WEBVTT - Conversations About West Coast Hip Hop

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<v Speaker 1>Watch up and welcome back to another episode and No

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<v Speaker 1>Sinners podcast with your host not funk that with your

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<v Speaker 1>low glasses Malone. Question, why do you guys think it's

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<v Speaker 1>so difficult for l A artists to come up, like

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<v Speaker 1>really come up and blow up in the game, not

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<v Speaker 1>just the local street hood fame, like really take it

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<v Speaker 1>there and take it there, you know, um versus all

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<v Speaker 1>these Atlanta artists, Like look at Glow like that's somebody

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<v Speaker 1>who made a song and I'm talking about up there

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<v Speaker 1>now already you feel me and versus it's some females

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<v Speaker 1>that I didn't see him. Ben, I'm talking about grinding

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<v Speaker 1>for this ship out the city like you feel me.

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<v Speaker 1>And it's so many l A artists that I feel

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<v Speaker 1>like that's already up there mainstream like game snoop whoever

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<v Speaker 1>you feel me? I feel like they got enough their

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<v Speaker 1>their name is big enough and their pockets big enough

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<v Speaker 1>to help one of these artists out or some of

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<v Speaker 1>these artists out. They really get them there instead of

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<v Speaker 1>signing them and not doing ship well when you feel

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<v Speaker 1>me like mm hmm. So that that's like a that's

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<v Speaker 1>a multi faceted question because Glow has a song like this,

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<v Speaker 1>business is all built on one record, right, fun Nigga

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<v Speaker 1>Free is a fantastic record. So that's not a common

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<v Speaker 1>thing that you hear all the time. You don't hear

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<v Speaker 1>Nigga's was really good records all the time. Um, that's

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<v Speaker 1>her best record. And she got other stuff I like,

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<v Speaker 1>but that's her best record. Um. I mean Snoop. Snoop

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<v Speaker 1>gave us the east Side as he tried dogies Angels,

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<v Speaker 1>he tried badass. Um, he tried what's the kid from

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<v Speaker 1>North Long Beach job? You know, he took his shot

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<v Speaker 1>with about five or six different people. Some of it

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<v Speaker 1>worked out, some of it didn't. I mean that's the business,

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<v Speaker 1>Chuck is just Game is different. I don't think Game

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<v Speaker 1>really cared about being executive. You have to be into that, like,

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<v Speaker 1>um so real. I feel like the only one from

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<v Speaker 1>this like California ship that really didn't took some artists

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<v Speaker 1>and grew some artists. I really gotta say, it's e

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<v Speaker 1>forty like I'm talking about some current ship right now,

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<v Speaker 1>Like what's his name, Nesta Ferroll. It's funny is if

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<v Speaker 1>you go up to the bank pas like need is

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<v Speaker 1>more so know who they are versus if you but

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<v Speaker 1>if you go up to the Bay. People really don't

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<v Speaker 1>think forty did right by the artists, Like a lot

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<v Speaker 1>of young artists really shout out to my God. But

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<v Speaker 1>he took a lot of criticism for that. People feel

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<v Speaker 1>like him or short hasn't did as much for artists.

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<v Speaker 1>But the reality is being the executive is a talent

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<v Speaker 1>on its own, you know. I mean, you gotta have

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<v Speaker 1>a vision for it. Like remember Snoop didn't break Snoop,

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<v Speaker 1>that was Shoog Sjug broke Snoop Dre you know, um

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<v Speaker 1>dogpaan all that ship. So he had the vision um

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<v Speaker 1>another idea? Why this thing so local? Right? And y'all

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<v Speaker 1>know y'all have been covering West Coast hip hop for

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<v Speaker 1>a while. Mustard is one of the hottest producers of

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<v Speaker 1>hip hop, if not the hottest one. Like his ship

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<v Speaker 1>is going I know personally for sure. He tried to

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<v Speaker 1>sign three to four different people Draco, Rest in Peace,

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<v Speaker 1>Blue Bucks. Nobody will sign with him. But is it

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<v Speaker 1>was it? Is it because of the business person of

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<v Speaker 1>it or they just didn't want you know how it

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<v Speaker 1>is you hear some ship and you're like, I don't

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<v Speaker 1>want to do business, or is it just because they

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<v Speaker 1>didn't want that same sound. Because Mustard also whatever sound

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<v Speaker 1>like that, that's just sounds like winning, Like that's just

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<v Speaker 1>sound like the winner circle. For real, I'm saying, some

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<v Speaker 1>artists don't want to do that. Some artists don't want

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<v Speaker 1>the same ship. So then some artists want to win

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<v Speaker 1>the way they want to win. But that's the point.

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<v Speaker 1>So when you said why people are staying local, your

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<v Speaker 1>records have to go Nash, know, like there's records in

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<v Speaker 1>Atlanta that you that you don't hear about that our

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<v Speaker 1>Atlanta records. So just like we got a lot of

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<v Speaker 1>records that's l A records. They have Atlanta records, but

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<v Speaker 1>the records you hear that come here are the cream

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<v Speaker 1>of the crop, best records. So it's like Mustard being

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<v Speaker 1>like one of the best producers in the game, if

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<v Speaker 1>not the best one. Remember he gave Roddy his first

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<v Speaker 1>hit record, right ball, and he gave Tiger Racks. That's

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<v Speaker 1>tiger first hit record as a as a as a

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<v Speaker 1>lead artist outside of deuces um kid In't. He gave

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<v Speaker 1>kid inca smash. He gave Todd dollars on the smash.

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<v Speaker 1>Heat he passing out smashes, leafing right, um, so you

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<v Speaker 1>gotta ask jeesus and why would they not do the deal?

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<v Speaker 1>I have my belief my belief and with the Blue

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<v Speaker 1>Bucks is sometimes niggas get hot and feel like they

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<v Speaker 1>could do it theirselves. That just ain't it and it's

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<v Speaker 1>not real. This game is built off producers. Hip Hop

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<v Speaker 1>is built off production the producers Death Row works because

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<v Speaker 1>of the vision of Sugar, but the music of Dr

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<v Speaker 1>Dre Ruthless is the vision of Easy. The music of

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<v Speaker 1>Dr Dre No Limit is the vision of Master Pete,

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<v Speaker 1>and the music from Beats by the Pound Bad Boy

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<v Speaker 1>is the vision of Puff and the music from the

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<v Speaker 1>Hit Men Cash Money is the vision of Master p

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<v Speaker 1>and Slams Give Me Bird and Slam and the music

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<v Speaker 1>of Many Fresh. It's built off production. Motown was built

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<v Speaker 1>off production. Music is built off production. So you was

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<v Speaker 1>only as gamed as your producer is. So if they're

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<v Speaker 1>not into the art of records, it's a lot of

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<v Speaker 1>little niggas making beats, a lot of them. Man, it's

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<v Speaker 1>cheap to make beats now. You don't even have to

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<v Speaker 1>be into the art of it. You could just somebody

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<v Speaker 1>can still a laptop, you can get it and make beats.

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<v Speaker 1>But the niggas who are actually really making records on

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<v Speaker 1>top of records, they are into the art of making

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<v Speaker 1>records hit records. And with this, he was in the

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<v Speaker 1>lab every day all that, and that's all you wanted

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<v Speaker 1>to do, like that, you know what I'm saying. So

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<v Speaker 1>and that's why his ship sound the way do you know,

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<v Speaker 1>Like he got his own style style. But even him,

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<v Speaker 1>like for as good as he's doing, he needs help.

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<v Speaker 1>Like it's certain places where you know, these are all

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<v Speaker 1>substantially young guys. And as much as it seemed like

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<v Speaker 1>it was Dr Dre in the early days of Ruthless Member,

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<v Speaker 1>it's a lot of other guys there that you just

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<v Speaker 1>don't know about. You don't really know what Yellow was doing.

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<v Speaker 1>You don't really know what a Laddin was doing, or

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<v Speaker 1>a lot of the other guys was doing. They were

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<v Speaker 1>all contributing stuff and that made Dr Dre the producer

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<v Speaker 1>he is as well. Um, hip hop records come from

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<v Speaker 1>producers first. You know, fold Life is the same the

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<v Speaker 1>person who did fold Life of mactin right, that's Ice

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<v Speaker 1>Cue ice Q did his own ship and mctin fold Life,

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<v Speaker 1>Uh Backyard Boogie mactin other hit record. The same person

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<v Speaker 1>who did ll co J I Need Love did that song.

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<v Speaker 1>I never knew that you learned something new every days

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<v Speaker 1>with the load put me on. So somebody like Blue Bugs,

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<v Speaker 1>why Draco. Draco had his own movement what I'm saying,

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<v Speaker 1>but I think they both should have signed. I think

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<v Speaker 1>I told Blue Bucks. I told my nigger that funk

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<v Speaker 1>with them when I was talking to them and said,

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<v Speaker 1>Yell should signed him. Y'all should sign with him. You

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<v Speaker 1>like Roddy. Roddy did well, but Bawling, I mean Balling

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<v Speaker 1>was huge for it. That's how you can get the

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<v Speaker 1>box right now. The only record you're here from the

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<v Speaker 1>last project is Late at Night Muster. That's true. As

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<v Speaker 1>far as why it's harder now, it's less producers. Now.

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<v Speaker 1>Back when I was younger, before I was ever wrapping

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<v Speaker 1>and ship, you could go about six producers and get

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<v Speaker 1>a good record. You can go to battle Cat, you

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<v Speaker 1>can go to Dre, you can go to Quick, you

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<v Speaker 1>can go to Wound r g Um, you can go

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<v Speaker 1>to Slip, you can go to fred Wreck and get

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<v Speaker 1>some good ship. You can go to a few guys

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<v Speaker 1>and get dope records. Right now, you're just gonna go

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<v Speaker 1>to Mustard. I think a lot of the producers are

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<v Speaker 1>figuring it out. Shout out to ron Ryn, shout out

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<v Speaker 1>to Larry rest in peace. Uh official official Swaye is dope. Um,

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<v Speaker 1>there's some guys figuring it out. But that's a lot

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<v Speaker 1>of work to figure it out. I gotta love. They

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<v Speaker 1>won't been around when I first came into business. Day one,

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<v Speaker 1>you know, was we came in together. So it's tough

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<v Speaker 1>because you're only as great as your record. That's why

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<v Speaker 1>it's hard to get out of l A. Your records

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<v Speaker 1>have to take you out of l A. And then

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<v Speaker 1>it's crazier. Today I was talking to my partner and

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<v Speaker 1>was telling him, your brand has to be explosive. H

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<v Speaker 1>I mean, like now it's hard for music because it's

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<v Speaker 1>eight thousand and eighty thousand, so coming out every day,

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<v Speaker 1>being uploaded, right, So your brand has to like push

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<v Speaker 1>you into the atmosphere. Your brand like niggas who wearing dresses,

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<v Speaker 1>who pay their nails, those are the things we're gonna

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<v Speaker 1>talk about as a mask, that's their brand. Like Doug

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<v Speaker 1>for a long time. You know what I'm saying was

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<v Speaker 1>like acting gate, he knew we all thought was gay

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<v Speaker 1>and he knew we would say it was gay. Yeah yeah, Joe,

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<v Speaker 1>your brand takes you past the barrier and then your

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<v Speaker 1>music follows you. Um. I was having this conversation, right,

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<v Speaker 1>I'm a lot of people calling me for advice. Right,

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<v Speaker 1>people that's successful, people that's legends, called me for advice.

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<v Speaker 1>And I was saying, I was like, damn, I was

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<v Speaker 1>diagnosed in myself. Yes, said I'm like, okay, as in

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<v Speaker 1>exactly what would I say it's wrong with glasses? Malone's career.

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<v Speaker 1>Once I learned how to make records, it changed, right

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<v Speaker 1>that good became my first gold record. Um, but branding

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<v Speaker 1>is tough. It's not simple, like what does your brand represent?

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<v Speaker 1>Is the reason why when you go to In and

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<v Speaker 1>Out because and you know, they want to say West Coast,

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<v Speaker 1>so they got palm trees on all the locations, red

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<v Speaker 1>and yellow like McDonald's. They want to say clean. So

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<v Speaker 1>everything is white, everybody wearing white. It's a few things.

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<v Speaker 1>It's called In and Out because they had the first

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<v Speaker 1>drive through. That's the usp on it that's gonna making unique.

