WEBVTT - S3/E10 | The Candy Store

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<v Speaker 1>M Thirteen Days of Halloween, Devil's Night, a production of

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<v Speaker 1>I Heart three D Audio, Blumhouse Television and Grimm and

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<v Speaker 1>Mild from Aaron Mackey. Headphones recommended. Listener discretion advised. Hey,

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<v Speaker 1>you there so much for distraction things? Hello? Thanks? Hello,

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<v Speaker 1>where do you freeze? Hands on your head? Now? Turn

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<v Speaker 1>around slowly? Well, well, well, I remember this little piss

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<v Speaker 1>app He's one of them we already had in the

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<v Speaker 1>patty wagon. I thought you could get away easy, did you. Well,

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<v Speaker 1>you're in a world of trouble. Now, what's your name? Boy?

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<v Speaker 1>This gets easier the sooner you start cooperating. Why don't

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<v Speaker 1>you tell us why you started that fire? And community center?

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<v Speaker 1>Church or the Revelation? What did you say to me?

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<v Speaker 1>It's the Church of the Revelation or it was church

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<v Speaker 1>or what? Now? And they didn't. I haven't done anything

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<v Speaker 1>all night. We try to get home. Save it, punk.

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<v Speaker 1>I'm gonna personally see them making your night in the

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<v Speaker 1>slam of the stuff of nightmares. Hey, everybody, look look

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<v Speaker 1>over here. It's me Max, the boy you're all after. Really,

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<v Speaker 1>that's that's him. That's him too. Just Hey, hey, I'm

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<v Speaker 1>getting away. Don't look now, I'm ready away, I'll get

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<v Speaker 1>this one. You get that one right right? No, you

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<v Speaker 1>said that, not that one, the other. This whole town

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<v Speaker 1>is gone with sirk. I'm never are gonna get home? Errole.

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<v Speaker 1>Where are you? What now? Max? Max? I know that voice? Max, Max,

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<v Speaker 1>Please keep your voice down. Max. It's me Okay, okay, please,

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<v Speaker 1>I don't know Mr Manx the candy man? Right? Hello?

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<v Speaker 1>What's Samantha Max? What are you doing out here? Are

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<v Speaker 1>you looking for somebody? No, I'm just trying to get

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<v Speaker 1>someone's looking for you. Erro, erro. You found him? Oh,

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<v Speaker 1>thank you, Mr Max. Max. Get in here, Come on

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<v Speaker 1>out of the page, errow. I was so worried about you.

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<v Speaker 1>I I wasn't sure i'd ever see you again. I

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<v Speaker 1>can't be too careful now, Why don't you explain to

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<v Speaker 1>me what on us you were doing out there on

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<v Speaker 1>tonight of all nights and looking like a timp. I

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<v Speaker 1>shall tell your parents I have half a mind. But

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<v Speaker 1>at least you're here with us now and you're safe.

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<v Speaker 1>Thank you, seriously, thank you so much for finding Arrow.

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<v Speaker 1>But I can't say what's you'll tell us if you

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<v Speaker 1>can't go back out? And there was the storming, the streets.

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<v Speaker 1>I think it's all right now, nonsense was all the

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<v Speaker 1>ghosts and the ghouls and the goblins and the golems?

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<v Speaker 1>What exactly lights out come? Now to the seller? And

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<v Speaker 1>I was a kid like you, nothing would have made

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<v Speaker 1>me happier than seeing the real life back of a

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<v Speaker 1>candy store. Mr Manx, I really appreciate it, but it's

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<v Speaker 1>been a horrible night. My parents, well, they're not going

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<v Speaker 1>to be happy with me. I know it's see dress

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<v Speaker 1>out there, trust me, I do, but I have to go.

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<v Speaker 1>I tell you what. Come down away from the street,

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<v Speaker 1>wait out the storm with the Manx family. And if

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<v Speaker 1>you still want to go home and dive you really.

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<v Speaker 1>Of course, in this town we all have to look

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<v Speaker 1>out for each other. Now, come on back. I imagine

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<v Speaker 1>you must be starving and we're just setting about dinner.

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<v Speaker 1>What's a candy store open to night of all nights

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<v Speaker 1>only invites tower. I'd already be locked up if it

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<v Speaker 1>weren't for old Arrow here. He seems certainly were coming.

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<v Speaker 1>Now minds the steps, ladies. It appears we have an

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<v Speaker 1>unexpected guest. Max. Say hello to Mrs Manx and our

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<v Speaker 1>girl Emily. Hello, Hello, Max, Emily say hello to Max doggy.

