Speaker 1: Watch up and welcome back to another episode and No
Speaker 1: Sinners podcast with your host not funk that with your
Speaker 1: low glasses Malone. Question, why do you guys think it's
Speaker 1: so difficult for l A artists to come up, like
Speaker 1: really come up and blow up in the game, not
Speaker 1: just the local street hood fame, like really take it
Speaker 1: there and take it there, you know, um versus all
Speaker 1: these Atlanta artists, Like look at Glow like that's somebody
Speaker 1: who made a song and I'm talking about up there
Speaker 1: now already you feel me and versus it's some females
Speaker 1: that I didn't see him. Ben, I'm talking about grinding
Speaker 1: for this ship out the city like you feel me.
Speaker 1: And it's so many l A artists that I feel
Speaker 1: like that's already up there mainstream like game snoop whoever
Speaker 1: you feel me? I feel like they got enough their
Speaker 1: their name is big enough and their pockets big enough
Speaker 1: to help one of these artists out or some of
Speaker 1: these artists out. They really get them there instead of
Speaker 1: signing them and not doing ship well when you feel
Speaker 1: me like mm hmm. So that that's like a that's
Speaker 1: a multi faceted question because Glow has a song like this,
Speaker 1: business is all built on one record, right, fun Nigga
Speaker 1: Free is a fantastic record. So that's not a common
Speaker 1: thing that you hear all the time. You don't hear
Speaker 1: Nigga's was really good records all the time. Um, that's
Speaker 1: her best record. And she got other stuff I like,
Speaker 1: but that's her best record. Um. I mean Snoop. Snoop
Speaker 1: gave us the east Side as he tried dogies Angels,
Speaker 1: he tried badass. Um, he tried what's the kid from
Speaker 1: North Long Beach job? You know, he took his shot
Speaker 1: with about five or six different people. Some of it
Speaker 1: worked out, some of it didn't. I mean that's the business,
Speaker 1: Chuck is just Game is different. I don't think Game
Speaker 1: really cared about being executive. You have to be into that, like,
Speaker 1: um so real. I feel like the only one from
Speaker 1: this like California ship that really didn't took some artists
Speaker 1: and grew some artists. I really gotta say, it's e
Speaker 1: forty like I'm talking about some current ship right now,
Speaker 1: Like what's his name, Nesta Ferroll. It's funny is if
Speaker 1: you go up to the bank pas like need is
Speaker 1: more so know who they are versus if you but
Speaker 1: if you go up to the Bay. People really don't
Speaker 1: think forty did right by the artists, Like a lot
Speaker 1: of young artists really shout out to my God. But
Speaker 1: he took a lot of criticism for that. People feel
Speaker 1: like him or short hasn't did as much for artists.
Speaker 1: But the reality is being the executive is a talent
Speaker 1: on its own, you know. I mean, you gotta have
Speaker 1: a vision for it. Like remember Snoop didn't break Snoop,
Speaker 1: that was Shoog Sjug broke Snoop Dre you know, um
Speaker 1: dogpaan all that ship. So he had the vision um
Speaker 1: another idea? Why this thing so local? Right? And y'all
Speaker 1: know y'all have been covering West Coast hip hop for
Speaker 1: a while. Mustard is one of the hottest producers of
Speaker 1: hip hop, if not the hottest one. Like his ship
Speaker 1: is going I know personally for sure. He tried to
Speaker 1: sign three to four different people Draco, Rest in Peace,
Speaker 1: Blue Bucks. Nobody will sign with him. But is it
Speaker 1: was it? Is it because of the business person of
Speaker 1: it or they just didn't want you know how it
Speaker 1: is you hear some ship and you're like, I don't
Speaker 1: want to do business, or is it just because they
Speaker 1: didn't want that same sound. Because Mustard also whatever sound
Speaker 1: like that, that's just sounds like winning, Like that's just
Speaker 1: sound like the winner circle. For real, I'm saying, some
Speaker 1: artists don't want to do that. Some artists don't want
Speaker 1: the same ship. So then some artists want to win
Speaker 1: the way they want to win. But that's the point.
Speaker 1: So when you said why people are staying local, your
Speaker 1: records have to go Nash, know, like there's records in
Speaker 1: Atlanta that you that you don't hear about that our
Speaker 1: Atlanta records. So just like we got a lot of
Speaker 1: records that's l A records. They have Atlanta records, but
Speaker 1: the records you hear that come here are the cream
Speaker 1: of the crop, best records. So it's like Mustard being
Speaker 1: like one of the best producers in the game, if
Speaker 1: not the best one. Remember he gave Roddy his first
Speaker 1: hit record, right ball, and he gave Tiger Racks. That's
Speaker 1: tiger first hit record as a as a as a
Speaker 1: lead artist outside of deuces um kid In't. He gave
Speaker 1: kid inca smash. He gave Todd dollars on the smash.
Speaker 1: Heat he passing out smashes, leafing right, um, so you
Speaker 1: gotta ask jeesus and why would they not do the deal?
Speaker 1: I have my belief my belief and with the Blue
Speaker 1: Bucks is sometimes niggas get hot and feel like they
Speaker 1: could do it theirselves. That just ain't it and it's
Speaker 1: not real. This game is built off producers. Hip Hop
Speaker 1: is built off production the producers Death Row works because
Speaker 1: of the vision of Sugar, but the music of Dr
Speaker 1: Dre Ruthless is the vision of Easy. The music of
Speaker 1: Dr Dre No Limit is the vision of Master Pete,
Speaker 1: and the music from Beats by the Pound Bad Boy
Speaker 1: is the vision of Puff and the music from the
Speaker 1: Hit Men Cash Money is the vision of Master p
Speaker 1: and Slams Give Me Bird and Slam and the music
Speaker 1: of Many Fresh. It's built off production. Motown was built
Speaker 1: off production. Music is built off production. So you was
Speaker 1: only as gamed as your producer is. So if they're
Speaker 1: not into the art of records, it's a lot of
Speaker 1: little niggas making beats, a lot of them. Man, it's
Speaker 1: cheap to make beats now. You don't even have to
Speaker 1: be into the art of it. You could just somebody
Speaker 1: can still a laptop, you can get it and make beats.
Speaker 1: But the niggas who are actually really making records on
Speaker 1: top of records, they are into the art of making
Speaker 1: records hit records. And with this, he was in the
Speaker 1: lab every day all that, and that's all you wanted
Speaker 1: to do, like that, you know what I'm saying. So
Speaker 1: and that's why his ship sound the way do you know,
Speaker 1: Like he got his own style style. But even him,
Speaker 1: like for as good as he's doing, he needs help.
Speaker 1: Like it's certain places where you know, these are all
Speaker 1: substantially young guys. And as much as it seemed like
Speaker 1: it was Dr Dre in the early days of Ruthless Member,
Speaker 1: it's a lot of other guys there that you just
Speaker 1: don't know about. You don't really know what Yellow was doing.
Speaker 1: You don't really know what a Laddin was doing, or
Speaker 1: a lot of the other guys was doing. They were
Speaker 1: all contributing stuff and that made Dr Dre the producer
Speaker 1: he is as well. Um, hip hop records come from
Speaker 1: producers first. You know, fold Life is the same the
Speaker 1: person who did fold Life of mactin right, that's Ice
Speaker 1: Cue ice Q did his own ship and mctin fold Life,
Speaker 1: Uh Backyard Boogie mactin other hit record. The same person
Speaker 1: who did ll co J I Need Love did that song.