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<v Speaker 1>So it's it's tough, Like, um, can I say legendary

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<v Speaker 1>heritage acts like Cat Dre and them could do more. Yeah,

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<v Speaker 1>but they don't give a fuck. It's not they don't

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<v Speaker 1>it's not they don't want to. They don't even know

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<v Speaker 1>what to do. Like when I talk to Dre and

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<v Speaker 1>cat now, they don't know what to do. The belief

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<v Speaker 1>is that these niggas know like Snoop, Snoop really to

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<v Speaker 1>his mind, he trying his best. But we look at

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<v Speaker 1>them and to us it seems like it's so because

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<v Speaker 1>I was that artist. I remember when he was coming up.

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<v Speaker 1>I felt like that. But what I realized is you

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<v Speaker 1>have to go to them with ideas and you have

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<v Speaker 1>to know the right questions to ask, and sometimes they're

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<v Speaker 1>still not gonna do business with you. It just don't

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<v Speaker 1>make sense for them. Um. I think some artists are

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<v Speaker 1>doing well. I like what Catlin is doing personally. If

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<v Speaker 1>I was diagnosing it, I would force him like I

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<v Speaker 1>would force him to figure out and develop his sound

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<v Speaker 1>more so it's more unique completely. Um yeah, but that's

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<v Speaker 1>the point. Like rock Nation first off. Another thing, I

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<v Speaker 1>would never tell the West Coast artist to ever sign

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<v Speaker 1>to anybody that's not from the West Coast because you

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<v Speaker 1>miss a natural when your record company is based in

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<v Speaker 1>l A and they go out and they hear your music,

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<v Speaker 1>Extra budgets get added, more excitement is in the building.

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<v Speaker 1>It's a reason why the biggest acts came through in

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<v Speaker 1>the scope. It's a biggest it's a huge red Then

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<v Speaker 1>why the greatest acts came through in the scope to

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<v Speaker 1>me priority all West Coast based record labels and distribution.

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<v Speaker 1>It's a reason why Deaf Jam fumbled Warren g ship.

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<v Speaker 1>They had a great record member hold up. First off,

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<v Speaker 1>no sellings, g L. What's happening? The deal e g.

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<v Speaker 1>Blue black once again for Warren g Right. So when

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<v Speaker 1>they put out Regulate that came out on the soundtrack,

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<v Speaker 1>most people forgot that. So that death row working in

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<v Speaker 1>the soundtrack. They work Regulator blows up, smash deaf Jam,

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<v Speaker 1>get every record from Warren and fuck it up. Mm

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<v Speaker 1>hmm why g why should be five times as big

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<v Speaker 1>as he is? My Crazy Life is like one of

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<v Speaker 1>the best projects in the last twelve years. Man, they

0:12:54.120 --> 0:12:57.560
<v Speaker 1>funked it up. It's not on purpose, it's just a

0:12:57.640 --> 0:13:00.080
<v Speaker 1>cultural breakdown. When you're from the West that things we

0:13:00.120 --> 0:13:03.040
<v Speaker 1>appreciate and we really hold in revere to them. They

0:13:03.120 --> 0:13:05.280
<v Speaker 1>was like we just got somebody in the West Coast

0:13:05.280 --> 0:13:07.680
<v Speaker 1>market to end the scope. He would have been the

0:13:07.720 --> 0:13:12.040
<v Speaker 1>pride and joy of the building, like the Gang dr Dre,

0:13:12.440 --> 0:13:19.559
<v Speaker 1>like death Roy. So I think it's easy to blame

0:13:20.160 --> 0:13:23.559
<v Speaker 1>legendary acts and say, oh man, you know Snoop could

0:13:23.600 --> 0:13:25.120
<v Speaker 1>do more? What the fund is he gonna do? He

0:13:25.160 --> 0:13:29.440
<v Speaker 1>can't make a beat, We're gonna ask somebody for a beat.

0:13:30.080 --> 0:13:31.280
<v Speaker 1>I mean, he could make a beat, but you don't

0:13:31.280 --> 0:13:36.320
<v Speaker 1>want to wrap on Snoop beats like that because jam,

0:13:36.360 --> 0:13:40.680
<v Speaker 1>I'm just she said, you guys need to participate more.

0:13:42.240 --> 0:13:48.160
<v Speaker 1>But I'm schooled, so they because so it's all good. Um,

0:13:48.160 --> 0:13:51.400
<v Speaker 1>that's the point. Though you feel me like it's rough,

0:13:51.480 --> 0:13:54.480
<v Speaker 1>like because what what? What could really Snoop do more of?

0:13:55.200 --> 0:13:57.640
<v Speaker 1>I mean he trying. I mean I see him. He's

0:13:57.640 --> 0:13:59.880
<v Speaker 1>got his hand in in a couple of like a

0:14:00.040 --> 0:14:04.200
<v Speaker 1>lot of things he's been, but it's you know, I

0:14:04.200 --> 0:14:09.960
<v Speaker 1>mean it's more like he's doing stuff for you know, election, Yeah, production,

0:14:10.040 --> 0:14:11.959
<v Speaker 1>like TV, And she's like, that's not in anything. I

0:14:11.960 --> 0:14:14.680
<v Speaker 1>don't see him doing anything for artists. I could be wrong.

0:14:14.720 --> 0:14:16.480
<v Speaker 1>I don't know. He just did as death roll, so

0:14:16.520 --> 0:14:19.520
<v Speaker 1>I don't know if he's just did he drop did

0:14:19.520 --> 0:14:23.240
<v Speaker 1>he He didn't drop anything? Though right already sign what's

0:14:23.240 --> 0:14:26.480
<v Speaker 1>his name? I think he got I think he's trying

0:14:26.520 --> 0:14:28.640
<v Speaker 1>to endorse Snoopy to say, I think he's trying to

0:14:28.720 --> 0:14:30.840
<v Speaker 1>endorse Snoopy to some degree. I just don't know to

0:14:31.000 --> 0:14:36.240
<v Speaker 1>what marketing wise he's gonna do. So he got somebody,

0:14:36.600 --> 0:14:40.479
<v Speaker 1>so he's signed somebody else too. Yeah, but it's it's

0:14:39.960 --> 0:14:42.360
<v Speaker 1>it's shout out to picket a litter that that's a

0:14:42.400 --> 0:14:48.560
<v Speaker 1>really good series by Snoopy. Um So even though Snoop right,

0:14:48.600 --> 0:14:51.440
<v Speaker 1>so the belief is if Snoop stamp you, it's over.

0:14:51.760 --> 0:14:55.360
<v Speaker 1>That's just not true. That's why job. But it didn't happen.

0:14:57.400 --> 0:15:00.960
<v Speaker 1>Huh Macluci, Yeah, he got Macluci. Now that didn't work out.

0:15:02.600 --> 0:15:06.400
<v Speaker 1>Um So it's multiple things, that's what's wrong with it.

0:15:07.000 --> 0:15:09.680
<v Speaker 1>Um we're a lot of the artists are stuck here

0:15:09.680 --> 0:15:12.960
<v Speaker 1>because they're not making records bigger than here. And then

0:15:13.040 --> 0:15:14.600
<v Speaker 1>the first thing they do is when they think to

0:15:14.640 --> 0:15:16.640
<v Speaker 1>make a record bigger than here, they go make a

0:15:16.640 --> 0:15:19.120
<v Speaker 1>trap record. But don't nobody want to hear trap music

0:15:19.120 --> 0:15:21.320
<v Speaker 1>from l a nigger. I'd rather listen to Alanna. Trap

0:15:21.400 --> 0:15:23.680
<v Speaker 1>music like going to a white person. That makes soul

0:15:23.720 --> 0:15:29.160
<v Speaker 1>fool or nigga trying to make authentic Mexican food. I'm like, bro,

0:15:29.440 --> 0:15:32.200
<v Speaker 1>where is the soul twist that like fried my shells? Brother,

0:15:32.200 --> 0:15:36.040
<v Speaker 1>don't come out here and try to topose a not

0:15:36.120 --> 0:15:42.840
<v Speaker 1>gonna be then I sent my Mexican food is good

0:15:43.600 --> 0:15:45.640
<v Speaker 1>because you like your masking fool, but it's not really

0:15:45.680 --> 0:15:50.280
<v Speaker 1>good compared to masking food. Why y'all got to try

0:15:50.320 --> 0:15:52.680
<v Speaker 1>to impede on everybody's ship though. But I'm just saying

0:15:52.760 --> 0:15:54.880
<v Speaker 1>she might make some authentic ship. You don't know have

0:15:55.040 --> 0:16:03.000
<v Speaker 1>you had. She might have something that you don't like you.

0:16:03.120 --> 0:16:08.160
<v Speaker 1>It's like you with your little study days about That's

0:16:08.200 --> 0:16:14.680
<v Speaker 1>how I'm not you know? That was sure giving a

0:16:14.840 --> 0:16:25.360
<v Speaker 1>thing again, that's leave it. I did that. It was

0:16:25.440 --> 0:16:27.960
<v Speaker 1>like I beat that day. I know you didn't. I

0:16:27.960 --> 0:16:34.800
<v Speaker 1>don't know what the job she liked it. Part of

0:16:34.840 --> 0:16:37.200
<v Speaker 1>that is actually it's a field job, so you have

0:16:37.320 --> 0:16:47.160
<v Speaker 1>to feel you touching that the thing, right, hold hold on,

0:16:47.240 --> 0:16:53.000
<v Speaker 1>let me just catch everybody else. So Britt attempted to

0:16:53.000 --> 0:16:57.760
<v Speaker 1>be a lesbian for a slide of my time? Is

0:16:57.760 --> 0:17:00.320
<v Speaker 1>that how you would saying politically? I don't know, I

0:17:00.360 --> 0:17:03.040
<v Speaker 1>don't know what you want to say. I had that curious.

0:17:03.840 --> 0:17:07.600
<v Speaker 1>She knocked up on it twice, right, and then somebody,

0:17:07.800 --> 0:17:11.399
<v Speaker 1>the girl she was dating, said that she wanted Britt

0:17:11.400 --> 0:17:15.240
<v Speaker 1>to you. So Britt got behind that thing and that's

0:17:15.280 --> 0:17:20.560
<v Speaker 1>what we had. Now. So the thing it was empowering,

0:17:20.680 --> 0:17:23.880
<v Speaker 1>wasn't it. It has like well, the thing she had

0:17:23.920 --> 0:17:26.520
<v Speaker 1>it it kind of like sucked on my click. So

0:17:26.680 --> 0:17:30.000
<v Speaker 1>it was stimulate you too. So it was like we

0:17:30.119 --> 0:17:32.280
<v Speaker 1>both were stimulated. Did you hope? Okay? So did you?

0:17:32.760 --> 0:17:36.280
<v Speaker 1>I mean yeah, you had to hold it at was like, oh,

0:17:36.920 --> 0:17:41.960
<v Speaker 1>I was like, yeah, y'all, y'all got some power. Hey,

0:17:42.040 --> 0:17:45.080
<v Speaker 1>real ship? That that ship made me feel weird. I'm

0:17:45.520 --> 0:17:47.720
<v Speaker 1>no one woman should have all this power, right, No,

0:17:48.800 --> 0:17:51.320
<v Speaker 1>that ship was weird. Behind that thing spread me you

0:17:51.359 --> 0:18:01.679
<v Speaker 1>ever did strictly tongue but to feel what is your

0:18:01.760 --> 0:18:03.679
<v Speaker 1>lady at one time when you're dating, asked you to

0:18:03.720 --> 0:18:06.480
<v Speaker 1>do that. I wasn't down for. But what if she

0:18:06.480 --> 0:18:11.480
<v Speaker 1>would have said, please just just make my day? I

0:18:11.560 --> 0:18:15.280
<v Speaker 1>wouldn't I know you to be curious, wouldn't like That's

0:18:15.320 --> 0:18:17.200
<v Speaker 1>why I did it? Because I was curious. I was like,

0:18:17.600 --> 0:18:21.879
<v Speaker 1>what you did? Tell me? It was like it was weird.

0:18:22.119 --> 0:18:24.560
<v Speaker 1>It was weird because you know why it's make a

0:18:24.560 --> 0:18:33.560
<v Speaker 1>booty cheese tighten. You don't know what she's doing, like, oh,

0:18:33.720 --> 0:18:39.600
<v Speaker 1>she's gonna kill me. Didn't making new to me. Trust me,

0:18:39.640 --> 0:18:41.199
<v Speaker 1>she was embarrassed as she was. She was back there,

0:18:41.200 --> 0:18:44.800
<v Speaker 1>she like, have no idea. She didn't tell me. I've

0:18:44.800 --> 0:18:49.639
<v Speaker 1>been not telling nobody. Yeah, you ain't told nobody, But

0:18:50.080 --> 0:18:53.680
<v Speaker 1>you ain't told nobody but the twenty five People podcast.

