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Speaker 1: Heard around the world on the I Heart Radio act

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Speaker 1: Apple podcast over every you get your podcast, It's Cannabis

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Speaker 1: Talk one on one with Blue and Joe Grande. Hello,

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Speaker 1: welcome to Cannabis Talk one on one in the book

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Speaker 1: number one source for everything Cannaba's Monday blew alongside of me,

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Speaker 1: Mr Joe Grandade, and you're announcing into the greatest cannada

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Speaker 1: show on the planet. Thank you guys for listening to

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Speaker 1: our show all around the world. We greatly appreciate you. Guys.

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Speaker 1: Check out our website Cannabis Talk one on one dot com.

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Speaker 1: We have so many great articles and blogs on the website.

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Speaker 1: Call us up anytime just to say hello and check

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Speaker 1: out the I g pages. At Cannabi's Talk one oh one,

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Speaker 1: Blue is at the number one. Christopher writes, I am

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Speaker 1: at Joe Grande fifty two and I just want to

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Speaker 1: thank Jorge out there for ecliving us that message last time,

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Speaker 1: and if we missed it, go back and listen to

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Speaker 1: the beginning of the last show. He left us a

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Speaker 1: great message and we got the first ever Cannabis Friendly

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Speaker 1: Celebrity Golf Classic charity event. You guys attached to the

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Speaker 1: Gridiron greats hosted by our dear friend, Chicago Bear native

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Speaker 1: Jim McMahon and the at the Anthem County Club in Scottsdale, Arizona.

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Speaker 1: That Anthem Country Club is beautiful, by the way. February tenth,

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Speaker 1: two thousand twenty three. Come out and play with some

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Speaker 1: of the biggest celebrities at one of the biggest events

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Speaker 1: of the year. Joined Remnant, fair Child and of course

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Speaker 1: Cannabis Talk one oh one will be all out there.

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Speaker 1: Don't forget Falcolm Group just got on board with us

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Speaker 1: as well. Man. Shout out to them boys. Yes, them

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Speaker 1: guys out there in Arizona are doing their damn thing.

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Speaker 1: Our guest on the show is a very very artistic man,

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Speaker 1: Mr Sean Dietrich, an amazing artist for the past thirty

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Speaker 1: years whose primary role basically is to keep creativity alive

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Speaker 1: in this wonderful industry that we have going on. Here

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Speaker 1: a little bit about this cat right now. He was

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Speaker 1: the first artist to put high end fine art on

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Speaker 1: these accessories in the industries and then on a mass scale,

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Speaker 1: and it's set off a storm of companies adding art

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Speaker 1: to all their products. With all of the corporate money

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Speaker 1: coming in. It's his job to make sure that the

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Speaker 1: creative culture surrounding cannabis continues to grow. Now. This dude

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Speaker 1: published his first comic book at the age of fifteen,

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Speaker 1: so he's been doing this for a minute. He worked

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Speaker 1: on the PlayStation game Twisted Metal, which is awesome right there.

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Speaker 1: Can't wait to figure out what he's done for that,

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Speaker 1: And has painted at has painted live and thousands at

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Speaker 1: thousands of nightclubs and festivals around the world. Painted or played.

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Speaker 1: He's painted and played, but you know he painted. He's

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Speaker 1: a painter. And after publishing seventeen books, including his latest,

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Speaker 1: which is right in front of me right now. It's

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Speaker 1: his release, which is a beautiful book on The artwork

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Speaker 1: on the website is dope. It's even better in front

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Speaker 1: of him Alice's Adventures in Wonderland. I can't wait to

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Speaker 1: read this book and look at it. I'm probably gonna

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Speaker 1: steal this one. He also created artwork for twelve different

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Speaker 1: artists series rolling trades for OCB Rolling Papers, the largest

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Speaker 1: rolling paper company in the world, which helped kick off

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Speaker 1: the whole let's put art on everything in the cannabis industry,

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Speaker 1: you guys. He and his wife has also created insanely

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Speaker 1: cool boost for trade shows and actually won the A

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Speaker 1: s d's Best Booth Award for the booth they created

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Speaker 1: for O C B Republic Brands in two thousand nineteen.

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Speaker 1: You can check out his website which I was on yesterday,

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Speaker 1: Sean Dietrich Art dot com, which is s E A

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Speaker 1: N D I E t R I C h A

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Speaker 1: rt dot com. Are following on Instagram with his name

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Speaker 1: Sean Dietrich. You just got the spelling there. Let's welcome

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Speaker 1: our guys, Sean Dtrick to the show. That is a gentleman.

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Speaker 1: Let's go Sean. It is great to have you on

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Speaker 1: and looking at all your artwork. I want to get

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Speaker 1: into the collab that you're doing with Zippo as well

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Speaker 1: as I see the Zippos on there. You've just done

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Speaker 1: some big ship talking about, you know, doing things at

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Speaker 1: the age of fifteen to publishing that. But let's go further.

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Speaker 1: Who are you? Where are you from? And give me

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Speaker 1: the core who you are? Uh so, yeah, start it.

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Speaker 1: I grew up outside Baltimore, UM and I live in

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Speaker 1: Washington State now with stops in New Orleans and San

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Speaker 1: Diego on the way. So I made a big, big

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Speaker 1: U across the US. UM always been into art. Told

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Speaker 1: my mom when I was five, I was going to

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Speaker 1: be an artist when I grew up, and you are,

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Speaker 1: and then here I am. So um did they were

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Speaker 1: they supportive or like, oh my god, you're coloring and

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Speaker 1: you're okay, you could keep in the lines. Good job.

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Speaker 1: But my mom was very supportive. My dad took a

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Speaker 1: little while. He loves it now and but he's a

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Speaker 1: computer guy, so he just you know, a different side

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Speaker 1: of the brain. But now he's super into it. And um,

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Speaker 1: like you mentioned earlier, when I did some art for

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Speaker 1: PlayStation once, he once he heard a company he knew

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Speaker 1: of oh yeah, yeah, he's working. He's actually going he's

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Speaker 1: getting paid exactly what h loudon County High and in Leesburg, Virginia.

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Speaker 1: So yeah, my, and that's where I put out my

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Speaker 1: first comic book. I was on the school high school. Yeah,

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Speaker 1: I was on the school magazine. And um, back before

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Speaker 1: they had computers doing everything, you had to run everything

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Speaker 1: through a wax machine and lay it out on blueboard.

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Speaker 1: And so I used all the equipment at the high

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Speaker 1: school to lay out my first comic. And then I

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Speaker 1: would have my friends walked down the hallway just holding

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Speaker 1: the book up and people would just be like, what's that.

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Speaker 1: It's Dietrich's new comics. Two bucks pimped it out and

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Speaker 1: got some money. Huh what was the comic book? Um so,

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Speaker 1: my comics are a little odd. This one was about

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Speaker 1: a like a fifteen year old kid running around New

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Speaker 1: York and he had an oozy and he was chasing

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Speaker 1: a cannibal. Cannibal. Yeah yeah. It was called Tribal Scream.

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Speaker 1: It was like, um ah yeah, like just a straight

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Speaker 1: up South African tribal like cannibal, like if you dropped

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Speaker 1: him in the middle of New York City and he

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Speaker 1: went on a killing spree. And it's funny you say

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Speaker 1: this because I literally was watching Jimmy Kimmel the other night,

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Speaker 1: and I don't know if you've seen the but he,

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Speaker 1: as a youngster, drew a comic book as well, when

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Speaker 1: he was approximately about maybe your age, I'd say, and uh,

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Speaker 1: they made a movie out of it, and it was

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Speaker 1: the big director that made it and had all A

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Speaker 1: list actors in it, right, And it was a joke,

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Speaker 1: Like I could see them doing that for you one day,

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Speaker 1: you know what I mean? As you just described that

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Speaker 1: as crazy and silly, as that sounds so was his,

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Speaker 1: you know what I mean. And Jimmy Kimmels was out

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Speaker 1: there to where the characters are making fun of it,

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Speaker 1: going who made this like some dumb kid named Jamie?

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Speaker 1: Like they just ripped them as well doing it. But

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Speaker 1: I can totally see something like this being done because

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Speaker 1: we've seen crazier ship in life anyways. Yeah, and I'd

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Speaker 1: like to see some of my stuff come to life

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Speaker 1: and film. Um. I'm actually learning a little bit of

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Speaker 1: film myself to you know, uh, try and sharpen your skills. Yeah,

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Speaker 1: you know, bring it to the next level. Um. I

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Speaker 1: don't have the patience for animation, so you know, being

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Speaker 1: able to do it maybe live action and have someone

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Speaker 1: animated over it or incorporate the boat. You know, the

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Speaker 1: two of them might be cool. So did you go

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Speaker 1: to college for art or any of this stuff that

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Speaker 1: you're doing? Oh I um uh. I used to joke

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Speaker 1: people would ask me that and I'm like, no, that's

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Speaker 1: why I'm good. You know, I didn't actually like that.

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Speaker 1: It's funny. It's such a backhanded slap to my fucking degree.

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Speaker 1: What thanks a lot, Sean. Yeah, No, I just got

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Speaker 1: plenty of friends that went to art institute and whatnot.

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Speaker 1: But um so I like to funk with them like that. Yeah,

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Speaker 1: that's a great comments fun to pay that money and

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Speaker 1: you know exactly, and you're probably making money doing art

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Speaker 1: and they're not doing art anymore. Yeah, I just uh,

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Speaker 1: and I'm sure my parents love this, but I just

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Speaker 1: didn't see. I was a traditional artist still and these

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Speaker 1: are all hand painted, you know. The original art is

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Speaker 1: all acry look on canvas. So I knew that if

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Speaker 1: I just keep practicing, I'll get better. So do I

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Speaker 1: really need to spend six D graand or whatever it

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Speaker 1: is to go to a specialized art school to yeah,

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Speaker 1: you know practice like I can just sit in my

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Speaker 1: bedroom and do that. You know. Well, there's some techniques

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Speaker 1: that come with college. Yeah, and if I was going

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Speaker 1: for animation or film or stuff that required really ens

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Speaker 1: of equipment and absolutely, yeah, straight for the hand. Yeah.

