:12:13,679 Speaker 1: are back to serve. Many of these spirits have been 194 00:12:13,720 --> 00:12:16,680 Speaker 1: seen as full bodied apparitions. One has been said to 195 00:12:16,720 --> 00:12:20,480 Speaker 1: appear in dress whites, another in a khaki uniform, one 196 00:12:20,480 --> 00:12:23,160 Speaker 1: in a pea coat, and one in a pilot's uniform. 197 00:12:23,600 --> 00:12:26,600 Speaker 1: But not all of them are quite so genteel. Some 198 00:12:26,640 --> 00:12:29,640 Speaker 1: people have reported seeing a headless ghost in the area 199 00:12:29,679 --> 00:12:32,600 Speaker 1: of the ship's catapult, believing it to be the spirit 200 00:12:32,640 --> 00:12:36,400 Speaker 1: of a sailor who was decapitated by the cables. Mills 201 00:12:36,440 --> 00:12:39,760 Speaker 1: wrote that this apparition lurches back and forth across the 202 00:12:39,800 --> 00:12:44,160 Speaker 1: catapult room. He also described a pitiable, gore soaked monster 203 00:12:44,280 --> 00:12:47,600 Speaker 1: of a ghost in the engine room. As Mills wrote 204 00:12:47,760 --> 00:12:50,400 Speaker 1: in Life, he was a sailor whose arm was cut 205 00:12:50,440 --> 00:12:54,280 Speaker 1: off by the laserlike effluence of concentrated heat jetting forth 206 00:12:54,280 --> 00:12:57,679 Speaker 1: from a broken pipe. He was found later by his shipmates, 207 00:12:57,840 --> 00:13:01,000 Speaker 1: who were aghast at the realization that his blood literally 208 00:13:01,080 --> 00:13:04,080 Speaker 1: had boiled, causing his skin to peel away like a 209 00:13:04,160 --> 00:13:08,040 Speaker 1: scorched and lacerated fruit rind. He hovers about the master 210 00:13:08,120 --> 00:13:11,200 Speaker 1: control panel to this day. A witness who saw him 211 00:13:11,200 --> 00:13:14,160 Speaker 1: in two thousand and eight described his uniform matted with 212 00:13:14,240 --> 00:13:18,360 Speaker 1: glistening blood, his burned flesh hung in grotesque ribbons from 213 00:13:18,400 --> 00:13:22,400 Speaker 1: his bones, eyeballs bulging in stark terror. When the burn 214 00:13:22,520 --> 00:13:26,760 Speaker 1: victim phantom suddenly disappears, he leaves behind the acrid smell 215 00:13:26,840 --> 00:13:33,319 Speaker 1: of cooked viscera. Well, that's quite colorful. The USS Hornet 216 00:13:33,360 --> 00:13:35,800 Speaker 1: Sick Bay is also said to be haunted by the 217 00:13:35,840 --> 00:13:39,440 Speaker 1: ghost of an injured sailor. According to Mills, he was 218 00:13:39,440 --> 00:13:41,719 Speaker 1: a sailor who lost his footing on the flight deck 219 00:13:41,760 --> 00:13:44,400 Speaker 1: and slipped right into the path of a landing aircraft. 220 00:13:44,760 --> 00:13:47,240 Speaker 1: The propeller sheared off the top of his head and 221 00:13:47,320 --> 00:13:49,800 Speaker 1: laid bare his brain, while the intense heat of the 222 00:13:49,880 --> 00:13:54,520 Speaker 1: jet's engine incinerated his uniform and torched his body. Barely alive, 223 00:13:54,800 --> 00:13:57,160 Speaker 1: he was rushed to the sick Bay operating table, where 224 00:13:57,200 --> 00:14:00,480 Speaker 1: he died within moments, but perhaps because of the instant 225 00:14:00,480 --> 00:14:03,280 Speaker 1: and traumatic exposure of his brain matter to the elements, 226 00:14:03,640 --> 00:14:06,679 Speaker 1: he became locked in that vile moment and never realized 227 00:14:06,720 --> 00:14:10,280 Speaker 1: he was dead. The dark events didn't end when the 228 00:14:10,320 --> 00:14:14,240 Speaker 1: ship was decommissioned either. In two thousand seven, an electrician 229 00:14:14,280 --> 00:14:17,839 Speaker 1: who volunteered on board Edward Vella the Third, died by 230 00:14:17,880 --> 00:14:21,320 Speaker 1: suicide in one of the ship's engine rooms. In twenty twelve, 231 00:14:21,520 --> 00:14:25,160 Speaker 1: a fugitive from justice named Todd Stewart was apprehended aboard 232 00:14:25,160 --> 00:14:27,760 Speaker 1: the ship. He was wanted in connection to the death 233 00:14:27,760 --> 00:14:30,000 Speaker 1: of his mother in law, a charge for which his 234 00:14:30,080 --> 00:14:32,680 Speaker 1: wife was already in custody, and he had been living 235 00:14:32,720 --> 00:14:36,720 Speaker 1: and working on the Hornet. As reported in The Mercury News, 236 00:14:37,040 --> 00:14:40,680 Speaker 1: an education manager of the Unic's Hornet Museum, Heidi Shave, 237 00:14:40,920 --> 00:14:43,280 Speaker 1: was alone on the ship one day when it got 238 00:14:43,320 --> 00:14:46,240 Speaker 1: really cold. She says, I saw a man in a 239 00:14:46,240 --> 00:14:49,120 Speaker 1: blue uniform. He was clear as day, like you or I, 240 00:14:49,560 --> 00:14:52,240 Speaker 1: but he wasn't making any eye contact. He was sort 241 00:14:52,280 --> 00:14:54,800 Speaker 1: of slow moving. There was a bulkhead there and he 242 00:14:54,840 --> 00:14:59,480 Speaker 1: walked right through the bulkhead. Additional ghosts on board include 243 00:14:59,520 --> 00:15:02,280 Speaker 1: a man who was supposedly murdered doing an argument in 244 00:15:02,320 --> 00:15:04,960 Speaker 1: the crew's mess hall, and a hostile force in the 245 00:15:05,000 --> 00:15:07,840 Speaker 1: brig said to be the spirit of a Japanese kamikaze 246 00:15:07,960 --> 00:15:10,680 Speaker 1: pilot who took his own life there after being captured. 247 00:15:11,360 --> 00:15:14,040 Speaker 1: Reports of hostile activity date all the way back to 248 00:15:14,080 --> 00:15:17,480 Speaker 1: the Hornet's active service, when sailors in the brig would 249 00:15:17,520 --> 00:15:21,320 Speaker 1: claim to be attacked by an unseen force. One man 250 00:15:21,480 --> 00:15:25,200 Speaker 1: who submitted his experience to a Caltech website dedicated to 251 00:15:25,280 --> 00:15:28,600 Speaker 1: ghost encounters aboard the Hornet recalled that he fell asleep 252 00:15:28,600 --> 00:15:30,960 Speaker 1: in the brig while on an overnight tour and felt 253 00:15:31,040 --> 00:15:34,240 Speaker 1: like he was being beaten to death. Bob Rogers, a 254 00:15:34,320 --> 00:15:37,000 Speaker 1: veteran who was part of the effort to preserve the 255 00:15:37,120 --> 00:15:40,960 Speaker 1: USS Hornet as a museum, reported an experience that he 256 00:15:41,000 --> 00:15:44,440 Speaker 1: believed was due to the ship's helpful ghosts. The Mercury 257 00:15:44,480 --> 00:15:46,960 Speaker 1: News reported that in attempting to lock up the ship 258 00:15:47,000 --> 00:15:49,480 Speaker 1: in October nineteen ninety five, he and his crew had 259 00:15:49,560 --> 00:15:52,880 Speaker 1: run out of chain. Rogers said, very shortly, I went 260 00:15:52,920 --> 00:15:55,640 Speaker 1: through all the chain I'd gathered, and we still had 261 00:15:55,680 --> 00:15:59,960 Speaker 1: six more engineering spaces to do. I jokingly said, Hornet, 262 00:16:00,080 --> 00:16:02,600 Speaker 1: give us a chain. Then I walked down a passage 263 00:16:02,600 --> 00:16:04,880 Speaker 1: and around a corner, and here's a pile of brand 264 00:16:04,880 --> 00:16:07,840 Speaker 1: new chain in the corner. It wasn't corroded or aged. 265 00:16:08,120 --> 00:16:10,440 Speaker 1: It was sparkly, brand new, like it was out of 266 00:16:10,480 --> 00:16:13,160 Speaker 1: a store. I looked at it and kind of laughed 267 00:16:13,160 --> 00:16:15,600 Speaker 1: and said to the others, look, Hornet gave us chain. 