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<v Speaker 1>That's right, Emily. Do now, Max, sit down and make

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<v Speaker 1>yourself comfortable. I'll be I to back one, two, three?

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<v Speaker 1>Where'll all these doors go? Oh? All sorts of places.

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<v Speaker 1>This is one of the oldest buildings in town, you know, now,

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<v Speaker 1>sid Max? Dinners almost ready? Hi, Emily? What if you

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<v Speaker 1>got there? Dolly? Right? Very nice and they like your

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<v Speaker 1>calls to what are you supposed to be? Wow? That's right, Max.

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<v Speaker 1>She wanted me to make her up as a clown

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<v Speaker 1>of all things, sad eyes and a big red smile.

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<v Speaker 1>Isn't that just bizarre? I don't know, ma'am. I've seen

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<v Speaker 1>some stranger stuff tonight. What are you making for dinner? Oh?

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<v Speaker 1>All sorts of things. I've stewed licorice whips, made a

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<v Speaker 1>gum drop cast role with marshmallow cream, a soup of

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<v Speaker 1>salt water, taffy and baked peanut brittle, rolls with honey butter,

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<v Speaker 1>and of course the center of the feast, a massive

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<v Speaker 1>roast of caramel corn. That's a lot of candy, just

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<v Speaker 1>like you have at home, not just like I have

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<v Speaker 1>at home. Well, you're all skin and bones. We need

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<v Speaker 1>to fatten you up. Besides, it's best to stay down

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<v Speaker 1>here and quiet while those people outside get their jimmies out.

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<v Speaker 1>They're a nice light salad of candy corn and pixie

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<v Speaker 1>sugar and something sweet for your little dog too. Now

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<v Speaker 1>eat up. See you are always cook like this? Well, yes,

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<v Speaker 1>and no tonight something of a special you know, our

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<v Speaker 1>annual Halloween party party. It will begin soon enough. You're

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<v Speaker 1>the first guest. Who I mean, how many are you expecting? Oh?

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<v Speaker 1>Quite a few, I imagine it's something of a tradition

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<v Speaker 1>in these parts. And how will they get here with

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<v Speaker 1>the doors locked? Aren't you just full of questions? But

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<v Speaker 1>now I'm sure they'll be here any minute. Time to

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<v Speaker 1>get you ready? To be a good boy and come

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<v Speaker 1>on over to this cabinet here. Why do you have

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<v Speaker 1>so many maths? I'm no splendid. Aren't they go on?

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<v Speaker 1>Choose one for yourself? Um? That's sorry, Please I insist?

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<v Speaker 1>What do they only cover half the face? Well? The

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<v Speaker 1>best way to say it is very few people are

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<v Speaker 1>only one thing quickly now, max, before my house than returns.

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<v Speaker 1>He's very particular about these things. Go ahead, anyone will do?

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<v Speaker 1>How about this one? How ah? The owl of wise choice? Dolly,

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<v Speaker 1>Let's play Dolly, Mommy is busy right now, Darling, Max,

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<v Speaker 1>be your dear and humor her. Okay, well, I'm a

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<v Speaker 1>little old to play with dolls, But Dolly, play dolly. Okay, okay,

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<v Speaker 1>hello Dolly, I'm Max. Hello, Max? Are you along? Now?

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<v Speaker 1>You should be the only one who can hear me.

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<v Speaker 1>Just talk to the doll. My would a pretty dress

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<v Speaker 1>you have? Something is wrong, Max, I can hear you,

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<v Speaker 1>but I cannot see you. Tell me where you are

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<v Speaker 1>in the no describe it? Tell the dolly. Uh well, Dolly,

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<v Speaker 1>this sure is a nice candy store. I never knew

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<v Speaker 1>it had an underground cellar. What does it look like?

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<v Speaker 1>It sure is big, a huge stone table in the

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<v Speaker 1>kitchen and a fireplace. Lots of candy too, in so

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<v Speaker 1>many doors. I wonder where they all go. That is

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<v Speaker 1>not a seller, Max, Those are cateacombs. You need to leave.

