WEBVTT - Died on the Same Day (with special guest Anderson Cooper)

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<v Speaker 1>Do you remember the day that Fara fass had died.

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<v Speaker 2>I do not, and I'm ashamed, but you.

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<v Speaker 1>Know it was the same day as Michael Jackson.

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<v Speaker 2>Was it.

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<v Speaker 1>I'm chatting with CNN anchor and sixty minutes correspondent Anderson

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<v Speaker 1>Cooper about one of the biggest days in the modern

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<v Speaker 1>history of obituaries, June twenty fifth, twenty oh nine.

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<v Speaker 2>I mean, now that you say it, I vague I

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<v Speaker 2>do recall did she die in the morning? And then

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<v Speaker 2>morning it was announced that Michael Jackson died a little

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<v Speaker 2>later that.

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<v Speaker 1>Day, Michael Jackson was confirmed dead right before the evening

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<v Speaker 1>news broadcast on the East Coast, so she had the

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<v Speaker 1>full first half of the day.

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<v Speaker 2>Well, I mean, as she should. I mean, well, yeah,

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<v Speaker 2>that's fast. I didn't realize that that's a strange pairing.

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<v Speaker 1>I asked Anderson to join me today because he not

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<v Speaker 1>only has a real understanding of the news cycle, but

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<v Speaker 1>he also hosts a podcast about death and green called

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<v Speaker 1>All There Is. Anderson started working on the podcast when

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<v Speaker 1>he was packing up the apartment of his late mother,

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<v Speaker 1>the well known designer, artist and heiress Gloria Vanderbilt.

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<v Speaker 3>I've lived, lost a lot, had dreams of love and

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<v Speaker 3>faithful encounters.

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<v Speaker 1>I wanted his take on why Michael Jackson's death so

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<v Speaker 1>completely overshadowed Farah Fawcett's.

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<v Speaker 2>I think it's a combination of her just I'm not

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<v Speaker 2>saying it's fair, but from a news standpoint, her career

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<v Speaker 2>had probably peaud I guess she was not in the

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<v Speaker 2>forefront of pop culture and the public consciousness in the

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<v Speaker 2>way that Michael Jackson still was.

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<v Speaker 1>Now. Pharaoh wasn't entirely out of the headlines in twenty

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<v Speaker 1>oh nine. She'd been very public about her three year

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<v Speaker 1>battle with cancer, but Michael Jackson's death was a shock,

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<v Speaker 1>a suspicious drug overdose. The King of Pop had even

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<v Speaker 1>been staging a comeback tour, and so as the afternoon progressed,

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<v Speaker 1>the special bulletins came fast and furious. Pop superstar Michael

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<v Speaker 1>Jackson rushed to a hospital in Los Angeles to day that.

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<v Speaker 2>When they arrived on scene, he was not breathing.

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<v Speaker 1>At three point fifteen Pacific time, Michael Jackson, the King

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<v Speaker 1>of Pop, was pronounced dead. Michael Jackson had an extraordinary

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<v Speaker 1>career and a troubled life, mark by incredible highs and

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<v Speaker 1>terrible lows.

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<v Speaker 2>Just from on a global scale and the ups and

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<v Speaker 2>downs and the controversies. I mean, look now, Michael Jackson

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<v Speaker 2>is still more talked about than Farah Fosterite.

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<v Speaker 1>There's no Fara Foss musical on Broadway. There should be.

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<v Speaker 1>But yes, you know, in a friend of mine from

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<v Speaker 1>the New York Times, I remember at the time he said,

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<v Speaker 1>Michael Jackson is a story about music, about business, about fashion,

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<v Speaker 1>about race, about celebrity justice, like every section of the paper.

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<v Speaker 2>Also, I mean there's his children, there's the family, there's

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<v Speaker 2>the siblings. There's the question of possible medical malpractice. And

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<v Speaker 2>Michael Jackson grew up before the cameras in a way

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<v Speaker 2>that Farah Fawcett did not.

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<v Speaker 1>The day after both of these pop culture icons passed away,

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<v Speaker 1>CBS's Early Show mentioned Jackson's name more than one hundred times.

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<v Speaker 1>Farah Fawcett was mentioned just six times.

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<v Speaker 4>And of course we're also going to remember Farah Fawcett.

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<v Speaker 4>Somebody put it this way, this is the moment when

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<v Speaker 4>Generation X realizes they're grown up, when we lose two

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<v Speaker 4>icons that really defined our generation. These people were on

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<v Speaker 4>our lunchbox, isn't it right?

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<v Speaker 3>Yeah?

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<v Speaker 1>It was the ultimate one two Punch yesterday speaking which

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<v Speaker 1>Ed McMahon died two days before Michael Jackson and Farah

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<v Speaker 1>fawcet Oh really interesting, totally ignored. Now when it comes

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<v Speaker 1>to obituaries, I've always been fascinated with the phenomenon surrounding

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<v Speaker 1>public figures who share the same death day, Who gets

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<v Speaker 1>top billing and why? So in this episode, I'm going

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<v Speaker 1>to do something a little different instead of focusing on

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<v Speaker 1>just one person, and and I, along with some other

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<v Speaker 1>special guests, will look at a series of noteworthy people

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<v Speaker 1>who happen to have died on the very same day

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<v Speaker 1>as other noteworthy people. There are, of course more cases

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<v Speaker 1>like Farah's where news of one person's death gets well

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<v Speaker 1>buried by the death of someone else more well known.

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<v Speaker 2>Of course, you're going to tell me that Charles Mansk

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<v Speaker 2>got all the coverage, then.

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<v Speaker 1>He got all the coverage. Some coincidences seem too perfect,

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<v Speaker 1>almost divinely engineered. I mean, what are the chances Thomas

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<v Speaker 1>Jefferson would die on the same day as John Adams

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<v Speaker 1>on July fourth, no less, not just any July fourth,

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<v Speaker 1>but the exact fiftieth anniversary of the signing of the

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<v Speaker 1>Declaration of Independence. There are cases of singular showbiz talents

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<v Speaker 1>turned co stars in death.

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<v Speaker 5>Sammy Davis Junior died after an eight month battle with

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<v Speaker 5>throat cancer, and Jim Henson Lee, creator of the Muppets,

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<v Speaker 5>died suddenly of what the hospital called a massive bacterial infection.

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<v Speaker 1>And then you have what I call the odd death fellows,

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<v Speaker 1>those with seemingly nothing in common. For example, Prime Minister

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<v Speaker 1>Margaret Thatcher and Mouseketeer and Nette Funicello. Can you imagine

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<v Speaker 1>the conversation those two had upon arrival in the afterlife.

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<v Speaker 2>I don't think Margaret Thatcher would have it much to

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<v Speaker 2>say to a net Fonicello.

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<v Speaker 1>I mean each blanked bingo from CBS Sunday Morning, and

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<v Speaker 1>iHeart I'm Morocca, and this is mobituaries, this mobit died

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<v Speaker 1>on the same day.

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<v Speaker 2>I mean Pharah Faws. I had her poster, her famous

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<v Speaker 2>poster of course, up in my room as a kid,

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<v Speaker 2>even though I wasn't really that interested in her in

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<v Speaker 2>the way that most of my friends were interested in her.

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<v Speaker 1>So that poster sold twelve million copies. And the thing

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<v Speaker 1>that I love about it, and I think this is

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<v Speaker 1>probably well at least why I loved Farah is that

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<v Speaker 1>Apparently she rushed through the shoot because she wanted to

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<v Speaker 1>go play tennis. But she was like a real person.

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<v Speaker 2>Yes, it's so of the time, it's so seventies, it's

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<v Speaker 2>so and she's just she Yeah, she looks real.

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<v Speaker 1>Now, we've got a bunch of died on the same

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<v Speaker 1>day pairings to get to. But because Farah got such

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<v Speaker 1>a raw deal on the day she died, we're going

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<v Speaker 1>to take some time now to give her some extra love.

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<v Speaker 1>When Farah posed for that nineteen seventy six photograph wearing

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<v Speaker 1>a red one piece swimsuit, she became instantly iconic. The hair,

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<v Speaker 1>the smile, those teeth. I mean. Tony Manero, John Tripolta's

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<v Speaker 1>character in Saturday Night Fever had her poster up on

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<v Speaker 1>his wall. Of course he did. By the way, Farah's

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<v Speaker 1>feathered flip was a TikTok fashion trend in twenty twenty three.

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<v Speaker 6>Once upon a time, there were three little girls who

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<v Speaker 6>went to the police Academy.

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<v Speaker 1>Anderson Cooper and I were just kids. When Charlie's Angels

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<v Speaker 1>premiered in the fall of nineteen seventy six, it was

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<v Speaker 1>a total sensation. It was sexy and preposterous. Three beautiful

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<v Speaker 1>women who fought crime at the behest of a man

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<v Speaker 1>they never saw but only heard via speakerphone.

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<v Speaker 7>You heard that, Charlie, everything, Sabrina, and I've already made

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<v Speaker 7>arrangements for you three to go to prison.

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<v Speaker 3>Prison.

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<v Speaker 4>You've got to be kidding, Charlie.

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<v Speaker 1>Angels can say that again. I loved all the angels,

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<v Speaker 1>including kay Jackson's Sabrina, today known as the stem Angel,

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<v Speaker 1>But Pharaoh was in a class all her own. She

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<v Speaker 1>radiated friendliness, big dreams, and a great American can do spirit. Jill,

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<v Speaker 1>thanks for everything.

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<v Speaker 2>You're an angel.

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<v Speaker 1>Yeah, that's what.

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<v Speaker 3>They tell me.

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<v Speaker 1>Sarah Lenny Fawcett was born in Corpus Christi, Texas, in

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<v Speaker 1>nineteen forty seven. Farah was voted most beautiful by her

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<v Speaker 1>high school classmates every year. But, and this is crucial,

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<v Speaker 1>she was the kind of popular girl who was nice

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<v Speaker 1>to everyone. I have no proof of this. I just

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<v Speaker 1>know this instinctually. Don't challenge me. Sarah went to the

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<v Speaker 1>University of Texas at Austin to study microbiology before switching

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<v Speaker 1>to art. At twenty one. With her parents' permission, she

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<v Speaker 1>moved to Hollywood to try her luck in the entertainment industry.

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<v Speaker 1>She soon appeared on The Dating Game.

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<v Speaker 2>And number two.

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<v Speaker 8>Being from Texas, I'm used to having things done in

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<v Speaker 8>a big way, So how would you make a little

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<v Speaker 8>thing like sending me flowers really big?

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<v Speaker 6>Well?

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<v Speaker 2>The Dating Game always fascinated me because even as a

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<v Speaker 2>kid watching it, I couldn't tell if it was real

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<v Speaker 2>or not. Did she appear as Farah Fawce's.

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<v Speaker 1>She appeared as Fara Faucet. She chose bachelor number two,

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<v Speaker 1>who was definitely the best looking one. I'm glad she

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<v Speaker 1>chose him, and he seemed like the most normal.

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<v Speaker 2>There's no way that date happened if she was Farah

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<v Speaker 2>Fawcett at the time, I don't believe that that date happened.

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<v Speaker 1>Not surprisingly, Farah began popping up in all sorts of commercials.

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<v Speaker 1>It must be said that there still has never been

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<v Speaker 1>an advertisement as sexy as the TV commercial for Noxima's

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<v Speaker 1>shaving cream that ran during the Super Bowl in nineteen

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<v Speaker 1>seventy three. While singing, Farah lathers the product on the

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<v Speaker 1>face of superstar quarterback Joe Nimath. Farah left Charlie's Angels

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<v Speaker 1>after only one sea. For a while, she struggled to

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<v Speaker 1>show that she had talent after co starring in the

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<v Speaker 1>comedy mystery film Somebody Killed Her Husband. One critic wrote,

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<v Speaker 1>somebody killed her career, but she didn't give up, and

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<v Speaker 1>by the mid nineteen eighties, Farah proved the naysayers wrong.

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<v Speaker 2>You know, she had done The Burning Bed, so there

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<v Speaker 2>had been a revival of her and reappreciation of her,

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<v Speaker 2>And so she'd already gone through the cycle of sort

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<v Speaker 2>of rediscovery and reappreciation.

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<v Speaker 1>Anderson's referring to the nineteen eighty four TV movie The

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<v Speaker 1>Burning Bed, based on a true story, Farah played a

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<v Speaker 1>woman who fought back against an abusive husband. TV critic

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<v Speaker 1>Matt Zeller Sites has called the film a landmark, depicting

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<v Speaker 1>domestic violence as an unambiguous horror and a human rights violation,

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<v Speaker 1>and Farah's performance one of the finest in the history

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<v Speaker 1>of TV movies.

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<v Speaker 2>You know, I'm come and go as much as I want.

