Speaker 1: M Thirteen Days of Halloween, Devil's Night, a production of
Speaker 1: I Heart three D Audio, Blumhouse Television and Grimm and
Speaker 1: Mild from Aaron Mackey. Headphones recommended. Listener discretion advised. Hey,
Speaker 1: you there so much for distraction things? Hello? Thanks? Hello,
Speaker 1: where do you freeze? Hands on your head? Now? Turn
Speaker 1: around slowly? Well, well, well, I remember this little piss
Speaker 1: app He's one of them we already had in the
Speaker 1: patty wagon. I thought you could get away easy, did you. Well,
Speaker 1: you're in a world of trouble. Now, what's your name? Boy?
Speaker 1: This gets easier the sooner you start cooperating. Why don't
Speaker 1: you tell us why you started that fire? And community center?
Speaker 1: Church or the Revelation? What did you say to me?
Speaker 1: It's the Church of the Revelation or it was church
Speaker 1: or what? Now? And they didn't. I haven't done anything
Speaker 1: all night. We try to get home. Save it, punk.
Speaker 1: I'm gonna personally see them making your night in the
Speaker 1: slam of the stuff of nightmares. Hey, everybody, look look
Speaker 1: over here. It's me Max, the boy you're all after. Really,
Speaker 1: that's that's him. That's him too. Just Hey, hey, I'm
Speaker 1: getting away. Don't look now, I'm ready away, I'll get
Speaker 1: this one. You get that one right right? No, you
Speaker 1: said that, not that one, the other. This whole town
Speaker 1: is gone with sirk. I'm never are gonna get home? Errole.
Speaker 1: Where are you? What now? Max? Max? I know that voice? Max, Max,
Speaker 1: Please keep your voice down. Max. It's me Okay, okay, please,
Speaker 1: I don't know Mr Manx the candy man? Right? Hello?
Speaker 1: What's Samantha Max? What are you doing out here? Are
Speaker 1: you looking for somebody? No, I'm just trying to get
Speaker 1: someone's looking for you. Erro, erro. You found him? Oh,
Speaker 1: thank you, Mr Max. Max. Get in here, Come on
Speaker 1: out of the page, errow. I was so worried about you.
Speaker 1: I I wasn't sure i'd ever see you again. I
Speaker 1: can't be too careful now, Why don't you explain to
Speaker 1: me what on us you were doing out there on
Speaker 1: tonight of all nights and looking like a timp. I
Speaker 1: shall tell your parents I have half a mind. But
Speaker 1: at least you're here with us now and you're safe.
Speaker 1: Thank you, seriously, thank you so much for finding Arrow.
Speaker 1: But I can't say what's you'll tell us if you
Speaker 1: can't go back out? And there was the storming, the streets.
Speaker 1: I think it's all right now, nonsense was all the
Speaker 1: ghosts and the ghouls and the goblins and the golems?
Speaker 1: What exactly lights out come? Now to the seller? And
Speaker 1: I was a kid like you, nothing would have made
Speaker 1: me happier than seeing the real life back of a
Speaker 1: candy store. Mr Manx, I really appreciate it, but it's
Speaker 1: been a horrible night. My parents, well, they're not going
Speaker 1: to be happy with me. I know it's see dress
Speaker 1: out there, trust me, I do, but I have to go.
Speaker 1: I tell you what. Come down away from the street,
Speaker 1: wait out the storm with the Manx family. And if
Speaker 1: you still want to go home and dive you really.
Speaker 1: Of course, in this town we all have to look
Speaker 1: out for each other. Now, come on back. I imagine
Speaker 1: you must be starving and we're just setting about dinner.
Speaker 1: What's a candy store open to night of all nights
Speaker 1: only invites tower. I'd already be locked up if it
Speaker 1: weren't for old Arrow here. He seems certainly were coming.
Speaker 1: Now minds the steps, ladies. It appears we have an
Speaker 1: unexpected guest. Max. Say hello to Mrs Manx and our
Speaker 1: girl Emily. Hello, Hello, Max, Emily say hello to Max doggy.
