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Speaker 1: M Thirteen Days of Halloween, Devil's Night, a production of

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Speaker 1: I Heart three D Audio, Blumhouse Television and Grimm and

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Speaker 1: Mild from Aaron Mackey. Headphones recommended. Listener discretion advised. Hey,

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Speaker 1: you there so much for distraction things? Hello? Thanks? Hello,

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Speaker 1: where do you freeze? Hands on your head? Now? Turn

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Speaker 1: around slowly? Well, well, well, I remember this little piss

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Speaker 1: app He's one of them we already had in the

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Speaker 1: patty wagon. I thought you could get away easy, did you. Well,

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Speaker 1: you're in a world of trouble. Now, what's your name? Boy?

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Speaker 1: This gets easier the sooner you start cooperating. Why don't

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Speaker 1: you tell us why you started that fire? And community center?

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Speaker 1: Church or the Revelation? What did you say to me?

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Speaker 1: It's the Church of the Revelation or it was church

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Speaker 1: or what? Now? And they didn't. I haven't done anything

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Speaker 1: all night. We try to get home. Save it, punk.

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Speaker 1: I'm gonna personally see them making your night in the

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Speaker 1: slam of the stuff of nightmares. Hey, everybody, look look

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Speaker 1: over here. It's me Max, the boy you're all after. Really,

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Speaker 1: that's that's him. That's him too. Just Hey, hey, I'm

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Speaker 1: getting away. Don't look now, I'm ready away, I'll get

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Speaker 1: this one. You get that one right right? No, you

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Speaker 1: said that, not that one, the other. This whole town

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Speaker 1: is gone with sirk. I'm never are gonna get home? Errole.

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Speaker 1: Where are you? What now? Max? Max? I know that voice? Max, Max,

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Speaker 1: Please keep your voice down. Max. It's me Okay, okay, please,

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Speaker 1: I don't know Mr Manx the candy man? Right? Hello?

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Speaker 1: What's Samantha Max? What are you doing out here? Are

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Speaker 1: you looking for somebody? No, I'm just trying to get

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Speaker 1: someone's looking for you. Erro, erro. You found him? Oh,

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Speaker 1: thank you, Mr Max. Max. Get in here, Come on

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Speaker 1: out of the page, errow. I was so worried about you.

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Speaker 1: I I wasn't sure i'd ever see you again. I

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Speaker 1: can't be too careful now, Why don't you explain to

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Speaker 1: me what on us you were doing out there on

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Speaker 1: tonight of all nights and looking like a timp. I

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Speaker 1: shall tell your parents I have half a mind. But

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Speaker 1: at least you're here with us now and you're safe.

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Speaker 1: Thank you, seriously, thank you so much for finding Arrow.

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Speaker 1: But I can't say what's you'll tell us if you

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Speaker 1: can't go back out? And there was the storming, the streets.

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Speaker 1: I think it's all right now, nonsense was all the

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Speaker 1: ghosts and the ghouls and the goblins and the golems?

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Speaker 1: What exactly lights out come? Now to the seller? And

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Speaker 1: I was a kid like you, nothing would have made

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Speaker 1: me happier than seeing the real life back of a

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Speaker 1: candy store. Mr Manx, I really appreciate it, but it's

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Speaker 1: been a horrible night. My parents, well, they're not going

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Speaker 1: to be happy with me. I know it's see dress

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Speaker 1: out there, trust me, I do, but I have to go.

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Speaker 1: I tell you what. Come down away from the street,

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Speaker 1: wait out the storm with the Manx family. And if

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Speaker 1: you still want to go home and dive you really.

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Speaker 1: Of course, in this town we all have to look

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Speaker 1: out for each other. Now, come on back. I imagine

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Speaker 1: you must be starving and we're just setting about dinner.

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Speaker 1: What's a candy store open to night of all nights

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Speaker 1: only invites tower. I'd already be locked up if it

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Speaker 1: weren't for old Arrow here. He seems certainly were coming.

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Speaker 1: Now minds the steps, ladies. It appears we have an

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Speaker 1: unexpected guest. Max. Say hello to Mrs Manx and our

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Speaker 1: girl Emily. Hello, Hello, Max, Emily say hello to Max doggy.