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<v Speaker 1>I don't know which door leads out, and the ones

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<v Speaker 1>upstairs are all locked. You will have to bite your time. Then,

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<v Speaker 1>just act natural. I am looking for a way, and

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<v Speaker 1>you try to figure out what they are planning. Does

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<v Speaker 1>everyone wear a mask? Mrs Minx, your face it's so greenly,

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<v Speaker 1>what are you get it? Yes, my darling, which, Oh,

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<v Speaker 1>don't look so surprised, Max, go better to run a

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<v Speaker 1>candy store. You see, most people don't understand holy days

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<v Speaker 1>like these. They tell themselves they're dressing up, putting on

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<v Speaker 1>their little custom place. But what they're really doing they're

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<v Speaker 1>taking their masks off. And just once a year, my

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<v Speaker 1>husband and I get to do the same. You can

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<v Speaker 1>take your mask off to Emily. You're not a kid,

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<v Speaker 1>you're a monster. Ah. What a wonderful choice, a wonderful

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<v Speaker 1>bond choice. Max, What does he have a wheelbarrow full

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<v Speaker 1>of bodies? Now, Max, don't behold these are our guests,

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<v Speaker 1>and who do we have this? He is my dear

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<v Speaker 1>Here we have old Mr Dearborn, who grew fat from

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<v Speaker 1>the pennies he squeezed out of each and every farmer

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<v Speaker 1>who entered his bank. You might recognize him, Max, Your

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<v Speaker 1>parents certainly do a life of luxury. He lives with

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<v Speaker 1>the wisest foods and silken sheets. But it was never enough.

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<v Speaker 1>Red turned from the dirt where he was buried just

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<v Speaker 1>this past September, Mr Dearborn, you are a pig and

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<v Speaker 1>we don't have a shoot from the church. Who sang

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<v Speaker 1>loudest inquire and with all her public love of the

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<v Speaker 1>Christ was only happy, truly happy once in her life

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<v Speaker 1>when she finally drove her hand packed husband to his

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<v Speaker 1>grave and there to speak against another woman and innocent,

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<v Speaker 1>convicted of the crime. As I told her when she

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<v Speaker 1>bought the poison, we don't have a show. You are

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<v Speaker 1>a SnO And here we have a pair, Max, your

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<v Speaker 1>old friends from the farm. Let me see which fon

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<v Speaker 1>is Tony. Oh they're both Tonies. Life wasn't fair to

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<v Speaker 1>the Tonys med orphan isn't do you ever fund the Max?

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<v Speaker 1>Where do they deserved to die? Little boys are cold

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<v Speaker 1>by nature, pulling wings and flies, and believe me, there

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<v Speaker 1>are no strangers to stealing from babies and candy stores alike,

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<v Speaker 1>but their lives for cut short. Brtally So, Tony, you

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<v Speaker 1>are a mock, and you, Tony, you are a flying

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<v Speaker 1>There were, of course other people I've wanted to invite,

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<v Speaker 1>but these two seemed especially appropriate for such a festivocation.

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<v Speaker 1>You're crazy, what blow? Of course, hone? Max. Sit down

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<v Speaker 1>here will show you the rules as we go. It

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<v Speaker 1>will be, trust me, a real hoot. Sit down and

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<v Speaker 1>make sure your dog behaves or your parents will be

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<v Speaker 1>my next guest, please hurt anyone, Just let us go

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<v Speaker 1>hurt them if I say, hurts themselves, and if we wanders.

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<v Speaker 1>Hurt is the great human endeavor since the first ape

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<v Speaker 1>stood upright on two legs. All men and women do

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<v Speaker 1>me hurt each other and themselves, little by little, step

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<v Speaker 1>by step, until they find themselves in the dark. This

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<v Speaker 1>is just how we have a bit of fun along

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<v Speaker 1>the way. Now down, boy, you're going to see a

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<v Speaker 1>wonder something few of the living witness. Max. Think carefully. Now,

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<v Speaker 1>when he came back in, did he remember to lock

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<v Speaker 1>the door behind him? I don't think so. Then that

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<v Speaker 1>is your way out. But you need to wait. Do

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<v Speaker 1>not go until I tell you to. Maxwell, I said, sit,

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<v Speaker 1>here's your candy, dear, Oh, thank you, my love. Yeah,

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<v Speaker 1>a special confection, A secret, ancient recipe between us, Max,

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<v Speaker 1>This is my favorite candy. A kind of truth, you

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<v Speaker 1>would say. Now open up piglets. Oh yeah, you're here

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<v Speaker 1>to play a game, pig A very old game, one

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<v Speaker 1>I like to call second chances. Now you've had a

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<v Speaker 1>taste of the DA, haven't you not? Just yet? You

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<v Speaker 1>must play tell me this. Do you deserve a second

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<v Speaker 1>chance at paradise? Yeah? Man a man for a pain,

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<v Speaker 1>you'd say, face. I Well, but tell us, do you

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<v Speaker 1>deserve a brief? Nothing? There's nothing only Oh, there's so

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<v Speaker 1>much more than that. Would you like to see heaven?

