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Speaker 1: First of all, you don't know me. We all about

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Speaker 1: that high school drama. Girl Drama, Girl, all about them

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Speaker 1: high school queens.

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Speaker 2: We'll take you for a ride, and our comic.

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Speaker 1: Girl sharing for the right team.

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Speaker 3: Drama Queens, my girl girl fashion, but.

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Speaker 4: Your tough girl.

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Speaker 2: You could sit with us.

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Speaker 1: Girl Drama, Queens Drama, Queens Drama, Queens Drama, Drahn the

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Speaker 1: Queens Drama Queens.

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Speaker 3: Guys. I'm super amped, deeply in my feelings because we're

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Speaker 3: getting towards the end and it makes me want to

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Speaker 3: sob but also excited because I think we're in a

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Speaker 3: juicy place in the story. We are here for season nine,

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Speaker 3: episode two, in the Room where You Sleep. The original

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Speaker 3: air date was January eighteenth, twenty twelve, and we have

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Speaker 3: a family member guest friend of the pod here with

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Speaker 3: us today.

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Speaker 2: Take it away, Stephen, excited to be here, you guys. Wow,

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Speaker 2: that's season nine. You guys made it. We did it

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Speaker 2: finish line as you could. It's it's there in the distance,

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Speaker 2: you could see it. I mean, we only did about

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Speaker 2: I don't know seventeen eighteen episodes. Actual viewing episodes with

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Speaker 2: some Q and as for the Lagoda Beach Podcast, but

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Speaker 2: you guys, I don't know what what number episode you're on,

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Speaker 2: but honestly, bravo, bravo.

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Speaker 3: Oh no, it's a lot because there were one hundred

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Speaker 3: and eighty seven episodes of One Tree Hill. Yeah, and

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Speaker 3: we've done a recap for every episode and Q and

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Speaker 3: a's with you guys, and like special live shows, the

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Speaker 3: live show, and.

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Speaker 2: How isn't seeing it? Everybody grew up before your eyes,

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Speaker 2: like from season one to oh my gosh, she's nine.

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Speaker 2: I mean that's a it's almost ten years.

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Speaker 3: It's kind of crazy. Also, God, this show started in

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Speaker 3: a time where the fashion was just so bad, right,

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Speaker 3: it was so bad, like where were the tops of

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Speaker 3: our pants? We were just missing inches. It was wrong.

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Speaker 4: But I'm glad.

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Speaker 3: I'm glad we are where we are today. Do you

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Speaker 3: concur guest of honor, want to read this ynopsis for

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Speaker 3: the folks at home?

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Speaker 2: Oh? Sure, alright, you guys, Welcome to season nine, episode two.

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Speaker 2: Here is the synopsis. Brooke discusses a new business venture

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Speaker 2: with her father, as Julian stresses about his own investment,

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Speaker 2: Quinn convinces Clay to get help, and Millie struggles to

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Speaker 2: be honest with mouth. Meanwhile, Chris Keller the makes Alex

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Speaker 2: an offer she may not be able to refuse, and

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Speaker 2: Nathan volunteers to scout in Europe, leaving Dan with Haley

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Speaker 2: and Jamie.

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Speaker 5: This episode it was great because there was stuff I

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Speaker 5: really liked. There was stuff I really disliked. Oh well,

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Speaker 5: it's easy because there's only like one real source spot

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Speaker 5: for me, and that is, like, what the hell are

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Speaker 5: we doing to poor Lee Norris? And what is this offensive, lame,

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Speaker 5: half baked attempt.

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Speaker 2: At a storyline.

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Speaker 5: I remember it happening and even and being like what's

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Speaker 5: going on? And Lee was just sort of like, I don't,

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Speaker 5: I don't, I don't know, and I'm now watching the

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Speaker 5: episode it is. It's just so we're getting a little

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Speaker 5: ahead of ourselves a bolt. Let's just jump in because

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Speaker 5: now I'm hot in the biscuit about it. I I

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Speaker 5: don't understand because first of all, the first like Jerry

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Speaker 5: and uh Millie are talking about the station like it's

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Speaker 5: some huge thing. And then he for first of all,

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Speaker 5: he walks into his first shot and he is he's

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Speaker 5: double fisting a hogie. I just thought like it was

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Speaker 5: so hat on a hat, like he's already in a

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Speaker 5: in like the air quotes like a fat suit.

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Speaker 2: But here's the thing.

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Speaker 5: I thought, It's like he's why is like, so he

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Speaker 5: gained some weight. He didn't look like morbidly obese or

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Speaker 5: like he was unhealthy. He just looked like a guy

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Speaker 5: who had gained some weight.

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Speaker 2: And like it was this just.

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Speaker 5: Weird, stupid, like and the bit apparently is that he's

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Speaker 5: gained weight. Like that's the punchline and we can't talk

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Speaker 5: about it with it. I just Lee's so good and

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Speaker 5: the character of mouth is so interesting and unique, and

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Speaker 5: the best we could do was put him in a

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Speaker 5: fat suit.

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Speaker 3: Yeah, it's a real weird choice. And I don't know

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Speaker 3: if this bumped you, but when Millie's talking to Jerry

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Speaker 3: and is like, I'm worried for his health and this,

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Speaker 3: that and the other, and Jerry basically alludes to how like, well,

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Speaker 3: you know, we've all struggled, like because she went to rehab,

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Speaker 3: and I'm like, well, wait a second, wait a second,

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Speaker 3: what is this? And truly I wonder did they just

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Speaker 3: run out of storylines? Did they run out of creativity?

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Speaker 3: Because these two having a super highly rated morning show

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Speaker 3: together is adorable and a whole universe that we could

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Speaker 3: be exploring, but the gag is that he's eating ice

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Speaker 3: cream on TV and saying he's not going to share

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Speaker 3: with his girlfriend and got fat, like.

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Speaker 5: And there is no connective tissue between what's happening now

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Speaker 5: and anything that we have established with Mouth over the

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Speaker 5: previous eight seasons. It's not like we've alluded to maybe

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Speaker 5: him having a thyroid issue or like he's battled weight

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Speaker 5: his whole life. It's just it's like apropos of nothing.

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Speaker 5: This thing just happens. And it's what's so jarring about

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Speaker 5: it is Season nine opened so hot, like the teaser

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Speaker 5: was everyone like, the steaks literally couldn't have been higher.

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Speaker 5: Mouth's not even there. Okay, fine, but then we go

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Speaker 5: into episode two and there is so much about this

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Speaker 5: episode that is really masterful storytelling. Yeah, the Dan Scott

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Speaker 5: of it all.

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Speaker 2: You know, these things that.

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Speaker 5: Are happening, Clay and Quinn, you know, Alex and Chase,

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Speaker 5: and then it's just like it's completely off kilter. And

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Speaker 5: then there's Mouth and what I remember I remember back then,

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Speaker 5: I honestly remember asking Lee is uh is our boss?

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Speaker 2: Is he pissed at you?

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Speaker 5: Is with you? Like? What's because it was it was

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Speaker 5: because clearly our writer's room was very good at storytelling.

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Speaker 5: They provided pretty awesome stories for everyone so far this season,

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Speaker 5: and it was just like, which one of these does

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Speaker 5: not belong?

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Speaker 2: And yep, I didn't get it, man. And it's so

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Speaker 2: funny because there's some some moments where I'm watching where

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Speaker 2: and it is nice throughout this season where there's some

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Speaker 2: lighter stuff with with the Chris Keller and Chase of

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Speaker 2: it all. It's a little bit of kind of like

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Speaker 2: a Buddy Cup thing that they that she have going on,

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Speaker 2: and if sometimes I'd be like, does this kind of

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Speaker 2: is it taken out of some of these like really

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Speaker 2: again well written stuff that good storylines, what's going on

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Speaker 2: with Clay Quinn and with Brooke as well, and and

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Speaker 2: and of course with with Dan and and Nathan in

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Speaker 2: and it's like there's some there's some intense stuff and

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Speaker 2: then all of a sudden it goes pops over to

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Speaker 2: one of these scenes and I'd be like, oh, it's

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Speaker 2: kind of a little silly, but maybe it's fun to

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Speaker 2: have a little bit laugh here. But then I also

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Speaker 2: felt that when you get into the scenes with with

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Speaker 2: Lee and his suit and it was just like I thought,

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Speaker 2: my mind was like, this feels like an idea that

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Speaker 2: came up when honestly somebody might have been like drunk,

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Speaker 2: and it's somehow stuck and and and sod and it

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Speaker 2: just kind of made it much further that it shouldn't have.

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Speaker 2: And especially yeah, when you think about Lee and his

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Speaker 2: character in the show, and I mean it's kind of

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Speaker 2: a it's ultimately, I think, a complimentally because it's like,

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Speaker 2: all right, he can handle this, you know, let's let's

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Speaker 2: have Lee do it because he's professional and he'll do it,

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Speaker 2: and he'll and he'll he'll rise to the occasion and

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Speaker 2: he'll commit. Yeah, it's and it's just unfortunate because it

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Speaker 2: does feel like it doesn't it doesn't belong well.

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Speaker 3: And part of why it bothers me and I don't

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Speaker 3: I remember having the same feeling men, like what fight

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Speaker 3: did you get in with the head hauncho to deal

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Speaker 3: with this? And I think what irked me watching it

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Speaker 3: is there is no drama currently in Brook and Julian's world,

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Speaker 3: and there we have great buddy comedy stuff as characters,

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Speaker 3: and so I'm watching how well they're writing for us

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Speaker 3: and how just sort of baseless the writing is for

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Speaker 3: Lee and Lisa, who are credible comedians, And I'm like,

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Speaker 3: so obviously you know how to tell a joke. Why

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Speaker 3: can't you just tell jokes for both couples? What are

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Speaker 3: we doing here?

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Speaker 2: And that was the up. They would have like three

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Speaker 2: lines and then the scene, the scene would be over

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Speaker 2: like this is yeah, I don't I don't get it.

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Speaker 2: It's so brief. It was very very odd, very very odd.

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Speaker 5: And you're saying like it's a credit to Lee, and

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Speaker 5: you're right, I mean, because Lee sold it, he committed,

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Speaker 5: But it was a disservice to the show and to

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Speaker 5: the fans because you took the character of Mouth, who

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Speaker 5: is so integral to the show. He's like the moral

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Speaker 5: compass in a lot of ways, you know, and you

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Speaker 5: made him a punchline that wasn't even funny. And then unfortunately,

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Speaker 5: you tied Milly to it because she's his partner, so

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Speaker 5: now she's stuck in these like very like lopsided scenes

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Speaker 5: that don't make sense where there are no steaks or no.

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Speaker 2: It's just like it's because I.

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Speaker 5: Love both of them as actors, and I just I

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Speaker 5: just found myself every time we had to cut back

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Speaker 5: and watch them, it was like watching good actors do

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Speaker 5: their best with really material.

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Speaker 3: Yeah, I will say hats off to Lee because I

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Speaker 3: was so shocked at how funny the moment was where

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Speaker 3: he kissed her on the cheek and goes, what got

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Speaker 3: a little mail on you?

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Speaker 2: Yeah, it was like.

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Speaker 3: And I don't know if it was scripted or not,

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Speaker 3: Like I don't And and that's exactly it. Like the

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Speaker 3: the level of leaning into it. It's such a testament

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Speaker 3: to them. But when you have actors as good as

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Speaker 3: those two, just write them better.

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Speaker 2: So anyway, watching Lee over the years in that show,

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Speaker 2: like there was never a day where if I caught

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Speaker 2: some of his scenes that that dude was ever offe Like,

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Speaker 2: nothing fades him. He's such a vet, such a pro.

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Speaker 2: I always enjoyed watching him because he came so prepared.

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Speaker 2: He was never really phased by any that you know,

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Speaker 2: whether it's it's a ton of people in trick a

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Speaker 2: lot going on, or just you know, him and Millie's

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Speaker 2: you know, sitting together. Yeah, he just was nails all

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Speaker 2: the time. And so I that's what I was thinking

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Speaker 2: watching I was like, man, they give it to him,

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Speaker 2: they I get you could handle it. Yeah, he would

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Speaker 2: rise to the occasion, but yeah, it was, Yeah, it was.

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Speaker 2: It was interesting And don't rememberactly how that came about

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Speaker 2: or what the story was, but I'm curious to know

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Speaker 2: who's bad idea continue to push through and actually make

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Speaker 2: it into the script.

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Speaker 5: Yeah, it's It feels like it had to be someone

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Speaker 5: higher up pushing it through, because I just find it

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Speaker 5: hard to believe that with the talent in our writer's

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Speaker 5: room that no one thought they couldn't beat that storyline.

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Speaker 5: You know, it's like the best joke wins. There's no

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Speaker 5: way that that talented group of writers went can't top that. Nope,

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Speaker 5: that's that's it. That's the pinnacle of creative storytelling. Yeah, no, no,

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Speaker 5: So that was That was kind of my main My

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Speaker 5: main gripe is just like, yeah, they deserve better and

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Speaker 5: they're so good, and yet we're having him do this and.

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Speaker 3: I don't remember where it goes, but my goodness, I

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Speaker 3: hope it doesn't stay for too long.

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Speaker 5: Same and I thank you because I lost my train thought.

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Speaker 5: That's what I was gonna say is I don't remember

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Speaker 5: where this goes, so I I so hope that in

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Speaker 5: a few episodes I'm able to go I was wrong.

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Speaker 5: It actually was a great foil for something else. I hope,

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Speaker 5: I hope I get to eat Crow on this, But

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Speaker 5: because I don't, I'm just reacting to what I know,

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Speaker 5: which is like just this episode, and I'm like, oh,

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Speaker 5: come on, guys.

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Speaker 4: Yeah.

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Speaker 2: Also, I remember Lee kind of like because I know

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Speaker 2: it's gonna go on for a couple episodes. I didn't

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Speaker 2: watch ahead too much, but I remember that. You know,

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Speaker 2: he has to go to work now a couple hours earlier,

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Speaker 2: his first up, and the call time is six thirty

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Speaker 2: for everybody. He's in there at like four thirty in

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Speaker 2: the morning. Because a lot of our days are club together.