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<v Speaker 1>Just leave Mickey. On the personal front, her short lived

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<v Speaker 1>marriage to six million dollar man star Lee Majors and

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<v Speaker 1>long term relationship with heartthrob Ryan O'Neil were continuous tabloid fodder,

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<v Speaker 1>but when Pharah was diagnosed with anal cancer in twenty

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<v Speaker 1>oh six, it was her illness that made headlines. She

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<v Speaker 1>was suffering from anal cancer, which no everyone wanted to

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<v Speaker 1>talk about euphemistically. They would just say she had cancer,

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<v Speaker 1>but she insisted on putting that out there because it

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<v Speaker 1>was sort of like an unspeakable kind of cancer. Supposedly, Oh,

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<v Speaker 1>that's interesting, good for her. Many of her fans last

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<v Speaker 1>saw her appear in the NBC documentary Farah Story, which

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<v Speaker 1>intimately chronicled her decline. It premiered on May fifteenth, twenty

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<v Speaker 1>oh nine, the month before she died.

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<v Speaker 8>Sometimes this disease makes me feel like a stranger to myself,

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<v Speaker 8>like ablon nothingness, alone inside a body that once was mine,

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<v Speaker 8>but that has been damaged by radiation, chemo and all

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<v Speaker 8>those drugs necessary.

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<v Speaker 1>For me to live. Now in twenty oh nine, Michael

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<v Speaker 1>Jackson was bound to overshadow anybody who might have died

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<v Speaker 1>on the same day. But forty six years earlier, there

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<v Speaker 1>was a day when the world all but stopped spinning.

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<v Speaker 6>There is a bulletin from CBS News in Dallas, Texas.

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<v Speaker 6>Three shots were fired at President Kennedy's motorcade in downtown Dallas.

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<v Speaker 6>The first reports say that President Kennedy has been seriously

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<v Speaker 6>wounded by this shooting from Dallas, Texas. The flash apparently

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<v Speaker 6>official President Kennedy died at one pm Central Standard Time.

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<v Speaker 1>If you're of a certain age, you will never forget

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<v Speaker 1>where you were on November twenty second, nineteen sixty three,

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<v Speaker 1>day that President John F. Kennedy was assassinated, which means,

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<v Speaker 1>though you may not realize it, you will never forget

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<v Speaker 1>the day theologian C. S. Lewis, author of the Chronicles

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<v Speaker 1>of Narnia, met his maker.

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<v Speaker 9>Every stick and stone you see every icicle is Narnia.

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<v Speaker 1>Or the day writer and philosopher Aldus Huxley gave up

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<v Speaker 1>the ghost.

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<v Speaker 6>As searing social critic.

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<v Speaker 5>Mister Huxley wrote Brave New World, a novel that predicted

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<v Speaker 5>that someday the entire world would live under a frightful dictatorship.

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<v Speaker 1>Yes, all three men, John F. Kennedy, C. S. Lewis,

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<v Speaker 1>and Aldus Huxley died on the very same day.

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<v Speaker 2>That's so interesting. I just was trying to read an

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<v Speaker 2>Aldus hux lady small book about his experiences taking I

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<v Speaker 2>want to say it's peyote, but I don't think it's paoti.

0:13:55.760 --> 0:13:59.000
<v Speaker 2>It's mescaline. Mescaline yes, and I tried. I was really

0:13:59.000 --> 0:14:01.360
<v Speaker 2>excited to read it, and I started it, and I

0:14:01.480 --> 0:14:03.640
<v Speaker 2>just found it so dull.

0:14:03.920 --> 0:14:05.360
<v Speaker 1>That I thought you were going to say, found it

0:14:05.400 --> 0:14:05.959
<v Speaker 1>so trippy.

0:14:06.120 --> 0:14:10.559
<v Speaker 2>No, I just found it so dull. And that's interesting

0:14:10.559 --> 0:14:14.320
<v Speaker 2>because I just read C. S. Lewis his book about

0:14:14.320 --> 0:14:17.400
<v Speaker 2>the death of his wife, and it's really it's an

0:14:17.480 --> 0:14:18.520
<v Speaker 2>incredibly touching book.

0:14:18.840 --> 0:14:23.000
<v Speaker 1>I wonder there are people, probably fans of those authors

0:14:23.240 --> 0:14:24.800
<v Speaker 1>who never realized they died.

0:14:25.000 --> 0:14:29.120
<v Speaker 2>That's I'm sure that's true, or certainly you know it

0:14:29.200 --> 0:14:31.520
<v Speaker 2>took them a year to find out that they had died.

0:14:31.760 --> 0:14:35.320
<v Speaker 2>Even globally, I mean, there's no way the assassination of

0:14:35.640 --> 0:14:38.680
<v Speaker 2>President Kennedy on that day, there's no way anybody else

0:14:38.720 --> 0:14:40.320
<v Speaker 2>would get any airtime.

0:14:40.680 --> 0:14:43.440
<v Speaker 1>Well, Huxley's obit showed up two days later in the

0:14:43.480 --> 0:14:46.120
<v Speaker 1>paper on the twenty fourth of November, and then it

0:14:46.160 --> 0:14:48.560
<v Speaker 1>took yet another day for C. S. Lewis, who had

0:14:48.560 --> 0:14:50.640
<v Speaker 1>actually been the first of the three to die that day.

0:14:51.160 --> 0:14:54.680
<v Speaker 1>His death was reported on November twenty fifth. That same day,

0:14:54.720 --> 0:14:58.160
<v Speaker 1>though the headline was the death of Oswalt the murder

0:14:58.200 --> 0:15:01.160
<v Speaker 1>of him by Jack Rubin. He sort of got double

0:15:01.560 --> 0:15:02.080
<v Speaker 1>a clipse.

0:15:02.120 --> 0:15:06.680
<v Speaker 2>Wow. I mean It's extraordinary when you think about the

0:15:06.720 --> 0:15:09.880
<v Speaker 2>impact that C. S. Lewis had with all his books,

0:15:09.920 --> 0:15:14.400
<v Speaker 2>and beloved he was, and yet it's the vagary of

0:15:14.520 --> 0:15:17.960
<v Speaker 2>the day. I mean, it makes no you know. I've

0:15:17.960 --> 0:15:22.560
<v Speaker 2>been on airplanes with a couple of famous people, and

0:15:23.120 --> 0:15:26.800
<v Speaker 2>I remember one time thinking, if this plane goes down,

0:15:27.680 --> 0:15:29.600
<v Speaker 2>the headline is going to be that person was on

0:15:29.640 --> 0:15:32.480
<v Speaker 2>the plane and four others, and I would be one

0:15:32.520 --> 0:15:33.200
<v Speaker 2>of the four others.

0:15:33.480 --> 0:15:35.840
<v Speaker 1>I think that you'd either get below the fold on

0:15:35.880 --> 0:15:38.000
<v Speaker 1>a one, or you'd at least get the little reefer,

0:15:38.120 --> 0:15:39.440
<v Speaker 1>the little go to box.

0:15:39.680 --> 0:15:43.440
<v Speaker 2>First of all, thank you for having thought of this. Well, no,

0:15:43.560 --> 0:15:45.280
<v Speaker 2>I just you know, I think you have to. You're

0:15:45.360 --> 0:15:49.160
<v Speaker 2>plotting my death as I came in here today. Where

0:15:49.200 --> 0:15:51.760
<v Speaker 2>would I stack up. You're talking about a front page.

0:15:51.800 --> 0:15:53.160
<v Speaker 2>I would not be on the front page.

0:15:53.280 --> 0:15:54.600
<v Speaker 1>Oh we go on a plane with the queen.

0:15:55.040 --> 0:15:55.960
<v Speaker 2>I'm not going to say.

0:15:57.160 --> 0:16:00.680
<v Speaker 1>As a member of the storied Vanderbilt family, Anderson is

0:16:00.720 --> 0:16:03.720
<v Speaker 1>aware of the role that social class used to play

0:16:03.840 --> 0:16:05.080
<v Speaker 1>on the Obitz page.

0:16:05.240 --> 0:16:09.200
<v Speaker 2>When my great uncle Alfred Vanderbilt died on the Lusitania,

0:16:09.440 --> 0:16:12.240
<v Speaker 2>which was sunk by the Germans prior to the US

0:16:12.280 --> 0:16:16.200
<v Speaker 2>involvement in World War One. His name was in the

0:16:16.240 --> 0:16:21.560
<v Speaker 2>headlines of the announcement of the Lusitania being torpedoed. You know,

0:16:21.720 --> 0:16:27.600
<v Speaker 2>Alfred Vanderbilt doesn't survive, which is interesting given the number

0:16:27.600 --> 0:16:30.880
<v Speaker 2>of people on board that ship. And I don't think

0:16:31.040 --> 0:16:33.080
<v Speaker 2>I don't think that would happen today. Well, and this

0:16:33.160 --> 0:16:35.200
<v Speaker 2>was in the New York Times, right, New York Times. Well, okay,

0:16:35.200 --> 0:16:37.440
<v Speaker 2>And because the New York Times, especially then and for

0:16:37.480 --> 0:16:41.520
<v Speaker 2>a long time, sort of deferred very much to establishment families. Well,

0:16:41.520 --> 0:16:43.560
<v Speaker 2>I should also say I'm working a book about the

0:16:43.600 --> 0:16:47.640
<v Speaker 2>Asters and Jack Aster when he died on the Titanic,

0:16:48.280 --> 0:16:51.440
<v Speaker 2>the Astor name was very prominent in the headline.

0:16:51.480 --> 0:16:56.320
<v Speaker 1>Well, speaking of which, February fourth, nineteen fifty nine, on

0:16:56.440 --> 0:17:00.160
<v Speaker 1>page sixty six, way back in the paper, the headline

0:17:00.200 --> 0:17:05.160
<v Speaker 1>reads three singers who died in crash of chartered plane,

0:17:05.320 --> 0:17:08.439
<v Speaker 1>and there are pictures here. They are Buddy Holly, Big

0:17:08.480 --> 0:17:11.880
<v Speaker 1>Bopper and Richie Vallence. This is the so called day

0:17:11.960 --> 0:17:12.840
<v Speaker 1>the music died.

0:17:13.240 --> 0:17:15.040
<v Speaker 3>The three singers that appeared at the Surf.

0:17:14.840 --> 0:17:17.000
<v Speaker 6>Ballroom in clear Like Iowa last night, and.

0:17:16.960 --> 0:17:19.119
<v Speaker 5>We're on the way to Fargo, North Dakota.

0:17:19.320 --> 0:17:21.320
<v Speaker 1>This is page sixty six.

0:17:22.280 --> 0:17:22.480
<v Speaker 3>Right.

0:17:22.760 --> 0:17:27.680
<v Speaker 1>However, there is another death on page A one that day,

0:17:27.720 --> 0:17:30.040
<v Speaker 1>and it is if you can see right there.

0:17:30.640 --> 0:17:35.320
<v Speaker 2>Wow, it was at Vincent Astor dies in his home

0:17:35.359 --> 0:17:36.840
<v Speaker 2>at sixty seventy. I had dropped out of a heart

0:17:36.840 --> 0:17:38.080
<v Speaker 2>attack in his home.

0:17:38.440 --> 0:17:38.880
<v Speaker 10>Wow.

0:17:39.240 --> 0:17:42.520
<v Speaker 2>I mean Vincent Astro had been one of the richest

0:17:42.520 --> 0:17:45.160
<v Speaker 2>men in America since he inherited the money from Jack

0:17:45.200 --> 0:17:50.480
<v Speaker 2>Astro when Jack Astro died on the Titanic. But I

0:17:50.520 --> 0:17:54.120
<v Speaker 2>don't think today that person would be on the front page.

0:17:54.160 --> 0:17:57.879
<v Speaker 2>I think the Buddy Holly, the Richie Vallens, and the

0:17:57.920 --> 0:17:59.480
<v Speaker 2>big Bopper would be right.

0:17:59.760 --> 0:18:02.359
<v Speaker 1>I think that's right. I think the criteria has changed,

0:18:02.400 --> 0:18:03.200
<v Speaker 1>has changed.

0:18:03.680 --> 0:18:08.320
<v Speaker 3>Love like yours will silly come by.

0:18:10.560 --> 0:18:13.360
<v Speaker 1>We're going to do a quiz now. On November nineteenth,

0:18:13.480 --> 0:18:17.880
<v Speaker 1>twenty seventeen, two very different figures died on the same day.

0:18:18.400 --> 0:18:21.600
<v Speaker 1>The first became best known for her television roles, but

0:18:21.800 --> 0:18:25.480
<v Speaker 1>began her career as a jazz and gospel singer, releasing

0:18:25.520 --> 0:18:29.320
<v Speaker 1>her biggest hit, Don't You Know in nineteen fifty nine.

0:18:30.040 --> 0:18:30.840
<v Speaker 1>Here's a little bit.

0:18:30.720 --> 0:18:30.919
<v Speaker 7>Of a.

0:18:40.119 --> 0:18:42.720
<v Speaker 2>I have fallen in love with these.

0:18:44.760 --> 0:18:46.119
<v Speaker 1>Right, did a little hard So I'm going to give

0:18:46.160 --> 0:18:49.240
<v Speaker 1>you a couple of other clues. She became very big

0:18:49.280 --> 0:18:53.400
<v Speaker 1>in the nineteen nineties on a Sunday night inspirational CBS

0:18:53.440 --> 0:18:56.000
<v Speaker 1>hour long drama. She had been big in the nineteen

0:18:56.000 --> 0:18:58.280
<v Speaker 1>fifties and then in the seventies she was on the

0:18:58.280 --> 0:18:59.960
<v Speaker 1>sitcom Chico and the Man.