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<v Speaker 1>Mr diab, do you believe you deserve to see it?

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<v Speaker 1>You're a farm help me? I imagine that's what maxis,

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<v Speaker 1>aaron setting you once upon a time? What do you think,

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<v Speaker 1>young owl, does this particular pig of all the pigs

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<v Speaker 1>in order the world go headlong into the Great Charnel House?

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<v Speaker 1>Or does he, despite all he's done, deserve a second child?

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<v Speaker 1>I don't it seems to be acting me pass tell

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<v Speaker 1>you what Mr dear want. Takes this knife and give

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<v Speaker 1>us a pound of flesh, a bite for every more

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<v Speaker 1>so you took from the mouth of those who trusted you.

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<v Speaker 1>Perhaps that will at all for all the misery you

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<v Speaker 1>boost upon the world. I'd start with the face. Trust me,

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<v Speaker 1>If you start with the arms, you're runner of steam.

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<v Speaker 1>What are be stinging? Now? And do that quickly. Once

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<v Speaker 1>you finish your candy, you'll be right back where you

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<v Speaker 1>came from, back into the Shall we move on? Oh yes,

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<v Speaker 1>let's have a snake mixed deer. Ah, well, every father

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<v Speaker 1>is his daughter's servant? Is he not open wide? Mrs Havisham,

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<v Speaker 1>this this horrid, surely no more bitter than wolf Spain.

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<v Speaker 1>But no, Havisham, I'd ask your husband. But a poor

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<v Speaker 1>man resides beyond my reach. Death by poison an old

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<v Speaker 1>method and a method of cowards. Do you believe you

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<v Speaker 1>deserve a second chance of paradise? You gossip, murderous adulter?

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<v Speaker 1>Why should you not be left? Was a dark? Your

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<v Speaker 1>men are all the same, Mr Minx, They called you

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<v Speaker 1>and call me still I am creating the light. I

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<v Speaker 1>never Mr Sunday, one mistake, that's all, one mistake, one

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<v Speaker 1>slip in all my years, that I should be concerned

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<v Speaker 1>to hell ask you? Yes, let's ask our share with

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<v Speaker 1>us your wisdom. Should the widow be fleel sada? Did

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<v Speaker 1>you really did you kill Mr haversham Shm? I did

0:18:29.640 --> 0:18:32.440
<v Speaker 1>in my own rundfast that I carried so long and

0:18:32.720 --> 0:18:40.520
<v Speaker 1>du dark. Yes, send that to the dark hold, for

0:18:40.680 --> 0:18:44.600
<v Speaker 1>we must be in a court next. You are our owl,

0:18:44.680 --> 0:18:48.520
<v Speaker 1>and therefore wise what do you say? Well? Is this?

0:18:49.040 --> 0:18:52.280
<v Speaker 1>Why are you doing this? Well? Since we cannot hear

0:18:52.320 --> 0:18:55.280
<v Speaker 1>from you, let's give widow have as from her own

0:18:55.359 --> 0:19:00.680
<v Speaker 1>chance to unhear all the terrible things she said in life. Here, snake,

0:19:01.440 --> 0:19:06.320
<v Speaker 1>take these scissors, dip deep within your ears, take your

0:19:06.320 --> 0:19:09.280
<v Speaker 1>tongue as well. Perhaps at the end you will have

0:19:09.320 --> 0:19:21.440
<v Speaker 1>earned a place in heaven. And now our mom our fly.

0:19:22.880 --> 0:19:26.480
<v Speaker 1>Let's have them played together as they not a day ago.

0:19:26.760 --> 0:19:31.639
<v Speaker 1>Once played a live bounds open. Boys, treat good things,

0:19:32.280 --> 0:19:38.080
<v Speaker 1>and I have a special piece of caterpilly each god

0:19:38.160 --> 0:19:43.320
<v Speaker 1>it hurts. Welcome back, boys, welcome. Do you know who

0:19:43.400 --> 0:19:46.280
<v Speaker 1>I am? You were in a king story town, you

0:19:46.359 --> 0:19:50.320
<v Speaker 1>were in the dark. I saw you, children, says the

0:19:50.400 --> 0:19:53.840
<v Speaker 1>all the things you hit lay game my young friends,

0:19:54.160 --> 0:19:58.000
<v Speaker 1>A game I quite adore, and you play my favorite.