0:18:54.160 --> 0:18:57.399
<v Speaker 1>Nobody I told you. Okay, he is behind that thing,

0:18:57.960 --> 0:19:00.600
<v Speaker 1>but no, So that's that's what it is me. I think,

0:19:00.720 --> 0:19:03.400
<v Speaker 1>um and and I know you know this because you

0:19:03.400 --> 0:19:05.840
<v Speaker 1>you at the time was dealing with dass and different

0:19:05.840 --> 0:19:08.680
<v Speaker 1>homies and ship so you know how it is. But

0:19:08.760 --> 0:19:10.960
<v Speaker 1>the belief is that they could do more than they do,

0:19:11.359 --> 0:19:14.760
<v Speaker 1>and the reality is they actually did more than they

0:19:14.760 --> 0:19:18.280
<v Speaker 1>can do. See, sometimes we look at these people like

0:19:18.320 --> 0:19:22.360
<v Speaker 1>they're the reason they're successful, even like dash DA's my look,

0:19:22.480 --> 0:19:27.200
<v Speaker 1>sholot nigger Dad's ain't fucking put out dads Dealinger. I mean,

0:19:27.280 --> 0:19:30.280
<v Speaker 1>you know what you know that somebody told me. I'nna real,

0:19:30.359 --> 0:19:32.240
<v Speaker 1>they say, I mean, I don't feel like it's just expectful.

0:19:32.240 --> 0:19:33.879
<v Speaker 1>It was just something somebody was saying. They was like

0:19:34.000 --> 0:19:37.520
<v Speaker 1>snoop still is working ship you feel me. He's still

0:19:37.520 --> 0:19:41.800
<v Speaker 1>getting booked for ship, commercials, liquors, all common ship like that.

0:19:41.920 --> 0:19:45.399
<v Speaker 1>So he's still working a job. He's like, not the

0:19:45.520 --> 0:19:47.800
<v Speaker 1>business side of it, he's still getting hired for ship.

0:19:47.880 --> 0:19:50.480
<v Speaker 1>You feel me. So, I mean, I don't know, but

0:19:50.640 --> 0:19:52.359
<v Speaker 1>I looked at it in my mind because I was

0:19:52.440 --> 0:19:54.080
<v Speaker 1>somebody at one point of time and I was dealing

0:19:54.160 --> 0:19:57.200
<v Speaker 1>with you feel me. So I love Snoop to death

0:19:58.600 --> 0:20:00.399
<v Speaker 1>did more. But I definitely do feel he could have

0:20:00.480 --> 0:20:03.400
<v Speaker 1>did more because in my mental always that's a mega

0:20:03.440 --> 0:20:06.000
<v Speaker 1>superstar who turned down the sloop call, so we needed

0:20:06.000 --> 0:20:09.000
<v Speaker 1>to be a studio session, whatever it was. You definitely

0:20:09.040 --> 0:20:11.440
<v Speaker 1>could have made that happen. But my I don't want

0:20:11.440 --> 0:20:13.960
<v Speaker 1>to expose my no, no, and that's not what we're doing.

0:20:14.000 --> 0:20:15.840
<v Speaker 1>I'm gonna stop you right there, but I'm gonna say

0:20:15.840 --> 0:20:19.000
<v Speaker 1>this to you that nigga ain't had to call nobody

0:20:19.040 --> 0:20:22.440
<v Speaker 1>to do ship if they're already it's fucking Snoop. It

0:20:22.600 --> 0:20:25.720
<v Speaker 1>was literally you put up you feel me and so

0:20:25.720 --> 0:20:27.720
<v Speaker 1>so so when you so when we look at somebody

0:20:27.720 --> 0:20:29.639
<v Speaker 1>like Dog, we all went through the same thing. We

0:20:30.000 --> 0:20:33.320
<v Speaker 1>Dog is Mickey Mouse. Because let's beyond this Nigga's Mickey Mouse.

0:20:33.359 --> 0:20:37.040
<v Speaker 1>This nigga literally is probably the top five famous motherfuckers

0:20:37.040 --> 0:20:39.600
<v Speaker 1>in the world. It's only like Jesus and Mickey Mouse

0:20:39.680 --> 0:20:43.520
<v Speaker 1>is more famous than Cause no if you really think

0:20:43.560 --> 0:20:47.560
<v Speaker 1>about Snoop, Cause this motherfucker Cause is huge. And sometimes

0:20:47.560 --> 0:20:49.320
<v Speaker 1>we forget because he a crip and he from around

0:20:49.320 --> 0:20:52.720
<v Speaker 1>the way. But this nigga ain't like nothing we ever seen.

0:20:53.440 --> 0:20:55.560
<v Speaker 1>But the problem is when you be a mega superstar,

0:20:55.880 --> 0:20:59.000
<v Speaker 1>you he ain't really had to do nothing but keep trying.

0:21:00.440 --> 0:21:04.960
<v Speaker 1>Snoop is really somebody. I think I wouldn't even consider

0:21:05.040 --> 0:21:07.960
<v Speaker 1>him super savvy in the record business. Now he could

0:21:07.960 --> 0:21:10.560
<v Speaker 1>cuts me off of this. But that nigga is blessed

0:21:10.560 --> 0:21:12.919
<v Speaker 1>with this sense of wisdom. Comes like a nigger that's

0:21:12.920 --> 0:21:15.480
<v Speaker 1>a hundred and seventy. I think it's like one of

0:21:15.480 --> 0:21:18.680
<v Speaker 1>the wisest niggas. I know how to talk how it's

0:21:18.760 --> 0:21:22.160
<v Speaker 1>all wisdom and it's all discernment. He's blessed by God,

0:21:22.960 --> 0:21:26.840
<v Speaker 1>that nigga is. I had this big debate with the

0:21:26.880 --> 0:21:29.840
<v Speaker 1>honey we're talking about the whole tupact Snooper. He was

0:21:29.880 --> 0:21:32.280
<v Speaker 1>telling me Tupac with Snoop, and it was jealous a

0:21:32.320 --> 0:21:34.480
<v Speaker 1>Tupocket and I hear that at Loss their times, Snoop

0:21:34.520 --> 0:21:37.239
<v Speaker 1>was jealous man that nigga was signed the Death Row

0:21:37.320 --> 0:21:40.080
<v Speaker 1>seven months he had put out a record. They've been

0:21:40.080 --> 0:21:43.000
<v Speaker 1>out seven months, the first thing who had Snoop on

0:21:43.119 --> 0:21:46.280
<v Speaker 1>the motherfucker. They did a concert in July, two months

0:21:46.320 --> 0:21:48.760
<v Speaker 1>for the Nigga Die. He was open enough for Snoop.

0:21:48.760 --> 0:21:52.840
<v Speaker 1>When what time B two be jealous? Snoop is the

0:21:52.880 --> 0:21:56.359
<v Speaker 1>pinnacle of the game. He is the pinnacle. But the

0:21:56.440 --> 0:22:00.040
<v Speaker 1>problem is he didn't have to. All Snoop had to

0:22:00.080 --> 0:22:03.720
<v Speaker 1>do was keep his nose clean and persevere. He was

0:22:03.800 --> 0:22:08.320
<v Speaker 1>set in the right direction God Shugg and Dr fucking Dre.

0:22:09.440 --> 0:22:11.600
<v Speaker 1>All he had to do was don't fucking up. And

0:22:11.640 --> 0:22:14.879
<v Speaker 1>that's the thing he has. His wisdom is years and

0:22:14.960 --> 0:22:19.120
<v Speaker 1>years beyond most motherfucker's that I ever talked to. His smoothness,

0:22:19.200 --> 0:22:21.639
<v Speaker 1>you know what I mean, the way operators really really

0:22:22.119 --> 0:22:23.760
<v Speaker 1>like a nigger that has been on the earth more

0:22:23.800 --> 0:22:27.720
<v Speaker 1>than once. But it's different when you actually gotta break

0:22:27.880 --> 0:22:33.200
<v Speaker 1>somebody that ain't now that ain't that's different. You better

0:22:33.240 --> 0:22:35.560
<v Speaker 1>know what the fuck you gotta remember. Death Row was

0:22:35.760 --> 0:22:41.040
<v Speaker 1>Sugar Knike's third project label. He had multiple labels before

0:22:41.200 --> 0:22:46.240
<v Speaker 1>that label. He got it right the third time. Niggas

0:22:46.280 --> 0:22:50.800
<v Speaker 1>don't so Snoop, it's differ. It's well, it's not that

0:22:50.840 --> 0:22:54.200
<v Speaker 1>he's been Snoop Dogg like. It's it's like he did

0:22:54.200 --> 0:22:55.960
<v Speaker 1>his deal with East Sides right, that was at tv T,

0:22:56.119 --> 0:22:59.680
<v Speaker 1>so t v T did the marketing. Snoop just had

0:22:59.720 --> 0:23:02.439
<v Speaker 1>to be Snoop and do what he do with fire right.

0:23:02.600 --> 0:23:04.560
<v Speaker 1>He had to do this ship with the records, you

0:23:04.560 --> 0:23:05.960
<v Speaker 1>know what I'm saying that and put his twists. But

0:23:06.040 --> 0:23:09.080
<v Speaker 1>Cat was there at that time. Battle Cat was right there,

0:23:09.960 --> 0:23:12.320
<v Speaker 1>so all trade d and Goldie had dudes beat himselfs

0:23:12.320 --> 0:23:14.280
<v Speaker 1>Snoop came in there what he did, and Cat handled

0:23:14.320 --> 0:23:18.160
<v Speaker 1>the rest and tv T market at the motherfucker's So

0:23:18.320 --> 0:23:21.040
<v Speaker 1>that's easy. Snoop has been trying to do it the

0:23:21.080 --> 0:23:23.639
<v Speaker 1>same way the whole time, with you or with anybody else.

0:23:23.800 --> 0:23:26.320
<v Speaker 1>It's just there is not a battle Cat right now.

0:23:26.960 --> 0:23:29.280
<v Speaker 1>There's no Battle Cat right there. I mean, no disrespect

0:23:29.280 --> 0:23:30.880
<v Speaker 1>to Big Bro like Cat is a lot, but I'm

0:23:30.880 --> 0:23:34.919
<v Speaker 1>saying Cat in ninety nine is different. Cat probably be now,

0:23:34.960 --> 0:23:36.639
<v Speaker 1>but you can't even get him to do ten beats.

0:23:37.480 --> 0:23:40.840
<v Speaker 1>It's pulling teeth and ship. What then is you doing?

0:23:42.080 --> 0:23:45.560
<v Speaker 1>But there's no tv T to market it? Right, there

0:23:45.600 --> 0:23:47.520
<v Speaker 1>snoop just put out records. He just dropped records like

0:23:47.520 --> 0:23:52.639
<v Speaker 1>his Thursday the Empire. Empire don't market records. So the

0:23:52.680 --> 0:23:57.360
<v Speaker 1>business part of this ship is unique. It's not it's

0:23:57.400 --> 0:23:59.560
<v Speaker 1>not as tongue in cheek as it look. It's not

0:23:59.640 --> 0:24:02.480
<v Speaker 1>like a niggas he said, like ice cube. Ice Cube

0:24:02.480 --> 0:24:05.240
<v Speaker 1>can break anybody. It worked with battle Cat, but it

0:24:05.280 --> 0:24:07.480
<v Speaker 1>didn't work with Short Chop and Short Chop excuse me,

0:24:07.520 --> 0:24:09.000
<v Speaker 1>at work with mac Tin, but it didn't work with

0:24:09.040 --> 0:24:11.760
<v Speaker 1>Short Chop. It didn't work as well with Caution. It

0:24:11.760 --> 0:24:14.320
<v Speaker 1>didn't work as well with Yo Yo, but it worked

0:24:14.359 --> 0:24:20.000
<v Speaker 1>with the West Side Connection. Huh, Short Chop, super dope nigga.

0:24:20.000 --> 0:24:22.120
<v Speaker 1>When I was young and this nigga was so hard

0:24:22.119 --> 0:24:24.720
<v Speaker 1>for me. What this nigga was hard as a motherfucker.

