WEBVTT - Shirley Manson

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<v Speaker 1>Welcome, Welcome, Welcome to this week's edition of The Bad

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<v Speaker 1>Left Sex Podcast. My guest this week is vocalist extraordinaire

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<v Speaker 1>lead singer of Garbage, Shirley Manson. Shirley, Okay, you're from Scotland.

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<v Speaker 1>We are really Scotland ignorant here. Okay, what's it like

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<v Speaker 1>growing up in Scotland. Well, you know, at the time,

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<v Speaker 1>it didn't feel so fantastic, but looking back on it

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<v Speaker 1>now I realized what a privilege it was, you know,

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<v Speaker 1>because it's a small island and it was a time

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<v Speaker 1>I was. I was born in sixty six, so I

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<v Speaker 1>grew up in the seventies and it was at a

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<v Speaker 1>time when the British government actually paid for education. They

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<v Speaker 1>put money into it and we all had government run

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<v Speaker 1>schools and they were and they were well funded. So

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<v Speaker 1>I had a great education I had. I came from

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<v Speaker 1>a family, three children. My mom and dad loved each

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<v Speaker 1>other until death did they part. And I think, now, no,

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<v Speaker 1>what I know, that's really unusual to certainly with the

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<v Speaker 1>younger generations. I mean, the only thing I I haven't

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<v Speaker 1>been to Scotland, but there was that movie and I

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<v Speaker 1>can't remember there was a famous movie maker talking about

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<v Speaker 1>the ice cream war in do you know that? Was

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<v Speaker 1>that Donny Boyle thing? God, I can't remember. But in

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<v Speaker 1>any event, where did you actually grow up in Scotland?

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<v Speaker 1>But how do you how do you pronounce that? Edinburgh? Edinburgh? Okay?

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<v Speaker 1>Ed okay? And what did your father do for a living?

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<v Speaker 1>My father was a university professor, really, and what did

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<v Speaker 1>he teach? He taught animal breeding in sort of genetics

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<v Speaker 1>and animal breeding, poultry breeding as well. He would come

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<v Speaker 1>home for dinner. Would he talk about that? Very rarely?

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<v Speaker 1>I mean he he as we got older, he would

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<v Speaker 1>talk about the genetic program because they were his sort

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<v Speaker 1>of university cloned Dolly the Sheep. I don't know if

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<v Speaker 1>you remember that, but Dolly the Sheep. So that was

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<v Speaker 1>his faculty that really. Yeah. So he started to talk

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<v Speaker 1>up to us about genetics and we are so bored,

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<v Speaker 1>we can you know? Okay, So if I take you

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<v Speaker 1>out on the ranch with the animals, you're as clueless

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<v Speaker 1>as I am. Well, maybe not quite as clueless as you, Bob.

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<v Speaker 1>We got the Huber going at this point in time, okay.

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<v Speaker 1>And did your mother work outside of the house. My

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<v Speaker 1>mother sort of eventually as we were growing up when

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<v Speaker 1>we were teenagers. She's she became a medical reception as

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<v Speaker 1>she looked after a bunch of doctors. But she really

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<v Speaker 1>was pretty much a housewife, which is a terminology that's

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<v Speaker 1>thankfully becoming, you know, obsolete, but she she was. She

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<v Speaker 1>called herself a housewife, right, I guess you know now

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<v Speaker 1>they say, you know she works, but she works in

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<v Speaker 1>the home. But okay, so where are you in the

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<v Speaker 1>hierarchy of the middle child? The real messed up one

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<v Speaker 1>the middle of three? And who else is a boy

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<v Speaker 1>or a girl? All three girls? All three girls. I'm

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<v Speaker 1>a middle child too, so sorry, Okay, my older sister

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<v Speaker 1>she believes you can conquer the world, and my younger

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<v Speaker 1>sister is the baby could always trying to get out

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<v Speaker 1>of this, and I was kind of lost in the middle. Yeah,

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<v Speaker 1>I had exactly the same experience. It's really I was

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<v Speaker 1>married to one who was also a middle kid. I

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<v Speaker 1>wonder whether that was part of the connection. Because you're

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<v Speaker 1>kind of overlooked. You feel you you're overlooked. I don't

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<v Speaker 1>think you actually are, but that's how I think I

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<v Speaker 1>perceived it. And I also got hand me done clothes

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<v Speaker 1>all the time. I never got new clothes. When I

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<v Speaker 1>was growing up, I was always my sister's clothes, and

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<v Speaker 1>by the time I had worn through the set of clothes,

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<v Speaker 1>my little sister got brand new clothes. So I mean

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<v Speaker 1>I was twisted, you know, yeah, yeah, the level of resentment.

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<v Speaker 1>I didn't have that problem because by older and younger

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<v Speaker 1>siblings were sisters. But I know, I know exactly what

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<v Speaker 1>you're talking about. And Okay, what kind of kid are

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<v Speaker 1>you growing up? Are you a rebellious kid? Are you

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<v Speaker 1>kind of you know, obey's orders. For the first sort

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<v Speaker 1>of twelve years of my life, I obeyed orders. I

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<v Speaker 1>was an incredibly devout a student, and I, you know,

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<v Speaker 1>had a great faith in Jesus, and I was interested

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<v Speaker 1>in religion and all kinds of things. I was very sweet,

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<v Speaker 1>pretty h sort of conventional kid, and then the hormones

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<v Speaker 1>kicked in and I went mental. Okay, did you go

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<v Speaker 1>to public school or did you go to Catholic school?

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<v Speaker 1>Well it's a good question because we call public schools

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<v Speaker 1>private school. We went to government funded You went to

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<v Speaker 1>government funded schools, but you had a strict Catholic family.

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<v Speaker 1>I did not. I came up in a Protestant family.

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<v Speaker 1>My dad was my Sunday school teacher, which also didn't

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<v Speaker 1>help my No, no, no, no, you can imagine. I

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<v Speaker 1>can't imagine. That kind of messed me up good too.

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<v Speaker 1>So yeah, okay, but you were a big believer. I

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<v Speaker 1>was a huge believer. How about today you believe today?

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<v Speaker 1>I'm a nonbeliever now. And what was the transition? How

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<v Speaker 1>did you decide that there wasn't a little man in

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<v Speaker 1>this guy who was deciding whether you've been naughty or nice? Well,

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<v Speaker 1>it started off with just a sort of sudden observation

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<v Speaker 1>of the people in our church that we went that

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<v Speaker 1>we went to. I noticed that they did not adhere

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<v Speaker 1>to the principles that were, you know, ceremonized, and I

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<v Speaker 1>started to smell hypocrisy. And I then would meet people

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<v Speaker 1>who were nonbelievers who actually did seem to practice some

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<v Speaker 1>kind spiritual practice. We have that in government today. All

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<v Speaker 1>the people seemingly were anti abortion have had an abortion

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<v Speaker 1>themselves or their partners had an abortion. It's just crazy.

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<v Speaker 1>So in any event, you turned age twelve, the hormones

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<v Speaker 1>kicking and you freak out. What does that look like? Well, I,

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<v Speaker 1>having been a pretty good student, I just stopped paying

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<v Speaker 1>attention in school. I stopped going to school. I started smoking,

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<v Speaker 1>I started flirting with you know self, drugs. I became

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<v Speaker 1>interested in boys. I got involved in a youth theater

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<v Speaker 1>in a band A little bit slower in America, it's

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<v Speaker 1>kind of like the Little Rascals, if you know those

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<v Speaker 1>Saturday Morning Carly, there's a Truman officer and if you

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<v Speaker 1>skip school, they're gonna track you down. So you're skipping

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<v Speaker 1>school and your father was in the educational system. Was

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<v Speaker 1>anybody aware of the fact you were skipping school? Well

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<v Speaker 1>not at first, and actually it was my dad who

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<v Speaker 1>busted me in the end. Um. But no, the teachers

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<v Speaker 1>didn't really notice because of the way that our system

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<v Speaker 1>worked at that time. UM. So I'd always appear for registrations,

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<v Speaker 1>so you were there when they called the roll call,

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<v Speaker 1>and then I would just go home. But my my

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<v Speaker 1>my house was like jammed up against the playground of

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<v Speaker 1>the school, so I could just get home to my

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<v Speaker 1>bedroom in about five seconds. So it's very convenient for

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<v Speaker 1>skipping school until you had your father find out. He

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<v Speaker 1>came home one day unexpectedly and find me in my

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<v Speaker 1>bedroom with a bunch of pals smoking. I don't know

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<v Speaker 1>why else we were up to you went absolutely mental,

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<v Speaker 1>and he called the head master and he dubbed me in.

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<v Speaker 1>He was like, my child is here, she should be

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<v Speaker 1>at school. I'm sending her in to see you right now.

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<v Speaker 1>And he sent me to the head master and I got.

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<v Speaker 1>I can't remember what happened, but I got well royally punished.

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<v Speaker 1>I had to do like after school punishment and all

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<v Speaker 1>that stuff. Well did it set you on a straight

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<v Speaker 1>course or did you continue to diverge from the straight

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<v Speaker 1>and arrow. I continue, even at fifty one, to diverge

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<v Speaker 1>from the straight and now. Well, it's kind of funny.

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<v Speaker 1>It's hard to diverge from the straight and arrow. We

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<v Speaker 1>live in it. I'm older than you are, but certainly

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<v Speaker 1>lived through the sixties. It was the opposite of group think,

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<v Speaker 1>and now there's total group think. And if you feel otherwise,

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<v Speaker 1>you're really scorned by society. You end up feeling like

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<v Speaker 1>a party of one. That's my experience. You know, I'm

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<v Speaker 1>really lucky, and that I don't have that experience. I

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<v Speaker 1>know exactly what you're talking about, and I think that

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<v Speaker 1>does exist, and it's becoming more and more prevalent. But

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<v Speaker 1>I was really lucky and that I had a very

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<v Speaker 1>strong minded father who had very definitive ideas, and I

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<v Speaker 1>would fight against him over and over and over again

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<v Speaker 1>for years, to the point where I learned to hold

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<v Speaker 1>my owner in an argument. If he didn't, you know,

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<v Speaker 1>agree with me, that was cool. If I didn't agree

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<v Speaker 1>with him, it was cool. He so he was really

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<v Speaker 1>fair that way, and so I just learned to have

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<v Speaker 1>to develop my own system of ideas and beliefs. Do

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<v Speaker 1>you think he was doing that to inculcate that behavior

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<v Speaker 1>in yourself or do you think he was really rigid

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<v Speaker 1>and you were just a rebel? Neither of the bob.

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<v Speaker 1>I think he is quite rebellious my dad. Is he

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<v Speaker 1>still with us, Yes, he's still with us. He's eighty one,

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<v Speaker 1>and he's very full of vigor and as a rigorous thinker.

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<v Speaker 1>And I think he enjoyed being challenged by me, because

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<v Speaker 1>he often, of course when you have young children, he

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<v Speaker 1>would browbeat me easily for years and years and years,

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<v Speaker 1>and then eventually, as I became a little more skilled

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<v Speaker 1>at arguing in my late teens, he I think he enjoyed.

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<v Speaker 1>It was like it was like a sport for him,

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<v Speaker 1>And it actually is a little bit of a sport

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<v Speaker 1>for me now like I can argue with anyone. I

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<v Speaker 1>don't take it personally. I don't get upset when people

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<v Speaker 1>don't agree with me. I find it really interesting. I

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<v Speaker 1>love to argue, and no one wants to argue anymore.

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<v Speaker 1>Like it's really when you when you give a contrary opinion,

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<v Speaker 1>it's like spinal tap person. No, my amp goes to eleven.

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<v Speaker 1>I mean, I don't want to do it for my

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<v Speaker 1>own personal aggrandization, whatever aggrandization, whatever the word might be.

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<v Speaker 1>It's it's fun to wrestle and tease out the issues

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<v Speaker 1>and makes me think afterward. But today everyone thinks they

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<v Speaker 1>have the answer. They can't see two different sides of

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<v Speaker 1>the coin, and they're very you. You look like the

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<v Speaker 1>curmudgeon when you go out there and you disagree with people. Well,

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<v Speaker 1>I think there's a couple of factors at play. I

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<v Speaker 1>think some people feel that they are not they don't

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<v Speaker 1>have conviction necessarily and what they believe like no matter,

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<v Speaker 1>I am wrong all the time, but I do have conviction.

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<v Speaker 1>I believe really strongly and what I believe, and um,

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<v Speaker 1>I think some people get shaken when you disagree with them,

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<v Speaker 1>and or they feel like they're losing an argument if

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<v Speaker 1>you even challenge the argument, and they've got this some

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<v Speaker 1>weird idea about how they must win. They must win.

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<v Speaker 1>Society's put all this pressure and must to be winners.

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<v Speaker 1>You can't be a loser. I don't mind being a loser.

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<v Speaker 1>I mean that's really well described. But will you change

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<v Speaker 1>your opinion all the time? It makes me crazy if

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<v Speaker 1>you change your opinion because I'm writing my opinions down

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<v Speaker 1>and I say, hey, life evolved, It's like only in Washington,

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<v Speaker 1>d C. You can't change your opinion. So let's go back.

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<v Speaker 1>Your two sisters. Where are they today? My little sister,

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<v Speaker 1>it was how much younger? Is two years younger than me.

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<v Speaker 1>She's done in London doing what she works for a

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<v Speaker 1>photographic agent, so they support photographers in the fashion industry primarily. Um,

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<v Speaker 1>my big sister is two years older than me. It's

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<v Speaker 1>exactly like my favorite. We've got common here around. I

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<v Speaker 1>feel your pain, brother. But my big sister she works

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<v Speaker 1>in She was an intensive care nurse practically our whole

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<v Speaker 1>career and now has has sort of semi moved into

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<v Speaker 1>health education. She teaches nurses. Now are they reader in relationships?

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<v Speaker 1>My oldest sister is in a relationship. My youngest sister

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<v Speaker 1>is married with two kids. Okay, but you've never been married, right,

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<v Speaker 1>I am married? You are married. I guess I was unaware.

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<v Speaker 1>How long have you been married? Eight years? Eight years?

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<v Speaker 1>And is this your only marriage? No, this is my

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<v Speaker 1>second marriage. Okay, we'll save this for later. Okay, so

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<v Speaker 1>you're rebelling. Do you finish school? Not exactly. That's kind

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<v Speaker 1>of a black and white you know, yes or no question. Yeah,

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<v Speaker 1>I didn't get past high school. I started flunked out

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<v Speaker 1>in my last I should have stayed on for another

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<v Speaker 1>year and I didn't have flunked out and I got

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<v Speaker 1>really bad examination results, and my parents were really disappointed

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<v Speaker 1>in me, and there was a lot of silence over

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<v Speaker 1>the dinner table at home. Okay, well, here the crisis

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<v Speaker 1>would be, if you drop out of high school, you

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<v Speaker 1>have to go to work. That is correct. My dad

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<v Speaker 1>said that to me, said, okay, you're you know you've

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<v Speaker 1>crapped out of high school. You need to go get

0:11:55.120 --> 0:11:57.719
<v Speaker 1>yourself a job. And did you? I did? And what

0:11:57.800 --> 0:12:02.600
<v Speaker 1>was that job? I worked in a female fashion shop,

0:12:02.800 --> 0:12:05.679
<v Speaker 1>a little like Forever twenty one. It was called miss Selfridge.

0:12:06.559 --> 0:12:11.560
<v Speaker 1>And how long did that last? Five? Years, five years

0:12:12.360 --> 0:12:15.880
<v Speaker 1>and any upwards, any any upward mobility, or you're just

0:12:15.960 --> 0:12:18.640
<v Speaker 1>the sales clerk in the shop for five years. I

0:12:18.679 --> 0:12:21.199
<v Speaker 1>don't say this for comic relief. I was actually demoted.

0:12:22.679 --> 0:12:26.680
<v Speaker 1>I started off. I started off as a sales clerk

0:12:27.840 --> 0:12:29.920
<v Speaker 1>what we call the shop assistant, and then I was

0:12:29.960 --> 0:12:32.720
<v Speaker 1>demoted to the stock room because I was unpleasant, quote unquote,

0:12:32.720 --> 0:12:37.400
<v Speaker 1>I was unpleasant to the customers. I love that. I

0:12:37.440 --> 0:12:40.640
<v Speaker 1>love that. So you're unpleasant. But they didn't fire you.

0:12:40.760 --> 0:12:44.720
<v Speaker 1>They didn't fire me. Okay. And at the time, okay,

0:12:44.920 --> 0:12:48.760
<v Speaker 1>you're smoking dope, drinking what are you doing. I was

0:12:48.800 --> 0:12:52.319
<v Speaker 1>doing a lot of speed. That was my drug of choice,

0:12:51.760 --> 0:12:58.000
<v Speaker 1>and I like the feeling of being fast. Okay and

0:12:59.120 --> 0:13:02.360
<v Speaker 1>okay going. Was there music in your house growing up? Yeah,

0:13:02.400 --> 0:13:03.720
<v Speaker 1>there was a lot of music in my house. My

0:13:03.760 --> 0:13:07.600
<v Speaker 1>mom was a sort of semi amateur singer, um semi

0:13:07.600 --> 0:13:10.920
<v Speaker 1>professional should I say. She sang with us a swing

0:13:10.960 --> 0:13:13.320
<v Speaker 1>band called the Squadron Ears before I was born, and

0:13:13.360 --> 0:13:16.959
<v Speaker 1>then she used to sing for like weddings and concert

0:13:16.960 --> 0:13:19.800
<v Speaker 1>parties at the church. And hey, you're playing footsie with me, Bob,

0:13:20.520 --> 0:13:23.760
<v Speaker 1>you have very long I can't believe. I like to

0:13:23.760 --> 0:13:25.920
<v Speaker 1>reach that far the first time this has ever happened

0:13:25.960 --> 0:13:30.000
<v Speaker 1>here on the podcast. But I noticed I touched before.

0:13:30.000 --> 0:13:32.959
<v Speaker 1>I didn't even notice that time. But when she was professional,

0:13:33.000 --> 0:13:37.000
<v Speaker 1>before you were born, how serious was that? Not particularly serious?

0:13:37.400 --> 0:13:39.079
<v Speaker 1>I mean, my mom got bless her. She didn't have

0:13:39.120 --> 0:13:41.320
<v Speaker 1>a lot of confidence in herself, so nothing she did

0:13:41.559 --> 0:13:44.640
<v Speaker 1>she considered very serious. But she was a good singer,

0:13:44.720 --> 0:13:47.160
<v Speaker 1>and she loved music, and she introduced me to music,

0:13:47.240 --> 0:13:49.760
<v Speaker 1>and my love of music comes from her. Okay, so

0:13:49.960 --> 0:13:52.280
<v Speaker 1>would she play records in the house? Yes, what kind

0:13:52.280 --> 0:13:56.000
<v Speaker 1>of records? She introduced me to a lot of like Elephants, Gerald,

0:13:56.080 --> 0:13:59.719
<v Speaker 1>Nina Simon, sat von Um. She loved Barbara Streisan, she

0:14:00.000 --> 0:14:04.520
<v Speaker 1>of Barry Manilo, and she loved show tunes. The show

0:14:04.600 --> 0:14:06.440
<v Speaker 1>too was a similar thing growing up. My mother played

0:14:06.480 --> 0:14:10.840
<v Speaker 1>them all the time. But and she is deceased. My

0:14:10.840 --> 0:14:14.079
<v Speaker 1>my mom too, right now, My mother's alive. My father's dead,

0:14:14.080 --> 0:14:16.560
<v Speaker 1>been dead for twenty five years. My mother's ninety one.

0:14:16.600 --> 0:14:18.600
<v Speaker 1>But your mother, based on what you said earlier, your

0:14:18.600 --> 0:14:20.360
<v Speaker 1>mother is no longer with no longer with How long

0:14:20.400 --> 0:14:24.680
<v Speaker 1>ago did she pass? About nine years ago? Okay, your

0:14:24.680 --> 0:14:31.000
<v Speaker 1>father ever got involved in another relationship, Yes he has,

0:14:30.440 --> 0:14:32.920
<v Speaker 1>He has not. Is he a serial data or is

0:14:32.920 --> 0:14:35.960
<v Speaker 1>that one specific woman. There's been a couple of women

0:14:36.000 --> 0:14:39.400
<v Speaker 1>he's been interested in and has pursued with great passion

0:14:39.440 --> 0:14:42.200
<v Speaker 1>and vigor and has gotten his own way a couple

0:14:42.240 --> 0:14:44.360
<v Speaker 1>of times. And so what do you what does that

0:14:44.520 --> 0:14:46.600
<v Speaker 1>feel like being his daughter? Well, it was funny. I

0:14:46.640 --> 0:14:48.720
<v Speaker 1>was cool with it because I knew my dad loved

0:14:48.720 --> 0:14:51.240
<v Speaker 1>my mom and I knew that, you know, there was

0:14:51.240 --> 0:14:53.040
<v Speaker 1>nothing going to bring my mom back, So I wanted

0:14:53.040 --> 0:14:55.240
<v Speaker 1>my dad to have happiness. So it didn't bother me.

0:14:55.320 --> 0:14:57.640
<v Speaker 1>It creaked me out a wee bit, you know. I

0:14:58.160 --> 0:15:00.160
<v Speaker 1>thinking about my dad having an erection was just too

0:15:00.200 --> 0:15:02.760
<v Speaker 1>much to care. But I was cool with him having

0:15:02.840 --> 0:15:05.240
<v Speaker 1>fun in his life. I wanted that for him. But

0:15:05.680 --> 0:15:08.480
<v Speaker 1>my younger sister had She wrestled with it the hardest.

0:15:08.600 --> 0:15:11.440
<v Speaker 1>She she she found it difficult to accept. Well, how

0:15:11.480 --> 0:15:13.440
<v Speaker 1>long after the passing of your mother did he get

0:15:13.520 --> 0:15:16.120
<v Speaker 1>started very quickly? And was your mother's sick or was

0:15:16.120 --> 0:15:18.120
<v Speaker 1>it a sudden death? Yeah, my mom was sick. She

0:15:18.160 --> 0:15:20.560
<v Speaker 1>had a very rare form of dementia, which is called

0:15:20.560 --> 0:15:24.200
<v Speaker 1>Picks disease um and it was very aggressive and sort

0:15:24.200 --> 0:15:26.040
<v Speaker 1>of took her out the game. In about eighteen months.

0:15:26.600 --> 0:15:30.360
<v Speaker 1>My mother's you know, is on is on that excursion.

0:15:31.040 --> 0:15:33.160
<v Speaker 1>So I speak speak with her, and she'll go on

0:15:33.200 --> 0:15:36.040
<v Speaker 1>and on. But whatever I tell her today, the next day,

0:15:36.360 --> 0:15:38.320
<v Speaker 1>it'd be like we didn't even discuss. I See, my

0:15:38.360 --> 0:15:41.240
<v Speaker 1>mom's disease wasn't like that. It was a different kind

0:15:41.280 --> 0:15:45.080
<v Speaker 1>of it was. She sort of became just physically difficult

0:15:45.080 --> 0:15:47.040
<v Speaker 1>to operate in the world. She always knew who I was.

0:15:47.120 --> 0:15:49.840
<v Speaker 1>She never didn't know who we were. No. Like I said,

0:15:49.840 --> 0:15:52.880
<v Speaker 1>it was very aggressive, an unusual form of Picks disease,

0:15:52.880 --> 0:15:55.520
<v Speaker 1>and that the doctor in our hometown nobody had ever

0:15:55.640 --> 0:15:59.280
<v Speaker 1>had an incident of this particular type of disease. So

0:15:59.320 --> 0:16:01.000
<v Speaker 1>she was young. She was sixty nine, which she was

0:16:01.040 --> 0:16:06.360
<v Speaker 1>diag very young. And so how long did she go undiagnosed. Well,

0:16:06.400 --> 0:16:08.440
<v Speaker 1>here's the other su in our families. I knew there

0:16:08.480 --> 0:16:10.400
<v Speaker 1>was something wrong with my mom. My family told me

0:16:10.440 --> 0:16:12.080
<v Speaker 1>I was crazy, But I have the same thing with

0:16:12.160 --> 0:16:14.360
<v Speaker 1>my father. Got canceled. We were having to be in

0:16:14.360 --> 0:16:16.720
<v Speaker 1>Mammoth Lakes, which is a ski area about four hours

0:16:16.720 --> 0:16:18.840
<v Speaker 1>from Los Angeles, and I went out with my father

0:16:18.920 --> 0:16:21.560
<v Speaker 1>to pick up a pizza, and my father for the

0:16:21.560 --> 0:16:23.720
<v Speaker 1>whole half hour waiting for the pizza, just had his

0:16:23.760 --> 0:16:25.760
<v Speaker 1>head in his hand and he was going. And I

0:16:25.800 --> 0:16:27.640
<v Speaker 1>came back and I told my mother, oh, you know

0:16:27.760 --> 0:16:30.040
<v Speaker 1>something wrong with our flashes. Oh, he just had a physical.

0:16:30.120 --> 0:16:32.360
<v Speaker 1>He's fine, he's fine. And a week later they found

0:16:32.360 --> 0:16:34.920
<v Speaker 1>out the cancer. I'm so sorry. Well, it was a

0:16:34.920 --> 0:16:37.600
<v Speaker 1>long time ago. At this point, it doesn't it's always

0:16:37.600 --> 0:16:40.640
<v Speaker 1>painful to lose your love. Well, my father died at

0:16:40.680 --> 0:16:45.160
<v Speaker 1>seventy and when he died, I was not quite forty,

0:16:45.240 --> 0:16:47.600
<v Speaker 1>and I thought, oh, that's a pretty good run. But

0:16:47.760 --> 0:16:51.840
<v Speaker 1>now I say, wow, that's really young. So there's music

0:16:51.840 --> 0:16:54.680
<v Speaker 1>in the household. At what point do you start to

0:16:54.720 --> 0:16:58.440
<v Speaker 1>sing or play yourself. I was playing really young because

0:16:58.480 --> 0:17:01.480
<v Speaker 1>my mom and dad got me into piano lessons on

0:17:01.640 --> 0:17:03.600
<v Speaker 1>singing in an a choir, So that was around about

0:17:03.600 --> 0:17:07.000
<v Speaker 1>seven years old. Did you practice, did I? No? No, no.

0:17:07.040 --> 0:17:09.320
<v Speaker 1>I don't think the piano lessons too. But the practicing

0:17:09.440 --> 0:17:12.520
<v Speaker 1>was the weakly. I found it very hard to practice anything,

0:17:12.600 --> 0:17:15.200
<v Speaker 1>and that has continued throughout my entire life. I'm very

0:17:15.280 --> 0:17:18.960
<v Speaker 1>lax about rehearsing and practicing and and actually being a

0:17:18.960 --> 0:17:22.399
<v Speaker 1>good student in that regard. But yeah, I was singing

0:17:22.400 --> 0:17:25.120
<v Speaker 1>and playing by about seven, and that just continued through

0:17:25.160 --> 0:17:27.600
<v Speaker 1>my life. My school picked me out to like learn

0:17:27.640 --> 0:17:30.359
<v Speaker 1>the violin, the clarinet, playing the school orchestra. Can you

0:17:30.359 --> 0:17:34.000
<v Speaker 1>read music even at this late day, you haven't forgotten it? Now,

0:17:34.040 --> 0:17:36.960
<v Speaker 1>you don't forget that people claim to forgotten that Billy

0:17:37.040 --> 0:17:39.760
<v Speaker 1>Joel whatever. But as someone who could read music basically,

0:17:39.800 --> 0:17:42.800
<v Speaker 1>then you occasionally sit down at the piano and then

0:17:42.800 --> 0:17:44.320
<v Speaker 1>I look at the bass cliff and I go, there's

0:17:44.320 --> 0:17:46.760
<v Speaker 1>no way. See, it's funny you should say that because

0:17:46.760 --> 0:17:49.240
<v Speaker 1>it's always the bass cleff cliff. That is the hardest

0:17:49.240 --> 0:17:50.800
<v Speaker 1>want to remember, but if you just play for a

0:17:50.840 --> 0:17:54.280
<v Speaker 1>wee bit, it comes back. So you're playing it at

0:17:54.320 --> 0:17:57.359
<v Speaker 1>this point. Do you ever have an light bulb go

0:17:57.440 --> 0:17:58.960
<v Speaker 1>off and say this is what I'd like to do

0:17:59.320 --> 0:18:04.720
<v Speaker 1>from my life? No? Ever, So what changes you know? This?

0:18:04.720 --> 0:18:06.040
<v Speaker 1>This is a bit of a long on Boing story.

0:18:06.040 --> 0:18:08.639
<v Speaker 1>I've told it a million times, but nothing ever changed,

0:18:08.840 --> 0:18:12.000
<v Speaker 1>Nothing ever changed. No, I stumbled from pillar to post

0:18:12.320 --> 0:18:15.919
<v Speaker 1>literally as my entire That is certainly a Scottish expression.

0:18:16.720 --> 0:18:19.160
<v Speaker 1>No one in America is going to say pillar to post. Well,

0:18:19.160 --> 0:18:21.119
<v Speaker 1>but you get the express, the idea. I know what

0:18:21.119 --> 0:18:26.159
<v Speaker 1>you said. The expression. But nothing in my life has

0:18:26.160 --> 0:18:29.600
<v Speaker 1>ever been planned. I have my My entire career has

0:18:29.640 --> 0:18:32.720
<v Speaker 1>been made up of stumbling from one place to the

0:18:32.760 --> 0:18:36.320
<v Speaker 1>next and no plan, no real solid ambition. Although my

0:18:36.400 --> 0:18:39.040
<v Speaker 1>dad claims that that's not true, but I don't remember

0:18:39.080 --> 0:18:42.760
<v Speaker 1>having any major ambition to do much except be a ballerina.

0:18:42.840 --> 0:18:45.159
<v Speaker 1>That's what I really burned to do. Then I couldn't

0:18:45.200 --> 0:18:46.640
<v Speaker 1>do that because I got too tall and I hurt

0:18:46.680 --> 0:18:48.800
<v Speaker 1>my ankle. So then I wanted to be an actress.

0:18:48.960 --> 0:18:50.520
<v Speaker 1>This is it? What age? What age do you hurt

0:18:50.520 --> 0:18:57.000
<v Speaker 1>your ankle? I was It's a good question. Then you

0:18:57.000 --> 0:18:59.280
<v Speaker 1>want to be an actor? Do you act on that?

0:18:59.359 --> 0:19:02.280
<v Speaker 1>Do you actually act in school plays? I had a

0:19:02.359 --> 0:19:04.760
<v Speaker 1>drama teacher that took great interest in me and got

0:19:04.800 --> 0:19:07.439
<v Speaker 1>me out into Edinburgh Youth Theater. Outside of the school

0:19:07.440 --> 0:19:10.720
<v Speaker 1>as well, she encouraged me to like audition for drama

0:19:10.760 --> 0:19:13.040
<v Speaker 1>school and so and so forth. I didn't get into

0:19:13.119 --> 0:19:15.760
<v Speaker 1>drama school. And that's suwhere that I didn't get into

0:19:15.840 --> 0:19:18.840
<v Speaker 1>drama school. I got approached by this guy that I

0:19:18.840 --> 0:19:21.640
<v Speaker 1>had met at Edinburgh Theater who needed a keyboard player

0:19:21.640 --> 0:19:25.200
<v Speaker 1>in his band. And because you know, I've been living

0:19:25.200 --> 0:19:29.240
<v Speaker 1>in l along doesn't just happen. So how was he

0:19:29.359 --> 0:19:32.080
<v Speaker 1>aware that you played the keyboard? Well, I think he

0:19:32.160 --> 0:19:35.000
<v Speaker 1>maybe asked me. He was very interested in me sexually. Okay,

0:19:35.400 --> 0:19:38.440
<v Speaker 1>that's straightforward. He was more interested in me, I think,

0:19:38.480 --> 0:19:41.560
<v Speaker 1>sexually than he was my my musical skills. But he

0:19:41.640 --> 0:19:43.880
<v Speaker 1>knew I played pianos so and he knew he could

0:19:44.000 --> 0:19:47.280
<v Speaker 1>lure me into his band to play keyboards. But you

0:19:47.320 --> 0:19:49.520
<v Speaker 1>had to say yes. I didn't have to see yes.

0:19:50.480 --> 0:19:52.640
<v Speaker 1>Say yes. I did see it. So what was your

0:19:52.720 --> 0:19:55.880
<v Speaker 1>inspiration for saying yes? Because I've just been rejected from

0:19:57.320 --> 0:19:59.439
<v Speaker 1>drama college, so I had nothing else to do, and

0:19:59.480 --> 0:20:02.200
<v Speaker 1>so for want of some entertainment in my life, I

0:20:02.400 --> 0:20:05.520
<v Speaker 1>joined the band. And this was at what age fifteen

0:20:05.640 --> 0:20:09.000
<v Speaker 1>or sixteen? Okay, So you go and you have this band.

0:20:09.000 --> 0:20:11.880
<v Speaker 1>What kind of music you play? Well, you would call

0:20:11.920 --> 0:20:16.520
<v Speaker 1>it alternative pop rock. Okay, we're the originals were playing

0:20:16.560 --> 0:20:20.320
<v Speaker 1>was on the hip Parade? They were originals. I can't

0:20:20.600 --> 0:20:21.919
<v Speaker 1>ask me if they were on the hip three. That

0:20:22.000 --> 0:20:24.920
<v Speaker 1>is the cutest thing I've ever been asked. I think.

0:20:25.320 --> 0:20:28.240
<v Speaker 1>So they were originals. And in the United States, which

0:20:28.280 --> 0:20:31.040
<v Speaker 1>is my frame of reference, it's very hard to get

0:20:31.080 --> 0:20:35.560
<v Speaker 1>work being an upstart band playing originals. So did you

0:20:35.600 --> 0:20:37.720
<v Speaker 1>get gigs with this band? We did get gigs. You know.

0:20:37.760 --> 0:20:40.119
<v Speaker 1>We were lucky that we marriage from Scotland, which had

0:20:40.119 --> 0:20:43.080
<v Speaker 1>a small music scene, and so we'd be pretty fast.

0:20:43.119 --> 0:20:45.960
<v Speaker 1>Became quite large fish in a very small poet. Well

0:20:45.960 --> 0:20:48.000
<v Speaker 1>that would you know, seem to say that you were good?

0:20:48.160 --> 0:20:51.480
<v Speaker 1>We were good? So why were you good? We were

0:20:51.840 --> 0:20:55.120
<v Speaker 1>really unique, really original, like we were like no other

0:20:55.160 --> 0:20:57.400
<v Speaker 1>band I have ever seen in my life. I mean,

0:20:57.440 --> 0:21:01.920
<v Speaker 1>we were a right bunch of Motley three. Um, we

0:21:01.920 --> 0:21:08.159
<v Speaker 1>were quite rebellious and we we're just very committed to

0:21:08.400 --> 0:21:12.240
<v Speaker 1>putting on good shoes. So I have to ask, did

0:21:12.240 --> 0:21:15.160
<v Speaker 1>you have a romantic partnership with that guy who asked you? Yes?

0:21:15.160 --> 0:21:17.760
<v Speaker 1>I did. Okay, how long did that last? I don't know,

0:21:17.800 --> 0:21:20.520
<v Speaker 1>about six months, I think. Okay, when that ended? Did

0:21:20.520 --> 0:21:25.320
<v Speaker 1>the band break up? Okay? The band survived. The band survived,

0:21:25.560 --> 0:21:28.439
<v Speaker 1>So how long did the band go on for? And

0:21:28.480 --> 0:21:33.720
<v Speaker 1>the name of that band was Goodbye Mr Mackenzie. Okay.

0:21:33.760 --> 0:21:36.960
<v Speaker 1>We'll return to this conversation with Chirley Manson of Garbage

0:21:37.080 --> 0:21:42.240
<v Speaker 1>in a moment. You're listening to the Bob Left Sets

0:21:42.280 --> 0:21:46.040
<v Speaker 1>podcast recorded at the tune in Studios in Venice, California.

0:21:46.200 --> 0:21:48.360
<v Speaker 1>Each week I interview a new guest and dive into

0:21:48.359 --> 0:21:52.280
<v Speaker 1>their lives and careers. If you enjoy listening to the podcast, subscribe,

0:21:52.720 --> 0:21:55.320
<v Speaker 1>rate and review the show. Please also check out some

0:21:55.320 --> 0:21:58.200
<v Speaker 1>of the earlier episodes, like my conversation with Nancy Wilson

0:21:58.400 --> 0:22:01.680
<v Speaker 1>of the band Hard and famous gate boarder Tony Hawk.

0:22:01.960 --> 0:22:03.840
<v Speaker 1>You can hear them all on tune in the Apple

0:22:03.920 --> 0:22:07.320
<v Speaker 1>podcast or your podcast player of choice. And now more

0:22:07.440 --> 0:22:12.400
<v Speaker 1>with Shirley Manson. So when you're in Goodbye, Mr mackenzie,

0:22:12.440 --> 0:22:14.680
<v Speaker 1>are you for five years you still working in the shop?

0:22:14.760 --> 0:22:18.240
<v Speaker 1>You are correct? Okay? At what point when you stopped

0:22:18.240 --> 0:22:20.639
<v Speaker 1>working in the shop? Are you living off the money

0:22:21.040 --> 0:22:24.120
<v Speaker 1>from the band? Or are you have to get another

0:22:24.200 --> 0:22:27.280
<v Speaker 1>day job? I'm living off my day job, okay, but

0:22:27.359 --> 0:22:31.160
<v Speaker 1>after the after working in the shop, excuse me, then

0:22:31.840 --> 0:22:35.960
<v Speaker 1>I barely existed off money from the band, barely okay.

0:22:36.160 --> 0:22:38.320
<v Speaker 1>Still living at your parents? Are still living at my parents?

0:22:38.480 --> 0:22:40.760
<v Speaker 1>You know, in America things have changed. But in my era,

0:22:41.160 --> 0:22:42.560
<v Speaker 1>once you got out of high school, parents said you

0:22:42.600 --> 0:22:44.320
<v Speaker 1>gotta get out of the house, and of course you

0:22:44.320 --> 0:22:47.159
<v Speaker 1>could afford to live somewhere on minimum wage. Now it's

0:22:47.200 --> 0:22:49.240
<v Speaker 1>just the opposite. Can't afford to living where I'm miimum

0:22:49.280 --> 0:22:51.560
<v Speaker 1>wage and people want their kids, and people do move back.

0:22:51.840 --> 0:22:53.880
<v Speaker 1>So what did your parents think, You're getting older and older,

0:22:53.920 --> 0:22:56.399
<v Speaker 1>you still living in their house. My mom wanted me

0:22:56.640 --> 0:22:59.879
<v Speaker 1>so there was It was never even discussed, really so

0:23:00.080 --> 0:23:03.159
<v Speaker 1>she did made all your meals, clean your clothes. Not

0:23:03.280 --> 0:23:04.879
<v Speaker 1>at that point. I mean I was an adult by

0:23:04.920 --> 0:23:07.679
<v Speaker 1>that point, but no, she she wanted her children amongst

0:23:07.680 --> 0:23:09.439
<v Speaker 1>her for as long as she could possibly have them,

0:23:09.440 --> 0:23:12.320
<v Speaker 1>and my dad didn't dare question that. Okay, so you're

0:23:12.359 --> 0:23:16.679
<v Speaker 1>in the band for ten years. That's a long period

0:23:16.680 --> 0:23:18.480
<v Speaker 1>of time and it takes a long time to make it.

0:23:18.760 --> 0:23:21.720
<v Speaker 1>But at that time, do you have a fantasy of

0:23:21.840 --> 0:23:25.160
<v Speaker 1>this being a gig in stardom or you just doing it.

0:23:25.359 --> 0:23:27.520
<v Speaker 1>I'm doing it because I really loved it. I mean,

0:23:27.760 --> 0:23:30.640
<v Speaker 1>in retrospect, I really did love it, and I wasn't

0:23:30.720 --> 0:23:34.040
<v Speaker 1>looking to be rich. I knew it sort of deep down.

0:23:34.119 --> 0:23:35.800
<v Speaker 1>I was like, we're never going to be rich, We're

0:23:35.800 --> 0:23:38.880
<v Speaker 1>never going to be hugely successful. But I really love

0:23:38.960 --> 0:23:41.360
<v Speaker 1>doing what I get to do. And we traveled a lot,

0:23:41.400 --> 0:23:42.520
<v Speaker 1>so it was the first time I got to go

0:23:42.600 --> 0:23:45.520
<v Speaker 1>to mainland Europe, go to France, go to Germany, go

0:23:45.600 --> 0:23:47.720
<v Speaker 1>to Holland. I mean, I went all over the place

0:23:47.720 --> 0:23:50.199
<v Speaker 1>with this band, So that was exciting to me. And

0:23:50.200 --> 0:23:54.360
<v Speaker 1>it was enough that of course begs the question, which

0:23:54.359 --> 0:23:57.879
<v Speaker 1>you maybe get into later. You're you're touring at a

0:23:57.920 --> 0:24:01.040
<v Speaker 1>relatively low level, and what's it like being a woman

0:24:01.080 --> 0:24:04.960
<v Speaker 1>on the road. You know. I didn't really think about

0:24:04.960 --> 0:24:08.000
<v Speaker 1>it too much because in my very first band it

0:24:08.080 --> 0:24:11.800
<v Speaker 1>was very iglitarian and the Scots in general are pretty like,

0:24:12.040 --> 0:24:14.000
<v Speaker 1>even in a funny way, in a different way, that

0:24:15.400 --> 0:24:18.040
<v Speaker 1>men and women are much more sort of equal in

0:24:18.160 --> 0:24:21.840
<v Speaker 1>Scottish society in some ways, and I'm not entirely sure why,

0:24:21.920 --> 0:24:23.400
<v Speaker 1>and this is the first time that's ever come out

0:24:23.400 --> 0:24:26.120
<v Speaker 1>of my mouth. I'm just sort of speaking of but

0:24:26.600 --> 0:24:29.919
<v Speaker 1>it never was an issue. Sexism was never, in my

0:24:30.040 --> 0:24:33.119
<v Speaker 1>mind an issue. However, looking back on it too, I

0:24:33.160 --> 0:24:34.800
<v Speaker 1>wasn't one of the writers in the band. It was

0:24:34.840 --> 0:24:37.880
<v Speaker 1>two male members who kept all the writing to themselves

0:24:37.880 --> 0:24:41.200
<v Speaker 1>and never invited anybody else into the writing dynamics. So

0:24:41.480 --> 0:24:44.200
<v Speaker 1>they were the power seat. And I just didn't care

0:24:44.240 --> 0:24:46.959
<v Speaker 1>about money back then, and I didn't care about power

0:24:47.000 --> 0:24:49.480
<v Speaker 1>back then, or I didn't even speak in those terms.

0:24:49.480 --> 0:24:52.720
<v Speaker 1>I just was having fun and that was enough really,

0:24:52.800 --> 0:24:55.800
<v Speaker 1>so there were no ultimate goals down the road. None.

0:24:57.080 --> 0:24:58.879
<v Speaker 1>It's kind of funny that a loser, I'm telling you

0:25:00.000 --> 0:25:03.240
<v Speaker 1>fascinating thing because there's a book called You Just Don't Understand,

0:25:03.280 --> 0:25:05.399
<v Speaker 1>and it sounds like a self help book written by

0:25:05.440 --> 0:25:09.720
<v Speaker 1>this PhD. Deborah Tannin, who studies language, and she says,

0:25:10.119 --> 0:25:12.880
<v Speaker 1>men are all about the pecking order, okay, and I'm

0:25:12.880 --> 0:25:15.200
<v Speaker 1>trying to rise to the top where women are about

0:25:15.200 --> 0:25:17.520
<v Speaker 1>the community. Like if a guy loses his job, he

0:25:17.560 --> 0:25:20.320
<v Speaker 1>loses his identity where she would say a woman. And

0:25:20.400 --> 0:25:22.480
<v Speaker 1>of course there exceptions to all this. Well, this is

0:25:22.520 --> 0:25:24.480
<v Speaker 1>where I am now, this is where I'll be tomorrow,

0:25:24.480 --> 0:25:26.800
<v Speaker 1>and I'm just enjoying what I'm doing now. Yeah, I

0:25:26.840 --> 0:25:30.480
<v Speaker 1>mean again, like you say, there's there's they're sweeping generalizations

0:25:30.520 --> 0:25:33.000
<v Speaker 1>right in this exceptions to all the rules. But in

0:25:33.040 --> 0:25:36.720
<v Speaker 1>this case, yeah, I think I had been taught from

0:25:36.720 --> 0:25:40.719
<v Speaker 1>a very early age basically just to be in the

0:25:40.840 --> 0:25:44.680
<v Speaker 1>clan system, and whatever your seat was in that system

0:25:44.760 --> 0:25:48.160
<v Speaker 1>was your seat. I just accepted my seat. Now that's

0:25:48.200 --> 0:25:50.679
<v Speaker 1>changed as I've gotten older, I start to fight from

0:25:50.720 --> 0:25:52.840
<v Speaker 1>my own seat and the seat that I won't but

0:25:52.880 --> 0:25:56.960
<v Speaker 1>back then I was very sort of submissive. I guess.

0:25:57.520 --> 0:26:01.399
<v Speaker 1>So the band goes on for ten years, what to

0:26:01.520 --> 0:26:06.159
<v Speaker 1>what degree is it successful by worldwide standers? Well, we

0:26:06.280 --> 0:26:08.200
<v Speaker 1>got signed by a large label. We got signed by

0:26:08.359 --> 0:26:11.679
<v Speaker 1>My Records and Capitol Records, and we started bounced between

0:26:11.680 --> 0:26:14.280
<v Speaker 1>those two labels, and we got a big advance, but

0:26:14.320 --> 0:26:16.320
<v Speaker 1>that all went to the writing partners. I didn't see

0:26:16.320 --> 0:26:18.800
<v Speaker 1>any of that. But we did get a big advance,

0:26:18.880 --> 0:26:20.560
<v Speaker 1>and there was a great buzz on the band, and

0:26:20.600 --> 0:26:25.160
<v Speaker 1>we charted very briefly, um, which was enough to sustain

0:26:25.280 --> 0:26:27.679
<v Speaker 1>us to keep trying and trying and trying for years.

0:26:28.520 --> 0:26:32.200
<v Speaker 1>How many records did you make in that under that moniker? Well,

0:26:32.240 --> 0:26:36.320
<v Speaker 1>I think I did four, but after you left they

0:26:36.359 --> 0:26:39.400
<v Speaker 1>did more. They did another two. I think. Okay, so

0:26:39.440 --> 0:26:41.880
<v Speaker 1>you did those four and then you made a solo

0:26:42.000 --> 0:26:46.080
<v Speaker 1>record under not your own name, correct, Although the soul

0:26:46.200 --> 0:26:49.520
<v Speaker 1>so called solo record was really just a recalibration of

0:26:49.560 --> 0:26:51.639
<v Speaker 1>Goodbye Mr. Mackenzie, which was my first band. I e

0:26:51.800 --> 0:26:54.840
<v Speaker 1>the lead singer of Goodby Ms Mackenzie stepped back and

0:26:54.880 --> 0:26:57.800
<v Speaker 1>I took over lead vocals because we had gone to

0:26:57.880 --> 0:27:01.119
<v Speaker 1>Berlin to make a record. Are Lynn. That's funny. I

0:27:01.160 --> 0:27:03.640
<v Speaker 1>know what you're talking about, but my brain had a percolate. Person, sorry,

0:27:03.680 --> 0:27:07.639
<v Speaker 1>excuse me. Why Berlin? What is this? I don't know

0:27:07.680 --> 0:27:10.000
<v Speaker 1>what year this was? What is it with the UK?

0:27:10.440 --> 0:27:13.080
<v Speaker 1>I mean, you know acton Baby? You two went to

0:27:13.359 --> 0:27:18.840
<v Speaker 1>uh Berlin, to Berlin? Why Berlin? Well, David Boye went

0:27:18.880 --> 0:27:22.080
<v Speaker 1>to Berlin, and therefore everybody else wanted to go there.

0:27:22.119 --> 0:27:26.119
<v Speaker 1>And interestingly enough, Acting Baby was being recorded in hans

0:27:26.119 --> 0:27:27.760
<v Speaker 1>of studios at the same time that we were there,

0:27:28.480 --> 0:27:30.520
<v Speaker 1>and so we were all there when the wall came down,

0:27:30.600 --> 0:27:32.520
<v Speaker 1>and it was you were literally there when the wall

0:27:32.640 --> 0:27:35.919
<v Speaker 1>we were literally was that like crazy? Literally? Somebody just

0:27:35.960 --> 0:27:37.920
<v Speaker 1>called us something, went where are you right now? We're like,

0:27:37.960 --> 0:27:39.680
<v Speaker 1>we're in the studio. It's like you need to get

0:27:39.680 --> 0:27:42.280
<v Speaker 1>to the wall. They're pulling it down right now. It

0:27:42.440 --> 0:27:44.000
<v Speaker 1>was that quick. I have a piece of the wall

0:27:44.000 --> 0:27:47.720
<v Speaker 1>in my home in Scotland. And so was there any

0:27:47.880 --> 0:27:50.399
<v Speaker 1>once you went out to the wall? Was there any fear? No?

0:27:50.560 --> 0:27:53.159
<v Speaker 1>Was it just excitement? Everybody was really excited and it

0:27:53.240 --> 0:27:56.680
<v Speaker 1>was crazy. Well, when I went to Berlin, as you say,

0:27:56.760 --> 0:27:59.280
<v Speaker 1>and you're there in the wall that still remains on

0:27:59.280 --> 0:28:02.399
<v Speaker 1>one side as a bunker on the west side is

0:28:02.440 --> 0:28:05.399
<v Speaker 1>where you know, underground where Hitler was. On the other side,

0:28:05.440 --> 0:28:07.520
<v Speaker 1>you see where they're the buildings where they wouldn't let

0:28:07.600 --> 0:28:09.720
<v Speaker 1>people live because they were afraid. At first, they were

0:28:09.800 --> 0:28:12.280
<v Speaker 1>using ropes to go over the wall. I mean, you

0:28:12.359 --> 0:28:15.840
<v Speaker 1>get this really heavy feeling. It's really scary. I mean

0:28:15.880 --> 0:28:19.040
<v Speaker 1>when I first went to Berlin, you know, Checkpoint Charlie

0:28:19.080 --> 0:28:21.440
<v Speaker 1>was still operating and we still had to cross through

0:28:21.480 --> 0:28:23.240
<v Speaker 1>it to get to East Berlin, you know, and East

0:28:23.240 --> 0:28:25.600
<v Speaker 1>Berlin had nothing. You know, you go to eat Berlin

0:28:25.680 --> 0:28:28.040
<v Speaker 1>now and it's like any affluent part of Europe, but

0:28:28.080 --> 0:28:30.640
<v Speaker 1>back then it was. It was grim and there wasn't

0:28:30.720 --> 0:28:33.199
<v Speaker 1>much there and people were really struggling. So when you

0:28:33.280 --> 0:28:36.439
<v Speaker 1>in Berlin record you would go to East Berlin and

0:28:36.440 --> 0:28:38.280
<v Speaker 1>with just to see what's going on. And we went

0:28:38.280 --> 0:28:40.240
<v Speaker 1>there to see what's going on there, and because it

0:28:40.280 --> 0:28:42.600
<v Speaker 1>was an incredibly hip kind of scene there, you know,

0:28:42.600 --> 0:28:45.560
<v Speaker 1>because it was forbidden and anything bidden people won't right,

0:28:45.960 --> 0:28:48.800
<v Speaker 1>So you make the record in Berlin because the lead

0:28:48.840 --> 0:28:54.600
<v Speaker 1>singer was whacked or burned out or kicked out, not

0:28:54.720 --> 0:28:57.360
<v Speaker 1>none the above. Good by Ms. Mackenzie went to Hansa

0:28:57.560 --> 0:29:00.000
<v Speaker 1>to to record a record and we just got lost.