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Speaker 2: It's like if you see the scenes between Millie and Mouth,

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Speaker 2: like they're gonna shoot all that in one day, and

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Speaker 2: so you know they're gonna be there all day and

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Speaker 2: they're gonna start early, and Lee's going to work. I mean, honestly, yeah,

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Speaker 2: he's going. He's first, probably one of the first people

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Speaker 2: to the yeah, to the studios to do all that.

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Speaker 5: That's another reason why it was confusing, you know, because

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Speaker 5: it wasn't as though they just realized, oh, we're over

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Speaker 5: budget and we need to find what's a storyline that

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Speaker 5: will cost us zero dollars. No, they had to design

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Speaker 5: a custom suit around his body, which is not cheap.

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Speaker 3: And make prosthetics for his face and neck.

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Speaker 5: So it's actually it's a storyline that's going to cost

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Speaker 5: more than a normal storyline. So again, it just it

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Speaker 5: didn't make sense because it's it wasn't like, well, we're

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Speaker 5: saving a ton of money here, so it's actually sort

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Speaker 5: of a necessary band aid. It's like, right, no, this

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Speaker 5: is costing more than arguably all of the other storylines

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Speaker 5: because those are just locations.

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Speaker 2: Yeah, it's weird.

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Speaker 5: Listen that said, The rest of the episode was a banger.

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Speaker 3: Agreed, loved it.

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Speaker 2: One of the things that that caught me was like, man,

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Speaker 2: what a perfect kind of grenade to throw into this

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Speaker 2: last season with the arrival of one Harry Johnson, mister

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Speaker 2: Chris Keller. Uh you know, watching him, it's he's so good,

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Speaker 2: so fine. I've heard, you know, I'd heard over the

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Speaker 2: years we've never worked together, and heard all the stuff

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Speaker 2: about him, and to have the opportunity to work with

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Speaker 2: him in this season and see him up close a lot.

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Speaker 2: What a fun character. Yeah, what a great character that

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Speaker 2: he just he rocked and he's nothing like Chris Keller.

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Speaker 2: So it's what's so cool just I mean, he's such

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Speaker 2: a sweetheart, such a good dude, and Chris Keller is

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Speaker 2: such at douche, and he knocks it out of the park.

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Speaker 3: I think sometimes that that works best, like someone who's

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Speaker 3: so kind playing someone who's not it. There's something that

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Speaker 3: happens in the energetic alchemy where the jokes get funnier.

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Speaker 3: And what killed me about this episode in particular the

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Speaker 3: way he comes in in nine oh one is so good.

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Speaker 3: But the best gag in this episode is that even

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Speaker 3: though he's the worst, he's making everyone around him better.

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Speaker 3: He's making Alex his music better. He's alone with Chuck

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Speaker 3: for five minutes and he has scored Chuck's show tune

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Speaker 3: like every single time you leave him and hope he

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Speaker 3: gets what's coming to him when you get back to him.

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Speaker 3: He's made someone's day. And it's just it's it's comedic poetry.

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Speaker 3: I love it. And Tyler again commits to the bit

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Speaker 3: so hard that you can't help but love him even

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Speaker 3: though you kind of want to, like give him the

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Speaker 3: double eyepoke that my kids used to do to each

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Speaker 3: other in the fifties.

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Speaker 2: And this is.

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Speaker 5: Another testament to just how well written and well thought

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Speaker 5: through this episode was that, Yeah, they did this amazing

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Speaker 5: twofer that started off with a hilarious joke, which is

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Speaker 5: that Chris Keller wrote the freaking toaster pastry jingle that

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Speaker 5: n was singing last year.

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Speaker 2: He's saying, so that blew my mind. That alone.

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Speaker 5: I just thought, like, this is so funny that, like

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Speaker 5: this infamous song, we're actually finding out this infamous character wrote,

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Speaker 5: which is like perfectly on brand, right, And I thought

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Speaker 5: that was it. But no, because then that actually became

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Speaker 5: the device for Alex to sort of take a cheap

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Speaker 5: shot at him, for us to get a glimpse at

301
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Speaker 5: the actual vulnerability of Chris Keller. And that was such

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Speaker 5: a good moment because Tyler is such a good actor

303
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Speaker 5: that how do you not love getting to see him

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Speaker 5: drop his guard and be honest.

305
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Speaker 3: Yeah, him getting to be vulnerable and speak about regret

306
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Speaker 3: and to own it kind of veneer off of No,

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Speaker 3: everything I do is great, and that you know that

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Speaker 3: pays my rent and dea da da da to drop

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Speaker 3: it and be human. It plants that little seed that

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Speaker 3: you see in Alex. For the rest of the episode,

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Speaker 3: she goes back to Julian for advice, which we haven't

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Speaker 3: seen her do in Why you Know. It's this thing

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Speaker 3: where you get what's germinated in her mind based on

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Speaker 3: his vulnerability, and it's a better device than if he

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Speaker 3: had just been like the cocky guy saying some you know,

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Speaker 3: passing off some shtick and making her self conscious. It's

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Speaker 3: the vulnerability about the opportunities he let go that make

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Speaker 3: her afraid to let something go. And I thought, like,

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Speaker 3: how refreshing and new that moment.

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Speaker 5: Rob.

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Speaker 2: I'm glad he brought that moment up because I'd written

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Speaker 2: down as one of my favorite moments of the show

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Speaker 2: was that right when you're saying the guard comes down,

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Speaker 2: and yeah, you see the vulnerability. It really gives it

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Speaker 2: out a layer to the Chris Keller of it all,

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Speaker 2: which was really really well done.

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Speaker 5: And they did such a good job of actually making

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Speaker 5: him three dimensional, you know, the fact that he is

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Speaker 5: good at his job, and they show us how he

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Speaker 5: does it, you know, so he demonstrates value. He's not

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Speaker 5: just there to be an asshole. And then we see

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Speaker 5: this glimpse into his vulnerability and him actually sharing his mistakes,

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Speaker 5: you know, hopefully for the betterment of Alex all of

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Speaker 5: that just fleshed him out so much, which makes him

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Speaker 5: that much more lovable and just awesome as a character.

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Speaker 2: Yeah, and he's just so funny. He's just so damn Yeah.

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Speaker 5: Like I called him, I was like, Buddy, I'm loving

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Speaker 5: watching you on this show because like, like like you said, Steven,

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Speaker 5: he is one of the sweetest men in the world.

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Speaker 2: He's the best.

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Speaker 5: He's nothing like Chris Keller. But oh my god, does

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Speaker 5: he play a douchebag so believable and just so well.

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Speaker 2: And make him so likable you can't mean there of course,

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Speaker 2: there's those moments where you're like, oh the can Chris Keller,

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Speaker 2: Like what an ass? What an ass? But then there

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Speaker 2: are these other moments when show that vulnerability or I

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Speaker 2: mean even at the end you listening to him sing

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Speaker 2: as we're getting out of the episode. What a really

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Speaker 2: really cool way to tie put a bow on the

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Speaker 2: episode him singing and just having that little intimate moment,

351
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Speaker 2: very very cool. It's like, if you were already sold

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Speaker 2: on Chris Keller, you see that at the end of

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Speaker 2: the episode, like, oh man, I love this character. I

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Speaker 2: love watching him.

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Speaker 3: And what I thought was so smart too, is the

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Speaker 3: more human he's getting and even you see how enamored

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Speaker 3: with him Chuck is, and he wants to do his

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Speaker 3: hair like Chris. And then he's calling himself Chuck Skolnik

359
00:19:32,960 --> 00:19:36,240
Speaker 3: and the third person like Chris Keller does, and you're

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Speaker 3: gold that. I just I love him, even though I

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Speaker 3: want to hit him. And then he shows up at

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Speaker 3: Nathan and Haley's and just undercuts all the good he's

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Speaker 3: been doing. And James played it so perfectly because he

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Speaker 3: was so deadpanned a joy and just said my wife

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Speaker 3: doesn't tell me things anymore. And I was like, this,

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Speaker 3: it's just so well done.

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Speaker 2: What does James say at the door? How that line

368
00:20:02,520 --> 00:20:04,520
Speaker 2: written down? He's like, why do I say these things?

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Speaker 2: He says something right before he opens the door and

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Speaker 2: it's Chris Keller there. He says to himself that really

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Speaker 2: it was a great delivery.

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Speaker 5: Yeah, speaking of funny things, let's just rewind real quick

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Speaker 5: to the start of the episode. So, first of all,

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Speaker 5: the panic, the opening shot of Brooke and Julian waking.

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Speaker 5: Brooke really wakes up in the path. He's like because

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Speaker 5: she doesn't hear the kids, and as a parent, I

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Speaker 5: was like, that is so real and so freaking funny.

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Speaker 5: But cut to we find out it's Victoria has the

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Speaker 5: twins in the kitchen. My new favorite thing is watching

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Speaker 5: Austin House Food because his delivery when he said he says,

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Speaker 5: oh my god, I love coffee cake while he's just

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Speaker 5: in hailing it, and of course Brooke is not okay

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Speaker 5: because why is Victoria in their house with the babies

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Speaker 5: and he just can't be bothered to address it as

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Speaker 5: day next time is quiet babies, coffee cake?

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Speaker 2: Amazing?

387
00:21:12,800 --> 00:21:16,240
Speaker 5: It was. He was just so funny, man. Yeah, it

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Speaker 5: killed me.

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Speaker 3: I loved like getting to do physical comedy in this

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Speaker 3: way was always my favorite part of the show. And

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Speaker 3: just the fact that we were able to have that

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Speaker 3: the panic, what's going on? There's there's the humor in

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Speaker 3: the sit up, in the look around, run into the room,

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Speaker 3: you know, somebody fuck them. They're gone back into each other.

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Speaker 3: He's on the ground. He tells me to hit him,

396
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Speaker 3: and I slibb him across the face, all because we

397
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Speaker 3: can't understand the picture of Victoria Davis in like a

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Speaker 3: nineteen fifties housewife, apron and two perfectly behaved babies in

399
00:21:55,080 --> 00:21:59,159
Speaker 3: the high Trick. It it just kept getting better and

400
00:21:59,200 --> 00:22:02,520
Speaker 3: it's like, that's the joke you want to build. It's

401
00:22:02,560 --> 00:22:04,920
Speaker 3: the opposite of the hat on the hat that they

402
00:22:05,000 --> 00:22:08,560
Speaker 3: threw it at Lee and Lisa unfortunately. And I was like, man,

403
00:22:09,080 --> 00:22:12,120
Speaker 3: this is this is exactly what I want to be doing.

404
00:22:12,119 --> 00:22:15,000
Speaker 2: All yeah, you guys killed that. It was I was

405
00:22:15,040 --> 00:22:17,320
Speaker 2: just saying, it was so far watching that you had

406
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Speaker 2: to pop up and a run around the house him

407
00:22:19,320 --> 00:22:22,440
Speaker 2: sliding it into the other rooms, that somebody stole them,

408
00:22:22,560 --> 00:22:24,760
Speaker 2: and that you guys bump into each other. It was like,

409
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Speaker 2: very well executed. I really really enjoyed that part.

410
00:22:27,600 --> 00:22:29,760
Speaker 5: Oh so well. When at first I thought it was

411
00:22:29,800 --> 00:22:34,080
Speaker 5: a bit right. I thought he was sensing that Brooke

412
00:22:34,200 --> 00:22:36,840
Speaker 5: and Victoria were about to get into it, and he

413
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Speaker 5: was trying to like distract and deflect.

414
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Speaker 2: But then what was.

415
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Speaker 5: Funny about it is you realized that's actually not the case.

416
00:22:43,760 --> 00:22:46,920
Speaker 5: He is just so happy to have fresh coffee cake

417
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Speaker 5: and quiet babies. Yeah, it was so smart and so funny.

418
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Speaker 3: Man, it's so great. It's so great, and that the

419
00:22:56,800 --> 00:23:00,439
Speaker 3: funny thing is like it was clearly funny then, but

420
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Speaker 3: I was thinking about you watching the episode, Rob, because

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Speaker 3: I was like, oh my god, now we both live

422
00:23:06,400 --> 00:23:11,040
Speaker 3: in a house with two toddlers. Like, I know Rob's

423
00:23:11,080 --> 00:23:14,120
Speaker 3: having the same experience I'm having right now, because it's

424
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Speaker 3: like you wake up to quiet and you go.

425
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Speaker 5: I don't want to move.

426
00:23:17,600 --> 00:23:19,120
Speaker 3: I don't want to move, I don't want to breathe,

427
00:23:19,600 --> 00:23:22,800
Speaker 3: I don't want to risk And it's just the stuff

428
00:23:22,840 --> 00:23:25,480
Speaker 3: you don't know until you know it. And I I

429
00:23:25,680 --> 00:23:29,119
Speaker 3: was giggling thinking about you watching that scene.

430
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Speaker 5: Oh, as soon as you have kids sleeping, like everything,

431
00:23:32,320 --> 00:23:34,439
Speaker 5: as soon as the house is quiet, it becomes like

432
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Speaker 5: the hurt locker.

433
00:23:35,600 --> 00:23:41,120
Speaker 3: Oh, you're like, don't you make a single sound, gently,

434
00:23:41,880 --> 00:23:44,240
Speaker 3: don't shake the floorboards of the house.

435
00:23:44,800 --> 00:23:47,240
Speaker 5: Oh my gosh. With our son, he was not a

436
00:23:47,240 --> 00:23:48,800
Speaker 5: good sleeper, and so like as soon as he was

437
00:23:48,840 --> 00:23:51,399
Speaker 5: actually down, and it was that like that that thing

438
00:23:51,400 --> 00:23:52,760
Speaker 5: where it's just like if one of us made a sound,

439
00:23:52,800 --> 00:23:59,080
Speaker 5: you're like like whisper fighting because you were just so

440
00:23:59,680 --> 00:24:02,200
Speaker 5: afraid of protecting this small window of peace.