0:24:25.359 --> 0:24:30.560
<v Speaker 1>But it's different to make the cam he had cam. Yeah, yeah,

0:24:32.080 --> 0:24:35.320
<v Speaker 1>it's not easy. It's it seems easier and it's easy

0:24:35.359 --> 0:24:38.679
<v Speaker 1>to say all this person could have did this. What

0:24:38.800 --> 0:24:40.960
<v Speaker 1>I always tell niggas, I helped the l A. Johns

0:24:41.040 --> 0:24:42.879
<v Speaker 1>right now, they're not signed to me. I helped to

0:24:43.000 --> 0:24:45.720
<v Speaker 1>market this ship. And I market for him. She said,

0:24:45.720 --> 0:24:47.680
<v Speaker 1>man glasses, if we were to do a deal with Snoop,

0:24:48.200 --> 0:24:50.080
<v Speaker 1>you know, with the work, I said, it would work

0:24:50.119 --> 0:24:52.000
<v Speaker 1>if I wrote a list of things that you need.

0:24:52.080 --> 0:24:53.520
<v Speaker 1>And if I wrote a list of things you need,

0:24:53.560 --> 0:24:59.320
<v Speaker 1>this nigga probably ain't gonna do the deal because because

0:24:59.640 --> 0:25:02.399
<v Speaker 1>I know exactly what has to happen, because I have

0:25:03.160 --> 0:25:05.399
<v Speaker 1>been working my own ship for so long that I

0:25:05.440 --> 0:25:07.760
<v Speaker 1>study what needs to happen to the study success. I

0:25:07.760 --> 0:25:14.720
<v Speaker 1>had enough conversations. So it's tough. Atlanta got the good

0:25:14.720 --> 0:25:19.080
<v Speaker 1>producers about full five of the motherfucker's for five of

0:25:19.119 --> 0:25:22.080
<v Speaker 1>the motherfucker's they all making joints what I'm saying, So,

0:25:23.040 --> 0:25:24.600
<v Speaker 1>do you think it has something to do it? Like radio?

0:25:24.680 --> 0:25:27.320
<v Speaker 1>Though too, not at all, Like no, not not at all.

0:25:27.640 --> 0:25:29.639
<v Speaker 1>Radio need to play new music. You just gotta have

0:25:29.680 --> 0:25:34.320
<v Speaker 1>good records. Never forget that. I think it's crazy because

0:25:34.320 --> 0:25:36.320
<v Speaker 1>I'm gonna say a little bit right now, you feel me.

0:25:36.720 --> 0:25:40.040
<v Speaker 1>I think it's a little bit easier to kind of

0:25:40.080 --> 0:25:42.800
<v Speaker 1>like pave you away and make your name like as

0:25:42.800 --> 0:25:46.920
<v Speaker 1>far as we got no jumper right now, they's another thing.

0:25:47.000 --> 0:25:50.520
<v Speaker 1>Feel me. Gene on there they're giving TI like charisma

0:25:50.720 --> 0:25:53.240
<v Speaker 1>she shall love you feel me? I don't. I'm I'm

0:25:53.240 --> 0:25:55.800
<v Speaker 1>gonna just say on my end like she she hella

0:25:55.840 --> 0:26:00.480
<v Speaker 1>should Yeah, but I think it's a tiny bit easier.

0:26:00.520 --> 0:26:02.760
<v Speaker 1>But I feel like as if it's going like now

0:26:02.800 --> 0:26:04.800
<v Speaker 1>I want to deal you feel me? That's where you

0:26:04.800 --> 0:26:07.240
<v Speaker 1>get a little but I mean you can make your

0:26:07.320 --> 0:26:09.040
<v Speaker 1>name though. I definitely feel like you could make your

0:26:09.080 --> 0:26:11.320
<v Speaker 1>name and Nigga is gonna let it be known. Who

0:26:11.520 --> 0:26:13.199
<v Speaker 1>what do you feel it was the hardest part for you?

0:26:13.240 --> 0:26:14.679
<v Speaker 1>Where do you feel you ran into? You? Was like

0:26:14.760 --> 0:26:16.919
<v Speaker 1>this ship right here is my block, my barrier to

0:26:16.960 --> 0:26:22.600
<v Speaker 1>take the next step. Um, I'm gonna be real. I

0:26:22.640 --> 0:26:25.800
<v Speaker 1>feel like I didn't know the game at all, Like

0:26:26.000 --> 0:26:29.640
<v Speaker 1>this is literally like I'm a woman, a jet I mean,

0:26:29.720 --> 0:26:33.200
<v Speaker 1>what the jel all trades? You feel me? Anything I do,

0:26:33.280 --> 0:26:36.359
<v Speaker 1>I could fucking master it. I literally picked up a

0:26:36.400 --> 0:26:39.760
<v Speaker 1>pencil one day and the person I was dealing with

0:26:39.760 --> 0:26:41.480
<v Speaker 1>at the time r I P speed do you feel me?

0:26:41.480 --> 0:26:43.760
<v Speaker 1>Got a shout out? But the person I was dealing

0:26:43.760 --> 0:26:46.800
<v Speaker 1>with at the time, he was a rapper, and he like,

0:26:46.960 --> 0:26:49.440
<v Speaker 1>let's hop on his beat, and I'm like, I don't

0:26:49.440 --> 0:26:51.919
<v Speaker 1>want to rap. He like, but your voice like and

0:26:51.960 --> 0:26:53.879
<v Speaker 1>you just be saying, sh just talking to you. You

0:26:53.920 --> 0:26:55.919
<v Speaker 1>feel me, try to put that ship in the musical

0:26:55.960 --> 0:26:58.320
<v Speaker 1>for him? You feel me. I turned around. He ended

0:26:58.400 --> 0:27:00.840
<v Speaker 1>up getting killed. In the midst of that, I'm like, man,

0:27:00.880 --> 0:27:02.800
<v Speaker 1>I'm gonna still do this whole song by myself that

0:27:02.880 --> 0:27:06.080
<v Speaker 1>d J muster vato. Bet I killed it. Like I

0:27:06.200 --> 0:27:08.600
<v Speaker 1>just did it. But I didn't know nothing about music,

0:27:08.680 --> 0:27:10.719
<v Speaker 1>Like I wasn't the kid with microphone. Let me do

0:27:10.760 --> 0:27:12.800
<v Speaker 1>this and do that. I've always been more of a

0:27:12.840 --> 0:27:16.760
<v Speaker 1>personality type of person, you know. But I literally picked

0:27:16.760 --> 0:27:18.360
<v Speaker 1>that ship up and this is how fast it went.

0:27:18.880 --> 0:27:21.520
<v Speaker 1>Dropped the song on a Saturday. Sunday, I got hit

0:27:21.600 --> 0:27:24.919
<v Speaker 1>up to come to a radio interview for Monday. I

0:27:25.000 --> 0:27:26.800
<v Speaker 1>was there at the radio interview, Hey could you come

0:27:26.840 --> 0:27:30.280
<v Speaker 1>do this show tomorrow and talk on Tuesday. I'm like, hell, yeah,

0:27:30.359 --> 0:27:32.800
<v Speaker 1>fuck it, I'm there. You feel me? Literally, it just

0:27:32.840 --> 0:27:35.000
<v Speaker 1>went like that. From the freestyle video to being in

0:27:35.000 --> 0:27:36.960
<v Speaker 1>the booth, this was all like in a matter of

0:27:37.000 --> 0:27:40.160
<v Speaker 1>a week. You feel me. So I'm like, I didn't

0:27:40.200 --> 0:27:43.320
<v Speaker 1>know nothing about it at all. I don't know ship.

0:27:43.760 --> 0:27:47.359
<v Speaker 1>Snoop discovered me and like my first eight months, you

0:27:47.400 --> 0:27:50.600
<v Speaker 1>feel me? And he was working with me tough. That

0:27:50.760 --> 0:27:52.439
<v Speaker 1>kind of threw me off a little bit too, Like

0:27:52.520 --> 0:27:54.520
<v Speaker 1>I was I was ready. You feel me like I

0:27:54.520 --> 0:27:57.080
<v Speaker 1>don't know much about it, but we're gonna figure it out.

0:27:57.080 --> 0:28:01.040
<v Speaker 1>Like I don't know over what I gotta learn, but

0:28:01.119 --> 0:28:03.520
<v Speaker 1>this sloop dog you feel me like lucky. There's somebody

0:28:03.560 --> 0:28:05.280
<v Speaker 1>I've been looking up to gem and too for my

0:28:05.280 --> 0:28:08.560
<v Speaker 1>my whole damn like fuck it. But I was just

0:28:08.600 --> 0:28:11.359
<v Speaker 1>put on a pause like don't drop nothing, like I

0:28:11.400 --> 0:28:14.240
<v Speaker 1>don't want you to feel me. And I'm just like huh.

0:28:14.640 --> 0:28:17.359
<v Speaker 1>So it kind of like paused my spot light and

0:28:17.400 --> 0:28:19.240
<v Speaker 1>I'm like, what we're doing, what we're doing, what we're doing,

0:28:19.840 --> 0:28:22.679
<v Speaker 1>and that's what Just like after that, I felt like

0:28:22.720 --> 0:28:25.600
<v Speaker 1>I wasn't considered, like I started figuring out other ship

0:28:25.640 --> 0:28:27.879
<v Speaker 1>for myself in between and what else? Am I good at?

0:28:27.920 --> 0:28:29.640
<v Speaker 1>You feel me? I can't drop this music right now,

0:28:30.000 --> 0:28:32.680
<v Speaker 1>I'm listening to the head HUNCHO. Let me just figure

0:28:32.720 --> 0:28:35.600
<v Speaker 1>out other ship in between here. And it just caused

0:28:35.600 --> 0:28:38.880
<v Speaker 1>the distraction and feel me and I wasn't focused on anymore.

0:28:39.000 --> 0:28:42.360
<v Speaker 1>So when it was like time to get focused, I'm like, right,

0:28:42.600 --> 0:28:45.920
<v Speaker 1>blocking ship. My mind ain't on music no more. You

0:28:45.960 --> 0:28:48.280
<v Speaker 1>feel me. So it's like every once in a while,

0:28:48.320 --> 0:28:50.680
<v Speaker 1>I'll exercise my little talented ship. Now you feel me,

0:28:50.680 --> 0:28:52.360
<v Speaker 1>and I'll be like, I do want to get back

0:28:52.400 --> 0:28:54.560
<v Speaker 1>into the game, but I'll just be like, it's so

0:28:54.720 --> 0:28:56.280
<v Speaker 1>much ship going on. I don't want to use that

0:28:56.360 --> 0:29:00.440
<v Speaker 1>as an excuse because we all got real nigga, but

0:29:01.280 --> 0:29:03.600
<v Speaker 1>I'm like, it is a part of my ship. Like

0:29:03.680 --> 0:29:05.800
<v Speaker 1>I'm like, damn, I don't have nobody. I could just

0:29:05.880 --> 0:29:08.080
<v Speaker 1>hit up and be like, hey, could I use you

0:29:08.120 --> 0:29:11.360
<v Speaker 1>feel me your studio? Like I don't, well, you know

0:29:11.400 --> 0:29:13.400
<v Speaker 1>what you did? Tell me that at a time that

0:29:13.400 --> 0:29:23.600
<v Speaker 1>I hit me something now definitely did. But a lot

0:29:23.600 --> 0:29:25.240
<v Speaker 1>of I feel like a lot of these niggas they'd

0:29:25.240 --> 0:29:29.160
<v Speaker 1>be having teams like it's always been me. I don't

0:29:29.200 --> 0:29:31.480
<v Speaker 1>have a nigga that funk with me, Like, let's I

0:29:31.520 --> 0:29:33.720
<v Speaker 1>believe in. Let's get these beats. You got the talent,

0:29:34.040 --> 0:29:35.840
<v Speaker 1>I got the beats, and we can make some ship happen.

0:29:35.880 --> 0:29:38.160
<v Speaker 1>Like I'm gonna stand behind you the whole way. It's like,

0:29:38.520 --> 0:29:40.440
<v Speaker 1>can I get in the studio session with you here?