Speaker 1: I never knew that you learned something new every days
Speaker 1: with the load put me on. So somebody like Blue Bugs,
Speaker 1: why Draco. Draco had his own movement what I'm saying,
Speaker 1: but I think they both should have signed. I think
Speaker 1: I told Blue Bucks. I told my nigger that funk
Speaker 1: with them when I was talking to them and said,
Speaker 1: Yell should signed him. Y'all should sign with him. You
Speaker 1: like Roddy. Roddy did well, but Bawling, I mean Balling
Speaker 1: was huge for it. That's how you can get the
Speaker 1: box right now. The only record you're here from the
Speaker 1: last project is Late at Night Muster. That's true. As
Speaker 1: far as why it's harder now, it's less producers. Now.
Speaker 1: Back when I was younger, before I was ever wrapping
Speaker 1: and ship, you could go about six producers and get
Speaker 1: a good record. You can go to battle Cat, you
Speaker 1: can go to Dre, you can go to Quick, you
Speaker 1: can go to Wound r g Um, you can go
Speaker 1: to Slip, you can go to fred Wreck and get
Speaker 1: some good ship. You can go to a few guys
Speaker 1: and get dope records. Right now, you're just gonna go
Speaker 1: to Mustard. I think a lot of the producers are
Speaker 1: figuring it out. Shout out to ron Ryn, shout out
Speaker 1: to Larry rest in peace. Uh official official Swaye is dope. Um,
Speaker 1: there's some guys figuring it out. But that's a lot
Speaker 1: of work to figure it out. I gotta love. They
Speaker 1: won't been around when I first came into business. Day one,
Speaker 1: you know, was we came in together. So it's tough
Speaker 1: because you're only as great as your record. That's why
Speaker 1: it's hard to get out of l A. Your records
Speaker 1: have to take you out of l A. And then
Speaker 1: it's crazier. Today I was talking to my partner and
Speaker 1: was telling him, your brand has to be explosive. H
Speaker 1: I mean, like now it's hard for music because it's
Speaker 1: eight thousand and eighty thousand, so coming out every day,
Speaker 1: being uploaded, right, So your brand has to like push
Speaker 1: you into the atmosphere. Your brand like niggas who wearing dresses,
Speaker 1: who pay their nails, those are the things we're gonna
Speaker 1: talk about as a mask, that's their brand. Like Doug
Speaker 1: for a long time. You know what I'm saying was
Speaker 1: like acting gate, he knew we all thought was gay
Speaker 1: and he knew we would say it was gay. Yeah yeah, Joe,
Speaker 1: your brand takes you past the barrier and then your
Speaker 1: music follows you. Um. I was having this conversation, right,
Speaker 1: I'm a lot of people calling me for advice. Right,
Speaker 1: people that's successful, people that's legends, called me for advice.
Speaker 1: And I was saying, I was like, damn, I was
Speaker 1: diagnosed in myself. Yes, said I'm like, okay, as in
Speaker 1: exactly what would I say it's wrong with glasses? Malone's career.
Speaker 1: Once I learned how to make records, it changed, right
Speaker 1: that good became my first gold record. Um, but branding
Speaker 1: is tough. It's not simple, like what does your brand represent?
Speaker 1: Is the reason why when you go to In and
Speaker 1: Out because and you know, they want to say West Coast,
Speaker 1: so they got palm trees on all the locations, red
Speaker 1: and yellow like McDonald's. They want to say clean. So
Speaker 1: everything is white, everybody wearing white. It's a few things.
Speaker 1: It's called In and Out because they had the first
Speaker 1: drive through. That's the usp on it that's gonna making unique.
Speaker 1: So it's it's tough, Like, um, can I say legendary
Speaker 1: heritage acts like Cat Dre and them could do more. Yeah,
Speaker 1: but they don't give a fuck. It's not they don't
Speaker 1: it's not they don't want to. They don't even know
Speaker 1: what to do. Like when I talk to Dre and
Speaker 1: cat now, they don't know what to do. The belief
Speaker 1: is that these niggas know like Snoop, Snoop really to
Speaker 1: his mind, he trying his best. But we look at
Speaker 1: them and to us it seems like it's so because
Speaker 1: I was that artist. I remember when he was coming up.
Speaker 1: I felt like that. But what I realized is you
Speaker 1: have to go to them with ideas and you have
Speaker 1: to know the right questions to ask, and sometimes they're
Speaker 1: still not gonna do business with you. It just don't
Speaker 1: make sense for them. Um. I think some artists are
Speaker 1: doing well. I like what Catlin is doing personally. If
Speaker 1: I was diagnosing it, I would force him like I
Speaker 1: would force him to figure out and develop his sound
Speaker 1: more so it's more unique completely. Um yeah, but that's
Speaker 1: the point. Like rock Nation first off. Another thing, I
Speaker 1: would never tell the West Coast artist to ever sign
Speaker 1: to anybody that's not from the West Coast because you
Speaker 1: miss a natural when your record company is based in
Speaker 1: l A and they go out and they hear your music,
Speaker 1: Extra budgets get added, more excitement is in the building.
Speaker 1: It's a reason why the biggest acts came through in
Speaker 1: the scope. It's a biggest it's a huge red Then
Speaker 1: why the greatest acts came through in the scope to
Speaker 1: me priority all West Coast based record labels and distribution.
Speaker 1: It's a reason why Deaf Jam fumbled Warren g ship.
Speaker 1: They had a great record member hold up. First off,
Speaker 1: no sellings, g L. What's happening? The deal e g.
Speaker 1: Blue black once again for Warren g Right. So when
Speaker 1: they put out Regulate that came out on the soundtrack,
Speaker 1: most people forgot that. So that death row working in
Speaker 1: the soundtrack. They work Regulator blows up, smash deaf Jam,
Speaker 1: get every record from Warren and fuck it up. Mm
Speaker 1: hmm why g why should be five times as big
Speaker 1: as he is? My Crazy Life is like one of
Speaker 1: the best projects in the last twelve years. Man, they
Speaker 1: funked it up. It's not on purpose, it's just a
Speaker 1: cultural breakdown. When you're from the West that things we
Speaker 1: appreciate and we really hold in revere to them. They
Speaker 1: was like we just got somebody in the West Coast
Speaker 1: market to end the scope. He would have been the
Speaker 1: pride and joy of the building, like the Gang dr Dre,
Speaker 1: like death Roy. So I think it's easy to blame
Speaker 1: legendary acts and say, oh man, you know Snoop could
Speaker 1: do more? What the fund is he gonna do? He
Speaker 1: can't make a beat, We're gonna ask somebody for a beat.
Speaker 1: I mean, he could make a beat, but you don't
Speaker 1: want to wrap on Snoop beats like that because jam,
Speaker 1: I'm just she said, you guys need to participate more.
Speaker 1: But I'm schooled, so they because so it's all good. Um,
Speaker 1: that's the point. Though you feel me like it's rough,
Speaker 1: like because what what? What could really Snoop do more of?
Speaker 1: I mean he trying. I mean I see him. He's
Speaker 1: got his hand in in a couple of like a
Speaker 1: lot of things he's been, but it's you know, I
Speaker 1: mean it's more like he's doing stuff for you know, election, Yeah, production,
Speaker 1: like TV, And she's like, that's not in anything. I
Speaker 1: don't see him doing anything for artists. I could be wrong.