441
00:24:02,600 --> 00:24:07,800
Speaker 3: Yeah, it's incredible. I also love that as they're so

442
00:24:08,080 --> 00:24:10,520
Speaker 3: confused by the fact that they've gotten sleep and the

443
00:24:10,560 --> 00:24:12,320
Speaker 3: fact that the babies are quiet, and what the fuck

444
00:24:12,400 --> 00:24:17,080
Speaker 3: is going on? Why is Victoria baking? I loved Daphne's

445
00:24:17,080 --> 00:24:20,040
Speaker 3: delivery of you don't see your father doing any of this,

446
00:24:20,280 --> 00:24:23,920
Speaker 3: and it's like, oh, oh, I see what you're up to, lady, Okay,

447
00:24:25,040 --> 00:24:25,880
Speaker 3: it's perfect.

448
00:24:26,160 --> 00:24:28,840
Speaker 5: Thank god dance back. You know, you don't realize how

449
00:24:28,920 --> 00:24:32,000
Speaker 5: much I was aware of he wasn't in season eight,

450
00:24:32,080 --> 00:24:34,440
Speaker 5: but like, I didn't realize how much I missed him

451
00:24:34,520 --> 00:24:39,840
Speaker 5: until he's back and he is just that like drama. Umami, yeah, like,

452
00:24:40,000 --> 00:24:41,000
Speaker 5: oh that's it.

453
00:24:41,720 --> 00:24:46,920
Speaker 3: I also love the flip of Julian this is so good, Victoria,

454
00:24:47,359 --> 00:24:50,400
Speaker 3: and it cuts to Nathan going, this is not good, Hales,

455
00:24:51,000 --> 00:24:54,720
Speaker 3: and it's like, it's all the parents. It's just parental drama,

456
00:24:55,119 --> 00:24:57,400
Speaker 3: and no matter how old we get, we need it.

457
00:24:57,480 --> 00:24:58,960
Speaker 3: We need the parents in the show.

458
00:24:59,480 --> 00:25:04,200
Speaker 5: And there's not really any inherent comedy with what's happening

459
00:25:04,280 --> 00:25:07,200
Speaker 5: between Nathan and Dan, but they built in this really

460
00:25:07,320 --> 00:25:12,320
Speaker 5: great comedic device where Haley and Nathan are talking in

461
00:25:12,359 --> 00:25:16,240
Speaker 5: their bedroom and she she was like, listen, I realized

462
00:25:16,280 --> 00:25:18,359
Speaker 5: you weren't here. I didn't know what to do, and

463
00:25:18,359 --> 00:25:20,919
Speaker 5: she basically says, I told him, if you want him

464
00:25:20,960 --> 00:25:24,520
Speaker 5: to go, he has to go, and it smash cuts

465
00:25:24,640 --> 00:25:27,720
Speaker 5: too Nathan's standing over Dan in bed, going you.

466
00:25:27,720 --> 00:25:31,760
Speaker 2: Have to go. It was just such a great device,

467
00:25:31,920 --> 00:25:32,119
Speaker 2: you know.

468
00:25:32,320 --> 00:25:35,920
Speaker 5: Yeah, and that whole storyline, you know, like it's great.

469
00:25:36,160 --> 00:25:39,720
Speaker 5: Dan Scott is the ultimate joker card. He's he's the

470
00:25:39,760 --> 00:25:42,040
Speaker 5: wild card, like you just don't know what he's up to,

471
00:25:42,160 --> 00:25:46,000
Speaker 5: And several times in this episode, because he's so believable

472
00:25:46,040 --> 00:25:48,920
Speaker 5: when he's when he's I don't know air quotes pretending

473
00:25:48,960 --> 00:25:51,720
Speaker 5: to be sincere. But then you have moments like why

474
00:25:51,800 --> 00:25:55,480
Speaker 5: is he evesdropping on Nathan and Haley's private conversation in

475
00:25:55,520 --> 00:25:59,720
Speaker 5: their bedroom not cool boundaries. Also at the end of

476
00:25:59,760 --> 00:26:03,480
Speaker 5: the episode, when Nathan leaves and he basically tells him like,

477
00:26:03,520 --> 00:26:05,840
Speaker 5: hey man, you can be here for right now, but

478
00:26:05,960 --> 00:26:08,080
Speaker 5: you need to have an exit strategy in place, very

479
00:26:08,160 --> 00:26:10,960
Speaker 5: very soon. And as soon as Nathan goes and Dan

480
00:26:11,080 --> 00:26:13,359
Speaker 5: has like that line to Jamie or he's like, don't worry,

481
00:26:13,400 --> 00:26:14,639
Speaker 5: I'm going to be here for a while.

482
00:26:15,320 --> 00:26:20,400
Speaker 3: See yeah, you're like, what is it? And the device

483
00:26:20,800 --> 00:26:26,679
Speaker 3: of Jamie like having a kid old enough to have

484
00:26:26,760 --> 00:26:30,560
Speaker 3: their own relationship with someone, to have their own desires

485
00:26:30,840 --> 00:26:35,879
Speaker 3: and running commentary also in a weird way, adds to

486
00:26:36,119 --> 00:26:40,480
Speaker 3: both the tension and the comedy of the Scott House

487
00:26:40,640 --> 00:26:44,320
Speaker 3: Right Now because as soon as you get that jump

488
00:26:44,359 --> 00:26:48,399
Speaker 3: cut to Nathan saying you have to go. There's sweet

489
00:26:48,440 --> 00:26:51,159
Speaker 3: little Jamie being like you didn't set a place for grandpa,

490
00:26:51,480 --> 00:26:53,960
Speaker 3: and he starts moving the dishes around on the table

491
00:26:54,040 --> 00:26:56,320
Speaker 3: and you're just like, oh shit, they're going to have

492
00:26:56,359 --> 00:26:59,480
Speaker 3: to eat their words now, and then boom, Dan's at breakfast.

493
00:26:59,680 --> 00:27:00,840
Speaker 3: It's it's all.

494
00:27:01,880 --> 00:27:04,760
Speaker 2: It's really well Dan Scott. I mean, he's he's the

495
00:27:04,880 --> 00:27:07,720
Speaker 2: character where I mean, you're gonna stick around for that guy.

496
00:27:07,840 --> 00:27:10,760
Speaker 2: They're like, I want to see what this extra is

497
00:27:10,760 --> 00:27:13,000
Speaker 2: going to do next because he is just in't here

498
00:27:13,040 --> 00:27:17,439
Speaker 2: causing chaos, and uh yeah, he's such a great character.

499
00:27:18,560 --> 00:27:21,959
Speaker 5: Can I pitch my fan theory that I came up

500
00:27:21,960 --> 00:27:24,280
Speaker 5: with while I was watching this, Yes, it's going to

501
00:27:24,359 --> 00:27:28,040
Speaker 5: be out there, right, But I don't remember all the specifics,

502
00:27:28,080 --> 00:27:31,399
Speaker 5: but I do know obviously that Nathan is he's on

503
00:27:31,440 --> 00:27:36,240
Speaker 5: the cusp of being kidnapped. Right, You're right, is there

504
00:27:36,240 --> 00:27:41,720
Speaker 5: a world in which Dan Scott, who I know ultimately

505
00:27:41,800 --> 00:27:46,359
Speaker 5: is the savior is arranged so the perpetrator? I'm just

506
00:27:46,359 --> 00:27:48,640
Speaker 5: saying because here's why, right, Remember in the episode nine

507
00:27:48,680 --> 00:27:51,440
Speaker 5: oh one, there was like there was a couple creepy

508
00:27:51,440 --> 00:27:54,840
Speaker 5: instances of like Karen's cafe front door was left open,

509
00:27:55,000 --> 00:27:58,480
Speaker 5: there was someone jiggling the handle at at the James

510
00:27:58,520 --> 00:28:01,160
Speaker 5: House and we were like, was it the gangster thing? Okay,

511
00:28:01,200 --> 00:28:03,119
Speaker 5: it couldn't have been gangsters. It had to have been

512
00:28:03,200 --> 00:28:06,919
Speaker 5: Dan Scott because Nathan wasn't even supposed to be in

513
00:28:06,960 --> 00:28:09,920
Speaker 5: Europe at this at that point in the storytelling, because

514
00:28:10,000 --> 00:28:11,800
Speaker 5: Clay was the one who was supposed to go, it

515
00:28:11,840 --> 00:28:14,000
Speaker 5: was an eleventh hour decision for Nathan to step in

516
00:28:14,080 --> 00:28:18,280
Speaker 5: for him. So I just thought, I just found myself

517
00:28:18,280 --> 00:28:22,359
Speaker 5: when I watched that shot of Dan standing there with

518
00:28:22,960 --> 00:28:26,560
Speaker 5: Jamie watching the car drive away. And because Dan Scott

519
00:28:26,600 --> 00:28:29,600
Speaker 5: is Dan Scott, it is not outside the realm of

520
00:28:29,640 --> 00:28:32,920
Speaker 5: possibility for him to orchestrate. I mean, listen, the season

521
00:28:32,960 --> 00:28:36,320
Speaker 5: started with him setting his own place of work on fire,

522
00:28:36,960 --> 00:28:39,120
Speaker 5: his own home and business. So I just thought, wouldn't

523
00:28:39,400 --> 00:28:41,280
Speaker 5: And so I'm just putting that out there because I

524
00:28:41,280 --> 00:28:43,440
Speaker 5: don't remember the specifics and that might be disproved very soon,

525
00:28:43,480 --> 00:28:45,200
Speaker 5: but I just thought, like, wouldn't that be so Dan

526
00:28:45,240 --> 00:28:48,480
Speaker 5: Scott to have your own son kidnapped so then you

527
00:28:48,520 --> 00:28:50,400
Speaker 5: could be the hero and the good guy again.

528
00:28:50,560 --> 00:28:52,760
Speaker 3: And by the way. You know why I like where

529
00:28:52,800 --> 00:28:56,800
Speaker 3: you're going with this because near the end of the episode,

530
00:28:57,000 --> 00:29:00,959
Speaker 3: when Haley and Nathan are talking, she oh, no, no,

531
00:29:01,120 --> 00:29:05,560
Speaker 3: it's when she's talking to Date and she essentially is saying,

532
00:29:07,360 --> 00:29:09,160
Speaker 3: I am angry at you for what you did to

533
00:29:09,240 --> 00:29:16,160
Speaker 3: Keith every day, and then she repeats that to Nate, saying,

534
00:29:16,880 --> 00:29:18,920
Speaker 3: you know, he took Keith from us, but he also

535
00:29:19,000 --> 00:29:22,360
Speaker 3: saved our son's life. So it's like her feelings about

536
00:29:22,400 --> 00:29:25,200
Speaker 3: him are on a seesaw. There's the most horrible thing

537
00:29:25,280 --> 00:29:28,000
Speaker 3: and the most amazing thing waited on opposite ends, right,

538
00:29:28,560 --> 00:29:32,120
Speaker 3: So how do you make the most horrible thing maybe

539
00:29:32,160 --> 00:29:34,719
Speaker 3: go away? You have to do another one of the

540
00:29:34,720 --> 00:29:38,200
Speaker 3: most amazing things, which is save the other person.

541
00:29:38,560 --> 00:29:41,880
Speaker 5: Yes, and the conversation you're referencing was that the one

542
00:29:42,120 --> 00:29:43,960
Speaker 5: that we pulled out from and saw that he was

543
00:29:44,000 --> 00:29:49,200
Speaker 5: in the hallway listening, Yes, yes, yes, saying.

544
00:29:49,880 --> 00:29:53,160
Speaker 2: We're aw by me in it. Oh, detective work over here.

545
00:29:53,200 --> 00:29:58,600
Speaker 2: I'm impressed you are, Stephen.

546
00:29:58,720 --> 00:30:01,840
Speaker 3: All the fans are clamoring for Rob to start watching

547
00:30:01,880 --> 00:30:04,600
Speaker 3: the show from season one because of his reactions to

548
00:30:04,640 --> 00:30:06,560
Speaker 3: the things he learns, like the fact that Brooke and

549
00:30:06,640 --> 00:30:10,440
Speaker 3: Chase dated in high school, and now I'm like, should

550
00:30:10,520 --> 00:30:13,640
Speaker 3: you be should you be going back and starting or

551
00:30:13,680 --> 00:30:16,400
Speaker 3: are you gonna, like, are you going to write the

552
00:30:16,400 --> 00:30:18,880
Speaker 3: fan fiction? Are you like, I don't know, You're not

553
00:30:18,920 --> 00:30:19,880
Speaker 3: a lot of opportunities.

554
00:30:20,440 --> 00:30:23,760
Speaker 5: I'll wear a couple of hats, guys, Let's do it. Okay, Yeah,

555
00:30:23,800 --> 00:30:26,320
Speaker 5: I'll be I'll recap and fan fixed. Let's do it.

556
00:30:26,720 --> 00:30:31,680
Speaker 3: I love it. Uh, Poor Quinn, oh man, you know

557
00:30:31,760 --> 00:30:35,000
Speaker 3: so heavy. You know what really was a shot to

558
00:30:35,040 --> 00:30:39,600
Speaker 3: the heart for me was that beautiful scene with you

559
00:30:39,680 --> 00:30:44,280
Speaker 3: and Chantelle where you're fighting her on therapy and she

560
00:30:44,440 --> 00:30:48,120
Speaker 3: doesn't understand why and she has to stop you by saying,

561
00:30:48,960 --> 00:30:50,520
Speaker 3: this is happening to me too.

562
00:30:52,200 --> 00:30:52,400
Speaker 5: Oh.

563
00:30:53,680 --> 00:30:57,320
Speaker 3: It just like it was like an emotional gut punch

564
00:30:57,360 --> 00:31:00,040
Speaker 3: in a good way, because it's the perfect way to

565
00:31:00,080 --> 00:31:04,880
Speaker 3: explain what it is like to love someone who is

566
00:31:05,520 --> 00:31:07,400
Speaker 3: in some version of danger.

567
00:31:08,120 --> 00:31:08,440
Speaker 2: Yeah.

568
00:31:08,480 --> 00:31:10,320
Speaker 3: And when that like, you know, when you're looking at

569
00:31:10,320 --> 00:31:13,120
Speaker 3: your person and they're suffering, you're suffering too. And I

570
00:31:13,160 --> 00:31:14,840
Speaker 3: thought it was really beautiful.