0:29:40.480 --> 0:29:42.240
<v Speaker 1>Can we get a beat and whoo whoop? And I

0:29:42.280 --> 0:29:44.360
<v Speaker 1>feel like it's always a little different from women to like,

0:29:44.400 --> 0:29:46.760
<v Speaker 1>we have it hard. Either somebody want are they trying

0:29:46.760 --> 0:29:48.320
<v Speaker 1>to charge from top dollar for you feel me? Or

0:29:48.360 --> 0:29:52.720
<v Speaker 1>they want the net you feel but that actually I agree,

0:29:54.120 --> 0:29:58.160
<v Speaker 1>but you also also if you held it correctly, it

0:29:58.200 --> 0:30:01.720
<v Speaker 1>could be to your benefit. But I do agree that

0:30:01.720 --> 0:30:03.160
<v Speaker 1>that's rough. I want to throw it back for no

0:30:03.280 --> 0:30:11.880
<v Speaker 1>beat though I'm not definitely can't throw it back. What

0:30:11.960 --> 0:30:24.440
<v Speaker 1>about Mustard telling him back for the right. Okay, so

0:30:24.480 --> 0:30:27.880
<v Speaker 1>you're smart, so at least you're smart. Okay, No, but

0:30:29.560 --> 0:30:33.760
<v Speaker 1>it's it's easy, it's easy to it seems a little

0:30:33.840 --> 0:30:38.560
<v Speaker 1>easier than it. It's simple, but it's not easy. Um,

0:30:38.600 --> 0:30:41.480
<v Speaker 1>even for dog Dog is a superstar. He could do anything,

0:30:41.520 --> 0:30:45.560
<v Speaker 1>but he don't do anything like that's not what people

0:30:45.640 --> 0:30:49.400
<v Speaker 1>bring shipped to him. So that's why I like a

0:30:49.480 --> 0:30:52.080
<v Speaker 1>person that fun with Snoop today. Right, if you Snoop,

0:30:52.160 --> 0:30:55.440
<v Speaker 1>your your manager got to be super gamed up because

0:30:55.480 --> 0:30:58.160
<v Speaker 1>he got to work the whole scene. That's not what

0:30:58.240 --> 0:31:01.320
<v Speaker 1>Snoop does. Snoop is Snoop. Snoop is being Snoop Dogg

0:31:01.320 --> 0:31:04.440
<v Speaker 1>at the four Time Drive. I mean, and people like

0:31:06.760 --> 0:31:10.760
<v Speaker 1>he didn't really build something like with that mentality. You

0:31:10.800 --> 0:31:13.120
<v Speaker 1>know what I'm saying like dog is just dog, and

0:31:13.160 --> 0:31:15.680
<v Speaker 1>I genuinely think he means well most of the time.

0:31:15.920 --> 0:31:18.800
<v Speaker 1>But I just think sometimes we look at him again

0:31:18.920 --> 0:31:20.840
<v Speaker 1>like this, like for real, like this nigga is a

0:31:20.880 --> 0:31:23.760
<v Speaker 1>top five famious people in the world, and you'll be like, man,

0:31:23.760 --> 0:31:26.560
<v Speaker 1>this nigga could be doing this and it's like, no,

0:31:26.880 --> 0:31:29.800
<v Speaker 1>that ain't what he does. Um. I think it's like

0:31:29.880 --> 0:31:32.480
<v Speaker 1>she said, it's about a team, like real talking, it's

0:31:32.520 --> 0:31:36.239
<v Speaker 1>always about the team. Like when as the cousins just

0:31:36.480 --> 0:31:39.040
<v Speaker 1>doing our ship, Like once we got our team and

0:31:39.080 --> 0:31:42.120
<v Speaker 1>that and we started doing certain ship, it helped a lot.

0:31:42.320 --> 0:31:44.600
<v Speaker 1>When it's just you and you're making all these moves

0:31:44.640 --> 0:31:47.160
<v Speaker 1>and you got, like she said, real nigga ship going

0:31:47.240 --> 0:31:49.400
<v Speaker 1>on bills and ship like that. Gotta work and do X,

0:31:49.520 --> 0:31:52.440
<v Speaker 1>Y and Z, and you you only can put in

0:31:52.520 --> 0:31:55.000
<v Speaker 1>like a couple of hours ceo craft or whatever whatever

0:31:55.040 --> 0:31:57.640
<v Speaker 1>the case may be, Like it's harder, but when you

0:31:57.680 --> 0:32:00.720
<v Speaker 1>have that team, it helps. I really feel that I

0:32:00.800 --> 0:32:04.760
<v Speaker 1>really do believe in you, and that's something that I

0:32:04.880 --> 0:32:08.360
<v Speaker 1>actually I'm like now, I feel like right now I

0:32:08.400 --> 0:32:10.760
<v Speaker 1>got a couple of people around me. That's you feel

0:32:10.760 --> 0:32:14.640
<v Speaker 1>me connected and respected, You feel me and I feel

0:32:14.720 --> 0:32:18.360
<v Speaker 1>like if I was to go into it again, like

0:32:18.560 --> 0:32:20.440
<v Speaker 1>it could really be a beautiful thing this time. You

0:32:20.440 --> 0:32:22.320
<v Speaker 1>feel me. It was beautiful last time it really was

0:32:24.480 --> 0:32:26.960
<v Speaker 1>so like you feel me. But I'm just like, damn,

0:32:27.000 --> 0:32:30.560
<v Speaker 1>but I definitely would. I recently did just have somebody

0:32:30.600 --> 0:32:32.520
<v Speaker 1>talking to me about like, how would you feel like

0:32:33.000 --> 0:32:34.600
<v Speaker 1>if I popped that out something about you being the

0:32:34.640 --> 0:32:37.200
<v Speaker 1>first lady of a death row now like you feel me?

0:32:37.480 --> 0:32:39.560
<v Speaker 1>And they're like, what you funk with him? Again? I'm

0:32:39.600 --> 0:32:41.200
<v Speaker 1>like I would because I definitely feel like I'm in

0:32:41.200 --> 0:32:43.880
<v Speaker 1>a different mental space. I'm, you know, a lot more

0:32:44.000 --> 0:32:46.200
<v Speaker 1>educated than what I was back then. You feel me,

0:32:46.680 --> 0:32:49.040
<v Speaker 1>Like I said, I got people that's around that's respected

0:32:49.080 --> 0:32:52.000
<v Speaker 1>and connected like to where it could move a lot

0:32:52.040 --> 0:32:54.120
<v Speaker 1>more than what it did last time. You feel me.

0:32:54.480 --> 0:32:58.480
<v Speaker 1>So some situations is great with the manager. In some

0:32:58.560 --> 0:33:01.520
<v Speaker 1>situations is great without a man manager. Um, And it

0:33:01.520 --> 0:33:04.000
<v Speaker 1>depends on the manager like dog like I said to

0:33:04.040 --> 0:33:06.240
<v Speaker 1>me with Snoop, Like that's the catch with Snoop, Snoop,

0:33:06.280 --> 0:33:08.840
<v Speaker 1>you just gotta have to write people around. That's gonna

0:33:09.320 --> 0:33:12.800
<v Speaker 1>work between them spaces because Snoop is Snoop DOGG. But

0:33:12.880 --> 0:33:15.640
<v Speaker 1>I do think Snoop is very viable in this business

0:33:15.800 --> 0:33:19.040
<v Speaker 1>right now. Currently he's one of the best launchpads you

0:33:19.080 --> 0:33:23.240
<v Speaker 1>can have in this business. But you if you think

0:33:23.280 --> 0:33:26.920
<v Speaker 1>to yourself that he understands how to do it, he's

0:33:26.960 --> 0:33:29.720
<v Speaker 1>not a He don't market. That's not his job. He's

0:33:29.760 --> 0:33:32.560
<v Speaker 1>not a market He's Snoop. It's Snoop marketing is Snoop

0:33:32.600 --> 0:33:35.640
<v Speaker 1>talk about it. He mar help marketing Instagram. He talked

0:33:35.640 --> 0:33:38.840
<v Speaker 1>about it and his own Instagram. So some things it

0:33:38.920 --> 0:33:41.560
<v Speaker 1>works out. The product has to be correct for it

0:33:41.600 --> 0:33:46.040
<v Speaker 1>to work. Like, the product has to be correct. A

0:33:46.040 --> 0:33:48.480
<v Speaker 1>lot of niggas really feel like they lack exposure a shot.

0:33:48.480 --> 0:33:50.280
<v Speaker 1>The reality is they don't even have a stick. They

0:33:50.320 --> 0:33:53.479
<v Speaker 1>don't have an idea, they don't have nothing. They just

0:33:53.520 --> 0:33:55.840
<v Speaker 1>really just can wrap or they think they could wrap on.

0:33:55.920 --> 0:33:57.520
<v Speaker 1>They're like, if people heard me to be different or

0:33:57.520 --> 0:33:59.480
<v Speaker 1>Snoop said I was good, it's good, it's not. It's

0:33:59.560 --> 0:34:05.880
<v Speaker 1>way way, way more complex than that. Um, if you

0:34:05.920 --> 0:34:10.279
<v Speaker 1>had to, if you had to Blue Bucks, they they

0:34:10.360 --> 0:34:13.080
<v Speaker 1>figured it out. But I just think being with Mustard

0:34:13.160 --> 0:34:15.800
<v Speaker 1>makes things a thousand times easier. Plus it would have

0:34:15.880 --> 0:34:20.680
<v Speaker 1>put them with Interscope Capital is sometimes I like them,

0:34:20.680 --> 0:34:23.040
<v Speaker 1>I know them but they's sometimes they and they're not

0:34:23.040 --> 0:34:26.600
<v Speaker 1>great with urban content, not great with black shit. So

0:34:26.719 --> 0:34:30.920
<v Speaker 1>but if you was at Mustard, you'd be within the scope. Um.

0:34:30.920 --> 0:34:32.719
<v Speaker 1>I think why he tries to sign people and put

0:34:32.760 --> 0:34:37.080
<v Speaker 1>some people out. Yeah he got he tried yeah D

0:34:37.200 --> 0:34:45.240
<v Speaker 1>three he had slam. Um yeah he got a few people.

0:34:45.680 --> 0:34:52.879
<v Speaker 1>Um TC, No, we got TC. Now I know Ty

0:34:53.000 --> 0:35:01.320
<v Speaker 1>had TC. Ty had TC Mustard with TC or something

0:35:01.360 --> 0:35:07.279
<v Speaker 1>like that. Yeah. I just I just think. I just

0:35:07.320 --> 0:35:12.360
<v Speaker 1>think specifically the pushes together, it was really special pushes

0:35:12.400 --> 0:35:18.879
<v Speaker 1>a part of different and and that's it. Literally that movement. Yeah,

0:35:18.920 --> 0:35:22.879
<v Speaker 1>that movement, that movement um at the table because it's

0:35:22.880 --> 0:35:28.200
<v Speaker 1>like stuff no work. Um. That movement is what you

0:35:28.280 --> 0:35:32.120
<v Speaker 1>needed to skyrocket past the death Row threshold because before

0:35:32.239 --> 0:35:33.920
<v Speaker 1>like none of us could get past and make it

0:35:33.920 --> 0:35:37.080
<v Speaker 1>crack because ship death Row was like if you didn't

0:35:37.080 --> 0:35:39.160
<v Speaker 1>come from the n w A family tree, that was it.

0:35:39.320 --> 0:35:42.840
<v Speaker 1>Why he is the first person I've seen really blast

0:35:42.880 --> 0:35:44.200
<v Speaker 1>off that had nothing to do with the n w

0:35:44.239 --> 0:35:48.120
<v Speaker 1>A family tree. And that's because the Pushing movement became

0:35:48.160 --> 0:35:52.120
<v Speaker 1>the youthful full movement of West Coast kids. They took

0:35:52.120 --> 0:35:54.839
<v Speaker 1>the embodiment of what jerking was and brought in an

0:35:54.880 --> 0:35:57.719
<v Speaker 1>element of fun and function that that really reminded you

0:35:57.760 --> 0:36:00.840
<v Speaker 1>of that time period and it about for them and

0:36:00.880 --> 0:36:02.960
<v Speaker 1>you got tied from it, mustard from it, and you

0:36:03.040 --> 0:36:10.719
<v Speaker 1>got from so I think, Um, what makes it tough

0:36:10.760 --> 0:36:13.200
<v Speaker 1>for us to make it is one is a lack

0:36:13.280 --> 0:36:15.560
<v Speaker 1>of producers. I mean, don't get me wrong, this Nick

0:36:15.640 --> 0:36:17.160
<v Speaker 1>is working on hit Boy is doing a lot of

0:36:17.160 --> 0:36:19.520
<v Speaker 1>good ship. But you know her boy is doing what

0:36:19.560 --> 0:36:23.640
<v Speaker 1>he's doing too. Um, but the producers have to get

0:36:23.680 --> 0:36:27.040
<v Speaker 1>a lot more serious into making records, not just beats.