Speaker 1: I don't know. He just did as death roll, so
Speaker 1: I don't know if he's just did he drop did
Speaker 1: he He didn't drop anything? Though right already sign what's
Speaker 1: his name? I think he got I think he's trying
Speaker 1: to endorse Snoopy to say, I think he's trying to
Speaker 1: endorse Snoopy to some degree. I just don't know to
Speaker 1: what marketing wise he's gonna do. So he got somebody,
Speaker 1: so he's signed somebody else too. Yeah, but it's it's
Speaker 1: it's shout out to picket a litter that that's a
Speaker 1: really good series by Snoopy. Um So even though Snoop right,
Speaker 1: so the belief is if Snoop stamp you, it's over.
Speaker 1: That's just not true. That's why job. But it didn't happen.
Speaker 1: Huh Macluci, Yeah, he got Macluci. Now that didn't work out.
Speaker 1: Um So it's multiple things, that's what's wrong with it.
Speaker 1: Um we're a lot of the artists are stuck here
Speaker 1: because they're not making records bigger than here. And then
Speaker 1: the first thing they do is when they think to
Speaker 1: make a record bigger than here, they go make a
Speaker 1: trap record. But don't nobody want to hear trap music
Speaker 1: from l a nigger. I'd rather listen to Alanna. Trap
Speaker 1: music like going to a white person. That makes soul
Speaker 1: fool or nigga trying to make authentic Mexican food. I'm like, bro,
Speaker 1: where is the soul twist that like fried my shells? Brother,
Speaker 1: don't come out here and try to topose a not
Speaker 1: gonna be then I sent my Mexican food is good
Speaker 1: because you like your masking fool, but it's not really
Speaker 1: good compared to masking food. Why y'all got to try
Speaker 1: to impede on everybody's ship though. But I'm just saying
Speaker 1: she might make some authentic ship. You don't know have
Speaker 1: you had. She might have something that you don't like you.
Speaker 1: It's like you with your little study days about That's
Speaker 1: how I'm not you know? That was sure giving a
Speaker 1: thing again, that's leave it. I did that. It was
Speaker 1: like I beat that day. I know you didn't. I
Speaker 1: don't know what the job she liked it. Part of
Speaker 1: that is actually it's a field job, so you have
Speaker 1: to feel you touching that the thing, right, hold hold on,
Speaker 1: let me just catch everybody else. So Britt attempted to
Speaker 1: be a lesbian for a slide of my time? Is
Speaker 1: that how you would saying politically? I don't know, I
Speaker 1: don't know what you want to say. I had that curious.
Speaker 1: She knocked up on it twice, right, and then somebody,
Speaker 1: the girl she was dating, said that she wanted Britt
Speaker 1: to you. So Britt got behind that thing and that's
Speaker 1: what we had. Now. So the thing it was empowering,
Speaker 1: wasn't it. It has like well, the thing she had
Speaker 1: it it kind of like sucked on my click. So
Speaker 1: it was stimulate you too. So it was like we
Speaker 1: both were stimulated. Did you hope? Okay? So did you?
Speaker 1: I mean yeah, you had to hold it at was like, oh,
Speaker 1: I was like, yeah, y'all, y'all got some power. Hey,
Speaker 1: real ship? That that ship made me feel weird. I'm
Speaker 1: no one woman should have all this power, right, No,
Speaker 1: that ship was weird. Behind that thing spread me you
Speaker 1: ever did strictly tongue but to feel what is your
Speaker 1: lady at one time when you're dating, asked you to
Speaker 1: do that. I wasn't down for. But what if she
Speaker 1: would have said, please just just make my day? I
Speaker 1: wouldn't I know you to be curious, wouldn't like That's
Speaker 1: why I did it? Because I was curious. I was like,
Speaker 1: what you did? Tell me? It was like it was weird.
Speaker 1: It was weird because you know why it's make a
Speaker 1: booty cheese tighten. You don't know what she's doing, like, oh,
Speaker 1: she's gonna kill me. Didn't making new to me. Trust me,
Speaker 1: she was embarrassed as she was. She was back there,
Speaker 1: she like, have no idea. She didn't tell me. I've
Speaker 1: been not telling nobody. Yeah, you ain't told nobody, But
Speaker 1: you ain't told nobody but the twenty five People podcast.
Speaker 1: Nobody I told you. Okay, he is behind that thing,
Speaker 1: but no, So that's that's what it is me. I think,
Speaker 1: um and and I know you know this because you
Speaker 1: you at the time was dealing with dass and different
Speaker 1: homies and ship so you know how it is. But
Speaker 1: the belief is that they could do more than they do,
Speaker 1: and the reality is they actually did more than they
Speaker 1: can do. See, sometimes we look at these people like
Speaker 1: they're the reason they're successful, even like dash DA's my look,
Speaker 1: sholot nigger Dad's ain't fucking put out dads Dealinger. I mean,
Speaker 1: you know what you know that somebody told me. I'nna real,
Speaker 1: they say, I mean, I don't feel like it's just expectful.
Speaker 1: It was just something somebody was saying. They was like
Speaker 1: snoop still is working ship you feel me. He's still
Speaker 1: getting booked for ship, commercials, liquors, all common ship like that.
Speaker 1: So he's still working a job. He's like, not the
Speaker 1: business side of it, he's still getting hired for ship.
Speaker 1: You feel me. So, I mean, I don't know, but
Speaker 1: I looked at it in my mind because I was
Speaker 1: somebody at one point of time and I was dealing
Speaker 1: with you feel me. So I love Snoop to death
Speaker 1: did more. But I definitely do feel he could have
Speaker 1: did more because in my mental always that's a mega
Speaker 1: superstar who turned down the sloop call, so we needed
Speaker 1: to be a studio session, whatever it was. You definitely
Speaker 1: could have made that happen. But my I don't want
Speaker 1: to expose my no, no, and that's not what we're doing.
Speaker 1: I'm gonna stop you right there, but I'm gonna say
Speaker 1: this to you that nigga ain't had to call nobody
Speaker 1: to do ship if they're already it's fucking Snoop. It
Speaker 1: was literally you put up you feel me and so
Speaker 1: so so when you so when we look at somebody
Speaker 1: like Dog, we all went through the same thing. We
Speaker 1: Dog is Mickey Mouse. Because let's beyond this Nigga's Mickey Mouse.
Speaker 1: This nigga literally is probably the top five famous motherfuckers
Speaker 1: in the world. It's only like Jesus and Mickey Mouse
Speaker 1: is more famous than Cause no if you really think
Speaker 1: about Snoop, Cause this motherfucker Cause is huge. And sometimes
Speaker 1: we forget because he a crip and he from around
Speaker 1: the way. But this nigga ain't like nothing we ever seen.
Speaker 1: But the problem is when you be a mega superstar,
Speaker 1: you he ain't really had to do nothing but keep trying.
Speaker 1: Snoop is really somebody. I think I wouldn't even consider
Speaker 1: him super savvy in the record business. Now he could
Speaker 1: cuts me off of this. But that nigga is blessed
Speaker 1: with this sense of wisdom. Comes like a nigger that's
Speaker 1: a hundred and seventy. I think it's like one of
Speaker 1: the wisest niggas. I know how to talk how it's
Speaker 1: all wisdom and it's all discernment. He's blessed by God,
Speaker 1: that nigga is. I had this big debate with the
Speaker 1: honey we're talking about the whole tupact Snooper. He was
Speaker 1: telling me Tupac with Snoop, and it was jealous a
Speaker 1: Tupocket and I hear that at Loss their times, Snoop
Speaker 1: was jealous man that nigga was signed the Death Row
Speaker 1: seven months he had put out a record. They've been
Speaker 1: out seven months, the first thing who had Snoop on
Speaker 1: the motherfucker. They did a concert in July, two months
Speaker 1: for the Nigga Die. He was open enough for Snoop.