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Speaker 1: I just always have done you know, pen and ink

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Speaker 1: or color on campus, you know, doing your book covers

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Speaker 1: when you're in school and your peaches. Yeah. I had

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Speaker 1: deals with a lot of my teachers where they'd let

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Speaker 1: me draw comics on the back as long as I

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Speaker 1: participated in class discussion and ket my grades up. So um,

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Speaker 1: one of my English teachers let me do a comic

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Speaker 1: instead of a book report. Nice, that's supportive. That's what

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Speaker 1: did you bring all that stuff? Because that's what I

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Speaker 1: want to see. No, we need to bring all that out,

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Speaker 1: dude flashing on the screen. It would be nice to

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Speaker 1: see that. I think all that art disappeared. You know,

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Speaker 1: I don't know. Well, it's funny, as you mentioned, kids

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Speaker 1: aren't because you know, I was doing some research on

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Speaker 1: you yesterday and this little devil that you had on

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Speaker 1: the pins on your website and wearing this devil. So

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Speaker 1: I was doing research on you, and then I had

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Speaker 1: my kids come in their room and they go, Dad,

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Speaker 1: what are you doing? I'm looking at this stuff on

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Speaker 1: this article on this guest we're gonna have and I

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Speaker 1: had my kids draw your logo. Look at this. You

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Speaker 1: guys like, how cool this is that the kids drew.

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Speaker 1: So then my kids go asked him to pick a winner, Dad,

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Speaker 1: is it a RB? Well, I don't have to go

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Speaker 1: home exactly. So Ralian Trayer eight and nine. So these

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Speaker 1: are done by an eight and nine year old. But

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Speaker 1: they were looking at your art, Shawn, as I was,

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Speaker 1: like I said, doing research on your website, and I go, you, guys,

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Speaker 1: let's have a drawing contest here at the house. And

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Speaker 1: then I go, um, let's see. And then we looked

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Speaker 1: at the website and then we had to pick a

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Speaker 1: picture first of all for them to draw, and they

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Speaker 1: chose this one, The Little Devil Children of Mind. I

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Speaker 1: don't know why they do. I guess they thought this

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Speaker 1: was the easier one to draw of everything. I think

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Speaker 1: that's really hosting because everything else was so damn eclectic

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Speaker 1: and crazy. But this is what they drew. And they

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Speaker 1: were inspired by you because to get my kids to

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Speaker 1: sit down and this was about minutes, you know what

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Speaker 1: I mean. This is the artwork that they did. I

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Speaker 1: was impressed. I'm gonna keep these myself. But although they

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Speaker 1: did say, dad, see if you want someone like oh,

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Speaker 1: I think I want him. It's so cool that you

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Speaker 1: guys did this. So Sean, you do have to pick

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Speaker 1: a winner, because they're gonna ask me which one did

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Speaker 1: he pick? Is it a the full paper or be

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Speaker 1: the cutout. We'll just put him in separate rooms and

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Speaker 1: tell him they won. You know, they're gonna go to

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Speaker 1: each other and say he picked mind exactly. And the

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Speaker 1: better part is. Yesterday we had some guy come over

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Speaker 1: the house and the kids brought about which one's better,

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Speaker 1: and the guy picked one in front of them. Yeah yeah,

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Speaker 1: because he didn't know and he just picked one. So

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Speaker 1: I was like, and he picked the one that he thought,

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Speaker 1: but like the tiebreaker, Well yeah, how about this we

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Speaker 1: could go around the room because like I looked at

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Speaker 1: these and I told the kids that go, I like

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Speaker 1: your horns better. I like your shape of the face better.

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Speaker 1: I don't like your tongue better, like your eyes better.

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Speaker 1: I like you. You didn't pick either. I couldn't. I

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Speaker 1: couldn't do it. I left the guy that came by

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Speaker 1: the house. Trays is really nice, and I think, well,

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Speaker 1: I don't say who's who? Oh, you know, you could

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Speaker 1: tell who are you? Come on? The Trays is really nice.

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Speaker 1: And I think trays faces is perfect more more like

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Speaker 1: like the face because I mean, look at look what

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Speaker 1: it's supposed to look like. What's honest thing there? Right? Yeah,

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Speaker 1: so as you look at what it's supposed to look like. Yeah,

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Speaker 1: and then Rayley's and trays Leys is a lot the

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Speaker 1: lines are you know, Sharper look nice, you know, and

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Speaker 1: then and then Trays is uh, you know, a little

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Speaker 1: bit more like the actual character. But I said Trays

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Speaker 1: had way more teeth, really had the exact amount of teeth,

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Speaker 1: you know what I mean, Like Raley had the right

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Speaker 1: amount of teeth. That's what I was looking at. Then

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Speaker 1: at first they had to go back and redo the

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Speaker 1: gray on the ears, and you know they're dead. I

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Speaker 1: need a pink pin. I need this pin, I need

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Speaker 1: that pin. Got them all so, Sean, you're the big

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Speaker 1: you're the artist, but they did your artwork. Remember you

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Speaker 1: don't have to go home. Yeah, exactly, so you get

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Speaker 1: to pick you know, your reason. In fifteen years from now,

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Speaker 1: they'll see my van out front or something. They'll just

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Speaker 1: sat on it. Yeah, the big f you do you

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Speaker 1: remember remember the ten year older you rush? You can?

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Speaker 1: You can tell them both. I love both of them,

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Speaker 1: and I'm very flattered that they did that. That's really cool. Um,

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Speaker 1: and I'd like that they picked a little devil care

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Speaker 1: here and uh and that your supportive of that. Most

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Speaker 1: family would be like flag, don't get it twisted. Will

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Speaker 1: We'll check this out. He'll have an answer when we

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Speaker 1: come back. It's Cannabis talk one on one. We'll be

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Speaker 1: right back after this perfect. We'll be right back with

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Speaker 1: Cannabis Talk one oh one. Welcome back to Cannabis Talk

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Speaker 1: one oh one. The Bear Flag Group is your white

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Speaker 1: labeling partners. You guys. They are known to be on time, accurate,

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Speaker 1: and you quality co packaging. They have been launching brands

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Speaker 1: in California since two thousand fifteen. That Bear Flag Group.

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Speaker 1: They do what they say they will do. Go check

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Speaker 1: out their website Bear Flag Group dot com. Sean, You're amazing.

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Speaker 1: Artwork is all over the place. I found the devil

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Speaker 1: that you happen to have on your shirt as a button.

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Speaker 1: How ironic is that? What a choice? So once again, Sean,

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Speaker 1: is it a that the kids Aralian trade drew for you? Are?

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Speaker 1: Is it? Be? Is the winner for the artwork? Once again?

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Speaker 1: And eight and nine year old? Little boy is eight,

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Speaker 1: little girl is nine? Who is your winner? Say, uh well,

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Speaker 1: let me let me let me analyze them real quick. Yeah,

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Speaker 1: he really wants to get the details. Should I want

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Speaker 1: you to hand him to him so he could look

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Speaker 1: at him and give some opinions and talk about the artwork.

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Speaker 1: Because to me, I was so impressed that they did

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Speaker 1: this about your kids. But it's about artwork. How long

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Speaker 1: we gonna this one? Uh, how break tight the coloring is?

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Speaker 1: This is? I love that, Like, you know, this one's

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Speaker 1: a little more free form um, but I like how

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Speaker 1: vicious this one is. I think he really captured thee

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Speaker 1: the moment there. Um. Yeah, man, these are hard you

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Speaker 1: know what I'd have to say? This is the winner? Yeah,

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Speaker 1: preform when and why? Well, I mean I can look

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Speaker 1: and I can see all the little details. I mean,

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Speaker 1: even though the coloring wasn't as tight I like I said,

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Speaker 1: I I like how it's more like the button like

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Speaker 1: a little bit more vicious of shaped, you know. So

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Speaker 1: and you know, if you look at my art, I

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Speaker 1: absolutely love rugged textured, like I don't like powerpuff Girls

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Speaker 1: type clean harder and all the stuff. Like I like

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Speaker 1: splashes and grit and yeah, you like a little bit

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Speaker 1: of disorganization and like just madness versus just all super

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Speaker 1: fine line. Yeah, like I know a lot of splash. Sean,

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Speaker 1: that's a great answer. Because the other guy yesterday picked

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Speaker 1: Rayley's and you picked trays. They both want they both won.

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Speaker 1: Thank you so much that Yeah, and Sean's gonna send

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Speaker 1: him a pint. So go check out his website for

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Speaker 1: being such a nice guy. That's so cool that they

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Speaker 1: did that too. So Sean, I mean, what led did

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Speaker 1: you read doing this book Alice's Ventures or in Wonderland?

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Speaker 1: Um so my publisher read twenty three. Nate Murray, he

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Speaker 1: used to work with I DW Comics, um and if

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Speaker 1: you don't know much about them, they're one of the

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Speaker 1: biggest independent comic companies. They did a lot of licensing,

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Speaker 1: licensed books. They had like G I Joe and My

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Speaker 1: Little Pony and X Files and um so they're uh.

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Speaker 1: One of their development guys saw me at Comic Con

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Speaker 1: and San Diego and saw my heart and he saw

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Speaker 1: a Fear and Loathing piece that I did. I had

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Speaker 1: this painting of Hunter S. Thompson and they had just

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Speaker 1: picked up the license for Fear and Loathing and wanted

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Speaker 1: me to do some like sketch covers and um that

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Speaker 1: never really materialized, and we started talking about some other projects.

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Speaker 1: The Wizard of Oz came out or came up, and

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Speaker 1: I did some samples with that. Um and then about

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Speaker 1: two years ago Nate calls me and says, hey, I

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Speaker 1: got my own company. Now I'm kind of branching off

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Speaker 1: doing my own thing. And he's like, I want to

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Speaker 1: do an Alice Alice in Wonderland book. He's like, I've

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Speaker 1: senior Alice art, which I did a bunch of Alice

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Speaker 1: are for the cannabis industry. And he saw that and

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Speaker 1: he's like, I think instead of Wizard of Oz because

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Speaker 1: he had actually done some pretty crazy research where the

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Speaker 1: Wizard of Oz fans actually like merch, they like t

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Speaker 1: shirts and hats and and Alice fans like collecting editions

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Speaker 1: of the book. So we figured, as you know, uh

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Speaker 1: for collectibility and you know, putting a book out, we

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Speaker 1: knew the Alice fans would appreciate it more so. Um,

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Speaker 1: it's attached to the movie. Uh no, it's this is Um.