0:29:00.040 --> 0:29:03.960
<v Speaker 1>Been a frenzy of partying, and we spent our entire

0:29:04.040 --> 0:29:07.480
<v Speaker 1>recording advance on having fun. And then when we came

0:29:07.520 --> 0:29:10.200
<v Speaker 1>back we had nothing to show for it. We hadn't

0:29:10.240 --> 0:29:14.480
<v Speaker 1>we had no finished music or anything. I can't remember

0:29:14.600 --> 0:29:16.560
<v Speaker 1>a good idea. So you blow all the money. Record

0:29:16.560 --> 0:29:19.080
<v Speaker 1>company stone like that. They hated that, so they dropped

0:29:19.080 --> 0:29:21.160
<v Speaker 1>the band, but they held up like the head of

0:29:21.160 --> 0:29:24.120
<v Speaker 1>the record label said, I love you. I think you're amazing,

0:29:24.120 --> 0:29:25.880
<v Speaker 1>and you could do something on your own call me

0:29:26.080 --> 0:29:29.080
<v Speaker 1>when you get your ship together. Okay, but you were

0:29:29.080 --> 0:29:31.680
<v Speaker 1>not the lead vocalist. A good bye, Mr mackenzie. So

0:29:31.760 --> 0:29:35.200
<v Speaker 1>why did this person? It was just your overall charisma

0:29:35.280 --> 0:29:38.480
<v Speaker 1>that he felt. I don't know, I've never stopped to

0:29:38.480 --> 0:29:40.840
<v Speaker 1>think about it other than he liked me. You know,

0:29:40.920 --> 0:29:43.800
<v Speaker 1>he was a really amazing person at say, his name

0:29:43.840 --> 0:29:45.560
<v Speaker 1>is Gary car First, and he was well, I know

0:29:45.680 --> 0:29:49.560
<v Speaker 1>Gary unfortunately is not with us, unfortunately, but he was.

0:29:50.240 --> 0:29:53.160
<v Speaker 1>Uh he had his own label, radio Active for m

0:29:53.200 --> 0:29:55.400
<v Speaker 1>c A. And he was a big manager of the

0:29:55.440 --> 0:29:59.920
<v Speaker 1>Talking Heads and exactly, but he was in New York.

0:30:00.000 --> 0:30:04.080
<v Speaker 1>How did he find you in London? Oh? God? We

0:30:04.160 --> 0:30:07.640
<v Speaker 1>had opened Obama's McKenzie had opened for for Debbie Harry's

0:30:07.760 --> 0:30:11.719
<v Speaker 1>solo tour in the UK during the eighties, and he

0:30:11.840 --> 0:30:14.000
<v Speaker 1>had met me there and just liked me. He's like,

0:30:14.040 --> 0:30:16.880
<v Speaker 1>you're funny, You've got charisma, your star. He kept on,

0:30:16.920 --> 0:30:19.520
<v Speaker 1>so he was always like, you're a star, so and

0:30:19.520 --> 0:30:22.120
<v Speaker 1>and he just as a result, he then fell in

0:30:22.160 --> 0:30:24.560
<v Speaker 1>love with Obamais ckenzie signed Obamas mackenzie and then when

0:30:24.560 --> 0:30:27.040
<v Speaker 1>he dropped Obamas Ckenzie, he was like, I want you

0:30:27.680 --> 0:30:29.200
<v Speaker 1>let me know what you're gonna do. Okay, So how

0:30:29.200 --> 0:30:30.800
<v Speaker 1>long did you go home before you say I'm ready

0:30:30.840 --> 0:30:33.360
<v Speaker 1>to call Gary again? I can't remember. I do know

0:30:33.440 --> 0:30:37.040
<v Speaker 1>that eventually everyone in the band, having been dropped, realized

0:30:37.080 --> 0:30:40.040
<v Speaker 1>this was our only only solution, which was and and

0:30:40.200 --> 0:30:42.440
<v Speaker 1>there's no thought in your brain, Hey, this wasn't work.

0:30:42.440 --> 0:30:45.080
<v Speaker 1>I'm gonna leave the band behind. No, because I wasn't

0:30:45.120 --> 0:30:47.200
<v Speaker 1>fit for anything. I didn't I didn't have any calls.

0:30:47.360 --> 0:30:49.960
<v Speaker 1>But I mean, you didn't say, okay, this Gary thinks

0:30:50.000 --> 0:30:52.320
<v Speaker 1>I'm a star. I'm gonna make a deal and leave

0:30:52.360 --> 0:30:54.240
<v Speaker 1>the rest of the band members behind. No, that's not

0:30:54.280 --> 0:30:57.520
<v Speaker 1>my style. I'm quite loyal, okay, And I didn't want

0:30:57.520 --> 0:30:59.520
<v Speaker 1>to leave my band in the shitter. Okay, but all

0:30:59.520 --> 0:31:02.600
<v Speaker 1>of a sudden, do you become the singer? I don't know.

0:31:02.720 --> 0:31:05.000
<v Speaker 1>I mean, it's it's so smudgy now and trying to

0:31:05.040 --> 0:31:08.360
<v Speaker 1>remember our hazy memories. But I think just the whole

0:31:08.360 --> 0:31:10.960
<v Speaker 1>band were like, let's put Shirley and lead vocals and

0:31:11.000 --> 0:31:14.520
<v Speaker 1>we'll recalibrate and we'll survive as a different entity. And

0:31:14.560 --> 0:31:16.480
<v Speaker 1>we all thought in practice we could do that. As

0:31:16.480 --> 0:31:19.280
<v Speaker 1>it turns out, the male members of the band couldn't

0:31:19.320 --> 0:31:21.400
<v Speaker 1>really hack the fact that I became the sort of

0:31:21.520 --> 0:31:24.120
<v Speaker 1>focal point of the band, and and all the business

0:31:24.240 --> 0:31:27.360
<v Speaker 1>started like Gary would drawn all business through me, having

0:31:27.400 --> 0:31:31.280
<v Speaker 1>been burned by good Bram's, Mackenzie and Berlin. He was like,

0:31:31.360 --> 0:31:34.800
<v Speaker 1>you're now in charge, You're responsible. I will only communicate

0:31:34.840 --> 0:31:39.200
<v Speaker 1>with you. So that's kind of how it how it happened.

0:31:39.240 --> 0:31:41.880
<v Speaker 1>And I made a record with Chris Franz and Tina

0:31:41.880 --> 0:31:44.800
<v Speaker 1>Weymouth of the Talking Heads because they were Gary's clients.

0:31:44.840 --> 0:31:47.360
<v Speaker 1>And okay, a little bit slower you made her. I

0:31:47.360 --> 0:31:50.000
<v Speaker 1>thought you made a record with the remnants of Goodbye.

0:31:50.400 --> 0:31:53.840
<v Speaker 1>I did, but Chris and Tina were producing Chris now

0:31:53.960 --> 0:31:57.320
<v Speaker 1>lives in my hometown. I hear from an irregular basis,

0:31:57.400 --> 0:32:02.640
<v Speaker 1>And yes, so fear Field, Connecticut. So how how do

0:32:02.640 --> 0:32:05.400
<v Speaker 1>you are you? Were you happy with what transpired when

0:32:05.400 --> 0:32:08.160
<v Speaker 1>those sessions? I was freaked out. But it was such

0:32:08.160 --> 0:32:10.040
<v Speaker 1>an honor for me to work with Christentina. I mean,

0:32:10.400 --> 0:32:12.600
<v Speaker 1>I can't even put that into words. It was so

0:32:12.680 --> 0:32:17.560
<v Speaker 1>extraordinary for me, and I was I was proud of

0:32:18.000 --> 0:32:22.720
<v Speaker 1>what we've accomplished, you know. And uh, at that point

0:32:22.720 --> 0:32:26.080
<v Speaker 1>you were the singer, were you also the writer? Nope?

0:32:26.640 --> 0:32:30.800
<v Speaker 1>And so the two guys from Goodbye also continue to

0:32:30.800 --> 0:32:32.960
<v Speaker 1>write the songs. They continued to write the songs. Like

0:32:32.960 --> 0:32:35.000
<v Speaker 1>I said, it was just a recalibration of good by

0:32:35.080 --> 0:32:37.920
<v Speaker 1>Mr Mackenzie. Just in order to survive, we had me

0:32:38.000 --> 0:32:41.280
<v Speaker 1>do the the take over the vocals, but the writing

0:32:41.280 --> 0:32:43.920
<v Speaker 1>partnership remained the same. And the record comes out and

0:32:43.960 --> 0:32:46.640
<v Speaker 1>then one and then we go on tour with Vic

0:32:46.720 --> 0:32:52.480
<v Speaker 1>Chestna and Life Chestnut. That's quite a bill. That's amazing

0:32:52.480 --> 0:32:55.680
<v Speaker 1>bill actually, and I fell in love with Vic and

0:32:55.720 --> 0:32:57.360
<v Speaker 1>he fell in love with me, and we had a

0:32:57.360 --> 0:33:00.400
<v Speaker 1>love fest. But well, Vic chest And it was in

0:33:00.440 --> 0:33:02.880
<v Speaker 1>a wheel chair, he was he was apparently. Yeah, so

0:33:02.960 --> 0:33:04.400
<v Speaker 1>I have to ask that you said we had a

0:33:04.400 --> 0:33:11.400
<v Speaker 1>love fest. Was this a physical love fest? No, just admiration? Yeah, yeah,

0:33:11.600 --> 0:33:15.080
<v Speaker 1>we just got we hit it off, you know, admitted

0:33:15.120 --> 0:33:19.160
<v Speaker 1>suicide very strange. Yeah, okay, So you go on tour

0:33:19.320 --> 0:33:24.240
<v Speaker 1>that that bill. We go on tour, and um, the

0:33:24.280 --> 0:33:27.200
<v Speaker 1>band is sort of falling apart already because the boys

0:33:27.360 --> 0:33:29.920
<v Speaker 1>are just are not happy with the Paris structure at

0:33:29.920 --> 0:33:33.480
<v Speaker 1>this point, which I totally understand. Why should you understand, Well,

0:33:33.600 --> 0:33:36.600
<v Speaker 1>I don't know, but I did, And but I was

0:33:36.640 --> 0:33:38.240
<v Speaker 1>having fun. You know, I was going on to in

0:33:38.280 --> 0:33:40.520
<v Speaker 1>America the first time. I've never been to American shore.

0:33:40.600 --> 0:33:43.400
<v Speaker 1>So to like travel all over America in a van

0:33:43.600 --> 0:33:46.000
<v Speaker 1>was one of the most extraordinary experiences of my life.

0:33:46.320 --> 0:33:48.600
<v Speaker 1>You know, it's across the desert in a van. Well,

0:33:48.640 --> 0:33:50.840
<v Speaker 1>the funny things. I grew up in the seventies, that

0:33:50.920 --> 0:33:53.800
<v Speaker 1>was the dream to drive across country, and now everybody flies.

0:33:53.840 --> 0:33:55.880
<v Speaker 1>People don't even do that, which is sad because it

0:33:55.920 --> 0:33:58.960
<v Speaker 1>really is an extraordinary way to So we did that,

0:33:59.320 --> 0:34:01.600
<v Speaker 1>and then Rule in Stone picked up on us and

0:34:01.640 --> 0:34:04.560
<v Speaker 1>sort of lauded us as like what one to watch

0:34:05.160 --> 0:34:07.080
<v Speaker 1>And that was the final straw for my band. They

0:34:07.080 --> 0:34:09.160
<v Speaker 1>were like, we're going home. We can't hack this anymore,

0:34:09.239 --> 0:34:12.480
<v Speaker 1>And I kid you not. That very day I had

0:34:12.480 --> 0:34:16.160
<v Speaker 1>gotten a phone call from my future band saying, would

0:34:16.200 --> 0:34:20.280
<v Speaker 1>you be interested in meeting up with Butch vig Um

0:34:20.320 --> 0:34:23.239
<v Speaker 1>about singing on a possibly singing on one of like

0:34:23.280 --> 0:34:25.960
<v Speaker 1>a project that he's working on. Literally the same day

0:34:26.000 --> 0:34:30.279
<v Speaker 1>the bands as were calling it quits. Yes, okay, are

0:34:30.280 --> 0:34:33.879
<v Speaker 1>you still friends with the band members of Goodbye Mr Mackenzie? Now?

0:34:33.920 --> 0:34:35.840
<v Speaker 1>I am, yeah, but we have it was it was

0:34:35.960 --> 0:34:40.520
<v Speaker 1>very difficult. It became very complex, and it was difficult

0:34:40.520 --> 0:34:42.680
<v Speaker 1>for Martin and the lead singer in particular, to like,

0:34:42.719 --> 0:34:45.120
<v Speaker 1>I think process what had happened not only to him

0:34:45.120 --> 0:34:47.440
<v Speaker 1>but to me too. But yeah, and now we're friends,

0:34:48.040 --> 0:34:49.880
<v Speaker 1>and what do they do? There is still in a

0:34:49.920 --> 0:34:52.960
<v Speaker 1>band that are called the Filthy Tongues. They're actually really

0:34:52.960 --> 0:34:56.120
<v Speaker 1>great and they can make a living being the Filthy Tongues.

0:34:56.239 --> 0:34:59.680
<v Speaker 1>I don't know if they make a living, but there

0:34:59.560 --> 0:35:03.800
<v Speaker 1>are song writers. They also worked with Um the Skids.

0:35:03.800 --> 0:35:06.840
<v Speaker 1>They just helped co write that last Skids record, the

0:35:06.840 --> 0:35:10.440
<v Speaker 1>fourth anniversary of The Skids, Um Richard Jobson's band. And

0:35:10.800 --> 0:35:13.399
<v Speaker 1>you know they do okay, and they're they're they're there.

0:35:13.480 --> 0:35:15.480
<v Speaker 1>I'm proud of them but they were resentful for a

0:35:15.520 --> 0:35:19.640
<v Speaker 1>long Yeah, just like ten or twenty years worth. Okay,

0:35:19.680 --> 0:35:22.680
<v Speaker 1>So you get this call from Butch Vig and you think, what, Well,

0:35:22.680 --> 0:35:24.719
<v Speaker 1>now you already know you're being as a band into you,

0:35:24.840 --> 0:35:27.640
<v Speaker 1>so you're up for anything. Your loyalty has been canned. Yeah.

0:35:27.760 --> 0:35:29.799
<v Speaker 1>I didn't have to question my own loyalty, thank god,

0:35:29.800 --> 0:35:32.200
<v Speaker 1>because that would have been very difficult because I've already

0:35:32.239 --> 0:35:35.839
<v Speaker 1>met Butoch and the Garbage in London for a quick

0:35:35.880 --> 0:35:39.000
<v Speaker 1>meeting where they had wanted, you know, so convoluted a story.

0:35:39.040 --> 0:35:41.680
<v Speaker 1>But I had met them in London a few months

0:35:41.680 --> 0:35:44.360
<v Speaker 1>to going on tour in America, and we had liked

0:35:44.400 --> 0:35:46.440
<v Speaker 1>each other and that and then the day that my

0:35:46.520 --> 0:35:49.080
<v Speaker 1>band quit was the day Duke Errickson called me. I

0:35:49.120 --> 0:35:52.239
<v Speaker 1>was in Astbury Park in a hotel room, crying and

0:35:52.280 --> 0:35:54.359
<v Speaker 1>I get the phone call from Duke Karrickson saying, Hey,

0:35:54.360 --> 0:35:57.360
<v Speaker 1>are you interested in coming up for an addition? I

0:35:57.440 --> 0:36:01.040
<v Speaker 1>was like, as a matter of fact, yes I am. Okay,

0:36:01.160 --> 0:36:03.120
<v Speaker 1>But when you meet them in London, is it just

0:36:03.239 --> 0:36:06.319
<v Speaker 1>social or are they checking you out? There? Checking me out?

0:36:06.880 --> 0:36:09.440
<v Speaker 1>And did you know that at that time? Okay? But

0:36:09.520 --> 0:36:11.360
<v Speaker 1>I the way they had approached me was would you

0:36:11.400 --> 0:36:14.000
<v Speaker 1>send one song on Booch BIG's project. I was like, yeah,

0:36:14.160 --> 0:36:16.200
<v Speaker 1>of course I didn't feel that question my loyalty or

0:36:16.239 --> 0:36:18.400
<v Speaker 1>anything like that. Okay, so you go for the audition

0:36:18.880 --> 0:36:21.040
<v Speaker 1>and you don't have anything else going on, nothing, so

0:36:21.080 --> 0:36:23.240
<v Speaker 1>you must have been pretty anxious. I was very anxious.

0:36:23.440 --> 0:36:25.960
<v Speaker 1>I was so anxious that I completely messed up the addition.

0:36:26.080 --> 0:36:28.640
<v Speaker 1>It was a disaster. But then we all went out

0:36:28.680 --> 0:36:30.560
<v Speaker 1>to drink afterwards, and of course we got on like

0:36:30.560 --> 0:36:32.320
<v Speaker 1>a house on fire and we had such a laugh

0:36:33.120 --> 0:36:37.200
<v Speaker 1>that I went home to Scotland having had a disastrous edition,

0:36:38.200 --> 0:36:41.080
<v Speaker 1>and something about I guess the way we had all

0:36:41.120 --> 0:36:44.560
<v Speaker 1>gotten along sort of pushed us to have a second edition.

0:36:44.680 --> 0:36:48.040
<v Speaker 1>And okay, so did they agreed the your audition sucked

0:36:48.040 --> 0:36:50.319
<v Speaker 1>to they did? What was bad about it? Have you

0:36:50.360 --> 0:36:54.239
<v Speaker 1>ever seen shreds? Do you know what I mean by shreds? Okay? Well,

0:36:54.680 --> 0:36:57.400
<v Speaker 1>shreds is a thing that you can go on YouTube

0:36:57.520 --> 0:36:59.759
<v Speaker 1>and like, let's say it's Radiohead singing one of their

0:36:59.760 --> 0:37:02.840
<v Speaker 1>fame of songs. Somebody like you. You watch a video

0:37:02.920 --> 0:37:04.840
<v Speaker 1>radio Head singing one of the most famous songs, but

0:37:04.880 --> 0:37:07.239
<v Speaker 1>then they've re recorded a different audio over the top

0:37:07.280 --> 0:37:12.520
<v Speaker 1>of it. And it's like that, Well that's what my

0:37:12.560 --> 0:37:14.720
<v Speaker 1>audition was like. It was like shreds. So you couldn't

0:37:15.120 --> 0:37:17.520
<v Speaker 1>I wasn't even articulating any words because I was so

0:37:17.600 --> 0:37:22.279
<v Speaker 1>nervous and so embarrassed that it was just awful. How

0:37:22.320 --> 0:37:24.400
<v Speaker 1>long was it between the first and second auditions, I

0:37:24.440 --> 0:37:27.919
<v Speaker 1>don't know, maybe three months, a long time. And during

0:37:27.960 --> 0:37:31.279
<v Speaker 1>that period you got nothing. I got nothing. Okay, so

0:37:31.400 --> 0:37:36.000
<v Speaker 1>you go back in the second audition it is okay,

0:37:36.280 --> 0:37:39.400
<v Speaker 1>Now these are guys you know, butch Vig had a

0:37:39.480 --> 0:37:44.680
<v Speaker 1>huge studio career. But did you believe this was an opportunity?

0:37:44.880 --> 0:37:47.840
<v Speaker 1>But did any It ended up becoming an instant success,

0:37:48.360 --> 0:37:52.360
<v Speaker 1>But did you have any idea that's what would happen? No, none, whatsoever.

0:37:52.440 --> 0:37:55.080
<v Speaker 1>In fact, I was convinced it was going to burn

0:37:55.600 --> 0:37:58.160
<v Speaker 1>badly because I was like, nobody wants to hear from

0:37:58.160 --> 0:38:01.960
<v Speaker 1>a producer, nobody ever has, So why will this work?

0:38:02.440 --> 0:38:05.319
<v Speaker 1>Especially with me and that's the lead singer. It's going

0:38:05.400 --> 0:38:09.719
<v Speaker 1>to be a disaster. I was so wrong. Stare right there.

0:38:09.719 --> 0:38:12.120
<v Speaker 1>We'll be back with more. Shirley Manson of the band

0:38:12.160 --> 0:38:16.799
<v Speaker 1>Garbage right here on the Bob Left Sense podcast. Hi,

0:38:16.920 --> 0:38:18.799
<v Speaker 1>this is Bob Left Sense my guest come to the

0:38:18.840 --> 0:38:22.160
<v Speaker 1>tune In studios in Venice, California to have these conversations

0:38:22.200 --> 0:38:23.719
<v Speaker 1>with me. And if you ever want to see what

0:38:23.719 --> 0:38:25.799
<v Speaker 1>they look like or where we take the show, check

0:38:25.840 --> 0:38:29.480
<v Speaker 1>out the photos and videos search at tune In on Twitter,

0:38:29.600 --> 0:38:33.040
<v Speaker 1>Facebook and Instagram. Let's dive right back in with my guest,

0:38:33.040 --> 0:38:36.400
<v Speaker 1>Shirley Manson of the band Garbage. So you have the

0:38:36.440 --> 0:38:38.640
<v Speaker 1>audition three months later, how long after that do you

0:38:38.680 --> 0:38:41.680
<v Speaker 1>go in the studio? No idea, no idea, No, I'm useless,

0:38:41.680 --> 0:38:44.080
<v Speaker 1>I'm a terrible witness. Okay, how about the record comes

0:38:44.120 --> 0:38:49.160
<v Speaker 1>out on Almo in America. Why is that? Well, we'd

0:38:49.320 --> 0:38:53.400
<v Speaker 1>signed to the young management, that to Kato Boots at

0:38:53.400 --> 0:38:55.640
<v Speaker 1>the time. We're very smart and they were young, go

0:38:55.840 --> 0:38:59.960
<v Speaker 1>getting women who had an idea. So the Butcher's manager

0:39:00.040 --> 0:39:02.960
<v Speaker 1>were women, young women, that's certainly you know. And were

0:39:02.960 --> 0:39:07.560
<v Speaker 1>they also managers of Garbage? Yes, okay, that's my default. Okay,

0:39:07.560 --> 0:39:10.800
<v Speaker 1>but that's that's certainly out of the ordinary, especially notable

0:39:10.840 --> 0:39:14.600
<v Speaker 1>on today's ME two world. Correct. And then they struck

0:39:14.640 --> 0:39:17.799
<v Speaker 1>two deals, one in the UK for the rest of

0:39:17.800 --> 0:39:20.239
<v Speaker 1>the world and one for North America. And they were

0:39:20.280 --> 0:39:22.960
<v Speaker 1>both independent record labels. And that was what we were

0:39:23.040 --> 0:39:25.919
<v Speaker 1>very keen on pursuing because what was the record label

0:39:25.960 --> 0:39:31.680
<v Speaker 1>in the UK? Mushroom Records were Australian based. And so

0:39:31.800 --> 0:39:37.200
<v Speaker 1>you're making the the record which takes how long? Oh god,

0:39:38.520 --> 0:39:42.560
<v Speaker 1>about eighteen months with a break for Boot to make

0:39:42.560 --> 0:39:47.680
<v Speaker 1>a Soul Asylum record of all things? Is it? It's

0:39:47.760 --> 0:39:52.120
<v Speaker 1>that slow? Because well, I think there was a lot

0:39:52.160 --> 0:39:55.680
<v Speaker 1>of feet involved. Booch had a lot to lose, and

0:39:55.760 --> 0:40:01.719
<v Speaker 1>so he was very, very meticulous, and I would say

0:40:01.719 --> 0:40:04.840
<v Speaker 1>all of all of us were fearful of taking the

0:40:04.840 --> 0:40:07.160
<v Speaker 1>wrong step. We knew this was a great opportunity, I think,

0:40:07.200 --> 0:40:10.080
<v Speaker 1>and so just took a ridiculously long time. And when

0:40:10.080 --> 0:40:11.920
<v Speaker 1>the record is and you're living where when that time,

0:40:11.920 --> 0:40:17.160
<v Speaker 1>I'm living in a weird hotel, Okay, and the record

0:40:17.239 --> 0:40:20.000
<v Speaker 1>is done. Now do you think we have something? This

0:40:20.120 --> 0:40:23.480
<v Speaker 1>is gonna work? Not really, But it's a hit. From

0:40:23.560 --> 0:40:27.319
<v Speaker 1>Los Angeles perspective, it is literally immediately a hit. And

0:40:27.400 --> 0:40:29.319
<v Speaker 1>the only other thing I could think like this from

0:40:29.320 --> 0:40:31.200
<v Speaker 1>a couple of years later was Lanti's more a set,

0:40:31.320 --> 0:40:36.919
<v Speaker 1>also immediately a hit. And was that your sensation? Yes?

0:40:36.960 --> 0:40:38.799
<v Speaker 1>And no, I mean we were aware that it was

0:40:38.840 --> 0:40:42.200
<v Speaker 1>taking off in a major way really fast. But there

0:40:42.239 --> 0:40:44.719
<v Speaker 1>were always artists that were doing so much better than

0:40:44.840 --> 0:40:47.280
<v Speaker 1>us on our record labels because they were small, really

0:40:47.360 --> 0:40:50.880
<v Speaker 1>relied on us to make money for them. We became

0:40:50.920 --> 0:40:52.880
<v Speaker 1>this sort of like little machine that they sent out

0:40:52.880 --> 0:40:55.239
<v Speaker 1>into the world to fund all their other artists who

0:40:55.280 --> 0:40:58.799
<v Speaker 1>weren't selling. And so they were constantly telling us, you know,

0:40:58.920 --> 0:41:01.480
<v Speaker 1>no doubt or selling more records than you, Atlantis more

0:41:01.560 --> 0:41:03.839
<v Speaker 1>set is selling more than you. You know, We's are

0:41:03.920 --> 0:41:07.000
<v Speaker 1>selling more than you. You're losing. It was constantly telling

0:41:07.040 --> 0:41:10.640
<v Speaker 1>us how much we were losing. So as frustrating and

0:41:10.680 --> 0:41:13.640
<v Speaker 1>awful as that process was, I'm actually quite grateful for

0:41:13.719 --> 0:41:17.279
<v Speaker 1>it because it made us really like be humble. We

0:41:17.280 --> 0:41:21.480
<v Speaker 1>were forced to be humble. Okay, but it's the MTV era.

0:41:21.600 --> 0:41:24.440
<v Speaker 1>You're all over television, you have a unique look. You

0:41:24.520 --> 0:41:27.960
<v Speaker 1>probably can't go anywhere without being recognized almost immediately. There

0:41:28.000 --> 0:41:30.399
<v Speaker 1>was a lot of pressure. Okay, but that also made

0:41:30.640 --> 0:41:33.719
<v Speaker 1>must you know, after years of relative obscurity, must have

0:41:33.760 --> 0:41:36.080
<v Speaker 1>made you feel very good on the inside. No, it

0:41:36.080 --> 0:41:39.880
<v Speaker 1>made me feel rotten on the inside. Why. I don't

0:41:39.880 --> 0:41:41.759
<v Speaker 1>know why. I mean, I I didn't have a lot

0:41:41.800 --> 0:41:45.040
<v Speaker 1>of self esteem to begin with, and and having attention

0:41:45.120 --> 0:41:47.400
<v Speaker 1>made me feel really self conscious, and I felt the

0:41:47.400 --> 0:41:49.839
<v Speaker 1>whole time I was being judged and that I was

0:41:49.960 --> 0:41:53.840
<v Speaker 1>failing to be a Gwen Stefani or be an Atlantis.

0:41:53.880 --> 0:41:55.840
<v Speaker 1>More set, I was just me, surely, Anne, you know,

0:41:55.920 --> 0:41:59.359
<v Speaker 1>I was just my own, small, little Scottish self. That's

0:41:59.360 --> 0:42:02.400
<v Speaker 1>how I viewed it at the time. I mean that changed, obviously,

0:42:02.400 --> 0:42:04.239
<v Speaker 1>you know, my confidence grew and I got better at

0:42:04.280 --> 0:42:06.840
<v Speaker 1>what I did as an artist. But right at the beginning,

0:42:06.920 --> 0:42:13.160
<v Speaker 1>I just felt rotten. And so ultimately you tour and

0:42:13.200 --> 0:42:17.040
<v Speaker 1>there's and garbage continues. So what can you say about

0:42:17.040 --> 0:42:20.719
<v Speaker 1>that experience of the late nineties and early twenty one century.

0:42:21.480 --> 0:42:24.000
<v Speaker 1>I could sit here for hours and hours and hours

0:42:24.000 --> 0:42:25.560
<v Speaker 1>and talk about it. I mean, it was extraordinary. It

0:42:25.600 --> 0:42:30.200
<v Speaker 1>was an extraordinary time where alternative music ruled the roost

0:42:30.400 --> 0:42:33.120
<v Speaker 1>and that has never happened before. It's certainly never happened since.

0:42:33.840 --> 0:42:37.399
<v Speaker 1>So I was. I am an alternative music lover. I'm

0:42:37.400 --> 0:42:41.240
<v Speaker 1>not particularly turned on by pop or conformity of any sort.

0:42:41.320 --> 0:42:45.520
<v Speaker 1>Like I love music that's sort of a little off kilter,

0:42:45.840 --> 0:42:48.360
<v Speaker 1>you know, And that's just been my personal taste since

0:42:48.360 --> 0:42:52.200
<v Speaker 1>I was young. And so it was a moment where

0:42:52.480 --> 0:42:57.439
<v Speaker 1>we were enjoying this insane success, global success as where

0:42:57.480 --> 0:43:00.600
<v Speaker 1>a lot of bands that I loved and joid and

0:43:00.640 --> 0:43:02.960
<v Speaker 1>we were a community in some ways. You know, we

0:43:03.040 --> 0:43:06.319
<v Speaker 1>all played these massive summer festivals and we all got

0:43:06.320 --> 0:43:09.200
<v Speaker 1>to know one another. We played winter you know, on

0:43:09.360 --> 0:43:12.759
<v Speaker 1>radio festivals all together, and so there was a lot

0:43:12.800 --> 0:43:17.600
<v Speaker 1>of camaraderie, and so it was a very exciting time

0:43:18.120 --> 0:43:22.880
<v Speaker 1>for nonconforming alternative artists. And what were the other artists?

0:43:22.920 --> 0:43:26.200
<v Speaker 1>You became friends with everybody, you know, whether it was Beck,

0:43:26.360 --> 0:43:30.080
<v Speaker 1>whether it was you know, food Fighters, whether it was

0:43:30.160 --> 0:43:32.560
<v Speaker 1>No Doubt, whether it was Fiona Apple. I mean that

0:43:32.800 --> 0:43:35.280
<v Speaker 1>the list was, you know, and we we all everyone

0:43:35.360 --> 0:43:37.359
<v Speaker 1>was friendly to one another, as Missy Elliott, I mean,

0:43:37.360 --> 0:43:39.520
<v Speaker 1>it was it was really wonderful. So why do you

0:43:39.640 --> 0:43:42.560
<v Speaker 1>think that scene was eclipsed by hip hop and pop?

0:43:44.440 --> 0:43:47.120
<v Speaker 1>That's a good question. I mean, I know why it

0:43:47.320 --> 0:43:52.399
<v Speaker 1>became eclipsed by pop because I think that I think

0:43:52.440 --> 0:43:54.839
<v Speaker 1>the times became very conservative. I think hip hop really

0:43:54.840 --> 0:43:57.200
<v Speaker 1>exploded because it was a new it was still new.

0:43:57.239 --> 0:43:58.880
<v Speaker 1>I mean, I've been around for twenty years, but it

0:43:58.920 --> 0:44:02.360
<v Speaker 1>really was one of the the most courageous and creative

0:44:02.400 --> 0:44:06.520
<v Speaker 1>in terms of modern production. You know, they really they

0:44:06.560 --> 0:44:09.920
<v Speaker 1>sort of messed around with sounds and beats that we

0:44:09.960 --> 0:44:12.920
<v Speaker 1>hadn't heard before, and it was the sound of the street,

0:44:13.040 --> 0:44:15.799
<v Speaker 1>was the sound of rebellion. So hip hop, I think

0:44:15.840 --> 0:44:22.480
<v Speaker 1>became the most authentic version of rebellion and questioning of

0:44:23.800 --> 0:44:29.880
<v Speaker 1>authority and and and our society. Anyway, But is there

0:44:29.920 --> 0:44:33.160
<v Speaker 1>any hope for so called alternative music? There's always hope,

0:44:33.440 --> 0:44:35.640
<v Speaker 1>of course. Okay, Well they're always hope. It's blind, you know,

0:44:35.719 --> 0:44:38.759
<v Speaker 1>blind optimism. Now I don't think that is blind optimism,

0:44:38.760 --> 0:44:41.440
<v Speaker 1>and I think it's actually sensible and pragmatic because I

0:44:41.480 --> 0:44:45.520
<v Speaker 1>think history continues to repeat itself. Well, the irony is

0:44:45.560 --> 0:44:48.520
<v Speaker 1>in the century really hasn't If you go back prior

0:44:48.560 --> 0:44:51.920
<v Speaker 1>to the napstre era, meaning last century, every two or

0:44:51.960 --> 0:44:55.040
<v Speaker 1>three years there was a whole new sound. Okay, we

0:44:55.080 --> 0:44:57.839
<v Speaker 1>had the hair bands which were clipped by seattle, which

0:44:57.880 --> 0:45:00.879
<v Speaker 1>were eclipped by eclips by hip pop. It was then

0:45:00.920 --> 0:45:03.400
<v Speaker 1>then it pop came after that. Now for the twenty

0:45:03.440 --> 0:45:05.960
<v Speaker 1>one century, we've had pop up pop and hip hop.

0:45:06.120 --> 0:45:07.759
<v Speaker 1>Hip hop happens to be dominant now, but it's been

0:45:07.800 --> 0:45:12.279
<v Speaker 1>almost twenty years. No, it's true, But I mean, one

0:45:12.360 --> 0:45:15.520
<v Speaker 1>could say though that hip hop has been the dominant

0:45:16.160 --> 0:45:20.840
<v Speaker 1>sound of the last twenty years, and it's really progressive

0:45:20.840 --> 0:45:26.240
<v Speaker 1>and really exciting, and really I do. I mean it's not. Again,

0:45:26.320 --> 0:45:30.279
<v Speaker 1>it's not my preferred choice. But there's always artists that

0:45:30.320 --> 0:45:33.359
<v Speaker 1>come along that catch my ear and excite me. Whether

0:45:33.400 --> 0:45:35.879
<v Speaker 1>it's Drake, whether it's Logic or whether you know, there's

0:45:35.880 --> 0:45:41.680
<v Speaker 1>always someone um that I'm excited by. Okay, But you're

0:45:41.719 --> 0:45:44.759
<v Speaker 1>making a point about, you know, why alternative music has

0:45:44.760 --> 0:45:47.200
<v Speaker 1>been eclipsed by hip hop and what the future of

0:45:47.239 --> 0:45:50.680
<v Speaker 1>alternative music might be. I don't know. I mean, if

0:45:50.719 --> 0:45:52.640
<v Speaker 1>I had the answer to that, I would be you know,

0:45:53.239 --> 0:45:56.319
<v Speaker 1>I would be investing in it. Well, you are investing here,

0:45:56.320 --> 0:45:59.560
<v Speaker 1>you're still making it. I'm invested in it. Yeah, that's true.

0:46:00.040 --> 0:46:01.719
<v Speaker 1>I mean it's very different it used to be. And

0:46:01.800 --> 0:46:05.719
<v Speaker 1>under the old paradigm, you made the record, okay, then

0:46:05.760 --> 0:46:09.400
<v Speaker 1>your label went to video sources, MTV, whatever, went to radio.

0:46:09.719 --> 0:46:12.440
<v Speaker 1>They may or may not play it. They may or

0:46:12.480 --> 0:46:15.560
<v Speaker 1>may not be a reaction. But you were either on

0:46:15.600 --> 0:46:17.719
<v Speaker 1>the train or you're off the train. You said, hey,

0:46:17.719 --> 0:46:21.160
<v Speaker 1>this worked or it doesn't work. Today, a band of

0:46:21.239 --> 0:46:24.640
<v Speaker 1>the Statue of Garbage could put out a record, and

0:46:24.680 --> 0:46:27.720
<v Speaker 1>it can have almost zero cultural impact other than amongst

0:46:27.760 --> 0:46:31.160
<v Speaker 1>its fans. What is that like being the maker of

0:46:31.200 --> 0:46:35.960
<v Speaker 1>that music? You know, it's interesting because obviously as an

0:46:36.040 --> 0:46:39.880
<v Speaker 1>artist who you know, I've had to wrestle with that.

0:46:39.880 --> 0:46:44.000
<v Speaker 1>That's not an easy pill to swallow. It's difficult and upsetting.

0:46:44.040 --> 0:46:47.319
<v Speaker 1>I'd be a liar if I said otherwise. But I've

0:46:47.360 --> 0:46:51.840
<v Speaker 1>also managed to process, and I'm very grateful for this,

0:46:52.080 --> 0:46:54.960
<v Speaker 1>as has my bands. By the way, is get back

0:46:54.960 --> 0:46:57.520
<v Speaker 1>into what I call a beginner's headspace, a sort of

0:47:00.200 --> 0:47:03.480
<v Speaker 1>a place where you don't expect anything, And we've all

0:47:03.520 --> 0:47:06.600
<v Speaker 1>been able to somehow get back to that space where

0:47:06.600 --> 0:47:10.600
<v Speaker 1>we were before any of the success. So we now

0:47:10.640 --> 0:47:14.239
<v Speaker 1>make music solely because we love each other. We have

0:47:14.320 --> 0:47:18.319
<v Speaker 1>a good creative working relationship. We enjoy making music and

0:47:18.360 --> 0:47:22.120
<v Speaker 1>we enjoy touring it, and our ambitions are not much

0:47:22.120 --> 0:47:24.879
<v Speaker 1>bigger than that. And as a result, we've been able

0:47:24.920 --> 0:47:28.160
<v Speaker 1>to still find joy in the process of doing what

0:47:28.200 --> 0:47:31.719
<v Speaker 1>we do. And we've been very lucky in that we've

0:47:31.719 --> 0:47:34.800
<v Speaker 1>built upon that slowly and we have a very loyal

0:47:34.840 --> 0:47:41.839
<v Speaker 1>fan base. And yeah, we're still able to be in

0:47:41.880 --> 0:47:44.440
<v Speaker 1>the music scene. You know, Okay, but there's a lot

0:47:45.000 --> 0:47:47.920
<v Speaker 1>these especially now more than ever. It's a business, and

0:47:47.960 --> 0:47:50.520
<v Speaker 1>when you go on the road, you have to feed

0:47:50.520 --> 0:47:53.239
<v Speaker 1>everybody in the crew. Everybody in the band has to

0:47:53.280 --> 0:47:54.799
<v Speaker 1>be in the black at the end of the day.

0:47:54.920 --> 0:47:57.920
<v Speaker 1>There's an agent, there's a manager, so there's a pressure

0:47:58.200 --> 0:48:01.560
<v Speaker 1>to sell as many tickets as part possible. You must

0:48:01.600 --> 0:48:04.600
<v Speaker 1>feel that pressure, right, So then it becomes an issue.

0:48:04.640 --> 0:48:07.080
<v Speaker 1>You go out, you say, well, they want to hear

0:48:07.120 --> 0:48:09.960
<v Speaker 1>the hits. How much new music do you play. It's

0:48:10.080 --> 0:48:11.960
<v Speaker 1>one thing to be in the studio saying, hey, we're

0:48:11.960 --> 0:48:14.920
<v Speaker 1>gonna do whatever we want to do. What pressure do

0:48:14.960 --> 0:48:16.799
<v Speaker 1>you feel on stage and how do you deal with that?

0:48:16.840 --> 0:48:20.160
<v Speaker 1>I don't feel any pressure on stage at all. I

0:48:20.200 --> 0:48:27.520
<v Speaker 1>feel comfortable enough to to own our expression when we're

0:48:27.520 --> 0:48:30.400
<v Speaker 1>on stage, and if people don't like that, then so

0:48:30.600 --> 0:48:32.680
<v Speaker 1>be it. That's not for me to say, but I

0:48:32.719 --> 0:48:35.600
<v Speaker 1>feel in general at this point, anyone who's coming to

0:48:35.640 --> 0:48:38.359
<v Speaker 1>a garbage shoe is willing to go on that ride

0:48:38.360 --> 0:48:40.200
<v Speaker 1>with us. They're not going to sit there and go, well,

0:48:40.239 --> 0:48:42.680
<v Speaker 1>you didn't play stupid girl, you didn't play only happy

0:48:42.680 --> 0:48:46.359
<v Speaker 1>when it rains. Everybody seems to be content to come

0:48:46.360 --> 0:48:48.960
<v Speaker 1>with us in whatever. So if you have new music

0:48:49.000 --> 0:48:50.160
<v Speaker 1>and you go on the road. How much of the

0:48:50.160 --> 0:48:54.480
<v Speaker 1>new album will you play the last record that we released,

0:48:54.480 --> 0:48:57.920
<v Speaker 1>We played half of it, Okay, And you're on stage

0:48:58.239 --> 0:49:00.799
<v Speaker 1>and you're watching Do you visit of lea see people

0:49:00.800 --> 0:49:02.719
<v Speaker 1>get up and go to the bathroom? Of course, I

0:49:02.760 --> 0:49:04.839
<v Speaker 1>mean we were on We were on tour last year

0:49:05.200 --> 0:49:07.520
<v Speaker 1>and we it was summertime. You know, you're playing these

0:49:07.520 --> 0:49:09.880
<v Speaker 1>summer festivals. And I looked out and there was a

0:49:09.960 --> 0:49:13.879
<v Speaker 1>man on a sun lounges. You're fast asleep throughout our

0:49:14.080 --> 0:49:17.520
<v Speaker 1>entire set. So what you're on stage, what goes through

0:49:17.520 --> 0:49:19.479
<v Speaker 1>your mind or through your heart? Well, when I was younger,

0:49:19.520 --> 0:49:21.720
<v Speaker 1>that would have devastated me. Now I find it funny,

0:49:21.880 --> 0:49:24.000
<v Speaker 1>and I realized, I'm like, I am here to do

0:49:24.040 --> 0:49:27.120
<v Speaker 1>a job and connect with someone. It doesn't have to

0:49:27.160 --> 0:49:30.120
<v Speaker 1>be everyone. You know, I'm not failing if I don't

0:49:30.160 --> 0:49:32.759
<v Speaker 1>touch every heart in this audience. But my job is

0:49:32.840 --> 0:49:36.640
<v Speaker 1>to get out there and tell my truth and hope

0:49:36.680 --> 0:49:39.480
<v Speaker 1>that somehow I connect with one or more people. And

0:49:39.520 --> 0:49:42.560
<v Speaker 1>that's all I think about. I don't worry about being famous,

0:49:42.719 --> 0:49:45.439
<v Speaker 1>I don't worry about being important. I don't worry about

0:49:45.440 --> 0:49:47.480
<v Speaker 1>being a start. I really do not give a ship,

0:49:47.680 --> 0:49:50.640
<v Speaker 1>I'd want to be a working musician because that's what

0:49:50.760 --> 0:49:54.360
<v Speaker 1>I value. I value working musicians more than anything in

0:49:54.400 --> 0:49:58.800
<v Speaker 1>the world. That's my jam. Two Things one two thousand

0:49:58.920 --> 0:50:02.239
<v Speaker 1>five definitely and Brian Adams went on a tour where

0:50:02.239 --> 0:50:05.160
<v Speaker 1>they played ballparks and they would alternate headlining, and I

0:50:05.200 --> 0:50:07.080
<v Speaker 1>happen to see them in a there were minor league

0:50:07.120 --> 0:50:10.359
<v Speaker 1>ballparks in Minnesota, and at that time, the opening act

0:50:10.440 --> 0:50:12.640
<v Speaker 1>on that date was Brian Adams. He had had a

0:50:12.680 --> 0:50:15.000
<v Speaker 1>set list and he's playing, but also he could bring

0:50:15.080 --> 0:50:17.319
<v Speaker 1>children in for free whatever, and he was having this

0:50:17.440 --> 0:50:20.880
<v Speaker 1>experience of the audience not being with him, and he literally,

0:50:20.880 --> 0:50:23.200
<v Speaker 1>I was standing on stage literally, you know, looked at

0:50:23.200 --> 0:50:25.560
<v Speaker 1>the band, literally took out the set list and ripped

0:50:25.560 --> 0:50:30.360
<v Speaker 1>it in half and slowly brought the audience into the

0:50:30.360 --> 0:50:32.320
<v Speaker 1>palm of this hand and worked them into a frenzy.

0:50:32.640 --> 0:50:34.919
<v Speaker 1>It was a magical thing, you know, something that only

0:50:34.960 --> 0:50:38.160
<v Speaker 1>someone was very experienced doing it. Do you ever feel

0:50:38.239 --> 0:50:40.799
<v Speaker 1>challenged in that way that, Okay, I'm gonna win him

0:50:40.840 --> 0:50:45.080
<v Speaker 1>over all the time I go out feeling like it's

0:50:45.120 --> 0:50:48.840
<v Speaker 1>like we are coming from a place of lack. We

0:50:48.920 --> 0:50:53.320
<v Speaker 1>are going to try and change in mind. I always

0:50:53.360 --> 0:50:57.680
<v Speaker 1>feel like that. Yeah, okay, so now how often does

0:50:57.680 --> 0:51:02.600
<v Speaker 1>garbage works? It's that's doesn't even apply to us because

0:51:02.920 --> 0:51:05.359
<v Speaker 1>we have such a bizarre set up. Well, the reason

0:51:05.440 --> 0:51:07.200
<v Speaker 1>I'm asking what do you do with the rest of

0:51:07.200 --> 0:51:09.439
<v Speaker 1>your time? That's a good question. I have absolutely no idea.

0:51:09.480 --> 0:51:13.359
<v Speaker 1>I set a home feeling like of work tiger. Okay,

0:51:13.400 --> 0:51:15.319
<v Speaker 1>you're an out of work tiger. Are you the type

0:51:15.360 --> 0:51:18.160
<v Speaker 1>pacing the cage saying, hey, I want my band members

0:51:18.160 --> 0:51:21.360
<v Speaker 1>to record or go on the road or okay, but

0:51:21.640 --> 0:51:25.800
<v Speaker 1>how about independent things that are fulfilling, whether it be music,

0:51:25.880 --> 0:51:28.840
<v Speaker 1>aren't anything? Everything is fulfilling to me. At this point,

0:51:28.960 --> 0:51:30.880
<v Speaker 1>I feel it's up to me to find joy in

0:51:30.920 --> 0:51:32.719
<v Speaker 1>my life. It's not nobody else is going to come

0:51:32.760 --> 0:51:34.839
<v Speaker 1>and serve it to me. You know. But you're painting

0:51:34.880 --> 0:51:38.239
<v Speaker 1>a picture of you're very happy when you're working, okay,

0:51:38.320 --> 0:51:41.040
<v Speaker 1>and when you're not working, you're frustrated. You would like

0:51:41.080 --> 0:51:43.239
<v Speaker 1>to be working with the band. I am frustrated, but

0:51:43.280 --> 0:51:45.520
<v Speaker 1>I think life isn't that simple, you know. Human beings

0:51:45.560 --> 0:51:47.960
<v Speaker 1>are complex. So yeah, I can be frustrated and also

0:51:48.000 --> 0:51:50.000
<v Speaker 1>go out to an art gality and see something that

0:51:50.040 --> 0:51:52.640
<v Speaker 1>will blow my mind and make me feel excited, and

0:51:53.239 --> 0:51:55.600
<v Speaker 1>I have like all these ideas and it excites me

0:51:55.640 --> 0:51:58.600
<v Speaker 1>and I feel joyful, and and then I'll come home

0:51:58.600 --> 0:52:01.040
<v Speaker 1>and fall into a slump again. I mean, I'm cute,

0:52:01.400 --> 0:52:04.160
<v Speaker 1>like most human beings are. Okay, but okay, this is

0:52:04.160 --> 0:52:06.000
<v Speaker 1>another thing I've noticed, because you know, when I'm right,

0:52:06.040 --> 0:52:07.919
<v Speaker 1>I'm writing in the house, and a lot of times

0:52:07.960 --> 0:52:09.719
<v Speaker 1>I'll be in a bad mood and you literally walk

0:52:09.760 --> 0:52:11.640
<v Speaker 1>out the front door in your mood changes. Yes, it's

0:52:11.680 --> 0:52:14.799
<v Speaker 1>just astounding. You just have to frost the threshold. But

0:52:15.440 --> 0:52:18.000
<v Speaker 1>assuming it's just you're not on the road. An average day,

0:52:18.400 --> 0:52:22.080
<v Speaker 1>you wake up when seven is Oh, so you're living

0:52:22.120 --> 0:52:25.200
<v Speaker 1>regular human being that me. I'm up late. I'm I'm

0:52:25.320 --> 0:52:28.080
<v Speaker 1>more creative at night. I have a dog and the

0:52:28.120 --> 0:52:29.680
<v Speaker 1>dog has to get out. I'm not a dog person.

0:52:29.760 --> 0:52:32.319
<v Speaker 1>I'm in service to my dog and the dog. You

0:52:32.320 --> 0:52:34.960
<v Speaker 1>have to get up at seven, seventh thirty, you know,

0:52:35.480 --> 0:52:37.480
<v Speaker 1>And are you the type person who will go out

0:52:37.520 --> 0:52:39.840
<v Speaker 1>to breakfast with friends or you are not going to

0:52:39.920 --> 0:52:42.359
<v Speaker 1>breakfast with friends? Okay, but do you do it? Yes?

0:52:43.080 --> 0:52:46.000
<v Speaker 1>Of course, So you're not You're You're a people person.

0:52:46.040 --> 0:52:48.640
<v Speaker 1>You're not a loner. I am very much a people person.

0:52:48.880 --> 0:52:51.879
<v Speaker 1>I love people and I'm fascinated by them, but I'm

0:52:51.920 --> 0:52:54.719
<v Speaker 1>also a missanthrope. So again, here you've got this duality

0:52:54.800 --> 0:52:57.640
<v Speaker 1>that exists in most human beings, like I am really

0:52:57.800 --> 0:53:02.279
<v Speaker 1>fascinated and genuinely interested in anyone I meet, and I'm

0:53:02.320 --> 0:53:06.040
<v Speaker 1>open to engaging with them. Okay, you can meet them once.