Speaker 1: When what time B two be jealous? Snoop is the
Speaker 1: pinnacle of the game. He is the pinnacle. But the
Speaker 1: problem is he didn't have to. All Snoop had to
Speaker 1: do was keep his nose clean and persevere. He was
Speaker 1: set in the right direction God Shugg and Dr fucking Dre.
Speaker 1: All he had to do was don't fucking up. And
Speaker 1: that's the thing he has. His wisdom is years and
Speaker 1: years beyond most motherfucker's that I ever talked to. His smoothness,
Speaker 1: you know what I mean, the way operators really really
Speaker 1: like a nigger that has been on the earth more
Speaker 1: than once. But it's different when you actually gotta break
Speaker 1: somebody that ain't now that ain't that's different. You better
Speaker 1: know what the fuck you gotta remember. Death Row was
Speaker 1: Sugar Knike's third project label. He had multiple labels before
Speaker 1: that label. He got it right the third time. Niggas
Speaker 1: don't so Snoop, it's differ. It's well, it's not that
Speaker 1: he's been Snoop Dogg like. It's it's like he did
Speaker 1: his deal with East Sides right, that was at tv T,
Speaker 1: so t v T did the marketing. Snoop just had
Speaker 1: to be Snoop and do what he do with fire right.
Speaker 1: He had to do this ship with the records, you
Speaker 1: know what I'm saying that and put his twists. But
Speaker 1: Cat was there at that time. Battle Cat was right there,
Speaker 1: so all trade d and Goldie had dudes beat himselfs
Speaker 1: Snoop came in there what he did, and Cat handled
Speaker 1: the rest and tv T market at the motherfucker's So
Speaker 1: that's easy. Snoop has been trying to do it the
Speaker 1: same way the whole time, with you or with anybody else.
Speaker 1: It's just there is not a battle Cat right now.
Speaker 1: There's no Battle Cat right there. I mean, no disrespect
Speaker 1: to Big Bro like Cat is a lot, but I'm
Speaker 1: saying Cat in ninety nine is different. Cat probably be now,
Speaker 1: but you can't even get him to do ten beats.
Speaker 1: It's pulling teeth and ship. What then is you doing?
Speaker 1: But there's no tv T to market it? Right, there
Speaker 1: snoop just put out records. He just dropped records like
Speaker 1: his Thursday the Empire. Empire don't market records. So the
Speaker 1: business part of this ship is unique. It's not it's
Speaker 1: not as tongue in cheek as it look. It's not
Speaker 1: like a niggas he said, like ice cube. Ice Cube
Speaker 1: can break anybody. It worked with battle Cat, but it
Speaker 1: didn't work with Short Chop and Short Chop excuse me,
Speaker 1: at work with mac Tin, but it didn't work with
Speaker 1: Short Chop. It didn't work as well with Caution. It
Speaker 1: didn't work as well with Yo Yo, but it worked
Speaker 1: with the West Side Connection. Huh, Short Chop, super dope nigga.
Speaker 1: When I was young and this nigga was so hard
Speaker 1: for me. What this nigga was hard as a motherfucker.
Speaker 1: But it's different to make the cam he had cam. Yeah, yeah,
Speaker 1: it's not easy. It's it seems easier and it's easy
Speaker 1: to say all this person could have did this. What
Speaker 1: I always tell niggas, I helped the l A. Johns
Speaker 1: right now, they're not signed to me. I helped to
Speaker 1: market this ship. And I market for him. She said,
Speaker 1: man glasses, if we were to do a deal with Snoop,
Speaker 1: you know, with the work, I said, it would work
Speaker 1: if I wrote a list of things that you need.
Speaker 1: And if I wrote a list of things you need,
Speaker 1: this nigga probably ain't gonna do the deal because because
Speaker 1: I know exactly what has to happen, because I have
Speaker 1: been working my own ship for so long that I
Speaker 1: study what needs to happen to the study success. I
Speaker 1: had enough conversations. So it's tough. Atlanta got the good
Speaker 1: producers about full five of the motherfucker's for five of
Speaker 1: the motherfucker's they all making joints what I'm saying, So,
Speaker 1: do you think it has something to do it? Like radio?
Speaker 1: Though too, not at all, Like no, not not at all.
Speaker 1: Radio need to play new music. You just gotta have
Speaker 1: good records. Never forget that. I think it's crazy because
Speaker 1: I'm gonna say a little bit right now, you feel me.
Speaker 1: I think it's a little bit easier to kind of
Speaker 1: like pave you away and make your name like as
Speaker 1: far as we got no jumper right now, they's another thing.
Speaker 1: Feel me. Gene on there they're giving TI like charisma
Speaker 1: she shall love you feel me? I don't. I'm I'm
Speaker 1: gonna just say on my end like she she hella
Speaker 1: should Yeah, but I think it's a tiny bit easier.
Speaker 1: But I feel like as if it's going like now
Speaker 1: I want to deal you feel me? That's where you
Speaker 1: get a little but I mean you can make your
Speaker 1: name though. I definitely feel like you could make your
Speaker 1: name and Nigga is gonna let it be known. Who
Speaker 1: what do you feel it was the hardest part for you?
Speaker 1: Where do you feel you ran into? You? Was like
Speaker 1: this ship right here is my block, my barrier to
Speaker 1: take the next step. Um, I'm gonna be real. I
Speaker 1: feel like I didn't know the game at all, Like
Speaker 1: this is literally like I'm a woman, a jet I mean,
Speaker 1: what the jel all trades? You feel me? Anything I do,
Speaker 1: I could fucking master it. I literally picked up a
Speaker 1: pencil one day and the person I was dealing with
Speaker 1: at the time r I P speed do you feel me?
Speaker 1: Got a shout out? But the person I was dealing
Speaker 1: with at the time, he was a rapper, and he like,
Speaker 1: let's hop on his beat, and I'm like, I don't
Speaker 1: want to rap. He like, but your voice like and
Speaker 1: you just be saying, sh just talking to you. You
Speaker 1: feel me, try to put that ship in the musical
Speaker 1: for him? You feel me. I turned around. He ended
Speaker 1: up getting killed. In the midst of that, I'm like, man,
Speaker 1: I'm gonna still do this whole song by myself that
Speaker 1: d J muster vato. Bet I killed it. Like I
Speaker 1: just did it. But I didn't know nothing about music,
Speaker 1: Like I wasn't the kid with microphone. Let me do
Speaker 1: this and do that. I've always been more of a
Speaker 1: personality type of person, you know. But I literally picked
Speaker 1: that ship up and this is how fast it went.
Speaker 1: Dropped the song on a Saturday. Sunday, I got hit
Speaker 1: up to come to a radio interview for Monday. I
Speaker 1: was there at the radio interview, Hey could you come
Speaker 1: do this show tomorrow and talk on Tuesday. I'm like, hell, yeah,
Speaker 1: fuck it, I'm there. You feel me? Literally, it just
Speaker 1: went like that. From the freestyle video to being in
Speaker 1: the booth, this was all like in a matter of
Speaker 1: a week. You feel me. So I'm like, I didn't
Speaker 1: know nothing about it at all. I don't know ship.
Speaker 1: Snoop discovered me and like my first eight months, you
Speaker 1: feel me? And he was working with me tough. That
Speaker 1: kind of threw me off a little bit too, Like
Speaker 1: I was I was ready. You feel me like I
Speaker 1: don't know much about it, but we're gonna figure it out.