Speaker 1: That's right, Emily. Do now, Max, sit down and make
Speaker 1: yourself comfortable. I'll be I to back one, two, three?
Speaker 1: Where'll all these doors go? Oh? All sorts of places.
Speaker 1: This is one of the oldest buildings in town, you know, now,
Speaker 1: sid Max? Dinners almost ready? Hi, Emily? What if you
Speaker 1: got there? Dolly? Right? Very nice and they like your
Speaker 1: calls to what are you supposed to be? Wow? That's right, Max.
Speaker 1: She wanted me to make her up as a clown
Speaker 1: of all things, sad eyes and a big red smile.
Speaker 1: Isn't that just bizarre? I don't know, ma'am. I've seen
Speaker 1: some stranger stuff tonight. What are you making for dinner? Oh?
Speaker 1: All sorts of things. I've stewed licorice whips, made a
Speaker 1: gum drop cast role with marshmallow cream, a soup of
Speaker 1: salt water, taffy and baked peanut brittle, rolls with honey butter,
Speaker 1: and of course the center of the feast, a massive
Speaker 1: roast of caramel corn. That's a lot of candy, just
Speaker 1: like you have at home, not just like I have
Speaker 1: at home. Well, you're all skin and bones. We need
Speaker 1: to fatten you up. Besides, it's best to stay down
Speaker 1: here and quiet while those people outside get their jimmies out.
Speaker 1: They're a nice light salad of candy corn and pixie
Speaker 1: sugar and something sweet for your little dog too. Now
Speaker 1: eat up. See you are always cook like this? Well, yes,
Speaker 1: and no tonight something of a special you know, our
Speaker 1: annual Halloween party party. It will begin soon enough. You're
Speaker 1: the first guest. Who I mean, how many are you expecting? Oh?
Speaker 1: Quite a few, I imagine it's something of a tradition
Speaker 1: in these parts. And how will they get here with
Speaker 1: the doors locked? Aren't you just full of questions? But
Speaker 1: now I'm sure they'll be here any minute. Time to
Speaker 1: get you ready? To be a good boy and come
Speaker 1: on over to this cabinet here. Why do you have
Speaker 1: so many maths? I'm no splendid. Aren't they go on?
Speaker 1: Choose one for yourself? Um? That's sorry, Please I insist?
Speaker 1: What do they only cover half the face? Well? The
Speaker 1: best way to say it is very few people are
Speaker 1: only one thing quickly now, max, before my house than returns.
Speaker 1: He's very particular about these things. Go ahead, anyone will do?
Speaker 1: How about this one? How ah? The owl of wise choice? Dolly,
Speaker 1: Let's play Dolly, Mommy is busy right now, Darling, Max,
Speaker 1: be your dear and humor her. Okay, well, I'm a
Speaker 1: little old to play with dolls, But Dolly, play dolly. Okay, okay,
Speaker 1: hello Dolly, I'm Max. Hello, Max? Are you along? Now?
Speaker 1: You should be the only one who can hear me.
Speaker 1: Just talk to the doll. My would a pretty dress
Speaker 1: you have? Something is wrong, Max, I can hear you,
Speaker 1: but I cannot see you. Tell me where you are
Speaker 1: in the no describe it? Tell the dolly. Uh well, Dolly,
Speaker 1: this sure is a nice candy store. I never knew
Speaker 1: it had an underground cellar. What does it look like?
Speaker 1: It sure is big, a huge stone table in the
Speaker 1: kitchen and a fireplace. Lots of candy too, in so
Speaker 1: many doors. I wonder where they all go. That is
Speaker 1: not a seller, Max, Those are cateacombs. You need to leave.