0:53:07.200 --> 0:53:09.080
<v Speaker 1>Do you want to see them again? It depends how

0:53:09.160 --> 0:53:12.320
<v Speaker 1>great they are, right exactly, or do you find I

0:53:12.440 --> 0:53:14.160
<v Speaker 1>have no interest in seeing them. There are a lot

0:53:14.200 --> 0:53:16.600
<v Speaker 1>of people I find. You know, everybody's got a fascinating story.

0:53:16.680 --> 0:53:18.680
<v Speaker 1>You can hear it once, but there are other people.

0:53:18.760 --> 0:53:20.720
<v Speaker 1>Every time you hang with them, they tell the same story.

0:53:21.080 --> 0:53:22.759
<v Speaker 1>And it's like, you know, I have no I have.

0:53:22.840 --> 0:53:24.360
<v Speaker 1>I bump him, and it's one thing. But I'm not

0:53:24.400 --> 0:53:26.880
<v Speaker 1>gonna make plans with them. No, of course not. I

0:53:26.920 --> 0:53:29.000
<v Speaker 1>mean that's how you select the people in your life. No,

0:53:29.080 --> 0:53:32.040
<v Speaker 1>but it also makes me feel I mean, uh, I

0:53:32.120 --> 0:53:34.600
<v Speaker 1>don't view myself as you know, the average person. I

0:53:34.600 --> 0:53:36.359
<v Speaker 1>don't know what you can even say this. Maybe it's

0:53:36.600 --> 0:53:38.640
<v Speaker 1>out a date. Average person is getting up in the

0:53:38.680 --> 0:53:41.719
<v Speaker 1>morning and going to a job. They're seeing people all

0:53:41.800 --> 0:53:44.399
<v Speaker 1>the time at the job. It is wearing them out

0:53:44.840 --> 0:53:47.719
<v Speaker 1>and they come home and they want to relax. They

0:53:47.880 --> 0:53:49.920
<v Speaker 1>maybe have a drink, have a smoke, watch TV, and

0:53:49.960 --> 0:53:52.040
<v Speaker 1>get up and do it again. And on the weekends

0:53:52.080 --> 0:53:53.640
<v Speaker 1>they'll go out to dinner, We'll go out to a show.

0:53:54.000 --> 0:53:57.320
<v Speaker 1>They'll cut loose. Okay, where this someone once made a

0:53:57.360 --> 0:53:59.520
<v Speaker 1>great line? You know, the people who party hardest on

0:53:59.560 --> 0:54:03.799
<v Speaker 1>these entrance are not the music business people because these

0:54:03.840 --> 0:54:05.880
<v Speaker 1>other people it's one time of years. You got a Vegas.

0:54:05.920 --> 0:54:07.759
<v Speaker 1>These people out of control. We're in the music you

0:54:07.760 --> 0:54:10.320
<v Speaker 1>can you can party every night, So why shouldn't be

0:54:10.360 --> 0:54:13.880
<v Speaker 1>out of control tonight? So my question is are you

0:54:14.400 --> 0:54:16.040
<v Speaker 1>since you don't have when you're not on the road,

0:54:16.080 --> 0:54:20.680
<v Speaker 1>you're not recording? Uh are you in the house sort

0:54:20.719 --> 0:54:24.080
<v Speaker 1>of bouncing off the walls? So how are you occupying

0:54:24.120 --> 0:54:27.640
<v Speaker 1>your time? That's a good question. I mean, I walk

0:54:27.800 --> 0:54:30.880
<v Speaker 1>my dog alt I go to galleries, I read a lot,

0:54:31.040 --> 0:54:34.520
<v Speaker 1>I love going to movies, I love dinner with friends.

0:54:34.760 --> 0:54:36.680
<v Speaker 1>I mean there's a million and one thing. So in

0:54:36.719 --> 0:54:39.840
<v Speaker 1>the average, in the average week, how many times in

0:54:39.920 --> 0:54:41.640
<v Speaker 1>a week would you go to breakfast with friends, go

0:54:41.680 --> 0:54:46.400
<v Speaker 1>to dinner with friends? It's no idea. I'm trying, you know,

0:54:46.680 --> 0:54:49.720
<v Speaker 1>trying to say it. You know, you sound very social,

0:54:50.120 --> 0:54:52.120
<v Speaker 1>So therefore, when I hear that you about your frustration,

0:54:52.120 --> 0:54:54.680
<v Speaker 1>I'm just trying to figure it out, you know. And

0:54:54.760 --> 0:54:56.480
<v Speaker 1>you say you're a missing thrope? Are you the type

0:54:56.520 --> 0:54:58.320
<v Speaker 1>of person who really you know, you go when you

0:54:58.400 --> 0:55:01.200
<v Speaker 1>have a good time. But are you mostly alone or

0:55:01.239 --> 0:55:04.320
<v Speaker 1>you're mostly hanging? I don't even know how to answer

0:55:04.360 --> 0:55:06.880
<v Speaker 1>this question. This is amazing. I have absolutely no idea.

0:55:07.000 --> 0:55:09.839
<v Speaker 1>This is so peculiar to me that I'm not sure

0:55:10.280 --> 0:55:12.400
<v Speaker 1>to be honest. I mean, I'm both shy and I'm

0:55:12.440 --> 0:55:15.759
<v Speaker 1>both gregarious. I both love people and I hate them.

0:55:16.239 --> 0:55:18.640
<v Speaker 1>If I had my brothers, I'd spend my whole life

0:55:18.680 --> 0:55:22.520
<v Speaker 1>with my dog. Okay. So if you're home alone, I'm

0:55:23.080 --> 0:55:26.120
<v Speaker 1>you're a happy pig and ship. Okay. And you're married

0:55:26.200 --> 0:55:28.200
<v Speaker 1>at this point, they've been married for eight years. What

0:55:28.280 --> 0:55:30.680
<v Speaker 1>did your husband do for a living? He's a music producer,

0:55:31.280 --> 0:55:34.120
<v Speaker 1>music producer. We could look this up online, so what

0:55:34.360 --> 0:55:38.439
<v Speaker 1>what what does he actually do? Well? He also works

0:55:38.480 --> 0:55:41.640
<v Speaker 1>with my bands, he's like our engineer, right, and he

0:55:41.760 --> 0:55:46.000
<v Speaker 1>also produces bands on his own. So if he's producing

0:55:46.040 --> 0:55:47.719
<v Speaker 1>bands on his own, is he tend to be in

0:55:47.880 --> 0:55:50.440
<v Speaker 1>town with you? In Los Angeles or out of town.

0:55:52.880 --> 0:55:54.239
<v Speaker 1>And if you go on the road, does he go

0:55:54.360 --> 0:55:56.560
<v Speaker 1>with you on the road? Yes, and he does the

0:55:56.960 --> 0:56:00.200
<v Speaker 1>sound on the road. So you're together. We're together. And

0:56:00.360 --> 0:56:03.279
<v Speaker 1>how did you meet him? We hired him? You hired him?

0:56:03.320 --> 0:56:07.640
<v Speaker 1>And how he was our guitar? Roadif how old is

0:56:07.680 --> 0:56:09.919
<v Speaker 1>he relative to you? He's a year younger than me? Okay,

0:56:09.960 --> 0:56:12.239
<v Speaker 1>so basically the same age. How long did it became

0:56:12.280 --> 0:56:14.520
<v Speaker 1>a romance? Oh? Years and years and year, years and

0:56:14.640 --> 0:56:16.840
<v Speaker 1>years and years. He loved me from the day that

0:56:16.960 --> 0:56:18.640
<v Speaker 1>he met me, he said, In fact, he said that

0:56:18.680 --> 0:56:20.680
<v Speaker 1>he loved me before he met me because he'd heard

0:56:20.719 --> 0:56:23.120
<v Speaker 1>me sing. And he used to listen to a garbage

0:56:23.160 --> 0:56:25.239
<v Speaker 1>c D every night to go to sleep. Milk would

0:56:25.239 --> 0:56:27.239
<v Speaker 1>send him to sleep every night. This was before we met.

0:56:27.560 --> 0:56:29.520
<v Speaker 1>Then we met, and I couldn't have been less interested

0:56:29.560 --> 0:56:32.600
<v Speaker 1>in him. And but then over the years he became

0:56:32.600 --> 0:56:34.640
<v Speaker 1>a really good friend. And then I started to notice

0:56:34.719 --> 0:56:38.479
<v Speaker 1>that when he wasn't around, I didn't feel good. Really Yeah,

0:56:39.120 --> 0:56:40.839
<v Speaker 1>but he was, you know, carrying a torch this whole

0:56:41.200 --> 0:56:43.960
<v Speaker 1>and was devoted to me. Okay, So what what was

0:56:44.000 --> 0:56:46.319
<v Speaker 1>the transition? What made it happen? I mean, I tell

0:56:46.400 --> 0:56:47.960
<v Speaker 1>this story all the time, and people don't believe me,

0:56:48.000 --> 0:56:50.200
<v Speaker 1>But this is how superficial and cheap I am. So

0:56:50.360 --> 0:56:53.120
<v Speaker 1>my makeup artist at the time, unbeknownst to me, had

0:56:53.120 --> 0:56:55.760
<v Speaker 1>shaved his head because he had terrible hair, like thinning,

0:56:56.160 --> 0:56:58.560
<v Speaker 1>long rocker hair, and she shaved it off so he

0:56:58.640 --> 0:57:01.400
<v Speaker 1>had a little buzz cut. And I came down. We

0:57:01.480 --> 0:57:04.919
<v Speaker 1>were supporting I think Alanis Morisset, and we came down

0:57:05.000 --> 0:57:07.440
<v Speaker 1>in a bus down the ramp towards the stadium, and

0:57:07.480 --> 0:57:09.600
<v Speaker 1>there was a super hot guy standing by the side

0:57:09.640 --> 0:57:11.640
<v Speaker 1>of the bus and I was like, he's hot. Oh ship,

0:57:11.760 --> 0:57:16.560
<v Speaker 1>that's Billy Bush there and began the romance. Okay, and

0:57:16.640 --> 0:57:19.000
<v Speaker 1>I actually married how long eight years? How long has

0:57:19.120 --> 0:57:26.160
<v Speaker 1>the romance going on? M sixteen years? Maybe long time? Yeah?

0:57:26.440 --> 0:57:29.880
<v Speaker 1>And now, uh, you were married once before I was.

0:57:30.160 --> 0:57:34.000
<v Speaker 1>And what was that about. Well, it was about a

0:57:34.160 --> 0:57:37.000
<v Speaker 1>gorgeous person who I still miss and love very much,

0:57:37.280 --> 0:57:43.960
<v Speaker 1>but we were pulled apart by exchaneous circumstances. I started

0:57:43.960 --> 0:57:47.280
<v Speaker 1>touring the world, and also I think I had rushed

0:57:47.320 --> 0:57:50.520
<v Speaker 1>to his side because he was a paternal figure and

0:57:50.640 --> 0:57:55.440
<v Speaker 1>I had been in a very destructive, sexually dangerous, abusive

0:57:56.240 --> 0:58:02.400
<v Speaker 1>relationship until I met my first husband, so we kind

0:58:02.400 --> 0:58:04.880
<v Speaker 1>of rescued you, Yes, he rescued And how did that end?

0:58:05.760 --> 0:58:09.960
<v Speaker 1>It just ended it sadly in me becoming successful and

0:58:10.120 --> 0:58:12.000
<v Speaker 1>going on tour and we've never seen each other, and

0:58:12.080 --> 0:58:16.479
<v Speaker 1>then the relationship just kind of deteriorated. And am I great,

0:58:16.480 --> 0:58:19.280
<v Speaker 1>you don't have any children? Right? Oh? God? No? Okay,

0:58:19.320 --> 0:58:23.360
<v Speaker 1>so that's a conscious thought. Yes, you always knew that

0:58:23.440 --> 0:58:26.479
<v Speaker 1>you were never gonna have children. No. I never knew

0:58:26.520 --> 0:58:29.680
<v Speaker 1>that I wouldn't have children, But I never ached for them.

0:58:29.720 --> 0:58:31.920
<v Speaker 1>Like women talk a lot about aching in their wombs,

0:58:32.560 --> 0:58:34.120
<v Speaker 1>and I would always be like, kind of like a

0:58:34.240 --> 0:58:36.720
<v Speaker 1>dude looking at them blankly, like what does that even mean?

0:58:36.800 --> 0:58:38.440
<v Speaker 1>I don't even know where that is. I had no

0:58:38.520 --> 0:58:41.720
<v Speaker 1>aching in my womb and no longing for a child. Really,

0:58:42.000 --> 0:58:45.200
<v Speaker 1>how about your husband? None either? Well I felt the

0:58:45.240 --> 0:58:47.560
<v Speaker 1>same way. I felt that I was living my own

0:58:47.680 --> 0:58:50.400
<v Speaker 1>life and I didn't want to subjugate myself. But once

0:58:50.440 --> 0:58:53.960
<v Speaker 1>I hit forty, I realized life was meaningless. And I

0:58:54.040 --> 0:58:57.160
<v Speaker 1>saw my sisters with their kids whatever, and I understood

0:58:57.200 --> 0:59:00.440
<v Speaker 1>it at that point in time. But it's very much

0:59:00.440 --> 0:59:03.120
<v Speaker 1>a different life when you don't have kids. I'm not

0:59:03.200 --> 0:59:05.560
<v Speaker 1>complaining but it's different. People say, oh, I'm turned onto

0:59:05.640 --> 0:59:07.400
<v Speaker 1>this and that by kids. I'm not turned on. I mean,

0:59:07.840 --> 0:59:10.720
<v Speaker 1>you know, it doesn't happen to me. No, But I

0:59:10.800 --> 0:59:15.120
<v Speaker 1>also don't believe one should live vicariously through your kids.

0:59:15.320 --> 0:59:17.600
<v Speaker 1>I don't mean, like I couldn't agree more trying to say,

0:59:17.720 --> 0:59:21.080
<v Speaker 1>especially when it comes to musical trends. They'll be in

0:59:21.120 --> 0:59:22.440
<v Speaker 1>the car and the kid will say, hey, put this

0:59:22.520 --> 0:59:25.080
<v Speaker 1>on the radio here something you would normally not listen to.

0:59:25.520 --> 0:59:28.080
<v Speaker 1>My Yeah, I mean, there's billions of children in my life, thankfully,

0:59:28.160 --> 0:59:30.000
<v Speaker 1>so it's not like I'm out of contact with any

0:59:30.080 --> 0:59:33.440
<v Speaker 1>kids or any new music or whatever. But for me personally,

0:59:33.800 --> 0:59:36.600
<v Speaker 1>I think my mother was so devoted to me as

0:59:36.640 --> 0:59:38.800
<v Speaker 1>a mom, like she was an orphan like my mom

0:59:38.880 --> 0:59:41.280
<v Speaker 1>was had a crazy story. She was like an orphan

0:59:41.440 --> 0:59:44.760
<v Speaker 1>child of a governess and a butler in a stately

0:59:44.800 --> 0:59:48.919
<v Speaker 1>home in Scotland, and the idea of her the mom

0:59:49.040 --> 0:59:51.440
<v Speaker 1>having a child out of wedlock would have lost she

0:59:51.480 --> 0:59:54.160
<v Speaker 1>would have lost her job and been you know, castigated.

0:59:54.720 --> 0:59:58.320
<v Speaker 1>So they took the baby in a basket literally and

0:59:58.400 --> 1:00:02.080
<v Speaker 1>dropped her off in an phonage and she was reared

1:00:02.160 --> 1:00:07.600
<v Speaker 1>in the in the institution of you know, or orphanages.

1:00:07.840 --> 1:00:12.160
<v Speaker 1>Until she was five years old. Family was really important

1:00:12.200 --> 1:00:16.120
<v Speaker 1>to her and she dedicated herself slavishly. One would say

1:00:16.200 --> 1:00:19.120
<v Speaker 1>to her children, and I think I just grew up thinking,

1:00:19.360 --> 1:00:22.280
<v Speaker 1>no way am I doing that. That is not I'm

1:00:22.320 --> 1:00:25.640
<v Speaker 1>not doing that. We're going to pause for a moment.

1:00:25.760 --> 1:00:29.320
<v Speaker 1>We joined this conversation with truly mamson of the band Garbage.

1:00:33.000 --> 1:00:35.200
<v Speaker 1>This is Bob left Sets. I love talking to people

1:00:35.280 --> 1:00:37.520
<v Speaker 1>getting their stories, much like I do on this podcast.

1:00:37.560 --> 1:00:39.280
<v Speaker 1>For tune in, I'll be talking to some of the

1:00:39.360 --> 1:00:41.680
<v Speaker 1>most important people in the music and tech industries that

1:00:41.840 --> 1:00:44.280
<v Speaker 1>my Music Media Summit in Santa Barbara the last week

1:00:44.360 --> 1:00:46.600
<v Speaker 1>in of April. I'd love to have you joined the event.

1:00:46.680 --> 1:00:48.320
<v Speaker 1>It's going to be a great way to connect in

1:00:48.520 --> 1:00:51.720
<v Speaker 1>person with these high profile individuals learned how they made

1:00:51.760 --> 1:00:54.400
<v Speaker 1>it in the future direction of their industries. Go to

1:00:54.560 --> 1:00:57.880
<v Speaker 1>Music Media Summit dot com for tickets and more information.

1:00:58.800 --> 1:01:00.960
<v Speaker 1>Let's continue the converse nation with the lead singer of

1:01:01.000 --> 1:01:04.920
<v Speaker 1>the band Garbage, Shirley Manson. So for the last six

1:01:05.040 --> 1:01:08.720
<v Speaker 1>months we've been living through this me too moment. First

1:01:08.840 --> 1:01:11.880
<v Speaker 1>question would be, you know we talked about with your

1:01:11.920 --> 1:01:15.160
<v Speaker 1>first band, but have you experienced any of this sexism

1:01:15.280 --> 1:01:18.400
<v Speaker 1>or sexual harassment. Yeah, of course, every woman that you

1:01:18.520 --> 1:01:22.240
<v Speaker 1>talk to will, unless she's incredibly privileged, you'll have a story. Now,

1:01:22.400 --> 1:01:25.520
<v Speaker 1>on some level, you're very dynamic and very quick, but

1:01:25.920 --> 1:01:29.000
<v Speaker 1>on some level, one level, some level, I'm gonna get

1:01:29.000 --> 1:01:31.880
<v Speaker 1>to the other level. So on some level you're very

1:01:32.040 --> 1:01:36.360
<v Speaker 1>dynamic and you're quick, okay, but you also tell stories

1:01:36.640 --> 1:01:40.160
<v Speaker 1>of being shy and subservient. So where does this leave

1:01:40.240 --> 1:01:44.560
<v Speaker 1>you in these situations? Well, that's a really good question.

1:01:44.640 --> 1:01:47.600
<v Speaker 1>I mean, it's peculiar. I don't think anyone who hasn't

1:01:47.840 --> 1:01:53.080
<v Speaker 1>been physically touched unwanted in an unwanted fashion really can

1:01:53.240 --> 1:01:57.440
<v Speaker 1>understand why it's difficult sometimes to use your voice in

1:01:57.520 --> 1:02:03.200
<v Speaker 1>that situation. Um I I consider myself a very dominant, aggressive,

1:02:04.960 --> 1:02:09.400
<v Speaker 1>articulate person, and I've had my body touched and have

1:02:09.640 --> 1:02:14.720
<v Speaker 1>frozen as recently as last year. Uh, when you were

1:02:15.440 --> 1:02:18.200
<v Speaker 1>to the degree you're comfortable. What happened last year? I

1:02:18.400 --> 1:02:22.400
<v Speaker 1>was at a radio festival and we were meeting competition

1:02:22.440 --> 1:02:25.880
<v Speaker 1>winners and we had there was a long line of

1:02:25.920 --> 1:02:28.200
<v Speaker 1>people that we were just standing in front of a

1:02:28.240 --> 1:02:32.240
<v Speaker 1>backdrop and having our photographs taken, and some dude moves in,

1:02:32.840 --> 1:02:35.600
<v Speaker 1>stands beside me, puts his hand on my breast. He's

1:02:35.640 --> 1:02:36.960
<v Speaker 1>got his arm around me, and then puts his hand

1:02:37.000 --> 1:02:39.560
<v Speaker 1>on my breast and I think, oh wow, he's he's

1:02:39.600 --> 1:02:42.160
<v Speaker 1>so nervous and uncomfortable his hand on my breast. This

1:02:42.320 --> 1:02:45.640
<v Speaker 1>is embarrassing, that's all right. And I tried to like shift,

1:02:45.720 --> 1:02:47.800
<v Speaker 1>and he just kept on grabbing me. And then eventually

1:02:47.840 --> 1:02:50.120
<v Speaker 1>I put my own hand on his hand and pushed

1:02:50.240 --> 1:02:52.800
<v Speaker 1>his hand to try and get him off my breast,

1:02:52.840 --> 1:02:55.520
<v Speaker 1>and he would not let go, And eventually I managed

1:02:55.520 --> 1:02:57.480
<v Speaker 1>to push his hand down to my waist and we

1:02:57.600 --> 1:03:00.400
<v Speaker 1>took the photograph and I was frozen like deer in

1:03:00.440 --> 1:03:04.640
<v Speaker 1>the headlights, and he wandered off and I couldn't even

1:03:04.960 --> 1:03:07.400
<v Speaker 1>look where he went, what direction he had gone, and

1:03:07.480 --> 1:03:09.520
<v Speaker 1>I was just so my mind was so full of

1:03:09.600 --> 1:03:12.200
<v Speaker 1>like wow, that dude just grab my tip in front

1:03:12.240 --> 1:03:15.280
<v Speaker 1>of everybody. Now I'm not saying that's comparable to what

1:03:15.480 --> 1:03:17.560
<v Speaker 1>a lot of women have experienced or some men, by

1:03:17.600 --> 1:03:20.480
<v Speaker 1>the way, but it was unpleasant and I found it

1:03:20.560 --> 1:03:22.880
<v Speaker 1>really upsetting. And I was angry at myself for not

1:03:23.000 --> 1:03:25.320
<v Speaker 1>going dude and shouting, you know, calling him out, like

1:03:25.400 --> 1:03:28.080
<v Speaker 1>what are you doing? But I didn't, and so it

1:03:28.160 --> 1:03:31.520
<v Speaker 1>gave me some insight into the process that occurs for

1:03:31.680 --> 1:03:34.840
<v Speaker 1>so many women in situations where they just freeze and

1:03:35.120 --> 1:03:38.200
<v Speaker 1>they can't push back, they can't shout, they can't fight back,

1:03:38.280 --> 1:03:42.360
<v Speaker 1>they can't say anything. It's mad. So let's just say,

1:03:42.360 --> 1:03:44.440
<v Speaker 1>in the same thing would have happened this summer, do

1:03:44.520 --> 1:03:47.080
<v Speaker 1>you think you would freeze again? I don't know, you know,

1:03:47.120 --> 1:03:50.920
<v Speaker 1>I don't know. That's something I don't think men understand.

1:03:51.000 --> 1:03:54.280
<v Speaker 1>You See, It's like when you're a woman your entire life,

1:03:54.960 --> 1:03:57.760
<v Speaker 1>when you walk out the house, you're aware that you

1:03:57.880 --> 1:04:00.880
<v Speaker 1>could be hurt in some way and then never have

1:04:01.040 --> 1:04:04.600
<v Speaker 1>that experience, not really, unless that're warfare. You know, generally speaking,

1:04:04.640 --> 1:04:06.960
<v Speaker 1>a man doesn't have to think about his physical safety.

1:04:07.360 --> 1:04:10.480
<v Speaker 1>Women think about all the time, and it's something that

1:04:10.960 --> 1:04:14.000
<v Speaker 1>men go bless them, just cannot quite connect to the

1:04:14.160 --> 1:04:17.200
<v Speaker 1>idea of Like, you know, you're walking down the street,

1:04:17.240 --> 1:04:21.240
<v Speaker 1>you're nervous. Is some somebody whistles out your says something

1:04:21.400 --> 1:04:24.160
<v Speaker 1>sexual to you. It's intimidating, it's frightening because you don't

1:04:24.200 --> 1:04:27.600
<v Speaker 1>know where it can lead. You know, I was married

1:04:27.680 --> 1:04:29.600
<v Speaker 1>to someone who did not have them as a guy.

1:04:30.160 --> 1:04:32.960
<v Speaker 1>We've all been in places. We've hit on somebody that's

1:04:33.000 --> 1:04:34.640
<v Speaker 1>kind a weird kind of tation. We've even talked to

1:04:34.720 --> 1:04:39.080
<v Speaker 1>a woman okay, and they very specifically send a signal

1:04:39.200 --> 1:04:41.720
<v Speaker 1>it's a brush off. I don't want to talk to you, okay,

1:04:42.480 --> 1:04:46.919
<v Speaker 1>And if you're a man, unfortunately, if someone doesn't give

1:04:47.000 --> 1:04:49.600
<v Speaker 1>that signal, a lot of people but then see that

1:04:49.680 --> 1:04:54.560
<v Speaker 1>as a green light unfortunately. So you fear as a woman,

1:04:54.720 --> 1:04:57.880
<v Speaker 1>you feel you might get hurt to what degree? What

1:04:58.080 --> 1:05:04.680
<v Speaker 1>behaviors doing you employ to make sure you don't get hurt? Well,

1:05:04.760 --> 1:05:07.880
<v Speaker 1>I mean you're careful, you know. I've always been very careful.

1:05:07.960 --> 1:05:11.080
<v Speaker 1>I don't walk down dark streets alone at night if

1:05:11.120 --> 1:05:13.360
<v Speaker 1>I can possibly help it. If I am down in

1:05:13.560 --> 1:05:15.560
<v Speaker 1>dark street at night by myself, I'm walking down the

1:05:15.600 --> 1:05:18.480
<v Speaker 1>middle of the middle of the road because it was

1:05:18.480 --> 1:05:20.520
<v Speaker 1>going to take a further distance to drag me from

1:05:20.560 --> 1:05:22.880
<v Speaker 1>one side to the other. I mean silly things like that,

1:05:23.120 --> 1:05:25.880
<v Speaker 1>you know. Um, I make it very clear, and I'm

1:05:25.960 --> 1:05:28.959
<v Speaker 1>very lucky in that I am not scared to say, dude,

1:05:29.120 --> 1:05:32.120
<v Speaker 1>I'm not interested, you know, please go go back and

1:05:32.200 --> 1:05:34.880
<v Speaker 1>join your friends or you know. I'm pretty clear, but not,

1:05:35.240 --> 1:05:37.200
<v Speaker 1>But not all women are like that, And a lot

1:05:37.240 --> 1:05:40.440
<v Speaker 1>of women have been conditioned to please men and up

1:05:40.560 --> 1:05:44.560
<v Speaker 1>ease men, and they don't. They don't want to upset

1:05:44.680 --> 1:05:49.560
<v Speaker 1>them or hurt their egos or or incite them, you know,

1:05:49.640 --> 1:05:52.120
<v Speaker 1>to be aggressive. So there's a whole thing at play.

1:05:52.160 --> 1:05:54.600
<v Speaker 1>I mean, I know we've all talked about this for

1:05:56.000 --> 1:05:59.000
<v Speaker 1>some months now, and my only feeling about it all

1:05:59.120 --> 1:06:02.480
<v Speaker 1>is we need to educate our children, our boys, and

1:06:02.560 --> 1:06:05.360
<v Speaker 1>our girls. And what would that look like, Well, you know,

1:06:05.440 --> 1:06:08.280
<v Speaker 1>it's it's for men. I think it's really confusing. You know,

1:06:08.480 --> 1:06:12.360
<v Speaker 1>there's a lot there's there's a lot of of depicting

1:06:13.160 --> 1:06:18.840
<v Speaker 1>men in movies, in TV, in literature, you know, where

1:06:19.200 --> 1:06:24.080
<v Speaker 1>the pursuit is romanticized, where they're encouraged to push even

1:06:24.120 --> 1:06:26.400
<v Speaker 1>when a woman says no, that you know that they

1:06:26.520 --> 1:06:28.640
<v Speaker 1>learned that maybe if they push a little harder, they'll

1:06:28.680 --> 1:06:31.240
<v Speaker 1>finally get what they want. She'll relent, you know. Blah

1:06:31.320 --> 1:06:36.520
<v Speaker 1>blah blah. There's all this misscons like misguiding stuff out

1:06:36.560 --> 1:06:38.760
<v Speaker 1>there about what it means to be a dude. And

1:06:39.320 --> 1:06:41.760
<v Speaker 1>I just think we need to to change a little

1:06:41.960 --> 1:06:43.920
<v Speaker 1>just I just think a few tweaks and the way

1:06:44.000 --> 1:06:46.960
<v Speaker 1>we raise our children will will help men and women

1:06:47.720 --> 1:06:50.680
<v Speaker 1>co exist a little more comfortably with those tweaks look like.

1:06:51.920 --> 1:06:56.160
<v Speaker 1>I think the great thing that I welcome the most

1:06:56.480 --> 1:06:59.440
<v Speaker 1>right now is the breakdown of binary gender. I think

1:06:59.560 --> 1:07:02.880
<v Speaker 1>that is a great start right there, where men are

1:07:02.960 --> 1:07:10.439
<v Speaker 1>not expected to be you know, the the the one

1:07:10.640 --> 1:07:15.120
<v Speaker 1>who the alpha, yeah, or they're not expected to be

1:07:15.280 --> 1:07:18.680
<v Speaker 1>the predator and or the chaser or the one who

1:07:18.760 --> 1:07:20.480
<v Speaker 1>always asked a woman out in a day where it

1:07:20.520 --> 1:07:23.320
<v Speaker 1>becomes a little more eglitarian where men and women are.

1:07:24.120 --> 1:07:25.080
<v Speaker 1>You know, a lot of the time when I was

1:07:25.120 --> 1:07:27.720
<v Speaker 1>growing up in the seventies, women were just expected to wait,

1:07:28.240 --> 1:07:32.920
<v Speaker 1>literally wait until a man asked her to dance, you know.

1:07:33.080 --> 1:07:35.120
<v Speaker 1>So it all starts off at primary school for us,

1:07:35.200 --> 1:07:37.800
<v Speaker 1>you know, like when you're five, you're you're lined up

1:07:37.840 --> 1:07:40.160
<v Speaker 1>against the wall. This was in the seventies in Scotland,

1:07:40.200 --> 1:07:42.040
<v Speaker 1>were all the women were lined up against the wall

1:07:42.320 --> 1:07:44.680
<v Speaker 1>and then the men or the boys were sent now,

1:07:44.760 --> 1:07:46.960
<v Speaker 1>go choose your partner, and the man would the boy

1:07:47.000 --> 1:07:52.480
<v Speaker 1>would choose whoever they wanted to dance with. And that's

1:07:52.520 --> 1:07:54.840
<v Speaker 1>really crazy. You know. I'm not healthy and not good

1:07:54.960 --> 1:07:58.960
<v Speaker 1>and it starts right that early, you know. And I

1:07:59.440 --> 1:08:02.200
<v Speaker 1>think boys are praised for being you know, good at

1:08:02.280 --> 1:08:05.680
<v Speaker 1>sports and aggressive and and even violent, you know, and

1:08:05.760 --> 1:08:08.320
<v Speaker 1>women are praised for being pretty and cute and small

1:08:09.120 --> 1:08:11.200
<v Speaker 1>and just a little tweaks like that. You know, I

1:08:11.280 --> 1:08:13.920
<v Speaker 1>think it could help change the Well, let's go back

1:08:13.960 --> 1:08:16.080
<v Speaker 1>to your husband. You pull up in the bus, You

1:08:16.120 --> 1:08:18.240
<v Speaker 1>see him with a buzz cut. You said that dude

1:08:18.280 --> 1:08:21.519
<v Speaker 1>looks hot. You really recognize him very slowly. How do

1:08:21.600 --> 1:08:25.200
<v Speaker 1>you change the signal you're sending to him? Well, these

1:08:25.240 --> 1:08:28.840
<v Speaker 1>are my trade secrets. I don't serve them. You've already

1:08:28.920 --> 1:08:30.760
<v Speaker 1>used them. You're getting you know, you're very happily married.

1:08:31.439 --> 1:08:34.320
<v Speaker 1>Help the audience. No, no, no, that's that's my own game.

1:08:34.400 --> 1:08:36.760
<v Speaker 1>That's my private game for sure. I mean, how how

1:08:36.920 --> 1:08:40.040
<v Speaker 1>you you let someone know? I mean, I knew he

1:08:40.040 --> 1:08:42.600
<v Speaker 1>would loved me. Of course, we've established I loved you

1:08:42.760 --> 1:08:44.920
<v Speaker 1>so well before he met you, So eventually I was

1:08:44.960 --> 1:08:47.840
<v Speaker 1>just a bit more welcoming. You know, we'd spend time together,

1:08:48.000 --> 1:08:54.400
<v Speaker 1>we'd looking you know, we just become really good friends. Okay,

1:08:54.840 --> 1:08:57.800
<v Speaker 1>what advice would you give to someone where the other

1:08:57.960 --> 1:09:02.600
<v Speaker 1>person's uh as ires are not as clear? I have

1:09:02.720 --> 1:09:04.400
<v Speaker 1>no advice to give, because I think it's different for

1:09:04.520 --> 1:09:07.120
<v Speaker 1>every single person. That's the thing where there's no blanket

1:09:07.400 --> 1:09:10.280
<v Speaker 1>rulest there because each man and each woman and each

1:09:11.120 --> 1:09:13.800
<v Speaker 1>any any person of any gender, we're all made up

1:09:13.880 --> 1:09:16.760
<v Speaker 1>so differently, and so what what is seen as a

1:09:18.040 --> 1:09:22.160
<v Speaker 1>as um a dance between the two is is so

1:09:22.400 --> 1:09:25.560
<v Speaker 1>unique to each relationship. I think you know, there's no

1:09:25.640 --> 1:09:28.719
<v Speaker 1>blanket advice i'd give anyone for fear of that biting

1:09:28.800 --> 1:09:31.080
<v Speaker 1>me in the ass. You sound like more of the

1:09:31.120 --> 1:09:33.160
<v Speaker 1>type person would give advice and then when they came

1:09:33.200 --> 1:09:34.320
<v Speaker 1>back to it and said it did work, so well,

1:09:34.360 --> 1:09:35.960
<v Speaker 1>you know, what the hell do I know that's true?

1:09:35.960 --> 1:09:38.639
<v Speaker 1>I mean, I mean I I the older I get,

1:09:38.720 --> 1:09:40.439
<v Speaker 1>the less advice I want to get. And I feel

1:09:40.439 --> 1:09:43.519
<v Speaker 1>the exact same way. Twenty years ago, I'd tell everybody

1:09:43.560 --> 1:09:46.240
<v Speaker 1>how to live their lives. Now I'm not sure that

1:09:46.320 --> 1:09:48.280
<v Speaker 1>I know what I'm talking about, and I know I

1:09:48.360 --> 1:09:49.920
<v Speaker 1>have no idea what I'm talking and they say and

1:09:49.920 --> 1:09:52.400
<v Speaker 1>they're not gonna listen to me exactly. It's like, why

1:09:52.479 --> 1:09:57.160
<v Speaker 1>why ruin the relationship? But why waste the bread? Right now?

1:09:57.280 --> 1:10:00.920
<v Speaker 1>The fantasy, the rock star fantasy, which aligns very much

1:10:00.960 --> 1:10:03.320
<v Speaker 1>with the truth, is we have a guy who shy

1:10:03.920 --> 1:10:06.040
<v Speaker 1>and he speaks to his guitar, and he feels, if

1:10:06.040 --> 1:10:09.240
<v Speaker 1>I become successful musician, I will be able to have

1:10:10.000 --> 1:10:13.479
<v Speaker 1>a girlfriend, of sex life, etcetera. That's men on the road.

1:10:13.760 --> 1:10:18.080
<v Speaker 1>It is very different today in light of cell phone cameras, etcetera.

1:10:18.400 --> 1:10:21.840
<v Speaker 1>But prior to that, the legend was relatively true. The

1:10:21.880 --> 1:10:25.040
<v Speaker 1>men went on the road. There were groupies. As David

1:10:25.120 --> 1:10:27.560
<v Speaker 1>lee Ros said, I know on the road and I

1:10:27.600 --> 1:10:29.679
<v Speaker 1>can get laid every night of the week, not necessarily

1:10:29.720 --> 1:10:31.439
<v Speaker 1>by whom I want to get laid by, but every

1:10:31.520 --> 1:10:34.400
<v Speaker 1>night of the week. As a woman being on the road,

1:10:35.520 --> 1:10:38.760
<v Speaker 1>what were your desires and your feelings in your own

1:10:38.840 --> 1:10:42.800
<v Speaker 1>experience in this situation. I can remember, like you know,

1:10:43.080 --> 1:10:45.760
<v Speaker 1>being like number one all over the world. I was

1:10:45.840 --> 1:10:49.919
<v Speaker 1>all over like the coolest fashion magazines in the country.

1:10:50.680 --> 1:10:54.640
<v Speaker 1>I was being lauded and applauded and and everything was

1:10:55.120 --> 1:10:58.200
<v Speaker 1>tick tiboo from a professional standpoint. But I would go

1:10:58.320 --> 1:11:01.000
<v Speaker 1>back to my hotel tell room by myself. Let's stop

1:11:01.040 --> 1:11:03.920
<v Speaker 1>with what is tixie boo? Ticken tyboo just means you

1:11:03.960 --> 1:11:07.160
<v Speaker 1>know what ticken e boo? Right, Okay, you can just

1:11:07.240 --> 1:11:10.519
<v Speaker 1>hear from from hearing it. But did you go back

1:11:10.640 --> 1:11:13.400
<v Speaker 1>to your hotel room happy or did you say, God,

1:11:13.439 --> 1:11:15.400
<v Speaker 1>I'm on the cover every magazine. Here, I am alone.

1:11:15.439 --> 1:11:17.120
<v Speaker 1>I probably went home back to my hotel room. How

1:11:17.160 --> 1:11:22.240
<v Speaker 1>to wank? There is nobody around, you know, But I

1:11:22.400 --> 1:11:26.479
<v Speaker 1>have to believe being that famous, invisible, men would try

1:11:26.520 --> 1:11:32.040
<v Speaker 1>to make themselves available. No, No, men were terrified of me. Absolutely.

1:11:33.040 --> 1:11:35.720
<v Speaker 1>You're a band on the road, which means you're going

1:11:35.840 --> 1:11:38.519
<v Speaker 1>to concert halls, you're going to radio stations. There's a

1:11:38.680 --> 1:11:42.439
<v Speaker 1>lot of men there. None of those men starts not

1:11:42.920 --> 1:11:49.080
<v Speaker 1>what not once? I never got hit home once. Wow. Again,

1:11:49.160 --> 1:11:51.599
<v Speaker 1>that's what I mean about the conditioning of the man too,

1:11:51.760 --> 1:11:55.479
<v Speaker 1>how because men want to be the powerful alpha, and

1:11:55.560 --> 1:11:58.519
<v Speaker 1>if you're the powerful alpha, that changes the dynamic. And

1:11:58.800 --> 1:12:01.040
<v Speaker 1>no man really has been so I had to deal

1:12:01.120 --> 1:12:04.560
<v Speaker 1>with that. Not many men, I should say, again sweeping generalizations,

1:12:04.760 --> 1:12:06.880
<v Speaker 1>but the majority of men don't know how to deal

1:12:07.280 --> 1:12:10.280
<v Speaker 1>with a woman who's more successful than they are, and

1:12:10.800 --> 1:12:13.400
<v Speaker 1>you know, has has has a credit card and can

1:12:13.439 --> 1:12:15.880
<v Speaker 1>get herself out of any situation. She doesn't need the

1:12:16.000 --> 1:12:18.599
<v Speaker 1>night in shining Armor to come save her. They don't

1:12:18.640 --> 1:12:21.280
<v Speaker 1>know what to do with that. In your marriage, are

1:12:21.360 --> 1:12:23.360
<v Speaker 1>you the one? Do you wear the pants and the family,

1:12:23.439 --> 1:12:26.280
<v Speaker 1>so to speak. No, I actually we have a pretty

1:12:26.320 --> 1:12:29.960
<v Speaker 1>balanced So you decide you're going to go to dinner,

1:12:30.040 --> 1:12:33.400
<v Speaker 1>who chooses the restaurant changes every day? Okay, So I

1:12:33.439 --> 1:12:35.240
<v Speaker 1>mean I'm not being funny, I'm not being flippant. I

1:12:35.360 --> 1:12:38.040
<v Speaker 1>was interressed with you. So it's balanced in the relationship.

1:12:38.760 --> 1:12:41.920
<v Speaker 1>So once you get over the threshold, you're willing to

1:12:42.000 --> 1:12:44.719
<v Speaker 1>be equal to the man as opposed to be dominant

1:12:44.760 --> 1:12:47.000
<v Speaker 1>with the man. Well, I'll be dominant if I feel

1:12:47.080 --> 1:12:49.519
<v Speaker 1>like this situation is not being taken care, of course,

1:12:49.600 --> 1:12:52.400
<v Speaker 1>that's that's something different. So if we go back to

1:12:52.520 --> 1:12:57.720
<v Speaker 1>this situation, you're on top of the world, you're and

1:12:58.280 --> 1:13:02.760
<v Speaker 1>there are no um boyfriends at the time, do you

1:13:02.960 --> 1:13:08.439
<v Speaker 1>start to hit on them? Well, that's a good question.

1:13:08.880 --> 1:13:11.120
<v Speaker 1>I don't know. Some people say you're you you're flirting

1:13:11.160 --> 1:13:14.240
<v Speaker 1>outrageously with him, and I'm like, no, I wasn't. Well,

1:13:14.360 --> 1:13:16.960
<v Speaker 1>there's one thing to flirt outrageously and say I'm having fun,

1:13:17.320 --> 1:13:19.519
<v Speaker 1>but I would never left this guy in my hotel room. Correct,

1:13:19.600 --> 1:13:21.120
<v Speaker 1>there's another thing to say, I'm having fun if the

1:13:21.200 --> 1:13:24.920
<v Speaker 1>guy is fun and it might go somewhere. To be honest,

1:13:25.000 --> 1:13:27.679
<v Speaker 1>I'm not I can't I don't really have any memories

1:13:27.720 --> 1:13:32.160
<v Speaker 1>of meeting somebody that was really interested in so because

1:13:32.479 --> 1:13:37.360
<v Speaker 1>the pickens were slim or damn slim, and my standards

1:13:37.400 --> 1:13:39.640
<v Speaker 1>were high, I mean to be honest, And again I'm

1:13:39.680 --> 1:13:43.400
<v Speaker 1>signing like a sort of a sort of old maid

1:13:43.600 --> 1:13:47.519
<v Speaker 1>in that I have never wanted to just have sex

1:13:47.840 --> 1:13:50.760
<v Speaker 1>with someone just to have sex, because I just think,

1:13:51.080 --> 1:13:53.280
<v Speaker 1>statistically wise, there's very few people that are going to

1:13:53.320 --> 1:13:57.600
<v Speaker 1>make my experience worth it. So in general, I'm attracted

1:13:57.720 --> 1:14:01.400
<v Speaker 1>to the brain first, and then then then I'm like, Okay,

1:14:01.439 --> 1:14:04.439
<v Speaker 1>sex could be interesting, Let's see where this goes. But

1:14:04.560 --> 1:14:07.080
<v Speaker 1>it's usually brain first. I'm never like, oh he's hot,

1:14:07.120 --> 1:14:09.519
<v Speaker 1>I'm going to like go back to my you know.

1:14:09.640 --> 1:14:12.679
<v Speaker 1>That's you know, in my limited experience. That's women feel

1:14:12.720 --> 1:14:16.920
<v Speaker 1>the same way. They have millions of women that I

1:14:17.000 --> 1:14:19.800
<v Speaker 1>know who are who will fux somebody for just sex.

1:14:20.080 --> 1:14:22.720
<v Speaker 1>Millions of them, I think so. But isn't that they're

1:14:22.760 --> 1:14:26.839
<v Speaker 1>the lower percentage? I don't know. Actually I would challenge

1:14:26.920 --> 1:14:29.439
<v Speaker 1>the idea. I think that's what we've been led to believe.

1:14:31.479 --> 1:14:35.840
<v Speaker 1>It's like affairs, you know, supposedly, you know, more women

1:14:35.880 --> 1:14:38.680
<v Speaker 1>are having an affairs than men. What does that tell you.

1:14:40.439 --> 1:14:43.280
<v Speaker 1>I think you know what it tells you. I know,

1:14:43.640 --> 1:14:46.559
<v Speaker 1>I'm only put myself in the ground a little bit more.

1:14:46.840 --> 1:14:48.519
<v Speaker 1>I think it'll do a great degree. That's men who

1:14:48.600 --> 1:14:51.519
<v Speaker 1>are not servicing is a terrible world. I don't mean

1:14:51.600 --> 1:14:55.200
<v Speaker 1>in terms of sexual stuff, but they're not paying attention

1:14:55.280 --> 1:14:58.800
<v Speaker 1>to the woman. And the woman has opportunities. Well, women

1:14:58.840 --> 1:15:02.120
<v Speaker 1>are finding opportunities for themselves and and and as they

1:15:02.200 --> 1:15:04.680
<v Speaker 1>get older, they get better at doing that, and then

1:15:04.760 --> 1:15:07.160
<v Speaker 1>it seems lose their confidence. It's it's a sort of

1:15:07.200 --> 1:15:11.000
<v Speaker 1>flip of the way we are that we developed that

1:15:11.080 --> 1:15:13.320
<v Speaker 1>the way we educate. I think women as they get older,

1:15:13.400 --> 1:15:15.439
<v Speaker 1>get smarter, and they're like, oh, wait a minute, what

1:15:15.600 --> 1:15:19.479
<v Speaker 1>a con this has been, you know, And men suddenly realize, oh,

1:15:19.560 --> 1:15:23.240
<v Speaker 1>I'm not quite the dominant, gorgeous stud I thought I was.

1:15:23.600 --> 1:15:27.120
<v Speaker 1>If their confidence drops, women's confidence rises. And so there

1:15:27.160 --> 1:15:30.840
<v Speaker 1>you have men break up and they go hang with

1:15:30.920 --> 1:15:33.920
<v Speaker 1>their budge and they watch ESPN and they drink beer

1:15:33.960 --> 1:15:36.559
<v Speaker 1>and they don't even talk about it. Women women don't.

1:15:36.720 --> 1:15:39.519
<v Speaker 1>Women rally around each other and can live without a man.

1:15:39.960 --> 1:15:43.040
<v Speaker 1>It's the men who are That's right, motherfucker's exactly. But

1:15:43.160 --> 1:15:44.800
<v Speaker 1>that's the men who are weak, they don't want to

1:15:44.840 --> 1:15:46.920
<v Speaker 1>admit it. No, it's not that they're weak. I mean,

1:15:47.240 --> 1:15:50.320
<v Speaker 1>I think again, they're just not given the tools. They're

1:15:50.360 --> 1:15:53.200
<v Speaker 1>not educated. They're not sow on how to age, they're

1:15:53.240 --> 1:15:56.479
<v Speaker 1>not sown how to live and have bigger women are

1:15:56.880 --> 1:16:00.920
<v Speaker 1>taught how to survive in ways that men are, and

1:16:01.120 --> 1:16:03.080
<v Speaker 1>vice versa. You know. So this is what I'm talking

1:16:03.080 --> 1:16:04.519
<v Speaker 1>about goes back to what I'm saying earlier. We need

1:16:04.560 --> 1:16:06.519
<v Speaker 1>to change the way we educated. We can all have

1:16:06.600 --> 1:16:11.160
<v Speaker 1>happy health. I agree with better taught to go. I'll

1:16:11.240 --> 1:16:14.760
<v Speaker 1>be hunters, but that's about it. It was funny you

1:16:14.800 --> 1:16:17.160
<v Speaker 1>should say that because I suddenly had this sort of

1:16:17.520 --> 1:16:21.600
<v Speaker 1>realization very recently. I was watching a TV show and

1:16:21.920 --> 1:16:24.479
<v Speaker 1>it was about the Vikings and and men were getting

1:16:24.560 --> 1:16:27.759
<v Speaker 1>sent off to you know, to fight, and it was brutal,

1:16:28.080 --> 1:16:29.880
<v Speaker 1>and I was like, God, I think those those times,

1:16:29.920 --> 1:16:31.360
<v Speaker 1>it must have been horrendous. And then it made me

1:16:31.439 --> 1:16:33.160
<v Speaker 1>think of all the men that get sent off to

1:16:33.280 --> 1:16:36.160
<v Speaker 1>this day into war. And men are sort of like

1:16:36.479 --> 1:16:40.879
<v Speaker 1>they are educated to to shut something off in themselves

1:16:41.080 --> 1:16:42.639
<v Speaker 1>so that they will be willing to go and fight

1:16:42.680 --> 1:16:45.200
<v Speaker 1>for their countries, you know, and get into these terrifying

1:16:45.280 --> 1:16:49.000
<v Speaker 1>situations that never really happens to women. Not really again,

1:16:49.080 --> 1:16:52.040
<v Speaker 1>sweeping generalizations. There's plenty of women in the services and

1:16:52.680 --> 1:16:55.640
<v Speaker 1>and so on, But you know, sort of over the

1:16:55.760 --> 1:16:59.320
<v Speaker 1>last few centuries, men have been taught a certain way

1:16:59.439 --> 1:17:03.240
<v Speaker 1>so that they mindlessly going and and fight to their deaths.

1:17:03.640 --> 1:17:07.280
<v Speaker 1>And and we that that society has changed slightly since then.