571
00:31:15,680 --> 00:31:20,120
Speaker 5: She is exhibiting an olympic level of patience and grace

572
00:31:20,840 --> 00:31:27,120
Speaker 5: with the situation because Clay is being real up to

573
00:31:27,280 --> 00:31:30,280
Speaker 5: some sort of I think just selfish and self involved

574
00:31:31,040 --> 00:31:33,560
Speaker 5: and thinking it's not having repercussions when she's having to

575
00:31:33,600 --> 00:31:36,000
Speaker 5: just pick him up from the Pollee station in random

576
00:31:36,040 --> 00:31:38,560
Speaker 5: parks in the middle of the night. I mean, that's yeah,

577
00:31:38,680 --> 00:31:42,160
Speaker 5: that's crazy, so scary behavior because think about it, that

578
00:31:42,200 --> 00:31:44,080
Speaker 5: means your partner could be getting hit by a car

579
00:31:44,120 --> 00:31:46,400
Speaker 5: like they don't, Well, that's it. It's it's nuts. So

580
00:31:46,960 --> 00:31:51,760
Speaker 5: she has handled it so so so well, and especially

581
00:31:53,080 --> 00:31:55,719
Speaker 5: that it's like it's just therapy, you know, it's not

582
00:31:55,800 --> 00:31:58,920
Speaker 5: like it's a it's a serious medication that's going to

583
00:31:59,040 --> 00:32:00,920
Speaker 5: change who you are is a person.

584
00:32:00,800 --> 00:32:01,400
Speaker 2: You know what I mean.

585
00:32:01,440 --> 00:32:02,840
Speaker 5: That would be a little it would make a little

586
00:32:02,840 --> 00:32:06,479
Speaker 5: more sense to be stubborn about it, but it's I

587
00:32:06,520 --> 00:32:08,360
Speaker 5: felt for her that she was having to fight so

588
00:32:08,440 --> 00:32:11,000
Speaker 5: hard for something that seemed incredibly reasonable.

589
00:32:11,320 --> 00:32:14,920
Speaker 3: I did too. And then what I loved was we

590
00:32:15,000 --> 00:32:18,520
Speaker 3: had the same aha moment in the Vulnerable reveal with

591
00:32:18,640 --> 00:32:22,720
Speaker 3: Clay that we had with Chris Keller in their own ways,

592
00:32:23,000 --> 00:32:25,440
Speaker 3: when you finally say, closer to the end of the episode,

593
00:32:26,000 --> 00:32:31,040
Speaker 3: it if medication fixes me, then then I'm sick. If

594
00:32:31,040 --> 00:32:35,320
Speaker 3: it's in my head, then I'm crazy. And I went, oh, okay,

595
00:32:35,680 --> 00:32:41,480
Speaker 3: I understand why. I understand that he is experiencing such

596
00:32:41,640 --> 00:32:46,160
Speaker 3: deep fear about what this could mean, that he's terrified

597
00:32:46,720 --> 00:32:51,920
Speaker 3: to know the answer. And Ah, he's not dismissing her feelings.

598
00:32:52,000 --> 00:32:56,000
Speaker 3: He's not being dismissive of his own safety. He's really

599
00:32:56,160 --> 00:33:00,680
Speaker 3: really scared to know what's wrong. And it was a

600
00:33:00,680 --> 00:33:03,360
Speaker 3: really nice moment to see for you.

601
00:33:04,040 --> 00:33:07,200
Speaker 5: Yeah, because without that, he just seems like he's being

602
00:33:07,240 --> 00:33:10,480
Speaker 5: selfish and unreasonable, and yeah, that makes and then you

603
00:33:10,520 --> 00:33:13,880
Speaker 5: hear that, and also given his history, you're like, fair enough,

604
00:33:14,640 --> 00:33:18,400
Speaker 5: you've gone through some serious traumas that you haven't really

605
00:33:18,640 --> 00:33:19,640
Speaker 5: done the work around.

606
00:33:20,040 --> 00:33:24,880
Speaker 3: It was a great scene with you, Rob Chantelle, James

607
00:33:25,080 --> 00:33:28,600
Speaker 3: and Jackson when you're like, you told Nathan and she's like,

608
00:33:28,640 --> 00:33:30,320
Speaker 3: of course I did. And you're all in the room

609
00:33:30,400 --> 00:33:35,280
Speaker 3: going back and forth. And again, Jamie serves for the

610
00:33:35,320 --> 00:33:39,040
Speaker 3: comedic device in the heavy situation, just like he's doing

611
00:33:39,080 --> 00:33:41,760
Speaker 3: in the house with Nathan and Haley and Dan with

612
00:33:42,000 --> 00:33:45,200
Speaker 3: you guys, him getting so amped that Clay might be

613
00:33:45,240 --> 00:33:49,560
Speaker 3: a werewolf. He's just it's like chef's kiss. It's the

614
00:33:49,720 --> 00:33:53,080
Speaker 3: perfect levity to let some of the pressure out of

615
00:33:53,080 --> 00:33:53,520
Speaker 3: the valve.

616
00:33:53,720 --> 00:33:56,880
Speaker 5: And again, great writing because they also found a moment

617
00:33:57,040 --> 00:34:01,040
Speaker 5: to show the friendship and the care and the love

618
00:34:01,160 --> 00:34:04,560
Speaker 5: between Nathan and Clay. Yeah, that Nathan was about to

619
00:34:04,600 --> 00:34:06,640
Speaker 5: make a really big sacrifice that wasn't going to be

620
00:34:06,680 --> 00:34:08,840
Speaker 5: easy on his family, and he didn't think about it twice.

621
00:34:10,080 --> 00:34:14,160
Speaker 5: So it was just like everything worked on multiple levels,

622
00:34:14,400 --> 00:34:16,840
Speaker 5: you know, and Haley being bummed but getting it, you

623
00:34:16,840 --> 00:34:19,440
Speaker 5: know because like she also cares for Clay.

624
00:34:19,480 --> 00:34:21,640
Speaker 4: It was it was all of it was great, man,

625
00:34:22,000 --> 00:34:34,680
Speaker 4: it was all really good.

626
00:34:35,480 --> 00:34:40,160
Speaker 5: Okay, let's talk about Brooks dad, how charming is.

627
00:34:42,080 --> 00:34:46,160
Speaker 3: So charming and the sexual tension between Ted and Daphney,

628
00:34:47,239 --> 00:34:49,360
Speaker 3: how much they hate each other but like it's a

629
00:34:50,320 --> 00:34:53,360
Speaker 3: and the way they know because nobody throws a barb

630
00:34:54,320 --> 00:35:01,080
Speaker 3: like Victoria Davis except for Ted Davis. And seeing them

631
00:35:01,200 --> 00:35:03,359
Speaker 3: go in a Ted a Ted, I'm obsessed with it.

632
00:35:03,800 --> 00:35:11,360
Speaker 5: Also, no one dramatically pounds a Martini better than Daphne's Zuniga.

633
00:35:11,520 --> 00:35:12,480
Speaker 3: No, incredible.

634
00:35:13,200 --> 00:35:16,000
Speaker 5: That was such a great moment. But yes, the way

635
00:35:16,160 --> 00:35:18,920
Speaker 5: he plays with her, Oh, the way he just sort

636
00:35:18,960 --> 00:35:23,040
Speaker 5: of sits back with that smirk and just lobs just

637
00:35:23,160 --> 00:35:29,319
Speaker 5: grenades at her is so good. And this scene with

638
00:35:30,120 --> 00:35:33,680
Speaker 5: uh Brooke and what's his name Ted.

639
00:35:34,000 --> 00:35:34,640
Speaker 2: It's Ted. Yeah.

640
00:35:34,640 --> 00:35:36,919
Speaker 5: This scene with Brooke and Ted when he's very late

641
00:35:36,960 --> 00:35:41,920
Speaker 5: for lunch, imber I noted that it's it is. He

642
00:35:42,000 --> 00:35:46,319
Speaker 5: presents just the right amount of ick to be noticeable

643
00:35:46,600 --> 00:35:49,759
Speaker 5: and slightly concerning, but not enough to be red flaggy.

644
00:35:50,360 --> 00:35:56,040
Speaker 3: Yeah. And there's a really interesting thing because Brooke and

645
00:35:56,160 --> 00:36:01,880
Speaker 3: Victoria have made it through their stuff. It makes sense

646
00:36:02,840 --> 00:36:07,879
Speaker 3: that Brooke excuses the red flags about Ted because they're

647
00:36:07,880 --> 00:36:10,839
Speaker 3: always coming out of Victoria's mouth, and she's like, well,

648
00:36:10,840 --> 00:36:14,120
Speaker 3: of course you hate him, but look at us. You changed,

649
00:36:14,239 --> 00:36:20,359
Speaker 3: he could change, so in a weird way, Victoria, it's

650
00:36:20,440 --> 00:36:23,719
Speaker 3: like she could be his foil, but she can't be

651
00:36:23,800 --> 00:36:29,319
Speaker 3: because she unfoiled herself. And it's it's really good. It's

652
00:36:29,360 --> 00:36:32,920
Speaker 3: a good tug of war that they've given. And I

653
00:36:32,960 --> 00:36:35,359
Speaker 3: love that Victoria tries to go to Julian for help

654
00:36:35,400 --> 00:36:37,480
Speaker 3: and he's just like, uh uh, I just want Brook happy,

655
00:36:37,560 --> 00:36:38,320
Speaker 3: let me alone.

656
00:36:38,960 --> 00:36:42,879
Speaker 5: As he's finishing the last phrase of the coffee cake,

657
00:36:43,920 --> 00:36:46,160
Speaker 5: which was such a smart choice to have him with

658
00:36:46,280 --> 00:36:49,440
Speaker 5: that like nearly empty plate of food. The runner is

659
00:36:49,520 --> 00:36:52,440
Speaker 5: so and it gives us great opportunity for us to

660
00:36:52,520 --> 00:36:56,080
Speaker 5: see that Victoria really cares about Brook. It's not just

661
00:36:56,120 --> 00:36:59,160
Speaker 5: about being petty with her ex husband. It's also her

662
00:36:59,400 --> 00:37:03,319
Speaker 5: showing up to say like, don't don't burn her, you know,

663
00:37:03,400 --> 00:37:05,799
Speaker 5: which made what I thought was going to be her

664
00:37:05,840 --> 00:37:08,840
Speaker 5: getting stood up at lunch so much more painful.

665
00:37:09,280 --> 00:37:13,239
Speaker 3: Yeah, yeah, it's good. I also just hats off to

666
00:37:13,320 --> 00:37:18,960
Speaker 3: Daphne because I have so much fun working with her

667
00:37:19,160 --> 00:37:22,759
Speaker 3: and they give us that, they give us our own

668
00:37:22,840 --> 00:37:26,280
Speaker 3: version of a seesaw. And when she when Brooke asks

669
00:37:26,320 --> 00:37:29,120
Speaker 3: what's wrong, and Daphne just rattles off that list. I'm

670
00:37:29,160 --> 00:37:31,040
Speaker 3: not getting any younger, I'm not having any sex my

671
00:37:31,040 --> 00:37:36,680
Speaker 3: conniving ex husband. And it's just like it's so it's

672
00:37:36,760 --> 00:37:40,120
Speaker 3: so so great, and I love getting to see the

673
00:37:40,239 --> 00:37:44,759
Speaker 3: dynamic they give to us where I get to be

674
00:37:44,840 --> 00:37:47,400
Speaker 3: sassy with her and say, first of all, ill second,

675
00:37:47,560 --> 00:37:50,960
Speaker 3: and then we're into the thing. It's just like, ah,

676
00:37:51,000 --> 00:37:53,520
Speaker 3: it's an energy that I miss and very much like

677
00:37:53,520 --> 00:37:55,239
Speaker 3: when you see Dan Scott and you go god, I

678
00:37:55,320 --> 00:37:59,280
Speaker 3: missed that guy, Like whenever I see Brooke and Victoria

679
00:37:59,400 --> 00:38:01,040
Speaker 3: kind of go at it. I want more.

680
00:38:02,040 --> 00:38:04,520
Speaker 5: My favorite line of the episode, first of all, you

681
00:38:05,400 --> 00:38:05,960
Speaker 5: so good.

682
00:38:06,239 --> 00:38:09,239
Speaker 2: You guys worked so well together. I remember watching it.

683
00:38:09,280 --> 00:38:12,879
Speaker 2: I remember taking acts of being on set and see

684
00:38:12,920 --> 00:38:14,760
Speaker 2: whenever you guys work together, it always kind of stopped

685
00:38:14,760 --> 00:38:16,399
Speaker 2: me to hang out and watch a little bit more

686
00:38:16,400 --> 00:38:18,600
Speaker 2: of what you guys were doing because it was such

687
00:38:18,640 --> 00:38:21,120
Speaker 2: a good dynamic between the two of you. So just

688
00:38:21,120 --> 00:38:23,080
Speaker 2: to what you're saying right there had the like acknowledgement

689
00:38:23,160 --> 00:38:24,759
Speaker 2: of something and then get to what Brook needs to

690
00:38:24,800 --> 00:38:26,799
Speaker 2: get to right like, all right, I'm gonna deal with

691
00:38:26,800 --> 00:38:28,680
Speaker 2: that later, like clearly if you could just you can

692
00:38:28,719 --> 00:38:31,000
Speaker 2: see the history and the baggage between the two of them,

693
00:38:31,160 --> 00:38:34,959
Speaker 2: and uh, it's yeah, it's it's deep, and it's it's

694
00:38:35,600 --> 00:38:38,040
Speaker 2: when you guys are on screen together. Really, it really pops.

695
00:38:38,360 --> 00:38:39,040
Speaker 1: Thanks Pal.