Speaker 1: I don't know which door leads out, and the ones
Speaker 1: upstairs are all locked. You will have to bite your time. Then,
Speaker 1: just act natural. I am looking for a way, and
Speaker 1: you try to figure out what they are planning. Does
Speaker 1: everyone wear a mask? Mrs Minx, your face it's so greenly,
Speaker 1: what are you get it? Yes, my darling, which, Oh,
Speaker 1: don't look so surprised, Max, go better to run a
Speaker 1: candy store. You see, most people don't understand holy days
Speaker 1: like these. They tell themselves they're dressing up, putting on
Speaker 1: their little custom place. But what they're really doing they're
Speaker 1: taking their masks off. And just once a year, my
Speaker 1: husband and I get to do the same. You can
Speaker 1: take your mask off to Emily. You're not a kid,
Speaker 1: you're a monster. Ah. What a wonderful choice, a wonderful
Speaker 1: bond choice. Max, What does he have a wheelbarrow full
Speaker 1: of bodies? Now, Max, don't behold these are our guests,
Speaker 1: and who do we have this? He is my dear
Speaker 1: Here we have old Mr Dearborn, who grew fat from
Speaker 1: the pennies he squeezed out of each and every farmer
Speaker 1: who entered his bank. You might recognize him, Max, Your
Speaker 1: parents certainly do a life of luxury. He lives with
Speaker 1: the wisest foods and silken sheets. But it was never enough.
Speaker 1: Red turned from the dirt where he was buried just
Speaker 1: this past September, Mr Dearborn, you are a pig and
Speaker 1: we don't have a shoot from the church. Who sang
Speaker 1: loudest inquire and with all her public love of the
Speaker 1: Christ was only happy, truly happy once in her life
Speaker 1: when she finally drove her hand packed husband to his
Speaker 1: grave and there to speak against another woman and innocent,
Speaker 1: convicted of the crime. As I told her when she
Speaker 1: bought the poison, we don't have a show. You are
Speaker 1: a SnO And here we have a pair, Max, your
Speaker 1: old friends from the farm. Let me see which fon
Speaker 1: is Tony. Oh they're both Tonies. Life wasn't fair to
Speaker 1: the Tonys med orphan isn't do you ever fund the Max?
Speaker 1: Where do they deserved to die? Little boys are cold
Speaker 1: by nature, pulling wings and flies, and believe me, there
Speaker 1: are no strangers to stealing from babies and candy stores alike,
Speaker 1: but their lives for cut short. Brtally So, Tony, you
Speaker 1: are a mock, and you, Tony, you are a flying
Speaker 1: There were, of course other people I've wanted to invite,
Speaker 1: but these two seemed especially appropriate for such a festivocation.
Speaker 1: You're crazy, what blow? Of course, hone? Max. Sit down
Speaker 1: here will show you the rules as we go. It
Speaker 1: will be, trust me, a real hoot. Sit down and
Speaker 1: make sure your dog behaves or your parents will be
Speaker 1: my next guest, please hurt anyone, Just let us go
Speaker 1: hurt them if I say, hurts themselves, and if we wanders.
Speaker 1: Hurt is the great human endeavor since the first ape
Speaker 1: stood upright on two legs. All men and women do
Speaker 1: me hurt each other and themselves, little by little, step
Speaker 1: by step, until they find themselves in the dark. This
Speaker 1: is just how we have a bit of fun along
Speaker 1: the way. Now down, boy, you're going to see a
Speaker 1: wonder something few of the living witness. Max. Think carefully. Now,
Speaker 1: when he came back in, did he remember to lock
Speaker 1: the door behind him? I don't think so. Then that
Speaker 1: is your way out. But you need to wait. Do
Speaker 1: not go until I tell you to. Maxwell, I said, sit,
Speaker 1: here's your candy, dear, Oh, thank you, my love. Yeah,
Speaker 1: a special confection, A secret, ancient recipe between us, Max,
Speaker 1: This is my favorite candy. A kind of truth, you
Speaker 1: would say. Now open up piglets. Oh yeah, you're here
Speaker 1: to play a game, pig A very old game, one
Speaker 1: I like to call second chances. Now you've had a
Speaker 1: taste of the DA, haven't you not? Just yet? You
Speaker 1: must play tell me this. Do you deserve a second
Speaker 1: chance at paradise? Yeah? Man a man for a pain,
Speaker 1: you'd say, face. I Well, but tell us, do you
Speaker 1: deserve a brief? Nothing? There's nothing only Oh, there's so
Speaker 1: much more than that. Would you like to see heaven?
Speaker 1: Mr diab, do you believe you deserve to see it?
