1 00:00:00,200 --> 00:00:03,320 Speaker 1: Hello the Internet, and welcome to season two eighty three, 2 00:00:03,360 --> 00:00:08,280 Speaker 1: Episode two of Turn Daily. Guys. It feels good to 3 00:00:08,320 --> 00:00:12,559 Speaker 1: talk again. I hadn't spoken since I was left your 4 00:00:12,600 --> 00:00:17,279 Speaker 1: valid silence. Yeah, this is well. The chords are a 5 00:00:17,320 --> 00:00:20,800 Speaker 1: little creaky here, but this is still a production of iHeartRadio. 6 00:00:21,040 --> 00:00:23,760 Speaker 1: This is still a podcast where we take a deep 7 00:00:23,840 --> 00:00:28,520 Speaker 1: dive into America's shared consciousness. And it is Tuesday, April eleventh, 8 00:00:28,640 --> 00:00:31,880 Speaker 1: twenty twenty three. I can't be read. That's yeah, that's 9 00:00:31,920 --> 00:00:36,480 Speaker 1: too far into the future. National Submarine Day, National eight 10 00:00:36,479 --> 00:00:39,440 Speaker 1: track Day, National Cheese Fawn Due Day for my people 11 00:00:39,520 --> 00:00:43,200 Speaker 1: stuck in nineteen eighty two, Get your fondue fountains ready. 12 00:00:43,479 --> 00:00:45,479 Speaker 1: I've had fun duke. You have you ever had fon 13 00:00:45,560 --> 00:00:51,120 Speaker 1: du I've had fund that it has been years. I 14 00:00:51,159 --> 00:00:54,520 Speaker 1: feel like I had it in nineteen eighty nine, like 15 00:00:54,560 --> 00:00:57,440 Speaker 1: when I was five years old, and I've never had 16 00:00:57,440 --> 00:00:59,600 Speaker 1: it since. Yeah. I mean, I think a lot of 17 00:00:59,600 --> 00:01:02,240 Speaker 1: people with their fund set the way and they just 18 00:01:02,320 --> 00:01:05,360 Speaker 1: haven't haven't been back out. Hey. The cheese always seemed 19 00:01:05,440 --> 00:01:08,800 Speaker 1: very like light and I don't know, I don't know 20 00:01:08,880 --> 00:01:10,959 Speaker 1: what that cheese was. I think it should if it 21 00:01:11,000 --> 00:01:14,080 Speaker 1: had been caso. I think I would have been. That's 22 00:01:14,080 --> 00:01:17,000 Speaker 1: our American fondue basically, Ko, you know what I mean, 23 00:01:17,120 --> 00:01:20,520 Speaker 1: without fund, without the like stainless steel skeewers and stuff 24 00:01:20,520 --> 00:01:24,280 Speaker 1: to just dip pieces of branding. Right well, my name 25 00:01:24,640 --> 00:01:30,080 Speaker 1: is Jack O'Brien ak swollen thighs, swollen, sweet little thighs. 26 00:01:30,120 --> 00:01:32,600 Speaker 1: That's just popped into my head right before we started recording, 27 00:01:33,000 --> 00:01:35,200 Speaker 1: and I'm thrilled to be joined as always by my 28 00:01:35,280 --> 00:01:39,640 Speaker 1: co host, mister Miles Gray. You know, let's just let's 29 00:01:39,680 --> 00:01:43,080 Speaker 1: put the emphasis on Jack's return. I am he merely 30 00:01:43,400 --> 00:01:46,480 Speaker 1: just I'm still the eight one eights Lord of lank Orsham. 31 00:01:46,600 --> 00:01:49,720 Speaker 1: I am here with the geist child in the other room. 32 00:01:49,840 --> 00:01:52,200 Speaker 1: Her Majesty has gone back to work, and you are 33 00:01:52,240 --> 00:01:55,560 Speaker 1: going to begin to see or here Miles do the 34 00:01:55,600 --> 00:01:58,360 Speaker 1: balancing act of newborn child in the other room while 35 00:01:58,400 --> 00:02:01,400 Speaker 1: recording podcasts. Rocking the baby him one arm right now, 36 00:02:01,640 --> 00:02:03,880 Speaker 1: shout out my mom, who who's came to hold him 37 00:02:03,920 --> 00:02:05,960 Speaker 1: in and give him some food right now. But in 38 00:02:06,120 --> 00:02:09,240 Speaker 1: upcoming episodes you may hear him in the fucking studio 39 00:02:09,240 --> 00:02:14,480 Speaker 1: opened me, so prepare thyselves for that for his podcast debut. Yeah, 40 00:02:14,560 --> 00:02:18,679 Speaker 1: shout out to the child. He has risen. He has risen. Yes, 41 00:02:18,720 --> 00:02:21,400 Speaker 1: we're thrilled to be joined by a very funny creator, writer, 42 00:02:21,560 --> 00:02:25,919 Speaker 1: performer who you've probably seen on TikTok. I was letting 43 00:02:25,960 --> 00:02:29,240 Speaker 1: them know before we started recording that when I wrote 44 00:02:29,320 --> 00:02:34,560 Speaker 1: TikTok into my notes app, it auto corrected to pick Tom. 45 00:02:34,600 --> 00:02:39,000 Speaker 1: That's how frequently I am referencing and talking about TikTok. 46 00:02:39,840 --> 00:02:44,000 Speaker 1: He's gone viral, talking about everything from performed mediocrity to 47 00:02:44,160 --> 00:02:53,160 Speaker 1: the ratatusical. It's Woodland, Pierra Bell you, thank you, thank 48 00:02:53,160 --> 00:02:54,480 Speaker 1: you for having to have you. Great to have you, 49 00:02:54,520 --> 00:02:56,600 Speaker 1: great to have you? Yeah, where are you coming to 50 00:02:56,680 --> 00:03:00,960 Speaker 1: us from today? Um? We don't have to talk about this. Yeah, 51 00:03:00,840 --> 00:03:04,079 Speaker 1: you know. I I'm I'm the Lightland Oregon. Okay, okay, 52 00:03:04,200 --> 00:03:06,160 Speaker 1: shout out to the PDX. I don't know how they 53 00:03:06,240 --> 00:03:08,560 Speaker 1: landed on that on that acronym, but it's my first 54 00:03:08,600 --> 00:03:12,520 Speaker 1: time here. I'm I'm coming from New York to Portland 55 00:03:12,600 --> 00:03:14,920 Speaker 1: for like two months working on some puking of some 56 00:03:14,960 --> 00:03:22,320 Speaker 1: cool stuff. Okay, cool cool Yeax. Their airport, well why 57 00:03:22,440 --> 00:03:25,080 Speaker 1: are they so? Do they know that other cities have 58 00:03:25,160 --> 00:03:29,480 Speaker 1: airports because they're very proud of like just focused on 59 00:03:29,520 --> 00:03:33,799 Speaker 1: their airport they Yeah, they call it the PDX. They had, 60 00:03:33,840 --> 00:03:37,000 Speaker 1: like the Blazers had a uniform that was inspired by 61 00:03:37,000 --> 00:03:43,680 Speaker 1: the carpet in the PDX airport. It's like such a 62 00:03:43,840 --> 00:03:47,800 Speaker 1: big part of the culture, which I don't know. I 63 00:03:47,800 --> 00:03:50,720 Speaker 1: think I've been to the airport and it just it 64 00:03:50,800 --> 00:03:55,160 Speaker 1: feels like an inadvertent time capsule, a little bit like 65 00:03:55,360 --> 00:03:58,000 Speaker 1: when you when you when you land you know, when 66 00:03:58,000 --> 00:03:59,960 Speaker 1: I landed on the the they got off the plane 67 00:04:00,080 --> 00:04:03,560 Speaker 1: and everyone who I guess was a local when they 68 00:04:03,600 --> 00:04:06,280 Speaker 1: were dismounting and they got into the airport, they touched 69 00:04:06,320 --> 00:04:10,320 Speaker 1: the ground one time, they like Keyboater and did the 70 00:04:10,360 --> 00:04:12,280 Speaker 1: sign of the cross. I just wanted to fit in, 71 00:04:12,320 --> 00:04:16,560 Speaker 1: so I did it too. Yeah. Did you cross yourself too? Yeah? Yeah, Yeah. 72 00:04:16,600 --> 00:04:19,920 Speaker 1: It was really powerful. It was really powerful. Point up. Yeah, 73 00:04:19,920 --> 00:04:22,080 Speaker 1: I take a little bit of green carpet, cross yourself 74 00:04:22,320 --> 00:04:24,360 Speaker 1: and then give it up to it. Must be pretty 75 00:04:24,360 --> 00:04:26,120 Speaker 1: proud of the airport, Yeah, because I think the airport 76 00:04:26,200 --> 00:04:32,000 Speaker 1: is PDX. But the PDX, like acronym whatever, has transcended 77 00:04:32,040 --> 00:04:34,640 Speaker 1: into so many other things. It's like on trash cans 78 00:04:34,680 --> 00:04:38,679 Speaker 1: and like graffitied everywhere. They're so excited about the airport, 79 00:04:39,200 --> 00:04:41,520 Speaker 1: right it was good. It was good. It's the same 80 00:04:41,560 --> 00:04:43,760 Speaker 1: thing I think like that I was reading. I was right, now, 81 00:04:43,760 --> 00:04:45,599 Speaker 1: I'm like, where's the X come from. It's the same 82 00:04:45,640 --> 00:04:49,120 Speaker 1: reason why we have lax lax Yeah, yeah, where it's 83 00:04:49,120 --> 00:04:51,560 Speaker 1: just it's like a placehold. But it's apparently like a 84 00:04:51,600 --> 00:04:55,159 Speaker 1: placeholder because P and D like first and last letter 85 00:04:55,200 --> 00:04:58,200 Speaker 1: of it, and then is then they put X. They 86 00:04:58,200 --> 00:05:00,560 Speaker 1: said this person said in the Night Seen forties, the 87 00:05:00,640 --> 00:05:03,159 Speaker 1: i TA started assigning three letter codes after an increase 88 00:05:03,160 --> 00:05:05,320 Speaker 1: in airports led to a shortage of two letter codes. 89 00:05:07,000 --> 00:05:09,160 Speaker 1: Taking the National Weather Service symbol for a p D. 90 00:05:09,560 --> 00:05:12,560 Speaker 1: They added to X several other episodes, air I said 91 00:05:12,560 --> 00:05:15,600 Speaker 1: episode it's like I'm Australian or something. Several other airports 92 00:05:16,000 --> 00:05:18,600 Speaker 1: also added X too, like Phoenix went to pH X 93 00:05:18,839 --> 00:05:20,560 Speaker 1: not because of the X at the end of Phoenix 94 00:05:20,600 --> 00:05:24,839 Speaker 1: and then don't use that example. Yeah, all right, reading 95 00:05:27,720 --> 00:05:29,600 Speaker 1: that's funny because I was like, no, I mean it 96 00:05:29,640 --> 00:05:34,040 Speaker 1: stands for international, because international of course has an X. 97 00:05:34,279 --> 00:05:37,000 Speaker 1: And wait what what where where did my mind that 98 00:05:37,360 --> 00:05:41,599 Speaker 1: you're criss crossing It's like you're criss crossing X. Yeah, well, 99 00:05:41,600 --> 00:05:45,960 Speaker 1: something like it's international like exoticism. There's something exotic about 100 00:05:46,040 --> 00:05:48,280 Speaker 1: that he has a letter and yeah, yeah, you know 101 00:05:48,320 --> 00:05:52,039 Speaker 1: it's like very yeah, very like like like nineteen ninety 102 00:05:52,120 --> 00:05:59,000 Speaker 1: nine marketing. It's like pd X. I also just love 103 00:05:59,080 --> 00:06:01,720 Speaker 1: how yeah. Like Rebecca's all in the check because used 104 00:06:01,720 --> 00:06:03,600 Speaker 1: to live in Portland. She's like, it's so fun and 105 00:06:03,600 --> 00:06:06,000 Speaker 1: it's every time I go. I always stopped by the 106 00:06:06,040 --> 00:06:09,240 Speaker 1: Pendleton like Kiosk, and I'm like, do I buy the 107 00:06:09,240 --> 00:06:12,919 Speaker 1: Big Lebowski dude sweater? This time? I'm in the Portland Airport. 108 00:06:13,000 --> 00:06:15,000 Speaker 1: I always do this thing where I'm like, I'm like 109 00:06:15,120 --> 00:06:16,599 Speaker 1: I look at it on the rack and I'm like, 110 00:06:16,800 --> 00:06:20,440 Speaker 1: I might do that. Nope, Okay, I was definitely underselling 111 00:06:20,480 --> 00:06:23,480 Speaker 1: the Portland Airport. There is a movie theater in the airport. 112 00:06:23,680 --> 00:06:26,640 Speaker 1: I love that. I did see that, Yeah, and they 113 00:06:26,640 --> 00:06:29,320 Speaker 1: were I watched The Big Lebowski. It was my first time, 114 00:06:30,839 --> 00:06:34,200 Speaker 1: and they're like, please exit through the gift shop where 115 00:06:34,240 --> 00:06:35,960 Speaker 1: you can buy the sweater you just saw. You're like, 116 00:06:36,000 --> 00:06:41,640 Speaker 1: how American? All right, Whitland? Were you gonna get to 117 00:06:41,680 --> 00:06:43,040 Speaker 1: know you a little bit better in a moment. First, 118 00:06:43,080 --> 00:06:45,640 Speaker 1: we're gonna tell our listeners a couple of the fun 119 00:06:45,720 --> 00:06:49,320 Speaker 1: things we're talking about today. I just have a follow 120 00:06:49,400 --> 00:06:52,880 Speaker 1: up on the Clarence Thomas story, the pro Publica story. 121 00:06:53,080 --> 00:06:55,400 Speaker 1: But I know you guys talked about last week, but 122 00:06:55,440 --> 00:06:58,720 Speaker 1: the Wall Street Journal came to weigh in on things. 123 00:06:59,120 --> 00:07:03,560 Speaker 1: They basically nothing to see here the whole thing in 124 00:07:03,600 --> 00:07:05,760 Speaker 1: a way that I thought was kind of funny. There's 125 00:07:05,760 --> 00:07:10,640 Speaker 1: also emerging details about is his name Harlan Crow? Yeah, 126 00:07:10,720 --> 00:07:16,239 Speaker 1: it is like coscripted better fucking rules. That is chef's kiss, 127 00:07:16,320 --> 00:07:19,840 Speaker 1: best fictional name for that guy, just written in my reality. 128 00:07:20,000 --> 00:07:22,080 Speaker 1: Well done. We're also going to talk about the No 129 00:07:22,280 --> 00:07:26,800 Speaker 1: Labels Party because you know they're going for it. Yeah, 130 00:07:26,880 --> 00:07:30,760 Speaker 1: they're we're tired here on the Daily Zye guist of 131 00:07:31,000 --> 00:07:35,280 Speaker 1: the extreme right and also the extreme like Joe Biden. 132 00:07:35,640 --> 00:07:39,880 Speaker 1: Joe Biden is their definition of the extreme left. Yeah, yeah, yeah, 133 00:07:40,120 --> 00:07:43,760 Speaker 1: So we'll talk about what what their whole thing is 134 00:07:43,760 --> 00:07:46,240 Speaker 1: because you're gonna be hearing more and more about the thing. 135 00:07:46,320 --> 00:07:49,920 Speaker 1: So the No Labels Party, Yeah, it's not a front 136 00:07:49,960 --> 00:07:53,760 Speaker 1: for corporate greed at all, just like labels, and we're 137 00:07:53,840 --> 00:07:57,680 Speaker 1: using that to It's like the fun Boys, like I 138 00:07:57,720 --> 00:08:00,320 Speaker 1: don't like to put a label on anything, but to 139 00:08:00,360 --> 00:08:03,520 Speaker 1: try and like use trying to use that to get 140 00:08:03,520 --> 00:08:07,560 Speaker 1: away with some shit. We don't put labels on anything 141 00:08:08,000 --> 00:08:11,120 Speaker 1: like you sound like ethno nationalists. We don't like labels. 142 00:08:11,200 --> 00:08:14,280 Speaker 1: We don't like labels. Actually, we're a group of concerned Americans. 