268 00:16:16,320 --> 00:16:19,320 Speaker 1: Rogers and his crew made this request six times and 269 00:16:19,440 --> 00:16:24,200 Speaker 1: found new chain after each one. Well, to talk more 270 00:16:24,240 --> 00:16:26,680 Speaker 1: about the hauntings of the USS Hornet, we will soon 271 00:16:26,720 --> 00:16:29,640 Speaker 1: be joined by Fay Navarro. Fay has been working on 272 00:16:29,640 --> 00:16:32,200 Speaker 1: the Hornet for years as a tour guide and event manager, 273 00:16:32,360 --> 00:16:35,720 Speaker 1: so she's seen it all, including lots and lots of ghosts. 274 00:16:36,000 --> 00:16:46,960 Speaker 1: That is coming up after the break. So I am 275 00:16:47,000 --> 00:16:51,280 Speaker 1: now joined by Fay Navarro, who is the private events 276 00:16:51,400 --> 00:16:54,880 Speaker 1: manager at the USS Hornet and has been there for 277 00:16:55,080 --> 00:16:57,840 Speaker 1: many years and has had a lot of experiences and 278 00:16:57,880 --> 00:16:59,920 Speaker 1: has heard of a lot of experiences. So I thought 279 00:17:00,080 --> 00:17:02,240 Speaker 1: she'd be the perfect person to chat with about the 280 00:17:02,280 --> 00:17:05,560 Speaker 1: hauntings on board. So welcome, Faie, Thank you. I have 281 00:17:05,640 --> 00:17:08,560 Speaker 1: to say the Hornet holds a special place at my 282 00:17:08,600 --> 00:17:13,680 Speaker 1: heart because it was actually my first episode of ghost Hunters, 283 00:17:14,000 --> 00:17:16,000 Speaker 1: so that I think was when people were like first 284 00:17:16,040 --> 00:17:19,239 Speaker 1: introduced to me so many years ago, like publicly, it 285 00:17:19,320 --> 00:17:23,960 Speaker 1: wasn't technically my first episode. I had already done an episode, 286 00:17:23,960 --> 00:17:26,040 Speaker 1: but they aired it first, so that's when the world 287 00:17:26,280 --> 00:17:30,879 Speaker 1: met amy. Apparently. I also investigated there before that, just 288 00:17:30,920 --> 00:17:33,680 Speaker 1: because I was based out of Sacramento and I was 289 00:17:33,720 --> 00:17:36,919 Speaker 1: part of a team there that we actually stayed the 290 00:17:37,040 --> 00:17:40,160 Speaker 1: night on the Hornet and investigated, which was really exciting. 291 00:17:40,240 --> 00:17:42,840 Speaker 1: So that's why just kind of an important place to me. 292 00:17:43,160 --> 00:17:47,480 Speaker 1: Very haunted, very historic, always an experience. How long have 293 00:17:47,560 --> 00:17:48,440 Speaker 1: you been working there. 294 00:17:48,560 --> 00:17:50,480 Speaker 2: I've been working here for five years now. 295 00:17:50,760 --> 00:17:54,159 Speaker 1: And when you joined the staff there were aware of 296 00:17:54,200 --> 00:17:55,480 Speaker 1: the haunted reputation. 297 00:17:56,920 --> 00:17:59,639 Speaker 2: Yes. I actually came on board this ship probably about 298 00:18:00,400 --> 00:18:05,320 Speaker 2: eight nine years ago for a paranormal conference. So yeah, 299 00:18:05,359 --> 00:18:07,800 Speaker 2: so people always ask why what brought me on the ship? 300 00:18:07,840 --> 00:18:09,080 Speaker 2: I said, the spirits. 301 00:18:08,640 --> 00:18:14,639 Speaker 1: Did like the ghosts actually, so which just perfect. We 302 00:18:14,720 --> 00:18:17,359 Speaker 1: investigate a lot of former like naval ships, and a 303 00:18:17,400 --> 00:18:20,480 Speaker 1: lot of them do tend to have activity, but they're 304 00:18:20,480 --> 00:18:25,440 Speaker 1: also they kind of pose an interesting investigation because there's 305 00:18:25,480 --> 00:18:27,240 Speaker 1: a lot that you have to kind of figure out 306 00:18:27,240 --> 00:18:30,479 Speaker 1: because of all the different noises and equipment. Uh, and 307 00:18:30,560 --> 00:18:33,600 Speaker 1: so you're there on the day to day basis. So 308 00:18:33,880 --> 00:18:36,240 Speaker 1: are there certain things that when you first came on 309 00:18:36,320 --> 00:18:39,119 Speaker 1: board seemed a little suspicious or could be paranormal, but 310 00:18:39,200 --> 00:18:41,920 Speaker 1: you've since learned are perfectly natural. 311 00:18:42,280 --> 00:18:45,280 Speaker 2: Yeah, there's there's definitely one sound that people tend to 312 00:18:45,359 --> 00:18:47,679 Speaker 2: chase after a lot, and it's like what we call 313 00:18:47,720 --> 00:18:51,320 Speaker 2: the commings or the square things that keep the ship 314 00:18:51,359 --> 00:18:54,520 Speaker 2: away from the pier. And it's worn down so it's 315 00:18:54,520 --> 00:18:56,879 Speaker 2: metal and metal so when it scratches, it kind of 316 00:18:56,880 --> 00:18:59,320 Speaker 2: sounds like an injured animal, like a dog or something. 317 00:18:59,400 --> 00:19:02,639 Speaker 2: People will go hunting for this dog and I'm like, no, 318 00:19:02,920 --> 00:19:05,720 Speaker 2: it's the camel. So that's one of the things definitely 319 00:19:05,760 --> 00:19:09,240 Speaker 2: I found out that was an actual sound, nothing paranormal 320 00:19:09,400 --> 00:19:10,399 Speaker 2: associated with it. 321 00:19:11,080 --> 00:19:15,200 Speaker 1: And I always ask people those questions, Uh, do work 322 00:19:15,280 --> 00:19:19,080 Speaker 1: on ships or any anything on water basically that we investigate, 323 00:19:19,480 --> 00:19:22,399 Speaker 1: because you do become familiar with those sounds over time, 324 00:19:22,480 --> 00:19:25,600 Speaker 1: and that can be really helpful during an investigation, just 325 00:19:25,680 --> 00:19:27,399 Speaker 1: to know that ahead of time, so you're not wasting 326 00:19:27,440 --> 00:19:31,040 Speaker 1: your time for pole looking for something like that. So 327 00:19:31,119 --> 00:19:35,439 Speaker 1: that's good to know, but now, what about the actual activity, Like, 328 00:19:35,640 --> 00:19:37,840 Speaker 1: was there a time that you had, you know, your 329 00:19:37,880 --> 00:19:40,560 Speaker 1: first experience there where you were like, Okay, this place 330 00:19:40,600 --> 00:19:41,440 Speaker 1: is definitely haunted. 331 00:19:42,800 --> 00:19:45,240 Speaker 2: Yeah. Actually, the first time I came on board went 332 00:19:45,359 --> 00:19:49,280 Speaker 2: during a paramal conference. We went down into the laundry room. 333 00:19:49,359 --> 00:19:51,600 Speaker 2: In the overhead, which those don't know is the ceiling. 334 00:19:51,640 --> 00:19:54,960 Speaker 2: Basically was told to watch it because it's rather low. 335 00:19:55,600 --> 00:19:58,120 Speaker 2: And I went back between the leshers and the dryers, 336 00:19:58,160 --> 00:19:59,560 Speaker 2: and I was standing there with the teammate in front 337 00:19:59,560 --> 00:20:01,560 Speaker 2: of me, probably about like four feet in front of me, 338 00:20:01,600 --> 00:20:03,720 Speaker 2: and it's just a chibus back there, and everybody else 339 00:20:03,800 --> 00:20:06,640 Speaker 2: was on the other side, and I'm just standing there 340 00:20:06,640 --> 00:20:09,280 Speaker 2: in the middle of this aisle basically, and all of 341 00:20:09,320 --> 00:20:11,199 Speaker 2: a sudden, I felt, because my hair is short, I 342 00:20:11,200 --> 00:20:14,359 Speaker 2: felt like a hand from the base of my head 343 00:20:14,480 --> 00:20:18,199 Speaker 2: move upward in my hair, just flipped my hair, and so, 344 00:20:18,240 --> 00:20:20,399 Speaker 2: of course I turn on my flashlight. I'm trying to 345 00:20:20,440 --> 00:20:23,199 Speaker 2: see about logic. There's no cobwebs, there's no breeze, we're 346 00:20:23,240 --> 00:20:26,119 Speaker 2: on fourth deck. There was no logical explanation, but it 347 00:20:26,160 --> 00:20:28,840 Speaker 2: definitely was like a hand motion. I'm like, wow, that's 348 00:20:28,880 --> 00:20:31,040 Speaker 2: really interesting. It was really cool. From my very first 349 00:20:31,080 --> 00:20:33,639 Speaker 2: experience on the ship, I didn't expect that to happen, 350 00:20:33,720 --> 00:20:35,080 Speaker 2: but it was amazing. 