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Speaker 1: That's right, Emily. Do now, Max, sit down and make

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Speaker 1: yourself comfortable. I'll be I to back one, two, three?

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Speaker 1: Where'll all these doors go? Oh? All sorts of places.

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Speaker 1: This is one of the oldest buildings in town, you know, now,

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Speaker 1: sid Max? Dinners almost ready? Hi, Emily? What if you

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Speaker 1: got there? Dolly? Right? Very nice and they like your

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Speaker 1: calls to what are you supposed to be? Wow? That's right, Max.

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Speaker 1: She wanted me to make her up as a clown

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Speaker 1: of all things, sad eyes and a big red smile.

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Speaker 1: Isn't that just bizarre? I don't know, ma'am. I've seen

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Speaker 1: some stranger stuff tonight. What are you making for dinner? Oh?

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Speaker 1: All sorts of things. I've stewed licorice whips, made a

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Speaker 1: gum drop cast role with marshmallow cream, a soup of

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Speaker 1: salt water, taffy and baked peanut brittle, rolls with honey butter,

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Speaker 1: and of course the center of the feast, a massive

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Speaker 1: roast of caramel corn. That's a lot of candy, just

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Speaker 1: like you have at home, not just like I have

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Speaker 1: at home. Well, you're all skin and bones. We need

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Speaker 1: to fatten you up. Besides, it's best to stay down

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Speaker 1: here and quiet while those people outside get their jimmies out.

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Speaker 1: They're a nice light salad of candy corn and pixie

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Speaker 1: sugar and something sweet for your little dog too. Now

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Speaker 1: eat up. See you are always cook like this? Well, yes,

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Speaker 1: and no tonight something of a special you know, our

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Speaker 1: annual Halloween party party. It will begin soon enough. You're

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Speaker 1: the first guest. Who I mean, how many are you expecting? Oh?

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Speaker 1: Quite a few, I imagine it's something of a tradition

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Speaker 1: in these parts. And how will they get here with

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Speaker 1: the doors locked? Aren't you just full of questions? But

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Speaker 1: now I'm sure they'll be here any minute. Time to

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Speaker 1: get you ready? To be a good boy and come

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Speaker 1: on over to this cabinet here. Why do you have

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Speaker 1: so many maths? I'm no splendid. Aren't they go on?

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Speaker 1: Choose one for yourself? Um? That's sorry, Please I insist?

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Speaker 1: What do they only cover half the face? Well? The

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Speaker 1: best way to say it is very few people are

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Speaker 1: only one thing quickly now, max, before my house than returns.

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Speaker 1: He's very particular about these things. Go ahead, anyone will do?

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Speaker 1: How about this one? How ah? The owl of wise choice? Dolly,

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Speaker 1: Let's play Dolly, Mommy is busy right now, Darling, Max,

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Speaker 1: be your dear and humor her. Okay, well, I'm a

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Speaker 1: little old to play with dolls, But Dolly, play dolly. Okay, okay,

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Speaker 1: hello Dolly, I'm Max. Hello, Max? Are you along? Now?

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Speaker 1: You should be the only one who can hear me.

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Speaker 1: Just talk to the doll. My would a pretty dress

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Speaker 1: you have? Something is wrong, Max, I can hear you,

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Speaker 1: but I cannot see you. Tell me where you are

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Speaker 1: in the no describe it? Tell the dolly. Uh well, Dolly,

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Speaker 1: this sure is a nice candy store. I never knew

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Speaker 1: it had an underground cellar. What does it look like?

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Speaker 1: It sure is big, a huge stone table in the

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Speaker 1: kitchen and a fireplace. Lots of candy too, in so

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Speaker 1: many doors. I wonder where they all go. That is

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Speaker 1: not a seller, Max, Those are cateacombs. You need to leave.