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Speaker 1: There's something called the Guttenberg Project online, which is a

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Speaker 1: collection of all the open source books that are available,

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Speaker 1: and I think they're all in their original, unedited you know,

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Speaker 1: first edition, how it came out. And I think Alice

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Speaker 1: came out in eighteen sixty five or I think it's

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Speaker 1: a hundred and fifty eight years old this year. The movie.

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Speaker 1: The actual book, yeah, so not not associated. Didn't know

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Speaker 1: came out some Civil war time. UM's a lot of

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Speaker 1: people have been reading that book. You'd be surprised the

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Speaker 1: amount of additions. I mean, there's thousands of editions out

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Speaker 1: that artists have illustrated. So it's including Ralph Stepman, who

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Speaker 1: did all the artwork for Fear and Loathing. Um. I

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Speaker 1: have an edition that salvado'd Aali did the artwork for. Um.

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Speaker 1: So it's it's really cool that kind of to be

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Speaker 1: part of this family of artists over a hundred years,

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Speaker 1: a hundred and fifty years that have done artwork for

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Speaker 1: this book and interpreted these characters. So, um, yeah, he

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Speaker 1: saw the art that I did and was like, we

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Speaker 1: need to do an Aalyice book. So it took about

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Speaker 1: a year to get all the art together. And then

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Speaker 1: so the writing in the book is the actual original

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Speaker 1: Lewis Carroll manuscript, like how he wrote it back in

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Speaker 1: the eighteen sixties. And then it has twenty four of

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Speaker 1: my illustrations, twelve colored, twelve black and white, and then

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Speaker 1: there's like a sketch gallery in the back. So wow,

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Speaker 1: did you have to get special licensing to use their original? No,

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Speaker 1: it's a bit open source. Yeah, it's way past the

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Speaker 1: death of the author, so it's available to the public.

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Speaker 1: You just have to make sure it doesn't get anywhere

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Speaker 1: close to Disney's licenses or which I'm you know, unpopular opinion.

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Speaker 1: But I'm not a fan of the Alice stuff that

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Speaker 1: Disney's time the car I mean, I like the cartoon

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Speaker 1: when I was a kid, but once I was researching

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Speaker 1: and designing the characters for this, I was kind of like,

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Speaker 1: I definitely want to go in a different direction, and um,

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Speaker 1: seeing some of the stuff that's out there. Yeah, and

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Speaker 1: you don't want Disney knocking on your door either, Yeah, yeah,

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Speaker 1: that's the last thing you want. Yeah. They got to

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Speaker 1: have to play money to just screw you money yet

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Speaker 1: waste everybody today exactly you want to use an ear

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Speaker 1: in your ship? Okay, here you go. There's even a

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Speaker 1: mouse in this book. I'm gonna soon Yeah. So but yeah,

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Speaker 1: so the book came out. We did a Kickstarter last

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Speaker 1: year and funded it and then the book uh printed

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Speaker 1: in October, I believe, and like this literally just just

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Speaker 1: being sent out to the kickstarter people. So that oh really,

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Speaker 1: So it's it's brand new, you getting their fulfillment, that's

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Speaker 1: what it's about. Yeah. Well, and it's big on the website.

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Speaker 1: I've seen it on the website where I was looking

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Speaker 1: at it all over. I was just peeping out your

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Speaker 1: whole website. I literally felt like I was looking at

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Speaker 1: every single thing as we had to pick out a

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Speaker 1: picture for them to draw. So I literally clicked on

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Speaker 1: everything I can possibly click on, which you have tons

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Speaker 1: of different things from stickers to I mean pens, and

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Speaker 1: its like it's kind of almost endless. You're like a

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Speaker 1: merch store. Yeah. So I did art, you know, comics books, Um,

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Speaker 1: as you guys mentioned earlier, I did. Uh. I used

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Speaker 1: to do a lot of live art in San Diego

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Speaker 1: and l A at different nightclubs. Like when my first

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Speaker 1: comic book came out through my professional comic, not the

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Speaker 1: one I did when I was fifteen, but I had

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Speaker 1: a comic called Industrious Side that came out in like

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Speaker 1: two thousand and four, and you know, it's an indie book,

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Speaker 1: so there's not a huge ad budget, you know, a

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Speaker 1: promotional budget, And a lot of my friends were DJs,

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Speaker 1: so I was like, where are you spinning? Let me

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Speaker 1: nala canvas to a all and paint while you DJ.

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Speaker 1: And this is like, um actually think years. Eve was

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Speaker 1: the first first time I did it, so it's it's

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Speaker 1: been four years, but it used to be three. For

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Speaker 1: about three or four years straight, I was out almost

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Speaker 1: six nights a week at different clubs. That's great publicity. Though.

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Speaker 1: I love watching dudes do that, our girls do that,

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Speaker 1: even on the street fairs and this and that. I

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Speaker 1: always get geeked out on it because it's just something

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Speaker 1: I cannot do. I'm not talented enough to do anything

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Speaker 1: like that. And it's like, how do you see this?

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Speaker 1: How do you do this? Yeah? And it's fun to

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Speaker 1: show the process. I mean you walk into an art

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Speaker 1: museum and you're like, yeah, how the fund did they

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Speaker 1: paint that? You know, and to actually show them like, uh,

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Speaker 1: the process that kind of and like, you know, harkening

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Speaker 1: back to your children, it's cool, Like we get a

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Speaker 1: lot of kids that come up to the booth and

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Speaker 1: you know their dads and moms will bring them up.

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Speaker 1: You know my kids and artists too, and you know

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Speaker 1: how you'll get them pointers? And how did you have

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Speaker 1: to link up with us? Um? I believe Zippo came

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Speaker 1: down and talk to Jessica and h then they she

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Speaker 1: reached out to do a feature in the magazine. It's

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Speaker 1: a little one is that was that your page? That stuff?

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Speaker 1: And that's what I was asking. I was waiting for that.

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Speaker 1: That's your you did the work on the artwork on

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Speaker 1: the the black and white. I'm not sure. I just

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Speaker 1: sent some stuff. As she said, it's a page in

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Speaker 1: the magazine, I guess, with a couple of quotes. I

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Speaker 1: didn't interview, like a written interview, like yeah, yeah, I

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Speaker 1: think I haven't seen it yet, so yeah, well it

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Speaker 1: looked like some Alice in Wonder like kind of style

425
00:21:26,960 --> 00:21:29,040
Speaker 1: and stuff. It was amazing. It was black and white,

426
00:21:29,119 --> 00:21:31,280
Speaker 1: you know, oh yeah, yeah, yeah, yeah, some of the

427
00:21:31,280 --> 00:21:33,920
Speaker 1: black and white images from that. It's it's amazing, dude.

428
00:21:34,760 --> 00:21:38,120
Speaker 1: The work that you you you know, donated for us

429
00:21:38,119 --> 00:21:41,160
Speaker 1: and we worked with you on for the magazine. Man, Yeah,

430
00:21:41,440 --> 00:21:43,679
Speaker 1: yesterday I got compliments on what we were flipping through

431
00:21:43,680 --> 00:21:45,719
Speaker 1: the magazine. Because we have the digital version down. We'll

432
00:21:45,760 --> 00:21:49,359
Speaker 1: let's see it after the show. Um, but you know

433
00:21:49,720 --> 00:21:52,080
Speaker 1: that the artwork you did is just it's it's spot on.

434
00:21:52,160 --> 00:21:55,800
Speaker 1: It looks great, like to vibe, it's funny the black

435
00:21:55,840 --> 00:21:58,800
Speaker 1: and white art I did. Um, I actually I think

436
00:21:58,920 --> 00:22:01,520
Speaker 1: what to December, three Decembers ago, one of during the

437
00:22:01,520 --> 00:22:05,119
Speaker 1: COVID years, got COVID and sat in the bedroom and

438
00:22:05,160 --> 00:22:06,840
Speaker 1: just I was like, now this is what I'm gonna

439
00:22:06,880 --> 00:22:09,720
Speaker 1: do for eight days and just knocked out all those drawings,

440
00:22:10,200 --> 00:22:12,000
Speaker 1: sat there with a pen. And how did you, Sean

441
00:22:12,080 --> 00:22:14,960
Speaker 1: get so involved in the cannabis space, because I'm reading

442
00:22:14,960 --> 00:22:16,720
Speaker 1: your bio and stuff and how you were the first

443
00:22:16,720 --> 00:22:21,240
Speaker 1: to put real art on some cannabis accessories rights and

444
00:22:21,280 --> 00:22:23,560
Speaker 1: then before you know what, it starts going everywhere with

445
00:22:23,680 --> 00:22:27,800
Speaker 1: real art on there. How did you get to doing that? Um? Yeah,

446
00:22:27,840 --> 00:22:29,960
Speaker 1: and I'll you know because I wasn't the first to

447
00:22:30,000 --> 00:22:32,840
Speaker 1: put art on something. Yeah, just to clarify, but you know,

448
00:22:33,520 --> 00:22:37,760
Speaker 1: um so at the beginning, it's kind of funny. My So,

449
00:22:38,520 --> 00:22:42,080
Speaker 1: a friend of mine who does Thomas from Spirit printing

450
00:22:42,200 --> 00:22:45,680
Speaker 1: in San Diego. He does all my campus and metal reproductions.

451
00:22:45,960 --> 00:22:47,560
Speaker 1: He's got one of the best print shops in the world.

452
00:22:47,640 --> 00:22:49,560
Speaker 1: It's it's incredible, like the stuff that he does with

453
00:22:49,600 --> 00:22:52,960
Speaker 1: my art as far as like reproducing. Um So, he

454
00:22:53,280 --> 00:22:55,520
Speaker 1: had just run a batch of my prints off and

455
00:22:55,720 --> 00:22:58,960
Speaker 1: had them all laid out, and this guy came in,

456
00:23:00,200 --> 00:23:03,159
Speaker 1: Um I saw it and he wanted to purchase a

457
00:23:03,160 --> 00:23:06,000
Speaker 1: couple of originals, and I mean it ended up being

458
00:23:06,000 --> 00:23:07,880
Speaker 1: like twelve grand worth of originals, which I had never

459
00:23:07,920 --> 00:23:10,439
Speaker 1: sold art for like that much money, you know before,

460
00:23:10,560 --> 00:23:14,320
Speaker 1: and I had just started dating my wife, you know

461
00:23:14,440 --> 00:23:18,160
Speaker 1: girlfriend at the time, and um, so new relationship, trying

462
00:23:18,160 --> 00:23:20,160
Speaker 1: to get the art career going. You know. This guy comes,

463
00:23:20,160 --> 00:23:22,919
Speaker 1: we're rolling in and I was like, oh cool, and

464
00:23:22,960 --> 00:23:26,040
Speaker 1: then he said, um, he goes, I should have you

465
00:23:26,080 --> 00:23:28,479
Speaker 1: out to the Champ Show. And I said, what's that.