143 00:08:14,400 --> 00:08:17,480 Speaker 1: I think is a motion so funny that they went 144 00:08:17,560 --> 00:08:20,960 Speaker 1: with no labels. Anyways, all that plenty more, But first withland, 145 00:08:21,040 --> 00:08:24,239 Speaker 1: we like to ask our guest, what is something from 146 00:08:24,400 --> 00:08:29,520 Speaker 1: your search history? So literally the first thing that that 147 00:08:29,680 --> 00:08:32,880 Speaker 1: comes up, and I might be telling on myself and 148 00:08:32,920 --> 00:08:35,240 Speaker 1: like in a bunch of different ways of lyrics too 149 00:08:35,679 --> 00:08:38,560 Speaker 1: never too much by the band ros Oh yeah, never 150 00:08:38,600 --> 00:08:47,079 Speaker 1: too much, never too much much. Yeah, it's gonna be 151 00:08:47,080 --> 00:08:49,880 Speaker 1: a twenty minute roun. Yeah. Well, the dude, there's some 152 00:08:49,920 --> 00:08:53,640 Speaker 1: slap basic rank rank on the fucking for all my 153 00:08:53,720 --> 00:08:58,760 Speaker 1: music lovers out there. It's nasty, it's nasty. Yeah, but yeah, 154 00:08:59,000 --> 00:09:00,640 Speaker 1: yeah what what what the what did you get hung 155 00:09:00,720 --> 00:09:03,760 Speaker 1: up on some of the lyrics? No? You know, first off, yeah, 156 00:09:03,760 --> 00:09:07,120 Speaker 1: there are so many lyrics because he's right, he lived 157 00:09:07,240 --> 00:09:10,840 Speaker 1: feeling like the deepest story in three verses, you know 158 00:09:10,840 --> 00:09:13,240 Speaker 1: what I mean, from the beginning to end of this romance. 159 00:09:13,280 --> 00:09:16,040 Speaker 1: You know, I still remember all those days when I 160 00:09:16,120 --> 00:09:19,319 Speaker 1: was scared to touch you. Like, whoa, where we where 161 00:09:19,320 --> 00:09:23,360 Speaker 1: are we doing? Yeah? But uh this I'm in Portland 162 00:09:23,400 --> 00:09:25,920 Speaker 1: doing a production of choir Boy, which is a played 163 00:09:25,920 --> 00:09:29,440 Speaker 1: by Terrell McCraney, who's like the resident play red Eye 164 00:09:29,520 --> 00:09:33,760 Speaker 1: Yale University, University of Yale. I'm I'm but a low 165 00:09:33,800 --> 00:09:36,920 Speaker 1: life creature who knows not the formal name of the Yale. 166 00:09:37,160 --> 00:09:39,480 Speaker 1: I just know it as Yale Yale. That's how you 167 00:09:39,480 --> 00:09:41,560 Speaker 1: know your university's like really made. It is when it 168 00:09:41,559 --> 00:09:45,160 Speaker 1: doesn't need a last name anymore. Yeah, Yale, like like Rihanna, 169 00:09:45,320 --> 00:09:50,480 Speaker 1: like Prince, Like yeah, it was fenty because of the products. 170 00:09:50,520 --> 00:09:52,400 Speaker 1: I was like, oh, that's your last name, okay, yeah, 171 00:09:52,440 --> 00:09:55,079 Speaker 1: oh yeah, oh yeah, I'm finding that I know. I 172 00:09:55,120 --> 00:09:57,440 Speaker 1: was like, oh yeah, Ron, that makes sense there it is. 173 00:09:58,960 --> 00:10:01,720 Speaker 1: But yeah, and you know he won the Oscar for 174 00:10:01,920 --> 00:10:04,880 Speaker 1: Moonlight and so on. But he he is a brilliant 175 00:10:04,880 --> 00:10:08,120 Speaker 1: play quote Choirboy that I saw twenty eighteen in New 176 00:10:08,160 --> 00:10:10,760 Speaker 1: York and I've been able to do a couple of 177 00:10:10,800 --> 00:10:13,280 Speaker 1: productions in the last year, so I'm importantly doing it now. 178 00:10:14,040 --> 00:10:17,040 Speaker 1: And it's about music musically is at the center of 179 00:10:17,040 --> 00:10:19,440 Speaker 1: the show. It's like it's a quote unquote play with 180 00:10:19,559 --> 00:10:25,080 Speaker 1: music not a musical allegedly. Wait what is the difference there? 181 00:10:25,120 --> 00:10:27,000 Speaker 1: I'm because I'm not. I don't know the nuances of 182 00:10:27,280 --> 00:10:31,559 Speaker 1: something like, Oh, musicals have like they're structure in a 183 00:10:31,600 --> 00:10:33,880 Speaker 1: really particular way. There's something called the Rogers and Hammers. 184 00:10:33,880 --> 00:10:36,840 Speaker 1: Then structure that like comes from the nineteen forties and 185 00:10:36,880 --> 00:10:41,400 Speaker 1: fifties and dramatatically when you're thinking about the structure of 186 00:10:41,400 --> 00:10:44,360 Speaker 1: how these things are built, if you check a certain 187 00:10:44,440 --> 00:10:47,720 Speaker 1: number of these boxes, then they'll be like, you're a musical. 188 00:10:48,040 --> 00:10:50,160 Speaker 1: I guess. Also, whoever wrote it gets to the side. 189 00:10:50,480 --> 00:10:54,000 Speaker 1: But the main tell is do you use song to 190 00:10:54,240 --> 00:10:58,080 Speaker 1: compel blot or this song just happened because it's cool 191 00:10:58,120 --> 00:11:00,880 Speaker 1: and we like song right right right? Like I think 192 00:11:00,880 --> 00:11:04,480 Speaker 1: of that Norm McDonald s and l sketch where he's 193 00:11:04,520 --> 00:11:07,679 Speaker 1: just the one person in the musical who doesn't know 194 00:11:07,760 --> 00:11:09,760 Speaker 1: he's in a musical and everybody like breaks in a 195 00:11:09,840 --> 00:11:13,440 Speaker 1: song and he's like, what the hell is the hell 196 00:11:13,520 --> 00:11:17,120 Speaker 1: was that? Like that that doesn't have like the music 197 00:11:17,920 --> 00:11:21,920 Speaker 1: when when people are singing, it's not it's the way 198 00:11:21,960 --> 00:11:25,160 Speaker 1: people would sing in everyday life. It's not like they're 199 00:11:25,280 --> 00:11:29,520 Speaker 1: just forwarding the plot. Oh yeah, like yeah, like they're 200 00:11:29,559 --> 00:11:32,200 Speaker 1: like diagetic and non diagetic sounders. Yeah, and he's good 201 00:11:32,240 --> 00:11:35,120 Speaker 1: where people are like our conscious that they're singing, because 202 00:11:35,160 --> 00:11:38,680 Speaker 1: every musical now is like bringing you all of Tina 203 00:11:38,800 --> 00:11:43,240 Speaker 1: Turners hit, you know, right in the in the in 204 00:11:43,280 --> 00:11:46,959 Speaker 1: the studio. But yeah, like plays with music. Usually it's 205 00:11:47,000 --> 00:11:50,440 Speaker 1: people who are like sit around the campfire and huh 206 00:11:50,880 --> 00:11:54,400 Speaker 1: thing our old favorite song that Dad used to sing, 207 00:11:54,640 --> 00:11:58,040 Speaker 1: something like that, I'm a shining so my guiding like 208 00:11:58,200 --> 00:12:02,560 Speaker 1: my love fantasy. I never you know, you know him. 209 00:12:02,280 --> 00:12:04,959 Speaker 1: I had to look up because I never knew. I 210 00:12:05,360 --> 00:12:08,880 Speaker 1: always misheard love Fantasy. I was like your love and Tissy, 211 00:12:09,240 --> 00:12:12,320 Speaker 1: I like, I couldn't the way he puts some you know, 212 00:12:12,520 --> 00:12:15,040 Speaker 1: his own little funk on it. I was always miss 213 00:12:15,080 --> 00:12:18,040 Speaker 1: hearing love Fantasy. I was like, am I love I again? 214 00:12:18,080 --> 00:12:19,920 Speaker 1: I was hearing it through a child's ears until later 215 00:12:19,960 --> 00:12:22,360 Speaker 1: on I was like miss like singing it, and I 216 00:12:22,400 --> 00:12:24,760 Speaker 1: was like, let me know what I'm saying. I'm loud 217 00:12:24,800 --> 00:12:30,160 Speaker 1: here loving that Tissy. Yeah, my love I know That's 218 00:12:30,160 --> 00:12:34,400 Speaker 1: what I was like. I don't know, Luther, I'm nine 219 00:12:35,040 --> 00:12:37,920 Speaker 1: my love fantasy. It also made me think. It also 220 00:12:37,960 --> 00:12:41,080 Speaker 1: made me think, like in the way that this production 221 00:12:41,120 --> 00:12:44,440 Speaker 1: anticipates that the Aunties will show up and like sing 222 00:12:44,440 --> 00:12:47,080 Speaker 1: along and bran where I'm like, the whole bit is 223 00:12:47,080 --> 00:12:48,840 Speaker 1: that I don't know the words in the context of 224 00:12:48,880 --> 00:12:52,080 Speaker 1: the show, right in the way that they were like 225 00:12:52,120 --> 00:12:54,280 Speaker 1: hoping these Aunties will show up and be like love 226 00:12:54,360 --> 00:12:58,440 Speaker 1: fantasy right right right now. I'm like when I someday 227 00:12:58,480 --> 00:13:00,839 Speaker 1: I'll go to a play and I'll be like a 228 00:13:01,480 --> 00:13:05,600 Speaker 1: tornado pool around my room. You know what is gonna be. 229 00:13:06,120 --> 00:13:14,760 Speaker 1: I've been thinking about you you no, no, no, thou yeah? 230 00:13:14,880 --> 00:13:19,720 Speaker 1: Or do you not think so so hard? Yea? Thinking 231 00:13:19,760 --> 00:13:25,959 Speaker 1: about forever? That song in an arenas Frank I should 232 00:13:26,000 --> 00:13:28,360 Speaker 1: just puts the mic out for the part where he 233 00:13:28,400 --> 00:13:38,800 Speaker 1: goes up like like, oh man, I love it. So 234 00:13:38,880 --> 00:13:41,680 Speaker 1: you're performing. So there's a play you loved when you 235 00:13:41,679 --> 00:13:45,320 Speaker 1: saw it and then now you're performing in it. Yeah. Yeah, 236 00:13:45,400 --> 00:13:48,440 Speaker 1: It's like a really dopeful circle moment. I did it 237 00:13:48,520 --> 00:13:51,880 Speaker 1: in New Haven and and uh, you know, Terrell m. Crani, 238 00:13:52,000 --> 00:13:55,560 Speaker 1: the playwright, got to participate and was really present in 239 00:13:55,559 --> 00:13:57,520 Speaker 1: the room like wrote new scenes and stuff. It was 240 00:13:57,559 --> 00:14:01,520 Speaker 1: like a wow, really was like whoa, this is a 241 00:14:01,520 --> 00:14:04,120 Speaker 1: lot of loops are closing right now. So it was brilliant. 242 00:14:04,120 --> 00:14:07,880 Speaker 1: It was Yeah, that's cool. What is What's something you 243 00:14:07,880 --> 00:14:13,439 Speaker 1: think is overrated? Non chain restaurants? I think I think 244 00:14:13,440 --> 00:14:17,600 Speaker 1: it's getting out of hand. PDX. You hear that, PDX 245 00:14:17,840 --> 00:14:20,280 Speaker 1: because they don't have that. We don't care for your stuff. 246 00:14:21,160 --> 00:14:27,440 Speaker 1: Sparrow spelled a different ways rabos. But I you know, 247 00:14:27,520 --> 00:14:31,600 Speaker 1: I just especially in the context so and especially in 248 00:14:31,600 --> 00:14:33,720 Speaker 1: the context of like you know, dating and like trying 249 00:14:33,720 --> 00:14:35,640 Speaker 1: to get and this is gonna sound so awful, but 250 00:14:35,720 --> 00:14:38,640 Speaker 1: I I want I'll start here. I want. On a 251 00:14:38,720 --> 00:14:41,280 Speaker 1: road trip with my dad a couple of months ago, 252 00:14:41,840 --> 00:14:45,040 Speaker 1: and he like it doesn't eat a lot of red meat. 253 00:14:45,080 --> 00:14:46,280 Speaker 1: You know, he's at that age where he's like, I 254 00:14:46,280 --> 00:14:47,760 Speaker 1: can't eat this. I can't eat that, I can't eat this. 255 00:14:47,840 --> 00:14:50,000 Speaker 1: I'm like, okay, great, but it's just it was his 256 00:14:50,120 --> 00:14:53,560 Speaker 1: birthday right, and I'm like orchestrated this whole thing. And 257 00:14:53,560 --> 00:14:56,120 Speaker 1: he's like, I want to steak really bad, Okay, Like 258 00:14:56,160 --> 00:14:58,160 Speaker 1: I just wanted good at steak. I'm like, fuck, yeah, 259 00:14:58,280 --> 00:15:02,080 Speaker 1: let's get that ship. Yeah run yeah. So I'm I'm googling. 260 00:15:02,160 --> 00:15:05,000 Speaker 1: We're in Chicago at the time. I'm googling. I'm like 261 00:15:05,000 --> 00:15:08,120 Speaker 1: where's the best steak? Let me get it? Huh. We 262 00:15:08,240 --> 00:15:09,880 Speaker 1: show up to this spot and when I tell you, 263 00:15:09,960 --> 00:15:15,000 Speaker 1: they burned the steak and the vegetables were like shopped 264 00:15:15,040 --> 00:15:18,240 Speaker 1: so pretentiously and like you know what I mean, like 265 00:15:18,360 --> 00:15:20,680 Speaker 1: flame mignon, you know, and it's a non chain, so 266 00:15:20,800 --> 00:15:23,480 Speaker 1: it's tasks, like you know what I mean, right right, 267 00:15:24,040 --> 00:15:28,240 Speaker 1: So I'm like, damn, I'm upset. I'm like, you want 268 00:15:28,240 --> 00:15:30,160 Speaker 1: me to pay for this and I just like try 269 00:15:30,280 --> 00:15:32,800 Speaker 1: to be yelled for views that he probably paid someone 270 00:15:32,840 --> 00:15:34,960 Speaker 1: to do, you know who never would have done this 271 00:15:35,040 --> 00:15:36,880 Speaker 1: to me, you know who never would have let me down. 272 00:15:37,240 --> 00:15:41,440 Speaker 1: The Red Lobster out back, Yeah, red lobster. You know. Yeah, 273 00:15:41,880 --> 00:15:45,200 Speaker 1: everything's on a fucking timer. Like it's so like they've 274 00:15:45,200 --> 00:15:48,360 Speaker 1: completely taken out the humanity from cooking, like in those 275 00:15:48,360 --> 00:15:51,880 Speaker 1: places that it's full proof where it's like yep, store 276 00:15:51,920 --> 00:15:53,400 Speaker 1: it at this temp so you can only you know, 277 00:15:53,480 --> 00:15:55,080 Speaker 1: put it at this side, this side, and then you 278 00:15:55,120 --> 00:15:58,040 Speaker 1: get consistency. But I know, yeah, and I know that feeling. 279 00:15:58,320 --> 00:16:00,800 Speaker 1: There are all these circumstances where it's like I actually 280 00:16:00,880 --> 00:16:04,920 Speaker 1: need things to go to plan, like very specifically that 281 00:16:04,960 --> 00:16:07,960 Speaker 1: I'm like, I look, I just met this person. I 282 00:16:08,000 --> 00:16:12,240 Speaker 1: really can't fumble with the restaurant being awful, right, but 283 00:16:12,360 --> 00:16:15,040 Speaker 1: I also can't take you to an Applebee's. And that's 284 00:16:15,120 --> 00:16:18,840 Speaker 1: that's it's kidding. It's just so. I'm on Change. I'm 285 00:16:18,840 --> 00:16:22,160 Speaker 1: on Google reviews yeah, all the time, and I'm so 286 00:16:22,200 --> 00:16:25,160 Speaker 1: sick of them. Wow. Yeah, Well, especially to people who 287 00:16:25,160 --> 00:16:27,680 Speaker 1: don't use pictures, I'm like to put a picture up. Yeah, 288 00:16:27,760 --> 00:16:30,280 Speaker 1: you gotta see what you're dealing with. I think also 289 00:16:30,320 --> 00:16:32,960 Speaker 1: to you know, great restaurant. I was Importland last time. 290 00:16:33,000 --> 00:16:35,040 Speaker 1: Was there. I don't know if you've been there. It's 291 00:16:35,040 --> 00:16:37,520 Speaker 1: like this Thaie restaurant where they also have like barbecue. 