0:19:00.760 --> 0:19:03.639
<v Speaker 11>If you don't come to that meeting, somebody is just

0:19:03.840 --> 0:19:06.360
<v Speaker 11>liable to report this greasy old.

0:19:06.119 --> 0:19:08.440
<v Speaker 6>Garage as a fire hazard.

0:19:08.680 --> 0:19:10.480
<v Speaker 3>Why this is some kind of black mail.

0:19:10.880 --> 0:19:11.520
<v Speaker 8>Well, it ain't.

0:19:11.400 --> 0:19:17.560
<v Speaker 1>White male baby. That's Dela Reice. Touched by an Angel?

0:19:18.040 --> 0:19:18.240
<v Speaker 6>Right.

0:19:18.520 --> 0:19:23.320
<v Speaker 1>So she died on November nineteenth, twenty seventeen, and she

0:19:23.400 --> 0:19:26.119
<v Speaker 1>had a really interesting life. She toured with Mahelia Jackson

0:19:26.119 --> 0:19:27.800
<v Speaker 1>when she was thirteen years old, so she had its

0:19:27.840 --> 0:19:29.919
<v Speaker 1>great career as a singer before she was on the

0:19:29.920 --> 0:19:32.320
<v Speaker 1>sitcom and then Untouched by an Angel. By the way,

0:19:32.400 --> 0:19:37.320
<v Speaker 1>Untouched my Angel, I never understood, like Roma Downey was

0:19:37.359 --> 0:19:41.280
<v Speaker 1>this angel that would go around and I think Delice

0:19:41.400 --> 0:19:43.040
<v Speaker 1>was like her supervisor or something.

0:19:43.560 --> 0:19:46.320
<v Speaker 2>Don't you raise your voice to me, miss Wings, you.

0:19:46.320 --> 0:19:48.639
<v Speaker 9>Got a little pride thing going on yourself.

0:19:49.960 --> 0:19:52.760
<v Speaker 2>I watched a lot of TV, but like Touched by

0:19:52.800 --> 0:19:55.480
<v Speaker 2>Angel probably was not something Every morning I was looking

0:19:55.520 --> 0:19:58.680
<v Speaker 2>a little darker, Yeah, a little mer dystopian.

0:19:59.680 --> 0:20:03.720
<v Speaker 1>Murder. She wrote, Well, I mean, I mean, every every

0:20:03.720 --> 0:20:06.040
<v Speaker 1>week someone dies in this tiny town in Maine. That's

0:20:06.080 --> 0:20:10.400
<v Speaker 1>pretty dark. Anyway. On that same day, November nineteenth, twenty seventeen,

0:20:10.920 --> 0:20:15.440
<v Speaker 1>another person who was decidedly not touched by an angel died.

0:20:16.000 --> 0:20:18.240
<v Speaker 1>He also began his career in music.

0:20:18.640 --> 0:20:27.560
<v Speaker 9>Ah, those real look at your game, Look at your game.

0:20:30.000 --> 0:20:31.400
<v Speaker 12>What a mad delusion.

0:20:33.040 --> 0:20:35.800
<v Speaker 1>Let's stop that now and then, because there's no way,

0:20:35.920 --> 0:20:38.400
<v Speaker 1>there's no way you're gonna get this. I'll just give

0:20:38.400 --> 0:20:40.200
<v Speaker 1>you a clue. He was a psychopathic killer.

0:20:40.240 --> 0:20:41.880
<v Speaker 2>And well, I was gonna say, is he a serial

0:20:42.080 --> 0:20:44.000
<v Speaker 2>that's so funny. I was going to say, just from

0:20:44.080 --> 0:20:46.440
<v Speaker 2>that thing, I was like, is that like a recording

0:20:46.440 --> 0:20:48.240
<v Speaker 2>made in prison by a serial killer?

0:20:48.280 --> 0:20:51.840
<v Speaker 1>It was a recording made before this killer went to prison,

0:20:52.000 --> 0:20:54.560
<v Speaker 1>and he was in charge of a family.

0:20:54.560 --> 0:20:55.560
<v Speaker 2>That Charles Manson.

0:20:55.680 --> 0:20:58.960
<v Speaker 1>Yes, Oh my gosh, Charles Manson delay. This just got

0:20:59.000 --> 0:21:03.359
<v Speaker 1>really dark, really dark. And I understand the fascination or

0:21:03.400 --> 0:21:05.760
<v Speaker 1>that there was a fascination with Charles Manson.

0:21:05.840 --> 0:21:07.320
<v Speaker 2>Of course you're going to tell me that Charles Manson

0:21:07.320 --> 0:21:08.040
<v Speaker 2>got all the coverage, He.

0:21:08.160 --> 0:21:09.879
<v Speaker 1>Got all the covers in New York Times. He was

0:21:09.960 --> 0:21:13.120
<v Speaker 1>on a one. Delriice was on a nineteen. The Chicago

0:21:13.280 --> 0:21:16.040
<v Speaker 1>Tribune put Charles Manson on the front page. They gave

0:21:16.200 --> 0:21:18.840
<v Speaker 1>nothing to Dela Resee. The La Times made Dela Reice

0:21:18.880 --> 0:21:19.440
<v Speaker 1>wait a day.

0:21:19.760 --> 0:21:22.119
<v Speaker 2>I was probably on the air that day, And if

0:21:22.359 --> 0:21:24.639
<v Speaker 2>I don't recall what I did, but I would imagine

0:21:25.359 --> 0:21:29.880
<v Speaker 2>faced with those two, I.

0:21:29.840 --> 0:21:32.240
<v Speaker 1>Mean, go with God, go with the Angel.

0:21:32.320 --> 0:21:34.399
<v Speaker 2>I mean, I think you have to go with Charles Manson,

0:21:34.760 --> 0:21:38.520
<v Speaker 2>maybe like a reader of like, you know, del Reice died,

0:21:39.200 --> 0:21:42.639
<v Speaker 2>but to at least give her some props, yes, but

0:21:44.119 --> 0:21:47.080
<v Speaker 2>you know, and maybe play a clip from I mean again,

0:21:47.160 --> 0:21:51.560
<v Speaker 2>it's unfair, but just in terms of like foremost in

0:21:51.600 --> 0:21:55.760
<v Speaker 2>people's consciousness and the nightmares of generations of people and

0:21:55.840 --> 0:21:58.640
<v Speaker 2>knowing that this person is no longer out there.

0:21:59.119 --> 0:22:00.440
<v Speaker 1>How would you do that transition?

0:22:00.520 --> 0:22:00.720
<v Speaker 12>Though?

0:22:01.040 --> 0:22:03.080
<v Speaker 2>Well, I'm not going to do them close together, not

0:22:03.119 --> 0:22:05.600
<v Speaker 2>going to do a four minute piece on Charles Manson.

0:22:05.640 --> 0:22:07.560
<v Speaker 2>Then be like, oh, in Dela Reste, well.

0:22:08.000 --> 0:22:11.600
<v Speaker 1>Or would you say we lost Ella Reese today and

0:22:11.640 --> 0:22:12.880
<v Speaker 1>in much darker.

0:22:12.760 --> 0:22:16.520
<v Speaker 2>Us No, or you would not at all link them together.

0:22:16.680 --> 0:22:19.680
<v Speaker 1>Well, if you say somebody that we're actually sorry, we lost.

0:22:19.720 --> 0:22:22.600
<v Speaker 2>Why no, why are you insisting on putting these two together?

0:22:23.119 --> 0:22:24.840
<v Speaker 2>What is your vendetta against Dela Reo?

0:22:25.119 --> 0:22:25.239
<v Speaker 5>No?

0:22:25.240 --> 0:22:27.679
<v Speaker 1>No, no, I actually have her greatest hits. I really do.

0:22:27.960 --> 0:22:31.600
<v Speaker 1>But I'm just thinking if you want the broadcast to

0:22:31.600 --> 0:22:34.760
<v Speaker 1>have some cohesion and so, no, and then and then

0:22:34.880 --> 0:22:37.359
<v Speaker 1>later on we'll all be touched by an angel. No,

0:22:37.440 --> 0:22:38.400
<v Speaker 1>we don't do that. We wait.

0:22:38.480 --> 0:22:42.160
<v Speaker 2>I would not also make a you've made now to

0:22:42.160 --> 0:22:44.800
<v Speaker 2>touch by an angel sort of puns. I would not

0:22:44.880 --> 0:22:47.639
<v Speaker 2>do a touch by an angel pun either. You said

0:22:47.800 --> 0:22:50.320
<v Speaker 2>someone who is definitely not touched by an angel? Right,

0:22:50.840 --> 0:22:53.000
<v Speaker 2>was not a which was a clever transition, but not

0:22:53.080 --> 0:22:54.960
<v Speaker 2>when I wouldn't get but I would That's not what

0:22:55.080 --> 0:22:57.240
<v Speaker 2>I would have used in a broadcast, like coming up.

0:22:57.280 --> 0:23:01.120
<v Speaker 1>Or something subtler, a passing that is touched all of us.

0:23:03.400 --> 0:23:05.280
<v Speaker 1>You could do that and then people won't know and

0:23:05.320 --> 0:23:08.280
<v Speaker 1>then afterwards. It was a very popular show. And she

0:23:08.440 --> 0:23:10.400
<v Speaker 1>sang the theme song as well.

0:23:10.480 --> 0:23:11.199
<v Speaker 2>Oh I didn't know that.

0:23:13.600 --> 0:23:16.119
<v Speaker 3>I need all the time.

0:23:16.600 --> 0:23:25.240
<v Speaker 1>I January seventeenth, twenty eight chess master Bobby Fisher, who

0:23:25.280 --> 0:23:29.760
<v Speaker 1>then became a paranoid anti Semmi, and Alan Melvin Alvin

0:23:29.800 --> 0:23:32.160
<v Speaker 1>Melvin Sam the Butcher from The Rady Bunch.

0:23:32.720 --> 0:23:35.320
<v Speaker 2>Oh, Sam Alice's boyfriend.

0:23:36.040 --> 0:23:37.080
<v Speaker 3>Sam.

0:23:37.680 --> 0:23:38.720
<v Speaker 2>It's me Alice.

0:23:39.600 --> 0:23:41.720
<v Speaker 3>That's what I said, Sam.

0:23:43.040 --> 0:23:48.560
<v Speaker 1>Alice's boyfriend. And what happened to Butcher's like there there.

0:23:48.359 --> 0:23:50.640
<v Speaker 2>You don't you don't see the you don't see Butcher's

0:23:50.880 --> 0:23:51.520
<v Speaker 2>It's true.

0:23:51.760 --> 0:23:54.639
<v Speaker 1>Bobby Fisher in The New York Times A one at

0:23:54.640 --> 0:23:59.080
<v Speaker 1>the Bottom, nothing on Alan Melvin. Alan Melvin was on

0:23:59.280 --> 0:24:03.119
<v Speaker 1>be sick in the Washington Post four days after he died.

0:24:03.800 --> 0:24:06.280
<v Speaker 2>Okay, I mean, I don't know what to say.

0:24:07.320 --> 0:24:12.199
<v Speaker 1>July eighth, nineteen ninety four. Dick Sergeant, the second actor

0:24:12.280 --> 0:24:16.280
<v Speaker 1>to play Darren in the nineteen sixties sitcom Bewitched, Good

0:24:16.400 --> 0:24:20.280
<v Speaker 1>Morning in Dora, How Nice You Dropped In? And North

0:24:20.359 --> 0:24:25.080
<v Speaker 1>Korea's founding dictator Kim Il sung die on the same day.

0:24:25.560 --> 0:24:28.720
<v Speaker 5>North Korea Tonight announced a nine day period of mourning

0:24:28.880 --> 0:24:31.640
<v Speaker 5>for the only leader it's ever had, Dictator Kim El

0:24:31.800 --> 0:24:33.520
<v Speaker 5>Sung dead at eighty two.

0:24:34.520 --> 0:24:36.800
<v Speaker 2>That was a tough one for us of who do we?

0:24:37.359 --> 0:24:38.840
<v Speaker 2>Who do we? Who we cover?

0:24:39.000 --> 0:24:41.600
<v Speaker 1>But you know, here's the thing. I feel so bad

0:24:41.760 --> 0:24:44.800
<v Speaker 1>for Dick Sergeant because it's tough enough being the second Darren.

0:24:44.840 --> 0:24:47.080
<v Speaker 1>Because everyone knows the first Daron dick Yorick was a

0:24:47.080 --> 0:24:50.600
<v Speaker 1>better Darren, although Dick Sargent later came out and became

0:24:50.600 --> 0:24:53.240
<v Speaker 1>a gay rights advocate and was apparently a lovely, lovely guy.

0:24:53.560 --> 0:24:55.920
<v Speaker 1>But to be overshadowed on that though that one day

0:24:56.000 --> 0:25:02.240
<v Speaker 1>you expect all the attention, right A that's genocidal maniac.

0:25:02.160 --> 0:25:04.920
<v Speaker 2>Takes it from you, takes it from you. Don't try

0:25:05.000 --> 0:25:06.000
<v Speaker 2>to spare my feelings.