466
00:23:28,640 --> 00:23:30,639
Speaker 1: He's like, well, if you own a smoke shop. He's like,

467
00:23:30,840 --> 00:23:32,440
Speaker 1: this is the show you go to in Vegas to

468
00:23:32,480 --> 00:23:37,919
Speaker 1: outfit it, you know, everything from glass to except we've

469
00:23:37,960 --> 00:23:40,840
Speaker 1: been there many times. Yeah, So I said, okay, I'm like,

470
00:23:40,880 --> 00:23:43,760
Speaker 1: well what would I be doing? And they used to

471
00:23:43,760 --> 00:23:48,280
Speaker 1: produce spice if you remember that, so they had up

472
00:23:48,280 --> 00:23:51,800
Speaker 1: be prison Uh no, they they they just died and

473
00:23:51,800 --> 00:23:54,800
Speaker 1: you know, the company died the minute they obviously got classified.

474
00:23:54,840 --> 00:23:57,960
Speaker 1: But I did design work for him, so you can

475
00:23:58,480 --> 00:24:01,200
Speaker 1: well probably not now, but there were packages out there

476
00:24:01,240 --> 00:24:05,080
Speaker 1: with like my artwork on it, and I was, you know,

477
00:24:05,119 --> 00:24:09,040
Speaker 1: I hadn't no clue what that was. Yeah, the artist,

478
00:24:09,480 --> 00:24:15,440
Speaker 1: he's got money, I got art, goes um and yeah,

479
00:24:15,440 --> 00:24:19,400
Speaker 1: so I went out to Champs and yeah, I wasn't

480
00:24:19,440 --> 00:24:24,159
Speaker 1: involved in the company yeah, just just pa clean, not

481
00:24:24,200 --> 00:24:27,360
Speaker 1: a crook. Yeah. Um. So he had me come out

482
00:24:27,359 --> 00:24:30,000
Speaker 1: and do live art at the booth and then I

483
00:24:30,080 --> 00:24:32,840
Speaker 1: just I was selling prints and I kind of walked

484
00:24:32,840 --> 00:24:37,120
Speaker 1: into the industry. Um and I had no idea, you know, um,

485
00:24:37,440 --> 00:24:40,639
Speaker 1: I actually don't smoke. We'd never have um. So. But

486
00:24:40,760 --> 00:24:42,879
Speaker 1: when I walked in there and saw the culture and

487
00:24:43,480 --> 00:24:45,399
Speaker 1: everything going on, I was like, shoot, I want to

488
00:24:45,400 --> 00:24:47,560
Speaker 1: be a part of this, and let's get you hid

489
00:24:47,600 --> 00:24:51,880
Speaker 1: for the first time today to get the line. No, no, sure, Oh,

490
00:24:51,920 --> 00:24:53,640
Speaker 1: there's a huge line of people that want to smoke

491
00:24:53,680 --> 00:24:55,440
Speaker 1: with me for the first time. You know, I don't

492
00:24:55,440 --> 00:24:58,239
Speaker 1: know if I could push you to the front. It's

493
00:24:58,280 --> 00:25:01,960
Speaker 1: a good time too, yeah, and might get some traction. Yeah.

494
00:25:02,000 --> 00:25:04,240
Speaker 1: People are gonna watch this and be like, motherfucker should

495
00:25:04,280 --> 00:25:07,840
Speaker 1: have done it. But um yeah. So I did the

496
00:25:07,960 --> 00:25:11,080
Speaker 1: art and then I noticed too, um And this was

497
00:25:11,160 --> 00:25:15,800
Speaker 1: probably fourteen years ago, so uh oh no, I'm sorry,

498
00:25:16,080 --> 00:25:19,359
Speaker 1: um twelve, about twelve years um. So I noticed that

499
00:25:19,400 --> 00:25:22,239
Speaker 1: like the packaging design and backdrops and stuff like that

500
00:25:22,280 --> 00:25:24,760
Speaker 1: at the at the booths were it almost looked like

501
00:25:24,760 --> 00:25:26,800
Speaker 1: they took clip art and blew it up. And I

502
00:25:27,080 --> 00:25:29,479
Speaker 1: saw a need in the industry. I said, Wow, they

503
00:25:29,520 --> 00:25:32,760
Speaker 1: need some some art, and so I kind of talked

504
00:25:32,800 --> 00:25:35,520
Speaker 1: to the guys with Champs and UM for a few

505
00:25:35,600 --> 00:25:37,840
Speaker 1: years after, I had an art booth set up at

506
00:25:37,880 --> 00:25:41,160
Speaker 1: the front door kind of area with my buddy Vincent Gordon,

507
00:25:41,600 --> 00:25:43,880
Speaker 1: and so we just had just our art. We didn't

508
00:25:43,880 --> 00:25:47,399
Speaker 1: have any merchandise or weren't part of the accessory business yet.

509
00:25:48,200 --> 00:25:51,960
Speaker 1: And then I started doing covers for HERB magazine and

510
00:25:52,000 --> 00:25:55,480
Speaker 1: one of those magazines landed on UM this guy Cody

511
00:25:55,480 --> 00:25:58,760
Speaker 1: Paine's desk, and he was UM trying to get the O.

512
00:25:58,880 --> 00:26:02,640
Speaker 1: C B Organic Hemp papers launched, you know in the

513
00:26:02,720 --> 00:26:06,280
Speaker 1: United States, because one thing about ACV back then was

514
00:26:06,560 --> 00:26:08,600
Speaker 1: everybody else in the world knew about him, but the

515
00:26:08,680 --> 00:26:10,640
Speaker 1: United States they weren't that big, you know, like we're

516
00:26:10,640 --> 00:26:15,320
Speaker 1: all obviously it was dominant paper. And so he wrote

517
00:26:15,320 --> 00:26:16,920
Speaker 1: me and said, hey, look, we need to we want

518
00:26:16,960 --> 00:26:19,359
Speaker 1: to do some poster art because they have been doing

519
00:26:19,480 --> 00:26:22,040
Speaker 1: They also owned like job and Top Rolling papers, and

520
00:26:22,119 --> 00:26:25,440
Speaker 1: so they some of that older paper h poster art

521
00:26:25,960 --> 00:26:28,239
Speaker 1: for from like the late eighteen hundreds. You know, they

522
00:26:28,240 --> 00:26:32,080
Speaker 1: wanted to start continue that lineage. So they hired me

523
00:26:32,119 --> 00:26:36,199
Speaker 1: to do a poster, which was like I did this

524
00:26:36,320 --> 00:26:39,080
Speaker 1: kind of deity with like these stag horns and red hair.

525
00:26:39,720 --> 00:26:41,080
Speaker 1: You know, she was kind of like a forest d

526
00:26:41,240 --> 00:26:43,280
Speaker 1: D and she had like the Grand Canyon behind her

527
00:26:43,320 --> 00:26:46,439
Speaker 1: and um. Then I went and did some live art

528
00:26:46,440 --> 00:26:50,160
Speaker 1: at their booth at a s D and they opened

529
00:26:50,240 --> 00:26:52,639
Speaker 1: up all these cases of rolling trays. They didn't tell

530
00:26:52,640 --> 00:26:55,240
Speaker 1: me they were producing them, and he's like, I don't

531
00:26:55,240 --> 00:26:56,840
Speaker 1: have to tell you everything, and I'm like, well this

532
00:26:56,920 --> 00:26:59,280
Speaker 1: would have been nice, Like I don't even know what

533
00:26:59,280 --> 00:27:05,000
Speaker 1: she had for lunch, but something. Yeah. So yeah, when

534
00:27:05,000 --> 00:27:06,639
Speaker 1: he pulled it out, and at that time, it was

535
00:27:06,680 --> 00:27:08,760
Speaker 1: like raw had their tray, you know, with rall written

536
00:27:08,800 --> 00:27:10,360
Speaker 1: across it. I saw a couple of trades that had

537
00:27:10,400 --> 00:27:13,399
Speaker 1: pot leaves or eight balls or whatever nothing. You know,

538
00:27:13,760 --> 00:27:18,119
Speaker 1: it's like fine art, you know. So we put that

539
00:27:18,160 --> 00:27:20,680
Speaker 1: out and that tray. They thought it was just gonna

540
00:27:20,680 --> 00:27:22,560
Speaker 1: be a novelty and I was like, no, I didn't

541
00:27:22,560 --> 00:27:24,879
Speaker 1: think you started something here. I'm like, what's going is

542
00:27:24,880 --> 00:27:26,880
Speaker 1: gonna go big? And we just signed him at handing

543
00:27:26,920 --> 00:27:32,840
Speaker 1: them out on that first show, and I forgot the

544
00:27:32,920 --> 00:27:34,840
Speaker 1: company they were working with, but they were handling, like

545
00:27:34,880 --> 00:27:39,280
Speaker 1: putting some stuff up on Instagram and Snapchat. Snapchat, Um,

546
00:27:39,440 --> 00:27:41,680
Speaker 1: I think he's two girls wrote in and said we'll

547
00:27:41,680 --> 00:27:45,560
Speaker 1: send dudes for that trade. So I showed it to

548
00:27:45,640 --> 00:27:49,280
Speaker 1: Cody and was like, there, there you go, there's your testimony. Yeah,

549
00:27:50,000 --> 00:27:52,040
Speaker 1: that's how you know it's big, right, This is what

550
00:27:52,240 --> 00:27:56,960
Speaker 1: was the absolute all time favorite piece of art that

551
00:27:57,080 --> 00:28:00,320
Speaker 1: you've made. After this break, it's Cannabis Talk one the