Speaker 1: Like I don't know over what I gotta learn, but
Speaker 1: this sloop dog you feel me like lucky. There's somebody
Speaker 1: I've been looking up to gem and too for my
Speaker 1: my whole damn like fuck it. But I was just
Speaker 1: put on a pause like don't drop nothing, like I
Speaker 1: don't want you to feel me. And I'm just like huh.
Speaker 1: So it kind of like paused my spot light and
Speaker 1: I'm like, what we're doing, what we're doing, what we're doing,
Speaker 1: and that's what Just like after that, I felt like
Speaker 1: I wasn't considered, like I started figuring out other ship
Speaker 1: for myself in between and what else? Am I good at?
Speaker 1: You feel me? I can't drop this music right now,
Speaker 1: I'm listening to the head HUNCHO. Let me just figure
Speaker 1: out other ship in between here. And it just caused
Speaker 1: the distraction and feel me and I wasn't focused on anymore.
Speaker 1: So when it was like time to get focused, I'm like, right,
Speaker 1: blocking ship. My mind ain't on music no more. You
Speaker 1: feel me. So it's like every once in a while,
Speaker 1: I'll exercise my little talented ship. Now you feel me,
Speaker 1: and I'll be like, I do want to get back
Speaker 1: into the game, but I'll just be like, it's so
Speaker 1: much ship going on. I don't want to use that
Speaker 1: as an excuse because we all got real nigga, but
Speaker 1: I'm like, it is a part of my ship. Like
Speaker 1: I'm like, damn, I don't have nobody. I could just
Speaker 1: hit up and be like, hey, could I use you
Speaker 1: feel me your studio? Like I don't, well, you know
Speaker 1: what you did? Tell me that at a time that
Speaker 1: I hit me something now definitely did. But a lot
Speaker 1: of I feel like a lot of these niggas they'd
Speaker 1: be having teams like it's always been me. I don't
Speaker 1: have a nigga that funk with me, Like, let's I
Speaker 1: believe in. Let's get these beats. You got the talent,
Speaker 1: I got the beats, and we can make some ship happen.
Speaker 1: Like I'm gonna stand behind you the whole way. It's like,
Speaker 1: can I get in the studio session with you here?
Speaker 1: Can we get a beat and whoo whoop? And I
Speaker 1: feel like it's always a little different from women to like,
Speaker 1: we have it hard. Either somebody want are they trying
Speaker 1: to charge from top dollar for you feel me? Or
Speaker 1: they want the net you feel but that actually I agree,
Speaker 1: but you also also if you held it correctly, it
Speaker 1: could be to your benefit. But I do agree that
Speaker 1: that's rough. I want to throw it back for no
Speaker 1: beat though I'm not definitely can't throw it back. What
Speaker 1: about Mustard telling him back for the right. Okay, so
Speaker 1: you're smart, so at least you're smart. Okay, No, but
Speaker 1: it's it's easy, it's easy to it seems a little
Speaker 1: easier than it. It's simple, but it's not easy. Um,
Speaker 1: even for dog Dog is a superstar. He could do anything,
Speaker 1: but he don't do anything like that's not what people
Speaker 1: bring shipped to him. So that's why I like a
Speaker 1: person that fun with Snoop today. Right, if you Snoop,
Speaker 1: your your manager got to be super gamed up because
Speaker 1: he got to work the whole scene. That's not what
Speaker 1: Snoop does. Snoop is Snoop. Snoop is being Snoop Dogg
Speaker 1: at the four Time Drive. I mean, and people like
Speaker 1: he didn't really build something like with that mentality. You
Speaker 1: know what I'm saying like dog is just dog, and
Speaker 1: I genuinely think he means well most of the time.
Speaker 1: But I just think sometimes we look at him again
Speaker 1: like this, like for real, like this nigga is a
Speaker 1: top five famious people in the world, and you'll be like, man,
Speaker 1: this nigga could be doing this and it's like, no,
Speaker 1: that ain't what he does. Um. I think it's like
Speaker 1: she said, it's about a team, like real talking, it's
Speaker 1: always about the team. Like when as the cousins just
Speaker 1: doing our ship, Like once we got our team and
Speaker 1: that and we started doing certain ship, it helped a lot.
Speaker 1: When it's just you and you're making all these moves
Speaker 1: and you got, like she said, real nigga ship going
Speaker 1: on bills and ship like that. Gotta work and do X,
Speaker 1: Y and Z, and you you only can put in
Speaker 1: like a couple of hours ceo craft or whatever whatever
Speaker 1: the case may be, Like it's harder, but when you
Speaker 1: have that team, it helps. I really feel that I
Speaker 1: really do believe in you, and that's something that I
Speaker 1: actually I'm like now, I feel like right now I
Speaker 1: got a couple of people around me. That's you feel
Speaker 1: me connected and respected, You feel me and I feel
Speaker 1: like if I was to go into it again, like
Speaker 1: it could really be a beautiful thing this time. You
Speaker 1: feel me. It was beautiful last time it really was
Speaker 1: so like you feel me. But I'm just like, damn,
Speaker 1: but I definitely would. I recently did just have somebody
Speaker 1: talking to me about like, how would you feel like
Speaker 1: if I popped that out something about you being the
Speaker 1: first lady of a death row now like you feel me?
Speaker 1: And they're like, what you funk with him? Again? I'm
Speaker 1: like I would because I definitely feel like I'm in
Speaker 1: a different mental space. I'm, you know, a lot more
Speaker 1: educated than what I was back then. You feel me,
Speaker 1: Like I said, I got people that's around that's respected
Speaker 1: and connected like to where it could move a lot
Speaker 1: more than what it did last time. You feel me.
Speaker 1: So some situations is great with the manager. In some
Speaker 1: situations is great without a man manager. Um, And it
Speaker 1: depends on the manager like dog like I said to
Speaker 1: me with Snoop, Like that's the catch with Snoop, Snoop,
Speaker 1: you just gotta have to write people around. That's gonna
Speaker 1: work between them spaces because Snoop is Snoop DOGG. But
Speaker 1: I do think Snoop is very viable in this business
Speaker 1: right now. Currently he's one of the best launchpads you
Speaker 1: can have in this business. But you if you think
Speaker 1: to yourself that he understands how to do it, he's
Speaker 1: not a He don't market. That's not his job. He's
Speaker 1: not a market He's Snoop. It's Snoop marketing is Snoop
Speaker 1: talk about it. He mar help marketing Instagram. He talked
Speaker 1: about it and his own Instagram. So some things it
Speaker 1: works out. The product has to be correct for it
Speaker 1: to work. Like, the product has to be correct. A
Speaker 1: lot of niggas really feel like they lack exposure a shot.
Speaker 1: The reality is they don't even have a stick. They
Speaker 1: don't have an idea, they don't have nothing. They just
Speaker 1: really just can wrap or they think they could wrap on.
Speaker 1: They're like, if people heard me to be different or
Speaker 1: Snoop said I was good, it's good, it's not. It's
Speaker 1: way way, way more complex than that. Um, if you
Speaker 1: had to, if you had to Blue Bucks, they they
Speaker 1: figured it out. But I just think being with Mustard
Speaker 1: makes things a thousand times easier. Plus it would have
Speaker 1: put them with Interscope Capital is sometimes I like them,
Speaker 1: I know them but they's sometimes they and they're not
Speaker 1: great with urban content, not great with black shit. So
Speaker 1: but if you was at Mustard, you'd be within the scope. Um.