696
00:38:39,680 --> 00:38:42,560
Speaker 3: I also love there's things that I think I've realized

697
00:38:43,040 --> 00:38:48,040
Speaker 3: through you know, our adulthood and like another ad for

698
00:38:48,080 --> 00:38:52,080
Speaker 3: better help therapy, like so many people in our sort

699
00:38:52,080 --> 00:38:55,320
Speaker 3: of age range have had to deal with the ramifications

700
00:38:55,320 --> 00:38:59,280
Speaker 3: of being you know, parentified children. And I was watching

701
00:38:59,320 --> 00:39:01,040
Speaker 3: that argument and I was like, oh my god, look

702
00:39:01,080 --> 00:39:04,440
Speaker 3: Brook literally has to parent her mom. Like they get

703
00:39:04,480 --> 00:39:05,640
Speaker 3: into it and then she's like, do you know how

704
00:39:05,719 --> 00:39:07,440
Speaker 3: ridiculous it is that I can only get you to

705
00:39:07,520 --> 00:39:09,960
Speaker 3: to pay attention to me if I'm making clothes. I

706
00:39:10,040 --> 00:39:11,719
Speaker 3: just want parents that want to spend time with me.

707
00:39:12,400 --> 00:39:16,840
Speaker 3: And it's so it's so spot on because they're her parents,

708
00:39:16,880 --> 00:39:20,640
Speaker 3: but she has to parent them all the time. Makes

709
00:39:20,680 --> 00:39:21,080
Speaker 3: me get go.

710
00:39:21,480 --> 00:39:26,960
Speaker 5: Let me ask a question. Is it romantic or bold

711
00:39:28,000 --> 00:39:34,360
Speaker 5: or inappropriate to move someone in without having even asked

712
00:39:34,440 --> 00:39:35,080
Speaker 5: them first?

713
00:39:35,440 --> 00:39:39,920
Speaker 2: Mate, I have the exact same question. I was waiting

714
00:39:39,920 --> 00:39:41,160
Speaker 2: for you guys to bring it up, but I was

715
00:39:41,160 --> 00:39:43,920
Speaker 2: just like, I'm just gonna sit back. Of course, someone's

716
00:39:43,920 --> 00:39:47,160
Speaker 2: gotta mention because this is not this is not normal.

717
00:39:47,440 --> 00:39:49,760
Speaker 3: This is not not normal behavior.

718
00:39:50,040 --> 00:39:52,799
Speaker 2: No, no, no, it's it's I was even I was

719
00:39:52,880 --> 00:39:54,880
Speaker 2: asking my fiance. I was like, this is this would

720
00:39:54,880 --> 00:39:56,640
Speaker 2: you find the sway? Which you find it creepy? He's like, well,

721
00:39:56,680 --> 00:39:58,000
Speaker 2: how long they had been dating? And she asked all

722
00:39:58,000 --> 00:40:00,640
Speaker 2: these questions on Alexi, You're having to ask a lot

723
00:40:00,640 --> 00:40:03,920
Speaker 2: of questions. It's not an easy Yes, it's weird, it's.

724
00:40:04,239 --> 00:40:07,279
Speaker 5: All okay, Yeah, I thought so as well.

725
00:40:07,760 --> 00:40:10,839
Speaker 3: So here's the thing. And we've talked about this a lot.

726
00:40:10,840 --> 00:40:13,560
Speaker 3: We talked about this last week. You know, in the

727
00:40:13,600 --> 00:40:16,080
Speaker 3: first episode of the season, we were like, God, poor

728
00:40:16,400 --> 00:40:18,120
Speaker 3: Steven and Jana. I just had to be in a

729
00:40:18,160 --> 00:40:21,000
Speaker 3: bed and half naked. And but you guys are so

730
00:40:21,920 --> 00:40:26,040
Speaker 3: good together. You have such great natural chemistry as co

731
00:40:26,239 --> 00:40:31,000
Speaker 3: stars that you make things that could feel icky really

732
00:40:31,120 --> 00:40:34,120
Speaker 3: enjoyable to watch. And so the notes I wrote, I

733
00:40:34,200 --> 00:40:37,560
Speaker 3: was like, wait a second, Cha's talking to Chuck about this.

734
00:40:37,640 --> 00:40:39,919
Speaker 3: It sort of seems adorable. And then they get there

735
00:40:40,000 --> 00:40:43,840
Speaker 3: and they're packing up her stuff. She's being given a choice,

736
00:40:43,840 --> 00:40:49,000
Speaker 3: she's not her opinion is not asked. It's actually really

737
00:40:49,040 --> 00:40:54,319
Speaker 3: an overreach and kind of creepy. And yet you and

738
00:40:54,440 --> 00:40:59,600
Speaker 3: Jana make it so sweet and her kind of overwhelm

739
00:40:59,640 --> 00:41:02,120
Speaker 3: and you were like, here's your glasses in your picture

740
00:41:02,160 --> 00:41:03,799
Speaker 3: and I knew you'd need these things. And here's where

741
00:41:03,800 --> 00:41:07,520
Speaker 3: I did all your toilet trees. And it's you guys

742
00:41:07,560 --> 00:41:11,160
Speaker 3: are so sweet that you make a creepy situation less creepy.

743
00:41:12,360 --> 00:41:14,040
Speaker 3: But I still think if someone did it to me,

744
00:41:14,280 --> 00:41:16,600
Speaker 3: I might be like, oh, we're like two steps away

745
00:41:16,600 --> 00:41:21,000
Speaker 3: from put the lotion in the basket. Really, what's happening here?

746
00:41:21,120 --> 00:41:23,760
Speaker 2: What I felt watching it was and I don't remember

747
00:41:23,800 --> 00:41:26,080
Speaker 2: this as much when we were shooting it. I remember like, okay,

748
00:41:26,120 --> 00:41:27,759
Speaker 2: this is what topic. When need to commit to this,

749
00:41:27,920 --> 00:41:29,920
Speaker 2: Like you know he Chase is really just trying to

750
00:41:29,960 --> 00:41:33,920
Speaker 2: put his best foot forward and trying to display his

751
00:41:34,120 --> 00:41:36,520
Speaker 2: love for her, which, by the way, before he tells

752
00:41:36,600 --> 00:41:39,640
Speaker 2: her he is in love with her, he tells Chuck

753
00:41:39,920 --> 00:41:41,680
Speaker 2: that the first person he tells about it, which is

754
00:41:41,719 --> 00:41:43,319
Speaker 2: just kind of a little odd for me as well.

755
00:41:43,719 --> 00:41:45,360
Speaker 3: I mean, it's weird, but it's sweet.

756
00:41:46,239 --> 00:41:48,640
Speaker 2: Yeah, you're right, and I think at the undercurt of

757
00:41:48,680 --> 00:41:51,399
Speaker 2: it all is like he is trying to be sweet, right,

758
00:41:51,520 --> 00:41:54,480
Speaker 2: and it comes from a sweety place, but yeah, the

759
00:41:54,520 --> 00:41:59,480
Speaker 2: delivery is not quite smooth, and it just not Yeah,

760
00:41:59,560 --> 00:42:03,880
Speaker 2: I don't think it would be accepted by by most folks.

761
00:42:03,960 --> 00:42:05,720
Speaker 2: I feel like somebody like, you know what, that's cool.

762
00:42:05,719 --> 00:42:08,000
Speaker 2: I love that he took that. That's great. But for me,

763
00:42:09,360 --> 00:42:12,799
Speaker 2: the problem I have with it is that it was

764
00:42:12,840 --> 00:42:15,040
Speaker 2: like he was not going to give her a chance

765
00:42:15,280 --> 00:42:18,640
Speaker 2: to say no, even after the fact, because when we

766
00:42:18,680 --> 00:42:21,480
Speaker 2: get into him like I've got the surprise for you,

767
00:42:22,360 --> 00:42:25,359
Speaker 2: she comes over and then he is showing her you know,

768
00:42:25,480 --> 00:42:29,240
Speaker 2: your your your pictures on the wall, right, your glasses

769
00:42:29,280 --> 00:42:33,040
Speaker 2: are on the night stand, the makeup is in the bathroom.

770
00:42:33,480 --> 00:42:35,839
Speaker 2: You don't have a choice. You cannot say Ei, there's

771
00:42:35,880 --> 00:42:37,600
Speaker 2: no way you can say I'm not ready for this

772
00:42:37,840 --> 00:42:41,239
Speaker 2: or I'm a little creeped out, like so that was like,

773
00:42:41,280 --> 00:42:44,040
Speaker 2: oh man, like she she has to be okay with it.

774
00:42:44,120 --> 00:42:48,680
Speaker 2: But yeah, it was. It was an odd, odd, odd

775
00:42:48,680 --> 00:42:52,600
Speaker 2: display of love. But you know what, maybe fan fiction

776
00:42:52,719 --> 00:42:55,440
Speaker 2: rob can but can we say he was just so

777
00:42:55,680 --> 00:42:59,120
Speaker 2: drunk on love trying to you know, he needed to

778
00:42:59,160 --> 00:43:00,680
Speaker 2: get it out and he had set it yet and

779
00:43:01,120 --> 00:43:03,880
Speaker 2: he decided to take action by moving stuff.

780
00:43:04,360 --> 00:43:06,759
Speaker 5: That's that's how I can make sense of it. Right.

781
00:43:06,800 --> 00:43:10,160
Speaker 5: I still think it's a huge misstep because you're not

782
00:43:10,239 --> 00:43:12,200
Speaker 5: inviting someone to cohabitate.

783
00:43:12,360 --> 00:43:12,719
Speaker 2: You are.

784
00:43:13,719 --> 00:43:16,680
Speaker 5: You are making a decision, a unilateral decision, and then

785
00:43:16,880 --> 00:43:19,480
Speaker 5: you are choosing where they get to take up space.

786
00:43:19,560 --> 00:43:22,839
Speaker 5: It's no, it's really bad, right, that's it.

787
00:43:22,840 --> 00:43:26,160
Speaker 3: It doesn't feel like collaboration. It feels like claiming yes.

788
00:43:26,760 --> 00:43:31,560
Speaker 5: And but here here's why, because you. Chase also has

789
00:43:31,600 --> 00:43:36,080
Speaker 5: a line that really bummed me out in a big way,

790
00:43:36,120 --> 00:43:38,319
Speaker 5: which is after you say I love you and you

791
00:43:38,360 --> 00:43:41,400
Speaker 5: guys have sex, you're laying there an apropos of nothing.

792
00:43:41,480 --> 00:43:45,280
Speaker 5: You just go or Chase goes it's okay, you didn't

793
00:43:45,280 --> 00:43:50,560
Speaker 5: say it back, and she's like, huh, it's okay, you

794
00:43:50,600 --> 00:43:52,319
Speaker 5: didn't say I love you back, And I'm like, if

795
00:43:52,320 --> 00:43:56,319
Speaker 5: this isn't the most no therapy backwards way to try

796
00:43:56,360 --> 00:43:59,120
Speaker 5: to get into the conversation you want to have. But

797
00:43:59,200 --> 00:44:00,840
Speaker 5: the reason why you're that's why I think it works.

798
00:44:00,880 --> 00:44:03,879
Speaker 5: If we're gonna why I would argue that it's fine.

799
00:44:03,920 --> 00:44:08,040
Speaker 5: The way it is is everything you did that Chase

800
00:44:08,080 --> 00:44:11,239
Speaker 5: did is born of good intention. I don't think Chase

801
00:44:11,280 --> 00:44:13,040
Speaker 5: did it to be controlling. I think Chase did it

802
00:44:13,080 --> 00:44:15,279
Speaker 5: because he loves her and he wants to show it.

803
00:44:15,760 --> 00:44:18,719
Speaker 5: And I think then he also this the circling back

804
00:44:18,760 --> 00:44:21,400
Speaker 5: on that didn't say I love you. He's insecure, you know,

805
00:44:21,480 --> 00:44:23,560
Speaker 5: and he's trying to sort of feel that out. And

806
00:44:23,600 --> 00:44:26,799
Speaker 5: because you play the role with such sincerity, that's why

807
00:44:26,800 --> 00:44:30,080
Speaker 5: I think it works, Because exactly, I buy a twenty

808
00:44:30,160 --> 00:44:32,200
Speaker 5: five year old dude whatever you're supposed to be at

809
00:44:32,239 --> 00:44:35,799
Speaker 5: this point, who is putting on his adult pants for

810
00:44:35,840 --> 00:44:40,440
Speaker 5: the first time. It's awkward and it's clumsy, and so yeah,

811
00:44:40,520 --> 00:44:41,680
Speaker 5: I understand all of it.

812
00:44:41,960 --> 00:44:45,239
Speaker 2: Yeah, So this feels like the relationship to Chase is

813
00:44:45,520 --> 00:44:48,399
Speaker 2: one that he does not and again it could sound

814
00:44:48,480 --> 00:44:50,279
Speaker 2: creepy at first, but he does not want to let go.

815
00:44:50,320 --> 00:44:51,920
Speaker 2: He does not want to let this one go. He

816
00:44:51,920 --> 00:44:54,560
Speaker 2: doesn't want to lose it after you know, considering what's

817
00:44:54,600 --> 00:44:58,279
Speaker 2: happened in his past relationships and which is kind of

818
00:44:58,360 --> 00:45:00,520
Speaker 2: ultimately you know where we know the sends up. Which

819
00:45:00,560 --> 00:45:03,240
Speaker 2: is so tragic about it all is because him coming

820
00:45:03,280 --> 00:45:06,600
Speaker 2: off of having this relationship with me and what she

821
00:45:06,680 --> 00:45:10,560
Speaker 2: meant to him, and really not wanting to screw up

822
00:45:10,560 --> 00:45:13,319
Speaker 2: the next one and really wanting to make the next

823
00:45:13,320 --> 00:45:15,200
Speaker 2: one work. You know, I feel like when you see

824
00:45:15,200 --> 00:45:17,000
Speaker 2: it with the little like love triangle that they're in,

825
00:45:17,040 --> 00:45:18,600
Speaker 2: like Chase was out of his league and it was

826
00:45:18,680 --> 00:45:20,840
Speaker 2: like he did not want to be in this situation.