552
00:28:00,359 --> 00:28:04,040
Speaker 1: one were right back. You'll be right back with Cannabis

553
00:28:04,040 --> 00:28:14,920
Speaker 1: Talk one oh one. Welcome back to Cannabis Talk one

554
00:28:14,920 --> 00:28:17,720
Speaker 1: oh one. Live the life you crave. You guys rise

555
00:28:17,760 --> 00:28:21,480
Speaker 1: above ordinary weekend plans. With Elevation Nations membership, you'll gain

556
00:28:21,560 --> 00:28:26,520
Speaker 1: access to exclusive events, entertainment, adventure and wellness experiences. Visit

557
00:28:26,600 --> 00:28:29,879
Speaker 1: Elevation nations dot com to learn more. I want to

558
00:28:29,880 --> 00:28:34,000
Speaker 1: thank everybody here for helping us out. Horde, Daniel Diego,

559
00:28:34,240 --> 00:28:39,480
Speaker 1: Caitlin Chance, Becca, is it you? Jealous? P Funk, Jessica

560
00:28:39,600 --> 00:28:44,240
Speaker 1: Camp Solar, Ali Cousin, Ray Goldie Pitt, Mark Carnes, Chris Frank,

561
00:28:44,280 --> 00:28:47,280
Speaker 1: you know, Jennifer, Erika and Elvis. Thank you guys all

562
00:28:47,320 --> 00:28:50,560
Speaker 1: for doing what you guys do. We great you appreciate

563
00:28:50,920 --> 00:28:54,160
Speaker 1: you and uh we're talking to our guy here Blue,

564
00:28:54,200 --> 00:28:57,040
Speaker 1: you hit him with a great question. So singer Sean

565
00:28:57,400 --> 00:29:00,560
Speaker 1: die Trip go to his website once again, Sean D.

566
00:29:00,760 --> 00:29:03,560
Speaker 1: Trick art dot com on Instagram, Sean D. Trick to

567
00:29:03,680 --> 00:29:06,560
Speaker 1: the s A N D I E T R I

568
00:29:06,640 --> 00:29:09,200
Speaker 1: C h A R T in the same thing for

569
00:29:09,320 --> 00:29:12,120
Speaker 1: the i Q without the art. Blue asked you a

570
00:29:12,120 --> 00:29:17,040
Speaker 1: great question. Yeah, damn here, But how about this, I

571
00:29:17,080 --> 00:29:19,800
Speaker 1: think a better way of even saying that is do

572
00:29:19,920 --> 00:29:22,400
Speaker 1: you have a piece of your art up at your house?

573
00:29:22,480 --> 00:29:24,640
Speaker 1: Because that might be a better way of saying, M

574
00:29:25,400 --> 00:29:27,800
Speaker 1: does he have one up? Because therefore that would be

575
00:29:27,840 --> 00:29:30,240
Speaker 1: worthy of well ship. He put it up. It's up

576
00:29:30,280 --> 00:29:34,280
Speaker 1: everywhere at this house. Yeah. I try not to hang

577
00:29:34,280 --> 00:29:37,640
Speaker 1: my own artum well, because I lived in like now

578
00:29:37,640 --> 00:29:40,480
Speaker 1: we have a house with a detached studio, and you

579
00:29:40,520 --> 00:29:44,840
Speaker 1: know that early on, you know, I had to small apartment.

580
00:29:44,920 --> 00:29:46,680
Speaker 1: I had to hang my own art because that was storage.

581
00:29:46,800 --> 00:29:49,640
Speaker 1: Yeah yeah, yeah yeah. But now I have other artists

582
00:29:49,640 --> 00:29:51,520
Speaker 1: that I collect, you know, their art up on the

583
00:29:51,520 --> 00:29:55,120
Speaker 1: wall and um, but yes we do. Um. I do

584
00:29:55,240 --> 00:29:58,680
Speaker 1: have a piece. It's um it's like a carnival type piece.

585
00:29:58,680 --> 00:30:00,560
Speaker 1: It's an elephant standing on a all and then it's

586
00:30:00,560 --> 00:30:02,760
Speaker 1: got a girl doing acrobatics on top of his back.

587
00:30:02,800 --> 00:30:05,280
Speaker 1: And it was a piece I painted for my wife,

588
00:30:05,480 --> 00:30:08,520
Speaker 1: and because I had sold a piece that she liked

589
00:30:08,520 --> 00:30:09,840
Speaker 1: and wanted to keep, and that was kind of my

590
00:30:09,920 --> 00:30:12,960
Speaker 1: punishment I had repaint or something, you know. And she

591
00:30:13,120 --> 00:30:16,120
Speaker 1: has a rule to where if if something doesn't sell

592
00:30:16,160 --> 00:30:20,760
Speaker 1: within six months, she can claim it. So a rule,

593
00:30:20,920 --> 00:30:24,200
Speaker 1: yeah I have to follow now, um, but yeah, we

594
00:30:24,320 --> 00:30:26,320
Speaker 1: so we have a few special pieces up like that

595
00:30:26,320 --> 00:30:29,600
Speaker 1: that you know have either been uh, just kind of

596
00:30:29,640 --> 00:30:32,200
Speaker 1: moments in our marriage or at times that you're like,

597
00:30:32,200 --> 00:30:35,840
Speaker 1: oh yeah that painting, remember that? Um, I wish I

598
00:30:35,880 --> 00:30:38,600
Speaker 1: still had the I mean the two paintings I sold

599
00:30:38,640 --> 00:30:40,440
Speaker 1: to that gentleman who kind of got me into the

600
00:30:40,440 --> 00:30:43,840
Speaker 1: cannabis industry. He one of them was based off a

601
00:30:43,920 --> 00:30:47,040
Speaker 1: Pink Fluid song, Um, the final cut. It was on

602
00:30:47,080 --> 00:30:49,240
Speaker 1: that album, and the Gunner's Dream was the name of

603
00:30:49,280 --> 00:30:50,560
Speaker 1: the song. So I kind of listened to it and

604
00:30:50,600 --> 00:30:52,920
Speaker 1: painted what I wanted to And it was like a

605
00:30:52,920 --> 00:30:54,920
Speaker 1: little girl. It was all cp of tones and it

606
00:30:54,960 --> 00:30:56,760
Speaker 1: was like a little girl standing in a trench holding

607
00:30:56,760 --> 00:30:58,400
Speaker 1: a teddy bear and she had like a red kind

608
00:30:58,400 --> 00:31:01,080
Speaker 1: of bloody heart drawn on her d Us and there

609
00:31:01,120 --> 00:31:03,720
Speaker 1: was like a stuke of flying you know, air airplane

610
00:31:03,720 --> 00:31:06,280
Speaker 1: flying behind her and that was a special painting for

611
00:31:06,280 --> 00:31:10,280
Speaker 1: a while. And but yeah, I don't own that anymore,

612
00:31:09,880 --> 00:31:12,920
Speaker 1: but that's one of my favorites, Yeah, that I had done.

613
00:31:13,000 --> 00:31:15,000
Speaker 1: How long does it take you to do a piece?

614
00:31:15,200 --> 00:31:17,400
Speaker 1: Do you have to like premeditate first to get go

615
00:31:17,440 --> 00:31:19,360
Speaker 1: in a direction, and then once you have it, do

616
00:31:19,400 --> 00:31:22,640
Speaker 1: you jot anything down? Like what's that process? Like? Um, yeah,

617
00:31:22,640 --> 00:31:26,080
Speaker 1: it's it's a pretty extensive process. A lot of times

618
00:31:26,800 --> 00:31:30,160
Speaker 1: it'll take me four or five times in research than

619
00:31:30,240 --> 00:31:33,240
Speaker 1: it does to actually paint the thing. Um. A lot

620
00:31:33,280 --> 00:31:35,720
Speaker 1: of the paintings I do have a story behind it. UM.

621
00:31:36,200 --> 00:31:38,280
Speaker 1: I like that. I know some people do art and

622
00:31:38,280 --> 00:31:40,239
Speaker 1: they're like let the people figure it out, you know,

623
00:31:40,320 --> 00:31:42,240
Speaker 1: which is great. I like when people come up with

624
00:31:42,240 --> 00:31:46,480
Speaker 1: their own stories or meaning or what it means to them. Um.

625
00:31:46,600 --> 00:31:49,760
Speaker 1: But I don't really like painting art for just art's sake.

626
00:31:50,120 --> 00:31:52,000
Speaker 1: Like I'm kind of at my point in my career

627
00:31:52,040 --> 00:31:54,680
Speaker 1: now where I I use my art for like my

628
00:31:55,080 --> 00:31:57,600
Speaker 1: life journal. You know. It's kind of there's little things

629
00:31:57,680 --> 00:32:00,240
Speaker 1: hidden in the art. There's stuff stories behind the art

630
00:32:00,280 --> 00:32:01,880
Speaker 1: that I can look at and be like, oh, yeah,

631
00:32:01,920 --> 00:32:06,640
Speaker 1: that was this that? Yeah, remind you do do you

632
00:32:06,680 --> 00:32:10,600
Speaker 1: put like a paragraph about that piece on each do

633
00:32:10,640 --> 00:32:13,840
Speaker 1: you do you attach some kind of that story as well?

634
00:32:13,880 --> 00:32:17,720
Speaker 1: So on the website? Oh yeah, but I haven't. No, yeah,

635
00:32:17,720 --> 00:32:19,760
Speaker 1: I probably should start doing that. Huh. Yeah, I mean,

636
00:32:20,080 --> 00:32:22,200
Speaker 1: you know, because if if you plug it like that,

637
00:32:22,280 --> 00:32:25,239
Speaker 1: you know, I mean I think with the artists and

638
00:32:25,400 --> 00:32:27,280
Speaker 1: not only that, Like it's it's like for me, like

639
00:32:27,320 --> 00:32:29,120
Speaker 1: if I look at a nice piece of art of like, man,

640
00:32:29,200 --> 00:32:31,400
Speaker 1: what was this guy thinking? Right, because you know that

641
00:32:31,440 --> 00:32:34,720
Speaker 1: goes into the thought process, especially being an artist ourselves.