Speaker 1: I think why he tries to sign people and put
Speaker 1: some people out. Yeah he got he tried yeah D
Speaker 1: three he had slam. Um yeah he got a few people.
Speaker 1: Um TC, No, we got TC. Now I know Ty
Speaker 1: had TC. Ty had TC Mustard with TC or something
Speaker 1: like that. Yeah. I just I just think. I just
Speaker 1: think specifically the pushes together, it was really special pushes
Speaker 1: a part of different and and that's it. Literally that movement. Yeah,
Speaker 1: that movement, that movement um at the table because it's
Speaker 1: like stuff no work. Um. That movement is what you
Speaker 1: needed to skyrocket past the death Row threshold because before
Speaker 1: like none of us could get past and make it
Speaker 1: crack because ship death Row was like if you didn't
Speaker 1: come from the n w A family tree, that was it.
Speaker 1: Why he is the first person I've seen really blast
Speaker 1: off that had nothing to do with the n w
Speaker 1: A family tree. And that's because the Pushing movement became
Speaker 1: the youthful full movement of West Coast kids. They took
Speaker 1: the embodiment of what jerking was and brought in an
Speaker 1: element of fun and function that that really reminded you
Speaker 1: of that time period and it about for them and
Speaker 1: you got tied from it, mustard from it, and you
Speaker 1: got from so I think, Um, what makes it tough
Speaker 1: for us to make it is one is a lack
Speaker 1: of producers. I mean, don't get me wrong, this Nick
Speaker 1: is working on hit Boy is doing a lot of
Speaker 1: good ship. But you know her boy is doing what
Speaker 1: he's doing too. Um, but the producers have to get
Speaker 1: a lot more serious into making records, not just beats.
Speaker 1: That's one thing. Um. Secondly, Huh, this is tough because
Speaker 1: I think we're just in a different time, Like, um,
Speaker 1: who was the last person that blew up from Atlanta?
Speaker 1: The last person? That's what they feel like. But who
Speaker 1: was the last person that blew up from Atlanta? Ship?
Speaker 1: Who's going on right now? From what was a little baby?
Speaker 1: When see how dry get real quick? I don't know?
Speaker 1: So and like little baby right, little baby signed to
Speaker 1: probably I mean ship they he signed to the same
Speaker 1: Niggs that blew up to me? Goes yeah, I mean
Speaker 1: he don't know what they're like them, they don't know
Speaker 1: what they're doing. They're tough it's a great regular label.
Speaker 1: Um we got Nick is doing a good TV. He
Speaker 1: does well. Um they push what four or five platinum
Speaker 1: ortis from that little ship other label? Would you say
Speaker 1: ship to me? Fow on the summers? You fall on
Speaker 1: the summers. Gay, you must have records and they gat
Speaker 1: you ever made? Yeah, everybody else trying to start. Another
Speaker 1: thing is everybody else is trying to start a record label.
Speaker 1: That's another thing. It's a bunch of people who have
Speaker 1: no experience that starting the regul label, starting a regular label.
Speaker 1: So Draco started a record label right with the Stick Team.
Speaker 1: That was his first that was his experiment, right. They
Speaker 1: was figuring it out, you know, life life. He got
Speaker 1: about this life early, right, so now you gotta still
Speaker 1: figure it out. Memory. Blue Bucks got their own movement,
Speaker 1: that's what capital. So you're also starting brand new businesses.
Speaker 1: So you're not only a brand new record label, you're
Speaker 1: starting brand new businesses. Prime example, when Death Rows started,
Speaker 1: they were a brand new business, right. Dr Dre was
Speaker 1: an established act as a producer and as a so
Speaker 1: they came with something that was already established. Blue Bugs
Speaker 1: has a brand new record label, the brand new group problems.
Speaker 1: It's like trying to make a new burger at a
Speaker 1: new burger stand. Hi, bro, just make ground beech Burgers.
Speaker 1: Bro being say they have a great business model, but
Speaker 1: she said, why is it not exploding out of California?
Speaker 1: The problem is you have to You literally are building
Speaker 1: a brand new business with a brand new act. Take
Speaker 1: years years. It's the reason why they didn't come out
Speaker 1: with Snoop Dogg album first. It came out with Dr
Speaker 1: Dre's album first. From n w A, you know what
Speaker 1: I mean? So so movements like groups of people. You know, now,
Speaker 1: if Blue Bucks was like seven niggas, it happened faster,
Speaker 1: prime example, Big Glow Right. Part of her success that
Speaker 1: nobody talks about is her movement of girls. If it
Speaker 1: was just her would work, like now she could start
Speaker 1: doing stuff with just her. But when you first saw them,
Speaker 1: it was altogether. Imagine if it was hurt just screaming
Speaker 1: let's go. She looked retarded running round them cars and
Speaker 1: give me that. And she she's smart. She don't use
Speaker 1: her entourage like an entourage. She's not hiding the light
Speaker 1: from them. See a lot of people like how many
Speaker 1: people do we know from the clan g easy and
Speaker 1: you know right. But if it was eight niggas with them,
Speaker 1: and it was always eight niggas, then that's a movement.
Speaker 1: If it's two niggas, it's short. And I'm saying, you're sure,
Speaker 1: that's why. That's why it works better when it's multiple people,
Speaker 1: because it's like, if it's seven niggas to be like
Speaker 1: it's the ship, it took like what nine niggas to
Speaker 1: breaks that nine and with wu tangs like nine niggas.
Speaker 1: I mean, so it's a few things. Um, it's it's
Speaker 1: a few changes most people can make and really go
Speaker 1: to another step. But when I was thinking about myself,
Speaker 1: I was like, damn, what would I do as an
Speaker 1: exact for glasses? My problem is my brand, right is
Speaker 1: is people don't know why they call me glasses. That's
Speaker 1: such a simple thing to fix. But I would have
Speaker 1: never thought about that as a business never in my life.
Speaker 1: The cousins, you have to figure out, why, what the
Speaker 1: funk do I need you in my life? For what
Speaker 1: I'm saying, business is unique. McDonald's got on because they
Speaker 1: created fast food. It wasn't the first person that burgers
Speaker 1: and fries that was white castles. McDonald's figured out how
Speaker 1: to give your ship in like ninety seconds fresh. That's
Speaker 1: what mag niggas go there, niggas. It's a thousand rappers
Speaker 1: every day, thousand rappers every fucking day. I mean, why
Speaker 1: are they fucking with you? Glow? I know what I'm
Speaker 1: gonna get from Big Glow. I mean, this motherfucking look crazy.
Speaker 1: This mother fuck be on the biggest last. The last
Speaker 1: is bigger than her. Fun with it though, so um,
Speaker 1: the Western isn is in a quality position. You know
Speaker 1: that they's We're not as fucked up as New York.
Speaker 1: New York is in a bad place because they're trying
Speaker 1: to take Chicago drill and they're saying it's not Chicago,
Speaker 1: it's UK drill. But the reality is you're trying to
Speaker 1: take a culture that don't naturally fit. At least, we're
Speaker 1: not that far off. They're in a weird spot. Their
Speaker 1: motherfucker's just trying to make some ship work that ain't
Speaker 1: gonna work. We're trying to make our ship work, but
Speaker 1: we have to develop it. I think also, people don't
Speaker 1: really understand I don't know, I wouldn't say understand our
Speaker 1: culture over here, but they just really don't. It's different
Speaker 1: for us, like you know, we got the palm trees
Speaker 1: and we got you feel me. But they don't understand
Speaker 1: it though less you come and you see and like
Speaker 1: experience that ship that the hip hop ain't good. That's
Speaker 1: you gotta get better. Trust me, snooping them at the
Speaker 1: same palm tree and then everybody wants to come to
Speaker 1: this motherfucker. Let me said, you got to get better
Speaker 1: at displaying the culture. I was looking at the video
Speaker 1: Blast did for the song, example, l Um, what was
Speaker 1: the last song um? The one with Um where he's
Speaker 1: out in the desert in the car. No, they by
Speaker 1: the beach. They rolled a by the beach in the cars.