Speaker 1: You're a farm help me? I imagine that's what maxis,
Speaker 1: aaron setting you once upon a time? What do you think,
Speaker 1: young owl, does this particular pig of all the pigs
Speaker 1: in order the world go headlong into the Great Charnel House?
Speaker 1: Or does he, despite all he's done, deserve a second child?
Speaker 1: I don't it seems to be acting me pass tell
Speaker 1: you what Mr dear want. Takes this knife and give
Speaker 1: us a pound of flesh, a bite for every more
Speaker 1: so you took from the mouth of those who trusted you.
Speaker 1: Perhaps that will at all for all the misery you
Speaker 1: boost upon the world. I'd start with the face. Trust me,
Speaker 1: If you start with the arms, you're runner of steam.
Speaker 1: What are be stinging? Now? And do that quickly. Once
Speaker 1: you finish your candy, you'll be right back where you
Speaker 1: came from, back into the Shall we move on? Oh yes,
Speaker 1: let's have a snake mixed deer. Ah, well, every father
Speaker 1: is his daughter's servant? Is he not open wide? Mrs Havisham,
Speaker 1: this this horrid, surely no more bitter than wolf Spain.
Speaker 1: But no, Havisham, I'd ask your husband. But a poor
Speaker 1: man resides beyond my reach. Death by poison an old
Speaker 1: method and a method of cowards. Do you believe you
Speaker 1: deserve a second chance of paradise? You gossip, murderous adulter?
Speaker 1: Why should you not be left? Was a dark? Your
Speaker 1: men are all the same, Mr Minx, They called you
Speaker 1: and call me still I am creating the light. I
Speaker 1: never Mr Sunday, one mistake, that's all, one mistake, one
Speaker 1: slip in all my years, that I should be concerned
Speaker 1: to hell ask you? Yes, let's ask our share with
Speaker 1: us your wisdom. Should the widow be fleel sada? Did
Speaker 1: you really did you kill Mr haversham Shm? I did
Speaker 1: in my own rundfast that I carried so long and
Speaker 1: du dark. Yes, send that to the dark hold, for
Speaker 1: we must be in a court next. You are our owl,
Speaker 1: and therefore wise what do you say? Well? Is this?
Speaker 1: Why are you doing this? Well? Since we cannot hear
Speaker 1: from you, let's give widow have as from her own
Speaker 1: chance to unhear all the terrible things she said in life. Here, snake,
Speaker 1: take these scissors, dip deep within your ears, take your
Speaker 1: tongue as well. Perhaps at the end you will have
Speaker 1: earned a place in heaven. And now our mom our fly.
Speaker 1: Let's have them played together as they not a day ago.
Speaker 1: Once played a live bounds open. Boys, treat good things,
Speaker 1: and I have a special piece of caterpilly each god
Speaker 1: it hurts. Welcome back, boys, welcome. Do you know who
Speaker 1: I am? You were in a king story town, you
Speaker 1: were in the dark. I saw you, children, says the
Speaker 1: all the things you hit lay game my young friends,
Speaker 1: A game I quite adore, and you play my favorite.
Speaker 1: Tell us and tell us too. Do you see that boy?
Speaker 1: SE's easy. I'll crost the tape that's to kill with
Speaker 1: the money he killed us? Do you believe this boy
Speaker 1: deserves the second chance? Now, yes, you believe him. You
Speaker 1: beat him, and that was your mistake. But that was
Speaker 1: a single day. Tell us, what were you to do
Speaker 1: in life? Had you live? It's going to be a
Speaker 1: soldier who's going to save the world. At least, it's thought.
Speaker 1: So I wasn't the smartest person, but I like drawing.
Speaker 1: I drew a picture of a girl in town once
Speaker 1: and gave it to her. She had the most beautiful smile.
Speaker 1: I thought we were gonna get married. Moved west to California,
Speaker 1: and I would pay her every day paint pictures of
Speaker 1: our children, and we filled walls with pictures out hang
Speaker 1: there long after hell's gone. Say Mark, I didn't kill
Speaker 1: you though it wasn't me wasn't Max didn't see time
Speaker 1: differently than you, and unlikely living the dead can never lie.