642
00:32:34,760 --> 00:32:36,400
Speaker 1: But then you go into and know what I mean,

643
00:32:36,440 --> 00:32:39,160
Speaker 1: like you know, I'm just artists. But but but but

644
00:32:39,200 --> 00:32:41,720
Speaker 1: if you if I got to read a small paragraph

645
00:32:41,760 --> 00:32:44,080
Speaker 1: about that, and then I could be like that's exactly

646
00:32:44,120 --> 00:32:46,120
Speaker 1: what I thought too. Or I could be like, wow,

647
00:32:46,160 --> 00:32:48,240
Speaker 1: I I've seen this. You know, it gives you more

648
00:32:48,680 --> 00:32:51,920
Speaker 1: of a relationship I think with your users. When I

649
00:32:51,960 --> 00:32:54,880
Speaker 1: think a lot of the originals I've sold, I've I've

650
00:32:54,880 --> 00:32:58,800
Speaker 1: sold them directly to the clients, so we've had that conversation,

651
00:32:59,040 --> 00:33:00,800
Speaker 1: and I guess that's why I have attached it. But

652
00:33:01,000 --> 00:33:03,720
Speaker 1: a lot of times you know, I'll sit down and UM,

653
00:33:03,720 --> 00:33:05,720
Speaker 1: there is one one painting in particular I did a

654
00:33:05,760 --> 00:33:08,880
Speaker 1: couple of years ago. UM. It's about six ft by

655
00:33:08,920 --> 00:33:13,520
Speaker 1: four ft, and it commemorates my buddy's grandfather's Stormy Normandy

656
00:33:13,720 --> 00:33:17,520
Speaker 1: and he fought all the way through to Germany. And

657
00:33:18,400 --> 00:33:20,280
Speaker 1: I believe the story goes when he was in the

658
00:33:20,320 --> 00:33:22,640
Speaker 1: boat about to hit the shores, he said, I'm gonna

659
00:33:22,680 --> 00:33:24,600
Speaker 1: make it to Brandenburg Gate. I'm gonna piss on it

660
00:33:24,640 --> 00:33:27,280
Speaker 1: and he did. I mean, this guy was a badass,

661
00:33:27,480 --> 00:33:31,120
Speaker 1: you know, and um so I mean it took years

662
00:33:31,120 --> 00:33:34,960
Speaker 1: of research, um, longer than John would probably have liked

663
00:33:35,600 --> 00:33:37,920
Speaker 1: to do the painting. But in the end, I think

664
00:33:37,920 --> 00:33:40,080
Speaker 1: it you know, sometimes they don't take I mean this

665
00:33:40,120 --> 00:33:42,360
Speaker 1: painting took a hundred and fifty hours alone to paint,

666
00:33:42,960 --> 00:33:46,920
Speaker 1: and I streamed it over eleven weeks during COVID on

667
00:33:46,960 --> 00:33:49,200
Speaker 1: Twitch so he could tune in and watch his painting

668
00:33:49,240 --> 00:33:52,360
Speaker 1: come to life. And then we did a big unveiling

669
00:33:52,600 --> 00:33:55,640
Speaker 1: and talked about like each element. But how long was

670
00:33:55,640 --> 00:33:59,000
Speaker 1: the research? Um? I think it was five years of

671
00:33:59,320 --> 00:34:03,560
Speaker 1: really know, um, not like every day researching. But sometimes

672
00:34:03,600 --> 00:34:06,040
Speaker 1: I had to take a break, and um, I had

673
00:34:06,040 --> 00:34:07,880
Speaker 1: to read a couple of books. I watched a lot

674
00:34:07,880 --> 00:34:11,840
Speaker 1: of World War two documentaries, um, all the reference photos.

675
00:34:11,840 --> 00:34:13,440
Speaker 1: So he was at the Battle of St. Los. So

676
00:34:13,480 --> 00:34:16,360
Speaker 1: I had to download, you know, probably thousands of pictures

677
00:34:16,400 --> 00:34:20,160
Speaker 1: that I downloaded to kind of get what angle I wanted,

678
00:34:20,200 --> 00:34:22,160
Speaker 1: maybe of the cathedral in the town, which was like

679
00:34:22,200 --> 00:34:25,319
Speaker 1: the only standing structure left after the battle, and so

680
00:34:25,400 --> 00:34:26,960
Speaker 1: there's there was a lot to go into it. And

681
00:34:27,000 --> 00:34:28,560
Speaker 1: for me, I'm a huge World War two buff and

682
00:34:28,840 --> 00:34:30,120
Speaker 1: I do a lot of World War two pent up

683
00:34:30,160 --> 00:34:31,840
Speaker 1: art as well, outside of like the you have that

684
00:34:31,880 --> 00:34:34,640
Speaker 1: picture uh not on me. It's on the website. It's

685
00:34:34,640 --> 00:34:38,839
Speaker 1: called Prone to Victory. You could pull it up. Oh yeah,

686
00:34:39,000 --> 00:34:40,680
Speaker 1: you can pull it up. Pull it up right now,

687
00:34:41,400 --> 00:34:45,799
Speaker 1: um yeah. And so that piece I didn't want to

688
00:34:45,800 --> 00:34:47,759
Speaker 1: do just like a dreary World War two painting and

689
00:34:47,800 --> 00:34:50,200
Speaker 1: commemory his grandfather, like him standing next to a tank.

690
00:34:50,280 --> 00:34:52,719
Speaker 1: So what I did is I kind of took inspiration

691
00:34:52,760 --> 00:34:56,280
Speaker 1: from Dolly and surrealists, and I said, let's animalize everything.

692
00:34:56,800 --> 00:35:00,360
Speaker 1: So you have like MG forty two mosquitoes, Willie jeeps

693
00:35:00,440 --> 00:35:06,280
Speaker 1: or spiders, telemine beetles, there's shrimantipedes like shriman tank, centipedes.

694
00:35:06,320 --> 00:35:10,319
Speaker 1: So there's all these really weird, crazy animals that are

695
00:35:10,360 --> 00:35:13,960
Speaker 1: fighting each other. And then there's like this bishop um

696
00:35:14,000 --> 00:35:15,600
Speaker 1: that's kind of standing in the middle that has his

697
00:35:15,719 --> 00:35:19,200
Speaker 1: grandfather's insignia for his unit. To look at something that

698
00:35:19,280 --> 00:35:21,400
Speaker 1: I'm trying to pint. What's it called here? Because prone

699
00:35:21,480 --> 00:35:24,360
Speaker 1: to victory? Is it under your your originals or where's

700
00:35:24,360 --> 00:35:27,480
Speaker 1: it at be under prince prince because he is the

701
00:35:27,480 --> 00:35:33,400
Speaker 1: original throne to victor? Here? Yeah, look at that. Wow,

702
00:35:33,840 --> 00:35:36,160
Speaker 1: look at that five year piece aiming at me a

703
00:35:36,200 --> 00:35:39,520
Speaker 1: little more and it's it's uh yeah, it's definitely the

704
00:35:39,520 --> 00:35:43,640
Speaker 1: most complex piece that I've I've painted beautiful. You can

705
00:35:43,640 --> 00:35:46,200
Speaker 1: see why. It took about a hundred and fifty hours

706
00:35:46,200 --> 00:35:48,960
Speaker 1: to paint, about sixty hours to sketch it out. Oh

707
00:35:49,000 --> 00:35:52,920
Speaker 1: my god, what's that helmet on? Like a fish whale

708
00:35:52,960 --> 00:35:55,520
Speaker 1: coming out? It's a Higgins landing craft that I turned

709
00:35:55,520 --> 00:35:57,400
Speaker 1: into a whale. So that's and then there's like a

710
00:35:57,400 --> 00:35:59,839
Speaker 1: Willie's jeep spider crawling out of it. So is that

711
00:36:00,000 --> 00:36:03,200
Speaker 1: everything he expected you to do? Yeah? Yeah, yeah, And

712
00:36:03,239 --> 00:36:05,120
Speaker 1: you can see his grandfather in the middle of the

713
00:36:05,160 --> 00:36:08,280
Speaker 1: painting kind of it's like a pencil sketch. He's sleeping

714
00:36:08,280 --> 00:36:11,000
Speaker 1: in the hedgerows. So it's like wait, kind of at

715
00:36:11,000 --> 00:36:15,000
Speaker 1: the bottom in the middle bear and everybody watching now,

716
00:36:16,280 --> 00:36:20,040
Speaker 1: you know, go to the website, you guys art dot

717
00:36:20,080 --> 00:36:21,680
Speaker 1: com and you already know the name of the picture

718
00:36:21,760 --> 00:36:24,040
Speaker 1: right there, so you know, go do yourself a favor

719
00:36:24,120 --> 00:36:28,080
Speaker 1: and literally go check it out because it's worthy so

720
00:36:28,120 --> 00:36:31,160
Speaker 1: cool really, and congratulations on on our you know, coming

721
00:36:31,160 --> 00:36:33,879
Speaker 1: out in art Collector's Edition for our magazine, and thank

722
00:36:33,880 --> 00:36:36,440
Speaker 1: you for blessing it. You know, we appreciate it. Was awesome.

723
00:36:36,520 --> 00:36:38,880
Speaker 1: The work looked amazing, Like I said when I you know,

724
00:36:38,880 --> 00:36:40,520
Speaker 1: I've seen it because I had some artists that I

725
00:36:40,560 --> 00:36:42,800
Speaker 1: know and I'm like, I'm wanted to you know, obviously

726
00:36:42,880 --> 00:36:44,560
Speaker 1: I'm the owners on one of my buddy to be there,

727
00:36:44,640 --> 00:36:46,040
Speaker 1: you know, and then I see it. I was like, oh,

728
00:36:46,040 --> 00:36:48,160
Speaker 1: this is really dope art, you know. And you know,

729
00:36:48,200 --> 00:36:49,799
Speaker 1: not to take anything away from the guys that I

730
00:36:49,840 --> 00:36:51,600
Speaker 1: was gonna have, you know, do something for us, but

731
00:36:52,160 --> 00:36:54,480
Speaker 1: uh that the art was very impressed and happy with

732
00:36:54,680 --> 00:36:57,280
Speaker 1: how it came out and the article behind it and everything.