0:19:58.720 --> 0:20:01.360
<v Speaker 1>Tell us and tell us too. Do you see that boy?

0:20:01.400 --> 0:20:04.040
<v Speaker 1>SE's easy. I'll crost the tape that's to kill with

0:20:04.080 --> 0:20:08.320
<v Speaker 1>the money he killed us? Do you believe this boy

0:20:08.440 --> 0:20:12.800
<v Speaker 1>deserves the second chance? Now, yes, you believe him. You

0:20:13.000 --> 0:20:16.080
<v Speaker 1>beat him, and that was your mistake. But that was

0:20:16.119 --> 0:20:20.280
<v Speaker 1>a single day. Tell us, what were you to do

0:20:20.359 --> 0:20:22.840
<v Speaker 1>in life? Had you live? It's going to be a

0:20:22.880 --> 0:20:29.800
<v Speaker 1>soldier who's going to save the world. At least, it's thought.

0:20:29.840 --> 0:20:35.600
<v Speaker 1>So I wasn't the smartest person, but I like drawing.

0:20:36.560 --> 0:20:38.399
<v Speaker 1>I drew a picture of a girl in town once

0:20:38.600 --> 0:20:42.000
<v Speaker 1>and gave it to her. She had the most beautiful smile.

0:20:42.840 --> 0:20:46.080
<v Speaker 1>I thought we were gonna get married. Moved west to California,

0:20:46.920 --> 0:20:50.040
<v Speaker 1>and I would pay her every day paint pictures of

0:20:50.040 --> 0:20:53.520
<v Speaker 1>our children, and we filled walls with pictures out hang

0:20:53.560 --> 0:20:59.880
<v Speaker 1>there long after hell's gone. Say Mark, I didn't kill

0:21:00.040 --> 0:21:05.840
<v Speaker 1>you though it wasn't me wasn't Max didn't see time

0:21:05.960 --> 0:21:11.280
<v Speaker 1>differently than you, and unlikely living the dead can never lie.

0:21:12.000 --> 0:21:15.880
<v Speaker 1>They know what they could have been. My fly, my more.

0:21:16.480 --> 0:21:21.320
<v Speaker 1>I pity you. Life's whipped away too soon before you

0:21:21.480 --> 0:21:25.320
<v Speaker 1>is a test? Can you forgive the boy here? The

0:21:25.480 --> 0:21:29.840
<v Speaker 1>boy who wronged you so he owes us? He should

0:21:29.840 --> 0:21:33.840
<v Speaker 1>have given us that saw book? Look, I'm sorry, okay,

0:21:34.119 --> 0:21:37.679
<v Speaker 1>I didn't mean to hurt anyone. You started it. I

0:21:37.720 --> 0:21:40.520
<v Speaker 1>didn't ask to be here. I didn't ask to anything

0:21:40.520 --> 0:21:43.879
<v Speaker 1>at all, just making enough money to save my home.

0:21:45.080 --> 0:21:49.520
<v Speaker 1>Take off him mask, then what show us? Show us

0:21:49.520 --> 0:21:53.640
<v Speaker 1>you're sorry? Max listened to me. That is not them.

0:21:53.960 --> 0:21:58.600
<v Speaker 1>It is a trick. I don't understand. You don't understand.

0:21:59.040 --> 0:22:01.600
<v Speaker 1>You don't understand what you did to us. It is

0:22:01.680 --> 0:22:05.720
<v Speaker 1>not real. Listen, you need to move closer to those

0:22:05.760 --> 0:22:12.920
<v Speaker 1>boys to take their masks off. Trust me. Okay, how

0:22:12.960 --> 0:22:17.920
<v Speaker 1>about this. I never meant to her anyone. I'm sorry.

0:22:18.520 --> 0:22:23.920
<v Speaker 1>Let me apologize here. What are you doing? Stay back

0:22:23.960 --> 0:22:26.440
<v Speaker 1>from something. Let's see who you really are underneath there

0:22:27.359 --> 0:22:33.240
<v Speaker 1>are You're ruining it. You're ruining it all. Got no faces?