292 00:16:37,560 --> 00:16:39,480 Speaker 1: It's like a few they have like a white brisket 293 00:16:39,560 --> 00:16:44,200 Speaker 1: curry that was like it's unbelievable. Okay, I'll just say that. 294 00:16:44,240 --> 00:16:46,560 Speaker 1: I just I got that tip from some Portlanders when 295 00:16:46,600 --> 00:16:50,560 Speaker 1: I was out there. It's can I how many locations 296 00:16:50,560 --> 00:16:53,840 Speaker 1: do they have? They got one? No, I'm good, Oh 297 00:16:53,840 --> 00:17:00,960 Speaker 1: we're out. It was so good. There'd be so good. 298 00:17:01,000 --> 00:17:03,880 Speaker 1: They should have seven locations. McDonald Is it as good 299 00:17:03,880 --> 00:17:11,720 Speaker 1: as McDonald's. Yeah? Yeah. Becca Becca's on board. Yeah, Becca 300 00:17:11,880 --> 00:17:14,480 Speaker 1: h I spend time here and like me and I 301 00:17:14,800 --> 00:17:17,639 Speaker 1: will wait on the list. I actually am like I 302 00:17:17,680 --> 00:17:20,520 Speaker 1: haven't gotten to leave the couple of blocks radio so 303 00:17:21,200 --> 00:17:24,200 Speaker 1: where I'm staying, and it is interesting, like Portland is 304 00:17:24,200 --> 00:17:27,200 Speaker 1: actually really dope and you I've never lived in a 305 00:17:27,200 --> 00:17:29,160 Speaker 1: place where you can look out the window and sea mountains, 306 00:17:29,560 --> 00:17:34,040 Speaker 1: which is great. I'm from Florida. That shouldn't Okay, Okay, 307 00:17:34,040 --> 00:17:38,560 Speaker 1: it's all right, we'll get it. Okay, yeah, please do Yeah. 308 00:17:38,280 --> 00:17:40,440 Speaker 1: I know, I know we said you could you could 309 00:17:40,480 --> 00:17:43,240 Speaker 1: swear on this, but that was a little bit yeah, 310 00:17:43,520 --> 00:17:46,640 Speaker 1: content content, morning content when the come on, I'm from Florida. 311 00:17:47,400 --> 00:17:50,320 Speaker 1: What is what something you think is under raged? Fallout 312 00:17:50,320 --> 00:17:54,760 Speaker 1: Boy dropped down album fallout Boy, Yeah, fallout Boy. Okay, 313 00:17:55,080 --> 00:17:58,200 Speaker 1: the new album is you know, it's good. It's that 314 00:17:58,400 --> 00:18:03,919 Speaker 1: you know, but it just sent me back to you know. 315 00:18:04,640 --> 00:18:06,720 Speaker 1: According to them, this new album is like a return 316 00:18:06,760 --> 00:18:10,120 Speaker 1: to form, you know, kind of for their pre hiatus work. 317 00:18:10,240 --> 00:18:12,560 Speaker 1: They're They're like, yeah, this is you know, this is 318 00:18:12,560 --> 00:18:14,360 Speaker 1: the music that we would have made if we never 319 00:18:14,400 --> 00:18:18,399 Speaker 1: took that break in like two thousand and nine or something, right, wow. 320 00:18:18,440 --> 00:18:23,000 Speaker 1: And then I went back and I listened to the 321 00:18:23,160 --> 00:18:26,639 Speaker 1: music pre hiatus, and I was like, this sound sounds 322 00:18:26,640 --> 00:18:28,560 Speaker 1: crazy to see that Fall Up Boys underrated because I 323 00:18:28,560 --> 00:18:30,680 Speaker 1: think they are one of the most commercially successful rock 324 00:18:30,720 --> 00:18:33,120 Speaker 1: bands in like the history of the world, right, sure, 325 00:18:34,280 --> 00:18:38,600 Speaker 1: but how they're esteemed in like the mainstream or you know. Yeah, 326 00:18:38,640 --> 00:18:40,920 Speaker 1: I'm like, yeah, like you, I'm like, you should, I 327 00:18:40,960 --> 00:18:43,280 Speaker 1: should see more of you. I feel like, you know, 328 00:18:43,400 --> 00:18:46,919 Speaker 1: thanks for the memories and infinity on high. Like that's 329 00:18:46,960 --> 00:18:49,480 Speaker 1: another band who I didn't know what the fuck they 330 00:18:49,480 --> 00:18:53,040 Speaker 1: were saying. That's no, that's just valid, that's valid. Were 331 00:18:53,080 --> 00:18:54,760 Speaker 1: going down. I was like, I used to be like 332 00:18:54,880 --> 00:18:59,240 Speaker 1: I'm going dag like and I was like, I think 333 00:18:59,240 --> 00:19:03,040 Speaker 1: that's what they're saying. Those are the words, right, it's 334 00:19:03,080 --> 00:19:05,480 Speaker 1: down in an earlier round, And I was like, what 335 00:19:05,880 --> 00:19:09,120 Speaker 1: I remember because her majesty, she like she was singing. 336 00:19:09,119 --> 00:19:10,400 Speaker 1: I was like, wait, what the fuck are they saying? 337 00:19:10,400 --> 00:19:13,320 Speaker 1: It's like god going down in earlier round and I'm 338 00:19:13,320 --> 00:19:15,119 Speaker 1: going down swinging, And I was like, well she figured 339 00:19:15,160 --> 00:19:17,280 Speaker 1: that out, No, she was. She was like a fan 340 00:19:17,440 --> 00:19:19,040 Speaker 1: enough to know what the fuck the words were. But 341 00:19:19,080 --> 00:19:21,280 Speaker 1: I'm more just going by like AMBI like, you know, 342 00:19:21,280 --> 00:19:23,800 Speaker 1: it's in the background. I'm like, oh, it's that song dad, 343 00:19:26,040 --> 00:19:30,000 Speaker 1: I used to this is this is something exaggerating. But 344 00:19:30,160 --> 00:19:33,040 Speaker 1: I used to not like music very much, you know, 345 00:19:33,320 --> 00:19:35,640 Speaker 1: as a child, you know what I mean. I guess 346 00:19:35,680 --> 00:19:39,320 Speaker 1: I don't act, you don't know, all right, But I'm 347 00:19:39,320 --> 00:19:41,920 Speaker 1: always I'm always like perplexed too when people like I've 348 00:19:41,920 --> 00:19:44,400 Speaker 1: met one person who sincere was like, I really don't 349 00:19:44,440 --> 00:19:48,280 Speaker 1: like music, and I remember it was like a date. Yeah. Yeah, 350 00:19:48,320 --> 00:19:49,560 Speaker 1: it was like on a date when I was like 351 00:19:49,600 --> 00:19:52,200 Speaker 1: just getting out of college, and I was so confused. 352 00:19:52,240 --> 00:19:54,919 Speaker 1: I was like, is this like a contrarian take or whatever, 353 00:19:55,040 --> 00:19:57,320 Speaker 1: and they're like no, I just like, I mean, it's fine, 354 00:19:57,400 --> 00:19:59,480 Speaker 1: but I just don't find myself like ever wanting to 355 00:19:59,520 --> 00:20:02,320 Speaker 1: listen to me music. That's how I was until I 356 00:20:02,359 --> 00:20:05,800 Speaker 1: was like seven, essentially, like I was like, yeah, music 357 00:20:05,880 --> 00:20:08,120 Speaker 1: is cool, like other people like music, and I listen 358 00:20:08,160 --> 00:20:10,760 Speaker 1: to their music, but I had no opinions. I'll say 359 00:20:10,800 --> 00:20:13,560 Speaker 1: I had no opinions, and I go to my public library. 360 00:20:13,880 --> 00:20:16,600 Speaker 1: Shout out to public library, save your public library. Yeah, 361 00:20:16,840 --> 00:20:22,840 Speaker 1: and I picked up this like blue out CD album 362 00:20:22,920 --> 00:20:24,760 Speaker 1: off it and I just took it home and it 363 00:20:24,840 --> 00:20:26,800 Speaker 1: was take this tier Grave, which is like fall up 364 00:20:26,840 --> 00:20:29,359 Speaker 1: with like first or second like pull length album, right, 365 00:20:30,080 --> 00:20:34,040 Speaker 1: And that shit changed my fucking life. I had no 366 00:20:34,080 --> 00:20:36,919 Speaker 1: reason to feel the angst that they were trying, like 367 00:20:37,040 --> 00:20:40,000 Speaker 1: trying to get through. But I felt it deep in 368 00:20:40,080 --> 00:20:42,720 Speaker 1: my body, you know what I mean, in my bones. 369 00:20:42,840 --> 00:20:46,840 Speaker 1: I did that ship was live right, And so I'm 370 00:20:46,840 --> 00:20:49,800 Speaker 1: indocted deeply enough that now when people talk about not 371 00:20:49,880 --> 00:20:53,439 Speaker 1: understanding the lyrics to Sugar, we're going down for relatability reasons. 372 00:20:53,440 --> 00:20:57,240 Speaker 1: I agree, But I know every word. Oh I don't 373 00:20:57,240 --> 00:21:00,399 Speaker 1: need a translator for Patrick something anymore. I understand. It's like, 374 00:21:00,400 --> 00:21:02,600 Speaker 1: I mean, that was the one. When I learned it. 375 00:21:02,640 --> 00:21:05,560 Speaker 1: I bothered to know all those words because I always 376 00:21:05,600 --> 00:21:07,560 Speaker 1: it was like one of those just like word salad 377 00:21:07,640 --> 00:21:10,760 Speaker 1: things I just knew the sound of. And then then 378 00:21:10,760 --> 00:21:13,280 Speaker 1: when I when I figured out loaded God complex, cock 379 00:21:13,359 --> 00:21:18,040 Speaker 1: it and pull it was I know, I was like, whoa, okay, alright, 380 00:21:18,760 --> 00:21:22,480 Speaker 1: loo God Complex, And I was like, okay, now that 381 00:21:22,480 --> 00:21:25,840 Speaker 1: I can sing along. There's another song that they're that 382 00:21:26,080 --> 00:21:29,399 Speaker 1: where fucking Pete wentz He says I love you in 383 00:21:29,400 --> 00:21:38,880 Speaker 1: the same way. There's a chapel in a hospital. What yo, 384 00:21:39,800 --> 00:21:45,399 Speaker 1: shut up, shut up? That's a bar people kidding me? 385 00:21:46,440 --> 00:21:49,439 Speaker 1: Hey man? Like it was never so serious until he 386 00:21:49,480 --> 00:21:52,240 Speaker 1: took it. There so this new album is like they're 387 00:21:52,280 --> 00:21:54,640 Speaker 1: fully on the emo pop thing, like they're they're back 388 00:21:54,680 --> 00:21:57,480 Speaker 1: in it basically, Yeah, you know they're they're you know, 389 00:21:57,520 --> 00:21:59,280 Speaker 1: it's not they haven't taken it all the way back. 390 00:21:59,320 --> 00:22:01,720 Speaker 1: I think that they're like crossed a commercial I don't 391 00:22:01,720 --> 00:22:03,320 Speaker 1: want to say that they sold out. That sounds so 392 00:22:03,359 --> 00:22:09,800 Speaker 1: annoying to say, but they are like sold out, man, No, 393 00:22:09,920 --> 00:22:12,760 Speaker 1: but they they're older now, they've like crossed the commercial 394 00:22:12,760 --> 00:22:16,480 Speaker 1: threshold and so like, you know, as much as they can, Like, 395 00:22:16,520 --> 00:22:19,280 Speaker 1: I can't imagine that this would have been their next 396 00:22:19,320 --> 00:22:22,560 Speaker 1: step if in a in a multiverse where the hiatus 397 00:22:22,560 --> 00:22:27,000 Speaker 1: didn't happen, right, But there's nothing like that last album 398 00:22:27,040 --> 00:22:29,719 Speaker 1: right before they took a break while the Crazy Bangers 399 00:22:29,720 --> 00:22:31,960 Speaker 1: and there, you know, they're just doing something's gonna pruse. 400 00:22:31,960 --> 00:22:34,960 Speaker 1: I'm gonna pruise that bad catalog though, Yeah, definitely, I'm 401 00:22:34,960 --> 00:22:37,600 Speaker 1: gonna be looking for other phrases that I want to 402 00:22:37,640 --> 00:22:40,080 Speaker 1: get tattooed on my body, like which one view in 403 00:22:40,119 --> 00:22:43,800 Speaker 1: the same way, there's a chapel in a hospital that 404 00:22:44,000 --> 00:22:48,399 Speaker 1: is a tattoo. Dude, Oh could you get that on 405 00:22:48,560 --> 00:22:57,679 Speaker 1: your throat? Really tight? Cursed flags? Yeah, like filigree around 406 00:22:57,720 --> 00:23:02,359 Speaker 1: it to make it hard. Yeah, do you want to 407 00:23:02,359 --> 00:23:04,760 Speaker 1: see mine? Oh yeah, let's see your throat. Yeah, I've 408 00:23:04,800 --> 00:23:09,320 Speaker 1: got it. It's lower back. Oh yeah, yeah yeah. Just 409 00:23:09,400 --> 00:23:11,199 Speaker 1: let me pull up my waistband down a little bit 410 00:23:11,240 --> 00:23:13,240 Speaker 1: so you can see it's right above the tailbone. Yeah, 411 00:23:13,320 --> 00:23:19,400 Speaker 1: lower back. Hella betica, yeah new because yeah, the deal. 412 00:23:21,640 --> 00:23:25,200 Speaker 1: I'm thinking of a church steeple with snakes going around it, 413 00:23:26,600 --> 00:23:30,040 Speaker 1: you know, a little little feature to go along around 414 00:23:30,040 --> 00:23:33,639 Speaker 1: the words. I don't know, I'm just spitballing here. Chime in, 415 00:23:33,760 --> 00:23:36,560 Speaker 1: or someone do some photoshop with us with our fallout 416 00:23:36,560 --> 00:23:39,800 Speaker 1: boi lyrics tattoos on our All right, let's take a 417 00:23:39,880 --> 00:23:43,200 Speaker 1: quick break. We'll come back and talk about some news. 418 00:23:53,680 --> 00:23:58,080 Speaker 1: And we're back. And so I know you guys talked 419 00:23:58,119 --> 00:24:03,040 Speaker 1: about the Clarence Thomas were so much more though since then, 420 00:24:03,119 --> 00:24:06,960 Speaker 1: So this conversation definitely has to continue. It's well, what 421 00:24:07,080 --> 00:24:09,720 Speaker 1: a story. First of all, shout out to pro publica. 422 00:24:10,200 --> 00:24:13,600 Speaker 1: So Wall Street Journal over the weekend came through and 423 00:24:13,880 --> 00:24:18,640 Speaker 1: they dove into defend Clarence Thomas and the entire system 424 00:24:19,320 --> 00:24:23,520 Speaker 1: that they believe in rich rich guy supremacy. I guess yea. 425 00:24:23,560 --> 00:24:27,840 Speaker 1: And their defense was to describe the events, like while 426 00:24:27,920 --> 00:24:30,840 Speaker 1: making a jerk off hand gesture like seems to be 427 00:24:31,080 --> 00:24:35,200 Speaker 1: they're like, guy has a rich friend, so what then 428 00:24:35,200 --> 00:24:37,919 Speaker 1: they just like quote big chunks of it and act 429 00:24:38,040 --> 00:24:42,760 Speaker 1: like then what they described isn't just beyond the pale 430 00:24:42,800 --> 00:24:45,160 Speaker 1: for someone who's on the highest court in the fucking 431 00:24:45,160 --> 00:24:49,640 Speaker 1: way there the pieces loaded with words and phrases intended 432 00:24:49,680 --> 00:24:54,320 Speaker 1: to convey that this is all somehow disreputable. Wait, this 433 00:24:54,400 --> 00:24:58,160 Speaker 1: is this is from the from from and then they're 434 00:24:58,240 --> 00:25:06,960 Speaker 1: quoting were from super yat, luxury trips, Exclusive California, all 435 00:25:07,080 --> 00:25:17,040 Speaker 1: male retreat, sprawling ranch, private chefs lavishing the justice with gifts, 436 00:25:17,200 --> 00:25:21,359 Speaker 1: and like none of those elaborate like a super yacht. 