0:25:06.480 --> 0:25:08.840
<v Speaker 1>There's one thing I can't stand at someone feeling sorry

0:25:08.880 --> 0:25:13.119
<v Speaker 1>for me. Fun fact. Dick Sargent's first film role was

0:25:13.160 --> 0:25:16.240
<v Speaker 1>a bit part in nineteen fifty four's Prisoner of War

0:25:16.720 --> 0:25:22.160
<v Speaker 1>about Americans in a North Korean pow camp who knew

0:25:25.119 --> 0:25:29.639
<v Speaker 1>coming up after the break some downright spooky coincidences and

0:25:30.160 --> 0:25:34.200
<v Speaker 1>some very odd death fellows.

0:25:48.400 --> 0:25:51.720
<v Speaker 10>Fifty years to the day after the declaration of Independence,

0:25:51.960 --> 0:25:54.720
<v Speaker 10>having said all he had to say to us, which

0:25:54.800 --> 0:25:59.760
<v Speaker 10>was enough, Thomas Jefferson died on this bed a freeman

0:26:01.240 --> 0:26:02.400
<v Speaker 10>on that same day.

0:26:03.040 --> 0:26:06.119
<v Speaker 7>A few hours later, away to the north in Massachusetts,

0:26:06.480 --> 0:26:10.919
<v Speaker 7>John Adams, also old and weak, also satisfied to have

0:26:11.080 --> 0:26:16.160
<v Speaker 7>lived until the fourth also died. His last words were,

0:26:16.880 --> 0:26:19.080
<v Speaker 7>Thomas Jefferson still lives.

0:26:20.000 --> 0:26:22.440
<v Speaker 2>That's so crazy that they died in the same day.

0:26:22.560 --> 0:26:25.800
<v Speaker 1>I mean, I'm talking with Anders and Cooper about famous

0:26:25.840 --> 0:26:29.040
<v Speaker 1>people dying on the same day. It doesn't get much

0:26:29.080 --> 0:26:33.639
<v Speaker 1>eerier than two founding fathers meeting their creator on the

0:26:33.800 --> 0:26:37.960
<v Speaker 1>very day the nation they had helped birth turned fifty.

0:26:38.560 --> 0:26:41.520
<v Speaker 2>And wasn't Adams's son, the president.

0:26:41.480 --> 0:26:42.520
<v Speaker 1>John Quincy Adams.

0:26:42.680 --> 0:26:47.879
<v Speaker 2>So I wonder had I been on the air that day, hypothetically,

0:26:48.680 --> 0:26:51.000
<v Speaker 2>like the coverage, what would you do, Like if television

0:26:51.000 --> 0:26:54.880
<v Speaker 2>had been around, both would probably get equal. But because

0:26:54.960 --> 0:26:58.200
<v Speaker 2>his son is the current president, his son would come

0:26:58.240 --> 0:27:01.240
<v Speaker 2>out and make like some sort of blick statement and stuff,

0:27:01.280 --> 0:27:06.600
<v Speaker 2>So Adams might that might push Adams up above Jefferson.

0:27:06.800 --> 0:27:07.080
<v Speaker 3>Yep.

0:27:07.359 --> 0:27:08.600
<v Speaker 1>I think that's absolutely right.

0:27:08.480 --> 0:27:11.679
<v Speaker 2>Because he would hold maybe a live press event and

0:27:12.400 --> 0:27:14.840
<v Speaker 2>you would take the whole thing. You have to say,

0:27:14.840 --> 0:27:16.760
<v Speaker 2>the whole thing, and he would give I mean, he

0:27:16.760 --> 0:27:18.600
<v Speaker 2>would do a lot about his dad. He would definitely

0:27:18.640 --> 0:27:20.920
<v Speaker 2>do a head nod to Jefferson and a lot about Jefferson.

0:27:21.119 --> 0:27:23.640
<v Speaker 2>But John Quincy Adams is going to speak live in

0:27:23.680 --> 0:27:26.240
<v Speaker 2>a minute, We're obviously going to take this live. That

0:27:26.240 --> 0:27:28.920
<v Speaker 2>would be twenty minutes, and then.

0:27:29.320 --> 0:27:32.959
<v Speaker 1>Van Jones, what do you think and we're back with

0:27:32.960 --> 0:27:35.640
<v Speaker 1>the panel. But you know, this was considered a big

0:27:35.680 --> 0:27:38.400
<v Speaker 1>deal the fiftieth anniversary of the signing of the Declaration

0:27:38.440 --> 0:27:40.360
<v Speaker 1>of Independence. It's not something we just looked back at.

0:27:40.400 --> 0:27:40.640
<v Speaker 3>Now.

0:27:41.280 --> 0:27:46.800
<v Speaker 1>Do you think that a person can hold on to

0:27:46.880 --> 0:27:49.720
<v Speaker 1>die on a day like that?

0:27:49.840 --> 0:27:51.720
<v Speaker 2>I do think that. Yeah. I mean, I don't know,

0:27:51.760 --> 0:27:53.960
<v Speaker 2>I don't have any actual evidence for that, but yeah,

0:27:54.119 --> 0:27:58.520
<v Speaker 2>I mean it seems first of all, too coincidental in

0:27:58.560 --> 0:28:02.360
<v Speaker 2>that way. But but yeah, I do believe people can

0:28:02.400 --> 0:28:09.200
<v Speaker 2>hold on or decide like I'm ready. And maybe maybe

0:28:09.240 --> 0:28:11.080
<v Speaker 2>they did, one of them, or maybe just one of

0:28:11.119 --> 0:28:13.120
<v Speaker 2>them did the other. It just happened to be that day.

0:28:13.520 --> 0:28:17.680
<v Speaker 2>That one seems particularly too coincidental. I mean, what are

0:28:17.680 --> 0:28:18.600
<v Speaker 2>the chances of that?

0:28:18.720 --> 0:28:19.000
<v Speaker 3>Do you know?

0:28:19.040 --> 0:28:22.720
<v Speaker 1>What's so cute is that James Monroe died five years

0:28:22.800 --> 0:28:25.240
<v Speaker 1>later to the day, So he died on the fifty

0:28:25.280 --> 0:28:29.959
<v Speaker 1>fifth anniversary. Yeah, on July fourth, eighteen thirty one. And

0:28:30.000 --> 0:28:31.919
<v Speaker 1>it just is I wonder if he was like, hey, guys,

0:28:32.280 --> 0:28:35.159
<v Speaker 1>I want to be me too. I want to be

0:28:35.200 --> 0:28:45.120
<v Speaker 1>in the club. But not really another historic coincidence. November tenth,

0:28:45.320 --> 0:28:51.760
<v Speaker 1>nineteen sixty two, Former First Lady Eleanor Roosevelt and Lillian Cross,

0:28:52.120 --> 0:28:56.320
<v Speaker 1>the woman who decades earlier foiled an assassination attempt on

0:28:56.400 --> 0:29:00.080
<v Speaker 1>Frank Lindelano Roosevelt, are buried on the same day, a.

0:29:01.920 --> 0:29:07.880
<v Speaker 6>Final tribute to Eleanor Roosevelt, distinguished Lady of our times.

0:29:08.160 --> 0:29:11.560
<v Speaker 1>Back in nineteen thirty three, the five foot four, one

0:29:11.640 --> 0:29:16.280
<v Speaker 1>hundred pound Missus Cross was watching the then President elect

0:29:16.680 --> 0:29:20.400
<v Speaker 1>deliver a speech in Miami. When she noticed the even

0:29:20.480 --> 0:29:25.440
<v Speaker 1>shorter Giuseppe Zanngara aiming a gun at Roosevelt. She grabbed

0:29:25.520 --> 0:29:26.920
<v Speaker 1>him by the arm.

0:29:27.240 --> 0:29:29.560
<v Speaker 8>I knew he was shooting at the President, so my

0:29:29.720 --> 0:29:31.800
<v Speaker 8>first thought was to get the foot club in the

0:29:31.800 --> 0:29:33.320
<v Speaker 8>as so it wouldn't hurt any.

0:29:33.160 --> 0:29:39.080
<v Speaker 1>Of the bastin. Because of her heroics, FDR was spared

0:29:39.480 --> 0:29:45.680
<v Speaker 1>and the bullet instead killed Chicago Mayor Anton Sermak. So

0:29:45.960 --> 0:29:48.840
<v Speaker 1>we've talked about pairings that sort of seemed to go together,

0:29:49.400 --> 0:29:52.520
<v Speaker 1>but what about pairs that don't seem to have anything

0:29:52.560 --> 0:29:57.120
<v Speaker 1>in common, like Pope Benedict the sixteenth and Pointer sister

0:29:57.200 --> 0:30:01.800
<v Speaker 1>Anita Pointer. Then there's Whitewater Prosecute, Ken Starr and French

0:30:01.920 --> 0:30:05.120
<v Speaker 1>New Wave director Jean Luc Cadard, who were both left

0:30:05.320 --> 0:30:09.480
<v Speaker 1>breathless on the same day. Ditto character actor Rip Torn

0:30:09.880 --> 0:30:13.920
<v Speaker 1>and third party presidential candidate Ross Perot, who was himself

0:30:14.080 --> 0:30:15.240
<v Speaker 1>a pretty great character.

0:30:15.840 --> 0:30:16.920
<v Speaker 3>Now whose fault is there?

0:30:17.520 --> 0:30:19.280
<v Speaker 12>Not the Democrats, not Republicans.

0:30:19.280 --> 0:30:22.160
<v Speaker 1>Somewhere out there, there's an extraterrestrial that's doing this to us.

0:30:22.200 --> 0:30:25.640
<v Speaker 1>I guess these kinds of pairings are what I call

0:30:26.040 --> 0:30:30.560
<v Speaker 1>odd death fellows. For this special category, I turned to

0:30:30.640 --> 0:30:34.760
<v Speaker 1>two veteran obituary writers whom I met at twenty nineteen's

0:30:34.880 --> 0:30:38.920
<v Speaker 1>Obit Khan. Yes, Obit Khan think comic con but for

0:30:39.160 --> 0:30:44.080
<v Speaker 1>obituary writers. Ka Powell spent fifteen years at the Atlanta

0:30:44.200 --> 0:30:47.560
<v Speaker 1>Journal Constitution and is known in the biz as the

0:30:47.640 --> 0:30:51.880
<v Speaker 1>Doyenne of Death. John Pope is a fifty year veteran

0:30:51.960 --> 0:30:55.600
<v Speaker 1>of the business, penning obits, most notably for the New

0:30:55.680 --> 0:31:00.680
<v Speaker 1>Orleans Times Picayune. Both are fluent in the euphemisms used

0:31:00.800 --> 0:31:02.600
<v Speaker 1>to eulogize the dead.

0:31:04.560 --> 0:31:08.720
<v Speaker 3>Passed on, join God's Heaven, require or my favorite, the

0:31:08.800 --> 0:31:09.480
<v Speaker 3>lights went out.

0:31:09.960 --> 0:31:18.560
<v Speaker 13>Lady fran means well or prostitute or raconteur is a

0:31:18.640 --> 0:31:20.920
<v Speaker 13>boring storyteller.

0:31:20.240 --> 0:31:23.840
<v Speaker 1>A racontry, a boring storyteller in an obituary, Yes, racus.

0:31:24.040 --> 0:31:25.600
<v Speaker 3>Racus means loud drunk.

0:31:27.320 --> 0:31:30.280
<v Speaker 1>Naturally, I thought they'd be the perfect duo to talk

0:31:30.320 --> 0:31:35.560
<v Speaker 1>about this next combination of famous figures. April eighth, twenty thirteen,

0:31:36.120 --> 0:31:40.000
<v Speaker 1>Former British Prime Minister Margaret Thatcher dies on the very

0:31:40.040 --> 0:31:44.040
<v Speaker 1>same day as former mouseketeer and star of Beach Blanket

0:31:44.040 --> 0:31:53.160
<v Speaker 1>Bingo A net Funaicello age age brag. Now, can either

0:31:53.200 --> 0:31:55.520
<v Speaker 1>of you give our listeners a sense of how big

0:31:55.560 --> 0:31:57.520
<v Speaker 1>a deal a net Funaicello was.

0:31:57.680 --> 0:31:59.920
<v Speaker 3>Any boy who grew up in the nineteen fifties much

0:32:00.160 --> 0:32:03.480
<v Speaker 3>Mickey Mouse Club was just head over heels in love

0:32:03.520 --> 0:32:04.760
<v Speaker 3>with Annette.

0:32:04.560 --> 0:32:08.120
<v Speaker 11>Pine too twift our MOCKI dial to the right and

0:32:08.400 --> 0:32:11.880
<v Speaker 11>left were the great big smile. This is the way

0:32:12.000 --> 0:32:15.080
<v Speaker 11>we get to see a mouse cartoon.

0:32:15.240 --> 0:32:20.040
<v Speaker 14>For you and me, well, as a woman of that era,

0:32:21.600 --> 0:32:28.000
<v Speaker 14>the most influential was Beach Blanket Bingo and her two

0:32:28.040 --> 0:32:32.000
<v Speaker 14>piece bathing suit. Really couldn't call it a bikini. It

0:32:32.040 --> 0:32:46.080
<v Speaker 14>was a two piece bathing suit, which I did have osa.