1:17:07.360 --> 1:17:09.280
<v Speaker 1>And I think it's also changed because I grew up

1:17:09.280 --> 1:17:12.120
<v Speaker 1>in aror of a draft where it kind of cross classes,

1:17:12.400 --> 1:17:15.080
<v Speaker 1>where now it's an all volunteer army where the educating

1:17:15.160 --> 1:17:19.360
<v Speaker 1>which tend not to go. Okay, But you've traveled around

1:17:19.360 --> 1:17:22.240
<v Speaker 1>the world, where's the best or most exciting place, her

1:17:22.320 --> 1:17:24.679
<v Speaker 1>favorite place you've been? Well, again, I don't believe in best,

1:17:24.840 --> 1:17:27.920
<v Speaker 1>to be honest, I don't. I really really fight that

1:17:28.040 --> 1:17:30.920
<v Speaker 1>idea of all every fiber of my being, because like

1:17:31.000 --> 1:17:33.120
<v Speaker 1>I come from a family where my dad marks everything

1:17:33.160 --> 1:17:36.120
<v Speaker 1>out of tain It drives me insane. To me, I

1:17:36.200 --> 1:17:40.160
<v Speaker 1>feel like life is always surprising. You can go like

1:17:40.320 --> 1:17:43.720
<v Speaker 1>you can go to Paris and have a dreadful experience

1:17:43.840 --> 1:17:47.200
<v Speaker 1>hard to imagine, of course, So when you say what's

1:17:47.240 --> 1:17:49.840
<v Speaker 1>the best, it's just what I guess is the most

1:17:49.960 --> 1:17:52.840
<v Speaker 1>enjoyable on any given day. Yeah, and everywhere I go

1:17:53.000 --> 1:17:55.960
<v Speaker 1>as a musician, and I've traveled almost everywhere at this point,

1:17:56.640 --> 1:18:00.040
<v Speaker 1>I always managed to have an extraordinary, unique experience, And

1:18:00.120 --> 1:18:05.520
<v Speaker 1>even if sometimes it's fraught with difficulty or there's an unpleasantry, overall,

1:18:05.600 --> 1:18:09.000
<v Speaker 1>I just find everywhere I go fascinating. It's and travel

1:18:09.160 --> 1:18:12.120
<v Speaker 1>has been the greatest privilege of my entire life. To

1:18:12.280 --> 1:18:15.120
<v Speaker 1>go to the cities, to countries and see how other

1:18:15.200 --> 1:18:20.400
<v Speaker 1>people live, how they think, is really really fascinating, endlessly

1:18:20.479 --> 1:18:23.120
<v Speaker 1>fascinating to me. Well, I have a friend who was

1:18:23.200 --> 1:18:26.559
<v Speaker 1>the photographer for Led Zeppelin, and he says, I've been

1:18:26.600 --> 1:18:29.439
<v Speaker 1>around the world and I've seen nothing. So are you

1:18:29.520 --> 1:18:31.960
<v Speaker 1>the type then that he's a fool? Of course, my

1:18:32.080 --> 1:18:34.679
<v Speaker 1>question is he also was staying up all night developing

1:18:34.720 --> 1:18:37.200
<v Speaker 1>film in the film era, so the band could wake

1:18:37.280 --> 1:18:39.240
<v Speaker 1>up and see the photos from the night before, so

1:18:39.320 --> 1:18:41.160
<v Speaker 1>it wasn't totally his fault. But there a lot of

1:18:41.280 --> 1:18:44.040
<v Speaker 1>people they go, they go from the bus to the

1:18:44.120 --> 1:18:46.000
<v Speaker 1>hotel to the gig, and they don't really see anything.

1:18:46.280 --> 1:18:48.360
<v Speaker 1>Are you the type of person who takes advantage in

1:18:48.400 --> 1:18:51.280
<v Speaker 1>these very I try? I try always to get up early,

1:18:51.400 --> 1:18:54.280
<v Speaker 1>like you know will have traveled over you know, from

1:18:54.520 --> 1:18:57.519
<v Speaker 1>I don't know, New York to to South after Cape

1:18:57.560 --> 1:19:00.240
<v Speaker 1>Town for a random example, and we've had no but

1:19:00.240 --> 1:19:02.920
<v Speaker 1>I'll still get up after two hours to go on

1:19:03.000 --> 1:19:05.080
<v Speaker 1>SAFARTI because I know this will never happen to me again.

1:19:05.160 --> 1:19:07.360
<v Speaker 1>You know. We get to Istanbul, same thing, We've been

1:19:07.400 --> 1:19:09.200
<v Speaker 1>traveling all night, but you get the opportunity to go

1:19:09.280 --> 1:19:11.240
<v Speaker 1>to the Blue mosque, you know, and have your mind blown.

1:19:11.840 --> 1:19:15.320
<v Speaker 1>It's just I feel it's really important, you know too,

1:19:16.080 --> 1:19:19.840
<v Speaker 1>to take advantage of those moments where you really get

1:19:19.960 --> 1:19:24.800
<v Speaker 1>shown so much and it does shift your perspective so much. Absolutely.

1:19:24.880 --> 1:19:27.160
<v Speaker 1>One of the problems you know with America is people

1:19:27.200 --> 1:19:29.439
<v Speaker 1>haven't been anywhere, and I think it's the greatest I mean,

1:19:29.880 --> 1:19:32.640
<v Speaker 1>tuck very minor things. You go to a European or

1:19:32.800 --> 1:19:35.960
<v Speaker 1>you know, UK, it's finally coming to America. They have

1:19:36.040 --> 1:19:39.639
<v Speaker 1>the dual flush toilet. I mean, that's a good idea. Okay,

1:19:40.240 --> 1:19:43.240
<v Speaker 1>they just recently come to America where they can change

1:19:43.360 --> 1:19:48.000
<v Speaker 1>the price of the gas electronically. These are not major things,

1:19:48.320 --> 1:19:50.400
<v Speaker 1>but everybody in the United States to give it's oh

1:19:50.600 --> 1:19:53.240
<v Speaker 1>where we are, it couldn't be any better. Where It's

1:19:53.320 --> 1:19:56.240
<v Speaker 1>much better in many other places, of course, but then

1:19:56.280 --> 1:20:00.519
<v Speaker 1>there's also incredibly beautiful, precious things about at the US,

1:20:00.600 --> 1:20:05.519
<v Speaker 1>which you know, for me as an immigrant, you know,

1:20:05.680 --> 1:20:08.920
<v Speaker 1>coming here, my entire career is down to America. Like

1:20:09.040 --> 1:20:11.360
<v Speaker 1>I will never forget that. I have deep, deep love

1:20:11.479 --> 1:20:15.600
<v Speaker 1>for this country. And a lot of people in the

1:20:15.680 --> 1:20:18.120
<v Speaker 1>rest of the world take swings of America for a

1:20:18.200 --> 1:20:21.599
<v Speaker 1>lot of different reasons, you know, But I always describe

1:20:21.640 --> 1:20:24.720
<v Speaker 1>America as being in a really innocent like everybody's like, no,

1:20:24.800 --> 1:20:27.880
<v Speaker 1>it's just vulgar. No, it's not vulgar. It's innocent because

1:20:28.200 --> 1:20:32.719
<v Speaker 1>what of the population has never traversed outside the national boundaries.

1:20:32.720 --> 1:20:36.040
<v Speaker 1>And like you say, everyone believes that they're the best

1:20:36.120 --> 1:20:38.600
<v Speaker 1>in America, that they've got the best country, and and

1:20:38.760 --> 1:20:40.920
<v Speaker 1>you know, one would argue that's not the case anymore,

1:20:41.120 --> 1:20:45.519
<v Speaker 1>you know, And and that is a great sadness. But also, hey,

1:20:45.600 --> 1:20:47.880
<v Speaker 1>welcome to the rest of the world. Were exactly, we're

1:20:47.920 --> 1:20:50.160
<v Speaker 1>all the same, We're just all trying to figure everything out.

1:20:50.280 --> 1:20:54.599
<v Speaker 1>And um, I think that what's what is both awful

1:20:54.680 --> 1:20:57.160
<v Speaker 1>about the Internet, but what's also so great about it

1:20:57.360 --> 1:21:00.360
<v Speaker 1>is it will and it is slowly impacting America and

1:21:00.479 --> 1:21:03.280
<v Speaker 1>changing the way people think and everyone is becoming a

1:21:03.400 --> 1:21:05.880
<v Speaker 1>bit more educated about other ways of life. It doesn't

1:21:05.920 --> 1:21:08.880
<v Speaker 1>feel like that right now for obvious reasons. But I

1:21:08.960 --> 1:21:12.439
<v Speaker 1>think ultimately, over the next thirty forty fifty years whatever,

1:21:12.600 --> 1:21:15.240
<v Speaker 1>that America is going to change all for the better.

1:21:16.240 --> 1:21:20.200
<v Speaker 1>Now the thirty years you have left, what would you

1:21:20.280 --> 1:21:24.040
<v Speaker 1>like to accomplish or do? I want to continue to

1:21:24.120 --> 1:21:27.280
<v Speaker 1>travel as much as possible. That is my biggest desire.

1:21:28.240 --> 1:21:31.639
<v Speaker 1>And not to lose my curiosity. I want to remain

1:21:31.800 --> 1:21:35.760
<v Speaker 1>curious if I and to keep and to try and

1:21:35.920 --> 1:21:40.880
<v Speaker 1>nurture courage. I think that looks like that. I will

1:21:40.960 --> 1:21:43.600
<v Speaker 1>continue to try new things that I will try and

1:21:44.400 --> 1:21:49.000
<v Speaker 1>and meet people and without judgment, you know, and try

1:21:49.120 --> 1:21:51.759
<v Speaker 1>and listen, try, and I want to be a better listener.

1:21:52.880 --> 1:21:55.040
<v Speaker 1>That's that's a big thing for me. I like, I

1:21:55.160 --> 1:21:58.519
<v Speaker 1>want to be in service rather than serving myself, you know.

1:21:58.560 --> 1:22:00.560
<v Speaker 1>And I'm in an industry. What I've done nothing but

1:22:00.640 --> 1:22:03.640
<v Speaker 1>served myself for twenty old years, you know. And I

1:22:03.840 --> 1:22:06.240
<v Speaker 1>want to change that as much as possible as my

1:22:06.400 --> 1:22:10.479
<v Speaker 1>life progresses. I want to be in service. Okay, I

1:22:10.680 --> 1:22:12.599
<v Speaker 1>call you up or I text you and I say

1:22:13.120 --> 1:22:17.640
<v Speaker 1>let's go to I need to write to there. No, no, no, uh,

1:22:18.520 --> 1:22:19.760
<v Speaker 1>we're gonna go. I want to take you to this

1:22:19.920 --> 1:22:24.519
<v Speaker 1>restaurant where you know they serve bird eggs and all that.

1:22:24.600 --> 1:22:26.760
<v Speaker 1>Are you say, I'm into it as a new experience.

1:22:27.120 --> 1:22:31.160
<v Speaker 1>Oh yeah, and I've eaten some terrible things. But I

1:22:31.280 --> 1:22:33.400
<v Speaker 1>always want to try. I don't want to be that

1:22:33.520 --> 1:22:37.080
<v Speaker 1>person who's scared to try because I've discovered incredible things

1:22:37.560 --> 1:22:39.720
<v Speaker 1>that I didn't think I would like. Forgetting food, but

1:22:39.800 --> 1:22:42.160
<v Speaker 1>just looking at the situation in general, have you ever

1:22:42.240 --> 1:22:44.080
<v Speaker 1>said yes to something and said, oh, that was a

1:22:44.120 --> 1:22:48.599
<v Speaker 1>big mistake. Yes? Do you remember anything? Yes, Space Mountain

1:22:48.640 --> 1:22:51.479
<v Speaker 1>and Disneyland. I said yes, and I went on it,

1:22:51.600 --> 1:22:55.680
<v Speaker 1>and I wished I hadn't said yes. I really hated it. Well,

1:22:55.720 --> 1:22:57.720
<v Speaker 1>the funny thing about it is I didn't go on

1:22:57.800 --> 1:23:02.320
<v Speaker 1>Space Mountain. That's horrible. Until you know, sometime like then

1:23:02.520 --> 1:23:06.280
<v Speaker 1>in this century, okay, you know, they'd say Disneyland is

1:23:06.280 --> 1:23:08.040
<v Speaker 1>the happiest place on Earth, and no, it's the most

1:23:08.120 --> 1:23:10.800
<v Speaker 1>miserable place there. It's a place where I would never

1:23:10.880 --> 1:23:12.880
<v Speaker 1>need go. I like to do everything in life once

1:23:13.120 --> 1:23:14.600
<v Speaker 1>just so I could talk about it. And so I

1:23:14.640 --> 1:23:16.880
<v Speaker 1>wrent there. It was greater or it sucked whatever. But

1:23:17.120 --> 1:23:19.200
<v Speaker 1>I was not a Disneyland person. But I went with

1:23:19.320 --> 1:23:22.920
<v Speaker 1>my nephews and we went on Space Mountain. I'm not

1:23:23.000 --> 1:23:25.880
<v Speaker 1>a big roller coaster person. Whatever, But the fact that

1:23:25.960 --> 1:23:27.920
<v Speaker 1>the roller coaster was underground, you know, because most of

1:23:27.960 --> 1:23:31.200
<v Speaker 1>the rides at Disneyland are disappointing as rides, I thought

1:23:31.200 --> 1:23:34.200
<v Speaker 1>it was pretty good. Yeah, I wouldn't say, see, I

1:23:34.240 --> 1:23:37.920
<v Speaker 1>didn't find Disney Disneyland Rights disappointing. Far from it. I

1:23:38.040 --> 1:23:41.000
<v Speaker 1>really enjoyed myself. However, my I did not find it

1:23:41.040 --> 1:23:43.040
<v Speaker 1>the happiest place on Earth. I found it one of

1:23:43.080 --> 1:23:45.240
<v Speaker 1>the most miserable places on Earth. I was engulfed in

1:23:45.320 --> 1:23:50.000
<v Speaker 1>children's farts the entire time I was there. I hated

1:23:50.120 --> 1:23:52.479
<v Speaker 1>standing for an hour and a half for a two minute, right,

1:23:52.600 --> 1:23:54.960
<v Speaker 1>you know. But when I go into Space Mountain, I

1:23:55.080 --> 1:23:58.080
<v Speaker 1>knew that it was like the pre move Right. Everyone

1:23:58.200 --> 1:24:00.080
<v Speaker 1>was like, this is going to blow your mind, and

1:24:00.200 --> 1:24:05.000
<v Speaker 1>I I honestly thought I was gonna have a heart attack. Really, yes,

1:24:05.320 --> 1:24:08.599
<v Speaker 1>it was awful. That's one thing. I remember. They had

1:24:08.640 --> 1:24:10.680
<v Speaker 1>a they're still there. They have something called the Revolution.

1:24:10.880 --> 1:24:14.160
<v Speaker 1>Maybe they're gonna tear it downs. Original roller coaster at

1:24:14.760 --> 1:24:17.160
<v Speaker 1>Magic Mountain and the seventies. It was the first roller

1:24:17.200 --> 1:24:19.960
<v Speaker 1>cuature that went upside down. So I remember getting on.

1:24:20.040 --> 1:24:21.840
<v Speaker 1>It would go up a little hill, gonna curve and

1:24:21.920 --> 1:24:24.080
<v Speaker 1>then you and your theorical then you were You're there.

1:24:24.320 --> 1:24:26.960
<v Speaker 1>I am so freaked up. You can't get off. It's

1:24:26.960 --> 1:24:28.760
<v Speaker 1>like you're there. It's like there's nothing I can do.

1:24:29.760 --> 1:24:32.200
<v Speaker 1>But I like being on the little teacups. I feel safe.

1:24:34.200 --> 1:24:38.320
<v Speaker 1>Vomit cups really, oh man, those are really That was

1:24:38.360 --> 1:24:41.920
<v Speaker 1>one of the original rides. But m music drove the

1:24:42.040 --> 1:24:44.559
<v Speaker 1>culture in the era that you grew up in an iron,

1:24:44.920 --> 1:24:47.519
<v Speaker 1>I do not believe music drives the culture at this

1:24:47.600 --> 1:24:53.360
<v Speaker 1>particularly do I just think there's no common music driving

1:24:53.479 --> 1:24:55.519
<v Speaker 1>the entire culture, if that makes any sense. I think

1:24:55.800 --> 1:24:58.360
<v Speaker 1>music has got a big an influence now than it

1:24:59.200 --> 1:25:03.680
<v Speaker 1>arguably ever. But it's all, you know, fractionalized or what's

1:25:03.680 --> 1:25:05.360
<v Speaker 1>the word I'm looking. You know, I get what you're saying.

1:25:05.360 --> 1:25:08.240
<v Speaker 1>You know, they're all these different niches. Why do you

1:25:08.280 --> 1:25:09.600
<v Speaker 1>think it has as much. I mean, if I go

1:25:09.680 --> 1:25:12.240
<v Speaker 1>back to the sixties, a rock star would say something

1:25:12.320 --> 1:25:14.240
<v Speaker 1>and be on the radio and it would change thinking

1:25:14.320 --> 1:25:16.680
<v Speaker 1>in the role to general. I don't think that happens. No,

1:25:16.760 --> 1:25:18.960
<v Speaker 1>it doesn't have the same cultural impact because everyone's not

1:25:19.040 --> 1:25:22.200
<v Speaker 1>listening to the same one artist. You know, when Elvis

1:25:22.320 --> 1:25:24.400
<v Speaker 1>was singing, we were all listening to Elvis. You know,

1:25:24.720 --> 1:25:26.240
<v Speaker 1>not you you were too well, I was too young.

1:25:26.320 --> 1:25:28.519
<v Speaker 1>But I'm I'm trying to talk talk to It's okay,

1:25:28.520 --> 1:25:34.360
<v Speaker 1>but I gotta bust you every chance I have. I

1:25:34.439 --> 1:25:36.960
<v Speaker 1>gotta wake up. I gotta take some of that speed

1:25:37.000 --> 1:25:40.200
<v Speaker 1>to get here. So I take my chances with the

1:25:40.280 --> 1:25:43.040
<v Speaker 1>alpha female whenever I can get up. Feel respect. Okay.

1:25:43.479 --> 1:25:47.280
<v Speaker 1>So in any event, you're you're saying that it's not

1:25:47.400 --> 1:25:49.559
<v Speaker 1>driving the culture like it used in the days of Elvis. Well,

1:25:49.600 --> 1:25:52.240
<v Speaker 1>single artists and bands are not. They don't have the

1:25:52.280 --> 1:25:55.360
<v Speaker 1>same cultural impact. But music has never been more listened

1:25:55.400 --> 1:25:58.920
<v Speaker 1>to ever historically speaking. I agree. But do you play

1:25:59.320 --> 1:26:01.880
<v Speaker 1>at home? Do you play music? Yes? And what do

1:26:01.960 --> 1:26:05.800
<v Speaker 1>you play? I listened to all kinds of music. I

1:26:05.840 --> 1:26:07.560
<v Speaker 1>mean that sounds like such a copipe. I really do.

1:26:08.200 --> 1:26:11.840
<v Speaker 1>And I've just taken very recently too. Instead of like

1:26:12.000 --> 1:26:16.400
<v Speaker 1>sort of of curating my listening habits recently, I've just

1:26:16.520 --> 1:26:19.360
<v Speaker 1>put my I've just turned my phone on and put

1:26:19.479 --> 1:26:22.120
<v Speaker 1>it through this system and just listen to anything from

1:26:22.160 --> 1:26:25.400
<v Speaker 1>my playlist that the phone dictates, and it's been extraordinary.

1:26:25.439 --> 1:26:28.800
<v Speaker 1>I've loved it. But these are songs that you originally picked. Well,

1:26:28.840 --> 1:26:31.240
<v Speaker 1>there's certainly albums that I've picked. Yeah, But like I said,

1:26:31.280 --> 1:26:32.960
<v Speaker 1>I listened to classical, I listened to j azz, I

1:26:33.000 --> 1:26:34.720
<v Speaker 1>listened to blues, I listen to Paula, I listen to rock,

1:26:34.760 --> 1:26:36.639
<v Speaker 1>I listen to heavy metal. I mean, I will listen

1:26:36.720 --> 1:26:38.840
<v Speaker 1>to anything, but I get overwhelmed. I mean it's like

1:26:38.880 --> 1:26:40.959
<v Speaker 1>if you go on Spotify or any of the services

1:26:41.400 --> 1:26:43.320
<v Speaker 1>and you listen to the new music and they break

1:26:43.360 --> 1:26:46.040
<v Speaker 1>it down by genre, and you say, okay, there's fifty

1:26:46.080 --> 1:26:49.160
<v Speaker 1>country tracks, fifty damce tracks, and if you listen to fifty,

1:26:49.600 --> 1:26:51.880
<v Speaker 1>you'll find one or two good ones, and you start

1:26:51.960 --> 1:26:55.080
<v Speaker 1>to get overwhelmed. Yeah, it's overwhelming, you know, and a

1:26:55.120 --> 1:26:57.080
<v Speaker 1>lot of times you'll find something go, you'll reach it.

1:26:57.320 --> 1:26:59.439
<v Speaker 1>Is anybody else I like this as anybody else like

1:26:59.520 --> 1:27:03.200
<v Speaker 1>the there's no coherence to the culture. That's true. But

1:27:03.400 --> 1:27:05.880
<v Speaker 1>is that about then? I'm not that's about I think

1:27:06.720 --> 1:27:09.640
<v Speaker 1>to do. No. I hate being told what to do.

1:27:10.360 --> 1:27:12.120
<v Speaker 1>But it goes back to what we're talking about earlier

1:27:12.160 --> 1:27:14.760
<v Speaker 1>in terms of argument. We live in an era where

1:27:14.760 --> 1:27:17.599
<v Speaker 1>everyone has their own facts in their own lives, which

1:27:17.720 --> 1:27:22.360
<v Speaker 1>is almost a tower of Babel society. And even with

1:27:22.520 --> 1:27:25.040
<v Speaker 1>television where in the golden age of television and is

1:27:25.360 --> 1:27:27.680
<v Speaker 1>there are a lot fewer television shows than there are

1:27:27.840 --> 1:27:31.639
<v Speaker 1>music shows. But even then we'll find well, we can't

1:27:31.680 --> 1:27:34.519
<v Speaker 1>talk because we didn't see the same shows, we didn't

1:27:34.520 --> 1:27:39.479
<v Speaker 1>see the same movies. Okay, so there's no community fiber No,

1:27:39.640 --> 1:27:42.600
<v Speaker 1>that's true. But we don't know yet where that's going

1:27:42.680 --> 1:27:45.200
<v Speaker 1>to go. That might go somewhere fantastic, we just don't

1:27:45.240 --> 1:27:48.240
<v Speaker 1>know yet. Well, I think I believe it's going to

1:27:48.320 --> 1:27:50.880
<v Speaker 1>go along the lines of Americ at large, which is

1:27:50.880 --> 1:27:54.439
<v Speaker 1>winners and losers. I believe we have an inherent desire

1:27:55.000 --> 1:27:58.080
<v Speaker 1>to be with other people, like you talk about going

1:27:58.120 --> 1:28:00.479
<v Speaker 1>out to breakfast or dinner whatever, or to be able

1:28:00.479 --> 1:28:03.160
<v Speaker 1>to say, oh I saw that show. It sucked, okay.

1:28:03.800 --> 1:28:06.639
<v Speaker 1>And therefore there's a lot of rabble rousing from people

1:28:06.680 --> 1:28:09.640
<v Speaker 1>who are not successful. But the reasons if you look

1:28:09.640 --> 1:28:11.720
<v Speaker 1>at the movie business, like and I don't go to

1:28:11.760 --> 1:28:13.519
<v Speaker 1>the movies. First of they don't start when you want

1:28:13.680 --> 1:28:15.519
<v Speaker 1>them to start. And I have so much I don't

1:28:15.560 --> 1:28:17.360
<v Speaker 1>have any time, and I have so many options at

1:28:17.400 --> 1:28:20.680
<v Speaker 1>home on the flat screen. But if you look at

1:28:20.680 --> 1:28:24.760
<v Speaker 1>the weekly grossers, you know, Black Panther well far eclips

1:28:24.800 --> 1:28:27.000
<v Speaker 1>all the other movies combined. And I think part of

1:28:27.040 --> 1:28:29.800
<v Speaker 1>the people say, oh, yeah, I saw that good bad. Otherwise,

1:28:30.240 --> 1:28:32.680
<v Speaker 1>I think there's a desire for community. There is a

1:28:32.760 --> 1:28:36.120
<v Speaker 1>desire for community. But at the same time, I do

1:28:36.320 --> 1:28:39.479
<v Speaker 1>believe in the principle of evolution. I have faith in

1:28:39.560 --> 1:28:43.080
<v Speaker 1>evolution that evolution will sort this out sooner or later.

1:28:43.280 --> 1:28:47.599
<v Speaker 1>I mean, every generation moans about the new generation that's

1:28:47.600 --> 1:28:51.840
<v Speaker 1>in place, you know, And I feel that we always

1:28:52.000 --> 1:28:56.160
<v Speaker 1>harp on about how things once were, forgetting the evolution

1:28:56.320 --> 1:28:59.320
<v Speaker 1>has always like I have better life than my mom did,

1:28:59.400 --> 1:29:01.160
<v Speaker 1>and my mom has better life than my granny did.

1:29:01.760 --> 1:29:04.639
<v Speaker 1>And I have to assume that my all my friends

1:29:04.760 --> 1:29:06.800
<v Speaker 1>kids will have a better life than and than we did.

1:29:07.280 --> 1:29:10.720
<v Speaker 1>And I think that's a great thing. And I think

1:29:10.960 --> 1:29:15.000
<v Speaker 1>we can all sort of like pick over the carcass

1:29:15.080 --> 1:29:17.519
<v Speaker 1>of what once was, or we can embrace what is.

1:29:17.680 --> 1:29:19.439
<v Speaker 1>And I want to be and what is I'm going

1:29:19.479 --> 1:29:21.880
<v Speaker 1>to embrace what is. Well, I'm gonna argue with you, Okay,

1:29:22.160 --> 1:29:24.000
<v Speaker 1>in my generation, I know a lot of people are

1:29:24.040 --> 1:29:27.000
<v Speaker 1>not doing as well as their parents. Okay, the baby boomers,

1:29:27.240 --> 1:29:29.400
<v Speaker 1>their parents had a lot. But you're you're talking about

1:29:29.439 --> 1:29:32.719
<v Speaker 1>economics though, right, you're talking about house and money, okay,

1:29:32.760 --> 1:29:37.679
<v Speaker 1>and you're talking about rights, freedoms, well, knowledge, I would

1:29:37.800 --> 1:29:40.400
<v Speaker 1>argue me, gay people can get married in America, which

1:29:40.479 --> 1:29:42.479
<v Speaker 1>is wonderful. I gret a lot of that to MTV.

1:29:42.560 --> 1:29:45.240
<v Speaker 1>People saw a rainbow of colors there and therefore they were,

1:29:45.320 --> 1:29:48.439
<v Speaker 1>you know, there's less racism, etcetera. But we live in

1:29:48.479 --> 1:29:50.840
<v Speaker 1>a country. By the way, there isn't less racism. But

1:29:51.120 --> 1:29:53.320
<v Speaker 1>that's a whole lot of I would look back to that.

1:29:54.720 --> 1:29:58.720
<v Speaker 1>I believe in America there is less racism, but you

1:29:58.760 --> 1:30:02.160
<v Speaker 1>have a very vocal mind party who was afraid of losing.

1:30:02.520 --> 1:30:04.840
<v Speaker 1>I have to disagree. You're talking from a very white,

1:30:04.880 --> 1:30:08.160
<v Speaker 1>privileged position. Now I'm saying that if you go back

1:30:08.320 --> 1:30:12.200
<v Speaker 1>decades and you saw an interracial couple walking down the street,

1:30:12.920 --> 1:30:16.920
<v Speaker 1>chances are there to be sneers or comments. I believe

1:30:17.080 --> 1:30:19.720
<v Speaker 1>there are less and now we're all victims of our

1:30:19.720 --> 1:30:22.920
<v Speaker 1>own experience. And I'm not saying there's not racism, there's

1:30:22.920 --> 1:30:28.040
<v Speaker 1>not anti semitism, there's not sexism. But I believe, but

1:30:28.120 --> 1:30:31.799
<v Speaker 1>I believe as a result of media, there's a certain

1:30:31.920 --> 1:30:35.240
<v Speaker 1>level of enlightenment. I view as a result of the

1:30:35.320 --> 1:30:40.320
<v Speaker 1>economic disparity. Okay, the people who have been left out,

1:30:40.600 --> 1:30:42.840
<v Speaker 1>whether through their own faults or not through room fault,

1:30:43.120 --> 1:30:48.960
<v Speaker 1>have started to rebel around the world Brexit, Trump, etcetera.

1:30:49.240 --> 1:30:53.000
<v Speaker 1>And it's focused on those people. Unfortunately, with that has

1:30:53.120 --> 1:30:55.800
<v Speaker 1>come racism. And I don't want to comment on the

1:30:55.840 --> 1:30:57.200
<v Speaker 1>rest of the rule because I'm not as much of

1:30:57.240 --> 1:31:00.479
<v Speaker 1>an expert, but in America, I would believe pound for

1:31:00.640 --> 1:31:04.680
<v Speaker 1>pound there's less racism and less homophobia than there was.

1:31:04.800 --> 1:31:07.560
<v Speaker 1>Not that there isn't very vocal racism and homophobia, but

1:31:07.640 --> 1:31:10.920
<v Speaker 1>I think we're you know, it's like Jerry Springer, who

1:31:11.000 --> 1:31:13.320
<v Speaker 1>used to be the mayor of Cleveland, Okay, before he

1:31:13.360 --> 1:31:16.040
<v Speaker 1>had his insane show, And he's not a stupid guy.

1:31:16.120 --> 1:31:19.599
<v Speaker 1>He says, the liberals always win in the end, Okay,

1:31:19.920 --> 1:31:23.759
<v Speaker 1>all the things that were unthinkable, you know, abortion, gay marriage, etcetera, etcetera,

1:31:23.920 --> 1:31:28.840
<v Speaker 1>they're happening. Eventually the rest of the world wakes up. Well,

1:31:28.840 --> 1:31:30.840
<v Speaker 1>I don't even notice where to start without to be honest,

1:31:30.960 --> 1:31:34.960
<v Speaker 1>we'll start anywhere, but I'll start with have you I

1:31:35.040 --> 1:31:36.840
<v Speaker 1>don't know what that is. It's a documentary about the

1:31:36.880 --> 1:31:43.439
<v Speaker 1>penal system here in America. No have you seen back.

1:31:43.720 --> 1:31:46.360
<v Speaker 1>But you're making the point that a whole generation of

1:31:46.479 --> 1:31:49.040
<v Speaker 1>African Americans were wiping up by putting them in gails.

1:31:49.320 --> 1:31:52.040
<v Speaker 1>It's not what you're making. I agree totally. You know

1:31:52.439 --> 1:31:56.000
<v Speaker 1>that there's a lot of endemic problems. I'm not apologizing

1:31:56.080 --> 1:31:59.840
<v Speaker 1>for them. But what I'm saying is that I believe

1:32:00.439 --> 1:32:05.799
<v Speaker 1>that generally it's gone. Maybe I'm wrong. I don't know. Well, again,

1:32:05.840 --> 1:32:08.160
<v Speaker 1>it's complex, isn't it. There are some people who get

1:32:08.240 --> 1:32:12.080
<v Speaker 1>left behind this, but generally speaking, our generation has it

1:32:12.160 --> 1:32:16.519
<v Speaker 1>better than the previous generation. And then there are parts

1:32:16.680 --> 1:32:19.960
<v Speaker 1>of our society who are being left behind, and that's

1:32:20.240 --> 1:32:24.200
<v Speaker 1>blacks and and people of color aggressively so, but it's

1:32:24.200 --> 1:32:25.840
<v Speaker 1>also white. I don't want to make this, as you know,

1:32:25.920 --> 1:32:28.360
<v Speaker 1>white apologists, but just to illuminate the point, this is

1:32:28.400 --> 1:32:31.280
<v Speaker 1>how Trump got elected. There are people as a result

1:32:31.320 --> 1:32:35.680
<v Speaker 1>of the economic changes they in globalization, they don't have

1:32:36.160 --> 1:32:38.559
<v Speaker 1>if you're left behind. And and then the crazy thing,

1:32:38.680 --> 1:32:41.000
<v Speaker 1>same thing with Brexit. Their solution is let's chet back

1:32:41.040 --> 1:32:43.120
<v Speaker 1>to the past, and the past is never coming back.

1:32:43.200 --> 1:32:46.040
<v Speaker 1>But that's Trump's approach to It's it's very like I

1:32:46.200 --> 1:32:47.880
<v Speaker 1>just did never believe you can look back. I think

1:32:47.920 --> 1:32:50.400
<v Speaker 1>you must always look forward to you know. Well, the

1:32:50.479 --> 1:32:52.640
<v Speaker 1>scary thing is I mean I certainly lived through the

1:32:52.680 --> 1:32:55.559
<v Speaker 1>sixties with the Vietnam War and the draft, but since

1:32:55.720 --> 1:32:58.960
<v Speaker 1>then in America, this is the first time where every

1:32:59.080 --> 1:33:02.960
<v Speaker 1>you're addicted to the news and it's uh, it's just

1:33:03.080 --> 1:33:05.439
<v Speaker 1>like when the wall fell, When the wall fell in

1:33:05.520 --> 1:33:07.639
<v Speaker 1>Berlin and you were there, we were of the illusion

1:33:07.720 --> 1:33:10.960
<v Speaker 1>in America the other doctor, democracy will reign. And now

1:33:11.120 --> 1:33:14.439
<v Speaker 1>you have booting, you know, assassinating spies in a different country,

1:33:14.960 --> 1:33:17.760
<v Speaker 1>and we have you know, you know, we have the

1:33:19.040 --> 1:33:21.800
<v Speaker 1>head of the country for life in China. It's you know,

1:33:21.840 --> 1:33:24.439
<v Speaker 1>the world is going to it. You know, it's going

1:33:24.520 --> 1:33:29.080
<v Speaker 1>to exactly as my dad says. And I actually feel

1:33:29.120 --> 1:33:32.120
<v Speaker 1>like I have to cling onto this analogy, which is,

1:33:32.280 --> 1:33:35.439
<v Speaker 1>you know, evolution happens whether we like it or not.

1:33:36.000 --> 1:33:40.200
<v Speaker 1>It's just what occurs when you leave humans on a

1:33:40.280 --> 1:33:44.759
<v Speaker 1>planet for long enough, they will evolve. And there's always

1:33:44.840 --> 1:33:47.360
<v Speaker 1>moments he said, it's just like it's like tight, it's

1:33:47.439 --> 1:33:49.920
<v Speaker 1>like title shifts, you know, you it's the type gets

1:33:49.960 --> 1:33:52.960
<v Speaker 1>sucked back for a moment, and then it searches forward,

1:33:53.000 --> 1:33:55.479
<v Speaker 1>and it searches for further forward than it did before.

1:33:56.040 --> 1:33:58.519
<v Speaker 1>And that's that's always what my dad says to try

1:33:58.560 --> 1:34:00.600
<v Speaker 1>and calm me down when I'm getting his terrecal and

1:34:01.280 --> 1:34:04.360
<v Speaker 1>full of desperate depression about the way the world is turning.

1:34:04.439 --> 1:34:09.280
<v Speaker 1>He's like, it's will turn back, generally speaking, as I

1:34:09.400 --> 1:34:12.800
<v Speaker 1>used to be a terrible pessimist, and then something turned

1:34:12.800 --> 1:34:15.040
<v Speaker 1>around when my mom died for me, like I was

1:34:15.120 --> 1:34:17.519
<v Speaker 1>like a bolt from the blue I had. I was

1:34:17.640 --> 1:34:21.000
<v Speaker 1>forced to change my thinking because if I hadn't changed

1:34:21.040 --> 1:34:24.360
<v Speaker 1>my thinking, I would have died of grief. And and

1:34:24.840 --> 1:34:28.479
<v Speaker 1>I I just decided me. I made a decision that

1:34:28.640 --> 1:34:30.320
<v Speaker 1>the light because my mom had a lot of light

1:34:30.360 --> 1:34:33.000
<v Speaker 1>in her. She was a real people pleaser, my mom,

1:34:33.040 --> 1:34:34.720
<v Speaker 1>because she'd been a norphan and she wants people to

1:34:34.800 --> 1:34:37.200
<v Speaker 1>love her and like her, and so she brought light

1:34:37.320 --> 1:34:40.160
<v Speaker 1>into every situation. And I used to annoy me, you know,

1:34:40.360 --> 1:34:44.400
<v Speaker 1>as a moody teenager. It just fucking and irritated me.

1:34:44.880 --> 1:34:47.719
<v Speaker 1>And then when she died, I realized that light is gone.

1:34:47.920 --> 1:34:50.040
<v Speaker 1>You know, people would say to me at my mom's funeral,

1:34:50.080 --> 1:34:52.360
<v Speaker 1>you know your mom always you never left your mom

1:34:52.479 --> 1:34:55.080
<v Speaker 1>feeling worse. You always left your mom feeling better than

1:34:55.120 --> 1:34:57.960
<v Speaker 1>you did before you bumped into her. And I just

1:34:58.080 --> 1:35:00.320
<v Speaker 1>made this decision that I had to do something with

1:35:00.439 --> 1:35:03.000
<v Speaker 1>my mom's light. I couldn't let it go and dissipate

1:35:03.080 --> 1:35:05.080
<v Speaker 1>into nothing. That's I had to hold a bit of

1:35:05.120 --> 1:35:08.040
<v Speaker 1>her light in me, and I used that to change

1:35:08.080 --> 1:35:11.360
<v Speaker 1>the way I approached my life. It sounds really okay,

1:35:11.439 --> 1:35:14.439
<v Speaker 1>but it's really true, and it was quite that conscious.

1:35:14.600 --> 1:35:16.640
<v Speaker 1>It was conscious. Yeah. I was just like, I need

1:35:16.720 --> 1:35:19.360
<v Speaker 1>to change the way I I don't want people to

1:35:19.479 --> 1:35:21.479
<v Speaker 1>leave me feeling worse. I don't want to be a

1:35:21.600 --> 1:35:24.519
<v Speaker 1>vibe crush. I don't want people to feel yucky around me.

1:35:24.920 --> 1:35:26.479
<v Speaker 1>And you know, we're all aware of what that's like

1:35:26.600 --> 1:35:29.120
<v Speaker 1>to bump into somebody who makes us feel disgusting. You know,

1:35:29.479 --> 1:35:33.320
<v Speaker 1>whether they're irritable, whether they're depressed, whether they moan, whether

1:35:33.360 --> 1:35:35.200
<v Speaker 1>they only talk about themselves. I don't know, there's a

1:35:35.240 --> 1:35:37.599
<v Speaker 1>million one reasons why we don't like being around people. Yeah,

1:35:38.240 --> 1:35:39.840
<v Speaker 1>and I was just like, I want to be a

1:35:39.960 --> 1:35:42.679
<v Speaker 1>person in the world that makes people feel good again.

1:35:42.720 --> 1:35:44.760
<v Speaker 1>I go back this word of being in service, Like

1:35:44.880 --> 1:35:47.680
<v Speaker 1>I just I want to take my Mom's light and

1:35:48.080 --> 1:35:50.040
<v Speaker 1>give it to someone else so we can spread these

1:35:50.160 --> 1:35:54.240
<v Speaker 1>particles of my amazing mother. When you talk about service,

1:35:54.439 --> 1:35:59.720
<v Speaker 1>that's twelve step language. Is that where you got it? Oh? God, no, no?

1:36:00.240 --> 1:36:03.439
<v Speaker 1>And you never had a problem with alcohol problem? Okay,

1:36:03.680 --> 1:36:05.719
<v Speaker 1>that's not to say I won't develop one. I love alcohol.

1:36:08.080 --> 1:36:10.439
<v Speaker 1>I had to stop drinking alcohol because I was definitely

1:36:10.479 --> 1:36:12.720
<v Speaker 1>the type person who couldn't have only one. If you

1:36:12.760 --> 1:36:14.439
<v Speaker 1>want to have one or two drinks, didn't you didn't

1:36:14.479 --> 1:36:15.559
<v Speaker 1>call me you want to have the night of your

1:36:15.640 --> 1:36:20.200
<v Speaker 1>life or attempt? You know. Oh boy, I can tell

1:36:20.280 --> 1:36:23.040
<v Speaker 1>story after story, and then then there's you know how I,

1:36:23.320 --> 1:36:25.320
<v Speaker 1>and then how I finally stopped and I did not

1:36:25.520 --> 1:36:27.880
<v Speaker 1>stop saying, Oh I'm never gonna I'm never gonna have

1:36:27.880 --> 1:36:30.240
<v Speaker 1>another drink. It's just my life got way too crazy,

1:36:30.840 --> 1:36:34.760
<v Speaker 1>and uh, excuse me. I want to know more. This

1:36:34.960 --> 1:36:37.200
<v Speaker 1>is a much longer story, but I'll give you just

1:36:38.200 --> 1:36:41.920
<v Speaker 1>the tip of it. Yeah, give me the crucial. So

1:36:42.040 --> 1:36:46.120
<v Speaker 1>this was nineteen This is a long time ago, one

1:36:46.240 --> 1:36:51.439
<v Speaker 1>going into two, and I had been stopped for drunk

1:36:51.560 --> 1:36:55.400
<v Speaker 1>driving on the night that John Lennon got died. John

1:36:55.479 --> 1:36:59.000
<v Speaker 1>and Jack shot and died. That's an amazing story unto itself.

1:36:59.680 --> 1:37:03.640
<v Speaker 1>But I ultimately got a reckless driving as opposed to

1:37:03.760 --> 1:37:08.080
<v Speaker 1>d u Y and there's a condition with that where

1:37:08.200 --> 1:37:11.599
<v Speaker 1>you can't drive within eight hours of having a drink.

1:37:12.320 --> 1:37:14.760
<v Speaker 1>And in the time it took for that case to

1:37:14.920 --> 1:37:18.439
<v Speaker 1>come to court, I've been stopped once again on the

1:37:18.520 --> 1:37:23.800
<v Speaker 1>four oh five in that point. Welcome, Welcome, Welcome to

1:37:24.000 --> 1:37:27.000
<v Speaker 1>this week's edition of the Bob Left Sets podcast. My

1:37:27.200 --> 1:37:31.520
<v Speaker 1>guest this week is vocalist extraordinaire lead singer of Garbage,

1:37:31.840 --> 1:37:38.560
<v Speaker 1>Shirley Manson. Shirley, back out here. Okay, you're from Scotland.

1:37:39.040 --> 1:37:42.840
<v Speaker 1>We are really Scotland ignorant here. Okay, what's it like

1:37:42.920 --> 1:37:47.160
<v Speaker 1>growing up in Scotland. Well, you know, at the time,

1:37:47.240 --> 1:37:50.080
<v Speaker 1>it didn't feel so fantastic, but looking back on it

1:37:50.200 --> 1:37:52.400
<v Speaker 1>now I realized what a privilege it was, you know,

1:37:52.400 --> 1:37:55.920
<v Speaker 1>because it's a small island and it was a time

1:37:56.240 --> 1:37:58.120
<v Speaker 1>I was I was born in sixty six, so I

1:37:58.200 --> 1:37:59.680
<v Speaker 1>grew up in the seventies and it was at a

1:37:59.760 --> 1:38:03.600
<v Speaker 1>time when the British government actually paid for education, They

1:38:03.760 --> 1:38:06.360
<v Speaker 1>put money into it. We all had government run schools

1:38:06.680 --> 1:38:08.479
<v Speaker 1>and they were and they were well funded, so had

1:38:08.520 --> 1:38:12.519
<v Speaker 1>a great education. I had. I came from a family,

1:38:12.720 --> 1:38:15.679
<v Speaker 1>three children. My mom and dad loved each other until

1:38:15.800 --> 1:38:19.840
<v Speaker 1>death did they part? And I think, now knowing what

1:38:19.920 --> 1:38:23.920
<v Speaker 1>I know, that's really unusual to certainly with the younger generations.

1:38:24.240 --> 1:38:26.599
<v Speaker 1>I mean, the only thing I haven't been to Scotland,

1:38:27.080 --> 1:38:28.760
<v Speaker 1>but there was that movie and I can't remember there

1:38:28.800 --> 1:38:31.040
<v Speaker 1>was a famous movie maker talking about the ice cream

1:38:31.120 --> 1:38:33.840
<v Speaker 1>War in do you know that? Was that Danny Boyle?

1:38:33.880 --> 1:38:36.160
<v Speaker 1>I thing? God, I can't remember. But in any event,

1:38:36.400 --> 1:38:39.920
<v Speaker 1>where did you actually grow up in Scotland? How do you?

1:38:40.160 --> 1:38:45.040
<v Speaker 1>How do you pronounce that? Edinburgh? Edinburgh? Okay? Ed okay?

1:38:45.280 --> 1:38:46.840
<v Speaker 1>And what did your father do for a living? My

1:38:46.960 --> 1:38:50.960
<v Speaker 1>father was a university professor, really and what did he teach?

1:38:51.320 --> 1:38:56.960
<v Speaker 1>He taught animal breeding in sort of genetics and animal breeding,

1:38:57.280 --> 1:39:00.519
<v Speaker 1>poultry breeding as well. He would come home for dinner.

1:39:00.520 --> 1:39:03.120
<v Speaker 1>Would he talk about that? Very rarely? I mean he

1:39:03.439 --> 1:39:05.640
<v Speaker 1>he as we got older, he would talk about the

1:39:05.720 --> 1:39:10.679
<v Speaker 1>genetic program because they were his sort of university cloned

1:39:10.720 --> 1:39:12.360
<v Speaker 1>Dolly the Sheep. I don't know if you remember that,

1:39:12.479 --> 1:39:16.360
<v Speaker 1>but so that was his faculty that really. Yeah, So

1:39:16.680 --> 1:39:19.000
<v Speaker 1>he started to talk up to us about genetics and

1:39:19.240 --> 1:39:21.760
<v Speaker 1>we were so bored. We can you know? Okay, so

1:39:21.880 --> 1:39:24.320
<v Speaker 1>if I take you out on the ranch with the animals,

1:39:24.479 --> 1:39:28.320
<v Speaker 1>you're as clueless as I am. Well, maybe not quite

1:39:28.360 --> 1:39:32.880
<v Speaker 1>as clueless as you, Bob. We got the humor going

1:39:32.960 --> 1:39:34.800
<v Speaker 1>at this point in time. Okay. And did your mother

1:39:34.880 --> 1:39:38.080
<v Speaker 1>work outside the house? My mother sort of eventually as

1:39:38.160 --> 1:39:40.640
<v Speaker 1>we were growing up, when we were teenagers. She's she

1:39:41.040 --> 1:39:43.360
<v Speaker 1>became a medical reception as she looked after a bunch

1:39:43.400 --> 1:39:46.680
<v Speaker 1>of doctors. But she really was pretty much a housewife,

1:39:46.880 --> 1:39:51.160
<v Speaker 1>which is a terminology that's thankfully becoming, you know, obsolete.

1:39:51.280 --> 1:39:54.519
<v Speaker 1>But she she was clear. She called herself a housewife, right,

1:39:54.680 --> 1:39:56.639
<v Speaker 1>I guess you know now they say, you know she works,

1:39:56.720 --> 1:39:59.519
<v Speaker 1>but she works in the home. But okay, so where

1:39:59.520 --> 1:40:01.960
<v Speaker 1>are you in the hierarchy of the middle child? The

1:40:02.160 --> 1:40:06.320
<v Speaker 1>real messed up one the middle of three? And who

1:40:06.360 --> 1:40:08.759
<v Speaker 1>else is a boy or a girl? All three girls?

1:40:09.080 --> 1:40:13.160
<v Speaker 1>All three girls. I'm a middle child too, so sorry, Okay.

1:40:13.520 --> 1:40:16.519
<v Speaker 1>My older sister she believes you can conquer the world,

1:40:17.080 --> 1:40:19.800
<v Speaker 1>and my younger sister is the baby could always cry

1:40:19.880 --> 1:40:21.320
<v Speaker 1>to get out of this, and I was kind of

1:40:21.400 --> 1:40:24.440
<v Speaker 1>lost in the middle. I had exactly the same experience.

1:40:24.960 --> 1:40:26.960
<v Speaker 1>It's really I was married to one who was also

1:40:27.000 --> 1:40:30.320
<v Speaker 1>a middle kid. I wonder whether that was part of

1:40:30.400 --> 1:40:34.320
<v Speaker 1>the connection, because you're kind of overlooked. You feel you're overlooked.

1:40:34.360 --> 1:40:36.680
<v Speaker 1>I don't think you actually are, but that's how I

1:40:36.880 --> 1:40:39.160
<v Speaker 1>think I perceived it. And I also got hamly done

1:40:39.200 --> 1:40:41.120
<v Speaker 1>clothes all the time. I never got new clothes when

1:40:41.120 --> 1:40:43.040
<v Speaker 1>I was growing up. I was always my sister's clothes,

1:40:43.360 --> 1:40:45.800
<v Speaker 1>and by the time I had worn through the set clothes,

1:40:45.840 --> 1:40:47.800
<v Speaker 1>my little sister got brand new clothes. So I mean

1:40:48.000 --> 1:40:50.600
<v Speaker 1>I was twisted, you know, yeah, yeah, the level of resentment.

1:40:50.640 --> 1:40:52.840
<v Speaker 1>I didn't have that problem because my older and younger

1:40:53.080 --> 1:40:55.880
<v Speaker 1>siblings were sisters. But I know, I know exactly what

1:40:56.000 --> 1:40:59.400
<v Speaker 1>you're talking about. And Okay, what kind of kid are

1:40:59.479 --> 1:41:01.920
<v Speaker 1>you growing up? Are you a rebellious kid? Are you

1:41:02.000 --> 1:41:05.559
<v Speaker 1>kid of you know obeys orders? For the first sort

1:41:05.600 --> 1:41:08.840
<v Speaker 1>of twelve years of my life, I obeyed orders. I

1:41:08.920 --> 1:41:14.360
<v Speaker 1>was an incredibly devout student, and I, you know, had

1:41:14.400 --> 1:41:17.880
<v Speaker 1>a great faith in Jesus, and I was interested in

1:41:17.960 --> 1:41:20.400
<v Speaker 1>religion and all kinds of things. I was very sweet,

1:41:21.000 --> 1:41:25.000
<v Speaker 1>pretty uh, sort of conventional kid, and then the hormones

1:41:25.080 --> 1:41:27.640
<v Speaker 1>kicked in and I went mental. Okay, did you go

1:41:27.680 --> 1:41:30.040
<v Speaker 1>to public school? Or did you go to Catholic school. Well,

1:41:30.080 --> 1:41:32.920
<v Speaker 1>it's a good question, because we call public public schools

1:41:32.960 --> 1:41:35.599
<v Speaker 1>private school. We went to government funded had the government

1:41:35.640 --> 1:41:38.519
<v Speaker 1>funded schools. But you had a strict Catholic family. I

1:41:38.600 --> 1:41:41.680
<v Speaker 1>did not. I came up in a Protestant family. My

1:41:41.800 --> 1:41:44.080
<v Speaker 1>dad was my Sunday school teacher, which also didn't help

1:41:44.120 --> 1:41:49.040
<v Speaker 1>my No. No, no, no, you can imagine. I can't imagine.

1:41:50.400 --> 1:41:53.519
<v Speaker 1>That kind of messed me up good too. So yeah, okay,

1:41:53.840 --> 1:41:55.960
<v Speaker 1>but you were a big believer. I was a huge

1:41:56.000 --> 1:41:59.200
<v Speaker 1>believer about today you believe her today. I'm a nonbeliever now.

1:41:59.680 --> 1:42:02.479
<v Speaker 1>And what was the transition? How did you decide that

1:42:03.000 --> 1:42:05.120
<v Speaker 1>there wasn't a little man in this guy who was

1:42:05.200 --> 1:42:08.719
<v Speaker 1>deciding whether you've been noaughty or nice? Well, it started

1:42:08.760 --> 1:42:12.000
<v Speaker 1>off with just a sort of sudden observation of the

1:42:12.120 --> 1:42:15.000
<v Speaker 1>people in in our church that we went that we

1:42:15.120 --> 1:42:18.280
<v Speaker 1>went to. I noticed that they did not adhere to

1:42:18.360 --> 1:42:22.840
<v Speaker 1>the principles that were being, you know, sermonized, And I

1:42:22.960 --> 1:42:27.679
<v Speaker 1>started to smell hypocrisy. And I then would meet people

1:42:27.720 --> 1:42:30.640
<v Speaker 1>who were nonbelievers who actually did seem to practice some

1:42:31.880 --> 1:42:36.120
<v Speaker 1>kind spiritual practice. We have that in government today. All

1:42:36.160 --> 1:42:39.479
<v Speaker 1>the people seemingly were anti abortion, have had an abortion

1:42:39.600 --> 1:42:42.559
<v Speaker 1>themselves or their partners had an abortion. It's just crazy.