437 00:25:21,720 --> 00:25:25,720 Speaker 1: I'm pretty sure it's probably like legally defined as like 438 00:25:25,960 --> 00:25:28,919 Speaker 1: when you're selling your yacht, I'm sure there's like a 439 00:25:28,960 --> 00:25:32,080 Speaker 1: designation of like super yacht that you have to or 440 00:25:32,119 --> 00:25:35,720 Speaker 1: like a private chef is different from a non private chef. 441 00:25:35,800 --> 00:25:39,360 Speaker 1: They're not. That's not a laic like over use of adjectives. 442 00:25:39,400 --> 00:25:43,160 Speaker 1: That is what it is. And it's yeah, wow, when 443 00:25:43,240 --> 00:25:45,440 Speaker 1: I when I was buying and then when I sold 444 00:25:45,480 --> 00:25:48,679 Speaker 1: my first super yacht, yeah you tell us, that's why 445 00:25:52,119 --> 00:25:54,520 Speaker 1: it was it was part of a brand sponsorship. It 446 00:25:54,600 --> 00:26:00,560 Speaker 1: was like superto yeah, yeah, coming to clear Water, Florida 447 00:26:00,640 --> 00:26:05,720 Speaker 1: this summer. Get your actually just superts now right right 448 00:26:05,800 --> 00:26:08,560 Speaker 1: right exactly. It's easy for any person to have it. 449 00:26:08,640 --> 00:26:12,240 Speaker 1: But I think, I mean, from watching below deck, I 450 00:26:12,280 --> 00:26:16,119 Speaker 1: think it's like seventy like eighty feet or something is 451 00:26:16,119 --> 00:26:20,159 Speaker 1: when it's super yacht. I'm sure the mega yachts like 452 00:26:20,200 --> 00:26:22,439 Speaker 1: beyond that, but whatever. Either way, they like just saying 453 00:26:22,760 --> 00:26:25,000 Speaker 1: seeing that he took him on a yacht trip and 454 00:26:25,080 --> 00:26:27,879 Speaker 1: more like and it's big, so we're gonna call it 455 00:26:27,880 --> 00:26:30,640 Speaker 1: a super yeah, yeah, like that's what it is. It's 456 00:26:30,840 --> 00:26:33,840 Speaker 1: like so you can understand what the context is like, 457 00:26:33,960 --> 00:26:38,960 Speaker 1: Claiming a private chef is like whoa guys lay off. 458 00:26:39,000 --> 00:26:41,320 Speaker 1: It feels like it is written by people who are like, 459 00:26:41,359 --> 00:26:44,080 Speaker 1: I don't like to think of him as my private chef. 460 00:26:44,160 --> 00:26:47,480 Speaker 1: He's really part of the family who does not eat 461 00:26:47,520 --> 00:26:50,359 Speaker 1: with us on the property. He does not eat with us, 462 00:26:51,000 --> 00:26:55,880 Speaker 1: eye contact with us. But the fuck are you looking at? Mark? Though? 463 00:26:57,359 --> 00:27:01,560 Speaker 1: It's yeah and yeah. Based on the previous owners. When 464 00:27:01,560 --> 00:27:03,879 Speaker 1: we bought this plantation, we found out that the shock 465 00:27:03,960 --> 00:27:06,000 Speaker 1: that he actually stays in for some of the other 466 00:27:06,040 --> 00:27:08,679 Speaker 1: helpers previously. It's really it's just very whimsical, and it 467 00:27:08,760 --> 00:27:11,439 Speaker 1: used to be a great people who have been in 468 00:27:11,480 --> 00:27:15,679 Speaker 1: the very quaint, very quaint. He loves it. And they 469 00:27:15,720 --> 00:27:18,200 Speaker 1: also come in and say that he technically like doesn't 470 00:27:18,280 --> 00:27:21,280 Speaker 1: have to disclose any of this ship, which like that, 471 00:27:21,760 --> 00:27:27,080 Speaker 1: I'm sorry, okay, but like, their whole article seems to 472 00:27:27,320 --> 00:27:29,800 Speaker 1: be based on the premise that people don't have a 473 00:27:29,920 --> 00:27:32,520 Speaker 1: right to know that he hangs out with a guy 474 00:27:32,560 --> 00:27:36,639 Speaker 1: who collects Hitler memorabilia. We'll get to that in a second. 475 00:27:36,640 --> 00:27:39,440 Speaker 1: But like and takes him on massive trips and has 476 00:27:39,480 --> 00:27:43,720 Speaker 1: like a very clear political bent that is sending him 477 00:27:43,720 --> 00:27:47,960 Speaker 1: in a or that happens to coincide with this wild 478 00:27:48,040 --> 00:27:52,280 Speaker 1: direction that has sent American a very anti democratic direction. 479 00:27:52,680 --> 00:27:56,440 Speaker 1: Like and this like self described like balls and Strikes 480 00:27:56,480 --> 00:28:00,439 Speaker 1: philosophical instrument is actually made up of, you know, people 481 00:28:00,560 --> 00:28:05,000 Speaker 1: who are being courted constantly by people with like very 482 00:28:05,080 --> 00:28:10,520 Speaker 1: extreme right wing political opinions like that that feels like 483 00:28:10,560 --> 00:28:14,040 Speaker 1: relevant information. I don't give a fucking like they've gotten 484 00:28:14,080 --> 00:28:17,280 Speaker 1: to Congress enough that like, well, technically they don't need 485 00:28:17,359 --> 00:28:20,480 Speaker 1: to mention it. It's still I'm glad I know it. 486 00:28:20,800 --> 00:28:24,199 Speaker 1: You know I always suspected it, but I'm glad that 487 00:28:24,320 --> 00:28:27,080 Speaker 1: I now have the ability to know it. And the 488 00:28:27,119 --> 00:28:29,920 Speaker 1: fact that the Wall Street journals like this is their 489 00:28:30,040 --> 00:28:34,040 Speaker 1: editorial board. This isn't This isn't like some opinion columnists 490 00:28:34,480 --> 00:28:37,000 Speaker 1: the Wall Street Journal like speaking with their full chest 491 00:28:37,480 --> 00:28:41,920 Speaker 1: being like, get out of here. This is adjectival overkill, 492 00:28:42,200 --> 00:28:46,440 Speaker 1: and they're trying to, you know, make something, make a 493 00:28:46,600 --> 00:28:54,200 Speaker 1: mole hill out of or a mental Nazi memori artifacts. 494 00:28:56,200 --> 00:28:58,760 Speaker 1: So even the Pro Public article I don't think even 495 00:28:59,000 --> 00:29:03,440 Speaker 1: mentioned this, but no, Harlan Crow's house is full of 496 00:29:03,640 --> 00:29:08,000 Speaker 1: Hitler art, like art made by Hitler. Yeah, and it's 497 00:29:08,040 --> 00:29:11,800 Speaker 1: important to note that it's hanging on a wall next 498 00:29:11,840 --> 00:29:16,760 Speaker 1: to like a Norman Rockwell paint. Yeah. He's even got 499 00:29:16,800 --> 00:29:19,440 Speaker 1: like check out my teapot. Look it's got a and 500 00:29:19,760 --> 00:29:23,400 Speaker 1: h on it. Guess whose it was? Like, Yeah, you 501 00:29:23,440 --> 00:29:28,480 Speaker 1: have Hitler's fucking like private teapot. And you're like, just uh, 502 00:29:28,880 --> 00:29:32,040 Speaker 1: just for I'm just into history. You know, I'm not 503 00:29:32,320 --> 00:29:35,920 Speaker 1: stealth Nazi. I mean, not to play Double's advocate here, 504 00:29:36,000 --> 00:29:39,120 Speaker 1: but like, are they errooms? Are they like family? You 505 00:29:39,200 --> 00:29:43,800 Speaker 1: know that? Right? Was it his grandfather's I mean, like 506 00:29:44,040 --> 00:29:47,959 Speaker 1: I'm sure. Maybe his people were there, right, did he 507 00:29:48,000 --> 00:29:50,680 Speaker 1: storm the Eagles nest and and and get that? And 508 00:29:51,280 --> 00:29:53,320 Speaker 1: maybe that's his to have I don't know, or he 509 00:29:53,440 --> 00:29:57,720 Speaker 1: oh he bought it at auction? Oh yeah yeah, yeah 510 00:29:57,720 --> 00:29:59,880 Speaker 1: has the next yeah, like a Norman Rockwell and also 511 00:30:00,080 --> 00:30:03,760 Speaker 1: like a George Bush painting, like George W. Bush, which 512 00:30:04,120 --> 00:30:07,640 Speaker 1: like the reason I'm assuming he's not putting those up 513 00:30:07,680 --> 00:30:10,560 Speaker 1: next to each other to make a point about George Bush, 514 00:30:10,600 --> 00:30:13,800 Speaker 1: Like he's not being like, yeah Bush did nine to eleven? 515 00:30:13,800 --> 00:30:17,239 Speaker 1: Am I right? Folks, He's probably up here being like 516 00:30:18,000 --> 00:30:20,520 Speaker 1: he's like he did that shit, yeah, look at it. 517 00:30:21,240 --> 00:30:23,160 Speaker 1: That's how he's he's picking it up. You know. He 518 00:30:23,280 --> 00:30:27,840 Speaker 1: also has sitting bulls death mask? Does he's the one 519 00:30:27,880 --> 00:30:30,280 Speaker 1: who has sitting bulls death masks? Yeah? I remember when 520 00:30:30,560 --> 00:30:35,520 Speaker 1: like some rich conservative billionaire got that. Yeah he has it. 521 00:30:35,840 --> 00:30:39,479 Speaker 1: He's the one who has it. Wow. And they're like, uh, 522 00:30:39,520 --> 00:30:42,720 Speaker 1: maybe that the Lakota people should have that. But there's like, yeah, 523 00:30:43,520 --> 00:30:46,200 Speaker 1: out I got this too, bro. Like he's he's got 524 00:30:46,240 --> 00:30:48,800 Speaker 1: it all, like any fucking thing you would be like, 525 00:30:48,840 --> 00:30:52,800 Speaker 1: oh fuck, this is Red Flag City. He's got it all. Yeah. 526 00:30:52,840 --> 00:30:55,560 Speaker 1: He has a whole garden of sculptures of like the 527 00:30:55,600 --> 00:31:01,280 Speaker 1: worst dictators of all time, and the morning News, Like 528 00:31:01,720 --> 00:31:05,000 Speaker 1: a reporter from the Dallas Morning News visited and we're like, hey, 529 00:31:05,040 --> 00:31:10,160 Speaker 1: what what what? What's your deal with all the Nazi stuff? 530 00:31:10,320 --> 00:31:13,440 Speaker 1: Like asked the question that any human being would be, like, 531 00:31:13,720 --> 00:31:16,560 Speaker 1: what's what's up with all the Hitler stuff? Sorry? A 532 00:31:16,680 --> 00:31:20,160 Speaker 1: signed copy of Mind comp is one of the things 533 00:31:20,400 --> 00:31:25,960 Speaker 1: that he has just worth noting, signed by I believe 534 00:31:25,960 --> 00:31:30,840 Speaker 1: Adolf Hitler. I believe you could have said an author 535 00:31:30,920 --> 00:31:36,600 Speaker 1: signed copy of a German Okay, maybe I don't know, 536 00:31:36,600 --> 00:31:42,040 Speaker 1: maybe Obama signed. I don't know, right, he would say that, 537 00:31:42,080 --> 00:31:47,520 Speaker 1: he's like, it's actually Obama signed it. So where zero 538 00:31:47,640 --> 00:31:54,440 Speaker 1: If this reporter came in like crows like this, you know, famously, 539 00:31:54,680 --> 00:31:58,120 Speaker 1: everyone's like what perfect Southern gentleman. But when you ask 540 00:31:58,200 --> 00:32:03,560 Speaker 1: about the Nazi art, he gets visibly uncomfortable and doesn't 541 00:32:03,600 --> 00:32:07,640 Speaker 1: doesn't have much to say on that subject, which is interesting, Yeah, 542 00:32:07,640 --> 00:32:10,960 Speaker 1: because he's got it there for all to see. It 543 00:32:11,120 --> 00:32:14,479 Speaker 1: is wild. How Like there's like this one conservative opinion 544 00:32:14,560 --> 00:32:17,640 Speaker 1: writer who like, when I think Patriot takes was like 545 00:32:17,640 --> 00:32:20,480 Speaker 1: tweeting out images of his like Garden of Evil that 546 00:32:20,560 --> 00:32:23,080 Speaker 1: has like Stalin and other people and shit in it 547 00:32:23,520 --> 00:32:25,120 Speaker 1: that this guy comes in and he said, it's not 548 00:32:25,160 --> 00:32:27,080 Speaker 1: a tribute to evil or something to be mocked. It's 549 00:32:27,120 --> 00:32:29,680 Speaker 1: an attempt to commemorate the horrors of the twentieth century 550 00:32:29,680 --> 00:32:32,560 Speaker 1: in the spirit of never Again. Harlan Crowe is a 551 00:32:32,560 --> 00:32:35,480 Speaker 1: deeply horrible, decent and patriotic person. He's not the straw 552 00:32:35,520 --> 00:32:38,840 Speaker 1: man Thomas Hayters are trying to make him right, right, right, 553 00:32:38,920 --> 00:32:41,400 Speaker 1: never again. But unless you come here and you can 554 00:32:41,440 --> 00:32:45,320 Speaker 1: look at it again and again right, rather than like, yeah, 555 00:32:44,920 --> 00:32:47,240 Speaker 1: I don't know what they mean by that. I mean 556 00:32:47,360 --> 00:32:49,840 Speaker 1: I understand that we always use that in like terms 557 00:32:49,880 --> 00:32:52,440 Speaker 1: like of like you know, you know, the Holocaust is 558 00:32:52,440 --> 00:32:54,320 Speaker 1: like the most famous one that we think about, especially 559 00:32:54,360 --> 00:32:56,280 Speaker 1: in the US, or something like that, or we do 560 00:32:56,320 --> 00:32:59,479 Speaker 1: like never forget. But it's like so hollow, especially when 561 00:32:59,520 --> 00:33:02,120 Speaker 1: you put it all together with like his political bend, 562 00:33:02,400 --> 00:33:05,360 Speaker 1: his love of Nazi stuff, which I don't think there's 563 00:33:05,360 --> 00:33:08,320 Speaker 1: ever been a person who unless you're like in charge 564 00:33:08,320 --> 00:33:11,600 Speaker 1: of a historical collection for a museum, right, I don't 565 00:33:11,600 --> 00:33:13,840 Speaker 1: know how you collect Nazi stuff. And it's not because 566 00:33:13,840 --> 00:33:16,600 Speaker 1: on some level you're like romanticizing it and because you're like, 567 00:33:16,640 --> 00:33:19,000 Speaker 1: I love these little treasures from this time I wish 568 00:33:19,040 --> 00:33:21,520 Speaker 1: I was living in I mean, especially like like when 569 00:33:21,560 --> 00:33:24,880 Speaker 1: you you pair that with like the hyper exclusivity that 570 00:33:25,960 --> 00:33:28,240 Speaker 1: you know that a man like this like keeps in 571 00:33:28,520 --> 00:33:30,400 Speaker 1: terms of who has access to seeing these things and 572 00:33:30,600 --> 00:33:34,880 Speaker 1: is invited into his private spaces and who's intimately like 573 00:33:35,160 --> 00:33:37,560 Speaker 1: related to him enough to to see them. There's like 574 00:33:37,600 --> 00:33:40,560 Speaker 1: a valor in the way that he's displaying them. All 575 00:33:40,600 --> 00:33:45,760 Speaker 1: these pictures like that, the pictures of the Hitler merch 576 00:33:46,360 --> 00:33:48,880 Speaker 1: it looks like I mean, it's like not on display. 