351 00:20:35,920 --> 00:20:39,359 Speaker 1: Yeah, I see a lot of people would have been like, Okay, this, 352 00:20:39,440 --> 00:20:41,120 Speaker 1: he's been nice. I'm leaving now. 353 00:20:42,440 --> 00:20:44,120 Speaker 2: That's true. 354 00:20:45,760 --> 00:20:49,480 Speaker 1: I find that whenever I get touched on an investigation, 355 00:20:49,800 --> 00:20:53,640 Speaker 1: it's just it's something that I have never quite come 356 00:20:53,680 --> 00:20:56,679 Speaker 1: to terms with, and I think it's just to me. 357 00:20:56,800 --> 00:20:58,760 Speaker 1: It would be like if a live person just came 358 00:20:58,840 --> 00:21:02,800 Speaker 1: up to me randomly grabbed me or something, if you know, 359 00:21:02,840 --> 00:21:05,479 Speaker 1: I can't but like get startled and go like what 360 00:21:05,560 --> 00:21:08,439 Speaker 1: is the motivation here? But sometimes the spirits are just 361 00:21:08,480 --> 00:21:12,920 Speaker 1: really trying to get your attention and so exactly. Yeah, 362 00:21:12,920 --> 00:21:15,000 Speaker 1: and what is the vibe on the ship? Like is 363 00:21:15,040 --> 00:21:17,680 Speaker 1: does it seem like it's mostly people trying to get 364 00:21:17,680 --> 00:21:20,160 Speaker 1: your attention? Is there anything that seems a little more 365 00:21:20,400 --> 00:21:23,960 Speaker 1: intense or is it mostly just kind of some people 366 00:21:24,000 --> 00:21:26,080 Speaker 1: trying to communicate in some way. 367 00:21:26,160 --> 00:21:28,480 Speaker 2: I think a lot of it is communication or just 368 00:21:28,720 --> 00:21:31,320 Speaker 2: for me because I'm here so much and a lot 369 00:21:31,359 --> 00:21:33,920 Speaker 2: of times I do stay on board overnight. I feel 370 00:21:33,920 --> 00:21:35,480 Speaker 2: a lot of ways it's also let me know, like 371 00:21:35,520 --> 00:21:37,240 Speaker 2: they're there to protect me, let me know, hey, I'm 372 00:21:37,240 --> 00:21:41,399 Speaker 2: watching out for you kind of thing. Never never have 373 00:21:41,480 --> 00:21:44,080 Speaker 2: I really been like scared or styleled, but I do 374 00:21:44,200 --> 00:21:46,760 Speaker 2: at times go to different locations and the energy is 375 00:21:46,840 --> 00:21:49,000 Speaker 2: like yep, nope, don't go in there. So I respect 376 00:21:49,000 --> 00:21:51,440 Speaker 2: their space when I feel that, like I expect them 377 00:21:51,480 --> 00:21:54,040 Speaker 2: to expect my space when I turn into my stateroom. 378 00:21:54,800 --> 00:21:57,520 Speaker 2: So it's like kind of common you know, ground there. 379 00:21:58,200 --> 00:22:00,639 Speaker 1: So you get an actual stateroom. Because I slept on 380 00:22:00,680 --> 00:22:03,680 Speaker 1: a bunk and it was not the best night sleep 381 00:22:03,720 --> 00:22:04,439 Speaker 1: I've ever had. 382 00:22:04,560 --> 00:22:06,880 Speaker 2: I slept on those two when I first started coming here. 383 00:22:07,400 --> 00:22:10,480 Speaker 2: But yeah, now I have my own stateroom. It comes 384 00:22:10,480 --> 00:22:12,679 Speaker 2: in handy for those late night events. You know, you 385 00:22:13,160 --> 00:22:13,880 Speaker 2: love driving out. 386 00:22:14,280 --> 00:22:18,000 Speaker 1: I'll never forget that. So when we investigated it was 387 00:22:18,119 --> 00:22:21,479 Speaker 1: kind of this. I feel like it may have been 388 00:22:21,520 --> 00:22:24,080 Speaker 1: a few different teams together, Like I think we might 389 00:22:24,080 --> 00:22:25,760 Speaker 1: have kind of gotten together to do this. I don't 390 00:22:25,760 --> 00:22:28,320 Speaker 1: remember the specifics of how it happened, but I do 391 00:22:28,440 --> 00:22:32,360 Speaker 1: remember that I was made to serve food to everyone 392 00:22:32,480 --> 00:22:36,119 Speaker 1: in the cafeteria, Like a part of part of my 393 00:22:36,240 --> 00:22:38,600 Speaker 1: job for the night was you know, in the mess 394 00:22:38,600 --> 00:22:41,520 Speaker 1: hall or whatever, Like we actually made food and served it, 395 00:22:41,560 --> 00:22:45,960 Speaker 1: which was really interesting and I feel like I was 396 00:22:46,000 --> 00:22:48,359 Speaker 1: on like corn duty. I'm pretty sure I was eating 397 00:22:48,400 --> 00:22:52,160 Speaker 1: people corn if I right. So, but it was interesting 398 00:22:52,200 --> 00:22:55,280 Speaker 1: because it actually really put us in a cool mindset 399 00:22:55,400 --> 00:22:59,560 Speaker 1: because we were experiencing, you know, what it's like to 400 00:22:59,800 --> 00:23:02,359 Speaker 1: live in that kind of a situation. We were actually 401 00:23:02,400 --> 00:23:05,720 Speaker 1: sleeping there, and I don't know what the tours are 402 00:23:05,760 --> 00:23:07,920 Speaker 1: like now, but it was just they were really generous 403 00:23:08,000 --> 00:23:09,800 Speaker 1: with kind of where we could go. I mean, there 404 00:23:09,800 --> 00:23:14,160 Speaker 1: were definitely like off limit places, but we pretty much 405 00:23:14,280 --> 00:23:18,600 Speaker 1: had free rain within reason to kind of go wherever. 406 00:23:18,880 --> 00:23:21,639 Speaker 1: And I, like I said, I really didn't sleep. I 407 00:23:21,640 --> 00:23:23,119 Speaker 1: think I finally went to sleep at like three or 408 00:23:23,160 --> 00:23:25,399 Speaker 1: four in the morning, and it was not the greatest 409 00:23:25,480 --> 00:23:28,240 Speaker 1: night's sleep, but I had a lot of experiences. Now 410 00:23:28,280 --> 00:23:30,480 Speaker 1: do you guys still do things like that or how 411 00:23:30,720 --> 00:23:31,800 Speaker 1: how do your tours work? 412 00:23:31,840 --> 00:23:32,000 Speaker 2: Now? 413 00:23:33,040 --> 00:23:33,760 Speaker 1: We we do. 414 00:23:33,880 --> 00:23:36,800 Speaker 2: I mean, we offer like the three hour tour, which 415 00:23:36,840 --> 00:23:39,600 Speaker 2: I just call it a teaser trailer. There is very long. 416 00:23:39,880 --> 00:23:43,959 Speaker 2: Then we once a quarter do it overnight and teams 417 00:23:44,000 --> 00:23:47,919 Speaker 2: can come in and book a night and and do that. 418 00:23:48,000 --> 00:23:50,800 Speaker 2: We've had the YouTubers come in and do their paranormal 419 00:23:50,840 --> 00:23:52,800 Speaker 2: tours through the night, and we do. We take them 420 00:23:52,800 --> 00:23:54,840 Speaker 2: to locations they can't go back through the night, and 421 00:23:54,840 --> 00:23:57,120 Speaker 2: they get to you know, investigate areas. You know, we'll 422 00:23:57,119 --> 00:23:58,520 Speaker 2: take them to us myke okay, let's know when you're 423 00:23:58,560 --> 00:23:59,840 Speaker 2: ready to move on, and we'll take you to another. 424 00:24:00,680 --> 00:24:03,160 Speaker 2: And then after that they're able to do Sick Bay 425 00:24:03,200 --> 00:24:05,280 Speaker 2: all the way aft, which is about basically a third 426 00:24:05,280 --> 00:24:07,359 Speaker 2: of the ship on second deck U guide it. They 427 00:24:07,359 --> 00:24:08,360 Speaker 2: could do that all day long. 428 00:24:08,840 --> 00:24:11,680 Speaker 1: Yeah, you know, do you remember that? It was really great? 