0:32:43.240 --> 0:32:47.720
<v Speaker 3>Well, you didn't mention this detail about an that footagellow swimsuit.

0:32:47.760 --> 0:32:50.520
<v Speaker 3>She didn't show her navel because Walt Disney didn't want to.

0:32:50.880 --> 0:32:55.720
<v Speaker 14>And I wouldn't either because we were ladies. John, she

0:32:55.840 --> 0:32:57.280
<v Speaker 14>didn't have to be told that.

0:32:58.080 --> 0:33:01.120
<v Speaker 1>For people who are familiar with Vanessa Dudgeons right from

0:33:01.200 --> 0:33:04.480
<v Speaker 1>high school musical or Selena Gomez, you know, Anette Funicello

0:33:04.880 --> 0:33:09.280
<v Speaker 1>was probably orders of magnitude bigger than those. She became

0:33:09.360 --> 0:33:12.520
<v Speaker 1>even more beloved after struggling for years with MS and

0:33:12.600 --> 0:33:16.400
<v Speaker 1>really advocating for others. Now, as for the obituary coverage,

0:33:17.120 --> 0:33:21.240
<v Speaker 1>Margaret Thatcher got more attention. I wonder if news organizations

0:33:21.280 --> 0:33:25.360
<v Speaker 1>struggled to balance who they thought they should prioritize versus

0:33:25.440 --> 0:33:27.719
<v Speaker 1>who the audience wanted to hear more about. What do

0:33:27.760 --> 0:33:28.440
<v Speaker 1>you all think?

0:33:28.920 --> 0:33:32.640
<v Speaker 14>No, they knew it would be Margaret Thatcher.

0:33:33.000 --> 0:33:34.960
<v Speaker 3>Yeah, Thatcher had been out on a limelight, but she

0:33:35.040 --> 0:33:37.200
<v Speaker 3>did lead a nation for better or worse.

0:33:38.040 --> 0:33:41.360
<v Speaker 1>In the aftermath of Thatcher's death, protesters in the UK

0:33:41.520 --> 0:33:44.960
<v Speaker 1>began an online campaign to propel the song Ding Dong

0:33:45.040 --> 0:33:47.360
<v Speaker 1>the Witch Is Dead from The Wizard of Oz to

0:33:47.360 --> 0:33:51.200
<v Speaker 1>the number one position on British iTunes. I wonder how

0:33:51.200 --> 0:33:54.040
<v Speaker 1>do you handle the situation as an obit writer when

0:33:54.080 --> 0:33:58.160
<v Speaker 1>the figure you're writing about has a complicated legacy, a

0:33:58.240 --> 0:34:01.200
<v Speaker 1>legacy that polarizes people you.

0:34:01.160 --> 0:34:03.920
<v Speaker 3>Write it, you tell the story, you.

0:34:03.880 --> 0:34:08.600
<v Speaker 14>Tell the truth. Yeah, it's a news story and that's

0:34:08.719 --> 0:34:09.640
<v Speaker 14>part of the news.

0:34:10.520 --> 0:34:13.920
<v Speaker 1>January thirtieth, nineteen forty eight, The New.

0:34:13.840 --> 0:34:17.520
<v Speaker 5>Delhi, India Radio has just been heard reporting that Mohandas

0:34:17.560 --> 0:34:19.160
<v Speaker 5>Gandhi has been fatally shot.

0:34:19.480 --> 0:34:24.440
<v Speaker 1>Mahatma Gandhi, the great Liberator of India, is slain on

0:34:24.520 --> 0:34:27.840
<v Speaker 1>the same day that Orville Wright, the co inventor of

0:34:27.880 --> 0:34:31.200
<v Speaker 1>the airplane, dies here at Kitty Hawk, North Carolina.

0:34:31.600 --> 0:34:33.960
<v Speaker 2>This primitive kite made aviation history.

0:34:34.880 --> 0:34:41.080
<v Speaker 1>Now, obviously Gandhi dominated that day banner headline, but Orville

0:34:41.080 --> 0:34:44.000
<v Speaker 1>Wright was also on the front page below the fold

0:34:44.160 --> 0:34:47.880
<v Speaker 1>of most major newspapers. This makes sense, right.

0:34:48.360 --> 0:34:51.960
<v Speaker 14>I I think if I look at it over the

0:34:52.040 --> 0:34:57.320
<v Speaker 14>long haul, to me, we're looking at two people whose

0:34:57.440 --> 0:35:04.680
<v Speaker 14>contributions are equal and affecting the entire world forever.

0:35:05.080 --> 0:35:08.800
<v Speaker 1>Now, it had been forty four years since that first

0:35:08.880 --> 0:35:12.319
<v Speaker 1>flight at Kitty Hawk when Orville Wright died, and it

0:35:12.360 --> 0:35:15.440
<v Speaker 1>had been thirty six years since his older brother Wilbur

0:35:15.880 --> 0:35:18.880
<v Speaker 1>had died. I suppose that accounts for how much less

0:35:18.920 --> 0:35:21.200
<v Speaker 1>coverage Orvill Wright got on that day. But you do

0:35:21.280 --> 0:35:25.680
<v Speaker 1>make the point that flying, I mean, it's an unimaginable legacy.

0:35:26.120 --> 0:35:29.120
<v Speaker 3>Gandhi, I mean, Gandhi founded a nation, and there was

0:35:29.160 --> 0:35:32.359
<v Speaker 3>also the drama of his death orvil Wright was thought

0:35:32.360 --> 0:35:34.560
<v Speaker 3>of as more of a part of a pair. I mean,

0:35:34.560 --> 0:35:39.560
<v Speaker 3>I'm sorry that he died, but he was old and

0:35:39.640 --> 0:35:42.080
<v Speaker 3>he didn't die as dramatically as Gandhi.

0:35:42.360 --> 0:35:46.520
<v Speaker 1>And being part of a pair, maybe the power of

0:35:46.600 --> 0:35:51.479
<v Speaker 1>his passing is diminished, like by a fraction of half.

0:35:51.880 --> 0:35:56.640
<v Speaker 3>Oh easily. Absolutely. I wasn't around when either Lewis or

0:35:56.640 --> 0:35:59.279
<v Speaker 3>Clark died, so I can't vouch for the coverage their

0:35:59.320 --> 0:36:00.640
<v Speaker 3>death's got like that.

0:36:02.880 --> 0:36:07.160
<v Speaker 1>September twenty eighth, twenty oh three, tennis pioneer ALTHEA. Gibson

0:36:07.800 --> 0:36:12.600
<v Speaker 1>and director Elia Kazan both died now. Kazan was one

0:36:12.640 --> 0:36:16.239
<v Speaker 1>of the most honored and influential directors in Broadway in

0:36:16.320 --> 0:36:23.320
<v Speaker 1>Hollywood history. He was most famous for his Broadway productions

0:36:23.320 --> 0:36:25.600
<v Speaker 1>A Street Car Named Desire and Death of a Salesman,

0:36:25.800 --> 0:36:29.200
<v Speaker 1>and for his movies On the Waterfront and East of Eden. Personally,

0:36:29.239 --> 0:36:30.760
<v Speaker 1>I love tree grows in Brooklyn.

0:36:31.040 --> 0:36:33.160
<v Speaker 14>They didn't have any right to kill it, did they, Papa?

0:36:35.280 --> 0:36:37.879
<v Speaker 2>Oh No, wait a minute, they didn't kill it.

0:36:38.080 --> 0:36:41.480
<v Speaker 1>Why they couldn't kill that three. He was controversial. In

0:36:41.520 --> 0:36:45.360
<v Speaker 1>his nineteen fifty two testimony before the House on American

0:36:45.520 --> 0:36:49.080
<v Speaker 1>Activities Committee, Kazan named the names of eight others who

0:36:49.120 --> 0:36:51.920
<v Speaker 1>had been members of the Communist Party with him. Althea

0:36:52.000 --> 0:36:55.960
<v Speaker 1>Gibson was a legendary tennis player who broke color barriers

0:36:56.200 --> 0:36:59.080
<v Speaker 1>in the sport as a young woman. She was the

0:36:59.200 --> 0:37:03.040
<v Speaker 1>first africa An American tennis player, female or male, to

0:37:03.080 --> 0:37:04.560
<v Speaker 1>win a Grand Slam title.

0:37:05.120 --> 0:37:08.960
<v Speaker 7>After Wimbledon, New York or Native City welcome to her

0:37:09.000 --> 0:37:11.120
<v Speaker 7>hall with a ticker tape parade up Broadway.

0:37:14.760 --> 0:37:19.640
<v Speaker 9>I would have never thought that, coming from the streets

0:37:19.640 --> 0:37:23.040
<v Speaker 9>of New York playing paddle tennis, that I would be

0:37:23.640 --> 0:37:26.520
<v Speaker 9>one who would have the opportunity to shake the hand

0:37:27.520 --> 0:37:28.680
<v Speaker 9>of Queen Elizabeth.

0:37:29.080 --> 0:37:31.480
<v Speaker 1>She was the first black tennis player to compete in

0:37:31.560 --> 0:37:34.600
<v Speaker 1>the US National Championships, the precursor to the US Open,

0:37:34.880 --> 0:37:38.160
<v Speaker 1>and then in golf, she became the first black woman

0:37:38.280 --> 0:37:42.320
<v Speaker 1>on the LPGA Tour. They both had a lot of coverage.

0:37:42.840 --> 0:37:45.720
<v Speaker 1>Kazanne got more coverage, so in the New York Times,

0:37:45.840 --> 0:37:49.759
<v Speaker 1>Kazan edged out Althea Gibson in the Chicago Tribune. In

0:37:49.800 --> 0:37:55.480
<v Speaker 1>the LA Times, they were fairly equal. You know, Kazan

0:37:55.680 --> 0:38:00.640
<v Speaker 1>was a heavyweight, but Gibson was a major. First. Did

0:38:00.800 --> 0:38:02.359
<v Speaker 1>newspapers get this one right?

0:38:02.800 --> 0:38:07.600
<v Speaker 3>Well, if you go by recent fame slash notoriety, Kazan

0:38:07.840 --> 0:38:11.160
<v Speaker 3>had gotten back into the spotlight a couple of years

0:38:11.160 --> 0:38:15.760
<v Speaker 3>earlier when he was given an honorary Oscar and people

0:38:15.800 --> 0:38:19.799
<v Speaker 3>were furious because this man who had named names was

0:38:19.920 --> 0:38:20.760
<v Speaker 3>getting an award.

0:38:20.960 --> 0:38:26.480
<v Speaker 14>I would have probably given her more coverage for the

0:38:26.520 --> 0:38:32.319
<v Speaker 14>groundbreaking things that she did and the variety of accomplishments

0:38:32.400 --> 0:38:33.000
<v Speaker 14>she had.

0:38:34.600 --> 0:38:38.600
<v Speaker 1>October third, nineteen sixty seven, Two very different cultural figures

0:38:38.680 --> 0:38:41.800
<v Speaker 1>left us that very day. Here is the first.

0:38:42.600 --> 0:38:47.200
<v Speaker 10>This land is your land, and this land is my land.

0:38:47.400 --> 0:38:50.840
<v Speaker 15>From California to the New York.

0:38:50.840 --> 0:38:56.760
<v Speaker 14>Island, from the Redwood Forest and the Gulf Stream waters.

0:38:57.480 --> 0:39:00.080
<v Speaker 15>This land was made for you and me.

0:39:00.800 --> 0:39:04.359
<v Speaker 1>Okay. That's American folk singer Woody Guthrie. Of course, he

0:39:04.400 --> 0:39:07.840
<v Speaker 1>died from Huntington's disease at fifty five. It wasn't front

0:39:07.840 --> 0:39:10.720
<v Speaker 1>page news, but it was the leading obituary in most

0:39:10.840 --> 0:39:14.799
<v Speaker 1>major papers. Now here's the voice of the other big

0:39:14.920 --> 0:39:16.319
<v Speaker 1>entertainer who died that day.

0:39:16.520 --> 0:39:17.719
<v Speaker 6>Does follow me?

0:39:18.200 --> 0:39:21.520
<v Speaker 14>Bozo the Clown and I'll take you Dousey Kurt's home.

0:39:24.920 --> 0:39:28.040
<v Speaker 1>This is indeed the original Bozo the Clown, played by

0:39:28.040 --> 0:39:32.280
<v Speaker 1>the actor Pinto Colvig. Ultimately, there were many different Bosos

0:39:32.360 --> 0:39:35.319
<v Speaker 1>depending on where you lived, but the very first was

0:39:35.400 --> 0:39:40.400
<v Speaker 1>Pinto Colvig. Any thoughts on the contrast between Woody Guthrie

0:39:40.680 --> 0:39:41.640
<v Speaker 1>and Boso.

0:39:41.520 --> 0:39:44.880
<v Speaker 3>Couldn't be more different. I mean, Woody Guthrie was of

0:39:44.920 --> 0:39:49.240
<v Speaker 3>the people and Boso performed his whole career in clown makeup.

0:39:49.480 --> 0:39:51.200
<v Speaker 3>No one I couldn't tell you what he looked like.