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Speaker 1: I don't know which door leads out, and the ones

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Speaker 1: upstairs are all locked. You will have to bite your time. Then,

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Speaker 1: just act natural. I am looking for a way, and

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Speaker 1: you try to figure out what they are planning. Does

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Speaker 1: everyone wear a mask? Mrs Minx, your face it's so greenly,

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Speaker 1: what are you get it? Yes, my darling, which, Oh,

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Speaker 1: don't look so surprised, Max, go better to run a

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Speaker 1: candy store. You see, most people don't understand holy days

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Speaker 1: like these. They tell themselves they're dressing up, putting on

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Speaker 1: their little custom place. But what they're really doing they're

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Speaker 1: taking their masks off. And just once a year, my

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Speaker 1: husband and I get to do the same. You can

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Speaker 1: take your mask off to Emily. You're not a kid,

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Speaker 1: you're a monster. Ah. What a wonderful choice, a wonderful

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Speaker 1: bond choice. Max, What does he have a wheelbarrow full

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Speaker 1: of bodies? Now, Max, don't behold these are our guests,

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Speaker 1: and who do we have this? He is my dear

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Speaker 1: Here we have old Mr Dearborn, who grew fat from

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Speaker 1: the pennies he squeezed out of each and every farmer

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Speaker 1: who entered his bank. You might recognize him, Max, Your

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Speaker 1: parents certainly do a life of luxury. He lives with

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Speaker 1: the wisest foods and silken sheets. But it was never enough.

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Speaker 1: Red turned from the dirt where he was buried just

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Speaker 1: this past September, Mr Dearborn, you are a pig and

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Speaker 1: we don't have a shoot from the church. Who sang

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Speaker 1: loudest inquire and with all her public love of the

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Speaker 1: Christ was only happy, truly happy once in her life

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Speaker 1: when she finally drove her hand packed husband to his

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Speaker 1: grave and there to speak against another woman and innocent,

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Speaker 1: convicted of the crime. As I told her when she

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Speaker 1: bought the poison, we don't have a show. You are

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Speaker 1: a SnO And here we have a pair, Max, your

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Speaker 1: old friends from the farm. Let me see which fon

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Speaker 1: is Tony. Oh they're both Tonies. Life wasn't fair to

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Speaker 1: the Tonys med orphan isn't do you ever fund the Max?

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Speaker 1: Where do they deserved to die? Little boys are cold

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Speaker 1: by nature, pulling wings and flies, and believe me, there

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Speaker 1: are no strangers to stealing from babies and candy stores alike,

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Speaker 1: but their lives for cut short. Brtally So, Tony, you

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Speaker 1: are a mock, and you, Tony, you are a flying

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Speaker 1: There were, of course other people I've wanted to invite,

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Speaker 1: but these two seemed especially appropriate for such a festivocation.

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Speaker 1: You're crazy, what blow? Of course, hone? Max. Sit down

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Speaker 1: here will show you the rules as we go. It

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Speaker 1: will be, trust me, a real hoot. Sit down and

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Speaker 1: make sure your dog behaves or your parents will be

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Speaker 1: my next guest, please hurt anyone, Just let us go

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Speaker 1: hurt them if I say, hurts themselves, and if we wanders.

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Speaker 1: Hurt is the great human endeavor since the first ape

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Speaker 1: stood upright on two legs. All men and women do

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Speaker 1: me hurt each other and themselves, little by little, step

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Speaker 1: by step, until they find themselves in the dark. This

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Speaker 1: is just how we have a bit of fun along

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Speaker 1: the way. Now down, boy, you're going to see a

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Speaker 1: wonder something few of the living witness. Max. Think carefully. Now,

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Speaker 1: when he came back in, did he remember to lock

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Speaker 1: the door behind him? I don't think so. Then that

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Speaker 1: is your way out. But you need to wait. Do

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Speaker 1: not go until I tell you to. Maxwell, I said, sit,

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Speaker 1: here's your candy, dear, Oh, thank you, my love. Yeah,

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Speaker 1: a special confection, A secret, ancient recipe between us, Max,

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Speaker 1: This is my favorite candy. A kind of truth, you

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Speaker 1: would say. Now open up piglets. Oh yeah, you're here

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Speaker 1: to play a game, pig A very old game, one

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Speaker 1: I like to call second chances. Now you've had a

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Speaker 1: taste of the DA, haven't you not? Just yet? You

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Speaker 1: must play tell me this. Do you deserve a second

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Speaker 1: chance at paradise? Yeah? Man a man for a pain,

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Speaker 1: you'd say, face. I Well, but tell us, do you

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Speaker 1: deserve a brief? Nothing? There's nothing only Oh, there's so

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Speaker 1: much more than that. Would you like to see heaven?

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Speaker 1: Mr diab, do you believe you deserve to see it?