429 00:24:11,760 --> 00:24:11,800 Speaker 2: No. 430 00:24:13,160 --> 00:24:15,679 Speaker 1: Now, with these tours and just even tours in general, 431 00:24:15,760 --> 00:24:18,640 Speaker 1: do you have people who just like, Okay, I've had enough, 432 00:24:18,680 --> 00:24:21,320 Speaker 1: I need to get off, and I don't want to 433 00:24:21,320 --> 00:24:22,000 Speaker 1: be here anymore. 434 00:24:23,160 --> 00:24:26,399 Speaker 2: I think, like with my groups, because I love touring, 435 00:24:26,440 --> 00:24:29,399 Speaker 2: it's about teaching them and that's what I enjoy about 436 00:24:29,400 --> 00:24:32,119 Speaker 2: doing it is I've always explaining that it is scary 437 00:24:32,160 --> 00:24:35,200 Speaker 2: anywhere you go in the dark, stay when you're not familiar. 438 00:24:36,160 --> 00:24:36,800 Speaker 1: But I've had. 439 00:24:36,640 --> 00:24:39,639 Speaker 2: People that are interested but they are scared, but throughout 440 00:24:39,680 --> 00:24:43,960 Speaker 2: the night I reassure them, you know, and they feel comfortable, 441 00:24:44,000 --> 00:24:45,879 Speaker 2: and so by the time they leave there, they've learned 442 00:24:45,880 --> 00:24:48,280 Speaker 2: a lot and they're excited and thinking about actually coming 443 00:24:48,320 --> 00:24:50,320 Speaker 2: and do it and over night. So I feel like 444 00:24:50,320 --> 00:24:52,440 Speaker 2: I at least have done. My job is to help 445 00:24:52,480 --> 00:24:55,000 Speaker 2: teach them and you know, to communicate with the spirits 446 00:24:55,000 --> 00:24:59,040 Speaker 2: that they're willing to. But yeah, I mean I've heard 447 00:24:59,080 --> 00:25:02,119 Speaker 2: people through over them. I with security, we've done overnights. Oh, 448 00:25:02,160 --> 00:25:03,880 Speaker 2: you have less people to wake up because some people 449 00:25:03,960 --> 00:25:07,040 Speaker 2: left through the night. It's hard to say they could 450 00:25:07,240 --> 00:25:09,359 Speaker 2: lived close enough and figure their own beds are nicer 451 00:25:09,480 --> 00:25:14,320 Speaker 2: just like but but yeah, it's hard to say. But 452 00:25:14,560 --> 00:25:17,359 Speaker 2: the people I've worked with, they tend to be a 453 00:25:17,359 --> 00:25:19,520 Speaker 2: little bit more at ease with the explaining of what's 454 00:25:19,560 --> 00:25:19,960 Speaker 2: going on. 455 00:25:20,320 --> 00:25:23,199 Speaker 1: Well that's great, No, I know, you know people they 456 00:25:23,200 --> 00:25:26,679 Speaker 1: do do daytime tours obviously, and now I'm just have 457 00:25:26,800 --> 00:25:30,520 Speaker 1: experiences during the day, right, like what can what have 458 00:25:30,640 --> 00:25:33,200 Speaker 1: people reported touring the ship during the day. 459 00:25:34,480 --> 00:25:37,080 Speaker 2: I've had people say they felt they've been touched or 460 00:25:37,080 --> 00:25:39,120 Speaker 2: they're hair massed with. That's just like a common thing 461 00:25:39,240 --> 00:25:40,000 Speaker 2: is their hair. 462 00:25:39,800 --> 00:25:40,560 Speaker 1: Being messed with. 463 00:25:42,200 --> 00:25:45,520 Speaker 2: Sometimes somebody will see like it thought they saw somebody 464 00:25:45,600 --> 00:25:47,680 Speaker 2: walk into a room and they're going in there's nobody there. 465 00:25:49,000 --> 00:25:50,919 Speaker 2: They'll swear up and down, I know I saw this 466 00:25:50,960 --> 00:25:52,760 Speaker 2: person and go, well, this is the only way in 467 00:25:52,760 --> 00:25:56,400 Speaker 2: this space. So you know, I go, maybe you saw 468 00:25:56,400 --> 00:25:59,159 Speaker 2: an apparition. That's great, but not everybody gets to witness that. 469 00:26:00,080 --> 00:26:02,960 Speaker 1: So what kinds of apparitions do people see? 470 00:26:03,080 --> 00:26:03,159 Speaker 2: Like? 471 00:26:03,240 --> 00:26:06,440 Speaker 1: Are people seeing like full you know, apportions of people 472 00:26:06,440 --> 00:26:09,800 Speaker 1: in uniform, or do they see shadow figures or both 473 00:26:11,160 --> 00:26:11,800 Speaker 1: kind of both? 474 00:26:11,960 --> 00:26:14,119 Speaker 2: I mean, I even, I mean, I see a lot 475 00:26:14,119 --> 00:26:17,800 Speaker 2: of the shadow figures here. They've never actually fully, you know, 476 00:26:17,840 --> 00:26:19,919 Speaker 2: manifest in front of me, but I had. I was 477 00:26:19,920 --> 00:26:22,199 Speaker 2: in a space with my friend and we were touring 478 00:26:22,240 --> 00:26:25,760 Speaker 2: his daughter around and I was sensing this gentleman by 479 00:26:25,760 --> 00:26:27,399 Speaker 2: the door and I kept looking over the bed. I know, 480 00:26:27,440 --> 00:26:30,560 Speaker 2: you're standing there, and we audibly heard I'm right here 481 00:26:30,560 --> 00:26:32,280 Speaker 2: because I was doing a me VP session and they 482 00:26:32,280 --> 00:26:33,920 Speaker 2: thought it was on the recorder when I was playing back, 483 00:26:33,920 --> 00:26:36,480 Speaker 2: and we go, no, he's right there. They look, they 484 00:26:36,520 --> 00:26:38,600 Speaker 2: saw him, you know, they saw him in the blue 485 00:26:38,640 --> 00:26:40,920 Speaker 2: dungarease and the blue button up shirt. But I didn't 486 00:26:40,920 --> 00:26:44,960 Speaker 2: see him. So I was like, still fair, But. 487 00:26:45,640 --> 00:26:47,280 Speaker 1: That's so straight out. And you were looking in the 488 00:26:47,400 --> 00:26:51,960 Speaker 1: same direction. Yeah, you they saw him, but you did not. 489 00:26:52,240 --> 00:26:55,879 Speaker 1: He did not manifest you, no, no. Yeah, So that 490 00:26:55,920 --> 00:26:59,560 Speaker 1: brings up an interesting observation that me and a few 491 00:26:59,560 --> 00:27:02,600 Speaker 1: of my you know, fellow parramal researchers have kind of 492 00:27:02,640 --> 00:27:07,840 Speaker 1: noticed is that sometimes we wonder if certain apparitions are 493 00:27:08,840 --> 00:27:12,320 Speaker 1: being seen psychically, even by groups of people, like maybe 494 00:27:12,320 --> 00:27:15,560 Speaker 1: we're not seeing it with our actual eyes. Maybe somehow 495 00:27:15,560 --> 00:27:18,760 Speaker 1: we're seeing it in our minds but manifesting it in 496 00:27:18,760 --> 00:27:22,000 Speaker 1: front of us. And maybe that explains why, you know, 497 00:27:22,040 --> 00:27:25,040 Speaker 1: we don't always get things on camera even though we're 498 00:27:25,080 --> 00:27:28,040 Speaker 1: staring straight at it with our camera pointed in that direction. 499 00:27:29,840 --> 00:27:32,800 Speaker 1: So but you're saying, you guys all heard the voice. 500 00:27:33,720 --> 00:27:35,480 Speaker 2: We all heard it, and I knew it was not 501 00:27:35,600 --> 00:27:37,800 Speaker 2: a you know, it wasn't on the recorder and they're 502 00:27:37,840 --> 00:27:39,240 Speaker 2: like no, and I played it back to show it 503 00:27:39,320 --> 00:27:41,200 Speaker 2: to't approved on It was not on the recorder because 504 00:27:41,200 --> 00:27:44,280 Speaker 2: I went straight to the door to make sure nobody 505 00:27:44,320 --> 00:27:45,960 Speaker 2: was there, because other than the three of us on 506 00:27:46,000 --> 00:27:47,840 Speaker 2: the ship, there was security, which was you know, in 507 00:27:47,880 --> 00:27:51,920 Speaker 2: the security post. So you know, I had to prove 508 00:27:52,040 --> 00:27:54,439 Speaker 2: that it wasn't an actual person coming up and saying 509 00:27:54,600 --> 00:27:56,679 Speaker 2: I'm right here when I asked you. 510 00:27:57,600 --> 00:27:58,600 Speaker 1: But yeah, it was interesting. 