Speaker 1: The Blast song, they rolling by the beach and they
Speaker 1: had this mansion. The song is tough, but the whole
Speaker 1: video lacks culture. M lot of times too rappers moved
Speaker 1: too fast and go right to every good girl, every
Speaker 1: good girl. Many That video is like a it's like
Speaker 1: a Lamborghini. He got this girl, this light skinned girl,
Speaker 1: and they had this mansion. It's like that ship lacks culture.
Speaker 1: Remember this nigga got on because he was standing in
Speaker 1: the suff front yard with some girl watching the Grand
Speaker 1: National with Nigga shooting nice on the porch. See, we
Speaker 1: abandoned culture too fast too. We immediately go into trying
Speaker 1: to sell wealth. Oh, I want to sell everybody. I
Speaker 1: got money, nigga. Nobody buys money m niggas by poor
Speaker 1: niggas getting money cash money only looked tight when they
Speaker 1: look poor with money. It's different when you see a
Speaker 1: nigger jumping out of Lamborghini with your bow jeans on
Speaker 1: a blue box and a white T shirt and gold teeth.
Speaker 1: It's just you know, I mean, that's polarizing. Who is
Speaker 1: this That's like me? I should jump out of my
Speaker 1: billing with my diggie sag and ship jumped into like
Speaker 1: this nigga? Who is that nigga on that naw Samuel
Speaker 1: Jackson that's out of crack. Used to look at me
Speaker 1: that to go to Beverly Hills? Is that cracking? Like that?
Speaker 1: He just slammed the door. It's the park that ship
Speaker 1: on my grass. So I think we abandoned the culture right.
Speaker 1: Another thing too with a lot of the young talent
Speaker 1: is they don't embrace what the West is. They want
Speaker 1: to embrace what they want the West to be. I
Speaker 1: want the West to be about fashion. Man. Them niggas
Speaker 1: in Atlanta. That's fun with that fashion is not getting
Speaker 1: ship out of none in the market. Them niggas is
Speaker 1: taking that ship right off the gay people back down there.
Speaker 1: They have a whole urban gay culture right in the
Speaker 1: line of shmack there them niggas, gay and gay people
Speaker 1: funk with that fashion. Them niggas something of my office
Speaker 1: thug and then was wearing literally it was a gay
Speaker 1: man on a cover magazines wearing that outfit. Fashion is
Speaker 1: a woman in a homosexual sport. I'm not saying something
Speaker 1: straight man can't be into it. I'm just saying you
Speaker 1: gotta really be another kind of free to funk with it.
Speaker 1: It ain't no punk ship. So like for example, like
Speaker 1: if I was talking to Blasts, I would have told Blasts,
Speaker 1: don't drive that Lamborghini. It don't scream nothing, it just
Speaker 1: scream wrap it. Don't scream nothing. Scream something that you're
Speaker 1: driving down the street. That's gonna screen l a where
Speaker 1: whatever it is, she get you. They got ship. Man,
Speaker 1: You just gotta get creative. Don't don't be at the mansion.
Speaker 1: You had to mansion. If it's niggas is forty ounces
Speaker 1: on the grass and ship make it nigga fire this
Speaker 1: ship the West Coast is ship. Make this ship what
Speaker 1: it's supposed to be, because if you don't, I can't
Speaker 1: get that ship from me. Anybody Mom would listen to
Speaker 1: a pop zone. That's true. Hell, I'm gonna do with
Speaker 1: these nigga niggas looking rich but look French were wearing
Speaker 1: these crazy shades. Nick you is from South central nigga,
Speaker 1: but he's out of bad Dana tied around his head.
Speaker 1: Feel me looking with some chucks? You want to wear them?
Speaker 1: Littleunny nikka pans wear some Chucks with him. You gotta
Speaker 1: bring the culture into this ship, hippo. No, they'd be
Speaker 1: wearing them all a little weird fashion pants is now
Speaker 1: m start trying to be a Latin nigers Yeah and
Speaker 1: am goes only work because that ship is a joke.
Speaker 1: Rest in piece of take off. That ship is funny
Speaker 1: niggas dressed like ninas and ship the niggas is a joke.
Speaker 1: Not they are a joke, but their their music. You
Speaker 1: expect that you from mad Lady nigga. You're supposed to
Speaker 1: be owned nigga. I've better see it, nigga. Where's these
Speaker 1: niggas at? M Dr Dre Man Dr Dre came out
Speaker 1: with Number the g thing and that whole video cast
Speaker 1: sifty Town. You could have bought that house for twenty thousand.
Speaker 1: The cars wasn't cheap. All that ship was cheap. That
Speaker 1: motherfucker sold seven million and broke Snoop Dogg whole career.
Speaker 1: He came back with being there and on that man
Speaker 1: that's Ferraris in helicopters. That's so far hundred thousand. Nobody
Speaker 1: want to see no niggas acting like white people. Rich.
Speaker 1: Niggas want to see nigga rich. I don't know if
Speaker 1: I ain't going to no motherfucking so I'm gonna just
Speaker 1: keeping the beat. This might be ignorant. I don't go
Speaker 1: to buy healthy soul food. It's supposed to be dangerous healthy,
Speaker 1: So niggas want to see healthy soul food. Like I
Speaker 1: ain't gonna use this kind of salt on the greens.
Speaker 1: My nigga season. The greens brok him land. So yeah, bro,
Speaker 1: we are you're doing? Bro? Why what is happening? You're
Speaker 1: seeing niggas keep trying to sell healthy soul food. Don't
Speaker 1: that's not cool. I just saw a movie with Marlon
Speaker 1: Wayne's on Matflix and it was like White People movie,
Speaker 1: and I'm like, bro, where's the flavor? Like, that's where
Speaker 1: we come for. We come to niggas for fla. We
Speaker 1: provide the season into this world. We got the flavoring.
Speaker 1: Your she gotta have flavoring. It can't. Your flavor cannot
Speaker 1: be expensive season because niggas don't care. They already know,
Speaker 1: like you could preach fashion out this motherfucker thousand times.
Speaker 1: You ain't fenna never be as far as the niggas
Speaker 1: from Georgia. Them gave people right there no gay people
Speaker 1: living in Watson County and Ship where we're from, ain't
Speaker 1: no gay community. Then you have to go to West Hollywood.
Speaker 1: Them niggas them gave people be walking right where they at,
Speaker 1: fight you and everything, hells and five oh one. I
Speaker 1: mean that day closer to fashion for me. That ain't us.
Speaker 1: That's why snooping I snooping them was where thirty all
Speaker 1: outfits selling seven million records. Yeah it chucks. Think of
Speaker 1: Dickies low righty, push that on the grandfather yard, fix
Speaker 1: that up. Think the world went crazy. They could try
Speaker 1: to jump in ferrars and lab get him in. The
Speaker 1: white folks they're like, man, well no, you gotta be
Speaker 1: a country nigger in the motherfucking Lamborghini. If you ain't,
Speaker 1: if you ain't looking crazy, feeling with band dad this top.