733
00:36:57,320 --> 00:36:58,759
Speaker 1: Well that's why it was so hard for my kids

734
00:36:58,760 --> 00:37:00,239
Speaker 1: to figure out what they're gonna paint Becau. Look at

735
00:37:00,239 --> 00:37:03,399
Speaker 1: all these e collective paintings on here. Maybe, but well, yeah,

736
00:37:03,400 --> 00:37:05,360
Speaker 1: they picked this one that was, you know, the least

737
00:37:05,400 --> 00:37:07,960
Speaker 1: probably the hardest one of everything that's on. You should

738
00:37:07,960 --> 00:37:09,880
Speaker 1: have shown him prone to victory and be like, yeah, recreation,

739
00:37:10,000 --> 00:37:11,719
Speaker 1: I think you guys could do that one. I mean

740
00:37:11,760 --> 00:37:13,920
Speaker 1: everything else I was. They were trying to do that

741
00:37:14,000 --> 00:37:16,239
Speaker 1: little serpent that was coming up and now and I

742
00:37:16,280 --> 00:37:19,160
Speaker 1: forget what the name of it was, but you know

743
00:37:19,239 --> 00:37:21,600
Speaker 1: that that was like a little that was kind of easier,

744
00:37:21,719 --> 00:37:24,520
Speaker 1: so to speak. Then my daughter was like, let's do

745
00:37:24,560 --> 00:37:26,279
Speaker 1: this for my son was like, no, that's too are

746
00:37:26,960 --> 00:37:29,799
Speaker 1: So what are you doing with Zippo? Zippo? So this

747
00:37:29,920 --> 00:37:34,000
Speaker 1: is the cool new collab I have now? Um uh,

748
00:37:34,400 --> 00:37:36,560
Speaker 1: what's funny? So the same guy who got me into

749
00:37:36,600 --> 00:37:40,080
Speaker 1: O c B when he left he UM has a

750
00:37:40,120 --> 00:37:43,839
Speaker 1: distribution company now and Zippo has a program where they

751
00:37:43,840 --> 00:37:46,400
Speaker 1: can run their own you know zippos and kind of

752
00:37:46,400 --> 00:37:48,400
Speaker 1: have their own house brand. So put your own logos

753
00:37:48,480 --> 00:37:51,360
Speaker 1: arm right, Yeah, So he said, well, let's put some

754
00:37:51,400 --> 00:37:55,239
Speaker 1: of your art on it, and then UM at one

755
00:37:55,280 --> 00:37:58,359
Speaker 1: of the Champ shows, Mike DeLong, who's their head of

756
00:37:58,360 --> 00:38:01,279
Speaker 1: sales came by our booth and was talking to my

757
00:38:01,280 --> 00:38:05,200
Speaker 1: my business partner at the time, and said, like, where

758
00:38:05,239 --> 00:38:08,399
Speaker 1: are these you know, what are these designs? And he's

759
00:38:08,719 --> 00:38:11,120
Speaker 1: kind of explained it to him, and then I ended

760
00:38:11,200 --> 00:38:14,080
Speaker 1: up talking to Mike and he said, well, let's talk

761
00:38:14,080 --> 00:38:17,320
Speaker 1: about getting some of these license for the catalog, and

762
00:38:17,400 --> 00:38:20,520
Speaker 1: so we ended up striking a licensing deal. So as

763
00:38:20,560 --> 00:38:24,160
Speaker 1: of January of this year, it's I have um two

764
00:38:24,200 --> 00:38:26,440
Speaker 1: designs in the Worldwide Catalog, and then I have twelve

765
00:38:26,520 --> 00:38:29,799
Speaker 1: that I run off myself, and then there's three more

766
00:38:29,920 --> 00:38:31,840
Speaker 1: I think that they produced that they kind of do

767
00:38:32,000 --> 00:38:34,680
Speaker 1: for their special distributors and whatnot. So I kind of

768
00:38:34,719 --> 00:38:37,600
Speaker 1: like the hidden gems did you make so you made

769
00:38:37,640 --> 00:38:41,120
Speaker 1: a whole collectible set? Yeah, there's like seventeen I think

770
00:38:41,239 --> 00:38:43,319
Speaker 1: right now? Does that come into a whole set? Though? Right?

771
00:38:43,400 --> 00:38:45,520
Speaker 1: You can get a set of them, like when they

772
00:38:45,520 --> 00:38:47,680
Speaker 1: buy a master box or whatever, they could buy sets

773
00:38:47,719 --> 00:38:50,480
Speaker 1: of the whole collection. Well, the idea was they have

774
00:38:50,600 --> 00:38:54,960
Speaker 1: like a fifteen display and so, um, this coming Champs

775
00:38:55,000 --> 00:38:57,480
Speaker 1: and what a couple of weeks, Um, we'll be the

776
00:38:57,480 --> 00:39:00,439
Speaker 1: first time I'll have like those displays available. Let her

777
00:39:00,600 --> 00:39:03,880
Speaker 1: filled with you know, fifteen of the images now that

778
00:39:03,880 --> 00:39:06,200
Speaker 1: i'll be inside the Zippo booth, It'll be at my

779
00:39:06,239 --> 00:39:09,319
Speaker 1: own booth and nice. I think they'll have some of mine,

780
00:39:09,360 --> 00:39:12,440
Speaker 1: but I will definitely have mine. So yeah, I have

781
00:39:12,480 --> 00:39:14,400
Speaker 1: a booth there. Every year I do the covers for

782
00:39:14,440 --> 00:39:17,640
Speaker 1: the champs and magazines and UM, that way i'd come

783
00:39:17,680 --> 00:39:20,560
Speaker 1: in and have a booth set up as well, and UM,

784
00:39:20,600 --> 00:39:23,240
Speaker 1: should be pretty cool. Uh. My wife and I built

785
00:39:23,719 --> 00:39:27,120
Speaker 1: a giant tank. That's our booth prope. We were talking

786
00:39:27,120 --> 00:39:29,000
Speaker 1: earlier about that and is that the what that one

787
00:39:29,080 --> 00:39:31,239
Speaker 1: in the tank? The tank is going to be at

788
00:39:31,280 --> 00:39:34,040
Speaker 1: the at the booth. Yeah, it's like a steampunk uh

789
00:39:34,400 --> 00:39:37,200
Speaker 1: kV two World War two tank. We spent like three

790
00:39:37,600 --> 00:39:40,560
Speaker 1: hours building this thing, and um, and she built it

791
00:39:40,760 --> 00:39:42,759
Speaker 1: like does more of the sculpture stuff. And then I

792
00:39:42,840 --> 00:39:45,920
Speaker 1: painted she's an artist. She is now, you know she

793
00:39:45,960 --> 00:39:48,480
Speaker 1: didn't want to admit it, but you know, we actually

794
00:39:48,520 --> 00:39:50,040
Speaker 1: had a talk the other day about that and I said,

795
00:39:50,080 --> 00:39:52,280
Speaker 1: you know, I need to think at this point, Yeah,

796
00:39:52,400 --> 00:39:55,000
Speaker 1: you you need to call yourself an artist because some

797
00:39:55,080 --> 00:39:57,960
Speaker 1: of the stuff that she's done is pretty amazing. It's amazing.

798
00:39:58,000 --> 00:40:01,960
Speaker 1: How how women are you know, very very articulate, are

799
00:40:02,320 --> 00:40:05,160
Speaker 1: you know there? They have art very good artwork, and

800
00:40:05,200 --> 00:40:10,320
Speaker 1: we're just all most men are just that fan was

801
00:40:10,400 --> 00:40:13,560
Speaker 1: kind of like, yeah, it just came out of nowhere.

802
00:40:13,600 --> 00:40:15,640
Speaker 1: Like when I was doing the stuff for OCB, I

803
00:40:15,640 --> 00:40:16,920
Speaker 1: came home one night and she's like, hey, I made

804
00:40:16,920 --> 00:40:20,320
Speaker 1: these paper machee turtles and snails and had pulled elements

805
00:40:20,360 --> 00:40:22,160
Speaker 1: out of the painting I did for him to use

806
00:40:22,239 --> 00:40:26,080
Speaker 1: as like whatever. Yeah, And I'm like, where did this

807
00:40:26,160 --> 00:40:29,719
Speaker 1: come from? And I'm like thanks, yeah, she research didn't

808
00:40:29,760 --> 00:40:34,040
Speaker 1: nailed it. Yeah, I could do that because you know,

809
00:40:34,360 --> 00:40:38,080
Speaker 1: it is it's I don't know, I would never do it.

810
00:40:38,080 --> 00:40:41,040
Speaker 1: It's time consuming. Yeah, and building this tank this is

811
00:40:41,080 --> 00:40:43,719
Speaker 1: our first like major project together that took that much

812
00:40:43,760 --> 00:40:46,560
Speaker 1: time and that much effort. And so it's really you know,

813
00:40:46,920 --> 00:40:50,080
Speaker 1: kept us you know, close and working together because I

814
00:40:50,080 --> 00:40:52,960
Speaker 1: know sometimes if like you're an artist room musician and

815
00:40:53,040 --> 00:40:54,759
Speaker 1: I go out on the road a lot and you know,

816
00:40:54,840 --> 00:40:57,600
Speaker 1: the family's home, it's kind of that disconnect. And so

817
00:40:57,680 --> 00:40:59,880
Speaker 1: to actually have you know, projects that we work on

818
00:40:59,920 --> 00:41:03,200
Speaker 1: together and you're still doing festivals and everything used to

819
00:41:03,400 --> 00:41:06,160
Speaker 1: like street fairs and everything else, or just yeah I

820
00:41:06,200 --> 00:41:10,520
Speaker 1: do um, I do like Danny Wimmers shows like Aftershock

821
00:41:10,600 --> 00:41:12,759
Speaker 1: up in Sacramento, a lot of the heavy metal and

822
00:41:12,880 --> 00:41:15,759
Speaker 1: rock shows, and then I do like summer Fest and

823
00:41:15,800 --> 00:41:19,600
Speaker 1: bonaru Um. This December, I think I'm going down to Australia.

824
00:41:19,960 --> 00:41:24,120
Speaker 1: Um my tour managers from Brisbane, so uh, I've gone

825
00:41:24,120 --> 00:41:25,520
Speaker 1: down there a couple of times and done like some

826
00:41:25,640 --> 00:41:28,839
Speaker 1: art battles and rock shows. We did download a couple

827
00:41:28,840 --> 00:41:31,280
Speaker 1: of years ago. And I think good Vibes are good times.