511 00:27:58,600 --> 00:28:00,399 Speaker 2: I think a lot of times for me personally, like 512 00:28:00,440 --> 00:28:03,880 Speaker 2: with that situation, I'm always telling them when I'm walking 513 00:28:03,920 --> 00:28:05,520 Speaker 2: around at my and I sometimes I help turn off 514 00:28:05,600 --> 00:28:07,360 Speaker 2: lights and stuff, and I'm always telling them please don't 515 00:28:07,359 --> 00:28:10,800 Speaker 2: scare me because I'm by myself. So I'm like, okay, 516 00:28:11,000 --> 00:28:12,800 Speaker 2: I got this. Is when you're supposed to show yourself 517 00:28:12,840 --> 00:28:15,360 Speaker 2: to me. Is when I'm with other people I'm by myself. 518 00:28:16,000 --> 00:28:16,640 Speaker 2: I have that. 519 00:28:16,760 --> 00:28:19,920 Speaker 1: Same feeling when I'm in nice places, like I am 520 00:28:20,119 --> 00:28:22,960 Speaker 1: totally willing and ready to have an experience when there's 521 00:28:23,200 --> 00:28:25,919 Speaker 1: people with me. But the second I have to like 522 00:28:26,359 --> 00:28:29,360 Speaker 1: go back and get a camera or you know, go 523 00:28:29,480 --> 00:28:32,000 Speaker 1: check something up on like a third or fourth floor 524 00:28:32,200 --> 00:28:34,720 Speaker 1: by myself, that's a time where I'm like, I don't 525 00:28:34,760 --> 00:28:37,080 Speaker 1: really want to see an apparition right now. That just 526 00:28:37,160 --> 00:28:40,239 Speaker 1: really to And so I've said this many times, but 527 00:28:40,280 --> 00:28:44,840 Speaker 1: my defense is always to whistle. I just like happy tune, 528 00:28:44,840 --> 00:28:47,240 Speaker 1: and I'm like, nothing back can happen. Well I'm whistling. 529 00:28:47,520 --> 00:28:52,280 Speaker 1: That's fine, so hard worked. So I'm sticking with it. 530 00:28:53,520 --> 00:28:57,720 Speaker 1: But yeah, now, okay, So we've got apperations, we've got 531 00:28:57,720 --> 00:29:01,760 Speaker 1: disembodied voices, we've been shina figures, people being touched. I mean, 532 00:29:02,160 --> 00:29:06,160 Speaker 1: how often is activity happening at the Hornet it happens 533 00:29:06,240 --> 00:29:06,640 Speaker 1: quite a bit. 534 00:29:06,680 --> 00:29:08,200 Speaker 2: I don't know if it's because I'm here a lot 535 00:29:08,240 --> 00:29:10,400 Speaker 2: then I witness it, you know what, I'm sensitive to it. 536 00:29:12,080 --> 00:29:15,680 Speaker 2: But yeah, they definitely have their moments. Even when we 537 00:29:15,680 --> 00:29:18,240 Speaker 2: were closed for COVID, I was still experiencing things. I 538 00:29:18,280 --> 00:29:21,400 Speaker 2: was here helping clean and do some restoration and stuff, 539 00:29:22,120 --> 00:29:25,400 Speaker 2: and I took on a project to redo the mestic tables, 540 00:29:25,440 --> 00:29:27,520 Speaker 2: to stand them down and paint them, and I had 541 00:29:27,600 --> 00:29:29,200 Speaker 2: to help with some groups. But during the week I 542 00:29:29,240 --> 00:29:32,320 Speaker 2: was down there by myself and you know, saw like 543 00:29:33,160 --> 00:29:35,360 Speaker 2: you know, a blue orb going from one one space 544 00:29:35,400 --> 00:29:37,440 Speaker 2: to the other in the mass deck and you remember 545 00:29:37,440 --> 00:29:40,960 Speaker 2: how big it's mass. It's huge, and then getting the 546 00:29:40,960 --> 00:29:43,479 Speaker 2: phantom cigarette smell just out of the blue, really strong 547 00:29:43,560 --> 00:29:45,880 Speaker 2: with a cigarette smell, like someone just started smoke. And 548 00:29:45,880 --> 00:29:48,280 Speaker 2: I'm like, guys, there's no more smoking a lot on board, 549 00:29:48,320 --> 00:29:50,320 Speaker 2: and then it would just be gone there. 550 00:29:50,360 --> 00:29:53,840 Speaker 1: You know, you're like, no gost smoke either. We're yeah, 551 00:29:54,480 --> 00:29:55,480 Speaker 1: like messmoking a lot. 552 00:29:55,480 --> 00:29:55,960 Speaker 2: I don't care. 553 00:29:56,400 --> 00:29:59,880 Speaker 1: No, that's funny now, just because you're there so often, Like, 554 00:30:00,520 --> 00:30:02,520 Speaker 1: who do you think is haunting it? Do you have 555 00:30:02,600 --> 00:30:05,080 Speaker 1: you ever gotten any names specifically or do you have 556 00:30:05,120 --> 00:30:07,160 Speaker 1: any inclination like who it could be. 557 00:30:09,040 --> 00:30:12,880 Speaker 2: We've gotten Sam, but no last name, So we get 558 00:30:12,920 --> 00:30:16,880 Speaker 2: Sam a lot. I've gotten Bill and Bob, but I 559 00:30:16,920 --> 00:30:19,600 Speaker 2: mean those are so common names for even back then. 560 00:30:20,800 --> 00:30:22,800 Speaker 2: The one thing I can't seem to get an answer 561 00:30:22,800 --> 00:30:26,040 Speaker 2: for because I tend to audibly hear a lot of 562 00:30:26,080 --> 00:30:29,000 Speaker 2: a female's voice that tends to call my name at times, 563 00:30:29,280 --> 00:30:31,400 Speaker 2: and I've had other people with me and hearing it, 564 00:30:32,080 --> 00:30:34,760 Speaker 2: so sot to find out who this female is hanging out. 565 00:30:36,080 --> 00:30:41,080 Speaker 2: But yeah, no real answers. I mean we've gotten you know, 566 00:30:41,480 --> 00:30:45,000 Speaker 2: we've used the flashlight method and gotten some response up 567 00:30:45,000 --> 00:30:51,400 Speaker 2: in the admirals quarters from Admiral Davis, you know, and 568 00:30:51,440 --> 00:30:53,880 Speaker 2: it was a really interesting conversation and I got that 569 00:30:54,000 --> 00:31:01,160 Speaker 2: on camera, actually, the interaction with that so and according 570 00:31:01,160 --> 00:31:03,360 Speaker 2: to the flashlights, with their interaction, he just comes in 571 00:31:03,520 --> 00:31:04,800 Speaker 2: visits and checks out the ship. 572 00:31:05,320 --> 00:31:08,840 Speaker 1: So I love when you can get like actual you know, 573 00:31:09,000 --> 00:31:13,320 Speaker 1: names or historical information that kind of matches with the 574 00:31:13,360 --> 00:31:16,360 Speaker 1: activity itself. And I mean that says that whoever's there 575 00:31:16,440 --> 00:31:22,120 Speaker 1: is actually intelligent in some way. And so why why 576 00:31:22,160 --> 00:31:24,480 Speaker 1: do you think they're compelled to stay? Why do you 577 00:31:24,520 --> 00:31:28,400 Speaker 1: think these hauntings exist there. I don't know. 578 00:31:28,440 --> 00:31:30,160 Speaker 2: I think they just come and visit. Like like I 579 00:31:30,160 --> 00:31:33,120 Speaker 2: said with the one conversation with Admiral Davis, I mean 580 00:31:33,160 --> 00:31:35,440 Speaker 2: he says he just comes back and forth. He's not stuck. 