577 00:33:48,920 --> 00:33:50,360 Speaker 1: It's like it looked like something he brought out of 578 00:33:50,360 --> 00:33:52,840 Speaker 1: a briefcase because you because you you know, he made 579 00:33:52,880 --> 00:33:54,640 Speaker 1: a joke. He really liked that his dinner party or 580 00:33:54,680 --> 00:33:57,280 Speaker 1: something like that, right right, He's like, what you're cool? 581 00:33:57,360 --> 00:34:02,200 Speaker 1: You want to see cool? Ye see something? No? Yeah, here, 582 00:34:02,480 --> 00:34:06,160 Speaker 1: pull on the fourteenth tooth of this skull. That's crazy. Yeah, 583 00:34:08,360 --> 00:34:11,920 Speaker 1: this crap. Uh, let me just put in the code 584 00:34:12,000 --> 00:34:15,360 Speaker 1: from my vault here one four eight eight Okay, great, 585 00:34:15,400 --> 00:34:21,799 Speaker 1: click open? Can we cut that out? I know. Well, 586 00:34:21,800 --> 00:34:24,520 Speaker 1: here's the thing. I'm like, really it's surprising, though, Two, 587 00:34:24,640 --> 00:34:27,520 Speaker 1: how little the Democrats are doing to be like this, 588 00:34:27,840 --> 00:34:30,359 Speaker 1: like we have to do everything. We can't obviously there's 589 00:34:30,360 --> 00:34:31,920 Speaker 1: no way they can impeach them because they don't have 590 00:34:31,960 --> 00:34:34,359 Speaker 1: the fucking votes for that, But like to just sit 591 00:34:34,640 --> 00:34:36,320 Speaker 1: when one person was like, I don't know if the 592 00:34:36,360 --> 00:34:40,920 Speaker 1: American people have an appetite for another Supreme Court controversy, 593 00:34:41,080 --> 00:34:42,719 Speaker 1: and that's why I will just like sit on it. 594 00:34:42,760 --> 00:34:47,000 Speaker 1: You're like, wow, wow, wow, Brent Havanaugh thing caught well 595 00:34:47,120 --> 00:34:50,960 Speaker 1: counted against us. That's what application of that is that 596 00:34:51,040 --> 00:34:54,680 Speaker 1: we were that that's our fault and we the people 597 00:34:54,719 --> 00:34:57,440 Speaker 1: are mad that they had to be dragged through it, 598 00:34:58,160 --> 00:35:01,280 Speaker 1: and yeah they I mean, yeah, I know you skipped 599 00:35:01,320 --> 00:35:05,919 Speaker 1: over a Yeah, I mean that was another just right 600 00:35:06,000 --> 00:35:08,160 Speaker 1: through the door. But I think it's it's it is 601 00:35:08,239 --> 00:35:11,200 Speaker 1: really something that has to be like uttered over and 602 00:35:11,239 --> 00:35:15,080 Speaker 1: over again, because between this and Jimmy Thomas, you're like, yeah, 603 00:35:15,280 --> 00:35:18,959 Speaker 1: the fuck on, these people are so fucking flagrant. It's 604 00:35:18,960 --> 00:35:21,000 Speaker 1: just you know, And I think that's part of his 605 00:35:21,080 --> 00:35:24,480 Speaker 1: little way of feeling like like you can't take me down. 606 00:35:24,560 --> 00:35:27,600 Speaker 1: You tried to do that at my confirmation and fuck you, 607 00:35:27,840 --> 00:35:29,560 Speaker 1: like I'm just on my own shit, like I'm I 608 00:35:29,600 --> 00:35:31,799 Speaker 1: think he just feels he's invincible. And now when you 609 00:35:31,800 --> 00:35:34,160 Speaker 1: have the backing of people like this and like you're 610 00:35:34,239 --> 00:35:37,040 Speaker 1: chumming it up with like Leonard Leo of the Federalist Society, 611 00:35:37,680 --> 00:35:40,279 Speaker 1: you're like, come on, like you're seeing them all hang 612 00:35:40,360 --> 00:35:44,120 Speaker 1: out in the fucking like evil doers layer together. Yeah, 613 00:35:44,120 --> 00:35:46,320 Speaker 1: but of course, and like how a lot of conservatives 614 00:35:46,320 --> 00:35:49,440 Speaker 1: will do, Like I'm just seeing some friends hanging out 615 00:35:49,560 --> 00:35:52,680 Speaker 1: on a on a fishing trip and you're like, these 616 00:35:52,719 --> 00:35:57,000 Speaker 1: are the architects of our judicial fuckery. Yeah, getting together, 617 00:35:57,160 --> 00:35:59,600 Speaker 1: Like again, they love to take this is like the 618 00:35:59,680 --> 00:36:02,040 Speaker 1: new thing that I'm seeing a lot of. It's not 619 00:36:02,120 --> 00:36:04,400 Speaker 1: just not just as with the Clarence Thomas thing, a 620 00:36:04,440 --> 00:36:07,000 Speaker 1: lot of like oh so what he did, like it 621 00:36:07,080 --> 00:36:10,600 Speaker 1: was a paperwork error for like Trump's indictment or something 622 00:36:10,640 --> 00:36:12,960 Speaker 1: like that. It's all just trying to take everything out 623 00:36:13,040 --> 00:36:15,720 Speaker 1: and just distill it down to a thing every person 624 00:36:15,800 --> 00:36:19,799 Speaker 1: could relate to, you know, And yeah, it's yeah. It 625 00:36:19,800 --> 00:36:22,080 Speaker 1: also it also makes me think of there are these uh, 626 00:36:22,320 --> 00:36:26,200 Speaker 1: there're these like TikTok. I mean, it's it's so funny. 627 00:36:26,719 --> 00:36:30,080 Speaker 1: They're the children. Man. I work on it a lot, 628 00:36:30,200 --> 00:36:34,680 Speaker 1: so a little TikTok at the other hand, but I 629 00:36:35,040 --> 00:36:38,480 Speaker 1: think it's so like every time I see what the 630 00:36:38,520 --> 00:36:41,760 Speaker 1: kids are doing, I'm like, you're tapped into something crazy, 631 00:36:41,920 --> 00:36:44,480 Speaker 1: you know what I mean, You're tapped into something incredibly brilliant, 632 00:36:44,520 --> 00:36:48,080 Speaker 1: like immedically or like philosophically or something like. I think that. 633 00:36:48,360 --> 00:36:51,240 Speaker 1: I just think it's really impressive the way that TikTok 634 00:36:51,360 --> 00:36:56,239 Speaker 1: fosters community and encourages young children to like really process differently, 635 00:36:57,000 --> 00:37:01,040 Speaker 1: you know the world and the way it's happening around them. 636 00:37:01,040 --> 00:37:05,200 Speaker 1: But there are there's a trend where via this like 637 00:37:05,320 --> 00:37:08,719 Speaker 1: AI voice modulator, you can take on the voices of 638 00:37:08,800 --> 00:37:11,839 Speaker 1: different people. And so all of these videos have come 639 00:37:11,880 --> 00:37:16,360 Speaker 1: out of like Donald Trump, Barack Obama, then Shapiro whatever, 640 00:37:16,480 --> 00:37:18,680 Speaker 1: different political pundits that you would expect to be on 641 00:37:18,800 --> 00:37:23,160 Speaker 1: opposite ends of the spectrum coming together and they're like 642 00:37:23,360 --> 00:37:26,640 Speaker 1: they're like playing Minecraft together, or they're like debating a 643 00:37:26,719 --> 00:37:30,000 Speaker 1: Pokemon tier list, you know, and and in a way 644 00:37:30,040 --> 00:37:32,799 Speaker 1: it's like, oh, this is ridiculous. But also like the 645 00:37:32,920 --> 00:37:36,120 Speaker 1: thing the great Unifier, there is a unifier amongst all 646 00:37:36,160 --> 00:37:39,279 Speaker 1: of these men, Like there is something the way they're 647 00:37:39,320 --> 00:37:43,680 Speaker 1: both invested in like imperial interests, you know what I mean, 648 00:37:43,960 --> 00:37:49,080 Speaker 1: in capitalist interest in preserving this union as it is, 649 00:37:49,320 --> 00:37:54,239 Speaker 1: right right, there is a lot in common between Shapiro 650 00:37:54,360 --> 00:37:57,640 Speaker 1: and Trump and Obama that would bring them together. That's 651 00:37:57,640 --> 00:38:00,600 Speaker 1: definitely gonna happen Before I ever up on a Twitch 652 00:38:00,600 --> 00:38:05,440 Speaker 1: stream with again Joe Biden. That's that's way more likely. 653 00:38:05,480 --> 00:38:07,360 Speaker 1: Like they have a group chat. I'm never going to 654 00:38:07,400 --> 00:38:09,759 Speaker 1: be in that group chat, you know. Now, I'm here 655 00:38:09,760 --> 00:38:13,640 Speaker 1: with like my earliest area people, right, And it's like, yeah, 656 00:38:13,640 --> 00:38:15,720 Speaker 1: at the end of the day, I'm like, parents, Thomas 657 00:38:15,719 --> 00:38:20,759 Speaker 1: does super yacht with his buddies. I'm sure, oh yeah, 658 00:38:20,760 --> 00:38:24,080 Speaker 1: oh yeah, and his buddies collect to think Hitler was 659 00:38:24,120 --> 00:38:27,600 Speaker 1: an underrated artist. They're like, god, I'm just saying, like, 660 00:38:27,680 --> 00:38:31,960 Speaker 1: you look at some of the brushwork, and but it's yeah, 661 00:38:32,120 --> 00:38:34,439 Speaker 1: to your point, Miles, like they want to get real 662 00:38:34,560 --> 00:38:38,600 Speaker 1: up close and like question the grammar in the article 663 00:38:38,719 --> 00:38:41,120 Speaker 1: pointing this shit out, and it's just like just take 664 00:38:41,160 --> 00:38:44,360 Speaker 1: a take a step back, trying to take a historical 665 00:38:44,480 --> 00:38:48,799 Speaker 1: view of this. And we have somebody who was a 666 00:38:48,920 --> 00:38:53,960 Speaker 1: driving force behind doing a wildly anti democratic thing, an 667 00:38:53,960 --> 00:38:58,680 Speaker 1: overturning Row and his wife tried to overthrow the last 668 00:38:58,760 --> 00:39:02,640 Speaker 1: US presidential election, and he's hanging with a guy who 669 00:39:02,719 --> 00:39:08,319 Speaker 1: collects Hitler and DICKT. Gerrard and like society, it's a 670 00:39:08,400 --> 00:39:11,480 Speaker 1: very clear picture. I don't like, Yeah, I'm I might 671 00:39:11,520 --> 00:39:13,640 Speaker 1: not know all the legalities or what's going to hold 672 00:39:13,719 --> 00:39:17,040 Speaker 1: up in a fucking impeachment hearing, but I think, yeah, pretty, 673 00:39:17,160 --> 00:39:19,439 Speaker 1: it's painting a pretty clear picture. It's like the same 674 00:39:19,520 --> 00:39:22,120 Speaker 1: way you think of like how chummy Clinton was with 675 00:39:22,280 --> 00:39:25,960 Speaker 1: like the finance industry. Yeah, and why Wall Street was 676 00:39:26,080 --> 00:39:30,239 Speaker 1: deregulated on his on his watch, because he's just he's 677 00:39:30,280 --> 00:39:32,120 Speaker 1: talking to the homies and he's like, oh yeah, okay, 678 00:39:32,200 --> 00:39:33,920 Speaker 1: sounds like that. Okay, I might be able to do 679 00:39:33,960 --> 00:39:36,560 Speaker 1: that for you. That's my that's something you get with 680 00:39:36,640 --> 00:39:39,480 Speaker 1: access to me. And I actually agree on your worldview 681 00:39:39,520 --> 00:39:43,040 Speaker 1: because I'd rather maintain the status quo that the richest 682 00:39:43,040 --> 00:39:45,520 Speaker 1: people can extract as much capital out of wherever the 683 00:39:45,560 --> 00:39:48,080 Speaker 1: fuck they want to until, you know, for as long 684 00:39:48,160 --> 00:39:50,719 Speaker 1: as they'd like. Yeah. And in this sense, you know, 685 00:39:51,000 --> 00:39:53,160 Speaker 1: all of these guys are getting together with their ideas 686 00:39:53,160 --> 00:39:56,840 Speaker 1: about how to you know, restrict power and consolidate it 687 00:39:56,840 --> 00:39:59,479 Speaker 1: in very small places and you know, have a real 688 00:40:00,040 --> 00:40:03,520 Speaker 1: wonderful plutocracy formally. And I think, yeah, all of it 689 00:40:03,560 --> 00:40:07,920 Speaker 1: together is definitely disconcerting, But I think with them, with 690 00:40:08,040 --> 00:40:11,040 Speaker 1: like the Wall Street Journal and these other politicians, again, 691 00:40:10,760 --> 00:40:13,759 Speaker 1: they know how bad it looks. So all they're doing 692 00:40:13,840 --> 00:40:16,520 Speaker 1: is they're figuring out what's our response to this that 693 00:40:16,680 --> 00:40:20,760 Speaker 1: is seemingly reasonable and gives people who take our takes 694 00:40:21,000 --> 00:40:24,399 Speaker 1: open mouth uncritically that they can just start regurgitating out 695 00:40:24,400 --> 00:40:27,600 Speaker 1: into the world and start saying, oh, so, what those 696 00:40:27,640 --> 00:40:29,359 Speaker 1: are his friends? What do you want him to do? 697 00:40:29,520 --> 00:40:31,960 Speaker 1: Not hang out with his friends? He can't have friends, 698 00:40:32,160 --> 00:40:34,960 Speaker 1: And you're like, that's not what this is about. But 699 00:40:35,040 --> 00:40:38,520 Speaker 1: way to just completely, you know, reconfigure what the actual 700 00:40:38,760 --> 00:40:40,759 Speaker 1: point of outrage is, to just bring it down to 701 00:40:40,800 --> 00:40:44,200 Speaker 1: something very simple. And it's also interesting too because they're doing, 702 00:40:44,520 --> 00:40:46,520 Speaker 1: like we've talked about it, I've kept joking about in 703 00:40:46,560 --> 00:40:49,560 Speaker 1: the context of them like deracializing, like the Rosa Park 704 00:40:49,680 --> 00:40:52,920 Speaker 1: story in certain text books. It's like, yeah, they'd love 705 00:40:53,000 --> 00:40:56,160 Speaker 1: to just make that also about a woman sat in 706 00:40:56,239 --> 00:40:59,279 Speaker 1: a bus seat she shouldn't have, but because she was, 707 00:40:59,400 --> 00:41:02,239 Speaker 1: because of who who she was, we won't even mention race. 708 00:41:02,680 --> 00:41:05,040 Speaker 1: And then it all worked out and you're like, what 709 00:41:05,200 --> 00:41:07,520 Speaker 1: is that story? Even at this point someone who was 710 00:41:07,560 --> 00:41:09,759 Speaker 1: on a bus and you're like, yeah, moving on, that's 711 00:41:09,760 --> 00:41:14,480 Speaker 1: all it was. That's a story about buses mainly, I think, yeah, yeah, yeah, 712 00:41:14,520 --> 00:41:16,400 Speaker 1: we can all agree on that. And a really rude 713 00:41:16,560 --> 00:41:21,360 Speaker 1: man had nothing to do with segradation. This guy just 714 00:41:22,120 --> 00:41:23,960 Speaker 1: or it's like, or this really rude woman who just 715 00:41:24,000 --> 00:41:29,120 Speaker 1: wouldn't follow the rules, but that might be this she 716 00:41:29,120 --> 00:41:31,600 Speaker 1: didn't actually, yeah, nothing came of that. Okay, we'll just 717 00:41:31,800 --> 00:41:34,080 Speaker 1: leave it there. We don't know her name. You know, 718 00:41:34,120 --> 00:41:37,319 Speaker 1: it makes me think of the already you haven't. I'm 719 00:41:37,320 --> 00:41:40,560 Speaker 1: sure you haven't, as you're not children if you remember 720 00:41:40,640 --> 00:41:44,600 Speaker 1: rainbow Fish. No, I'm old. Think. I was working in 721 00:41:44,960 --> 