827
00:45:20,960 --> 00:45:23,640
Speaker 2: It's not you know, that's not something that like he

828
00:45:23,680 --> 00:45:27,240
Speaker 2: found himself in often. And so now that he's got

829
00:45:27,280 --> 00:45:29,000
Speaker 2: a girl that he feels struggling about, he feels like

830
00:45:29,040 --> 00:45:33,719
Speaker 2: it's reciprocated. He's like, Okay, like let's like let's make

831
00:45:33,760 --> 00:45:37,399
Speaker 2: the steps for her to one hundred percent know that

832
00:45:37,480 --> 00:45:41,839
Speaker 2: I'm all in, and hopefully that'll want her to maybe

833
00:45:41,840 --> 00:45:45,799
Speaker 2: stick around, right or any opportunity that she might have

834
00:45:45,960 --> 00:45:50,799
Speaker 2: to question the relationship, question his love for her, or

835
00:45:50,920 --> 00:45:53,560
Speaker 2: go somewhere else, she would be she would not be

836
00:45:53,640 --> 00:45:55,879
Speaker 2: able to take it, because man, what a great thing

837
00:45:55,920 --> 00:45:58,160
Speaker 2: that we have. And that's the way I felt about it,

838
00:45:58,200 --> 00:46:00,800
Speaker 2: like for seeing him as like I can't let anything

839
00:46:00,800 --> 00:46:03,520
Speaker 2: come between this, so like let's let's just get you know,

840
00:46:03,560 --> 00:46:07,080
Speaker 2: let's get this train rolling. And you know, there's something

841
00:46:07,080 --> 00:46:09,560
Speaker 2: to be said about, you know, moving too quick or

842
00:46:09,600 --> 00:46:12,320
Speaker 2: being too eager. And I think in that situation, you know,

843
00:46:12,360 --> 00:46:14,279
Speaker 2: while it's coming from a good place, you're you're you're

844
00:46:14,320 --> 00:46:16,600
Speaker 2: seeing him too eager, and ultimately it's gonna buy it.

845
00:46:16,640 --> 00:46:19,720
Speaker 3: But well, I think that's a really astute observation because

846
00:46:20,920 --> 00:46:23,960
Speaker 3: especially when you're younger, you know, if you think about

847
00:46:24,000 --> 00:46:26,520
Speaker 3: like a pendulum swing, if you think you've made a mistake,

848
00:46:27,360 --> 00:46:29,319
Speaker 3: the way to do it differently is actually to come

849
00:46:29,360 --> 00:46:32,880
Speaker 3: to center. But so often people go like, oh, I

850
00:46:32,920 --> 00:46:34,560
Speaker 3: did this dumb thing. Let me go do this thing

851
00:46:34,600 --> 00:46:39,200
Speaker 3: over here, And it takes, you know, time to learn

852
00:46:39,320 --> 00:46:42,600
Speaker 3: not to do that, to to not failing on both

853
00:46:42,840 --> 00:46:46,000
Speaker 3: hard in the other direction, to try to course correct.

854
00:46:47,440 --> 00:46:49,200
Speaker 3: May or may not be saying that from experience, you

855
00:46:49,200 --> 00:46:49,840
Speaker 3: who knows.

856
00:46:50,239 --> 00:46:51,520
Speaker 2: Are we all? Are we all?

857
00:46:51,680 --> 00:46:55,600
Speaker 3: Are we all? I think that's a real thing, and

858
00:46:55,600 --> 00:46:58,879
Speaker 3: and I think that's what you're observing, and that's what

859
00:46:58,960 --> 00:47:03,319
Speaker 3: makes it feel really grounded. And to Rob's point, you're

860
00:47:03,440 --> 00:47:08,400
Speaker 3: really genuinely excited about it. So it doesn't it doesn't

861
00:47:08,600 --> 00:47:12,160
Speaker 3: feel creepy coming from Chase. But I also think as

862
00:47:12,200 --> 00:47:14,960
Speaker 3: adults were like, oh, a bad call man. No, no,

863
00:47:15,000 --> 00:47:17,000
Speaker 3: we know better, and that's not the vibe.

864
00:47:17,520 --> 00:47:20,760
Speaker 5: And as someone who likes Chase and roots for Chase,

865
00:47:20,960 --> 00:47:25,200
Speaker 5: one thing I will say is that he has good

866
00:47:25,320 --> 00:47:29,680
Speaker 5: instincts because we learned last season from his little confessional

867
00:47:29,719 --> 00:47:33,120
Speaker 5: with Julian when when he was stuck in the middle

868
00:47:33,160 --> 00:47:37,280
Speaker 5: level love triangle, he made the surprising decision of saying

869
00:47:37,360 --> 00:47:41,200
Speaker 5: no to both of them. Yeah and it so it

870
00:47:41,280 --> 00:47:44,160
Speaker 5: had he stuck with what his gut told him, Like

871
00:47:44,680 --> 00:47:46,719
Speaker 5: he was right, you know what I mean, Like his gut,

872
00:47:46,760 --> 00:47:48,879
Speaker 5: his gut was right. So I feel like and then

873
00:47:48,920 --> 00:47:51,319
Speaker 5: like we see the stuff with Chuck, it we are

874
00:47:51,480 --> 00:47:55,200
Speaker 5: just watching a young man grow up. But at his core,

875
00:47:55,440 --> 00:47:58,560
Speaker 5: like all of the right things are there, you know,

876
00:47:58,640 --> 00:48:01,959
Speaker 5: his like his morality, he's there. His instincts are good

877
00:48:02,000 --> 00:48:03,680
Speaker 5: and seem to be on, you know, and like, so

878
00:48:03,880 --> 00:48:07,120
Speaker 5: we're just watching him go through the trial and error

879
00:48:07,120 --> 00:48:10,279
Speaker 5: of figuring it out. But he's a good guy. You know,

880
00:48:10,280 --> 00:48:12,560
Speaker 5: he's going to get there. We're just watching, you know,

881
00:48:12,680 --> 00:48:13,799
Speaker 5: some rough drafts.

882
00:48:14,160 --> 00:48:16,759
Speaker 2: Yeah, you know, I felt it's like I remember thinking

883
00:48:16,800 --> 00:48:18,360
Speaker 2: about this with with with Chase.

884
00:48:18,400 --> 00:48:19,279
Speaker 3: With to what you're.

885
00:48:19,200 --> 00:48:20,480
Speaker 2: Saying, I think you hit it on the head, Matt.

886
00:48:20,520 --> 00:48:23,279
Speaker 2: It it feels like he always he wanted to do

887
00:48:23,320 --> 00:48:26,200
Speaker 2: the right thing, did have a good set of morals

888
00:48:26,200 --> 00:48:30,440
Speaker 2: and values around him, but would find himself experiencing life

889
00:48:30,520 --> 00:48:32,120
Speaker 2: where it's like, I don't care who you are and

890
00:48:32,480 --> 00:48:37,120
Speaker 2: how perfect you you aspire to be in life, like

891
00:48:37,200 --> 00:48:40,000
Speaker 2: you're going to You're going to step in s h

892
00:48:40,080 --> 00:48:42,640
Speaker 2: I T at some point, you know, and and you're

893
00:48:42,680 --> 00:48:44,799
Speaker 2: going to have your issues and your problems with with

894
00:48:44,880 --> 00:48:47,080
Speaker 2: certain people, or you're gonna some people are gonn align

895
00:48:47,160 --> 00:48:49,239
Speaker 2: with you and how you handle that. And so I

896
00:48:49,280 --> 00:48:51,680
Speaker 2: think that that's why I see it's like that, you know,

897
00:48:51,760 --> 00:48:55,200
Speaker 2: Chase his core, he really does mean well, but it's

898
00:48:55,280 --> 00:48:57,280
Speaker 2: just the execution is not always smooth.

899
00:48:58,200 --> 00:48:58,879
Speaker 4: Yeah.

900
00:48:59,040 --> 00:49:02,880
Speaker 3: I think that's really which is great, but it breaks

901
00:49:02,880 --> 00:49:04,920
Speaker 3: my heart because at the end when she goes and

902
00:49:04,960 --> 00:49:06,640
Speaker 3: says to Chris, I want to go on the tour,

903
00:49:06,719 --> 00:49:09,120
Speaker 3: I was like, good, too much, too much, too much

904
00:49:09,160 --> 00:49:12,040
Speaker 3: to blow and parachute oh god, yep, yep.

905
00:49:12,719 --> 00:49:17,960
Speaker 5: There's especially like when you see someone has completely dropped

906
00:49:18,000 --> 00:49:22,000
Speaker 5: their armor and they're like, yeah, well nothing here but vulnerability,

907
00:49:22,239 --> 00:49:26,440
Speaker 5: and then that they're about to get just completely caught

908
00:49:26,480 --> 00:49:27,000
Speaker 5: off guard.

909
00:49:27,360 --> 00:49:30,640
Speaker 3: Yeah, I'm sad for you. I'm nervous for next week.

910
00:49:31,120 --> 00:49:33,600
Speaker 2: It was a yeah, I remember it was. It was

911
00:49:33,719 --> 00:49:37,359
Speaker 2: kind of a shocking I mean, look where it's it's

912
00:49:37,360 --> 00:49:39,440
Speaker 2: TV the stuff. It's like, right when you get the

913
00:49:39,600 --> 00:49:42,880
Speaker 2: bow on the present and it's ready to go that

914
00:49:43,000 --> 00:49:44,759
Speaker 2: it's you know, someone's gonna steal it, right or it

915
00:49:44,760 --> 00:49:48,480
Speaker 2: gets ripped apart like it. That's with the journey and

916
00:49:49,040 --> 00:49:52,759
Speaker 2: for Chasing and Alex. You know, all right this you think,

917
00:49:52,840 --> 00:49:54,480
Speaker 2: And I I remember going like, all right, that's cool.

918
00:49:54,520 --> 00:49:56,799
Speaker 2: Let's see how they interact as a couple that is

919
00:49:56,840 --> 00:49:59,480
Speaker 2: feeling secured together. How are they going to take out

920
00:49:59,480 --> 00:50:01,719
Speaker 2: on the world together? But what are they going to

921
00:50:01,800 --> 00:50:04,560
Speaker 2: have to navigate together as a as a couple. And

922
00:50:05,160 --> 00:50:07,359
Speaker 2: we don't really see that, We don't really get that

923
00:50:07,520 --> 00:50:10,320
Speaker 2: because it's you know, the rugs pulled out from underneath

924
00:50:10,360 --> 00:50:14,120
Speaker 2: it and and that's it. And uh, I remember being

925
00:50:14,560 --> 00:50:17,520
Speaker 2: disappointed that all of a sudden all right, we're going

926
00:50:17,600 --> 00:50:19,600
Speaker 2: to you know, see Alex as much anymore.

927
00:50:19,800 --> 00:50:24,360
Speaker 3: So Yeah, I know it's hard.

928
00:50:23,560 --> 00:50:25,480
Speaker 2: But and I want to, you know, circle back to

929
00:50:25,640 --> 00:50:28,120
Speaker 2: the questions we have before night. The question I get

930
00:50:28,160 --> 00:50:30,439
Speaker 2: often when where iver at a convention or something, which

931
00:50:30,520 --> 00:50:35,200
Speaker 2: is where Chase. Where I feel Chase's is best suited

932
00:50:35,920 --> 00:50:38,839
Speaker 2: between the Mia and Alex at all. And I really

933
00:50:38,840 --> 00:50:40,520
Speaker 2: did screw up by like kind of like give it

934
00:50:40,520 --> 00:50:42,799
Speaker 2: a half baked answer about Oh, I think Mia would

935
00:50:42,840 --> 00:50:45,640
Speaker 2: be a good one because watching this and watching some

936
00:50:45,719 --> 00:50:49,120
Speaker 2: of the end of season and seeing what Alex and

937
00:50:49,200 --> 00:50:52,759
Speaker 2: Chase had together, and seeing how Janna plays Alex, like

938
00:50:52,920 --> 00:50:55,120
Speaker 2: really really some some great stuff. But it's bringing back

939
00:50:55,160 --> 00:50:58,239
Speaker 2: a lot of good memories of working with Channa. She's

940
00:50:58,280 --> 00:51:02,560
Speaker 2: a fantastic actress, and her Alex is so good that

941
00:51:02,680 --> 00:51:06,520
Speaker 2: the character she's she's so good on screen. So there

942
00:51:06,640 --> 00:51:09,480
Speaker 2: there is a strong, strong case for what could have

943
00:51:09,560 --> 00:51:14,840
Speaker 2: been one hundred percent with Chase said Alex. Yeah, I agree,

944
00:51:15,080 --> 00:51:16,480
Speaker 2: I listen.

945
00:51:16,520 --> 00:51:18,319
Speaker 5: I having you know, I have no idea how the

946
00:51:18,320 --> 00:51:21,640
Speaker 5: rest of the season wraps up. I'm assuming because I

947
00:51:21,680 --> 00:51:24,000
Speaker 5: thought you and Mia were like always in game that

948
00:51:24,040 --> 00:51:25,719
Speaker 5: it's going to be you and Mea or chasing Mea.

949
00:51:26,239 --> 00:51:27,839
Speaker 5: And if that's the case, boy, I just sure hope

950
00:51:27,880 --> 00:51:29,759
Speaker 5: there's a good reason for it, and it's not just

951
00:51:29,880 --> 00:51:32,120
Speaker 5: well you're the last girl left in town, you know?

952
00:51:32,840 --> 00:51:35,480
Speaker 5: But I agree, I love I love Chasing Alex. I

953
00:51:35,520 --> 00:51:37,719
Speaker 5: have been so pleasantly surprised that it has gone on

954
00:51:37,880 --> 00:51:39,480
Speaker 5: for as long as it did, because, like I said,

955
00:51:39,520 --> 00:51:42,360
Speaker 5: I I thought you guys had like a one episode

956
00:51:42,400 --> 00:51:43,440
Speaker 5: thing and that was it.

957
00:51:43,760 --> 00:51:45,600
Speaker 2: So you are in for a curveball. I do know

958
00:51:45,640 --> 00:51:48,680
Speaker 2: what comes next, and I wish I could see I

959
00:51:48,719 --> 00:51:50,799
Speaker 2: wish I could see you watch it.