0:22:33.760 --> 0:22:39.320
<v Speaker 1>These aren't even bodies. There puppets dying. Well now, Max,

0:22:39.640 --> 0:22:42.439
<v Speaker 1>if we're all revealing our two faces, I'll show you

0:22:42.600 --> 0:22:49.320
<v Speaker 1>mine too. Are you why? I'm one of those things

0:22:49.400 --> 0:22:54.280
<v Speaker 1>down there? Max? Down there in the dark, and soon

0:22:54.400 --> 0:23:01.360
<v Speaker 1>you will be too. Sick hows and all the talk. Now,

0:23:01.520 --> 0:23:06.320
<v Speaker 1>Max the door. Run as fast as you can. Max,

0:23:06.840 --> 0:23:13.959
<v Speaker 1>You'll never make it. I can't see. There's no light. Faster, faster?

0:23:14.640 --> 0:23:18.760
<v Speaker 1>What is this place? Just run, Bax, follow arrow and

0:23:18.840 --> 0:23:22.800
<v Speaker 1>he will lead you. I will find you. I'm coming

0:23:23.000 --> 0:23:30.200
<v Speaker 1>for you, Max, I'm coming for you. It's too small, then,

0:23:30.320 --> 0:23:35.399
<v Speaker 1>cl This this is an air duct and it's a

0:23:35.480 --> 0:23:42.960
<v Speaker 1>dead end. Besilo. I don't know where to go, Besilo, Besilo,

0:23:43.920 --> 0:24:13.080
<v Speaker 1>No No. Thirteen Days of Halloween Devil's Night starring Carter

0:24:13.240 --> 0:24:18.199
<v Speaker 1>Rockwood and Clancy Brown. Episode ten The Candy Store, written

0:24:18.240 --> 0:24:22.639
<v Speaker 1>by Ben Bolan, Nicolas Takowski and Alexander Williams. Editing and

0:24:22.760 --> 0:24:27.159
<v Speaker 1>sound design by Josh Thane, featuring the voices of Nicholas Takowski,

0:24:27.480 --> 0:24:33.080
<v Speaker 1>Jeffrey Kennedy, Raphael Corkill, Gina Rikiki, Joseph Whipp, Eve Gordon,

0:24:33.359 --> 0:24:38.840
<v Speaker 1>Travis Burnett, and Genta Zambu Lasak. Directed by Alexander Williams.

0:24:39.119 --> 0:24:43.520
<v Speaker 1>Script supervision by Nicolas Takowski. Casting by Sunday Bowling c

0:24:43.800 --> 0:24:47.240
<v Speaker 1>s A and Meg Mormon c s A. Production coordinator

0:24:47.359 --> 0:24:52.360
<v Speaker 1>Wayna Calderon. Production assistants Zoe Shay and Amber Ferris. Animal

0:24:52.400 --> 0:24:57.400
<v Speaker 1>recording by Ben James, closing theme by Rose Azerti. Loyalty

0:24:57.480 --> 0:25:01.760
<v Speaker 1>Freak Music dot Com record did at d G Entertainment

0:25:01.840 --> 0:25:06.400
<v Speaker 1>in Los Angeles, California, engineered by Gary Forbes and Jody Abbott.

0:25:06.680 --> 0:25:11.920
<v Speaker 1>Additional recording by SoundBite Inc. In Atlanta, Georgia. Engineered by

0:25:12.119 --> 0:25:17.760
<v Speaker 1>Chase Nixon, studio manager Kathy Roberts. Executive producers Aaron Mankey,

0:25:18.080 --> 0:25:23.680
<v Speaker 1>Noah Fineberg, Chris Dicky, Matt Frederick and Alexander Williams. Supervising

0:25:23.720 --> 0:25:28.240
<v Speaker 1>producers Trevor Young and Josh Stain. Producers Jesse Funk and

0:25:28.359 --> 0:25:32.080
<v Speaker 1>rima Il Kali Thirteen Days of Halloween was created by

0:25:32.119 --> 0:25:35.480
<v Speaker 1>Matt Frederick and Alexander Williams and is a production of

0:25:35.560 --> 0:25:39.240
<v Speaker 1>iHeart three D Audio, Blumhouse Television, and Grim and Mild

0:25:39.320 --> 0:25:42.359
<v Speaker 1>from Aaron Mankey. Learn more about the show at Grim

0:25:42.359 --> 0:25:45.960
<v Speaker 1>and Mild dot com, slash thirteen Days and find more

0:25:46.000 --> 0:25:49.040
<v Speaker 1>podcasts from iHeart Radio by visiting the i Heart Radio app,

0:25:49.240 --> 0:25:52.359
<v Speaker 1>Apple Podcasts, or wherever you listen to your favorite shows

0:26:00.000 --> 0:26:01.880
<v Speaker 1>the other way