581 00:31:35,760 --> 00:31:37,320 Speaker 1: He just pops in and out. 582 00:31:37,560 --> 00:31:40,720 Speaker 2: Why. I don't know, maybe just I just kept thinking, 583 00:31:40,760 --> 00:31:42,440 Speaker 2: like I tell people, back in those days, I mean, 584 00:31:42,480 --> 00:31:45,160 Speaker 2: anybody in military, there's such a brotherhood. Even though it 585 00:31:45,240 --> 00:31:48,160 Speaker 2: was a stressful, scary time, it was still that bonding, 586 00:31:48,640 --> 00:31:51,400 Speaker 2: this family, and it was home. So I can see 587 00:31:51,400 --> 00:31:54,680 Speaker 2: them coming back to a place where it brought so Mitch, 588 00:31:54,920 --> 00:31:57,520 Speaker 2: you know, memory or good times in a weird way. 589 00:31:58,360 --> 00:32:02,120 Speaker 1: You know, yeah, it is certainly you know, there's this 590 00:32:02,240 --> 00:32:06,520 Speaker 1: kind of sense of duty, and you know I could 591 00:32:06,520 --> 00:32:08,920 Speaker 1: see that, and especially when you have it becomes almost 592 00:32:08,960 --> 00:32:11,200 Speaker 1: kind of a living history museum because I think a 593 00:32:11,240 --> 00:32:15,640 Speaker 1: lot of those locations are gone or they're moth balled, 594 00:32:16,840 --> 00:32:19,840 Speaker 1: and so then you know, this is a place where 595 00:32:20,240 --> 00:32:24,720 Speaker 1: these spirits can come back to and actually see almost 596 00:32:24,800 --> 00:32:29,720 Speaker 1: exactly what they experienced in life. And you know, we 597 00:32:29,720 --> 00:32:31,360 Speaker 1: we talk about that a lot, like wondering, you know, 598 00:32:31,800 --> 00:32:34,320 Speaker 1: why are hotels haunted? Why are these you know, wy 599 00:32:34,320 --> 00:32:37,120 Speaker 1: are places like this haunted, and I do think that. 600 00:32:38,480 --> 00:32:40,680 Speaker 1: I think sometimes spirits, you know, like you were saying, 601 00:32:40,680 --> 00:32:43,080 Speaker 1: they're just able to kind of come back to places 602 00:32:43,080 --> 00:32:45,320 Speaker 1: that meant something to them. Like it doesn't mean they're 603 00:32:45,360 --> 00:32:48,920 Speaker 1: necessarily tethered to it or you know, like you said, 604 00:32:49,040 --> 00:32:51,560 Speaker 1: stuck in some way, but it's just it was important 605 00:32:51,560 --> 00:32:53,560 Speaker 1: to them, And I feel like the Horn is definitely 606 00:32:53,560 --> 00:32:54,480 Speaker 1: one of those places. 607 00:32:55,120 --> 00:32:56,520 Speaker 2: Yeah, exactly. 608 00:32:57,320 --> 00:32:59,800 Speaker 1: Now, you have obviously probably a lot of school groups 609 00:33:00,120 --> 00:33:02,840 Speaker 1: come on board, I'm sure especially I'm sure you do, 610 00:33:02,920 --> 00:33:06,240 Speaker 1: like boy Scouts and things. Right, do these kids who 611 00:33:06,400 --> 00:33:09,840 Speaker 1: have experiences I'm assuming you're not teaching the ghostly part 612 00:33:09,840 --> 00:33:11,400 Speaker 1: of things. I'm wondering if they ever come to you 613 00:33:11,480 --> 00:33:14,320 Speaker 1: with anything that they might have experienced, not knowing that 614 00:33:14,400 --> 00:33:15,840 Speaker 1: the ship was supposedly haunted. 615 00:33:16,680 --> 00:33:18,520 Speaker 2: Yeah. I used to help out a lot with the 616 00:33:18,520 --> 00:33:21,960 Speaker 2: Scout groups before I took on the events manager position, 617 00:33:22,240 --> 00:33:24,680 Speaker 2: and you do. We would do at the end of 618 00:33:24,680 --> 00:33:26,360 Speaker 2: the night, we do ghost stories, and we would do 619 00:33:26,480 --> 00:33:28,600 Speaker 2: like thirty minutes to forty minutes of just telling them 620 00:33:28,640 --> 00:33:31,240 Speaker 2: our experiences on the ship. You know, nothing in the 621 00:33:31,240 --> 00:33:33,000 Speaker 2: areas that they're sleeping, because I don't want to scare 622 00:33:33,080 --> 00:33:35,440 Speaker 2: them any further. And I'm always telling them. They're very friendly. 623 00:33:36,000 --> 00:33:38,480 Speaker 2: You know, if you see somebody and you're scared, just 624 00:33:38,480 --> 00:33:40,600 Speaker 2: tell them to leave you alone. I go, they're very respectful. 625 00:33:41,200 --> 00:33:43,320 Speaker 2: And in the morning, I've had a couple of them 626 00:33:43,480 --> 00:33:45,320 Speaker 2: like would come like going. I kept seeing them at 627 00:33:45,360 --> 00:33:46,600 Speaker 2: the foot of my bed. I go, did you tell 628 00:33:46,640 --> 00:33:49,000 Speaker 2: them believe? And he goes, yeahh you know, so they 629 00:33:49,040 --> 00:33:53,280 Speaker 2: are they're witnessing this. I had one parent one time 630 00:33:53,320 --> 00:33:55,880 Speaker 2: where they were sleeping was right above when was the 631 00:33:55,880 --> 00:33:58,720 Speaker 2: rest of the aircraft restoration area. And she told me 632 00:33:58,720 --> 00:34:01,680 Speaker 2: the mort She goes, faith, why were people moving things around? 633 00:34:01,720 --> 00:34:04,040 Speaker 2: I go, nothing was moved around? She because I heard 634 00:34:04,080 --> 00:34:07,080 Speaker 2: airplanes moving and stuff. I go, trust me, we don't 635 00:34:07,120 --> 00:34:08,920 Speaker 2: do that kind of stuff when people are on board, 636 00:34:09,280 --> 00:34:12,799 Speaker 2: you know. It Just nothing moved. And she swore up 637 00:34:12,840 --> 00:34:14,920 Speaker 2: and down there was just all this activity above her. 638 00:34:15,040 --> 00:34:15,719 Speaker 2: She couldn't sleep. 639 00:34:16,560 --> 00:34:18,640 Speaker 1: That was one of the experiences I had there. I 640 00:34:18,680 --> 00:34:23,640 Speaker 1: didn't hear planes. I did hear it sounded like folding chairs, 641 00:34:23,680 --> 00:34:26,279 Speaker 1: like being set up and taken down or put up, 642 00:34:26,320 --> 00:34:28,960 Speaker 1: and like it was in that big open space. I 643 00:34:29,080 --> 00:34:31,319 Speaker 1: was like, what is happening over here? Like why are 644 00:34:31,320 --> 00:34:33,319 Speaker 1: people set Like I thought somebody was setting up for 645 00:34:33,400 --> 00:34:35,680 Speaker 1: like a speech or something for the next day, and 646 00:34:35,719 --> 00:34:38,560 Speaker 1: I'm like, don't they know that we're here investigating. Went 647 00:34:38,600 --> 00:34:42,040 Speaker 1: in there completely dark, no one there, but it was 648 00:34:42,160 --> 00:34:45,080 Speaker 1: very clearly that sound of like folding chairs like being 649 00:34:45,120 --> 00:34:47,000 Speaker 1: set up and like thrown out and light up, and 650 00:34:47,080 --> 00:34:50,600 Speaker 1: it was so loud until like I got up there 651 00:34:50,640 --> 00:34:54,680 Speaker 1: and then it was just quiet. So I don't know 652 00:34:54,719 --> 00:34:58,080 Speaker 1: what ghost is folding and unfolding cheers in the afterlife, 653 00:34:58,160 --> 00:35:00,080 Speaker 1: but I feel like they could make better use of 654 00:35:00,120 --> 00:35:00,800 Speaker 1: their time. 655 00:35:01,160 --> 00:35:03,359 Speaker 2: If it was something where Sigil. I mean, it makes 656 00:35:03,360 --> 00:35:05,120 Speaker 2: sense because they would set up chairs all the time 657 00:35:05,160 --> 00:35:08,919 Speaker 2: for different speeches, different arrangements in those areas, you. 658 00:35:08,840 --> 00:35:13,319 Speaker 1: Know, yeah, yeah, I'm sure there were very important speeches 659 00:35:13,360 --> 00:35:16,960 Speaker 1: and moments that happened in that area, So maybe something 660 00:35:17,080 --> 00:35:21,120 Speaker 1: kind of residual. But I think sometimes I'm baffled at 661 00:35:21,160 --> 00:35:23,399 Speaker 1: the experiences that you have because they just don't really 662 00:35:23,440 --> 00:35:24,960 Speaker 1: make a lot of sense. You Like, you know, you 663 00:35:25,719 --> 00:35:28,040 Speaker 1: expect to hear a voice or see a shadow or 664 00:35:28,400 --> 00:35:30,880 Speaker 1: but then you hear folding chairs. You know, you just 665 00:35:31,600 --> 00:35:32,160 Speaker 1: what you're going. 666 00:35:32,080 --> 00:35:34,760 Speaker 2: To get exactly, you don't. And it varies in locations 667 00:35:34,800 --> 00:35:36,640 Speaker 2: because people are always asking where are the hot spots? 668 00:35:36,760 --> 00:35:37,320 Speaker 1: It varies. 