828
00:41:31,280 --> 00:41:32,640
Speaker 1: And I forgot the name of the show. That's this

829
00:41:32,719 --> 00:41:35,959
Speaker 1: good Winter Good Vibes right Yeah. So um, he's talking

830
00:41:35,960 --> 00:41:37,480
Speaker 1: to them right now about getting me down there to

831
00:41:37,520 --> 00:41:39,480
Speaker 1: do some poster art and then setting up a booth.

832
00:41:39,520 --> 00:41:41,719
Speaker 1: So fantastic. And then when you do the live art

833
00:41:41,760 --> 00:41:44,000
Speaker 1: there is it a new one? Are is it just

834
00:41:44,080 --> 00:41:48,160
Speaker 1: something you already have? Uh? A little of both. Sometimes

835
00:41:48,160 --> 00:41:50,080
Speaker 1: it'll be a bigger piece I'm working on, and I'll

836
00:41:50,120 --> 00:41:52,040
Speaker 1: do bits of it at several different shows so you

837
00:41:52,040 --> 00:41:54,759
Speaker 1: can kind of follow. And sometimes it's just fun to

838
00:41:54,760 --> 00:41:56,719
Speaker 1: get up there without an idea and just free sty

839
00:41:57,520 --> 00:41:59,239
Speaker 1: just kind of keep the brain shark at the crowd

840
00:41:59,360 --> 00:42:02,239
Speaker 1: to what's going on. Yeah. Yeah, when people ask me

841
00:42:02,280 --> 00:42:04,479
Speaker 1: that you know, where's your inspiration. I'm like, I could

842
00:42:04,520 --> 00:42:06,399
Speaker 1: just watch the people at the festival and get ten

843
00:42:06,440 --> 00:42:08,360
Speaker 1: paintings out of that. We've got one in here. I know,

844
00:42:08,400 --> 00:42:11,400
Speaker 1: you've got a painting in here. Look around that. Have

845
00:42:11,480 --> 00:42:13,120
Speaker 1: you got an event or something? You know what I mean,

846
00:42:13,320 --> 00:42:16,440
Speaker 1: just having painted something? Yeah, you see doing something. So

847
00:42:16,480 --> 00:42:18,520
Speaker 1: we have events here all the time and everywhere else.

848
00:42:18,520 --> 00:42:21,319
Speaker 1: So we were always traveling somewhere and doing things. But yeah,

849
00:42:21,360 --> 00:42:23,080
Speaker 1: I love I love doing the live art. And I

850
00:42:23,160 --> 00:42:26,840
Speaker 1: just got done the Botany Bay and Richmond, Kentucky, really

851
00:42:26,880 --> 00:42:29,000
Speaker 1: cool smoke shop. I just did a fifty ft mural

852
00:42:29,960 --> 00:42:33,959
Speaker 1: um for them on the side of their building, and

853
00:42:34,160 --> 00:42:37,040
Speaker 1: uh featuring the Cocaine Bear. If you know about that

854
00:42:37,080 --> 00:42:40,480
Speaker 1: movie coming out, she'd look it up Raliota's last movie.

855
00:42:41,719 --> 00:42:45,280
Speaker 1: She watched the trailer after this. But it's a famous

856
00:42:45,320 --> 00:42:47,520
Speaker 1: bear in Kentucky that ate a bunch of cocaine in

857
00:42:47,520 --> 00:42:50,080
Speaker 1: the woods and went fucking ape ship and then, uh

858
00:42:50,520 --> 00:42:53,560
Speaker 1: so they wanted that on their mural and along with

859
00:42:53,640 --> 00:42:56,880
Speaker 1: Hunter S. Thompson and some other like famous Kentucky things,

860
00:42:57,680 --> 00:43:01,880
Speaker 1: couldn't paying a bunch of I mean, I'm sure it's

861
00:43:01,880 --> 00:43:03,920
Speaker 1: a true story. It sounds like it's based off a

862
00:43:03,920 --> 00:43:07,080
Speaker 1: true story of Uh. It sounds like me twenty six

863
00:43:07,160 --> 00:43:15,879
Speaker 1: years ago, six hours ago, right for you. That's great. Well,

864
00:43:15,880 --> 00:43:18,400
Speaker 1: listen to anything that you have coming up big that

865
00:43:18,800 --> 00:43:21,719
Speaker 1: other than obviously the convention that the book. You know,

866
00:43:21,760 --> 00:43:24,640
Speaker 1: congratulations on all this stuff, uh coming out in our

867
00:43:24,680 --> 00:43:27,400
Speaker 1: magazine kind of his talking magazine, you know that, congratulations

868
00:43:27,400 --> 00:43:29,680
Speaker 1: on that that we missed or that you know, before

869
00:43:29,680 --> 00:43:32,080
Speaker 1: we let you get on out of here. Um, a

870
00:43:32,120 --> 00:43:34,919
Speaker 1: couple of appearances you. I'll be at the Edwardian ball

871
00:43:35,440 --> 00:43:37,640
Speaker 1: this weekend in San Francisco. It's kind of a it's

872
00:43:37,680 --> 00:43:41,080
Speaker 1: a real big steampunk convention, um at the Regency Ballroom.

873
00:43:41,200 --> 00:43:44,840
Speaker 1: And then I'll be at the champ Show, uh February

874
00:43:45,280 --> 00:43:48,480
Speaker 1: six through eleventh or something like that or yeah, that

875
00:43:48,520 --> 00:43:54,240
Speaker 1: week that's it. Yeah, it's the six to the twelve. Yeah,

876
00:43:54,360 --> 00:43:57,799
Speaker 1: and then um yeah after that, starting in May, I'll

877
00:43:57,800 --> 00:43:59,720
Speaker 1: be back out on the road during the festival. Circuit

878
00:44:00,080 --> 00:44:03,600
Speaker 1: ends on the twelve. Yeah. So there's it's Thursday through

879
00:44:03,600 --> 00:44:07,000
Speaker 1: our Wednesday through Saturday. Yeah. Yeah. Yeah. I thought they

880
00:44:07,040 --> 00:44:08,839
Speaker 1: were having it on Sunday. I was like, no way,

881
00:44:08,840 --> 00:44:11,360
Speaker 1: this is the same look at the one who painted

882
00:44:11,400 --> 00:44:13,120
Speaker 1: for his wife Is that the elephant one that's on

883
00:44:13,160 --> 00:44:15,000
Speaker 1: the website where the person is on the top of

884
00:44:15,040 --> 00:44:19,000
Speaker 1: the carnival Two, Yep, that's the one. Is that hurt

885
00:44:19,239 --> 00:44:24,600
Speaker 1: on the top there, No, that's just referenced. Yeah, it's

886
00:44:24,640 --> 00:44:27,680
Speaker 1: a reference. Uh yeah. I have some photographers that I

887
00:44:27,840 --> 00:44:30,080
Speaker 1: use on dev and art that UM put up stock

888
00:44:30,120 --> 00:44:32,719
Speaker 1: photos and that's how I get the positions and photography

889
00:44:32,760 --> 00:44:35,200
Speaker 1: for like the pin up girls I use. She has

890
00:44:35,200 --> 00:44:38,040
Speaker 1: posed for a couple of them, the Vera ones, the

891
00:44:38,080 --> 00:44:40,400
Speaker 1: girl with the really long red hair. So there's one

892
00:44:40,440 --> 00:44:43,239
Speaker 1: called Madus where it's like a fifty caliber machine gun

893
00:44:43,280 --> 00:44:45,560
Speaker 1: and the rounds are coming out of an apple pie,

894
00:44:45,680 --> 00:44:48,240
Speaker 1: and so I made her stand there with a Pieton

895
00:44:48,360 --> 00:44:53,040
Speaker 1: and took some photos. So yeah, Rachel has modeled for

896
00:44:53,080 --> 00:44:55,920
Speaker 1: some of them. That's awesome. Man. Once again, go to

897
00:44:56,040 --> 00:44:59,080
Speaker 1: his website. Sean Dietrich R S E A N D

898
00:44:59,200 --> 00:45:02,120
Speaker 1: I E T R I C h A RT dot com.

899
00:45:02,120 --> 00:45:04,120
Speaker 1: We can't do the high five, and we're gonna let

900
00:45:04,120 --> 00:45:05,920
Speaker 1: you go, but I just have one question for you

901
00:45:06,000 --> 00:45:09,719
Speaker 1: from it. If you could smoke cannabis with anyone get

902
00:45:09,840 --> 00:45:14,319
Speaker 1: R alive, who would it be and why? Oh? I

903
00:45:14,360 --> 00:45:19,120
Speaker 1: would say either Hemingway or or Hunter Thompson. Those are

904
00:45:19,160 --> 00:45:25,560
Speaker 1: two artists writers. Yeah, I just I couldn't imagine too

905
00:45:25,560 --> 00:45:29,520
Speaker 1: cooler people that have a conversation anyway, right Earnest anyway? Yeah, yeah,

906
00:45:29,719 --> 00:45:33,280
Speaker 1: go ahead, building, Yeah, yeah, it's over there, googling. No,

907
00:45:33,440 --> 00:45:38,200
Speaker 1: I'm actually looking at Parmingway his artworks dope on his website. Right,

908
00:45:38,320 --> 00:45:40,560
Speaker 1: it really is, man. I I was geeking out yesterday.

909
00:45:40,560 --> 00:45:42,520
Speaker 1: I'm geeking out again today. I get lost in it.

910
00:45:42,560 --> 00:45:44,120
Speaker 1: It's cool. Thank you for coming on the show, but

911
00:45:44,160 --> 00:45:46,440
Speaker 1: I appreciate thank you for having it. Well, there it is, guys.

912
00:45:46,440 --> 00:45:48,759
Speaker 1: This Cannabis Talk one on one, and remember this. If

913
00:45:48,800 --> 00:45:53,880
Speaker 1: no one else loves you, we do. Thank you for

914
00:45:54,000 --> 00:45:56,000
Speaker 1: listening to Cannabis Talk one on one on the I

915
00:45:56,120 --> 00:45:59,440
Speaker 1: Heart Radio app, Apple podcast or wherever you get your

916
00:45:59,440 --> 00:46:00,239
Speaker 1: podcast sp