1:42:42.760 --> 1:42:45.839
<v Speaker 1>So in any event, you turned age twelve, the hormones

1:42:45.920 --> 1:42:50.040
<v Speaker 1>kicking and you freak out. What does that look like? Well, I,

1:42:50.640 --> 1:42:53.840
<v Speaker 1>having been a pretty good student, I just stopped paying

1:42:53.840 --> 1:42:58.200
<v Speaker 1>attention in school. I stopped going to school. I started smoking,

1:42:58.320 --> 1:43:02.800
<v Speaker 1>I started flirting with you know, seft drugs. I became

1:43:02.880 --> 1:43:06.040
<v Speaker 1>interested in boys. I got involved in a youth theater

1:43:06.200 --> 1:43:10.000
<v Speaker 1>and a band. A little bit slower in America, it's

1:43:10.040 --> 1:43:12.280
<v Speaker 1>kind of like the Little Rascals if you know those

1:43:13.040 --> 1:43:15.800
<v Speaker 1>Saturday morning car There's a truan officer and if you

1:43:15.840 --> 1:43:18.400
<v Speaker 1>skip school, they're going to track you down. So you're

1:43:18.439 --> 1:43:21.400
<v Speaker 1>skipping school and your father's in the educational system. Was

1:43:21.439 --> 1:43:23.840
<v Speaker 1>anybody aware of the fact you were skipping school? Well

1:43:23.880 --> 1:43:26.720
<v Speaker 1>not at first, and actually it was my dad who

1:43:26.760 --> 1:43:30.080
<v Speaker 1>busted me in the end. Um. But no, the teachers

1:43:30.160 --> 1:43:33.000
<v Speaker 1>didn't really notice because of the way that our system

1:43:33.080 --> 1:43:37.320
<v Speaker 1>worked at that time. UM. So I'd always appear for registrations,

1:43:37.400 --> 1:43:39.639
<v Speaker 1>so you were there when they called the roll call,

1:43:40.120 --> 1:43:41.920
<v Speaker 1>and then I would just go home. But my my,

1:43:42.200 --> 1:43:46.200
<v Speaker 1>my house was like jammed up against the playground of

1:43:46.280 --> 1:43:48.640
<v Speaker 1>the school, so I could just get home to my

1:43:48.760 --> 1:43:52.720
<v Speaker 1>bedroom in about five seconds. So it's very convenient for

1:43:52.920 --> 1:43:55.920
<v Speaker 1>skipping school until you had your father find out. He

1:43:56.000 --> 1:43:58.200
<v Speaker 1>came home one day unexpectedly and find me in my

1:43:58.280 --> 1:44:01.600
<v Speaker 1>bedroom with a bunch of pals smoking. I don't know

1:44:01.640 --> 1:44:04.080
<v Speaker 1>why else we were up to. You went absolutely mental,

1:44:04.600 --> 1:44:10.200
<v Speaker 1>and he called the head master and he doped me in.

1:44:10.439 --> 1:44:12.280
<v Speaker 1>He was like, my child this year, she should be

1:44:12.320 --> 1:44:14.400
<v Speaker 1>at school. I'm sending it in to see you right now.

1:44:15.040 --> 1:44:17.760
<v Speaker 1>And he sent me to the head master and I

1:44:17.920 --> 1:44:21.240
<v Speaker 1>got I can't remember what happened, but I got well

1:44:21.800 --> 1:44:25.560
<v Speaker 1>royally punished. I had to do like after school punishment

1:44:25.640 --> 1:44:27.439
<v Speaker 1>and all that. Well, did it set you on a

1:44:27.520 --> 1:44:30.080
<v Speaker 1>straight course or did you continue to diverge from the

1:44:30.120 --> 1:44:32.680
<v Speaker 1>straight and earra I continue, even at fifty one, to

1:44:32.800 --> 1:44:35.160
<v Speaker 1>diverge from the straight and now, Well, it's kind of funny.

1:44:35.200 --> 1:44:37.160
<v Speaker 1>It's hard to diverge from the straight and narrow. We

1:44:37.240 --> 1:44:39.360
<v Speaker 1>live in it. I'm older than you are, but certainly

1:44:39.479 --> 1:44:42.479
<v Speaker 1>lived through the sixties. It was the opposite of group think,

1:44:43.000 --> 1:44:45.719
<v Speaker 1>and now there's total group thinking, and if you feel otherwise,

1:44:46.040 --> 1:44:48.360
<v Speaker 1>you're really scorned by society. You end up feeling like

1:44:48.400 --> 1:44:51.439
<v Speaker 1>a party of one. That's my experience. You know, I'm

1:44:51.479 --> 1:44:53.439
<v Speaker 1>really lucky, and that I don't have that experience. I

1:44:53.520 --> 1:44:55.360
<v Speaker 1>know exactly what you're talking about, and I think that

1:44:55.479 --> 1:44:58.439
<v Speaker 1>does exist, and it's becoming more and more prevalent. But

1:44:58.560 --> 1:45:01.559
<v Speaker 1>I was really lucky and that I a very strong

1:45:01.640 --> 1:45:07.200
<v Speaker 1>minded father who had very definitive ideas, and I would

1:45:07.240 --> 1:45:10.799
<v Speaker 1>fight against him over and over and over again for years,

1:45:10.960 --> 1:45:13.040
<v Speaker 1>to the point where I learned to hold my own

1:45:13.080 --> 1:45:16.800
<v Speaker 1>in an argument. If he didn't, you know, agree with me,

1:45:17.040 --> 1:45:18.880
<v Speaker 1>that was cool. If I didn't agree with him, it

1:45:19.000 --> 1:45:20.960
<v Speaker 1>was cool. He was He was really fair that way,

1:45:21.560 --> 1:45:23.880
<v Speaker 1>and so I just learned to have to develop my

1:45:23.960 --> 1:45:27.680
<v Speaker 1>own system of ideas and beliefs. Do you think he

1:45:27.840 --> 1:45:31.880
<v Speaker 1>was doing that to inculcate that behavior in yourself or

1:45:31.960 --> 1:45:33.880
<v Speaker 1>do you think he was really rigid and you were

1:45:33.920 --> 1:45:37.880
<v Speaker 1>just a rebel? Neither of the bob. I think he

1:45:38.400 --> 1:45:41.439
<v Speaker 1>is quite rebellious my dad. Is he still with us, Yes,

1:45:41.520 --> 1:45:46.519
<v Speaker 1>he's still with us, and he's eighty one, and he's

1:45:46.880 --> 1:45:50.000
<v Speaker 1>very full of vigor and as a rigorous thinker, and

1:45:50.560 --> 1:45:53.400
<v Speaker 1>I think he enjoyed being challenged by me because he

1:45:53.520 --> 1:45:56.200
<v Speaker 1>often of course, when you have young children. He would

1:45:56.240 --> 1:45:59.240
<v Speaker 1>browbeat me easily for years and years and years, and

1:45:59.360 --> 1:46:02.360
<v Speaker 1>then event chually as I became a little more skilled

1:46:02.400 --> 1:46:05.840
<v Speaker 1>at arguing in my late teens. He I think he

1:46:05.920 --> 1:46:07.960
<v Speaker 1>enjoyed it was like it was a sport for him,

1:46:08.000 --> 1:46:09.639
<v Speaker 1>and it actually is a little bit of a sport

1:46:09.680 --> 1:46:11.320
<v Speaker 1>for me now, like I can argue with anyone. I

1:46:11.320 --> 1:46:13.200
<v Speaker 1>don't take it personally. I don't get upset when people

1:46:13.200 --> 1:46:16.080
<v Speaker 1>don't agree with me. I find it really interesting. I

1:46:16.280 --> 1:46:18.719
<v Speaker 1>love to argue, and no one wants to argue anymore.

1:46:21.680 --> 1:46:25.200
<v Speaker 1>It's really when you when you give a contrary opinion,

1:46:25.400 --> 1:46:28.680
<v Speaker 1>it's like spinal tap person. Look, no, my amp goes

1:46:28.760 --> 1:46:31.080
<v Speaker 1>to eleven. I mean, I don't want to do it

1:46:31.479 --> 1:46:36.880
<v Speaker 1>for my own personal aggrandization, whatever aggrandization, whatever the word

1:46:37.000 --> 1:46:39.559
<v Speaker 1>might be. It's it's fun to wrestle and tease out

1:46:39.600 --> 1:46:42.960
<v Speaker 1>the issues and makes me think afterward. But today everyone

1:46:43.040 --> 1:46:45.719
<v Speaker 1>thinks they have the answer. They can't see two different

1:46:45.760 --> 1:46:48.000
<v Speaker 1>sides of the coin, and they're very you. You look

1:46:48.040 --> 1:46:49.560
<v Speaker 1>like the curmudgeon when you go out there and you

1:46:49.640 --> 1:46:52.439
<v Speaker 1>disagree with people. Well, I think there's a couple of

1:46:52.520 --> 1:46:55.960
<v Speaker 1>factors at play. I think some people feel that they

1:46:56.000 --> 1:46:59.720
<v Speaker 1>are not they don't have conviction necessarily and what they believe. Like, no,

1:47:00.240 --> 1:47:02.879
<v Speaker 1>I am wrong all the time, but I do have conviction.

1:47:03.520 --> 1:47:06.960
<v Speaker 1>I believe really strongly and what I believe. And um,

1:47:07.760 --> 1:47:09.920
<v Speaker 1>I think some people get shaken when you disagree with

1:47:10.040 --> 1:47:14.400
<v Speaker 1>them and or they feel like they're losing an argument

1:47:15.000 --> 1:47:17.240
<v Speaker 1>if you even challenge the argument. And they've got this

1:47:17.560 --> 1:47:20.639
<v Speaker 1>some weird idea about how they must win. They must win.

1:47:20.760 --> 1:47:23.240
<v Speaker 1>Society's put all this pressure and must be winners. You

1:47:23.320 --> 1:47:25.599
<v Speaker 1>can't be a loser. I don't mind being a loser.

1:47:26.120 --> 1:47:28.960
<v Speaker 1>I mean that's really well described. But will you change

1:47:29.000 --> 1:47:31.600
<v Speaker 1>your opinion all the time? It makes me crazy if

1:47:31.600 --> 1:47:33.880
<v Speaker 1>you change your opinion because I'm writing my opinions down

1:47:34.240 --> 1:47:37.200
<v Speaker 1>and I say, hey, life evolved. It's like only in Washington,

1:47:37.280 --> 1:47:40.320
<v Speaker 1>d C. You can't change your opinion. So let's go back.

1:47:40.400 --> 1:47:43.920
<v Speaker 1>Your two sisters. Where are they today? My little sister,

1:47:44.400 --> 1:47:46.560
<v Speaker 1>it was how much younger. It's two years younger than me.

1:47:46.680 --> 1:47:49.680
<v Speaker 1>She's down in London doing what she works for a

1:47:49.840 --> 1:47:56.640
<v Speaker 1>photographic agent, so they support photographers in the fashion industry primarily. Um,

1:47:56.840 --> 1:47:59.479
<v Speaker 1>and my big sister is two years older than me.

1:47:59.560 --> 1:48:03.680
<v Speaker 1>It's exact, and like my favor we've got a common here, man,

1:48:04.240 --> 1:48:08.320
<v Speaker 1>I feel your pain. Brother. But my big sister, she

1:48:08.439 --> 1:48:12.320
<v Speaker 1>works in She was an intensive care nurse practically our

1:48:12.360 --> 1:48:15.519
<v Speaker 1>whole career, and now has has sort of semi moved

1:48:15.600 --> 1:48:19.880
<v Speaker 1>into health education. She teaches nurses. Now, are they married

1:48:20.000 --> 1:48:23.640
<v Speaker 1>or in relationships? My oldest sister is in a relationship.

1:48:23.760 --> 1:48:26.200
<v Speaker 1>My youngest sister is married with two kids. Okay, but

1:48:26.320 --> 1:48:29.320
<v Speaker 1>you've never been married, right? I am married? You are married.

1:48:29.320 --> 1:48:31.719
<v Speaker 1>I guess I was unaware. How long have you been married?

1:48:32.040 --> 1:48:34.560
<v Speaker 1>Eight years? Eight years? And is this your only marriage? No,

1:48:34.680 --> 1:48:37.960
<v Speaker 1>this is my second marriage. Okay, we'll save this for later. Okay,

1:48:38.120 --> 1:48:43.639
<v Speaker 1>so you're rebelling. Do you finish school? Not exactly. That's

1:48:43.720 --> 1:48:45.519
<v Speaker 1>kind of a black and white you know, yes or

1:48:45.560 --> 1:48:48.600
<v Speaker 1>no question. Yeah, I didn't get past high school. I

1:48:48.680 --> 1:48:52.560
<v Speaker 1>sort of flunked out in my last I should have

1:48:52.600 --> 1:48:54.280
<v Speaker 1>stayed on for another year and I didn't have flunked

1:48:54.320 --> 1:48:57.560
<v Speaker 1>out and I got really bad examination results, and my

1:48:57.640 --> 1:48:59.840
<v Speaker 1>parents were really disappointed in me, and there was a

1:49:00.200 --> 1:49:04.360
<v Speaker 1>silence over the dinner table at home. Okay, well, here

1:49:04.479 --> 1:49:07.519
<v Speaker 1>the crisis would be, if you drop out of high school,

1:49:07.520 --> 1:49:09.760
<v Speaker 1>you have to go to work. That is correct, My

1:49:09.880 --> 1:49:12.160
<v Speaker 1>dad said that to me, said, okay, you're you know,

1:49:12.320 --> 1:49:14.519
<v Speaker 1>you've crapped out of high school. You need to go

1:49:14.600 --> 1:49:17.280
<v Speaker 1>get yourself a job. And did you did? And what

1:49:17.439 --> 1:49:22.240
<v Speaker 1>was that job? I worked in a female fashion shop,

1:49:22.479 --> 1:49:25.320
<v Speaker 1>a little like Forever twenty one. It was called miss Selfridge.

1:49:26.200 --> 1:49:31.160
<v Speaker 1>And how long did that last? Five years? Five years?

1:49:32.000 --> 1:49:35.479
<v Speaker 1>And any upward any any upward mobility or you're just

1:49:35.640 --> 1:49:38.280
<v Speaker 1>the sales clerk in the shop for five years. I

1:49:38.320 --> 1:49:40.799
<v Speaker 1>don't say this for comic relief. I was actually demoted.

1:49:42.360 --> 1:49:46.320
<v Speaker 1>I started off. I started off as a sales clerk

1:49:47.520 --> 1:49:49.560
<v Speaker 1>what we call the shop assistant, and then I was

1:49:49.640 --> 1:49:52.360
<v Speaker 1>demoted to the stock room because I was unpleasant, quote unquote,

1:49:52.360 --> 1:49:56.960
<v Speaker 1>I was unpleasant to the customers. I love that. I

1:49:57.120 --> 1:50:00.519
<v Speaker 1>love that. So you're unpleasant. But they didn't are they

1:50:00.560 --> 1:50:04.760
<v Speaker 1>didn't fire me. Okay. And at the time, okay, you're

1:50:04.800 --> 1:50:08.599
<v Speaker 1>smoking dope, drinking what are you doing? I was doing

1:50:08.600 --> 1:50:11.320
<v Speaker 1>a lot of speed. That was my drug of choice,

1:50:11.439 --> 1:50:19.120
<v Speaker 1>and I like the feeling of being fast. Okay and okay,

1:50:19.200 --> 1:50:21.960
<v Speaker 1>going back. Was their music in your house growing up? Yeah,

1:50:22.080 --> 1:50:23.360
<v Speaker 1>there was a lot of music in my house. My

1:50:23.439 --> 1:50:27.719
<v Speaker 1>mom was a sort of semi amateur singer. Um semi professional.

1:50:27.800 --> 1:50:30.800
<v Speaker 1>Should I see? She sang with us a swing band

1:50:30.840 --> 1:50:33.200
<v Speaker 1>called the Squadron Ears before I was born, and then

1:50:33.320 --> 1:50:36.960
<v Speaker 1>she used to sing for like weddings and concert parties

1:50:37.000 --> 1:50:39.439
<v Speaker 1>at the church. And hey, you're playing footsie with me, Bob,

1:50:40.160 --> 1:50:43.400
<v Speaker 1>you have a very long I can't believe my legs

1:50:43.439 --> 1:50:45.599
<v Speaker 1>reach that far. The first time this has ever happened

1:50:45.600 --> 1:50:49.679
<v Speaker 1>here on the podcast. But um, I noticed I touched before.

1:50:49.680 --> 1:50:51.960
<v Speaker 1>I didn't even notice that time. But when she was

1:50:52.040 --> 1:50:55.519
<v Speaker 1>professional before you were born, how serious was that? Not

1:50:55.640 --> 1:50:58.439
<v Speaker 1>particularly serious? I mean, my mom got bless her. She

1:50:58.479 --> 1:51:00.519
<v Speaker 1>didn't have a lot of confidence in herself, so nothing

1:51:00.640 --> 1:51:03.720
<v Speaker 1>she did she considered very serious. But she was a

1:51:03.800 --> 1:51:06.280
<v Speaker 1>good singer, and she loved music, and she introduced me

1:51:06.400 --> 1:51:09.200
<v Speaker 1>to music, and my love of music comes from her. Okay,

1:51:09.240 --> 1:51:11.920
<v Speaker 1>so would she play records in the house? What kind

1:51:11.960 --> 1:51:15.679
<v Speaker 1>of records? She introduced me to a lot of like Elephants, Gerald,

1:51:15.720 --> 1:51:19.400
<v Speaker 1>Nina Simon st von Um. She loved Barbara Streisan, she

1:51:19.520 --> 1:51:24.160
<v Speaker 1>loved Barry Manilo, and she loved show tunes. The show

1:51:24.240 --> 1:51:26.120
<v Speaker 1>Too was a similar thing. Growing up. My mother played

1:51:26.160 --> 1:51:30.160
<v Speaker 1>them all the time. But and she is deceased, My

1:51:30.520 --> 1:51:33.120
<v Speaker 1>my mom too, right now, my mother is alive. My

1:51:33.200 --> 1:51:35.800
<v Speaker 1>father's dead, been dead for twenty five years. My mother's

1:51:35.840 --> 1:51:37.880
<v Speaker 1>ninety one. But your mother, based on what you said earlier,

1:51:38.120 --> 1:51:39.800
<v Speaker 1>your mother is no longer with, no longer with How

1:51:39.880 --> 1:51:44.080
<v Speaker 1>long ago did she pass? About nine years ago? Okay?

1:51:44.160 --> 1:51:47.280
<v Speaker 1>Is your father ever got involved in another relationship? Yes,

1:51:47.400 --> 1:51:52.560
<v Speaker 1>he has not. Is he a serial data or is

1:51:52.600 --> 1:51:55.639
<v Speaker 1>that one specific woman. There's been a couple of women

1:51:55.640 --> 1:51:59.000
<v Speaker 1>who's been interested in and is pursued with great passion

1:51:59.120 --> 1:52:01.880
<v Speaker 1>and vigor and has gotten his own way a couple

1:52:01.920 --> 1:52:04.000
<v Speaker 1>of times. And so what do you What does it

1:52:04.200 --> 1:52:06.200
<v Speaker 1>feel like being his daughter? Well, it was funny. I

1:52:06.320 --> 1:52:08.360
<v Speaker 1>was cool with it because I knew my dad loved

1:52:08.360 --> 1:52:10.880
<v Speaker 1>my mom and I knew that, you know, there was

1:52:10.920 --> 1:52:12.639
<v Speaker 1>nothing going to bring my mom back, So I wanted

1:52:12.720 --> 1:52:14.800
<v Speaker 1>my dad to have happiness, so it didn't bother me.

1:52:15.000 --> 1:52:18.080
<v Speaker 1>It creeped me out a wee bit, you know, thinking

1:52:18.080 --> 1:52:20.400
<v Speaker 1>about my dad having an erection was just too much there.

1:52:21.040 --> 1:52:23.200
<v Speaker 1>But I was cool with him having fun in his life.

1:52:23.240 --> 1:52:26.519
<v Speaker 1>I wanted that for him. But my younger sister had

1:52:26.640 --> 1:52:29.320
<v Speaker 1>she wrestled with it the hardest. She she she found

1:52:29.360 --> 1:52:32.040
<v Speaker 1>it difficult to accept. Well, how long after the passing

1:52:32.080 --> 1:52:34.519
<v Speaker 1>of your mother. Did he get started very quickly? And

1:52:34.760 --> 1:52:36.960
<v Speaker 1>was your mother sick or was it a sudden death? Yeah,

1:52:36.960 --> 1:52:39.040
<v Speaker 1>my mom was sick. She had a very rare form

1:52:39.080 --> 1:52:42.680
<v Speaker 1>of dementia, which is called Picks disease um and it

1:52:42.760 --> 1:52:44.400
<v Speaker 1>was very aggressive and sort of took her out the

1:52:44.439 --> 1:52:47.800
<v Speaker 1>game in about eighteen months. My mother's you know, is

1:52:47.880 --> 1:52:52.080
<v Speaker 1>on is on that excursion. So I speak speak with her,

1:52:52.120 --> 1:52:53.920
<v Speaker 1>and she'll go on and on. But whatever I tell

1:52:53.960 --> 1:52:56.840
<v Speaker 1>her today, the next day, it'd be like we didn't

1:52:56.880 --> 1:52:59.160
<v Speaker 1>even discuss. You See, my mom's disease wasn't like that.

1:52:59.400 --> 1:53:01.600
<v Speaker 1>It was a a different kind of it was. She

1:53:02.400 --> 1:53:05.599
<v Speaker 1>sort of became just physically difficult to operate in the world.

1:53:05.680 --> 1:53:07.600
<v Speaker 1>She always knew who I was. She never didn't know

1:53:08.040 --> 1:53:10.440
<v Speaker 1>we were. No. Like I said, it was very aggressive,

1:53:10.880 --> 1:53:13.200
<v Speaker 1>an unusual form of Picks disease, and that the doctor

1:53:13.280 --> 1:53:17.200
<v Speaker 1>in our hometown nobody had ever had an incident of

1:53:17.280 --> 1:53:19.560
<v Speaker 1>this particular type of disease. So she was young. She

1:53:19.680 --> 1:53:22.160
<v Speaker 1>was sixty nine when she was diagnosed, very young. And

1:53:22.320 --> 1:53:26.360
<v Speaker 1>so how long did she go undiagnosed? Well, here's the

1:53:26.400 --> 1:53:28.400
<v Speaker 1>other issue in our families. I knew there was something

1:53:28.439 --> 1:53:30.960
<v Speaker 1>wrong with my mom. My family told me I was crazy. Well,

1:53:31.000 --> 1:53:32.839
<v Speaker 1>I have the same thing with my father got canceled.

1:53:33.320 --> 1:53:34.960
<v Speaker 1>We were having to be in Mammoth Lakes, which is

1:53:34.960 --> 1:53:37.479
<v Speaker 1>a ski area about four hours from Los Angeles, and

1:53:37.560 --> 1:53:39.519
<v Speaker 1>I went out with my father to pick up a pizza,

1:53:40.080 --> 1:53:42.200
<v Speaker 1>and my father's for the whole half hour waiting for

1:53:42.240 --> 1:53:44.720
<v Speaker 1>the pizza, just had his head in his hand, and

1:53:44.760 --> 1:53:46.280
<v Speaker 1>he was coming And I came back and I told

1:53:46.320 --> 1:53:48.519
<v Speaker 1>my mother, oh, you know something wrong with our flashes. Oh,

1:53:48.640 --> 1:53:51.000
<v Speaker 1>he just had a physical. He's fine, he's fine. And

1:53:51.080 --> 1:53:54.000
<v Speaker 1>a week later they found out the cancer. I'm so sorry.

1:53:54.240 --> 1:53:55.679
<v Speaker 1>Well it was a long time ago. At this point,

1:53:55.800 --> 1:53:59.320
<v Speaker 1>it doesn't it's always painful to lose your loved ones. Well,

1:53:59.479 --> 1:54:03.040
<v Speaker 1>my father I had at seventy and when he died,

1:54:03.560 --> 1:54:05.880
<v Speaker 1>I was not quite forty, and I thought, oh, that's

1:54:05.880 --> 1:54:08.599
<v Speaker 1>a pretty good run. But now I say, wow, that's

1:54:08.640 --> 1:54:12.960
<v Speaker 1>really young. Really, so there's music in the household. At

1:54:13.040 --> 1:54:15.439
<v Speaker 1>what point do you start to sing or play yourself.

1:54:16.120 --> 1:54:19.320
<v Speaker 1>I was playing really young because my mom and dad

1:54:19.400 --> 1:54:22.200
<v Speaker 1>got me into piano lessons on singing in an ac choir.

1:54:22.360 --> 1:54:24.559
<v Speaker 1>So that was around about seven years old. Did you practice,

1:54:25.000 --> 1:54:27.439
<v Speaker 1>did I? No? No, no, I don't think the piano

1:54:27.560 --> 1:54:30.599
<v Speaker 1>lessons too, But the practicing was the weakling. I found

1:54:30.640 --> 1:54:33.160
<v Speaker 1>it very hard to practice anything, and that has continued

1:54:33.160 --> 1:54:36.520
<v Speaker 1>throughout my entire life. I'm very lax about rehearsing and

1:54:36.800 --> 1:54:40.120
<v Speaker 1>practicing and and actually being a good student in that regard.

1:54:40.800 --> 1:54:43.320
<v Speaker 1>But yeah, I was singing and playing by about seven,

1:54:43.480 --> 1:54:46.040
<v Speaker 1>and that just continued through my life. My school picked

1:54:46.080 --> 1:54:48.760
<v Speaker 1>me out to like learn the violin, the clarinet, playing

1:54:48.800 --> 1:54:52.280
<v Speaker 1>the school orchestra. Can you read music even at this

1:54:52.400 --> 1:54:54.280
<v Speaker 1>late day, you haven't forgotten it? Now, you don't forget

1:54:54.360 --> 1:54:57.400
<v Speaker 1>that people claim to forgotten that, Billy Joel whatever. But

1:54:57.680 --> 1:55:00.520
<v Speaker 1>as someone who could read music basically, then occasion I'll

1:55:00.560 --> 1:55:02.840
<v Speaker 1>sit down at the piano and then I look at

1:55:02.880 --> 1:55:05.320
<v Speaker 1>the bass cliff and I go, there's no way. See,

1:55:05.320 --> 1:55:06.920
<v Speaker 1>it's funny you should say that because it's always the

1:55:06.920 --> 1:55:09.480
<v Speaker 1>bass cliff cliff that is the hardest one to remember.

1:55:09.520 --> 1:55:10.920
<v Speaker 1>But if you just play for a wee bit, it

1:55:11.000 --> 1:55:15.040
<v Speaker 1>comes back. So you're playing it at this point, do

1:55:15.120 --> 1:55:17.560
<v Speaker 1>you ever have an light bulb go off and say

1:55:17.640 --> 1:55:19.840
<v Speaker 1>this is what I'd like to do from my life? Never?

1:55:20.520 --> 1:55:24.760
<v Speaker 1>So what changes you know? This? This is a bit

1:55:24.800 --> 1:55:26.760
<v Speaker 1>of a long on boding story I've told a million times,

1:55:26.840 --> 1:55:30.600
<v Speaker 1>but nothing ever changed, Nothing ever changed. No, I stumbled

1:55:30.640 --> 1:55:34.080
<v Speaker 1>from pillar to post literally as my entire That is

1:55:34.120 --> 1:55:37.320
<v Speaker 1>certainly a Scottish expression. No one in America is going

1:55:37.360 --> 1:55:39.200
<v Speaker 1>to say pillar to post. Okay, well, but you get

1:55:39.240 --> 1:55:41.240
<v Speaker 1>the express, the idea. I know what you said, but

1:55:41.440 --> 1:55:45.080
<v Speaker 1>you know, I just haven't heard the expression. But nothing

1:55:45.160 --> 1:55:47.560
<v Speaker 1>in my life has ever been planned. I have my

1:55:47.880 --> 1:55:51.600
<v Speaker 1>My entire career has been made up of stumbling from

1:55:51.680 --> 1:55:54.520
<v Speaker 1>one place to the next and no plan, no real

1:55:54.800 --> 1:55:57.400
<v Speaker 1>solid ambition. Although my dad claims that that's not true.

1:55:57.600 --> 1:56:00.960
<v Speaker 1>But I don't remember having any major ambition to do

1:56:01.120 --> 1:56:03.640
<v Speaker 1>much except be a ballerina. That's what I really burned

1:56:03.680 --> 1:56:05.440
<v Speaker 1>to do. Then I couldn't do that because I got

1:56:05.480 --> 1:56:07.440
<v Speaker 1>too tall and I hurt my ankle. So then I

1:56:07.480 --> 1:56:09.440
<v Speaker 1>wanted to be an actress. This is it? What age?

1:56:09.480 --> 1:56:13.840
<v Speaker 1>What age? Do you hurt your ankle? I was. It's

1:56:13.840 --> 1:56:17.360
<v Speaker 1>a good question. Eleven. Then you want to be an actor?

1:56:17.960 --> 1:56:19.960
<v Speaker 1>Do you act on that? Do you actually act? In

1:56:20.000 --> 1:56:23.360
<v Speaker 1>school places? I had a drama teacher that took great

1:56:23.400 --> 1:56:25.640
<v Speaker 1>interest in me and got me out into Edinburgh. You

1:56:25.720 --> 1:56:28.360
<v Speaker 1>theater outside of the school as well. She encouraged me

1:56:28.440 --> 1:56:31.680
<v Speaker 1>to like audition for drama school, and so and so forth.

1:56:32.000 --> 1:56:34.800
<v Speaker 1>I didn't get into drama school. And that's summer that

1:56:34.840 --> 1:56:37.200
<v Speaker 1>I didn't get into drama school. I got approached by

1:56:37.840 --> 1:56:39.920
<v Speaker 1>this guy that I had met at Edinburgh Theater who

1:56:39.960 --> 1:56:43.840
<v Speaker 1>needed a keyboard player in his band. And because you know,

1:56:44.360 --> 1:56:47.040
<v Speaker 1>I've been living in l a long enough, doesn't just happen.

1:56:47.760 --> 1:56:51.440
<v Speaker 1>So how was he aware that you played the keyboard? Well,

1:56:51.440 --> 1:56:53.360
<v Speaker 1>I think he maybe asked me. He was very interested

1:56:53.400 --> 1:56:57.520
<v Speaker 1>in me sexually. Okay, that's straightforward. He was more interested

1:56:57.560 --> 1:57:00.839
<v Speaker 1>in me, I think, sexually than he was by musical skills.

1:57:00.960 --> 1:57:03.040
<v Speaker 1>But he knew I played pianos so and he knew

1:57:03.280 --> 1:57:06.280
<v Speaker 1>he could lure me into his band to play keyboards.

1:57:06.680 --> 1:57:08.800
<v Speaker 1>But you have to say yes. I didn't have to

1:57:08.840 --> 1:57:11.680
<v Speaker 1>see yes. You did say yes. I did. So what

1:57:11.920 --> 1:57:14.640
<v Speaker 1>was your inspiration for saying yes? Because I've just been

1:57:14.680 --> 1:57:18.880
<v Speaker 1>rejected from drama college, so I had nothing else to do,

1:57:19.040 --> 1:57:21.760
<v Speaker 1>and so for want of some entertainment in my life,

1:57:21.800 --> 1:57:23.840
<v Speaker 1>I joined the band. And this was at what age

1:57:24.760 --> 1:57:28.040
<v Speaker 1>fifteen or sixteen? Okay, so you go and you have

1:57:28.240 --> 1:57:31.080
<v Speaker 1>this band, what kind of music you play? Well? You

1:57:31.120 --> 1:57:35.560
<v Speaker 1>would call it alternative pop rock. Okay, we're the originals

1:57:35.640 --> 1:57:38.680
<v Speaker 1>were playing? Was on the hip parade? They were originals.

1:57:39.560 --> 1:57:41.440
<v Speaker 1>I can't ask me if they were on the hip three.

1:57:41.520 --> 1:57:43.520
<v Speaker 1>That is the cutest thing I've ever been asked. I

1:57:43.640 --> 1:57:47.680
<v Speaker 1>think so they were originals. And in the United States,

1:57:47.720 --> 1:57:50.440
<v Speaker 1>which is my frame of reference, it's very hard to

1:57:50.520 --> 1:57:55.080
<v Speaker 1>get work being an upstart band playing originals. So did

1:57:55.120 --> 1:57:57.200
<v Speaker 1>you get gigs with this band? We did get gigs.

1:57:57.240 --> 1:57:59.400
<v Speaker 1>You know. We were lucky that we marriage from Scotland,

1:57:59.440 --> 1:58:02.720
<v Speaker 1>which had all music scene, and so we'd be pretty fast.

1:58:02.800 --> 1:58:05.560
<v Speaker 1>Became quite large fish in a very small poem. Well

1:58:05.640 --> 1:58:07.600
<v Speaker 1>that would you know, seem to say that you were good?

1:58:07.840 --> 1:58:11.120
<v Speaker 1>We were good? So why were you good? We were

1:58:11.520 --> 1:58:14.720
<v Speaker 1>really unique, really original, Like we were like no other

1:58:14.840 --> 1:58:17.000
<v Speaker 1>band I have ever seen in my life. I mean,

1:58:17.080 --> 1:58:21.440
<v Speaker 1>we were a right bunch of Motley crew. Um. We

1:58:21.560 --> 1:58:27.800
<v Speaker 1>were quite rebellious and we we're just very committed to

1:58:28.080 --> 1:58:31.840
<v Speaker 1>putting on good shoes. So I have to ask, did

1:58:31.880 --> 1:58:34.760
<v Speaker 1>you ear a romantic partnership with that guy who asked you? Yes?

1:58:34.840 --> 1:58:37.360
<v Speaker 1>I did. Okay. How long did that last? I don't know,

1:58:37.440 --> 1:58:40.160
<v Speaker 1>about six months, I think. Okay, when that ended did

1:58:40.200 --> 1:58:45.280
<v Speaker 1>the band break up? The band? The band survived, So

1:58:45.400 --> 1:58:47.440
<v Speaker 1>how long did the band go on? For? Ten years?

1:58:48.000 --> 1:58:53.320
<v Speaker 1>And the name of that band was Goodbye, Mr Mackenzie. Okay,

1:58:53.440 --> 1:58:56.560
<v Speaker 1>Well return to this conversation with Trulie Manson of Garbage

1:58:56.760 --> 1:59:02.400
<v Speaker 1>in a moment. You're listening to the Bomb Left Sets podcast,

1:59:02.480 --> 1:59:06.280
<v Speaker 1>recorded at the tune In Studios in Venice, California. Each week,

1:59:06.320 --> 1:59:08.520
<v Speaker 1>I interview a new guest and dive into their lives

1:59:08.560 --> 1:59:11.960
<v Speaker 1>and careers. If you enjoy listening to the podcast, subscribe,

1:59:12.360 --> 1:59:14.920
<v Speaker 1>rate and review the show. Please also check out some

1:59:14.960 --> 1:59:17.839
<v Speaker 1>of the earlier episodes, like my conversation with Nancy Wilson

1:59:18.080 --> 1:59:21.640
<v Speaker 1>of the band Heart and famous skateboarder Tony Hawk. You

1:59:21.720 --> 1:59:24.040
<v Speaker 1>can hear them all on tune in the Apple podcast

1:59:24.200 --> 1:59:27.160
<v Speaker 1>or your podcast player of choice. And now more with

1:59:27.280 --> 1:59:32.240
<v Speaker 1>Shirley Manson. So when you're in Goodbye, Mr Mackenzie, are

1:59:32.320 --> 1:59:34.320
<v Speaker 1>you for five years you still working in the shop?

1:59:34.440 --> 1:59:37.760
<v Speaker 1>You are correct? Okay? At what point when you stop

1:59:37.880 --> 1:59:40.280
<v Speaker 1>working in the shop, are you living off the money

1:59:40.680 --> 1:59:43.800
<v Speaker 1>from the band or are you have to get another

1:59:43.880 --> 1:59:46.920
<v Speaker 1>day job. I'm living off my day job. Okay, but

1:59:47.000 --> 1:59:50.800
<v Speaker 1>after they after working in the shop, excuse me, then

1:59:51.480 --> 1:59:55.600
<v Speaker 1>I barely existed off money from the band, barely. Okay,

1:59:55.800 --> 1:59:57.960
<v Speaker 1>still living at your parents? Hum, still living at my parents.

1:59:58.120 --> 2:00:00.400
<v Speaker 1>You know, in America things have changed. But in my era,

2:00:00.840 --> 2:00:02.200
<v Speaker 1>once you got out of high school, parents said you

2:00:02.240 --> 2:00:03.960
<v Speaker 1>gotta get out of the house, and of course you

2:00:04.000 --> 2:00:06.640
<v Speaker 1>could afford to live somewhere on a minimum wage. Now

2:00:06.680 --> 2:00:08.560
<v Speaker 1>it's just the opposite. I can't afford to living where

2:00:08.560 --> 2:00:10.520
<v Speaker 1>I'm minimum wage, and people want their kids, and people

2:00:10.600 --> 2:00:12.840
<v Speaker 1>do move back. So what did your parents think, You're

2:00:12.840 --> 2:00:15.080
<v Speaker 1>getting older and older still living in their house. My

2:00:15.240 --> 2:00:19.440
<v Speaker 1>mom wanted me so there was It was never even discussed. Really,

2:00:19.520 --> 2:00:22.600
<v Speaker 1>so she did made all your meals, clean your clothes.

2:00:22.760 --> 2:00:24.360
<v Speaker 1>No at that point, I mean I was an adult

2:00:24.400 --> 2:00:26.920
<v Speaker 1>by that point, but no, she she wanted her children

2:00:26.960 --> 2:00:29.120
<v Speaker 1>amongst her for as long as she could possibly have them,

2:00:29.120 --> 2:00:32.000
<v Speaker 1>and my dad didn't dare question that. Okay, so you're

2:00:32.040 --> 2:00:36.320
<v Speaker 1>in the band for ten years. That's a long period

2:00:36.360 --> 2:00:37.960
<v Speaker 1>of time and it takes a long time to make it.

2:00:38.400 --> 2:00:41.320
<v Speaker 1>But at that time, do you have a fantasy of

2:00:41.520 --> 2:00:44.720
<v Speaker 1>this being a gig in stardom or you just doing it.

2:00:45.040 --> 2:00:47.120
<v Speaker 1>I'm doing it because I really loved it. I mean

2:00:47.440 --> 2:00:50.320
<v Speaker 1>in retrospect. I really did love it, and I wasn't

2:00:50.360 --> 2:00:53.680
<v Speaker 1>looking to be rich. I knew it sort of deep down,

2:00:53.680 --> 2:00:55.160
<v Speaker 1>and I was like, we're never going to be rich,

2:00:55.280 --> 2:00:58.240
<v Speaker 1>We're never going to be hugely successful. But I really

2:00:58.360 --> 2:01:00.720
<v Speaker 1>love doing what I get to do. And we traveled

2:01:00.760 --> 2:01:01.960
<v Speaker 1>a lot, so it was the first time I got

2:01:02.040 --> 2:01:05.000
<v Speaker 1>to go to mainland Europe, go to France, go to Germany,

2:01:05.120 --> 2:01:07.040
<v Speaker 1>go to Holland. I mean, I went all over the

2:01:07.120 --> 2:01:09.720
<v Speaker 1>place with this band. So that was exciting to me.

2:01:09.800 --> 2:01:13.800
<v Speaker 1>And it was enough that of course begs the question

2:01:13.840 --> 2:01:17.400
<v Speaker 1>which you maybe get into later. You're you're touring at

2:01:17.440 --> 2:01:20.360
<v Speaker 1>a relatively low level, and what's it like being a

2:01:20.440 --> 2:01:24.320
<v Speaker 1>woman on the road. You know. I didn't really think

2:01:24.360 --> 2:01:26.640
<v Speaker 1>about it too much because in my very first band

2:01:27.520 --> 2:01:30.280
<v Speaker 1>it was very eglitarian, and the Scots in general are

2:01:30.400 --> 2:01:33.280
<v Speaker 1>pretty like, even in a funny way, in a different

2:01:33.360 --> 2:01:36.800
<v Speaker 1>way that men and women are much more sort of

2:01:36.960 --> 2:01:40.440
<v Speaker 1>equal in Scottish society in some ways, and I'm not

2:01:40.640 --> 2:01:42.600
<v Speaker 1>entirely sure why, and this is the first time that's

2:01:42.600 --> 2:01:44.360
<v Speaker 1>ever come out of my mouth. I'm just sort of speaking.

2:01:45.520 --> 2:01:49.360
<v Speaker 1>But it never was an issue. Sexism was never in

2:01:49.480 --> 2:01:52.280
<v Speaker 1>my mind an issue. However, looking back on it too,

2:01:52.640 --> 2:01:54.280
<v Speaker 1>I wasn't one of the writers in the band. It

2:01:54.400 --> 2:01:56.960
<v Speaker 1>was two male members who kept all the writing to

2:01:57.040 --> 2:02:00.560
<v Speaker 1>themselves and never invited anybody else into the right dynamics.

2:02:00.640 --> 2:02:03.560
<v Speaker 1>So they were the pirate seat. And I just didn't

2:02:03.680 --> 2:02:05.920
<v Speaker 1>care about money back then, and I didn't care about

2:02:06.240 --> 2:02:09.080
<v Speaker 1>power back then, or I didn't even speak in those terms.

2:02:09.160 --> 2:02:12.360
<v Speaker 1>I just was having fun and that was enough really,

2:02:12.480 --> 2:02:15.440
<v Speaker 1>So there were no ultimate goals down the road. None.

2:02:16.760 --> 2:02:20.680
<v Speaker 1>It's kind of funny there. It's a fascinating thing because

2:02:20.680 --> 2:02:23.120
<v Speaker 1>there's a book called You Just Don't Understand, and it

2:02:23.160 --> 2:02:26.120
<v Speaker 1>sounds like a self help book written by this PhD.

2:02:26.280 --> 2:02:30.080
<v Speaker 1>Deborah Tannin, who studies language, and she says, men are

2:02:30.120 --> 2:02:32.880
<v Speaker 1>all about the pecking order, okay, and I'm trying to

2:02:33.000 --> 2:02:35.400
<v Speaker 1>rise to the top where women are about the community.

2:02:35.480 --> 2:02:37.640
<v Speaker 1>Like if a guy loses his job, he loses his

2:02:37.760 --> 2:02:40.320
<v Speaker 1>identity where she would say a woman. And of course

2:02:40.320 --> 2:02:42.440
<v Speaker 1>there're exceptions to all this. Well, this is where I

2:02:42.480 --> 2:02:44.440
<v Speaker 1>am now, this is where I'll be tomorrow, and I'm

2:02:44.560 --> 2:02:46.880
<v Speaker 1>just enjoying what I'm doing now. Yeah, I mean again,

2:02:46.920 --> 2:02:50.360
<v Speaker 1>like you say, there's there's they're sweeping generalizations right in

2:02:50.360 --> 2:02:53.720
<v Speaker 1>this exceptions to all the rules, but in this case, yeah,

2:02:53.760 --> 2:02:56.960
<v Speaker 1>I think I had been taught from a very early

2:02:57.000 --> 2:03:01.880
<v Speaker 1>age basically just to be in the clan system, and

2:03:02.000 --> 2:03:05.000
<v Speaker 1>wherever your seat was in that system was your seat.

2:03:05.840 --> 2:03:08.520
<v Speaker 1>I just accepted my seat. Now that's changed as I've

2:03:08.520 --> 2:03:11.000
<v Speaker 1>gotten older, I started to fight for my own seat

2:03:11.400 --> 2:03:13.280
<v Speaker 1>and the seat that I want. But back then I

2:03:13.480 --> 2:03:17.760
<v Speaker 1>was very sort of submissive, I guess. So the band

2:03:17.800 --> 2:03:22.560
<v Speaker 1>goes on for ten years, what to what degree is

2:03:22.600 --> 2:03:26.520
<v Speaker 1>it successful by worldwide standards? Well, we got signed by

2:03:26.520 --> 2:03:28.600
<v Speaker 1>a large label. We got signed by My Records and

2:03:28.680 --> 2:03:32.200
<v Speaker 1>Capital Records, and we started bounced between those two labels,

2:03:32.400 --> 2:03:34.480
<v Speaker 1>and we've got a big advance, but that all went

2:03:34.520 --> 2:03:36.320
<v Speaker 1>to the writing partners. I didn't see any of that.

2:03:37.040 --> 2:03:38.880
<v Speaker 1>But we did get a big advance, and there was

2:03:38.880 --> 2:03:42.640
<v Speaker 1>a great buzz on the band, and we charted very briefly, um,

2:03:43.160 --> 2:03:45.960
<v Speaker 1>which was enough to sustain us to keep trying and

2:03:46.040 --> 2:03:49.120
<v Speaker 1>trying and trying for years. How many records did you

2:03:49.200 --> 2:03:52.800
<v Speaker 1>make in that under that moniker? Well, I think I

2:03:52.960 --> 2:03:56.560
<v Speaker 1>did four, but after you left they did more. They

2:03:56.600 --> 2:03:59.640
<v Speaker 1>did another two. I think. Okay, so you did those

2:03:59.720 --> 2:04:03.240
<v Speaker 1>four and then you made a solo record under not

2:04:03.440 --> 2:04:06.600
<v Speaker 1>your own name. Correct, Although the so so called solo

2:04:06.680 --> 2:04:10.200
<v Speaker 1>record was really just a recalibration of Goodbye Mr. Mackenzie,

2:04:10.200 --> 2:04:12.040
<v Speaker 1>which was my first band. I E, the lead singer

2:04:12.040 --> 2:04:15.040
<v Speaker 1>of Goodbye Ms. Mackenzie, stepped back and I took over

2:04:15.120 --> 2:04:18.320
<v Speaker 1>lead vocals because we had gone to Berlin to make

2:04:18.360 --> 2:04:21.640
<v Speaker 1>a record Berlin. That's funny. I know what you're talking about,

2:04:21.640 --> 2:04:23.760
<v Speaker 1>but my brain had a percolade Verson sorry, excuse me,

2:04:24.600 --> 2:04:28.360
<v Speaker 1>why Berlin this? I don't know what year this was in?

2:04:28.680 --> 2:04:30.760
<v Speaker 1>What is it with the UK? I mean, you know,

2:04:31.000 --> 2:04:35.720
<v Speaker 1>Actung Baby? You two went to uh Berlin, went to Berlin?

2:04:36.440 --> 2:04:39.680
<v Speaker 1>Why Berlin? Well, David Boye went to Berlin, and therefore

2:04:40.440 --> 2:04:43.800
<v Speaker 1>everybody else wanted to go there, And interestingly enough, Acting

2:04:43.880 --> 2:04:46.600
<v Speaker 1>Baby was being recorded enhance the studios at the same

2:04:46.640 --> 2:04:48.880
<v Speaker 1>time that we were there, and so we were all

2:04:48.880 --> 2:04:50.880
<v Speaker 1>there when the wall came down, and it was we

2:04:50.960 --> 2:04:53.240
<v Speaker 1>were literally there when the wall We were literally was

2:04:53.320 --> 2:04:56.320
<v Speaker 1>that like crazy? Literally somebody just called us something went

2:04:56.480 --> 2:04:58.320
<v Speaker 1>where are you right now? We're like, we're in the studio.

2:04:58.520 --> 2:04:59.840
<v Speaker 1>It's like you need to get to the wall there

2:05:00.000 --> 2:05:02.760
<v Speaker 1>going it down right now? There was that quick. I

2:05:02.800 --> 2:05:04.680
<v Speaker 1>have a piece of the wall in my home in Scotland,

2:05:05.520 --> 2:05:08.240
<v Speaker 1>and so was there any once you went out to

2:05:08.280 --> 2:05:11.160
<v Speaker 1>the wall. Was there any fear? No? Was it just excitement.

2:05:11.360 --> 2:05:14.280
<v Speaker 1>Everybody was really excited and it was crazy. Well, when

2:05:14.320 --> 2:05:17.040
<v Speaker 1>I went to Berlin, as you say, and you're there

2:05:17.080 --> 2:05:19.600
<v Speaker 1>in the wall that still remains. On one side is

2:05:19.640 --> 2:05:22.640
<v Speaker 1>the bunker. On the west side is where you know,

2:05:22.840 --> 2:05:25.400
<v Speaker 1>underground where Hitler was. On the other side you see

2:05:25.440 --> 2:05:27.800
<v Speaker 1>where they're the buildings where they wouldn't let people live

2:05:27.960 --> 2:05:29.960
<v Speaker 1>because they were afraid. The first they were using ropes

2:05:30.040 --> 2:05:32.320
<v Speaker 1>to go over the wall. I mean, you get this

2:05:32.520 --> 2:05:35.760
<v Speaker 1>really heavy feeling. It's really scary. I mean, when I

2:05:35.840 --> 2:05:39.000
<v Speaker 1>first went to Berlin, you know, Checkpoint Charlie was still

2:05:39.040 --> 2:05:41.320
<v Speaker 1>operating and we still had to cross through it to

2:05:41.360 --> 2:05:44.000
<v Speaker 1>get to East Berlin, you know, and East Berlin had nothing.

2:05:44.280 --> 2:05:45.720
<v Speaker 1>You know, you go to East Berlin now and it's

2:05:45.760 --> 2:05:48.680
<v Speaker 1>like any affluent part of Europe, but back then it

2:05:48.880 --> 2:05:50.920
<v Speaker 1>was it was grim and there wasn't much there and

2:05:51.000 --> 2:05:53.680
<v Speaker 1>people were really struggling. So when you're in Berlin record

2:05:53.680 --> 2:05:56.840
<v Speaker 1>you would go to East Berlin with just to see

2:05:56.880 --> 2:05:58.760
<v Speaker 1>what's going on. But we went there to see what's

2:05:58.760 --> 2:06:01.280
<v Speaker 1>going on there, and because of an incredibly hip kind

2:06:01.320 --> 2:06:03.160
<v Speaker 1>of scene there, you know, because it was forbidden, and

2:06:03.200 --> 2:06:06.640
<v Speaker 1>anything forbidden people won't right, So you make the record

2:06:06.720 --> 2:06:11.320
<v Speaker 1>in Berlin because the lead singer was whacked or burned

2:06:11.400 --> 2:06:15.400
<v Speaker 1>out or kicked out, not none of the above. Good

2:06:15.400 --> 2:06:18.440
<v Speaker 1>Bye Ms. Mackenzie went to Hansa to to record a record,

2:06:18.560 --> 2:06:21.360
<v Speaker 1>and we just got lost in a frenzy of partying.