0:36:27.840 --> 0:36:37.760
<v Speaker 1>That's one thing. Um. Secondly, Huh, this is tough because

0:36:37.920 --> 0:36:43.400
<v Speaker 1>I think we're just in a different time, Like, um,

0:36:43.440 --> 0:36:45.240
<v Speaker 1>who was the last person that blew up from Atlanta?

0:36:46.840 --> 0:36:52.399
<v Speaker 1>The last person? That's what they feel like. But who

0:36:52.440 --> 0:36:57.640
<v Speaker 1>was the last person that blew up from Atlanta? Ship?

0:36:57.719 --> 0:37:00.680
<v Speaker 1>Who's going on right now? From what was a little baby?

0:37:00.680 --> 0:37:04.160
<v Speaker 1>When see how dry get real quick? I don't know?

0:37:06.120 --> 0:37:08.200
<v Speaker 1>So and like little baby right, little baby signed to

0:37:08.320 --> 0:37:10.880
<v Speaker 1>probably I mean ship they he signed to the same

0:37:10.960 --> 0:37:15.879
<v Speaker 1>Niggs that blew up to me? Goes yeah, I mean

0:37:16.239 --> 0:37:17.880
<v Speaker 1>he don't know what they're like them, they don't know

0:37:17.920 --> 0:37:20.399
<v Speaker 1>what they're doing. They're tough it's a great regular label.

0:37:21.440 --> 0:37:23.520
<v Speaker 1>Um we got Nick is doing a good TV. He

0:37:23.600 --> 0:37:27.920
<v Speaker 1>does well. Um they push what four or five platinum

0:37:27.960 --> 0:37:32.840
<v Speaker 1>ortis from that little ship other label? Would you say

0:37:33.600 --> 0:37:35.680
<v Speaker 1>ship to me? Fow on the summers? You fall on

0:37:35.719 --> 0:37:37.480
<v Speaker 1>the summers. Gay, you must have records and they gat

0:37:37.520 --> 0:37:43.280
<v Speaker 1>you ever made? Yeah, everybody else trying to start. Another

0:37:43.320 --> 0:37:45.720
<v Speaker 1>thing is everybody else is trying to start a record label.

0:37:46.880 --> 0:37:48.759
<v Speaker 1>That's another thing. It's a bunch of people who have

0:37:48.880 --> 0:37:51.359
<v Speaker 1>no experience that starting the regul label, starting a regular label.

0:37:51.920 --> 0:37:54.959
<v Speaker 1>So Draco started a record label right with the Stick Team.

0:37:55.040 --> 0:37:58.600
<v Speaker 1>That was his first that was his experiment, right. They

0:37:58.680 --> 0:38:02.239
<v Speaker 1>was figuring it out, you know, life life. He got

0:38:02.239 --> 0:38:05.120
<v Speaker 1>about this life early, right, so now you gotta still

0:38:05.160 --> 0:38:08.040
<v Speaker 1>figure it out. Memory. Blue Bucks got their own movement,

0:38:08.360 --> 0:38:11.800
<v Speaker 1>that's what capital. So you're also starting brand new businesses.

0:38:11.840 --> 0:38:13.880
<v Speaker 1>So you're not only a brand new record label, you're

0:38:13.920 --> 0:38:17.640
<v Speaker 1>starting brand new businesses. Prime example, when Death Rows started,

0:38:17.760 --> 0:38:20.520
<v Speaker 1>they were a brand new business, right. Dr Dre was

0:38:20.560 --> 0:38:26.640
<v Speaker 1>an established act as a producer and as a so

0:38:26.719 --> 0:38:29.480
<v Speaker 1>they came with something that was already established. Blue Bugs

0:38:29.520 --> 0:38:34.000
<v Speaker 1>has a brand new record label, the brand new group problems.

0:38:34.440 --> 0:38:36.040
<v Speaker 1>It's like trying to make a new burger at a

0:38:36.040 --> 0:38:39.080
<v Speaker 1>new burger stand. Hi, bro, just make ground beech Burgers.

0:38:39.120 --> 0:38:45.880
<v Speaker 1>Bro being say they have a great business model, but

0:38:45.920 --> 0:38:49.279
<v Speaker 1>she said, why is it not exploding out of California?

0:38:49.520 --> 0:38:52.840
<v Speaker 1>The problem is you have to You literally are building

0:38:52.840 --> 0:38:58.040
<v Speaker 1>a brand new business with a brand new act. Take

0:38:58.239 --> 0:39:04.759
<v Speaker 1>years years. It's the reason why they didn't come out

0:39:04.800 --> 0:39:07.799
<v Speaker 1>with Snoop Dogg album first. It came out with Dr

0:39:07.880 --> 0:39:12.160
<v Speaker 1>Dre's album first. From n w A, you know what

0:39:12.200 --> 0:39:17.680
<v Speaker 1>I mean? So so movements like groups of people. You know, now,

0:39:17.719 --> 0:39:20.400
<v Speaker 1>if Blue Bucks was like seven niggas, it happened faster,

0:39:20.719 --> 0:39:24.200
<v Speaker 1>prime example, Big Glow Right. Part of her success that

0:39:24.239 --> 0:39:27.840
<v Speaker 1>nobody talks about is her movement of girls. If it

0:39:27.920 --> 0:39:31.200
<v Speaker 1>was just her would work, like now she could start

0:39:31.200 --> 0:39:34.319
<v Speaker 1>doing stuff with just her. But when you first saw them,

0:39:34.600 --> 0:39:39.000
<v Speaker 1>it was altogether. Imagine if it was hurt just screaming

0:39:39.040 --> 0:39:42.160
<v Speaker 1>let's go. She looked retarded running round them cars and

0:39:47.920 --> 0:39:50.440
<v Speaker 1>give me that. And she she's smart. She don't use

0:39:50.440 --> 0:39:52.839
<v Speaker 1>her entourage like an entourage. She's not hiding the light

0:39:52.960 --> 0:39:57.719
<v Speaker 1>from them. See a lot of people like how many

0:39:57.719 --> 0:40:00.400
<v Speaker 1>people do we know from the clan g easy and

0:40:01.960 --> 0:40:04.840
<v Speaker 1>you know right. But if it was eight niggas with them,

0:40:04.920 --> 0:40:07.360
<v Speaker 1>and it was always eight niggas, then that's a movement.

0:40:08.040 --> 0:40:12.359
<v Speaker 1>If it's two niggas, it's short. And I'm saying, you're sure,

0:40:12.520 --> 0:40:15.359
<v Speaker 1>that's why. That's why it works better when it's multiple people,

0:40:15.360 --> 0:40:17.480
<v Speaker 1>because it's like, if it's seven niggas to be like

0:40:17.560 --> 0:40:20.840
<v Speaker 1>it's the ship, it took like what nine niggas to

0:40:20.880 --> 0:40:23.200
<v Speaker 1>breaks that nine and with wu tangs like nine niggas.

0:40:25.160 --> 0:40:29.640
<v Speaker 1>I mean, so it's a few things. Um, it's it's

0:40:29.640 --> 0:40:33.000
<v Speaker 1>a few changes most people can make and really go

0:40:33.160 --> 0:40:36.080
<v Speaker 1>to another step. But when I was thinking about myself,

0:40:36.160 --> 0:40:37.440
<v Speaker 1>I was like, damn, what would I do as an

0:40:37.440 --> 0:40:40.880
<v Speaker 1>exact for glasses? My problem is my brand, right is

0:40:40.880 --> 0:40:43.520
<v Speaker 1>is people don't know why they call me glasses. That's

0:40:43.520 --> 0:40:46.480
<v Speaker 1>such a simple thing to fix. But I would have

0:40:46.560 --> 0:40:50.000
<v Speaker 1>never thought about that as a business never in my life.

0:40:51.160 --> 0:40:53.600
<v Speaker 1>The cousins, you have to figure out, why, what the

0:40:53.640 --> 0:40:56.880
<v Speaker 1>funk do I need you in my life? For what

0:40:56.880 --> 0:41:00.799
<v Speaker 1>I'm saying, business is unique. McDonald's got on because they

0:41:01.000 --> 0:41:03.480
<v Speaker 1>created fast food. It wasn't the first person that burgers

0:41:03.520 --> 0:41:06.279
<v Speaker 1>and fries that was white castles. McDonald's figured out how

0:41:06.280 --> 0:41:11.839
<v Speaker 1>to give your ship in like ninety seconds fresh. That's

0:41:11.880 --> 0:41:16.280
<v Speaker 1>what mag niggas go there, niggas. It's a thousand rappers

0:41:16.320 --> 0:41:20.160
<v Speaker 1>every day, thousand rappers every fucking day. I mean, why

0:41:20.280 --> 0:41:23.799
<v Speaker 1>are they fucking with you? Glow? I know what I'm

0:41:23.840 --> 0:41:27.840
<v Speaker 1>gonna get from Big Glow. I mean, this motherfucking look crazy.

0:41:27.880 --> 0:41:30.000
<v Speaker 1>This mother fuck be on the biggest last. The last

0:41:30.040 --> 0:41:36.719
<v Speaker 1>is bigger than her. Fun with it though, so um,

0:41:36.800 --> 0:41:39.719
<v Speaker 1>the Western isn is in a quality position. You know

0:41:39.760 --> 0:41:42.799
<v Speaker 1>that they's We're not as fucked up as New York.

0:41:42.920 --> 0:41:45.520
<v Speaker 1>New York is in a bad place because they're trying

0:41:45.560 --> 0:41:48.800
<v Speaker 1>to take Chicago drill and they're saying it's not Chicago,

0:41:49.000 --> 0:41:51.520
<v Speaker 1>it's UK drill. But the reality is you're trying to

0:41:51.520 --> 0:41:54.759
<v Speaker 1>take a culture that don't naturally fit. At least, we're

0:41:54.800 --> 0:41:58.399
<v Speaker 1>not that far off. They're in a weird spot. Their

0:41:58.400 --> 0:42:00.440
<v Speaker 1>motherfucker's just trying to make some ship work that ain't

0:42:00.440 --> 0:42:03.920
<v Speaker 1>gonna work. We're trying to make our ship work, but

0:42:03.960 --> 0:42:07.479
<v Speaker 1>we have to develop it. I think also, people don't

0:42:07.480 --> 0:42:10.600
<v Speaker 1>really understand I don't know, I wouldn't say understand our

0:42:10.880 --> 0:42:13.800
<v Speaker 1>culture over here, but they just really don't. It's different

0:42:13.840 --> 0:42:16.520
<v Speaker 1>for us, like you know, we got the palm trees

0:42:16.600 --> 0:42:20.239
<v Speaker 1>and we got you feel me. But they don't understand

0:42:20.280 --> 0:42:22.360
<v Speaker 1>it though less you come and you see and like

0:42:22.440 --> 0:42:25.520
<v Speaker 1>experience that ship that the hip hop ain't good. That's

0:42:25.600 --> 0:42:28.279
<v Speaker 1>you gotta get better. Trust me, snooping them at the

0:42:28.400 --> 0:42:30.120
<v Speaker 1>same palm tree and then everybody wants to come to

0:42:30.160 --> 0:42:33.680
<v Speaker 1>this motherfucker. Let me said, you got to get better

0:42:33.719 --> 0:42:36.839
<v Speaker 1>at displaying the culture. I was looking at the video

0:42:36.880 --> 0:42:40.440
<v Speaker 1>Blast did for the song, example, l Um, what was

0:42:40.480 --> 0:42:44.960
<v Speaker 1>the last song um? The one with Um where he's

0:42:45.120 --> 0:42:46.920
<v Speaker 1>out in the desert in the car. No, they by

0:42:46.920 --> 0:42:50.080
<v Speaker 1>the beach. They rolled a by the beach in the cars.

0:42:50.120 --> 0:42:53.600
<v Speaker 1>The Blast song, they rolling by the beach and they

0:42:53.640 --> 0:42:57.239
<v Speaker 1>had this mansion. The song is tough, but the whole

0:42:57.320 --> 0:43:02.120
<v Speaker 1>video lacks culture. M lot of times too rappers moved

0:43:02.160 --> 0:43:05.520
<v Speaker 1>too fast and go right to every good girl, every

0:43:05.560 --> 0:43:10.040
<v Speaker 1>good girl. Many That video is like a it's like

0:43:10.080 --> 0:43:12.800
<v Speaker 1>a Lamborghini. He got this girl, this light skinned girl,

0:43:13.200 --> 0:43:16.160
<v Speaker 1>and they had this mansion. It's like that ship lacks culture.