00:41:47,400 Speaker 1: I was working in public schools for a while and 722 00:41:49,800 --> 00:41:52,319 Speaker 1: was in with a kindergarten class and they were like, 723 00:41:52,400 --> 00:41:55,600 Speaker 1: it's time. Usually our teacher reads us a book from 724 00:41:55,600 --> 00:41:57,640 Speaker 1: the Sholf And I was like, ah shit, oh the 725 00:41:57,760 --> 00:42:00,840 Speaker 1: book The Rainbow Oh yeah yeah yeah, yeah, yeah, yeah 726 00:42:00,920 --> 00:42:03,120 Speaker 1: yeah that. I was like, oh yeah, rainbow Fish hard, yeah, 727 00:42:03,280 --> 00:42:06,000 Speaker 1: gets hard. So I pull it off and I'm thinking, 728 00:42:06,040 --> 00:42:08,960 Speaker 1: I'm going to read this like really wholesome story of 729 00:42:10,040 --> 00:42:17,640 Speaker 1: but it totally maybe reflect on like how these stories 730 00:42:17,640 --> 00:42:20,440 Speaker 1: like so a political under they have a political underbelly, right, 731 00:42:20,520 --> 00:42:24,080 Speaker 1: it's like, this fish has a beautiful rainbow scales, and 732 00:42:24,120 --> 00:42:27,560 Speaker 1: the more of the stories that a wise octopus tells 733 00:42:27,600 --> 00:42:30,400 Speaker 1: the rainbow fish, if you want to live peacefully amongst 734 00:42:30,600 --> 00:42:34,560 Speaker 1: your community and belong there, you have to literally shed 735 00:42:34,680 --> 00:42:38,479 Speaker 1: these rainbow scales off of your body and give one 736 00:42:38,520 --> 00:42:40,960 Speaker 1: to each of your community members so that you can 737 00:42:41,000 --> 00:42:45,640 Speaker 1: all homogenize. Otherwise you'll never belong here, they'll never accept you. 738 00:42:45,880 --> 00:42:48,239 Speaker 1: And like the kids are like, I'm like, what do 739 00:42:48,239 --> 00:42:50,640 Speaker 1: you guys think of that story? They're like, rainbow fish 740 00:42:50,680 --> 00:42:55,719 Speaker 1: did the right thing by assimilating their autonomy to assimilate. Yeah, 741 00:42:55,840 --> 00:42:59,719 Speaker 1: And I'm like, I don't know, are you sure? Yeah? 742 00:43:00,239 --> 00:43:03,080 Speaker 1: We want to fit in and nothing else. It's like, 743 00:43:03,400 --> 00:43:05,000 Speaker 1: I don't know, do you think that she should have 744 00:43:05,040 --> 00:43:08,000 Speaker 1: given the busy enough? It's like that's the story is 745 00:43:08,000 --> 00:43:10,520 Speaker 1: going to be written, right right, very yeah. And then 746 00:43:10,560 --> 00:43:12,920 Speaker 1: you because because you see how much like when you 747 00:43:13,120 --> 00:43:16,040 Speaker 1: like look at these books that are supposedly outraging parents 748 00:43:16,040 --> 00:43:17,839 Speaker 1: and stuff, they're all they're always the ones that are 749 00:43:17,840 --> 00:43:22,000 Speaker 1: about like inclusivity, right, in equality, And then you know 750 00:43:22,120 --> 00:43:24,120 Speaker 1: that's like I just don't I just don't want these 751 00:43:24,120 --> 00:43:26,239 Speaker 1: messages talk to my kids because that you guys are 752 00:43:26,239 --> 00:43:28,479 Speaker 1: getting them too early with these books and then start 753 00:43:28,520 --> 00:43:31,400 Speaker 1: telling me that I'm being discriminatory or racist. What the 754 00:43:31,440 --> 00:43:34,080 Speaker 1: fuck is happening? It's like, fuck you, Oh so so 755 00:43:34,200 --> 00:43:37,160 Speaker 1: you thought you would go study early childhood development but 756 00:43:37,239 --> 00:43:40,440 Speaker 1: you could get them jump on me, tuck you right, 757 00:43:41,080 --> 00:43:48,880 Speaker 1: one of my kids out the charter right right home school. Yeah, 758 00:43:48,960 --> 00:43:51,480 Speaker 1: let's take a quick break, we'll come back. We'll talk 759 00:43:51,520 --> 00:43:54,960 Speaker 1: about why we don't like labels. Right, we're not trying 760 00:43:55,000 --> 00:44:00,120 Speaker 1: to label anything, which I suspect Carlin Crowe is might so. 761 00:44:12,840 --> 00:44:20,320 Speaker 1: And we're back, and you mentioned the Clintonian Democratic Party, 762 00:44:20,640 --> 00:44:24,320 Speaker 1: which starting to think I can I can picture some 763 00:44:24,440 --> 00:44:26,400 Speaker 1: candidates who might be a good fit for this no 764 00:44:26,600 --> 00:44:29,120 Speaker 1: Labels party. But why don't you tell us what the 765 00:44:29,560 --> 00:44:32,520 Speaker 1: what the no Labels political Party is and what what 766 00:44:32,640 --> 00:44:34,840 Speaker 1: it means for twenty twenty four. Yeah, we've brought it 767 00:44:34,960 --> 00:44:37,080 Speaker 1: up in the contact that like they announced it. They're like, 768 00:44:37,440 --> 00:44:39,680 Speaker 1: there needs to be a unity ticket. We're like, get 769 00:44:39,760 --> 00:44:42,560 Speaker 1: the fuck out of my face. You who you would? Okay, 770 00:44:42,680 --> 00:44:44,520 Speaker 1: go over there and do that, but that's not what 771 00:44:44,800 --> 00:44:48,120 Speaker 1: people are interested in anyway. So they're saying, like too, 772 00:44:48,239 --> 00:44:49,960 Speaker 1: you were saying in the intro, they're like, you know, 773 00:44:50,080 --> 00:44:52,200 Speaker 1: we need an alternative for people that are fed up 774 00:44:52,239 --> 00:44:56,320 Speaker 1: with the extreme right and extreme left. And really I 775 00:44:56,440 --> 00:44:59,120 Speaker 1: just want to just before I, you know, get into it. 776 00:44:59,200 --> 00:45:00,960 Speaker 1: It's really easy to look at it like this. They're 777 00:45:01,000 --> 00:45:04,080 Speaker 1: a fucking front group for billionaires and other corporate interests. 778 00:45:04,160 --> 00:45:06,320 Speaker 1: That's all this thing is. Then that they're using this 779 00:45:06,480 --> 00:45:10,200 Speaker 1: fucking label like no labels thing to try and act 780 00:45:10,280 --> 00:45:13,080 Speaker 1: like we're not here to cape for corporate interests. We're 781 00:45:13,120 --> 00:45:15,080 Speaker 1: just trying to say, like, is there like a middle 782 00:45:15,160 --> 00:45:21,120 Speaker 1: ground between like fascism and like affordable housing right there 783 00:45:21,239 --> 00:45:24,320 Speaker 1: we can find can we do something like that? And 784 00:45:24,520 --> 00:45:26,800 Speaker 1: right now the narrative that people are seeing is just 785 00:45:26,920 --> 00:45:29,600 Speaker 1: like that they have seventy million dollars and they're merely 786 00:45:29,680 --> 00:45:33,279 Speaker 1: just looking at the possibility of entering the twenty twenty 787 00:45:33,320 --> 00:45:36,319 Speaker 1: four race. But observers have began raising alarms that they're 788 00:45:36,400 --> 00:45:39,839 Speaker 1: basically using loopholes to skirt campaign finance laws that would 789 00:45:39,840 --> 00:45:43,239 Speaker 1: have them disclose who exactly is funding this bs A 790 00:45:43,800 --> 00:45:46,719 Speaker 1: corporate interests without getting into like the wonky policy of 791 00:45:46,760 --> 00:45:48,880 Speaker 1: it all. Essentially, what is going to happen is these 792 00:45:48,960 --> 00:45:51,160 Speaker 1: wealthy people are going to pull their money together and 793 00:45:51,200 --> 00:45:54,080 Speaker 1: then secretly pick a candidate that they feel will tow 794 00:45:54,160 --> 00:45:57,919 Speaker 1: the line. And the loophole they're exploiting is they don't 795 00:45:57,960 --> 00:46:00,520 Speaker 1: have to disclose any of their donors until they formally 796 00:46:00,640 --> 00:46:03,439 Speaker 1: nominated a candidate. So it's not in controls of those 797 00:46:03,719 --> 00:46:07,440 Speaker 1: laws about campaign finance and what gets to disclosed. Is 798 00:46:07,480 --> 00:46:11,560 Speaker 1: that a Supreme Court, Yeah, they had a hand in that. Yeah, 799 00:46:11,560 --> 00:46:14,640 Speaker 1: a few decisions a Citizens United might have helped up. 800 00:46:14,640 --> 00:46:17,560 Speaker 1: But there's another decision in twenty ten that relates specifically 801 00:46:17,600 --> 00:46:20,319 Speaker 1: to this loophole. But yeah, we know about dark money 802 00:46:20,360 --> 00:46:24,239 Speaker 1: and how it fucking infiltrates everywhere, so it's it's gonna 803 00:46:24,280 --> 00:46:27,160 Speaker 1: be very very murky up until then. But if you're 804 00:46:27,200 --> 00:46:30,120 Speaker 1: like it makes sense that people want an alternative, keep 805 00:46:30,200 --> 00:46:32,680 Speaker 1: in mind that this group has been making it rain 806 00:46:32,840 --> 00:46:37,040 Speaker 1: on corporate members of Congress since twenty ten. Recently, you 807 00:46:37,520 --> 00:46:41,080 Speaker 1: probably saw their handiwork in the Joe Mansion in Kirsten 808 00:46:41,160 --> 00:46:44,840 Speaker 1: Cinema doing fuck all and you know, standing in the 809 00:46:44,880 --> 00:46:48,120 Speaker 1: way of nuking the filibuster. They were basically elevating them, 810 00:46:48,320 --> 00:46:51,160 Speaker 1: spending money on like their reelections, doing whatever they can 811 00:46:51,280 --> 00:46:54,800 Speaker 1: to support them, as well as Josh Gottheimer, who's another Democrat. 812 00:46:55,120 --> 00:46:58,719 Speaker 1: Democrat who's in the problem Solver's Caucus, which again is 813 00:46:58,760 --> 00:47:01,759 Speaker 1: just a loose assortment of corporate Democrats and Republicans who 814 00:47:01,800 --> 00:47:03,360 Speaker 1: are just like, look, dude, we're here to just do 815 00:47:03,480 --> 00:47:05,360 Speaker 1: whatever the fuck you guys are asking us, and we'll 816 00:47:05,400 --> 00:47:07,600 Speaker 1: do it, and under the guise of we're solving problems. 817 00:47:07,680 --> 00:47:09,960 Speaker 1: But it's because we answer to the same people, which 818 00:47:10,080 --> 00:47:14,120 Speaker 1: is our very wealthy benefactors. So anyway, this is like 819 00:47:14,440 --> 00:47:16,960 Speaker 1: the thing that's getting really murky though, right, is that 820 00:47:18,000 --> 00:47:20,360 Speaker 1: you know that a third party ticket in twenty twenty 821 00:47:20,400 --> 00:47:24,360 Speaker 1: four would most only benefit the GOP and No Labels 822 00:47:24,440 --> 00:47:27,680 Speaker 1: doesn't even have like an articulated policy agenda yet or 823 00:47:27,719 --> 00:47:30,920 Speaker 1: a platform. All their website says is vague shit about 824 00:47:31,280 --> 00:47:34,960 Speaker 1: Americans not wanting these extremes and that it's for people 825 00:47:35,040 --> 00:47:38,879 Speaker 1: that get that America isn't perfect, but it also isn't 826 00:47:39,080 --> 00:47:42,959 Speaker 1: that bad. And so they've basically taken like the mob 827 00:47:43,040 --> 00:47:45,200 Speaker 1: boss approach here and said that they won't run a 828 00:47:45,280 --> 00:47:48,879 Speaker 1: ticket unless they feel that the parties are not coming 829 00:47:48,960 --> 00:47:53,040 Speaker 1: close to addressing the quote issues that their quote supporters 830 00:47:53,360 --> 00:47:56,759 Speaker 1: are passionate about. So it's basically like Hey, it hates 831 00:47:56,800 --> 00:47:59,520 Speaker 1: to ruin an election here if you guys, don't you 832 00:47:59,600 --> 00:48:02,640 Speaker 1: know me, soften this extremist shit and see what the 833 00:48:02,719 --> 00:48:04,759 Speaker 1: fuck we can do to you know, help out the 834 00:48:05,360 --> 00:48:07,680 Speaker 1: corporate interests even more so, like in in a more 835 00:48:07,719 --> 00:48:10,360 Speaker 1: aggressive way rather than we already have between the two parties. 836 00:48:11,280 --> 00:48:15,000 Speaker 1: But is this like so Andrew Yang tried the Forward 837 00:48:15,040 --> 00:48:18,239 Speaker 1: Party right where he was trying to be like where 838 00:48:18,520 --> 00:48:20,480 Speaker 1: we need to get rid of the far left and 839 00:48:20,560 --> 00:48:23,600 Speaker 1: the far right and just move forward. That's the only 840 00:48:23,680 --> 00:48:26,880 Speaker 1: direction I care about, and nobody there there was no 841 00:48:27,239 --> 00:48:30,320 Speaker 1: support for it. So, I mean, it feels like the 842 00:48:30,520 --> 00:48:33,839 Speaker 1: place that a force like this has had the most 843 00:48:33,880 --> 00:48:40,239 Speaker 1: success operating is behind the scenes, right, Yeah, that is 844 00:48:40,280 --> 00:48:43,040 Speaker 1: their proposal. They're they're going to keep operating from behind 845 00:48:43,080 --> 00:48:47,360 Speaker 1: the scenes, but just add a candidate to to the 846 00:48:47,880 --> 00:48:50,640 Speaker 1: mix as a third party candidate. Or are they trying 847 00:48:50,680 --> 00:48:55,440 Speaker 1: to like formally get something together where they're like this 848 00:48:56,320 --> 00:49:00,279 Speaker 1: this is our like no labels, is no kind of 849 00:49:00,400 --> 00:49:04,840 Speaker 1: edge sounding party. No, They're they're just there to fuck around, okay, 850 00:49:05,080 --> 00:49:07,480 Speaker 1: you know, and like, like I've said, they've been doing 851 00:49:07,560 --> 00:49:11,040 Speaker 1: this since twenty ten. Yeah, and you know, I'm I'm 852 00:49:11,080 --> 00:49:13,200 Speaker 1: trying to think who was like in the beginnings of that, 853 00:49:13,400 --> 00:49:15,440 Speaker 1: I think, like Michael Bloomberg, you know, just to have 854 00:49:15,520 --> 00:49:17,239 Speaker 1: an idea of like the kinds of people that were 855 00:49:17,280 --> 00:49:19,640 Speaker 1: like piling around with them. Essentially, what it is is 856 00:49:20,239 --> 00:49:23,160 Speaker 1: no labels except look, we're here to fucking keep the 857 00:49:23,280 --> 00:49:26,239 Speaker 1: status quo. That's really all it is, Like, we're not 858 00:49:26,360 --> 00:49:29,319 Speaker 1: interested in anything that I think to them, the extremes 859 00:49:29,520 --> 00:49:32,279 Speaker 1: are disrupting the status quo, especially as it relates to 860 00:49:32,360 --> 00:49:36,240 Speaker 1: things like energy policy or the financial sector, or taxes 861 00:49:36,320 --> 00:49:38,759 Speaker 1: and things like that, and that's why they've been, you know, 862 00:49:39,280 --> 00:49:44,399 Speaker 1: slowly just pushing their influence since the last thirteen years. Yeah, 863 00:49:44,640 --> 00:49:48,200 Speaker 1: so we've already seen what a no Labels party looks like, 864 00:49:48,360 --> 00:49:53,680 Speaker 1: and it is the obstruction of Joe Mansion and cinema 865 00:49:53,760 --> 00:49:58,480 Speaker 1: and all that shit. Yeah, it's like extremely frustrating for everybody. Yeah. Yeah, 866 00:49:59,200 --> 00:50:02,080 Speaker 1: they're supposedly having like a convention, They're gonna have a 867 00:50:02,160 --> 00:50:04,760 Speaker 1: nominating convention in April of twenty twenty four in Dallas. 