2:06:22.400 --> 2:06:25.920
<v Speaker 1>And we spent our entire recording advance on having fun.

2:06:26.320 --> 2:06:29.040
<v Speaker 1>And then when we came back we had nothing to

2:06:29.080 --> 2:06:31.000
<v Speaker 1>show for it. We hadn't we had no finished music

2:06:31.120 --> 2:06:35.200
<v Speaker 1>or anything. I can't remember a good idea. So you

2:06:35.280 --> 2:06:37.320
<v Speaker 1>blow all the money. Record companies don't like that. They

2:06:37.440 --> 2:06:39.560
<v Speaker 1>hated that, so they dropped the band. But they held

2:06:39.680 --> 2:06:42.080
<v Speaker 1>up like the head of the record label said, I

2:06:42.240 --> 2:06:44.200
<v Speaker 1>love you. I think you're amazing, and you could do

2:06:44.280 --> 2:06:46.240
<v Speaker 1>something on your own. Call me when you get your

2:06:46.280 --> 2:06:49.720
<v Speaker 1>ship together. Okay, but you were not the lead vocalist

2:06:49.720 --> 2:06:52.440
<v Speaker 1>at good Bye, Mr Mackenzie. So why did this person?

2:06:52.880 --> 2:06:56.840
<v Speaker 1>It was just your overall charisma that he felt. I

2:06:57.000 --> 2:06:58.880
<v Speaker 1>don't know, I've never stopped to think about it other

2:06:58.960 --> 2:07:01.480
<v Speaker 1>than he to me. You know, he was a really

2:07:02.160 --> 2:07:04.360
<v Speaker 1>amazing person. Actually, his name is Gary Carr first, and

2:07:04.440 --> 2:07:08.360
<v Speaker 1>he was I know, Gary unfortunately is not with us, unfortunately,

2:07:08.640 --> 2:07:11.920
<v Speaker 1>but he was. Uh. He had his own label, radio

2:07:12.000 --> 2:07:14.400
<v Speaker 1>Active for m c A. And he was a big

2:07:14.520 --> 2:07:19.000
<v Speaker 1>manager of the Talking Heads and exactly, but he was

2:07:19.040 --> 2:07:22.760
<v Speaker 1>in New York. How did he find you in London? Oh? Gods.

2:07:23.600 --> 2:07:26.840
<v Speaker 1>We had opened Gobamis mackenzie had opened for for Debbie

2:07:26.880 --> 2:07:30.920
<v Speaker 1>Harry's solo tour in the UK during the eighties, and

2:07:31.240 --> 2:07:33.640
<v Speaker 1>he had met me there and just liked me. He's like,

2:07:33.680 --> 2:07:36.480
<v Speaker 1>you're funny, You've got charisma, your star. He kept on.

2:07:36.600 --> 2:07:38.920
<v Speaker 1>So he was always like, you're a star. So and

2:07:39.200 --> 2:07:41.760
<v Speaker 1>and he just as a result, he then fell in

2:07:41.800 --> 2:07:44.240
<v Speaker 1>love with Obamis Ckenzie signed Obamas Mackenzie and then when

2:07:44.240 --> 2:07:46.640
<v Speaker 1>he dropped Obamers Ckenzie, he was like, I want you

2:07:47.360 --> 2:07:48.800
<v Speaker 1>let me know what you're gonna do. Okay, So how

2:07:48.880 --> 2:07:50.440
<v Speaker 1>long did you go home before you say I'm ready

2:07:50.480 --> 2:07:52.960
<v Speaker 1>to call Gary again? I can't remember. I do know

2:07:53.120 --> 2:07:56.680
<v Speaker 1>that eventually everyone in the band, having been dropped, realized

2:07:56.760 --> 2:07:59.640
<v Speaker 1>this was our only only solution, which was and and

2:07:59.720 --> 2:08:02.120
<v Speaker 1>there's no thought in your brain, Hey, this doesn't work,

2:08:02.120 --> 2:08:04.720
<v Speaker 1>I'm gonna leave the band behind. No, because I wasn't

2:08:04.760 --> 2:08:06.840
<v Speaker 1>fit for anything. I didn't. I didn't have any calls.

2:08:07.000 --> 2:08:09.600
<v Speaker 1>But I mean, you didn't say, Okay, this Gary thinks

2:08:09.640 --> 2:08:11.960
<v Speaker 1>I'm a star. I'm gonna make a deal and leave

2:08:12.000 --> 2:08:13.840
<v Speaker 1>the rest of the band members behind. No, that's not

2:08:13.920 --> 2:08:17.160
<v Speaker 1>my style. I'm kitde loyal, okay, And I didn't want

2:08:17.160 --> 2:08:19.200
<v Speaker 1>to leave my band in the shitter, okay. But all

2:08:19.200 --> 2:08:21.720
<v Speaker 1>of a sudden, how do you become the singer? I

2:08:21.800 --> 2:08:24.160
<v Speaker 1>don't know. I mean, it's it's so smudgy now and

2:08:24.280 --> 2:08:27.240
<v Speaker 1>trying to remember our hazy memories. But I think just

2:08:27.680 --> 2:08:29.960
<v Speaker 1>the whole band were like, let's put Shirley and lead

2:08:30.040 --> 2:08:33.640
<v Speaker 1>vocals and will recalibrate and we'll survive as a different entity.

2:08:34.080 --> 2:08:35.880
<v Speaker 1>And we all thought in practice we could do that.

2:08:36.000 --> 2:08:38.560
<v Speaker 1>As it turns out, the male members of the band

2:08:38.600 --> 2:08:40.960
<v Speaker 1>couldn't really hack the fact that I became the sort

2:08:41.000 --> 2:08:43.320
<v Speaker 1>of focal point of the band, and and all the

2:08:43.400 --> 2:08:46.440
<v Speaker 1>business started like Gary would run all business through me.

2:08:46.760 --> 2:08:50.880
<v Speaker 1>Having been burned by good Mackenzie in Berlin, he was like,

2:08:51.000 --> 2:08:54.440
<v Speaker 1>you're now in charge, you're responsible. I will only communicate

2:08:54.520 --> 2:08:58.839
<v Speaker 1>with you. So that's kind of how it how it happened.

2:08:58.880 --> 2:09:01.520
<v Speaker 1>And I made a record with Chris Franz and Tina

2:09:01.560 --> 2:09:04.400
<v Speaker 1>Weymouth of the Talking Heads, because they were got his clients.

2:09:04.480 --> 2:09:06.960
<v Speaker 1>And okay, a little bit slower you made her. I

2:09:07.040 --> 2:09:09.640
<v Speaker 1>thought you made a record with the remnants of Goodbye.

2:09:10.080 --> 2:09:13.480
<v Speaker 1>I did, but Chris and Tina were producing. Chris now

2:09:13.600 --> 2:09:17.920
<v Speaker 1>lives in my hometown. I hear from an irregular basis. Yes,

2:09:18.400 --> 2:09:22.600
<v Speaker 1>so fair Field, Connecticut. So how how do you are you?

2:09:22.680 --> 2:09:25.880
<v Speaker 1>Were you happy with what transpired when those sessions? I

2:09:26.000 --> 2:09:28.320
<v Speaker 1>was freaked out. But it was such an honor for

2:09:28.400 --> 2:09:30.080
<v Speaker 1>me to work with Christ and Tina. I mean, I

2:09:30.200 --> 2:09:33.080
<v Speaker 1>can't even put that into words. It was so extraordinary

2:09:33.240 --> 2:09:37.720
<v Speaker 1>for me, and I was I was proud of what

2:09:37.920 --> 2:09:42.440
<v Speaker 1>we've accomplished, you know. And uh, at that point, you

2:09:42.480 --> 2:09:46.320
<v Speaker 1>were the singer, were you also the writer? Nope? And

2:09:46.440 --> 2:09:50.680
<v Speaker 1>so the two guys from Goodbye also continue to write

2:09:50.720 --> 2:09:52.920
<v Speaker 1>the songs. They continued to write the songs. Like I said,

2:09:52.960 --> 2:09:55.520
<v Speaker 1>it was just a recalibration of goodby Ms mackenzie. Just

2:09:55.600 --> 2:09:58.240
<v Speaker 1>in order to survive, we had me do the the

2:09:59.000 --> 2:10:02.080
<v Speaker 1>take over the book, but the writing partnership remained the same.

2:10:02.320 --> 2:10:05.040
<v Speaker 1>And the record comes out and then one and then

2:10:05.120 --> 2:10:09.040
<v Speaker 1>we go on tour with Vic Chestnut and Life Chestnut. Yeah,

2:10:10.440 --> 2:10:14.160
<v Speaker 1>that's quite a bill. That's an amazing bill. Actually, I

2:10:14.280 --> 2:10:15.920
<v Speaker 1>fell in love with Vic and he fell in love

2:10:16.000 --> 2:10:19.040
<v Speaker 1>with me, and we had a love fest. But well,

2:10:19.160 --> 2:10:22.360
<v Speaker 1>Vic Chestnut was in a wheelchair, he was he was apparent. Yeah,

2:10:22.400 --> 2:10:23.960
<v Speaker 1>so I have to ask that you said we had

2:10:24.000 --> 2:10:26.720
<v Speaker 1>a love fest. Was this a physical love fest? No,

2:10:26.960 --> 2:10:32.640
<v Speaker 1>just admiration. Yeah, yeah, we just got we hit it off,

2:10:32.800 --> 2:10:37.560
<v Speaker 1>you know. Okay, he committed suicide, very strange. Yeah, okay,

2:10:37.640 --> 2:10:40.600
<v Speaker 1>so you go on tour that that bill. We go

2:10:40.680 --> 2:10:44.680
<v Speaker 1>on to her and, um, the band is sort of

2:10:44.720 --> 2:10:47.560
<v Speaker 1>falling apart already because the boys are just are not

2:10:47.720 --> 2:10:50.080
<v Speaker 1>happy with the Paris structure at this point, which I

2:10:50.160 --> 2:10:53.600
<v Speaker 1>totally understand. Why should you understand? Well, I don't know,

2:10:53.760 --> 2:10:57.000
<v Speaker 1>but I did, And but I was having fun. You know,

2:10:57.120 --> 2:10:58.840
<v Speaker 1>I was going on to in America for the first time.

2:10:58.840 --> 2:11:01.160
<v Speaker 1>I've never been to Americans sure, so to like travel

2:11:01.280 --> 2:11:03.800
<v Speaker 1>all over America in a van was one of the

2:11:03.880 --> 2:11:06.600
<v Speaker 1>most extraordinary experiences of my life. You know, it's across

2:11:06.640 --> 2:11:09.040
<v Speaker 1>the desert in a band. Well, the funny things I

2:11:09.120 --> 2:11:11.240
<v Speaker 1>grew up in the seventies, that was the dream to

2:11:11.360 --> 2:11:14.080
<v Speaker 1>drive across country and now everybody flies. People don't even

2:11:14.120 --> 2:11:16.080
<v Speaker 1>do that, which is sad because it really is an

2:11:16.120 --> 2:11:19.320
<v Speaker 1>extraordinary way to see. So we did that, and then

2:11:19.480 --> 2:11:22.560
<v Speaker 1>Rolling Stone picked up on us and sort of lauded

2:11:22.680 --> 2:11:25.280
<v Speaker 1>us as like what one to watch And that was

2:11:25.480 --> 2:11:27.160
<v Speaker 1>the final straw for my band. They were like, we're

2:11:27.200 --> 2:11:29.760
<v Speaker 1>going home. We can't hack this anymore. And I kid

2:11:29.880 --> 2:11:32.800
<v Speaker 1>you not. That very day I had gotten a phone

2:11:32.840 --> 2:11:36.600
<v Speaker 1>call from my future band saying, would you be interested

2:11:36.760 --> 2:11:40.960
<v Speaker 1>in meeting up with Butch vig Um about singing on

2:11:41.120 --> 2:11:43.600
<v Speaker 1>a possibly singing on one of like a project that

2:11:43.640 --> 2:11:46.520
<v Speaker 1>he's working on. Literally the same day the bands were

2:11:46.560 --> 2:11:50.800
<v Speaker 1>calling it quits. Yes, okay, are you still friends with

2:11:50.880 --> 2:11:54.280
<v Speaker 1>the band members of Goodbye Mr Mackenzie? Now? I am, yeah,

2:11:54.360 --> 2:11:56.480
<v Speaker 1>but we have it was it was very difficult. It

2:11:56.600 --> 2:12:00.600
<v Speaker 1>became very complex, and it was different called for Martin

2:12:00.640 --> 2:12:02.720
<v Speaker 1>and the lead singer in particular, to like, I think

2:12:02.880 --> 2:12:05.000
<v Speaker 1>process what had happened not only to him but to

2:12:05.120 --> 2:12:07.920
<v Speaker 1>me too. But yeah, and now we're friends, and what

2:12:08.000 --> 2:12:10.080
<v Speaker 1>do they do? There is still in a band that

2:12:10.160 --> 2:12:12.920
<v Speaker 1>are called the Filthy Tongues. They are actually really great

2:12:13.520 --> 2:12:15.760
<v Speaker 1>and they can make a living being the Filthy Tongues.

2:12:15.920 --> 2:12:19.200
<v Speaker 1>I don't know if they make a living, but there

2:12:19.240 --> 2:12:23.560
<v Speaker 1>are songwriters. They also work with Um the Skids. They

2:12:23.680 --> 2:12:26.840
<v Speaker 1>just helped co write that last Skids record, the fourth

2:12:26.880 --> 2:12:30.480
<v Speaker 1>anniversary of The Skids, Um Richard Jobson's band. And you

2:12:30.560 --> 2:12:33.280
<v Speaker 1>know they do okay, and they're they're they're there. I'm

2:12:33.280 --> 2:12:36.200
<v Speaker 1>proud of them. But they were resentful for a long yeah,

2:12:37.240 --> 2:12:40.040
<v Speaker 1>just like ten or twenty years worth. Okay. So you

2:12:40.120 --> 2:12:42.280
<v Speaker 1>get this call from Butch Vig and you think, what, Well,

2:12:42.360 --> 2:12:44.360
<v Speaker 1>now you already know you're being as a band into you,

2:12:44.480 --> 2:12:47.320
<v Speaker 1>so you're up for anything. Your loyalty has been canned. Yeah,

2:12:47.400 --> 2:12:49.440
<v Speaker 1>I didn't have to question my own loyalty, thank god,

2:12:49.480 --> 2:12:51.800
<v Speaker 1>because that would have been very difficult because I've already

2:12:51.920 --> 2:12:55.480
<v Speaker 1>met Booch And and Garbage in London for a quick

2:12:55.520 --> 2:12:58.640
<v Speaker 1>meeting where they had wanted, you know, so convoluted a story,

2:12:58.720 --> 2:13:01.280
<v Speaker 1>but I had met them in Don a few months

2:13:01.360 --> 2:13:04.000
<v Speaker 1>to going on tour in America and we had liked

2:13:04.040 --> 2:13:06.080
<v Speaker 1>each other and that and then the day that my

2:13:06.200 --> 2:13:08.680
<v Speaker 1>band quit was the day Duke Errickson called me. I

2:13:08.760 --> 2:13:11.880
<v Speaker 1>was in Asbury Park in a hotel room, crying and

2:13:11.920 --> 2:13:14.000
<v Speaker 1>I get the phone call from Duke Krickson saying, hey,

2:13:14.040 --> 2:13:17.000
<v Speaker 1>are you interested in coming up for an addition? I

2:13:17.080 --> 2:13:20.640
<v Speaker 1>was like, as a matter of fact, yes I am. Okay,

2:13:20.800 --> 2:13:22.720
<v Speaker 1>but when you meet them in London, is it just

2:13:22.880 --> 2:13:25.960
<v Speaker 1>social or are they checking you out? There? Checking me out?

2:13:26.520 --> 2:13:29.080
<v Speaker 1>And did you know that at that time? Okay? But

2:13:29.200 --> 2:13:31.000
<v Speaker 1>I the way they had approached me was would you

2:13:31.080 --> 2:13:33.680
<v Speaker 1>send one song on booch Figs project. I was like, yeah,

2:13:33.840 --> 2:13:35.880
<v Speaker 1>of course, I didn't feel that question my loyalty or

2:13:35.880 --> 2:13:38.040
<v Speaker 1>anything like that. Okay, so you go for the audition

2:13:38.520 --> 2:13:40.640
<v Speaker 1>and you don't have anything else going on, nothing, so

2:13:40.760 --> 2:13:42.919
<v Speaker 1>you must have been pretty anxious. I was very anxious.

2:13:43.080 --> 2:13:45.640
<v Speaker 1>I was so anxious that I completely messed up the addition.

2:13:45.720 --> 2:13:48.280
<v Speaker 1>It was a disaster. But then we all went out

2:13:48.320 --> 2:13:50.200
<v Speaker 1>to drink afterwards, and of course we got on like

2:13:50.240 --> 2:13:51.920
<v Speaker 1>a house on fire, and we had such a laugh

2:13:52.760 --> 2:13:56.800
<v Speaker 1>that I went home to Scotland having had a disastrous edition.

2:13:57.200 --> 2:14:00.320
<v Speaker 1>Um and something about I guess the way we had

2:14:00.560 --> 2:14:03.280
<v Speaker 1>all gotten along sort of pushed us to have a

2:14:03.400 --> 2:14:07.720
<v Speaker 1>second edition. And okay, so did they agree the audition sucked?

2:14:07.840 --> 2:14:10.120
<v Speaker 1>They did? What was bad about it? Have you ever

2:14:10.160 --> 2:14:13.800
<v Speaker 1>seen shreds? Do you know what I mean by shreds? Okay, well,

2:14:14.360 --> 2:14:17.040
<v Speaker 1>shreds is a thing that you can go on YouTube

2:14:17.200 --> 2:14:19.440
<v Speaker 1>and like, let's say it's Radiohead singing one of their

2:14:19.480 --> 2:14:22.840
<v Speaker 1>famous songs. Somebody like you. You watch a video radio

2:14:22.880 --> 2:14:24.640
<v Speaker 1>Head singing one of their most famous songs, but then

2:14:24.680 --> 2:14:27.120
<v Speaker 1>they've re recorded a different audio over the top of it,

2:14:27.800 --> 2:14:32.840
<v Speaker 1>and it's like that, Well, that's what my audition was like.

2:14:32.960 --> 2:14:35.480
<v Speaker 1>It was like shreds. So you couldn't I wasn't even

2:14:35.600 --> 2:14:37.880
<v Speaker 1>articulating any words because I was so nervous and so

2:14:38.000 --> 2:14:42.360
<v Speaker 1>embarrassed that it was just awful. How long was it

2:14:42.400 --> 2:14:45.000
<v Speaker 1>between the first and second auditions, I don't know, maybe

2:14:45.080 --> 2:14:48.440
<v Speaker 1>three months, a long time. And during that period you've

2:14:48.440 --> 2:14:51.560
<v Speaker 1>got nothing. I got nothing, Okay, so you go back

2:14:51.600 --> 2:14:56.160
<v Speaker 1>in the second audition is great, It is okay. Now

2:14:57.080 --> 2:14:59.360
<v Speaker 1>these are guys you know. Butch Vig had a huge

2:14:59.720 --> 2:15:04.320
<v Speaker 1>stud vidio career. But did you believe this was an opportunity?

2:15:04.560 --> 2:15:07.360
<v Speaker 1>But did any it ended up becoming an instant success.

2:15:08.040 --> 2:15:11.919
<v Speaker 1>But did you have any idea that's what would happen? No, none, whatsoever.

2:15:12.080 --> 2:15:15.640
<v Speaker 1>In fact, I was convinced it was gonna burn badly

2:15:16.080 --> 2:15:17.880
<v Speaker 1>because I was like, nobody wants to hear from a

2:15:17.960 --> 2:15:22.480
<v Speaker 1>producer nobody ever has, So why will this work? Especially

2:15:22.560 --> 2:15:25.080
<v Speaker 1>with me and that's the lead singer. It's going to

2:15:25.160 --> 2:15:29.360
<v Speaker 1>be a disaster. I was so wrong. Stare right there.

2:15:29.400 --> 2:15:31.760
<v Speaker 1>We'll be back with more Shirley Manson of the band

2:15:31.800 --> 2:15:36.440
<v Speaker 1>Garbage right here on the Bob Left Sense podcast. Hi,

2:15:36.560 --> 2:15:38.440
<v Speaker 1>this is Bob Left Sense. My guest come to the

2:15:38.480 --> 2:15:41.800
<v Speaker 1>tune In studios in Venice, California to have these conversations

2:15:41.840 --> 2:15:43.360
<v Speaker 1>with me. And if you ever want to see what

2:15:43.400 --> 2:15:45.480
<v Speaker 1>they look like or where we take the show, check

2:15:45.520 --> 2:15:49.760
<v Speaker 1>out the photos and videos search at tune In on Twitter, Facebook,

2:15:49.760 --> 2:15:52.680
<v Speaker 1>and Instagram. Let's dive right back in with my guest,

2:15:52.720 --> 2:15:56.040
<v Speaker 1>Shirley Manson of the band Garbage. So you have the

2:15:56.080 --> 2:15:58.280
<v Speaker 1>audition three months later? How long after that do you

2:15:58.320 --> 2:16:01.280
<v Speaker 1>go in the studio? No idea, no idea, No, I'm useless.

2:16:01.360 --> 2:16:03.720
<v Speaker 1>I'm a terrible witness. Okay, how about the record comes

2:16:03.760 --> 2:16:08.840
<v Speaker 1>out on Almo in America? Why is that? Well, we'd

2:16:08.960 --> 2:16:12.600
<v Speaker 1>signed up to the young management that took care of

2:16:12.640 --> 2:16:15.160
<v Speaker 1>Boots at the time were very smart and they were young,

2:16:15.240 --> 2:16:19.160
<v Speaker 1>go getting women who had an idea that the Butcher's

2:16:19.240 --> 2:16:22.600
<v Speaker 1>managers were women. Young women that's certainly you know, were

2:16:22.640 --> 2:16:27.200
<v Speaker 1>they also managers of garbage. Yes, okay, that's my default. Okay,

2:16:27.240 --> 2:16:30.480
<v Speaker 1>but that's that's certainly out of the ordinary, especially notable

2:16:30.520 --> 2:16:34.240
<v Speaker 1>on today's ME two world. Correct. And then they struck

2:16:34.320 --> 2:16:37.400
<v Speaker 1>two deals, one in the UK for the rest of

2:16:37.480 --> 2:16:39.880
<v Speaker 1>the world and one for North America. And they were

2:16:39.959 --> 2:16:42.600
<v Speaker 1>both independent record labels, and that was what we were

2:16:42.720 --> 2:16:45.600
<v Speaker 1>very keen on pursuing because what was the record label

2:16:45.640 --> 2:16:51.240
<v Speaker 1>in the UK. Mushroom Records were Australian based. And so

2:16:51.480 --> 2:16:56.800
<v Speaker 1>you're making the the record which takes how long? Oh god,

2:16:58.160 --> 2:17:02.200
<v Speaker 1>about eighteen months with a break for Booch to make

2:17:02.240 --> 2:17:07.080
<v Speaker 1>a Soul Asylum record of all things. So is it

2:17:07.160 --> 2:17:11.600
<v Speaker 1>it's that slow? Because well, I think there was a

2:17:11.640 --> 2:17:14.680
<v Speaker 1>lot of feet involved and Booch had a lot to lose,

2:17:15.200 --> 2:17:21.199
<v Speaker 1>and so he was very, very meticulous, and I would

2:17:21.200 --> 2:17:24.400
<v Speaker 1>say all of all of us were fearful of taking

2:17:24.440 --> 2:17:26.320
<v Speaker 1>the wrong step. We knew this was a great opportunity,

2:17:26.400 --> 2:17:29.480
<v Speaker 1>I think, and so just took a ridiculously long time.

2:17:29.520 --> 2:17:31.240
<v Speaker 1>And when the record is and you're living where when

2:17:31.280 --> 2:17:35.440
<v Speaker 1>that time, I'm living in a weird hotel, okay, and

2:17:36.320 --> 2:17:39.520
<v Speaker 1>the record is done, Now do you think we have something?

2:17:39.600 --> 2:17:42.600
<v Speaker 1>This is gonna work? Not really, but it's a hit.

2:17:43.000 --> 2:17:46.520
<v Speaker 1>From the Los Angeles perspective, it is literally immediately a hit.

2:17:46.879 --> 2:17:48.400
<v Speaker 1>And the only other thing I could think like this

2:17:48.840 --> 2:17:50.440
<v Speaker 1>from a couple of years later was Lantis more as

2:17:50.520 --> 2:17:54.359
<v Speaker 1>Set also immediately a hit, and was that your sensation?

2:17:56.360 --> 2:17:58.240
<v Speaker 1>Yes and no. I mean we were aware that it

2:17:58.360 --> 2:18:01.520
<v Speaker 1>was taking off in a major way really fast, but

2:18:01.760 --> 2:18:04.160
<v Speaker 1>there were always artists that were doing so much better

2:18:04.240 --> 2:18:06.520
<v Speaker 1>than us, and our record labels, because they were small,

2:18:06.680 --> 2:18:09.880
<v Speaker 1>really relied on us to make money for them. We

2:18:10.200 --> 2:18:12.360
<v Speaker 1>became this sort of like little machine that they sent

2:18:12.440 --> 2:18:14.720
<v Speaker 1>out into the world to fund all their other artists

2:18:14.760 --> 2:18:18.240
<v Speaker 1>who weren't selling. And so they were constantly telling us,

2:18:18.280 --> 2:18:20.240
<v Speaker 1>you know, no doubt or selling more records than you.

2:18:20.480 --> 2:18:22.960
<v Speaker 1>Atlantis more Set is selling more than you. You know,

2:18:23.080 --> 2:18:25.520
<v Speaker 1>we'se are selling more than you. You're losing. It was

2:18:25.600 --> 2:18:29.560
<v Speaker 1>constantly telling us how much we were losing. So as

2:18:29.640 --> 2:18:32.720
<v Speaker 1>frustrating and awful as that process was, I'm actually quite

2:18:32.760 --> 2:18:36.600
<v Speaker 1>grateful for it because it made us really like be humble.

2:18:36.800 --> 2:18:40.320
<v Speaker 1>We were forced to be humble. Okay, but it's the

2:18:40.520 --> 2:18:43.880
<v Speaker 1>MTV era. You're all over television, you have a unique look.

2:18:44.040 --> 2:18:47.160
<v Speaker 1>You probably can't go anywhere without being recognized almost immediately.

2:18:47.520 --> 2:18:49.720
<v Speaker 1>There was a lot of pressure. Okay, but that also

2:18:49.840 --> 2:18:53.280
<v Speaker 1>made much you know, after years of relative obscurity, must

2:18:53.320 --> 2:18:55.560
<v Speaker 1>have made you feel very good on the inside. No,

2:18:55.640 --> 2:18:59.480
<v Speaker 1>it made me feel rotten on the inside. I don't

2:18:59.520 --> 2:19:01.400
<v Speaker 1>know why. I mean I I didn't have a lot

2:19:01.440 --> 2:19:04.640
<v Speaker 1>of self esteem to begin with, and and having attention

2:19:04.800 --> 2:19:07.040
<v Speaker 1>made me feel really self conscious. And I felt the

2:19:07.080 --> 2:19:09.440
<v Speaker 1>whole time I was being judged and that I was

2:19:09.640 --> 2:19:13.520
<v Speaker 1>failing to be a Gwen Stefani or be an Atlantis

2:19:13.560 --> 2:19:15.440
<v Speaker 1>Moore set. I was just me, surely, Anne, you know,

2:19:15.560 --> 2:19:19.039
<v Speaker 1>I was just my own, small, little Scottish self. That's

2:19:19.040 --> 2:19:21.080
<v Speaker 1>how I viewed it at the time. I mean that

2:19:21.280 --> 2:19:23.480
<v Speaker 1>changed obviously, you know, my confidence grew and I got

2:19:23.520 --> 2:19:25.920
<v Speaker 1>better at what I did as an artist. But right

2:19:25.959 --> 2:19:29.280
<v Speaker 1>at the beginning, yeah, I just felt rotten. And so

2:19:30.280 --> 2:19:35.480
<v Speaker 1>ultimately you tour and there's and the garbage continues. So

2:19:35.640 --> 2:19:37.720
<v Speaker 1>what can you say about that experience of the late

2:19:37.840 --> 2:19:42.200
<v Speaker 1>nineties and early twenty one century. I could sit here

2:19:42.240 --> 2:19:44.200
<v Speaker 1>for hours and hours and hours and talk about it.

2:19:44.200 --> 2:19:46.480
<v Speaker 1>I mean it was extraordinary. It was an extraordinary time

2:19:46.760 --> 2:19:50.760
<v Speaker 1>where alternative music ruled the roost, and that has never

2:19:50.840 --> 2:19:54.440
<v Speaker 1>happened before. It's certainly never happened since. So I was.

2:19:54.920 --> 2:19:58.520
<v Speaker 1>I am an alternative music lover. I'm not particularly turned

2:19:58.560 --> 2:20:01.040
<v Speaker 1>on by pop or comeform tea of any sort. Like

2:20:01.160 --> 2:20:05.120
<v Speaker 1>I love music that's sort of a little off kilter,

2:20:05.480 --> 2:20:08.000
<v Speaker 1>you know, and that's just been my personal taste since

2:20:08.040 --> 2:20:11.840
<v Speaker 1>I was young. And so it was a moment where

2:20:12.160 --> 2:20:17.040
<v Speaker 1>we were enjoying this insane success, global success, as were

2:20:17.120 --> 2:20:20.160
<v Speaker 1>a lot of bands that I loved and enjoyed, and

2:20:20.320 --> 2:20:22.600
<v Speaker 1>we were a community in some ways, you know. We

2:20:22.680 --> 2:20:25.920
<v Speaker 1>all played these massive summer festivals and we all got

2:20:26.000 --> 2:20:28.840
<v Speaker 1>to know one another. We played winter you know, in

2:20:29.040 --> 2:20:32.400
<v Speaker 1>radio festivals all together, and so there was a lot

2:20:32.440 --> 2:20:37.240
<v Speaker 1>of camaraderie and so it was a very exciting time

2:20:37.760 --> 2:20:42.560
<v Speaker 1>for nonconforming alternative artists. And what were the other artists?

2:20:42.560 --> 2:20:45.840
<v Speaker 1>You became friends with everybody, you know, whether it was Beck,

2:20:46.040 --> 2:20:49.680
<v Speaker 1>whether it was you know, food Fighters, whether it was

2:20:49.800 --> 2:20:52.240
<v Speaker 1>no doubt, whether it was Fiona Apple. I mean that

2:20:52.480 --> 2:20:54.920
<v Speaker 1>the list was, you know, and we we all everyone

2:20:55.040 --> 2:20:57.000
<v Speaker 1>was friendly to one another, as Missy Elliott, I mean,

2:20:57.040 --> 2:20:59.160
<v Speaker 1>it was. It was really wonderful. So why do you

2:20:59.280 --> 2:21:02.200
<v Speaker 1>think that's scene was eclipsed by hip hop and pop.

2:21:04.120 --> 2:21:06.720
<v Speaker 1>That's a good question. I mean, I know why it

2:21:07.000 --> 2:21:12.040
<v Speaker 1>became eclipsed by pop because I think that I think

2:21:12.080 --> 2:21:14.480
<v Speaker 1>the times became very conservative. I think hip hop really

2:21:14.520 --> 2:21:16.840
<v Speaker 1>exploded because it was a new It was still new.

2:21:16.879 --> 2:21:18.520
<v Speaker 1>I mean, I've been around for twenty years, but it

2:21:18.560 --> 2:21:22.000
<v Speaker 1>really was one of the the most courageous and creative

2:21:22.080 --> 2:21:26.120
<v Speaker 1>in terms of modern production. You know, they really they

2:21:26.240 --> 2:21:29.560
<v Speaker 1>sort of messed around with sounds and beats that we

2:21:29.600 --> 2:21:32.600
<v Speaker 1>hadn't heard before, and it was the sound of the street,

2:21:32.720 --> 2:21:35.440
<v Speaker 1>was the sound of rebellion. So hip hop, I think

2:21:35.520 --> 2:21:41.880
<v Speaker 1>became the most authentic version of rebellion and questioning of

2:21:43.440 --> 2:21:49.240
<v Speaker 1>authority and and and our society in a way. But

2:21:49.360 --> 2:21:52.200
<v Speaker 1>is there any hope for so called alternative music. There's

2:21:52.200 --> 2:21:54.840
<v Speaker 1>always hope, of course, Okay, well there's always hope. It's blind,

2:21:55.160 --> 2:21:57.560
<v Speaker 1>you know, blind optimism. No, I don't think that is

2:21:57.600 --> 2:22:00.640
<v Speaker 1>blind optimism, and I think it's actually sensible and pragmatic

2:22:00.760 --> 2:22:04.640
<v Speaker 1>because I think history continues to repeat itself. Well, the

2:22:04.680 --> 2:22:07.520
<v Speaker 1>irony is in the century really hasn't If you go

2:22:07.640 --> 2:22:11.000
<v Speaker 1>back prior to the napstri era, meaning last century, every

2:22:11.240 --> 2:22:14.160
<v Speaker 1>two or three years there was a whole new sound Okay,

2:22:14.560 --> 2:22:17.000
<v Speaker 1>we had the hair bands which were clipped by seattle,

2:22:17.280 --> 2:22:20.320
<v Speaker 1>which were eclipped by eclips by hip hop. It was

2:22:20.400 --> 2:22:22.680
<v Speaker 1>then then it pop came after that. Now for the

2:22:22.760 --> 2:22:25.400
<v Speaker 1>twenty one century, we've had popp pop and hip hop.

2:22:25.760 --> 2:22:27.440
<v Speaker 1>Hip hop happens to be dominant now, but it's been

2:22:27.440 --> 2:22:31.879
<v Speaker 1>almost twenty years. No, it's true. But I mean one

2:22:32.000 --> 2:22:35.160
<v Speaker 1>could say though that hip hop has been the dominant

2:22:35.800 --> 2:22:40.480
<v Speaker 1>sound of the last twenty years, and it's really progressive

2:22:40.520 --> 2:22:45.880
<v Speaker 1>and really exciting, and really I do. I mean it's not. Again,

2:22:45.959 --> 2:22:49.920
<v Speaker 1>it's not my preferred choice, but there's always artists that

2:22:50.000 --> 2:22:53.000
<v Speaker 1>come along that catch my ear and excite me, whether

2:22:53.040 --> 2:22:55.520
<v Speaker 1>it's Drake, whether it's Logic or whether you know, there's

2:22:55.560 --> 2:23:01.320
<v Speaker 1>always someone um that I'm excited by. Okay, But you're

2:23:01.360 --> 2:23:04.400
<v Speaker 1>making a point about, you know, why alternative music has

2:23:04.440 --> 2:23:06.840
<v Speaker 1>been eclipsed by hip hop and what the future of

2:23:06.840 --> 2:23:10.320
<v Speaker 1>alternative music might be. I don't know. I mean, if

2:23:10.360 --> 2:23:12.240
<v Speaker 1>I had the answer to that, I would be you know,

2:23:12.879 --> 2:23:15.960
<v Speaker 1>I would be investing in it. Well, you are investing here,

2:23:16.000 --> 2:23:19.200
<v Speaker 1>You're still making it. I'm invested in it. Yeah, that's true,

2:23:19.520 --> 2:23:21.160
<v Speaker 1>but I mean it's very different. It used to be

2:23:21.360 --> 2:23:24.840
<v Speaker 1>and under the old paradigm, you made the record okay,

2:23:25.200 --> 2:23:28.520
<v Speaker 1>Then your label went to video sources, MTV, whatever, went

2:23:28.560 --> 2:23:31.640
<v Speaker 1>to radio. They may or may not play it. They

2:23:31.800 --> 2:23:34.640
<v Speaker 1>may or may not be a reaction. But you were

2:23:34.720 --> 2:23:37.320
<v Speaker 1>either on the train or you're off the train. You said, hey,

2:23:37.400 --> 2:23:40.760
<v Speaker 1>this works or it doesn't work. Today, a band of

2:23:40.920 --> 2:23:44.240
<v Speaker 1>the Statue of Garbage can put out a record and

2:23:44.320 --> 2:23:47.400
<v Speaker 1>it can have almost zero cultural impact other than amongst

2:23:47.440 --> 2:23:50.760
<v Speaker 1>its fans. What is that like being the maker of

2:23:50.840 --> 2:23:55.440
<v Speaker 1>that music? You know, it's interesting because it obviously as

2:23:55.480 --> 2:23:59.080
<v Speaker 1>an artist who you know, I've had to wrestle with that.

2:23:59.520 --> 2:24:03.640
<v Speaker 1>That's not an easy pill to swallow. It's difficult and upsetting.

2:24:03.680 --> 2:24:06.920
<v Speaker 1>I'd be a liar if I said otherwise. But I've

2:24:07.040 --> 2:24:11.480
<v Speaker 1>also managed to process, and I'm very grateful for this,

2:24:11.760 --> 2:24:14.600
<v Speaker 1>as has my bands. By the way, is get back

2:24:14.640 --> 2:24:17.080
<v Speaker 1>into what I call a beginner's head space, a sort

2:24:17.120 --> 2:24:22.920
<v Speaker 1>of a place where you don't expect anything. And we've

2:24:22.959 --> 2:24:25.760
<v Speaker 1>all been able to somehow get back to that space

2:24:26.000 --> 2:24:29.880
<v Speaker 1>where we were before any of the success. So we

2:24:30.040 --> 2:24:33.400
<v Speaker 1>now make music solely because we love each other. We

2:24:33.840 --> 2:24:37.840
<v Speaker 1>have a good creative working relationship, We enjoy making music,

2:24:37.920 --> 2:24:41.320
<v Speaker 1>and we enjoy touring it and our ambitions are not

2:24:41.600 --> 2:24:44.240
<v Speaker 1>much bigger than that. And as a result, we've been

2:24:44.280 --> 2:24:47.600
<v Speaker 1>able to still find joy in the process of doing

2:24:47.680 --> 2:24:51.160
<v Speaker 1>what we do. And we've been very lucky and that

2:24:51.240 --> 2:24:54.040
<v Speaker 1>we've built upon that slowly and we have a very

2:24:54.160 --> 2:24:59.640
<v Speaker 1>loyal fan base. And yeah, we were still able to

2:25:00.959 --> 2:25:03.840
<v Speaker 1>be in the music scene, you know, Okay, but there's

2:25:03.879 --> 2:25:06.520
<v Speaker 1>a lot these especially now more than ever. It's a

2:25:06.600 --> 2:25:09.640
<v Speaker 1>business and when you go on the road, you have

2:25:09.800 --> 2:25:12.560
<v Speaker 1>to feed everybody in the crew, everybody in the band

2:25:12.640 --> 2:25:14.040
<v Speaker 1>has to be in the black at the end of

2:25:14.080 --> 2:25:16.920
<v Speaker 1>the day. There's an agent, there's a manager, so there's

2:25:16.959 --> 2:25:20.880
<v Speaker 1>a pressure to sell as many tickets as possible. You

2:25:21.000 --> 2:25:24.240
<v Speaker 1>must feel that pressure, right, So then it becomes an issue.

2:25:24.280 --> 2:25:26.720
<v Speaker 1>You go out, you say, well, they want to hear

2:25:26.760 --> 2:25:29.600
<v Speaker 1>the hits? How much new music do you play? It's

2:25:29.720 --> 2:25:31.600
<v Speaker 1>one thing to be in the studio saying, hey, we're

2:25:31.640 --> 2:25:34.520
<v Speaker 1>gonna do whatever we want to do. What pressure do

2:25:34.600 --> 2:25:36.400
<v Speaker 1>you feel on stage and how do you deal with that?

2:25:36.520 --> 2:25:39.720
<v Speaker 1>I don't feel any pressure on stage at all. I

2:25:39.879 --> 2:25:47.160
<v Speaker 1>feel comfortable enough to to own our expression when we're

2:25:47.200 --> 2:25:50.080
<v Speaker 1>on stage, and if people don't like that, then so

2:25:50.280 --> 2:25:52.240
<v Speaker 1>be it. That's not for me to say, but I

2:25:52.400 --> 2:25:55.240
<v Speaker 1>feel in general at this point, anyone who's coming to

2:25:55.320 --> 2:25:57.960
<v Speaker 1>a garbage shoe is willing to go on that ride

2:25:58.040 --> 2:25:59.800
<v Speaker 1>with us. They're not going to sit there and go, well,

2:25:59.879 --> 2:26:02.320
<v Speaker 1>you didn't play stupid girl, you didn't play only happy

2:26:02.320 --> 2:26:05.959
<v Speaker 1>when it rains. Everybody seems to be content to come

2:26:06.040 --> 2:26:08.600
<v Speaker 1>with us in whatever. So if you have new music

2:26:08.640 --> 2:26:09.800
<v Speaker 1>and you go on the road, how much of the

2:26:09.840 --> 2:26:14.120
<v Speaker 1>new album will you play? The last record that we released,

2:26:14.160 --> 2:26:17.560
<v Speaker 1>we played half of it, Okay, And you're on stage

2:26:17.920 --> 2:26:20.720
<v Speaker 1>and you're watching, do you visibly see people get up

2:26:20.760 --> 2:26:22.960
<v Speaker 1>and go to the bathroom? Of course? Now, we were

2:26:23.000 --> 2:26:25.720
<v Speaker 1>on we were on tour last year and we it

2:26:25.840 --> 2:26:28.400
<v Speaker 1>was summertime, you know, you're playing these festivals. And I

2:26:28.480 --> 2:26:31.040
<v Speaker 1>looked out and there was a man on a sun lounger,

2:26:31.160 --> 2:26:36.240
<v Speaker 1>fast asleep throughout our entire set. So what you're on stage,

2:26:36.600 --> 2:26:38.480
<v Speaker 1>what goes through your mind or through your heart? Well,

2:26:38.520 --> 2:26:40.480
<v Speaker 1>when I was younger, that would have devastated me. Now

2:26:40.560 --> 2:26:42.840
<v Speaker 1>I find it funny, and I realized, I'm like, I

2:26:42.920 --> 2:26:45.680
<v Speaker 1>am here to do a job and connect with someone.

2:26:46.160 --> 2:26:48.840
<v Speaker 1>It doesn't have to be everyone. You know, I'm not

2:26:48.959 --> 2:26:51.320
<v Speaker 1>failing if I don't touch every heart in this audience.

2:26:51.400 --> 2:26:54.920
<v Speaker 1>But my job is to get out there and tell

2:26:55.000 --> 2:26:57.760
<v Speaker 1>my truth and hope that somehow I connect with one

2:26:57.920 --> 2:27:00.640
<v Speaker 1>or more people. And that's all I think about. I

2:27:00.720 --> 2:27:03.920
<v Speaker 1>don't worry about being famous, I don't worry about being important.

2:27:04.240 --> 2:27:06.360
<v Speaker 1>I don't worry about being a start. I really did

2:27:06.480 --> 2:27:08.520
<v Speaker 1>not give a ship. I'd want to be a working

2:27:08.640 --> 2:27:12.720
<v Speaker 1>musician because that's well I value. I value working musicians

2:27:12.800 --> 2:27:16.240
<v Speaker 1>more than anything in the world. That's my gam Okay,

2:27:16.560 --> 2:27:20.320
<v Speaker 1>Two things. One two thousand five, Deaf Leopard and Brian

2:27:20.360 --> 2:27:22.920
<v Speaker 1>Adams went on a tour where they played ballparks and

2:27:22.920 --> 2:27:25.480
<v Speaker 1>they would alternate headlining, and I happen to see them

2:27:25.520 --> 2:27:28.760
<v Speaker 1>in they were minor league ballparks in Minnesota, and at

2:27:28.800 --> 2:27:31.360
<v Speaker 1>that time, the opening act on that date was Brian Adams.

2:27:31.440 --> 2:27:33.800
<v Speaker 1>He had had a set list and he's playing, but

2:27:33.879 --> 2:27:36.200
<v Speaker 1>also he could bring children in for free whatever, and

2:27:36.280 --> 2:27:39.320
<v Speaker 1>he was having this experience of the audience not being

2:27:39.360 --> 2:27:41.800
<v Speaker 1>with him, and he literally, I was standing on stage literally,

2:27:42.040 --> 2:27:44.160
<v Speaker 1>you know, looked at the band, literally took out the

2:27:44.200 --> 2:27:48.240
<v Speaker 1>set list and ripped it in half and slowly brought

2:27:48.720 --> 2:27:51.040
<v Speaker 1>the audience into the palm of his hand and worked

2:27:51.080 --> 2:27:53.640
<v Speaker 1>them into a frenzy. It was a magical thing, you know,

2:27:53.879 --> 2:27:56.600
<v Speaker 1>something that only someone was very experienced doing it. Do

2:27:56.760 --> 2:27:59.960
<v Speaker 1>you ever feel challenged in that way that, Okay, I'm

2:28:00.000 --> 2:28:03.840
<v Speaker 1>gonna win them over All the time I go out

2:28:03.959 --> 2:28:07.640
<v Speaker 1>feeling like it's like we are coming from a place

2:28:07.680 --> 2:28:11.240
<v Speaker 1>of lack we are going to try and change in mind.

2:28:12.240 --> 2:28:16.720
<v Speaker 1>I always feel like that, Yeah, okay, so now, how

2:28:16.879 --> 2:28:21.760
<v Speaker 1>often does garbage works? It's that's doesn't even apply to

2:28:21.920 --> 2:28:24.720
<v Speaker 1>us because we have such a bizarre set up. Well,

2:28:24.760 --> 2:28:26.480
<v Speaker 1>the reason I'm asking what do you do with the

2:28:26.520 --> 2:28:28.280
<v Speaker 1>rest of your time? That's a good question. I have

2:28:28.320 --> 2:28:33.039
<v Speaker 1>absolutely no idea set a home feeling like of work tiger. Okay,

2:28:33.040 --> 2:28:34.600
<v Speaker 1>you're an out of out of work tiger. Are you

2:28:34.680 --> 2:28:37.160
<v Speaker 1>the type pacing the cage saying, hey, I want my

2:28:37.240 --> 2:28:40.760
<v Speaker 1>bad members to record or go on the road or okay,

2:28:40.959 --> 2:28:44.840
<v Speaker 1>but how about independent things that are fulfilling, whether it

2:28:44.879 --> 2:28:48.040
<v Speaker 1>be music, aren't anything? Everything is fulfilling to me At

2:28:48.080 --> 2:28:50.080
<v Speaker 1>this point, I feel it's up to me to find

2:28:50.160 --> 2:28:52.120
<v Speaker 1>joy in my life. It's not nobody else is going

2:28:52.160 --> 2:28:54.240
<v Speaker 1>to come and serve it to me. You know, you're

2:28:54.240 --> 2:28:57.680
<v Speaker 1>painting a picture of you're very happy when you're working, okay,

2:28:58.000 --> 2:29:00.640
<v Speaker 1>and when you're not working, you're frust rated. You would

2:29:00.640 --> 2:29:02.760
<v Speaker 1>like to be working with the band. I am frustrated,

2:29:02.840 --> 2:29:04.960
<v Speaker 1>but I think life isn't that simple. You know, human

2:29:05.000 --> 2:29:07.240
<v Speaker 1>beings are complex. So yeah, I can be frustrated and

2:29:07.320 --> 2:29:09.560
<v Speaker 1>also go out to an art gallity and see something

2:29:09.600 --> 2:29:12.039
<v Speaker 1>that will blow my mind and make me feel excited.

2:29:12.160 --> 2:29:15.119
<v Speaker 1>And I have like all these ideas and it excites

2:29:15.200 --> 2:29:18.039
<v Speaker 1>me and I feel joyful, and and then I'll come

2:29:18.080 --> 2:29:20.680
<v Speaker 1>home and fall into a slump again. I mean, I'm cute,

2:29:21.040 --> 2:29:23.800
<v Speaker 1>like most human beings are. Okay, But okay, this is

2:29:23.840 --> 2:29:25.680
<v Speaker 1>another thing I've noticed, because you know, when I'm right,

2:29:25.680 --> 2:29:27.560
<v Speaker 1>I'm writing in the house, and a lot of times

2:29:27.600 --> 2:29:29.400
<v Speaker 1>I'll be in a bad mood and you literally walk

2:29:29.400 --> 2:29:32.000
<v Speaker 1>out the front door in your mood changes. It's just astounding.

2:29:32.080 --> 2:29:35.960
<v Speaker 1>You just have to the threshold. But assuming it's just

2:29:36.080 --> 2:29:38.440
<v Speaker 1>you're not on the road. An average day, you wake

2:29:38.560 --> 2:29:42.480
<v Speaker 1>up when seven is oh, so you're living regular human

2:29:42.560 --> 2:29:45.640
<v Speaker 1>being that me. I'm up late. I'm I'm more creative

2:29:45.640 --> 2:29:48.120
<v Speaker 1>at night. I have a dog and the dog has

2:29:48.160 --> 2:29:49.760
<v Speaker 1>to get out, and I'm not a dog person. I'm

2:29:49.800 --> 2:29:52.040
<v Speaker 1>in service to my dog and the dog you have

2:29:52.080 --> 2:29:54.360
<v Speaker 1>to get up at seven are seventh? Their t is?

2:29:54.480 --> 2:29:56.800
<v Speaker 1>You know? And are you the type person who will

2:29:56.840 --> 2:29:59.200
<v Speaker 1>go out to breakfast with friends or you are not

2:29:59.320 --> 2:30:02.000
<v Speaker 1>going to write first friends? Okay, but do you do it? Yes?

2:30:02.520 --> 2:30:05.680
<v Speaker 1>Of course, So you're not You're You're a people person.

2:30:05.720 --> 2:30:08.320
<v Speaker 1>You're not a loner. I am very much a people person.

2:30:08.560 --> 2:30:11.560
<v Speaker 1>I love people and I'm fascinated by them. But I'm

2:30:11.560 --> 2:30:14.400
<v Speaker 1>also a misanthrope. So again, here you've got this duality

2:30:14.480 --> 2:30:17.320
<v Speaker 1>that exists in most human beings, Like I am really

2:30:17.440 --> 2:30:21.959
<v Speaker 1>fascinated and genuinely interested in anyone I meet, and I'm

2:30:22.000 --> 2:30:25.720
<v Speaker 1>open to engaging with them. Okay, you can meet them once.

2:30:26.879 --> 2:30:28.760
<v Speaker 1>Do you want to see them again? It depends how

2:30:28.800 --> 2:30:31.720
<v Speaker 1>great they are right exactly? Or do you find bore bob?

2:30:31.800 --> 2:30:33.640
<v Speaker 1>But I have no interest in seeing them. There are

2:30:33.680 --> 2:30:35.360
<v Speaker 1>a lot of people I find. You know, everybody's got

2:30:35.400 --> 2:30:37.760
<v Speaker 1>a fascinating story. You can hear it once, but there

2:30:37.800 --> 2:30:39.480
<v Speaker 1>are other people. Every time you hang with them, they

2:30:39.520 --> 2:30:41.960
<v Speaker 1>tell the same story, and it's like, you know, I

2:30:42.040 --> 2:30:43.560
<v Speaker 1>have no I I bump them and into one thing,

2:30:43.720 --> 2:30:45.280
<v Speaker 1>but I'm not going to make plans with them. No,

2:30:45.520 --> 2:30:47.720
<v Speaker 1>of course, not I mean, that's how you select the

2:30:47.760 --> 2:30:49.920
<v Speaker 1>people in your life. But it also makes me feel

2:30:49.959 --> 2:30:53.920
<v Speaker 1>I mean, uh, I don't view myself as the average person.