960
00:51:50,880 --> 00:51:52,680
Speaker 5: I'll text you. I'll text you after it. I'm sure

961
00:51:52,719 --> 00:51:53,440
Speaker 5: i'll know the episode.

962
00:51:53,760 --> 00:51:57,680
Speaker 2: Yeah, yeah, yeah, yeah, it's a doozy, my friend, it

963
00:51:57,800 --> 00:52:10,320
Speaker 2: is a doozy.

964
00:52:11,480 --> 00:52:11,680
Speaker 5: Well.

965
00:52:11,719 --> 00:52:14,960
Speaker 3: We have a listener question, which is interesting because we

966
00:52:15,040 --> 00:52:18,880
Speaker 3: are talking about how things wrap up, and Chris wants

967
00:52:18,920 --> 00:52:22,000
Speaker 3: to know going into the final season, was there a

968
00:52:22,040 --> 00:52:27,080
Speaker 3: sense of pressure or responsibility to give longtime fans the

969
00:52:27,200 --> 00:52:28,279
Speaker 3: ending they deserved.

970
00:52:29,560 --> 00:52:31,600
Speaker 5: I feel like that pressure was more on the writers,

971
00:52:31,640 --> 00:52:31,960
Speaker 5: don't you.

972
00:52:32,239 --> 00:52:33,879
Speaker 3: That's what I was going to say. I think it's

973
00:52:33,920 --> 00:52:37,719
Speaker 3: really tricky when you are an actor, because yes, of

974
00:52:37,800 --> 00:52:44,719
Speaker 3: course you want things to be beautiful and everyone knows

975
00:52:44,719 --> 00:52:46,759
Speaker 3: how hard it is to you know, wrap up a

976
00:52:46,760 --> 00:52:50,880
Speaker 3: whole series in a perfect bow. But I think it

977
00:52:50,880 --> 00:52:54,440
Speaker 3: would be so much harder, you know, to be like

978
00:52:54,560 --> 00:52:58,799
Speaker 3: a Quinta or someone who writes and stars in their

979
00:52:58,840 --> 00:53:00,840
Speaker 3: own show. I think I would have like a nervous

980
00:53:00,880 --> 00:53:04,160
Speaker 3: breakdown for a series finale if I had to write it.

981
00:53:04,800 --> 00:53:06,640
Speaker 2: And I agree with you, guys, I think it's it's

982
00:53:06,719 --> 00:53:10,200
Speaker 2: definitely all it's the writers are the real heroes in

983
00:53:10,239 --> 00:53:12,799
Speaker 2: this right They are the ones that are putting that

984
00:53:12,840 --> 00:53:14,640
Speaker 2: story down and then we show up to play it.

985
00:53:14,640 --> 00:53:16,960
Speaker 2: But I would feel, you know, I would not feel

986
00:53:17,000 --> 00:53:20,759
Speaker 2: appropriate answering that question. I feel like, soph you would

987
00:53:20,760 --> 00:53:23,080
Speaker 2: be the one just because you've been there from the beginning,

988
00:53:23,320 --> 00:53:27,320
Speaker 2: you know, and I'm curious because you you I actually

989
00:53:27,800 --> 00:53:29,080
Speaker 2: like I speak for you, but I would I would

990
00:53:29,120 --> 00:53:30,680
Speaker 2: feel like maybe if I was in your shoes, I

991
00:53:30,680 --> 00:53:32,120
Speaker 2: was it from the beginning and I knew the impact

992
00:53:32,120 --> 00:53:35,400
Speaker 2: that this show had that were you going into the

993
00:53:35,440 --> 00:53:38,840
Speaker 2: last season just hoping and praying that they were going

994
00:53:38,920 --> 00:53:42,279
Speaker 2: to do right by your character? And did you did

995
00:53:42,320 --> 00:53:43,719
Speaker 2: you at all feel the pressure of like, oh no,

996
00:53:43,800 --> 00:53:46,920
Speaker 2: what's like? How are they gonna you know, put a

997
00:53:46,920 --> 00:53:48,719
Speaker 2: bow on on the on the book of it all.

998
00:53:48,760 --> 00:53:50,600
Speaker 2: What's it going to be? Were you very curious to

999
00:53:50,640 --> 00:53:52,800
Speaker 2: ask them even going in or at the end of

1000
00:53:52,880 --> 00:53:53,439
Speaker 2: season eight.

1001
00:53:54,080 --> 00:53:56,839
Speaker 3: I mean, I thought the end of season eight was

1002
00:53:57,640 --> 00:54:00,760
Speaker 3: really beautiful. We talked a few weeks ago about how

1003
00:54:01,520 --> 00:54:03,960
Speaker 3: it really did feel like a series finale because we

1004
00:54:04,000 --> 00:54:07,440
Speaker 3: all thought it was gonna be. You know, I remember

1005
00:54:07,520 --> 00:54:10,839
Speaker 3: even like an amazing conversation I had. I went out

1006
00:54:10,920 --> 00:54:13,520
Speaker 3: to dinner with two of the writers in like the

1007
00:54:13,600 --> 00:54:15,960
Speaker 3: last few weeks of season eight, And I won't say

1008
00:54:15,960 --> 00:54:17,319
Speaker 3: who they are because I don't want to blow them

1009
00:54:17,400 --> 00:54:20,640
Speaker 3: up on the internet, but like there were things where

1010
00:54:20,640 --> 00:54:22,400
Speaker 3: they were like, oh my god, now we can finally

1011
00:54:22,440 --> 00:54:24,840
Speaker 3: tell you this story, or we da da da da,

1012
00:54:24,880 --> 00:54:26,560
Speaker 3: And then we all came back and we were like,

1013
00:54:27,480 --> 00:54:29,240
Speaker 3: I mean, we'll be friends forever, but it is also

1014
00:54:29,360 --> 00:54:32,359
Speaker 3: really awkward that now we know these things and we're here,

1015
00:54:32,520 --> 00:54:34,760
Speaker 3: we have to like work with that person or whatever

1016
00:54:35,600 --> 00:54:41,640
Speaker 3: I think for me, you know, to Rob's earlier question,

1017
00:54:41,880 --> 00:54:46,040
Speaker 3: like about Lee's storyline, we obviously like our boss was

1018
00:54:46,080 --> 00:54:50,680
Speaker 3: an incredibly talented writer who ran an incredibly talented writer's

1019
00:54:50,760 --> 00:54:57,200
Speaker 3: room and also a vindictive, unkind person in some really

1020
00:54:57,280 --> 00:55:00,880
Speaker 3: terrible ways at terrible times. And what I think was

1021
00:55:01,040 --> 00:55:03,279
Speaker 3: hard about knowing we were going to wrap up and

1022
00:55:03,360 --> 00:55:06,759
Speaker 3: seeing some of the things happening for people was like

1023
00:55:07,520 --> 00:55:10,520
Speaker 3: people were getting really amazing stuff that it did feel

1024
00:55:10,520 --> 00:55:15,280
Speaker 3: like the characters deserved, and then people were getting dunked

1025
00:55:15,320 --> 00:55:21,840
Speaker 3: on in really unkind ways, and I just remember thinking, like,

1026
00:55:22,800 --> 00:55:26,239
Speaker 3: I really hope those things can stop by the time

1027
00:55:26,280 --> 00:55:29,319
Speaker 3: we get to our thirteenth episode, because this show means

1028
00:55:29,360 --> 00:55:31,799
Speaker 3: so much to so many people, to all of us,

1029
00:55:31,880 --> 00:55:34,200
Speaker 3: to the crew, but to the people who watch it,

1030
00:55:34,239 --> 00:55:39,640
Speaker 3: and I hope it's great. And I remember near the end,

1031
00:55:41,080 --> 00:55:44,839
Speaker 3: you know, spoiler alert if you haven't watched it, speed up.

1032
00:55:46,160 --> 00:55:49,279
Speaker 3: But I remember near the end, when Julian builds the

1033
00:55:49,360 --> 00:55:52,720
Speaker 3: high school on the sound stage, we had this scene

1034
00:55:52,760 --> 00:56:00,280
Speaker 3: in the hallway, and the scene just didn't feel great

1035
00:56:00,560 --> 00:56:03,920
Speaker 3: like it was. It was a very normal conversation between

1036
00:56:03,960 --> 00:56:08,200
Speaker 3: Brooke and Julian, and I remember saying to you know,

1037
00:56:08,239 --> 00:56:10,720
Speaker 3: the wonderful Greg Prange, like can I just have a second,

1038
00:56:10,960 --> 00:56:14,400
Speaker 3: Can I just talk for a second. And I just

1039
00:56:14,480 --> 00:56:19,480
Speaker 3: talked about our show and us in this place, and

1040
00:56:20,040 --> 00:56:22,480
Speaker 3: they put everything that I had lived in the episode

1041
00:56:23,000 --> 00:56:26,640
Speaker 3: and like that for me felt to answer Chris's question,

1042
00:56:26,840 --> 00:56:30,120
Speaker 3: like that's where I felt it. I was like in

1043
00:56:30,160 --> 00:56:33,319
Speaker 3: this moment, like I can't be Brooke Davis standing in

1044
00:56:33,320 --> 00:56:37,719
Speaker 3: front of Peyton's locker with nine years of history and

1045
00:56:37,760 --> 00:56:40,600
Speaker 3: like not say more, and they let me try one

1046
00:56:40,640 --> 00:56:43,960
Speaker 3: and then it made the episode and like that that

1047
00:56:44,120 --> 00:56:46,359
Speaker 3: was the moment where I was like, Okay, I got

1048
00:56:46,360 --> 00:56:49,279
Speaker 3: I got to sprinkle a little bit more for me

1049
00:56:49,600 --> 00:56:50,960
Speaker 3: and for our for our.

1050
00:56:50,840 --> 00:56:54,319
Speaker 6: Fans too, and it's also special, super cool and I

1051
00:56:54,360 --> 00:56:57,520
Speaker 6: and you used the word hope multiple times in that explanation,

1052
00:56:57,560 --> 00:56:59,000
Speaker 6: and that's what I was going to say is I

1053
00:56:59,040 --> 00:57:02,600
Speaker 6: didn't feel a sense of pressure or responsibility, I mean

1054
00:57:03,000 --> 00:57:05,600
Speaker 6: beyond the normal responsibility of you know, trying to play

1055
00:57:05,640 --> 00:57:07,040
Speaker 6: the characters as well as I could.

1056
00:57:07,200 --> 00:57:09,359
Speaker 5: I would say I had a sense of hope of

1057
00:57:09,480 --> 00:57:11,719
Speaker 5: just really crossing my fingers that we were going to

1058
00:57:11,800 --> 00:57:13,880
Speaker 5: land the plane and we were going to stick the landing.

1059
00:57:14,560 --> 00:57:17,200
Speaker 5: And I think by when we were shooting episode thirteen,

1060
00:57:17,360 --> 00:57:19,560
Speaker 5: especially like that the real kind of the wrap up

1061
00:57:19,600 --> 00:57:23,160
Speaker 5: of it feeling like Okay, this feels like we're in

1062
00:57:23,200 --> 00:57:27,720
Speaker 5: the right sandbox with giving that sort of like the respectful,

1063
00:57:27,760 --> 00:57:31,040
Speaker 5: happy ending to this world that we've created, and hopefully

1064
00:57:32,240 --> 00:57:33,439
Speaker 5: the fans feel the same way.

1065
00:57:33,960 --> 00:57:38,520
Speaker 2: Yeah, especially after the potential of a few seasons ending

1066
00:57:38,840 --> 00:57:41,440
Speaker 2: and being like this could be very well could be

1067
00:57:41,440 --> 00:57:44,680
Speaker 2: the last episode where everyone was, you know, convinced that

1068
00:57:44,800 --> 00:57:49,240
Speaker 2: maybe it was, and that it would come back, it

1069
00:57:49,280 --> 00:57:51,080
Speaker 2: would come back again, come back again.

1070
00:57:51,560 --> 00:57:56,280
Speaker 3: I also just remember, you know, it was a mix

1071
00:57:56,320 --> 00:57:58,800
Speaker 3: of emotions for all of us, right, like everyone was

1072
00:57:58,880 --> 00:58:01,720
Speaker 3: ready to be done, but also we didn't know what

1073
00:58:01,800 --> 00:58:03,800
Speaker 3: was coming next, and it's sad to think about leaving

1074
00:58:03,880 --> 00:58:07,800
Speaker 3: your friends and whatever hit me in our last episode.

1075
00:58:07,880 --> 00:58:10,120
Speaker 3: I mean I cried for two straight weeks every time

1076
00:58:10,160 --> 00:58:12,320
Speaker 3: I looked at any of you, every time I looked

1077
00:58:12,320 --> 00:58:15,840
Speaker 3: at like Maddie Doll on the camera, I just I

1078
00:58:15,920 --> 00:58:18,080
Speaker 3: just kept sobbing. And Tim was like, you have to

1079
00:58:18,120 --> 00:58:20,920
Speaker 3: stop crying. Your makeup hop and I'm like, god, I'm sorry,

1080
00:58:21,640 --> 00:58:23,640
Speaker 3: Like I don't know. It was so it was like

1081
00:58:23,680 --> 00:58:26,479
Speaker 3: a really special bit or sweet thing.