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Speaker 1: You're a farm help me? I imagine that's what maxis,

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Speaker 1: aaron setting you once upon a time? What do you think,

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Speaker 1: young owl, does this particular pig of all the pigs

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Speaker 1: in order the world go headlong into the Great Charnel House?

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Speaker 1: Or does he, despite all he's done, deserve a second child?

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Speaker 1: I don't it seems to be acting me pass tell

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Speaker 1: you what Mr dear want. Takes this knife and give

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Speaker 1: us a pound of flesh, a bite for every more

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Speaker 1: so you took from the mouth of those who trusted you.

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Speaker 1: Perhaps that will at all for all the misery you

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Speaker 1: boost upon the world. I'd start with the face. Trust me,

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Speaker 1: If you start with the arms, you're runner of steam.

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Speaker 1: What are be stinging? Now? And do that quickly. Once

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Speaker 1: you finish your candy, you'll be right back where you

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Speaker 1: came from, back into the Shall we move on? Oh yes,

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Speaker 1: let's have a snake mixed deer. Ah, well, every father

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Speaker 1: is his daughter's servant? Is he not open wide? Mrs Havisham,

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Speaker 1: this this horrid, surely no more bitter than wolf Spain.

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Speaker 1: But no, Havisham, I'd ask your husband. But a poor

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Speaker 1: man resides beyond my reach. Death by poison an old

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Speaker 1: method and a method of cowards. Do you believe you

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Speaker 1: deserve a second chance of paradise? You gossip, murderous adulter?

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Speaker 1: Why should you not be left? Was a dark? Your

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Speaker 1: men are all the same, Mr Minx, They called you

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Speaker 1: and call me still I am creating the light. I

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Speaker 1: never Mr Sunday, one mistake, that's all, one mistake, one

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Speaker 1: slip in all my years, that I should be concerned

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Speaker 1: to hell ask you? Yes, let's ask our share with

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Speaker 1: us your wisdom. Should the widow be fleel sada? Did

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Speaker 1: you really did you kill Mr haversham Shm? I did

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Speaker 1: in my own rundfast that I carried so long and

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Speaker 1: du dark. Yes, send that to the dark hold, for

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Speaker 1: we must be in a court next. You are our owl,

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Speaker 1: and therefore wise what do you say? Well? Is this?

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Speaker 1: Why are you doing this? Well? Since we cannot hear

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Speaker 1: from you, let's give widow have as from her own

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Speaker 1: chance to unhear all the terrible things she said in life. Here, snake,

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Speaker 1: take these scissors, dip deep within your ears, take your

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Speaker 1: tongue as well. Perhaps at the end you will have

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Speaker 1: earned a place in heaven. And now our mom our fly.

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Speaker 1: Let's have them played together as they not a day ago.

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Speaker 1: Once played a live bounds open. Boys, treat good things,

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Speaker 1: and I have a special piece of caterpilly each god

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Speaker 1: it hurts. Welcome back, boys, welcome. Do you know who

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Speaker 1: I am? You were in a king story town, you

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Speaker 1: were in the dark. I saw you, children, says the

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Speaker 1: all the things you hit lay game my young friends,

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Speaker 1: A game I quite adore, and you play my favorite.

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Speaker 1: Tell us and tell us too. Do you see that boy?

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Speaker 1: SE's easy. I'll crost the tape that's to kill with

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Speaker 1: the money he killed us? Do you believe this boy

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Speaker 1: deserves the second chance? Now, yes, you believe him. You

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Speaker 1: beat him, and that was your mistake. But that was

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Speaker 1: a single day. Tell us, what were you to do

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Speaker 1: in life? Had you live? It's going to be a

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Speaker 1: soldier who's going to save the world. At least, it's thought.

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Speaker 1: So I wasn't the smartest person, but I like drawing.

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Speaker 1: I drew a picture of a girl in town once

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Speaker 1: and gave it to her. She had the most beautiful smile.

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Speaker 1: I thought we were gonna get married. Moved west to California,

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Speaker 1: and I would pay her every day paint pictures of

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Speaker 1: our children, and we filled walls with pictures out hang

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Speaker 1: there long after hell's gone. Say Mark, I didn't kill

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Speaker 1: you though it wasn't me wasn't Max didn't see time

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Speaker 1: differently than you, and unlikely living the dead can never lie.