0:43:16.480 --> 0:43:18.920
<v Speaker 1>Remember this nigga got on because he was standing in

0:43:18.920 --> 0:43:20.719
<v Speaker 1>the suff front yard with some girl watching the Grand

0:43:20.800 --> 0:43:24.840
<v Speaker 1>National with Nigga shooting nice on the porch. See, we

0:43:24.920 --> 0:43:28.160
<v Speaker 1>abandoned culture too fast too. We immediately go into trying

0:43:28.160 --> 0:43:29.960
<v Speaker 1>to sell wealth. Oh, I want to sell everybody. I

0:43:30.040 --> 0:43:35.680
<v Speaker 1>got money, nigga. Nobody buys money m niggas by poor

0:43:35.760 --> 0:43:40.680
<v Speaker 1>niggas getting money cash money only looked tight when they

0:43:40.719 --> 0:43:44.000
<v Speaker 1>look poor with money. It's different when you see a

0:43:44.040 --> 0:43:46.200
<v Speaker 1>nigger jumping out of Lamborghini with your bow jeans on

0:43:46.280 --> 0:43:48.720
<v Speaker 1>a blue box and a white T shirt and gold teeth.

0:43:49.000 --> 0:43:52.319
<v Speaker 1>It's just you know, I mean, that's polarizing. Who is

0:43:52.360 --> 0:43:54.040
<v Speaker 1>this That's like me? I should jump out of my

0:43:54.040 --> 0:43:56.400
<v Speaker 1>billing with my diggie sag and ship jumped into like

0:43:57.040 --> 0:44:02.080
<v Speaker 1>this nigga? Who is that nigga on that naw Samuel

0:44:02.239 --> 0:44:03.719
<v Speaker 1>Jackson that's out of crack. Used to look at me

0:44:03.840 --> 0:44:08.600
<v Speaker 1>that to go to Beverly Hills? Is that cracking? Like that?

0:44:08.719 --> 0:44:11.759
<v Speaker 1>He just slammed the door. It's the park that ship

0:44:11.840 --> 0:44:17.560
<v Speaker 1>on my grass. So I think we abandoned the culture right.

0:44:18.400 --> 0:44:20.600
<v Speaker 1>Another thing too with a lot of the young talent

0:44:20.760 --> 0:44:23.799
<v Speaker 1>is they don't embrace what the West is. They want

0:44:23.840 --> 0:44:26.759
<v Speaker 1>to embrace what they want the West to be. I

0:44:26.840 --> 0:44:29.880
<v Speaker 1>want the West to be about fashion. Man. Them niggas

0:44:29.880 --> 0:44:32.040
<v Speaker 1>in Atlanta. That's fun with that fashion is not getting

0:44:32.040 --> 0:44:34.400
<v Speaker 1>ship out of none in the market. Them niggas is

0:44:34.480 --> 0:44:36.520
<v Speaker 1>taking that ship right off the gay people back down there.

0:44:38.080 --> 0:44:40.200
<v Speaker 1>They have a whole urban gay culture right in the

0:44:40.280 --> 0:44:42.680
<v Speaker 1>line of shmack there them niggas, gay and gay people

0:44:42.760 --> 0:44:45.840
<v Speaker 1>funk with that fashion. Them niggas something of my office

0:44:45.920 --> 0:44:48.600
<v Speaker 1>thug and then was wearing literally it was a gay

0:44:48.680 --> 0:44:54.360
<v Speaker 1>man on a cover magazines wearing that outfit. Fashion is

0:44:54.400 --> 0:44:57.680
<v Speaker 1>a woman in a homosexual sport. I'm not saying something

0:44:57.719 --> 0:44:59.320
<v Speaker 1>straight man can't be into it. I'm just saying you

0:44:59.440 --> 0:45:01.719
<v Speaker 1>gotta really be another kind of free to funk with it.

0:45:01.760 --> 0:45:05.360
<v Speaker 1>It ain't no punk ship. So like for example, like

0:45:05.440 --> 0:45:07.440
<v Speaker 1>if I was talking to Blasts, I would have told Blasts,

0:45:07.719 --> 0:45:11.920
<v Speaker 1>don't drive that Lamborghini. It don't scream nothing, it just

0:45:12.000 --> 0:45:16.080
<v Speaker 1>scream wrap it. Don't scream nothing. Scream something that you're

0:45:16.160 --> 0:45:21.040
<v Speaker 1>driving down the street. That's gonna screen l a where

0:45:21.160 --> 0:45:24.080
<v Speaker 1>whatever it is, she get you. They got ship. Man,

0:45:24.160 --> 0:45:26.760
<v Speaker 1>You just gotta get creative. Don't don't be at the mansion.

0:45:27.360 --> 0:45:29.560
<v Speaker 1>You had to mansion. If it's niggas is forty ounces

0:45:29.600 --> 0:45:31.640
<v Speaker 1>on the grass and ship make it nigga fire this

0:45:31.719 --> 0:45:36.680
<v Speaker 1>ship the West Coast is ship. Make this ship what

0:45:36.800 --> 0:45:40.080
<v Speaker 1>it's supposed to be, because if you don't, I can't

0:45:40.080 --> 0:45:42.040
<v Speaker 1>get that ship from me. Anybody Mom would listen to

0:45:42.080 --> 0:45:45.840
<v Speaker 1>a pop zone. That's true. Hell, I'm gonna do with

0:45:45.960 --> 0:45:51.040
<v Speaker 1>these nigga niggas looking rich but look French were wearing

0:45:51.080 --> 0:45:55.520
<v Speaker 1>these crazy shades. Nick you is from South central nigga,

0:45:57.760 --> 0:46:00.399
<v Speaker 1>but he's out of bad Dana tied around his head.

0:46:01.880 --> 0:46:04.200
<v Speaker 1>Feel me looking with some chucks? You want to wear them?

0:46:04.239 --> 0:46:07.640
<v Speaker 1>Littleunny nikka pans wear some Chucks with him. You gotta

0:46:07.719 --> 0:46:11.480
<v Speaker 1>bring the culture into this ship, hippo. No, they'd be

0:46:11.560 --> 0:46:13.880
<v Speaker 1>wearing them all a little weird fashion pants is now

0:46:18.800 --> 0:46:25.400
<v Speaker 1>m start trying to be a Latin nigers Yeah and

0:46:25.440 --> 0:46:27.520
<v Speaker 1>am goes only work because that ship is a joke.

0:46:27.840 --> 0:46:30.040
<v Speaker 1>Rest in piece of take off. That ship is funny

0:46:30.440 --> 0:46:32.640
<v Speaker 1>niggas dressed like ninas and ship the niggas is a joke.

0:46:33.360 --> 0:46:35.840
<v Speaker 1>Not they are a joke, but their their music. You

0:46:35.960 --> 0:46:38.920
<v Speaker 1>expect that you from mad Lady nigga. You're supposed to

0:46:38.960 --> 0:46:42.680
<v Speaker 1>be owned nigga. I've better see it, nigga. Where's these

0:46:42.760 --> 0:46:47.560
<v Speaker 1>niggas at? M Dr Dre Man Dr Dre came out

0:46:47.600 --> 0:46:50.359
<v Speaker 1>with Number the g thing and that whole video cast

0:46:50.400 --> 0:46:52.560
<v Speaker 1>sifty Town. You could have bought that house for twenty thousand.

0:46:52.600 --> 0:46:55.040
<v Speaker 1>The cars wasn't cheap. All that ship was cheap. That

0:46:55.200 --> 0:46:58.080
<v Speaker 1>motherfucker sold seven million and broke Snoop Dogg whole career.

0:46:58.719 --> 0:47:00.480
<v Speaker 1>He came back with being there and on that man

0:47:00.560 --> 0:47:03.960
<v Speaker 1>that's Ferraris in helicopters. That's so far hundred thousand. Nobody

0:47:04.040 --> 0:47:06.279
<v Speaker 1>want to see no niggas acting like white people. Rich.

0:47:06.960 --> 0:47:09.840
<v Speaker 1>Niggas want to see nigga rich. I don't know if

0:47:09.840 --> 0:47:12.160
<v Speaker 1>I ain't going to no motherfucking so I'm gonna just

0:47:12.239 --> 0:47:17.040
<v Speaker 1>keeping the beat. This might be ignorant. I don't go

0:47:17.200 --> 0:47:22.400
<v Speaker 1>to buy healthy soul food. It's supposed to be dangerous healthy,

0:47:22.480 --> 0:47:27.560
<v Speaker 1>So niggas want to see healthy soul food. Like I

0:47:27.560 --> 0:47:29.279
<v Speaker 1>ain't gonna use this kind of salt on the greens.

0:47:29.320 --> 0:47:34.040
<v Speaker 1>My nigga season. The greens brok him land. So yeah, bro,

0:47:34.239 --> 0:47:39.040
<v Speaker 1>we are you're doing? Bro? Why what is happening? You're

0:47:39.080 --> 0:47:43.759
<v Speaker 1>seeing niggas keep trying to sell healthy soul food. Don't

0:47:44.040 --> 0:47:47.960
<v Speaker 1>that's not cool. I just saw a movie with Marlon

0:47:48.000 --> 0:47:51.719
<v Speaker 1>Wayne's on Matflix and it was like White People movie,

0:47:51.760 --> 0:47:55.919
<v Speaker 1>and I'm like, bro, where's the flavor? Like, that's where

0:47:55.920 --> 0:47:57.920
<v Speaker 1>we come for. We come to niggas for fla. We

0:47:58.120 --> 0:48:03.720
<v Speaker 1>provide the season into this world. We got the flavoring.

0:48:04.040 --> 0:48:06.640
<v Speaker 1>Your she gotta have flavoring. It can't. Your flavor cannot

0:48:06.719 --> 0:48:09.279
<v Speaker 1>be expensive season because niggas don't care. They already know,

0:48:10.239 --> 0:48:12.640
<v Speaker 1>like you could preach fashion out this motherfucker thousand times.

0:48:12.680 --> 0:48:14.520
<v Speaker 1>You ain't fenna never be as far as the niggas

0:48:14.520 --> 0:48:17.759
<v Speaker 1>from Georgia. Them gave people right there no gay people

0:48:17.760 --> 0:48:19.640
<v Speaker 1>living in Watson County and Ship where we're from, ain't

0:48:19.640 --> 0:48:21.680
<v Speaker 1>no gay community. Then you have to go to West Hollywood.

0:48:21.719 --> 0:48:24.600
<v Speaker 1>Them niggas them gave people be walking right where they at,

0:48:25.840 --> 0:48:31.840
<v Speaker 1>fight you and everything, hells and five oh one. I

0:48:31.960 --> 0:48:35.400
<v Speaker 1>mean that day closer to fashion for me. That ain't us.

0:48:35.480 --> 0:48:37.640
<v Speaker 1>That's why snooping I snooping them was where thirty all

0:48:37.680 --> 0:48:43.480
<v Speaker 1>outfits selling seven million records. Yeah it chucks. Think of

0:48:43.560 --> 0:48:46.719
<v Speaker 1>Dickies low righty, push that on the grandfather yard, fix

0:48:46.840 --> 0:48:50.319
<v Speaker 1>that up. Think the world went crazy. They could try

0:48:50.320 --> 0:48:51.719
<v Speaker 1>to jump in ferrars and lab get him in. The

0:48:51.760 --> 0:48:54.680
<v Speaker 1>white folks they're like, man, well no, you gotta be

0:48:54.719 --> 0:48:57.000
<v Speaker 1>a country nigger in the motherfucking Lamborghini. If you ain't,

0:48:57.040 --> 0:49:00.319
<v Speaker 1>if you ain't looking crazy, feeling with band dad this top.

0:49:00.400 --> 0:49:02.120
<v Speaker 1>That's being nipbu to talking about that rest is so.

0:49:02.239 --> 0:49:03.600
<v Speaker 1>I used to be like, when you gotta jump out

0:49:03.600 --> 0:49:07.799
<v Speaker 1>the may back nigga looking like a crip, because if

0:49:07.840 --> 0:49:11.360
<v Speaker 1>you jump out wearing a suit, you just regular, it

0:49:11.440 --> 0:49:13.440
<v Speaker 1>looks like you're be in that motherucker. You got to

0:49:13.480 --> 0:49:15.680
<v Speaker 1>jump out that motherfucker cut with your blue rack hanging

0:49:15.719 --> 0:49:20.200
<v Speaker 1>down to the back of your heel. The value. You

0:49:20.280 --> 0:49:22.600
<v Speaker 1>gotta be extra. You gotta tell the valet mad because

0:49:22.640 --> 0:49:25.440
<v Speaker 1>park this cuse crip gang. You got to put it

0:49:25.520 --> 0:49:29.439
<v Speaker 1>on because that car don't fit. So you gotta nigga fight.