1082
00:58:27,480 --> 00:58:30,400
Speaker 2: It was important. It was a very important part of

1083
00:58:30,440 --> 00:58:32,919
Speaker 2: all our lives during that time. I mean, at least

1084
00:58:32,920 --> 00:58:36,640
Speaker 2: for me, it's something I look back and think about,

1085
00:58:36,720 --> 00:58:39,640
Speaker 2: you know, A good chunk of my twenties growing up

1086
00:58:39,680 --> 00:58:44,720
Speaker 2: with you guys out there, and you field so fortunate

1087
00:58:44,760 --> 00:58:48,720
Speaker 2: to not only the experience work wise, the experience just

1088
00:58:48,760 --> 00:58:51,400
Speaker 2: with the people you guys, and the times that we

1089
00:58:51,520 --> 00:58:55,880
Speaker 2: had offset together were always so fun, and those memories

1090
00:58:56,040 --> 00:58:59,600
Speaker 2: I cherished the dearly, dearly to have, especially you know,

1091
00:58:59,640 --> 00:59:02,680
Speaker 2: to get growing up in southern California, to find myself

1092
00:59:02,720 --> 00:59:05,360
Speaker 2: in a little town on the East coast, not just

1093
00:59:05,400 --> 00:59:07,320
Speaker 2: for four years of college or something like that, but

1094
00:59:08,520 --> 00:59:10,520
Speaker 2: you know, for for a good chunk of you know,

1095
00:59:11,080 --> 00:59:13,760
Speaker 2: of a decade and making something that we were all

1096
00:59:13,800 --> 00:59:17,000
Speaker 2: so happy to actually have the opportunity the dream job,

1097
00:59:17,080 --> 00:59:19,200
Speaker 2: a job that we always hope that we'd get. So

1098
00:59:19,880 --> 00:59:21,800
Speaker 2: cherish those moments, even though you know, I think, yeah,

1099
00:59:21,800 --> 00:59:23,120
Speaker 2: by the time we get to season nine, a lot

1100
00:59:23,160 --> 00:59:25,040
Speaker 2: of people were like, all right, we've been doing the

1101
00:59:25,080 --> 00:59:26,960
Speaker 2: show for a very long time. Maybe it's time to

1102
00:59:26,960 --> 00:59:30,520
Speaker 2: move on to something else. But you know, for me,

1103
00:59:30,600 --> 00:59:33,160
Speaker 2: it was like I popped in season six and then

1104
00:59:33,520 --> 00:59:36,680
Speaker 2: you know, getting to see nine, I was around a

1105
00:59:36,680 --> 00:59:39,840
Speaker 2: lot more. But I also felt even at that point, like,

1106
00:59:40,320 --> 00:59:42,480
Speaker 2: you know what, it's it feels like it's time. It's

1107
00:59:42,560 --> 00:59:46,080
Speaker 2: it's been a great run, and it does feel like

1108
00:59:46,080 --> 00:59:47,280
Speaker 2: it's time to put this down.

1109
00:59:47,560 --> 00:59:49,880
Speaker 5: To set it down, not put it down like an

1110
00:59:49,920 --> 00:59:50,600
Speaker 5: injured horse.

1111
00:59:50,640 --> 00:59:54,280
Speaker 2: Guys, just to be yes, yes, humanely, yes, frame it

1112
00:59:54,360 --> 00:59:56,640
Speaker 2: and put it on the show. There you go, yes, yes,

1113
00:59:56,720 --> 00:59:58,240
Speaker 2: jet Lee, gently set it down.

1114
00:59:59,520 --> 01:00:01,960
Speaker 5: Steven wanted to take one tree hill out behind the

1115
01:00:01,960 --> 01:00:02,760
Speaker 5: barn and.

1116
01:00:04,720 --> 01:00:07,560
Speaker 2: I didn't even realize put it down. What I was saying, Oh, man,

1117
01:00:08,440 --> 01:00:11,320
Speaker 2: send it to pasture. Well you want to spend a

1118
01:00:11,320 --> 01:00:13,360
Speaker 2: wheel with us, buddy, Okay, yes.

1119
01:00:13,480 --> 01:00:16,240
Speaker 3: Most likely too, Let's do this most.

1120
01:00:16,120 --> 01:00:18,040
Speaker 2: Oh my, oh my gosh, I've never seen this before.

1121
01:00:18,520 --> 01:00:20,760
Speaker 3: Watch it's going to be most likely to cry through

1122
01:00:20,760 --> 01:00:21,240
Speaker 3: the workday.

1123
01:00:21,280 --> 01:00:25,720
Speaker 2: I'm like me, most Stephen, you read it, most likely

1124
01:00:25,760 --> 01:00:28,160
Speaker 2: to binge watch an entire season of a show in

1125
01:00:28,280 --> 01:00:33,240
Speaker 2: one day. Rob Buckley easily three kids. Yes, well, because

1126
01:00:33,280 --> 01:00:35,480
Speaker 2: you you would have it just on in the background,

1127
01:00:35,480 --> 01:00:37,600
Speaker 2: Like you wouldn't sit there and watch a show all day,

1128
01:00:38,080 --> 01:00:40,680
Speaker 2: but you like to just have I remember this when

1129
01:00:40,680 --> 01:00:43,240
Speaker 2: we were roomors, you would have like VP would always

1130
01:00:43,240 --> 01:00:46,520
Speaker 2: be on the background, maybe New Girl, like a great comedy.

1131
01:00:46,680 --> 01:00:49,680
Speaker 2: It's just like sometimes the music you have in your house,

1132
01:00:49,920 --> 01:00:51,280
Speaker 2: or at least it was when we were living together,

1133
01:00:51,280 --> 01:00:53,280
Speaker 2: which I loved. So it's like any you know, you

1134
01:00:53,360 --> 01:00:55,840
Speaker 2: kind of pop interview from time to time, but I

1135
01:00:55,840 --> 01:00:58,280
Speaker 2: would I would put you on theirs ass. And maybe

1136
01:00:58,280 --> 01:01:00,560
Speaker 2: it's not the true, you know, sitting down and watching

1137
01:01:00,640 --> 01:01:03,360
Speaker 2: every minute, but yeah, you're like, if we had to

1138
01:01:03,400 --> 01:01:05,640
Speaker 2: go through the log of like all right, how many

1139
01:01:05,640 --> 01:01:08,680
Speaker 2: times has this season been watched by the three of us?

1140
01:01:08,680 --> 01:01:10,200
Speaker 2: Just just from the loop that you would have on

1141
01:01:10,200 --> 01:01:11,600
Speaker 2: a TV, It's like it's got to be.

1142
01:01:11,600 --> 01:01:15,320
Speaker 5: Rob Yeah, yes, especially how many years did we live together?

1143
01:01:15,720 --> 01:01:17,680
Speaker 5: I was trying to do this math because it started

1144
01:01:17,720 --> 01:01:20,040
Speaker 5: on one I poached you from James. You were living

1145
01:01:20,080 --> 01:01:22,120
Speaker 5: with James at the beach initially.

1146
01:01:21,920 --> 01:01:24,320
Speaker 2: Yes, and then in this final season, which I'm surprised

1147
01:01:24,320 --> 01:01:26,640
Speaker 2: we really talk about because like, man, the fun we

1148
01:01:26,720 --> 01:01:31,600
Speaker 2: had like being such nerds video gaming, like just like

1149
01:01:31,600 --> 01:01:34,320
Speaker 2: like with candy, like going out, like just having candy

1150
01:01:34,440 --> 01:01:38,040
Speaker 2: then like just like wandering the streets like we're like

1151
01:01:38,080 --> 01:01:39,960
Speaker 2: it's so funny, Like we would just go out like

1152
01:01:40,000 --> 01:01:41,960
Speaker 2: and I honestly would be like a sugar high half

1153
01:01:41,960 --> 01:01:44,320
Speaker 2: the time, and I like we were just kind of

1154
01:01:44,800 --> 01:01:47,080
Speaker 2: mosier out yeah, and be like you know what we

1155
01:01:47,200 --> 01:01:49,320
Speaker 2: need at at two in the morning, Like where is

1156
01:01:49,360 --> 01:01:51,280
Speaker 2: there a coffee? Joint that's open because we want to

1157
01:01:51,520 --> 01:01:53,400
Speaker 2: like play video games for another like two hours, Like

1158
01:01:53,720 --> 01:01:55,760
Speaker 2: let's go to a CVS. It's twenty four hour, get some,

1159
01:01:56,000 --> 01:01:58,760
Speaker 2: get some like uh, you know, espresso shots.

1160
01:01:58,800 --> 01:02:01,280
Speaker 3: You were getting like energy and choco, talking.

1161
01:02:02,760 --> 01:02:03,600
Speaker 2: Like muddy buddies.

1162
01:02:03,640 --> 01:02:07,000
Speaker 5: And then we remember our brief kick as being graffiti artists.

1163
01:02:07,520 --> 01:02:09,040
Speaker 2: Oh, I didn't know if you're to go like yeah,

1164
01:02:09,040 --> 01:02:12,160
Speaker 2: because that's kind of illegal and illegal, but we don't

1165
01:02:12,160 --> 01:02:13,160
Speaker 2: have to admit to anything.

1166
01:02:13,240 --> 01:02:15,960
Speaker 5: We just really liked street art for like four weeks yep.

1167
01:02:16,000 --> 01:02:16,200
Speaker 3: Yeah.

1168
01:02:16,240 --> 01:02:19,040
Speaker 2: And did we maybe target like construction sites that like

1169
01:02:19,080 --> 01:02:20,960
Speaker 2: stuff was gonna be painted over? Yes, we we we

1170
01:02:21,080 --> 01:02:24,080
Speaker 2: talked about that. We talked we talked.

1171
01:02:23,800 --> 01:02:26,080
Speaker 3: About the reponsible vandals.

1172
01:02:25,840 --> 01:02:28,720
Speaker 5: Yes, exactly.

1173
01:02:29,160 --> 01:02:32,600
Speaker 2: We also had a we we would have index cards.

1174
01:02:32,640 --> 01:02:35,200
Speaker 2: Of course, we were coming up with brilliant ideas, just

1175
01:02:35,520 --> 01:02:38,360
Speaker 2: the most profound ideas the word has the world has

1176
01:02:38,400 --> 01:02:41,480
Speaker 2: ever seen. And usually sometime they're just like a picture

1177
01:02:41,480 --> 01:02:43,480
Speaker 2: of like a cartoon character or there were an idea,

1178
01:02:43,760 --> 01:02:46,200
Speaker 2: we'd write it on an index card and we'd stick

1179
01:02:46,240 --> 01:02:49,080
Speaker 2: it to the wall. And we have this giant collage

1180
01:02:49,120 --> 01:02:52,080
Speaker 2: of like two hundred index cards on our apartment wall.

1181
01:02:52,200 --> 01:02:54,080
Speaker 2: With like some of the most stupid.

1182
01:02:53,760 --> 01:02:57,080
Speaker 5: Ideas, that's right, or just if someone said something funny,

1183
01:02:57,160 --> 01:02:59,080
Speaker 5: like a funny line, we would write it down. Oh

1184
01:02:59,200 --> 01:03:00,560
Speaker 5: my gosh, I remember that well.

1185
01:03:00,640 --> 01:03:04,320
Speaker 2: Oh yeah, Living Together season nine, what's a special season?

1186
01:03:04,560 --> 01:03:07,640
Speaker 2: It was all right, buddy, I love you. Thank you so.

1187
01:03:09,160 --> 01:03:11,960
Speaker 5: As well. To hang out with us, dude, it's always

1188
01:03:12,040 --> 01:03:12,760
Speaker 5: the most fun.

1189
01:03:13,720 --> 01:03:15,960
Speaker 2: I appreciate it. This is this is a treat, and

1190
01:03:16,520 --> 01:03:18,560
Speaker 2: you know, such fond memories, as I said, with you guys,

1191
01:03:18,640 --> 01:03:20,320
Speaker 2: and I just I look up to you guys so much,

1192
01:03:20,560 --> 01:03:23,680
Speaker 2: and I'm so grateful for the way you guys treated

1193
01:03:23,720 --> 01:03:25,800
Speaker 2: me on the show whenever we were out there from

1194
01:03:25,840 --> 01:03:29,080
Speaker 2: the beginning of course, so to as a roommate and

1195
01:03:29,760 --> 01:03:31,960
Speaker 2: a buddy out there rock like we we had so

1196
01:03:32,080 --> 01:03:34,800
Speaker 2: much fun. So I adore you guys, one hundred percent.

1197
01:03:35,000 --> 01:03:36,440
Speaker 2: Feelings mutual. Dure you.

1198
01:03:38,280 --> 01:03:40,880
Speaker 3: Next episode, guys, season nine, I can't believe it. I

1199
01:03:40,960 --> 01:03:43,240
Speaker 3: see that I'm going to get a emotion. Season nine,

1200
01:03:43,280 --> 01:03:44,800
Speaker 3: episode three, Love the.

1201
01:03:44,840 --> 01:03:49,160
Speaker 5: Way You Lie. Finally a song title that I actually know.

1202
01:03:50,720 --> 01:03:53,440
Speaker 2: It took us nine seasons, but we got there. Who's

1203
01:03:53,440 --> 01:03:54,200
Speaker 2: the Who's the artist?

1204
01:03:54,640 --> 01:04:00,640
Speaker 5: Rihanna Oh featuring Rate Born Right, So yeah, it's a

1205
01:04:00,680 --> 01:04:02,040
Speaker 5: good one, all.

1206
01:04:01,960 --> 01:04:06,160
Speaker 2: Right, everybody. Thanks for tuning in. Steven, thanks for joining us, said,

1207
01:04:06,240 --> 01:04:08,960
Speaker 2: thank you, guys, Hey, thanks for listening.

1208
01:04:09,120 --> 01:04:11,320
Speaker 3: Don't forget to leave us a review. You can also

1209
01:04:11,440 --> 01:04:14,600
Speaker 3: follow us on Instagram at Drama Queens O t H.

1210
01:04:15,080 --> 01:04:18,920
Speaker 2: Or email us at Drama Queens at iHeartRadio dot com.

1211
01:04:19,480 --> 01:04:20,479
Speaker 3: See you next time.

1212
01:04:21,720 --> 01:04:25,080
Speaker 1: We all about that high school drama Girl Drama Girl,

1213
01:04:25,200 --> 01:04:26,880
Speaker 1: all about them high school queens.

1214
01:04:27,680 --> 01:04:29,840
Speaker 3: We'll take you for a ride at our comic Girl

1215
01:04:30,640 --> 01:04:34,240
Speaker 3: Cheering for the right teams. Drama Queens, My girl up

1216
01:04:34,360 --> 01:04:35,960
Speaker 3: girl fashion, what's your tough girl?

1217
01:04:36,040 --> 01:04:38,720
Speaker 1: You could sit with us Girl Drama Queens, Drama, Quise,

1218
01:04:38,800 --> 01:04:42,080
Speaker 1: Drama Queens, Drama Drama Queens, Drama Queens