669 00:35:37,360 --> 00:35:39,080 Speaker 2: I think a lot of it when we take groups 670 00:35:39,080 --> 00:35:40,799 Speaker 2: around has to deal with the energy that we are 671 00:35:40,840 --> 00:35:44,920 Speaker 2: putting off, you know, because like you're mentioning in screo groups, 672 00:35:44,920 --> 00:35:46,960 Speaker 2: we even get like high schools that come through and 673 00:35:47,000 --> 00:35:50,319 Speaker 2: do the paranormaltors and they're so full of energy and excited, 674 00:35:50,480 --> 00:35:54,040 Speaker 2: and so we get activity everywhere we go because they're 675 00:35:54,080 --> 00:35:55,560 Speaker 2: just so full of energy. 676 00:35:55,960 --> 00:35:58,680 Speaker 1: Right, And I think that that I think that people 677 00:35:58,760 --> 00:36:02,200 Speaker 1: don't realize that some times that like if you're putting 678 00:36:02,200 --> 00:36:05,279 Speaker 1: off energy that can trigger activity and not necessarily like 679 00:36:05,320 --> 00:36:08,640 Speaker 1: it's creating activity, but I think it creates an interest 680 00:36:08,680 --> 00:36:11,880 Speaker 1: in the spirits there, Like they sense that hum and 681 00:36:11,920 --> 00:36:14,520 Speaker 1: that buzz of excitement and it kind of draws them 682 00:36:14,560 --> 00:36:16,680 Speaker 1: out and they want to interact. 683 00:36:17,000 --> 00:36:17,480 Speaker 2: And so I was. 684 00:36:17,480 --> 00:36:19,400 Speaker 1: Actually going to ask you that because people probably do 685 00:36:19,440 --> 00:36:20,880 Speaker 1: you ask you all the time, like what are the 686 00:36:20,920 --> 00:36:23,520 Speaker 1: hot spots are there? Is there any area that like 687 00:36:23,640 --> 00:36:24,799 Speaker 1: you don't like to go? 688 00:36:25,480 --> 00:36:27,960 Speaker 2: Me personally, when we're asked to take people to like 689 00:36:28,000 --> 00:36:29,920 Speaker 2: a couple of different areas like Chapel or something, I 690 00:36:29,960 --> 00:36:35,000 Speaker 2: avoid the Chapel area more so just an anybody's personal beliefs. 691 00:36:35,040 --> 00:36:36,960 Speaker 2: You know, some people might just shone against that, so 692 00:36:37,000 --> 00:36:40,600 Speaker 2: I avoid chapel. I've never personally experienced anything in there 693 00:36:40,719 --> 00:36:45,600 Speaker 2: the times I've gone in there by myself. But but realistically, 694 00:36:45,680 --> 00:36:48,000 Speaker 2: there are some areas that it tent doesn't always have 695 00:36:48,040 --> 00:36:50,680 Speaker 2: a lot of hospital doesn't have a lot of activity sometimes, 696 00:36:50,680 --> 00:36:52,439 Speaker 2: and I think a lot of it does. Again deal 697 00:36:52,480 --> 00:36:53,839 Speaker 2: with the group, because by the time we get there, 698 00:36:53,840 --> 00:36:58,560 Speaker 2: you're exhausted. Everybody's a gonno going to sleep, you know. Yeah, so, 699 00:37:00,280 --> 00:37:02,759 Speaker 2: but I mean I've experienced plenty in the hospital, but 700 00:37:02,960 --> 00:37:03,680 Speaker 2: sometimes it's not. 701 00:37:03,680 --> 00:37:07,120 Speaker 1: As active really the grass that makes sense, I mean, 702 00:37:07,160 --> 00:37:09,400 Speaker 1: it's I don't think people realize just how much ground 703 00:37:09,440 --> 00:37:11,640 Speaker 1: they're covering when you get in there, and how easy 704 00:37:11,680 --> 00:37:13,960 Speaker 1: it is to get lost. Like I can't remember if 705 00:37:14,000 --> 00:37:16,319 Speaker 1: you have it, but like I investigate the Salem here 706 00:37:16,400 --> 00:37:20,680 Speaker 1: locally a lot, and they, goodness, have this yellow stripe 707 00:37:21,120 --> 00:37:24,200 Speaker 1: of freedom that goes through Like that's that's how I 708 00:37:24,280 --> 00:37:27,200 Speaker 1: know my way. You follow this yellow stripe, that's that's 709 00:37:27,440 --> 00:37:29,560 Speaker 1: will lead you to an exit. I don't remember if 710 00:37:29,560 --> 00:37:32,720 Speaker 1: the Ford Head anything like that, but if that ship 711 00:37:32,760 --> 00:37:35,879 Speaker 1: did not have that stripe, I would probably still be there, 712 00:37:35,960 --> 00:37:36,359 Speaker 1: right now. 713 00:37:38,320 --> 00:37:40,640 Speaker 2: Yeah, but that's a good idea. We don't have a stripe. 714 00:37:41,120 --> 00:37:42,120 Speaker 1: You need the stripe. 715 00:37:44,239 --> 00:37:46,120 Speaker 2: I'm always telling people find a ladder, get to the 716 00:37:46,120 --> 00:37:46,520 Speaker 2: anger bay. 717 00:37:46,560 --> 00:37:49,440 Speaker 1: Are good, Yes, and that's pretty I do remember that. 718 00:37:49,560 --> 00:37:52,960 Speaker 1: Like and like when we were investigating with the DVR cameras, 719 00:37:53,000 --> 00:37:54,680 Speaker 1: I would just look for the wires and I'd be like, 720 00:37:54,719 --> 00:37:57,440 Speaker 1: the wire leads to freedom, Like that's gonna take me 721 00:37:57,520 --> 00:38:01,839 Speaker 1: to center, coming on wherever it is. Yeah, And that's 722 00:38:01,880 --> 00:38:05,680 Speaker 1: actually something else is the whole idea of investigating on 723 00:38:05,800 --> 00:38:11,920 Speaker 1: these you know, big vessels, they're like they're metal, they're steel, 724 00:38:11,920 --> 00:38:12,960 Speaker 1: they're very thick. 725 00:38:13,480 --> 00:38:13,680 Speaker 2: Uh. 726 00:38:13,880 --> 00:38:16,759 Speaker 1: Cells don't work at certain points. I know radios have 727 00:38:16,800 --> 00:38:21,080 Speaker 1: trouble at certain points, and like we talked about before, 728 00:38:21,080 --> 00:38:24,640 Speaker 1: there's a lot of noises and things that don't necessarily 729 00:38:24,680 --> 00:38:26,640 Speaker 1: make sense. It's very hard to figure out where they're 730 00:38:26,680 --> 00:38:30,399 Speaker 1: coming from directionally. Is there any advice that you give 731 00:38:30,520 --> 00:38:34,520 Speaker 1: to teams or groups on how to investigate in a 732 00:38:34,600 --> 00:38:35,720 Speaker 1: scenario like that. 733 00:38:36,160 --> 00:38:37,840 Speaker 2: If I'm with them for a little bit, I'm always 734 00:38:37,840 --> 00:38:39,879 Speaker 2: trying to point out the natural sounds that people tend 735 00:38:39,960 --> 00:38:43,480 Speaker 2: to think is kind of might be something per normal. 736 00:38:43,760 --> 00:38:45,920 Speaker 2: But also, as you remember, all the wires through their 737 00:38:45,960 --> 00:38:48,400 Speaker 2: transformers and stuff. How it does I like definitely like 738 00:38:48,480 --> 00:38:50,080 Speaker 2: K two's and a lot of that stuff because of 739 00:38:50,120 --> 00:38:52,080 Speaker 2: the power it gives off. And I'm always explaining that 740 00:38:52,120 --> 00:38:54,439 Speaker 2: to people as well, like it's am I go, it's 741 00:38:54,480 --> 00:38:57,400 Speaker 2: metal you get if you're using the camera, remember, reflective 742 00:38:57,719 --> 00:39:00,880 Speaker 2: things reflect very easily with flashlight. It's amazing how it 743 00:39:00,920 --> 00:39:03,799 Speaker 2: bounces out that fresh light off of every surface it can. 744 00:39:04,920 --> 00:39:07,360 Speaker 1: It really does. And if you're using like an SLS 745 00:39:07,400 --> 00:39:09,960 Speaker 1: camera or something like, it will make up figures all 746 00:39:10,000 --> 00:39:13,399 Speaker 1: over the place. And yes, and there is that kind 747 00:39:13,440 --> 00:39:17,080 Speaker 1: of constant hum because there's you know, there's transformers and 748 00:39:17,160 --> 00:39:19,719 Speaker 1: power being run through the whole thing, and you could 749 00:39:19,760 --> 00:39:22,000 Speaker 1: just hear it at all times. And like you were saying, 750 00:39:22,040 --> 00:39:24,879 Speaker 1: AMF detectors and K two's they pick up. 751 00:39:24,800 --> 00:39:25,520 Speaker 2: On all of that. 752 00:39:25,719 --> 00:39:28,480 Speaker 1: Communication can be hard if you guys split up and 753 00:39:28,520 --> 00:39:31,480 Speaker 1: you know you're trying to cover more than one area 754 00:39:31,480 --> 00:39:33,160 Speaker 1: at once. I know we had a lot of trouble 755 00:39:33,160 --> 00:39:36,600 Speaker 1: in walks, but you know, as part of being an investigator, 756 00:39:36,640 --> 00:39:39,520 Speaker 1: like you're going to always have kind of different scenario 757 00:39:39,600 --> 00:39:42,760 Speaker 1: that you have to be creative with and work around. 