0:39:51.640 --> 0:39:54.520
<v Speaker 1>Let me also add that Colvig Pinto Colvig, was the

0:39:54.560 --> 0:39:59.800
<v Speaker 1>original voice of Disney's Goofy and Pluto the Dog. Colvig

0:39:59.840 --> 0:40:03.360
<v Speaker 1>a also voiced the bearded muscleman, Blue Doo and Popeye.

0:40:03.400 --> 0:40:05.800
<v Speaker 1>And it's interesting because I used to always confuse Pluto

0:40:05.920 --> 0:40:10.760
<v Speaker 1>and Blueto, even though they are very different characters.

0:40:10.800 --> 0:40:15.879
<v Speaker 6>Oh that I am, okay, have it my way.

0:40:17.480 --> 0:40:22.759
<v Speaker 14>I would think that John sort of hit on it

0:40:22.840 --> 0:40:28.279
<v Speaker 14>with the anonymity of who is Boso? He had an

0:40:28.280 --> 0:40:32.080
<v Speaker 14>appeal on one level. Would he go through who was

0:40:32.200 --> 0:40:37.880
<v Speaker 14>kind of more political? The themes of his songs could

0:40:37.920 --> 0:40:43.200
<v Speaker 14>be divisive, but clowns are rarely divisive unless you're afraid

0:40:43.200 --> 0:40:45.959
<v Speaker 14>they're going to eat you, so you don't sleep right.

0:40:46.040 --> 0:40:49.160
<v Speaker 3>There's that you're talking with someone who dated the first

0:40:49.200 --> 0:40:51.640
<v Speaker 3>female graduate of Ringling's Clown College.

0:40:52.520 --> 0:40:54.040
<v Speaker 1>Is that true?

0:40:54.239 --> 0:40:57.120
<v Speaker 3>Yes, her name is Peggy Williams. She is in the

0:40:57.160 --> 0:40:58.360
<v Speaker 3>Clown Hall of Fame.

0:40:58.960 --> 0:41:01.439
<v Speaker 1>That's really exciting. Was dating her a lot of fun.

0:41:02.160 --> 0:41:05.640
<v Speaker 3>She had this habit because of her training. Whenever we'd

0:41:05.640 --> 0:41:07.040
<v Speaker 3>go to dinner, I would say something kind of a

0:41:07.120 --> 0:41:09.239
<v Speaker 3>music and she would react. She was playing to the

0:41:09.280 --> 0:41:11.680
<v Speaker 3>second balcony. So it's kind of scary.

0:41:16.280 --> 0:41:18.840
<v Speaker 1>When we've crossed over to the other side of the

0:41:18.840 --> 0:41:31.480
<v Speaker 1>break more with Anderson Cooper. We're back with Anderson Cooper

0:41:31.560 --> 0:41:34.560
<v Speaker 1>and a game I call above the fold. Below the

0:41:34.600 --> 0:41:39.000
<v Speaker 1>fold New York Times edition. For those of you who

0:41:39.040 --> 0:41:42.160
<v Speaker 1>still remember what a newspaper looks like. The top half

0:41:42.160 --> 0:41:45.040
<v Speaker 1>of the front page is above the fold, where the

0:41:45.080 --> 0:41:48.160
<v Speaker 1>really big news goes. The bottom half of a one

0:41:48.400 --> 0:41:51.360
<v Speaker 1>is below the fold, where the still big, just not

0:41:51.520 --> 0:41:55.279
<v Speaker 1>quite as big news goes. Okay, I'm obsessed with this,

0:41:55.400 --> 0:41:57.239
<v Speaker 1>even though no one under the age of fifty notes

0:41:57.239 --> 0:41:58.560
<v Speaker 1>that this means, right.

0:41:58.600 --> 0:42:00.319
<v Speaker 2>I actually still get a newspaper. Dillar.

0:42:00.680 --> 0:42:02.680
<v Speaker 1>Okay, right, so above the fault, below the fault. These

0:42:02.680 --> 0:42:03.440
<v Speaker 1>are all a one.

0:42:03.520 --> 0:42:05.839
<v Speaker 2>O bets, oh, these were all a one.

0:42:06.080 --> 0:42:06.480
<v Speaker 1>Yeah.

0:42:06.520 --> 0:42:10.279
<v Speaker 2>So I think my mom was below the fold. She was, yeah,

0:42:10.280 --> 0:42:12.440
<v Speaker 2>she was blow the full she was yeah, but she

0:42:12.560 --> 0:42:14.000
<v Speaker 2>was a one. She was a one.

0:42:14.040 --> 0:42:15.759
<v Speaker 1>Yeh yeah, which is great. I mean, it's great to

0:42:15.760 --> 0:42:19.200
<v Speaker 1>have a mom who's on a one. It's cool, Babe

0:42:19.239 --> 0:42:21.959
<v Speaker 1>Ruth above the vault or below the fault, above the fault.

0:42:21.960 --> 0:42:26.280
<v Speaker 1>He's above Jackie Robinson above the fault, below the fault.

0:42:26.320 --> 0:42:29.480
<v Speaker 1>And that I think is the most egregious error here. Incredible,

0:42:29.480 --> 0:42:31.600
<v Speaker 1>that's pretty bad. Yeah, that they put in below the fault.

0:42:31.640 --> 0:42:32.680
<v Speaker 2>What year was that?

0:42:32.680 --> 0:42:35.960
<v Speaker 1>That was in nineteen seventy two, October twenty fifth.

0:42:36.320 --> 0:42:39.920
<v Speaker 2>I'm sure it was still a pretty all white news room. Maybe,

0:42:40.040 --> 0:42:40.480
<v Speaker 2>I don't know.

0:42:40.920 --> 0:42:43.680
<v Speaker 1>I mean, there's more sensitivity I would, I would think now,

0:42:44.120 --> 0:42:47.960
<v Speaker 1>and that Jackie Robinson, who was such a Titanic figure,

0:42:48.000 --> 0:42:51.280
<v Speaker 1>would be above the fault, okay, Judy Garland.

0:42:50.960 --> 0:42:54.160
<v Speaker 2>Above the fault, below the fault. Really no, it's crazy.

0:42:54.360 --> 0:42:56.719
<v Speaker 1>June twenty third, nineteen sixty nine. She obviously died the

0:42:56.760 --> 0:42:57.240
<v Speaker 1>day before.

0:42:57.760 --> 0:43:00.200
<v Speaker 2>I cannot believe that she was well. Where was Stone World?

0:43:00.360 --> 0:43:04.680
<v Speaker 1>Wasn't mentioned now the New York Times, I mean a

0:43:04.880 --> 0:43:07.600
<v Speaker 1>different days. I thank you, but she's below the fault,

0:43:08.560 --> 0:43:09.400
<v Speaker 1>luci O ball.

0:43:11.440 --> 0:43:14.080
<v Speaker 2>Well, I mean, if they messed up with Judy Garland,

0:43:14.200 --> 0:43:15.279
<v Speaker 2>I'd say, below the fold.

0:43:15.440 --> 0:43:21.120
<v Speaker 1>You're absolutely right about that. Richard Rogers, great composer, below

0:43:21.200 --> 0:43:27.240
<v Speaker 1>the fault, above the fold. Wow, Oscar Hammerstein, the lyricist

0:43:27.560 --> 0:43:30.200
<v Speaker 1>below the fold, below the fold, which is really this

0:43:30.280 --> 0:43:31.560
<v Speaker 1>is like part of of what I think. It's like

0:43:31.560 --> 0:43:36.520
<v Speaker 1>the New York Times, long running anti lyricist bias's.

0:43:35.280 --> 0:43:40.799
<v Speaker 2>Always there, always identify that it's true, and I'm that's

0:43:40.840 --> 0:43:41.800
<v Speaker 2>going to be my cause.

0:43:46.000 --> 0:43:49.239
<v Speaker 1>I inherited my love of obituaries from my father. He

0:43:49.320 --> 0:43:51.520
<v Speaker 1>always said that the obits were his favorite part of

0:43:51.560 --> 0:43:55.359
<v Speaker 1>the newspaper. It's probably because my father had a deep

0:43:55.400 --> 0:43:59.560
<v Speaker 1>appreciation for the romance of life. I know that sounds strange,

0:43:59.600 --> 0:44:02.880
<v Speaker 1>but a good O bit captures that the highs and

0:44:03.040 --> 0:44:05.720
<v Speaker 1>lows of a person's life in just a few inches.

0:44:06.360 --> 0:44:08.879
<v Speaker 1>To put it another way, a good oh bit has

0:44:08.960 --> 0:44:12.320
<v Speaker 1>the dramatic sweep of a movie trailer for an Oscar

0:44:12.400 --> 0:44:16.600
<v Speaker 1>winning biopeck, the kind of movie that Golden Age director

0:44:16.760 --> 0:44:19.239
<v Speaker 1>Cecil B. De Mill would make all.

0:44:19.160 --> 0:44:21.160
<v Speaker 8>Right, mister demil, I'm ready for my close up.

0:44:22.640 --> 0:44:25.680
<v Speaker 1>Incidentally, Cecil B. De Mill died on the same day

0:44:25.960 --> 0:44:35.520
<v Speaker 1>as Carl Switzer aka Alfalfa from The Little Rascals.

0:44:35.840 --> 0:44:37.480
<v Speaker 3>How do you ask that warrior?

0:44:39.120 --> 0:44:42.120
<v Speaker 13>Thank you very much. You're not so bad yourself.

0:44:43.000 --> 0:44:45.120
<v Speaker 2>I would like to watch The Little Rascals again to

0:44:45.120 --> 0:44:47.600
<v Speaker 2>see if it holds up, because I still don't remember

0:44:47.640 --> 0:44:51.000
<v Speaker 2>what the whole concept was. Who were these little rascals

0:44:51.280 --> 0:44:52.960
<v Speaker 2>and where they how do they get that way?

0:44:53.600 --> 0:44:56.640
<v Speaker 1>A great question Anderson and One will hopefully address on

0:44:56.680 --> 0:44:59.520
<v Speaker 1>a future episode. But for now, let's talk about a

0:44:59.520 --> 0:45:04.120
<v Speaker 1>pair of Hollywood royalty who both departed this realm on

0:45:04.160 --> 0:45:09.080
<v Speaker 1>October tenth, nineteen eighty five. Yule Brenner, famous as the

0:45:09.160 --> 0:45:10.279
<v Speaker 1>King and the King and.

0:45:10.280 --> 0:45:12.799
<v Speaker 15>I, when I shall said, you shall sit, and I

0:45:12.800 --> 0:45:15.719
<v Speaker 15>shall neil, you shall nil at sea.

0:45:17.440 --> 0:45:22.000
<v Speaker 1>And Orson Wells, the director and star of Citizen Kane.

0:45:28.719 --> 0:45:31.480
<v Speaker 12>Orson Wells, died of natural causes at his home in Hollywood.

0:45:31.520 --> 0:45:32.240
<v Speaker 7>He was seventy.

0:45:32.480 --> 0:45:34.680
<v Speaker 12>And El Brenner died here in New York after a

0:45:34.719 --> 0:45:36.000
<v Speaker 12>long battle with lung cancer.

0:45:36.160 --> 0:45:37.279
<v Speaker 7>He was sixty five.

0:45:37.800 --> 0:45:40.840
<v Speaker 2>I met Eul Brenner as a kid. I loved the

0:45:40.920 --> 0:45:43.279
<v Speaker 2>King and I and I loved Eel Brenner and being

0:45:43.280 --> 0:45:46.280
<v Speaker 2>in his dressing room and him going like etcetera, etcetera,

0:45:46.880 --> 0:45:49.040
<v Speaker 2>and the whole thing. He was Yule Brenner like. It

0:45:49.120 --> 0:45:51.880
<v Speaker 2>was exactly what you would want eul Brenner to do, right,

0:45:52.400 --> 0:45:54.600
<v Speaker 2>he was the King on stage and off, on stage

0:45:54.600 --> 0:45:57.319
<v Speaker 2>and off. Incredible. But I think my I mean, my

0:45:57.400 --> 0:45:59.640
<v Speaker 2>mom went out to Hollywood when she was like sixteen

0:45:59.680 --> 0:46:03.920
<v Speaker 2>seven and Shenner. She absolutely would have known that you'l Brenner.

0:46:04.000 --> 0:46:05.600
<v Speaker 1>Yes, did she know Orson Wells?

0:46:06.400 --> 0:46:09.440
<v Speaker 2>So there is a rumor that my mom had an

0:46:09.440 --> 0:46:12.280
<v Speaker 2>affair with Orson Wells, which I just read online.

0:46:12.480 --> 0:46:15.760
<v Speaker 1>Can I ask, if your mother did have an affair

0:46:15.840 --> 0:46:19.200
<v Speaker 1>with Orson Wells, was it Citizen Kane, Orson Wells or

0:46:19.239 --> 0:46:20.440
<v Speaker 1>Paul Mason Wine.

0:46:20.160 --> 0:46:23.840
<v Speaker 2>Outweels It would have been Citizen Kane. I mean, please,

0:46:23.920 --> 0:46:26.040
<v Speaker 2>My mom had an affair with Marlon Brando, and it

0:46:26.080 --> 0:46:28.080
<v Speaker 2>was like on the waterfront of Marlon Brando, wasn't It

0:46:28.120 --> 0:46:32.360
<v Speaker 2>wasn't apocalypse now, Marlon. I mean, give my mom some credit.