868 00:50:04,880 --> 00:50:07,080 Speaker 1: But again they're like we're you know, we're still we're 869 00:50:07,120 --> 00:50:09,080 Speaker 1: still figuring it out. Because if they said they were 870 00:50:09,200 --> 00:50:12,719 Speaker 1: going to do stuff more like disclosures would have to happen. 871 00:50:12,840 --> 00:50:15,000 Speaker 1: So they're like playing this like fuck, They're walking this 872 00:50:15,239 --> 00:50:17,600 Speaker 1: line of like being like, who, we got all this money, 873 00:50:17,680 --> 00:50:19,120 Speaker 1: but you don't know where it's from, and we won't 874 00:50:19,160 --> 00:50:21,959 Speaker 1: tell you, and we don't have to until we nominate someone, 875 00:50:22,000 --> 00:50:23,360 Speaker 1: and then we only have to desert. We only have 876 00:50:23,440 --> 00:50:27,879 Speaker 1: to disclose from that point forward, not retroactively. So it's 877 00:50:28,040 --> 00:50:31,840 Speaker 1: very like murky in this way. You're like who who is? 878 00:50:32,080 --> 00:50:34,759 Speaker 1: Like who the fuck like is really pushing all this? 879 00:50:35,080 --> 00:50:36,680 Speaker 1: But when you look at the kinds of people that 880 00:50:36,760 --> 00:50:39,960 Speaker 1: are like lining up, like Joe Lieberman and like Susan 881 00:50:40,080 --> 00:50:42,200 Speaker 1: Collins and like these other people, you're like, oh, these 882 00:50:42,239 --> 00:50:45,320 Speaker 1: people are just soul this like husks of like Congress 883 00:50:45,400 --> 00:50:47,719 Speaker 1: people that are just there to do whatever that is 884 00:50:47,719 --> 00:50:53,919 Speaker 1: asked of them from their donors. The Hunger Games author RNs, Yeah, 885 00:50:54,160 --> 00:51:01,120 Speaker 1: Suzanne Collins love her work. Yeah. And then also like 886 00:51:01,239 --> 00:51:03,720 Speaker 1: some of the people that are like behind the scenes 887 00:51:03,760 --> 00:51:05,520 Speaker 1: that a lot of people are like, oh, who's like 888 00:51:05,640 --> 00:51:08,600 Speaker 1: the CEO, This woman Nancy Jacobsen. She was a main 889 00:51:08,920 --> 00:51:13,960 Speaker 1: Clinton fundraiser and her husband also a Clinton campaign advisor. 890 00:51:14,320 --> 00:51:16,720 Speaker 1: And then you just have like again like Joe Lieberman, 891 00:51:16,760 --> 00:51:19,759 Speaker 1: who went from senator to fucking lobbyist, and like people 892 00:51:19,840 --> 00:51:23,359 Speaker 1: like Susan Collins who talked many times like I don't 893 00:51:23,400 --> 00:51:26,440 Speaker 1: think she knows. She just reads a script basically when 894 00:51:26,520 --> 00:51:29,839 Speaker 1: she's out there, and yeah, that these are the kinds 895 00:51:29,840 --> 00:51:32,000 Speaker 1: of people who are like might not be They're like, well, 896 00:51:32,040 --> 00:51:34,279 Speaker 1: we're not really trying to do like ethno nationalism, but 897 00:51:34,480 --> 00:51:36,759 Speaker 1: it's not going to affect us if that takes over 898 00:51:37,280 --> 00:51:40,360 Speaker 1: as long as like the tax benefits are secured, you know, 899 00:51:40,480 --> 00:51:42,520 Speaker 1: And that's when you can kind of see the real 900 00:51:42,560 --> 00:51:45,439 Speaker 1: cynical nature of how this group is moving. But yeah, 901 00:51:45,480 --> 00:51:48,480 Speaker 1: the real threat to them is the left. Is any 902 00:51:48,600 --> 00:51:51,399 Speaker 1: sort of leftist policy. It's not the it's not the right. 903 00:51:52,040 --> 00:51:54,680 Speaker 1: But that's you know, that's the bullshit smokescreen to act 904 00:51:54,760 --> 00:51:58,160 Speaker 1: like they're they're truly somehow in the middle, when they're like, dude, 905 00:51:58,200 --> 00:52:00,200 Speaker 1: if they fucking because if you think about the main 906 00:52:00,320 --> 00:52:03,480 Speaker 1: things that they really wanted to affect, like even with 907 00:52:03,840 --> 00:52:07,720 Speaker 1: the early Joe Biden like agenda, it's like voting rights, 908 00:52:08,280 --> 00:52:10,319 Speaker 1: you know, things to do with like our energy mix 909 00:52:10,480 --> 00:52:14,200 Speaker 1: and like climate change, then yeah, why would you want 910 00:52:14,239 --> 00:52:17,000 Speaker 1: to have like fairer elections if you know all the 911 00:52:17,040 --> 00:52:20,279 Speaker 1: analysis that tells all these CEOs and people that it's 912 00:52:20,280 --> 00:52:23,080 Speaker 1: like the numbers are shrinking for this kind of shit. Yeah, 913 00:52:23,480 --> 00:52:25,200 Speaker 1: like we got to figure out how to stay like 914 00:52:25,560 --> 00:52:27,840 Speaker 1: because there's too many poor people that are starting to 915 00:52:27,880 --> 00:52:32,759 Speaker 1: figure out that we're the ones making it the problem. Right, Yeah, 916 00:52:32,800 --> 00:52:35,960 Speaker 1: I'd be interested to see, like what policies passed by 917 00:52:36,000 --> 00:52:40,480 Speaker 1: the trumb administration they actually object to, you know, right, 918 00:52:40,560 --> 00:52:43,520 Speaker 1: what legislation would Yeah, they love those, they love those 919 00:52:43,560 --> 00:52:47,279 Speaker 1: tax cuts. Yeah, I'll tell you them. But it also 920 00:52:47,719 --> 00:52:50,680 Speaker 1: uh Jack, I mean I think I think the bit 921 00:52:50,760 --> 00:52:54,600 Speaker 1: that you gave about about like a toxic boyfriend or something, 922 00:52:54,760 --> 00:52:59,640 Speaker 1: you know, I guess not boyfriend is no labels like yeah, 923 00:53:00,400 --> 00:53:05,160 Speaker 1: I appreciate you a thing. It's like it's like one 924 00:53:05,160 --> 00:53:10,120 Speaker 1: of those each other, so diminishing. It actually reduces down 925 00:53:10,480 --> 00:53:14,520 Speaker 1: what we actually are. Yeah, what we are is that 926 00:53:15,360 --> 00:53:18,160 Speaker 1: like I love you in the same way. There's a 927 00:53:18,280 --> 00:53:22,920 Speaker 1: chapel in a hospital. That's how that might be a 928 00:53:23,040 --> 00:53:25,800 Speaker 1: terrible thing to tell someone, you know where This is 929 00:53:25,840 --> 00:53:27,600 Speaker 1: definitely a weapon that is going to be used on 930 00:53:28,000 --> 00:53:31,719 Speaker 1: dating apps or probably has been for years. But I 931 00:53:31,840 --> 00:53:34,680 Speaker 1: think I think it just gets the jump on like whatever, 932 00:53:35,320 --> 00:53:39,080 Speaker 1: like the hypocrisy allegations like you just have no there's 933 00:53:39,120 --> 00:53:41,759 Speaker 1: no obligation to consistency, and so you can absolutely just 934 00:53:41,960 --> 00:53:45,239 Speaker 1: cherry pick and pick and choose if there is a 935 00:53:45,360 --> 00:53:48,080 Speaker 1: democratic or whatever policy that comes up that you're like, oh, 936 00:53:48,120 --> 00:53:50,480 Speaker 1: actually that might that might be great for us, you 937 00:53:50,520 --> 00:53:54,160 Speaker 1: know what I mean. It's like, yeah, yeah, it is. 938 00:53:54,640 --> 00:53:57,480 Speaker 1: You're just you're it's so undernose in the way that 939 00:53:57,560 --> 00:54:00,759 Speaker 1: it's finding they're finding themselves to manipulate, in the way 940 00:54:00,800 --> 00:54:08,320 Speaker 1: that our boyfriend partner something like it's an entanglement, an entanglement, 941 00:54:08,400 --> 00:54:11,239 Speaker 1: an entanglement. Yeah. In the same way that there's no 942 00:54:11,400 --> 00:54:14,640 Speaker 1: writer good enough to come up with the name Hardling Crowe, 943 00:54:15,160 --> 00:54:19,000 Speaker 1: there is no satirist good enough to come up with 944 00:54:19,080 --> 00:54:22,600 Speaker 1: a party that is the labels Party. That's just like, 945 00:54:23,520 --> 00:54:26,960 Speaker 1: come on, man, yeah, I don't I don't like labels. 946 00:54:27,239 --> 00:54:29,080 Speaker 1: Just to give you like an idea, like on their website, 947 00:54:29,120 --> 00:54:31,200 Speaker 1: like what they're saying, there's like one tab that's a 948 00:54:31,440 --> 00:54:35,480 Speaker 1: insurance policy twenty twenty four and they're saying no labels 949 00:54:35,560 --> 00:54:38,239 Speaker 1: is ensuring working to ensure Americans have the choice to 950 00:54:38,320 --> 00:54:40,160 Speaker 1: vote for a president will take it that features strong, 951 00:54:40,200 --> 00:54:42,840 Speaker 1: effective and honest leaders. Will commit to working closely with 952 00:54:43,120 --> 00:54:47,680 Speaker 1: both parties to find common sense solutions to America's biggest problems. 953 00:54:47,920 --> 00:54:51,320 Speaker 1: Our strategy, we are preparing for the possibility of nominating candidate, 954 00:54:51,560 --> 00:54:53,759 Speaker 1: we have not yet committed to do so. We will 955 00:54:53,840 --> 00:54:57,759 Speaker 1: aren't only under the proper environmental conditions which must be 956 00:54:57,880 --> 00:54:59,759 Speaker 1: met for us to proceed. Like you see how there 957 00:54:59,760 --> 00:55:04,600 Speaker 1: are being like here comes the blade, the guillotine blades. Oh, 958 00:55:04,760 --> 00:55:08,360 Speaker 1: it's only gonna come down with the right environmental fucking conditions. 959 00:55:08,680 --> 00:55:10,719 Speaker 1: And then they go on to say our project will 960 00:55:10,719 --> 00:55:13,840 Speaker 1: proceed down one of two paths. The first, the major 961 00:55:14,000 --> 00:55:16,920 Speaker 1: parties wake up, they see the growing voice and leverage 962 00:55:16,960 --> 00:55:20,880 Speaker 1: of the common sense majority that doesn't exist, and nominate 963 00:55:20,920 --> 00:55:23,759 Speaker 1: candidates and release policy platforms that cater to the needs 964 00:55:23,760 --> 00:55:27,080 Speaker 1: of this majority instead of the wants of a partisan minority. 965 00:55:27,320 --> 00:55:29,440 Speaker 1: If at least one of the major parties does this, 966 00:55:29,800 --> 00:55:32,960 Speaker 1: there's no need or path for an independent unity ticket 967 00:55:33,000 --> 00:55:35,279 Speaker 1: and no labels will stand down and double down on 968 00:55:35,320 --> 00:55:37,600 Speaker 1: the great work we've done been doing in Congress. Or 969 00:55:38,600 --> 00:55:41,239 Speaker 1: both parties keep forcing the American people down a road 970 00:55:41,280 --> 00:55:44,200 Speaker 1: they don't want to go and nominate candidates. Most Americans 971 00:55:44,280 --> 00:55:46,680 Speaker 1: don't want to vote for If this happens and No 972 00:55:47,280 --> 00:55:49,520 Speaker 1: Labels polling in the research show there is about the 973 00:55:49,600 --> 00:55:51,720 Speaker 1: victory for a Unity ticket to win the electoral college, 974 00:55:51,920 --> 00:55:56,200 Speaker 1: then we will offer our ballot line to a ticket yep. 975 00:55:57,080 --> 00:56:00,920 Speaker 1: And that ballot line again is being purchased loopholes. That's 976 00:56:00,960 --> 00:56:05,759 Speaker 1: why they have access. Is allergious something to think about. 977 00:56:07,200 --> 00:56:13,200 Speaker 1: Y yeah, it's it's really wild too, Like the website is. 978 00:56:13,520 --> 00:56:17,000 Speaker 1: It's done in a way that's really unsettling because for 979 00:56:17,239 --> 00:56:19,239 Speaker 1: the amount of money that goes in, like they're using 980 00:56:19,360 --> 00:56:23,080 Speaker 1: impact funt like in certain parts and I'm like, dude, 981 00:56:23,120 --> 00:56:25,520 Speaker 1: this looks like a fucking like science Fair slideshow I 982 00:56:25,600 --> 00:56:28,279 Speaker 1: made like in eighth grade. But it's like, no one 983 00:56:28,360 --> 00:56:30,960 Speaker 1: has ever built an infrastructure for an independent like No 984 00:56:31,160 --> 00:56:33,640 Speaker 1: Labels is building for twenty twenty four in that you're 985 00:56:33,760 --> 00:56:36,320 Speaker 1: buying as much as you can like in terms of 986 00:56:36,640 --> 00:56:40,040 Speaker 1: you know, setting up this infrastructure. So anyway, they apparently 987 00:56:40,120 --> 00:56:42,720 Speaker 1: think that there's no Sich thing as a spoiler candidate 988 00:56:43,120 --> 00:56:45,640 Speaker 1: and it's all good and this is actually what the 989 00:56:45,680 --> 00:56:47,960 Speaker 1: people want. So I think if you look at polling, 990 00:56:48,040 --> 00:56:49,759 Speaker 1: most people are look like, I don't know, y'all gonna 991 00:56:49,800 --> 00:56:55,799 Speaker 1: tackle inflation or affordable housing or you know, wage wage stagnation. 992 00:56:56,160 --> 00:56:58,680 Speaker 1: Are those are those things on your platform or is 993 00:56:58,680 --> 00:57:00,080 Speaker 1: it gonna be like what we got to work with 994 00:57:00,200 --> 00:57:05,840 Speaker 1: both sides here, meaning us the billionaires and you the workers. 