2:30:54.240 --> 2:30:55.800
<v Speaker 1>I don't know what they can even say this, Maybe

2:30:55.840 --> 2:30:58.240
<v Speaker 1>it's out of date. Average person is getting up in

2:30:58.280 --> 2:31:01.160
<v Speaker 1>the morning and going to a job. They're seeing people

2:31:01.240 --> 2:31:04.080
<v Speaker 1>all the time at the job. It is wearing them out,

2:31:04.520 --> 2:31:07.400
<v Speaker 1>and they come home and they want to relax. They

2:31:07.520 --> 2:31:09.600
<v Speaker 1>maybe have a drink, have a smoke, watch TV, and

2:31:09.640 --> 2:31:11.680
<v Speaker 1>get up and do it again. And on the weekends

2:31:11.720 --> 2:31:13.320
<v Speaker 1>they'll go out to dinner, I'll go out to a show.

2:31:13.680 --> 2:31:17.000
<v Speaker 1>They'll cut loose. Okay where this someone once made a

2:31:17.000 --> 2:31:19.200
<v Speaker 1>great line? You know, the people who party hardest on

2:31:19.280 --> 2:31:23.440
<v Speaker 1>these conventions are not the music business people because these

2:31:23.480 --> 2:31:25.520
<v Speaker 1>other people it's one time of year. You got a Vegas.

2:31:25.560 --> 2:31:27.400
<v Speaker 1>These people out of control where the music. But you

2:31:27.440 --> 2:31:29.959
<v Speaker 1>can think you can party every night, So why shouldn't

2:31:29.959 --> 2:31:33.440
<v Speaker 1>be out of control tonight? So my question is are

2:31:33.520 --> 2:31:35.680
<v Speaker 1>you since you don't have when you're not on the road,

2:31:35.720 --> 2:31:40.360
<v Speaker 1>you're not recording. Uh, are you in the house sort

2:31:40.400 --> 2:31:43.720
<v Speaker 1>of bouncing off the walls? So how are you occupying

2:31:43.800 --> 2:31:47.320
<v Speaker 1>your time? That's a good question. I mean, I walk

2:31:47.480 --> 2:31:50.560
<v Speaker 1>my dog alt, I go to galleries, I read a lot,

2:31:50.720 --> 2:31:54.200
<v Speaker 1>I love going to movies, I love dinner with friends.

2:31:54.440 --> 2:31:56.360
<v Speaker 1>I mean, there's a million and one thing. So in

2:31:56.400 --> 2:31:59.520
<v Speaker 1>the average, in the average week, how many times in

2:31:59.560 --> 2:32:01.320
<v Speaker 1>a week do you go to breakfast with friends? Go

2:32:01.360 --> 2:32:06.080
<v Speaker 1>to dinner with friends? You don't no idea. I'm you know,

2:32:06.320 --> 2:32:09.359
<v Speaker 1>trying to say, is you know you sound very social,

2:32:09.760 --> 2:32:11.760
<v Speaker 1>So therefore when I hear that you about your frustration,

2:32:11.800 --> 2:32:14.320
<v Speaker 1>I'm just trying to figure it out, you know, And

2:32:14.440 --> 2:32:16.160
<v Speaker 1>you say you're a missing thrope? Are you the type

2:32:16.200 --> 2:32:18.000
<v Speaker 1>of person who really you know, you go when you

2:32:18.080 --> 2:32:20.880
<v Speaker 1>have a good time. But are you mostly alone or

2:32:20.920 --> 2:32:23.959
<v Speaker 1>you're mostly hanging? I don't even know how to answer

2:32:24.040 --> 2:32:26.520
<v Speaker 1>this question. This is amazing. I have absolutely no idea.

2:32:26.680 --> 2:32:29.520
<v Speaker 1>This is so peculiar to me that I'm not sure

2:32:29.920 --> 2:32:32.080
<v Speaker 1>to be honest. I mean, I'm both shy and I'm

2:32:32.120 --> 2:32:35.440
<v Speaker 1>both gregadious. I both love people and I hate them.

2:32:35.920 --> 2:32:38.320
<v Speaker 1>If I had my brothers, I'd spend my whole life

2:32:38.360 --> 2:32:42.480
<v Speaker 1>with my talk. Okay, So if you're home alone, I'm happy.

2:32:42.720 --> 2:32:45.800
<v Speaker 1>You're a happy pig and ship Okay, and you're married

2:32:45.879 --> 2:32:47.840
<v Speaker 1>At this point, they've been married for eight years. What

2:32:47.959 --> 2:32:50.359
<v Speaker 1>did your husband do for a living. He's a music producer,

2:32:50.920 --> 2:32:53.760
<v Speaker 1>music producer. We could look this up online. So what

2:32:54.000 --> 2:32:58.080
<v Speaker 1>what what does he actually do? Well? He also works

2:32:58.160 --> 2:33:01.280
<v Speaker 1>with my bands, he's like our engineer, right, And he

2:33:01.400 --> 2:33:05.640
<v Speaker 1>also produces bands on his own. So if he's producing

2:33:05.720 --> 2:33:07.360
<v Speaker 1>bands on his own, is he tend to be in

2:33:07.560 --> 2:33:10.080
<v Speaker 1>town with you? In Los Angeles or out of town?

2:33:11.520 --> 2:33:13.520
<v Speaker 1>All of the above? And if you go on the road,

2:33:13.560 --> 2:33:15.280
<v Speaker 1>does he go with you on the road? Yes, he does,

2:33:15.600 --> 2:33:18.760
<v Speaker 1>and he does the sound on the road. So you're together.

2:33:19.000 --> 2:33:21.879
<v Speaker 1>We're together. And how did you meet him? We hired him?

2:33:22.320 --> 2:33:24.760
<v Speaker 1>You hired him? And how he was our guitar? Roadif?

2:33:26.800 --> 2:33:28.760
<v Speaker 1>How old is he relative to you? He's a year

2:33:28.840 --> 2:33:31.200
<v Speaker 1>younger than okay, so basically the same age. How long

2:33:31.240 --> 2:33:33.879
<v Speaker 1>did it became a romance? Oh? Years and years and years,

2:33:33.920 --> 2:33:36.040
<v Speaker 1>years and years and years. He loved me from the

2:33:36.240 --> 2:33:37.840
<v Speaker 1>day that he met me, he said. In fact, he

2:33:38.000 --> 2:33:39.920
<v Speaker 1>said that he loved me before he met me because

2:33:39.959 --> 2:33:42.280
<v Speaker 1>he'd heard me sing. And he used to listen to

2:33:42.320 --> 2:33:44.240
<v Speaker 1>a garbage c D every night to go to sleep.

2:33:44.400 --> 2:33:46.200
<v Speaker 1>Milk would send him to sleep every night. This was

2:33:46.280 --> 2:33:48.440
<v Speaker 1>before we met. Then we met and I couldn't have

2:33:48.440 --> 2:33:51.560
<v Speaker 1>been less interested in him. And but then over the

2:33:51.640 --> 2:33:53.520
<v Speaker 1>years he became a really good friend. And then I

2:33:53.560 --> 2:33:55.520
<v Speaker 1>started to notice that when he wasn't around, I didn't

2:33:55.520 --> 2:33:59.760
<v Speaker 1>feel good. Really yeah, but he was, you know, carrying

2:33:59.800 --> 2:34:03.640
<v Speaker 1>a was devoted to me. Okay, So what what was

2:34:03.680 --> 2:34:06.000
<v Speaker 1>the transition? What made it happen? I mean I tell

2:34:06.040 --> 2:34:07.600
<v Speaker 1>the story all the time and people don't believe me,

2:34:07.680 --> 2:34:09.840
<v Speaker 1>but this is how superficial and cheap I am. So

2:34:10.000 --> 2:34:12.800
<v Speaker 1>my makeup artist at the time, unbeknownst to me, had

2:34:12.800 --> 2:34:15.440
<v Speaker 1>shaved his head because he had terrible hair, like thinning,

2:34:15.840 --> 2:34:18.240
<v Speaker 1>long rocker hair, and she shaved it off. So we

2:34:18.280 --> 2:34:21.040
<v Speaker 1>had a little buzz cut. And I came down. We

2:34:21.160 --> 2:34:24.600
<v Speaker 1>were supporting I think Alanis Morissett, and we came down

2:34:24.640 --> 2:34:27.120
<v Speaker 1>in a bus down the ramp towards the stadium, and

2:34:27.160 --> 2:34:29.280
<v Speaker 1>there was a super hot guy standing by the side

2:34:29.280 --> 2:34:31.320
<v Speaker 1>of the bus and I was like, he's hot. Oh ship,

2:34:31.440 --> 2:34:36.240
<v Speaker 1>that's Billy Bush there. And began the romance. Okay, and

2:34:36.520 --> 2:34:38.640
<v Speaker 1>so actually married how long eight years? How long was

2:34:38.800 --> 2:34:45.840
<v Speaker 1>the romance going on? M sixteen years? Maybe a long time? Yeah,

2:34:46.120 --> 2:34:49.520
<v Speaker 1>And now, uh, you were married once before I was,

2:34:49.800 --> 2:34:53.680
<v Speaker 1>And what was that about Well, it was about a

2:34:53.840 --> 2:34:56.680
<v Speaker 1>gorgeous person who I still miss and love very much,

2:34:56.959 --> 2:35:03.560
<v Speaker 1>but we were pulled apart by extraneous circumstances. I start

2:35:03.640 --> 2:35:06.920
<v Speaker 1>touring the world. And also I think I had rushed

2:35:07.000 --> 2:35:10.200
<v Speaker 1>to his side because he was a paternal figure and

2:35:10.280 --> 2:35:15.120
<v Speaker 1>I had been in a very destructive, sexually dangerous, abusive

2:35:15.879 --> 2:35:22.039
<v Speaker 1>relationship until I met my first husband. So he kind

2:35:22.080 --> 2:35:24.560
<v Speaker 1>of rescued you, Yes, he rescued And how did that end?

2:35:25.440 --> 2:35:29.600
<v Speaker 1>It just ended in sadly, in me becoming successful and

2:35:29.760 --> 2:35:31.680
<v Speaker 1>going on tour and we've never seen each other, and

2:35:31.720 --> 2:35:35.800
<v Speaker 1>then the relationship just kind of deteriorated and in my

2:35:35.920 --> 2:35:38.959
<v Speaker 1>great you don't have any children? Right? Oh god? No, okay,

2:35:39.000 --> 2:35:43.040
<v Speaker 1>so that's a conscious thought. Yes, you always knew that

2:35:43.120 --> 2:35:45.560
<v Speaker 1>you were never going to have children. No, I never

2:35:45.920 --> 2:35:49.000
<v Speaker 1>knew that I wouldn't have children. But I never ached

2:35:49.080 --> 2:35:50.920
<v Speaker 1>for them, like women talk a lot about aching in

2:35:51.000 --> 2:35:53.560
<v Speaker 1>their wombs, and I would always be like, kind of

2:35:53.640 --> 2:35:55.760
<v Speaker 1>like a dude looking at them blankly, like what does

2:35:55.840 --> 2:35:57.880
<v Speaker 1>that mean? I don't even know where that is. I

2:35:57.920 --> 2:36:00.440
<v Speaker 1>had no aching in my womb and no a longing

2:36:00.560 --> 2:36:04.360
<v Speaker 1>for a child. Really, how about your husband? None? Either? Well,

2:36:04.440 --> 2:36:06.000
<v Speaker 1>I felt the same way. I felt that I was

2:36:06.120 --> 2:36:09.199
<v Speaker 1>living my own life and I didn't want to subjugate myself.

2:36:09.720 --> 2:36:12.879
<v Speaker 1>But once I hit forty, I realized life was meaningless

2:36:13.440 --> 2:36:16.000
<v Speaker 1>and I saw my sisters with their kids whatever, and

2:36:16.080 --> 2:36:19.200
<v Speaker 1>I understood it at that point in time. But it's

2:36:19.600 --> 2:36:22.560
<v Speaker 1>very much a different life when you don't have kids.

2:36:22.600 --> 2:36:24.760
<v Speaker 1>I'm not complaining, but it's different. People say, oh, I'm

2:36:24.760 --> 2:36:26.800
<v Speaker 1>turned onto this and that by kids. I'm not turned on.

2:36:26.840 --> 2:36:30.000
<v Speaker 1>I mean, you know it doesn't happen to me. No,

2:36:30.200 --> 2:36:34.280
<v Speaker 1>But I also don't believe one should live vicariously through

2:36:34.320 --> 2:36:36.440
<v Speaker 1>your kids. I don't mean like I couldn't agree more.

2:36:36.600 --> 2:36:39.880
<v Speaker 1>I'm trying to say, especially when it comes to musical trends.

2:36:40.320 --> 2:36:41.840
<v Speaker 1>They'll be in the car and the kid will say, hey,

2:36:41.920 --> 2:36:44.160
<v Speaker 1>put this on the radio something you would normally not

2:36:44.400 --> 2:36:46.800
<v Speaker 1>listen to. My Yeah. I mean, there's billions of children

2:36:46.840 --> 2:36:48.840
<v Speaker 1>in my life, thankfully, so it's not like I'm of

2:36:48.959 --> 2:36:51.240
<v Speaker 1>contact with any kids or any new music or whatever.

2:36:51.920 --> 2:36:55.040
<v Speaker 1>But for me personally, I think my mother was so

2:36:55.240 --> 2:36:57.959
<v Speaker 1>devoted to me as a mom, like she was an orphan.

2:36:58.080 --> 2:36:59.920
<v Speaker 1>Like my mom was had a crazy story. She was

2:37:00.120 --> 2:37:03.680
<v Speaker 1>like an orphan child of a governess. And a butler

2:37:03.800 --> 2:37:07.000
<v Speaker 1>in a stately home in Scotland, and the idea of

2:37:07.120 --> 2:37:10.520
<v Speaker 1>her the mom having a child out of wedlock would

2:37:10.520 --> 2:37:12.440
<v Speaker 1>have lost she would have lost her job and been

2:37:12.680 --> 2:37:15.920
<v Speaker 1>you know, castigated. So they took the baby in a

2:37:17.120 --> 2:37:20.600
<v Speaker 1>basket literally and dropped her off in an orphanage. And

2:37:21.000 --> 2:37:25.040
<v Speaker 1>she was reared in the in the institution of you

2:37:25.120 --> 2:37:29.400
<v Speaker 1>know or orphanages until she was five years old. So

2:37:30.840 --> 2:37:34.720
<v Speaker 1>family was really important to her, and she dedicated herself slavishly.

2:37:35.160 --> 2:37:37.840
<v Speaker 1>One would say to her children, and I think I

2:37:38.000 --> 2:37:39.920
<v Speaker 1>just grew up thinking, no way am I doing that.

2:37:40.360 --> 2:37:44.520
<v Speaker 1>That is not I'm not doing that. We're going to

2:37:44.560 --> 2:37:47.160
<v Speaker 1>pause for a moment. We joined this conversation with truly

2:37:47.240 --> 2:37:54.119
<v Speaker 1>more of the band Garbage. This is Bob. I love

2:37:54.200 --> 2:37:56.320
<v Speaker 1>talking to people getting their stories, much like I do

2:37:56.440 --> 2:37:58.640
<v Speaker 1>on this podcast. For two name, I'll be talking to

2:37:58.720 --> 2:38:00.320
<v Speaker 1>some of the most important people in the music in

2:38:00.400 --> 2:38:03.400
<v Speaker 1>tech industries that my music media summit in Santa Barbara

2:38:03.440 --> 2:38:05.440
<v Speaker 1>the last week in of April. I'd love to have

2:38:05.520 --> 2:38:07.119
<v Speaker 1>you joined the event. It's going to be a great

2:38:07.160 --> 2:38:10.560
<v Speaker 1>way to connect in person with these high profile individuals,

2:38:10.680 --> 2:38:12.760
<v Speaker 1>learned how they made it in the future, direction of

2:38:12.800 --> 2:38:16.000
<v Speaker 1>their industries. Go to Music Media Summit dot com for

2:38:16.160 --> 2:38:20.080
<v Speaker 1>tickets and more information. Let's continue the conversation with the

2:38:20.160 --> 2:38:23.960
<v Speaker 1>lead singer of the band Garbage, Shirley Manson. So for

2:38:24.040 --> 2:38:26.200
<v Speaker 1>the last six months we've been living through this me

2:38:26.440 --> 2:38:31.039
<v Speaker 1>too moment. First question would be, you know we talked

2:38:31.040 --> 2:38:33.959
<v Speaker 1>about with your first band, but have you experienced any

2:38:34.040 --> 2:38:37.960
<v Speaker 1>of this sexism or sexual harassment? Yeah? Every woman that

2:38:39.240 --> 2:38:43.360
<v Speaker 1>unless she's incredibly privileged. Now, on some level, you're very

2:38:43.520 --> 2:38:47.160
<v Speaker 1>dynamic and very quick, but on some level, one level,

2:38:47.440 --> 2:38:49.160
<v Speaker 1>some level, no, I'm gonna get to the other level.

2:38:50.360 --> 2:38:54.320
<v Speaker 1>So on some level you're very dynamic and you're quick, okay,

2:38:54.480 --> 2:38:58.000
<v Speaker 1>but you also tell stories of being shy and subservient.

2:38:58.760 --> 2:39:03.280
<v Speaker 1>So where does this leave in these situations? Well, that's

2:39:03.320 --> 2:39:06.080
<v Speaker 1>a really good question. I mean, it's peculiar. I don't

2:39:06.120 --> 2:39:11.119
<v Speaker 1>think anyone who hasn't been physically touched unwanted in an

2:39:11.160 --> 2:39:16.160
<v Speaker 1>adwanted fashion really can understand why it's difficult sometimes to

2:39:16.360 --> 2:39:20.920
<v Speaker 1>use your voice in that situation. Um, I consider myself

2:39:21.000 --> 2:39:27.120
<v Speaker 1>a very dominant, aggressive, articulate person, and I've had my

2:39:27.200 --> 2:39:33.400
<v Speaker 1>body touched and have frozen as recently as last year. Uh,

2:39:33.920 --> 2:39:37.080
<v Speaker 1>when you were to the degree you're comfortable. What happened

2:39:37.160 --> 2:39:40.520
<v Speaker 1>last year? I was at a radio festival and we

2:39:40.640 --> 2:39:44.840
<v Speaker 1>were meeting competition winners and we had there was a

2:39:44.920 --> 2:39:47.440
<v Speaker 1>long line of people that we were just standing in

2:39:47.520 --> 2:39:49.800
<v Speaker 1>front of a backdrop and having our photographs taken, and

2:39:50.840 --> 2:39:54.000
<v Speaker 1>some dude moves in, stands beside me, puts his hand

2:39:54.040 --> 2:39:55.960
<v Speaker 1>on my breast. He's got his arm around me and

2:39:56.000 --> 2:39:57.920
<v Speaker 1>then puts his hand on my breast and I think, oh, wow,

2:39:58.680 --> 2:40:00.920
<v Speaker 1>he's he's so nervous and I comfortable he has had

2:40:00.959 --> 2:40:04.000
<v Speaker 1>on my breast. This is embarrassing, that's all right. And

2:40:04.200 --> 2:40:06.200
<v Speaker 1>I tried to like shift and he just kept on

2:40:06.320 --> 2:40:08.360
<v Speaker 1>grabbing me. And then eventually I put my own hand

2:40:08.440 --> 2:40:11.520
<v Speaker 1>on his hand and pushed his hand to try and

2:40:11.560 --> 2:40:13.440
<v Speaker 1>get him off my breast, and he would not let go,

2:40:14.240 --> 2:40:16.120
<v Speaker 1>and eventually I managed to push his hand down to

2:40:16.200 --> 2:40:18.800
<v Speaker 1>my waist and we took the photograph and I was

2:40:18.920 --> 2:40:21.640
<v Speaker 1>frozen like a deer in the headlights, and he wandered

2:40:21.680 --> 2:40:26.040
<v Speaker 1>off and I couldn't even look where he'd went, what

2:40:26.200 --> 2:40:28.120
<v Speaker 1>direction he had gone, and I was just so my

2:40:28.240 --> 2:40:30.280
<v Speaker 1>mind was so full of like wow, that dude just

2:40:30.360 --> 2:40:33.480
<v Speaker 1>grab my tit in front of everybody. Now I'm not

2:40:33.600 --> 2:40:35.880
<v Speaker 1>saying that's comparable to what a lot of women have

2:40:36.000 --> 2:40:38.760
<v Speaker 1>experienced or some men, by the way, but it was

2:40:38.879 --> 2:40:41.240
<v Speaker 1>unpleasant and I found it really upsetting, and I was

2:40:41.360 --> 2:40:44.080
<v Speaker 1>angry at myself for not going dude and shout, you know,

2:40:44.240 --> 2:40:47.320
<v Speaker 1>calling him out, like what are you doing? But I didn't,

2:40:47.440 --> 2:40:50.279
<v Speaker 1>And so it gave me some insight into the process

2:40:50.360 --> 2:40:53.600
<v Speaker 1>that occurs for so many women in situations where they

2:40:53.680 --> 2:40:56.840
<v Speaker 1>just freeze and they can't push back, they can't shout,

2:40:56.920 --> 2:41:00.320
<v Speaker 1>they can't fight back, they can't say anything. It's mad.

2:41:01.280 --> 2:41:03.560
<v Speaker 1>So let's assume the same thing were to happen this summer.

2:41:04.080 --> 2:41:05.960
<v Speaker 1>Do you think you would freeze again? I don't know,

2:41:06.600 --> 2:41:09.840
<v Speaker 1>you know, I don't know. That's something I don't think

2:41:09.879 --> 2:41:12.480
<v Speaker 1>men understand. You See, It's like when you're a woman

2:41:12.760 --> 2:41:16.640
<v Speaker 1>your entire life, when you walk out the house, you're

2:41:16.680 --> 2:41:19.480
<v Speaker 1>aware that you could be hurt in some way, and

2:41:19.600 --> 2:41:22.920
<v Speaker 1>men never have that experience, not really unless they're in warfare.

2:41:23.400 --> 2:41:25.360
<v Speaker 1>You know, generally speaking, a man doesn't have to think

2:41:25.400 --> 2:41:29.080
<v Speaker 1>about his physical safety. Women think about it all the time,

2:41:29.400 --> 2:41:32.120
<v Speaker 1>and it's something that men, God bless them, just cannot

2:41:32.320 --> 2:41:35.520
<v Speaker 1>quite connect to that idea of like that you know,

2:41:35.800 --> 2:41:39.280
<v Speaker 1>you're walking down the street, you're nervous, there's some somebody

2:41:39.360 --> 2:41:42.760
<v Speaker 1>whistles out your says something sexual to you. It's intimidating,

2:41:42.800 --> 2:41:44.720
<v Speaker 1>it's frightening because you don't know where it can lead.

2:41:45.480 --> 2:41:48.280
<v Speaker 1>You know, I was married to someone who did not

2:41:48.400 --> 2:41:50.800
<v Speaker 1>have them as a guy. We've all been in places,

2:41:51.000 --> 2:41:53.520
<v Speaker 1>we've hit on somebody that's kind of weird, kind of tache.

2:41:53.560 --> 2:41:56.640
<v Speaker 1>We've even talked to a woman okay, and they very

2:41:56.800 --> 2:41:59.880
<v Speaker 1>specifically send a signal it's a brush off. I don't

2:42:00.000 --> 2:42:05.240
<v Speaker 1>want to talk to you, okay, And if you're a man, unfortunately,

2:42:05.440 --> 2:42:08.600
<v Speaker 1>if someone doesn't give that signal, a lot of people

2:42:08.720 --> 2:42:11.840
<v Speaker 1>but then see that as a green light unfortunately. So

2:42:12.680 --> 2:42:15.400
<v Speaker 1>you fear as a woman, you feel you might get

2:42:15.520 --> 2:42:19.960
<v Speaker 1>hurt to what degree? What behaviors doing you employ to

2:42:20.120 --> 2:42:25.440
<v Speaker 1>make sure you don't get hurt? Well, I mean you're careful,

2:42:25.840 --> 2:42:28.200
<v Speaker 1>you know, I've always been very careful. I don't walk

2:42:28.280 --> 2:42:31.600
<v Speaker 1>down dark streets alone at night if I can possibly

2:42:31.680 --> 2:42:33.840
<v Speaker 1>help it. If I am down in dark street at

2:42:33.920 --> 2:42:35.760
<v Speaker 1>night by myself, I'm walking down the middle of the

2:42:36.160 --> 2:42:38.600
<v Speaker 1>middle of the road, because it was going to take

2:42:38.640 --> 2:42:40.640
<v Speaker 1>a further distance to drag me from one side to

2:42:40.640 --> 2:42:43.840
<v Speaker 1>the other. I mean silly things like that. You know, um,

2:42:44.240 --> 2:42:46.200
<v Speaker 1>I make it very clear and I'm very lucky and

2:42:46.280 --> 2:42:49.640
<v Speaker 1>that I am not scared to say, dude, I'm not interested.

2:42:50.200 --> 2:42:52.520
<v Speaker 1>You know, please go go back and join your friends

2:42:52.680 --> 2:42:55.160
<v Speaker 1>or you know, I'm pretty clear. But not. But not

2:42:55.240 --> 2:42:57.240
<v Speaker 1>all women are like that. And a lot of women

2:42:57.280 --> 2:43:00.720
<v Speaker 1>have been conditioned to please men and a peace men

2:43:01.080 --> 2:43:04.760
<v Speaker 1>and they don't They don't want to upset them or

2:43:04.879 --> 2:43:09.360
<v Speaker 1>hurt their egos or or incite them, you know, to

2:43:09.400 --> 2:43:12.080
<v Speaker 1>be aggressive. So there's a whole thing at play. I mean,

2:43:12.280 --> 2:43:16.400
<v Speaker 1>I know we've all talked about this for some months now,

2:43:16.600 --> 2:43:19.160
<v Speaker 1>and my only feeling about it all is we need

2:43:19.240 --> 2:43:22.720
<v Speaker 1>to re educate our children, are boys and our girls.

2:43:23.520 --> 2:43:25.240
<v Speaker 1>And what would that look like? Well, you know, it's

2:43:25.360 --> 2:43:27.960
<v Speaker 1>it's for men. I think it's really confusing. You know,

2:43:28.120 --> 2:43:32.040
<v Speaker 1>there's a lot there's there's a lot of of depicting

2:43:32.840 --> 2:43:38.520
<v Speaker 1>men in movies, in TV, in literature, you know, where

2:43:38.879 --> 2:43:43.760
<v Speaker 1>the pursuit is romanticized, where they're encouraged to push even

2:43:43.800 --> 2:43:46.039
<v Speaker 1>when a woman says no, that you know that they

2:43:46.200 --> 2:43:48.320
<v Speaker 1>learned that maybe if they push a little harder, they'll

2:43:48.360 --> 2:43:50.880
<v Speaker 1>finally get what they want, she'll relent, you know. Blah

2:43:50.959 --> 2:43:56.200
<v Speaker 1>blah blah. There's all this misconst like misguiding stuff out

2:43:56.240 --> 2:43:58.440
<v Speaker 1>there about what it means to be a dude. And

2:43:59.000 --> 2:44:01.400
<v Speaker 1>I just think we need to to change a little

2:44:01.640 --> 2:44:03.600
<v Speaker 1>just I just think a few tweaks and the way

2:44:03.680 --> 2:44:06.600
<v Speaker 1>we raise our children will will help men and women

2:44:07.400 --> 2:44:11.640
<v Speaker 1>co exist a little more comfortably those look like. I

2:44:11.840 --> 2:44:16.280
<v Speaker 1>think the great thing that I welcome the most right

2:44:16.320 --> 2:44:19.240
<v Speaker 1>now is the breakdown of binary gender. I think that

2:44:20.040 --> 2:44:22.680
<v Speaker 1>is a great start right there, where men are not

2:44:22.959 --> 2:44:30.480
<v Speaker 1>expected to be you know, the the the one who

2:44:31.680 --> 2:44:35.000
<v Speaker 1>they alpha yea, or they're not expected to be the

2:44:35.720 --> 2:44:38.760
<v Speaker 1>predator and or the chaser or the one who always

2:44:38.760 --> 2:44:40.440
<v Speaker 1>asked a woman out in a day where it becomes

2:44:40.440 --> 2:44:43.920
<v Speaker 1>a little more iglitarian where men and women are. You know,

2:44:43.959 --> 2:44:45.120
<v Speaker 1>a lot of the time when I was growing up

2:44:45.120 --> 2:44:48.279
<v Speaker 1>in the seventies, women were just expected to wait, literally

2:44:48.360 --> 2:44:52.600
<v Speaker 1>wait until a man asked her to dance, you know.

2:44:52.720 --> 2:44:54.800
<v Speaker 1>So it all starts off at in primary school for us,

2:44:54.840 --> 2:44:57.480
<v Speaker 1>you know, like when you're five, you're you're lined up

2:44:57.520 --> 2:44:59.800
<v Speaker 1>against the wall. This was in the seventies in Scotland,

2:44:59.800 --> 2:45:01.680
<v Speaker 1>were all the women were lined up against the wall

2:45:02.000 --> 2:45:04.240
<v Speaker 1>and then the men or the boys were sent and

2:45:04.280 --> 2:45:06.440
<v Speaker 1>I go choose your partner, and the man would the

2:45:06.480 --> 2:45:08.720
<v Speaker 1>boy would choose whoever they wanted to dance with. And

2:45:09.080 --> 2:45:13.200
<v Speaker 1>are you bringing back memories? Wow, that's really crazy. You know,

2:45:13.240 --> 2:45:15.520
<v Speaker 1>I'm not healthy and not good and it starts right

2:45:15.640 --> 2:45:20.279
<v Speaker 1>that early, you know. And I think boys are praised

2:45:20.360 --> 2:45:23.440
<v Speaker 1>for being you know, good at sports and aggressive and

2:45:23.800 --> 2:45:26.440
<v Speaker 1>and even violent, you know, and women are praised for

2:45:26.520 --> 2:45:29.720
<v Speaker 1>being pretty and cute and small and just a little

2:45:29.720 --> 2:45:31.720
<v Speaker 1>tweaks like that. You know, I think it could help

2:45:32.040 --> 2:45:34.720
<v Speaker 1>change the Well, let's go back to your husband. You

2:45:34.840 --> 2:45:36.360
<v Speaker 1>pull up in the bus. You see him with a

2:45:36.400 --> 2:45:39.160
<v Speaker 1>buzz cut. You said that dude looks hot. You really

2:45:39.200 --> 2:45:42.320
<v Speaker 1>recognize them very slowly. How do you change the signal

2:45:42.400 --> 2:45:46.000
<v Speaker 1>you're sending to him? Well, these are my trade secrets.

2:45:46.840 --> 2:45:49.360
<v Speaker 1>I don't serve them. You've already used them. You're getting

2:45:49.360 --> 2:45:52.720
<v Speaker 1>you know, you're very happily married, healthy audience. No, no, no,

2:45:52.879 --> 2:45:55.600
<v Speaker 1>that's that's my own game. That's my private game, for sure.

2:45:55.720 --> 2:45:59.080
<v Speaker 1>I mean, how how you you let someone know? I

2:45:59.120 --> 2:46:01.320
<v Speaker 1>mean I knew he would love me, of course, we've

2:46:01.400 --> 2:46:04.600
<v Speaker 1>established I love you, bet you, so eventually I was

2:46:04.640 --> 2:46:07.480
<v Speaker 1>just a bit more welcoming. You know, we'd spend time together,

2:46:07.640 --> 2:46:14.080
<v Speaker 1>we'd looking you know, we just become really good friends. Okay,

2:46:14.520 --> 2:46:17.440
<v Speaker 1>what advice would you give to someone where the other

2:46:17.600 --> 2:46:22.440
<v Speaker 1>person's uh desires are not as clear? I have no

2:46:22.520 --> 2:46:24.480
<v Speaker 1>advice to give, because I think it's different for every

2:46:24.560 --> 2:46:27.680
<v Speaker 1>single person. That's the thing where there's no blanket rules there,

2:46:27.720 --> 2:46:31.320
<v Speaker 1>because each man and each woman and each any any

2:46:31.400 --> 2:46:34.080
<v Speaker 1>person of any gender, we're all made up so differently,

2:46:34.160 --> 2:46:38.720
<v Speaker 1>and so what what is seen as a as um

2:46:39.959 --> 2:46:43.720
<v Speaker 1>a dance between the two is so unique to each relationship.

2:46:43.800 --> 2:46:46.480
<v Speaker 1>I think, you know, there's no blanket advice i'd give

2:46:46.520 --> 2:46:49.000
<v Speaker 1>anyone for fear of that biting me in the ass.

2:46:50.000 --> 2:46:51.480
<v Speaker 1>You sound like more of the type of person would

2:46:51.480 --> 2:46:53.120
<v Speaker 1>give advice and then when they came back to it

2:46:53.200 --> 2:46:54.280
<v Speaker 1>said it didn't work to well, you know, what the

2:46:54.360 --> 2:46:56.640
<v Speaker 1>hell do I know that's true? I was? I mean,

2:46:56.720 --> 2:46:59.120
<v Speaker 1>I I the older I get, the less advice. I

2:46:59.160 --> 2:47:02.160
<v Speaker 1>want to get all the exact same way. Twenty years ago,

2:47:02.480 --> 2:47:05.400
<v Speaker 1>I tell everybody how to live their lives. Now I'm

2:47:05.440 --> 2:47:07.240
<v Speaker 1>not sure that I know what I'm talking about, and

2:47:07.480 --> 2:47:09.160
<v Speaker 1>I know I have no idea what I'm telling. And

2:47:09.240 --> 2:47:11.760
<v Speaker 1>they say, and they're not gonna listen to me. It's

2:47:11.800 --> 2:47:16.800
<v Speaker 1>like why why ruined the relationship? But waste right now.

2:47:16.920 --> 2:47:20.600
<v Speaker 1>The fantasy, the rock star fantasy, which aligns very much

2:47:20.640 --> 2:47:22.959
<v Speaker 1>with the truth, is we have a guy who shy

2:47:23.560 --> 2:47:25.680
<v Speaker 1>and he speaks to his guitar and he feels if

2:47:25.720 --> 2:47:28.920
<v Speaker 1>I become successful musician, I will be able to have

2:47:29.640 --> 2:47:33.160
<v Speaker 1>a girlfriend of sex, life, etcetera. That's men on the road.

2:47:33.440 --> 2:47:37.720
<v Speaker 1>It is very different today in light of cell phone cameras, etcetera.

2:47:38.040 --> 2:47:41.480
<v Speaker 1>But prior to that, the legend was relatively true. The

2:47:41.560 --> 2:47:44.720
<v Speaker 1>men went on the road. There were groupies. As David

2:47:44.800 --> 2:47:47.240
<v Speaker 1>Lee Roth said, I know on the road, and I

2:47:47.280 --> 2:47:49.359
<v Speaker 1>can get laid every night of the week, not necessarily

2:47:49.400 --> 2:47:51.080
<v Speaker 1>by whom I want to get laid by, but every

2:47:51.200 --> 2:47:54.040
<v Speaker 1>night of the week. As a woman being on the road,

2:47:55.200 --> 2:47:58.440
<v Speaker 1>What were your desires and your feelings in your own

2:47:58.520 --> 2:48:02.480
<v Speaker 1>experience in this situation. I can remember, like you know,

2:48:02.760 --> 2:48:05.400
<v Speaker 1>being like number one all over the world. I was

2:48:05.520 --> 2:48:09.560
<v Speaker 1>all over like the coolest fashion magazines in the country.

2:48:10.360 --> 2:48:15.039
<v Speaker 1>I was being lauded and applauded, and everything was tick

2:48:15.120 --> 2:48:18.160
<v Speaker 1>tiboo from a professional standpoint. But I would go back

2:48:18.200 --> 2:48:20.760
<v Speaker 1>to my hotel tell room by myself. Let's stop with

2:48:21.120 --> 2:48:23.560
<v Speaker 1>what is tixie boo? Tick ty boo just means you

2:48:23.640 --> 2:48:27.039
<v Speaker 1>know what tickt boo? Right, Okay, you can just hear

2:48:27.080 --> 2:48:30.320
<v Speaker 1>from from hearing it. But did you go back to

2:48:30.440 --> 2:48:33.240
<v Speaker 1>your hotel room happy? Or did you say, god, I'm

2:48:33.240 --> 2:48:35.160
<v Speaker 1>on the cover every magazine here I am alone. I

2:48:35.200 --> 2:48:37.160
<v Speaker 1>probably went home back to my hotel room. How to work?

2:48:38.520 --> 2:48:42.400
<v Speaker 1>There is nobody around, you know, but I have to

2:48:42.520 --> 2:48:46.440
<v Speaker 1>believe being that famous, invisible men would try to make

2:48:46.520 --> 2:48:51.680
<v Speaker 1>themselves available. No, no, men were terrified of me. Absolutely.

2:48:52.720 --> 2:48:55.400
<v Speaker 1>You're a band on the road, which means you're going

2:48:55.520 --> 2:48:58.200
<v Speaker 1>to concert halls, you're going to radio stations. There's a

2:48:58.360 --> 2:49:02.120
<v Speaker 1>lot of men there. One of those men starts not

2:49:02.560 --> 2:49:08.760
<v Speaker 1>what not once? I never got hit home once. Wow. Again,

2:49:08.840 --> 2:49:11.240
<v Speaker 1>that's what I mean about the conditioning of the man too,

2:49:11.400 --> 2:49:15.120
<v Speaker 1>how because men want to be the powerful alpha, and

2:49:15.240 --> 2:49:18.160
<v Speaker 1>if you're the powerful alpha, that changes the dynamic. And

2:49:18.480 --> 2:49:21.000
<v Speaker 1>no man really has been taught to deal with that.

2:49:21.280 --> 2:49:24.480
<v Speaker 1>Not many men, I should say, again sweeping generalizations, but

2:49:24.560 --> 2:49:27.000
<v Speaker 1>the majority of men don't know how to deal with

2:49:27.120 --> 2:49:30.640
<v Speaker 1>a woman who's more successful than they are, and you know,

2:49:30.760 --> 2:49:33.640
<v Speaker 1>has has has a credit card, and can get herself

2:49:33.720 --> 2:49:35.840
<v Speaker 1>out of any situation. She doesn't need the night in

2:49:35.879 --> 2:49:38.440
<v Speaker 1>Shining Armor to come save her. They don't know what

2:49:38.560 --> 2:49:41.440
<v Speaker 1>to do with that. In your marriage, are you the one?

2:49:41.640 --> 2:49:44.320
<v Speaker 1>Do you wear the pants and the family so to speak? No,

2:49:44.680 --> 2:49:48.760
<v Speaker 1>I actually we have a pretty balanced So you decide

2:49:48.760 --> 2:49:51.000
<v Speaker 1>you're going to go to dinner, who chooses the restaurant

2:49:51.520 --> 2:49:54.120
<v Speaker 1>changes every day? Okay, So I mean I'm not being funny,

2:49:54.120 --> 2:49:56.120
<v Speaker 1>I'm not being flippant. I was interress with you. So

2:49:56.240 --> 2:49:59.240
<v Speaker 1>it's balanced in the relationship balance. So once you get

2:49:59.360 --> 2:50:02.400
<v Speaker 1>over the thre shold, you're willing to be equal to

2:50:02.520 --> 2:50:05.280
<v Speaker 1>the man as opposed to be dominant with the man. Well,

2:50:05.320 --> 2:50:07.680
<v Speaker 1>I'll be dominant if I feel like this situation is

2:50:07.760 --> 2:50:10.360
<v Speaker 1>not being taken care of, of course, that's that's something different.

2:50:10.840 --> 2:50:13.680
<v Speaker 1>So if we go back to this situation, you're on

2:50:13.800 --> 2:50:19.240
<v Speaker 1>top of the world, you're and there are no um

2:50:20.959 --> 2:50:27.240
<v Speaker 1>boyfriends at the time, do you start to hit on men? Well,

2:50:27.280 --> 2:50:29.680
<v Speaker 1>that's a good question. I don't know. Some people say

2:50:29.760 --> 2:50:32.400
<v Speaker 1>you're you're flirting out rageously with him, and I'm like, no,

2:50:32.520 --> 2:50:35.640
<v Speaker 1>I wasn't. Well, there's one thing to flirt outrageously and

2:50:35.720 --> 2:50:37.880
<v Speaker 1>say I'm having fun, but I would never left this

2:50:37.959 --> 2:50:40.000
<v Speaker 1>guy in my hotel room. There's another thing to say,

2:50:40.000 --> 2:50:42.360
<v Speaker 1>I'm having fun if the guy is fun, and it

2:50:42.440 --> 2:50:45.920
<v Speaker 1>might go somewhere. To be honest, I'm no, I can't.

2:50:46.120 --> 2:50:48.200
<v Speaker 1>I don't really have any memories of meeting somebody that

2:50:48.320 --> 2:50:53.080
<v Speaker 1>was really interested in so because the pickens were slim

2:50:53.200 --> 2:50:57.440
<v Speaker 1>or your standards, I'm slim and my standards were high.

2:50:58.080 --> 2:51:00.320
<v Speaker 1>To be honest, and again, I'm signing like a sort

2:51:00.360 --> 2:51:04.840
<v Speaker 1>of a sort of old maid in that I have

2:51:05.080 --> 2:51:08.320
<v Speaker 1>never wanted to just have sex with someone just to

2:51:08.400 --> 2:51:12.120
<v Speaker 1>have sex, because I just think, statistically wise, there's very

2:51:12.160 --> 2:51:14.280
<v Speaker 1>few people that are going to make my experience worth it.

2:51:14.840 --> 2:51:18.760
<v Speaker 1>So in general, I'm attracted to the brain first, and

2:51:18.840 --> 2:51:22.119
<v Speaker 1>then then then I'm like, okay, sex could be interesting,

2:51:22.280 --> 2:51:25.520
<v Speaker 1>let's see where this goes. But it's usually brain first.

2:51:25.560 --> 2:51:27.320
<v Speaker 1>I'm never like, oh he's hot, I'm going to like

2:51:27.440 --> 2:51:29.760
<v Speaker 1>go go back to my own you know. That's you know,

2:51:29.920 --> 2:51:32.920
<v Speaker 1>in my limited experience. That's women feel the same way.

2:51:33.440 --> 2:51:37.120
<v Speaker 1>There there's millions of women that I know who are

2:51:37.240 --> 2:51:40.440
<v Speaker 1>who will fox somebody for just sex. Millions of them,

2:51:40.720 --> 2:51:43.560
<v Speaker 1>I think so, But isn't that they're the lower percentage.

2:51:44.200 --> 2:51:47.280
<v Speaker 1>I don't know, Actually, I would challenge that idea. I

2:51:47.400 --> 2:51:49.600
<v Speaker 1>think that's what we've been led to believe. I feel

2:51:49.600 --> 2:51:54.320
<v Speaker 1>like that's necessarily reality. It's like affairs, you know, supposedly,

2:51:54.680 --> 2:51:56.600
<v Speaker 1>you know, more women are having an affairs than men.

2:51:57.440 --> 2:52:00.520
<v Speaker 1>So what does that tell you? I think you know

2:52:00.600 --> 2:52:03.920
<v Speaker 1>what it tells you. I know I'm only do me

2:52:04.000 --> 2:52:06.240
<v Speaker 1>I'm wrong. Put myself on the ground a little bit more.

2:52:06.480 --> 2:52:08.040
<v Speaker 1>I think it'll do a great degree. That to men

2:52:08.080 --> 2:52:10.800
<v Speaker 1>who are not u servicing is a terrible world. I

2:52:10.840 --> 2:52:14.120
<v Speaker 1>don't mean in terms of sexual stuff, but they're not

2:52:14.240 --> 2:52:18.160
<v Speaker 1>paying attention to the woman, and the woman has opportunities. Well,

2:52:18.200 --> 2:52:21.640
<v Speaker 1>women are finding opportunities for themselves and and and as

2:52:21.720 --> 2:52:24.040
<v Speaker 1>they get older, they get better at doing that, and

2:52:24.200 --> 2:52:26.800
<v Speaker 1>then it seems lose their confidence. It's a sort of

2:52:26.879 --> 2:52:30.640
<v Speaker 1>flip of the way we are that we developed that,

2:52:30.720 --> 2:52:32.959
<v Speaker 1>the way we educate. I think women as they get older,

2:52:33.040 --> 2:52:35.120
<v Speaker 1>get smarter, and they're like, oh wait a minute, what

2:52:35.280 --> 2:52:37.880
<v Speaker 1>a call? And this has been you know, and men

2:52:38.240 --> 2:52:42.160
<v Speaker 1>suddenly realize, oh, I'm not quite the dominant gorgeous stud

2:52:42.240 --> 2:52:44.800
<v Speaker 1>I thought I was. Well, if their confidence drops, women's

2:52:44.800 --> 2:52:49.280
<v Speaker 1>confidence rises, and so there you have men break up

2:52:49.680 --> 2:52:51.560
<v Speaker 1>and they go hang with their budge and they watch

2:52:51.879 --> 2:52:54.360
<v Speaker 1>ESPN and they drink beer and they don't even talk

2:52:54.360 --> 2:52:57.720
<v Speaker 1>about it. Women women don't. Women rally around each other

2:52:57.920 --> 2:53:00.360
<v Speaker 1>and can live without a man. It's the men who

2:53:00.400 --> 2:53:03.520
<v Speaker 1>are That's right, motherfucker's exactly. But that's the men who

2:53:03.560 --> 2:53:05.520
<v Speaker 1>were weak. They don't want to admit it. No, it's

2:53:05.560 --> 2:53:08.400
<v Speaker 1>not that they're weak. I mean, I think again, they're

2:53:08.480 --> 2:53:11.200
<v Speaker 1>just not given the tools. They're not educated, they're not

2:53:11.600 --> 2:53:14.160
<v Speaker 1>shown how to age, they're not shown how to live

2:53:14.520 --> 2:53:18.600
<v Speaker 1>and have bigger women are taught how to survive in

2:53:18.720 --> 2:53:21.920
<v Speaker 1>ways that men aren't, and vice versa. You know. So

2:53:22.080 --> 2:53:23.360
<v Speaker 1>this is what I'm talking about goes back to what

2:53:23.400 --> 2:53:25.279
<v Speaker 1>I'm saying earlier. We need to change the way we educated.

2:53:25.640 --> 2:53:28.880
<v Speaker 1>We can all have happy health. I agree with you,

2:53:29.680 --> 2:53:32.520
<v Speaker 1>better taught to go, I'll be hunters. But that's about it.

2:53:33.760 --> 2:53:35.480
<v Speaker 1>You know. It's funny you should say that because I

2:53:35.720 --> 2:53:39.560
<v Speaker 1>suddenly had this sort of realization very recently. I was

2:53:39.640 --> 2:53:42.880
<v Speaker 1>watching a TV show and it was about the Vikings,

2:53:43.000 --> 2:53:45.680
<v Speaker 1>and and men were getting sent off to you know,

2:53:45.800 --> 2:53:48.440
<v Speaker 1>to fight, and it was brutal, and I was like, God,

2:53:48.440 --> 2:53:50.480
<v Speaker 1>I think those those times, it must have been horrendous.

2:53:50.480 --> 2:53:51.800
<v Speaker 1>And then it made me think of all the men

2:53:51.879 --> 2:53:54.480
<v Speaker 1>that get sent off to this day into war. And

2:53:54.600 --> 2:53:58.520
<v Speaker 1>men are sort of like they are educated to to

2:53:59.200 --> 2:54:01.320
<v Speaker 1>shut something off from themselves so that they will be

2:54:01.400 --> 2:54:03.280
<v Speaker 1>willing to go and fight for their countries, you know,

2:54:03.480 --> 2:54:07.080
<v Speaker 1>and get into these terrifying situations that never really happens

2:54:07.120 --> 2:54:10.440
<v Speaker 1>to women. Not really again sweeping generalizations. There's plenty of

2:54:10.440 --> 2:54:13.840
<v Speaker 1>women in the services and and so on, but you know,

2:54:14.720 --> 2:54:17.320
<v Speaker 1>sort of over the last few centuries, men have been

2:54:18.040 --> 2:54:20.520
<v Speaker 1>taught a certain way so that they will mindlessly go

2:54:20.640 --> 2:54:23.880
<v Speaker 1>in and and and fight to their deaths. And and

2:54:24.040 --> 2:54:27.080
<v Speaker 1>we that that society has changed slightly since then. And

2:54:27.320 --> 2:54:29.080
<v Speaker 1>think it's also changed because I grew up in an

2:54:29.080 --> 2:54:31.800
<v Speaker 1>era of a draft where it kind of crossed classes,

2:54:32.040 --> 2:54:34.760
<v Speaker 1>where now it's an all volunteer army where the educating

2:54:34.840 --> 2:54:39.000
<v Speaker 1>which tend not to go. Okay, But you've traveled around

2:54:39.040 --> 2:54:41.920
<v Speaker 1>the world, where's the best or most exciting place, her

2:54:41.959 --> 2:54:44.360
<v Speaker 1>favorite place you've been? Well, again, I don't believe in best.

2:54:44.480 --> 2:54:47.600
<v Speaker 1>To be honest, I don't I really really fight that

2:54:47.720 --> 2:54:50.600
<v Speaker 1>idea of all every fiber of my being, because like

2:54:50.680 --> 2:54:52.760
<v Speaker 1>I come from a family where my dad marks everything

2:54:52.800 --> 2:54:55.760
<v Speaker 1>out of ten. It drives me insane. To me, I

2:54:55.840 --> 2:54:59.840
<v Speaker 1>feel like life is always surprising. You can go like

2:55:00.000 --> 2:55:03.400
<v Speaker 1>you could go to Paris and have a dreadful experience.