0:46:32.840 --> 0:46:35.799
<v Speaker 2>So Orson Wells and Yuel Brenner died on the same day.

0:46:35.880 --> 0:46:39.520
<v Speaker 1>Yes, Now there's a split on TV. Yule Brenner got

0:46:39.840 --> 0:46:42.799
<v Speaker 1>top billing. Okay, in print, and this sort of makes

0:46:42.800 --> 0:46:45.680
<v Speaker 1>sense to me. Orson Wells very much got top billing

0:46:45.800 --> 0:46:48.920
<v Speaker 1>there because I think in print they were honoring sort

0:46:48.960 --> 0:46:51.040
<v Speaker 1>of the importance of Orson Wells, even though it had

0:46:51.080 --> 0:46:54.840
<v Speaker 1>been decades, I think forty five years since Citizen Kane.

0:46:55.000 --> 0:46:57.480
<v Speaker 1>They felt it was important to honor that. But yul

0:46:57.520 --> 0:46:59.920
<v Speaker 1>Brenner had been touring very recently. I brought my grandmother

0:47:00.080 --> 0:47:02.319
<v Speaker 1>actually to see his very last tour in the King

0:47:02.360 --> 0:47:05.400
<v Speaker 1>and I in Washington, DC, and he'd had a sixty

0:47:05.400 --> 0:47:08.120
<v Speaker 1>minutes profile and I don't know if you remember this.

0:47:08.480 --> 0:47:12.440
<v Speaker 1>He didn't add that aired posthumously.

0:47:12.280 --> 0:47:17.560
<v Speaker 2>First about cancer ladies and gentlemen, the late Yule Brenner.

0:47:18.480 --> 0:47:21.840
<v Speaker 15>I really wanted to make a commercial when I discovered

0:47:21.840 --> 0:47:25.360
<v Speaker 15>that I was that sick and my time was so limited,

0:47:25.800 --> 0:47:29.719
<v Speaker 15>I wanted to make that commercials it says simply Now

0:47:29.760 --> 0:47:32.600
<v Speaker 15>that I'm gone, I tell you don't smoke.

0:47:32.800 --> 0:47:33.480
<v Speaker 1>Do you remember that.

0:47:33.560 --> 0:47:35.200
<v Speaker 2>I do remember that. I do remember that.

0:47:35.200 --> 0:47:35.879
<v Speaker 1>That was a big deal.

0:47:36.200 --> 0:47:36.640
<v Speaker 6>Yeah.

0:47:37.080 --> 0:47:41.959
<v Speaker 2>This is what's interesting to me. The people alive would

0:47:42.000 --> 0:47:44.799
<v Speaker 2>have remembered, probably foremost in their minds about Orson welles

0:47:44.840 --> 0:47:47.200
<v Speaker 2>at that time. The pal Masan wine add.

0:47:47.360 --> 0:47:52.560
<v Speaker 15>The taste is smooth, flavorful, delicious. Porma San wines taste

0:47:52.600 --> 0:47:54.360
<v Speaker 15>so good because they made with such care.

0:47:55.120 --> 0:47:57.360
<v Speaker 2>What Farmasan said nearly a century ago.

0:47:57.360 --> 0:47:58.280
<v Speaker 10>Is still true today.

0:47:59.280 --> 0:48:02.120
<v Speaker 15>We will sell wine the first time.

0:48:03.239 --> 0:48:06.040
<v Speaker 1>We will sell no wine before its time. Always annoyed

0:48:06.040 --> 0:48:08.920
<v Speaker 1>me because it's a false rhyme. Wine and time.

0:48:08.760 --> 0:48:09.399
<v Speaker 2>Do not rhyme.

0:48:09.840 --> 0:48:12.120
<v Speaker 16>That's what bothered you about it. Kind of did well,

0:48:13.040 --> 0:48:17.120
<v Speaker 16>that's what bothered okay. As a childer child, I loved

0:48:17.160 --> 0:48:22.480
<v Speaker 16>Paumas on wine. May sixteenth, nineteen ninety Sammy Davis Junior

0:48:23.280 --> 0:48:24.360
<v Speaker 16>and Jim Henson.

0:48:26.200 --> 0:48:29.000
<v Speaker 2>Wow, see that's that's big.

0:48:29.360 --> 0:48:32.359
<v Speaker 12>The memories of Sammy Davis Junior and Jim Henson topped

0:48:32.360 --> 0:48:35.240
<v Speaker 12>the news this morning. The head of Henson's production company

0:48:35.239 --> 0:48:38.040
<v Speaker 12>says Henson took our breath away as a talent and

0:48:38.120 --> 0:48:42.479
<v Speaker 12>provided laughter and love as a friend. Frank Sinatra calls

0:48:42.520 --> 0:48:45.319
<v Speaker 12>Sammy Davis Junior a class act and the best friend

0:48:45.400 --> 0:48:46.040
<v Speaker 12>the man could have.

0:48:47.440 --> 0:48:49.960
<v Speaker 1>They're like the Adage and Jefferson of entertainment.

0:48:50.080 --> 0:48:52.960
<v Speaker 2>That is big. Sammy Davis Junior had been sick for

0:48:52.960 --> 0:48:53.760
<v Speaker 2>a while, hadn't.

0:48:53.600 --> 0:48:56.320
<v Speaker 1>He had been sick, and they'd had this really amazing

0:48:56.520 --> 0:49:01.239
<v Speaker 1>special on television where all these stars paid tribute to him,

0:49:01.640 --> 0:49:03.880
<v Speaker 1>and Gregory Hines got up and tap dance with him

0:49:03.880 --> 0:49:05.600
<v Speaker 1>at the end. He wasn't expected to because he was

0:49:05.760 --> 0:49:09.280
<v Speaker 1>so sick. And then Jim Henson was a shocker.

0:49:09.800 --> 0:49:12.120
<v Speaker 2>I don't I don't remember him. I mean I remember

0:49:12.120 --> 0:49:14.160
<v Speaker 2>his death. I don't remember what it was.

0:49:14.239 --> 0:49:17.319
<v Speaker 1>It was a pneumonia. I think for a time people thought, oh,

0:49:17.360 --> 0:49:19.799
<v Speaker 1>it was just a euphemism for AIDS. No, he died

0:49:19.840 --> 0:49:20.440
<v Speaker 1>in pneumonia.

0:49:20.800 --> 0:49:23.960
<v Speaker 2>Wow. I mean, what incredible contributions, both.

0:49:24.239 --> 0:49:28.520
<v Speaker 1>Really amazing, really amazing, and they were given I think

0:49:28.560 --> 0:49:30.920
<v Speaker 1>appropriately side by side.

0:49:30.960 --> 0:49:35.960
<v Speaker 2>That makes total sense just their creative output. And Jim

0:49:35.960 --> 0:49:37.840
<v Speaker 2>Henson obviously the Muppets some.

0:49:38.320 --> 0:49:47.239
<v Speaker 1>They will find Lorraine convection, the lovers, but dreamers and me,

0:49:49.400 --> 0:49:52.520
<v Speaker 1>you know, it's amazing to me that Sammy Davis Junior

0:49:53.440 --> 0:49:55.200
<v Speaker 1>never guest starred on the Muppets.

0:49:55.800 --> 0:49:57.120
<v Speaker 2>Really is that amazing?

0:49:57.160 --> 0:49:57.399
<v Speaker 12>Wow?

0:49:57.520 --> 0:49:59.879
<v Speaker 1>I mean he was builders for the Muppets.

0:50:02.360 --> 0:50:08.279
<v Speaker 9>Black and Birred with our very red, the basic hand

0:50:08.320 --> 0:50:08.960
<v Speaker 9>black of luck.

0:50:09.040 --> 0:50:11.239
<v Speaker 14>Whitney animals talk, Britney.

0:50:11.000 --> 0:50:13.120
<v Speaker 2>Animals, grunt squeak.

0:50:13.000 --> 0:50:28.120
<v Speaker 1>This one writty animals, and they did not. At the

0:50:28.160 --> 0:50:31.920
<v Speaker 1>top of this episode, we mentioned Anderson's podcast All There

0:50:32.080 --> 0:50:36.560
<v Speaker 1>Is On it, he explores the importance of grieving. We've

0:50:36.600 --> 0:50:39.400
<v Speaker 1>been having some fun chatting about the coverage of bold

0:50:39.480 --> 0:50:43.560
<v Speaker 1>faced names when they pass on, but Anderson knows all

0:50:43.680 --> 0:50:46.520
<v Speaker 1>too well what it's like to be part of the story.

0:50:46.960 --> 0:50:50.160
<v Speaker 1>When he was twenty one, his older brother Carter took

0:50:50.200 --> 0:50:50.880
<v Speaker 1>his own life.

0:50:51.520 --> 0:50:55.000
<v Speaker 2>When my brother died, I do recall there being I

0:50:55.040 --> 0:50:57.680
<v Speaker 2>think it was a front page with somebody else's photo

0:50:57.800 --> 0:50:59.840
<v Speaker 2>on it as him. I don't know if it was

0:50:59.880 --> 0:51:01.359
<v Speaker 2>the hoster the daily news.

0:51:01.520 --> 0:51:04.319
<v Speaker 1>And could you could you all even absorb that? Could

0:51:04.320 --> 0:51:06.319
<v Speaker 1>you absorb it and not be outraged?

0:51:06.440 --> 0:51:09.360
<v Speaker 2>Or I mean I didn't. We didn't have any you know,

0:51:09.920 --> 0:51:11.920
<v Speaker 2>we were sort of you know, there were like reporters

0:51:11.960 --> 0:51:14.160
<v Speaker 2>camped outside the house. And obviously my brother's death was

0:51:14.440 --> 0:51:17.200
<v Speaker 2>very public because he jumped off the balcony of our apartment,

0:51:18.280 --> 0:51:21.520
<v Speaker 2>but we weren't looking at newspapers. Somebody who was coming

0:51:21.600 --> 0:51:25.080
<v Speaker 2>to visit had, I mean stupidly, had brought in a

0:51:25.120 --> 0:51:27.400
<v Speaker 2>paper and I just happened to see it, like sitting

0:51:27.440 --> 0:51:33.520
<v Speaker 2>out in the foyer. But uh, yeah, I just remember

0:51:34.280 --> 0:51:36.480
<v Speaker 2>I just remember they had there was the wrong picture.

0:51:36.520 --> 0:51:42.520
<v Speaker 1>You know, it's in the constellation of terribleness, you know,

0:51:42.560 --> 0:51:46.080
<v Speaker 1>associated with this. That's one terrible thing that the wrong

0:51:46.160 --> 0:51:46.759
<v Speaker 1>picture does.

0:51:46.680 --> 0:51:48.960
<v Speaker 2>That have any meaning, that has no meaning, has no meaning.

0:51:49.080 --> 0:51:53.520
<v Speaker 2>I mean, those were all very obviously dramatic, silicious headlines

0:51:53.920 --> 0:51:57.440
<v Speaker 2>about you know, my brother or about his death. So

0:51:58.280 --> 0:52:02.000
<v Speaker 2>it's not something like an obituary that you would want

0:52:02.080 --> 0:52:05.160
<v Speaker 2>to read. And you know that also, he was so

0:52:05.280 --> 0:52:07.920
<v Speaker 2>young that there wasn't a track record for you know,

0:52:08.000 --> 0:52:10.360
<v Speaker 2>anybody to write kind of an obituary of you know,

0:52:10.400 --> 0:52:12.960
<v Speaker 2>it was unpleasant to have to feel like you're sort

0:52:13.000 --> 0:52:15.680
<v Speaker 2>of in this cocoon and somewhat under siege. And then

0:52:16.400 --> 0:52:19.520
<v Speaker 2>and then we went to the funeral home, my mom

0:52:19.600 --> 0:52:24.960
<v Speaker 2>and I to view his body, and there were photography

0:52:25.000 --> 0:52:28.400
<v Speaker 2>were camera people camped outside with of course Frankie Campbell

0:52:28.440 --> 0:52:30.520
<v Speaker 2>funeral home, and we were trying to go on a

0:52:30.640 --> 0:52:33.600
<v Speaker 2>side entrance and they followed us, and I remember the

0:52:33.719 --> 0:52:38.160
<v Speaker 2>time hating the camera people, just feeling very protective on

0:52:38.280 --> 0:52:41.320
<v Speaker 2>my mom. And the weird thing is, I don't know

0:52:41.400 --> 0:52:44.840
<v Speaker 2>I've mentioned of this ever, there was a viewing my

0:52:44.920 --> 0:52:48.480
<v Speaker 2>brother's body at the Campbell funeral home, and we had

0:52:48.600 --> 0:52:50.560
<v Speaker 2>really no way. I mean, we were all, you know,

0:52:50.800 --> 0:52:54.000
<v Speaker 2>just like shell shocked, and there was a line of

0:52:54.080 --> 0:52:56.719
<v Speaker 2>I don't know, hundreds of people and we really had

0:52:56.800 --> 0:52:59.399
<v Speaker 2>no way to police it. Anybody could have gotten that line,

0:52:59.440 --> 0:53:04.200
<v Speaker 2>and my mom greeted each person, but I realized there's

0:53:04.320 --> 0:53:06.719
<v Speaker 2>just random people on this line. So I spent the

0:53:06.920 --> 0:53:10.080
<v Speaker 2>entire time going through the line like pre greeting people

0:53:10.880 --> 0:53:13.560
<v Speaker 2>and weeding people out. And there was one guy who

0:53:13.719 --> 0:53:16.600
<v Speaker 2>got within like three people at my mom with a

0:53:16.680 --> 0:53:20.200
<v Speaker 2>cover that he wanted her to sign the front page.