995 00:57:06,680 --> 00:57:10,160 Speaker 1: We talk a lot about or I often say that America, 996 00:57:10,440 --> 00:57:13,600 Speaker 1: like if America is a human body, it is allergic 997 00:57:13,760 --> 00:57:17,280 Speaker 1: to like socialism and socialist ideals. And I think one 998 00:57:17,320 --> 00:57:20,520 Speaker 1: of the first times I've started thinking about that was 999 00:57:20,760 --> 00:57:23,640 Speaker 1: when we were talking about like, but clearly they just 1000 00:57:23,760 --> 00:57:26,640 Speaker 1: need like a third party candidate to the left of 1001 00:57:26,760 --> 00:57:30,120 Speaker 1: Biden to like force them to the left, and just 1002 00:57:30,360 --> 00:57:33,200 Speaker 1: knowing that like that could never happen, and of course 1003 00:57:33,480 --> 00:57:38,600 Speaker 1: the alternative happens that yeah, it's a candidate to Biden's right, 1004 00:57:38,880 --> 00:57:42,160 Speaker 1: right right is trying to pull them further right because 1005 00:57:42,320 --> 00:57:44,560 Speaker 1: that's where the money is. This kind of goes along 1006 00:57:44,640 --> 00:57:47,680 Speaker 1: with like our predictions for this year that we're going 1007 00:57:47,720 --> 00:57:51,400 Speaker 1: to see the billionaire clapback of calling people who are 1008 00:57:51,440 --> 00:57:53,920 Speaker 1: looking like that called them out is like haters. And 1009 00:57:54,080 --> 00:57:56,400 Speaker 1: now they're trying to make like they're trying to formalize 1010 00:57:56,480 --> 00:57:58,439 Speaker 1: their power by being like, well, we can just start 1011 00:57:58,560 --> 00:58:01,200 Speaker 1: kingmaking outside of the two parts parties like or use 1012 00:58:01,280 --> 00:58:04,800 Speaker 1: that threat to bring you in line, and it's like, huh, wonder, 1013 00:58:05,000 --> 00:58:07,560 Speaker 1: I wonder where that goes. Yeah, stands to stand down, 1014 00:58:07,960 --> 00:58:13,959 Speaker 1: like explicitly using like stands down as you know. Yeah, 1015 00:58:14,720 --> 00:58:17,360 Speaker 1: ideally we'd like to stand or whatever the whatever the 1016 00:58:17,480 --> 00:58:20,440 Speaker 1: the syntact with us, but like that's right and be 1017 00:58:20,560 --> 00:58:22,360 Speaker 1: a team. That's a little bit got complex that I've 1018 00:58:22,360 --> 00:58:28,200 Speaker 1: ever heard one much better callback to the fallow up boy. 1019 00:58:28,720 --> 00:58:30,640 Speaker 1: I think we were talking about up. I think we're 1020 00:58:30,640 --> 00:58:36,040 Speaker 1: all pulling our fair share right here. Oh yeah, Whitland. 1021 00:58:36,080 --> 00:58:38,320 Speaker 1: It's been such a pleasure having me on the show. 1022 00:58:38,520 --> 00:58:41,360 Speaker 1: Thank you. Where where can people find you? Follow you 1023 00:58:41,800 --> 00:58:44,520 Speaker 1: all that good stuff for the next couple of weeks. 1024 00:58:44,520 --> 00:58:46,800 Speaker 1: You can find me here in Portland at Portland Center 1025 00:58:46,880 --> 00:58:51,400 Speaker 1: Stage and uh, Terrella mccraney's a choir boy directed by 1026 00:58:51,480 --> 00:58:55,000 Speaker 1: Chip Miller and I'm doing a I'm talking and I'm 1027 00:58:55,320 --> 00:58:58,400 Speaker 1: singing and uh and you might cry to bring your cleanex. 1028 00:58:58,800 --> 00:59:00,360 Speaker 1: But other than that, you can find me on my 1029 00:59:00,480 --> 00:59:05,840 Speaker 1: social Instagram and TikTok. It's at not Whitland because I 1030 00:59:05,960 --> 00:59:07,960 Speaker 1: thought I was cool in meta but I was actually 1031 00:59:08,080 --> 00:59:13,560 Speaker 1: just sixteen, So at not Woodland everywhere and uh yeah, 1032 00:59:13,640 --> 00:59:18,320 Speaker 1: that's That's where I'm at. Yeah, yeah, amazing follow go 1033 00:59:19,240 --> 00:59:26,600 Speaker 1: go to thick Tom. Is there a work of media 1034 00:59:26,760 --> 00:59:30,880 Speaker 1: that you've been enjoying. Yeah yeah. I um My, hero 1035 00:59:31,000 --> 00:59:35,200 Speaker 1: Academia is an anime that just had their season finale, 1036 00:59:35,840 --> 00:59:40,320 Speaker 1: and um it's actually turned into I guess this like 1037 00:59:40,520 --> 00:59:42,680 Speaker 1: last little bit of their season that they just had 1038 00:59:42,720 --> 00:59:45,960 Speaker 1: has really turned into like a beautiful commentary on like 1039 00:59:46,120 --> 00:59:49,760 Speaker 1: patriarchal masculinity and kind of like the main character having 1040 00:59:49,800 --> 00:59:53,960 Speaker 1: to reform his idea of what his mascut like what 1041 00:59:54,120 --> 00:59:56,880 Speaker 1: he will do with this. But the show's about superpowers essentially, 1042 00:59:57,520 --> 01:00:01,080 Speaker 1: and this character has inherited what is is the greatest 1043 01:00:01,120 --> 01:00:05,240 Speaker 1: power in the world and his and um, you know 1044 01:00:05,480 --> 01:00:08,720 Speaker 1: he's his idol who's given him the power was like 1045 01:00:09,120 --> 01:00:12,880 Speaker 1: always smile, you got to save people, sacrifice yourself, put 1046 01:00:12,920 --> 01:00:15,600 Speaker 1: your body last. You know, all of these like kind 1047 01:00:15,640 --> 01:00:21,600 Speaker 1: of toxic, self destructive, patriarchal ideals for masculinity. And he 1048 01:00:21,960 --> 01:00:24,600 Speaker 1: isolated himself and he you know, this character, you're watching 1049 01:00:24,680 --> 01:00:26,960 Speaker 1: him deteriorate over time because he's like focused on the 1050 01:00:27,000 --> 01:00:30,240 Speaker 1: mission because he can't ask for help, and you know, 1051 01:00:30,360 --> 01:00:32,880 Speaker 1: all of his community comes together to like bring him 1052 01:00:32,920 --> 01:00:34,760 Speaker 1: home and bring him to the hospital and bring him 1053 01:00:34,800 --> 01:00:36,760 Speaker 1: back into their their kind of their base. Right. So 1054 01:00:37,680 --> 01:00:39,520 Speaker 1: in a weird way, I'm like, wow, this is this 1055 01:00:39,680 --> 01:00:41,000 Speaker 1: is I don't know if this was intended by the 1056 01:00:41,040 --> 01:00:44,600 Speaker 1: people who wrote this, but it's like it is kind 1057 01:00:44,640 --> 01:00:47,800 Speaker 1: of reframing and resentering what the beauty of that character was, 1058 01:00:47,880 --> 01:00:51,959 Speaker 1: which is that he was thoughtful, he was intelligent, he thought, 1059 01:00:52,280 --> 01:00:55,640 Speaker 1: you know, non traditionally about problem problem solving, and like 1060 01:00:55,800 --> 01:01:01,000 Speaker 1: didn't have to use brute force all the time. And yeah, 1061 01:01:01,040 --> 01:01:03,280 Speaker 1: they've they've they've really tied a beautiful bow here, and 1062 01:01:03,360 --> 01:01:05,080 Speaker 1: that that's something that I love to see in anime 1063 01:01:05,160 --> 01:01:08,360 Speaker 1: in particular, but like in all media, you know. So, yeah, 1064 01:01:08,600 --> 01:01:14,200 Speaker 1: my hero Academia really dope. Nice. Where where do you Hulu? 1065 01:01:14,240 --> 01:01:16,360 Speaker 1: You can scream it on Hulu there you go, or 1066 01:01:17,480 --> 01:01:20,520 Speaker 1: anywhere that you might watch any a YouTube, TV or 1067 01:01:20,600 --> 01:01:22,680 Speaker 1: something that's if you want to watch it in English. 1068 01:01:22,880 --> 01:01:24,480 Speaker 1: A friend of mine, I a friend of mine that 1069 01:01:24,520 --> 01:01:26,160 Speaker 1: I've just convinced to watch it, was like, yeah, I'll 1070 01:01:26,200 --> 01:01:28,520 Speaker 1: do it, but I can't do subtitles. I was like, 1071 01:01:29,080 --> 01:01:31,400 Speaker 1: watch it on YouTube on Hulu. For the most part, 1072 01:01:31,440 --> 01:01:33,160 Speaker 1: you can get through most of it in English also, 1073 01:01:33,400 --> 01:01:35,680 Speaker 1: but do the subtitles. You can do the subtitles. You 1074 01:01:35,720 --> 01:01:38,800 Speaker 1: get some Japanese in your ears, you know. Yeah, there 1075 01:01:38,880 --> 01:01:41,880 Speaker 1: you go, Miles. How about you? Where can people find you? 1076 01:01:42,400 --> 01:01:47,280 Speaker 1: How about tweet? Well, Jack Drill, good to have you back. 1077 01:01:48,000 --> 01:01:50,760 Speaker 1: But this putting this thing right back on the rails 1078 01:01:50,880 --> 01:01:52,840 Speaker 1: because it was touch and go there for a while. 1079 01:01:52,840 --> 01:01:55,240 Speaker 1: I'm not gonna lie be coming back from parental leave, 1080 01:01:55,640 --> 01:01:58,320 Speaker 1: not sure what news was and I know what's screaming 1081 01:01:59,680 --> 01:02:01,400 Speaker 1: but in away. Yeah. You can find me on Twitter 1082 01:02:01,440 --> 01:02:04,280 Speaker 1: and Instagram at Miles of Gray. You can also find 1083 01:02:04,520 --> 01:02:06,880 Speaker 1: Jack and I on our basketball podcast, Miles and Jack 1084 01:02:06,960 --> 01:02:12,600 Speaker 1: Got boostes. Whoa yeah a playoffs are coming and somehow 1085 01:02:13,080 --> 01:02:16,200 Speaker 1: my Lakers are gonna be in the conversation with a 1086 01:02:16,240 --> 01:02:18,800 Speaker 1: little bit of bead of sweat goes down my face. Uh. 1087 01:02:18,920 --> 01:02:20,560 Speaker 1: And you can also check me out on four twenty 1088 01:02:20,600 --> 01:02:22,720 Speaker 1: Day Fiance where I talk ninety day Fiance but like 1089 01:02:22,840 --> 01:02:27,800 Speaker 1: really high with Sophia Alexandra. And then let's see a 1090 01:02:27,840 --> 01:02:31,360 Speaker 1: tweet I like, where was it? Oh? This one's from 1091 01:02:31,440 --> 01:02:34,520 Speaker 1: Sarah Hadji at kind of h a G. I tweeted, 1092 01:02:34,760 --> 01:02:37,280 Speaker 1: I haven't gone to the dentist in a very long 1093 01:02:37,400 --> 01:02:41,840 Speaker 1: time parenthetical broke, freelancer and uninsured. I've got haven't gone 1094 01:02:41,960 --> 01:02:43,680 Speaker 1: in so long that when I told the reception is 1095 01:02:43,720 --> 01:02:47,160 Speaker 1: how long it had been, she just went, oh wow, anyway, 1096 01:02:47,320 --> 01:02:50,800 Speaker 1: looking forward to seeing how far dentistry has come. I 1097 01:02:50,880 --> 01:02:55,120 Speaker 1: don't know why I always relate to like dentistry anxiety 1098 01:02:55,200 --> 01:02:59,000 Speaker 1: tweets or whatever, because I also have like this experience 1099 01:02:59,040 --> 01:03:01,080 Speaker 1: with my dentists where it's kind of like, oh, okay, 1100 01:03:01,120 --> 01:03:04,120 Speaker 1: I've been a minute. I'm like, I know full I know. 1101 01:03:04,960 --> 01:03:07,200 Speaker 1: I don't make me feel bad about it's already I've been. 1102 01:03:07,280 --> 01:03:10,479 Speaker 1: I've been already hiding from this response in my mind 1103 01:03:10,600 --> 01:03:14,040 Speaker 1: for the last two years. I'm back. Please just let's 1104 01:03:14,120 --> 01:03:16,040 Speaker 1: get to it and then tell me what the damage 1105 01:03:16,120 --> 01:03:17,600 Speaker 1: is and let me be on my way. I don't 1106 01:03:17,640 --> 01:03:21,920 Speaker 1: want to hear oh wow, Miles, it's really been a while. Huh. 1107 01:03:22,920 --> 01:03:25,600 Speaker 1: These the same teeth as last time. It's been so long. 1108 01:03:25,680 --> 01:03:27,960 Speaker 1: I just said, you're still working with the same Still 1109 01:03:28,160 --> 01:03:34,760 Speaker 1: whoa are these wood? Oh No. The only person that's 1110 01:03:34,760 --> 01:03:36,720 Speaker 1: allowed to shame me for not calling for a long 1111 01:03:36,800 --> 01:03:38,480 Speaker 1: time is like my aunt. You know what I mean. 1112 01:03:39,240 --> 01:03:41,720 Speaker 1: I don't need it from you, no exactly, but that's 1113 01:03:41,760 --> 01:03:43,760 Speaker 1: a problem when you've gone to a dentist, like, since 1114 01:03:43,840 --> 01:03:46,720 Speaker 1: you're you had teeth, that's my relationship because it's like 1115 01:03:46,840 --> 01:03:49,920 Speaker 1: family already. Anyway, shout out to him, great great dentist, 1116 01:03:49,920 --> 01:03:54,120 Speaker 1: So great tent Keep my teeth good tweet I enjoyed 1117 01:03:54,200 --> 01:03:57,520 Speaker 1: EJ at EJ having fun tweeted regular people drive Kia 1118 01:03:57,600 --> 01:04:03,240 Speaker 1: souls Now. By the way, it's not just hamsters big news. 1119 01:04:03,960 --> 01:04:06,680 Speaker 1: If you haven't heard, you can find me on Twitter 1120 01:04:06,720 --> 01:04:09,120 Speaker 1: at Jack Underscore O'Brien. You can find us on Twitter 1121 01:04:09,200 --> 01:04:12,240 Speaker 1: at Daily Zeitgeist. We're at the Daily Zeitgeist on Instagram. 1122 01:04:12,360 --> 01:04:15,000 Speaker 1: We have a Facebook fan page on a website Daily 1123 01:04:15,120 --> 01:04:17,280 Speaker 1: zeitgeist dot com, where we post our episodes on our 1124 01:04:17,280 --> 01:04:19,960 Speaker 1: foot no Bernard, we link off to the information that 1125 01:04:20,000 --> 01:04:22,439 Speaker 1: we talked about in today's episode, as well as a song. 1126 01:04:22,880 --> 01:04:26,040 Speaker 1: Do we think you might enjoy? Miles? Is there a song? 1127 01:04:27,400 --> 01:04:31,040 Speaker 1: I'm just look. I've found this Japanese beat maker named 1128 01:04:31,120 --> 01:04:34,840 Speaker 1: bug Seed and he is a fantastic like in the 1129 01:04:35,440 --> 01:04:38,360 Speaker 1: like the vein of like DJ Crush or like Nuja 1130 01:04:38,480 --> 01:04:43,320 Speaker 1: Best like one of these sampled making sampling beat making 1131 01:04:43,440 --> 01:04:47,240 Speaker 1: dudes and the boom bap levels of it are fantastic. 1132 01:04:47,640 --> 01:04:51,560 Speaker 1: This track is called Stonehead by bug Seed and just 1133 01:04:51,720 --> 01:04:53,960 Speaker 1: great samples and like all of the all of the 1134 01:04:54,040 --> 01:04:56,200 Speaker 1: beats are just I don't know. It just makes me 1135 01:04:56,240 --> 01:04:58,000 Speaker 1: feel like I'm sixteen and I need to like smoke 1136 01:04:58,040 --> 01:05:00,320 Speaker 1: a blood and the Honda Civic and start freestyling. But 1137 01:05:00,480 --> 01:05:03,800 Speaker 1: these are fantastic instrumentals. But this one is called Stonehead, 1138 01:05:03,880 --> 01:05:06,280 Speaker 1: So check this one out by bugs There you go. 1139 01:05:06,440 --> 01:05:08,520 Speaker 1: You can find that in the footnotes. The Daily Ze 1140 01:05:08,640 --> 01:05:10,680 Speaker 1: Guys is a productor by Heart Radio. For more podcast 1141 01:05:10,760 --> 01:05:13,920 Speaker 1: from my heart Radio, visit the iHeartRadio app, Apple Podcasts, 1142 01:05:14,080 --> 01:05:15,720 Speaker 1: or wherever you listen to your favorite shows. That's going 1143 01:05:15,760 --> 01:05:17,880 Speaker 1: to do it for us this morning, back this afternoon 1144 01:05:17,920 --> 01:05:20,160 Speaker 1: to tell you what is trending, and we will talk 1145 01:05:20,160 --> 01:05:22,600 Speaker 1: to you all then bye bye, all right