758 00:39:42,800 --> 00:39:47,640 Speaker 1: And you know, ships always always bring the best out 759 00:39:47,680 --> 00:39:52,440 Speaker 1: of us as far as getting creative with out to investigate. Yeah, exactly, 760 00:39:53,040 --> 00:39:53,399 Speaker 1: it does. 761 00:39:53,480 --> 00:39:55,600 Speaker 2: It does kind of limit, but yeah, it causes I 762 00:39:55,600 --> 00:39:57,799 Speaker 2: guess and ways to It also helps you open up 763 00:39:57,840 --> 00:40:00,719 Speaker 2: your senses a little bit more as well. Yeah, because 764 00:40:00,760 --> 00:40:02,600 Speaker 2: you can't really fully rely on a lot of the 765 00:40:02,640 --> 00:40:03,840 Speaker 2: equipment that you're using. 766 00:40:04,280 --> 00:40:06,600 Speaker 1: That's true. And the other thing too is it's so contained, 767 00:40:06,640 --> 00:40:08,719 Speaker 1: like if you have a smaller group like you know, 768 00:40:09,920 --> 00:40:12,799 Speaker 1: you know, like I security, there's usually security, but they 769 00:40:12,840 --> 00:40:16,000 Speaker 1: stay in their little area. They don't go out, and 770 00:40:16,040 --> 00:40:18,480 Speaker 1: so it's not like, you know, you have tons of 771 00:40:18,520 --> 00:40:22,440 Speaker 1: outside contamination from like you know, living people. You know, 772 00:40:22,440 --> 00:40:24,239 Speaker 1: you don't have a ton of traffic going by or 773 00:40:24,239 --> 00:40:27,520 Speaker 1: anything like that. So that's that's actually helpful in that scenario. 774 00:40:27,640 --> 00:40:30,359 Speaker 1: But so if people do want to investigate or visit 775 00:40:30,400 --> 00:40:32,160 Speaker 1: the Hornet, what do they have to do it? Are 776 00:40:32,200 --> 00:40:35,320 Speaker 1: there are there any things coming up or any interesting 777 00:40:35,360 --> 00:40:38,440 Speaker 1: paranormal happenings that people can attend. 778 00:40:39,800 --> 00:40:42,120 Speaker 2: Well, like I said, every month, we do our it's 779 00:40:42,160 --> 00:40:44,080 Speaker 2: you know, our what we call our history Mystery Tour. 780 00:40:44,239 --> 00:40:46,120 Speaker 2: We do the three hour tour every month on every 781 00:40:46,200 --> 00:40:52,160 Speaker 2: quarter overnight we're actually working on doing a paranormal conference 782 00:40:52,200 --> 00:40:55,280 Speaker 2: August twenty six, so we'll be advertising that soon shortly. 783 00:40:55,480 --> 00:40:57,680 Speaker 2: We haven't done that since twenty seventeen, so that's going 784 00:40:57,760 --> 00:41:00,040 Speaker 2: to be exciting. And everybody can always go on and 785 00:41:00,120 --> 00:41:01,560 Speaker 2: they can go out of our events too if they're 786 00:41:01,600 --> 00:41:04,920 Speaker 2: interested in booking, you know, and overnight for themselves as 787 00:41:04,960 --> 00:41:08,160 Speaker 2: well as a team. Like I said, we get YouTubers 788 00:41:08,160 --> 00:41:10,720 Speaker 2: in here all the time, so anywhere between two people 789 00:41:10,800 --> 00:41:13,680 Speaker 2: to as many as they need, but it just yeah, 790 00:41:13,800 --> 00:41:14,360 Speaker 2: it varies. 791 00:41:14,560 --> 00:41:18,000 Speaker 1: That's awesome. Well, I'm sure people will be interested. I 792 00:41:18,040 --> 00:41:20,440 Speaker 1: can vouch for it. It's very haunted. Everyone there has 793 00:41:20,440 --> 00:41:23,200 Speaker 1: always been Leslie. Like I said, I grew up in 794 00:41:23,239 --> 00:41:28,000 Speaker 1: Alameda and so the Hornet was just always there, and yeah, 795 00:41:28,040 --> 00:41:31,080 Speaker 1: one of my favorite places to visit. So thank you 796 00:41:31,120 --> 00:41:33,359 Speaker 1: so much for taking the time. I really appreciate it, 797 00:41:33,800 --> 00:41:35,439 Speaker 1: and hopefully I'll be able to visit soon. 798 00:41:35,680 --> 00:41:36,759 Speaker 2: Yeah, well, thank you. 799 00:41:43,520 --> 00:41:46,400 Speaker 1: It's interesting to me that the Hornet is in my 800 00:41:46,520 --> 00:41:50,080 Speaker 1: hometown of Alameda, California, the place where I had my 801 00:41:50,200 --> 00:41:53,359 Speaker 1: very first paranormal experiences as a child, in our old 802 00:41:53,360 --> 00:41:55,560 Speaker 1: home just a few blocks up the street from where 803 00:41:55,560 --> 00:41:58,600 Speaker 1: the Hornet is docked now. Of course, the base was 804 00:41:58,719 --> 00:42:01,520 Speaker 1: very much in operation. Then the Hornet Museum did not exist. 805 00:42:01,840 --> 00:42:05,040 Speaker 1: But I've gone back many times to investigate her, and 806 00:42:05,120 --> 00:42:08,520 Speaker 1: seeing how I have very few family members still in Alameda, 807 00:42:08,600 --> 00:42:11,680 Speaker 1: the Hornet has almost become my family, the one thing 808 00:42:11,760 --> 00:42:14,320 Speaker 1: bringing me back to my childhood. For if I didn't 809 00:42:14,320 --> 00:42:17,080 Speaker 1: go there to look for her ghosts, I wouldn't really 810 00:42:17,120 --> 00:42:20,680 Speaker 1: have a reason to return to Alameda at all. Makes 811 00:42:20,719 --> 00:42:23,239 Speaker 1: me wonder if some of the spirits on board feel 812 00:42:23,280 --> 00:42:26,600 Speaker 1: the same. I need to revisit their past. Maybe not 813 00:42:26,680 --> 00:42:29,759 Speaker 1: all the time, but for fleeting moments, a chance to 814 00:42:29,920 --> 00:42:33,720 Speaker 1: experience and relive life events, even some that were tragic 815 00:42:34,160 --> 00:42:37,600 Speaker 1: that eventually forged who you became and truly affected your soul. 816 00:42:38,320 --> 00:42:41,359 Speaker 1: Strange that such a huge metal structure can act as 817 00:42:41,400 --> 00:42:44,160 Speaker 1: such a beacon for the living and apparently the dead, 818 00:42:44,640 --> 00:42:48,200 Speaker 1: Or maybe after everything we've learned and discussed in this episode, 819 00:42:48,400 --> 00:42:52,800 Speaker 1: it doesn't seem so strange. After all. I'm Amy Bruney 820 00:42:53,120 --> 00:43:04,840 Speaker 1: and this was Haunted Road. Haunted Road is hosted and 821 00:43:04,880 --> 00:43:08,600 Speaker 1: written by me Amy Bruney, with additional research by Taylor 822 00:43:08,600 --> 00:43:12,759 Speaker 1: Haggerdorn and Cassandra de Alba. This show is edited and 823 00:43:12,880 --> 00:43:16,839 Speaker 1: produced by Rima el Kali, with supervising producer Josh Thain 824 00:43:17,080 --> 00:43:21,160 Speaker 1: and executive producers Aaron Manke, Alex Williams, and Matt Frederick. 825 00:43:21,640 --> 00:43:25,160 Speaker 1: Haunted Road is a production of iHeartRadio and Grim and 826 00:43:25,239 --> 00:43:28,399 Speaker 1: Mild from Erin Menke. Learn more about this show over 827 00:43:28,440 --> 00:43:33,040 Speaker 1: at Grimanmild dot com, and for more podcasts from iHeartRadio, 828 00:43:33,360 --> 00:43:37,280 Speaker 1: visit the iHeartRadio app, Apple Podcasts, or wherever you listen 829 00:43:37,360 --> 00:43:40,960 Speaker 1: to your favorite shows.