0:53:20.280 --> 0:53:23.160
<v Speaker 1>Oh my god, and what did you do? You remember today?

0:53:23.200 --> 0:53:26.640
<v Speaker 2>I escorted him out, I ushered him away, and you.

0:53:26.840 --> 0:53:29.799
<v Speaker 1>Kind of ushered him away. This is perhaps a little

0:53:29.840 --> 0:53:31.880
<v Speaker 1>too logical, but do you think part of it was

0:53:32.600 --> 0:53:35.640
<v Speaker 1>you just lost your brother, you weren't going to lose

0:53:35.680 --> 0:53:38.680
<v Speaker 1>your mother because some lunatic was in the line, or yeah.

0:53:38.719 --> 0:53:41.160
<v Speaker 2>I mean I was always very protected my mom, and

0:53:41.400 --> 0:53:46.040
<v Speaker 2>certainly in that situation, you know, I felt very much

0:53:46.200 --> 0:53:50.040
<v Speaker 2>like we are under siege, and this is what I

0:53:50.120 --> 0:53:52.239
<v Speaker 2>need to do, and there's really no one else who

0:53:52.280 --> 0:53:53.800
<v Speaker 2>can do it because there's nobody else who kind of

0:53:53.880 --> 0:53:56.920
<v Speaker 2>knows everybody that my mom knows, and I always been

0:53:57.080 --> 0:53:59.840
<v Speaker 2>like my mom's gatekeeper. So I did a study in

0:53:59.840 --> 0:54:01.840
<v Speaker 2>my mom. From the time I was very little, I

0:54:01.920 --> 0:54:04.120
<v Speaker 2>used to read our journals like I would listen in

0:54:04.200 --> 0:54:06.840
<v Speaker 2>on phone calls. I wanted to know what was happening.

0:54:07.320 --> 0:54:09.000
<v Speaker 2>So yeah, I policed the line.

0:54:08.880 --> 0:54:10.880
<v Speaker 1>So it's I mean, it's almost as there was literally

0:54:11.000 --> 0:54:12.799
<v Speaker 1>no one else who could do that job.

0:54:13.160 --> 0:54:15.680
<v Speaker 2>Who was yeah or nobody. I mean, there was nobody

0:54:15.800 --> 0:54:18.080
<v Speaker 2>doing it, and I didn't feel like there was anybody

0:54:18.080 --> 0:54:22.200
<v Speaker 2>who could really Yeah. I just didn't feel there's anybody

0:54:22.280 --> 0:54:22.840
<v Speaker 2>could really do it.

0:54:23.360 --> 0:54:27.799
<v Speaker 1>Anderson says that terrible chapter of his own life fundamentally

0:54:27.960 --> 0:54:30.359
<v Speaker 1>shaped the way he approaches his work.

0:54:31.200 --> 0:54:33.040
<v Speaker 2>It always stuck with me because I know what it's

0:54:33.080 --> 0:54:34.359
<v Speaker 2>like to be on the other end of the camera

0:54:34.440 --> 0:54:36.960
<v Speaker 2>lens in those situations, and it's really impacted the way

0:54:37.040 --> 0:54:41.560
<v Speaker 2>I interact with you know, if there's been a school

0:54:41.600 --> 0:54:45.680
<v Speaker 2>shooting and I'm talking to or approaching somebody, you know,

0:54:45.840 --> 0:54:48.960
<v Speaker 2>I'm very sensitive about I know what it's like to

0:54:49.000 --> 0:54:52.480
<v Speaker 2>feel too, you know, in the lowest moment of your life,

0:54:52.520 --> 0:54:54.759
<v Speaker 2>to have cameras in your face. I would rather not

0:54:54.960 --> 0:55:00.680
<v Speaker 2>get the shot than do something that is intrusive, inappropriate.

0:55:00.800 --> 0:55:03.600
<v Speaker 2>I don't ask people how they feel when you know,

0:55:03.800 --> 0:55:07.279
<v Speaker 2>which is always an awful question. And so it's yeah,

0:55:07.440 --> 0:55:10.920
<v Speaker 2>it's impacted the way I interact with people in those moments.

0:55:21.800 --> 0:55:24.440
<v Speaker 1>So, Anderson, on this episode, you and I have been

0:55:24.480 --> 0:55:27.200
<v Speaker 1>talking about famous people who died on the same day.

0:55:28.000 --> 0:55:30.600
<v Speaker 1>I have to tell you, whenever I bring up this

0:55:30.760 --> 0:55:35.720
<v Speaker 1>particular subject to people, and it happens occasionally, they almost

0:55:35.920 --> 0:55:40.399
<v Speaker 1>always find it interesting, I mean even fascinating, and they're

0:55:40.440 --> 0:55:43.520
<v Speaker 1>sort of tickled by it. Why is this interesting?

0:55:43.880 --> 0:55:46.520
<v Speaker 2>I mean, why does anyone read obituaries? We all have

0:55:46.600 --> 0:55:50.360
<v Speaker 2>associations with these people, and so I mean not with

0:55:50.600 --> 0:55:53.080
<v Speaker 2>some of the historical figures, but you know, we all

0:55:53.239 --> 0:55:57.600
<v Speaker 2>have our own memories of Charles Manson or who are

0:55:57.719 --> 0:55:59.920
<v Speaker 2>Della Reese? Who you know, however it may be, who

0:56:00.000 --> 0:56:02.400
<v Speaker 2>whatever it may be, and we feel connected to them.

0:56:02.400 --> 0:56:04.319
<v Speaker 2>I mean, that's the interesting thing about celebrity. You feel

0:56:04.360 --> 0:56:07.399
<v Speaker 2>you have a relationship with these people, and so there

0:56:07.520 --> 0:56:12.000
<v Speaker 2>is this sadness when somebody you you know, when Sam

0:56:12.120 --> 0:56:15.279
<v Speaker 2>the Butcher dies, you know, it brings back all those

0:56:15.320 --> 0:56:17.840
<v Speaker 2>memories of your kid, and you're watching it and Alice

0:56:17.920 --> 0:56:20.240
<v Speaker 2>and Sam and the stupid jokes and the whole family

0:56:20.320 --> 0:56:24.319
<v Speaker 2>and those experiences. You're married and right, and who you're

0:56:24.360 --> 0:56:24.960
<v Speaker 2>watching it with?

0:56:25.920 --> 0:56:26.640
<v Speaker 12>Sam, Are you.

0:56:26.760 --> 0:56:28.640
<v Speaker 14>Going to kiss me under those stars?

0:56:30.200 --> 0:56:31.239
<v Speaker 10>I'm sure i'mna try.

0:56:33.160 --> 0:56:34.759
<v Speaker 2>And this is one of the things that that fascinates

0:56:34.840 --> 0:56:39.160
<v Speaker 2>me is, you know, the rituals of mourning and the

0:56:39.280 --> 0:56:42.440
<v Speaker 2>rituals of grief. We don't have communal rituals really anymore,

0:56:42.520 --> 0:56:46.160
<v Speaker 2>and so there's a privacy to grieving now, and it's

0:56:46.200 --> 0:56:47.719
<v Speaker 2>done behind closed doors.

0:56:47.520 --> 0:56:51.800
<v Speaker 1>And so and when more than one notable person dies

0:56:51.880 --> 0:56:54.200
<v Speaker 1>on the same day, it almost makes you think about

0:56:54.239 --> 0:56:57.440
<v Speaker 1>why people are remembered and how they're remembered.

0:56:57.320 --> 0:57:00.759
<v Speaker 2>And also just how how mysterious all of this is,

0:57:01.280 --> 0:57:05.440
<v Speaker 2>you know, how life and death and you know, no

0:57:05.560 --> 0:57:08.520
<v Speaker 2>matter how high and mighty somebody is, in the end,

0:57:08.719 --> 0:57:12.000
<v Speaker 2>we are all, you know, we all become dust, and

0:57:12.520 --> 0:57:16.840
<v Speaker 2>everybody we know will die, and we will die. We

0:57:16.960 --> 0:57:18.840
<v Speaker 2>all think we're the first ones to like face the

0:57:18.920 --> 0:57:21.360
<v Speaker 2>troubles that we face and to you know, have the

0:57:21.720 --> 0:57:23.960
<v Speaker 2>issues that we have, But there have been generations of

0:57:24.000 --> 0:57:27.360
<v Speaker 2>people before us who have had the exact same problems

0:57:27.440 --> 0:57:29.880
<v Speaker 2>and the exact same worries and sleepless nights and all

0:57:29.960 --> 0:57:32.840
<v Speaker 2>that and I take great comfort in that and to

0:57:32.960 --> 0:57:37.320
<v Speaker 2>know that no problem I face hasn't already been faced

0:57:37.400 --> 0:57:40.520
<v Speaker 2>by generations of people before me, And whatever sadness I

0:57:40.680 --> 0:57:43.840
<v Speaker 2>feel has been felt by generations of people who have

0:57:43.920 --> 0:57:47.760
<v Speaker 2>experienced far worse than I will ever experience and survived it.

0:57:52.360 --> 0:57:54.080
<v Speaker 1>By the way, did you ever meet Michael Jackson or

0:57:54.160 --> 0:57:54.800
<v Speaker 1>Faara Faucet?

0:57:55.280 --> 0:57:59.840
<v Speaker 2>Yeah, I did meet Michael Jackson. I went to the

0:58:00.160 --> 0:58:03.160
<v Speaker 2>premiere of The Whiz with my mom and my brother.

0:58:03.880 --> 0:58:08.880
<v Speaker 2>And remember if I met him at the theater or

0:58:09.320 --> 0:58:12.480
<v Speaker 2>if it was afterwards at Studio fifty four, where my

0:58:12.560 --> 0:58:16.520
<v Speaker 2>mom took me at age eleven, But it was very

0:58:16.600 --> 0:58:18.720
<v Speaker 2>distinct to me because I didn't really know who Michael

0:58:18.760 --> 0:58:21.280
<v Speaker 2>Jackson was other than the guy in The Wiz. I

0:58:21.480 --> 0:58:24.800
<v Speaker 2>wasn't really much of a music listener as a kid,

0:58:25.480 --> 0:58:28.040
<v Speaker 2>but I remember being a Studio fifty four and watching

0:58:28.120 --> 0:58:30.920
<v Speaker 2>him dance, and I turned to the person next to me.

0:58:31.000 --> 0:58:32.800
<v Speaker 2>I mean, I said, he's really good at that. He

0:58:32.840 --> 0:58:33.560
<v Speaker 2>should pursue it.

0:58:34.880 --> 0:58:35.840
<v Speaker 1>You know how to pick him.

0:58:36.200 --> 0:58:38.840
<v Speaker 2>I like to take some credit for you know, he

0:58:39.240 --> 0:58:40.080
<v Speaker 2>chose to pursue it.

0:58:40.360 --> 0:58:43.360
<v Speaker 1>He needed that extra encourage that A.

0:58:43.320 --> 0:58:44.920
<v Speaker 2>Little question from eleven year old me.

0:58:49.080 --> 0:58:52.640
<v Speaker 1>I truly hope you enjoyed this Mobituary. May I ask

0:58:52.720 --> 0:58:55.640
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0:58:55.680 --> 0:58:59.640
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0:58:59.680 --> 0:59:03.280
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0:59:03.600 --> 0:59:08.280
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0:59:08.360 --> 0:59:12.479
<v Speaker 1>wherever you get your podcasts, and check out Mobituaries Great

0:59:12.600 --> 0:59:16.120
<v Speaker 1>Lives Worth Reliving, the New York Times best selling book,

0:59:16.400 --> 0:59:21.640
<v Speaker 1>available in paperback and audiobook. This episode of Mobituaries was

0:59:21.720 --> 0:59:25.800
<v Speaker 1>produced by Aaron Schrank. Our team of producers also includes

0:59:26.120 --> 0:59:30.800
<v Speaker 1>Hazel Brian and me Bo Raka, with engineering by Josh Hahn.

0:59:31.120 --> 0:59:34.560
<v Speaker 1>Our theme music is written by Daniel Hart. Our archival

0:59:34.600 --> 0:59:40.120
<v Speaker 1>producer is Jamie Benson. Mobituary's production company is meon Hum Media.

0:59:40.840 --> 0:59:45.280
<v Speaker 1>Indispensable support from Alan Pang and everyone at CBS News

0:59:45.400 --> 0:59:51.360
<v Speaker 1>Radio Special thanks to Steve Razis, Rand Morrison and Alberto Robina.

0:59:51.960 --> 0:59:57.800
<v Speaker 1>Executive producers for Mobituaries include Megan Marcus, Jonathan Hirsch, and Morocca.

0:59:58.240 --> 1:00:00.760
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1:00:13.920 --> 1:00:13.960
<v Speaker 12>H