Speaker 1: That's being nipbu to talking about that rest is so.
Speaker 1: I used to be like, when you gotta jump out
Speaker 1: the may back nigga looking like a crip, because if
Speaker 1: you jump out wearing a suit, you just regular, it
Speaker 1: looks like you're be in that motherucker. You got to
Speaker 1: jump out that motherfucker cut with your blue rack hanging
Speaker 1: down to the back of your heel. The value. You
Speaker 1: gotta be extra. You gotta tell the valet mad because
Speaker 1: park this cuse crip gang. You got to put it
Speaker 1: on because that car don't fit. So you gotta nigga fight.
Speaker 1: That's what I used to like about the Houston niggas,
Speaker 1: And they used to put them swingers on them. Bentley
Speaker 1: Saya remembers and ship hoof poking out. I'm like, that
Speaker 1: is country, but it is the ship that's them don't
Speaker 1: had them don'ts and ship. Hip hop is culture. Culture
Speaker 1: is flavor. It's flavor to cover up a lot of
Speaker 1: a lot of problems in our community. But it works
Speaker 1: and people love it. They love our flavor. But somehow
Speaker 1: we feel like, oh, well, you know what, as soon
Speaker 1: as I get some money, I got how to be
Speaker 1: like the rest of these white folks. And it's like, then,
Speaker 1: what value do you bring? What is black culture? Because
Speaker 1: without poverty and oppression, what does it even look like?
Speaker 1: If you don't have funked up schools to create slang,
Speaker 1: if parents ain't no drugs and ship for you to
Speaker 1: find some kind of way to survive? Like, what does
Speaker 1: black culture? Without these things? Man, we'd be eating the
Speaker 1: same thing these cracks head. If we knew how to
Speaker 1: make spaghetti, we wouldn't be baking that ship, boiling that
Speaker 1: ship in the sauce. We'll be making that ship flavored
Speaker 1: like the ship. Somebody tell me my cousin, tell that
Speaker 1: she was like, I like my noodles and my um
Speaker 1: my sauce, like not not not no, she doesn't want it,
Speaker 1: she she wanted. And I'm like, what house sold you
Speaker 1: was because my mama made that. She makes all that
Speaker 1: ship up. Because we want everything dripping with flavor. That's
Speaker 1: why all help sucked up sometimes. But it's cool. You
Speaker 1: just gotta know how the ballance, and you gotta know
Speaker 1: when to put on the show. And that's what the
Speaker 1: problem is. We are doing a bad job on the
Speaker 1: West Coast for putting on the show. That's the real solution.
Speaker 1: We're not giving them a culture. We're trying to assimilate
Speaker 1: into their culture. Man, fuck that Rembering need niggas to
Speaker 1: the West Bold niggas need to get robbed. Make these
Speaker 1: niggas remember, I think we did enough that No, make
Speaker 1: niggas remember what they fucked with us for. That's why
Speaker 1: they I tell them all the time. I came telling that.
Speaker 1: I'll be like, hey, because this ship, like I've been
Speaker 1: to everybody here, y'all know this ship the same. No,
Speaker 1: it's different out there, nigga. Yall niggas, Boy, you niggas
Speaker 1: a skin and y'all killing nigga. Cut the skin off
Speaker 1: the funk are y'all talking about like they made that
Speaker 1: big ship with pter b Rock, Like that ship won't
Speaker 1: happen in every ghetto on around the country. At that Roscoe,
Speaker 1: that Roscolls is cool. That Roscoes all the time and
Speaker 1: get delicious meals that Roscoes right there they go. Nobody
Speaker 1: go to the Rock Scols except everybody go to that
Speaker 1: ros Goes. That's My favorite rocks goals be the sisters
Speaker 1: there with sassy attitudes and ship feel the homies and ship.
Speaker 1: You're gonna see some niggas, you know what, some nigga
Speaker 1: ma me. So again, it's one of the things where
Speaker 1: we not we Our job is to provide our flavor
Speaker 1: to the world in a digestible manner, and we're not
Speaker 1: doing that. We're as simulating too much of everybody else's
Speaker 1: culture and they can get it pure from somebody else.
Speaker 1: That's really the solution. So from the music to the fashion,
Speaker 1: all of these things have to be into. It's funny
Speaker 1: because I used to tell nigs I said, yeah, I
Speaker 1: should wear dickies. Oh gee man, that's that old school ship.
Speaker 1: I'm like, that's not This is like a uniform, because
Speaker 1: don't forget like that that nigga deak Tho came and
Speaker 1: put some writing on the fucking dickey jacket and start
Speaker 1: charging the ship out of niggas for that ship. Now,
Speaker 1: all these niggas is wearing dickies. Me, all I can do,
Speaker 1: comes right. All awful lot of calls syrup cutting you
Speaker 1: would get with your niggas is stupid niggas start That's
Speaker 1: all that's don't start doing because they'll start just putting
Speaker 1: a whole lot of call syrup on dickey suits. Mother,
Speaker 1: he probably set them up for a thousand dollars fucking
Speaker 1: Dickie suit. Niggas is crazy. We got the best flavor
Speaker 1: of all the niggas in the country. We were the
Speaker 1: wildest niggas, were the most turned niggas. We with all
Speaker 1: the bullshit. If these white our white folks is in order,
Speaker 1: ain't nobody around the west of the country white folks
Speaker 1: in order like oh, then white folks like we don't
Speaker 1: want to push these niggas off the nigga start burning
Speaker 1: ship down, and now we are burnt it down in
Speaker 1: their neighborhood, getting closet ship. They now they ain't are
Speaker 1: in the neighborhoods now because niggas is robbin niggas. We
Speaker 1: don't robin niggas. And Beverly Hills down that rox Champ
Speaker 1: that they ain't hunt it out run that in Beverly Hill.
Speaker 1: So were the only We're the baddest niggas in the country.
Speaker 1: Our white folks in order, they know we are burning
Speaker 1: motherfucker down. If they do something like they killed them,
Speaker 1: the men out there in Florida. These niggas ain't even
Speaker 1: flip the car. What's name had the skittles. The niggas
Speaker 1: ain't even flipped the car because we start burning ship
Speaker 1: down over here for that mm hmm. Them niggas ain't
Speaker 1: did nothing. The niggas ain't pushing no line. Niggas in
Speaker 1: the South when they did that ship, they barely fucked
Speaker 1: up the rallies from Yeah, that was in the Midwest.
Speaker 1: Them niggas ain't did. The niggas ain't roll dice cream. Man.
Speaker 1: We are the wildest niggas in the country. We are
Speaker 1: the embodiment of hip hop and that's why our ship
Speaker 1: always did well when it's the culture at its purist.
Speaker 1: We are the embodiment of the spirit of being black.
Speaker 1: We are resilient. We talked ship and late Nigga. We
Speaker 1: ain't taking nothing from nobody, not no white folks, not
Speaker 1: no nothing, nigga, nobody. That's the spirit of hip hop,
Speaker 1: that's the energy, that's the rebellion, that's the whole counterculture.
Speaker 1: Like in Nigga. So we gotta get back to selling
Speaker 1: niggas that good looking out for tuning into the No
Speaker 1: Sellers podcast, Please do us a favorite, subscribe, rate, comment,
Speaker 1: and share. This episode was recorded right here on the
Speaker 1: West coast of the USA and produced by my homeboy
Speaker 1: A King, for the Black Effect Podcast Network and I
Speaker 1: Heart Radio Yeah.