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Speaker 1: They know what they could have been. My fly, my more.

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Speaker 1: I pity you. Life's whipped away too soon before you

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Speaker 1: is a test? Can you forgive the boy here? The

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Speaker 1: boy who wronged you so he owes us? He should

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Speaker 1: have given us that saw book? Look, I'm sorry, okay,

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Speaker 1: I didn't mean to hurt anyone. You started it. I

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Speaker 1: didn't ask to be here. I didn't ask to anything

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Speaker 1: at all, just making enough money to save my home.

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Speaker 1: Take off him mask, then what show us? Show us

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Speaker 1: you're sorry? Max listened to me. That is not them.

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Speaker 1: It is a trick. I don't understand. You don't understand.

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Speaker 1: You don't understand what you did to us. It is

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Speaker 1: not real. Listen, you need to move closer to those

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Speaker 1: boys to take their masks off. Trust me. Okay, how

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Speaker 1: about this. I never meant to her anyone. I'm sorry.

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Speaker 1: Let me apologize here. What are you doing? Stay back

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Speaker 1: from something. Let's see who you really are underneath there

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Speaker 1: are You're ruining it. You're ruining it all. Got no faces?

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Speaker 1: These aren't even bodies. There puppets dying. Well now, Max,

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Speaker 1: if we're all revealing our two faces, I'll show you

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Speaker 1: mine too. Are you why? I'm one of those things

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Speaker 1: down there? Max? Down there in the dark, and soon

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Speaker 1: you will be too. Sick hows and all the talk. Now,

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Speaker 1: Max the door. Run as fast as you can. Max,

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Speaker 1: You'll never make it. I can't see. There's no light. Faster, faster?

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Speaker 1: What is this place? Just run, Bax, follow arrow and

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Speaker 1: he will lead you. I will find you. I'm coming

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Speaker 1: for you, Max, I'm coming for you. It's too small, then,

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Speaker 1: cl This this is an air duct and it's a

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Speaker 1: dead end. Besilo. I don't know where to go, Besilo, Besilo,

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Speaker 1: No No. Thirteen Days of Halloween Devil's Night starring Carter

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Speaker 1: Rockwood and Clancy Brown. Episode ten The Candy Store, written

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Speaker 1: by Ben Bolan, Nicolas Takowski and Alexander Williams. Editing and

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Speaker 1: sound design by Josh Thane, featuring the voices of Nicholas Takowski,

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Speaker 1: Jeffrey Kennedy, Raphael Corkill, Gina Rikiki, Joseph Whipp, Eve Gordon,

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Speaker 1: Travis Burnett, and Genta Zambu Lasak. Directed by Alexander Williams.

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Speaker 1: Script supervision by Nicolas Takowski. Casting by Sunday Bowling c

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Speaker 1: s A and Meg Mormon c s A. Production coordinator

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Speaker 1: Wayna Calderon. Production assistants Zoe Shay and Amber Ferris. Animal

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Speaker 1: recording by Ben James, closing theme by Rose Azerti. Loyalty

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Speaker 1: Freak Music dot Com record did at d G Entertainment

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Speaker 1: in Los Angeles, California, engineered by Gary Forbes and Jody Abbott.

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Speaker 1: Additional recording by SoundBite Inc. In Atlanta, Georgia. Engineered by

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Speaker 1: Chase Nixon, studio manager Kathy Roberts. Executive producers Aaron Mankey,

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Speaker 1: Noah Fineberg, Chris Dicky, Matt Frederick and Alexander Williams. Supervising

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Speaker 1: producers Trevor Young and Josh Stain. Producers Jesse Funk and

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Speaker 1: rima Il Kali Thirteen Days of Halloween was created by

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Speaker 1: Matt Frederick and Alexander Williams and is a production of

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Speaker 1: iHeart three D Audio, Blumhouse Television, and Grim and Mild

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Speaker 1: from Aaron Mankey. Learn more about the show at Grim

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Speaker 1: and Mild dot com, slash thirteen Days and find more

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Speaker 1: podcasts from iHeart Radio by visiting the i Heart Radio app,

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Speaker 1: Apple Podcasts, or wherever you listen to your favorite shows

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Speaker 1: the other way