0:49:30.640 --> 0:49:32.280
<v Speaker 1>That's what I used to like about the Houston niggas,

0:49:32.280 --> 0:49:34.040
<v Speaker 1>And they used to put them swingers on them. Bentley

0:49:34.080 --> 0:49:38.400
<v Speaker 1>Saya remembers and ship hoof poking out. I'm like, that

0:49:38.760 --> 0:49:42.600
<v Speaker 1>is country, but it is the ship that's them don't

0:49:43.560 --> 0:49:48.360
<v Speaker 1>had them don'ts and ship. Hip hop is culture. Culture

0:49:48.520 --> 0:49:53.080
<v Speaker 1>is flavor. It's flavor to cover up a lot of

0:49:53.840 --> 0:49:56.240
<v Speaker 1>a lot of problems in our community. But it works

0:49:56.280 --> 0:50:01.680
<v Speaker 1>and people love it. They love our flavor. But somehow

0:50:01.800 --> 0:50:03.640
<v Speaker 1>we feel like, oh, well, you know what, as soon

0:50:03.680 --> 0:50:04.920
<v Speaker 1>as I get some money, I got how to be

0:50:05.040 --> 0:50:07.480
<v Speaker 1>like the rest of these white folks. And it's like, then,

0:50:07.560 --> 0:50:11.120
<v Speaker 1>what value do you bring? What is black culture? Because

0:50:11.200 --> 0:50:15.800
<v Speaker 1>without poverty and oppression, what does it even look like?

0:50:16.239 --> 0:50:18.920
<v Speaker 1>If you don't have funked up schools to create slang,

0:50:19.960 --> 0:50:21.960
<v Speaker 1>if parents ain't no drugs and ship for you to

0:50:22.120 --> 0:50:24.960
<v Speaker 1>find some kind of way to survive? Like, what does

0:50:25.040 --> 0:50:27.440
<v Speaker 1>black culture? Without these things? Man, we'd be eating the

0:50:27.480 --> 0:50:30.560
<v Speaker 1>same thing these cracks head. If we knew how to

0:50:30.560 --> 0:50:33.279
<v Speaker 1>make spaghetti, we wouldn't be baking that ship, boiling that

0:50:33.320 --> 0:50:36.520
<v Speaker 1>ship in the sauce. We'll be making that ship flavored

0:50:36.600 --> 0:50:40.640
<v Speaker 1>like the ship. Somebody tell me my cousin, tell that

0:50:40.880 --> 0:50:42.920
<v Speaker 1>she was like, I like my noodles and my um

0:50:43.280 --> 0:50:46.400
<v Speaker 1>my sauce, like not not not no, she doesn't want it,

0:50:46.480 --> 0:50:49.759
<v Speaker 1>she she wanted. And I'm like, what house sold you

0:50:49.840 --> 0:50:52.560
<v Speaker 1>was because my mama made that. She makes all that

0:50:52.640 --> 0:50:57.080
<v Speaker 1>ship up. Because we want everything dripping with flavor. That's

0:50:57.120 --> 0:50:59.440
<v Speaker 1>why all help sucked up sometimes. But it's cool. You

0:50:59.560 --> 0:51:01.239
<v Speaker 1>just gotta know how the ballance, and you gotta know

0:51:01.280 --> 0:51:02.800
<v Speaker 1>when to put on the show. And that's what the

0:51:02.880 --> 0:51:05.480
<v Speaker 1>problem is. We are doing a bad job on the

0:51:05.520 --> 0:51:08.800
<v Speaker 1>West Coast for putting on the show. That's the real solution.

0:51:09.440 --> 0:51:11.960
<v Speaker 1>We're not giving them a culture. We're trying to assimilate

0:51:12.040 --> 0:51:15.160
<v Speaker 1>into their culture. Man, fuck that Rembering need niggas to

0:51:15.239 --> 0:51:18.880
<v Speaker 1>the West Bold niggas need to get robbed. Make these

0:51:18.960 --> 0:51:26.160
<v Speaker 1>niggas remember, I think we did enough that No, make

0:51:26.280 --> 0:51:28.600
<v Speaker 1>niggas remember what they fucked with us for. That's why

0:51:28.640 --> 0:51:30.800
<v Speaker 1>they I tell them all the time. I came telling that.

0:51:31.320 --> 0:51:33.560
<v Speaker 1>I'll be like, hey, because this ship, like I've been

0:51:33.600 --> 0:51:35.800
<v Speaker 1>to everybody here, y'all know this ship the same. No,

0:51:35.960 --> 0:51:38.520
<v Speaker 1>it's different out there, nigga. Yall niggas, Boy, you niggas

0:51:38.520 --> 0:51:40.560
<v Speaker 1>a skin and y'all killing nigga. Cut the skin off

0:51:41.280 --> 0:51:43.880
<v Speaker 1>the funk are y'all talking about like they made that

0:51:43.960 --> 0:51:45.839
<v Speaker 1>big ship with pter b Rock, Like that ship won't

0:51:45.880 --> 0:51:48.880
<v Speaker 1>happen in every ghetto on around the country. At that Roscoe,

0:51:49.080 --> 0:51:53.480
<v Speaker 1>that Roscolls is cool. That Roscoes all the time and

0:51:53.600 --> 0:51:58.120
<v Speaker 1>get delicious meals that Roscoes right there they go. Nobody

0:51:58.160 --> 0:52:00.320
<v Speaker 1>go to the Rock Scols except everybody go to that

0:52:00.440 --> 0:52:04.840
<v Speaker 1>ros Goes. That's My favorite rocks goals be the sisters

0:52:04.880 --> 0:52:10.399
<v Speaker 1>there with sassy attitudes and ship feel the homies and ship.

0:52:10.400 --> 0:52:12.160
<v Speaker 1>You're gonna see some niggas, you know what, some nigga

0:52:13.040 --> 0:52:14.919
<v Speaker 1>ma me. So again, it's one of the things where

0:52:15.000 --> 0:52:19.200
<v Speaker 1>we not we Our job is to provide our flavor

0:52:19.320 --> 0:52:22.680
<v Speaker 1>to the world in a digestible manner, and we're not

0:52:22.920 --> 0:52:27.160
<v Speaker 1>doing that. We're as simulating too much of everybody else's

0:52:27.200 --> 0:52:30.080
<v Speaker 1>culture and they can get it pure from somebody else.

0:52:30.960 --> 0:52:35.680
<v Speaker 1>That's really the solution. So from the music to the fashion,

0:52:36.040 --> 0:52:39.280
<v Speaker 1>all of these things have to be into. It's funny

0:52:39.280 --> 0:52:40.640
<v Speaker 1>because I used to tell nigs I said, yeah, I

0:52:40.640 --> 0:52:42.799
<v Speaker 1>should wear dickies. Oh gee man, that's that old school ship.

0:52:42.880 --> 0:52:45.879
<v Speaker 1>I'm like, that's not This is like a uniform, because

0:52:46.160 --> 0:52:49.279
<v Speaker 1>don't forget like that that nigga deak Tho came and

0:52:49.440 --> 0:52:52.399
<v Speaker 1>put some writing on the fucking dickey jacket and start

0:52:52.719 --> 0:52:55.680
<v Speaker 1>charging the ship out of niggas for that ship. Now,

0:52:55.760 --> 0:52:59.200
<v Speaker 1>all these niggas is wearing dickies. Me, all I can do,

0:52:59.320 --> 0:53:01.560
<v Speaker 1>comes right. All awful lot of calls syrup cutting you

0:53:01.600 --> 0:53:06.239
<v Speaker 1>would get with your niggas is stupid niggas start That's

0:53:06.239 --> 0:53:08.600
<v Speaker 1>all that's don't start doing because they'll start just putting

0:53:08.600 --> 0:53:12.279
<v Speaker 1>a whole lot of call syrup on dickey suits. Mother,

0:53:12.360 --> 0:53:15.240
<v Speaker 1>he probably set them up for a thousand dollars fucking

0:53:15.280 --> 0:53:20.360
<v Speaker 1>Dickie suit. Niggas is crazy. We got the best flavor

0:53:20.560 --> 0:53:22.000
<v Speaker 1>of all the niggas in the country. We were the

0:53:22.080 --> 0:53:24.640
<v Speaker 1>wildest niggas, were the most turned niggas. We with all

0:53:24.680 --> 0:53:27.279
<v Speaker 1>the bullshit. If these white our white folks is in order,

0:53:29.880 --> 0:53:32.160
<v Speaker 1>ain't nobody around the west of the country white folks

0:53:32.200 --> 0:53:33.879
<v Speaker 1>in order like oh, then white folks like we don't

0:53:33.920 --> 0:53:35.600
<v Speaker 1>want to push these niggas off the nigga start burning

0:53:35.600 --> 0:53:37.239
<v Speaker 1>ship down, and now we are burnt it down in

0:53:37.320 --> 0:53:44.480
<v Speaker 1>their neighborhood, getting closet ship. They now they ain't are

0:53:44.520 --> 0:53:48.040
<v Speaker 1>in the neighborhoods now because niggas is robbin niggas. We

0:53:48.080 --> 0:53:52.560
<v Speaker 1>don't robin niggas. And Beverly Hills down that rox Champ

0:53:52.640 --> 0:53:54.759
<v Speaker 1>that they ain't hunt it out run that in Beverly Hill.

0:53:55.680 --> 0:53:58.240
<v Speaker 1>So were the only We're the baddest niggas in the country.

0:53:58.280 --> 0:54:00.720
<v Speaker 1>Our white folks in order, they know we are burning

0:54:00.840 --> 0:54:04.279
<v Speaker 1>motherfucker down. If they do something like they killed them,

0:54:04.320 --> 0:54:06.160
<v Speaker 1>the men out there in Florida. These niggas ain't even

0:54:06.160 --> 0:54:14.360
<v Speaker 1>flip the car. What's name had the skittles. The niggas

0:54:14.400 --> 0:54:16.920
<v Speaker 1>ain't even flipped the car because we start burning ship

0:54:16.960 --> 0:54:20.359
<v Speaker 1>down over here for that mm hmm. Them niggas ain't

0:54:20.360 --> 0:54:23.080
<v Speaker 1>did nothing. The niggas ain't pushing no line. Niggas in

0:54:23.120 --> 0:54:24.960
<v Speaker 1>the South when they did that ship, they barely fucked

0:54:25.000 --> 0:54:30.080
<v Speaker 1>up the rallies from Yeah, that was in the Midwest.

0:54:30.760 --> 0:54:33.239
<v Speaker 1>Them niggas ain't did. The niggas ain't roll dice cream. Man.

0:54:34.800 --> 0:54:36.799
<v Speaker 1>We are the wildest niggas in the country. We are

0:54:36.880 --> 0:54:39.000
<v Speaker 1>the embodiment of hip hop and that's why our ship

0:54:39.160 --> 0:54:42.120
<v Speaker 1>always did well when it's the culture at its purist.

0:54:43.320 --> 0:54:46.040
<v Speaker 1>We are the embodiment of the spirit of being black.

0:54:46.320 --> 0:54:48.920
<v Speaker 1>We are resilient. We talked ship and late Nigga. We

0:54:48.960 --> 0:54:51.719
<v Speaker 1>ain't taking nothing from nobody, not no white folks, not

0:54:51.880 --> 0:54:55.439
<v Speaker 1>no nothing, nigga, nobody. That's the spirit of hip hop,

0:54:56.320 --> 0:54:59.600
<v Speaker 1>that's the energy, that's the rebellion, that's the whole counterculture.

0:54:59.680 --> 0:55:04.200
<v Speaker 1>Like in Nigga. So we gotta get back to selling

0:55:04.280 --> 0:55:11.920
<v Speaker 1>niggas that good looking out for tuning into the No

0:55:12.080 --> 0:55:15.600
<v Speaker 1>Sellers podcast, Please do us a favorite, subscribe, rate, comment,

0:55:15.640 --> 0:55:18.279
<v Speaker 1>and share. This episode was recorded right here on the

0:55:18.360 --> 0:55:21.400
<v Speaker 1>West coast of the USA and produced by my homeboy

0:55:21.719 --> 0:55:24.440
<v Speaker 1>A King, for the Black Effect Podcast Network and I

0:55:24.600 --> 0:55:26.000
<v Speaker 1>Heart Radio Yeah.