Speaker 1: They know what they could have been. My fly, my more.
Speaker 1: I pity you. Life's whipped away too soon before you
Speaker 1: is a test? Can you forgive the boy here? The
Speaker 1: boy who wronged you so he owes us? He should
Speaker 1: have given us that saw book? Look, I'm sorry, okay,
Speaker 1: I didn't mean to hurt anyone. You started it. I
Speaker 1: didn't ask to be here. I didn't ask to anything
Speaker 1: at all, just making enough money to save my home.
Speaker 1: Take off him mask, then what show us? Show us
Speaker 1: you're sorry? Max listened to me. That is not them.
Speaker 1: It is a trick. I don't understand. You don't understand.
Speaker 1: You don't understand what you did to us. It is
Speaker 1: not real. Listen, you need to move closer to those
Speaker 1: boys to take their masks off. Trust me. Okay, how
Speaker 1: about this. I never meant to her anyone. I'm sorry.
Speaker 1: Let me apologize here. What are you doing? Stay back
Speaker 1: from something. Let's see who you really are underneath there
Speaker 1: are You're ruining it. You're ruining it all. Got no faces?
Speaker 1: These aren't even bodies. There puppets dying. Well now, Max,
Speaker 1: if we're all revealing our two faces, I'll show you
Speaker 1: mine too. Are you why? I'm one of those things
Speaker 1: down there? Max? Down there in the dark, and soon
Speaker 1: you will be too. Sick hows and all the talk. Now,
Speaker 1: Max the door. Run as fast as you can. Max,
Speaker 1: You'll never make it. I can't see. There's no light. Faster, faster?
Speaker 1: What is this place? Just run, Bax, follow arrow and
Speaker 1: he will lead you. I will find you. I'm coming
Speaker 1: for you, Max, I'm coming for you. It's too small, then,
Speaker 1: cl This this is an air duct and it's a
Speaker 1: dead end. Besilo. I don't know where to go, Besilo, Besilo,
Speaker 1: No No. Thirteen Days of Halloween Devil's Night starring Carter
Speaker 1: Rockwood and Clancy Brown. Episode ten The Candy Store, written
Speaker 1: by Ben Bolan, Nicolas Takowski and Alexander Williams. Editing and
Speaker 1: sound design by Josh Thane, featuring the voices of Nicholas Takowski,
Speaker 1: Jeffrey Kennedy, Raphael Corkill, Gina Rikiki, Joseph Whipp, Eve Gordon,
Speaker 1: Travis Burnett, and Genta Zambu Lasak. Directed by Alexander Williams.
Speaker 1: Script supervision by Nicolas Takowski. Casting by Sunday Bowling c
Speaker 1: s A and Meg Mormon c s A. Production coordinator
Speaker 1: Wayna Calderon. Production assistants Zoe Shay and Amber Ferris. Animal
Speaker 1: recording by Ben James, closing theme by Rose Azerti. Loyalty
Speaker 1: Freak Music dot Com record did at d G Entertainment
Speaker 1: in Los Angeles, California, engineered by Gary Forbes and Jody Abbott.
Speaker 1: Additional recording by SoundBite Inc. In Atlanta, Georgia. Engineered by
Speaker 1: Chase Nixon, studio manager Kathy Roberts. Executive producers Aaron Mankey,
Speaker 1: Noah Fineberg, Chris Dicky, Matt Frederick and Alexander Williams. Supervising
Speaker 1: producers Trevor Young and Josh Stain. Producers Jesse Funk and
Speaker 1: rima Il Kali Thirteen Days of Halloween was created by
Speaker 1: Matt Frederick and Alexander Williams and is a production of
Speaker 1: iHeart three D Audio, Blumhouse Television, and Grim and Mild
Speaker 1: from Aaron Mankey. Learn more about the show at Grim
Speaker 1: and Mild dot com, slash thirteen Days and find more
Speaker 1: podcasts from iHeart Radio by visiting the i Heart Radio app,
Speaker 1: Apple Podcasts, or wherever you listen to your favorite shows
Speaker 1: the other way