2:55:03.520 --> 2:55:06.879
<v Speaker 1>Hard to imagine, of course, So when you say what's

2:55:06.920 --> 2:55:09.480
<v Speaker 1>the best, it's just what I guess is the most

2:55:09.600 --> 2:55:12.520
<v Speaker 1>enjoyable on any given day. Yeah, and everywhere I go

2:55:12.640 --> 2:55:15.640
<v Speaker 1>as a musician, and I've traveled almost everywhere at this point,

2:55:16.320 --> 2:55:19.640
<v Speaker 1>I always managed to have an extraordinary, unique experience. And

2:55:19.760 --> 2:55:25.160
<v Speaker 1>even if sometimes it's fraught with difficulty or there's an unpleasantry, overall,

2:55:25.280 --> 2:55:28.640
<v Speaker 1>I just find everywhere I go fascinating. It's and travel

2:55:28.800 --> 2:55:31.800
<v Speaker 1>has been the greatest privilege of my entire life. To

2:55:31.959 --> 2:55:34.800
<v Speaker 1>go to the cities, to countries and see how other

2:55:34.840 --> 2:55:40.080
<v Speaker 1>people live, how they think, is really really fascinating, endlessly

2:55:40.160 --> 2:55:42.760
<v Speaker 1>fascinating to me. Well, I have a friend who was

2:55:42.879 --> 2:55:46.240
<v Speaker 1>the photographer for Led Zeppelin, and he says, I've been

2:55:46.280 --> 2:55:49.080
<v Speaker 1>around the world and I've seen nothing. So are you

2:55:49.160 --> 2:55:51.600
<v Speaker 1>the type then that he's a fool. Of course, my

2:55:51.720 --> 2:55:54.360
<v Speaker 1>question is he also was staying up all night developing

2:55:54.400 --> 2:55:56.879
<v Speaker 1>film in the film era, so the band could wake

2:55:56.959 --> 2:55:58.920
<v Speaker 1>up and see the photos from the night before, so

2:55:58.959 --> 2:56:00.720
<v Speaker 1>it wasn't totally his fault. But there are a lot

2:56:00.800 --> 2:56:03.600
<v Speaker 1>of people they go, they go from the bus to

2:56:03.680 --> 2:56:05.680
<v Speaker 1>the hotel to the gig, and they don't really see anything.

2:56:05.920 --> 2:56:08.000
<v Speaker 1>Are you the type of person who takes advantage in

2:56:08.040 --> 2:56:10.959
<v Speaker 1>these very I try. I try always to get up early,

2:56:11.040 --> 2:56:13.920
<v Speaker 1>like you know, We'll have traveled over you know, from

2:56:14.200 --> 2:56:17.199
<v Speaker 1>I don't know New York to to South after Cape

2:56:17.240 --> 2:56:19.800
<v Speaker 1>Town for a random example, and we've had no sleep,

2:56:19.840 --> 2:56:22.160
<v Speaker 1>but I'll still get up after two hours to go

2:56:22.520 --> 2:56:24.360
<v Speaker 1>on safari because I know this will never happen to

2:56:24.400 --> 2:56:26.680
<v Speaker 1>me again. You know. We get to Istanbul, same thing,

2:56:26.760 --> 2:56:28.720
<v Speaker 1>We've been traveling all night, but you get the opportunity

2:56:28.720 --> 2:56:30.080
<v Speaker 1>to go to the Blue Mosque, you know, and have

2:56:30.240 --> 2:56:34.000
<v Speaker 1>your mind blown. It's just I feel it's really important,

2:56:34.400 --> 2:56:37.880
<v Speaker 1>you know too, to take advantage of those moments where

2:56:37.959 --> 2:56:41.959
<v Speaker 1>you really get shown so much and it does shift

2:56:42.040 --> 2:56:45.320
<v Speaker 1>your perspective so much. Absolutely. One of the problems you

2:56:45.360 --> 2:56:48.120
<v Speaker 1>know with America is people haven't been anywhere and they

2:56:48.120 --> 2:56:50.680
<v Speaker 1>think it's the greatest. I mean talk very minor things.

2:56:51.040 --> 2:56:54.320
<v Speaker 1>You go to a European or you know, UK, it's

2:56:54.360 --> 2:56:56.760
<v Speaker 1>finally coming to America. They have the dual flush toilet.

2:56:57.080 --> 2:57:01.000
<v Speaker 1>I mean, that's a good idea. Okay, they just recently

2:57:01.040 --> 2:57:03.920
<v Speaker 1>come to America where they can change the price of

2:57:04.000 --> 2:57:08.720
<v Speaker 1>the gas electronically. These are not major things, but everybody

2:57:08.760 --> 2:57:10.800
<v Speaker 1>in the United States give its Oh where we are,

2:57:11.160 --> 2:57:13.560
<v Speaker 1>it couldn't be any better where. It's much better in

2:57:13.600 --> 2:57:18.400
<v Speaker 1>many other places, of course. But then there's also incredibly beautiful,

2:57:18.720 --> 2:57:24.120
<v Speaker 1>precious things about the US, which you know, for me

2:57:24.240 --> 2:57:27.360
<v Speaker 1>as an immigrant, you know, coming here, my entire career

2:57:27.440 --> 2:57:29.680
<v Speaker 1>is down to America. Like I will never forget that.

2:57:29.800 --> 2:57:34.000
<v Speaker 1>I have deep, deep love for this country. And a

2:57:34.120 --> 2:57:36.200
<v Speaker 1>lot of people in the rest of the world take

2:57:36.320 --> 2:57:39.200
<v Speaker 1>swings of America for a lot of different reasons, you know.

2:57:39.480 --> 2:57:43.119
<v Speaker 1>But I always describe America as being in a really

2:57:43.160 --> 2:57:45.440
<v Speaker 1>innocent like everybody's like, no, it's just vulgar. No, it's

2:57:45.480 --> 2:57:50.440
<v Speaker 1>not vulgar. It's innocent because what of the population has

2:57:50.520 --> 2:57:53.040
<v Speaker 1>never traversed outside the national boundaries. And like you say,

2:57:54.000 --> 2:57:56.640
<v Speaker 1>everyone believes that they're the best in America, that they've

2:57:56.680 --> 2:57:59.080
<v Speaker 1>got the best country, and and you know, one would

2:57:59.120 --> 2:58:01.920
<v Speaker 1>argue that's not the anymore, you know, and and that

2:58:02.480 --> 2:58:05.840
<v Speaker 1>is a great sadness. But also hey, welcome to the

2:58:05.920 --> 2:58:08.120
<v Speaker 1>rest of the world. We're exactly We're all the same,

2:58:08.200 --> 2:58:11.000
<v Speaker 1>We're just all trying to figure everything out. And um,

2:58:11.480 --> 2:58:15.160
<v Speaker 1>I think that what's what is both awful about the Internet,

2:58:15.360 --> 2:58:17.640
<v Speaker 1>but what's also so great about it is it will

2:58:18.040 --> 2:58:20.680
<v Speaker 1>and it is slowly impacting America and changing the way

2:58:20.720 --> 2:58:24.240
<v Speaker 1>people think, and everyone's becoming a bit more educated about

2:58:24.280 --> 2:58:26.360
<v Speaker 1>other ways of life. It doesn't feel like that right

2:58:26.440 --> 2:58:29.760
<v Speaker 1>now for obvious reasons, but I think ultimately over the

2:58:29.840 --> 2:58:33.000
<v Speaker 1>next thirty, forty, fifty years whatever, that America is going

2:58:33.080 --> 2:58:36.600
<v Speaker 1>to change all for the better. Now, in the thirty

2:58:37.879 --> 2:58:40.800
<v Speaker 1>years you have left, what would you like to accomplish

2:58:40.959 --> 2:58:44.400
<v Speaker 1>your do I want to continue to travel as much

2:58:44.440 --> 2:58:48.640
<v Speaker 1>as possible, That is my biggest desire. And not to

2:58:48.920 --> 2:58:52.520
<v Speaker 1>lose my curiosity. I want to remain curious if and

2:58:52.840 --> 2:58:57.240
<v Speaker 1>to keep and to try and nurture courage. I think

2:58:57.720 --> 2:59:01.440
<v Speaker 1>that what looks like that I will continue to try

2:59:01.600 --> 2:59:05.279
<v Speaker 1>new things that I will try and and meet people

2:59:06.440 --> 2:59:09.879
<v Speaker 1>and without judgment, you know, and try and listen, try,

2:59:09.959 --> 2:59:13.080
<v Speaker 1>and I want to be a better listener. That's that's

2:59:13.080 --> 2:59:15.120
<v Speaker 1>a big thing for me. I like, I want to

2:59:15.400 --> 2:59:18.280
<v Speaker 1>be in service rather than serving myself. You know what.

2:59:18.320 --> 2:59:20.600
<v Speaker 1>I'm in a in distribart. I've done nothing but served

2:59:20.600 --> 2:59:23.680
<v Speaker 1>myself for twenty odd years, you know, and I want

2:59:23.720 --> 2:59:26.920
<v Speaker 1>to change that as much as possible as my life progresses.

2:59:27.800 --> 2:59:30.640
<v Speaker 1>I want to be in service. Okay, I call you

2:59:30.840 --> 2:59:33.040
<v Speaker 1>up or I text you, and I say, let's go

2:59:33.160 --> 2:59:37.320
<v Speaker 1>to I need to write to there. No, no, no, uh,

2:59:38.200 --> 2:59:39.440
<v Speaker 1>we're gonna go. I want to take you to this

2:59:39.600 --> 2:59:44.200
<v Speaker 1>restaurant where you know they serve bird eggs and all that.

2:59:44.280 --> 2:59:47.560
<v Speaker 1>Are you say, I'm into it a new experience. Oh yeah,

2:59:48.120 --> 2:59:51.480
<v Speaker 1>and I've eaten some terrible things, but I always want

2:59:51.520 --> 2:59:53.720
<v Speaker 1>to try. I don't want to be that person who's

2:59:53.800 --> 2:59:57.400
<v Speaker 1>scared to try because I've discovered incredible things that I

2:59:57.440 --> 2:59:59.760
<v Speaker 1>didn't think I would like. Forgetting food, but just looking

2:59:59.800 --> 3:00:02.320
<v Speaker 1>at the situation in general. Have you ever said yes

3:00:02.400 --> 3:00:04.760
<v Speaker 1>to something and said, oh that was a big mistake. Yes?

3:00:05.400 --> 3:00:09.880
<v Speaker 1>Do you remember anything? Yes? Space Mountain and Disneyland. I

3:00:09.959 --> 3:00:11.720
<v Speaker 1>said yes, and I went on it and I wished

3:00:11.760 --> 3:00:15.440
<v Speaker 1>to hudn't said yes. I really hated it. Well, the

3:00:15.520 --> 3:00:17.760
<v Speaker 1>funny thing about it is I didn't go on Space

3:00:17.840 --> 3:00:23.800
<v Speaker 1>Mountain until about you know, sometimes like then in this century. Okay,

3:00:24.440 --> 3:00:27.000
<v Speaker 1>you know, they'd say Disneyland's a happiest place on Earth,

3:00:27.000 --> 3:00:29.280
<v Speaker 1>and no, it's the most miserable place there. It's a

3:00:29.360 --> 3:00:31.400
<v Speaker 1>place where I would never need go. I like to

3:00:31.480 --> 3:00:33.480
<v Speaker 1>do everything in life once just so I can talk

3:00:33.480 --> 3:00:35.240
<v Speaker 1>about it. So I rent there. It was great or

3:00:35.280 --> 3:00:38.320
<v Speaker 1>it sucked whatever. But I was not a Disneyland person.

3:00:38.400 --> 3:00:40.760
<v Speaker 1>But I went with my nephews and we went on

3:00:40.920 --> 3:00:44.320
<v Speaker 1>Space Mountain. I'm not a big roller coaster person. Whatever.

3:00:44.840 --> 3:00:47.080
<v Speaker 1>But the fact that the roller coaster was underground, you know,

3:00:47.080 --> 3:00:50.280
<v Speaker 1>because most of the rides at Disneyland are disappointing as rides,

3:00:50.520 --> 3:00:53.800
<v Speaker 1>I thought it was pretty good. Yeah, I wouldn't say. See,

3:00:53.800 --> 3:00:57.480
<v Speaker 1>I didn't find disney Disneyland rights disappointing. Far from it.

3:00:57.520 --> 3:01:00.560
<v Speaker 1>I really enjoyed myself. However, my I did not find

3:01:00.640 --> 3:01:02.640
<v Speaker 1>it the happiest place on Earth. I found it one

3:01:02.680 --> 3:01:04.840
<v Speaker 1>of the most miserable places on Earth. I was engulfed

3:01:04.879 --> 3:01:09.120
<v Speaker 1>in children's farts the entire time I was there. I

3:01:09.280 --> 3:01:11.400
<v Speaker 1>hated standing for an hour and a half for a

3:01:11.480 --> 3:01:13.600
<v Speaker 1>two minute, right, you know. But when I go into

3:01:13.640 --> 3:01:17.320
<v Speaker 1>Space Mountain, I knew that it was like the prim right.

3:01:17.440 --> 3:01:19.240
<v Speaker 1>Everyone was like, this is going to blow your mind.

3:01:19.680 --> 3:01:22.080
<v Speaker 1>And I I honestly thought I was gonna have a

3:01:22.320 --> 3:01:27.520
<v Speaker 1>heart attack. Really, yes, that was awful. That's one thing

3:01:27.560 --> 3:01:29.280
<v Speaker 1>I remember. They had a they're still there. They have

3:01:29.320 --> 3:01:31.440
<v Speaker 1>something called the Revolution. Maybe they're going to tear it

3:01:31.520 --> 3:01:36.000
<v Speaker 1>Down's original roller coaster at Magic Mountain and the seventies.

3:01:36.040 --> 3:01:38.040
<v Speaker 1>It was the first roller coaster that went upside down.

3:01:38.879 --> 3:01:40.280
<v Speaker 1>So I remember getting on. It would go up a

3:01:40.320 --> 3:01:43.120
<v Speaker 1>little hill, gonna curve and then and you're there. Then

3:01:43.200 --> 3:01:45.160
<v Speaker 1>you were You're there. I am so freaked up. You

3:01:45.240 --> 3:01:47.880
<v Speaker 1>can't get off. It's like there, It's like there's nothing

3:01:48.000 --> 3:01:51.039
<v Speaker 1>I can do. But I like being on the little teacups.

3:01:51.240 --> 3:01:56.800
<v Speaker 1>I feel safe vomit cups. Really, oh man, it was

3:01:56.800 --> 3:02:00.160
<v Speaker 1>a really that was one of the original rides. But um,

3:02:00.680 --> 3:02:03.520
<v Speaker 1>music drove the culture in the era that you grew

3:02:03.640 --> 3:02:06.440
<v Speaker 1>up in, an I do not believe music drives the

3:02:06.520 --> 3:02:09.440
<v Speaker 1>culture at this particularly do. I just think there's no

3:02:10.160 --> 3:02:14.760
<v Speaker 1>common music driving the entire culture, if that makes any sense.

3:02:14.800 --> 3:02:17.920
<v Speaker 1>I think music has a big an influence now than

3:02:17.959 --> 3:02:23.039
<v Speaker 1>it arguably ever has. But it's all, you know, fractionalized

3:02:23.120 --> 3:02:24.560
<v Speaker 1>or what's the word. I'm looking you know, I get

3:02:24.600 --> 3:02:27.160
<v Speaker 1>what you're saying, you know, they're all these different niches.

3:02:27.600 --> 3:02:28.920
<v Speaker 1>Why do you think it has as much. I mean,

3:02:28.959 --> 3:02:31.080
<v Speaker 1>if I go back to the sixties, a rock star

3:02:31.120 --> 3:02:33.280
<v Speaker 1>would say something and beyond the radio and it would

3:02:33.360 --> 3:02:35.760
<v Speaker 1>change thinking in the role in general. I don't think

3:02:35.800 --> 3:02:37.879
<v Speaker 1>that happens. No, it doesn't have the same cultural impact

3:02:37.920 --> 3:02:41.160
<v Speaker 1>because everyone's not listening to the same one artist. You know,

3:02:41.200 --> 3:02:43.800
<v Speaker 1>when Elvis was singing, we were all listening to Elvis.

3:02:43.920 --> 3:02:45.920
<v Speaker 1>You know, not you were too well, I was too young.

3:02:46.000 --> 3:02:48.199
<v Speaker 1>But I'm I'm trying to talk talk to It's okay,

3:02:48.200 --> 3:02:54.040
<v Speaker 1>but I gotta bust you every chance I have. I

3:02:54.080 --> 3:02:56.600
<v Speaker 1>gotta wake up. I gotta take some of that speed

3:02:56.680 --> 3:03:00.320
<v Speaker 1>to get in here. So I take my chances from

3:03:00.400 --> 3:03:03.200
<v Speaker 1>female whenever I can get up full respect. Okay. So

3:03:03.440 --> 3:03:07.320
<v Speaker 1>in any event, you're you're saying that it's not driving

3:03:07.360 --> 3:03:09.240
<v Speaker 1>the culture like it used in the days of Elvis. Well,

3:03:09.280 --> 3:03:11.920
<v Speaker 1>single artists and bands are not. They don't have the

3:03:11.959 --> 3:03:15.040
<v Speaker 1>same cultural impact. But music has never been more listened

3:03:15.080 --> 3:03:18.560
<v Speaker 1>to ever historically speaking. I agree. But do you play

3:03:19.000 --> 3:03:21.560
<v Speaker 1>at home? Do you play music? Yes? And what do

3:03:21.640 --> 3:03:25.440
<v Speaker 1>you play? I listened to all kinds of music. I

3:03:25.480 --> 3:03:27.240
<v Speaker 1>mean that sounds like such a copype I really do.

3:03:27.840 --> 3:03:31.480
<v Speaker 1>And I've just taken very recently too. Instead of like

3:03:31.640 --> 3:03:36.080
<v Speaker 1>sort of of creating my listening habits recently, I've just

3:03:36.160 --> 3:03:39.039
<v Speaker 1>put my I've just turned my phone on and put

3:03:39.120 --> 3:03:41.760
<v Speaker 1>it through this system and just listen to anything from

3:03:41.840 --> 3:03:45.080
<v Speaker 1>my playlist that the phone dictates, and it's been extraordinary.

3:03:45.080 --> 3:03:48.480
<v Speaker 1>I've loved it. But these are songs that you originally picked. Well,

3:03:48.520 --> 3:03:50.920
<v Speaker 1>there's certainly albums that I've picked. Yeah, But like I said,

3:03:50.959 --> 3:03:52.600
<v Speaker 1>I listened to classical, I listened to you Azz, I

3:03:52.640 --> 3:03:54.400
<v Speaker 1>listened to blues, I listened to POPA listen to rock,

3:03:54.440 --> 3:03:56.280
<v Speaker 1>I listen to heavy metal. I mean, I will listen

3:03:56.400 --> 3:03:58.520
<v Speaker 1>to anything, but I get overwhelmed. I mean it's like

3:03:58.560 --> 3:04:00.640
<v Speaker 1>if you go on Spotify or any of the services

3:04:01.080 --> 3:04:02.960
<v Speaker 1>and you listen to the new music and they break

3:04:03.000 --> 3:04:05.720
<v Speaker 1>it down by genre, and you say, okay, there's fifty

3:04:05.760 --> 3:04:08.840
<v Speaker 1>country tracks, fifty dance tracks, and if you listen to fifty,

3:04:09.240 --> 3:04:11.560
<v Speaker 1>you'll find one or two good ones, and you start

3:04:11.600 --> 3:04:15.200
<v Speaker 1>to get overwhelmed, you know, and a lot of times

3:04:15.240 --> 3:04:17.400
<v Speaker 1>you'll find something go you know, recently, well, is anybody

3:04:17.440 --> 3:04:19.800
<v Speaker 1>else I like this? As anybody else like that? There's

3:04:19.840 --> 3:04:23.200
<v Speaker 1>no coherence to the culture. That's true, but is that

3:04:23.280 --> 3:04:25.520
<v Speaker 1>about them? I'm not sure that's about that. I think

3:04:27.720 --> 3:04:30.480
<v Speaker 1>I hate being told what to do. But it goes

3:04:30.520 --> 3:04:32.800
<v Speaker 1>back to what we're talking about earlier in terms of argument.

3:04:33.360 --> 3:04:35.360
<v Speaker 1>We live in an era where everyone has their own

3:04:35.520 --> 3:04:38.440
<v Speaker 1>facts in their own lives, which is almost a tower

3:04:38.520 --> 3:04:42.920
<v Speaker 1>of Babel society. And even with television, we're in the

3:04:42.959 --> 3:04:45.480
<v Speaker 1>golden age of television and is there are a lot

3:04:45.560 --> 3:04:49.120
<v Speaker 1>fewer television shows than there are music shows. But even

3:04:49.240 --> 3:04:52.520
<v Speaker 1>then we'll find well, we can't talk because we didn't

3:04:52.560 --> 3:04:55.879
<v Speaker 1>see the same shows, we didn't see the same movies. Okay,

3:04:56.200 --> 3:05:00.400
<v Speaker 1>so there's no community fiber. No, that's true, But we

3:05:00.520 --> 3:05:03.039
<v Speaker 1>don't know yet where that's going to go. That might

3:05:03.120 --> 3:05:05.640
<v Speaker 1>go somewhere fantastic, We just don't know yet. Well, I

3:05:05.920 --> 3:05:08.959
<v Speaker 1>think I believe it's going to go along the lines

3:05:09.200 --> 3:05:11.640
<v Speaker 1>of americ at large, which is winners and losers. I

3:05:11.760 --> 3:05:16.640
<v Speaker 1>believe we have an inherent desire to be with other

3:05:16.680 --> 3:05:18.560
<v Speaker 1>people like you talk about going out to breakfast or

3:05:18.560 --> 3:05:20.400
<v Speaker 1>dinner or whatever, or it' to be able to say,

3:05:20.440 --> 3:05:24.320
<v Speaker 1>oh I saw that show. It sucked, Okay, And therefore

3:05:24.640 --> 3:05:26.560
<v Speaker 1>there's a lot of rabble rousing from people who are

3:05:26.600 --> 3:05:29.480
<v Speaker 1>not successful. But the reasons if you look at the

3:05:29.520 --> 3:05:31.800
<v Speaker 1>movie business, like and I don't go to the movies.

3:05:31.840 --> 3:05:33.879
<v Speaker 1>First of they don't start when you want them to start.

3:05:34.120 --> 3:05:35.680
<v Speaker 1>And I have so much I don't have any time,

3:05:35.720 --> 3:05:37.480
<v Speaker 1>and I have so many options at home on the

3:05:37.879 --> 3:05:41.199
<v Speaker 1>flat screen. But if you look at the weekly grosses,

3:05:41.640 --> 3:05:44.879
<v Speaker 1>you know, Black Panther well far eclips all the other

3:05:44.959 --> 3:05:47.520
<v Speaker 1>movies combined. And I think part of the people say, oh, yeah,

3:05:47.520 --> 3:05:50.520
<v Speaker 1>I saw that good bad. Otherwise, I think there's a

3:05:50.600 --> 3:05:53.960
<v Speaker 1>desire for community. There is a desire for community. But

3:05:54.040 --> 3:05:56.920
<v Speaker 1>at the same time, I do believe in the principle

3:05:57.200 --> 3:06:01.480
<v Speaker 1>of evolution. I have faith in evolution that evolution will

3:06:01.480 --> 3:06:05.160
<v Speaker 1>sort this out sooner or later. I mean, every generation

3:06:05.320 --> 3:06:08.000
<v Speaker 1>moans about the new generation that's in place, you know,

3:06:09.040 --> 3:06:12.640
<v Speaker 1>And I feel that we always harp on about how

3:06:12.760 --> 3:06:17.160
<v Speaker 1>things once were, forgetting that evolution has always like I

3:06:17.320 --> 3:06:19.400
<v Speaker 1>have better life than my mom did, and my mom

3:06:19.480 --> 3:06:21.680
<v Speaker 1>has a better life than my granny did. And I

3:06:21.760 --> 3:06:24.800
<v Speaker 1>have to assume that my all my friends kids will

3:06:24.840 --> 3:06:27.000
<v Speaker 1>have a better life than and than we did. And

3:06:27.320 --> 3:06:30.640
<v Speaker 1>I think that's a great thing. And I think we

3:06:30.800 --> 3:06:34.760
<v Speaker 1>can all sort of like pick over the carcass of

3:06:34.879 --> 3:06:37.400
<v Speaker 1>what once was, or we can embrace what is and

3:06:37.520 --> 3:06:39.200
<v Speaker 1>I want to be and what is I'm going to

3:06:39.240 --> 3:06:41.520
<v Speaker 1>embrace what it is. Well, I'm gonna argue with you, Okay,

3:06:41.800 --> 3:06:43.680
<v Speaker 1>in my generation, I know a lot of people are

3:06:43.720 --> 3:06:46.680
<v Speaker 1>not doing as well as their parents. Okay, the baby boomers,

3:06:46.879 --> 3:06:49.080
<v Speaker 1>your parents had a lot. Well, you're you're talking about

3:06:49.080 --> 3:06:52.400
<v Speaker 1>economics though, right, you're talking about house and money okay,

3:06:52.400 --> 3:06:57.720
<v Speaker 1>and you're talking about rights freedoms. Well, knowledge, I would argue,

3:06:57.760 --> 3:07:00.800
<v Speaker 1>engay people can get married in America is wonderful. I

3:07:00.920 --> 3:07:02.680
<v Speaker 1>gret a lot of that to MTV. People saw a

3:07:02.760 --> 3:07:05.120
<v Speaker 1>rainbow of colors there and therefore they were you know,

3:07:05.200 --> 3:07:08.600
<v Speaker 1>there's less racism, etcetera. But we live in a country

3:07:08.720 --> 3:07:11.160
<v Speaker 1>the way there isn't less racism. But that's a whole

3:07:11.200 --> 3:07:16.800
<v Speaker 1>lot of back to that. I believe in America there

3:07:17.040 --> 3:07:19.920
<v Speaker 1>is less racism, but you have a very vocal minority

3:07:20.240 --> 3:07:23.360
<v Speaker 1>who was afraid of losing. I have to disagree. You're

3:07:23.400 --> 3:07:26.600
<v Speaker 1>talking from a very white, privileged position. No, I'm saying

3:07:26.680 --> 3:07:29.520
<v Speaker 1>that if you go back decades and you saw an

3:07:29.600 --> 3:07:33.320
<v Speaker 1>interracial couple walking down the street, chances are there to

3:07:33.440 --> 3:07:37.560
<v Speaker 1>be sneers or comments comments. I believe there are less

3:07:37.600 --> 3:07:40.600
<v Speaker 1>and now we're all victims of our own experience. And

3:07:40.720 --> 3:07:43.760
<v Speaker 1>I'm not saying there's not racism, there's not anti semitism,

3:07:43.920 --> 3:07:48.480
<v Speaker 1>there's not sexism. But I believe, but I believe as

3:07:48.520 --> 3:07:52.600
<v Speaker 1>a result of media, there's a certain level of enlightenment.

3:07:52.800 --> 3:07:57.039
<v Speaker 1>I view as a result of the economic disparity. Okay,

3:07:57.959 --> 3:08:00.959
<v Speaker 1>the people who have been left out, whether through their

3:08:01.000 --> 3:08:03.520
<v Speaker 1>own fault or not through room fault, have started to

3:08:03.600 --> 3:08:09.200
<v Speaker 1>rebel around the world Half Brexit, Trump, etcetera. And it's

3:08:09.280 --> 3:08:14.039
<v Speaker 1>focused on those people. Unfortunately, with that has come racism.

3:08:14.320 --> 3:08:15.760
<v Speaker 1>And I don't want to comment on the rest of

3:08:15.760 --> 3:08:17.400
<v Speaker 1>the rule because I'm not as much of an expert,

3:08:17.800 --> 3:08:21.080
<v Speaker 1>but in America, I would believe pound for pound there's

3:08:21.160 --> 3:08:24.680
<v Speaker 1>less racism and less homophobia than there was. Not that

3:08:24.760 --> 3:08:27.840
<v Speaker 1>there isn't very vocal racism homophobia, but I think we're

3:08:28.360 --> 3:08:31.000
<v Speaker 1>you know, it's like Jerry Springer, who used to be

3:08:31.080 --> 3:08:33.879
<v Speaker 1>the mayor of Cleveland, Okay, before he had his insane show,

3:08:34.600 --> 3:08:37.320
<v Speaker 1>and he's not a stupid guy. He says, the liberals

3:08:37.360 --> 3:08:40.240
<v Speaker 1>always win in the end, Okay, all the things that

3:08:40.320 --> 3:08:44.119
<v Speaker 1>were unthinkable, you know, abortion, gay marriage, etcetera, etcetera. They're happening.

3:08:44.160 --> 3:08:48.560
<v Speaker 1>Eventually the rest of the world wakes up. Well, I

3:08:48.600 --> 3:08:50.520
<v Speaker 1>don't even notice where to start without. To be honest,

3:08:50.640 --> 3:08:54.640
<v Speaker 1>we'll start anywhere, but I'll start with have you I

3:08:54.680 --> 3:08:56.520
<v Speaker 1>don't know what that is. It's a documentary about the

3:08:56.520 --> 3:09:01.800
<v Speaker 1>penal system here in America. No, have you seen you're

3:09:01.879 --> 3:09:03.959
<v Speaker 1>making I am not your Negro back, but you're making

3:09:04.080 --> 3:09:07.080
<v Speaker 1>the point that a whole generation of African Americans were

3:09:07.080 --> 3:09:09.440
<v Speaker 1>wiping up by putting them in jails. It's nothing what

3:09:09.560 --> 3:09:12.720
<v Speaker 1>you're making. I agree totally. You know that there's a

3:09:12.800 --> 3:09:16.960
<v Speaker 1>lot of endemic problems. I'm not apologizing for them. But

3:09:17.120 --> 3:09:21.160
<v Speaker 1>what I'm saying is that I believe that generally it's

3:09:21.200 --> 3:09:26.160
<v Speaker 1>going Maybe I'm wrong. I don't know. Well, again, it's complex,

3:09:26.200 --> 3:09:28.360
<v Speaker 1>isn't it. There are some people who get left behind this,

3:09:28.520 --> 3:09:32.400
<v Speaker 1>but generally speaking, our generation has it better than the

3:09:32.640 --> 3:09:37.560
<v Speaker 1>previous generation. And then there are parts of our society

3:09:37.600 --> 3:09:40.840
<v Speaker 1>who are being left behind. And that's blacks and and

3:09:41.480 --> 3:09:44.520
<v Speaker 1>people of color appressively so, but it's also white. I

3:09:44.560 --> 3:09:46.359
<v Speaker 1>don't want to make this, as you know, white apologist,

3:09:46.520 --> 3:09:48.440
<v Speaker 1>but just to illuminate the point, this is how Trump

3:09:48.520 --> 3:09:51.160
<v Speaker 1>got elected. There are people as a result of the

3:09:51.280 --> 3:09:56.160
<v Speaker 1>economic changes they in globalization, they don't have if you're

3:09:56.240 --> 3:09:59.119
<v Speaker 1>left behind. And and then the crazy thing stamething with Brexit.

3:09:59.280 --> 3:10:01.560
<v Speaker 1>Their solution is, let's chet back to the past, and

3:10:01.640 --> 3:10:04.320
<v Speaker 1>the past is never coming back. That's Trump's approach to

3:10:04.480 --> 3:10:06.680
<v Speaker 1>It's it's very like I just did never believe you

3:10:06.720 --> 3:10:08.760
<v Speaker 1>can look back. I think you must always look forward

3:10:08.760 --> 3:10:11.080
<v Speaker 1>to you know. Well, the scary thing is I mean,

3:10:11.440 --> 3:10:13.480
<v Speaker 1>I certainly lived through the sixties of the Vietnam War

3:10:13.560 --> 3:10:17.160
<v Speaker 1>in the draft, but since then in America, this is

3:10:17.200 --> 3:10:19.920
<v Speaker 1>the first time where every you're addicted to the news

3:10:20.760 --> 3:10:23.720
<v Speaker 1>and it's uh, it's just like when the wall fell,

3:10:23.840 --> 3:10:26.119
<v Speaker 1>when the wall fell in Berlin and you were there.

3:10:26.320 --> 3:10:28.680
<v Speaker 1>We were of the illusion in America the other doctor,

3:10:28.720 --> 3:10:31.720
<v Speaker 1>democracy will reign. And now you have booting, you know,

3:10:31.840 --> 3:10:35.520
<v Speaker 1>assassinating spies in a different country, and we have you know,

3:10:36.800 --> 3:10:39.440
<v Speaker 1>you know, we have the head of the country for

3:10:39.600 --> 3:10:42.400
<v Speaker 1>life in China. It's you know, the world is going

3:10:42.520 --> 3:10:47.400
<v Speaker 1>to it. You know. It's exactly as my dad says.

3:10:47.480 --> 3:10:50.240
<v Speaker 1>And I actually feel like I have to cling onto

3:10:50.320 --> 3:10:54.480
<v Speaker 1>this analogy, which is, you know, evolution happens, whether we

3:10:54.560 --> 3:10:58.200
<v Speaker 1>like it or not. It's just what occurs when you

3:10:58.320 --> 3:11:02.039
<v Speaker 1>leave humans on a planet for long enough, they will evolve.

3:11:02.800 --> 3:11:06.240
<v Speaker 1>And there's always moments, he said, It's just like it's

3:11:06.280 --> 3:11:08.800
<v Speaker 1>like tight, it's like title shifts, you know, you that's

3:11:08.920 --> 3:11:11.640
<v Speaker 1>the tide gets sucked back for a moment, and then

3:11:11.680 --> 3:11:14.520
<v Speaker 1>it surges forward, and it surges for further forward than

3:11:14.560 --> 3:11:17.520
<v Speaker 1>it did before. And that's that's always what my dad

3:11:17.600 --> 3:11:19.520
<v Speaker 1>says to try and calm me down when I'm getting

3:11:19.600 --> 3:11:23.200
<v Speaker 1>hysterical and and full of desperate depression about the way

3:11:23.240 --> 3:11:25.240
<v Speaker 1>the world is turning. He's like, it's it will turn back,

3:11:26.320 --> 3:11:29.480
<v Speaker 1>generally speaking, Are you an optimist? I used to be

3:11:29.600 --> 3:11:33.120
<v Speaker 1>a terrible pessimist, and then something turned around when my

3:11:33.240 --> 3:11:35.480
<v Speaker 1>mom died for me, like it was like a bolt

3:11:35.560 --> 3:11:38.000
<v Speaker 1>from the blue I had. I was forced to change

3:11:38.040 --> 3:11:41.200
<v Speaker 1>my thinking because if I hadn't changed my thinking, I

3:11:41.240 --> 3:11:45.840
<v Speaker 1>would have died of grief. And and I I just

3:11:46.280 --> 3:11:49.080
<v Speaker 1>decided me. I made a decision that the light because

3:11:49.080 --> 3:11:51.200
<v Speaker 1>my mom had a lot of light in her. She

3:11:51.360 --> 3:11:53.200
<v Speaker 1>was a real people pleaser, my mom because she'd been

3:11:53.240 --> 3:11:54.800
<v Speaker 1>an orphan and she wants people to love her and

3:11:54.959 --> 3:11:58.360
<v Speaker 1>like her, and so she brought light into every situation,

3:11:58.760 --> 3:12:00.200
<v Speaker 1>and I used to annoy me, you know, as a

3:12:00.800 --> 3:12:04.760
<v Speaker 1>moody teenager. It just fucking and irritated me. And then

3:12:04.800 --> 3:12:07.720
<v Speaker 1>when she died, I realized that light is gone. You know,

3:12:07.840 --> 3:12:09.800
<v Speaker 1>people would say to me at my mom's funeral. You

3:12:09.840 --> 3:12:12.720
<v Speaker 1>know your mam always you never left your mom feeling worse.

3:12:12.879 --> 3:12:15.040
<v Speaker 1>You always left your mom feeling better than you did

3:12:15.640 --> 3:12:18.040
<v Speaker 1>before you bumped into her. And I just made this

3:12:18.200 --> 3:12:20.680
<v Speaker 1>decision that I had to do something with my mom's light.

3:12:20.720 --> 3:12:23.640
<v Speaker 1>I couldn't let it go and dissipate into nothing. That's

3:12:23.680 --> 3:12:25.360
<v Speaker 1>I had to hold a bit of her light in me,

3:12:25.879 --> 3:12:29.120
<v Speaker 1>and I used that to change the way I approached

3:12:29.200 --> 3:12:32.120
<v Speaker 1>my life. It sounds really okay, but it's really true,

3:12:32.440 --> 3:12:35.360
<v Speaker 1>and it was quite that conscious. It was conscious. Yeah,

3:12:35.440 --> 3:12:37.320
<v Speaker 1>I was just like, I need to change the way

3:12:37.480 --> 3:12:40.119
<v Speaker 1>I I don't want people to leave me feeling worse.

3:12:40.440 --> 3:12:42.200
<v Speaker 1>I don't want to be a vibe crush. I don't

3:12:42.240 --> 3:12:44.920
<v Speaker 1>want people to feel yucky around me. And you know,

3:12:44.959 --> 3:12:46.800
<v Speaker 1>we're all aware of what that's like to bump into

3:12:46.879 --> 3:12:51.000
<v Speaker 1>somebody who makes us feel disgusting. You know, whether they're irritable,

3:12:51.080 --> 3:12:53.520
<v Speaker 1>whether they're depressed, whether they moan, whether they only talk

3:12:53.560 --> 3:12:55.640
<v Speaker 1>about themselves. I don't know. There's a million one reasons

3:12:55.640 --> 3:12:58.080
<v Speaker 1>why we don't like being around people. Yeah, And I

3:12:58.200 --> 3:13:00.040
<v Speaker 1>was just like, I want to be a person in

3:13:00.120 --> 3:13:02.560
<v Speaker 1>the world that makes people feel good. Again, I go

3:13:02.640 --> 3:13:04.600
<v Speaker 1>back to this word of being in service, like I

3:13:04.800 --> 3:13:07.879
<v Speaker 1>just I want to take my mom's light and give

3:13:07.959 --> 3:13:10.320
<v Speaker 1>it to someone else so we can spread these particles

3:13:10.360 --> 3:13:14.360
<v Speaker 1>of my amazing mother. When you talk about service, that's

3:13:14.480 --> 3:13:19.240
<v Speaker 1>you know, twelve step language. Is that where you got it? Okay,

3:13:19.920 --> 3:13:23.560
<v Speaker 1>and you never had a problem with Okay. That's not

3:13:23.640 --> 3:13:27.800
<v Speaker 1>to say I won't develop one. I love alcohol. I

3:13:28.240 --> 3:13:30.200
<v Speaker 1>had to stop drinking alcohol because I was definitely the

3:13:30.240 --> 3:13:32.560
<v Speaker 1>type person who couldn't have only one. If you want

3:13:32.560 --> 3:13:34.240
<v Speaker 1>to have one or two drinks, didn't you didn't call

3:13:34.280 --> 3:13:35.480
<v Speaker 1>me you want to have the night of your life

3:13:35.680 --> 3:13:40.199
<v Speaker 1>or attempt you know, Oh boy, I can tell story

3:13:40.240 --> 3:13:42.720
<v Speaker 1>after story, and then then there's you know how I

3:13:43.000 --> 3:13:44.960
<v Speaker 1>and then how I finally stopped, and I did not

3:13:45.160 --> 3:13:47.520
<v Speaker 1>stop saying, oh, I'm never gonna I'm never gonna have

3:13:47.560 --> 3:13:49.920
<v Speaker 1>another drink. It's just my life got way too crazy

3:13:50.520 --> 3:13:53.960
<v Speaker 1>and no more, excuse me, I want to know more.

3:13:54.360 --> 3:13:56.560
<v Speaker 1>This is a much longer story but I'll give you

3:13:56.840 --> 3:14:00.440
<v Speaker 1>just the tip of it. Yeah, give me the cry.

3:14:01.520 --> 3:14:04.080
<v Speaker 1>So this was nineteen This is a long time ago

3:14:05.600 --> 3:14:10.600
<v Speaker 1>one going into two. And I had been stopped for

3:14:10.800 --> 3:14:14.119
<v Speaker 1>drunk driving on the night that John Lennon got died.

3:14:14.920 --> 3:14:18.680
<v Speaker 1>John jet shot and died. That's an amazing story unto itself.

3:14:19.360 --> 3:14:23.280
<v Speaker 1>But I ultimately got a reckless driving as opposed to

3:14:23.400 --> 3:14:27.760
<v Speaker 1>d u I and there's a condition with that where

3:14:27.879 --> 3:14:31.279
<v Speaker 1>you can't drive within eight hours of having a drink.

3:14:32.000 --> 3:14:34.440
<v Speaker 1>And in the time it took for that case to

3:14:34.600 --> 3:14:37.960
<v Speaker 1>come to court, I had been stopped once again on

3:14:38.080 --> 3:14:40.360
<v Speaker 1>the four oh five. In that particular case. The couple

3:14:40.440 --> 3:14:42.760
<v Speaker 1>let me go, but I but I knew that I

3:14:42.840 --> 3:14:47.560
<v Speaker 1>could be stopped. So once I got the reckless driving

3:14:47.959 --> 3:14:50.840
<v Speaker 1>and I couldn't have a drink within eight hours of driving,

3:14:51.360 --> 3:14:55.960
<v Speaker 1>I took that very serious. Okay, because you cannot be

3:14:56.040 --> 3:14:58.600
<v Speaker 1>in Los Angeles without a driver's license. You have to move.

3:14:59.280 --> 3:15:02.880
<v Speaker 1>This is pre uber, pre the train, etcetera. You can't

3:15:02.959 --> 3:15:06.080
<v Speaker 1>do that. So no, I wouldn't you know, I would

3:15:06.120 --> 3:15:08.560
<v Speaker 1>walk home from the bar or whatever. And the Los

3:15:08.600 --> 3:15:11.200
<v Speaker 1>Angeles had something not that easy to say. I met

3:15:11.320 --> 3:15:14.039
<v Speaker 1>a woman and at that big that was just when

3:15:14.120 --> 3:15:17.240
<v Speaker 1>sushi was coming, and she lived in West Hollywood, and

3:15:20.160 --> 3:15:26.680
<v Speaker 1>she bit me. Everybody's in you know, this is part

3:15:26.720 --> 3:15:28.800
<v Speaker 1>of a sex. This is part of it during intercourse.

3:15:31.800 --> 3:15:34.160
<v Speaker 1>Were what part of your boat did she bite that

3:15:34.400 --> 3:15:37.600
<v Speaker 1>was on my neck? I believe the first time. And

3:15:38.040 --> 3:15:43.560
<v Speaker 1>I immediately I like like, I like being frozen like you. Okay.

3:15:43.879 --> 3:15:47.760
<v Speaker 1>I immediately just reacted, whoa that hurt? And she said, oh,

3:15:47.840 --> 3:15:49.960
<v Speaker 1>it didn't hurt that bad. That was not the right

3:15:50.000 --> 3:15:56.160
<v Speaker 1>answer for me. Okay, So she apologizes, etcetera, etcetera, etcetera, etcetera.

3:15:56.440 --> 3:15:58.880
<v Speaker 1>I'm really kind of freaked out. And for a couple

3:15:58.920 --> 3:16:01.360
<v Speaker 1>of days things are sha and then she and she

3:16:01.440 --> 3:16:04.560
<v Speaker 1>says it will never happen again, never happen again, okay.

3:16:04.959 --> 3:16:07.360
<v Speaker 1>And I go to visit her, and the sushi bar

3:16:07.480 --> 3:16:10.800
<v Speaker 1>was two blocks from her house, okay, And we come back.

3:16:12.160 --> 3:16:16.240
<v Speaker 1>We come back and the same thing happens again. But

3:16:16.560 --> 3:16:20.240
<v Speaker 1>I can't leave because I can't dry within eight hours

3:16:20.320 --> 3:16:24.720
<v Speaker 1>of having a drink, You're stuck there. And I say,

3:16:25.360 --> 3:16:29.920
<v Speaker 1>my life is way too complicated. I'm gonna stop drinking

3:16:30.080 --> 3:16:33.760
<v Speaker 1>for now so I won't be in this situation. And

3:16:34.000 --> 3:16:39.520
<v Speaker 1>then it was such a change, not drinking because I

3:16:39.600 --> 3:16:41.680
<v Speaker 1>was not in a good spot in my life that

3:16:42.320 --> 3:16:43.760
<v Speaker 1>it was such getting over the hurdle that when I

3:16:43.760 --> 3:16:45.280
<v Speaker 1>got over the hurdle, I didn't want to drink again.

3:16:46.560 --> 3:16:49.120
<v Speaker 1>But hold on. So when she beat you, it was

3:16:49.240 --> 3:16:53.760
<v Speaker 1>during sex and she bat your neck and it was

3:16:53.840 --> 3:16:56.680
<v Speaker 1>so painful that did she take a chunk out? Event

3:16:56.840 --> 3:16:59.600
<v Speaker 1>she didn't take a chunk, but it was but it

3:16:59.760 --> 3:17:01.400
<v Speaker 1>fell like there would be blood. It was not a

3:17:01.520 --> 3:17:05.039
<v Speaker 1>playful bite. It was something very aggressive because you were

3:17:05.080 --> 3:17:09.880
<v Speaker 1>such a good fuck. I'm trying to think, you know,

3:17:10.800 --> 3:17:12.680
<v Speaker 1>you know, you go back into these I've been in

3:17:12.720 --> 3:17:15.520
<v Speaker 1>a very long term relationship where I'd lived with a

3:17:15.560 --> 3:17:18.080
<v Speaker 1>woman for years and that had ended and there was

3:17:18.200 --> 3:17:22.600
<v Speaker 1>the rebound relationship, and this was the first kind of

3:17:22.680 --> 3:17:28.480
<v Speaker 1>more serious relationship after the rebound relationship. So uh I

3:17:29.120 --> 3:17:33.040
<v Speaker 1>And it's one of those situations where I don't know

3:17:33.080 --> 3:17:36.200
<v Speaker 1>whether this is I'm wondering whether you've been on the

3:17:36.240 --> 3:17:39.480
<v Speaker 1>opposite side where you're doing everything is normal, but the

3:17:39.600 --> 3:17:42.360
<v Speaker 1>person is starting to say things that heighten your ange,

3:17:43.440 --> 3:17:47.520
<v Speaker 1>Like I've got a great story, but it's like a holiday,

3:17:47.640 --> 3:17:49.680
<v Speaker 1>Well you have to come meet my parents. Well it's

3:17:49.720 --> 3:17:51.560
<v Speaker 1>one thing if I had been dating you for six

3:17:51.640 --> 3:17:53.040
<v Speaker 1>months or a year. We've been going out for a

3:17:53.080 --> 3:17:56.000
<v Speaker 1>couple of weeks. I don't need to meet your parents.

3:17:56.560 --> 3:17:59.480
<v Speaker 1>So at some point I believe she sensed a little.

3:17:59.600 --> 3:18:01.480
<v Speaker 1>This was not the first time she bit me, but

3:18:01.600 --> 3:18:03.680
<v Speaker 1>the last time she bait me, I think, and I

3:18:03.800 --> 3:18:06.680
<v Speaker 1>did leave. I think she sent some of my reluctance

3:18:06.680 --> 3:18:08.879
<v Speaker 1>and it was a whatever. But the story you were

3:18:08.920 --> 3:18:11.200
<v Speaker 1>going to tell, well, I was having sex once in

3:18:11.320 --> 3:18:16.360
<v Speaker 1>my parents house with an older guy, and you know,

3:18:16.400 --> 3:18:17.959
<v Speaker 1>we were trying to keep it on the download because

3:18:17.959 --> 3:18:20.280
<v Speaker 1>my parents were sleeping upstairs, and we were in front

3:18:20.320 --> 3:18:23.960
<v Speaker 1>of a fire in in my parents house. That was

3:18:24.040 --> 3:18:26.959
<v Speaker 1>a cool fueled fire, but it had a glass pane,

3:18:27.640 --> 3:18:29.440
<v Speaker 1>so you know that it was an enclosed fire with

3:18:29.520 --> 3:18:32.360
<v Speaker 1>a glass front. So we're having sex anyway, and my

3:18:32.640 --> 3:18:36.280
<v Speaker 1>knee falls onto the glass pane, and you know, he's

3:18:36.360 --> 3:18:38.680
<v Speaker 1>humping me, and he's a big dude, and he's like,

3:18:39.520 --> 3:18:42.840
<v Speaker 1>you know, making all the sexual signs, and I eventually go,

3:18:43.440 --> 3:18:47.520
<v Speaker 1>I'm I'm burning up because my knee was burning on

3:18:47.640 --> 3:18:53.760
<v Speaker 1>the glass and he went, yeah, me too. That was

3:18:53.840 --> 3:18:56.160
<v Speaker 1>so low fi and I got really badly burned that

3:18:57.800 --> 3:19:00.680
<v Speaker 1>over him. We could go on forever. They The amazing

3:19:00.840 --> 3:19:05.840
<v Speaker 1>thing about you is I only know you by image, Okay,

3:19:06.040 --> 3:19:07.760
<v Speaker 1>I mean I see you in the videos on the

3:19:08.080 --> 3:19:12.720
<v Speaker 1>you know, in other media. You are completely different from

3:19:12.800 --> 3:19:17.920
<v Speaker 1>what I thought you. It's all good for for some reason,

3:19:18.080 --> 3:19:21.560
<v Speaker 1>and you will laugh hysterically. I thought you were somewhat

3:19:21.640 --> 3:19:29.400
<v Speaker 1>demure in results. No, I mean I'd almost like to

3:19:29.640 --> 3:19:33.360
<v Speaker 1>reel the whole podcast back and start with just the

3:19:33.400 --> 3:19:37.000
<v Speaker 1>hell's a popping off the top of our head conversation first,

3:19:37.400 --> 3:19:39.200
<v Speaker 1>because I was, you know, at first, I'm anxious. You know,

3:19:39.240 --> 3:19:40.880
<v Speaker 1>I don't really know you what what will be the

3:19:40.920 --> 3:19:43.760
<v Speaker 1>point that will stimulate you? And I realized it doesn't

3:19:44.000 --> 3:19:49.680
<v Speaker 1>take that much, and it takes a lot. You know,

3:19:50.720 --> 3:19:54.000
<v Speaker 1>today's me too world. I don't know where I can

3:19:54.040 --> 3:19:58.240
<v Speaker 1>go there are we I meant stimulation in terms of

3:19:58.959 --> 3:20:02.600
<v Speaker 1>getting you excited about the world at large? Is that

3:20:02.680 --> 3:20:07.600
<v Speaker 1>what you mean? You meant it more you met it? Oh, Bob,

3:20:08.240 --> 3:20:12.199
<v Speaker 1>come on, okay, I'm not now went through the mental

3:20:12.400 --> 3:20:15.119
<v Speaker 1>roll index figuring out exactly what's going on here. You've

3:20:15.160 --> 3:20:17.959
<v Speaker 1>been listening to Shirley Manson on the Bob Left Sets podcast.

3:20:18.000 --> 3:20:26.359
<v Speaker 1>You were wonderful, Shirley. That wraps up this week's episode

3:20:26.400 --> 3:20:29.080
<v Speaker 1>of the Bob Left Sets podcast. According to here at

3:20:29.120 --> 3:20:32.160
<v Speaker 1>the tune In Studios in Venice, California, I hope you

3:20:32.280 --> 3:20:35.840
<v Speaker 1>enjoyed my conversation with Shirley Manson about her life, career,

3:20:36.400 --> 3:20:40.480
<v Speaker 1>used on relationships, sexuality, and so much more. I might

3:20:40.560 --> 3:20:44.080
<v Speaker 1>still be blushing by next week's episode. As always, I'd

3:20:44.080 --> 3:20:45.880
<v Speaker 1>love to know what you think of the show, so

3:20:46.120 --> 3:20:49.240
<v Speaker 1>email me at Bob at left sets dot com. Until

3:20:49.320 --> 3:21:01.640
<v Speaker 1>next time, I'm Bob Lefts to me exact and me